1 00:00:00,000 --> 00:00:02,720 Speaker 1: I want to print called Charles bucker Kind. 2 00:00:02,880 --> 00:00:03,840 Speaker 2: That does sound fun? 3 00:00:04,800 --> 00:00:05,440 Speaker 1: Get my phone? 4 00:00:06,040 --> 00:00:09,040 Speaker 2: Well no, but then he'll see it's from you, my god. 5 00:00:09,039 --> 00:00:10,719 Speaker 2: But if we do it from Roy's phone, I have 6 00:00:10,720 --> 00:00:11,760 Speaker 2: his number on my phone. 7 00:00:11,920 --> 00:00:14,960 Speaker 1: Oh, do it right right now? 8 00:00:15,880 --> 00:00:17,080 Speaker 2: Do you feel comfortable enough. 9 00:00:16,960 --> 00:00:17,599 Speaker 1: To do it? Yeah? 10 00:00:17,880 --> 00:00:19,919 Speaker 3: Checking out cool. I've done this scene and in joint 11 00:00:19,960 --> 00:00:21,320 Speaker 3: a couple of times and we got. 12 00:00:21,280 --> 00:00:23,520 Speaker 2: That's what you did the show together? You were like 13 00:00:23,560 --> 00:00:24,520 Speaker 2: his first episode? 14 00:00:24,560 --> 00:00:26,239 Speaker 3: Yeah, yeah, second episode him and Gail. 15 00:00:26,320 --> 00:00:27,639 Speaker 2: What premise do you think you want to do? 16 00:00:27,960 --> 00:00:31,360 Speaker 3: I'm trying to think of what he cherished voice. No, 17 00:00:31,440 --> 00:00:33,920 Speaker 3: not enough on the phone. I know he like golf. 18 00:00:34,040 --> 00:00:35,680 Speaker 3: I know he likes red vodka. 19 00:00:35,920 --> 00:00:39,720 Speaker 1: Yep. His grand babies Henry little Henry. 20 00:00:39,800 --> 00:00:42,640 Speaker 3: Oh man, he's got a grand baby he just turned to. 21 00:00:43,320 --> 00:00:46,480 Speaker 3: His name is Henry. You can't call that baby, don't. 22 00:00:48,800 --> 00:00:50,040 Speaker 2: The baby is half Jewish? 23 00:00:50,280 --> 00:00:50,520 Speaker 1: No? 24 00:00:50,600 --> 00:00:55,200 Speaker 2: No, ok, okay, what's the he's going through? 25 00:00:55,520 --> 00:00:58,000 Speaker 1: No? No, what's her husband's name? 26 00:00:58,320 --> 00:00:58,960 Speaker 3: No? I got it. 27 00:00:59,000 --> 00:00:59,640 Speaker 1: I can look it up. 28 00:00:59,640 --> 00:01:01,720 Speaker 3: I got it. I know right now for a fact, 29 00:01:01,840 --> 00:01:04,200 Speaker 3: they're at they're they're shooting the same studio we shoot 30 00:01:04,240 --> 00:01:06,320 Speaker 3: in for seeing in. I know they're doing their march 31 00:01:06,360 --> 00:01:10,040 Speaker 3: mandnags pregame stuff. If I call him and just it's 32 00:01:10,040 --> 00:01:13,640 Speaker 3: got to be something employment related, like we need you 33 00:01:13,680 --> 00:01:24,800 Speaker 3: to start smiling more at work. Okay, no, young, Okay, 34 00:01:24,840 --> 00:01:26,880 Speaker 3: what about what about accused of? 35 00:01:27,840 --> 00:01:29,560 Speaker 2: That's the other thing is he might not pick up? 36 00:01:29,720 --> 00:01:33,119 Speaker 1: What about uh? Okay? What about Ilia? His daughter's husband? 37 00:01:33,480 --> 00:01:37,840 Speaker 1: It's not Henry's father. I am O god lady. 38 00:01:40,760 --> 00:01:43,120 Speaker 3: Okay, all right, so damn, you're sending me back in 39 00:01:43,160 --> 00:01:47,240 Speaker 3: the old days. Bro's like, let me get my notes together, 40 00:01:47,319 --> 00:01:49,360 Speaker 3: because see, this is the thing you need that first 41 00:01:49,480 --> 00:01:51,640 Speaker 3: minute laid out. You got to lay out the facts 42 00:01:51,720 --> 00:01:55,360 Speaker 3: and really establish a printed mister Barkley, you know it's 43 00:01:56,320 --> 00:01:58,080 Speaker 3: you know, it's unfortunate. 44 00:01:58,200 --> 00:02:00,880 Speaker 2: Christie is your daughter's name, Christian? 45 00:02:01,040 --> 00:02:01,880 Speaker 3: Unfortunate for me. 46 00:02:03,600 --> 00:02:04,600 Speaker 2: Is the husband's name. 47 00:02:05,760 --> 00:02:07,520 Speaker 3: I'm powering up. I'm powering up right now. 48 00:02:07,640 --> 00:02:10,520 Speaker 2: Yeah, all right, if he picks up, this would be great. 49 00:02:11,639 --> 00:02:11,839 Speaker 1: Yeah. 50 00:02:12,000 --> 00:02:14,520 Speaker 3: I just she won't talk to me. 51 00:02:16,600 --> 00:02:16,760 Speaker 1: Now. 52 00:02:16,800 --> 00:02:18,280 Speaker 3: You know. His next level is if we try and 53 00:02:18,280 --> 00:02:19,839 Speaker 3: get Chuck to pay for the paternity test. 54 00:02:20,440 --> 00:02:21,600 Speaker 1: Yes, let's do it. 55 00:02:21,720 --> 00:02:26,120 Speaker 3: Okay, what's the dartist's name? Christian husband's name? 56 00:02:26,919 --> 00:02:29,520 Speaker 2: I l y A, I'm sorry, Chuck. 57 00:02:30,919 --> 00:02:34,960 Speaker 3: And what's the what's the what's the child's name, Henry? Yeah, okay, 58 00:02:36,440 --> 00:02:38,119 Speaker 3: I don't know, two year old? 59 00:02:38,200 --> 00:02:40,959 Speaker 1: And you should say and and uh, you should say something. 60 00:02:41,040 --> 00:02:43,160 Speaker 1: I notice that Henry is a little darker than the 61 00:02:43,160 --> 00:02:45,320 Speaker 1: other baby. That's because. 62 00:02:46,760 --> 00:02:48,200 Speaker 3: I don't mean to bother in the middle of your 63 00:02:48,240 --> 00:02:50,280 Speaker 3: mante man discoverage passive to put the number in. 64 00:02:52,280 --> 00:02:56,040 Speaker 2: If not a voicemail. Do you ever leave frank voicemails. 65 00:02:55,800 --> 00:02:59,680 Speaker 3: Sometimes, but people just write it off like prank calls 66 00:02:59,720 --> 00:03:01,920 Speaker 3: back in today? Man, Like you gotta remember we was 67 00:03:01,919 --> 00:03:05,880 Speaker 3: doing four or five of these a day because you 68 00:03:05,960 --> 00:03:09,200 Speaker 3: needed something for the whole week. You do five, only 69 00:03:09,200 --> 00:03:11,720 Speaker 3: two gonna be usable. And if the two, only one 70 00:03:11,720 --> 00:03:15,600 Speaker 3: gonna sign the waiver. So, uh, you just cranking and 71 00:03:15,600 --> 00:03:17,520 Speaker 3: cranking and cranking, all right? 72 00:03:29,639 --> 00:03:37,040 Speaker 2: That's bang up track. 73 00:03:41,720 --> 00:03:44,240 Speaker 1: Hello Charles Barkley. 74 00:03:46,040 --> 00:03:51,640 Speaker 3: Oh yes, mister Barkley, this is uh the Wayne. Just 75 00:03:51,680 --> 00:03:53,119 Speaker 3: when you get a chance to get me a call, 76 00:03:53,160 --> 00:03:55,280 Speaker 3: I'm gonna text you right now. It's about it's a 77 00:03:55,360 --> 00:04:03,960 Speaker 3: paternity thing involving Cristiano. I just you just hit me back. 78 00:04:04,800 --> 00:04:06,800 Speaker 3: You got the number. You know how to read. 79 00:04:10,920 --> 00:04:13,000 Speaker 2: If he calls back in the middle of the podcast. 80 00:04:20,560 --> 00:04:22,440 Speaker 2: Now it's the best prank you've ever pulled on check. 81 00:04:23,680 --> 00:04:27,360 Speaker 1: I can't talk about it. My pranks are. 82 00:04:29,360 --> 00:04:29,680 Speaker 2: Listen. 83 00:04:30,160 --> 00:04:34,200 Speaker 1: Yeah, well my pranks are very very listen. So I 84 00:04:34,200 --> 00:04:36,840 Speaker 1: got a question. Yeah, how'd you end up hosting that 85 00:04:37,080 --> 00:04:37,640 Speaker 1: game show? 86 00:04:39,279 --> 00:04:42,440 Speaker 3: Have I got news for you? Quit the Daily Show? 87 00:04:42,920 --> 00:04:44,599 Speaker 3: That was the first thing I had to do. I'm 88 00:04:44,640 --> 00:04:46,760 Speaker 3: just trying to keep my phone in the place where 89 00:04:46,800 --> 00:04:50,680 Speaker 3: I can see it just in case it calls. I 90 00:04:50,760 --> 00:04:53,960 Speaker 3: left Daily Show and seeing it. It's a British remake. 91 00:04:54,200 --> 00:04:56,120 Speaker 3: All it is is a fake game show. We just 92 00:04:56,120 --> 00:04:57,600 Speaker 3: talked about the news of the week. We don't really 93 00:04:57,600 --> 00:04:59,320 Speaker 3: get into a bunch of opinions. It's just if you 94 00:04:59,400 --> 00:05:01,480 Speaker 3: missed what happened this week. You don't like reading newspapers, 95 00:05:01,480 --> 00:05:08,240 Speaker 3: but you want to laugh while you learn. Hello, what's 96 00:05:08,320 --> 00:05:12,719 Speaker 3: up boy? Oh wait, you got me saved in your phone? 97 00:05:13,680 --> 00:05:18,040 Speaker 2: Yeah yeah, damn. 98 00:05:20,080 --> 00:05:22,320 Speaker 3: Man, we was trying to prank call you. I'm sitting 99 00:05:22,360 --> 00:05:22,880 Speaker 3: here with Shack. 100 00:05:25,080 --> 00:05:26,400 Speaker 1: I got you with my phone. 101 00:05:27,360 --> 00:05:29,680 Speaker 3: Damn man, I thought you ain't saved my number. I 102 00:05:29,680 --> 00:05:31,799 Speaker 3: thought it was one of them. You took my number 103 00:05:31,839 --> 00:05:33,680 Speaker 3: and then just walked off and never saved it. 104 00:05:34,680 --> 00:05:36,159 Speaker 1: Oh man, you're crazy as hell. 105 00:05:37,200 --> 00:05:40,320 Speaker 3: What doing sending the a podcasting Higo Shack. 106 00:05:42,760 --> 00:05:45,200 Speaker 1: We tried to say that. We try to say that 107 00:05:46,080 --> 00:05:52,160 Speaker 1: Henry belongs to him and not your wife's husband, Like, 108 00:05:52,400 --> 00:05:58,680 Speaker 1: let me call all right, but I love you, I'll 109 00:05:58,680 --> 00:06:02,200 Speaker 1: see you, all right, brother peace? 110 00:06:04,160 --> 00:06:06,440 Speaker 3: All right. That's so, that's that's what happened for real. 111 00:06:06,560 --> 00:06:09,800 Speaker 3: What you call one person, call two people, call three people, 112 00:06:09,800 --> 00:06:11,760 Speaker 3: and then you finally get somebody, and then after that 113 00:06:11,920 --> 00:06:13,799 Speaker 3: then you just start calling random businesses. 114 00:06:14,200 --> 00:06:17,400 Speaker 1: Stephen A Smith, his baby mama and Stephanie. I want 115 00:06:17,480 --> 00:06:21,559 Speaker 1: you to say that you're marrying her. Hang on before 116 00:06:21,600 --> 00:06:24,640 Speaker 1: you hit go on the call. Who are we calling 117 00:06:24,800 --> 00:06:27,960 Speaker 1: stephen A Smith and we're gonna say that I'm going 118 00:06:28,040 --> 00:06:31,240 Speaker 1: to marry Stephanie and he can't call her or see 119 00:06:31,279 --> 00:06:32,240 Speaker 1: his daughter ever again? 120 00:06:32,360 --> 00:06:35,120 Speaker 3: Hang on before you press called. Let me collect? 121 00:06:35,440 --> 00:06:36,800 Speaker 1: Yeah, let him let him collect. 122 00:06:39,680 --> 00:06:43,800 Speaker 3: I'm also thinking about the the implications on the backside, 123 00:06:44,120 --> 00:06:46,000 Speaker 3: because you know, I do this prank on stephen A. 124 00:06:46,160 --> 00:06:47,720 Speaker 3: He become president, he deport Mike. 125 00:06:48,240 --> 00:06:49,480 Speaker 1: Then what no you got? 126 00:06:49,640 --> 00:06:54,200 Speaker 3: I promise you ain't gonna be funny in your aud. 127 00:06:55,720 --> 00:06:59,160 Speaker 1: Yeah my phone ready? Well hold on, no, no, I 128 00:06:59,240 --> 00:07:03,440 Speaker 1: got it, brother. Try I'm calling from another number. 129 00:07:03,640 --> 00:07:05,960 Speaker 3: And what's what's the woman's name again, Stephanie. 130 00:07:06,400 --> 00:07:07,719 Speaker 1: Okay, that's his baby mama. 131 00:07:07,960 --> 00:07:10,120 Speaker 3: Yeah, what's the child's name? I don't know. 132 00:07:11,080 --> 00:07:12,160 Speaker 1: Somebody looked that up. 133 00:07:14,040 --> 00:07:16,880 Speaker 4: If it's not going to be on the internet. See 134 00:07:16,880 --> 00:07:18,880 Speaker 4: you've opened up a bag with Shaq. Now this is 135 00:07:18,880 --> 00:07:19,880 Speaker 4: all he used to be doing. 136 00:07:21,160 --> 00:07:23,840 Speaker 2: But if you have two daughters, Samantha and Nyla. 137 00:07:23,920 --> 00:07:27,440 Speaker 3: You almost could only do the celebrity prank calls because 138 00:07:27,440 --> 00:07:29,120 Speaker 3: those are the only people that are going to legitimately 139 00:07:29,160 --> 00:07:30,840 Speaker 3: answer their phone because they know their phone numbers, so 140 00:07:30,920 --> 00:07:34,680 Speaker 3: protect it. Whoever this is must be somebody. This is bad. 141 00:07:35,120 --> 00:07:38,160 Speaker 3: Here we go, Here we go. What's her name? 142 00:07:38,720 --> 00:07:55,720 Speaker 1: Her name is Stephanie, the baby mamas and Stephane. This 143 00:07:55,880 --> 00:07:58,239 Speaker 1: is so bad. He ain't gonna answer. 144 00:07:59,520 --> 00:08:04,160 Speaker 3: Feeling in the pit of your stomach right beforemail. 145 00:08:08,400 --> 00:08:08,960 Speaker 1: Thank gosh. 146 00:08:08,960 --> 00:08:10,840 Speaker 3: All right, now, next time we'll line somebody up. 147 00:08:11,120 --> 00:08:17,040 Speaker 2: Yes, I've got so many reps in in the radio world, 148 00:08:17,760 --> 00:08:18,320 Speaker 2: you call it. 149 00:08:18,440 --> 00:08:21,120 Speaker 3: We call laundry mats, and we would ask if we 150 00:08:21,160 --> 00:08:24,680 Speaker 3: could cook the chickens in the dryer rotisserie style. Is 151 00:08:24,840 --> 00:08:29,840 Speaker 3: the dry get hot? We called That's when I need 152 00:08:29,880 --> 00:08:31,920 Speaker 3: to put back on YouTube. It's a spot in Atlanta. 153 00:08:32,679 --> 00:08:35,120 Speaker 3: Atlanta was the main city I would call because black 154 00:08:35,160 --> 00:08:38,640 Speaker 3: owned businesses in Atlanta that whatever you asked for it, 155 00:08:38,720 --> 00:08:41,600 Speaker 3: they gonna try and make it happen. Like I called 156 00:08:42,440 --> 00:08:45,600 Speaker 3: uh one of the spots that make they make burglar bars. 157 00:08:45,640 --> 00:08:48,439 Speaker 3: They do burglar bars for the house. I want to 158 00:08:48,440 --> 00:08:51,480 Speaker 3: put a burglar bar door on my cutlass. I won't 159 00:08:51,559 --> 00:08:53,400 Speaker 3: like my I want a burglar bar door. And then 160 00:08:53,480 --> 00:08:55,440 Speaker 3: my main door. I'm tired of breaking in my car 161 00:08:55,480 --> 00:08:57,599 Speaker 3: is still on my radio. So can you put a 162 00:08:57,640 --> 00:09:01,199 Speaker 3: burglar bar door on the on the door? Bring it 163 00:09:01,280 --> 00:09:03,199 Speaker 3: down here. I look at it and try to figure 164 00:09:03,200 --> 00:09:07,800 Speaker 3: it out. Tried to get my rot Wilder Fate bring 165 00:09:07,920 --> 00:09:10,559 Speaker 3: them by. Yeah, but no, That's how I got on 166 00:09:10,640 --> 00:09:10,920 Speaker 3: the show. 167 00:09:10,960 --> 00:09:11,120 Speaker 1: Man. 168 00:09:11,440 --> 00:09:13,960 Speaker 3: CNN was trying to do something different and have something 169 00:09:14,200 --> 00:09:16,320 Speaker 3: could meet it about the news that's not as heavy. 170 00:09:16,920 --> 00:09:18,680 Speaker 3: And you know, I'm thankful for the time on our 171 00:09:18,760 --> 00:09:20,880 Speaker 3: daily show and I'm Trevor Nowell. Put me on and 172 00:09:21,040 --> 00:09:24,720 Speaker 3: ye gave me a lot of runway. But the Daily 173 00:09:24,800 --> 00:09:27,480 Speaker 3: Show has to deal in like the solutions and the 174 00:09:27,640 --> 00:09:30,199 Speaker 3: heart of it and the pain of it where we 175 00:09:30,400 --> 00:09:33,280 Speaker 3: just get to man. We get around every Saturday night, Man, 176 00:09:33,559 --> 00:09:36,640 Speaker 3: and it's beautiful. We had Jasmin Crockett on the show, 177 00:09:36,720 --> 00:09:38,880 Speaker 3: but Money Jones had been through a couple of times. 178 00:09:39,360 --> 00:09:41,600 Speaker 3: Have some state reps from both sides of the aisle 179 00:09:42,200 --> 00:09:44,360 Speaker 3: come through, and so you know it's it's dope. 180 00:09:44,440 --> 00:09:44,600 Speaker 1: Man. 181 00:09:45,200 --> 00:09:47,839 Speaker 4: You said you scrubbed before the Daily Show, and I'm 182 00:09:47,880 --> 00:09:50,439 Speaker 4: sure there was some moments in the beginning where it 183 00:09:50,559 --> 00:09:52,480 Speaker 4: was like, man, I can't believe I'm here. I don't 184 00:09:52,480 --> 00:09:54,559 Speaker 4: want to put this up. When did it go from 185 00:09:54,600 --> 00:09:56,839 Speaker 4: I don't want to mess this up to this is 186 00:09:56,920 --> 00:09:58,240 Speaker 4: Mike and you're going to get. 187 00:09:58,080 --> 00:09:59,040 Speaker 2: All of it pause? 188 00:10:00,840 --> 00:10:07,760 Speaker 3: Probably like sorry, year two Trevor Trevor. When I saw 189 00:10:07,840 --> 00:10:09,960 Speaker 3: that Trevor was gonna give me a runway to cover 190 00:10:10,080 --> 00:10:14,679 Speaker 3: black stuff because you know, it's a predominant white show, 191 00:10:14,720 --> 00:10:18,520 Speaker 3: it's a white viewership, it's on Comedy Central. Other than 192 00:10:18,640 --> 00:10:20,760 Speaker 3: South Side. I don't think there was anything maybe Key 193 00:10:20,800 --> 00:10:22,040 Speaker 3: and Peel. I don't think there was anything on the 194 00:10:22,080 --> 00:10:24,360 Speaker 3: network that black people were really checking for on Comedy 195 00:10:24,400 --> 00:10:26,640 Speaker 3: Central at the time when I first got there, but 196 00:10:26,960 --> 00:10:30,800 Speaker 3: we would, Hey, I'll go to Trevor. A man, it's 197 00:10:30,880 --> 00:10:34,800 Speaker 3: a twentieth anniversary of a million mare in March. Let 198 00:10:34,840 --> 00:10:38,800 Speaker 3: me go cover that. Yeah, no problem. A South side 199 00:10:38,800 --> 00:10:41,000 Speaker 3: of Chicago. They say, black folks don't care about black 200 00:10:41,040 --> 00:10:43,360 Speaker 3: on black crime. It's a group of black folks that 201 00:10:43,440 --> 00:10:46,800 Speaker 3: walk the block and talk to them youngins. Can I go, yeah, 202 00:10:46,920 --> 00:10:50,920 Speaker 3: no problem. So once I realized that was like, oh, okay, 203 00:10:51,520 --> 00:10:54,319 Speaker 3: I can actually bring that I actually care about in 204 00:10:54,440 --> 00:10:57,240 Speaker 3: the community and actually walked that. One of the last 205 00:10:57,240 --> 00:10:59,400 Speaker 3: pieces I did was on cop City in Atlanta, where 206 00:10:59,400 --> 00:11:01,880 Speaker 3: it's black and white folks living in the forest to 207 00:11:01,920 --> 00:11:04,120 Speaker 3: keep them from building a police training facility. Like that 208 00:11:04,200 --> 00:11:06,959 Speaker 3: ain't the place where you're supposed to find jokes, but 209 00:11:07,120 --> 00:11:09,000 Speaker 3: that's where I like to go and look for the jokes. 210 00:11:09,080 --> 00:11:13,280 Speaker 3: And so that was like dope. But like that first year, Nah, 211 00:11:13,440 --> 00:11:16,400 Speaker 3: all you're doing is worrying about getting fired man, right, 212 00:11:16,840 --> 00:11:18,200 Speaker 3: Like I don't know if you ever heard that Coner 213 00:11:18,280 --> 00:11:21,280 Speaker 3: O'Brien's story, but they only gave him thirteen weeks for 214 00:11:21,440 --> 00:11:24,400 Speaker 3: two years. No, he had he was on a thirteen 215 00:11:24,440 --> 00:11:28,800 Speaker 3: week contract every three months for two years before NBC 216 00:11:29,040 --> 00:11:32,480 Speaker 3: was like for the Late Laid Show, the Late Lake 217 00:11:32,559 --> 00:11:34,200 Speaker 3: Show way back in the day. 218 00:11:34,200 --> 00:11:35,720 Speaker 2: That's like broadcasting ten days. 219 00:11:35,840 --> 00:11:38,000 Speaker 3: Yeah, and it ain't like I've ever done it, said somewhile. 220 00:11:38,280 --> 00:11:40,200 Speaker 3: But the idea at the time, when we talk about 221 00:11:40,240 --> 00:11:42,839 Speaker 3: cancel culture at that time, it wasn't whether or not 222 00:11:43,320 --> 00:11:46,280 Speaker 3: nobody weighed the severity of the thing. It was just, ooh, 223 00:11:46,440 --> 00:11:47,040 Speaker 3: you did a thing. 224 00:11:47,280 --> 00:11:48,440 Speaker 2: We're getting a lot of calls. 225 00:11:48,559 --> 00:11:49,199 Speaker 1: Get rid of them. 226 00:11:49,280 --> 00:11:51,599 Speaker 3: Get rid of them, So it don't matter what it was. 227 00:11:51,720 --> 00:11:53,360 Speaker 3: So yeah, So when I looked at that and I 228 00:11:53,440 --> 00:11:55,880 Speaker 3: got the show, I was like, all right, let me 229 00:11:56,000 --> 00:11:58,760 Speaker 3: go on on, take these print calls down for a 230 00:11:58,800 --> 00:12:03,200 Speaker 3: little while. You put them back up up my legs. 231 00:12:04,600 --> 00:12:07,360 Speaker 1: Who's scoring big in the NBA this season? 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