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Speaker 1: Okay, podcast starts. Now, what's up everyone, Um, it's a

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Speaker 1: beautiful day. I'm assuming it's a beautiful day in the neighborhood. Yeah, Hi,

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Speaker 1: it's this is Stradio Lab. How's it going. It's good.

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Speaker 1: I was trying to maybe take a pause there to

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Speaker 1: see if something you know, new would come out, and

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Speaker 1: you know, nothing did. But that's okay. Well, you know

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Speaker 1: this happens when we are recording an episode right after

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Speaker 1: we finished we finished five minutes ago recording recording our

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Speaker 1: previous one. And usually what happens is either we are

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Speaker 1: so loosened up that we reach new heights of intellectual inquiry,

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Speaker 1: or we are so talked out that we have nothing

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Speaker 1: else to say. And even as I'm saying this, I'm like,

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Speaker 1: which one is it going to be this time? No

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Speaker 1: one knows, And that's the big mystery of this podcast.

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Speaker 1: But I don't think we are out of words. I

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Speaker 1: think we are we actually need to set ourselves free

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Speaker 1: from trying to make sense, trying to have points. I

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Speaker 1: think it's so much pressure to like try to be correct,

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Speaker 1: and I think we're forgetting that the goal of this

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Speaker 1: podcast is simply to make noise. That's right, and that's

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Speaker 1: why when you said, like, oh, I was trying to

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Speaker 1: let a silence Land, I was like, no, no, we

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Speaker 1: can't do that. That's not really what this is about.

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Speaker 1: That's sort of antithetical to the entire goal, which is

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Speaker 1: to simply be talking. That's right, and in the spirit

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Speaker 1: of the topic in fact that we're discussing. It is

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Speaker 1: really fitting that this is the second a K Number

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Speaker 1: two recording of the day. I mean, I think there's

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Speaker 1: an energy in this zoom right now that is scaring

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Speaker 1: me because I think we've decided on a we you guys,

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Speaker 1: have you know read the topic, You've seen it. It's

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Speaker 1: the title of the episode, you hit play, you know

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Speaker 1: what the topic is. And yet we don't know what

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Speaker 1: this is going to be. And we feel you know,

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Speaker 1: do you already feel like did you see the topic

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Speaker 1: and think, no, I'm skipping that one. Did you see

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Speaker 1: the topic and think, finally they're edgy again? You know,

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Speaker 1: this is season one, They're they're sort of being cool

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Speaker 1: once again. This is difficult for me because to me

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Speaker 1: as a listener, this is exactly what I want, Like,

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Speaker 1: I want I want this topic and I want this

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Speaker 1: kind of this kind of swing taking, and then in

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Speaker 1: my own work often I'm not brave enough to go there,

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Speaker 1: which is why it's so important to have guests, because

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Speaker 1: then we can sort of adapt to their sensibilities, which

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Speaker 1: is honestly a lot of pressure. And um, I think

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Speaker 1: it's actually really cool that we bring guests on and

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Speaker 1: make them do the work of having a sensibility, and

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Speaker 1: we just sort of get to say, yeah, that's cool, yeah,

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Speaker 1: totally yeah, no, I mean and and and thank god,

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Speaker 1: most of our guests do have a sensibility, not although

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Speaker 1: not just the ones that don't. Yeah, okay, yeah, beap

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Speaker 1: this out beep beep, beep beep. So um, but I

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Speaker 1: but I wait, what was I going to say? Well,

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Speaker 1: I wanted to say maybe that we are sort of

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Speaker 1: Mark Marining right now, and we're doing that thing where

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Speaker 1: we are like teeing up the interview in a way

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Speaker 1: that that's where I think is kind of gross. I

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Speaker 1: do hate when people do that. Okay, But a counterpoint,

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Speaker 1: I'm like, this is the first time I have felt

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Speaker 1: afraid of of a of a of a topic maybe ever,

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Speaker 1: and that means that we're finally challenging ourselves, I guess,

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Speaker 1: because I do think it's the last taboo. I think

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Speaker 1: there's more taboos rarely, Like what war? I don't know.

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Speaker 1: I think we would talking about war. That could be

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Speaker 1: kind of crazy, but war is so morally clear. It's like, well,

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Speaker 1: we're both against war. Yeah, but what if the war

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Speaker 1: is for a good reason. I don't know. If you

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Speaker 1: remember World War two, George, it actually was like, actually

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Speaker 1: we're fighting for something good for once. Well, yes, but

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Speaker 1: like George, I know all the reason we got into

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Speaker 1: World War two? Serious shit. Okay, well, but but here's

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Speaker 1: the thing. The fact of World War Two, the way

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Speaker 1: that has teed up the rest of Western civilization. Everyone

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Speaker 1: almost has a nostalgia for World War Two because they

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Speaker 1: have a nostalgia for that kind of moral clarity. And

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Speaker 1: we're never going to get that more kind of moral

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Speaker 1: clarity again, no, and that what costs, Like to get

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Speaker 1: that moral clarity, we have to have something really exactly

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Speaker 1: bad happen. Like this is what's sick about fetishizing World

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Speaker 1: War two. Is basically like people that are like, oh,

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Speaker 1: remember world War two? Last time we were great, It's like,

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Speaker 1: do you want to go back to that? Because guess what,

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Speaker 1: people died? Lots of people. Yeah, I mean, I don't

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Speaker 1: want that, but I what but I want you want something,

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Speaker 1: you want some excitement. I want us to get along.

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Speaker 1: I want us to have purpose. I want that moral clarity.

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Speaker 1: I mean to me, it doesn't seem that hard to

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Speaker 1: have that more clarity. Like I kind of thought, honestly,

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Speaker 1: I thought COVID would kind of be that moment where

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Speaker 1: everyone's like now. I kind of did, but I'm an optimist,

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Speaker 1: but I did think it would be like, Okay, we're

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Speaker 1: like and there was like maybe a two week period

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Speaker 1: where it was like, we're all in this together, but

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Speaker 1: then it like very quickly fell apart. I don't think

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Speaker 1: there was a two week period where everyone was all

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Speaker 1: on it together. I just I think like basically, as

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Speaker 1: soon as anyone gets any kind of more moral clarity,

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Speaker 1: and then that moral clarity is immediately uh you know

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Speaker 1: what's the word? You know, like take an advantage of

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Speaker 1: It's like, okay, well, how can we take advantage of this?

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Speaker 1: We're gonna sell masks for five thousand dollars. Sure, sure, sure, Yeah.

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Speaker 1: It didn't work. It's not It wasn't. It didn't. The

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Speaker 1: utopia of solorthy did not come. And this is a

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Speaker 1: difficult question is like, maybe moral clarity shouldn't be the goal. WHOA,

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Speaker 1: what is the golden moral ambivalence? Oh no, that morally

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Speaker 1: ambivalent summer? Is that what? We're the kindest thing? It's like, well,

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Speaker 1: moral clarity implies there is a good and evil. Maybe

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Speaker 1: it's too big of a goal for good to prevail.

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Speaker 1: Maybe the most we can hope for is that everyone

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Speaker 1: is somewhere in the middle. What do you think? I

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Speaker 1: guess that's fine. It just sort of feels that works

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Speaker 1: for me. Yeah, I'm fine with that. But I even

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Speaker 1: moral ambivalence, I feel everyone being like somewhere in the

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Speaker 1: middle is like kind of far away, far away from

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Speaker 1: the goal, which is to be good. No, far away

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Speaker 1: from where we are currently. Oh yeah, for sure, evil

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Speaker 1: has one. But I think that's the pitfall of moral clarity.

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Speaker 1: It's like, well, to have that kind of moral thinking,

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Speaker 1: there will be someone who is evil. They have to sure, sure, sure.

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Speaker 1: So we need like we need to lower the bar.

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Speaker 1: We need to stop searching for moral clarity. We just

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Speaker 1: need like like, don't go for perfection, go for like

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Speaker 1: vaguely working. Yeah, you have to lead by example. You

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Speaker 1: have to stop yourself from being too good at anything.

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Speaker 1: And then once everyone does that, then everything kind of,

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Speaker 1: you know, everything will kind of meet around the middle,

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Speaker 1: and then even people that want to be you know, evil,

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Speaker 1: uh super villains will be like, I'll just settle for

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Speaker 1: being kind of a normal villain. Yeah, I'll steal. Yeah.

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Speaker 1: People will be like, there will be pickpockets that will

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Speaker 1: be like petty petty theft. People will be kind of

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Speaker 1: you know, cheating on their spouses, but there's not gonna

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Speaker 1: be murder. No, that would be over the line. I'm

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Speaker 1: you know, I've kind of convinced myself that this is correct.

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Speaker 1: I mean, it makes sense. I just you know what,

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Speaker 1: what we're struggling with right now, like that kind of

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Speaker 1: doesn't make sense. That is the ambivalence, and we have

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Speaker 1: to lean into that. Uh yeah, I guess you're right.

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Speaker 1: I went to see More Bious on Monday, whoa Which,

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Speaker 1: and we didn't and we didn't open with that you

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Speaker 1: talking about burying the lead. And I think it's funny

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Speaker 1: our guests didn't come for good reason because that was

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Speaker 1: sort of the night that the sort of active shooter

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Speaker 1: was still loose and y city. But I thought it

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Speaker 1: was very funny to be like yeah, there's an active shooter.

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Speaker 1: But I bought a ticket to see maybe one of

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Speaker 1: the worst movies of the year. I'm gonna go see

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Speaker 1: more Be it's very um do you know what I

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Speaker 1: did that night? What you do? You better believe? I

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Speaker 1: went to Midtown to see the opening night of Pamela

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Speaker 1: Anderson doing Chicago on Broadway. Wow, how was it? She

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Speaker 1: absolutely crushed. Really, I'm telling you that's good. Good for her. Yeah,

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Speaker 1: she's like talented, well she I think that the singing

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Speaker 1: and the dancing were possible, and you could tell that

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Speaker 1: sher hers. Obviously she's never gonna be She's not like

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Speaker 1: Patti Lapone, but like you know, they're passable. It was fine,

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Speaker 1: But where she really was shining was in like her

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Speaker 1: charisma and her comedic timing, like she knew she has

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Speaker 1: acted before, like and also she's someone who has never

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Speaker 1: had like a clear career, so she's always had to

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Speaker 1: step up to the plate doing whatever needed to be

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Speaker 1: done at any given time. So I think she like

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Speaker 1: knows how to be put into situation and then be like,

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Speaker 1: all right, what are the marks to hit? Let me

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Speaker 1: do it. She would not have lasting power if that

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Speaker 1: wasn't the case, No, that's true. I do think it's um.

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Speaker 1: You know, we like to discount these people that have

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Speaker 1: been famous for a long time, and it's kind of like, well,

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Speaker 1: talk about ambivalence. You don't need to be the best,

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Speaker 1: You need to be able to do what's called for

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Speaker 1: you right in that moment. Yeah, I think Pamela Anderson

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Speaker 1: actually is a really great figure to look up to

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Speaker 1: for my vision of a morally ambivalent world in actually

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Speaker 1: should be the leader. She should be the leader. Pamela

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Speaker 1: for president. Moral ambivalence will take over. It is funny

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Speaker 1: because people are like, oh, you know, who would the

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Speaker 1: liberal trump? You know, who would be like the left,

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Speaker 1: you know, celebrity on the left who could like harness

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Speaker 1: that kind of power and get people excited, but for

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Speaker 1: good politics about the bad politics. It's like that's the

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Speaker 1: wrong mentality. You need to find someone kind of down

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Speaker 1: the middle. And I think Pamela Anderson actually would be

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Speaker 1: a great president. I mean I'm ready, I'm ready to

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Speaker 1: vote for her. Why not. We already talked about nihilism

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Speaker 1: and it's like, yeah, sure, why not. But to her,

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Speaker 1: I'm really appreciating that you're starting every sentence with kind

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Speaker 1: of a resigned sigh. I know. I'm sorry. It's something

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Speaker 1: who's not connecting with my my thoughts today. What do

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Speaker 1: you think it is? Mm hmmm. I'm torn on like

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Speaker 1: what direction to go when I speak, and torn on

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Speaker 1: like how to respond in a way that's like, you know,

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Speaker 1: antithetical to our goal of constantly making noise. But I

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Speaker 1: I am questioning like, okay, wait is that even funny?

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Speaker 1: Like what am I doing? Um? You haven't like committed

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Speaker 1: to a character for this episode. No, I am simply

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Speaker 1: my honest, unperformative self. Oh god, well you gotta change

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Speaker 1: that immediately because that's simply not gonna do. No, You're

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Speaker 1: completely right. I failed this podcast. I failed our audience,

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Speaker 1: I failed our guests. I failed pam Ala, who has

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Speaker 1: shown me that you can have to commit. You have

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Speaker 1: to commit and and you don't have to be the best,

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Speaker 1: you have to commit. And so I guess for that,

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Speaker 1: I'd like to apologize, and I accept your apology, and

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Speaker 1: I think we should bring in our guests so that

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Speaker 1: he can speak to my apology as well. Yeah, I

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Speaker 1: think we need to ask him if he accepts your apology. So, um, please,

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Speaker 1: without any further ado, please give a Glamour Ground. Hi

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Speaker 1: do you for Dan Licata? What's up? George and Sam?

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Speaker 1: I just want to say I don't accept your apology.

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Speaker 1: And one thing I did want to clear up about

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Speaker 1: the more obvious most show situation is I did that

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Speaker 1: as a favor to my fiance, who is begging me

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Speaker 1: not to see morbous. Then that she said, if you

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Speaker 1: go out to see more bious and you get sniped,

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Speaker 1: I will be piste off. So I did not want

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Speaker 1: to upset her. Trust me. I don't know. Dan. This

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Speaker 1: to me, it's like to throw a woman under the

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Speaker 1: us instead of taking responsibility for your own actions. Like

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Speaker 1: this is the kind of thing that a podcast like

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Speaker 1: ours is fighting against. I mean, I mean, I'll get

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Speaker 1: her in here right now, and she will. She will

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Speaker 1: back up everything I just said. She she was literally

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Speaker 1: on her knees begging me not to go out that

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Speaker 1: door into the good night to see morbious. So if

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Speaker 1: you don't, if you don't believe me, you think I'm

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Speaker 1: you know, throwing her under the bus. I'll get her

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Speaker 1: in here and she'll she'll throw herself under the bus. Wow,

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Speaker 1: who can relate? Who can't relate to that? You're annoying wife. Yeah,

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Speaker 1: we got we got about six weeks before the big day.

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Speaker 1: So you know, if you want to talk, we want

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Speaker 1: to talk me out of it. Yes, we found to

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Speaker 1: ruin everything on this recording. Well, you know, Dan, when

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Speaker 1: you missed that Morbius screening. You know, I hadn't thought

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Speaker 1: about there being a danger to it until that, and

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Speaker 1: I was like, oh, maybe this is stupid, Like why

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Speaker 1: am I on the train currently? There are two times

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Speaker 1: when I thought I might die in a movie theater,

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Speaker 1: and one was more obvious and the other was zoo

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Speaker 1: Lander two. Both times I was like, fuck, why am I? Like?

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Speaker 1: Because that was right after a shooting, and I was like,

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Speaker 1: I don't want to die in zoo Lander two? What

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Speaker 1: a way to go? Yeah? I mean what I mean?

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Speaker 1: What movie would you want to? I mean yeah, It's

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Speaker 1: the thing. The thing about that is it's like if

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Speaker 1: it happens when the credits are rolling, at least you

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Speaker 1: got to see the whole movie, you know what I mean? Yeah,

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Speaker 1: if I could die in one movie, yeah definitely. Yeah,

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Speaker 1: something classy but something fun. I'm trying to think and restoration, Yeah,

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Speaker 1: I'm thinking like a seven, Like, um, what's that like?

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Speaker 1: Blowout or whatever that like it wasn't cool, Like, like, dude,

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Speaker 1: I watched the first three minutes of that movie last

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Speaker 1: night and then with my fiance who had never seen it,

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Speaker 1: and then guess what she says three minutes and oh,

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Speaker 1: yeah I've seen this before. Oh my god, I'm sorry.

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Speaker 1: I'm just fucking ruins everything everything. So, yeah, what are

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Speaker 1: your top five least favorite qualities of Eliza? Yeah? I

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Speaker 1: mean where do I start? Number five? She's just so

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Speaker 1: darn healthy all the time. It's like, hey, why don't

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Speaker 1: you just why can't we just go to pizza hut

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Speaker 1: or smoke? Yeah, let me have a damn chicken tender

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Speaker 1: for once in my life. Yeah, split a buffalo chicken

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Speaker 1: pizza or something. You know, But so that that strike alright?

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Speaker 1: Number five? What's number four? Number fun? Number four? Um,

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Speaker 1: we're not the same height, which would be nice because

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Speaker 1: then we could balance a piece of dry growing taller

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Speaker 1: you know, or where you know there are shoes for

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Speaker 1: that should wear heels their shoes for that. Look, if

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Speaker 1: I could get shorter, I would do it in a harpy.

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Speaker 1: But that's just not how No, no, no, I can't, man,

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Speaker 1: can't get shorter women have to grow taller. Exactly, You

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Speaker 1: guys don't have to deal with this correct too healthy.

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Speaker 1: Refuses to wear the correct shoes so that she can

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Speaker 1: be as tall as her male partner. What's number three? Um?

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Speaker 1: Number three, let's see. Um, this is cool. We're really

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Speaker 1: making you go through. It's five. It's like too many.

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Speaker 1: She won't get any of the tattoo as I suggested. Yes,

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Speaker 1: I'm trying to get her out. Get some NFL team

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Speaker 1: logos on two sleeves of the a f C, the

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Speaker 1: NFC on the Yeah, lightly refuses. I said, I'll pay

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Speaker 1: for half. She still says, no, that's so messed up,

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Speaker 1: and you did the right thing offering to pay for half,

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Speaker 1: because that's you know, that's like evolved. It's like you're

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Speaker 1: not going to pay for all of it. That would

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Speaker 1: be so condescending and like chauvinistic, Like you're saying, no,

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Speaker 1: I'm gonna pay for half, like you are your own person.

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Speaker 1: You just have to get the tattoos I request. Yeah,

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Speaker 1: let's go Dutch. That's so nice. Let's go duch on

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Speaker 1: altering her body in the ways that I choose, like

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Speaker 1: that is twenty one century. Yeah, that's what I thought

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Speaker 1: the same thing. So yeah, all right, so far not

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Speaker 1: paying a generous portrait. Yeah to to go. Okay, um,

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Speaker 1: let's see. You know, I really have been trying to

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Speaker 1: get her to let me do a sin city themed

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Speaker 1: man cave in the apartment, and I know it's there's

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Speaker 1: not a lot of rooms, you know, in the in

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Speaker 1: the place, so you know, I'd saying we have to

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Speaker 1: sacrifice maybe the bedroom or maybe you know, the living

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Speaker 1: room kitchen, your living room kitchen, something like that, but

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Speaker 1: again flatly refuses. Um, she doesn't want you to have interests.

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Speaker 1: She doesn't want me to have Yeah. Yeah, she just

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Speaker 1: wants you to like what she likes. Like, you know,

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Speaker 1: you start a movie, she's like seeing this one, turn

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Speaker 1: it off. You know, you want to make your kitchen

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Speaker 1: since since city theme, She's like, that's where I cook exactly,

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Speaker 1: And it's like, what what do you cook? Healthy? Healthy food?

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Speaker 1: Again not back to me. Now we're back to number five.

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Speaker 1: So well, without probably a drum roll, please for the

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Speaker 1: big number one thing. This is it the moment you've

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Speaker 1: all been waiting for. Dan Locatta's number one thing he

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Speaker 1: doesn't like about his Beyonce, Well, she's just is very

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Speaker 1: complimentary to me. And sometimes you know, we're comedians. We

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Speaker 1: we we kind of thrive off this roasting each other,

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Speaker 1: you know. And um, you know, she just she never

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Speaker 1: calls me a little deadwood looking ass bitch or anything

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Speaker 1: like that. And um, and she knows that that's what

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Speaker 1: you want like that. Yeah, it's just I have sideburns

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Speaker 1: in a mustache for a reason, because I want I

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Speaker 1: want you to take my ask to clown Town. It's like, oh,

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Speaker 1: you you look handsome today. And it's just like this

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Speaker 1: fucking roast me. Go go least full lamp in elli

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Speaker 1: on my what we love me? And it's crazy. You know,

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Speaker 1: you've made all these choices, you know, and you keep

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Speaker 1: altering the way you look, desperate for her to roast you.

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Speaker 1: At this point, you know you are wearing your shoes

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Speaker 1: in the wrong feet, there are the wrong size. You know,

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Speaker 1: you'll wear kind of like a weird like maids uniform

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Speaker 1: with the nipples cut out, and you'll be you're walking

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Speaker 1: around like that all day in the home. And yet

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Speaker 1: she and then she says, you know, I just want

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Speaker 1: you know, I'm grateful for you. I'm spending hundreds of

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Speaker 1: thousands of dollars on these custom made costumes, you know,

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Speaker 1: the you know, like Lo Loki from thor you know,

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Speaker 1: it's uh, you know, I spend all this money on

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Speaker 1: the Lokey costume. At least at least my dragged my

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Speaker 1: ask through the mud over it. But no, she goes, oh,

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Speaker 1: that that's fun. Maybe maybe we could do a couple's

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Speaker 1: costume for Halloween and doesn't get it, that's not about

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Speaker 1: the couple's costume. It's a humiliating yourself. Yeah, it's a kink.

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Speaker 1: It's a kink. She's second negative, negative, anti art because

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Speaker 1: she doesn't want to send city them kitchen um. You know,

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Speaker 1: it's she's quite frankly anti intellectual. She's anti intellectual. She's

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Speaker 1: also abless because she doesn't want to grow taller. Yeah,

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Speaker 1: and she's reactionary, and she's reactionary politically and aesthetically. She

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Speaker 1: voted for Trump twice. So yeah, well that's okay. I

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Speaker 1: mean we all did. But like the rest of it

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Speaker 1: all ends up, and you know, it's just if there,

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Speaker 1: if there happens to be, if a number six happens

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Speaker 1: to present itself between now and I might I might

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Speaker 1: have I might have second thoughts about going through this

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Speaker 1: damn well, the pressure is on. I'm sure we'll we're

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Speaker 1: all gonna be waiting with bated breath. I really hope

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Speaker 1: that as Yeah, yeah, I hope she listened to this

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Speaker 1: because I know you haven't had the courage to say

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Speaker 1: any of this sort of face he thinks everything is

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Speaker 1: going fine. Yeah, I've kept this all to myself really

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Speaker 1: until now. So thank you for asking. Honestly, no one's

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Speaker 1: ever asked. And the trauma builds up, you know, the

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Speaker 1: body remembers the body of members well, and like that's

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Speaker 1: the problem with like modern day media is like they're

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Speaker 1: so like, you know, scared to go there. And you know,

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Speaker 1: because we have this podcast, we we made a vow

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Speaker 1: to each other that we would never be afraid to

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Speaker 1: go there. Yeah, and thanks for stepping up because a

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Speaker 1: lot of people when we asked them to rank the

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Speaker 1: worst five things about their longtime partners, I will say,

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Speaker 1: like no, like we're happy, but not not. You know,

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Speaker 1: I'll answer any question you you guys asked me to

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Speaker 1: the best of my ability, so nothing is off limits.

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Speaker 1: I'm afraid to go there either. And I wasn't afraid

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Speaker 1: to go see Morbious either. While there was a gunman

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Speaker 1: on the loose. It was really just out of respect

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Speaker 1: for a woman that has little to no respect for me.

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Speaker 1: So well, Danny missed an incredible film. I've heard, I've

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Speaker 1: heard what is Morbous is the new It's like a

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Speaker 1: new superhero movie where he's a it's Jared Letto and

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Speaker 1: he's a vampire. But it's like it was so bad.

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Speaker 1: It felt like, um, well yeah, but it was like

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Speaker 1: bad in a way, like it didn't even like hit

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Speaker 1: the superhero Marx. It was like I felt like stock,

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Speaker 1: like uh, dialogue half the time, Like they tried to

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Speaker 1: have like too funny like policemen that were like investigating

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Speaker 1: Morbous and they tried to give them banter, but it

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Speaker 1: was truly like yeah, we haven't figured out their personalities yet.

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Speaker 1: But then they shot that version of the script. There

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Speaker 1: was a riff that I just have to say this.

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Speaker 1: There was a riff that the policeman said to each

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Speaker 1: other where they were like, he drank thirty six bags

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Speaker 1: of blood last night, and he was like, that's like

390
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Speaker 1: drinking thirty six bags of beer. When was bottles of beer?

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Speaker 1: When was the last time you had thirty six bottles

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Speaker 1: of beer? Heck, when was the last time you had

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Speaker 1: any beer? And it was like, none of this has

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Speaker 1: been established as like he doesn't sober. That was their

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Speaker 1: way of introducing that the character is sober, and just

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Speaker 1: like just completely the riff bombs so hard. There were

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Speaker 1: so many bombed jokes that it was insane. The cut

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Speaker 1: scene at the end, this like villain from a Spider

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Speaker 1: Man movie came in and he was like, hey, I

400
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Speaker 1: don't know how I got here, something to do with

401
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Speaker 1: Spider Man anyway, would you like to team up? And

402
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Speaker 1: it was like that's I'm sorry, and I don't want

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Speaker 1: you know, listen, I don't want to be kind of

404
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Speaker 1: condescending or pretentious. But like I said, one who doesn't

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Speaker 1: watch these movies, this is what I imagined. They're like.

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Speaker 1: It's kind of like with musicals where people will talk

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Speaker 1: about I mean it's like I kind of imagine every

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Speaker 1: musical is like Glee. I mean they can't. I mean, yeah,

409
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Speaker 1: they can be better done than this, Like this is

410
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Speaker 1: a particularly worst done one. Well you heard it here first,

411
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Speaker 1: morbous is I'm not going to save cinema. Well, I

412
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Speaker 1: honestly thought it would be like funnier and I was

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Speaker 1: kind of disappointed that it was just like straight up boring. Yeah.

414
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Speaker 1: You were hoping for a room a room type experience. Yeah, yeah,

415
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Speaker 1: room like the oh the room not not room with

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Speaker 1: Bree Larson where she's kid out and it was the

417
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Speaker 1: little boy's name Jacob Tremblay. Yes, yes, and then he

418
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Speaker 1: did that movie. But the boy with the fun up face.

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Speaker 1: Uh classic, He's he's my favorite actor. I think that's

420
00:23:37,200 --> 00:23:41,359
Speaker 1: what it was called, the boy Face. Should we do

421
00:23:41,359 --> 00:23:44,159
Speaker 1: your first segment? I think that would be for the best, George,

422
00:23:44,160 --> 00:23:46,359
Speaker 1: can you introduce it? I just can't do it. Yeah,

423
00:23:46,440 --> 00:23:49,400
Speaker 1: of course I can. Dan. Our first segment is called

424
00:23:49,480 --> 00:23:51,720
Speaker 1: straight Shooters, and in this segment, we asked you a

425
00:23:51,800 --> 00:23:55,760
Speaker 1: series we gauge your familiarity with in complicity and straight

426
00:23:55,800 --> 00:23:58,080
Speaker 1: culture by asking you a series of rapid fire questions

427
00:23:58,119 --> 00:24:00,560
Speaker 1: where we have to choose one thing or another thing.

428
00:24:00,960 --> 00:24:03,080
Speaker 1: And the one rule is you can't ask any follow

429
00:24:03,119 --> 00:24:04,959
Speaker 1: up questions about how it works. You just have to

430
00:24:05,040 --> 00:24:10,480
Speaker 1: go with your gut. Sam take it away, okay, Dan,

431
00:24:11,240 --> 00:24:14,320
Speaker 1: having a Harry Potter tattoo or having the mark of

432
00:24:14,359 --> 00:24:20,000
Speaker 1: the Beast mark is a beast? Okay, Well, I'm saying

433
00:24:20,000 --> 00:24:22,480
Speaker 1: which one I like that is? That that sounds like

434
00:24:22,480 --> 00:24:28,400
Speaker 1: a question. Alright, what's my I was about to ask,

435
00:24:28,440 --> 00:24:31,439
Speaker 1: what's my punishment? Now? Whatever is? That's not This is

436
00:24:31,480 --> 00:24:33,199
Speaker 1: like Jeopardy where I have to phrase it like a

437
00:24:33,320 --> 00:24:37,760
Speaker 1: fucking sentence exactly. Dan, You're kink is like getting in

438
00:24:37,800 --> 00:24:39,520
Speaker 1: the Why do you want everyone to like punish you

439
00:24:39,560 --> 00:24:43,640
Speaker 1: and degrade you? It's like we'reus Now you're being You're

440
00:24:43,680 --> 00:24:48,040
Speaker 1: being like like Dan's toxic fiance and not appreciating that

441
00:24:48,040 --> 00:24:52,959
Speaker 1: that he wants to be humiliated. Just I get King

442
00:24:53,080 --> 00:24:56,800
Speaker 1: shamed enough. I just want to at home to get

443
00:24:56,880 --> 00:25:02,040
Speaker 1: King shamed at work? Yeah, okay, man, Oh wait, did

444
00:25:02,119 --> 00:25:06,200
Speaker 1: you make a final decision? Yeah, Mark of the Beast six.

445
00:25:06,960 --> 00:25:11,119
Speaker 1: I'll go with that. And now that's what I call music,

446
00:25:11,520 --> 00:25:15,480
Speaker 1: or I can't believe it's not butter mm hmm. Now

447
00:25:15,520 --> 00:25:20,280
Speaker 1: that's what I call music. Okay. Best way to a

448
00:25:20,320 --> 00:25:22,920
Speaker 1: man's heart is through his stomach, or diamonds are a

449
00:25:22,960 --> 00:25:32,000
Speaker 1: girl's best friend, I mean stomach, right, Dan, having coffee

450
00:25:32,000 --> 00:25:37,560
Speaker 1: breath or having the coffee ships offehs. That's it's a

451
00:25:37,600 --> 00:25:42,359
Speaker 1: little precursor to the to the discuss it's about to happen. Okay,

452
00:25:42,440 --> 00:25:48,840
Speaker 1: Dan playing smash Bros. Or watching Bang Bros. Playing Smash Bros. Alright,

453
00:25:48,920 --> 00:25:53,359
Speaker 1: Dan bow Rat saying my wife, or Megan McCain saying

454
00:25:53,640 --> 00:26:00,560
Speaker 1: my father. Uh, it's controversial, but I'm gonna say McCain

455
00:26:01,320 --> 00:26:06,679
Speaker 1: gotavert gotta go with Meg on the okay, saying you

456
00:26:06,760 --> 00:26:10,800
Speaker 1: have a smooth brain, saying you have brain worms, or

457
00:26:10,880 --> 00:26:15,200
Speaker 1: asking for the help and care you desperately need, uh smooth,

458
00:26:16,359 --> 00:26:20,040
Speaker 1: all right, Being a mama's boy, being a daddy's girl,

459
00:26:20,320 --> 00:26:27,600
Speaker 1: or marrying your cousin. Marrying your cousin nice and thank

460
00:26:27,640 --> 00:26:32,359
Speaker 1: you and thank you. It should be de stigmatize marrying

461
00:26:32,400 --> 00:26:35,280
Speaker 1: your cousin. It's legal in New York State. I mean,

462
00:26:35,520 --> 00:26:39,240
Speaker 1: can marry really knew that right off the top of

463
00:26:39,240 --> 00:26:41,960
Speaker 1: your head. Well, yeah, you know, you deal with all

464
00:26:41,960 --> 00:26:46,520
Speaker 1: sorts of abuse all day long. You start looking for alternatives.

465
00:26:47,440 --> 00:26:49,600
Speaker 1: I know my cousins are nice to me at least,

466
00:26:49,640 --> 00:26:51,760
Speaker 1: you know, Yeah, they'd let you have a Sin City

467
00:26:51,840 --> 00:26:55,600
Speaker 1: themed kitchen. Absolutely. I was just gonna compliment Dan's performance

468
00:26:55,600 --> 00:26:57,800
Speaker 1: because I feel like in the beginning he was getting

469
00:26:57,800 --> 00:27:01,560
Speaker 1: his bearings and kind of hadn't figured out how it worked.

470
00:27:01,560 --> 00:27:03,800
Speaker 1: And then by the end, I mean, you know, it

471
00:27:03,920 --> 00:27:06,840
Speaker 1: was it was like Rocky on the steps, cheering and

472
00:27:07,160 --> 00:27:09,560
Speaker 1: punging his fists in the air. I mean to see

473
00:27:09,600 --> 00:27:11,320
Speaker 1: that kind of growth just in the span of a

474
00:27:11,359 --> 00:27:14,560
Speaker 1: few seconds was inspiring and humbling. I really gained a

475
00:27:14,560 --> 00:27:17,240
Speaker 1: lot of confests in a short amount of time. Yeah,

476
00:27:17,320 --> 00:27:22,840
Speaker 1: scary amount. Yeah, it's only a man could gain. And

477
00:27:22,960 --> 00:27:25,840
Speaker 1: that we had a period I could lose. You could

478
00:27:25,840 --> 00:27:28,240
Speaker 1: say one thing to man, I'll lose it right away,

479
00:27:28,280 --> 00:27:31,280
Speaker 1: so you know it's it's not permanent. But uh, yeah

480
00:27:31,320 --> 00:27:34,280
Speaker 1: those were good, man. I haven't thought about Megan McCain

481
00:27:34,320 --> 00:27:36,320
Speaker 1: in a minute. Let me tell you. I'm glad you bro,

482
00:27:36,480 --> 00:27:40,760
Speaker 1: I'm glad you reminded. Uh, you know, Megan McCain and

483
00:27:40,800 --> 00:27:44,439
Speaker 1: Megan Trainer seemed like cousins in my mind. Yeah. Do

484
00:27:44,520 --> 00:27:46,520
Speaker 1: they spell their name the same way? Yeah, they spell

485
00:27:46,560 --> 00:27:49,159
Speaker 1: their name the same and that's why I Sam gets confused.

486
00:27:51,480 --> 00:27:53,600
Speaker 1: They also are similarly like I really they have like

487
00:27:53,680 --> 00:27:56,520
Speaker 1: similar tones. They're all like they're both like kind of mad,

488
00:27:56,560 --> 00:27:58,680
Speaker 1: but like not really and it's like kind of why

489
00:27:58,680 --> 00:28:00,880
Speaker 1: are you mad? Like what do you have to upset about? Really?

490
00:28:01,280 --> 00:28:04,119
Speaker 1: Very true. They both like start out to start out

491
00:28:04,640 --> 00:28:06,880
Speaker 1: firing on all cylinders being mad, and then you ask

492
00:28:06,960 --> 00:28:09,400
Speaker 1: one fallow up question and they're like, yeah, okay, okay,

493
00:28:09,920 --> 00:28:12,520
Speaker 1: yeah I saw the first time I saw what Megan

494
00:28:12,520 --> 00:28:14,800
Speaker 1: Trainer looked like, I definitely was like, oh yeah, that's

495
00:28:14,960 --> 00:28:20,200
Speaker 1: that's a Republican for sure. Yeah. Yeah, it's weird because

496
00:28:20,200 --> 00:28:23,720
Speaker 1: she she is like actually Republican, right, No? Is she

497
00:28:24,359 --> 00:28:26,239
Speaker 1: she's married to the or I don't know, the kid

498
00:28:26,280 --> 00:28:30,640
Speaker 1: from kids SPI Kids. Yeah, wow, I didn't know that. Yeah,

499
00:28:30,720 --> 00:28:33,199
Speaker 1: she she at least reads the Republican. It's hard for

500
00:28:33,240 --> 00:28:35,120
Speaker 1: me not to, you know. I'm gonna go ahead and say,

501
00:28:35,160 --> 00:28:37,919
Speaker 1: without doing any research, I think Megan Trainer is not

502
00:28:38,000 --> 00:28:40,040
Speaker 1: a Republican. In fact, I bet you if you were

503
00:28:40,080 --> 00:28:42,400
Speaker 1: to look at her social media, she probably has things

504
00:28:42,480 --> 00:28:45,080
Speaker 1: kind of like uh, you know, maybe like a graphic

505
00:28:45,240 --> 00:28:49,600
Speaker 1: that's like who cares? Who go like who cares how

506
00:28:49,640 --> 00:28:53,200
Speaker 1: someone identifies as long as they drink wine? Mm hmmm.

507
00:28:53,960 --> 00:28:56,080
Speaker 1: I hope you're right. I hope that you don't think.

508
00:28:56,120 --> 00:28:58,000
Speaker 1: So you think you go you think you're gonna go

509
00:28:58,080 --> 00:29:01,560
Speaker 1: to Megan Trainers Instagram and it's gonna be Trump memes

510
00:29:01,840 --> 00:29:04,200
Speaker 1: and anti vax conspiracy theory. No, I think it's gonna

511
00:29:04,200 --> 00:29:07,920
Speaker 1: be nothing political. But in a way, it's like friends

512
00:29:08,600 --> 00:29:11,240
Speaker 1: on the on the close friend. She's like, she's like, hey,

513
00:29:11,320 --> 00:29:15,320
Speaker 1: all gays, you know, this is actually kind of probably

514
00:29:15,680 --> 00:29:19,640
Speaker 1: not to dear job for you gets probably a great

515
00:29:19,720 --> 00:29:23,040
Speaker 1: segue into the topic at hand, because I saw recently

516
00:29:23,440 --> 00:29:26,520
Speaker 1: on Twitter that like she and the Spy Kids boy

517
00:29:26,600 --> 00:29:29,959
Speaker 1: have like side by side toilets. They have side by

518
00:29:30,000 --> 00:29:32,280
Speaker 1: side toilets, and do you know about the sam right?

519
00:29:32,640 --> 00:29:35,280
Speaker 1: I did see this. Yeah, this is like old right,

520
00:29:35,360 --> 00:29:37,160
Speaker 1: It's all that happened like a few months ago, and

521
00:29:37,200 --> 00:29:39,640
Speaker 1: she said like they you know, there's like a quote

522
00:29:39,640 --> 00:29:41,400
Speaker 1: that was like we pooped next to each other and

523
00:29:41,440 --> 00:29:43,320
Speaker 1: then everyone was making fun of it, and then she

524
00:29:43,360 --> 00:29:45,480
Speaker 1: had to clarify and she was like, I'm just to clarify.

525
00:29:45,720 --> 00:29:48,680
Speaker 1: We did that once and you know, we're not going

526
00:29:48,720 --> 00:29:50,920
Speaker 1: to do it again. Like we generally just p next

527
00:29:50,920 --> 00:29:53,000
Speaker 1: to each other and sometimes I poop and he's like

528
00:29:53,080 --> 00:29:58,080
Speaker 1: there because we want to talk. That's still weird. Yeah,

529
00:30:00,320 --> 00:30:02,480
Speaker 1: I mean how long does it take her to ship?

530
00:30:02,640 --> 00:30:05,840
Speaker 1: Like you? I mean, what how how long would you

531
00:30:05,880 --> 00:30:09,040
Speaker 1: say your average ship takes like two minutes? And now

532
00:30:09,040 --> 00:30:11,520
Speaker 1: we're and you know what, there's now no going back

533
00:30:11,600 --> 00:30:15,240
Speaker 1: because we're now getting we're now, let's start. Let's startset

534
00:30:15,280 --> 00:30:20,920
Speaker 1: ground rules. Okay. First of all, Dan, like, I want

535
00:30:20,920 --> 00:30:26,240
Speaker 1: to know, let's start really basic, shifting straight. I think

536
00:30:26,280 --> 00:30:30,640
Speaker 1: shipping is straight. Yeah, say say a little like you know,

537
00:30:31,160 --> 00:30:33,880
Speaker 1: and and we'll we'll talk about this more. But why

538
00:30:33,960 --> 00:30:37,240
Speaker 1: would you say shipping is straight? Um? Okay, so would

539
00:30:37,280 --> 00:30:40,760
Speaker 1: you say so? In my mind, like shipping is straight,

540
00:30:40,840 --> 00:30:46,320
Speaker 1: peeing is gay? And I think why I think that

541
00:30:46,480 --> 00:30:54,520
Speaker 1: is because my thesis for that is, uh, I don't know, like,

542
00:30:55,120 --> 00:30:58,880
Speaker 1: you know, shipping smells horrible, and that's like a straight

543
00:30:58,960 --> 00:31:04,960
Speaker 1: straight men typically smell bad, right, sure, Uh yeah, I

544
00:31:05,000 --> 00:31:11,840
Speaker 1: think it really comes that that's the that's the mostly smell.

545
00:31:12,160 --> 00:31:17,360
Speaker 1: I think. Yeah, Like I mean aesthetically, aesthetically, it's like,

546
00:31:17,880 --> 00:31:21,360
Speaker 1: you know, shit is not a great color like no

547
00:31:21,400 --> 00:31:25,440
Speaker 1: one's you know, it doesn't match with anything, you know

548
00:31:25,520 --> 00:31:29,680
Speaker 1: what I mean. It's like just yeah, aesthetically not appealing.

549
00:31:30,000 --> 00:31:35,560
Speaker 1: It's yeah, it's not aesthetically appealing. It's kind of an eyesore. Yeah.

550
00:31:35,720 --> 00:31:37,880
Speaker 1: I mean, you won't see ship in my apartment, that's right.

551
00:31:37,920 --> 00:31:39,480
Speaker 1: You wouldn't want I mean, you would never want to

552
00:31:39,520 --> 00:31:44,080
Speaker 1: just like have ship anywhere that isn't the toilet ideally, Yeah,

553
00:31:44,360 --> 00:31:48,560
Speaker 1: unless you're into that sort of thing, which these straight

554
00:31:48,600 --> 00:31:50,800
Speaker 1: guys I tell you what, they'd be hanging their ships

555
00:31:50,920 --> 00:31:55,240
Speaker 1: up and say this is decor. It's true. Yeah yeah people,

556
00:31:55,280 --> 00:31:59,800
Speaker 1: well yeah yeah, I mean guys hang their ship up

557
00:32:00,200 --> 00:32:03,400
Speaker 1: over the mantel and say that's my decor. It's like, oh,

558
00:32:03,760 --> 00:32:09,400
Speaker 1: keep that in the bathroom toilet. Specifically, Darling, this sort

559
00:32:09,400 --> 00:32:11,760
Speaker 1: of I mean, that reminds me of an old friend

560
00:32:11,840 --> 00:32:14,800
Speaker 1: of mine, this buddy in high school, Trevor Smith, who

561
00:32:14,840 --> 00:32:18,280
Speaker 1: was kind of like my partner in crime, and uh,

562
00:32:18,360 --> 00:32:21,880
Speaker 1: he would do this thing. It was like pretty incredible actually,

563
00:32:21,880 --> 00:32:24,120
Speaker 1: where he would like come up to you in class

564
00:32:24,160 --> 00:32:28,200
Speaker 1: and very nonchalantly be like, hey man, whenever you get

565
00:32:28,240 --> 00:32:30,960
Speaker 1: a chance, go check out the water fountain in the

566
00:32:31,040 --> 00:32:34,320
Speaker 1: music hallway, or he would say like some location within

567
00:32:34,400 --> 00:32:37,400
Speaker 1: the school and you would go there and there would

568
00:32:37,440 --> 00:32:42,080
Speaker 1: always be a perfect piece of ship, just like perfect length,

569
00:32:42,720 --> 00:32:46,440
Speaker 1: perfect appearance, like and you'd be like, how did he

570
00:32:46,480 --> 00:32:48,720
Speaker 1: get that there without anyone noticed? It was like he

571
00:32:48,840 --> 00:32:51,080
Speaker 1: was like Banksy in our school because it was like,

572
00:32:51,440 --> 00:32:54,640
Speaker 1: you know, it was so impressive and it was always

573
00:32:54,680 --> 00:33:00,120
Speaker 1: just like so immaculate, and yeah, he was true one

574
00:33:00,160 --> 00:33:02,520
Speaker 1: of a kind of talent. What's up to now? You

575
00:33:02,560 --> 00:33:06,360
Speaker 1: know we lost touch. I really we went separate. We

576
00:33:06,440 --> 00:33:09,280
Speaker 1: went separate ways. Well you know, Dan, I hear he

577
00:33:09,320 --> 00:33:16,480
Speaker 1: has a message for you. Check your second drawer. That

578
00:33:16,520 --> 00:33:20,480
Speaker 1: would be did you as you mentioned, also, you have

579
00:33:20,480 --> 00:33:23,960
Speaker 1: a personal experience that is related to this topic that

580
00:33:24,080 --> 00:33:26,480
Speaker 1: potentially could be relevant to shares. This an unsmoothed way

581
00:33:26,520 --> 00:33:28,800
Speaker 1: to to go into it. I do feel like we're

582
00:33:28,800 --> 00:33:31,320
Speaker 1: being Oprah right now. But no, no, I mean, like,

583
00:33:31,960 --> 00:33:34,520
Speaker 1: I guess this is a good way to transition. And

584
00:33:34,680 --> 00:33:36,600
Speaker 1: that because like me and Trevor Smith, we were kind

585
00:33:36,600 --> 00:33:40,000
Speaker 1: of like the class clowns and our our school. And

586
00:33:40,080 --> 00:33:42,480
Speaker 1: you know, uh, I got a video camera for my

587
00:33:42,520 --> 00:33:45,880
Speaker 1: fifteenth birthday, so immediately I was like time to start

588
00:33:45,960 --> 00:33:49,760
Speaker 1: putting together the stunt reel. So we would film ourselves

589
00:33:49,760 --> 00:33:51,960
Speaker 1: doing things in school, like going down a flight of

590
00:33:52,040 --> 00:33:54,440
Speaker 1: stairs in a slid and Trevor is the guy with

591
00:33:54,520 --> 00:33:57,680
Speaker 1: the ship in the water fountain. Trevor is the ship guy. Yeah,

592
00:33:58,280 --> 00:34:01,600
Speaker 1: so you were more of the cerebral, intellectual, comedic mind,

593
00:34:01,680 --> 00:34:04,840
Speaker 1: and he went right. He did more kind of gross

594
00:34:04,840 --> 00:34:07,680
Speaker 1: out humor. He was more the Dave England of the

595
00:34:07,840 --> 00:34:11,040
Speaker 1: of our two person crew, and I was more of

596
00:34:11,040 --> 00:34:15,800
Speaker 1: the Johnny Knoxville I suppost. But somebody's gonna be someone.

597
00:34:16,360 --> 00:34:20,120
Speaker 1: Someone's gotta step up to the plate. But uh yeah,

598
00:34:20,239 --> 00:34:23,000
Speaker 1: So like this is this is a long preamble in

599
00:34:23,080 --> 00:34:24,960
Speaker 1: order to get to the ship parts. So you'll have

600
00:34:25,000 --> 00:34:27,920
Speaker 1: to forgive me, but hopefully it'll be worth it. We're

601
00:34:27,960 --> 00:34:30,560
Speaker 1: trying to get footage for our stunt reel. One day

602
00:34:30,600 --> 00:34:32,520
Speaker 1: I was like, all right, I got something good. We

603
00:34:32,560 --> 00:34:34,520
Speaker 1: went to my friend's house. You lived next door to

604
00:34:34,560 --> 00:34:37,520
Speaker 1: this church, and so I climbed on top of the

605
00:34:37,640 --> 00:34:41,960
Speaker 1: church with an umbrella and I basically ran and jumped

606
00:34:41,960 --> 00:34:44,799
Speaker 1: off of this twenty five ft building. Uh. And it

607
00:34:44,880 --> 00:34:48,960
Speaker 1: took about a second for me to fall and uh.

608
00:34:49,080 --> 00:34:52,319
Speaker 1: I hit the ground and it sounded like an oak

609
00:34:52,400 --> 00:34:55,440
Speaker 1: tree going through a wood chipper. And I looked at

610
00:34:55,440 --> 00:34:58,319
Speaker 1: my legs and they just looked like rubber. They had

611
00:34:58,360 --> 00:35:01,520
Speaker 1: looked like no form to them whatsoever. They looked like

612
00:35:01,600 --> 00:35:05,320
Speaker 1: two Burmese python sticking out of a pair of vans.

613
00:35:05,520 --> 00:35:07,799
Speaker 1: It was just there was blood spurting out of the

614
00:35:07,840 --> 00:35:10,360
Speaker 1: side where the bone was poking through. It was it was,

615
00:35:10,560 --> 00:35:13,440
Speaker 1: it was fucked up. So it turns out they were

616
00:35:13,440 --> 00:35:17,880
Speaker 1: broke and and uh. I was in casts for like

617
00:35:17,960 --> 00:35:21,680
Speaker 1: fourteen weeks and the one of the most annoying parts

618
00:35:21,760 --> 00:35:24,320
Speaker 1: was like I couldn't get into the bathroom to ship

619
00:35:24,480 --> 00:35:27,680
Speaker 1: or piss because the casts were above the knees, so

620
00:35:28,280 --> 00:35:30,440
Speaker 1: I was like confined to a hospital bed in my

621
00:35:30,520 --> 00:35:33,399
Speaker 1: living room. And um, if I had to take a ship,

622
00:35:33,520 --> 00:35:36,440
Speaker 1: I had to use this commode next to the hospital bed,

623
00:35:36,480 --> 00:35:38,719
Speaker 1: which those are you listening if you don't know what

624
00:35:38,800 --> 00:35:40,920
Speaker 1: that is, It's like a toilet seat with a garbage

625
00:35:40,960 --> 00:35:43,600
Speaker 1: can attached to it. So if I had the ship,

626
00:35:43,640 --> 00:35:45,360
Speaker 1: I would have to like tell everyone to leave the

627
00:35:45,400 --> 00:35:48,680
Speaker 1: living room shipped into the garbage can. My mom would

628
00:35:48,680 --> 00:35:52,319
Speaker 1: take the trash bag throw it in the trash so

629
00:35:52,560 --> 00:35:55,080
Speaker 1: you know that was kind of annoying. But the one

630
00:35:55,200 --> 00:35:57,759
Speaker 1: like cool part about it was like all the like

631
00:35:58,200 --> 00:36:01,120
Speaker 1: hottest girls in my grade would like felt bad for me,

632
00:36:01,200 --> 00:36:03,279
Speaker 1: so they would come and visit and like bring me

633
00:36:03,520 --> 00:36:06,520
Speaker 1: cookies and watch a DVD with me. Was you know

634
00:36:06,680 --> 00:36:09,960
Speaker 1: these these may they didn't wouldn't have given me the

635
00:36:10,000 --> 00:36:11,680
Speaker 1: time of day before this, But now I'm like a

636
00:36:11,719 --> 00:36:13,960
Speaker 1: local celebrity. Yeah, I mean, start shifting in a bag.

637
00:36:13,960 --> 00:36:19,279
Speaker 1: People will come out of the woodwork. So one day

638
00:36:19,360 --> 00:36:21,680
Speaker 1: I was like, I was like, I forget what I ate,

639
00:36:21,719 --> 00:36:23,960
Speaker 1: but I like really fucked my stomach up and I

640
00:36:24,040 --> 00:36:26,000
Speaker 1: was like about to take a ship within the doorbell

641
00:36:26,120 --> 00:36:29,400
Speaker 1: ring and like three hottest girls from my grade walked in,

642
00:36:29,480 --> 00:36:32,439
Speaker 1: so I was like, I'm like holding it like as

643
00:36:32,480 --> 00:36:34,919
Speaker 1: long as I possibly can, Like you know, they brought

644
00:36:35,040 --> 00:36:37,320
Speaker 1: over a DVD of Mean Girls, so we're like watching

645
00:36:37,360 --> 00:36:39,600
Speaker 1: Mean Girls, and I got like forty five minutes into

646
00:36:39,600 --> 00:36:41,600
Speaker 1: it and I was like truly about to explode. So

647
00:36:41,640 --> 00:36:46,359
Speaker 1: it's just like, guys, uh, you know, these drugs they've

648
00:36:46,400 --> 00:36:49,080
Speaker 1: got me on, they're making me kind of sleepy, so

649
00:36:49,120 --> 00:36:51,680
Speaker 1: I think I'm gonna take a nap and they're like, okay, uh,

650
00:36:51,880 --> 00:36:54,319
Speaker 1: well we'll leave. My dad was like all right, I'll

651
00:36:54,320 --> 00:36:56,840
Speaker 1: give you girls a ride home, So like they leave

652
00:36:57,120 --> 00:37:00,759
Speaker 1: and I just like start shifting my brains out and

653
00:37:00,920 --> 00:37:03,840
Speaker 1: it's like going on for like quite a while. And

654
00:37:03,880 --> 00:37:07,560
Speaker 1: then like maybe fifteen minutes later, like I hear the

655
00:37:07,560 --> 00:37:11,160
Speaker 1: garage door open, and then the garage door leads right

656
00:37:11,160 --> 00:37:14,160
Speaker 1: into the living room. So I hear the garage door open,

657
00:37:14,640 --> 00:37:18,240
Speaker 1: my dad walks in, and right after him is this girl.

658
00:37:18,440 --> 00:37:20,759
Speaker 1: And I had a crush on at the time. He's like, hey, Dan,

659
00:37:21,480 --> 00:37:23,520
Speaker 1: her parents weren't home, so I brought her back here

660
00:37:23,560 --> 00:37:27,279
Speaker 1: and like we locked eyes as like you know, I'm

661
00:37:27,320 --> 00:37:30,680
Speaker 1: like taking a huge ship, and like she just like

662
00:37:30,800 --> 00:37:33,840
Speaker 1: ran out the door, and from where I was sitting,

663
00:37:34,360 --> 00:37:36,600
Speaker 1: from where I was shooting, I could see her run

664
00:37:37,160 --> 00:37:39,399
Speaker 1: out of the house and down the street and then

665
00:37:40,360 --> 00:37:42,640
Speaker 1: I didn't see her again for some time, but she

666
00:37:42,760 --> 00:37:50,719
Speaker 1: was never found. She disappeared. Wow, well that is crazy.

667
00:37:50,920 --> 00:37:55,200
Speaker 1: You lived such a like American teen life than your

668
00:37:55,239 --> 00:38:00,319
Speaker 1: takeaway Sam. Sam is like, wow, that's so all American. Well,

669
00:38:00,320 --> 00:38:02,239
Speaker 1: I felt like I was watching a movie the whole time.

670
00:38:02,360 --> 00:38:04,520
Speaker 1: Like I was, like it was cinematic, for sure. It

671
00:38:04,600 --> 00:38:08,279
Speaker 1: was definitely cinematic, and like I really was, Yeah, I

672
00:38:08,320 --> 00:38:11,759
Speaker 1: was a movie. It's you know, I want to be

673
00:38:11,800 --> 00:38:14,280
Speaker 1: watching What movie I want to be watching while I died?

674
00:38:14,360 --> 00:38:16,880
Speaker 1: I would love to be watching footage of exactly what

675
00:38:16,920 --> 00:38:20,480
Speaker 1: you described happening. Yeah, the Dan Lecotta story. Dan, how

676
00:38:20,480 --> 00:38:23,520
Speaker 1: old are you? I was fifteen at the time, And um,

677
00:38:24,320 --> 00:38:26,680
Speaker 1: so footage, I mean, like if you wanted to watch it.

678
00:38:26,719 --> 00:38:29,239
Speaker 1: The footage was taken by the police, Like they took

679
00:38:29,280 --> 00:38:34,320
Speaker 1: the video camera and like one of the cops forced

680
00:38:34,320 --> 00:38:38,040
Speaker 1: my mom to watch the tape in the falling. Yeah, ye,

681
00:38:38,320 --> 00:38:41,120
Speaker 1: the tape of me breaking my legs and he forced

682
00:38:41,160 --> 00:38:43,600
Speaker 1: my mom to watch it in the hospital and he said,

683
00:38:44,600 --> 00:38:46,440
Speaker 1: maybe if he had been a little more attentive, this

684
00:38:46,480 --> 00:38:50,640
Speaker 1: one that happened, and like just totally as if we

685
00:38:50,680 --> 00:38:55,960
Speaker 1: need another reason to hate cops. Real, Yeah, I mean

686
00:38:56,800 --> 00:38:58,840
Speaker 1: I did hear I did hear a room this. I

687
00:38:58,840 --> 00:39:01,279
Speaker 1: don't know if there's any truth to this, but I

688
00:39:01,320 --> 00:39:04,560
Speaker 1: heard this rumor because they confiscated it. I never got

689
00:39:04,600 --> 00:39:07,080
Speaker 1: the tape back. But then years later I met this

690
00:39:07,160 --> 00:39:09,440
Speaker 1: girl and she was like, my brother was in a

691
00:39:09,480 --> 00:39:14,040
Speaker 1: Scared Straight program in in Buffalo and they showed the

692
00:39:14,120 --> 00:39:17,920
Speaker 1: tape to like these, Oh my god, it's crazy. So

693
00:39:18,000 --> 00:39:21,600
Speaker 1: that tape now belongs to the local government slash police.

694
00:39:22,160 --> 00:39:23,840
Speaker 1: I guess I don't know if that. I don't know

695
00:39:23,880 --> 00:39:26,560
Speaker 1: if that was true. But this girl I met randomly,

696
00:39:26,640 --> 00:39:29,480
Speaker 1: like I knew who I was, and like, well, you

697
00:39:29,520 --> 00:39:32,840
Speaker 1: were famous from the tape. Yeah, yeah, I think I

698
00:39:33,200 --> 00:39:36,200
Speaker 1: think I did make the local newspaper for that. I wish,

699
00:39:36,239 --> 00:39:40,000
Speaker 1: I wish I had saved that newspaper clipping. But yeah,

700
00:39:40,400 --> 00:39:42,680
Speaker 1: they she said that they were using it as like

701
00:39:42,840 --> 00:39:46,200
Speaker 1: a scared straight tactic and like for these like troubled kids.

702
00:39:46,239 --> 00:39:50,480
Speaker 1: So I don't know, that's at least maybe it did

703
00:39:50,480 --> 00:39:53,839
Speaker 1: some good. Yeah, you know, I want to like go.

704
00:39:54,200 --> 00:39:56,760
Speaker 1: I feel like this story is such a good way

705
00:39:56,880 --> 00:40:00,279
Speaker 1: in to what the meaning of ship is. And the

706
00:40:00,320 --> 00:40:02,719
Speaker 1: two things I'm getting from it are a I think

707
00:40:02,760 --> 00:40:07,320
Speaker 1: it really encapsulates how ship is the ultimate shit. Shitting

708
00:40:07,360 --> 00:40:10,799
Speaker 1: is the ultimate private act, Like it is no matter

709
00:40:10,840 --> 00:40:14,600
Speaker 1: how liberated you are, it is something that you do

710
00:40:14,800 --> 00:40:17,880
Speaker 1: in private, like whereas peeing you know, you know, you

711
00:40:17,880 --> 00:40:20,239
Speaker 1: could stop at the side of the road even no

712
00:40:20,280 --> 00:40:22,719
Speaker 1: matter what your genitals are, what your gender is. I

713
00:40:22,719 --> 00:40:25,120
Speaker 1: feel like, you know it is there are certain times

714
00:40:25,160 --> 00:40:28,000
Speaker 1: when you're gonna have to pee by a tree. There's

715
00:40:28,040 --> 00:40:32,400
Speaker 1: something about shooting that kind of makes official the public

716
00:40:32,600 --> 00:40:35,840
Speaker 1: private binary. No one. No one is shifting in public.

717
00:40:36,239 --> 00:40:39,640
Speaker 1: That is um it is immediately not respectable. And the

718
00:40:39,680 --> 00:40:42,239
Speaker 1: second thing is that it's tied to a certain kind

719
00:40:42,280 --> 00:40:46,520
Speaker 1: of like humiliation, Like the ultimate humiliation is shifting oneself

720
00:40:47,840 --> 00:40:52,880
Speaker 1: or getting slim the choice awards like, and both of

721
00:40:52,920 --> 00:40:55,600
Speaker 1: those things are straight like because they are both like

722
00:40:55,680 --> 00:40:58,440
Speaker 1: shame based and it's kind of Like, it's like you

723
00:40:58,480 --> 00:41:02,360
Speaker 1: are ashamed most of that which is at your core,

724
00:41:02,560 --> 00:41:04,879
Speaker 1: Like of it's like you're literally ashamed of your own

725
00:41:04,960 --> 00:41:08,160
Speaker 1: humanity because the thing that unites all of us all

726
00:41:08,320 --> 00:41:11,239
Speaker 1: it's literally, as the book says, everyone poops, and yet

727
00:41:11,280 --> 00:41:13,920
Speaker 1: it is the most shameful possible thing, more so than

728
00:41:13,960 --> 00:41:16,440
Speaker 1: anything that makes you different, more so than anything that

729
00:41:16,480 --> 00:41:19,600
Speaker 1: makes you other. The most shameful thing is literally the

730
00:41:19,640 --> 00:41:24,960
Speaker 1: thing that makes you human. That's that's so deep. I'm

731
00:41:25,040 --> 00:41:26,839
Speaker 1: just kind of blew my mind a little bit there.

732
00:41:27,880 --> 00:41:29,920
Speaker 1: You know, he'll do that to you so that that

733
00:41:29,960 --> 00:41:35,239
Speaker 1: Ivy League education. Um, well, Sam, I want to hear

734
00:41:35,280 --> 00:41:38,279
Speaker 1: what are you? Where are you? What came up for

735
00:41:38,320 --> 00:41:43,040
Speaker 1: you during that story? Well? It to me, I'm more like, yeah,

736
00:41:43,080 --> 00:41:45,319
Speaker 1: the shame of it. I'm more like, how did you

737
00:41:45,360 --> 00:41:48,640
Speaker 1: feel about even like I was? The privacy of like

738
00:41:48,680 --> 00:41:50,880
Speaker 1: a hot girl is one thing. I'm like, the privacy

739
00:41:50,880 --> 00:41:53,440
Speaker 1: between like your parents. I feel like I would struggle

740
00:41:53,480 --> 00:41:56,200
Speaker 1: so much with like having my mom take my ship

741
00:41:56,280 --> 00:41:59,520
Speaker 1: every single day, and I don't think it would like

742
00:41:59,600 --> 00:42:04,160
Speaker 1: I would. I can't imagine doing that genuinely. Yeah, I

743
00:42:04,200 --> 00:42:08,160
Speaker 1: mean if you just feel like a child again, you

744
00:42:08,160 --> 00:42:09,799
Speaker 1: know you feel like a baby again. You know, it's

745
00:42:09,880 --> 00:42:14,640
Speaker 1: very infantilizing to have your mom handle your ship again.

746
00:42:15,000 --> 00:42:17,080
Speaker 1: How long did it take you to get like used

747
00:42:17,120 --> 00:42:21,080
Speaker 1: to it, Like, uh, maybe a couple of weeks and

748
00:42:21,120 --> 00:42:26,560
Speaker 1: then and then and then I mean you do we

749
00:42:26,600 --> 00:42:28,919
Speaker 1: get used to anything, so it's like it's gonna happen

750
00:42:28,960 --> 00:42:31,920
Speaker 1: at some point. Yeah. I mean she got very comfortable

751
00:42:31,960 --> 00:42:34,160
Speaker 1: with it too. You know, she'd make jokes feel like

752
00:42:34,200 --> 00:42:38,200
Speaker 1: that is a heavy one, you know, like that's great.

753
00:42:38,320 --> 00:42:40,520
Speaker 1: I love that. Yeah, No, she made she made the

754
00:42:40,520 --> 00:42:42,440
Speaker 1: best of it and like you know, she'd have to

755
00:42:42,760 --> 00:42:46,080
Speaker 1: dump my piss in the in the toilet and she

756
00:42:46,560 --> 00:42:48,520
Speaker 1: you know what did she say? She's like that you

757
00:42:48,640 --> 00:42:51,160
Speaker 1: got another pot of gold for me or something like that.

758
00:42:52,160 --> 00:42:58,480
Speaker 1: She had a pretty healthy attitude. Wow, what a chill person.

759
00:42:59,000 --> 00:43:03,440
Speaker 1: That's impressive. Yeah, shout out to Jane. Yeah, shout out

760
00:43:03,440 --> 00:43:05,960
Speaker 1: to Jane. Big shout out to Jane. I guess, like

761
00:43:06,239 --> 00:43:11,520
Speaker 1: in a broader sense, like I'm wanting we can't talk

762
00:43:11,520 --> 00:43:14,200
Speaker 1: about shooting being a straight thing without also talking about

763
00:43:14,200 --> 00:43:20,279
Speaker 1: like anal sex as. I'm sorry you're trying to right

764
00:43:20,400 --> 00:43:23,799
Speaker 1: And that's like where like I literally was hoping you

765
00:43:23,800 --> 00:43:28,840
Speaker 1: wouldn't do this, but because because it because I was afraid,

766
00:43:29,120 --> 00:43:33,760
Speaker 1: Like because I still even after even after I told myself, no, George,

767
00:43:33,840 --> 00:43:35,480
Speaker 1: you have to commit to this topic, like you are

768
00:43:35,520 --> 00:43:38,600
Speaker 1: an artist and right now the task at hand is

769
00:43:38,640 --> 00:43:42,120
Speaker 1: to talk about shipping with regards to sexuality. But still

770
00:43:42,160 --> 00:43:44,000
Speaker 1: I was like, I don't want I don't want to

771
00:43:44,120 --> 00:43:47,440
Speaker 1: cross that line. Yeah. Well, and it's also complicated, and

772
00:43:47,440 --> 00:43:51,200
Speaker 1: I you know, sometimes we can change our personalities a

773
00:43:51,200 --> 00:43:53,719
Speaker 1: bit when we have a straight guest. We want what

774
00:43:54,120 --> 00:43:57,040
Speaker 1: I was like, I was immediately like, yeah, dude, so

775
00:43:57,200 --> 00:44:00,239
Speaker 1: it sucked when that hot chick saw you ship, and

776
00:44:00,320 --> 00:44:03,720
Speaker 1: I forgot, like, wait a minute, shitting is about sex.

777
00:44:04,280 --> 00:44:07,319
Speaker 1: Shitting can is. And I do think that's also why

778
00:44:07,400 --> 00:44:13,640
Speaker 1: it's a straight thing, because it's like shitting is like,

779
00:44:14,440 --> 00:44:17,200
Speaker 1: that is what the ass is for. And I feel

780
00:44:17,719 --> 00:44:21,759
Speaker 1: like and not obviously straight men use their asses for

781
00:44:21,800 --> 00:44:25,400
Speaker 1: sex to uh in in some ways, some do. Some don't.

782
00:44:25,800 --> 00:44:28,839
Speaker 1: What lesbians as well. I mean Two Girls, One Cup,

783
00:44:28,880 --> 00:44:31,600
Speaker 1: one of the most famous videos of all time. I

784
00:44:31,640 --> 00:44:39,880
Speaker 1: mean the story of beautiful lesbian queer love. That's a

785
00:44:39,920 --> 00:44:42,880
Speaker 1: really beautiful story. That's actually what that's a portrait of

786
00:44:42,880 --> 00:44:45,399
Speaker 1: a lady on fire is based on Yeah, I wish

787
00:44:45,400 --> 00:44:48,719
Speaker 1: it had won the Oscar. So I'm glad you were

788
00:44:48,760 --> 00:44:51,279
Speaker 1: at this upstand because to me, it's like, Okay, so

789
00:44:51,320 --> 00:44:55,000
Speaker 1: what I was saying before, like shit establishes a separation

790
00:44:55,040 --> 00:44:57,160
Speaker 1: between the private and the public. Ship is a source

791
00:44:57,160 --> 00:44:59,640
Speaker 1: of shame whatever. So then what does it mean to

792
00:44:59,719 --> 00:45:03,600
Speaker 1: queer of that It means to situate ship as a

793
00:45:03,680 --> 00:45:07,160
Speaker 1: site of sexuality, as a site of liberation, as a

794
00:45:07,239 --> 00:45:13,040
Speaker 1: site of expansive human experience. It's like you are It's

795
00:45:13,040 --> 00:45:16,080
Speaker 1: the definition of reappropriating something bad and making it into

796
00:45:16,120 --> 00:45:19,920
Speaker 1: something good. I don't know, I can't speak for you know,

797
00:45:20,080 --> 00:45:23,520
Speaker 1: Dan's experience and others out there, but it's like and

798
00:45:23,640 --> 00:45:25,640
Speaker 1: I can't even speak for you, George, but I feel

799
00:45:25,680 --> 00:45:28,640
Speaker 1: like I almost obsess over ship and try to make

800
00:45:28,800 --> 00:45:34,319
Speaker 1: my like ships perfect. Like I'm like always like experimenting

801
00:45:34,320 --> 00:45:37,200
Speaker 1: with new fibers and new probiotics and being like, Okay,

802
00:45:37,320 --> 00:45:39,759
Speaker 1: we're gonna get it so that like my asshole is

803
00:45:39,800 --> 00:45:43,000
Speaker 1: always perfect because my ships will always be perfect. And

804
00:45:43,040 --> 00:45:45,960
Speaker 1: I feel like it's a much more it's a different

805
00:45:46,160 --> 00:45:50,120
Speaker 1: relationship to your ships than potentially that a straight guy

806
00:45:50,120 --> 00:45:51,799
Speaker 1: I would have, where it's more like this is my

807
00:45:51,920 --> 00:45:53,880
Speaker 1: nasty thing, Like this is the thing that's gross and

808
00:45:53,920 --> 00:45:58,720
Speaker 1: I just shipped it out and I think we like

809
00:45:58,719 --> 00:46:01,040
Speaker 1: like we It's that's where it is different, is like

810
00:46:01,200 --> 00:46:05,960
Speaker 1: that ship. Like what I'm doing is uh it's science. Yeah, yeah,

811
00:46:06,239 --> 00:46:09,640
Speaker 1: I mean, I mean it's similar to like working out

812
00:46:09,760 --> 00:46:12,800
Speaker 1: or something. It's like, well, you're given, you're given a body,

813
00:46:12,880 --> 00:46:17,120
Speaker 1: and then the game mail impulse is to change it

814
00:46:17,520 --> 00:46:21,920
Speaker 1: so that you don't feel shame. Yeah, use a squatty potty.

815
00:46:23,280 --> 00:46:25,200
Speaker 1: I've got a squatty. I've got a squatty. I've got

816
00:46:25,239 --> 00:46:29,080
Speaker 1: a day. I mean yeah, A coutrements alone are a

817
00:46:29,160 --> 00:46:32,279
Speaker 1: small fortune. I mean, I can never work in an

818
00:46:32,280 --> 00:46:35,839
Speaker 1: office because unless they get the right toilet's, I think

819
00:46:35,880 --> 00:46:40,560
Speaker 1: it's barbaric the lack of squatty potties in the days

820
00:46:40,840 --> 00:46:43,560
Speaker 1: in this damn country. Well, you should bring your own

821
00:46:43,560 --> 00:46:46,080
Speaker 1: every day. You can come into the office with your

822
00:46:46,120 --> 00:46:49,440
Speaker 1: own bi day and literally not opposed. Yeah, they do

823
00:46:49,480 --> 00:46:52,560
Speaker 1: have those little portable ones now those like uh what

824
00:46:52,560 --> 00:46:54,960
Speaker 1: are they called? Uh, I forget what they're called, but

825
00:46:55,000 --> 00:46:56,799
Speaker 1: I think those in your backpack and then make your

826
00:46:56,800 --> 00:47:01,319
Speaker 1: way to thirty rock. Yeah, bet if you gotta I bet,

827
00:47:01,320 --> 00:47:04,400
Speaker 1: if you got a you know, those like Nettie pop things,

828
00:47:04,680 --> 00:47:13,879
Speaker 1: is like, uh, yeah, you could probably that would be Yeah,

829
00:47:13,880 --> 00:47:15,919
Speaker 1: I guess you could stick a netti put up your ass? Sure?

830
00:47:17,200 --> 00:47:25,160
Speaker 1: Why not? Who's staring? So who cares? I don't know. Um, George,

831
00:47:25,160 --> 00:47:27,560
Speaker 1: how do you feel about everything? I just said, yeah, no,

832
00:47:27,640 --> 00:47:30,000
Speaker 1: I mean I understand. I understand what you're saying about, like, uh,

833
00:47:30,719 --> 00:47:35,120
Speaker 1: seeking control over the biological But I also think that

834
00:47:35,160 --> 00:47:37,680
Speaker 1: it's almost like then you have to let go of

835
00:47:37,760 --> 00:47:41,320
Speaker 1: that too, Like I think that's like, that's also fear based.

836
00:47:42,000 --> 00:47:46,840
Speaker 1: That's true, but it's not fear based, I would argue

837
00:47:46,880 --> 00:47:51,800
Speaker 1: as much as like just wanting wanting to be the best. Yes,

838
00:47:52,320 --> 00:47:56,640
Speaker 1: but here's the thing. There are certain things that are natural,

839
00:47:57,040 --> 00:48:01,080
Speaker 1: and by trying to control them, you're disrupting the balance

840
00:48:01,080 --> 00:48:02,960
Speaker 1: of the universe in many ways. It's almost like a

841
00:48:03,040 --> 00:48:06,640
Speaker 1: kind of colonialist thinking to try to make your ships

842
00:48:06,680 --> 00:48:09,960
Speaker 1: a certain way when that's not the way God made them. Well,

843
00:48:10,000 --> 00:48:13,799
Speaker 1: I love it. Here's why fiber regiments are actually colonial

844
00:48:15,719 --> 00:48:18,719
Speaker 1: marks of a colonizer. Hey why not? Why not? Dan?

845
00:48:18,760 --> 00:48:21,760
Speaker 1: How do you feel about everything? I just said, Well,

846
00:48:22,200 --> 00:48:25,040
Speaker 1: you know, I haven't I haven't upgraded my toilet and

847
00:48:25,440 --> 00:48:29,560
Speaker 1: sometime it's funny at some of these. Well, here's a

848
00:48:29,600 --> 00:48:31,840
Speaker 1: recent story. I guess I don't know if I clogged

849
00:48:31,840 --> 00:48:34,840
Speaker 1: the toilet or like what, I'm not gonna blame myself

850
00:48:34,880 --> 00:48:38,080
Speaker 1: for it, because yeah, it's probably it's probably it's probably

851
00:48:38,120 --> 00:48:42,120
Speaker 1: my fiance. Yeah. Anyway, like we had to call the plumber,

852
00:48:42,280 --> 00:48:46,680
Speaker 1: and uh, the plumber came over and he was just like, listen, uh,

853
00:48:46,880 --> 00:48:48,680
Speaker 1: you guys are gonna have to buy a whole new

854
00:48:48,719 --> 00:48:51,640
Speaker 1: toilet otherwise I'm gonna have to keep coming back here

855
00:48:51,640 --> 00:48:54,640
Speaker 1: every couple of years. And I was just like, uh,

856
00:48:55,000 --> 00:48:57,759
Speaker 1: see you in two years. Then I guess, yeah, like

857
00:48:57,880 --> 00:49:00,920
Speaker 1: a couple of years, Like yeah, that's fine. That sounds

858
00:49:00,920 --> 00:49:04,600
Speaker 1: like a working toilet. You can come every couple of years.

859
00:49:04,920 --> 00:49:10,560
Speaker 1: I'm not gonna buy a new toilet, you psycho, but

860
00:49:10,560 --> 00:49:13,720
Speaker 1: but like toilet sep Like I stayed at Airbnb recently

861
00:49:13,760 --> 00:49:17,880
Speaker 1: and this toilet was like insane. It was like heat regularly,

862
00:49:17,960 --> 00:49:20,600
Speaker 1: like you know, had the heat or the heated seats

863
00:49:20,640 --> 00:49:23,000
Speaker 1: and like could sense when you were sitting on it

864
00:49:23,120 --> 00:49:25,919
Speaker 1: and had like you know, that felt a little too

865
00:49:25,960 --> 00:49:29,759
Speaker 1: far to me. I almost like sitting on a warm

866
00:49:29,960 --> 00:49:33,000
Speaker 1: toilet seated, like even though I know it's artificial, it

867
00:49:33,080 --> 00:49:37,200
Speaker 1: still feels like you know, yeah, you're like someone this, Yeah,

868
00:49:37,440 --> 00:49:42,200
Speaker 1: someone just got done taking a nice Oh yeah, it's

869
00:49:42,239 --> 00:49:44,440
Speaker 1: you never like to sit on a toilet and have

870
00:49:44,520 --> 00:49:48,000
Speaker 1: it feel like the previous user. Yeah, I like a

871
00:49:48,080 --> 00:49:51,479
Speaker 1: nice forty forty Yet it should be the same tempt

872
00:49:51,520 --> 00:49:53,520
Speaker 1: as my fridge. Keep it at a nice you know,

873
00:49:53,719 --> 00:49:57,399
Speaker 1: thirty nine forty degrees. And that's that's why. That's how

874
00:49:57,440 --> 00:50:00,319
Speaker 1: I want that toilet seat. They should make a let's

875
00:50:00,320 --> 00:50:02,719
Speaker 1: see that you can detach and put in the refrigerators.

876
00:50:02,760 --> 00:50:06,279
Speaker 1: It's chilled, you know. They should make a toilet that

877
00:50:06,320 --> 00:50:09,480
Speaker 1: actually doubles as a fridge and you can cool some

878
00:50:09,520 --> 00:50:11,920
Speaker 1: diet cokes in there, and then you know, when you

879
00:50:11,960 --> 00:50:15,719
Speaker 1: need to take a ship. Sometimes I'll be taking a

880
00:50:15,719 --> 00:50:19,319
Speaker 1: ship and you know, a nice carbonated beverage would go

881
00:50:19,440 --> 00:50:21,880
Speaker 1: nice exactly, and then you can reach between your legs

882
00:50:22,640 --> 00:50:27,279
Speaker 1: went out. Um. I think that the mechanics of toilets also,

883
00:50:27,400 --> 00:50:30,800
Speaker 1: I think point to the straightness of the whole endeavor

884
00:50:30,840 --> 00:50:34,760
Speaker 1: because it's like, basically like the kind of urban planning

885
00:50:35,120 --> 00:50:39,719
Speaker 1: necessary to create like a functioning toilet ecosystem is very

886
00:50:39,760 --> 00:50:42,640
Speaker 1: like that. That's like the root of Western civilization is like,

887
00:50:42,760 --> 00:50:45,120
Speaker 1: that's what cities are built around. Cities are basically built

888
00:50:45,120 --> 00:50:49,120
Speaker 1: around waste management, right, is that's the number one thing

889
00:50:49,239 --> 00:50:52,400
Speaker 1: that like makes a city function. You can't just have

890
00:50:52,440 --> 00:50:55,120
Speaker 1: ship everywhere. Well, New York City is proving you can.

891
00:50:58,239 --> 00:51:01,280
Speaker 1: I feel like that's my biggest you, with my biggest

892
00:51:01,400 --> 00:51:04,200
Speaker 1: you with literally all of New York City lack of bathrooms.

893
00:51:04,680 --> 00:51:07,200
Speaker 1: Oh well yeah, I mean the concept of a public

894
00:51:07,200 --> 00:51:10,080
Speaker 1: bathroom again is something that is queer because it is

895
00:51:10,280 --> 00:51:13,440
Speaker 1: saying this is a communal space, anyone can come ship,

896
00:51:13,560 --> 00:51:16,399
Speaker 1: whereas the straight impulse is to privatized shipping. Now, would

897
00:51:16,400 --> 00:51:18,080
Speaker 1: you got to be a customer, you gotta buy, You

898
00:51:18,120 --> 00:51:20,440
Speaker 1: gotta buy a bottle of water from Starbucks. If you

899
00:51:20,440 --> 00:51:23,479
Speaker 1: want to ship, I think a porta potty though. That's

900
00:51:23,560 --> 00:51:28,880
Speaker 1: like as straight as it gets. That's true, not just

901
00:51:28,960 --> 00:51:33,160
Speaker 1: because I like associate them with like construction sites and whatever,

902
00:51:33,280 --> 00:51:36,239
Speaker 1: but just you know, I mean, if we're saying the

903
00:51:36,320 --> 00:51:40,040
Speaker 1: straightness of shipping is mostly linked to the smell, I

904
00:51:40,040 --> 00:51:43,600
Speaker 1: mean that's what it really like is crazy how much

905
00:51:43,640 --> 00:51:46,840
Speaker 1: the water and a toilet will neutralize the smell, because

906
00:51:46,880 --> 00:51:48,960
Speaker 1: like you know, when you're in a porta potty. You

907
00:51:48,960 --> 00:51:51,839
Speaker 1: smell it right away, like even with the you know,

908
00:51:51,880 --> 00:51:54,040
Speaker 1: the commode, when I had the ship in the living room,

909
00:51:54,400 --> 00:51:56,680
Speaker 1: you just smell it's so much, so much more, and

910
00:51:56,719 --> 00:52:00,480
Speaker 1: it's just water just really cuts that. Gott to give

911
00:52:00,480 --> 00:52:03,120
Speaker 1: it up for water, for sure, we're cutting the stench.

912
00:52:03,440 --> 00:52:08,040
Speaker 1: Cutting a porta potty is also like, yeah, there's no

913
00:52:08,080 --> 00:52:10,920
Speaker 1: way to there's no way to clear the porta potty,

914
00:52:11,080 --> 00:52:13,840
Speaker 1: like I do think, No, you can't, like even like

915
00:52:13,880 --> 00:52:16,400
Speaker 1: a public restroom. There's like a history of cruising and

916
00:52:16,480 --> 00:52:19,560
Speaker 1: gay sex and public restrooms. You're absolutely right, there is

917
00:52:19,719 --> 00:52:22,440
Speaker 1: no way to have gay sex in a porta potty

918
00:52:22,640 --> 00:52:26,239
Speaker 1: that is at all enjoyable. The porta potty is kind

919
00:52:26,239 --> 00:52:30,040
Speaker 1: of it really is one of the ultimate symbols of heterosexuality.

920
00:52:30,400 --> 00:52:35,560
Speaker 1: Like so, I mean, it's it's so anti esthetic. There's

921
00:52:35,680 --> 00:52:38,759
Speaker 1: there's no it has no redeemable qualities. It's like, you know,

922
00:52:38,800 --> 00:52:41,240
Speaker 1: you try to reclaim everything, you try to queer everything

923
00:52:41,560 --> 00:52:43,520
Speaker 1: that and then you bump up against the porta pote

924
00:52:43,520 --> 00:52:46,160
Speaker 1: and you're like, I can't. I don't have a way

925
00:52:46,200 --> 00:52:48,680
Speaker 1: in here. You could also argue it just like is

926
00:52:48,719 --> 00:52:53,439
Speaker 1: an nonfunctioning tool. Like it's like it's like a porta

927
00:52:53,440 --> 00:52:56,040
Speaker 1: potty years, there's gotta be a way to revolutionize porta

928
00:52:56,040 --> 00:53:00,440
Speaker 1: potties where it doesn't stink horribly like it guess you're

929
00:53:00,440 --> 00:53:02,279
Speaker 1: allowed to ship in it, but it doesn't seem like

930
00:53:02,320 --> 00:53:06,680
Speaker 1: it's good for taking ships and likes to be away

931
00:53:06,920 --> 00:53:09,480
Speaker 1: to make a porta potty that is like effective in

932
00:53:09,600 --> 00:53:13,520
Speaker 1: like disposing of ways that isn't the nastiest thing. Like

933
00:53:13,600 --> 00:53:15,640
Speaker 1: I think shipping on the ground would actually be better

934
00:53:15,760 --> 00:53:19,839
Speaker 1: in most cases. Yeah, next time I see a porta

935
00:53:19,880 --> 00:53:22,000
Speaker 1: poty kind of look at and be like I don't

936
00:53:22,000 --> 00:53:23,600
Speaker 1: think so, and then ship on the ground right next

937
00:53:23,600 --> 00:53:28,839
Speaker 1: to it, I'm gonna pull it forever. Is that his name?

938
00:53:30,680 --> 00:53:32,640
Speaker 1: You know? Dan? A big part of this podcast is

939
00:53:32,680 --> 00:53:34,680
Speaker 1: talking about it while we make it, and I and

940
00:53:34,719 --> 00:53:36,600
Speaker 1: I can help, but feel like we need to do

941
00:53:36,640 --> 00:53:38,959
Speaker 1: a little check in of like how do you feel

942
00:53:39,000 --> 00:53:41,920
Speaker 1: like the listener is doing right now? Like we really

943
00:53:41,960 --> 00:53:44,040
Speaker 1: put it all on the line, I mean, how do

944
00:53:44,080 --> 00:53:46,120
Speaker 1: we feel about how this is going? I feel like

945
00:53:46,280 --> 00:53:51,439
Speaker 1: maybe that the listeners have like been inspired to take

946
00:53:51,480 --> 00:53:53,799
Speaker 1: a ship while listening. That would be my goal for

947
00:53:53,840 --> 00:53:56,400
Speaker 1: this is, like if you listen to this while shipping,

948
00:53:56,480 --> 00:53:59,560
Speaker 1: that's probably like if you're not shipping, now pause this

949
00:53:59,680 --> 00:54:03,480
Speaker 1: and mely wait until you have to take a ship

950
00:54:03,680 --> 00:54:07,200
Speaker 1: and then press play. And it's kind of and I

951
00:54:07,239 --> 00:54:08,920
Speaker 1: just want to say, if you're not like, I just

952
00:54:08,920 --> 00:54:13,440
Speaker 1: want to say, if you're not shipping, this isn't for you.

953
00:54:13,440 --> 00:54:18,160
Speaker 1: You can't critique this episode unless you're currently shipping. This

954
00:54:18,239 --> 00:54:20,120
Speaker 1: is for a specific community, and that is people who

955
00:54:20,120 --> 00:54:22,839
Speaker 1: are currently shipping. And if that's not you, then like

956
00:54:23,120 --> 00:54:25,800
Speaker 1: it's not our job to educate you, like, read a book,

957
00:54:25,960 --> 00:54:28,480
Speaker 1: go to the public library, go take a ship, Go

958
00:54:28,560 --> 00:54:34,680
Speaker 1: take I feel nausea at like the lowest level at

959
00:54:34,680 --> 00:54:37,960
Speaker 1: this point in the recording. I would say, I feel

960
00:54:38,920 --> 00:54:42,040
Speaker 1: it's tough because there is something about the subject that,

961
00:54:42,200 --> 00:54:44,000
Speaker 1: as I said, I do think in some ways it

962
00:54:44,040 --> 00:54:46,080
Speaker 1: is the last taboo because it is the thing that

963
00:54:46,160 --> 00:54:49,440
Speaker 1: like it is what people consider to be like the

964
00:54:49,480 --> 00:54:52,440
Speaker 1: lowest form of comedy. So then by doing it, I

965
00:54:52,440 --> 00:54:55,720
Speaker 1: mean there's a rich history of like ship based comedy

966
00:54:55,800 --> 00:54:59,120
Speaker 1: that is radical. I'm thinking of like Divine eating the

967
00:54:59,200 --> 00:55:03,640
Speaker 1: dog shit, pink flamingos, like I'm thinking of like, you know,

968
00:55:04,560 --> 00:55:09,480
Speaker 1: various other stunt based you know, I think Paul at UCB,

969
00:55:09,680 --> 00:55:14,479
Speaker 1: for instance, the bridesmaid's diarrheas. The bridesmaid's diarrheas, like that's

970
00:55:14,520 --> 00:55:17,680
Speaker 1: the thing. It's like, it is the most base level,

971
00:55:18,000 --> 00:55:21,040
Speaker 1: dumbest possible thing. But then that is the reason why

972
00:55:21,239 --> 00:55:23,359
Speaker 1: you have to embrace it and you have to try

973
00:55:23,360 --> 00:55:26,120
Speaker 1: to elevate it. It is the ultimate challenge to make

974
00:55:26,280 --> 00:55:30,480
Speaker 1: shifting palatable. I will say I think, like as disgusting

975
00:55:30,520 --> 00:55:34,759
Speaker 1: as shipping is, I think vomiting is grosser to me,

976
00:55:34,920 --> 00:55:37,319
Speaker 1: you know what I mean, Like, if someone you have

977
00:55:37,360 --> 00:55:40,120
Speaker 1: to here's here's a garbage can full of ship, here's

978
00:55:40,120 --> 00:55:43,880
Speaker 1: a garbage can full vomb you have to you have

979
00:55:43,960 --> 00:55:47,280
Speaker 1: to put your head over and breathe in for ten seconds.

980
00:55:47,760 --> 00:55:54,400
Speaker 1: I'm going ship every time this is this was to me,

981
00:55:54,520 --> 00:55:57,080
Speaker 1: Like now I'm like, now now it's really hit. It's

982
00:55:57,080 --> 00:56:02,920
Speaker 1: all hitting me. Such a Roust episode is kind of crazy. Um,

983
00:56:03,520 --> 00:56:05,680
Speaker 1: But I've also sorry to even shame you for like

984
00:56:05,760 --> 00:56:08,600
Speaker 1: bringing up that example, Like no, you're right, because you

985
00:56:08,640 --> 00:56:12,400
Speaker 1: are right, and you also you are right to not

986
00:56:12,440 --> 00:56:15,040
Speaker 1: play it safe and to bring up the image of

987
00:56:15,080 --> 00:56:18,080
Speaker 1: a bucket of ship and a bucket of vomit, because

988
00:56:18,080 --> 00:56:20,279
Speaker 1: that's what this is about. Like we have to go deep,

989
00:56:20,719 --> 00:56:23,239
Speaker 1: we have to Yeah, we have to talk about these

990
00:56:23,320 --> 00:56:27,040
Speaker 1: challenging topics and a lot of other podcasts don't have

991
00:56:27,160 --> 00:56:32,719
Speaker 1: to the balls to do so. Yeah. So Sam, how

992
00:56:32,760 --> 00:56:36,359
Speaker 1: are you feeling? I feel nauseous. Yeah, I would say

993
00:56:36,400 --> 00:56:39,799
Speaker 1: I do too, in a very genuine way. And that's

994
00:56:39,840 --> 00:56:42,000
Speaker 1: kind of I guess good. Like I think it is

995
00:56:42,040 --> 00:56:45,400
Speaker 1: good that in this episode it wasn't like pretending to

996
00:56:45,440 --> 00:56:47,960
Speaker 1: talk about ship, like it was genuinely talking about ship.

997
00:56:48,160 --> 00:56:50,719
Speaker 1: And because you know, one of my thest favorite things

998
00:56:50,719 --> 00:56:52,640
Speaker 1: when people pretend to do the thing that they say

999
00:56:52,640 --> 00:56:54,640
Speaker 1: they're going to do. I know, I know, But at

1000
00:56:54,680 --> 00:56:57,200
Speaker 1: the same time, if I were listening to this, I

1001
00:56:57,320 --> 00:57:01,400
Speaker 1: don't know, I might be like, well, I'm in a

1002
00:57:01,440 --> 00:57:07,200
Speaker 1: bad stomach space now. Yeah. Yeah. If anyone does, like

1003
00:57:07,680 --> 00:57:10,480
Speaker 1: throw up while listening to this, I feel like they

1004
00:57:10,520 --> 00:57:14,360
Speaker 1: should get some sort of swag. You know. If you

1005
00:57:14,520 --> 00:57:17,160
Speaker 1: throw up listening to this, d m S will send

1006
00:57:17,200 --> 00:57:20,920
Speaker 1: you a tote. Yes we I We literally have totes

1007
00:57:21,000 --> 00:57:23,080
Speaker 1: that that are ready to be shipped. We will send

1008
00:57:23,120 --> 00:57:25,200
Speaker 1: you a tote if you threw up listening to this,

1009
00:57:25,440 --> 00:57:30,160
Speaker 1: but you have to show us a picture. Video video

1010
00:57:30,240 --> 00:57:33,000
Speaker 1: is preferable, but you know, please don't send us video

1011
00:57:33,360 --> 00:57:41,600
Speaker 1: throwing up. Yone's gonna be trying to get that tote. Now, Well,

1012
00:57:41,640 --> 00:57:43,240
Speaker 1: they can't just begin to take their word for it.

1013
00:57:43,280 --> 00:57:45,960
Speaker 1: There's so many liars out there in the world. I mean,

1014
00:57:45,960 --> 00:57:47,840
Speaker 1: I wish there was a way for, you know, for

1015
00:57:47,960 --> 00:57:49,600
Speaker 1: us to pre empt the throwing up, so we could

1016
00:57:49,640 --> 00:57:51,840
Speaker 1: send a toad for them to throw up in. But

1017
00:57:51,880 --> 00:57:53,720
Speaker 1: that's just not how it works. You're gonna have to

1018
00:57:53,720 --> 00:57:56,600
Speaker 1: reverse Google image search every image you get to make

1019
00:57:56,600 --> 00:57:59,120
Speaker 1: sure that people aren't cheating too. Yeah, yeah, that's right.

1020
00:57:59,160 --> 00:58:03,120
Speaker 1: They didn't just find a a photo vomit online. Well,

1021
00:58:03,160 --> 00:58:05,720
Speaker 1: maybe it's one of those things where like we need

1022
00:58:05,800 --> 00:58:08,280
Speaker 1: you to show a picture of you vomiting, but like

1023
00:58:08,400 --> 00:58:11,440
Speaker 1: holding like a pan from your house so that we

1024
00:58:11,520 --> 00:58:15,480
Speaker 1: know that you did it. How would we know that

1025
00:58:15,520 --> 00:58:18,560
Speaker 1: it's a pan, that it's their pan. Well, just because

1026
00:58:18,680 --> 00:58:21,440
Speaker 1: you you know, like you just have to I'm open

1027
00:58:21,520 --> 00:58:25,360
Speaker 1: for other options, maybe your ideas. Obviously obviously there it

1028
00:58:25,440 --> 00:58:28,280
Speaker 1: needs to be a selfie where it's them, like with

1029
00:58:28,440 --> 00:58:31,080
Speaker 1: the vomit, and it's a selfie, but I don't know

1030
00:58:31,080 --> 00:58:34,000
Speaker 1: what they look like. I guess that's true. But I mean,

1031
00:58:34,040 --> 00:58:35,800
Speaker 1: in these times, you can kind of look someone up

1032
00:58:35,800 --> 00:58:38,560
Speaker 1: on Instagram and see if you know they've instagrammed other

1033
00:58:38,600 --> 00:58:44,120
Speaker 1: photos of themselves doing other bodily functions. Wow. I mean,

1034
00:58:44,200 --> 00:58:45,840
Speaker 1: I think we got to as much as I can.

1035
00:58:47,160 --> 00:58:49,600
Speaker 1: It's really crazy to push yourself to your limits. And

1036
00:58:49,600 --> 00:58:52,240
Speaker 1: I'm like, I don't think i've in this podcast before

1037
00:58:52,320 --> 00:58:55,000
Speaker 1: like reached a limit like this, And it feels it

1038
00:58:55,040 --> 00:58:59,640
Speaker 1: feels really um life affirming because I know more about myself. Yeah,

1039
00:59:00,120 --> 00:59:04,280
Speaker 1: it's cool to find a boundary. Yeah, finally, have you

1040
00:59:04,360 --> 00:59:08,280
Speaker 1: have you you haven't found boundaries previously on this podcast

1041
00:59:08,320 --> 00:59:11,520
Speaker 1: or whatever? I like, I feel like we talk about

1042
00:59:11,520 --> 00:59:14,640
Speaker 1: other things that either make us uncomfortable or are private

1043
00:59:14,760 --> 00:59:18,760
Speaker 1: or something, and it's like it generally is not a

1044
00:59:18,760 --> 00:59:21,840
Speaker 1: big deal. Yeah. Nothing that's like a nothing that's like

1045
00:59:21,840 --> 00:59:24,680
Speaker 1: a visceral boundary like stuff that's like, well, I don't

1046
00:59:24,680 --> 00:59:27,680
Speaker 1: really want to like talk about my that thing on

1047
00:59:27,720 --> 00:59:31,200
Speaker 1: this public platform just because that's private, but not like

1048
00:59:32,160 --> 00:59:34,240
Speaker 1: not like I can't talk more about this or all

1049
00:59:34,520 --> 00:59:39,240
Speaker 1: gage and not in a good way. Yeah, bro, they're

1050
00:59:39,240 --> 00:59:43,000
Speaker 1: locking me upn't throw away the key? Um, Dan, I mean,

1051
00:59:43,040 --> 00:59:46,520
Speaker 1: how are you, like, have we hit at your boundary yet?

1052
00:59:46,560 --> 00:59:50,320
Speaker 1: Are you like completely I don't know that talking about

1053
00:59:50,360 --> 00:59:54,760
Speaker 1: anything would like make me nauseous honestly, if really you know, yeah,

1054
00:59:54,800 --> 00:59:57,320
Speaker 1: I think that. I mean, if anyone's up up for

1055
00:59:57,360 --> 01:00:00,160
Speaker 1: the challenge yet, just you know, any of listeners think

1056
01:00:00,200 --> 01:00:04,720
Speaker 1: they could get me to feel nauseous just through speech alone,

1057
01:00:05,320 --> 01:00:08,200
Speaker 1: I would. I'd be interested to see what my boundary

1058
01:00:08,240 --> 01:00:11,280
Speaker 1: for that is. But yeah, please, we'll put his number

1059
01:00:11,480 --> 01:00:13,840
Speaker 1: phone number in the show notes. Just call him and

1060
01:00:13,880 --> 01:00:18,440
Speaker 1: start saying like the most disgusting things you can possibly imagine. Yeah,

1061
01:00:18,680 --> 01:00:21,720
Speaker 1: I'm curious to see if anyone, if anyone can do it,

1062
01:00:21,960 --> 01:00:24,880
Speaker 1: I don't know, I'm not too I'm not too confident though,

1063
01:00:25,360 --> 01:00:27,200
Speaker 1: And then we'll be able to do it. You know,

1064
01:00:27,280 --> 01:00:29,880
Speaker 1: I just have such an active imagination when people say

1065
01:00:29,920 --> 01:00:31,880
Speaker 1: something to me, I can't help but see it and

1066
01:00:32,120 --> 01:00:35,040
Speaker 1: smell it and hear it. And they should have like,

1067
01:00:35,520 --> 01:00:38,080
Speaker 1: you know, open mic equivalence where the goal is like

1068
01:00:38,120 --> 01:00:41,200
Speaker 1: not to make people laugh, but to make people get sick,

1069
01:00:41,280 --> 01:00:43,720
Speaker 1: you know. I mean you should literally host that. You

1070
01:00:43,760 --> 01:00:46,480
Speaker 1: should sit on stage and host people talking about really

1071
01:00:46,480 --> 01:00:50,440
Speaker 1: gross ship and seeing if it makes you feel anything. Yeah,

1072
01:00:50,480 --> 01:00:54,920
Speaker 1: should we do our final segment? Let's do it, okay,

1073
01:00:54,960 --> 01:00:57,680
Speaker 1: So Dan, Our final segment is called shoutouts and we

1074
01:00:57,720 --> 01:01:00,640
Speaker 1: pay them to the classic straight tradition and give sort

1075
01:01:00,680 --> 01:01:04,600
Speaker 1: of a radio shout out to anything that we are enjoying. Um,

1076
01:01:04,840 --> 01:01:07,200
Speaker 1: you know, I think it's two thousand one. You're at

1077
01:01:07,240 --> 01:01:09,959
Speaker 1: TRL and you're shouting back to your squad back home.

1078
01:01:10,520 --> 01:01:15,800
Speaker 1: So George, do you have one? Okay? I will think

1079
01:01:15,800 --> 01:01:18,000
Speaker 1: of one. I'm sorry, I'm like I actually mine was

1080
01:01:18,040 --> 01:01:21,560
Speaker 1: gonna be Pamela Anderson that I mentioned it already. I

1081
01:01:21,600 --> 01:01:24,000
Speaker 1: can do one. Okay. This is a I love doing.

1082
01:01:24,080 --> 01:01:26,960
Speaker 1: I love going first and making a hard tonal shift.

1083
01:01:28,320 --> 01:01:32,200
Speaker 1: What's up, beautiful angels around the globe? I would like

1084
01:01:32,200 --> 01:01:36,200
Speaker 1: to give a huge shout out to the film Speed Racer.

1085
01:01:36,680 --> 01:01:39,320
Speaker 1: I rewatched this movie this week and it holds up

1086
01:01:39,360 --> 01:01:41,360
Speaker 1: and it is so good, and it was, you know,

1087
01:01:41,400 --> 01:01:43,760
Speaker 1: talk about art pop. This movie is weird as hell

1088
01:01:44,360 --> 01:01:46,360
Speaker 1: and you think like you're watching it and you're like,

1089
01:01:46,400 --> 01:01:47,720
Speaker 1: this is too weird. I'm not gonna this is not

1090
01:01:47,720 --> 01:01:51,720
Speaker 1: gonna connect emotionally. At the end tears, I'm moved this movie.

1091
01:01:52,160 --> 01:01:55,920
Speaker 1: It's something. Finally someone's having some damn fun without damn movie.

1092
01:01:56,080 --> 01:01:59,200
Speaker 1: Everyone's so serious. What happened to a little bit of fun? That? What?

1093
01:01:59,200 --> 01:02:02,520
Speaker 1: What Chowski is, Oh, they're having a blast. And if

1094
01:02:02,560 --> 01:02:04,640
Speaker 1: you haven't seen speed Racer, because you saw the ads

1095
01:02:04,680 --> 01:02:06,200
Speaker 1: for it when it came out and you thought this

1096
01:02:06,240 --> 01:02:09,520
Speaker 1: looks stupid, you were tricked. It's actually really good and

1097
01:02:09,600 --> 01:02:13,160
Speaker 1: everything that looks stupid is a stylistic choice and it

1098
01:02:13,240 --> 01:02:18,800
Speaker 1: is a stunning movie and um maximalism at its best.

1099
01:02:19,160 --> 01:02:23,560
Speaker 1: XO XO Sam. Wow, Georgie, you mad at me for

1100
01:02:23,600 --> 01:02:26,800
Speaker 1: that one. No, I've heard. I've heard speed Racer is good.

1101
01:02:26,960 --> 01:02:31,080
Speaker 1: I can vouch for Yeah. So I'm just I really

1102
01:02:31,160 --> 01:02:33,680
Speaker 1: it is difficult to like, get out of the ship mindset.

1103
01:02:33,720 --> 01:02:36,680
Speaker 1: I will know if you saw anything in my face.

1104
01:02:36,720 --> 01:02:38,320
Speaker 1: I wasn't reacting to what you were saying. I was

1105
01:02:38,440 --> 01:02:41,160
Speaker 1: just being like, think about anything other than ship, anything

1106
01:02:41,160 --> 01:02:45,360
Speaker 1: other than shit. Yeah, maybe we could get make the

1107
01:02:45,360 --> 01:02:47,600
Speaker 1: ship mindset. Can we can make that the new like

1108
01:02:47,680 --> 01:02:51,440
Speaker 1: billionaire mindset? You know what I mean? Like, yeah, exactly,

1109
01:02:52,000 --> 01:02:54,520
Speaker 1: get out there and take a big ship today, dude,

1110
01:02:55,280 --> 01:02:59,920
Speaker 1: go out and get it. Stink that stink, that restaurant mood.

1111
01:03:01,880 --> 01:03:05,640
Speaker 1: God man, I'm I'm really, I'm really struggling. Okay, Okay,

1112
01:03:05,800 --> 01:03:09,160
Speaker 1: you've got this cheek. I know. I'm sorry. I'm literally

1113
01:03:09,240 --> 01:03:12,320
Speaker 1: so oh I can think about his ship. Everyone in

1114
01:03:12,320 --> 01:03:17,680
Speaker 1: the audience start chanting, Yeah, you've got this. Okay, okay, okay,

1115
01:03:18,360 --> 01:03:20,680
Speaker 1: this is so difficult. This this is like me trying

1116
01:03:20,720 --> 01:03:22,480
Speaker 1: to do a front flip off. This is this is

1117
01:03:22,480 --> 01:03:24,960
Speaker 1: actually crazy. I've never I've never had this kind of

1118
01:03:25,200 --> 01:03:33,240
Speaker 1: um my mind block before. Here we go, you have one.

1119
01:03:33,520 --> 01:03:37,480
Speaker 1: Oh my god, I could go next. Okay, okay, some time.

1120
01:03:39,000 --> 01:03:42,600
Speaker 1: This is literally unprecedented. No. Yeah, I just want to

1121
01:03:42,600 --> 01:03:44,760
Speaker 1: give a shout out to c ds. I've been listening

1122
01:03:44,840 --> 01:03:47,400
Speaker 1: to c ds lately. I bought a CD player the

1123
01:03:47,440 --> 01:03:51,720
Speaker 1: other day and yeah, you know, just started getting back

1124
01:03:51,760 --> 01:03:54,360
Speaker 1: in the c ds. You know, it's kind of like that,

1125
01:03:54,480 --> 01:03:57,520
Speaker 1: you know there there's there's vinyl records, and you know

1126
01:03:57,640 --> 01:04:00,000
Speaker 1: you could try to you could buy a vinyl record

1127
01:04:00,120 --> 01:04:03,280
Speaker 1: for you know, twenty five dollars or something, or you

1128
01:04:03,320 --> 01:04:06,040
Speaker 1: could buy a CD for like four, and um, I

1129
01:04:06,120 --> 01:04:07,840
Speaker 1: just got to the point where I was like, I'm

1130
01:04:07,880 --> 01:04:09,880
Speaker 1: just I'm just gonna buy the c D. I have

1131
01:04:10,000 --> 01:04:11,720
Speaker 1: been doing that for a couple of weeks now, and

1132
01:04:11,840 --> 01:04:14,320
Speaker 1: it's been going good so far. I got like maybe

1133
01:04:14,440 --> 01:04:19,520
Speaker 1: like twenty c ds and my collection is just beginning.

1134
01:04:19,640 --> 01:04:22,720
Speaker 1: So nice. Yeah, the thing that I've I've found a

1135
01:04:22,760 --> 01:04:25,120
Speaker 1: box and it had like four or five CDs in it.

1136
01:04:25,240 --> 01:04:28,400
Speaker 1: I was like, yeah, because like it's gonna be gonna

1137
01:04:28,440 --> 01:04:33,240
Speaker 1: be my thing now for the for for the foreseeable future. Yeah.

1138
01:04:33,800 --> 01:04:38,760
Speaker 1: I love that starting resignation, like, yeah, I guess I guess, well,

1139
01:04:38,800 --> 01:04:42,040
Speaker 1: I guess this is my thing now. Yeah, alright, we'll

1140
01:04:42,040 --> 01:04:48,800
Speaker 1: see long this lest but CDs. Uh, Okay, what's up

1141
01:04:48,840 --> 01:04:52,480
Speaker 1: freaks and idiots and also lovers and haters. I want

1142
01:04:52,480 --> 01:04:55,360
Speaker 1: to give a quick shout out to um people who

1143
01:04:55,400 --> 01:04:58,600
Speaker 1: have catchphrases that are already phrases. So I'm thinking of,

1144
01:04:58,800 --> 01:05:02,160
Speaker 1: for instance, when who's that one queen whose catchphrase was

1145
01:05:02,200 --> 01:05:05,520
Speaker 1: thank you? Wait was it from this season? No? No, no no, like, oh,

1146
01:05:06,400 --> 01:05:10,200
Speaker 1: she's also thank you? Okay, Well, anyway, like having your

1147
01:05:10,200 --> 01:05:13,120
Speaker 1: catchphrase be thank you, or for instance, our dear friend

1148
01:05:13,200 --> 01:05:17,640
Speaker 1: Charlie bard At his catchphrase is no problem. I just

1149
01:05:17,680 --> 01:05:20,120
Speaker 1: think the power of it's kind of like if you're

1150
01:05:20,560 --> 01:05:23,560
Speaker 1: you know, if your name is you know, Margaret, and

1151
01:05:23,600 --> 01:05:25,920
Speaker 1: you decided to go by a single name despite the

1152
01:05:25,920 --> 01:05:27,840
Speaker 1: fact that it's a common name. It's a it's a

1153
01:05:27,880 --> 01:05:29,800
Speaker 1: form of confidence that I really wish, I wish my

1154
01:05:29,840 --> 01:05:33,120
Speaker 1: catch phrase could be you know, excuse me. I think

1155
01:05:33,120 --> 01:05:36,440
Speaker 1: that would be great. So that's if my shadows is

1156
01:05:36,480 --> 01:05:39,960
Speaker 1: for catchphrases that are already existing phrases. And that's all

1157
01:05:40,000 --> 01:05:45,640
Speaker 1: you're gonna get tonight. Folks. Well, I'm sorry this um

1158
01:05:45,680 --> 01:05:48,720
Speaker 1: discussion broke your brain and and really it really did.

1159
01:05:48,760 --> 01:05:52,480
Speaker 1: Who you are that I you're officially ship pilled now, George?

1160
01:05:52,680 --> 01:05:58,240
Speaker 1: I know? Well, Um, Dan, give Eliza our best, tell

1161
01:05:58,280 --> 01:06:02,240
Speaker 1: her we're upset with her because of how she's treating you,

1162
01:06:02,480 --> 01:06:07,040
Speaker 1: and to get some really high platform heels. Can I

1163
01:06:07,080 --> 01:06:10,440
Speaker 1: should I yell to her now? Sure she's in the

1164
01:06:10,440 --> 01:06:12,960
Speaker 1: other room, yeah, and get her get Yeah? Should I

1165
01:06:12,960 --> 01:06:14,920
Speaker 1: get her s in here? That's yeah, really quick, I

1166
01:06:14,920 --> 01:06:19,040
Speaker 1: think hold on one stick. Wait, Sam, I just want

1167
01:06:19,080 --> 01:06:22,760
Speaker 1: to say it's Tatiana. Oh sure, sure, sure, okay, wow,

1168
01:06:22,840 --> 01:06:27,440
Speaker 1: this is She's on her way. Okay, great, here she comes.

1169
01:06:30,360 --> 01:06:36,520
Speaker 1: They just want to tell you something, hi, Eliza. UM.

1170
01:06:36,840 --> 01:06:40,360
Speaker 1: First of all, is it true that UM you wouldn't

1171
01:06:40,400 --> 01:06:50,360
Speaker 1: let Dan go to more bus? Where more bushe? I

1172
01:06:50,400 --> 01:06:53,320
Speaker 1: didn't want him to go? So you like you made

1173
01:06:53,320 --> 01:06:58,800
Speaker 1: the right decision? Do what? UM? Not? Necessarily? No? I

1174
01:06:58,840 --> 01:07:00,760
Speaker 1: mean I don't act so you feel like I've made

1175
01:07:00,760 --> 01:07:03,280
Speaker 1: the right decision, but at the same time, I didn't

1176
01:07:03,280 --> 01:07:07,280
Speaker 1: feel like it was necessary to go see more be it. Yeah,

1177
01:07:07,320 --> 01:07:10,760
Speaker 1: like did you see it? Yeah? I would say it's

1178
01:07:10,760 --> 01:07:12,560
Speaker 1: one of the most necessary pieces of art in the

1179
01:07:12,640 --> 01:07:18,320
Speaker 1: last ten years. Um, it just looks it looked really

1180
01:07:18,360 --> 01:07:22,560
Speaker 1: bad to me in my opinion. You know, why why

1181
01:07:22,680 --> 01:07:25,440
Speaker 1: risk your life? What kind of a movie? Of the

1182
01:07:25,480 --> 01:07:27,360
Speaker 1: movies that are out right now, which one do you

1183
01:07:27,400 --> 01:07:31,680
Speaker 1: think you would have let him go see? M Let

1184
01:07:31,680 --> 01:07:34,640
Speaker 1: me think or you know, not out right now, but

1185
01:07:34,680 --> 01:07:36,960
Speaker 1: like in the past couple of years, like The Past

1186
01:07:37,680 --> 01:07:44,360
Speaker 1: Secret Life of Pets, that's the only movie I'd let

1187
01:07:44,440 --> 01:07:48,320
Speaker 1: him see in this in that situation. Okay, well, well

1188
01:07:48,560 --> 01:07:54,640
Speaker 1: answer my question. Yeah that was incredible. Well, well Dan

1189
01:07:54,720 --> 01:07:57,480
Speaker 1: said a lot of really revealing things about you on

1190
01:07:57,520 --> 01:08:01,680
Speaker 1: this episode. So did he really really Yeah, he really

1191
01:08:01,720 --> 01:08:03,880
Speaker 1: kind of went off kind of unprompted. I mean we

1192
01:08:03,880 --> 01:08:06,400
Speaker 1: were like, yeah, we get it, we get it. It

1193
01:08:06,480 --> 01:08:08,120
Speaker 1: was like, well, we like Aliza, like could you not

1194
01:08:08,200 --> 01:08:09,800
Speaker 1: do this right now? And he was like no, no,

1195
01:08:09,960 --> 01:08:11,880
Speaker 1: you got to get this off my chest. When it

1196
01:08:11,960 --> 01:08:14,120
Speaker 1: was like, yeah, I was really messed up. Is the

1197
01:08:14,160 --> 01:08:17,320
Speaker 1: episode going to come out before the wedding. It comes

1198
01:08:17,320 --> 01:08:20,320
Speaker 1: out the day of the wedding. Oh my god, we're

1199
01:08:20,320 --> 01:08:25,080
Speaker 1: gonna premier it live after the wedding. Okay, so we'll

1200
01:08:25,080 --> 01:08:28,000
Speaker 1: I have time to say no if the episode is

1201
01:08:28,200 --> 01:08:31,799
Speaker 1: too much so the priests. It's a priest. I'm assuming

1202
01:08:31,800 --> 01:08:35,880
Speaker 1: you're a hyper religious wedding is gonna say like, and

1203
01:08:35,960 --> 01:08:38,639
Speaker 1: now if anyone would like to speak? Uh, and then

1204
01:08:38,640 --> 01:08:41,479
Speaker 1: no one's gonna speak up, And he's gonna like not yet. First,

1205
01:08:41,680 --> 01:08:43,880
Speaker 1: let's listen to this episode of Stradio Lab and then

1206
01:08:43,920 --> 01:08:46,080
Speaker 1: we'll decide if anyone needs to speak or forever hold

1207
01:08:46,120 --> 01:08:50,639
Speaker 1: their peace. Oh that's perfect, Okay, I'm excited. I'm excited

1208
01:08:50,680 --> 01:08:54,439
Speaker 1: to hear it at my wedding, I think, and you know,

1209
01:08:55,120 --> 01:08:57,880
Speaker 1: you don't know, um, you know, you don't yet know

1210
01:08:57,920 --> 01:09:00,200
Speaker 1: what the topic of this episode is. But one you

1211
01:09:00,240 --> 01:09:02,800
Speaker 1: hear it at your wedding, you'll realize it's the perfect

1212
01:09:03,360 --> 01:09:06,400
Speaker 1: tone to set and you're trying to create like a

1213
01:09:06,400 --> 01:09:10,400
Speaker 1: really beautiful uh environment for all your loved ones. Oh,

1214
01:09:10,439 --> 01:09:12,800
Speaker 1: I can't wait. You think everyone will love it? It'll

1215
01:09:12,840 --> 01:09:14,639
Speaker 1: be for kids. I think it will be a crowd

1216
01:09:14,680 --> 01:09:21,040
Speaker 1: pleaser for sure, and especially for kids. Yeah, well, we

1217
01:09:21,080 --> 01:09:22,760
Speaker 1: had kids in mind. I mean, we knew this was

1218
01:09:23,280 --> 01:09:24,960
Speaker 1: going to be played at a wedding, so you know,

1219
01:09:25,040 --> 01:09:27,559
Speaker 1: we like they're a little you know, we we sing

1220
01:09:27,640 --> 01:09:31,400
Speaker 1: the song from Encando. You know, we do something kind

1221
01:09:31,400 --> 01:09:35,000
Speaker 1: of for the children. Oh. Perfect, I can't wait. I'm

1222
01:09:35,040 --> 01:09:38,080
Speaker 1: really happy. Thank you guys for being so thoughtful. Of course,

1223
01:09:38,120 --> 01:09:41,000
Speaker 1: and that's and that is just to be clear, our

1224
01:09:41,000 --> 01:09:46,240
Speaker 1: wedding gift. Yeah, we we can't afford anything yet. Um,

1225
01:09:46,320 --> 01:09:49,599
Speaker 1: so this is that. Okay, that's great. That's all I've

1226
01:09:49,640 --> 01:09:53,439
Speaker 1: ever wanted, honestly, Well, perfect, because that's all you're getting.

1227
01:09:54,000 --> 01:09:58,960
Speaker 1: Um well, um, I think we should actually should wrap up,

1228
01:09:59,000 --> 01:10:03,240
Speaker 1: but guys, talk to Dan. You literally don't have to. Yeah,

1229
01:10:03,280 --> 01:10:08,559
Speaker 1: we can wrap up with I'm already really enjoying this part.

1230
01:10:08,640 --> 01:10:13,320
Speaker 1: You know, this part is really incredible. Yeah, it's thank

1231
01:10:13,360 --> 01:10:16,880
Speaker 1: you so much for the honestly, thank you for joining us.

1232
01:10:16,920 --> 01:10:21,120
Speaker 1: This has been a blast. And tell Dan thank you

1233
01:10:21,240 --> 01:10:24,559
Speaker 1: for us. And I guess if you you can tell

1234
01:10:24,640 --> 01:10:26,320
Speaker 1: him if he wants to stay in last words, he

1235
01:10:26,360 --> 01:10:29,280
Speaker 1: can say his sign off if he wants to. Okay,

1236
01:10:29,320 --> 01:10:30,960
Speaker 1: I'll let him do that. Dan, you want to say

1237
01:10:30,960 --> 01:10:39,200
Speaker 1: your sign off? Sure, okay, violize that Okay, so my

1238
01:10:39,320 --> 01:10:45,120
Speaker 1: son off, it's just uh, what the heck? Nice kind

1239
01:10:45,120 --> 01:10:47,679
Speaker 1: of like George, I know that, I know. Oh that's perfect.

1240
01:10:47,760 --> 01:10:50,000
Speaker 1: Yeah yeah, it's like your car. That's like an already

1241
01:10:50,000 --> 01:10:53,080
Speaker 1: a phrase. Yeah, what the heck? Oh that's great, Sam,

1242
01:10:53,120 --> 01:10:56,400
Speaker 1: what would yours be? No, thank no, that's already want Okay,

1243
01:10:56,400 --> 01:11:00,320
Speaker 1: hold on yours? This kind of she's yeah, that was

1244
01:11:00,360 --> 01:11:02,759
Speaker 1: a thing, but then you made it your own I guess,

1245
01:11:03,080 --> 01:11:05,439
Speaker 1: but it wasn't on purpose. I like when people really

1246
01:11:05,760 --> 01:11:10,320
Speaker 1: well whatever, I'm not gonna do it. Um, okay, funnily,

1247
01:11:10,360 --> 01:11:13,960
Speaker 1: I'm like really like, okay, hold on time, Um alright,

1248
01:11:14,000 --> 01:11:16,600
Speaker 1: but okay for real though, Dan, thanks for doing the

1249
01:11:16,640 --> 01:11:20,000
Speaker 1: pod and Dan, it's been a blast. It's been a pleasure.

1250
01:11:20,200 --> 01:11:22,960
Speaker 1: Thanks for opening up. Thanks for letting me pop off.

1251
01:11:23,120 --> 01:11:26,439
Speaker 1: That's been so fun. Uh yeah, I can't I can't

1252
01:11:26,479 --> 01:11:28,800
Speaker 1: wait to hear the can't wait to hear this. Yeah,

1253
01:11:28,800 --> 01:11:32,200
Speaker 1: I'm excited for the reception. Yeah, the wedding reception at

1254
01:11:32,200 --> 01:11:37,960
Speaker 1: your wedding. We're gonna tell this alright, Um okay, bye bye,