WEBVTT - #392 - Gary Mule Deer on Being Roommates with Steve Martin  + Getting Into Comedy on Accident + Hanging Out With Johnny Carson and Seeing David Letterman’s First Comedy Set + Why Frank Sinatra Told Him “He was Unusual”

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<v Speaker 1>It's one of my first night show business. Honest to god,

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<v Speaker 1>I gotta do it. Music, comedy, gambling, and drugs and prostitution,

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<v Speaker 1>all in all five food groups in the same night. Hey,

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<v Speaker 1>here we go, Episode three ninety two. Gary Muldeer, he

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<v Speaker 1>just got inducted as a member of the Grand ol Opry.

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<v Speaker 1>He is so funny. I did not know he was

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<v Speaker 1>in his eighties. I thought he's probably a young seventy.

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<v Speaker 1>I did not know he was in his mid eighties.

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<v Speaker 1>I also did not know he didn't live in Nashville. Yeah,

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<v Speaker 1>and we talked about this. He comes down once a

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<v Speaker 1>month from South Dakota to play the Opery, but his

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<v Speaker 1>comedy career is so storied you're gonna hear stories about

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<v Speaker 1>Frank Sinatra, Andy Kaufman, David Letterman. I mean, I don't

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<v Speaker 1>really want to say anything else, but I'm a big

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<v Speaker 1>fan of Gary Muldier, and we were trying to track

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<v Speaker 1>him down to get him on this. It was a

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<v Speaker 1>little harder than we thought because he doesn't live here.

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<v Speaker 1>But even as much of a fan of him as

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<v Speaker 1>I am, I still came away going holy trap. He's

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<v Speaker 1>been through a lot, has done a lot, has towards

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<v Speaker 1>a lot of people. Weren't you a bit mind blown? Yeah,

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<v Speaker 1>I definitely. I mean that he used to open for

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<v Speaker 1>Dolly in like the seventies in Vegas. That's a hilarious story.

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<v Speaker 1>So Gary mule Deer. I just can't believe some his eighties'

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<v Speaker 1>This is wild to me because he on stage he

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<v Speaker 1>is rocking man. Here is his highest streaming joke. It's

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<v Speaker 1>called Grandpa. My grandpa used to say, listen, if we

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<v Speaker 1>all like the same things, everybody'd be after your grandma.

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<v Speaker 1>My grandpa used to say some weird things. He used

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<v Speaker 1>to say things like one good turn gets most of

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<v Speaker 1>the blankets. One time somebody asked him what he wanted

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<v Speaker 1>to be when he got out of high school. He

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<v Speaker 1>said no more. In twenty five I have mentioned this

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<v Speaker 1>to him, but Caitlin's grandfather had never been to the operation.

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<v Speaker 1>So I took her and Gary was playing and he

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<v Speaker 1>was laughing so hard, and I also was laughing, but

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<v Speaker 1>we were both just dying laughing, but really love it.

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<v Speaker 1>His documentary comes out called show Business in My Life,

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<v Speaker 1>but I can't prove it. It's coming out later the summer.

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<v Speaker 1>Conan is a big part of it all. These comedians

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<v Speaker 1>that say he influenced them Carrot Top, But here we go.

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<v Speaker 1>It's a lot of fun. It's Gary mule Deer here

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<v Speaker 1>on the Bobby Cast. My introduction to you was the Opery. Honestly, yeah,

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<v Speaker 1>and I consider myself a moderate fan of comedy, but

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<v Speaker 1>I was watching your stuff and the night it was

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<v Speaker 1>just even different back then, it was really different. And

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<v Speaker 1>I can see where a lot of these guys credit

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<v Speaker 1>you as being an influence on them. Yeah. I run

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<v Speaker 1>into that all the time. I have for some time

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<v Speaker 1>and lean up on the microphone a little bit. Sorry.

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<v Speaker 1>They're always asking me. Younger guys will ask me too,

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<v Speaker 1>like do you have any tips for me? I just

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<v Speaker 1>always say I don't see anything. This is funny, you know.

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<v Speaker 1>I just I always made sure I never had anything

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<v Speaker 1>to fall back on, So you never had a what

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<v Speaker 1>do you mean, fall back up on stage or life life.

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<v Speaker 1>I just going to do this, and I thought, if

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<v Speaker 1>I want to do it, I better do it right,

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<v Speaker 1>you know. So that's what I've been doing all this time.

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<v Speaker 1>I was always a little under the radar, you know.

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<v Speaker 1>I was helping down all the time. Did you wherever

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<v Speaker 1>frustrated with being I'll just say what you said under

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<v Speaker 1>the radar. Was therever a frustration like I'm actually good

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<v Speaker 1>and I'm different, but I still hasn't like hit like

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<v Speaker 1>you wanted to hit. I deal with that now. Yeah,

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<v Speaker 1>every day I feel I feel that. Now, what are

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<v Speaker 1>you feeling that? Then? Never did? Never have? I just

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<v Speaker 1>always been pretty comfortable wherever I've been. I was always

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<v Speaker 1>I always thought to me, just making seven five hundred

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<v Speaker 1>dollars a week in the lounges in the seventies and

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<v Speaker 1>in Las Vegas, Reno and Toe and alternating with toppless reviews,

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<v Speaker 1>I thought that was as good as it gets. Every

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<v Speaker 1>so often I would do it Tonight Show. They never

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<v Speaker 1>let me do the Tonight Show at Johnny because drops

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<v Speaker 1>of my guitar. Okay, they hated it, but when somebody canceled,

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<v Speaker 1>they'd call me. I did thirteen shows when people canceled.

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<v Speaker 1>In fact, one time we did a show where the

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<v Speaker 1>guest host canceled and like us, sad to be the host.

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<v Speaker 1>I mean that they just didn't like my props. I

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<v Speaker 1>remember one time I did a show. It was so

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<v Speaker 1>good on Tonight Show. They were still clapping to the

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<v Speaker 1>commercial and after the show, I walked up to Freddie

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<v Speaker 1>Decarterbay I said, what do you think you know the producer,

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<v Speaker 1>and he said, it was great, Gary, but that's not

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<v Speaker 1>the Tonight Show. You want to be the Tonight Show.

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<v Speaker 1>You wear a suit, you know, you come out, you

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<v Speaker 1>get rid of all this stuff, your props, your guitar,

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<v Speaker 1>all that stuff. We'll put you on through or four

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<v Speaker 1>times a year. And that never worked out for me.

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<v Speaker 1>So ironically, you know a guy, would you really will

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<v Speaker 1>in the Tonight Show. Johnny would call him more to

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<v Speaker 1>sit down. That was a big deal. If you got

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<v Speaker 1>to sit down with Johnny, that you were made with me.

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<v Speaker 1>I got to know Johnny better than they did because

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<v Speaker 1>they just met him that night, you know, on the show.

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<v Speaker 1>But Johnny would work the weekends in the main room

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<v Speaker 1>with the Sahara and I was in the lounge, so

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<v Speaker 1>I would go and hang out of the backstage with him.

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<v Speaker 1>He'd come and look watch me in the lounge. Sometime

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<v Speaker 1>we'd sit around later after the shows and talk. I

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<v Speaker 1>got to know him pretty well. And the other guys

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<v Speaker 1>that really did well on the Tonight Show, except for

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<v Speaker 1>two or three, like Steve Martin who played poker with

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<v Speaker 1>him all the time. Nobody really knew him like I did.

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<v Speaker 1>What was Johnny like, I'm a massive late night talk show?

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<v Speaker 1>Like I used to go to library as soon as

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<v Speaker 1>I could drive. Where can people drop me off? I

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<v Speaker 1>would go and watch old Jack Park. I got a

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<v Speaker 1>Jack part microphone. Yeah. Like also that to me, you're

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<v Speaker 1>talking about things. I get just excited about him. But

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<v Speaker 1>what was Johnny like hanging out? And why was he

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<v Speaker 1>doing a set? Was he practicing material for the show

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<v Speaker 1>because he wasn't. He just had a show and he

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<v Speaker 1>would do a lot of stuff from his monologue, but

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<v Speaker 1>he had writers with him, and he also just did

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<v Speaker 1>his own our observations of things. He was the guy

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<v Speaker 1>and what I noticed about him, which is so different

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<v Speaker 1>from today. You have a celebrity out among a lot

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<v Speaker 1>of people. God, you know, they're they're they're just they're

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<v Speaker 1>just surrounded. And with Johnny, people kept a respectable distance

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<v Speaker 1>from him. They always did. And Johnny, we love your show.

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<v Speaker 1>They nice to see you where we saw your show tonight,

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<v Speaker 1>but nobody came up for an autograph. He just had

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<v Speaker 1>this thing about him and he remember taught me one thing.

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<v Speaker 1>We would leave to go to the elevator, to go

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<v Speaker 1>to the rooms. People would talk to him, but he

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<v Speaker 1>would just keep talking to him, but keep moving stop

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<v Speaker 1>And you know today that doesn't happen any Why do

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<v Speaker 1>you think that is with him? Because you know he's

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<v Speaker 1>what was it from Nebraska? Right? Yeah, so he's like

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<v Speaker 1>middle America. You really couldn't define where he was from

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<v Speaker 1>by how he talked to Everybody felt like that he

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<v Speaker 1>was from where they were from, right was it? Did

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<v Speaker 1>he have kind of like a regals a weird word

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<v Speaker 1>because we don't have that here, but like like he's

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<v Speaker 1>some sort of like royalty, and you respected and liked him,

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<v Speaker 1>but you didn't want to get too close because the

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<v Speaker 1>rules were you don't like, why do you think that

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<v Speaker 1>is with him? I'm not real sure because I see

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<v Speaker 1>things like he'd be in the main room and Buddy

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<v Speaker 1>happened to be coming in the next week, and Buddy

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<v Speaker 1>was out in the out in the showroom or out

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<v Speaker 1>in the casino trying to get all the attention he

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<v Speaker 1>could get. He was totally different John. There was something

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<v Speaker 1>about John that people just respected and they really just

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<v Speaker 1>kept their distance and we're just happy to just to

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<v Speaker 1>be able to see him, having him talk to them.

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<v Speaker 1>And there was No, he just kept walking, just kept moving,

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<v Speaker 1>and no one felt offended. Were you ever like Johnny,

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<v Speaker 1>let me let me come on with you? I mean,

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<v Speaker 1>you know, why don't you put me? You want to

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<v Speaker 1>call me over? If you're like hanging out? You never

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<v Speaker 1>thought about kind of hopping into that water with him there? No,

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<v Speaker 1>never did. No. I just I was always happy with

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<v Speaker 1>I always worked. People thought I was always the hardest

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<v Speaker 1>working guy in show business, and I was. I had

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<v Speaker 1>to work every night to keep even because I was

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<v Speaker 1>a twenty four year Provian marching powder guy. I mean, jeez,

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<v Speaker 1>I never I went to bed Monday, Wednesday and Friday

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<v Speaker 1>for twenty five years. I mean, I'm lucky to be here. Seriously.

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<v Speaker 1>What was it like in South Dakota where you grew up?

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<v Speaker 1>It was pretty cool. I grew up in a ranch

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<v Speaker 1>and I tried every job after I got out of

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<v Speaker 1>high school. I have a record of Black Hill State

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<v Speaker 1>Teachers College. I was a seven year of freshman. I

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<v Speaker 1>had thirty three incomplete and an A and archery. Have

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<v Speaker 1>you been for a Yes, had thirty three incomplete and

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<v Speaker 1>an A and archery. Yeah. I mean, and that's why

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<v Speaker 1>I came famous on shows by taking my guitar using

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<v Speaker 1>it as a bowl, putting a Rubbert chicken on a microphone,

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<v Speaker 1>putting a cigarette in his mouth, walking up thirty two

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<v Speaker 1>feet and shooting, using my guitar as a bowl shot

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<v Speaker 1>shooting the cigarette out of the chicken's mouth. Back to record,

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<v Speaker 1>I have his own David David Letterman. It was a

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<v Speaker 1>thirty two feet so you set the record on I

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<v Speaker 1>said the record on Letterman? Yea, how many times you

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<v Speaker 1>got Letterman? I was on Letterman about a dozen of

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<v Speaker 1>each shows each one like Late Night and Late Show,

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<v Speaker 1>so NBC, NCBs, Yes, And we bonded immediately when I

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<v Speaker 1>when I met him, I'll never forget. I was at

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<v Speaker 1>the comedy Store a few years before he came in

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<v Speaker 1>when he went up for his first set that night.

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<v Speaker 1>I remember standing in the back room, which all the

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<v Speaker 1>comics did when a new guy came on their back,

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<v Speaker 1>kind of sizing up the guy, you know, the kind

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<v Speaker 1>of thing. And I remember him saying he was doing

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<v Speaker 1>an editorial. He said, you know, w x ZUY would

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<v Speaker 1>like to take this time to say we are a

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<v Speaker 1>diametric diametrically opposed to using orphans as the yardage markers

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<v Speaker 1>at driving ranges, and that got me right away. Wow,

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<v Speaker 1>this guy is something. So I went up and sat

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<v Speaker 1>till I got off, and we talked and became really

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<v Speaker 1>good friends. I mean, that's that's how we've known Letterman's

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<v Speaker 1>probably I was about probably seventy five something like that. Yeah,

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<v Speaker 1>I started, you know, Tom on stage. It was nineteen

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<v Speaker 1>fifty six. I think, what kind of stage could you

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<v Speaker 1>get on? I was at the Silver Dollar Bar at

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<v Speaker 1>the Ward Hotel and Jackson Hole, Wyoming. I was a

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<v Speaker 1>bus boy at a place called Pahaska Tepee at the

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<v Speaker 1>east entrance of the Yellowstone and the guy in the

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<v Speaker 1>bar had a big country gentleman a gretch guitar, and

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<v Speaker 1>he could play one song, Johnny Cash's Big River. I

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<v Speaker 1>could sing it. So we got to be pretty good

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<v Speaker 1>at every night in the bar, and on our night

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<v Speaker 1>off we went over to Jackson Hold the silver Dollar Bar.

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<v Speaker 1>He got up and played a Big River. I sang it.

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<v Speaker 1>They gave us a couple of free drinks. We did

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<v Speaker 1>about three times that afternoon. We got some food that night,

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<v Speaker 1>and coming back. I remember driving his convertible driving back

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<v Speaker 1>through Yellowstone at night, which was something at nineteen fifty six,

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<v Speaker 1>and thinking to myself, someday, I want to do that

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<v Speaker 1>song with a band. And then I started putting bands

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<v Speaker 1>together and started in fold music. I think about fifty

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<v Speaker 1>nineteen sixty, and I got into comedy by mistake, by accident.

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<v Speaker 1>The B seventh chord got me into comedy my first night.

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<v Speaker 1>I don't i'd learned. I think ten Johnny Cash songs

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<v Speaker 1>and Mule Skinner Blues in the key of E, and

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<v Speaker 1>I went at the song with Johnny Cash's fulsome Prison Blues,

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<v Speaker 1>and the first two lines I missed the B seventh chord,

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<v Speaker 1>and all eight people in the audience who had been

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<v Speaker 1>ignoring me after that time, just stopped and looked at me.

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<v Speaker 1>So I told the first joke I ever wrote, which

0:10:18.960 --> 0:10:23.760
<v Speaker 1>was three snails Molesta Tortoise officer arrives to mccut the report.

0:10:23.800 --> 0:10:25.599
<v Speaker 1>Assist to the tortoise, all right, I want you to

0:10:25.640 --> 0:10:28.760
<v Speaker 1>tell me exactly what happened. The tortoise said, well, everything

0:10:28.760 --> 0:10:32.880
<v Speaker 1>happened so fast, and everybody laughed, and then I went

0:10:32.920 --> 0:10:34.720
<v Speaker 1>back there drinking again. I went back into the song,

0:10:34.800 --> 0:10:36.920
<v Speaker 1>and I missed a chord or two or all night long,

0:10:36.960 --> 0:10:39.040
<v Speaker 1>and pretty soon I noticed I was getting more response

0:10:39.080 --> 0:10:41.000
<v Speaker 1>from my comedy and my jokes, and it was from

0:10:41.000 --> 0:10:44.680
<v Speaker 1>my singing. And I was playing the pinball machines in

0:10:44.720 --> 0:10:47.360
<v Speaker 1>between my sets. I think I was getting fifteen dollars

0:10:47.400 --> 0:10:49.280
<v Speaker 1>for the weekend. I was playing it from nine to

0:10:49.679 --> 0:10:53.199
<v Speaker 1>one with forty five on fifteen off. And this is honest.

0:10:53.240 --> 0:10:55.560
<v Speaker 1>It got through. What happened. I lost most of my

0:10:55.600 --> 0:10:58.520
<v Speaker 1>money between sets playing the pinball machines. And then when

0:10:58.559 --> 0:11:00.720
<v Speaker 1>I got through, there was a lady sitting at the

0:11:00.720 --> 0:11:02.680
<v Speaker 1>bar said, what are you gonna do now? Gary said, well,

0:11:03.000 --> 0:11:04.640
<v Speaker 1>I'm gonna probably get something to eat and go back

0:11:04.640 --> 0:11:07.640
<v Speaker 1>to spearfish. This was in Deadwood, South Dakota. She said,

0:11:07.679 --> 0:11:10.280
<v Speaker 1>come with me. She was the madam of the Pine Rooms,

0:11:10.320 --> 0:11:13.320
<v Speaker 1>one of the brothels in Deadwood. There were from eighteen

0:11:13.400 --> 0:11:17.319
<v Speaker 1>seventy six to nineteen seventy six there were brothels all upstairs,

0:11:17.320 --> 0:11:19.959
<v Speaker 1>all along main street. And she was the item of

0:11:20.000 --> 0:11:22.000
<v Speaker 1>the Pine Rooms. So I took my guitar and my

0:11:22.040 --> 0:11:26.040
<v Speaker 1>amp and you know, my little microphone, sat in the

0:11:26.080 --> 0:11:28.760
<v Speaker 1>corner and entertained. The guys are up to see the girls.

0:11:28.920 --> 0:11:31.360
<v Speaker 1>There were miners, you know, from the mining camps. There

0:11:31.400 --> 0:11:34.400
<v Speaker 1>were guys from the oil rigs over in Wyoming. They're

0:11:34.440 --> 0:11:37.000
<v Speaker 1>the cheap herders of in Montana, all kind of in

0:11:37.000 --> 0:11:39.400
<v Speaker 1>that area. And plus the college was only ten miles

0:11:39.440 --> 0:11:42.079
<v Speaker 1>away of Whish where I got thirty drink completes and

0:11:42.160 --> 0:11:45.480
<v Speaker 1>an a and archery and I played until about probably

0:11:45.520 --> 0:11:48.520
<v Speaker 1>until about four in the morning. I'm starting to fade,

0:11:48.840 --> 0:11:50.920
<v Speaker 1>and she walks up and gives me a little black pill,

0:11:51.040 --> 0:11:54.400
<v Speaker 1>but a half an inch long. It was exit drain

0:11:54.679 --> 0:11:57.080
<v Speaker 1>and I took this and next day at noon, I

0:11:57.120 --> 0:11:59.640
<v Speaker 1>was still playing my guitar. This is the honest truth.

0:12:00.040 --> 0:12:01.840
<v Speaker 1>She came up and said, you know, Gary, you can

0:12:01.880 --> 0:12:04.400
<v Speaker 1>stop playing now. So I stopped, and she said, by

0:12:04.440 --> 0:12:05.880
<v Speaker 1>the way, one of the girls kind of like ships.

0:12:06.040 --> 0:12:07.240
<v Speaker 1>So I went down to the room with one of

0:12:07.280 --> 0:12:09.600
<v Speaker 1>the girls. But I just sat there and just talked.

0:12:09.960 --> 0:12:12.320
<v Speaker 1>I was just so high, and pretty soon she looked

0:12:12.320 --> 0:12:14.199
<v Speaker 1>at her watch and said, you know, I got to

0:12:14.200 --> 0:12:16.880
<v Speaker 1>get back to work. That's okay. So I stayed up

0:12:16.920 --> 0:12:19.480
<v Speaker 1>all that day and then I started to fade that evening,

0:12:19.760 --> 0:12:22.120
<v Speaker 1>and so I went up to that madam again. I said,

0:12:22.120 --> 0:12:23.720
<v Speaker 1>if I can have one of those pills again, I'll

0:12:23.720 --> 0:12:25.320
<v Speaker 1>come back after I get through with my set at

0:12:25.320 --> 0:12:27.800
<v Speaker 1>to a Buffalo bar so my first night in show business,

0:12:27.880 --> 0:12:31.720
<v Speaker 1>honest to god, I got into music, comedy, gambling, and

0:12:32.240 --> 0:12:35.880
<v Speaker 1>drugs and prostitutions, all in all five food groups in

0:12:35.920 --> 0:12:39.160
<v Speaker 1>the same night. That night, my first night in show business.

0:12:39.200 --> 0:12:43.040
<v Speaker 1>Say so, were you funny as a kid? Were you

0:12:43.120 --> 0:12:45.800
<v Speaker 1>smart as a kid? And not so much? Like? Did

0:12:45.800 --> 0:12:47.760
<v Speaker 1>you study and make good grades? But did you feel

0:12:47.760 --> 0:12:51.000
<v Speaker 1>like you were quicker at more advanced than others? I was,

0:12:51.240 --> 0:12:52.839
<v Speaker 1>and I could have made good grades. All I wanted

0:12:52.880 --> 0:12:54.640
<v Speaker 1>to do is read. I'm still a reader. I read

0:12:54.640 --> 0:12:56.679
<v Speaker 1>two and three books a week. My thing is to

0:12:57.280 --> 0:12:59.280
<v Speaker 1>My favorite time is to read till two or three

0:12:59.280 --> 0:13:01.520
<v Speaker 1>in the morning and get up with eleven, have somebody

0:13:01.520 --> 0:13:03.560
<v Speaker 1>to eat, and go play golf. That's kind of where

0:13:03.679 --> 0:13:05.480
<v Speaker 1>or go get ready to do a show with that

0:13:05.520 --> 0:13:08.360
<v Speaker 1>afternoon or that evening. But that's I still read two

0:13:08.400 --> 0:13:10.280
<v Speaker 1>three books a week. That's what I do. That's crazy,

0:13:10.280 --> 0:13:12.520
<v Speaker 1>two or three books a week. Yeah, And I'm always

0:13:12.520 --> 0:13:14.520
<v Speaker 1>been a reader and a speller. By the time I

0:13:14.559 --> 0:13:17.080
<v Speaker 1>got into first grade, I had an uncle who had

0:13:17.120 --> 0:13:19.160
<v Speaker 1>a big business. He took me around and maybe read

0:13:19.200 --> 0:13:21.719
<v Speaker 1>billboards to him and read the paper with him at night.

0:13:21.760 --> 0:13:23.840
<v Speaker 1>I could read pretty well and spell by the time

0:13:23.880 --> 0:13:25.640
<v Speaker 1>I was in the first grade. Yeah, were you not

0:13:25.800 --> 0:13:30.360
<v Speaker 1>challenged as a kid intellectually? And so you know, he

0:13:30.400 --> 0:13:33.240
<v Speaker 1>didn't make good grades, because why would you you're so

0:13:33.320 --> 0:13:35.520
<v Speaker 1>advanced anyway, Do you feel like that was it? I

0:13:35.559 --> 0:13:38.719
<v Speaker 1>got by. I always got by. I just always got

0:13:38.720 --> 0:13:41.600
<v Speaker 1>by with where they're always with the teachers or whatever.

0:13:41.640 --> 0:13:44.160
<v Speaker 1>It was where I hung out with the smartest kid

0:13:44.160 --> 0:13:46.839
<v Speaker 1>in all the classes, my friend Building Wigan. He was

0:13:46.880 --> 0:13:49.760
<v Speaker 1>a genius. He'd do my homework for me in a second.

0:13:49.760 --> 0:13:51.600
<v Speaker 1>He'd do all this stuff for me. So I always

0:13:51.679 --> 0:13:54.440
<v Speaker 1>got by doing that. And that's a I don't know,

0:13:54.520 --> 0:13:58.280
<v Speaker 1>I just uh, I had We had lived on a horse,

0:13:58.960 --> 0:14:01.000
<v Speaker 1>you know, at the ranch for ever. And then when

0:14:01.040 --> 0:14:03.440
<v Speaker 1>I got out of college, I got married to my

0:14:03.559 --> 0:14:06.040
<v Speaker 1>high school sweetheart, had to get married. We had a

0:14:06.080 --> 0:14:09.000
<v Speaker 1>son coming along, and my dad gave me the movie theater.

0:14:09.240 --> 0:14:11.800
<v Speaker 1>We also had a movie theater and the ranch. So

0:14:12.280 --> 0:14:15.040
<v Speaker 1>I would just remember how I got into the music

0:14:15.080 --> 0:14:18.320
<v Speaker 1>with that. During the late fifties and early sixties, all

0:14:18.360 --> 0:14:22.160
<v Speaker 1>the top groups came through and there's a two thousand

0:14:22.320 --> 0:14:24.800
<v Speaker 1>dance hall to held two thousand. They came to South Dakota. Yes,

0:14:25.160 --> 0:14:27.920
<v Speaker 1>Spearfish as a matter of fact, it was called the

0:14:28.160 --> 0:14:30.920
<v Speaker 1>Spearfish Park Pavilion. That's where I met Jerry Lee Lewis,

0:14:30.960 --> 0:14:33.600
<v Speaker 1>I met the Everly Brothers, I met the Fenderman. I

0:14:33.600 --> 0:14:36.960
<v Speaker 1>bet God, all these different acts came through all the time.

0:14:36.960 --> 0:14:40.160
<v Speaker 1>The Everly Brothers and I would be at my theater

0:14:40.240 --> 0:14:43.800
<v Speaker 1>the night before on Thursday night watching Kelly's Hotel across

0:14:43.800 --> 0:14:46.200
<v Speaker 1>the street. When the guys pulled in, I would go

0:14:46.240 --> 0:14:47.560
<v Speaker 1>over and tell them, you guys want to see a

0:14:47.560 --> 0:14:49.600
<v Speaker 1>movie to night after if you want to run a

0:14:49.640 --> 0:14:51.560
<v Speaker 1>movie and give you a popcorn. And so they would

0:14:51.560 --> 0:14:53.800
<v Speaker 1>all come over and I'd keep the projectionist over and

0:14:54.040 --> 0:14:55.920
<v Speaker 1>they would watch a movie. Then the next side I

0:14:55.920 --> 0:14:57.880
<v Speaker 1>would get onto the park and sad by this stage

0:14:58.040 --> 0:14:59.560
<v Speaker 1>and they'd see the guy gave him a movie in

0:14:59.600 --> 0:15:01.400
<v Speaker 1>popcorn and say can I got to do a song

0:15:01.440 --> 0:15:04.840
<v Speaker 1>with them, And so this day all the guys remembered me,

0:15:05.000 --> 0:15:08.080
<v Speaker 1>The Everly Brothers, Jerry Lee Lewis, all of them remember me,

0:15:08.120 --> 0:15:11.160
<v Speaker 1>the Ventures, even getting up on stage. Ventures never played anything,

0:15:11.400 --> 0:15:13.680
<v Speaker 1>sang everything. They just played and they'd let me do

0:15:13.960 --> 0:15:17.560
<v Speaker 1>Summertime blues and mule Skinner blues with them. And that's

0:15:17.560 --> 0:15:20.280
<v Speaker 1>how I got work up. That's how I worked in

0:15:20.480 --> 0:15:22.960
<v Speaker 1>show business and spear feature. So you cut your teeth.

0:15:22.960 --> 0:15:24.400
<v Speaker 1>Basic played musically in a lot of ways with the

0:15:24.480 --> 0:15:26.040
<v Speaker 1>very famous people because you had a movie theater and

0:15:26.040 --> 0:15:28.320
<v Speaker 1>you just kind of yes, traded it out. Yes. And

0:15:28.360 --> 0:15:30.760
<v Speaker 1>I finally decided to put a band together because I

0:15:30.800 --> 0:15:34.360
<v Speaker 1>found the best musicians in the area. Were you good?

0:15:34.360 --> 0:15:37.000
<v Speaker 1>Could you play? I was just a rhythm guitar player

0:15:37.000 --> 0:15:39.720
<v Speaker 1>and I could sing. Once again, I just got by

0:15:39.880 --> 0:15:41.680
<v Speaker 1>because I had the best musicians I could find in

0:15:41.720 --> 0:15:44.400
<v Speaker 1>the area. Had a guy that was an incredible guitar player.

0:15:44.400 --> 0:15:46.960
<v Speaker 1>I mean he played like Noki Edwards from the benchures

0:15:47.040 --> 0:15:49.920
<v Speaker 1>he played like James Burton. He played like he could

0:15:49.920 --> 0:15:53.080
<v Speaker 1>play anything, even jazz. And I found the best drummer.

0:15:53.120 --> 0:15:55.760
<v Speaker 1>I found the best saxophone player, the best bass player,

0:15:56.080 --> 0:15:58.080
<v Speaker 1>and we opened for all these groups when they came through.

0:15:58.120 --> 0:16:01.200
<v Speaker 1>I've got posters opening for the Champs in sixty three,

0:16:01.280 --> 0:16:03.480
<v Speaker 1>and I think I'm right about this. I think the

0:16:03.560 --> 0:16:05.440
<v Speaker 1>Champs at that time they had the song to Quila.

0:16:05.920 --> 0:16:08.200
<v Speaker 1>I think it was Glenn Campbell and Seals and Crofts

0:16:08.200 --> 0:16:10.600
<v Speaker 1>were the first three guys in the Champs. And I

0:16:10.640 --> 0:16:13.560
<v Speaker 1>remember that's when I met Glenn and years ago. Years

0:16:13.640 --> 0:16:15.960
<v Speaker 1>later when I came out to LA I got into

0:16:16.000 --> 0:16:18.920
<v Speaker 1>a group called the New Society and our CEO Vector Records.

0:16:18.960 --> 0:16:21.520
<v Speaker 1>We went into record and Glenn Cambell we had the

0:16:21.520 --> 0:16:23.840
<v Speaker 1>Wrecking Crew to our song we went out on the road.

0:16:23.840 --> 0:16:26.040
<v Speaker 1>We couldn't play our album. You had the Wrecking Crew

0:16:26.040 --> 0:16:27.760
<v Speaker 1>to you had the Wrecking Cup. Yeah. We had Carol

0:16:27.840 --> 0:16:30.040
<v Speaker 1>k on bass, We had Jim Kelton on drums, we

0:16:30.040 --> 0:16:33.240
<v Speaker 1>had Glenn Campbell on guitar, and we couldn't play our album.

0:16:33.480 --> 0:16:36.040
<v Speaker 1>It was just they were so good. Yeah, they were

0:16:36.080 --> 0:16:37.640
<v Speaker 1>so good, and we had this album it was kind

0:16:37.680 --> 0:16:40.040
<v Speaker 1>of doing okay, and we couldn't do anything. We couldn't

0:16:40.040 --> 0:16:42.280
<v Speaker 1>play it. These guys were so good, but it was

0:16:42.560 --> 0:16:46.320
<v Speaker 1>amazing for me to I won the calend contest with

0:16:46.400 --> 0:16:49.000
<v Speaker 1>another guy called the Black Hills too, at this college

0:16:49.000 --> 0:16:51.480
<v Speaker 1>that I flunked out of. We went the first prize.

0:16:51.520 --> 0:16:53.440
<v Speaker 1>You got to go to Denver, Colorado, and you got

0:16:53.440 --> 0:16:55.720
<v Speaker 1>to play free at the airbase for the Officers Club.

0:16:55.840 --> 0:16:57.480
<v Speaker 1>They gave you a meal and put you over the night.

0:16:57.520 --> 0:16:59.600
<v Speaker 1>That was your That was it. It sounds like word, yeah,

0:16:59.600 --> 0:17:02.040
<v Speaker 1>it was. Yeah. So my partner went back to South

0:17:02.080 --> 0:17:05.440
<v Speaker 1>Dakota and I stayed down there and I saw a

0:17:05.480 --> 0:17:08.080
<v Speaker 1>sign up one night that said jose Feliciano coming in.

0:17:08.119 --> 0:17:09.840
<v Speaker 1>I didn't know who he was, but he said they're

0:17:09.840 --> 0:17:12.040
<v Speaker 1>looking for an opening acts. So I went in and

0:17:12.240 --> 0:17:14.439
<v Speaker 1>uh mits. When I met Michael Johnson, you know, I

0:17:14.440 --> 0:17:16.439
<v Speaker 1>had Blue or Than Blue and Let's Spend the Night

0:17:16.480 --> 0:17:19.080
<v Speaker 1>together those songs. Michael and I both got the jobs

0:17:19.359 --> 0:17:22.560
<v Speaker 1>working with Jose Feliciano, and I hung out in Denver,

0:17:22.680 --> 0:17:24.840
<v Speaker 1>did as many bars as I could, and when a

0:17:24.840 --> 0:17:26.239
<v Speaker 1>friend came up to me one day and said, can

0:17:26.240 --> 0:17:28.800
<v Speaker 1>you play bass? I said yeah. He said, well, I'm

0:17:28.840 --> 0:17:31.440
<v Speaker 1>going out to join the Greenwood County Singers in LA.

0:17:31.720 --> 0:17:33.800
<v Speaker 1>They're looking for a bass player. I said, okay, I

0:17:33.840 --> 0:17:36.040
<v Speaker 1>could you play bass? No, okay, I was gonna say,

0:17:36.040 --> 0:17:38.040
<v Speaker 1>oh yeah, I couldn't play bass. Got then we went

0:17:38.040 --> 0:17:40.680
<v Speaker 1>out to California. I went in with the group. In fact,

0:17:40.760 --> 0:17:42.720
<v Speaker 1>Van Dyke Parks was the leader of the group at

0:17:42.720 --> 0:17:45.320
<v Speaker 1>the time, and they had me a bass. They said,

0:17:45.400 --> 0:17:49.240
<v Speaker 1>let's play our hit, went into the Frankie and Johnny song,

0:17:49.600 --> 0:17:52.520
<v Speaker 1>and h I couldn't play, And everybody just stopped and

0:17:52.560 --> 0:17:54.640
<v Speaker 1>froze and looked at me and the guy that brought

0:17:54.680 --> 0:17:58.160
<v Speaker 1>me out and says what And I said, I camp,

0:17:58.160 --> 0:18:00.640
<v Speaker 1>but I'm pretty funny. And I remember Van at seeing Gary.

0:18:00.680 --> 0:18:02.720
<v Speaker 1>We're not looking for funny, We're looking for a bass player.

0:18:02.920 --> 0:18:04.560
<v Speaker 1>So I went out on the street and waited while

0:18:04.600 --> 0:18:06.840
<v Speaker 1>they rehearsed. That night, he came out to me and said,

0:18:07.400 --> 0:18:10.000
<v Speaker 1>you know we're leaving it. We're going on the road tomorrow.

0:18:10.320 --> 0:18:12.359
<v Speaker 1>I know a guy. He's a cook at Ledbetter as

0:18:12.400 --> 0:18:14.880
<v Speaker 1>it is Randy Sparks club that had the New Christian Minstrels.

0:18:15.400 --> 0:18:17.360
<v Speaker 1>You can stay at his house the first night you're

0:18:17.359 --> 0:18:19.040
<v Speaker 1>on your own. He dropped me out with the club.

0:18:19.080 --> 0:18:22.520
<v Speaker 1>I went in, honest to God. The MC was John

0:18:22.560 --> 0:18:25.680
<v Speaker 1>duchendor if he wasn't John Denver yet. Steve Martin was

0:18:25.720 --> 0:18:27.800
<v Speaker 1>the magician who had an act that never worked. The

0:18:27.880 --> 0:18:30.040
<v Speaker 1>carpenters who were twelve and thirteen years old, who had

0:18:30.040 --> 0:18:32.359
<v Speaker 1>to sit with their mom out in the in the alley,

0:18:32.359 --> 0:18:35.400
<v Speaker 1>in the car between jobs, between shows, I mean because

0:18:36.000 --> 0:18:38.399
<v Speaker 1>they had a served liquor. It was Mike Settle in

0:18:38.440 --> 0:18:40.920
<v Speaker 1>the first edition. Kenny Rogers was just the bass player

0:18:40.920 --> 0:18:43.160
<v Speaker 1>in the group and that was and then we had

0:18:43.160 --> 0:18:45.439
<v Speaker 1>the back porch majority which was a farm team for

0:18:45.440 --> 0:18:48.919
<v Speaker 1>the New Christian Minstrels. So that was my first, my

0:18:49.040 --> 0:18:51.280
<v Speaker 1>first night walking into this club. Let me walk back

0:18:51.320 --> 0:18:53.880
<v Speaker 1>through the first second. So the MC was John Denver,

0:18:54.040 --> 0:18:56.400
<v Speaker 1>John Denver, he was still do duchendor if he hadn't

0:18:56.440 --> 0:19:00.520
<v Speaker 1>changed Denver yet yet, So that by itself would be

0:19:00.520 --> 0:19:04.440
<v Speaker 1>a crazy story. Yeah. Obviously Kenny Rodgers before he went solo, Yes,

0:19:05.560 --> 0:19:07.400
<v Speaker 1>he was just part of the band and bass player. Yeah,

0:19:07.560 --> 0:19:09.480
<v Speaker 1>he could play bass. Actually was the difference there, and

0:19:09.520 --> 0:19:12.640
<v Speaker 1>say he actually knew how to play played? Yeah. Who

0:19:12.680 --> 0:19:15.960
<v Speaker 1>was the carpenters? Carpenters twelve and thirteen years old? I

0:19:15.960 --> 0:19:18.879
<v Speaker 1>think that's what they were. Crazy. Yeah, and Steve Martin

0:19:18.960 --> 0:19:21.640
<v Speaker 1>was the magician. Was an act that never worked. Yeah,

0:19:21.680 --> 0:19:24.600
<v Speaker 1>and so you see that now were you performing? Did

0:19:24.600 --> 0:19:26.360
<v Speaker 1>you do anything that night on stage? Not? That night

0:19:26.400 --> 0:19:28.200
<v Speaker 1>was the next night. I came back with the cook

0:19:28.240 --> 0:19:30.640
<v Speaker 1>and the guy that ran the place, Danny Will and

0:19:30.359 --> 0:19:33.000
<v Speaker 1>his wife was one of the back porch majority. They

0:19:33.040 --> 0:19:35.400
<v Speaker 1>were a farm team of the Christian Minstrels. He said,

0:19:35.440 --> 0:19:37.440
<v Speaker 1>are you old enough to check I d s? I said, yeah,

0:19:37.560 --> 0:19:40.439
<v Speaker 1>were you? Yeah? Okay, Steve lied a lot, I know,

0:19:40.480 --> 0:19:42.840
<v Speaker 1>I led all the time, I was actually twenty two.

0:19:43.080 --> 0:19:45.960
<v Speaker 1>I could check IDs. So he said, by the way,

0:19:46.080 --> 0:19:49.159
<v Speaker 1>Michael Martin Murphy's leaving the New Society and they're holding

0:19:49.680 --> 0:19:53.200
<v Speaker 1>you're holding auditions tonight, so write down people's names after

0:19:53.200 --> 0:19:56.080
<v Speaker 1>we're gonna have auditions. So after that, I wrote my

0:19:56.119 --> 0:19:58.240
<v Speaker 1>own name in and I went up on stage and

0:19:58.520 --> 0:20:01.560
<v Speaker 1>I silly thing I did. I just said, I'm new

0:20:01.600 --> 0:20:03.919
<v Speaker 1>I'm from South Dakota. I was just outside and I

0:20:03.960 --> 0:20:06.400
<v Speaker 1>saw some guy having an argument with a girl and

0:20:06.440 --> 0:20:08.920
<v Speaker 1>she's stabbed in the hands with a pineoneil a while

0:20:09.240 --> 0:20:11.639
<v Speaker 1>and she screamed and took off. I said, I'm just

0:20:11.720 --> 0:20:13.320
<v Speaker 1>from a small town. I took my hand on my

0:20:13.760 --> 0:20:18.280
<v Speaker 1>pocket and I had it wrapped, make it look like

0:20:18.280 --> 0:20:20.879
<v Speaker 1>like it was you. That. Yeah. For some reason, Brandy

0:20:20.920 --> 0:20:23.720
<v Speaker 1>Sparks thought it was great, and he said, that's it.

0:20:23.840 --> 0:20:26.479
<v Speaker 1>You're in. And I didn't know any of the songs.

0:20:26.600 --> 0:20:28.440
<v Speaker 1>We're going on the road in two days. Then we're

0:20:28.440 --> 0:20:30.679
<v Speaker 1>gonna go down and do the Miss Universe pageant in

0:20:30.760 --> 0:20:33.480
<v Speaker 1>Miami at at the Found Blue Hotel, and we're gonna

0:20:33.520 --> 0:20:36.000
<v Speaker 1>be with the Pat Boone as the host, and we're

0:20:36.000 --> 0:20:38.160
<v Speaker 1>gonna do that, and then we're gonna do Jack Link

0:20:38.240 --> 0:20:41.960
<v Speaker 1>Letters Talent Scouts on NBC, and this is I didn't

0:20:41.960 --> 0:20:43.600
<v Speaker 1>know anything I did. You were in LA for a day,

0:20:43.680 --> 0:20:45.200
<v Speaker 1>like a day, two days, two days at this point,

0:20:45.200 --> 0:20:47.200
<v Speaker 1>two day, two days, the right time, at the right place,

0:20:47.240 --> 0:20:48.800
<v Speaker 1>at the right time. But you also had to do

0:20:48.840 --> 0:20:50.360
<v Speaker 1>the right thing at the right place at the right time.

0:20:50.400 --> 0:20:52.000
<v Speaker 1>I was funny. So we changed it to where I

0:20:52.040 --> 0:20:54.760
<v Speaker 1>would just introduced all the songs and made fun and

0:20:54.800 --> 0:20:57.000
<v Speaker 1>I just they always made me sure my microphone was

0:20:57.119 --> 0:21:00.320
<v Speaker 1>my microphone, from my guitar, my post vocal. We're off

0:21:00.440 --> 0:21:02.920
<v Speaker 1>until I learned the songs. And that's how I got

0:21:02.920 --> 0:21:06.320
<v Speaker 1>into it, just being at the right time. Hang tight,

0:21:06.800 --> 0:21:12.480
<v Speaker 1>the Bobby Cast will be right back. Wow, and we're

0:21:12.520 --> 0:21:16.280
<v Speaker 1>back on the Bobby Cast. If it hadn't happened. But again,

0:21:16.280 --> 0:21:17.800
<v Speaker 1>I don't think you get yourself off credit because you

0:21:17.800 --> 0:21:19.080
<v Speaker 1>did the right thing at the right place, at the

0:21:19.119 --> 0:21:21.440
<v Speaker 1>right time. But if that hadn't happened so quickly, do

0:21:21.480 --> 0:21:22.919
<v Speaker 1>you think you to move back home to South Dakota.

0:21:22.920 --> 0:21:24.440
<v Speaker 1>I no, I wouldn't have gone to South Dakota. I'm

0:21:24.440 --> 0:21:27.000
<v Speaker 1>not sure what I'd have done. I just I wasn't

0:21:27.040 --> 0:21:29.080
<v Speaker 1>sure what I wanted to do even at that point,

0:21:29.200 --> 0:21:31.040
<v Speaker 1>you know, I just I was so happy to be

0:21:31.080 --> 0:21:34.359
<v Speaker 1>into this group and it was so incredible. There's a

0:21:34.400 --> 0:21:36.159
<v Speaker 1>story that I love to tell. I'm gonna drop a

0:21:36.200 --> 0:21:37.960
<v Speaker 1>few names here, so keep your feet. We love the

0:21:38.000 --> 0:21:40.119
<v Speaker 1>name drop. Okay, well what's your feet because I'm gonna

0:21:40.160 --> 0:21:42.760
<v Speaker 1>tell you this one. So I was in the New

0:21:42.840 --> 0:21:45.119
<v Speaker 1>Society and we went down to the Miss Universe pageant,

0:21:45.160 --> 0:21:47.159
<v Speaker 1>and of course these girls hadn't been around guys for

0:21:47.240 --> 0:21:49.440
<v Speaker 1>like six months, and we're out at night. They would

0:21:49.440 --> 0:21:51.080
<v Speaker 1>sneak out of the rooms. We were out on the

0:21:51.080 --> 0:21:55.200
<v Speaker 1>beach with all the Miss Universe girls and one girl

0:21:55.320 --> 0:21:59.920
<v Speaker 1>that got runner up, Miss israel vb Israeli was her name,

0:22:00.119 --> 0:22:02.199
<v Speaker 1>they called her. She was runner up. I gave her

0:22:02.240 --> 0:22:04.720
<v Speaker 1>my phone number and I was in LA. About a

0:22:04.720 --> 0:22:06.600
<v Speaker 1>week later, I get a call from her and she

0:22:06.600 --> 0:22:09.480
<v Speaker 1>had been hired by hired by Israeli Bonds to be

0:22:09.520 --> 0:22:11.880
<v Speaker 1>a spokesperson for them, and she was put up at

0:22:11.920 --> 0:22:16.240
<v Speaker 1>the at the I think it was a big hotels

0:22:16.600 --> 0:22:19.240
<v Speaker 1>very close to somewhere around Westwood. I can't remember the

0:22:19.320 --> 0:22:21.359
<v Speaker 1>name of the hotel, but anyway, she had a suite,

0:22:21.680 --> 0:22:23.680
<v Speaker 1>so she said move in with me. So I moved

0:22:23.680 --> 0:22:26.359
<v Speaker 1>in with her. I was with her two nights and

0:22:27.240 --> 0:22:28.480
<v Speaker 1>I had to go on the road to play a

0:22:28.480 --> 0:22:32.359
<v Speaker 1>place called Bimbos up up in San Francisco and with

0:22:32.520 --> 0:22:35.680
<v Speaker 1>the New Society. I'm up there a day and I'm

0:22:35.720 --> 0:22:38.239
<v Speaker 1>rehearsing in the afternoon at the bartender said, you got

0:22:38.240 --> 0:22:40.720
<v Speaker 1>a phone call, and it was her and she said, Gary,

0:22:40.960 --> 0:22:45.160
<v Speaker 1>you're stuff with the Bellman. I'm getting married. So that's

0:22:45.200 --> 0:22:48.439
<v Speaker 1>quite she wanted. She wanted somebody to had a lot

0:22:48.480 --> 0:22:52.080
<v Speaker 1>of money could bring her mother over. So I said, okay,

0:22:52.080 --> 0:22:55.720
<v Speaker 1>So I just got my stuff with with, you know,

0:22:55.760 --> 0:22:57.920
<v Speaker 1>from the Bellman. Now here we go. Ten years later,

0:22:58.440 --> 0:23:00.720
<v Speaker 1>I'm with Deborah Winger. We were together for a year

0:23:00.720 --> 0:23:03.119
<v Speaker 1>and a half. We were in Las Vegas gambling. We

0:23:03.200 --> 0:23:05.479
<v Speaker 1>have run out of money, we have no place to go,

0:23:05.560 --> 0:23:07.520
<v Speaker 1>so we go over to see Freddie Prince opening for

0:23:07.920 --> 0:23:10.320
<v Speaker 1>Andy Williams, thinking we could get something from you to

0:23:10.400 --> 0:23:14.360
<v Speaker 1>keep us awake. All Freddie her quay Lads, which opposite. Yeah, yeah,

0:23:14.359 --> 0:23:16.640
<v Speaker 1>So we did quay Lads and gambled. So that didn't work.

0:23:17.480 --> 0:23:19.800
<v Speaker 1>By the way, anyone listening out there, don't do this.

0:23:20.280 --> 0:23:24.120
<v Speaker 1>And uh so we gambled away all of our money

0:23:24.800 --> 0:23:26.879
<v Speaker 1>on quay lads, we went over to start Us Hotel.

0:23:27.080 --> 0:23:29.479
<v Speaker 1>I called Jim Hager from the Hagar Twins because he

0:23:29.560 --> 0:23:31.720
<v Speaker 1>was part of that group too that I forgot to

0:23:31.720 --> 0:23:34.240
<v Speaker 1>tell you about within Randy Sparks that night, the Hagar

0:23:34.280 --> 0:23:36.920
<v Speaker 1>Twins were there to send us one hundred dollars. So

0:23:37.119 --> 0:23:39.800
<v Speaker 1>Debra Winger and are standing in the start Us Hotel

0:23:39.840 --> 0:23:42.439
<v Speaker 1>waiting for one hundred dollars telegram to come with some

0:23:42.440 --> 0:23:45.359
<v Speaker 1>money to get home. And I'm walking around the place

0:23:45.400 --> 0:23:48.640
<v Speaker 1>and I'm looking for I'm looking for money that people

0:23:48.720 --> 0:23:50.600
<v Speaker 1>might have missed in the you know, in the pans

0:23:50.600 --> 0:23:52.720
<v Speaker 1>out of the slot machines, and I hear, hey Gary.

0:23:53.440 --> 0:23:55.159
<v Speaker 1>I look over and there's two ladies sitting there and

0:23:55.160 --> 0:23:58.480
<v Speaker 1>they're they're hardcore slot players because if we're wearing gloves

0:23:58.520 --> 0:24:02.399
<v Speaker 1>in those days, the stuff that dropped down was pretty dirty.

0:24:02.440 --> 0:24:05.000
<v Speaker 1>So they were in gloves, they had potbillies, they had

0:24:05.000 --> 0:24:07.360
<v Speaker 1>cigarettes hanging out of their mouth. It was missus Rael

0:24:07.400 --> 0:24:10.760
<v Speaker 1>and her mother and she says, hey, Mom, that's Gary.

0:24:10.760 --> 0:24:12.920
<v Speaker 1>Remember Gary. I told you about Gary. Mom says, yeah,

0:24:12.920 --> 0:24:15.359
<v Speaker 1>I remember Gary. And there never stopped playing, just talking

0:24:15.400 --> 0:24:17.480
<v Speaker 1>to a cigarettes hanging out of their mouth. So Debra

0:24:17.560 --> 0:24:19.840
<v Speaker 1>Winger waves to me and says, the money's here. I

0:24:19.920 --> 0:24:21.600
<v Speaker 1>walk over and she says, who is that? I said,

0:24:21.720 --> 0:24:25.240
<v Speaker 1>missus Rael nineteen sixty seven. She says, yeah, right, I said, boy,

0:24:25.240 --> 0:24:28.160
<v Speaker 1>do I have a story for you? And that's one

0:24:28.200 --> 0:24:31.520
<v Speaker 1>of my stories. So a couple of things you said,

0:24:31.600 --> 0:24:32.919
<v Speaker 1>I'm just remember to get back to them. But went

0:24:32.920 --> 0:24:35.080
<v Speaker 1>to watch Freddie Prince. Did you know him? I knew

0:24:35.119 --> 0:24:36.600
<v Speaker 1>him very well. In fact, I was on the first

0:24:36.680 --> 0:24:39.760
<v Speaker 1>HBO comedy special, Freddy Prince and Friends. I was one

0:24:39.800 --> 0:24:42.359
<v Speaker 1>of the five people on that show. So his death

0:24:42.400 --> 0:24:45.119
<v Speaker 1>obviously he died very young, Yes he did. That was

0:24:45.160 --> 0:24:49.639
<v Speaker 1>a horrible thing. Yeah, and apparently from what I have

0:24:49.640 --> 0:24:51.200
<v Speaker 1>because again being a fan of comedy, and you would

0:24:51.200 --> 0:24:52.919
<v Speaker 1>hear people just talk about how great he was in

0:24:53.000 --> 0:24:55.480
<v Speaker 1>his brief time. Yes, that he kind of came on

0:24:55.520 --> 0:24:57.639
<v Speaker 1>so strong and so fast. He was so good that

0:24:57.680 --> 0:25:00.320
<v Speaker 1>there was so much potential that we never really to

0:25:00.400 --> 0:25:03.280
<v Speaker 1>experience because he died so early. Exactly what was he

0:25:03.359 --> 0:25:05.679
<v Speaker 1>like as a performer? He was incredible, He was really

0:25:05.720 --> 0:25:08.200
<v Speaker 1>really good. And his best friend was Ellen Burski, who

0:25:08.240 --> 0:25:10.880
<v Speaker 1>was a comedian who actually was with him when that happened.

0:25:10.920 --> 0:25:13.639
<v Speaker 1>I mean like, Ellen's never gotten over that, and we

0:25:13.680 --> 0:25:17.160
<v Speaker 1>don't know exactly why what happened. We know that Steve

0:25:17.240 --> 0:25:20.639
<v Speaker 1>Lebetkin didn't get on the comedy list one night, so

0:25:20.680 --> 0:25:22.199
<v Speaker 1>we went next door to the Hyatt, went up to

0:25:22.200 --> 0:25:25.679
<v Speaker 1>the roof and jumped off into the it's like twenty

0:25:25.680 --> 0:25:29.200
<v Speaker 1>stories down into the comedy store parking a lot with Freddie.

0:25:29.320 --> 0:25:31.960
<v Speaker 1>We never really knew exactly why he did that. I

0:25:32.000 --> 0:25:34.480
<v Speaker 1>think he was steering around. He always had guns. I

0:25:34.520 --> 0:25:37.360
<v Speaker 1>think it was almost accidental, maybe a rushing roulette kind

0:25:37.400 --> 0:25:41.800
<v Speaker 1>of thing. I don't know. I'm not sure even No,

0:25:42.040 --> 0:25:44.000
<v Speaker 1>even the people are really close to him really have

0:25:44.160 --> 0:25:47.680
<v Speaker 1>no idea why he did this. Was he dynamic on stage? Yes,

0:25:47.760 --> 0:25:50.520
<v Speaker 1>he was. There was something boy immediately you were drawn

0:25:50.560 --> 0:25:52.080
<v Speaker 1>to him when he walked up. There was just something

0:25:52.119 --> 0:25:56.520
<v Speaker 1>about him. It was just his accent, his just his

0:25:56.560 --> 0:25:59.640
<v Speaker 1>way he looked on stage. Everything about him was incredible. Yeah,

0:25:59.680 --> 0:26:01.920
<v Speaker 1>when you look back at other comedians that you've seen,

0:26:02.240 --> 0:26:04.560
<v Speaker 1>you mentioned Letterman, Yeah you saw us first ever, said

0:26:04.560 --> 0:26:07.680
<v Speaker 1>who did you see? Really early on where you saw

0:26:07.760 --> 0:26:10.399
<v Speaker 1>them went day? They are so good, either in a

0:26:10.440 --> 0:26:13.359
<v Speaker 1>way of like adoration or like at times for me,

0:26:13.400 --> 0:26:14.919
<v Speaker 1>I'm like I get jealous. I'm like, man, they are

0:26:14.960 --> 0:26:17.840
<v Speaker 1>so good, Like, who was that for you? Steve Martin.

0:26:18.280 --> 0:26:19.800
<v Speaker 1>As soon as I saw him, I knew he was

0:26:19.800 --> 0:26:22.919
<v Speaker 1>going to do well. And we've had a place together.

0:26:22.960 --> 0:26:24.880
<v Speaker 1>I was him and I and Michael Johnson lived together

0:26:24.960 --> 0:26:26.600
<v Speaker 1>for a while. You live with Steve Martin? Yes, he

0:26:26.680 --> 0:26:28.800
<v Speaker 1>was my roommate and he was worked for the Smothers

0:26:28.800 --> 0:26:31.600
<v Speaker 1>Brothers show. I was too irresponsible to be at the

0:26:31.640 --> 0:26:34.600
<v Speaker 1>office every day, so I just would ever so often

0:26:34.680 --> 0:26:37.359
<v Speaker 1>send in stuff. So Steve has been on the show

0:26:37.400 --> 0:26:41.960
<v Speaker 1>about three four weeks. He has contributed nothing. He calls

0:26:42.040 --> 0:26:44.160
<v Speaker 1>me and says, I need a couple of things from

0:26:44.160 --> 0:26:46.280
<v Speaker 1>your act. I said sure, So he gave him. He

0:26:46.320 --> 0:26:47.760
<v Speaker 1>wrote him out and gave him to the guys that

0:26:47.880 --> 0:26:51.320
<v Speaker 1>worked perfectly. Tommy said, okay, you're in. But Tommy had

0:26:51.320 --> 0:26:52.840
<v Speaker 1>come to him and warned him he was gonna have

0:26:52.880 --> 0:26:55.600
<v Speaker 1>to let him go. That broke his writer's block after that,

0:26:55.640 --> 0:26:57.879
<v Speaker 1>so he always gives me credit for that. So I

0:26:57.920 --> 0:27:01.120
<v Speaker 1>broke his writer's block on the Smothers their show. Yeah,

0:27:01.240 --> 0:27:03.240
<v Speaker 1>I can't believe you live with Steve Martin. Like to me,

0:27:03.440 --> 0:27:04.959
<v Speaker 1>I don't know who yours is because I'm gonna ask

0:27:05.000 --> 0:27:06.919
<v Speaker 1>you this. But if I were to do, like you know,

0:27:06.960 --> 0:27:09.159
<v Speaker 1>my top four greatest influences of all time on me

0:27:09.480 --> 0:27:11.600
<v Speaker 1>at who I not who I've met, because I haven't

0:27:11.680 --> 0:27:14.240
<v Speaker 1>met any. But it's like Letterman, because I saw a

0:27:14.240 --> 0:27:15.879
<v Speaker 1>guy who was a bit of reverent, didn't look like

0:27:15.920 --> 0:27:18.880
<v Speaker 1>what everybody else looked like. It was just odd, but

0:27:19.640 --> 0:27:23.680
<v Speaker 1>people were drawn to him like it's Letterman, it's Steve Martin.

0:27:23.760 --> 0:27:26.160
<v Speaker 1>It's both of those guys, and the fact that you've

0:27:26.240 --> 0:27:29.520
<v Speaker 1>had relationships with both of them. I was always attracted.

0:27:30.119 --> 0:27:33.320
<v Speaker 1>Besides Letterman, I was always hung out with funny musicians.

0:27:33.880 --> 0:27:36.960
<v Speaker 1>To be to this day, most of the funniest people

0:27:36.960 --> 0:27:41.159
<v Speaker 1>I know are musicians. Conan I mean, Roger Miller was

0:27:41.200 --> 0:27:44.159
<v Speaker 1>one of the fastest and quickest I've ever known. But

0:27:44.240 --> 0:27:47.080
<v Speaker 1>people like at Jack Benny was my influence who played

0:27:47.080 --> 0:27:50.440
<v Speaker 1>a violin me. He could really play. But to this day,

0:27:50.640 --> 0:27:53.920
<v Speaker 1>I noticed a bunch of musicians hanging around really funny.

0:27:54.200 --> 0:27:56.440
<v Speaker 1>A bunch of comics hang around is one guy trying

0:27:56.440 --> 0:27:59.840
<v Speaker 1>to top the other guy, and so I just kind

0:27:59.840 --> 0:28:02.080
<v Speaker 1>of out away from that. I was always with musicians.

0:28:02.400 --> 0:28:04.520
<v Speaker 1>That's we get through at the comedy story. But he

0:28:04.560 --> 0:28:07.720
<v Speaker 1>would go out to Delhi and talk and do stuff.

0:28:07.880 --> 0:28:09.479
<v Speaker 1>I would go out down to the strip and that's

0:28:09.520 --> 0:28:11.600
<v Speaker 1>where I met Robbie Krieger from the Doors Sore, I'm

0:28:11.600 --> 0:28:13.560
<v Speaker 1>at the Birds, who I met all these guys going

0:28:13.600 --> 0:28:16.199
<v Speaker 1>way back. I was always attracted the guys that played,

0:28:16.480 --> 0:28:18.679
<v Speaker 1>and to this day it's the same thing. Would you

0:28:18.800 --> 0:28:21.760
<v Speaker 1>play then, so when you dedicated your life to doing

0:28:21.800 --> 0:28:23.760
<v Speaker 1>more comedy, obviously kept playing because you have the guitars

0:28:23.760 --> 0:28:27.640
<v Speaker 1>bay here, But would you try to stay let's say,

0:28:27.680 --> 0:28:29.720
<v Speaker 1>in shape, playing wise in case you ever needed to

0:28:29.760 --> 0:28:32.800
<v Speaker 1>really play? No. I just always made sure I had

0:28:32.800 --> 0:28:35.120
<v Speaker 1>a joke ready and I could. I've never been above

0:28:35.160 --> 0:28:38.760
<v Speaker 1>the fifth re read. That's how I got true. Roger

0:28:38.800 --> 0:28:40.880
<v Speaker 1>Miller said, there's no money up there. He's right, but

0:28:41.000 --> 0:28:43.280
<v Speaker 1>I just use it. It's true, it's true. I see.

0:28:43.320 --> 0:28:45.480
<v Speaker 1>You got a picture of me right there with my

0:28:45.560 --> 0:28:48.200
<v Speaker 1>guitar on this end with us right now. You see

0:28:48.200 --> 0:28:49.960
<v Speaker 1>where it's all worn off up there at the top

0:28:50.000 --> 0:28:53.800
<v Speaker 1>of the all that's cocaine days from what though, just

0:28:54.200 --> 0:28:56.680
<v Speaker 1>slashing at my guitar. Yeah, yeah, like trying to make

0:28:56.680 --> 0:28:58.400
<v Speaker 1>a lot of noise to make it sound like I was,

0:28:58.640 --> 0:29:01.000
<v Speaker 1>you know, trying to be a one man bands whatever.

0:29:01.240 --> 0:29:03.880
<v Speaker 1>Once I stopped doing drugs, I never did anything like

0:29:03.920 --> 0:29:05.760
<v Speaker 1>that again to that guitar. By the way, that guitar

0:29:05.840 --> 0:29:09.000
<v Speaker 1>now has say fifty six guitar players signed on it

0:29:09.080 --> 0:29:12.959
<v Speaker 1>on the front back of it. Yeah. I was at

0:29:13.000 --> 0:29:15.280
<v Speaker 1>the opery I got a few weeks ago, and my

0:29:15.320 --> 0:29:18.640
<v Speaker 1>wife's grandfather came. He had never been to the opera before.

0:29:18.720 --> 0:29:20.400
<v Speaker 1>I talked to you before the show. It was the

0:29:20.440 --> 0:29:24.560
<v Speaker 1>last time that united seen each other, and Vince was playing.

0:29:24.880 --> 0:29:29.400
<v Speaker 1>You were playing, and I was telling him. I was like, Gary, hilarious,

0:29:29.440 --> 0:29:31.040
<v Speaker 1>you gonna love him. And he's like, yeah, I've never

0:29:31.400 --> 0:29:33.200
<v Speaker 1>never seen comedy the operate. It'd been a while since.

0:29:33.760 --> 0:29:35.560
<v Speaker 1>And so he came out and I remember him and

0:29:35.560 --> 0:29:38.280
<v Speaker 1>I both laughing so hard. Do you have two you

0:29:38.320 --> 0:29:41.400
<v Speaker 1>have forty years splitting us up and we were both

0:29:41.480 --> 0:29:45.000
<v Speaker 1>laughing so hard. Did you find that your comedy then,

0:29:45.480 --> 0:29:48.440
<v Speaker 1>let's say seventies eighties, did you find that it was

0:29:50.040 --> 0:29:52.880
<v Speaker 1>palatable even enjoyed by different ages or were you kind

0:29:52.880 --> 0:29:54.760
<v Speaker 1>of dialed in more to a certain demo. I always

0:29:54.760 --> 0:29:57.959
<v Speaker 1>worked with all ages, and I just I'm really. They

0:29:57.960 --> 0:30:01.200
<v Speaker 1>always said laughter is the best medicine, and then they

0:30:01.280 --> 0:30:04.240
<v Speaker 1>meant I think they met healthy laughter all my all,

0:30:04.240 --> 0:30:07.000
<v Speaker 1>my laughter is above the belt. And here's here's somebody

0:30:07.000 --> 0:30:09.840
<v Speaker 1>a good example. You take somebody like Andrew Dice Clay

0:30:09.880 --> 0:30:12.640
<v Speaker 1>and the late Bob Saget and they're on stage and

0:30:12.680 --> 0:30:14.960
<v Speaker 1>they're doing the best they can with the audience. There's

0:30:15.000 --> 0:30:16.960
<v Speaker 1>a certain decibel level that they are and then you

0:30:17.000 --> 0:30:22.320
<v Speaker 1>take somebody like Rider Rudner of myself whatever. When we're

0:30:22.400 --> 0:30:24.360
<v Speaker 1>up there at that same level, it's a different sound,

0:30:24.880 --> 0:30:27.760
<v Speaker 1>it's a different it's darker. The other the other comedy

0:30:27.840 --> 0:30:30.280
<v Speaker 1>is darker. Mine's always healthy. I love it when people

0:30:30.280 --> 0:30:32.240
<v Speaker 1>come help to me. And the mom says, I've never

0:30:32.320 --> 0:30:35.080
<v Speaker 1>laughed at my kids before. The kids say, we never laughed,

0:30:35.160 --> 0:30:38.320
<v Speaker 1>see dad laugh like that. They usually the kids hate

0:30:38.320 --> 0:30:41.320
<v Speaker 1>what the parents thinks funny and vice versa. And I

0:30:41.400 --> 0:30:43.560
<v Speaker 1>just seemed to bridge the gap I always have. And

0:30:43.560 --> 0:30:44.880
<v Speaker 1>that's what I was saying to it, like both of

0:30:44.960 --> 0:30:46.719
<v Speaker 1>us were just dying. There's the bit that you did

0:30:46.720 --> 0:30:48.360
<v Speaker 1>at the start of it. It It was I think you're

0:30:48.480 --> 0:30:50.600
<v Speaker 1>playing Ring of Fire, Yeah, and it was you know,

0:30:51.120 --> 0:30:53.400
<v Speaker 1>fell and you drop your guitar pick and the guitar.

0:30:53.440 --> 0:30:56.040
<v Speaker 1>Then you spend the next twenty thirty seconds just trying

0:30:56.040 --> 0:30:58.160
<v Speaker 1>to get the guitar pick out of the guitar exactly.

0:30:58.280 --> 0:31:02.080
<v Speaker 1>I was laughing so hard because that is a brave

0:31:02.200 --> 0:31:06.200
<v Speaker 1>segment to do, meaning you just gotta trust that the

0:31:06.360 --> 0:31:10.040
<v Speaker 1>awkwardness is going to translate into some people and they're

0:31:10.040 --> 0:31:12.560
<v Speaker 1>going to know that it's funny. That's right. It happened

0:31:12.560 --> 0:31:16.120
<v Speaker 1>to me, actually happened to me, and people were laughing

0:31:16.160 --> 0:31:18.560
<v Speaker 1>so hard. I just kept it in. So I've got

0:31:18.600 --> 0:31:21.280
<v Speaker 1>about I got about twenty good picks in that guitar

0:31:21.320 --> 0:31:24.440
<v Speaker 1>if you shake it and uh, and I put it in.

0:31:24.440 --> 0:31:26.560
<v Speaker 1>Ever since then, when I found the Ring of Fire,

0:31:26.720 --> 0:31:30.000
<v Speaker 1>it was perfect because of an ifill Ino right just

0:31:30.080 --> 0:31:32.480
<v Speaker 1>right in and it's oh no, and then right down

0:31:32.480 --> 0:31:34.400
<v Speaker 1>I'm down. I'm down on my knees. So there's the

0:31:34.560 --> 0:31:36.959
<v Speaker 1>guitar mic right there, so I can tell a few

0:31:37.040 --> 0:31:39.160
<v Speaker 1>jokes and the guitar mic until I get them going

0:31:39.200 --> 0:31:41.480
<v Speaker 1>that I can raise get back up again and stew

0:31:41.560 --> 0:31:43.920
<v Speaker 1>the show. I've just always had a lot of fun

0:31:44.000 --> 0:31:46.640
<v Speaker 1>up there. I'm just and there's certain things that I've

0:31:47.080 --> 0:31:49.600
<v Speaker 1>I don't know, there's not many things that I've I

0:31:49.640 --> 0:31:52.400
<v Speaker 1>can't do anymore. They've been doing for sixty years. Do

0:31:52.440 --> 0:31:55.240
<v Speaker 1>you still right. I still do. I still do. Do

0:31:55.240 --> 0:31:57.240
<v Speaker 1>you have every all the jokes written down somewhere? Though

0:31:57.400 --> 0:31:59.400
<v Speaker 1>I do, I have some. I just fact they're doing

0:31:59.440 --> 0:32:02.400
<v Speaker 1>an exhibit of all my old stuff at the opera.

0:32:02.440 --> 0:32:04.720
<v Speaker 1>They're going to start putting it one of those glass cases.

0:32:04.920 --> 0:32:07.080
<v Speaker 1>So I got a suitcase full of stuff to take

0:32:07.120 --> 0:32:09.720
<v Speaker 1>to him. And I've got a guitar case from the

0:32:09.800 --> 0:32:12.719
<v Speaker 1>sixties and seventies. There has so many stickers on it.

0:32:12.760 --> 0:32:16.000
<v Speaker 1>That's a set lists that I just put on it.

0:32:16.240 --> 0:32:19.160
<v Speaker 1>I noticed one that I just found yesterday. I've stayed

0:32:19.160 --> 0:32:21.760
<v Speaker 1>with Randy Hart. He was my favorite, my best friend.

0:32:21.880 --> 0:32:24.440
<v Speaker 1>Who's the staff keyboard on the opera. I met him

0:32:24.440 --> 0:32:28.280
<v Speaker 1>when he was Roger Miller's music director in seventy seven.

0:32:28.400 --> 0:32:31.400
<v Speaker 1>That's another story. Anyway, I've got this guitar case and

0:32:31.440 --> 0:32:33.360
<v Speaker 1>I noticed something that I said a long time ago.

0:32:33.520 --> 0:32:35.800
<v Speaker 1>I said, it's not who you know in the business,

0:32:36.000 --> 0:32:38.920
<v Speaker 1>it's just knowing if they are really in a meeting.

0:32:41.040 --> 0:32:44.480
<v Speaker 1>I'd forgotten that completely. I saw another one and said, bigger,

0:32:44.560 --> 0:32:47.200
<v Speaker 1>bigger things and never been falling through lately, I've had

0:32:47.240 --> 0:32:49.280
<v Speaker 1>some things fall through. I never dreamed I even get

0:32:49.280 --> 0:32:51.600
<v Speaker 1>close to stuff like that. But I have all over

0:32:51.640 --> 0:32:53.640
<v Speaker 1>my guitar. I've got a lot of stuff. Yeah, I've

0:32:53.640 --> 0:32:56.600
<v Speaker 1>been writing forever and I write. Eighty percent of the

0:32:56.640 --> 0:32:59.160
<v Speaker 1>stuff is my own. The other twenty percent. Maybe I'll

0:32:59.200 --> 0:33:01.960
<v Speaker 1>hear a joke and I and I tailor it to

0:33:02.040 --> 0:33:04.640
<v Speaker 1>my to what I like. I've found a joke here

0:33:04.800 --> 0:33:07.960
<v Speaker 1>just now that I rewrote that. Now I have to

0:33:08.000 --> 0:33:10.240
<v Speaker 1>end my show with. I can't follow with anything. It

0:33:10.360 --> 0:33:12.200
<v Speaker 1>used to be I would follow in my show with.

0:33:12.960 --> 0:33:15.120
<v Speaker 1>A couple months ago, it was a knock at the door.

0:33:15.120 --> 0:33:17.600
<v Speaker 1>I answered it. It It was huge Jehovah's witnesses. I invited

0:33:17.640 --> 0:33:19.360
<v Speaker 1>him in and he said out of the couch. I said, well,

0:33:19.480 --> 0:33:20.880
<v Speaker 1>what do you want to talk about? And they said,

0:33:20.960 --> 0:33:23.000
<v Speaker 1>we don't know. We've ever made it this far before.

0:33:23.320 --> 0:33:25.800
<v Speaker 1>That's what I always ended the show with. But now

0:33:26.160 --> 0:33:27.560
<v Speaker 1>I just do that with the first thing when I

0:33:27.640 --> 0:33:30.440
<v Speaker 1>dropped my pick because I've got this new joke. Now

0:33:30.480 --> 0:33:34.160
<v Speaker 1>that's just ridiculous and it works so well, I just

0:33:34.640 --> 0:33:36.479
<v Speaker 1>I end with it. You know, I've been with Johnny

0:33:36.480 --> 0:33:38.840
<v Speaker 1>Mathis in the orchestra now for thirty years. Going In

0:33:38.880 --> 0:33:41.000
<v Speaker 1>the middle of his show, Johnny comes out and does

0:33:41.040 --> 0:33:43.040
<v Speaker 1>thirty five minutes. I come out and do thirty. He

0:33:43.240 --> 0:33:45.360
<v Speaker 1>comes back and does an hour of fifteen. I've been

0:33:45.360 --> 0:33:49.560
<v Speaker 1>doing that forever, And you can trace everything I do

0:33:49.960 --> 0:33:52.120
<v Speaker 1>back to the game of golf. When I came out

0:33:52.120 --> 0:33:55.120
<v Speaker 1>of rehab, I needed a new addiction, and in nineteen

0:33:55.200 --> 0:33:58.000
<v Speaker 1>eighty seven, I took up golf at forty seven years old.

0:33:58.160 --> 0:34:01.120
<v Speaker 1>And everything I do now or what it is, we

0:34:01.120 --> 0:34:04.960
<v Speaker 1>can trace it back the Opry Nashville. Now, anything that

0:34:05.040 --> 0:34:08.200
<v Speaker 1>I do came out of celebrity golf tournaments. It just

0:34:08.560 --> 0:34:10.640
<v Speaker 1>that's how it happened. So I want to go back

0:34:10.680 --> 0:34:13.880
<v Speaker 1>a little bit too. Being in South Dakota, you're he

0:34:13.960 --> 0:34:17.160
<v Speaker 1>lived on a ranch. Yeah, you had a theater, your

0:34:17.200 --> 0:34:19.640
<v Speaker 1>mom wash you around. My mom was around, Okay, so

0:34:19.719 --> 0:34:21.799
<v Speaker 1>your mom and dad they were both there, yes, And

0:34:21.800 --> 0:34:24.040
<v Speaker 1>what did they first of all to you? What kind

0:34:24.040 --> 0:34:25.680
<v Speaker 1>of relationship did you have with them? And then secondly,

0:34:25.960 --> 0:34:27.799
<v Speaker 1>what did they think of a kid from South Because

0:34:27.800 --> 0:34:30.960
<v Speaker 1>I'm from Arkansas and my dreams were like aliens to

0:34:31.000 --> 0:34:33.600
<v Speaker 1>people there because nobody left. Yeah, what did your parents

0:34:33.600 --> 0:34:36.319
<v Speaker 1>think about your dreams of music or leaving to do

0:34:36.360 --> 0:34:39.120
<v Speaker 1>something creative rather than staying home. Well, I failed at

0:34:39.120 --> 0:34:41.200
<v Speaker 1>everything else. They weren't really sure that it was going

0:34:41.280 --> 0:34:43.000
<v Speaker 1>to happen. In fact, I just kind of took off.

0:34:43.360 --> 0:34:46.000
<v Speaker 1>I ran away twice from run away from home twice,

0:34:46.280 --> 0:34:48.040
<v Speaker 1>once when I was a sophomore and once when I

0:34:48.080 --> 0:34:52.120
<v Speaker 1>was a senior in high school. But I also I

0:34:52.160 --> 0:34:53.640
<v Speaker 1>have to tell you this is how I lost the

0:34:53.680 --> 0:34:55.920
<v Speaker 1>movie theater. My dad took it back. He gave me

0:34:55.960 --> 0:34:59.359
<v Speaker 1>the theater as a wedding prison to run for, and

0:35:00.000 --> 0:35:01.680
<v Speaker 1>to give you five hundred dollars a month to run it.

0:35:01.800 --> 0:35:03.759
<v Speaker 1>And this is what happened. This is how I lost

0:35:03.760 --> 0:35:09.000
<v Speaker 1>the movie theater. If every ember Ilford Hitchcock's movie The Birds, Okay,

0:35:09.040 --> 0:35:11.160
<v Speaker 1>well but the birds are like so if you were

0:35:11.640 --> 0:35:14.800
<v Speaker 1>sitting in the audience down below the balcony watching the birds,

0:35:15.080 --> 0:35:17.640
<v Speaker 1>what would you do if somebody like myself and my

0:35:17.640 --> 0:35:20.879
<v Speaker 1>assistant manager threw four live pigeons zone into the audience. Yeah,

0:35:20.960 --> 0:35:23.719
<v Speaker 1>I mean I would, Yeah, yeah, that would freak me out.

0:35:23.719 --> 0:35:25.360
<v Speaker 1>Well that's what I did. Yeah, that's what we did.

0:35:25.520 --> 0:35:28.040
<v Speaker 1>It was like live live action, way ahead of your time.

0:35:28.080 --> 0:35:32.200
<v Speaker 1>My dad took back just the worst. Do you still

0:35:32.280 --> 0:35:34.239
<v Speaker 1>live in South Dakota? I still live in Spirit Fish.

0:35:34.280 --> 0:35:36.640
<v Speaker 1>I'm back in Spirit fisht I had no idea you

0:35:36.719 --> 0:35:38.680
<v Speaker 1>played the Opery. I mean, I feel like I see

0:35:38.719 --> 0:35:40.120
<v Speaker 1>you play the opera a lot. Do you come in

0:35:40.200 --> 0:35:42.280
<v Speaker 1>every time for the memory, every time for it? Yeah?

0:35:42.440 --> 0:35:44.799
<v Speaker 1>I do. I come in from one month, one week,

0:35:44.840 --> 0:35:47.279
<v Speaker 1>a month, Yeah, I do. I'm blessed to have this.

0:35:47.320 --> 0:35:50.240
<v Speaker 1>I mean, I just about break even. It's incredible. Whenever

0:35:50.360 --> 0:35:55.360
<v Speaker 1>you were invited, not inducted, to different things, obviously, whenever

0:35:55.400 --> 0:35:57.359
<v Speaker 1>you were invited to be a member of the Grand

0:35:57.400 --> 0:36:00.799
<v Speaker 1>Old Opery, did you sense in any way that was coming. No,

0:36:00.880 --> 0:36:03.000
<v Speaker 1>I did not. It was a Henry show and we

0:36:03.040 --> 0:36:04.840
<v Speaker 1>were under the under the guys they were doing to

0:36:04.920 --> 0:36:09.000
<v Speaker 1>do a new circle show called The Comedy of the Opry,

0:36:09.200 --> 0:36:11.160
<v Speaker 1>and they wanted to interview us about the comedy and

0:36:11.200 --> 0:36:13.279
<v Speaker 1>the Opery, and so it was all set up. They

0:36:13.320 --> 0:36:15.560
<v Speaker 1>had cameras set up the whole thing, but they actually

0:36:15.520 --> 0:36:18.200
<v Speaker 1>they were they weren't doing anything. Marty Stewart was asking

0:36:18.280 --> 0:36:20.520
<v Speaker 1>us questions, and at the end he said a lot

0:36:20.560 --> 0:36:23.799
<v Speaker 1>of times about it. He says, by the way, the

0:36:23.880 --> 0:36:26.480
<v Speaker 1>Grand ol Opry members would like to invite you both

0:36:26.520 --> 0:36:29.759
<v Speaker 1>to be members. We had no idea. I really did not.

0:36:30.040 --> 0:36:33.040
<v Speaker 1>I had no idea we're going to be inducted or

0:36:33.080 --> 0:36:37.000
<v Speaker 1>invited even Yeah, how did you create a relationship with

0:36:37.120 --> 0:36:40.439
<v Speaker 1>Nashville and the opery At the beginning, I think being

0:36:40.480 --> 0:36:43.880
<v Speaker 1>on TNN. TNN was a natural fit for me. I

0:36:44.480 --> 0:36:46.560
<v Speaker 1>got I'd done everything, I'd done all the clubs. I

0:36:46.880 --> 0:36:48.759
<v Speaker 1>wanted to get out of clubs. I wanted to get

0:36:48.760 --> 0:36:51.520
<v Speaker 1>into other stuff. So I decided to go and do

0:36:51.680 --> 0:36:54.440
<v Speaker 1>cruises because the they were families and they paid a

0:36:54.480 --> 0:36:56.520
<v Speaker 1>lot of money. And I got that. By the way,

0:36:56.520 --> 0:36:58.360
<v Speaker 1>I was playing a golf from it with the Charlotte

0:36:58.400 --> 0:37:01.160
<v Speaker 1>Hornets and my partner was a guy was a guy

0:37:01.200 --> 0:37:03.960
<v Speaker 1>that was I didn't know anything much about him, and

0:37:04.040 --> 0:37:06.840
<v Speaker 1>about halfway through playing golf, he said to me, Gary,

0:37:06.840 --> 0:37:08.879
<v Speaker 1>how come you don't do cruises? I said, he don't

0:37:08.920 --> 0:37:11.000
<v Speaker 1>pay anything. He says, how much do you want? I thought,

0:37:11.000 --> 0:37:13.279
<v Speaker 1>oh great? I said who are you? He said, I'm

0:37:13.480 --> 0:37:16.319
<v Speaker 1>the head of Royal Crimpin Entertainment. I said, okay, I

0:37:16.360 --> 0:37:18.239
<v Speaker 1>just doubled my price. He said all right. I thought,

0:37:18.239 --> 0:37:20.680
<v Speaker 1>oh great. He said, well you know you'll get more

0:37:20.719 --> 0:37:22.120
<v Speaker 1>of it works out than it did. And I did

0:37:22.120 --> 0:37:24.279
<v Speaker 1>one hundred and sixty eight cruises. Wow. So I did

0:37:24.320 --> 0:37:26.480
<v Speaker 1>that and also started working on TNN. And it was

0:37:26.520 --> 0:37:29.320
<v Speaker 1>a natural fit for me. In fact, roy aycoff Aycoff

0:37:29.640 --> 0:37:32.160
<v Speaker 1>asked me to do the first opera. He because he

0:37:32.200 --> 0:37:34.920
<v Speaker 1>saw me on TNN. I think I did sixty something

0:37:35.040 --> 0:37:37.880
<v Speaker 1>of shows with with Ralph Emory and I did all

0:37:37.920 --> 0:37:39.960
<v Speaker 1>the other watch Off Emory all the time, Crook and

0:37:40.040 --> 0:37:42.359
<v Speaker 1>Chase anything. Yeah, I did him forever. They are all

0:37:42.360 --> 0:37:45.000
<v Speaker 1>those shows in Nashville. It was perfect for me, perfect fit.

0:37:45.320 --> 0:37:47.200
<v Speaker 1>And they said, oh, you're a country comedian. Well, I said,

0:37:47.239 --> 0:37:49.040
<v Speaker 1>I guess I am. I never thought about it that way,

0:37:49.040 --> 0:37:51.719
<v Speaker 1>but yeah, I do country music and I worked well

0:37:51.719 --> 0:37:54.040
<v Speaker 1>with families and That's what I've done forever. And I

0:37:54.040 --> 0:37:55.480
<v Speaker 1>was on the last year and a half a Hehaw

0:37:55.800 --> 0:37:58.400
<v Speaker 1>That was weird too. That was great. That was I

0:37:58.520 --> 0:38:01.600
<v Speaker 1>loved it. You know, I want to get to hell

0:38:01.600 --> 0:38:05.200
<v Speaker 1>on a second with the backtrack. So you say country,

0:38:05.480 --> 0:38:08.200
<v Speaker 1>you say country comedian. Were in LA? Were you like

0:38:08.280 --> 0:38:10.960
<v Speaker 1>the country guy? That was kind of yeah? I was.

0:38:11.080 --> 0:38:13.160
<v Speaker 1>I always wore a cowboy hat and cowboy boots. I

0:38:13.160 --> 0:38:17.240
<v Speaker 1>always had a guitar, yeah, and I wore unusual, unusual clothes.

0:38:18.080 --> 0:38:20.080
<v Speaker 1>Did you play into that a lot too? I did, know.

0:38:20.120 --> 0:38:22.840
<v Speaker 1>I just wore just wore boy wore, and I have

0:38:22.920 --> 0:38:25.960
<v Speaker 1>the guitar that I'm giving them for this exhibition. There

0:38:26.000 --> 0:38:29.040
<v Speaker 1>were NBC tried to do a country show once. They

0:38:29.080 --> 0:38:30.600
<v Speaker 1>tried to do a country show. What do you mean

0:38:30.640 --> 0:38:33.680
<v Speaker 1>country show? And like, well they put me Carl Perkins

0:38:33.719 --> 0:38:35.520
<v Speaker 1>with a couple of other people as regulars on it.

0:38:35.640 --> 0:38:37.600
<v Speaker 1>And they tried to do a half hour country Western

0:38:37.640 --> 0:38:40.840
<v Speaker 1>show on NBC and like comedy or music, comedy in music,

0:38:41.000 --> 0:38:43.399
<v Speaker 1>so like he haw, yeah it was and it only

0:38:43.480 --> 0:38:47.319
<v Speaker 1>lasted about one season. But I remember I wanted I

0:38:47.360 --> 0:38:51.240
<v Speaker 1>wanted an unusual guitar, so I always played Japanese copies

0:38:51.239 --> 0:38:53.319
<v Speaker 1>of j two hundreds made in Mexico. There were one

0:38:53.360 --> 0:38:56.120
<v Speaker 1>hundred dollars. They looked like they looked a good guitar,

0:38:56.400 --> 0:38:59.239
<v Speaker 1>but they weren't, and I had them at that time.

0:38:59.280 --> 0:39:02.480
<v Speaker 1>Shaneric Ducks came out all over the country. It was

0:39:02.520 --> 0:39:04.239
<v Speaker 1>like it had a name of what it was, like

0:39:04.280 --> 0:39:07.000
<v Speaker 1>oatmeal and then a bar code. Right, so I had

0:39:07.040 --> 0:39:09.399
<v Speaker 1>him put make me a guitar like that. I hadn't

0:39:09.400 --> 0:39:11.600
<v Speaker 1>painted white, I hadn't put a bar code on it

0:39:11.719 --> 0:39:14.360
<v Speaker 1>and guitar across the front of it. And then instead

0:39:14.400 --> 0:39:16.239
<v Speaker 1>of having Fender or Gibson, up at the top of

0:39:16.280 --> 0:39:19.080
<v Speaker 1>the neck. I had n't put Ralph's Supermarket, and I

0:39:19.120 --> 0:39:21.520
<v Speaker 1>played that thing for twenty two years. That's the guitar

0:39:21.560 --> 0:39:23.920
<v Speaker 1>I'm giving them now for the exhibit. But yeah, I've

0:39:23.960 --> 0:39:26.640
<v Speaker 1>played all kinds of different things that I never thought

0:39:26.719 --> 0:39:29.400
<v Speaker 1>much about it. My guitar strap always had a quiver

0:39:29.640 --> 0:39:32.319
<v Speaker 1>on the back with arrows in it, so ever so

0:39:32.440 --> 0:39:35.240
<v Speaker 1>often I would just take out shoot into the audience,

0:39:35.280 --> 0:39:37.920
<v Speaker 1>and then I started doing the chicken thing, you know.

0:39:38.440 --> 0:39:41.200
<v Speaker 1>But yeah, I always Yes, I had three hundred pounds

0:39:41.200 --> 0:39:43.400
<v Speaker 1>of props at one time, and a partner Mulder and

0:39:43.480 --> 0:39:46.719
<v Speaker 1>Moondog Medicine show from seventy to seventy five. We were

0:39:46.760 --> 0:39:51.239
<v Speaker 1>pretty unusual in what way musically and skit wise and

0:39:51.280 --> 0:39:54.719
<v Speaker 1>everything we did. We did incredible parodies on commercials. We

0:39:54.840 --> 0:39:57.400
<v Speaker 1>did historical things which people would know now. You know,

0:39:57.440 --> 0:40:01.440
<v Speaker 1>Ben Franklin running into John Hancock and we're upset because

0:40:01.440 --> 0:40:03.600
<v Speaker 1>Betsy Ross has got a flag that looks like a

0:40:03.600 --> 0:40:08.319
<v Speaker 1>holiday and towel doesn't look anything like it should. Things

0:40:08.360 --> 0:40:10.719
<v Speaker 1>like that. But we did all these things and it

0:40:10.800 --> 0:40:14.000
<v Speaker 1>was pretty amazing and it went very fast. It went

0:40:14.040 --> 0:40:16.719
<v Speaker 1>really fast, and we were way ahead of our time.

0:40:16.800 --> 0:40:18.960
<v Speaker 1>We did in concert. We did Jack Parr when he

0:40:19.000 --> 0:40:21.120
<v Speaker 1>came back on the air, and Jack Parr came back

0:40:21.160 --> 0:40:23.840
<v Speaker 1>on the air. Mulder and Mundog were his favorites, and

0:40:23.880 --> 0:40:27.680
<v Speaker 1>we also were Heffner's favorites. We played every Playboy club

0:40:28.000 --> 0:40:30.480
<v Speaker 1>probably a dozen times, and one night I was playing

0:40:30.520 --> 0:40:32.640
<v Speaker 1>a Playboy club. We got through with our act. A

0:40:32.719 --> 0:40:34.719
<v Speaker 1>guy comes up to me and says, someone wants to

0:40:34.760 --> 0:40:36.920
<v Speaker 1>meet you in the back. I walked back. It was

0:40:37.000 --> 0:40:39.839
<v Speaker 1>Jack Benny who shook my hand and said, young man,

0:40:39.960 --> 0:40:42.600
<v Speaker 1>you have the potential of my timing. And this is

0:40:42.600 --> 0:40:45.640
<v Speaker 1>when I had an afro. It was like two bushel baskets.

0:40:45.719 --> 0:40:48.080
<v Speaker 1>You could hardly see my eyes. I got a picture

0:40:48.120 --> 0:40:49.960
<v Speaker 1>of him and I on a TV show together the

0:40:50.040 --> 0:40:52.759
<v Speaker 1>next day in Chicago. It was Gay IRV Cups and

0:40:52.840 --> 0:40:55.480
<v Speaker 1>Eckers Cup. Anyway, we had a date day day TV

0:40:55.600 --> 0:40:58.640
<v Speaker 1>show I'm on with my idol. He was my influence

0:40:58.680 --> 0:41:00.880
<v Speaker 1>because I grew up with radio TV until I was

0:41:00.920 --> 0:41:03.920
<v Speaker 1>a senior in high school. So that was something to

0:41:03.960 --> 0:41:05.719
<v Speaker 1>me I never forgot. And I think a lot of

0:41:05.719 --> 0:41:09.239
<v Speaker 1>it is my timing, you know, But again I hear you.

0:41:09.520 --> 0:41:11.120
<v Speaker 1>I think timing is a big part of it. But

0:41:11.160 --> 0:41:15.640
<v Speaker 1>if you hadn't had whatever, that innate whatever, you could

0:41:15.680 --> 0:41:17.120
<v Speaker 1>be in the right place at the right time forever.

0:41:17.160 --> 0:41:18.160
<v Speaker 1>But if you're not doing the right thing and it

0:41:18.160 --> 0:41:21.560
<v Speaker 1>ain't gonna work out, that's right, the Bobby Cast. We'll

0:41:21.600 --> 0:41:27.759
<v Speaker 1>be right back. Welcome back to the Bobby Cast. Just

0:41:27.800 --> 0:41:31.160
<v Speaker 1>thinking about your mule deer. They called you that because

0:41:31.160 --> 0:41:33.200
<v Speaker 1>you have to literally spot mule deer. Yeah, really the

0:41:33.520 --> 0:41:35.360
<v Speaker 1>yead I dropped the bus and with the B B

0:41:35.480 --> 0:41:37.640
<v Speaker 1>B stop the bandag, what's going on? I'd be spotting

0:41:37.680 --> 0:41:42.640
<v Speaker 1>mule here with the spotlight. I had a Chrysler Chrysler

0:41:42.680 --> 0:41:48.000
<v Speaker 1>engine in a old for four or five seat Limmo

0:41:48.360 --> 0:41:50.640
<v Speaker 1>and I would drive that and I was always high,

0:41:50.920 --> 0:41:52.840
<v Speaker 1>so people wouldn't even notice in the band that I

0:41:52.840 --> 0:41:54.919
<v Speaker 1>hadn't been to bed yet. We'd drive in one place

0:41:54.960 --> 0:41:56.560
<v Speaker 1>the other and then I do a show, get back

0:41:56.600 --> 0:41:59.200
<v Speaker 1>and drive again. I go to bed about every three days,

0:41:59.520 --> 0:42:01.799
<v Speaker 1>and it will be the host band and be the

0:42:01.840 --> 0:42:03.759
<v Speaker 1>guy that ran the show. How did you not die?

0:42:04.040 --> 0:42:06.600
<v Speaker 1>I don't know, I mean it all. It took two times.

0:42:07.200 --> 0:42:11.439
<v Speaker 1>I went into tensive care in eighty seven and from

0:42:11.920 --> 0:42:16.480
<v Speaker 1>from a wreck or overdose. Okay, but okay, harvest comes

0:42:16.480 --> 0:42:18.120
<v Speaker 1>to the best. I almost had a stroke and almost

0:42:18.239 --> 0:42:20.799
<v Speaker 1>had a heart attack, and the guy said to me

0:42:20.840 --> 0:42:22.320
<v Speaker 1>when I came out of if you ever do this again,

0:42:22.360 --> 0:42:24.600
<v Speaker 1>you're gonna die, so you better go upstairs. So I

0:42:24.640 --> 0:42:28.600
<v Speaker 1>went upstairs in UH Saint Joseph's Hospital in Burbank, right

0:42:28.640 --> 0:42:32.160
<v Speaker 1>behind the NBC, and stayed in there for thirty days.

0:42:32.320 --> 0:42:34.319
<v Speaker 1>I went right to the heroin Attics because I knew

0:42:34.320 --> 0:42:36.359
<v Speaker 1>they had all the chocolate, and I stayed in there

0:42:36.400 --> 0:42:39.200
<v Speaker 1>for thirty days and gained about thirty pounds. Came out

0:42:39.560 --> 0:42:42.680
<v Speaker 1>and I remember Randy Hart, my friend Randy, who was

0:42:42.719 --> 0:42:46.399
<v Speaker 1>Steve Warner's UH music director at the time. They were

0:42:46.400 --> 0:42:47.759
<v Speaker 1>playing in a a place I wanted to come over and

0:42:47.760 --> 0:42:49.239
<v Speaker 1>see him, So I went over to see them. I

0:42:49.320 --> 0:42:50.800
<v Speaker 1>was house sitting at the time. I'd been on the

0:42:50.840 --> 0:42:54.239
<v Speaker 1>rehab ten days. They left, they left town, and I

0:42:54.320 --> 0:42:56.399
<v Speaker 1>went back to the house, house sitting, and I thought

0:42:56.400 --> 0:42:58.840
<v Speaker 1>to myself, I can probably do a half a GRAMMU

0:42:58.920 --> 0:43:01.399
<v Speaker 1>won't hurt anything. Because I was trouble writing and doing

0:43:01.520 --> 0:43:03.839
<v Speaker 1>and making a song work. And there was a guy

0:43:03.880 --> 0:43:06.520
<v Speaker 1>in the in the San Fernando Valley that roamed with

0:43:06.560 --> 0:43:09.080
<v Speaker 1>the Pager in those days, and he wasn't there in

0:43:09.120 --> 0:43:11.680
<v Speaker 1>thirty minutes. It was like dominoes. It was free. He

0:43:11.800 --> 0:43:14.440
<v Speaker 1>was never late. He brought me half a gramma cocaine.

0:43:14.480 --> 0:43:18.000
<v Speaker 1>I put out two lines. I snorted one. Boom my heart.

0:43:18.160 --> 0:43:21.040
<v Speaker 1>I hit the floor. I remember crawling over to my

0:43:21.120 --> 0:43:23.799
<v Speaker 1>friends phoned I was out sitting for called ninety one,

0:43:24.160 --> 0:43:25.880
<v Speaker 1>crawled out the curb and waiting for him to come

0:43:25.880 --> 0:43:28.480
<v Speaker 1>and get me. Ironically, when I got into intensive care

0:43:28.560 --> 0:43:30.200
<v Speaker 1>that night, it was the same guy that had had

0:43:30.200 --> 0:43:33.720
<v Speaker 1>me before I rehab and he said now. I remember

0:43:33.800 --> 0:43:36.600
<v Speaker 1>him saying, if we can slow his heart down, he's

0:43:36.640 --> 0:43:38.600
<v Speaker 1>got a chance. And when I came out of it,

0:43:38.640 --> 0:43:40.480
<v Speaker 1>he said, now do you believe me? I said yeah,

0:43:40.520 --> 0:43:42.120
<v Speaker 1>And I never did it again. That was it. Yeah,

0:43:42.120 --> 0:43:45.200
<v Speaker 1>and that's why I took up golf. I gave up

0:43:45.480 --> 0:43:47.760
<v Speaker 1>one four letter word for another one. I gave a

0:43:48.000 --> 0:43:50.839
<v Speaker 1>coke for golf. Yeah. I saw you at pell Beach

0:43:50.880 --> 0:43:53.480
<v Speaker 1>this year. Yeah, you were playing and you know they

0:43:53.520 --> 0:43:56.440
<v Speaker 1>have everybody do something. Yeah, And I didn't even know

0:43:56.480 --> 0:43:57.840
<v Speaker 1>you were there. And I'm sitting in there and I

0:43:57.880 --> 0:43:59.960
<v Speaker 1>just met Ron Rivera, the head coach of the Cane.

0:44:00.840 --> 0:44:03.080
<v Speaker 1>I'm like, and everybody was super cool. The first time

0:44:03.080 --> 0:44:05.399
<v Speaker 1>I've ever been invited to go up there, and I'm

0:44:05.400 --> 0:44:08.440
<v Speaker 1>looking around and going, man, I kind of don't belong,

0:44:08.520 --> 0:44:11.840
<v Speaker 1>like these are really famous people. Yes, but everybody was

0:44:11.920 --> 0:44:14.680
<v Speaker 1>so nice. I've never been to an event like that

0:44:14.680 --> 0:44:17.040
<v Speaker 1>where there were so many famous people and the role

0:44:17.200 --> 0:44:18.640
<v Speaker 1>was you better be awesome where you're not gonna get

0:44:18.680 --> 0:44:21.160
<v Speaker 1>invited back. And then they're like, here's Gary Mulder and

0:44:21.200 --> 0:44:23.120
<v Speaker 1>I was like, Gary's here, yeah, And then you get

0:44:23.120 --> 0:44:25.120
<v Speaker 1>your guitar and you crushed and you crushed the room.

0:44:25.160 --> 0:44:26.640
<v Speaker 1>And I wasn't even supposed to be on that. I

0:44:26.640 --> 0:44:28.640
<v Speaker 1>brought my guitar. I would be with me. Usually I

0:44:28.680 --> 0:44:31.360
<v Speaker 1>do the volunteer show on Thursday, but I couldn't exactly

0:44:31.400 --> 0:44:35.440
<v Speaker 1>go with work somewhere else. But uh yeah, I remember

0:44:35.520 --> 0:44:40.320
<v Speaker 1>my first celebrity golf tournament was the LPGA. Well, actually

0:44:40.320 --> 0:44:43.880
<v Speaker 1>I was playing golf how to Balbo and Encino in

0:44:43.920 --> 0:44:47.720
<v Speaker 1>San Fernando Valley and I played just a public of course,

0:44:47.800 --> 0:44:50.200
<v Speaker 1>and Smokey Robinson came up to me and said, have

0:44:50.239 --> 0:44:52.440
<v Speaker 1>you ever done a celebrity golf tournament? I said, I

0:44:52.440 --> 0:44:53.960
<v Speaker 1>don't know what they are, so I'm gonna take you

0:44:54.000 --> 0:44:56.000
<v Speaker 1>to one. So he took me to Roy Clarks and

0:44:56.040 --> 0:44:59.040
<v Speaker 1>that was my first one, but my biggest term. My

0:44:59.040 --> 0:45:01.319
<v Speaker 1>first big tournament was the Craft Nabisco, which was the

0:45:01.400 --> 0:45:04.120
<v Speaker 1>LPGA thing the ladies did. It was originally the Diner Shore.

0:45:04.480 --> 0:45:07.080
<v Speaker 1>I remember the guy Terry Wilcox calling me the day

0:45:07.120 --> 0:45:09.520
<v Speaker 1>of my practice round and saying, Gary, You're going off

0:45:09.560 --> 0:45:13.320
<v Speaker 1>at ten thirty with Joe Damagio, John Havlicek and H

0:45:13.520 --> 0:45:17.040
<v Speaker 1>and Johnny Unitis. Is that okay? This was my first

0:45:17.600 --> 0:45:21.800
<v Speaker 1>So one of the greatest baseball players ever. Yeah, huge Celtics,

0:45:22.080 --> 0:45:26.480
<v Speaker 1>like best basketball player and then a crazy famous NFL player,

0:45:26.520 --> 0:45:28.719
<v Speaker 1>the big, biggest every Yeah. And that was my first time.

0:45:28.719 --> 0:45:30.520
<v Speaker 1>I hit the worst drive in my life. I think

0:45:30.520 --> 0:45:33.080
<v Speaker 1>it went about thirty yards. But I've been a Yankee

0:45:33.120 --> 0:45:35.840
<v Speaker 1>fan ever since I was nine years old. Was Dimajo awesome? Oh?

0:45:35.880 --> 0:45:38.160
<v Speaker 1>I got to know him really well. He became my pal.

0:45:38.239 --> 0:45:40.360
<v Speaker 1>Every time I would do three we did three different

0:45:40.360 --> 0:45:43.200
<v Speaker 1>tournaments together. We'd have dinner together every night the night

0:45:43.200 --> 0:45:46.120
<v Speaker 1>before I got to I've Got I've Got the only

0:45:46.760 --> 0:45:49.880
<v Speaker 1>National League baseball signed by Joe Dimajol. I brought the

0:45:49.960 --> 0:45:51.839
<v Speaker 1>wrong baseball one time. He said, you went me ever

0:45:51.920 --> 0:45:54.000
<v Speaker 1>signed something and he said, don't ever show this to

0:45:54.040 --> 0:45:57.080
<v Speaker 1>anybody till after I'm gone. I have a National League

0:45:57.080 --> 0:45:59.799
<v Speaker 1>ball signed to me by Joe Demanjio. But I gain

0:46:00.360 --> 0:46:02.359
<v Speaker 1>And remember one day out on the course, we were

0:46:02.360 --> 0:46:04.680
<v Speaker 1>waiting for a group ahead of us that were kind

0:46:04.719 --> 0:46:06.759
<v Speaker 1>of slow, and he said to me, you know why

0:46:06.800 --> 0:46:10.200
<v Speaker 1>I like you. I said what he said, You've never

0:46:10.280 --> 0:46:14.080
<v Speaker 1>asked about her Marilyn Monroe. Yep, yeah, that's one of

0:46:14.120 --> 0:46:16.879
<v Speaker 1>the things he said. Man, I remember getting chills when

0:46:16.880 --> 0:46:18.640
<v Speaker 1>he said that to me, and he said, I mean

0:46:18.680 --> 0:46:22.080
<v Speaker 1>that you've never said a word. And that's I appreciate that.

0:46:22.160 --> 0:46:25.680
<v Speaker 1>Anybody that ever did boom out of his life, it

0:46:25.719 --> 0:46:27.920
<v Speaker 1>had to be a different time without people having cell

0:46:27.960 --> 0:46:31.160
<v Speaker 1>phones and documenting everything that was happening everywhere. Because just

0:46:31.239 --> 0:46:35.040
<v Speaker 1>even Demaggio, like the guy world famous, the hit has

0:46:35.040 --> 0:46:38.000
<v Speaker 1>the hit record for just the guy, and if we'd

0:46:38.000 --> 0:46:40.040
<v Speaker 1>had phones, everything he would have ever done would have

0:46:40.080 --> 0:46:42.279
<v Speaker 1>been documented. How is it so different back then? Oh,

0:46:42.320 --> 0:46:44.160
<v Speaker 1>it was so different. I mean somebody might have had

0:46:44.360 --> 0:46:47.440
<v Speaker 1>a camera, a little disposable camera with him, or somebody

0:46:47.480 --> 0:46:49.080
<v Speaker 1>might have taken a picture, maybe send it to you

0:46:49.160 --> 0:46:53.080
<v Speaker 1>or something. I have no pictures of my band of

0:46:53.080 --> 0:46:55.880
<v Speaker 1>the carols opened for all those acts back in the

0:46:56.120 --> 0:46:59.359
<v Speaker 1>back in the sixties. I have no, no, nothing from

0:46:59.480 --> 0:47:02.399
<v Speaker 1>the news society that I was in. I have very

0:47:02.400 --> 0:47:06.120
<v Speaker 1>few things for Mulder and Moondog. I just things happen

0:47:06.200 --> 0:47:07.719
<v Speaker 1>all the time. I go back and I think, oh

0:47:07.760 --> 0:47:11.480
<v Speaker 1>my god, anything we had, just all the people that

0:47:11.560 --> 0:47:14.120
<v Speaker 1>I met, all the people I worked with, and no,

0:47:14.320 --> 0:47:17.880
<v Speaker 1>it's totally different. Well, the only thing I really like,

0:47:18.800 --> 0:47:21.360
<v Speaker 1>the only thing I really like right now that I

0:47:21.400 --> 0:47:23.920
<v Speaker 1>really like I realized I liked about the seventies. I

0:47:24.040 --> 0:47:30.239
<v Speaker 1>never lost a phone, because there's nothing worse now we

0:47:30.239 --> 0:47:31.920
<v Speaker 1>can't find our phone. I have a friend not too

0:47:31.920 --> 0:47:34.200
<v Speaker 1>long ago, Will Shriner. He's a great comedian. He has

0:47:34.239 --> 0:47:37.279
<v Speaker 1>had his own show for years. I remember riding with

0:47:37.360 --> 0:47:39.359
<v Speaker 1>him one time to a golf course. He's talking to

0:47:39.400 --> 0:47:42.399
<v Speaker 1>his wife and he's driving and he's going like this,

0:47:43.480 --> 0:47:46.719
<v Speaker 1>and he's looking, he's pulling up things. I said, Will

0:47:46.800 --> 0:47:50.279
<v Speaker 1>what he says, my phone? My phone, you're on it.

0:47:50.320 --> 0:47:52.359
<v Speaker 1>Will find your air, you're on it. You're talking on

0:47:52.400 --> 0:47:54.640
<v Speaker 1>your phone right now. I mean that's I see things

0:47:54.680 --> 0:47:56.800
<v Speaker 1>like that. When I get spam calls, I just usually

0:47:56.800 --> 0:47:59.920
<v Speaker 1>say things like, you're on the air, or I'll say

0:48:00.080 --> 0:48:03.400
<v Speaker 1>things click, We're all seeing like Lawrence Country Shrif's department.

0:48:03.800 --> 0:48:06.520
<v Speaker 1>We hold, can you hold? And they go away and

0:48:06.680 --> 0:48:09.600
<v Speaker 1>oh yeah, you gotta have something to say. Yeah, we

0:48:09.680 --> 0:48:12.240
<v Speaker 1>interrupt this interview to bring you a message from our sponsor.

0:48:16.360 --> 0:48:20.160
<v Speaker 1>This is the Bobby Cast. I was looking for your documentary.

0:48:20.200 --> 0:48:23.000
<v Speaker 1>I didn't know wasn't getting released. Told released to late

0:48:23.000 --> 0:48:25.000
<v Speaker 1>this summer. I was all over trying to find it,

0:48:25.080 --> 0:48:28.520
<v Speaker 1>like a month ago. Just got sold. So and that's

0:48:28.520 --> 0:48:30.560
<v Speaker 1>why I bring up Conan because I haven't seen the documentary,

0:48:30.560 --> 0:48:32.839
<v Speaker 1>but I was like looking for anything I could get. Yeah,

0:48:33.080 --> 0:48:36.000
<v Speaker 1>and so I saw that Conan was a part of it.

0:48:36.040 --> 0:48:39.080
<v Speaker 1>Starts it off yet Yeah, so what is the documentary?

0:48:39.080 --> 0:48:40.640
<v Speaker 1>When does it come out? And how do we watch it?

0:48:41.280 --> 0:48:44.000
<v Speaker 1>Five years before COVID's two guys came up. We said,

0:48:44.040 --> 0:48:46.439
<v Speaker 1>they've been fans of mine for twenty for forty years.

0:48:46.520 --> 0:48:48.319
<v Speaker 1>They were both in their fifties, since they were ten.

0:48:48.880 --> 0:48:51.080
<v Speaker 1>So we're going to do a documentary on you. I said, Okay.

0:48:51.120 --> 0:48:53.560
<v Speaker 1>Then I start following on all the scent, everything you've

0:48:53.560 --> 0:48:56.000
<v Speaker 1>got that you did, TV shows, anything you have that

0:48:56.040 --> 0:48:58.680
<v Speaker 1>we can that we can we can transfer over and

0:48:58.760 --> 0:49:00.760
<v Speaker 1>we'll go out and we'll do with all the places

0:49:00.800 --> 0:49:02.920
<v Speaker 1>you played in the early days. We're going to do

0:49:03.000 --> 0:49:05.279
<v Speaker 1>this whole thing. And he said, the main thing we're

0:49:05.280 --> 0:49:06.680
<v Speaker 1>gonna do is we're going to find a guy to

0:49:06.680 --> 0:49:08.480
<v Speaker 1>play you when you were young, a guy to play

0:49:08.480 --> 0:49:09.920
<v Speaker 1>wh when you were at middle age, and then you

0:49:09.960 --> 0:49:14.440
<v Speaker 1>will play in yourself now. And h it's pretty amazing.

0:49:14.480 --> 0:49:17.279
<v Speaker 1>It's Scott, It's Scott Conan. It's got Jay Leno, it's

0:49:17.280 --> 0:49:20.640
<v Speaker 1>got Steve Martin, it's Goot Kevin Nealon, It's got the

0:49:20.680 --> 0:49:22.759
<v Speaker 1>Carrott top. I was a big because I was a

0:49:22.760 --> 0:49:26.279
<v Speaker 1>big influence on him. It's Goot Callis Cooper. It's got

0:49:26.320 --> 0:49:28.759
<v Speaker 1>Vince Kill, Ammy Grant, a lot of different people doing it.

0:49:28.960 --> 0:49:32.239
<v Speaker 1>And it's called Show Businesses My Life. But I can't

0:49:32.280 --> 0:49:36.319
<v Speaker 1>prove it. And it's uh, it's done great at every

0:49:36.320 --> 0:49:39.120
<v Speaker 1>screening it's gone to. It's it's one all but two times.

0:49:39.120 --> 0:49:42.720
<v Speaker 1>It's one best best comedy documentary. And I'm pretty pretty

0:49:42.719 --> 0:49:44.560
<v Speaker 1>happy with most of it. How do we get to

0:49:44.600 --> 0:49:46.040
<v Speaker 1>see it though? One I Finally it's going to start

0:49:46.040 --> 0:49:49.320
<v Speaker 1>streaming on Netflix and Hulu and everything else again beginning

0:49:49.320 --> 0:49:52.919
<v Speaker 1>of September. It was sold somebody called Comedy Dynamics, who

0:49:52.960 --> 0:49:56.080
<v Speaker 1>have who put out a lot of different comedy things,

0:49:56.120 --> 0:49:59.840
<v Speaker 1>and they're just telling me, the producers just what you relax,

0:50:00.040 --> 0:50:01.719
<v Speaker 1>we got a great deal. It's going to be really good.

0:50:01.760 --> 0:50:04.000
<v Speaker 1>And I say, okay, So I'm just wait and see

0:50:04.280 --> 0:50:07.200
<v Speaker 1>and people love it. Jay Leno called me after he'd

0:50:07.280 --> 0:50:12.200
<v Speaker 1>watch it, said, this is the first Comedians documentary that

0:50:12.280 --> 0:50:15.040
<v Speaker 1>I never fast forward through. I went back and looked

0:50:15.040 --> 0:50:16.719
<v Speaker 1>at some of its again, so that to me, it

0:50:16.800 --> 0:50:18.919
<v Speaker 1>was pretty good. I can't wait to see it. Well,

0:50:18.960 --> 0:50:21.040
<v Speaker 1>I hope we all get to see it. I'm gonna

0:50:21.080 --> 0:50:25.520
<v Speaker 1>send you. I'm gonna send you. I'll consume it immediately.

0:50:25.560 --> 0:50:27.040
<v Speaker 1>I'm gonna send it to you. Yeah, because I'm I'm

0:50:27.040 --> 0:50:28.560
<v Speaker 1>a massive fan. I was just looking forward to the fan,

0:50:28.600 --> 0:50:29.880
<v Speaker 1>not even that you were doing this. I was just

0:50:29.880 --> 0:50:31.279
<v Speaker 1>trying to find it on a Sunday because I think

0:50:31.280 --> 0:50:32.600
<v Speaker 1>about you all the time, day and night, and so

0:50:32.880 --> 0:50:34.920
<v Speaker 1>as I was searching for it, I was like, day,

0:50:34.920 --> 0:50:37.880
<v Speaker 1>I can't find it. And then I finally saw that

0:50:37.880 --> 0:50:39.359
<v Speaker 1>it was a come out out till the summer. That's

0:50:39.400 --> 0:50:41.960
<v Speaker 1>why I can't sleep. That's it. That's me. You see

0:50:42.000 --> 0:50:44.319
<v Speaker 1>that little thing go by your window, that's where it is.

0:50:44.480 --> 0:50:46.520
<v Speaker 1>A couple other things. I just want to bring up

0:50:46.560 --> 0:50:47.880
<v Speaker 1>a few people. I don't know if you've met them

0:50:47.960 --> 0:50:51.480
<v Speaker 1>or not. I'm sure and you're you know travels Frank Sinatra.

0:50:51.600 --> 0:50:53.799
<v Speaker 1>Oh yeah, but Frank Sinatra story. I'm the only guy

0:50:53.800 --> 0:50:55.759
<v Speaker 1>I've ever worked with. Frank Sinatra and Willie Nilson in

0:50:55.840 --> 0:50:59.759
<v Speaker 1>the same night. I got a call three am from

0:51:00.000 --> 0:51:03.880
<v Speaker 1>he went at the Golden Nugget and back in my

0:51:04.280 --> 0:51:06.400
<v Speaker 1>proving marching days, I was still up at three am.

0:51:06.560 --> 0:51:09.400
<v Speaker 1>He said, I'm opening the Crystal Ballroom downtown at the

0:51:09.440 --> 0:51:12.160
<v Speaker 1>Golden Nugget. I'm going to have Frank Sinatra's going to

0:51:12.200 --> 0:51:14.279
<v Speaker 1>go open, do forty minutes at the orchestra. We're going

0:51:14.360 --> 0:51:16.360
<v Speaker 1>to close the curtain and they're going to strike the

0:51:16.440 --> 0:51:18.319
<v Speaker 1>orchestra and set up Willie's band. He's going to do

0:51:18.400 --> 0:51:20.160
<v Speaker 1>two hours. Who wants you to go out and do

0:51:20.400 --> 0:51:23.080
<v Speaker 1>in front of the curtain whatever, how much time we need.

0:51:23.160 --> 0:51:24.880
<v Speaker 1>So the first night Frank did the show and he

0:51:24.960 --> 0:51:27.680
<v Speaker 1>stayed over to watch me and little of Willie. So

0:51:27.719 --> 0:51:30.479
<v Speaker 1>after after they opened up and Willie goes into a song,

0:51:30.760 --> 0:51:36.680
<v Speaker 1>I'm walking backstage and Jillie, who was Sinatra's guy, says,

0:51:36.960 --> 0:51:39.359
<v Speaker 1>the man wants to see you. So I walk over

0:51:39.400 --> 0:51:41.240
<v Speaker 1>to Sinatra and he puts his hand on my shoulder

0:51:41.239 --> 0:51:44.680
<v Speaker 1>and he says, you're a very unusual young man. And

0:51:44.719 --> 0:51:46.680
<v Speaker 1>then I look at Jillie and says, I'd say kid,

0:51:46.920 --> 0:51:50.319
<v Speaker 1>I walked away. That's the only thing. But I got

0:51:50.320 --> 0:51:53.840
<v Speaker 1>to know Barbara really well. I did twenty six Sinatra

0:51:54.080 --> 0:51:57.960
<v Speaker 1>tournaments with Barbara Sinatra's Children's Foundation, so I got to

0:51:58.000 --> 0:52:00.200
<v Speaker 1>know her really well. And I never got to see

0:52:00.280 --> 0:52:03.400
<v Speaker 1>him again, never met him again, but Tom Dreeson opened

0:52:03.480 --> 0:52:05.719
<v Speaker 1>for him for fourteen years. You know, Dreeson was with

0:52:05.800 --> 0:52:08.520
<v Speaker 1>him a lot. But yeah, that was my deal with Sinatra.

0:52:08.719 --> 0:52:12.759
<v Speaker 1>Ray Charles, Ray Charles, Randy Hart, who's the keyboard player

0:52:12.840 --> 0:52:15.000
<v Speaker 1>now at the Opera. He was by guy at the time,

0:52:15.040 --> 0:52:17.440
<v Speaker 1>just him and I went out and h we played

0:52:17.520 --> 0:52:20.200
<v Speaker 1>there's a thing with Ray Charles. You might have ever

0:52:20.280 --> 0:52:23.880
<v Speaker 1>heard it, but when Race who Ray fires his guitar

0:52:24.080 --> 0:52:26.680
<v Speaker 1>player in the middle, that's Randy's recording on a little

0:52:26.680 --> 0:52:28.840
<v Speaker 1>cassette sitting in a booth with with a with a

0:52:28.920 --> 0:52:31.719
<v Speaker 1>girl and he punched the little cassette in That was

0:52:31.920 --> 0:52:35.160
<v Speaker 1>That was the night we were working with him, him

0:52:35.160 --> 0:52:37.080
<v Speaker 1>and we did Frank Sinatra at there, but then we

0:52:37.160 --> 0:52:40.600
<v Speaker 1>did uh Roy Orbison, and we did Merle Haggard. We

0:52:40.640 --> 0:52:42.839
<v Speaker 1>did all three of those at her at the time,

0:52:43.000 --> 0:52:45.560
<v Speaker 1>but that was Randy's recording. You hear that. Did you

0:52:45.600 --> 0:52:49.120
<v Speaker 1>ever meet or spending time with Andy Kaffin? Yes, Andy

0:52:49.160 --> 0:52:51.760
<v Speaker 1>Kaufin was the only time I ever saw Andy Brake

0:52:52.239 --> 0:52:54.480
<v Speaker 1>was when he was that character with a character and

0:52:54.520 --> 0:52:57.600
<v Speaker 1>he had to brows on his on his arms and talk.

0:52:57.680 --> 0:52:59.319
<v Speaker 1>You know, he had the character and ever went out

0:52:59.360 --> 0:53:01.160
<v Speaker 1>of it, never came out of it. We went to

0:53:01.200 --> 0:53:03.920
<v Speaker 1>the restroom together at the improv and we were standing

0:53:04.000 --> 0:53:07.359
<v Speaker 1>to the urinals and nobody'd ever seen nobody had ever

0:53:07.360 --> 0:53:11.480
<v Speaker 1>seen Andy break. And we're standing there and Kaufman looks over.

0:53:11.600 --> 0:53:15.000
<v Speaker 1>He says, Yielder, how are you doing in his regular voice,

0:53:15.200 --> 0:53:18.160
<v Speaker 1>good man, He says you, I've never heard you talk

0:53:18.239 --> 0:53:21.960
<v Speaker 1>like this. He said, this is it. And we've been

0:53:22.000 --> 0:53:23.840
<v Speaker 1>back and finished our business, went back out and he

0:53:23.920 --> 0:53:26.440
<v Speaker 1>was that guy again, and then I never never saw

0:53:26.520 --> 0:53:29.960
<v Speaker 1>him break. That's the way time ever. Yeah, that's one

0:53:30.120 --> 0:53:32.840
<v Speaker 1>great memory of Andy Kaufman. Yeah, it's like you have

0:53:32.880 --> 0:53:35.920
<v Speaker 1>a really great memory of Frank Sinatra one. Yeah, one

0:53:36.040 --> 0:53:39.920
<v Speaker 1>of Kaufman. Yeah, and you did a Letterman, you said twice,

0:53:40.080 --> 0:53:42.680
<v Speaker 1>but two different versions of the show. I did. Yeah,

0:53:42.719 --> 0:53:44.920
<v Speaker 1>I did, probably Tana Beach, what kind of guy was

0:53:45.000 --> 0:53:48.080
<v Speaker 1>Dave when when the show wasn't on and the show

0:53:48.120 --> 0:53:51.320
<v Speaker 1>wasn't on. He's very private man, very private. I remember

0:53:51.400 --> 0:53:53.800
<v Speaker 1>out of all those shows, maybe going back after the show,

0:53:54.360 --> 0:53:56.719
<v Speaker 1>had the show, had dinner with him once before the

0:53:56.719 --> 0:53:58.760
<v Speaker 1>show at one of the shows, and went up maybe

0:53:58.800 --> 0:54:01.439
<v Speaker 1>two times after the US after the shows. Because David,

0:54:01.480 --> 0:54:03.719
<v Speaker 1>as soon as the show's over, he's back watching it,

0:54:04.040 --> 0:54:05.880
<v Speaker 1>every bit of it, to see what he liked, what

0:54:05.960 --> 0:54:09.239
<v Speaker 1>he didn't like. He was never satisfied. I never saw

0:54:09.360 --> 0:54:12.799
<v Speaker 1>David satisfied completely. He'd walk off stage would he would

0:54:12.840 --> 0:54:15.680
<v Speaker 1>do a great show, but there was always something he

0:54:15.760 --> 0:54:17.399
<v Speaker 1>did he didn't like it. It was the same way

0:54:17.400 --> 0:54:20.080
<v Speaker 1>with watching the show afterwards. And pretty soon it got

0:54:20.080 --> 0:54:23.600
<v Speaker 1>to where I think, you know, that was what I

0:54:23.640 --> 0:54:26.320
<v Speaker 1>felt like, I'd say, Dave, and I see after the show,

0:54:26.560 --> 0:54:29.959
<v Speaker 1>I just kind of knew that he was more comfortable being,

0:54:30.080 --> 0:54:33.319
<v Speaker 1>you know, saying he got he almost lived there. Yeah,

0:54:33.320 --> 0:54:35.080
<v Speaker 1>it was lit at the studio. You know what about

0:54:35.120 --> 0:54:39.319
<v Speaker 1>Dolly early Dolly like you guys younger. Wow, I got

0:54:39.320 --> 0:54:41.600
<v Speaker 1>a call to they're gonna do Dolly at the Riviera.

0:54:41.680 --> 0:54:43.839
<v Speaker 1>She can make the most money anyone's ever made, more

0:54:43.840 --> 0:54:46.839
<v Speaker 1>than Sinatra. They're gonna put just Dolly on the on

0:54:46.880 --> 0:54:50.040
<v Speaker 1>the thing, on the thing, and they're gonna have just Dolly.

0:54:50.080 --> 0:54:53.560
<v Speaker 1>And she was getting three and fifty thousand, and they

0:54:53.600 --> 0:54:56.280
<v Speaker 1>wanted me to open for for thirty five hundred. I said, okay.

0:54:56.440 --> 0:54:58.920
<v Speaker 1>So the place is packed every night. You hear the

0:54:58.960 --> 0:55:02.080
<v Speaker 1>announcer going to gentlemen, welcome to Dolly Parton show. That

0:55:02.200 --> 0:55:05.439
<v Speaker 1>people just screaming and yelling and clapping, and you hear

0:55:06.360 --> 0:55:10.799
<v Speaker 1>and her please welcome Gary Guilder, which nobody ever heard.

0:55:11.120 --> 0:55:13.200
<v Speaker 1>And maybe ten people out of the audience knew who

0:55:13.239 --> 0:55:14.920
<v Speaker 1>I was. And I get out to the audis and

0:55:14.920 --> 0:55:16.799
<v Speaker 1>it took me about ten fifteen minutes to get him

0:55:16.800 --> 0:55:20.000
<v Speaker 1>settled down because they were shocked to see me walk out.

0:55:20.000 --> 0:55:23.000
<v Speaker 1>I got no building at all. And but it's funny

0:55:23.040 --> 0:55:27.840
<v Speaker 1>that Dolly was just so down home offstage backstage. I

0:55:27.840 --> 0:55:30.319
<v Speaker 1>met her the first day. She was ironing her own

0:55:30.400 --> 0:55:32.920
<v Speaker 1>clothes in her dress room when I walked by and

0:55:33.360 --> 0:55:35.920
<v Speaker 1>I saw this, I saw her. She was just this

0:55:35.960 --> 0:55:39.120
<v Speaker 1>little tiny thing, without a wig, and it took me

0:55:39.160 --> 0:55:42.520
<v Speaker 1>a minute to say, Oh, Dolly, and she's come on in, Gary,

0:55:42.880 --> 0:55:44.920
<v Speaker 1>Gary Muller, I love your stuff, Come on in. We

0:55:45.040 --> 0:55:48.680
<v Speaker 1>talked and became friends. But she was just so natural.

0:55:49.200 --> 0:55:52.800
<v Speaker 1>Just so I remember one thing that happened with that show.

0:55:52.840 --> 0:55:56.160
<v Speaker 1>I remember Mike Douglas came out on a Friday night

0:55:56.160 --> 0:55:59.120
<v Speaker 1>with his wife to Dolly the sag Award and they

0:55:59.120 --> 0:56:00.680
<v Speaker 1>were going to do it in the midd her show.

0:56:01.239 --> 0:56:05.520
<v Speaker 1>And so Mike, Mike Douglas is standing at the counter

0:56:06.000 --> 0:56:09.000
<v Speaker 1>to check encounter at the hotel because his wife didn't

0:56:09.040 --> 0:56:11.920
<v Speaker 1>like the room and she's bored, and she's playing a

0:56:11.920 --> 0:56:16.759
<v Speaker 1>progressive slot machine in the middle of the lobby and

0:56:16.840 --> 0:56:18.960
<v Speaker 1>she got twenty bucks one or to play it and

0:56:19.040 --> 0:56:23.120
<v Speaker 1>it went off and she had thirty thousand dollars and

0:56:23.280 --> 0:56:26.920
<v Speaker 1>guys have been playing that machine for weeks and weeks

0:56:27.000 --> 0:56:29.520
<v Speaker 1>and weeks, and she goes ooh, and they said, we

0:56:29.640 --> 0:56:31.360
<v Speaker 1>got to put the money in these little trays, and

0:56:31.640 --> 0:56:34.040
<v Speaker 1>I don't want to touch that stuff. So they put

0:56:34.080 --> 0:56:35.560
<v Speaker 1>the money into trays for it, and now you have

0:56:35.560 --> 0:56:37.000
<v Speaker 1>to come over to they have to go over to

0:56:37.040 --> 0:56:39.719
<v Speaker 1>the you know, to the cage. We have to ride

0:56:39.719 --> 0:56:42.000
<v Speaker 1>out of check and we do this all this stuff

0:56:42.000 --> 0:56:44.960
<v Speaker 1>and taxes, and really he said, yeah, you have to

0:56:45.000 --> 0:56:47.719
<v Speaker 1>do that, so she would just say okay, all right,

0:56:47.840 --> 0:56:50.600
<v Speaker 1>going over and doing all this stuff and like oh geez,

0:56:51.320 --> 0:56:53.440
<v Speaker 1>and hearing her that night saying, you can't believe what

0:56:53.480 --> 0:56:55.520
<v Speaker 1>I had to go through to win thirty thousand dollars.

0:56:56.160 --> 0:56:59.359
<v Speaker 1>I'll never forget that. I got three final questions for you,

0:56:59.440 --> 0:57:01.839
<v Speaker 1>all right. Number one, why are you still going so hard?

0:57:02.239 --> 0:57:05.200
<v Speaker 1>I don't know. I can't. I can't stop. Everybody I've

0:57:05.200 --> 0:57:07.839
<v Speaker 1>seen that stop can't get going again. Plus I love it.

0:57:08.360 --> 0:57:11.560
<v Speaker 1>I just am so happy to be right here where

0:57:11.600 --> 0:57:13.880
<v Speaker 1>I am. This is where I'm supposed to be. I

0:57:14.000 --> 0:57:15.960
<v Speaker 1>just know this is where I'm supposed to be. So

0:57:16.040 --> 0:57:17.720
<v Speaker 1>I just I don't think I'm gonna quit. This is

0:57:17.720 --> 0:57:18.800
<v Speaker 1>not one of the three. But do you ever think

0:57:18.800 --> 0:57:21.320
<v Speaker 1>about moving to Nashville? Yeah? I have, but a humidity

0:57:21.400 --> 0:57:25.840
<v Speaker 1>is really bad for my hair. How good of a

0:57:25.880 --> 0:57:28.560
<v Speaker 1>golfer are you? And where are you at your best?

0:57:28.760 --> 0:57:30.840
<v Speaker 1>I was at my best when I was probably in

0:57:30.880 --> 0:57:33.160
<v Speaker 1>my middle fifties. I was never very good. I got

0:57:33.200 --> 0:57:36.160
<v Speaker 1>down to a fourteen once. Now I hit from the

0:57:36.200 --> 0:57:38.920
<v Speaker 1>red tees because I'm over. I'm the oldest person ever

0:57:38.960 --> 0:57:40.640
<v Speaker 1>re inducted into the offering, by the way, I think

0:57:40.640 --> 0:57:42.480
<v Speaker 1>at eighty three years old. Wow, I think I'm the

0:57:42.480 --> 0:57:45.120
<v Speaker 1>oldest one. But now I hit from the Red Teas.

0:57:45.920 --> 0:57:48.480
<v Speaker 1>I think I'm about a twenty from the Red Teas,

0:57:48.920 --> 0:57:51.640
<v Speaker 1>from the White Teas, I'm about a twenty five from

0:57:51.680 --> 0:57:54.720
<v Speaker 1>the Gold Tees. I'm probably about a thirty from the

0:57:54.720 --> 0:57:57.160
<v Speaker 1>Blue Tees. It's probably at thirty five and from the

0:57:57.160 --> 0:58:00.560
<v Speaker 1>Black Teas. I just want to hit it past the reds. Yeah, yeah,

0:58:00.680 --> 0:58:03.400
<v Speaker 1>way it is. You still enjoy playing I'd love I do. Yeah,

0:58:03.400 --> 0:58:05.640
<v Speaker 1>I do. And I like scrambles because they don't have

0:58:05.640 --> 0:58:07.479
<v Speaker 1>to drive. They'll never use my drive. I'm a pretty

0:58:07.520 --> 0:58:09.960
<v Speaker 1>good chipper and putter. Yeah. And does that anything to

0:58:09.960 --> 0:58:12.200
<v Speaker 1>do with this new CDAF coming out in three months.

0:58:12.200 --> 0:58:14.200
<v Speaker 1>Probably not. I thought i'd better put it in. Well,

0:58:14.280 --> 0:58:15.720
<v Speaker 1>I am. We're gonna get to that in a second

0:58:15.760 --> 0:58:18.080
<v Speaker 1>because the documentary in the summer, and I'm gonna get

0:58:18.080 --> 0:58:20.600
<v Speaker 1>to the CD here in just a minute. Are there

0:58:20.600 --> 0:58:23.600
<v Speaker 1>any Are there any jokes you don't use anymore you'd

0:58:23.600 --> 0:58:25.760
<v Speaker 1>like to pass on to me. I have jokes that

0:58:25.840 --> 0:58:27.920
<v Speaker 1>I can't use. It anymore, Like, what give me one

0:58:27.960 --> 0:58:30.160
<v Speaker 1>that I can now use that I will always know

0:58:30.320 --> 0:58:32.800
<v Speaker 1>this was a Gary Mule deer joke, but it's not

0:58:32.880 --> 0:58:35.320
<v Speaker 1>politically correct. Okay, well then I can't do it. You

0:58:35.360 --> 0:58:37.360
<v Speaker 1>can't do it. One thing about you're going to see

0:58:37.360 --> 0:58:40.040
<v Speaker 1>in this documentary is they act out some of my jokes.

0:58:40.280 --> 0:58:43.600
<v Speaker 1>You hear my voice and they're mouthing they acted with.

0:58:44.000 --> 0:58:47.520
<v Speaker 1>Actually will see the joke and hear my voice. I'm

0:58:47.560 --> 0:58:48.960
<v Speaker 1>trying to think and I'm not going to say the joke.

0:58:49.200 --> 0:58:50.280
<v Speaker 1>Did you do it when I saw you a few

0:58:50.280 --> 0:58:53.000
<v Speaker 1>weeks ago, if you operate it was about a dog. Yeah,

0:58:53.200 --> 0:58:55.920
<v Speaker 1>it's the final joke about a dog. My final joke

0:58:56.000 --> 0:58:58.920
<v Speaker 1>is about a parrot. M Okay, I guess the dog,

0:58:59.040 --> 0:59:02.360
<v Speaker 1>or it's like the dog. I do a dog song

0:59:02.400 --> 0:59:04.760
<v Speaker 1>for the kids, I do a pit bulls. Yeah. There's

0:59:04.760 --> 0:59:08.480
<v Speaker 1>also like, I remember what it was. I want to

0:59:08.480 --> 0:59:10.439
<v Speaker 1>repeat your joke, but I remember being so funny. Okay,

0:59:10.480 --> 0:59:12.600
<v Speaker 1>I don't even I remember the parrot one, now I

0:59:12.640 --> 0:59:14.600
<v Speaker 1>got I'm not gonna spoil it. I remember the parrot one.

0:59:14.760 --> 0:59:17.320
<v Speaker 1>The parrots saying something that's a pizzet parrot. Yeah, obviously

0:59:17.360 --> 0:59:20.040
<v Speaker 1>parrots say something in jokes, right, Mike, Yeah, yeah, yeah, Um,

0:59:20.720 --> 0:59:24.160
<v Speaker 1>the live or the CD. I guess it's not really CD,

0:59:24.240 --> 0:59:26.600
<v Speaker 1>but yes, that new album, Yeah, a new album. Yeah?

0:59:26.800 --> 0:59:29.840
<v Speaker 1>Where have you did you recorded or have you not recorded?

0:59:30.080 --> 0:59:32.600
<v Speaker 1>Ard it? Live? You did a place just before COVID,

0:59:32.920 --> 0:59:36.680
<v Speaker 1>a place called Buck Tower Gardens and uh in Florida.

0:59:36.920 --> 0:59:38.920
<v Speaker 1>And now we hadn't worked for a while, myself, my

0:59:38.960 --> 0:59:42.040
<v Speaker 1>production guy, and we just decided to just do the

0:59:42.040 --> 0:59:43.760
<v Speaker 1>show that night for the heck of it. And it

0:59:43.760 --> 0:59:45.160
<v Speaker 1>turned out to be real good. I didn't know how

0:59:45.160 --> 0:59:46.560
<v Speaker 1>good I was going to be because we hadn't worked

0:59:46.640 --> 0:59:48.840
<v Speaker 1>much because of COVID, and it just turned out really well.

0:59:48.960 --> 0:59:52.400
<v Speaker 1>There's uh. I just had. I've got what I do

0:59:52.640 --> 0:59:54.480
<v Speaker 1>I have when I'm on the road in my show,

0:59:54.560 --> 0:59:56.560
<v Speaker 1>I had I traveled with the Duck and Cover Band.

0:59:56.680 --> 0:59:59.400
<v Speaker 1>That's the name of Mike production companies, Duck and Cover Productions.

0:59:59.800 --> 1:00:01.760
<v Speaker 1>I the Duck and Cover Band. What the Duck Cover

1:00:01.800 --> 1:00:06.040
<v Speaker 1>Band is or tracks of the Opry band? The best guys.

1:00:06.080 --> 1:00:08.280
<v Speaker 1>I've got eight Bears on drums, I've got all these

1:00:08.320 --> 1:00:11.640
<v Speaker 1>great band parks on guitar, I got Steve Warner, I've

1:00:11.680 --> 1:00:15.120
<v Speaker 1>got I've got everybody that say there's nobody with you.

1:00:15.200 --> 1:00:18.439
<v Speaker 1>Everybody no y. I tell people people at night, you're

1:00:18.480 --> 1:00:20.120
<v Speaker 1>going to hear them, you're not going to see them.

1:00:20.200 --> 1:00:22.640
<v Speaker 1>And then I have empty instruments on stage. So when

1:00:22.680 --> 1:00:25.440
<v Speaker 1>it because the guitar break boom, that spot like goes

1:00:25.480 --> 1:00:28.520
<v Speaker 1>the guitar blake, which is ledd and flashes. If I

1:00:28.560 --> 1:00:30.840
<v Speaker 1>want a bass solo, it's over here. Got an empty,

1:00:30.880 --> 1:00:34.240
<v Speaker 1>empty set of drums. I got empty everything is all

1:00:34.120 --> 1:00:36.200
<v Speaker 1>all the guy you just don't see them, but to

1:00:36.360 --> 1:00:38.200
<v Speaker 1>the best tracks, and they tell people you're gonna really

1:00:38.240 --> 1:00:40.800
<v Speaker 1>hear good players tonight, and I do that. When does

1:00:40.840 --> 1:00:43.080
<v Speaker 1>this album come out? We're gonna hope, We're gonna have

1:00:43.080 --> 1:00:45.600
<v Speaker 1>it out probably in October. We're hoping to do it right.

1:00:45.760 --> 1:00:48.840
<v Speaker 1>I want to put some some good artwork and some things.

1:00:49.120 --> 1:00:52.160
<v Speaker 1>And I've got three or four CDs I've had for

1:00:52.240 --> 1:00:55.000
<v Speaker 1>years that still sell. I don't know why they still

1:00:55.000 --> 1:00:56.439
<v Speaker 1>I got one that they did at the Ice House

1:00:56.440 --> 1:01:02.480
<v Speaker 1>and Pasadena back in seventy seventies xits. For years, it

1:01:02.640 --> 1:01:05.800
<v Speaker 1>was I was getting reseisuals maybe ten dollars a month.

1:01:06.240 --> 1:01:08.080
<v Speaker 1>Now it's like three or four hundred, and I'm going, like,

1:01:08.120 --> 1:01:10.320
<v Speaker 1>what in the world it's all from the opera exposure.

1:01:10.440 --> 1:01:12.439
<v Speaker 1>That's all it is. Hey, Mike giving the unsk gary

1:01:12.480 --> 1:01:13.680
<v Speaker 1>before you go. I mean I could do three hours

1:01:13.680 --> 1:01:16.200
<v Speaker 1>with him. Yeah, what is your shortest joke? My shortest

1:01:16.240 --> 1:01:19.600
<v Speaker 1>joke is, uh, let's see my short joke is um.

1:01:19.600 --> 1:01:22.160
<v Speaker 1>Oh boy, god, you know I've got I got some

1:01:22.240 --> 1:01:27.120
<v Speaker 1>really short ones. Um um um. Guy calls up his buses.

1:01:27.200 --> 1:01:29.120
<v Speaker 1>I'm sick. His buzz is, what's wrong? The guys is

1:01:29.360 --> 1:01:32.120
<v Speaker 1>and old glaucoma. He's just what's that? The guys really

1:01:32.120 --> 1:01:34.360
<v Speaker 1>can't see my ass coming into work today. That's a

1:01:34.440 --> 1:01:36.640
<v Speaker 1>twenty second joke. That's the one I was thinking out

1:01:36.680 --> 1:01:38.320
<v Speaker 1>the step. But yeah, I don't know why I thought. Dog,

1:01:38.560 --> 1:01:41.160
<v Speaker 1>that's that's that's his wildest I yet. I mean, that's

1:01:41.240 --> 1:01:43.880
<v Speaker 1>that's that's over the top for me almost. That's when

1:01:43.880 --> 1:01:47.360
<v Speaker 1>I saw Caitlin's grandfather freaking dying laughing. He was repeating

1:01:47.400 --> 1:01:49.240
<v Speaker 1>that one when we left Great Yeah, he was repeating

1:01:49.240 --> 1:01:52.720
<v Speaker 1>that one. Look, I'm a massive fan. I'm We've done

1:01:52.720 --> 1:01:55.600
<v Speaker 1>over an hour here. Oh man, I love watching it.

1:01:55.680 --> 1:01:58.520
<v Speaker 1>The opery. You're inspiring, you know to a guy like

1:01:58.560 --> 1:02:00.280
<v Speaker 1>me who does a little bit of music, little bit

1:02:00.280 --> 1:02:02.920
<v Speaker 1>of comedy a little bit, but to watch you do

1:02:03.000 --> 1:02:07.000
<v Speaker 1>it like you're still just so good. So I just

1:02:07.080 --> 1:02:09.640
<v Speaker 1>I appreciate your friendship. Congratulations on the opera. I know

1:02:09.640 --> 1:02:13.400
<v Speaker 1>how much that means to you. Everything. Yeah, I'm gonna

1:02:13.400 --> 1:02:15.840
<v Speaker 1>ask you one question. Yeah, do you think you're the

1:02:15.840 --> 1:02:20.800
<v Speaker 1>best note you've ever been at what you do? I

1:02:20.840 --> 1:02:24.480
<v Speaker 1>think you probably are. I think that I've met this

1:02:24.560 --> 1:02:27.919
<v Speaker 1>is the really answer. I probably yes, because I've done

1:02:27.920 --> 1:02:32.240
<v Speaker 1>it wrong so many times that I know if something

1:02:32.440 --> 1:02:34.560
<v Speaker 1>starts to go in a direction that I know doesn't

1:02:34.600 --> 1:02:38.400
<v Speaker 1>feel right, I know how to quickly address, aboard and

1:02:38.440 --> 1:02:41.880
<v Speaker 1>get back on track. Actly. Yeah, same way, so I figured.

1:02:41.920 --> 1:02:43.600
<v Speaker 1>So there's several of us like that. I've talked to

1:02:43.680 --> 1:02:46.080
<v Speaker 1>Johnny Mathis about it, talked to everybody about it. Been

1:02:46.080 --> 1:02:48.959
<v Speaker 1>around a while, see Martin, everybody. Yeah, we're the best

1:02:49.040 --> 1:02:51.280
<v Speaker 1>note of what we do. Ever you feel that about

1:02:51.280 --> 1:02:55.400
<v Speaker 1>yourself to I just feel experience of things not going right. Yeah,

1:02:55.640 --> 1:02:58.800
<v Speaker 1>doesn't make my ceiling higher, But what it does is

1:02:58.800 --> 1:03:01.840
<v Speaker 1>it keeps me real high for almost all the time.

1:03:01.880 --> 1:03:04.240
<v Speaker 1>Because I've messed up so many times, I now can

1:03:04.280 --> 1:03:06.320
<v Speaker 1>see that coming or this coming, so I can dodge it.

1:03:06.480 --> 1:03:08.640
<v Speaker 1>That's right. Yeah, So that's that's an interesting question. I

1:03:08.640 --> 1:03:11.280
<v Speaker 1>never really thought about that. Yeah, a huge fan. I'll

1:03:11.320 --> 1:03:14.280
<v Speaker 1>see many many more times. I'm sure, are you still

1:03:14.320 --> 1:03:16.120
<v Speaker 1>going back to but you're not playing at the Pebble

1:03:16.120 --> 1:03:19.440
<v Speaker 1>Beach right? Probably anybody? No, I can't walk seven miles

1:03:19.440 --> 1:03:21.560
<v Speaker 1>a day anymore. You still enjoy going out there? Oh? Yeah?

1:03:21.680 --> 1:03:23.640
<v Speaker 1>I Clint has me come out and Clint has me

1:03:23.720 --> 1:03:25.600
<v Speaker 1>do his turn right every year, and I'm his partner

1:03:25.760 --> 1:03:28.280
<v Speaker 1>with a couple other guys. And at ninety two, he's

1:03:28.600 --> 1:03:30.160
<v Speaker 1>you know, I've got a song. I do a song

1:03:30.160 --> 1:03:32.880
<v Speaker 1>on my show now with I do a lot of

1:03:32.920 --> 1:03:35.760
<v Speaker 1>senior jokes, and I say, you know I'm a senior.

1:03:36.040 --> 1:03:37.920
<v Speaker 1>I mean, I'm one year older than Bugs Bundy and

1:03:37.960 --> 1:03:40.520
<v Speaker 1>four years younger than Porky Pick. I mean, and that's true.

1:03:40.520 --> 1:03:45.080
<v Speaker 1>It's nineteen thirty nine, and uh yeah. Four years ago

1:03:45.120 --> 1:03:48.720
<v Speaker 1>Clint was playing golf with Toby Keith up at his

1:03:49.280 --> 1:03:53.000
<v Speaker 1>Tahima up in vermel and Clints and Clint so, I

1:03:53.000 --> 1:03:55.400
<v Speaker 1>gotta I'm gonna be eighty eight this year. Toby said,

1:03:55.400 --> 1:03:57.360
<v Speaker 1>what are you gonna do? And Clint s, well, I

1:03:57.360 --> 1:03:59.440
<v Speaker 1>got a movie coming up. We go into production Monday,

1:03:59.640 --> 1:04:02.480
<v Speaker 1>and Abby so we keeps you going, And Clinn said,

1:04:02.480 --> 1:04:04.000
<v Speaker 1>I get up every morning and try not let the

1:04:04.040 --> 1:04:07.000
<v Speaker 1>old man in. Well that Toby wrote the song, and

1:04:07.040 --> 1:04:09.600
<v Speaker 1>now I do this song in middle of my show. Now,

1:04:09.760 --> 1:04:11.960
<v Speaker 1>I've never done a song in the middle of my

1:04:12.040 --> 1:04:14.640
<v Speaker 1>comedy act. But and I tell you something. You can't

1:04:14.640 --> 1:04:18.200
<v Speaker 1>believe how many people relate to it. It's really really Yeah,

1:04:18.480 --> 1:04:21.880
<v Speaker 1>it's for people that are older. Yeah. The documentary later

1:04:21.960 --> 1:04:23.920
<v Speaker 1>this year. The live album. We'll talk about both when

1:04:23.920 --> 1:04:26.880
<v Speaker 1>they come out and have more details at Gary Underscore,

1:04:26.960 --> 1:04:29.920
<v Speaker 1>Mule Deer on Instagram and just a big fan and

1:04:29.920 --> 1:04:32.600
<v Speaker 1>thanks at the time. Oh, it's awesome. Play is I

1:04:32.720 --> 1:04:36.640
<v Speaker 1>love this episode of the Bobby Cast. Subscribe on iHeartRadio,

1:04:36.800 --> 1:04:39.680
<v Speaker 1>Apple Podcasts, or wherever you listen to podcasts.