1 00:00:00,200 --> 00:00:03,480 Speaker 1: Now here's a highlight from Coast to Coast AM on 2 00:00:03,600 --> 00:00:07,000 Speaker 1: iHeartRadio and welcome back to Coast to Coast, George, nor 3 00:00:07,240 --> 00:00:10,479 Speaker 1: with you. Mark Zickcrey has written and produced hundreds of 4 00:00:10,480 --> 00:00:14,720 Speaker 1: hours of series, TV shows, pilots, and feature films for 5 00:00:15,280 --> 00:00:18,200 Speaker 1: most of the major studios and networks. Mark has founded 6 00:00:18,239 --> 00:00:21,880 Speaker 1: the Space Command Studios, a production company based in la 7 00:00:22,000 --> 00:00:25,000 Speaker 1: in London dedicated to making TV series and films that 8 00:00:25,040 --> 00:00:28,360 Speaker 1: are socially relevant and inspiring. He's got his own YouTube 9 00:00:28,440 --> 00:00:31,360 Speaker 1: channel now. He's also the author of several books, including 10 00:00:31,400 --> 00:00:37,040 Speaker 1: Magic Time Trilogy, The Twilight Zone, comparisonson Companion, and green 11 00:00:37,120 --> 00:00:40,559 Speaker 1: Lighting Yourself. Mark Always welcome back, my friend. Great to 12 00:00:40,600 --> 00:00:42,839 Speaker 1: be here, George. It's always such fun. What is new 13 00:00:42,920 --> 00:00:49,680 Speaker 1: with you these days? Oh boy? What a loaded question, right? Yes? Well, 14 00:00:49,760 --> 00:00:52,000 Speaker 1: first of all I should say that I'm you know, 15 00:00:52,159 --> 00:00:56,080 Speaker 1: I've I've decided to do the Twilight Zone audio commentaries. 16 00:00:56,120 --> 00:00:58,120 Speaker 1: The episode commentaries I didn't do on the Blue Race, 17 00:00:58,160 --> 00:01:00,279 Speaker 1: so I did fifty two on the Blue Race. Now 18 00:01:00,320 --> 00:01:02,840 Speaker 1: I'm doing the remaining one hundred and four episodes. So 19 00:01:03,200 --> 00:01:06,600 Speaker 1: that's so. I've started a side called twilight Zone Commentaries 20 00:01:06,680 --> 00:01:09,840 Speaker 1: dot Com where people can get an app and actually 21 00:01:09,880 --> 00:01:12,560 Speaker 1: twice a week they'll get these audio commentaries and we'll 22 00:01:12,560 --> 00:01:14,480 Speaker 1: be able to watch them with their Twilight Zone episodes. 23 00:01:14,880 --> 00:01:17,520 Speaker 1: And so that's great fun. And then I finished the 24 00:01:17,560 --> 00:01:20,480 Speaker 1: new book Greenlighting Yourself, and we're shooting more Space Command 25 00:01:20,480 --> 00:01:23,440 Speaker 1: and I'm actually in discussions on the new Rod Serving 26 00:01:23,440 --> 00:01:26,720 Speaker 1: TV shows. So there's a lot going on. Oh, excellent, 27 00:01:26,920 --> 00:01:29,759 Speaker 1: good for you. How do people download the app? It's 28 00:01:29,800 --> 00:01:31,959 Speaker 1: if you go to twilight Zone Commentaries dot com. You 29 00:01:32,000 --> 00:01:34,800 Speaker 1: can order it and it's just right, it's all spelled 30 00:01:34,800 --> 00:01:37,800 Speaker 1: out right there. So that's the easiest way to do it. 31 00:01:37,880 --> 00:01:40,200 Speaker 1: And because you know, all all these years since I 32 00:01:40,240 --> 00:01:42,679 Speaker 1: wrote The Twilight Zone Companion, you know, I have all 33 00:01:42,680 --> 00:01:45,560 Speaker 1: these stories from all the hundreds of people I interviewed 34 00:01:45,560 --> 00:01:47,760 Speaker 1: who worked on the show, and I was able to 35 00:01:47,800 --> 00:01:50,000 Speaker 1: put some of it in The Twilight Zone Companion, but 36 00:01:50,040 --> 00:01:52,040 Speaker 1: not all of it. And so I very I always 37 00:01:52,120 --> 00:01:55,880 Speaker 1: knew I would do commentaries on all of the episodes ultimately, 38 00:01:56,280 --> 00:01:59,600 Speaker 1: so that so that these stories wouldn't be lost with me. 39 00:02:00,160 --> 00:02:03,080 Speaker 1: And so that was that's it's gonna be great fun. 40 00:02:03,080 --> 00:02:04,320 Speaker 1: And I'm going to have a lot of my friends 41 00:02:04,360 --> 00:02:06,400 Speaker 1: people who worked on Twilight so I'm like Bill Mum 42 00:02:06,560 --> 00:02:08,960 Speaker 1: and Veronica car Ride and so forth through some of 43 00:02:08,960 --> 00:02:10,760 Speaker 1: these commentaries with me. So it's going to be really 44 00:02:10,760 --> 00:02:14,840 Speaker 1: really cool, and it's it's a show that just seems 45 00:02:14,880 --> 00:02:17,520 Speaker 1: to live forever, Mark, doesn't it. Yes, yes, you know 46 00:02:17,560 --> 00:02:19,959 Speaker 1: I was. They just flew me to Bingham, to New York, 47 00:02:20,000 --> 00:02:23,000 Speaker 1: to Rod's hometown and for the Rods Sterling Test. I 48 00:02:23,040 --> 00:02:25,120 Speaker 1: was guest of honor there a few weeks ago, and 49 00:02:25,200 --> 00:02:28,680 Speaker 1: I got to, you know, have meals with Rod's daughters, 50 00:02:28,800 --> 00:02:31,280 Speaker 1: Jody and Anne. And it just keeps going. You know 51 00:02:31,320 --> 00:02:34,200 Speaker 1: when Carol Sterling, who was Rod's widow, who we just 52 00:02:34,240 --> 00:02:36,720 Speaker 1: lost a little while ago, you know, every time I 53 00:02:36,720 --> 00:02:38,880 Speaker 1: would run into her over the decade, would say, you know, 54 00:02:39,000 --> 00:02:41,840 Speaker 1: aren't you amazed how this thing just keeps going? And 55 00:02:42,080 --> 00:02:45,040 Speaker 1: I think it's because, you know, great work lasts and 56 00:02:45,440 --> 00:02:48,760 Speaker 1: Rod Rod created something really really amazing. Tell us about 57 00:02:48,760 --> 00:02:52,920 Speaker 1: the event at Biggingden. It was so cool because I'd 58 00:02:52,960 --> 00:02:56,200 Speaker 1: never been to Rod's hometown of you know, surprisingly, and 59 00:02:56,280 --> 00:02:58,440 Speaker 1: so to see the home, the home that he grew 60 00:02:58,480 --> 00:03:00,760 Speaker 1: up and is still there. It looks actually the same, 61 00:03:01,040 --> 00:03:05,200 Speaker 1: this white house and the park that inspired Walking Distance 62 00:03:06,040 --> 00:03:09,760 Speaker 1: is there, and it was just amazing. And the carousel, 63 00:03:09,919 --> 00:03:12,400 Speaker 1: you know, the carousel that you see the duplicate of 64 00:03:12,480 --> 00:03:15,520 Speaker 1: in walking Distance, all these it was just like walking 65 00:03:15,520 --> 00:03:18,480 Speaker 1: through a Twilights On episode. It was really really quite wonderful. 66 00:03:19,000 --> 00:03:20,919 Speaker 1: That's good. Did you ever have a chance to meet 67 00:03:21,000 --> 00:03:24,040 Speaker 1: Rod Shirling? Well, you know, when I was a student 68 00:03:24,040 --> 00:03:26,200 Speaker 1: at U sail A. One day he gave a talk 69 00:03:26,240 --> 00:03:29,240 Speaker 1: there and I had a final that day, and I 70 00:03:29,320 --> 00:03:31,320 Speaker 1: chose to take the final as I could go back 71 00:03:31,360 --> 00:03:35,760 Speaker 1: in time and choose the other path. Yeah. Yeah, he 72 00:03:35,880 --> 00:03:39,080 Speaker 1: would have liked you. Oh yeah, and he's and you know, 73 00:03:39,240 --> 00:03:42,080 Speaker 1: I came upon a video of him teaching a class 74 00:03:42,080 --> 00:03:44,160 Speaker 1: where he would screen the Twilights On episode and then 75 00:03:44,160 --> 00:03:47,120 Speaker 1: talk about it. And that was Rod totally CANNEDID not 76 00:03:47,320 --> 00:03:50,880 Speaker 1: televised at all. And so I feel like I knew him, 77 00:03:50,880 --> 00:03:52,600 Speaker 1: I feel and also, of course all the research I 78 00:03:52,600 --> 00:03:55,080 Speaker 1: did for the Companion Um, you know, I really feel 79 00:03:55,120 --> 00:03:56,920 Speaker 1: like I got to know Rod very well. And he 80 00:03:57,040 --> 00:04:00,560 Speaker 1: was an amazing, amazing man. I'll always remember the story 81 00:04:00,680 --> 00:04:03,320 Speaker 1: that you said that here in his Los Angeles home, 82 00:04:03,440 --> 00:04:06,880 Speaker 1: Carol let you in the attic. Yeah, Rummagene through Twilight 83 00:04:06,960 --> 00:04:09,400 Speaker 1: Zone scripts and things that you had never seen before. 84 00:04:09,640 --> 00:04:11,960 Speaker 1: It was amazing. Well, you know, up in the attic 85 00:04:12,000 --> 00:04:15,720 Speaker 1: there were all these heavy brown leather volumes with every 86 00:04:15,840 --> 00:04:18,840 Speaker 1: article ever written about Rod Sterling in chronological order, just 87 00:04:19,279 --> 00:04:21,800 Speaker 1: a whole shelf full of these big, thick volumes. And 88 00:04:21,839 --> 00:04:24,239 Speaker 1: also another thing that was up in that attic were 89 00:04:25,000 --> 00:04:27,440 Speaker 1: Rod what what Rod? Would you relax? Because he was 90 00:04:27,520 --> 00:04:31,720 Speaker 1: so prolific, is to relax he would make airplane model kits, 91 00:04:32,240 --> 00:04:35,159 Speaker 1: and so there were boxes, boxes of airplane model kits 92 00:04:35,200 --> 00:04:38,120 Speaker 1: that he hadn't gotten around to making, and they were 93 00:04:38,160 --> 00:04:39,800 Speaker 1: up there in the attic too. Because Rods, of course 94 00:04:39,800 --> 00:04:42,960 Speaker 1: sadly died at age fifty, so it was it was 95 00:04:43,000 --> 00:04:46,279 Speaker 1: really quite quite melancholy to be up there, but it 96 00:04:46,320 --> 00:04:49,200 Speaker 1: was great. HBO, is there in a series called the 97 00:04:49,240 --> 00:04:53,120 Speaker 1: Twilight Zone episode you never got to see? Yes, yes, yes, 98 00:04:53,240 --> 00:04:56,400 Speaker 1: tell us about that. Well, it's really amazing Rod In 99 00:04:56,800 --> 00:04:59,080 Speaker 1: In nineteen sixty four, Twilight Zone was still in the air. 100 00:04:59,120 --> 00:05:01,880 Speaker 1: That was the last year new episodes were made of 101 00:05:01,880 --> 00:05:04,920 Speaker 1: the original show, And at that same year Rod wrote 102 00:05:05,600 --> 00:05:09,200 Speaker 1: something called a Carol for Another Christmas that's basically a 103 00:05:09,240 --> 00:05:12,760 Speaker 1: modern updated retelling of Christmas Carol but set in the 104 00:05:12,880 --> 00:05:17,320 Speaker 1: atomic age, and it was very much a Rod Sterling script, 105 00:05:17,520 --> 00:05:21,680 Speaker 1: very twilight Zone in nature, and prior to HBO running it, 106 00:05:21,680 --> 00:05:24,120 Speaker 1: it was almost impossible to see it. And it starts 107 00:05:24,520 --> 00:05:28,239 Speaker 1: Peter Sellers and just Pat Hingele and all these amazing 108 00:05:28,240 --> 00:05:31,320 Speaker 1: actress even Marie Saint, and it's really like a ninety 109 00:05:31,360 --> 00:05:34,560 Speaker 1: minute Twilight Zone episode and I just came upon it. 110 00:05:34,600 --> 00:05:37,640 Speaker 1: The HBO is released for the holidays, and it's it's 111 00:05:37,720 --> 00:05:41,360 Speaker 1: quite a rarity. And previously to see it you'd have 112 00:05:41,400 --> 00:05:44,080 Speaker 1: to go to a university archive and put it on 113 00:05:44,080 --> 00:05:46,440 Speaker 1: a moviola and watch a sixteen million meter print. It 114 00:05:46,480 --> 00:05:49,080 Speaker 1: was that rare. I don't think it ever was broadcast 115 00:05:49,160 --> 00:05:52,320 Speaker 1: from its nineteen sixty four on and now it's on 116 00:05:52,480 --> 00:05:55,280 Speaker 1: HBO and a gorgeous print and you can watch it. 117 00:05:55,279 --> 00:05:57,880 Speaker 1: It's really Rod Sterling writing at the height of his career, 118 00:05:57,920 --> 00:06:01,800 Speaker 1: so it's it's quite a wonderful, wonderful lost lost episode. 119 00:06:01,960 --> 00:06:04,359 Speaker 1: How many episodes were there? There were one hundred and 120 00:06:04,360 --> 00:06:08,000 Speaker 1: fifty six twilights one episodes and over five seasons, and 121 00:06:08,160 --> 00:06:10,680 Speaker 1: Rod wrote ninety two of them. So he was astonishingly, 122 00:06:11,440 --> 00:06:14,240 Speaker 1: I mean, the quality of writing was just amazing. And 123 00:06:14,240 --> 00:06:18,400 Speaker 1: the other writers, of course, Richard Matheson, Charles Beaumont, George Clayton, Johnson, 124 00:06:18,440 --> 00:06:21,000 Speaker 1: Earl Hamner, they were They were giants as well. And 125 00:06:22,080 --> 00:06:25,559 Speaker 1: Rod really really had an amazing group of writers working 126 00:06:25,560 --> 00:06:27,600 Speaker 1: with him. And you were saying that some time ago 127 00:06:27,640 --> 00:06:31,200 Speaker 1: that he would float in his pool with his dictaphone. Well, 128 00:06:31,440 --> 00:06:33,880 Speaker 1: he would lounge beside the pool in the mornings. He 129 00:06:33,880 --> 00:06:36,080 Speaker 1: would get up in the morning and lounge by the 130 00:06:36,120 --> 00:06:38,640 Speaker 1: pool in his swim trunks and dictate the Twilights on scripts. 131 00:06:38,640 --> 00:06:40,320 Speaker 1: And he used to joke that he was the only 132 00:06:40,560 --> 00:06:42,160 Speaker 1: writer who could write a script and get a tan 133 00:06:42,240 --> 00:06:46,560 Speaker 1: at the same time, that these are the episodes he wrote, right, Yeah, yeah, 134 00:06:46,680 --> 00:06:49,120 Speaker 1: he dictated. He was one of few writers who could 135 00:06:49,160 --> 00:06:51,279 Speaker 1: dictate a script. Richard Matheson, who was one of the 136 00:06:51,279 --> 00:06:53,440 Speaker 1: other Twilight Zone writers, told me that he tried to 137 00:06:53,440 --> 00:06:56,159 Speaker 1: do it and he couldn't do it. But they thought 138 00:06:56,160 --> 00:06:59,240 Speaker 1: that all those recordings were lost of Rod's dictation, and 139 00:06:59,279 --> 00:07:01,800 Speaker 1: they just found a thousand of them in Oh my God, 140 00:07:02,240 --> 00:07:05,680 Speaker 1: priceless and it's Rod dictating scripts and dictating speeches and 141 00:07:05,720 --> 00:07:08,440 Speaker 1: dictating letters. And so I'm proposing a new show called 142 00:07:08,480 --> 00:07:11,720 Speaker 1: rod Sterlings after Twilight that Rod would narrate from that material, 143 00:07:12,080 --> 00:07:14,320 Speaker 1: and that would be made up of unmade rod Sterling 144 00:07:14,440 --> 00:07:17,760 Speaker 1: scripts and there's a ton of those, and so that's 145 00:07:18,480 --> 00:07:22,559 Speaker 1: in discussions with the rod Sterling family and the estate 146 00:07:22,640 --> 00:07:24,520 Speaker 1: to uh to see if we can make that show. 147 00:07:24,520 --> 00:07:27,360 Speaker 1: I very much want to. All that would be fantastic. 148 00:07:27,440 --> 00:07:30,440 Speaker 1: And he would change characters while he was dictating and 149 00:07:30,520 --> 00:07:33,280 Speaker 1: things like that. Yeah, he would describe the shots, he 150 00:07:33,280 --> 00:07:35,640 Speaker 1: would he would act out the different characters. I mean, 151 00:07:35,680 --> 00:07:41,200 Speaker 1: he was really an amazing man. I mean when you 152 00:07:41,240 --> 00:07:44,280 Speaker 1: listen to him dictating these scripts, it's it's phenomenal because 153 00:07:44,280 --> 00:07:47,520 Speaker 1: he's playing all the roles. He could just go into 154 00:07:47,560 --> 00:07:50,400 Speaker 1: that and uh, you know, he had he was I mean, 155 00:07:50,480 --> 00:07:52,480 Speaker 1: he was unique. There was no really really no one 156 00:07:52,520 --> 00:07:55,000 Speaker 1: like him. We're gonna take calls with Mark Secree at 157 00:07:55,000 --> 00:07:57,880 Speaker 1: the half here, so get ready to jump on board 158 00:07:57,920 --> 00:08:00,240 Speaker 1: and then we've got open lines next hour here for 159 00:08:00,320 --> 00:08:02,560 Speaker 1: you on Coast to Coast. How's the Mister sci Fi 160 00:08:02,640 --> 00:08:06,000 Speaker 1: YouTube channel doing? It's going great. We uh you know, 161 00:08:06,080 --> 00:08:07,760 Speaker 1: I I started a couple of years ago and it 162 00:08:07,760 --> 00:08:10,320 Speaker 1: allows me to talk about science fiction and when we're 163 00:08:10,320 --> 00:08:13,360 Speaker 1: shooting Space Command, we've been putting episodes up on on 164 00:08:13,360 --> 00:08:15,600 Speaker 1: on Mister sci Fi. We've got our first hour on 165 00:08:15,640 --> 00:08:17,920 Speaker 1: Space Command has been seen by three million people with 166 00:08:18,000 --> 00:08:22,320 Speaker 1: a ninety seven percent thumbs up and us amazing having Well, 167 00:08:22,360 --> 00:08:25,400 Speaker 1: today I was having lunch with a Netflix executive who's 168 00:08:25,480 --> 00:08:27,800 Speaker 1: very friendly with me, and we're you know, we're now 169 00:08:27,840 --> 00:08:31,080 Speaker 1: proposing a slate called the show Runners Network, where I'm 170 00:08:31,120 --> 00:08:34,240 Speaker 1: creating six new shows with the creators of The Expanse 171 00:08:34,320 --> 00:08:37,120 Speaker 1: and and and you know, Far Escape and all these 172 00:08:37,160 --> 00:08:39,920 Speaker 1: other shows and uh, and it'll be like a slate 173 00:08:39,920 --> 00:08:41,920 Speaker 1: of sixth series. So Space Command is one of those. 174 00:08:42,080 --> 00:08:44,200 Speaker 1: But but if people want to get a jump on 175 00:08:44,240 --> 00:08:46,280 Speaker 1: that and see see that, you know, the first few 176 00:08:46,280 --> 00:08:48,319 Speaker 1: episodes of Space Command, it's there on mister sci Fi 177 00:08:48,360 --> 00:08:51,199 Speaker 1: on YouTube for free, you know. And so it's it's 178 00:08:51,320 --> 00:08:53,400 Speaker 1: it's hugely fun to have my own studio and be 179 00:08:53,840 --> 00:08:56,360 Speaker 1: able to put out my own mind shows to the 180 00:08:56,400 --> 00:08:58,920 Speaker 1: whole world. It's it's it's terrific. Can I say I 181 00:08:59,000 --> 00:09:02,960 Speaker 1: knew you when I think you're going to know me? Always? George? 182 00:09:02,960 --> 00:09:05,520 Speaker 1: I mean, we've been kindred spirits from from the first 183 00:09:05,520 --> 00:09:07,320 Speaker 1: moment that we began to have this kind of we've 184 00:09:07,400 --> 00:09:10,120 Speaker 1: we've we've clicked, haven't we You over the years, it's 185 00:09:10,160 --> 00:09:12,920 Speaker 1: been something else and tell us about the evolution of 186 00:09:12,960 --> 00:09:16,319 Speaker 1: Space command. This is a great story. Thanks, it's um Well, 187 00:09:16,320 --> 00:09:19,640 Speaker 1: you know, I grew up with Star Trek, the original 188 00:09:19,679 --> 00:09:21,319 Speaker 1: Star Trek, and I got to visit the set when 189 00:09:21,320 --> 00:09:24,080 Speaker 1: I was a kid, and it really formed me as 190 00:09:24,200 --> 00:09:26,679 Speaker 1: a as a writer and as a person. And and 191 00:09:26,720 --> 00:09:29,199 Speaker 1: I realized that with Twilight Zone and Star Trek back then, 192 00:09:29,400 --> 00:09:32,160 Speaker 1: Rod Sterling and Gene Roddenberry, they wanted to create shows 193 00:09:32,160 --> 00:09:34,559 Speaker 1: that would inspire people to create a better future, that 194 00:09:34,600 --> 00:09:36,720 Speaker 1: would create, you know, that where we could reach across 195 00:09:36,760 --> 00:09:40,640 Speaker 1: boundaries and barriers and actually build a future worth living in. 196 00:09:41,120 --> 00:09:42,800 Speaker 1: And lately I knows that a lot of the science 197 00:09:42,800 --> 00:09:44,920 Speaker 1: fiction shows their message was, well, the future is going 198 00:09:44,960 --> 00:09:47,000 Speaker 1: to be terrible and there's nothing you can do about it. 199 00:09:47,040 --> 00:09:49,320 Speaker 1: And I thought, well, that's that's a terrible message to 200 00:09:49,360 --> 00:09:52,040 Speaker 1: send out. So I thought, well, let me see if 201 00:09:52,080 --> 00:09:54,480 Speaker 1: I can create a science fiction show set in the future, 202 00:09:54,520 --> 00:09:57,600 Speaker 1: set and out of space that would have an inspiring 203 00:09:57,640 --> 00:10:01,400 Speaker 1: positive message without being Pollyanna or you know, rose colored 204 00:10:01,400 --> 00:10:03,760 Speaker 1: glasses or any of that. And I didn't want the 205 00:10:03,760 --> 00:10:06,880 Speaker 1: networks of the studios to decide if the audience ever 206 00:10:06,920 --> 00:10:09,320 Speaker 1: saw it. So I reached out to my fans, my 207 00:10:09,360 --> 00:10:12,959 Speaker 1: audience via crowdfunding and selling investment shares, and to date 208 00:10:13,000 --> 00:10:17,480 Speaker 1: they've given me over three million dollars and yeah, amazing. Uh. 209 00:10:17,520 --> 00:10:19,920 Speaker 1: And it allowed over my own studio. We've shot seven 210 00:10:19,960 --> 00:10:23,000 Speaker 1: hours of Space Command so far and we're still going strong. 211 00:10:23,000 --> 00:10:25,360 Speaker 1: We're going to shoot the entire season and keep going. 212 00:10:25,720 --> 00:10:28,200 Speaker 1: And so it's and it allowed me to write what 213 00:10:28,240 --> 00:10:30,199 Speaker 1: I wanted to write, and cast who I wanted to cast, 214 00:10:30,480 --> 00:10:33,800 Speaker 1: like Bill Moomy, like you know, a Veronica Cartwright we're 215 00:10:33,840 --> 00:10:36,079 Speaker 1: going to be working with, and Doug Jones from Starfork 216 00:10:36,120 --> 00:10:38,640 Speaker 1: Discovery and Gates Matzad and I mean all these people 217 00:10:38,760 --> 00:10:41,559 Speaker 1: are Mayor Furlan from Deep from Babylon five. You know, 218 00:10:41,600 --> 00:10:43,560 Speaker 1: I didn't have to ask anyone's permission. I just called 219 00:10:43,679 --> 00:10:45,120 Speaker 1: my friends and said, you want to be in this 220 00:10:45,200 --> 00:10:49,680 Speaker 1: show and they all said yes. So oh that's exciting. 221 00:10:49,720 --> 00:10:51,880 Speaker 1: And you've had fun doing your own thing, haven't you. 222 00:10:52,080 --> 00:10:54,080 Speaker 1: Every day as Christmas, Elaine and I are writing and 223 00:10:54,120 --> 00:10:56,480 Speaker 1: producing and directing together. My wife, you know, we've been 224 00:10:56,480 --> 00:10:58,400 Speaker 1: together forty five years and she's the best part of 225 00:10:58,440 --> 00:11:01,880 Speaker 1: every day. And and I just, you know, I'm like 226 00:11:01,960 --> 00:11:03,880 Speaker 1: that little Boy on the Star Trek set when I 227 00:11:03,920 --> 00:11:06,000 Speaker 1: was ten. You know, it was just like a dream 228 00:11:06,040 --> 00:11:07,640 Speaker 1: come true. And so I get to do that every 229 00:11:07,679 --> 00:11:11,439 Speaker 1: single day. We're building an alien spaceship now at my studio. 230 00:11:11,720 --> 00:11:14,320 Speaker 1: So man, we're building two eight foot tall creatures and 231 00:11:14,600 --> 00:11:17,679 Speaker 1: robots and I owned fifteen space suits. I mean, how 232 00:11:17,720 --> 00:11:21,040 Speaker 1: cool is that? You know? So, so I'm a happy 233 00:11:21,040 --> 00:11:23,520 Speaker 1: camper definitely. Well that's great. I still have the Ray 234 00:11:23,640 --> 00:11:27,120 Speaker 1: Bradbury letter that he wrote me when I did an 235 00:11:27,600 --> 00:11:31,840 Speaker 1: editorial about I seeing the Body Electric his Twilight Zone script, 236 00:11:31,920 --> 00:11:34,679 Speaker 1: and he just he loved the editorial. It just made 237 00:11:34,760 --> 00:11:36,520 Speaker 1: him so happy, and he wrote a letter to me 238 00:11:36,600 --> 00:11:39,200 Speaker 1: about that. Yeah, and I think I think that speaks 239 00:11:39,200 --> 00:11:40,840 Speaker 1: to you know, Ray was a very dear friend of mine, 240 00:11:40,880 --> 00:11:44,079 Speaker 1: and uh, and he was very he was he was childlike, 241 00:11:44,120 --> 00:11:46,760 Speaker 1: not childish, but childlike. He kept that sense of wonder 242 00:11:46,760 --> 00:11:51,000 Speaker 1: and that sense of gratitude and joy. And I think 243 00:11:51,040 --> 00:11:53,679 Speaker 1: you really have to stay connected to that. And you 244 00:11:53,720 --> 00:11:56,440 Speaker 1: had definitely have George and I have two. You know. 245 00:11:56,480 --> 00:12:00,319 Speaker 1: It's you have to find enthusiasm and passion and not 246 00:12:00,400 --> 00:12:03,960 Speaker 1: let the world erode that and uh. And that's and 247 00:12:04,040 --> 00:12:06,520 Speaker 1: in fact, the new book Green lighting yourself. That's what 248 00:12:06,559 --> 00:12:09,640 Speaker 1: it's about. It's basically for writers and directors and actors 249 00:12:09,640 --> 00:12:12,880 Speaker 1: and producers where they can build their own dream and 250 00:12:12,960 --> 00:12:15,240 Speaker 1: not wait for the studio or the network or even 251 00:12:15,240 --> 00:12:18,400 Speaker 1: publishing companies to make their dream come true. It's how 252 00:12:18,800 --> 00:12:21,719 Speaker 1: nowadays with the Internet and with digital cameras and all 253 00:12:21,720 --> 00:12:24,560 Speaker 1: that stuff, you can you can reach the whole world. 254 00:12:24,559 --> 00:12:26,920 Speaker 1: It's what I've done, and and in in that book, 255 00:12:26,920 --> 00:12:29,120 Speaker 1: I wanted to share share that with with people who 256 00:12:29,160 --> 00:12:32,520 Speaker 1: wanted to do the same. You know. Um, it's it's 257 00:12:32,559 --> 00:12:35,720 Speaker 1: not that hard. You just have to get the right advice. 258 00:12:35,960 --> 00:12:39,080 Speaker 1: And so I'm really glad I finished that book. It's 259 00:12:39,080 --> 00:12:40,480 Speaker 1: going to be out in the next few months. It'll 260 00:12:40,520 --> 00:12:43,840 Speaker 1: be in you know, bookstores and on Amazon and everywhere 261 00:12:43,880 --> 00:12:46,680 Speaker 1: good books are sold. But but it was just a 262 00:12:46,720 --> 00:12:48,640 Speaker 1: way of you know, sharing what I've learned and what 263 00:12:48,679 --> 00:12:51,160 Speaker 1: I've what Ray Bradbury taught me and others taught me. 264 00:12:51,520 --> 00:12:54,880 Speaker 1: Tommy producer Tommy still quotes a number of Twilight Zone 265 00:12:54,880 --> 00:12:57,680 Speaker 1: episodes saying William when he latches onto one or two 266 00:12:57,720 --> 00:13:02,839 Speaker 1: that he loves and he just uses them all the time. Yes, yes, well, 267 00:13:02,840 --> 00:13:04,600 Speaker 1: there's so many great quotes I mean, you know it's 268 00:13:04,600 --> 00:13:07,040 Speaker 1: a cookbook or you know, room for one more honey. 269 00:13:07,080 --> 00:13:10,160 Speaker 1: I mean, there's just so many catch phrases from Twilight Zone. 270 00:13:10,320 --> 00:13:13,400 Speaker 1: And you know, I was joking with someone else recently 271 00:13:13,440 --> 00:13:16,280 Speaker 1: where like, what did like nowadays, we'll have a weird experience, 272 00:13:16,280 --> 00:13:17,599 Speaker 1: We'll save God. It was just like I was in 273 00:13:17,640 --> 00:13:20,360 Speaker 1: the Twilight Zone. But before that, what did people say? 274 00:13:20,520 --> 00:13:21,679 Speaker 1: Did they have to say, Well, we'll have to wait 275 00:13:21,760 --> 00:13:24,160 Speaker 1: until nineteen fifty ninety to be able to describe this, 276 00:13:24,559 --> 00:13:26,880 Speaker 1: because there really is no other phrase that fits so 277 00:13:26,960 --> 00:13:29,880 Speaker 1: perfectly as that one. Just a few days ago, I 278 00:13:29,920 --> 00:13:32,240 Speaker 1: was talking about little Girl Lost, the girl who fell 279 00:13:32,280 --> 00:13:35,800 Speaker 1: into another dimension. Yes, that's just yeah. I mean what 280 00:13:35,880 --> 00:13:38,720 Speaker 1: a great mind, he add didn't he? Yes? Yeah, And 281 00:13:38,800 --> 00:13:41,559 Speaker 1: you know, and it really takes looking at the world, 282 00:13:41,679 --> 00:13:44,120 Speaker 1: I mean, you know, and seeing sort of looking at 283 00:13:44,120 --> 00:13:48,079 Speaker 1: its sideways and seeing possibilities where other people don't. And 284 00:13:48,880 --> 00:13:50,440 Speaker 1: you know, and then of course they had such great 285 00:13:50,440 --> 00:13:52,840 Speaker 1: directors and such great actors. I mean, you know, I 286 00:13:52,920 --> 00:13:56,160 Speaker 1: recently cast Veronica Cartwright in a new show I'm creating 287 00:13:56,160 --> 00:13:59,440 Speaker 1: with Rockneil Bannon, who created far Escape, and you know, 288 00:13:59,520 --> 00:14:02,080 Speaker 1: Veronica Cartwright starred and I sing the body Electric as 289 00:14:02,080 --> 00:14:04,920 Speaker 1: well as Alien and the Birds, and and to be 290 00:14:04,960 --> 00:14:07,760 Speaker 1: working with her as again a dream come true, you know, 291 00:14:07,880 --> 00:14:10,320 Speaker 1: because you look at all the amazing actress who are 292 00:14:10,320 --> 00:14:12,720 Speaker 1: on Twilight. So you know we you and I've you know, 293 00:14:12,880 --> 00:14:15,320 Speaker 1: our friends with Bill Mummy. But also my god, they 294 00:14:15,320 --> 00:14:20,800 Speaker 1: had Lee Marvin and Robert Redford exactly, Elizabeth Montgomery all 295 00:14:21,040 --> 00:14:24,160 Speaker 1: on and on, I mean, my god, and uh and 296 00:14:24,280 --> 00:14:26,440 Speaker 1: it just it just holds up. You watched those episodes 297 00:14:26,520 --> 00:14:28,760 Speaker 1: now and there's uh, you know, they don't they don't 298 00:14:28,800 --> 00:14:31,840 Speaker 1: lose a bit of their power. No, not at all, 299 00:14:31,840 --> 00:14:34,240 Speaker 1: more relevant now than ever. And then he had classic 300 00:14:34,320 --> 00:14:38,080 Speaker 1: people like Burgess Meredith in there, yes, yes, and it 301 00:14:38,240 --> 00:14:41,320 Speaker 1: was he was in four episodes. He was in Time, 302 00:14:41,400 --> 00:14:43,680 Speaker 1: en If at Last and Princess Devil and the Obsolete 303 00:14:43,720 --> 00:14:46,760 Speaker 1: Man and uh and he was just an amazing it 304 00:14:46,800 --> 00:14:49,760 Speaker 1: was great. When I interviewed him, uh he uh, you 305 00:14:49,800 --> 00:14:52,600 Speaker 1: know he told me that, you know, Rod Sterling, he said, 306 00:14:52,640 --> 00:14:55,920 Speaker 1: like a great many writers, or like many good writers, 307 00:14:56,080 --> 00:14:59,120 Speaker 1: Rod listened more than he talked. And uh and he 308 00:14:59,200 --> 00:15:02,080 Speaker 1: really had a or with Sterling and in Time and 309 00:15:02,120 --> 00:15:04,040 Speaker 1: If at Last, where his last man on Earth is 310 00:15:04,200 --> 00:15:08,320 Speaker 1: just it's unforgettable. I mean, it's just it's one of 311 00:15:08,320 --> 00:15:11,160 Speaker 1: the high points of television. How did he work with 312 00:15:11,200 --> 00:15:14,160 Speaker 1: his writers? Did he tell them the idea or did 313 00:15:14,160 --> 00:15:17,480 Speaker 1: he turn them loose and then he worked with them? Yeah. Rod. 314 00:15:17,520 --> 00:15:20,960 Speaker 1: The thing that was interesting that Rod was he was 315 00:15:21,040 --> 00:15:24,000 Speaker 1: very much an idea factory himself, and he was churning 316 00:15:24,000 --> 00:15:27,720 Speaker 1: out the script after script script with the writers. When 317 00:15:27,760 --> 00:15:30,480 Speaker 1: he got that team of Richard Matheson, Charles Beaumont and 318 00:15:30,520 --> 00:15:34,000 Speaker 1: George Clayton Johnson and Earl Holliman, they would kind of 319 00:15:34,000 --> 00:15:36,400 Speaker 1: pitch ideas or they would have written short stories that 320 00:15:36,400 --> 00:15:38,720 Speaker 1: they thought would make good episodes, and he would just 321 00:15:38,800 --> 00:15:41,000 Speaker 1: kind of let them once once they had it kind 322 00:15:41,000 --> 00:15:43,200 Speaker 1: of nailed down that he would let them just go. 323 00:15:43,400 --> 00:15:45,640 Speaker 1: He would say, he said to them, we will shoot 324 00:15:45,640 --> 00:15:48,120 Speaker 1: the drafts that you write. And they didn't believe him 325 00:15:48,120 --> 00:15:50,640 Speaker 1: at first because so many other shows would just you know, 326 00:15:50,720 --> 00:15:52,680 Speaker 1: take their scripts and chew them up and spit them out. 327 00:15:53,200 --> 00:15:55,640 Speaker 1: And they were amazed when the scripts that they wrote 328 00:15:55,760 --> 00:15:59,120 Speaker 1: was what got shot. And so he really trusted these writers. 329 00:15:59,120 --> 00:16:04,360 Speaker 1: They were amazing talents and uh, and he gave him 330 00:16:04,360 --> 00:16:06,240 Speaker 1: a free hand where he really gave him a free hand. 331 00:16:06,920 --> 00:16:10,840 Speaker 1: I remember the one on the Fever was called about 332 00:16:10,920 --> 00:16:13,360 Speaker 1: a guy who got hooked on a slot machine. Yes, 333 00:16:13,480 --> 00:16:17,160 Speaker 1: Franklin Gibbs, Yes, and he uh, that's a great episode. Ever. 334 00:16:17,280 --> 00:16:20,520 Speaker 1: And Everett Sloane, you know, he was in Citizen Came previously, 335 00:16:20,640 --> 00:16:23,040 Speaker 1: he was in Patterns, which was a great live TV 336 00:16:23,520 --> 00:16:25,680 Speaker 1: presentation that kind of put Rod Sterling on the map. 337 00:16:25,720 --> 00:16:28,520 Speaker 1: And in that he plays a guy well, you know, Twilight, 338 00:16:28,600 --> 00:16:30,840 Speaker 1: and there's very much about people who either rise or fall. 339 00:16:31,200 --> 00:16:34,000 Speaker 1: They're given they're they're put in a fantasy situation that 340 00:16:34,120 --> 00:16:36,400 Speaker 1: either allows them to rise the occasion, like Shatner in 341 00:16:36,520 --> 00:16:39,520 Speaker 1: Nightmare at twenty thousand Feet or Franklin Gibbs where he's 342 00:16:39,560 --> 00:16:42,920 Speaker 1: kind of a stingy, kind of you know, miserly guy 343 00:16:42,960 --> 00:16:44,880 Speaker 1: and then he gets the gambling fever and it does 344 00:16:44,960 --> 00:16:47,880 Speaker 1: him in you know, so you know so or or 345 00:16:47,920 --> 00:16:49,880 Speaker 1: you know or the one with the machines that come alive, 346 00:16:50,000 --> 00:16:52,280 Speaker 1: you know, and uh and all of those things. There's 347 00:16:52,280 --> 00:16:56,000 Speaker 1: so it's always a test of someone's moral fiber and uh. 348 00:16:56,040 --> 00:16:59,040 Speaker 1: And again these that's why these these shows, these episodes 349 00:16:59,120 --> 00:17:03,720 Speaker 1: last so well because they're about the human condition. And 350 00:17:03,760 --> 00:17:06,480 Speaker 1: that's and so something like monsters are do do on 351 00:17:06,560 --> 00:17:10,480 Speaker 1: Maple Street and mob psychology and hysteria. I mean, my god, 352 00:17:10,520 --> 00:17:12,800 Speaker 1: you look at the newspapers, you know, in the last 353 00:17:12,840 --> 00:17:15,200 Speaker 1: few days, and you can see where monsters are do 354 00:17:15,240 --> 00:17:18,280 Speaker 1: on Maple Street is more relevant now than when Rob 355 00:17:18,320 --> 00:17:22,120 Speaker 1: wrote it in in fifty nine. The name Bartlett Finchley 356 00:17:22,560 --> 00:17:28,040 Speaker 1: ring a bell, Yes, yes, exactly. A thing about machines. 357 00:17:28,160 --> 00:17:30,720 Speaker 1: That's such a fun episode with the with the razor 358 00:17:30,840 --> 00:17:33,919 Speaker 1: that comes slithering down that staircase and you know, the 359 00:17:33,960 --> 00:17:37,400 Speaker 1: electric razor and and the TV said, you know, yeah, yeah, 360 00:17:37,480 --> 00:17:40,800 Speaker 1: it's uh, it's just it's just super fun. You know, 361 00:17:40,880 --> 00:17:43,520 Speaker 1: the fun part about Twilight Zone is that it's serious 362 00:17:43,880 --> 00:17:46,640 Speaker 1: but it's also fun. And like like will the real 363 00:17:46,680 --> 00:17:49,159 Speaker 1: Martian please stand up? Where there's all these people stuck 364 00:17:49,160 --> 00:17:51,600 Speaker 1: in a snowed in diner and one of them is 365 00:17:51,600 --> 00:17:54,720 Speaker 1: a Martian, you know which which one of them is 366 00:17:54,760 --> 00:17:57,720 Speaker 1: the Martian? And you know, it's just you get a 367 00:17:57,800 --> 00:18:00,960 Speaker 1: sense that these people making the show, we're having the 368 00:18:01,040 --> 00:18:05,320 Speaker 1: time of their life and we're just seizing an opportunity 369 00:18:05,359 --> 00:18:07,480 Speaker 1: to make something that they would love and that the 370 00:18:07,480 --> 00:18:12,240 Speaker 1: world would love. And they succeeded spectacularly. Listen to More 371 00:18:12,320 --> 00:18:15,320 Speaker 1: Coast to coast AM every weeknight at one a m. 372 00:18:15,400 --> 00:18:18,439 Speaker 1: Eastern and go to coast to coast am dot com 373 00:18:18,440 --> 00:18:18,840 Speaker 1: for more