1 00:00:07,560 --> 00:00:11,239 Speaker 1: How you doing? How you doing good? How are you doing? 2 00:00:11,280 --> 00:00:13,319 Speaker 1: I asked you. I thought we were doing like a 3 00:00:13,360 --> 00:00:18,239 Speaker 1: Wendy Williamson. No, I was asking how you're doing. I'm okay, um, 4 00:00:18,520 --> 00:00:22,960 Speaker 1: I I'm gonna bring a guy home to my parents. 5 00:00:22,960 --> 00:00:28,040 Speaker 1: Oh my god, fresh off you coming out? No? I know? Yeah, guys, 6 00:00:28,040 --> 00:00:31,120 Speaker 1: they didn't have turkey wraps? Did you ask for a 7 00:00:31,120 --> 00:00:35,200 Speaker 1: turkey up? I wanted a couple, but I you didn't 8 00:00:35,200 --> 00:00:37,159 Speaker 1: have to announce it in front of the whole this 9 00:00:37,240 --> 00:00:42,400 Speaker 1: was it going to be a surprise. I got falafel instead. Okay, Well, 10 00:00:42,520 --> 00:00:45,879 Speaker 1: I have a chickpen allergy, I can't eaven and I 11 00:00:45,920 --> 00:00:49,080 Speaker 1: don't like falafel, all right, so just put him in 12 00:00:49,120 --> 00:00:51,559 Speaker 1: the break room. Just no, just throw it out, throw it, 13 00:00:52,200 --> 00:00:54,880 Speaker 1: throw it out the window, throw it out in the corner, 14 00:00:55,320 --> 00:00:58,040 Speaker 1: in the garbage can throw that food out in the 15 00:00:58,040 --> 00:00:59,960 Speaker 1: garbage now. But that just seems wasteful. Why don't I 16 00:01:00,000 --> 00:01:01,760 Speaker 1: just leave it on the break room? You know what 17 00:01:01,880 --> 00:01:06,400 Speaker 1: waste is your behavior? My time? Okay, I'll throw it out. 18 00:01:06,880 --> 00:01:10,760 Speaker 1: Have a red Bull cool down down. I can't drink that. 19 00:01:11,000 --> 00:01:14,200 Speaker 1: I can't sleep at night after working. What are you 20 00:01:14,240 --> 00:01:16,920 Speaker 1: talking about? That's not what red Bull does. Why don't 21 00:01:16,920 --> 00:01:21,080 Speaker 1: you drink Athletic Greens anymore? Because when I doubled up 22 00:01:21,680 --> 00:01:24,720 Speaker 1: that one time day, we were naked. We were naked 23 00:01:24,760 --> 00:01:28,760 Speaker 1: and I were the floating. Yeah. Um, it just really 24 00:01:28,800 --> 00:01:31,840 Speaker 1: did a number on my digestive system. Okay, hey, can 25 00:01:31,840 --> 00:01:36,479 Speaker 1: I say something t M. I thank you, Jesus. I'm 26 00:01:36,520 --> 00:01:39,800 Speaker 1: sorry about this one. You know what, I see this 27 00:01:39,840 --> 00:01:44,120 Speaker 1: one from on high. I'm in a real mood today. 28 00:01:44,319 --> 00:01:48,160 Speaker 1: You really are, because I thought I was getting a 29 00:01:48,160 --> 00:01:54,360 Speaker 1: surprised turkey wrap and now now there's nothing to be No. 30 00:01:54,600 --> 00:01:57,240 Speaker 1: Did you tell him we were doing turkey wraps? I 31 00:01:57,360 --> 00:02:03,600 Speaker 1: might have said get ready for turkey, so I thought 32 00:02:03,600 --> 00:02:06,480 Speaker 1: we were on the same page. Well, I think you 33 00:02:06,560 --> 00:02:10,840 Speaker 1: really bift that you better be pitching a someone like 34 00:02:11,120 --> 00:02:14,839 Speaker 1: Jesus Christ for all I care, But Jesus, let Jesus Christ, 35 00:02:14,880 --> 00:02:19,799 Speaker 1: but a young talent. Jesus was just a man, damn right. Okay, 36 00:02:20,000 --> 00:02:24,240 Speaker 1: sorry Jesus, Sorry Jesus for this one. I was thinking 37 00:02:24,240 --> 00:02:28,519 Speaker 1: about older talent, yeah, and then I went nope, Yeah, 38 00:02:28,560 --> 00:02:31,560 Speaker 1: we're gonna stick with young, hot, new talent. There's a 39 00:02:31,600 --> 00:02:36,400 Speaker 1: reason why we mandate young, rising new talent. And for 40 00:02:36,440 --> 00:02:41,520 Speaker 1: you to even entertain something outside of that. I didn't 41 00:02:41,560 --> 00:02:43,920 Speaker 1: even I mean, there was only one name older that 42 00:02:43,960 --> 00:02:49,480 Speaker 1: I was thinking we possibly we don't there, Okay, okay, 43 00:02:49,760 --> 00:02:52,880 Speaker 1: and I hope you didn't talk to him. So talented 44 00:02:52,960 --> 00:02:57,920 Speaker 1: though no one's it's some people would say, god, so talented. 45 00:02:58,280 --> 00:03:01,640 Speaker 1: Hold on, there were but there were three turkey raps 46 00:03:01,760 --> 00:03:06,280 Speaker 1: on the on the break room counter there and now 47 00:03:06,320 --> 00:03:10,639 Speaker 1: they're not for you, guys, someone's been in here. Did 48 00:03:10,760 --> 00:03:15,520 Speaker 1: you have Kevin Spacey over for a turkey rap? Twelve 49 00:03:15,600 --> 00:03:19,919 Speaker 1: minutes while we were talking? He's in the building still, 50 00:03:20,240 --> 00:03:23,160 Speaker 1: I am sure made clear that you didn't want to 51 00:03:23,160 --> 00:03:26,400 Speaker 1: see him or talk to him or hear anything about him. 52 00:03:26,440 --> 00:03:30,359 Speaker 1: I'm in disbelief. I'm in disbelief. We're your This is insubordination. 53 00:03:30,440 --> 00:03:34,079 Speaker 1: We are over your head. To put it mildly, this 54 00:03:34,160 --> 00:03:40,320 Speaker 1: is insubordination. All right, Well, should I just leave? No? No, 55 00:03:40,560 --> 00:03:42,960 Speaker 1: You've done such an incredible job with me. You've got 56 00:03:43,000 --> 00:03:46,000 Speaker 1: to take the good with the bad. Okay, I'm not 57 00:03:46,040 --> 00:03:50,360 Speaker 1: gonna you know, I'm rough around the edges. Okay, all right, 58 00:03:50,560 --> 00:03:52,240 Speaker 1: but you know what, the one thing that gets me 59 00:03:52,280 --> 00:03:58,440 Speaker 1: through the day FM radio. Don't we love good Her? 60 00:03:58,600 --> 00:04:03,040 Speaker 1: On the FM? Radio. All in FM radio now calling 61 00:04:03,120 --> 00:04:08,920 Speaker 1: in people days, people you know, asking to request a 62 00:04:09,000 --> 00:04:16,160 Speaker 1: tune possibly or share, getting a surprise bouquet of flowers 63 00:04:16,200 --> 00:04:21,280 Speaker 1: delivered to their loved one. Pranks, pranks, It's all part 64 00:04:21,320 --> 00:04:24,159 Speaker 1: of the world of FM radio. Oh my god. And 65 00:04:24,440 --> 00:04:31,080 Speaker 1: someone has captured it deliciously with her new project called 66 00:04:31,120 --> 00:04:36,080 Speaker 1: The Jannellis J Show. No, don't tell us, is it? 67 00:04:36,080 --> 00:04:41,840 Speaker 1: It's Millie one of our great friends from New York. 68 00:04:42,200 --> 00:04:44,360 Speaker 1: Now this premise, you guys are gonna love. It's New 69 00:04:44,440 --> 00:04:48,640 Speaker 1: York's number one hip hop radio show. The Jannellis J 70 00:04:48,839 --> 00:04:54,880 Speaker 1: Show is ready to deliver truth allegedly, real talk allegedly, 71 00:04:55,760 --> 00:05:00,520 Speaker 1: and the four one one, which is information in correction 72 00:05:01,760 --> 00:05:04,719 Speaker 1: on why her co host keeps getting fired from the show. 73 00:05:04,800 --> 00:05:09,760 Speaker 1: So you're telling me we're getting real talk allegedly, truth allegedly, 74 00:05:09,880 --> 00:05:13,720 Speaker 1: and conflict conflict with professional conflict. There is so much 75 00:05:13,880 --> 00:05:15,960 Speaker 1: what a rich tax. This is incredible. And you know 76 00:05:16,040 --> 00:05:20,320 Speaker 1: Millie Tameras lest I heard, a stand up and writer 77 00:05:20,400 --> 00:05:24,800 Speaker 1: based out of Brooklyn, New York, who has written for ABC. Yes, 78 00:05:25,240 --> 00:05:28,039 Speaker 1: come on for the w w E. She wrote for 79 00:05:28,160 --> 00:05:36,360 Speaker 1: w w E, NPR BuzzFeed, doctor, come on, Hey, and MTV. 80 00:05:36,760 --> 00:05:40,920 Speaker 1: She's been featured on Thrillist, Vice, b Et, Flamma, She's 81 00:05:40,960 --> 00:05:46,480 Speaker 1: done at All above Average, universityon and Comedy Central Brooklyn 82 00:05:46,480 --> 00:05:51,760 Speaker 1: in the House. Yeah, clearly we love Millie so much? 83 00:05:51,760 --> 00:05:53,560 Speaker 1: Can we just this is real talk. This is real 84 00:05:53,600 --> 00:06:00,520 Speaker 1: talk about Millie is family allegends. You've done really good working. Really, 85 00:06:00,600 --> 00:06:05,159 Speaker 1: this is basically Jesus Christ to me. Guys, that feels good, 86 00:06:05,160 --> 00:06:09,360 Speaker 1: Thank you, hey, and I'm going to rescue the hero. 87 00:06:09,480 --> 00:06:11,760 Speaker 1: I was just your waists, no, no, taken out of 88 00:06:11,800 --> 00:06:14,360 Speaker 1: the car. But let's get it. Let's let's eat it right, 89 00:06:14,800 --> 00:06:16,880 Speaker 1: let's eat it. I'm sorry, I thought they were Turkey reps. 90 00:06:16,960 --> 00:06:18,839 Speaker 1: That was the falafel. I just got really mixed up 91 00:06:18,839 --> 00:06:21,440 Speaker 1: because I'm I'm just I was really scared there for 92 00:06:21,480 --> 00:06:23,240 Speaker 1: a second about you know who being in the building. 93 00:06:23,400 --> 00:06:28,680 Speaker 1: You have had a really crazy you've my nerves are shot. 94 00:06:28,839 --> 00:06:30,520 Speaker 1: You brought a lover her home to me, or you 95 00:06:30,520 --> 00:06:33,120 Speaker 1: should take the rest of the week off. I'm sorry, 96 00:06:33,480 --> 00:06:36,479 Speaker 1: that's not for me to say. No, it isn't. Well, 97 00:06:36,640 --> 00:06:41,039 Speaker 1: you better watch in subordination down boots. To call this 98 00:06:41,080 --> 00:06:45,480 Speaker 1: insubordination would be putting it. Guys. I love this job 99 00:06:45,520 --> 00:06:49,039 Speaker 1: more than anything, so please, we love you, love you, 100 00:06:49,279 --> 00:06:52,600 Speaker 1: love you. Yeah, sometimes it doesn't feel like that. I'm 101 00:06:52,640 --> 00:06:55,840 Speaker 1: just gonna says, just keep doing a great job and 102 00:06:55,880 --> 00:07:03,640 Speaker 1: don't fout. The Jannellis J Show starts the house you're 103 00:07:03,680 --> 00:07:12,239 Speaker 1: listening saw the finest and radio entertainment, The Jannellis J Show. 104 00:07:14,480 --> 00:07:16,240 Speaker 1: You're so creative. That's one of the things I like 105 00:07:16,320 --> 00:07:19,760 Speaker 1: about J. I don't know what I'm doing. I don't 106 00:07:19,760 --> 00:07:27,240 Speaker 1: know what I'm doing. Welcome everyone to the Jannellis J Show. 107 00:07:29,200 --> 00:07:33,240 Speaker 1: I'm your girl, Jennellis J. We are here, we are live. 108 00:07:33,760 --> 00:07:37,280 Speaker 1: I'm so high for my premiere at I Heeart Radio. 109 00:07:37,880 --> 00:07:40,720 Speaker 1: Y'all already know what the deal is, following my three 110 00:07:40,760 --> 00:07:43,280 Speaker 1: months step at w B I AM and my four 111 00:07:43,360 --> 00:07:47,280 Speaker 1: months to at w F a R, my public verbal 112 00:07:47,320 --> 00:07:50,160 Speaker 1: assault from Little Mom, and almost getting jumped in the 113 00:07:50,200 --> 00:07:52,560 Speaker 1: parking lot of a t G I of Fridays by 114 00:07:52,560 --> 00:07:55,240 Speaker 1: the Light skiped members of the group seven oh two. 115 00:07:55,680 --> 00:07:58,080 Speaker 1: Fine fact, the song where My Girls Out was written 116 00:07:58,120 --> 00:07:59,680 Speaker 1: for me because I like one of their men hit 117 00:07:59,760 --> 00:08:02,560 Speaker 1: it for in the back. I'm so happy to be 118 00:08:02,720 --> 00:08:06,360 Speaker 1: here with y'all. Letting the urban listeners does my heart radio, 119 00:08:06,800 --> 00:08:09,520 Speaker 1: go on this ride with me. I'm here with my 120 00:08:09,640 --> 00:08:13,440 Speaker 1: co host, Girald. What's up, Gerald? You got anything to say? 121 00:08:13,720 --> 00:08:18,440 Speaker 1: Glad to be employed again? Joannalysts, Oh, you mispronounced my name. 122 00:08:18,440 --> 00:08:21,160 Speaker 1: I'm about to fire you again. I'm about to fire 123 00:08:21,200 --> 00:08:24,760 Speaker 1: you again. You know how to say my name. Don't 124 00:08:24,760 --> 00:08:28,560 Speaker 1: do me like that. Girald? What's going on with you? 125 00:08:28,680 --> 00:08:31,280 Speaker 1: How you've been doing? I'm good. I didn't know that 126 00:08:31,320 --> 00:08:33,840 Speaker 1: we would be back. I hope we don't mess it 127 00:08:33,880 --> 00:08:36,840 Speaker 1: up this time. That's all I'm thinking. You know, my 128 00:08:36,960 --> 00:08:40,120 Speaker 1: lawyer is saying the same thing every day, so I'm 129 00:08:40,160 --> 00:08:42,880 Speaker 1: really really happy. We're not gonna mess it up. Listen, 130 00:08:42,920 --> 00:08:47,960 Speaker 1: we don't need that energy for this first episode. Okay, 131 00:08:48,040 --> 00:08:51,280 Speaker 1: it to our inaugural episode. You know you know what 132 00:08:51,360 --> 00:08:53,520 Speaker 1: to do. I've been in this business? How long, Girald? 133 00:08:53,679 --> 00:08:56,400 Speaker 1: How long have I been in this business? A long time? 134 00:08:56,480 --> 00:08:59,760 Speaker 1: Many many years, many many years. I know what I'm 135 00:08:59,760 --> 00:09:02,599 Speaker 1: doing it, I know what I'm doing. So we're not 136 00:09:02,640 --> 00:09:05,800 Speaker 1: gonna mess this up? Are you kidding me? We got this. 137 00:09:06,480 --> 00:09:09,439 Speaker 1: Let's start with you know, our segment tea Time with 138 00:09:09,559 --> 00:09:13,760 Speaker 1: joannellis the hot topics. I'm letting y'all know the hottest 139 00:09:13,800 --> 00:09:18,640 Speaker 1: news stories today in Urban America and regular America and 140 00:09:18,679 --> 00:09:22,040 Speaker 1: Wife of America, all of it. We got our hottest 141 00:09:22,200 --> 00:09:32,800 Speaker 1: news stories. So for our story, TikTok user baby Face 142 00:09:34,280 --> 00:09:38,319 Speaker 1: posted a four cheese meccan cheese recipe that is cooked 143 00:09:38,800 --> 00:09:43,280 Speaker 1: with a curling iron. That's crazy. This generation is lost. 144 00:09:43,880 --> 00:09:47,200 Speaker 1: I don't know what to do about that. Okay, get 145 00:09:47,240 --> 00:09:51,200 Speaker 1: this now. Soldier Boys second cousin is trending in the 146 00:09:51,200 --> 00:09:56,679 Speaker 1: news right now. Somehow this kid has more followers than me. 147 00:09:57,400 --> 00:10:00,160 Speaker 1: But whatever, some of them have to be fake, that's 148 00:10:00,160 --> 00:10:03,679 Speaker 1: all I'm saying. You know, those followers definitely fake. You know, 149 00:10:04,000 --> 00:10:06,480 Speaker 1: you know, people be buying followers. You're all. You can't 150 00:10:06,480 --> 00:10:11,200 Speaker 1: believe anything in this world anymore. You can't anything, you 151 00:10:11,240 --> 00:10:14,440 Speaker 1: can't clean to. Everything's fake. The butt's fake, the titties 152 00:10:14,480 --> 00:10:18,160 Speaker 1: fake my but of course it's fake. My titty's absolutely fake. 153 00:10:18,360 --> 00:10:22,000 Speaker 1: But that's neither here nor there anyway. Soldier Boys second 154 00:10:22,040 --> 00:10:26,880 Speaker 1: cousins dead and Soldier Boys donating the proceeds of his 155 00:10:26,960 --> 00:10:31,360 Speaker 1: game emulator for the funeral of this guy who somehow 156 00:10:31,400 --> 00:10:35,080 Speaker 1: has more followers than me. Fixing Jesus, I'm sorry. Did 157 00:10:35,120 --> 00:10:37,680 Speaker 1: he did he die? Yeah? No, he's dead. Yeah, no, 158 00:10:37,840 --> 00:10:41,120 Speaker 1: that that's the news story, is that soldier boys second 159 00:10:41,120 --> 00:10:45,080 Speaker 1: cousin did get murdered. But you know, we're real sad 160 00:10:45,120 --> 00:10:48,120 Speaker 1: about that. That's so sad. What happens to the followers? 161 00:10:48,800 --> 00:10:51,800 Speaker 1: You know, I don't know? That is something that I 162 00:10:51,800 --> 00:10:55,600 Speaker 1: would love to I would love to sit Mike Zuckerberger 163 00:10:55,960 --> 00:10:58,240 Speaker 1: and sit him down and ask him what happens to 164 00:10:58,280 --> 00:11:00,560 Speaker 1: the followers after you die? You have to add, I 165 00:11:00,600 --> 00:11:05,480 Speaker 1: gotta ask you in my one on one the girl 166 00:11:05,559 --> 00:11:08,240 Speaker 1: who looks just like you that we don't talk about. 167 00:11:08,600 --> 00:11:11,960 Speaker 1: That we don't talk about anymore. Okay, because again again, Gerald, 168 00:11:12,120 --> 00:11:15,120 Speaker 1: I have two rules. Get my name pronounced right, and 169 00:11:15,200 --> 00:11:17,559 Speaker 1: not to bring up that girl that looks exactly like me. 170 00:11:17,800 --> 00:11:22,040 Speaker 1: And you're broke them immediately. You know, I'm so sick. 171 00:11:22,160 --> 00:11:25,559 Speaker 1: I'm talking to the New York State Department of Labor. 172 00:11:25,920 --> 00:11:29,160 Speaker 1: That's the only reason about why you deserve unemployment. That's 173 00:11:29,200 --> 00:11:32,120 Speaker 1: the only reason I haven't fired you yet. But dog, 174 00:11:32,400 --> 00:11:35,400 Speaker 1: you're on thin ice. And also, yes, everyone knows that 175 00:11:35,440 --> 00:11:39,840 Speaker 1: Mark Zuckerberger has a crush on that bitch who looks 176 00:11:39,880 --> 00:11:42,600 Speaker 1: exactly like me. I'm not sure if I can cuss 177 00:11:43,040 --> 00:11:46,920 Speaker 1: on syndicated radio like my heart. But here we go. 178 00:11:47,000 --> 00:11:49,480 Speaker 1: That's neither here nor there. Also, yes, so your boys 179 00:11:49,520 --> 00:11:54,160 Speaker 1: second cousin's dead by that game emulator. Five of the 180 00:11:54,200 --> 00:11:57,960 Speaker 1: proceeds are going to it R I P. And also, 181 00:11:58,160 --> 00:12:01,120 Speaker 1: you know, my mom told me, I'm gonna say you listen, 182 00:12:01,480 --> 00:12:04,280 Speaker 1: you gotta enjoy your followers. Why you can, because I 183 00:12:04,360 --> 00:12:07,000 Speaker 1: can't take that with you after you die. I think 184 00:12:07,000 --> 00:12:10,520 Speaker 1: she was talking about money. You had something to say. 185 00:12:10,640 --> 00:12:12,760 Speaker 1: I haven't set up through my estate that my my 186 00:12:12,840 --> 00:12:15,520 Speaker 1: followers will be survived and passed on to my children. 187 00:12:16,040 --> 00:12:21,840 Speaker 1: Oh not to me? Interesting? Oh yeah, interesting? I can 188 00:12:21,960 --> 00:12:25,520 Speaker 1: I can edit the next story. Jenna Pinkett, Smith's brother's 189 00:12:25,600 --> 00:12:30,839 Speaker 1: assistant with spotted canoodling with Succession actor Nicholas Braun. Y'all, 190 00:12:31,800 --> 00:12:34,640 Speaker 1: what are these fucking stories? I don't even know who 191 00:12:34,920 --> 00:12:38,000 Speaker 1: this is or what show he's on. You don't You 192 00:12:38,040 --> 00:12:41,960 Speaker 1: don't watch Succession? No, I don't watch Succession? The funk 193 00:12:42,000 --> 00:12:45,480 Speaker 1: are you talking about? That's a show. It's a it's 194 00:12:45,520 --> 00:12:48,680 Speaker 1: a very it's a popular show. Yeah, very popular. Oh 195 00:12:48,840 --> 00:12:52,240 Speaker 1: you know what, I'm I'm sorry, I'm lying. Um. I 196 00:12:52,280 --> 00:12:55,640 Speaker 1: was watching the news in January six. I didn't even 197 00:12:55,760 --> 00:12:58,480 Speaker 1: you know, obviously this man must be one of those 198 00:12:58,520 --> 00:13:02,880 Speaker 1: writers rioters is that took over the capital. You know, 199 00:13:02,920 --> 00:13:04,360 Speaker 1: that's what you gotta You gotta be careful with so 200 00:13:04,440 --> 00:13:06,640 Speaker 1: white people because you don't know where they were in 201 00:13:06,720 --> 00:13:08,959 Speaker 1: January sex. But the first thing when I meet a 202 00:13:08,960 --> 00:13:12,640 Speaker 1: white person, I'm like, yo, where were you on January six? 203 00:13:13,800 --> 00:13:16,920 Speaker 1: Because you gotta be careful. So that's good to know 204 00:13:17,240 --> 00:13:21,480 Speaker 1: that Jada pikeets to his brother's assistant is sucking with 205 00:13:21,559 --> 00:13:27,000 Speaker 1: an secessionists and in secessionists and and in secessionists. Yeah, 206 00:13:27,040 --> 00:13:30,000 Speaker 1: that's ah, that's what you know. That's I didn't even 207 00:13:30,000 --> 00:13:34,480 Speaker 1: know that word until January six. So you're so creative. 208 00:13:34,520 --> 00:13:37,760 Speaker 1: That's one of the things I like about you. Okay, 209 00:13:37,960 --> 00:13:42,080 Speaker 1: and that's why you got rehired again. Beyonce's high schools 210 00:13:42,120 --> 00:13:45,760 Speaker 1: chemistry partner says, you know what, Beyonce, we're sneakers to 211 00:13:45,840 --> 00:13:52,199 Speaker 1: school twice. Not so glam after all, Beyonce. Honestly embarrassing. 212 00:13:52,880 --> 00:13:56,679 Speaker 1: It's embarrassing, but honestly, I just okay, I'm gonna be 213 00:13:56,720 --> 00:13:58,160 Speaker 1: real with you. I don't know who the funk came 214 00:13:58,200 --> 00:14:00,920 Speaker 1: up with these stories. I'm more missed that every single 215 00:14:00,960 --> 00:14:04,240 Speaker 1: person that we mentioned Gerald, I'm gonna need to talk 216 00:14:04,240 --> 00:14:06,160 Speaker 1: to you after Did you come up with these stories? 217 00:14:06,520 --> 00:14:09,200 Speaker 1: Was that your intern? Was it one of your children? Look, 218 00:14:09,240 --> 00:14:11,480 Speaker 1: I thought this would be a good rundown. I thought 219 00:14:11,480 --> 00:14:12,920 Speaker 1: you had a lot of things to say. I thought 220 00:14:12,920 --> 00:14:14,760 Speaker 1: you did a great job with it. I need to 221 00:14:14,760 --> 00:14:18,880 Speaker 1: get better on my end, and I will absolutely who's 222 00:14:18,880 --> 00:14:22,760 Speaker 1: getting better me? I'm perfect. It's you. Don't change nothing 223 00:14:22,840 --> 00:14:27,440 Speaker 1: change nothing change nothing change nothing. See everything keep it real. 224 00:14:27,680 --> 00:14:31,160 Speaker 1: Everything's keep everything real except for the ascent titties and 225 00:14:31,240 --> 00:14:37,160 Speaker 1: the waist and lives. Our final story, Auntie Time is Uh, 226 00:14:37,280 --> 00:14:40,760 Speaker 1: the former CEO of Rock Room Shoes is ex wife's 227 00:14:40,920 --> 00:14:45,160 Speaker 1: card was declined at the California Pizza Kitchen in the 228 00:14:45,240 --> 00:14:50,080 Speaker 1: South Coast Plazza Mall in Orange County, California. It seemed 229 00:14:50,080 --> 00:14:53,760 Speaker 1: to be uh declined because she mistyped her zip code 230 00:14:54,520 --> 00:14:57,920 Speaker 1: and then they ran it again and it worked. Really, Gerald, 231 00:14:58,040 --> 00:15:00,160 Speaker 1: we really got to do something about these things. The 232 00:15:00,320 --> 00:15:05,240 Speaker 1: slow newsday, it's if there's nothing happening right now. What 233 00:15:05,320 --> 00:15:08,960 Speaker 1: the Smith family hasn't said anything embarrassing about their kids 234 00:15:09,040 --> 00:15:11,640 Speaker 1: or anything like that. They haven't said anything about their 235 00:15:11,680 --> 00:15:14,920 Speaker 1: sex labs, whether they opened it closed, it left it halfway. 236 00:15:15,000 --> 00:15:17,120 Speaker 1: I don't know. I find that hard to believe, Girald, 237 00:15:17,160 --> 00:15:20,200 Speaker 1: I don't I find that hard to believe. Okay, because 238 00:15:20,480 --> 00:15:22,280 Speaker 1: have you when was the last time you went to 239 00:15:22,320 --> 00:15:25,720 Speaker 1: a rectam shoes? Do you want me to answer that? Honestly, 240 00:15:26,520 --> 00:15:29,280 Speaker 1: I I wouldn't expect anything else. I was there, I 241 00:15:29,400 --> 00:15:33,880 Speaker 1: was there yesterday. Okay, well you know there yesterday. Glad 242 00:15:33,920 --> 00:15:37,080 Speaker 1: that I'm also glad that you're employed again because now 243 00:15:37,120 --> 00:15:41,280 Speaker 1: you can afford to go to a real sue store. Anyway, 244 00:15:41,440 --> 00:15:44,520 Speaker 1: For our final segment of Tea Time with janellis what 245 00:15:44,640 --> 00:15:47,800 Speaker 1: do you have every time you have some tea? A crumpet? 246 00:15:50,080 --> 00:15:52,560 Speaker 1: And that's why we're gonna end the segment every week 247 00:15:52,600 --> 00:15:55,200 Speaker 1: with the crumpet of the week. And you know, we 248 00:15:55,360 --> 00:15:59,720 Speaker 1: bring something, you know, real, real, crumbling, real real can 249 00:15:59,720 --> 00:16:03,360 Speaker 1: be avery at times that mostly not and uh, you know, 250 00:16:03,520 --> 00:16:06,840 Speaker 1: some something real whack like who cares about a crumpet? 251 00:16:06,840 --> 00:16:10,040 Speaker 1: But you get it with t you know. And obviously 252 00:16:10,280 --> 00:16:13,600 Speaker 1: the crumpet of the week is h Harris, my ex husband. 253 00:16:14,320 --> 00:16:17,440 Speaker 1: You know, I know that there's allegations right now of 254 00:16:17,440 --> 00:16:22,560 Speaker 1: of his cheating. There's allegations right now with our alleged 255 00:16:22,720 --> 00:16:25,280 Speaker 1: arson you know, it's not my fault. They didn't have 256 00:16:25,280 --> 00:16:29,840 Speaker 1: my shoes side. But crumpet of the week is Harris. Yo, 257 00:16:30,880 --> 00:16:34,560 Speaker 1: Harris farted so bad that I heard it from his 258 00:16:34,640 --> 00:16:39,520 Speaker 1: mistress house. You know that just embarrassing. So Harris, if 259 00:16:39,560 --> 00:16:44,920 Speaker 1: you're listening, everyone knows that you farted and it's just gross. 260 00:16:46,040 --> 00:16:50,240 Speaker 1: And you know he's listening. We know he's listening. That 261 00:16:50,240 --> 00:16:52,720 Speaker 1: that man got none better to do than to listen 262 00:16:52,720 --> 00:16:56,240 Speaker 1: to me. Seven he's sitting in his car, he's writing 263 00:16:56,360 --> 00:16:58,440 Speaker 1: us letters. He thinks. We don't know if that is Harris. 264 00:16:58,440 --> 00:17:01,480 Speaker 1: We know it's you, Harris. We know it's harrorist and 265 00:17:01,520 --> 00:17:05,560 Speaker 1: you know what, whatever, okay, because we all know who's 266 00:17:05,560 --> 00:17:08,760 Speaker 1: paying your bills. It's me. He's in the past. That's 267 00:17:08,800 --> 00:17:11,600 Speaker 1: why the rear view is bigger. That's why the rear 268 00:17:11,680 --> 00:17:14,560 Speaker 1: view is bigger. That's why the rear view bigger than what. 269 00:17:14,680 --> 00:17:18,120 Speaker 1: I'm sorry, the rear view is bigger than forward view. 270 00:17:19,000 --> 00:17:24,520 Speaker 1: I don't think that's true. Yo, what's up? This is 271 00:17:24,560 --> 00:17:31,520 Speaker 1: grawl and you're listening to the Janelle's Ja Show. All right, everyone, 272 00:17:31,840 --> 00:17:37,280 Speaker 1: welcome back to the Janelle's Jay Show. I'm very excited 273 00:17:37,400 --> 00:17:39,879 Speaker 1: for our next guest. I've been dying to talk to 274 00:17:40,000 --> 00:17:44,439 Speaker 1: him and see what's on this man's mind. He's Hollywood 275 00:17:44,440 --> 00:17:49,120 Speaker 1: actor turn director. He's easy on the eyes. But let 276 00:17:49,119 --> 00:17:53,680 Speaker 1: me tell you his latest movie something Everyone give it 277 00:17:53,800 --> 00:17:59,160 Speaker 1: up for. Otis Carter, the second director of Homemade Cooking. Wow. 278 00:17:59,280 --> 00:18:02,520 Speaker 1: Thank you so much to know it's it's an honor 279 00:18:02,600 --> 00:18:06,119 Speaker 1: to be here and I'm so excited to talk about 280 00:18:06,160 --> 00:18:11,680 Speaker 1: this film. I think it is making waves. Sure, waves 281 00:18:11,880 --> 00:18:15,760 Speaker 1: is uh, you know, it is waves in the way 282 00:18:15,840 --> 00:18:22,199 Speaker 1: that you know, um, black mediocrity is a wave of itself, 283 00:18:22,280 --> 00:18:26,320 Speaker 1: you know it does It is important for for black 284 00:18:26,400 --> 00:18:30,160 Speaker 1: people to to not do movies that are greater groundbreaking, 285 00:18:30,720 --> 00:18:33,240 Speaker 1: and I feel like you may have accomplished that with this. 286 00:18:34,080 --> 00:18:38,680 Speaker 1: M uh. Oh, I see you're like in the sense 287 00:18:38,880 --> 00:18:44,400 Speaker 1: that you know it it uh. It isn't necessarily treading 288 00:18:44,760 --> 00:18:50,439 Speaker 1: new ground, but it is familiar and um under and 289 00:18:50,520 --> 00:18:56,040 Speaker 1: relatable to to the masses, and therefore can really inject 290 00:18:56,080 --> 00:18:59,639 Speaker 1: the story that you know, I wanted to tell I 291 00:18:59,720 --> 00:19:02,399 Speaker 1: kind it right? Is that kind of mean? Uh? No, 292 00:19:02,840 --> 00:19:06,679 Speaker 1: I just mean that it's not a good film at all. Uh. Really, 293 00:19:07,160 --> 00:19:10,400 Speaker 1: I think the point is to be nice. I think 294 00:19:10,400 --> 00:19:12,359 Speaker 1: the message of this thing is to be nice to 295 00:19:12,400 --> 00:19:15,800 Speaker 1: white people no matter what they do to you. And 296 00:19:15,880 --> 00:19:18,439 Speaker 1: I mean there's really no radical politics at all. I 297 00:19:18,480 --> 00:19:22,040 Speaker 1: have no understanding of what you're trying to accomplish. I 298 00:19:22,040 --> 00:19:24,919 Speaker 1: would even say that, you know, it's not a story 299 00:19:24,960 --> 00:19:28,280 Speaker 1: that has been told. It maybe a story that somebody, 300 00:19:28,320 --> 00:19:32,920 Speaker 1: are you such black people black? If you uh, you know, 301 00:19:33,640 --> 00:19:37,719 Speaker 1: you know, that's just you know, that's my opinion. And 302 00:19:37,760 --> 00:19:40,520 Speaker 1: again we come on the show to hear my opinion, 303 00:19:41,000 --> 00:19:43,560 Speaker 1: but also my opinion has been informed because I I 304 00:19:43,600 --> 00:19:47,680 Speaker 1: did used to date both Quentin Tarantino and Werner Herzog 305 00:19:47,720 --> 00:19:51,159 Speaker 1: in the nineties. But you know, yeah, I'm sorry, are 306 00:19:51,200 --> 00:19:54,600 Speaker 1: you taking That's neither here nor there. Let's talk about 307 00:19:54,640 --> 00:19:58,080 Speaker 1: this film and what were you So why do you 308 00:19:58,359 --> 00:20:01,280 Speaker 1: make this film? And let's talk a little bit about 309 00:20:01,640 --> 00:20:05,919 Speaker 1: what the plot that you were trying to go for was. Uh. Wow, 310 00:20:07,160 --> 00:20:10,760 Speaker 1: I don't I feel like I'm being pun Uh there's 311 00:20:10,800 --> 00:20:14,719 Speaker 1: a like a roast battle or or something. Uh no, Uh, 312 00:20:15,000 --> 00:20:19,040 Speaker 1: of course this film it has a I think a 313 00:20:19,440 --> 00:20:26,679 Speaker 1: very intriguing plot. Um so Uh Trevor played by mihrsha 314 00:20:26,760 --> 00:20:30,119 Speaker 1: Ali of course comes comes down. I know, great one 315 00:20:30,160 --> 00:20:32,080 Speaker 1: of the greatest actors of our generation. I think he 316 00:20:32,080 --> 00:20:36,480 Speaker 1: would agree done such fantastic films, uh like Green Book. 317 00:20:36,920 --> 00:20:40,800 Speaker 1: Wow that if that's the film? Yeah yeah, yeah, yeah, 318 00:20:40,880 --> 00:20:45,959 Speaker 1: best Best Picture winner. And he he his father is 319 00:20:46,280 --> 00:20:49,840 Speaker 1: dying and he has to go home, uh and take 320 00:20:49,880 --> 00:20:52,280 Speaker 1: care of him. And his father has owned a restaurant 321 00:20:52,320 --> 00:20:57,320 Speaker 1: that he decided he wasn't going to keep on the 322 00:20:57,320 --> 00:21:01,960 Speaker 1: family business. But in the in in the process of 323 00:21:02,040 --> 00:21:06,600 Speaker 1: his father dying, um, he realizes how much uh this 324 00:21:06,760 --> 00:21:11,600 Speaker 1: restaurant means to the town. Uh, and he decides to 325 00:21:11,680 --> 00:21:17,040 Speaker 1: take it over. And this restaurant actually is a pivotal 326 00:21:17,119 --> 00:21:24,320 Speaker 1: place for a horrible racial incident happens and there needs 327 00:21:24,359 --> 00:21:28,560 Speaker 1: to be healing, you know, because this town is very segregated. 328 00:21:29,200 --> 00:21:36,639 Speaker 1: And what we use is cooking, because food is the 329 00:21:36,680 --> 00:21:40,120 Speaker 1: great equalizer. We all need to eat it, we all 330 00:21:40,160 --> 00:21:45,199 Speaker 1: have to poop it, and uh we all love to 331 00:21:45,280 --> 00:21:48,159 Speaker 1: talk about it. And and then that's what that's what 332 00:21:48,200 --> 00:21:50,399 Speaker 1: the movie is about. It's called homemade cooking. And I 333 00:21:50,480 --> 00:21:54,479 Speaker 1: really hope everyone in their families catches it over the 334 00:21:54,560 --> 00:21:58,280 Speaker 1: Christmas break. I'm sorry, I I can't bully. I mean, okay, 335 00:21:58,359 --> 00:22:01,639 Speaker 1: so that's right, that that that's what you were trying 336 00:22:01,640 --> 00:22:06,399 Speaker 1: to accomplish. But yeah, again, you know you have someone 337 00:22:06,520 --> 00:22:11,480 Speaker 1: as strong as Marchela. But really it's kind of it's 338 00:22:11,560 --> 00:22:16,040 Speaker 1: kind of difficult to you know, the cinematography that you're using. 339 00:22:16,040 --> 00:22:19,520 Speaker 1: It's just not you're not lighting him correctly. You know, 340 00:22:19,720 --> 00:22:22,719 Speaker 1: his his skin is looking a little off color. Like 341 00:22:23,440 --> 00:22:27,639 Speaker 1: it was concerning because for such an important piece. I'm like, 342 00:22:27,720 --> 00:22:31,280 Speaker 1: did you get a lighting crew though? Like Black Splint, 343 00:22:31,480 --> 00:22:34,920 Speaker 1: I got the one of the best cinematographers in the game. 344 00:22:35,480 --> 00:22:41,040 Speaker 1: Um Alan uh McAllister, Uh he is, Yeah, he's done. 345 00:22:41,040 --> 00:22:43,280 Speaker 1: That guy is so hacked. What did he do? What 346 00:22:43,359 --> 00:22:46,280 Speaker 1: are the clerks? Oh? Yeah, I mean yes, that that's 347 00:22:46,320 --> 00:22:50,000 Speaker 1: where he got his start. But he's done great films, 348 00:22:50,560 --> 00:22:55,120 Speaker 1: uh like. Uh he did the film with the Benedict Cumberbatch, 349 00:22:57,240 --> 00:23:02,840 Speaker 1: the World War Two Uh film? Oh god, okay, yeah exactly, yeah, yeah, 350 00:23:02,880 --> 00:23:05,480 Speaker 1: so terrible. I guess you couldn't see anything in that 351 00:23:05,560 --> 00:23:09,080 Speaker 1: film either. That film you the lighting was not good. 352 00:23:09,400 --> 00:23:12,840 Speaker 1: I found the shot that you did really just just try. 353 00:23:13,080 --> 00:23:17,640 Speaker 1: But you know, again, I want to know a little 354 00:23:17,680 --> 00:23:20,920 Speaker 1: bit about why you had Brian Cranson played the police officer. 355 00:23:21,400 --> 00:23:26,439 Speaker 1: Oh well, Brian of course, Uh, wonderful actor. Uh like, 356 00:23:26,920 --> 00:23:32,080 Speaker 1: has a great turn as a paraplegic. Uh. And the 357 00:23:32,080 --> 00:23:37,400 Speaker 1: the upside is that what was called I'm pretty good 358 00:23:37,400 --> 00:23:42,679 Speaker 1: at remembering movies. Uh. We had Brian played because we 359 00:23:42,760 --> 00:23:51,040 Speaker 1: needed someone who audiences could understand how someone who they 360 00:23:51,160 --> 00:23:55,200 Speaker 1: thought was so bad I could have a heart of gold, 361 00:23:56,040 --> 00:23:58,960 Speaker 1: you know. And of course Brian has a has an 362 00:23:58,960 --> 00:24:05,320 Speaker 1: incredible scene where he spits in mahrchela space. Um yeah, 363 00:24:05,359 --> 00:24:08,480 Speaker 1: that scene was incredible. Ye okay, yeah, and and says 364 00:24:08,920 --> 00:24:15,600 Speaker 1: you take that, uh, you dirty monkey, and Mahrchela, instead 365 00:24:15,640 --> 00:24:20,719 Speaker 1: of punching back, wipes the spit off his space and 366 00:24:20,800 --> 00:24:27,040 Speaker 1: licks it. And in that moment, Brian Cranston sheds a 367 00:24:27,080 --> 00:24:35,199 Speaker 1: tear because he realizes, wow, we all need sustenance. And 368 00:24:35,280 --> 00:24:39,400 Speaker 1: they sit down and have a slice of sweet potato pie, 369 00:24:39,520 --> 00:24:46,640 Speaker 1: which for my white friends, that's our equivalent to pumpkin pie. Uh, 370 00:24:46,880 --> 00:24:51,840 Speaker 1: it's it's a little black you know, highlight there. I 371 00:24:51,920 --> 00:24:53,960 Speaker 1: like to I like to add in black culture to 372 00:24:53,960 --> 00:24:58,439 Speaker 1: to my films. Yeah, you know that so much of 373 00:24:58,480 --> 00:25:04,879 Speaker 1: what you said is so incredibly disturbing. I would ask 374 00:25:04,920 --> 00:25:07,320 Speaker 1: how this got greenlit in the first place, but we 375 00:25:07,359 --> 00:25:13,000 Speaker 1: all know, uh that why I got greenlight? Uh wow, 376 00:25:13,240 --> 00:25:17,880 Speaker 1: I just Yeah, the spit scene really was disturbing to me. Again, 377 00:25:18,240 --> 00:25:21,320 Speaker 1: you know, I think you bring up a good point 378 00:25:21,400 --> 00:25:25,760 Speaker 1: is that this entire film was under the lens of 379 00:25:25,880 --> 00:25:30,560 Speaker 1: white audiences. And I think the message with again no 380 00:25:30,760 --> 00:25:35,840 Speaker 1: radical politics at all, uh, is just really about how 381 00:25:35,920 --> 00:25:40,040 Speaker 1: the onus of racism and ending racism is on black people. 382 00:25:40,560 --> 00:25:44,800 Speaker 1: And I cannot agree with you less. And uh, you know, 383 00:25:45,119 --> 00:25:48,240 Speaker 1: I think that I don't know if I would say that, 384 00:25:48,320 --> 00:25:52,960 Speaker 1: I would say it's on all of us as human beings. Okay, okay, Yeah, 385 00:25:53,040 --> 00:25:55,640 Speaker 1: it's just the race at the end of the day 386 00:25:56,600 --> 00:26:00,440 Speaker 1: is a construct, just like yeah. Uh. And and if 387 00:26:00,520 --> 00:26:04,760 Speaker 1: we come to realize that in each of us is 388 00:26:05,280 --> 00:26:10,720 Speaker 1: a human being just trying to eat and survive, then 389 00:26:10,840 --> 00:26:15,679 Speaker 1: I think we can grow past the superficial differences. Um 390 00:26:15,840 --> 00:26:20,080 Speaker 1: that that set us hard like uh like sweet potato 391 00:26:20,160 --> 00:26:26,000 Speaker 1: bye and pumpkin by. Uh. Well, let's take a hard 392 00:26:26,160 --> 00:26:30,080 Speaker 1: left on that, because listen, this conversation is not going anywhere. 393 00:26:30,119 --> 00:26:33,080 Speaker 1: You might be one of the dumbest people I've ever 394 00:26:33,160 --> 00:26:35,520 Speaker 1: talked to. And I just interviewed Tyree's two weeks ago, 395 00:26:35,880 --> 00:26:38,879 Speaker 1: so that's saying a lot. But let's uh, you know, 396 00:26:39,080 --> 00:26:41,960 Speaker 1: let's let's take a hard pivot and uh, you know, 397 00:26:42,119 --> 00:26:44,200 Speaker 1: talk about some of the fun things of this film, 398 00:26:44,240 --> 00:26:47,800 Speaker 1: because obviously we're not going to agree on anything race 399 00:26:47,920 --> 00:26:52,359 Speaker 1: or anything kind of critically thinking at all, or film 400 00:26:52,440 --> 00:26:54,960 Speaker 1: or or or coloring. So let's talk about some fun 401 00:26:55,000 --> 00:27:00,840 Speaker 1: anecdotes from this film. Homemade cooking. Okay, um, sure, I 402 00:27:00,880 --> 00:27:05,480 Speaker 1: mean well there is ah, well, there is a little hot, 403 00:27:05,720 --> 00:27:11,320 Speaker 1: spicy sex scene. Uh, within the middle of the film. Uh. Yeah, 404 00:27:11,400 --> 00:27:17,120 Speaker 1: let's talk about that sex scene. So mah Herschela has 405 00:27:17,160 --> 00:27:22,959 Speaker 1: just opened up his shop restaurant, of course, and a 406 00:27:23,040 --> 00:27:27,560 Speaker 1: down trodden white woman uh comes in and says, oh, 407 00:27:27,920 --> 00:27:31,640 Speaker 1: I'm sorry, I must have the wrong address. Uh, this 408 00:27:31,720 --> 00:27:35,400 Speaker 1: is not the restaurant I was looking for. But he says, well, 409 00:27:35,400 --> 00:27:38,960 Speaker 1: how about a cup of coffee before you get on 410 00:27:39,000 --> 00:27:42,800 Speaker 1: your way? And she says great, I like mine black, 411 00:27:43,359 --> 00:27:47,800 Speaker 1: and uh they share a little look and we kind 412 00:27:47,800 --> 00:27:54,160 Speaker 1: of cut to a nice romantic scene uh of them 413 00:27:54,200 --> 00:27:58,040 Speaker 1: making love. Yeah, you see, this is where I have 414 00:27:58,160 --> 00:28:00,600 Speaker 1: an issue. You wanted to talk about this, Actually, let's 415 00:28:00,640 --> 00:28:03,840 Speaker 1: go there. Obviously the sex scene was directed and written 416 00:28:03,840 --> 00:28:07,160 Speaker 1: by someone in the male days. Uh, this is not 417 00:28:07,400 --> 00:28:10,280 Speaker 1: real at all, Like it's it's mind bogged into me 418 00:28:10,320 --> 00:28:14,280 Speaker 1: that you find this even remotely romantic. There was no 419 00:28:14,440 --> 00:28:19,359 Speaker 1: for playing uh, no kind of trust. There was nothing. 420 00:28:19,400 --> 00:28:23,560 Speaker 1: There was not even like a consensual conversation. The camera 421 00:28:23,640 --> 00:28:29,160 Speaker 1: angles were not great right just of her, but kind 422 00:28:29,160 --> 00:28:33,280 Speaker 1: of kind of like leering up. You didn't like that one. No, 423 00:28:33,600 --> 00:28:35,800 Speaker 1: I did not like the camera angle of the white 424 00:28:35,800 --> 00:28:42,480 Speaker 1: woman's But anyway, again, the scene itself was so quick 425 00:28:42,520 --> 00:28:46,040 Speaker 1: that there was no way that you can just tell 426 00:28:46,080 --> 00:28:48,720 Speaker 1: that the director. I'm just watching this and like, has 427 00:28:48,720 --> 00:28:52,440 Speaker 1: the director ever made a woman come? And obviously the 428 00:28:52,480 --> 00:28:58,120 Speaker 1: answer is no. But you know, I mean in my experience, uh, 429 00:28:58,320 --> 00:29:01,680 Speaker 1: you know, making love, it's short and sweet, you know, 430 00:29:01,880 --> 00:29:04,680 Speaker 1: it's uh you know less. You know, I think what 431 00:29:04,800 --> 00:29:09,680 Speaker 1: an average about forty five seconds in um it's passionate. 432 00:29:10,400 --> 00:29:14,080 Speaker 1: But it's not about the duration. It's about, you know, 433 00:29:14,120 --> 00:29:23,720 Speaker 1: the quality of the spice. That sounds terrible. I can't 434 00:29:23,720 --> 00:29:27,720 Speaker 1: believe we had this conversation. All right, Any last things 435 00:29:27,800 --> 00:29:31,800 Speaker 1: for anyone who's still not completely unconvinced to watch this 436 00:29:32,840 --> 00:29:39,360 Speaker 1: uh film, some may say, I know, Vernon, I think 437 00:29:40,480 --> 00:29:44,440 Speaker 1: this might this might tickle your fancy. Uh. There is 438 00:29:44,880 --> 00:29:53,120 Speaker 1: a moment in here where a white professor stands up 439 00:29:53,160 --> 00:29:58,720 Speaker 1: for me Herschela and winds up saving the restaurant. And 440 00:29:59,080 --> 00:30:03,040 Speaker 1: I really love of that moment of this white man 441 00:30:03,080 --> 00:30:06,600 Speaker 1: saying in the restaurant because it shows that we have 442 00:30:06,800 --> 00:30:14,600 Speaker 1: allies and the ally ship that we have with white 443 00:30:14,800 --> 00:30:20,680 Speaker 1: communities can make us stronger. That's so bad, that's so wrong, 444 00:30:20,840 --> 00:30:24,680 Speaker 1: that's so that's I can't believe that's the point in Again, 445 00:30:25,280 --> 00:30:30,360 Speaker 1: not surprised that you got this greenlit, not surprised if 446 00:30:30,400 --> 00:30:33,840 Speaker 1: this wins any awards, but just know on the Jannell's 447 00:30:33,920 --> 00:30:39,040 Speaker 1: j Show, this is an absolute flop. Uh, and you 448 00:30:39,120 --> 00:30:42,440 Speaker 1: know you need you ask the rest and for making 449 00:30:42,480 --> 00:30:47,200 Speaker 1: this film. Um, well thanks for talking about this film. 450 00:30:47,440 --> 00:30:50,440 Speaker 1: I don't recommend it to anyone, but that's just you know, 451 00:30:50,480 --> 00:30:53,440 Speaker 1: we do live in America. So you know, I don't 452 00:30:53,520 --> 00:30:57,520 Speaker 1: understand why you asked me on the show. Well you 453 00:30:57,600 --> 00:31:00,240 Speaker 1: know I heard radio said I had to in you 454 00:31:00,320 --> 00:31:04,880 Speaker 1: on whatever, So I don't know either. But I'm glad 455 00:31:04,920 --> 00:31:08,600 Speaker 1: that you were a good sport about this. And uh, 456 00:31:08,720 --> 00:31:11,960 Speaker 1: you know you will probably get money to make films again, 457 00:31:12,920 --> 00:31:15,760 Speaker 1: but I won't be watching any But you know, let's 458 00:31:15,800 --> 00:31:19,520 Speaker 1: talk about gossip. Let's talk about let's have some fun here. 459 00:31:19,560 --> 00:31:22,320 Speaker 1: We've been I know I've been really nailing you and 460 00:31:22,520 --> 00:31:25,640 Speaker 1: uh what we love on this show. People like to 461 00:31:25,720 --> 00:31:28,880 Speaker 1: keep it real again. Like I said, everything real on me. 462 00:31:28,920 --> 00:31:31,520 Speaker 1: Everything's real about me except for my ass and titties 463 00:31:31,520 --> 00:31:38,760 Speaker 1: of waste and face. I wanted to bring up our 464 00:31:38,840 --> 00:31:44,200 Speaker 1: next segment. We brought receipts and that's where we actually 465 00:31:44,240 --> 00:31:49,040 Speaker 1: have your big transactions. Yeah, we have your bank transactions 466 00:31:49,200 --> 00:31:52,040 Speaker 1: and want to force you to answer to them. And 467 00:31:52,160 --> 00:31:54,480 Speaker 1: you know it will be real fun. So let's get 468 00:31:54,520 --> 00:31:58,680 Speaker 1: into it. Um, last Monday, you spent two hundred and 469 00:31:58,760 --> 00:32:02,840 Speaker 1: forty three dollars Trader Joe's. What's up with that? What 470 00:32:03,800 --> 00:32:06,480 Speaker 1: do you mean? What's up with it? So it's groceries. 471 00:32:06,560 --> 00:32:09,880 Speaker 1: I'm buying groceries for the week. I don't understand what. 472 00:32:10,400 --> 00:32:12,840 Speaker 1: That's a lot of everything, bagels season and you know 473 00:32:12,880 --> 00:32:20,160 Speaker 1: what I'm saying. Okay, I like hosting. I have people over. 474 00:32:20,560 --> 00:32:24,640 Speaker 1: You know why I work in Hollywood, Hie, Yeah, I 475 00:32:24,640 --> 00:32:30,760 Speaker 1: get it all right. Invasion of privacy? Okay, Uh, well 476 00:32:30,840 --> 00:32:33,080 Speaker 1: the next or your the next thing? Man, we see 477 00:32:33,080 --> 00:32:37,120 Speaker 1: that you went to Walmart two wednesdays ago and you 478 00:32:37,160 --> 00:32:45,000 Speaker 1: spent what you get if you must know I bought 479 00:32:45,240 --> 00:32:50,360 Speaker 1: up a day Wow, the Walmart brand BI Day. Don't 480 00:32:50,360 --> 00:32:55,520 Speaker 1: tell our sponsors, Tishy, you know what I'm saying. Wow? Okay, 481 00:32:55,840 --> 00:32:58,600 Speaker 1: Now I see here you spend nineties seven dollars and 482 00:32:58,640 --> 00:33:05,520 Speaker 1: fifty two cents. I'm bevil razors. Yeah. Well, see the 483 00:33:05,680 --> 00:33:14,600 Speaker 1: thing is, I have a hairy back, and I don't 484 00:33:15,320 --> 00:33:21,920 Speaker 1: like I don't like mechanics razors, electric razors. They they 485 00:33:21,960 --> 00:33:25,720 Speaker 1: scare me, the noise, the feel of them. So you 486 00:33:25,800 --> 00:33:31,840 Speaker 1: know that's what the Gene's Jay Show is all about. 487 00:33:32,440 --> 00:33:37,760 Speaker 1: Dropping bub You heard it first, otis otis car. The 488 00:33:37,880 --> 00:33:40,880 Speaker 1: second has a hairy back, and you only heard it 489 00:33:40,960 --> 00:33:45,160 Speaker 1: here first because of the we brought receipt segments. Let's 490 00:33:45,200 --> 00:33:49,720 Speaker 1: keep it going, Harry as back. Uh. You know you 491 00:33:49,760 --> 00:33:52,200 Speaker 1: wanted to promote your day to a black audience. Here 492 00:33:52,240 --> 00:33:55,600 Speaker 1: you go. Now you must subject yourself to being embarrassed. 493 00:33:55,800 --> 00:34:01,680 Speaker 1: The next few things we got here are transactions on Venmo. 494 00:34:02,160 --> 00:34:06,040 Speaker 1: I hear you say you spend sixty on Venmo to Sarah, 495 00:34:06,240 --> 00:34:10,760 Speaker 1: eighty dollars on Venmo to Jake, and then ten dollars 496 00:34:10,760 --> 00:34:14,000 Speaker 1: on cash up. So let's talk about the drugs you're 497 00:34:14,040 --> 00:34:19,279 Speaker 1: buying on Venmo. Honey, no, no, yeah, that's a nice 498 00:34:19,320 --> 00:34:24,080 Speaker 1: try not buying drugs, all right. Uh. Sarah is my 499 00:34:24,320 --> 00:34:29,800 Speaker 1: massuse okay, okay uh? And Jake is my house cleaner, 500 00:34:30,320 --> 00:34:32,520 Speaker 1: and which I think is pretty progressive. I have a 501 00:34:32,520 --> 00:34:35,680 Speaker 1: white man named Jake who cleans my house. So take 502 00:34:35,719 --> 00:34:39,880 Speaker 1: that to the to the Black Bank, if you will. Again, 503 00:34:40,400 --> 00:34:43,920 Speaker 1: you know you're so far removed from anything that the 504 00:34:43,920 --> 00:34:46,919 Speaker 1: black community is doing that. I'm sure you do think 505 00:34:46,960 --> 00:34:50,800 Speaker 1: that it is progressive and transformative to have a white 506 00:34:50,880 --> 00:34:54,799 Speaker 1: person cleaning your house. But the next transaction shows that 507 00:34:54,840 --> 00:34:56,719 Speaker 1: you're just as corny as all the other people in 508 00:34:56,719 --> 00:35:00,680 Speaker 1: Black Hollywood. I see you got a five do I'm deposit, 509 00:35:01,040 --> 00:35:04,120 Speaker 1: I'm corny. I hang out with Will Smith. I'd have 510 00:35:04,320 --> 00:35:13,040 Speaker 1: you now, So who's corny? Now? One of the coolest 511 00:35:13,080 --> 00:35:17,640 Speaker 1: people on the planet I've seen here. You've got five 512 00:35:17,680 --> 00:35:22,440 Speaker 1: thousand dollar deposit from Tyler Perry Studios. Let's talk about that. 513 00:35:23,560 --> 00:35:26,960 Speaker 1: What's going on? Sure? Actually, i'd be glad to talk 514 00:35:27,000 --> 00:35:31,279 Speaker 1: about a Tyler Perry of Black Vision Area has his 515 00:35:31,360 --> 00:35:36,560 Speaker 1: own studios in Atlanta, Georgia. I mean making so many 516 00:35:36,640 --> 00:35:42,319 Speaker 1: jobs for the black community, underpaid jobs. Well, is five 517 00:35:42,360 --> 00:35:51,479 Speaker 1: thousand dollars under paid for a page screenplay. Um, yes, 518 00:35:51,840 --> 00:35:56,440 Speaker 1: wait what it's severely underpay. That's what. Wait you sold 519 00:35:56,480 --> 00:35:59,000 Speaker 1: something and he paid you five thousand dollars. Yeah, I 520 00:35:59,040 --> 00:36:01,360 Speaker 1: wrote a I wrote a I wrote a tier of 521 00:36:01,400 --> 00:36:03,960 Speaker 1: Perry film. He said, and you know, I mean we 522 00:36:04,200 --> 00:36:05,960 Speaker 1: decided to do without agents, so I didn't have to 523 00:36:05,960 --> 00:36:08,480 Speaker 1: pay the ten percent and he bumped up my pay 524 00:36:08,600 --> 00:36:20,200 Speaker 1: from five thousand. Uh no, that's that is that is 525 00:36:20,280 --> 00:36:22,920 Speaker 1: I mean, how much do you make from this radio show? 526 00:36:23,000 --> 00:36:26,719 Speaker 1: It's not it's not doubt. It's five thousand dollars. I 527 00:36:26,800 --> 00:36:30,200 Speaker 1: think it is actually five thousand dollars an episode that 528 00:36:30,280 --> 00:36:36,359 Speaker 1: I make from this radio show. And oh I do 529 00:36:36,400 --> 00:36:41,919 Speaker 1: it one every day. You make five thousand dollars a day. Yeah, 530 00:36:42,640 --> 00:36:46,000 Speaker 1: times a week. It took me two years to write 531 00:36:46,040 --> 00:36:52,360 Speaker 1: the screenplay. Well, honey, everyone loves a good slice of pie. 532 00:36:52,600 --> 00:36:57,960 Speaker 1: That's what you said in your movie Home Cookie. Uh well, 533 00:36:58,000 --> 00:37:00,719 Speaker 1: I guess you gotta get a new age. And thank 534 00:37:00,760 --> 00:37:03,960 Speaker 1: you so much for coming on our show. Otis Carter 535 00:37:04,080 --> 00:37:07,319 Speaker 1: is a second. I hope you re evaluate everything that 536 00:37:07,360 --> 00:37:12,040 Speaker 1: you're talking about, but if not, tell your agent. Thank 537 00:37:12,080 --> 00:37:15,120 Speaker 1: you for giving us your bay statement. And this has 538 00:37:15,160 --> 00:37:20,319 Speaker 1: been we brought receipts the Jannellis J Show. I'm Your Girl, 539 00:37:20,400 --> 00:37:26,400 Speaker 1: Jannellis J. All right, everyone, now we have our final 540 00:37:26,520 --> 00:37:30,279 Speaker 1: segment of today's show, the segment that y'all all love 541 00:37:30,360 --> 00:37:33,400 Speaker 1: and no called Hope Fuel. This is really just a 542 00:37:33,480 --> 00:37:37,320 Speaker 1: message to all my haters, and you know it is something. 543 00:37:37,800 --> 00:37:40,120 Speaker 1: I know everyone's going into your week and you're trying 544 00:37:40,120 --> 00:37:43,239 Speaker 1: to think of things that will help you get through it. 545 00:37:43,280 --> 00:37:46,120 Speaker 1: And I know that, like people love me because I'm 546 00:37:46,160 --> 00:37:49,840 Speaker 1: super relatable and this is relatable to everyone sharing this, 547 00:37:50,440 --> 00:37:53,800 Speaker 1: and I know that hearing this might change the course 548 00:37:53,840 --> 00:37:56,200 Speaker 1: of your week. So I'm here to do the people's 549 00:37:56,239 --> 00:38:00,440 Speaker 1: business and the whole fuel this week. I just want 550 00:38:00,440 --> 00:38:04,200 Speaker 1: to let you know, Harris know again fuck you. I 551 00:38:04,239 --> 00:38:08,239 Speaker 1: know you sucked my cousin. I truly cannot stand you. 552 00:38:08,800 --> 00:38:11,880 Speaker 1: And uh, you know, when I see you again, we 553 00:38:11,960 --> 00:38:15,799 Speaker 1: have a really great lawyer team, and I know, let's say, 554 00:38:15,880 --> 00:38:20,920 Speaker 1: quote unquote, when I see you allegedly again unquote, um, 555 00:38:21,200 --> 00:38:23,400 Speaker 1: you know, I'll have something for you. And you know 556 00:38:23,680 --> 00:38:28,439 Speaker 1: everyone's like me. I'm just the average human being who 557 00:38:28,480 --> 00:38:32,719 Speaker 1: has a leeching husband that's made that's completely stoled their 558 00:38:32,880 --> 00:38:36,040 Speaker 1: entire estate and it's paying and purchased a house for 559 00:38:36,200 --> 00:38:39,080 Speaker 1: my their mistress with their money. You know, I know 560 00:38:39,160 --> 00:38:43,440 Speaker 1: that that's everyday people problems. Some I know y'all feel me, audience, 561 00:38:43,520 --> 00:38:45,919 Speaker 1: I know y'all get it. I know y'all know what's 562 00:38:45,920 --> 00:38:49,520 Speaker 1: going on. And yeah, that is uh the whole fuel 563 00:38:49,600 --> 00:38:52,439 Speaker 1: of the week. And uh, you know, just again, fuck 564 00:38:52,520 --> 00:38:56,239 Speaker 1: Harris and I'm never taking you back, So thank you 565 00:38:56,320 --> 00:39:00,400 Speaker 1: so much. This was another episode of the genealousy issue.