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Speaker 1: Look at you in a green shirt. You're shaking it up.

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Speaker 1: You're not in a dark Mickey Mouse hoodie. You're in

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Speaker 1: an audience. He's in a lime green Nike T shirt.

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Speaker 1: I'm shook. I'm shook, shooketh you shook it? What do

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Speaker 1: I do? I don't know. I've never seen you not

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Speaker 1: in a in one of three hoodies while we did

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Speaker 1: this podcast.

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Speaker 2: And look at you in a hoodie today?

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Speaker 1: What's going on? Why? How have you landed in this

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Speaker 1: lime green T shirt?

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Speaker 2: I decided to wear a T shirt today because, Uh,

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Speaker 2: I had a I had an interview earlier.

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Speaker 1: Go on what happened?

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Speaker 3: We talked about things, tell us everything well.

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Speaker 2: We talked about how you can stream extended family on

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Speaker 2: Peacock too much.

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Speaker 1: Oh, I see, this is a plug for extended family.

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Speaker 2: I wore a green T shirt just so you would

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Speaker 2: ask me, so I could plug extended family.

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Speaker 1: Who is the who is the interview with?

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Speaker 2: It was with? Uh? I don't know? It's me, dude.

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Speaker 1: Come on, you don't even remember who you did the

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Speaker 1: interview with.

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Speaker 2: I know who I did the interview with. I just

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Speaker 2: don't know.

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Speaker 1: Were you high during the interview?

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Speaker 2: I might have been.

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Speaker 1: Have you ever done an interview high and you think

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Speaker 1: to yourself self, I'm too high for this interview.

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Speaker 2: This interview, this might have been that interview.

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Speaker 1: I haven't smoked weed in years, but I when I

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Speaker 1: did smoke weed, The idea of being interviewed is not

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Speaker 1: what I would be interested in. But I think you're

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Speaker 1: a bureau You.

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Speaker 2: Just get really honest. All that happens is you get honest.

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Speaker 1: But I would get in my head like, oh did

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Speaker 1: I answer that right? Oh? I shouldn't have said that.

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Speaker 1: Did that sound weird? I would be so high.

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Speaker 2: For so much of a ship now that you know

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Speaker 2: it doesn't.

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Speaker 1: You're kind of like a double black diamond skier. But

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Speaker 1: with weed.

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Speaker 2: When it comes to marijuana, I'm I'm one of the best.

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Speaker 1: Yeah, you and Snoop.

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Speaker 2: I have smoked weed with Snoop before.

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Speaker 1: Did you get extra mega high?

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Speaker 2: I had to stop. It's not that there was that

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Speaker 2: there was I couldn't. It was just too much smoke,

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Speaker 2: Like my throat was so dry and water was not

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Speaker 2: going to solve that problem at that moment.

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Speaker 1: I'm the only one of y'all that doesn't enjoy cannabis ativa.

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Speaker 4: That's that's fair. That is accurate statement.

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Speaker 2: That is accurate.

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Speaker 1: Bro, that's okay. I'm alright with us.

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Speaker 2: Yeah, but nobody's trying to peer pressure you back into

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Speaker 2: your old ways. Bro, like the new you was cool.

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Speaker 1: I'm alright, No, I don't, I don't. I don't miss

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Speaker 1: it at all, but uh, it sure is popular in

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Speaker 1: uh in Los Angeles.

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Speaker 3: And in New York City now and in New York

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Speaker 3: City as we.

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Speaker 1: Know, all right, should we get into the show, don't

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Speaker 1: watch you count a sentence Scrubs season nine about sure.

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Speaker 1: We made about a bunch of season nine episode four. Everybody,

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Speaker 1: what are we thinking? Daniel, you had some thoughts?

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Speaker 2: Yeah, I want to hear Daniels.

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Speaker 5: I just you know, what I was saying to Zach

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Speaker 5: earlier is that, you know, I think, with a little

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Speaker 5: distance and a little space and this whole going into

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Speaker 5: season nine with the most open mind possible, it's not

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Speaker 5: that bad. It's really not It's really enjoyable. And I think,

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Speaker 5: you know, there's the reminiscent part of it that's seeing

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Speaker 5: you guys, and there's still a lot of gaffes. And

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Speaker 5: I will say, maybe when we lose a major part

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Speaker 5: of this formula, I'll feel a little differently, but while

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Speaker 5: we're still seeing Turk and JD having a good time.

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Speaker 5: It's really it's a fun show, and I think comparison

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Speaker 5: is the thief of joy in this scenario where it's

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Speaker 5: like you want to say it's bad because you're strictly

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Speaker 5: comparing it to the thing you had before. But I

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Speaker 5: think it's fun. It's still fun.

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Speaker 4: It's definitely still fun. As much as I am enjoying

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Speaker 4: the fun parts, some of the show feels ungrounded to me.

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Speaker 4: Specifically in this episode the fantasies, I was like, I

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Speaker 4: don't know who's fantasy this, so we were just randomly cutting fantasy.

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Speaker 1: Everyone fantasize.

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Speaker 4: I think, mm hmm, it's a weird rule. I don't

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Speaker 4: know how I feel about it.

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Speaker 2: Yeah, I just feel like I gravitated towards the JD

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Speaker 2: Turk and Cock stuff more than I gravitated towards the interns.

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Speaker 2: And then at one point in the show, j D

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Speaker 2: says to the interns the plot of the exact show

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Speaker 2: that this is a ripoff of you know what I mean,

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Speaker 2: And it was.

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Speaker 4: Like the ripoffs were inspired by I think.

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Speaker 2: Like three versions of it. We've done this like several times.

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Speaker 2: It's like where we say goodbye to a special person,

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Speaker 2: but then they didn't even make But then they got

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Speaker 2: like real hokey and wrapped up really quick.

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Speaker 1: And it wasn't moving. I mean, we know that. When

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Speaker 1: we did that with Glenn Turn it was like one

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Speaker 1: of the best Scrubs episodes ever.

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Speaker 2: But at the end of this, this dude they found

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Speaker 2: the guys.

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Speaker 1: His war buddies. Yeah, in like a half hour.

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Speaker 2: And yeah, get the fuck out of here. Man, you've

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Speaker 2: never seen them before. They obviously lived close.

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Speaker 1: They live on the block, right And wait, you're telling

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Speaker 1: me that Cole went to his party and like drank

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Speaker 1: and then came back and changed and got in.

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Speaker 2: Scrubs completely unh Yeah.

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Speaker 1: By the way, though, I've just say us in those

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Speaker 1: outfits dancing the cad even before the.

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Speaker 2: All of it, all of its online freaking and and

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Speaker 2: and you know that's that was a great part of it.

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Speaker 2: But the best part of the show is fucking Sam

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Speaker 2: Lloyd say Goodbye the Lake.

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Speaker 1: Great. Yeah, they were getting ahead of ourselves. Let's start

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Speaker 1: at the beginning to talk.

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Speaker 2: About I'm already ready to go five, six, seven, eight.

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Speaker 1: No, come on, we do a rewatch podcast Donald until

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Speaker 1: we're done doing rewatch it.

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Speaker 2: I'm in it. I'm in it.

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Speaker 1: The people want to know what the four of us think,

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Speaker 1: and we are here to serve them. We are here

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Speaker 1: to service millions of people.

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Speaker 2: Donald Lucy in the beginning and have the show.

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Speaker 1: He went right by my servicing millions.

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Speaker 2: Of people because I would write to spitting and I

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Speaker 2: would write to spitting.

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Speaker 1: All right, he is spinning in Lucy's face, by the way, not.

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Speaker 3: A fantasy, Not a fantasy.

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Speaker 1: In reality, he's screaming in her face and spitting in

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Speaker 1: her face.

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Speaker 2: And not a fantasy. J D comes to school in

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Speaker 2: leg warmers, well not only leg warmers, like brown, like

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Speaker 2: Debbie Allen style.

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Speaker 1: And I will tell you when I performed the fame

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Speaker 1: monologue for Debbie Allens, I tell you, well, just I'll

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Speaker 1: do it quickly for those that have heard it on

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Speaker 1: the podcast. But I I was at a restaurant and

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Speaker 1: Debbie Allen and we established it was it's the creator

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Speaker 1: of Danel. It was Lee Daniels and they were at

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Speaker 1: a table behind us, and Lee Daniels tapped my shoulder

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Speaker 1: and said, have you ever met Debbie Allen? And I

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Speaker 1: instantly just stood up out of respect for her. And

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Speaker 1: she smiled at me and I said, oh, my goodness, Royalty,

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Speaker 1: I loved fame growing up. It's such an honor to

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Speaker 1: meet you. And she said, oh, you're sweet, thank you.

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Speaker 1: And I said I could do the monologue. She's like,

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Speaker 1: you don't know the monologue. And I just went into it,

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Speaker 1: by the way, totally sober, middle of the day, packed restaurant.

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Speaker 1: I just like took my stance and I was like,

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Speaker 1: you want fame. And I went into the whole thing.

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Speaker 2: You got dreams, you want fame.

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Speaker 1: And she clapped at the end. When I nailed the end,

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Speaker 1: I stuck the landing in front of Debbie Allen Donalds.

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Speaker 2: And you think of Debbie Allen. She was in that

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Speaker 2: movie that I was talking about earlier next day. She

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Speaker 2: played my mom.

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Speaker 1: Really, that's it and all our stories come full circle anyway.

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Speaker 1: So yes, JD not in a fantasy wearing leg warmers,

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Speaker 1: carrying a stick, making the kids sit on the floor.

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Speaker 1: He really wants to be He wants to be Debbie

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Speaker 1: Allen in fame. What is this all right? So then

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Speaker 1: I wrote in my notes with Johnny se was like,

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Speaker 1: is that a fantasy? And then I realized it was not.

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Speaker 2: No, because that's how you and Lucy passed the torch.

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Speaker 1: Later on, Oh yes, we sort of dance by each

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Speaker 1: other and the voiceover gets tossed to me. Yes, they

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Speaker 1: throw Lucy under a bus. That was a fantasy. I

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Speaker 1: don't know whose fan. That's my third note. They throw

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Speaker 1: Lucy under the bus. They threw a mannekin under a

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Speaker 1: You don't remember that.

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Speaker 2: I do remember that. I thought that came after the

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Speaker 2: the boots. I can't do this on that.

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Speaker 1: I don't hate it. By the way, I kind of

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Speaker 1: like the beat. It's like a nice remix. It also

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Speaker 1: starts on your beautiful face. It's gotta know it's the

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Speaker 1: scrub's remix.

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Speaker 2: Let's take a break.

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Speaker 1: We'll be right back after these fine words. Okay, So

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Speaker 1: Lucy says, if you want to keep sleeping with me,

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Speaker 1: you better have my back to call yes, and then

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Speaker 1: he's like, you have so many.

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Speaker 2: Rules now, brob.

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Speaker 1: Yeah, I remember those T shirts.

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Speaker 2: I think I have one to question mark. That means

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Speaker 2: we don't even know when it ends.

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Speaker 1: Yeah, we don't even know when it ends. You're like,

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Speaker 1: where's mine? I'm wearing the.

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Speaker 2: I I love it. Where's Mine?

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Speaker 1: That was funny. Now we're so geeked. Part of the

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Speaker 1: theme of this episode for us is that we're getting older,

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Speaker 1: but we're in denial about us getting older. We're still

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Speaker 1: trying to be little kids. We're still super stoked to

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Speaker 1: go out on the town. Our our wives are and

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Speaker 1: we're going to party one eight pm to question Mark.

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Speaker 1: When was that there was somebody's birthday party? And back

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Speaker 1: in the day old scrubs where it was eight pm

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Speaker 1: until upside Down question Mark, it.

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Speaker 3: Was a.

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Speaker 1: It was it was it was a Spanish themed party.

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Speaker 1: I remember, I forgot what it was, but it was

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Speaker 1: eight pm until upside Down question Mark.

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Speaker 2: L Lane in.

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Speaker 1: All right, so bro palooza, and they're all excited, they're geeked.

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Speaker 1: And but then Cox tells Denise that she's got to

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Speaker 1: put get her interns under control because their interns they're

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Speaker 1: just they're not doing anything correctly. They don't feel like

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Speaker 1: they were a good.

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Speaker 2: No, they're just they're just unruly. They're fighting and they're

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Speaker 2: not a team yet. And uh and and he's witnessing it.

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Speaker 2: He witnessed it there when you're you're absolutely right when

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Speaker 2: they throw her under the bus that was in his

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Speaker 2: class and everything, and he's like dude, you got to

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Speaker 2: get these cats under control. They're wrecking havoc.

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Speaker 1: Yeah, and they're also stealing his donut. He didn't like that.

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Speaker 1: They're fighting over his donut.

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Speaker 2: And so she pawns it off onto her boyfriend.

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Speaker 1: Right, but he doesn't have it for very long, right,

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Speaker 1: I forgot if he doesn't know.

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Speaker 2: Because he tries. She tries to get out of it,

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Speaker 2: and Cocks is like, get the fuck no, and we're like,

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Speaker 2: get the fuck out of here. You can't do that shit.

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Speaker 2: Is it us? Or is it I forgot already?

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Speaker 1: I forgot, and I can't blame it on weed. Joelle,

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Speaker 1: do you remember why does she tries to hand it

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Speaker 1: off to Drew and then Drew somehow flips it by

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Speaker 1: Oh maybe it's me with the cheese.

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Speaker 2: Yes, it is that she is. That's right, it is us, right,

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Speaker 2: So it flips and now she's she's like, all right, look,

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Speaker 2: so you guys now have to stay in the er

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Speaker 2: tonight and take down the note ahead of it, take

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Speaker 2: down the.

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Speaker 3: Notes with final interviews, right.

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Speaker 2: The final interviews of these people that are dying.

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Speaker 1: Right. It's as though the writers said, you know, it

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Speaker 1: was a really famous, beloved episode of scrub.

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Speaker 2: Comes on, bro, don't do it, don't do it?

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Speaker 1: Well, it is kind of that, I mean, it's I'm

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Speaker 1: not missing anyone. I'm just saying that this This is

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Speaker 1: definitely inspired by a very beloved episode.

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Speaker 2: Of Scrubs the very year before, the season before, right,

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Speaker 2: it wasn't too distant, No, not that distant.

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Speaker 1: Cole's throwing a party and they all want to go

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Speaker 1: to the party, and then Denise throws at the dumb

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Speaker 1: you're not going anywhere. All done or none done. You're

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Speaker 1: not going anywhere until you guys take the final interviews

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Speaker 1: of four patients that are likely going to pass away tonight. Right,

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Speaker 1: and then Lucy references her pubic mons by saying it's

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Speaker 1: like the friggin' Amazon down.

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Speaker 2: There because she hasn't shaved, it.

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Speaker 1: Has maintained her moms.

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Speaker 2: She wants, she wants to she wants to get out.

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Speaker 1: And I know it was so weird that she I know,

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Speaker 1: she makes a joke about saying, like, gosh, I'm so awkward,

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Speaker 1: but like she announces to the group that her pubic

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Speaker 1: care is like the Amazon.

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Speaker 2: I mean word all right, she does, Yes, that that

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Speaker 2: is accurate statement.

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Speaker 1: Yes, Drew, this was weird. He this wasn't thought out

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Speaker 1: he had Why is he in a dinosaur costume in prison?

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Speaker 2: He's working, this is what he's doing for uh, for

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Speaker 2: community service?

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Speaker 1: But why is that ken you serve? Why would they

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Speaker 1: want a guy just as Come on, bro, No, I

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Speaker 1: just didn't understand the joke, but.

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Speaker 2: You're trying to explain it. You're trying the.

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Speaker 1: Joke should have some sort of basic logic, I.

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Speaker 2: Know, but you're trying to dissect it now, and there's

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Speaker 2: no way to dissect the joke.

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Speaker 1: I just want to talk about in the world of

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Speaker 1: the show, he got community service and he dressed up

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Speaker 1: like a dinosaur because he thought he was going to

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Speaker 1: the community service was entertaining children, but ultimately was entertaining prisoners.

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Speaker 1: Why would the prisoners ask the prison why would the

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Speaker 1: prisoners at request or be assigned a man in a

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Speaker 1: dinosaur costume?

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Speaker 2: It's no logic here at all.

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Speaker 1: And then he said that the costume was flammable, meaning

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Speaker 1: they set him on fire at the prison.

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Speaker 3: Yes, they tortured him, Yes, horrifying.

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Speaker 2: No, it's not horrifying, Daniel, it's it's bullshit, Like, come on,

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Speaker 2: that's what it is. Horrorfi I get the fuck out

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Speaker 2: of here. This is what it is.

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Speaker 1: I didn't understand that at all. It was a very

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Speaker 1: quick fantasy. I think at the ti time they were like,

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Speaker 1: this doesn't work, but we shot it so quick, throwing

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Speaker 1: it in and then get out quick. All right. So

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Speaker 1: Ted is quitting and Ted is finally going to travel

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Speaker 1: the world with his wife Gooch, and they're going to

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Speaker 1: do a tour of the country. And they've written a

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Speaker 1: song for every state.

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Speaker 2: Yep, so cute.

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Speaker 1: They're very She's so cute. They're both so adorable together.

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Speaker 1: Although I have to say, scrubs Wiki says Gouc and

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Speaker 1: Ted do not sing the state songs in alphabetical order,

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Speaker 1: since Alaska and Arizona come before Arkansas. Oh my gosh,

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Speaker 1: I mean, how could they have left that? How could

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Speaker 1: they that happen? Do you think that they shot those

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Speaker 1: other ones and then they just weren't as funny and

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Speaker 1: so they decided to start on Arkansas. How could they

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Speaker 1: get the alphabetical order wrong.

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Speaker 4: Maybe they'd have anything funny to say about Alaska.

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Speaker 1: They're like, just go to anyone who's writing those little jokes.

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Speaker 1: There's plenty of funny in Alaska.

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Speaker 2: It's cold, in Alaska.

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Speaker 1: Yeah, you can see Russure from your house. They start

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Speaker 1: singing and they're very adorable. And then Cox the elevator

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Speaker 1: gets stuck and Cox cannot handle it, so he climbs

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Speaker 1: through the emergency hatch of the elevator to escape their singing.

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Speaker 4: This is why I lost it. That's what's happening.

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Speaker 1: What was going on.

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Speaker 4: It was so confusing, this kind of looney tune stuff.

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Speaker 1: It's weird. Yeah, and by the way, he doesn't really

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Speaker 1: it doesn't take much for him to escape the elevator.

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Speaker 1: He like does like David Blaine on that ship. He's

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Speaker 1: out of it.

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Speaker 2: Okay, So I did. I thought that was actually on

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Speaker 2: par for a Scrubs joke back in the day, Like

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Speaker 2: that would be the most obscure joke in an episode.

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Speaker 2: Him doing that, know what, I can't handle it. I'm out,

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Speaker 2: and then climbing out, but him falling through the ceiling,

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Speaker 2: and then that's not addressing it. Like there's a bunch

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Speaker 2: of things that you know what I mean.

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Speaker 1: It's all cartoony, And I have to say, to give

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Speaker 1: myself some criticism, I think that I was playing I

329
00:17:08,520 --> 00:17:12,280
Speaker 1: just leaned into the silliest side of JD. Everything I'm

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Speaker 1: doing in this season so far, to me, except for that,

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Speaker 1: like maybe a one or I just feel like I'm

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Speaker 1: like the broadest one. I'm not playing anything straight. And

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Speaker 1: I know I have a lot of broad stuff to

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Speaker 1: be saying, but I'm watching myself and it all feels

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00:17:27,720 --> 00:17:30,720
Speaker 1: like I lost the plot. I'm not literally and figuredly

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Speaker 1: I lost.

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Speaker 2: I feel the exact same way, Bro, and I'm I'm

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Speaker 2: I'm glad you pointed at yourself, but I feel like,

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Speaker 2: as a whole, the show itself has lost the plot.

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Speaker 1: No, but I'm saying that. I'm even when I watch

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Speaker 1: Michael Moseley, I go, Okay, well he's a great granted

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Speaker 1: and I've said this last episode, he's not called upon

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Speaker 1: to do the super silly stuff that JD is doing,

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Speaker 1: But I'm like he's at least being a good actor.

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Speaker 1: He's playing it straight, he's doing the jokes when they

346
00:17:59,200 --> 00:18:01,840
Speaker 1: come and I watch myself and I'm going, wow, I

347
00:18:02,320 --> 00:18:07,040
Speaker 1: just kind of I've leaned all into super silly humor. Obviously,

348
00:18:07,040 --> 00:18:08,879
Speaker 1: that's what some of most of the stuff they're giving me.

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00:18:09,000 --> 00:18:11,600
Speaker 1: JD's there to be as silly as JD can be.

350
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Speaker 1: But to me, I'm not. I'm not super impressed with

351
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Speaker 1: my acting so far this season.

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Speaker 2: I don't think it's Shakespeare though, So all.

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Speaker 1: Right, well, I'm just saying in season one through eight,

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Speaker 1: I think I found a nice balance.

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Speaker 2: But that was Shakespeare. That's what I'm trying to tell you,

356
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Speaker 2: that Shakespeare.

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Speaker 1: All right, So Cox drops through the ceiling. We learned

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Speaker 1: that phase one of our of our bromance bro Poloosa

359
00:18:36,720 --> 00:18:38,359
Speaker 1: is going to be case of dias. That's why we

360
00:18:38,440 --> 00:18:44,359
Speaker 1: eventually see JD with a giant sleeve of cheese. We

361
00:18:44,440 --> 00:18:49,080
Speaker 1: say that we're attached by fun. Now JD runs through

362
00:18:49,119 --> 00:18:51,040
Speaker 1: all the themes. When he finds out there's a party,

363
00:18:51,080 --> 00:18:53,440
Speaker 1: Cox tells him there's a party. JD runs through many themes.

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Speaker 1: I thought you must be excited that he mentioned Star.

365
00:18:55,640 --> 00:18:57,960
Speaker 2: Wars well, that he mentioned Star Wars twice.

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Speaker 1: Yeah, I'm at the point of being your wife that

367
00:19:00,720 --> 00:19:02,880
Speaker 1: when I hear the word star Wars, I get excited.

368
00:19:03,040 --> 00:19:06,200
Speaker 1: You were like, I love that, Donald love this part.

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00:19:07,560 --> 00:19:10,320
Speaker 1: I'm like, because they said the word star Wars, Donald's

370
00:19:10,560 --> 00:19:13,680
Speaker 1: love this. That's where we're at.

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Speaker 4: I have a Star Wars question for Donald. Do you

372
00:19:17,760 --> 00:19:20,480
Speaker 4: think JD predicted Canto bite? When he called for a

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Speaker 4: murder mystery set in the Raring twenties, A Star Wars

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00:19:23,960 --> 00:19:25,560
Speaker 4: murder mystery said in the Raring twenties?

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Speaker 2: Is that what canto Bite is?

376
00:19:28,080 --> 00:19:32,440
Speaker 4: I mean, Cantobyte is a nineteen twenties casino style set

377
00:19:32,520 --> 00:19:36,120
Speaker 4: up where we don't explicitly see murder, but we do

378
00:19:36,160 --> 00:19:39,760
Speaker 4: see a lot of corruption. I'm just saying. When JD

379
00:19:39,840 --> 00:19:41,480
Speaker 4: spits us out, I was like, Canto bite.

380
00:19:41,560 --> 00:19:43,080
Speaker 1: Maybe what's canto bite?

381
00:19:43,280 --> 00:19:46,520
Speaker 2: Canto Bite is a planet where a se casino on

382
00:19:46,600 --> 00:19:52,960
Speaker 2: a plane, where Thin and Rose ride some crazy ass

383
00:19:53,880 --> 00:19:56,359
Speaker 2: horse like cats and.

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00:19:56,960 --> 00:19:58,680
Speaker 1: Oh yeah, I remember that? Is that last Jedi?

385
00:19:59,240 --> 00:20:00,800
Speaker 2: Correct? Yes, yeah, I.

386
00:20:00,800 --> 00:20:03,119
Speaker 1: Remember being like when I watched that, going what the

387
00:20:03,160 --> 00:20:04,479
Speaker 1: hell is this so stupid?

388
00:20:04,760 --> 00:20:08,440
Speaker 5: Why is everybody wearing tuxes? It's an alien planet where

389
00:20:08,480 --> 00:20:10,800
Speaker 5: all of a sudden there's these European conventions.

390
00:20:11,000 --> 00:20:14,040
Speaker 2: Right, it's a casino, but everybody got on the tux aliens.

391
00:20:14,320 --> 00:20:16,360
Speaker 4: Look at the can of worms. I've Openish.

392
00:20:17,800 --> 00:20:20,080
Speaker 1: Talks is universal? Universal? Is right?

393
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Speaker 2: I don't know, we've never seen a TUXI knowing Star

394
00:20:24,800 --> 00:20:28,080
Speaker 2: Wars ever until can't they even got the rows and

395
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Speaker 2: ship and this ship come on?

396
00:20:30,119 --> 00:20:32,000
Speaker 1: But all Right're gonna take quick break, and when we

397
00:20:32,000 --> 00:20:33,960
Speaker 1: come back. I want to ask you guys about that

398
00:20:34,080 --> 00:20:37,119
Speaker 1: new Star Wars trailer I've.

399
00:20:36,960 --> 00:20:41,800
Speaker 2: Been we're doing this, We'll be right, We're gonna be

400
00:20:41,880 --> 00:20:42,240
Speaker 2: right back.

401
00:20:42,240 --> 00:20:44,320
Speaker 1: Don't worry, audience. I'm gonna keep I'm gonna make them

402
00:20:44,400 --> 00:21:01,680
Speaker 1: keep it brief and to get into I'm what you're

403
00:21:01,720 --> 00:21:04,920
Speaker 1: trying to do? All right? What is this new show?

404
00:21:05,240 --> 00:21:09,399
Speaker 1: I heard? I heard the trailer is very popular, like Goodlight, Goodlight.

405
00:21:09,480 --> 00:21:10,520
Speaker 1: I think it's just Acolyte.

406
00:21:10,560 --> 00:21:16,200
Speaker 2: There's no Accoltell's it Acolyte Goodlight?

407
00:21:19,520 --> 00:21:20,400
Speaker 1: What's the Acolyte?

408
00:21:20,480 --> 00:21:22,520
Speaker 2: Like?

409
00:21:22,640 --> 00:21:22,960
Speaker 4: Donald?

410
00:21:23,000 --> 00:21:25,040
Speaker 1: Do you want to take this one and brief? Please?

411
00:21:25,040 --> 00:21:26,600
Speaker 1: We don't need a whole we don't we need the

412
00:21:26,600 --> 00:21:27,120
Speaker 1: cliff notes.

413
00:21:27,160 --> 00:21:27,440
Speaker 6: Please.

414
00:21:27,600 --> 00:21:30,520
Speaker 2: This takes place. So I've been shipping on this little

415
00:21:30,520 --> 00:21:33,000
Speaker 2: thing called the High Republic, and everybody's like, no, it's

416
00:21:33,040 --> 00:21:35,400
Speaker 2: fucking really good Star Wars Man. You should get into

417
00:21:35,440 --> 00:21:39,439
Speaker 2: it at Stars. And it takes place apparently we're supposed

418
00:21:39,480 --> 00:21:41,560
Speaker 2: to take place a thousand years, but this takes place

419
00:21:42,119 --> 00:21:44,800
Speaker 2: like one hundred years before the events.

420
00:21:44,880 --> 00:21:47,480
Speaker 4: Oh it's a long raine. This is toward the end of.

421
00:21:47,400 --> 00:21:49,920
Speaker 2: That era, right, But this takes place one hundred years

422
00:21:49,960 --> 00:21:54,359
Speaker 2: before the Phantom Menace, and so the characters that are in,

423
00:21:54,560 --> 00:21:57,359
Speaker 2: the characters that could possibly be in it, are like

424
00:21:57,440 --> 00:22:00,159
Speaker 2: out of this world anyway. This is the right of

425
00:22:00,240 --> 00:22:03,679
Speaker 2: the Sith under the Jedi's noses and them not knowing.

426
00:22:03,920 --> 00:22:06,920
Speaker 2: So all of these people in this in this show

427
00:22:06,960 --> 00:22:10,080
Speaker 2: that you're watching, all these people gotta die. All of

428
00:22:10,119 --> 00:22:13,439
Speaker 2: them gotta die, all of them gotta die. I don't know.

429
00:22:14,880 --> 00:22:18,000
Speaker 2: But just for one line in the Phantom Menace alone,

430
00:22:18,119 --> 00:22:20,800
Speaker 2: they all got to die. That's impossible. The Sith have

431
00:22:20,840 --> 00:22:24,840
Speaker 2: been extinct for over a thousand years. Just for that alone,

432
00:22:25,359 --> 00:22:26,960
Speaker 2: they all gotta die.

433
00:22:27,080 --> 00:22:29,560
Speaker 1: Something tells me there's going to be some syths that

434
00:22:29,640 --> 00:22:30,680
Speaker 1: weren't accounted for.

435
00:22:31,200 --> 00:22:33,119
Speaker 2: No, they're talking. I'm not talking about the Siths that

436
00:22:33,320 --> 00:22:38,480
Speaker 2: gotta die. All the Jedi that encounter said Acolyte.

437
00:22:37,960 --> 00:22:43,760
Speaker 1: Said gotta die, all right, And there's no said Acolyte.

438
00:22:44,160 --> 00:22:47,879
Speaker 1: There's no there's no other famous actors we know that

439
00:22:47,920 --> 00:22:48,880
Speaker 1: are in it or is all new?

440
00:22:48,920 --> 00:22:53,280
Speaker 4: Folks, I'm on the Stenberg, isn't it. She's fabulous. You

441
00:22:53,359 --> 00:22:58,480
Speaker 4: might know her from me, Yeah, she's she's a fabulous actress. Also,

442
00:22:58,760 --> 00:23:05,400
Speaker 4: the girl from the movie The Matrix yes, yes, Carrie

443
00:23:05,440 --> 00:23:07,480
Speaker 4: on Moss is also in this movie, and she's fabulous

444
00:23:07,480 --> 00:23:09,880
Speaker 4: and we're very excited. But the girl from Wolverine who

445
00:23:09,920 --> 00:23:14,080
Speaker 4: played X twenty three, who was really great, Logan, that's

446
00:23:14,080 --> 00:23:14,680
Speaker 4: the movie.

447
00:23:14,920 --> 00:23:15,400
Speaker 2: She's out.

448
00:23:16,000 --> 00:23:18,040
Speaker 4: Yeah she plays the alien with the little horns on

449
00:23:18,080 --> 00:23:18,440
Speaker 4: her head.

450
00:23:18,680 --> 00:23:19,720
Speaker 2: Okay, I did not know that.

451
00:23:19,840 --> 00:23:21,760
Speaker 4: Yeah, she's like a lead character too. I'm really excited.

452
00:23:21,800 --> 00:23:23,280
Speaker 4: We haven't seen her for like seventy years.

453
00:23:23,560 --> 00:23:28,520
Speaker 2: Die, Okay, she's okay, we'll see.

454
00:23:28,320 --> 00:23:31,720
Speaker 1: I will listen. I heard the trailer broke broke some

455
00:23:31,800 --> 00:23:33,639
Speaker 1: sort of internet interweb record.

456
00:23:33,760 --> 00:23:36,600
Speaker 2: No Star Wars trailer has been viewed this many times ever.

457
00:23:37,040 --> 00:23:39,159
Speaker 4: It looks really bomb. It's interesting because they've decided to

458
00:23:39,320 --> 00:23:42,600
Speaker 4: use martial arts as a central starting point for the fights,

459
00:23:42,600 --> 00:23:45,439
Speaker 4: as opposed to before you're more into sword fighting, like

460
00:23:45,480 --> 00:23:48,199
Speaker 4: a classic fencing style of sword fighting, and then they

461
00:23:48,200 --> 00:23:49,800
Speaker 4: moved to broad swords in the new movies. But this

462
00:23:49,880 --> 00:23:53,080
Speaker 4: is all martial arts based and it looks killer. That's

463
00:23:53,080 --> 00:23:53,560
Speaker 4: look amazing.

464
00:23:53,600 --> 00:23:54,200
Speaker 3: I'm excited.

465
00:23:55,480 --> 00:23:58,360
Speaker 2: Interesting, Like all of the geeks for the High Republic

466
00:23:58,480 --> 00:24:01,840
Speaker 2: are really losing their mind because in the trailer they

467
00:24:01,960 --> 00:24:06,879
Speaker 2: show this wookie who uh, the gentleman who played Chewbacca

468
00:24:06,920 --> 00:24:11,240
Speaker 2: in the original or not an original, but in the

469
00:24:11,280 --> 00:24:18,480
Speaker 2: sequel trilogies, uh is playing this Wookie Jedi and it's rare.

470
00:24:18,560 --> 00:24:20,600
Speaker 2: We haven't seen that in live action before, and so

471
00:24:20,760 --> 00:24:23,320
Speaker 2: people are really excited about that. There are a lot

472
00:24:23,320 --> 00:24:23,720
Speaker 2: of really.

473
00:24:23,640 --> 00:24:26,280
Speaker 1: Clear excited to see the guy in the Chewbacca suit.

474
00:24:27,080 --> 00:24:29,159
Speaker 4: There's I see him play a different type of Wookie.

475
00:24:29,160 --> 00:24:31,560
Speaker 4: We've never a Wookie Jedi is extremely.

476
00:24:31,119 --> 00:24:33,679
Speaker 2: Rare, and we get I don't think I think there's

477
00:24:34,240 --> 00:24:36,560
Speaker 2: two versions of three versions of it that I know.

478
00:24:36,680 --> 00:24:38,440
Speaker 2: There was one in a novel back in the day

479
00:24:38,440 --> 00:24:41,000
Speaker 2: that I read with the kids of Hans Solo and

480
00:24:41,040 --> 00:24:44,320
Speaker 2: Princess Leah. They were best friends with this Wookie who

481
00:24:44,440 --> 00:24:48,080
Speaker 2: was a Jedi. And then in the Clone Wars and stuff,

482
00:24:48,080 --> 00:24:52,760
Speaker 2: there was this there was Yeah, there was a Padawan Wookie.

483
00:24:51,320 --> 00:24:58,720
Speaker 2: Are not that we're aware, we're aware of you joke around,

484
00:24:58,720 --> 00:25:00,960
Speaker 2: but I'd like to see that ship. I'd like to

485
00:25:01,000 --> 00:25:03,480
Speaker 2: see a Jawa Jedi. I actually like to see a

486
00:25:03,600 --> 00:25:10,040
Speaker 2: Jawa Jedi and e Walk Jedi. Things that are considered primitive,

487
00:25:10,080 --> 00:25:13,040
Speaker 2: I would love to see once they're enhanced by the Force,

488
00:25:13,680 --> 00:25:14,399
Speaker 2: what they become.

489
00:25:14,680 --> 00:25:16,960
Speaker 1: What about Java, a Java Jedi.

490
00:25:20,880 --> 00:25:23,480
Speaker 2: That'd be interesting because he wouldn't know he was a

491
00:25:23,600 --> 00:25:28,360
Speaker 2: Jedi until after he Jedi mind tricks don't work on

492
00:25:29,359 --> 00:25:31,879
Speaker 2: huts and things like that, you know. I mean, like

493
00:25:34,440 --> 00:25:36,359
Speaker 2: just one day he was just choke. I want to

494
00:25:36,440 --> 00:25:39,479
Speaker 2: choke you, and he would just choke somebody. He wouldn't

495
00:25:39,520 --> 00:25:43,800
Speaker 2: be a Jedi, he'd be a no, I can't last.

496
00:25:43,840 --> 00:25:44,920
Speaker 1: I'm so tired.

497
00:25:46,480 --> 00:25:48,879
Speaker 2: Jedi. That could never be. A h could never be.

498
00:25:48,920 --> 00:25:51,000
Speaker 1: And that's how the conversation ended. There could never be

499
00:25:51,040 --> 00:25:52,000
Speaker 1: a Hut Jedi.

500
00:25:56,200 --> 00:25:58,359
Speaker 2: That's a good The more you know there could never

501
00:25:58,400 --> 00:25:59,240
Speaker 2: be a Hut Jedi.

502
00:26:00,119 --> 00:26:05,399
Speaker 1: More you know, the more you know, Joelle, we're going

503
00:26:05,480 --> 00:26:08,080
Speaker 1: to start having guests on more than now. We are

504
00:26:08,119 --> 00:26:10,919
Speaker 1: not doing episodes. And I asked Joelle if she would

505
00:26:11,119 --> 00:26:16,320
Speaker 1: find someone who would talk to us about open relationships

506
00:26:16,400 --> 00:26:19,240
Speaker 1: and marriages. Joelle, have you found an expert on that

507
00:26:19,320 --> 00:26:19,600
Speaker 1: at all?

508
00:26:19,880 --> 00:26:22,320
Speaker 4: We're still looking around, still poking around.

509
00:26:22,040 --> 00:26:24,640
Speaker 1: For well, this is a very hot topic issue.

510
00:26:24,680 --> 00:26:26,720
Speaker 2: Why is this a hot topic issue nowadays?

511
00:26:26,800 --> 00:26:29,359
Speaker 1: I'm just something that people are talking about. I've seen

512
00:26:29,359 --> 00:26:34,920
Speaker 1: many articles around about some people shaking it up and

513
00:26:35,600 --> 00:26:40,320
Speaker 1: trying open relationships and open marriages, and I thought it

514
00:26:40,359 --> 00:26:43,560
Speaker 1: would be an interesting topic. Since our sex therapist was

515
00:26:43,600 --> 00:26:48,280
Speaker 1: so popular and our other therapy related guests were so interesting.

516
00:26:48,320 --> 00:26:51,040
Speaker 1: I thought it might be a good topic for our listeners,

517
00:26:51,920 --> 00:26:53,480
Speaker 1: and Joelle's going to find an expert.

518
00:26:55,000 --> 00:26:59,040
Speaker 2: I am. I'm interested in hearing what they have to say.

519
00:26:59,080 --> 00:27:03,000
Speaker 2: But as the only on the panel, No, Daniel's married

520
00:27:03,000 --> 00:27:06,360
Speaker 2: to Now, oh that's right. I forgot Daniel's married. Daniel.

521
00:27:06,400 --> 00:27:07,800
Speaker 2: Your relationship isn't open?

522
00:27:07,880 --> 00:27:09,040
Speaker 1: Is it correct?

523
00:27:09,119 --> 00:27:10,239
Speaker 3: It's not right?

524
00:27:10,320 --> 00:27:12,440
Speaker 1: Okay, but we're not We're not asking. We're not asking

525
00:27:12,440 --> 00:27:14,159
Speaker 1: whether it's for you or not. We just want to

526
00:27:14,160 --> 00:27:15,879
Speaker 1: have the conversation about people that are into it, just

527
00:27:15,920 --> 00:27:16,840
Speaker 1: out of curiosity.

528
00:27:16,920 --> 00:27:17,159
Speaker 2: We're not.

529
00:27:17,160 --> 00:27:17,520
Speaker 1: We're not.

530
00:27:17,600 --> 00:27:19,480
Speaker 2: We're not My relationship isn't open.

531
00:27:20,080 --> 00:27:24,399
Speaker 1: No, we know, we know. We're not asking. This is

532
00:27:24,480 --> 00:27:27,880
Speaker 1: We're not trying to enroll you. I just thought the topic.

533
00:27:27,560 --> 00:27:29,439
Speaker 2: Could be I don't want to be in a lifestyle,

534
00:27:33,720 --> 00:27:36,439
Speaker 2: he said, in case case is listening my marriage not?

535
00:27:38,720 --> 00:27:41,800
Speaker 1: All right? Ready, let's go on. Donald back to the

536
00:27:41,840 --> 00:27:45,600
Speaker 1: TV show Scrubs. The last state that we hear them

537
00:27:45,680 --> 00:27:50,840
Speaker 1: seeing is about Wyoming, and I laughed when Sam says,

538
00:27:50,880 --> 00:27:57,720
Speaker 1: no Jews to be Shaloami. It's funny rhyme. So Kelso

539
00:27:57,920 --> 00:28:00,960
Speaker 1: offers them a night on the town. He charmed by them,

540
00:28:00,960 --> 00:28:03,800
Speaker 1: and he says, I'm taking you out ted if you're leaving.

541
00:28:04,520 --> 00:28:09,080
Speaker 1: He's flirting, of course inappropriately with Gooch, but he says,

542
00:28:09,119 --> 00:28:10,880
Speaker 1: I'm taking you out on the town because we all

543
00:28:10,880 --> 00:28:15,719
Speaker 1: know that Cole is throwing a big party. And then

544
00:28:15,760 --> 00:28:19,480
Speaker 1: the security guards from the hospital are now they're now

545
00:28:19,800 --> 00:28:21,200
Speaker 1: the bouncers.

546
00:28:20,640 --> 00:28:24,320
Speaker 2: At the bar. Do it? I could have skipped it.

547
00:28:25,000 --> 00:28:27,320
Speaker 1: We have to talk about how that they are now.

548
00:28:27,480 --> 00:28:29,680
Speaker 1: They also work as the bouncers at the local bar

549
00:28:29,760 --> 00:28:31,960
Speaker 1: to pick up extra money. And in addition to that,

550
00:28:32,040 --> 00:28:34,960
Speaker 1: what's the thing they have? Oh, salsa? They make salsa.

551
00:28:37,040 --> 00:28:39,880
Speaker 4: They were the gig economy before the gig economy caught here,

552
00:28:40,400 --> 00:28:43,680
Speaker 4: which I can sort of respect. I just wish they

553
00:28:43,680 --> 00:28:44,320
Speaker 4: were funnier.

554
00:28:44,520 --> 00:28:47,200
Speaker 1: They have lots of hustles. Yes, is that what it

555
00:28:47,240 --> 00:28:49,000
Speaker 1: means to be a part of the gig economy?

556
00:28:49,360 --> 00:28:51,880
Speaker 4: Yeah, you have a lot of side hustles.

557
00:28:51,800 --> 00:28:56,080
Speaker 1: Right, well, they do. Lucy is assigned to interview the

558
00:28:56,120 --> 00:29:00,320
Speaker 1: great Paul Dooley, legendary character actor, and I remember Paul

559
00:29:00,360 --> 00:29:04,080
Speaker 1: Dowley being there and being excited. There's a movie that

560
00:29:04,200 --> 00:29:06,920
Speaker 1: was very important to my brother, and also a movie

561
00:29:06,920 --> 00:29:10,760
Speaker 1: that I loved called Breaking Away, which I highly recommend

562
00:29:10,840 --> 00:29:13,400
Speaker 1: to you. Paul Dewley has been in so many movies,

563
00:29:13,400 --> 00:29:15,160
Speaker 1: but he was the father in that movie and it

564
00:29:15,240 --> 00:29:19,479
Speaker 1: was really really what's the movie about, Zach. It's about

565
00:29:20,240 --> 00:29:24,280
Speaker 1: teenagers and growing up in a small town and one

566
00:29:24,320 --> 00:29:29,720
Speaker 1: of the young boys becomes a really incredible cyclist, and

567
00:29:30,360 --> 00:29:32,680
Speaker 1: he's it's a small town and they don't do anything,

568
00:29:32,920 --> 00:29:37,160
Speaker 1: and he's trying to break away from small town life

569
00:29:37,280 --> 00:29:44,280
Speaker 1: by being a competitive champion cyclist and it's really beautiful.

570
00:29:44,280 --> 00:29:44,959
Speaker 1: I recommend it.

571
00:29:45,960 --> 00:29:47,959
Speaker 2: He was also the dad in one of my favorite

572
00:29:48,000 --> 00:29:51,840
Speaker 2: movies of all times, sixteen Candles.

573
00:29:52,080 --> 00:29:59,360
Speaker 1: Oh, of course, sixteen Candles legend legendary movie. So JD's

574
00:29:59,400 --> 00:30:01,240
Speaker 1: at the bar and we know that he doesn't like beer,

575
00:30:01,280 --> 00:30:04,560
Speaker 1: but he does drink for eight years, he drinks apple

576
00:30:04,600 --> 00:30:06,760
Speaker 1: Teeni's they make him feel fancy. I don't know why

577
00:30:06,760 --> 00:30:10,640
Speaker 1: he's doing shots of soda weird, But the funniest part

578
00:30:10,640 --> 00:30:12,320
Speaker 1: of the episode, I think we can all agree the

579
00:30:12,320 --> 00:30:14,600
Speaker 1: funniest part of the episode is us dancing.

580
00:30:14,720 --> 00:30:17,120
Speaker 2: Yes, I cracked out, He's.

581
00:30:17,120 --> 00:30:21,400
Speaker 1: Cracked out in those outfits and then easily. You say

582
00:30:21,400 --> 00:30:22,240
Speaker 1: that we're letting them know.

583
00:30:22,800 --> 00:30:27,040
Speaker 2: Yeah, I laughed. That was I laughed very hard at that.

584
00:30:28,000 --> 00:30:32,480
Speaker 1: Ken Winningham, our amazing director, has a cameo around thirteen

585
00:30:32,520 --> 00:30:34,000
Speaker 1: twenty five. You first see.

586
00:30:33,840 --> 00:30:37,560
Speaker 3: Him as talking to Cole.

587
00:30:37,720 --> 00:30:42,360
Speaker 1: Cole right, and Cox calls him a jackass, I believe.

588
00:30:42,560 --> 00:30:45,960
Speaker 1: And then Cox asked Cole to name who the five

589
00:30:46,080 --> 00:30:49,720
Speaker 1: lamest people. This was so random, but Cox asks Cold

590
00:30:49,720 --> 00:30:52,480
Speaker 1: to naming the five lamest people in the bar. Yeah,

591
00:30:52,880 --> 00:30:55,520
Speaker 1: because he's trying to tell us that we're the big losers.

592
00:30:55,520 --> 00:30:58,160
Speaker 1: You're old. Stop trying to be young and silly. Grow

593
00:30:58,280 --> 00:31:02,000
Speaker 1: up your old men now or older men now. And

594
00:31:02,080 --> 00:31:08,200
Speaker 1: Cole doesn't name us, he names several other people, including Winning.

595
00:31:09,160 --> 00:31:15,360
Speaker 2: The joke is that it's Cox, some other dude ted, Yeah,

596
00:31:15,440 --> 00:31:19,360
Speaker 2: Cox ted some dude that he saw in the bathroom that.

597
00:31:19,520 --> 00:31:21,840
Speaker 1: I was a security guard. That was the white security guard.

598
00:31:22,080 --> 00:31:24,480
Speaker 1: He stored his his junk, he said.

599
00:31:25,480 --> 00:31:29,600
Speaker 2: And then the other dude, which was Ken Whittingham, who

600
00:31:29,640 --> 00:31:31,280
Speaker 2: has a weird wiener and.

601
00:31:31,200 --> 00:31:33,520
Speaker 1: He only knows about the weird wiener because the white

602
00:31:33,520 --> 00:31:38,520
Speaker 1: security guard told him about said weird wiener. Yes, it

603
00:31:38,600 --> 00:31:40,440
Speaker 1: was nice of Ken as the director of the show,

604
00:31:40,480 --> 00:31:42,400
Speaker 1: to say, I'll volunteer to be the guy with him.

605
00:31:45,840 --> 00:31:47,640
Speaker 1: I thought he probably didn't want to go through the

606
00:31:47,680 --> 00:31:50,160
Speaker 1: process of casting someone and be like, hey, your part

607
00:31:50,240 --> 00:31:51,760
Speaker 1: is that you have just your only thing, you do

608
00:31:52,040 --> 00:31:55,320
Speaker 1: a line. The only thing is that you fucked up, dick.

609
00:31:55,880 --> 00:31:59,640
Speaker 1: He's like, he's like, I'll take one. I'll take one.

610
00:32:00,600 --> 00:32:02,320
Speaker 1: I'll take one for the team and do a cameo.

611
00:32:03,680 --> 00:32:06,360
Speaker 1: Then we do our Brazilian fight dancing, which is just

612
00:32:06,520 --> 00:32:11,560
Speaker 1: chef's kiss. Do you remember if they showed us Brazilian

613
00:32:11,560 --> 00:32:13,520
Speaker 1: fight dancing so we could at least reference it because

614
00:32:13,520 --> 00:32:15,000
Speaker 1: we do like these moves. I don't know.

615
00:32:15,560 --> 00:32:18,960
Speaker 2: There was definitely a choreographer there for this. There was, yeah,

616
00:32:19,040 --> 00:32:20,560
Speaker 2: for sure, and a stunt man.

617
00:32:21,200 --> 00:32:22,920
Speaker 1: Well I kicked I kick you in the face.

618
00:32:22,920 --> 00:32:23,840
Speaker 2: So yeah.

619
00:32:23,880 --> 00:32:26,160
Speaker 1: And then there's a flashback and we're doing the ham

620
00:32:26,240 --> 00:32:28,400
Speaker 1: on no gila. We're doing the you know, the chair

621
00:32:28,560 --> 00:32:31,040
Speaker 1: dance that the Jews do at a wedding or a bar.

622
00:32:31,160 --> 00:32:32,240
Speaker 1: It's for at a celebration.

623
00:32:33,040 --> 00:32:47,240
Speaker 7: Is no no no no no no no no no

624
00:32:47,240 --> 00:33:06,800
Speaker 7: no no.

625
00:32:53,040 --> 00:33:01,920
Speaker 4: And not to go so hard, but it does, it goes.

626
00:33:05,320 --> 00:33:06,640
Speaker 1: It needs a remix.

627
00:33:08,000 --> 00:33:12,280
Speaker 2: To this ship to this day.

628
00:33:12,400 --> 00:33:17,560
Speaker 1: Yeah, this d you should you should drop a half

629
00:33:17,560 --> 00:33:21,720
Speaker 1: on the remix? There already is one. Really play a

630
00:33:21,760 --> 00:33:23,520
Speaker 1: half on the remix for us. I will pull it

631
00:33:23,600 --> 00:33:25,160
Speaker 1: up for you right now. I think it's old enough

632
00:33:25,240 --> 00:33:28,880
Speaker 1: to have the rights gone, to have Neguila biblical?

633
00:33:31,360 --> 00:33:31,640
Speaker 2: All right?

634
00:33:31,680 --> 00:33:31,840
Speaker 3: Cool?

635
00:33:31,880 --> 00:33:36,959
Speaker 1: Yeah, I gotta it's that. What's the b pm fast?

636
00:33:37,720 --> 00:33:46,560
Speaker 1: I think it's it's like, let's here, yeah.

637
00:33:44,240 --> 00:33:49,680
Speaker 2: Oh oh man, I gotta he got the trumpet.

638
00:33:49,880 --> 00:33:58,760
Speaker 1: We need to drop the bat Hey the idea? Hey,

639
00:33:59,200 --> 00:34:00,360
Speaker 1: it is extremely loud?

640
00:34:02,320 --> 00:34:04,080
Speaker 2: What does this song mean? Does anybody know what the

641
00:34:04,120 --> 00:34:04,600
Speaker 2: song means?

642
00:34:05,080 --> 00:34:05,320
Speaker 1: God?

643
00:34:05,320 --> 00:34:06,160
Speaker 3: I should?

644
00:34:06,520 --> 00:34:09,400
Speaker 1: I don't know and I should both know. We don't know.

645
00:34:09,400 --> 00:34:13,200
Speaker 1: We've been hearing in our whole lives. It's a celebration song.

646
00:34:13,320 --> 00:34:16,680
Speaker 1: And you pick a celebration. It's a celebration, and you

647
00:34:16,719 --> 00:34:18,319
Speaker 1: pick people up in a chair and you and you

648
00:34:18,360 --> 00:34:20,680
Speaker 1: bounce them up and down. And if you have a

649
00:34:20,680 --> 00:34:22,440
Speaker 1: bad back, when they start pulling out that chair, you

650
00:34:22,480 --> 00:34:25,319
Speaker 1: want to make sure you're nowhere near the situation because

651
00:34:25,360 --> 00:34:26,920
Speaker 1: they will enlist you.

652
00:34:27,360 --> 00:34:30,360
Speaker 2: Really, is it's like that. It's not. There's not like

653
00:34:30,440 --> 00:34:33,000
Speaker 2: assigned people. You have to come, you have to come,

654
00:34:33,040 --> 00:34:33,520
Speaker 2: you have to come in.

655
00:34:33,600 --> 00:34:35,719
Speaker 1: You have to come because we know what happens is

656
00:34:36,520 --> 00:34:38,680
Speaker 1: what happens is they bring if it's a bar mitso boy,

657
00:34:38,680 --> 00:34:41,600
Speaker 1: it's fine, odds are he or she is light. But

658
00:34:41,719 --> 00:34:45,000
Speaker 1: you get to the wedding party and the father, the father,

659
00:34:45,200 --> 00:34:47,319
Speaker 1: the groom, the bride, they're not They're not all going

660
00:34:47,360 --> 00:34:48,719
Speaker 1: to be easy to lift in a chair, and you

661
00:34:48,760 --> 00:34:51,600
Speaker 1: better have strength. So what you want to do when

662
00:34:51,600 --> 00:34:54,320
Speaker 1: you start hearing that song is tiptoe to the back

663
00:34:54,560 --> 00:34:58,560
Speaker 1: of the dance floor.

664
00:34:58,760 --> 00:35:01,719
Speaker 4: To Wikipedia, how nikkila means let us rejoice, and it

665
00:35:01,760 --> 00:35:03,320
Speaker 4: was written in nineteen eighteen.

666
00:35:03,640 --> 00:35:07,160
Speaker 1: There you go. It's not biblical. Let us rejoice, let

667
00:35:07,239 --> 00:35:09,360
Speaker 1: us rejoel always.

668
00:35:09,400 --> 00:35:12,560
Speaker 8: We gotta rejol always, we rejoice in hall On.

669
00:35:13,239 --> 00:35:18,320
Speaker 1: Get up a fucking chair. We're gone upel chair, We're.

670
00:35:18,120 --> 00:35:23,480
Speaker 8: Gonejoy Throw this motherfucker in the air, in the air,

671
00:35:23,600 --> 00:35:24,320
Speaker 8: this motherfucker.

672
00:35:24,360 --> 00:35:25,759
Speaker 1: Throw them in the fucking there.

673
00:35:25,880 --> 00:35:41,879
Speaker 8: Don't drop them, don't drop them, fucking rejoyce perfect, don't

674
00:35:41,960 --> 00:35:44,080
Speaker 8: drop down, don't drop them.

675
00:35:45,360 --> 00:35:46,080
Speaker 1: Rejoyce.

676
00:35:47,560 --> 00:35:49,000
Speaker 2: They gotta remix that now.

677
00:35:49,160 --> 00:35:52,640
Speaker 1: Anyway, that fucking Brazilian fight dancing was amazing.

678
00:35:53,000 --> 00:35:55,040
Speaker 2: And then you kick me in the face and we

679
00:35:55,080 --> 00:35:55,799
Speaker 2: gotta go to the house.

680
00:35:55,880 --> 00:35:59,640
Speaker 1: And you need stitches and uh. Then Ted goes off

681
00:35:59,640 --> 00:36:03,000
Speaker 1: on cal So, understandably because Kelso was drunk and all

682
00:36:03,000 --> 00:36:05,320
Speaker 1: he gives him is a handshake, and Ted's like, what

683
00:36:05,360 --> 00:36:09,879
Speaker 1: the hell give me more than that. I did find

684
00:36:09,920 --> 00:36:11,719
Speaker 1: it funny to call back the coal is afraid of

685
00:36:11,719 --> 00:36:16,719
Speaker 1: bread when you see him. When you see him in

686
00:36:16,760 --> 00:36:18,919
Speaker 1: the second time, he's eating his sandwich through the floor.

687
00:36:26,360 --> 00:36:27,960
Speaker 1: There was a War Buddies fantasy.

688
00:36:28,440 --> 00:36:30,239
Speaker 2: I don't know that wasn't a fantasy. That was real.

689
00:36:30,800 --> 00:36:31,840
Speaker 2: Oh we talked about them and.

690
00:36:31,920 --> 00:36:35,000
Speaker 1: The no they cut to them like and then and

691
00:36:35,000 --> 00:36:37,160
Speaker 1: then the War Buddies, as we said earlier, just show

692
00:36:37,239 --> 00:36:39,120
Speaker 1: up a little bit too easily. That was bizarre.

693
00:36:39,719 --> 00:36:41,560
Speaker 2: And then I lost my ship man and this was

694
00:36:41,600 --> 00:36:43,400
Speaker 2: the best part of the show for me. And I

695
00:36:43,440 --> 00:36:45,719
Speaker 2: got really emotional, you know what I mean. And the

696
00:36:45,760 --> 00:36:49,319
Speaker 2: way they said goodbye to Sam, this is the last

697
00:36:49,400 --> 00:36:53,359
Speaker 2: time Sam was and he walks off into white light.

698
00:36:53,680 --> 00:36:56,600
Speaker 1: I know, like that was deep.

699
00:36:56,880 --> 00:37:02,440
Speaker 2: It was like holy cow, like you know, oh yeah.

700
00:37:02,280 --> 00:37:06,520
Speaker 1: That was obviously they didn't intend to do that, but

701
00:37:06,840 --> 00:37:09,799
Speaker 1: I mean with meaning, but now he walks off into

702
00:37:09,840 --> 00:37:14,840
Speaker 1: white lights. It was very powerful. It says here in

703
00:37:14,840 --> 00:37:17,239
Speaker 1: scrubs WICKI he takes the bust that was gifted to

704
00:37:17,320 --> 00:37:21,160
Speaker 1: him by Kelso in My Five Stages. It's similar to

705
00:37:21,160 --> 00:37:23,879
Speaker 1: how doctor Kelso took his portrait in My Dumb Luck

706
00:37:24,120 --> 00:37:27,680
Speaker 1: and the Coffee Bucks table in My Finale. Sam Lloyd

707
00:37:27,760 --> 00:37:32,719
Speaker 1: was not, however, allowed to keep the bust they found out, dude. Also, interestingly,

708
00:37:32,920 --> 00:37:35,960
Speaker 1: this is the last episode of Scrubs ever to feature

709
00:37:36,080 --> 00:37:40,640
Speaker 1: Manly Henry Snoop Dogg attending Wow. The last time you

710
00:37:40,640 --> 00:37:44,760
Speaker 1: see him featured wise is wishing farewell to Ted. However,

711
00:37:46,640 --> 00:37:49,399
Speaker 1: even though uncredited, he does appear once more in Our

712
00:37:49,480 --> 00:37:52,319
Speaker 1: White Coats in the background after Cole is locked in

713
00:37:52,360 --> 00:37:54,040
Speaker 1: the broom closet. But this is the last time he's

714
00:37:54,239 --> 00:37:55,160
Speaker 1: featured in a shot.

715
00:37:55,239 --> 00:37:57,520
Speaker 3: It's Snoop Dogg attending well.

716
00:37:57,600 --> 00:37:59,840
Speaker 2: I mean it was auto OG's net when he leaves.

717
00:38:01,080 --> 00:38:03,279
Speaker 1: Was it was Rob there? I don't know if Rob

718
00:38:03,440 --> 00:38:05,680
Speaker 1: forgot who was there. I went good by so quickly,

719
00:38:06,000 --> 00:38:06,480
Speaker 1: it went.

720
00:38:06,440 --> 00:38:09,120
Speaker 2: Really fast, But it was I saw Colonel Doctor.

721
00:38:09,719 --> 00:38:12,360
Speaker 1: Yeah, Colonel Doctor is doing a lot of fucking getting

722
00:38:12,360 --> 00:38:14,719
Speaker 1: a lot of steps in on these episodes. He's everywhere.

723
00:38:15,120 --> 00:38:18,960
Speaker 1: I see him in every shot, and that's the episode

724
00:38:19,040 --> 00:38:22,719
Speaker 1: Gooch plays them out, so Joelle do you have some

725
00:38:22,719 --> 00:38:24,560
Speaker 1: some some some hot takes for us.

726
00:38:24,760 --> 00:38:26,439
Speaker 4: We have one hot take.

727
00:38:26,600 --> 00:38:27,920
Speaker 1: All right, We're to take a quick break when we

728
00:38:27,920 --> 00:38:29,960
Speaker 1: come back around a hot take about Scrubs. This is

729
00:38:29,960 --> 00:38:30,839
Speaker 1: a nine episode four.

730
00:38:30,880 --> 00:38:31,439
Speaker 2: Will be right.

731
00:38:31,360 --> 00:38:40,680
Speaker 8: Back and we're bye.

732
00:38:42,760 --> 00:38:45,240
Speaker 2: Were Tank forever? Who Tank forever?

733
00:38:45,360 --> 00:38:49,879
Speaker 1: All right? Here we go here to Here is a positive.

734
00:38:49,520 --> 00:38:51,040
Speaker 6: You honor me, you honor you honor me.

735
00:38:51,120 --> 00:38:54,200
Speaker 1: Here is a positive take on Scrubs nine oh.

736
00:38:54,040 --> 00:38:56,240
Speaker 2: Four Socrates Philosophies.

737
00:38:57,320 --> 00:39:03,600
Speaker 6: Guys, it's smarting from the UK Rainy Chiltern Hills episode four.

738
00:39:04,480 --> 00:39:08,319
Speaker 6: It's really good. In rewatching it, I've realized quite how

739
00:39:08,360 --> 00:39:10,720
Speaker 6: dense it is, and so if I did miss anything,

740
00:39:10,800 --> 00:39:14,360
Speaker 6: please forgive me. But it's you know, the basic premise

741
00:39:14,560 --> 00:39:16,120
Speaker 6: is that the four guys have got to get these

742
00:39:16,200 --> 00:39:20,080
Speaker 6: sort of exit interviews from the terminal patients, which is

743
00:39:20,080 --> 00:39:22,600
Speaker 6: going to end up being a team building exercise, but

744
00:39:23,239 --> 00:39:27,120
Speaker 6: it gives JD an absolutely brilliant sort of opportunity to

745
00:39:27,760 --> 00:39:32,239
Speaker 6: reference my last words and stake night, which you know,

746
00:39:32,640 --> 00:39:34,680
Speaker 6: obviously is going to bring up a bit of nostalgia.

747
00:39:34,719 --> 00:39:35,200
Speaker 2: But it's.

748
00:39:36,719 --> 00:39:39,279
Speaker 6: Really well sort of plotted and sort of sketched out

749
00:39:39,320 --> 00:39:42,680
Speaker 6: to get the guys to work together, which also sort

750
00:39:42,680 --> 00:39:48,759
Speaker 6: of kind of starts Cole's transition in season nine from

751
00:39:48,920 --> 00:39:53,560
Speaker 6: you know, selfish entitled douchebag to ever so slightly less

752
00:39:54,360 --> 00:40:01,200
Speaker 6: selfish and title and Dave Franco plays it so well.

753
00:40:02,200 --> 00:40:04,360
Speaker 6: If I had to write down that, he delivers a

754
00:40:04,400 --> 00:40:07,040
Speaker 6: line which you know, it's a line that I would

755
00:40:07,560 --> 00:40:09,799
Speaker 6: happily use in day to day life, but nuts to

756
00:40:09,840 --> 00:40:12,839
Speaker 6: butts in that piece, big ol' angle dangle. I mean,

757
00:40:12,960 --> 00:40:19,040
Speaker 6: it's just absolutely nonsense but so well delivered. It's it's

758
00:40:19,080 --> 00:40:22,120
Speaker 6: it's really good. But yeah, bulletpoint in this this this

759
00:40:22,160 --> 00:40:24,600
Speaker 6: episode down is actually quite difficult because there is so

760
00:40:24,719 --> 00:40:28,920
Speaker 6: much going on, but you obviously got Cox, you know,

761
00:40:29,000 --> 00:40:32,439
Speaker 6: calling out Turkey j D is being pathetic for their

762
00:40:32,520 --> 00:40:38,719
Speaker 6: broper loser and eventually getting them to U go to

763
00:40:38,760 --> 00:40:42,040
Speaker 6: the party dressed as a cowboy in Indian and doing

764
00:40:42,040 --> 00:40:47,440
Speaker 6: their capoero dance off, which is worth the price of

765
00:40:47,480 --> 00:40:55,640
Speaker 6: admission alone. It's I think obviously for me, the big

766
00:40:55,800 --> 00:41:01,719
Speaker 6: big thing about this episode is is Ted Gooch and

767
00:41:02,080 --> 00:41:06,720
Speaker 6: Kelso it's it was funny rewatching it, you know, knowing

768
00:41:06,800 --> 00:41:09,560
Speaker 6: now that that Samd's no longer with us, that as

769
00:41:09,560 --> 00:41:15,440
Speaker 6: soon as as Ted is there, it had it really

770
00:41:16,320 --> 00:41:18,479
Speaker 6: it sort of hit quite emotionally. Actually, I was getting

771
00:41:18,480 --> 00:41:21,920
Speaker 6: a bit, you know, sweaty eyed about that thing. But

772
00:41:22,920 --> 00:41:26,240
Speaker 6: the little sort of like interplays between Ted and Gooch

773
00:41:26,520 --> 00:41:29,799
Speaker 6: and Kelso have always been brilliant and I've always been

774
00:41:30,040 --> 00:41:33,399
Speaker 6: you know, you know, Scrubs at its best is when

775
00:41:33,600 --> 00:41:38,360
Speaker 6: the peripheral characters I'd say peripheral should being unfair, but

776
00:41:39,280 --> 00:41:42,120
Speaker 6: they can just play off of each other so well

777
00:41:42,280 --> 00:41:46,760
Speaker 6: that it's almost effortless. It's it's beautifully written, it's beautifully acted.

778
00:41:46,800 --> 00:41:51,600
Speaker 6: I think Ted and Kelso's sort of goodbye is great because,

779
00:41:51,640 --> 00:41:55,000
Speaker 6: you know, Ted calls Kelso out for saying, you know,

780
00:41:55,160 --> 00:41:57,319
Speaker 6: I deserve more than just a handshake, and in the

781
00:41:57,400 --> 00:41:59,800
Speaker 6: end all he does care is a handshake, but really

782
00:42:00,600 --> 00:42:03,640
Speaker 6: sincere and subtle but beautifully paid.

783
00:42:03,960 --> 00:42:04,560
Speaker 2: You know, goodbye.

784
00:42:04,560 --> 00:42:08,480
Speaker 6: I'm going to miss you. And yeah, my takeaway from

785
00:42:08,480 --> 00:42:11,440
Speaker 6: the episode was that that you know, knowing what we

786
00:42:11,480 --> 00:42:15,719
Speaker 6: know now, was was you know, very very emotional, but

787
00:42:15,800 --> 00:42:19,120
Speaker 6: it was It's a great episode. It really really enjoyed it,

788
00:42:20,200 --> 00:42:24,040
Speaker 6: and so, you know, thanks you guys for you know,

789
00:42:24,640 --> 00:42:29,200
Speaker 6: delivering this this this great show. It's and season nine.

790
00:42:29,800 --> 00:42:31,920
Speaker 6: I'm really glad to have gone back and looked at

791
00:42:31,960 --> 00:42:33,400
Speaker 6: it because I think I feel like I've, you know,

792
00:42:33,520 --> 00:42:37,080
Speaker 6: unearthed something that I maybe wouldn't have done if you

793
00:42:37,120 --> 00:42:39,160
Speaker 6: guys had not sort of decided to include it on

794
00:42:39,200 --> 00:42:42,759
Speaker 6: the show. So thank you so much for the opportunity.

795
00:42:43,719 --> 00:42:48,080
Speaker 6: Thanks to Zack and Donald for what you do, and Joelle,

796
00:42:48,120 --> 00:42:50,719
Speaker 6: you know, for putting it all together. It's it's great

797
00:42:51,160 --> 00:42:54,560
Speaker 6: and just another quick thing. It might be me. I

798
00:42:54,600 --> 00:42:58,000
Speaker 6: don't know, but I'm pretty sure in the opening titles,

799
00:42:58,600 --> 00:43:02,400
Speaker 6: if Zach is in it, JD is the one putting

800
00:43:02,480 --> 00:43:06,240
Speaker 6: up the the X ray on the on the light box.

801
00:43:06,239 --> 00:43:07,919
Speaker 6: But if he's not in it, it's not him.

802
00:43:08,080 --> 00:43:10,120
Speaker 2: I might be right.

803
00:43:11,280 --> 00:43:14,439
Speaker 6: Anyway, Cheers, guys, Thanks a lot, keep up the good work.

804
00:43:15,040 --> 00:43:15,680
Speaker 1: That was great.

805
00:43:16,200 --> 00:43:19,080
Speaker 2: Yeah, sitting in the Daniel he does Daniel, that's okay.

806
00:43:19,320 --> 00:43:22,680
Speaker 1: Yeah, well, you know, Daniel doesn't really register in Martin's mind.

807
00:43:23,040 --> 00:43:27,120
Speaker 1: That's okay. No offense to Daniel. That was really good.

808
00:43:28,719 --> 00:43:31,760
Speaker 1: That was really well said, though, and thank you Martin

809
00:43:31,800 --> 00:43:34,000
Speaker 1: for all the kind words. I think he's right. We

810
00:43:34,000 --> 00:43:37,080
Speaker 1: haven't gotten to non JD episodes, but I know I

811
00:43:37,120 --> 00:43:39,880
Speaker 1: remember that we shot that title sequence two ways, and

812
00:43:39,960 --> 00:43:42,759
Speaker 1: I believe when it's when I'm gone. Lucy's the one

813
00:43:42,760 --> 00:43:47,040
Speaker 1: who puts up the X ray at the end. Yeah,

814
00:43:47,080 --> 00:43:48,960
Speaker 1: he said a lot of things we agree with, except

815
00:43:48,960 --> 00:43:50,040
Speaker 1: he absolutely adored it.

816
00:43:50,320 --> 00:43:52,239
Speaker 2: I don't know if I agree with that, but yeah,

817
00:43:52,239 --> 00:43:55,120
Speaker 2: I don't agree with the absolutely adoring it. He just

818
00:43:55,200 --> 00:43:58,000
Speaker 2: named the few bullet points that we were able to

819
00:43:58,120 --> 00:44:01,399
Speaker 2: name that were great about the show. He didn't really name.

820
00:44:01,560 --> 00:44:04,319
Speaker 2: He didn't really put story into it.

821
00:44:05,440 --> 00:44:07,040
Speaker 1: I'm asking them to summarize it.

822
00:44:07,600 --> 00:44:08,399
Speaker 6: I do say.

823
00:44:09,400 --> 00:44:11,879
Speaker 2: That's that's what's lacking about all of some of these

824
00:44:12,560 --> 00:44:14,279
Speaker 2: hate it or love it, you know what I mean?

825
00:44:15,600 --> 00:44:19,920
Speaker 4: Are you calling for more criticism of story and our voicemails?

826
00:44:20,200 --> 00:44:26,319
Speaker 2: No, not necessarily that it's it's just like everybody who

827
00:44:26,440 --> 00:44:28,560
Speaker 2: likes it so far is just like the nostalgia of

828
00:44:28,600 --> 00:44:30,839
Speaker 2: it is great, and that's just proving our point. They're

829
00:44:30,880 --> 00:44:34,000
Speaker 2: not necessarily saying what's great about the show. They're just saying,

830
00:44:34,560 --> 00:44:36,760
Speaker 2: I love the nostalgia part. I love the nostalgie.

831
00:44:36,760 --> 00:44:38,480
Speaker 1: I think we need to have Tamika back and have

832
00:44:38,520 --> 00:44:39,120
Speaker 1: her do everything.

833
00:44:39,160 --> 00:44:41,360
Speaker 2: I agree with you. I agree with you one hundred

834
00:44:41,360 --> 00:44:44,360
Speaker 2: percent on that one. She actually and not not to

835
00:44:44,400 --> 00:44:46,879
Speaker 2: say that this gentleman didn't do a great job.

836
00:44:46,960 --> 00:44:50,440
Speaker 4: He was very articulate, and he lies in the rtaintop

837
00:44:50,480 --> 00:44:50,879
Speaker 4: all day.

838
00:44:51,160 --> 00:44:53,120
Speaker 1: He might just be English. You don't know if he's articulate,

839
00:44:54,560 --> 00:44:57,840
Speaker 1: no doubt, no doubt, But don't let him fool you.

840
00:44:57,880 --> 00:44:58,759
Speaker 1: Donald effortlessly.

841
00:45:00,040 --> 00:45:02,520
Speaker 2: I appreciate him calling. But what's her name? What's her name?

842
00:45:02,560 --> 00:45:02,920
Speaker 3: Toka?

843
00:45:03,200 --> 00:45:07,400
Speaker 2: Yeah she did. She goes deep, deep, deep, deep deep

844
00:45:07,440 --> 00:45:10,239
Speaker 2: into it in the words.

845
00:45:09,920 --> 00:45:13,040
Speaker 1: Yeah, will you tell Tamika if you don't mind, Joelle

846
00:45:13,719 --> 00:45:15,440
Speaker 1: that she was so good that we kind of want

847
00:45:15,440 --> 00:45:19,880
Speaker 1: to change the segment to a new caller comments pro

848
00:45:20,080 --> 00:45:22,680
Speaker 1: or negative, and then we hear from Tamika.

849
00:45:23,280 --> 00:45:25,440
Speaker 4: Got it.

850
00:45:26,239 --> 00:45:28,360
Speaker 1: All right? That's our show. Donald. I bet there's a

851
00:45:28,440 --> 00:45:29,799
Speaker 1: sitcom you want to tell everyone about.

852
00:45:30,719 --> 00:45:32,440
Speaker 2: I spoke about it earlier, but no.

853
00:45:32,440 --> 00:45:34,759
Speaker 1: We need to hear more because you're wearing a green shirt.

854
00:45:36,719 --> 00:45:40,560
Speaker 9: I would like to talk about this movie called French Girl,

855
00:45:40,960 --> 00:45:46,239
Speaker 9: Go ahead Girl. It stars the lovely Vanessa Hutchins, Yes,

856
00:45:47,960 --> 00:45:51,680
Speaker 9: and a very very enthusiastic Zach bra Yeah.

857
00:45:52,320 --> 00:45:55,319
Speaker 1: Enthusiastic is right. It's really fun. You'll love it. It's

858
00:45:55,600 --> 00:45:58,640
Speaker 1: wherever you get your movies on vod Amazon, Apple, wherever

859
00:45:58,680 --> 00:46:00,839
Speaker 1: you wherever you buy or rent movie you can find

860
00:46:00,840 --> 00:46:03,880
Speaker 1: French Girl please check it out. And Donald is in uh,

861
00:46:04,200 --> 00:46:11,600
Speaker 1: what's it called again? Extended family, Extended family, legendary, John

862
00:46:11,680 --> 00:46:15,400
Speaker 1: Cryer and Abigail Spencer. All right, that's our show. We

863
00:46:15,440 --> 00:46:17,600
Speaker 1: love you guys, Thank you as always for checking in

864
00:46:17,680 --> 00:46:19,560
Speaker 1: with us and listening to us. Babbel.

865
00:46:20,760 --> 00:46:26,840
Speaker 8: Donald kind of sound stories about show we.

866
00:46:26,719 --> 00:46:33,080
Speaker 1: Made about a bunch of talks and nurses, he said.

867
00:46:32,880 --> 00:46:35,560
Speaker 2: He's the stories nets.

868
00:46:36,000 --> 00:46:41,719
Speaker 1: No, so yanda here yead here.

869
00:46:42,280 --> 00:46:43,759
Speaker 3: Show is