WEBVTT - Halloween Special 2018 - Unexplained Audiobook Extract

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<v Speaker 1>Hello. I'm Richard McClain smith, creator of Unexplained. The following

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<v Speaker 1>is an extract taken from a new book, which is

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<v Speaker 1>available to buy in print and audiobook at bookstores and

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<v Speaker 1>online in Waterstones, Blackwells, and Amazon, amongst other outlets. The

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<v Speaker 1>book will also be available to purchase in the US

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<v Speaker 1>and Canada in fall twenty nineteen. I Hope you enjoy

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<v Speaker 1>Chapter ten. Every story is a ghost story. The ghost

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<v Speaker 1>holds a unique place in the world the supernatural, As

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<v Speaker 1>capable of scaring as senseless as they are of inflicting

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<v Speaker 1>us with the deepest of melancholies, they also come in

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<v Speaker 1>many forms. The ghosts that we carry with us in

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<v Speaker 1>our daily lives, memories of those we have loved and lost,

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<v Speaker 1>or perhaps even wronged, thoughts that sit in the deepest

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<v Speaker 1>parts of the psyche straining to become manifest. But what

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<v Speaker 1>are the apparitions that seem not to have been brought

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<v Speaker 1>forth from the subconscious, Those that have no connection to

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<v Speaker 1>the observer, but instead seem to be reaching out to

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<v Speaker 1>us from a seemingly timeless space. For some, to witness

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<v Speaker 1>a ghost, particularly that of a relative, might bring a

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<v Speaker 1>certain comfort. The reassuring glimpse of a life beyond death

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<v Speaker 1>almost without exception. However, dating back to our earliest cultures,

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<v Speaker 1>from those of the Igbo in West Africa to the

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<v Speaker 1>Bengali of South Asia, the sighting of a ghost was

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<v Speaker 1>rarely something to celebrate. Commonly, the appearance of a ghost

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<v Speaker 1>would speak of something unsettled, the result of a body

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<v Speaker 1>not properly buried, perhaps, or one that had been lost

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<v Speaker 1>at sea. Or it might be a sign that the

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<v Speaker 1>cause of death was suspicious and required avenging. Failure to

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<v Speaker 1>rectify the situation could condemn the ghost to an eternity

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<v Speaker 1>of restlessness. For the ancient Sumerians, death was an act

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<v Speaker 1>from which there was ordinarily no coming back. The souls

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<v Speaker 1>of the dead left to dwell in Kur, the land

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<v Speaker 1>of no Return. It was a place where all men

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<v Speaker 1>and women were equal, regardless of their actions in life,

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<v Speaker 1>no matter how rich or poor, a place where they

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<v Speaker 1>would remain for the rest of eternity in dreary unlight,

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<v Speaker 1>watched over by Irish Kegal, the dark Queen of the

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<v Speaker 1>nether world. The oppressive conditions of Kur were said to

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<v Speaker 1>be alleviated for the dead if their surviving family continued

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<v Speaker 1>to make offerings of food and drink once they were gone.

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<v Speaker 1>Failure to do so would see the ghost of the

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<v Speaker 1>deceased return to punish their callous relatives with misfortune and

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<v Speaker 1>ill health. In ancient Japan, the appearance of a ghost

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<v Speaker 1>or yuri was especially ominous. Yuri was sometimes said to

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<v Speaker 1>transform from souls or racon in fits of explosive emotion,

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<v Speaker 1>often motivated by vengeance. Violent murder or suicide would almost

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<v Speaker 1>always presage the arrival of a yuri intent on retribution.

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<v Speaker 1>Until the disturbance had been settled, they would be fated

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<v Speaker 1>to haunt the living indefinitely. Yuri are traditionally portrayed as

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<v Speaker 1>women with long black hair, wearing white burial robes, with

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<v Speaker 1>hands hanging loosely from the wrists, an image that fans

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<v Speaker 1>of the character Sadako Yumama might recognize from author Koji

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<v Speaker 1>Suzuki's Petrifying Ringou series. Yumamer's portrayal as a traditional yuri

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<v Speaker 1>with a ponchhot for climbing out of TVs and video

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<v Speaker 1>monitors as realized devastating effect in Hideo Nacata's Terrifying nineteen

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<v Speaker 1>ninety eight adaptation of the first book in the series.

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<v Speaker 1>Is for me the most nightmarish betrayal of a ghost

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<v Speaker 1>in cinematic history. Often, a ghost or apparition is said

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<v Speaker 1>to be inexorably linked to a specific location. For those

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<v Speaker 1>of us living in the United Kingdom, there are many

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<v Speaker 1>such ghosts. Two of our tourist boards claiming the Great

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<v Speaker 1>Tower of London and Edinburgh Castle as their respective country's

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<v Speaker 1>most haunted destinations. However, I have always found such a

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<v Speaker 1>notion problematic in a very literal sense, at least for

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<v Speaker 1>reasons laid out with a great, mournful and affecting beauty

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<v Speaker 1>in a ghost story. In this striking twenty seventeen film,

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<v Speaker 1>written and directed by David Lowry, the eponymous ghost of

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<v Speaker 1>the title, having chosen to remain behind on Earth, is

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<v Speaker 1>fated to drift through time as all the world changes

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<v Speaker 1>around him, Although Lowry slips the ghost back into his

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<v Speaker 1>original corporeal timeline. I have always wondered where such a

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<v Speaker 1>ghost might end up were it not so easy to

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<v Speaker 1>escape the seemingly ceaseless arrow of time. Just where might

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<v Speaker 1>a ghost be left a haunt tens of billions of

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<v Speaker 1>years from now, when the planet has long since been

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<v Speaker 1>obliterated by the sun. When it comes to the sheer

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<v Speaker 1>terror of the supernatural. For me, there are few more

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<v Speaker 1>disturbing notions than the Poltergeist, malignant spirits of wrathful energy,

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<v Speaker 1>dead set on singling you out for inexplicable and therefore

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<v Speaker 1>deeply frightening reasons. Though some consider supposed poltergeist activity to

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<v Speaker 1>be the result of the extrasensory projections of troubled teenage minds,

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<v Speaker 1>it is surely in the betrayal as an active spirit

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<v Speaker 1>that the notion is most potent. I have always felt

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<v Speaker 1>a little haunted by this idea. Doubtless there are many

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<v Speaker 1>of my generation whose first experiences of the fabled knocking

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<v Speaker 1>ghost came through Toby Hooper's mesmeric nineteen eighty two film Poltergeist,

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<v Speaker 1>which many forget was written by Steven Spielberg. Perhaps it

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<v Speaker 1>is simply nostalgia that draws me back to this masterful movie,

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<v Speaker 1>hypnotic in its alluring fusion of slick Hollywood with a

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<v Speaker 1>less familiar place that seems to call out silently to

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<v Speaker 1>us from somewhere between the frames. But there is something else,

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<v Speaker 1>although there is little telling which was cause and which effect.

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<v Speaker 1>For as long as I can remember, since seeing this film,

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<v Speaker 1>I have had a recurring, terrifying poltergeist nightmare, always occurring

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<v Speaker 1>in that liminal, lucid space surely before waking. It begins

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<v Speaker 1>with me standing at the top of the stairs of

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<v Speaker 1>an old childhood home, while friends or members of my

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<v Speaker 1>family are gathered at the bottom. But as I walked

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<v Speaker 1>down to join them, something has caught me in its grip,

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<v Speaker 1>something of unfathomable malignance from which I know I cannot escape.

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<v Speaker 1>As I kick and scream, it continues to pull me

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<v Speaker 1>back further and further, and then I wake up. Every

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<v Speaker 1>time it is the same. I understand this to be

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<v Speaker 1>a common dream trope, and was once advised that the

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<v Speaker 1>way to do away with it might be to try

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<v Speaker 1>to turn around and face this unseen manifest fear. I've

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<v Speaker 1>not yet been able to achieve this, though I'm sure

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<v Speaker 1>there's a good lesson in there somewhere. So it always

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<v Speaker 1>fills me with a particular sense of caution, but no

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<v Speaker 1>little excitement when I learn of new alleged politgeist events,

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<v Speaker 1>particularly ones that invoke the work of Nigel Neil involving

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<v Speaker 1>learned men and women on the hunt for ghosts. At

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<v Speaker 1>thirty three years old, Tony Cornell was by no means

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<v Speaker 1>the most senior member of the Cambridge University Society for

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<v Speaker 1>Psychical Research, but he was certainly one of the more proactive,

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<v Speaker 1>always on the lookout for a new sight to investigate.

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<v Speaker 1>Like most members of CUSPR, he was a proud rationalist

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<v Speaker 1>with little time for superstition or spiritual nonsense, whose interest

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<v Speaker 1>in supposed paranormal and supernatural events began from a thoroughly

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<v Speaker 1>skeptical point of view. He did, however, maintain a healthy

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<v Speaker 1>fascination with the strange due to a peculiar event he

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<v Speaker 1>had experienced ten years previously. As a young naval officer

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<v Speaker 1>during the Second World War, Tony had been stationed in

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<v Speaker 1>southern India close to the Nilghirie Mountains, where he became

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<v Speaker 1>enthralled by stories of the local fakir, holy men and

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<v Speaker 1>women without any possessions or relations, who are believed to

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<v Speaker 1>possess mystical powers. It was said that a fakir could

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<v Speaker 1>perform miracles, with many people traveling for miles to seek

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<v Speaker 1>their wisdom and guidance. One such fakir was said to

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<v Speaker 1>be living in the hills not far from where Tony

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<v Speaker 1>was billeted, and although thoroughly dubious, Tony was none the

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<v Speaker 1>less intrigued enough to try to find the man in

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<v Speaker 1>the hope of witnessing these miracles for himself. After a

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<v Speaker 1>number of hours trekking through rolling, tree capped hills across

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<v Speaker 1>treacherous paths flanked by steep, jagged cliffs, Tony had made

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<v Speaker 1>it to about six thousand feet above sea level when

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<v Speaker 1>he came across an old man in simple clothes standing

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<v Speaker 1>at the end of a small plateau as if he

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<v Speaker 1>had been waiting for him. To the side of the

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<v Speaker 1>plateau lay a steep drop into a gully with a

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<v Speaker 1>stream gushing through it. Without acknowledging the young Navy officer,

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<v Speaker 1>the fakier asked what it was the Tony wanted. I

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<v Speaker 1>hear you couldn't perform miracles, You're too materially stick. But

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<v Speaker 1>I'll give you what you want. There was a pause

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<v Speaker 1>as the fakier thought for a moment. Tony smiled awkwardly,

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<v Speaker 1>suddenly self conscious at this clash of cultures. Look towards

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<v Speaker 1>those hills, my son, Tony was not quite sure what

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<v Speaker 1>to expect. He pointed towards some prominent peaks in the east.

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<v Speaker 1>Those hills The fakir gestured yes with a gentle nod

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<v Speaker 1>of the head, and Tony Julie turned back to inspect

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<v Speaker 1>them Yoyoshi. Tony looked confused, scratching his head before turning

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<v Speaker 1>back to the man. I'm sorry, I don't but the

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<v Speaker 1>man wasn't there. Tony heard a shout from the far

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<v Speaker 1>side of the stream. Well, my son, did that entertain you?

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<v Speaker 1>Tony stood for a moment, trying to fathom how a

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<v Speaker 1>seventy year old man could have dropped into the gully

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<v Speaker 1>and raced to the other side at the fast flowing

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<v Speaker 1>waters in only a matter of seconds. Smiling now to himself,

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<v Speaker 1>he watched as the fakir slowly picked his way along

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<v Speaker 1>the rocky bank before disappearing into the bush. Are you

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<v Speaker 1>always taking care of your family? Do you often take

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<v Speaker 1>care of others and not yourself? Now it's time to

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<v Speaker 1>The Society of Psychical Research, of which Tony's CUSPR group

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<v Speaker 1>was an affiliate, had been established in eighteen eighty two,

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<v Speaker 1>largely in response to a peculiar craze that had been

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<v Speaker 1>gripping the nation, which had its origins in a small

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<v Speaker 1>wooden house in the tiny hamlet of Hydesville, New York.

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<v Speaker 1>It was there that, in eighteen forty eight, two sisters,

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<v Speaker 1>Kate and Margaret Fox, claimed to have made contact with

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<v Speaker 1>the spirit of a dead man who had communicated with

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<v Speaker 1>them through a series of knocks and bangs. In other words,

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<v Speaker 1>they had allegedly made contact with a poltergeist, and in

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<v Speaker 1>doing so had inadvertently created a movement that would come

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<v Speaker 1>to be known as spiritualism. As news of the Fox

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<v Speaker 1>sisters incredible claims spread through the UK, it wasn't long

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<v Speaker 1>before everybody from scullery staff to Queen Victoria were conducting

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<v Speaker 1>seances in an attempt to communicate with the dead. As

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<v Speaker 1>the movement grew in popularity throughout the world, so too

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<v Speaker 1>did the stories of strange paranormal happenings that seemed suddenly

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<v Speaker 1>to be breaking out everywhere. For those caught up in

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<v Speaker 1>the scientific fervor of the Enlightenment age, the emergence of

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<v Speaker 1>such stories was a horrifying repost to the increasingly rationalist

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<v Speaker 1>and atheistic principles catalyzing academia at the time. However, although

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<v Speaker 1>many in the scientific community dismissed paranormal claims out of hand,

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<v Speaker 1>a small number of academics, led by Henry and Eleanor Sidgwick,

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<v Speaker 1>William Barrett and Edmund Gurney, amongst others, decided instead to

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<v Speaker 1>approach these varied problems without prejudice or prepossession of any kind,

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<v Speaker 1>in the same spirit of exact and unimpassioned inquiry which

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<v Speaker 1>has enabled science to solve so many problems once not

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<v Speaker 1>less obscure nor less hotly debated, and so the spr

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<v Speaker 1>was born, the world's first ghostbusters. The Cambridge branch of

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<v Speaker 1>the society had been founded in nineteen o six and

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<v Speaker 1>fifty years later existed mostly as an organization for like

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<v Speaker 1>minded people to get together and share stories regarding the

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<v Speaker 1>latest papers and theories they had read. But sometimes, if

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<v Speaker 1>they were lucky, the chance for something more hands on

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<v Speaker 1>would crop up, like that which Tony brought to the

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<v Speaker 1>group one evening in November nineteen fifty seven. The curious

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<v Speaker 1>case had presented itself a few days earlier, when a

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<v Speaker 1>young journalist based out of Wisbeach, some forty miles north

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<v Speaker 1>of Cambridge, had contacted him at the beginning of October.

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<v Speaker 1>Anthony Wilmot, who worked for the Wisbeach Advertiser, had overheard

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<v Speaker 1>a conversation about some mysterious goings on at an old

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<v Speaker 1>manor house known as Hanneth Hall, situated out in the

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<v Speaker 1>fens not far from where he lived. The house, he

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<v Speaker 1>would later discover, had been plagued by hauntings for years.

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<v Speaker 1>Wilmot didn't care much for silly ghost stories, but after

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<v Speaker 1>learning one of the current tenants was the local labor

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<v Speaker 1>candidate Deryck Page, he couldn't resist following up on the story,

0:15:14.960 --> 0:15:18.040
<v Speaker 1>having arranged to interview Derreck and his wife Audrey, as

0:15:18.040 --> 0:15:20.720
<v Speaker 1>well as Audrey's mother Rose, who lived with the family.

0:15:21.320 --> 0:15:24.800
<v Speaker 1>Wilmot had arrived with tongue firmly in Cheek, only to

0:15:24.840 --> 0:15:28.320
<v Speaker 1>find them in a state of some distress. For the

0:15:28.400 --> 0:15:31.920
<v Speaker 1>next hour, he was treated to a variety of extraordinary

0:15:31.920 --> 0:15:35.800
<v Speaker 1>tales outlining their experiences. Since they had arrived from Cheshire

0:15:35.920 --> 0:15:39.800
<v Speaker 1>two months previously, they had only been there a matter

0:15:39.840 --> 0:15:43.600
<v Speaker 1>of days, as Audrey explained, when she was first awoken

0:15:43.760 --> 0:15:46.520
<v Speaker 1>in the early hours of the morning by the sound

0:15:46.800 --> 0:15:50.960
<v Speaker 1>of a very clear and insistent tapping that seemed to

0:15:50.960 --> 0:15:55.320
<v Speaker 1>be coming from just outside her bedroom. Thinking she had

0:15:55.320 --> 0:15:58.400
<v Speaker 1>only imagined it, she turned to go back to sleep,

0:15:59.200 --> 0:16:02.800
<v Speaker 1>only for it to come again, this time a little louder.

0:16:04.520 --> 0:16:07.480
<v Speaker 1>Sitting up in bed, Knowing it couldn't have been Dereck

0:16:07.680 --> 0:16:10.120
<v Speaker 1>since he stayed in Ipswich during the week for work,

0:16:10.840 --> 0:16:13.280
<v Speaker 1>she had assumed it was one of the children, or

0:16:13.320 --> 0:16:17.840
<v Speaker 1>perhaps a mother who slept in the bedroom opposite. Yes, Hello,

0:16:19.560 --> 0:16:24.920
<v Speaker 1>Audrey bolted upright and hurriedly switched on the bedside light Hello,

0:16:26.360 --> 0:16:30.880
<v Speaker 1>but there was no reply. Collecting herself, she stepped out

0:16:30.880 --> 0:16:34.440
<v Speaker 1>of bed and made her way cautiously towards the door.

0:16:35.600 --> 0:16:38.720
<v Speaker 1>With a trembling hand, she took hold of the handle

0:16:38.920 --> 0:16:42.320
<v Speaker 1>and eased the door open a fraction. Peering through the

0:16:42.360 --> 0:16:49.840
<v Speaker 1>gap into the corridor beyond, there was nobody there. Ever

0:16:49.920 --> 0:16:53.000
<v Speaker 1>since that night, the family had been hearing similar knocks

0:16:53.040 --> 0:16:56.800
<v Speaker 1>and taps throughout the house. Audrey was certain that on

0:16:56.840 --> 0:17:01.080
<v Speaker 1>a separate occasion she had heard footsteps descending stairs with

0:17:01.160 --> 0:17:04.280
<v Speaker 1>a clearly defined shifting of weight from one foot to another.

0:17:05.280 --> 0:17:07.600
<v Speaker 1>She had been alone in the house at the time.

0:17:09.200 --> 0:17:13.200
<v Speaker 1>A few weeks later, Awdrey's mother Rose had woken up

0:17:13.240 --> 0:17:16.800
<v Speaker 1>after feeling a violent jolt against her bed, and not

0:17:16.880 --> 0:17:21.000
<v Speaker 1>long after, despite being partially deaf, she had been woken

0:17:21.040 --> 0:17:23.760
<v Speaker 1>in the middle of the night by an inexplicably loud,

0:17:24.000 --> 0:17:27.800
<v Speaker 1>crashing sound just outside the door, as if the door

0:17:27.880 --> 0:17:32.280
<v Speaker 1>itself were being smashed in. Derec had not heard these

0:17:32.280 --> 0:17:35.440
<v Speaker 1>noises himself, and joked that it was probably the old

0:17:35.440 --> 0:17:38.119
<v Speaker 1>Tories who used to own the house, turning in their

0:17:38.160 --> 0:17:41.320
<v Speaker 1>graves at the thought of him living there. He did

0:17:41.359 --> 0:17:45.399
<v Speaker 1>recount one rather strange story of his own. However, not

0:17:45.560 --> 0:17:48.399
<v Speaker 1>long after they had moved in, his mother had traveled

0:17:48.400 --> 0:17:50.960
<v Speaker 1>down from Manchester with a view to staying with the

0:17:51.000 --> 0:17:54.399
<v Speaker 1>family for a few weeks. After a couple of nights

0:17:54.560 --> 0:17:58.000
<v Speaker 1>sleeping in the spare bedroom, she began to experience a

0:17:58.080 --> 0:18:02.639
<v Speaker 1>recurring set of bazaar and terror fine nightmares. A couple

0:18:02.640 --> 0:18:05.760
<v Speaker 1>of times she had found herself floating out of her

0:18:05.760 --> 0:18:09.160
<v Speaker 1>body and looking down at herself as she slept, with

0:18:09.200 --> 0:18:13.480
<v Speaker 1>the very vivid sense that something profoundly malignant was trying

0:18:13.480 --> 0:18:16.679
<v Speaker 1>to pull her away, and that if she didn't return

0:18:16.720 --> 0:18:20.800
<v Speaker 1>to her body, she would never wake up. Other times,

0:18:20.840 --> 0:18:23.560
<v Speaker 1>she found herself trapped under the legs of a horse

0:18:23.720 --> 0:18:27.879
<v Speaker 1>as it kicked violently at her face. After less than

0:18:27.920 --> 0:18:31.240
<v Speaker 1>a week, having also started to hear the noises, she

0:18:31.359 --> 0:18:36.200
<v Speaker 1>made a hasty retreat back to Manchester. Audrey and Rose

0:18:36.440 --> 0:18:39.320
<v Speaker 1>told the young journalist that the knocking sounds had become

0:18:39.400 --> 0:18:43.040
<v Speaker 1>worse over the last few weeks, and that increasingly they

0:18:43.040 --> 0:18:47.159
<v Speaker 1>seemed to be coming from one room located at the

0:18:47.200 --> 0:18:50.520
<v Speaker 1>north end of the first floor. The room was assumed

0:18:50.520 --> 0:18:52.720
<v Speaker 1>by the family to have been a bedroom at some point,

0:18:52.840 --> 0:18:57.840
<v Speaker 1>owing to its size, but was currently being used for storage. Since,

0:18:57.920 --> 0:19:00.600
<v Speaker 1>unlike every other room in the property, it had never

0:19:00.640 --> 0:19:03.600
<v Speaker 1>been rigged up to the mains, the pages were happy

0:19:03.640 --> 0:19:05.919
<v Speaker 1>to keep it that way and rarely had cause to

0:19:05.920 --> 0:19:10.600
<v Speaker 1>go in there. After leaving Hanneth Hall that afternoon, Wilmot

0:19:10.760 --> 0:19:14.240
<v Speaker 1>determined to do some further digging of his own, and that,

0:19:14.640 --> 0:19:16.680
<v Speaker 1>as he explained to Tony over the phone a few

0:19:16.720 --> 0:19:20.679
<v Speaker 1>weeks later, was when things started to get really interesting.

0:19:22.280 --> 0:19:25.359
<v Speaker 1>The house, as he discovered, had been built some time

0:19:25.400 --> 0:19:28.399
<v Speaker 1>in the sixteenth century and was thought originally to have

0:19:28.440 --> 0:19:32.600
<v Speaker 1>belonged to a Richard Sparrow, earning it the nickname Sparrow's Nest.

0:19:33.640 --> 0:19:35.879
<v Speaker 1>Over the years, it had been passed through a number

0:19:35.920 --> 0:19:39.240
<v Speaker 1>of owners, gaining its current name after being purchased by

0:19:39.320 --> 0:19:43.200
<v Speaker 1>Joseph Hanneth in eighteen twelve. The house was sold again

0:19:43.240 --> 0:19:46.240
<v Speaker 1>to George Williams in eighteen ninety nine, who elected to

0:19:46.280 --> 0:19:50.199
<v Speaker 1>keep the name Hannath Hall. Wilmot got in touch with

0:19:50.240 --> 0:19:54.120
<v Speaker 1>the building's current owner, Hugh Williams, George's grandson, to find

0:19:54.119 --> 0:19:58.119
<v Speaker 1>out more. Much to his surprise. Hugh and his family,

0:19:58.480 --> 0:20:00.720
<v Speaker 1>who had lived in the house for forty years before

0:20:00.720 --> 0:20:03.680
<v Speaker 1>deciding to rent it out to Audrey and Derrick were

0:20:03.720 --> 0:20:07.400
<v Speaker 1>more than familiar with the spooky goings on there. Hugh

0:20:07.520 --> 0:20:09.920
<v Speaker 1>went on to describe an incident a few years back

0:20:10.280 --> 0:20:13.840
<v Speaker 1>involving his brother Peter, who, while staying alone in the house,

0:20:14.440 --> 0:20:17.200
<v Speaker 1>had witnessed a door handle turning of its own accord.

0:20:18.080 --> 0:20:22.520
<v Speaker 1>Another time, Hugh's nieces had suffered vivid nightmares while sleeping

0:20:22.520 --> 0:20:24.920
<v Speaker 1>in the now disused room at the far end of

0:20:24.960 --> 0:20:28.760
<v Speaker 1>the property, and had also awakened one night to find

0:20:28.800 --> 0:20:32.000
<v Speaker 1>a pair of blood stained hands floating in the room

0:20:32.080 --> 0:20:36.000
<v Speaker 1>with them. That wouldn't be the bedroom on the north

0:20:36.040 --> 0:20:39.679
<v Speaker 1>side with it by any chance, Wilmot had asked, you

0:20:39.760 --> 0:20:44.840
<v Speaker 1>mean the haunted bedroom, replied Hugh. As it turned out,

0:20:45.359 --> 0:20:48.080
<v Speaker 1>Hugh's family had taken to calling at this on account

0:20:48.119 --> 0:20:50.520
<v Speaker 1>of a morbid story they had heard about one of

0:20:50.560 --> 0:20:54.520
<v Speaker 1>the previous owners, long before the house had been wired

0:20:54.560 --> 0:20:58.159
<v Speaker 1>for electricity. The haunted room had in fact been the

0:20:58.240 --> 0:21:02.080
<v Speaker 1>sole master bedroom. As the story went, it was in

0:21:02.119 --> 0:21:05.159
<v Speaker 1>this room that the wife of former owner Joseph Hanneth,

0:21:05.600 --> 0:21:08.120
<v Speaker 1>who bought the property from his father in eighteen twelve,

0:21:08.600 --> 0:21:12.600
<v Speaker 1>had died young. The death had left Joseph so bereft

0:21:12.880 --> 0:21:16.160
<v Speaker 1>he couldn't bear to release the body for burial, deciding

0:21:16.160 --> 0:21:19.840
<v Speaker 1>instead to have it interred in an open coffin, which

0:21:19.840 --> 0:21:23.000
<v Speaker 1>he kept at the end of the marital bed. For

0:21:23.040 --> 0:21:27.520
<v Speaker 1>six weeks and increasingly unhinged, Joseph continued to order his

0:21:27.560 --> 0:21:30.680
<v Speaker 1>servants to bring his wife three meals a day as

0:21:30.680 --> 0:21:36.560
<v Speaker 1>her body steadily putrefied. Eventually, with the stench becoming unbearable,

0:21:37.240 --> 0:21:40.320
<v Speaker 1>Joseph was brought to his senses just long enough to

0:21:40.359 --> 0:21:42.800
<v Speaker 1>take the body into the front garden, where he is

0:21:42.840 --> 0:21:46.680
<v Speaker 1>said to have buried it under a large horse chestnut tree,

0:21:47.320 --> 0:21:50.159
<v Speaker 1>as Wilmot continued to explain over the phone to Tony.

0:21:50.960 --> 0:21:53.800
<v Speaker 1>Since the first article had been well received and with

0:21:53.880 --> 0:21:57.520
<v Speaker 1>Halloween drawing near, he approached Derec and Audrey about the

0:21:57.520 --> 0:22:00.520
<v Speaker 1>possibility of spending a night in the house with a

0:22:00.600 --> 0:22:04.440
<v Speaker 1>view to publishing another article about it. Since the couple

0:22:04.480 --> 0:22:07.200
<v Speaker 1>were eager to prove they weren't making anything up, they

0:22:07.240 --> 0:22:11.000
<v Speaker 1>welcomed Wilmot, joined this time by a senior colleague from

0:22:11.000 --> 0:22:13.439
<v Speaker 1>the paper, as well as a local friend and his

0:22:13.520 --> 0:22:18.040
<v Speaker 1>pet labrador, Simba, back to Hanneth Hall on thirty first

0:22:18.040 --> 0:22:22.960
<v Speaker 1>of October to conduct an investigation. Later that night, as

0:22:23.000 --> 0:22:26.800
<v Speaker 1>the devil's hour approached, and with Audrey Rose and the

0:22:26.880 --> 0:22:31.679
<v Speaker 1>children fast asleep, Deryck, Wilmot and his colleague took up

0:22:31.720 --> 0:22:35.480
<v Speaker 1>positions on the landing, while the friend and Simba kept

0:22:35.520 --> 0:22:41.080
<v Speaker 1>watch in the old master bedroom. Despite some initial nervous joshing,

0:22:41.560 --> 0:22:44.880
<v Speaker 1>it hadn't taken long for a pervasive eeriness to descend,

0:22:46.000 --> 0:22:49.119
<v Speaker 1>when from somewhere in the house a clock struck twelve.

0:22:50.359 --> 0:22:55.280
<v Speaker 1>Simba began to whimper mournfully. A noise was heard from

0:22:55.280 --> 0:22:58.320
<v Speaker 1>inside a spare bedroom off to the side, but not

0:22:58.440 --> 0:23:02.680
<v Speaker 1>one of the men had the courage investigate. A moment later,

0:23:03.480 --> 0:23:07.800
<v Speaker 1>they all sensed a significant drop in temperature, followed by

0:23:07.800 --> 0:23:11.480
<v Speaker 1>the smell of sandalwood that seemed to be sweeping back

0:23:11.520 --> 0:23:16.639
<v Speaker 1>and forth along the corridor, although little else occurred that evening,

0:23:17.320 --> 0:23:19.879
<v Speaker 1>whether it had been the charge of the occasion or

0:23:19.920 --> 0:23:23.520
<v Speaker 1>merely the atmosphere of the evocative old building. When the

0:23:23.560 --> 0:23:26.720
<v Speaker 1>men finally called it to night at two thirty am,

0:23:26.760 --> 0:23:30.800
<v Speaker 1>it was with the distinct impression that they had experienced something.

0:23:33.880 --> 0:23:37.359
<v Speaker 1>All elements of Unexplained are produced by me Richard McClain Smith.

0:23:37.720 --> 0:23:40.200
<v Speaker 1>Please subscribe and rate the show on iTunes and feel

0:23:40.200 --> 0:23:42.360
<v Speaker 1>free to get in touch with any thoughts or ideas

0:23:42.400 --> 0:23:45.520
<v Speaker 1>regarding the stories you've heard on the show. Perhaps you

0:23:45.600 --> 0:23:47.520
<v Speaker 1>have an explanation of your own you'd like to share.

0:23:48.280 --> 0:23:51.000
<v Speaker 1>You can reach us online at Unexplained podcast dot com

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<v Speaker 1>or on Twitter at Unexplained pod. Now. It's time to

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