WEBVTT - Dune: Prophecy Episode 3

0:00:00.040 --> 0:00:04.120
<v Speaker 1>Today's episode contains spoilers for Dune Prophecy Episode three, Sisterhood

0:00:04.120 --> 0:00:06.480
<v Speaker 1>Above All. Watch that first before you listen today.

0:00:06.640 --> 0:00:08.639
<v Speaker 2>Watch it, watch it, Watch it up.

0:00:25.880 --> 0:00:28.480
<v Speaker 1>Hi, folks, I'm a Boo and I'm Jason and I'm

0:00:28.560 --> 0:00:31.720
<v Speaker 1>Rosie and welcome to x ray Vision Extras and x

0:00:31.800 --> 0:00:34.920
<v Speaker 1>ray Vision Series, where we dive deep into even more

0:00:34.960 --> 0:00:37.880
<v Speaker 1>of your favorite shows, movies, comics, and pop culture. Every

0:00:37.920 --> 0:00:41.239
<v Speaker 1>superhero team needs side quests, and our rotating panel of

0:00:41.280 --> 0:00:44.040
<v Speaker 1>producers and guest hosts we'll be suiting up to help

0:00:44.120 --> 0:00:46.239
<v Speaker 1>Jason and Rosie cover all the amazing nerd content that's

0:00:46.240 --> 0:00:47.920
<v Speaker 1>out there unless they feel like they really want to

0:00:47.920 --> 0:00:49.600
<v Speaker 1>talk about it, like today, and then they're just gonna

0:00:49.600 --> 0:00:53.199
<v Speaker 1>be here. Jason, I'm excited to talk about.

0:00:53.040 --> 0:00:57.440
<v Speaker 3>Dune yay, dude, promisely episode one of three.

0:00:57.720 --> 0:00:59.440
<v Speaker 2>I need my aboo done.

0:00:59.480 --> 0:01:04.640
<v Speaker 1>Lords without give us well good, That's what we're here

0:01:04.680 --> 0:01:07.240
<v Speaker 1>to do. So let's run through a recap of the

0:01:07.319 --> 0:01:10.480
<v Speaker 1>episode together and then we'll share some thoughts and then

0:01:10.800 --> 0:01:13.600
<v Speaker 1>if y'all have some Donelaurer questions for me, I can

0:01:13.640 --> 0:01:16.880
<v Speaker 1>do my best to answer. So Dune Prophecy Episode three,

0:01:16.959 --> 0:01:21.080
<v Speaker 1>Sisterhood Above All starts with Valia walking out of the palace.

0:01:21.120 --> 0:01:24.039
<v Speaker 1>As we saw in the last episode, she has been

0:01:24.160 --> 0:01:25.760
<v Speaker 1>laid off a tough gig.

0:01:25.959 --> 0:01:29.760
<v Speaker 3>She's fighting, get by it, get out of you.

0:01:30.120 --> 0:01:33.679
<v Speaker 1>She is, of course upset, but determined to get control

0:01:33.720 --> 0:01:37.320
<v Speaker 1>of this whole situation. We then flash back to young

0:01:37.400 --> 0:01:39.840
<v Speaker 1>Volyia and we visit for the first time of the

0:01:39.880 --> 0:01:41.959
<v Speaker 1>show and for the first time on screen in June

0:01:42.240 --> 0:01:44.759
<v Speaker 1>the planet Lanka Vail somewhere that how Stark I believe

0:01:44.800 --> 0:01:49.160
<v Speaker 1>would feel very at home, and we see the illustrious

0:01:49.200 --> 0:01:52.240
<v Speaker 1>Hearken in whale for industry at work.

0:01:52.400 --> 0:01:55.120
<v Speaker 2>Good for them, it's going They're doing great.

0:01:55.200 --> 0:01:55.920
<v Speaker 3>They're whalen.

0:01:56.280 --> 0:01:57.880
<v Speaker 2>That whaling on the whale.

0:01:57.920 --> 0:02:01.680
<v Speaker 3>That's where the money comes from. Baby, We're whaling on

0:02:01.720 --> 0:02:04.080
<v Speaker 3>a major, major galactic scale.

0:02:04.160 --> 0:02:05.080
<v Speaker 2>Okay, aboo.

0:02:05.200 --> 0:02:06.760
<v Speaker 4>Let me ask you a question that came to mind

0:02:06.760 --> 0:02:10.320
<v Speaker 4>when I was thinking about this. Yes, is that partially

0:02:10.520 --> 0:02:14.440
<v Speaker 4>why the Hoarckins are always restoring themselves and laying in

0:02:14.720 --> 0:02:16.480
<v Speaker 4>bathing in oil? Oh?

0:02:16.840 --> 0:02:19.160
<v Speaker 2>Is that to do with the whales.

0:02:18.919 --> 0:02:21.200
<v Speaker 4>And the kind of I always that was my first

0:02:21.240 --> 0:02:24.640
<v Speaker 4>thought was like, is this some kind of tradition from

0:02:24.720 --> 0:02:28.000
<v Speaker 4>the whale. You'll have to do some research and fill

0:02:28.040 --> 0:02:28.639
<v Speaker 4>me in on that one.

0:02:28.680 --> 0:02:30.800
<v Speaker 1>That's a fun headcanon. I'll have to do some research,

0:02:30.880 --> 0:02:32.560
<v Speaker 1>but off the top of my head.

0:02:32.360 --> 0:02:33.960
<v Speaker 2>No, I've always got a fun theory.

0:02:34.040 --> 0:02:36.840
<v Speaker 1>Yeah, that's a very fun theory. Well, here on Linkaville,

0:02:37.000 --> 0:02:40.840
<v Speaker 1>at the whale shop, Falia buy some meat for dinner

0:02:41.840 --> 0:02:44.320
<v Speaker 1>and she returns home for dinner. Dinner at the harkanins

0:02:44.600 --> 0:02:48.240
<v Speaker 1>is tense. Guys. Young Valia clearly the black sheep of

0:02:48.280 --> 0:02:52.000
<v Speaker 1>the family, right, she's yelling at everyone. She says what

0:02:52.080 --> 0:02:53.760
<v Speaker 1>I think was actually a really good line. She says,

0:02:53.840 --> 0:02:57.040
<v Speaker 1>this complacency is a disease. And for folks who know Dune,

0:02:57.639 --> 0:03:02.400
<v Speaker 1>there's a major theme of warnings again, stagnation, to embrace chaos,

0:03:02.480 --> 0:03:04.960
<v Speaker 1>to embrace change. That's a big thing Frank Herbert was about.

0:03:05.240 --> 0:03:07.799
<v Speaker 1>And so I really liked that she said complacency is

0:03:07.840 --> 0:03:10.320
<v Speaker 1>a disease, very on brand thematically speaking.

0:03:10.639 --> 0:03:13.480
<v Speaker 2>Maybe vals right, maybe Valias right.

0:03:13.520 --> 0:03:15.680
<v Speaker 1>The rest of the family is very fine with living

0:03:15.720 --> 0:03:18.760
<v Speaker 1>off of whale, the whale for industry for the rest

0:03:18.760 --> 0:03:21.680
<v Speaker 1>of their lives, but she has greater ambitions obviously. This

0:03:21.800 --> 0:03:24.160
<v Speaker 1>is also the very first scene where we see Robert

0:03:24.160 --> 0:03:25.760
<v Speaker 1>Bobby b Brathian show up.

0:03:27.440 --> 0:03:30.840
<v Speaker 3>This this I will admit it throws me. It's like

0:03:30.919 --> 0:03:34.680
<v Speaker 3>Margaddie's got along and illustrious career doing many many things.

0:03:34.760 --> 0:03:39.040
<v Speaker 3>I loved him in Jack Frost's Now Dad is better

0:03:39.080 --> 0:03:41.800
<v Speaker 3>than No Dad. I loved him in a million different

0:03:41.920 --> 0:03:45.160
<v Speaker 3>other pictures. I loved him in you know, A Night's Tale,

0:03:45.280 --> 0:03:47.240
<v Speaker 3>of course, I loved him. But David Thrones, I just

0:03:47.400 --> 0:03:51.360
<v Speaker 3>think he's got to go into a different vocal performance

0:03:51.440 --> 0:03:54.800
<v Speaker 3>because I'm like, holy shit, it's Robert.

0:03:57.920 --> 0:04:02.280
<v Speaker 4>I've seen the full Monty. I know, yeah, a different accent.

0:04:02.320 --> 0:04:05.200
<v Speaker 4>I know he's got a natural accent, but it is. Yeah,

0:04:05.200 --> 0:04:06.920
<v Speaker 4>it's like Robert Brathian in space.

0:04:07.040 --> 0:04:07.280
<v Speaker 1>Yeah.

0:04:07.360 --> 0:04:10.480
<v Speaker 2>And you know what, that's probably why they cost him, Honestly.

0:04:10.160 --> 0:04:12.640
<v Speaker 3>I mean I would tell you how they shit themselves

0:04:12.840 --> 0:04:15.680
<v Speaker 3>this wayeless delicious, thank you.

0:04:16.160 --> 0:04:17.239
<v Speaker 1>Just slurping up that wheel.

0:04:17.279 --> 0:04:18.440
<v Speaker 3>So yeah.

0:04:18.600 --> 0:04:21.680
<v Speaker 1>Valia storms after getting into this argument with the family

0:04:21.880 --> 0:04:24.320
<v Speaker 1>and ruining dinner. She storms out of the room. Her

0:04:24.320 --> 0:04:28.159
<v Speaker 1>brother Griffin follows her, and we then are at some

0:04:28.279 --> 0:04:31.200
<v Speaker 1>cliff overlooking a frozen river. And this is where we learned,

0:04:31.200 --> 0:04:34.560
<v Speaker 1>through some back and forth between the siblings, that Valia

0:04:34.720 --> 0:04:37.680
<v Speaker 1>had actually discovered the voice a power that we've watched

0:04:37.680 --> 0:04:41.200
<v Speaker 1>her use multiple times in the show, already during this

0:04:41.240 --> 0:04:44.680
<v Speaker 1>traumatic event where Griffin fell into this river nearly drowned,

0:04:44.720 --> 0:04:48.400
<v Speaker 1>and she compelled him to move his muscles and swim

0:04:48.560 --> 0:04:52.080
<v Speaker 1>to safety, so we get an origin point for the voice.

0:04:52.120 --> 0:04:55.080
<v Speaker 1>This is slightly different from the book, but the broadbeats

0:04:55.080 --> 0:04:57.400
<v Speaker 1>are generally the same. In the book, it also involved

0:04:57.400 --> 0:04:57.839
<v Speaker 1>her brother.

0:04:58.120 --> 0:04:59.599
<v Speaker 3>Do you want to give us the Yeah, what's the

0:04:59.640 --> 0:05:00.440
<v Speaker 3>book version?

0:05:00.839 --> 0:05:03.400
<v Speaker 1>In the book version? It's honestly, I feel like the

0:05:03.480 --> 0:05:06.320
<v Speaker 1>show did a good job making it more emotionally resonant

0:05:06.320 --> 0:05:09.279
<v Speaker 1>because it connected it to the brother more directly. In

0:05:09.320 --> 0:05:13.480
<v Speaker 1>the book, Vallya has already been like honing and practicing

0:05:13.560 --> 0:05:16.039
<v Speaker 1>the voice. This is just something I think, Jason, in

0:05:16.080 --> 0:05:17.880
<v Speaker 1>our first conversation, you said, this is like an R

0:05:17.880 --> 0:05:19.520
<v Speaker 1>and D. Think she was a project she was doing

0:05:19.520 --> 0:05:22.240
<v Speaker 1>on the side. That's what she's doing in the book.

0:05:22.400 --> 0:05:24.839
<v Speaker 1>She just knows it already by this point, and she

0:05:25.040 --> 0:05:27.880
<v Speaker 1>uses it to save her brother. Here, saving her brother

0:05:27.920 --> 0:05:30.080
<v Speaker 1>as like the inflection point of her discovering it for

0:05:30.120 --> 0:05:30.680
<v Speaker 1>the first time.

0:05:30.960 --> 0:05:31.520
<v Speaker 2>I love that.

0:05:31.800 --> 0:05:33.039
<v Speaker 1>Yeah, I think it was a good change.

0:05:33.160 --> 0:05:36.160
<v Speaker 3>Yes, I have notes, but that's okay, we can continue.

0:05:36.480 --> 0:05:39.039
<v Speaker 4>Yeah, I was gonna say it's interesting because I do

0:05:39.120 --> 0:05:44.680
<v Speaker 4>think it's very anti what we know of the Benny jedzureit.

0:05:45.240 --> 0:05:48.400
<v Speaker 4>You know, this having like this emotional relationship to your

0:05:48.440 --> 0:05:51.120
<v Speaker 4>family or doing something out of love. I think it

0:05:51.200 --> 0:05:54.440
<v Speaker 4>is not necessarily something that we would usually connect to

0:05:54.440 --> 0:05:55.839
<v Speaker 4>the Benny Jesuit or the voice.

0:05:55.880 --> 0:05:57.400
<v Speaker 2>Definitely, so I do think it's an.

0:05:57.320 --> 0:06:01.240
<v Speaker 4>Interesting change, but I also think that it does make

0:06:01.279 --> 0:06:02.520
<v Speaker 4>it more emotionally resonant.

0:06:02.760 --> 0:06:05.560
<v Speaker 3>I also think I like the connection to family and

0:06:05.600 --> 0:06:09.040
<v Speaker 3>how that generated the voice. I also just my one note,

0:06:09.400 --> 0:06:14.280
<v Speaker 3>small note, is that it's too cost free. She has

0:06:14.320 --> 0:06:17.520
<v Speaker 3>this immense power and it cost her nothing. There's no

0:06:17.680 --> 0:06:23.760
<v Speaker 3>drawback at all, and that just feels not weighty enough.

0:06:24.000 --> 0:06:26.800
<v Speaker 3>I would like it if there was some other thing

0:06:26.960 --> 0:06:29.320
<v Speaker 3>there's cost to this voice somehow.

0:06:29.440 --> 0:06:34.720
<v Speaker 4>Also, it would be very bleak, but very interesting. If

0:06:34.760 --> 0:06:37.120
<v Speaker 4>she'd have been in an argument with her brother that

0:06:37.160 --> 0:06:40.240
<v Speaker 4>she loves and then she used the voice and accidentally

0:06:40.320 --> 0:06:42.960
<v Speaker 4>killed him or injured him or something like that because

0:06:43.000 --> 0:06:46.200
<v Speaker 4>she didn't know how to not compel him. That definitely

0:06:46.240 --> 0:06:48.200
<v Speaker 4>would have been an interesting Ringkle.

0:06:47.960 --> 0:06:51.000
<v Speaker 1>Yeah, yeah, good notes. I agree. Well, we clearly see

0:06:51.120 --> 0:06:55.120
<v Speaker 1>in this conversation between them that Griffin and Vaalia are

0:06:55.200 --> 0:06:57.960
<v Speaker 1>affectionate toward each other. They seem to also have similar

0:06:58.000 --> 0:07:01.360
<v Speaker 1>ambitions to help house hearken in, climb the ranks of

0:07:01.400 --> 0:07:04.560
<v Speaker 1>power and get that respect back on their name. I

0:07:04.600 --> 0:07:07.440
<v Speaker 1>really hope nothing happens to Griffin the Lovely Brother.

0:07:07.760 --> 0:07:11.000
<v Speaker 4>Yeah, definitely seems like that nothing could ever bad, could

0:07:11.040 --> 0:07:13.000
<v Speaker 4>happen enough would be absolutely great.

0:07:13.160 --> 0:07:15.920
<v Speaker 3>I was also going to say maybe it was because

0:07:15.960 --> 0:07:19.880
<v Speaker 3>Mark Addy is there, King Bobby b. I also felt like, gosh,

0:07:19.960 --> 0:07:22.960
<v Speaker 3>brother and sister are very close, aren't they wonderful?

0:07:24.680 --> 0:07:28.320
<v Speaker 2>Like that's allow of chemistry.

0:07:29.960 --> 0:07:33.080
<v Speaker 4>These two, I will say, I do feel like they

0:07:33.080 --> 0:07:37.920
<v Speaker 4>did a great job of showing like how depressing it

0:07:38.040 --> 0:07:39.680
<v Speaker 4>was to be a howken in at this time.

0:07:40.080 --> 0:07:43.160
<v Speaker 3>Well, yeah, living on whale World and everybody's like this

0:07:43.280 --> 0:07:45.120
<v Speaker 3>is great. Whale World is just like.

0:07:45.320 --> 0:07:50.720
<v Speaker 4>In your cold ass stone house, like god terrible, just

0:07:50.760 --> 0:07:51.280
<v Speaker 4>eating out.

0:07:51.160 --> 0:07:53.400
<v Speaker 2>Of your stone ball eating whale.

0:07:53.480 --> 0:07:56.400
<v Speaker 3>It's like, what do we got today, whale or more whales?

0:07:56.560 --> 0:07:58.960
<v Speaker 1>Put one piece of art up, you know, like one

0:07:59.000 --> 0:08:00.080
<v Speaker 1>splash of color.

0:08:01.400 --> 0:08:01.480
<v Speaker 3>Up.

0:08:01.680 --> 0:08:07.280
<v Speaker 4>Just something guys, somebody dressing it's something yellow colored or something.

0:08:07.720 --> 0:08:09.520
<v Speaker 3>Put something green in the house.

0:08:10.440 --> 0:08:13.000
<v Speaker 2>Red, like even red, guys. You've got a lot of

0:08:13.000 --> 0:08:13.720
<v Speaker 2>Whale Blood.

0:08:13.920 --> 0:08:18.920
<v Speaker 4>I will say the interior design on the planet of

0:08:18.960 --> 0:08:23.680
<v Speaker 4>the Hockins Lancaveil Whale World is not delivery. I'm not

0:08:23.960 --> 0:08:26.960
<v Speaker 4>a fan of the esthetic. I'm a fan of the

0:08:27.080 --> 0:08:29.000
<v Speaker 4>esthetic as a viewer, but if I was living that,

0:08:29.080 --> 0:08:29.760
<v Speaker 4>I would hate it.

0:08:29.960 --> 0:08:32.840
<v Speaker 3>So I get it. I do get While Vollia is like, guys, yeah,

0:08:33.080 --> 0:08:34.440
<v Speaker 3>we cannot be happy with this.

0:08:35.000 --> 0:08:36.079
<v Speaker 2>She's like this is bad. Guys.

0:08:36.160 --> 0:08:38.280
<v Speaker 1>Yeah, she's got a point, and you know, despite her

0:08:38.320 --> 0:08:40.920
<v Speaker 1>many faults, it is difficult not to cheer for her

0:08:41.000 --> 0:08:42.880
<v Speaker 1>somewhat because she does have a point.

0:08:43.120 --> 0:08:43.280
<v Speaker 3>Well.

0:08:43.320 --> 0:08:46.360
<v Speaker 1>Unfortunately, rip to our guy Griffin. We hardcut to him

0:08:46.400 --> 0:08:50.480
<v Speaker 1>just dead. We're at a funeral scene and we learn

0:08:50.600 --> 0:08:53.959
<v Speaker 1>here that Griffin had gone to confront warrin a treadees

0:08:54.000 --> 0:08:57.040
<v Speaker 1>the great rival that brought shame upon the Harkin In

0:08:57.080 --> 0:09:01.360
<v Speaker 1>House during the Machine Wars, and allegedly boring New Trade's

0:09:01.440 --> 0:09:02.160
<v Speaker 1>Murke disass.

0:09:02.200 --> 0:09:02.640
<v Speaker 3>Whoops.

0:09:02.640 --> 0:09:03.880
<v Speaker 1>And that's that's where we're.

0:09:03.720 --> 0:09:04.400
<v Speaker 2>At now, Guys.

0:09:04.440 --> 0:09:07.480
<v Speaker 4>I understand that, I'm sure there's gonna be some other reveal,

0:09:07.920 --> 0:09:09.920
<v Speaker 4>but I feel like you shouldn't do this off screen.

0:09:10.480 --> 0:09:14.160
<v Speaker 3>There's a lot of this happening. There's a lot of

0:09:14.200 --> 0:09:16.960
<v Speaker 3>this thing happened off screen. I til like situations that

0:09:16.960 --> 0:09:17.480
<v Speaker 3>are having.

0:09:17.440 --> 0:09:19.960
<v Speaker 4>But I will say I understand it's hard to do

0:09:20.000 --> 0:09:24.280
<v Speaker 4>an episode that is primarily flashbacks and keep the mystery.

0:09:24.800 --> 0:09:27.040
<v Speaker 4>I'm like, I understand that we're probably gonna reveal that

0:09:27.080 --> 0:09:28.240
<v Speaker 4>something else happened to Griffin.

0:09:28.280 --> 0:09:31.000
<v Speaker 2>That's how it feels to me. But still him just dead.

0:09:31.679 --> 0:09:34.080
<v Speaker 4>I'm not that invested in the how to Drain Your

0:09:34.160 --> 0:09:35.000
<v Speaker 4>Dragon look alike.

0:09:35.480 --> 0:09:38.200
<v Speaker 2>Yeah, like for that to have a big impact, you know.

0:09:38.600 --> 0:09:41.320
<v Speaker 1>Yeah, we do jump back to the present day. There's

0:09:41.440 --> 0:09:43.840
<v Speaker 1>only a couple of present day scenes in this episode.

0:09:44.320 --> 0:09:48.000
<v Speaker 1>This is one of them. The sisters have gathered and

0:09:48.040 --> 0:09:51.480
<v Speaker 1>they are very stressed. They're worried about what's gonna happen

0:09:51.520 --> 0:09:54.640
<v Speaker 1>now that they've all seemingly their jobs are at risk,

0:09:55.120 --> 0:09:58.360
<v Speaker 1>and Bollia is trying to take charge. She's giving out commands.

0:09:58.440 --> 0:10:03.240
<v Speaker 1>She's reassuring everyone, Hey, I'll handle this Corino thing. It's

0:10:03.280 --> 0:10:06.040
<v Speaker 1>gonna be okay. Everyone just lock in and do your

0:10:06.120 --> 0:10:08.040
<v Speaker 1>jobs and we're gonna get out of this.

0:10:08.240 --> 0:10:08.920
<v Speaker 2>We'll get out of it.

0:10:08.960 --> 0:10:12.480
<v Speaker 1>Baby sister Mikayla that arrives with a text basically from

0:10:12.800 --> 0:10:16.240
<v Speaker 1>sister Tula informing them that Lila did not survive the

0:10:16.280 --> 0:10:19.680
<v Speaker 1>agony as we saw in the last episode. But silver

0:10:19.760 --> 0:10:24.319
<v Speaker 1>lining we got somewhat of a prophecy that rhymes Oh cool.

0:10:24.320 --> 0:10:28.400
<v Speaker 3>That's important. If it doesn't rhyme, is it really a prophecy?

0:10:28.840 --> 0:10:31.520
<v Speaker 1>I will say. In the scene, Volliat immediately jumps to

0:10:31.559 --> 0:10:34.520
<v Speaker 1>a conclusion and she's like, the prophecy is about Desmond Hurt. Obviously.

0:10:35.040 --> 0:10:37.000
<v Speaker 3>I found that to be quite striking.

0:10:37.120 --> 0:10:40.400
<v Speaker 2>Also, guys, yeah, he's not Jason Amoa. Guys, let's just

0:10:40.440 --> 0:10:43.040
<v Speaker 2>give it a break. He doesn't have the juice. He

0:10:43.080 --> 0:10:44.400
<v Speaker 2>does have the mentat juice.

0:10:44.400 --> 0:10:46.800
<v Speaker 4>Potentially he has the psychic juice, but I don't know

0:10:46.840 --> 0:10:49.800
<v Speaker 4>if he has the leading character juice.

0:10:49.880 --> 0:10:52.520
<v Speaker 1>Yeah, to me, that felt like it is now not

0:10:52.679 --> 0:10:55.280
<v Speaker 1>Desmond Heart. With how quickly Vally is jumping to that.

0:10:55.200 --> 0:10:58.000
<v Speaker 2>Conclusion, I agree, Okay, that's I agree.

0:10:58.160 --> 0:11:00.280
<v Speaker 1>The prophecy, at least, you know, is talking about someone else,

0:11:00.320 --> 0:11:00.959
<v Speaker 1>not Doesnmond Hard.

0:11:01.000 --> 0:11:03.559
<v Speaker 3>I think it's gonna be Lilah obviously, yes, but that's

0:11:03.960 --> 0:11:05.040
<v Speaker 3>for another Yeah.

0:11:05.080 --> 0:11:07.640
<v Speaker 1>Meanwhile, we cut back to Tula back on Wallach nine.

0:11:07.800 --> 0:11:10.800
<v Speaker 1>Tula is wrecked with guilt over Lilah's fate. She's standing

0:11:10.840 --> 0:11:13.679
<v Speaker 1>over Lilah, who is in a coma right now, and

0:11:13.760 --> 0:11:17.800
<v Speaker 1>one of the other sisters, sister Avila, comes in, comforts her,

0:11:18.080 --> 0:11:23.400
<v Speaker 1>offers her some spice tea, and gently, very gently reminds

0:11:23.440 --> 0:11:26.280
<v Speaker 1>her that there are more tough choices to be made.

0:11:26.800 --> 0:11:30.120
<v Speaker 1>You gotta pull the plug Onla. We know nobody survives

0:11:30.120 --> 0:11:33.000
<v Speaker 1>this coma. This is doing more harm than good.

0:11:33.120 --> 0:11:36.000
<v Speaker 4>Yeah, I'm like, guys, there's free healthcare though. Just keep

0:11:36.000 --> 0:11:37.720
<v Speaker 4>her in that, Like, you don't need to pull the plug.

0:11:37.720 --> 0:11:38.840
<v Speaker 4>It's not costing you any money.

0:11:38.840 --> 0:11:40.400
<v Speaker 3>I'm just saying it's really you know, I know it's

0:11:40.400 --> 0:11:42.080
<v Speaker 3>really hard. You want me to do it, I'll do it.

0:11:42.120 --> 0:11:45.040
<v Speaker 3>I'll chock her out whatever right right away, and I'll

0:11:45.080 --> 0:11:46.840
<v Speaker 3>deal with this, like just saying you don't have to

0:11:46.880 --> 0:11:48.240
<v Speaker 3>do it. I know you guys were clean.

0:11:48.360 --> 0:11:49.040
<v Speaker 2>I'll do it.

0:11:49.120 --> 0:11:53.640
<v Speaker 1>Yeah. Well, after that, we return to another flashback once more,

0:11:53.679 --> 0:11:56.360
<v Speaker 1>where now with a young Tula who is on a

0:11:56.440 --> 0:11:59.440
<v Speaker 1>family hunting trip with her new hunk of a boyfriend,

0:11:59.679 --> 0:12:03.720
<v Speaker 1>Or who we will learn more about shortly. At this

0:12:03.920 --> 0:12:06.840
<v Speaker 1>bull hunting trip, she's nervous about meeting the family. We

0:12:06.880 --> 0:12:09.560
<v Speaker 1>get a sense that they haven't done the meet the

0:12:09.600 --> 0:12:12.040
<v Speaker 1>parents yet. They're not at that stage of the relationship,

0:12:12.640 --> 0:12:15.640
<v Speaker 1>and this is Tula's first time meeting ORI's family. She

0:12:15.880 --> 0:12:20.520
<v Speaker 1>shows this young a Tredes boy how to skin and

0:12:20.600 --> 0:12:23.679
<v Speaker 1>prepare the bait so they can lure the salution bull.

0:12:24.400 --> 0:12:27.680
<v Speaker 1>When suddenly they hear a commotion nearby. This is giving

0:12:27.920 --> 0:12:32.800
<v Speaker 1>very Carolter, Frivia and roach. But Aori's horse has broken

0:12:32.840 --> 0:12:35.680
<v Speaker 1>its leg. There's no men to get at this point.

0:12:35.920 --> 0:12:38.240
<v Speaker 1>It's better to put the poor creature out of its misery,

0:12:38.520 --> 0:12:41.160
<v Speaker 1>and Ori is prepared to stab his horse when she

0:12:41.240 --> 0:12:45.560
<v Speaker 1>stops him, runs back to her workstation, grabs that poison

0:12:45.679 --> 0:12:49.080
<v Speaker 1>from the bait, and it peacefully ends the poor animal's life.

0:12:49.200 --> 0:12:54.520
<v Speaker 4>Uh subtle foreshadowing spiceful of pain and let him die.

0:12:54.320 --> 0:12:57.600
<v Speaker 2>She said, come jabah.

0:12:59.000 --> 0:13:05.160
<v Speaker 3>Yet another again. Why this episode is like crossing my

0:13:05.240 --> 0:13:09.960
<v Speaker 3>wires so strongly. It's another hunting accident in which Mark

0:13:10.040 --> 0:13:12.360
<v Speaker 3>Addy is in the episode. Here we go again.

0:13:15.040 --> 0:13:18.200
<v Speaker 1>It's true, yeah, plus a horse. Something that like really

0:13:18.200 --> 0:13:21.560
<v Speaker 1>gave me cognitive dissonance was seeing a horse in a

0:13:21.600 --> 0:13:25.320
<v Speaker 1>forest on a dune show on like a sci fi show,

0:13:25.320 --> 0:13:27.640
<v Speaker 1>and it threw me off. It was really giving like

0:13:27.720 --> 0:13:31.199
<v Speaker 1>fantasy show, very willow of that somebody had pointed out

0:13:31.200 --> 0:13:33.760
<v Speaker 1>to me that like the vibe of this forest scene

0:13:34.040 --> 0:13:36.520
<v Speaker 1>was giving Wheel of Time. I haven't watched the Wheel

0:13:36.520 --> 0:13:36.840
<v Speaker 1>of Time?

0:13:37.120 --> 0:13:41.640
<v Speaker 3>Is Wheel of Time? Game of Thrones? I mean they're

0:13:42.080 --> 0:13:46.560
<v Speaker 3>leaning into the Game of Thrones tones, Yes, very strongly

0:13:46.559 --> 0:13:50.520
<v Speaker 3>in this episode, and more strongly I think than any

0:13:50.559 --> 0:13:52.000
<v Speaker 3>episode to date.

0:13:52.760 --> 0:13:53.480
<v Speaker 2>Oh definitely.

0:13:53.880 --> 0:13:58.520
<v Speaker 3>The sister who is generously offering to kill Lila for Tula,

0:13:58.600 --> 0:14:03.600
<v Speaker 3>in fact has that where there stark accent, that northern

0:14:03.720 --> 0:14:06.920
<v Speaker 3>England accent is piping out of her to the point

0:14:06.920 --> 0:14:10.240
<v Speaker 3>that I'm like, god, worre wow, what we're leaning into it?

0:14:10.320 --> 0:14:10.520
<v Speaker 4>Yeah?

0:14:10.559 --> 0:14:12.319
<v Speaker 2>I think they were like, well, mark out, you's here

0:14:12.320 --> 0:14:12.840
<v Speaker 2>a baby.

0:14:13.120 --> 0:14:16.400
<v Speaker 4>Yeah, so let's make those Game of Thrones comparisons.

0:14:16.720 --> 0:14:19.280
<v Speaker 1>Yeah, we're gonna jump to what felt to me very

0:14:19.320 --> 0:14:24.000
<v Speaker 1>much like a school of witchcraft and wizardry. Yeah, but

0:14:24.080 --> 0:14:26.880
<v Speaker 1>we stay within the flashback. We cut to Wallack nine,

0:14:26.920 --> 0:14:30.440
<v Speaker 1>where Valia has been sent post Griffin death, and we

0:14:30.480 --> 0:14:34.200
<v Speaker 1>see young Vollia be quite rebellious as a student, questioning

0:14:34.280 --> 0:14:38.720
<v Speaker 1>her professor Dorotea, clearly getting on Dorotea's nerves. To me,

0:14:38.760 --> 0:14:41.479
<v Speaker 1>it's giving very Harry Potter sever a snape energy.

0:14:41.240 --> 0:14:43.640
<v Speaker 2>That was immediately where I went it's hard nothing.

0:14:43.840 --> 0:14:47.480
<v Speaker 1>Yeah, hard not to make that comparison. Later on, all

0:14:47.520 --> 0:14:52.560
<v Speaker 1>of the young trainees in this ceremony outside commit to

0:14:52.840 --> 0:14:56.680
<v Speaker 1>letting go of their pasts and pledging themselves to the Sisterhood.

0:14:57.280 --> 0:15:00.160
<v Speaker 1>Sisterhood above all, they say before being allowed back to

0:15:00.200 --> 0:15:04.560
<v Speaker 1>the school, all except Falia, who remains standing, who remains

0:15:04.640 --> 0:15:09.240
<v Speaker 1>conflicted out in the cold, crying, shivering late into the night.

0:15:09.280 --> 0:15:11.840
<v Speaker 1>Even Dorite is like, I got stuff to do.

0:15:11.960 --> 0:15:16.240
<v Speaker 3>I cannot come on, we got it, let's pack it in,

0:15:16.360 --> 0:15:16.640
<v Speaker 3>come on.

0:15:16.800 --> 0:15:17.040
<v Speaker 4>Yeah.

0:15:17.160 --> 0:15:19.400
<v Speaker 1>She ends up staying out there for the entire day,

0:15:19.440 --> 0:15:24.960
<v Speaker 1>seemingly until nightfall. When Mother Raquella arrives and has a

0:15:24.960 --> 0:15:27.240
<v Speaker 1>little one on one with Valia. She's like, forget about

0:15:27.240 --> 0:15:31.680
<v Speaker 1>the vow for a second, just come inside yours cold talk,

0:15:32.560 --> 0:15:35.760
<v Speaker 1>and Mother Riquella in this instance also witnesses the voice

0:15:35.800 --> 0:15:38.800
<v Speaker 1>for the first time, so instantly Vali is an important

0:15:38.880 --> 0:15:40.480
<v Speaker 1>character in her life as well.

0:15:40.600 --> 0:15:43.760
<v Speaker 4>Okay, I will say, mm I think this is the

0:15:43.800 --> 0:15:48.040
<v Speaker 4>most important moment of the episode, and I do think

0:15:48.080 --> 0:15:51.400
<v Speaker 4>that it gives the title a very interesting double meaning,

0:15:51.680 --> 0:15:55.840
<v Speaker 4>because we basically see here that the Hearkenin's like they

0:15:55.960 --> 0:15:59.840
<v Speaker 4>just really want revenge and I think like Fahllia not

0:16:00.280 --> 0:16:02.840
<v Speaker 4>wanting to take the bow and let go of all

0:16:02.880 --> 0:16:05.640
<v Speaker 4>of her allegiances is setting up this idea of the

0:16:05.680 --> 0:16:07.880
<v Speaker 4>Benny jeser At more of an awe as an arm

0:16:07.960 --> 0:16:08.360
<v Speaker 4>of like.

0:16:08.320 --> 0:16:12.640
<v Speaker 2>The Hawkenuns than it's fascinating on the value and Tula.

0:16:12.800 --> 0:16:14.720
<v Speaker 4>You know, I do think that there is this kind

0:16:14.760 --> 0:16:18.680
<v Speaker 4>of war but inside her about can I really give

0:16:18.760 --> 0:16:21.920
<v Speaker 4>up my allegiances because I actually really just want to

0:16:21.920 --> 0:16:23.800
<v Speaker 4>do this to get the power back from my family.

0:16:24.160 --> 0:16:27.680
<v Speaker 3>Yeah, it's quite interesting, especially considering that we know but

0:16:27.840 --> 0:16:30.360
<v Speaker 3>in the present timeline that you know, Valia is by

0:16:30.440 --> 0:16:35.080
<v Speaker 3>now rejecting every harcone in advance to like get them

0:16:35.160 --> 0:16:39.480
<v Speaker 3>a sister truth there. That said, I do feel like

0:16:39.560 --> 0:16:43.960
<v Speaker 3>we need something. This is a world in which behavioral

0:16:44.600 --> 0:16:49.200
<v Speaker 3>programming is like the basis of a lot of these guilts,

0:16:49.320 --> 0:16:53.360
<v Speaker 3>you know, the mentets and the Sisterhood. Later Paul Trates

0:16:53.440 --> 0:16:55.880
<v Speaker 3>undergoes like various things like this. I think it's got

0:16:55.920 --> 0:16:59.680
<v Speaker 3>to be something stronger than oath because I feel like

0:17:00.040 --> 0:17:02.080
<v Speaker 3>if I was one of the other houses in the lands, right,

0:17:02.080 --> 0:17:03.840
<v Speaker 3>I'd be like, yeah, don't give me in a harconin.

0:17:03.960 --> 0:17:08.200
<v Speaker 3>I don't want a Harconin as might unless there's some

0:17:08.320 --> 0:17:12.720
<v Speaker 3>kind of like ironclad behavioral programming that goes into it.

0:17:12.800 --> 0:17:15.320
<v Speaker 2>Yeah, more like a trial or something.

0:17:15.480 --> 0:17:18.760
<v Speaker 3>I wish there was more something like that rather than Hey,

0:17:18.800 --> 0:17:21.919
<v Speaker 3>you're just gonna promise. Hey, we know you're your Harconin

0:17:22.000 --> 0:17:23.720
<v Speaker 3>or you're in a trade's or wherever you come from,

0:17:23.760 --> 0:17:26.000
<v Speaker 3>but just promise me would stand out here in the

0:17:26.000 --> 0:17:29.600
<v Speaker 3>cold for like three hours and promise me that it's

0:17:29.600 --> 0:17:31.840
<v Speaker 3>gonna be sisterhood above all, and there's gonna be no

0:17:31.960 --> 0:17:34.600
<v Speaker 3>conspiratorial leadings. You're not going to be carrying out the

0:17:34.640 --> 0:17:37.639
<v Speaker 3>ambitions of your family through the sisterhood. Just promise. I

0:17:37.680 --> 0:17:40.240
<v Speaker 3>think we need something stronger than just a promise.

0:17:40.680 --> 0:17:43.520
<v Speaker 4>Yeah, okay, I will ask you a question a boot

0:17:43.640 --> 0:17:46.359
<v Speaker 4>and we'll do it like jeopardy. I asked you the question,

0:17:46.440 --> 0:17:48.159
<v Speaker 4>and then we go to ad break and then you

0:17:48.160 --> 0:17:49.920
<v Speaker 4>can answer off towards but like fun.

0:17:50.080 --> 0:17:52.680
<v Speaker 2>But this is the very early.

0:17:52.520 --> 0:17:54.879
<v Speaker 4>Days of the Sisterhood, right, so there's a chance that

0:17:54.920 --> 0:17:58.159
<v Speaker 4>they have something else, Right, there's something later on, and

0:17:58.200 --> 0:18:01.760
<v Speaker 4>then you can answer that in a more full and

0:18:01.880 --> 0:18:02.520
<v Speaker 4>the both way.

0:18:02.600 --> 0:18:04.320
<v Speaker 2>When we come back from that.

0:18:07.640 --> 0:18:23.359
<v Speaker 4>Back, I'm I back aboo, tell us about is that

0:18:23.520 --> 0:18:26.960
<v Speaker 4>something like Jason is us does that a ka lata?

0:18:27.280 --> 0:18:29.399
<v Speaker 2>Is that something that we see set up? Or is

0:18:29.400 --> 0:18:30.320
<v Speaker 2>it always just this?

0:18:31.240 --> 0:18:33.560
<v Speaker 4>And obviously I feel bad when we say Jedi ESQ

0:18:33.720 --> 0:18:36.240
<v Speaker 4>or sith esque because really all that stuff.

0:18:36.080 --> 0:18:38.479
<v Speaker 2>Was taken from Frank Haba. But is it really just

0:18:38.520 --> 0:18:39.000
<v Speaker 2>this vow?

0:18:39.320 --> 0:18:39.480
<v Speaker 4>Well?

0:18:39.520 --> 0:18:42.040
<v Speaker 3>I think a good example would be doctor Huey in

0:18:42.080 --> 0:18:46.400
<v Speaker 3>the First Dune, Yeah, where it's absolutely shocking to everyone

0:18:46.480 --> 0:18:51.119
<v Speaker 3>that a doctor's ethical programming could be overcome in a

0:18:51.200 --> 0:18:55.679
<v Speaker 3>way would allow him to stab his ruler in the

0:18:55.720 --> 0:18:59.600
<v Speaker 3>back in the way that he has. That's utterly shocking, right,

0:18:59.720 --> 0:19:02.639
<v Speaker 3>And so I find myself just wishing there was some

0:19:02.720 --> 0:19:05.600
<v Speaker 3>kind of mechanism like this for these characters who are

0:19:05.640 --> 0:19:09.679
<v Speaker 3>immediately seemingly going to be put into very sensitive positions

0:19:10.560 --> 0:19:12.360
<v Speaker 3>of advising rulers.

0:19:12.920 --> 0:19:16.480
<v Speaker 1>Yes. And the answer to that actually is that Frank

0:19:16.560 --> 0:19:20.320
<v Speaker 1>himself didn't really get into that until books five and

0:19:20.400 --> 0:19:23.400
<v Speaker 1>six of the six doing books that he wrote. Oh okay,

0:19:23.440 --> 0:19:25.440
<v Speaker 1>And by the time we get into books five and six,

0:19:25.520 --> 0:19:28.719
<v Speaker 1>things are so dramatically different. The universe has been shaken

0:19:29.200 --> 0:19:33.960
<v Speaker 1>by many spoilerfic things that I won't say, but we

0:19:34.160 --> 0:19:38.760
<v Speaker 1>finally see the inside inner workings of the Benny Jesuit,

0:19:39.119 --> 0:19:41.960
<v Speaker 1>which is great, and I think the show is doing

0:19:42.000 --> 0:19:44.480
<v Speaker 1>a pretty okay job trying to model some of that.

0:19:44.680 --> 0:19:49.880
<v Speaker 1>But even there, there is no sort of like indoctrination

0:19:50.080 --> 0:19:53.040
<v Speaker 1>laid out in the books, even in books five and

0:19:53.119 --> 0:19:55.600
<v Speaker 1>six that lays out, Oh, okay, these sisters are like

0:19:55.760 --> 0:20:01.760
<v Speaker 1>ironclad indoctrinated into this sisterhood. The assumption, and I think

0:20:01.800 --> 0:20:04.399
<v Speaker 1>this show is assuming. We're assuming this too, but the

0:20:04.400 --> 0:20:06.840
<v Speaker 1>assumption is like it's part of their training. All of

0:20:06.840 --> 0:20:08.919
<v Speaker 1>those books in that library that we keep cutting back

0:20:08.960 --> 0:20:12.040
<v Speaker 1>to are part of teaching them why the Sisterhood's mission

0:20:12.119 --> 0:20:15.760
<v Speaker 1>is the only mission that matters, and so presumably their

0:20:15.800 --> 0:20:18.280
<v Speaker 1>training is what convinces them this is the life they

0:20:18.280 --> 0:20:20.000
<v Speaker 1>should be living. But we don't see that.

0:20:20.040 --> 0:20:22.159
<v Speaker 4>To be fair, Also, do you this is more of

0:20:22.320 --> 0:20:25.760
<v Speaker 4>like a academic like as a student of June, do

0:20:25.800 --> 0:20:29.600
<v Speaker 4>you feel like Frank left that vague so that there

0:20:29.720 --> 0:20:32.639
<v Speaker 4>was space for the potential for betrayal or people to

0:20:32.720 --> 0:20:36.119
<v Speaker 4>have their own agenda outside of the Bena Jesua.

0:20:36.480 --> 0:20:39.280
<v Speaker 1>Yes, that is in fact what the entire fifth book

0:20:39.320 --> 0:20:41.560
<v Speaker 1>is about, which is called Heretics of Doone Yes, and

0:20:41.600 --> 0:20:44.760
<v Speaker 1>the entire book follows the Benny Jesuit and in fact

0:20:44.880 --> 0:20:49.399
<v Speaker 1>follows Splinter. I'm kind of walking on eggshells here for

0:20:49.400 --> 0:20:53.040
<v Speaker 1>spoiler reasons, but follows just like certain characters who are heretics,

0:20:53.040 --> 0:20:56.040
<v Speaker 1>who are going against the dogma of the Sisterhood.

0:20:56.119 --> 0:20:56.639
<v Speaker 2>Interesting.

0:20:56.800 --> 0:21:00.680
<v Speaker 3>I think what's intriguing about heretics in that late stuff.

0:21:00.920 --> 0:21:04.440
<v Speaker 3>And another thing that I really find myself like grasping

0:21:04.480 --> 0:21:07.320
<v Speaker 3>for in the show and not quite finding is that

0:21:07.840 --> 0:21:12.960
<v Speaker 3>paranoia and the way that those books depict conspiracy as

0:21:13.119 --> 0:21:17.960
<v Speaker 3>a tightly held secret that is like a missing piece

0:21:18.320 --> 0:21:20.919
<v Speaker 3>in a lot of interesting questions like why is this

0:21:20.960 --> 0:21:23.439
<v Speaker 3>decision made? Why is this decision made? I think one

0:21:23.520 --> 0:21:26.560
<v Speaker 3>of the things that I think this is a note

0:21:27.800 --> 0:21:30.840
<v Speaker 3>too many people know what the Sisterhood is up to.

0:21:30.920 --> 0:21:35.280
<v Speaker 3>Within the Sisterhood, I think it's even down to like

0:21:35.400 --> 0:21:40.320
<v Speaker 3>the lowly acolytes, they all know, yeah, we've got to

0:21:40.359 --> 0:21:44.479
<v Speaker 3>have that just be like Tula Vallia and like maybe

0:21:44.520 --> 0:21:47.480
<v Speaker 3>one other person and that's it. There's too many of

0:21:47.520 --> 0:21:51.400
<v Speaker 3>these meetings where sisters from the other lands, right, are like, oh, yeah,

0:21:51.480 --> 0:21:53.439
<v Speaker 3>we've got to keep the scheme going. It's like they

0:21:53.440 --> 0:21:57.119
<v Speaker 3>shouldn't not everybody should know about it. Yeah, and I

0:21:57.119 --> 0:21:59.760
<v Speaker 3>think that's what's cool about those later books, is like

0:22:00.080 --> 0:22:03.400
<v Speaker 3>how it depicts, yes, how you would need to put

0:22:03.440 --> 0:22:07.960
<v Speaker 3>a conspiracy into motion within these larger guild structures in

0:22:08.080 --> 0:22:10.240
<v Speaker 3>order for it to be effective. And I think that's

0:22:10.280 --> 0:22:13.080
<v Speaker 3>one of the things I wish some of the sisters

0:22:13.080 --> 0:22:14.720
<v Speaker 3>didn't know what the fuck was going on. I wish

0:22:14.760 --> 0:22:16.720
<v Speaker 3>they were yeah, more in the dark than they are.

0:22:16.800 --> 0:22:17.000
<v Speaker 2>Yeah.

0:22:17.080 --> 0:22:19.760
<v Speaker 1>Yeah, and in fact, in Heretics it's actually this is

0:22:19.800 --> 0:22:22.040
<v Speaker 1>one of the things Frank made explicit in the book.

0:22:22.160 --> 0:22:22.600
<v Speaker 3>Yeah.

0:22:22.720 --> 0:22:27.000
<v Speaker 1>Compartmentalization is like how the Sisterhood runs, right, and they

0:22:27.040 --> 0:22:30.800
<v Speaker 1>will have parallel schemes, like two sisters will be scheming

0:22:30.840 --> 0:22:34.160
<v Speaker 1>toward a thing, not knowing that the other sisters also

0:22:34.200 --> 0:22:37.159
<v Speaker 1>scheming toward that same thing. They will have just like

0:22:37.240 --> 0:22:40.760
<v Speaker 1>backup sisters doing backup plans just in case plans A

0:22:40.840 --> 0:22:43.679
<v Speaker 1>and B fall through, and so it is very like

0:22:43.840 --> 0:22:47.160
<v Speaker 1>need to know. But there is even in those books this, well,

0:22:47.520 --> 0:22:49.680
<v Speaker 1>the Mother Superior told me to do this, so I'm

0:22:49.720 --> 0:22:51.400
<v Speaker 1>going to do it. I don't really know why I'm

0:22:51.440 --> 0:22:54.320
<v Speaker 1>doing this, but sisterhood above all. Yeah, Okay, let's get

0:22:54.320 --> 0:22:56.000
<v Speaker 1>back to our recap and back to this episode.

0:22:56.000 --> 0:22:57.919
<v Speaker 4>Well, this is I just want to say, this is

0:22:57.960 --> 0:23:00.280
<v Speaker 4>actually very good place to come back to it because

0:23:00.280 --> 0:23:03.600
<v Speaker 4>we're talking about that difference between sisterhood of Bubble and

0:23:03.640 --> 0:23:07.000
<v Speaker 4>the clear drive of the Hearkenings to get back what

0:23:07.000 --> 0:23:09.040
<v Speaker 4>they wanted, and we joined back at a place where

0:23:09.080 --> 0:23:10.280
<v Speaker 4>that is big reveal.

0:23:10.560 --> 0:23:13.719
<v Speaker 1>Yeah, this is the big reveal of this episode. We're

0:23:13.840 --> 0:23:16.560
<v Speaker 1>back with the bowl hunting trip back with young Tula

0:23:16.760 --> 0:23:19.919
<v Speaker 1>and Or, and our guy Or is smitten.

0:23:20.119 --> 0:23:22.680
<v Speaker 2>Oh, he's so in love, drops.

0:23:22.320 --> 0:23:24.800
<v Speaker 1>To his knees. It hasn't even been a year. I mean,

0:23:24.800 --> 0:23:27.560
<v Speaker 1>I guess if you know, you know. But he proposes.

0:23:27.640 --> 0:23:31.240
<v Speaker 1>He proposes to Tula and starts envisioning their beautiful future

0:23:31.280 --> 0:23:33.439
<v Speaker 1>life together, which is got to be rough on Tula.

0:23:34.240 --> 0:23:37.080
<v Speaker 1>They have sex, So we're now three for three on

0:23:37.640 --> 0:23:40.640
<v Speaker 1>to have episodes and sex scenes, got to have it

0:23:40.760 --> 0:23:43.600
<v Speaker 1>and the tradees outside. By this time we learned that

0:23:43.640 --> 0:23:46.399
<v Speaker 1>they are a trades because they're chanting their name. They

0:23:46.400 --> 0:23:49.679
<v Speaker 1>are performing some sort of hunting ritual outside.

0:23:49.760 --> 0:23:51.600
<v Speaker 3>They love those bulls, love those bulls.

0:23:51.720 --> 0:23:52.080
<v Speaker 2>Yeah.

0:23:52.359 --> 0:23:56.280
<v Speaker 1>Tula the next morning reveals to Or the truth of

0:23:56.320 --> 0:23:59.000
<v Speaker 1>her name. She is not Tula Veil, she is Tula

0:23:59.160 --> 0:24:04.879
<v Speaker 1>Harkenin and to his credit. Or takes this really well.

0:24:05.119 --> 0:24:07.800
<v Speaker 1>He's quite compassionate, he's understanding.

0:24:08.240 --> 0:24:11.760
<v Speaker 4>He's like, I'm sick of this centuries old feud. Yeah,

0:24:11.840 --> 0:24:15.160
<v Speaker 4>we don't need that. I'm in love with you, and

0:24:15.600 --> 0:24:16.600
<v Speaker 4>this has been a great night.

0:24:16.680 --> 0:24:18.960
<v Speaker 2>Nothing could go wrong. Like from here we can maybe

0:24:18.960 --> 0:24:20.960
<v Speaker 2>bring our families together. This is gonna be great.

0:24:21.040 --> 0:24:24.760
<v Speaker 1>Yeah, yeah, it's really I mean, this was one of

0:24:24.840 --> 0:24:27.480
<v Speaker 1>my favorite moments in the episode because it is like

0:24:28.080 --> 0:24:31.920
<v Speaker 1>quite poignant stuff about like how feuds and especially like

0:24:32.240 --> 0:24:35.160
<v Speaker 1>old feuds that are just like they feed on myth

0:24:35.200 --> 0:24:37.399
<v Speaker 1>at some point, like you don't even remember what the

0:24:37.440 --> 0:24:39.639
<v Speaker 1>fuck we're fighting about anymore. We just know we're supposed

0:24:39.680 --> 0:24:40.439
<v Speaker 1>to fight each other.

0:24:40.359 --> 0:24:44.520
<v Speaker 4>And especially for the younger generations, it's essentially irrelevant.

0:24:45.080 --> 0:24:50.160
<v Speaker 1>You're so distant from that exactly. Yeah, it doesn't affect

0:24:50.200 --> 0:24:52.639
<v Speaker 1>you at all. So Or has this space to be like,

0:24:53.080 --> 0:24:56.120
<v Speaker 1>who cares about this feud? Yeah, it shouldn't define our future.

0:24:56.560 --> 0:24:58.760
<v Speaker 1>Here's the healthy way we should move forward from this.

0:24:59.440 --> 0:25:02.439
<v Speaker 1>But obviously Tula, for her, the feud is like more present,

0:25:02.600 --> 0:25:05.920
<v Speaker 1>like she just lost her brother, I don't know, six months,

0:25:05.960 --> 0:25:09.080
<v Speaker 1>a year ago, whatever the timeline is. So for her,

0:25:09.160 --> 0:25:11.360
<v Speaker 1>the feud is happening right now. It's not a thing

0:25:11.400 --> 0:25:14.080
<v Speaker 1>that happened one hundred years ago. And we see that

0:25:14.160 --> 0:25:17.159
<v Speaker 1>she has actually it's actually too late. She has taken

0:25:17.680 --> 0:25:20.960
<v Speaker 1>the step of poisoning all of the trades outside with

0:25:21.040 --> 0:25:21.520
<v Speaker 1>the soup.

0:25:22.400 --> 0:25:25.440
<v Speaker 2>And I like this. She was like, look at me, poison.

0:25:25.119 --> 0:25:25.600
<v Speaker 4>You a hole?

0:25:26.760 --> 0:25:27.720
<v Speaker 2>Suspicious at all?

0:25:28.040 --> 0:25:29.160
<v Speaker 3>Where did I come from?

0:25:29.560 --> 0:25:30.520
<v Speaker 2>Who am I? You know?

0:25:30.640 --> 0:25:31.679
<v Speaker 3>How did I stow up here?

0:25:32.480 --> 0:25:32.880
<v Speaker 2>Questions?

0:25:34.640 --> 0:25:37.640
<v Speaker 4>Also, can I just say, if we're talking about Game

0:25:37.720 --> 0:25:39.320
<v Speaker 4>of Thrones, this is very red wedding.

0:25:39.840 --> 0:25:43.960
<v Speaker 3>Oh yeah, oh yes, I mean red Betting, red betting.

0:25:44.240 --> 0:25:49.080
<v Speaker 1>Oh well, poor Or also gets a gomjabar to the neck,

0:25:49.200 --> 0:25:53.119
<v Speaker 1>essentially tula, which I do think she is genuinely heartbroken

0:25:53.480 --> 0:25:56.880
<v Speaker 1>I don't think those tears are fake in any way.

0:25:57.240 --> 0:25:59.760
<v Speaker 1>She's genuinely heartbroken by this. But she is trapped in

0:25:59.760 --> 0:26:02.240
<v Speaker 1>her trauma and in this feud and in her grief

0:26:02.280 --> 0:26:05.240
<v Speaker 1>over her brother, I think. And so she kills Or.

0:26:06.000 --> 0:26:09.760
<v Speaker 1>But she does let that young boy from earlier get away,

0:26:09.960 --> 0:26:11.719
<v Speaker 1>and I have a feeling he might come back. We

0:26:11.800 --> 0:26:12.960
<v Speaker 1>really lingered on him along.

0:26:13.160 --> 0:26:15.400
<v Speaker 2>I feel like that was a bad choice.

0:26:15.560 --> 0:26:18.639
<v Speaker 4>Yeah, on like a you know, a strategic level, Like

0:26:18.720 --> 0:26:21.280
<v Speaker 4>I understand the moral choice, but I feel like that

0:26:21.440 --> 0:26:23.479
<v Speaker 4>boy is gonna come back and that's gonna bite you

0:26:23.520 --> 0:26:24.360
<v Speaker 4>in the gomjaba.

0:26:24.520 --> 0:26:30.000
<v Speaker 3>Yeah, and you can't let Grover Tully escape play exactly exactly.

0:26:30.920 --> 0:26:33.520
<v Speaker 1>We then returned to Wallach nine. We see that Valia

0:26:33.600 --> 0:26:37.479
<v Speaker 1>has now begun to thrive under Raquella's wing. She's been

0:26:37.520 --> 0:26:40.560
<v Speaker 1>taken into Raquella's confidence and is in fact, at this

0:26:40.720 --> 0:26:44.440
<v Speaker 1>point boasting to her friends that she's too much.

0:26:44.520 --> 0:26:48.760
<v Speaker 3>She's next to line baby bas too motel anybody, but

0:26:48.840 --> 0:26:50.920
<v Speaker 3>it's me, Mabe, I got it.

0:26:51.440 --> 0:26:54.840
<v Speaker 4>Well, I'm like I understand that they're setting it out

0:26:54.920 --> 0:26:57.520
<v Speaker 4>pare of as well of Fahya and Tula and the

0:26:57.560 --> 0:27:00.960
<v Speaker 4>two different sides, but also like I feel like Tula's

0:27:01.400 --> 0:27:03.679
<v Speaker 4>she's like a real one. Oh yeah, it comes to

0:27:03.760 --> 0:27:05.800
<v Speaker 4>what she has to get done, We'll go out and

0:27:05.840 --> 0:27:06.359
<v Speaker 4>get it done.

0:27:06.560 --> 0:27:08.840
<v Speaker 2>Valia is all voice, all tall.

0:27:09.119 --> 0:27:11.280
<v Speaker 4>Yeah, you know, like she's out here and she's just like,

0:27:11.480 --> 0:27:13.240
<v Speaker 4>I'm gonna be in line to be mother superior.

0:27:13.320 --> 0:27:16.680
<v Speaker 2>Like, don't tell anyone. I'm like, babe, slap ha, this

0:27:16.760 --> 0:27:18.200
<v Speaker 2>is a bad boy.

0:27:18.359 --> 0:27:21.360
<v Speaker 3>I know she's it's too much. She's got she does

0:27:21.680 --> 0:27:30.000
<v Speaker 3>lean on the voice Regina.

0:27:26.640 --> 0:27:30.159
<v Speaker 1>Yeah, and to be fair. Her friends take it quite well.

0:27:30.280 --> 0:27:32.240
<v Speaker 1>I don't know if one of you compelled me to

0:27:32.280 --> 0:27:32.920
<v Speaker 1>slap someone.

0:27:32.960 --> 0:27:36.359
<v Speaker 4>They're like, they seem started like you'd be like, guys,

0:27:36.359 --> 0:27:37.119
<v Speaker 4>that's fucked.

0:27:36.880 --> 0:27:39.440
<v Speaker 3>Up, Like that fucked up? What did you just do?

0:27:39.560 --> 0:27:41.040
<v Speaker 3>They're like, oh, stop, please show us.

0:27:41.080 --> 0:27:43.400
<v Speaker 2>I want to know how to slap someone with my mind.

0:27:44.800 --> 0:27:46.080
<v Speaker 3>Show me the voice, please.

0:27:46.200 --> 0:27:48.280
<v Speaker 1>I feel like I can't wait to compel people against

0:27:48.320 --> 0:27:49.919
<v Speaker 1>their will to do stuff. Show me how to do that.

0:27:50.800 --> 0:27:53.360
<v Speaker 1>But her girlfriends at school are very excited to learn

0:27:53.400 --> 0:27:55.920
<v Speaker 1>the voice, and Raquella is riding a high. She's gonna

0:27:55.960 --> 0:28:00.359
<v Speaker 1>she's definitely in the inner inner circle with Mother Kella.

0:28:00.440 --> 0:28:04.679
<v Speaker 1>At this point, we then cut to the agony chamber

0:28:04.760 --> 0:28:07.960
<v Speaker 1>that we saw from the last episode Fine. Mother Rackuella

0:28:08.119 --> 0:28:12.280
<v Speaker 1>is preparing to perform another agony, this time with dorote

0:28:12.320 --> 0:28:14.399
<v Speaker 1>on one side and Valia on the other. Clearly the

0:28:14.440 --> 0:28:17.880
<v Speaker 1>two potential successors, right, it's we're setting the stage. These

0:28:17.920 --> 0:28:21.359
<v Speaker 1>are the two that will potentially be Mother superior after me.

0:28:22.160 --> 0:28:25.920
<v Speaker 1>At the last second, though Volia chickens out, she backs out,

0:28:26.080 --> 0:28:28.200
<v Speaker 1>doesn't want to do the agony, runs out of the room.

0:28:29.280 --> 0:28:33.240
<v Speaker 1>Dorotea does seemingly go through with it. After this, Riquella

0:28:33.880 --> 0:28:36.640
<v Speaker 1>has another one on one with Voalia and she's clearly pissed.

0:28:37.040 --> 0:28:39.400
<v Speaker 1>I think she clearly did want Valia to rise to

0:28:39.440 --> 0:28:41.920
<v Speaker 1>the occasion and be the next Mother Superior, but now

0:28:41.920 --> 0:28:45.480
<v Speaker 1>her star pupil has shown her true colors, and Rickuella

0:28:45.520 --> 0:28:47.840
<v Speaker 1>gives her an ultimatum. I'm going to give you a

0:28:47.880 --> 0:28:51.680
<v Speaker 1>pass a weekend past to go back to Lankaville, figure

0:28:51.760 --> 0:28:54.240
<v Speaker 1>your family shit out, get rid of this baggage that's

0:28:54.280 --> 0:28:57.880
<v Speaker 1>holding you back from rising to the occasion, and come

0:28:57.920 --> 0:28:59.960
<v Speaker 1>back a reverend mother or not at all. Here's the point,

0:29:00.040 --> 0:29:00.240
<v Speaker 1>and that.

0:29:00.280 --> 0:29:02.440
<v Speaker 2>Could kill you, by the way, hey guy.

0:29:03.920 --> 0:29:06.760
<v Speaker 1>So with that ultimatum in minds, Folia goes back to Lakeville.

0:29:07.240 --> 0:29:10.760
<v Speaker 1>She talks to her sister Tula informs her that the

0:29:10.920 --> 0:29:14.520
<v Speaker 1>job is done. Both of them are clearly emotional about it.

0:29:14.880 --> 0:29:18.400
<v Speaker 1>And Tula, I think, is she's clearly like the good

0:29:18.440 --> 0:29:20.440
<v Speaker 1>cop you know from the sisters, We're getting like a

0:29:20.520 --> 0:29:23.200
<v Speaker 1>very good cop, bad cop energy and Tula even.

0:29:23.080 --> 0:29:25.680
<v Speaker 2>Though she just committed like a mathmader, totally.

0:29:25.800 --> 0:29:28.880
<v Speaker 3>A complete mass murder based on well, I mean, they

0:29:28.920 --> 0:29:31.680
<v Speaker 3>do say that the Treades killed one of their family

0:29:31.720 --> 0:29:34.200
<v Speaker 3>members first, and also there's the issue of the bad

0:29:34.280 --> 0:29:38.240
<v Speaker 3>PR related to the Butleria Geehi that continues to hang

0:29:38.280 --> 0:29:42.360
<v Speaker 3>over the family that said killing like a mass murder.

0:29:42.400 --> 0:29:44.440
<v Speaker 3>I feel like it is also bad PR. But let's

0:29:44.440 --> 0:29:45.240
<v Speaker 3>neither hear nor there.

0:29:45.480 --> 0:29:46.800
<v Speaker 2>Like the Hockins do just.

0:29:46.760 --> 0:29:48.880
<v Speaker 4>Have bad vibes as well, Like I feel like the

0:29:48.960 --> 0:29:51.640
<v Speaker 4>show is not dispelling the Hawk but.

0:29:51.720 --> 0:29:54.840
<v Speaker 3>Is not at all dispelling the notion that the Hearkens

0:29:54.840 --> 0:29:55.280
<v Speaker 3>are bad.

0:29:55.560 --> 0:29:58.040
<v Speaker 1>No, not at all, I will say, though. Her family

0:29:58.600 --> 0:30:01.120
<v Speaker 1>quite upset. They're like, no, love, did you commit mass

0:30:01.200 --> 0:30:02.840
<v Speaker 1>murder because your sister told you to?

0:30:03.320 --> 0:30:04.920
<v Speaker 2>What? Yeah?

0:30:04.960 --> 0:30:07.840
<v Speaker 1>And they're annoyed. They're annoyed that Valia's back. A tense

0:30:07.840 --> 0:30:10.880
<v Speaker 1>confrontation takes place between Valia and her mother, and once

0:30:10.920 --> 0:30:13.320
<v Speaker 1>again to Jason's point, we're leaning on the voice quite

0:30:13.320 --> 0:30:15.960
<v Speaker 1>a bit. Valia she does the whole take out your

0:30:16.040 --> 0:30:19.040
<v Speaker 1>knife thing in a tense moment with her mother, wild

0:30:19.240 --> 0:30:21.320
<v Speaker 1>but is able to walk out of the room before

0:30:21.320 --> 0:30:22.920
<v Speaker 1>it gets to the stabbing stage.

0:30:23.080 --> 0:30:26.200
<v Speaker 4>Also, I do find this again very interesting setting up,

0:30:26.280 --> 0:30:30.760
<v Speaker 4>Like Tula is more willing to do dirty what needs

0:30:30.760 --> 0:30:33.400
<v Speaker 4>to be done, but Valia is she doesn't want to

0:30:33.440 --> 0:30:36.280
<v Speaker 4>do the dirty work. And also she is finding that

0:30:36.360 --> 0:30:41.520
<v Speaker 4>split from her family and more towards that sisterhood, whereas

0:30:41.560 --> 0:30:44.400
<v Speaker 4>Tula like, she won't do it, yeah if you tell

0:30:44.480 --> 0:30:46.200
<v Speaker 4>us she needs to do it, yeah, yeah.

0:30:45.960 --> 0:30:48.240
<v Speaker 1>Which we to be fair, I think we saw in

0:30:48.240 --> 0:30:51.320
<v Speaker 1>the last episode she can convinced a child to do

0:30:51.400 --> 0:30:54.520
<v Speaker 1>a thing that was clearly going to lead to her death,

0:30:55.320 --> 0:30:58.360
<v Speaker 1>and so Tula did make that tough choice there mm hm.

0:30:58.800 --> 0:31:02.120
<v Speaker 1>After this confrontation with the mother, this pushes value over

0:31:02.160 --> 0:31:05.320
<v Speaker 1>the edge. She's ready to break ties with her family

0:31:06.040 --> 0:31:08.680
<v Speaker 1>and she goes out to the point I believe where

0:31:08.680 --> 0:31:11.400
<v Speaker 1>she was talking to Griffin earlier and takes the Russick poison,

0:31:12.160 --> 0:31:16.480
<v Speaker 1>undergoes the agony solo dola, which, to be fair, law wise,

0:31:16.760 --> 0:31:20.400
<v Speaker 1>that is tough. That is difficult. Nobody does that on

0:31:20.440 --> 0:31:23.480
<v Speaker 1>their own. To do it in a controlled environment with

0:31:23.600 --> 0:31:26.760
<v Speaker 1>your sisters around you to support you, that in and

0:31:26.800 --> 0:31:30.080
<v Speaker 1>of itself is nearly impossible. So to do it alone

0:31:30.320 --> 0:31:33.520
<v Speaker 1>out in the wild, it's pretty bold. She does survive

0:31:33.560 --> 0:31:37.280
<v Speaker 1>the agony thanks to Tula arriving and and what I

0:31:37.280 --> 0:31:40.160
<v Speaker 1>thought was actually quite a beautiful moment, she follows her

0:31:40.200 --> 0:31:42.640
<v Speaker 1>sister's voice like out of the agony and is able

0:31:42.680 --> 0:31:43.240
<v Speaker 1>to awaken.

0:31:43.440 --> 0:31:45.280
<v Speaker 4>I thought that was very cool, and I also felt

0:31:45.280 --> 0:31:50.440
<v Speaker 4>like that gave us some insight into how people survive

0:31:50.520 --> 0:31:51.400
<v Speaker 4>the agony at all.

0:31:52.000 --> 0:31:54.280
<v Speaker 2>It is to do it that sisterhood.

0:31:53.760 --> 0:31:56.080
<v Speaker 4>And that knowing that you're not alone in it, kind

0:31:56.120 --> 0:31:58.360
<v Speaker 4>of like what you said about the Rossac poison, like

0:31:58.400 --> 0:31:59.280
<v Speaker 4>doing it by yourself.

0:32:00.480 --> 0:32:02.280
<v Speaker 2>A good moment between the two of them.

0:32:02.160 --> 0:32:05.840
<v Speaker 1>I agree, and the sisters both decide that they're ready

0:32:05.880 --> 0:32:07.720
<v Speaker 1>for a new life. They're going to return to Wallach

0:32:07.800 --> 0:32:11.160
<v Speaker 1>nine together. I guess Tula just gets admission because her

0:32:11.240 --> 0:32:12.640
<v Speaker 1>sister's already at the school.

0:32:12.800 --> 0:32:16.640
<v Speaker 3>The legacy is the legacy. A lot of elite universities

0:32:16.680 --> 0:32:17.760
<v Speaker 3>do the exact same.

0:32:17.560 --> 0:32:20.320
<v Speaker 2>Thing, colleges, a lot of the great colleges.

0:32:20.640 --> 0:32:22.239
<v Speaker 1>And they make the promise to each other that this

0:32:22.320 --> 0:32:24.920
<v Speaker 1>will be a fresh start for them. We're leaving this

0:32:24.960 --> 0:32:28.640
<v Speaker 1>family baggage behind and with our new family now, the sisterhood.

0:32:29.200 --> 0:32:31.400
<v Speaker 1>We then cut back to the present day to wrap

0:32:31.480 --> 0:32:36.600
<v Speaker 1>up this episode. The accolytes gather to say goodbye to Lilah.

0:32:36.680 --> 0:32:39.720
<v Speaker 1>In a ceremony that gets quite tense. Sister Jen calls

0:32:39.760 --> 0:32:44.240
<v Speaker 1>out Tula basically for being complicit in Lila's death. Here,

0:32:44.920 --> 0:32:47.360
<v Speaker 1>she questions what the purpose of any of this was

0:32:47.360 --> 0:32:49.760
<v Speaker 1>wasn't even helpful at all? What was this sacrifice for?

0:32:50.560 --> 0:32:53.360
<v Speaker 1>Sister reveal it to be fair, jumps in to support Tula.

0:32:53.440 --> 0:32:55.760
<v Speaker 1>I did like seeing the elder sisters support each other

0:32:55.800 --> 0:32:58.800
<v Speaker 1>in this way. H After the sisters say they're goodbyes,

0:32:59.240 --> 0:33:03.800
<v Speaker 1>Tula takes those things off of Lila's temples, seemingly ending

0:33:03.800 --> 0:33:06.640
<v Speaker 1>her life, which we'll find out very shortly it is untrue.

0:33:07.000 --> 0:33:09.719
<v Speaker 1>But real quick, we cut back to Selucia Secundus, and

0:33:09.800 --> 0:33:11.800
<v Speaker 1>Volia does what every millennial had to do when they

0:33:11.840 --> 0:33:14.920
<v Speaker 1>lost their job in the pandemic. We turn home and

0:33:15.000 --> 0:33:17.080
<v Speaker 1>ask for help from mom and dad.

0:33:16.840 --> 0:33:18.760
<v Speaker 2>Who knew this would be so relatable.

0:33:18.920 --> 0:33:22.240
<v Speaker 3>By the way, will whale planet looking good.

0:33:22.680 --> 0:33:25.200
<v Speaker 2>Looks like things that crab? Well, then I'm like, maybe.

0:33:25.200 --> 0:33:27.040
<v Speaker 3>Things have gotten better on whale work.

0:33:27.120 --> 0:33:29.920
<v Speaker 4>Maybe you guys made the wrong choice because it's looking

0:33:30.000 --> 0:33:30.520
<v Speaker 4>kind of nice.

0:33:30.560 --> 0:33:33.000
<v Speaker 1>It's not a cushy job, but it's a lucrative one.

0:33:33.080 --> 0:33:33.880
<v Speaker 2>Yeah. Perhaps.

0:33:34.680 --> 0:33:36.880
<v Speaker 1>We cut back to wallach Nin and Tula for our

0:33:36.920 --> 0:33:39.880
<v Speaker 1>final scene of the episode. A big reveal here. We

0:33:40.000 --> 0:33:44.880
<v Speaker 1>learned that Tula has secretly put Lila in a spice

0:33:45.000 --> 0:33:49.200
<v Speaker 1>bocta tank, basically and they're in this genetic archive room,

0:33:49.200 --> 0:33:51.680
<v Speaker 1>which we've been hinting at this whole show. We finally

0:33:51.720 --> 0:33:54.160
<v Speaker 1>see it from the inside. Final she speaks to an

0:33:54.160 --> 0:33:58.760
<v Speaker 1>AI which the subtitles told us is named Annul, and

0:33:59.040 --> 0:34:01.160
<v Speaker 1>the camera pants out and we see all of this

0:34:01.280 --> 0:34:06.120
<v Speaker 1>forbidden technology and AI stuff in this room here, and

0:34:06.120 --> 0:34:07.240
<v Speaker 1>then we cut to credits.

0:34:07.520 --> 0:34:10.160
<v Speaker 4>Okay, I have another question for you before we cut

0:34:10.200 --> 0:34:14.320
<v Speaker 4>to ask nice, is that canon to the Sisterhood of

0:34:14.360 --> 0:34:14.919
<v Speaker 4>June book?

0:34:15.080 --> 0:34:15.440
<v Speaker 2>Do this?

0:34:15.520 --> 0:34:20.560
<v Speaker 4>Have the sisters always been using Butlerrian technology.

0:34:19.920 --> 0:34:21.960
<v Speaker 3>PlayStations and xboxes?

0:34:22.200 --> 0:34:25.480
<v Speaker 4>Exactly have they been playing Animal Crossing on the switch?

0:34:25.920 --> 0:34:28.719
<v Speaker 2>You can tell us the answer after a message from

0:34:28.719 --> 0:34:29.400
<v Speaker 2>our sponsors.

0:34:32.280 --> 0:34:48.200
<v Speaker 4>Yeah, and we're back aboo reveal the truth about Yeah,

0:34:48.320 --> 0:34:49.160
<v Speaker 4>the Benny Jesuit.

0:34:49.640 --> 0:34:52.000
<v Speaker 1>Well, I mean, the truth is that Riquella's Animal Crossing

0:34:52.040 --> 0:34:56.200
<v Speaker 1>Island was fire, the decorations were amazing.

0:34:56.400 --> 0:34:58.480
<v Speaker 2>She was hosting meet ups for the other sisters.

0:34:58.640 --> 0:35:01.920
<v Speaker 1>Yeah, honestly, Tom owed her money. That's how good she

0:35:02.120 --> 0:35:05.960
<v Speaker 1>was at Animal Crossing. Yes, they've been using technology like

0:35:06.040 --> 0:35:11.560
<v Speaker 1>this secretly since their conception. Basically, they've been breaking the

0:35:11.600 --> 0:35:15.000
<v Speaker 1>restrictions of the Butler range had since day one. Oh wow,

0:35:15.080 --> 0:35:17.760
<v Speaker 1>So this is Gannon. Yes, this is in the books.

0:35:17.840 --> 0:35:20.040
<v Speaker 1>It's in the prequel books. It's actually in Frank Kerbert's

0:35:20.040 --> 0:35:21.520
<v Speaker 1>books as well. We learn it all the way in

0:35:21.640 --> 0:35:24.360
<v Speaker 1>book five again Heretics of Doune, we learned that the

0:35:24.400 --> 0:35:28.200
<v Speaker 1>sisters have for their breeding program have been using computers.

0:35:28.360 --> 0:35:30.600
<v Speaker 1>Do you calculate all of that and do all their scheming?

0:35:30.760 --> 0:35:33.600
<v Speaker 3>I absolutely love it? Okay, what do we think of

0:35:33.640 --> 0:35:34.120
<v Speaker 3>this show?

0:35:34.400 --> 0:35:34.640
<v Speaker 1>Yes?

0:35:34.960 --> 0:35:38.359
<v Speaker 3>Three episodes in let us discuss now a Boot as

0:35:38.400 --> 0:35:40.759
<v Speaker 3>the law master. Yeah, where are we with this?

0:35:42.000 --> 0:35:45.759
<v Speaker 1>Man? I am mixed? Yeah, we are three episodes into

0:35:45.760 --> 0:35:49.000
<v Speaker 1>a six episode season, which is scary because I feel

0:35:49.000 --> 0:35:53.160
<v Speaker 1>like we have still not found our footing. When we

0:35:53.200 --> 0:35:57.399
<v Speaker 1>are halfway through a first season, I think I will

0:35:57.400 --> 0:35:59.920
<v Speaker 1>say to maybe start with things I liked. I thought

0:36:00.080 --> 0:36:02.879
<v Speaker 1>the writing of this episode better than the first two.

0:36:03.200 --> 0:36:06.560
<v Speaker 1>Less like exposition, heavy, less relying on just like plot

0:36:06.600 --> 0:36:09.719
<v Speaker 1>Domino's falling, so the next plot Domino can fall. I

0:36:09.719 --> 0:36:12.799
<v Speaker 1>think we got some good emotional stakes and a nice

0:36:12.840 --> 0:36:16.360
<v Speaker 1>emotional journey for our sisters. We finally have an answer

0:36:16.400 --> 0:36:20.279
<v Speaker 1>to who our main characters are Tula Vallia. We get

0:36:20.480 --> 0:36:22.640
<v Speaker 1>a little bit of a sense of like these are

0:36:22.680 --> 0:36:24.960
<v Speaker 1>maybe the people we can cheer for or against and

0:36:25.000 --> 0:36:26.080
<v Speaker 1>be emotionally invested in.

0:36:26.239 --> 0:36:28.239
<v Speaker 4>Yeah, I was just gonna say, does anyone feel I

0:36:28.280 --> 0:36:30.320
<v Speaker 4>feel like this could have been the first episode?

0:36:30.640 --> 0:36:33.160
<v Speaker 2>Yes, I feel like it. I feel like it would

0:36:33.160 --> 0:36:36.080
<v Speaker 2>have been cool. The show is called Sister of June.

0:36:36.120 --> 0:36:38.680
<v Speaker 4>I think it would have been interesting to get to

0:36:38.719 --> 0:36:41.719
<v Speaker 4>know these characters and their life and see that what

0:36:41.880 --> 0:36:46.120
<v Speaker 4>led them to the Banny Jesuit. I also did like

0:36:46.160 --> 0:36:48.640
<v Speaker 4>to see more Dorotea stuff. Yeah, I always like to

0:36:48.640 --> 0:36:50.960
<v Speaker 4>see U popop because I think that I didn't love

0:36:51.080 --> 0:36:55.520
<v Speaker 4>that opening kind of way we open and introduce Vallia.

0:36:55.480 --> 0:36:56.480
<v Speaker 2>And kill Dorotea.

0:36:56.520 --> 0:36:58.759
<v Speaker 4>But sorry, I boo go on because I do think

0:36:58.800 --> 0:37:00.719
<v Speaker 4>this is not a perfect episode, but I do feel

0:37:00.760 --> 0:37:03.080
<v Speaker 4>like it gave me so much more insights to who

0:37:03.120 --> 0:37:05.480
<v Speaker 4>these characters were before we start their journey.

0:37:05.560 --> 0:37:07.919
<v Speaker 1>Absolutely, and in fact, I'm glad you brought that up, Rosi,

0:37:08.000 --> 0:37:11.040
<v Speaker 1>because honestly, my big takeaway walking away from this episode

0:37:11.120 --> 0:37:13.799
<v Speaker 1>was I like this one a lot, and I would

0:37:13.800 --> 0:37:16.480
<v Speaker 1>have preferred it earlier, Like I almost would have shuffled

0:37:16.480 --> 0:37:18.759
<v Speaker 1>the episode orders around a little bit with it, And

0:37:19.200 --> 0:37:21.960
<v Speaker 1>obviously that requires some like resequencing of scenes to make

0:37:21.960 --> 0:37:26.080
<v Speaker 1>things make sense whatever, But this emotional core of Volia Tula,

0:37:26.239 --> 0:37:29.080
<v Speaker 1>I need it earlier. So the rest of what's happening

0:37:29.160 --> 0:37:32.320
<v Speaker 1>in the Palace with Carino and Kira, Natred's and whatever,

0:37:32.960 --> 0:37:35.480
<v Speaker 1>all of that has much more weight to it once

0:37:35.520 --> 0:37:38.320
<v Speaker 1>I understand, yeah, what it means to Tula and Valia.

0:37:38.840 --> 0:37:41.520
<v Speaker 1>So I'm mixed on the show. I'm obviously as a

0:37:41.600 --> 0:37:43.319
<v Speaker 1>Dune fan, I'm going to see it through to the end.

0:37:43.960 --> 0:37:46.200
<v Speaker 1>I'm still trying to let the show tell me its story.

0:37:46.440 --> 0:37:48.799
<v Speaker 1>Maybe there's some incredible stuff to come in four five

0:37:48.800 --> 0:37:53.560
<v Speaker 1>and six. I like things in isolation. I like certain scenes,

0:37:53.600 --> 0:37:57.239
<v Speaker 1>I like certain lore things they're dipping into. But it's

0:37:57.280 --> 0:38:01.399
<v Speaker 1>still the larger picture is still a bit rough around

0:38:01.400 --> 0:38:03.560
<v Speaker 1>the edges from me. What about you too?

0:38:03.800 --> 0:38:05.759
<v Speaker 2>Yeah, Jason, you had some good notes. How about you?

0:38:05.760 --> 0:38:07.600
<v Speaker 2>How are you feeling halfway through the season.

0:38:07.920 --> 0:38:09.960
<v Speaker 3>I'm basically the same as a boot I think that

0:38:10.000 --> 0:38:12.239
<v Speaker 3>there is a good show here, and I think that

0:38:12.840 --> 0:38:17.560
<v Speaker 3>I am actually quite hopeful that it will emerge as

0:38:17.640 --> 0:38:20.640
<v Speaker 3>the momentum of the story takes hold and we have

0:38:20.719 --> 0:38:24.319
<v Speaker 3>to commit to a timeline. Yes, I think that for me,

0:38:25.320 --> 0:38:28.960
<v Speaker 3>it's two flashback laden and I feel like we'll move

0:38:29.040 --> 0:38:31.880
<v Speaker 3>past that, you know. I think that the stuff that's happening,

0:38:31.920 --> 0:38:34.799
<v Speaker 3>for instance, in the present timeline with the Riches's and

0:38:35.280 --> 0:38:38.600
<v Speaker 3>the wedding Chesy is the wedding that's fallen apart this

0:38:38.640 --> 0:38:42.520
<v Speaker 3>mysterious visitor from Iracus. That to me is like really

0:38:42.600 --> 0:38:46.200
<v Speaker 3>meaty stuff. And I think, like, all of the here's

0:38:46.239 --> 0:38:49.799
<v Speaker 3>how the sisterhood happened, here's how value Atulia got there.

0:38:50.400 --> 0:38:52.879
<v Speaker 3>Despite the fact that I think the emotional stuff from

0:38:52.880 --> 0:38:56.080
<v Speaker 3>this episode, which was a lot of the flashback material,

0:38:56.560 --> 0:39:00.320
<v Speaker 3>was really median good, I'm less interested in this stuff

0:39:00.320 --> 0:39:02.640
<v Speaker 3>that happened in the past and more interested in this

0:39:02.719 --> 0:39:07.200
<v Speaker 3>current timeline, which I thought is really interesting. And I

0:39:07.280 --> 0:39:10.400
<v Speaker 3>feel and I'm missing the momentum of that now that

0:39:10.440 --> 0:39:12.799
<v Speaker 3>we've spent so much time away from it. Like we

0:39:12.880 --> 0:39:15.360
<v Speaker 3>got some of this like crazy stuff happening and the

0:39:15.400 --> 0:39:18.640
<v Speaker 3>death of the Duke of Chesy Sun and the mystery

0:39:18.680 --> 0:39:22.920
<v Speaker 3>of the mirroring deaths by fire that is seemingly Desmond

0:39:22.920 --> 0:39:26.120
<v Speaker 3>Hart has managed to and gender and so like what

0:39:26.160 --> 0:39:28.200
<v Speaker 3>does that mean? And it feels strange to me to

0:39:28.280 --> 0:39:31.440
<v Speaker 3>like step backwards and do that stuff.

0:39:31.680 --> 0:39:36.399
<v Speaker 4>Yeah, that's what I think about, hypothetically, reordering the episodes. Yeah,

0:39:36.400 --> 0:39:38.320
<v Speaker 4>because I feel like there's a version where this doesn't

0:39:38.320 --> 0:39:40.719
<v Speaker 4>feel like a flashback. It feels like an introduction and

0:39:40.719 --> 0:39:43.680
<v Speaker 4>then your on Wallock nine, Boom, here's where we are now.

0:39:43.800 --> 0:39:47.400
<v Speaker 2>Because you're right, when you do think about that first episode.

0:39:46.920 --> 0:39:50.560
<v Speaker 4>Now, all the wild stuff that they set in place,

0:39:50.640 --> 0:39:51.600
<v Speaker 4>it does seem.

0:39:51.480 --> 0:39:55.759
<v Speaker 2>Mad to move away from that momentum. Yeah, I don't know.

0:39:55.920 --> 0:40:00.960
<v Speaker 2>I like any show that's about wheeling and dealing.

0:40:00.360 --> 0:40:03.600
<v Speaker 4>And yeah, prophecies and all that, so it's enjoyable. But

0:40:03.680 --> 0:40:05.719
<v Speaker 4>I do think the funny thing is about the show.

0:40:05.760 --> 0:40:07.760
<v Speaker 4>I think if we were still living in the era

0:40:08.080 --> 0:40:10.959
<v Speaker 4>of like a Riverdale, right, which obviously this show would

0:40:10.960 --> 0:40:13.600
<v Speaker 4>not have such fantastic production value. But if this show

0:40:13.640 --> 0:40:16.080
<v Speaker 4>is gonna have twenty four episodes, I'd be like, hey,

0:40:16.080 --> 0:40:20.080
<v Speaker 4>we're off the kind of a good start, enough dig

0:40:20.200 --> 0:40:22.799
<v Speaker 4>into that. If it was old school, I would be like,

0:40:22.960 --> 0:40:24.600
<v Speaker 4>I think that by the end we could be coming

0:40:24.640 --> 0:40:26.520
<v Speaker 4>out with one of the best finales of the year.

0:40:26.920 --> 0:40:31.440
<v Speaker 3>But six episodes exactly, even if the six episodes is

0:40:31.480 --> 0:40:33.640
<v Speaker 3>like the Gombar hanging over the next.

0:40:33.680 --> 0:40:38.279
<v Speaker 4>Exactly, even if there's three fantastic episodes, I don't know

0:40:38.320 --> 0:40:40.319
<v Speaker 4>if they're going to be able to tie it up

0:40:40.840 --> 0:40:43.120
<v Speaker 4>in a bow or leave us in a place where

0:40:43.160 --> 0:40:45.560
<v Speaker 4>we feel like the things we need to be answered

0:40:45.640 --> 0:40:48.520
<v Speaker 4>have been answered. And also, I guess in a show

0:40:48.800 --> 0:40:53.000
<v Speaker 4>that is a prequel but is also jumping around timelines,

0:40:53.080 --> 0:40:56.959
<v Speaker 4>but is also connected to two movies, I also think

0:40:57.080 --> 0:41:00.719
<v Speaker 4>a show that this has to almost prove it existence.

0:41:00.840 --> 0:41:02.040
<v Speaker 2>Yeah, why does it exist?

0:41:02.120 --> 0:41:04.200
<v Speaker 1>Yes, that's what I was going to say. Like, I'm

0:41:04.239 --> 0:41:06.200
<v Speaker 1>no TV producer, so maybe I'm talking out of my

0:41:06.239 --> 0:41:08.640
<v Speaker 1>ass here, But like, as someone who covers the industry

0:41:08.719 --> 0:41:12.240
<v Speaker 1>a lot, I understand that there's maybe a multi season plan.

0:41:12.760 --> 0:41:15.600
<v Speaker 1>But to get to the second and third season and

0:41:15.680 --> 0:41:18.040
<v Speaker 1>get the checks to make the rest of your show,

0:41:18.440 --> 0:41:22.160
<v Speaker 1>you do have to really prove yourself in the first season.

0:41:22.600 --> 0:41:25.040
<v Speaker 1>We live in a media landscape where it just has

0:41:25.080 --> 0:41:27.520
<v Speaker 1>to be banger after banger after banker. You know, you

0:41:27.560 --> 0:41:28.560
<v Speaker 1>cannot wait, yees.

0:41:28.560 --> 0:41:32.080
<v Speaker 2>Streaming does not allow. But the first season that doesn't

0:41:32.160 --> 0:41:33.040
<v Speaker 2>deliver anymore.

0:41:33.680 --> 0:41:35.200
<v Speaker 1>It doesn't allow for that. You know, we don't live

0:41:35.200 --> 0:41:36.920
<v Speaker 1>in a world where like Parks and Rext, season one

0:41:36.960 --> 0:41:38.880
<v Speaker 1>can be like trash. But it's okay.

0:41:38.680 --> 0:41:40.680
<v Speaker 2>Because season four is iconic.

0:41:40.760 --> 0:41:43.840
<v Speaker 1>Right, You'll get the runway to be iconic eventually, you

0:41:44.000 --> 0:41:46.879
<v Speaker 1>have to be iconic now. And I'm worried this show

0:41:46.880 --> 0:41:48.600
<v Speaker 1>is improving itself in that way.

0:41:48.600 --> 0:41:49.600
<v Speaker 2>To that end.

0:41:49.760 --> 0:41:51.640
<v Speaker 3>And I know I mentioned this before, but I feel

0:41:51.640 --> 0:41:54.080
<v Speaker 3>like the missed opportunity to this point, and it may emerge.

0:41:54.120 --> 0:41:56.959
<v Speaker 3>I think it could emerge, the missed opportunity to meet

0:41:57.360 --> 0:41:59.600
<v Speaker 3>at this point in terms of bringing out like the

0:41:59.640 --> 0:42:02.680
<v Speaker 3>central character of the Dune universe as it exists in

0:42:02.719 --> 0:42:06.400
<v Speaker 3>the films and in the books is that we've got

0:42:06.440 --> 0:42:10.200
<v Speaker 3>the machinations and the kind of chess moves, but there's

0:42:10.280 --> 0:42:13.839
<v Speaker 3>like a deeper level of paranoia that to me is done.

0:42:14.000 --> 0:42:17.799
<v Speaker 3>That's done to me is there's pieces moving, but I

0:42:17.840 --> 0:42:21.640
<v Speaker 3>don't know why, and I don't know why these people

0:42:21.680 --> 0:42:24.080
<v Speaker 3>are doing this, and I'm not sure that they know

0:42:24.400 --> 0:42:28.200
<v Speaker 3>why they are carrying out the conspiracy also, And I

0:42:28.239 --> 0:42:29.799
<v Speaker 3>know it sounds like a small thing when I'm like,

0:42:29.840 --> 0:42:32.120
<v Speaker 3>too many sisters know what's going on, but I really

0:42:32.120 --> 0:42:36.120
<v Speaker 3>feel like that's I wish the information was more tightly

0:42:36.200 --> 0:42:40.560
<v Speaker 3>held in this show, and that even Volia would not

0:42:40.640 --> 0:42:42.919
<v Speaker 3>be sure like I don't know why, I'm I don't

0:42:42.960 --> 0:42:45.560
<v Speaker 3>quite know why we're doing it this way, but I

0:42:45.600 --> 0:42:48.000
<v Speaker 3>feel like we have to, and I feel like if

0:42:48.000 --> 0:42:52.840
<v Speaker 3>they could drill down into that paranoia more, then you

0:42:52.960 --> 0:42:55.680
<v Speaker 3>have a I think, a really interesting show, because what

0:42:55.719 --> 0:42:59.240
<v Speaker 3>you have is the sisterhood that is somehow managed despite

0:42:59.239 --> 0:43:01.879
<v Speaker 3>the fact that the people involved in the sisterhood are

0:43:02.000 --> 0:43:05.880
<v Speaker 3>from famous families that are competing, and yet you have

0:43:06.000 --> 0:43:09.600
<v Speaker 3>a Harconen next to the emperor. You have like all

0:43:09.680 --> 0:43:13.400
<v Speaker 3>of these figures from other families getting to advise other families,

0:43:14.120 --> 0:43:18.040
<v Speaker 3>and yet the intersecting lines of why that might not

0:43:18.120 --> 0:43:20.960
<v Speaker 3>be a good idea or somehow like papered over. I

0:43:20.960 --> 0:43:23.640
<v Speaker 3>wish that stuff would come more to the surface and

0:43:23.680 --> 0:43:26.840
<v Speaker 3>the questions about can we trust this group? Yes, you

0:43:26.840 --> 0:43:29.520
<v Speaker 3>can trust them because they have given us these assurances

0:43:29.560 --> 0:43:32.640
<v Speaker 3>and they but what do we think of these assurances?

0:43:32.680 --> 0:43:36.560
<v Speaker 3>And I wish those kind of conversations were more at

0:43:36.600 --> 0:43:38.959
<v Speaker 3>the forefront. And I think if you had those things

0:43:38.960 --> 0:43:41.640
<v Speaker 3>at the forefront, we wouldn't have to like spend time

0:43:41.760 --> 0:43:44.279
<v Speaker 3>flashing back to why did Voluntelia come here and what

0:43:44.360 --> 0:43:46.520
<v Speaker 3>are the things that happened? Like, I think you could

0:43:46.600 --> 0:43:50.839
<v Speaker 3>get lost in this paranoia. That, to me, again is

0:43:51.200 --> 0:43:55.560
<v Speaker 3>what Doune is about. Dune is about political machinations and

0:43:55.640 --> 0:44:00.120
<v Speaker 3>not knowing what people's intentions are and to end this

0:44:00.200 --> 0:44:04.080
<v Speaker 3>story as it exists. Too many people know what the

0:44:04.160 --> 0:44:06.839
<v Speaker 3>story is. Yeah, is just too much that is known

0:44:06.960 --> 0:44:07.800
<v Speaker 3>throughout the story.

0:44:08.440 --> 0:44:11.120
<v Speaker 4>I was thinking about how cool it would be if

0:44:11.160 --> 0:44:14.760
<v Speaker 4>this had been like edited or told like a conspiracy thriller,

0:44:15.200 --> 0:44:16.960
<v Speaker 4>because I feel like, when you watch this show, it

0:44:17.000 --> 0:44:23.080
<v Speaker 4>has that stoic, slow moving Game of Thrones vibe, but one,

0:44:23.120 --> 0:44:26.600
<v Speaker 4>we only have six episodes, and also it's not Game

0:44:26.600 --> 0:44:31.200
<v Speaker 4>of Thrones. Having that paranoia, that conspiracy element would have

0:44:31.239 --> 0:44:33.440
<v Speaker 4>brought a tone to it that would have maybe been

0:44:33.480 --> 0:44:35.960
<v Speaker 4>a little bit more gripping or a little bit more

0:44:36.000 --> 0:44:38.520
<v Speaker 4>of a given you more of a feeling when you

0:44:38.560 --> 0:44:41.000
<v Speaker 4>watch it, other than being like, oh, this obviously costs

0:44:41.000 --> 0:44:43.520
<v Speaker 4>a lot of money. It looks good, but I don't

0:44:43.520 --> 0:44:45.960
<v Speaker 4>feel like it necessarily gives you that. Think about the

0:44:45.960 --> 0:44:48.600
<v Speaker 4>Red Wedding, like the dread in the lead up to

0:44:48.840 --> 0:44:53.160
<v Speaker 4>the reveal is so huge in yourself and do those movies.

0:44:53.400 --> 0:44:55.760
<v Speaker 4>There are multiple times in those films where I feel

0:44:55.760 --> 0:44:58.920
<v Speaker 4>like deeply unsettled, and it is rare for me to

0:44:58.960 --> 0:45:01.920
<v Speaker 4>be enraptured in like an emotion like that. While I

0:45:01.960 --> 0:45:03.759
<v Speaker 4>watched this show, and it would have been really cool

0:45:03.760 --> 0:45:07.520
<v Speaker 4>if the emotion had been paranoia or fear or yeah,

0:45:07.520 --> 0:45:10.799
<v Speaker 4>some kind of insight into what the women involved in

0:45:10.840 --> 0:45:11.440
<v Speaker 4>this field.

0:45:11.520 --> 0:45:14.600
<v Speaker 3>Yeah, And just to quickly talk about your observation, Rosie,

0:45:14.600 --> 0:45:18.040
<v Speaker 3>like of the six episodes versus twenty four Old School

0:45:18.080 --> 0:45:20.520
<v Speaker 3>twenty four, I think one of the ways this pops

0:45:20.600 --> 0:45:23.160
<v Speaker 3>up is that, I mean, as a Boo noted and

0:45:23.200 --> 0:45:25.560
<v Speaker 3>as you noted in wanting this episode to be the

0:45:25.600 --> 0:45:28.160
<v Speaker 3>first episode, it's because it sets the emotional stakes for

0:45:28.200 --> 0:45:31.160
<v Speaker 3>our characters. Is that too many times thus far in

0:45:31.200 --> 0:45:35.640
<v Speaker 3>these three episodes, it's been character doing something and then

0:45:35.960 --> 0:45:40.799
<v Speaker 3>the reveal of why, what the emotional motivation for that

0:45:40.920 --> 0:45:43.640
<v Speaker 3>happens much later, way too later, And I think we

0:45:43.719 --> 0:45:45.800
<v Speaker 3>need to just I think those things need to be flipped.

0:45:45.880 --> 0:45:49.680
<v Speaker 3>I need to understand what the character wants, what is

0:45:49.760 --> 0:45:52.000
<v Speaker 3>the want, what is the why are you doing this stuff?

0:45:52.320 --> 0:45:55.480
<v Speaker 3>And then let the pieces fall into place and you understand,

0:45:55.600 --> 0:45:58.080
<v Speaker 3>you know, you could set up the actions later. And

0:45:58.160 --> 0:46:00.400
<v Speaker 3>so that to me is just like a weird that

0:46:00.640 --> 0:46:03.319
<v Speaker 3>feels like something you do if you add twenty four

0:46:03.320 --> 0:46:07.000
<v Speaker 3>episodes instead of six. But I do feel like I

0:46:07.000 --> 0:46:09.359
<v Speaker 3>feel like there's a good show here still if it

0:46:09.400 --> 0:46:10.520
<v Speaker 3>has not yet emerged.

0:46:10.600 --> 0:46:13.160
<v Speaker 4>Yeah, I think it's got the pieces for a good show.

0:46:13.200 --> 0:46:15.080
<v Speaker 4>I would just like to see them yet. Yeah, a

0:46:15.080 --> 0:46:17.640
<v Speaker 4>little bit shaken around before they're put back on the

0:46:17.719 --> 0:46:18.359
<v Speaker 4>chest board.

0:46:18.400 --> 0:46:19.719
<v Speaker 2>And we do know this show had a.

0:46:19.640 --> 0:46:23.120
<v Speaker 4>Lot of production issues as well, which I also think

0:46:24.000 --> 0:46:26.600
<v Speaker 4>is often why maybe it feels a little bit chopped up.

0:46:26.640 --> 0:46:29.000
<v Speaker 2>But yeah, I'm interested to see where it goes. We're

0:46:29.040 --> 0:46:29.600
<v Speaker 2>halfway in.

0:46:29.800 --> 0:46:31.920
<v Speaker 4>Who knows, maybe the second half of that season is

0:46:32.000 --> 0:46:34.600
<v Speaker 4>NonStop bangers. Maybe it's the non stop bangers we need,

0:46:34.800 --> 0:46:35.120
<v Speaker 4>I hope.

0:46:35.160 --> 0:46:39.160
<v Speaker 1>So Okay, to round out today's episode, I'm just going

0:46:39.239 --> 0:46:42.640
<v Speaker 1>to very quickly run through some lower Easter eggs from

0:46:42.640 --> 0:46:44.880
<v Speaker 1>this episode. This is not a comprehensive list, but just

0:46:44.920 --> 0:46:47.440
<v Speaker 1>some of the ones that stood out to me. Starting

0:46:47.440 --> 0:46:50.239
<v Speaker 1>with fur whales. Let's talk about our furry friends here

0:46:50.239 --> 0:46:53.640
<v Speaker 1>for a second. These are canonical. They exist in the book.

0:46:54.120 --> 0:46:57.520
<v Speaker 1>They're sometimes referred to as John Dax, but more commonly

0:46:57.520 --> 0:47:01.240
<v Speaker 1>they're just referred to as for we just literally fur whales,

0:47:01.280 --> 0:47:03.600
<v Speaker 1>thank you. We're told from the books that the fur

0:47:03.640 --> 0:47:06.520
<v Speaker 1>whales are quite dangerous, especially when they're being hunted. They

0:47:06.520 --> 0:47:10.880
<v Speaker 1>are majestic creatures and quote dive deep into cold waters

0:47:10.920 --> 0:47:13.279
<v Speaker 1>and escape, or they could turn on a pursuing boat

0:47:13.280 --> 0:47:17.520
<v Speaker 1>an inflict serious damage end quote. So will hunting a

0:47:17.560 --> 0:47:20.560
<v Speaker 1>pretty tough gig. I think we also see whale fers

0:47:20.600 --> 0:47:22.600
<v Speaker 1>mentioned in the original Dune as well, not just the

0:47:22.640 --> 0:47:25.879
<v Speaker 1>Brian Herbert prequel novels. Duke Lato in the very first

0:47:25.880 --> 0:47:29.160
<v Speaker 1>book actually, when he's explaining to Paul what chom is

0:47:29.200 --> 0:47:31.960
<v Speaker 1>and how the economy of the Imperium works, mentions that

0:47:32.000 --> 0:47:35.520
<v Speaker 1>whalefer is one of the more sought after commodities that

0:47:35.640 --> 0:47:39.840
<v Speaker 1>is bought and sold. And in the appendices actually we

0:47:39.920 --> 0:47:44.680
<v Speaker 1>get this quote that explains the canonical hearken in Whalefer connection. Quote.

0:47:44.760 --> 0:47:47.120
<v Speaker 1>The return of house hearken In to power generally is

0:47:47.160 --> 0:47:50.640
<v Speaker 1>ascribed to adroit manipulation of the whale fer market and

0:47:50.760 --> 0:47:53.840
<v Speaker 1>later a consolidation with Milange whale from Aracus end quote.

0:47:54.000 --> 0:47:55.440
<v Speaker 1>As we saw in the vill Nuff films, they have

0:47:55.440 --> 0:47:56.200
<v Speaker 1>a Racus.

0:47:55.880 --> 0:47:58.479
<v Speaker 2>By that way, whale canning, whale world.

0:47:58.960 --> 0:48:01.000
<v Speaker 1>It's all cannon and that's where the money's at. Move

0:48:01.040 --> 0:48:05.200
<v Speaker 1>your money from crypto into whalefer. Okay, next up, I'm

0:48:05.200 --> 0:48:07.080
<v Speaker 1>not going to say too much about this because I

0:48:07.120 --> 0:48:10.719
<v Speaker 1>want to not get into potential spoiler territory that might

0:48:10.719 --> 0:48:12.839
<v Speaker 1>come up in the show itself. But we've heard Vori

0:48:12.960 --> 0:48:15.839
<v Speaker 1>to trades a number of times now, and we learned

0:48:15.840 --> 0:48:20.680
<v Speaker 1>today that he allegedly killed Griffin Harkinen and we get

0:48:20.719 --> 0:48:23.319
<v Speaker 1>throwaway lines about this guy. He's still very elusive. People

0:48:23.320 --> 0:48:26.920
<v Speaker 1>are just mentioning him. He has apparently showed up after

0:48:26.960 --> 0:48:30.280
<v Speaker 1>disappearing for a while. We learn I think actually Bobby

0:48:30.280 --> 0:48:33.000
<v Speaker 1>b tells us that a little bit of information, and

0:48:33.160 --> 0:48:35.759
<v Speaker 1>this is true. In the book, there's a lot of

0:48:35.800 --> 0:48:39.880
<v Speaker 1>chapters from Vorian's perspective. He's like exiled himself after the

0:48:39.880 --> 0:48:42.440
<v Speaker 1>war basically to go live a life of peace, and

0:48:42.480 --> 0:48:44.800
<v Speaker 1>then is pulled back in for one more gig or whatever.

0:48:45.120 --> 0:48:46.920
<v Speaker 1>I don't want to say too much because we might

0:48:46.960 --> 0:48:49.800
<v Speaker 1>see some of that in the show, but super long

0:48:50.360 --> 0:48:54.560
<v Speaker 1>Vorian story short. Basically, in the book, Griffin is not

0:48:54.680 --> 0:48:57.040
<v Speaker 1>killed by Vorian and is killed through a series of

0:48:57.040 --> 0:49:01.120
<v Speaker 1>other random events. And so that's why I keep saying

0:49:01.160 --> 0:49:04.799
<v Speaker 1>allegedly killed by Vorian on today's episode, because if we

0:49:04.840 --> 0:49:07.080
<v Speaker 1>are sticking to book, there may be a reveal to

0:49:07.120 --> 0:49:10.000
<v Speaker 1>come that something else actually happened, and it wasn't at

0:49:10.040 --> 0:49:11.799
<v Speaker 1>the hands of Orian Atradees that was.

0:49:11.840 --> 0:49:15.160
<v Speaker 4>My guy anyway, especially with what to how hard Tula

0:49:15.200 --> 0:49:17.720
<v Speaker 4>went afterwards, I felt, yes, that would end up being

0:49:18.320 --> 0:49:19.680
<v Speaker 4>yes regreted.

0:49:19.360 --> 0:49:21.880
<v Speaker 1>So canonically in the book, something different does happen, and

0:49:21.920 --> 0:49:23.960
<v Speaker 1>I'm not gonna say what. Maybe the show will get

0:49:23.960 --> 0:49:26.440
<v Speaker 1>there on its own in the next few episodes. The

0:49:26.520 --> 0:49:29.359
<v Speaker 1>last quick little bit of lare I wanted to call

0:49:29.440 --> 0:49:31.560
<v Speaker 1>out is for folks who have seen the Villa films,

0:49:31.600 --> 0:49:34.160
<v Speaker 1>we know that iconic knife salute that Duncan Idaho and

0:49:34.200 --> 0:49:37.480
<v Speaker 1>paul A trades due to each other, and it was cool.

0:49:37.520 --> 0:49:39.800
<v Speaker 1>It's like a blink blink and you'll miss it moment,

0:49:39.880 --> 0:49:42.719
<v Speaker 1>But when the Atrades are around the fire and doing

0:49:42.719 --> 0:49:45.880
<v Speaker 1>the body paint, they are also doing that forehead salute

0:49:45.880 --> 0:49:47.640
<v Speaker 1>to each other. So I thought that was a nice

0:49:47.640 --> 0:49:51.360
<v Speaker 1>little touch and another connection to vill Love's films, connecting

0:49:51.400 --> 0:49:54.160
<v Speaker 1>the treats. So there's a little bit of lor today.

0:49:54.320 --> 0:49:55.719
<v Speaker 2>Thanks the br Thank you, appreciate you.

0:49:55.880 --> 0:49:59.360
<v Speaker 1>Not a problem. On tomorrow's episode of X Ray Vision,

0:49:59.719 --> 0:50:01.479
<v Speaker 1>you two are going to be going through your twenty

0:50:01.520 --> 0:50:04.719
<v Speaker 1>twenty four books and comics round up the best of

0:50:04.760 --> 0:50:07.680
<v Speaker 1>the year. Best year, I am very much looking forward

0:50:07.719 --> 0:50:10.360
<v Speaker 1>to that, but that's it for today's episode. Jason, Rosie,

0:50:10.360 --> 0:50:11.360
<v Speaker 1>thank you so much for joining me.

0:50:11.400 --> 0:50:18.760
<v Speaker 3>Always a blast, Thanks for having us, Bye bye bye.

0:50:19.680 --> 0:50:23.040
<v Speaker 3>X ray Vision is hosted by Jason Kensumsion and Rosie

0:50:23.080 --> 0:50:27.320
<v Speaker 3>Knight and is a production of iHeart Podcasts. Our executive

0:50:27.360 --> 0:50:31.560
<v Speaker 3>producers are Joelle Smith and Aaron Kaufman. Our supervising producer

0:50:31.960 --> 0:50:36.680
<v Speaker 3>is a Boo Zafar. Our producers are Carmen Laurent and

0:50:36.800 --> 0:50:40.239
<v Speaker 3>Mia Taylor. Our theme song is by Brian Basquez.

0:50:40.719 --> 0:50:45.040
<v Speaker 4>Special thanks to Soul Rubin and Chris Lord, Kenny Goodman

0:50:45.400 --> 0:50:47.440
<v Speaker 4>and Heidi our discoord moderator.