1
00:00:02,680 --> 00:00:07,600
Speaker 1: My grandma and your grandma was sitting bad fire. My

2
00:00:07,760 --> 00:00:11,560
Speaker 1: grandma to your grandma. I'm gonna say, I find you're

3
00:00:11,600 --> 00:00:23,400
Speaker 1: talking about him. Get I go on, jagomo jam it is.

4
00:00:23,840 --> 00:00:27,319
Speaker 1: I'm getting a little wet in here. It's moist. Yeah,

5
00:00:27,360 --> 00:00:30,200
Speaker 1: it's because our producer, hot producer Joe keeps throwing water

6
00:00:30,240 --> 00:00:33,200
Speaker 1: around here. Oh my god, a hot producer Joe spilled

7
00:00:33,280 --> 00:00:36,640
Speaker 1: some water on his lap earlier. It was hilarious. It

8
00:00:36,800 --> 00:00:40,320
Speaker 1: was so we are not letting him get away with that. No,

9
00:00:41,080 --> 00:00:45,839
Speaker 1: it was dripping everywhere. Oh my god. So can I

10
00:00:45,880 --> 00:00:48,600
Speaker 1: tell you, I'm nervous about what I might say because

11
00:00:48,640 --> 00:00:50,720
Speaker 1: now you know, after listening to last week's episode, I

12
00:00:50,760 --> 00:00:52,880
Speaker 1: broke the story of the death of you Hefner and

13
00:00:52,920 --> 00:00:55,640
Speaker 1: guess what, he's alive. It was not true. It was

14
00:00:55,800 --> 00:01:00,200
Speaker 1: patently false. And um, we're so sorry that even we

15
00:01:00,360 --> 00:01:03,360
Speaker 1: are not immune to fake news. I am, but Matt

16
00:01:03,480 --> 00:01:06,039
Speaker 1: is not right. No, I'm actually I'm, of course, as

17
00:01:06,040 --> 00:01:08,680
Speaker 1: the listeners know, the worse of the two of us.

18
00:01:08,840 --> 00:01:12,280
Speaker 1: So that is not that that's up for debate. Rule

19
00:01:12,360 --> 00:01:16,920
Speaker 1: number one D six of culture is better better Now

20
00:01:16,959 --> 00:01:20,279
Speaker 1: I can't say that. Well, okay, tell us in the comments,

21
00:01:20,319 --> 00:01:23,200
Speaker 1: who's better? All right? Tell us in the comments tweeted

22
00:01:23,280 --> 00:01:25,280
Speaker 1: us who's better? But you know who's better than both

23
00:01:25,280 --> 00:01:31,760
Speaker 1: of us, our guests. Let's go through the credits. Fucking credits, down, down, boots.

24
00:01:32,040 --> 00:01:36,160
Speaker 1: You seen her on Mr Robot, you seen her on

25
00:01:36,240 --> 00:01:38,720
Speaker 1: Stars Party, and you're currently seeing her right now in

26
00:01:39,080 --> 00:01:43,040
Speaker 1: the hit Netflix show Glow. Well, I assume it's hit.

27
00:01:43,080 --> 00:01:45,480
Speaker 1: You know Netflix famously, they don't release the number. They

28
00:01:45,480 --> 00:01:48,080
Speaker 1: don't release the numbers. They keep it very close to

29
00:01:48,080 --> 00:01:52,360
Speaker 1: the vest, honey, indeed, but the buzz is definitely definitely buzz.

30
00:01:52,720 --> 00:01:56,280
Speaker 1: And then of the buzz breakout stars and stars that

31
00:01:56,400 --> 00:01:58,360
Speaker 1: used to be stars now seeing them in a new light,

32
00:01:58,480 --> 00:02:01,960
Speaker 1: defining them. Sure, I think amazing and I'm gagging over

33
00:02:01,960 --> 00:02:03,760
Speaker 1: a lot of a lot of the stars. And we'll

34
00:02:03,760 --> 00:02:08,639
Speaker 1: discuss it. We'll discuss And she's part of the legendary

35
00:02:08,840 --> 00:02:12,320
Speaker 1: Cocoon Central Dance team. She may have an amazing film

36
00:02:12,560 --> 00:02:15,360
Speaker 1: called Snowy Bang Bongs that is coming very soon. It

37
00:02:15,400 --> 00:02:18,440
Speaker 1: played a BAM for a couple of nights. Umm, bing

38
00:02:18,440 --> 00:02:28,959
Speaker 1: my bond to that, Bing my Bond. Guys, please welcome, Yes, peaked, No,

39
00:02:29,880 --> 00:02:32,360
Speaker 1: I'll tell you, I'll tell you when we peaked was

40
00:02:32,440 --> 00:02:35,760
Speaker 1: when we who did the lottery I don't think so

41
00:02:35,840 --> 00:02:39,359
Speaker 1: honey live and then you won and we were so

42
00:02:39,400 --> 00:02:42,440
Speaker 1: gagged when it was you, our fate, our fate and

43
00:02:42,480 --> 00:02:45,360
Speaker 1: you I remember you screening and it's it's it's on,

44
00:02:45,480 --> 00:02:50,600
Speaker 1: It's on the arm. But goes oh ship, she shoots up.

45
00:02:50,600 --> 00:02:52,919
Speaker 1: We're like, it's Sunita and then she does her I

46
00:02:52,960 --> 00:02:57,560
Speaker 1: don't think so honey about white people appropriating yogau so

47
00:02:57,919 --> 00:03:01,280
Speaker 1: taking yoga from my people. Yes, I was really I

48
00:03:01,280 --> 00:03:04,720
Speaker 1: can't believe I had one. Yeah, oh my god, inspired

49
00:03:04,800 --> 00:03:09,080
Speaker 1: by your sick show. It was an incredible show, so amped.

50
00:03:09,160 --> 00:03:14,240
Speaker 1: The crowd was like it was soul that you'll be

51
00:03:14,280 --> 00:03:17,880
Speaker 1: on and I cannot wait. Also, I like, I told

52
00:03:17,880 --> 00:03:20,720
Speaker 1: this to Boone on our Disney trip, but I just like,

53
00:03:20,880 --> 00:03:23,560
Speaker 1: I was so excited and I just rushed the stage

54
00:03:23,560 --> 00:03:27,560
Speaker 1: and was like, okay, I didn't like give enough time

55
00:03:27,639 --> 00:03:31,120
Speaker 1: for people to realize that I donated to charity. Yeah,

56
00:03:31,880 --> 00:03:36,680
Speaker 1: that is the takeaway how I won tickets. It was

57
00:03:36,720 --> 00:03:42,520
Speaker 1: a raffle for trans Lifeline. Wonderful organization donated and that

58
00:03:42,640 --> 00:03:45,280
Speaker 1: is the most important part of all ten raffle tickets.

59
00:03:45,320 --> 00:03:48,240
Speaker 1: I was ten. Yeah, I was gonna say, I was

60
00:03:48,280 --> 00:03:51,240
Speaker 1: gonna that's a lot of money. That a lot of money.

61
00:03:51,280 --> 00:03:55,880
Speaker 1: That's the drink and a half sacrificed. There was no question.

62
00:03:56,360 --> 00:03:58,880
Speaker 1: Oh my god. So you at tend tickets floating around

63
00:03:58,920 --> 00:04:02,200
Speaker 1: in there and you win the lottery. It's probably why

64
00:04:02,400 --> 00:04:04,600
Speaker 1: you will number culture. You got to put a lot

65
00:04:04,680 --> 00:04:09,000
Speaker 1: of tickets to win the raffle. That's that's true. That's

66
00:04:09,000 --> 00:04:12,400
Speaker 1: a true rule. Raffle culture, raffle culture. Need to how

67
00:04:12,440 --> 00:04:17,000
Speaker 1: are you doing? I'm good, I am so tann Just

68
00:04:17,080 --> 00:04:21,600
Speaker 1: for the listeners at home to visualize and get that.

69
00:04:21,720 --> 00:04:25,360
Speaker 1: And another important visual partis you need his presentation today

70
00:04:25,480 --> 00:04:29,560
Speaker 1: is its bow and her hair. It is timeless, it's

71
00:04:29,600 --> 00:04:32,840
Speaker 1: for it's for you now. I accept it and I

72
00:04:32,880 --> 00:04:35,160
Speaker 1: receive it. But I would say, I'm going to say

73
00:04:35,200 --> 00:04:37,760
Speaker 1: it's mostly for you. And we also when you came in,

74
00:04:37,960 --> 00:04:41,279
Speaker 1: you commented on my mustache, and then I commented on

75
00:04:41,320 --> 00:04:43,599
Speaker 1: the bow. And then we said, you know what it's

76
00:04:43,680 --> 00:04:46,880
Speaker 1: for now? And I said, you know what rule number

77
00:04:47,080 --> 00:04:50,600
Speaker 1: what it's? What is it seventy we'll number seventy four

78
00:04:50,640 --> 00:04:53,400
Speaker 1: of culture. Sometimes things are for now, they're just for now,

79
00:04:53,600 --> 00:04:55,719
Speaker 1: just for now. You know what I'm what it feels

80
00:04:55,760 --> 00:04:58,839
Speaker 1: like even though they're you know, we're real people and

81
00:04:58,960 --> 00:05:03,040
Speaker 1: their accessories from our lives. It's like when you have

82
00:05:03,080 --> 00:05:07,240
Speaker 1: those things in a photo booth, like the sunglass. Yes,

83
00:05:07,920 --> 00:05:14,160
Speaker 1: we're like making the props real, the photo booth of

84
00:05:14,279 --> 00:05:18,320
Speaker 1: the world to see. Yes, you know, you're all born

85
00:05:18,400 --> 00:05:21,760
Speaker 1: naked and the rest is drag. And sometimes people live

86
00:05:21,839 --> 00:05:24,120
Speaker 1: their life without a bow and then you put the

87
00:05:24,120 --> 00:05:26,200
Speaker 1: bow right on. Also, it's human out there. But your

88
00:05:26,200 --> 00:05:29,880
Speaker 1: hair looks unreal. What's going on? It loves the moisture.

89
00:05:30,360 --> 00:05:35,359
Speaker 1: It's a sponge, just sponge, but you wear it looks

90
00:05:35,520 --> 00:05:37,960
Speaker 1: so good. I'm about to get a cut. I try

91
00:05:38,000 --> 00:05:40,159
Speaker 1: to get it cut before this podcast. I wanted to

92
00:05:40,240 --> 00:05:45,479
Speaker 1: look so good. I get my bangs. And also, yes

93
00:05:45,560 --> 00:05:47,640
Speaker 1: you had bangs. Yeah, they grow so fast you just

94
00:05:47,640 --> 00:05:50,680
Speaker 1: putching the macor there have they just always this conveniently

95
00:05:50,760 --> 00:05:56,839
Speaker 1: placed buck my long bang. Okay, okay, wait, you are

96
00:05:56,880 --> 00:05:59,120
Speaker 1: honestly gonna get a function, little function. You're gonna get

97
00:05:59,120 --> 00:06:02,080
Speaker 1: a cut. Yeah, I'm going with a shag look that

98
00:06:02,120 --> 00:06:04,880
Speaker 1: I had and earlier in the year. So you're getting

99
00:06:04,880 --> 00:06:07,000
Speaker 1: a lot of it cut off. Yeah, lots of layers.

100
00:06:07,080 --> 00:06:10,240
Speaker 1: It's so heavy. I get that I love the leg

101
00:06:11,400 --> 00:06:14,840
Speaker 1: I think you, I think you will look timeless sent

102
00:06:14,920 --> 00:06:17,800
Speaker 1: it to me locks for love. Um, because we were

103
00:06:17,800 --> 00:06:20,960
Speaker 1: a charity girl. I love charity. I would just like

104
00:06:21,040 --> 00:06:23,600
Speaker 1: that to be clear. Yes, yes, yeah, of course, let's

105
00:06:23,720 --> 00:06:26,839
Speaker 1: say that for the record, everyone here looks charity. Okay,

106
00:06:26,839 --> 00:06:32,560
Speaker 1: I love charity. Joe is rolling his eyes currently, j Producer, Joe,

107
00:06:33,000 --> 00:06:35,800
Speaker 1: don't roll your eyes at charity. It's very important. Hang

108
00:06:35,800 --> 00:06:37,960
Speaker 1: on to that water bottle of two hands, your motherfucker.

109
00:06:38,000 --> 00:06:42,679
Speaker 1: How about that? I just stepped in a goddamn podo. Um.

110
00:06:43,520 --> 00:06:46,320
Speaker 1: I just want to really quickly recap stunt in my

111
00:06:46,360 --> 00:06:49,640
Speaker 1: trip to Disney World in June in front of me,

112
00:06:49,680 --> 00:06:52,520
Speaker 1: even to be very quick. So, Matt, you were very

113
00:06:52,600 --> 00:06:57,320
Speaker 1: much a part of it, were present, absolutely presently. It

114
00:06:57,440 --> 00:07:01,599
Speaker 1: was fucking texting them too much. Um. Sunita and I,

115
00:07:01,760 --> 00:07:04,400
Speaker 1: along with Michael Hardney and Eric Gerson, got to experience

116
00:07:05,160 --> 00:07:08,640
Speaker 1: the newly open section of Animal Kingdom at Disney World,

117
00:07:08,680 --> 00:07:13,640
Speaker 1: at Pandora, the World of Tomorrow, World of I'm So Sorry,

118
00:07:14,040 --> 00:07:17,760
Speaker 1: the World of Do I Deserve to Go? Did I

119
00:07:18,200 --> 00:07:19,640
Speaker 1: to Go? It was so fun. We got to do

120
00:07:19,680 --> 00:07:23,840
Speaker 1: Avatar Ride of Passage and um, we got to do

121
00:07:23,920 --> 00:07:27,000
Speaker 1: the river ride, which was underwhelming. It was, but what

122
00:07:27,080 --> 00:07:30,160
Speaker 1: we gauged for what I think is unequivably the best

123
00:07:30,280 --> 00:07:35,280
Speaker 1: ride covert yest edition Everest that was twice. That was

124
00:07:35,320 --> 00:07:37,080
Speaker 1: the only one we wrote twice. That was the only

125
00:07:37,080 --> 00:07:39,360
Speaker 1: one for the price. But it was the right one.

126
00:07:39,480 --> 00:07:42,600
Speaker 1: It was the right one. Yeah, I'm just the whole thing.

127
00:07:42,880 --> 00:07:46,560
Speaker 1: I didn't we We got there at what like seven

128
00:07:46,640 --> 00:07:50,080
Speaker 1: for an eight am opening, like for the doors to open. Ye,

129
00:07:50,600 --> 00:07:53,760
Speaker 1: you were there. The whole thing was just like I

130
00:07:53,800 --> 00:07:56,520
Speaker 1: can't believe we're doing that. Yeah, it was kind of weird.

131
00:07:56,560 --> 00:08:00,000
Speaker 1: It was like a sojourn thing where all these people

132
00:08:00,040 --> 00:08:02,280
Speaker 1: were there for the same reason and it felt weird.

133
00:08:03,120 --> 00:08:06,840
Speaker 1: And it was to go to see Pandora. It was bizarre.

134
00:08:07,120 --> 00:08:09,760
Speaker 1: It was to be amongst the clouds, yes, And it

135
00:08:09,840 --> 00:08:13,400
Speaker 1: was like you wanted to appreciate the detail and the

136
00:08:13,600 --> 00:08:18,200
Speaker 1: massive like floating mountain, just all this precious work. But

137
00:08:18,240 --> 00:08:21,560
Speaker 1: you were just like running and you're like, get out

138
00:08:21,560 --> 00:08:25,800
Speaker 1: of my way bridge. Oh, this bridge is slowing me down.

139
00:08:26,840 --> 00:08:29,800
Speaker 1: Like I'm hungry. It's like, get the funk out of

140
00:08:29,840 --> 00:08:31,840
Speaker 1: my way. It's so funny because when you go to

141
00:08:31,880 --> 00:08:34,079
Speaker 1: Disney World and you're like you're like us, like we

142
00:08:34,080 --> 00:08:37,199
Speaker 1: were literally so annoyed with all the children, and it's

143
00:08:37,240 --> 00:08:39,680
Speaker 1: like I don't ever forget it's for that, for that,

144
00:08:39,840 --> 00:08:43,160
Speaker 1: like you've had this moment several times in your life

145
00:08:43,240 --> 00:08:46,160
Speaker 1: and you're but you're just pissed at the kids being

146
00:08:46,240 --> 00:08:49,199
Speaker 1: loud and the magic kingdom. Like that's my take on it.

147
00:08:49,240 --> 00:08:51,040
Speaker 1: I'm like, get the kids out of here. But then

148
00:08:51,040 --> 00:08:53,239
Speaker 1: you just at a certain point you tune them out. Anyway.

149
00:08:53,280 --> 00:08:55,839
Speaker 1: I was just very glad to have shared that. O

150
00:08:56,000 --> 00:08:59,760
Speaker 1: my god, Yeah, it was insane. The one moment that

151
00:08:59,760 --> 00:09:01,240
Speaker 1: we were separated was when you had to wait in

152
00:09:01,280 --> 00:09:04,599
Speaker 1: line for the rite of passage, but it was a

153
00:09:04,640 --> 00:09:09,240
Speaker 1: flight of passage. I'm sorry, right right, So I just

154
00:09:09,520 --> 00:09:12,040
Speaker 1: was gagged that that was like the turn of phrase,

155
00:09:12,120 --> 00:09:15,439
Speaker 1: the pun, right, yeah, right of passage, flight of passage,

156
00:09:16,320 --> 00:09:19,400
Speaker 1: wait in line for like three hours. No, seriously, I

157
00:09:19,440 --> 00:09:23,280
Speaker 1: was fending off like an older Argentinian man, just like

158
00:09:23,360 --> 00:09:25,640
Speaker 1: pretending to like point at things ahead of me and

159
00:09:25,640 --> 00:09:27,840
Speaker 1: be like, oh I wonder what that is and get

160
00:09:27,880 --> 00:09:32,160
Speaker 1: in front of me. I was onto him. I had

161
00:09:32,200 --> 00:09:35,240
Speaker 1: to wait for an hour in this line, and he

162
00:09:35,360 --> 00:09:40,959
Speaker 1: kept like huh, what's that and saying like interesting, like

163
00:09:41,400 --> 00:09:45,440
Speaker 1: as if he was like fooling me and everyone and

164
00:09:45,480 --> 00:09:48,679
Speaker 1: he just kept like bumping my shoulder, and which caused

165
00:09:48,720 --> 00:09:50,920
Speaker 1: me to be really annoying to the people in front

166
00:09:51,040 --> 00:09:54,400
Speaker 1: of me. Yeah, because you're like on their ass, like

167
00:09:54,440 --> 00:09:57,960
Speaker 1: I'm holding my spot at all the costs. It was.

168
00:09:58,080 --> 00:10:02,160
Speaker 1: It was like embarrassed. I couldn't believe his behavior. And honestly,

169
00:10:02,440 --> 00:10:06,319
Speaker 1: that is so anxiety inducing. Yes that it is contagious.

170
00:10:06,880 --> 00:10:09,960
Speaker 1: Then you become that crazy person that like when someone

171
00:10:10,040 --> 00:10:12,320
Speaker 1: stops in the line to look at something and there's

172
00:10:12,360 --> 00:10:14,760
Speaker 1: like a space between like where they should be moving,

173
00:10:14,840 --> 00:10:17,360
Speaker 1: You're like, you got to move. We have to keep

174
00:10:17,400 --> 00:10:20,679
Speaker 1: the airports behavior it is, you know what? Okay, so

175
00:10:20,840 --> 00:10:30,240
Speaker 1: very much. So we as New Yorkers with flight of past, Hello, Delta, Delta, Delta,

176
00:10:30,400 --> 00:10:32,760
Speaker 1: and culture was on the line like this is an inconvenience,

177
00:10:33,480 --> 00:10:37,440
Speaker 1: and Coulder took pictures of everybody. No, h really quickly.

178
00:10:37,480 --> 00:10:38,840
Speaker 1: I just want to say, we as New Yorkers when

179
00:10:38,840 --> 00:10:40,360
Speaker 1: we go to Disney World, I think we have a

180
00:10:40,360 --> 00:10:42,720
Speaker 1: good sense of how to navigate crowds, and like we

181
00:10:42,840 --> 00:10:47,319
Speaker 1: threw people. But imagine, imagine, So this is Shane Ley

182
00:10:47,520 --> 00:10:52,160
Speaker 1: painting a picture for Shanghai Disney when I went in November. Imagine, Um,

183
00:10:52,160 --> 00:10:56,319
Speaker 1: so China is basically a nation of New Yorkers. Just no,

184
00:10:56,520 --> 00:10:59,640
Speaker 1: it just like not caring about crowds, tunnel visioning through

185
00:10:59,679 --> 00:11:02,680
Speaker 1: the day in a Disney world, the tricks you would

186
00:11:02,679 --> 00:11:05,559
Speaker 1: not believe. Um, a lot. This is what we saw

187
00:11:05,600 --> 00:11:09,600
Speaker 1: a lot. My sister and I. UM, two people saying hi, sorry,

188
00:11:09,600 --> 00:11:12,040
Speaker 1: excuse me, pushing through us in the line saying just

189
00:11:12,120 --> 00:11:14,840
Speaker 1: sardines and being like, hi, sorry, um, we have we

190
00:11:14,880 --> 00:11:17,160
Speaker 1: have relatives waiting ahead of us, please let us through.

191
00:11:17,760 --> 00:11:20,680
Speaker 1: But it would happen, happened, happened, happened all the time,

192
00:11:20,720 --> 00:11:22,840
Speaker 1: and then and then we caught onto it. And then

193
00:11:22,840 --> 00:11:26,520
Speaker 1: we're like, wow, we've been We've been fooled. You didn't

194
00:11:26,520 --> 00:11:31,560
Speaker 1: do it yourself. Have principle, we have class. You don't

195
00:11:31,559 --> 00:11:36,640
Speaker 1: lose that in New York. You know your principles. Absolutely not.

196
00:11:36,840 --> 00:11:41,080
Speaker 1: You drop a bugle on the train platform saying you

197
00:11:41,120 --> 00:11:44,240
Speaker 1: pick it up and you eat it. Do you eat

198
00:11:44,240 --> 00:11:46,719
Speaker 1: a lot of bugles on the train platform? No, It's

199
00:11:46,800 --> 00:11:49,839
Speaker 1: just like the last snack that I was like talking about.

200
00:11:49,960 --> 00:11:51,760
Speaker 1: I haven't had bugles in so long. I love bugle.

201
00:11:51,840 --> 00:11:57,040
Speaker 1: Describe a bugle. It's a gorgeous cone of corn. It's corn.

202
00:11:57,480 --> 00:12:01,000
Speaker 1: It's a corn cone. It's like it was like a

203
00:12:01,040 --> 00:12:03,360
Speaker 1: toy because you could put them on your fingers, them

204
00:12:03,360 --> 00:12:06,839
Speaker 1: on your fingertips, and they were like veils. And that

205
00:12:06,920 --> 00:12:10,920
Speaker 1: was maybe my first queer experience with food was pretending

206
00:12:10,960 --> 00:12:15,200
Speaker 1: to be a queen in my in my bugles nails

207
00:12:15,240 --> 00:12:19,480
Speaker 1: and being like, yes, fishy, would you say that bugles?

208
00:12:19,480 --> 00:12:22,959
Speaker 1: Are they present ultimately a queer narrative? Bugles ultimately tell

209
00:12:22,960 --> 00:12:30,840
Speaker 1: a queer narrative. Um fingers, fingers, um, uh, horrible texture

210
00:12:32,200 --> 00:12:40,280
Speaker 1: and um little mommy flavors, a little mommy that's it. Okay,

211
00:12:40,280 --> 00:12:41,959
Speaker 1: oh my god son. We're gonna ask you what we

212
00:12:41,960 --> 00:12:44,680
Speaker 1: ask all of our guests, which is what was the

213
00:12:44,760 --> 00:12:47,680
Speaker 1: culture that made you think culture was for me? So

214
00:12:48,080 --> 00:12:49,960
Speaker 1: this could be growing up like the neighborhoods you grew

215
00:12:50,040 --> 00:12:53,640
Speaker 1: up in, or things that were passed down from your family.

216
00:12:53,880 --> 00:12:57,040
Speaker 1: Piece of media that really turns you around, you know,

217
00:12:57,200 --> 00:13:00,520
Speaker 1: really really snaped into culture and staid, Okay, I am

218
00:13:00,559 --> 00:13:04,760
Speaker 1: a cultural being after all. Yes, this is so, it's

219
00:13:04,800 --> 00:13:12,439
Speaker 1: a good question question. I feel like as a multicultural person,

220
00:13:12,559 --> 00:13:17,160
Speaker 1: it's such a fragmented identity. I want to give you

221
00:13:17,200 --> 00:13:22,080
Speaker 1: like a Pinterest board visual. I'm just gonna say this thing.

222
00:13:24,080 --> 00:13:29,000
Speaker 1: I love an amalgamation, like that movie I Love Trouble.

223
00:13:29,440 --> 00:13:32,760
Speaker 1: Oh my god, was Julia Roberts. I like thought I

224
00:13:32,840 --> 00:13:36,760
Speaker 1: could be a reporter. I like my my idea of

225
00:13:36,840 --> 00:13:42,640
Speaker 1: culture was like journalism via that movie, my God, and

226
00:13:42,679 --> 00:13:44,920
Speaker 1: like I wanted to be a magazine writer or like

227
00:13:47,320 --> 00:13:51,040
Speaker 1: actual writer, like the newspaper. But it gets to run

228
00:13:51,080 --> 00:13:54,480
Speaker 1: around and get in trouble. Yes, and like it's really

229
00:13:54,559 --> 00:13:58,960
Speaker 1: catty and that's her. Yes. Yes, And did you know

230
00:13:59,000 --> 00:14:04,240
Speaker 1: that they hated each other, like they actually hated each other. Yeah,

231
00:14:03,880 --> 00:14:08,360
Speaker 1: well apparently they just didn't mix as actors. And apparently

232
00:14:08,480 --> 00:14:10,920
Speaker 1: all the shots where they're talking to each other almost

233
00:14:11,080 --> 00:14:15,640
Speaker 1: entirely is standing standing. Yeah, we've got ourselves like an

234
00:14:15,720 --> 00:14:22,720
Speaker 1: arg Pinjabi Julia. Yes, Wow, that is so rough. I

235
00:14:22,720 --> 00:14:24,680
Speaker 1: hope that doesn't like change the movie for you. I

236
00:14:24,720 --> 00:14:28,000
Speaker 1: love it even more. It's like she's even more independent.

237
00:14:29,000 --> 00:14:34,400
Speaker 1: What Kraft. She just got her shots just acting next

238
00:14:34,440 --> 00:14:37,680
Speaker 1: to a standard rule number I think nine of culture.

239
00:14:37,960 --> 00:14:41,600
Speaker 1: Get your shots. I'm sorry, I'm as an actress. Get

240
00:14:41,640 --> 00:14:46,360
Speaker 1: your shot done, get the vernacular right right now, layoff

241
00:14:48,200 --> 00:14:52,400
Speaker 1: shots cage. You know, who knows what the right word

242
00:14:52,480 --> 00:14:56,200
Speaker 1: is at any given time? Not me. Someone's got to know,

243
00:14:56,520 --> 00:15:00,280
Speaker 1: but no one does. Can't hear him, can't It's too soft.

244
00:15:00,520 --> 00:15:02,320
Speaker 1: I love this, Okay. So that's the first piece of

245
00:15:02,320 --> 00:15:04,680
Speaker 1: the of the of the puzzle is I love Trouble

246
00:15:04,720 --> 00:15:09,520
Speaker 1: with Nick Nulty and Julia Robs. Like loved this one

247
00:15:10,520 --> 00:15:16,560
Speaker 1: Chipmunks movie, The Chipmunk's Adventure with like the hotter balloon rides.

248
00:15:17,400 --> 00:15:25,800
Speaker 1: That was like my way out. That was small town Dixon, Tennessee.

249
00:15:25,960 --> 00:15:28,440
Speaker 1: I was like, I'm going to see the world through

250
00:15:28,560 --> 00:15:33,200
Speaker 1: this movie. It's like a musical chipmunk in a hot

251
00:15:33,280 --> 00:15:39,240
Speaker 1: air balloon, like smuggling diamonds. It was so dangerous from Tennessee. Yeah,

252
00:15:39,600 --> 00:15:43,200
Speaker 1: come on the Southern girl. Just from the just from

253
00:15:43,200 --> 00:15:45,720
Speaker 1: the sound. Those are the cultures I'm talking about, the

254
00:15:45,960 --> 00:15:49,400
Speaker 1: baptism and in South Indian. But that's but that that

255
00:15:49,680 --> 00:15:54,360
Speaker 1: is an intersection, honey, And that's that. Yeah. And then

256
00:15:54,440 --> 00:15:57,960
Speaker 1: Sunni and I have had many conversations in the backs

257
00:15:58,080 --> 00:16:04,240
Speaker 1: of cars and balls and waiting rooms in in a

258
00:16:04,320 --> 00:16:07,880
Speaker 1: lot of places we audition. We're working now, I mean,

259
00:16:08,360 --> 00:16:11,520
Speaker 1: but whenever, whenever, sun it is in a room. You're like, oh, okay,

260
00:16:11,720 --> 00:16:15,200
Speaker 1: it's legit. Here, here we go the products for real,

261
00:16:15,280 --> 00:16:17,520
Speaker 1: the products for real. What's like it's going to go,

262
00:16:20,160 --> 00:16:23,360
Speaker 1: It's gonna go. This is gonna it's gonna go. Like

263
00:16:23,440 --> 00:16:25,320
Speaker 1: when you're in the room and you see to walk in,

264
00:16:25,440 --> 00:16:27,720
Speaker 1: You're like, this is going to go. This this, this

265
00:16:27,840 --> 00:16:32,040
Speaker 1: pilot is going to go. Yeah. Um, what's like, what's

266
00:16:32,200 --> 00:16:34,640
Speaker 1: is there like a Southern specific thing? I mean that's

267
00:16:34,640 --> 00:16:38,120
Speaker 1: such a broad question. Now that's for you. That's like, oh,

268
00:16:38,280 --> 00:16:40,880
Speaker 1: like lightning bulb, Like cool, this is like what is

269
00:16:41,160 --> 00:16:43,280
Speaker 1: what I'm going to connect to growing up in the South,

270
00:16:44,160 --> 00:16:53,360
Speaker 1: Probably passive aggressiveness or like really an indirect quality that's

271
00:16:53,440 --> 00:16:57,880
Speaker 1: like so delusional, like you you think you're saying what

272
00:16:58,040 --> 00:17:03,000
Speaker 1: you mean because it's so rained to like avoid confrontation

273
00:17:03,800 --> 00:17:07,280
Speaker 1: that you're like you're you are like literally singing a

274
00:17:07,400 --> 00:17:09,680
Speaker 1: song with your voice to just like get out of

275
00:17:09,720 --> 00:17:12,600
Speaker 1: a situation. You're like, okay, well yeah, well you know,

276
00:17:12,960 --> 00:17:16,200
Speaker 1: and then we'll see about that, and like you can't

277
00:17:17,119 --> 00:17:20,160
Speaker 1: you can't like confront anything. It's how I feel that's

278
00:17:20,800 --> 00:17:27,320
Speaker 1: paired with like my family's miscommunication. No wonder. I'm a dancer, yes,

279
00:17:29,480 --> 00:17:36,359
Speaker 1: physically yes, my nonverbal skills are high, and consequently my

280
00:17:36,520 --> 00:17:41,399
Speaker 1: verbal ones are low. Truly, I mean, oh, that's I

281
00:17:41,480 --> 00:17:44,480
Speaker 1: feel like do do certain people like usually like put

282
00:17:44,560 --> 00:17:46,200
Speaker 1: in like just label that at is what that is.

283
00:17:46,280 --> 00:17:50,639
Speaker 1: It's like, oh, to avoid confrontation, will just like not

284
00:17:50,960 --> 00:17:55,600
Speaker 1: be not be completely genuine with our words. I feel

285
00:17:55,600 --> 00:17:57,720
Speaker 1: like that's I feel like you really you really nailed

286
00:17:57,840 --> 00:18:01,320
Speaker 1: something there. It's like, yeah, it's like an etiquette or

287
00:18:01,440 --> 00:18:05,200
Speaker 1: something that's still a little old fashioned, or it's kind

288
00:18:05,200 --> 00:18:09,280
Speaker 1: of like sweet in some ways, except that it's often

289
00:18:09,880 --> 00:18:17,720
Speaker 1: to hide like awful things like racism or Yeah, but man,

290
00:18:17,880 --> 00:18:21,760
Speaker 1: I guess I guess it's you from a small town.

291
00:18:21,880 --> 00:18:24,720
Speaker 1: You're like seeing the same people all the time. You

292
00:18:24,840 --> 00:18:27,960
Speaker 1: just want to be in good graces. And maybe there

293
00:18:28,080 --> 00:18:31,680
Speaker 1: is something about like church where you have to like

294
00:18:31,800 --> 00:18:35,640
Speaker 1: you're under a set of like principles and you don't

295
00:18:35,720 --> 00:18:38,399
Speaker 1: want to I don't know, be be ann outside a

296
00:18:38,520 --> 00:18:41,720
Speaker 1: pagan a pagan? What church is church like part of

297
00:18:41,960 --> 00:18:46,160
Speaker 1: your life? In Tennessee, I would pretend I would tell

298
00:18:46,240 --> 00:18:49,639
Speaker 1: people I went to church just to avoid talking about

299
00:18:50,400 --> 00:18:54,240
Speaker 1: Hinduism because I went to temple. But I wouldn't call it.

300
00:18:54,760 --> 00:18:57,000
Speaker 1: I wouldn't like, tell anyone I went to town, I

301
00:18:57,080 --> 00:18:59,520
Speaker 1: go to church on Sundays where and I would like

302
00:18:59,720 --> 00:19:04,040
Speaker 1: maybe literally run away across town. Oh well, you know

303
00:19:04,520 --> 00:19:12,000
Speaker 1: it's a church. And they were like, I we distracted

304
00:19:12,040 --> 00:19:16,920
Speaker 1: them with my triple threat talent. Yeah, of course what

305
00:19:17,080 --> 00:19:19,320
Speaker 1: you would do when that situation is break into a split.

306
00:19:19,960 --> 00:19:23,560
Speaker 1: And they were like, oh my god, setting the girl

307
00:19:23,600 --> 00:19:27,680
Speaker 1: to New York, get around of Tennessee. There is shipper off,

308
00:19:28,200 --> 00:19:32,320
Speaker 1: hot air balloon, hot air balloon. I think I have

309
00:19:32,680 --> 00:19:35,119
Speaker 1: so many conversations. Maybe this is just more common than

310
00:19:35,160 --> 00:19:37,640
Speaker 1: I think it is, but like I've had so many

311
00:19:37,640 --> 00:19:40,600
Speaker 1: conversations with people where it's like, oh yeah, like religion

312
00:19:40,720 --> 00:19:44,080
Speaker 1: was just a social survival thing where it was like

313
00:19:44,800 --> 00:19:47,240
Speaker 1: I only ever said I only ever went to my

314
00:19:47,359 --> 00:19:50,800
Speaker 1: youth group because because people I wanted to hang out

315
00:19:50,840 --> 00:19:52,640
Speaker 1: with went to their own youth groups, and I wanted

316
00:19:52,640 --> 00:19:54,800
Speaker 1: to be like, yeah, let my youth group. We learned

317
00:19:54,880 --> 00:19:58,320
Speaker 1: this and this and that, and like what a shitty

318
00:19:58,520 --> 00:20:01,840
Speaker 1: thing for me to like I have put myself through.

319
00:20:02,680 --> 00:20:04,240
Speaker 1: And like I don't know if but that's yeah, I

320
00:20:04,280 --> 00:20:07,000
Speaker 1: mean it's it's it's different. But also I want to

321
00:20:07,040 --> 00:20:12,920
Speaker 1: say this, I feel like talent is owned. I feel

322
00:20:12,960 --> 00:20:17,040
Speaker 1: like the religious Like I feel like religions take ownership

323
00:20:17,400 --> 00:20:20,560
Speaker 1: of talent and it's not theirs, and we need to

324
00:20:20,600 --> 00:20:24,280
Speaker 1: take the concept of talent back from religions. Am I

325
00:20:24,400 --> 00:20:30,359
Speaker 1: making any sense? And needed? So? Where I grew up was.

326
00:20:30,600 --> 00:20:33,240
Speaker 1: I grew up in Denver, Colorado. It's Mormon adjacent place.

327
00:20:33,280 --> 00:20:35,400
Speaker 1: A lot of Mormons in my high school and all

328
00:20:35,480 --> 00:20:40,119
Speaker 1: the musical theater leads would coincidentally be Mormon because the

329
00:20:40,320 --> 00:20:43,880
Speaker 1: parents who would like pay and fund the drama club

330
00:20:44,600 --> 00:20:47,880
Speaker 1: were these super religious Mormon people, and like they would

331
00:20:48,000 --> 00:20:51,119
Speaker 1: host all the cast parties and all the events. And

332
00:20:51,280 --> 00:20:53,280
Speaker 1: for me growing up, it was like, well, you can

333
00:20:53,320 --> 00:20:56,280
Speaker 1: only be talented if you're religious. I hear you. It's

334
00:20:56,280 --> 00:20:59,520
Speaker 1: like that, where did you start? That kind of there

335
00:20:59,600 --> 00:21:01,480
Speaker 1: you go? That kind of never, like there's never a

336
00:21:01,560 --> 00:21:05,760
Speaker 1: pagan talent. I want a pagan talent, an atheistic talent.

337
00:21:06,200 --> 00:21:11,680
Speaker 1: Writing sitting alone in the room, she thought I was

338
00:21:11,720 --> 00:21:13,440
Speaker 1: going to be a writer. I thought I had talent

339
00:21:13,560 --> 00:21:16,680
Speaker 1: as a writer journalist because of that, Like it was like, well,

340
00:21:17,240 --> 00:21:20,160
Speaker 1: I can't express myself to anyone else. I'll just stay

341
00:21:20,200 --> 00:21:24,200
Speaker 1: in my room write a story about a wizard. And

342
00:21:24,400 --> 00:21:27,359
Speaker 1: of course you wrote Harry Potter, and I said on

343
00:21:27,480 --> 00:21:29,600
Speaker 1: the shelf. And then of course you know a woman

344
00:21:29,680 --> 00:21:33,240
Speaker 1: by the name of Joe rowling Um wrote that she

345
00:21:33,800 --> 00:21:39,520
Speaker 1: stole my future. She really did. When when you you

346
00:21:39,640 --> 00:21:41,399
Speaker 1: got out of there, you hitched the ride on the

347
00:21:41,480 --> 00:21:43,080
Speaker 1: Hunter balloon and got out of there, did you come

348
00:21:43,119 --> 00:21:46,720
Speaker 1: right to New York? No? I went to Emerson College

349
00:21:46,760 --> 00:21:51,920
Speaker 1: in Boston. Okay, Boston Cultural, Yeah, come on, yeah, we

350
00:21:52,000 --> 00:21:57,840
Speaker 1: went to college need it. But it was great now Emerson. Yeah,

351
00:21:57,960 --> 00:22:00,240
Speaker 1: this is funny because I applied to Emerson as well.

352
00:22:00,760 --> 00:22:03,080
Speaker 1: And you know what everyone was telling me, which I

353
00:22:03,119 --> 00:22:05,920
Speaker 1: thought was so strange. Everyone was like, you know, Emerson

354
00:22:07,320 --> 00:22:10,320
Speaker 1: a lot of weirdos, but where does go here? They're

355
00:22:10,400 --> 00:22:13,520
Speaker 1: very artistic, you know, it's very artistic. And that was like,

356
00:22:13,560 --> 00:22:15,960
Speaker 1: I guess, like the suburban mentality is like, oh, you

357
00:22:16,040 --> 00:22:19,000
Speaker 1: know the arts school with the freaks are but you know,

358
00:22:19,240 --> 00:22:22,159
Speaker 1: like but like and even when you got there, there

359
00:22:22,240 --> 00:22:30,280
Speaker 1: was this thing of like, yeah, right, like outcasts. Um.

360
00:22:30,480 --> 00:22:32,560
Speaker 1: But that was what I remember about Emerson was they

361
00:22:32,600 --> 00:22:34,920
Speaker 1: were very like and it was that was a selling point.

362
00:22:34,960 --> 00:22:38,840
Speaker 1: And also Jay Leno went here. Yes, it's such a weird,

363
00:22:39,160 --> 00:22:43,000
Speaker 1: mainstream place with a bunch of like weirdos who are

364
00:22:43,640 --> 00:22:49,199
Speaker 1: interested in like counterculture perhaps, but they're just sold by

365
00:22:49,280 --> 00:22:52,000
Speaker 1: the fact that it's like, well, if I can't make

366
00:22:52,040 --> 00:22:54,960
Speaker 1: my artistic statement, I'll at least in turn on the

367
00:22:55,160 --> 00:22:59,600
Speaker 1: Daily Show. It's like a maybe like a it's a

368
00:22:59,760 --> 00:23:02,440
Speaker 1: it's a very privileged place to where you can just

369
00:23:02,600 --> 00:23:05,879
Speaker 1: like I have ideas and don't have to worry about

370
00:23:06,680 --> 00:23:10,680
Speaker 1: what that means, like the consequences of that. But it

371
00:23:10,880 --> 00:23:13,480
Speaker 1: was like the height of the postal service. When I

372
00:23:13,560 --> 00:23:18,080
Speaker 1: got there, it was it was like sister. It was

373
00:23:18,160 --> 00:23:22,040
Speaker 1: just like culture meeting hipsters and Jews, and I was like,

374
00:23:22,680 --> 00:23:29,320
Speaker 1: where am I what this place? I didn't know any

375
00:23:29,400 --> 00:23:33,560
Speaker 1: Jewish people at all, and it was like, oh cool,

376
00:23:34,640 --> 00:23:36,960
Speaker 1: I think we're all the same. I think it's like

377
00:23:37,160 --> 00:23:39,719
Speaker 1: we're all we're all the same student, which is kind

378
00:23:39,760 --> 00:23:44,160
Speaker 1: of like you you were an outsider or something. Yeah,

379
00:23:44,359 --> 00:23:48,040
Speaker 1: and then you I did find like my best closest friends,

380
00:23:48,119 --> 00:23:51,399
Speaker 1: like my soulmates from college that I still you know,

381
00:23:51,520 --> 00:23:53,640
Speaker 1: Italian Eleanor and a lot of friends. So you guys

382
00:23:53,680 --> 00:23:56,560
Speaker 1: all went to Emerson. Yeah, we started out at Emerson

383
00:23:57,160 --> 00:24:01,760
Speaker 1: is cocoon and Emersonian creation. Not really, it's like a

384
00:24:01,880 --> 00:24:06,880
Speaker 1: new York based thing. After like we kind of went

385
00:24:06,920 --> 00:24:08,879
Speaker 1: out and then came back together, went out in the

386
00:24:08,920 --> 00:24:12,040
Speaker 1: world and came back together. Italian I graduated from Emerson,

387
00:24:12,240 --> 00:24:15,840
Speaker 1: but Eleanor transferred to Hunter College. So she was like

388
00:24:17,200 --> 00:24:19,600
Speaker 1: finishing her degree and she said, you have to come

389
00:24:19,640 --> 00:24:23,119
Speaker 1: to New York. I'll do anything for you. I was like,

390
00:24:23,280 --> 00:24:24,560
Speaker 1: that was it. I was like, I just want to

391
00:24:24,600 --> 00:24:27,159
Speaker 1: get there and then you straight it moved from Emerson

392
00:24:27,200 --> 00:24:28,840
Speaker 1: to New York, or from Boston to New York and

393
00:24:28,920 --> 00:24:32,240
Speaker 1: went home for like a month or something something like that.

394
00:24:32,359 --> 00:24:34,600
Speaker 1: I went home. You took the month, took the month.

395
00:24:34,680 --> 00:24:37,080
Speaker 1: I took the month and really like considered my options.

396
00:24:37,080 --> 00:24:40,080
Speaker 1: You have to take the moment and then the hot Yeah,

397
00:24:40,320 --> 00:24:42,240
Speaker 1: and you got on the hotter balloon, which of course

398
00:24:42,280 --> 00:24:50,920
Speaker 1: it crashed as there want to do um okay, So

399
00:24:51,119 --> 00:24:54,320
Speaker 1: can you talk about the beginnings of Cocoon Central Dance Team,

400
00:24:54,320 --> 00:24:59,720
Speaker 1: because you guys like like saying iconic and legendary dance

401
00:24:59,760 --> 00:25:03,200
Speaker 1: com It's my true passion. It's kind of crazy, how

402
00:25:03,600 --> 00:25:06,960
Speaker 1: like organic. It all happened out of sadness, if you

403
00:25:07,000 --> 00:25:10,560
Speaker 1: can believe it, like all good art, like all good art,

404
00:25:10,960 --> 00:25:14,960
Speaker 1: we were scraping the bottom of the barrel for just

405
00:25:15,160 --> 00:25:18,399
Speaker 1: like I can't say that entirely for Eleanor because she

406
00:25:18,520 --> 00:25:22,359
Speaker 1: wasn't she was in school and was working on a

407
00:25:22,440 --> 00:25:25,120
Speaker 1: visual art degree. She was like she had the structure

408
00:25:25,160 --> 00:25:29,240
Speaker 1: and was like happy in class. But myself and another

409
00:25:29,520 --> 00:25:34,520
Speaker 1: Cocoon member who's not in Cocoon today. Unfortunately Katie moved,

410
00:25:34,640 --> 00:25:37,199
Speaker 1: she moved away, she left New York, but we were

411
00:25:37,760 --> 00:25:38,960
Speaker 1: she had to go, she had to get on the

412
00:25:39,000 --> 00:25:42,240
Speaker 1: hotter balloon and going to our own destination. Is a

413
00:25:42,320 --> 00:25:45,760
Speaker 1: fisher woman now it's like she's a mermaid in Alaska.

414
00:25:46,640 --> 00:25:49,560
Speaker 1: A dream. Yeah, it's just another dream. And she was like,

415
00:25:49,680 --> 00:25:54,280
Speaker 1: I gotta do it. That's that's the dream. These people

416
00:25:54,320 --> 00:26:00,600
Speaker 1: say that rainy um. But yeah. We were like living

417
00:26:00,920 --> 00:26:05,440
Speaker 1: in this a part like a two bedroom in Sunset Park,

418
00:26:05,560 --> 00:26:07,440
Speaker 1: but like three of us just kind of like I

419
00:26:07,560 --> 00:26:09,159
Speaker 1: had a room that didn't have a door. It was

420
00:26:09,359 --> 00:26:12,360
Speaker 1: like the side door. It is like the side room

421
00:26:12,440 --> 00:26:15,600
Speaker 1: to the bathroom. It was just like a little cubby.

422
00:26:15,760 --> 00:26:19,160
Speaker 1: And then they had they had bedrooms with doors with doors,

423
00:26:19,600 --> 00:26:23,200
Speaker 1: and then we just had like the open kitchen living

424
00:26:23,320 --> 00:26:26,639
Speaker 1: room thing and then like one exposed brick wall and

425
00:26:26,800 --> 00:26:32,200
Speaker 1: we were like thank God, that wall is gorgeous. What

426
00:26:32,400 --> 00:26:34,560
Speaker 1: is it about an exposed brick wall that like it's

427
00:26:34,600 --> 00:26:38,119
Speaker 1: a real selling point, I know. We were like that

428
00:26:38,280 --> 00:26:40,639
Speaker 1: could be the background of our stage. Like it was

429
00:26:40,720 --> 00:26:43,720
Speaker 1: like this hard It was just like a hardwood floor,

430
00:26:43,840 --> 00:26:46,720
Speaker 1: like a rectangle and then like this brick wall and

431
00:26:47,040 --> 00:26:50,160
Speaker 1: Eleanor and I saw the place together and we were like, honestly,

432
00:26:50,280 --> 00:26:53,359
Speaker 1: we could use that. It was like it became we

433
00:26:53,440 --> 00:26:58,720
Speaker 1: were just so like talent show minded and that's basically

434
00:26:58,800 --> 00:27:01,240
Speaker 1: how Cocoon started. We would host open mics in this

435
00:27:01,400 --> 00:27:06,160
Speaker 1: apartment because we couldn't afford furniture, and like didn't try,

436
00:27:06,600 --> 00:27:09,600
Speaker 1: Like even if we couldn't, we like didn't try. We

437
00:27:09,760 --> 00:27:14,000
Speaker 1: just left it open. And but for functional things, functional

438
00:27:14,040 --> 00:27:16,639
Speaker 1: perpect like worked out better to just have it, like

439
00:27:17,119 --> 00:27:20,720
Speaker 1: we could have more people over and we love we

440
00:27:20,840 --> 00:27:23,840
Speaker 1: do love to dance, and it is makes you feel

441
00:27:23,880 --> 00:27:26,520
Speaker 1: good when you're sad, so we would like just like

442
00:27:26,600 --> 00:27:30,320
Speaker 1: get high and dance, and like there was all it was.

443
00:27:30,440 --> 00:27:34,400
Speaker 1: It felt like ours, you know, and it was sometimes

444
00:27:34,560 --> 00:27:39,480
Speaker 1: romantic and sometimes like what you know that that year

445
00:27:39,520 --> 00:27:42,920
Speaker 1: of like like we have no furniture, yeah, and like

446
00:27:43,080 --> 00:27:46,000
Speaker 1: we I only have a job two days a week,

447
00:27:46,119 --> 00:27:50,280
Speaker 1: like I don't know what to do, and it at

448
00:27:50,359 --> 00:27:53,440
Speaker 1: at an open mic. We were like hosting these. It

449
00:27:53,640 --> 00:27:55,320
Speaker 1: had been like the second open mic or something, and

450
00:27:55,359 --> 00:27:57,560
Speaker 1: it was Eleanor's birthday and we decided we would like

451
00:27:58,440 --> 00:28:02,399
Speaker 1: make a welcome dance. And it's like the origins of

452
00:28:02,520 --> 00:28:06,760
Speaker 1: Cocoon to like just dance for fun because we love

453
00:28:07,359 --> 00:28:13,440
Speaker 1: ceremony to get together and express Yeah, pretty much. It

454
00:28:13,520 --> 00:28:16,200
Speaker 1: was to Kate Bush's Hounds of Love and we were like,

455
00:28:17,160 --> 00:28:20,520
Speaker 1: let's just set it, let's just do this right. And

456
00:28:20,920 --> 00:28:23,360
Speaker 1: that was like the start of the party. And then

457
00:28:23,480 --> 00:28:27,480
Speaker 1: it was it was our friends that like we like

458
00:28:27,720 --> 00:28:32,200
Speaker 1: to take talent shows seriously. It's like it's an excuse

459
00:28:32,280 --> 00:28:35,280
Speaker 1: to like perform for each other and like get drunken dance.

460
00:28:35,359 --> 00:28:37,840
Speaker 1: But we like would tape a mic to a broom

461
00:28:37,920 --> 00:28:40,920
Speaker 1: handle like a little boom micro and then just like

462
00:28:41,080 --> 00:28:43,160
Speaker 1: hold it for each other because there's no mic stand.

463
00:28:43,200 --> 00:28:45,239
Speaker 1: But we were like, we, well, you need the mike

464
00:28:45,360 --> 00:28:51,320
Speaker 1: butt hold mike. So were you the kind of kid

465
00:28:51,520 --> 00:28:54,360
Speaker 1: that would do dance contests? Oh my god, We're like,

466
00:28:54,400 --> 00:28:56,720
Speaker 1: because we used to do dance contests and we would

467
00:28:56,760 --> 00:29:01,000
Speaker 1: score each other. I used to well, I used to do.

468
00:29:01,120 --> 00:29:03,440
Speaker 1: I do remember one dance contest. I was the kind

469
00:29:03,480 --> 00:29:06,080
Speaker 1: of person who like choreographed songs to like Jules On,

470
00:29:06,320 --> 00:29:08,560
Speaker 1: like I love that Dairy Queen song, and I was like,

471
00:29:08,680 --> 00:29:11,520
Speaker 1: that was my first piece of choreography to the Dairy

472
00:29:11,560 --> 00:29:17,000
Speaker 1: Queen commercial. But the only dance contest I've won was

473
00:29:17,920 --> 00:29:22,560
Speaker 1: doing the macarenat like a hospital Halloween and you did

474
00:29:22,600 --> 00:29:26,480
Speaker 1: the best. I did the makina the best. I think

475
00:29:26,480 --> 00:29:30,160
Speaker 1: I would share what I mean. Do you remember that?

476
00:29:31,160 --> 00:29:34,200
Speaker 1: Do you remember what the what your skill was? What

477
00:29:34,320 --> 00:29:37,000
Speaker 1: set you apart? Was it just the sharpness, the cleanness

478
00:29:37,080 --> 00:29:41,600
Speaker 1: of the moves. I think I shocked everyone by being

479
00:29:41,720 --> 00:29:49,760
Speaker 1: like paper thin, pencil thin hair out like huge hair

480
00:29:50,440 --> 00:29:54,200
Speaker 1: like pageant like imagine tiny pageant girl but like brown,

481
00:29:54,320 --> 00:29:58,720
Speaker 1: and her hairlines connected to her eyebrows. I had a mustache.

482
00:30:00,160 --> 00:30:04,480
Speaker 1: I was so tiny. I was just like too tiny

483
00:30:04,800 --> 00:30:07,240
Speaker 1: for having a lot of energy, and my eyes were

484
00:30:07,280 --> 00:30:12,360
Speaker 1: like half of mine. I think I just purely shocked people. Yes,

485
00:30:12,800 --> 00:30:17,080
Speaker 1: if someone recorded that, you would have been the upperstar everywhere.

486
00:30:17,200 --> 00:30:21,840
Speaker 1: Do you believe the news channel was there? Local news?

487
00:30:23,360 --> 00:30:26,400
Speaker 1: I don't know where that footage is today. I'll get

488
00:30:26,480 --> 00:30:28,960
Speaker 1: my agent on someone's going to get someone on that.

489
00:30:29,040 --> 00:30:31,880
Speaker 1: We need to track that down and either Burnett or

490
00:30:32,520 --> 00:30:35,320
Speaker 1: make sure everyone season. Oh my god. Okay, so so

491
00:30:35,480 --> 00:30:40,880
Speaker 1: basically from that very scrappy beginning for Cartoon Central. And

492
00:30:41,040 --> 00:30:43,480
Speaker 1: and now you're tell us about the tell us about

493
00:30:43,480 --> 00:30:46,400
Speaker 1: the film, because I just want I'm so sad that

494
00:30:46,440 --> 00:30:48,520
Speaker 1: I missed down on seeing it, but I can't wait

495
00:30:48,560 --> 00:30:50,320
Speaker 1: to see it when it when it's just available for

496
00:30:50,440 --> 00:30:55,480
Speaker 1: everybody very soon. There's one more screening. It's part of

497
00:30:55,760 --> 00:30:59,720
Speaker 1: the Brooklyn Comedy Festival. Great Taylor More hosts. It's on

498
00:30:59,840 --> 00:31:03,360
Speaker 1: the up. Yes, I do love Taylor More. He's the best.

499
00:31:04,320 --> 00:31:07,840
Speaker 1: I'm sure there's like shorts and features, super honky, just

500
00:31:08,320 --> 00:31:10,880
Speaker 1: just noting. Don't love me. Listen when a man is handsome,

501
00:31:11,520 --> 00:31:13,840
Speaker 1: I say it. You know what my favorite quality about

502
00:31:13,880 --> 00:31:18,200
Speaker 1: Taylor is he has his Spotify Discovery We Discover week Sterify,

503
00:31:18,880 --> 00:31:26,200
Speaker 1: come on Spotter, Spotify Premium. We are a sponsor. S

504
00:31:28,360 --> 00:31:32,760
Speaker 1: this is this is racist. I can't believe this. It's

505
00:31:32,840 --> 00:31:36,800
Speaker 1: my third language. I was I was just regrigitating what

506
00:31:36,880 --> 00:31:40,280
Speaker 1: happened to me and my fire complicit and this is

507
00:31:41,000 --> 00:31:44,240
Speaker 1: this is go on. Um, what's good about Tyler? And

508
00:31:44,280 --> 00:31:45,920
Speaker 1: it's hutting off my bit um. He just has a

509
00:31:45,920 --> 00:31:49,120
Speaker 1: great Spotify Discover weekly playlist. Yeah, let me tell you that.

510
00:31:49,360 --> 00:31:54,640
Speaker 1: What the date? Please at that festival on August at

511
00:31:54,720 --> 00:31:58,760
Speaker 1: Nighthawk Lovely oh not famously can get food there and

512
00:31:58,800 --> 00:32:02,040
Speaker 1: watch a film. Famously miss the famous Nighthawk theater, but

513
00:32:02,120 --> 00:32:03,920
Speaker 1: not the only game in town. Now with the Alamo.

514
00:32:04,560 --> 00:32:09,720
Speaker 1: You've been to the Alamo Drafthouse. Oh are you about

515
00:32:09,760 --> 00:32:12,960
Speaker 1: to like rip it? I like it. I like it.

516
00:32:13,160 --> 00:32:16,200
Speaker 1: The food though not so good, so good, but you

517
00:32:16,280 --> 00:32:20,280
Speaker 1: know on the record you wore some buffalo wings and okay,

518
00:32:20,560 --> 00:32:24,640
Speaker 1: that's that's it. I'm a vegetarian. You got like a

519
00:32:24,720 --> 00:32:30,320
Speaker 1: grilled cheese and a flatbread or something. Okay. I remember

520
00:32:30,480 --> 00:32:34,000
Speaker 1: we saw fantastic beasts and we're to find them and

521
00:32:34,440 --> 00:32:36,800
Speaker 1: I had my weed butter and I was dipping my

522
00:32:36,880 --> 00:32:38,840
Speaker 1: fries and the weed butter. And let me tell you something.

523
00:32:39,400 --> 00:32:41,040
Speaker 1: I don't know if I was super stone. But did

524
00:32:41,080 --> 00:32:43,320
Speaker 1: you guys see it? Or was that movie a gay

525
00:32:43,440 --> 00:32:45,160
Speaker 1: art house film? It was a gay artouse film and

526
00:32:45,240 --> 00:32:46,680
Speaker 1: Jak Rolling had a lot of fun with it. And

527
00:32:46,840 --> 00:32:50,160
Speaker 1: every time Colin Farrell would like put his lips on

528
00:32:50,240 --> 00:32:52,640
Speaker 1: as recline, his face, I would be like, I have

529
00:32:52,760 --> 00:32:56,040
Speaker 1: to see it. I'm gonna stuck on this wing, as

530
00:32:58,440 --> 00:33:07,000
Speaker 1: Reclined writes for Vox SNBC. Okay August, Yes, as part

531
00:33:07,040 --> 00:33:09,400
Speaker 1: of the Brooklyn Comedy Festival. Okay, I'm there are there

532
00:33:09,560 --> 00:33:14,480
Speaker 1: still tickets left? I'm sure. I don't even think forgive me, Taylor,

533
00:33:14,720 --> 00:33:17,840
Speaker 1: I'm not even sure if it's announced yet. You're hearing

534
00:33:17,960 --> 00:33:23,800
Speaker 1: it before anyone. We have a breaking story. We have

535
00:33:23,960 --> 00:33:26,040
Speaker 1: the scoop here. We love a little bit of a scoop,

536
00:33:26,080 --> 00:33:27,360
Speaker 1: a little bit of a scoop. Okay, So tell us

537
00:33:27,360 --> 00:33:30,560
Speaker 1: about what is the movie? Come on tell us. Yes,

538
00:33:30,920 --> 00:33:34,840
Speaker 1: it's called Snowy Bing Bongs and it's a film adaptation

539
00:33:35,080 --> 00:33:39,560
Speaker 1: of this live performance that we did like two fifteen

540
00:33:40,400 --> 00:33:46,040
Speaker 1: featuring these creatures called being Bongs that are so dumb

541
00:33:46,720 --> 00:33:50,479
Speaker 1: and beautiful. I love that. That's my favorite, my favorite

542
00:33:50,520 --> 00:33:55,280
Speaker 1: thing can be. They're really Yes, they're just so much fun.

543
00:33:55,400 --> 00:33:58,080
Speaker 1: They're like little space aliens. They just kind of exist

544
00:33:58,200 --> 00:34:02,320
Speaker 1: in there, you know, in their tundra, the Arctic tundra.

545
00:34:03,080 --> 00:34:07,040
Speaker 1: And I think that's the best word. It's Yeah, it's

546
00:34:07,040 --> 00:34:10,439
Speaker 1: a good one. It's got weight. Yeah, it means something.

547
00:34:10,520 --> 00:34:15,320
Speaker 1: It's so visual yes, it's an exotic word, truly, absolutely,

548
00:34:15,360 --> 00:34:17,320
Speaker 1: I don't know. I mean I stopped everything to say that.

549
00:34:17,360 --> 00:34:20,839
Speaker 1: I like the word continue no worries. It's like it's

550
00:34:20,880 --> 00:34:24,480
Speaker 1: hard to explain because it's it's basically a series of

551
00:34:25,239 --> 00:34:29,160
Speaker 1: dance pieces like based around the snowy being bogs, but

552
00:34:29,239 --> 00:34:32,000
Speaker 1: it goes a lot of places and there it's kind

553
00:34:32,000 --> 00:34:36,239
Speaker 1: of held together by like you know you are you

554
00:34:36,320 --> 00:34:39,279
Speaker 1: are like put into space and these planets are like

555
00:34:39,480 --> 00:34:42,400
Speaker 1: revolving around each other, so you see like the snooping

556
00:34:42,440 --> 00:34:44,640
Speaker 1: bogs in their world, and then we like move to

557
00:34:44,680 --> 00:34:48,560
Speaker 1: different planets and see different dance pieces. I'm bringing my

558
00:34:48,640 --> 00:34:51,320
Speaker 1: weed butter to that. It is like it is a

559
00:34:51,520 --> 00:34:56,239
Speaker 1: trippy movie. It's like very stony without being like we

560
00:34:56,360 --> 00:34:59,719
Speaker 1: weren't we just weren't stoned made it. It was like

561
00:35:00,200 --> 00:35:02,160
Speaker 1: it was just like we had a deadline and we

562
00:35:02,280 --> 00:35:05,440
Speaker 1: had to make something, and it was like we wanted

563
00:35:05,440 --> 00:35:08,319
Speaker 1: to tell this epic story, and the way we told

564
00:35:08,360 --> 00:35:12,520
Speaker 1: it in the live show was through tableaus just like

565
00:35:12,719 --> 00:35:17,960
Speaker 1: thirty like dramatic still things, and we just like cut

566
00:35:18,360 --> 00:35:20,759
Speaker 1: to them throughout the show. And then in between those

567
00:35:20,760 --> 00:35:24,000
Speaker 1: tableaus we had like other silly dances and monologues and

568
00:35:24,160 --> 00:35:29,359
Speaker 1: videos that the format is really patched, but it's deliberate.

569
00:35:29,560 --> 00:35:33,719
Speaker 1: On film, it's like more of a connected story, I

570
00:35:33,800 --> 00:35:40,520
Speaker 1: guess loose story, but it's like very grand. The scenes

571
00:35:40,560 --> 00:35:43,400
Speaker 1: are really really beautiful, and yeah, how long have you

572
00:35:43,480 --> 00:35:45,440
Speaker 1: guys been performing in New York? And like, how long

573
00:35:45,480 --> 00:35:48,799
Speaker 1: have you guys been the thing? It's so long? Two

574
00:35:48,840 --> 00:35:54,120
Speaker 1: thousand nine. And that was like one Variety show back

575
00:35:54,160 --> 00:35:56,319
Speaker 1: in two thousand nine called The Moon that we were

576
00:35:56,400 --> 00:36:00,680
Speaker 1: like the house dancers for and we'd like perform every

577
00:36:00,719 --> 00:36:04,719
Speaker 1: other week a new piece that was like super choreographed.

578
00:36:04,760 --> 00:36:07,279
Speaker 1: We that's kind of where like Dance Team came from.

579
00:36:07,640 --> 00:36:11,680
Speaker 1: And our name was like we're like the drill team.

580
00:36:12,320 --> 00:36:19,200
Speaker 1: We will be there every Yeah. Yeah, that's like that's

581
00:36:19,280 --> 00:36:21,120
Speaker 1: like I'm not and I'm not saying this. I'm not

582
00:36:21,320 --> 00:36:23,719
Speaker 1: saying this to data, but that's like a great, very

583
00:36:24,480 --> 00:36:26,920
Speaker 1: very young what I'm saying, say what you're going to say?

584
00:36:26,960 --> 00:36:28,120
Speaker 1: Do you mean to cut you off? No? I was

585
00:36:28,120 --> 00:36:30,279
Speaker 1: just so happy to hear that. No. Oh yeah, it's

586
00:36:30,320 --> 00:36:34,000
Speaker 1: just a great legendary show. Um. And and that's great

587
00:36:34,040 --> 00:36:37,440
Speaker 1: in Bob's graz Yeah, And it had this like Muppet

588
00:36:37,520 --> 00:36:42,160
Speaker 1: show spirit that we love and we're so we could

589
00:36:42,200 --> 00:36:47,440
Speaker 1: really indulge in some like vaudevillian stuff. It's like very sincere.

590
00:36:48,280 --> 00:36:51,239
Speaker 1: You don't get that any more. Performance You really don't know.

591
00:36:51,360 --> 00:36:53,719
Speaker 1: I'm sorry, where is it? Where is it? I don't

592
00:36:53,800 --> 00:36:57,600
Speaker 1: see sincerity, not on stage, not out of these comedians.

593
00:36:57,880 --> 00:37:01,960
Speaker 1: Everyone's everyone's just filtering through stuff. I don't know what

594
00:37:02,040 --> 00:37:05,960
Speaker 1: I'm saying. Get sincere, get sincere um Wait did this

595
00:37:06,239 --> 00:37:08,040
Speaker 1: do you? Guys actually performed a long for a long

596
00:37:08,120 --> 00:37:11,279
Speaker 1: time at the Pit. We did at the Pit with

597
00:37:11,520 --> 00:37:14,000
Speaker 1: Snowy being Bogs. It's been like a whole run of

598
00:37:14,160 --> 00:37:20,680
Speaker 1: like variety shows for ever, like we've we've been, we've

599
00:37:20,719 --> 00:37:24,200
Speaker 1: been in every shitty bathroom. That was kind of like

600
00:37:25,040 --> 00:37:27,200
Speaker 1: the beginning to Yeah, we were at the Pit for

601
00:37:27,320 --> 00:37:29,040
Speaker 1: us quite a long time, and I felt like, yeah,

602
00:37:29,200 --> 00:37:31,480
Speaker 1: we would get like booked on these little shows that

603
00:37:31,560 --> 00:37:34,759
Speaker 1: were like, oh, what's the space, Oh it's a rug, right,

604
00:37:35,080 --> 00:37:37,400
Speaker 1: and that you have like production value or like a

605
00:37:37,520 --> 00:37:42,040
Speaker 1: sense of production value, and you're in a literal basement

606
00:37:42,200 --> 00:37:46,120
Speaker 1: and there's like, sorry, the lights don't work, Like the

607
00:37:46,440 --> 00:37:49,600
Speaker 1: lights don't work, lights don't work, and unfortunately there's four chairs.

608
00:37:49,960 --> 00:37:52,960
Speaker 1: Did you bring anybody we got booked one time. I

609
00:37:53,080 --> 00:37:55,120
Speaker 1: love this space, but it wasn't for us. Pete's Candy

610
00:37:55,160 --> 00:37:58,879
Speaker 1: Store such a good space but popular. There was eight

611
00:37:58,960 --> 00:38:01,680
Speaker 1: of us. Then Pizza Ki started doing like these like

612
00:38:02,239 --> 00:38:08,080
Speaker 1: like pop songs, literally screaming railroad style on like a

613
00:38:08,239 --> 00:38:12,560
Speaker 1: postcard size stage, a literal four by six four inches

614
00:38:12,600 --> 00:38:14,880
Speaker 1: by six inches gorgeous stage. But yeah, like it just

615
00:38:15,360 --> 00:38:18,560
Speaker 1: was so in congress. It's a very sweet space. I

616
00:38:18,640 --> 00:38:21,680
Speaker 1: think half of us were like sitting like oh my god.

617
00:38:21,719 --> 00:38:24,400
Speaker 1: And it was really one of those moments where I

618
00:38:24,520 --> 00:38:31,320
Speaker 1: was like, wow, I I hate myself. No, I mean no,

619
00:38:31,640 --> 00:38:33,719
Speaker 1: but yeah, I felt like kind of it went from

620
00:38:33,800 --> 00:38:36,520
Speaker 1: like God, we're you know, we're doing it, and then

621
00:38:36,520 --> 00:38:40,359
Speaker 1: you're like sometimes you know what, it's good we got

622
00:38:40,440 --> 00:38:43,759
Speaker 1: out there, and then it went into like I'm how

623
00:38:43,880 --> 00:38:49,440
Speaker 1: old and I'm doing right for these men. It was

624
00:38:49,520 --> 00:38:55,640
Speaker 1: just like guts men dancing for men in suits. I

625
00:38:55,719 --> 00:38:58,759
Speaker 1: don't know how sentimental I should feel or even like

626
00:38:58,840 --> 00:39:00,880
Speaker 1: how much I should romantic eyes that because it's like,

627
00:39:01,160 --> 00:39:03,560
Speaker 1: was it did I need to do it? Maybe? Sure? Yeah,

628
00:39:03,640 --> 00:39:06,840
Speaker 1: like maybe it did enrich something in me. No regrets.

629
00:39:06,840 --> 00:39:09,160
Speaker 1: I don't know how you feel about Sita had nothing

630
00:39:09,360 --> 00:39:13,080
Speaker 1: else going for it, Like I was truly proud of it,

631
00:39:13,280 --> 00:39:17,719
Speaker 1: even though it was like some some basement. Yeah, we

632
00:39:17,840 --> 00:39:21,080
Speaker 1: were like making costumes and we were like rehearsing like

633
00:39:21,239 --> 00:39:24,480
Speaker 1: it was the day of the show feeling, and I

634
00:39:25,120 --> 00:39:27,919
Speaker 1: kind of needed it because I didn't have I wasn't

635
00:39:27,960 --> 00:39:32,080
Speaker 1: really I didn't really get into acting until a couple

636
00:39:32,120 --> 00:39:39,320
Speaker 1: of years ago. Yeah, really shouldn't be on television. Disagree

637
00:39:39,400 --> 00:39:42,840
Speaker 1: and fat like, Okay, so here's the thing. And this

638
00:39:43,000 --> 00:39:45,360
Speaker 1: was I think. I think before we started recording, I

639
00:39:45,840 --> 00:39:48,160
Speaker 1: told Sanita was like, I'm gonna ask you a question

640
00:39:48,239 --> 00:39:50,600
Speaker 1: and problem and you just have to accept this because

641
00:39:50,640 --> 00:39:52,040
Speaker 1: it might seem like it's too much, but you just

642
00:39:52,120 --> 00:39:54,200
Speaker 1: have to accept it. And you just and I said,

643
00:39:54,239 --> 00:39:57,880
Speaker 1: you deserve it. But I just think that you were

644
00:39:58,600 --> 00:40:03,120
Speaker 1: you were just very very very captivating to watch and

645
00:40:03,200 --> 00:40:05,360
Speaker 1: you were just you were just very good at what

646
00:40:05,520 --> 00:40:09,680
Speaker 1: you do on camera. Because I was even just watching

647
00:40:09,719 --> 00:40:11,400
Speaker 1: Search Party the other week and it was I was

648
00:40:11,440 --> 00:40:14,239
Speaker 1: watching your episode or the one where you you were

649
00:40:14,280 --> 00:40:22,480
Speaker 1: hearing a couple. You're absolutely back to the craft services

650
00:40:22,800 --> 00:40:25,680
Speaker 1: services grilled cheese. Grilled cheese. She had to go back

651
00:40:25,680 --> 00:40:27,279
Speaker 1: to data guilds after every take and be like Okay,

652
00:40:27,320 --> 00:40:30,640
Speaker 1: we're good. Um, but even that scene, I was like,

653
00:40:30,920 --> 00:40:34,520
Speaker 1: oh my God, like suns nailing this, like just and

654
00:40:34,640 --> 00:40:41,680
Speaker 1: even even Matt disagrees, even even on Robot, even on Glow.

655
00:40:42,120 --> 00:40:44,160
Speaker 1: I mean like I'm just like God, like, she's just

656
00:40:44,480 --> 00:40:50,200
Speaker 1: so so compelling to watch and receiving. And my question

657
00:40:50,480 --> 00:40:52,560
Speaker 1: sounds so shitty now that I'm thinking about it, but

658
00:40:52,640 --> 00:40:54,480
Speaker 1: it's like I can't wait, what is where are you

659
00:40:54,600 --> 00:40:57,560
Speaker 1: going through? What are you thinking? Because I feel like

660
00:40:57,680 --> 00:40:59,920
Speaker 1: I'll every now and on the once in a bloom

661
00:41:00,000 --> 00:41:02,080
Speaker 1: when I'm on a fucking set, I'll be like, what

662
00:41:02,239 --> 00:41:05,040
Speaker 1: the funk am I doing? I'm terrible at this? What's

663
00:41:05,080 --> 00:41:07,160
Speaker 1: going on? And like, I just great question? Did you

664
00:41:07,239 --> 00:41:09,279
Speaker 1: pick that? Like is that something you've acquired or is it?

665
00:41:09,400 --> 00:41:13,279
Speaker 1: Like yes, it's like a confidence or just like you

666
00:41:13,520 --> 00:41:16,960
Speaker 1: have to learn to be okay with no feedback or

667
00:41:17,120 --> 00:41:21,600
Speaker 1: like your taste. It's like the way you read because

668
00:41:21,600 --> 00:41:25,680
Speaker 1: it is like this moment in like a twenty minute episode,

669
00:41:25,719 --> 00:41:28,160
Speaker 1: like you don't really have the foresight of how it's

670
00:41:28,160 --> 00:41:29,800
Speaker 1: going to fit in, so you just have to like

671
00:41:30,640 --> 00:41:33,480
Speaker 1: be okay with what you're doing and trust they'll tell

672
00:41:33,560 --> 00:41:39,239
Speaker 1: you if you're not on the right tone pitch. It's

673
00:41:39,440 --> 00:41:43,160
Speaker 1: it's kind of it's really hard actually in these situations

674
00:41:43,200 --> 00:41:46,759
Speaker 1: because especially with I mean all of these situations, I

675
00:41:46,840 --> 00:41:50,160
Speaker 1: get like two takes or three tapes because it's like

676
00:41:51,080 --> 00:41:54,480
Speaker 1: super ancillary and that's like I'm so down to be

677
00:41:54,560 --> 00:41:56,279
Speaker 1: a part of it and I love that I get

678
00:41:56,400 --> 00:41:59,600
Speaker 1: to and it's just part of the processes. Yeah, and learning,

679
00:41:59,719 --> 00:42:02,160
Speaker 1: Like I don't know if I could. It's good to

680
00:42:02,280 --> 00:42:05,960
Speaker 1: like learn through these steps for the bigger thing, but

681
00:42:06,200 --> 00:42:10,239
Speaker 1: it's so it is really nerve wracking to feel like,

682
00:42:11,440 --> 00:42:14,320
Speaker 1: can I say the words, how do I just be

683
00:42:14,440 --> 00:42:18,719
Speaker 1: a normal person? Just like be a normal person? Is

684
00:42:18,800 --> 00:42:23,520
Speaker 1: that enough? Literally coming from live performance? Like like I

685
00:42:23,600 --> 00:42:27,000
Speaker 1: think the majority of us because I mean, I wouldn't

686
00:42:27,040 --> 00:42:29,160
Speaker 1: know that you didn't have acting training. I wouldn't know

687
00:42:29,320 --> 00:42:32,680
Speaker 1: that because you are so fantastic. So but I know

688
00:42:32,800 --> 00:42:36,200
Speaker 1: that sometimes myself, you know, when when acting opportunities come

689
00:42:36,239 --> 00:42:39,200
Speaker 1: up and I think you've just we've discussed this as well, bowing, um,

690
00:42:40,040 --> 00:42:43,600
Speaker 1: you can feel like shit, I actually don't really know

691
00:42:43,760 --> 00:42:45,840
Speaker 1: how to do this. And then I think back to

692
00:42:45,960 --> 00:42:48,720
Speaker 1: like acting school or I wasn't even an acting school,

693
00:42:48,719 --> 00:42:51,480
Speaker 1: but like those actors that went through that for many years,

694
00:42:51,960 --> 00:42:53,840
Speaker 1: and you're on set with a lot of those people

695
00:42:54,320 --> 00:42:56,120
Speaker 1: and you're like, oh, I have to fake that I

696
00:42:56,360 --> 00:42:58,880
Speaker 1: actually know what's going on, And all of a sudden,

697
00:42:58,920 --> 00:43:01,879
Speaker 1: you're you you, Yeah, you're in that position and you're

698
00:43:01,920 --> 00:43:04,360
Speaker 1: like just being a normal human being normal human, but

699
00:43:04,520 --> 00:43:07,040
Speaker 1: like there is you're without that validation that you get

700
00:43:07,080 --> 00:43:10,200
Speaker 1: from live performance, which is so valuable and teaches us

701
00:43:10,280 --> 00:43:12,279
Speaker 1: how to do what we do, and that it's like

702
00:43:13,080 --> 00:43:15,480
Speaker 1: it's you do the same thing over and over, like

703
00:43:15,640 --> 00:43:19,640
Speaker 1: with multiple takes or like you're just you're off camera

704
00:43:19,800 --> 00:43:22,520
Speaker 1: for your lines, like you're just you're getting this repetition

705
00:43:22,640 --> 00:43:27,719
Speaker 1: that's so real. Yeah, and that what was I going

706
00:43:27,800 --> 00:43:32,040
Speaker 1: to say that you? Oh? And learning how Yeah, like

707
00:43:32,160 --> 00:43:36,320
Speaker 1: how you read on camera. It's like I look and

708
00:43:36,640 --> 00:43:39,760
Speaker 1: sounds so different than what is going on in my head. Actually.

709
00:43:39,880 --> 00:43:42,719
Speaker 1: So it's like for some people they don't I don't

710
00:43:42,719 --> 00:43:45,600
Speaker 1: really like to watch myself too much, but sometimes I

711
00:43:45,760 --> 00:43:48,919
Speaker 1: really need to because I'm like, oh, that's an angry face.

712
00:43:49,320 --> 00:43:51,719
Speaker 1: I didn't think I was being Oh, I thought I

713
00:43:51,880 --> 00:43:55,400
Speaker 1: was being soulful. You know. It's like you kind of

714
00:43:55,719 --> 00:43:59,800
Speaker 1: need to adjust your awareness of yourself. Yes, and that

715
00:44:00,120 --> 00:44:03,800
Speaker 1: super hard, because I still don't know if I'm I

716
00:44:03,840 --> 00:44:06,840
Speaker 1: don't know. I think maybe all of us as artists

717
00:44:06,880 --> 00:44:10,279
Speaker 1: and actors, you'll just never feel like you're doing the

718
00:44:10,440 --> 00:44:12,960
Speaker 1: absolute best job, like oh you needn't you could, if

719
00:44:13,040 --> 00:44:15,960
Speaker 1: you could, or if you just could have another chance,

720
00:44:16,080 --> 00:44:18,759
Speaker 1: or you know, that feeling. And also I don't know

721
00:44:18,760 --> 00:44:21,279
Speaker 1: if that ever leaves, you know, I don't think it will.

722
00:44:21,400 --> 00:44:24,880
Speaker 1: And also also knowing that it's not ultimately not going

723
00:44:24,920 --> 00:44:26,640
Speaker 1: to be up to you, because they are going to

724
00:44:26,719 --> 00:44:29,480
Speaker 1: take several times what you did. I was just listening

725
00:44:29,520 --> 00:44:33,640
Speaker 1: to w TF with Marc maron Your Coach Star because

726
00:44:33,680 --> 00:44:37,680
Speaker 1: I've recently kind of not really not discovered, not rediscovered,

727
00:44:37,680 --> 00:44:40,040
Speaker 1: but I'm enjoying the podcast again because I've been watching

728
00:44:40,120 --> 00:44:43,400
Speaker 1: Glow and I like him very much. I really enjoyed WF.

729
00:44:44,000 --> 00:44:47,440
Speaker 1: But I listened to the and Halthaway episode and she

730
00:44:47,680 --> 00:44:50,040
Speaker 1: was talked. I really, I really enjoyed this episode and

731
00:44:50,080 --> 00:44:53,360
Speaker 1: I actually liked her a lot after it. Um but

732
00:44:53,520 --> 00:44:57,399
Speaker 1: she was discussing Brokeback Mountain and she was saying, how

733
00:44:58,200 --> 00:45:01,800
Speaker 1: Angley would say, now play this take like you know

734
00:45:02,000 --> 00:45:05,360
Speaker 1: your husband is gay, and she would lay it on

735
00:45:05,440 --> 00:45:08,080
Speaker 1: pretty thick sometimes and then not, and then he would say,

736
00:45:08,200 --> 00:45:10,680
Speaker 1: now play this take like you have absolutely no idea,

737
00:45:11,080 --> 00:45:13,319
Speaker 1: and she would do that. And then she said when

738
00:45:13,400 --> 00:45:18,279
Speaker 1: she watched the movie, she saw both like and it

739
00:45:18,440 --> 00:45:22,200
Speaker 1: was like a performance that was put together essentially by

740
00:45:22,200 --> 00:45:24,879
Speaker 1: the director and the editor. And that's just like part

741
00:45:24,920 --> 00:45:27,360
Speaker 1: of being an actor is it take that direction and

742
00:45:27,440 --> 00:45:28,919
Speaker 1: you do what you do when you try to see

743
00:45:28,960 --> 00:45:31,160
Speaker 1: it as best as you can and play the text

744
00:45:31,440 --> 00:45:36,719
Speaker 1: and remember it's not really about are there to be

745
00:45:36,960 --> 00:45:42,040
Speaker 1: manipulated in like the most professional way exploited for your resources,

746
00:45:42,080 --> 00:45:44,160
Speaker 1: which is like I want to I want to be

747
00:45:44,360 --> 00:45:47,320
Speaker 1: that way, like I want you to get the best nugget.

748
00:45:47,800 --> 00:45:52,000
Speaker 1: But it's so strange to like let go of your

749
00:45:52,080 --> 00:45:56,319
Speaker 1: idea of what it should be, especially because it's like, well,

750
00:45:57,239 --> 00:45:59,800
Speaker 1: I mean, I don't feel like I'm going to get that,

751
00:46:00,000 --> 00:46:01,960
Speaker 1: and you know, I just feel like, is there going

752
00:46:02,000 --> 00:46:04,520
Speaker 1: to be another chance? I want to make sure that

753
00:46:04,760 --> 00:46:09,480
Speaker 1: this is a good representation of of me. And and

754
00:46:09,640 --> 00:46:13,000
Speaker 1: then it's like of brown women of brown in the

755
00:46:13,160 --> 00:46:17,320
Speaker 1: American feel I know you can't, but it's like you

756
00:46:17,520 --> 00:46:19,680
Speaker 1: just maybe you can, but it's like for me, it's

757
00:46:19,680 --> 00:46:22,879
Speaker 1: like otherwise then it's it's completely out of control. Yeah,

758
00:46:23,120 --> 00:46:26,760
Speaker 1: but as in the it's awful, But in the that position,

759
00:46:26,800 --> 00:46:29,880
Speaker 1: I'm like it was that because they needed more brown people,

760
00:46:30,719 --> 00:46:32,320
Speaker 1: you know, so you feel like you have to be

761
00:46:33,000 --> 00:46:37,800
Speaker 1: a good representation of Sure, you're basically of yourself, like

762
00:46:37,960 --> 00:46:40,600
Speaker 1: he is true yourself as you can. But also then

763
00:46:40,640 --> 00:46:44,520
Speaker 1: it's like, I don't know, it gets it gets totally

764
00:46:44,640 --> 00:46:47,239
Speaker 1: too big sometimes yeah, And I'm sorry, I don't mean

765
00:46:47,280 --> 00:46:49,320
Speaker 1: to like speak for you and that and that I

766
00:46:49,480 --> 00:46:51,480
Speaker 1: thought in that sentiment, but just I you know, of course,

767
00:46:51,520 --> 00:46:53,960
Speaker 1: and we all feel the same, yes, or maybe you

768
00:46:54,000 --> 00:46:56,360
Speaker 1: weren't included in something for a particular reason. It's just

769
00:46:56,480 --> 00:46:58,680
Speaker 1: something that when you come from a minority perspective, I

770
00:46:58,680 --> 00:47:00,919
Speaker 1: think it's always going to be in your line. Whether

771
00:47:01,000 --> 00:47:03,080
Speaker 1: that's up fair for us or not, you know what

772
00:47:03,160 --> 00:47:05,800
Speaker 1: I mean, Like it's just isn't And like, so I

773
00:47:05,920 --> 00:47:09,080
Speaker 1: do want to talk about, of course Glow because that

774
00:47:09,200 --> 00:47:12,440
Speaker 1: actually what you just said when I was watching it,

775
00:47:13,120 --> 00:47:16,440
Speaker 1: you know, that show really of course it depicts a

776
00:47:16,480 --> 00:47:19,680
Speaker 1: certain time period, but it has certainly a take on

777
00:47:19,800 --> 00:47:24,360
Speaker 1: the way minorities are presented in the world of ladies wrestling.

778
00:47:24,960 --> 00:47:26,560
Speaker 1: Can you speak a little bit to that, Like what

779
00:47:26,800 --> 00:47:29,439
Speaker 1: is that like and like because it's really it's very

780
00:47:29,680 --> 00:47:32,439
Speaker 1: edgy and it's it's really it's really interesting to watch

781
00:47:32,520 --> 00:47:34,720
Speaker 1: and it has such a sense of humor about itself.

782
00:47:34,800 --> 00:47:37,440
Speaker 1: But especially today when everyone has an opinion about everything,

783
00:47:37,480 --> 00:47:39,399
Speaker 1: I'm watching and thinking what are people going to think

784
00:47:39,440 --> 00:47:42,239
Speaker 1: of this? It just charges into it, like I think, Yeah,

785
00:47:42,280 --> 00:47:45,759
Speaker 1: it was like that party scene where I think, yeah,

786
00:47:45,800 --> 00:47:48,480
Speaker 1: I think I'm specifically talking about when they filmed you

787
00:47:48,560 --> 00:47:50,560
Speaker 1: guys on the camera and they were asking you to

788
00:47:50,640 --> 00:47:54,960
Speaker 1: do like the ultimate stereotype and like, yeah, I mean

789
00:47:55,040 --> 00:47:58,360
Speaker 1: for me, that was like so intense. I was losing

790
00:47:58,440 --> 00:48:01,800
Speaker 1: my ship. Yeah. And there were a lot of conversations

791
00:48:01,880 --> 00:48:05,720
Speaker 1: with the writers who were um Liz and Carly Leslie

792
00:48:05,800 --> 00:48:10,520
Speaker 1: Have Carly Mench who were so receptive to our thoughts

793
00:48:10,760 --> 00:48:16,120
Speaker 1: like making sure everyone had a dimensional story, but that

794
00:48:16,320 --> 00:48:22,960
Speaker 1: it's like it's about these labels. It's about like just

795
00:48:23,120 --> 00:48:27,680
Speaker 1: setting that up first and then we'll you know, unpacked that. Yeah,

796
00:48:28,520 --> 00:48:31,799
Speaker 1: and that it's like it is that's the whole point

797
00:48:31,840 --> 00:48:34,879
Speaker 1: of it, Like how people are things are put upon

798
00:48:35,040 --> 00:48:38,160
Speaker 1: people and this is like the most extreme version of that.

799
00:48:38,800 --> 00:48:43,640
Speaker 1: But it was like I've never felt I was having

800
00:48:43,920 --> 00:48:46,799
Speaker 1: a really really hard time, I mean talking with them.

801
00:48:47,080 --> 00:48:51,080
Speaker 1: I wanted to bring more of like this meta thing,

802
00:48:51,560 --> 00:48:55,120
Speaker 1: this actual conflict into the ark, and we talked about

803
00:48:55,120 --> 00:48:57,359
Speaker 1: it and we had we did have it in there,

804
00:48:57,440 --> 00:49:00,239
Speaker 1: but it all actually got cut and it just sort

805
00:49:00,239 --> 00:49:02,640
Speaker 1: of I don't want to spoil it, but it's sort

806
00:49:02,680 --> 00:49:05,920
Speaker 1: of just is paired down to like that major moment

807
00:49:06,040 --> 00:49:11,120
Speaker 1: in the last episode. So I hope we can have

808
00:49:11,440 --> 00:49:16,360
Speaker 1: that conversation in further in like other seasons, But that

809
00:49:16,480 --> 00:49:20,520
Speaker 1: particular moment I never felt more out of my body

810
00:49:20,600 --> 00:49:24,240
Speaker 1: and like, oh my god, I'm this is minstrel scene.

811
00:49:24,400 --> 00:49:26,440
Speaker 1: Like I was just like this is I am? This

812
00:49:26,680 --> 00:49:33,759
Speaker 1: is crazy And the moment of like um taking the gun. Yeah,

813
00:49:33,920 --> 00:49:37,320
Speaker 1: Like we did different like different reactions for me to

814
00:49:37,520 --> 00:49:41,000
Speaker 1: like how okay are you with this? How aware of

815
00:49:41,160 --> 00:49:44,160
Speaker 1: this situation are you? Like it's a lot too to

816
00:49:45,120 --> 00:49:48,480
Speaker 1: do in like a small moment like a character's level

817
00:49:48,520 --> 00:49:51,360
Speaker 1: of intelligence and where they're like where their heart is

818
00:49:51,760 --> 00:49:54,120
Speaker 1: and then just like is this a funny moment or

819
00:49:54,239 --> 00:49:56,239
Speaker 1: is this not a funny moment? And a lot of

820
00:49:56,280 --> 00:49:59,520
Speaker 1: the takes, like in the party too, we would do

821
00:49:59,680 --> 00:50:02,480
Speaker 1: certain lines where it's like is this trum is this

822
00:50:02,640 --> 00:50:05,520
Speaker 1: like a comedic moment or a dramatic moment, and it's

823
00:50:05,560 --> 00:50:09,840
Speaker 1: kind of crazy that we did both take and no

824
00:50:10,239 --> 00:50:11,759
Speaker 1: it would just be like one or the other, but

825
00:50:11,920 --> 00:50:15,560
Speaker 1: just like not where the land totally. They just wanted

826
00:50:15,560 --> 00:50:18,719
Speaker 1: to get their coverage and like yeah, and ultimately, like

827
00:50:18,880 --> 00:50:22,960
Speaker 1: watching that episode, it's so much lighter than it felt,

828
00:50:23,080 --> 00:50:26,200
Speaker 1: and it's like it's funny and all the girls are

829
00:50:26,280 --> 00:50:29,680
Speaker 1: in that situation. It's like we really were each struggling

830
00:50:29,760 --> 00:50:34,400
Speaker 1: with like how to do this as an actor and

831
00:50:34,560 --> 00:50:38,560
Speaker 1: be like a dimensional person not perpetuating things but like

832
00:50:38,719 --> 00:50:42,719
Speaker 1: putting it out there so weakd debunk them and it

833
00:50:42,920 --> 00:50:47,000
Speaker 1: was it was a super supportive, fluid set. Like we

834
00:50:47,120 --> 00:50:52,080
Speaker 1: were talking all the time about like is this I mean,

835
00:50:52,280 --> 00:50:55,400
Speaker 1: we're working in like a mostly female environment, but like

836
00:50:55,680 --> 00:50:58,400
Speaker 1: also challenging, like well just because it's female, is it

837
00:50:58,560 --> 00:51:00,919
Speaker 1: just is it the same thing? Isn't like the same

838
00:51:01,000 --> 00:51:03,239
Speaker 1: power structure and the same sense of like I can't

839
00:51:03,280 --> 00:51:05,680
Speaker 1: speak my mind. It's like one less variable. It's like,

840
00:51:05,719 --> 00:51:07,320
Speaker 1: well if everybody is a woman, than that can't be

841
00:51:07,440 --> 00:51:11,799
Speaker 1: what the thing is? Something else? Yeah, Yeah, it was fascinating.

842
00:51:11,880 --> 00:51:15,360
Speaker 1: I'm really proud of everyone, Like it's so good. I

843
00:51:15,400 --> 00:51:18,120
Speaker 1: can't believe it comes off so much funnier even to

844
00:51:18,280 --> 00:51:22,240
Speaker 1: see it in a detached way, it's like, that's really funny.

845
00:51:22,400 --> 00:51:26,480
Speaker 1: Like Kia Stevens who plays tim A, and when we're

846
00:51:26,520 --> 00:51:30,040
Speaker 1: at the party scene and he's like and you bash,

847
00:51:30,200 --> 00:51:32,959
Speaker 1: Crystal says you you're and you're a big black girl,

848
00:51:33,040 --> 00:51:37,120
Speaker 1: and she's like, what the funk you say? It's so perfect.

849
00:51:37,200 --> 00:51:39,800
Speaker 1: It's so funny actually, or like it kind of lightens

850
00:51:40,400 --> 00:51:44,680
Speaker 1: the mood. But doing sorry, doing that scene over, we

851
00:51:44,760 --> 00:51:48,480
Speaker 1: were just like, is this funny? It feels bad. It

852
00:51:48,640 --> 00:51:52,319
Speaker 1: feels bad you're doing it. But I think I think

853
00:51:52,400 --> 00:51:57,319
Speaker 1: it succeeds as a scene just tackling this very charged thing,

854
00:51:57,360 --> 00:52:00,959
Speaker 1: but sort of seem like a relevant to the plot,

855
00:52:01,120 --> 00:52:03,800
Speaker 1: be like this is an inflection for all these girls,

856
00:52:04,239 --> 00:52:06,560
Speaker 1: like oh, like you have to sort of change your

857
00:52:06,719 --> 00:52:10,560
Speaker 1: presentation based on public the public's perception and see it's

858
00:52:10,640 --> 00:52:12,239
Speaker 1: it's light. I mean, I thought, I thought, I thought

859
00:52:12,280 --> 00:52:14,480
Speaker 1: it works. It's also a period piece, you know what

860
00:52:14,560 --> 00:52:17,880
Speaker 1: I mean, And those discussions weren't being had. I was

861
00:52:17,920 --> 00:52:23,240
Speaker 1: actually even surprised when um Welfare Queen gets that moment

862
00:52:23,360 --> 00:52:27,000
Speaker 1: where she says, you know this is offensive, because I don't.

863
00:52:27,520 --> 00:52:31,719
Speaker 1: And you know, maybe that is like um, giving even

864
00:52:31,800 --> 00:52:34,640
Speaker 1: that character a little bit too much credit because you know,

865
00:52:36,200 --> 00:52:38,440
Speaker 1: that wasn't a thing that people said, you know what

866
00:52:38,560 --> 00:52:41,560
Speaker 1: I mean, I'm still glad. It's so glad it happened,

867
00:52:41,600 --> 00:52:43,560
Speaker 1: and I was like, but and it's just like it

868
00:52:43,640 --> 00:52:45,000
Speaker 1: makes you think even more. It's like, well, you know,

869
00:52:45,080 --> 00:52:48,120
Speaker 1: not every character has this opportunity to call this out.

870
00:52:48,239 --> 00:52:50,719
Speaker 1: And that's like the crazy thing about it being a

871
00:52:50,840 --> 00:52:55,360
Speaker 1: period piece is that it is so closely parallel to

872
00:52:55,520 --> 00:52:59,920
Speaker 1: what is going on right right now wrestling even more

873
00:53:00,120 --> 00:53:05,840
Speaker 1: or so with our dumass president. But the the moments

874
00:53:05,880 --> 00:53:08,480
Speaker 1: where we have to spell it out and that party

875
00:53:08,520 --> 00:53:12,640
Speaker 1: scene and in with like that scene with them tam

876
00:53:12,680 --> 00:53:17,600
Speaker 1: A and Mark where it's like, yes, this is the

877
00:53:17,640 --> 00:53:21,080
Speaker 1: way the world sees you and that's why I'm saying this.

878
00:53:21,320 --> 00:53:23,759
Speaker 1: And then it's like, oh, are you talking about stereotypes?

879
00:53:23,800 --> 00:53:27,280
Speaker 1: Like it seems really silly to have to do that almost,

880
00:53:27,960 --> 00:53:31,120
Speaker 1: but it's like we're we have not moved, Like we

881
00:53:31,280 --> 00:53:36,279
Speaker 1: haven't moved as much as we thought we have. It's

882
00:53:36,400 --> 00:53:39,919
Speaker 1: it's like it's a very very powerful show in that way,

883
00:53:40,080 --> 00:53:43,920
Speaker 1: and it's entertaining, which is I'm really enjoying smart. I'm

884
00:53:44,040 --> 00:53:46,520
Speaker 1: I'm I'm on episode nine, so i still have some

885
00:53:46,719 --> 00:53:49,719
Speaker 1: some ways to go, and I'm really enjoying it. It's

886
00:53:49,840 --> 00:53:52,800
Speaker 1: so much different than I thought it would be, you

887
00:53:52,840 --> 00:53:55,880
Speaker 1: know what I mean. I really thought I thought watching

888
00:53:55,960 --> 00:53:57,680
Speaker 1: it from the outside, I was like, Oh, they're gonna

889
00:53:57,760 --> 00:53:59,319
Speaker 1: jump right in, this is going to be a show

890
00:53:59,680 --> 00:54:02,880
Speaker 1: that is glow, you know. But it's it's so much

891
00:54:02,920 --> 00:54:05,120
Speaker 1: about the process of getting there, and I'm really enjoying,

892
00:54:05,200 --> 00:54:08,719
Speaker 1: Like it's really it's it's the show. It reminds me

893
00:54:08,760 --> 00:54:11,239
Speaker 1: a little bit of you know, shows like Madmen, where

894
00:54:11,239 --> 00:54:13,239
Speaker 1: you're really sitting with the characters, so now when you're

895
00:54:13,239 --> 00:54:14,719
Speaker 1: getting towards the end of the season, you really know

896
00:54:14,840 --> 00:54:16,759
Speaker 1: them so well. I think it's really well done in

897
00:54:16,840 --> 00:54:21,520
Speaker 1: that way. So and oh my god, these actresses are incredible.

898
00:54:21,920 --> 00:54:25,920
Speaker 1: I'm such a fan of Alison Brie forever. I mean,

899
00:54:26,040 --> 00:54:30,719
Speaker 1: I love her and so talented. But I will say this,

900
00:54:31,680 --> 00:54:40,719
Speaker 1: fucking Betty Gilt. Let me tell you she's she's something else.

901
00:54:40,960 --> 00:54:46,480
Speaker 1: She's incredible, She's raging, she is so fierce. Yeah, she

902
00:54:46,640 --> 00:54:50,640
Speaker 1: can do anything, she can do everything. Like the littlest

903
00:54:51,239 --> 00:54:53,919
Speaker 1: thing that she does is like opens up this whole

904
00:54:54,000 --> 00:54:58,080
Speaker 1: world of a person. Yeah, And um, I can't believe that.

905
00:54:58,440 --> 00:55:02,080
Speaker 1: I'm like constantly off the fact that she can continually

906
00:55:02,520 --> 00:55:05,840
Speaker 1: do that and try something new or try like just

907
00:55:06,040 --> 00:55:08,680
Speaker 1: volume change, you know, all these things that you know,

908
00:55:08,920 --> 00:55:11,520
Speaker 1: I think it's exactly. It was the scene in the

909
00:55:11,680 --> 00:55:15,560
Speaker 1: pilot where at the end, at the end, now watching it,

910
00:55:16,280 --> 00:55:18,640
Speaker 1: you could think to yourself, like, this is a little

911
00:55:18,640 --> 00:55:20,680
Speaker 1: bit of a jump, like this character is gonna come

912
00:55:20,719 --> 00:55:23,680
Speaker 1: into this gym start a public fight with her friend.

913
00:55:24,040 --> 00:55:26,640
Speaker 1: They're all going to air this out. It's tough. It's

914
00:55:26,640 --> 00:55:28,520
Speaker 1: a tough scene to execute, you know what I mean,

915
00:55:28,560 --> 00:55:31,320
Speaker 1: it's very it's a very pilot e scene and that

916
00:55:31,480 --> 00:55:35,200
Speaker 1: we have to start the action. And but you buy

917
00:55:35,280 --> 00:55:39,640
Speaker 1: it because she's so stunning and Alison Breeze reception of

918
00:55:39,719 --> 00:55:42,719
Speaker 1: her behavior was so fantastic. And I did listen to

919
00:55:42,800 --> 00:55:45,719
Speaker 1: their Mark Marin interview and I heard that that was

920
00:55:45,760 --> 00:55:50,680
Speaker 1: their audition scene. Yeah, and that they actually were uh

921
00:55:50,840 --> 00:55:53,720
Speaker 1: screen tested together for a chemistry test on that scene.

922
00:55:54,320 --> 00:55:57,239
Speaker 1: Like they flew them both up to Canada apparently, and

923
00:55:57,320 --> 00:55:59,920
Speaker 1: the casting director wasn't even their Jen Houston wasn't even there.

924
00:56:00,040 --> 00:56:01,960
Speaker 1: She like hired somebody to watch them and put them

925
00:56:02,000 --> 00:56:04,600
Speaker 1: on tape, but that they did that scene and they

926
00:56:04,680 --> 00:56:06,880
Speaker 1: have this connection to that scene, and that really reads.

927
00:56:06,960 --> 00:56:09,840
Speaker 1: I think that scene is so huge. And then the

928
00:56:10,040 --> 00:56:12,600
Speaker 1: cut to like I guess the future or the dream

929
00:56:12,680 --> 00:56:16,560
Speaker 1: sequence where they're so amazing. I just thought that was

930
00:56:16,640 --> 00:56:19,759
Speaker 1: such a tough scene to pull off and and they

931
00:56:19,920 --> 00:56:22,680
Speaker 1: really did. And I was like, this is a special thing,

932
00:56:23,120 --> 00:56:26,640
Speaker 1: and this actress is fantastic. I say, I'm talking about

933
00:56:26,640 --> 00:56:28,560
Speaker 1: her so much because I know Alice, I know Alison

934
00:56:28,600 --> 00:56:30,800
Speaker 1: Brad's work, and I know how amazing she is. She's

935
00:56:30,880 --> 00:56:35,440
Speaker 1: just kicking ass to me watching her do that scene

936
00:56:35,640 --> 00:56:38,800
Speaker 1: over and over coming in with a baby and like

937
00:56:39,320 --> 00:56:46,520
Speaker 1: streaming tears, good fierceness and like changing like she goes

938
00:56:46,560 --> 00:56:49,120
Speaker 1: through so many levels and like to buy that she

939
00:56:49,239 --> 00:56:52,799
Speaker 1: actually wants to kick her ass. Is You're right? It's

940
00:56:52,840 --> 00:56:57,040
Speaker 1: like so hard to pull off, and it was thrilling.

941
00:56:57,120 --> 00:57:00,120
Speaker 1: We were all like truly riveted. It was riveted you

942
00:57:00,160 --> 00:57:02,520
Speaker 1: watched that. But I watched that back like three or

943
00:57:02,560 --> 00:57:04,480
Speaker 1: four times just I was like, you know what, let

944
00:57:04,520 --> 00:57:06,719
Speaker 1: me go back to the first episode, fast forward to

945
00:57:06,760 --> 00:57:08,960
Speaker 1: the end, because it really is incredible. Oh you know what,

946
00:57:09,000 --> 00:57:11,520
Speaker 1: I'll say, we watch of hers is um when she's

947
00:57:11,560 --> 00:57:14,640
Speaker 1: explaining to the guy like what Liberty Bell, Like what

948
00:57:14,760 --> 00:57:18,080
Speaker 1: Liberty Bell is? And she's like, yes, it's such amazing.

949
00:57:18,800 --> 00:57:21,560
Speaker 1: She's so funny. Physical stuff is amazing. What a great

950
00:57:21,600 --> 00:57:24,040
Speaker 1: physical actress. And she wrote to me she wrote something

951
00:57:24,080 --> 00:57:28,120
Speaker 1: for Cosmo, I want to say the magazine about her

952
00:57:28,120 --> 00:57:30,960
Speaker 1: body image, you know, journey and it's got so funny,

953
00:57:31,080 --> 00:57:34,200
Speaker 1: so endearing and charming and just really real. And she

954
00:57:34,360 --> 00:57:37,240
Speaker 1: really opened up into God, like what a star. Anyway,

955
00:57:37,640 --> 00:57:40,720
Speaker 1: you guys are all so good. Honored to work alongside them.

956
00:57:40,840 --> 00:57:43,080
Speaker 1: I cannot believe him all in the show. Oh my god,

957
00:57:43,360 --> 00:57:45,680
Speaker 1: you know what, It's so amazing to see you on it.

958
00:57:45,840 --> 00:57:48,439
Speaker 1: It's it's so fun Like I really and I can't

959
00:57:48,480 --> 00:57:51,520
Speaker 1: wait for you know, more seasons because I can't wait

960
00:57:51,560 --> 00:57:53,760
Speaker 1: to get to know your character better. Yeah, me too.

961
00:57:54,320 --> 00:57:56,880
Speaker 1: I can't wait to see where it goes, and hopefully

962
00:57:56,920 --> 00:57:59,520
Speaker 1: there will be like I don't know, we can deal

963
00:57:59,600 --> 00:58:02,680
Speaker 1: with them at a reality of it, You're gonna get there.

964
00:58:02,760 --> 00:58:04,960
Speaker 1: And it's just and you were talking about in these

965
00:58:04,960 --> 00:58:08,160
Speaker 1: conversations with the writers, and it's just you know, as

966
00:58:08,240 --> 00:58:11,120
Speaker 1: as challenging as that inherently as you know, it's such

967
00:58:11,120 --> 00:58:13,720
Speaker 1: a great opportunity that you're even having those conversations and like,

968
00:58:13,840 --> 00:58:16,240
Speaker 1: that's that's the dream. It's like we're able to build

969
00:58:16,240 --> 00:58:19,160
Speaker 1: this together. And um, it's so exciting and no, I

970
00:58:19,280 --> 00:58:22,720
Speaker 1: mean what I say, it's like you are just really, really,

971
00:58:22,880 --> 00:58:26,000
Speaker 1: really fucking great to want to need to really and

972
00:58:26,080 --> 00:58:29,840
Speaker 1: I am so I really thank you. It's great. I mean,

973
00:58:30,120 --> 00:58:33,960
Speaker 1: you are you're you are your your spectacular. I fucking

974
00:58:34,280 --> 00:58:37,440
Speaker 1: I just well, you know what scene I love when

975
00:58:37,480 --> 00:58:41,960
Speaker 1: the hot pizza boy comes over pizza boys. I wanted

976
00:58:42,000 --> 00:58:44,560
Speaker 1: to I wanted to offer to see more, if you

977
00:58:44,640 --> 00:58:50,320
Speaker 1: know what I mean, I want to see sexual with him.

978
00:58:51,880 --> 00:58:56,640
Speaker 1: I want to see it. Oh my god. Season two, Yes,

979
00:58:57,400 --> 00:59:00,640
Speaker 1: pizza Dick and your whole and the way you were

980
00:59:00,680 --> 00:59:03,280
Speaker 1: acting and that's in those scenes were which is great.

981
00:59:03,640 --> 00:59:06,320
Speaker 1: I got my I roll. But it was such a

982
00:59:06,320 --> 00:59:09,760
Speaker 1: good comedic value. What was the line? It was like

983
00:59:10,280 --> 00:59:12,080
Speaker 1: it's like it's like, well there's there's his number, and

984
00:59:12,160 --> 00:59:19,680
Speaker 1: she's like that. Yeah. Yeah, I loved it. Truly felt

985
00:59:19,760 --> 00:59:23,200
Speaker 1: like we conjured the women of the eighties though too. Yes,

986
00:59:23,400 --> 00:59:25,840
Speaker 1: I mean we've we have moved on to lighter moments,

987
00:59:25,960 --> 00:59:30,120
Speaker 1: but with those testimonials, like with those personality things where

988
00:59:30,120 --> 00:59:36,440
Speaker 1: you're in the situation that a woman was in to

989
00:59:37,080 --> 00:59:42,960
Speaker 1: be this like crazy exaggerated stereotype to make like commentary

990
00:59:43,000 --> 00:59:45,720
Speaker 1: on it, but you still have to do it. It's

991
00:59:45,840 --> 00:59:49,760
Speaker 1: like it was. It truly was like Mother's of Night

992
00:59:49,960 --> 00:59:52,960
Speaker 1: five and then and then before that and before that

993
00:59:53,080 --> 00:59:57,880
Speaker 1: and before that. It's like a really expansive show. Yeah,

994
00:59:58,320 --> 01:00:00,880
Speaker 1: it's I mean with all the women, the fourteen women,

995
01:00:00,920 --> 01:00:04,160
Speaker 1: like there's just so much to pull from. Yeah, yeah,

996
01:00:04,720 --> 01:00:07,840
Speaker 1: and we're yeah, but it's really fun to just also

997
01:00:08,200 --> 01:00:13,640
Speaker 1: be the in the eighties trope. Yeah, the ham meanness

998
01:00:13,760 --> 01:00:16,080
Speaker 1: of it for me anyway, Like I love I love it.

999
01:00:16,600 --> 01:00:19,600
Speaker 1: You gotta love an eighties custom. But the music to

1000
01:00:19,720 --> 01:00:22,960
Speaker 1: the music is just like, yes, this is the perfect

1001
01:00:23,160 --> 01:00:24,920
Speaker 1: thing for this moment. What I love about it it

1002
01:00:25,040 --> 01:00:29,640
Speaker 1: seems like it seems like it's always, um, the sun

1003
01:00:29,760 --> 01:00:32,200
Speaker 1: is always setting in the show. Sure, I feel like

1004
01:00:32,320 --> 01:00:37,800
Speaker 1: that's like the aesthetic is so like it's always I

1005
01:00:37,880 --> 01:00:39,880
Speaker 1: feel like that that's happening a lot. Like there's like

1006
01:00:40,080 --> 01:00:43,360
Speaker 1: it's like it's very cool, like neon lights setting. I'm

1007
01:00:43,600 --> 01:00:47,600
Speaker 1: I really love the aesthetic because like you've been through

1008
01:00:47,680 --> 01:00:51,200
Speaker 1: the day. Yeah, because it's all like the exterior stuff

1009
01:00:51,280 --> 01:00:54,120
Speaker 1: is always like parking lot, parking lot things where it's

1010
01:00:54,120 --> 01:00:58,120
Speaker 1: like the parking lot realness, girl, there is a lot

1011
01:00:58,200 --> 01:01:00,560
Speaker 1: of parking lots in the show. You know, Matt's wagging

1012
01:01:00,640 --> 01:01:03,920
Speaker 1: his finger like he's really I really discovered the critique.

1013
01:01:06,120 --> 01:01:09,520
Speaker 1: I want more parking lots. Put up a parking lot there.

1014
01:01:09,600 --> 01:01:12,480
Speaker 1: There there is some meaning to that setting where it's

1015
01:01:12,520 --> 01:01:17,080
Speaker 1: like it's somewhere where people it's a repository for people's cars.

1016
01:01:17,280 --> 01:01:19,720
Speaker 1: You know what, we can get real art. We're gonna

1017
01:01:19,720 --> 01:01:21,840
Speaker 1: get real film school about this. Yeah, what does the

1018
01:01:22,000 --> 01:01:24,920
Speaker 1: parking lots mean? And glow mean? And glow what does

1019
01:01:24,960 --> 01:01:29,920
Speaker 1: it mean? Space? It ultimately tells a queer narrative. I think,

1020
01:01:30,360 --> 01:01:33,200
Speaker 1: you know, and I and definitely yea. I will write

1021
01:01:33,200 --> 01:01:35,280
Speaker 1: a treatise on this later, but before we get to

1022
01:01:35,320 --> 01:01:37,200
Speaker 1: I don't think so, honey, we have not forgotten about

1023
01:01:37,200 --> 01:01:40,840
Speaker 1: these users submitted rules of culture. Let's let's just let's

1024
01:01:40,880 --> 01:01:43,800
Speaker 1: just read out the one that we love right now.

1025
01:01:43,880 --> 01:01:48,520
Speaker 1: I'm that now our users are sorry, are you know?

1026
01:01:48,600 --> 01:01:51,880
Speaker 1: Listeners are submitting rules of culture and we're we're we're

1027
01:01:52,320 --> 01:01:56,520
Speaker 1: inviting some into the campus. So this is today's rule

1028
01:01:56,720 --> 01:01:58,880
Speaker 1: from Janey Store, who is a host of the new

1029
01:01:58,960 --> 01:02:03,600
Speaker 1: Forever Dog podcast Relatively Healthy sister Dr Ellen Stoler. This

1030
01:02:03,760 --> 01:02:07,040
Speaker 1: is really cool. Yeah, it's a doctor and a comedian

1031
01:02:08,040 --> 01:02:10,120
Speaker 1: fielding issues. There are two different takes on issues and

1032
01:02:10,160 --> 01:02:13,080
Speaker 1: their sisters. So many hooks, so many hooks, and there's

1033
01:02:13,080 --> 01:02:19,800
Speaker 1: a hotline you can call um X. I believe um right, okay,

1034
01:02:19,960 --> 01:02:22,880
Speaker 1: HPJ hot producer Joe my correct me. Check it out

1035
01:02:22,960 --> 01:02:25,200
Speaker 1: forever dot forever dot. But look it up. Okay, So

1036
01:02:25,320 --> 01:02:28,439
Speaker 1: this is rule it up. It's not fun responsibility Jesus Christ,

1037
01:02:28,640 --> 01:02:32,040
Speaker 1: do we already set enup? Alright, Janey relaxed From Jennie

1038
01:02:32,080 --> 01:02:34,920
Speaker 1: Stole our rule number two. Multiple people's heads peeking in

1039
01:02:35,120 --> 01:02:37,880
Speaker 1: from a door frame must be arranged from oldest bottom

1040
01:02:37,960 --> 01:02:42,600
Speaker 1: to youngest top, which is a great rule. I love it.

1041
01:02:42,760 --> 01:02:45,360
Speaker 1: I think it's hard to get the younger ones on top, though,

1042
01:02:45,360 --> 01:02:49,000
Speaker 1: because they're actually not the tallest one. Right, challenge, right,

1043
01:02:49,240 --> 01:02:52,480
Speaker 1: that's really hard, Janney, But you know, for culture's sake,

1044
01:02:52,560 --> 01:02:54,200
Speaker 1: we're going to try to do it. Yeah, well we'll

1045
01:02:54,240 --> 01:02:56,200
Speaker 1: we'll do it from now on. That's the role youngest,

1046
01:02:56,680 --> 01:02:59,840
Speaker 1: youngest at the top, oldest at the bottom. Maybe if

1047
01:03:00,200 --> 01:03:02,680
Speaker 1: it's like baby beyord. You have to like put the

1048
01:03:02,800 --> 01:03:04,960
Speaker 1: kid on your back in like a sack. There you

1049
01:03:05,040 --> 01:03:08,160
Speaker 1: go to help it out. If the nurture maybe they're

1050
01:03:09,400 --> 01:03:11,680
Speaker 1: they're on each other's backs, right, So what you don't

1051
01:03:11,680 --> 01:03:13,080
Speaker 1: say is the fact that they're on each other's back

1052
01:03:13,200 --> 01:03:16,120
Speaker 1: like a pyramid. And because the youngest one is probably

1053
01:03:16,200 --> 01:03:17,680
Speaker 1: the lightest. But of course we don't want to make

1054
01:03:17,720 --> 01:03:20,640
Speaker 1: any assumptions about the weight of the child that one

1055
01:03:22,720 --> 01:03:26,440
Speaker 1: or they don't know. She could very well just be ahead,

1056
01:03:26,480 --> 01:03:28,800
Speaker 1: and you know what, that's fine if you identify as

1057
01:03:28,880 --> 01:03:32,800
Speaker 1: just ahead, go forth, go forth. Let's move on to

1058
01:03:32,880 --> 01:03:36,440
Speaker 1: I don't Think so honey. Yes, now, um, listeners may

1059
01:03:36,480 --> 01:03:38,720
Speaker 1: be familiar with this segment. I don't think so honey.

1060
01:03:38,960 --> 01:03:42,680
Speaker 1: It is our one minute to come for culture that

1061
01:03:42,800 --> 01:03:45,280
Speaker 1: we are not feeling right now. And of course I

1062
01:03:45,320 --> 01:03:49,200
Speaker 1: don't think so honey. Live on August eleven, featuring City,

1063
01:03:49,280 --> 01:03:53,440
Speaker 1: the Money, So and forty nine other comics. This will

1064
01:03:53,440 --> 01:03:56,720
Speaker 1: be your second one. You'll be the only person on

1065
01:03:56,880 --> 01:04:01,840
Speaker 1: stage with that history. Yes, well, yeah, okay, from Raffle

1066
01:04:01,920 --> 01:04:07,800
Speaker 1: Winner to Lifegiver. There you go, Winter to Lifegiver. Um,

1067
01:04:09,240 --> 01:04:12,000
Speaker 1: this is going to bring some people in, Yeah, I think, Oh,

1068
01:04:12,080 --> 01:04:15,480
Speaker 1: for sure, I do. Okay, this is Matt Rogers. No,

1069
01:04:15,720 --> 01:04:18,040
Speaker 1: I don't. I can't believe that I have to even

1070
01:04:18,080 --> 01:04:20,040
Speaker 1: say this. It's one of those I don't think, so, honey,

1071
01:04:21,000 --> 01:04:22,640
Speaker 1: you know what, We're gonna have to do it. But

1072
01:04:22,760 --> 01:04:26,280
Speaker 1: I think through your saying it, it will have been

1073
01:04:26,440 --> 01:04:31,080
Speaker 1: even more underlined. And Matt Rodgers is I don't think so, honey.

1074
01:04:31,160 --> 01:04:33,840
Speaker 1: Time starts now. I don't think so, honey. People who

1075
01:04:33,920 --> 01:04:36,560
Speaker 1: don't flush the toilet because they peed and it's just

1076
01:04:36,800 --> 01:04:41,160
Speaker 1: p and they're trying to quote save water. No, bitch,

1077
01:04:41,800 --> 01:04:44,439
Speaker 1: let me tell you something. I don't care if al

1078
01:04:44,520 --> 01:04:47,479
Speaker 1: Gore himself came to me and said you could save

1079
01:04:47,560 --> 01:04:50,400
Speaker 1: the planet by flushing, but by by keeping your p

1080
01:04:50,560 --> 01:04:56,160
Speaker 1: in this toilet. No, it is not acceptable to do this.

1081
01:04:56,480 --> 01:05:00,320
Speaker 1: It is p it is unseemly, it's smell. Else, it

1082
01:05:00,440 --> 01:05:03,640
Speaker 1: does stay in the bowl you have. You haven't got

1083
01:05:03,720 --> 01:05:06,960
Speaker 1: to be kidding me. It is not respectful for you

1084
01:05:07,080 --> 01:05:09,480
Speaker 1: to walk out of the bathroom. I go in and

1085
01:05:09,600 --> 01:05:12,400
Speaker 1: there's pissing the bowl. I will next time I see

1086
01:05:12,480 --> 01:05:15,640
Speaker 1: this go to you would say, I don't think so, honey,

1087
01:05:15,720 --> 01:05:18,200
Speaker 1: get back here and flushing. I will publicly shame you.

1088
01:05:18,320 --> 01:05:22,680
Speaker 1: I will shout it to high Heaven and I will

1089
01:05:22,760 --> 01:05:26,680
Speaker 1: come for you. Do not. This is unacceptable. If you're pooping,

1090
01:05:26,840 --> 01:05:30,760
Speaker 1: you're flushing. If you're peeing, you're flushing. You're flushing. Period.

1091
01:05:30,960 --> 01:05:35,640
Speaker 1: If you see anything in the bowl, flush, oh wow,

1092
01:05:36,160 --> 01:05:40,480
Speaker 1: clean after yourself. I'm done. I work in an establishment.

1093
01:05:40,520 --> 01:05:42,600
Speaker 1: I'm not going to say which one. I have several jobs,

1094
01:05:42,680 --> 01:05:46,200
Speaker 1: but there's one where the clientele I don't know what

1095
01:05:46,400 --> 01:05:52,840
Speaker 1: it is about this place. They don't flush, and it's crazy.

1096
01:05:53,560 --> 01:05:58,880
Speaker 1: I care about the environment. It sounds like that. One's tough. No,

1097
01:06:00,360 --> 01:06:03,400
Speaker 1: you don't do you do this, you keep the pea

1098
01:06:03,440 --> 01:06:06,480
Speaker 1: in the bowl. It depends on what time of day

1099
01:06:06,840 --> 01:06:10,040
Speaker 1: and the pungent sea, and it depends on the culture,

1100
01:06:10,040 --> 01:06:11,720
Speaker 1: because I think I think they do this a lot

1101
01:06:11,800 --> 01:06:14,440
Speaker 1: in China and in Europe, where there's I don't believe

1102
01:06:14,520 --> 01:06:17,560
Speaker 1: a lot of population strain on resources. So, Matt, you

1103
01:06:17,640 --> 01:06:19,640
Speaker 1: really have to think about that. Then I refuse to

1104
01:06:19,720 --> 01:06:22,600
Speaker 1: think about culture here, alright. I will not be culturally

1105
01:06:22,680 --> 01:06:25,080
Speaker 1: so to this. No, you have to flush your pea

1106
01:06:26,120 --> 01:06:29,040
Speaker 1: unless you are so well hydrated that you can make

1107
01:06:29,080 --> 01:06:32,360
Speaker 1: it a secret. Okay, But if your pa is bright yellow,

1108
01:06:32,400 --> 01:06:34,280
Speaker 1: a you need to drink more water and be you

1109
01:06:34,360 --> 01:06:39,600
Speaker 1: better be flushing if you have. I'm a real pee yellow.

1110
01:06:39,960 --> 01:06:45,000
Speaker 1: It goes down, it goes down, it goes down the door.

1111
01:06:45,320 --> 01:06:49,960
Speaker 1: They okay, um, oh gosh, this is gonna be one

1112
01:06:49,960 --> 01:06:54,360
Speaker 1: of those really um last minute ones. Okay, on brand

1113
01:06:54,440 --> 01:06:57,080
Speaker 1: from Bowen, but those have such a hit or miss

1114
01:06:57,160 --> 01:07:00,720
Speaker 1: success rate. But let's go. This is bonyang. Wait, hold on,

1115
01:07:01,000 --> 01:07:02,920
Speaker 1: last minute. I don't think so, honey. And here he

1116
01:07:03,080 --> 01:07:06,760
Speaker 1: is already grabbing his temple, honey, trying to himself. Up

1117
01:07:06,760 --> 01:07:08,280
Speaker 1: here we go, bo. I don't think so many time

1118
01:07:08,320 --> 01:07:10,320
Speaker 1: starts now, I don't think so, honey, people who go

1119
01:07:10,400 --> 01:07:12,880
Speaker 1: to Shian famous foods and don't know their order right

1120
01:07:12,960 --> 01:07:16,000
Speaker 1: at the top. I go in there with a mission.

1121
01:07:16,160 --> 01:07:18,800
Speaker 1: I know what I want. I want the stewed pork noodles,

1122
01:07:19,000 --> 01:07:23,120
Speaker 1: and I want the ground pork burger, and I want

1123
01:07:23,160 --> 01:07:26,560
Speaker 1: a fucking chrysanthemum jasmine iced tea. Bitch. I don't think

1124
01:07:26,600 --> 01:07:29,960
Speaker 1: so many people. You fucking you think you're so cultured

1125
01:07:30,040 --> 01:07:34,840
Speaker 1: going to some Southern Chinese casual fast food establishment and

1126
01:07:35,040 --> 01:07:40,240
Speaker 1: taking your sweet goddamn time. It's fast casual, honey, look

1127
01:07:40,280 --> 01:07:42,200
Speaker 1: at the board, take your time, but step out of

1128
01:07:42,240 --> 01:07:43,800
Speaker 1: my way while I go up to the register that

1129
01:07:43,880 --> 01:07:46,520
Speaker 1: I know by name. Hi, they're Dong. I love you

1130
01:07:46,600 --> 01:07:48,400
Speaker 1: so much. He knows my order every time I go.

1131
01:07:48,640 --> 01:07:50,400
Speaker 1: It's the one in Chinatown. They just got a new mural.

1132
01:07:50,520 --> 01:07:54,240
Speaker 1: It's gorgeous. Go. I don't think so, honey, you customers,

1133
01:07:54,440 --> 01:07:57,720
Speaker 1: so look online, get your bearings, find your footing with

1134
01:07:57,840 --> 01:08:00,520
Speaker 1: the orders, bitch, and know what you're going to say

1135
01:08:00,800 --> 01:08:03,200
Speaker 1: at the cashier, and don't hold up the space for

1136
01:08:03,320 --> 01:08:06,600
Speaker 1: me five seconds. I don't think so, honey. You Chinese

1137
01:08:06,600 --> 01:08:11,360
Speaker 1: sweet isn't for everyone. Maybe it's just for us. What ship?

1138
01:08:12,320 --> 01:08:19,400
Speaker 1: That was stunning, girl, I you know what, We're starting

1139
01:08:19,439 --> 01:08:22,719
Speaker 1: a lot of controversies in this in this episode. My gosh,

1140
01:08:22,800 --> 01:08:25,720
Speaker 1: I love them. That was that was very good. And

1141
01:08:26,000 --> 01:08:32,479
Speaker 1: can I say, Chris Jasmine I think coming to the stage,

1142
01:08:32,760 --> 01:08:38,160
Speaker 1: Chris Tathom Jasmine Flowers, bitch, two different flowers. I think

1143
01:08:38,160 --> 01:08:41,320
Speaker 1: you said, Jennifer Flowers. Flowers. Of course we remember her

1144
01:08:41,479 --> 01:08:44,360
Speaker 1: a huge part of part of culture. Jennifer Flowers. It's

1145
01:08:44,400 --> 01:08:46,920
Speaker 1: times you need to now I do want to, of course,

1146
01:08:47,080 --> 01:08:50,840
Speaker 1: of course you do what do you truly? And I

1147
01:08:50,920 --> 01:08:53,760
Speaker 1: just will be your second of three think back on

1148
01:08:53,960 --> 01:08:55,680
Speaker 1: when you were called on to the stage at the

1149
01:08:55,720 --> 01:08:57,320
Speaker 1: last time. I don't think so, honey, live and it

1150
01:08:57,439 --> 01:08:59,559
Speaker 1: just came to you, just had it. This is kind

1151
01:08:59,600 --> 01:09:03,360
Speaker 1: of I guess so kind of happened recently. It's only

1152
01:09:03,520 --> 01:09:06,920
Speaker 1: just the moment. Please. The way that you are doing

1153
01:09:06,960 --> 01:09:08,800
Speaker 1: this with your hand makes me feel like it's going

1154
01:09:08,840 --> 01:09:11,880
Speaker 1: to be quite good because already come with the who

1155
01:09:12,680 --> 01:09:17,679
Speaker 1: it's coming through. Here we go. I don't think so, honey,

1156
01:09:18,439 --> 01:09:23,240
Speaker 1: time starts now. I don't think so, honey. Man in

1157
01:09:23,800 --> 01:09:28,280
Speaker 1: a kango hat hailing me on my bike as a taxi,

1158
01:09:30,720 --> 01:09:37,080
Speaker 1: who do you think? I am? Oh? You want my attention, obviously,

1159
01:09:38,040 --> 01:09:41,360
Speaker 1: but what reality are you living in? Where you can

1160
01:09:41,720 --> 01:09:45,120
Speaker 1: get I'm going to stop and you're going to ride

1161
01:09:45,280 --> 01:09:47,880
Speaker 1: on the back of my bike so I can take

1162
01:09:47,920 --> 01:09:53,000
Speaker 1: you where. You must remember when a woman is on

1163
01:09:53,200 --> 01:09:58,679
Speaker 1: her bike, think of it. She is her glitterance, it's

1164
01:09:58,920 --> 01:10:03,360
Speaker 1: pressed into this seat. Stimulate. She is on a mission.

1165
01:10:03,880 --> 01:10:08,639
Speaker 1: She doesn't have time, she is on top. Bitch. Man

1166
01:10:08,760 --> 01:10:13,880
Speaker 1: in kangle hat, call an at call a cab, caught

1167
01:10:13,960 --> 01:10:21,519
Speaker 1: lift whatever, bitch. I don't think so, Honey's wow, that's shocking.

1168
01:10:22,560 --> 01:10:34,519
Speaker 1: What happened? What just happened. It was so good. Let's men,

1169
01:10:34,920 --> 01:10:38,240
Speaker 1: no more kangle hat, no man, no more men. Honestly,

1170
01:10:38,520 --> 01:10:42,200
Speaker 1: no more men. I've done out, replace all the men

1171
01:10:42,360 --> 01:10:46,840
Speaker 1: with bikes. Yeah, you can't even spill water. My place

1172
01:10:46,920 --> 01:10:50,519
Speaker 1: is soaking wet. I'm so I can't believe that happened,

1173
01:10:50,760 --> 01:10:54,599
Speaker 1: so honestly dangerous. It's so distracting where I'm like, huh

1174
01:10:54,760 --> 01:10:58,759
Speaker 1: what And then who knows car hit me? Could? Honestly

1175
01:10:58,800 --> 01:11:01,240
Speaker 1: and what is he like making sound? Yes, he's like

1176
01:11:01,439 --> 01:11:05,360
Speaker 1: making a scene. Oh my god. This nation is corrupt.

1177
01:11:05,520 --> 01:11:07,080
Speaker 1: Cross streets? Do we know? Can we can we get

1178
01:11:07,080 --> 01:11:11,479
Speaker 1: cross streets? This is parks? I don't think so many parks.

1179
01:11:13,600 --> 01:11:16,120
Speaker 1: In fact, I've come. I've come for South Brooklyn on

1180
01:11:16,200 --> 01:11:19,800
Speaker 1: this very podcast, and thank you so much for solidifying

1181
01:11:19,880 --> 01:11:22,960
Speaker 1: what garbage it is. No, I don't think so, honey,

1182
01:11:23,040 --> 01:11:27,920
Speaker 1: South Brooklyn overrated trash. If you're south of Flatbush, get out,

1183
01:11:27,920 --> 01:11:32,320
Speaker 1: but park. But you know what good thing? Because they

1184
01:11:32,400 --> 01:11:35,519
Speaker 1: need you there because if you weren't there, I would

1185
01:11:35,640 --> 01:11:38,320
Speaker 1: print it to the ground. But you're the only thing

1186
01:11:38,760 --> 01:11:45,080
Speaker 1: that keeps me from regional arson. Save your oh my god,

1187
01:11:48,200 --> 01:11:51,679
Speaker 1: oh my god. Rule number twelve of culture. I love

1188
01:11:55,640 --> 01:12:00,960
Speaker 1: this episode was fabulous. Thank you so much. I don't

1189
01:12:00,960 --> 01:12:03,320
Speaker 1: want it to end either. I honestly, I think I

1190
01:12:03,360 --> 01:12:05,519
Speaker 1: will say this this. I mean, we we've had great

1191
01:12:05,560 --> 01:12:08,599
Speaker 1: conversations in the past. This was a meaty one about

1192
01:12:08,960 --> 01:12:11,519
Speaker 1: Juicy the craft bitch and look you listen to so

1193
01:12:11,680 --> 01:12:14,400
Speaker 1: need to talk at length about acting, even though she

1194
01:12:14,520 --> 01:12:16,840
Speaker 1: says she's she's just recently gone into it, but she

1195
01:12:17,280 --> 01:12:19,960
Speaker 1: she's getting used to the camera. Really, the fact that

1196
01:12:20,000 --> 01:12:22,439
Speaker 1: it is in the room what it doesn't make any sense,

1197
01:12:22,720 --> 01:12:24,600
Speaker 1: but you the way you're able to speak about it

1198
01:12:24,720 --> 01:12:27,160
Speaker 1: is what you speak about with such maturity and grace

1199
01:12:27,280 --> 01:12:30,960
Speaker 1: and Oscar winner, Oscar winner, Sony Toman Academy Award winner.

1200
01:12:31,200 --> 01:12:38,360
Speaker 1: I mean, who's yeah, yeah award SAG Award. Honestly, watch

1201
01:12:38,640 --> 01:12:42,679
Speaker 1: watch who knows honestly were that big ocast? Okay, that's

1202
01:12:42,680 --> 01:12:45,839
Speaker 1: a big cast. And you know they lemonade, no nominade

1203
01:12:45,840 --> 01:12:47,439
Speaker 1: and they'll give up four Wow, that's a guy to

1204
01:12:47,520 --> 01:12:51,519
Speaker 1: think about the fourteen SAG Awards. Honey, I tn B

1205
01:12:51,640 --> 01:12:54,439
Speaker 1: wins every Dude Day they do when all the dude

1206
01:12:54,640 --> 01:12:59,120
Speaker 1: Day ensemble in town. There's a new Netflix ensemble and

1207
01:12:59,400 --> 01:13:01,760
Speaker 1: get out of here, Uzo and oh my god so

1208
01:13:02,040 --> 01:13:06,000
Speaker 1: Leta Laverne Cox, buye Natash, buying Natash, catch snowy bing

1209
01:13:06,080 --> 01:13:08,960
Speaker 1: bongs at the Brooklyn Comedy Festival at night Haunk August

1210
01:13:09,000 --> 01:13:12,200
Speaker 1: twenty two. I will be there. I'm so excited and

1211
01:13:12,280 --> 01:13:17,880
Speaker 1: watch Glow, the new head show we love. And HPJ

1212
01:13:18,040 --> 01:13:19,760
Speaker 1: has to get the funk out of here. He has

1213
01:13:19,800 --> 01:13:23,439
Speaker 1: to go spill water all around town. So guys, thank

1214
01:13:23,479 --> 01:13:26,000
Speaker 1: you so much. We love you. I've been bowing Yang

1215
01:13:26,439 --> 01:13:32,839
Speaker 1: Matt Rogers, I think and I think that's Sunita. Farewell,

1216
01:13:33,040 --> 01:13:40,320
Speaker 1: Farewell by. This has been a Forever Dog production executive

1217
01:13:40,360 --> 01:13:43,920
Speaker 1: produced by Joe Cilio, Alex Ramsay, and Brett Boum. For

1218
01:13:44,040 --> 01:13:47,280
Speaker 1: more podcasts, please visit Forever Dog Productions dot com