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Speaker 1: Welcome to Drink Champs, the production of The Black Effect

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Speaker 1: and I Heart Radio and It's Drink Chess, motherfucking podcast.

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Speaker 1: These a legendary queen's rappers. He's agree is your boy

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Speaker 1: in o R. He's a Miami hip hop pioneer up

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Speaker 1: his dj e f N. Together they drink it up

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Speaker 1: with some of the biggest players in the most professional,

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Speaker 1: unprofessional podcast and yet number one sorts for drunk fast drinks.

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Speaker 1: Mother is New year' z. That's time for Drink Champs.

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Speaker 1: Drink Up Mother? Would it could be? Hopefully? Would it

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Speaker 1: should be? It's your Boy? What up is d j

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Speaker 1: e f N? This mid crazy wall, motherfucking drink Chaps

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Speaker 1: Ya medics. Now, this show is built because this show

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Speaker 1: is built for the person that we got and we

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Speaker 1: interviewing today. This show was built for people like that.

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Speaker 1: This show has been built on us praising our legends,

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Speaker 1: you know, our legends while they're here. When you when

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Speaker 1: you talk about like eleven albums six Shatto Boys, Uh,

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Speaker 1: eleven of his solo Uh. When you're talking about bars,

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Speaker 1: when you talk about a man they say, they say

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Speaker 1: wine ages with time. This is probably why the only

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Speaker 1: MC that got better like his whole career. He just

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Speaker 1: kept getting better, better, getting better. The storytelling from you know,

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Speaker 1: from everything from the street tells this man is a pure,

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Speaker 1: pure legend. He's your rappers rap favorite rapper, everybody's favorite rapper.

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Speaker 1: He's on that list. He's in everyone's top five. He's

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Speaker 1: one of the us individuals I've ever met. He could

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Speaker 1: get down on the guitar, he could get down on producing,

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Speaker 1: he could get down on whatever the funk you wanted

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Speaker 1: him to get down on. He get down. He's a

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Speaker 1: motherfucking soon cold, super super duper legend. He's everyone's oh G,

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Speaker 1: he's your O G O G. You miss one thing?

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Speaker 1: What's that? Since day one of Drink Chance, we've been

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Speaker 1: trying to We've been trying to get him to day one.

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Speaker 1: So in case you don't know who the funk we're

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Speaker 1: talking about, we're talking about the legendary Mr Scott. I'm

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Speaker 1: looking around like who you know we're talking about somebody?

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Speaker 1: Specially First, you want to get your bottom because I'm

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Speaker 1: drinking whiskey now, So I just got on the whiskey.

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Speaker 1: But I'm Japanese whiskey. So if you start speaking another language,

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Speaker 1: yeah you're good. So we got you mcalin eight team

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Speaker 1: you got so we've been we've been um doing drinks

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Speaker 1: chance for five or going on six years, six years

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Speaker 1: right now, six years. This is the first time anybody

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Speaker 1: has older. This is the first time anybody has order mccalluya.

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Speaker 1: What is mccalluy. That's whiskey, correct, It's a Scotch. It's

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Speaker 1: a It's my favorite and I would like to share

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Speaker 1: something with you. Got okay? Cool? Cool, But I'm not

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Speaker 1: that's with you want you can take it old with

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Speaker 1: your Yeah, come on, let's get the spice. Get the spice.

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Speaker 1: Mr Lea. That's just fantastic, dude. This is a special.

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Speaker 1: This is like I almost want to break down. Man,

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Speaker 1: I'm emotional. Let's because we got some ship for your

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Speaker 1: fast emotional right now? Man, do you do you realize

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Speaker 1: how much you loved in this in this help about

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Speaker 1: don't don't do that? Okay. The first like a lot

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Speaker 1: of yeah, I want to somebody with my son, my kids,

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Speaker 1: a kid, come getting come say somebody, it's not you

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Speaker 1: do love this sing it's for you guy, for my boy.

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Speaker 1: So let me ask you a question while we're getting

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Speaker 1: it together. Talk to me. The first Ghetto Boy album.

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Speaker 1: You wasn't a part of the first Ghetto Plant. I

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Speaker 1: wasn't there yet. I was still the kid. And I

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Speaker 1: think they probably I was probably like ten or twelve

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Speaker 1: when they did that. Mother like, wow, but what's your

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Speaker 1: Weekend only wasn't a part of it. I think Bill

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Speaker 1: was a dancing all honesty, he was a dancing in

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Speaker 1: the beginning or eighties, seven eighty six, eighty, I don't know,

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Speaker 1: a like eighty five eighty six. I was probably fourteen

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Speaker 1: years old. Wow, so how did so? How does this happen?

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Speaker 1: Um J Princess looking for rappers and the crazy ship

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Speaker 1: Man is like I remember doing the song uh with

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Speaker 1: Beto and Uh Bruce and and and uh deaying blasting

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Speaker 1: and little Troy cast car face. Yeah that wasn't your name.

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Speaker 1: Then I did the record. I did a record called

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Speaker 1: scar Face because you know, we thought we were just

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Speaker 1: ship man. He was selling rocks and you couldn't tell

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Speaker 1: us we're nothing in fucking thirty eights, and we reached

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Speaker 1: shoot you you know, a little big deal happened. So

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Speaker 1: that's how you got own life. And we ended up

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Speaker 1: doing I ended up doing a record called scar Face Man,

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Speaker 1: and then you know, the ship kind of kind of

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Speaker 1: spread it out wild in the streets. And before I

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Speaker 1: knew it, Man, there was this little dude, and that

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Speaker 1: little motherfucker had on more diamond that I had ever

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Speaker 1: seen in my life. He had a big white two

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Speaker 1: door convertible five sixty custom at my at my little

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Speaker 1: town house. I'm like, man, who in the all right?

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Speaker 1: He knocked on the door and we opened the door

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Speaker 1: and ship and it was little James, and you knew

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Speaker 1: who he was, probably don't know, you know, I didn't

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Speaker 1: know who. I didn't know. You know, it's two different

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Speaker 1: sides of Houston, so it was the north side on

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Speaker 1: the south side, and uh, man, James came to the

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Speaker 1: south side. Bro ain't knocked through my motherfucking dough so

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Speaker 1: and you know, later on you hear um, you hear

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Speaker 1: different stories and ship, man, And when when when I

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Speaker 1: really got to know James, you know, over the past

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Speaker 1: thirty four years, when that nigga knocked on your doors, ship,

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Speaker 1: it's some serious ship, So come knock, don't mind doing

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Speaker 1: Like what the how did you find me? All right?

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Speaker 1: Like how did you find me? Man? I'm I'm a needle.

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Speaker 1: I'm literally a needle in the haystack right now, all right?

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Speaker 1: Because she was a dope MC because she was DJO

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Speaker 1: was a jow so all right. So um, so he

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Speaker 1: comes to your house and he tells you he wants

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Speaker 1: you to be down with this group called to Ghetto

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Speaker 1: Boys that already had an album out? So how did

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Speaker 1: you feel about that? I didn't want to do it? Wow.

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Speaker 1: And then my fucking brother, man, he he was in

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Speaker 1: jail and called me, but he was weak. He was

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Speaker 1: in jail and calling you and called me and told me, man,

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Speaker 1: I had your a lot, but man, I don't tell

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Speaker 1: you when I get out of here. Wo. He didn't

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Speaker 1: like about for a lot. We didn't with nothing. We

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Speaker 1: didn't know nothing about the north Side we did okay, okay,

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Speaker 1: So even signings to him was like a bad move, okay,

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Speaker 1: especially for your hood. Did you add did you get

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Speaker 1: slacked coming back to the hood after you sign shout?

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Speaker 1: I can't say that, Okay, I can't say that. But

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Speaker 1: I got flack about it. I may her some damn man,

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Speaker 1: you went to you went to the niggas over there, man,

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Speaker 1: But I ain't want no you know, were no real

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Speaker 1: uh beef about it? You know? What I mean, because

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Speaker 1: we don't really do beef too well. So how old

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Speaker 1: was you when when you did My Mama's playing tricks

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Speaker 1: on me? It's probably about nineteen. Do you understand your verse? Still?

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Speaker 1: It is relevant to this day. I was going through

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Speaker 1: some ship man. Yeah, so, and I tell you something

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Speaker 1: to know that this ship don't stop like I'm always

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Speaker 1: going through some ship man. It depends on what day

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Speaker 1: it is. You know why Whitney Houston wrote some some

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Speaker 1: great ships because they went through some ship probably more

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Speaker 1: than likely. So when was you going through when your

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Speaker 1: minds playing tricks on me? And then you you the

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Speaker 1: only one that has two verses on there? You no,

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Speaker 1: that was actually three verses because you wrote the whole

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Speaker 1: song that it was. And then I didn't write Willie's part,

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Speaker 1: Willie Willie Willie Chime. Then, so something that happened. I

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Speaker 1: sent that. I gave the record to James and it

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Speaker 1: was it was my version. It was and I can't

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Speaker 1: sleep by tossing and turning to think my dad's more

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Speaker 1: impossible to cope. And this year Halloween fell in the weekend.

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Speaker 1: Those are all my three verses, right, and then uh,

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Speaker 1: James went to California one day, and she came back

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Speaker 1: another day and Ship it was Willie on it. And

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Speaker 1: you know as record, huh you had new Willie prior

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Speaker 1: to that or not. Yeah, I knew Willie that this

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Speaker 1: was the second record that the first record was uh gripping, Yeah,

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Speaker 1: but the sat yeah, and and and you know, I'm glad.

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Speaker 1: I'm kind of glad to get up boys got on

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Speaker 1: that record because it makes it that much bigger. And

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Speaker 1: that was the original beat. Yeah, I was nothing changed

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Speaker 1: on the beat. So so when I got a chance,

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Speaker 1: has to work on my solo album. And this was

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Speaker 1: the main goal for me signing a rapper lot in

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Speaker 1: the first place, because I got to work on my

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Speaker 1: solo album, right, So I produced scent of my whole

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Speaker 1: solo album. So I made the beats and all of that.

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Speaker 1: Ship Wow. Yeah, like what we was always producing always Damn.

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Speaker 1: I'm probably a better producer than I am rapper. Noam

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Speaker 1: Ship one of the greatest rappers producing the rapper that's

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Speaker 1: been my DJ for like the past year. So you say, what, oh, listen,

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Speaker 1: like I got beat. I'm gonna tell you, I'm gonna

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Speaker 1: tell you you gave me a slice of humble pot.

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Speaker 1: One day, I don't know. I know you don't remember this.

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Speaker 1: One day I had a show with you. I heard

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Speaker 1: you tell his story. True, man, this is true. True.

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Speaker 1: Let me tell you guys. I want to say it

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Speaker 1: in front your face because like it wasn't me. It

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Speaker 1: was somebody about camp that got a little you know,

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Speaker 1: the cocky I want to say. And it was like, yo,

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Speaker 1: you know to show I just came in. He just

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Speaker 1: ripped it and just left. So he didn't kid who

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Speaker 1: went first or whatever. And they said they said, um

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Speaker 1: they said, um yeah, so you know faces coming late

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Speaker 1: so um uh yeah, because the people Scotch Jr. So

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Speaker 1: it was like, yo, do you mind going first? And

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Speaker 1: one of my homies was like, nah, man, we got

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Speaker 1: the platinum racket right now, we're gonna last. And I

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Speaker 1: kid you not. Scar Face came out man, and all

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Speaker 1: the records that you was, and I'm talking about the

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Speaker 1: whole audience was your hype man. Like the audience was

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Speaker 1: the hype man. My dude wants you and listen to me.

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Speaker 1: And this is the killer. This is someone that really

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Speaker 1: really killed me. Was Mary Mary Marry Marry Mary jan

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Speaker 1: They are crowds of something I wanted to get a

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Speaker 1: promoter back his money. I'll let your head take the

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Speaker 1: ship back. I'm not going on a point after that

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Speaker 1: you get since I go immediately soon as they go,

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Speaker 1: because I'm gonna stay, let's go. I will never take

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Speaker 1: that chance again. You know what I mean. It's a

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Speaker 1: it's a it's a lot of people like like we

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Speaker 1: fight uh uh with with managers all the time because

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Speaker 1: it's just I do not want to go last, and

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Speaker 1: I don't have a funck who it is. I don't

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Speaker 1: I don't get you know what I mean. But what

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Speaker 1: I'm gonna do, what's sure gonna do, what Julie gonna do,

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Speaker 1: what eight Ball, m j g gonna do, what dm

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Speaker 1: X gonna do, what you gonna do, is they're gonna

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Speaker 1: beat that crowd ass and by the time you all

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Speaker 1: out that last, the month's gonna be like yeah, I

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Speaker 1: can hear another humbling moment. It was one time DMX

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Speaker 1: had just dropped both of his albums. He was the

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Speaker 1: number one dude on the planet and I called you

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Speaker 1: one day or you called me. It was something and

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Speaker 1: DMX was literally air hustling, let's say, face smart or

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Speaker 1: something like that. He was literally air hustling. It was

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Speaker 1: like you smoke to scarface and he was so much

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Speaker 1: of a fan of you. Do you know how much DMX,

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Speaker 1: I think we were really good friends, man. You know

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Speaker 1: it wasn't it wasn't uh. I don't think we fanned out.

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Speaker 1: I think he was like, I can't let you be

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Speaker 1: humble with this one that he was your fan, like

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Speaker 1: he was one man, but he would love to say

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Speaker 1: it not face. I can't let you get away with that.

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Speaker 1: Know you're a humble guy. I can't let you DMX's favor.

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Speaker 1: I told him out and like I said, that was

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Speaker 1: the first time. This is after DMX was he was

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Speaker 1: platinum here and platinum. I literally didn't think this guy

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Speaker 1: was a human. That was the first human moment I've

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Speaker 1: ever seen, DMX is when I called you a you

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Speaker 1: called me and I was just like a facemall. I

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Speaker 1: said something like that and he was like you speaking

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Speaker 1: the scar face And I was like, that's the first time.

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Speaker 1: I said, do you next to say man like I

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Speaker 1: always touted as a dog, Like I said, I guess,

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Speaker 1: but I mean, yeah, yeah, you know how how how

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Speaker 1: much EX love you? Man? I know how much EX

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Speaker 1: love me? As a human. You know, I was outside

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Speaker 1: of the music ship. You know, we talked, you know,

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Speaker 1: a lot, and we had this ongoing uh joke when

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Speaker 1: we saw each other. It was like that damn bro,

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Speaker 1: but you didn't did now? And then we just bust

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Speaker 1: out laughing about that was your relationship? You called him. Yeah,

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Speaker 1: it's a lot of people call you Brad. I'm not

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Speaker 1: comfortable with calling you Brad. I'm calling you facemark for

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Speaker 1: the rest of my life. He was running for government

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Speaker 1: women with the city council. I'm still saying face Facema.

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Speaker 1: I'm sorry to the run up, the run off you made, yeah, man,

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Speaker 1: and I beat that lady, but they fucking cheated me

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Speaker 1: with the fucking hard vote. The balance harvester. Man, what

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Speaker 1: the hell is I don't even know what that is

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Speaker 1: like when people just signed sign people, Yeah, this is

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Speaker 1: what made you run for city council, man, because ain't

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Speaker 1: nobody doing ship. Wow. You know, everybody see what's happening, man,

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Speaker 1: and they're talking about what's happening, but ain't nobody doing

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Speaker 1: ship Man. We steady marching. I ain't ain't trying to

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Speaker 1: march no more. We're not gonna change, you know, legislation

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Speaker 1: and we ain't gonna we ain't gonna win. And men,

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Speaker 1: the laws there's already in place, don't make no new laws,

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Speaker 1: you know. Yeah, I fixed to fix the old laws

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Speaker 1: that they already got in place. Bro, fix that ship

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Speaker 1: first and then start coming up with some new ship.

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Speaker 1: I'm definitely gonna jump into politics, man, because I'm tired

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Speaker 1: of the ask kiss and we gotta all these go

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Speaker 1: along get along ends uh politicians, man, And I don't

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Speaker 1: want to be a part of that, bro. Like, I'm

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Speaker 1: gonna be totally obvious and I wanna be against all

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Speaker 1: that ship. What's in it for the black people? You

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Speaker 1: know what I mean? What's in it for the brown people?

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Speaker 1: What's us like everybody else getting it? We let me

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Speaker 1: have it now my fucking turn, bro. Yeah, I love that.

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Speaker 1: I think. I think. I think hip hops and dead

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Speaker 1: seriously take over politics, which should because most most of

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Speaker 1: these people, I think that we're scared that, you know,

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Speaker 1: we have criminal backgrounds and criminal records. But most of

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Speaker 1: these guys have criminal records. Then this just god criminals. Yeah,

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Speaker 1: criminal not criminal background, got damnit criminals, feel me? Criminals, man,

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Speaker 1: Mitch mcconnin's a criminal but go ahead. No, that's what

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Speaker 1: I'm saying. I think I really think Killer Mike should

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Speaker 1: should be the mayor of Atlanta. He should think that.

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Speaker 1: I really think the forty should be the mayor of

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Speaker 1: the back. We need to keep trying. And Luke to

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Speaker 1: be the mayor of Miami. That's that's that's heavy and

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Speaker 1: Forty being the mayor of debate. Yeah, I really think

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Speaker 1: so that might lead, that might lead. The schools fucked up?

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Speaker 1: Mann nod. Yeah, man, I love you worl and I

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Speaker 1: ain't be cool though, yeah, man, yeah, I'm sorry for

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Speaker 1: us too. Like Master jay Z is President Beyonce. I know,

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Speaker 1: I know it's something, but I just like that shouldn't

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Speaker 1: be dope in the politics at all. He's not. He's

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Speaker 1: not really. And I was talking to Jason. Another thing

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Speaker 1: is I posted a picture of jay Z the other

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Speaker 1: day and you called me, yeah, and he was like, man,

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Speaker 1: whole is I forget what you described hole, But you

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Speaker 1: was like you was so so so passionate, real deal, bro. Yeah,

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Speaker 1: he was talking to j Yeah, Jay ain't in the politics,

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Speaker 1: but I'll tell you what though, he is the keeper

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Speaker 1: of the culture. Yeah, ship, jay Z talking me a

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Speaker 1: lifeline when I was on my back. Wow. Yeah, Wow,

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Speaker 1: So motherfucker's say anything sucked up about Jay got deal

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Speaker 1: me too much? Yeah, Jay, solid man. Yeah, and DJ

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Speaker 1: Callett another solid motherfucker. Man. Keep us of the coaching man,

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Speaker 1: j Prince, keep us of the coaching man. Let's make

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Speaker 1: a let's make a real fucking uh put a real

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Speaker 1: light on that ship. When I hit Jay and I

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Speaker 1: hit Jay said, Jason's acts words about you was let

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Speaker 1: me let me read quote for quote, because I don't

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Speaker 1: want Jay the real deal man, I'm gonna read them

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Speaker 1: both quote quote Okay, faces beautiful, love that guy, salute

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Speaker 1: to the guards, That's what. And then now now I said, okay,

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Speaker 1: hold on, shout my brother Brad. I said, happy birthday,

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Speaker 1: love him sing Jones. So I think he thought it

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Speaker 1: was your birthday. And even though it's not, we're making

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Speaker 1: today your birthday because you're motherfucking so Okay, we got

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Speaker 1: your real Okay said, we got to your accounty eighteen,

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Speaker 1: and we got two flowers as well. We'll get some

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Speaker 1: flowers as well. We're gonna be We're gonna all the

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Speaker 1: way with this ship because you deserve it. Now, you

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Speaker 1: don't want to leave you deserve it. Yeah, man, I

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Speaker 1: swear to God. Now I said, I don't know why

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Speaker 1: he thought I was saying it was your birthday. But

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Speaker 1: we're running with that. Be running with that. So I

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Speaker 1: got my notes. I'm going into my nose. Okay, what

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Speaker 1: happened to Bush with Bill? On the cover? The hospital?

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Speaker 1: And it's that picture real, right, that pictures real really man? Okay,

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Speaker 1: it's a real, real ship. Okay. Yeah, so wet flowers,

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Speaker 1: I'm gonna put this are. I don't know what, don't

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Speaker 1: we good? We just we just wanted to do our

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Speaker 1: part of the job, you know what I'm y'all. Look,

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Speaker 1: So I told about the couple the night before, the

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Speaker 1: night before we heard Bill got shot you know by

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Speaker 1: bye his girl and uh they say got shot nine.

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Speaker 1: So I had already you know, I was already in

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Speaker 1: my mind that day. You know. That was the end

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Speaker 1: of that, Like you just shot in your fucking eye,

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Speaker 1: that's the end of that story. So I was like, damn.

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Speaker 1: So we had to go up to the hospital the

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Speaker 1: next day and let me tell you, let me tell

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Speaker 1: you how uh how much of a thinking James is

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Speaker 1: j Prince James. Yeah, yeah, the old man. Yeah, he

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Speaker 1: wanted to go to the hospital that next Candy when

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Speaker 1: Bill can have visitors, man and shoot the album cover

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Speaker 1: Scots and Jesus. It makes sense now, but back then, man,

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Speaker 1: Bill is fucking dead right, And Bill sit up in

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Speaker 1: the guarney, and she pushed him out in the hallway,

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Speaker 1: and Bill sitting up on the guarney. I'm talking about

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Speaker 1: them and man so because here and and got me

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Speaker 1: and willing to stand on east side of the gurney.

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00:21:34,680 --> 00:21:36,560
Speaker 1: Man like we was pushing him out of the hospital

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Speaker 1: saying we can't be stopped. And snapped the photo with

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Speaker 1: his I hanging out and that was it. So that's

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Speaker 1: not props. No, that's not you that I didn't know that.

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Speaker 1: I didn't know that. I was like Ship Bill friend

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Speaker 1: die man. And he's a small guy too, so you're

346
00:21:55,320 --> 00:21:58,600
Speaker 1: not thinking he got the same strengthens everyone else. Ship

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Speaker 1: Jay had that mentality that I don't give a funk

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Speaker 1: if he dying, that we're gonna get the We're gonna

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Speaker 1: get that picture man Ship. Okay, now let's let's go

350
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Speaker 1: into smile. Okay, very deep, deep record telling people to smile.

351
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Speaker 1: But it's still for some reason, the record still comes

352
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Speaker 1: across like a dark record. I guess a cross of

353
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Speaker 1: the video and when it comes out the timing of Okay,

354
00:22:37,119 --> 00:22:41,680
Speaker 1: so let's let's talk about the Smile record. So I

355
00:22:41,840 --> 00:22:46,000
Speaker 1: reginally did the record at the Death Row studio with Tupac.

356
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Speaker 1: Yeah he's on the record, all right. Yeah. So so

357
00:22:50,560 --> 00:22:57,320
Speaker 1: it was like I want to think it. I want

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Speaker 1: to say that it was a record that that Tupac

359
00:22:59,840 --> 00:23:07,639
Speaker 1: had is uh his crew on outlass yeah, outlaws, and

360
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Speaker 1: then I think it just turned out to be me

361
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Speaker 1: and him. But the party used to always get piste

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Speaker 1: off at me because it took so long, you know,

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Speaker 1: to write like I always wrote my ship. I didn't

364
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Speaker 1: just because he was just record Paca do a record

365
00:23:23,160 --> 00:23:27,320
Speaker 1: every fifteen minutes. Yeah, he was serious about that, but

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Speaker 1: it took it took a long time. He'd always get

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Speaker 1: piste off at me because I still be sitting in

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Speaker 1: the front of the mixing board when he leaves and

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Speaker 1: come back. You know what I mean, I'm writing my

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Speaker 1: ship and uh he told me one day that you know,

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Speaker 1: do what he say, right this ship, I worry about it.

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Speaker 1: You gotta get across to the bitches without offending them.

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Speaker 1: And the nigga is gonna like what the bitches like

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Speaker 1: and whatever your last word is in the verse, that's

375
00:24:02,080 --> 00:24:06,800
Speaker 1: the hook, right, So think about it. Smile for me, man,

376
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Speaker 1: I remember me going to the studio one time and

377
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Speaker 1: me seeing IRV Gotti playing Smile for Prodigy and saying,

378
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Speaker 1: this is the balance that you need, you need something

379
00:24:17,240 --> 00:24:20,159
Speaker 1: something like Yeah, I remember that playing like this is

380
00:24:20,200 --> 00:24:22,760
Speaker 1: like because you remember, he was making so much serious

381
00:24:22,840 --> 00:24:26,359
Speaker 1: records and he didn't have in my opinion, that's why

382
00:24:26,359 --> 00:24:28,520
Speaker 1: I thought IRV was trying to tell him. But I

383
00:24:28,560 --> 00:24:30,840
Speaker 1: thought it was genius that he played Smile for him.

384
00:24:31,200 --> 00:24:33,040
Speaker 1: You know what I'm saying, He's playing you know, y'all

385
00:24:33,080 --> 00:24:35,960
Speaker 1: record this, and it was just it's it's amazing. But

386
00:24:36,040 --> 00:24:37,960
Speaker 1: when I don't go through your your discography and I'm

387
00:24:38,040 --> 00:24:42,040
Speaker 1: listening for two days, it really feels like every time

388
00:24:42,080 --> 00:24:44,879
Speaker 1: you wrote music, he was in a dark place. Is

389
00:24:44,920 --> 00:24:48,239
Speaker 1: that accurate or man? You know no, I don't know, man.

390
00:24:48,280 --> 00:24:51,240
Speaker 1: I just write music, bro right, and and I go

391
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Speaker 1: I go with it, beat leading with the spirit League,

392
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Speaker 1: and that's just me, right, I just I just I

393
00:24:57,720 --> 00:25:00,680
Speaker 1: just yeah. It's almost like I don't even write it.

394
00:25:01,280 --> 00:25:05,840
Speaker 1: It's just a and you just go automated. Everything that's

395
00:25:05,880 --> 00:25:07,760
Speaker 1: in my head just comes out on that piece of

396
00:25:07,800 --> 00:25:10,440
Speaker 1: paper right there, you know. And if it's dark, then

397
00:25:10,600 --> 00:25:12,159
Speaker 1: maybe it was dark. But you know, I think I

398
00:25:12,280 --> 00:25:15,240
Speaker 1: think that if I gave those lyrics to somebody else

399
00:25:15,680 --> 00:25:18,440
Speaker 1: and they put it on another beat, then they probably

400
00:25:18,480 --> 00:25:21,439
Speaker 1: wouldn't be as dark. It's it's all in the setting

401
00:25:21,520 --> 00:25:24,680
Speaker 1: that you said. It's all about the delivery, in the mood. Man.

402
00:25:25,160 --> 00:25:28,000
Speaker 1: I've always been one that was conscious of how I

403
00:25:28,200 --> 00:25:32,240
Speaker 1: sounded when I came on or when I finished it,

404
00:25:32,880 --> 00:25:34,840
Speaker 1: or or you know, the come lines. I wanted to

405
00:25:34,880 --> 00:25:37,159
Speaker 1: make sure that everything was strong and the voice that

406
00:25:37,280 --> 00:25:42,879
Speaker 1: I used in that particular song matched those uh beats,

407
00:25:43,280 --> 00:25:47,640
Speaker 1: those horns, those piano RIfS, that baseline. I wanted all

408
00:25:47,960 --> 00:25:49,920
Speaker 1: I wanted. I wanted my voice to be like a

409
00:25:51,040 --> 00:25:54,800
Speaker 1: let's call it like another instrument. You feel me? Yeah,

410
00:25:56,320 --> 00:25:58,600
Speaker 1: in real life, in real life, like I was born

411
00:25:58,680 --> 00:26:02,600
Speaker 1: to musicians, whole family musicians, all of them ever had

412
00:26:02,640 --> 00:26:04,960
Speaker 1: to put the tallest all that ship you learned that

413
00:26:05,280 --> 00:26:06,800
Speaker 1: on you. I mean, it was just given. It was.

414
00:26:07,119 --> 00:26:09,159
Speaker 1: It was just it was like a guy giving right,

415
00:26:10,480 --> 00:26:13,440
Speaker 1: get the funk out of what school you went to?

416
00:26:14,320 --> 00:26:19,200
Speaker 1: And I went will you listen. So we've got some

417
00:26:19,280 --> 00:26:21,520
Speaker 1: people who ever checked into. Right, Look, we got some

418
00:26:21,600 --> 00:26:23,680
Speaker 1: people that checked in. We're gonna let's let's go to

419
00:26:23,760 --> 00:26:25,879
Speaker 1: this correspondence. We never did this before, but you you

420
00:26:26,240 --> 00:26:28,280
Speaker 1: the person to deserve this. So we're gonna give your

421
00:26:28,320 --> 00:26:31,640
Speaker 1: flowers from Figurado. Hey, who got a knife to cut

422
00:26:31,720 --> 00:26:35,119
Speaker 1: this cake? Man? It's a real cake. It's real. And

423
00:26:35,200 --> 00:26:37,840
Speaker 1: then you think about the making cake. No, what is

424
00:26:37,880 --> 00:26:42,480
Speaker 1: in here? Like, what's it now? You bought that public?

425
00:26:44,280 --> 00:26:47,560
Speaker 1: Cut this motherfuck over? And then be read what's what

426
00:26:47,640 --> 00:26:52,240
Speaker 1: kind of real vanilla? Yeah? Check it out? Check it out? Face?

427
00:26:53,080 --> 00:26:56,040
Speaker 1: Oh man, don't do that. And it's something else. I

428
00:26:56,080 --> 00:27:00,200
Speaker 1: don't want it. I think, Yeah, what y'all got back

429
00:27:00,200 --> 00:27:03,600
Speaker 1: there in the stope're checking in? You know what I'm saying,

430
00:27:03,960 --> 00:27:08,560
Speaker 1: that partner. You know what I'm saying facemall? Uh man?

431
00:27:08,920 --> 00:27:12,600
Speaker 1: What facemall is the slim thug? Man? Wow? You know

432
00:27:12,640 --> 00:27:16,000
Speaker 1: what I'm saying. The Pioneer. You know, y'all had the

433
00:27:16,119 --> 00:27:20,000
Speaker 1: East coast, y'all had the West coast. I'm coming from Houston, though, man,

434
00:27:20,119 --> 00:27:22,560
Speaker 1: the bottom of the South in Texas. Man, so with

435
00:27:22,840 --> 00:27:27,000
Speaker 1: him and Jay Prince did by him being that lyrical

436
00:27:27,080 --> 00:27:31,040
Speaker 1: and that good to having the East coast, West coast,

437
00:27:31,160 --> 00:27:34,320
Speaker 1: the world respecting his his rap you know what I'm saying.

438
00:27:34,560 --> 00:27:36,800
Speaker 1: For him opening that dope fuzz, it made it a

439
00:27:36,880 --> 00:27:39,639
Speaker 1: lot easier for them to give us that game, you know,

440
00:27:39,800 --> 00:27:41,959
Speaker 1: without even giving it to it, just showing us how

441
00:27:42,000 --> 00:27:45,720
Speaker 1: to do it. It made my whole life a lot easier. Man.

442
00:27:45,880 --> 00:27:48,840
Speaker 1: And I definitely look at face as to go. You

443
00:27:48,880 --> 00:27:51,800
Speaker 1: know what I'm saying, ain't got number respect for But

444
00:27:51,880 --> 00:27:53,440
Speaker 1: I tell them every time I see him, you know

445
00:27:53,480 --> 00:27:56,560
Speaker 1: what I'm saying. But I wonder my question is do

446
00:27:56,840 --> 00:28:01,160
Speaker 1: he think he gets the proper respect from the game.

447
00:28:01,320 --> 00:28:03,360
Speaker 1: You know what I'm saying, as we look at him

448
00:28:03,359 --> 00:28:06,239
Speaker 1: as a top you know dog in the game. Uh,

449
00:28:06,720 --> 00:28:09,920
Speaker 1: do he believe that he gets the respect he deserved

450
00:28:10,080 --> 00:28:18,680
Speaker 1: in the rap game? That's my question? Respect Do I

451
00:28:18,840 --> 00:28:26,600
Speaker 1: get the respect that I deserve? Slim he had that

452
00:28:26,640 --> 00:28:29,760
Speaker 1: he got a mean question that slim fuck I called

453
00:28:29,800 --> 00:28:37,280
Speaker 1: him Granddaddy Pippen. Okay, okay, okay, okay. I mean it's

454
00:28:37,400 --> 00:28:40,000
Speaker 1: kind of like you really don't have to respect it,

455
00:28:41,520 --> 00:28:44,240
Speaker 1: you know, you know anything, you know what you're gonna

456
00:28:44,280 --> 00:28:45,960
Speaker 1: have to you know, I mean, you ain't gotta show it,

457
00:28:46,000 --> 00:28:53,120
Speaker 1: but you gotta respect it because I gotta drop from

458
00:28:53,160 --> 00:28:55,840
Speaker 1: Buttom anyway, don't worry about what's up. We don't need

459
00:28:55,880 --> 00:28:58,960
Speaker 1: you to interrupt the show. Normalm Asa Please, I'm flowing.

460
00:28:59,040 --> 00:29:01,280
Speaker 1: I got this all together. I got this together like

461
00:29:01,320 --> 00:29:03,120
Speaker 1: I've got damn money. I got one on the job

462
00:29:03,200 --> 00:29:11,719
Speaker 1: to up every buddy. I'm on drink champs. Man, are

463
00:29:11,800 --> 00:29:25,080
Speaker 1: you drinking makes funt happy? Yeah? But you know I'll

464
00:29:25,080 --> 00:29:28,600
Speaker 1: be sleep three days after this. But tell about me.

465
00:29:28,640 --> 00:29:30,560
Speaker 1: Hit him back if you want to finish this. You

466
00:29:31,320 --> 00:29:36,120
Speaker 1: want to finish this. Lay too, family went down. So

467
00:29:36,200 --> 00:29:38,560
Speaker 1: I'm trying to understand. Are you saying yes or or no?

468
00:29:38,800 --> 00:29:42,520
Speaker 1: You're saying you do feel respected. You have to feel

469
00:29:42,560 --> 00:29:45,720
Speaker 1: respected from your peers, from other players in the game.

470
00:29:45,720 --> 00:29:47,640
Speaker 1: You got to know how much people really respect. Man.

471
00:29:48,640 --> 00:29:51,120
Speaker 1: It's all love, you know, And I never really looked

472
00:29:51,160 --> 00:29:53,360
Speaker 1: at it. It's getting respected. None of that ship because

473
00:29:53,960 --> 00:29:55,760
Speaker 1: you know, just invite me to get on the record.

474
00:29:56,200 --> 00:30:00,240
Speaker 1: You'll be like, oh ship, Yeah, it's like fucking It's

475
00:30:00,240 --> 00:30:02,240
Speaker 1: like the devil walked in the room when it's get

476
00:30:02,240 --> 00:30:04,720
Speaker 1: on this record, cause the real deal. You know what

477
00:30:04,720 --> 00:30:07,880
Speaker 1: I'm saying, Like if you didn't respect me before you

478
00:30:08,080 --> 00:30:11,440
Speaker 1: got me on this record, but you will. I don't

479
00:30:11,440 --> 00:30:18,160
Speaker 1: want some DN mix ship because you wi't Yeah, because

480
00:30:18,280 --> 00:30:24,960
Speaker 1: my my young I mean, what's on my mind, especially

481
00:30:25,000 --> 00:30:28,320
Speaker 1: if if like it's like if it's up in the air,

482
00:30:29,640 --> 00:30:31,280
Speaker 1: like who the nigga is? When I get on this

483
00:30:31,400 --> 00:30:35,880
Speaker 1: motherfucker record with you, like we found out, we go

484
00:30:35,880 --> 00:30:38,920
Speaker 1: ahead and do it. You know, it's like a niggard

485
00:30:38,960 --> 00:30:41,480
Speaker 1: racing cars or nigger fighting dolls, like it's about to

486
00:30:41,520 --> 00:30:46,600
Speaker 1: go down. You know, hit that hit that rock. Look

487
00:30:46,600 --> 00:30:50,480
Speaker 1: at Polly Man, look at Paul Man to the triple

488
00:30:50,560 --> 00:30:56,800
Speaker 1: triple triple too many. Thank you for everything you didn't

489
00:30:56,800 --> 00:30:59,160
Speaker 1: do for hip hop, especially what you didn't do for

490
00:30:59,280 --> 00:31:03,040
Speaker 1: eight timespop Man, I got a question for you, man, Hey,

491
00:31:03,760 --> 00:31:06,600
Speaker 1: all the Houston rappers that ever came out of Houston,

492
00:31:06,680 --> 00:31:09,320
Speaker 1: or let's just say Texas and general, who is your

493
00:31:09,480 --> 00:31:13,360
Speaker 1: favorite Texas rapper of all times? Your favorite Texas m C.

494
00:31:13,600 --> 00:31:16,240
Speaker 1: Could be somebody old school back in the day, could

495
00:31:16,240 --> 00:31:19,240
Speaker 1: be somebody knew it's just not coming out right now

496
00:31:19,320 --> 00:31:25,160
Speaker 1: you all time man beats a little baby. Yes, you

497
00:31:25,280 --> 00:31:29,360
Speaker 1: know what when you asked me, when you asked me,

498
00:31:29,440 --> 00:31:36,440
Speaker 1: who's my favorite rapper to come out of Houston. Um man,

499
00:31:36,520 --> 00:31:39,080
Speaker 1: it's gotta be all of the ones that came behind me.

500
00:31:39,240 --> 00:31:43,760
Speaker 1: Man from from yeah, man fucking right from zero to

501
00:31:44,720 --> 00:31:47,360
Speaker 1: tok came after you as well. Yeah, but you g

502
00:31:47,520 --> 00:31:51,720
Speaker 1: k from Port Arthur. Okay, so it's a difference. But

503
00:31:51,840 --> 00:31:54,200
Speaker 1: you got damnit, you got the os claud you got

504
00:31:54,360 --> 00:32:01,440
Speaker 1: knot the same time, uh Romeo Poet, Willy D Slim

505
00:32:01,600 --> 00:32:06,360
Speaker 1: you and Paul Wong You, you got de Lo who

506
00:32:06,400 --> 00:32:08,520
Speaker 1: want my missing man? Like, it's a lot of dope

507
00:32:08,600 --> 00:32:15,520
Speaker 1: ass rappers want one, Come on, let's get one. Kyle

508
00:32:16,680 --> 00:32:21,520
Speaker 1: got a rapper named Killer Kleon. That's a bad motherfucker. Yeah,

509
00:32:22,000 --> 00:32:25,680
Speaker 1: you got a leave three sixty neighborhood kills. It's a

510
00:32:25,760 --> 00:32:29,240
Speaker 1: lot of them. It's too many. There's too many like

511
00:32:29,320 --> 00:32:32,720
Speaker 1: they and then you know the you Beka movement, they

512
00:32:32,800 --> 00:32:35,520
Speaker 1: got some real spinners on their ship. So it's just

513
00:32:36,400 --> 00:32:40,160
Speaker 1: you know, it's like we meant a fire and then

514
00:32:40,200 --> 00:32:41,960
Speaker 1: they never got a chance to put it out. So

515
00:32:42,080 --> 00:32:44,600
Speaker 1: it's just it's just ongoing. Let's see that next one.

516
00:32:48,960 --> 00:32:53,240
Speaker 1: M what's up? Yeah, what's up? Nori? Question for Scarface? Well,

517
00:32:53,240 --> 00:32:55,040
Speaker 1: first of all, let me be clear, scar Face is

518
00:32:55,080 --> 00:32:57,400
Speaker 1: one of the absolute greatest who's ever lived. Um. I

519
00:32:57,520 --> 00:33:00,160
Speaker 1: told him this, and I'll tell the world this run

520
00:33:00,240 --> 00:33:03,160
Speaker 1: up in the DC area, Ghetto Boys and Scarface were

521
00:33:03,200 --> 00:33:05,920
Speaker 1: so iconic, Like we were not late to the party

522
00:33:05,960 --> 00:33:09,320
Speaker 1: in this area when it comes to Scarface, UM, we've

523
00:33:09,360 --> 00:33:12,160
Speaker 1: been down forever, um, and I'm sure Face will tell

524
00:33:12,160 --> 00:33:15,040
Speaker 1: you he always did real well in DC. My question is, though,

525
00:33:15,960 --> 00:33:18,680
Speaker 1: where do you rank The Fix among your bodies of

526
00:33:18,720 --> 00:33:22,720
Speaker 1: work and was it different? How different was the process

527
00:33:22,800 --> 00:33:24,600
Speaker 1: for you being a deaf jam did it make it

528
00:33:24,720 --> 00:33:27,920
Speaker 1: a different process for you? Because I absolutely love that album.

529
00:33:27,960 --> 00:33:30,480
Speaker 1: I think it's nearly perfect. Um, and I'm just curious

530
00:33:30,480 --> 00:33:33,640
Speaker 1: to wear face to how Face thinks of The Fix.

531
00:33:34,040 --> 00:33:37,320
Speaker 1: But seriously, Face, you are one of the greatest ever.

532
00:33:37,600 --> 00:33:39,800
Speaker 1: By the way, if you all haven't checked out his autobiography,

533
00:33:40,440 --> 00:33:43,120
Speaker 1: his book is incredible. Your voice in writing is good.

534
00:33:43,760 --> 00:33:45,960
Speaker 1: You know, with a good star, He's nasty. He's just

535
00:33:46,040 --> 00:33:54,800
Speaker 1: one of the all time greats. Love Face, Now, The

536
00:33:54,920 --> 00:33:57,640
Speaker 1: Fix is one of my favorite albums in your catalog.

537
00:33:57,840 --> 00:34:00,040
Speaker 1: I got it up to it as as once. I

538
00:34:00,040 --> 00:34:04,600
Speaker 1: don't carreous, so where you have I have never even

539
00:34:05,040 --> 00:34:11,359
Speaker 1: judged it like that. I don't know, bro, really it's

540
00:34:11,440 --> 00:34:13,759
Speaker 1: like I was making music. You know that, But you

541
00:34:13,800 --> 00:34:15,920
Speaker 1: don't have a favorite album. It's like the time and

542
00:34:16,040 --> 00:34:18,120
Speaker 1: that was like the time, and that's what That's what

543
00:34:18,400 --> 00:34:21,719
Speaker 1: was going on in my life at that time, you

544
00:34:21,800 --> 00:34:24,000
Speaker 1: know what I'm saying. Like, I will say this about

545
00:34:24,040 --> 00:34:27,200
Speaker 1: the Fix, like I had a lot of help, bro,

546
00:34:28,800 --> 00:34:31,320
Speaker 1: the process. This is you at depth, dam and you

547
00:34:31,480 --> 00:34:35,239
Speaker 1: all the president as well. And when you say you

548
00:34:35,440 --> 00:34:37,520
Speaker 1: had a lot of help, what you mean like I had?

549
00:34:37,719 --> 00:34:43,080
Speaker 1: I had every fucking producer that you can name phone

550
00:34:43,160 --> 00:34:46,239
Speaker 1: number in my roller decks. But I wouldn't call that help.

551
00:34:46,280 --> 00:34:50,719
Speaker 1: I would call that making the album. Yeah, but the

552
00:34:50,800 --> 00:34:54,240
Speaker 1: previous albums before that, I was responsible for making the beats.

553
00:34:57,000 --> 00:35:01,800
Speaker 1: I wasn't. They're gonna give you the best beats, and

554
00:35:01,880 --> 00:35:05,560
Speaker 1: they I don't know who I know. I did who

555
00:35:05,600 --> 00:35:07,120
Speaker 1: those people work, you know what I mean? I had

556
00:35:07,600 --> 00:35:10,160
Speaker 1: had to contact them people, But it was it was

557
00:35:10,239 --> 00:35:12,439
Speaker 1: like that. I imagine me being the producer, me walking

558
00:35:12,440 --> 00:35:14,319
Speaker 1: into the building. They're saying, who's the scester with? They

559
00:35:14,400 --> 00:35:16,200
Speaker 1: say a scar face? I go straight to the best

560
00:35:16,280 --> 00:35:22,160
Speaker 1: watch beats. Yeah, that's what I like. I've always worked

561
00:35:22,200 --> 00:35:29,239
Speaker 1: with Joe h Tone, Beto you know, Mike and I was,

562
00:35:29,520 --> 00:35:36,359
Speaker 1: you know, ninety five nineties sent responsible for the ship

563
00:35:36,480 --> 00:35:39,480
Speaker 1: that came in. The producers you worked with on The Fix? Uh,

564
00:35:41,480 --> 00:35:50,320
Speaker 1: Kanye I worked with? Uh knots Yeah? Uh, let's Kanye

565
00:35:50,560 --> 00:35:58,279
Speaker 1: nots uh for real? Uh? Who else? Y'all? Come on?

566
00:35:58,440 --> 00:36:07,960
Speaker 1: Body remember? Come on? Asked China Black? Wow? Uh? Mainly

567
00:36:08,000 --> 00:36:13,000
Speaker 1: it was Kanye though, but no, no, I'm not Mike

568
00:36:13,120 --> 00:36:15,080
Speaker 1: de Mike Dean need to do nothing on that album.

569
00:36:16,360 --> 00:36:23,200
Speaker 1: Tony Bazaro seam Yeah, who else? Mike didn't do nothing?

570
00:36:23,280 --> 00:36:26,360
Speaker 1: But uh mix that album? He didn't touch nothing, he

571
00:36:26,400 --> 00:36:33,480
Speaker 1: didn't produce nothing. China Black, yeah, keep going. Teammates, yeah,

572
00:36:33,520 --> 00:36:36,319
Speaker 1: teammates and Kanye Yeah, teammates got some big records on there.

573
00:36:36,880 --> 00:36:47,120
Speaker 1: So I never heard of him. What's his name? Oh Lofi? Yeah.

574
00:36:47,320 --> 00:36:50,239
Speaker 1: I don't know what Loafi did, but yeah, maybe I

575
00:36:50,320 --> 00:36:55,319
Speaker 1: can't remember. So the reason why The Fix is one

576
00:36:55,360 --> 00:36:59,920
Speaker 1: of my favorite and it might be political, it was

577
00:37:00,160 --> 00:37:03,560
Speaker 1: like you came to death Cam you you you were

578
00:37:03,680 --> 00:37:08,800
Speaker 1: the president of the Dog You the record here. It

579
00:37:08,960 --> 00:37:12,440
Speaker 1: was just like you you you actually without telling us,

580
00:37:12,520 --> 00:37:16,560
Speaker 1: you showed us again that that album means something. Because

581
00:37:16,600 --> 00:37:20,279
Speaker 1: at the time everybody as try to make singles as

582
00:37:20,320 --> 00:37:24,239
Speaker 1: the errors. It's all about single that the fixed was

583
00:37:24,880 --> 00:37:28,200
Speaker 1: from the beginning to the ending. I wasn't having no

584
00:37:28,239 --> 00:37:35,359
Speaker 1: other way. I wouldn't. I am. I'm serious as funk

585
00:37:35,400 --> 00:37:40,000
Speaker 1: about it, Okay, Like the way you see it, the

586
00:37:40,080 --> 00:37:42,759
Speaker 1: way you hear it. You know when you hear it,

587
00:37:43,800 --> 00:37:45,920
Speaker 1: the ship that's leading up to you see hearing it

588
00:37:46,160 --> 00:37:48,560
Speaker 1: like I'm gonna, I'm gonna, I'm gonna sex you in

589
00:37:48,680 --> 00:37:51,359
Speaker 1: the fucking chair, bro. Then you're gonna watch the show.

590
00:37:52,440 --> 00:37:54,640
Speaker 1: You feel me like you're gonna watch this fucking show

591
00:37:55,160 --> 00:37:59,560
Speaker 1: like oh God, oh oh, and then you gonna hear it,

592
00:38:00,360 --> 00:38:02,399
Speaker 1: like how are you so ready to hear this ship

593
00:38:02,560 --> 00:38:05,960
Speaker 1: set up? He was on he was on the Depth

594
00:38:06,040 --> 00:38:09,680
Speaker 1: Jam Depth Jam. It was the Leo Cones, Leo Colones, Keviniles,

595
00:38:09,719 --> 00:38:15,000
Speaker 1: Julie Greenwall, Mike Kaiser, and the AA Rob Love, Sam Cresco.

596
00:38:15,520 --> 00:38:19,160
Speaker 1: That was Tina Davis. How get so sorry, Tina Um

597
00:38:19,640 --> 00:38:21,680
Speaker 1: he's over there Empire doing I think right now too.

598
00:38:22,000 --> 00:38:24,480
Speaker 1: But you had the real was that like the first

599
00:38:24,520 --> 00:38:27,000
Speaker 1: time you felt like a major was behind you or

600
00:38:27,560 --> 00:38:30,880
Speaker 1: or you felt like that pride because I felt the

601
00:38:30,960 --> 00:38:34,279
Speaker 1: major was behind you that time. Man I've been with

602
00:38:34,440 --> 00:38:38,040
Speaker 1: Rapple out of all my life. Bro always that was

603
00:38:38,160 --> 00:38:44,359
Speaker 1: always is independent, yes, independent, but but you know, Jay

604
00:38:44,880 --> 00:38:49,040
Speaker 1: made us believe that anything it was possible, you know

605
00:38:49,080 --> 00:38:51,440
Speaker 1: what I'm saying. So if I could go if I

606
00:38:51,520 --> 00:38:56,040
Speaker 1: could go platinum, you know and the independent that ship,

607
00:38:56,160 --> 00:39:00,520
Speaker 1: if a major could take me triple platinum, quadruple platinum,

608
00:39:00,560 --> 00:39:04,320
Speaker 1: that we're doing something, you feel me. But if Amazing

609
00:39:04,400 --> 00:39:07,000
Speaker 1: can keep me where I am, then I'm just where

610
00:39:07,040 --> 00:39:12,799
Speaker 1: I am. I ain't moving around, you feel me? So? Uh,

611
00:39:14,120 --> 00:39:15,960
Speaker 1: I just felt like I had a lot of help man,

612
00:39:16,560 --> 00:39:19,120
Speaker 1: and I had a lot of uh. I had a

613
00:39:19,200 --> 00:39:22,759
Speaker 1: lot of people that new ship, you know about the

614
00:39:22,880 --> 00:39:26,120
Speaker 1: music industry that was around me. You know, I had

615
00:39:26,160 --> 00:39:30,640
Speaker 1: a lot of experienced people around me. But thinking about

616
00:39:33,719 --> 00:39:36,840
Speaker 1: and looking back on everything that that I learned, and

617
00:39:36,960 --> 00:39:40,600
Speaker 1: I saw a death jam already knew from the little

618
00:39:40,640 --> 00:39:44,319
Speaker 1: independent label that I came from. You know, we worked

619
00:39:44,360 --> 00:39:48,960
Speaker 1: a lot harder, you know, we we worked hard as

620
00:39:49,040 --> 00:39:52,719
Speaker 1: fun to get that label to where to where it is.

621
00:39:55,000 --> 00:39:58,960
Speaker 1: But I mean I was about the same, you know

622
00:39:59,000 --> 00:40:01,680
Speaker 1: what I mean. It was crazy, But what was that

623
00:40:01,760 --> 00:40:04,960
Speaker 1: supposed to be the first record to set off the

624
00:40:05,040 --> 00:40:10,480
Speaker 1: death jam? South it was ludicrous. The first was when

625
00:40:10,520 --> 00:40:12,640
Speaker 1: you came in, you got in ludicrous, right, I did

626
00:40:13,200 --> 00:40:15,320
Speaker 1: you know when I came in, I wasn't. You know.

627
00:40:15,400 --> 00:40:17,759
Speaker 1: It's a funny thing too, like all of the down

628
00:40:17,880 --> 00:40:21,120
Speaker 1: South artists that shine, like from Rick Ross to t

629
00:40:21,440 --> 00:40:24,759
Speaker 1: I to David Bannon too. A little flip to all

630
00:40:24,840 --> 00:40:27,560
Speaker 1: of those kids like I, Paul Waugh and came here

631
00:40:27,640 --> 00:40:29,680
Speaker 1: in there. I tried to bring them to death Jam

632
00:40:29,800 --> 00:40:35,879
Speaker 1: South bro whole life wow. But but what was death

633
00:40:35,960 --> 00:40:38,600
Speaker 1: Jam South? Exactly? Like? What wasn't because at some point

634
00:40:38,640 --> 00:40:41,399
Speaker 1: it didn't seem like it just folded into death Jam. Yeah,

635
00:40:41,400 --> 00:40:44,120
Speaker 1: I left. I left. It wasn't a real thing. It

636
00:40:44,239 --> 00:40:47,200
Speaker 1: was just it was. It was pretty dope, and it

637
00:40:47,280 --> 00:40:50,120
Speaker 1: was I had my own No, No, it was Todd

638
00:40:50,200 --> 00:40:54,800
Speaker 1: Mosko Okay, Yeah, that was Todd and uh Leod that

639
00:40:54,880 --> 00:40:57,320
Speaker 1: put it together. And then Kevin you know when we

640
00:40:57,640 --> 00:41:01,840
Speaker 1: worked together, but later on took it over. I was

641
00:41:01,960 --> 00:41:08,560
Speaker 1: way going about it. Yeah, but it was always big man.

642
00:41:08,640 --> 00:41:11,640
Speaker 1: I had my old staff in Atlanta, you know, so

643
00:41:11,719 --> 00:41:15,319
Speaker 1: you got headquarters and everything. It was cool. And then uh,

644
00:41:16,960 --> 00:41:20,600
Speaker 1: I couldn't get Haystack sign bro, like I couldn't get

645
00:41:20,640 --> 00:41:22,960
Speaker 1: Trip signed. But Haystack was a big old white boy

646
00:41:23,000 --> 00:41:26,000
Speaker 1: out of Tennessee man that really fit the death jail

647
00:41:26,080 --> 00:41:29,719
Speaker 1: South uh description man. And he was dope. You know

648
00:41:30,320 --> 00:41:32,359
Speaker 1: I couldn't get that sign. I couldn't get tripped out

649
00:41:32,400 --> 00:41:35,319
Speaker 1: of Florida Sun. You got an artists out here by

650
00:41:35,360 --> 00:41:39,720
Speaker 1: the name of Triple j and calling Fresh Dope. Motherfucker's

651
00:41:39,920 --> 00:41:44,440
Speaker 1: fucking awesome. Wow, Google that ship put that shift on

652
00:41:44,560 --> 00:41:46,960
Speaker 1: your on your on your on your month heres and

653
00:41:47,040 --> 00:41:50,520
Speaker 1: his name is Fresh Dope. Check it out. Okay, So

654
00:41:51,160 --> 00:41:53,640
Speaker 1: on my block that's one of my favorite singles of

655
00:41:53,719 --> 00:41:57,920
Speaker 1: all time. It's probably, I would say, one of your

656
00:41:58,000 --> 00:42:03,520
Speaker 1: brightest records. But still the subject matter that you chose

657
00:42:03,600 --> 00:42:07,239
Speaker 1: that for your single right, they chose it. They chose

658
00:42:07,320 --> 00:42:09,719
Speaker 1: that ship. They chose it. You didn't the way you

659
00:42:09,800 --> 00:42:11,520
Speaker 1: said it. Don't tell me you don't like my block.

660
00:42:14,640 --> 00:42:20,359
Speaker 1: It was like, it's so say really, my ship, my blow?

661
00:42:20,680 --> 00:42:22,759
Speaker 1: My ship was I s watered. It started small time,

662
00:42:22,920 --> 00:42:25,640
Speaker 1: don't game, pushing on the corne the fifties cent cook

663
00:42:25,760 --> 00:42:29,239
Speaker 1: up fifty flippers if you want them full amount to high.

664
00:42:29,320 --> 00:42:31,960
Speaker 1: But coach freaking Mary won the cops rolling up on

665
00:42:32,160 --> 00:42:35,120
Speaker 1: us my neighborhood, Like I should up that kind of

666
00:42:35,160 --> 00:42:37,560
Speaker 1: ships my single. But go ahead, but yeah, go ahead,

667
00:42:38,320 --> 00:42:42,760
Speaker 1: So wait a minute, so you make my block definitely

668
00:42:43,040 --> 00:42:45,160
Speaker 1: comes to you and says, says, this is the single,

669
00:42:45,239 --> 00:42:46,600
Speaker 1: this is the one. I think that might have been

670
00:42:46,680 --> 00:42:49,600
Speaker 1: Kevin lows Bro. I think everybody you know, and we

671
00:42:49,680 --> 00:42:52,400
Speaker 1: had this thing man called everybody had to be in

672
00:42:52,440 --> 00:42:55,160
Speaker 1: the boat. Okay, so I think that everybody got in

673
00:42:55,200 --> 00:42:58,680
Speaker 1: that boat and they picked that one. But hold on,

674
00:42:59,320 --> 00:43:01,520
Speaker 1: so I'm gonna you don't understand how this being happens.

675
00:43:02,040 --> 00:43:04,960
Speaker 1: You're not feelingless. I mean, shot, I'm a ride when

676
00:43:04,960 --> 00:43:09,720
Speaker 1: the news amazing, like I'm what I'm saying is because

677
00:43:09,760 --> 00:43:12,600
Speaker 1: this hurt me. I love that single. I would have

678
00:43:12,680 --> 00:43:15,680
Speaker 1: I would have thought you single handedly made that. You

679
00:43:15,760 --> 00:43:18,120
Speaker 1: know what I'm not. I'm not a radio saying O, dude,

680
00:43:18,360 --> 00:43:21,960
Speaker 1: you know what I mean like this, I love the

681
00:43:22,080 --> 00:43:24,880
Speaker 1: fucking streets. It's true. It's like saying, you don't hit doubles,

682
00:43:24,920 --> 00:43:27,640
Speaker 1: but you on the Yankees. Now, now you're on the Yankees.

683
00:43:28,360 --> 00:43:30,360
Speaker 1: That's not your forte hitting doubles, but you know you

684
00:43:30,440 --> 00:43:34,359
Speaker 1: can hit a double with this one. You didn't feel

685
00:43:34,400 --> 00:43:38,160
Speaker 1: like that at all. Damn. Basically hurt my feelings real,

686
00:43:39,560 --> 00:43:43,680
Speaker 1: damn man. I love the fucking streets. Man. I don't

687
00:43:43,719 --> 00:43:47,239
Speaker 1: give a funk about that radio no, because you know

688
00:43:47,320 --> 00:43:50,279
Speaker 1: what the radio do. They're gonna play your ship and

689
00:43:50,320 --> 00:43:52,880
Speaker 1: then they're gonna be gone. You know what the streets

690
00:43:52,960 --> 00:43:55,719
Speaker 1: gonna do. They're gonna play your ship, and they're gonna

691
00:43:55,719 --> 00:43:58,480
Speaker 1: play your ship, and they're gonna play your ship and

692
00:43:58,520 --> 00:44:02,200
Speaker 1: they're gonna play your ship. I agree, I don't funk

693
00:44:02,239 --> 00:44:05,279
Speaker 1: with that radio ship, but not turning off the radio neither.

694
00:44:05,840 --> 00:44:07,560
Speaker 1: I didn't turn off my block when it came on.

695
00:44:07,680 --> 00:44:09,960
Speaker 1: I prompt it up. I don't even know if they

696
00:44:10,040 --> 00:44:14,959
Speaker 1: played that they yeah, Well, you know how I feel

697
00:44:14,960 --> 00:44:20,839
Speaker 1: about the radio song, stand my lane bow, Let's let's

698
00:44:20,840 --> 00:44:23,000
Speaker 1: get Let's get all some more, some more people? Are you?

699
00:44:23,280 --> 00:44:29,160
Speaker 1: I never thought that bro. Totally against radio. I'm until

700
00:44:29,200 --> 00:44:33,880
Speaker 1: I die one time for the O G S O G.

701
00:44:34,160 --> 00:44:39,040
Speaker 1: Turn it off. Big brother, my mentor, my comfort. I

702
00:44:39,160 --> 00:44:41,239
Speaker 1: love him so much. He's been so much for me

703
00:44:41,360 --> 00:44:44,320
Speaker 1: throughout my career as well as my personal life, and

704
00:44:44,400 --> 00:44:46,359
Speaker 1: I'm so glad that the dream chances of giving him

705
00:44:46,400 --> 00:44:52,480
Speaker 1: his flowers. My brother, our brother, the illustrious Mr. Scoff

706
00:44:52,560 --> 00:44:56,320
Speaker 1: faced himself Brad Jordan's I love you, big homie, but

707
00:44:57,760 --> 00:45:00,399
Speaker 1: I would love for you to talk about Andre Camp

708
00:45:00,719 --> 00:45:03,040
Speaker 1: when we all went to Freak Nick that year where

709
00:45:03,040 --> 00:45:06,000
Speaker 1: everybody went to Freak Nick where you had the yellow Lamborghini.

710
00:45:06,160 --> 00:45:11,560
Speaker 1: Talk about that weekend big on me. I have nothing

711
00:45:11,600 --> 00:45:22,040
Speaker 1: to say it was. I'm so curious because your face

712
00:45:22,160 --> 00:45:27,640
Speaker 1: just did some did a different turn. I had a Ferrari.

713
00:45:28,920 --> 00:45:40,200
Speaker 1: It was a yellow and I wasn't many like back then. Um.

714
00:45:42,719 --> 00:45:44,680
Speaker 1: You know you take a picture at the car on

715
00:45:44,760 --> 00:45:47,520
Speaker 1: the car from the dealership and ship right, but but

716
00:45:47,600 --> 00:45:50,600
Speaker 1: you don't drive away in Yeah, I did you bring

717
00:45:50,880 --> 00:45:54,080
Speaker 1: I've been young. So I dropped my ship out to

718
00:45:54,520 --> 00:45:59,800
Speaker 1: uh Atlanta, Atlanta for Freak Nick one year, uh nineties

719
00:46:01,239 --> 00:46:09,319
Speaker 1: two four. It was not the last year, okay, maybe

720
00:46:09,440 --> 00:46:13,640
Speaker 1: ninety four was the last year the freaking out and

721
00:46:13,680 --> 00:46:16,080
Speaker 1: it was bosting their wide open. That ship went down.

722
00:46:16,280 --> 00:46:20,800
Speaker 1: I mean went down. I wasn't down with it, but

723
00:46:20,960 --> 00:46:26,319
Speaker 1: it went down. It was some more McCallum man. Now

724
00:46:26,360 --> 00:46:29,200
Speaker 1: I know how to man. I'm a professional. Okay, So

725
00:46:29,320 --> 00:46:32,279
Speaker 1: what went down? We have no idea what you're talking about.

726
00:46:34,719 --> 00:46:44,040
Speaker 1: Should We had a good time blast, but you know

727
00:46:44,120 --> 00:46:50,040
Speaker 1: what I didn't. I kept my paying something, okay, I

728
00:46:50,200 --> 00:46:59,040
Speaker 1: kept my playing, I kept my pants okay, okay, okay,

729
00:46:59,680 --> 00:47:07,719
Speaker 1: all can't get what it's got. This is just another one.

730
00:47:08,800 --> 00:47:11,920
Speaker 1: It's a funny one too. I'll say this one face

731
00:47:11,920 --> 00:47:15,279
Speaker 1: small with up boys sag on and I want first

732
00:47:15,320 --> 00:47:19,200
Speaker 1: salute to legends question man being you are part of

733
00:47:19,280 --> 00:47:22,200
Speaker 1: the legend devy ghetto boys group. There's a rumor going

734
00:47:22,280 --> 00:47:25,839
Speaker 1: around that my man Willie D knocked out Mellie Mayo. Man. First,

735
00:47:25,880 --> 00:47:27,920
Speaker 1: I want to know if it's true. Second, I want

736
00:47:27,920 --> 00:47:29,520
Speaker 1: to know was you there to witness this? And if

737
00:47:29,600 --> 00:47:31,919
Speaker 1: you was, how do you feel about seeing your partner

738
00:47:32,040 --> 00:47:34,839
Speaker 1: knock out a fucking pioneer like that? Man? Mellie Mail

739
00:47:34,920 --> 00:47:38,359
Speaker 1: is a pioneered man. Anyway, God bless man, get back

740
00:47:38,400 --> 00:47:41,720
Speaker 1: to this training. Salute face small scarf face, ghetto boys

741
00:47:41,800 --> 00:47:45,040
Speaker 1: hat or a day. Okay, I've never heard this face.

742
00:47:45,320 --> 00:47:53,640
Speaker 1: I've heard the story. You've heard this slotn. Let Willie

743
00:47:53,680 --> 00:47:58,160
Speaker 1: tell his own story. But I will say this, don't

744
00:47:58,160 --> 00:48:00,719
Speaker 1: you run over WILLI D talking with the ship, y'all

745
00:48:00,760 --> 00:48:07,319
Speaker 1: see Willie Dan he jitsu. I asked me all about

746
00:48:07,360 --> 00:48:21,759
Speaker 1: that ninjitsu. I need you was gonna do that I

747
00:48:21,840 --> 00:48:24,040
Speaker 1: heard that Willie d beat up two people that day.

748
00:48:24,640 --> 00:48:27,680
Speaker 1: Really yeah, but I let him tell his own story.

749
00:48:28,320 --> 00:48:32,640
Speaker 1: All right, we need, really need. What's the first tour?

750
00:48:32,760 --> 00:48:40,880
Speaker 1: That first national tour went on? Public Enemy, Latifa, Uh, Jazz,

751
00:48:41,000 --> 00:48:50,839
Speaker 1: Jeff Fresh, Prince, fucking uh, you know, Nature, Apache, rest

752
00:48:50,880 --> 00:48:59,239
Speaker 1: in Peace, Tribe, call Quest and lead us into a school. Yeah, no,

753
00:48:59,440 --> 00:49:04,640
Speaker 1: the lead us in a new school. But Buster rhymes, Uh,

754
00:49:06,239 --> 00:49:11,720
Speaker 1: that's the first national tour. Yeah, I can't remember everybody

755
00:49:11,800 --> 00:49:14,000
Speaker 1: on that ship. Man, let me tell you something, man,

756
00:49:14,800 --> 00:49:21,360
Speaker 1: like all of those those tours, man, like like I

757
00:49:21,480 --> 00:49:24,319
Speaker 1: was cool as fuck, Like I was always cool. Man,

758
00:49:24,440 --> 00:49:26,600
Speaker 1: be in my room, I don't you know, I'll come

759
00:49:26,640 --> 00:49:29,160
Speaker 1: out with my brother, come out and we'll go get

760
00:49:29,200 --> 00:49:33,440
Speaker 1: something to go to ball some ship like that, and like,

761
00:49:33,520 --> 00:49:35,160
Speaker 1: I don't know what Willie and I do know what

762
00:49:35,280 --> 00:49:40,040
Speaker 1: Bill did. Like Bill was the epitome of what you

763
00:49:40,080 --> 00:49:43,560
Speaker 1: would call a fucking rock star, you know, because he

764
00:49:43,600 --> 00:49:46,160
Speaker 1: would thrash the hotels, he would throw the TVs out

765
00:49:46,200 --> 00:49:53,640
Speaker 1: the window. TV man like Bill, Bill was a fucking

766
00:49:53,960 --> 00:49:57,440
Speaker 1: rock star. You couldn't tell him nothing, bro. You couldn't

767
00:49:57,480 --> 00:50:00,839
Speaker 1: say Bill, don't do that, bro, and do that? Man?

768
00:50:01,680 --> 00:50:09,200
Speaker 1: Hear fucking face. I don't give about fame. Fucking everybody

769
00:50:09,320 --> 00:50:14,959
Speaker 1: wants to be fucking Dodds. I'll I don't get about

770
00:50:15,040 --> 00:50:23,839
Speaker 1: five phase. Goddamn Bill, that's a two thousand dollar motherfucking TV.

771
00:50:23,920 --> 00:50:27,759
Speaker 1: You just these people win. Man, I don't give a fuck.

772
00:50:28,000 --> 00:50:30,040
Speaker 1: You know, Bill, you don't give a He didn't give

773
00:50:30,080 --> 00:50:37,040
Speaker 1: a funk man, You know, wow, you know Bill, Bill,

774
00:50:37,600 --> 00:50:41,600
Speaker 1: like that was my little dude. Man Like he would

775
00:50:41,640 --> 00:50:45,160
Speaker 1: always walk faster than I could, so looking at him

776
00:50:45,239 --> 00:50:49,200
Speaker 1: from behind. You ever seen the movie Big Laugh, Man,

777
00:50:50,560 --> 00:50:52,759
Speaker 1: that's the way you just said that minute. You've seen

778
00:50:52,840 --> 00:50:56,200
Speaker 1: the movie Big Bro. Like my friend that shrunk down

779
00:50:56,320 --> 00:50:59,440
Speaker 1: and had dude I he was. He was cool man

780
00:50:59,560 --> 00:51:03,279
Speaker 1: like Hanks wasn't big, like it just got small, you know,

781
00:51:04,000 --> 00:51:08,919
Speaker 1: and he got small. Man with that little bity dude.

782
00:51:09,040 --> 00:51:13,520
Speaker 1: He was smartest fuck and he was probably the biggest

783
00:51:13,680 --> 00:51:19,560
Speaker 1: asshole in the world for real. Like, ask anybody like

784
00:51:19,760 --> 00:51:21,759
Speaker 1: Bill come and spend the night at your house and

785
00:51:21,880 --> 00:51:24,399
Speaker 1: leave two or three weeks later. Man, cut you out,

786
00:51:25,120 --> 00:51:27,520
Speaker 1: eat up all your food, stuff, up all your dog,

787
00:51:28,760 --> 00:51:32,960
Speaker 1: tell you fuck you be at somebody else house next week.

788
00:51:33,080 --> 00:51:36,239
Speaker 1: You know, Bill didn't give a fuck like you had

789
00:51:36,320 --> 00:51:42,759
Speaker 1: to love Bill bro. What's another one? I missed the

790
00:51:42,800 --> 00:51:50,440
Speaker 1: ship out of Bill Man, Mr the Mr Scott Face

791
00:51:50,560 --> 00:51:56,080
Speaker 1: Swimon and down the block out came to gauge and

792
00:51:56,400 --> 00:52:01,560
Speaker 1: he shot up all the spots. What young Gotti scar

793
00:52:01,760 --> 00:52:09,960
Speaker 1: facing the building history, West Coast history, Southern history in

794
00:52:10,080 --> 00:52:14,719
Speaker 1: the South. I can't. I gotta keep this game straight, man,

795
00:52:14,800 --> 00:52:17,960
Speaker 1: You understand me. Gotti Heffner in the building, he did

796
00:52:18,600 --> 00:52:23,160
Speaker 1: telling this game real quick face mob East Coast history.

797
00:52:24,400 --> 00:52:28,040
Speaker 1: You understand me, Mr scar Face. I love you, hun,

798
00:52:28,880 --> 00:52:30,680
Speaker 1: you know what I mean. I got a question for

799
00:52:30,840 --> 00:52:38,040
Speaker 1: you coming up in the South out in Houston. What

800
00:52:38,200 --> 00:52:41,160
Speaker 1: can you tell these people is trying to come up

801
00:52:41,239 --> 00:52:46,960
Speaker 1: from the south out in Houston, dollars all surrounding areas.

802
00:52:47,200 --> 00:52:52,919
Speaker 1: What does it take? Man? That all this you learned

803
00:52:53,000 --> 00:52:55,840
Speaker 1: being in the streets, going from the streets to question

804
00:52:57,480 --> 00:53:02,120
Speaker 1: and so real? Well, because we wonder why artists don't

805
00:53:02,800 --> 00:53:06,040
Speaker 1: make it past a certain point on the map, uh,

806
00:53:06,719 --> 00:53:10,479
Speaker 1: I meaning local artists right, okay? And I always thought

807
00:53:10,600 --> 00:53:15,640
Speaker 1: that we kept it, we kept it too local, you know,

808
00:53:16,760 --> 00:53:21,800
Speaker 1: we wrapped to impress over our city. You know what

809
00:53:21,840 --> 00:53:24,360
Speaker 1: I mean? Yeah, man, I'm gonna give me some elbows.

810
00:53:24,400 --> 00:53:27,400
Speaker 1: I'm gonna pull up at motherfucking Papa Does, and Papa

811
00:53:27,480 --> 00:53:30,400
Speaker 1: do is one of my favorite restaurants. Y'all, let's go.

812
00:53:31,600 --> 00:53:34,919
Speaker 1: But if if you ain't got a person as well

813
00:53:35,120 --> 00:53:39,440
Speaker 1: versus like you, you know, and they from somewhere that

814
00:53:39,480 --> 00:53:41,600
Speaker 1: they got no Papa doos, they don't know what then

815
00:53:41,760 --> 00:53:45,680
Speaker 1: Papa does. Is if I tell the motherfucker that pulled

816
00:53:45,719 --> 00:53:47,640
Speaker 1: up a timid chance and they're like, what the fund

817
00:53:47,719 --> 00:53:51,000
Speaker 1: is timmy chance? But that's the huge first one. Drinking

818
00:53:51,000 --> 00:54:02,600
Speaker 1: scissor too, right, I don't work around Okay, continue, I

819
00:54:02,640 --> 00:54:05,600
Speaker 1: mean every now and then, you know, back then in

820
00:54:05,680 --> 00:54:10,200
Speaker 1: the gap, I had a simp up too, but he

821
00:54:10,360 --> 00:54:16,359
Speaker 1: said that abo type of hype man. The last thing

822
00:54:16,440 --> 00:54:20,799
Speaker 1: I want to do is be moving slow. You know. Um,

823
00:54:23,239 --> 00:54:26,040
Speaker 1: I'm sure that the first record that came out about

824
00:54:29,040 --> 00:54:31,680
Speaker 1: uh certain came from out of Houston. But I just

825
00:54:31,840 --> 00:54:37,719
Speaker 1: think that we gotta we gotta, we gotta go a

826
00:54:37,800 --> 00:54:41,440
Speaker 1: little bit deeper on our subject matter. And that's that

827
00:54:41,520 --> 00:54:44,959
Speaker 1: and that and that's how we'll get to that next level.

828
00:54:45,640 --> 00:54:48,320
Speaker 1: You know what I'm saying, Like, we can't wrap for

829
00:54:48,360 --> 00:54:51,200
Speaker 1: our homeboys no more. That's what you answer corrupt questions

830
00:54:51,680 --> 00:54:54,800
Speaker 1: as a corrupt question. You know, I think that everybody

831
00:54:54,960 --> 00:54:57,880
Speaker 1: we should we should wrap not only for our homeboys,

832
00:54:58,200 --> 00:55:00,719
Speaker 1: but we should wrap for our homeboys in Miami and

833
00:55:00,800 --> 00:55:05,080
Speaker 1: my homeboys and Cleveland hallboys in DC, homeboys in Chicago,

834
00:55:05,760 --> 00:55:09,160
Speaker 1: homeboys South. The war reports, we didn't all slang was

835
00:55:09,280 --> 00:55:12,759
Speaker 1: just queens A slang was just left rack Queensbridge. Yeah,

836
00:55:12,800 --> 00:55:16,759
Speaker 1: but motherfucker's in New York picked up on this ship. Yeah,

837
00:55:16,760 --> 00:55:20,400
Speaker 1: but I didn't think Hoston appreciate. Let's go to another one.

838
00:55:20,480 --> 00:55:24,799
Speaker 1: Let's go to a big homeboy Ice tea brother mob

839
00:55:24,920 --> 00:55:28,960
Speaker 1: is Iceberg. Man, you know your motherfucking nigger man representing man.

840
00:55:29,000 --> 00:55:30,640
Speaker 1: I just want to let you know, man, how much

841
00:55:30,680 --> 00:55:33,800
Speaker 1: we love you, how real you are, how much I

842
00:55:34,280 --> 00:55:39,640
Speaker 1: am inspired by you, how how your lyrics are some

843
00:55:39,800 --> 00:55:43,120
Speaker 1: of the few that makes sense and means something. You know,

844
00:55:43,760 --> 00:55:47,600
Speaker 1: and we talked before when you dropped deeply rooted. I'm like, Man,

845
00:55:48,080 --> 00:55:49,920
Speaker 1: the only way I might get back in the studio

846
00:55:49,960 --> 00:55:52,560
Speaker 1: and do an album is if you produced the whole

847
00:55:52,640 --> 00:55:57,879
Speaker 1: goddamn album. I think that would be dope. Uh. I'm

848
00:55:57,960 --> 00:56:01,479
Speaker 1: building the studio in New Jersey right now, so let's

849
00:56:01,520 --> 00:56:04,919
Speaker 1: get it. Man. Stop playing. Nori called me today, said

850
00:56:04,960 --> 00:56:08,719
Speaker 1: Ice Man, let's let's let's give uh scar Face some love.

851
00:56:08,760 --> 00:56:10,480
Speaker 1: I'm like, that's not a problem. I'm in the car

852
00:56:10,680 --> 00:56:13,359
Speaker 1: right now, you know, waiting on white come from a run.

853
00:56:13,400 --> 00:56:15,160
Speaker 1: Look I got you now I'm back, say hi now

854
00:56:18,760 --> 00:56:22,279
Speaker 1: I'm on my dad. Bullshit today. But love is love man,

855
00:56:22,800 --> 00:56:25,480
Speaker 1: from one G to another G man, scar Face man,

856
00:56:25,560 --> 00:56:28,919
Speaker 1: love you to death man? And who knows? Man? Maybe

857
00:56:28,960 --> 00:56:33,959
Speaker 1: an Ice tea scar Face project produced produced by scar Face.

858
00:56:34,080 --> 00:56:36,080
Speaker 1: You know, of course you got to drop some bars.

859
00:56:37,320 --> 00:56:41,040
Speaker 1: That might be the way to go. You know, that

860
00:56:41,160 --> 00:56:51,160
Speaker 1: might be the ship. Are we breaking grounds? Is that?

861
00:56:51,280 --> 00:56:53,120
Speaker 1: First of all? That happened? First of all, I don't

862
00:56:53,120 --> 00:56:56,560
Speaker 1: remember here, Yeah, I gotta record together, right, I don't

863
00:56:56,600 --> 00:57:00,880
Speaker 1: think so, I don't remember. Just I'm gonna be honest

864
00:57:01,160 --> 00:57:03,319
Speaker 1: when he said that, because you know, I just called

865
00:57:03,360 --> 00:57:05,719
Speaker 1: everyone ten times only I have no pridlem I have

866
00:57:05,840 --> 00:57:07,800
Speaker 1: no problem to so you know, so I called everyone

867
00:57:07,880 --> 00:57:09,560
Speaker 1: ten times like you'll make sure they do it. And

868
00:57:09,640 --> 00:57:12,880
Speaker 1: when he said that, I literally chilled went throughout my

869
00:57:13,000 --> 00:57:15,600
Speaker 1: body and literally watching it again, knowing was about to

870
00:57:15,640 --> 00:57:19,080
Speaker 1: come on. Still equally, chill still came through my body.

871
00:57:20,680 --> 00:57:28,240
Speaker 1: Did you ever know that? Man? Um? Like you know

872
00:57:28,440 --> 00:57:32,840
Speaker 1: my my mind when when I uh first man Ice

873
00:57:32,960 --> 00:57:35,760
Speaker 1: Team Man, Ice Tea took me up to the hills

874
00:57:35,840 --> 00:57:39,760
Speaker 1: to this house, bro should open up okay, And I

875
00:57:39,960 --> 00:57:44,800
Speaker 1: was fucked up. You know. I was like wow, man,

876
00:57:45,480 --> 00:57:52,680
Speaker 1: like people really do live like this and my dream

877
00:57:52,800 --> 00:57:55,520
Speaker 1: that was another one of my there was another segment

878
00:57:55,600 --> 00:57:59,720
Speaker 1: of my dreams man too. You know, he showed me

879
00:57:59,800 --> 00:58:04,240
Speaker 1: some ship and for Ice Tea to say that, and

880
00:58:04,360 --> 00:58:06,880
Speaker 1: like I said, Bro, that's that's that's my big brother man,

881
00:58:06,960 --> 00:58:10,040
Speaker 1: that's my that's the old g bro. And for him to,

882
00:58:10,280 --> 00:58:13,320
Speaker 1: you know, want to I want me to do his project,

883
00:58:13,960 --> 00:58:18,320
Speaker 1: like I fuck Iced Tea's album up because I'm a fan.

884
00:58:19,240 --> 00:58:20,640
Speaker 1: You know what I'm saying. It's easy to work with

885
00:58:20,760 --> 00:58:24,120
Speaker 1: people that you're a fan of because you know the

886
00:58:24,240 --> 00:58:27,120
Speaker 1: direction that you would want to hear them go from there.

887
00:58:28,440 --> 00:58:31,360
Speaker 1: So if I ever sat down at the new studio

888
00:58:31,520 --> 00:58:34,840
Speaker 1: that Ice He's building in New Jersey and I did

889
00:58:34,920 --> 00:58:40,840
Speaker 1: his record, I fucking up bad, Like yeah, like it'll

890
00:58:40,880 --> 00:58:43,520
Speaker 1: probably be the best record that Iced Tea has ever made.

891
00:58:44,240 --> 00:58:54,160
Speaker 1: Because I want to do that's a big fan. I

892
00:58:54,200 --> 00:58:56,240
Speaker 1: don't know why he's looking like Tyger Woods and there

893
00:58:57,400 --> 00:59:04,000
Speaker 1: who that oh, because everyone everyone know you're a golfer.

894
00:59:04,080 --> 00:59:07,120
Speaker 1: So if people want to put on golf, shoot, yeah,

895
00:59:07,280 --> 00:59:10,200
Speaker 1: Like I like don't want to play golf. People want

896
00:59:10,240 --> 00:59:13,680
Speaker 1: to send a lot of love to my brother's scarf face.

897
00:59:13,880 --> 00:59:20,280
Speaker 1: Man one of the most influential rappers in history of

898
00:59:20,400 --> 00:59:25,160
Speaker 1: hip hop. Man definitely in the South's definitely trend center

899
00:59:25,240 --> 00:59:29,320
Speaker 1: in the South and in hip hop period. Musical genius

900
00:59:29,520 --> 00:59:32,200
Speaker 1: play several instruments. You know, I just want to see

901
00:59:32,240 --> 00:59:34,200
Speaker 1: in your flowers. Can't love your face, you know how

902
00:59:34,240 --> 00:59:36,720
Speaker 1: we do my brother. Yeah, I'm gonna get your ass

903
00:59:36,800 --> 00:59:39,240
Speaker 1: some greens real soon. I know you want to say

904
00:59:39,280 --> 00:59:42,919
Speaker 1: that he's looking like tyger Woods, like John like, I'll

905
00:59:43,120 --> 00:59:49,960
Speaker 1: kill rule. Bro. That's my partner to man. But man,

906
00:59:50,000 --> 00:59:54,120
Speaker 1: I want to smash it. Bro, you're serious about golf now, ship?

907
00:59:54,560 --> 00:59:57,160
Speaker 1: All right? All right, First of all, he had a question.

908
00:59:58,400 --> 01:00:03,040
Speaker 1: No that wasn't no more questions. All right, you're from

909
01:00:03,120 --> 01:00:06,360
Speaker 1: fifth Ward right, not from Sunnyside, South Park, South Acas,

910
01:00:06,840 --> 01:00:13,880
Speaker 1: South Park, South Acres. Yeah, South Park, South Park, Sunnyside,

911
01:00:13,960 --> 01:00:17,720
Speaker 1: South Acas. It's right there. You from there. How the

912
01:00:17,920 --> 01:00:22,160
Speaker 1: fund do you do you get introduced to golf? My

913
01:00:22,240 --> 01:00:24,800
Speaker 1: little girl kicked my ass at golf. She was fourteen

914
01:00:25,800 --> 01:00:27,800
Speaker 1: and she was hitting the bar right down the pipe.

915
01:00:27,840 --> 01:00:30,680
Speaker 1: It wasn't going there for she was taking lessons and

916
01:00:30,800 --> 01:00:35,440
Speaker 1: she's hitting right down the pipe and I banged them everywhere.

917
01:00:35,920 --> 01:00:39,640
Speaker 1: So she'd always beat me. We're talking about your little girls,

918
01:00:39,640 --> 01:00:49,960
Speaker 1: about your daughter, okay, but now yeah you're and she

919
01:00:50,080 --> 01:00:52,480
Speaker 1: can't che on, see me, Charles Barkley don't funk with

920
01:00:52,560 --> 01:00:56,600
Speaker 1: me at all, talking a lot. Yeah, I'm talking a

921
01:00:56,640 --> 01:00:59,120
Speaker 1: real slick on. Charlotte would have fun with me at all.

922
01:00:59,320 --> 01:01:02,360
Speaker 1: And you're going to Charles now, Chuck Bagley is what

923
01:01:02,440 --> 01:01:05,280
Speaker 1: I call him. Yeah, with that big They don't want

924
01:01:05,280 --> 01:01:07,360
Speaker 1: to with me. You know. One year you called me.

925
01:01:07,520 --> 01:01:09,960
Speaker 1: You told me to sign up to a golf tour

926
01:01:10,040 --> 01:01:11,800
Speaker 1: the middle of some ship. But I had to know

927
01:01:11,960 --> 01:01:14,360
Speaker 1: how to play golf. And I'll just like face, that's up.

928
01:01:14,600 --> 01:01:21,880
Speaker 1: Yeah you play golf or yould me either you play.

929
01:01:22,080 --> 01:01:30,000
Speaker 1: It's like you know you can't, you don't want what's

930
01:01:30,040 --> 01:01:32,840
Speaker 1: what's that? I can tell you ain't playing when it

931
01:01:32,880 --> 01:01:36,400
Speaker 1: comes to golf. So who how did you discover you

932
01:01:36,600 --> 01:01:38,520
Speaker 1: like golf? How did how did this happen? You're drinking

933
01:01:38,560 --> 01:01:41,360
Speaker 1: coffee one day and just say I took my little

934
01:01:41,400 --> 01:01:43,960
Speaker 1: girl to her golf like you said that. Okay, you

935
01:01:44,040 --> 01:01:46,640
Speaker 1: wanted to be I mean, I just wanted to play.

936
01:01:47,320 --> 01:01:51,200
Speaker 1: But but man, you hit like a thousand up shots

937
01:01:51,240 --> 01:01:54,440
Speaker 1: and a million fucked up shots and then you finally

938
01:01:54,520 --> 01:01:57,360
Speaker 1: hit one bam, a good one that make you come

939
01:01:57,400 --> 01:02:00,680
Speaker 1: back the next day? Right? So you ever played with

940
01:02:00,720 --> 01:02:08,280
Speaker 1: old Jay? I don't fudj hey Man asked me to

941
01:02:08,320 --> 01:02:13,840
Speaker 1: play golf one day. I don't think about what's his handicap? Still,

942
01:02:15,480 --> 01:02:18,120
Speaker 1: what's the handicap? I don't know what that means handicapped.

943
01:02:19,280 --> 01:02:21,000
Speaker 1: I'll tell you who. I'll tell you who I'll funk with.

944
01:02:21,680 --> 01:02:25,200
Speaker 1: I'll funk with anybody that play golf except for Tiger Woods.

945
01:02:25,800 --> 01:02:27,480
Speaker 1: Everybody on the pro too. I don't really want to

946
01:02:27,480 --> 01:02:32,200
Speaker 1: funk with them, Okay, but I mean I ain't gonna

947
01:02:32,200 --> 01:02:36,680
Speaker 1: suck with Michael Jordan's Clyde d Rexton can stand on

948
01:02:36,760 --> 01:02:39,360
Speaker 1: the motherfucking freeway hit that bitch all the way to

949
01:02:39,520 --> 01:02:41,520
Speaker 1: land in the Bahamas. So I ain't really trying and

950
01:02:41,560 --> 01:02:48,320
Speaker 1: sunk with him. But anybody else can get it, Okay,

951
01:02:48,520 --> 01:02:55,440
Speaker 1: Fucking Mark Wahlberg, I funk him up, Arthur. It's not

952
01:02:55,480 --> 01:03:00,880
Speaker 1: even pretending for really yeah, like every whatever. So what

953
01:03:01,000 --> 01:03:08,280
Speaker 1: celebrity have you played in golf? Joe Tory, um, Cedric

954
01:03:08,360 --> 01:03:11,760
Speaker 1: d entertain I played a few comics, comics in golf.

955
01:03:13,240 --> 01:03:17,040
Speaker 1: I'll fucked him up. So you beat Joe Tory, you

956
01:03:17,080 --> 01:03:23,120
Speaker 1: beat such a tail, livy'd be the real golfer. Pheel Ivy.

957
01:03:25,280 --> 01:03:29,680
Speaker 1: He can played golf though, but I'll suck him up. Okay, Um,

958
01:03:31,960 --> 01:03:34,640
Speaker 1: it don't matter. Bro call him, I'll suck them up.

959
01:03:35,120 --> 01:03:41,760
Speaker 1: Go kick somebody. I'll suck them up, except for Tiger. Yeah,

960
01:03:41,800 --> 01:03:45,400
Speaker 1: I called Tiger. Yeah, that's that's probably your only that's

961
01:03:45,440 --> 01:03:49,840
Speaker 1: probably your safe bet. Yeah. I might not be to

962
01:03:49,920 --> 01:03:52,560
Speaker 1: fuck him up when his leghart, I'll suck him up,

963
01:03:55,400 --> 01:04:01,840
Speaker 1: So fuck him up. Now. Golf is a long game,

964
01:04:02,200 --> 01:04:04,320
Speaker 1: I know. And let me tell you something to But

965
01:04:05,040 --> 01:04:07,000
Speaker 1: you get high, you're smoking smoke. I don't want to

966
01:04:07,040 --> 01:04:09,200
Speaker 1: get high. I mean gamble. Like I'm saying, if I

967
01:04:09,280 --> 01:04:12,360
Speaker 1: was to smoke a blunt while I smoking with me,

968
01:04:12,440 --> 01:04:15,120
Speaker 1: I'm gonna kill you. Yeah, I'm not want to be face.

969
01:04:15,600 --> 01:04:19,320
Speaker 1: You don't know. You don't want to be high. Last

970
01:04:19,360 --> 01:04:21,320
Speaker 1: thing you want to be with me on the golf

971
01:04:21,360 --> 01:04:23,360
Speaker 1: horse is high because I want to see people smoking

972
01:04:25,040 --> 01:04:27,440
Speaker 1: and they're also drinking. Go ahead, No, that's not it.

973
01:04:27,600 --> 01:04:30,720
Speaker 1: So it's not like boling because they say bling. You're smoking,

974
01:04:30,800 --> 01:04:32,960
Speaker 1: drink more, you get better at strikes. Go ahead. That's

975
01:04:32,960 --> 01:04:34,880
Speaker 1: not like that. In golf, I don't I don't know,

976
01:04:35,960 --> 01:04:37,800
Speaker 1: but you don't want to be drunk high because I'm

977
01:04:37,800 --> 01:04:42,120
Speaker 1: gonna he's gonna take your money. So you know, smokes

978
01:04:42,160 --> 01:04:44,640
Speaker 1: to golf or nothing. When you're doing nocal don't want

979
01:04:44,640 --> 01:04:46,880
Speaker 1: to hear no music. Why I don't want to hear

980
01:04:46,920 --> 01:04:50,120
Speaker 1: no kids and ship playing. Turn your fucking phone off

981
01:04:50,600 --> 01:04:53,880
Speaker 1: and let's gamble. Yeah, and that's about gamble. It's not

982
01:04:53,920 --> 01:04:56,840
Speaker 1: about it's about you're fun, yam. I'm not going to

983
01:04:56,920 --> 01:05:03,880
Speaker 1: go out there for not ship. This is hustle out there,

984
01:05:03,920 --> 01:05:05,720
Speaker 1: act like I don't know what the funk I'm doing

985
01:05:07,760 --> 01:05:15,720
Speaker 1: every day, Like Mike, what are you alright? I'm left handed,

986
01:05:15,760 --> 01:05:18,560
Speaker 1: but I play right handed. Okay, so you hit this.

987
01:05:18,920 --> 01:05:22,160
Speaker 1: I had the same way you do. Okay, I'm right handy. Jesus,

988
01:05:22,200 --> 01:05:24,840
Speaker 1: I don't want to beast. I don't know. He's still

989
01:05:33,360 --> 01:05:39,960
Speaker 1: they checking. We got another one. Oh this is great, baby.

990
01:05:40,200 --> 01:05:42,360
Speaker 1: I just want to tell you much love, saying you

991
01:05:42,440 --> 01:05:45,000
Speaker 1: love King, let you know how much we respect you,

992
01:05:45,120 --> 01:05:47,280
Speaker 1: how much we love you, how much we appreciate you,

993
01:05:48,440 --> 01:05:50,720
Speaker 1: all your classes, all the great songs we've written, and

994
01:05:50,800 --> 01:05:53,200
Speaker 1: everything you've done for the culture, everything you've done for

995
01:05:53,280 --> 01:05:55,320
Speaker 1: hip hop. Baby. So I wanted to just, you know,

996
01:05:56,080 --> 01:05:57,440
Speaker 1: give you some love. You know what I'm saying that

997
01:05:57,520 --> 01:06:00,520
Speaker 1: wish you the best, Baby, I love you, King piece

998
01:06:01,400 --> 01:06:07,600
Speaker 1: got by the way, By the way, l L was

999
01:06:07,640 --> 01:06:11,040
Speaker 1: on vacation with Magic Johnson and Samuel Jackson and I

1000
01:06:11,200 --> 01:06:13,440
Speaker 1: hit him. I faced time and I said, yo, Bro,

1001
01:06:14,200 --> 01:06:16,680
Speaker 1: I said, y'all need to make faces. Give him as

1002
01:06:16,720 --> 01:06:19,520
Speaker 1: fathers and he was. He was. Actually it was him

1003
01:06:19,520 --> 01:06:21,400
Speaker 1: and him and Damn. I don't want to say who else.

1004
01:06:21,760 --> 01:06:24,280
Speaker 1: Send the videos back the first because his video ain't play.

1005
01:06:24,680 --> 01:06:26,640
Speaker 1: But this is gonna trying to tell you, you know

1006
01:06:26,760 --> 01:06:28,480
Speaker 1: what you mean the hip hop like I got an

1007
01:06:28,640 --> 01:06:32,560
Speaker 1: LL story, let's go, let's get this is what we're

1008
01:06:32,600 --> 01:06:35,640
Speaker 1: here for. But I'm gonna try to say this ship

1009
01:06:35,720 --> 01:06:46,000
Speaker 1: without breaking up. Damn L has always been there when

1010
01:06:46,080 --> 01:06:50,600
Speaker 1: it was a groundbreaking moment for me everything I love bro.

1011
01:06:52,080 --> 01:06:56,880
Speaker 1: When um, when my career first started, I was at

1012
01:06:56,920 --> 01:07:04,800
Speaker 1: the New Music Seminar in New York, and I got

1013
01:07:04,880 --> 01:07:08,040
Speaker 1: on the phone with my mom at this club and

1014
01:07:08,280 --> 01:07:11,760
Speaker 1: l L ain't know me from no motherfucking body brow

1015
01:07:12,760 --> 01:07:15,600
Speaker 1: And I say, l L, that's my mom on the phone.

1016
01:07:15,880 --> 01:07:19,400
Speaker 1: You say hi, Man, l L picked up the phone,

1017
01:07:19,480 --> 01:07:24,320
Speaker 1: Bro and talked to my mama and Ship and Bro

1018
01:07:25,280 --> 01:07:30,240
Speaker 1: blew the funk up. The next time, the LLL. But

1019
01:07:30,360 --> 01:07:33,600
Speaker 1: he blew the up, blew the funk up. But you wasn't.

1020
01:07:33,680 --> 01:07:35,960
Speaker 1: Nobody's already blew the funk up. But I knew you

1021
01:07:36,000 --> 01:07:40,280
Speaker 1: would call faced me handing the phone. Idea. That one

1022
01:07:40,280 --> 01:07:43,560
Speaker 1: of those moments. And then that next moment, Bro, is

1023
01:07:43,600 --> 01:07:48,480
Speaker 1: when I signed my deal with Deaf Jam. L L

1024
01:07:48,640 --> 01:07:52,320
Speaker 1: came to the signing party Bro at the hotel call

1025
01:07:52,400 --> 01:07:55,400
Speaker 1: a time in New York when I first signed with

1026
01:07:55,520 --> 01:08:01,400
Speaker 1: Death Chim Yeah yeah, and um on a few more occasions, Man,

1027
01:08:01,480 --> 01:08:04,040
Speaker 1: I get a chance to see the l but you

1028
01:08:04,120 --> 01:08:07,440
Speaker 1: know he called and uh, I wish my grandmother happy

1029
01:08:07,520 --> 01:08:10,120
Speaker 1: birthday like that, and Ship like hell. It's just a

1030
01:08:10,320 --> 01:08:24,000
Speaker 1: super solid ash Bro that makes it look you got

1031
01:08:24,200 --> 01:08:26,320
Speaker 1: another one, Cross, I got a good one for you.

1032
01:08:26,800 --> 01:08:29,920
Speaker 1: Let's go. I got LLL phone number in my phone,

1033
01:08:30,120 --> 01:08:35,840
Speaker 1: cuse I ain't gonna I got Derek ju to know.

1034
01:08:35,920 --> 01:08:43,519
Speaker 1: I'm scared of using Oh ship some bro, give us

1035
01:08:43,520 --> 01:08:46,360
Speaker 1: some more. I don't want to know more. Man your quotas,

1036
01:08:46,400 --> 01:08:52,599
Speaker 1: I don't give me a freshman. Yeah, play, I get

1037
01:08:52,640 --> 01:08:56,160
Speaker 1: it to my brother man. Yeah. Now, as I walked

1038
01:08:56,200 --> 01:08:59,640
Speaker 1: into the studio, I got a phone call from one

1039
01:08:59,680 --> 01:09:02,720
Speaker 1: of my niggs. He said, my homeboy read he just

1040
01:09:02,880 --> 01:09:04,680
Speaker 1: lost one of his kids. And when I heard that,

1041
01:09:06,640 --> 01:09:11,600
Speaker 1: salute face the greatest mcs in history, this man of

1042
01:09:11,680 --> 01:09:16,080
Speaker 1: decades and ring about ghetto boys, whether we're talking about

1043
01:09:16,479 --> 01:09:21,280
Speaker 1: classic records with home You know what I'm saying. As

1044
01:09:21,320 --> 01:09:25,280
Speaker 1: a kid growing up, scar Face was always the one

1045
01:09:25,360 --> 01:09:26,920
Speaker 1: you listened to when you want to hear that real.

1046
01:09:27,280 --> 01:09:30,000
Speaker 1: You know what I'm saying, Man, It's odd of for

1047
01:09:30,080 --> 01:09:32,200
Speaker 1: me to even be sending this message out to you.

1048
01:09:32,680 --> 01:09:40,320
Speaker 1: We salute you, um, we celebrate you. Salute to get

1049
01:09:40,360 --> 01:09:48,679
Speaker 1: a big big ICR. Scar Face um, scarface face mob.

1050
01:09:49,240 --> 01:09:51,920
Speaker 1: You already know how we do it. We family, You

1051
01:09:52,000 --> 01:09:54,240
Speaker 1: know what I mean. That's wha thank you for everything

1052
01:09:54,280 --> 01:09:58,160
Speaker 1: you've jumped for us. Thank you and you then doing

1053
01:09:58,439 --> 01:10:01,479
Speaker 1: us and everything you're doing for us now. We love you,

1054
01:10:01,720 --> 01:10:06,800
Speaker 1: We appreciate you. You chop fine straight up. You were

1055
01:10:06,840 --> 01:10:10,679
Speaker 1: of the greatest that ever did it enrically, not even

1056
01:10:10,800 --> 01:10:17,920
Speaker 1: just that you're special and you my brother and honor

1057
01:10:18,040 --> 01:10:20,760
Speaker 1: and I'm proud and I'm excited I can call you

1058
01:10:20,920 --> 01:10:26,680
Speaker 1: my friend. Face mob d J kind of love you.

1059
01:10:26,800 --> 01:10:31,880
Speaker 1: You know, that's on everything I love. We's so nois

1060
01:10:37,479 --> 01:10:40,640
Speaker 1: choking up a little bit. It's just what you know,

1061
01:10:41,080 --> 01:10:45,440
Speaker 1: because that's why I don't you know, because he deserved

1062
01:10:45,600 --> 01:10:50,280
Speaker 1: every flower. He deserved everything like for for for the

1063
01:10:50,520 --> 01:10:53,439
Speaker 1: all time I've always knew you, he's probably been the

1064
01:10:53,479 --> 01:10:57,600
Speaker 1: most humblest person. Yeah, but I just want you to know,

1065
01:10:57,800 --> 01:11:01,080
Speaker 1: like even though you humble, even though you're a great guy,

1066
01:11:01,360 --> 01:11:04,040
Speaker 1: this is the reason you deserve these flowers. You really

1067
01:11:04,640 --> 01:11:07,120
Speaker 1: mean the world. Like I see people how they talk

1068
01:11:07,160 --> 01:11:08,840
Speaker 1: about you when you're not around. I see people how

1069
01:11:08,880 --> 01:11:10,640
Speaker 1: they talk about you when you were around. I see

1070
01:11:10,760 --> 01:11:13,519
Speaker 1: people just just praise. And this is the first time

1071
01:11:13,560 --> 01:11:15,560
Speaker 1: I thought of this. I said, you know what, I

1072
01:11:15,720 --> 01:11:17,479
Speaker 1: was like, you know what, Um, you know, let's just

1073
01:11:17,560 --> 01:11:19,320
Speaker 1: hit a couple of the people and just you know,

1074
01:11:19,439 --> 01:11:21,840
Speaker 1: get some videos so you can you can really know,

1075
01:11:22,000 --> 01:11:26,599
Speaker 1: because we made the phrase famous on this show, giving

1076
01:11:26,600 --> 01:11:29,320
Speaker 1: people their flowers. But I wanted to literally give you

1077
01:11:29,400 --> 01:11:32,519
Speaker 1: flowers you don't want to, Yeah, he can. Is your

1078
01:11:32,560 --> 01:11:38,479
Speaker 1: birthday too? Now that's what these videos, like these videos

1079
01:11:38,600 --> 01:11:41,400
Speaker 1: mean so much because you know, for the most part,

1080
01:11:41,439 --> 01:11:43,280
Speaker 1: I didn't have to twist anyone's on. I didn't have

1081
01:11:43,320 --> 01:11:45,800
Speaker 1: to twist anyone's on. Even though I said earlier that

1082
01:11:45,880 --> 01:11:48,000
Speaker 1: I made like ten calls, I was really just bluffing

1083
01:11:48,000 --> 01:11:51,160
Speaker 1: because really, from the first time I call motherfucker's to

1084
01:11:51,200 --> 01:11:53,400
Speaker 1: send over videos to over video, and I just want

1085
01:11:53,400 --> 01:11:55,679
Speaker 1: you to know how much you really, really, really really

1086
01:11:55,760 --> 01:11:59,040
Speaker 1: loved and this motherfucker because today you're gonna leave here

1087
01:11:59,160 --> 01:12:04,439
Speaker 1: knowing that how how much you mean the motherfucker. I'm

1088
01:12:04,520 --> 01:12:09,759
Speaker 1: actually I'm actually pretty fucking mean. But yeah, yeah, okay,

1089
01:12:09,920 --> 01:12:12,320
Speaker 1: hold on, I got hold on. You has something to say?

1090
01:12:13,200 --> 01:12:15,120
Speaker 1: You got another one? Okay, that's gone. I was gonna

1091
01:12:15,160 --> 01:12:17,920
Speaker 1: say that one. Okay, yeah, that's a good word. Okay,

1092
01:12:18,080 --> 01:12:22,720
Speaker 1: this is yeah, Jake Prince coming ask you live and

1093
01:12:22,760 --> 01:12:28,840
Speaker 1: then living color. What's the face? Man, I'm hearing that

1094
01:12:29,000 --> 01:12:32,360
Speaker 1: you want drink Champs and I wanted to stop by

1095
01:12:33,240 --> 01:12:37,040
Speaker 1: because I believe I'd have tapped into the fountain you

1096
01:12:37,560 --> 01:12:44,320
Speaker 1: with this lawyer said, you have represented the name lawships

1097
01:12:46,600 --> 01:12:51,439
Speaker 1: even in the midst of the FIDS, putting the full

1098
01:12:51,560 --> 01:12:56,160
Speaker 1: court pressure on you to lie on me, to try

1099
01:12:56,240 --> 01:13:01,439
Speaker 1: and convict me. Scarface st is strong like a man.

1100
01:13:02,560 --> 01:13:07,040
Speaker 1: I salute you for that, my brother. Now, there are

1101
01:13:07,120 --> 01:13:10,120
Speaker 1: some things that I want you to know about this

1102
01:13:10,360 --> 01:13:15,280
Speaker 1: big word called hip hop. Hip hop love you and

1103
01:13:15,560 --> 01:13:20,240
Speaker 1: I would start with the East Coast. You was DMX

1104
01:13:21,200 --> 01:13:25,040
Speaker 1: favorite artists on the East Coast. Now I'm gonna travel

1105
01:13:25,200 --> 01:13:31,439
Speaker 1: to the West Coast. You was TUPACS favorite artists on

1106
01:13:31,560 --> 01:13:36,240
Speaker 1: the West Coast, Now I'm gonna go down south. He

1107
01:13:36,439 --> 01:13:41,800
Speaker 1: was my favorite artist pop and that dn't say that.

1108
01:13:43,080 --> 01:13:46,400
Speaker 1: We want you to know that we love and respect you.

1109
01:13:47,479 --> 01:13:51,920
Speaker 1: And I also want you to know that good around

1110
01:13:52,000 --> 01:13:56,480
Speaker 1: the world love and respect scar Face because they understand

1111
01:13:57,160 --> 01:14:02,160
Speaker 1: that scar Face laid the foundation that all the hardcore

1112
01:14:02,320 --> 01:14:11,920
Speaker 1: hip hop stand on the day. Salute you, my brother. Now,

1113
01:14:12,040 --> 01:14:14,120
Speaker 1: some of these I couldn't look at because I wanted this.

1114
01:14:14,640 --> 01:14:16,280
Speaker 1: I wanted me to be just to surprise as you.

1115
01:14:16,920 --> 01:14:20,679
Speaker 1: So yeah, like I uh yeah, the next one's gonna

1116
01:14:21,040 --> 01:14:26,080
Speaker 1: up here? How we can keep going? When when when

1117
01:14:26,200 --> 01:14:30,640
Speaker 1: when Jane say, yeah, you use my favorite artist like

1118
01:14:31,160 --> 01:14:40,760
Speaker 1: that's hard? That means something you don't like nobody. Everybody said, wow, wow,

1119
01:14:41,040 --> 01:14:45,920
Speaker 1: yeah that means something with your brother. You better love you. Yeah,

1120
01:14:46,680 --> 01:14:48,960
Speaker 1: little boy, let's get more. Let's get one more. Let

1121
01:14:49,000 --> 01:14:50,519
Speaker 1: me get my boy in here. Okay, you get them

1122
01:14:50,560 --> 01:15:04,160
Speaker 1: a caw, what finish it? Talk about my ship? Yeah, yeah, definitely. Okay,

1123
01:15:04,240 --> 01:15:09,559
Speaker 1: you're got another one to play for you gout, oh ship,

1124
01:15:09,680 --> 01:15:17,800
Speaker 1: don't play that one. Hold on, Big Daddy Came. I

1125
01:15:17,840 --> 01:15:20,800
Speaker 1: don't play that one. You gotta play a ball's gonna

1126
01:15:20,840 --> 01:15:28,040
Speaker 1: play a wall, So you play Came. You gotta start right.

1127
01:15:32,920 --> 01:15:42,719
Speaker 1: I love Train is by far, like probably the most

1128
01:15:42,800 --> 01:15:46,840
Speaker 1: influential outside ice Cube and Chuck Like. I'm I'm I'm

1129
01:15:46,880 --> 01:15:52,800
Speaker 1: a fucking hybrid between ice Cube should be a big

1130
01:15:52,880 --> 01:15:56,559
Speaker 1: Daddy Came. I can see that, Yeah, no, you can

1131
01:15:56,640 --> 01:16:00,280
Speaker 1: hear that. Yeah, I can see that. Yeah, Okay. Wanted

1132
01:16:00,280 --> 01:16:03,479
Speaker 1: to have I wanted to have that fucking uh flat

1133
01:16:03,520 --> 01:16:08,759
Speaker 1: top skilled the flat top, damn like like the Daddy

1134
01:16:08,880 --> 01:16:11,960
Speaker 1: Came was skillful man, and he had a delivery and

1135
01:16:12,000 --> 01:16:15,760
Speaker 1: I wanted that flat top rules and I came up

1136
01:16:15,760 --> 01:16:17,600
Speaker 1: with the flat top. I wantn't even worry about the

1137
01:16:17,640 --> 01:16:21,320
Speaker 1: flat top. Okay, So he had that delivery man and

1138
01:16:21,560 --> 01:16:27,680
Speaker 1: and and he had lyrical skill bro any with Donna allegedly,

1139
01:16:28,360 --> 01:16:30,200
Speaker 1: I don't think he sucked her, bro Yeah, that's why

1140
01:16:30,240 --> 01:16:32,120
Speaker 1: he said he didn't. He just like he might have

1141
01:16:32,240 --> 01:16:36,080
Speaker 1: laid in the bed with her. Thinkupop song with this

1142
01:16:36,720 --> 01:16:41,280
Speaker 1: so people another like me. Yeah, he took a shower,

1143
01:16:45,200 --> 01:16:47,880
Speaker 1: K had the delivery bro, and he had the lyrical

1144
01:16:48,360 --> 01:16:53,640
Speaker 1: fucking professionalism that was unmatched in my opinion. Um, I

1145
01:16:53,760 --> 01:16:58,280
Speaker 1: like Chuck d because UD had a mean ass fucking boice,

1146
01:16:59,400 --> 01:17:02,639
Speaker 1: you know. And then Q told the mean a story

1147
01:17:03,800 --> 01:17:07,160
Speaker 1: song I wanted to lyrically have a mean as voice

1148
01:17:07,680 --> 01:17:12,479
Speaker 1: and telling me that story and lyrically kan yo what

1149
01:17:12,640 --> 01:17:15,840
Speaker 1: I mean as voice Chuck and Que telling me that story.

1150
01:17:16,439 --> 01:17:19,640
Speaker 1: So I'm a hybrid between those three mcs. If I

1151
01:17:19,720 --> 01:17:23,160
Speaker 1: say so myself, Let's see what can had. The second

1152
01:17:23,880 --> 01:17:26,600
Speaker 1: her face was good man, tell your boy to be

1153
01:17:26,720 --> 01:17:28,600
Speaker 1: I G D A double d y K A N

1154
01:17:28,720 --> 01:17:31,360
Speaker 1: eight just here to spread some love and thank you

1155
01:17:31,439 --> 01:17:34,600
Speaker 1: for always being a real dude and a real lyricist

1156
01:17:35,160 --> 01:17:38,160
Speaker 1: because you made something for nothing and found it, never

1157
01:17:38,280 --> 01:17:41,240
Speaker 1: tear apart and turned the street hustle into an arty

1158
01:17:41,680 --> 01:17:46,120
Speaker 1: that keep me down, and you never let them keep

1159
01:17:46,160 --> 01:17:50,439
Speaker 1: you down, stay winning respect. I love Kane. Kane did

1160
01:17:50,560 --> 01:17:53,519
Speaker 1: my uh my, one of my high school reunions man

1161
01:17:54,840 --> 01:17:57,200
Speaker 1: on everything. I love bro He did one of my

1162
01:17:57,280 --> 01:18:01,800
Speaker 1: high school reunions class of nineties and you went, you

1163
01:18:01,920 --> 01:18:05,960
Speaker 1: went to the reunional performed too. That's one of those

1164
01:18:06,080 --> 01:18:10,679
Speaker 1: rare cases can't open up for me. That was really

1165
01:18:13,040 --> 01:18:15,840
Speaker 1: m so since he recited one of my ships, I

1166
01:18:15,920 --> 01:18:21,240
Speaker 1: got to recite one of his. Now Kane said, my

1167
01:18:21,400 --> 01:18:24,360
Speaker 1: rhymes are so doping. The rappers be hoping to sound

1168
01:18:24,479 --> 01:18:27,000
Speaker 1: like me, so soon I'll have to open the school

1169
01:18:27,040 --> 01:18:30,479
Speaker 1: that for those who wanted to be here by feeling corporate.

1170
01:18:30,520 --> 01:18:35,080
Speaker 1: Then again, second thought, to have those vcs coming out

1171
01:18:35,200 --> 01:18:38,280
Speaker 1: sounded so similar, it's quite confusing. It will be quite

1172
01:18:38,360 --> 01:18:42,280
Speaker 1: confusing for y'all to remember the originating man. Kane was

1173
01:18:42,360 --> 01:18:48,400
Speaker 1: a bad motherfucker to me. Bro let it broet Bold.

1174
01:18:48,840 --> 01:18:51,280
Speaker 1: I just can't hold back the folks because I'm the

1175
01:18:51,320 --> 01:18:53,960
Speaker 1: man was so put the groove in the effective. What

1176
01:18:54,200 --> 01:19:00,160
Speaker 1: the heck rock disctection this groove? I love Holloosels. We

1177
01:19:00,240 --> 01:19:01,920
Speaker 1: keep trying to give you flowers, you keep trying to

1178
01:19:01,920 --> 01:19:07,200
Speaker 1: give other people flowers. We're gonna stop flowers. Molly Ma

1179
01:19:07,439 --> 01:19:10,920
Speaker 1: and Dr Dre. It's probably it's the influenced on my

1180
01:19:11,040 --> 01:19:16,640
Speaker 1: production though. Yeah, real, that's influenced. That's great people to

1181
01:19:16,640 --> 01:19:21,760
Speaker 1: be influenced that. That's another person. Let's look at that face.

1182
01:19:22,000 --> 01:19:25,120
Speaker 1: What up? Man? You're pot the big boy Big Boys neighborhood.

1183
01:19:25,439 --> 01:19:28,599
Speaker 1: Let me tell you, bro. For one, this is crazy

1184
01:19:28,680 --> 01:19:31,160
Speaker 1: that they hit me up to to do a video

1185
01:19:31,280 --> 01:19:33,000
Speaker 1: for you, man. And the reason why I say it's

1186
01:19:33,000 --> 01:19:37,559
Speaker 1: crazy faces because I'm a fan. You know what I'm saying.

1187
01:19:37,560 --> 01:19:40,400
Speaker 1: I'm a fan. There's people that that are like peers

1188
01:19:40,479 --> 01:19:42,400
Speaker 1: and things that nature and I know you you don't

1189
01:19:42,439 --> 01:19:44,800
Speaker 1: really trip off of, you know, being the best of

1190
01:19:44,880 --> 01:19:47,320
Speaker 1: telling people how great you are or things like that.

1191
01:19:47,400 --> 01:19:49,640
Speaker 1: And I don't even think you understand how amazing you

1192
01:19:49,760 --> 01:19:52,800
Speaker 1: are to us, you know what I'm saying. So when

1193
01:19:52,880 --> 01:19:55,439
Speaker 1: they hit me up to do this video, first off,

1194
01:19:55,520 --> 01:19:58,000
Speaker 1: I was like, man, they drink champs? Are they drunk?

1195
01:19:58,640 --> 01:20:01,680
Speaker 1: But now just don't be able to say this to

1196
01:20:01,840 --> 01:20:07,000
Speaker 1: you is I'm humbled and I'm honored. And I've had

1197
01:20:07,160 --> 01:20:11,439
Speaker 1: so many years of listening to scar Face bro, and

1198
01:20:11,640 --> 01:20:14,519
Speaker 1: a lot of ups and you know, some down moments, Bro,

1199
01:20:15,000 --> 01:20:17,439
Speaker 1: and you have really gotten me through a lot, Bro,

1200
01:20:17,520 --> 01:20:21,280
Speaker 1: And I've introduced so many people to scar face, man,

1201
01:20:21,439 --> 01:20:24,280
Speaker 1: even when it wasn't the so called, you know, popular

1202
01:20:24,400 --> 01:20:27,320
Speaker 1: thing to do. You know. But now I've been rocking

1203
01:20:27,400 --> 01:20:30,240
Speaker 1: with you for years, man, and you know we always

1204
01:20:30,280 --> 01:20:32,400
Speaker 1: talk about all Man, we gotta give people their flowers.

1205
01:20:32,400 --> 01:20:35,320
Speaker 1: We gotta give their flowers. Bro. I'm telling you, Man,

1206
01:20:35,400 --> 01:20:38,120
Speaker 1: I don't know if we get you it's it's not

1207
01:20:38,280 --> 01:20:42,719
Speaker 1: a vase or vase of flowers. Man. I think, hell,

1208
01:20:42,960 --> 01:20:46,680
Speaker 1: we gotta get you like an extreme flower guarden, Bro,

1209
01:20:46,840 --> 01:20:49,840
Speaker 1: because you've done so much for us. Man, You've given

1210
01:20:49,880 --> 01:20:53,400
Speaker 1: us so much joy. Bro. And I really love you, homie,

1211
01:20:53,920 --> 01:20:56,960
Speaker 1: and I'm just honored to be here. Bro. I remember

1212
01:20:57,040 --> 01:20:59,840
Speaker 1: fast times. Selling dope was my past time. I think

1213
01:20:59,840 --> 01:21:02,080
Speaker 1: the fast lane, I'll come and cash. I'll sit back

1214
01:21:02,120 --> 01:21:04,960
Speaker 1: in wonder what the covering mane the being a comming?

1215
01:21:05,240 --> 01:21:07,400
Speaker 1: Didn't he running me? How about the vehicle? You know

1216
01:21:07,520 --> 01:21:10,240
Speaker 1: what you need, Bro, money, let's nick the back of wheel,

1217
01:21:10,560 --> 01:21:13,160
Speaker 1: make the sale and I'm bail out. Now it's time

1218
01:21:13,200 --> 01:21:15,280
Speaker 1: to get the hell out. Every day it was the

1219
01:21:15,360 --> 01:21:18,280
Speaker 1: same thing, done things. Main me big crack at because

1220
01:21:18,280 --> 01:21:20,719
Speaker 1: I's old cane. Mainly, I think I had the biggest

1221
01:21:22,160 --> 01:21:26,719
Speaker 1: money dig this bro. He went back to my first ship.

1222
01:21:28,600 --> 01:21:32,640
Speaker 1: Hello flowers, you can look the next one, yo. I

1223
01:21:32,680 --> 01:21:35,759
Speaker 1: want to send a big shout out to the legend himself,

1224
01:21:36,720 --> 01:21:41,320
Speaker 1: Small my brother Face, small Scout, guys, Councilman, Brad, what

1225
01:21:41,560 --> 01:21:44,559
Speaker 1: up man? Much love, much respect. Man. You're a legend

1226
01:21:44,600 --> 01:21:46,760
Speaker 1: in the game and really don't know where hip hop

1227
01:21:46,800 --> 01:21:59,479
Speaker 1: would be without you. Love bro and with up. Yeah, Bro,

1228
01:22:00,200 --> 01:22:06,040
Speaker 1: scar face face myb We make a great combination, don't we. Face.

1229
01:22:06,479 --> 01:22:08,960
Speaker 1: I'm gonna give your flowers while you're still here, big Bro.

1230
01:22:09,479 --> 01:22:13,880
Speaker 1: I love you. I thank you for being so instrumental

1231
01:22:13,960 --> 01:22:18,120
Speaker 1: in my career and uh allowing me to be blessed

1232
01:22:18,560 --> 01:22:22,479
Speaker 1: to have so many records with you and just you know,

1233
01:22:22,640 --> 01:22:26,200
Speaker 1: being a part of history, you know, and I love

1234
01:22:26,280 --> 01:22:28,000
Speaker 1: you for that. Man. I remember when I was first

1235
01:22:28,080 --> 01:22:31,120
Speaker 1: doing my first album, The Truth, and they asked me,

1236
01:22:31,720 --> 01:22:35,280
Speaker 1: you know who I want, you know, as features on

1237
01:22:35,360 --> 01:22:39,000
Speaker 1: the album, and I was like scar Face And they

1238
01:22:39,080 --> 01:22:40,840
Speaker 1: asked me to get like, who else did I want

1239
01:22:40,880 --> 01:22:43,400
Speaker 1: on an album? And I was like scar Face because

1240
01:22:43,400 --> 01:22:46,120
Speaker 1: I ain't want to do no features on my first album.

1241
01:22:46,160 --> 01:22:50,439
Speaker 1: I wanted to be just me, but on my bucket

1242
01:22:50,520 --> 01:22:54,080
Speaker 1: list if you know I had to do features. I

1243
01:22:54,240 --> 01:22:57,040
Speaker 1: was like, man, if I couldn't get nobody, I'm on

1244
01:22:57,240 --> 01:23:00,080
Speaker 1: scar face man, and I love you for that and

1245
01:23:00,120 --> 01:23:02,479
Speaker 1: I thank you for that. From there we did so

1246
01:23:02,640 --> 01:23:05,680
Speaker 1: many records together. Man, I love you face big bro

1247
01:23:05,920 --> 01:23:10,000
Speaker 1: for life. Man face mine top five in my book

1248
01:23:10,240 --> 01:23:15,120
Speaker 1: early and Uh, I think nor should do the remix

1249
01:23:15,200 --> 01:23:18,760
Speaker 1: to Uh my mind plays tricks on me. Yeah, I

1250
01:23:18,800 --> 01:23:27,759
Speaker 1: think he should remix that. He think he can rocking

1251
01:23:29,000 --> 01:23:35,280
Speaker 1: on the first. Let's you know, le bro, let's go

1252
01:23:35,760 --> 01:23:43,960
Speaker 1: that's that's come outside. You got dads, da, Yeah, we

1253
01:23:44,080 --> 01:23:47,320
Speaker 1: got Oh damn you got dass you're missing. Yeah. If

1254
01:23:47,360 --> 01:23:52,200
Speaker 1: you look at your ship, ye hold on, let me

1255
01:23:52,479 --> 01:24:00,920
Speaker 1: play your dads and I think your dads bro yeh.

1256
01:24:02,400 --> 01:24:06,320
Speaker 1: The person that I'm in the world on my own,

1257
01:24:06,439 --> 01:24:09,000
Speaker 1: I moved on. I gotta stay strong. No models, fun

1258
01:24:09,120 --> 01:24:12,040
Speaker 1: with us, your fucking life gong and look with envy

1259
01:24:12,080 --> 01:24:16,519
Speaker 1: and a much to play you. Shout to the drink

1260
01:24:16,560 --> 01:24:19,240
Speaker 1: Chad for just wanted to senate love to one of

1261
01:24:19,320 --> 01:24:21,280
Speaker 1: the greatest in this energy to do it and that

1262
01:24:21,400 --> 01:24:25,200
Speaker 1: will ever have come it. Starfish. I mean you're a legend,

1263
01:24:25,640 --> 01:24:29,559
Speaker 1: You're an icon. What you've done for Texas. What you're

1264
01:24:29,600 --> 01:24:32,759
Speaker 1: doing for hip hop. You're a lyricist, and you continue

1265
01:24:32,800 --> 01:24:34,839
Speaker 1: to grow and you continue to evolve and you continue

1266
01:24:34,880 --> 01:24:36,760
Speaker 1: to be great. You know, we love you on the

1267
01:24:36,800 --> 01:24:39,439
Speaker 1: Breakfast Club just for who you are, and you just

1268
01:24:39,520 --> 01:24:41,479
Speaker 1: want to give you an hour. We give your flowers

1269
01:24:41,520 --> 01:24:44,320
Speaker 1: and just say we love you and Scarfish, you wanted

1270
01:24:44,360 --> 01:24:46,960
Speaker 1: the realist, no matter what it is. We ever ask

1271
01:24:47,040 --> 01:24:50,200
Speaker 1: you for anything. You are there, no matter what it is.

1272
01:24:50,600 --> 01:24:52,320
Speaker 1: And there's not too many people in this industry that's

1273
01:24:52,400 --> 01:24:55,599
Speaker 1: like that. You're a stand up individual and I will

1274
01:24:55,680 --> 01:24:58,320
Speaker 1: and we will continue to court scar Face, the legend,

1275
01:24:58,680 --> 01:25:03,479
Speaker 1: the icon. We just want give your flowers was in

1276
01:25:03,680 --> 01:25:09,200
Speaker 1: me though I love you. You can't you put up

1277
01:25:09,240 --> 01:25:11,479
Speaker 1: the dask and plut the dass. The you're gonna get

1278
01:25:11,479 --> 01:25:13,600
Speaker 1: into this quick time or slim you're gonna love it

1279
01:25:13,800 --> 01:25:17,479
Speaker 1: and shout out and pick up to again that food cakes,

1280
01:25:19,520 --> 01:25:24,639
Speaker 1: full ship, you got some go over there. Oh let's

1281
01:25:24,640 --> 01:25:26,840
Speaker 1: do eat party there. I sent you sent your dash

1282
01:25:27,080 --> 01:25:33,800
Speaker 1: at what earl as earl all ship? Oh yeah, Gillick too. Yeah,

1283
01:25:33,960 --> 01:25:37,599
Speaker 1: look here this for Brad Jordan's man. You know, scoring Face,

1284
01:25:38,080 --> 01:25:41,200
Speaker 1: it's your boy. Earl means call each other Earl and Brad.

1285
01:25:41,520 --> 01:25:43,600
Speaker 1: You know what I'm saying, Bro, I just want to,

1286
01:25:43,920 --> 01:25:47,479
Speaker 1: you know, salute you for your long jarity, your your

1287
01:25:47,640 --> 01:25:50,400
Speaker 1: your long career, for being in the game many many

1288
01:25:50,479 --> 01:25:52,800
Speaker 1: years ago. We are both O g s. Bro. I

1289
01:25:53,000 --> 01:25:55,160
Speaker 1: love the way you put it down. Bro. You know

1290
01:25:55,280 --> 01:25:59,640
Speaker 1: what your storytelling, Um from the ghetto boys work to

1291
01:26:00,080 --> 01:26:02,880
Speaker 1: never seen a man die. I mean it goes on

1292
01:26:03,000 --> 01:26:05,599
Speaker 1: and on and on. Man, you're truly one of the goats.

1293
01:26:05,760 --> 01:26:09,599
Speaker 1: And I salute you, um, and keep going my building.

1294
01:26:09,720 --> 01:26:11,720
Speaker 1: We lay you, you know forty want to lay your man.

1295
01:26:11,800 --> 01:26:14,840
Speaker 1: You know people don't know. Brad and picked me up

1296
01:26:14,880 --> 01:26:17,800
Speaker 1: from the airport. All kinds of things we go back to.

1297
01:26:20,000 --> 01:26:22,479
Speaker 1: Come on, man, and it's still my guys. Shout the

1298
01:26:22,560 --> 01:26:26,000
Speaker 1: rapp a lot, Brad. We're giving your your gardens, We're

1299
01:26:26,040 --> 01:26:30,160
Speaker 1: giving you your roses, your flowers, everything right now. How

1300
01:26:30,200 --> 01:26:35,400
Speaker 1: come everybody put on a golf outfit. Earl my dog man,

1301
01:26:35,479 --> 01:26:37,200
Speaker 1: But if he ever come out there on them green

1302
01:26:38,120 --> 01:26:41,559
Speaker 1: lass up there? What's up y'all? Stand Nia dass stelling

1303
01:26:41,600 --> 01:26:43,519
Speaker 1: to represent the drink champs. You know what I'm saying,

1304
01:26:43,560 --> 01:26:46,479
Speaker 1: Giving it up from my home boys. Scaddy. You already

1305
01:26:46,560 --> 01:26:49,920
Speaker 1: know man, my playing tricks on the ghetto boys the whole. No, man,

1306
01:26:49,960 --> 01:26:55,000
Speaker 1: I appreciate you allegen forever, always that nigga forever, my

1307
01:26:55,160 --> 01:26:59,080
Speaker 1: gainst the book d to the Z right boy, motherfucking right,

1308
01:27:00,600 --> 01:27:04,800
Speaker 1: Let's get Gilly and one more. That's my Probady knew

1309
01:27:04,840 --> 01:27:08,160
Speaker 1: you're fucking legend, the legend of all legends. You hear me,

1310
01:27:08,439 --> 01:27:10,679
Speaker 1: That's when I'm talking about, baby. I grew up listening

1311
01:27:10,720 --> 01:27:13,080
Speaker 1: to you, looking up to you, and in mind you

1312
01:27:13,960 --> 01:27:15,800
Speaker 1: You know what I mean for being the g was

1313
01:27:15,960 --> 01:27:18,640
Speaker 1: I appreciate you all love from the whole of me,

1314
01:27:18,720 --> 01:27:24,160
Speaker 1: and I was worth the game, family money. You see,

1315
01:27:24,160 --> 01:27:26,760
Speaker 1: almost the industry park with you. Man, I talked with

1316
01:27:26,880 --> 01:27:30,840
Speaker 1: the industry though, you know what I mean, Like, Bro,

1317
01:27:32,000 --> 01:27:35,320
Speaker 1: it couldn't have been like this made my fucking day, bro,

1318
01:27:35,479 --> 01:27:39,080
Speaker 1: for real. We tried. We tried to bro like I like,

1319
01:27:39,520 --> 01:27:43,920
Speaker 1: it's a it's a U. Moments that came about. I

1320
01:27:44,000 --> 01:27:45,479
Speaker 1: was like, oh shoot, I ain't gon bare to get

1321
01:27:45,520 --> 01:27:49,800
Speaker 1: through this. Yeah oh oh ship, But man, like I

1322
01:27:49,920 --> 01:27:53,680
Speaker 1: got through it and the first time we ever did this,

1323
01:27:53,840 --> 01:27:56,479
Speaker 1: like yeah, yeah, it's kind of cool. You know what

1324
01:27:56,479 --> 01:27:58,840
Speaker 1: I'm saying, It's kind of cool to be loved man

1325
01:27:58,960 --> 01:28:02,880
Speaker 1: by your peers man, you know, And Slim asked that question.

1326
01:28:03,000 --> 01:28:06,519
Speaker 1: Do I feel like like i'm I'm I get the

1327
01:28:06,600 --> 01:28:17,640
Speaker 1: respect that I deserve and I think that um My

1328
01:28:17,800 --> 01:28:20,200
Speaker 1: Periers showing me love is all in respect. I need

1329
01:28:20,439 --> 01:28:24,240
Speaker 1: today's show that. Yeah, that's all in respect. I need, bro.

1330
01:28:24,920 --> 01:28:30,880
Speaker 1: I'll tek you much of that before you go. You're

1331
01:28:30,880 --> 01:28:32,920
Speaker 1: going quick term. I was gonna I had one more

1332
01:28:33,000 --> 01:28:35,080
Speaker 1: question than QuickTime, but you gotta you gotta say something.

1333
01:28:35,160 --> 01:28:37,519
Speaker 1: Just wanted to play something from real quick at cool.

1334
01:28:38,000 --> 01:28:41,840
Speaker 1: We'll go with your question and I have a song. Alright,

1335
01:28:42,000 --> 01:28:43,960
Speaker 1: I'm ready. I'm ready, actually, okay, gotta go. Let me

1336
01:28:44,080 --> 01:28:50,880
Speaker 1: just put it up. I'm oh yeah here. So I'm

1337
01:28:50,880 --> 01:28:52,519
Speaker 1: gonna tell you right now, every time they asked me

1338
01:28:52,640 --> 01:28:55,679
Speaker 1: for my top five I can guarantee you on Dream Champs.

1339
01:28:55,720 --> 01:29:00,439
Speaker 1: You're on my top five ship. I did now. I'm

1340
01:29:00,479 --> 01:29:03,080
Speaker 1: that always wanted to work on. And I had this

1341
01:29:03,200 --> 01:29:06,160
Speaker 1: record that Premiere produced for me. You were the first

1342
01:29:06,200 --> 01:29:07,599
Speaker 1: person that I wanted on the record, and you got

1343
01:29:07,640 --> 01:29:10,200
Speaker 1: on the record. I got on it. Yeah, I'm gonna

1344
01:29:10,200 --> 01:29:12,880
Speaker 1: show you the record. I'm shore you that. Ye Are

1345
01:29:12,920 --> 01:29:17,880
Speaker 1: you sure your son got on the record? But I had.

1346
01:29:17,920 --> 01:29:19,600
Speaker 1: I had these vocals from Gurgle that he did for

1347
01:29:19,640 --> 01:29:22,040
Speaker 1: a mixtape from me, And that's why that record special

1348
01:29:22,120 --> 01:29:24,200
Speaker 1: to me because it's the closest thing I was ever

1349
01:29:24,240 --> 01:29:26,559
Speaker 1: going to get to a gang star record, having Premiere

1350
01:29:26,640 --> 01:29:29,800
Speaker 1: produced it and cut up vocals that Gurgle did for me.

1351
01:29:30,240 --> 01:29:35,640
Speaker 1: On the hook, what what is it? He said, It's

1352
01:29:35,640 --> 01:29:39,639
Speaker 1: a hard assword right there. Crazy, you're the first person

1353
01:29:42,800 --> 01:29:54,880
Speaker 1: that crazy golface, Like, I never heard this face. You're

1354
01:29:54,920 --> 01:30:00,479
Speaker 1: glad to what you don't see. Listens gonna be man,

1355
01:30:00,560 --> 01:30:03,439
Speaker 1: it's fun when they wake up. How much tipour chime?

1356
01:30:03,479 --> 01:30:06,679
Speaker 1: When they take us it's like the sixties on over

1357
01:30:08,000 --> 01:30:13,920
Speaker 1: n sleeping Peter roll up. You know it's when I

1358
01:30:13,960 --> 01:30:17,880
Speaker 1: am not skied. It's evidence that the evidence that was

1359
01:30:17,960 --> 01:30:21,439
Speaker 1: captured on the camera. Resident Living the Dog, the tank

1360
01:30:21,520 --> 01:30:26,479
Speaker 1: sound sucking, Nick blow us, God damn brays out same ship,

1361
01:30:26,600 --> 01:30:30,120
Speaker 1: different city, I mean bailing. That's the reason that they sucking. Women.

1362
01:30:30,160 --> 01:30:33,439
Speaker 1: White's up to the block. They're talking to leave you.

1363
01:30:33,520 --> 01:30:37,000
Speaker 1: They're just about to wipe my hands. Sound sound jaf

1364
01:30:39,520 --> 01:30:44,439
Speaker 1: that impressive? Wait wait, what did you say when that

1365
01:30:44,600 --> 01:30:51,840
Speaker 1: impression was all right, well, you're not afair to yourself. Man,

1366
01:30:51,880 --> 01:30:54,360
Speaker 1: I'm so much better than you and your old top five.

1367
01:30:55,280 --> 01:31:00,800
Speaker 1: Fuck no, man, damn thanks. You know what? You know what?

1368
01:31:01,040 --> 01:31:04,439
Speaker 1: You know? You want to laugh right Wick? And you

1369
01:31:04,479 --> 01:31:06,479
Speaker 1: know what I think about when I think about my

1370
01:31:06,640 --> 01:31:11,760
Speaker 1: career and you got away with one and you got

1371
01:31:11,840 --> 01:31:14,880
Speaker 1: over on phones. I gotta way with one. Okay, I

1372
01:31:14,960 --> 01:31:17,800
Speaker 1: think like that too, But but you're not supposed to

1373
01:31:17,840 --> 01:31:22,040
Speaker 1: think like that. I got away. You're crazy. I'm not

1374
01:31:22,200 --> 01:31:28,040
Speaker 1: really all that great bro yo. Come on, man, stop stop,

1375
01:31:28,360 --> 01:31:32,000
Speaker 1: stop stop now, you know what the crazy ship. I

1376
01:31:32,040 --> 01:31:34,479
Speaker 1: know genuss think like that, Like I know that you're

1377
01:31:34,640 --> 01:31:38,120
Speaker 1: really a genius, and some people think like that. I

1378
01:31:39,160 --> 01:31:41,560
Speaker 1: get it. But there's no way you can have a

1379
01:31:41,640 --> 01:31:49,120
Speaker 1: record with Big Gouna be Naws jay Z you Pop.

1380
01:31:49,479 --> 01:31:52,600
Speaker 1: Did you ever work with Big on the duets? I

1381
01:31:52,640 --> 01:31:55,320
Speaker 1: didn't work with Big, but I know him. No, you know,

1382
01:31:56,280 --> 01:32:00,479
Speaker 1: it's fucking It's it's sucking Naws and fucking a man.

1383
01:32:02,840 --> 01:32:06,800
Speaker 1: Those those guys, they they they they really make you

1384
01:32:07,080 --> 01:32:11,640
Speaker 1: dig into whatever you have to find something to you know,

1385
01:32:11,880 --> 01:32:14,920
Speaker 1: being the same room with him, you know what I mean,

1386
01:32:15,040 --> 01:32:17,360
Speaker 1: to be in the same to be on the same

1387
01:32:17,479 --> 01:32:20,120
Speaker 1: page with him. You know, they're just that great bro

1388
01:32:20,880 --> 01:32:24,800
Speaker 1: like and Nas didn't recommend where he he wraps the

1389
01:32:24,840 --> 01:32:28,040
Speaker 1: ship and reverse Man that made me mad. You know

1390
01:32:28,160 --> 01:32:35,640
Speaker 1: that made me mad like Man we live you know,

1391
01:32:37,840 --> 01:32:41,760
Speaker 1: Um you know jay Z got a record Man we

1392
01:32:41,880 --> 01:32:45,879
Speaker 1: love Nas and Ja Yeah. J talked about Brad Jordan's

1393
01:32:46,080 --> 01:32:50,679
Speaker 1: talk about face motherfucking mom, Scarface, Mr scarf Face, ghetto boys.

1394
01:32:50,760 --> 01:32:58,040
Speaker 1: It's all about you. I don't why I broke them

1395
01:32:58,160 --> 01:33:00,720
Speaker 1: up is there's not a lot of people who have

1396
01:33:00,840 --> 01:33:03,679
Speaker 1: records with them both. There's not a lot of It's

1397
01:33:03,720 --> 01:33:07,320
Speaker 1: not a hand full of people who can say I

1398
01:33:07,479 --> 01:33:12,439
Speaker 1: met Tupac. Tupac respective was his favorite artist. Um Jake

1399
01:33:12,479 --> 01:33:16,120
Speaker 1: Princes said, you was Tupac's favorite artists me in your

1400
01:33:16,200 --> 01:33:23,840
Speaker 1: line huh my fucking uh Pox sayes more money means

1401
01:33:24,000 --> 01:33:28,040
Speaker 1: more litigating, more player Hayden gotta sell at the pin

1402
01:33:28,120 --> 01:33:31,479
Speaker 1: for me waiting. It's just my faith missed me with

1403
01:33:31,600 --> 01:33:33,960
Speaker 1: the misr mean that they get me fault that never

1404
01:33:34,120 --> 01:33:36,160
Speaker 1: that too much to keep the drinking. We all that

1405
01:33:36,600 --> 01:33:39,439
Speaker 1: sell love of that kind of ship. Manra me some

1406
01:33:39,560 --> 01:33:44,720
Speaker 1: trains relected again, gonna get you. Listen, J Jason, I

1407
01:33:44,840 --> 01:33:49,599
Speaker 1: hear Motherfucker's saying they may hold many holes say, okay,

1408
01:33:49,720 --> 01:33:56,559
Speaker 1: so make another another the office spaces Mike Judge, Yeah,

1409
01:33:56,960 --> 01:33:59,519
Speaker 1: did you not see when they took it out on

1410
01:33:59,560 --> 01:34:06,000
Speaker 1: the facts a shame. That's the best scene cinematic history.

1411
01:34:06,320 --> 01:34:09,120
Speaker 1: It is, in my opinion, when they when they set

1412
01:34:09,200 --> 01:34:12,479
Speaker 1: it off the on the fax machine, they go and

1413
01:34:12,560 --> 01:34:16,400
Speaker 1: they're playing look song and they're playing on yours the

1414
01:34:16,520 --> 01:34:22,080
Speaker 1: play guys. No, it's damn no. I'm pretty sure I'm

1415
01:34:22,080 --> 01:34:28,960
Speaker 1: gonna guarantee you a song. Oh okay, okay, okay, okay, okay, okay,

1416
01:34:29,160 --> 01:34:34,600
Speaker 1: I want player. Still you said something there, So what

1417
01:34:35,040 --> 01:34:36,840
Speaker 1: do you do? You know what this movie or how

1418
01:34:36,880 --> 01:34:41,960
Speaker 1: does this happen? I don't know. You didn't know. I

1419
01:34:42,040 --> 01:34:45,160
Speaker 1: had no fucking clue, no clue. I just seen my

1420
01:34:45,240 --> 01:34:48,559
Speaker 1: shop on it and it was there. You also one

1421
01:34:48,600 --> 01:34:52,759
Speaker 1: of my favorite movies to um when you play double

1422
01:34:52,800 --> 01:34:57,120
Speaker 1: dose of Pimentocracy Indiocracy. Do you know that's what's happening

1423
01:34:57,200 --> 01:35:01,840
Speaker 1: right now? Indiocracy? Mike Judge, it is. It's bureaucracy, you

1424
01:35:01,880 --> 01:35:04,280
Speaker 1: can call that ship. The more technology has given us,

1425
01:35:04,360 --> 01:35:06,519
Speaker 1: the more stupid that we've been coming. Like, I don't

1426
01:35:06,560 --> 01:35:11,519
Speaker 1: even know, I don't definitively know my mother's number, but

1427
01:35:12,080 --> 01:35:14,519
Speaker 1: I don't know my mother phone. I don't know my phone,

1428
01:35:14,760 --> 01:35:18,600
Speaker 1: but like, but but I got them all and it

1429
01:35:18,720 --> 01:35:21,600
Speaker 1: comes up. Yeah, I don't know nobody. I knew my

1430
01:35:21,720 --> 01:35:25,400
Speaker 1: mother's number of people number just mad numbers, Like do

1431
01:35:25,479 --> 01:35:28,280
Speaker 1: you believe in indiocracy is a real thing? Like it is? Man,

1432
01:35:29,400 --> 01:35:33,760
Speaker 1: that's cold bloody too. We have no clue what we

1433
01:35:33,880 --> 01:35:36,800
Speaker 1: have done. We want to make ship so easy until

1434
01:35:36,880 --> 01:35:39,960
Speaker 1: we're not using our brains no more. We're not using

1435
01:35:40,000 --> 01:35:43,439
Speaker 1: we're not thinking no more. It's like, oh, ship man

1436
01:35:43,640 --> 01:35:45,640
Speaker 1: is what was your name in the movie. He's a

1437
01:35:45,720 --> 01:35:48,920
Speaker 1: pip right, Yeah, upgrade, upgrade with a double double double

1438
01:35:49,000 --> 01:35:59,720
Speaker 1: dose and build the double dose finish. Actually did a

1439
01:36:00,360 --> 01:36:06,360
Speaker 1: good role though, and Earth got these tales. It's alt already. Yeah.

1440
01:36:06,560 --> 01:36:08,160
Speaker 1: I think I did pretty you in in that one

1441
01:36:08,439 --> 01:36:11,519
Speaker 1: everthing talking to me? Yeah, I've been calling it for

1442
01:36:11,520 --> 01:36:17,800
Speaker 1: a couple of weeks. Good friends, This happens like people, queens, people.

1443
01:36:17,800 --> 01:36:22,680
Speaker 1: We just happen that queene. I hit DJ today though,

1444
01:36:23,200 --> 01:36:26,040
Speaker 1: um so yeah, so you're in the acting. That's something

1445
01:36:26,120 --> 01:36:33,479
Speaker 1: that get your into. No, just just go with the bloo.

1446
01:36:35,080 --> 01:36:38,479
Speaker 1: Just golf. I played golfing, you know. Me and Willie

1447
01:36:38,479 --> 01:36:43,800
Speaker 1: did a podcast yeah on our on our audio. Yeah

1448
01:36:44,000 --> 01:36:48,040
Speaker 1: yeah yeah, yeah, yeah yeah yeah yeah. Yeall should shine in. Yeah,

1449
01:36:48,800 --> 01:36:50,479
Speaker 1: we guess too, we don't. We don't know. Problem. What's

1450
01:36:50,479 --> 01:36:53,679
Speaker 1: the name of our show? Ghetto boys, reloaded, ghetto boys,

1451
01:36:54,200 --> 01:36:59,280
Speaker 1: some boys with ghetto boys? So what made what makes you?

1452
01:36:59,320 --> 01:37:01,200
Speaker 1: I want to do it for guess? Do you interview guests?

1453
01:37:01,200 --> 01:37:03,439
Speaker 1: It's just your interview yourself. No, I don't want to

1454
01:37:03,479 --> 01:37:11,439
Speaker 1: talk to Willie about nothing. We interviewed guests and UM

1455
01:37:13,920 --> 01:37:15,640
Speaker 1: and we have a good as time. It's not as

1456
01:37:15,720 --> 01:37:18,519
Speaker 1: fun as this, but it'd be cool though. You know,

1457
01:37:18,640 --> 01:37:27,360
Speaker 1: that's pretty fun. We interviewed UM Mike Epps and we

1458
01:37:27,520 --> 01:37:32,160
Speaker 1: interviewed UM. I like talking to regular people, you know.

1459
01:37:32,680 --> 01:37:36,120
Speaker 1: I talked to a sex therapist. I talked to him.

1460
01:37:36,280 --> 01:37:43,559
Speaker 1: Uh sex traffic Uh, sex trafficker services, sex traffickers. That's

1461
01:37:43,600 --> 01:37:49,240
Speaker 1: why I'm not coming back. So so I listened again.

1462
01:37:49,520 --> 01:37:53,840
Speaker 1: I'm breaking ship down. I talked to a sex therapist

1463
01:37:54,200 --> 01:37:56,600
Speaker 1: who was the sex trafficker. Yeah, I know, here's the

1464
01:37:56,640 --> 01:38:00,040
Speaker 1: sex tracker. It's just the lady. She just sucking on

1465
01:38:00,120 --> 01:38:05,479
Speaker 1: me out of the blue. Hello, Hey, I got you on.

1466
01:38:05,640 --> 01:38:08,559
Speaker 1: I got you on another podcast. Say hello to Nori

1467
01:38:09,040 --> 01:38:20,720
Speaker 1: and then drink Champs. What aren't so it's this ain't Aliday?

1468
01:38:21,320 --> 01:38:31,000
Speaker 1: Well unless you want to the real tator? Bro? What's

1469
01:38:31,040 --> 01:38:41,160
Speaker 1: going on? And Cathay, I'm gonna call you back. Okay, Okay, baby,

1470
01:38:41,200 --> 01:38:43,200
Speaker 1: I'll call you back. Honey, give me about thirty minutes.

1471
01:38:43,600 --> 01:38:47,320
Speaker 1: I love you. Yeah, he's out. So she's a she's

1472
01:38:47,360 --> 01:38:52,439
Speaker 1: a whole rehear belitator, she exalt so she's been holding

1473
01:38:52,479 --> 01:38:57,679
Speaker 1: needed but you know she she she she she works

1474
01:38:57,720 --> 01:39:01,880
Speaker 1: with expert works for prostitutes and use your rehabilitated housewife.

1475
01:39:03,040 --> 01:39:10,400
Speaker 1: Because is it true? Can you turn the whole to read?

1476
01:39:12,920 --> 01:39:19,639
Speaker 1: We don't know if she's out because you never Okay

1477
01:39:19,680 --> 01:39:21,920
Speaker 1: to listen, I'm in my lane. That's a part of

1478
01:39:22,000 --> 01:39:24,719
Speaker 1: the on the show where we give you multiple choice.

1479
01:39:25,080 --> 01:39:27,880
Speaker 1: If you you go pick one or you pick the other.

1480
01:39:28,200 --> 01:39:30,479
Speaker 1: If you pick both, we take a shot. Being that,

1481
01:39:30,560 --> 01:39:32,320
Speaker 1: I don't think you gonna take a shot. I think

1482
01:39:32,320 --> 01:39:34,280
Speaker 1: we're gonna let your son come in and your son

1483
01:39:34,400 --> 01:39:38,240
Speaker 1: would your son take the shot for you? You gotta work.

1484
01:39:42,080 --> 01:39:43,880
Speaker 1: You're gonna have your homie. You you, you're gonna have

1485
01:39:43,880 --> 01:39:49,360
Speaker 1: your homie hold the sun, going to do it. Now,

1486
01:39:49,400 --> 01:39:52,920
Speaker 1: I'll tell you what okay, both my son, and be

1487
01:39:53,080 --> 01:39:54,960
Speaker 1: over to tell your shot. Come on, okay, cool, cool,

1488
01:39:55,040 --> 01:40:04,120
Speaker 1: come on, come on, come on, yeah, shot like motherfucker

1489
01:40:05,280 --> 01:40:15,760
Speaker 1: smoking dog. So they remember, No, okay, where's that? I'm

1490
01:40:15,760 --> 01:40:19,360
Speaker 1: gonna look for it. I'm not drinking that hazard a

1491
01:40:19,640 --> 01:40:23,479
Speaker 1: cool So anytime he says both, then y'all take a shot,

1492
01:40:24,160 --> 01:40:27,599
Speaker 1: all right, don't take that ship straight, don't don't take

1493
01:40:27,640 --> 01:40:31,439
Speaker 1: no shot of that ship. Use the rock w the

1494
01:40:31,520 --> 01:40:33,240
Speaker 1: rock at. I'm like, I don't want to I'm not

1495
01:40:33,400 --> 01:40:37,280
Speaker 1: I don't want to know. No, you want to drink

1496
01:40:37,400 --> 01:40:41,320
Speaker 1: right now? No, No, we got brown, brown, we got shot. Yeah,

1497
01:40:41,600 --> 01:40:43,960
Speaker 1: I'm gonna do what you want to be. I'm gonna

1498
01:40:43,960 --> 01:40:46,160
Speaker 1: just ship it. I ain't even don't we do that yet.

1499
01:40:46,360 --> 01:40:49,840
Speaker 1: They're just a little bit. And I got some i'm

1500
01:40:49,840 --> 01:40:52,519
Speaker 1: gonna do and I'm gonna do. Do my whiskey. I'm

1501
01:40:52,520 --> 01:40:55,840
Speaker 1: gonna do my whiskey. What's the right right now? Yeah?

1502
01:40:56,640 --> 01:41:00,719
Speaker 1: All right? See you ready, so remember one the other face.

1503
01:41:01,000 --> 01:41:03,280
Speaker 1: If you pick both, then didn't take a shot both,

1504
01:41:03,640 --> 01:41:10,599
Speaker 1: all right? Cook both both up though, Open it up though,

1505
01:41:10,720 --> 01:41:18,920
Speaker 1: open it up. It's okay, both are alright. Let me

1506
01:41:18,960 --> 01:41:20,840
Speaker 1: at least ask the question though. But I know you're

1507
01:41:20,840 --> 01:41:29,719
Speaker 1: gonna go for both for this one both Okay nas

1508
01:41:29,840 --> 01:41:35,200
Speaker 1: on jay Z, I just told you give it a shot.

1509
01:41:35,280 --> 01:41:39,120
Speaker 1: Then I'm joining we can. We want to drink to all, y'all.

1510
01:41:39,160 --> 01:41:47,559
Speaker 1: Motherfucker's drink now. Both things a lot, so I look,

1511
01:41:48,680 --> 01:41:52,080
Speaker 1: it's that whiskey. So they got we already drank, but

1512
01:41:52,360 --> 01:41:57,439
Speaker 1: they want to drink. Okay, that whiskey should be tucking

1513
01:41:57,479 --> 01:42:04,800
Speaker 1: us a shot. Okay, major are independent indeed. Okay, yeah,

1514
01:42:04,800 --> 01:42:08,439
Speaker 1: I got to get a shot at that one, Big

1515
01:42:08,520 --> 01:42:13,439
Speaker 1: Mike or Willie d m Willie. That was a build

1516
01:42:13,479 --> 01:42:15,519
Speaker 1: my hour. This one. I don't know where you're gonna

1517
01:42:15,520 --> 01:42:27,719
Speaker 1: go with it, Tupac or DMX both shot motherfucking bottle that. Okay,

1518
01:42:28,000 --> 01:42:31,280
Speaker 1: you're thinking your whiskey again? Yeah, man, I'm already here

1519
01:42:31,360 --> 01:42:41,000
Speaker 1: with it. I'll do that on both both okay solo, Yeah, okay,

1520
01:42:41,200 --> 01:42:46,080
Speaker 1: I know where you're gonna go with this. Okay, grabber

1521
01:42:46,160 --> 01:42:50,880
Speaker 1: lot want depth jamps out. Okay, that was easy. I

1522
01:42:50,920 --> 01:42:54,920
Speaker 1: think this one is easy too. The next to le

1523
01:42:55,320 --> 01:43:01,800
Speaker 1: Lebron short, fuck, I'm out of that one. Say with that.

1524
01:43:05,560 --> 01:43:09,160
Speaker 1: Yeah yeah, let me no no, no, no, no no,

1525
01:43:09,280 --> 01:43:11,960
Speaker 1: because let me speak plaining. I want y'all both taking

1526
01:43:13,400 --> 01:43:15,720
Speaker 1: these shots. I love that you give it an explanation.

1527
01:43:15,760 --> 01:43:19,000
Speaker 1: I love it because Jordan did it first man right

1528
01:43:20,160 --> 01:43:23,040
Speaker 1: and and and it's like everything that comes behind Mike

1529
01:43:24,120 --> 01:43:28,320
Speaker 1: is is like you know you you you you you

1530
01:43:28,680 --> 01:43:31,120
Speaker 1: like Jordan's top tier and if you can get up

1531
01:43:31,160 --> 01:43:33,599
Speaker 1: to top tier, then you you made it. You feel

1532
01:43:33,680 --> 01:43:38,160
Speaker 1: me like Kobe, you know he made it like he

1533
01:43:38,320 --> 01:43:41,320
Speaker 1: was there, and Lebron like he made it he there.

1534
01:43:41,520 --> 01:43:46,280
Speaker 1: So yeah, all y'all, motherfucker's gotta drink. Okay, took Lebron

1535
01:43:46,520 --> 01:43:51,600
Speaker 1: James and Mike Michael Jordan's ship. Everybody got to do.

1536
01:43:52,360 --> 01:43:57,839
Speaker 1: I want them niggers in the kitchen to drink too, Okay, alright,

1537
01:43:58,080 --> 01:44:07,719
Speaker 1: both both? Hey what are you drinking? Mama wanna both? Okay?

1538
01:44:07,920 --> 01:44:17,000
Speaker 1: Um Jake prince A totally drape James. But I grew

1539
01:44:17,080 --> 01:44:24,960
Speaker 1: up with Draper though. Shouldn night or QC from Quality

1540
01:44:25,000 --> 01:44:31,040
Speaker 1: Control Music to me, goos little baby, so obviously should nights?

1541
01:44:31,080 --> 01:44:33,560
Speaker 1: I mean so, so say you know what? Am I what? No? No,

1542
01:44:33,680 --> 01:44:36,240
Speaker 1: no no, And then I want to know, like which

1543
01:44:36,280 --> 01:44:38,560
Speaker 1: one you said? Which one? Like like what would you

1544
01:44:38,800 --> 01:44:42,240
Speaker 1: relate more to what you identified more with? It doesn't

1545
01:44:42,240 --> 01:44:49,120
Speaker 1: matter the City girls. You said city Halls. Oh so

1546
01:44:49,240 --> 01:44:52,160
Speaker 1: you just said city Halls girls. I was called that

1547
01:44:53,439 --> 01:45:02,519
Speaker 1: was all? That was all? You know? Um you Shure

1548
01:45:04,800 --> 01:45:16,800
Speaker 1: was in position to be the fucking the biggest independent

1549
01:45:18,800 --> 01:45:26,160
Speaker 1: record label ever. What she was? Yeah? No, but I

1550
01:45:26,280 --> 01:45:28,320
Speaker 1: think that there was a lot of ship that happened

1551
01:45:29,240 --> 01:45:33,400
Speaker 1: that didn't allow him to move into that position. Man,

1552
01:45:33,560 --> 01:45:35,719
Speaker 1: you know, it's just a whole lot of other ship

1553
01:45:36,200 --> 01:45:41,200
Speaker 1: that just jumped up. So I'm gonna go. I'm gonna

1554
01:45:41,200 --> 01:45:44,439
Speaker 1: go with QC Man because I don't you know, he

1555
01:45:44,600 --> 01:45:46,920
Speaker 1: hes not, he's not. He's not out there with that

1556
01:45:47,080 --> 01:45:52,040
Speaker 1: crazy ship man. And you know, I like it. I

1557
01:45:52,160 --> 01:45:55,120
Speaker 1: like it quiet like this, broo, get you some motherfucking

1558
01:45:55,160 --> 01:45:59,240
Speaker 1: money man, theedia artist man, and let's go from there. Okay,

1559
01:45:59,280 --> 01:46:05,880
Speaker 1: So radio podcast, I don't know yet. That's fair. That's fair.

1560
01:46:06,520 --> 01:46:07,920
Speaker 1: I'll take a shot to that. I'll take a shot

1561
01:46:07,960 --> 01:46:15,880
Speaker 1: to that. That's podcast podcast podcast, Okay, all right, we

1562
01:46:16,040 --> 01:46:19,599
Speaker 1: need to find somebody else. The homies, the Holy the homies,

1563
01:46:19,840 --> 01:46:26,040
Speaker 1: the reggae tone glasses, get another one. Reggae glasses like

1564
01:46:26,120 --> 01:46:36,439
Speaker 1: there anybody alight, body, come on, don't lot shot, listen, listen,

1565
01:46:36,840 --> 01:46:40,400
Speaker 1: come on face all right, so um Bushwick or pimps

1566
01:46:43,560 --> 01:46:54,800
Speaker 1: both both. You gotta have your people. Hold that's my people.

1567
01:46:54,800 --> 01:46:56,280
Speaker 1: You can't be with my people to get drunk. You

1568
01:46:56,360 --> 01:46:59,479
Speaker 1: got your people to get your drunk. Take you a

1569
01:46:59,479 --> 01:47:05,080
Speaker 1: little bit drunk already drunk? No no, no no, and

1570
01:47:05,200 --> 01:47:16,240
Speaker 1: he's driving. You gotta relax, take from ladders, your people

1571
01:47:16,320 --> 01:47:18,560
Speaker 1: gotta take the shot holiday no no, no, no no no.

1572
01:47:19,680 --> 01:47:24,120
Speaker 1: He shot dad. Alright, cool, they got shot? All right?

1573
01:47:24,120 --> 01:47:27,280
Speaker 1: Hold on, all right, that was drinking. Okay, yeah, I'm

1574
01:47:27,320 --> 01:47:31,720
Speaker 1: drinking okay, U T K U g K both or

1575
01:47:31,840 --> 01:47:34,439
Speaker 1: a boy m J B I say both you got

1576
01:47:34,520 --> 01:47:43,680
Speaker 1: you do another one there? All right? Yeah, all right,

1577
01:47:44,760 --> 01:47:48,760
Speaker 1: all right he can you just have a shot on GP.

1578
01:47:49,479 --> 01:47:54,760
Speaker 1: Yeah he might as about just drinking. Shout you nothing

1579
01:47:54,960 --> 01:47:58,720
Speaker 1: he's driving about him? No no, no, you not him

1580
01:47:58,760 --> 01:48:08,479
Speaker 1: asking him that out me have a shot on driving me.

1581
01:48:08,720 --> 01:48:12,400
Speaker 1: I don't want to die. It's gonna please. Okay, Um

1582
01:48:13,640 --> 01:48:17,040
Speaker 1: you said that right on eight ball? Okay, biggie or

1583
01:48:17,080 --> 01:48:26,599
Speaker 1: big pot? That was okay, d J screw or DJ

1584
01:48:27,120 --> 01:48:32,600
Speaker 1: five thousand watts. Fuck most Let's go, baby, let's go,

1585
01:48:33,360 --> 01:48:37,200
Speaker 1: Let's go Jesus, Okay, that's Michael five thousand Watch she's

1586
01:48:37,240 --> 01:48:42,040
Speaker 1: playing on all five thousand watts. Doesn't that mean that's

1587
01:48:42,080 --> 01:48:49,880
Speaker 1: the wrong ship, wrong drink? And he can't have nothing

1588
01:48:50,000 --> 01:48:53,880
Speaker 1: right now? He's driving d anybody else back there have something? No,

1589
01:48:54,080 --> 01:48:59,320
Speaker 1: this is about driving driving. If they not with you,

1590
01:48:59,400 --> 01:49:03,719
Speaker 1: they can't take the young people gonna take your shots.

1591
01:49:04,080 --> 01:49:06,720
Speaker 1: I don't love people in that one. Ain't with you?

1592
01:49:06,800 --> 01:49:11,800
Speaker 1: They with me? But I don't know to do it.

1593
01:49:12,760 --> 01:49:15,880
Speaker 1: I'm gonna do it. You will? Are you driving? See?

1594
01:49:15,880 --> 01:49:17,960
Speaker 1: If you can't, I don't give you your driving shots

1595
01:49:18,200 --> 01:49:30,120
Speaker 1: you want? She got all right here? Okay? Loyalty or

1596
01:49:30,160 --> 01:49:36,200
Speaker 1: respect both? He's you know what, I'm taking a shot too, right,

1597
01:49:36,360 --> 01:49:37,800
Speaker 1: I don't know you do that like you tak your

1598
01:49:37,800 --> 01:49:41,680
Speaker 1: shot taking whisty ain't gonna lie. You better feel that

1599
01:49:41,800 --> 01:49:45,360
Speaker 1: motherfucker back up then because everybody both both all right?

1600
01:49:45,840 --> 01:49:49,760
Speaker 1: Both well mp bos now you cheating? We're not t

1601
01:49:49,920 --> 01:49:55,639
Speaker 1: f mc like you don't say both come on him?

1602
01:49:55,680 --> 01:50:03,200
Speaker 1: Ain't me? You know what? All when they get ship?

1603
01:50:03,360 --> 01:50:08,920
Speaker 1: Uh man, like I love MC light bro ever since

1604
01:50:08,920 --> 01:50:11,080
Speaker 1: I was a little kid. You still have a question.

1605
01:50:11,840 --> 01:50:13,600
Speaker 1: How was my girlfriend when I was a kid in

1606
01:50:13,720 --> 01:50:21,639
Speaker 1: my mind and your mind was double Dutch? Nah? So yeah,

1607
01:50:22,000 --> 01:50:28,240
Speaker 1: so I love, I love, I love, I love Latifa. Latifa. Man,

1608
01:50:28,360 --> 01:50:31,320
Speaker 1: she fucking killed that ship. Man. But light is gonna

1609
01:50:31,360 --> 01:50:34,040
Speaker 1: always be my imagining every girlfriend, so you don't have

1610
01:50:34,120 --> 01:50:37,920
Speaker 1: to drink to that, all right, I don't understand this one.

1611
01:50:38,000 --> 01:50:42,920
Speaker 1: Fifth more boys times face mall bro face Facebook group. Okay, Okay, cool,

1612
01:50:43,000 --> 01:50:54,880
Speaker 1: all right, Nikia Cardi b Man, that's tough because Cardi

1613
01:50:54,960 --> 01:50:58,439
Speaker 1: Babe and Cardi b as funny as fuck. Man. She

1614
01:50:58,800 --> 01:51:06,320
Speaker 1: she is a she's a real deal man, and Nikki

1615
01:51:06,439 --> 01:51:09,040
Speaker 1: a real deal too. But Carney be the real deal

1616
01:51:09,160 --> 01:51:12,640
Speaker 1: man and she's funny. Then the motherfucker to me, I

1617
01:51:12,720 --> 01:51:14,960
Speaker 1: love the fact that you went with the funny. You

1618
01:51:15,000 --> 01:51:17,600
Speaker 1: know she's funny as fun bro, Yeah, because you know,

1619
01:51:17,760 --> 01:51:20,040
Speaker 1: one of all funniest mcs of all time, who I

1620
01:51:20,120 --> 01:51:22,599
Speaker 1: got my funny from bis Market is fighting for us

1621
01:51:22,680 --> 01:51:26,479
Speaker 1: like funny Bits Market is funny, and really I wanted

1622
01:51:26,479 --> 01:51:28,840
Speaker 1: to play this market. You should have. You should have.

1623
01:51:29,040 --> 01:51:32,000
Speaker 1: You should call Daddy yo and have Daddy do the

1624
01:51:32,720 --> 01:51:37,479
Speaker 1: the the impression of bis Market. Bro, that ship is

1625
01:51:37,560 --> 01:51:40,479
Speaker 1: funny as fun and then we'll call Bits on the

1626
01:51:40,600 --> 01:51:43,439
Speaker 1: phone and they both be talking like each other. Man,

1627
01:51:43,680 --> 01:51:47,080
Speaker 1: biz man, damn if this fight for us like right now,

1628
01:51:47,800 --> 01:51:51,000
Speaker 1: and yeah, that's what I'm hearing, and the people are

1629
01:51:51,040 --> 01:51:56,000
Speaker 1: reporting that he's already passed away. I hate that. You know,

1630
01:51:57,000 --> 01:51:58,720
Speaker 1: you have to be like the first. I want to

1631
01:51:58,760 --> 01:52:00,000
Speaker 1: be first. I want to be first, and the people

1632
01:52:00,000 --> 01:52:02,920
Speaker 1: are reporting something that's not even really you know true.

1633
01:52:02,960 --> 01:52:05,439
Speaker 1: I hate that. But when I when I got sick,

1634
01:52:05,560 --> 01:52:09,400
Speaker 1: man really really sick with the COVID COVID and yeah,

1635
01:52:09,400 --> 01:52:12,479
Speaker 1: and kidney failure, you know it, would call me all

1636
01:52:12,560 --> 01:52:15,800
Speaker 1: the time cracking fucking jokes man. Because hold on before

1637
01:52:15,800 --> 01:52:17,479
Speaker 1: you say that, because I felt like you said two

1638
01:52:17,479 --> 01:52:20,280
Speaker 1: different things. There's COVID and kidney fella. Oh it's both

1639
01:52:20,800 --> 01:52:23,519
Speaker 1: at the same time. Wow, Okay, I'm supposed to be

1640
01:52:23,600 --> 01:52:27,080
Speaker 1: dead brow like right now. That's why I was hitting

1641
01:52:27,080 --> 01:52:28,320
Speaker 1: you every day. I don't know if you remember that.

1642
01:52:28,400 --> 01:52:31,360
Speaker 1: I remember everything. I appreciate that too. If you called

1643
01:52:31,400 --> 01:52:33,840
Speaker 1: me but she wasn't calling me cracking jokes yeah yeah,

1644
01:52:33,840 --> 01:52:35,720
Speaker 1: I would hit you every day checking on me, man.

1645
01:52:35,880 --> 01:52:38,760
Speaker 1: I appreciate that. Hell yeah yeah. But being would call

1646
01:52:38,840 --> 01:52:40,880
Speaker 1: and he would he would be cracking fucking jokes man,

1647
01:52:41,000 --> 01:52:48,160
Speaker 1: having me dine beats. You need be beat boxing, you know,

1648
01:52:48,320 --> 01:52:51,280
Speaker 1: be boxing, know how you do that ship and wraps

1649
01:52:51,360 --> 01:52:57,160
Speaker 1: and ship yeah yeah and damn bis yeah so and

1650
01:52:57,200 --> 01:52:59,920
Speaker 1: then we won't get back into that. I gotta picture

1651
01:53:00,240 --> 01:53:02,479
Speaker 1: me and bigs when I was a little kid and

1652
01:53:02,640 --> 01:53:06,360
Speaker 1: Coo and Coobe doing like this coy funny and hell

1653
01:53:06,439 --> 01:53:10,160
Speaker 1: yeah I was a little kid. Can we show it? Yea.

1654
01:53:10,880 --> 01:53:13,320
Speaker 1: But meantimes, it's just an answer. I'm out of the

1655
01:53:13,400 --> 01:53:20,200
Speaker 1: nacky CARDI yeah, Miami or l a both. We're supposed

1656
01:53:20,200 --> 01:53:24,320
Speaker 1: to pick Miami Bro Miami. Yeah, okay, cool, we're gonna

1657
01:53:24,360 --> 01:53:27,000
Speaker 1: let to get away with that. Okay, now this one,

1658
01:53:28,360 --> 01:53:30,639
Speaker 1: this one, I really wanted that serious answer on this one.

1659
01:53:31,760 --> 01:53:37,920
Speaker 1: J cole O Kendrick, that's a toughie. So you are

1660
01:53:38,040 --> 01:53:43,040
Speaker 1: going live ship. I'm going with all of them. Okay,

1661
01:53:44,040 --> 01:53:48,680
Speaker 1: that's both scar face lagers at me both. I don't know,

1662
01:53:49,000 --> 01:53:53,439
Speaker 1: but I know that them little niggas got something, like

1663
01:53:53,600 --> 01:53:57,240
Speaker 1: they really got something, bron like they super really got

1664
01:53:57,400 --> 01:54:02,599
Speaker 1: something right. You see how young I was on that picture.

1665
01:54:03,840 --> 01:54:12,639
Speaker 1: I couldn't maybe the war in sixteen maybe fifteen. Can

1666
01:54:12,680 --> 01:54:23,920
Speaker 1: you send that? Wouldn't you really did that? You gotta

1667
01:54:23,960 --> 01:54:25,880
Speaker 1: send me to me that? Please, please send me that,

1668
01:54:26,479 --> 01:54:28,439
Speaker 1: Please send me that. Oh my god, I didn't really

1669
01:54:28,479 --> 01:54:30,200
Speaker 1: know you really had a plateau. Oh that's why you said.

1670
01:54:30,200 --> 01:54:35,920
Speaker 1: You see my ship you had it was last top

1671
01:54:35,960 --> 01:54:38,920
Speaker 1: half gun beat like your ship? Is it like different? Okay?

1672
01:54:39,320 --> 01:54:43,360
Speaker 1: DJ Collin or DJ Drama. That ain't a good question

1673
01:54:46,400 --> 01:54:53,120
Speaker 1: because because you're gonna who. I gotta go with both? Okay,

1674
01:54:54,400 --> 01:54:59,480
Speaker 1: I don't literally mad at me and drunk. Yeah, okay,

1675
01:55:00,520 --> 01:55:04,520
Speaker 1: all right, both? All right, I got the next both

1676
01:55:06,760 --> 01:55:12,440
Speaker 1: both Prince Oh, Michael Jackson, Prince, all right, that was good,

1677
01:55:12,480 --> 01:55:17,680
Speaker 1: thank cover he said, who we went with? Prince? I

1678
01:55:17,760 --> 01:55:22,920
Speaker 1: need to ask. Okay, it's the last one. Both. You

1679
01:55:22,960 --> 01:55:26,000
Speaker 1: didn't relax. I don't even give a question. There is both.

1680
01:55:26,800 --> 01:55:32,160
Speaker 1: I just gotta ask it. Though, Kane, you don't say

1681
01:55:32,200 --> 01:55:41,520
Speaker 1: boom man and Nigga. Kanye was a fool man. He's still.

1682
01:55:42,680 --> 01:55:44,480
Speaker 1: I don't even thinking about none of that. Man. I

1683
01:55:44,600 --> 01:55:49,400
Speaker 1: talked to Kanye when he was making America great. I

1684
01:55:49,560 --> 01:55:52,800
Speaker 1: talked things out. He's a genius musically, I talked. I

1685
01:55:52,880 --> 01:55:55,000
Speaker 1: talked to him when he was supposedly he's supposed to

1686
01:55:55,000 --> 01:55:57,360
Speaker 1: be office rocker or whatever. Man, And here was nothing

1687
01:55:57,360 --> 01:56:02,520
Speaker 1: wrong my Kanye man. No, like I think Kanye is

1688
01:56:02,600 --> 01:56:07,040
Speaker 1: just um expressing himself. In a different way than than

1689
01:56:07,240 --> 01:56:10,320
Speaker 1: everybody else would warning him too, you know what I mean.

1690
01:56:10,400 --> 01:56:15,000
Speaker 1: He's the richest black man in American history, right, ship, Right,

1691
01:56:15,040 --> 01:56:17,600
Speaker 1: it's gonnae man. Let me tell you something that would

1692
01:56:17,640 --> 01:56:20,960
Speaker 1: drive anybody crazy they say too much of anything and

1693
01:56:21,160 --> 01:56:24,160
Speaker 1: kill you. Well, if I get me three or four

1694
01:56:24,240 --> 01:56:37,680
Speaker 1: billion dollars, I'm gonna die. Man. I want to do

1695
01:56:37,760 --> 01:56:39,640
Speaker 1: all the ship that I couldn't do, and I didn't

1696
01:56:39,680 --> 01:56:44,440
Speaker 1: hand no motherfucking money. All right, all right? So so wait,

1697
01:56:44,680 --> 01:56:46,600
Speaker 1: was it both or is it one? I'm gonna go

1698
01:56:46,880 --> 01:56:48,440
Speaker 1: to go with Kanye and I love for real to

1699
01:56:48,520 --> 01:56:53,200
Speaker 1: death because he's incredibly dope. I ain't want another shot.

1700
01:56:53,720 --> 01:56:57,040
Speaker 1: But in your lyrics, right, you say you know obviously

1701
01:56:57,080 --> 01:56:59,880
Speaker 1: I was going through the lyrist. Don't say I was.

1702
01:57:00,560 --> 01:57:03,680
Speaker 1: I ever wrote it wrong. But you said David Duke's

1703
01:57:03,720 --> 01:57:06,640
Speaker 1: got a shotgun? So why are you mad? Because I

1704
01:57:06,800 --> 01:57:10,360
Speaker 1: got one on a lot of people at that time. Now,

1705
01:57:10,480 --> 01:57:13,600
Speaker 1: I understand your analogy. When you spoke about you being

1706
01:57:14,200 --> 01:57:18,080
Speaker 1: um Chuck d influenced. Back then, when I heard David Duke,

1707
01:57:18,120 --> 01:57:23,160
Speaker 1: I didn't know what David Duke was. Yeah, So back

1708
01:57:23,400 --> 01:57:25,560
Speaker 1: when I heard you say that, when I heard you said,

1709
01:57:25,600 --> 01:57:27,640
Speaker 1: I had to literally go out there and do research,

1710
01:57:28,040 --> 01:57:29,760
Speaker 1: like like David Duke is just don't come up in

1711
01:57:29,880 --> 01:57:33,000
Speaker 1: black you know school, or like you know what it

1712
01:57:33,120 --> 01:57:36,320
Speaker 1: was out now? I think I noticed answer because I

1713
01:57:36,360 --> 01:57:38,200
Speaker 1: think you touched on it earlier when you said that

1714
01:57:38,560 --> 01:57:40,200
Speaker 1: if you put Chuck d I think you said big

1715
01:57:40,240 --> 01:57:44,480
Speaker 1: Daddy Kane and I forget who else together? What made

1716
01:57:44,520 --> 01:57:46,520
Speaker 1: you want to touch on that? Like you named the

1717
01:57:46,680 --> 01:57:48,520
Speaker 1: leader of the kukutz Klan, like I had to go

1718
01:57:48,800 --> 01:57:52,320
Speaker 1: It wasn't Google back then, but whatever it was equivalent

1719
01:57:52,400 --> 01:57:54,640
Speaker 1: to Google. I had to do that because I didn't

1720
01:57:54,680 --> 01:57:56,560
Speaker 1: I wanted to know what you meant by saying David

1721
01:57:56,640 --> 01:58:03,320
Speaker 1: Duke got a shotgun? Why you get and David Duke um?

1722
01:58:04,200 --> 01:58:05,920
Speaker 1: Which is crazy. I never thought of you talking about

1723
01:58:05,920 --> 01:58:12,640
Speaker 1: the fucking head of the something to give you something,

1724
01:58:12,720 --> 01:58:17,240
Speaker 1: I had to give the people something, bro, Like we

1725
01:58:17,360 --> 01:58:20,280
Speaker 1: can talk about how great we can wrap, how bad

1726
01:58:20,440 --> 01:58:24,120
Speaker 1: my car is, or how bad my fucking diamond is.

1727
01:58:24,240 --> 01:58:26,360
Speaker 1: But if I ain't giving you wanted to grow on, Bro,

1728
01:58:27,280 --> 01:58:30,880
Speaker 1: then I'm just saying words. And anybody can put words together.

1729
01:58:31,480 --> 01:58:34,760
Speaker 1: But imagine if somebody put words together that can make

1730
01:58:34,840 --> 01:58:37,880
Speaker 1: you think about who the fund is David doo wow.

1731
01:58:38,440 --> 01:58:43,760
Speaker 1: And then you oh, I was one of the clan.

1732
01:58:44,200 --> 01:58:48,440
Speaker 1: Oh yeah, and did he run for like that he mastream,

1733
01:58:48,520 --> 01:58:51,320
Speaker 1: he tried and I think he was the governor of Louisiana. Bro,

1734
01:58:51,760 --> 01:58:53,360
Speaker 1: and you know what he tried to person like he

1735
01:58:53,480 --> 01:58:57,480
Speaker 1: wasn't even with the clan lyrics. Then still matches up.

1736
01:58:57,560 --> 01:58:59,600
Speaker 1: Now do you know he was the first person to

1737
01:58:59,680 --> 01:59:03,120
Speaker 1: come out support Trump. I'm sure. I mean that's that

1738
01:59:03,560 --> 01:59:08,280
Speaker 1: was like clans with Bro. They sucking clansman, like like

1739
01:59:08,800 --> 01:59:12,880
Speaker 1: father was a klansman. Right, you better know it really

1740
01:59:13,160 --> 01:59:15,080
Speaker 1: what I'm thinking, you're just saying that No, no, no,

1741
01:59:15,240 --> 01:59:17,320
Speaker 1: it's I think. I mean, I don't. I can't tell

1742
01:59:17,360 --> 01:59:19,880
Speaker 1: you that that was the transman Fred Trump that when

1743
01:59:19,960 --> 01:59:23,000
Speaker 1: his fucking when his beating Hill looking ask was a clansman, Bro,

1744
01:59:23,440 --> 01:59:25,920
Speaker 1: say Benny Hill beating Hill makes a noise, you know

1745
01:59:26,000 --> 01:59:36,040
Speaker 1: about big Hill. I was gonna I that only old

1746
01:59:36,160 --> 01:59:42,640
Speaker 1: motherfucker's noticed due Betty Hill. Betty Hill was sore porn.

1747
01:59:43,000 --> 01:59:45,680
Speaker 1: It was that was so point Ben will not get

1748
01:59:45,720 --> 01:59:48,120
Speaker 1: out to get away with it. Today, I think he

1749
01:59:48,320 --> 01:59:52,680
Speaker 1: was one of the fucker got them. So yeah, fucking

1750
01:59:52,720 --> 01:59:55,440
Speaker 1: him and everybody think like Trump is supposed to be

1751
01:59:55,560 --> 02:00:00,920
Speaker 1: something smart, super genius. Motherfucker. He's a clown him the

1752
02:00:01,240 --> 02:00:03,160
Speaker 1: man that made him body. As far as the salt

1753
02:00:03,280 --> 02:00:12,520
Speaker 1: dick chess is useless, I never heard that one. Mother dicks.

1754
02:00:12,600 --> 02:00:14,880
Speaker 1: My salt bick ain't got no sense. He's just flopping

1755
02:00:14,960 --> 02:00:24,600
Speaker 1: around bro bars. Listen, bro and to some people, man,

1756
02:00:24,680 --> 02:00:26,840
Speaker 1: he's the best fucking thing that's ever lived on this

1757
02:00:27,000 --> 02:00:29,760
Speaker 1: ever walked the face of the earth, and win his

1758
02:00:30,360 --> 02:00:33,640
Speaker 1: But we can't sleep looking for Pop I looking at

1759
02:00:34,680 --> 02:00:36,760
Speaker 1: Let me, let me just speak. I'm not a fan

1760
02:00:36,840 --> 02:00:39,560
Speaker 1: of Trump at all. But one thing I can't say

1761
02:00:39,800 --> 02:00:44,520
Speaker 1: is during the Trump era, it hasn't been a lot

1762
02:00:44,560 --> 02:00:48,240
Speaker 1: of broke people. I've been running into like everybody got

1763
02:00:48,320 --> 02:00:54,480
Speaker 1: money now it's that now I think office, you got

1764
02:00:54,520 --> 02:00:56,160
Speaker 1: broke friends. I don't have no broke friends no more.

1765
02:00:56,160 --> 02:01:00,400
Speaker 1: I've been looking for him. They don't know. I don't know.

1766
02:01:00,640 --> 02:01:04,440
Speaker 1: Trump aint did me no fucking favorite. I'm just saying,

1767
02:01:04,520 --> 02:01:07,360
Speaker 1: like you say, you cut your taxes and ship men,

1768
02:01:07,440 --> 02:01:09,080
Speaker 1: that's cool. And then you know when I have some

1769
02:01:09,200 --> 02:01:11,920
Speaker 1: conservative values, bro, I don't think it's my responsibility to

1770
02:01:12,040 --> 02:01:13,880
Speaker 1: take the care of nobody else that that I'm not

1771
02:01:14,320 --> 02:01:16,920
Speaker 1: down with taking care of But but but I will

1772
02:01:16,960 --> 02:01:20,120
Speaker 1: put my money in infrastructure. You know, I do want

1773
02:01:20,160 --> 02:01:21,680
Speaker 1: my funk I do have. You know, if I do

1774
02:01:21,800 --> 02:01:24,560
Speaker 1: buy some some tires, you know, some real with some

1775
02:01:24,760 --> 02:01:27,080
Speaker 1: with some big tires on my ship or whatever, I

1776
02:01:27,160 --> 02:01:29,160
Speaker 1: do want my streets to be fixed. So I don't

1777
02:01:29,160 --> 02:01:31,680
Speaker 1: have a sign. You know, I don't want. I don't

1778
02:01:31,680 --> 02:01:34,200
Speaker 1: want my fucking structure to fall down. And you know

1779
02:01:34,240 --> 02:01:36,480
Speaker 1: what I mean, like I would, I'm down with the

1780
02:01:36,520 --> 02:01:39,920
Speaker 1: infrastructure part. I'm down with I'm down with seeing you know, uh,

1781
02:01:40,400 --> 02:01:42,320
Speaker 1: blacks and browns get money. I want to see him

1782
02:01:42,360 --> 02:01:44,880
Speaker 1: get some fucking money. Bro. You know, I want to

1783
02:01:44,920 --> 02:01:46,800
Speaker 1: take all I want to take. I want to take

1784
02:01:46,840 --> 02:01:49,800
Speaker 1: black people out of the minority because it's like one

1785
02:01:49,880 --> 02:01:52,360
Speaker 1: big fucking clusterfuck. So when it comes time to get

1786
02:01:52,440 --> 02:01:56,120
Speaker 1: contracts and ship, I get it. I get it. I

1787
02:01:56,200 --> 02:01:57,880
Speaker 1: got some value, I got some republic I got some

1788
02:01:57,920 --> 02:01:59,720
Speaker 1: Republican values. Bro, I don't. I don't think it's my

1789
02:01:59,800 --> 02:02:02,520
Speaker 1: risk wants ability to be paying for nobody else's insurance

1790
02:02:02,560 --> 02:02:05,280
Speaker 1: and ship and I got my own fucking problems. You

1791
02:02:05,320 --> 02:02:08,840
Speaker 1: feel me like, yo, That's why I'm at with it, bro,

1792
02:02:09,000 --> 02:02:11,800
Speaker 1: Like I need to add I don't want to be

1793
02:02:11,880 --> 02:02:14,080
Speaker 1: paying for nobody else's ship. I want to take care

1794
02:02:14,120 --> 02:02:17,360
Speaker 1: of my own ship. So let's fucking government, in my opinion,

1795
02:02:18,720 --> 02:02:22,680
Speaker 1: Republican value, right, yeah, that's some conservative values, but a

1796
02:02:22,760 --> 02:02:27,000
Speaker 1: smaller government. If somebody's fucked up, you know, don't penallyize

1797
02:02:27,040 --> 02:02:29,520
Speaker 1: me because I'm doing you all pre see anyways, there's

1798
02:02:29,520 --> 02:02:31,480
Speaker 1: nothing's gonna get done any I love how you politically

1799
02:02:31,560 --> 02:02:34,800
Speaker 1: are game right now. No, no, no, it's cool. You know,

1800
02:02:35,240 --> 02:02:38,720
Speaker 1: it's it's cool to to to have a Republican in

1801
02:02:38,840 --> 02:02:42,400
Speaker 1: the office, but not a Republican like this being bad

1802
02:02:42,480 --> 02:02:46,320
Speaker 1: head motherfucker. He's aren't even really a Republican. He's not

1803
02:02:46,480 --> 02:02:50,360
Speaker 1: really even a president. But he's just like, here's some

1804
02:02:50,480 --> 02:02:54,840
Speaker 1: type of god man, just like it's a special one.

1805
02:02:54,880 --> 02:03:00,720
Speaker 1: You're not special. No, but values man, those conservative values, bro,

1806
02:03:01,640 --> 02:03:03,920
Speaker 1: Like less government, man, Let's let's get it. You know,

1807
02:03:04,000 --> 02:03:06,800
Speaker 1: I don't need you to to to to regulate my weed,

1808
02:03:07,120 --> 02:03:10,040
Speaker 1: or regulate my alcohol, or regulate some ship that I

1809
02:03:10,120 --> 02:03:12,680
Speaker 1: grow out of my fucking backyard. Don't don't tap into

1810
02:03:12,760 --> 02:03:17,160
Speaker 1: my ship, tap into your own ship. You know a

1811
02:03:17,280 --> 02:03:19,600
Speaker 1: lot of black people put a lot, a lot, a

1812
02:03:19,680 --> 02:03:24,240
Speaker 1: lot of emphasis on Democrats when the Democrats was the

1813
02:03:24,360 --> 02:03:27,440
Speaker 1: motherfucker's that wanted to keep us in a slave you know,

1814
02:03:27,840 --> 02:03:30,360
Speaker 1: And if it was that big a deal, then then

1815
02:03:30,520 --> 02:03:34,760
Speaker 1: then why aren't the Democrats fighting for the rights of

1816
02:03:35,480 --> 02:03:38,320
Speaker 1: these people that's not getting it? You know, we're not

1817
02:03:38,720 --> 02:03:41,440
Speaker 1: getting all that we're supposed to have. And every time

1818
02:03:41,560 --> 02:03:45,200
Speaker 1: some ship come up, you know that's supposed to favor us,

1819
02:03:45,480 --> 02:03:50,080
Speaker 1: you ain't saying ship. Why reparations ain't came up? Your

1820
02:03:50,120 --> 02:03:55,600
Speaker 1: fucking Democrats, you down, and then come on, let's put

1821
02:03:55,640 --> 02:03:58,280
Speaker 1: the ship on the table. Let's start talking about it,

1822
02:03:58,520 --> 02:04:02,720
Speaker 1: and let's get some ship done. Let's talk more action.

1823
02:04:03,200 --> 02:04:08,120
Speaker 1: You voted for m I did. I did because I

1824
02:04:08,240 --> 02:04:11,720
Speaker 1: wanted this fucking Alfred Hitchcock motherfucker out of the office. Drum.

1825
02:04:12,200 --> 02:04:15,480
Speaker 1: Voted against Trump? I did. I voted against him, but

1826
02:04:15,600 --> 02:04:18,800
Speaker 1: I also voted for Obama. Let me ask you something.

1827
02:04:18,880 --> 02:04:23,120
Speaker 1: At one point, Trump was like, wraps, it's fun, it

1828
02:04:23,240 --> 02:04:25,600
Speaker 1: was cool, And then he came out that he started

1829
02:04:25,680 --> 02:04:28,160
Speaker 1: had lyrics that he was picking up Donald Trump. I did.

1830
02:04:28,240 --> 02:04:34,800
Speaker 1: I said, stacking paper like Trump only what funk? I

1831
02:04:34,880 --> 02:04:37,800
Speaker 1: told you that from the jump? Yeah, that was that

1832
02:04:38,080 --> 02:04:40,000
Speaker 1: was the song I had called money in the Power

1833
02:04:40,520 --> 02:04:46,280
Speaker 1: but you bret those lyrics. A man's getting some money

1834
02:04:46,320 --> 02:04:48,840
Speaker 1: back back then in the nineties. I think I asked

1835
02:04:48,840 --> 02:04:50,800
Speaker 1: me quite the same thing, because I think he said

1836
02:04:51,080 --> 02:04:54,440
Speaker 1: check was the black Trump. And I don't think he

1837
02:04:54,480 --> 02:04:56,440
Speaker 1: regretted it either. I think he was like, yeah, I

1838
02:04:56,480 --> 02:04:59,840
Speaker 1: ain't know black Trump, though I ain't suck him. Yeah,

1839
02:05:00,160 --> 02:05:02,440
Speaker 1: But I mean, I don't think he was referencing to

1840
02:05:03,080 --> 02:05:05,160
Speaker 1: who Trump is now. I think he was representing who

1841
02:05:05,160 --> 02:05:08,360
Speaker 1: Trump was back then. Man, Trump with Donald King white

1842
02:05:08,520 --> 02:05:14,400
Speaker 1: man was never a cool dude, like yo dog. He

1843
02:05:14,520 --> 02:05:19,440
Speaker 1: was saying out, man, Donald Trump, Donaldrup. He comes his

1844
02:05:19,520 --> 02:05:23,480
Speaker 1: father's child. Man, that ship that boy, that boy true

1845
02:05:23,520 --> 02:05:26,600
Speaker 1: colors came out. Man, it came out. I get fun

1846
02:05:26,760 --> 02:05:30,360
Speaker 1: Downald Trump, bro, fuck him and and funk everything that's

1847
02:05:30,400 --> 02:05:36,200
Speaker 1: going to come behind. Yeah. Yeah, he take away Juliani's Yeah,

1848
02:05:36,480 --> 02:05:40,800
Speaker 1: Juliana can't practice law no more? Um, what does that

1849
02:05:40,920 --> 02:05:45,200
Speaker 1: mean though? Like, what does that exactly mean practice? He's

1850
02:05:45,280 --> 02:05:48,520
Speaker 1: not catching door though? What did they catch him doing?

1851
02:05:48,560 --> 02:05:51,200
Speaker 1: You can't go in the courtroom no more? Yeah, but

1852
02:05:51,240 --> 02:05:54,080
Speaker 1: what did they catch him do? Nobody? He was down

1853
02:05:54,160 --> 02:05:57,920
Speaker 1: with that bullshit? Ass um? Uh? What did Donald Trump

1854
02:05:58,000 --> 02:06:01,600
Speaker 1: called a hoax? That lection was rigged and you shouldn't

1855
02:06:01,600 --> 02:06:04,440
Speaker 1: have did that. And then what you were trying to

1856
02:06:04,640 --> 02:06:06,640
Speaker 1: talk about? And I was one of his accountants for

1857
02:06:06,720 --> 02:06:10,160
Speaker 1: the Trump organization got in. Yeah, his c CFO or

1858
02:06:10,640 --> 02:06:14,080
Speaker 1: she financial officer. He banged up right now that you

1859
02:06:14,160 --> 02:06:19,160
Speaker 1: really into this ship? Yeah, you really like the politics stuff.

1860
02:06:19,240 --> 02:06:22,200
Speaker 1: I'm in the politics big time. One of the one

1861
02:06:22,240 --> 02:06:25,160
Speaker 1: of the things that correct, uh said, it's the mr

1862
02:06:25,360 --> 02:06:28,320
Speaker 1: Mr scar Face? That song? How did you come up

1863
02:06:28,360 --> 02:06:30,960
Speaker 1: with that? How did you come up with CBNC spider

1864
02:06:31,120 --> 02:06:36,200
Speaker 1: Man ship? What? That's what that is? I was so

1865
02:06:36,520 --> 02:06:45,760
Speaker 1: familiar wanted, but I never would have thought, oh oh

1866
02:06:45,880 --> 02:06:52,160
Speaker 1: he's sucking me up right now, ole ship? The one

1867
02:06:52,200 --> 02:07:01,600
Speaker 1: of the rhythm. What's so familiar? It was so familiar,

1868
02:07:03,600 --> 02:07:08,840
Speaker 1: but I only ship damns cala there you sucking me up.

1869
02:07:08,920 --> 02:07:12,600
Speaker 1: I did not know that. You remember we went out

1870
02:07:12,640 --> 02:07:16,360
Speaker 1: to eat and you got sick. That's why I didn't

1871
02:07:16,360 --> 02:07:22,600
Speaker 1: want to come on drink you sick. So I went

1872
02:07:22,640 --> 02:07:25,200
Speaker 1: out with Nori was on. It was where these shots

1873
02:07:25,280 --> 02:07:29,640
Speaker 1: at and crabs bro and we was talking along and

1874
02:07:29,680 --> 02:07:32,520
Speaker 1: something my fucking throat swoll up. Yeah, oh he told me,

1875
02:07:32,600 --> 02:07:37,520
Speaker 1: he said I almost killed I said, you would ye

1876
02:07:37,720 --> 02:07:41,680
Speaker 1: motherucker tried to kill me. Bro, you know were seeing that.

1877
02:07:41,760 --> 02:07:43,720
Speaker 1: I think that ship was stemming from a long time

1878
02:07:43,760 --> 02:07:48,320
Speaker 1: of the da um So just so the people know,

1879
02:07:49,440 --> 02:07:51,120
Speaker 1: hit me and face to sit down and filling my

1880
02:07:51,240 --> 02:07:55,520
Speaker 1: food show and facing something making these weird noises go,

1881
02:07:56,920 --> 02:07:59,560
Speaker 1: just like, I don't know where the funk out here, Nora,

1882
02:08:03,040 --> 02:08:05,920
Speaker 1: Let's yeah something he was there. I swear to God

1883
02:08:05,920 --> 02:08:08,200
Speaker 1: to brew face and stuff. They get these weird noises.

1884
02:08:08,400 --> 02:08:11,720
Speaker 1: So I'm thinking, my conversation it is boring. So I'm like, okay,

1885
02:08:11,960 --> 02:08:14,080
Speaker 1: let me set my game on. And then you you

1886
02:08:14,160 --> 02:08:15,960
Speaker 1: did it again. You made a noise. He was like.

1887
02:08:16,440 --> 02:08:18,600
Speaker 1: He was like, man, something wrong with me? I was

1888
02:08:18,680 --> 02:08:21,680
Speaker 1: like really, and then you got up and then and

1889
02:08:21,800 --> 02:08:25,920
Speaker 1: then Randy, you said something, Randy and ever last kame

1890
02:08:26,360 --> 02:08:28,640
Speaker 1: and my heart went to my ass because I said,

1891
02:08:29,040 --> 02:08:32,640
Speaker 1: if anything happened to face, what he's on my set,

1892
02:08:33,200 --> 02:08:41,080
Speaker 1: BOP's gonna kill me show? You was recording My fool

1893
02:08:41,160 --> 02:08:44,080
Speaker 1: show is over. Like I'm just like, I'm like, I'm

1894
02:08:44,160 --> 02:08:47,320
Speaker 1: hitting Randy every five minutes. His face high? Is he

1895
02:08:47,440 --> 02:08:50,520
Speaker 1: all right? Is her? Because I never dealt with poison.

1896
02:08:50,920 --> 02:08:52,360
Speaker 1: And that's when I first said they thought it was

1897
02:08:52,480 --> 02:08:55,880
Speaker 1: food poison and all. What eventually did happen? Should I

1898
02:08:55,960 --> 02:09:04,680
Speaker 1: have an allerging reaction? I'm telling he was a weird lockjaw.

1899
02:09:07,280 --> 02:09:10,760
Speaker 1: I was fucked up. Wow, that's the first time you

1900
02:09:10,800 --> 02:09:12,880
Speaker 1: found out you're allergic to whatever the fun was eating.

1901
02:09:12,920 --> 02:09:14,920
Speaker 1: I was just allergic that day because when I ate

1902
02:09:15,000 --> 02:09:18,960
Speaker 1: it again, I was fine, that's your I don't think

1903
02:09:19,000 --> 02:09:29,080
Speaker 1: it might have mean you. I don't know. Yeah, man

1904
02:09:29,200 --> 02:09:34,600
Speaker 1: nor always doing something. But I heard you say something earlier.

1905
02:09:34,640 --> 02:09:36,840
Speaker 1: He said, Vegas. I think that's the first time I

1906
02:09:37,120 --> 02:09:42,200
Speaker 1: met you. It was you E forty mac ten Yeah, yeah,

1907
02:09:42,360 --> 02:09:46,360
Speaker 1: macchen you you forty Macten. I want to say dumbcy,

1908
02:09:46,680 --> 02:09:51,000
Speaker 1: but I'm not confidently sure. And that's the first time

1909
02:09:51,040 --> 02:09:53,520
Speaker 1: I drank with E forty and we drank something called

1910
02:09:53,600 --> 02:09:58,920
Speaker 1: Moesias and I drank about ten of them. And then

1911
02:09:58,920 --> 02:10:01,920
Speaker 1: I asked for what then is the mosha? And he

1912
02:10:02,000 --> 02:10:07,440
Speaker 1: said straight brandy pimp, And I was fucked up in

1913
02:10:07,520 --> 02:10:11,200
Speaker 1: the MGM grand and he was crazy. It wasn't Vegas.

1914
02:10:11,520 --> 02:10:14,560
Speaker 1: It was really no. Remember they had the Impact conventions.

1915
02:10:15,200 --> 02:10:17,960
Speaker 1: I saw much fun up the whole city. No, No,

1916
02:10:18,120 --> 02:10:20,800
Speaker 1: it was really no because cuse I don't remember. Yeah,

1917
02:10:21,480 --> 02:10:25,080
Speaker 1: I remember that ship. I think I did so much

1918
02:10:25,160 --> 02:10:30,120
Speaker 1: traveling and so much right, so much dope. Right, I

1919
02:10:30,160 --> 02:10:34,520
Speaker 1: don't remember nothing, bro, I fucked up. When you say dope,

1920
02:10:34,560 --> 02:10:37,600
Speaker 1: what do you mean, sid you name it. I did

1921
02:10:37,640 --> 02:10:39,160
Speaker 1: all the kind of ship that will get you high

1922
02:10:40,560 --> 02:10:48,480
Speaker 1: except crack and here ron peels and a lot of dope, smoke,

1923
02:10:48,520 --> 02:10:50,880
Speaker 1: a lot of smoke, a lot of weeds smoked, a

1924
02:10:50,920 --> 02:10:55,840
Speaker 1: lot of amp was hamp bomb and fluid. Oh wait wait,

1925
02:10:56,120 --> 02:11:00,720
Speaker 1: thus PCP, you got button angel. Man. I ain't never

1926
02:11:00,760 --> 02:11:02,360
Speaker 1: been but naked, but I don't want abody looking at

1927
02:11:02,400 --> 02:11:16,880
Speaker 1: my thing. Man. You liked it the dust high, But

1928
02:11:17,280 --> 02:11:20,200
Speaker 1: that's something. That's why I quit. That's why you quick

1929
02:11:20,200 --> 02:11:24,120
Speaker 1: because all right, so now people you see y'all leper

1930
02:11:24,160 --> 02:11:29,000
Speaker 1: crowns because they do hallucinate on ducks, right, because I

1931
02:11:29,280 --> 02:11:31,120
Speaker 1: took a mess tap and I got on the see

1932
02:11:31,120 --> 02:11:34,280
Speaker 1: saw by myself. Yeah, mess taps called mescaline. I got

1933
02:11:34,360 --> 02:11:36,200
Speaker 1: on a see saw by myself. You know se saw

1934
02:11:36,440 --> 02:11:39,560
Speaker 1: you need two people. She was going down. I just

1935
02:11:39,600 --> 02:11:42,200
Speaker 1: don't know that work out. I don't know it burned

1936
02:11:42,240 --> 02:11:44,920
Speaker 1: out though, I don't know who's on the side. And

1937
02:11:45,240 --> 02:11:51,440
Speaker 1: now that that ship just making the messie. Nowadays, the

1938
02:11:51,600 --> 02:11:54,600
Speaker 1: kids and they ain't getting the right ship right. They're

1939
02:11:54,600 --> 02:11:59,800
Speaker 1: getting I don't know what it's called it all yeah,

1940
02:12:00,000 --> 02:12:03,240
Speaker 1: ships killing me in the apology or some ship man.

1941
02:12:03,280 --> 02:12:06,560
Speaker 1: When we got our squads from Rosa Lee, our ship

1942
02:12:06,680 --> 02:12:14,280
Speaker 1: was green, green empartment. It flew, wouldn't brown, it wasn't Yeah, boy,

1943
02:12:14,320 --> 02:12:16,040
Speaker 1: you hit that ship three or all time and you

1944
02:12:16,120 --> 02:12:22,480
Speaker 1: beat shooting like this and be like, feel you felt involved,

1945
02:12:23,000 --> 02:12:27,360
Speaker 1: You felt like a spider. You feel slow, like you

1946
02:12:27,440 --> 02:12:33,320
Speaker 1: feel like she'd be moving like this, and I was

1947
02:12:33,360 --> 02:12:39,040
Speaker 1: sudden they hit there, mother, you'd be Steve An the

1948
02:12:39,080 --> 02:12:42,960
Speaker 1: six million dollar Man's like when the mother made that movement,

1949
02:12:43,000 --> 02:12:48,680
Speaker 1: they're making this motion. Yeah, how about coke give a dido? Yeah,

1950
02:12:48,720 --> 02:12:50,640
Speaker 1: he might have seen it. Yeah, because in the eighties

1951
02:12:50,720 --> 02:12:57,360
Speaker 1: I was was, oh, yeah, okay, it was like it was.

1952
02:12:58,600 --> 02:13:01,840
Speaker 1: It was like we would rock up the dope and

1953
02:13:01,960 --> 02:13:05,920
Speaker 1: the shake that will left over him. Oh ship, we

1954
02:13:05,920 --> 02:13:09,600
Speaker 1: will put it in a moment. You put it on

1955
02:13:10,280 --> 02:13:15,839
Speaker 1: in the square. You're smoking dirties. That's what it's called dirties.

1956
02:13:16,600 --> 02:13:19,240
Speaker 1: I said. We was rocking up eight balls and mowing

1957
02:13:19,320 --> 02:13:24,000
Speaker 1: the scrape M twenty thousand in my pocket. Note seven

1958
02:13:24,080 --> 02:13:27,640
Speaker 1: thousand in my pockets. Seven more and it's safe you

1959
02:13:28,000 --> 02:13:31,160
Speaker 1: nor hear you home. I got somebody else to want

1960
02:13:31,160 --> 02:13:35,560
Speaker 1: to face time in. I was rocking of eight balls

1961
02:13:35,640 --> 02:13:40,560
Speaker 1: and mowing the scrape. That's what John primos dirties. Yeah

1962
02:13:40,920 --> 02:13:45,760
Speaker 1: here they called them dirties. Yeah, seven thousands in my pockets,

1963
02:13:45,760 --> 02:13:54,200
Speaker 1: twining mowing the safe makes a nic. What's up? Family?

1964
02:13:57,880 --> 02:13:59,880
Speaker 1: I got a good one for you, man, check this out?

1965
02:14:00,600 --> 02:14:06,240
Speaker 1: The best mom put up? Why hey, this don't give

1966
02:14:06,280 --> 02:14:08,200
Speaker 1: me my this is gonna give me my timney though

1967
02:14:10,360 --> 02:14:17,480
Speaker 1: A yes, sir, what's going on? King? Man? That's my son. Man,

1968
02:14:17,840 --> 02:14:20,880
Speaker 1: he's gonna get my a kidney. God damn it. That's

1969
02:14:20,880 --> 02:14:29,520
Speaker 1: the real M v P. What's that in the family? Bro? Man,

1970
02:14:29,640 --> 02:14:32,320
Speaker 1: you're real, bro. I'm old to be that man. But

1971
02:14:32,440 --> 02:14:35,200
Speaker 1: that I ran over time on the boat. I'm sorry.

1972
02:14:36,080 --> 02:14:38,680
Speaker 1: Oh yeah, we're supposed to be all got so PRIs. Yeah,

1973
02:14:38,920 --> 02:14:44,240
Speaker 1: you don't know a lot of you A lot I've been, man.

1974
02:14:44,280 --> 02:14:46,800
Speaker 1: That's all right, man, enjoy your family. Man, you're good

1975
02:14:48,680 --> 02:14:51,960
Speaker 1: and ship goods the kid Nay. I already know, bro,

1976
02:14:53,200 --> 02:14:57,320
Speaker 1: I already know man. You you know me, and you're

1977
02:14:57,360 --> 02:14:59,920
Speaker 1: hear this conversation all the time. Yeah, we want to

1978
02:15:00,160 --> 02:15:04,040
Speaker 1: opportune salute you and show your love him fish you, sir,

1979
02:15:04,800 --> 02:15:08,480
Speaker 1: and admiration that you know you you learned coming from

1980
02:15:08,640 --> 02:15:11,120
Speaker 1: pamming from what we come from you did. I know

1981
02:15:11,840 --> 02:15:13,240
Speaker 1: we don't how to type of wolf for us, so

1982
02:15:13,320 --> 02:15:15,240
Speaker 1: I can imagine how type of wolf y'all. You know

1983
02:15:15,240 --> 02:15:19,240
Speaker 1: what I mean? You know the only motherfucker from down

1984
02:15:19,320 --> 02:15:23,880
Speaker 1: Bob Man. We did what we had to do. Tip.

1985
02:15:23,960 --> 02:15:28,400
Speaker 1: You know we didn't enough. Now we can't thank you

1986
02:15:28,600 --> 02:15:32,840
Speaker 1: enough either. On me. We appreciate you King you feel me.

1987
02:15:35,320 --> 02:15:42,360
Speaker 1: Ain't nothing but love and respect man for real solid dude,

1988
02:15:42,880 --> 02:15:45,320
Speaker 1: always been a solid tee. I'll thank you so much.

1989
02:15:45,520 --> 02:15:50,160
Speaker 1: Cake man. Love. I'm gonnat you. I fail said I

1990
02:15:50,200 --> 02:15:54,480
Speaker 1: hate you, my brother. Thank you goddamn makes me going

1991
02:15:54,560 --> 02:16:01,000
Speaker 1: for anybody take their time out day day stopped to

1992
02:16:01,040 --> 02:16:04,400
Speaker 1: make sure Tata real deal man and show you love. Bro.

1993
02:16:05,040 --> 02:16:09,240
Speaker 1: I know when um, when I was talking about my kidney,

1994
02:16:09,320 --> 02:16:12,200
Speaker 1: bro like he was, he was sucking trying to get

1995
02:16:12,240 --> 02:16:15,320
Speaker 1: me one that night. Get out of here, man, TI,

1996
02:16:15,480 --> 02:16:18,800
Speaker 1: I was he was trying to get back kid in

1997
02:16:18,880 --> 02:16:21,240
Speaker 1: mere right then You're like buck it man. Anybody got

1998
02:16:21,320 --> 02:16:23,040
Speaker 1: a kid in the face. Man, he don't give him

1999
02:16:23,080 --> 02:16:26,760
Speaker 1: a bag. Yeah, so let me ask you. That's at

2000
02:16:26,840 --> 02:16:32,480
Speaker 1: one point, Um, everyone credities as the kick of the sock.

2001
02:16:33,640 --> 02:16:35,560
Speaker 1: They want CREDITI as the kick of the sock, right,

2002
02:16:37,200 --> 02:16:38,879
Speaker 1: I don't want credit you as the kick of the South.

2003
02:16:38,959 --> 02:16:41,760
Speaker 1: That's that's in one's opinion, you know. And and then

2004
02:16:41,800 --> 02:16:45,320
Speaker 1: at one point Ti I actually started this whole campaign

2005
02:16:46,280 --> 02:16:48,760
Speaker 1: him saying he was the king of the South. Was

2006
02:16:48,800 --> 02:16:50,920
Speaker 1: there any like the screpacy, is at any like thoughts

2007
02:16:50,959 --> 02:16:55,120
Speaker 1: of that? It was? It wasn't the battle. Um, everybody

2008
02:16:55,160 --> 02:16:58,040
Speaker 1: should feel like daddy king is something you know. And

2009
02:16:58,120 --> 02:17:01,840
Speaker 1: I always said that, Um, you know, Tip can have

2010
02:17:02,000 --> 02:17:05,280
Speaker 1: that title. It's too much responsibility in any motherfucking way.

2011
02:17:06,160 --> 02:17:14,880
Speaker 1: But now that we're older and we're more wiser, we

2012
02:17:15,000 --> 02:17:18,480
Speaker 1: can both share that fucking title. Yeah, because we came,

2013
02:17:18,600 --> 02:17:21,160
Speaker 1: he's like a month sucking. He definitely kicking us out,

2014
02:17:21,360 --> 02:17:26,560
Speaker 1: you know, to to majority. I mean, we both I

2015
02:17:26,600 --> 02:17:30,879
Speaker 1: don't think it takes anything. Tia is a genius also, man,

2016
02:17:31,360 --> 02:17:37,959
Speaker 1: he moved into you know, legend status. Man, he didn't

2017
02:17:38,040 --> 02:17:43,600
Speaker 1: let what happened to him and in his um dealing

2018
02:17:43,600 --> 02:17:47,040
Speaker 1: with these monkey ass stairs moving, you know, get him

2019
02:17:47,080 --> 02:17:49,680
Speaker 1: off his get him off his game. You know, he

2020
02:17:49,800 --> 02:17:52,520
Speaker 1: did his time, got rapped back on his motherfucking game

2021
02:17:53,120 --> 02:17:57,920
Speaker 1: and indeed his thame, so you know, big shots out

2022
02:17:58,000 --> 02:18:00,960
Speaker 1: to him. So was it anybody at that time trying

2023
02:18:01,000 --> 02:18:02,800
Speaker 1: to put you all against odds or something like that.

2024
02:18:04,080 --> 02:18:06,200
Speaker 1: It's gonna be impossible to put me at odds with

2025
02:18:06,280 --> 02:18:08,680
Speaker 1: the motherfucking unless we really had ours in the first place.

2026
02:18:08,680 --> 02:18:10,640
Speaker 1: Because there's anything is There's gonna be no rap no more,

2027
02:18:11,120 --> 02:18:14,440
Speaker 1: you know. So we never we never, we never pushed

2028
02:18:14,440 --> 02:18:16,960
Speaker 1: the envelope. Man, We've always been tight. You know. Like

2029
02:18:17,040 --> 02:18:18,880
Speaker 1: I said, I was trying to get Tia on death

2030
02:18:18,959 --> 02:18:23,800
Speaker 1: jam back, and I was trying to get him back

2031
02:18:24,680 --> 02:18:28,360
Speaker 1: on death jam back in the gap, but everybody like, yeah, man,

2032
02:18:28,400 --> 02:18:30,400
Speaker 1: he was already on PolyGram. I was like, what the

2033
02:18:30,720 --> 02:18:33,600
Speaker 1: difference does that make? It's a bad little nigger man.

2034
02:18:33,680 --> 02:18:36,440
Speaker 1: Y'all better come on, and nobody want to get in

2035
02:18:36,480 --> 02:18:38,400
Speaker 1: that boat, you know, death You remember that boat. I'll

2036
02:18:38,400 --> 02:18:42,320
Speaker 1: tell you about. They want the boat so and then

2037
02:18:42,480 --> 02:18:46,880
Speaker 1: and then thiagoes the Atlantic. Blow the fucking blows the

2038
02:18:47,000 --> 02:18:52,880
Speaker 1: funk up. But look at me when am I You know,

2039
02:18:53,720 --> 02:18:56,279
Speaker 1: what's your favorite part of the games? Making the musical?

2040
02:18:56,360 --> 02:19:02,600
Speaker 1: Performing to a shop for that's what's let's just take

2041
02:19:02,640 --> 02:19:04,920
Speaker 1: a shop for that. You say both no, no, no,

2042
02:19:05,200 --> 02:19:09,560
Speaker 1: I can't say both no more. I want to save y'all. Um,

2043
02:19:11,080 --> 02:19:18,840
Speaker 1: thank you. I love making beach man. No, I got

2044
02:19:18,920 --> 02:19:22,240
Speaker 1: a whole studio in my house that I don't even

2045
02:19:22,280 --> 02:19:24,519
Speaker 1: walk in. No more. I haven't walked in their motherfucker

2046
02:19:24,560 --> 02:19:27,640
Speaker 1: in a year. Wow, Because it's just a meeting, beats,

2047
02:19:28,560 --> 02:19:32,560
Speaker 1: it's just for you know, it's production period the poem. Um,

2048
02:19:33,000 --> 02:19:34,680
Speaker 1: come and stay with you like a month or something.

2049
02:19:35,160 --> 02:19:40,760
Speaker 1: Then a crazy story. Forget he told me a crazy story, man,

2050
02:19:41,840 --> 02:19:43,720
Speaker 1: it's not it's gonna tell you. If it's a line,

2051
02:19:44,440 --> 02:19:47,800
Speaker 1: I'm not gonna If it's a longed just say you're

2052
02:19:47,800 --> 02:19:51,400
Speaker 1: a real motherfucker. Just to say it that way, I'll

2053
02:19:51,440 --> 02:19:57,240
Speaker 1: tell you off the part. I mean that's that's that's uh. Yeah,

2054
02:19:58,000 --> 02:20:02,520
Speaker 1: knock coupon came to my house. Yeah, I'm listening, trying

2055
02:20:02,520 --> 02:20:06,720
Speaker 1: to get on the hall and rumbled on the pocket.

2056
02:20:07,600 --> 02:20:12,520
Speaker 1: Let's see you're probably on the grill, but good yeall

2057
02:20:12,520 --> 02:20:15,920
Speaker 1: forgot this farth July. I seriously don't really celebrate holidays

2058
02:20:15,959 --> 02:20:19,480
Speaker 1: no more. I don't even know. I celebrate your team. Yeah,

2059
02:20:19,560 --> 02:20:23,040
Speaker 1: celebrate your team. Yeah, fuck the fourth that's when the

2060
02:20:23,040 --> 02:20:28,320
Speaker 1: American game it's independence. We didn't get our independence back

2061
02:20:28,400 --> 02:20:31,879
Speaker 1: in seventeen seventy six or whenever the funk they called. Yeah,

2062
02:20:32,000 --> 02:20:36,240
Speaker 1: fuck that ship. Man, Like I'm the most unpatriotic. I'm

2063
02:20:36,240 --> 02:20:39,600
Speaker 1: gonna tell you why I'm so fucking unpatriotic, bro. And

2064
02:20:39,760 --> 02:20:43,040
Speaker 1: because you you you you don't see black people, bro,

2065
02:20:43,840 --> 02:20:46,720
Speaker 1: but you don't see us man. And and we was here,

2066
02:20:49,440 --> 02:20:52,840
Speaker 1: fought in your army and fought in awards, and it's

2067
02:20:52,879 --> 02:20:56,640
Speaker 1: good for your flag players to lead them to the motherfucker.

2068
02:20:56,680 --> 02:20:59,560
Speaker 1: And you still don't recognize this as being human me,

2069
02:20:59,680 --> 02:21:03,360
Speaker 1: and so fuck you, we don't recognize you now. June teen, bitch,

2070
02:21:04,400 --> 02:21:10,520
Speaker 1: who's got them? That's when we that's when we gained

2071
02:21:10,560 --> 02:21:16,560
Speaker 1: our independence. June teen, right, And when is June teeth?

2072
02:21:16,560 --> 02:21:19,960
Speaker 1: It's June nineteenth, correct, because it always just feels like

2073
02:21:20,040 --> 02:21:22,440
Speaker 1: June eighteen. I don't know. Yeah, we got released from

2074
02:21:22,480 --> 02:21:26,720
Speaker 1: slavery a little late in Texas. Uh you know, but

2075
02:21:27,200 --> 02:21:29,960
Speaker 1: that wasn't Arizona the same thing, I believe because it

2076
02:21:30,040 --> 02:21:35,720
Speaker 1: was his own country now released birthday as a holiday.

2077
02:21:36,120 --> 02:21:41,480
Speaker 1: That was Yeah, John mccainy didn't want that that guy

2078
02:21:42,480 --> 02:21:46,480
Speaker 1: find a little lepicorne. He looked like Danny DeVito and

2079
02:21:46,520 --> 02:21:54,440
Speaker 1: the y'all. Yeah. Yeah, But if you can make John

2080
02:21:54,560 --> 02:21:59,480
Speaker 1: McCain and George Bush seen you look he human, and

2081
02:21:59,560 --> 02:22:01,800
Speaker 1: you gotta your piece of you gotta be a big

2082
02:22:01,920 --> 02:22:05,240
Speaker 1: piece of shipdge bushes out of that as well, because

2083
02:22:05,560 --> 02:22:09,200
Speaker 1: George Bush it from you know, George Bush, I mean

2084
02:22:09,360 --> 02:22:11,640
Speaker 1: George Bush Senior, George Bush Junior. I ain't got no

2085
02:22:11,720 --> 02:22:13,880
Speaker 1: problems with it, but I'm just saying, if you can

2086
02:22:13,959 --> 02:22:19,000
Speaker 1: make George Bush singing and Junior looking human along with

2087
02:22:19,080 --> 02:22:22,960
Speaker 1: John McCain, you gotta be a really big piece of ship. Right.

2088
02:22:23,680 --> 02:22:27,840
Speaker 1: And when um, I saw Trump at at Bush's funeral,

2089
02:22:28,959 --> 02:22:35,400
Speaker 1: I looked at the president's previous Yeah, senior Busher's funeral. Yeah, bro,

2090
02:22:35,640 --> 02:22:40,800
Speaker 1: come on, man, really and Trump disrespected ship out of

2091
02:22:40,879 --> 02:22:43,640
Speaker 1: McCain told him, he said, not even a war here

2092
02:22:43,680 --> 02:22:46,680
Speaker 1: on Trump. You know you don't like we like people

2093
02:22:46,720 --> 02:22:51,600
Speaker 1: that we like people that haven't made captured. Yeah, man,

2094
02:22:51,800 --> 02:22:54,520
Speaker 1: but listen, Trump did turn politics to a smack DVD.

2095
02:22:54,680 --> 02:22:57,640
Speaker 1: Let's just be clear. That's not good. I'm saying it's good.

2096
02:22:57,720 --> 02:23:00,320
Speaker 1: I'm not good. I lost it to be look I

2097
02:23:00,440 --> 02:23:03,160
Speaker 1: watched this. I had popcorn this time, like you want

2098
02:23:03,160 --> 02:23:05,560
Speaker 1: to get pay. I never looked like the big like

2099
02:23:05,800 --> 02:23:07,800
Speaker 1: entertainment because I was the big. Like it was a

2100
02:23:07,840 --> 02:23:11,880
Speaker 1: smack deem man murder move. That's how that was, like

2101
02:23:11,959 --> 02:23:19,199
Speaker 1: drinking country like a fucking nurse versus a reality show.

2102
02:23:19,280 --> 02:23:25,800
Speaker 1: Home absolutely like motherfucker when when they was what was

2103
02:23:25,840 --> 02:23:28,000
Speaker 1: that the departments that father it was that thing that

2104
02:23:28,080 --> 02:23:31,560
Speaker 1: they have and all the presidents go to, oh here

2105
02:23:31,600 --> 02:23:35,600
Speaker 1: you go to w he went. It's in Germany. Okay,

2106
02:23:36,080 --> 02:23:40,400
Speaker 1: Oh the g something that g G seven whatever the

2107
02:23:40,440 --> 02:23:43,520
Speaker 1: funking is. Everybody's walking in front of Trump. Trump like

2108
02:23:44,600 --> 02:23:47,040
Speaker 1: ye got in the front of everybody, like he's the big,

2109
02:23:47,120 --> 02:23:50,000
Speaker 1: bad motherfucker. Like I like the box, that big bitch

2110
02:23:50,440 --> 02:23:52,720
Speaker 1: who Trump? I like the I like the box, that

2111
02:23:52,879 --> 02:23:55,680
Speaker 1: old bitch, just to show him now you know it's tough,

2112
02:23:55,879 --> 02:23:58,160
Speaker 1: and then I want to play it's some golf, and

2113
02:23:58,240 --> 02:23:59,800
Speaker 1: then I want to show him my dick is way

2114
02:24:00,000 --> 02:24:07,960
Speaker 1: getting in call me all that what that guy wasn't it.

2115
02:24:08,040 --> 02:24:11,200
Speaker 1: I'm just saying, that's just an amazing motherfucker. Man. Let's

2116
02:24:11,240 --> 02:24:13,360
Speaker 1: have a pissing contest. We got to do a little

2117
02:24:13,360 --> 02:24:17,280
Speaker 1: shot to that it was like tiny shot, tiny shot,

2118
02:24:17,400 --> 02:24:20,760
Speaker 1: tiny show, really bigger than that. Let's have a piston context,

2119
02:24:20,800 --> 02:24:25,000
Speaker 1: your motherfucker. So you when you go back into called politics,

2120
02:24:25,160 --> 02:24:27,440
Speaker 1: you're going back into it. I'm definitely going back, okay,

2121
02:24:27,480 --> 02:24:29,000
Speaker 1: and I want people. I don't want to be remembered

2122
02:24:29,560 --> 02:24:31,840
Speaker 1: as the motherfucker got on drink chaps and told the

2123
02:24:31,879 --> 02:24:34,680
Speaker 1: world to funk theirselves. That's fine. He went at a shot.

2124
02:24:34,760 --> 02:24:38,080
Speaker 1: I don't, okay, I haven't take a shot. This is

2125
02:24:38,160 --> 02:24:46,960
Speaker 1: that Japanese with Becky Becky, that's how you said, how big? Well,

2126
02:24:47,000 --> 02:24:49,000
Speaker 1: that's a jump. I don't. I don't think that. I

2127
02:24:49,120 --> 02:24:53,320
Speaker 1: think that people around the world see the condition of

2128
02:24:53,560 --> 02:24:57,360
Speaker 1: all black people, right, and they know they're not saying

2129
02:24:57,360 --> 02:25:04,600
Speaker 1: they're doing the motherfucking thing. They're not. They're not making

2130
02:25:04,640 --> 02:25:07,920
Speaker 1: it illegal. Did you notice I'm sorry, I'm sorry to

2131
02:25:07,959 --> 02:25:10,160
Speaker 1: cut you off to a certain extent, but did you

2132
02:25:10,280 --> 02:25:14,160
Speaker 1: notice that the most racist place you've ever been in America,

2133
02:25:14,520 --> 02:25:18,240
Speaker 1: Like I've gone to place like a Germany where it's

2134
02:25:18,280 --> 02:25:20,840
Speaker 1: supposed to be racist, and they showed black people more

2135
02:25:20,959 --> 02:25:24,920
Speaker 1: love there Japan. I remember going to Japan with April

2136
02:25:24,920 --> 02:25:28,480
Speaker 1: and mg G, and I remember just just these people

2137
02:25:28,640 --> 02:25:31,920
Speaker 1: just showed us tremendously. I was the first time I

2138
02:25:31,959 --> 02:25:34,120
Speaker 1: feel like a god. And when they say black people

2139
02:25:34,160 --> 02:25:35,879
Speaker 1: are gods, that the first time I feel like god

2140
02:25:36,000 --> 02:25:38,520
Speaker 1: was I was in Japan. Do you what? What? What

2141
02:25:38,680 --> 02:25:40,400
Speaker 1: kind of things do you go through when you go

2142
02:25:40,520 --> 02:25:43,640
Speaker 1: overseas and you come back here and and and how

2143
02:25:43,680 --> 02:25:46,560
Speaker 1: does it make you feel? I'm scared of stuck to

2144
02:25:46,600 --> 02:25:48,640
Speaker 1: go over seas? Who are you waiting a minute? You've

2145
02:25:48,640 --> 02:25:53,680
Speaker 1: never been over the seas? This is amazing, Like I'm scared, bro,

2146
02:25:53,840 --> 02:25:55,520
Speaker 1: Like I've never been a girl. I don't I know

2147
02:25:56,040 --> 02:25:58,360
Speaker 1: you never in Germany because I don't want nobody sucking

2148
02:25:58,360 --> 02:26:04,360
Speaker 1: with me because I'm black. Bro over there actually opposite, Yeah,

2149
02:26:04,480 --> 02:26:07,520
Speaker 1: because what I'm gonna do is they're gonna sunk with me. Man, Russia,

2150
02:26:07,680 --> 02:26:10,920
Speaker 1: I'm gonna go Russia. You gotta give it a second chance.

2151
02:26:11,080 --> 02:26:15,840
Speaker 1: You gotta give it a second chance the time. Get

2152
02:26:15,879 --> 02:26:19,280
Speaker 1: the way out of them, and I'm gonna be honest

2153
02:26:19,320 --> 02:26:20,400
Speaker 1: with your face. Let me just tell you, Let me

2154
02:26:20,440 --> 02:26:22,040
Speaker 1: tell you. I'm gonna give you a story of me

2155
02:26:22,200 --> 02:26:26,000
Speaker 1: being in Berlin, Germany one year. The promoters where that's

2156
02:26:26,000 --> 02:26:30,840
Speaker 1: where the saster, that's look So I went there one year,

2157
02:26:30,959 --> 02:26:34,200
Speaker 1: the promoter comes to he he pays me, does everything,

2158
02:26:34,400 --> 02:26:37,360
Speaker 1: but then the promoter disappears. So I'm sitting around like,

2159
02:26:37,959 --> 02:26:39,960
Speaker 1: you know, we're not We're not lost or somebody. I

2160
02:26:40,120 --> 02:26:42,800
Speaker 1: just can't find a promota. You know what the promoter did,

2161
02:26:43,600 --> 02:26:47,640
Speaker 1: He went and wrote graffiti con in Noriega. He did

2162
02:26:47,680 --> 02:26:51,200
Speaker 1: a whole piece far so when we walk in, he

2163
02:26:51,360 --> 02:26:55,199
Speaker 1: wanted us to see that Germany still keeps graffiti alive.

2164
02:26:55,879 --> 02:26:58,119
Speaker 1: And it was the most like respect. But I took

2165
02:26:58,160 --> 02:27:00,440
Speaker 1: it as disrespect because he just disappeared when he was

2166
02:27:00,480 --> 02:27:02,160
Speaker 1: trying to make us. What I'm trying to say is

2167
02:27:02,640 --> 02:27:06,240
Speaker 1: sometimes in overseas and parts of London, in parts of

2168
02:27:06,400 --> 02:27:10,080
Speaker 1: Germany and parts of Amsterdam, they live out more hip

2169
02:27:10,120 --> 02:27:12,880
Speaker 1: hop than we do. They still break dancing, they're still

2170
02:27:13,080 --> 02:27:16,520
Speaker 1: doing graffiti, They're still doing all of these elements of

2171
02:27:16,680 --> 02:27:18,480
Speaker 1: hip hop that we lost and we just feel like

2172
02:27:18,520 --> 02:27:21,760
Speaker 1: we could wrap and that's it and hip hop. When

2173
02:27:21,840 --> 02:27:24,080
Speaker 1: when now said hip hop was dead, I believed them

2174
02:27:24,280 --> 02:27:27,480
Speaker 1: because hip hop was in the overseas. It really was.

2175
02:27:27,640 --> 02:27:30,160
Speaker 1: I kid you now, I never felt more hip hop

2176
02:27:30,879 --> 02:27:33,200
Speaker 1: because you're gonna realize I wasn't out in the eighties.

2177
02:27:33,440 --> 02:27:35,720
Speaker 1: I saw the eighties. That wasn't out. I didn't have

2178
02:27:35,879 --> 02:27:38,320
Speaker 1: music out. I didn't have music out in the early nights.

2179
02:27:38,360 --> 02:27:41,360
Speaker 1: I had moved out in the late nineties, but there

2180
02:27:41,400 --> 02:27:43,240
Speaker 1: was a whole bunch of era that I didn't miss

2181
02:27:43,280 --> 02:27:46,879
Speaker 1: from not participating. But when I go to these certain places, Um,

2182
02:27:47,720 --> 02:27:51,440
Speaker 1: so you haven't performed overseas at all, not even South America,

2183
02:27:51,640 --> 02:27:56,960
Speaker 1: not even trying Africa. This is amazing. So you've obviously

2184
02:27:57,040 --> 02:28:04,320
Speaker 1: turned down office. Yeah, you gotta go, man, And you're

2185
02:28:04,320 --> 02:28:09,360
Speaker 1: not gonna that will change. Put me into talk to

2186
02:28:09,440 --> 02:28:13,720
Speaker 1: nobody to be hotten in motherfucker food. Some places, yes,

2187
02:28:14,040 --> 02:28:18,200
Speaker 1: but not most places. Rocky, I don't know. I don't, man, dude,

2188
02:28:18,240 --> 02:28:19,920
Speaker 1: I'm not. I don't. I don't. I don't. I don't

2189
02:28:20,000 --> 02:28:22,840
Speaker 1: miss well with other others. Man, Like I sh jump

2190
02:28:22,959 --> 02:28:26,480
Speaker 1: off like I'm gonna ape ship. No, you need to

2191
02:28:26,640 --> 02:28:29,400
Speaker 1: keep I think I think it would change your perspective work.

2192
02:28:29,520 --> 02:28:31,480
Speaker 1: You know. You know this crazy father said, you know

2193
02:28:31,840 --> 02:28:37,000
Speaker 1: so I I you know, I've watched all and Germany

2194
02:28:37,160 --> 02:28:38,960
Speaker 1: was the exact opposite of what I thought it. It

2195
02:28:39,000 --> 02:28:40,800
Speaker 1: would be like I thought I was gonna land. There's

2196
02:28:41,000 --> 02:28:44,000
Speaker 1: people like people like this. Hell hit Look, I really

2197
02:28:44,080 --> 02:28:47,960
Speaker 1: didn't think that. Yeah, and when I landed and it

2198
02:28:48,080 --> 02:28:51,880
Speaker 1: was exact, I guess they worked on their their racism

2199
02:28:52,160 --> 02:28:54,760
Speaker 1: more than a lot of Yeah, they were so critical

2200
02:28:54,879 --> 02:28:56,840
Speaker 1: after they were not seen that they Yeah, like it

2201
02:28:56,959 --> 02:28:59,520
Speaker 1: was like it was literally like he was something like

2202
02:28:59,680 --> 02:29:01,480
Speaker 1: my hand like everywhere else, Like it was just like

2203
02:29:01,640 --> 02:29:04,720
Speaker 1: like and and and they're gonna realize they never seen us,

2204
02:29:04,800 --> 02:29:07,520
Speaker 1: Like they've never seen our people. So it's it's amazing

2205
02:29:07,560 --> 02:29:11,560
Speaker 1: because one they've never seen our people, and two when

2206
02:29:11,600 --> 02:29:15,000
Speaker 1: they find out who you are, and three they will

2207
02:29:15,080 --> 02:29:17,240
Speaker 1: never get to see hip hop like us, like we

2208
02:29:17,320 --> 02:29:20,320
Speaker 1: get to see Young Doug and you know, hit Maker

2209
02:29:20,440 --> 02:29:23,640
Speaker 1: every fucking week or every out here in Miami. Fabulous

2210
02:29:23,720 --> 02:29:26,960
Speaker 1: comes every week every month, so we get spor you.

2211
02:29:27,120 --> 02:29:29,440
Speaker 1: They're not gonna ever be sporil you because scar Face

2212
02:29:29,520 --> 02:29:31,760
Speaker 1: is never gonna come there every Saturday. Beat Nuts are

2213
02:29:31,800 --> 02:29:34,160
Speaker 1: never gonna come there every Saturday. So the fact we're

2214
02:29:34,160 --> 02:29:37,160
Speaker 1: Scarface do show up there, they're gonna show the funk out.

2215
02:29:37,240 --> 02:29:41,320
Speaker 1: I do not work for these days. I highly recommend

2216
02:29:41,440 --> 02:29:45,680
Speaker 1: you go. I think we discovered the biggest travel show

2217
02:29:45,840 --> 02:29:51,640
Speaker 1: ever executive produced by Drink Chances Your World. Yeah, ring

2218
02:29:51,720 --> 02:29:58,160
Speaker 1: scarf Face overseas. I love that show I did. I'm

2219
02:29:58,160 --> 02:30:01,920
Speaker 1: not gonna don't worry. Hold up, do you fish? You fish?

2220
02:30:02,080 --> 02:30:06,080
Speaker 1: I do? Okay, Yeah, that's just efficient. And yeah the fu,

2221
02:30:06,520 --> 02:30:11,280
Speaker 1: Yeah I can. Can I take my boat get both

2222
02:30:11,360 --> 02:30:15,199
Speaker 1: over there? You can't bring your boat from Houston? Ride

2223
02:30:15,240 --> 02:30:17,840
Speaker 1: that mother, we're gonna do that. You're like Harris, what

2224
02:30:18,000 --> 02:30:21,400
Speaker 1: you want to take a boat of f I fly?

2225
02:30:22,360 --> 02:30:25,440
Speaker 1: I flew here and carros One don't don't fly? So

2226
02:30:25,560 --> 02:30:27,480
Speaker 1: your whole career. Let me just ask, this is so

2227
02:30:27,640 --> 02:30:30,400
Speaker 1: interesting to me. Sorry fans, Sorry if you're not interested

2228
02:30:30,440 --> 02:30:33,000
Speaker 1: in this part. But you so there's people have been

2229
02:30:33,160 --> 02:30:34,920
Speaker 1: asking you for these shows, and what do you say?

2230
02:30:34,959 --> 02:30:40,200
Speaker 1: You just say, no, there's not enough money. Man, I know,

2231
02:30:40,440 --> 02:30:42,600
Speaker 1: but if I go over there, I want to have

2232
02:30:42,680 --> 02:30:44,640
Speaker 1: a tour. I want to hide from from country to

2233
02:30:44,680 --> 02:30:48,000
Speaker 1: country to country, the country to state the state. So really,

2234
02:30:48,120 --> 02:30:52,960
Speaker 1: d and you know what they and my DJ too.

2235
02:30:53,520 --> 02:30:56,560
Speaker 1: Oh they left you, Mothercker left me went to Korea. Now,

2236
02:30:56,560 --> 02:31:03,960
Speaker 1: when y'all went down, don where y'all win? No, to Korea?

2237
02:31:04,200 --> 02:31:08,600
Speaker 1: He left you, now, he said, he said, he said, yeah,

2238
02:31:08,760 --> 02:31:15,000
Speaker 1: and he went it left him in to Korea. Okay,

2239
02:31:15,040 --> 02:31:17,360
Speaker 1: that's your bed Okay, I see this is different. You

2240
02:31:17,400 --> 02:31:20,000
Speaker 1: said you want to go, you don't want to go.

2241
02:31:20,160 --> 02:31:23,000
Speaker 1: There is that I didn't want to go. You just

2242
02:31:23,040 --> 02:31:26,120
Speaker 1: didn't want to go. Damn, man, they want loved you

2243
02:31:26,160 --> 02:31:30,840
Speaker 1: a long time out there. Good, I got love. I

2244
02:31:31,160 --> 02:31:36,640
Speaker 1: love me a long time Chico, I gotta love me

2245
02:31:36,680 --> 02:31:46,080
Speaker 1: a long time at home. I'm good. She don't parents. Listen.

2246
02:31:46,120 --> 02:31:49,119
Speaker 1: Ship ain't what I sent that to you? Yea, yeah,

2247
02:31:49,160 --> 02:31:52,440
Speaker 1: you sent me that, so I damn, bro, I don't know.

2248
02:31:52,760 --> 02:31:57,040
Speaker 1: I'm just covering shot. Okay, I'm just covering shot. I

2249
02:31:57,120 --> 02:32:00,440
Speaker 1: never know. I did not look better. I got back

2250
02:32:00,480 --> 02:32:02,600
Speaker 1: two more questions and then we can back up hold

2251
02:32:02,720 --> 02:32:09,520
Speaker 1: of ship. Okay, all right, in between us featuring Knaves,

2252
02:32:12,160 --> 02:32:23,960
Speaker 1: how did that happen? Um? I can't remember. Dam we

2253
02:32:24,040 --> 02:32:29,000
Speaker 1: haven't troublem him. Man I came out. God, Damn, I don't.

2254
02:32:29,040 --> 02:32:31,280
Speaker 1: I don't remember. But this was a song. I don't

2255
02:32:31,280 --> 02:32:38,080
Speaker 1: feel too bad about my record anymore. Um. So I

2256
02:32:38,240 --> 02:32:44,280
Speaker 1: was making beats. You bade to beat for nas? Yeah

2257
02:32:44,360 --> 02:32:48,720
Speaker 1: I did, and then you called him no, what the funk?

2258
02:32:48,800 --> 02:32:51,560
Speaker 1: MANNA plays a beat? I wasn't play a song that

2259
02:32:51,640 --> 02:33:00,600
Speaker 1: you never heard before. Okay, end of day. That's my ship.

2260
02:33:06,720 --> 02:33:14,240
Speaker 1: Here these the beasts I was making back Man, I

2261
02:33:14,400 --> 02:33:21,120
Speaker 1: remember when we firsts it was there, So these are

2262
02:33:21,160 --> 02:33:22,920
Speaker 1: the these are the beasts, like I was making. And

2263
02:33:23,000 --> 02:33:29,400
Speaker 1: then it kind of came to uh. I did the

2264
02:33:29,520 --> 02:33:36,960
Speaker 1: end between us UM along with Mike. My uncle Eddie

2265
02:33:37,000 --> 02:33:42,320
Speaker 1: played the bass on it. Michael Mike Dean Dinger Dinger

2266
02:33:42,400 --> 02:33:45,080
Speaker 1: played some keys or uncle Eddie played some bass on it.

2267
02:33:46,760 --> 02:33:59,520
Speaker 1: Um and Nas is in Atlanta, Man and Nas. The

2268
02:33:59,600 --> 02:34:02,880
Speaker 1: first verse he took was some of the stuff he

2269
02:34:03,000 --> 02:34:06,680
Speaker 1: laid now on ether some of those lyrics. I hope

2270
02:34:06,680 --> 02:34:09,000
Speaker 1: your wife cook your blood, would cook your food with

2271
02:34:09,080 --> 02:34:13,560
Speaker 1: a period blood or something, you know, Yeah, hey what

2272
02:34:15,760 --> 02:34:18,040
Speaker 1: I hope your wife cook your just food with with

2273
02:34:18,440 --> 02:34:25,360
Speaker 1: with with with a period blood. Man said that that's terrible. Yeah,

2274
02:34:25,480 --> 02:34:30,360
Speaker 1: he said it on He said that on on in

2275
02:34:30,480 --> 02:34:33,360
Speaker 1: between us. Yeah, And I was like, now we ain't

2276
02:34:33,360 --> 02:34:35,560
Speaker 1: gonna you know, now we can't. We can't go at

2277
02:34:35,600 --> 02:34:39,879
Speaker 1: be cause like that, you know, not on here like nas.

2278
02:34:40,160 --> 02:34:42,080
Speaker 1: This is the first time that no one's never heard

2279
02:34:42,120 --> 02:34:47,840
Speaker 1: this more. Nas went at j On. He went at

2280
02:34:47,959 --> 02:34:57,120
Speaker 1: j On on that record, No on in between in

2281
02:34:57,240 --> 02:35:01,600
Speaker 1: between Um, all right, he's about to die, don't worry.

2282
02:35:01,600 --> 02:35:07,400
Speaker 1: About it perfect and engineered a cocaine. It's all right, okay.

2283
02:35:07,600 --> 02:35:12,560
Speaker 1: And I was like, brod, let's um, let's let's let's

2284
02:35:12,600 --> 02:35:15,040
Speaker 1: just started his verse off, I hope you're white. No.

2285
02:35:15,200 --> 02:35:22,240
Speaker 1: He was like, uh okay, uh, don worry about it.

2286
02:35:22,400 --> 02:35:24,600
Speaker 1: At this point of the show, everybody starts time. You know,

2287
02:35:26,360 --> 02:35:28,960
Speaker 1: I can't remember everything that was said, but but he

2288
02:35:29,160 --> 02:35:34,480
Speaker 1: he fucking went off wow. And and I was like, man,

2289
02:35:34,560 --> 02:35:36,520
Speaker 1: we we're not gonna do it like that now as

2290
02:35:36,520 --> 02:35:39,440
Speaker 1: we're gonna we're just gonna make some We're just gonna

2291
02:35:39,480 --> 02:35:43,880
Speaker 1: make some records, man, you know. And he would have

2292
02:35:44,000 --> 02:35:47,040
Speaker 1: changed it and went back and did a whole another verse,

2293
02:35:47,200 --> 02:35:53,520
Speaker 1: and it was, you know, it was clean. It was

2294
02:35:53,680 --> 02:35:56,520
Speaker 1: just as Dope court in their drama. It was it

2295
02:35:56,600 --> 02:35:59,480
Speaker 1: was you ever felt like he was courting the drama.

2296
02:36:00,000 --> 02:36:05,400
Speaker 1: Don't I don't do that. You know. I watched the Fuckers,

2297
02:36:05,760 --> 02:36:08,080
Speaker 1: the mom Flower, the Head, But I don't never reach

2298
02:36:08,120 --> 02:36:09,720
Speaker 1: you in and grab one. It ain't that ain't where

2299
02:36:09,760 --> 02:36:11,720
Speaker 1: I'm at, you know what I'm saying, Like I'm not

2300
02:36:11,879 --> 02:36:14,440
Speaker 1: in there, Like, don't put me in that ship. If

2301
02:36:14,520 --> 02:36:16,720
Speaker 1: y'all squabble in my nigger, then let me stay where

2302
02:36:16,760 --> 02:36:19,800
Speaker 1: I'm at I got my own lad m C trying

2303
02:36:19,800 --> 02:36:24,400
Speaker 1: to get another em C on your record. I don't know, okay,

2304
02:36:25,280 --> 02:36:27,720
Speaker 1: but it could have happened and you didn't catch it.

2305
02:36:28,240 --> 02:36:30,039
Speaker 1: I never tried to do a whole lot of records

2306
02:36:30,080 --> 02:36:34,680
Speaker 1: with a lot of people thought, you know, the hardest

2307
02:36:34,959 --> 02:36:40,039
Speaker 1: to perform on records. Yeah, do you remember performing at

2308
02:36:41,360 --> 02:36:45,720
Speaker 1: the Gathering of the Juggalos? So because nobody don't know.

2309
02:36:45,800 --> 02:36:48,160
Speaker 1: I've been to the Gathering of the Juggalos twice. Listen,

2310
02:36:48,160 --> 02:36:51,880
Speaker 1: they ain't invite me. I want to go, don't want

2311
02:36:51,920 --> 02:36:54,440
Speaker 1: to go, man, So what did you think about that experience?

2312
02:36:54,440 --> 02:36:57,560
Speaker 1: If they don't like you, didn't, ain't gonna throw. If

2313
02:36:57,560 --> 02:36:59,800
Speaker 1: they like you, they suck you up. If they like it,

2314
02:37:00,000 --> 02:37:06,320
Speaker 1: oh man, you got sucking fortys bottles and yeah, man,

2315
02:37:06,400 --> 02:37:09,320
Speaker 1: mannequins and all kinds of ship that threw. They don't

2316
02:37:09,360 --> 02:37:14,840
Speaker 1: give a I don't even know how that man. And

2317
02:37:14,959 --> 02:37:18,000
Speaker 1: I told you you know this crazy, right, But I

2318
02:37:18,120 --> 02:37:21,280
Speaker 1: told you something different, right, motherfucker throw something. Wanted to

2319
02:37:21,280 --> 02:37:23,960
Speaker 1: watch and be some ass, right, But it's just too

2320
02:37:24,040 --> 02:37:26,920
Speaker 1: many respect now it's doing. There's too many people crazy, right,

2321
02:37:27,440 --> 02:37:31,000
Speaker 1: It's gotta be fifty thousand people I'll go ape ship.

2322
02:37:31,360 --> 02:37:34,240
Speaker 1: They threw the middle throwing fire crackers and ship up

2323
02:37:34,280 --> 02:37:36,800
Speaker 1: to ask you a just stay hey man, dude, I

2324
02:37:36,959 --> 02:37:41,800
Speaker 1: want to laugh hardest fuck, I swear out everything. Dumb

2325
02:37:42,959 --> 02:37:45,880
Speaker 1: man coch sho, coach sho, come coach sho Nori where

2326
02:37:45,920 --> 02:37:47,720
Speaker 1: the man bent his own lady on and put his

2327
02:37:47,840 --> 02:37:49,760
Speaker 1: dick in a while he was on stage at the

2328
02:37:49,800 --> 02:37:55,800
Speaker 1: gathering because his own lady on the gather. I don't

2329
02:37:55,800 --> 02:38:01,760
Speaker 1: think we want to see that man. Uh yeah, alright,

2330
02:38:02,120 --> 02:38:06,840
Speaker 1: list is something different. Yeah, he sucked on stage and

2331
02:38:06,879 --> 02:38:14,400
Speaker 1: I believed. But because you know, down South, y'all have

2332
02:38:14,480 --> 02:38:16,600
Speaker 1: a certain type of slang where I say old lady,

2333
02:38:16,879 --> 02:38:21,120
Speaker 1: but you mean your girl girl. It wasn't the old

2334
02:38:21,320 --> 02:38:23,879
Speaker 1: they say down South though, Just to be I'm just asking.

2335
02:38:24,200 --> 02:38:27,080
Speaker 1: It's the way you won. The old lady was like

2336
02:38:27,200 --> 02:38:31,960
Speaker 1: ninety year old chickad this girl he his girl on stip.

2337
02:38:32,240 --> 02:38:35,480
Speaker 1: I mean you can't see ship, but you know they're sucking.

2338
02:38:35,560 --> 02:38:38,640
Speaker 1: You know this ship is crazy. Man. Yeah, I'm driving

2339
02:38:38,640 --> 02:38:43,920
Speaker 1: around ship they throw a bottle a forty ounce at me.

2340
02:38:43,920 --> 02:38:46,120
Speaker 1: I'm gonna be honest. If they like you is the

2341
02:38:52,240 --> 02:38:53,920
Speaker 1: you know they throw that ship right the funk at

2342
02:38:53,959 --> 02:39:01,119
Speaker 1: you like rockets. That ship is crazy, same clown policy.

2343
02:39:01,160 --> 02:39:04,080
Speaker 1: Pull up these sucking rigs man pulling that solda water

2344
02:39:04,760 --> 02:39:07,480
Speaker 1: and they grabbed the holes and they just shoot that

2345
02:39:07,520 --> 02:39:09,959
Speaker 1: ship out in the crowd. They got like four stages,

2346
02:39:10,080 --> 02:39:22,160
Speaker 1: they got mud wrestling, crazy, fuck the purge. It's crazy, bro, Bro,

2347
02:39:22,400 --> 02:39:27,640
Speaker 1: it's crazy, but it's something to experience them. It's crazy. Yeah,

2348
02:39:28,200 --> 02:39:32,200
Speaker 1: it's insane. It's the same clown pos yeah and worse

2349
02:39:32,280 --> 02:39:34,880
Speaker 1: than that. Alright, but listen to take it to the

2350
02:39:34,959 --> 02:39:37,800
Speaker 1: life of me, Holt. This can't be like what happens

2351
02:39:40,360 --> 02:39:45,720
Speaker 1: and what so Jack calling me to come to the studio. Okay,

2352
02:39:47,280 --> 02:39:51,600
Speaker 1: Jay called me and comes to the studio and I

2353
02:39:51,680 --> 02:39:53,640
Speaker 1: get a phone call. I think my brother might have

2354
02:39:53,720 --> 02:40:03,160
Speaker 1: called me man and told me that u Rico had

2355
02:40:03,200 --> 02:40:10,120
Speaker 1: lost his son. Man, and Brad was like two years old,

2356
02:40:10,160 --> 02:40:11,840
Speaker 1: and all I could think about was thinking of and

2357
02:40:11,959 --> 02:40:15,600
Speaker 1: you know it was my kid, you know, and Brad

2358
02:40:15,680 --> 02:40:18,720
Speaker 1: twenty three now, so all I could think about was

2359
02:40:18,920 --> 02:40:22,520
Speaker 1: junior man, and fuck, you know, so I was. I

2360
02:40:22,720 --> 02:40:25,360
Speaker 1: was fucked up. Man. I got like like like a

2361
02:40:25,480 --> 02:40:29,400
Speaker 1: man like from from what I hear from from him

2362
02:40:30,480 --> 02:40:36,279
Speaker 1: was that his son got a whole to somebody's heron

2363
02:40:37,360 --> 02:40:41,320
Speaker 1: Uh they don't quote me on that, but that's what

2364
02:40:44,360 --> 02:40:50,960
Speaker 1: or And that ship was so devastating to me because

2365
02:40:51,680 --> 02:40:55,200
Speaker 1: for one me being the father of some children of

2366
02:40:55,360 --> 02:41:00,080
Speaker 1: some boys, I don't I don't even know how to

2367
02:41:00,280 --> 02:41:11,280
Speaker 1: digest losing my boy, you know, to some ship that like,

2368
02:41:11,400 --> 02:41:18,680
Speaker 1: that's fucking devastating. Man. So I go upstairs and the

2369
02:41:18,800 --> 02:41:27,080
Speaker 1: beat is playing. Who did this be? I don't know, man,

2370
02:41:27,480 --> 02:41:37,199
Speaker 1: damn heldo had to be Kanye, man, because I'm thinking

2371
02:41:37,200 --> 02:41:39,480
Speaker 1: about all of the elements and music and you kind

2372
02:41:39,520 --> 02:41:43,720
Speaker 1: of know different producers from different producers, and that uh

2373
02:41:44,800 --> 02:41:48,280
Speaker 1: don down door do do do do Do Do do

2374
02:41:48,480 --> 02:41:52,200
Speaker 1: do do do do do do Do Do Do Do

2375
02:41:52,320 --> 02:42:00,600
Speaker 1: do done, and had to be Kanye. I sent there

2376
02:42:00,600 --> 02:42:02,760
Speaker 1: and I listened to it, man, and like I said it, then, Man,

2377
02:42:02,800 --> 02:42:05,000
Speaker 1: I could have wrapped about my hard times in this song.

2378
02:42:05,440 --> 02:42:07,840
Speaker 1: We just rapping at the home, having knows I would

2379
02:42:07,879 --> 02:42:10,240
Speaker 1: have been wrong, it wouldn't have been right, wouldn't have

2380
02:42:10,280 --> 02:42:12,040
Speaker 1: been life, it wouldn't have been loved, it wouldn't have

2381
02:42:12,120 --> 02:42:18,200
Speaker 1: been us. Can't be life. So yeah, yeah, it was devastating. Bro. Wow,

2382
02:42:20,840 --> 02:42:27,960
Speaker 1: Yeah I have fun, bro, you know, not making no

2383
02:42:28,080 --> 02:42:32,120
Speaker 1: more albums, right, come on, yeah, he said, you can

2384
02:42:32,240 --> 02:42:33,640
Speaker 1: listen to it. I can't. I can listen to it.

2385
02:42:33,640 --> 02:42:35,280
Speaker 1: I can tell you who did it. If I fun

2386
02:42:35,400 --> 02:42:38,080
Speaker 1: with the producer, I know exactly who did what? You know?

2387
02:42:38,160 --> 02:42:42,160
Speaker 1: I understand you're not making no more. Yeah, that's that's terrible.

2388
02:42:42,240 --> 02:42:45,760
Speaker 1: That's time to move on. What are you doing features?

2389
02:42:46,320 --> 02:42:50,160
Speaker 1: I'm fifty, I'm doing fifty. You're not doing no features

2390
02:42:50,520 --> 02:42:58,160
Speaker 1: I'm doing I'm doing fifty. No, I'm chilling. Oh I'm

2391
02:42:58,200 --> 02:43:01,480
Speaker 1: fifty now it's turned fifty. It's not listening listening to me. Man,

2392
02:43:02,040 --> 02:43:05,119
Speaker 1: I'm gonna play golf. I'm gonna get out on my yard.

2393
02:43:05,160 --> 02:43:10,400
Speaker 1: I'm a fish. You know I'm sticking out. Yeah, y'all, y'am,

2394
02:43:14,520 --> 02:43:22,200
Speaker 1: it ain't no big ass y'at. It was a gift, y'all. Right,

2395
02:43:24,000 --> 02:43:27,240
Speaker 1: what friends you got? You know? I called Jail, was

2396
02:43:27,360 --> 02:43:32,200
Speaker 1: like you know, yeah. I was like, man, listen to James. Yeah, James,

2397
02:43:32,640 --> 02:43:36,120
Speaker 1: I say, yeah, man, so you still got that? You

2398
02:43:36,200 --> 02:43:40,480
Speaker 1: still got that thirty selling for these? Yeah? I say, ship,

2399
02:43:43,040 --> 02:43:45,600
Speaker 1: you want to sell it? Let me say yeah, I

2400
02:43:45,680 --> 02:43:48,800
Speaker 1: get off of how much you want for it? He said,

2401
02:43:48,840 --> 02:43:51,640
Speaker 1: depending on who wanted. So I said, ship, I want it.

2402
02:43:54,040 --> 02:43:58,280
Speaker 1: I say, you know what, man, you had that motherfucker

2403
02:44:00,440 --> 02:44:04,320
Speaker 1: uh and you you you you drive it yourself always.

2404
02:44:05,040 --> 02:44:07,000
Speaker 1: I won't know. I ain't never drove that, y'all because

2405
02:44:07,000 --> 02:44:08,680
Speaker 1: I ain't got I ain't got any man home the

2406
02:44:08,720 --> 02:44:12,080
Speaker 1: bunk with it. But yeah, I had one already. But

2407
02:44:12,200 --> 02:44:15,520
Speaker 1: you had a yacht already on that boat on this

2408
02:44:15,720 --> 02:44:18,520
Speaker 1: on the cover of the source. That was my real

2409
02:44:18,640 --> 02:44:22,480
Speaker 1: fucking boat. That wasn't no play motherfucking boat that the

2410
02:44:22,560 --> 02:44:26,840
Speaker 1: nigger got on for props. That was my ship. Yeah,

2411
02:44:27,680 --> 02:44:37,080
Speaker 1: that ship. Serious? You want to talk that ship with

2412
02:44:37,160 --> 02:44:44,760
Speaker 1: a yacht? So yeah, I wasn't rented if you asked me.

2413
02:44:44,760 --> 02:44:48,280
Speaker 1: At one point, PEPSI said that the South don't even

2414
02:44:48,360 --> 02:44:53,000
Speaker 1: start to get used to because I don't know nothing

2415
02:44:53,000 --> 02:44:58,760
Speaker 1: about everybody else had a different time. So that was

2416
02:44:58,800 --> 02:45:02,320
Speaker 1: how it fail. I don't know. I don't know because, yeah,

2417
02:45:02,360 --> 02:45:08,200
Speaker 1: the time zones. He's trying to say, Miami, and if

2418
02:45:08,240 --> 02:45:11,440
Speaker 1: you listen to what you're saying on the East Coast

2419
02:45:11,520 --> 02:45:18,920
Speaker 1: conference in basketball, Miami is the East coast the East coast?

2420
02:45:19,080 --> 02:45:24,280
Speaker 1: What about what about Missisippi in Alabama? I don't know.

2421
02:45:24,360 --> 02:45:26,520
Speaker 1: I was just asking Georgia, come on, I was one

2422
02:45:26,560 --> 02:45:30,440
Speaker 1: of the East coast time. But don't some down south

2423
02:45:30,600 --> 02:45:34,800
Speaker 1: Negas though that's down south, that was one of anybody

2424
02:45:34,840 --> 02:45:38,800
Speaker 1: else Miami's Texas feel like that. I don't even think

2425
02:45:38,840 --> 02:45:42,320
Speaker 1: we think like that. We treat on that, anybody on

2426
02:45:42,560 --> 02:45:44,680
Speaker 1: anybody on that bottom down that with us. We were

2427
02:45:44,720 --> 02:45:47,680
Speaker 1: fucking with y'all. We're down with you. But it don't stop.

2428
02:45:48,480 --> 02:45:51,280
Speaker 1: But that's damn it. It makes the most base. Man.

2429
02:45:52,760 --> 02:45:54,680
Speaker 1: I know, one more question, and that's it. You got

2430
02:45:54,760 --> 02:45:59,640
Speaker 1: you got something? Ship man? Did you ask it everything? Man?

2431
02:45:59,720 --> 02:46:05,200
Speaker 1: Hold let me see, okay, um homes and thugs? What

2432
02:46:05,240 --> 02:46:10,280
Speaker 1: about it? How did you came up with that? You

2433
02:46:10,400 --> 02:46:15,280
Speaker 1: know what? I didn't come up with that, really, Jay

2434
02:46:15,360 --> 02:46:19,000
Speaker 1: came up with that. I was making that. You said,

2435
02:46:19,200 --> 02:46:27,080
Speaker 1: you remember a difference Jig and Jake with me. So

2436
02:46:29,560 --> 02:46:31,800
Speaker 1: I was throwing a compilation now with all mcs and

2437
02:46:31,840 --> 02:46:34,240
Speaker 1: shipped around the city that I really liked. And you

2438
02:46:34,360 --> 02:46:38,280
Speaker 1: know that that that that hopped on the tour bus

2439
02:46:38,680 --> 02:46:41,160
Speaker 1: or you know from whatever state of the town he

2440
02:46:41,280 --> 02:46:42,800
Speaker 1: was in. You know, I just bring Nick his home

2441
02:46:43,480 --> 02:46:46,520
Speaker 1: like if he was dope getting on the bus. Um

2442
02:46:48,720 --> 02:46:50,680
Speaker 1: and mother didn't stopped smoking. We've been there two or

2443
02:46:50,720 --> 02:46:55,600
Speaker 1: three y'all, ain't he's been with him is eleven years old?

2444
02:46:56,200 --> 02:46:58,119
Speaker 1: He said, what, he's been with him since he's eleven

2445
02:46:58,240 --> 02:47:00,720
Speaker 1: years old? He was, he's also a child crap traffick

2446
02:47:00,800 --> 02:47:11,160
Speaker 1: as well? Who mean you let him go? He just

2447
02:47:11,240 --> 02:47:13,840
Speaker 1: kidding at and he made the wrestle. I don't know

2448
02:47:13,920 --> 02:47:17,080
Speaker 1: what wrest rest of all the people, the rest of

2449
02:47:17,200 --> 02:47:23,960
Speaker 1: us awesome? We yeah, invest one child trafficker or no

2450
02:47:24,800 --> 02:47:27,680
Speaker 1: sex traffickers. No, that was a whole panour. She was

2451
02:47:27,720 --> 02:47:30,720
Speaker 1: a whole She was trying to get her wholingism together.

2452
02:47:30,800 --> 02:47:34,920
Speaker 1: You said, right, No, she was rehabilitated, real abilitated wholism.

2453
02:47:35,160 --> 02:47:38,360
Speaker 1: She was a trafficker. No, at one point she was

2454
02:47:38,440 --> 02:47:43,360
Speaker 1: actually she actually got trafficked. She was trafficked. Oh wow,

2455
02:47:45,040 --> 02:47:47,920
Speaker 1: that's real. She was trafficked. Yo, you gotta hear it

2456
02:47:47,959 --> 02:47:50,560
Speaker 1: on our podcast, man, Ghetto Boys reload. There we go,

2457
02:47:51,200 --> 02:47:58,560
Speaker 1: going on, there we go, don't I'm gonna finish it.

2458
02:47:58,879 --> 02:48:03,000
Speaker 1: What was the last thing? Oh um Holmes? Was it

2459
02:48:03,160 --> 02:48:07,000
Speaker 1: called Homies and Thugs? Yeah, that was Jay's idea. Man Like,

2460
02:48:07,120 --> 02:48:12,480
Speaker 1: I was doing a compilation album and master P was

2461
02:48:12,520 --> 02:48:15,920
Speaker 1: bubbling like a motherfucker, So Jay wanted to put master

2462
02:48:16,080 --> 02:48:27,440
Speaker 1: P on that fucking um album, and I was like, fuck, like,

2463
02:48:27,560 --> 02:48:29,960
Speaker 1: I fought him tooth and nail. Man, you didn't want

2464
02:48:30,000 --> 02:48:34,080
Speaker 1: to because Mas Street wasn't on my label, bro mat

2465
02:48:34,120 --> 02:48:37,640
Speaker 1: Street was on his own ship, you know what I'm saying. Like,

2466
02:48:37,800 --> 02:48:39,959
Speaker 1: so I I didn't really want p on that record,

2467
02:48:40,240 --> 02:48:43,360
Speaker 1: you know what I'm saying. I didn't. And he was

2468
02:48:43,440 --> 02:48:46,080
Speaker 1: my nigga too, but it was it was it was showcasing.

2469
02:48:46,400 --> 02:48:49,600
Speaker 1: Do you think do you think he was wrong? Now? No?

2470
02:48:49,640 --> 02:48:52,480
Speaker 1: I was standing on my motherucking still standing on my feet. Yeah,

2471
02:48:53,680 --> 02:48:57,200
Speaker 1: give a funk about none of that. No, No, I

2472
02:48:57,240 --> 02:48:59,039
Speaker 1: mean I was. I was trying to break my artists

2473
02:48:59,800 --> 02:49:06,840
Speaker 1: in pe came in and stole a shine like yeah,

2474
02:49:06,920 --> 02:49:10,000
Speaker 1: ice cream Man got on my ship and stole my

2475
02:49:10,080 --> 02:49:12,680
Speaker 1: heart and shine man. That's all right, much love to Pete.

2476
02:49:13,040 --> 02:49:15,960
Speaker 1: What's not now? Keep me down? That's the last question.

2477
02:49:22,120 --> 02:49:27,200
Speaker 1: It's cold, motherfucker them cane wrapped it. We we we

2478
02:49:27,400 --> 02:49:30,000
Speaker 1: we we got. We made something out of nothing and

2479
02:49:30,000 --> 02:49:33,360
Speaker 1: about and never tear apart. We turned the street hustle

2480
02:49:33,440 --> 02:49:36,280
Speaker 1: into an art that would quickly change life forever for us.

2481
02:49:37,400 --> 02:49:39,520
Speaker 1: No more riding bikes and catching the bus. Were on

2482
02:49:39,600 --> 02:49:44,039
Speaker 1: the roller up money to fold up cone yak cook

2483
02:49:44,160 --> 02:49:47,560
Speaker 1: yola about the neighborhood about to blow up and hold up.

2484
02:49:49,360 --> 02:49:52,760
Speaker 1: I see this band sitting this old man and then

2485
02:49:52,800 --> 02:49:56,720
Speaker 1: fitted trying to get your little homey toe up. Yo, bro,

2486
02:49:57,320 --> 02:50:01,720
Speaker 1: when working in this neighborhood, take your ass. You make

2487
02:50:01,800 --> 02:50:04,360
Speaker 1: me feed your answer my dog, You fucking bag it.

2488
02:50:06,160 --> 02:50:07,879
Speaker 1: I know you want to catch me with this bag

2489
02:50:07,959 --> 02:50:10,840
Speaker 1: so you can hide me, or with my forty four

2490
02:50:11,000 --> 02:50:14,160
Speaker 1: so you can forty five me, like it was like

2491
02:50:14,560 --> 02:50:19,560
Speaker 1: that was just one of them records. Man, that talking

2492
02:50:19,560 --> 02:50:22,160
Speaker 1: about motherfucker's trying to keep you down. Man. You know,

2493
02:50:22,280 --> 02:50:25,000
Speaker 1: I know you want to catch me with this bag

2494
02:50:25,120 --> 02:50:28,360
Speaker 1: so you can hide me and put me in jail forever,

2495
02:50:29,800 --> 02:50:34,800
Speaker 1: or with my forty four so you can forty find me.

2496
02:50:36,600 --> 02:50:38,400
Speaker 1: You know, I pull out my forty for you pull

2497
02:50:38,440 --> 02:50:44,800
Speaker 1: out your forty five. Its just word play, word player,

2498
02:50:44,800 --> 02:50:47,400
Speaker 1: as this motherfucking find us man. It's scarfs. We just

2499
02:50:47,480 --> 02:50:49,720
Speaker 1: want you to know. I'll show us about giving people

2500
02:50:49,800 --> 02:50:56,160
Speaker 1: their flowers. It's about yeah, yeah, it's that's how much.

2501
02:50:56,200 --> 02:51:01,040
Speaker 1: That's how much we respects you appreciate. Wow. So I

2502
02:51:01,160 --> 02:51:03,520
Speaker 1: never really looked at it like that though, never really

2503
02:51:03,560 --> 02:51:07,760
Speaker 1: looked at my career or my my life like that,

2504
02:51:07,959 --> 02:51:10,440
Speaker 1: Like I was like, I'm so fucking great, bro, when

2505
02:51:10,480 --> 02:51:14,720
Speaker 1: I'm just I'm just mediocre, man, trying to stop that.

2506
02:51:16,160 --> 02:51:18,040
Speaker 1: I can't let you get read that at all. You

2507
02:51:18,200 --> 02:51:21,080
Speaker 1: all can't even tell a lot, man. I I'm just

2508
02:51:21,240 --> 02:51:24,039
Speaker 1: glad to still be alive. I'm glad that I'm glad

2509
02:51:24,080 --> 02:51:28,600
Speaker 1: to be able to take it, you know, music and experiences, man,

2510
02:51:29,120 --> 02:51:31,760
Speaker 1: and put the motherfucker's on paper and put them on tape,

2511
02:51:32,200 --> 02:51:34,840
Speaker 1: and let motherfucker's here. You know what I went through

2512
02:51:36,280 --> 02:51:41,320
Speaker 1: or what I witnessed, and it's not really all that

2513
02:51:41,400 --> 02:51:43,800
Speaker 1: big a deal to me. That's a big deal to everybody.

2514
02:51:43,840 --> 02:51:45,600
Speaker 1: That's a big deal to everyone else. And we want

2515
02:51:45,680 --> 02:51:48,199
Speaker 1: we just want to give your roses, give your flowers,

2516
02:51:48,280 --> 02:51:51,840
Speaker 1: and you know how you know, and real quick in face,

2517
02:51:51,959 --> 02:51:54,760
Speaker 1: like because I'm from Miami and this is the part

2518
02:51:54,800 --> 02:51:57,080
Speaker 1: of the show that I reaped. And when we was

2519
02:51:57,320 --> 02:52:00,240
Speaker 1: down South, we had the Gucci Crews, the Poison Lands

2520
02:52:00,280 --> 02:52:02,960
Speaker 1: of two Life Cruise, all these guys and then they're

2521
02:52:02,959 --> 02:52:05,400
Speaker 1: all a part of our DNA down South. I love

2522
02:52:06,080 --> 02:52:08,720
Speaker 1: I love Poison Gland. But when it came to what

2523
02:52:08,920 --> 02:52:13,840
Speaker 1: we were seeking lyrically, get a boy scarface. That's what

2524
02:52:13,959 --> 02:52:17,359
Speaker 1: we were looking at, right, and then you had outcasts

2525
02:52:17,560 --> 02:52:20,640
Speaker 1: and then you had done and that's and that's the

2526
02:52:20,720 --> 02:52:23,200
Speaker 1: lineage of what we were looking at and we were

2527
02:52:23,240 --> 02:52:28,760
Speaker 1: inspired by. So please understand that. So I started sucking that.

2528
02:52:29,000 --> 02:52:31,440
Speaker 1: After a while, she said it was a birthday, and

2529
02:52:31,520 --> 02:52:34,280
Speaker 1: she cracked a smile. I said, bitch, what then are

2530
02:52:34,320 --> 02:52:37,040
Speaker 1: you telling me for? I don't give a damn about

2531
02:52:37,040 --> 02:52:41,360
Speaker 1: your birthday? Horn Poison claud was one of my favorite groups, man, JT. Money,

2532
02:52:41,400 --> 02:52:46,080
Speaker 1: Poison Class. Come on, man, what would you do versus?

2533
02:52:46,879 --> 02:52:58,920
Speaker 1: I'm not interested? Come on, man, you know what against

2534
02:52:58,920 --> 02:53:02,000
Speaker 1: ta King of the South? No, that ain't gonna be

2535
02:53:02,000 --> 02:53:06,520
Speaker 1: a going one. I want to do one with ice Cube.

2536
02:53:08,840 --> 02:53:13,560
Speaker 1: But it's not. It's not like a versus like you know,

2537
02:53:13,800 --> 02:53:18,200
Speaker 1: comparing catalogs. It's like celebrate. That's what it is. Celebrate

2538
02:53:18,240 --> 02:53:22,240
Speaker 1: each other. No, it's gonna be bigger than that. And

2539
02:53:22,320 --> 02:53:28,200
Speaker 1: it's not a versus. It's a what about all three? Public? Enemy?

2540
02:53:28,320 --> 02:53:33,320
Speaker 1: Ice Cube and you. It's like I love and respect

2541
02:53:34,840 --> 02:53:39,840
Speaker 1: I Axcu some mother fucking much until I would love

2542
02:53:39,959 --> 02:53:42,080
Speaker 1: to sit in front of him and play my ship

2543
02:53:42,160 --> 02:53:44,000
Speaker 1: and say, hey, man, do you remember when you said so,

2544
02:53:44,400 --> 02:53:47,640
Speaker 1: because I know I know all his ship too, So

2545
02:53:49,200 --> 02:53:51,440
Speaker 1: that would be that would be a versus that I

2546
02:53:51,520 --> 02:53:56,040
Speaker 1: would um, I would love to do. I see it,

2547
02:53:56,120 --> 02:53:59,119
Speaker 1: and it wouldn't be like me versus him, it would

2548
02:53:59,120 --> 02:54:02,640
Speaker 1: be like us. I think that's what it all is now,

2549
02:54:02,840 --> 02:54:07,000
Speaker 1: So celebration. It all started out with versus no, because

2550
02:54:07,040 --> 02:54:09,480
Speaker 1: I've seen someone Keith Sweat and Bobby Brown ship and

2551
02:54:09,520 --> 02:54:11,680
Speaker 1: it looked like the nicklas was kind of at honest

2552
02:54:11,840 --> 02:54:14,760
Speaker 1: little fit. No. I got like Bobby was trying to

2553
02:54:14,879 --> 02:54:18,200
Speaker 1: dance against Keep, and Keep was trying to sing against Bobby.

2554
02:54:19,879 --> 02:54:21,480
Speaker 1: The only part that I've seen there was a little

2555
02:54:21,480 --> 02:54:24,360
Speaker 1: little crazy was when Keith said I got this some

2556
02:54:24,600 --> 02:54:29,640
Speaker 1: rock and then Bobby said, drink responsively. Yeah, your words.

2557
02:54:30,200 --> 02:54:33,119
Speaker 1: It was a little bit like you drunk, man, help

2558
02:54:33,200 --> 02:54:38,920
Speaker 1: me out. That was the only part that was a

2559
02:54:38,959 --> 02:54:40,640
Speaker 1: little sketchy to me. I was like, wait a minute,

2560
02:54:40,920 --> 02:54:43,040
Speaker 1: why did he just tell him man to drink responsible?

2561
02:54:43,120 --> 02:54:45,520
Speaker 1: You know, that's like that's like put your napkin on

2562
02:54:45,600 --> 02:54:49,160
Speaker 1: your your your your lap or sticking nakid of your

2563
02:54:49,280 --> 02:54:52,320
Speaker 1: your ship like it's like that, but your face small man,

2564
02:54:52,440 --> 02:54:54,600
Speaker 1: Let me just tell yourself. Man. We waited five years

2565
02:54:54,680 --> 02:54:57,280
Speaker 1: for this man. This is worth every moment. We really

2566
02:54:57,360 --> 02:54:59,680
Speaker 1: love you. We really went all out and hit every

2567
02:55:00,000 --> 02:55:04,320
Speaker 1: most him. Yeah, well you deserve it. You deserve it

2568
02:55:04,360 --> 02:55:06,080
Speaker 1: because you know why. In case you don't know what

2569
02:55:06,200 --> 02:55:08,080
Speaker 1: you know, you do know. In case you don't know,

2570
02:55:08,120 --> 02:55:10,920
Speaker 1: you're a whole legend out here. You're a real real

2571
02:55:11,000 --> 02:55:13,640
Speaker 1: staple and hip hop. You're a person. Let me, let

2572
02:55:13,680 --> 02:55:15,920
Speaker 1: me give me your flower. You're a person that we

2573
02:55:16,160 --> 02:55:23,080
Speaker 1: really really sincerely respect, honor and love with wholeheartedly. And

2574
02:55:23,360 --> 02:55:26,040
Speaker 1: you need your flowers. You need to be praised. You

2575
02:55:26,120 --> 02:55:29,040
Speaker 1: need to blow up to Ghett what is it? Gett boys,

2576
02:55:29,200 --> 02:55:35,440
Speaker 1: Um podcast, Big of the Black Effect Network, Charlemagne and

2577
02:55:35,520 --> 02:55:39,280
Speaker 1: everyone Day and everyone um and you know, we really

2578
02:55:39,400 --> 02:55:42,600
Speaker 1: just really really really wanted you to know how much

2579
02:55:42,640 --> 02:55:45,120
Speaker 1: you appreciate it, and we hopefully you do. You leave

2580
02:55:45,200 --> 02:55:47,640
Speaker 1: here with that, and you know that's it. One love

2581
02:55:47,720 --> 02:55:53,720
Speaker 1: the motherfucker's scar face number number hore. We just take

2582
02:55:53,760 --> 02:55:56,840
Speaker 1: a picture, you do some. Thanks for joining us for

2583
02:55:56,840 --> 02:56:00,040
Speaker 1: another episode of Drink Chance, hosten by Yours truly, dj E,

2584
02:56:00,200 --> 02:56:02,440
Speaker 1: f N and n O r E. Please make sure

2585
02:56:02,480 --> 02:56:04,800
Speaker 1: to follow us on all our socials. Let's add Drink

2586
02:56:04,840 --> 02:56:08,280
Speaker 1: Champs across all platforms at the Real Noriegan, i g

2587
02:56:09,040 --> 02:56:12,160
Speaker 1: at Noriega on Twitter, mine is at Who's Crazy on

2588
02:56:12,280 --> 02:56:15,000
Speaker 1: I g at d j e f N on Twitter,

2589
02:56:15,400 --> 02:56:17,920
Speaker 1: and most importantly, stay up to date with the latest releases,

2590
02:56:18,360 --> 02:56:21,520
Speaker 1: news and merged by going to drink Champs dot com.

2591
02:56:25,120 --> 02:56:28,199
Speaker 1: For more podcasts from my Heart Radio, visit the iHeart

2592
02:56:28,280 --> 02:56:31,760
Speaker 1: Radio app, Apple Podcast, or wherever you listen to your

2593
02:56:31,800 --> 02:56:32,480
Speaker 1: favorite shows.