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Speaker 1: I'd like to just go ahead. I'm sorry, start over.

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Speaker 1: I'd like to just open this up. As far as

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Speaker 1: I've been sharing the sky Is, I'm just gonna keep

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Speaker 1: going The sky Is. Ve been doing this one.

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Speaker 2: I think he's got allergies.

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Speaker 1: I mean, I just feel we've been doing these albums

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Speaker 1: with Brett and Sean. We didn't do one last year.

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Speaker 1: We didn't do a Christmas album. I showed up, didn't

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Speaker 1: see it. I showed up, Brett showed up. We laid

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Speaker 1: down a couple of things, but mostly just like caught up,

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Speaker 1: which was nice. I had sort of lost her. I

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Speaker 1: didn't know that Brett. Did you know Brett is married

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Speaker 1: to the Game.

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Speaker 3: It's true.

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Speaker 1: Uh no, he's married to Sable. Did you know that

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Speaker 1: Brett had married from w w w W champion? You

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Speaker 1: know what he didn't like he was like a pro wrestler.

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Speaker 1: I didn't.

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Speaker 2: I didn't never know it. Yeah, But as soon as

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Speaker 2: you say it, it makes so much sense, like it

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Speaker 2: just immediately clicks for me in this way where I go, like,

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Speaker 2: I guess I kind of did know it, like I

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Speaker 2: didn't have it confirmed. But like if you would just

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Speaker 2: frame that as like, do you think Brett is married

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Speaker 2: to I think it is.

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Speaker 1: He does know her by one name, which is weird.

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Speaker 1: He was like, my wife Sable. I was like, Sable,

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Speaker 1: what say, like her name is Sable?

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Speaker 2: And he goes, that's funny because I've been calling her

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Speaker 2: some sola. I've only because I usually I engage with wrestling.

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Speaker 2: I engage with wrestling and I currently still engage with

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Speaker 2: it only through magazines.

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Speaker 4: Messageports, magazines, text based.

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Speaker 2: Yeah, it's physical media. It's magazines.

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Speaker 3: And was there like a little eyelash or something over

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Speaker 3: the e and sable eyelash, you know, like an accent? Well,

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Speaker 3: because I don't think it was printed with an accent

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Speaker 3: over the e.

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Speaker 1: So erotic, it's all these oh little eyelash it's winking.

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Speaker 2: At me, right, guys, trying to get a fucking butterfly

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Speaker 2: bj Right, that that's what he calls it. I've heard

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Speaker 2: him talk about this, Yes, that he has chicks blink

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Speaker 2: really fast on the edge of what he refers to

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Speaker 2: as his unit. More power to the effect, the butterfly.

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Speaker 1: Butterfly you think the butterfly effect is.

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Speaker 2: Blasting?

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Speaker 1: Sorry, okay, so you do know about it, so you

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Speaker 1: know it's a movie.

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Speaker 2: The movie but you also are a sex act after

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Speaker 2: it well at any rate, Like, yeah, we didn't do

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Speaker 2: it last year, and I honestly, what I've been feeling

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Speaker 2: mostly on these We've tried to do a Christmas album twice.

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Speaker 2: They haven't gotten a lot of replay. And what I'm

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Speaker 2: thinking is I've been feeling every time we do it.

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Speaker 1: Rushed, really really rushed.

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Speaker 2: There's a ticking clock going in my head the whole time.

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Speaker 2: It feels like it basically by the time we're recording it,

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Speaker 2: it is Christmas.

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Speaker 4: I do think the last time we did it was

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Speaker 4: it after I think Hayes came both late and had

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Speaker 4: to leave early, so there was definitely a run.

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Speaker 1: There was that Rush was the only one there last time,

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Speaker 1: so we're except except that was there too. So like

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Speaker 1: I guess Breton first place in terms of like being

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Speaker 1: the being here competition E've laid at.

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Speaker 3: I did feel like last time I was short on

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Speaker 3: rifts and licks, like I don't know what was going on.

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Speaker 2: Yeah, so the last time I was with you, I

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Speaker 2: was feeling like, what the fuck is this guy doing here?

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Speaker 2: You know what I mean?

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Speaker 1: Like the type of every time I looked.

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Speaker 2: At you, you were asking me like, what's a lick?

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Speaker 2: And I was going like, brother, that's not my end

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Speaker 2: of it.

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Speaker 1: I want the dog like like I just came home

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Speaker 1: from being stationed abroad. That's the licks I want, you

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Speaker 1: know what I mean? I just threw I just threw

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Speaker 1: open the door. My husband's behind me with with the

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Speaker 1: holding up a video like that. That's the type of

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Speaker 1: lis I want.

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Speaker 2: I want to feel like Mick Jagger's lollipop. Yeah, can

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Speaker 2: I say this? You went not like that at all?

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Speaker 2: Get when you so you went to feeling rushed just

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Speaker 2: in terms of the actual recording time or Hayes, Yeah,

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Speaker 2: I met feeling rushed more according to like the calendar

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Speaker 2: and where we fell on that, which reminds me of

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Speaker 2: something I've been meaning to ask you, Hayes, Do you

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Speaker 2: want to know why uh, Chef Kevin is so jealous

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Speaker 2: of the calendar.

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Speaker 1: I've actually been meaning to ask you this because I

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Speaker 1: don't know the answer. Yeah, please tell me why.

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Speaker 2: Well, it has no problem getting dates, So that's what

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Speaker 2: it is. That's exactly what I'm looking for.

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Speaker 4: You're right back.

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Speaker 2: That's exactly kind of a siren.

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Speaker 4: Can I say I felt like after last year didn't

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Speaker 4: get the call in December, I thought to myself, that's

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Speaker 4: the nail. We're done with this. It's over.

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Speaker 1: It's been an unsealed coffin prior to that point. You

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Speaker 1: know what I mean that it's like, Okay.

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Speaker 4: This isn't great, and I gotta say, yeah.

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Speaker 1: But I can push this thing off.

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Speaker 4: At least I kind of felt or you could like

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Speaker 4: kill bill, punch your way through dirt, crawl out dirt.

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Speaker 1: I'll just push it up.

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Speaker 2: But why would I punch through when it's not nail.

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Speaker 1: I don't know.

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Speaker 4: Then you can fling it up, but.

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Speaker 2: I think even when you punch it, it would end up

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Speaker 2: pushing it before you get all that.

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Speaker 4: Those lids are probably pretty heavy, but what I was

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Speaker 4: thinking was it's over, and maybe like that's good. Like

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Speaker 4: we we did. I gotta say we came out of

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Speaker 4: the right.

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Speaker 1: Said that made me feel like he has been sealed

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Speaker 1: in the coffin.

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Speaker 2: Well, but also he he went, those lids are probably

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Speaker 2: pretty heavy. But then it's like, no, it doesn't because

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Speaker 2: what I'm thinking is so they're they're heavy enough that

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Speaker 2: you think a punch wouldn't necessarily immediately lift it open.

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Speaker 2: But you do think the punch would go through it?

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Speaker 2: You know what I mean?

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Speaker 1: Like, yes, what's your I guess what's your pitch?

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Speaker 2: What's your idea of how it would open?

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Speaker 1: Are you a creed?

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Speaker 2: It's immaterial because what Sean is telling me is that

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Speaker 2: he's been lying in an utsealed coffin and he hasn't

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Speaker 2: even tried to push, Like he didn't even try the hitch.

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Speaker 2: I guess it's probably nailed shut and just shrugged and waited.

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Speaker 4: It and not assume it's not nailed shut? Am I

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Speaker 4: doing it?

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Speaker 5: There?

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Speaker 3: If it's not nailed she do the sort of speaking

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Speaker 3: of kill Bill, like the five finger on punch. You

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Speaker 3: just keep working on that. I think we were all

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Speaker 3: talking about that. Yeah, it's gonna punch through That was

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Speaker 3: what everyone.

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Speaker 2: Was talking about when we talked about punching through it, right,

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Speaker 2: Like we were talking about punching through it.

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Speaker 1: And there's no other way to do it. You can't

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Speaker 1: do a big, long punch you're inside a coffin, so

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Speaker 1: it has to be it has to be really short.

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Speaker 1: Why do you just do a really short, tiny punch

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Speaker 1: without like why it's like speaking to kill Bill?

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Speaker 2: What if you pictured the scene where she punches her

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Speaker 2: way out of the coffin, and it's like that's the

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Speaker 2: only thing that's been discussed for several minutes now, the.

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Speaker 3: One where you walk away and then the person's heart stops.

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Speaker 4: Mmmm oh I see the five finger punch.

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Speaker 3: Right, So that's what I said.

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Speaker 4: Okay, well that's different.

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Speaker 1: So like that, you're like walking away different. You turn

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Speaker 1: your head away.

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Speaker 2: Well that's all you can do, okay, to make the

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Speaker 2: coffin's heart stop.

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Speaker 3: I mean, this is what we keep giving.

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Speaker 1: Then just let him out is what happened.

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Speaker 2: This is not what we keep getting bogged down.

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Speaker 1: This is not what we keep getting getting bogged down.

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Speaker 3: What does it? What does it mean to you guys?

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Speaker 3: Because I've been thinking about how we've technically written hundreds

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Speaker 3: of songs by now, yeah, and not one of these

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Speaker 3: albums has really taken off.

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Speaker 2: They don't seem to be connecting with those herb production.

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Speaker 2: That was the first thing I said. Yeah.

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Speaker 1: But to me, it's like you mentioned feeling rushed. I

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Speaker 1: feel the same, especially because we have another Christmas based

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Speaker 1: property segment that we've been doing that we also talk

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Speaker 1: about how rushed it is. That is very that this

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Speaker 1: movie Love and Santa. So it's like we're competing against

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Speaker 1: each other with two Santa based.

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Speaker 2: This is making me think we should have had clear

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Speaker 2: here and just done the soundtrack for Love and Santa

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Speaker 2: and get like two Birds one Stone, or maybe make

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Speaker 2: that like a rock opera of sorts.

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Speaker 1: But I don't thinkure we'll need to do that in

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Speaker 1: like two weeks.

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Speaker 2: Okay, so we'll do that in two weeks. But today,

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Speaker 2: what I think we should do is just without the

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Speaker 2: fucking clock pressure recording, without a loaded gun on our heads.

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Speaker 2: Just just get pieces, segments ideas for songs, and we

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Speaker 2: don't need to be limited by just like Christmas, yes,

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Speaker 2: or even winter or even songs.

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Speaker 4: Yeah, that's what I was gonna say. Yeah, I feel

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Speaker 4: like we've been a little bit trapped by the whole

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Speaker 4: song part of it.

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Speaker 1: Yeah, and Bread holding his guitar there is actually feel

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Speaker 1: very like threatening to me almost.

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Speaker 3: This is like this is therapy for me. The guitar.

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Speaker 3: I don't have to play it. It just makes me

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Speaker 3: feel more comfortable. And I thought it would make you

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Speaker 3: guys feel more comfortable.

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Speaker 2: Okay, Hayes just said it's making him uncomfortable. I do

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Speaker 2: think of therapy is something you do one on one

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Speaker 2: with like a licensed practitioner of sorts, rather than something

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Speaker 2: I do around my friends when they're trying to do

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Speaker 2: a podcast recording it.

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Speaker 4: One of them is wearing sunglasses. It's not really a

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Speaker 4: therapy vibe.

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Speaker 3: I gotta say, all right, so what should I do

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Speaker 3: with this?

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Speaker 2: Then?

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Speaker 3: Do you think?

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Speaker 1: Well?

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Speaker 2: I mean, let's yeah, I could.

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Speaker 1: I think we could pitch on that.

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Speaker 2: Yeah, I think about that. I have one idea, but

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Speaker 2: I don't.

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Speaker 1: I have an idea as well, and I wonder if

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Speaker 1: it's like an idea that's kind of one of those

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Speaker 1: ideas that's kind of just like in the ether, you

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Speaker 1: know what I mean, it's just totally sometimes like the

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Speaker 1: vibe right now, app yeah, exactly. But then that makes

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Speaker 1: me worry that like some other band is getting steady

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Speaker 1: to go in that exact same direction and they like,

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Speaker 1: there's not a lot of room in there. Yeah, you

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Speaker 1: know what I mean.

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Speaker 2: No, once one once one band does it, that's kind

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Speaker 2: of gonna be their thing that they're known for. Pretty

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Speaker 2: epic though, to be that that first one through the wall.

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Speaker 1: Yeah, I mean, even if we did do something like

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Speaker 1: we did, even if so many bands do like non

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Speaker 1: Christmas songs and then they do Christmas songs.

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Speaker 2: That's what I've seen.

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Speaker 1: I like that we're going against you know what I mean,

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Speaker 1: And we're watching them all like stop and go on

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Speaker 1: the highway and think about.

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Speaker 2: I mean, and we all knew him, you know, he

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Speaker 2: hadn't he just he just hadn't met us yet. And

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Speaker 2: we and we sort of you know, thought we understood him,

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Speaker 2: and then we oh, this voice that we're already familiar with,

232
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Speaker 2: that we're already accustomed to, then became a Christmas guy.

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Speaker 2: I think we said, Okay, let's zag let's go Christmas first,

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Speaker 2: and then we'll back into doing you know, some love songs,

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Speaker 2: some protest song protests, yeah, you know ballads. Uh, and

236
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Speaker 2: we just we have not gotten over that wall. So

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Speaker 2: maybe the answer somewhere in the middle.

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Speaker 1: Maybe like a song that like transitions like announces are

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Speaker 1: new direct. What about a Christmas protest song within it

240
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Speaker 1: within a Christmas song?

241
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Speaker 3: And we're thinking like knocking on Santa's door.

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Speaker 4: Prepared, Wow, you were working on that one.

243
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Speaker 2: Knocking on this is because Santa normally comes to your house.

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Speaker 4: Yeah, now we're going.

245
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Speaker 1: To and protest. I mean it's a kind of protest,

246
00:13:07,080 --> 00:13:10,360
Speaker 1: I guess, but like sort of an aggressive one to say, like, here,

247
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Speaker 1: I am at your house.

248
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Speaker 4: I feel like we are in the position of like

249
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Speaker 4: ice agents at that point, knocking on Sandy's door saying, Hey,

250
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Speaker 4: I need you to come out show me your Christmas ideas.

251
00:13:20,200 --> 00:13:23,720
Speaker 1: Yeah, but that's bread this isa. I actually would prefer

252
00:13:24,480 --> 00:13:28,200
Speaker 1: to kind of not stake out that territory one way

253
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Speaker 1: or another for the purposes of this album. You know,

254
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Speaker 1: stay away from it. Yeah, did you bring was that

255
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Speaker 1: the only thing?

256
00:13:36,760 --> 00:13:38,320
Speaker 3: Like, Mama, take these toys from me?

257
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Speaker 2: Well, Santa has a big bag. It doesn't Stana famously

258
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Speaker 2: carry a big bag. Yeah, yeah, so why are we

259
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Speaker 2: changing bag to toys?

260
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Speaker 3: Well, then we might go soon, it's true.

261
00:13:58,840 --> 00:14:02,200
Speaker 1: Yeah, we have got a lot for the other gun.

262
00:14:02,440 --> 00:14:05,680
Speaker 3: It worked this gun for me, not is it?

263
00:14:06,800 --> 00:14:11,319
Speaker 2: Oh, badge badge, take this badge Kevin. But that's what

264
00:14:11,679 --> 00:14:16,200
Speaker 2: That's what I was going hold, Like, what if.

265
00:14:16,080 --> 00:14:19,600
Speaker 1: We accidentally like record this song as it was previously

266
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Speaker 1: written because we don't know the correct.

267
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Speaker 2: That's interesting kind of because we.

268
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Speaker 4: Started doing sort of parody songs, we can sort of.

269
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Speaker 2: What we just straight up knocking on's door and we

270
00:14:33,800 --> 00:14:37,880
Speaker 2: just said, but what we thought, but we briefly had

271
00:14:37,920 --> 00:14:41,280
Speaker 2: transposed badge to bag in trying to think of what

272
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Speaker 2: Santa would be saying, and then when he said toys,

273
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Speaker 2: we went, it's already bag. What if we did that?

274
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Speaker 1: What if so we don't get sued for those What

275
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Speaker 1: if we do like the closest cover we can without

276
00:14:56,800 --> 00:15:00,560
Speaker 1: doing the actual lyrics, So it would be something like knock, knock,

277
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Speaker 1: knocking on Evan's dorm.

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Speaker 4: Wow, I think that's good.

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Speaker 1: Yeah. People could actually listen to it and be like

280
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Speaker 1: this sounds the same. But then when they're trying to

281
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Speaker 1: get mad at us, we'd be like, no, it's not

282
00:15:13,000 --> 00:15:14,440
Speaker 1: this is about evans dorm.

283
00:15:14,480 --> 00:15:16,760
Speaker 3: You could be lock lock locking Evan's dorm.

284
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Speaker 4: I think that's maybe one step too fuck.

285
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Speaker 2: I think knocking on Evans dorm do?

286
00:15:23,240 --> 00:15:25,800
Speaker 1: And what don't wait wait? I am curious where it

287
00:15:25,880 --> 00:15:29,840
Speaker 1: goes from there. You didn't like knocking it was?

288
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Speaker 3: I thought we were changing the words around.

289
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Speaker 1: I know, but just like, what are we doing that?

290
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Speaker 1: We're walking? I guess from the inside. Those doors don't

291
00:15:36,440 --> 00:15:41,960
Speaker 1: walk from the outside. Actually they do, they do.

292
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Speaker 3: I think old doors do.

293
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Speaker 1: So were you picturing locking it from the outside? Are

294
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Speaker 1: you Evan in this song? No?

295
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Speaker 3: I guess I'm the the RA.

296
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Speaker 2: Yeah, the RA I think would be probably would have

297
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Speaker 2: the badge.

298
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Speaker 1: Right.

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Speaker 4: Oh that's good, right, you know the bad like it

300
00:15:57,960 --> 00:15:58,560
Speaker 4: says r A.

301
00:15:59,120 --> 00:16:04,360
Speaker 2: Yeah, the badge is all A. That's pretty interesting.

302
00:16:09,040 --> 00:16:09,360
Speaker 1: M M.

303
00:16:14,560 --> 00:16:26,880
Speaker 2: Yeah, mam. Let's take this bag for me. I'm in

304
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Speaker 2: a r A in the dorm.

305
00:16:33,040 --> 00:16:36,400
Speaker 6: There's all kinds of halls and rooms to see anything.

306
00:16:39,840 --> 00:16:42,960
Speaker 6: Right now, I'm knocking on Evans.

307
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Speaker 2: Knock knock knocking on Evan's door. Notock knock knocking on

308
00:16:55,120 --> 00:16:55,960
Speaker 2: Evan's door.

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Speaker 1: We get one. We're doing one mark here, wrapt lock,

310
00:17:00,600 --> 00:17:04,359
Speaker 1: knock knocking on, and now we go back and go

311
00:17:04,520 --> 00:17:05,239
Speaker 1: back to the normal one.

312
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Speaker 2: Okay, knock knock knocking on Evans.

313
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Speaker 4: Do excuse me?

314
00:17:10,880 --> 00:17:13,520
Speaker 2: I kick again, I kick get out of here.

315
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Speaker 4: What the fuck is going on? Man?

316
00:17:17,800 --> 00:17:22,160
Speaker 1: I am uh sorry, it's lights out. You know the rules.

317
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Speaker 1: I go down the halls every day. I walk every

318
00:17:25,080 --> 00:17:30,119
Speaker 1: kid in their orbs until it's time for breakfast, and

319
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Speaker 1: then I escort you on to breakfast safely.

320
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Speaker 4: I don't like this at all. Was this Brett's idea?

321
00:17:37,600 --> 00:17:39,000
Speaker 4: Is this fucking Brett's idea?

322
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Speaker 1: Excuse me? Dean Morris, as you will refer to him,

323
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Speaker 1: just as it's the interest of every student at heart.

324
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Speaker 1: And if you don't like the rules, you need to

325
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Speaker 1: get your own badge.

326
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Speaker 4: Well, I need to leave, so I guess I'll just

327
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Speaker 4: be knock knock knocking on Evan's dome from the inside.

328
00:18:02,320 --> 00:18:05,119
Speaker 4: Knock knocking, knocking on Evan's door.

329
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Speaker 2: He's Evan. He's inside trying to unlock Eaven's door because

330
00:18:13,560 --> 00:18:14,600
Speaker 2: he's locked in by the RA.

331
00:18:15,680 --> 00:18:18,639
Speaker 4: Knocking knocking knocking on a then doll.

332
00:18:18,960 --> 00:18:21,280
Speaker 2: So the RA locked him in. First they said take

333
00:18:21,320 --> 00:18:25,760
Speaker 2: this bat from me. I don't know why. Then they said,

334
00:18:25,760 --> 00:18:30,040
Speaker 2: I'm an RA in the door. Then they ribed the

335
00:18:30,119 --> 00:18:31,159
Speaker 2: dorm with dorm.

336
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Speaker 3: Should he get this guy first?

337
00:18:36,480 --> 00:18:40,480
Speaker 1: Mama put my buns in my contrabandoaster Oven.

338
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Speaker 7: I can't use it anymore that Mead al Ray is

339
00:18:51,960 --> 00:18:57,639
Speaker 7: coming down on me because like I'm locked up in

340
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Speaker 7: Evan's door. Knock knock knocking on Evanstone.

341
00:19:06,119 --> 00:19:11,560
Speaker 2: They're both Evans, dock knocked and knocking on Evans ste

342
00:19:12,280 --> 00:19:13,840
Speaker 2: But now we know why he got locked in.

343
00:19:16,400 --> 00:19:18,560
Speaker 4: Knock knock knocking on Evans.

344
00:19:19,640 --> 00:19:22,240
Speaker 6: The two Evans had a toaster that was I legal

345
00:19:23,040 --> 00:19:26,240
Speaker 6: knock lock locking out Evans store, and they.

346
00:19:26,320 --> 00:19:27,760
Speaker 1: Used to heat up buns.

347
00:19:28,680 --> 00:19:33,439
Speaker 2: Wow, that was I like that. I wasson I couldn't

348
00:19:33,440 --> 00:19:37,360
Speaker 2: work for Christmas. Oh the buns, because like Evan's trying

349
00:19:37,359 --> 00:19:39,800
Speaker 2: to get home for holiday breaks, trying to get offiday

350
00:19:39,840 --> 00:19:42,919
Speaker 2: break locked in and Ra is like, okay, locking up

351
00:19:43,000 --> 00:19:43,880
Speaker 2: for Christmas time.

352
00:19:44,040 --> 00:19:48,760
Speaker 6: Holdovers, holdover there, holdovers, holdover, hold over overs.

353
00:19:48,800 --> 00:19:50,760
Speaker 2: That's really good Christmas holdovers.

354
00:19:52,119 --> 00:19:52,600
Speaker 4: That's good.

355
00:19:53,960 --> 00:19:55,760
Speaker 2: You doing gamaty no.

356
00:19:56,400 --> 00:20:01,320
Speaker 1: Ah, we just distant Johnson to do a gear body

357
00:20:01,800 --> 00:20:04,000
Speaker 1: and I've been saying whenever a guest comes in here,

358
00:20:04,080 --> 00:20:06,800
Speaker 1: we should get to be like laying down to like

359
00:20:07,000 --> 00:20:10,040
Speaker 1: sketches for our album. Yeah, you know what I mean

360
00:20:10,080 --> 00:20:12,640
Speaker 1: a little in between sketch.

361
00:20:12,480 --> 00:20:13,639
Speaker 2: Which we have done before.

362
00:20:13,920 --> 00:20:15,439
Speaker 4: We love doing between sketches.

363
00:20:15,480 --> 00:20:23,000
Speaker 2: The sketches have really paid dividends. Hollywood, Hollywood, Brett. Was

364
00:20:23,040 --> 00:20:25,480
Speaker 2: there another riff you had prepared that we could talk through.

365
00:20:26,800 --> 00:20:29,280
Speaker 3: Uh, let's see we could do uh we could do

366
00:20:29,320 --> 00:20:29,760
Speaker 3: a little this.

367
00:20:34,480 --> 00:20:36,919
Speaker 1: Hot love, hot bloody, hot blood, hot blood.

368
00:20:37,160 --> 00:20:44,840
Speaker 2: Oh yeah, well they are loving. I'm loving this loving.

369
00:20:45,080 --> 00:20:48,920
Speaker 1: Check in and see he's got a lessons bone in

370
00:20:49,080 --> 00:20:55,680
Speaker 1: eighty three. No, I don't know hot yeah, and eighty

371
00:20:55,760 --> 00:20:57,719
Speaker 1: three I don't think is the right year for when

372
00:20:57,800 --> 00:20:59,400
Speaker 1: that movie it's maybe seventy three.

373
00:20:59,520 --> 00:21:04,560
Speaker 4: It's interesting because Christmas is like famously cold, so I

374
00:21:04,600 --> 00:21:06,160
Speaker 4: guess this sort of hot blooded.

375
00:21:05,960 --> 00:21:11,040
Speaker 2: Christmas, cold Christmas, cold Christmas is Yeah, it's cold Christmas.

376
00:21:11,240 --> 00:21:14,320
Speaker 1: Check it. And see now I do want to say

377
00:21:14,359 --> 00:21:17,840
Speaker 1: we're going we're getting getting back to We're not backing

378
00:21:18,000 --> 00:21:20,680
Speaker 1: into Christmas if we're calling it cold Christmas.

379
00:21:21,800 --> 00:21:25,800
Speaker 2: Yeah, yeah, I guess I see what you mean. I

380
00:21:25,920 --> 00:21:27,120
Speaker 2: guess that's sort of true.

381
00:21:27,080 --> 00:21:29,240
Speaker 3: Like warm Christmas. Is that what you're thinking?

382
00:21:29,440 --> 00:21:30,560
Speaker 4: No, because I think you're so.

383
00:21:31,160 --> 00:21:36,240
Speaker 1: It was the Christmas that I was thinking issue with, Right, Okay, well.

384
00:21:36,119 --> 00:21:39,720
Speaker 2: It shouldn't be cop loving you, but it can't be

385
00:21:39,880 --> 00:21:44,800
Speaker 2: copy into this territory because we just did this one

386
00:21:44,880 --> 00:21:46,840
Speaker 2: with a badge and we actually managed to avoid that.

387
00:21:47,800 --> 00:21:54,800
Speaker 1: Yes, hmm, cold hot muffins, uh.

388
00:21:55,359 --> 00:21:56,120
Speaker 4: Cold stuffing.

389
00:21:57,000 --> 00:22:00,360
Speaker 2: Oh what if it's I'm just gonna say this line,

390
00:22:00,400 --> 00:22:03,639
Speaker 2: I don't think we should do. I'm cop loving a

391
00:22:03,840 --> 00:22:07,840
Speaker 2: C A B. It's dance for all cops are beautiful

392
00:22:07,880 --> 00:22:08,080
Speaker 2: to me.

393
00:22:13,240 --> 00:22:13,720
Speaker 4: That's pretty.

394
00:22:13,840 --> 00:22:17,879
Speaker 1: I mean, I don't know if they can just if

395
00:22:17,880 --> 00:22:20,080
Speaker 1: they can just stay with it to the second line.

396
00:22:21,480 --> 00:22:24,200
Speaker 1: I think that that'll clarify I think the first one

397
00:22:24,280 --> 00:22:26,600
Speaker 1: will be very can the first one really no one

398
00:22:26,680 --> 00:22:27,720
Speaker 1: will like Yeah.

399
00:22:27,600 --> 00:22:29,520
Speaker 3: If they turn it off by then they're never fans

400
00:22:29,560 --> 00:22:29,920
Speaker 3: of our.

401
00:22:30,000 --> 00:22:32,000
Speaker 1: Yes, yeah, yeah, that's right.

402
00:22:32,080 --> 00:22:34,520
Speaker 2: They don't deserve They weren't even interested because they they

403
00:22:34,560 --> 00:22:35,919
Speaker 2: weren't even checking.

404
00:22:35,640 --> 00:22:38,040
Speaker 3: Out the sound, you know what I mean our second line.

405
00:22:38,640 --> 00:22:40,440
Speaker 2: No, they're looking for a reason to turn it off.

406
00:22:41,440 --> 00:22:42,680
Speaker 3: I mean, there's no reason for it.

407
00:22:42,800 --> 00:22:45,320
Speaker 2: That's on the table and we wanted to do. Yeah,

408
00:22:45,320 --> 00:22:47,400
Speaker 2: I don't think we need to make it cop Love,

409
00:22:47,480 --> 00:22:48,440
Speaker 2: and I really don't.

410
00:22:50,560 --> 00:22:51,680
Speaker 3: It just fits so well.

411
00:22:52,760 --> 00:22:54,840
Speaker 2: I'm having trouble thinking of anything else.

412
00:22:54,960 --> 00:22:57,800
Speaker 4: It's in there, in there.

413
00:22:58,440 --> 00:23:02,199
Speaker 2: Sometimes it's just like ideas like that stick for a reason.

414
00:23:02,480 --> 00:23:04,280
Speaker 4: Yeah, m hmm.

415
00:23:04,960 --> 00:23:06,080
Speaker 1: What about.

416
00:23:09,320 --> 00:23:15,560
Speaker 2: Yacht Yeah, it's yacht stuff.

417
00:23:15,280 --> 00:23:20,560
Speaker 3: And so hot stuffing. We could do Thanksgiving, we could.

418
00:23:21,000 --> 00:23:23,240
Speaker 2: Stuff and I'm out on the seat.

419
00:23:23,640 --> 00:23:27,760
Speaker 1: Yeah you know, but that's what we were doing before.

420
00:23:28,720 --> 00:23:29,760
Speaker 1: That was from a second ago.

421
00:23:32,560 --> 00:23:34,399
Speaker 4: But it's interesting though, because if you do start on

422
00:23:34,480 --> 00:23:36,399
Speaker 4: the yacht part and then you say cop Love and

423
00:23:36,560 --> 00:23:38,800
Speaker 4: they've already gotten a couple of lines in, so they

424
00:23:38,880 --> 00:23:39,800
Speaker 4: might trust us to.

425
00:23:40,320 --> 00:23:43,280
Speaker 1: Hit the we have that we have. We we just

426
00:23:43,400 --> 00:23:46,960
Speaker 1: laid down cop Love basically, so, yeah, we have that.

427
00:23:48,520 --> 00:23:53,760
Speaker 2: Well, we could try yacht stuff in. It's a Christmas party.

428
00:23:54,320 --> 00:23:57,080
Speaker 4: I think it's fun. I mean, I think I didn't

429
00:23:57,080 --> 00:23:58,080
Speaker 4: stay away from Christmas.

430
00:23:58,119 --> 00:24:00,800
Speaker 1: I think we make it Thanksgiving and then we can

431
00:24:00,960 --> 00:24:03,760
Speaker 1: now like musician Christmas.

432
00:24:05,080 --> 00:24:09,919
Speaker 8: Yacht stuff in check in and see I'm meeting bread

433
00:24:10,040 --> 00:24:15,199
Speaker 8: a boop and see, come on ahead, do you.

434
00:24:15,359 --> 00:24:19,400
Speaker 2: Know how to swim? I'm not stuffing. I'm not stuffing.

435
00:24:23,640 --> 00:24:31,720
Speaker 2: You've done sucking. So that was yacht I feel like

436
00:24:31,920 --> 00:24:33,360
Speaker 2: it's like as good as it's gonna get.

437
00:24:33,920 --> 00:24:36,720
Speaker 1: I think, probably really good. I think I think it

438
00:24:36,840 --> 00:24:39,800
Speaker 1: was the riff. I think it was like the inspiration

439
00:24:40,080 --> 00:24:42,280
Speaker 1: was not it was there. I don't even know if

440
00:24:42,320 --> 00:24:45,159
Speaker 1: that was the actual song, you know, the riff was

441
00:24:45,280 --> 00:24:47,600
Speaker 1: just I think it was a bad drift.

442
00:24:48,160 --> 00:24:54,120
Speaker 2: You said bread wasn't feeling, Well, bread is stuffing.

443
00:24:54,480 --> 00:24:58,800
Speaker 1: Stuffing is made of bread mostly. You think that wait, sorry,

444
00:25:00,840 --> 00:25:03,359
Speaker 1: you think when people are having turkey and stuff that

445
00:25:03,480 --> 00:25:06,080
Speaker 1: you think that that means turkey and turkey.

446
00:25:07,480 --> 00:25:10,800
Speaker 3: Well you can do a turkey stuff turkey, but you

447
00:25:10,880 --> 00:25:11,760
Speaker 3: can do it tur ducking.

448
00:25:13,440 --> 00:25:13,640
Speaker 9: Yeah.

449
00:25:14,840 --> 00:25:16,679
Speaker 2: Yeah, you could do a lot of things. I mean

450
00:25:16,720 --> 00:25:19,280
Speaker 2: you could you know, you could show that just bread.

451
00:25:19,880 --> 00:25:21,560
Speaker 2: I mean, it's like that's it's.

452
00:25:21,400 --> 00:25:23,240
Speaker 1: As long as we're talking about turn duckheads.

453
00:25:23,600 --> 00:25:25,040
Speaker 4: Yeah stuff.

454
00:25:25,080 --> 00:25:30,400
Speaker 2: That's a lot of things you could do. We're trying

455
00:25:30,400 --> 00:25:33,159
Speaker 2: to work from sort of a somewhat universal language of

456
00:25:33,200 --> 00:25:34,159
Speaker 2: what people normally do.

457
00:25:34,400 --> 00:25:35,280
Speaker 1: Do I.

458
00:25:36,880 --> 00:25:41,880
Speaker 2: I wonder, well, is there a rip that you had

459
00:25:41,960 --> 00:25:44,040
Speaker 2: already that you wanted to talk about, because we got

460
00:25:44,119 --> 00:25:46,239
Speaker 2: yacht stuff and that's locked and loaded. Okay, we got

461
00:25:46,320 --> 00:25:47,840
Speaker 2: no timer going? Is that right about?

462
00:25:47,840 --> 00:25:48,640
Speaker 4: It stopped again?

463
00:25:50,520 --> 00:25:54,920
Speaker 3: You could do like fifty ways to to uh leave

464
00:25:54,920 --> 00:25:55,800
Speaker 3: your Santa.

465
00:25:55,840 --> 00:26:00,000
Speaker 1: Fifty so many, like fifty ways to hug your brother, yeah,

466
00:26:01,600 --> 00:26:05,160
Speaker 1: fifteen seems like maybe.

467
00:26:04,960 --> 00:26:08,320
Speaker 2: Fifteen ways rhymes yeah, fifteen.

468
00:26:08,800 --> 00:26:14,560
Speaker 1: Supper yeah, okay, fifteen ways to eat your supper. These

469
00:26:14,600 --> 00:26:17,879
Speaker 1: are all kind of like we got to the contraband

470
00:26:17,920 --> 00:26:20,400
Speaker 1: toaster oven thing. We did yacht stuff, and they're all

471
00:26:20,480 --> 00:26:24,879
Speaker 1: sort of like food and bread related. Just pick up

472
00:26:24,960 --> 00:26:29,359
Speaker 1: the fork Byork, pick up the fuork the f York. No,

473
00:26:29,480 --> 00:26:32,479
Speaker 1: it does have to be sure if the name is Bjork,

474
00:26:33,320 --> 00:26:36,760
Speaker 1: we pick up the fuork York. Yes, get a new

475
00:26:36,880 --> 00:26:41,440
Speaker 1: pants man, grab a big spoon, June, yeah, give it

476
00:26:41,520 --> 00:26:41,680
Speaker 1: to me.

477
00:26:42,840 --> 00:26:44,879
Speaker 4: I know that I know that this is wrong.

478
00:26:45,080 --> 00:26:47,760
Speaker 3: I know you're going to finish your crust, gust.

479
00:26:48,680 --> 00:26:50,040
Speaker 4: I know what I say is wrong.

480
00:26:50,240 --> 00:26:51,879
Speaker 1: That's not a way to eat your supper.

481
00:26:52,440 --> 00:26:54,280
Speaker 4: Is the feeling that we are feeling right now?

482
00:26:54,680 --> 00:26:55,879
Speaker 2: Just use your damn hands.

483
00:26:56,000 --> 00:27:01,680
Speaker 4: Hands, it's our hands, but it's are we feeling the

484
00:27:01,840 --> 00:27:05,159
Speaker 4: IP fatigue of Christmas album? We've been trying to do it.

485
00:27:05,240 --> 00:27:08,160
Speaker 4: We're chasing something. Yeah, I mean, should we be doing

486
00:27:08,240 --> 00:27:10,080
Speaker 4: it at all? I guess it's the question I'm asking.

487
00:27:10,080 --> 00:27:13,440
Speaker 1: I felt like we were just actually landing on Yeah,

488
00:27:14,119 --> 00:27:17,800
Speaker 1: that was actually that. Normally I would Yeah, does that normally?

489
00:27:17,880 --> 00:27:21,080
Speaker 1: I would agree with you. You just came up with

490
00:27:21,480 --> 00:27:25,000
Speaker 1: five out of fifteen, you know, like like really really

491
00:27:25,480 --> 00:27:26,120
Speaker 1: fat Yeah.

492
00:27:26,480 --> 00:27:36,280
Speaker 3: Yeah, I mean I don't think on through fifteen.

493
00:27:36,600 --> 00:27:36,840
Speaker 1: Yeah?

494
00:27:37,720 --> 00:27:38,200
Speaker 4: Interesting?

495
00:27:38,440 --> 00:27:39,240
Speaker 1: Is that how it goes?

496
00:27:39,880 --> 00:27:40,399
Speaker 3: The chorus?

497
00:27:41,840 --> 00:27:43,160
Speaker 2: Well, we got the lyrics up here?

498
00:27:47,240 --> 00:27:51,240
Speaker 4: Yeah, you know what's interesting? Twigs, I'm I'm black, So

499
00:27:51,600 --> 00:27:54,159
Speaker 4: a lot of these songs. I don't know a lot

500
00:27:54,200 --> 00:27:57,240
Speaker 4: of these songs growing up as a young black man. Okay,

501
00:27:57,480 --> 00:27:59,320
Speaker 4: I don't know fifty Ways to Leave Your Lover by

502
00:27:59,359 --> 00:27:59,919
Speaker 4: Paul Simon.

503
00:28:00,160 --> 00:28:02,520
Speaker 2: Okay, all right, So I just wanted to throw that

504
00:28:02,600 --> 00:28:05,119
Speaker 2: out there. Well, he was stealing a lot of his

505
00:28:05,240 --> 00:28:08,760
Speaker 2: music from black people. I know, Graceland is like all

506
00:28:10,240 --> 00:28:13,919
Speaker 2: that's like all black musicians. I know the influence. Yeah, but.

507
00:28:16,359 --> 00:28:19,879
Speaker 4: Oh yeah, mm hmm. Is this satisfying?

508
00:28:23,480 --> 00:28:26,440
Speaker 1: This is all right? This is all right? Let's really

509
00:28:27,600 --> 00:28:29,080
Speaker 1: let's really get whack with.

510
00:28:31,440 --> 00:28:32,520
Speaker 5: You whack?

511
00:28:33,040 --> 00:28:34,359
Speaker 2: Yeah asking answer?

512
00:28:35,400 --> 00:28:42,160
Speaker 4: That's blacken up. Yeah, I guess you can be my

513
00:28:42,360 --> 00:28:48,080
Speaker 4: Santa Claus. I can be, but that's Christmas again.

514
00:28:48,160 --> 00:28:49,120
Speaker 9: That was that.

515
00:28:49,480 --> 00:28:50,280
Speaker 5: I was not that.

516
00:28:54,880 --> 00:28:58,240
Speaker 3: Yeah, walk me through that, because you can be Santa Claus.

517
00:28:58,280 --> 00:28:59,400
Speaker 4: I could have said you can't be.

518
00:28:59,680 --> 00:29:02,480
Speaker 2: You can can't be my Santa cl you can't be

519
00:29:02,640 --> 00:29:06,480
Speaker 2: my Santa Claus. That's the Christmas protest song that we

520
00:29:06,560 --> 00:29:07,560
Speaker 2: were talking about earlier.

521
00:29:07,600 --> 00:29:08,560
Speaker 4: I think that's pretty good.

522
00:29:09,280 --> 00:29:13,440
Speaker 2: M you can't be my Santa Claus. I can't be

523
00:29:13,520 --> 00:29:14,560
Speaker 2: your long lost elf.

524
00:29:15,680 --> 00:29:16,960
Speaker 1: That's that's really good.

525
00:29:17,880 --> 00:29:22,400
Speaker 4: That's good. What I can call you Freddy?

526
00:29:23,360 --> 00:29:25,960
Speaker 2: I can call you well, that's like fred Claus. Yeah,

527
00:29:26,560 --> 00:29:27,479
Speaker 2: I call you Freddy?

528
00:29:27,760 --> 00:29:33,960
Speaker 1: Yeah? Where is that? Can't again? Why can one can?

529
00:29:34,640 --> 00:29:36,840
Speaker 2: Well? Because we're not doing so well? Yeah, fred Claus

530
00:29:36,920 --> 00:29:40,080
Speaker 2: was doing Christmas for sure. I can't call you Freddy

531
00:29:44,120 --> 00:29:45,680
Speaker 2: and not Freddie when you don't call.

532
00:29:45,640 --> 00:29:48,160
Speaker 1: Me maybe do a really slow version of this so

533
00:29:48,240 --> 00:29:50,280
Speaker 1: it's easier, you know what I mean.

534
00:29:50,400 --> 00:29:52,320
Speaker 4: The faster you go, the harder it is to Really,

535
00:29:52,400 --> 00:29:52,800
Speaker 4: I felt like.

536
00:29:52,800 --> 00:29:54,600
Speaker 1: That was even a little from the north, like.

537
00:29:54,640 --> 00:29:58,320
Speaker 3: A creepy, creepy like trailer version.

538
00:29:58,520 --> 00:30:01,520
Speaker 2: Yeah, yeah, that that's what we should be doing. Let's

539
00:30:01,560 --> 00:30:05,680
Speaker 2: do some of those Christmas protest. You can call me out.

540
00:30:05,800 --> 00:30:09,000
Speaker 2: You can't call me Santa. You can't call me Santa.

541
00:30:13,160 --> 00:30:16,200
Speaker 2: You can't call me Santa claud.

542
00:30:17,840 --> 00:30:18,640
Speaker 6: I can't be.

543
00:30:25,680 --> 00:30:30,600
Speaker 2: I won't call you Freddy and Freddie. Please don't call me.

544
00:30:31,080 --> 00:30:34,560
Speaker 2: You can burn in hell.

545
00:30:36,880 --> 00:30:42,560
Speaker 1: You can burn in hell. This is good.

546
00:30:50,520 --> 00:30:54,520
Speaker 10: The devil walks down the street. It's the street outside

547
00:30:54,560 --> 00:31:00,160
Speaker 10: your house. Your house is the third house. This in

548
00:31:00,240 --> 00:31:01,320
Speaker 10: his first time around.

549
00:31:04,600 --> 00:31:10,880
Speaker 2: He doesn't speak the language. He speaks Latin because he's

550
00:31:10,960 --> 00:31:17,480
Speaker 2: the devil from the Vibe Bible. He's surrounded by the

551
00:31:17,600 --> 00:31:18,800
Speaker 2: sound of the sound.

552
00:31:19,000 --> 00:31:22,600
Speaker 1: Yeah, and then cattle in the marketplace, scatter wins and orphanages.

553
00:31:22,680 --> 00:31:27,160
Speaker 2: I mean that feels that we can keep keep keeping that.

554
00:31:30,600 --> 00:31:33,480
Speaker 1: Around these angels in the architecture. He gets scared.

555
00:31:33,720 --> 00:31:37,520
Speaker 2: Yeah, he says, I used to be like one of them.

556
00:31:38,400 --> 00:31:46,360
Speaker 1: He says, I'm men and Hallelujah but backwards. Yeah, that's

557
00:31:46,400 --> 00:31:47,479
Speaker 1: pretty good. That's scary.

558
00:31:47,960 --> 00:31:49,920
Speaker 3: That didn't sound too white.

559
00:31:50,920 --> 00:31:55,600
Speaker 1: I mean, it's so crazy that, like Sean said, he

560
00:31:55,680 --> 00:31:59,560
Speaker 1: wanted a song that was more like connected to his upbringing.

561
00:31:59,760 --> 00:32:01,840
Speaker 1: And then and Brett did a song about.

562
00:32:01,600 --> 00:32:04,160
Speaker 4: The devil, which I don't want to call you out

563
00:32:04,200 --> 00:32:05,000
Speaker 4: on that Bread.

564
00:32:04,800 --> 00:32:06,240
Speaker 1: The devil from the Bible.

565
00:32:06,560 --> 00:32:07,360
Speaker 2: That kind of freaked me.

566
00:32:08,000 --> 00:32:11,480
Speaker 1: Okay, Yeah, that's what you kind of seem like she

567
00:32:11,560 --> 00:32:14,360
Speaker 1: did it really slowed down and scary, and it was

568
00:32:14,360 --> 00:32:15,160
Speaker 1: about the devil.

569
00:32:15,360 --> 00:32:18,960
Speaker 4: Yeah, that's okay. I mean I see where Bread's coming from.

570
00:32:19,200 --> 00:32:21,000
Speaker 4: You know, he's lived a limited experience.

571
00:32:21,000 --> 00:32:22,320
Speaker 3: In my world, the devil is the good guy.

572
00:32:23,400 --> 00:32:23,640
Speaker 1: Yeah.

573
00:32:24,160 --> 00:32:27,440
Speaker 4: Yeah, Bread Is drinks a lot of liquid death and stuff.

574
00:32:27,600 --> 00:32:31,840
Speaker 1: Yeah, that's right, bad drinking, way too much liquid.

575
00:32:38,320 --> 00:32:40,959
Speaker 2: What if we did the song do you know this one?

576
00:32:41,040 --> 00:32:42,760
Speaker 2: What if we did one Headlight but it was just

577
00:32:42,840 --> 00:32:43,880
Speaker 2: called one bud Light.

578
00:32:44,600 --> 00:32:53,320
Speaker 1: Yeah, that's really good. Yeah that one.

579
00:32:53,920 --> 00:32:57,440
Speaker 3: Don't open a new new tab with the tab on it,

580
00:32:57,840 --> 00:33:00,960
Speaker 3: because I definitely haven't memorized. If you did that, it

581
00:33:01,000 --> 00:33:02,320
Speaker 3: would be very unnecessary.

582
00:33:02,600 --> 00:33:05,240
Speaker 2: You could, Yeah, you put the tab up there. He's

583
00:33:05,280 --> 00:33:07,640
Speaker 2: not gonna need that no more.

584
00:33:07,720 --> 00:33:08,239
Speaker 1: Than I need.

585
00:33:08,360 --> 00:33:10,880
Speaker 2: The tab pulled up on a one butt light. You know,

586
00:33:11,200 --> 00:33:12,320
Speaker 2: that could be part of the song.

587
00:33:12,560 --> 00:33:27,600
Speaker 11: That's actually that could actually work, that's.

588
00:33:31,400 --> 00:33:35,800
Speaker 6: Go I don't remember. Well, that's when someone drank the

589
00:33:36,000 --> 00:33:43,040
Speaker 6: other five cans. Must have gone into my private freeze,

590
00:33:43,680 --> 00:33:44,640
Speaker 6: opened up and.

591
00:33:44,840 --> 00:33:46,280
Speaker 2: Drink them all of the.

592
00:33:56,080 --> 00:34:03,440
Speaker 1: Coming up through the empty plastic rings. Thea a big.

593
00:34:03,360 --> 00:34:08,160
Speaker 6: Old empty plastic strings. I gotta cut them up to

594
00:34:08,360 --> 00:34:12,640
Speaker 6: save all the ducks. I recycle and I take care

595
00:34:12,719 --> 00:34:13,520
Speaker 6: of the world.

596
00:34:15,760 --> 00:34:17,680
Speaker 3: Maybe something about beechwood aging.

597
00:34:22,840 --> 00:34:29,640
Speaker 6: And beechwood aging as well. Hey, come on drink, Come on,

598
00:34:29,840 --> 00:34:30,760
Speaker 6: drink a little.

599
00:34:31,440 --> 00:34:32,760
Speaker 2: Nothing is forever.

600
00:34:33,520 --> 00:34:37,440
Speaker 6: Nothing tastes better than this in Heiser Bush product.

601
00:34:38,080 --> 00:34:41,719
Speaker 2: I really like it, but there's just one left. I

602
00:34:41,800 --> 00:34:43,400
Speaker 2: guess I'll drink it all.

603
00:34:44,840 --> 00:34:54,759
Speaker 1: My one bud or I can still drive home. Oh yeah,

604
00:34:55,880 --> 00:35:01,600
Speaker 1: I can still drive home with one bud. That's a

605
00:35:01,680 --> 00:35:07,759
Speaker 1: good ad campaign. Yeah right, yeah, m hmm. That's what

606
00:35:07,880 --> 00:35:10,160
Speaker 1: they gotta like, throw you in jail when you had one.

607
00:35:10,520 --> 00:35:12,560
Speaker 3: You only had one bud light, so you still can

608
00:35:12,680 --> 00:35:14,719
Speaker 3: drop well that if they pull you over, then you

609
00:35:14,800 --> 00:35:15,680
Speaker 3: play cop loving.

610
00:35:16,719 --> 00:35:21,920
Speaker 1: It's kind of interesting, just the converse. Just know, you

611
00:35:22,040 --> 00:35:23,880
Speaker 1: just turn it down for the second half of the

612
00:35:23,960 --> 00:35:35,520
Speaker 1: first God yeah, God love it. M hmm A C

613
00:35:35,680 --> 00:35:35,880
Speaker 1: d C.

614
00:35:36,000 --> 00:35:36,840
Speaker 2: They said, I guess.

615
00:35:42,120 --> 00:35:42,640
Speaker 3: Understruck.

616
00:35:43,360 --> 00:35:54,360
Speaker 1: Interesting, okay, thunderstruck, Yeah, thunderstruck. They don't really wonder. They

617
00:35:54,480 --> 00:35:56,920
Speaker 1: just say thunder Yeah, they do say thunderstand. Maybe it's

618
00:35:57,239 --> 00:35:59,480
Speaker 1: you say Bandersnatch instead of understruck.

619
00:36:00,520 --> 00:36:01,120
Speaker 3: Understand.

620
00:36:08,160 --> 00:36:13,200
Speaker 8: I was cold in the middle of two story lins

621
00:36:14,520 --> 00:36:16,560
Speaker 8: bander on the ground.

622
00:36:20,280 --> 00:36:21,920
Speaker 7: We lost, the truck wasn't.

623
00:36:25,719 --> 00:36:29,080
Speaker 2: Raised, and I thought so many things I could do.

624
00:36:32,080 --> 00:36:32,760
Speaker 1: The new.

625
00:36:35,400 --> 00:36:36,800
Speaker 2: I needed help from you.

626
00:36:42,760 --> 00:36:44,640
Speaker 1: I never saw it. I don't really know what happened

627
00:36:44,640 --> 00:36:44,800
Speaker 1: to it.

628
00:36:44,880 --> 00:36:47,760
Speaker 2: I just know it was Chose your own adventure.

629
00:36:47,800 --> 00:36:49,160
Speaker 1: Yeah, you can pick different things.

630
00:36:49,440 --> 00:36:52,400
Speaker 2: They're taking that down. Actually, they're altering their whole interface

631
00:36:52,520 --> 00:36:55,000
Speaker 2: the website, like the technology is like they don't want

632
00:36:55,000 --> 00:36:57,560
Speaker 2: to support this sort of like choose your Adventure stuff anymore.

633
00:36:58,040 --> 00:37:03,080
Speaker 2: It's gonna be much more like uh, end user inflexible.

634
00:37:03,480 --> 00:37:05,759
Speaker 2: And they just don't like the Bandersnatch. That was an

635
00:37:05,800 --> 00:37:08,040
Speaker 2: experiment that they now consider really a failed great. So

636
00:37:08,160 --> 00:37:11,960
Speaker 2: now we have in the world they created, Well, there's gaming,

637
00:37:12,040 --> 00:37:14,080
Speaker 2: I mean there's obviously gaming, other options.

638
00:37:14,320 --> 00:37:16,880
Speaker 1: Sorry, well the world's different now. Well you don't get

639
00:37:16,960 --> 00:37:17,799
Speaker 1: to just do that.

640
00:37:20,360 --> 00:37:22,640
Speaker 2: World flicks gaming will be a separate you know, a

641
00:37:22,840 --> 00:37:25,279
Speaker 2: separate thing, and you know, maybe there's something to do

642
00:37:25,400 --> 00:37:27,239
Speaker 2: in that where that's more of like a video game thing.

643
00:37:27,560 --> 00:37:30,400
Speaker 2: But the content, the like, you know, the actual like

644
00:37:30,960 --> 00:37:34,600
Speaker 2: scripted content that AI is going to be producing largely

645
00:37:35,120 --> 00:37:37,040
Speaker 2: is going to be like not bandersnatch.

646
00:37:37,120 --> 00:37:39,680
Speaker 4: Can I ask you as a question No, okay, never mind,

647
00:37:40,880 --> 00:37:43,000
Speaker 4: I was gonna you just I was gonna ask have

648
00:37:43,120 --> 00:37:46,800
Speaker 4: you guys considered having you know, someone like Jess McKenna

649
00:37:47,000 --> 00:37:51,440
Speaker 4: these episodes, Zacharno could up. People are really good at

650
00:37:51,480 --> 00:37:53,920
Speaker 4: improvise them songs, especially white songs.

651
00:37:54,600 --> 00:37:57,200
Speaker 2: But so what's what song do you want to do?

652
00:37:57,440 --> 00:37:57,600
Speaker 1: Man?

653
00:37:59,080 --> 00:38:01,279
Speaker 2: You think than uh uh.

654
00:38:02,880 --> 00:38:09,879
Speaker 4: Yeah, yeah, can I get blacker? Maybe something from Bob

655
00:38:09,960 --> 00:38:11,280
Speaker 4: Dylan's Black Period?

656
00:38:11,480 --> 00:38:14,680
Speaker 1: And Zach and Jess like again, it's like very rushed,

657
00:38:14,800 --> 00:38:16,680
Speaker 1: you know what I mean. Their whole thing is like, Okay,

658
00:38:16,719 --> 00:38:20,320
Speaker 1: here we go. This is what we're trying to like

659
00:38:20,680 --> 00:38:21,840
Speaker 1: avoid that situation.

660
00:38:21,960 --> 00:38:25,920
Speaker 2: Well, we likely aren't even gonna release this episode because

661
00:38:25,960 --> 00:38:28,080
Speaker 2: this is like kind of a brainstorm session for like

662
00:38:28,160 --> 00:38:29,200
Speaker 2: when we do record.

663
00:38:29,360 --> 00:38:31,200
Speaker 4: Okay, okay, good, all right.

664
00:38:31,560 --> 00:38:33,600
Speaker 2: So if you've got an idea you want to explore

665
00:38:34,120 --> 00:38:37,120
Speaker 2: if there's an artist and like, I.

666
00:38:37,200 --> 00:38:39,719
Speaker 4: Mean, I think we got to do a Bob Dylan song.

667
00:38:39,800 --> 00:38:40,960
Speaker 1: Okay, we did do one.

668
00:38:41,400 --> 00:38:43,680
Speaker 3: We actually did two Dylan song today. We did Bob

669
00:38:43,760 --> 00:38:44,280
Speaker 3: and Jacob.

670
00:38:44,360 --> 00:38:46,239
Speaker 1: That's really we did do Dylan. That's great.

671
00:38:46,360 --> 00:38:48,279
Speaker 4: That's great. Well, that's good because I knew that they

672
00:38:48,280 --> 00:38:51,719
Speaker 4: were Dylan songs when we were doing them. So yeah,

673
00:38:51,960 --> 00:38:55,320
Speaker 4: maybe we do like uh hm oh, can you do

674
00:38:55,520 --> 00:38:56,279
Speaker 4: like fat Lip?

675
00:38:57,360 --> 00:38:58,640
Speaker 1: Uh huh fat.

676
00:39:00,040 --> 00:39:01,160
Speaker 3: Go to hit it with the fat Lip?

677
00:39:02,400 --> 00:39:04,239
Speaker 4: No, it's a rapper named fat Lip.

678
00:39:04,719 --> 00:39:06,200
Speaker 2: Who am I kidd and who am I fooling?

679
00:39:06,400 --> 00:39:06,600
Speaker 1: Yeah?

680
00:39:06,680 --> 00:39:09,239
Speaker 2: Maybe like what up fat Lip? And I say cool?

681
00:39:09,280 --> 00:39:10,640
Speaker 2: And yeah it'd be tough.

682
00:39:10,960 --> 00:39:14,440
Speaker 1: Oh okay, you guys are talking about two other things.

683
00:39:15,360 --> 00:39:17,480
Speaker 1: Other way, the fat Lip that I was thinking of,

684
00:39:17,840 --> 00:39:20,640
Speaker 1: which was the name of a song brand is thinking

685
00:39:20,680 --> 00:39:23,279
Speaker 1: about a lyric and a different song from you are

686
00:39:23,320 --> 00:39:26,080
Speaker 1: thinking about currently thinking of an artist.

687
00:39:26,200 --> 00:39:30,200
Speaker 4: A West Coast rapper fat Lip. But now that I

688
00:39:30,239 --> 00:39:31,680
Speaker 4: think about it, I don't know any of the lyrics

689
00:39:31,719 --> 00:39:34,319
Speaker 4: to any of the songs either. Yeah, thing I said

690
00:39:34,600 --> 00:39:38,000
Speaker 4: you heard me say so you said someone said that's

691
00:39:38,080 --> 00:39:38,560
Speaker 4: really good.

692
00:39:40,960 --> 00:39:42,920
Speaker 1: What did you say, because I'm trying to get the

693
00:39:43,000 --> 00:39:45,920
Speaker 1: whole connected tissue here. That ended up with me just

694
00:39:46,000 --> 00:39:48,439
Speaker 1: thinking of the fame, the kind of famous song.

695
00:39:48,560 --> 00:39:50,319
Speaker 2: Well if Fat Lip has a song called what Up

696
00:39:50,360 --> 00:39:52,680
Speaker 2: Fat Lip? But I think was like his biggest like

697
00:39:52,920 --> 00:39:54,840
Speaker 2: solo single in Far Side.

698
00:39:55,360 --> 00:39:57,759
Speaker 4: I think he was a Far Side adjacent probably I

699
00:39:57,840 --> 00:40:00,680
Speaker 4: don't remember he was in the Far Side mm hmmm.

700
00:40:01,160 --> 00:40:04,040
Speaker 1: Yeah. Oh, and now I said, what the song I

701
00:40:04,200 --> 00:40:08,680
Speaker 1: was thinking of is one that goes I guess I

702
00:40:08,800 --> 00:40:11,920
Speaker 1: know that one too, mm hmmm.

703
00:40:14,400 --> 00:40:19,640
Speaker 2: No, well, I mean, you know, obviously, like we could

704
00:40:19,719 --> 00:40:23,920
Speaker 2: do a black artist, but it should be someone that

705
00:40:24,040 --> 00:40:26,600
Speaker 2: white people have co opted so that everyone could play,

706
00:40:26,719 --> 00:40:27,759
Speaker 2: like Bob Marley or.

707
00:40:27,760 --> 00:40:29,120
Speaker 1: Something like that, you know what I mean.

708
00:40:29,239 --> 00:40:30,600
Speaker 4: Or we could do a three eleven song.

709
00:40:32,120 --> 00:40:36,120
Speaker 1: Well, oh, that's that's kind of the pan racial song. Really, yeah,

710
00:40:36,160 --> 00:40:37,040
Speaker 1: there's really Amber.

711
00:40:37,520 --> 00:40:39,440
Speaker 2: Nobody owns that, Nobody.

712
00:40:39,760 --> 00:40:41,560
Speaker 4: Three eleven sort of an international group.

713
00:40:43,719 --> 00:40:45,879
Speaker 2: I mean, we could do like, I mean, Portugal the Man,

714
00:40:46,200 --> 00:40:47,719
Speaker 2: Like you know Portugal the Man.

715
00:40:47,960 --> 00:40:52,399
Speaker 4: Sure, that's not that's not white, that's not white at all. Yeah,

716
00:40:53,200 --> 00:40:57,720
Speaker 4: I think they're Canadians. Yeah, Amber, So I see Amber

717
00:40:57,840 --> 00:41:00,440
Speaker 4: lyrics are up right now, don't miss necessarily.

718
00:41:00,680 --> 00:41:03,239
Speaker 2: I mean, that's not the main one you're thinking of.

719
00:41:03,880 --> 00:41:04,360
Speaker 1: What are you thinking of?

720
00:41:04,520 --> 00:41:08,960
Speaker 2: All mixed up? All mixed up?

721
00:41:12,320 --> 00:41:14,560
Speaker 4: You know, I start wrapping back Martinez.

722
00:41:15,280 --> 00:41:16,960
Speaker 3: Don't they have a basis named peanut?

723
00:41:17,320 --> 00:41:17,560
Speaker 1: They do?

724
00:41:20,040 --> 00:41:21,279
Speaker 2: You want to future us?

725
00:41:21,480 --> 00:41:24,440
Speaker 5: You and.

726
00:41:27,120 --> 00:41:30,960
Speaker 1: If it's uh sort of seasons we mix Yeah, fall

727
00:41:31,040 --> 00:41:34,400
Speaker 1: mixed nuts, fall mixed.

728
00:41:34,280 --> 00:41:41,320
Speaker 2: Nuts, Fall mixed nuts. That's really good if we have Okay, okay,

729
00:41:41,880 --> 00:41:44,920
Speaker 2: let's do it. Okay, we can do this, we can okay, wait,

730
00:41:45,000 --> 00:41:45,600
Speaker 2: all mixed up?

731
00:41:46,640 --> 00:41:48,359
Speaker 3: He needs we're doing all mixed up now?

732
00:41:48,480 --> 00:41:52,000
Speaker 2: Yeah, I think we need to Yeah, yeah.

733
00:41:55,400 --> 00:42:01,279
Speaker 3: Okay, I don't know the first how the verses go.

734
00:42:01,400 --> 00:42:02,239
Speaker 3: You guys got to sing it.

735
00:42:02,440 --> 00:42:11,120
Speaker 2: Okay, you've got to include cash and Maco Damion nuts.

736
00:42:13,520 --> 00:42:19,919
Speaker 2: You got to throw in some in star because that's

737
00:42:20,000 --> 00:42:20,960
Speaker 2: the best nuts.

738
00:42:26,840 --> 00:42:30,080
Speaker 1: Watch me now with a week a while. This is

739
00:42:30,120 --> 00:42:31,319
Speaker 1: a rapping part. Yeah.

740
00:42:31,360 --> 00:42:33,439
Speaker 2: Yeah, well that was what I thought Sean was saying.

741
00:42:33,480 --> 00:42:37,719
Speaker 1: He was gonna do you want to do that? Yeah?

742
00:42:38,160 --> 00:42:40,520
Speaker 4: But now I'm immediately thinking, should I have said that

743
00:42:40,560 --> 00:42:41,560
Speaker 4: I want to do that part?

744
00:42:41,680 --> 00:42:41,879
Speaker 1: Yeah?

745
00:42:42,480 --> 00:42:46,080
Speaker 2: Yeah, okay, Well you know that's so the world of

746
00:42:46,160 --> 00:42:48,920
Speaker 2: All mix Fall Mixed Nuts. Sorry that all Nuts is

747
00:42:49,000 --> 00:42:51,440
Speaker 2: out there. Yeah, and we could just like we can

748
00:42:51,520 --> 00:42:53,320
Speaker 2: just go Okay, we tried that.

749
00:42:54,320 --> 00:42:55,000
Speaker 1: What's that song?

750
00:42:55,400 --> 00:42:57,800
Speaker 3: Immigrant song? So that's pretty like diverse.

751
00:42:58,239 --> 00:43:01,960
Speaker 4: Yeah, yeah to some of the stuff you didn't necessarily

752
00:43:02,040 --> 00:43:02,640
Speaker 4: want to touch.

753
00:43:05,440 --> 00:43:11,480
Speaker 1: Yeah mm hmmm.

754
00:43:12,320 --> 00:43:14,240
Speaker 2: And they come from the Land of ice and snow

755
00:43:14,360 --> 00:43:14,680
Speaker 2: or something.

756
00:43:14,800 --> 00:43:25,080
Speaker 1: Yeah they yeah. Yeah, when did they say so this

757
00:43:25,280 --> 00:43:26,000
Speaker 1: is Liverpool?

758
00:43:26,120 --> 00:43:26,279
Speaker 6: Yeah?

759
00:43:26,280 --> 00:43:27,040
Speaker 3: I don't remember that.

760
00:43:27,239 --> 00:43:29,520
Speaker 1: Yeah, that must have been a little sketch that they

761
00:43:29,600 --> 00:43:32,000
Speaker 1: had on the album, and in like future releases, they

762
00:43:32,040 --> 00:43:33,439
Speaker 1: were just like maybe we liked.

763
00:43:38,600 --> 00:43:40,640
Speaker 9: We come from the Land of all mixed nuts, where

764
00:43:40,680 --> 00:43:49,000
Speaker 9: we serve them in a bold aura cup, roast it.

765
00:43:49,160 --> 00:43:54,680
Speaker 2: Salted and all mixed up. Yes, I have a lot

766
00:43:54,760 --> 00:43:55,440
Speaker 2: of big nuts.

767
00:43:59,280 --> 00:44:01,760
Speaker 3: H handful of makes nuts.

768
00:44:05,920 --> 00:44:10,600
Speaker 1: Wait wait, wait when you get to the yeah wait

769
00:44:10,719 --> 00:44:11,680
Speaker 1: wait started out over again.

770
00:44:12,800 --> 00:44:17,200
Speaker 8: They're so sweet, that's a flavor.

771
00:44:17,400 --> 00:44:24,880
Speaker 2: Wait bet locked for Okay, Okay, I'll tell you. The

772
00:44:24,960 --> 00:44:27,640
Speaker 2: only Led Zeppelin song I feel like I know really

773
00:44:27,800 --> 00:44:32,000
Speaker 2: well is Over the Hills and Far Away. You gotta

774
00:44:32,040 --> 00:44:34,279
Speaker 2: have that one locked and I got that one. You

775
00:44:34,440 --> 00:44:36,120
Speaker 2: gotta have that one. Like, but we gotta fiure out

776
00:44:36,120 --> 00:44:36,960
Speaker 2: what we're gonna sing about.

777
00:44:37,160 --> 00:44:41,440
Speaker 4: Yeah, over.

778
00:44:43,080 --> 00:44:47,520
Speaker 1: Over the Bills and Dolphins play but didn't talk the Hills.

779
00:44:48,160 --> 00:44:50,880
Speaker 1: So we're like we're saying bet the over on the

780
00:44:50,960 --> 00:44:52,320
Speaker 1: Bills and the Dolphins.

781
00:44:51,960 --> 00:44:54,400
Speaker 2: Over the Bills, and Dolphins play the subtexts it's the

782
00:44:54,440 --> 00:45:00,400
Speaker 2: Christmas okay, all right, yeah, yeah, because it's like a

783
00:45:00,480 --> 00:45:05,239
Speaker 2: snow game. Okay, hang on, I got it.

784
00:45:05,320 --> 00:45:15,480
Speaker 5: Yeah, a lady, I'll take a minus three fading the

785
00:45:15,600 --> 00:45:16,640
Speaker 5: home face.

786
00:45:18,480 --> 00:45:23,720
Speaker 6: Oh, darling dollar darling, I'll take a parlay please.

787
00:45:25,000 --> 00:45:42,640
Speaker 2: With two touch, two touch, two touchdowns. Many times I've

788
00:45:42,760 --> 00:45:47,920
Speaker 2: laid ports against the spread. Now many times I've been.

789
00:45:48,640 --> 00:45:52,640
Speaker 1: Wrong with forma pets. Many times I've.

790
00:45:52,640 --> 00:45:59,040
Speaker 2: Tried two figure sharpened off. Many times I've lost my

791
00:45:59,239 --> 00:45:59,840
Speaker 2: last saving.

792
00:46:11,960 --> 00:46:17,759
Speaker 1: And then it's like many players come through, some win

793
00:46:17,880 --> 00:46:22,960
Speaker 1: silver dollars. Uh huh. I live for the cream. That's

794
00:46:23,000 --> 00:46:24,960
Speaker 1: something we can just say, like that's another thing for like.

795
00:46:25,440 --> 00:46:27,759
Speaker 2: For the Yeah, I live for the cream. Black people

796
00:46:28,160 --> 00:46:29,840
Speaker 2: all of gold which money.

797
00:46:30,360 --> 00:46:33,680
Speaker 1: Yeah, And so you're saying that satisfies Black people are

798
00:46:33,719 --> 00:46:37,040
Speaker 1: gonna be like that's helpful, that's helpful for that, that's great.

799
00:46:37,200 --> 00:46:39,799
Speaker 2: That about this is mellow is the man? What about

800
00:46:39,880 --> 00:46:40,520
Speaker 2: Josh Allen?

801
00:46:40,640 --> 00:46:41,040
Speaker 1: Is the man?

802
00:46:42,120 --> 00:46:45,280
Speaker 2: Man receivers he's been missing.

803
00:46:46,560 --> 00:46:47,960
Speaker 1: Okay, So then like which is it.

804
00:46:48,239 --> 00:46:53,520
Speaker 2: Yeah mm hmmmm hmm, Well I think we got that

805
00:46:53,920 --> 00:46:54,359
Speaker 2: for sure.

806
00:46:54,680 --> 00:46:58,279
Speaker 1: Yeah, that was rock. That was awesome. Yeah.

807
00:46:58,800 --> 00:47:01,840
Speaker 2: I guess like this huge and like, well it's FanDuel

808
00:47:02,000 --> 00:47:03,799
Speaker 2: like this is this song brought to you by people, and.

809
00:47:03,880 --> 00:47:07,120
Speaker 1: People have been mad at us for like advertising gambling apps,

810
00:47:07,160 --> 00:47:09,759
Speaker 1: and I think because we hadn't done like that much

811
00:47:09,840 --> 00:47:13,040
Speaker 1: content about it, like in the it feels disconnected from that.

812
00:47:13,320 --> 00:47:15,440
Speaker 1: Now it's gonna feel more authentic, you guys, like this

813
00:47:15,640 --> 00:47:18,279
Speaker 1: is taking me out of the thing. It's not your personas.

814
00:47:18,320 --> 00:47:20,279
Speaker 1: It's like, well, now the rest of the show is

815
00:47:20,320 --> 00:47:23,359
Speaker 1: about that, and we had a song about it. Yeah.

816
00:47:24,040 --> 00:47:26,480
Speaker 2: Yeah, that has felt really good that we managed to

817
00:47:26,520 --> 00:47:28,840
Speaker 2: do this song about gambling and then the ads are

818
00:47:28,880 --> 00:47:30,960
Speaker 2: about gambling. I feel like that's gonna make people like

819
00:47:31,040 --> 00:47:33,239
Speaker 2: the episode. Yeah if we released this one. This is

820
00:47:33,320 --> 00:47:34,960
Speaker 2: kind of just a workshop session. But when we do

821
00:47:35,040 --> 00:47:37,080
Speaker 2: the songs, I guess, can you go back up to

822
00:47:37,160 --> 00:47:39,279
Speaker 2: the top, like what we were talking about at the

823
00:47:39,480 --> 00:47:40,000
Speaker 2: very top.

824
00:47:39,920 --> 00:47:40,279
Speaker 1: Of the song.

825
00:47:40,600 --> 00:47:43,640
Speaker 2: So I think like I got a little bit lost

826
00:47:43,680 --> 00:47:46,120
Speaker 2: on sort of like after the first line where I

827
00:47:46,200 --> 00:47:51,120
Speaker 2: said like uh minus three and then it was like

828
00:47:52,160 --> 00:47:55,160
Speaker 2: I started saying touch and then I said two touchdowns.

829
00:47:55,239 --> 00:47:57,000
Speaker 1: But what didn't that have to do where the two

830
00:47:57,120 --> 00:47:57,839
Speaker 1: touchdowns come?

831
00:47:58,000 --> 00:48:00,959
Speaker 2: Yeah, way, it was part of the parlay, I guess,

832
00:48:00,960 --> 00:48:01,239
Speaker 2: which I.

833
00:48:01,280 --> 00:48:03,879
Speaker 1: Also But the other one is a parlay. The other

834
00:48:04,000 --> 00:48:06,239
Speaker 1: game is a it's not in the same game. It's

835
00:48:06,280 --> 00:48:06,960
Speaker 1: another game.

836
00:48:07,480 --> 00:48:09,799
Speaker 4: Across the league, not just one game.

837
00:48:09,960 --> 00:48:13,640
Speaker 2: Right, Yes, it's not the same game parlay ahead of

838
00:48:13,680 --> 00:48:15,920
Speaker 2: christ So let's put in the parentheses it's not the

839
00:48:15,960 --> 00:48:18,640
Speaker 2: same game parlay. So it's like over the Bills and

840
00:48:18,719 --> 00:48:21,960
Speaker 2: Dolphins play. Those are two different games, and then it's

841
00:48:22,040 --> 00:48:23,240
Speaker 2: not the same game parlay.

842
00:48:26,239 --> 00:48:26,960
Speaker 4: I think that's good.

843
00:48:27,400 --> 00:48:29,040
Speaker 2: Well, I guess at the point it's called over the

844
00:48:29,080 --> 00:48:30,640
Speaker 2: hells in far Away, we could have just said not

845
00:48:30,719 --> 00:48:31,239
Speaker 2: a same game.

846
00:48:33,600 --> 00:48:38,160
Speaker 4: But yeah, so should we end on a Christmas?

847
00:48:38,400 --> 00:48:39,600
Speaker 1: We should just end it? Yeah, right,