WEBVTT - Peter Noone

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob left Sets podcast.

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<v Speaker 1>My guest tonight is the one and only Peter Nude,

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<v Speaker 1>a k A. Hermit of Hermit's Hermits. Peter, so great

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<v Speaker 1>to have you. It's great. It's great to be hit Bobby.

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<v Speaker 1>I listened to your podcasts, and as you know, I've

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<v Speaker 1>been reading your left Sets letter for as long as

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<v Speaker 1>it's been out like a fan. Okay, thanks so much

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<v Speaker 1>for being a fan, and I'm certainly a fan of

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<v Speaker 1>you and your work. But we're here in Hollywood at

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<v Speaker 1>the studio. You dropped your wife off at L a X.

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<v Speaker 1>You live in Santa Barbara. Yeah, I live in Santa

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<v Speaker 1>Barbara and I my wife and daughter are going. My

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<v Speaker 1>wife's family have a house in the south of France

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<v Speaker 1>and they like to go via Dublin, so they've dropped

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<v Speaker 1>him off at L a X. They flying to Dublin

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<v Speaker 1>and and to Nice and I'll join them in about

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<v Speaker 1>two weeks now. One of the reasons I asked this

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<v Speaker 1>is you got married when you were twenty what twenty

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<v Speaker 1>one birthday, and you have been married to the same

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<v Speaker 1>woman for fifty years exactly. We had our fiftieth wedding anniversary,

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<v Speaker 1>and the only person who showed up actually Mickey Moost's

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<v Speaker 1>wife and and Mickey mostly was my producer. His wife

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<v Speaker 1>and Tom Jones were the only people that we knew

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<v Speaker 1>that is still around from our wedding. Okay, so we

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<v Speaker 1>all know what being a rock stars like you were

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<v Speaker 1>as famous as anybody in the world. How did you

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<v Speaker 1>find this particular woman to marry? Um? It was very

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<v Speaker 1>it was. It was a strange one. I went to

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<v Speaker 1>the Bag of Nails to see Jimi Hendrix, who was

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<v Speaker 1>like newly in town. I think Eric Burdon had mentioned him.

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<v Speaker 1>And I went to the Bag of Nails and there

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<v Speaker 1>was a girl there and she was with another with

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<v Speaker 1>her sister, and they were speaking Hebrew and obviously I

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<v Speaker 1>can't we can wrote of Hebrew, and they were speaking Hebrew,

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<v Speaker 1>so that I because I could speak French, and they

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<v Speaker 1>were French, having spent some time in Israel. And the

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<v Speaker 1>guy who was with them said, would you dance with

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<v Speaker 1>my sister? And were they were aware of who you were? No,

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<v Speaker 1>absolutely no idea and the kid would snicks you know

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<v Speaker 1>then nothing about me, And of course they knew who

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<v Speaker 1>Johnny Halliday was, but there were no other people in

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<v Speaker 1>their lives musically, and we we met and we spoke

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<v Speaker 1>a little. I had schoolboy French, you know, like a

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<v Speaker 1>pretty good schoolboy French. And you know, we actually gave

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<v Speaker 1>me her phone number and it was Ambassador double two

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<v Speaker 1>six and I kept it on a card and I

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<v Speaker 1>went away. And five months later I was in Hyde Park,

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<v Speaker 1>which is a big park. It's like walking in Central Park.

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<v Speaker 1>And I saw my future wife's sister and I walked

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<v Speaker 1>over at said, who where's your sister? And she said,

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<v Speaker 1>she's back in England. She's staying my mother's place on

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<v Speaker 1>Cleveland Square. That's the Ambassador double two sixties. I said, great,

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<v Speaker 1>So I called her and she had no intent, no

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<v Speaker 1>intention I have ever seen me again. Um. You know,

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<v Speaker 1>she had a dentist appointment the next day and a

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<v Speaker 1>headdressed as performance. So eventually we went out to dinner

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<v Speaker 1>with other friends. Um, and you know, she found out

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<v Speaker 1>I was the real real thing. Then another time, then

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<v Speaker 1>we separate again. I went on an American tour and

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<v Speaker 1>we she saw me singing on the television on Top

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<v Speaker 1>of the Pops and her sister said, look that's the

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<v Speaker 1>guy that we that you danced with that night. It

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<v Speaker 1>keeps calling, and you went out to dinner with Francois,

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<v Speaker 1>and all those people actually goes, oh my goodness, I

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<v Speaker 1>had no idea. And she makes a joke. He said

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<v Speaker 1>he used to draw pictures of beds and wardrobes and things,

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<v Speaker 1>and I thought he was a furniture senter, you know.

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<v Speaker 1>So you know, I never learned Hebrew, but my French

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<v Speaker 1>got much much better. I only learned French because I

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<v Speaker 1>had a good you know, you're always good at the

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<v Speaker 1>things you have a good teacher. I had a great teacher,

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<v Speaker 1>father Murray. And and I I went to I was

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<v Speaker 1>I went to the evenings. I went to the Manchester

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<v Speaker 1>School of Music because my dad thought I was. I

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<v Speaker 1>needed to be a musician, knowledgeable musician. And there was

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<v Speaker 1>a library nearby, the Manchester Library, and on the second

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<v Speaker 1>floors where I would go to do my homework because

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<v Speaker 1>it was very quiet, and there was there was the

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<v Speaker 1>art department. And there was a picture in one of

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<v Speaker 1>the books of Bridgie bard Do. And I thought, I'm

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<v Speaker 1>going to learn French so bad that I can walk

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<v Speaker 1>up to Bridgitte bard Do one day and and and

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<v Speaker 1>pick her up. You know, that kind of school boy,

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<v Speaker 1>and of course it wasn't Bridgie, but it was someone

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<v Speaker 1>even better, which is my wife Mary, much much better. Okay,

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<v Speaker 1>so you meet her the second time, then she goes

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<v Speaker 1>back to France. How does it ultimately okay, well, how

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<v Speaker 1>how it gets going is I come back to England

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<v Speaker 1>and I say no, no, no, no no, excuse me. She

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<v Speaker 1>moves to Spain. Her mother has a house in the

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<v Speaker 1>Ibis in the Baliaric Islands, and I decide to rent

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<v Speaker 1>the place next door, which was pretty cool. And I

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<v Speaker 1>moved into the place next door, and her mother really

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<v Speaker 1>likes me, and I end up spending a lot of

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<v Speaker 1>time talking to the mother, who's very interesting, not the

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<v Speaker 1>lots of Second World War intrigue and dead husband's from

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<v Speaker 1>the Holocaust and the great, great interesting stuff for me.

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<v Speaker 1>So uh, we make this friendship. And one day we're

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<v Speaker 1>sitting on the balcony of this little apartment of mine

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<v Speaker 1>and we hear this voice Peter Noon, Peter Noon, because

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<v Speaker 1>there are no phones or there are no communication this that,

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<v Speaker 1>and and I got, yeah, I'm Peter Noon, what what

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<v Speaker 1>is it? And he goes, I'm from the British Consulate

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<v Speaker 1>and you need to come back to England immediately, and

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<v Speaker 1>I got what. I think, something's happened to mynd So

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<v Speaker 1>I come come downstairs. I go, what's going on? He goes,

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<v Speaker 1>your record is in the charts. It's sunshine girl. I

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<v Speaker 1>didn't even know it was out and I needed to

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<v Speaker 1>be Everyone was looking for me to go on top

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<v Speaker 1>of the pops on the Thursday. So, you know, it

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<v Speaker 1>was easy in those days. You've got to the airport,

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<v Speaker 1>you buy a ticket and you there's no tar, say

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<v Speaker 1>there was nothing. You just went, oh, okay, I'll be

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<v Speaker 1>back in two days. I went to England, did to

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<v Speaker 1>the posts, went back to there, and then I said,

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<v Speaker 1>I got to go to New York. My my manager,

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<v Speaker 1>Charlie Silverman, is getting married in New York and my

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<v Speaker 1>future wife's and I don't do planes, so I go,

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<v Speaker 1>you don't do planes. Uh, So we had to take

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<v Speaker 1>a ship. We took the America. I think we've called

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<v Speaker 1>the United States the fastest ship on the ocean, and

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<v Speaker 1>it was the worst crossing. Even the captain was sick,

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<v Speaker 1>you know, And that was she took planes ever since then.

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<v Speaker 1>So we went to New York, married, we went to

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<v Speaker 1>the wedding, and then we set off and went to Mexico.

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<v Speaker 1>And Porto Rico, and we did that show business stuff

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<v Speaker 1>and I said, you know, let's get how about we

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<v Speaker 1>get married? And she goes on, I'm not sure. I said,

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<v Speaker 1>you know, you should see me on stage, but you

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<v Speaker 1>see who I who who who I'm being some of

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<v Speaker 1>the time. You may may not like that character. So

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<v Speaker 1>we go to vis Baden and we're playing an American

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<v Speaker 1>airport base in vis Baden, and she saw the show

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<v Speaker 1>and she still wanted to get She said, okay, yeah,

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<v Speaker 1>that could be fun to be married. You you'd be fun.

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<v Speaker 1>You're a gentleman. And we got married. So how long

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<v Speaker 1>did you know her before you got married? Well, I

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<v Speaker 1>think September to November. I mean we I've I've finally

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<v Speaker 1>got to spend a night with her in September sixty

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<v Speaker 1>eight and we got married in November sixty eight. So

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<v Speaker 1>when did you that I first met her in April

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<v Speaker 1>six I think. Okay, so April to November. Yeah, it

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<v Speaker 1>was just that fast. It was. It was really love

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<v Speaker 1>at first. My pot everybody gets divorced. What's the secret

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<v Speaker 1>to staying together? My wife has a very good sense

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<v Speaker 1>of humor. You know, it's you know, it's really She

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<v Speaker 1>still likes me quite a lot. You know, I am

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<v Speaker 1>I'm amusing and I make fun of him self deprecating,

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<v Speaker 1>which is good. You know, I say, watch out, I'm

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<v Speaker 1>going to be naked and second stretch the lights often.

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<v Speaker 1>You know, she likes all that kind of stuff. She's

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<v Speaker 1>got a very good sense of humor. And she's from

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<v Speaker 1>you know, she's from a dysfunctional type of Emily and

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<v Speaker 1>I am as well. So we know that the family

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<v Speaker 1>is the most important thing. So we know that keeping

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<v Speaker 1>the family together is the most important part of the world,

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<v Speaker 1>of the whole thing that we've got. Now, one would assume,

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<v Speaker 1>being a young man on the road top of the charts,

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<v Speaker 1>that you would partake as some of the things that

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<v Speaker 1>were going on on the road. Would that be accurate

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<v Speaker 1>before I got married? Oh yeah, so twenty one is young.

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<v Speaker 1>But you just saw her and you said this is

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<v Speaker 1>the one. Yeah, you know, I think I probably, um,

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<v Speaker 1>I probably was looking for you know once somebody, I

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<v Speaker 1>think Saul McCartney said, you know, you can you can

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<v Speaker 1>have a full on life in show business. You can

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<v Speaker 1>make show business your life, but you may want to

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<v Speaker 1>take some time and have a life at the same

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<v Speaker 1>time as being in show businesses, and I was really

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<v Speaker 1>I thought, because of the nature of my childhood kind of,

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<v Speaker 1>I thought it would be really important to concentrate on life.

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<v Speaker 1>My parents, um, we're very busy when I was young,

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<v Speaker 1>so we which made me into me, you know, because

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<v Speaker 1>they were always gone. So I became very independent, and

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<v Speaker 1>I thought I would like to have some settling thing.

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<v Speaker 1>Some part of me needed to be settled. That's why

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<v Speaker 1>I live in Santa Barbara. I live on a golf course.

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<v Speaker 1>I've never played golf in my life, and I live

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<v Speaker 1>on a golf course because it's a settled place, you know,

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<v Speaker 1>it's my Okay. So you're growing up in Manchester, right

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<v Speaker 1>in Manchester, yes, suburbs of Ventures Destruction, and I've been

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<v Speaker 1>there a few times with some people. So in any event,

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<v Speaker 1>your father does work for a living. My father was

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<v Speaker 1>a trombone player who became an accountant and he was

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<v Speaker 1>in the Royal Air Force. And part of my story

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<v Speaker 1>is my father was in the Second World War and

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<v Speaker 1>my mother was sent away to some village during the

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<v Speaker 1>Second World War and they got married. I think my

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<v Speaker 1>mother got married on her sixteenth birthday and my sister

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<v Speaker 1>was born five months later, and then in the fifties,

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<v Speaker 1>all those people who had been messed up with the war,

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<v Speaker 1>I messed up, I can't think of it would but

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<v Speaker 1>transported away from their lives. They both went back to university.

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<v Speaker 1>My mother went to Cambridge and my father went to Edinburgh.

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<v Speaker 1>And this was after they were married. Yeah, yeah, yeah,

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<v Speaker 1>this was after I know I was six or seven. Okay,

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<v Speaker 1>those those places are physically apart. But you went to

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<v Speaker 1>the university of that, remember, you earned it, didn't You

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<v Speaker 1>couldn't buy your way into a university. They chose which

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<v Speaker 1>one you were good enough? Okay, so, but but they

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<v Speaker 1>were ultimately separated absolutely. Who was taking care of the

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<v Speaker 1>kids grandmothers. We lived my sister and I lived with

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<v Speaker 1>my grandmother and that was for how long three three

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<v Speaker 1>or four years. My mother got out a year earlier.

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<v Speaker 1>But so, but the marriage sustained even though they were

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<v Speaker 1>the mary sustain Yeah, they were married until they died. Yeah,

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<v Speaker 1>they were married till death to his part. It's a

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<v Speaker 1>family kind of tradition, I think maybe in my family.

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<v Speaker 1>But but m because they were separated and they lived apart,

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<v Speaker 1>that made me want to be sort of more settled somehow,

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<v Speaker 1>you know, And I know this is like a psychiatry.

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<v Speaker 1>Think here we got going up. But then I I

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<v Speaker 1>needed to be settled, and um, I found a woman

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<v Speaker 1>who liked that kind of thing, you know, from the

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<v Speaker 1>kibbutz to beats to a country and country place in

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<v Speaker 1>England to Santa Barbara. Means we've always been very connected, okay,

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<v Speaker 1>and then you didn't have a child to like, after

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<v Speaker 1>fifteen years you have been married, correct, maybe more than that.

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<v Speaker 1>My daughter's thirty one, so maybe twenty nine years after

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<v Speaker 1>we met. After we've got married. Now I don't know.

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<v Speaker 1>I can't do the maths. And so why did you

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<v Speaker 1>wait so long? We didn't. We were very happy not

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<v Speaker 1>to have children, and then I think my wife decided

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<v Speaker 1>that it would be really now we were pretty well

0:13:05.320 --> 0:13:07.959
<v Speaker 1>organized once once we moved. We lived in France for

0:13:08.000 --> 0:13:11.080
<v Speaker 1>a bit and it was a bit dysfunctional, and then

0:13:11.880 --> 0:13:14.400
<v Speaker 1>then we moved to America and we found Santa Barbara

0:13:14.400 --> 0:13:16.840
<v Speaker 1>and we go, this is probably this is probably a

0:13:16.840 --> 0:13:18.760
<v Speaker 1>good time for us. We could have children and it

0:13:18.800 --> 0:13:21.120
<v Speaker 1>would we could make it work as an airport. I

0:13:21.160 --> 0:13:23.600
<v Speaker 1>could go to work and we could do you know.

0:13:23.679 --> 0:13:25.960
<v Speaker 1>And I was going through a lot of changes in

0:13:26.120 --> 0:13:29.839
<v Speaker 1>myself so it was really good for me what you

0:13:29.880 --> 0:13:32.600
<v Speaker 1>were going through. I became ambitious. I had not been

0:13:32.600 --> 0:13:36.000
<v Speaker 1>ambitious for a long time. But you know what caused

0:13:36.040 --> 0:13:40.280
<v Speaker 1>you to be ambitious. I'd forgotten how much I enjoyed

0:13:41.559 --> 0:13:44.240
<v Speaker 1>show business, you know, and hanging out with musicians. I

0:13:45.200 --> 0:13:47.480
<v Speaker 1>spent too much time with actors and things like that.

0:13:47.480 --> 0:13:50.959
<v Speaker 1>Who are okay? So after your hey day, were you

0:13:51.040 --> 0:13:54.720
<v Speaker 1>left with anybody? Not really? But but I never did

0:13:54.800 --> 0:13:57.760
<v Speaker 1>it for money, so it never really counted. You know.

0:13:57.800 --> 0:13:59.800
<v Speaker 1>I had enough money to buy a house, you know,

0:14:00.679 --> 0:14:03.720
<v Speaker 1>And think part of part of the thing that happened

0:14:03.760 --> 0:14:06.480
<v Speaker 1>to me was my my parents were very successful in

0:14:06.520 --> 0:14:11.480
<v Speaker 1>a business, and they didn't desert us, but they gave

0:14:11.520 --> 0:14:15.520
<v Speaker 1>me a massive amount of freedom. And then they their

0:14:15.520 --> 0:14:19.440
<v Speaker 1>business failed and I ended up taking care of them,

0:14:19.520 --> 0:14:21.360
<v Speaker 1>and a lot of the money that I made I

0:14:21.600 --> 0:14:23.600
<v Speaker 1>spent on them. I bought them a house, and I

0:14:23.640 --> 0:14:26.120
<v Speaker 1>bought them a hotel, and I bought you know, if

0:14:26.120 --> 0:14:28.960
<v Speaker 1>you've got a couple of alcoholic parents, it's probably not

0:14:29.000 --> 0:14:31.240
<v Speaker 1>a good idea to buy them a pub. But I

0:14:31.280 --> 0:14:35.120
<v Speaker 1>did that, and so so that I didn't really have

0:14:35.160 --> 0:14:37.200
<v Speaker 1>a lot of money, although I had probably earned a

0:14:37.240 --> 0:14:39.960
<v Speaker 1>lot of mon money. But the question did you become

0:14:40.080 --> 0:14:43.240
<v Speaker 1>ambitious because your fine answers were low? No? No, I

0:14:43.280 --> 0:14:47.760
<v Speaker 1>was ambitious because I I thought I went to France

0:14:48.040 --> 0:14:49.560
<v Speaker 1>and I had kind of retired. I think I was

0:14:49.720 --> 0:14:52.720
<v Speaker 1>maybe twenty five, and i'd kind of retired, and I

0:14:52.760 --> 0:14:55.240
<v Speaker 1>was making enough money that I could. I didn't really

0:14:55.280 --> 0:14:57.480
<v Speaker 1>need to make a lot of money to live a

0:14:57.600 --> 0:15:01.320
<v Speaker 1>nice style. And a friend of mine he was he

0:15:01.360 --> 0:15:04.280
<v Speaker 1>was making he was the director of the midnight special

0:15:04.480 --> 0:15:06.360
<v Speaker 1>and he came to stay in our house in France.

0:15:07.320 --> 0:15:11.920
<v Speaker 1>Stan Harris's name was and I had a hit records

0:15:11.920 --> 0:15:14.360
<v Speaker 1>in France and in a big hit record, And he goes,

0:15:14.480 --> 0:15:17.280
<v Speaker 1>what are you? What are you doing here? How well

0:15:17.320 --> 0:15:19.000
<v Speaker 1>it is it? Look it's easy. I can make a

0:15:19.040 --> 0:15:20.640
<v Speaker 1>record and I can put it out and I can

0:15:20.680 --> 0:15:23.160
<v Speaker 1>make it. You know, it's a it's you've got to

0:15:23.160 --> 0:15:25.400
<v Speaker 1>come back to America, come back to America. I said,

0:15:25.440 --> 0:15:27.480
<v Speaker 1>I can't afford to come back to America, can't keep this.

0:15:27.520 --> 0:15:29.240
<v Speaker 1>And he says, well, you can stay in my house.

0:15:29.240 --> 0:15:30.880
<v Speaker 1>I have a house in Beverly Hills. You can live

0:15:30.920 --> 0:15:34.160
<v Speaker 1>in my house until you So we couldn't resist the

0:15:34.200 --> 0:15:36.360
<v Speaker 1>opportunity to come and stay in his house. In Beverly

0:15:36.440 --> 0:15:39.600
<v Speaker 1>Hills and Hanger, and within three days of staying there,

0:15:39.600 --> 0:15:41.680
<v Speaker 1>we found a little apartment on Oak Coast, you know,

0:15:41.720 --> 0:15:44.160
<v Speaker 1>in Beverly Hills. We moved into a farm. We had

0:15:44.200 --> 0:15:47.880
<v Speaker 1>no furniture. We went Robert Rentals or something and rented

0:15:47.920 --> 0:15:51.000
<v Speaker 1>all this stuff and we we seally should come here

0:15:51.040 --> 0:15:54.360
<v Speaker 1>six weeks at a time. I could only come six

0:15:54.400 --> 0:15:57.800
<v Speaker 1>weeks at a time my visa, and and every time

0:15:57.840 --> 0:15:59.120
<v Speaker 1>I got a job, I would have to get a

0:15:59.240 --> 0:16:01.960
<v Speaker 1>visa again. So we're going backwards and forwards and packtorism forwards.

0:16:01.960 --> 0:16:05.920
<v Speaker 1>And then one day we I started a band. I

0:16:05.920 --> 0:16:07.960
<v Speaker 1>started a little band called the Tremble. As I got

0:16:07.960 --> 0:16:10.560
<v Speaker 1>more and more, you know, I got i'd listened to

0:16:10.560 --> 0:16:12.320
<v Speaker 1>the radio and saying, you know I could, I bet

0:16:12.400 --> 0:16:14.560
<v Speaker 1>I could make a record. I could like it would

0:16:14.560 --> 0:16:18.080
<v Speaker 1>be like Herman's Hermits Part two, you know where where

0:16:18.080 --> 0:16:20.920
<v Speaker 1>if Herman's Hermits had stayed together, where what kind of

0:16:21.000 --> 0:16:24.360
<v Speaker 1>music would we be doing now? And I became ambitious.

0:16:24.640 --> 0:16:28.680
<v Speaker 1>And during that period of trying to put a band together,

0:16:29.080 --> 0:16:33.840
<v Speaker 1>I got a job in Pirates of Penzance, just the

0:16:33.920 --> 0:16:36.640
<v Speaker 1>touring company, and I think I was really good in it.

0:16:36.920 --> 0:16:39.320
<v Speaker 1>And so then I did the tour and then I

0:16:39.360 --> 0:16:41.760
<v Speaker 1>did a year on Broadway. Then they asked me to

0:16:41.760 --> 0:16:43.840
<v Speaker 1>do the London West End one for a year, so

0:16:43.880 --> 0:16:45.720
<v Speaker 1>I did that one. Then I went to New Zealand

0:16:45.720 --> 0:16:48.760
<v Speaker 1>and I found out like four years of full on work.

0:16:48.800 --> 0:16:51.560
<v Speaker 1>You know, I had insurance, I had Social Security payments,

0:16:51.560 --> 0:16:54.440
<v Speaker 1>and I thought, this is like a real gig my foot,

0:16:54.880 --> 0:16:57.680
<v Speaker 1>you know, because it's from from the big from Herman's

0:16:57.680 --> 0:17:00.320
<v Speaker 1>hermits when I was the sort of money per person

0:17:00.360 --> 0:17:02.840
<v Speaker 1>which was ridiculous, you know, the youngest person in the band,

0:17:02.920 --> 0:17:05.920
<v Speaker 1>because we've got four pounds ten, we've got to pay

0:17:05.960 --> 0:17:09.320
<v Speaker 1>the petrol and there's only enough for us to get

0:17:09.480 --> 0:17:13.040
<v Speaker 1>chips without fish. You know. I was not the greatest

0:17:13.080 --> 0:17:16.879
<v Speaker 1>manager of money to being somebody taking care of it.

0:17:16.960 --> 0:17:19.080
<v Speaker 1>I said, this is great. It's having a gig and

0:17:19.160 --> 0:17:22.120
<v Speaker 1>a regular gig. And I became more and more ambitious,

0:17:22.160 --> 0:17:27.040
<v Speaker 1>and people started to say the reason I got back

0:17:27.080 --> 0:17:33.800
<v Speaker 1>into being Herman again was there was a club in Kitchen,

0:17:33.960 --> 0:17:39.000
<v Speaker 1>Ontario called Lulu's and they would call me and they say,

0:17:39.200 --> 0:17:41.639
<v Speaker 1>we want you to come and play LULUs And I said,

0:17:41.840 --> 0:17:44.520
<v Speaker 1>first of all, I don't know who you think I am,

0:17:45.560 --> 0:17:50.600
<v Speaker 1>but I'm not playing in a club called Lulu's, it

0:17:50.760 --> 0:17:54.160
<v Speaker 1>sounded like. And he goes, well, you'd be very surprised

0:17:54.160 --> 0:17:55.480
<v Speaker 1>if you come up here. We'll pay you just to

0:17:55.520 --> 0:17:57.040
<v Speaker 1>come up and have a look at it. And I go, no,

0:17:57.200 --> 0:17:59.800
<v Speaker 1>I'm not interested. Just I can't see the words p

0:18:00.160 --> 0:18:03.760
<v Speaker 1>noon and luluse in the same sentence. How about performing

0:18:03.880 --> 0:18:07.840
<v Speaker 1>Arts center? You know that sort of nonsense. And eventually

0:18:07.880 --> 0:18:09.800
<v Speaker 1>they said they call me and they said, look, we

0:18:09.920 --> 0:18:12.040
<v Speaker 1>put a band together. They've learned all your songs. All

0:18:12.080 --> 0:18:13.520
<v Speaker 1>you have to do is come up and show up

0:18:14.080 --> 0:18:17.960
<v Speaker 1>sing your songs and we'll pay you X dollars. And

0:18:18.000 --> 0:18:21.119
<v Speaker 1>I will, Oh, that's more money than I've made in

0:18:21.160 --> 0:18:23.840
<v Speaker 1>the last forty years or a long time since I've

0:18:23.840 --> 0:18:25.840
<v Speaker 1>made this kind of money. So I go up there

0:18:25.960 --> 0:18:28.000
<v Speaker 1>and I do a rehearsal with the band, and they're

0:18:28.040 --> 0:18:33.639
<v Speaker 1>really nice guys. They're called on the air, and this

0:18:34.600 --> 0:18:38.679
<v Speaker 1>kind of all strange luck things happened to me. I'm

0:18:38.720 --> 0:18:41.720
<v Speaker 1>in the guitar soul of I'm into something good. I speak,

0:18:41.840 --> 0:18:43.960
<v Speaker 1>we begin I always opened, I'm into something good. It's

0:18:44.000 --> 0:18:46.600
<v Speaker 1>just like a traditional thing with me. And in the

0:18:46.640 --> 0:18:49.920
<v Speaker 1>guitar solo, I'm into something good. I get this thing

0:18:50.160 --> 0:18:55.240
<v Speaker 1>like you are not Frederick, You're not even Peter Noon,

0:18:56.280 --> 0:19:01.040
<v Speaker 1>You're this guy who sings I'm into something good. And

0:19:01.080 --> 0:19:03.919
<v Speaker 1>it was such it was it overwhelmed me. It was

0:19:03.960 --> 0:19:09.040
<v Speaker 1>like a I found out who I am in Lulu's

0:19:09.119 --> 0:19:12.240
<v Speaker 1>and kitchen. Okay, two questions, what a what year was this?

0:19:12.520 --> 0:19:15.760
<v Speaker 1>No idea? And second, what was Lulu's like it was?

0:19:15.880 --> 0:19:21.399
<v Speaker 1>It was a five thousand standing room only X came

0:19:21.440 --> 0:19:25.400
<v Speaker 1>on that had become a nightclub and it was massive.

0:19:25.880 --> 0:19:29.000
<v Speaker 1>And of course I went back three weeks later and

0:19:29.080 --> 0:19:32.040
<v Speaker 1>five weeks later inten it became a tradition. I was

0:19:32.280 --> 0:19:33.760
<v Speaker 1>one of the guys who played it, you know. It

0:19:33.840 --> 0:19:37.200
<v Speaker 1>was Del Shannon and and it was all the big

0:19:37.200 --> 0:19:41.080
<v Speaker 1>oldies but goodies actually played up there. And I was

0:19:41.160 --> 0:19:44.600
<v Speaker 1>home and I got this. I love this. I just

0:19:44.760 --> 0:19:49.159
<v Speaker 1>loved and I really loved all my songs. I have

0:19:49.200 --> 0:19:51.480
<v Speaker 1>a bit of a story and that I'm in my

0:19:51.640 --> 0:19:55.080
<v Speaker 1>car in Santa Barbara at this time while I'm playing,

0:19:55.080 --> 0:19:58.040
<v Speaker 1>while I'm practicing for Lulu's, and i have the window

0:19:58.080 --> 0:20:02.920
<v Speaker 1>of my car open and I'm singing along to Herman's herm,

0:20:02.960 --> 0:20:06.760
<v Speaker 1>It's Mrs Brown, You've got a lovely daughter. People are

0:20:06.760 --> 0:20:11.000
<v Speaker 1>walking past, and I got, oh, my god, you're doing

0:20:11.000 --> 0:20:15.520
<v Speaker 1>an impersonation of yourself and people can't see you and

0:20:15.560 --> 0:20:17.919
<v Speaker 1>hear it, because you know, you didn't think of it.

0:20:17.960 --> 0:20:21.240
<v Speaker 1>You know, you know your own song on the radio.

0:20:22.440 --> 0:20:26.080
<v Speaker 1>So I don't know the year, but probably eighty four

0:20:26.160 --> 0:20:28.720
<v Speaker 1>somewhere in there. Okay, let's go back to me and Chester.

0:20:28.840 --> 0:20:31.840
<v Speaker 1>So what was the business your parents ultimately started. My

0:20:31.880 --> 0:20:36.080
<v Speaker 1>mother was the CFO of a company called it's called

0:20:36.080 --> 0:20:38.879
<v Speaker 1>Austin Walter's and it was they made neon signs and

0:20:38.920 --> 0:20:42.520
<v Speaker 1>it was hugely successful. And my father had some history

0:20:42.520 --> 0:20:44.320
<v Speaker 1>in Germany. He used to fly over there a lot

0:20:44.359 --> 0:20:48.199
<v Speaker 1>at night, never spend the evening there, and so he

0:20:48.200 --> 0:20:49.879
<v Speaker 1>could speak a bit of German. He'd been on a

0:20:50.040 --> 0:20:53.040
<v Speaker 1>base there. And they decided to go in into another business,

0:20:53.080 --> 0:20:56.680
<v Speaker 1>which was making sinks. They were in the neon business,

0:20:57.200 --> 0:21:00.320
<v Speaker 1>fluorescent lighting business, and they decided that are going to

0:21:00.840 --> 0:21:05.679
<v Speaker 1>use the same factory to make plastic sinks. And that failed,

0:21:05.720 --> 0:21:07.879
<v Speaker 1>and that was a big, big failure and they lost.

0:21:08.440 --> 0:21:11.240
<v Speaker 1>I remember they had a beautiful house in Manchester opposite

0:21:11.240 --> 0:21:15.280
<v Speaker 1>a golf course and they couldn't pay the electricity bill.

0:21:15.280 --> 0:21:18.719
<v Speaker 1>I mean, it went down big time. They financially. So

0:21:18.760 --> 0:21:21.720
<v Speaker 1>now you're growing up and now, of course in England

0:21:22.119 --> 0:21:26.080
<v Speaker 1>they call private schools public schools. What kind of school

0:21:26.080 --> 0:21:28.800
<v Speaker 1>did you go to? I started off in a local

0:21:28.880 --> 0:21:31.879
<v Speaker 1>primary school. Then I went to English Martyrs, which was

0:21:32.800 --> 0:21:37.080
<v Speaker 1>a Catholic, full on Catholic school, because my grandparents thought

0:21:37.119 --> 0:21:39.560
<v Speaker 1>that I'd do better if I went to a Catholic school.

0:21:40.080 --> 0:21:43.760
<v Speaker 1>And from there there's there's a thing called the eleven

0:21:43.800 --> 0:21:47.000
<v Speaker 1>plus and if you pass that, you get to choose

0:21:47.160 --> 0:21:49.440
<v Speaker 1>which grammar school you go to. And I thought I

0:21:49.480 --> 0:21:52.080
<v Speaker 1>wanted to go to Manchester Grammar School because that was

0:21:52.119 --> 0:21:54.720
<v Speaker 1>a good school. But I failed the test to get there,

0:21:54.760 --> 0:21:59.320
<v Speaker 1>I think the actual personality test I failed, not the

0:21:59.320 --> 0:22:02.840
<v Speaker 1>written test, and I ended up at my father's old school,

0:22:02.840 --> 0:22:04.960
<v Speaker 1>which is St Bede's College, which was a full on

0:22:06.160 --> 0:22:09.480
<v Speaker 1>you know, priests teaching young boys how to become men.

0:22:10.320 --> 0:22:13.439
<v Speaker 1>And I did pretty good. Then I was pretty I

0:22:13.440 --> 0:22:17.080
<v Speaker 1>was one of the smartest kids there. Then I got

0:22:17.240 --> 0:22:19.600
<v Speaker 1>into some fights and stuff like that, and my father

0:22:20.520 --> 0:22:23.919
<v Speaker 1>sent me to Stratford Grammar School. And I arrived at

0:22:23.920 --> 0:22:29.879
<v Speaker 1>Stratford Grammar School and all the work that I've been

0:22:29.920 --> 0:22:33.720
<v Speaker 1>doing at the St Bede's hadn't been done yet. I

0:22:33.800 --> 0:22:36.199
<v Speaker 1>was at least two years ahead of everybody in the class.

0:22:37.160 --> 0:22:43.359
<v Speaker 1>So I spent all my time dreaming about music, mostly music.

0:22:43.600 --> 0:22:46.480
<v Speaker 1>Didn't have any dreams about being an actor or anything

0:22:46.520 --> 0:22:50.560
<v Speaker 1>except music. I I wanted to meet Del Shannon, and

0:22:50.600 --> 0:22:53.760
<v Speaker 1>I wanted to you know, I never had any idea

0:22:53.840 --> 0:22:57.520
<v Speaker 1>of becoming a singer or I just how do I

0:22:57.640 --> 0:23:04.840
<v Speaker 1>meet these people that's so interesting? And I'm one night

0:23:04.880 --> 0:23:07.400
<v Speaker 1>I go to I'm very interested in music, and my

0:23:07.480 --> 0:23:11.280
<v Speaker 1>mom my mother gets me a job as a disc jockey,

0:23:11.800 --> 0:23:14.640
<v Speaker 1>and a disc jockey with a turntable. Let's say, all

0:23:14.680 --> 0:23:16.439
<v Speaker 1>they've got at the club that I work at is

0:23:16.440 --> 0:23:19.280
<v Speaker 1>a turntable, and you have to bring the records and

0:23:19.320 --> 0:23:22.399
<v Speaker 1>you become the disc jockey based on the kind of

0:23:22.480 --> 0:23:26.879
<v Speaker 1>music you play. So I'm playing only American music, and

0:23:26.920 --> 0:23:30.359
<v Speaker 1>I'm but there's a lot of space between the songs

0:23:30.400 --> 0:23:32.320
<v Speaker 1>and everything. But they're pay them in money, and I'm going,

0:23:32.680 --> 0:23:36.280
<v Speaker 1>you know, I'm playing Dion and I'm playing all American

0:23:36.320 --> 0:23:40.000
<v Speaker 1>records and somebody holing the crickets and one one that

0:23:40.080 --> 0:23:42.720
<v Speaker 1>was always requested was at the hop by Daniel and

0:23:42.760 --> 0:23:47.679
<v Speaker 1>the Juniors. And I'm a disc jockey, and I have

0:23:47.800 --> 0:23:50.520
<v Speaker 1>lots and lots have a massive music collection because my

0:23:50.560 --> 0:23:54.440
<v Speaker 1>parents are rich and and I'm able to buy lots

0:23:54.480 --> 0:23:58.119
<v Speaker 1>of records, and I have nine jobs as well as

0:23:58.160 --> 0:24:02.240
<v Speaker 1>my parents be enriched enriched. I sell programs at Old Trafford,

0:24:02.280 --> 0:24:06.080
<v Speaker 1>which is Manchester United football grams. I sell the newspapers afterwards,

0:24:06.160 --> 0:24:10.080
<v Speaker 1>and and I one night i'm walking, I go to

0:24:10.160 --> 0:24:12.880
<v Speaker 1>a club too, because I had a lot of girls

0:24:12.960 --> 0:24:15.120
<v Speaker 1>go to this club. Some girls that I know say

0:24:15.160 --> 0:24:17.240
<v Speaker 1>they go to this club and I go there and

0:24:18.480 --> 0:24:21.680
<v Speaker 1>this man walks up to me and he goes, you're

0:24:21.760 --> 0:24:27.840
<v Speaker 1>Peter done. Yeah, And he said, look, our singer Malcolm

0:24:27.960 --> 0:24:32.840
<v Speaker 1>Lightfoot hasn't shown up tonight and we need a singer.

0:24:33.600 --> 0:24:35.560
<v Speaker 1>You probably know someone about the songs that we do.

0:24:35.640 --> 0:24:37.120
<v Speaker 1>So I said, well what do you do? And he goes, well,

0:24:37.119 --> 0:24:39.520
<v Speaker 1>we do the heartbeat by Body Holy them and then

0:24:39.760 --> 0:24:41.919
<v Speaker 1>a lot of body Holly material because they called the

0:24:41.920 --> 0:24:45.400
<v Speaker 1>heartbeats so they're they're like a body Holly. And then

0:24:46.160 --> 0:24:48.280
<v Speaker 1>and they say we do this and they said they say,

0:24:48.400 --> 0:24:51.040
<v Speaker 1>I know that I'll never dance again. Bobby Ryddell, I

0:24:51.119 --> 0:24:53.400
<v Speaker 1>know that one. I know that one that said so

0:24:53.720 --> 0:24:55.800
<v Speaker 1>I know all the songs and I get up on

0:24:55.920 --> 0:24:59.679
<v Speaker 1>stage and what were you known as a singer? Okay,

0:25:00.240 --> 0:25:03.120
<v Speaker 1>not not at all. I'm just known as a person

0:25:03.119 --> 0:25:07.960
<v Speaker 1>who knows a lot about music from girls, you know, uh,

0:25:08.359 --> 0:25:11.080
<v Speaker 1>he knows everything about music. That's what That's what that

0:25:11.160 --> 0:25:14.320
<v Speaker 1>was the word that was about. And and I did.

0:25:14.359 --> 0:25:16.600
<v Speaker 1>I knew a lot more than anybody else about music.

0:25:17.440 --> 0:25:21.960
<v Speaker 1>And they say after that, I do a really good job.

0:25:22.080 --> 0:25:24.520
<v Speaker 1>By the way, I'm actually pretty good at that. I

0:25:24.520 --> 0:25:27.399
<v Speaker 1>don't do any movements or anything like that. Malcolm Lightfoot

0:25:27.400 --> 0:25:29.600
<v Speaker 1>maybe did some twisting or side and none of that.

0:25:29.960 --> 0:25:31.400
<v Speaker 1>And this at the end of the show, they said,

0:25:31.400 --> 0:25:32.879
<v Speaker 1>you know you would you like to join the band?

0:25:32.880 --> 0:25:35.800
<v Speaker 1>And I go, yeah, okay, well what does that mean?

0:25:36.320 --> 0:25:38.119
<v Speaker 1>And said, well, we've got a gig next week at

0:25:38.160 --> 0:25:41.120
<v Speaker 1>the Ermston Football Club and we're getting paid four pounds

0:25:41.119 --> 0:25:44.040
<v Speaker 1>and we split it five ways. And I go, well,

0:25:44.040 --> 0:25:46.920
<v Speaker 1>that's great. That's just about what I'm making selling programs

0:25:46.920 --> 0:25:48.879
<v Speaker 1>on the same night, so I can have two or

0:25:48.920 --> 0:25:51.560
<v Speaker 1>three gigs that that. It's all about money at that point,

0:25:52.359 --> 0:25:55.800
<v Speaker 1>and of course I get in the band and immediately

0:25:55.800 --> 0:25:59.159
<v Speaker 1>my instinct is to take it over. Let's start for

0:25:59.200 --> 0:26:02.439
<v Speaker 1>one second, you said earlier that your mother or father,

0:26:02.640 --> 0:26:04.960
<v Speaker 1>your father was a trombone player, and he wanted you

0:26:05.040 --> 0:26:08.199
<v Speaker 1>to have a music education, so you did study music

0:26:08.280 --> 0:26:10.360
<v Speaker 1>when you were a kid. Yeah. I went to Manchester

0:26:10.400 --> 0:26:14.320
<v Speaker 1>School of Music and most of it was just theory,

0:26:14.440 --> 0:26:18.439
<v Speaker 1>you know, and I just waffled through it. That was

0:26:18.880 --> 0:26:20.920
<v Speaker 1>what would happen? Would I be? I'd be in a

0:26:20.760 --> 0:26:26.000
<v Speaker 1>in a in a in a classroom with people doing

0:26:26.359 --> 0:26:31.960
<v Speaker 1>respigee and Old Delmo, Dolcedor and that kind of stuff.

0:26:32.040 --> 0:26:34.600
<v Speaker 1>That was kind of singing lessons. And I could see

0:26:34.640 --> 0:26:37.600
<v Speaker 1>in the other room there were some other boys who

0:26:37.600 --> 0:26:41.040
<v Speaker 1>had a guitar and then and I went into there

0:26:41.040 --> 0:26:43.119
<v Speaker 1>one day and I said, White, what is what is it?

0:26:43.160 --> 0:26:45.800
<v Speaker 1>Which class is this? He said, well, we've we've we've

0:26:45.840 --> 0:26:49.520
<v Speaker 1>got a skiffle group. I go, oh what and they say, look,

0:26:49.560 --> 0:26:51.680
<v Speaker 1>it's dead easy. I remember the guy saying, look, it's

0:26:51.680 --> 0:26:57.320
<v Speaker 1>dead easy. If you could play a crank and you can,

0:26:57.400 --> 0:26:59.560
<v Speaker 1>then you can play d and you could play every

0:26:59.640 --> 0:27:04.400
<v Speaker 1>song that you know. It's like, wow, how great is that?

0:27:04.400 --> 0:27:06.480
<v Speaker 1>That's more the music that I'd like to be in,

0:27:06.600 --> 0:27:09.800
<v Speaker 1>the simple beautiful, you know. And they were doing Chuck

0:27:09.880 --> 0:27:13.040
<v Speaker 1>Berry kind of songs. They were doing nice, simple, beautiful songs,

0:27:13.920 --> 0:27:15.960
<v Speaker 1>and I go, that's it. So I became more and

0:27:16.040 --> 0:27:20.880
<v Speaker 1>more fantasy of being I became fond of that kind

0:27:20.920 --> 0:27:23.160
<v Speaker 1>of music as opposed to the music that my father

0:27:23.200 --> 0:27:26.159
<v Speaker 1>wanted me to do, which would be theory and classical.

0:27:26.359 --> 0:27:28.320
<v Speaker 1>And you know, he wanted me to play. He was

0:27:28.359 --> 0:27:31.000
<v Speaker 1>a trombone player who wanted me to play the French

0:27:31.000 --> 0:27:34.679
<v Speaker 1>horn or the corin play. That was his idea, and

0:27:36.720 --> 0:27:39.879
<v Speaker 1>he never I never hate. Okay, let me ask you this, Okay,

0:27:40.480 --> 0:27:42.639
<v Speaker 1>if your parents were well to do, why were you

0:27:42.720 --> 0:27:45.720
<v Speaker 1>so entrepreneurial, I think you had to be. I think

0:27:45.760 --> 0:27:49.160
<v Speaker 1>a lot of people in my period there were entrepreneurial

0:27:49.800 --> 0:27:52.760
<v Speaker 1>called hustling in America. You know, I like the word

0:27:52.840 --> 0:27:55.440
<v Speaker 1>entrepreneur better, but I think my my father would have said,

0:27:55.440 --> 0:27:59.399
<v Speaker 1>you just a hustler. You know, I would find, you know,

0:27:59.560 --> 0:28:02.399
<v Speaker 1>the the job selling programs that old Trafford was. We

0:28:02.440 --> 0:28:06.480
<v Speaker 1>would go and we'd sell programs before the game and

0:28:06.600 --> 0:28:09.720
<v Speaker 1>at the end of the game when people came out,

0:28:09.800 --> 0:28:12.719
<v Speaker 1>there was a newspaper which had the halftime results, and

0:28:12.760 --> 0:28:15.720
<v Speaker 1>we would we had a van. We bought a van

0:28:15.800 --> 0:28:17.679
<v Speaker 1>so that we could do this. And we were only fifteen.

0:28:17.720 --> 0:28:20.200
<v Speaker 1>We couldn't drive it, so we needed to employ people

0:28:20.240 --> 0:28:21.760
<v Speaker 1>to get us around so we could. So it was

0:28:21.840 --> 0:28:24.479
<v Speaker 1>just everybody was in on it. All my friends at

0:28:24.480 --> 0:28:28.760
<v Speaker 1>school were doing things. And when once I was in

0:28:28.760 --> 0:28:31.360
<v Speaker 1>a band, everybody in that first band, the Heartbeats, had

0:28:31.520 --> 0:28:33.840
<v Speaker 1>daytime jobs. It was I was the only one who

0:28:33.880 --> 0:28:37.000
<v Speaker 1>was at school and there's no income from school, and

0:28:37.080 --> 0:28:39.840
<v Speaker 1>everybody had to be you know, one was a bricklayer

0:28:40.200 --> 0:28:43.600
<v Speaker 1>and one was I went on jobs with Alan Wrigley,

0:28:43.640 --> 0:28:45.520
<v Speaker 1>the guy who got me in the band. He was

0:28:45.840 --> 0:28:47.920
<v Speaker 1>We were window cleaners. All you needed to be a

0:28:47.920 --> 0:28:50.240
<v Speaker 1>window cleaner was a ladder in a bucket and a

0:28:50.360 --> 0:28:54.280
<v Speaker 1>chamois and that was it. We were making money and

0:28:54.360 --> 0:28:57.600
<v Speaker 1>my parents would have paid me not to do the job.

0:28:57.680 --> 0:28:59.760
<v Speaker 1>But it's just they were gone all the time. They

0:28:59.760 --> 0:29:08.680
<v Speaker 1>were busy. And then how does it end with you

0:29:08.800 --> 0:29:15.360
<v Speaker 1>in school? M h. I stopped going when I was fifted.

0:29:15.400 --> 0:29:17.520
<v Speaker 1>As soon as I got into the music business, which

0:29:17.520 --> 0:29:19.880
<v Speaker 1>I call the music business. My full time job became

0:29:20.720 --> 0:29:24.760
<v Speaker 1>Pete Novak and the Heartbeats. Nothing else in the world

0:29:25.240 --> 0:29:28.720
<v Speaker 1>meant anything to me. Nothing else that was that we're

0:29:28.760 --> 0:29:32.840
<v Speaker 1>going to get on the radio. And we drove around

0:29:32.840 --> 0:29:35.480
<v Speaker 1>in a van and we did hundreds. I mean I've

0:29:35.840 --> 0:29:37.600
<v Speaker 1>sometimes look at the dates that we used to go

0:29:37.720 --> 0:29:41.120
<v Speaker 1>and people kept records of it. We worked four nights

0:29:41.200 --> 0:29:44.080
<v Speaker 1>a week. Every week. We do the lunchtime at the

0:29:44.120 --> 0:29:47.440
<v Speaker 1>cavern and we do the evening in Blackburn. And we

0:29:47.840 --> 0:29:50.680
<v Speaker 1>were really hustling for work. We would work anywhere that

0:29:50.720 --> 0:29:56.040
<v Speaker 1>there would have us. And it turned it every day.

0:29:56.080 --> 0:29:59.280
<v Speaker 1>It got better being in the music. Okay, it was

0:29:59.320 --> 0:30:02.200
<v Speaker 1>their cartress decision to leave school or just stopped going.

0:30:02.360 --> 0:30:06.440
<v Speaker 1>And you know, I was very busy at making making

0:30:06.600 --> 0:30:11.720
<v Speaker 1>this band happen, and school I tried to leave school naturally.

0:30:11.760 --> 0:30:15.160
<v Speaker 1>I went to the headmaster and I said, I've got

0:30:15.160 --> 0:30:17.680
<v Speaker 1>a job. I remember, I've got a job at Carrington's,

0:30:17.720 --> 0:30:21.400
<v Speaker 1>which was a as an article clerk. That was the

0:30:21.480 --> 0:30:23.000
<v Speaker 1>job that I could get. I knew I could get

0:30:23.040 --> 0:30:24.280
<v Speaker 1>the job, so I went and got the job. And

0:30:24.280 --> 0:30:26.160
<v Speaker 1>I went to the school and said I've got a job.

0:30:26.320 --> 0:30:28.880
<v Speaker 1>I want to leave school. And said, you can't leave school.

0:30:28.880 --> 0:30:31.000
<v Speaker 1>The law says you can't leave school till you're sixteen.

0:30:31.960 --> 0:30:35.600
<v Speaker 1>So I went, oh, and I just stopped going. I'd

0:30:35.600 --> 0:30:38.960
<v Speaker 1>sometimes show up, but every day I'd go out with

0:30:39.000 --> 0:30:43.640
<v Speaker 1>Alan Wrigley cleaning windows and selling newspapers. And Alan Chadwick

0:30:43.720 --> 0:30:46.600
<v Speaker 1>had this job as a bricklayer, you know, carrying bricks around,

0:30:47.640 --> 0:30:49.640
<v Speaker 1>and I just stopped going to school. You know, I

0:30:49.680 --> 0:30:52.800
<v Speaker 1>knew everything that they were doing. Anyway, I was, you know,

0:30:53.080 --> 0:30:56.560
<v Speaker 1>once there was there was a blackboard that turned around,

0:30:56.760 --> 0:30:59.040
<v Speaker 1>and there was a there was a teacher call Goldwater,

0:30:59.240 --> 0:31:03.760
<v Speaker 1>Mr Goldwater her and he was a really nice guy.

0:31:04.280 --> 0:31:05.960
<v Speaker 1>And I feel bad when I tell the story, but

0:31:06.320 --> 0:31:09.360
<v Speaker 1>I had written on the back of the the blackboard

0:31:09.920 --> 0:31:13.360
<v Speaker 1>that he turned around, a U H two is a wanker.

0:31:15.080 --> 0:31:17.920
<v Speaker 1>And we waited for the whole of the lesson. He

0:31:18.040 --> 0:31:21.640
<v Speaker 1>kept kept rubbing it out because everybody knew that it

0:31:21.680 --> 0:31:25.800
<v Speaker 1>was going to happen. And eventually, like in a movie,

0:31:25.840 --> 0:31:28.640
<v Speaker 1>he turned it around and he turned around to the classroom.

0:31:28.680 --> 0:31:31.840
<v Speaker 1>He said, noon, come and see me after the after

0:31:31.920 --> 0:31:37.520
<v Speaker 1>the class, and everyone was like, he must recognize the

0:31:37.680 --> 0:31:42.480
<v Speaker 1>handwriting or something, right, How did you know it was me?

0:31:43.080 --> 0:31:44.560
<v Speaker 1>Why do you think it was me? I think so?

0:31:44.880 --> 0:31:46.920
<v Speaker 1>Why do you think it was me? He said, You're

0:31:46.960 --> 0:31:51.480
<v Speaker 1>the only one who has done chemistry. You didn't do

0:31:51.560 --> 0:31:54.480
<v Speaker 1>it at this school. You know, they hadn't got up.

0:31:55.480 --> 0:31:57.280
<v Speaker 1>I had no idea that nobody else in the class

0:31:57.320 --> 0:31:59.880
<v Speaker 1>had done chemistry, so it was obvious. So I was

0:31:59.920 --> 0:32:01.920
<v Speaker 1>a little bit smarter than everybody else. But I was

0:32:01.960 --> 0:32:07.440
<v Speaker 1>also lazy, you know, because I would just make it work.

0:32:07.440 --> 0:32:09.880
<v Speaker 1>I'd do my homework on the boss. So what did

0:32:09.880 --> 0:32:12.640
<v Speaker 1>your parents say about this? They were really busy. My

0:32:12.680 --> 0:32:15.560
<v Speaker 1>parents said it was it was kind of significant that

0:32:15.760 --> 0:32:18.360
<v Speaker 1>many working class people on the up and up in

0:32:18.400 --> 0:32:21.760
<v Speaker 1>England were really busy. But lots of my friends lived

0:32:21.800 --> 0:32:24.440
<v Speaker 1>with their grandparents and ate with that. You know. I

0:32:24.480 --> 0:32:27.120
<v Speaker 1>would go home from school and eat my grandmother's not

0:32:28.080 --> 0:32:30.640
<v Speaker 1>and it was great living at my grandmother's because they

0:32:30.640 --> 0:32:33.160
<v Speaker 1>were old and they were deaf. I mean they were

0:32:33.160 --> 0:32:36.160
<v Speaker 1>probably in their fifties, but they were old and they

0:32:36.160 --> 0:32:38.760
<v Speaker 1>were deaf, and they went to sleep at nine o'clock,

0:32:38.800 --> 0:32:40.680
<v Speaker 1>so you could make as much noise as you want.

0:32:40.680 --> 0:32:43.400
<v Speaker 1>You could have girls sleep downstairs and they would never know.

0:32:44.480 --> 0:32:46.840
<v Speaker 1>I mean, it was just the perfect So your older

0:32:46.880 --> 0:32:49.520
<v Speaker 1>sister and it was just the two of your Then

0:32:49.600 --> 0:32:53.040
<v Speaker 1>what path did she follow? She got married when she

0:32:53.080 --> 0:32:54.960
<v Speaker 1>was very young to a really nice guy and moved

0:32:54.960 --> 0:32:57.560
<v Speaker 1>to Liverpool. They lived in Liverpool, and eventually my parents

0:32:57.560 --> 0:33:01.239
<v Speaker 1>moved to the near them in Liverpool's part of my

0:33:01.240 --> 0:33:04.600
<v Speaker 1>mystery thing is people in Liverpool think I'm from Liverpool

0:33:04.640 --> 0:33:06.760
<v Speaker 1>because my parents lived there, but people in Manchester, no,

0:33:06.880 --> 0:33:09.880
<v Speaker 1>I'm from Manchester, but say I'm from Liverpool. So it's

0:33:09.920 --> 0:33:13.240
<v Speaker 1>just my accent is somewhere in between the two places.

0:33:13.280 --> 0:33:17.280
<v Speaker 1>Maybe St Helen's okay, So you're out on the road.

0:33:17.400 --> 0:33:21.840
<v Speaker 1>Is Pete Novak with with the band? At what point

0:33:21.880 --> 0:33:24.200
<v Speaker 1>do the Beatles? Of course the Beatles were successful in

0:33:24.800 --> 0:33:28.480
<v Speaker 1>UK law before they were successful in America. Well, well

0:33:28.480 --> 0:33:31.560
<v Speaker 1>there were, they were underground successful for a long time.

0:33:31.640 --> 0:33:34.920
<v Speaker 1>There were this band that I remember being with. My

0:33:35.000 --> 0:33:37.719
<v Speaker 1>friends would say, you know, Shane Fenton and the Fentons,

0:33:37.840 --> 0:33:40.960
<v Speaker 1>just like a happening band. But you know there's that

0:33:41.120 --> 0:33:47.760
<v Speaker 1>Beatles thing going on. That's that's different. And what happened

0:33:47.840 --> 0:33:51.640
<v Speaker 1>was that without me and Alan Wrigley, this bass player

0:33:51.680 --> 0:33:57.480
<v Speaker 1>from the Heartbeats, we we here, we're rehearsing and we

0:33:57.600 --> 0:34:00.840
<v Speaker 1>hear another band. You know, every kid in Reefed House

0:34:01.240 --> 0:34:03.200
<v Speaker 1>had a guitar, you know that, every kid, And if

0:34:03.200 --> 0:34:05.440
<v Speaker 1>they didn't have a guitar, they were playing music as

0:34:05.480 --> 0:34:08.040
<v Speaker 1>loud as they possibly could on whatever piece of equipment

0:34:08.040 --> 0:34:10.920
<v Speaker 1>they had. But we could hear this live guitar somewhere

0:34:11.360 --> 0:34:17.600
<v Speaker 1>and it was August, and we actually walk across the field.

0:34:17.960 --> 0:34:20.680
<v Speaker 1>It's called Abbotsford Park now, but it was then it

0:34:20.760 --> 0:34:23.880
<v Speaker 1>was a field and we climb overheage and in another

0:34:24.000 --> 0:34:29.680
<v Speaker 1>field and on stage the Beatles going one two one

0:34:30.200 --> 0:34:34.600
<v Speaker 1>two tests, you know, so we stick around, we go

0:34:34.840 --> 0:34:38.040
<v Speaker 1>that's the Beatles. Look, oh look, the drama's got a

0:34:38.160 --> 0:34:41.120
<v Speaker 1>riser like he thinks he's someone really posh, you know.

0:34:41.160 --> 0:34:44.200
<v Speaker 1>We you know, our bands do put in the and

0:34:44.200 --> 0:34:47.480
<v Speaker 1>and the opening act is Brian Poole and the Tremelows,

0:34:47.840 --> 0:34:53.480
<v Speaker 1>who were sensational. They're absolutely sensational. You did. Nobody can

0:34:53.520 --> 0:34:58.640
<v Speaker 1>follow them. The Beatles come on and Alan Wrigley after

0:34:58.920 --> 0:35:05.000
<v Speaker 1>during the first songs as to me, we're fucked. That's it.

0:35:05.600 --> 0:35:07.920
<v Speaker 1>That was the end of it. That's it. He realized

0:35:07.960 --> 0:35:10.759
<v Speaker 1>that he was net Any aspiration he ever had to

0:35:10.800 --> 0:35:13.879
<v Speaker 1>be in the music business was just you know, he'd

0:35:13.960 --> 0:35:17.800
<v Speaker 1>seen what the future was right there and it wasn't

0:35:17.800 --> 0:35:22.120
<v Speaker 1>a little van driving around playing shadows and Buddy Holly songs.

0:35:23.480 --> 0:35:26.759
<v Speaker 1>I was inspired. It was totally inspiration to be. I

0:35:26.760 --> 0:35:29.839
<v Speaker 1>said that I don't want to challenge them I think

0:35:29.920 --> 0:35:32.360
<v Speaker 1>I could have a version. You know, they're going to

0:35:32.480 --> 0:35:35.000
<v Speaker 1>want to peep. Know, nobody's going to want to be

0:35:35.080 --> 0:35:37.640
<v Speaker 1>like the Beatles, but we could be like something completely

0:35:37.719 --> 0:35:40.560
<v Speaker 1>different than them, you know, as you know, every band

0:35:40.600 --> 0:35:42.640
<v Speaker 1>had to be different in those days just to get

0:35:42.680 --> 0:35:45.200
<v Speaker 1>a job. If you just showed up and did Beatles

0:35:45.239 --> 0:35:47.319
<v Speaker 1>the same songs as the Beatles, they'd say, well, we'll

0:35:47.320 --> 0:35:50.920
<v Speaker 1>have the Beatles instead of you. So we we grew

0:35:50.960 --> 0:35:53.359
<v Speaker 1>from there. We we we started to do less of

0:35:53.440 --> 0:35:56.799
<v Speaker 1>the It made us. It inspired us to get other

0:35:56.920 --> 0:36:00.879
<v Speaker 1>songs from outside, so we do my Boy Lollipop, Mrs Brown,

0:36:00.920 --> 0:36:03.680
<v Speaker 1>You've got a lovely daughter. We started to add different

0:36:03.800 --> 0:36:05.839
<v Speaker 1>kind of material to the show so that people would

0:36:05.880 --> 0:36:10.799
<v Speaker 1>think it was more more entertaining because one one thing

0:36:10.840 --> 0:36:14.560
<v Speaker 1>that I remember vividly about the Beatles on stage at

0:36:14.560 --> 0:36:18.920
<v Speaker 1>that show is August the six nine was they loved

0:36:18.960 --> 0:36:22.719
<v Speaker 1>each other. You could see they just loved being in

0:36:22.760 --> 0:36:26.680
<v Speaker 1>this thing, and they kept looking at each other and smiling,

0:36:26.719 --> 0:36:29.480
<v Speaker 1>and they were inside jokes and it was so inspirational

0:36:29.520 --> 0:36:32.560
<v Speaker 1>to me. Sat can you imagine these guys have got

0:36:32.600 --> 0:36:35.200
<v Speaker 1>everything going from this before they were really writers. I

0:36:35.239 --> 0:36:38.680
<v Speaker 1>think they weren't really songwriters. They were just this group

0:36:38.800 --> 0:36:41.640
<v Speaker 1>of guys who really loved each other's energy and played

0:36:41.640 --> 0:36:44.200
<v Speaker 1>off each other, and I got and that's probably what

0:36:44.320 --> 0:36:46.520
<v Speaker 1>my dad had had in his Big Bend, you know

0:36:46.640 --> 0:36:51.760
<v Speaker 1>that there was this sort of union and camaraderie amongst

0:36:51.760 --> 0:36:55.160
<v Speaker 1>all the players, so that that was inspirational to me.

0:36:55.239 --> 0:36:59.000
<v Speaker 1>And and luckily a couple of the people who ended

0:36:59.080 --> 0:37:02.799
<v Speaker 1>up in Herman's Hermit much later had also seen that

0:37:02.840 --> 0:37:06.479
<v Speaker 1>show and almost been inspired to like work a little

0:37:06.520 --> 0:37:11.120
<v Speaker 1>bit harder on being not better but different. You know. Okay,

0:37:11.160 --> 0:37:14.759
<v Speaker 1>so you're the business guy in the band and you're

0:37:15.000 --> 0:37:17.080
<v Speaker 1>doing all these shows four nights a week. What's the

0:37:17.120 --> 0:37:23.359
<v Speaker 1>next step? What it really was miraculous. We do we

0:37:23.480 --> 0:37:26.080
<v Speaker 1>do all of my stories. I'm the luckiest guy in

0:37:26.080 --> 0:37:27.880
<v Speaker 1>the world, you know when when people ask you and

0:37:28.040 --> 0:37:30.640
<v Speaker 1>I'm the luckiest guy in the world. We play this

0:37:31.200 --> 0:37:34.680
<v Speaker 1>gig like I think it was a bombs on Ferry

0:37:34.760 --> 0:37:37.080
<v Speaker 1>Cross the Mersey. They would take the ship out whatever

0:37:37.320 --> 0:37:39.839
<v Speaker 1>was the ferry at nighttime. They would take it three

0:37:39.880 --> 0:37:43.279
<v Speaker 1>miles out to see where. Wait, so you're saying the

0:37:43.320 --> 0:37:46.760
<v Speaker 1>song Ferry Across the Mersey is about an actual ferry,

0:37:46.880 --> 0:37:49.560
<v Speaker 1>and the whole thing No, he's saying to the ferry,

0:37:49.640 --> 0:37:53.120
<v Speaker 1>ferry across the Mersey, not very across the Mersey, ferry

0:37:53.120 --> 0:37:56.920
<v Speaker 1>across the Mersey to the land. But I always but

0:37:56.960 --> 0:37:59.920
<v Speaker 1>I thought it was hypothetical. I remember when with you,

0:38:00.200 --> 0:38:04.120
<v Speaker 1>but there was some specific parties that he was singing about. No,

0:38:04.520 --> 0:38:07.600
<v Speaker 1>he was singing, ferry across the Mersey to the place

0:38:07.680 --> 0:38:12.640
<v Speaker 1>that I love. Because he's from Birkenhead, Oh, which is

0:38:12.640 --> 0:38:14.800
<v Speaker 1>in Cheshire. It's not even in Livapool. Ferry cross the

0:38:14.840 --> 0:38:17.520
<v Speaker 1>Mersey to the plant. So anyway, that's so, there is

0:38:17.560 --> 0:38:21.160
<v Speaker 1>a ferry and you can rent it. I think you

0:38:21.200 --> 0:38:24.640
<v Speaker 1>still probably can. But they've had a tunnel for fifty years.

0:38:24.640 --> 0:38:28.120
<v Speaker 1>You don't need a ferry anymore. So so so we're

0:38:28.160 --> 0:38:35.200
<v Speaker 1>on this ferry and my friends, people who I don't

0:38:35.200 --> 0:38:37.960
<v Speaker 1>even know. My manager, Harvey Lisberg, is at dinner with

0:38:38.040 --> 0:38:42.600
<v Speaker 1>his parents and this woman who's and he says, he's

0:38:42.600 --> 0:38:46.200
<v Speaker 1>asked the question, Harvey Lisberg, He's asked the question, what

0:38:46.239 --> 0:38:48.480
<v Speaker 1>do you want to do when you get your degree?

0:38:48.880 --> 0:38:51.680
<v Speaker 1>Business degree? He said, you know, I think I'd like

0:38:51.800 --> 0:38:53.759
<v Speaker 1>to be like Brian Epstein. I'd like to find a

0:38:53.840 --> 0:38:57.760
<v Speaker 1>group and manage them and travel all around the world

0:38:57.800 --> 0:39:01.000
<v Speaker 1>and make hundreds of millions of pounds. And she said

0:39:01.080 --> 0:39:04.560
<v Speaker 1>and he and she says, you know, I saw this

0:39:04.800 --> 0:39:08.920
<v Speaker 1>kid on the ferry the other night at you know,

0:39:09.440 --> 0:39:15.880
<v Speaker 1>alf Albert Goldberg's bar Mitzvah, and the kid is really good.

0:39:16.480 --> 0:39:19.080
<v Speaker 1>You should check him out. So we were I think

0:39:19.120 --> 0:39:21.280
<v Speaker 1>we were called Herman and the Hermits. By now Herman

0:39:21.360 --> 0:39:27.040
<v Speaker 1>and the Hermits, he's called herman Um. So he finds

0:39:27.040 --> 0:39:30.880
<v Speaker 1>out that we're playing this nightclub and really, you know

0:39:31.080 --> 0:39:34.840
<v Speaker 1>under people down the bottom of the it was called

0:39:35.400 --> 0:39:39.239
<v Speaker 1>the Seller, the Cave, the Seller in Bolton. And he

0:39:39.360 --> 0:39:41.279
<v Speaker 1>comes and sees us there and he says, I'd like

0:39:41.320 --> 0:39:44.319
<v Speaker 1>to be a manager. So I said, well, let's have

0:39:44.320 --> 0:39:47.399
<v Speaker 1>a meeting. Come back to my mom's house. My my

0:39:47.440 --> 0:39:53.160
<v Speaker 1>mom lived in this fabulous house. And this manager, Harvey Ellisburg,

0:39:53.360 --> 0:39:55.680
<v Speaker 1>who is going to be our managers it comes to

0:39:55.719 --> 0:39:57.680
<v Speaker 1>the house and he goes, oh, that's a lovely piano,

0:39:58.920 --> 0:40:01.080
<v Speaker 1>and I go, you want ago you know when my

0:40:01.080 --> 0:40:05.799
<v Speaker 1>my mother had this unbelievable expensive grand piano and uh,

0:40:06.880 --> 0:40:08.680
<v Speaker 1>he sits down and he plays what did I say

0:40:08.719 --> 0:40:11.960
<v Speaker 1>by Jerry Lewis? I said, we don't want you to

0:40:12.000 --> 0:40:14.600
<v Speaker 1>be on match. We want you to be in the band,

0:40:15.800 --> 0:40:17.120
<v Speaker 1>and he goes, no, no, I don't want to be

0:40:17.160 --> 0:40:19.879
<v Speaker 1>in the band. You know, I'm too ugly something like that.

0:40:20.320 --> 0:40:22.120
<v Speaker 1>So but I'd like to manage it. Some of my

0:40:22.200 --> 0:40:23.960
<v Speaker 1>parents meet him and they go, yeah, okay, you can

0:40:24.000 --> 0:40:26.880
<v Speaker 1>manage it, but well, you know, so he immediately becomes

0:40:26.880 --> 0:40:30.279
<v Speaker 1>our manager. Then I'm not the manager anymore, which is

0:40:30.280 --> 0:40:33.799
<v Speaker 1>really refreshing because he has much more connecting, much more

0:40:33.840 --> 0:40:37.520
<v Speaker 1>connected than I am. And he suddenly we're getting we

0:40:37.640 --> 0:40:39.759
<v Speaker 1>have a hundred dates on the book, and now we're

0:40:39.760 --> 0:40:43.320
<v Speaker 1>looking to replace people in the bend with better people

0:40:44.120 --> 0:40:46.600
<v Speaker 1>because now we can offer them more money. Everybody was

0:40:46.600 --> 0:40:48.520
<v Speaker 1>in it for money. I asked Keith Hopwood, how Keith

0:40:48.520 --> 0:40:51.040
<v Speaker 1>hop would who was the guitar player? Who who created that?

0:40:51.160 --> 0:40:53.879
<v Speaker 1>Mrs Browne got a lovely looked daughter sound. I say,

0:40:54.080 --> 0:40:55.600
<v Speaker 1>would you be in the band and he goes well.

0:40:56.120 --> 0:40:58.360
<v Speaker 1>I said why did why did you join the band

0:40:58.840 --> 0:41:00.719
<v Speaker 1>and when did you join them? And he said, well,

0:41:00.760 --> 0:41:02.720
<v Speaker 1>I joined the band when I saw how many dates

0:41:03.000 --> 0:41:07.600
<v Speaker 1>had booked, And so we we we instantly start to

0:41:07.600 --> 0:41:10.800
<v Speaker 1>get very much more busier in Herman and the hermitson

0:41:10.920 --> 0:41:13.880
<v Speaker 1>and we start to play the Cavern regularly. You know,

0:41:13.920 --> 0:41:16.320
<v Speaker 1>we become regulars at the Junior Cavern in the evening.

0:41:16.360 --> 0:41:19.759
<v Speaker 1>We moved into the upper upper echelons, which is like

0:41:19.920 --> 0:41:22.719
<v Speaker 1>nighttime at the Cavern, which was a big, big, big deal.

0:41:23.320 --> 0:41:26.840
<v Speaker 1>So we're moving along and I think ultimately we were

0:41:26.920 --> 0:41:30.319
<v Speaker 1>the only band left in Manchester who isn't signed to

0:41:30.360 --> 0:41:32.239
<v Speaker 1>a label. I think it's really as simple as that.

0:41:32.680 --> 0:41:36.000
<v Speaker 1>Who came from me and Chester in that era, The Hollies,

0:41:36.360 --> 0:41:39.000
<v Speaker 1>Freddie and the Dreamers, Wayne Fontana and the mind Benders,

0:41:39.880 --> 0:41:42.560
<v Speaker 1>the Dakotas, Billy Ja c you know, everybody, everybody else

0:41:42.600 --> 0:41:45.920
<v Speaker 1>from Manchester who was in our league, the twenty pounds

0:41:45.920 --> 0:41:49.480
<v Speaker 1>and up league has gone. So we're the top of

0:41:49.560 --> 0:41:56.800
<v Speaker 1>the leftovers. And we have this idea. We've seen Mickey

0:41:56.840 --> 0:41:59.359
<v Speaker 1>Most this is again the luckiest guy in the world.

0:41:59.400 --> 0:42:02.759
<v Speaker 1>We go to see the Everly Brothers and the bill

0:42:02.880 --> 0:42:09.880
<v Speaker 1>was the Everly Brothers, Bo Diddley, the Rolling Stones and

0:42:09.960 --> 0:42:13.840
<v Speaker 1>Mickey Most and and Susan Morem or some some unknown

0:42:13.880 --> 0:42:18.200
<v Speaker 1>girl singer who had and it's my party version. And

0:42:20.239 --> 0:42:24.840
<v Speaker 1>during the show, h Nicky Most comes out on stage

0:42:25.000 --> 0:42:29.040
<v Speaker 1>and he kneels. He's like a fifties guy because the

0:42:29.120 --> 0:42:31.680
<v Speaker 1>Everly Brothers are fifty and it's all teddy boys in

0:42:31.719 --> 0:42:35.879
<v Speaker 1>the audience, and he wins the teddy Boys because he's

0:42:35.880 --> 0:42:37.960
<v Speaker 1>got a guitar with no strings. It's got a guitar

0:42:37.960 --> 0:42:40.920
<v Speaker 1>with no strings. But we you can't tell from the audience.

0:42:41.320 --> 0:42:43.960
<v Speaker 1>But even though he's got no strings on the guitar,

0:42:44.280 --> 0:42:48.000
<v Speaker 1>he has the balls to kneel down during the guitar solo,

0:42:49.600 --> 0:42:54.279
<v Speaker 1>you know, I mean when we're completely and of course

0:42:54.320 --> 0:42:58.080
<v Speaker 1>all the teddy boys love him. And the Stones come

0:42:58.080 --> 0:43:00.960
<v Speaker 1>out and they are dying the death of all deaths.

0:43:01.040 --> 0:43:03.239
<v Speaker 1>You go, oh my god, they're like mods, they're not

0:43:03.280 --> 0:43:05.799
<v Speaker 1>at all, and they do come on by the chuck

0:43:05.840 --> 0:43:08.080
<v Speaker 1>Berry come on and the audience t'lly go, oh well,

0:43:08.080 --> 0:43:10.239
<v Speaker 1>they're all right, and they're forgiven. And at the end

0:43:10.280 --> 0:43:12.000
<v Speaker 1>of the show, at the end of the show of

0:43:12.040 --> 0:43:14.359
<v Speaker 1>the Stones and the Everly Brothers and Bold Didly come

0:43:14.360 --> 0:43:16.799
<v Speaker 1>out and they get on a bus. But Mickey most

0:43:16.920 --> 0:43:19.279
<v Speaker 1>comes out and he opens the hood of his car,

0:43:19.680 --> 0:43:24.680
<v Speaker 1>puts his guitar in it, opens the door for his girlfriend,

0:43:24.760 --> 0:43:27.400
<v Speaker 1>puts her in the car, waves us as if he's

0:43:27.440 --> 0:43:29.960
<v Speaker 1>the star of the show, and gets in there. It's

0:43:29.960 --> 0:43:31.719
<v Speaker 1>a Porsche that's why I put the guitar on the front.

0:43:31.760 --> 0:43:35.240
<v Speaker 1>We've never seen anybody with no engine in the car before.

0:43:35.280 --> 0:43:38.200
<v Speaker 1>We've never seen a Porsche before. God, that is the

0:43:38.200 --> 0:43:41.160
<v Speaker 1>coolest guy who is here is some South African guy.

0:43:41.280 --> 0:43:44.600
<v Speaker 1>And but his name comes up in ideas for producers

0:43:44.600 --> 0:43:46.920
<v Speaker 1>because he's got this record out called I'm Crying by

0:43:46.920 --> 0:43:50.960
<v Speaker 1>the Animals like I don't don't knock, And it's like

0:43:51.040 --> 0:43:53.400
<v Speaker 1>this great singer that we know him from the animals.

0:43:53.400 --> 0:43:55.160
<v Speaker 1>We know what they can do, but we didn't know

0:43:55.160 --> 0:43:57.279
<v Speaker 1>anybody who could record him. So now we go, how

0:43:57.320 --> 0:43:59.040
<v Speaker 1>do you get to Mickey Most We've got my sister

0:43:59.120 --> 0:44:02.560
<v Speaker 1>call Insane Herman and the Hermits, you know, and hanging up,

0:44:02.600 --> 0:44:06.440
<v Speaker 1>and Harvellist book says, I'll send him a plane ticket

0:44:07.080 --> 0:44:10.000
<v Speaker 1>to Manchester, which in those days is like unheard of,

0:44:10.080 --> 0:44:12.120
<v Speaker 1>you know. I mean it's two hundred miles, took seven

0:44:12.120 --> 0:44:14.960
<v Speaker 1>hours to drive it. We'll send him a plane ticket,

0:44:15.200 --> 0:44:18.040
<v Speaker 1>and we booked him a night in the Midland Hotel,

0:44:18.080 --> 0:44:22.000
<v Speaker 1>which is the Posh Hotel right by the station, and

0:44:22.000 --> 0:44:24.320
<v Speaker 1>and we'll drive. We'll get a driver, we'll get a

0:44:24.480 --> 0:44:27.960
<v Speaker 1>nice car roven up. We'll borrow your dad's Rover ninety

0:44:28.280 --> 0:44:29.759
<v Speaker 1>and we'll pick him up at the hotel and we'll

0:44:29.800 --> 0:44:33.040
<v Speaker 1>take him to see you at the club in Bolton

0:44:33.200 --> 0:44:35.920
<v Speaker 1>down the stairs. And what we'll do is we get

0:44:35.960 --> 0:44:39.480
<v Speaker 1>all the girls to scream. We'll play the audience to

0:44:39.480 --> 0:44:41.360
<v Speaker 1>a plan. So when when you do a song, of

0:44:41.400 --> 0:44:44.640
<v Speaker 1>course that happened. All of that happened. But the girls

0:44:44.719 --> 0:44:46.799
<v Speaker 1>all screamed in the wrong place, you know. They never

0:44:46.880 --> 0:44:51.880
<v Speaker 1>scream where you think they they're just going so but

0:44:51.920 --> 0:44:54.040
<v Speaker 1>he liked the band, No, he didn't like the band.

0:44:54.080 --> 0:44:57.160
<v Speaker 1>He liked Peter Noon. Let's talk in the third person,

0:44:57.760 --> 0:45:00.600
<v Speaker 1>and he wanted to get rid of the band and

0:45:00.640 --> 0:45:04.080
<v Speaker 1>make records without the band. And now we're a band.

0:45:04.320 --> 0:45:07.200
<v Speaker 1>This is a band. These are my friends. We we've

0:45:07.239 --> 0:45:11.720
<v Speaker 1>built this monster together, you know. And he goes, okay, well,

0:45:12.160 --> 0:45:14.480
<v Speaker 1>come to the studio and let's let's try and do something.

0:45:14.560 --> 0:45:17.239
<v Speaker 1>So we've got a couple of songs. Awful. Now I

0:45:17.280 --> 0:45:19.400
<v Speaker 1>listen to them. I'm embarrassed that that we had no

0:45:19.480 --> 0:45:22.600
<v Speaker 1>we had no idea what we were doing. And we

0:45:23.360 --> 0:45:25.400
<v Speaker 1>make a session and at the end of the session

0:45:25.400 --> 0:45:27.360
<v Speaker 1>he says, look, the only way I can work with

0:45:27.400 --> 0:45:29.799
<v Speaker 1>you guys, is if you get rid of him. And

0:45:29.920 --> 0:45:32.399
<v Speaker 1>him and we play and we said we can't get

0:45:32.440 --> 0:45:35.640
<v Speaker 1>rid of him. He says, okay, so he will not

0:45:35.680 --> 0:45:39.320
<v Speaker 1>be the lead guitar player. He will become the rhythm

0:45:39.400 --> 0:45:42.680
<v Speaker 1>guitar player, and that drama you get get a drummer

0:45:42.680 --> 0:45:45.839
<v Speaker 1>who can play in time. So it's like it's the

0:45:45.920 --> 0:45:48.719
<v Speaker 1>most horrible moment for me because we're now we're going

0:45:48.760 --> 0:45:50.880
<v Speaker 1>to have to get rid of these boys that have

0:45:50.960 --> 0:45:54.920
<v Speaker 1>been my mates, my bandmates, you know, the union of

0:45:54.960 --> 0:45:57.360
<v Speaker 1>a band, and we're all loving each other, but the

0:45:57.480 --> 0:46:01.040
<v Speaker 1>music thing is that happening. So luckily Harvey Lisberg once

0:46:01.040 --> 0:46:04.200
<v Speaker 1>again and we get lucky. There's another band in Manchester

0:46:04.280 --> 0:46:06.839
<v Speaker 1>that's on the up and up called the Whalers and

0:46:08.280 --> 0:46:11.880
<v Speaker 1>Big Wally and the Whalers, and we want just the Whalers.

0:46:11.880 --> 0:46:14.799
<v Speaker 1>We don't want Big Wally because he's too big. And

0:46:15.200 --> 0:46:18.439
<v Speaker 1>we signed to the two guys from the from the

0:46:18.440 --> 0:46:21.680
<v Speaker 1>Whalers joined Herman and Herman's Herman and the Hermits, and

0:46:21.680 --> 0:46:23.839
<v Speaker 1>we change our name April the first, we change our

0:46:23.880 --> 0:46:29.400
<v Speaker 1>name from Herman and the Hermits to Herman's Hermits and manager.

0:46:29.440 --> 0:46:31.600
<v Speaker 1>We don't have my mom's phone number anymore. We've got

0:46:31.840 --> 0:46:34.520
<v Speaker 1>you know, I used to say, you know, Herman's Herman

0:46:34.560 --> 0:46:41.360
<v Speaker 1>and the Hermits bookings, Ermste because my mom had a phone.

0:46:41.440 --> 0:46:43.279
<v Speaker 1>It was in the hall down the stairs, you know.

0:46:43.920 --> 0:46:46.319
<v Speaker 1>And it's suddenly we became like this big time thing.

0:46:46.360 --> 0:46:50.000
<v Speaker 1>And Mickey most sent within days of us putting together

0:46:50.040 --> 0:46:53.200
<v Speaker 1>this new band, he sends us a demo, a Carol

0:46:53.320 --> 0:46:56.359
<v Speaker 1>King demo of I'm into something good. And he said,

0:46:56.440 --> 0:46:59.319
<v Speaker 1>come and come and record that and do that other

0:46:59.400 --> 0:47:01.920
<v Speaker 1>song that you played, that other rubbish song. Learned that

0:47:01.960 --> 0:47:04.840
<v Speaker 1>again with the new guys, and come in the studio

0:47:05.120 --> 0:47:08.560
<v Speaker 1>and we'll make a record. And we listened to it,

0:47:08.600 --> 0:47:12.879
<v Speaker 1>and you know, it's we actually thought we were making

0:47:12.880 --> 0:47:16.960
<v Speaker 1>a surf recording. We didn't even know a surf record well,

0:47:17.040 --> 0:47:18.520
<v Speaker 1>but you know, we we thought that we needed the

0:47:18.520 --> 0:47:22.720
<v Speaker 1>surf sound. And Mickey knew this piano player, a session

0:47:22.760 --> 0:47:25.000
<v Speaker 1>piano player who was a Roger Webb his name was,

0:47:25.040 --> 0:47:27.359
<v Speaker 1>and he had a band called Roger Webb Trio, which

0:47:27.360 --> 0:47:30.200
<v Speaker 1>were pretty he was pretty famous. And he sat in

0:47:30.239 --> 0:47:32.080
<v Speaker 1>that studio and we were kids, you know, I think

0:47:32.120 --> 0:47:35.200
<v Speaker 1>I was fifty sixteen maybe, and all the Hermits was

0:47:35.320 --> 0:47:38.040
<v Speaker 1>sixteen seventeen in there. You know, we were really teenagers.

0:47:38.040 --> 0:47:41.359
<v Speaker 1>A real boy band, and he sat with us and

0:47:41.360 --> 0:47:45.680
<v Speaker 1>we rehearsed it with him like a hundred times, and

0:47:46.000 --> 0:47:49.600
<v Speaker 1>we finally we we took a run at it, and

0:47:50.160 --> 0:47:53.960
<v Speaker 1>the vocal that I did at the run became the

0:47:54.040 --> 0:47:56.040
<v Speaker 1>lead vocal. That was the one that that we kept,

0:47:56.040 --> 0:47:58.080
<v Speaker 1>you know, and then we just over everything was over.

0:47:58.160 --> 0:48:00.799
<v Speaker 1>The mickey would mix down to one track and then

0:48:00.920 --> 0:48:03.560
<v Speaker 1>put stuff. You know, we had two track machine and

0:48:03.560 --> 0:48:05.279
<v Speaker 1>it makes it all down to all the drums and

0:48:05.280 --> 0:48:08.000
<v Speaker 1>all the instruments on one track. Then we throw more

0:48:08.000 --> 0:48:10.000
<v Speaker 1>stuff on it and the background vocals and then put

0:48:10.000 --> 0:48:12.920
<v Speaker 1>some hand clapses all over the place. But it just

0:48:13.120 --> 0:48:15.560
<v Speaker 1>captured who we were. You know. When I listened to

0:48:15.560 --> 0:48:18.080
<v Speaker 1>the record, now I go, well, that is just that's

0:48:18.120 --> 0:48:23.359
<v Speaker 1>exactly somebody made a recording with exactly what was going on. Okay,

0:48:23.440 --> 0:48:26.160
<v Speaker 1>let's slow down for a couple of seconds. Lizberg, is

0:48:26.160 --> 0:48:30.200
<v Speaker 1>your manager? Does he make you sign a contract? You know,

0:48:30.280 --> 0:48:32.759
<v Speaker 1>I don't know. We couldn't sign contract. We were all

0:48:32.920 --> 0:48:34.920
<v Speaker 1>under age and you had to be twenty one. And

0:48:34.960 --> 0:48:38.640
<v Speaker 1>what was his percentage? Ten percent? I think maybe because

0:48:38.640 --> 0:48:41.279
<v Speaker 1>he had a partner. We didn't We didn't care about that.

0:48:41.320 --> 0:48:45.000
<v Speaker 1>We just wanted to know what being important down the line. Yeah,

0:48:45.200 --> 0:48:47.640
<v Speaker 1>tell the story of how it ultimately became Herman and

0:48:47.680 --> 0:48:53.040
<v Speaker 1>the hermits Um. Well, we were playing. We used to

0:48:53.800 --> 0:48:58.320
<v Speaker 1>rehearse in a pub in outskirts of Manchester, near Derek Lecambye,

0:48:58.400 --> 0:49:01.120
<v Speaker 1>where he was a guitar player. There was a pub

0:49:01.160 --> 0:49:06.080
<v Speaker 1>there and they let us rehearse there, and the publican

0:49:06.920 --> 0:49:10.160
<v Speaker 1>let us use He had a microphone. And we're Americans,

0:49:10.200 --> 0:49:12.719
<v Speaker 1>tell us what a public it is. The owner of

0:49:12.760 --> 0:49:16.080
<v Speaker 1>the pub, the landlord of the pub is there and

0:49:16.160 --> 0:49:18.960
<v Speaker 1>he lets us use his stage and his microphone. It

0:49:19.080 --> 0:49:22.040
<v Speaker 1>has a microphone and a speaker, and so it was easy,

0:49:22.120 --> 0:49:25.120
<v Speaker 1>and you could rehearse until five thirty. So none of

0:49:25.200 --> 0:49:27.080
<v Speaker 1>us went to school anymore, and we'd go there and

0:49:27.120 --> 0:49:29.600
<v Speaker 1>rehearse when the pub closed at three o'clock till five

0:49:29.680 --> 0:49:32.240
<v Speaker 1>thirty when they opened again. None of us were eighteen,

0:49:32.680 --> 0:49:34.840
<v Speaker 1>so we're there and we were doing Boddy Holly songs

0:49:35.000 --> 0:49:39.040
<v Speaker 1>and I would wear when it's so ridiculous that I

0:49:39.080 --> 0:49:40.680
<v Speaker 1>am the luckiest man in the world. So I put

0:49:40.680 --> 0:49:43.480
<v Speaker 1>these horn room glasses on. I had horn room glasses

0:49:43.520 --> 0:49:46.480
<v Speaker 1>already and I put them on, and we do a

0:49:46.520 --> 0:49:50.200
<v Speaker 1>body Holly song so people would know anybody who knew

0:49:50.200 --> 0:49:53.840
<v Speaker 1>Buddy Holly would go, oh yeah, we're a little things

0:49:54.000 --> 0:49:56.880
<v Speaker 1>you see and do, And I could mimic him like

0:49:57.120 --> 0:49:59.680
<v Speaker 1>I thought I was doing a brilliant job. But we

0:50:00.080 --> 0:50:03.440
<v Speaker 1>nish that would be the day, And and the guy

0:50:03.480 --> 0:50:05.719
<v Speaker 1>who owns the pub, the publican, comes and he says,

0:50:06.960 --> 0:50:11.240
<v Speaker 1>who the bloody ell was that? And I look at him,

0:50:11.440 --> 0:50:17.760
<v Speaker 1>You're stupid, can't it's Buddy Holly. You were Boddy Holly

0:50:17.960 --> 0:50:21.359
<v Speaker 1>because you don't look anything like Buddy Holly. You look

0:50:21.440 --> 0:50:26.359
<v Speaker 1>like Herman from the Bullwinkle Show. And everybody, like all

0:50:26.440 --> 0:50:29.840
<v Speaker 1>the future the heartbeats all thought that was the funniest

0:50:29.840 --> 0:50:32.480
<v Speaker 1>thing that ever heard because it was Sherman and Professor Peabody.

0:50:33.080 --> 0:50:36.320
<v Speaker 1>But he thought he thought it was Herman and Professor Peabody.

0:50:36.400 --> 0:50:38.480
<v Speaker 1>So that was kind of part of the joke that

0:50:38.520 --> 0:50:41.279
<v Speaker 1>he was so stupid he didn't recognize the body Holly song.

0:50:41.520 --> 0:50:44.640
<v Speaker 1>And he also got the name Sherman and Professor Peabody wrong.

0:50:44.680 --> 0:50:47.000
<v Speaker 1>You know, you look like Herman from that Herman from

0:50:47.040 --> 0:50:50.799
<v Speaker 1>the Ankle Show. And everybody laughs, similar to your laft there,

0:50:51.160 --> 0:50:53.080
<v Speaker 1>And he says, what are you look laughing at? You

0:50:53.080 --> 0:50:56.960
<v Speaker 1>can call yourself the Bloody Hermits. So that man, who

0:50:57.000 --> 0:50:59.600
<v Speaker 1>we don't know who he isn't forgotten. It's I've been

0:50:59.640 --> 0:51:02.920
<v Speaker 1>dead for fifty years. He named the band Herman and

0:51:02.960 --> 0:51:06.880
<v Speaker 1>the Bloody Hermits, and we immediately we said, that's the

0:51:07.120 --> 0:51:10.239
<v Speaker 1>that's a great name for this operation because it's completely

0:51:10.280 --> 0:51:13.520
<v Speaker 1>different from anybody else. You know, it's all Beatles and

0:51:13.640 --> 0:51:17.680
<v Speaker 1>searchers and movie titles, and you know, everybody's going a

0:51:17.680 --> 0:51:22.880
<v Speaker 1>little bit more sophisticated than Herman and the Hermits, and

0:51:22.960 --> 0:51:25.560
<v Speaker 1>that we The drummer was the drummer then was called

0:51:25.600 --> 0:51:29.160
<v Speaker 1>Steve Titterington, and his We could rehearse his place as

0:51:29.160 --> 0:51:31.120
<v Speaker 1>well after the public could go to his place because

0:51:31.160 --> 0:51:37.480
<v Speaker 1>his sister was a cop a constable, and you could

0:51:37.560 --> 0:51:40.160
<v Speaker 1>make as much noise as you wanted until any time

0:51:40.200 --> 0:51:42.880
<v Speaker 1>you wanted. And it was important to the band to

0:51:42.880 --> 0:51:45.960
<v Speaker 1>be able to rehearse a lot because we were useless.

0:51:45.960 --> 0:51:48.799
<v Speaker 1>We needed to rehearse every song many many times. And

0:51:50.320 --> 0:51:52.040
<v Speaker 1>we went home there and we told his mother that

0:51:52.080 --> 0:51:55.320
<v Speaker 1>we've we've we've going to change the name to Herman

0:51:55.320 --> 0:51:58.160
<v Speaker 1>and the Hermits. And she made suits for the Hermits

0:51:58.239 --> 0:52:04.920
<v Speaker 1>out of sacks, potatoes, sacks, and I said, I'm I'm Herman,

0:52:05.640 --> 0:52:09.440
<v Speaker 1>I'm going to wear this blue suit and okay, and

0:52:09.480 --> 0:52:11.600
<v Speaker 1>they when we did we did a gig. There was

0:52:11.640 --> 0:52:14.040
<v Speaker 1>a there was a guy called Jimmy Saville who was

0:52:14.080 --> 0:52:17.920
<v Speaker 1>a manager of the Plaza in Manchester who liked Herman

0:52:18.080 --> 0:52:20.200
<v Speaker 1>and the Hermits. He thought ultimately he was a big

0:52:20.200 --> 0:52:23.359
<v Speaker 1>presenter and got in trouble after his death. Yeah, he

0:52:23.400 --> 0:52:25.040
<v Speaker 1>was probably a horrible man. But we we was the

0:52:25.040 --> 0:52:28.560
<v Speaker 1>manager of probably many many people in the wrestling business

0:52:29.160 --> 0:52:32.720
<v Speaker 1>in those days who became managers of ballrooms were probably

0:52:32.719 --> 0:52:35.920
<v Speaker 1>not nice people. But we we didn't care whether we didn't.

0:52:36.760 --> 0:52:38.759
<v Speaker 1>We didn't have like a stress test to see if

0:52:38.760 --> 0:52:40.880
<v Speaker 1>we could work with people. They had a job and

0:52:40.880 --> 0:52:42.359
<v Speaker 1>we would take it, you know. It was that part

0:52:42.360 --> 0:52:47.000
<v Speaker 1>of the career. And then he we did a lunchtime

0:52:47.000 --> 0:52:49.600
<v Speaker 1>show and the Hermits, the new Hermits, showed up in

0:52:49.640 --> 0:52:53.160
<v Speaker 1>these sack things with their little white English legs hanging

0:52:53.200 --> 0:52:55.720
<v Speaker 1>out of the bottom. It's just a potato sack, fifty

0:52:55.760 --> 0:52:58.560
<v Speaker 1>six pound bag of potato sack with the neck cut

0:52:58.560 --> 0:53:03.000
<v Speaker 1>out and the hands, but the guitars and and the

0:53:03.200 --> 0:53:06.279
<v Speaker 1>Steve tit Twington's ass was worn out from sitting on

0:53:06.320 --> 0:53:08.960
<v Speaker 1>the drum school in the the things. So that lasted

0:53:08.960 --> 0:53:10.960
<v Speaker 1>for one day, but we kept the name Herman and

0:53:11.000 --> 0:53:13.600
<v Speaker 1>the Hermits, and we once we played that gig in

0:53:13.640 --> 0:53:17.080
<v Speaker 1>the plaza, people liked the name, you know, the girls

0:53:17.120 --> 0:53:20.120
<v Speaker 1>who came to see us. I remember, like at the cavern,

0:53:20.200 --> 0:53:23.120
<v Speaker 1>we we'd always wherever we played, there would always be

0:53:23.200 --> 0:53:25.279
<v Speaker 1>somebody that we knew sitting at the front and the

0:53:25.360 --> 0:53:28.360
<v Speaker 1>cavern there was always a girl called Margaret and she

0:53:28.520 --> 0:53:31.640
<v Speaker 1>was there right from every time Hermit's Hermits played at

0:53:31.640 --> 0:53:34.080
<v Speaker 1>the cavern, Margaret would be right at the front. We

0:53:34.120 --> 0:53:36.879
<v Speaker 1>never spoke to her, which she we didn't know how

0:53:36.920 --> 0:53:39.600
<v Speaker 1>to deal with fans. She we didn't know about groupie's

0:53:39.760 --> 0:53:43.200
<v Speaker 1>or we knew was our sisters. And in my case,

0:53:43.280 --> 0:53:47.280
<v Speaker 1>my sister had like a plastic you know, Sister Agnes

0:53:47.560 --> 0:53:50.880
<v Speaker 1>statue implanted in her forehead and went to Catholic schools

0:53:50.880 --> 0:53:54.840
<v Speaker 1>and confession and you know, no sex before marriage. So

0:53:55.000 --> 0:53:56.960
<v Speaker 1>that we thought all girls were like our sisters. We

0:53:56.960 --> 0:54:00.719
<v Speaker 1>didn't know any ravers or group year or that we

0:54:00.840 --> 0:54:04.640
<v Speaker 1>treated fans like they were are on par with our sister,

0:54:04.760 --> 0:54:06.600
<v Speaker 1>you know, because we thought all girls would like to

0:54:06.600 --> 0:54:12.879
<v Speaker 1>be protected and behave well with girls. And we grew

0:54:13.000 --> 0:54:16.239
<v Speaker 1>this band into It was always Margaret and bit I did.

0:54:16.280 --> 0:54:17.960
<v Speaker 1>We'd go back to the cabin and there'll be seven

0:54:18.000 --> 0:54:22.840
<v Speaker 1>girls at the front, and then the ten never boys,

0:54:22.880 --> 0:54:26.399
<v Speaker 1>never like Herman Hermits. Then at the beginning they didn't

0:54:26.440 --> 0:54:28.080
<v Speaker 1>like us because we didn't play rock and roll. We

0:54:28.120 --> 0:54:31.360
<v Speaker 1>played kind of pop. So that was a bit romantic,

0:54:32.120 --> 0:54:36.080
<v Speaker 1>you know, the different talking about So we were romantic.

0:54:37.000 --> 0:54:40.319
<v Speaker 1>Can't into something good? And when you have playback, do

0:54:40.360 --> 0:54:43.120
<v Speaker 1>you say this is a hit or you say, well,

0:54:43.120 --> 0:54:45.719
<v Speaker 1>this is a record we made? Well that one we did?

0:54:45.760 --> 0:54:49.799
<v Speaker 1>We didn't, haven't we we It was just flying. We

0:54:49.840 --> 0:54:51.759
<v Speaker 1>had no idea what we were doing. We just this

0:54:51.800 --> 0:54:53.720
<v Speaker 1>is how you make a record. We had no idea,

0:54:53.760 --> 0:54:55.680
<v Speaker 1>We had no knowledge of how he made a record.

0:54:55.719 --> 0:55:01.080
<v Speaker 1>We would completely naive. And he didn't like the record.

0:55:01.200 --> 0:55:04.640
<v Speaker 1>He took it home and he decided on the way

0:55:04.680 --> 0:55:06.359
<v Speaker 1>home that he was not going to release it even

0:55:06.520 --> 0:55:08.880
<v Speaker 1>and it was thinking of ways to tell us that.

0:55:08.920 --> 0:55:11.480
<v Speaker 1>He was sorry, lads, it just didn't work. But he

0:55:11.520 --> 0:55:15.040
<v Speaker 1>played it to Chris Most, his wife, Chris Most, and

0:55:15.120 --> 0:55:18.240
<v Speaker 1>she said it's a number one, and he was, you're joking,

0:55:18.280 --> 0:55:20.279
<v Speaker 1>I got a remix it. She just don't remix it,

0:55:20.360 --> 0:55:22.640
<v Speaker 1>leave it exactly like it is. It's a number one.

0:55:22.640 --> 0:55:25.239
<v Speaker 1>I'm telling you, Mickey, it's a number one. It's like

0:55:25.600 --> 0:55:27.359
<v Speaker 1>you know, when you play the House of the Rising Son,

0:55:27.480 --> 0:55:28.960
<v Speaker 1>you said it's too long. I told you that was

0:55:29.000 --> 0:55:31.799
<v Speaker 1>a number one. Just this is a number one. Put

0:55:31.840 --> 0:55:36.719
<v Speaker 1>it out and against his you know, because Mickey liked

0:55:36.920 --> 0:55:40.840
<v Speaker 1>Mickey loved to claim that he was the song picker

0:55:40.880 --> 0:55:45.400
<v Speaker 1>of the century, and he probably was, but but he didn't.

0:55:45.400 --> 0:55:47.200
<v Speaker 1>He didn't think I'm Into Something Good was a hit.

0:55:47.480 --> 0:55:51.000
<v Speaker 1>And when it was a hit, um, he claimed it like,

0:55:51.600 --> 0:55:53.200
<v Speaker 1>you know, I knew it was a hit, and my

0:55:53.280 --> 0:55:54.759
<v Speaker 1>dad could have sung it and it would have been

0:55:54.760 --> 0:55:56.719
<v Speaker 1>a hit. But I think it was. It was a

0:55:56.760 --> 0:55:59.480
<v Speaker 1>really good recording of a really good song, and it

0:55:59.640 --> 0:56:02.360
<v Speaker 1>capture and all that sort of energy of those sixteen

0:56:02.440 --> 0:56:05.640
<v Speaker 1>year old boys. Okay, so how long after you cut

0:56:05.640 --> 0:56:08.640
<v Speaker 1>it was it released? It came out August, the seven

0:56:09.360 --> 0:56:13.040
<v Speaker 1>before we probably made it July, so two weeks after

0:56:13.080 --> 0:56:15.399
<v Speaker 1>we made it, two weeks after was that the only

0:56:15.440 --> 0:56:18.160
<v Speaker 1>song you recorded that? And the B side, the b

0:56:18.320 --> 0:56:20.759
<v Speaker 1>side was what Your Hand in Mind, which was the

0:56:20.800 --> 0:56:23.200
<v Speaker 1>song that we'd failed the audition with the first time. Now,

0:56:23.640 --> 0:56:28.000
<v Speaker 1>worked it. The record comes out the UK instant here instant,

0:56:28.120 --> 0:56:32.799
<v Speaker 1>I mean quite instant. Interestingly, we're we're playing in the

0:56:32.840 --> 0:56:36.040
<v Speaker 1>club where the manager discovered us, discovered us in Bolton,

0:56:36.560 --> 0:56:39.360
<v Speaker 1>and it's opposite a sewing machine factory, out of business

0:56:39.760 --> 0:56:44.280
<v Speaker 1>machine factory, and we're changing in the kitchen and Jimmy

0:56:44.360 --> 0:56:51.440
<v Speaker 1>Saville has a radio show It got five thirty that

0:56:51.520 --> 0:56:56.640
<v Speaker 1>with this Jimmy saddle clown voice and this is Erman's

0:56:56.719 --> 0:56:58.680
<v Speaker 1>Ermits and he plays I mean something. You know, it

0:56:58.760 --> 0:57:02.000
<v Speaker 1>was the greatest. Still I can still be in that

0:57:02.120 --> 0:57:05.120
<v Speaker 1>kitchen to hear myself on the radio, and I remember thinking,

0:57:06.360 --> 0:57:09.880
<v Speaker 1>I'm with Del Shannon. Now those people who were on

0:57:09.920 --> 0:57:12.600
<v Speaker 1>the radio. I'm one of those people. Now I'm not

0:57:12.680 --> 0:57:15.040
<v Speaker 1>just a kid in a band anymore that's got a

0:57:15.040 --> 0:57:17.840
<v Speaker 1>bit of success. And we're up to thirty pounds at night.

0:57:18.320 --> 0:57:22.480
<v Speaker 1>This is like I'm with those the Beatles and the

0:57:22.560 --> 0:57:26.800
<v Speaker 1>delve Shafts always Del Shannon. Why but you know, I'm

0:57:26.960 --> 0:57:29.760
<v Speaker 1>within this new league. And we didn't even know that

0:57:29.800 --> 0:57:31.080
<v Speaker 1>it was going to be a hit, you know, just

0:57:31.160 --> 0:57:34.160
<v Speaker 1>the fact that we didn't know that you couldn't you

0:57:34.200 --> 0:57:35.880
<v Speaker 1>couldn't have a hit if it never got played on

0:57:35.920 --> 0:57:39.360
<v Speaker 1>the radio that we knew being on the radio was

0:57:39.520 --> 0:57:42.880
<v Speaker 1>a hit. Okay, at what point did you realize and

0:57:42.960 --> 0:57:45.000
<v Speaker 1>how long did it take for it really to be

0:57:45.080 --> 0:57:47.680
<v Speaker 1>a hit? It jumped out of the box. By the

0:57:47.800 --> 0:57:50.160
<v Speaker 1>next Thursday, we were on Top of the Pops and

0:57:50.200 --> 0:57:52.560
<v Speaker 1>we went to Top of which was in Manchester. You know,

0:57:52.560 --> 0:57:53.880
<v Speaker 1>if you got in the charts. I think he came

0:57:53.920 --> 0:57:57.120
<v Speaker 1>in at number thirty or something the first week. You know,

0:57:57.160 --> 0:57:59.760
<v Speaker 1>I think it started selling instantly because it got played

0:57:59.760 --> 0:58:03.160
<v Speaker 1>a very quickly. And I remember the songs that it

0:58:03.400 --> 0:58:07.160
<v Speaker 1>was the Kinks You Really Got Me and that one

0:58:07.240 --> 0:58:10.200
<v Speaker 1>a rag Doll and pretty Woman. There was some pretty

0:58:10.200 --> 0:58:13.320
<v Speaker 1>Pretty Woman by Roy Orbison. We're all in this heavy

0:58:13.440 --> 0:58:17.200
<v Speaker 1>rotation and we were now in the same league as

0:58:17.320 --> 0:58:24.600
<v Speaker 1>like the Four Season and Royal Orbison. Okay, the it

0:58:24.640 --> 0:58:27.520
<v Speaker 1>was always in Manchester at the beginning. Really yeah, So

0:58:27.560 --> 0:58:29.160
<v Speaker 1>we go on, we go on Top of the Pups

0:58:29.200 --> 0:58:32.800
<v Speaker 1>and and it was like Roy Orbison and the Beatles

0:58:32.920 --> 0:58:37.560
<v Speaker 1>and the Four Seasons and Supremes. And when when you

0:58:37.600 --> 0:58:39.000
<v Speaker 1>go on Top of the Pups, you go on the

0:58:39.000 --> 0:58:40.880
<v Speaker 1>first time and if the record goes up the next week,

0:58:40.920 --> 0:58:43.960
<v Speaker 1>you go back again. So for the next five or

0:58:44.000 --> 0:58:46.760
<v Speaker 1>six weeks every Thursday, we're at Dickinson Road in Manchester

0:58:46.840 --> 0:58:49.920
<v Speaker 1>doing Top of the Pups with our heroes and not

0:58:50.040 --> 0:58:53.800
<v Speaker 1>knowing how to deal with our heroes. Like this Royal orbicer.

0:58:54.720 --> 0:58:59.280
<v Speaker 1>That's Royal orbicon. We even look this George Kennedy, the

0:58:59.360 --> 0:59:03.240
<v Speaker 1>guy who played are you know, We're like in heaven.

0:59:03.240 --> 0:59:05.360
<v Speaker 1>This is the greatest thing that could ever happen to

0:59:05.400 --> 0:59:07.440
<v Speaker 1>a fan of music. We're now in the room with

0:59:07.560 --> 0:59:11.480
<v Speaker 1>the big guys, and did you think, okay, this is

0:59:11.520 --> 0:59:13.280
<v Speaker 1>the beginning and we're gonna sail through or this is

0:59:13.320 --> 0:59:18.600
<v Speaker 1>one and done. My I think we thought that we

0:59:19.520 --> 0:59:24.320
<v Speaker 1>just let raise the level of interest. It's interesting that

0:59:24.360 --> 0:59:29.280
<v Speaker 1>we were pretty well matt balanced. We thought we've just

0:59:29.800 --> 0:59:32.760
<v Speaker 1>raised our level of interest. Now we'll be able to

0:59:32.760 --> 0:59:35.280
<v Speaker 1>get three hundred pounds a night. So now that are

0:59:35.520 --> 0:59:37.800
<v Speaker 1>to something good? As it hit? How much roadwork are

0:59:37.800 --> 0:59:41.040
<v Speaker 1>you doing? We did? It's interesting. I saw an article.

0:59:41.280 --> 0:59:46.360
<v Speaker 1>Um uh, every night we've worked every night. Our managers

0:59:46.560 --> 0:59:50.200
<v Speaker 1>and agents sent us to work. There's a there's an

0:59:50.200 --> 0:59:53.520
<v Speaker 1>interview with Elvis Presley. I didn't. I interviewed Elvis Presley

0:59:53.640 --> 0:59:57.080
<v Speaker 1>and I met him in Hawaii, and the newspaper in Hawaii, said,

0:59:57.320 --> 1:00:00.520
<v Speaker 1>which I recently found because of the Internet, says, Peter

1:00:00.640 --> 1:00:04.920
<v Speaker 1>Noon meets his all time idol Elvis Presley, who is

1:00:05.000 --> 1:00:10.200
<v Speaker 1>on a film shoot Hawaiian Love Hawaiian Style in the

1:00:11.000 --> 1:00:17.160
<v Speaker 1>and Peter is one of Herman's Hermits and they're on

1:00:17.200 --> 1:00:21.200
<v Speaker 1>a three hundred and sixty day world tour. You know,

1:00:21.680 --> 1:00:24.720
<v Speaker 1>we were on a three hundred sixty but in we

1:00:24.760 --> 1:00:28.200
<v Speaker 1>did three hundred and sixty concerts and made records. Okay,

1:00:28.200 --> 1:00:29.720
<v Speaker 1>So when you did a show, how long was the

1:00:29.800 --> 1:00:33.320
<v Speaker 1>show different? We'd like to do longer, but you only

1:00:33.520 --> 1:00:35.480
<v Speaker 1>a lot of shows. You only got twenty minutes. Like

1:00:35.480 --> 1:00:37.800
<v Speaker 1>we did a tour in England with with Dusty Springfield

1:00:37.840 --> 1:00:40.040
<v Speaker 1>instantly like we had a number one record. We're on

1:00:40.080 --> 1:00:42.840
<v Speaker 1>tour with Dusty Springfield and I think we did we

1:00:43.000 --> 1:00:52.320
<v Speaker 1>closed the first half or something and did four songs. Okay,

1:00:52.320 --> 1:00:54.240
<v Speaker 1>how long after half do something good? Are you back

1:00:54.280 --> 1:00:59.000
<v Speaker 1>in the studio? Probably before Christmas? You know, we need,

1:00:59.160 --> 1:01:01.120
<v Speaker 1>we need another thing go So we go in and

1:01:01.160 --> 1:01:04.320
<v Speaker 1>we've got another Carol Kink song that Mickey also doesn't like,

1:01:04.360 --> 1:01:07.560
<v Speaker 1>but we think he's always wrong, and it's called show

1:01:07.600 --> 1:01:11.600
<v Speaker 1>Me Girl, and it turned it isn't a number one record,

1:01:11.720 --> 1:01:13.280
<v Speaker 1>and we go on that. We go on top of

1:01:13.280 --> 1:01:14.840
<v Speaker 1>the Pops for the first time as he gets in

1:01:14.880 --> 1:01:19.800
<v Speaker 1>the charts, and the guy who's announcing us say, do

1:01:19.800 --> 1:01:22.640
<v Speaker 1>you think Herman's Hermits are a one hit wonder? And

1:01:22.680 --> 1:01:26.200
<v Speaker 1>of course, me being having all the Irish energy, I

1:01:26.240 --> 1:01:30.240
<v Speaker 1>wanted to kill him. I still have a resentment I

1:01:30.320 --> 1:01:32.280
<v Speaker 1>wanted to go and I've got I'm going to prove

1:01:32.360 --> 1:01:33.920
<v Speaker 1>him wrong. So we go back to the studio and

1:01:33.960 --> 1:01:38.479
<v Speaker 1>Mickey goes, let's do let's do silhouettes. It's a shore

1:01:38.640 --> 1:01:41.320
<v Speaker 1>fire here. And next time you go on top of

1:01:41.320 --> 1:01:44.280
<v Speaker 1>the Pops, you play the piano. Don't be like Herman

1:01:44.400 --> 1:01:47.360
<v Speaker 1>standing in front of Bend. You'd be like one of

1:01:47.440 --> 1:01:49.480
<v Speaker 1>the band and it will be everyone will be impressed,

1:01:49.920 --> 1:01:56.320
<v Speaker 1>like Alan Price, right, it's good. You know all these

1:01:57.080 --> 1:01:59.360
<v Speaker 1>but you know it looks cool. You'll be cool. It's

1:01:59.360 --> 1:02:01.880
<v Speaker 1>a cool song. I'm gonna go, well, we we do it,

1:02:01.960 --> 1:02:08.520
<v Speaker 1>you know we don't do don't do it? And he no, no, no,

1:02:08.680 --> 1:02:11.880
<v Speaker 1>let's get it. Let's get fi Flick Thick got any

1:02:11.920 --> 1:02:15.960
<v Speaker 1>ideas going to do silhouss and Flick is a studio guitarist. Yeah,

1:02:16.040 --> 1:02:18.720
<v Speaker 1>Vick Flick is a famous guitar. He played the James

1:02:18.720 --> 1:02:21.760
<v Speaker 1>Bond theme and he played that boy Da Da Da

1:02:22.240 --> 1:02:25.440
<v Speaker 1>in Hard Days Night, so he's famous. Two people in

1:02:25.720 --> 1:02:27.760
<v Speaker 1>the music business in England. So it's Flick Flick and

1:02:27.760 --> 1:02:33.680
<v Speaker 1>he goes, yeah, how about this and he goes and

1:02:33.720 --> 1:02:36.560
<v Speaker 1>we're like, we're obvious a number. It's a bloody number one.

1:02:37.040 --> 1:02:39.480
<v Speaker 1>It doesn't need any fairy dust, you know, let's go.

1:02:39.640 --> 1:02:41.480
<v Speaker 1>And so we put that one out next and it is.

1:02:41.680 --> 1:02:45.080
<v Speaker 1>It's like a top two win England and hit in America.

1:02:45.400 --> 1:02:48.240
<v Speaker 1>And we've also done I Can't You Hear My Heartbeat thing,

1:02:48.280 --> 1:02:52.520
<v Speaker 1>which is also sitting around and we've somehow in early nine,

1:02:53.440 --> 1:02:55.720
<v Speaker 1>on one of those days off, we've been in the

1:02:55.720 --> 1:02:59.200
<v Speaker 1>studio and made our first album the record company. But

1:02:59.360 --> 1:03:01.720
<v Speaker 1>how long did it take to make the album? Three hours?

1:03:01.760 --> 1:03:03.960
<v Speaker 1>Everybody had three hours in the three hours to make

1:03:04.000 --> 1:03:07.160
<v Speaker 1>the whole album. Yeah, but remember I had I'm Into

1:03:07.240 --> 1:03:10.320
<v Speaker 1>something good already made and so two of the twelve

1:03:10.360 --> 1:03:12.760
<v Speaker 1>tracks were done. So the other ten tracks are all

1:03:12.800 --> 1:03:16.880
<v Speaker 1>whatever we had in our show that hadn't been recorded. Remember,

1:03:16.880 --> 1:03:19.160
<v Speaker 1>you had to go and look for songs. That's why

1:03:19.160 --> 1:03:22.720
<v Speaker 1>it's all good fun because we had to do songs

1:03:22.720 --> 1:03:25.000
<v Speaker 1>that people other people didn't do. You know, you couldn't

1:03:25.040 --> 1:03:28.720
<v Speaker 1>do Rollover Beethoven or any Chuck Berry song because they

1:03:28.800 --> 1:03:30.720
<v Speaker 1>somebody had already done them as well as they could

1:03:30.720 --> 1:03:33.480
<v Speaker 1>possibly be done. So we would we did. We cut

1:03:33.560 --> 1:03:36.200
<v Speaker 1>I'll Never Dance Again, which was from early Pete Novak,

1:03:36.200 --> 1:03:38.160
<v Speaker 1>and the Heart because we cut Heartbeat, which was early

1:03:38.560 --> 1:03:40.880
<v Speaker 1>Pete Novak, songs that we knew that we loved. We

1:03:40.880 --> 1:03:45.360
<v Speaker 1>wouldn't record anything that we didn't love. So strange in

1:03:45.400 --> 1:03:48.160
<v Speaker 1>the studio, how much did the b N play? Where

1:03:48.160 --> 1:03:52.120
<v Speaker 1>did studio musicians play? At the beginning, the band played

1:03:52.160 --> 1:03:55.040
<v Speaker 1>on everything, but bit by bit as we got busier

1:03:55.040 --> 1:03:58.160
<v Speaker 1>and busier, it was really a time to learn to

1:03:58.320 --> 1:04:01.680
<v Speaker 1>learn a new Mickey find as on and say learn this,

1:04:01.960 --> 1:04:04.520
<v Speaker 1>and they was nobody would be as quick as like

1:04:04.640 --> 1:04:07.160
<v Speaker 1>Jimmy Page would be there. You have any idea why

1:04:07.160 --> 1:04:11.400
<v Speaker 1>the albums came out in MGM in America. I think

1:04:11.480 --> 1:04:13.440
<v Speaker 1>what happened was we we had to deal with the

1:04:13.600 --> 1:04:16.959
<v Speaker 1>m I for the World and E M I didn't

1:04:17.040 --> 1:04:19.320
<v Speaker 1>pick up the option, and neither did and they didn't

1:04:19.360 --> 1:04:21.480
<v Speaker 1>for the Day Club five. Strangely enough, we were also

1:04:21.560 --> 1:04:24.160
<v Speaker 1>in the m I band who were dropped. So we

1:04:24.240 --> 1:04:26.560
<v Speaker 1>took advantage of that and we made a separate deal.

1:04:27.520 --> 1:04:31.040
<v Speaker 1>I think I think MGM signed the Animals first, and

1:04:31.080 --> 1:04:33.440
<v Speaker 1>then we were part of that deal. And I'm not

1:04:33.480 --> 1:04:36.240
<v Speaker 1>really sure about that because it's it doesn't really interest

1:04:36.960 --> 1:04:39.560
<v Speaker 1>me to know how it happened. I only want my

1:04:39.760 --> 1:04:42.240
<v Speaker 1>point of view, you know, because everybody starts talking about

1:04:42.240 --> 1:04:45.320
<v Speaker 1>the money and stuff like that. I don't care about that, Okay. Now.

1:04:45.360 --> 1:04:47.880
<v Speaker 1>On the first album was also Mrs Brown, You've Got

1:04:47.880 --> 1:04:52.120
<v Speaker 1>a Lovely Daughter? Yeah, how did that come together? Well? Well,

1:04:52.160 --> 1:04:53.360
<v Speaker 1>that was one of the songs that we used to

1:04:53.360 --> 1:04:56.040
<v Speaker 1>do at the Cavin to be different from nobody will

1:04:56.080 --> 1:04:58.800
<v Speaker 1>do My Boy Lollipop, So we'll do my Boy Lollipop,

1:04:58.840 --> 1:05:00.760
<v Speaker 1>nobody will do Mrs Brown. I used to dress up

1:05:00.960 --> 1:05:03.520
<v Speaker 1>in my school uniform with the short trousers and walk

1:05:03.520 --> 1:05:05.360
<v Speaker 1>out and do Mrs Brown you gotta leave a daughter,

1:05:05.640 --> 1:05:08.280
<v Speaker 1>as if I was that person in the song, which

1:05:08.280 --> 1:05:10.600
<v Speaker 1>I still do, by the way, but not the short trousers.

1:05:10.640 --> 1:05:14.280
<v Speaker 1>But it made sense to us too, and of course

1:05:14.320 --> 1:05:19.520
<v Speaker 1>we recorded it because I think when when Mickey heard it,

1:05:19.520 --> 1:05:23.640
<v Speaker 1>it's okay, okay, when it wasn't his idea when it

1:05:23.840 --> 1:05:27.680
<v Speaker 1>when it later when it became his great idea. But

1:05:27.760 --> 1:05:29.880
<v Speaker 1>at the time he said, we put it on side two,

1:05:29.960 --> 1:05:32.640
<v Speaker 1>track three. No one will ever get that far. I

1:05:32.640 --> 1:05:34.920
<v Speaker 1>mean he actually said, those are the exact words. One.

1:05:34.920 --> 1:05:37.960
<v Speaker 1>I've listened all the way through anyway, and it was

1:05:38.040 --> 1:05:40.800
<v Speaker 1>hidden there, and of course it became a smash. Well.

1:05:40.840 --> 1:05:42.920
<v Speaker 1>I just remember being in America. I bought the album

1:05:43.200 --> 1:05:45.120
<v Speaker 1>with a red cover and it said featuring arm into

1:05:45.160 --> 1:05:47.480
<v Speaker 1>something Good. And then Mrs Brown became a hit. They

1:05:47.480 --> 1:05:50.080
<v Speaker 1>put all sticker all the ones that featuring Mrs Brown,

1:05:50.240 --> 1:05:55.760
<v Speaker 1>which in America was even bigger hit into something So okay,

1:05:55.960 --> 1:05:59.800
<v Speaker 1>the train leaves the station of the Hermit's Hermit saw

1:06:00.440 --> 1:06:06.360
<v Speaker 1>the singles, Which ones are your favorites? I love, I Love,

1:06:06.440 --> 1:06:08.720
<v Speaker 1>I'm into something good, I like silhouettes, and I like

1:06:08.800 --> 1:06:10.240
<v Speaker 1>there's a kind of hush all over the world. It

1:06:10.320 --> 1:06:12.480
<v Speaker 1>just seems to buy by the time, by the time

1:06:12.480 --> 1:06:14.200
<v Speaker 1>we did, there's a kind of hush and all over

1:06:14.240 --> 1:06:17.280
<v Speaker 1>the world, which is there's the end of the run

1:06:17.320 --> 1:06:20.880
<v Speaker 1>of Hermit's Hermits. None of the Hermits are playing instruments

1:06:20.880 --> 1:06:24.240
<v Speaker 1>on those records. It's now John Paul Jones is playing

1:06:24.240 --> 1:06:27.960
<v Speaker 1>bass and is conducting the orchestra, and it's all the

1:06:28.000 --> 1:06:31.720
<v Speaker 1>greatest musicians in England who show up and play as

1:06:31.720 --> 1:06:33.640
<v Speaker 1>well as they can, as well as John Paul Jones

1:06:33.680 --> 1:06:37.040
<v Speaker 1>can make them. But Mickey mose is still the producer

1:06:37.080 --> 1:06:40.120
<v Speaker 1>and always Yeah, he made every Hermit term. It's okay.

1:06:40.320 --> 1:06:44.840
<v Speaker 1>So in this time you have this runoff hits. How

1:06:44.840 --> 1:06:48.120
<v Speaker 1>many You're on the road all the time? All the time,

1:06:48.160 --> 1:06:51.720
<v Speaker 1>we were NonStop. We even did a pantomime in the December,

1:06:51.760 --> 1:06:53.480
<v Speaker 1>you know, because you could do a Christmas show in

1:06:53.520 --> 1:06:56.560
<v Speaker 1>England and the Hermits played sailors and I was a

1:06:56.600 --> 1:07:01.520
<v Speaker 1>Laddin or Dick Whittington or something some crazy play Christmas pantomime.

1:07:01.840 --> 1:07:03.800
<v Speaker 1>I mean we even found time to do stuff like

1:07:03.880 --> 1:07:08.840
<v Speaker 1>that for no money. Let's you go back. Isn't it

1:07:08.880 --> 1:07:12.200
<v Speaker 1>true that when you were younger before the Herman's Hermit Sarah,

1:07:12.400 --> 1:07:15.960
<v Speaker 1>you should we did some television, Yeah, all of which

1:07:16.040 --> 1:07:18.320
<v Speaker 1>was you know, just when I was at the School

1:07:18.360 --> 1:07:23.560
<v Speaker 1>of Music, a television independent television station opened around the

1:07:23.600 --> 1:07:25.880
<v Speaker 1>corner from the School of Music in the downtown Manchester.

1:07:26.000 --> 1:07:30.840
<v Speaker 1>It's called Grenada Television and they were creating new It

1:07:30.920 --> 1:07:32.960
<v Speaker 1>was the other channel. There was a BBC and there

1:07:33.000 --> 1:07:36.960
<v Speaker 1>was this new channel, Independent television, and they were One

1:07:37.040 --> 1:07:41.080
<v Speaker 1>day some guy comes over to the to the School

1:07:41.120 --> 1:07:42.600
<v Speaker 1>of Music and he said, we're looking for a kid

1:07:42.640 --> 1:07:46.320
<v Speaker 1>who can play the piano in the background in a

1:07:46.440 --> 1:07:50.040
<v Speaker 1>Christmas Christmas E think, so I can play the Holly

1:07:50.120 --> 1:07:52.480
<v Speaker 1>and the Ivy, you know, the Holley and d I

1:07:52.680 --> 1:07:56.000
<v Speaker 1>v I could play. I play there better than anybody.

1:07:56.240 --> 1:08:00.920
<v Speaker 1>And so I got the job as kid playing a thing.

1:08:01.000 --> 1:08:03.160
<v Speaker 1>And because I got that job, then I was the

1:08:03.240 --> 1:08:05.640
<v Speaker 1>kid to go to we know a kid who was

1:08:05.680 --> 1:08:07.440
<v Speaker 1>at the School of music who can't do this? And

1:08:07.480 --> 1:08:09.840
<v Speaker 1>eventually I found myself on Coronation Street, which is the

1:08:09.920 --> 1:08:15.000
<v Speaker 1>number one biggest, biggest TV show in England and still

1:08:15.120 --> 1:08:17.320
<v Speaker 1>running even though I'm not in it. It's still running.

1:08:18.160 --> 1:08:21.080
<v Speaker 1>Were you in it? Very little? But I got paid

1:08:21.120 --> 1:08:23.960
<v Speaker 1>good money and I used all that money to finance

1:08:24.000 --> 1:08:25.640
<v Speaker 1>the band. You know, but you had no dream of

1:08:25.680 --> 1:08:27.880
<v Speaker 1>being an actor. Now I wasn't very good at it,

1:08:27.920 --> 1:08:30.200
<v Speaker 1>to tell you the truth. I never fancied myself as

1:08:30.240 --> 1:08:33.679
<v Speaker 1>an actor. I think it takes a lot more memory

1:08:33.720 --> 1:08:36.479
<v Speaker 1>skills and I have it spent me all. I'd spend

1:08:36.520 --> 1:08:38.840
<v Speaker 1>all day learning my one line. Okay, so you're on

1:08:38.880 --> 1:08:41.400
<v Speaker 1>the road with the band. Yeah, you knew each other

1:08:41.479 --> 1:08:45.519
<v Speaker 1>in uh from me and Chester. Did everybody still get

1:08:45.560 --> 1:08:48.000
<v Speaker 1>along if you're working that much? We didn't know anybody.

1:08:48.000 --> 1:08:50.720
<v Speaker 1>We didn't know each other, but the guys in the

1:08:50.760 --> 1:08:52.960
<v Speaker 1>band didn't know each other before we were But you

1:08:53.040 --> 1:08:58.519
<v Speaker 1>know that's right history when you're okay, but you knew

1:08:58.520 --> 1:09:00.760
<v Speaker 1>each other before you were biggest I met, Yeah, you

1:09:00.800 --> 1:09:04.360
<v Speaker 1>have that relationship now you're big, you're on the road.

1:09:04.880 --> 1:09:07.880
<v Speaker 1>Is everybody still getting them all? Well? I think I

1:09:07.920 --> 1:09:13.160
<v Speaker 1>think probably my biggest failing was not realizing that I

1:09:13.200 --> 1:09:16.720
<v Speaker 1>could very easily be hurting somebody's feelings without having the

1:09:16.800 --> 1:09:20.160
<v Speaker 1>knowledge that was even doing it. Like, for example, would

1:09:20.200 --> 1:09:23.800
<v Speaker 1>do the Royal Command performance and the Queen would only

1:09:23.840 --> 1:09:27.800
<v Speaker 1>meet one person, but she met all the Beatles. So

1:09:27.840 --> 1:09:30.479
<v Speaker 1>if you were Carl Green's mom watching the Royal Command

1:09:30.479 --> 1:09:33.679
<v Speaker 1>performance and you've seen the Beatles all ship, Hello, Ringo

1:09:33.760 --> 1:09:37.320
<v Speaker 1>a lot, Paul, Hello Georgia, you you say to your son,

1:09:37.720 --> 1:09:39.519
<v Speaker 1>how come you didn't meet the queen? How come he

1:09:39.560 --> 1:09:41.600
<v Speaker 1>gets to meet all the queens? And how come he

1:09:41.640 --> 1:09:44.360
<v Speaker 1>gets to be in the dressing room with Andy Williams?

1:09:44.840 --> 1:09:46.160
<v Speaker 1>Do you know what I mean? And I didn't know

1:09:46.280 --> 1:09:47.920
<v Speaker 1>any of that was going on. I thought we were

1:09:47.920 --> 1:09:50.600
<v Speaker 1>all mates and that it was the natural thing, you know,

1:09:50.640 --> 1:09:53.600
<v Speaker 1>you and I'm the youngest member, and I'm now the

1:09:53.600 --> 1:09:55.920
<v Speaker 1>spokesman because you know what the lead singer. What I

1:09:55.960 --> 1:09:57.840
<v Speaker 1>didn't know to tell them was, you know, the lead

1:09:57.880 --> 1:10:00.120
<v Speaker 1>singer is usually the person that the cameras on all

1:10:00.120 --> 1:10:02.840
<v Speaker 1>the time because he's singing, and during the guitar solo,

1:10:03.160 --> 1:10:06.519
<v Speaker 1>they'll show the guitar, not the player. And I didn't

1:10:06.560 --> 1:10:08.559
<v Speaker 1>know to tell them that. I thought that they would

1:10:08.600 --> 1:10:12.200
<v Speaker 1>just magically understand everything that goes on in the world

1:10:14.160 --> 1:10:17.880
<v Speaker 1>like I didn't, and it was very naive of me,

1:10:17.960 --> 1:10:20.680
<v Speaker 1>and I really regret it, and I'm still friends with

1:10:20.720 --> 1:10:22.880
<v Speaker 1>a couple of them, but I can understand why they

1:10:22.960 --> 1:10:26.720
<v Speaker 1>probably very quickly grew to hate me. Hey it's a

1:10:26.720 --> 1:10:30.240
<v Speaker 1>bad word, you know, not be very fond of my activities.

1:10:30.600 --> 1:10:32.800
<v Speaker 1>And what happened was we were all from Manchester. I

1:10:32.840 --> 1:10:35.840
<v Speaker 1>was living with my grandmother, and we became famous and

1:10:35.880 --> 1:10:39.559
<v Speaker 1>I immediately moved to London. I got a little muse flat,

1:10:39.680 --> 1:10:42.759
<v Speaker 1>you know, for fifteen pounds a week, which was easy.

1:10:42.800 --> 1:10:44.920
<v Speaker 1>I could afford that. I didn't need anybody to sign

1:10:45.000 --> 1:10:48.280
<v Speaker 1>the credit agreement or anything. And I bought a posh

1:10:48.400 --> 1:10:50.719
<v Speaker 1>car and I got a driver and I was off

1:10:51.120 --> 1:10:52.760
<v Speaker 1>and they were in. They were still living with their

1:10:52.840 --> 1:10:56.400
<v Speaker 1>moms and dads. Who does he think he is? And

1:10:56.439 --> 1:10:58.200
<v Speaker 1>I didn't know any of that was going on. I

1:10:58.240 --> 1:11:01.840
<v Speaker 1>didn't know. I just was so full of myself that

1:11:01.880 --> 1:11:04.280
<v Speaker 1>I didn't ever think of other people's feelings. So i've

1:11:05.120 --> 1:11:07.759
<v Speaker 1>that's probably a lot of the tension in the band

1:11:07.800 --> 1:11:09.759
<v Speaker 1>was because I didn't know that there was any tension.

1:11:10.280 --> 1:11:13.679
<v Speaker 1>But you moved to London. They theoretically could have moved

1:11:13.720 --> 1:11:15.639
<v Speaker 1>to London themselves. They had the same amount of money

1:11:15.680 --> 1:11:18.160
<v Speaker 1>that you were making, right, Yeah, we were all we

1:11:18.280 --> 1:11:22.759
<v Speaker 1>sharing everything equally. Yeah, everything, every cent was shared equally,

1:11:23.000 --> 1:11:26.280
<v Speaker 1>and that theoretically, you know, if you want of the boys,

1:11:26.320 --> 1:11:29.800
<v Speaker 1>you can't step out. It's like when Paul McCartney starts

1:11:29.840 --> 1:11:33.240
<v Speaker 1>dating the doctor's daughter, the posh doctor's daughter, he's kind

1:11:33.240 --> 1:11:35.880
<v Speaker 1>of out of the thing. You know, it's not in

1:11:35.880 --> 1:11:38.360
<v Speaker 1>the van anymore with the lads. They're all getting in

1:11:38.360 --> 1:11:41.840
<v Speaker 1>the van going back to to Manchester to their moms

1:11:41.840 --> 1:11:44.360
<v Speaker 1>and dads or whatever was going on. I don't really know.

1:11:45.000 --> 1:11:48.280
<v Speaker 1>And I'm catching the lift off the Stones Where are

1:11:48.280 --> 1:11:50.240
<v Speaker 1>you guys going tonight? Are we're going back to London?

1:11:50.280 --> 1:11:54.200
<v Speaker 1>Can I come with you? Because I'm so naive that

1:11:54.280 --> 1:11:57.800
<v Speaker 1>I don't know that that isn't appropriate. Constantly I do

1:11:57.840 --> 1:12:00.000
<v Speaker 1>it and I'm looking back and I go, how embarrassed.

1:12:00.040 --> 1:12:02.440
<v Speaker 1>And So the Beatles are doing a TV show in Manchester.

1:12:03.080 --> 1:12:06.280
<v Speaker 1>I'm not on the TV show, but I'm there because

1:12:06.280 --> 1:12:08.360
<v Speaker 1>it's in the studio where the people at the gate

1:12:08.479 --> 1:12:11.920
<v Speaker 1>know me from being in Coronation Street. So the Beatles

1:12:11.920 --> 1:12:15.400
<v Speaker 1>are there. I drive in with my driver waved to

1:12:15.479 --> 1:12:17.760
<v Speaker 1>the guy at the gate, Arry whatever his name is.

1:12:17.760 --> 1:12:20.000
<v Speaker 1>He waves me in. The Beatles are in the in

1:12:20.040 --> 1:12:24.320
<v Speaker 1>the dressing rooms. I sit in the cafeteria and they

1:12:24.400 --> 1:12:26.840
<v Speaker 1>come and sit down at the table. I start talking

1:12:26.840 --> 1:12:31.960
<v Speaker 1>to them as if I know them. Ah, because I'm

1:12:32.000 --> 1:12:35.400
<v Speaker 1>sixteen and they think I'm some kid from Coronation Street.

1:12:37.200 --> 1:12:42.160
<v Speaker 1>But they're the Beatles. And now I'm so stupid, stupidity really,

1:12:42.320 --> 1:12:47.920
<v Speaker 1>but it's kind of comedy stupid that I see Paul

1:12:48.000 --> 1:12:51.080
<v Speaker 1>McCartney sitting talking to George Martin in the dressing room

1:12:51.360 --> 1:12:54.240
<v Speaker 1>with the door slightly open, and I walk in and

1:12:54.360 --> 1:12:58.600
<v Speaker 1>join in the conversation. Hello, what's what's up, you know

1:12:58.680 --> 1:13:01.960
<v Speaker 1>what you do, and and and Paul, who is the kindest,

1:13:02.160 --> 1:13:07.040
<v Speaker 1>you know, because I'm just this kid herman and I

1:13:07.040 --> 1:13:09.320
<v Speaker 1>I say, I say, and he goes, well, are we're

1:13:09.320 --> 1:13:12.120
<v Speaker 1>talking about compression? Do you know anything about compression? I

1:13:12.880 --> 1:13:16.040
<v Speaker 1>know what what's compression? And Paul starts up, well, you know,

1:13:16.080 --> 1:13:18.960
<v Speaker 1>and this is exactly how it went. You havent heard of,

1:13:19.080 --> 1:13:21.880
<v Speaker 1>you know, Fats Domino. How when he sings the track go,

1:13:22.160 --> 1:13:24.280
<v Speaker 1>it gets it loses some of that, and then we

1:13:24.280 --> 1:13:25.920
<v Speaker 1>start singing again. You lose the track and then the

1:13:25.920 --> 1:13:29.040
<v Speaker 1>track comes louder in between the first Oh yeah, I

1:13:29.080 --> 1:13:31.240
<v Speaker 1>know exactly what he talks about. Well that's compression. And

1:13:31.240 --> 1:13:34.800
<v Speaker 1>we're discussing how to defeat the compression. Ah yeah, and

1:13:34.840 --> 1:13:39.519
<v Speaker 1>I'm going to and they're they're doing people who have

1:13:39.640 --> 1:13:44.760
<v Speaker 1>recorded the Beatles songs. And George Martin says, looks at

1:13:44.800 --> 1:13:48.960
<v Speaker 1>me like like I'm a an adult and says, which

1:13:49.000 --> 1:13:55.760
<v Speaker 1>Beatles song have you recorded? Which means get out and

1:13:56.000 --> 1:13:59.599
<v Speaker 1>record any Beatles song I haven't. Just just you know, okay,

1:13:59.600 --> 1:14:03.679
<v Speaker 1>thank you? Like but you didn't realize you were big?

1:14:04.400 --> 1:14:07.759
<v Speaker 1>No I didn't. I didn't. He was so Paul McCartney

1:14:07.840 --> 1:14:12.439
<v Speaker 1>was so kind and well mannered and included me in

1:14:12.439 --> 1:14:16.560
<v Speaker 1>the conversation as it cares what I think about compression.

1:14:16.840 --> 1:14:19.240
<v Speaker 1>But he's just a gentleman, you know. And so was George.

1:14:19.280 --> 1:14:22.280
<v Speaker 1>You could have said please get out, but he didn't.

1:14:22.280 --> 1:14:26.600
<v Speaker 1>He said, well, which which beatles songs have you recorded? Non? Okay?

1:14:27.360 --> 1:14:31.760
<v Speaker 1>Leave kind of just okay. So and lots of that

1:14:31.840 --> 1:14:35.000
<v Speaker 1>happened to me all my all my time in herme

1:14:35.080 --> 1:14:38.439
<v Speaker 1>and Sermis, I would always get myself into situations that

1:14:38.600 --> 1:14:43.559
<v Speaker 1>I didn't really realize made me look stupid until years

1:14:43.640 --> 1:14:46.800
<v Speaker 1>later I look back and I go you asked the

1:14:46.960 --> 1:14:51.160
<v Speaker 1>Stones what they're doing after the show and they to

1:14:51.280 --> 1:14:53.680
<v Speaker 1>get rid of you. They said, oh, we're going back

1:14:53.720 --> 1:14:56.400
<v Speaker 1>to London, and you said the words can I come

1:14:56.439 --> 1:15:03.519
<v Speaker 1>with you? They said all right, And and they had

1:15:03.560 --> 1:15:06.040
<v Speaker 1>this big American car and there was there wasn't a

1:15:06.080 --> 1:15:07.760
<v Speaker 1>seat for me. And even though it's a big car,

1:15:07.840 --> 1:15:10.920
<v Speaker 1>so they're the driver called REDGI King who had a hammer.

1:15:11.120 --> 1:15:13.600
<v Speaker 1>There was a left hand drive and they sat me

1:15:13.720 --> 1:15:16.680
<v Speaker 1>in the middle next to this crazy redg King in

1:15:16.720 --> 1:15:19.280
<v Speaker 1>the middle with Brian who was also a little guy.

1:15:19.280 --> 1:15:20.800
<v Speaker 1>He was a little guy like Brian Jodge was a

1:15:20.800 --> 1:15:22.840
<v Speaker 1>little guy. Like me. So we could sit in the

1:15:22.840 --> 1:15:25.799
<v Speaker 1>front seat of that big American car with the seat

1:15:26.240 --> 1:15:30.040
<v Speaker 1>the middle thing up, and this Ridge king as we

1:15:30.160 --> 1:15:32.600
<v Speaker 1>drove past cars on the free on the motorway, he

1:15:32.640 --> 1:15:36.400
<v Speaker 1>would lean out of the window and bash their rear

1:15:36.479 --> 1:15:42.000
<v Speaker 1>view mirror off right, And this is like this kid

1:15:42.040 --> 1:15:44.600
<v Speaker 1>from Mentis to his life, been a Catholic school and

1:15:44.640 --> 1:15:47.240
<v Speaker 1>everything I got. This is the greatest thing I've never been.

1:15:47.640 --> 1:15:50.280
<v Speaker 1>This is incredible, this is these are the greatest people

1:15:50.320 --> 1:15:52.760
<v Speaker 1>I've ever met in my life. This is this is.

1:15:52.800 --> 1:15:55.160
<v Speaker 1>I wish Herman's Hermits were more like this, you know,

1:15:55.560 --> 1:15:58.719
<v Speaker 1>not so nice and staying with their mom's. I wish

1:15:58.720 --> 1:16:01.960
<v Speaker 1>they would get a hammer bash old people's rear view

1:16:02.040 --> 1:16:05.160
<v Speaker 1>mirrors off as they drove past. And that was my

1:16:05.280 --> 1:16:08.600
<v Speaker 1>new liago. I live in London. Now I'm going to

1:16:08.720 --> 1:16:11.639
<v Speaker 1>live in London and be like them. So when did

1:16:11.640 --> 1:16:14.240
<v Speaker 1>you find out that there was resembling from the guys

1:16:14.280 --> 1:16:20.840
<v Speaker 1>in the band? You know in the seventies, you know,

1:16:20.840 --> 1:16:22.599
<v Speaker 1>in the early set when we when we all decided

1:16:22.640 --> 1:16:25.360
<v Speaker 1>to what happened was we did a Royal command performance

1:16:26.240 --> 1:16:28.840
<v Speaker 1>and we decided that we were going to be a

1:16:28.840 --> 1:16:33.280
<v Speaker 1>cabaret band. The American record thing. It was a disaster,

1:16:33.400 --> 1:16:36.280
<v Speaker 1>you know, because we would run into a situation where

1:16:36.280 --> 1:16:39.160
<v Speaker 1>are being teenagers, we didn't know how to deal with

1:16:39.160 --> 1:16:42.200
<v Speaker 1>it because we've never had to deal with so somebody said,

1:16:42.560 --> 1:16:45.400
<v Speaker 1>you didn't get the check, so we'd say, well, if

1:16:45.439 --> 1:16:46.800
<v Speaker 1>they're not going to give us the money, we're not

1:16:46.800 --> 1:16:49.679
<v Speaker 1>going to give them the record, which is what they want.

1:16:50.720 --> 1:16:53.599
<v Speaker 1>But we didn't know that we wanted we we want.

1:16:53.840 --> 1:16:56.599
<v Speaker 1>We didn't know that they didn't want our records enough

1:16:56.640 --> 1:16:59.800
<v Speaker 1>to give us the money. Say so is the money

1:16:59.800 --> 1:17:02.720
<v Speaker 1>thing came and and then what happened was that that

1:17:02.800 --> 1:17:06.439
<v Speaker 1>I was kind of nonchalant about the financial part of it,

1:17:06.760 --> 1:17:08.920
<v Speaker 1>but the grudge part I wasn't going to let let

1:17:08.960 --> 1:17:11.479
<v Speaker 1>go of and we're not going to give them any

1:17:11.520 --> 1:17:15.120
<v Speaker 1>more music until until we get all the money and

1:17:15.160 --> 1:17:20.439
<v Speaker 1>we want it nothing. So meanwhile, what happened was we

1:17:20.439 --> 1:17:22.920
<v Speaker 1>started to make really good records for the rest of

1:17:22.960 --> 1:17:26.480
<v Speaker 1>the world, like we had My Sentimental Friend and Sunshine

1:17:26.479 --> 1:17:29.080
<v Speaker 1>Girl and Something's Happening. They were all big, big records

1:17:29.120 --> 1:17:31.320
<v Speaker 1>all around the world, not in America because they were

1:17:31.320 --> 1:17:33.479
<v Speaker 1>not released, and we thought that that would tease them

1:17:33.479 --> 1:17:36.120
<v Speaker 1>into putting it out. Look at that number one in Australia.

1:17:36.120 --> 1:17:38.000
<v Speaker 1>They put it out in a minute. That's they'll give

1:17:38.080 --> 1:17:39.920
<v Speaker 1>us the money just to get their hands on that.

1:17:40.240 --> 1:17:42.600
<v Speaker 1>They didn't care. They just wore onto the next we

1:17:43.479 --> 1:17:45.600
<v Speaker 1>you know, the monkeys had come along or something and

1:17:45.720 --> 1:17:47.680
<v Speaker 1>we were just like over there and all these were

1:17:47.680 --> 1:17:51.120
<v Speaker 1>good exact so, and I realized at the time that

1:17:50.800 --> 1:17:53.720
<v Speaker 1>we that we'd stepped into this cabaret world, which was

1:17:53.760 --> 1:17:56.960
<v Speaker 1>really good for me because I'm kind of a cabaret person,

1:17:57.040 --> 1:17:59.040
<v Speaker 1>do you know what I mean? I can tap did

1:17:59.120 --> 1:18:01.760
<v Speaker 1>did he? Did he? And I can you know, and

1:18:01.800 --> 1:18:06.280
<v Speaker 1>I can play with the audience. And I talked them

1:18:06.280 --> 1:18:09.479
<v Speaker 1>into we've got a choreographer, and we ended up doing

1:18:09.640 --> 1:18:12.599
<v Speaker 1>a royal command performance for the Queen and doing song

1:18:12.760 --> 1:18:16.760
<v Speaker 1>Broadway hits, you know, like name, you Don't Do, Don't

1:18:16.800 --> 1:18:20.200
<v Speaker 1>Do Do Do do It do Name, and the hermits

1:18:20.439 --> 1:18:23.719
<v Speaker 1>had to not have guitars and had to become male dancers.

1:18:24.720 --> 1:18:29.200
<v Speaker 1>Think about it, Oh, I am thinking about but I

1:18:29.240 --> 1:18:31.679
<v Speaker 1>saw it as I finally saw it about a year ago,

1:18:32.280 --> 1:18:34.599
<v Speaker 1>so resentments. So at the end of that, we all

1:18:34.640 --> 1:18:37.479
<v Speaker 1>decided that we've done the best that we could possibly

1:18:37.560 --> 1:18:42.880
<v Speaker 1>do with that idea. Let's let's all, let's take some

1:18:42.960 --> 1:18:45.599
<v Speaker 1>time away from each other and see what happens, see

1:18:45.600 --> 1:18:49.400
<v Speaker 1>what happens with the label and everything, and you know,

1:18:49.439 --> 1:18:52.160
<v Speaker 1>everyone who was recently married and stuff like that. And

1:18:52.560 --> 1:18:55.920
<v Speaker 1>at the end of this run, they took the suits off.

1:18:55.920 --> 1:18:58.680
<v Speaker 1>We always wore suits, and they ripped them up and

1:18:58.720 --> 1:19:00.639
<v Speaker 1>tore them up and jumped through ound on the stage.

1:19:00.680 --> 1:19:02.479
<v Speaker 1>I'm never going to wear a suit again, you know

1:19:02.479 --> 1:19:04.160
<v Speaker 1>what I mean. And then that's when I realized, Oh,

1:19:04.200 --> 1:19:07.800
<v Speaker 1>they didn't. They didn't enjoy. It's not about how much

1:19:07.880 --> 1:19:11.639
<v Speaker 1>money they make. It's about how much fun they're having

1:19:11.760 --> 1:19:14.080
<v Speaker 1>playing as a band, you know, Like we used to

1:19:14.120 --> 1:19:16.960
<v Speaker 1>have this fun and laugh at each other and and

1:19:17.400 --> 1:19:19.600
<v Speaker 1>someone they made a mistake, we would all laugh at

1:19:19.680 --> 1:19:22.760
<v Speaker 1>each other and yeah, and all that was gone and

1:19:22.800 --> 1:19:26.040
<v Speaker 1>we were being we were like the Bachelor's or the Shadows.

1:19:26.080 --> 1:19:28.160
<v Speaker 1>We were like those bands that we didn't want to be, like,

1:19:28.760 --> 1:19:31.559
<v Speaker 1>going through the motions, you know, dance steps and everything.

1:19:32.200 --> 1:19:34.559
<v Speaker 1>And that's when I realized. And that was also about

1:19:34.560 --> 1:19:36.680
<v Speaker 1>the time that I didn't realize that me sharing the

1:19:36.760 --> 1:19:39.280
<v Speaker 1>dresser room with Tom Jones and Andy Williams and then

1:19:39.320 --> 1:19:44.640
<v Speaker 1>being on the third floor with the Czechoslovakian choir was

1:19:44.680 --> 1:19:48.840
<v Speaker 1>not appropriate. It was bad management of their feelings by me.

1:19:49.760 --> 1:19:55.280
<v Speaker 1>So whenever we decided to call break, did you think

1:19:55.360 --> 1:19:58.240
<v Speaker 1>there was a future for you and show business? You know,

1:19:58.280 --> 1:20:00.400
<v Speaker 1>I had a TV series, so part of the I

1:20:00.439 --> 1:20:03.200
<v Speaker 1>had a British TV shot series that was running at

1:20:03.200 --> 1:20:05.639
<v Speaker 1>the same time as we broke up. And I thought

1:20:05.680 --> 1:20:09.000
<v Speaker 1>that as soon as I was finished with the TV series,

1:20:09.040 --> 1:20:16.519
<v Speaker 1>because I'm thoughtless bastard, heartless bastard, that they would come

1:20:16.520 --> 1:20:19.080
<v Speaker 1>back into the fold. You know, we can start up again.

1:20:19.080 --> 1:20:20.840
<v Speaker 1>We'll go do an Australian tour and we'll do a

1:20:20.840 --> 1:20:23.519
<v Speaker 1>little American oldies but goodies to own. That's exactly what

1:20:23.560 --> 1:20:26.040
<v Speaker 1>we did. We came over and I think Naida had

1:20:26.080 --> 1:20:28.800
<v Speaker 1>one of those things and he put together a British

1:20:28.320 --> 1:20:33.639
<v Speaker 1>and I thought, I saw that in your blog. Yeah,

1:20:33.680 --> 1:20:35.519
<v Speaker 1>and we thought that was it, and we thought, well,

1:20:35.520 --> 1:20:38.320
<v Speaker 1>we can do this now and then. But they wanted

1:20:38.400 --> 1:20:42.519
<v Speaker 1>to work. See the idea that they wanted to work

1:20:42.600 --> 1:20:45.559
<v Speaker 1>and they would be prepared to pretend to be something

1:20:45.680 --> 1:20:49.200
<v Speaker 1>other than who they were. And it never occurred to

1:20:49.200 --> 1:20:51.799
<v Speaker 1>me that they wanted to work, that they enjoyed working

1:20:51.960 --> 1:20:54.680
<v Speaker 1>and singing Herman's Hermits songs and that we're prepared to

1:20:54.680 --> 1:20:56.920
<v Speaker 1>do it without me, and I thought that they wouldn't

1:20:56.920 --> 1:20:58.680
<v Speaker 1>be able to. I thought they won't be able to

1:20:58.720 --> 1:21:01.280
<v Speaker 1>do it, you know, like Peter Gabriel thought that Gis

1:21:01.320 --> 1:21:04.960
<v Speaker 1>would go on and everybody from everybody? What was the

1:21:05.000 --> 1:21:07.360
<v Speaker 1>TV series you have? It was cool? It was it

1:21:07.400 --> 1:21:09.720
<v Speaker 1>was Mike Yarwood. It was on every week. It was

1:21:09.760 --> 1:21:12.120
<v Speaker 1>a weekly show, and I was doing comedy and singing

1:21:12.120 --> 1:21:14.840
<v Speaker 1>a song every week. I was three people in the show,

1:21:16.040 --> 1:21:19.719
<v Speaker 1>Mike Yarwood, Averan Post and me, and we did scenes

1:21:19.760 --> 1:21:22.120
<v Speaker 1>together and it was kind of a fun show to do.

1:21:22.240 --> 1:21:24.560
<v Speaker 1>And you would rehearsal week and you shoot it like

1:21:25.280 --> 1:21:28.160
<v Speaker 1>it would go out live on Thursdays with an orchestra

1:21:28.840 --> 1:21:31.800
<v Speaker 1>and girls singers and all those things. And I choose

1:21:31.880 --> 1:21:33.760
<v Speaker 1>the song that I would do every week, and it

1:21:33.840 --> 1:21:35.360
<v Speaker 1>was very I mean, it went for three years. It

1:21:35.400 --> 1:21:37.880
<v Speaker 1>was supposed to be thirteen weeks, but it went for

1:21:37.920 --> 1:21:41.439
<v Speaker 1>three years because it was successful. Like everything that you

1:21:41.680 --> 1:21:44.960
<v Speaker 1>think you can just have a little flip with, they

1:21:45.000 --> 1:21:47.080
<v Speaker 1>turned into being big deals. And that turned into being

1:21:47.120 --> 1:21:49.120
<v Speaker 1>a big deal. I'm sure you must have done certain

1:21:49.160 --> 1:21:52.639
<v Speaker 1>things had failed. Lots of things fail. I like fails.

1:21:53.280 --> 1:21:55.960
<v Speaker 1>I sometimes like failing in a during the song because

1:21:56.000 --> 1:22:00.000
<v Speaker 1>then I can recover. You know, I enjoy failure because

1:22:00.000 --> 1:22:03.000
<v Speaker 1>as you learned something. It's like I say, too, I

1:22:03.040 --> 1:22:05.320
<v Speaker 1>went to see a band and they go, do why

1:22:05.360 --> 1:22:07.280
<v Speaker 1>do you want to say that? I'd like to see

1:22:07.320 --> 1:22:10.920
<v Speaker 1>what I shouldn't do. You know, some ballences you they

1:22:10.960 --> 1:22:13.519
<v Speaker 1>do things. Once I saw this band and the the

1:22:13.640 --> 1:22:16.040
<v Speaker 1>singer some girl offered him a bouquet of flowers and

1:22:16.040 --> 1:22:18.120
<v Speaker 1>he threw it behind him over his head, and every

1:22:18.160 --> 1:22:22.360
<v Speaker 1>money in the audience went, oh, so you know you

1:22:22.439 --> 1:22:24.719
<v Speaker 1>learn I go. I go to see loads of bands.

1:22:24.760 --> 1:22:27.360
<v Speaker 1>I'm still a fan of music, which is what bizarre.

1:22:27.360 --> 1:22:30.120
<v Speaker 1>People think, Wow, what are you doing here? I'd like

1:22:30.160 --> 1:22:33.720
<v Speaker 1>to see what is going on? Okay, So how do

1:22:33.800 --> 1:22:37.840
<v Speaker 1>you decide to go on this oldies tour British Invasion tour?

1:22:38.240 --> 1:22:40.639
<v Speaker 1>I think Richard Nader offered loads of money. He made

1:22:40.640 --> 1:22:42.559
<v Speaker 1>one deal with the Hermits and he made one deal

1:22:42.640 --> 1:22:45.920
<v Speaker 1>with me, and that was it. We we got together,

1:22:46.000 --> 1:22:48.400
<v Speaker 1>we rehearsed. I remember we did simple Men. We did

1:22:48.400 --> 1:22:51.439
<v Speaker 1>a Graham Nash song, which is so bizarre, and I

1:22:51.479 --> 1:22:54.519
<v Speaker 1>got back on the piano like Alan Price I played

1:22:54.520 --> 1:22:57.960
<v Speaker 1>that show, and remember I played the piano in that show. Okay,

1:22:58.080 --> 1:23:01.800
<v Speaker 1>well I did, But so we were looking for that

1:23:01.920 --> 1:23:06.480
<v Speaker 1>sort of mystery. Oh, they're much more that are musicians,

1:23:06.520 --> 1:23:09.160
<v Speaker 1>you know, because we decided, like when we were after

1:23:09.200 --> 1:23:11.080
<v Speaker 1>we've seen the Beatles, we said, we have to be

1:23:11.160 --> 1:23:13.679
<v Speaker 1>careful that we never want to try to be those

1:23:13.840 --> 1:23:16.960
<v Speaker 1>those kind of musicians who want to impress other musicians

1:23:17.120 --> 1:23:20.240
<v Speaker 1>because they never make it. Okay, so when you go

1:23:20.360 --> 1:23:22.559
<v Speaker 1>back out on the road, how many original Hermits go

1:23:22.640 --> 1:23:25.439
<v Speaker 1>back out with you? Everybody went? I think on that

1:23:25.479 --> 1:23:28.400
<v Speaker 1>one every everybody. I think there might have been a

1:23:28.479 --> 1:23:31.599
<v Speaker 1>guy called I think Keith Hopwood didn't come back, so

1:23:31.640 --> 1:23:34.080
<v Speaker 1>there was maybe one replacement. But Derek let can be

1:23:34.160 --> 1:23:37.400
<v Speaker 1>the original guitarist, Barry when the drummer and Carl Green

1:23:37.439 --> 1:23:40.200
<v Speaker 1>the base pay. We all went out, but they got

1:23:40.240 --> 1:23:43.160
<v Speaker 1>paid less than apparently. Yeah, that was that was also

1:23:43.560 --> 1:23:47.120
<v Speaker 1>cause of some concern. So how long did that did

1:23:47.640 --> 1:23:51.680
<v Speaker 1>working with that band last? Just that one tour? We

1:23:52.479 --> 1:23:55.559
<v Speaker 1>thought to do other stuff, but it just all fell

1:23:55.600 --> 1:23:58.040
<v Speaker 1>apart during that tour, I think, you know, because we

1:23:58.160 --> 1:24:01.760
<v Speaker 1>just we just didn't. We were never an arena act,

1:24:01.800 --> 1:24:04.640
<v Speaker 1>you know. Herman Summons never could have played arenas, and

1:24:04.720 --> 1:24:06.960
<v Speaker 1>that tour put us in bed. You know, we were

1:24:06.960 --> 1:24:09.680
<v Speaker 1>at Madison Square Garden. We could never play that. I

1:24:09.720 --> 1:24:12.639
<v Speaker 1>still couldn't play it. I don't think the music doesn't

1:24:12.720 --> 1:24:18.800
<v Speaker 1>transcend the cabaret kind of atmosphere theater. I think so.

1:24:18.800 --> 1:24:22.400
<v Speaker 1>So when you go that's that would be called a fail.

1:24:22.479 --> 1:24:24.360
<v Speaker 1>I think that would tour that that come back to

1:24:24.479 --> 1:24:28.559
<v Speaker 1>the British invasion much too soon. Okay, but how did

1:24:28.560 --> 1:24:31.920
<v Speaker 1>you feel about being an oldies act? Nothing? I thought

1:24:32.560 --> 1:24:35.479
<v Speaker 1>everybody that I admired was an oldies act. When you

1:24:35.520 --> 1:24:38.360
<v Speaker 1>said oldies but goodies, I remembered the word goodie, right,

1:24:39.120 --> 1:24:41.000
<v Speaker 1>you know Del Shannon. The first time I saw that,

1:24:41.720 --> 1:24:44.519
<v Speaker 1>think about it. The Beatles opened for Chris Montez and

1:24:44.520 --> 1:24:47.519
<v Speaker 1>Tommy Row. That was an oldiest talk. They were in

1:24:47.560 --> 1:24:49.920
<v Speaker 1>the charts, but they were already it was an oldies show,

1:24:49.960 --> 1:24:52.439
<v Speaker 1>and the Beatles were opening for Del Shannon and those

1:24:52.800 --> 1:24:58.120
<v Speaker 1>those great artists and Royal Orbison they were they weren't newcomers.

1:24:58.200 --> 1:25:03.040
<v Speaker 1>So after that, to or what do you do? I

1:25:03.040 --> 1:25:05.320
<v Speaker 1>think that's probably when I did a load of solo

1:25:05.400 --> 1:25:07.720
<v Speaker 1>stuff in England because I'd had that TV series. So

1:25:07.800 --> 1:25:10.960
<v Speaker 1>now Peter Noon was more and more financially viable than

1:25:11.000 --> 1:25:13.640
<v Speaker 1>herme and firm. It's anyway. I was now able to

1:25:13.680 --> 1:25:16.080
<v Speaker 1>go and do cabaret, which was a big thing in

1:25:16.120 --> 1:25:18.719
<v Speaker 1>England at the time. That was where all the money

1:25:18.800 --> 1:25:21.040
<v Speaker 1>was to go into cabaret and people dinner theater, I

1:25:21.080 --> 1:25:23.400
<v Speaker 1>think is what it's called. And there was lots of

1:25:23.439 --> 1:25:26.800
<v Speaker 1>that and I ate that up. And then sometime I uh,

1:25:27.800 --> 1:25:32.639
<v Speaker 1>I started to really not like being in England. It changed,

1:25:32.720 --> 1:25:35.680
<v Speaker 1>the vibe in England have changed, and I didn't want

1:25:35.680 --> 1:25:38.320
<v Speaker 1>to be there anymore. And we had a big, big

1:25:38.360 --> 1:25:40.400
<v Speaker 1>my wife and I had a big country house with

1:25:40.560 --> 1:25:43.640
<v Speaker 1>loads of people working for us, and I decided it

1:25:43.680 --> 1:25:45.920
<v Speaker 1>was time to downsize. And some guy came over and

1:25:45.920 --> 1:25:47.479
<v Speaker 1>saw the house and he said, how much you want

1:25:47.560 --> 1:25:49.679
<v Speaker 1>for it? And I said, I want lots of money.

1:25:49.680 --> 1:25:51.360
<v Speaker 1>He said, put a number, tell me a number. I

1:25:51.800 --> 1:25:53.519
<v Speaker 1>thought of the biggest number I could think of. My

1:25:53.520 --> 1:25:55.840
<v Speaker 1>wife still says it was only ten percent of what

1:25:55.880 --> 1:25:58.280
<v Speaker 1>I should have asked for, you know, because wives always do.

1:25:58.760 --> 1:26:00.439
<v Speaker 1>But and he gave me the money and he said,

1:26:00.439 --> 1:26:02.799
<v Speaker 1>I want to move in on Thursday. So we rented

1:26:02.880 --> 1:26:09.040
<v Speaker 1>of a truck and a truck and Evolvo and we

1:26:09.160 --> 1:26:10.960
<v Speaker 1>drove to We rented a house in the south of

1:26:11.040 --> 1:26:14.000
<v Speaker 1>France and moved to the south of France. Everything with

1:26:14.040 --> 1:26:16.479
<v Speaker 1>the dogs. We had six dogs, and we had to

1:26:16.479 --> 1:26:19.000
<v Speaker 1>remove a big truck, you know, like people do in America,

1:26:19.080 --> 1:26:23.719
<v Speaker 1>and they move. And I stayed there and we stayed.

1:26:23.760 --> 1:26:26.080
<v Speaker 1>I loved it in France. I love to get up

1:26:26.080 --> 1:26:28.120
<v Speaker 1>in the morning and they go to a little cafe

1:26:28.240 --> 1:26:31.559
<v Speaker 1>and people would drink white wine and breakfast and play

1:26:31.640 --> 1:26:34.880
<v Speaker 1>the tears, you know, betting on horses. Nothing. I knew

1:26:34.920 --> 1:26:36.800
<v Speaker 1>nothing about it, but I would play with them, you know,

1:26:36.800 --> 1:26:39.040
<v Speaker 1>and I could speak French, so I was kind of

1:26:39.080 --> 1:26:42.559
<v Speaker 1>I felt very comfortable in France when the Stones lived

1:26:42.600 --> 1:26:44.720
<v Speaker 1>just down the street. So it's like I followed the

1:26:44.720 --> 1:26:47.960
<v Speaker 1>Stones to their right. But you weren't on the heroin,

1:26:49.280 --> 1:26:52.800
<v Speaker 1>so you're how did you feel from going from Top

1:26:52.840 --> 1:26:57.080
<v Speaker 1>of the Pops to playing dinner theater. I just enjoyed

1:26:57.080 --> 1:26:59.880
<v Speaker 1>the work. You know, they're all pretty challenging things to

1:27:00.080 --> 1:27:03.080
<v Speaker 1>I'm always worried about how how the promoters doing. That's

1:27:03.160 --> 1:27:07.000
<v Speaker 1>my only fear that you know, everyone's making money, That's

1:27:07.040 --> 1:27:10.960
<v Speaker 1>just my nature. So everyone was being paid. I had

1:27:11.120 --> 1:27:13.439
<v Speaker 1>a musical director and he was happy to have the work,

1:27:13.479 --> 1:27:16.000
<v Speaker 1>and we'd use local bands and stuff like that was

1:27:16.200 --> 1:27:19.120
<v Speaker 1>very very hard on my throat because you'd have to

1:27:19.160 --> 1:27:22.760
<v Speaker 1>rehearsal a lot. And Okay, so you say you had

1:27:22.800 --> 1:27:25.920
<v Speaker 1>some records in France, so you continued to work. You

1:27:26.000 --> 1:27:28.680
<v Speaker 1>never really stopped working. No, I con'stant work. And then

1:27:28.720 --> 1:27:31.880
<v Speaker 1>you put the Tremblers together. When is that probably about?

1:27:33.360 --> 1:27:37.440
<v Speaker 1>And what was that experience? Like? It was a fantastic

1:27:37.520 --> 1:27:40.680
<v Speaker 1>experience because you know what happened. I became friends, you know,

1:27:41.640 --> 1:27:44.559
<v Speaker 1>in l A. There's so the heart Breakers were here

1:27:44.600 --> 1:27:46.240
<v Speaker 1>and I became friends with stan Lynch. She was the

1:27:46.320 --> 1:27:48.760
<v Speaker 1>drama and I said, I'm gonna have this. And I

1:27:48.800 --> 1:27:51.240
<v Speaker 1>was also friends with D from d Murray from the

1:27:51.280 --> 1:27:53.120
<v Speaker 1>Out and John Bann. There was this little click of

1:27:53.160 --> 1:27:56.040
<v Speaker 1>people and I said, I think I'm good. I want

1:27:56.080 --> 1:27:58.000
<v Speaker 1>to because I was jealous that they were in a

1:27:58.080 --> 1:28:02.400
<v Speaker 1>band and they were in this joyous experience of a band.

1:28:05.360 --> 1:28:07.680
<v Speaker 1>They were enjoying being in this band. You know, D

1:28:07.920 --> 1:28:10.880
<v Speaker 1>was loving playing gigs with Elton and they were they

1:28:10.880 --> 1:28:14.200
<v Speaker 1>were it was growing every day, and the Heartbreakers were

1:28:14.320 --> 1:28:16.040
<v Speaker 1>you know, they were all still living in the valley.

1:28:16.080 --> 1:28:18.160
<v Speaker 1>But you know, they were just ready to make it,

1:28:18.200 --> 1:28:19.760
<v Speaker 1>you know, just ready to break it. And I have

1:28:19.880 --> 1:28:22.160
<v Speaker 1>to sit there with Stan. I said, you know what,

1:28:22.240 --> 1:28:23.960
<v Speaker 1>I think I'm going to start a band and decent.

1:28:24.720 --> 1:28:27.240
<v Speaker 1>He said, what would you call it? Herman? I said, no, no,

1:28:27.640 --> 1:28:31.320
<v Speaker 1>I think I'd call it Watkins and the Dominators because

1:28:31.320 --> 1:28:35.799
<v Speaker 1>it was an amplifier, a triangular amplifier in the sixties

1:28:35.880 --> 1:28:39.120
<v Speaker 1>thing and called the Watkins Dominator. And he said, I

1:28:39.120 --> 1:28:42.719
<v Speaker 1>don't call it that because the people last which once Watkins,

1:28:45.040 --> 1:28:47.640
<v Speaker 1>which is memorable stuff with a nice guy d So

1:28:48.320 --> 1:28:52.759
<v Speaker 1>we started about putting this band together. Hell and Stand

1:28:52.840 --> 1:28:56.680
<v Speaker 1>new this drama, really great drama, a big guy. I

1:28:56.760 --> 1:28:58.519
<v Speaker 1>wanted a big guy like Stan, you know, but it

1:28:58.560 --> 1:29:02.120
<v Speaker 1>could get over the kit like ring. And we started

1:29:02.120 --> 1:29:04.120
<v Speaker 1>putting this band together and Standard I wrote a couple

1:29:04.160 --> 1:29:06.559
<v Speaker 1>of songs and we well it was all you know,

1:29:06.640 --> 1:29:09.360
<v Speaker 1>like starting. It was like really fresh and starting. And

1:29:09.560 --> 1:29:14.600
<v Speaker 1>and and Bruce Johnston from the Beach Boys, um, he

1:29:14.720 --> 1:29:17.240
<v Speaker 1>had a label and I played him a couple of

1:29:17.240 --> 1:29:20.840
<v Speaker 1>the things at me and Standard they said, beyond my label,

1:29:20.880 --> 1:29:25.240
<v Speaker 1>it's an epic epic portrait associated and I'm associated. So

1:29:25.280 --> 1:29:27.479
<v Speaker 1>I got, yeah, let's go. They'll give you money, they'll

1:29:27.600 --> 1:29:29.439
<v Speaker 1>give us money to make the record. Yeah, we'll get

1:29:29.439 --> 1:29:31.880
<v Speaker 1>the money, will split the money. Then, so we just

1:29:32.000 --> 1:29:34.719
<v Speaker 1>suddenly we're in Conway studios and we're making a record

1:29:34.760 --> 1:29:38.879
<v Speaker 1>with one known you know. I got Phil Phil Solom

1:29:38.920 --> 1:29:41.840
<v Speaker 1>who's in a band, and he's playing the guitar, and

1:29:41.880 --> 1:29:43.920
<v Speaker 1>I got Stal on the drums, and he brings in

1:29:43.960 --> 1:29:45.800
<v Speaker 1>some of the heartbreakers down there to play things, and

1:29:45.840 --> 1:29:48.719
<v Speaker 1>we just we're having a blast. That's like Abbey Road again,

1:29:48.760 --> 1:29:50.880
<v Speaker 1>you know. It's that where everybody's in a room having

1:29:50.920 --> 1:29:54.120
<v Speaker 1>fun and everything's joyous and and it was just a

1:29:54.160 --> 1:29:56.599
<v Speaker 1>great experience. And then we put the record out and

1:29:56.640 --> 1:29:58.760
<v Speaker 1>then of course it all then you find out that

1:29:59.000 --> 1:30:01.840
<v Speaker 1>the only people who really really love the music the

1:30:01.880 --> 1:30:06.720
<v Speaker 1>people in the band. Okay, and at what point do

1:30:06.800 --> 1:30:12.680
<v Speaker 1>you decide to go back on tour as Herman's Hermits.

1:30:12.680 --> 1:30:16.559
<v Speaker 1>That phone call from from Lulu LULUs, they started me

1:30:16.600 --> 1:30:19.439
<v Speaker 1>out as Peter Noon. I went Peter Noon formerly Home

1:30:19.560 --> 1:30:22.840
<v Speaker 1>and of Herman's Hermits, and then go down. That's okay,

1:30:23.120 --> 1:30:25.800
<v Speaker 1>it's very complicated. You've never been a player casino with

1:30:25.840 --> 1:30:29.360
<v Speaker 1>all that. They're not just not too many words. So

1:30:29.439 --> 1:30:36.280
<v Speaker 1>then I signed with Paradise in in O Hi and yeah,

1:30:36.680 --> 1:30:40.840
<v Speaker 1>excuse yeah, Paradise Agency and they say, you know, we've

1:30:40.840 --> 1:30:43.719
<v Speaker 1>got a problem because there's another band called Herman's Hermits

1:30:43.760 --> 1:30:47.439
<v Speaker 1>going out and we're going to have trouble selling you

1:30:47.520 --> 1:30:50.240
<v Speaker 1>us with this Herman Sermits, which is Barry whit when

1:30:50.320 --> 1:30:54.559
<v Speaker 1>the druma with his new version of Herman Sermits and

1:30:54.600 --> 1:30:58.040
<v Speaker 1>we've got to stop them. I don't think, you know,

1:30:58.080 --> 1:31:00.280
<v Speaker 1>British Laurie is unusual. I don't think we can stuff.

1:31:00.320 --> 1:31:02.320
<v Speaker 1>I tried to stop and doing it once before, I

1:31:02.360 --> 1:31:04.640
<v Speaker 1>want in New York, but I failed in Britain. I

1:31:04.680 --> 1:31:06.639
<v Speaker 1>mean I won the first case to stopping them using

1:31:06.680 --> 1:31:12.599
<v Speaker 1>the name. And we decide to let him make him

1:31:12.640 --> 1:31:17.200
<v Speaker 1>call his band Herman's Hermits starring Barry whitwam a new

1:31:17.560 --> 1:31:20.760
<v Speaker 1>Herman's Hermits starring Peter Nooner let the audience choose which

1:31:20.760 --> 1:31:23.639
<v Speaker 1>one they want to pay the money to see, and

1:31:23.920 --> 1:31:27.200
<v Speaker 1>that was an agreement and I guess night sometime in

1:31:27.240 --> 1:31:31.280
<v Speaker 1>the nineties maybe, Okay, So where's everybody in the original

1:31:31.320 --> 1:31:34.479
<v Speaker 1>ban today? Keith Hotwood is in Manchester. He's doing really well.

1:31:34.520 --> 1:31:37.000
<v Speaker 1>I just had lunch with him last week. He's a

1:31:37.080 --> 1:31:40.439
<v Speaker 1>nice boy. And his son is a fan of Herman's Hermits.

1:31:40.800 --> 1:31:42.240
<v Speaker 1>And so what does he do for a living. He's

1:31:42.280 --> 1:31:44.960
<v Speaker 1>a He is a producer. He does a lot of

1:31:45.000 --> 1:31:50.360
<v Speaker 1>television and movie commercial work, like sound tracks. Carl Green,

1:31:52.040 --> 1:31:57.280
<v Speaker 1>what it left the bass player? He left Herman's Hermit

1:31:57.320 --> 1:32:00.320
<v Speaker 1>starring Barry when about five years ago? And I think

1:32:00.320 --> 1:32:04.920
<v Speaker 1>he he does equipment, rents equipment or runs a soundboard

1:32:05.720 --> 1:32:09.240
<v Speaker 1>and Barry wait, we I'm still out with playing Herman's

1:32:09.240 --> 1:32:12.880
<v Speaker 1>Hermit songs. And Derek let him be passed away? When

1:32:12.880 --> 1:32:15.200
<v Speaker 1>did he pass in the night? A long time ago?

1:32:15.520 --> 1:32:17.040
<v Speaker 1>He was a young man, He was very young man,

1:32:17.040 --> 1:32:22.120
<v Speaker 1>but he had Hudgkin slim foma. Yeah, that's not good. Okay.

1:32:22.400 --> 1:32:25.360
<v Speaker 1>So I saw you about a month ago and it

1:32:25.479 --> 1:32:27.559
<v Speaker 1>was astounding. I mean, I've seen a lot of acts.

1:32:27.640 --> 1:32:29.519
<v Speaker 1>What the reason the way I described today is I

1:32:29.560 --> 1:32:31.479
<v Speaker 1>didn't want to look at my phone. I was afraid

1:32:31.479 --> 1:32:35.360
<v Speaker 1>I would miss something. And there were First of all,

1:32:35.360 --> 1:32:38.400
<v Speaker 1>the songs are so great. You have not lost your

1:32:38.479 --> 1:32:41.600
<v Speaker 1>voice like so many other people at this stage of

1:32:41.600 --> 1:32:47.479
<v Speaker 1>the game. And you're so funny. Okay. If I went

1:32:47.560 --> 1:32:51.120
<v Speaker 1>to see you the next night at the Canyan Club,

1:32:51.600 --> 1:32:55.479
<v Speaker 1>would you have been doing the same jokes. No, no,

1:32:55.640 --> 1:32:59.519
<v Speaker 1>it's it's it's all run it's it's all runs off

1:32:59.520 --> 1:33:01.759
<v Speaker 1>the audience. The whole show has to run off the audience.

1:33:01.840 --> 1:33:04.559
<v Speaker 1>That's what cabaret is. You know, you can't what I have.

1:33:04.680 --> 1:33:08.559
<v Speaker 1>It is a show. You know, Oklahoma is a show.

1:33:08.680 --> 1:33:10.439
<v Speaker 1>When you go and see Oklahoma, you know they're going

1:33:10.520 --> 1:33:13.240
<v Speaker 1>to start there's are bright, golden you know that that's

1:33:13.280 --> 1:33:14.960
<v Speaker 1>what it's going to be. I start with him into

1:33:15.000 --> 1:33:17.360
<v Speaker 1>something good, and the rest of it is all sort

1:33:17.400 --> 1:33:20.400
<v Speaker 1>of expected. It's expected that I would do a Mick

1:33:20.520 --> 1:33:24.479
<v Speaker 1>Jagger dick. It was very funny thing. I'm not sure

1:33:24.520 --> 1:33:28.439
<v Speaker 1>that I expected, and it was certainly funny. But if

1:33:28.479 --> 1:33:31.040
<v Speaker 1>you've seen the show, you go back and you expect

1:33:31.080 --> 1:33:33.200
<v Speaker 1>all the bits to be there, but they'll all be different.

1:33:33.240 --> 1:33:35.760
<v Speaker 1>We won't do the same Johnny Cash song every night.

1:33:36.040 --> 1:33:38.559
<v Speaker 1>I have a three hundred songs to choose from. We

1:33:38.680 --> 1:33:40.880
<v Speaker 1>always do the hits. We always start with him into

1:33:40.920 --> 1:33:42.519
<v Speaker 1>something good, and we always end with there's a kind

1:33:42.520 --> 1:33:45.719
<v Speaker 1>of hush. The rest is all to me. And those

1:33:45.720 --> 1:33:50.080
<v Speaker 1>guys behind me that look that looks like a enthusiasm

1:33:50.200 --> 1:33:53.519
<v Speaker 1>is actually consternation, Like what is he gonna do. Does

1:33:53.560 --> 1:33:55.479
<v Speaker 1>he even know what he's going to do? And I

1:33:55.640 --> 1:33:58.720
<v Speaker 1>sometimes I don't. Sometimes I wander around and I do

1:33:58.760 --> 1:34:01.639
<v Speaker 1>a Richard Harris story. I sometimes tell a story that's

1:34:01.640 --> 1:34:04.880
<v Speaker 1>got nothing to do with the show. And so do

1:34:04.960 --> 1:34:08.040
<v Speaker 1>you enjoy it? Absolutely? I lived for him and I

1:34:08.120 --> 1:34:10.640
<v Speaker 1>always did, you know, I've always liked that bit of

1:34:10.680 --> 1:34:14.679
<v Speaker 1>that fear factor of jumping up there. Now you describe

1:34:14.720 --> 1:34:17.240
<v Speaker 1>yourself as the luckiest man in the world. Any regrets.

1:34:18.880 --> 1:34:21.439
<v Speaker 1>I regret that I wasn't kinder to the people on

1:34:21.479 --> 1:34:24.080
<v Speaker 1>the way up, and I regret that I wasn't. I

1:34:24.240 --> 1:34:29.320
<v Speaker 1>never realized how proud my parents were of me. I didn't.

1:34:29.360 --> 1:34:31.840
<v Speaker 1>I didn't think of that. You know, until you get

1:34:31.880 --> 1:34:34.280
<v Speaker 1>your own children, you don't know how proud you are

1:34:34.360 --> 1:34:37.559
<v Speaker 1>of the smallest things. I didn't realize that they would

1:34:37.600 --> 1:34:40.880
<v Speaker 1>be proud. And the only compliment my father ever gave

1:34:41.000 --> 1:34:43.400
<v Speaker 1>to me was he came to see me in Pirates

1:34:43.439 --> 1:34:46.280
<v Speaker 1>of Penzance on the West End and at the end

1:34:46.320 --> 1:34:50.680
<v Speaker 1>of the show he said, that was pretty good. Do

1:34:50.720 --> 1:34:53.599
<v Speaker 1>you know what I mean? It's this is kind of weird.

1:34:53.640 --> 1:34:56.920
<v Speaker 1>I mean, British tend to be reserved, but my parents

1:34:56.920 --> 1:35:00.000
<v Speaker 1>have not been supportive of any endeavors I have. Remember

1:35:00.120 --> 1:35:02.760
<v Speaker 1>once I got an email from Quincy Jones and I

1:35:02.800 --> 1:35:04.720
<v Speaker 1>know Quincy at this but first email, I get it

1:35:04.840 --> 1:35:07.320
<v Speaker 1>and I forward it to my mother. This is like

1:35:07.360 --> 1:35:11.040
<v Speaker 1>twenty years ago, and I'll get a response and I'm

1:35:11.080 --> 1:35:13.439
<v Speaker 1>on the phone and I go, hey, mom, uh and

1:35:13.560 --> 1:35:16.720
<v Speaker 1>I sent you an email from Quincy Jones. She said, yeah, yeah,

1:35:16.760 --> 1:35:20.960
<v Speaker 1>I read it. Your mom. You know it's Quincy Jones. Yeah.

1:35:21.080 --> 1:35:24.400
<v Speaker 1>I got a question, oh, v Quincy Jones, how would

1:35:24.439 --> 1:35:28.880
<v Speaker 1>you know him? And it's like, whoa that was looking

1:35:28.960 --> 1:35:33.439
<v Speaker 1>for my don't look for it from my family? So

1:35:33.520 --> 1:35:36.120
<v Speaker 1>what have you do? But no, But I'm not like that.

1:35:36.200 --> 1:35:39.280
<v Speaker 1>I mean I wish that when when I've been on

1:35:39.360 --> 1:35:41.679
<v Speaker 1>top of the pops and the record was number one,

1:35:42.200 --> 1:35:45.880
<v Speaker 1>that I'd gone home and say, hey, you know, well

1:35:45.920 --> 1:35:48.080
<v Speaker 1>they think your parents were proud. Whatever. I haven't had

1:35:48.080 --> 1:35:50.360
<v Speaker 1>the success you've had, But my parents are not proud.

1:35:50.400 --> 1:35:53.240
<v Speaker 1>I think I think you aldience understands, which acknowledged them. Yeah,

1:35:53.560 --> 1:35:57.320
<v Speaker 1>so what have you learned in this career? You know,

1:35:57.600 --> 1:36:00.120
<v Speaker 1>all the good guys to finish first. I've found that

1:36:00.520 --> 1:36:03.240
<v Speaker 1>a lot of people that I respect and have had

1:36:03.320 --> 1:36:06.320
<v Speaker 1>long careers, like Paul McCartney and Mick Jagger and people

1:36:06.400 --> 1:36:09.120
<v Speaker 1>like that. They're very nice people there, you know, there's

1:36:09.200 --> 1:36:12.719
<v Speaker 1>the night. I can't find a better word than nice.

1:36:12.800 --> 1:36:17.960
<v Speaker 1>They're they're they're really cautious with their kindness, you know,

1:36:18.000 --> 1:36:20.360
<v Speaker 1>they're they're kind people. Do you believe they were kind

1:36:20.400 --> 1:36:23.519
<v Speaker 1>on the way up? And one never knows how people

1:36:23.520 --> 1:36:26.439
<v Speaker 1>were there were always kind to me and and you know,

1:36:27.000 --> 1:36:29.240
<v Speaker 1>I would say that somebody like Mick Jagger has this

1:36:29.360 --> 1:36:35.960
<v Speaker 1>fascinating arrogance, which is which I feed off, because he's

1:36:36.000 --> 1:36:39.439
<v Speaker 1>a man who is one of the top five biggest

1:36:39.439 --> 1:36:41.840
<v Speaker 1>star in stars in the world, but he's completely under

1:36:41.840 --> 1:36:44.479
<v Speaker 1>the radar. You don't know where he is. Like me,

1:36:44.840 --> 1:36:47.240
<v Speaker 1>he's never set foot on a red carpet because we

1:36:47.320 --> 1:36:49.960
<v Speaker 1>don't want any of that. We don't want that. That's

1:36:50.000 --> 1:36:52.959
<v Speaker 1>not what we're looking for. Red carpets and people flashing

1:36:53.040 --> 1:36:55.840
<v Speaker 1>bulbs in you know, we've got a song because it

1:36:55.960 --> 1:36:58.759
<v Speaker 1>now it's all about the songs, isn't it. And he's

1:36:58.800 --> 1:37:00.880
<v Speaker 1>got that thing. And Paul mc cartney as well, he

1:37:00.920 --> 1:37:03.519
<v Speaker 1>lives under he's under the radar. When he was married

1:37:03.560 --> 1:37:06.920
<v Speaker 1>to Linda and making all those great records like ram,

1:37:07.040 --> 1:37:09.479
<v Speaker 1>they lived in a little cottage in the middle of nowhere.

1:37:09.520 --> 1:37:15.000
<v Speaker 1>They lived a personal, fabulous little life in love. Now

1:37:15.080 --> 1:37:17.599
<v Speaker 1>all the people, all those British invasion acts, do you

1:37:17.760 --> 1:37:20.400
<v Speaker 1>personally know all those people? Probably? I think I know

1:37:20.439 --> 1:37:24.640
<v Speaker 1>all the British and uh and you keep up with

1:37:24.680 --> 1:37:27.080
<v Speaker 1>any of these people you see about other road, Yes, see,

1:37:27.120 --> 1:37:30.040
<v Speaker 1>almost everybody. Like I mean, I was just on a

1:37:30.040 --> 1:37:32.160
<v Speaker 1>tour in England with Brian Pool from Brian Pool on

1:37:32.200 --> 1:37:34.519
<v Speaker 1>the Tramler's Probably he's at the end of his career,

1:37:34.800 --> 1:37:36.639
<v Speaker 1>but I saw him the first time with the Beatles

1:37:36.680 --> 1:37:38.680
<v Speaker 1>opening for the Beatles in Ermston and the middle of

1:37:38.680 --> 1:37:41.439
<v Speaker 1>a field and I've I've known him for that long.

1:37:41.479 --> 1:37:45.439
<v Speaker 1>So of six sixty three to now is this is

1:37:45.439 --> 1:37:48.240
<v Speaker 1>a classic question. But you mentioned so many gigs. What's

1:37:48.320 --> 1:37:51.559
<v Speaker 1>the best gig that you've ever been into that you

1:37:51.560 --> 1:37:58.200
<v Speaker 1>you were not the performer? Oh, probably Gino Washington and

1:37:58.240 --> 1:38:00.960
<v Speaker 1>the Ram Jam band that the you know what I mean,

1:38:01.600 --> 1:38:04.840
<v Speaker 1>just one inspirational gig, where as a guy who's just

1:38:06.080 --> 1:38:10.360
<v Speaker 1>sweating and and and also Roy Head. I saw Roy

1:38:10.400 --> 1:38:12.559
<v Speaker 1>Head in Houston once. Did you even know Ray Head

1:38:12.920 --> 1:38:16.800
<v Speaker 1>had this record? Like and he was like he did

1:38:16.880 --> 1:38:18.960
<v Speaker 1>Jackie Wilson, I like Jackie Wilson as well, but he

1:38:19.000 --> 1:38:21.240
<v Speaker 1>could do Jackie Wilson better than Jackie Wilson. And he

1:38:21.360 --> 1:38:24.519
<v Speaker 1>sound great, had a phenomenal band, and I saw I

1:38:24.560 --> 1:38:26.519
<v Speaker 1>saw the Supremes once and they were pretty good too.

1:38:26.520 --> 1:38:30.240
<v Speaker 1>So there's there's about five or six really fascinating giggs.

1:38:30.320 --> 1:38:33.880
<v Speaker 1>And every time I saw Roy Orbison he always killed me.

1:38:34.560 --> 1:38:37.040
<v Speaker 1>And and of course every time every time I saw

1:38:37.080 --> 1:38:40.719
<v Speaker 1>the Beatles and Jerry and the Pacemakers, they were brilliant.

1:38:41.479 --> 1:38:44.320
<v Speaker 1>Jerry and the Pacemakers were on that tour with you, Yeah,

1:38:44.320 --> 1:38:46.320
<v Speaker 1>but then it wasn't the original Jerry. I'm talking Jerry

1:38:46.320 --> 1:38:49.280
<v Speaker 1>and the Pacemakers at the Cavern and at the Liverpool Locarno.

1:38:49.280 --> 1:38:52.200
<v Speaker 1>And you know, Jerry was very kind to my first

1:38:52.200 --> 1:38:54.040
<v Speaker 1>Pete Novak on the Harbis. He took us on a

1:38:54.080 --> 1:38:56.200
<v Speaker 1>tour with him and he was the headliner and it

1:38:56.280 --> 1:38:58.639
<v Speaker 1>was Billy Ja Kramer under the coatas with a second act,

1:38:58.680 --> 1:39:01.920
<v Speaker 1>and we were the opening act. And Jerry very kindly

1:39:01.920 --> 1:39:04.439
<v Speaker 1>showed us to our dressing who which had gentlemen written

1:39:04.439 --> 1:39:10.000
<v Speaker 1>on it. It's a joke. Thanks for calling on at all.

1:39:10.080 --> 1:39:12.720
<v Speaker 1>Let me show you to your addressing room. So when

1:39:12.760 --> 1:39:15.559
<v Speaker 1>you're doing a gig. Now do you know whether it's

1:39:15.560 --> 1:39:18.479
<v Speaker 1>a good gig or a bad gig. You never do

1:39:18.520 --> 1:39:20.479
<v Speaker 1>a bad one because you're so experienced. But there are

1:39:20.479 --> 1:39:22.639
<v Speaker 1>certain gigs that are better than other. Do you suddenly

1:39:22.680 --> 1:39:25.639
<v Speaker 1>feel it when you're doing it? But I never quit

1:39:25.680 --> 1:39:28.040
<v Speaker 1>on it, you know the guy the guys in my

1:39:28.120 --> 1:39:30.559
<v Speaker 1>bend says, wow, we thought we'd lost one air. But

1:39:30.720 --> 1:39:34.040
<v Speaker 1>you never quit, you know, because I've I know, I've

1:39:34.040 --> 1:39:36.800
<v Speaker 1>always got Henry the eighth. You know, you back up, okay,

1:39:36.800 --> 1:39:39.280
<v Speaker 1>so that Henry the eighth is your trick. That's how

1:39:39.400 --> 1:39:41.240
<v Speaker 1>that you know you rely on that or you'll play

1:39:41.280 --> 1:39:44.320
<v Speaker 1>that sooner to wake everybody up. Yeah, but there's a

1:39:44.360 --> 1:39:46.360
<v Speaker 1>few that can do that. You know. It's sometimes it's

1:39:46.400 --> 1:39:50.320
<v Speaker 1>listen people, you know, it can change my my, my my.

1:39:51.120 --> 1:39:53.640
<v Speaker 1>I can read an audience pretty well because I've been

1:39:53.680 --> 1:39:55.639
<v Speaker 1>doing it for a long time and I've never done

1:39:55.680 --> 1:39:58.519
<v Speaker 1>anything else, you know, I've never had a success of

1:39:58.600 --> 1:40:01.479
<v Speaker 1>anything else, ex from being on a stage and reading

1:40:01.520 --> 1:40:04.599
<v Speaker 1>an audience. And now, with the time you have left,

1:40:04.640 --> 1:40:07.280
<v Speaker 1>which you could be a day or thirty years, what

1:40:07.360 --> 1:40:09.680
<v Speaker 1>would you like to do with accomplisher? You having accomplished

1:40:09.760 --> 1:40:11.479
<v Speaker 1>yet I think I want to do this for I've

1:40:11.520 --> 1:40:13.680
<v Speaker 1>got ten more years. I keep saying every every day,

1:40:13.720 --> 1:40:15.559
<v Speaker 1>I say, ten more years of this would be great,

1:40:15.640 --> 1:40:18.439
<v Speaker 1>you know, and then I'd probably I've got to keep

1:40:18.479 --> 1:40:21.240
<v Speaker 1>my chops. You know. It's a lot of musicians like

1:40:21.280 --> 1:40:24.280
<v Speaker 1>Mick Jagger and Paul mcco are actually athletes who can

1:40:24.320 --> 1:40:28.320
<v Speaker 1>sing and dance and and create music. So you have

1:40:28.400 --> 1:40:30.839
<v Speaker 1>to think that, you know, when you lose the ability

1:40:30.880 --> 1:40:32.599
<v Speaker 1>to do it, you have to be able to stop.

1:40:33.320 --> 1:40:35.800
<v Speaker 1>You know, if you can't hit home runs anymore, you've

1:40:35.840 --> 1:40:38.519
<v Speaker 1>gotta quit. You don't want to go into the mind leagues.

1:40:39.200 --> 1:40:42.559
<v Speaker 1>And while he is still hitting home runs, when you

1:40:42.600 --> 1:40:44.720
<v Speaker 1>see Peter Noone's name in the paper, you go to

1:40:44.760 --> 1:40:48.000
<v Speaker 1>his website. You should definitely go. If you know his records,

1:40:48.240 --> 1:40:50.960
<v Speaker 1>you will have a fantastic time and you'll smile and

1:40:51.120 --> 1:40:55.880
<v Speaker 1>glow for the next Peter so great to have you here,

1:40:55.960 --> 1:40:57.519
<v Speaker 1>that you could go on for so much or so

1:40:57.560 --> 1:41:00.479
<v Speaker 1>many other questions like I have, but I will do

1:41:00.479 --> 1:41:04.599
<v Speaker 1>it again, and at all period of all those specific songs.

1:41:04.640 --> 1:41:08.160
<v Speaker 1>I have memories. I remember, as I say, you know,

1:41:08.280 --> 1:41:11.000
<v Speaker 1>being in a bus being tired from skiing, and listen

1:41:11.080 --> 1:41:13.360
<v Speaker 1>people coming out of the radio and the bus and

1:41:13.400 --> 1:41:16.679
<v Speaker 1>it being dark. You have all these memories of these songs,

1:41:16.760 --> 1:41:18.600
<v Speaker 1>but as long as they're good memories, I I have

1:41:19.439 --> 1:41:21.880
<v Speaker 1>make it. Most used to say, it's only about the songs. Remember,

1:41:21.880 --> 1:41:24.400
<v Speaker 1>it's about the songs. And it always and my show

1:41:24.479 --> 1:41:26.920
<v Speaker 1>still is only about the songs. It doesn't matter how

1:41:26.960 --> 1:41:28.760
<v Speaker 1>they presented. You know, people can go out and sing

1:41:28.760 --> 1:41:30.960
<v Speaker 1>those songs in a karaoke bar and people get the

1:41:31.000 --> 1:41:34.840
<v Speaker 1>buzz because it's only about the songs. Okay um, I

1:41:34.920 --> 1:41:38.120
<v Speaker 1>present them really well, I do say so. Yes, let's

1:41:38.120 --> 1:41:41.160
<v Speaker 1>go back to what part of the renaissance was I'm

1:41:41.160 --> 1:41:44.439
<v Speaker 1>into something good was in The Naked Gun in eight

1:41:44.479 --> 1:41:47.639
<v Speaker 1>I think it was, But that wasn't the original version.

1:41:47.680 --> 1:41:49.760
<v Speaker 1>That was a recut by you. Yeah. We had to

1:41:49.800 --> 1:41:52.320
<v Speaker 1>recut it because they were and we re cut it

1:41:52.400 --> 1:41:53.880
<v Speaker 1>so well that they said, we have to change the

1:41:53.920 --> 1:41:57.599
<v Speaker 1>solo because Alan Klein that a code. People will think

1:41:57.640 --> 1:42:00.200
<v Speaker 1>it's the original and they'll want the licensing feast. We

1:42:00.280 --> 1:42:03.439
<v Speaker 1>just went and we've rechanged the guitar solom and put

1:42:03.520 --> 1:42:07.960
<v Speaker 1>like some little little do. I think the theater that

1:42:08.000 --> 1:42:09.439
<v Speaker 1>I saw that and that's one of the that's the

1:42:09.439 --> 1:42:11.120
<v Speaker 1>best part of the movie. I thought it was the

1:42:11.160 --> 1:42:13.960
<v Speaker 1>original track. We tried, We tried very hard to sing.

1:42:14.000 --> 1:42:16.559
<v Speaker 1>You know I can still do that herm and guy

1:42:16.640 --> 1:42:19.519
<v Speaker 1>really well. You know I take a lot of pay

1:42:19.520 --> 1:42:22.400
<v Speaker 1>a lot of attention to to try to be that

1:42:22.439 --> 1:42:25.920
<v Speaker 1>guy that sang those records. Do you mean with your

1:42:26.040 --> 1:42:29.200
<v Speaker 1>voice or your appearance, every every part of it. It's

1:42:29.240 --> 1:42:32.160
<v Speaker 1>standis Levski kets it's um. You know, if you if

1:42:32.200 --> 1:42:34.320
<v Speaker 1>you can become the person and you can believe it,

1:42:34.800 --> 1:42:37.080
<v Speaker 1>then all the music makes sense. If you can believe it,

1:42:37.160 --> 1:42:38.759
<v Speaker 1>just for a few minutes that you're in the studio

1:42:38.880 --> 1:42:42.439
<v Speaker 1>in in in London making the record with sixteen year

1:42:42.439 --> 1:42:44.760
<v Speaker 1>old boys. If you can get into that suit, then

1:42:44.840 --> 1:42:47.840
<v Speaker 1>it will work. Can you get into that suit every night,

1:42:49.000 --> 1:42:50.559
<v Speaker 1>five nights a week. I can do it. I needed,

1:42:50.680 --> 1:42:52.080
<v Speaker 1>I do need a day off now and then. But

1:42:52.200 --> 1:42:54.519
<v Speaker 1>I truly you know, when I did Pirates of Penzance,

1:42:54.560 --> 1:42:58.160
<v Speaker 1>I did a thousand consecutive shows, and that I was.

1:42:58.280 --> 1:42:59.920
<v Speaker 1>I was in New Zealand and I think was the

1:43:00.000 --> 1:43:02.240
<v Speaker 1>Prime Minister long He said to me, how do you

1:43:02.600 --> 1:43:04.840
<v Speaker 1>do a thousand shows? Us? I'm still trying to get

1:43:04.880 --> 1:43:08.479
<v Speaker 1>it right for Wow And when you live, I mean,

1:43:08.600 --> 1:43:11.120
<v Speaker 1>I know you, but you when you go through we

1:43:11.120 --> 1:43:13.760
<v Speaker 1>airports or you're on the street, to people recognize you.

1:43:14.280 --> 1:43:17.880
<v Speaker 1>So yeah, that's the people. Do you know certain people do.

1:43:19.040 --> 1:43:21.519
<v Speaker 1>I wish it was the twenty three year old girls,

1:43:21.720 --> 1:43:23.840
<v Speaker 1>but it's it's usually the sixty two year old men

1:43:23.920 --> 1:43:27.799
<v Speaker 1>and their and their moms, you know what I mean. Okay,

1:43:27.840 --> 1:43:30.679
<v Speaker 1>it's okay, but that's recognition. I love being under the radar.

1:43:30.720 --> 1:43:32.920
<v Speaker 1>I like being able to walk around right star Box

1:43:33.000 --> 1:43:35.840
<v Speaker 1>and that have this following that is a magical following.

1:43:35.880 --> 1:43:38.360
<v Speaker 1>I have a massive, magical following who trust me to

1:43:38.520 --> 1:43:41.800
<v Speaker 1>keep delivering Once again, I think we're finally done here.

1:43:41.840 --> 1:43:43.200
<v Speaker 1>Thanks so much, Peter, Thanks Abo,