WEBVTT - How Alien Got Made and the Man in the Xenomorph Suit

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<v Speaker 1>Warning warning, deep space sirens are going because this episode

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<v Speaker 1>contains spoilers for Ridley Scott's nineteen seventy nine sci fi

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<v Speaker 1>classic Alien.

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<v Speaker 2>Hello.

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<v Speaker 3>My name is Rosie Knight and I'm Carmen Laurent and

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<v Speaker 3>welcome back to x ray Vision, the podcast where we

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<v Speaker 3>dive deep into your favorite shows, movies, comics, and pop culture.

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<v Speaker 3>Welcome to another installment of xenomorph Week, a full week

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<v Speaker 3>of alien focused episodes leading up to the release of

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<v Speaker 3>Alien Romulus. Carmen is one of our wonderful producers here

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<v Speaker 3>at x ray Vision and is also an Alien super fan.

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<v Speaker 3>So today we'll be co hosting this very fun omnibus with.

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<v Speaker 4>Me, and then after we talk Alien, we'll hear from

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<v Speaker 4>our friend James F. Wright about Belaji Bedejo, the man

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<v Speaker 4>behind the original Alien suit. Rosie, I'm a huge fan

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<v Speaker 4>of the Alien franchise. Now, have we already gotten your

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<v Speaker 4>alien backstory before?

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<v Speaker 3>I don't think so. I don't think I've shared my

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<v Speaker 3>alien origin story.

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<v Speaker 4>Tell us about your alien origin story, Rosie.

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<v Speaker 3>Okay, so my alien origin story is very specific and

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<v Speaker 3>very terrifying to me personally. When I was a little kid,

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<v Speaker 3>I got to go to Disney World with my mom

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<v Speaker 3>and a family that she cleaned their house and they

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<v Speaker 3>invited us and said, come to Disney World. And I

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<v Speaker 3>went on a ride that they had at what was

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<v Speaker 3>at the time called MGM Studios, and it was a

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<v Speaker 3>ride that went through the history of Hollywood, but randomly

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<v Speaker 3>just after you know, going through the Western World and

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<v Speaker 3>the Wizard of Oz. They just had a room where

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<v Speaker 3>you were on the Nostromo and his zenomorph came out. Oh,

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<v Speaker 3>that's no joke. It was like, legit, one of the

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<v Speaker 3>scariest moments of my life. But then, of course, because

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<v Speaker 3>I was a morbid child with a taste in the

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<v Speaker 3>dark side, I then became obsessed with the alien and

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<v Speaker 3>had to know what it was, and I learned about

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<v Speaker 3>the movie. And I don't know about you, but one

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<v Speaker 3>of the first ways that I really got into horrorism,

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<v Speaker 3>just like reading the backs of vhs or DVDs in

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<v Speaker 3>like the video shop. I'm old, but I would definitely

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<v Speaker 3>be reading all of the kind of backs like oh

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<v Speaker 3>what happens in Alien? And then that was definitely where

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<v Speaker 3>my interest and love for the franchise began.

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<v Speaker 4>Wow, well, that is definitely a lot cooler than my story.

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<v Speaker 4>You got to go to Disney World and see the

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<v Speaker 4>Nostromo in person. That's pretty cool. I am also a

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<v Speaker 4>child of morbid curiosity, was a child with morbid curiosity.

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<v Speaker 4>I was definitely attracted to the dark side. You'd call

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<v Speaker 4>me like I was a little goth baby at the time.

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<v Speaker 2>Yeah, so we have that.

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<v Speaker 4>So we have that same shared backstory there. And my

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<v Speaker 4>dad had a huge, massive DVD collection, oh wow.

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<v Speaker 2>And prior to that it was VHS.

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<v Speaker 4>But then, of course the age of DVD came in

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<v Speaker 4>and my dad was always at the pawn shop and

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<v Speaker 4>he would come home like maybe once a week with

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<v Speaker 4>like a brown paper bag filled with bootleg DVDs from

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<v Speaker 4>a pawnshop.

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<v Speaker 2>I love that. And he had he had like.

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<v Speaker 4>Literally like two thousand something DVDs, and at one point

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<v Speaker 4>in my childhood I had to catalog all of them

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<v Speaker 4>and everything and put them in alphabetical order and everything too.

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<v Speaker 4>But he had the Alien VHS box set with the

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<v Speaker 4>first three movies as well as a box set with

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<v Speaker 4>I believe it was all four of the movies at

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<v Speaker 4>that point, with Alien Resurrection included. And I was one

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<v Speaker 4>of those kids that was very into box art and

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<v Speaker 4>definitely judge books by the cover because I saw that

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<v Speaker 4>egg with the green neon blue coming out of it,

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<v Speaker 4>and it fascinated me, so I, I, you know, got

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<v Speaker 4>to sat down and watch it with my dad, and

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<v Speaker 4>the rest is history from them.

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<v Speaker 3>I love that we both had dads who definitely showed

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<v Speaker 3>us horror movies too early. I definitely I have a

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<v Speaker 3>really distinct memory of watching Scream two on VHS with

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<v Speaker 3>my dad and my sister, who's like four years younger

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<v Speaker 3>than me, and we would definitely like, no, I don't

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<v Speaker 3>I'd watch slasher movies at that point. But Imber, my sister,

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<v Speaker 3>still has very unfond memories of that.

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<v Speaker 2>Gosh, yeah, that's that's a lot, a lot for a

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<v Speaker 2>little kid.

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<v Speaker 4>I think the youngest scary movie I ever watched was Leprechaun,

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<v Speaker 4>and that absolutely free me out as a child.

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<v Speaker 3>The power of imagination is truly a terrifying thing.

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<v Speaker 2>It is, it is.

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<v Speaker 4>But we're not here today to talk about the traumas

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<v Speaker 4>of horror movies that we faced as a child.

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<v Speaker 3>That's for a different episode.

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<v Speaker 2>Yeah, that's for a different episode.

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<v Speaker 4>We're here to talk today about how the first alien

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<v Speaker 4>movie was made. And I wanted to ask you before

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<v Speaker 4>I get into it, Rosie, do you know anything about

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<v Speaker 4>this origin story of the first Alien movie.

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<v Speaker 3>I was a fan of reading a lot of Empire

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<v Speaker 3>magazine and movie stuff, so I've definitely heard the general story,

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<v Speaker 3>and I do know a lot about the production art

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<v Speaker 3>because it was done by some of my favorite people.

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<v Speaker 3>But I want you to tell the people and to

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<v Speaker 3>refresh me. I'm going to get to be on this

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<v Speaker 3>journey of alien origin with you.

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<v Speaker 4>Okay, awesome. Well, I'm really excited to get into it

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<v Speaker 4>with you today. Before we can even talk about how

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<v Speaker 4>we got the first Alien movie, we have to first

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<v Speaker 4>talk about a movie that was never made, and that

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<v Speaker 4>was Alejandro Hodorowski's Dune movie.

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<v Speaker 3>Wow. Yes, one of the most famous unmade movies of

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<v Speaker 3>all time.

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<v Speaker 4>Yes, absolutely. Alejandro Hodorowski, famous for his films The Holy

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<v Speaker 4>Mountain in nineteen seventy three and also Santa Sandre in

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<v Speaker 4>nineteen eighty nine. He wanted to make this very very

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<v Speaker 4>ambitious adaptation of the of the Dune books, which had

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<v Speaker 4>never been made into a movie at this point, and

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<v Speaker 4>it is one of those movies that we lost to

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<v Speaker 4>production hell because the production phase never ended and they

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<v Speaker 4>were unable to find adequate funding to produce this mega

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<v Speaker 4>movie that they had cooked up. Apparently it was supposed

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<v Speaker 4>to be like a fourteen hour movie. Originally sounds very Jodorowski.

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<v Speaker 2>Yes, very very Geniowski.

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<v Speaker 4>Oh and before I get into this, I do want

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<v Speaker 4>to call out that there are two documentary films that

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<v Speaker 4>kind of touch on this, and one of those being

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<v Speaker 4>it's literally a movie you can find in HBO Max

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<v Speaker 4>it's called Hodorowski's Dune. And then there's another movie which

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<v Speaker 4>is harder to find on streaming, but it's called Memory

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<v Speaker 4>and it's the origin of the first alien movie. And

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<v Speaker 4>both of those documentaries explore this topic pretty in depth.

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<v Speaker 4>But the first Dune movie that was never made. Production

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<v Speaker 4>of that started in nineteen seventy one, and he had

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<v Speaker 4>this huge, amazing cast of collaborators that he pulled together

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<v Speaker 4>to make the movie. He had big prog rock bands

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<v Speaker 4>of the day, Tangerine Dream, Pink Floyd, and Magma, and

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<v Speaker 4>he eventually landed on Pink Floyd as being the band

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<v Speaker 4>that was going to do the soundtrack for this movie.

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<v Speaker 3>Evenly already the most famous band out of the three,

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<v Speaker 3>even though I will say Tangerine Dream they have done

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<v Speaker 3>some truly fantastic film soundtracks. I believe they did one

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<v Speaker 3>of the Legend soundtracks. There's two different versions for Legend,

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<v Speaker 3>another Ridley Scott movie. Yeah, and yeah, they are wonderful.

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<v Speaker 3>But I mean, Pink Floyd, you're talking about heavy his

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<v Speaker 3>right there.

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<v Speaker 4>Absolutely absolutely. I mean, already we're off to a great

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<v Speaker 4>start here with some amazing bands of the day. But

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<v Speaker 4>then he pulls in set and character designers hr Geeger,

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<v Speaker 4>who we hadn't really heard much. He wasn't really like

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<v Speaker 4>very well known at this point, and Mobius aka Jean

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<v Speaker 4>Gureaux with special effects by Dan O'Bannon. Now Dan O'Bannon

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<v Speaker 4>will come into play later on. Now that already already

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<v Speaker 4>a really fantastic group of collaborators right there. Then we

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<v Speaker 4>get into the cast of characters who was set to

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<v Speaker 4>play in this Dune movie. So we have surrealist painter

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<v Speaker 4>Salvador Dali just casually, yeah, just casually in there, or

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<v Speaker 4>author and director Orson Wells, old Hollywood starlett Gloria Swanson,

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<v Speaker 4>David Carradine, which you know from Kill Bill, one of

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<v Speaker 4>the Rolling Stones, the Big Rolling Stone, Micjagger, the Biggest Hello,

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<v Speaker 4>German actor Udo Kier oh wow. And then my favorite

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<v Speaker 4>and the reason why I wish we could have seen

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<v Speaker 4>this movie come to life, is that the disco queen

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<v Speaker 4>herself A Mandelaer, is set to play daughter of Salbad

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<v Speaker 4>Dolly's character, who is remind me that character's name again?

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<v Speaker 4>He was he going to be the emperor, Yes, he

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<v Speaker 4>was going to be the emperor. Yes, I don't want

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<v Speaker 4>to say Emperor Palpatine and piss off them. But Amandelayer

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<v Speaker 4>was set to play the princess. And it's important to

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<v Speaker 4>note that Amandelayer at that time in the in the

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<v Speaker 4>seventies was the muse to Salvador Dolly. So the two

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<v Speaker 4>of them together on screen is just absolutely mind blowing.

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<v Speaker 4>The concept of that is mind blowing to me. And

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<v Speaker 4>then the role of Paula Trds was set to be

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<v Speaker 4>played by how Owski's twelve year old son. Now this

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<v Speaker 4>obviously never happened. Yes, So, as I mentioned before, Dan

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<v Speaker 4>O'Bannon would come into play later on. He is the

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<v Speaker 4>writer of the film Alien, but he was chosen for

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<v Speaker 4>this project for this Dune that never happened because he

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<v Speaker 4>was co writing and directing special effects for the John

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<v Speaker 4>Carpenter film Dark Star, which.

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<v Speaker 3>I love that movie before. Yes, Yes, originally John Coppener's

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<v Speaker 3>student film.

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<v Speaker 4>I saw that when I was watching the movie, right.

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<v Speaker 3>It's really cool, totally great, weird, low key sci fi

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<v Speaker 3>that I think you can really see that how someone

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<v Speaker 3>who worked on that could go and create something like Alien.

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<v Speaker 4>Absolutely. Yeah, So if you haven't seen Dark Star, check

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<v Speaker 4>that out. Definitely an essential watch to help you kind

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<v Speaker 4>of gear up for Alien Romulus. But this iteration of

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<v Speaker 4>Dune never happened. We're really sad about it.

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<v Speaker 2>Yes, Yes, rip.

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<v Speaker 4>To that version, the fourteen hour movie that never happened.

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<v Speaker 4>This also left the special effects director Dan O'Bannon without

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<v Speaker 4>a job. Now. While he was jobless and also homeless,

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<v Speaker 4>sleeping on a friend's couch, he worked on a spec

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<v Speaker 4>script called Memory to sell to studios. It was bought

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<v Speaker 4>by twentieth Century Fox, and Ridley Scott picked up the

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<v Speaker 4>movie to direct. Now Dan O'Bannon having worked with hr

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<v Speaker 4>Geeger and Chris Foss for six months on Houtrowski's failed

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<v Speaker 4>attempt to make Dune, he pulled in those two artists

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<v Speaker 4>to collaborate with him on this new venture, which would

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<v Speaker 4>become the film Alien. Memory was the original title that

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<v Speaker 4>was going to be used for the film, but then

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<v Speaker 4>they landed on Alien, which I think is a lot

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<v Speaker 4>more of a ominous and spooky name.

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<v Speaker 3>Correct, And I also think like the simplicity is probably

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<v Speaker 3>part of why it's so iconic and why we're still

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<v Speaker 3>talking about it. I mean, we could in a different

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<v Speaker 3>time be talking about the Me refranchise, but it's giving cats. Yeah,

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<v Speaker 3>I feel like I feel like Alien they made the

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<v Speaker 3>right choice.

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<v Speaker 2>They really did.

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<v Speaker 4>They really did make the right choice, because then you

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<v Speaker 4>can have a sequel called Aliens, you know, incredible, incredible,

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<v Speaker 4>I mean just amazing sequel naming there. So this movie

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<v Speaker 4>Alien would become the greatest sci fi horrory yet. And

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<v Speaker 4>it really is, like I just want to take a

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<v Speaker 4>moment to talk about how a movie from nineteen seventy

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<v Speaker 4>nine is still able to stand up to the test

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<v Speaker 4>of time today and you watch it today in twenty

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<v Speaker 4>twenty four, and it still feels fresh, It still feels

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<v Speaker 4>like completely like ahead of its time. It just it's

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<v Speaker 4>it's an amazing movie and it's great storytelling. Can't say

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<v Speaker 4>enough about it.

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<v Speaker 3>Yeah, I totally agree, And also as well, just the

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<v Speaker 3>visual effects, the fact that they were able to create

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<v Speaker 3>something that was so terrifying and unique, and that still

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<v Speaker 3>to this day feels scared. I mean they still show

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<v Speaker 3>Alien in LA probably every couple of months, I would say, so, yeah,

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<v Speaker 3>they do seventy milimis screenings of it here, And I

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<v Speaker 3>think it is because it's not one of those movies

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<v Speaker 3>you go and see for nostalgia. It's one of those

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<v Speaker 3>movies you go to experience because it is still that scary.

0:13:19.440 --> 0:13:22.000
<v Speaker 4>Absolutely, it's one of the Yeah, like if somebody watched

0:13:22.040 --> 0:13:23.520
<v Speaker 4>it for the first time in twenty twenty four, they

0:13:23.520 --> 0:13:26.480
<v Speaker 4>would still be as amazed as the person watching it

0:13:26.480 --> 0:13:27.560
<v Speaker 4>in nineteen seventy nine.

0:13:28.040 --> 0:13:28.560
<v Speaker 2>So yeah.

0:13:28.800 --> 0:13:32.280
<v Speaker 4>Many of the designs that ended up becoming such like

0:13:32.320 --> 0:13:36.800
<v Speaker 4>an iconic part of that Alien film were from the

0:13:36.920 --> 0:13:40.360
<v Speaker 4>designs that hr Geeger had made when he was designing

0:13:40.400 --> 0:13:43.240
<v Speaker 4>stuff for the film Doune that never happened. So many

0:13:43.280 --> 0:13:46.360
<v Speaker 4>of those designs were recycled and they ended up being

0:13:46.480 --> 0:13:50.600
<v Speaker 4>used on the Alien set. Now the design itself for

0:13:50.640 --> 0:13:54.160
<v Speaker 4>the Xenomorph. Dan O'Bannon made many attempts himself to design

0:13:54.280 --> 0:13:57.680
<v Speaker 4>the Xenomorph, but he couldn't land on something that felt

0:13:58.160 --> 0:14:01.040
<v Speaker 4>both alien and scary and out of this world and

0:14:01.120 --> 0:14:06.440
<v Speaker 4>unimaginable until the crew saw the nineteen seventy six painting

0:14:06.480 --> 0:14:11.760
<v Speaker 4>that Giger created called the Necronomicon four. And so that

0:14:11.920 --> 0:14:16.400
<v Speaker 4>is where the design from the Alien comes from. The Xenomorph,

0:14:16.480 --> 0:14:18.679
<v Speaker 4>which at the time when the movie came out in

0:14:18.760 --> 0:14:21.720
<v Speaker 4>nineteen seventy nine, nobody was calling it a xenomorph.

0:14:21.880 --> 0:14:23.160
<v Speaker 3>They were just calling it an alien.

0:14:23.760 --> 0:14:27.200
<v Speaker 4>Yes, absolutely an alien. But yeah, that is the kind

0:14:27.200 --> 0:14:31.720
<v Speaker 4>of short and abridged version story of how the failed

0:14:31.800 --> 0:14:35.720
<v Speaker 4>Dune project would lead to the creation of the film Alien.

0:14:35.760 --> 0:14:37.240
<v Speaker 4>And that was just eight years later.

0:14:37.920 --> 0:14:41.240
<v Speaker 3>Wow, that was so delightful. Common, thank you so much

0:14:41.440 --> 0:14:45.560
<v Speaker 3>for telling us that story, and thank you all for listening.

0:14:45.640 --> 0:14:49.880
<v Speaker 3>It's very expensive to make a failed fourteen hour movie,

0:14:50.360 --> 0:14:53.440
<v Speaker 3>so if you could support us by understanding that. Now

0:14:53.720 --> 0:15:11.480
<v Speaker 3>we have some messages from us, boss, and we're back.

0:15:11.960 --> 0:15:15.200
<v Speaker 3>Welcome to the back Matter, where, just like the last

0:15:15.280 --> 0:15:20.400
<v Speaker 3>pages of your favorite comics, we explore one specific moment, matter,

0:15:21.000 --> 0:15:25.200
<v Speaker 3>or theme from a fan fay franchise. And today Common

0:15:25.360 --> 0:15:28.240
<v Speaker 3>has put together something really cool, a look at some

0:15:28.280 --> 0:15:31.840
<v Speaker 3>of the most interesting thematic moments and easter eggs throughout

0:15:32.040 --> 0:15:34.040
<v Speaker 3>the first Alien movie.

0:15:34.360 --> 0:15:37.320
<v Speaker 4>Yes, and there's actually a lot of really cool Easter

0:15:37.400 --> 0:15:39.440
<v Speaker 4>eggs in this movie. We'll get to which one of

0:15:39.480 --> 0:15:42.120
<v Speaker 4>them is my favorite in just a moment. But starting

0:15:42.200 --> 0:15:47.720
<v Speaker 4>right out, the entire film, in the entire franchise, contains

0:15:47.760 --> 0:15:52.480
<v Speaker 4>a lot of symbolism and references to the concept of motherhood, pregnancy,

0:15:53.120 --> 0:15:56.440
<v Speaker 4>bodily autonomy, you know, stuff like that. You of course

0:15:56.520 --> 0:15:59.480
<v Speaker 4>have the AI computer system on board the Nostromo. Her

0:15:59.520 --> 0:16:01.040
<v Speaker 4>name is Yes.

0:16:01.120 --> 0:16:05.600
<v Speaker 5>He was very he said, this is text, this is subtext,

0:16:06.480 --> 0:16:12.120
<v Speaker 5>absolutely absolutely so we're literally taking commands from mother and

0:16:12.360 --> 0:16:15.520
<v Speaker 5>she's in control and even has like some secret plans

0:16:15.560 --> 0:16:17.280
<v Speaker 5>of her sleeve, which is even spookier.

0:16:17.680 --> 0:16:20.480
<v Speaker 4>And also, of course, in order for an alien to

0:16:20.560 --> 0:16:24.720
<v Speaker 4>be born, it requires reproduction using a host, so we

0:16:24.760 --> 0:16:27.600
<v Speaker 4>know the face hugger. It attaches to the face of

0:16:27.640 --> 0:16:31.080
<v Speaker 4>the host and the host is forced to become pregnant

0:16:31.080 --> 0:16:31.920
<v Speaker 4>with the chest burster.

0:16:32.880 --> 0:16:33.400
<v Speaker 3>Terrifying.

0:16:34.000 --> 0:16:38.920
<v Speaker 4>That is terrifying. Now, Dan O'Bannon could have easily made

0:16:39.200 --> 0:16:42.320
<v Speaker 4>that part of the story something that affected one of

0:16:42.320 --> 0:16:46.320
<v Speaker 4>the female characters in the movie, Ripley or Joan Lambert,

0:16:47.000 --> 0:16:51.160
<v Speaker 4>but instead he specifically wanted one of the male characters

0:16:51.440 --> 0:16:55.200
<v Speaker 4>in the movie to experience this because he wanted to

0:16:55.280 --> 0:16:58.840
<v Speaker 4>make men who are seeing the movie feel the same

0:16:59.200 --> 0:17:01.560
<v Speaker 4>exact kind of and all of that that the women

0:17:01.600 --> 0:17:04.119
<v Speaker 4>in the audience would be experiencing, which I love.

0:17:04.520 --> 0:17:07.400
<v Speaker 3>I love that too, And I do absolutely think that

0:17:07.800 --> 0:17:11.680
<v Speaker 3>if that scene had not been given to the John

0:17:11.760 --> 0:17:14.320
<v Speaker 3>Hut character, if it had not been a man, I

0:17:14.359 --> 0:17:17.080
<v Speaker 3>do not know if Hollywood would hold this film in

0:17:17.119 --> 0:17:19.560
<v Speaker 3>the same high regard in regards to how much it

0:17:19.720 --> 0:17:22.800
<v Speaker 3>terrified people at the time. So I really loved that choice,

0:17:22.800 --> 0:17:25.159
<v Speaker 3>and I think it's the beginning of the seeds of

0:17:25.200 --> 0:17:27.159
<v Speaker 3>how subversive this franchise is.

0:17:27.840 --> 0:17:30.520
<v Speaker 4>Absolutely Yeah, and we find out later on in the

0:17:30.560 --> 0:17:33.879
<v Speaker 4>franchise that if a female host is used by a

0:17:33.920 --> 0:17:36.439
<v Speaker 4>face hugger, then they give birth to a queen's an

0:17:36.440 --> 0:17:38.560
<v Speaker 4>a morph. But we're not there yet and the story.

0:17:38.400 --> 0:17:38.920
<v Speaker 3>Yeah, we're not that.

0:17:39.680 --> 0:17:40.880
<v Speaker 2>Yeah.

0:17:40.920 --> 0:17:42.760
<v Speaker 4>So that's, you know, one of the big easter eggs

0:17:42.800 --> 0:17:45.439
<v Speaker 4>and kind of like the subtext of the movie. But

0:17:45.480 --> 0:17:46.600
<v Speaker 4>then there are some parts of it that are a

0:17:46.600 --> 0:17:48.560
<v Speaker 4>little more obvious. Now, I just want to take a

0:17:48.560 --> 0:17:51.360
<v Speaker 4>moment to talk about one of my absolute favorite characters

0:17:51.400 --> 0:17:54.600
<v Speaker 4>in sci fi. This is a different easter egg. That

0:17:54.720 --> 0:17:58.479
<v Speaker 4>is the character Joan Lambert. Now Joan Lambert is played

0:17:58.640 --> 0:18:01.679
<v Speaker 4>by the amazing actress Veronica Cartwright, which I just want

0:18:01.720 --> 0:18:04.400
<v Speaker 4>to take a moment to talk about kind of her

0:18:04.480 --> 0:18:07.440
<v Speaker 4>legacy and the sci fi genre. So if you're a

0:18:07.480 --> 0:18:09.520
<v Speaker 4>big sci fi fan like me, you've seen her before

0:18:09.760 --> 0:18:13.800
<v Speaker 4>in the nineteen seventies version of Invasion of the Body Snatchers,

0:18:14.480 --> 0:18:17.240
<v Speaker 4>which is kind of a similar theme and kind of

0:18:17.280 --> 0:18:19.879
<v Speaker 4>a similar concept to what's going on in Alien but

0:18:20.240 --> 0:18:23.040
<v Speaker 4>taken to another level. And she also has a recurring

0:18:23.160 --> 0:18:26.960
<v Speaker 4>role in the X Files franchise, which I I haven't

0:18:26.960 --> 0:18:29.920
<v Speaker 4>talked about this before, but I'm a huge X Files head,

0:18:30.359 --> 0:18:35.399
<v Speaker 4>so I immediately connected with that part of the movie. But

0:18:35.520 --> 0:18:41.639
<v Speaker 4>she is a multiple alien abductee in the X Files franchise. Now,

0:18:41.760 --> 0:18:45.399
<v Speaker 4>the cool part about her character Joan Lambert that I

0:18:45.600 --> 0:18:50.080
<v Speaker 4>love is that she is noted as a trans woman

0:18:50.280 --> 0:18:52.560
<v Speaker 4>in her on screen bio that is displayed of her.

0:18:53.240 --> 0:18:55.720
<v Speaker 4>So there's like a scene that is in one of

0:18:55.720 --> 0:18:59.560
<v Speaker 4>the cuts of the films that features the bio of

0:18:59.600 --> 0:19:02.440
<v Speaker 4>the crew mates behind them while Alan Ripley is talking,

0:19:02.960 --> 0:19:06.440
<v Speaker 4>and you can see in Joan Lambert's bio that it says, quote,

0:19:07.240 --> 0:19:10.840
<v Speaker 4>subject is a despin convert at birth male to female.

0:19:11.040 --> 0:19:15.680
<v Speaker 4>So far no indication of suppressed trauma related to gender alteration. Now,

0:19:15.720 --> 0:19:19.480
<v Speaker 4>as a trans woman myself, I absolutely love the fact

0:19:19.640 --> 0:19:23.959
<v Speaker 4>that we have a trans female character in a movie

0:19:24.600 --> 0:19:28.000
<v Speaker 4>who is literally we only know that by a little

0:19:28.040 --> 0:19:30.840
<v Speaker 4>easter egg. We don't know that because characters aren't talking

0:19:30.840 --> 0:19:32.400
<v Speaker 4>about it. She's not taught.

0:19:32.440 --> 0:19:34.520
<v Speaker 2>It's it's just one of those things that that is.

0:19:34.760 --> 0:19:37.600
<v Speaker 3>And it's like and also she's doing great, even the

0:19:37.720 --> 0:19:39.400
<v Speaker 3>SI Ship's like, she's doing fine.

0:19:39.720 --> 0:19:40.480
<v Speaker 2>She's doing fine.

0:19:40.760 --> 0:19:43.159
<v Speaker 4>She does great with these missions where we you know,

0:19:43.160 --> 0:19:45.000
<v Speaker 4>put her in hyper sleep and all of that, so no.

0:19:45.080 --> 0:19:45.920
<v Speaker 2>Need to worry about it.

0:19:46.040 --> 0:19:50.200
<v Speaker 4>Yeah, So for me, I think that this is one

0:19:50.240 --> 0:19:53.520
<v Speaker 4>of the first times that I've ever seen a trans

0:19:53.600 --> 0:19:57.080
<v Speaker 4>character featured in a movie where it's not made a

0:19:57.119 --> 0:19:57.560
<v Speaker 4>big deal.

0:19:57.720 --> 0:19:58.040
<v Speaker 2>It's just.

0:19:59.800 --> 0:20:03.080
<v Speaker 3>Nine yes, in one of the best horror sci fis

0:20:03.119 --> 0:20:03.640
<v Speaker 3>of all time.

0:20:04.359 --> 0:20:07.680
<v Speaker 4>That's pretty incredible. Yeah, And so that's my personal favorite

0:20:07.880 --> 0:20:10.800
<v Speaker 4>easter egg in the movie. I also love as somebody

0:20:10.840 --> 0:20:15.120
<v Speaker 4>who loves the Blade Runner franchise as it is now

0:20:15.200 --> 0:20:20.520
<v Speaker 4>A Francis's really cool. Yes, I love the hint that

0:20:21.359 --> 0:20:24.880
<v Speaker 4>Blade Runner and Alien take place in the same universe.

0:20:25.480 --> 0:20:28.520
<v Speaker 4>So towards the end of Alien, when Ripley makes it

0:20:28.560 --> 0:20:32.040
<v Speaker 4>into her escape pod. She starts up the engines by

0:20:32.080 --> 0:20:35.280
<v Speaker 4>turning the blue screen on the computer into a red

0:20:35.680 --> 0:20:40.239
<v Speaker 4>purge screen. So later in the movie Blade Runner, we

0:20:40.280 --> 0:20:45.480
<v Speaker 4>see that exact same startup sequence when Officer Gaff enters

0:20:45.520 --> 0:20:50.120
<v Speaker 4>his flying vehicle and leaves. Ridley Scott has confirmed himself

0:20:50.280 --> 0:20:53.400
<v Speaker 4>that the two movies are indeed in the same universe. However,

0:20:54.000 --> 0:20:57.040
<v Speaker 4>Blade Runner takes place in the year twenty nineteen, an

0:20:57.040 --> 0:21:00.359
<v Speaker 4>Alien takes place in the year two thousand, one hundred

0:21:00.359 --> 0:21:02.480
<v Speaker 4>and twenty two, so that's like one hundred years they're

0:21:02.480 --> 0:21:03.719
<v Speaker 4>still using the same computer.

0:21:03.960 --> 0:21:06.000
<v Speaker 3>It is, but I'm seeing I could see like a

0:21:06.080 --> 0:21:10.240
<v Speaker 3>replicant alien crossover coming in our crossover obsessed times.

0:21:10.760 --> 0:21:15.320
<v Speaker 4>Absolutely absolutely, and I believe there's also like a novelization

0:21:15.760 --> 0:21:18.280
<v Speaker 4>or a extra like Easter Egg scene. On one of

0:21:18.320 --> 0:21:21.439
<v Speaker 4>the DVDs they talk about how Dallas actually takes a

0:21:21.480 --> 0:21:26.000
<v Speaker 4>paycheck from the Tyrell Corporation, which is another little crossover

0:21:26.280 --> 0:21:27.919
<v Speaker 4>into those two franchises.

0:21:28.600 --> 0:21:31.120
<v Speaker 3>Common thank you so much for joining me to take

0:21:31.160 --> 0:21:33.240
<v Speaker 3>us on this journey. This was absolutely delightful.

0:21:33.800 --> 0:21:35.760
<v Speaker 4>It was it was so much fun, and I'm so

0:21:35.840 --> 0:21:36.760
<v Speaker 4>freaking excited.

0:21:36.920 --> 0:21:38.520
<v Speaker 3>I'm so excited for Alien.

0:21:39.359 --> 0:21:41.320
<v Speaker 2>Yes, I am so excited.

0:21:41.640 --> 0:21:46.639
<v Speaker 4>Rosie and I have been seeing each other alien memes.

0:21:46.960 --> 0:21:49.440
<v Speaker 2>Yes, she's the one who told me about it.

0:21:49.640 --> 0:21:52.560
<v Speaker 3>Yes, we still need to get our Alien popcorn buckets.

0:21:52.720 --> 0:21:55.040
<v Speaker 3>Cinemak put one aside for us.

0:21:55.320 --> 0:21:57.880
<v Speaker 4>Yes, please, yes, well thank you.

0:21:58.240 --> 0:21:59.200
<v Speaker 3>Yeah, it was a joy.

0:21:59.760 --> 0:22:02.120
<v Speaker 4>That was a fun peek behind the scenes on how

0:22:02.119 --> 0:22:04.679
<v Speaker 4>the first Alien film was made. And now we're going

0:22:04.760 --> 0:22:08.640
<v Speaker 4>to switch gears and we're going to be speaking with

0:22:08.680 --> 0:22:13.080
<v Speaker 4>our friend James F. Wright on Bilagie Thedeho, the man

0:22:13.440 --> 0:22:18.840
<v Speaker 4>in the Xenomorph suit, bom Bomb Bomb. But first a

0:22:18.880 --> 0:22:36.160
<v Speaker 4>message from our sponsors, and we're back.

0:22:37.440 --> 0:22:41.800
<v Speaker 3>With me today is award winning comic book writer James F. Wright.

0:22:42.040 --> 0:22:46.000
<v Speaker 3>He is also Mapal and he is joined today to

0:22:46.080 --> 0:22:49.399
<v Speaker 3>tell us all about Belagie Bidejo, the Man in the

0:22:49.520 --> 0:22:54.000
<v Speaker 3>Xenomorph Suit. James, could you just start by introducing yourself

0:22:54.040 --> 0:22:54.800
<v Speaker 3>to our listeners.

0:22:55.119 --> 0:22:58.880
<v Speaker 6>Hi, I'm James F. Wright. I am a writer. I

0:22:58.960 --> 0:23:01.959
<v Speaker 6>work in video games. I'm also I wrote comments on

0:23:01.960 --> 0:23:06.359
<v Speaker 6>a Swayna Rosie, and I'm a big Alien fan, predominantly

0:23:06.800 --> 0:23:09.560
<v Speaker 6>exclusively the first Alien movie. I will see every Alien movie,

0:23:09.560 --> 0:23:12.960
<v Speaker 6>but Alien is the one that, especially with my heart. Yeah.

0:23:13.040 --> 0:23:15.160
<v Speaker 6>I think about that movie at least once a week.

0:23:16.359 --> 0:23:19.440
<v Speaker 6>Something new I learned about Yes, thank you, I learned

0:23:19.440 --> 0:23:21.040
<v Speaker 6>something new about that movie seems like every week, and

0:23:21.080 --> 0:23:23.480
<v Speaker 6>so it comes up in in my thoughts a lot.

0:23:23.560 --> 0:23:25.600
<v Speaker 6>So happy to be here.

0:23:25.520 --> 0:23:28.199
<v Speaker 3>Thank you, amazing. I'm so happy to have you here.

0:23:28.240 --> 0:23:29.600
<v Speaker 3>As soon as we knew that we were going to

0:23:29.640 --> 0:23:31.760
<v Speaker 3>do an episode about the Man in the Suit, I

0:23:31.840 --> 0:23:33.840
<v Speaker 3>was like, James, I hit you up and I was like,

0:23:33.920 --> 0:23:36.240
<v Speaker 3>this is one of your favorite topics. Okay, So first

0:23:36.240 --> 0:23:39.800
<v Speaker 3>of all, what's your first memory of Alien? Like, how

0:23:39.800 --> 0:23:41.560
<v Speaker 3>did you get introduced to it? What was the first

0:23:41.600 --> 0:23:42.280
<v Speaker 3>time you saw it.

0:23:43.119 --> 0:23:47.000
<v Speaker 6>I was much older than my peers when I saw Alien.

0:23:47.280 --> 0:23:50.639
<v Speaker 6>I was in my twenty twenty one. I was steting

0:23:50.680 --> 0:23:54.080
<v Speaker 6>abroad in Japan and the local video store had a

0:23:54.080 --> 0:23:57.639
<v Speaker 6>bunch of movies, obviously, and I've never seen Alien. I

0:23:57.680 --> 0:24:02.320
<v Speaker 6>was like twenty one, which is old, and so I

0:24:02.359 --> 0:24:05.320
<v Speaker 6>watched it and I was like, this movie is incredible.

0:24:05.400 --> 0:24:07.960
<v Speaker 6>It just like like I knew about the chest burster

0:24:08.080 --> 0:24:10.080
<v Speaker 6>scene because of Spaceballs.

0:24:11.320 --> 0:24:12.520
<v Speaker 3>But I wait to find out.

0:24:13.920 --> 0:24:15.840
<v Speaker 6>So I knew it was gonna happen, but it just

0:24:15.880 --> 0:24:21.520
<v Speaker 6>like the atmosphere, the characters, the story, so much of

0:24:21.520 --> 0:24:24.480
<v Speaker 6>that that movie just feels like like a miracle that

0:24:24.560 --> 0:24:29.080
<v Speaker 6>it exists. And so I revisited later and just saw

0:24:29.240 --> 0:24:32.239
<v Speaker 6>like the deeper themes emerging. It's not just a horror movie.

0:24:32.280 --> 0:24:34.439
<v Speaker 6>Is a lot more than that. And I live in

0:24:34.560 --> 0:24:37.600
<v Speaker 6>LA and so now anytime it's screening, I try to

0:24:37.680 --> 0:24:38.040
<v Speaker 6>let go.

0:24:38.280 --> 0:24:41.280
<v Speaker 3>Yeah, if it's a seven emilimeter alien screening, you will

0:24:41.320 --> 0:24:41.640
<v Speaker 3>be there.

0:24:41.760 --> 0:24:44.440
<v Speaker 6>I will be there. I'll be there, and it's it's again.

0:24:44.600 --> 0:24:47.320
<v Speaker 6>All the actors I sort of knew from other films,

0:24:48.320 --> 0:24:50.399
<v Speaker 6>other stories of other TV shows and so on, but

0:24:50.480 --> 0:24:52.480
<v Speaker 6>in that movie, you know, at the time, none of

0:24:52.520 --> 0:24:55.680
<v Speaker 6>them weren't your household names and kind of they almost

0:24:55.680 --> 0:24:57.280
<v Speaker 6>all of them went on to be you know, bigger stars,

0:24:57.280 --> 0:25:00.639
<v Speaker 6>which is incredible to Yeah, so like I just kind

0:25:00.640 --> 0:25:02.760
<v Speaker 6>of got it to sootz into me from that from

0:25:02.840 --> 0:25:06.400
<v Speaker 6>the first viewing. I mean, the again an atmosphere, the opening,

0:25:06.920 --> 0:25:09.439
<v Speaker 6>the title sequence even is like is unsettling, just the

0:25:09.440 --> 0:25:13.000
<v Speaker 6>way that the test fades in, and I was, you know,

0:25:13.000 --> 0:25:14.320
<v Speaker 6>you see got til and moves and so on, and

0:25:14.359 --> 0:25:15.560
<v Speaker 6>you you know, you know, there's like a man in

0:25:15.600 --> 0:25:17.680
<v Speaker 6>a suit, but you don't think about who that is, yeah,

0:25:17.720 --> 0:25:19.760
<v Speaker 6>or if you ever know who that is? And then

0:25:19.800 --> 0:25:22.680
<v Speaker 6>when I found out like that once again changed the

0:25:22.680 --> 0:25:23.119
<v Speaker 6>game room me.

0:25:23.240 --> 0:25:25.399
<v Speaker 3>So yeah, I was going to say, it's kind of

0:25:25.440 --> 0:25:27.480
<v Speaker 3>you talked about how the movie feels like a miracle.

0:25:27.560 --> 0:25:30.600
<v Speaker 3>It's a working class horror movie. It's a horror about

0:25:31.160 --> 0:25:34.080
<v Speaker 3>workers trying not to get exploited. It's a horror movie

0:25:34.080 --> 0:25:38.000
<v Speaker 3>that has Yaffet Koto and Sigourney Weaver and all these

0:25:38.000 --> 0:25:41.480
<v Speaker 3>incredible actors in it. And then you find out, well,

0:25:42.280 --> 0:25:45.960
<v Speaker 3>the guy in the suit was a Nigerian graphic artist

0:25:46.520 --> 0:25:49.240
<v Speaker 3>who was twenty five. He was he was a baby

0:25:49.720 --> 0:25:51.920
<v Speaker 3>and he was six feet ten inches tall. And they

0:25:51.920 --> 0:25:54.679
<v Speaker 3>discovered him in a pub, yes, because they saw his

0:25:54.840 --> 0:25:57.280
<v Speaker 3>very long legs and they were like, uh, we need

0:25:57.320 --> 0:25:59.840
<v Speaker 3>someone with long legs. So when did you find out

0:26:00.400 --> 0:26:01.240
<v Speaker 3>who Bilagie?

0:26:01.280 --> 0:26:04.720
<v Speaker 6>But Dejo was Oh boy, oh my gosh, it must

0:26:04.720 --> 0:26:07.480
<v Speaker 6>have been. It's like the twenty ten's. I think I

0:26:07.480 --> 0:26:10.359
<v Speaker 6>don't actually have a year because it's kind of passing

0:26:10.400 --> 0:26:11.800
<v Speaker 6>on in my head. The time is time is fake.

0:26:12.119 --> 0:26:16.840
<v Speaker 6>But yeah, I had seen a picture of him, and

0:26:16.880 --> 0:26:18.760
<v Speaker 6>then I think it was in court in conjunction with

0:26:18.760 --> 0:26:20.359
<v Speaker 6>with something from Alien. I saw a picture of him.

0:26:20.359 --> 0:26:22.240
<v Speaker 6>I was like, oh, is that the guy? And then

0:26:22.680 --> 0:26:25.359
<v Speaker 6>someone had posted a link to YouTube and there's the

0:26:25.440 --> 0:26:27.800
<v Speaker 6>screen test of him walking through the mock up of

0:26:27.880 --> 0:26:31.760
<v Speaker 6>the Nostromo set and he's he's got he's got the

0:26:31.840 --> 0:26:34.159
<v Speaker 6>head on, but he's like he doesn't have the full suit.

0:26:34.200 --> 0:26:35.680
<v Speaker 6>Don't think he met the full suit on. But he's

0:26:35.680 --> 0:26:38.080
<v Speaker 6>walking through like the halls, and it's like, oh my gosh,

0:26:38.119 --> 0:26:40.439
<v Speaker 6>this is like this is him, this is him, you know.

0:26:40.800 --> 0:26:43.239
<v Speaker 6>And then seeing like how tall he was, six foot ten,

0:26:43.320 --> 0:26:44.960
<v Speaker 6>you know he was I want to say he was

0:26:44.960 --> 0:26:46.600
<v Speaker 6>like playing with the wrong raptors. But that's the wrongs

0:26:46.920 --> 0:26:47.520
<v Speaker 6>me more friends.

0:26:48.240 --> 0:26:52.919
<v Speaker 3>He definitely has Like he definitely has the h he

0:26:53.080 --> 0:26:55.240
<v Speaker 3>was twenty five and six foot ten. Put a ball

0:26:55.280 --> 0:26:55.600
<v Speaker 3>in that.

0:26:55.560 --> 0:26:56.720
<v Speaker 6>Guy, I'm saying.

0:26:58.080 --> 0:27:00.960
<v Speaker 3>In a more mask, Like give that basketball.

0:27:01.119 --> 0:27:04.280
<v Speaker 6>He was playing with the wrong rockets. That's the But yeah,

0:27:04.320 --> 0:27:07.439
<v Speaker 6>I just I was so I wasn't surprised to you know,

0:27:07.520 --> 0:27:10.399
<v Speaker 6>see that. Like and again, like Alien is a film

0:27:10.760 --> 0:27:14.399
<v Speaker 6>that has you know, like Yafakoto has a named black actor,

0:27:14.520 --> 0:27:16.960
<v Speaker 6>you know whose character doesn't die first, doesn't die second,

0:27:17.000 --> 0:27:19.240
<v Speaker 6>that's a third he you know, he survives almost at

0:27:19.240 --> 0:27:21.159
<v Speaker 6>the end of the film, and then to learn that

0:27:21.200 --> 0:27:23.639
<v Speaker 6>like also the guy in the suit, you know, was

0:27:23.680 --> 0:27:26.120
<v Speaker 6>as a black performer, and I this may have been

0:27:26.119 --> 0:27:28.120
<v Speaker 6>his only role, which is incredible to think about.

0:27:28.160 --> 0:27:31.000
<v Speaker 3>That's his only role, which is mind blowing because if

0:27:31.040 --> 0:27:33.240
<v Speaker 3>you think about someone like Doug Jones, they play a

0:27:33.280 --> 0:27:35.920
<v Speaker 3>monster and they create a role for their whole life

0:27:35.920 --> 0:27:40.119
<v Speaker 3>as a creature actor. But Bilagi played one of the

0:27:40.160 --> 0:27:43.560
<v Speaker 3>most famous, if not the most famous on screen monster

0:27:43.680 --> 0:27:46.439
<v Speaker 3>of the last kind of few decades and this was

0:27:46.640 --> 0:27:47.600
<v Speaker 3>the only time he did it.

0:27:47.840 --> 0:27:49.320
<v Speaker 6>Yeah, That's that's the thing I think about too, is

0:27:49.680 --> 0:27:51.800
<v Speaker 6>I'm glad you bring up Doug Jones because, like I

0:27:52.080 --> 0:27:54.320
<v Speaker 6>joked before that like Beliji Bidejo, you know, Walks or

0:27:54.320 --> 0:27:57.000
<v Speaker 6>Doug Jones could run not just the creature feature, but

0:27:57.040 --> 0:27:59.919
<v Speaker 6>like this tall, skinny actor who has this like physy

0:28:00.119 --> 0:28:02.440
<v Speaker 6>that allows them to sort of you know, portray different

0:28:02.520 --> 0:28:05.960
<v Speaker 6>kinds of creatures. And when I said before, like this

0:28:05.960 --> 0:28:08.360
<v Speaker 6>this film feels like a miracle knowing that they were

0:28:08.400 --> 0:28:11.960
<v Speaker 6>able to take okay, hr gigers, weird creepy like art

0:28:12.119 --> 0:28:14.480
<v Speaker 6>and then find a person who could fit into like

0:28:14.520 --> 0:28:17.520
<v Speaker 6>a costume, built a design around that a creature design

0:28:17.560 --> 0:28:20.359
<v Speaker 6>around is just like, again I don't know how you

0:28:20.400 --> 0:28:23.080
<v Speaker 6>do it. And again that's obviously like the work of casting,

0:28:23.080 --> 0:28:25.240
<v Speaker 6>directions and so on to find, you know, the people

0:28:25.280 --> 0:28:27.960
<v Speaker 6>who fit these these roles. But just the fact that again,

0:28:28.040 --> 0:28:29.680
<v Speaker 6>like you said, like they've made him in a pub

0:28:30.119 --> 0:28:32.040
<v Speaker 6>and he was just he was a student you know,

0:28:32.160 --> 0:28:34.800
<v Speaker 6>in the UK, and yeah, this is our guy, and

0:28:34.880 --> 0:28:36.639
<v Speaker 6>like that, Like if that was me, I'd go, oh

0:28:36.720 --> 0:28:40.600
<v Speaker 6>my god, like this is this is this is why.

0:28:40.480 --> 0:28:43.440
<v Speaker 3>Break I love so that on set he's filming in

0:28:43.480 --> 0:28:47.360
<v Speaker 3>the fifteen piece xenomorph suit and it's incredibly hot and

0:28:47.400 --> 0:28:50.200
<v Speaker 3>he's you know, wearing it for like fifteen to twenty

0:28:50.240 --> 0:28:53.200
<v Speaker 3>minutes before it's just soaked in sweat. And it was

0:28:53.200 --> 0:28:55.280
<v Speaker 3>a four month shoot, So this I think it was

0:28:55.400 --> 0:28:59.960
<v Speaker 3>pretty grueling, is my impression. Because he did actually get

0:29:00.160 --> 0:29:04.520
<v Speaker 3>offered the role of this animal for Aliens, but declined,

0:29:05.080 --> 0:29:07.280
<v Speaker 3>and that's why they created kind of the puppet. And

0:29:07.320 --> 0:29:10.080
<v Speaker 3>then you get Tom Woodriff Junr who ends up being

0:29:10.120 --> 0:29:13.120
<v Speaker 3>in it an Alien three and stuff. But he really

0:29:13.120 --> 0:29:16.600
<v Speaker 3>did originate it, and he did it on this unexpected

0:29:16.720 --> 0:29:19.000
<v Speaker 3>kind of low budget movie that would go on to

0:29:19.120 --> 0:29:21.000
<v Speaker 3>change all science fiction films.

0:29:21.360 --> 0:29:24.480
<v Speaker 6>Absolutely, I think too that like the idea that again

0:29:24.520 --> 0:29:27.120
<v Speaker 6>that this role that sort of like changed type of

0:29:27.120 --> 0:29:29.280
<v Speaker 6>films is important to note too, because this is a

0:29:29.320 --> 0:29:31.560
<v Speaker 6>film that's coming. It's in production or at least like

0:29:31.680 --> 0:29:33.840
<v Speaker 6>the script group of pre Star Wars, and in Star

0:29:33.880 --> 0:29:36.120
<v Speaker 6>Wars is a huge hit. And then you know, Fox

0:29:36.200 --> 0:29:38.080
<v Speaker 6>is like, Okay, what do we have any sci fi things?

0:29:38.080 --> 0:29:39.720
<v Speaker 6>And you know they sort of I think it was

0:29:39.760 --> 0:29:42.280
<v Speaker 6>starbast At one point they name the change a few

0:29:42.280 --> 0:29:42.720
<v Speaker 6>times with.

0:29:42.680 --> 0:29:44.280
<v Speaker 3>An alien catchy name.

0:29:45.720 --> 0:29:49.360
<v Speaker 6>Starby's Starby Sounds dope, though Starby Sounds is more heavy.

0:29:49.600 --> 0:29:51.520
<v Speaker 6>This is a B movie. An alien sort of like

0:29:51.680 --> 0:29:54.040
<v Speaker 6>pushes against the B movie tropes and stuff. But it

0:29:54.200 --> 0:29:57.200
<v Speaker 6>was impressive to see that, like because Star Wars is

0:29:57.200 --> 0:30:01.200
<v Speaker 6>there's no real dangerous alien. It's like they're all like

0:30:01.240 --> 0:30:03.200
<v Speaker 6>cute little guys or our friends.

0:30:03.000 --> 0:30:04.240
<v Speaker 3>Or whatever, cute little guys.

0:30:04.280 --> 0:30:06.840
<v Speaker 6>And then you know with alien it's like what if

0:30:07.320 --> 0:30:08.520
<v Speaker 6>space was scary again?

0:30:08.840 --> 0:30:10.800
<v Speaker 3>Yeah, and it's like Jaws for space.

0:30:10.960 --> 0:30:14.080
<v Speaker 6>It very much is. And so like the nature of Asia,

0:30:14.160 --> 0:30:16.840
<v Speaker 6>like his his size, because he does have this like

0:30:16.920 --> 0:30:20.160
<v Speaker 6>angular quality to it that like feels not that he

0:30:20.200 --> 0:30:21.880
<v Speaker 6>feels alien, but you know what I mean that there's

0:30:21.920 --> 0:30:22.680
<v Speaker 6>just like, yeah.

0:30:22.480 --> 0:30:27.000
<v Speaker 3>There's something to him that well, the alien movies don't

0:30:27.040 --> 0:30:28.840
<v Speaker 3>exist without him. And I think that's why it was

0:30:28.880 --> 0:30:32.000
<v Speaker 3>so important for us to do an episode, because the

0:30:32.120 --> 0:30:34.880
<v Speaker 3>Xenomorph was a game changer, because, as you say, at

0:30:34.880 --> 0:30:37.880
<v Speaker 3>this point, everyone's used to cute little guys. If there

0:30:37.920 --> 0:30:39.880
<v Speaker 3>is a baddie, it's more of a kind of campy,

0:30:39.960 --> 0:30:42.720
<v Speaker 3>old school villain like Darth Vader, who's a human in

0:30:42.760 --> 0:30:47.280
<v Speaker 3>a suit, very obviously a human. And our vision of

0:30:47.360 --> 0:30:51.640
<v Speaker 3>what aliens were in you know, American culture, in Western

0:30:51.680 --> 0:30:54.560
<v Speaker 3>culture was like the little gray men with the little

0:30:54.840 --> 0:30:57.239
<v Speaker 3>circular heads, and they look kind of like us. I mean,

0:30:57.280 --> 0:31:00.840
<v Speaker 3>the Xenomorph looks nothing like anything they've ever seen. It's

0:31:00.840 --> 0:31:03.320
<v Speaker 3>straight out of a nightmare. And Beilagi is a big

0:31:03.360 --> 0:31:06.600
<v Speaker 3>part of that because he took tai chi classes so

0:31:06.680 --> 0:31:09.960
<v Speaker 3>that he could learn how to move like a praying mantis.

0:31:10.520 --> 0:31:14.160
<v Speaker 3>And when he's not look I love all the alien movies,

0:31:14.160 --> 0:31:16.480
<v Speaker 3>but I am like you, I'm a die hard alien fan.

0:31:16.880 --> 0:31:20.040
<v Speaker 3>I feel like when it's not him, you can absolutely tell,

0:31:20.240 --> 0:31:22.600
<v Speaker 3>especially when you start getting to the later movies and

0:31:22.600 --> 0:31:25.040
<v Speaker 3>they're using like the glove hands that are coming down

0:31:25.120 --> 0:31:28.320
<v Speaker 3>that are always getting memed. He really brought it together

0:31:28.400 --> 0:31:31.360
<v Speaker 3>to life in a way that was so unique and

0:31:31.440 --> 0:31:33.920
<v Speaker 3>singular that it almost makes sense that he only did

0:31:33.960 --> 0:31:35.080
<v Speaker 3>it for one film.

0:31:35.520 --> 0:31:37.640
<v Speaker 6>Yeah, Yeah, it's it is that sort of I think

0:31:37.640 --> 0:31:40.120
<v Speaker 6>in a way about John Cazell Junior, who played Yeah

0:31:40.400 --> 0:31:43.480
<v Speaker 6>Fredo in The Godfather, was in five movies and they're

0:31:43.480 --> 0:31:46.040
<v Speaker 6>all nominated for Best Picture. That's sort of like, you know,

0:31:46.120 --> 0:31:49.000
<v Speaker 6>perfect record or Blodge Vodajos in one film.

0:31:48.920 --> 0:31:51.480
<v Speaker 7>And it seems like you knows, yeah, one hundred percent,

0:31:51.480 --> 0:31:54.800
<v Speaker 7>attack betting one thousand, and I think about like just

0:31:55.440 --> 0:31:57.000
<v Speaker 7>doing that and then but also I think I think

0:31:57.040 --> 0:32:00.280
<v Speaker 7>having to like understanding to like turn down aliens for

0:32:00.320 --> 0:32:00.880
<v Speaker 7>that role.

0:32:00.800 --> 0:32:03.080
<v Speaker 6>Like Okay, I did it and like it was grueling,

0:32:03.360 --> 0:32:04.160
<v Speaker 6>I don't do it again.

0:32:04.240 --> 0:32:07.080
<v Speaker 3>I think that is it's made something fantastic. It's done.

0:32:07.400 --> 0:32:08.640
<v Speaker 6>Yeah, I think that's impressive.

0:32:09.080 --> 0:32:11.520
<v Speaker 3>I think that's really special. And also there's some great

0:32:11.560 --> 0:32:15.400
<v Speaker 3>stories from his family, like his brother Boyega said that

0:32:15.520 --> 0:32:17.680
<v Speaker 3>he never told them about being in the film, like

0:32:17.840 --> 0:32:19.959
<v Speaker 3>until it was getting released, and he was just this

0:32:20.040 --> 0:32:23.040
<v Speaker 3>really humble, sweet guy, and because they were all over

0:32:23.080 --> 0:32:26.160
<v Speaker 3>the world, they couldn't watch it together. But Boyeger did

0:32:26.200 --> 0:32:29.880
<v Speaker 3>get to go to the premiere with his brother with Bilagie,

0:32:29.880 --> 0:32:32.120
<v Speaker 3>and that was, like he said, it was very cool

0:32:32.160 --> 0:32:35.160
<v Speaker 3>times and I imagine that it was cool.

0:32:35.920 --> 0:32:37.560
<v Speaker 6>Oh hey, by the way, I'm in a movie.

0:32:37.880 --> 0:32:39.520
<v Speaker 3>Yeah, I'm in a movie. Oh, by the way, it's

0:32:39.560 --> 0:32:42.360
<v Speaker 3>going to be like one of the most famous sci

0:32:42.440 --> 0:32:45.560
<v Speaker 3>fi fictions of all time. And uh yeah, I calm

0:32:45.600 --> 0:32:48.200
<v Speaker 3>and pulled a really cool piece of trivia that I

0:32:48.320 --> 0:32:52.720
<v Speaker 3>didn't know, which is that the Blagie Imperial cigarettes that

0:32:52.840 --> 0:32:55.840
<v Speaker 3>the crew of the Nostromo smoke. That was in reference

0:32:55.880 --> 0:32:58.640
<v Speaker 3>to Billagi little way of shouting at.

0:32:58.720 --> 0:32:59.440
<v Speaker 2>How good is that?

0:32:59.440 --> 0:33:00.800
<v Speaker 6>That's so good? That's so good.

0:33:01.200 --> 0:33:03.640
<v Speaker 3>Yeah, it's really interesting to just.

0:33:04.320 --> 0:33:08.480
<v Speaker 6>Yeah, some years ago they had one of the auctions. Yeah, yeah,

0:33:08.520 --> 0:33:10.959
<v Speaker 6>they have the film Membor of real auctions. They had

0:33:11.360 --> 0:33:14.560
<v Speaker 6>Yafakoto's jacket. Wow, I wanted it. But if they were

0:33:14.600 --> 0:33:17.840
<v Speaker 6>someone who did, if they had the set production design

0:33:17.840 --> 0:33:20.600
<v Speaker 6>of the CETA cigarettes, I would absolutely.

0:33:22.520 --> 0:33:24.800
<v Speaker 3>We don't smoke, but those are the things that we

0:33:24.840 --> 0:33:28.000
<v Speaker 3>would tape. Yeah, And we kind of talked about how

0:33:28.120 --> 0:33:30.200
<v Speaker 3>this was, you know, this was his first movie. It

0:33:30.320 --> 0:33:33.480
<v Speaker 3>was kind of his only movie, and then nobody really

0:33:33.560 --> 0:33:36.080
<v Speaker 3>knew what happened to him for a long time, but

0:33:36.200 --> 0:33:39.920
<v Speaker 3>it was revealed kind of in a twenty fourteen article

0:33:39.960 --> 0:33:41.840
<v Speaker 3>which I think is really where we all started to

0:33:41.840 --> 0:33:44.400
<v Speaker 3>get to know about him, called the Life of Bilagi Pideo,

0:33:45.160 --> 0:33:49.440
<v Speaker 3>was that he had actually just moved back to Nigeria

0:33:50.000 --> 0:33:52.840
<v Speaker 3>and opened an art gallery, so he got to live

0:33:52.920 --> 0:33:57.440
<v Speaker 3>his you know, his graphics resign dream life. And sadly,

0:33:58.120 --> 0:34:00.080
<v Speaker 3>it was in this article that we discovered that he

0:34:00.080 --> 0:34:03.760
<v Speaker 3>passed away at thirty nine from complications related to sick

0:34:03.840 --> 0:34:07.680
<v Speaker 3>or salemnemia. So I mean, talk about a life that

0:34:07.920 --> 0:34:12.160
<v Speaker 3>was so impactful in such a short period of time.

0:34:13.280 --> 0:34:17.160
<v Speaker 6>And that that's like, you know, was just heartbreaking. Yeah,

0:34:17.239 --> 0:34:19.440
<v Speaker 6>you know, because he didn't again, like the impact that

0:34:19.480 --> 0:34:24.000
<v Speaker 6>he made was so huge and again like being able

0:34:24.040 --> 0:34:26.640
<v Speaker 6>to like leave Hollywood behind in a way, like you know,

0:34:26.680 --> 0:34:29.759
<v Speaker 6>he didn't go because like yeah, because he if you

0:34:29.760 --> 0:34:32.319
<v Speaker 6>think about like seventy nine, you know, when Alien comes out,

0:34:32.600 --> 0:34:34.960
<v Speaker 6>he turns down Aliens obviously, but like there are a

0:34:34.960 --> 0:34:36.600
<v Speaker 6>lot of films he could have been in, you know,

0:34:36.800 --> 0:34:38.520
<v Speaker 6>like Spielberg could have used him in something like there's

0:34:38.520 --> 0:34:40.880
<v Speaker 6>a lot of because again, like the way he's built

0:34:41.040 --> 0:34:43.200
<v Speaker 6>and he just sort of like took that role and

0:34:43.400 --> 0:34:45.680
<v Speaker 6>made it his own, a enomorphe. And so I think

0:34:45.719 --> 0:34:48.520
<v Speaker 6>that like like he could have kept doing you know,

0:34:48.600 --> 0:34:50.520
<v Speaker 6>he could have gone the dug up Doug Juons route, right,

0:34:50.880 --> 0:34:53.279
<v Speaker 6>but he chose to go back home and he got

0:34:53.280 --> 0:34:54.799
<v Speaker 6>to like you said, he got to live out that

0:34:54.840 --> 0:34:56.799
<v Speaker 6>dream of having art gallery. And I think that's really

0:34:56.880 --> 0:34:59.920
<v Speaker 6>incredible that like like to do the thing and then

0:35:00.120 --> 0:35:01.320
<v Speaker 6>like you know what I'm going to I'm going to

0:35:01.400 --> 0:35:03.000
<v Speaker 6>walk away from it. I think that's you know, I mean,

0:35:03.000 --> 0:35:05.000
<v Speaker 6>like you don't like this isn't this isn't for me,

0:35:05.080 --> 0:35:07.880
<v Speaker 6>but like I have other dreams and like this was

0:35:07.880 --> 0:35:09.719
<v Speaker 6>a fun thing to do, but like you know, it's

0:35:09.719 --> 0:35:10.440
<v Speaker 6>not enough have to do it.

0:35:10.440 --> 0:35:12.160
<v Speaker 3>For that Yeah, you know they picked me out of

0:35:12.200 --> 0:35:14.440
<v Speaker 3>a pub and I just said, yeah, I'll take the money.

0:35:14.440 --> 0:35:16.600
<v Speaker 3>I'll wear this suit for four months. And now, actually no,

0:35:16.680 --> 0:35:18.520
<v Speaker 3>I'm a I'm a graphic artist, and I want to

0:35:18.520 --> 0:35:21.080
<v Speaker 3>make sure that I get to pursue that passion and

0:35:21.239 --> 0:35:23.879
<v Speaker 3>you know, go back to Nigeria because I was only

0:35:23.920 --> 0:35:26.480
<v Speaker 3>here studying and he studied in the US, studied in London,

0:35:26.520 --> 0:35:28.239
<v Speaker 3>and then he's like, pow, I'm going back to own

0:35:28.239 --> 0:35:30.440
<v Speaker 3>an art gallery. I think that is really powerful. And

0:35:30.480 --> 0:35:33.719
<v Speaker 3>also I think that it's something that we talk about

0:35:33.719 --> 0:35:36.680
<v Speaker 3>a lot in comics, someone like Mike mcnola, who years

0:35:36.719 --> 0:35:39.520
<v Speaker 3>ago said I'm finishing Hellboy the main series and I'm

0:35:39.560 --> 0:35:41.359
<v Speaker 3>just doing it and everyone was like, WHOA, you can

0:35:41.400 --> 0:35:41.799
<v Speaker 3>do that.

0:35:42.120 --> 0:35:43.239
<v Speaker 2>You can just you.

0:35:43.239 --> 0:35:46.080
<v Speaker 3>Can finish something on your own terms and say like

0:35:46.239 --> 0:35:46.760
<v Speaker 3>I'm done.

0:35:46.920 --> 0:35:48.360
<v Speaker 2>Like that.

0:35:48.360 --> 0:35:51.920
<v Speaker 3>That's really powerful because a lot of times, especially with Aliens,

0:35:51.960 --> 0:35:54.640
<v Speaker 3>which there was kind of a you know, change over

0:35:54.800 --> 0:35:57.319
<v Speaker 3>from Ridley Scott to James Cameron, and there were kind

0:35:57.360 --> 0:36:00.799
<v Speaker 3>of controversies about that with Geiger and stuff, It's really

0:36:00.840 --> 0:36:04.399
<v Speaker 3>interesting that he was actually recognized for what he did

0:36:04.480 --> 0:36:06.120
<v Speaker 3>and they offered it to him and he made that

0:36:06.239 --> 0:36:08.799
<v Speaker 3>choice to say no, yeah, I don't want to be

0:36:08.840 --> 0:36:12.440
<v Speaker 3>in that suit again, which honestly, yeah, before I let

0:36:12.480 --> 0:36:13.879
<v Speaker 3>you go, could you just kind of talk a little

0:36:13.880 --> 0:36:15.880
<v Speaker 3>bit about this is something that you has been like

0:36:15.920 --> 0:36:19.560
<v Speaker 3>a passion of yours, someone you've been impacted by. And

0:36:19.600 --> 0:36:22.160
<v Speaker 3>now thanks to the Internet and memes, I feel like

0:36:22.200 --> 0:36:26.520
<v Speaker 3>Blagie story is getting better known and we get see

0:36:26.560 --> 0:36:28.319
<v Speaker 3>photos of him. What's it been like to kind of

0:36:28.320 --> 0:36:31.919
<v Speaker 3>see that recognition finally getting there.

0:36:32.560 --> 0:36:35.239
<v Speaker 6>It's a joy and we're seeing, and I think we're

0:36:35.239 --> 0:36:37.160
<v Speaker 6>seeing more like people know who the men and the

0:36:37.160 --> 0:36:40.000
<v Speaker 6>Brezela suits were. There's a famous picture of like three

0:36:40.000 --> 0:36:41.880
<v Speaker 6>of them, like walking down the street in the post

0:36:42.320 --> 0:36:44.839
<v Speaker 6>and I think that like sort of you know, there's

0:36:44.920 --> 0:36:48.000
<v Speaker 6>a asking Blije, Butjejo allows us to see him, you know,

0:36:48.120 --> 0:36:49.719
<v Speaker 6>as he was not just in the suit, but as

0:36:49.960 --> 0:36:53.080
<v Speaker 6>a man, as a person, and it's important to me,

0:36:53.160 --> 0:36:55.680
<v Speaker 6>I think, because what's great about Alien is there's so

0:36:55.680 --> 0:36:58.040
<v Speaker 6>many set photos. There's so many set photos that like

0:36:58.040 --> 0:36:59.520
<v Speaker 6>they knew what they were going to they ruin making

0:36:59.520 --> 0:37:02.560
<v Speaker 6>some special away and so because again he was in

0:37:02.560 --> 0:37:04.080
<v Speaker 6>one film and then you know he sort of he

0:37:04.160 --> 0:37:06.200
<v Speaker 6>ended up going back home, there's not a lot of

0:37:06.239 --> 0:37:08.520
<v Speaker 6>images of him. And so seeing the ones we do

0:37:08.600 --> 0:37:11.279
<v Speaker 6>have where he's like with the crew or he's kind

0:37:11.280 --> 0:37:13.319
<v Speaker 6>of hanging out on set in this cool leather jacket

0:37:13.360 --> 0:37:15.759
<v Speaker 6>or his cool shoes, like he's very stylish, and I

0:37:15.760 --> 0:37:18.160
<v Speaker 6>think that's like, again, he's an artist, so I can

0:37:18.160 --> 0:37:20.600
<v Speaker 6>get a sense of that. And so seeing like there's

0:37:20.640 --> 0:37:23.840
<v Speaker 6>one picture that doesn't exist where he was walking in

0:37:23.920 --> 0:37:26.239
<v Speaker 6>the sound stage from the studio with one of the

0:37:26.239 --> 0:37:28.120
<v Speaker 6>other people from one of the other production crew members.

0:37:28.120 --> 0:37:30.960
<v Speaker 6>I can't remember who it was, but like, she is

0:37:31.000 --> 0:37:32.800
<v Speaker 6>like five foot one and he's six foot ten to

0:37:32.840 --> 0:37:35.040
<v Speaker 6>walking side by side, and he's wearing like a pair

0:37:35.040 --> 0:37:37.759
<v Speaker 6>of like Converse sneakers, and I want that picture. You know,

0:37:37.800 --> 0:37:39.400
<v Speaker 6>it doesn't exist, but I want, Yeah, I want to

0:37:39.440 --> 0:37:42.480
<v Speaker 6>see like the so like, yeah, I think, like you know,

0:37:42.719 --> 0:37:44.560
<v Speaker 6>the handful of images that we do have allows us

0:37:44.560 --> 0:37:47.880
<v Speaker 6>to kind of help better understand who he was. You know,

0:37:47.960 --> 0:37:50.160
<v Speaker 6>he's not just the guy in the suit. He sees

0:37:50.200 --> 0:37:51.680
<v Speaker 6>more than that. I think that's important.

0:37:51.760 --> 0:37:54.960
<v Speaker 3>So I totally agree. Well, James, thank you so much

0:37:54.960 --> 0:37:57.719
<v Speaker 3>for joining me on this special edition of Extra Vision.

0:37:57.920 --> 0:37:59.920
<v Speaker 3>Where can people find you? Where can they find your?

0:38:00.000 --> 0:38:00.080
<v Speaker 6>So?

0:38:00.120 --> 0:38:01.600
<v Speaker 3>What do you have to plug?

0:38:01.800 --> 0:38:06.360
<v Speaker 6>Yeah? I am on Instagram, Black Bull Speaks. I'm also

0:38:06.440 --> 0:38:09.560
<v Speaker 6>on a Blue sky as Chuck Spear. You search for me.

0:38:09.640 --> 0:38:14.239
<v Speaker 6>I use a bunch of different aliases, hilarious puns, I

0:38:14.719 --> 0:38:18.719
<v Speaker 6>write comments. I have an itch site. It's James F.

0:38:18.800 --> 0:38:22.080
<v Speaker 6>Wright's wri t S. I don't know what the urel is,

0:38:22.080 --> 0:38:24.480
<v Speaker 6>but it's for ch I you can find my work there,

0:38:24.560 --> 0:38:27.040
<v Speaker 6>comics and so on. So yeah, thank you, Rosie, thank

0:38:27.040 --> 0:38:28.239
<v Speaker 6>you everyone, of.

0:38:28.200 --> 0:38:29.640
<v Speaker 3>Course, thank you so much.

0:38:31.160 --> 0:38:34.239
<v Speaker 4>Tomorrow, we'll be wrapping up our Xenomorph week with a

0:38:34.360 --> 0:38:39.120
<v Speaker 4>special preview of the upcoming movie Alien Romulus Jason and Joel.

0:38:39.239 --> 0:38:42.680
<v Speaker 4>We'll be breaking down the trailers, the promotional material, and

0:38:42.719 --> 0:38:47.359
<v Speaker 4>what we can expect from director Fidi Alvarez's filmography and

0:38:47.480 --> 0:38:51.319
<v Speaker 4>Ridley Scott's legacy. And then Friday, super producer Joel is

0:38:51.360 --> 0:38:54.520
<v Speaker 4>back with Rosie as we sink our teeth into another

0:38:54.760 --> 0:39:00.320
<v Speaker 4>very fang forward franchise. That's the episode. Thanks for listening.

0:39:00.880 --> 0:39:09.680
<v Speaker 8>Bye x ray Vision is hosted by Jason Kenseepsion and

0:39:09.840 --> 0:39:13.960
<v Speaker 8>Rosie Knight and is a production of iHeart Podcasts. Our

0:39:14.000 --> 0:39:18.239
<v Speaker 8>executive producers are Joelle Smith and Aaron Kaufman. Our supervising

0:39:18.280 --> 0:39:23.000
<v Speaker 8>producer is a Boo Zafar. Our producers are Carmen Laurent

0:39:23.760 --> 0:39:27.400
<v Speaker 8>and Mia Taylor. Our theme song is by Brian Basquez.

0:39:27.880 --> 0:39:32.160
<v Speaker 3>Special thanks to Soul Rubin and Chris Lord, Kenny Goodman

0:39:32.520 --> 0:39:37.480
<v Speaker 3>and Heidi Our discord moderata