WEBVTT - Questlove Supreme: Leroy Burgess Part 1

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<v Speaker 1>West Love Supreme is a production of iHeartRadio, Ladies and gentlemen.

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<v Speaker 2>This is West Love Supreme.

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<v Speaker 3>I'm giving you, guys fear of warning now that if

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<v Speaker 3>you ever complained about my inside baseball.

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<v Speaker 2>Method of interviewing Ben, You're not going to be any

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<v Speaker 2>happier with this physical episode. However, if you.

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<v Speaker 3>Are a music head and you know your music, and

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<v Speaker 3>you know your album credit, and you know your.

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<v Speaker 2>Producers and your legends, love this episode.

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<v Speaker 3>First of all, we were just complaining that, you know,

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<v Speaker 3>after doing those.

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<v Speaker 2>Four shows together and.

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<v Speaker 1>Back in prison again soon counch prison.

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<v Speaker 2>I'm saying.

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<v Speaker 4>You trapped in the sixties.

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<v Speaker 2>Yeah.

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<v Speaker 3>I was about to say, France, you're you're currently right now,

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<v Speaker 3>you're back in North Carolina.

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<v Speaker 4>No, I'm this is not prison for me.

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<v Speaker 5>I'm actually doing quite well.

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<v Speaker 2>Yeah.

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<v Speaker 3>He actually made it quite clear that you know, this

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<v Speaker 3>is he's living the dream right now.

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<v Speaker 2>Is.

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<v Speaker 4>Yeah.

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<v Speaker 5>Man, But you know, but but this was an episode

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<v Speaker 5>I really did wish we could have done in personal.

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<v Speaker 3>God, if we would have done this in person, this

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<v Speaker 3>episode will probably be seven hours.

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<v Speaker 4>Right.

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<v Speaker 2>You know what I'm saying, You're looking well and clear today,

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<v Speaker 2>like you you got to share your secret. I worked

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<v Speaker 2>out and took a shower. Okay, something like it's fresh.

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<v Speaker 4>You know what I'm saying?

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<v Speaker 3>Like, Bill, our two friends in the corner, you know,

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<v Speaker 3>am I looking well?

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<v Speaker 4>Yeah?

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<v Speaker 2>Man, you look you look awesome, Steve.

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<v Speaker 4>I put on some brown coconut oils for you for

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<v Speaker 4>the show.

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<v Speaker 2>That's what's up, man, That's what's up?

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<v Speaker 4>Bill?

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<v Speaker 2>How you doing? So?

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<v Speaker 3>You really missed an important episode with Angie Martinez.

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<v Speaker 4>By the way, Oh my god?

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<v Speaker 2>Why we took it back to the old school.

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<v Speaker 3>I feel like we should only do the in persons,

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<v Speaker 3>and we should only do them in certain ways.

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<v Speaker 2>And I miss them already and it's been days. Hey man,

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<v Speaker 2>all right? Also, I just like hugging Fonte. I haven't

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<v Speaker 2>it was great? Man, my microdve supreme. That'll be the

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<v Speaker 2>I have to revitalize myself anyway. Continue. Yeah, so, ladies

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<v Speaker 2>and gentlemen, I will say that.

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<v Speaker 3>This I sound like a broken record. This episode has

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<v Speaker 3>been a long time coming.

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<v Speaker 2>This is I.

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<v Speaker 3>Feel like the forty fifth president when he ever does

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<v Speaker 3>those like meaningless you know you're about to see the

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<v Speaker 3>likes of an episode that you've never seen before. This

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<v Speaker 3>this episode's for me. I'm being selfish here, I'm just

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<v Speaker 3>saying it's for me. We've always wanted to this gentleman,

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<v Speaker 3>this legendary gentleman on our show. As I said at

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<v Speaker 3>the top of the show, sometimes this is the joys

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<v Speaker 3>of reading. Now I'm credits of getting to know people,

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<v Speaker 3>and you know, I will say that this gentleman's work

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<v Speaker 3>is highly ubiquitous and in terms of really just being

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<v Speaker 3>an important architect in dance culture and in soul culture

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<v Speaker 3>and funk culture and disco culture, in bookie culture, in

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<v Speaker 3>post bookie culture, of a lot of the bands, a

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<v Speaker 3>lot of underground groups that we've danced to throughout the years,

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<v Speaker 3>throughout the decades, from Conversion to the Fantastic a Lemes

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<v Speaker 3>to Sympho State. Uh, there's log his own Black Ivory

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<v Speaker 3>Freak Dazzle.

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<v Speaker 2>Jesus christ, y'all, I can't.

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<v Speaker 3>Believe that we have the one and only Leroy Burges

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<v Speaker 3>on Questlove Supreme.

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<v Speaker 4>Yes, sir, Yeah.

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<v Speaker 2>Long time coming. How are you deceived me? Right now?

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<v Speaker 4>Today? Today's the day days, the day aboutely day. This

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<v Speaker 4>is the time for it and it's a pleasant and

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<v Speaker 4>a joy to be here with you guys. This seems

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<v Speaker 4>like it's going to be a lot of fun.

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<v Speaker 3>I could already tell you, like, this is going to

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<v Speaker 3>be great because you are actually prepared with your microphone.

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<v Speaker 2>It's clear sound. You know, it's not like.

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<v Speaker 4>I've been in zoom prison before, so you know, I'm

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<v Speaker 4>used to it. So it's good to be here. Thank

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<v Speaker 4>you for having me, and thank you for your interest

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<v Speaker 4>in me and my work. It's pretty cool your legend.

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<v Speaker 2>All right, we're just going to start with the top.

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<v Speaker 3>Always start with this question, levery purchase, what was your

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<v Speaker 3>first musical memory in life?

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<v Speaker 4>Okay, that's easy, that's really really easy. My first musical memory,

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<v Speaker 4>when I was but an infant, was hearing my mother's voice.

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<v Speaker 4>My mother classically trained contralto, and she used to love

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<v Speaker 4>to sing, and when I was born, she was singing

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<v Speaker 4>and given some of the things that was going on

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<v Speaker 4>in the household and during her life, she sang through

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<v Speaker 4>those things. You know, any amount of the regular amount

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<v Speaker 4>of turmoil that you have in a black family home

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<v Speaker 4>in America back in the fifties, right you know? Now, yeah, exactly,

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<v Speaker 4>And at that time it was five of us. I

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<v Speaker 4>was number four and the fifth was to come. But

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<v Speaker 4>I remember her voice, and I remember it being the

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<v Speaker 4>most amazing sound and thing for me to latch onto

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<v Speaker 4>even before I could speak. My mom let me know

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<v Speaker 4>that when I first started learning to speak, I was

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<v Speaker 4>singing more than I was speaking. So that's my first

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<v Speaker 4>musical memory. My mother's voice.

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<v Speaker 3>Can we say that she's responsible for your your silky falsetto?

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<v Speaker 4>Well, my mother never really got that right. She didn't.

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<v Speaker 4>I mean, see, it was okay when Smokey and the

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<v Speaker 4>Moments and the dell Phonics would do it and Eddie Kendrickson,

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<v Speaker 4>but me, no, she never wanted that for me. Oh,

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<v Speaker 4>your natural voice are so beautiful. You should always singing

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<v Speaker 4>natural And.

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<v Speaker 2>Wait a minute, but your falsetto is killer.

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<v Speaker 4>Well those were the days, as it was. But she

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<v Speaker 4>it took her a minute to get used to that.

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<v Speaker 4>And by the time she did, that's when I morphed

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<v Speaker 4>into more natural singing and I took the I was

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<v Speaker 4>making the transition, taking a hiatus from black ivy and

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<v Speaker 4>that old vibe and that old you know, slow jam

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<v Speaker 4>thing and moving into my dance period, my my my

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<v Speaker 4>disco period, and I made a conscious decision that I

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<v Speaker 4>wanted to sing in my natural voice because that's what

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<v Speaker 4>was happening. You know, the old James's happening, and Hal

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<v Speaker 4>Melvin and the Blue Notes was happening. You wasn't hearing

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<v Speaker 4>a lot of uptempo start smoky and moments, you know,

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<v Speaker 4>they were still in a slow jam drink. So I

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<v Speaker 4>needed to evolve and I felt I felt an energy

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<v Speaker 4>pulling me towards a new type of music or what

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<v Speaker 4>was happening at that time. So you know, I made

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<v Speaker 4>a conscious decision to begin singing in my natural voice,

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<v Speaker 4>and surprisingly it's the one that is more most internationally known.

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<v Speaker 4>The world embraced it. Lama embraces the full settled thing.

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<v Speaker 3>Could you describe the household like with your siblings and

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<v Speaker 3>your parents, Like a lot of our guests, especially kind

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<v Speaker 3>of the Northeast based guests, they kind of have the

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<v Speaker 3>same narrative where like they might have grown up in

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<v Speaker 3>a church household where like secular music's not allowed or

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<v Speaker 3>that sort of thing. Just like, what was the general

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<v Speaker 3>atmosphere of your family and their musical acceptance.

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<v Speaker 4>Well, my family, like most African descendive families in New

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<v Speaker 4>York City and around the country, spiritually based. So yeah,

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<v Speaker 4>church was a part of what you had to do right,

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<v Speaker 4>what you had to learn you had to learn to

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<v Speaker 4>have a relationship with the Almighty and learn who he was.

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<v Speaker 4>So that's what they drummed into your head. But what

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<v Speaker 4>I liked about it was the music that you heard

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<v Speaker 4>in church and Aquia and so forth and so on,

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<v Speaker 4>so that locked me into that vibration. Initially, in the

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<v Speaker 4>early part of my life, we were five kids, two parents. However,

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<v Speaker 4>my biological father, Leroy Jackson Sr. Passed away when I

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<v Speaker 4>was six years old, and my mother remarried to Morgan

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<v Speaker 4>Burgess shortly after that. So that is why I described

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<v Speaker 4>myself as Leroy Burgess as opposed my full name is

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<v Speaker 4>Leroy O'Neil Jackson Jr. But I described myself as Leroy

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<v Speaker 4>Jackson Burgess because I'm the some result of both fathersts right,

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<v Speaker 4>one actually conceived me and the other raised me, so

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<v Speaker 4>I'm equal parts of their energy. We had a good health.

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<v Speaker 4>We lived in Hollanwriver Projects and I went to PS

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<v Speaker 4>ninety about four blocks away. Back in the day, when

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<v Speaker 4>you had to walk through four or five feet of snow,

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<v Speaker 4>it was unheard of to close the schools on you know.

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<v Speaker 4>We a snow day was if it was fifteen feet

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<v Speaker 4>that would be a snow day, all right, anything below

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<v Speaker 4>fifteen feet, you know you're going to get you behind

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<v Speaker 4>the school, get to We had a loving family. My

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<v Speaker 4>grandparents were famous for they built small churches up and

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<v Speaker 4>down the East coast and they were they were the

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<v Speaker 4>family that, oh, no, you can't come in here with

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<v Speaker 4>you got to come in here with Jesus that if

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<v Speaker 4>you tell them, it's like. But my mom was a

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<v Speaker 4>little bit less strict. I mean she took us through church,

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<v Speaker 4>Saint Matthew's Baptist Church in our early time. So the spirit,

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<v Speaker 4>you know, and being connected to spirituality was always a

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<v Speaker 4>part of you know, I connected it directly with music.

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<v Speaker 4>They were intertwined to me, so you know. But as

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<v Speaker 4>you know, growing up, it was a great time to

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<v Speaker 4>grow up. That was back when you know, urban families,

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<v Speaker 4>black families, African descended families. We were very tight back

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<v Speaker 4>in the sixties and fifties and stuff. I mean, it

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<v Speaker 4>was just like a village. We were united in a

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<v Speaker 4>lot of ways and we had the support of each

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<v Speaker 4>other much more than say today, and that was one

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<v Speaker 4>of the things. Being raised in that type of environment

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<v Speaker 4>was just extremely cool.

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<v Speaker 2>All right.

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<v Speaker 3>So you mentioned Harlem, so I gotta ask about just

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<v Speaker 3>your musical memories of Harlem. Do you have any memories

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<v Speaker 3>of like Bobby Robinson's Record Store or any early Apollo

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<v Speaker 3>shows that you got to witness.

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<v Speaker 4>I didn't make it to the Apollo until I performed

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<v Speaker 4>there when Don't Turn Around came out in nineteen seventy one.

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<v Speaker 4>I knew there. I was scared of amateur Night because

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<v Speaker 4>I've seen them boo people. If that happened to me,

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<v Speaker 4>it would crush me forever. And so the very first

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<v Speaker 4>time I performed at the Apollo, it was professionally Don't

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<v Speaker 4>Turn Around had come out with Black Ivory. But I

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<v Speaker 4>felt like I just missed the music period, you know,

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<v Speaker 4>the Billie Holiday and Duke Ellington and Count Basie, when

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<v Speaker 4>they was all there. Louis Armstrong, I just missed it.

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<v Speaker 4>I can't. I was born in nineteen fifty three, so

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<v Speaker 4>by the time I was about four or five or

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<v Speaker 4>something like that and could interact with my environment, day

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<v Speaker 4>was gone. So but their energy, their energy was still there,

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<v Speaker 4>and the type of clubs and the people that they

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<v Speaker 4>gravitated to they were still around. And so there was

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<v Speaker 4>a music that if you listen closely enough, you could

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<v Speaker 4>hear it just butting in the streets in Harlem. You walk,

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<v Speaker 4>you know, just walking safe from my hunts fifty first

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<v Speaker 4>Street where I lived, to one Hump forty fifth Street

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<v Speaker 4>and back. You'd hear all kinds of music coming from

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<v Speaker 4>all kinds of places, and some of the coolest stuff,

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<v Speaker 4>some jazzy stuff, some of course African influence stuff. Uh.

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<v Speaker 4>And it was just I would I would keep those

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<v Speaker 4>things in my head and be bopping around like like

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<v Speaker 4>I was. You know, everybody thought I was a little

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<v Speaker 4>bit crazy, to say nothing of singing in the streets.

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<v Speaker 4>I had no problem just bursting in the song, walking along,

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<v Speaker 4>I had no problem. So they started to know that

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<v Speaker 4>I was the I was. They called me the singer. Oh,

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<v Speaker 4>they go to singer.

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<v Speaker 3>So you telling me that at no point as a

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<v Speaker 3>five six seven year old, are you ever visiting the

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<v Speaker 3>Apollo Theater just to watch the show or to see fall.

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<v Speaker 4>Until I was seventeen, yikes, seventeen. I didn't get to

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<v Speaker 4>the Apollo Theater until I was seventeen.

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<v Speaker 2>Can you tell me the first record that you owned

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<v Speaker 2>or purchased?

0:14:04.720 --> 0:14:08.000
<v Speaker 4>Yeah, yeah, I can tell you the first. Well, I

0:14:08.080 --> 0:14:10.800
<v Speaker 4>didn't the one that I the first one I purchased,

0:14:10.880 --> 0:14:13.480
<v Speaker 4>or the first one I got that made a difference.

0:14:14.040 --> 0:14:16.560
<v Speaker 3>All right, So the first record that had an impact

0:14:16.600 --> 0:14:19.040
<v Speaker 3>on you, okay, and then the one that you purchased

0:14:19.080 --> 0:14:19.720
<v Speaker 3>with your own money.

0:14:19.720 --> 0:14:22.520
<v Speaker 4>But this is a little crazy. The first record that

0:14:22.600 --> 0:14:25.920
<v Speaker 4>had an impact on me was a record called Tubby

0:14:25.960 --> 0:14:30.920
<v Speaker 4>the Tuba. Right. It was a great musical piece that

0:14:31.560 --> 0:14:38.680
<v Speaker 4>definitively described the interaction of the orchestra, right, something that

0:14:38.720 --> 0:14:40.720
<v Speaker 4>I used to hear all the time on the Nacing

0:14:40.840 --> 0:14:44.240
<v Speaker 4>Cold records and the Johnny Matthis records and so forth,

0:14:44.240 --> 0:14:47.360
<v Speaker 4>and so many great orchestras doing this great stuff. And

0:14:47.480 --> 0:14:49.840
<v Speaker 4>I was like, oh, what part of that? And so forth.

0:14:49.880 --> 0:14:53.120
<v Speaker 4>So this record, Tubby the Tuba, it's a children's story,

0:14:53.400 --> 0:14:57.440
<v Speaker 4>but within the story they explained what the string section does,

0:14:57.760 --> 0:15:00.680
<v Speaker 4>or they demonstrate what the horn section does and what

0:15:00.720 --> 0:15:03.800
<v Speaker 4>the percussion session does and so forth. I was like, oh, wow,

0:15:03.920 --> 0:15:05.480
<v Speaker 4>I get it. Now, I get it. So I can

0:15:05.560 --> 0:15:10.280
<v Speaker 4>now listen to records and distinguished pull apart the strings,

0:15:10.480 --> 0:15:13.280
<v Speaker 4>pull apart the horns, so forth and so on. So

0:15:13.360 --> 0:15:17.920
<v Speaker 4>the very first record that influenced me profoundly was Tubby

0:15:17.960 --> 0:15:18.400
<v Speaker 4>the Tube.

0:15:18.960 --> 0:15:22.440
<v Speaker 3>So you're getting entertained, You're getting entertained and you're getting

0:15:22.560 --> 0:15:26.200
<v Speaker 3>educated right at the same time of how things work.

0:15:26.560 --> 0:15:29.320
<v Speaker 3>That's weird because when songs in the Key of Life

0:15:29.320 --> 0:15:34.120
<v Speaker 3>came out, uh, when people purchased the album back in

0:15:34.200 --> 0:15:38.080
<v Speaker 3>seventy six, Stevie Wonder included like a twenty four page

0:15:38.080 --> 0:15:42.400
<v Speaker 3>booklet that had all these album credits in it. You know,

0:15:42.480 --> 0:15:46.080
<v Speaker 3>for most black records, you know, liner notes of that

0:15:46.240 --> 0:15:50.400
<v Speaker 3>caliber really weren't. They weren't accessible, you know, So my

0:15:50.440 --> 0:15:52.320
<v Speaker 3>mom would read those that to me like it was a.

0:15:53.360 --> 0:15:55.840
<v Speaker 4>I read every single word. I was a line of note.

0:15:55.880 --> 0:16:00.920
<v Speaker 4>Fool all right. I'll see back in the days with

0:16:01.000 --> 0:16:03.760
<v Speaker 4>the Johnny Mathews albums and so forth, and song Mama

0:16:03.800 --> 0:16:05.520
<v Speaker 4>would put on the album or they would put on

0:16:05.560 --> 0:16:07.280
<v Speaker 4>the album. I was like, give me the give me

0:16:07.320 --> 0:16:09.560
<v Speaker 4>the couple, let me read it, let me see who

0:16:09.680 --> 0:16:12.560
<v Speaker 4>on the pad? Oh this, who's this person? Who's this person?

0:16:12.680 --> 0:16:14.960
<v Speaker 4>And I'm you know, I kept interrupting my mother and

0:16:15.040 --> 0:16:17.520
<v Speaker 4>father from listening to the music that they very much

0:16:17.880 --> 0:16:22.800
<v Speaker 4>wanted to hear. But I'm like, who is this? But

0:16:22.920 --> 0:16:26.040
<v Speaker 4>I loved reading line of notes because it told me

0:16:26.160 --> 0:16:29.400
<v Speaker 4>the story of the album. And and you know, it

0:16:29.480 --> 0:16:32.800
<v Speaker 4>gave insight the creative process, and I was like, Oh,

0:16:32.880 --> 0:16:37.520
<v Speaker 4>what's in arranger? Yeah, what's in a ranger? What did

0:16:37.520 --> 0:16:41.760
<v Speaker 4>that guy do? You know? And having the understanding of

0:16:41.880 --> 0:16:46.880
<v Speaker 4>what the different orchestral pieces did. I got my appreciation

0:16:47.120 --> 0:16:51.960
<v Speaker 4>for what the rhythm pieces did from listening to jazz, right,

0:16:52.200 --> 0:16:55.320
<v Speaker 4>and then hearing that base and oh that's an electric

0:16:55.400 --> 0:16:58.320
<v Speaker 4>piano or matter an acoustic piano. How cool is that?

0:16:58.840 --> 0:17:01.480
<v Speaker 4>This is the this type of style on guitar and

0:17:01.520 --> 0:17:04.600
<v Speaker 4>so forth. So I got now I'm making the distinction

0:17:05.160 --> 0:17:09.960
<v Speaker 4>between how or Castel works with rhythm and how all

0:17:10.040 --> 0:17:13.000
<v Speaker 4>Castle works with jazz, and how the two of them

0:17:13.080 --> 0:17:15.800
<v Speaker 4>mess together. So I'm putting on these this is a

0:17:15.840 --> 0:17:18.919
<v Speaker 4>little seven year old, six year old brain trying to

0:17:18.960 --> 0:17:22.720
<v Speaker 4>put on me stay together right, and when it comes.

0:17:22.800 --> 0:17:25.640
<v Speaker 4>I got a lot of information from reading a line

0:17:25.680 --> 0:17:29.080
<v Speaker 4>of notes who the songwriter was. These things became important

0:17:29.080 --> 0:17:32.600
<v Speaker 4>to me who the songwriter was. That's a great song.

0:17:32.840 --> 0:17:34.159
<v Speaker 4>I heard a lot of songs and a lot of

0:17:34.160 --> 0:17:36.280
<v Speaker 4>songs though, but this one song, Oh that's great. Who

0:17:36.320 --> 0:17:36.639
<v Speaker 4>wrote that?

0:17:37.200 --> 0:17:37.360
<v Speaker 3>Right?

0:17:37.920 --> 0:17:42.040
<v Speaker 4>So playing that kind of attention to it gave me

0:17:42.160 --> 0:17:47.520
<v Speaker 4>great insight and great appreciation to the process, you know,

0:17:47.560 --> 0:17:50.040
<v Speaker 4>because I needed to understand how to do it.

0:17:50.520 --> 0:17:54.400
<v Speaker 2>The album that you purchased, what was that her?

0:17:54.680 --> 0:18:00.919
<v Speaker 4>Just this is a funny one question. Yeah. Yeah. The

0:18:00.960 --> 0:18:05.399
<v Speaker 4>first record you acquired, we acquired, you know what I mean,

0:18:06.240 --> 0:18:09.359
<v Speaker 4>the better Wood and uh, I kind of snuck it.

0:18:09.440 --> 0:18:16.200
<v Speaker 4>And the first album that I acquired was Abby Road

0:18:16.320 --> 0:18:22.400
<v Speaker 4>by the Beatles. Wow, I was a Beatles fan, right,

0:18:23.000 --> 0:18:24.960
<v Speaker 4>And my mother sent me to Gimbals.

0:18:25.200 --> 0:18:26.640
<v Speaker 2>What do you know about Gimbals?

0:18:27.000 --> 0:18:30.160
<v Speaker 4>Yeah, yeah, Gimbals, not Macy's Gimbals.

0:18:30.280 --> 0:18:30.960
<v Speaker 2>Gimbals.

0:18:31.080 --> 0:18:31.399
<v Speaker 4>Wow.

0:18:31.960 --> 0:18:34.399
<v Speaker 2>Okay, you talk my language. Okay.

0:18:35.080 --> 0:18:37.600
<v Speaker 4>I was actually I was going to Gimbals and I

0:18:37.640 --> 0:18:40.280
<v Speaker 4>was going to the S and H Green Stamp Redemption

0:18:40.520 --> 0:18:43.320
<v Speaker 4>Center to get something from the green stamp that the

0:18:43.480 --> 0:18:46.960
<v Speaker 4>screen stamps. Yeah. So she my mother had books and

0:18:46.960 --> 0:18:50.400
<v Speaker 4>books and books. She had the catalog where she got

0:18:50.400 --> 0:18:53.960
<v Speaker 4>every time. So the places up from Rochester. I live

0:18:54.000 --> 0:18:56.080
<v Speaker 4>in Harlem, so there's a couple of trains I have

0:18:56.200 --> 0:18:58.080
<v Speaker 4>to take and so forth and so on. So I

0:18:58.119 --> 0:18:59.960
<v Speaker 4>went up there to get her thing for him. From there,

0:19:00.480 --> 0:19:03.000
<v Speaker 4>pick up something from Gimbals, and I had to stop

0:19:03.040 --> 0:19:12.600
<v Speaker 4>in the record department, right, And I acquired the Abbey

0:19:12.680 --> 0:19:16.320
<v Speaker 4>Road album and I bought it back and I started

0:19:16.440 --> 0:19:21.840
<v Speaker 4>playing it incessantly. I played everything incessantly, really, but I

0:19:21.880 --> 0:19:26.520
<v Speaker 4>started playing it incessantly, and nobody really asked me where

0:19:26.520 --> 0:19:30.080
<v Speaker 4>did that come on? Where did you get that? But

0:19:31.359 --> 0:19:34.800
<v Speaker 4>you know, that was the first album I acquired, Now,

0:19:34.880 --> 0:19:38.000
<v Speaker 4>the first album I started getting into the way before

0:19:38.080 --> 0:19:41.719
<v Speaker 4>that because my mother was a member of check this

0:19:41.800 --> 0:19:46.800
<v Speaker 4>out the Columbia record that the sixties.

0:19:47.560 --> 0:19:51.680
<v Speaker 3>Yeah, yeah, eleven, Like what was it back in the day?

0:19:52.040 --> 0:19:56.880
<v Speaker 4>Weel records for a penny, Well for a penny as

0:19:56.920 --> 0:20:01.439
<v Speaker 4>long as you you know, buy Mom used to she

0:20:01.480 --> 0:20:03.480
<v Speaker 4>knew I loved music, and see, like I said, she's

0:20:03.520 --> 0:20:06.399
<v Speaker 4>a singer. So she was like, you know, when I

0:20:06.520 --> 0:20:10.600
<v Speaker 4>was good, you know, and I've been you know, not misbehaving,

0:20:11.359 --> 0:20:13.280
<v Speaker 4>she would say, okay, well you can buy them. You

0:20:13.320 --> 0:20:15.480
<v Speaker 4>can pick out one record of the twelve, or you

0:20:15.520 --> 0:20:17.359
<v Speaker 4>can pick out two records of the twelve. So I

0:20:17.440 --> 0:20:23.240
<v Speaker 4>used to get Temptations, Stevie Wanda, Uh, the Supremes, Uh,

0:20:23.280 --> 0:20:26.800
<v Speaker 4>you know, Jerry Butler with one of my favorite albums

0:20:26.800 --> 0:20:30.239
<v Speaker 4>of the Iceman Coming And I used to listen to

0:20:30.240 --> 0:20:32.719
<v Speaker 4>those joints. So those were the first things that I

0:20:32.800 --> 0:20:37.600
<v Speaker 4>started listening to, uh, in order to discover who my

0:20:37.800 --> 0:20:39.520
<v Speaker 4>musical being was Wow.

0:20:44.400 --> 0:20:46.840
<v Speaker 3>Now you mentioned something earlier, and I was gonna let

0:20:46.840 --> 0:20:49.680
<v Speaker 3>it slide, but I gotta know because the thing is

0:20:49.680 --> 0:20:54.760
<v Speaker 3>is that when you mentioned the S and H green stamps,

0:20:56.160 --> 0:21:00.000
<v Speaker 3>probably the only memory that I have of my mother

0:21:00.200 --> 0:21:04.920
<v Speaker 3>is my grandmother on my mother's side, is her sitting

0:21:04.960 --> 0:21:05.400
<v Speaker 3>at our.

0:21:05.400 --> 0:21:11.520
<v Speaker 2>Table with like thousands and thousands and thousands.

0:21:11.000 --> 0:21:14.280
<v Speaker 3>Of those green what were those green like next to

0:21:14.280 --> 0:21:19.159
<v Speaker 3>those green stamps and those like Swedish cookies, you know,

0:21:19.280 --> 0:21:23.439
<v Speaker 3>the the butter cookies designs that eventually become their storing

0:21:23.480 --> 0:21:28.000
<v Speaker 3>spot for sewing, the Datish cookies that after you finished date,

0:21:28.080 --> 0:21:30.520
<v Speaker 3>they become like the sewing kit.

0:21:30.720 --> 0:21:31.159
<v Speaker 2>Sewing kit.

0:21:31.400 --> 0:21:37.919
<v Speaker 3>Yeah, that's that's the woman's crown Royal bag. What were

0:21:37.960 --> 0:21:39.800
<v Speaker 3>those what were those S n H stamps for?

0:21:40.880 --> 0:21:44.280
<v Speaker 4>Here's what's up. Basically, you go to the supermarket like

0:21:44.440 --> 0:21:48.280
<v Speaker 4>anybody else, right, you buy X amount of grocerites, right

0:21:49.400 --> 0:21:51.639
<v Speaker 4>for the money that you spent for those groceries, you

0:21:51.680 --> 0:21:54.919
<v Speaker 4>would get X amount of green stamps and they and

0:21:54.960 --> 0:21:57.720
<v Speaker 4>they would give you books that you collected stamps on

0:21:58.280 --> 0:22:01.080
<v Speaker 4>stick on the page. So for a song. When you

0:22:01.119 --> 0:22:05.639
<v Speaker 4>get your books filled up, right, and you know you

0:22:05.760 --> 0:22:09.119
<v Speaker 4>had X amount of books. Well, this vacuum cleaner costs

0:22:09.160 --> 0:22:17.360
<v Speaker 4>five books and this rewards and just had to get

0:22:17.440 --> 0:22:20.879
<v Speaker 4>up there to the S and H Redemption Center and

0:22:21.040 --> 0:22:23.360
<v Speaker 4>pick up with some My mom got all of these

0:22:23.480 --> 0:22:25.960
<v Speaker 4>nights little because we went. Every time she went food

0:22:25.960 --> 0:22:29.320
<v Speaker 4>shopping for the kids, she'd have like one hundred, you know,

0:22:31.600 --> 0:22:34.720
<v Speaker 4>and so she you know, I was the designating in

0:22:34.800 --> 0:22:37.760
<v Speaker 4>the family to go up there and pick up the

0:22:37.960 --> 0:22:40.520
<v Speaker 4>sn H green stamp merchandise.

0:22:41.200 --> 0:22:42.040
<v Speaker 2>I was the counter.

0:22:42.320 --> 0:22:44.600
<v Speaker 3>I would have to count with my she I learned

0:22:44.600 --> 0:22:48.960
<v Speaker 3>how to counts. I never knew what they were for.

0:22:49.160 --> 0:22:51.400
<v Speaker 3>I was like, I mean, that's that's probably.

0:22:51.080 --> 0:22:54.639
<v Speaker 4>Like they were free stuff, stuff and stuff when it

0:22:54.680 --> 0:22:58.000
<v Speaker 4>was good stuff, when it was really really free, right,

0:22:58.040 --> 0:23:02.879
<v Speaker 4>They didn't the company needs that supported or that donated

0:23:03.000 --> 0:23:06.360
<v Speaker 4>their products to the SNATE factory, you know, for them

0:23:06.400 --> 0:23:10.720
<v Speaker 4>to give away. They were advertising for them and promotional

0:23:10.760 --> 0:23:15.520
<v Speaker 4>for them. So but you know, I'm coping and you

0:23:15.560 --> 0:23:16.880
<v Speaker 4>know stuff that gang.

0:23:18.760 --> 0:23:21.080
<v Speaker 3>Yeah, I realized that half the items of my house

0:23:21.160 --> 0:23:26.399
<v Speaker 3>must have came from SNH. So, you know, I told

0:23:26.640 --> 0:23:29.119
<v Speaker 3>like some of my friends in luminaries and music heads

0:23:29.160 --> 0:23:32.240
<v Speaker 3>that you were coming on the show. I have to say,

0:23:32.240 --> 0:23:35.200
<v Speaker 3>you're probably the most connected human being.

0:23:35.520 --> 0:23:38.080
<v Speaker 2>I know because the.

0:23:38.000 --> 0:23:41.080
<v Speaker 3>First response that every music head tells me when I'm like, yo,

0:23:41.440 --> 0:23:43.800
<v Speaker 3>we're about to get him on the show, they tell

0:23:43.880 --> 0:23:46.160
<v Speaker 3>me like, Yo, you know he's related to Tom Bell?

0:23:46.280 --> 0:23:46.440
<v Speaker 4>Right?

0:23:46.840 --> 0:23:47.000
<v Speaker 1>Yo?

0:23:47.080 --> 0:23:49.520
<v Speaker 3>You know he's related to Archie Belle. Right, Yo, you

0:23:49.560 --> 0:23:52.080
<v Speaker 3>know he's related to how.

0:23:51.960 --> 0:23:53.040
<v Speaker 4>Many the bells?

0:23:53.359 --> 0:23:53.800
<v Speaker 5>The bells?

0:23:53.920 --> 0:23:54.320
<v Speaker 2>Huh?

0:23:54.320 --> 0:23:58.000
<v Speaker 3>So you're trying to tell me that Tom and Robert

0:23:58.080 --> 0:24:01.640
<v Speaker 3>and Ronald of Cool and Gang and Albet of Stacks

0:24:01.720 --> 0:24:05.200
<v Speaker 3>and Archie Bell of it you're all related?

0:24:05.720 --> 0:24:06.040
<v Speaker 2>Yes?

0:24:06.880 --> 0:24:07.200
<v Speaker 4>Wow?

0:24:07.520 --> 0:24:11.440
<v Speaker 2>How come no one has?

0:24:11.680 --> 0:24:15.760
<v Speaker 4>Yeah, I don't know. Listen, we do you do? Well?

0:24:15.840 --> 0:24:26.760
<v Speaker 4>He distory with that Patty LaBelle. That's stress common No, no, right,

0:24:27.720 --> 0:24:35.400
<v Speaker 4>I thought Patty was the strength, but by Ricky Bell. Yes, okay.

0:24:36.040 --> 0:24:42.399
<v Speaker 4>We are all the descendants of an enslaved individual named

0:24:42.520 --> 0:24:47.479
<v Speaker 4>Prince Bell from the eighteen twenties and eighteen you know,

0:24:47.560 --> 0:24:51.639
<v Speaker 4>eighteen sixties, seventies or something like that. Prince Belle had

0:24:52.040 --> 0:24:56.520
<v Speaker 4>a total of three wives. With each of his wedding

0:24:57.119 --> 0:25:01.600
<v Speaker 4>wedding units, he made a bunch of kids. Right. Those

0:25:01.720 --> 0:25:05.320
<v Speaker 4>kids became my grandparents and my mom and my dad,

0:25:05.840 --> 0:25:10.199
<v Speaker 4>and the same as two for Tom Bell or the

0:25:10.200 --> 0:25:14.040
<v Speaker 4>Bell brothers. From Cool the Gang, Jerry Bell from the

0:25:14.160 --> 0:25:20.240
<v Speaker 4>Dads Band, Uh Bell, Al Bell, Ricky Bell from Bell

0:25:20.320 --> 0:25:21.960
<v Speaker 4>Bit devou Tom, I.

0:25:21.880 --> 0:25:24.880
<v Speaker 2>Was only playing that's real, goddamn.

0:25:26.960 --> 0:25:31.640
<v Speaker 4>Outside of the Bell family or Judge Matthis Greg Mathis

0:25:31.720 --> 0:25:35.840
<v Speaker 4>is a cousin and the actor Richard Browntree Is, all

0:25:35.920 --> 0:25:38.600
<v Speaker 4>of us are descendants of Prince Bell Bell.

0:25:39.040 --> 0:25:40.840
<v Speaker 2>I also heard Betty Right as well.

0:25:41.080 --> 0:25:45.199
<v Speaker 4>Betty Right. I met Betty Right and.

0:25:45.680 --> 0:25:48.200
<v Speaker 2>Are we relatedly working?

0:25:48.480 --> 0:25:51.439
<v Speaker 4>It's we all? Well, I believe that I believe that

0:25:51.480 --> 0:25:55.080
<v Speaker 4>I'm related to everybody in the world. I mean, well,

0:25:55.119 --> 0:25:55.640
<v Speaker 4>I see why.

0:25:55.760 --> 0:25:56.760
<v Speaker 2>That's crazy.

0:25:57.200 --> 0:26:00.439
<v Speaker 3>Yeah, So shout out to our fire purchase who also,

0:26:01.880 --> 0:26:04.840
<v Speaker 3>I mean, you know fire right, hyeh.

0:26:04.200 --> 0:26:07.719
<v Speaker 2>Yeah, okay player, absolutely yeah, absolutely.

0:26:07.200 --> 0:26:10.880
<v Speaker 3>Fire verges who definitely want this episode to happen while

0:26:10.920 --> 0:26:12.480
<v Speaker 3>you are connected to everyone.

0:26:13.400 --> 0:26:16.960
<v Speaker 4>So when I think about where, you know, was it

0:26:17.240 --> 0:26:23.359
<v Speaker 4>I predestined to enter the music industry, I'm kind of

0:26:23.640 --> 0:26:30.320
<v Speaker 4>leaning towards feeling like shit because there's so many loom

0:26:30.400 --> 0:26:33.879
<v Speaker 4>nerves in my family that are not just in entertainment

0:26:33.880 --> 0:26:38.600
<v Speaker 4>but in music specifically, who have made a definitive monk

0:26:39.119 --> 0:26:44.080
<v Speaker 4>on the industry as a whole. So I'm just bringing

0:26:44.160 --> 0:26:47.840
<v Speaker 4>up the rear Commons Belding might be real too. I'm

0:26:47.880 --> 0:26:48.880
<v Speaker 4>just saying it.

0:26:48.880 --> 0:26:51.720
<v Speaker 3>Was predetermined, like your your future was everyone in your

0:26:51.760 --> 0:26:57.320
<v Speaker 3>family has singing talent, and it's push the envelope.

0:26:57.320 --> 0:26:58.040
<v Speaker 2>That's crazy.

0:26:58.200 --> 0:27:00.879
<v Speaker 4>Can I just ask who found who first? When did

0:27:00.920 --> 0:27:04.919
<v Speaker 4>y'all know that this was the story behind your family? Yeah,

0:27:05.560 --> 0:27:09.000
<v Speaker 4>Calm Bell. Back in my when I was very very young,

0:27:09.200 --> 0:27:14.560
<v Speaker 4>Alexander four, five and six and stuff like that, he

0:27:14.680 --> 0:27:17.320
<v Speaker 4>used to come to the family picnics down like we

0:27:17.440 --> 0:27:20.400
<v Speaker 4>used to have down in Jamesburg, New Jersey. We still

0:27:20.480 --> 0:27:23.320
<v Speaker 4>have him in the same place every year. He used

0:27:23.359 --> 0:27:25.720
<v Speaker 4>to come and I used to follow him around like

0:27:25.760 --> 0:27:29.879
<v Speaker 4>a little public dog, right because he was always talking music.

0:27:30.040 --> 0:27:34.359
<v Speaker 4>That was then he stopped coming. Right fift forward to

0:27:34.440 --> 0:27:39.920
<v Speaker 4>about somewhere in the nineteen nineties, the Bell the South

0:27:40.000 --> 0:27:44.080
<v Speaker 4>Jersey Bell Picnic couldn't happen, so the North Jersey Bell

0:27:44.440 --> 0:27:48.280
<v Speaker 4>the Bell Aiken's Picnic happened, and my mother traveled to

0:27:48.359 --> 0:27:51.960
<v Speaker 4>that because I was on the road. Right, That's where

0:27:52.000 --> 0:27:58.040
<v Speaker 4>my mother met Cools Cool and Robert and Ronald and

0:27:58.080 --> 0:28:01.720
<v Speaker 4>all of and Kevin's mother and she was so sing

0:28:02.119 --> 0:28:06.159
<v Speaker 4>my sons in the music. Oh so my son he

0:28:06.880 --> 0:28:10.040
<v Speaker 4>who's your son black Ibby, who's your son Coonigan? Oh,

0:28:10.200 --> 0:28:14.880
<v Speaker 4>we need to do right. So wow. So that's how

0:28:15.040 --> 0:28:20.800
<v Speaker 4>they And then a wonderful cousin of mine that I

0:28:20.840 --> 0:28:23.399
<v Speaker 4>didn't know. I met her on Facebook. Her name is

0:28:23.440 --> 0:28:27.320
<v Speaker 4>Geneva Norman right, and she asked if she was a

0:28:27.440 --> 0:28:30.639
<v Speaker 4>cousin and she relaid, and then she presented me with

0:28:31.119 --> 0:28:35.359
<v Speaker 4>a document the Bell family history, going all the way

0:28:35.520 --> 0:28:40.960
<v Speaker 4>back to Prince Belle right, and it contained every single

0:28:41.400 --> 0:28:46.400
<v Speaker 4>everybody in the whole family, including all my brothers, all

0:28:46.440 --> 0:28:51.080
<v Speaker 4>my siblings, all my cousins, all you know. It was

0:28:51.240 --> 0:28:55.760
<v Speaker 4>just really a definitive document, sixteen page document that told

0:28:55.800 --> 0:28:59.080
<v Speaker 4>me who everybody was and where everybody was and so

0:28:59.120 --> 0:29:04.480
<v Speaker 4>forth and so on. So uh uh. As I proceeded

0:29:04.480 --> 0:29:09.000
<v Speaker 4>through life after finding that out, the last one that

0:29:09.120 --> 0:29:13.480
<v Speaker 4>I met officially was Betty uh she was called to

0:29:13.520 --> 0:29:16.440
<v Speaker 4>the Lord. When when she was called to her ascension,

0:29:16.880 --> 0:29:20.080
<v Speaker 4>I met her. The National R and B Music Society

0:29:20.960 --> 0:29:26.760
<v Speaker 4>was giving her a Lifetime Achievement award and uh, I

0:29:26.800 --> 0:29:29.360
<v Speaker 4>was you know, I was one at president at that

0:29:29.480 --> 0:29:34.400
<v Speaker 4>awards presentation, and I walked over to her after she

0:29:34.480 --> 0:29:38.560
<v Speaker 4>got the award and I said, congratulations. Was right by

0:29:38.640 --> 0:29:44.080
<v Speaker 4>the way, I'm a descendant of Prince Bell. And she

0:29:44.320 --> 0:29:50.760
<v Speaker 4>jumped up and said cousin and hub and and and

0:29:50.840 --> 0:29:54.040
<v Speaker 4>so you know things like that. That's been my life

0:29:54.360 --> 0:29:58.480
<v Speaker 4>to to uh with Jerry Bell from dazz Man and

0:29:58.800 --> 0:30:00.960
<v Speaker 4>formerly of new Birth. He was the lead thing on

0:30:01.000 --> 0:30:03.920
<v Speaker 4>new Birth. Yes, I'm performed with.

0:30:03.960 --> 0:30:08.800
<v Speaker 3>New Birth and I believe didn't he eventually join Cool

0:30:08.840 --> 0:30:12.920
<v Speaker 3>in the Gang in eighty seven when JT left, Jerry

0:30:12.920 --> 0:30:18.680
<v Speaker 3>Bell was the one that sing led a web Yes, yes, yes,

0:30:18.720 --> 0:30:25.840
<v Speaker 3>he Oh that explains it. That explains it. That is

0:30:25.880 --> 0:30:30.160
<v Speaker 3>what yo, because you don't understand when they made an

0:30:30.200 --> 0:30:36.960
<v Speaker 3>album nineteen eighty seven or eighty eight, and you know

0:30:37.120 --> 0:30:41.080
<v Speaker 3>JT had left the group and they did an appearance

0:30:41.120 --> 0:30:44.040
<v Speaker 3>on Soul Train and Don was trying to put you

0:30:44.160 --> 0:30:45.280
<v Speaker 3>and two together, like, wait.

0:30:45.080 --> 0:30:46.760
<v Speaker 2>Where I know you from? Where I know you from?

0:30:47.000 --> 0:30:54.000
<v Speaker 2>He said, oh man, that's been and that is wow.

0:30:54.560 --> 0:30:56.200
<v Speaker 2>Okay their cousins.

0:30:56.720 --> 0:30:59.200
<v Speaker 4>Yeah, that is crazy.

0:30:59.360 --> 0:31:01.960
<v Speaker 2>Okay, So what's the story long?

0:31:02.320 --> 0:31:05.480
<v Speaker 3>Because I know that the group started when you were

0:31:05.520 --> 0:31:08.760
<v Speaker 3>young and your teens and whatnot. How did you meet

0:31:08.760 --> 0:31:12.440
<v Speaker 3>with Stuart and Russell, your your bandmates in Black Ivory,

0:31:12.880 --> 0:31:16.200
<v Speaker 3>Stuart Bascom and Russell Russell or Patterson.

0:31:16.560 --> 0:31:19.960
<v Speaker 4>We're talking about nineteen sixty eight, and that's when your

0:31:20.000 --> 0:31:23.280
<v Speaker 4>family mate, I was fourteen. That's the year that your

0:31:23.320 --> 0:31:25.560
<v Speaker 4>mom said, no, you're gonna go out and get You're

0:31:25.560 --> 0:31:27.880
<v Speaker 4>gonna get the summer job and get start making your

0:31:27.880 --> 0:31:30.280
<v Speaker 4>own money so you can get to you know. So

0:31:30.320 --> 0:31:33.480
<v Speaker 4>I got some job and I worked at Saint Charles

0:31:33.480 --> 0:31:37.840
<v Speaker 4>Baumeo as a youth counselor. For I was a fourteen

0:31:37.920 --> 0:31:40.160
<v Speaker 4>year old taking care of eight year olds.

0:31:40.320 --> 0:31:43.680
<v Speaker 2>You know that kind of thing, right camp, You're the

0:31:43.760 --> 0:31:44.600
<v Speaker 2>oldest sibling.

0:31:45.400 --> 0:31:47.920
<v Speaker 4>Oh no, no, no, no no. My eldest sibling is my

0:31:48.000 --> 0:31:53.960
<v Speaker 4>sister Vell. He's seventy three and I'm seventy in August.

0:31:54.240 --> 0:31:55.120
<v Speaker 2>Great for seventy bro.

0:31:56.640 --> 0:31:59.120
<v Speaker 4>So I met while I was on you know what.

0:31:59.440 --> 0:32:05.760
<v Speaker 4>We were having lunch and shooting bricks, you know what

0:32:05.760 --> 0:32:08.840
<v Speaker 4>I mean. But we got a little transits to radio

0:32:08.920 --> 0:32:12.120
<v Speaker 4>plane and Here I Go Again by Smokey Robinson and

0:32:12.160 --> 0:32:16.320
<v Speaker 4>the Miracles came on and one of my co counselors,

0:32:16.400 --> 0:32:21.240
<v Speaker 4>Larry Newkirk, he started singing along with it, and somewhere

0:32:21.240 --> 0:32:24.760
<v Speaker 4>halfway between the songs, I started singing along with him,

0:32:25.200 --> 0:32:29.720
<v Speaker 4>and at some point he stopped right and just let

0:32:29.800 --> 0:32:33.600
<v Speaker 4>me continue singing. And you know, I closed my eyes

0:32:33.600 --> 0:32:36.160
<v Speaker 4>and I just continued to singing the song. And then

0:32:36.200 --> 0:32:39.120
<v Speaker 4>when I finally opened my eyes, all these people had

0:32:39.160 --> 0:32:44.200
<v Speaker 4>gathered around me. Right. So Lavy said, hey, you've got

0:32:44.200 --> 0:32:47.120
<v Speaker 4>a beautiful voice. I said you too, and he was like, well,

0:32:47.120 --> 0:32:49.280
<v Speaker 4>I got a Google. Are you interested in joining the group?

0:32:49.320 --> 0:32:53.080
<v Speaker 4>I said sure? So I went to his house Espinau Gardens,

0:32:53.600 --> 0:32:58.920
<v Speaker 4>Humphy seventh and between seventh and Lenox and met the

0:32:58.960 --> 0:33:01.440
<v Speaker 4>rest of his group. The Mellow Souls was the name

0:33:01.480 --> 0:33:06.840
<v Speaker 4>of the group. About a week later, Uh, the fifth

0:33:06.920 --> 0:33:12.440
<v Speaker 4>member of the Mellow Souls, Uh joined Larry Newkirk's group.

0:33:12.680 --> 0:33:16.120
<v Speaker 4>So they were five of us, right, and Uh we

0:33:16.200 --> 0:33:20.080
<v Speaker 4>started rehearsing and started learning songs. Delpon this moments that

0:33:21.000 --> 0:33:24.800
<v Speaker 4>main ingredient. This just started, you know, practicing records. Right,

0:33:26.040 --> 0:33:31.720
<v Speaker 4>and Uh, Larry's sister, Gail Newkirk, she was friends with

0:33:32.040 --> 0:33:35.520
<v Speaker 4>h They was, you know, boyfriend and girlfriend with Patrick

0:33:35.600 --> 0:33:42.600
<v Speaker 4>Adams to come. And so we were already to meet Patrick.

0:33:42.760 --> 0:33:45.480
<v Speaker 4>We met over Larry's house and so forth and so on.

0:33:46.120 --> 0:33:51.280
<v Speaker 4>Patrick called to say he could not come. Right during

0:33:51.320 --> 0:33:55.000
<v Speaker 4>the phone call, I was singing can you remember by

0:33:55.040 --> 0:33:58.440
<v Speaker 4>the delphonics right in the background. I was in the

0:33:58.480 --> 0:34:03.320
<v Speaker 4>other room, but Patrick heard it and he asked, Lovey,

0:34:03.360 --> 0:34:05.880
<v Speaker 4>who is that singing? And Larry was like, that's our

0:34:05.960 --> 0:34:09.120
<v Speaker 4>lead singer. And so Patrick called me to the phone

0:34:09.600 --> 0:34:12.319
<v Speaker 4>asked me about you know, old blah blah, you know,

0:34:12.320 --> 0:34:13.840
<v Speaker 4>where do you learn to sing? And what do you

0:34:13.920 --> 0:34:16.360
<v Speaker 4>do to do? And I can't make it today, but

0:34:16.440 --> 0:34:19.680
<v Speaker 4>can you meet me next week? And so that a

0:34:19.719 --> 0:34:22.960
<v Speaker 4>week later we arranged a meeting with Patrick Adams and

0:34:23.520 --> 0:34:25.960
<v Speaker 4>she was enamored with the group, but he couldn't work

0:34:25.960 --> 0:34:30.560
<v Speaker 4>with five people. So the first one to leave the

0:34:30.600 --> 0:34:36.320
<v Speaker 4>group was Michael Harris in educational pursuits, pursuing his further education.

0:34:38.080 --> 0:34:42.440
<v Speaker 4>So that made it a quartet myself, Vito Vermeers, Stuart

0:34:42.480 --> 0:34:48.200
<v Speaker 4>Bascombe and Larry Newkirk, and we began being groomed and

0:34:48.280 --> 0:34:54.600
<v Speaker 4>developed by Patrick Adams. Right finally they got us. Is

0:34:54.600 --> 0:34:59.480
<v Speaker 4>an amazing coincidence, all right. Patrick became friends with gene

0:34:59.600 --> 0:35:05.240
<v Speaker 4>Red who was the manager. Now, when coon A Gang

0:35:05.520 --> 0:35:09.480
<v Speaker 4>first came out, they were an all instrumental band. There

0:35:09.560 --> 0:35:12.799
<v Speaker 4>was no vocals or anything. They just playing came out

0:35:12.800 --> 0:35:15.600
<v Speaker 4>and jammed all these soul instrumentals. That was dope, right,

0:35:16.040 --> 0:35:18.080
<v Speaker 4>and you know people bought them and dance to them,

0:35:18.520 --> 0:35:22.040
<v Speaker 4>and they were quite popular, doing quite well. So Patrick

0:35:22.080 --> 0:35:26.799
<v Speaker 4>suggested the gene or vice versa, that, uh, why don't

0:35:26.840 --> 0:35:29.440
<v Speaker 4>you let my group permitted themselves and by singing a

0:35:29.480 --> 0:35:32.279
<v Speaker 4>couple of songs being backed by a coon a gang.

0:35:32.800 --> 0:35:38.080
<v Speaker 4>And they said yes, they said yes. So we were

0:35:38.120 --> 0:35:41.400
<v Speaker 4>giving two songs, Love on the Two Way Street and

0:35:41.480 --> 0:35:45.520
<v Speaker 4>everybody is a star? Right that coonian and learned to

0:35:45.560 --> 0:35:50.440
<v Speaker 4>play behind us to the group. Right now, this is

0:35:50.520 --> 0:35:53.720
<v Speaker 4>before we had any idea me and the Bell brothers

0:35:53.760 --> 0:35:56.720
<v Speaker 4>that we were related. We I just they were Bells

0:35:56.719 --> 0:36:02.880
<v Speaker 4>and I knew that I was the son of a Bell, right.

0:36:03.760 --> 0:36:12.640
<v Speaker 4>But uh so that is how black ivy. After a minute, Uh,

0:36:12.719 --> 0:36:16.839
<v Speaker 4>Larry Newkirk and Vito rameris left to pursue there further

0:36:17.080 --> 0:36:20.280
<v Speaker 4>education and so forth, and so leaving just me and Stuart.

0:36:21.840 --> 0:36:27.160
<v Speaker 4>But Larry's brother, Todd Newkirk had was developing a group

0:36:27.200 --> 0:36:31.960
<v Speaker 4>to follow behind us, Shades of Mellow. So in that group,

0:36:32.600 --> 0:36:37.600
<v Speaker 4>the best singer was Russell Patterson. Okay, so we went

0:36:37.960 --> 0:36:40.200
<v Speaker 4>it was just me and Stuart. We went to Russell

0:36:40.239 --> 0:36:42.640
<v Speaker 4>and we said, hey, we do be interested in being

0:36:43.440 --> 0:36:47.120
<v Speaker 4>were part of this nonsense going on over here.

0:36:47.760 --> 0:36:49.640
<v Speaker 2>You could just steal somebody from their group.

0:36:50.320 --> 0:36:55.480
<v Speaker 4>Yeah, basically, basically we basically stole Russell. That group dissolved,

0:36:55.840 --> 0:36:59.520
<v Speaker 4>and that's when Stuart and Patrick got on the phone

0:36:59.560 --> 0:37:02.719
<v Speaker 4>with each other and changed the name Mellow Souls as

0:37:02.840 --> 0:37:08.279
<v Speaker 4>like hokey as hell, like the mellow who doesn't who

0:37:08.280 --> 0:37:12.560
<v Speaker 4>doesn't do that? So Patrick and Stuart got on the

0:37:12.600 --> 0:37:16.480
<v Speaker 4>phone and they came up with Ivory, and then black Ivory,

0:37:17.239 --> 0:37:20.560
<v Speaker 4>you know, kind of described us because Russell and I

0:37:20.680 --> 0:37:24.320
<v Speaker 4>were this complexion and Stuart was light, you know, his

0:37:24.520 --> 0:37:28.080
<v Speaker 4>light skin brother. So that puts you in mind of

0:37:28.200 --> 0:37:31.040
<v Speaker 4>the piano and piano keys and all of that. And so.

0:37:32.680 --> 0:37:34.920
<v Speaker 2>That's why y'all named y'allselves Black Ivory.

0:37:35.360 --> 0:37:39.680
<v Speaker 3>Oh wow, that's the best colorism story I've heard actually,

0:37:40.440 --> 0:37:44.239
<v Speaker 3>speaking of which I didn't even plan this moment, but

0:37:44.600 --> 0:37:50.480
<v Speaker 3>right at this moment, I'm watching you guys on socialet. Yo,

0:37:50.640 --> 0:37:54.799
<v Speaker 3>your your afro is highly highly impressive.

0:37:57.760 --> 0:38:02.880
<v Speaker 4>Wow, oh my god. First of all, I gotta I gotta,

0:38:03.000 --> 0:38:08.640
<v Speaker 4>I gotta say you are the only person with that footage. Oh,

0:38:08.719 --> 0:38:10.520
<v Speaker 4>I know in the world.

0:38:12.040 --> 0:38:12.759
<v Speaker 2>I realized this.

0:38:12.880 --> 0:38:16.040
<v Speaker 3>I'm we have can I can I explain to you

0:38:16.120 --> 0:38:18.120
<v Speaker 3>why I have this footage? But you guys can take

0:38:18.160 --> 0:38:19.640
<v Speaker 3>a wild guess why have his footage?

0:38:19.680 --> 0:38:22.319
<v Speaker 4>But we've been I've been looking. I've been looking for

0:38:22.440 --> 0:38:27.000
<v Speaker 4>that footage, to see that skill, that one performance. No,

0:38:27.719 --> 0:38:29.120
<v Speaker 4>what goes around comes around.

0:38:29.520 --> 0:38:34.279
<v Speaker 3>Yeah, obviously I'm working on a project, and you know

0:38:34.320 --> 0:38:37.080
<v Speaker 3>I keep the show on. Even if I weren't working

0:38:37.120 --> 0:38:40.000
<v Speaker 3>on it, I'd be watching all eleven hundred episodes of

0:38:40.000 --> 0:38:40.799
<v Speaker 3>the Soul Track like it.

0:38:41.480 --> 0:38:43.799
<v Speaker 2>This is always stays on, no matter what. It's like

0:38:43.840 --> 0:38:44.759
<v Speaker 2>my aquarium.

0:38:45.280 --> 0:38:48.759
<v Speaker 4>You don't know how crucial. We have been looking for

0:38:48.800 --> 0:38:55.240
<v Speaker 4>this that footage for over forty years, Right over forty years.

0:38:55.360 --> 0:39:00.320
<v Speaker 4>The Soul Train compilations came out. One episode, Oh this

0:39:00.560 --> 0:39:03.600
<v Speaker 4>missing Black Cobby and Hugh Methon.

0:39:03.640 --> 0:39:09.279
<v Speaker 2>You messe Quila and from Chicago, Don's homeboy what's his name?

0:39:10.200 --> 0:39:14.960
<v Speaker 4>You have the interview where Don don canille I not

0:39:15.080 --> 0:39:18.279
<v Speaker 4>the all over my stage and I said, well I

0:39:18.360 --> 0:39:19.480
<v Speaker 4>couldn't help it.

0:39:19.719 --> 0:39:20.680
<v Speaker 2>The mud up.

0:39:21.200 --> 0:39:25.040
<v Speaker 4>Oh my god, I got you back over there. I

0:39:25.080 --> 0:39:27.080
<v Speaker 4>wanted to walk back over there. Let me see.

0:39:33.040 --> 0:39:36.840
<v Speaker 3>Can you basically talk about Patrick adams likes as a

0:39:36.880 --> 0:39:41.880
<v Speaker 3>record collector and especially Perception Records, you know, I know,

0:39:41.880 --> 0:39:43.840
<v Speaker 3>I always knew it as a jazz label, like I know,

0:39:44.000 --> 0:39:47.880
<v Speaker 3>like some of the funkier Disney Gillespie stuff and you know,

0:39:48.600 --> 0:39:49.880
<v Speaker 3>well also fat Back.

0:39:49.800 --> 0:39:53.000
<v Speaker 2>But like James Moody, like a lot of jazz artists like.

0:39:53.040 --> 0:39:56.360
<v Speaker 3>Weren't It wasn't Perception primarily a jazz label.

0:39:56.800 --> 0:40:01.680
<v Speaker 4>It wasn't entirely a jazz label U And they were

0:40:01.719 --> 0:40:06.759
<v Speaker 4>breaking into R and B and other marketplaces, which is

0:40:06.800 --> 0:40:10.680
<v Speaker 4>why they found a place for Patrick because he was

0:40:10.719 --> 0:40:12.880
<v Speaker 4>the voice of Harlem coming from the R and B

0:40:13.080 --> 0:40:16.040
<v Speaker 4>side of things, and that's why he ended up being

0:40:16.320 --> 0:40:19.200
<v Speaker 4>an art director. But yeah, when we went to the label,

0:40:19.239 --> 0:40:22.080
<v Speaker 4>it had Johnny Hartman was one of the artists on

0:40:22.080 --> 0:40:26.799
<v Speaker 4>the oh Johnny Hartman. It was Dizzy Gi Leslie. He

0:40:26.960 --> 0:40:33.799
<v Speaker 4>was on the label. But they had they had they

0:40:33.840 --> 0:40:37.279
<v Speaker 4>hadn't really broken up the Today label. We were the

0:40:37.320 --> 0:40:42.080
<v Speaker 4>ones to really break that label open Today. Yeah, Patrick

0:40:42.360 --> 0:40:47.959
<v Speaker 4>was He became my absolute mentor and the guy who

0:40:49.000 --> 0:40:52.720
<v Speaker 4>allowed me and and supported me and getting my focus

0:40:52.840 --> 0:40:57.120
<v Speaker 4>together to become whatever I would become in the industry.

0:40:57.840 --> 0:41:00.520
<v Speaker 3>So basically you're watching him in the skideo and this

0:41:00.600 --> 0:41:02.400
<v Speaker 3>is how you're getting your education.

0:41:02.160 --> 0:41:06.960
<v Speaker 4>Or I'm stealing and everything. I could steal every little part,

0:41:07.120 --> 0:41:09.200
<v Speaker 4>and I was like, how did you do that? And

0:41:09.239 --> 0:41:11.839
<v Speaker 4>how did you? And he loved He loved working with

0:41:11.880 --> 0:41:15.799
<v Speaker 4>me because he loved the idea that I could come

0:41:15.880 --> 0:41:18.640
<v Speaker 4>up with on my own. You and I was my

0:41:18.760 --> 0:41:23.120
<v Speaker 4>first composition commercial composition. Wow. I wrote that when I

0:41:23.160 --> 0:41:26.560
<v Speaker 4>was sixteen years old, and Stuart came in and did

0:41:26.600 --> 0:41:30.120
<v Speaker 4>the lyrics to it. Patrick loved it because I didn't

0:41:30.120 --> 0:41:32.560
<v Speaker 4>even know that I was using two four timing and

0:41:32.600 --> 0:41:35.200
<v Speaker 4>six four timing, and so I would just like playing

0:41:35.440 --> 0:41:38.239
<v Speaker 4>something that I liked. But You was like, oh, that's

0:41:38.280 --> 0:41:39.840
<v Speaker 4>so great, and we're going to do a record, and

0:41:40.080 --> 0:41:45.400
<v Speaker 4>we did this seven minute epic yes of You and I.

0:41:45.640 --> 0:41:46.040
<v Speaker 2>You and I?

0:41:46.160 --> 0:41:51.719
<v Speaker 4>Right, that the thing for everybody to have. But so

0:41:51.920 --> 0:41:59.000
<v Speaker 4>Patrick is entirely responsible for introducing me and bringing me

0:41:59.080 --> 0:42:03.680
<v Speaker 4>into the the music industry. I can say that unequivocally.

0:42:03.719 --> 0:42:06.799
<v Speaker 4>There's no one more was Patrick. Was he a white guy,

0:42:06.840 --> 0:42:10.000
<v Speaker 4>black guy? I've seen pictures of him, He's black.

0:42:10.440 --> 0:42:15.120
<v Speaker 2>Okay. For for our listeners out there that are hip hop.

0:42:15.000 --> 0:42:19.240
<v Speaker 3>Heads, you and ize the sample to uh Q tips

0:42:19.800 --> 0:42:20.560
<v Speaker 3>getting up right?

0:42:20.840 --> 0:42:22.080
<v Speaker 4>Yeah?

0:42:22.360 --> 0:42:22.880
<v Speaker 2>Getting up?

0:42:23.440 --> 0:42:23.880
<v Speaker 4>Was that?

0:42:24.200 --> 0:42:24.800
<v Speaker 2>Was that shocking?

0:42:24.840 --> 0:42:28.759
<v Speaker 3>For you to hear it have somewhat of a resurrection

0:42:28.920 --> 0:42:29.360
<v Speaker 3>of sorts.

0:42:30.360 --> 0:42:34.239
<v Speaker 4>Q Q tip is just a really cool bubble. He's

0:42:34.320 --> 0:42:37.799
<v Speaker 4>just straight up above board, all right. And what happened was,

0:42:38.640 --> 0:42:41.560
<v Speaker 4>I was working for working at Manny's Music on forty

0:42:41.560 --> 0:42:45.319
<v Speaker 4>eighth Street for a little while, you know me, and yes,

0:42:45.840 --> 0:42:49.520
<v Speaker 4>you get actually came in and sort me out right

0:42:50.000 --> 0:42:54.440
<v Speaker 4>and said, I want to I'm thinking about using you

0:42:54.640 --> 0:42:58.680
<v Speaker 4>and I for you know what, for this new song,

0:42:59.360 --> 0:43:01.600
<v Speaker 4>and uh, I want to do it the right way.

0:43:02.320 --> 0:43:05.719
<v Speaker 4>So I knew I found out that you were working here, right,

0:43:06.080 --> 0:43:08.839
<v Speaker 4>you put me onto your publishers so that we can

0:43:08.880 --> 0:43:14.000
<v Speaker 4>work out a licensing deal, right, And I always respected

0:43:14.080 --> 0:43:18.400
<v Speaker 4>him for doing that because there's so many underhanded ways

0:43:18.440 --> 0:43:22.239
<v Speaker 4>you can you know, you know, decided to have the

0:43:22.280 --> 0:43:25.799
<v Speaker 4>integrity to come straight at it and to do the

0:43:25.880 --> 0:43:30.200
<v Speaker 4>right thing. And I always respected Kamal for that. But yeah,

0:43:30.360 --> 0:43:32.960
<v Speaker 4>he actually did the right thing by us.

0:43:33.480 --> 0:43:37.760
<v Speaker 3>So by putting two and two together, can I assume

0:43:37.800 --> 0:43:41.120
<v Speaker 3>that you guys' decision to record Don't turn Around and

0:43:41.160 --> 0:43:47.960
<v Speaker 3>Philadelphia Sigma Sound had to do with your cousin also

0:43:48.000 --> 0:43:48.759
<v Speaker 3>working out of there.

0:43:49.680 --> 0:43:54.319
<v Speaker 4>Boll Patrick and Tom Bell had a rivalry to you know,

0:43:54.360 --> 0:43:57.800
<v Speaker 4>it was New York versus Philly. Tom Bell was the

0:43:58.520 --> 0:44:01.719
<v Speaker 4>one of the leading had lists of the Philadelphia Sound.

0:44:01.760 --> 0:44:04.479
<v Speaker 4>They became friends, so forth and so on. They knew

0:44:04.480 --> 0:44:09.720
<v Speaker 4>each other professionally, and Patrick was always trying to create

0:44:09.880 --> 0:44:14.000
<v Speaker 4>great records and great songs like don't Turn Around. When

0:44:14.000 --> 0:44:17.480
<v Speaker 4>he became the the vice president of the and r

0:44:17.640 --> 0:44:22.160
<v Speaker 4>AT at Perception Today, they gave him the budget to

0:44:22.239 --> 0:44:26.880
<v Speaker 4>go to Philly and use I think we use half

0:44:27.040 --> 0:44:28.640
<v Speaker 4>of MSSB.

0:44:29.280 --> 0:44:33.160
<v Speaker 3>Yeah, Norman Harrison, Vince Montana like all the cats, right.

0:44:33.040 --> 0:44:35.719
<v Speaker 4>And the dudes. The other half of the band, of

0:44:35.760 --> 0:44:40.040
<v Speaker 4>the rhythm band was Willie Feasta and the Mighty Magnificence

0:44:40.400 --> 0:44:44.400
<v Speaker 4>right all right, which was the all platinum Stang Records.

0:44:44.239 --> 0:44:46.719
<v Speaker 2>Yes, the Sylvie Robinson Crew, Right.

0:44:46.800 --> 0:44:47.040
<v Speaker 4>Yeah.

0:44:47.120 --> 0:44:48.920
<v Speaker 2>So I was gonna ask how did you manage?

0:44:48.920 --> 0:44:50.759
<v Speaker 3>Because when I read read the album credits, I'm like,

0:44:50.800 --> 0:44:53.880
<v Speaker 3>wait a minute, is this all just a tri state

0:44:53.960 --> 0:44:56.680
<v Speaker 3>thing or like we're because I think for a lot

0:44:56.680 --> 0:44:59.160
<v Speaker 3>of us, when we think of the Philly sound, we

0:44:59.239 --> 0:45:03.680
<v Speaker 3>literally think that everything is going through gamble and huff

0:45:03.920 --> 0:45:07.960
<v Speaker 3>and it really wasn't until one day Joe Tarcia told me, like, no,

0:45:08.280 --> 0:45:13.040
<v Speaker 3>like you know, there's a period where even the ms

0:45:13.840 --> 0:45:16.680
<v Speaker 3>MFSB Cats broke away from Gamble and Heff as session

0:45:16.760 --> 0:45:21.480
<v Speaker 3>musicians and decided to produce themselves. But since they recorded

0:45:21.480 --> 0:45:25.680
<v Speaker 3>at Sigma, you know, it all sounded the same because

0:45:25.680 --> 0:45:26.959
<v Speaker 3>of the of you know.

0:45:26.920 --> 0:45:29.440
<v Speaker 2>The equipment they used and.

0:45:28.920 --> 0:45:31.520
<v Speaker 4>So yeah, just the style of the music there they

0:45:31.600 --> 0:45:31.840
<v Speaker 4>all do.

0:45:32.000 --> 0:45:35.480
<v Speaker 3>Right, So people didn't feel a certain way, like I

0:45:35.520 --> 0:45:38.400
<v Speaker 3>would think that like Gamble and Huff would feel a

0:45:38.400 --> 0:45:41.840
<v Speaker 3>certain way if you know Dexter Wanzel or or or

0:45:42.320 --> 0:45:45.279
<v Speaker 3>or Vince or whoever is like at the Helm or

0:45:45.320 --> 0:45:50.120
<v Speaker 3>even your cousin, Like, it all sounds the same because

0:45:50.120 --> 0:45:53.040
<v Speaker 3>it's the same musicians, the same engineering, the same studio,

0:45:53.560 --> 0:45:56.960
<v Speaker 3>the same instruments. So I'm just thinking, like this is

0:45:57.080 --> 0:46:00.520
<v Speaker 3>all going through Gamble and Huff, but cats feel a

0:46:00.520 --> 0:46:01.640
<v Speaker 3>certain way about like.

0:46:02.200 --> 0:46:06.439
<v Speaker 4>Well, here's my best answer to that. It began as

0:46:06.480 --> 0:46:11.040
<v Speaker 4>a partnership Gamble, Huff and Bell, all right, the three

0:46:11.080 --> 0:46:15.319
<v Speaker 4>of them were together. That's where you get mighty three

0:46:15.440 --> 0:46:17.000
<v Speaker 4>music and so forth.

0:46:17.600 --> 0:46:20.520
<v Speaker 3>Okay, I didn't realize that Bell was like a part

0:46:20.520 --> 0:46:22.759
<v Speaker 3>of their I just thought he was like way I

0:46:22.840 --> 0:46:25.840
<v Speaker 3>used the studio as well. I didn't realize that he

0:46:25.960 --> 0:46:27.480
<v Speaker 3>was see where Mighty three came.

0:46:27.280 --> 0:46:31.040
<v Speaker 4>From an integral part of the Gamble when they always

0:46:31.200 --> 0:46:35.120
<v Speaker 4>in their twenties and stuff like that. They were together, right.

0:46:35.200 --> 0:46:39.359
<v Speaker 4>The Iceman comings with an album produced by Gambling, Huff

0:46:39.480 --> 0:46:44.440
<v Speaker 4>and Belle. Okay, one of my favorite songs, are You Happy,

0:46:45.200 --> 0:46:48.799
<v Speaker 4>completely arranged by Bobby Martin and Tom Bell. All right,

0:46:49.640 --> 0:46:54.480
<v Speaker 4>So they were always connected. And then as music evolved,

0:46:54.800 --> 0:46:58.399
<v Speaker 4>they became Kenny and Leon, and then Tom Bell went

0:46:58.480 --> 0:47:01.840
<v Speaker 4>off and did his delphonics thing, right, while Kenny and

0:47:01.920 --> 0:47:05.920
<v Speaker 4>Leon did the intruders, and you know that became the

0:47:05.960 --> 0:47:09.080
<v Speaker 4>early Old Jays and so forth and so on so

0:47:09.480 --> 0:47:12.080
<v Speaker 4>and next thing, you know, Tom Bell is doing on

0:47:12.120 --> 0:47:16.000
<v Speaker 4>the spinners, and you know that whole that whole sphere.

0:47:16.280 --> 0:47:20.560
<v Speaker 4>But yes, indeed, every time they went into the studio,

0:47:20.560 --> 0:47:23.680
<v Speaker 4>whether it was Gambling, Huff or Tom Bell, they used

0:47:23.680 --> 0:47:29.040
<v Speaker 4>the same musician Norman Harris, Earl Young on drums all

0:47:29.040 --> 0:47:33.040
<v Speaker 4>the time, Vince Montana. They were the same cats, and

0:47:33.080 --> 0:47:39.279
<v Speaker 4>they all had this light style of composition, right Whereas

0:47:39.640 --> 0:47:43.719
<v Speaker 4>Gambling the songs that they wrote were similar. They came

0:47:43.719 --> 0:47:46.839
<v Speaker 4>from the kind of the same place, right, and then

0:47:47.000 --> 0:47:50.879
<v Speaker 4>using the same musicians to realize these songs create that

0:47:51.000 --> 0:47:55.160
<v Speaker 4>specific sound, the Phil Lee sound right, which can come

0:47:55.200 --> 0:47:59.040
<v Speaker 4>from either Gambling Huff or Tom Bell and later on

0:47:59.200 --> 0:48:07.200
<v Speaker 4>Dexter One, Hell, Whitehead so Forth and Offshoots, Uh, Norman Habits, Baker,

0:48:07.280 --> 0:48:09.760
<v Speaker 4>Habits Young so Forth and so on. In the Vince

0:48:09.800 --> 0:48:15.080
<v Speaker 4>Montana camp, they were all United and Sigma Sound Studios,

0:48:15.120 --> 0:48:18.840
<v Speaker 4>and they would call each other up for the babous sessions.

0:48:18.880 --> 0:48:22.600
<v Speaker 4>So that's why all the records started sounding like each other.

0:48:24.280 --> 0:48:27.240
<v Speaker 2>Thank you for finally saying that I just never.

0:48:27.120 --> 0:48:30.359
<v Speaker 4>Knew right and talk to all of them. Sorry, I'm

0:48:30.360 --> 0:48:31.719
<v Speaker 4>sorry now.

0:48:31.840 --> 0:48:34.920
<v Speaker 5>I was gonna ask before we got off the first album.

0:48:35.320 --> 0:48:41.920
<v Speaker 5>I keep asking questions, Yeah, uh, how how did it

0:48:41.960 --> 0:48:44.400
<v Speaker 5>feel when you heard that, you know, being used in

0:48:44.719 --> 0:48:47.799
<v Speaker 5>that way for Criminology?

0:48:48.800 --> 0:48:52.239
<v Speaker 4>Same story as come on, Yeah, I don't think so.

0:48:53.719 --> 0:48:56.640
<v Speaker 1>Or no or no I heard.

0:48:57.080 --> 0:48:58.680
<v Speaker 4>I'm like, all right, I don't think it's gonna be

0:48:58.719 --> 0:48:58.960
<v Speaker 4>the same.

0:48:59.239 --> 0:49:02.480
<v Speaker 3>I can't wait to get to over like a fat rat.

0:49:04.080 --> 0:49:07.080
<v Speaker 2>This is all like after the fact.

0:49:08.120 --> 0:49:12.200
<v Speaker 4>I didn't know about Criminology until way after it came out.

0:49:12.360 --> 0:49:18.640
<v Speaker 4>Was successful, right, And my first response was the old

0:49:18.920 --> 0:49:25.959
<v Speaker 4>R and B head Right, this rap is taken over right.

0:49:27.960 --> 0:49:29.840
<v Speaker 4>I don't know what are they saying to the kids,

0:49:30.280 --> 0:49:37.280
<v Speaker 4>and some of them I went with the t on them.

0:49:37.440 --> 0:49:40.640
<v Speaker 4>But then it was doing so well, and then it

0:49:41.239 --> 0:49:46.160
<v Speaker 4>went gold and then it went platinum. I might be

0:49:46.680 --> 0:49:53.000
<v Speaker 4>okay with this. I might just be okay this, And

0:49:53.080 --> 0:49:55.799
<v Speaker 4>I actually am looking at the platinum black right there

0:49:57.120 --> 0:49:59.280
<v Speaker 4>only built only for Cuban links.

0:50:00.040 --> 0:50:01.839
<v Speaker 2>Yeah, I was gonna say for a lot of us.

0:50:02.200 --> 0:50:06.400
<v Speaker 3>I mean, yeah, my dad had your records, but it

0:50:06.560 --> 0:50:08.520
<v Speaker 3>is those records that made us.

0:50:10.440 --> 0:50:13.920
<v Speaker 2>Really truly like revisit those.

0:50:13.760 --> 0:50:17.520
<v Speaker 3>Records and look down the credits and then just really

0:50:17.560 --> 0:50:22.840
<v Speaker 3>get lost in your history. So I know in the

0:50:22.840 --> 0:50:25.200
<v Speaker 3>beginning it's a little jarring because you're like, my work's

0:50:25.239 --> 0:50:32.839
<v Speaker 3>being torn apart or whatever, but you know that if

0:50:32.880 --> 0:50:35.520
<v Speaker 3>there ever was an album for you to be associated with,

0:50:35.960 --> 0:50:37.200
<v Speaker 3>that was the record.

0:50:38.040 --> 0:50:42.480
<v Speaker 4>That started a trend, and a trend that begun earlier

0:50:43.120 --> 0:50:52.239
<v Speaker 4>by I think it was remember Strictly Business, that movie

0:50:52.239 --> 0:50:55.520
<v Speaker 4>Barry Grandpa, but he took fat lap, he used over

0:50:55.680 --> 0:50:56.439
<v Speaker 4>like a fat vat.

0:50:56.960 --> 0:50:59.160
<v Speaker 2>Yeah, I was.

0:50:59.239 --> 0:51:01.680
<v Speaker 4>I was not cool. Within July saw the first chat

0:51:04.280 --> 0:51:12.840
<v Speaker 4>and then I realized, yeah.

0:51:10.239 --> 0:51:13.000
<v Speaker 2>Hey, everybody, what's up. This is Fonte from Team Supreme.

0:51:13.360 --> 0:51:15.960
<v Speaker 2>This interview was so good so nice.

0:51:16.120 --> 0:51:17.080
<v Speaker 4>We had to do it twice.

0:51:17.200 --> 0:51:19.000
<v Speaker 5>We put it up, put it, broke it up into

0:51:19.000 --> 0:51:21.840
<v Speaker 5>two parts. Honestly, this was one of my favorite interviews

0:51:21.840 --> 0:51:23.920
<v Speaker 5>this season. I wanted to talk to Leroy for a

0:51:24.040 --> 0:51:27.640
<v Speaker 5>long time and he did not disappoint. So please check

0:51:27.719 --> 0:51:30.160
<v Speaker 5>back in as Leroy tells us more about his life

0:51:30.200 --> 0:51:30.680
<v Speaker 5>and career.

0:51:30.960 --> 0:51:31.719
<v Speaker 4>Peace Shall.

0:51:42.560 --> 0:51:50.480
<v Speaker 1>What's Lop Supreme is a production of iHeart Radio. For

0:51:50.560 --> 0:51:53.680
<v Speaker 1>more podcasts from iHeart Radio, visit the iHeart Radio app,

0:51:53.880 --> 0:51:56.960
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.