WEBVTT - Hey William Shatner!

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<v Speaker 1>Illness. So April twenty fifth. If I asked you what

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<v Speaker 1>the significance of that date is, what would you say? Easter?

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<v Speaker 1>No incorrect? William Shatner's birthday incorrect. April twenty fifth is

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<v Speaker 1>described as a perfect date from the movie Miscongeniality Ah

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<v Speaker 1>Miss Rhode Island. She has asked, could you describe your

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<v Speaker 1>perfect date by William Shatner? William Shatner to what she replies,

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<v Speaker 1>I would have to say April twenty fifth. It's not

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<v Speaker 1>too hot and not too cold as an iconic line,

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<v Speaker 1>and it is. She's not wrong, She's not wrong. It

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<v Speaker 1>has still with me, stuck with me forever, April twenty fifth,

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<v Speaker 1>So I celebrate it. I'm actually one of the many

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<v Speaker 1>people throughout the world who celebrates April twenty fifth as

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<v Speaker 1>a national and international holiday. So national date day lines

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<v Speaker 1>like that iconic moments in film are are no stranger

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<v Speaker 1>to our guests. They have many going all the way

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<v Speaker 1>back to Star Trek h our dad would say this

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<v Speaker 1>all the time space the Final Frontier, Captain Kirk played

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<v Speaker 1>by none of then William Jashatner, thee Williams shutter to

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<v Speaker 1>boldly go where no one has gone before is a

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<v Speaker 1>crazy line that used line that he said. He said,

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<v Speaker 1>you imagine having a line like that that's so iconic

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<v Speaker 1>that it it just it becomes a part of the

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<v Speaker 1>English vernacular.

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<v Speaker 2>Yeah, Like if you didn't know, I would think that

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<v Speaker 2>that was what buzz Aldrin said.

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<v Speaker 1>I thought I would say that was in the Bible.

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<v Speaker 1>He's years old, years he looks incredible. You know him well,

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<v Speaker 1>and it's him quite well. It's kind of wild our relationship.

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<v Speaker 1>But there was a time when I signed him to

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<v Speaker 1>a recording deal. YEP, that's a thing that happened. I

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<v Speaker 1>had a joint venture. And for those of you who

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<v Speaker 1>don't know what that is, under Republic Records, Jonah Brothers

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<v Speaker 1>are signed by Republic Records. Is before the Jonah's Brothers

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<v Speaker 1>signed to Republic Records. I was sitting around during COVID

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<v Speaker 1>and I just was scrolling on TikTok a lot, finding

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<v Speaker 1>all these amazing artists that had very little view COUNTSL

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<v Speaker 1>was like, these are amazing, Like I want to work

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<v Speaker 1>with these people. How do I do this? There a

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<v Speaker 1>record label underneath Republic called a joint venture. We signed

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<v Speaker 1>up a handful of people and William Shatner was one

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<v Speaker 1>of them because he does spoken word. He did a

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<v Speaker 1>spoken word album, so cool. I'm also featured on a

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<v Speaker 1>song called Clouds of Guilt that I sing and he

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<v Speaker 1>just spoken word. It's really trippy and such a vibe.

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<v Speaker 1>And he did an entire album a spoken word and

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<v Speaker 1>now he's gearing up to make a metal album. Fantastic.

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<v Speaker 1>I cannot just announced that. So we should definitely talk

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<v Speaker 1>to them about this. Yeah, please let's bring them on. Please, Hello, Hello, sir.

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<v Speaker 1>It is so good to meet you. I know Joe's

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<v Speaker 1>got a history with you and and and he just

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<v Speaker 1>kind of filled us in on where it all stem from.

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<v Speaker 1>But it is so great to meet you, such big fans,

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<v Speaker 1>and I know everyone listening is obviously massive fens. Well,

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<v Speaker 1>so thanks for joining us.

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<v Speaker 3>Well thanks for asking me. I have somewhere in my

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<v Speaker 3>phone some of the names of the people who are

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<v Speaker 3>joining my medal.

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<v Speaker 1>So your piece of it is spoken word? Or you

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<v Speaker 1>are you singing in this as well?

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<v Speaker 3>You might say, because three of you are such wonderful singers.

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<v Speaker 3>He does spoken word, he speaks, I who have difficulty

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<v Speaker 3>staying in tune. My pitch is not perfect.

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<v Speaker 1>Doesn't have to be. How did this come about? Please

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<v Speaker 1>tell us.

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<v Speaker 3>Which aspect my birth? My dad A great Why back.

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<v Speaker 1>To your earliest memory? He I would like to know

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<v Speaker 1>your earliest memory be more so, I guess the metal

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<v Speaker 1>album what's strong The site.

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<v Speaker 3>Cleopatra is the name of the label. And so when

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<v Speaker 3>I was doing Star Trek, Decca was like the biggest

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<v Speaker 3>whatever the equivalent is now record label. And they came

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<v Speaker 3>to me why I was shooting Star Trek and said

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<v Speaker 3>would you do an album? And I said, well, you know,

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<v Speaker 3>I took singing lessons and I but I never followed through.

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<v Speaker 3>And I had an idea that I would carry the

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<v Speaker 3>fret of a guitar so I could learn the fingerings.

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<v Speaker 3>Had those ambitious In fact my Broadway phase, I went out.

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<v Speaker 3>I went out to audition for a musical and the

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<v Speaker 3>guy I had been on Broadway. The guy knew my

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<v Speaker 3>my chops, I guess, but he smiled very kindly and

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<v Speaker 3>somewhat condescendingly. After I finished the song It's a thank

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<v Speaker 3>you Bill. I knew I wasn't going to get the

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<v Speaker 3>job because I couldn't sing.

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<v Speaker 1>What show was that?

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<v Speaker 3>If I might ask, I don't remember the show, but

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<v Speaker 3>I remember the kindly look because because I had been

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<v Speaker 3>an actor in straight plays, and so he wasn't going

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<v Speaker 3>to dismiss me and saying we'll go ahead and we

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<v Speaker 3>might call it. He had enough respect to be kind

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<v Speaker 3>to say thank you and the smile on his face.

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<v Speaker 3>But I knew then that I'd made a big mistake.

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<v Speaker 3>After that, I was. I tried taking singing lessons, and

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<v Speaker 3>I got to solfeggio and relative pitch, which you can train.

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<v Speaker 3>As I'm telling your audiences, you can train your ear

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<v Speaker 3>if you do enough on a key to a piano

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<v Speaker 3>or a guitar and you hit that note. H oh,

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<v Speaker 3>that's an april. And you can train if with years

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<v Speaker 3>as you have done, as you guys have done so brilliantly,

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<v Speaker 3>you can train your ear for relative pitch. I didn't

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<v Speaker 3>even get that far. But what I got to do

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<v Speaker 3>is I was. I was an actor in the classics

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<v Speaker 3>for many years, dealing a lot with iambic pentameter and

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<v Speaker 3>poetry and right and in a way that's singing poetry.

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<v Speaker 3>There is a melodic line in poetry, so that spoken

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<v Speaker 3>word and singing is not that far apart. It's enough

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<v Speaker 3>far part that's many times in my case it doesn't

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<v Speaker 3>really work. But singing and speaking in rhythm and in

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<v Speaker 3>music is possible, and I think that's what I do.

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<v Speaker 1>So you do it. Well, wow, I'm very excited to

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<v Speaker 1>hear this with this middle album.

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<v Speaker 3>I was talking about this earlier today the Awards for

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<v Speaker 3>Science Fiction, and they said, would you sing rocket Man?

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<v Speaker 3>And I said, well, okay, I'll do it. I was

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<v Speaker 3>in front of an audience. They had the lyrics there

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<v Speaker 3>and and I did rocket Band and I did the

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<v Speaker 3>best I could, doing Frank Sinatra. Cigarette caller was open.

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<v Speaker 3>I was doing rocket Man is Frank Sinatra. It wasn't

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<v Speaker 3>supposed to be recorded, but they had recorded. And it's

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<v Speaker 3>followed me all since then. Fifty years ago, it's followed me.

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<v Speaker 3>Rocket Band, Hey rock a band. Three four months ago,

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<v Speaker 3>there was a cruise ship Star Trek cruise ship and

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<v Speaker 3>they said, when you come on the cruise and all

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<v Speaker 3>we want you to do is sing Rocketman. So and

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<v Speaker 3>they were going to pay me a lot of money,

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<v Speaker 3>so I said, okay, I'll do a rocket Man. I

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<v Speaker 3>got there. They had a band, really incredible musicians. In

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<v Speaker 3>looking more carefully at the lyric that he wrote, there's

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<v Speaker 3>a lot about the astronaut is afraid of being alone.

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<v Speaker 3>There's a lot about the emotion. I think it's going

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<v Speaker 3>to be a long long time. And I had this

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<v Speaker 3>band and I said, I'm going to reinterpret the song

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<v Speaker 3>as an actor would. There's a lot about a loonness here,

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<v Speaker 3>and I'm going to be frightened to be alone. I'm

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<v Speaker 3>going to be alone. And we played it that way,

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<v Speaker 3>and there was four thousand people on the cruise ship.

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<v Speaker 3>They didn't have a theater big enough, so they wanted

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<v Speaker 3>me to do it twice. I did it twice, and

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<v Speaker 3>I didn't know how it was going to go. I

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<v Speaker 3>was just doing the best I could and I did

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<v Speaker 3>my version of rocket Man and they stood up and

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<v Speaker 3>they applauded. Two thousand people applauded, thank you very much.

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<v Speaker 3>I'm going to get off, and they wouldn't let me off.

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<v Speaker 3>They were so been, so moved by that interpretation of Rocketman.

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<v Speaker 3>Well then I did it again later in part of

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<v Speaker 3>another audience, and they did the same thing. They wouldn't

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<v Speaker 3>let me off the stage because I found the truth

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<v Speaker 3>of a song and it moved them like they hadn't

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<v Speaker 3>heard before on anybody at debreting rocket Man.

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<v Speaker 1>That's wonderful. I have also performed on a cruise ship,

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<v Speaker 1>and I will say that it was it was one

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<v Speaker 1>of the more challenging performances. Well, I sort of got

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<v Speaker 1>seasick while it was happening, and the stage was moving,

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<v Speaker 1>you know, and we were on some rough water. Did

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<v Speaker 1>you experience some rough water when you were singing rocommend.

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<v Speaker 3>We were in the roughest seas of all in the darkness.

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<v Speaker 1>Oh wow, no way, and you still had them in

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<v Speaker 1>the palm of your hands.

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<v Speaker 2>See and talking about being alone. I wanted to be

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<v Speaker 2>an astronaut when I was a kid, did you? I

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<v Speaker 2>absolutely wanted.

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<v Speaker 3>What did you do to make your dream come true?

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<v Speaker 1>I am My dream did not come true? Picked guitar

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<v Speaker 1>to the stars.

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<v Speaker 3>You could have named it a good star. This is

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<v Speaker 3>a good star.

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<v Speaker 2>I saw a film where the astronaut floated off into

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<v Speaker 2>space and no one could get him and into the darkness,

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<v Speaker 2>and I said, that's not I'm never going to space.

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<v Speaker 2>But you went to space and you lived my dream.

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<v Speaker 1>You've been to space now and you played one of

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<v Speaker 1>the more iconic space travelers, I would say the most iconic.

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<v Speaker 1>Our Our father is a big fan. Raised I could

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<v Speaker 1>that you can't you can't do that.

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<v Speaker 3>I can't separate. That's the best I can do.

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<v Speaker 1>It's there in theory. But then you got this chance

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<v Speaker 1>to go to space, which I think, you know, on

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<v Speaker 1>top of it just being a great experience, I'm sure,

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<v Speaker 1>or a memory of a lifetime, what I think it

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<v Speaker 1>did for others who have dreamed, you know, when they

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<v Speaker 1>were kids, or or you know, fall in love with

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<v Speaker 1>with shows that that touch on you know, you know,

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<v Speaker 1>science fiction and space travel. It really sent a message

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<v Speaker 1>of hope, and I think it was a really beautiful thing.

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<v Speaker 1>Can you tell us how this came about and what

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<v Speaker 1>the experience was like from your perspective.

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<v Speaker 3>So it must have been about five years ago. I

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<v Speaker 3>read in the paper this producer and I Jeff Bezos

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<v Speaker 3>space arm called Blue Origin was forming and they had

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<v Speaker 3>a rocket and they had a cabin, a spaceship and

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<v Speaker 3>they were going to launch it in a year. And

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<v Speaker 3>so my friend and I said, jeez, they should put

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<v Speaker 3>me up there. And we called ahead and they said, ah,

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<v Speaker 3>it's a great idea. Come up to Seattle to Amazon

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<v Speaker 3>headquarters and let's talk about it. So we flew up

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<v Speaker 3>to Seattle and went into the lobby of Amazon, and

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<v Speaker 3>there this enormous lobby was a big table with a dome,

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<v Speaker 3>a clear dome over it, and when we looked at it,

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<v Speaker 3>it was it was the model of the spaceship the Enterprise.

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<v Speaker 3>It was the actual model. They now retired it, and

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<v Speaker 3>Beza somehow acquired it and put it in the center

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<v Speaker 3>of his lock.

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<v Speaker 1>I wonder how he acquired it.

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<v Speaker 3>Yeah, yes, probably money.

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<v Speaker 1>And lots of it.

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<v Speaker 3>Yeah, well to you and me.

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<v Speaker 1>Yeah, he's like, oh that little thing, sure, put it

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<v Speaker 1>in the lobby.

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<v Speaker 3>You want that amount? Good. So he met me there

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<v Speaker 3>in the lobby and we started talking about Star Trek

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<v Speaker 3>and turns out he was a big fan of Star Trek.

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<v Speaker 3>And then we go sit down at a table at

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<v Speaker 3>a board table and a couple of his advisors and

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<v Speaker 3>my friend and I and we say, you know you're

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<v Speaker 3>going to shoot that rock up there, Captain Kirk should

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<v Speaker 3>be on the first rock. And he says that's a

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<v Speaker 3>great idea. Why absolutely, So we go home. Yeah, we'll

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<v Speaker 3>call you. I call you. Then COVID hits this that

0:12:10.559 --> 0:12:13.960
<v Speaker 3>stuff a long ago it was, and COVID hits and

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<v Speaker 3>the whole thing's canceled. And then we a year goes

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<v Speaker 3>by and COVID is manageable. And we read in the

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<v Speaker 3>paper Jeff Bezos and his brother and a woman astronaut

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<v Speaker 3>who didn't go up into space, and a young guy

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<v Speaker 3>and teenager were the four people who are going to

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<v Speaker 3>go on the first voyage up. And I said to

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<v Speaker 3>my friend, now, I guess that's that's too bad, because

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<v Speaker 3>it would have been an interesting experience. So Jeff Bezos

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<v Speaker 3>goes up with his brother and the astronaut and the

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<v Speaker 3>and the young boy and uh. And then they call

0:12:52.840 --> 0:12:55.880
<v Speaker 3>and they say, would you like to go second? And

0:12:55.920 --> 0:13:01.240
<v Speaker 3>I said, I don't do second. I don't, but I thought,

0:13:01.280 --> 0:13:03.679
<v Speaker 3>you know, I don't know whether second is a good idea.

0:13:04.360 --> 0:13:11.480
<v Speaker 3>And then I thought, my basic living philosophy is do

0:13:11.600 --> 0:13:14.600
<v Speaker 3>everything you can, just jump in and do it, and

0:13:14.679 --> 0:13:17.760
<v Speaker 3>if it fails, you know, if that album doesn't work,

0:13:17.760 --> 0:13:19.720
<v Speaker 3>you'll do another album or you won't.

0:13:19.920 --> 0:13:22.000
<v Speaker 2>So the question is how many aliens did you see

0:13:22.080 --> 0:13:23.000
<v Speaker 2>while you were up there?

0:13:23.400 --> 0:13:26.800
<v Speaker 3>Seventeen? It was a half an alien, half.

0:13:26.600 --> 0:13:27.440
<v Speaker 1>An alien half?

0:13:29.920 --> 0:13:31.760
<v Speaker 2>How deep does it go? Like did they prep you

0:13:31.800 --> 0:13:33.760
<v Speaker 2>in advance of this? Be Like if you see something

0:13:33.760 --> 0:13:36.079
<v Speaker 2>that you're not supposed to talk about.

0:13:35.960 --> 0:13:38.760
<v Speaker 3>That would have been wonderful what I did see, because

0:13:39.160 --> 0:13:42.439
<v Speaker 3>you can imagine that the spaceship itself was had a

0:13:42.480 --> 0:13:44.400
<v Speaker 3>lot of cameras in it. They were it was a

0:13:44.440 --> 0:13:46.440
<v Speaker 3>television you know, they were going to release it as

0:13:46.440 --> 0:13:51.360
<v Speaker 3>a television thing. And I saw television of Jeff Bezos

0:13:51.120 --> 0:13:55.679
<v Speaker 3>in weightlessness, and he was if you're the camera, the

0:13:55.679 --> 0:13:58.320
<v Speaker 3>camera was pointing this way, and his legs were like

0:13:58.360 --> 0:14:03.080
<v Speaker 3>my fingers. He's on his stomach floating in waitlessness and

0:14:03.120 --> 0:14:07.280
<v Speaker 3>his legs are apart, and the kid is throwing candies

0:14:08.080 --> 0:14:15.520
<v Speaker 3>at his rear end. Classically, that's how Jeff experienced a

0:14:15.520 --> 0:14:17.320
<v Speaker 3>part of the space things. So I thought, I'm not

0:14:17.320 --> 0:14:18.920
<v Speaker 3>going to do well.

0:14:18.920 --> 0:14:20.440
<v Speaker 1>I would think that that there would have to be

0:14:20.480 --> 0:14:23.560
<v Speaker 1>some level of due diligence right beforehand. Was there any

0:14:23.800 --> 0:14:27.960
<v Speaker 1>training or heads up about what you might experience physically?

0:14:28.440 --> 0:14:34.480
<v Speaker 3>Yeah? So they said, come on, We've arranged for the

0:14:34.560 --> 0:14:40.000
<v Speaker 3>transportation for a Monday morning and we'll train to Wednesday Thursday,

0:14:40.520 --> 0:14:43.400
<v Speaker 3>and if we think you and the other three people

0:14:43.400 --> 0:14:46.160
<v Speaker 3>are going with you are ready, we'll send you up

0:14:46.160 --> 0:14:47.680
<v Speaker 3>Wednesay or Thursday. What.

0:14:48.480 --> 0:14:53.360
<v Speaker 1>Wow? How long is the trip in total? Up? Like

0:14:53.520 --> 0:14:54.120
<v Speaker 1>getting up there?

0:14:54.160 --> 0:14:57.640
<v Speaker 3>Down? Depends when you start counting. When they started the

0:14:57.680 --> 0:15:01.680
<v Speaker 3>countdown with me that it is, say sixteen, hold it,

0:15:03.080 --> 0:15:06.680
<v Speaker 3>there's an alao. What the hou's in layo? Alao is

0:15:06.760 --> 0:15:07.920
<v Speaker 3>something doesn't belong there?

0:15:08.080 --> 0:15:09.280
<v Speaker 1>Oh, no, in alien.

0:15:09.480 --> 0:15:13.480
<v Speaker 3>So they held a countdown. What the hell's that? Oh?

0:15:13.520 --> 0:15:18.360
<v Speaker 3>What about the OL's gone seventeen, fourteen, thirteen, got to

0:15:18.400 --> 0:15:21.520
<v Speaker 3>about twelve and they said, all right, and this is

0:15:21.560 --> 0:15:24.560
<v Speaker 3>the God's truth. They said, Okay, we're gonna take the

0:15:24.600 --> 0:15:28.120
<v Speaker 3>gantry away now. Anybody who wants to get off should

0:15:28.120 --> 0:15:28.760
<v Speaker 3>get off. Now.

0:15:31.720 --> 0:15:33.280
<v Speaker 1>Is that what is a right of disney World?

0:15:33.400 --> 0:15:37.800
<v Speaker 3>Yeah, like it's a ride at Disney World. And I've

0:15:37.880 --> 0:15:40.320
<v Speaker 3>spoken about it and said and I made my way,

0:15:40.480 --> 0:15:43.520
<v Speaker 3>I was gonna. I thought I can't. I'm Captain Kirk.

0:15:43.560 --> 0:15:46.080
<v Speaker 2>I got as though, like I feel like I would

0:15:46.200 --> 0:15:48.160
<v Speaker 2>be thinking about a lot of things. Obviously, you know,

0:15:48.480 --> 0:15:51.240
<v Speaker 2>the incredible nature that you are actually twenty ninety five

0:15:51.320 --> 0:15:54.120
<v Speaker 2>is insane, right, It's amazing that you've had this career

0:15:54.160 --> 0:15:55.240
<v Speaker 2>and doing something like this.

0:15:55.800 --> 0:15:57.760
<v Speaker 3>Yeah, then maybe it is in ninety five. Maybe I'm

0:15:57.760 --> 0:15:58.280
<v Speaker 3>thirty two.

0:15:58.640 --> 0:16:01.320
<v Speaker 1>I think you are. Definitely you have the spirit of

0:16:01.360 --> 0:16:02.480
<v Speaker 1>a thirty time definitely.

0:16:02.920 --> 0:16:05.000
<v Speaker 3>Anyway, I didn't get off. The thing went up and

0:16:05.040 --> 0:16:07.040
<v Speaker 3>it was like an elephant sitting on your chest. The

0:16:07.160 --> 0:16:10.640
<v Speaker 3>geez can't believe it. Oh, would you do it again?

0:16:11.120 --> 0:16:14.240
<v Speaker 3>I had such an enormous experience that to do it

0:16:14.280 --> 0:16:16.480
<v Speaker 3>again is like being false to somebody you loved.

0:16:16.880 --> 0:16:21.120
<v Speaker 1>MM, it's beautiful. It's beautiful because you were a poet.

0:16:21.160 --> 0:16:24.200
<v Speaker 1>You were so poetic. Do you have a favorite poem yourself?

0:16:24.680 --> 0:16:29.240
<v Speaker 3>I've written the writing partner. His name is Robert Scherno,

0:16:29.680 --> 0:16:32.480
<v Speaker 3>friend of mine, who is a great poet, and we've

0:16:32.480 --> 0:16:39.040
<v Speaker 3>written the lyrics to five or more albums, which he

0:16:39.520 --> 0:16:42.480
<v Speaker 3>then gathered all the lyrics and we've made a book.

0:16:42.600 --> 0:16:46.600
<v Speaker 3>And each song has a meaning to me. I wrote

0:16:46.600 --> 0:16:49.360
<v Speaker 3>a song about leaving home. I wrote a song about

0:16:49.600 --> 0:16:54.920
<v Speaker 3>my journey to Toronto to begin my career. An audience

0:16:54.960 --> 0:16:57.920
<v Speaker 3>that was cautioned not to meet in the Apollo Theater

0:16:58.000 --> 0:17:00.560
<v Speaker 3>in London, don't be there. No more than ten people

0:17:00.600 --> 0:17:03.840
<v Speaker 3>can meet because of COVID. I arrive and I know

0:17:03.880 --> 0:17:06.760
<v Speaker 3>this's sold out audience prior to my going in to

0:17:06.840 --> 0:17:09.920
<v Speaker 3>thirty five hundred people. And I've sold out, and I'm

0:17:09.920 --> 0:17:13.359
<v Speaker 3>behind the curtain. I'm thinking, God, I wonder if anybody's there.

0:17:13.760 --> 0:17:17.480
<v Speaker 3>And the curtain opens and thirty five hundred people are there.

0:17:17.760 --> 0:17:22.040
<v Speaker 3>They had defied the Prime Minister's edict no more than

0:17:22.080 --> 0:17:24.600
<v Speaker 3>ten people. Thirty five hundred people waited to see me,

0:17:24.920 --> 0:17:28.040
<v Speaker 3>and tears rolling down my eyes and tears rolling down

0:17:28.080 --> 0:17:34.679
<v Speaker 3>their eyes. It was a moment of communion that is unreal.

0:17:34.960 --> 0:17:39.480
<v Speaker 3>You will see lyrics that are so meaningful and yet poetic.

0:17:40.160 --> 0:17:42.919
<v Speaker 3>It's extraordiny. I'm so happy with it.

0:17:43.000 --> 0:17:45.439
<v Speaker 1>I can't wait to check it out. We've got some

0:17:45.640 --> 0:17:49.320
<v Speaker 1>questions from your adoring fans. Yeah, they've written in, they've

0:17:49.320 --> 0:17:51.480
<v Speaker 1>called in, they've text us, they tweeted us. The first

0:17:51.520 --> 0:17:54.000
<v Speaker 1>is from Zach and he says, in twenty twenty six,

0:17:54.280 --> 0:17:56.399
<v Speaker 1>in what ways as a society are we closer to

0:17:56.440 --> 0:18:00.560
<v Speaker 1>the future imagined in Star Trek twenty well to one

0:18:00.640 --> 0:18:03.200
<v Speaker 1>hundred and sixty five then you expected when you started

0:18:03.200 --> 0:18:06.280
<v Speaker 1>filming the sixties? And in what ways are we further away?

0:18:06.800 --> 0:18:11.080
<v Speaker 3>Good question. Artemis two four astronauts could have put a

0:18:11.280 --> 0:18:15.880
<v Speaker 3>robot in a lot of people's opinion mine too, that

0:18:16.080 --> 0:18:20.919
<v Speaker 3>the machines aboard the Artemis would have taken just as

0:18:20.960 --> 0:18:24.040
<v Speaker 3>good pictures and maybe analyze the back of the moon

0:18:24.240 --> 0:18:27.639
<v Speaker 3>more than just eyesight. I heard one of them say

0:18:27.840 --> 0:18:32.680
<v Speaker 3>that the precision that your eyesight has is more than

0:18:32.720 --> 0:18:36.679
<v Speaker 3>the instruments, and I don't believe that they were making

0:18:36.720 --> 0:18:42.320
<v Speaker 3>a case for sending a live astronaut to space, whereas

0:18:43.680 --> 0:18:47.639
<v Speaker 3>with AI and the cameras we have, you could make

0:18:47.680 --> 0:18:50.200
<v Speaker 3>a case for not sending any human beings and getting

0:18:50.240 --> 0:18:53.480
<v Speaker 3>all that information through mechanical means, sending it back and

0:18:53.520 --> 0:18:57.520
<v Speaker 3>running it through AI, and you've got your journey to

0:18:57.520 --> 0:19:01.080
<v Speaker 3>the stars. There's an argument to be made that human

0:19:01.160 --> 0:19:06.560
<v Speaker 3>beings and their vulnerability is a detriment, and that's sending

0:19:06.640 --> 0:19:10.879
<v Speaker 3>these sophisticated machines and we're only beginning to see the robots.

0:19:11.320 --> 0:19:18.479
<v Speaker 3>I did a I'm writing a book on the effect

0:19:18.640 --> 0:19:21.520
<v Speaker 3>on people that I interviewed the effect of Star Trek

0:19:21.560 --> 0:19:24.480
<v Speaker 3>on those people, and I thought, well, it's a good idea.

0:19:25.400 --> 0:19:28.760
<v Speaker 3>It's such an incredible idea. I talked to a guy

0:19:28.960 --> 0:19:32.840
<v Speaker 3>whose only connection with humanity was a mechanical dog and

0:19:32.880 --> 0:19:35.280
<v Speaker 3>a mechanical robot in the house that took care of

0:19:35.320 --> 0:19:38.320
<v Speaker 3>the house, and the dog patrols the outside of the house,

0:19:38.520 --> 0:19:41.000
<v Speaker 3>and he has a fifty minute drive to work where

0:19:41.040 --> 0:19:46.320
<v Speaker 3>he teaches mechanics. He's totally rejected humanity and he drives

0:19:46.320 --> 0:19:48.280
<v Speaker 3>with the mechanical dog. As I had my hand on

0:19:48.359 --> 0:19:52.440
<v Speaker 3>my dog, we get to the he's identified with mechanics

0:19:53.320 --> 0:19:56.960
<v Speaker 3>he has and as a result of watching Star Trek.

0:19:57.119 --> 0:20:01.399
<v Speaker 3>I mean, amazing story wo this book is going to show.

0:20:01.880 --> 0:20:05.400
<v Speaker 3>I mean, it's just I had no idea. I've done

0:20:06.040 --> 0:20:13.960
<v Speaker 3>some celebrities Seth McFarland, Been Stiller, Ben Folds, but I

0:20:13.960 --> 0:20:17.080
<v Speaker 3>mean I've got some really interesting people whose name you

0:20:17.119 --> 0:20:21.600
<v Speaker 3>would know. But as interesting or even more so, are

0:20:21.640 --> 0:20:26.760
<v Speaker 3>these people who whose whole life was guided by Star Trek.

0:20:27.160 --> 0:20:30.159
<v Speaker 3>And I'm thinking I'm an actor.

0:20:30.680 --> 0:20:35.000
<v Speaker 1>If there is other life forms out there that have

0:20:35.200 --> 0:20:39.320
<v Speaker 1>watched Star Trek, there are other ding ding ding there

0:20:39.359 --> 0:20:43.440
<v Speaker 1>you go, maybe they have watched you on Star Trek.

0:20:43.640 --> 0:20:45.480
<v Speaker 2>They have a galaxy quest to remember that one a

0:20:45.480 --> 0:20:47.280
<v Speaker 2>bit of nod to Star Trek totally.

0:20:47.800 --> 0:20:56.440
<v Speaker 3>Well, there's there's a several shows of mankind civilization that

0:20:56.560 --> 0:20:59.320
<v Speaker 3>set out radio signals for the last hundred years. So

0:20:59.359 --> 0:21:02.480
<v Speaker 3>those radios signals have gone someplace. And I wrote a

0:21:02.480 --> 0:21:06.040
<v Speaker 3>show about the radio signals reaching a planet and them

0:21:06.080 --> 0:21:09.479
<v Speaker 3>saying we got to go there, and it's you know,

0:21:09.960 --> 0:21:13.840
<v Speaker 3>ten billion light years away, so it's going to take

0:21:13.880 --> 0:21:16.600
<v Speaker 3>forever to get here, and on the way, like every

0:21:16.680 --> 0:21:21.080
<v Speaker 3>other explorer spends a lot of time in nowhere. They

0:21:21.119 --> 0:21:23.640
<v Speaker 3>forgot after all that time, they've forgotten what their original

0:21:23.640 --> 0:21:28.000
<v Speaker 3>mission was. They were just they were just civilization going someplace.

0:21:28.760 --> 0:21:29.800
<v Speaker 3>I mean, that's possible.

0:21:29.920 --> 0:21:32.359
<v Speaker 1>Absolutely sounds like a good play. I have a question

0:21:32.359 --> 0:21:34.480
<v Speaker 1>for you as a so we've got, you know, questions

0:21:34.480 --> 0:21:37.240
<v Speaker 1>from the fans. This is my fan question for you, Oh,

0:21:37.960 --> 0:21:40.560
<v Speaker 1>Nick Jonas. So yeah, this is Nick Jonas writing into

0:21:40.560 --> 0:21:44.280
<v Speaker 1>the age of this podcast. I got to ask you.

0:21:44.280 --> 0:21:47.000
<v Speaker 1>You had so many iconic roles, and obviously Star trek

0:21:47.240 --> 0:21:52.560
<v Speaker 1>Is is one of, if not the most iconic space

0:21:52.600 --> 0:21:57.120
<v Speaker 1>travel and sci fi thing ever. But in your opinion,

0:21:57.440 --> 0:22:00.840
<v Speaker 1>looking at your your filmography and your career, what would

0:22:00.880 --> 0:22:04.280
<v Speaker 1>you say is your most underrated project that you've worked

0:22:04.320 --> 0:22:06.720
<v Speaker 1>on and that you wish people would take more time

0:22:06.800 --> 0:22:08.640
<v Speaker 1>to go and discover or focus on.

0:22:09.200 --> 0:22:12.040
<v Speaker 3>I had a dramatic moment when I came out of

0:22:12.080 --> 0:22:12.560
<v Speaker 3>the womb.

0:22:14.560 --> 0:22:18.560
<v Speaker 1>Now we're talking, Yeah, no, I was, you were.

0:22:18.640 --> 0:22:20.840
<v Speaker 3>It was so raw and I don't think of those

0:22:20.880 --> 0:22:24.080
<v Speaker 3>terms anymore. Let me ask you that question. Let me

0:22:24.080 --> 0:22:30.320
<v Speaker 3>ask you, so all the wonderful numbers and the idolatry

0:22:30.320 --> 0:22:36.360
<v Speaker 3>that you've received over your incredible careers. What is your

0:22:36.400 --> 0:22:37.800
<v Speaker 3>favorite moment?

0:22:38.119 --> 0:22:39.440
<v Speaker 1>Well, I was just gonna say, I think from from

0:22:39.480 --> 0:22:43.000
<v Speaker 1>a music perspective, there are things that just naturally fall

0:22:43.040 --> 0:22:43.720
<v Speaker 1>through the cracks.

0:22:44.040 --> 0:22:46.720
<v Speaker 3>Name one, give me one that is your favorite moment.

0:22:46.920 --> 0:22:49.399
<v Speaker 1>Honestly, it was this last album I made. I was

0:22:49.480 --> 0:22:52.240
<v Speaker 1>very proud of the creative process and look at the

0:22:52.240 --> 0:22:54.320
<v Speaker 1>solo records called Sunday Best.

0:22:54.560 --> 0:22:56.520
<v Speaker 3>Were you happy to get rid of your brothers? I mean,

0:22:56.520 --> 0:22:57.040
<v Speaker 3>what does that.

0:22:57.000 --> 0:23:00.800
<v Speaker 1>Mean any chance we have? It's more for me, you know,

0:23:01.040 --> 0:23:04.399
<v Speaker 1>who wouldn't live now. But I think that you know,

0:23:04.680 --> 0:23:06.480
<v Speaker 1>it's in this day and age, it's so hard to

0:23:07.680 --> 0:23:09.760
<v Speaker 1>sort of cut through and there's so much volume of

0:23:10.200 --> 0:23:12.440
<v Speaker 1>of you know, releases.

0:23:11.960 --> 0:23:15.240
<v Speaker 3>And exactly you can't. It's hard to because it's the

0:23:15.280 --> 0:23:17.760
<v Speaker 3>most recent and you had a great success with it.

0:23:17.800 --> 0:23:20.600
<v Speaker 3>But in time it'll merge with all the other wonderful

0:23:20.600 --> 0:23:22.040
<v Speaker 3>things you do. And you think, I.

0:23:21.960 --> 0:23:25.479
<v Speaker 1>Don't know exactly, and now people are refinding things all

0:23:25.480 --> 0:23:27.720
<v Speaker 1>over again. Absolutely. Okay, we got another question for you.

0:23:28.320 --> 0:23:30.960
<v Speaker 1>Is there a Star Trek question you're sick of answering?

0:23:31.720 --> 0:23:34.560
<v Speaker 3>No, I may be a little more brief. There you

0:23:34.600 --> 0:23:40.080
<v Speaker 3>go with my answer. Yes, that's my answer yes or no. Yeah,

0:23:41.000 --> 0:23:43.840
<v Speaker 3>you know, what do you think of Star Trek? Are

0:23:43.880 --> 0:23:48.399
<v Speaker 3>you keptain Kirk? I can make it fresh, I can

0:23:48.440 --> 0:23:49.000
<v Speaker 3>I answer it.

0:23:49.280 --> 0:23:51.960
<v Speaker 2>That is an art form in itself, getting asked the

0:23:51.960 --> 0:23:54.520
<v Speaker 2>same question over and over again, like doing press junkets.

0:23:54.600 --> 0:23:57.359
<v Speaker 3>That's exactly what I mean. But you have to be

0:23:57.400 --> 0:24:00.639
<v Speaker 3>an actor. You have to recreate the enthusiasm as much

0:24:00.680 --> 0:24:05.400
<v Speaker 3>as you can because at that moment, that writer, that

0:24:05.480 --> 0:24:08.640
<v Speaker 3>person who's going to communicate what you just said in

0:24:08.880 --> 0:24:12.679
<v Speaker 3>the various forms of communication to see your enthusiasm. But

0:24:12.880 --> 0:24:16.120
<v Speaker 3>because if you're tired, and you had you vomited all

0:24:16.119 --> 0:24:19.400
<v Speaker 3>over the ship, and and and you don't want to talk,

0:24:19.440 --> 0:24:22.760
<v Speaker 3>and they're asking you a meaningful question, you've got to

0:24:23.080 --> 0:24:25.400
<v Speaker 3>swallow your vomit and spew.

0:24:25.400 --> 0:24:27.560
<v Speaker 1>Well before we let you go.

0:24:27.760 --> 0:24:29.439
<v Speaker 2>We have this thing we're doing where we're getting to

0:24:29.440 --> 0:24:32.679
<v Speaker 2>ask random questions from our giant silver bowl and we

0:24:32.720 --> 0:24:33.439
<v Speaker 2>don't know what's in it.

0:24:33.760 --> 0:24:36.480
<v Speaker 3>Then afterwards you wear it, wear it.

0:24:36.480 --> 0:24:40.000
<v Speaker 2>It's actually my goal to keep away them tracking my

0:24:40.040 --> 0:24:40.760
<v Speaker 2>brain waves.

0:24:40.760 --> 0:24:43.600
<v Speaker 1>But that's different. So we don't know what's in here.

0:24:43.640 --> 0:24:46.159
<v Speaker 1>Just so you know, I'm just gonna pick randomly, all right,

0:24:46.200 --> 0:24:49.760
<v Speaker 1>this is the one I got. Oh it's a good one.

0:24:50.480 --> 0:24:52.639
<v Speaker 1>Oh well, this is for you. If you could choose

0:24:52.640 --> 0:24:55.080
<v Speaker 1>one song to play every time you walked into a room,

0:24:55.119 --> 0:24:56.000
<v Speaker 1>what would you choose.

0:24:56.560 --> 0:25:01.359
<v Speaker 3>I just did a version for a for heavy metal

0:25:01.400 --> 0:25:06.120
<v Speaker 3>album another somebody Else's my Way.

0:25:07.200 --> 0:25:11.760
<v Speaker 1>Mm hmmm, Frank stuntrm, No, that's not what.

0:25:11.760 --> 0:25:16.920
<v Speaker 3>I did my way. I did it my way or

0:25:17.000 --> 0:25:18.080
<v Speaker 3>heavy metal album.

0:25:18.480 --> 0:25:23.920
<v Speaker 1>Yeah. I cannot wait to hear your way. Damn that's cool.

0:25:24.119 --> 0:25:28.960
<v Speaker 1>So that version every time you walked in the room, I.

0:25:28.880 --> 0:25:31.440
<v Speaker 3>Did it my way, not your way, but the way.

0:25:31.760 --> 0:25:32.800
<v Speaker 3>It's my way.

0:25:33.000 --> 0:25:35.320
<v Speaker 2>Thanks for joining us on the Hey Jones Podcast. We

0:25:35.480 --> 0:25:36.320
<v Speaker 2>really appreciate it.

0:25:36.400 --> 0:25:38.520
<v Speaker 3>I hope I see the three of you soon. You're

0:25:39.720 --> 0:25:41.240
<v Speaker 3>remarkable artists, entertaining.

0:25:42.440 --> 0:25:44.040
<v Speaker 1>Thank you, Thank you for your time.

0:25:44.160 --> 0:25:47.920
<v Speaker 3>Take care, everybody all right, by bye bye bye bye

0:25:47.960 --> 0:25:48.240
<v Speaker 3>bye