1 00:00:02,880 --> 00:00:05,080 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,320 --> 00:00:17,759 Speaker 1: Firms Represents Morning Show. Well, it's a Friday. What is 3 00:00:17,800 --> 00:00:21,640 Speaker 1: wrong with your mouth? Okay? So I know that's hell 4 00:00:21,640 --> 00:00:23,720 Speaker 1: of a All right, welcome to the fifteen Morning Show. 5 00:00:24,079 --> 00:00:26,439 Speaker 1: What the hell is wrong with your mouth? So? I 6 00:00:26,480 --> 00:00:28,960 Speaker 1: was given a gift of a of a long wear 7 00:00:29,040 --> 00:00:32,840 Speaker 1: lipstick and I just tried it on, and it glues 8 00:00:32,920 --> 00:00:36,680 Speaker 1: my lips together and makes them burn. It is the 9 00:00:36,800 --> 00:00:40,560 Speaker 1: craziest thing. It hurts to have on. Is it wrong 10 00:00:40,600 --> 00:00:44,800 Speaker 1: that that's to turn on right now? I think that 11 00:00:45,120 --> 00:00:47,080 Speaker 1: it shouldn't happen like that. I think I did see 12 00:00:47,080 --> 00:00:50,440 Speaker 1: a movie one time where somebody had laced makeup with poison. 13 00:00:51,120 --> 00:00:53,600 Speaker 1: So possibly you're being poisoned right now, maybe if somebody 14 00:00:53,640 --> 00:00:57,840 Speaker 1: wants my job. I can't remember what that was. I 15 00:00:57,880 --> 00:01:03,480 Speaker 1: don't Oh it was Batman, Yes, wait which Batman? Like 16 00:01:04,200 --> 00:01:07,600 Speaker 1: Michael Keaton Batman. Also, there was an episode of c 17 00:01:07,840 --> 00:01:11,080 Speaker 1: S I I think the first episode ever maybe the second, 18 00:01:11,080 --> 00:01:13,640 Speaker 1: where a woman was killing people by putting poison on 19 00:01:13,680 --> 00:01:16,400 Speaker 1: her breasts and then picking up men and then they 20 00:01:16,440 --> 00:01:20,840 Speaker 1: would motor voter. Yeah, it was called motor Voter, and 21 00:01:20,880 --> 00:01:22,880 Speaker 1: then they would they found dead men and they couldn't 22 00:01:22,880 --> 00:01:24,840 Speaker 1: figure how the poison got on your lips. She was 23 00:01:24,840 --> 00:01:27,400 Speaker 1: putting it on her erotic areas, but wouldn't it also 24 00:01:27,440 --> 00:01:34,000 Speaker 1: affect her No, because it's TVA see that explanation. Um, okay, 25 00:01:34,080 --> 00:01:36,240 Speaker 1: So this is the fifteen minute morning show. It's Friday. 26 00:01:36,280 --> 00:01:38,759 Speaker 1: So we have a skeleton crew. Brody is at the helm. 27 00:01:38,880 --> 00:01:40,800 Speaker 1: I'm by the gold mic. I'm excited. You look good 28 00:01:40,840 --> 00:01:43,720 Speaker 1: with it than you and Nate is here straight n 29 00:01:44,720 --> 00:01:47,360 Speaker 1: and Bethany's the one speaking hello. I'm Bethany. Do you 30 00:01:47,400 --> 00:01:49,640 Speaker 1: guys remember the title Little Murders? Have you read about 31 00:01:49,640 --> 00:01:52,920 Speaker 1: those in the eighties. That's why medicine has that silver 32 00:01:53,080 --> 00:01:55,440 Speaker 1: top on it sealed, because it used to be you 33 00:01:55,440 --> 00:01:59,240 Speaker 1: could go into a store. Yeah so yeah, yeah, So 34 00:01:59,480 --> 00:02:01,360 Speaker 1: you know when you've I medicine, like i'd be prof 35 00:02:01,400 --> 00:02:03,120 Speaker 1: and taile and or whatever. You open you push it 36 00:02:03,120 --> 00:02:04,720 Speaker 1: down because his child proof. You open it up and 37 00:02:04,760 --> 00:02:07,280 Speaker 1: there's that foil over it and then a cotton ball 38 00:02:07,320 --> 00:02:10,080 Speaker 1: in it. It used to not have the foil. And 39 00:02:10,160 --> 00:02:15,840 Speaker 1: so in Chicago in two a bunch of different people 40 00:02:16,240 --> 00:02:19,160 Speaker 1: took tail and all and they all died. And it 41 00:02:19,200 --> 00:02:21,639 Speaker 1: turns out that somebody had laced the thaile and all, 42 00:02:22,080 --> 00:02:24,480 Speaker 1: and so after that he had just gone into stores. 43 00:02:24,520 --> 00:02:26,280 Speaker 1: I think, yes, so he was buying the taile and all, 44 00:02:26,440 --> 00:02:29,400 Speaker 1: taking the pills home, opening them, putting poison in them, 45 00:02:29,440 --> 00:02:31,600 Speaker 1: putting them back together, and then putting the bottles back 46 00:02:31,639 --> 00:02:36,919 Speaker 1: on the God the capsules had been laced with potassium cyanide. 47 00:02:37,160 --> 00:02:39,960 Speaker 1: A total of seven people died in the original poisonings, 48 00:02:39,960 --> 00:02:44,040 Speaker 1: with several more deaths in subsequent copycat crimes. So yeah, 49 00:02:44,080 --> 00:02:46,800 Speaker 1: so they stopped just leaving them open, and now they 50 00:02:46,840 --> 00:02:49,720 Speaker 1: have a foil over the foil is there to foil 51 00:02:49,800 --> 00:02:51,880 Speaker 1: the crime? Look at that? Look at that? But that 52 00:02:52,080 --> 00:02:54,920 Speaker 1: but a crime like that? Yeah, but the crime like 53 00:02:54,960 --> 00:02:56,600 Speaker 1: that is where you go, Why wouldn't they have sealed 54 00:02:56,639 --> 00:02:59,560 Speaker 1: the pills before? But it was like it's like thinking, 55 00:02:59,560 --> 00:03:02,320 Speaker 1: why don't people lock their front doors? Because some people 56 00:03:02,400 --> 00:03:04,760 Speaker 1: just don't. It's like a simpler time. It's like the 57 00:03:04,840 --> 00:03:07,200 Speaker 1: shoe bomber. One guy tries to bomb with shoes and 58 00:03:07,240 --> 00:03:09,239 Speaker 1: now everyone takes their shoes off at the airport. Yeah, 59 00:03:09,360 --> 00:03:11,359 Speaker 1: he had a wicked issue. Next thing, you know, I 60 00:03:11,400 --> 00:03:13,639 Speaker 1: have to take off my lubatans when I can't fit 61 00:03:13,680 --> 00:03:16,480 Speaker 1: into lubatons. But anyway, they are hot. They should be 62 00:03:16,600 --> 00:03:20,280 Speaker 1: kept off lubatans. If you see pictures of like women, celebrities, whatever, 63 00:03:20,360 --> 00:03:23,920 Speaker 1: walking with those red souls, they have the most narrow 64 00:03:24,000 --> 00:03:27,200 Speaker 1: feet in the world because lubatons are tiny and tight, 65 00:03:27,240 --> 00:03:31,160 Speaker 1: and they hurt and they are not wearable for most women. Oh, 66 00:03:31,200 --> 00:03:32,560 Speaker 1: by the way, I've always wanted to do this. Being 67 00:03:32,560 --> 00:03:35,200 Speaker 1: at the gold Mike, Scary take a seat by Buddy, 68 00:03:35,640 --> 00:03:38,160 Speaker 1: She's Scary. When Elvis isn't here, he will run the 69 00:03:38,200 --> 00:03:41,680 Speaker 1: show and stand by the Elvis's gold mic. But Scary 70 00:03:41,680 --> 00:03:44,040 Speaker 1: went to go film something because his his thank you, 71 00:03:44,120 --> 00:03:46,120 Speaker 1: his hot moment was here. He had to go his 72 00:03:46,320 --> 00:03:48,360 Speaker 1: what do they call that? You're like my close up? 73 00:03:48,360 --> 00:03:50,280 Speaker 1: Your close up, go through your close up? So what 74 00:03:50,320 --> 00:03:52,360 Speaker 1: did you just film, Scary? You weren't here, Um, I 75 00:03:52,440 --> 00:03:55,800 Speaker 1: was filming a future episode of Elvis Duran Presents. Uh, 76 00:03:55,840 --> 00:03:58,000 Speaker 1: you know the video series that we do. Right. We 77 00:03:58,040 --> 00:04:00,440 Speaker 1: got an email Nate backed me up here that said 78 00:04:00,480 --> 00:04:02,960 Speaker 1: at ten o'clock we're gonna start filming now. Our show 79 00:04:02,960 --> 00:04:05,120 Speaker 1: on the East Coast ends at ten o'clock. What time 80 00:04:05,160 --> 00:04:08,840 Speaker 1: did you leave for it? Well, um, Jake, who produces 81 00:04:08,880 --> 00:04:10,720 Speaker 1: that segment, is like, look, I really need you down 82 00:04:10,720 --> 00:04:12,560 Speaker 1: here early. I got a whole bunch of people to film, 83 00:04:12,840 --> 00:04:15,200 Speaker 1: so I figured I would escape at nine one to 84 00:04:15,240 --> 00:04:17,640 Speaker 1: go do it. Now. Here's here's the problem. Yeah, yeah, 85 00:04:17,720 --> 00:04:21,279 Speaker 1: well okay, it's now well after ten. Why did it 86 00:04:21,320 --> 00:04:25,279 Speaker 1: take you thirty minutes? At nine seven, I was about 87 00:04:25,279 --> 00:04:27,640 Speaker 1: to I finished my segment. I was about to walk 88 00:04:27,640 --> 00:04:29,960 Speaker 1: out the door, and Jake was like, let me check 89 00:04:30,000 --> 00:04:33,960 Speaker 1: something here for a second. He's like, we didn't record 90 00:04:33,960 --> 00:04:37,240 Speaker 1: any sound, And I said what. He puts the s 91 00:04:37,320 --> 00:04:39,960 Speaker 1: D card in, which is you know what we filmed with, 92 00:04:40,160 --> 00:04:42,960 Speaker 1: puts it into his laptop to double check, and there's 93 00:04:43,160 --> 00:04:45,880 Speaker 1: there's video of me, you know, motioning and talking into 94 00:04:45,920 --> 00:04:52,080 Speaker 1: the camera and the audio is no. You know what 95 00:04:52,120 --> 00:04:54,359 Speaker 1: I would have done. What I would have been like, no, scary, 96 00:04:54,520 --> 00:04:57,360 Speaker 1: you're gonna dub that over later. You would have gone back. 97 00:04:58,240 --> 00:05:03,479 Speaker 1: You know what difficult that the listeners. But you know what, 98 00:05:03,520 --> 00:05:05,680 Speaker 1: there's actually a program that you can use for a 99 00:05:05,720 --> 00:05:08,000 Speaker 1: d R now that helps you sync up what the 100 00:05:08,040 --> 00:05:11,600 Speaker 1: original dialogue was with the dialogue you cut. It's so fascinating. 101 00:05:11,640 --> 00:05:15,120 Speaker 1: It's like it's you know, a sound wave has a shape, right, 102 00:05:15,560 --> 00:05:18,960 Speaker 1: and it's whatever in the shape it is and you 103 00:05:19,000 --> 00:05:23,640 Speaker 1: will then record your lines and then this program lines 104 00:05:23,720 --> 00:05:26,640 Speaker 1: up the shapes so that it like lines your sound 105 00:05:26,680 --> 00:05:29,520 Speaker 1: up long and height wise and fits it directly into 106 00:05:29,520 --> 00:05:32,080 Speaker 1: where the original We need this for the show we 107 00:05:32,320 --> 00:05:35,159 Speaker 1: needed for Jake. Actually, I was actually thinking, you do 108 00:05:35,160 --> 00:05:39,719 Speaker 1: it like a Godzilla movie. Yeah. Completely. That popped into 109 00:05:39,720 --> 00:05:42,159 Speaker 1: my mind was you should have said completely different things, 110 00:05:42,200 --> 00:05:46,279 Speaker 1: totally different things. I think that would have been. We 111 00:05:46,360 --> 00:05:49,360 Speaker 1: do that on a shoot for our Hampton's House. So 112 00:05:50,320 --> 00:05:54,279 Speaker 1: my my daughter, my middle daughter, we went to Disney 113 00:05:54,360 --> 00:05:57,479 Speaker 1: last week and she snapchatted the entire week at Disney. 114 00:05:57,520 --> 00:05:59,719 Speaker 1: But there were some scenes that she filmed where she 115 00:05:59,760 --> 00:06:02,680 Speaker 1: didn't want to say things want she like to post them. 116 00:06:02,680 --> 00:06:06,599 Speaker 1: She said, like she talked trash about somebody, or she 117 00:06:06,600 --> 00:06:08,400 Speaker 1: said something that she didn't want me to hear. So 118 00:06:08,520 --> 00:06:10,719 Speaker 1: we watched the video of this half hour of snapchat 119 00:06:10,720 --> 00:06:14,920 Speaker 1: footage and she redubbed her voice to make it look 120 00:06:14,960 --> 00:06:17,400 Speaker 1: like she was saying other things when she was being obnoxious, 121 00:06:17,920 --> 00:06:20,280 Speaker 1: So her mouth doesn't match up a lot of times, 122 00:06:20,279 --> 00:06:23,520 Speaker 1: if you're watching TV shows, they do like the shot 123 00:06:23,560 --> 00:06:25,520 Speaker 1: reverse shots and people are talking, they have the camera 124 00:06:25,600 --> 00:06:27,120 Speaker 1: on one person, they cut, they have the camera on 125 00:06:27,160 --> 00:06:29,080 Speaker 1: the other person, and you can see the back of 126 00:06:29,520 --> 00:06:32,359 Speaker 1: the person's head while the other person is in camera 127 00:06:32,440 --> 00:06:35,040 Speaker 1: right while they're talking. A lot of times you can 128 00:06:35,080 --> 00:06:37,080 Speaker 1: see the person with their back to the camera. You 129 00:06:37,080 --> 00:06:38,320 Speaker 1: can see the side of their head, and you can 130 00:06:38,320 --> 00:06:40,320 Speaker 1: see their lips moving, and it does not match what 131 00:06:40,360 --> 00:06:43,120 Speaker 1: their character is saying that they needed that cut. It 132 00:06:43,240 --> 00:06:45,560 Speaker 1: drives me nuts. I'm gonna look closer when their head 133 00:06:45,600 --> 00:06:49,080 Speaker 1: bobs like but they weren't saying yeah exactly, and they 134 00:06:49,120 --> 00:06:50,400 Speaker 1: cut to the French shot and all of a sudden, 135 00:06:50,400 --> 00:06:52,760 Speaker 1: their heads not moving anymore. Bugs the hell out. Have 136 00:06:52,800 --> 00:06:54,120 Speaker 1: you guys ever been to the taping of a late 137 00:06:54,200 --> 00:06:56,440 Speaker 1: night talk show? Right, So, a lot of times what 138 00:06:56,480 --> 00:06:59,560 Speaker 1: they do is they say recorded live, So they start 139 00:06:59,560 --> 00:07:02,040 Speaker 1: on the hour, and they end on the hour. Yeah 140 00:07:02,080 --> 00:07:04,240 Speaker 1: it's real time, And then they pause for the two 141 00:07:04,240 --> 00:07:07,640 Speaker 1: minutes of commercials in real time, and the band continues 142 00:07:07,680 --> 00:07:09,359 Speaker 1: to play while that time has happened. But then at 143 00:07:09,400 --> 00:07:11,280 Speaker 1: the end of the hour, the director of the producer 144 00:07:11,320 --> 00:07:13,320 Speaker 1: will come out and say, you messed up the name 145 00:07:13,360 --> 00:07:16,680 Speaker 1: of something, or you've got a sponsor wrong. Then they 146 00:07:16,720 --> 00:07:19,440 Speaker 1: go and refilm it or redrop the audio, and then 147 00:07:19,440 --> 00:07:21,320 Speaker 1: when you watch it that night. You can see the 148 00:07:21,360 --> 00:07:24,000 Speaker 1: lips don't match up with the audio because instead of 149 00:07:24,040 --> 00:07:27,120 Speaker 1: like best Buy, he said, you know burt By, So 150 00:07:27,560 --> 00:07:29,200 Speaker 1: the lips don't match and they go, you said the 151 00:07:29,240 --> 00:07:30,920 Speaker 1: name wrong. And so they'll just sit there for an 152 00:07:30,960 --> 00:07:33,240 Speaker 1: hour after the show ends, tamping and drop all the 153 00:07:33,240 --> 00:07:35,360 Speaker 1: lines they have to drop because they behoove you to 154 00:07:35,360 --> 00:07:37,560 Speaker 1: get what you should have done rather than keep us 155 00:07:37,560 --> 00:07:41,200 Speaker 1: all waiting. And there's actually this famous scene in I 156 00:07:41,240 --> 00:07:43,800 Speaker 1: believe the first Lethal Weapon movie with Danny Glover and 157 00:07:44,080 --> 00:07:47,280 Speaker 1: Mel Gibson, and there was this fire truck where the 158 00:07:47,560 --> 00:07:51,360 Speaker 1: house had just exploded, and Danny Glover and Mel Gibson 159 00:07:52,200 --> 00:07:55,200 Speaker 1: Riggs and Murta or their character names, and they're talking 160 00:07:55,200 --> 00:07:57,040 Speaker 1: to this small child, trying to get some clues out 161 00:07:57,040 --> 00:07:58,480 Speaker 1: of them and say who did you see by the house. 162 00:07:59,080 --> 00:08:01,679 Speaker 1: But when Danny Over is doing it, he's ad libbing, 163 00:08:02,280 --> 00:08:04,280 Speaker 1: and he said, oh, what was he looking like? Look? 164 00:08:04,320 --> 00:08:06,920 Speaker 1: Look look like Popeye? Like Popeye? And he's saying all 165 00:08:06,960 --> 00:08:09,040 Speaker 1: of these things, but it's so loud around him, there's 166 00:08:09,080 --> 00:08:12,320 Speaker 1: fire trucks and others things. Mel Gibson's face you see it, 167 00:08:12,360 --> 00:08:14,880 Speaker 1: and he turns and he starts laughing because Mel Gibson 168 00:08:14,920 --> 00:08:16,480 Speaker 1: knows he's gonna have to go back in a d 169 00:08:16,720 --> 00:08:20,320 Speaker 1: R that entire scene and it's gonna be so hard 170 00:08:20,360 --> 00:08:22,400 Speaker 1: to do. So when you watch that scene in that movie, 171 00:08:22,440 --> 00:08:25,520 Speaker 1: you'll see Mel Gibson as Mel Gibson start laughing because 172 00:08:25,520 --> 00:08:27,160 Speaker 1: he knows Danny Glover is going to have to go 173 00:08:27,200 --> 00:08:29,200 Speaker 1: back and re record that entire thing, and it's going 174 00:08:29,240 --> 00:08:33,120 Speaker 1: to be that was leathal weapon too, which is the 175 00:08:33,120 --> 00:08:34,360 Speaker 1: one that go That's what they one to go one 176 00:08:34,400 --> 00:08:37,640 Speaker 1: to three on threats. Damn, I have to rewatch all 177 00:08:37,679 --> 00:08:40,320 Speaker 1: of those movies. Great movies. Yeah, start three. It wasn't 178 00:08:40,320 --> 00:08:44,720 Speaker 1: four terrible. Four was not good. Three. Also the Joe 179 00:08:44,760 --> 00:08:50,120 Speaker 1: Peschi the first two four is okay three because one 180 00:08:50,160 --> 00:08:53,160 Speaker 1: and two were basically it's it's a continuation, right, I 181 00:08:53,240 --> 00:08:55,520 Speaker 1: like a good buddy movie. Two was what Joe Peschi 182 00:08:55,600 --> 00:08:57,960 Speaker 1: points out that they fuck in the drive throw Oh, 183 00:08:58,000 --> 00:08:59,800 Speaker 1: well you know what I learned now? That was Yeah, 184 00:08:59,800 --> 00:09:01,600 Speaker 1: that was too. That was true. So so the theory 185 00:09:01,679 --> 00:09:03,480 Speaker 1: is that they fun get the drive through, meaning if 186 00:09:03,480 --> 00:09:05,079 Speaker 1: you order something a special way, like you know the 187 00:09:05,080 --> 00:09:07,000 Speaker 1: way I do, they know you're driving away and you 188 00:09:07,040 --> 00:09:08,280 Speaker 1: won't realize it, which is why when I go to 189 00:09:08,280 --> 00:09:09,800 Speaker 1: Taco bell I pull over right away and I checked 190 00:09:09,800 --> 00:09:11,719 Speaker 1: my food because I don't want I don't want to 191 00:09:11,800 --> 00:09:13,400 Speaker 1: go to Gayo in my phone. Oh yes they know that. 192 00:09:13,720 --> 00:09:15,599 Speaker 1: But here's what I learned last week when I was 193 00:09:15,640 --> 00:09:17,880 Speaker 1: coming home from Disney at the Orlando airport. Yes, they 194 00:09:17,920 --> 00:09:20,560 Speaker 1: fuck get the airport food court because they know you're flying. 195 00:09:20,600 --> 00:09:22,679 Speaker 1: They know you get on a plane. Yeah. So I 196 00:09:22,760 --> 00:09:25,160 Speaker 1: ordered a Chick fil A sandwich. No, no, no insalt 197 00:09:25,200 --> 00:09:27,160 Speaker 1: a Chick fil A, but not on the menu. I 198 00:09:27,160 --> 00:09:31,640 Speaker 1: tweeted about this. On the menu had said, uh, burger cheese, lettuce, tomato. 199 00:09:32,160 --> 00:09:33,520 Speaker 1: You know me, or do without lettuce. I don't wan 200 00:09:33,520 --> 00:09:35,240 Speaker 1: green stuff on my food. So I said, no lettuce. 201 00:09:35,840 --> 00:09:39,640 Speaker 1: So then you go through security to get to your gate. Yeah. 202 00:09:39,880 --> 00:09:42,480 Speaker 1: So I went through security. You know Orlando, you take 203 00:09:42,480 --> 00:09:45,040 Speaker 1: a train like a like a monorail to the other 204 00:09:45,080 --> 00:09:47,120 Speaker 1: side of the airport to get on your to get 205 00:09:47,120 --> 00:09:50,240 Speaker 1: to the gate. Then I opened up my Chick fil 206 00:09:50,240 --> 00:09:53,320 Speaker 1: A and so they had slipped pickles underneath the tomato. Okay, 207 00:09:53,360 --> 00:09:59,680 Speaker 1: this is why this is your fault. Buys food before security. Okay, yeah, 208 00:09:59,720 --> 00:10:02,320 Speaker 1: I know, but yeah, that's not the second I went 209 00:10:02,320 --> 00:10:04,120 Speaker 1: to an airport. The very first thing that I do 210 00:10:04,800 --> 00:10:06,800 Speaker 1: is walk is go through security. I want to get 211 00:10:06,840 --> 00:10:09,439 Speaker 1: lisself out of the way. Who goes to Chick fil 212 00:10:09,480 --> 00:10:11,880 Speaker 1: a and gets a hamburger. There's also that I got 213 00:10:11,960 --> 00:10:13,920 Speaker 1: a chicken. I got the spicy chicken burger is what 214 00:10:13,920 --> 00:10:16,720 Speaker 1: I got. But here's the thing, I'm getting my timeline wrong. 215 00:10:16,760 --> 00:10:20,120 Speaker 1: The food court is after security, but before the train 216 00:10:20,200 --> 00:10:22,120 Speaker 1: ride got so you were a tram away. I was 217 00:10:22,160 --> 00:10:24,440 Speaker 1: a tram away, so I got my food. There's no 218 00:10:24,480 --> 00:10:26,600 Speaker 1: pickle on the menu. It doesn't say we have pickles. 219 00:10:26,640 --> 00:10:28,599 Speaker 1: Otherwise I would have said no pickles, because you know, 220 00:10:28,640 --> 00:10:30,559 Speaker 1: if you don't like pickles, you're screwed because the pickle 221 00:10:30,640 --> 00:10:32,480 Speaker 1: juice gets on everything. Can ask you a question, Yeah, 222 00:10:32,520 --> 00:10:33,680 Speaker 1: I don't know how my wife puts up on me. 223 00:10:33,800 --> 00:10:37,160 Speaker 1: That's not the question. Uh, why do you why do 224 00:10:37,240 --> 00:10:42,120 Speaker 1: you buy food? Because I I've never and backed me 225 00:10:42,200 --> 00:10:44,960 Speaker 1: up on this, Garrea. I have never heard you go 226 00:10:45,080 --> 00:10:48,120 Speaker 1: to a restaurant and enjoy the experience because it's all 227 00:10:48,200 --> 00:10:51,000 Speaker 1: the And I know that, like you used to work 228 00:10:51,040 --> 00:10:53,640 Speaker 1: in the food service industry, so you know how good 229 00:10:53,679 --> 00:10:55,800 Speaker 1: it can be, and you know what this expected. We've 230 00:10:55,800 --> 00:10:57,959 Speaker 1: been in the show for so many years, and Brodie 231 00:10:58,240 --> 00:11:00,480 Speaker 1: Day doesn't go by where you don't have a staung creep. 232 00:11:00,840 --> 00:11:03,360 Speaker 1: I went at Disney. We stayed at the Contemporary Hotel 233 00:11:03,360 --> 00:11:04,840 Speaker 1: and on the roof of the hotel is a restaurant 234 00:11:04,840 --> 00:11:10,280 Speaker 1: called the California Grill. One of the best males Ago. 235 00:11:10,400 --> 00:11:12,080 Speaker 1: Hold on, I will tell you it's so good. I 236 00:11:12,120 --> 00:11:13,920 Speaker 1: didn't even care how much the bill was, and it 237 00:11:13,960 --> 00:11:16,320 Speaker 1: was it was. It was a little bit expensive. The 238 00:11:16,360 --> 00:11:18,880 Speaker 1: waiter was the greatest way I've ever had. The food 239 00:11:18,960 --> 00:11:21,559 Speaker 1: was phenomenal, and you have a view of the park 240 00:11:21,960 --> 00:11:25,280 Speaker 1: waiting for the problem, waiting for the years. No problem. 241 00:11:25,280 --> 00:11:27,520 Speaker 1: He gave us free dessert. Wouldn't even ask for it. Okay, 242 00:11:27,520 --> 00:11:30,199 Speaker 1: So are you just eternally optimistic? Then the food is 243 00:11:30,240 --> 00:11:33,360 Speaker 1: gonna go. I I go to places and I expect 244 00:11:33,559 --> 00:11:37,880 Speaker 1: that when you say, um, no vegetables in something, or 245 00:11:37,920 --> 00:11:40,920 Speaker 1: you know, like the Chinese restaurants, they know me as David, 246 00:11:40,960 --> 00:11:43,120 Speaker 1: the no vegetable guy. Right. So if I go to 247 00:11:43,160 --> 00:11:44,640 Speaker 1: a place and I say no vegetables and then you 248 00:11:44,640 --> 00:11:47,520 Speaker 1: get the pan fire noodles and this this scallions in them, 249 00:11:47,559 --> 00:11:48,959 Speaker 1: I've called up and they go, oh, that's not really 250 00:11:48,960 --> 00:11:51,920 Speaker 1: a vegetable. Oh yes, it is okay, okay, So I 251 00:11:51,960 --> 00:11:54,320 Speaker 1: have I have an expectation that they're in addition to 252 00:11:54,360 --> 00:11:57,840 Speaker 1: not being peppers and onions and back toy and and 253 00:11:57,840 --> 00:12:02,520 Speaker 1: and stringy stuff and whatever, the scallions are considered just 254 00:12:02,760 --> 00:12:06,560 Speaker 1: so often it goes badly for you. And I feel 255 00:12:06,600 --> 00:12:10,320 Speaker 1: like if you if you put your foot behind a 256 00:12:10,440 --> 00:12:13,880 Speaker 1: tractor trailer tire and it keeps backing over it every time, 257 00:12:14,280 --> 00:12:16,480 Speaker 1: at some point you're just gonna stop putting your foot there. 258 00:12:16,520 --> 00:12:20,720 Speaker 1: But here's the thing of the time. If there's a problem, 259 00:12:20,840 --> 00:12:23,199 Speaker 1: a company will make good for me. If they deliver 260 00:12:23,280 --> 00:12:24,760 Speaker 1: it late, They'll give me a little something for free. 261 00:12:24,800 --> 00:12:30,400 Speaker 1: They'll take ten percent for the gift. That's what. If 262 00:12:30,440 --> 00:12:32,640 Speaker 1: I go like white Castle messed up my order, I 263 00:12:32,640 --> 00:12:35,280 Speaker 1: tweeted them and gave me. They mailed me coupons, no problem. 264 00:12:35,280 --> 00:12:38,360 Speaker 1: I got every industry, every place, every taco bell that 265 00:12:38,400 --> 00:12:41,160 Speaker 1: I've had a problem. If it's a legit problem, they've 266 00:12:41,200 --> 00:12:46,280 Speaker 1: made good. Filet has ignored my tweets and and I 267 00:12:46,320 --> 00:12:48,439 Speaker 1: didn't send them on a Sunday when they're closed. They 268 00:12:48,440 --> 00:12:51,080 Speaker 1: have not commented, they have not cared. I'm very disappointed 269 00:12:51,080 --> 00:12:52,520 Speaker 1: in Chick fil a because it was my first time 270 00:12:52,520 --> 00:12:54,880 Speaker 1: ever eating there, and my last Bethany is saying is 271 00:12:54,920 --> 00:12:56,600 Speaker 1: let's face it, you're in it for the funk up. 272 00:12:58,120 --> 00:13:00,600 Speaker 1: I sometimes feel like, I think, which is the name 273 00:13:00,600 --> 00:13:02,839 Speaker 1: of his book, by the way, I'm just I'm just 274 00:13:03,160 --> 00:13:06,640 Speaker 1: for the dessert free desserts, as you guys know the 275 00:13:06,679 --> 00:13:10,240 Speaker 1: name of my new book. I just felt like, if 276 00:13:10,240 --> 00:13:12,280 Speaker 1: you're gonna put pickles on a sandwich, you should point 277 00:13:12,280 --> 00:13:14,640 Speaker 1: it out on the menu. Don't have five ingredients at 278 00:13:14,640 --> 00:13:16,520 Speaker 1: a six on the menu. There are certain things I 279 00:13:16,559 --> 00:13:20,559 Speaker 1: think in America that are sort of assumed, even though 280 00:13:20,559 --> 00:13:22,600 Speaker 1: it's not a correct assumption. And I think a lot 281 00:13:22,679 --> 00:13:25,079 Speaker 1: of people assume that pickles just come on the sandwich. 282 00:13:25,120 --> 00:13:28,080 Speaker 1: Would you assume this? There's an Italian restaurant, it's a 283 00:13:28,160 --> 00:13:30,280 Speaker 1: chain of Italian restaurants, but it's pretty good. What does 284 00:13:30,320 --> 00:13:35,160 Speaker 1: it rhyme with? I believe it rhymes with Spencer Spenzy. 285 00:13:38,320 --> 00:13:40,400 Speaker 1: And there's I don't know, at least in New Jersey 286 00:13:40,440 --> 00:13:42,760 Speaker 1: where I live, there's at least four that I know of. Okay. 287 00:13:42,960 --> 00:13:45,880 Speaker 1: I ordered a chicken palm sandwich and it came in 288 00:13:45,920 --> 00:13:47,800 Speaker 1: a box right brought at home. It was in a 289 00:13:47,840 --> 00:13:50,880 Speaker 1: blue box, and in the box the chicken palm was 290 00:13:51,880 --> 00:13:54,679 Speaker 1: it was a pickle in the box. Wait a second, 291 00:13:54,760 --> 00:13:56,280 Speaker 1: that we're also Garrett and I are going through the 292 00:13:56,280 --> 00:14:01,160 Speaker 1: alphabet trying to figure out what rhimes with spenzy. But anyway, 293 00:14:02,280 --> 00:14:05,240 Speaker 1: think about Japanese food and when it comes in okay, 294 00:14:05,320 --> 00:14:09,040 Speaker 1: well okay, So I would not associate when the radios 295 00:14:09,040 --> 00:14:10,960 Speaker 1: would come out of the dashboard because they were in 296 00:14:10,960 --> 00:14:13,160 Speaker 1: a box. Yes, okay with a B. I got you 297 00:14:13,280 --> 00:14:17,360 Speaker 1: spency okay, okay, b spency with a B. Okay alright, anyway, 298 00:14:17,600 --> 00:14:21,000 Speaker 1: fine food, But what kind of Italian establishment? That's where 299 00:14:21,000 --> 00:14:22,800 Speaker 1: I was going to say, pickle in with chicken palm. 300 00:14:23,200 --> 00:14:25,720 Speaker 1: Then the pickle juice and it was one of those long, 301 00:14:25,760 --> 00:14:28,560 Speaker 1: stinky pickles that you put them with a sandwich. They 302 00:14:28,600 --> 00:14:31,080 Speaker 1: put the pickle in and the juice got all of 303 00:14:31,080 --> 00:14:32,960 Speaker 1: my chickenpo was ruling. How did you handle that? One? 304 00:14:33,040 --> 00:14:34,560 Speaker 1: I called up and they gave me a free chicken 305 00:14:34,560 --> 00:14:36,280 Speaker 1: pon the next time I was there. That isn't a 306 00:14:36,320 --> 00:14:39,360 Speaker 1: pickle is an aggressive side or topping to put with anything, 307 00:14:39,400 --> 00:14:42,200 Speaker 1: because it really does. It spreads itself. And do you 308 00:14:42,360 --> 00:14:46,680 Speaker 1: carry pickles and chicken farm in your establishment? You you 309 00:14:46,680 --> 00:14:49,680 Speaker 1: probably don't have that times by fast. When I'm complaining 310 00:14:50,040 --> 00:14:52,080 Speaker 1: it's over, I want to know the other ten percent 311 00:14:52,200 --> 00:14:58,640 Speaker 1: that that he hates the restaurant that will be next 312 00:14:58,920 --> 00:14:59,880 Speaker 1: minute morning show