1 00:00:00,200 --> 00:00:03,440 Speaker 1: Bridgewater is a production of iHeartRadio three D audio and 2 00:00:03,560 --> 00:00:06,760 Speaker 1: Grim and Mild from Aaron Mankey for a full exposure 3 00:00:06,880 --> 00:00:19,560 Speaker 1: listen with headphones. Listener discretion advised. This way, it's this way. Wait, 4 00:00:20,280 --> 00:00:26,720 Speaker 1: it's coming from over here, so last, so last, come on, 5 00:00:26,880 --> 00:00:46,200 Speaker 1: hurry there, Wait, Dad, dad, Jeremy? Who's we have got 6 00:00:46,200 --> 00:00:49,600 Speaker 1: to stop meeting like this? Oh it's just you? Wow? 7 00:00:49,760 --> 00:00:51,800 Speaker 1: Am I already such old news? That is not what 8 00:00:51,840 --> 00:00:56,080 Speaker 1: I meant. I just sorry. I Um, I thought you 9 00:00:56,120 --> 00:00:59,520 Speaker 1: were a big foot? Maybe what? Well, I assume we're 10 00:00:59,520 --> 00:01:01,880 Speaker 1: here for the same reason, right the attack on the campers, 11 00:01:02,480 --> 00:01:06,200 Speaker 1: Um right, yeah, right right, I guess I should have 12 00:01:06,240 --> 00:01:08,080 Speaker 1: expected to see you. It seems like you and your 13 00:01:08,080 --> 00:01:11,000 Speaker 1: friends really dodged a bullet. Holy crap. Yeah, I mean 14 00:01:11,040 --> 00:01:12,679 Speaker 1: the ground was torn to shreds, and from what they 15 00:01:12,720 --> 00:01:14,760 Speaker 1: said about the dead camper on the news, that was Yeah, 16 00:01:14,760 --> 00:01:16,360 Speaker 1: I'm starting to think that it was a bad idea 17 00:01:16,400 --> 00:01:21,200 Speaker 1: coming back here. Wait did you did? I what? No, 18 00:01:21,280 --> 00:01:23,360 Speaker 1: never mind that you're gonna think I'm nuts. Oh No, 19 00:01:23,600 --> 00:01:26,240 Speaker 1: I think I think we're at the point where you 20 00:01:26,240 --> 00:01:29,280 Speaker 1: should know that I'm the right audience for stuff that 21 00:01:29,360 --> 00:01:32,320 Speaker 1: sounds nuts. I thought I heard a voice. I mean 22 00:01:33,000 --> 00:01:34,880 Speaker 1: just now, But it wasn't you. It was a woman. 23 00:01:34,920 --> 00:01:37,440 Speaker 1: I think you heard that. Yeah, yeah, you did too. 24 00:01:38,000 --> 00:01:39,800 Speaker 1: What do you think it was? Or? I guess the 25 00:01:39,840 --> 00:01:43,120 Speaker 1: question is who? Okay, so I recognize that voice, at 26 00:01:43,200 --> 00:01:45,399 Speaker 1: least I think I did. Um, Well, who is it? 27 00:01:45,640 --> 00:01:50,280 Speaker 1: It's it's someone impossible. What do you mean the woman 28 00:01:50,480 --> 00:01:53,040 Speaker 1: that I mentioned to you before, that the one who 29 00:01:53,080 --> 00:01:55,200 Speaker 1: died in free Time? Yeah, what about her? It was 30 00:01:55,280 --> 00:02:01,480 Speaker 1: her voice? What? Yeah? I know it sounds crazy. I'm crazy, remember, right? No, 31 00:02:01,760 --> 00:02:05,280 Speaker 1: right right? I don't know. I don't know. I I 32 00:02:05,320 --> 00:02:08,200 Speaker 1: don't believe in ghosts. What is happening? Well, maybe it's 33 00:02:08,200 --> 00:02:11,240 Speaker 1: some kind of mimic, something pretending to be her somehow, 34 00:02:11,600 --> 00:02:18,160 Speaker 1: a mimic like like what, well, you're the expert. But 35 00:02:18,240 --> 00:02:21,120 Speaker 1: that's a thing, right, changelings and shape shifters. You know. 36 00:02:21,160 --> 00:02:23,600 Speaker 1: I was just talking about shape shifters with my friend. 37 00:02:23,880 --> 00:02:27,040 Speaker 1: Whatever attack the camper feels like the thing that we 38 00:02:27,080 --> 00:02:29,160 Speaker 1: saw the other day, but some of the details aren't 39 00:02:29,200 --> 00:02:31,360 Speaker 1: lining up. So we were thinking maybe there's something that 40 00:02:31,440 --> 00:02:35,000 Speaker 1: can yeah, I don't know, transform in some way, which 41 00:02:35,000 --> 00:02:37,400 Speaker 1: would explain all of the different kinds of attacks that 42 00:02:37,440 --> 00:02:39,920 Speaker 1: have been happening lately. Yeah, you think it's all one creature. 43 00:02:40,080 --> 00:02:42,120 Speaker 1: I don't know. I don't know. I haven't actually gotten 44 00:02:42,120 --> 00:02:45,079 Speaker 1: my eyes on anything except the Howler, and that did 45 00:02:45,080 --> 00:02:49,160 Speaker 1: not feel like a shape shifter. This is so strange. 46 00:02:50,120 --> 00:02:52,040 Speaker 1: I mean, I've been feeling like things are off here, 47 00:02:52,080 --> 00:02:55,000 Speaker 1: you know, but I haven't seen anything yet. So I 48 00:02:55,040 --> 00:02:56,600 Speaker 1: think if I hadn't met you, I would think I 49 00:02:56,680 --> 00:02:59,400 Speaker 1: was going completely badge it crazy these days. Well, I 50 00:02:59,400 --> 00:03:02,440 Speaker 1: am happy that I've kept you saying I have to 51 00:03:02,480 --> 00:03:07,400 Speaker 1: say it's funny. Why no. I was also talking to 52 00:03:07,800 --> 00:03:12,239 Speaker 1: the same friend about how You're one of the first 53 00:03:12,240 --> 00:03:14,360 Speaker 1: people that I've met in a long time that doesn't 54 00:03:14,400 --> 00:03:17,000 Speaker 1: make me feel like I'm a total headcase when I 55 00:03:17,040 --> 00:03:20,440 Speaker 1: talk to them. Well, aren't we a pair, isn't it? Rich? 56 00:03:22,080 --> 00:03:24,720 Speaker 1: We're just two middle aged weirdos wandering through the wilderness, 57 00:03:25,360 --> 00:03:28,200 Speaker 1: one of us desperately trying to find a monster, the 58 00:03:28,320 --> 00:03:31,120 Speaker 1: other one tripping over them all the time. And amazingly, 59 00:03:31,200 --> 00:03:34,720 Speaker 1: that feels like the least of my problems. Are you 60 00:03:34,760 --> 00:03:36,440 Speaker 1: saying there's more to your interest in all of this, 61 00:03:37,400 --> 00:03:42,960 Speaker 1: more than just childhood obsession. Yeah, I'd like to hear 62 00:03:43,000 --> 00:03:45,880 Speaker 1: about it. I mean, if you're if you're willing to 63 00:03:45,920 --> 00:03:49,160 Speaker 1: talk about it, that is, maybe maybe we could grab 64 00:03:49,200 --> 00:03:51,800 Speaker 1: a drink sometime. Oh, I would actually really like that. 65 00:03:52,600 --> 00:03:54,840 Speaker 1: You don't have to founce those surprised. No, I'm not, 66 00:03:58,520 --> 00:04:00,440 Speaker 1: you know, I just don't have a lot of people 67 00:04:00,480 --> 00:04:02,840 Speaker 1: to talk to about this stuff, or at least the 68 00:04:02,840 --> 00:04:04,280 Speaker 1: people that I do have to talk to about it 69 00:04:04,360 --> 00:04:07,560 Speaker 1: are all tangled up in it themselves. So well, it 70 00:04:07,600 --> 00:04:10,640 Speaker 1: sounds like we'll be eating a few drinks. Then, yes, 71 00:04:11,960 --> 00:04:52,600 Speaker 1: what's your poison, let's get trash. Okay, So I mean 72 00:04:52,680 --> 00:04:55,520 Speaker 1: it sounds like it supports the shapeshifter theory. Voice mimicry 73 00:04:55,560 --> 00:04:58,680 Speaker 1: is so common. Yeah, but it's too common. I'm still 74 00:04:58,720 --> 00:05:01,240 Speaker 1: not sure about the voice throwing, the ability to pull 75 00:05:01,360 --> 00:05:04,160 Speaker 1: two people who were standing side by side in opposite directions. 76 00:05:04,320 --> 00:05:06,119 Speaker 1: Maybe it was just run of the mill magic, something 77 00:05:06,160 --> 00:05:08,640 Speaker 1: that messed with our perception. Well, whatever it was, we 78 00:05:08,680 --> 00:05:11,320 Speaker 1: need to be more careful. We can't keep getting separated 79 00:05:11,360 --> 00:05:16,800 Speaker 1: like that, or we will always find each other, I promise. Well, 80 00:05:17,800 --> 00:05:20,160 Speaker 1: I want to be prepared. I've texted Vippin and he's 81 00:05:20,160 --> 00:05:22,279 Speaker 1: going to pull everything that you can about voice mimicry. 82 00:05:22,320 --> 00:05:25,000 Speaker 1: But even with the added detail of it sounding like 83 00:05:25,040 --> 00:05:27,920 Speaker 1: it was coming from two different places. We're looking at 84 00:05:27,920 --> 00:05:32,040 Speaker 1: a lot of possibilities, still, so many possibilities. You know. 85 00:05:32,279 --> 00:05:35,240 Speaker 1: It's funny. I always thought it was fascinating how no 86 00:05:35,279 --> 00:05:39,080 Speaker 1: matter the location or the culture, human beings they come 87 00:05:39,160 --> 00:05:42,960 Speaker 1: up with the same kinds of monsters over and over again. 88 00:05:43,320 --> 00:05:47,919 Speaker 1: There are these, you know, culturally religiously specific ones, of course, 89 00:05:48,520 --> 00:05:55,040 Speaker 1: but the basic idea of shape shifters, vampires, vengeful spirits. 90 00:05:55,480 --> 00:06:00,080 Speaker 1: There are iterations of those all over the world. And 91 00:06:00,279 --> 00:06:05,000 Speaker 1: now I think we're all those people actually just seeing 92 00:06:05,040 --> 00:06:08,159 Speaker 1: the exact same thing something it's something real that they're 93 00:06:08,200 --> 00:06:11,320 Speaker 1: actually seeing, and then they add the filter of their 94 00:06:11,400 --> 00:06:15,599 Speaker 1: own cultural norms at the time that they saw it 95 00:06:15,680 --> 00:06:20,080 Speaker 1: to shape the narrative of that entity. Right. You really 96 00:06:20,120 --> 00:06:24,480 Speaker 1: love this stuff, don't all of the folklore and history? Yeah, 97 00:06:24,560 --> 00:06:26,479 Speaker 1: I mean I used to. Anyway, Now it feels like 98 00:06:26,480 --> 00:06:30,400 Speaker 1: I just it feels very different now, it feels like 99 00:06:30,440 --> 00:06:36,400 Speaker 1: it's a survival tool. WHOA what happened here? Well it 100 00:06:36,480 --> 00:06:40,599 Speaker 1: happened again? What what happened again? The creepy humming house 101 00:06:40,640 --> 00:06:42,640 Speaker 1: shaking thing and happened to you guys the other night, 102 00:06:42,680 --> 00:06:47,520 Speaker 1: this time with added spooky soundtrack. Was music? Music? What 103 00:06:47,640 --> 00:06:49,560 Speaker 1: kind of music? Oh, the kind that makes you feel 104 00:06:49,600 --> 00:06:51,320 Speaker 1: like a killer clown is going to pop out at 105 00:06:51,320 --> 00:06:54,200 Speaker 1: any moment. Killer. Yeah, it was classical, some kind of 106 00:06:54,400 --> 00:06:56,960 Speaker 1: you know, string instrument. I think maybe a harp. Music 107 00:06:57,040 --> 00:06:58,800 Speaker 1: was never really my strong suit, but it was Wait wait, 108 00:06:58,839 --> 00:07:01,160 Speaker 1: what the how? Why did that lead you to tear 109 00:07:01,200 --> 00:07:03,520 Speaker 1: apart your living room? Well it sounded like it was 110 00:07:03,560 --> 00:07:06,720 Speaker 1: coming from inside the house, like somebody hidden a speaker somewhere. Oh, 111 00:07:06,760 --> 00:07:09,600 Speaker 1: come on, you did this? Don't you think that you 112 00:07:09,640 --> 00:07:12,560 Speaker 1: would have noticed if someone stuck a speaker cabinet behind 113 00:07:12,600 --> 00:07:18,920 Speaker 1: your couch. Speakers can be really small now, like like 114 00:07:19,120 --> 00:07:23,240 Speaker 1: everything else. But you don't You don't really think that 115 00:07:23,280 --> 00:07:26,160 Speaker 1: somebody planted something here, do you? I don't know, But 116 00:07:26,280 --> 00:07:28,440 Speaker 1: that doesn't mean something didn't get in here anyway. You know, 117 00:07:28,680 --> 00:07:31,760 Speaker 1: what do you mean? You came through the veil to 118 00:07:31,840 --> 00:07:34,360 Speaker 1: our side, so have a bunch of monsters. So's to 119 00:07:34,400 --> 00:07:36,040 Speaker 1: say that something else couldn't have as well? I mean, 120 00:07:36,440 --> 00:07:38,160 Speaker 1: I don't know, like like someone who came in and 121 00:07:38,760 --> 00:07:41,720 Speaker 1: planted a tiny fairy speaker or a magic hor I 122 00:07:41,800 --> 00:07:44,080 Speaker 1: told her it was unlike Jeremy. Come on, well, then, 123 00:07:44,640 --> 00:07:47,600 Speaker 1: the living Why are you helping her, because what if 124 00:07:47,600 --> 00:07:51,239 Speaker 1: it was coming from something that's already here, I don't follow. 125 00:07:51,600 --> 00:07:53,440 Speaker 1: We were thinking about the voicemails, the ones who left 126 00:07:53,440 --> 00:07:57,680 Speaker 1: Thomas right, voicemails. What we never asked you about it. 127 00:07:57,920 --> 00:07:59,920 Speaker 1: When you were trying to speak to me, trying to 128 00:08:00,080 --> 00:08:01,880 Speaker 1: get the word out about what was happening, it was 129 00:08:01,920 --> 00:08:04,800 Speaker 1: coming through as a messages on my machine. You weren't 130 00:08:04,800 --> 00:08:09,040 Speaker 1: just hearing my voice. I just assumed, I'm yet that's 131 00:08:09,080 --> 00:08:12,600 Speaker 1: how I heard Celeste, just a disembodied voice in the limital, right. 132 00:08:12,800 --> 00:08:16,000 Speaker 1: But that's because there's nothing in the liminal. So somehow, 133 00:08:16,240 --> 00:08:19,200 Speaker 1: when you were speaking through the veil, it was captured 134 00:08:19,200 --> 00:08:22,400 Speaker 1: by an old message machine. Yeah, thank god too, because 135 00:08:23,000 --> 00:08:24,920 Speaker 1: if I'd just been hearing your voice, people would have 136 00:08:24,920 --> 00:08:26,560 Speaker 1: thought I was really off my rocker. You know, I 137 00:08:26,560 --> 00:08:28,640 Speaker 1: think people thought you were off your rocker. Anyway, I 138 00:08:28,640 --> 00:08:31,200 Speaker 1: am on my rocker, son. So wait a minute. So 139 00:08:31,240 --> 00:08:33,160 Speaker 1: you think that the music was coming from something that 140 00:08:33,240 --> 00:08:38,000 Speaker 1: you already owns, that it's from the liminal getting here somehow, 141 00:08:38,280 --> 00:08:40,920 Speaker 1: I don't think it's from the liminal. I think it's 142 00:08:40,960 --> 00:08:43,640 Speaker 1: from the other side. It would have to be from 143 00:08:43,679 --> 00:08:46,520 Speaker 1: the other side. My whole time there, I never heard 144 00:08:46,559 --> 00:08:49,120 Speaker 1: anything close to music. Well, that doesn't mean that things 145 00:08:49,240 --> 00:08:52,679 Speaker 1: haven't changed. I mean, could all then somehow be doing it? 146 00:08:52,760 --> 00:08:55,679 Speaker 1: And are you sure? Are you both sure that it 147 00:08:55,720 --> 00:08:59,040 Speaker 1: wasn't actually singing. It's not like the connection between here 148 00:08:59,080 --> 00:09:02,360 Speaker 1: and the liminal is exactly like Crystal Clear. No, not singing. Okay, 149 00:09:02,360 --> 00:09:05,800 Speaker 1: it was definitely instrumental in it. There's something so weird 150 00:09:05,880 --> 00:09:08,360 Speaker 1: about it? What what? What could be weirder than it 151 00:09:08,440 --> 00:09:12,760 Speaker 1: coming from nowhere? I don't know? Right, nothing sounded human, 152 00:09:12,880 --> 00:09:16,360 Speaker 1: nana like, even if it was human instruments, it was 153 00:09:16,400 --> 00:09:19,480 Speaker 1: like they were being played by something that wasn't it 154 00:09:19,520 --> 00:09:22,920 Speaker 1: was I'm badly played off key. No, that's not it. 155 00:09:23,040 --> 00:09:26,440 Speaker 1: I can't explain it. It's more like it came with 156 00:09:26,480 --> 00:09:28,640 Speaker 1: a feeling, you know. I think that's what you're trying 157 00:09:28,679 --> 00:09:31,400 Speaker 1: to get it right, like feelingly. Yeah, it came with 158 00:09:31,440 --> 00:09:35,760 Speaker 1: this feeling. Oh that can't be good. Well, hence trying 159 00:09:35,800 --> 00:09:38,920 Speaker 1: to find some sort of reasonable explanation, you know, reasonable 160 00:09:38,960 --> 00:09:41,960 Speaker 1: being an extremely relative term over here. Okay, dude, have 161 00:09:42,000 --> 00:09:46,320 Speaker 1: you found anything nothing? How do you fare in the swamp? 162 00:09:46,440 --> 00:09:49,120 Speaker 1: Was it that thing that we saw killed the camper? Yes, 163 00:09:49,440 --> 00:09:54,120 Speaker 1: maybe it's a little unclear, but it is clear that something, 164 00:09:55,120 --> 00:09:58,160 Speaker 1: something is is definitely trying to communicate with us. Has 165 00:09:58,240 --> 00:10:06,079 Speaker 1: So we heard Celeste's voice. What what isn't she like dead? Yeah? 166 00:10:06,120 --> 00:10:10,440 Speaker 1: And not in the limit? All right? Okay, so so 167 00:10:10,480 --> 00:10:12,280 Speaker 1: we have no idea what we're dealing with here. Well 168 00:10:12,320 --> 00:10:14,000 Speaker 1: what was she saying? I don't know. She was saying 169 00:10:14,080 --> 00:10:18,240 Speaker 1: a bunch of stuff, trusting her and it happening again. 170 00:10:18,400 --> 00:10:22,560 Speaker 1: Would be better this time? Right? What better? Okay, Well, 171 00:10:22,600 --> 00:10:27,520 Speaker 1: that's that's good. She also said we want you and 172 00:10:27,840 --> 00:10:31,960 Speaker 1: come here, which is what Ethan said. That's right, Yeah, 173 00:10:32,440 --> 00:10:34,920 Speaker 1: exactly the same thing. Yeah, maybe it was someone who 174 00:10:34,920 --> 00:10:37,160 Speaker 1: got possessed in the same way that Ethan did. It 175 00:10:37,240 --> 00:10:40,480 Speaker 1: wasn't a person. No, that voice was coming from two 176 00:10:40,520 --> 00:10:44,720 Speaker 1: different directions, and it was definitely Celeste or her voice 177 00:10:44,720 --> 00:10:47,640 Speaker 1: at least that I know. Okay, we don't really know 178 00:10:47,679 --> 00:10:50,160 Speaker 1: what's on the other side yet. Maybe it was some 179 00:10:50,240 --> 00:10:54,280 Speaker 1: kind of afterlife and Celeste's spirit is trying to talk 180 00:10:54,320 --> 00:10:57,120 Speaker 1: to you. I think that that would be the best option. Honestly, 181 00:10:57,160 --> 00:11:00,720 Speaker 1: I don't know. Should we hold as say answer, find 182 00:11:00,760 --> 00:11:04,880 Speaker 1: a medium medium couldn't hurt. I have never done a 183 00:11:04,920 --> 00:11:07,679 Speaker 1: SANDS before, but I guess I know the basics. I mean, 184 00:11:07,720 --> 00:11:10,800 Speaker 1: I think we can probably find a medium in Bridgwater. Well, yeah, 185 00:11:11,480 --> 00:11:14,560 Speaker 1: we have to be careful because even if talking to 186 00:11:14,600 --> 00:11:16,959 Speaker 1: the dead is possible, it doesn't mean that there aren't 187 00:11:16,960 --> 00:11:21,280 Speaker 1: a whole shitload of scammers out there. A medium, a medium. 188 00:11:21,360 --> 00:11:25,000 Speaker 1: We need to find the right medium, Yes, exactly, we 189 00:11:25,040 --> 00:11:27,320 Speaker 1: need someone reputable. I mean, I can't believe I'm saying that, 190 00:11:27,360 --> 00:11:29,160 Speaker 1: but maybe I can try to talk to some of 191 00:11:29,160 --> 00:11:31,960 Speaker 1: the other folklore folks and see if they do not 192 00:11:32,040 --> 00:11:36,640 Speaker 1: a psychic the right communication medium. Okay, think about it. 193 00:11:37,040 --> 00:11:41,079 Speaker 1: Thomas was able to communicate through the answering machine, Celeste 194 00:11:41,200 --> 00:11:45,640 Speaker 1: voice was coming through the swamp. There's no seeming connection 195 00:11:45,679 --> 00:11:49,040 Speaker 1: between those things. Okay, So what if there is a 196 00:11:49,040 --> 00:11:52,320 Speaker 1: connection and we're just not seeing it. Well, I think 197 00:11:52,360 --> 00:11:54,920 Speaker 1: that describes a lot of what we're doing right now. 198 00:11:55,000 --> 00:11:57,120 Speaker 1: Right sure, yeah, but maybe there's a way to get 199 00:11:57,160 --> 00:12:01,280 Speaker 1: more data to connect the dots. How so, Alden, Alden, 200 00:12:01,440 --> 00:12:03,400 Speaker 1: before you got here, Thomas, did he ever try to 201 00:12:03,400 --> 00:12:05,880 Speaker 1: reach out to He try to contact someone over here. 202 00:12:05,960 --> 00:12:08,920 Speaker 1: He was a scared seven year old trapped in another dimension. 203 00:12:08,960 --> 00:12:11,400 Speaker 1: He definitely tried to call out for help. Okay, so 204 00:12:11,520 --> 00:12:15,240 Speaker 1: maybe someone hurt him, and if we figure out how 205 00:12:15,520 --> 00:12:17,760 Speaker 1: they hurt him, then we say okay, okay, but how 206 00:12:17,760 --> 00:12:19,680 Speaker 1: would we do that the I mean, this was eighty 207 00:12:19,760 --> 00:12:24,240 Speaker 1: years ago. You know his parents are long dead, right, 208 00:12:25,480 --> 00:12:29,040 Speaker 1: he had a younger brother, Alden as a brother, and 209 00:12:29,480 --> 00:12:33,400 Speaker 1: he's still alive. What really I found him? When I 210 00:12:33,400 --> 00:12:37,320 Speaker 1: was looking into Alden's story, I didn't think it was relevant. Honestly, 211 00:12:37,360 --> 00:12:39,520 Speaker 1: it's not like we can tell him anything that would 212 00:12:39,520 --> 00:12:41,800 Speaker 1: give him closure after all these years. And he was 213 00:12:41,840 --> 00:12:44,040 Speaker 1: only five when Alden went missing, so he might not 214 00:12:44,080 --> 00:12:46,520 Speaker 1: even remember it happening. But that doesn't mean he wasn't 215 00:12:46,520 --> 00:12:51,280 Speaker 1: communicated with later exactly. You didn't start hearing Thomas's voicemails 216 00:12:51,320 --> 00:12:54,920 Speaker 1: until this year, but who knows when he left them. Well, 217 00:12:54,960 --> 00:12:58,520 Speaker 1: I was always calling out to you, Anne, always right, 218 00:12:59,240 --> 00:13:02,640 Speaker 1: So maybe Alden's brother heard something he can't explain either. 219 00:13:03,160 --> 00:13:04,600 Speaker 1: You think he would talk to us, well, I mean, 220 00:13:04,600 --> 00:13:07,000 Speaker 1: I think it's worth to try, and he's right here 221 00:13:07,000 --> 00:13:19,080 Speaker 1: in Bridgewater. Hey mister Jansen, Hi, thank thanks for agreeing 222 00:13:19,120 --> 00:13:22,320 Speaker 1: to talk to us. Oh please call me Lee. Not 223 00:13:22,400 --> 00:13:25,640 Speaker 1: every day a good visitors. It's really nice to meet you, Lee. 224 00:13:25,760 --> 00:13:29,960 Speaker 1: I'm Thomas and this is Jeremy. Has your family mostly 225 00:13:29,960 --> 00:13:34,120 Speaker 1: moved away? Well, I never had children myself and my 226 00:13:34,200 --> 00:13:38,000 Speaker 1: sister restaur Soul. Her kids live up in New Hampshire 227 00:13:38,640 --> 00:13:41,920 Speaker 1: and their kids are all grown now. So oh, they 228 00:13:41,960 --> 00:13:45,040 Speaker 1: come and visit when they can. But there's not a 229 00:13:45,040 --> 00:13:48,120 Speaker 1: lot in the way of entertainment in this place. So 230 00:13:49,080 --> 00:13:51,959 Speaker 1: when they said they were two men here to interview 231 00:13:52,000 --> 00:13:55,000 Speaker 1: me for a book, well that was just about me 232 00:13:55,160 --> 00:13:59,520 Speaker 1: my day. Well, we're happy to hear that, although I 233 00:13:59,760 --> 00:14:03,800 Speaker 1: can to being quite confused as why you'd want to 234 00:14:03,840 --> 00:14:07,760 Speaker 1: talk to me. Well, I am a professor here at 235 00:14:07,760 --> 00:14:09,800 Speaker 1: the local college, and I'm writing a book about the region, 236 00:14:09,960 --> 00:14:15,679 Speaker 1: and specifically I'm looking at unsolved mysteries and the like. 237 00:14:15,880 --> 00:14:19,400 Speaker 1: And I know that you have lived here your entire life. 238 00:14:19,680 --> 00:14:23,880 Speaker 1: I have, and I also know that you have a 239 00:14:23,920 --> 00:14:30,680 Speaker 1: personal um. This is about all of them, isn't it. Yes, yeah, 240 00:14:30,760 --> 00:14:33,720 Speaker 1: I take it. You've been asked about him before a 241 00:14:33,720 --> 00:14:37,640 Speaker 1: few times for the year. Every now and again, someone 242 00:14:37,680 --> 00:14:40,880 Speaker 1: will get their heads stuck into all the mission person 243 00:14:40,960 --> 00:14:45,760 Speaker 1: cases in Bridgewater. My brother is one of the it's 244 00:14:45,800 --> 00:14:49,440 Speaker 1: kept folks interest I think because he was so young 245 00:14:49,640 --> 00:14:52,600 Speaker 1: and there was never any evidence at all as to 246 00:14:52,960 --> 00:14:56,840 Speaker 1: what happened. I'm so sorry. Oh I don't remember. And 247 00:14:56,880 --> 00:14:59,480 Speaker 1: if that's what you're here for, well, he was two 248 00:14:59,560 --> 00:15:02,120 Speaker 1: years old other than me, and I barely remember him 249 00:15:02,120 --> 00:15:04,240 Speaker 1: at all. That must have been hard for all of you. 250 00:15:04,720 --> 00:15:09,520 Speaker 1: My family, we we didn't really talk about it. It 251 00:15:09,560 --> 00:15:12,280 Speaker 1: was a it was a different time back then. But 252 00:15:12,400 --> 00:15:16,000 Speaker 1: I also know that losing your child isn't something you 253 00:15:16,200 --> 00:15:21,920 Speaker 1: ever get over. And your parents, they did they ever 254 00:15:22,680 --> 00:15:25,720 Speaker 1: have any guesses or talk to you about what might 255 00:15:25,760 --> 00:15:29,080 Speaker 1: have happened? Well, they assumed he was kidnapped, like everyone else. 256 00:15:30,000 --> 00:15:36,720 Speaker 1: What did you think? My sister, she was there right 257 00:15:36,760 --> 00:15:39,960 Speaker 1: before it happened, and she always thought it was some 258 00:15:40,080 --> 00:15:43,080 Speaker 1: kind of monster in the woods. I guess that would 259 00:15:43,080 --> 00:15:45,280 Speaker 1: make sense. I mean, she was a child herself, right, 260 00:15:46,160 --> 00:15:50,200 Speaker 1: It's not a belief she grew out of. And and 261 00:15:50,360 --> 00:15:55,080 Speaker 1: what what did you believe? I always thought there was 262 00:15:55,120 --> 00:16:00,280 Speaker 1: something strange about this place. And based on the type 263 00:16:00,320 --> 00:16:01,840 Speaker 1: of folks who have come to talk to me through 264 00:16:01,880 --> 00:16:05,040 Speaker 1: the years, I know I'm not the only one. And 265 00:16:05,960 --> 00:16:09,280 Speaker 1: I suspect you're not here to ask me about whatever 266 00:16:09,640 --> 00:16:15,560 Speaker 1: official investigation took place back then. No we're not, so 267 00:16:16,320 --> 00:16:21,560 Speaker 1: go on tell me whatever wild theory you have. We 268 00:16:21,680 --> 00:16:25,240 Speaker 1: actually were wondering more if you had any theories or 269 00:16:25,240 --> 00:16:28,360 Speaker 1: if there's anything through the years that you haven't been 270 00:16:28,360 --> 00:16:32,200 Speaker 1: able to explain about it. You may have a Shaane 271 00:16:32,360 --> 00:16:37,640 Speaker 1: my brother's ghost track down the monstating we are not 272 00:16:37,720 --> 00:16:40,120 Speaker 1: trying to make a mockery of your family's tragedially, we 273 00:16:40,280 --> 00:16:43,520 Speaker 1: care about Alden his story. But I take it a 274 00:16:43,520 --> 00:16:44,960 Speaker 1: lot of the people who have come to you through 275 00:16:44,960 --> 00:16:48,960 Speaker 1: the years have just been looking for something sensational, right, 276 00:16:52,040 --> 00:16:54,520 Speaker 1: that's a way of putting it. We don't want anything 277 00:16:54,520 --> 00:16:56,880 Speaker 1: but the truth. And if that truth is that you 278 00:16:56,960 --> 00:17:00,840 Speaker 1: have no memory of your brother and nothing of his 279 00:17:00,920 --> 00:17:04,400 Speaker 1: life or disappearance to share at this point, then that's 280 00:17:04,880 --> 00:17:10,760 Speaker 1: totally okay. What truth are you expecting to find? What 281 00:17:10,800 --> 00:17:14,720 Speaker 1: do you mean? Folks usually have an idea in their heads. 282 00:17:15,800 --> 00:17:19,200 Speaker 1: You say you want my theory, but I'm betting you 283 00:17:19,320 --> 00:17:23,679 Speaker 1: have one of your own. We we've heard of missing 284 00:17:23,680 --> 00:17:28,000 Speaker 1: people being able to contact they're loved ones. I've never 285 00:17:28,040 --> 00:17:31,160 Speaker 1: seen his ghost. As much as some people might want 286 00:17:31,200 --> 00:17:34,040 Speaker 1: to believe that, Yeah, I guess we're not really talking 287 00:17:34,080 --> 00:17:37,479 Speaker 1: about a ghost so much as I don't know. Did 288 00:17:37,760 --> 00:17:41,320 Speaker 1: you ever hear of a voice? Of a voice that 289 00:17:41,520 --> 00:17:45,000 Speaker 1: might that might have sounded like all then a ghostly 290 00:17:45,080 --> 00:17:48,800 Speaker 1: voice is still a ghost. Not ghostly. No, it would 291 00:17:48,800 --> 00:17:50,959 Speaker 1: have been It would have come from somewhere like an 292 00:17:50,960 --> 00:17:56,119 Speaker 1: answering machine or a phone or some specific place, or 293 00:17:56,160 --> 00:17:58,919 Speaker 1: maybe any any kind of object that can produce a sound, right, 294 00:17:58,960 --> 00:18:00,359 Speaker 1: I mean, as far as we know, to be a 295 00:18:00,440 --> 00:18:05,159 Speaker 1: record player or a radio, a radio, yeah, right, it 296 00:18:05,200 --> 00:18:08,639 Speaker 1: could be a radio. Who are you people? Have you 297 00:18:08,680 --> 00:18:16,359 Speaker 1: heard something? Me? Olden? He had a little radio on 298 00:18:16,480 --> 00:18:20,280 Speaker 1: his nightstand when I went to college. I took it 299 00:18:20,320 --> 00:18:25,200 Speaker 1: with me. I've had it ever since. And you heard 300 00:18:25,240 --> 00:18:31,119 Speaker 1: something from this radio, something other than a broadcast. It 301 00:18:31,320 --> 00:18:34,800 Speaker 1: used to act funny. Yeah, I'd have a tune to 302 00:18:34,920 --> 00:18:37,600 Speaker 1: one of the usual stations, strong signal and all that, 303 00:18:37,760 --> 00:18:46,040 Speaker 1: but it gets static in well, strange sometimes strange. How 304 00:18:47,040 --> 00:18:51,159 Speaker 1: you said other people have heard voices before of people 305 00:18:51,200 --> 00:18:55,119 Speaker 1: who disappeared. Yes, well we can't tell you more without 306 00:18:55,200 --> 00:19:02,040 Speaker 1: violating people's privacy. But yes, I always thought I was 307 00:19:02,119 --> 00:19:05,840 Speaker 1: imagining it. But but you heard something. I don't know 308 00:19:05,880 --> 00:19:10,040 Speaker 1: what it was. It It sounded like a little boy, 309 00:19:10,440 --> 00:19:13,479 Speaker 1: but I always I always thought it was interference from 310 00:19:13,520 --> 00:19:17,760 Speaker 1: another broadcast. It was an old radio, and there were 311 00:19:17,760 --> 00:19:21,520 Speaker 1: so many more stations than there used to be. When 312 00:19:21,880 --> 00:19:25,680 Speaker 1: was this, let me see it was that was at 313 00:19:25,680 --> 00:19:30,800 Speaker 1: the Green Bank House. So the seventies, well the eighties. 314 00:19:30,960 --> 00:20:00,800 Speaker 1: Maybe do you still have that radio? Hello? Hey, Hippin, 315 00:20:00,880 --> 00:20:04,439 Speaker 1: come in, Hey Hippin. Hey is Jeremy here? Oh? You 316 00:20:04,520 --> 00:20:06,639 Speaker 1: just missed him? Yeah? He and Thomas went back to 317 00:20:06,640 --> 00:20:11,240 Speaker 1: talk to Alden's brother. Oh Lee, you know. Yeah, Olivia 318 00:20:11,240 --> 00:20:13,280 Speaker 1: and I talked about it a little bit. I thought 319 00:20:13,280 --> 00:20:15,679 Speaker 1: we agreed it wouldn't be good to tell him anything. No, 320 00:20:15,800 --> 00:20:18,800 Speaker 1: we do, we do agree, But I realized maybe he 321 00:20:18,920 --> 00:20:22,080 Speaker 1: could tell us something that maybe maybe Alden tried to 322 00:20:22,119 --> 00:20:24,879 Speaker 1: communicate with him the same way Thomas did with Anne. 323 00:20:25,480 --> 00:20:29,800 Speaker 1: Oh smart, how are you guys doing after the whole 324 00:20:30,080 --> 00:20:34,080 Speaker 1: earthquake thing? I texted him, You're not the only one, 325 00:20:34,119 --> 00:20:38,240 Speaker 1: apparently I've missed quite the afternoon. Yeah, how was your 326 00:20:38,240 --> 00:20:42,359 Speaker 1: coffee with m Peyton? Illuminating? I'll tell you all about it. 327 00:20:42,400 --> 00:20:45,760 Speaker 1: But you're okay? Really? Yeah, I mean we're okay, but 328 00:20:45,960 --> 00:20:48,879 Speaker 1: I mean it can't be good that this is the 329 00:20:48,960 --> 00:20:54,200 Speaker 1: second time it's happened, right, Yeah about that. I don't 330 00:20:54,200 --> 00:20:56,360 Speaker 1: think anyone should be staying here until we figure out 331 00:20:56,359 --> 00:21:00,679 Speaker 1: what's going on. It could be dangerous. That's a good point. Yeah, 332 00:21:00,720 --> 00:21:03,679 Speaker 1: we'll figure something out. You could stay with me. I 333 00:21:03,760 --> 00:21:06,440 Speaker 1: mean I only have a couch, but I could sleep 334 00:21:06,440 --> 00:21:08,160 Speaker 1: on that and you could take my bed. I really 335 00:21:08,160 --> 00:21:13,520 Speaker 1: don't mind. I don't actually live here, remember, Oh right, God, 336 00:21:14,000 --> 00:21:17,320 Speaker 1: stupid forget I said anything, no, no, thank you if 337 00:21:17,359 --> 00:21:21,679 Speaker 1: it that's a really sweet offer. And and the offer 338 00:21:21,840 --> 00:21:25,159 Speaker 1: extends to you too. I know Jeremy doesn't have a 339 00:21:25,160 --> 00:21:28,920 Speaker 1: guest room either, but between the two of us, wow, 340 00:21:29,920 --> 00:21:32,000 Speaker 1: I think it might be time for us to go 341 00:21:32,480 --> 00:21:36,800 Speaker 1: home with Live. But thank you? Really? Are you sure? 342 00:21:37,480 --> 00:21:39,720 Speaker 1: I don't know how much longer we can hide Thomas 343 00:21:39,840 --> 00:21:43,320 Speaker 1: from your mom Live. I'm sure we could couch surf, 344 00:21:43,480 --> 00:21:48,560 Speaker 1: but you know it's it's time. So about that. What 345 00:21:49,320 --> 00:21:55,840 Speaker 1: Thomas hasn't talked to you about? What? I look Mom 346 00:21:55,840 --> 00:21:59,120 Speaker 1: needed to know Live, so I brought Thomas to see 347 00:21:59,160 --> 00:22:02,720 Speaker 1: her and via christ Well, it was it was, I mean, 348 00:22:02,720 --> 00:22:05,280 Speaker 1: it became fine. You and I explained everything, and she 349 00:22:05,400 --> 00:22:07,840 Speaker 1: and Thomas talked. So I don't know. I think she 350 00:22:07,840 --> 00:22:09,880 Speaker 1: she might be willing to have you guys stay over. 351 00:22:10,480 --> 00:22:13,600 Speaker 1: Would this be why? Maybe she's not returning any of 352 00:22:13,640 --> 00:22:16,359 Speaker 1: my calls. Well, she's pissed Nana, and I think she 353 00:22:16,480 --> 00:22:19,080 Speaker 1: has every right to be. Oh, Olivia, I am not 354 00:22:19,160 --> 00:22:21,760 Speaker 1: okay with you going behind my back like this. Oh 355 00:22:21,760 --> 00:22:24,720 Speaker 1: and I'm not okay with you hiding my grandfather's identity 356 00:22:24,760 --> 00:22:27,760 Speaker 1: for forty years. So yeah, I guess we're even. Yeah, 357 00:22:27,800 --> 00:22:32,399 Speaker 1: I guess. So what should I expect then? Will she 358 00:22:32,480 --> 00:22:36,520 Speaker 1: even let me into the house? Fifty fifty chance? I mean, 359 00:22:36,520 --> 00:22:38,680 Speaker 1: maybe a little higher, since it's it's just her right now, 360 00:22:38,920 --> 00:22:41,399 Speaker 1: Ethan and your dad are still at his parents right, Yeah, 361 00:22:41,400 --> 00:22:43,880 Speaker 1: for the next week at least, I don't like. Gives 362 00:22:43,920 --> 00:22:47,240 Speaker 1: this plenty of time to talk it out. Well, that's optimistic, 363 00:22:48,080 --> 00:22:50,640 Speaker 1: all right, I'm gonna go call your mom, make sure 364 00:22:50,640 --> 00:22:54,600 Speaker 1: it's okay, and then pack a bag and just give 365 00:22:54,640 --> 00:22:58,080 Speaker 1: me your phone. Boy, she'll pick up for you. Okay. 366 00:22:58,080 --> 00:22:59,800 Speaker 1: So you're just leaning into her being kissed off at 367 00:22:59,840 --> 00:23:02,520 Speaker 1: you that, Well, it can't get any worse, can it? 368 00:23:03,200 --> 00:23:09,160 Speaker 1: I mean, only one way to find out. So how 369 00:23:09,200 --> 00:23:13,400 Speaker 1: do you actually feel about that? I don't know. I mean, 370 00:23:13,440 --> 00:23:15,760 Speaker 1: I do think my mom has settled down a little, 371 00:23:16,000 --> 00:23:19,239 Speaker 1: but putting her and Nana and Thomas and I mean, 372 00:23:19,320 --> 00:23:21,840 Speaker 1: let's be honest, probably Jeremy all in a room is 373 00:23:21,840 --> 00:23:26,320 Speaker 1: going to be Oh yeah, I don't envy that conversation. 374 00:23:27,200 --> 00:23:30,320 Speaker 1: Does that offer to stay apply to escaping to yours 375 00:23:30,359 --> 00:23:35,560 Speaker 1: just for an emergency drink? Yeah? Definitely. I'm sorry about that. 376 00:23:35,840 --> 00:23:40,280 Speaker 1: I didn't It was that was so presumptuous of me. Biffin. 377 00:23:40,440 --> 00:23:43,439 Speaker 1: You weren't propositioning me. You were making a nice offer 378 00:23:43,520 --> 00:23:49,199 Speaker 1: to a friend, you know, unless no, no, no, I 379 00:23:49,240 --> 00:23:53,400 Speaker 1: swear I was just friendly not to say that. I mean, 380 00:23:53,440 --> 00:23:55,840 Speaker 1: you know, I think we would you like to go 381 00:23:55,880 --> 00:24:01,800 Speaker 1: out on a date sometime? What would you like? Yes? Yes, 382 00:24:02,400 --> 00:24:07,200 Speaker 1: definitely I would yes that that would be great good good. 383 00:24:07,760 --> 00:24:10,040 Speaker 1: I mean not now obviously, or even like this week, 384 00:24:10,119 --> 00:24:13,359 Speaker 1: because but after we stop the end of the world 385 00:24:13,600 --> 00:24:17,880 Speaker 1: or whatever, then maybe we'll go out to celebrate. Okay, perfect, 386 00:24:19,560 --> 00:24:23,560 Speaker 1: all right, your mom's expecting us later. How'd that go? Well, 387 00:24:24,280 --> 00:24:27,920 Speaker 1: she didn't yell at me, so so really bad. H yeah, 388 00:24:27,920 --> 00:24:31,119 Speaker 1: this is going to be very unpleasant, all right. Vivin, 389 00:24:32,040 --> 00:24:37,240 Speaker 1: how is our favorite mystical leader? Um? She was surprisingly forthcoming? 390 00:24:37,880 --> 00:24:41,560 Speaker 1: Really yeah, she explained everything she knows. The gathering is 391 00:24:41,600 --> 00:24:44,280 Speaker 1: tasked with protecting our world from the other by keeping 392 00:24:44,320 --> 00:24:48,720 Speaker 1: the gate closed through human sacrifice. Well, she said, volunteering. 393 00:24:49,359 --> 00:24:53,320 Speaker 1: I'm sure she did. It'll be her in Virginia. When 394 00:24:53,359 --> 00:24:56,560 Speaker 1: the time comes, their leader goes into the limino willingly, 395 00:24:56,840 --> 00:24:59,840 Speaker 1: letting the person in there already move on. She signed 396 00:24:59,920 --> 00:25:02,920 Speaker 1: up for that. Apparently she's a legacy, and I bet 397 00:25:02,960 --> 00:25:05,159 Speaker 1: she's not the only one. The gathering is just the 398 00:25:05,240 --> 00:25:08,840 Speaker 1: group here on the East Coast. There are what sounds 399 00:25:08,880 --> 00:25:11,840 Speaker 1: like hundreds of other groups around the world doing the 400 00:25:11,920 --> 00:25:18,359 Speaker 1: same thing. So a network of supernatural gatekeepers and literally, yeah, literally, 401 00:25:19,000 --> 00:25:22,080 Speaker 1: and sometimes that leads to stuff like the children of Tichiba, 402 00:25:22,160 --> 00:25:24,439 Speaker 1: people going rogue and trying to harness the power of 403 00:25:24,480 --> 00:25:27,360 Speaker 1: the fay Realm for themselves. Why is that even possible? 404 00:25:27,560 --> 00:25:30,479 Speaker 1: Peyton wasn't sure. She said there's a lot of magic 405 00:25:30,560 --> 00:25:33,600 Speaker 1: over there that we still don't understand, and maybe someone 406 00:25:33,680 --> 00:25:37,240 Speaker 1: could learn it, But she was pretty insistent on the 407 00:25:37,280 --> 00:25:39,800 Speaker 1: fact that the fae are not something to be controlled. 408 00:25:40,240 --> 00:25:42,439 Speaker 1: Did it seem like she was interested in learning that 409 00:25:42,520 --> 00:25:46,840 Speaker 1: magic herself. I don't think so. I think we can 410 00:25:46,840 --> 00:25:50,280 Speaker 1: trust her. She clearly has a lot of respect for 411 00:25:50,359 --> 00:25:52,920 Speaker 1: the other side. She doesn't think that she's more powerful 412 00:25:52,960 --> 00:25:55,359 Speaker 1: than it, or that she could try and harness it 413 00:25:55,400 --> 00:25:58,200 Speaker 1: in the way that the children wanted to. Well, respect 414 00:25:58,320 --> 00:26:00,560 Speaker 1: isn't all that far from reverend. I mean, when she 415 00:26:00,640 --> 00:26:03,439 Speaker 1: got rid of the sasquatch, she sent it back instead 416 00:26:03,440 --> 00:26:08,080 Speaker 1: of killing it, and always bugged me she has killed 417 00:26:08,119 --> 00:26:11,320 Speaker 1: monsters before, or well her dad did, I guess, but 418 00:26:11,840 --> 00:26:15,040 Speaker 1: she didn't seem bothered by that idea. I just want 419 00:26:15,119 --> 00:26:17,240 Speaker 1: us to be careful. Okay. It all feels a little 420 00:26:17,520 --> 00:26:20,600 Speaker 1: convenient that she showed up here. Why isn't she filling 421 00:26:20,600 --> 00:26:23,000 Speaker 1: in for Celeste? I mean that has to happen from 422 00:26:23,040 --> 00:26:25,920 Speaker 1: gathering group to gathering group, right. She said they don't 423 00:26:25,960 --> 00:26:29,159 Speaker 1: actually talk all that much, but that she knew something 424 00:26:29,320 --> 00:26:32,840 Speaker 1: was wrong up here. Yeah, And my question is how 425 00:26:33,600 --> 00:26:36,760 Speaker 1: it's not like Bridgewater went from having no paranormal sidings 426 00:26:36,760 --> 00:26:38,880 Speaker 1: to having a bunch of them. I mean, how would 427 00:26:38,920 --> 00:26:41,960 Speaker 1: she even know that things have gone wrong? Now? Celeste 428 00:26:42,000 --> 00:26:45,560 Speaker 1: always said she was attuned, right, Maybe they're taught to 429 00:26:45,600 --> 00:26:48,560 Speaker 1: connect to the veil somehow feel it when it tears 430 00:26:48,640 --> 00:26:51,399 Speaker 1: or gets thin. Well, that's what I'm worried about. That 431 00:26:51,520 --> 00:26:54,359 Speaker 1: sounds like magic to me. And if Peyton has learned 432 00:26:54,440 --> 00:26:57,119 Speaker 1: that a learned how to banish monsters back to the 433 00:26:57,119 --> 00:27:01,200 Speaker 1: other side. Then what else has she learned? What could 434 00:27:01,240 --> 00:27:03,960 Speaker 1: she be hiding from us? I see that finding out 435 00:27:03,960 --> 00:27:06,600 Speaker 1: about literal monsters that want to kill us has not 436 00:27:06,720 --> 00:27:10,159 Speaker 1: made you less suspicious of humans, Nana. I'm just saying 437 00:27:10,600 --> 00:27:15,879 Speaker 1: I think we should be careful. Yes, yes, yeah, Oh 438 00:27:15,920 --> 00:27:18,760 Speaker 1: that's Jeremy. They're done at the retirement home and headed 439 00:27:18,800 --> 00:27:23,199 Speaker 1: to my house. Ooof Okay, looks like it's time to 440 00:27:23,200 --> 00:27:32,720 Speaker 1: face the music. Hey, thanks her waiting for us. I 441 00:27:32,720 --> 00:27:34,520 Speaker 1: didn't think it was a great idea to just knock 442 00:27:34,560 --> 00:27:36,720 Speaker 1: on the door. Are you okay? You sure you want 443 00:27:36,720 --> 00:27:38,840 Speaker 1: to do this? I think it's a good idea for 444 00:27:38,920 --> 00:27:43,320 Speaker 1: us to stay somewhere else, And she's really willing. I 445 00:27:43,400 --> 00:27:46,720 Speaker 1: do want more time with her. Should I even be 446 00:27:46,880 --> 00:27:49,000 Speaker 1: here for this? I don't. I don't want to overwhelm Shelley. 447 00:27:49,320 --> 00:27:52,120 Speaker 1: I mean, she's already been told all the really life 448 00:27:52,119 --> 00:27:55,520 Speaker 1: shattering stuff, right, and it's not like she's never met you. Yeah, 449 00:27:55,560 --> 00:27:59,760 Speaker 1: but not as her brother. Okay, did you guys have 450 00:27:59,800 --> 00:28:02,919 Speaker 1: any luquidly Yeah? We actually were able to borrow an 451 00:28:02,920 --> 00:28:05,359 Speaker 1: old radio that he thinks he may have heard Alden 452 00:28:05,440 --> 00:28:09,920 Speaker 1: through back in this happenies. Really, that's awesome news. Yeah, 453 00:28:09,960 --> 00:28:12,400 Speaker 1: so we can try to communicate with the missing boy 454 00:28:12,440 --> 00:28:15,679 Speaker 1: from the nineteen forties through a radio after we have 455 00:28:15,840 --> 00:28:18,600 Speaker 1: this weird family reuning with my new half sister and 456 00:28:18,720 --> 00:28:23,400 Speaker 1: my dad. Dad. All right, this is gonna be fine. Yeah, yeah, yeah, yeah, 457 00:28:23,440 --> 00:28:27,520 Speaker 1: this is gonna be fun. Yeah. What are you waiting for? 458 00:28:28,040 --> 00:28:30,560 Speaker 1: I don't know. Should we knock? I have a key, 459 00:28:30,560 --> 00:28:31,960 Speaker 1: but I don't know if that's the right thing to do. 460 00:28:33,119 --> 00:28:37,120 Speaker 1: I live here. Oh my god, Hey Mom, we're home. 461 00:28:37,680 --> 00:28:46,160 Speaker 1: Oh oh great, you're all here, Jeremy. Yeah, well it's 462 00:28:49,760 --> 00:28:51,960 Speaker 1: you always said you wished you'd grown up with siblings. 463 00:28:52,240 --> 00:28:55,600 Speaker 1: That is very helpful. Thank you live. Someone had to 464 00:28:55,640 --> 00:29:00,760 Speaker 1: break the eyes, Shelley. I no, not ready to talk 465 00:29:00,760 --> 00:29:03,800 Speaker 1: to you yet. So I look, I understand that you 466 00:29:03,800 --> 00:29:06,480 Speaker 1: guys need a place to stay for god knows what reason, 467 00:29:06,640 --> 00:29:10,840 Speaker 1: But Nana's house is haunted. Uh wow. Just because we're 468 00:29:10,920 --> 00:29:14,480 Speaker 1: under one roof, it does not mean we're a family. 469 00:29:18,960 --> 00:29:21,920 Speaker 1: This episode of Bridgewater was written by Lauren Shippin and 470 00:29:22,040 --> 00:29:26,720 Speaker 1: directed by Brendan Patrick Hughes Assistant director Sarah Klein. Sound 471 00:29:26,720 --> 00:29:30,960 Speaker 1: designed by Vincent de Johnny Rima Ilkali, Josh Thane, and 472 00:29:31,080 --> 00:29:35,800 Speaker 1: Trevor Young, with music by Chad Lawson, starring Misha Collins 473 00:29:35,880 --> 00:29:40,720 Speaker 1: as Jeremy Bradshaw, Melissa Ponzio as Anne Becker, Alan Tudik 474 00:29:40,880 --> 00:29:45,960 Speaker 1: as Thomas Bradshaw, Karen Sony as Vipen Korana, Sabra May 475 00:29:46,280 --> 00:29:52,080 Speaker 1: as Olivia Haskins, Cheryl Umania as Officer Bautista, Will Wheaton 476 00:29:52,280 --> 00:29:57,240 Speaker 1: as Captain Haddock, Trisha Helper as the Legend Tripper, Stephen 477 00:29:57,360 --> 00:30:02,200 Speaker 1: Guarino as Doctor Edwards, to Me su Dembe as Peyton Blake, 478 00:30:02,720 --> 00:30:07,959 Speaker 1: Hilary Burton Morgan as Shelley Hoskins, Nicky McCauley as Celeste Than, 479 00:30:08,160 --> 00:30:12,719 Speaker 1: Victoria Grace as Katie Franks, with additional voice acting by 480 00:30:12,760 --> 00:30:17,920 Speaker 1: Greta Gould, Shelby Young, Adam O'Byrne Monte, Markham, Charlie Bergman, 481 00:30:18,160 --> 00:30:23,520 Speaker 1: and Teren Westbrook. Executive producers Aaron Manky, Misha Collins, Lauren Shippin, 482 00:30:23,800 --> 00:30:28,440 Speaker 1: Matt Frederick and Alexander Williams. Supervising producers Josh Thane and 483 00:30:28,600 --> 00:30:32,600 Speaker 1: Trevor Young. Bridgewater was created by me Aaron Mankey and 484 00:30:32,880 --> 00:30:35,440 Speaker 1: is a production of Grim and Mild and iHeart three 485 00:30:35,520 --> 00:30:38,280 Speaker 1: D Audio. Learn more about the show over at Grimm 486 00:30:38,360 --> 00:30:42,120 Speaker 1: andmild dot com Slash Bridgewater and find more podcasts from 487 00:30:42,120 --> 00:30:46,320 Speaker 1: iHeartRadio on the iHeartRadio app, Apple Podcasts, or wherever you 488 00:30:46,440 --> 00:30:51,040 Speaker 1: listen to your favorite shows, and as always, thanks for listening.