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Speaker 1: On the beck Doll Cast, the questions asked if movies

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Speaker 1: have women in them, are all their discussions just boyfriends

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Speaker 1: and husbands, or do they have individualism the patriarchy zef

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Speaker 1: invest start changing it with the Beckdel Casts. Hello, welcome

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Speaker 1: to the Betel Cast. My name is Jamie Loftus. My

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Speaker 1: name is Caitlin. Druntis is our podcast about the betrayal

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Speaker 1: of women in movies and how Hollywood fox it up

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Speaker 1: almost constantly. Caitlin language sorry early in the podcast. I've

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Speaker 1: read the reviews and they say we're vulgar and we

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Speaker 1: don't know what we're talking about. That's all. The review

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Speaker 1: is hooray, good lord. So if you want to not

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Speaker 1: have those b our only reviews, please write and review

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Speaker 1: us on iTunes. Hey. The Bechtel Test, if you don't

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Speaker 1: know what that is, is a media test created by

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Speaker 1: cartoonist Alison Bechdel, and it requires that a piece of media,

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Speaker 1: a movie perhaps, has two female identifying characters with names,

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Speaker 1: they must speak to each other, and their conversation connot

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Speaker 1: be about and yeah, do you think it'd be easy button?

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Speaker 1: Most movies, a lot of them don't, anyway, So we

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Speaker 1: use that as a as a way to kick off

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Speaker 1: a conversation about women in movies, and we're gonna do

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Speaker 1: that again today. We're the same thing every freaking time,

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Speaker 1: every fucking time. Over too funny, Jesus. Okay, So today

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Speaker 1: we're featuring an iconic duo that we've never featured on

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Speaker 1: this show before, and so it only seemed fitting that

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Speaker 1: we bring in an iconic duo to cover it with us. Yes, yes,

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Speaker 1: so without much further ado. Their panic, they're they're holding hands. Um.

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Speaker 1: They are comedians and they are the host of the

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Speaker 1: Seek Treatment podcasts on the Forever Dog Network. It's Katherine

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Speaker 1: Cohen and Pat Reagan. Oh my god, please only talking

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Speaker 1: union the entire episode? Can I say? That's on? One

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Speaker 1: day we were chatting with Catherine's abroad lover Sure Broad remember,

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Speaker 1: but we were both face timing him, and I brought

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Speaker 1: into apartment. She was facing him, so I started talking

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Speaker 1: and he was like, Hey, you guys talk alike. He's like,

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Speaker 1: you talk how she does. So you're reeling very strong.

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Speaker 1: I think I have a guess, fresh mat it. If

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Speaker 1: I tried to do like Australian accent, it comes out

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Speaker 1: as Japanese. I tried to do a British accent. It

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Speaker 1: comes out as Midwestern, like I trying to do any accent.

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Speaker 1: Besides like British or Southern. It sounds like a sim

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Speaker 1: like scorging dort. Wait, you guys have never had to

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Speaker 1: do it before. No, oh no we did. We had

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Speaker 1: one for Debs. We had a duo for Black Panther

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Speaker 1: was also there was a duo actually just made the

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Speaker 1: South or fifth time. But did you say that you

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Speaker 1: wanted to hear that. I wanted to hear the ones

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Speaker 1: that we've brought in that iconic to her. But you

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Speaker 1: know what, No, you're the first. Canonically you're the first

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Speaker 1: will reverse all the numbers and time. What's so crazy

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Speaker 1: about time is that we though we experience it literally, Um,

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Speaker 1: that's not how it exists. It's actually cyplical it Why

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Speaker 1: is it so long? Time? I'm trying to move through

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Speaker 1: some pain I'm experiencing, and it woc It's insane. I

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Speaker 1: feel like I've been alive for a million years and

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Speaker 1: I time I so long. But also what talks by

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Speaker 1: this time is also so short, Like I'll be I'll

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Speaker 1: be kind of lying. They're looking at the ceiling all

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Speaker 1: the time. I'm not even getting it sixteen hours later

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Speaker 1: looking at me. Sometimes the day starts and we're like,

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Speaker 1: it's already three. But thank you guys for having us

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Speaker 1: as the point. Oh my god, you're so welcome. So

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Speaker 1: we're talking to you about the movie. It takes two.

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Speaker 1: What is the both of your history your relationship with

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Speaker 1: this it's American American actually big screen Steve Guttenberg, Wetton shirtless,

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Speaker 1: Curciale halez new I have we have one question before

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Speaker 1: we started, and we're gonna ask you guys this question,

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Speaker 1: and you need answer honestly, and I don't look it up.

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Speaker 1: How old do you think Ali is today? Right now?

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Speaker 1: So I can answer? But isn't it crazy? I don't know.

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Speaker 1: Can I guess yes today today as we sit in

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Speaker 1: this podcast studio, I would guess sixty three sixty eight years.

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Speaker 1: That's more what I thought. But she didn't start doing

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Speaker 1: like acting until she was like thirty. For me, broke

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Speaker 1: am No, I would like to say, to bring it

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Speaker 1: back to the point of the podcast. Um, thank you

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Speaker 1: so much. It takes two. Now, Mary Kate and asturally

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Speaker 1: raised me there, raised you to an extent. Yeah, okay,

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Speaker 1: not only did they raised me, they invented me. Okay,

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Speaker 1: Holiday in the Sun, Passport to Paris. I thought, when

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Speaker 1: I go on a vacation, I'm going to get kissed.

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Speaker 1: It wouldn't be years later, ten years even before I

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Speaker 1: did get kissed upon first to Paris. But I come

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Speaker 1: to it takes two and this is sort of this

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Speaker 1: was in theaters. Am I right? Yes? Se Gutenberg, who

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Speaker 1: invented the print press, who invented jeans. She's like, I

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Speaker 1: picture her like, she's amazing hair. She invented a certain

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Speaker 1: kind of hair. She has credit for the most specific

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Speaker 1: mom hairstyle. Beautiful. My experience on the movie is that

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Speaker 1: it taught me that I like sloppy Joes. So you

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Speaker 1: grew up with this movie, Katherine, you saw it a

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Speaker 1: bunch kind of thing. Okay, Pat, what about you? My

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Speaker 1: relationship was I, like, I like one best friend. Growing up.

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Speaker 1: We would have severatch movies and we would watch like

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Speaker 1: Roman Mitchell's High School Union, or like It Takes Two

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Speaker 1: recent episode of Ours. Yeah, totally great film. That movie. Literally,

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Speaker 1: it's what I watched when I want a quite comedy.

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Speaker 1: Every single day I Watvie. So I watched that movie

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Speaker 1: every single day. But that is such a specific vibe

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Speaker 1: movie when you're just ready to quit. Yeah, but so

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Speaker 1: we loved it Takes two. For some reason, I remember

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Speaker 1: going to Blockbuster and getting it. There's just certain lines

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Speaker 1: of it that I've always remembered, Like I've always remembered

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Speaker 1: the part where the social workers going taking took away

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Speaker 1: one of them and she runs into the office and

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Speaker 1: they're like, what do you want us to do? Lie

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Speaker 1: down in front of the van, and she's like, I

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Speaker 1: would have actually the funk down. Um, you have a

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Speaker 1: crush on that adoption guy. I have a crushed on

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Speaker 1: the main guy. I have a crush on the camp

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Speaker 1: like Jim Teacher or whatever. And I have a crush

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Speaker 1: on the abusive adoptive. It was. I wrote that down

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Speaker 1: and then I looked I looked him up. I was like, oh,

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Speaker 1: he was young when he did that. He's like twenty

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Speaker 1: five years old. And that I was like, hello, you called,

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Speaker 1: I said, I was like, he's really young. I also

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Speaker 1: was like the butt kisses the couple Like, I was

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Speaker 1: like they you can tell that couple was like that,

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Speaker 1: that duo just like it was a cracking up the

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Speaker 1: crew on set and I got back the photo and like, oh,

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Speaker 1: this isn't that great? But whatever? Um? But I was

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Speaker 1: of love like Maryka and actually like obviously watchful hospital.

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Speaker 1: Then I watched like um on ABC Family there was

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Speaker 1: Little Time No not that was but adventures no adventures,

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Speaker 1: no no, no no, no stops up to be kind

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Speaker 1: to so many shots because there was the Adventures of

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Speaker 1: Mary Kay and Nashally too. What's that that was? Like?

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Speaker 1: That might have been like a video we Save any

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Speaker 1: Crime by Dinner Time? Yes, yes that was, yes, the

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Speaker 1: Haunted episode where the beekeepers, Oh my god, an incredible episodes. Second,

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Speaker 1: but I always remember a moment in an episode of

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Speaker 1: was what you just said? So Little Time where one

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Speaker 1: of them gets addicted to massages at the coffee She

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Speaker 1: can't stop getting massages. That's me, Like six, I got

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Speaker 1: a massage in public at Bonaru thank you, and I

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Speaker 1: was like, this is turned bad to get fully massage

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Speaker 1: will laying done in public? It's something you shouldn't. You've

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Speaker 1: gone all the way up to the line. I don't

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Speaker 1: like massages. Professional were like they were they think it's

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Speaker 1: like they hurt, but yeah, like you and your sex partner,

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Speaker 1: like if it's like a sex. One of my favorite

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Speaker 1: kinds of porn is massage porn, That's true. It's a

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Speaker 1: whole category of gay porn where it's like a guy's

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Speaker 1: going into a sports massage and like he's just like

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Speaker 1: a college football player, and then like the guy starts

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Speaker 1: like paying a lot of attention to the ass in there,

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Speaker 1: and they like totally not to take a dick up

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Speaker 1: his ask. But it's perfectly wax. So it takes two.

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Speaker 1: So Steve Guenberg does look sexy. Oh my god, he's

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Speaker 1: got a very square mill his shoulders. He looks like

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Speaker 1: six different people, let's name them the guy from Cone

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Speaker 1: trying to kids. He also does, I mean hunky, a

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Speaker 1: little bit like Billy Crystal, like Dennis Quaid, but only

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Speaker 1: because this movie is the parent Trap. Yeah, it is.

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Speaker 1: The movie is the parent Trap. And he kind of intector,

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Speaker 1: saying it's also a Princeton and Paper. It's not. Actually

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Speaker 1: you've read whatever you know. I believe you need to

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Speaker 1: for one second get over the fact that I was

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Speaker 1: an English minor near a book. Jamie. What's your history

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Speaker 1: with the movie. Um, I saw it when I was

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Speaker 1: really for some reason, my household was not a Mary

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Speaker 1: Kate Nashley household. I think my mom did not care

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Speaker 1: for them. But my best friend Lindsay growing up had

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Speaker 1: a very Mary Kay Nashurally household. So all my memories

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Speaker 1: with them are like tied to like hanging out with

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Speaker 1: her and like we would go I would go over

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Speaker 1: and we would watch as many as possible before I

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Speaker 1: would have to go home. So I'm talking the sleepover tapes,

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Speaker 1: talking the mystery tapes and talking it takes two password

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Speaker 1: to Paris. Billboard Dad my personal favorite, and this one,

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Speaker 1: this is not my favorite one, but it's you know,

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Speaker 1: I love. I think that this is the only one

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Speaker 1: that was like in theaters like until until New York

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Speaker 1: minute many years. O loved New York. Jean Levy on

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Speaker 1: the cover. Also, Jared Palecki is in that movie, and

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Speaker 1: who is that? To me? He is he is from

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Speaker 1: a cultural blind. I'm actually so passionate about this. Dean

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Speaker 1: isn't hot. I don't think he's hot either, but he

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Speaker 1: is irrefutably in that movie. We can't take that from him.

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Speaker 1: I had never seen this movie. I have never seen

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Speaker 1: any Mary Kate n Ashley Olson movie. Wait what you're

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Speaker 1: like the perfect? Aren't you like the same? I'm the

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Speaker 1: I am a month older than them. Are I am

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Speaker 1: actually the third Olson triplet. I just came out a

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Speaker 1: month premature. You know, we're like almost the exact same age.

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Speaker 1: But I don't know. I watched Full House when I

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Speaker 1: was a kid, but I did not engage in any

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Speaker 1: of their film works. But yeah, so I hadn't seen

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Speaker 1: this movie, but I had seen The Parent Trap a

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Speaker 1: million times as a kid. But the Parent Trap came

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Speaker 1: out Lisa Lindsay Lohan one came up three years after

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Speaker 1: It Takes two, so it's hard to tell how much

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Speaker 1: this movie was from. But those Parents Shop was based

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Speaker 1: on the previous right, so it's hard to say how

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Speaker 1: much It Takes Two pulled from the original Parent Trap

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Speaker 1: from like the sixties. What I think happened is they

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Speaker 1: were like, um, and I was, and I wasn't. There

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Speaker 1: wasn't in on these meetings, but right. But I think

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Speaker 1: happened is they were like, this is like the height

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Speaker 1: of of M K and A. And they were like,

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Speaker 1: we need a vehicle for these young girls and theaters.

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Speaker 1: And they were like, well, what can we do? They

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Speaker 1: are twins. They got a Brooklyn accent, and they got

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Speaker 1: us from gently British accent. The British accent comes and

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Speaker 1: goes the party daddy. She's just got good diction and

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Speaker 1: that's British for her. But I think that like they

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Speaker 1: were just like wanting to do a twenty thing and

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Speaker 1: then they're like, well we could do parent trap this stuff,

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Speaker 1: and they're like then they just cut anything that was

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Speaker 1: like difficult plot wise. They're like, let's not make the

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Speaker 1: actual twin like that, Let's just make the magetical changers.

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Speaker 1: And like I think they which I've seen that documentary

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Speaker 1: Three Identical Strangers and it turns out that they were triplets,

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Speaker 1: they were biologically related. It's so crazy that they're just like, yeah,

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Speaker 1: they just happened to look exactly alike. I thought that

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Speaker 1: was really funny. That was like my favorite like weird,

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Speaker 1: confusing plot thing in this movie was that they look

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Speaker 1: like I rewound it to be like, wait a second,

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Speaker 1: is there a moment where like the parents like what

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Speaker 1: sisteresn't you know? The thing tween? Like, oh my god,

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Speaker 1: and so good. But also I love Kirstie's reaction when

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Speaker 1: the butler comes and she like finds out that they're

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Speaker 1: looking exactly like and she's just like that's amazing. Is

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Speaker 1: it amazing. I don't know, he's a social worker, like you,

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Speaker 1: like it seems like you would be the person to

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Speaker 1: be looking into this. She's you know, she's not particular.

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Speaker 1: I mean she I guess she's sort of good at

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Speaker 1: her job. She spends a lot of your time at camp.

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Speaker 1: She has good at her job because she's trying to adopt,

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Speaker 1: Like what are the ethics of her trying to adopt

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Speaker 1: only a single one of these kids that she It's

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Speaker 1: messed up. It is gosh, it is I like that

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Speaker 1: part though in Kirsty, I mean we can we can

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Speaker 1: hit it. In the there's a part where she's in

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Speaker 1: this like Stevie next Black Billowy things. She's walking through

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Speaker 1: the woods. She's like, do I love Steve Gutenberg or not?

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Speaker 1: That was my favorite. Her clothes are so big, Yeah,

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Speaker 1: so big. There. I feel like there's like this whole

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Speaker 1: narrative with like Kirsty Alley's like body where like when

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Speaker 1: she's in her forties, because she's in her forties in

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Speaker 1: this movie, and there's like, you know how like Kirsty

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Speaker 1: Alley she was representative for like Jenny Craig forever and

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Speaker 1: actress and like everyone gave her ship about her weight forever,

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Speaker 1: and I think this is around the time where that starts,

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Speaker 1: because the way she's cost him just like kind of

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Speaker 1: bizarre sometimes where she's like put in these like billowy

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Speaker 1: boxy like you're you're not really supposed to be seeing

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Speaker 1: your body, I don't know, a cinched waist on cheers,

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Speaker 1: like like shoulder pads and cinched waist. And then yeah,

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Speaker 1: she was this the polar opposite direction. But I think

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Speaker 1: that like there was like one scene where she was

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Speaker 1: like the high waisted jean. Yes, was that the food

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Speaker 1: food fight scene? No, because she's wearing like a really

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Speaker 1: like size. Yeah. Yeah, it's like she's a kittie. She's

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Speaker 1: a camp to have some fun. Were you so many

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Speaker 1: sweaters at cantel summer? It's summer? Just kiss me off.

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Speaker 1: In movies where there's kids at camp, they're always wearing

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Speaker 1: like flannels. I'm like, it's hot. They probably shot it

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Speaker 1: in November. They're like, it's some stop romanticizing flannel. Okay,

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Speaker 1: So I'll do the recap really quickly of this story

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Speaker 1: and then we'll get into the discussion. Okay, So we

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Speaker 1: meet this little girl named Amanda. She's a tomboy. She's

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Speaker 1: playing baby I'm Walking and she lives at like an

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Speaker 1: orphanage of sorts. And then Diane, which is Kirsty's character,

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Speaker 1: is trying to help find a family to adopt her.

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Speaker 1: So that's her exposition. But I think it's interesting that

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Speaker 1: she has to interview, like it's a job, got to

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Speaker 1: come to your interview for your parents. But I'm just

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Speaker 1: surprised that they make orphans interview for that. I also

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Speaker 1: like the like, right off the bat, she leans out

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Speaker 1: the window and immediately like threatens one of the sweet

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Speaker 1: little girl. She's like, I'm gonna kill you. You're gonna

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Speaker 1: get into the k I said, I'll kill you if

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Speaker 1: you were dressed to play ball. And then the Brooklyn

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Speaker 1: twent is like which they live in the East Side

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Speaker 1: of Manhattan. They re beall but like they is like what,

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Speaker 1: I ain't gonna hurt it or nothing. She's scrappy. She's

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Speaker 1: very scrappy. But in direct contrast to scrappy Amanda, there's

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Speaker 1: Alissa Callaway who looks the exact same as Amanda, but

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Speaker 1: she's a different person and she's rich and she plays

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Speaker 1: the piano and she gets off this private jet. She's

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Speaker 1: sort of British, even though her parents is not British

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Speaker 1: and she doesn't live in England. She has this weird

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Speaker 1: like ash like, I still love hats. I feel like

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Speaker 1: the personality is it's like it's like and this is

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Speaker 1: a classic Alson twin device. It's like it's like a

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Speaker 1: brim hat with the front from like bent up in

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Speaker 1: the Sunflower on it classics twins. They also the backwards

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Speaker 1: baseball cat depending on what their characters, Calton is always

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Speaker 1: well back on, like two sisters are a polar like

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Speaker 1: they were. One loves sports, but one love's fashion. One's

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Speaker 1: more like a boy and one's more like well, Mary

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Speaker 1: kid's always a sporty one, right, and then Ashley is

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Speaker 1: always like more fim, I never pay attention to who

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Speaker 1: to who plays, which, well, that's true and you should

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Speaker 1: be for some reason that it's very important to me.

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Speaker 1: I missed the Olsen Twins, like we were saying, I

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Speaker 1: just had this. We just had this conversation where I

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Speaker 1: was doing them frantics. We were like, are they like,

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Speaker 1: how are they doing that? Are they doing well? And

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Speaker 1: I said, it's the kind of thing where it's like

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Speaker 1: it does it don't seems like they're not doing well.

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Speaker 1: But if you say that, if you ever like say

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Speaker 1: something about the Olden Twins, the other persons like they're

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Speaker 1: actually doing amazing. So what are you finding about? Okay,

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Speaker 1: So are like they have a bunch of like fashion lines. Yeah,

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Speaker 1: but that's what everyone says. They're like, well, they're doing

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Speaker 1: fashion now. And then their other sister who looks also

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Speaker 1: exactly like them. Yeah, yeah, and she's in like the

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Speaker 1: Avengers movies. I want some movie where she was. It's

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Speaker 1: called Liberal Arts with Ted mose B from How Your

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Speaker 1: Mother Seen It. Okay, so back to the story. So

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Speaker 1: there are these two girls who look identical, but you

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Speaker 1: know they come from different walks of life. And then

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Speaker 1: Alyssa meets she like meets up with her father, who

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Speaker 1: Steve Goods, does not show up to Alyssa's private jet,

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Speaker 1: very rude. The butler shows up to the private jet, right,

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Speaker 1: but there's no handshake like in right but a butler

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Speaker 1: kind of raising a child. And I think, like this

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Speaker 1: whole movie makes if I'm ever rich, God for bed,

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Speaker 1: I want to be like the kind of rich people

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Speaker 1: are in like mid nineties movies, or you for sure

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Speaker 1: have like a house of like kind of like servants

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Speaker 1: that are just like walking on with potters butlers. We

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Speaker 1: need platters, we need a circular tiveway, we need like

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Speaker 1: indoor pool. I'm gonna get I'm gonna get legally married

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Speaker 1: to like the bitchy woman who's like the stepmom and

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Speaker 1: all these movies, Like I'm going to have that white

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Speaker 1: for sure in this movie. Her name is Clarisse Kensington Larise.

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Speaker 1: So Elyssa meets her and she's like, who's this woman?

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Speaker 1: She's engaged to Steve Guttenberg's character, but she doesn't know

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Speaker 1: that yet. How do we think they met? Yeah, they

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Speaker 1: do not say they only met like a fundraising event.

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Speaker 1: Because she says, this is where I feel like the

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Speaker 1: it does a little better than the parent Trap because

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Speaker 1: she's like she's supposed to be like a climbing socialite

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Speaker 1: or whatever. But then Meredith and the parent Trap has

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Speaker 1: a job and is super successful, but it's just like

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Speaker 1: trying to marry him anyways. I was like, but it

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Speaker 1: seems like you're fine anyways, lady. I mean, she's just

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Speaker 1: kind of like she's like a socialite cartoon right something.

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Speaker 1: These characters are ever well, doesn't got the big shells.

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Speaker 1: I do think she looks stunning. In the engagement party scene,

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Speaker 1: she's wearing the green dress like her like necklace and

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Speaker 1: earrings are really nice. I was like, howd romantic feeling

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Speaker 1: stars Jewish friend comes up and I'm like, that's me.

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Speaker 1: I did book that role. So Alyssa gets upset that

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Speaker 1: Clarissa is so mean, and she finds out that she's

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Speaker 1: getting married to her father, so she's like, I'm running away. Meanwhile,

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Speaker 1: Amanda is going to summer camp on the same lake

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Speaker 1: that this like giant estate where Listen now lives, and

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Speaker 1: like Steve Guttenberg's dead wife started the camp. We never

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Speaker 1: learned her name, We never learned anything except died. During

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Speaker 1: child person the scene because they were yelling over the

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Speaker 1: cafeteria and he's like, my wife died. Alyssa was born,

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Speaker 1: and I was like, my daughter killed my wife. That

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Speaker 1: scene is so wild, like the way that's delivered, because

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Speaker 1: after he said, he's like, she died giving birth to Alyssa,

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Speaker 1: and Kirsty Alli just like wins this and it's like,

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Speaker 1: oh sorry, and then they continue the the whole point

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Speaker 1: of that. It's like for Kirsty Ally's characters in her

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Speaker 1: head was like, oh your single. Yeah, it's like a

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Speaker 1: weird flirty moment of learning that someone's wife has been

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Speaker 1: dead for ten years. Perhaps they're single. Oh god, Okay.

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Speaker 1: So then so Amanda is with like all of her

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Speaker 1: camp friends and they dare her to ring the doorbell

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Speaker 1: of this huge house because they're like, it's haunted, so

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Speaker 1: like ring the doorbell. So she does, and then Vincenzo

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Speaker 1: the butler, opens the door and he sees Amanda and

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Speaker 1: thinks it's Alyssa because again they are identical strangers, so

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Speaker 1: he brings her butler. And then Diane finds Alyssa, who

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Speaker 1: would run away to like a hundred yards away. Uh.

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Speaker 1: So she's like, hey, Amanda, and then she brings Alyssa

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Speaker 1: thinking it's Amanda back to the camp and there's a

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Speaker 1: football game that makes Alyssa run back into the woods

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Speaker 1: just as Amanda is running away from the house. And

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Speaker 1: then then they bump into each other strangers again. Yes,

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Speaker 1: so there's like an extra step that doesn't need to

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Speaker 1: be there. They could have just like yeah. But then

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Speaker 1: I feel like the movie seemed like an end of Votus,

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Speaker 1: you know. I was like, oh, they had to shut

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Speaker 1: this out, so they decide to switch places. And why

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Speaker 1: do they decide to switch places? So Amanda is going

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Speaker 1: to pretend to be Alyssa because she's so good at

385
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Speaker 1: scaring off parents because she's an orphan and no one

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Speaker 1: wants to adopt her. Got it? But then it's not

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Speaker 1: clear why Alyssa wants to go to the camp and

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Speaker 1: pretend to be Amanda. Yeah, I think it's kind of

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Speaker 1: like a grass is always creen no situation because they

390
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Speaker 1: did set up a lot, like neither of them are

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Speaker 1: like happy in their lives and like one it's always

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Speaker 1: like I want. I think that they were both like

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Speaker 1: like the one wanted like parents and the other one

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Speaker 1: was like, oh my god, it's really it's like what's

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Speaker 1: it like to have friends? So when they reunite the

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Speaker 1: next day, Amanda is like Clarice has gone, but only

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Speaker 1: for a week. And then Alyssa's like ship like too bad,

398
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Speaker 1: Diane can't be my mom because they had like bonded

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Speaker 1: with each other. So they get the idea and all

400
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Speaker 1: of her It's like the Chessie of this. I like

401
00:22:30,920 --> 00:22:33,399
Speaker 1: the Chessie gets to really shine and it gets to

402
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Speaker 1: be the romantic interest finally, right mid forties romantically, Chris

403
00:22:39,160 --> 00:22:45,040
Speaker 1: comes through, so then they get the idea to have

404
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Speaker 1: Diane try to meet Steve Guttenberg in the hopes that

405
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Speaker 1: they will fall in love. So they orchestrate this whole

406
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Speaker 1: like horse riding encounter. Steveberg's horse outfit is off the

407
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Speaker 1: chart is a quest tree and where the gloves don't

408
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Speaker 1: forget the moment where he is writing with one of

409
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Speaker 1: the girls. I don't remember which one it is, but

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Speaker 1: he says something like he asks her a question and

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Speaker 1: then she responds with are you asking me in a questrian?

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Speaker 1: It's meant to be a play on words, but it's

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Speaker 1: we have the l I guess it's an attempted a joke.

414
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Speaker 1: He did look so hot in his like writing off

415
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Speaker 1: when he was I was like cool. I think this

416
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Speaker 1: movie is actually really cool. So so Diane and Steve

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Speaker 1: Gutenberg's character, which do we know his name? Roger Rogers

418
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Speaker 1: actually Steenberg. So Diana and Roger and me and Steve

419
00:23:52,920 --> 00:23:56,359
Speaker 1: do you Steve Guenberg's character take closer to be your wife?

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Speaker 1: Steve Guenberg also even years younger than Kirstiality radical. I

421
00:24:03,200 --> 00:24:10,840
Speaker 1: love that this movie is political. Okay, So so Roger

422
00:24:10,960 --> 00:24:13,440
Speaker 1: and Diane. They meet and the sparks are flying. They

423
00:24:13,520 --> 00:24:18,280
Speaker 1: are very interested in rebbed up from riding those fucking horses. Yeah,

424
00:24:18,400 --> 00:24:32,200
Speaker 1: there's one is coming. She's bouncing everything I'm about. There's

425
00:24:32,240 --> 00:24:34,919
Speaker 1: a lot of there's like a lot of chemistry between

426
00:24:35,000 --> 00:24:37,200
Speaker 1: them too. I was like, because usually with these movies,

427
00:24:37,240 --> 00:24:38,879
Speaker 1: you're just like, yeah, that was no way. But I

428
00:24:38,960 --> 00:24:40,560
Speaker 1: was like, man, I could, I could. I would watch

429
00:24:40,640 --> 00:24:47,520
Speaker 1: the Yeah, oh my god, I'm so horny lately. So

430
00:24:47,920 --> 00:24:50,240
Speaker 1: then they hang out at camp a little bit. There's

431
00:24:50,280 --> 00:24:53,040
Speaker 1: this big food fight. They almost kiss, but then they

432
00:24:53,080 --> 00:24:56,040
Speaker 1: get interrupted. Is it usually happens because they can't kiss?

433
00:24:57,040 --> 00:24:59,600
Speaker 1: Oh my god? But no, isn't that scene interrupted by

434
00:24:59,680 --> 00:25:04,720
Speaker 1: the loose golden telescope? Well, yeah, the canoes fall over

435
00:25:04,840 --> 00:25:09,000
Speaker 1: because that's where the two girls are hiding, but Vincenzo

436
00:25:09,240 --> 00:25:12,800
Speaker 1: is actively spying on him and the golden tell us Yeah,

437
00:25:12,920 --> 00:25:15,760
Speaker 1: but then he leaves the room and then Clarice comes

438
00:25:15,920 --> 00:25:19,480
Speaker 1: back like way early and then looks into the telescope

439
00:25:19,520 --> 00:25:21,800
Speaker 1: and sees them flirting. So then she's like, fuck, let's

440
00:25:21,960 --> 00:25:26,439
Speaker 1: got a wedding. The golden telescope is my new favorite

441
00:25:26,440 --> 00:25:29,160
Speaker 1: plot device. I wanted to be in every movie because

442
00:25:29,480 --> 00:25:32,040
Speaker 1: that cuts off him watching through the Golden telescope. I

443
00:25:32,119 --> 00:25:36,080
Speaker 1: like panicked in my hand because he's saying as he's

444
00:25:36,119 --> 00:25:40,240
Speaker 1: watching through the telescope at Kirsty Alley and Steve Guttenberg

445
00:25:40,520 --> 00:25:43,879
Speaker 1: flirting a whole lake away. So it's like, it's a

446
00:25:43,960 --> 00:25:47,120
Speaker 1: it's a nice telescope. They're very wealthy, uh, And he goes,

447
00:25:48,240 --> 00:25:51,840
Speaker 1: that's more like it. And then he turns and faith

448
00:25:51,920 --> 00:25:53,960
Speaker 1: and then and then she looks in the sheet and

449
00:25:54,040 --> 00:25:56,119
Speaker 1: then she sees, yeah, so that's why she's like, I

450
00:25:56,200 --> 00:25:59,359
Speaker 1: gotta bump up this wedding, gotta trap this man a sap.

451
00:26:00,119 --> 00:26:02,880
Speaker 1: And then she's trying to send Amanda, who she thinks

452
00:26:02,960 --> 00:26:06,920
Speaker 1: is Alyssa, away to boarding school. And while that's all happening, Alyssa,

453
00:26:07,400 --> 00:26:10,080
Speaker 1: who the can't people think is Amanda is being adopted

454
00:26:10,119 --> 00:26:12,720
Speaker 1: by that lame couple from the beginning who basically just

455
00:26:12,840 --> 00:26:15,720
Speaker 1: like put her to work into a junkyard, which is

456
00:26:15,840 --> 00:26:20,240
Speaker 1: like I thought that was like unnecessarily like real, they're

457
00:26:20,320 --> 00:26:22,960
Speaker 1: just like, oh yeah, and let's also like shed some

458
00:26:23,119 --> 00:26:26,080
Speaker 1: light on the harsh adoptive practices. And I was like,

459
00:26:26,359 --> 00:26:29,639
Speaker 1: this is not the movie to be but it's like

460
00:26:29,640 --> 00:26:32,480
Speaker 1: a bunch of kids and like they're working in a scrapyard. Yeah,

461
00:26:32,760 --> 00:26:35,399
Speaker 1: and Kirsty comes and she's like, I'm going to report

462
00:26:35,400 --> 00:26:42,320
Speaker 1: your social services after I get my man. And they

463
00:26:42,400 --> 00:26:45,119
Speaker 1: made the kids seem so mean and on the adoptive

464
00:26:45,160 --> 00:26:48,159
Speaker 1: father's side and they're just like you think you're richy

465
00:26:48,359 --> 00:26:51,639
Speaker 1: fucking idiot, and the rich kid is saved and all

466
00:26:51,720 --> 00:26:54,240
Speaker 1: the poor kids stuck in the adoptive system are left

467
00:26:54,320 --> 00:26:57,680
Speaker 1: to right. It's like, wow, really inspiring message. Good job.

468
00:26:58,240 --> 00:27:03,560
Speaker 1: But then yeah, Diane goes to rescue Alyssa and then mean, yeah,

469
00:27:03,920 --> 00:27:07,080
Speaker 1: Amanda's stalling the wedding, and then the two of them

470
00:27:07,119 --> 00:27:10,720
Speaker 1: are there because it takes two baby to stop the wedding,

471
00:27:10,960 --> 00:27:14,800
Speaker 1: which works, and then Roger ends up with Diane and

472
00:27:14,880 --> 00:27:17,240
Speaker 1: then they finally get to kiss, and then I guess

473
00:27:17,320 --> 00:27:21,520
Speaker 1: they're all together as a family because Diana adopts Amanda.

474
00:27:21,600 --> 00:27:26,160
Speaker 1: Is that what happen? Also a line in the beginning

475
00:27:26,200 --> 00:27:28,840
Speaker 1: of the movie where like the poor one was like,

476
00:27:28,920 --> 00:27:30,560
Speaker 1: won't you just stop me, Diana? And I was like,

477
00:27:30,680 --> 00:27:32,440
Speaker 1: you know that they won't let me adopt you because

478
00:27:32,640 --> 00:27:35,600
Speaker 1: on my salary, plus I don't have a husband. That

479
00:27:37,160 --> 00:27:39,600
Speaker 1: I did not catch that that is like one of

480
00:27:39,720 --> 00:27:45,800
Speaker 1: the wilder, more like points that comes up multiple points

481
00:27:45,840 --> 00:27:47,680
Speaker 1: in the movie. And there's even one point where she's

482
00:27:47,720 --> 00:27:50,160
Speaker 1: trying to adopt Amanda and then they're like they laughed

483
00:27:50,200 --> 00:27:52,359
Speaker 1: at me because I don't have a husband, and he

484
00:27:52,480 --> 00:27:54,440
Speaker 1: was just like this is and then you're and then

485
00:27:54,440 --> 00:27:57,159
Speaker 1: I'm like, maybe I knew she likes Steve Gutenberg, but

486
00:27:57,240 --> 00:27:59,160
Speaker 1: he could be a means to an end to get

487
00:27:59,160 --> 00:28:00,760
Speaker 1: her to be able to adopt this, because yeah, I

488
00:28:00,760 --> 00:28:02,080
Speaker 1: think that was also a point, was like, now it

489
00:28:02,119 --> 00:28:03,560
Speaker 1: could be a family because I have a husband who's

490
00:28:03,600 --> 00:28:05,680
Speaker 1: ritch and they'll let me adopt you, and he's so bleak.

491
00:28:06,320 --> 00:28:08,480
Speaker 1: Let's talk more about that right after we take this

492
00:28:08,680 --> 00:28:17,119
Speaker 1: break and we're back. Do you guys didn't have anyone

493
00:28:17,160 --> 00:28:19,240
Speaker 1: you can set me up with while I'm here they're

494
00:28:19,320 --> 00:28:21,480
Speaker 1: in Los Angeles. Yeah, I want if you're trying to

495
00:28:21,520 --> 00:28:25,080
Speaker 1: adopt a child, then you need a husband. Yeah, if

496
00:28:25,160 --> 00:28:26,800
Speaker 1: you have a ten year old you're trying to adopt,

497
00:28:26,800 --> 00:28:30,560
Speaker 1: we know a number of very wealthy Guttenberg types, perfect

498
00:28:30,960 --> 00:28:33,040
Speaker 1: love to. My other favorite line in the movie was

499
00:28:33,359 --> 00:28:35,639
Speaker 1: when Cursy was like, wow, you're so rich, Like you

500
00:28:35,760 --> 00:28:38,520
Speaker 1: must be amazing, and these and the guys like it

501
00:28:38,680 --> 00:28:41,480
Speaker 1: was just dumb luck getting rich. I only invented cellphones?

502
00:28:42,600 --> 00:28:46,720
Speaker 1: Is that what he says he invented that's like a

503
00:28:46,800 --> 00:28:49,880
Speaker 1: brilliant and like kind of society changing invention that. But

504
00:28:50,000 --> 00:28:51,920
Speaker 1: I did see that. I'm like, oh, he's humble, Like

505
00:28:53,160 --> 00:28:55,520
Speaker 1: he's like, I stole the idea from Star Trek and

506
00:28:55,720 --> 00:28:59,280
Speaker 1: now I'm a billion um. Start checking invented cell phones.

507
00:28:59,400 --> 00:29:02,320
Speaker 1: The main country the way for me was Melissa's cannopy bed.

508
00:29:02,400 --> 00:29:04,760
Speaker 1: That's the bed I have always wanted and still want. Yes,

509
00:29:05,520 --> 00:29:07,200
Speaker 1: But also my favorite part of the movie was when

510
00:29:07,200 --> 00:29:10,000
Speaker 1: they stopped the wedding and like Clarius is mortified and

511
00:29:10,280 --> 00:29:14,280
Speaker 1: she goes to hit in front of thousand people. She

512
00:29:14,360 --> 00:29:16,320
Speaker 1: goes to hit the kid and then like, but I

513
00:29:16,440 --> 00:29:19,040
Speaker 1: was like, if you hit that kid, I'll punch you. Yeah.

514
00:29:19,120 --> 00:29:20,640
Speaker 1: He's like I will beat the ship out of it.

515
00:29:20,720 --> 00:29:23,200
Speaker 1: And then we're and then we're like wow, Butler like

516
00:29:23,880 --> 00:29:27,840
Speaker 1: go off incredible, and then she walks down the aisle

517
00:29:27,880 --> 00:29:30,760
Speaker 1: and threatens to hit the second kid and says back off,

518
00:29:30,920 --> 00:29:34,360
Speaker 1: Barbie right right. My friend thought that the funniest line

519
00:29:34,400 --> 00:29:38,560
Speaker 1: of all times so many times. And then she's like,

520
00:29:38,680 --> 00:29:40,920
Speaker 1: I've never been more humiliated in my life. And then

521
00:29:40,960 --> 00:29:42,840
Speaker 1: one of the kids goes want a bed and then

522
00:29:43,000 --> 00:29:46,480
Speaker 1: rips her skirt off. She has to run away with

523
00:29:48,480 --> 00:29:52,600
Speaker 1: I mean, like, we mean you do feel bad for

524
00:29:52,680 --> 00:29:56,160
Speaker 1: her when sure, but he says, no, I love the

525
00:29:56,200 --> 00:29:59,560
Speaker 1: idea of just anytime you're humiliating, humiliated, yelling I've never

526
00:29:59,600 --> 00:30:02,680
Speaker 1: been related in my entire life at the top of

527
00:30:02,720 --> 00:30:05,400
Speaker 1: your lungs. So wait to go back to what we

528
00:30:05,480 --> 00:30:08,400
Speaker 1: were touching on a little bit. Ago is like, there's

529
00:30:08,440 --> 00:30:11,120
Speaker 1: this idea that's in this movie. It's in the Lindsay

530
00:30:11,160 --> 00:30:14,160
Speaker 1: Lohan Parent Trap, but it's this idea that like a

531
00:30:14,360 --> 00:30:20,040
Speaker 1: kid needs a mother and a father's nuclear the mother,

532
00:30:20,320 --> 00:30:27,240
Speaker 1: a father and one gay butler who's canotically straight, because

533
00:30:27,240 --> 00:30:30,600
Speaker 1: like Amanda wants Diane to adopt her, and like Diane again,

534
00:30:30,840 --> 00:30:33,640
Speaker 1: the ethics of this is crazy. When she's like, yeah,

535
00:30:33,680 --> 00:30:35,800
Speaker 1: I want to adopt you too. Yes, I run an

536
00:30:35,920 --> 00:30:39,000
Speaker 1: orphanage full of many other children who need adopted, but

537
00:30:39,240 --> 00:30:42,000
Speaker 1: you're the one that I like the best. And then

538
00:30:42,040 --> 00:30:46,040
Speaker 1: what she continues living in the orphanage like right, yeah,

539
00:30:46,400 --> 00:30:48,840
Speaker 1: I was. I mean, it's just like very like all

540
00:30:48,920 --> 00:30:51,960
Speaker 1: these movies are so like they're like, well, a single

541
00:30:52,040 --> 00:30:55,400
Speaker 1: parent could not possibly do this, So like, well, you know,

542
00:30:55,480 --> 00:30:57,160
Speaker 1: you have to do like a series of high jinks

543
00:30:57,640 --> 00:31:00,400
Speaker 1: and throw Steve Gutenberg in a river and hope he

544
00:31:00,440 --> 00:31:02,080
Speaker 1: falls in love, and like there has to be a

545
00:31:02,120 --> 00:31:05,200
Speaker 1: food fight so that you can have your straight parents

546
00:31:06,000 --> 00:31:09,600
Speaker 1: in in a golden telescope, which I do. Yeah, because

547
00:31:10,160 --> 00:31:17,400
Speaker 1: at one point the dad, the Steve Gutenberg character, Oh no,

548
00:31:18,000 --> 00:31:21,920
Speaker 1: I'm falling apart. Are You're starting to sound like Katherine's

549
00:31:23,080 --> 00:31:28,240
Speaker 1: exactly similar. He says to Alyssa, He's like, Clarius and

550
00:31:28,240 --> 00:31:30,400
Speaker 1: I are getting married. You're going to finally have a

551
00:31:30,520 --> 00:31:33,000
Speaker 1: real family. She's going to be your new mother. So

552
00:31:33,160 --> 00:31:35,080
Speaker 1: it's like, you know, there's no such thing as a

553
00:31:35,120 --> 00:31:37,640
Speaker 1: real family unless there's a head row mom and a

554
00:31:37,680 --> 00:31:40,680
Speaker 1: head or a dad. They're married together. And then Diane,

555
00:31:40,920 --> 00:31:44,960
Speaker 1: earlier than that, even says to Amanda, you deserve a

556
00:31:45,040 --> 00:31:47,840
Speaker 1: mother and a father. And then Amanda's like, so get

557
00:31:47,880 --> 00:31:49,920
Speaker 1: a husband, and she's like, I don't know how I

558
00:31:49,960 --> 00:31:56,680
Speaker 1: haven't met Steve, And I said, have you checked out CarMax,

559
00:32:00,000 --> 00:32:02,360
Speaker 1: Oh yeah, I mean, like I think we talked a

560
00:32:02,400 --> 00:32:04,560
Speaker 1: little bit. Because we've done a bonus episode on the

561
00:32:04,640 --> 00:32:08,960
Speaker 1: Lindsay Lohan Parent Trap. We had this discussion a little bit,

562
00:32:09,120 --> 00:32:13,120
Speaker 1: but yeah, it's like these like children's movies are perpetuating

563
00:32:13,200 --> 00:32:18,480
Speaker 1: this like heteronormative nuclear family unit that has to exist

564
00:32:18,680 --> 00:32:21,920
Speaker 1: or else like it's not a quote real family, or

565
00:32:22,000 --> 00:32:25,520
Speaker 1: that there's like something missing or that issue. Right. Yeah, yeah,

566
00:32:25,520 --> 00:32:28,120
Speaker 1: it's it's just very nice. That was the nineties. Yeah,

567
00:32:28,160 --> 00:32:30,920
Speaker 1: like there's I can't think of any movie that like

568
00:32:31,080 --> 00:32:34,160
Speaker 1: really in the nineties that would like challenge this at all.

569
00:32:34,360 --> 00:32:35,880
Speaker 1: But it is weird that there was like a trend

570
00:32:35,960 --> 00:32:38,360
Speaker 1: of movies that it was like people striving for a

571
00:32:38,480 --> 00:32:41,720
Speaker 1: nuclear unit at all costs, and there's always like a

572
00:32:41,920 --> 00:32:44,880
Speaker 1: rich blonde lady who gets I personally, she gets gum

573
00:32:45,000 --> 00:32:47,600
Speaker 1: in her hair in this one, but I prefer the

574
00:32:47,720 --> 00:32:50,720
Speaker 1: lizard in the mouth. That's such a good scene. The

575
00:32:50,800 --> 00:32:53,680
Speaker 1: nuclear Yeah. I was also thinking of like Mrs doubt Fire,

576
00:32:53,880 --> 00:32:56,320
Speaker 1: Like the nineties were about having two parents. They're about

577
00:32:56,400 --> 00:32:59,560
Speaker 1: ruffles with onion dep there were about the bucket hats

578
00:32:59,600 --> 00:33:02,920
Speaker 1: with a big sunflower. They were about twins. They were

579
00:33:02,960 --> 00:33:05,719
Speaker 1: about right down to the cores like commercials, and now

580
00:33:05,760 --> 00:33:08,400
Speaker 1: there's more twins ever, and then all the double mins,

581
00:33:08,480 --> 00:33:12,760
Speaker 1: more commercials who are Sproustill the nineties, we had Tia Tomorrow,

582
00:33:12,840 --> 00:33:19,600
Speaker 1: we had Dalson's we had and he were there. Boy

583
00:33:19,640 --> 00:33:23,520
Speaker 1: twins Zack and Cody, Yeah that was were there? Other

584
00:33:23,640 --> 00:33:26,560
Speaker 1: boy twins were they? Who were the kids who played

585
00:33:26,880 --> 00:33:30,720
Speaker 1: Ross's son and friends? Those who were this So we're

586
00:33:30,760 --> 00:33:33,680
Speaker 1: once again hitting on the Sprouses, the codes. The Rosses

587
00:33:33,800 --> 00:33:38,920
Speaker 1: kids are all two people. They're all two people. Oh God,

588
00:33:39,560 --> 00:33:42,080
Speaker 1: did y'all want twin with twin when you're up? Kind of?

589
00:33:42,240 --> 00:33:44,560
Speaker 1: I really wanted to. I was dying for a twin

590
00:33:44,680 --> 00:33:49,560
Speaker 1: that was dead, for twin slaughtered the media representation. Okay,

591
00:33:49,600 --> 00:33:51,960
Speaker 1: well this leads me kill my brother if it meant

592
00:33:52,000 --> 00:33:55,440
Speaker 1: I would have got the twins because the media representation

593
00:33:55,560 --> 00:33:57,600
Speaker 1: of twins made it seem so cool and so fun

594
00:33:57,640 --> 00:33:59,760
Speaker 1: because they always go on these like high James had

595
00:33:59,800 --> 00:34:03,600
Speaker 1: been trus together. It's necessarily a negative media was just

596
00:34:04,480 --> 00:34:07,320
Speaker 1: prominent thing trends on The Bachelor a few years ago.

597
00:34:07,640 --> 00:34:10,120
Speaker 1: But one of the main the big thing I noticed

598
00:34:10,120 --> 00:34:12,560
Speaker 1: about this movie. Here's my main problem with it, because

599
00:34:12,600 --> 00:34:15,880
Speaker 1: it's is it the child acting? Well, that is a

600
00:34:16,160 --> 00:34:20,600
Speaker 1: very big thing. So it's a movie starring two little girls,

601
00:34:20,920 --> 00:34:23,640
Speaker 1: and yet it still has to end in a hetero

602
00:34:23,760 --> 00:34:26,879
Speaker 1: adult wedding, because I was thinking about, like, okay, think

603
00:34:26,920 --> 00:34:30,040
Speaker 1: about movies that star mostly little boys. You know, you've

604
00:34:30,080 --> 00:34:33,360
Speaker 1: got your goonies, you've got your stand lots, Mighty Ducks,

605
00:34:33,719 --> 00:34:37,080
Speaker 1: any like little boys sports movie basically, and then like

606
00:34:37,160 --> 00:34:39,440
Speaker 1: stand by Me, it's like boys getting to go on

607
00:34:39,600 --> 00:34:44,320
Speaker 1: adventures and like having a ragtag time. But movies that

608
00:34:44,400 --> 00:34:47,920
Speaker 1: star little girls, the trend is, well, I can't even

609
00:34:48,000 --> 00:34:50,359
Speaker 1: think of that many aside from like this whole slew

610
00:34:50,400 --> 00:34:56,840
Speaker 1: of I think, oh Harry, but like as far as

611
00:34:56,880 --> 00:34:59,759
Speaker 1: like an ensemble cast of like a bunch of little girls, like,

612
00:35:00,080 --> 00:35:05,000
Speaker 1: I can't think of hardly any I are never forget

613
00:35:05,120 --> 00:35:07,080
Speaker 1: what flipping on my TV and seeing now and then

614
00:35:07,280 --> 00:35:11,200
Speaker 1: and my mind being completely blow Oh my god, oh

615
00:35:11,280 --> 00:35:14,480
Speaker 1: my god, it's you know, yeah, I've seen it. I've

616
00:35:14,520 --> 00:35:16,120
Speaker 1: never seen anything like this. I can't believe there are

617
00:35:16,120 --> 00:35:18,600
Speaker 1: these little girls talking about like wanting boobs and like

618
00:35:18,960 --> 00:35:21,560
Speaker 1: flirting and boys, and like it was the most I

619
00:35:21,640 --> 00:35:23,479
Speaker 1: was like, why aren't there more? I've never seen anything

620
00:35:23,520 --> 00:35:25,359
Speaker 1: like this in my life or something like that. But yeah,

621
00:35:25,360 --> 00:35:28,080
Speaker 1: the point is like there's no there's so few movies

622
00:35:28,160 --> 00:35:32,480
Speaker 1: about like little girls just being little girls, and if

623
00:35:32,560 --> 00:35:34,640
Speaker 1: there is a movie where there are like a couple

624
00:35:34,640 --> 00:35:37,360
Speaker 1: of girls, it's usually about them orchestrating this like crazy

625
00:35:37,480 --> 00:35:42,200
Speaker 1: love story for adults. I think there are some exceptions

626
00:35:42,320 --> 00:35:44,840
Speaker 1: to that rule, but it was I mean, just like

627
00:35:44,960 --> 00:35:47,799
Speaker 1: the whole wedding aspect of this seems like, I don't

628
00:35:47,840 --> 00:35:51,080
Speaker 1: know there was a more fun movie where that wasn't

629
00:35:51,200 --> 00:35:54,560
Speaker 1: so prominent as much as I love an extended stop

630
00:35:54,640 --> 00:35:57,279
Speaker 1: the wedding sequence, and they really go for it here.

631
00:35:57,320 --> 00:36:02,640
Speaker 1: There's horses, there's helicopters, there's abandoned adopted children go off.

632
00:36:02,840 --> 00:36:06,680
Speaker 1: But going back really quickly to like how movies that

633
00:36:06,840 --> 00:36:10,840
Speaker 1: feature like little boys versus movies that feature little girls, Like,

634
00:36:11,800 --> 00:36:15,440
Speaker 1: guess what I never did as a little girl. I

635
00:36:15,640 --> 00:36:20,320
Speaker 1: never tried to get two adults to fuck. What I

636
00:36:20,400 --> 00:36:24,200
Speaker 1: did do is I went to school, I played soccer,

637
00:36:24,440 --> 00:36:27,600
Speaker 1: I played on jungle gyms, I was in girl Scouts,

638
00:36:27,680 --> 00:36:30,040
Speaker 1: like I climbed trees. I like, did all this stuff

639
00:36:30,120 --> 00:36:33,000
Speaker 1: that like you see little boys get to do in movies.

640
00:36:33,480 --> 00:36:36,080
Speaker 1: I feel like I did. Want. I think that it

641
00:36:36,200 --> 00:36:38,080
Speaker 1: was as a result of watching movies like this where

642
00:36:38,080 --> 00:36:40,000
Speaker 1: I'm like, oh, who are too adults in my life?

643
00:36:40,040 --> 00:36:41,719
Speaker 1: Who I could try to convince the fall. But it

644
00:36:42,120 --> 00:36:43,960
Speaker 1: was a direct result of like I didn't come up

645
00:36:44,000 --> 00:36:46,640
Speaker 1: with that on my own anymore than like I came

646
00:36:46,719 --> 00:36:48,480
Speaker 1: up with like wanting to play Harry at the Spy

647
00:36:48,640 --> 00:36:51,600
Speaker 1: on my own, or like wanting to play like any movie.

648
00:36:51,640 --> 00:36:54,120
Speaker 1: Starting a little girl just became a game of like

649
00:36:54,200 --> 00:36:56,360
Speaker 1: we're just playing that, We're just re enacting it for

650
00:36:56,520 --> 00:36:58,960
Speaker 1: as you know, I'm an in. And well, that's the

651
00:36:59,080 --> 00:37:02,840
Speaker 1: other thing about like all these movies that are targeted

652
00:37:03,400 --> 00:37:05,880
Speaker 1: that have like big theatrical releases that are targeted to

653
00:37:05,960 --> 00:37:10,280
Speaker 1: little girls, they're usually about like teens or adults falling

654
00:37:10,320 --> 00:37:12,320
Speaker 1: in love. Like if we're looking at like the movies

655
00:37:12,400 --> 00:37:14,320
Speaker 1: like when I was growing up or were like the

656
00:37:14,440 --> 00:37:17,000
Speaker 1: Disney Renaissance movies where You've got you know, your beauty

657
00:37:17,040 --> 00:37:19,359
Speaker 1: and the Beasts and Aladdin's and Little Mermaids, and it's

658
00:37:19,400 --> 00:37:22,320
Speaker 1: like all these movies about romance. And then the movies

659
00:37:22,440 --> 00:37:26,160
Speaker 1: targeted towards little boys, you know, they're like adventurers and

660
00:37:26,160 --> 00:37:28,160
Speaker 1: they're going on, they're gonna go find a dead body,

661
00:37:28,400 --> 00:37:32,000
Speaker 1: or they're gonna go find the treasure. They're gonna they're

662
00:37:32,000 --> 00:37:37,560
Speaker 1: gonna go find a sand lot so I just like,

663
00:37:38,239 --> 00:37:40,440
Speaker 1: I hate that that And we say this all the time,

664
00:37:40,520 --> 00:37:44,279
Speaker 1: but movies that are targeted towards children have to be

665
00:37:44,480 --> 00:37:48,640
Speaker 1: especially careful with their content and their messages and all

666
00:37:48,719 --> 00:37:51,680
Speaker 1: that stuff, because you know, their brains are little sponges

667
00:37:51,800 --> 00:37:54,239
Speaker 1: and they just like take whatever they see as like

668
00:37:54,320 --> 00:37:57,440
Speaker 1: absolute truth. So I mean, it's no wonder that, like,

669
00:37:57,520 --> 00:38:00,880
Speaker 1: at least like my generation of like kids growing up

670
00:38:00,920 --> 00:38:03,480
Speaker 1: into the adults, we are now being fed the movies

671
00:38:03,560 --> 00:38:07,520
Speaker 1: that we were made me all fucked up, sucked up

672
00:38:07,560 --> 00:38:10,560
Speaker 1: in your head. Yeah, I'm so boy crazy. Oh my god,

673
00:38:10,600 --> 00:38:14,520
Speaker 1: I'm exhausted. That's all I think about. I was telling you,

674
00:38:15,520 --> 00:38:20,560
Speaker 1: I don't know yet. Fortunately, this movie was not particularly successful.

675
00:38:20,600 --> 00:38:22,239
Speaker 1: It did not, which I think is maybe why the

676
00:38:22,320 --> 00:38:25,200
Speaker 1: parent Trap was so comfortable lifting so much material from it.

677
00:38:25,880 --> 00:38:27,880
Speaker 1: It did not do very well in theaters, which is

678
00:38:27,960 --> 00:38:31,759
Speaker 1: why Mary Kaye nashurally were trapped on television for the

679
00:38:31,840 --> 00:38:34,319
Speaker 1: next ten years. I didn't didn't do everything I would

680
00:38:34,320 --> 00:38:37,360
Speaker 1: have assumed it did. No, it only made like million

681
00:38:37,440 --> 00:38:46,960
Speaker 1: backs a lot. We have a lot of money. Well,

682
00:38:47,000 --> 00:38:50,200
Speaker 1: when you fucking invent a cell phone that's like pocket chain,

683
00:38:53,000 --> 00:38:55,560
Speaker 1: I do want to draw some of the comparisons between

684
00:38:55,680 --> 00:38:58,960
Speaker 1: both It Takes Two in the parent trap, and let's

685
00:38:59,000 --> 00:39:02,400
Speaker 1: throw the Princess in there too, because that's basically also

686
00:39:02,520 --> 00:39:08,600
Speaker 1: the same exact movie my lover who broke up with

687
00:39:08,680 --> 00:39:10,600
Speaker 1: me after asking me to be his girlfriend four days before.

688
00:39:10,840 --> 00:39:15,200
Speaker 1: Oh sorry, just mix about me. We have to side

689
00:39:15,239 --> 00:39:19,040
Speaker 1: part talking about and we did another Matreon bonus episode

690
00:39:19,040 --> 00:39:22,400
Speaker 1: about that movie, so everyone should sign up for Matrion

691
00:39:22,480 --> 00:39:25,120
Speaker 1: and listen to it anyway. Okay, so the parallels. We've

692
00:39:25,200 --> 00:39:29,120
Speaker 1: got summer Camp being a huge plot point. We've got

693
00:39:29,280 --> 00:39:33,120
Speaker 1: a dad living in a huge house in the countryside butler,

694
00:39:33,680 --> 00:39:36,600
Speaker 1: the one who is posh has a butler. Friend. Of

695
00:39:36,719 --> 00:39:40,000
Speaker 1: the two girls, we've got an evil stepmother lady who

696
00:39:40,120 --> 00:39:43,880
Speaker 1: is blonde and mean. And then the parallels between It

697
00:39:44,000 --> 00:39:45,920
Speaker 1: Takes Two and the Princess, which are that one of

698
00:39:45,960 --> 00:39:47,959
Speaker 1: them can play the piano and one of them can't,

699
00:39:48,040 --> 00:39:50,560
Speaker 1: and the one who can't play piano is forced into

700
00:39:50,600 --> 00:39:53,080
Speaker 1: a situation where she has to play the piano, and

701
00:39:53,160 --> 00:39:55,960
Speaker 1: the same thing with horse riding, where one of them

702
00:39:56,000 --> 00:40:00,080
Speaker 1: knows how to horse ride the other one doesn't. I

703
00:40:00,320 --> 00:40:04,919
Speaker 1: know this, yeah, totally, yeah, but I mean I guess

704
00:40:04,960 --> 00:40:13,000
Speaker 1: at least Amanda plays like football pla. Yeah, okay, do

705
00:40:13,000 --> 00:40:15,400
Speaker 1: you remember the stylist character who I think is in

706
00:40:15,560 --> 00:40:23,399
Speaker 1: like one scene he's like, this movie, you're like very

707
00:40:23,480 --> 00:40:27,400
Speaker 1: standard queer coded stylist character that you see in like

708
00:40:27,680 --> 00:40:30,680
Speaker 1: all of these movies. He said something like, I'm a hairdresser,

709
00:40:30,800 --> 00:40:36,040
Speaker 1: not a zoo keeper, which is hilarious thing. There's no

710
00:40:36,239 --> 00:40:40,120
Speaker 1: Paulo putin Esca. But he'll do the one moment where

711
00:40:40,200 --> 00:40:42,400
Speaker 1: I felt, I mean, I feel bad for any of

712
00:40:42,480 --> 00:40:45,080
Speaker 1: these stepmother characters that don't exist in real life, just

713
00:40:45,200 --> 00:40:48,440
Speaker 1: because they're so like hertial cartoon. But when they do

714
00:40:48,640 --> 00:40:51,040
Speaker 1: make the choice to bring in her father, who negs

715
00:40:51,120 --> 00:40:53,200
Speaker 1: the funk out of her. The second she's about to

716
00:40:53,360 --> 00:40:56,320
Speaker 1: he's like, wow, my first daughter is also the last

717
00:40:56,440 --> 00:40:59,840
Speaker 1: to get married. Interesting, and then just slides out of

718
00:41:00,000 --> 00:41:03,279
Speaker 1: and we're like, what who is that for? All of

719
00:41:03,400 --> 00:41:07,759
Speaker 1: those evil stepmother characters in these movies are so underwritten

720
00:41:07,800 --> 00:41:10,120
Speaker 1: and so poorly developed. It I just thought it was

721
00:41:10,880 --> 00:41:12,840
Speaker 1: I thought it was weird that the only is like

722
00:41:12,920 --> 00:41:15,600
Speaker 1: the only part of her they chose to develop was like, Oh,

723
00:41:15,719 --> 00:41:20,480
Speaker 1: but don't worry, she has severe daddy issues up there. Interesting.

724
00:41:21,160 --> 00:41:23,000
Speaker 1: We got to take another quick break but we'll be

725
00:41:23,280 --> 00:41:32,680
Speaker 1: right back and we're back. Yes, I talked. Yes. Also

726
00:41:32,760 --> 00:41:35,080
Speaker 1: on the child acting, this this movie made me actually

727
00:41:35,120 --> 00:41:37,560
Speaker 1: really appreciate the talent of Market and Nash Wilson because

728
00:41:37,960 --> 00:41:40,040
Speaker 1: they were the only take. They were literally the only

729
00:41:40,120 --> 00:41:42,200
Speaker 1: kids in the movie that were even slightly off buck

730
00:41:42,400 --> 00:41:44,960
Speaker 1: like everything. Every other kid was like truly reading cute cards.

731
00:41:45,960 --> 00:41:48,880
Speaker 1: The thing that the thing that like legitimately bothered me

732
00:41:48,920 --> 00:41:51,560
Speaker 1: about this movie as much as it's like we've talked

733
00:41:51,600 --> 00:41:54,120
Speaker 1: about like the wedding movies ending in the wedding is,

734
00:41:54,360 --> 00:41:58,440
Speaker 1: you know, exhausted and in ninety is probably like peak

735
00:41:58,760 --> 00:42:02,279
Speaker 1: even though it's still happened, But the way adoption was

736
00:42:02,400 --> 00:42:06,160
Speaker 1: like made to look and this movie really bugged me.

737
00:42:06,280 --> 00:42:08,080
Speaker 1: But I think it's because I, like I grew up

738
00:42:08,120 --> 00:42:10,560
Speaker 1: around a lot of kids who were adopted or were

739
00:42:10,640 --> 00:42:13,440
Speaker 1: like in the system, and the way that I don't know,

740
00:42:13,600 --> 00:42:16,279
Speaker 1: just like this movie makes it look so goofy and

741
00:42:16,360 --> 00:42:19,800
Speaker 1: almost like it's the kid's fault, like especially in the

742
00:42:20,000 --> 00:42:23,040
Speaker 1: in the Junkyard situation, where all the kids that are

743
00:42:23,160 --> 00:42:27,240
Speaker 1: not like this wealthy little girl and like Steve Gutenberg's

744
00:42:27,719 --> 00:42:31,520
Speaker 1: daughter are made to seem like antagonistic and mean and

745
00:42:31,719 --> 00:42:35,120
Speaker 1: like asking for it that they're being treated so horribly

746
00:42:35,440 --> 00:42:37,320
Speaker 1: and all the orphans like at the orphanage is a

747
00:42:37,360 --> 00:42:39,760
Speaker 1: little different, but that's like not even how the adoption

748
00:42:39,800 --> 00:42:42,239
Speaker 1: system works anymore. Like why are we still being like, oh,

749
00:42:42,480 --> 00:42:45,719
Speaker 1: the New York City Orphanage, Like that's not how the

750
00:42:45,800 --> 00:42:47,839
Speaker 1: systems were. I don't know. It just logged me. Even

751
00:42:47,960 --> 00:42:49,399
Speaker 1: with the old Stan it's like, if you could only

752
00:42:49,480 --> 00:42:51,680
Speaker 1: just wear a dress like you would be adopted, but

753
00:42:51,840 --> 00:42:56,440
Speaker 1: you you're presenting is too tomboyish, so that's why no

754
00:42:56,560 --> 00:42:59,200
Speaker 1: one likes you. And there's also no like arc where

755
00:42:59,239 --> 00:43:01,520
Speaker 1: it's like, oh, like she can't she be herself and

756
00:43:01,560 --> 00:43:03,600
Speaker 1: get adopted. It's like no, you actually couldn't have. But

757
00:43:03,680 --> 00:43:05,879
Speaker 1: thank God for you, Like I'm marrying a rich guy

758
00:43:05,960 --> 00:43:09,600
Speaker 1: and now you don't need to be adopted, right Yeah, yeah,

759
00:43:09,640 --> 00:43:11,040
Speaker 1: that I don't know. That was like the one thing

760
00:43:11,120 --> 00:43:12,960
Speaker 1: that really did. I was just like, oh, that's like

761
00:43:13,120 --> 00:43:16,320
Speaker 1: irresponsible and like there was a way to write that

762
00:43:16,400 --> 00:43:19,400
Speaker 1: storyline that didn't need to be that way, but it

763
00:43:19,520 --> 00:43:22,080
Speaker 1: was just yeah, I don't know. Does anyone have any

764
00:43:22,160 --> 00:43:28,000
Speaker 1: other thoughts about the movie? The Masterpiece? It takes two. Wait,

765
00:43:28,000 --> 00:43:29,400
Speaker 1: I think we need to talk a little bit more

766
00:43:29,440 --> 00:43:32,200
Speaker 1: about like what the Olsen Twins mean to us. I

767
00:43:32,320 --> 00:43:35,560
Speaker 1: suppose the Olsen Twins don't mean that much to me. Um,

768
00:43:35,800 --> 00:43:38,360
Speaker 1: they weren't. They just weren't a part of my media

769
00:43:38,440 --> 00:43:43,480
Speaker 1: consumption as a as a kid. When I was this age,

770
00:43:43,920 --> 00:43:46,360
Speaker 1: I was watching Back to the Future every day of

771
00:43:46,400 --> 00:43:49,600
Speaker 1: my life. Oh my god. Yeah, I was like I

772
00:43:49,719 --> 00:43:52,719
Speaker 1: was watching those problematic eighties movies that were like a

773
00:43:52,800 --> 00:43:55,600
Speaker 1: little too old for me to be watching. I was

774
00:43:55,680 --> 00:43:58,719
Speaker 1: like Back to the Future and like Indiana Jones were

775
00:43:58,760 --> 00:44:01,279
Speaker 1: my go twos. So I was watching these like boy

776
00:44:01,440 --> 00:44:04,960
Speaker 1: centric movies because I didn't like what was available I mean,

777
00:44:05,040 --> 00:44:07,400
Speaker 1: and then like also all those Disney movies. But I

778
00:44:07,480 --> 00:44:10,440
Speaker 1: just didn't like a lot of what was available to me,

779
00:44:10,719 --> 00:44:15,240
Speaker 1: like the like girly movies, I suppose, which probably because

780
00:44:15,280 --> 00:44:18,319
Speaker 1: they were all about like, hey, let's make sure these

781
00:44:18,320 --> 00:44:21,600
Speaker 1: adults fuck and that's my main goal. Like why couldn't

782
00:44:21,640 --> 00:44:24,960
Speaker 1: there have been a movie about two girls who meet

783
00:44:25,000 --> 00:44:27,400
Speaker 1: each other, whether or not they look exactly alike or not,

784
00:44:27,560 --> 00:44:29,600
Speaker 1: like whatever, but it helps can it not be about

785
00:44:29,760 --> 00:44:34,520
Speaker 1: something like why does it automatically have to be about

786
00:44:34,680 --> 00:44:37,920
Speaker 1: like trying to get a romance? To happen because it's like, well,

787
00:44:38,000 --> 00:44:41,080
Speaker 1: they're too young to try to find boys themselves. But

788
00:44:41,200 --> 00:44:43,439
Speaker 1: that's not also, not to be fair, that's not every

789
00:44:43,520 --> 00:44:46,160
Speaker 1: Mary Kit naturally joint. Sure, they do a lot of

790
00:44:46,320 --> 00:44:50,960
Speaker 1: different they do variation on like three different plots. Sometimes

791
00:44:51,000 --> 00:44:53,080
Speaker 1: they're trying to find a parent love. Other times they're

792
00:44:53,080 --> 00:44:55,400
Speaker 1: like solving a mystery. Like they do a lot of stuff,

793
00:44:55,520 --> 00:44:58,120
Speaker 1: but they always have a love interest in their films. Yes, yeah,

794
00:44:58,200 --> 00:44:59,879
Speaker 1: and I mean I guess there is I mean even

795
00:45:00,040 --> 00:45:02,920
Speaker 1: and like Passport to pairs like together, that's like the

796
00:45:03,200 --> 00:45:05,920
Speaker 1: that's their first on screen kiss. Oh my waits was

797
00:45:05,920 --> 00:45:09,560
Speaker 1: the twins first on screen kiss and they were eleven.

798
00:45:12,480 --> 00:45:15,200
Speaker 1: This is what my brain is telling. And then one

799
00:45:15,200 --> 00:45:16,640
Speaker 1: of the one of the French guys. Maybe this is

800
00:45:16,640 --> 00:45:18,239
Speaker 1: why I keep getting adiction to people who don't live

801
00:45:18,280 --> 00:45:20,240
Speaker 1: in the same country as me. But one of the guys,

802
00:45:20,360 --> 00:45:22,600
Speaker 1: like she meets him and he's imitating her and he goes,

803
00:45:22,800 --> 00:45:26,759
Speaker 1: oh my god, oh my god, remember that her. Oh

804
00:45:27,040 --> 00:45:31,560
Speaker 1: I feel completely their twelve in that movie. That's why, well,

805
00:45:31,960 --> 00:45:34,040
Speaker 1: I remember that so clear. We also talked by the

806
00:45:34,120 --> 00:45:36,279
Speaker 1: cultural moment where it was like two four and there

807
00:45:36,360 --> 00:45:38,480
Speaker 1: was like online and there was like websites where you

808
00:45:38,520 --> 00:45:44,040
Speaker 1: could go to see a countdown clock. My older cousin

809
00:45:44,400 --> 00:45:49,440
Speaker 1: was all about that. He was into the It was disgusting.

810
00:45:49,520 --> 00:45:54,160
Speaker 1: Anyone who's into that clock is gay. I had that

811
00:45:54,200 --> 00:45:55,480
Speaker 1: having so much as by for a cousin and his

812
00:45:55,560 --> 00:46:00,520
Speaker 1: wife and they're two beautiful twin girls. That's a big Also,

813
00:46:00,600 --> 00:46:07,600
Speaker 1: he's like tortured inside and it's in Massachusetts married. Can

814
00:46:07,640 --> 00:46:10,080
Speaker 1: I just say one thing about the countdown of like

815
00:46:10,280 --> 00:46:14,480
Speaker 1: the Twins team, Like, there's this huge problem that's happening

816
00:46:14,560 --> 00:46:16,600
Speaker 1: right now and probably has been happening since the dawn

817
00:46:16,680 --> 00:46:21,960
Speaker 1: of time, where like men in whatever capacity and industry

818
00:46:22,120 --> 00:46:28,239
Speaker 1: and all that are like grooming underage problem to like

819
00:46:28,480 --> 00:46:32,520
Speaker 1: whenever they become legal in turn eighteen, so they're like

820
00:46:32,719 --> 00:46:35,239
Speaker 1: ready to trap in basically. But it's like one word,

821
00:46:35,360 --> 00:46:39,000
Speaker 1: one word, Brittany, It's that's happening right now. I get

822
00:46:39,120 --> 00:46:43,000
Speaker 1: her name, but um, the actors who plays eleven on

823
00:46:43,160 --> 00:46:48,160
Speaker 1: Stranger Things, Oh, she's majorly getting that treatment of like

824
00:46:48,239 --> 00:46:50,759
Speaker 1: she's thirteen, but like let's start to get her sexy now.

825
00:46:51,080 --> 00:46:53,040
Speaker 1: It makes me puke. So that's I mean, the only

826
00:46:53,040 --> 00:46:55,680
Speaker 1: and the only boy I can think of that received

827
00:46:55,719 --> 00:46:58,799
Speaker 1: that treatment was Justin Bieber. I do remember there being

828
00:46:58,880 --> 00:47:05,359
Speaker 1: a clock element to the Justin Bieber canon. Yes. Um. Anyway, hey,

829
00:47:05,480 --> 00:47:09,200
Speaker 1: does this movie pass the Bechdel test? Yes, it does.

830
00:47:09,600 --> 00:47:14,040
Speaker 1: Amanda and Alyssa talk to each other a lot. Amanda

831
00:47:14,040 --> 00:47:17,840
Speaker 1: and Diane talk about finding her a new family. A listen,

832
00:47:18,080 --> 00:47:22,200
Speaker 1: Clarice talk to each other a bit. Um. Yeah, there's

833
00:47:22,200 --> 00:47:25,919
Speaker 1: a lot of different combos and situations. It's a feminist text.

834
00:47:25,960 --> 00:47:28,319
Speaker 1: It's a feminist text. You bet you. Actually, while we're watching,

835
00:47:28,320 --> 00:47:29,960
Speaker 1: Pat turns to me and goes, I think this movie

836
00:47:30,040 --> 00:47:36,160
Speaker 1: is good for women. Yeah what moment because one of

837
00:47:36,200 --> 00:47:39,400
Speaker 1: them played baseball. Yeah. Yeah, if a girl plays baseball

838
00:47:39,400 --> 00:47:41,480
Speaker 1: and a movie, it is good for women and all

839
00:47:41,520 --> 00:47:46,400
Speaker 1: of its flaws must be forgiven immediately. Well, let's rate

840
00:47:46,480 --> 00:47:49,760
Speaker 1: the movie, speaking of deciding if it's good for women

841
00:47:49,880 --> 00:47:53,640
Speaker 1: or not, rated on our nipple scale zero to five

842
00:47:53,680 --> 00:47:57,600
Speaker 1: nipples based on its portrayal and representation of women. I

843
00:47:57,719 --> 00:48:01,440
Speaker 1: don't know. It's so hard with these kids movies that

844
00:48:01,960 --> 00:48:04,640
Speaker 1: have to be well, they don't have to be, but

845
00:48:05,239 --> 00:48:09,799
Speaker 1: this era, they're so cartoonish that it's kind of hard

846
00:48:09,840 --> 00:48:13,200
Speaker 1: to even evaluate them for anything because they're so cartoon

847
00:48:13,680 --> 00:48:15,640
Speaker 1: but you're saying you think that they should be helped

848
00:48:15,640 --> 00:48:19,680
Speaker 1: to hire standard still because kids movies these days. Yeah,

849
00:48:19,840 --> 00:48:26,920
Speaker 1: so I mean these kids, they were condescending, and they

850
00:48:27,040 --> 00:48:30,720
Speaker 1: helped perpetuate these like would end up being harmful ideas

851
00:48:30,800 --> 00:48:34,160
Speaker 1: that like a kid needs a mother and father if

852
00:48:34,239 --> 00:48:37,120
Speaker 1: they're going to turn out. Okay, the movie was bad

853
00:48:37,200 --> 00:48:42,920
Speaker 1: for gays, that's okay. I forget almost every movie goodet

854
00:48:43,320 --> 00:48:48,480
Speaker 1: there it was good forett. Yeah, I would get women. Actually, no,

855
00:48:48,719 --> 00:48:50,560
Speaker 1: because they have to get married or they can't have

856
00:48:50,640 --> 00:48:54,680
Speaker 1: a child. That's actually horrible for them. Yeah, I would

857
00:48:54,680 --> 00:48:56,520
Speaker 1: give it too out of I think that's where I

858
00:48:56,560 --> 00:49:01,240
Speaker 1: would give its five nibbles. Really feminist, it's like Mowana

859
00:49:01,400 --> 00:49:05,359
Speaker 1: level feminism. I don't watch kids movies because they are

860
00:49:05,480 --> 00:49:08,839
Speaker 1: boring to me. I watched them. Paddington is my favorite movie.

861
00:49:09,080 --> 00:49:10,919
Speaker 1: People are all piped up on that and not there.

862
00:49:12,000 --> 00:49:13,480
Speaker 1: I guess I'll watch it. I can't watch anything really

863
00:49:13,520 --> 00:49:15,479
Speaker 1: because I have anxiety and I start thinking about myself

864
00:49:15,560 --> 00:49:19,320
Speaker 1: too much. It's actually a disease. Um I would I

865
00:49:19,360 --> 00:49:21,520
Speaker 1: guess two nips or even one nip. It's like it's

866
00:49:21,520 --> 00:49:24,520
Speaker 1: not helpful. It's not helpful. Yeah, it's I mean it's good.

867
00:49:24,600 --> 00:49:26,719
Speaker 1: I guess it's good for like little girls who can

868
00:49:26,800 --> 00:49:29,640
Speaker 1: be like, oh look, they're like, you know, doing a thing.

869
00:49:29,960 --> 00:49:33,600
Speaker 1: But I mean, at the end of the day, I'm

870
00:49:33,640 --> 00:49:36,040
Speaker 1: gonna do Yeah, I'll do like even one. And it

871
00:49:36,120 --> 00:49:38,000
Speaker 1: sucks because it's like, you know, I guess if we're

872
00:49:38,000 --> 00:49:40,640
Speaker 1: breaking it down, like women are on screen the majority

873
00:49:40,719 --> 00:49:42,759
Speaker 1: of the time, but like there's it's just like it's

874
00:49:42,880 --> 00:49:46,520
Speaker 1: so nineties and it's like ideology and what it's pushing.

875
00:49:46,520 --> 00:49:49,279
Speaker 1: Like I wouldn't show this movie to a kid. It

876
00:49:49,360 --> 00:49:54,440
Speaker 1: seems counterproductive, right, Yeah, I think I'm kids one nipple, right,

877
00:49:54,440 --> 00:49:57,000
Speaker 1: because it's like no little girl has ever done this

878
00:49:57,239 --> 00:49:59,680
Speaker 1: to the to the extent where they're like fucking riding

879
00:49:59,719 --> 00:50:02,480
Speaker 1: horse is and like trying like orchestrating these like very

880
00:50:02,600 --> 00:50:05,920
Speaker 1: complicated meat cutes, like that's not anything a little girl does.

881
00:50:06,000 --> 00:50:09,399
Speaker 1: But because like at least two movies are about this, yeah,

882
00:50:09,440 --> 00:50:12,920
Speaker 1: and one is way better, is a masterpiece, and the

883
00:50:13,000 --> 00:50:16,120
Speaker 1: other this one is boring. Yeah. The thing he addressed

884
00:50:16,160 --> 00:50:18,320
Speaker 1: that they she has this refrain of I want that,

885
00:50:18,560 --> 00:50:21,320
Speaker 1: can't eat, can't sleep, knocking out of the park, and

886
00:50:21,440 --> 00:50:23,319
Speaker 1: that is the most damaging thing A little girl can

887
00:50:23,400 --> 00:50:25,080
Speaker 1: hear because you think if someone treats you bad it

888
00:50:25,120 --> 00:50:27,200
Speaker 1: makes you feel bad, then they're to love your life

889
00:50:27,239 --> 00:50:29,040
Speaker 1: and you must chase after that, and that that the

890
00:50:29,120 --> 00:50:31,640
Speaker 1: pining of them is what is romantic, and that has

891
00:50:31,680 --> 00:50:35,400
Speaker 1: actually ruined my life. So excuse you all, I levitate

892
00:50:35,480 --> 00:50:39,799
Speaker 1: off my chair and go through the ceiling. I also

893
00:50:39,880 --> 00:50:42,000
Speaker 1: want to say that it's crazy that we both remember

894
00:50:42,080 --> 00:50:43,880
Speaker 1: the food it's seen, but neither of us remembered that

895
00:50:44,040 --> 00:50:47,200
Speaker 1: Kirsty Alley's character starts the food. Yes, I'm like you

896
00:50:48,040 --> 00:50:52,200
Speaker 1: talking about that your camp. I'm taking this honestly progressive. Yeah,

897
00:50:53,080 --> 00:50:56,200
Speaker 1: she starts to her own camp. No, someone's to clean it.

898
00:50:56,280 --> 00:50:57,920
Speaker 1: Someone she pays is gonna have to clean the food,

899
00:50:58,480 --> 00:50:59,800
Speaker 1: or she will have to do it because she's like

900
00:51:00,000 --> 00:51:02,239
Speaker 1: fire fust You need to think of the employees. Oh

901
00:51:02,320 --> 00:51:07,560
Speaker 1: my god, this movie is my firefust Um. Well, thanks

902
00:51:07,840 --> 00:51:09,680
Speaker 1: to the both of you for thank you guys so

903
00:51:09,840 --> 00:51:14,560
Speaker 1: much fun plug stuff. Just follow me on so at

904
00:51:14,719 --> 00:51:17,920
Speaker 1: cats Cohen C A, T, C, E, T N and

905
00:51:18,040 --> 00:51:19,960
Speaker 1: mollow me on so to actually do if you're on

906
00:51:20,000 --> 00:51:22,920
Speaker 1: all Catherine and and I'm this is so weird and

907
00:51:23,080 --> 00:51:26,760
Speaker 1: so twisted twist, but it's different on Twitter and install

908
00:51:27,239 --> 00:51:29,440
Speaker 1: and know I'm trying to say I not instead, that's

909
00:51:29,480 --> 00:51:33,040
Speaker 1: what the kids are doing. Yeah, I've alfread died. Yeah,

910
00:51:33,640 --> 00:51:37,800
Speaker 1: But on i G I'm pat reegs p A t

911
00:51:38,040 --> 00:51:40,200
Speaker 1: R e e G S. And on Twitter I'm p

912
00:51:40,440 --> 00:51:42,640
Speaker 1: o Regon p O R e g A N. And

913
00:51:42,760 --> 00:51:47,440
Speaker 1: more importantly, please like subscribe to review our podcast called Treatment.

914
00:51:47,600 --> 00:51:50,439
Speaker 1: It's a podcast about boys, sex, fucking, dating a mom.

915
00:51:50,640 --> 00:51:54,400
Speaker 1: So definitely kind of like this podcast Enemy. It's so

916
00:51:54,560 --> 00:51:58,560
Speaker 1: good though. Thank you guys for having us. Thank you. Yeah,

917
00:51:58,719 --> 00:52:02,320
Speaker 1: speaking of you know podcast, you can follow ours in

918
00:52:02,480 --> 00:52:06,000
Speaker 1: social media at bechtel Cast you can be much everything.

919
00:52:06,040 --> 00:52:08,120
Speaker 1: You can sign up for a Patreon five backs, someone

920
00:52:08,680 --> 00:52:13,799
Speaker 1: Extra episodes, Patreon dot com, slash Bechtel Cast and by

921
00:52:13,840 --> 00:52:17,200
Speaker 1: our merch Onti Public so check out all this stuff.

922
00:52:17,560 --> 00:52:19,799
Speaker 1: Thanks for listening, Thank you so much for coming. Thank

923
00:52:19,840 --> 00:52:21,720
Speaker 1: you guys, Bye bye