WEBVTT - Buffaloed with Shelli Nicole

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<v Speaker 1>On the Bedel Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy? Zef in best

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<v Speaker 1>start changing it with the beck Del cast. Hey, Jamie,

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<v Speaker 1>Hey Kitlin, ask me how much student debt I'm in?

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<v Speaker 1>How much student debt are you in? And how can

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<v Speaker 1>I liberate you from it? Well, I think I'm somewhere.

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<v Speaker 1>I honestly haven't checked in years because I obviously have

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<v Speaker 1>no intention of paying it. But I think I'm somewhere

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<v Speaker 1>around eighty or ninety thousand dollars in student loan debt

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<v Speaker 1>for the master's degree I got from Boston University in screenwriting,

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<v Speaker 1>which I would never mention. I can't believe this is

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<v Speaker 1>coming up so early in the episode. This is never

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<v Speaker 1>It's like borderline aggressive. I love it. Yeah, well, God

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<v Speaker 1>bless thank you, thank you. Um. Well, look today I've

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<v Speaker 1>been sent here, I'm pivoted hard and now I'm a

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<v Speaker 1>debt collector and you just admit it to something pretty

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<v Speaker 1>serious On Mike Yes and Me. Officer Jermaine Fowler though,

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<v Speaker 1>the world's most ethically confusing person. I am going to

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<v Speaker 1>have sex with you and then send you to jail. Actually,

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<v Speaker 1>I was like, that does sound kind of sex hot,

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<v Speaker 1>that is a kink of mind. So I wasn't because

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<v Speaker 1>there's been so much talk around I mean student that's

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<v Speaker 1>specifically recently because of the like ongoing failure to actually

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<v Speaker 1>relieve student debt, the way that people have been saying

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<v Speaker 1>that it was going to. I want to shout out

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<v Speaker 1>former guests in the show. Julia Claire, one of the

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<v Speaker 1>people closest to my heart. She had She had a

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<v Speaker 1>viral tweet recently, m yeah, where she said, watching banks

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<v Speaker 1>get bailed out for the second time in my adult

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<v Speaker 1>life while also paring to watch the Supreme Court tell

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<v Speaker 1>us that canceling a paltry ten k and student loan

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<v Speaker 1>debt per borrower is government overreach. And then there's a

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<v Speaker 1>picture of Scarlett Johanson and marriage story crying. It's a

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<v Speaker 1>banger of a tweet, and I just wanted to shout

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<v Speaker 1>I was thinking about that tweet this whole damn movie.

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<v Speaker 1>Love it well well, Shelley. Oh wait, we should say

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<v Speaker 1>what the show is. We should say what the show is.

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<v Speaker 1>This is Hello, it's us, this is the Bechtel cast.

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<v Speaker 1>My name is Caitlin Dronte, and I have a voice

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<v Speaker 1>that sounds like this today. My name's Jamie Loftus, and

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<v Speaker 1>I have a voice that sounds like this today. Not

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<v Speaker 1>to brag. And this is the Bechtel Cast, our podcast

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<v Speaker 1>where we take a look at your favorite movies with

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<v Speaker 1>an intersectional feminist lens. Today, we have a movie that

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<v Speaker 1>came out in twenty nineteen called Buffaload. And you're never

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<v Speaker 1>gonna believe where this movie takes place. It is directed

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<v Speaker 1>by Tanya Wexler, written by Brian Socca. And this movie

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<v Speaker 1>is brought to us by a returning guest. That's so true.

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<v Speaker 1>We don't need to say what the Bechtel test is.

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<v Speaker 1>Not to say breeze right path. It's women's, honestly and women's.

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<v Speaker 1>It's Women's History month, and I feel like we don't

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<v Speaker 1>have to this month. We don't figure it out to

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<v Speaker 1>look it up table flip. My voice sounds like this

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<v Speaker 1>because I've just been screaming at men all months. Anyway.

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<v Speaker 1>I haven't been using my voice. I've just been stealing.

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<v Speaker 1>Perfect next year, just steal and burn things. Yes, save

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<v Speaker 1>your voice, babe. Yes, we should be silent more than ever.

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<v Speaker 1>No more than ever just burned down their house like

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<v Speaker 1>banshees a ved sheering style. Okay, okay, that's my favorite

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<v Speaker 1>joke that I've ever come up with. That is really funny.

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<v Speaker 1>I are not to be pro men, but that movie rips.

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<v Speaker 1>I loved that damn movie. I was laughing. I was crying.

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<v Speaker 1>Jenny the Donkey, Are you kidding? Feminist icon Jenny the Donkey.

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<v Speaker 1>Everyone in that movie rocks. Colin Farrell being like mister

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<v Speaker 1>Derp is so cute. He's like, would why not you

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<v Speaker 1>be my friend? I loved it. That's great. Okay, we

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<v Speaker 1>were about to introduce our guest. Yeah, it's always going

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<v Speaker 1>to be chaos when this guest is here. I feel

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<v Speaker 1>like she's a culture writer and critic. You've seen her

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<v Speaker 1>work on Architectural Digest, Vogue, Autostraddle, and you know her

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<v Speaker 1>from our episode on Empire Records. It's Shelley Nicole aka

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<v Speaker 1>the Return of Shreky Shrecky Too. I was like, are

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<v Speaker 1>we not gonna say Shreky because I will close this

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<v Speaker 1>zoom so fast. Also, I'm very happy that it's chaotic

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<v Speaker 1>when I'm on all the time. It makes me so happy.

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<v Speaker 1>I love it. It's so fun. We're so excited to

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<v Speaker 1>have you back. Truly, it's so hard not to talk

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<v Speaker 1>throughout that part, especially when it's like not to be

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<v Speaker 1>on the side of men. But I have this, well,

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<v Speaker 1>the floor is yours. If you have anything you want

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<v Speaker 1>to say in response to what we've said, like three

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<v Speaker 1>minutes ago, No, just the path that I don't want

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<v Speaker 1>to be on the side of men, and I just

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<v Speaker 1>thought that that was funny and that, I mean, we'll

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<v Speaker 1>probably get into it because I was going to talk

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<v Speaker 1>about my student loan that too, but yeah, mine's like

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<v Speaker 1>not that much. But yeah, I'm excited. I want to

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<v Speaker 1>talk about money and buffalo and ill fitting suits and

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<v Speaker 1>bad hair color. I'm so excited. There's so much. This

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<v Speaker 1>movie is truly a buffet of things to talk about.

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<v Speaker 1>It's a lot, and it isn't a lot. It was

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<v Speaker 1>a little stressful to watch, thinking of like various debts

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<v Speaker 1>that I have, just like there is a low, humming

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<v Speaker 1>anxiety to watching this movie where I paid off my

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<v Speaker 1>student debt. But they're sarious. Well, I went to school

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<v Speaker 1>on a scholarship and only went to school once, but

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<v Speaker 1>it was I'm very, very lucky that I paid off

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<v Speaker 1>my student debt. I took forever. It took over. I

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<v Speaker 1>think it took ten eleven year or something like that.

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<v Speaker 1>But but I have a ton of hospital bills I

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<v Speaker 1>have not paid off, and I hear about them all

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<v Speaker 1>the time. Well, yeah, I'm not going to do it,

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<v Speaker 1>and we but like, I'm not going to do it.

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<v Speaker 1>But I get you know, every there was a hospital

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<v Speaker 1>bill I have from New York like five years ago

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<v Speaker 1>where I didn't I went to the er and they

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<v Speaker 1>were like, you're having a panic attack. Go home, And

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<v Speaker 1>there's still like, but that will be five thousand dollars, Like, no,

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<v Speaker 1>it won't be. It will not be, or it will be,

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<v Speaker 1>but I'm not giving it to you. I'm not the

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<v Speaker 1>best of luck to you and getting that absolute horsh Anyways, Um,

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<v Speaker 1>it's always fun to talk about various debts. Okay, so

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<v Speaker 1>the movie is buffaloed. Yeah, Shelley, what is your history

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<v Speaker 1>with this movie? I mean it came out pretty recently. Yeah,

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<v Speaker 1>I came out super recently. I um, because what was

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<v Speaker 1>it came out in twenty nineteen. Yeah. I didn't discover

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<v Speaker 1>it until the first Lockdown because I was just watching everything.

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<v Speaker 1>I was watching everything. If you hear someone in the background.

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<v Speaker 1>My partner is watching a basketball game right now. But

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<v Speaker 1>I discovered it like through it first part of Lockdown

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<v Speaker 1>because I was literally watching anything and everything I could

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<v Speaker 1>get my hands on because I had ran through all

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<v Speaker 1>of my rewatches, like my New Girl Rewatches the Office

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<v Speaker 1>and all that stuff. And then I fell in love

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<v Speaker 1>with Zoe Dutch. Like I started watching stuff with her

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<v Speaker 1>and I was like, who is she? She's funny, I

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<v Speaker 1>don't know. I think she's a really really, really really

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<v Speaker 1>good actress. She's one of my favorite like white woman actresses,

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<v Speaker 1>which of which I have like a few, But so

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<v Speaker 1>I started watching it because of her, and then I

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<v Speaker 1>fell in love with it because she's hustling, Like it's

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<v Speaker 1>about money, it's about debt, it's about scamming a little bit,

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<v Speaker 1>and it's all from a girl's perspective, which I thought

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<v Speaker 1>was really cool. And I mean, I didn't grow up poor.

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<v Speaker 1>Grew up like maybe lower middle class and Detroit. Both

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<v Speaker 1>of my parents are. My dad like worked death a

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<v Speaker 1>factory and my mom worked in an office. But I

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<v Speaker 1>learned about debt before I learned about earning, you know,

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<v Speaker 1>And I learned about hustling before I learned about nine

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<v Speaker 1>to five's, which is in all honesty probably why I'm

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<v Speaker 1>so success were like freelancing and why it doesn't like

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<v Speaker 1>like if you owe me money for my I'm going

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<v Speaker 1>to email you seventy three times at net sixty one.

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<v Speaker 1>I'm gonna be like, hello me again, there's money, me again,

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<v Speaker 1>the return of Shrek thing I wrote for me to

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<v Speaker 1>turn in on time, just Shreky seven because I've emailed

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<v Speaker 1>you fifty times. But yeah, I learned about debt before

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<v Speaker 1>I learned about earning. My parents didn't teach me like

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<v Speaker 1>a lot about money, but they taught me a lot

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<v Speaker 1>about debt, and I saw my parents paying stuff off

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<v Speaker 1>and all that kind of stuff. So I think I

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<v Speaker 1>just connected with this movie through that. Um Because I

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<v Speaker 1>might not know a lot about things like investing, and

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<v Speaker 1>I was gonna say, like NFTs and all that kind

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<v Speaker 1>of stuff, I know a ton about that. Yeah, yeah, yeah,

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<v Speaker 1>I know that this is actually a finance podcast. That's

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<v Speaker 1>why I want to come on here, um finance bros.

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<v Speaker 1>But I um, so, I might not know a lot

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<v Speaker 1>about that stuff, but I know about hustling. I'm always

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<v Speaker 1>going to make a work. I can always get, you

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<v Speaker 1>know what I mean, and this feels very similar to

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<v Speaker 1>the story in the film. And I just thought it

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<v Speaker 1>was dope, Like is it chaotic and is it kind

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<v Speaker 1>of breaking apart at a lot of things. Yeah, But

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<v Speaker 1>for the main part, I just thought it was a

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<v Speaker 1>really dope movie to talk about like debt collecting from

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<v Speaker 1>a girl's perspective, and from the inside it was just dope.

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<v Speaker 1>So yeah, I do appreciate that it's a movie about

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<v Speaker 1>like hustling, slash doing shady shit to get money from

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<v Speaker 1>a woman's perspective, because there are so many movies about

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<v Speaker 1>that centering men, yea, all that Wolf of Wall Street

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<v Speaker 1>type shit and all that kind of stuff money, but

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<v Speaker 1>all of these movies about men scamming and getting money,

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<v Speaker 1>but it's never And also I liked that it was

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<v Speaker 1>from the point of view of her, like she was

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<v Speaker 1>trying to pay off student loans, like she wasn't trying

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<v Speaker 1>to like I guess in those other movies and other

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<v Speaker 1>films they're always trying to just like make a buck

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<v Speaker 1>to stay ahead and get on top. But she was

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<v Speaker 1>doing it because she was literally just trying to like

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<v Speaker 1>pay off her ship and then wanting to do you

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<v Speaker 1>know what I mean. So I just thought it was dope.

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<v Speaker 1>I thought it was great. It's one of like the

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<v Speaker 1>dopest films that I was seen about, like Debt and

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<v Speaker 1>Debt Collecting, that is from a real something I could

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<v Speaker 1>connect with, like that kind of perspective. Yeah. Nice. Yeah,

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<v Speaker 1>I had not heard of this movie until you brought

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<v Speaker 1>it to us, so my relationship with it is very brief.

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<v Speaker 1>But yeah, I think it posits some interesting things for

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<v Speaker 1>us to discuss. I love that side to side to Babbo.

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<v Speaker 1>It's like I have a lot to say, but not

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<v Speaker 1>right now, but I guess I'll just have to wait

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<v Speaker 1>and find out. I did. Like I mean, there's I've

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<v Speaker 1>not spent a ton of time in Buffalo, and I'd

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<v Speaker 1>be curious, like for people who are from Buffalo, like

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<v Speaker 1>how they felt their city was portrayed, because I always,

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<v Speaker 1>I don't know, every time I see something that specific,

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<v Speaker 1>I remember how like flamingly angry I get when I

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<v Speaker 1>feel Massachusetts has been misrepresented in television or filmed, and

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<v Speaker 1>so I am curious, especially in like a comedy. Usually

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<v Speaker 1>I feel like there were I don't know, Buffalo heads

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<v Speaker 1>sound off because they were talking so much about wings

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<v Speaker 1>and I'm like you know, there's a lot of wing talk.

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<v Speaker 1>It's like if it's a movie about Boston and we're

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<v Speaker 1>only talking about beans. I didn't know that about Buffalo either,

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<v Speaker 1>So I would like for someone to be like, is

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<v Speaker 1>it really that big of a because I didn't know that.

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<v Speaker 1>I didn't know the Buffalo was known for wings. I

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<v Speaker 1>did not know that Buffalofalo. I was like, wait, who's

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<v Speaker 1>gonna tell you? Oh my god, I don't know why

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<v Speaker 1>I didn't connect that to the city, but just the animal,

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<v Speaker 1>it's I mean, it's like a super I don't know.

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<v Speaker 1>I like, did hotdog research in Buffalo, so I spent

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<v Speaker 1>That's why I've spent time there. Oh my god. They

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<v Speaker 1>keep referencing Anchor Bar, which is like, technically I think

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<v Speaker 1>the birthplace of Buffalo wings. Buffalo wings also invented by

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<v Speaker 1>a woman. Happy Women's History Month. Wow, Yes, yes, girl bosses, rejoice.

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<v Speaker 1>I'm learning so much about wings today. I hate that

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<v Speaker 1>I know so much. I love that you know so

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<v Speaker 1>much about that. Wow. Look at that Women's History Month.

0:13:37.559 --> 0:13:41.520
<v Speaker 1>Everyone look at that truly. I mean, what can't we do?

0:13:42.880 --> 0:13:47.080
<v Speaker 1>While you were discovering that buffalo wings come from Buffalo,

0:13:47.600 --> 0:13:52.720
<v Speaker 1>I was googling the writer of the movie, Brian Socca,

0:13:52.920 --> 0:13:57.320
<v Speaker 1>who is from yes Lockport, New York. And then based

0:13:57.360 --> 0:14:01.240
<v Speaker 1>on a quick little Google Maps search, I discovered that

0:14:01.320 --> 0:14:05.800
<v Speaker 1>it appears to be a suburb of Buffalo. So so

0:14:05.840 --> 0:14:10.080
<v Speaker 1>the writer is he's a Buffalo head. He's a Buffalo head. Yeah,

0:14:10.080 --> 0:14:13.000
<v Speaker 1>but we let Matt Damon write movies about Boston, you know,

0:14:13.040 --> 0:14:15.840
<v Speaker 1>so you're just not It's you can't just trust a

0:14:15.920 --> 0:14:18.439
<v Speaker 1>single I just want to know what the Buffalo heads

0:14:18.440 --> 0:14:22.120
<v Speaker 1>are saying. Sure, I've been. I've been to Anchor Bar,

0:14:22.960 --> 0:14:25.960
<v Speaker 1>I've gone to the source. You're just bragging so much,

0:14:26.120 --> 0:14:30.040
<v Speaker 1>Jamie on this episode. I'm sorry. Yeah, And I had

0:14:30.080 --> 0:14:33.480
<v Speaker 1>Buffalo one day and I tried to get jealous. I

0:14:33.560 --> 0:14:35.960
<v Speaker 1>was about to say that I've never been to Buffalo,

0:14:36.120 --> 0:14:40.280
<v Speaker 1>but then I am lying because I'm realizing how close

0:14:40.280 --> 0:14:43.800
<v Speaker 1>it is to Niagara Falls, where I have been. And

0:14:43.800 --> 0:14:46.200
<v Speaker 1>then I was like, all right, Oh, who's bragg great

0:14:46.400 --> 0:14:49.680
<v Speaker 1>uncle who lived in Buffalo, and I have been there.

0:14:49.880 --> 0:14:53.600
<v Speaker 1>They've got good dogs. Shows you what I know? Well,

0:14:53.600 --> 0:14:57.560
<v Speaker 1>shut out Buffalo. I'm a Buffalo fan, fan, fan of

0:14:57.560 --> 0:15:01.720
<v Speaker 1>the buff I had not seen this movie before. I

0:15:01.840 --> 0:15:04.000
<v Speaker 1>have like a lot of mixed feelings about this movie

0:15:04.040 --> 0:15:06.560
<v Speaker 1>because I think you're like, I totally agree with you, Shelley,

0:15:06.600 --> 0:15:09.480
<v Speaker 1>where it feels like this is like and I feel

0:15:09.480 --> 0:15:13.000
<v Speaker 1>like it's probably like intentionally done where it feels like

0:15:13.160 --> 0:15:20.440
<v Speaker 1>a working class female perspective take on the big short format,

0:15:20.440 --> 0:15:23.680
<v Speaker 1>because there's a few different moments where she big shorts

0:15:24.240 --> 0:15:27.480
<v Speaker 1>and is like, here's how money works, and you're like,

0:15:28.800 --> 0:15:32.240
<v Speaker 1>she's big shorting, she's wolfing of Wall streeting. She is

0:15:32.240 --> 0:15:35.600
<v Speaker 1>definitely wolfing of Wall streeting. Yeah, she's wolfing out. And

0:15:35.640 --> 0:15:38.320
<v Speaker 1>I do like, yeah, like the how like the whole

0:15:38.360 --> 0:15:43.040
<v Speaker 1>framework of this movie is about how she becomes this

0:15:43.280 --> 0:15:47.160
<v Speaker 1>like huge hustler, kind of like super villainous character but

0:15:47.680 --> 0:15:51.080
<v Speaker 1>started by just trying to like get by, and there's

0:15:51.280 --> 0:15:53.400
<v Speaker 1>all this emphasis on how the system is set up

0:15:53.440 --> 0:15:55.880
<v Speaker 1>to fail her and the only way that she can

0:15:55.960 --> 0:15:59.200
<v Speaker 1>survive is by becoming a girl boss super villain. I

0:15:59.240 --> 0:16:01.000
<v Speaker 1>don't know. But then there's other stuff about this movie

0:16:01.040 --> 0:16:05.840
<v Speaker 1>that I was like, huh, but I'm really excited to

0:16:05.840 --> 0:16:08.120
<v Speaker 1>talk about it. I think it's I've never seen a

0:16:08.160 --> 0:16:10.440
<v Speaker 1>movie like it. And I also like, don't think that

0:16:10.440 --> 0:16:13.880
<v Speaker 1>there's like what you're you're saying, like there's not a

0:16:13.880 --> 0:16:16.520
<v Speaker 1>lot of movies that even attempts to have this discussion.

0:16:16.680 --> 0:16:18.200
<v Speaker 1>And I'm really glad that this movie is like a

0:16:18.240 --> 0:16:21.160
<v Speaker 1>really clear agenda of like wanting to talk about it.

0:16:21.440 --> 0:16:24.960
<v Speaker 1>And it felt like cathartic and cool to see stuff

0:16:24.960 --> 0:16:27.280
<v Speaker 1>like that addressed, because yeah, I grew up in like

0:16:27.360 --> 0:16:30.320
<v Speaker 1>a lower middle class family and I can't relate to

0:16:31.240 --> 0:16:34.640
<v Speaker 1>PEG's life directly. And I also didn't eat that many

0:16:34.680 --> 0:16:37.080
<v Speaker 1>wings and so it's kind like we were I was

0:16:37.240 --> 0:16:41.880
<v Speaker 1>too busy eating beans. But yeah, like the pressure to

0:16:42.000 --> 0:16:43.440
<v Speaker 1>like you have to figure out how to get by

0:16:43.480 --> 0:16:47.200
<v Speaker 1>in a system that's set up to ruin your life. Yeah,

0:16:47.240 --> 0:16:49.840
<v Speaker 1>I'm glad. I'm glad it's discussed. I'm glad that this

0:16:49.880 --> 0:16:53.680
<v Speaker 1>movie exists. Also, um, I did want to say the

0:16:53.760 --> 0:16:56.920
<v Speaker 1>other thing that brought me to this movie was Judy

0:16:56.960 --> 0:17:00.400
<v Speaker 1>Greer in the trailer, I was like, oh, for sure.

0:17:00.600 --> 0:17:03.000
<v Speaker 1>Ever since Job Breaker, I've just been like I will

0:17:03.080 --> 0:17:07.359
<v Speaker 1>follow you anywhere. And also I am really sad to

0:17:07.400 --> 0:17:10.280
<v Speaker 1>talk about this, but Reboot being canceled really made me

0:17:10.840 --> 0:17:14.280
<v Speaker 1>pretty upset. I loved that shows. It was really good

0:17:14.320 --> 0:17:16.200
<v Speaker 1>and I don't think it got the fair chance. Yeah,

0:17:16.240 --> 0:17:18.639
<v Speaker 1>it was really smart, it was really funny, really witty.

0:17:18.720 --> 0:17:20.720
<v Speaker 1>But yeah, Judy also bought me to this movie. I

0:17:20.800 --> 0:17:24.320
<v Speaker 1>was like, yes, Like, what the fuck we still haven't

0:17:24.359 --> 0:17:29.160
<v Speaker 1>covered job Breaker show? And that's classic wilds. I don't

0:17:29.200 --> 0:17:33.280
<v Speaker 1>know how we even well, Shreky, come on back anytime,

0:17:34.640 --> 0:17:36.840
<v Speaker 1>job Breaker the return of the Turn to talk about

0:17:36.920 --> 0:17:42.440
<v Speaker 1>job Breaker of all films, Oh listen, absolutely Clueless Gone wrong,

0:17:43.040 --> 0:17:47.000
<v Speaker 1>just for clueless, Clueless gone bad. As I like to say,

0:17:48.880 --> 0:17:51.240
<v Speaker 1>let's do it, let's get it on the books. But

0:17:51.359 --> 0:17:54.199
<v Speaker 1>in the meantime, well, let's take a quick break and

0:17:54.240 --> 0:18:07.560
<v Speaker 1>then let's come back and recap buffaloed and we're back back.

0:18:08.280 --> 0:18:12.119
<v Speaker 1>I just keep cracking myself up. You're at how my

0:18:12.240 --> 0:18:18.080
<v Speaker 1>voice is cracking so much? Anyway, here's the plot of

0:18:18.480 --> 0:18:25.280
<v Speaker 1>Buffalo We open in media rez Okay, master's degree in

0:18:25.359 --> 0:18:29.560
<v Speaker 1>screenwriting coming up again. That's that's a five figure term.

0:18:29.640 --> 0:18:35.679
<v Speaker 1>Baby yeah, um where peg Doll played by Zoe Dutch.

0:18:36.040 --> 0:18:38.760
<v Speaker 1>I think it's Deutsch? Is it Deutsch? Oh? Is it Deutsch?

0:18:39.600 --> 0:18:43.160
<v Speaker 1>I never I never know. I want to say Dutch,

0:18:43.200 --> 0:18:45.760
<v Speaker 1>but I think it might be Deutsch. But whenever that happens,

0:18:45.880 --> 0:18:47.840
<v Speaker 1>I think I'm when I'm thinking it's like supposed to

0:18:47.880 --> 0:18:51.000
<v Speaker 1>be fancier. I always hear when they're just like, no,

0:18:51.200 --> 0:18:55.439
<v Speaker 1>it's it's just it's Dutch. It's just Dutch. It's just Dutch.

0:18:55.600 --> 0:18:56.920
<v Speaker 1>I was like, oh, I would love for her to

0:18:57.000 --> 0:19:02.199
<v Speaker 1>yell at me. It's just Dutch. Like it's just like,

0:19:02.320 --> 0:19:05.040
<v Speaker 1>you know what, sure, no problem, it is okay fine.

0:19:05.240 --> 0:19:09.040
<v Speaker 1>Zoey Dutch or Deutsch is running through Buffalo, New York.

0:19:09.760 --> 0:19:12.600
<v Speaker 1>She stops in front of a building. She fires a

0:19:12.640 --> 0:19:16.760
<v Speaker 1>gun into the air and screams, I'm gonna kill you,

0:19:16.760 --> 0:19:20.119
<v Speaker 1>you fucking jag Off. And we're like, oh my gosh,

0:19:20.160 --> 0:19:24.600
<v Speaker 1>what's happening to get a gun? And it's like gold, Yeah,

0:19:24.640 --> 0:19:28.320
<v Speaker 1>I love it. It's a lot, it's intense. It's a

0:19:28.359 --> 0:19:32.479
<v Speaker 1>good opening. Then we cut two peg as a child,

0:19:32.800 --> 0:19:36.480
<v Speaker 1>she's giving a presentation to her brother j J and

0:19:36.760 --> 0:19:39.720
<v Speaker 1>her mom played by a Judy Creer. Did either of

0:19:39.760 --> 0:19:41.680
<v Speaker 1>you ever do that when you were kids, like give

0:19:41.680 --> 0:19:43.879
<v Speaker 1>a presentation of like why I should be able to

0:19:44.000 --> 0:19:49.440
<v Speaker 1>sing slutely? Okay? Sam? A thousand percent? A thousand percent.

0:19:49.800 --> 0:19:52.399
<v Speaker 1>I kind of wonder. I'm like, I feel like I

0:19:52.480 --> 0:19:56.000
<v Speaker 1>must have seen that convention happen on TV at some

0:19:56.080 --> 0:19:59.800
<v Speaker 1>point and been like, oh yeah, amazing idea, and like

0:20:00.080 --> 0:20:03.120
<v Speaker 1>why I should be able to stay over Samantha's house

0:20:03.240 --> 0:20:08.239
<v Speaker 1>this Week by Jamie Mine. I did it for I

0:20:08.240 --> 0:20:14.160
<v Speaker 1>Saw a Camp Nowhere, which another classic classic film, Saw

0:20:14.160 --> 0:20:17.520
<v Speaker 1>a Camp Nowhere on Repaint, rented it so many times,

0:20:17.560 --> 0:20:20.200
<v Speaker 1>and I was like, I'm going to fucking sleep away

0:20:20.280 --> 0:20:23.600
<v Speaker 1>camp and I'm going to do a presentation as to why.

0:20:23.920 --> 0:20:25.679
<v Speaker 1>And that was what I did, like one of my

0:20:25.880 --> 0:20:29.520
<v Speaker 1>many presentations too, to my family. And I went to

0:20:29.600 --> 0:20:32.840
<v Speaker 1>camp that summer like it were. It was like for

0:20:32.880 --> 0:20:36.040
<v Speaker 1>the summer of eighth like after eighth grade, like right

0:20:36.080 --> 0:20:39.480
<v Speaker 1>before going into high school. And honestly, it changed my

0:20:39.560 --> 0:20:43.240
<v Speaker 1>life for the best. But yeah, I was like, if

0:20:43.280 --> 0:20:47.280
<v Speaker 1>I were a parent right now and a kid gave

0:20:47.400 --> 0:20:50.600
<v Speaker 1>me like took the time and I could do it,

0:20:50.640 --> 0:20:52.919
<v Speaker 1>I'd be like, yeah, I gotta hand it to you,

0:20:53.200 --> 0:20:55.880
<v Speaker 1>Like look at this slip, at this damn power point. Yeah,

0:20:55.920 --> 0:20:59.080
<v Speaker 1>I'd been so proud of them, the effort that Mercedes bends.

0:20:59.119 --> 0:21:03.760
<v Speaker 1>You want it, Yeah, he got it. He got a kid. Well.

0:21:03.800 --> 0:21:12.199
<v Speaker 1>Peg is pitching peg Ink, which is her company something Something.

0:21:12.400 --> 0:21:16.280
<v Speaker 1>She wants to invest money to grow a college fund

0:21:16.560 --> 0:21:19.119
<v Speaker 1>so that she can go to an Ivy League school,

0:21:19.560 --> 0:21:23.159
<v Speaker 1>and she wants a one thousand dollars loan from her mom,

0:21:23.880 --> 0:21:26.520
<v Speaker 1>but her mom says, I don't have that kind of money.

0:21:26.640 --> 0:21:29.760
<v Speaker 1>I'm already in a ton of debt myself. And then

0:21:29.760 --> 0:21:33.359
<v Speaker 1>she gets a call from a debt collector. But Peg

0:21:33.560 --> 0:21:37.880
<v Speaker 1>is hyper focused on making as much money as possible

0:21:38.000 --> 0:21:44.080
<v Speaker 1>to secure financial freedom for her future. So throughout her

0:21:44.160 --> 0:21:50.920
<v Speaker 1>youth she does various griffs. She's selling buffalo wings as

0:21:50.920 --> 0:21:56.439
<v Speaker 1>if she's at a lemonade stand, she's selling cigarettes to teenagers.

0:21:56.520 --> 0:22:01.120
<v Speaker 1>She starts selling counterfeit buffalo bills, tickets all to pay

0:22:01.400 --> 0:22:05.560
<v Speaker 1>for and this Ivy League education that she does get into.

0:22:05.640 --> 0:22:11.200
<v Speaker 1>She gets accepted into a prestigious school, but she realizes

0:22:11.320 --> 0:22:13.960
<v Speaker 1>that she probably won't be able to pay for it.

0:22:14.320 --> 0:22:18.439
<v Speaker 1>The scene where she gets into college, I thought was

0:22:18.520 --> 0:22:21.280
<v Speaker 1>so that was like one of my favorite moments in

0:22:21.320 --> 0:22:24.760
<v Speaker 1>the movie of like how well it handled the idea

0:22:25.040 --> 0:22:29.320
<v Speaker 1>of debt even like generationally, because like between our generation

0:22:29.359 --> 0:22:32.200
<v Speaker 1>and our parents generation that wherever, like I know we

0:22:32.480 --> 0:22:34.040
<v Speaker 1>all know this and so to our listeners, but like

0:22:34.080 --> 0:22:38.240
<v Speaker 1>the you know, the way that college educations were monetized

0:22:38.359 --> 0:22:40.959
<v Speaker 1>changed so significantly, and so it's like when I was

0:22:41.600 --> 0:22:45.080
<v Speaker 1>trying to go to college, like My parents also, similar

0:22:45.119 --> 0:22:47.280
<v Speaker 1>to the Judy Greer character, were like you got in.

0:22:47.480 --> 0:22:50.639
<v Speaker 1>That's awesome, you should go, and then like I couldn't

0:22:50.680 --> 0:22:53.440
<v Speaker 1>go to the school I wanted to go to because like,

0:22:53.600 --> 0:22:56.080
<v Speaker 1>once we looked at it, it was like, oh, just kidding,

0:22:57.040 --> 0:22:59.959
<v Speaker 1>false alarm, this is impossible and you can't do it.

0:23:00.040 --> 0:23:03.399
<v Speaker 1>And Judie Grew's character's reaction where she's like, I don't know,

0:23:03.440 --> 0:23:05.119
<v Speaker 1>I don't know how this ship works, like you got in,

0:23:05.200 --> 0:23:08.560
<v Speaker 1>yeah you should go, and like it's like there's almost

0:23:08.560 --> 0:23:12.320
<v Speaker 1>so many people in our generation that experienced that and

0:23:12.359 --> 0:23:15.760
<v Speaker 1>then got completely fucked like yeah, yeah, yeah, no, the

0:23:15.840 --> 0:23:19.200
<v Speaker 1>same thing that happened to me, Like when I accepted

0:23:19.240 --> 0:23:22.080
<v Speaker 1>into the college that I originally wanted to go to.

0:23:23.040 --> 0:23:24.960
<v Speaker 1>But the thing is both my parents that are very

0:23:25.000 --> 0:23:28.520
<v Speaker 1>like different. My dad is very like, I mean, we'll

0:23:28.560 --> 0:23:31.239
<v Speaker 1>figure it out, and my mom is very like, um,

0:23:31.800 --> 0:23:35.440
<v Speaker 1>yeah we will, but still no, you can't go there.

0:23:36.040 --> 0:23:38.600
<v Speaker 1>And so I had the same situation Like I got

0:23:38.600 --> 0:23:41.200
<v Speaker 1>accepted to this college. I was super excited, but then

0:23:41.560 --> 0:23:46.080
<v Speaker 1>the realization hit was like, oh, we cannot afford that.

0:23:46.400 --> 0:23:49.240
<v Speaker 1>And because my school, my high school, like didn't teach

0:23:49.320 --> 0:23:51.320
<v Speaker 1>us a lot about like scholarships and stuff. My dad

0:23:51.400 --> 0:23:53.560
<v Speaker 1>was like, yeah, you get a scholarship or grant. It

0:23:53.600 --> 0:23:57.080
<v Speaker 1>was too late to start doing all that, you know,

0:23:57.320 --> 0:24:01.159
<v Speaker 1>So I ended up going to another their school that

0:24:01.800 --> 0:24:07.119
<v Speaker 1>still was like fucked me over, like yeah, like huge,

0:24:07.480 --> 0:24:09.040
<v Speaker 1>and I was like, shit, I should have just went

0:24:09.119 --> 0:24:13.280
<v Speaker 1>to school I wanted to go to if I was

0:24:13.320 --> 0:24:16.600
<v Speaker 1>going to be fucked anyway. Yeah. So, and I think

0:24:16.600 --> 0:24:19.280
<v Speaker 1>you're right about that generational ship too, because my parents

0:24:19.280 --> 0:24:22.440
<v Speaker 1>didn't know half of the stuff that these people, these

0:24:22.480 --> 0:24:24.760
<v Speaker 1>loan officers and stuff were talking to them about, you

0:24:24.800 --> 0:24:26.800
<v Speaker 1>know what I mean. So of course they just wanted

0:24:26.800 --> 0:24:28.199
<v Speaker 1>me to be able to go to school, so we

0:24:28.240 --> 0:24:32.320
<v Speaker 1>signed so much shit, and like it is just I

0:24:32.359 --> 0:24:34.560
<v Speaker 1>think that was definitely the start of me being like

0:24:35.359 --> 0:24:39.159
<v Speaker 1>this is predatory and I need to like just I

0:24:39.200 --> 0:24:41.760
<v Speaker 1>would rather hustle my ass off and like pay for

0:24:41.880 --> 0:24:44.720
<v Speaker 1>quarter for quarter versus doing the ship that I ended

0:24:44.800 --> 0:24:49.200
<v Speaker 1>up doing. Yeah, it's so fresh, and it's like we

0:24:49.200 --> 0:24:51.600
<v Speaker 1>were lucky that we even got to do that, which

0:24:51.640 --> 0:24:55.520
<v Speaker 1>is ridiculous, like it Yeah, I remember, like the movie

0:24:55.520 --> 0:24:58.240
<v Speaker 1>doesn't go into this much detail on like student loans specifically,

0:24:58.400 --> 0:25:00.320
<v Speaker 1>and it did make me want a movie about student

0:25:00.359 --> 0:25:05.320
<v Speaker 1>loans specifically, because there was like I remember, like this

0:25:05.400 --> 0:25:07.320
<v Speaker 1>was like early twenty times, but like the huge there's

0:25:07.320 --> 0:25:09.840
<v Speaker 1>a huge confusion in my household about like what is

0:25:09.880 --> 0:25:12.399
<v Speaker 1>a federal loan and what is a private loan and

0:25:12.480 --> 0:25:14.520
<v Speaker 1>like what does that mean? And I think we were

0:25:14.560 --> 0:25:17.760
<v Speaker 1>sort of like confused into believing that a federal loan

0:25:17.920 --> 0:25:21.320
<v Speaker 1>was like good and like they're not gonna give you shit,

0:25:21.520 --> 0:25:24.640
<v Speaker 1>which is not true at all. They all fucking suck

0:25:24.720 --> 0:25:28.080
<v Speaker 1>like private loans or maybe like worse, but federal loans

0:25:28.119 --> 0:25:31.000
<v Speaker 1>are not working for you in any way, and like

0:25:31.320 --> 0:25:33.879
<v Speaker 1>the way that we I don't know, like, yeah, I

0:25:33.880 --> 0:25:35.639
<v Speaker 1>think like part of the reason I was able to

0:25:35.680 --> 0:25:37.800
<v Speaker 1>pay down my student debt was because, like you know,

0:25:37.880 --> 0:25:39.560
<v Speaker 1>I didn't go to the school I wanted to go to.

0:25:39.600 --> 0:25:41.120
<v Speaker 1>I went to the school that offered the most money.

0:25:41.359 --> 0:25:43.439
<v Speaker 1>And then on top of that, like because of the

0:25:43.480 --> 0:25:46.320
<v Speaker 1>way that like we fucked up the loans that we

0:25:46.480 --> 0:25:48.720
<v Speaker 1>chose and so I had to start paying it back

0:25:48.840 --> 0:25:51.920
<v Speaker 1>right away and worked full time through college because they

0:25:51.920 --> 0:25:56.439
<v Speaker 1>were like, well, you signed one thing one time, so sorry,

0:25:56.640 --> 0:25:59.320
<v Speaker 1>like go fuck yourself, like get a job, time to

0:25:59.359 --> 0:26:02.840
<v Speaker 1>start cool thing. Yeah, yeah, you're a freshman in college.

0:26:02.920 --> 0:26:07.240
<v Speaker 1>But anyway, you want us money already? Yeah, figure it out, bitch.

0:26:08.600 --> 0:26:10.879
<v Speaker 1>And it just like it drives me nuts because it's like,

0:26:11.040 --> 0:26:14.560
<v Speaker 1>you know, I'm I don't know the way people talk

0:26:14.600 --> 0:26:17.520
<v Speaker 1>about it, even people our age sometimes where it's like, yeah,

0:26:17.600 --> 0:26:20.920
<v Speaker 1>I'm like proud that I was able to make that

0:26:21.240 --> 0:26:24.960
<v Speaker 1>impossible situation work, but like I wouldn't wish that on anyone.

0:26:25.119 --> 0:26:28.640
<v Speaker 1>And there's that's that's the other generational thing where people

0:26:28.680 --> 0:26:30.760
<v Speaker 1>are like, well, I had to do it, so you

0:26:30.800 --> 0:26:33.200
<v Speaker 1>should have to. And it's like, no, I shouldn't want

0:26:33.280 --> 0:26:35.199
<v Speaker 1>to do that. I don't want anyone to have to

0:26:35.240 --> 0:26:36.880
<v Speaker 1>do I don't want anyone to have to do this,

0:26:36.920 --> 0:26:39.720
<v Speaker 1>so I don't want Yeah, it's fucking terrible. It's terrible,

0:26:39.960 --> 0:26:42.120
<v Speaker 1>and there's so much to talk about, but I'll wait.

0:26:42.480 --> 0:26:47.240
<v Speaker 1>We're only ten minutes into the movie. But anyways, I

0:26:47.240 --> 0:26:49.439
<v Speaker 1>thought that scene was really well done. Yeah, I agree.

0:26:49.640 --> 0:26:53.440
<v Speaker 1>And then what happens next is she gets arrested for

0:26:53.640 --> 0:26:57.400
<v Speaker 1>selling the counterfeit tickets. She goes to court where her

0:26:57.520 --> 0:27:01.359
<v Speaker 1>lawyer gets in a fight with the judge while the

0:27:01.520 --> 0:27:07.440
<v Speaker 1>prosecuting attorney, Graham played by Jermaine Fowler, just like watches

0:27:07.560 --> 0:27:11.600
<v Speaker 1>this unfold, and then Peg is thrown in jail and

0:27:12.119 --> 0:27:16.439
<v Speaker 1>starts hustling in jail selling go Gurt. I love it.

0:27:16.560 --> 0:27:20.560
<v Speaker 1>She really can't be stopped. She cannot be stopped. And

0:27:20.640 --> 0:27:23.159
<v Speaker 1>I'm telling you that. I'll get into it later. But

0:27:23.240 --> 0:27:27.720
<v Speaker 1>her hustle mentality is what makes me made me fall

0:27:27.720 --> 0:27:30.120
<v Speaker 1>in love because it's me. It's me. I'm like, oh,

0:27:30.160 --> 0:27:33.320
<v Speaker 1>I'm in this situation. Cool, So I'm going to figure

0:27:33.400 --> 0:27:35.679
<v Speaker 1>this out. This it's just always in me, and I

0:27:35.720 --> 0:27:39.960
<v Speaker 1>get it from my mom, like it's insane. I'm excited. Yeah,

0:27:39.960 --> 0:27:43.560
<v Speaker 1>because there are so many Wolf of Wall Street parallels

0:27:44.080 --> 0:27:48.120
<v Speaker 1>here where she just I do respect a character that's

0:27:48.160 --> 0:27:54.159
<v Speaker 1>like I refuse to improve. Okay, cool, I'm going to

0:27:54.240 --> 0:28:00.640
<v Speaker 1>meet you where you are. Yeah, understood. One's proceeds. She's

0:28:00.640 --> 0:28:05.040
<v Speaker 1>selling Gogert in prison because she's still fifty thousand dollars

0:28:05.080 --> 0:28:08.840
<v Speaker 1>in debt from all of her legal fees. Also, debt

0:28:08.880 --> 0:28:13.040
<v Speaker 1>collectors are still after her mom, so she's just trying

0:28:13.040 --> 0:28:17.560
<v Speaker 1>to alleviate this debt. After around three years in prison,

0:28:18.240 --> 0:28:23.440
<v Speaker 1>she gets out PEG's brother, JJ, now played by Noah Reid,

0:28:24.200 --> 0:28:26.320
<v Speaker 1>who I think a lot of people would recognize from

0:28:26.480 --> 0:28:30.240
<v Speaker 1>Shit's Creek gives her a job at the bar that

0:28:30.320 --> 0:28:35.800
<v Speaker 1>he bought, where Peg runs into Graham, that prosecutor or

0:28:35.880 --> 0:28:40.520
<v Speaker 1>more like prosecute because he's trying to flirt with her.

0:28:42.440 --> 0:28:46.720
<v Speaker 1>I love Jermaine Fowlers so much. He's like saying the greatest.

0:28:48.400 --> 0:28:52.400
<v Speaker 1>His character is so confusing to me. He's just all

0:28:52.440 --> 0:28:56.240
<v Speaker 1>over the place. It's not his fault, I don't Understand's

0:28:56.320 --> 0:28:59.680
<v Speaker 1>the one thing that I did not dig because when

0:28:59.720 --> 0:29:03.200
<v Speaker 1>were I'm like trying to scam a system just a

0:29:03.240 --> 0:29:05.480
<v Speaker 1>little bit, and you're just like not going to go

0:29:05.520 --> 0:29:10.000
<v Speaker 1>to dinner with me? What? Well, it's like his whole day.

0:29:10.040 --> 0:29:13.000
<v Speaker 1>I just look like he is so like weirdly inconsistent,

0:29:13.000 --> 0:29:16.200
<v Speaker 1>where it seemed like in every scene he discovered she

0:29:16.280 --> 0:29:19.440
<v Speaker 1>was a debt collector, and I was like, you know this,

0:29:19.760 --> 0:29:22.440
<v Speaker 1>like I just saw you learn this in the last scene,

0:29:22.600 --> 0:29:24.680
<v Speaker 1>But up until like the end of the second act,

0:29:24.720 --> 0:29:29.520
<v Speaker 1>he's like you do what. I was like, like, you

0:29:29.600 --> 0:29:36.640
<v Speaker 1>know this man? She keeps telling you. Yeah, confusing, but

0:29:36.920 --> 0:29:41.160
<v Speaker 1>it's Deny. I think he recognizes her as the person

0:29:41.200 --> 0:29:44.000
<v Speaker 1>that he like put away, like put in jail three

0:29:44.080 --> 0:29:46.920
<v Speaker 1>years earlier. Yeah, but he's like, oh, let me buy

0:29:46.920 --> 0:29:49.960
<v Speaker 1>you dinner and she's like, um, you put me in

0:29:50.160 --> 0:29:53.120
<v Speaker 1>jail by I don't want to hang out with you.

0:29:53.240 --> 0:29:55.760
<v Speaker 1>I don't want to get wings with you, mister Powler.

0:29:55.880 --> 0:29:58.160
<v Speaker 1>I don't want to do this with you. And it's

0:29:58.160 --> 0:29:59.960
<v Speaker 1>not like I don't believe that, you know, people who

0:30:00.080 --> 0:30:03.000
<v Speaker 1>work for the DA's office can get away with all

0:30:03.000 --> 0:30:05.520
<v Speaker 1>sorts of shit, like I'm sure that's true. But I

0:30:05.600 --> 0:30:08.960
<v Speaker 1>was just like, is you know what? How is this allowed?

0:30:09.440 --> 0:30:13.200
<v Speaker 1>They're like, I'm clear, I don't know. It's so confusing,

0:30:13.480 --> 0:30:15.479
<v Speaker 1>but you know, I love I love to see your

0:30:15.520 --> 0:30:17.560
<v Speaker 1>maid Fowler. I was like, cool. I thought they had

0:30:17.560 --> 0:30:20.600
<v Speaker 1>like fun chemistry too, but the relationship was like I

0:30:20.640 --> 0:30:22.360
<v Speaker 1>just don't understand. And then at the very end, he

0:30:22.440 --> 0:30:26.720
<v Speaker 1>was like, well, guess what peg my grandfather like was it?

0:30:26.800 --> 0:30:29.000
<v Speaker 1>Which is like pulling from real life, you know, things

0:30:29.000 --> 0:30:31.160
<v Speaker 1>that happened in real life and are very tragic. He says,

0:30:31.200 --> 0:30:35.080
<v Speaker 1>like my grandfather was completely fucked over by debt collection

0:30:35.160 --> 0:30:37.320
<v Speaker 1>and then was on house and then passed away before

0:30:37.320 --> 0:30:39.600
<v Speaker 1>it was resolved. But I was like, but why are

0:30:39.600 --> 0:30:42.000
<v Speaker 1>you bringing this up now now? Like you could have

0:30:42.000 --> 0:30:46.960
<v Speaker 1>told me that so many times. Yeah, but now when

0:30:47.000 --> 0:30:49.600
<v Speaker 1>things are wrapping up like it sounds like her job

0:30:49.720 --> 0:30:52.880
<v Speaker 1>is a deal breaker for you. Why do you keep

0:30:52.960 --> 0:30:58.920
<v Speaker 1>showing up. He's also actively investigating the company that she works. Yeah,

0:30:59.440 --> 0:31:02.360
<v Speaker 1>it's a won't work out. This is not for us,

0:31:02.440 --> 0:31:04.920
<v Speaker 1>and he acknowledges that. He's like, this is going to

0:31:05.000 --> 0:31:08.320
<v Speaker 1>be a conflict of interest. But they still have sex

0:31:08.680 --> 0:31:12.000
<v Speaker 1>so many times. Maybe the realism is that the DA's

0:31:12.040 --> 0:31:17.800
<v Speaker 1>office is unethical and incompetent. Sure, but I was confused

0:31:17.800 --> 0:31:19.560
<v Speaker 1>because it seems like we were supposed to be rooting

0:31:19.560 --> 0:31:21.600
<v Speaker 1>for him, and I was like, but he's doing such

0:31:21.600 --> 0:31:25.400
<v Speaker 1>a bad job. He's bad. And then and then at

0:31:25.440 --> 0:31:27.240
<v Speaker 1>the end, like I don't know, and she's like, I

0:31:27.280 --> 0:31:30.160
<v Speaker 1>think he my boyfriend. I was like, all right, whatever,

0:31:30.400 --> 0:31:32.560
<v Speaker 1>you guys are you guys deserve each other. What are

0:31:32.560 --> 0:31:37.760
<v Speaker 1>you talking about? Well, then Peg gets a call from

0:31:37.840 --> 0:31:40.680
<v Speaker 1>a debt collector the screenwriter of the movie too he

0:31:40.680 --> 0:31:44.480
<v Speaker 1>plays sound Oh that's him. Oh gay? Yeah okay. So

0:31:44.520 --> 0:31:46.960
<v Speaker 1>after talking to him for a little bit and realizing

0:31:46.960 --> 0:31:50.760
<v Speaker 1>that he works in Buffalo, she realizes she can get

0:31:50.800 --> 0:31:54.440
<v Speaker 1>a job as a debt collector. Because another thing that

0:31:54.880 --> 0:31:58.120
<v Speaker 1>is examined in this movie is that because now she

0:31:59.160 --> 0:32:02.720
<v Speaker 1>like had served time, I'm in prison. She's very limited

0:32:02.880 --> 0:32:07.160
<v Speaker 1>in the jobs that she can apply for it and get.

0:32:07.960 --> 0:32:10.800
<v Speaker 1>But she's like, well, debt collecting is something I can

0:32:10.800 --> 0:32:15.000
<v Speaker 1>still do. She is like, this woman is a fucking bull.

0:32:15.440 --> 0:32:17.640
<v Speaker 1>Like if you tell her to know and then she's like,

0:32:17.920 --> 0:32:20.200
<v Speaker 1>I'm good, She's like, I'll do something fucked up. I

0:32:20.200 --> 0:32:23.800
<v Speaker 1>don't care like i'd like. So she gets a job

0:32:24.120 --> 0:32:28.840
<v Speaker 1>working for this guy named whiz Ji Courtney of I

0:32:29.000 --> 0:32:33.760
<v Speaker 1>Frankenstein Fame. Okay, we were talking about this before the

0:32:37.160 --> 0:32:42.880
<v Speaker 1>banging down the zoom door. Um, yeah, Ji Courtney. Let's

0:32:42.880 --> 0:32:44.840
<v Speaker 1>talk about Ji Courtney really quick, because here's the thing

0:32:44.880 --> 0:32:48.320
<v Speaker 1>about Jike Courtney. He was in I Frankenstein and we

0:32:48.480 --> 0:32:51.880
<v Speaker 1>hear at the Battle Castle Love I Frankenstein Ji Courtney

0:32:51.960 --> 0:32:55.880
<v Speaker 1>and I Frankenstein. He plays. Look, the man's got range.

0:32:56.280 --> 0:32:59.880
<v Speaker 1>First of all, he's Australian. Oh, you wouldn't know it.

0:33:00.200 --> 0:33:02.400
<v Speaker 1>In this one. He's secretly asked you do kind of

0:33:02.480 --> 0:33:04.680
<v Speaker 1>you can kind of tell and I Frankenstein. But that's

0:33:04.720 --> 0:33:08.480
<v Speaker 1>growth and we appreciate that from Dry Courtney because Sam

0:33:08.520 --> 0:33:10.920
<v Speaker 1>Worthington is in some of the most highest grossing movies

0:33:10.960 --> 0:33:12.560
<v Speaker 1>in the world and he still can't hide the fact

0:33:12.600 --> 0:33:15.560
<v Speaker 1>that he's Australian. What was that? What was that like

0:33:15.680 --> 0:33:20.000
<v Speaker 1>line from Avatar where he's like he's like playing a

0:33:20.120 --> 0:33:23.440
<v Speaker 1>US marine and he's like when you hit wool, You're like,

0:33:23.560 --> 0:33:27.280
<v Speaker 1>oh my god. Come on. Nobody thought to be like,

0:33:28.400 --> 0:33:33.160
<v Speaker 1>let's try that again. Can we get another take? Anyway? Yeah?

0:33:33.200 --> 0:33:37.240
<v Speaker 1>One more Sam, Sam, You're supposed to be from Michigan.

0:33:38.080 --> 0:33:42.080
<v Speaker 1>James Cameron was just too focused on something else on

0:33:42.120 --> 0:33:45.840
<v Speaker 1>set that day. This is and I we don't like

0:33:46.160 --> 0:33:49.480
<v Speaker 1>this word and the way that it's used in this context.

0:33:49.600 --> 0:33:52.240
<v Speaker 1>But the best example of that in Avatar is when

0:33:52.680 --> 0:33:57.239
<v Speaker 1>Sam Worthington's like at battle it's insane and you're like,

0:33:57.320 --> 0:34:01.640
<v Speaker 1>oh my god. Any Jai Courtney doesn't have that problem.

0:34:01.800 --> 0:34:05.040
<v Speaker 1>He plays mister Good and I Frankenstein. He plays an

0:34:05.080 --> 0:34:13.960
<v Speaker 1>angelic Gargoyle farrior who dies for Gargoyle recasts. Yeah. Yes,

0:34:14.360 --> 0:34:18.040
<v Speaker 1>And this one, he's Patriarchy, the guy one of our

0:34:18.239 --> 0:34:22.479
<v Speaker 1>favorite trophs, mister Patriarchy, and he's really making a meal

0:34:22.520 --> 0:34:27.080
<v Speaker 1>of it. He's just like growling. The dire movie. I

0:34:27.120 --> 0:34:31.160
<v Speaker 1>didn't love. The character was baffling to me, but I

0:34:31.200 --> 0:34:34.719
<v Speaker 1>loved the Jai Courtney performance. He was really he was

0:34:34.800 --> 0:34:38.200
<v Speaker 1>really going for it, mister patriarchy. Yeah, yeah, he was

0:34:38.239 --> 0:34:42.680
<v Speaker 1>giving it a one hundred and ten percent and speaking

0:34:42.719 --> 0:34:47.520
<v Speaker 1>of numbers, yeah yeah, that was good. That was good.

0:34:47.680 --> 0:34:50.200
<v Speaker 1>Thank you amazing. I have a master's degree. I would

0:34:50.200 --> 0:34:56.080
<v Speaker 1>never mention it. We learned how debt collecting works once

0:34:56.239 --> 0:35:00.800
<v Speaker 1>she gets this job working for Wiz, where bank sell

0:35:01.920 --> 0:35:06.600
<v Speaker 1>debt to like debt agents or debt brokers. I don't

0:35:06.680 --> 0:35:10.720
<v Speaker 1>know what you'd call them, but they're selling. They're selling

0:35:10.760 --> 0:35:15.560
<v Speaker 1>people's debt for pennies on the dollar pennies. Right. Then,

0:35:15.800 --> 0:35:21.160
<v Speaker 1>debt collectors try to bargain with the debtors to settle

0:35:21.200 --> 0:35:25.240
<v Speaker 1>their debt, knowing that they can kind of negotiate because

0:35:25.280 --> 0:35:28.680
<v Speaker 1>their debt is actually worth far less now that they've

0:35:28.719 --> 0:35:32.120
<v Speaker 1>like bought it for pennies on the dollar. But they're like, oh, like,

0:35:32.640 --> 0:35:36.160
<v Speaker 1>we'll bring your fifty thousand dollars debt down to ten

0:35:36.160 --> 0:35:40.200
<v Speaker 1>thousand dollars. Little does the debt or note that settling

0:35:40.239 --> 0:35:43.520
<v Speaker 1>their debt for ten thousand dollars is now profitable for

0:35:43.560 --> 0:35:48.520
<v Speaker 1>the debt collectors, and all of this is barely regulated

0:35:48.560 --> 0:35:54.320
<v Speaker 1>by the government. Right so Peg makes a deal with

0:35:54.320 --> 0:35:58.480
<v Speaker 1>Whiz that if she can become the top collector at

0:35:58.520 --> 0:36:03.200
<v Speaker 1>this agency. In one month, he will erase her debt

0:36:04.120 --> 0:36:08.719
<v Speaker 1>and she does it. She again has a knack for hustling.

0:36:08.800 --> 0:36:12.520
<v Speaker 1>She has a knack for debt collecting. Yeah, it's a

0:36:12.719 --> 0:36:15.400
<v Speaker 1>it's a hell of a montage, it is. It's just

0:36:15.440 --> 0:36:19.000
<v Speaker 1>a lot of like the Zoe Deutsch reactions and writing

0:36:19.000 --> 0:36:22.960
<v Speaker 1>on a chalk board or or white board. Right, She's

0:36:23.040 --> 0:36:25.759
<v Speaker 1>just so Another reason why I kind of love her,

0:36:25.840 --> 0:36:28.799
<v Speaker 1>especially in these montages of this is this montage of

0:36:28.840 --> 0:36:33.320
<v Speaker 1>this part. It shows how slovenly she is, Like, she's

0:36:33.560 --> 0:36:38.280
<v Speaker 1>just not she doesn't care. Her goal in this movie

0:36:38.400 --> 0:36:40.399
<v Speaker 1>is not to like she's not trying to be this

0:36:40.440 --> 0:36:43.640
<v Speaker 1>pretty girl. She's in fact, when she tries to be

0:36:44.320 --> 0:36:48.200
<v Speaker 1>this girl that's like classic feminine, it goes bad for her.

0:36:48.280 --> 0:36:50.920
<v Speaker 1>But I love how whenever she's at the board she's

0:36:51.000 --> 0:36:54.880
<v Speaker 1>like eating, she's wearing baggy clothes. She's just her goal

0:36:55.440 --> 0:36:58.960
<v Speaker 1>is to make money and get her debt erase, and

0:36:59.080 --> 0:37:01.800
<v Speaker 1>I love that. In this montage it's just so dope.

0:37:02.440 --> 0:37:04.640
<v Speaker 1>She's like, I'm gonna make money and I'm gonna look

0:37:04.680 --> 0:37:07.680
<v Speaker 1>like shit while I do I do, I like I

0:37:07.800 --> 0:37:09.800
<v Speaker 1>did you. I had that same note Shelley where it

0:37:09.920 --> 0:37:13.000
<v Speaker 1>is like, oh heard cloth, like because we're told. I

0:37:13.000 --> 0:37:15.680
<v Speaker 1>feel like that happens in movies a lot that are

0:37:15.719 --> 0:37:19.480
<v Speaker 1>about like if you're talking about a person that not

0:37:19.560 --> 0:37:22.200
<v Speaker 1>even is like living below the poverty line, but it's

0:37:22.239 --> 0:37:25.440
<v Speaker 1>just like not upper middle class or above. Yeah, if

0:37:25.440 --> 0:37:30.600
<v Speaker 1>they're either like cartoonishly styled to be like slovenly and

0:37:30.800 --> 0:37:34.200
<v Speaker 1>filthy and gross, or they're like just wearing rich people

0:37:34.239 --> 0:37:36.799
<v Speaker 1>clothes in a way that makes no sense. And it's

0:37:36.840 --> 0:37:39.439
<v Speaker 1>like we see people in this movie wear the same

0:37:39.480 --> 0:37:42.960
<v Speaker 1>outfit twice. We see people have stains on their clothes

0:37:42.960 --> 0:37:46.280
<v Speaker 1>after eating messy food. Just like shit, that is so basic.

0:37:46.400 --> 0:37:48.200
<v Speaker 1>But when you see it happen, you're like, oh, that

0:37:48.440 --> 0:37:51.840
<v Speaker 1>never happens. It really never happens, especially the wearing the

0:37:51.880 --> 0:37:54.719
<v Speaker 1>clothes twice. I love when it happens in shows. I

0:37:54.800 --> 0:37:58.239
<v Speaker 1>love when it happens in movies, and this too. I

0:37:58.280 --> 0:38:01.120
<v Speaker 1>mean it's just like I don't know, a film student

0:38:01.239 --> 0:38:03.640
<v Speaker 1>trying to like reach a little bit, but I think

0:38:03.640 --> 0:38:07.319
<v Speaker 1>it just showed how much she doesn't care, Like she

0:38:07.440 --> 0:38:10.360
<v Speaker 1>just is trying. She has a goal. Her goal is

0:38:10.400 --> 0:38:13.520
<v Speaker 1>the money. Her goal is not femininity. It's not like

0:38:13.680 --> 0:38:17.439
<v Speaker 1>classiness or anything. Like that she's trying to pay her

0:38:17.480 --> 0:38:21.240
<v Speaker 1>debt and she's not spending money on other stuff. She's

0:38:21.320 --> 0:38:24.240
<v Speaker 1>not trying to do any of that, and it plays

0:38:24.280 --> 0:38:26.200
<v Speaker 1>back into how she is as a person, just like

0:38:26.840 --> 0:38:29.520
<v Speaker 1>the dudes doing all those fucking movies where they're trying

0:38:29.560 --> 0:38:32.879
<v Speaker 1>to like make it and oh god, this montage part

0:38:32.960 --> 0:38:36.120
<v Speaker 1>just really made me happy. Also, going back to the

0:38:36.719 --> 0:38:40.000
<v Speaker 1>explaining the debt, it was wild because I knew that shit.

0:38:40.280 --> 0:38:42.560
<v Speaker 1>And the only reason I knew that was because of

0:38:42.640 --> 0:38:45.239
<v Speaker 1>my mom. My mom, because when I messed up in

0:38:45.320 --> 0:38:47.440
<v Speaker 1>my twenties a little bit, you know, you get a

0:38:47.440 --> 0:38:51.719
<v Speaker 1>credit card the mail, You're like free money, Well, I

0:38:51.760 --> 0:38:54.200
<v Speaker 1>don't mind if I do. Hello, I'll take three if

0:38:54.200 --> 0:38:58.520
<v Speaker 1>you have it. But then like I have to eventually

0:38:58.719 --> 0:39:00.719
<v Speaker 1>tell my parents. It's like, hey, I am in a

0:39:00.760 --> 0:39:03.000
<v Speaker 1>little bit debt, and I'm nervous. I was calling crying

0:39:03.000 --> 0:39:05.400
<v Speaker 1>because these like debt people were calling me. I was

0:39:05.440 --> 0:39:07.759
<v Speaker 1>like twenty four and they were calling me and they

0:39:07.800 --> 0:39:10.040
<v Speaker 1>were telling me all this stuff, which was basically these

0:39:10.080 --> 0:39:14.200
<v Speaker 1>guys Saal and his crew essentially just calling me. And

0:39:14.239 --> 0:39:16.840
<v Speaker 1>then my mom would laugh at me. She would be like,

0:39:16.880 --> 0:39:19.920
<v Speaker 1>they offered you what, And I would be like, yeah,

0:39:19.960 --> 0:39:21.960
<v Speaker 1>and I paid it. She said, don't you ever to

0:39:22.080 --> 0:39:25.840
<v Speaker 1>call right now and cancel that payment plan, because no,

0:39:26.200 --> 0:39:27.960
<v Speaker 1>and just be like this is what I'm going to

0:39:28.040 --> 0:39:31.240
<v Speaker 1>give you, and I want to let her I want

0:39:31.440 --> 0:39:35.160
<v Speaker 1>And it works. It blew my mind. It worked, and

0:39:35.239 --> 0:39:38.879
<v Speaker 1>I just I just thought that that scene was dope. Yeah,

0:39:38.960 --> 0:39:41.000
<v Speaker 1>when she big short, it was great. It was great

0:39:41.280 --> 0:39:44.279
<v Speaker 1>that big short scene there. I knew some not all

0:39:44.320 --> 0:39:46.760
<v Speaker 1>of that, like some of the history of like how

0:39:47.280 --> 0:39:49.399
<v Speaker 1>debt can be sold and sold and sold I knew

0:39:49.480 --> 0:39:52.680
<v Speaker 1>much less about and it's good, Like this is like

0:39:52.719 --> 0:39:55.080
<v Speaker 1>a I don't know, I really appreciate what they're trying

0:39:55.160 --> 0:39:58.919
<v Speaker 1>to do because it's like, I don't know, like it's

0:39:59.000 --> 0:40:01.720
<v Speaker 1>fun to see this it in such a like goofy

0:40:01.840 --> 0:40:05.280
<v Speaker 1>format and in a way that isn't like tragedy porn

0:40:05.360 --> 0:40:07.560
<v Speaker 1>or bashing you over in the head like it's I

0:40:07.600 --> 0:40:09.719
<v Speaker 1>don't feels like a spoonful of sugar kind of like

0:40:09.760 --> 0:40:12.480
<v Speaker 1>approach to talking about this in a way that I

0:40:12.560 --> 0:40:16.799
<v Speaker 1>much prefer to, like watching people drowning. You're like, I

0:40:16.800 --> 0:40:19.200
<v Speaker 1>could just do that. I can look in the mirror

0:40:19.239 --> 0:40:22.960
<v Speaker 1>if my life like I don't need That's why I

0:40:22.960 --> 0:40:27.520
<v Speaker 1>love romps. It's true. I mean this is a romp. Yeah. Okay,

0:40:27.640 --> 0:40:30.879
<v Speaker 1>So she's discovering that she has a real knack for

0:40:31.000 --> 0:40:36.440
<v Speaker 1>debt collecting, but she also discovers some unsavory things they do,

0:40:36.680 --> 0:40:41.440
<v Speaker 1>such as exploiting elderly people like this woman, missus Cooney,

0:40:41.800 --> 0:40:46.840
<v Speaker 1>by collecting on debt that has already been settled multiple times.

0:40:47.280 --> 0:40:49.920
<v Speaker 1>So they're just like bleeding her drive for every penny

0:40:49.960 --> 0:40:54.040
<v Speaker 1>she's got because they're because she like didn't remember that

0:40:54.080 --> 0:40:57.560
<v Speaker 1>she had paid that debt. So they're exploiting situations like

0:40:57.600 --> 0:41:02.440
<v Speaker 1>that often, and Peg is fully dissipating. Yes at first. Yeah.

0:41:02.520 --> 0:41:07.839
<v Speaker 1>Then Peg runs into Graham the prosecutor again, who tells

0:41:07.840 --> 0:41:12.000
<v Speaker 1>her he's investigating Whiz and his team of collectors and

0:41:12.040 --> 0:41:14.399
<v Speaker 1>that Graham can't take her on a date if she's

0:41:14.440 --> 0:41:19.080
<v Speaker 1>working with these guys and being complicit in their horrible tactics.

0:41:19.800 --> 0:41:21.879
<v Speaker 1>And then this is sort of like a turning point

0:41:21.880 --> 0:41:26.440
<v Speaker 1>where she realizes how awful they are, so Peg decides

0:41:26.480 --> 0:41:29.879
<v Speaker 1>to strike out on her own and start her own

0:41:30.080 --> 0:41:33.759
<v Speaker 1>debt collecting business. I do think it's worth mentioning that

0:41:33.800 --> 0:41:38.240
<v Speaker 1>she like part of what I did like about PEG's character,

0:41:38.320 --> 0:41:41.200
<v Speaker 1>even though I was not rooting for her. The entire

0:41:41.280 --> 0:41:46.440
<v Speaker 1>movie honestly was that, Like, she is a very morally

0:41:46.520 --> 0:41:50.200
<v Speaker 1>ambiguous character for lots of sections, because it's not like

0:41:50.280 --> 0:41:55.600
<v Speaker 1>she realizes that like Whiz is unethical and then quits

0:41:55.600 --> 0:41:59.160
<v Speaker 1>the job. She knows he's unethical, and she's wholeheartedly participating.

0:41:59.280 --> 0:42:01.040
<v Speaker 1>It's when she does and get the cut up when

0:42:01.080 --> 0:42:04.359
<v Speaker 1>it affects her bottom line. That's when it's not when

0:42:04.400 --> 0:42:06.920
<v Speaker 1>it's fucking with other people, Like she knows it's fucking

0:42:06.960 --> 0:42:10.200
<v Speaker 1>with other people and doesn't care until she I think that,

0:42:10.280 --> 0:42:13.680
<v Speaker 1>Like she collected one hundred twenty five thousand dollars and

0:42:13.680 --> 0:42:17.640
<v Speaker 1>he would only give her two thousand, so she was like, well,

0:42:17.800 --> 0:42:19.920
<v Speaker 1>I'm out of here and I'll like go find a

0:42:19.920 --> 0:42:22.560
<v Speaker 1>better deal somewhere else. So she is like at the

0:42:22.600 --> 0:42:25.640
<v Speaker 1>end of the day, she's like about her bottom line exactly,

0:42:25.719 --> 0:42:28.719
<v Speaker 1>which I also really dig too though, because I think

0:42:28.760 --> 0:42:31.120
<v Speaker 1>if I would not have loved this movie so much

0:42:31.360 --> 0:42:34.040
<v Speaker 1>if at that point, like when realized she was like

0:42:34.080 --> 0:42:37.640
<v Speaker 1>scamming this old lady, if she had had this moral

0:42:37.719 --> 0:42:39.279
<v Speaker 1>high ground and was like, oh, I'm not going to

0:42:39.320 --> 0:42:41.120
<v Speaker 1>do this anymore. I'm not going to participate in this

0:42:41.520 --> 0:42:44.239
<v Speaker 1>because that's not what happens to dudes in movies, Like

0:42:44.360 --> 0:42:47.480
<v Speaker 1>they very much so know when they're doing something wrong

0:42:47.640 --> 0:42:49.600
<v Speaker 1>and they do the same thing that she does. Peg

0:42:49.719 --> 0:42:53.160
<v Speaker 1>is like, I know that y'all are doing something wrong,

0:42:53.480 --> 0:42:56.799
<v Speaker 1>but now it affects me, so now I'm gonna go

0:42:56.880 --> 0:42:59.759
<v Speaker 1>do it because I want my money, Like this is

0:42:59.800 --> 0:43:02.160
<v Speaker 1>a out me. And I think if they had made

0:43:02.160 --> 0:43:04.600
<v Speaker 1>her into this like very holier than the character, it

0:43:04.600 --> 0:43:07.719
<v Speaker 1>wouldn't have been very realistic. First of all, because it

0:43:07.760 --> 0:43:10.360
<v Speaker 1>doesn't take a lot. She's smart. She knows that it

0:43:10.400 --> 0:43:12.680
<v Speaker 1>doesn't take a lot for her to set up this business.

0:43:12.760 --> 0:43:16.080
<v Speaker 1>So I really I'm really glad that they just made

0:43:16.120 --> 0:43:18.840
<v Speaker 1>her go out on her own versus trying to be

0:43:18.880 --> 0:43:22.000
<v Speaker 1>a good person and sticking it out or something like. No, right,

0:43:22.080 --> 0:43:24.200
<v Speaker 1>she built it right because in the movie just would

0:43:24.200 --> 0:43:26.680
<v Speaker 1>have been over, it would have been also done. Yeah,

0:43:26.719 --> 0:43:32.120
<v Speaker 1>it warn my lesson, And like you said, like audiences

0:43:32.160 --> 0:43:36.279
<v Speaker 1>tend to permit a morally ambiguous character who is a

0:43:36.400 --> 0:43:41.120
<v Speaker 1>man far more than there's an expectation that women have

0:43:41.200 --> 0:43:44.880
<v Speaker 1>to be so well behaved and we can't do the

0:43:44.920 --> 0:43:49.920
<v Speaker 1>illegal thing. Yeah right, And it's like no, Peg was like, actually,

0:43:50.000 --> 0:43:51.759
<v Speaker 1>I can do illegal things, and I'm going to do

0:43:51.800 --> 0:43:54.279
<v Speaker 1>it really really well, and then I'm gonna get a

0:43:54.320 --> 0:44:00.360
<v Speaker 1>goold gun. So though at first, when she does strike

0:44:00.400 --> 0:44:03.080
<v Speaker 1>out on her own, she insists that her business is

0:44:03.120 --> 0:44:07.440
<v Speaker 1>going to be legitimate with no shady stuff like clean.

0:44:07.960 --> 0:44:11.799
<v Speaker 1>She's gonna, you know, everything's gonna be above board. So

0:44:11.840 --> 0:44:16.959
<v Speaker 1>she starts buying the debts from Whizzes supplier who's also

0:44:17.200 --> 0:44:21.319
<v Speaker 1>Whizzes brother. Also she has are There is a like

0:44:21.600 --> 0:44:25.440
<v Speaker 1>random like mister sweetey Pie brother that comes out to

0:44:25.480 --> 0:44:28.799
<v Speaker 1>the story at random points, so Judy Greer can be like,

0:44:29.160 --> 0:44:33.040
<v Speaker 1>I love you and don't be a bad influence on

0:44:33.160 --> 0:44:35.560
<v Speaker 1>your brother, which I also thought was cool. I mean,

0:44:35.600 --> 0:44:38.360
<v Speaker 1>this movie is doing a lot of like table attorney stuff,

0:44:38.840 --> 0:44:40.760
<v Speaker 1>but in a way that I kind of I guess

0:44:40.800 --> 0:44:44.359
<v Speaker 1>approved of or whatever. But I like the fact that

0:44:44.800 --> 0:44:48.759
<v Speaker 1>her whole life she's been a bad influence on her. Like,

0:44:49.000 --> 0:44:51.560
<v Speaker 1>it made me so happy that she was the one

0:44:51.600 --> 0:44:54.400
<v Speaker 1>who was like, and he's older, I think too. Yeah,

0:44:54.440 --> 0:44:57.879
<v Speaker 1>I love the fact that that she was like, you're

0:44:57.880 --> 0:45:00.799
<v Speaker 1>gonna do what I say. This is bad, but we're

0:45:00.840 --> 0:45:04.160
<v Speaker 1>gonna do it together. And I loved it. I loved it. Yeah,

0:45:04.200 --> 0:45:06.600
<v Speaker 1>I'm excited to talk about the Judy Greer character too,

0:45:06.600 --> 0:45:08.800
<v Speaker 1>because I think there's like a lot of interesting stuff

0:45:08.960 --> 0:45:13.279
<v Speaker 1>going on with her and PEG's relationship, where like both

0:45:13.360 --> 0:45:16.000
<v Speaker 1>of them are super in the wrong in different moments,

0:45:16.040 --> 0:45:19.359
<v Speaker 1>but it's like, ooh, interesting relationship. I'm excited to talk

0:45:19.360 --> 0:45:22.920
<v Speaker 1>about it for sure. Okay. So Peg is setting up

0:45:22.920 --> 0:45:26.799
<v Speaker 1>her business. She hires mostly like random people who she

0:45:27.320 --> 0:45:32.040
<v Speaker 1>like sees potential in as collectors, along with some women

0:45:32.120 --> 0:45:37.920
<v Speaker 1>she knew from prison, such as Starla and Backer. PEG's

0:45:37.920 --> 0:45:42.360
<v Speaker 1>business starts booming. Everyone is good at their job. Also,

0:45:42.520 --> 0:45:46.040
<v Speaker 1>Peg and Graham are like kind of seeing each other

0:45:46.719 --> 0:45:52.720
<v Speaker 1>slash sleeping together now, but you're like, yeah, I guess okay,

0:45:53.160 --> 0:45:55.480
<v Speaker 1>but he keeps saying like I don't want to date

0:45:55.560 --> 0:45:58.960
<v Speaker 1>you if if you're still a debt collector because of

0:45:58.960 --> 0:46:01.600
<v Speaker 1>this investigation was doing. I just want to do two

0:46:02.239 --> 0:46:08.120
<v Speaker 1>quick shout outs for like the character actors that compose

0:46:08.200 --> 0:46:12.520
<v Speaker 1>PEG's staff, because we've got we've got some fun familiar

0:46:12.520 --> 0:46:16.040
<v Speaker 1>faces in this bunch. Okay, We've got playing the part

0:46:16.040 --> 0:46:19.919
<v Speaker 1>of Francis. We have Lucia Stross, who we just talked

0:46:19.920 --> 0:46:23.919
<v Speaker 1>about on fifty First Dates. Better part for them. So

0:46:24.320 --> 0:46:27.719
<v Speaker 1>I was thrilled to see them. Her name is Francis,

0:46:27.800 --> 0:46:30.760
<v Speaker 1>not Starla. I guess that that's yeah, I'd like for whatever.

0:46:30.840 --> 0:46:37.239
<v Speaker 1>Starla was her name she was using as a sexophone operator. Yeah. Yeah,

0:46:37.320 --> 0:46:41.120
<v Speaker 1>she's credited as Frank got it. We have for all

0:46:41.160 --> 0:46:46.000
<v Speaker 1>my Degrassi heads. We have Raymond Ablack, who was on

0:46:46.200 --> 0:46:49.360
<v Speaker 1>Degrassi when I was in high school soft Bundari. I

0:46:49.440 --> 0:46:51.440
<v Speaker 1>had a huge crush on him as I was watching

0:46:51.440 --> 0:46:54.400
<v Speaker 1>this movie. Oh my gosh, oh, I mean he's been

0:46:54.440 --> 0:46:56.520
<v Speaker 1>in a ton like, he's super legit. He's done a

0:46:56.520 --> 0:46:59.640
<v Speaker 1>ton of other stuff. I think he was on Yes,

0:46:59.680 --> 0:47:04.080
<v Speaker 1>he was on Orphan Black. But because if you're I mean,

0:47:04.080 --> 0:47:07.240
<v Speaker 1>if you're a Canadian listener, you will know that it's

0:47:07.280 --> 0:47:09.799
<v Speaker 1>the Canadian like it's the Canadian military. You have to

0:47:09.840 --> 0:47:13.560
<v Speaker 1>serve for two years in Degrassi before and you can

0:47:14.600 --> 0:47:16.719
<v Speaker 1>move on to the rest of your life. But he did.

0:47:17.040 --> 0:47:21.240
<v Speaker 1>He's he's one of our bravest Canadian soldiers, um serving

0:47:21.239 --> 0:47:23.480
<v Speaker 1>on the cast of Degrassi from two thousand and seven

0:47:23.520 --> 0:47:27.960
<v Speaker 1>to twenty and ten. And you have Okay, my favorite.

0:47:28.520 --> 0:47:33.640
<v Speaker 1>The woman who plays Ronda is in a small but

0:47:33.760 --> 0:47:38.560
<v Speaker 1>memorable part in the original Santa clause Um who plays

0:47:38.600 --> 0:47:44.640
<v Speaker 1>She plays Judy the waitress from from Dennis from Denny's. Yeah,

0:47:44.680 --> 0:47:47.080
<v Speaker 1>she's an icon I mean she's also been in a

0:47:47.080 --> 0:47:49.520
<v Speaker 1>ton of shit, but like iconically she is Judy the

0:47:49.520 --> 0:47:52.040
<v Speaker 1>waitress from the Santa Claus And I was like, whoa,

0:47:52.360 --> 0:47:56.000
<v Speaker 1>I love, isn't that amazing? I also love how excited

0:47:56.080 --> 0:48:02.879
<v Speaker 1>we got about the fact that we knew she So.

0:48:03.040 --> 0:48:09.200
<v Speaker 1>Ronda is the very regular client of PEG's mom because

0:48:09.200 --> 0:48:13.520
<v Speaker 1>PEG's mom runs a salon out of her house, right

0:48:13.600 --> 0:48:18.880
<v Speaker 1>and Ronda seems to be her only customer, also eating

0:48:18.880 --> 0:48:21.400
<v Speaker 1>her out of house and home and also giving advice

0:48:21.440 --> 0:48:25.120
<v Speaker 1>when it's nannied it Like, I love when she was

0:48:25.160 --> 0:48:27.279
<v Speaker 1>like I could go for a fish stick, I was like, ooh,

0:48:27.680 --> 0:48:30.399
<v Speaker 1>I know this lady. I know this lady. I would

0:48:30.440 --> 0:48:33.400
<v Speaker 1>say no as like it was just yes, yeah, he

0:48:35.440 --> 0:48:39.640
<v Speaker 1>love it so good but yes, shout out to um

0:48:39.960 --> 0:48:43.200
<v Speaker 1>legend of cinema, Judy the Waitress. Just I mean, there's

0:48:43.280 --> 0:48:46.560
<v Speaker 1>I love. I've got a passion for character actress and

0:48:46.600 --> 0:48:49.000
<v Speaker 1>we've got we've got a real murderer's row in this

0:48:49.040 --> 0:48:53.240
<v Speaker 1>movie for sure. I also enjoyed the character Backer played

0:48:53.440 --> 0:48:58.400
<v Speaker 1>by Lorie odom odom Yeah, it's a it's a good batch,

0:48:58.760 --> 0:49:01.600
<v Speaker 1>yeah for sure. And I love that she went for hustlers,

0:49:01.800 --> 0:49:04.200
<v Speaker 1>you know, the hustlers smooth talkers, because there's so many

0:49:04.200 --> 0:49:07.799
<v Speaker 1>different ways to hustle and everybody has their own sort

0:49:07.840 --> 0:49:10.399
<v Speaker 1>of like niche and we keep talking about we'll see

0:49:10.440 --> 0:49:13.600
<v Speaker 1>that it works out. She picked the right people. Game

0:49:13.640 --> 0:49:18.920
<v Speaker 1>recognizes game, you know, absolutely, And I like that like Peg,

0:49:19.120 --> 0:49:22.279
<v Speaker 1>I mean to some extent, but it's like whatever, Peg

0:49:22.360 --> 0:49:24.359
<v Speaker 1>is so morally compromised that she does lie to her

0:49:24.360 --> 0:49:28.040
<v Speaker 1>employees with with with regularity, and we'll like try to

0:49:28.080 --> 0:49:30.520
<v Speaker 1>like be like look over here anytime they're like, when

0:49:30.560 --> 0:49:33.319
<v Speaker 1>are you gonna pay me? And and I know, I know,

0:49:33.480 --> 0:49:37.040
<v Speaker 1>Like again, Buffalo had sound off, would you forget that

0:49:37.080 --> 0:49:39.279
<v Speaker 1>your boss hadn't didn't pay you if you got good

0:49:39.280 --> 0:49:42.000
<v Speaker 1>seats at a Buffalo Bills game? Sound off in the comments.

0:49:42.040 --> 0:49:44.080
<v Speaker 1>I think I would just be upset at a Buffalo

0:49:44.120 --> 0:49:46.920
<v Speaker 1>Bills game. I would just be set. I would be

0:49:47.040 --> 0:49:51.320
<v Speaker 1>upset in the box at a Buffalo Bills like, damn,

0:49:51.440 --> 0:49:53.520
<v Speaker 1>I know that I've got some money that I'm old

0:49:53.800 --> 0:49:57.200
<v Speaker 1>so because that's how I am when I don't get

0:49:57.239 --> 0:50:00.879
<v Speaker 1>paid for my freelance work, right, away literally upset while

0:50:00.920 --> 0:50:04.719
<v Speaker 1>I'm at the McDonald so, like, you're like, interesting, it

0:50:04.760 --> 0:50:08.600
<v Speaker 1>seems like you could have used this money for anything else.

0:50:09.120 --> 0:50:13.040
<v Speaker 1>It's so wild. Or I get really upset this little site.

0:50:13.200 --> 0:50:16.080
<v Speaker 1>I get really upset if it's like net sixty one

0:50:16.160 --> 0:50:18.080
<v Speaker 1>and then I see an article published, just like on

0:50:18.120 --> 0:50:21.359
<v Speaker 1>the site, just in general, just like in general, if

0:50:21.360 --> 0:50:24.440
<v Speaker 1>an article publishes, I'm like, hmm, interesting. I feel like

0:50:24.480 --> 0:50:27.160
<v Speaker 1>instead of publishing that article, you could have just sent

0:50:27.200 --> 0:50:32.680
<v Speaker 1>me my money. Yes wild. I was on a writing

0:50:32.680 --> 0:50:36.879
<v Speaker 1>staff last year that like we were not allowed to unionize,

0:50:36.920 --> 0:50:38.799
<v Speaker 1>and then they brought us to a Dodgers game and

0:50:38.840 --> 0:50:43.520
<v Speaker 1>it's like, but let us unionize. Like what I like,

0:50:43.719 --> 0:50:45.399
<v Speaker 1>I don't want a hot dog And that's a lot

0:50:45.440 --> 0:50:47.880
<v Speaker 1>coming from me. I don't want a pretty hot dog today.

0:50:48.040 --> 0:50:51.520
<v Speaker 1>I want a union. I was gonna say, come on union.

0:50:52.280 --> 0:50:56.319
<v Speaker 1>Or also like, um, I don't follow like my editors

0:50:56.320 --> 0:50:59.200
<v Speaker 1>on Twitter, but I know that they have one. So

0:50:59.239 --> 0:51:02.440
<v Speaker 1>if it's NETS one and they're tweeting about they're like

0:51:02.960 --> 0:51:06.600
<v Speaker 1>out somewhere and my money hasn't hit my account, I'm like, huh, interesting.

0:51:06.640 --> 0:51:09.680
<v Speaker 1>Instead of going out or tweeting, it feels like you

0:51:09.719 --> 0:51:12.000
<v Speaker 1>could have paid me my fucking money. But you know

0:51:12.080 --> 0:51:16.480
<v Speaker 1>that's just me at a Buffalo's game, upset. It is

0:51:16.520 --> 0:51:18.719
<v Speaker 1>my new life goal to never get on your bad

0:51:18.760 --> 0:51:23.720
<v Speaker 1>side effort because at the top of the movie when

0:51:24.200 --> 0:51:29.120
<v Speaker 1>Peg says like, don't fuck with my money, that brought

0:51:29.160 --> 0:51:32.880
<v Speaker 1>me in because just don't like I'm a very kind person,

0:51:33.200 --> 0:51:37.600
<v Speaker 1>but I think because of the industry that like I'm

0:51:37.680 --> 0:51:40.960
<v Speaker 1>in and with the way that I grew up with

0:51:41.040 --> 0:51:44.480
<v Speaker 1>like that, it's just very much like you could do

0:51:44.600 --> 0:51:47.520
<v Speaker 1>everything else. You could publish my article late, you could

0:51:47.560 --> 0:51:50.920
<v Speaker 1>do this, you could do but do not mess with

0:51:50.960 --> 0:51:53.719
<v Speaker 1>like my money. It's just no, I can't handle it.

0:51:53.719 --> 0:51:57.560
<v Speaker 1>It's really interesting that don't funk with my money is

0:51:58.120 --> 0:52:01.680
<v Speaker 1>written on your shirt right now. It is. I didn't

0:52:01.719 --> 0:52:04.279
<v Speaker 1>I really didn't want to bring it up because I

0:52:04.320 --> 0:52:06.520
<v Speaker 1>know this isn't like a visual based podcast. But the

0:52:06.520 --> 0:52:09.040
<v Speaker 1>photo that I'm going to send is going to beat

0:52:09.080 --> 0:52:11.680
<v Speaker 1>me in this shirt. So thank you for acknowledging that

0:52:12.000 --> 0:52:14.240
<v Speaker 1>an incredible shirt. I mean, it was an investment, really

0:52:14.600 --> 0:52:18.160
<v Speaker 1>it marketing. I told you earlier. Started my merch is

0:52:18.200 --> 0:52:21.040
<v Speaker 1>a part of my merch, your other merch being just

0:52:21.080 --> 0:52:24.080
<v Speaker 1>a shirt that says shreky then on the back and

0:52:24.960 --> 0:52:33.000
<v Speaker 1>it don't sue me. Yeah available now Actually I mean yeah,

0:52:33.239 --> 0:52:37.799
<v Speaker 1>what a good hustle that you're running, thank you. Anyway,

0:52:38.280 --> 0:52:43.600
<v Speaker 1>So Whiz is not happy that Peg has become his competition,

0:52:43.960 --> 0:52:47.160
<v Speaker 1>and he's like, this is war, and he starts fucking

0:52:47.160 --> 0:52:51.320
<v Speaker 1>with her, including dumping a bucket of like probably fake

0:52:51.400 --> 0:52:55.759
<v Speaker 1>blood on Peg at a Bill's game, and then trashing

0:52:56.239 --> 0:53:00.840
<v Speaker 1>her office and stealing their paper aka these pieces of

0:53:00.840 --> 0:53:04.719
<v Speaker 1>paper that have the debtor's information on them, which is

0:53:04.760 --> 0:53:08.479
<v Speaker 1>how they were able to collect the debt from people. Yeah,

0:53:08.480 --> 0:53:11.320
<v Speaker 1>the whole kid the Carrie moment at the Buffalo Bills

0:53:11.360 --> 0:53:14.759
<v Speaker 1>game was like the patriarchy. The guy behavior goes a

0:53:14.760 --> 0:53:17.400
<v Speaker 1>little off the rails for me for part of it.

0:53:18.760 --> 0:53:21.480
<v Speaker 1>But there's a carry moment at the Buffalo Bill's game.

0:53:21.520 --> 0:53:23.839
<v Speaker 1>We can't take that away from this movie. And then

0:53:23.880 --> 0:53:28.960
<v Speaker 1>there's also the blow up Dow, which like, yeah, was

0:53:29.040 --> 0:53:32.480
<v Speaker 1>just also which led into another moment of her telling

0:53:32.520 --> 0:53:39.040
<v Speaker 1>her staff it's okay, everything are fine, things are actually fine,

0:53:39.080 --> 0:53:42.200
<v Speaker 1>It's no big deal, and then trying to get another

0:53:42.320 --> 0:53:45.920
<v Speaker 1>date with mister Fallon, Like I was just like, what

0:53:46.080 --> 0:53:49.160
<v Speaker 1>is going? Like she they just they have they must

0:53:49.160 --> 0:53:51.719
<v Speaker 1>be just like terminally horny for each other because there's

0:53:51.760 --> 0:53:56.000
<v Speaker 1>so many times where it's just like anyone else, anyone, anybody,

0:53:56.400 --> 0:53:59.160
<v Speaker 1>anybody else. But it also seems like one of my favorite,

0:53:59.200 --> 0:54:03.240
<v Speaker 1>like very movie things. It seems like German Fowlers maybe

0:54:03.440 --> 0:54:06.600
<v Speaker 1>the only lawyer in the entire city of Buffalo, because

0:54:06.760 --> 0:54:10.160
<v Speaker 1>he is like working on every case all the time.

0:54:10.480 --> 0:54:14.200
<v Speaker 1>He's never like, what are the chances are right chances?

0:54:14.360 --> 0:54:18.760
<v Speaker 1>Because he's the prosecutor in her first trial. He's also

0:54:18.840 --> 0:54:21.160
<v Speaker 1>there in court towards the end of the movie in

0:54:21.239 --> 0:54:25.200
<v Speaker 1>her second trial, and then he's also running this working

0:54:25.239 --> 0:54:28.279
<v Speaker 1>in the capacity of an investigative journalist, like he's doing

0:54:28.280 --> 0:54:32.560
<v Speaker 1>a little lot. Sometimes he's a cop because yes, I

0:54:33.320 --> 0:54:37.440
<v Speaker 1>have right minutes. Then he comes in, he's a lawyer.

0:54:37.480 --> 0:54:39.799
<v Speaker 1>He comes in during the raid at the end where

0:54:39.840 --> 0:54:46.000
<v Speaker 1>he's like in a bulletproof jacket. I had to course

0:54:46.040 --> 0:54:49.120
<v Speaker 1>correct my notes at some point because I spent the

0:54:49.200 --> 0:54:51.600
<v Speaker 1>first half hour of the movie thinking that he was

0:54:51.680 --> 0:54:55.680
<v Speaker 1>a police detective and not because that's how he's acting. Yeah,

0:54:55.719 --> 0:55:00.640
<v Speaker 1>that's how he's acting exactly. Yeah. I love his ey secretary.

0:55:00.840 --> 0:55:04.360
<v Speaker 1>She's great. Oh yes, oh my god, iconically finding it

0:55:04.440 --> 0:55:08.680
<v Speaker 1>in all day long. I love that for her. She's like,

0:55:08.680 --> 0:55:12.160
<v Speaker 1>what's happening? What there's a party? Awesome by I was like, Wow,

0:55:12.280 --> 0:55:14.880
<v Speaker 1>that's me when I have to when I work in

0:55:14.920 --> 0:55:17.080
<v Speaker 1>an office. So I'm just like, what huh, I'm leaving.

0:55:17.200 --> 0:55:20.360
<v Speaker 1>And she's complaining about Graham, who is asleep at his

0:55:20.440 --> 0:55:23.799
<v Speaker 1>desk apparently all the time, and also like because he's

0:55:23.880 --> 0:55:26.240
<v Speaker 1>drunk on a Tuesday in the middle of the day,

0:55:26.280 --> 0:55:29.839
<v Speaker 1>because there's time where she's like, you can't drive home

0:55:29.920 --> 0:55:32.320
<v Speaker 1>right now, you're so drunk. I mean, he's doing a

0:55:32.360 --> 0:55:35.279
<v Speaker 1>lot of work, so maybe he's got he's gotta wearing

0:55:35.280 --> 0:55:37.960
<v Speaker 1>a lot of hats, he's, you know, self medicating. I

0:55:38.000 --> 0:55:40.880
<v Speaker 1>guess yeah, he's. Yeah, he's he's got like five different

0:55:40.960 --> 0:55:47.160
<v Speaker 1>jobs depending on what the scene requires. Okay, so Wiz

0:55:47.320 --> 0:55:51.280
<v Speaker 1>is fucking with Peg a lot. Wiz also has taken

0:55:51.280 --> 0:55:57.080
<v Speaker 1>ownership of PEG's brother JJ's bar, because JJ had put

0:55:57.120 --> 0:56:03.920
<v Speaker 1>it up for collateral on his mom's refinancing on something

0:56:04.000 --> 0:56:08.480
<v Speaker 1>something debt. The answer is always debt with this movie.

0:56:09.080 --> 0:56:13.040
<v Speaker 1>So then Peg retaliates by calling the cops on Whiz,

0:56:13.680 --> 0:56:17.080
<v Speaker 1>and the cops raid his agency, which gives her the

0:56:17.120 --> 0:56:21.880
<v Speaker 1>opportunity to steal all the paper back that he stole

0:56:21.920 --> 0:56:25.480
<v Speaker 1>from her. So now she has all this access to

0:56:25.640 --> 0:56:28.440
<v Speaker 1>debt or information and she's able to make a bunch

0:56:28.480 --> 0:56:32.160
<v Speaker 1>of money. But then her mom is like, Peg, you're

0:56:32.280 --> 0:56:35.439
<v Speaker 1>hurting people with your job, and Peg is like, nah,

0:56:35.560 --> 0:56:38.359
<v Speaker 1>these people spent money they knew they didn't have. And

0:56:38.440 --> 0:56:41.400
<v Speaker 1>this is when Graham is like, well, what about my

0:56:41.480 --> 0:56:44.520
<v Speaker 1>grandpa who was in medical debt and then he lost

0:56:44.600 --> 0:56:47.440
<v Speaker 1>his house and then he died, And Peg is like,

0:56:48.080 --> 0:56:51.080
<v Speaker 1>do I decay? What about my dad? Is what I

0:56:51.120 --> 0:56:54.319
<v Speaker 1>would be? Yeah, the like end of movie there, This

0:56:54.400 --> 0:56:56.480
<v Speaker 1>is another like thing that I mean a lot of

0:56:56.560 --> 0:56:58.360
<v Speaker 1>movies are guilty of. And it kind of makes me

0:56:58.440 --> 0:57:01.560
<v Speaker 1>laugh where it's like the end to act to random

0:57:01.640 --> 0:57:06.520
<v Speaker 1>information reveal that you're like, like, I mean, with with

0:57:06.719 --> 0:57:09.799
<v Speaker 1>Jermaine Fowler's character, it makes sense that that would be

0:57:09.840 --> 0:57:11.920
<v Speaker 1>a but I but it doesn't make sense that he

0:57:11.960 --> 0:57:14.480
<v Speaker 1>would be so deep into this relationship and suddenly it

0:57:14.520 --> 0:57:19.720
<v Speaker 1>matters right exactly. It's solid motivation for him. So I

0:57:19.760 --> 0:57:21.560
<v Speaker 1>don't mind that that's a part of his character at all.

0:57:21.560 --> 0:57:24.160
<v Speaker 1>But it's like, but why did you wait so long

0:57:24.320 --> 0:57:27.200
<v Speaker 1>to tell her that you've been dating this woman for months?

0:57:27.480 --> 0:57:30.800
<v Speaker 1>Like what are you like you know, you know what's

0:57:30.840 --> 0:57:32.960
<v Speaker 1>going on, Like I know she's not being totally honest,

0:57:33.000 --> 0:57:34.920
<v Speaker 1>but you know she's a debt collector, and even an

0:57:34.920 --> 0:57:38.439
<v Speaker 1>ethical debt collector is fucked up, like you know that

0:57:38.440 --> 0:57:42.200
<v Speaker 1>that's your job. Like uh. And in the same way

0:57:42.200 --> 0:57:44.360
<v Speaker 1>where it's like I think, I don't know, I guess

0:57:44.360 --> 0:57:47.200
<v Speaker 1>I don't know what narrative function it really served to.

0:57:47.480 --> 0:57:50.200
<v Speaker 1>I guess it like helps sort of like heal, like

0:57:50.240 --> 0:57:53.800
<v Speaker 1>the information about PEG's father. How do we feel about

0:57:53.840 --> 0:57:56.600
<v Speaker 1>that reveal? Because I think I'm on board with it,

0:57:56.640 --> 0:57:59.080
<v Speaker 1>but I just like, what what purpose did that serve

0:57:59.160 --> 0:58:00.880
<v Speaker 1>other than to like bring her her and her mom

0:58:00.880 --> 0:58:04.000
<v Speaker 1>like a little closer together. I guess I think it

0:58:04.080 --> 0:58:05.440
<v Speaker 1>was That's what I was saying, Like some of those

0:58:05.480 --> 0:58:08.000
<v Speaker 1>stories kind of like I feel like towards that they

0:58:08.000 --> 0:58:10.560
<v Speaker 1>wanted to wrap it up. Well. I kind of felt

0:58:10.680 --> 0:58:12.160
<v Speaker 1>like they were like, we need to do this, we

0:58:12.200 --> 0:58:14.360
<v Speaker 1>need to say this, we need to make this connection

0:58:14.400 --> 0:58:16.360
<v Speaker 1>with them. Also because she was not close with her

0:58:16.400 --> 0:58:18.640
<v Speaker 1>mom throughout the whole movie, which was another thing that

0:58:18.680 --> 0:58:22.160
<v Speaker 1>I kind of actually really liked. So I think that

0:58:22.360 --> 0:58:25.880
<v Speaker 1>they were trying to be like there's this connection and

0:58:25.920 --> 0:58:29.560
<v Speaker 1>then and dropping off family stuff is a really good

0:58:29.560 --> 0:58:32.280
<v Speaker 1>way to like speed up a story. Not a really

0:58:32.280 --> 0:58:37.000
<v Speaker 1>good way, it's a way to speed up a story.

0:58:37.080 --> 0:58:40.360
<v Speaker 1>And I think, honestly that's what they were trying to do.

0:58:40.880 --> 0:58:44.920
<v Speaker 1>But other than that, I can't really think of why. Yeah, right,

0:58:44.920 --> 0:58:47.479
<v Speaker 1>they did it so late. I also like very much

0:58:47.520 --> 0:58:49.960
<v Speaker 1>saw it coming. It didn't even feel like a reveal

0:58:50.040 --> 0:58:52.760
<v Speaker 1>because I'm like the dad. Yeah, I can tell based

0:58:52.800 --> 0:58:55.640
<v Speaker 1>on the stories that these people are sharing that this

0:58:55.720 --> 0:58:59.200
<v Speaker 1>guy is a piece of shit. Yeah, And it's also

0:58:59.600 --> 0:59:03.080
<v Speaker 1>just be because of how much Peg loved him and

0:59:03.200 --> 0:59:06.480
<v Speaker 1>how a verse her dad or her mom was to him,

0:59:06.520 --> 0:59:09.200
<v Speaker 1>and like when it came to money talk, it wasn't

0:59:09.200 --> 0:59:14.240
<v Speaker 1>a surprise that he you know, like shrug, who knows now?

0:59:15.560 --> 0:59:20.200
<v Speaker 1>So PEG's mom and Graham are like ganging up on Peg,

0:59:20.440 --> 0:59:23.840
<v Speaker 1>being like your job is evil. So then there's like

0:59:23.880 --> 0:59:27.959
<v Speaker 1>this big argument among them, and then the cops show

0:59:28.040 --> 0:59:31.880
<v Speaker 1>up all of a sudden because whizz Head tipped them

0:59:31.920 --> 0:59:37.480
<v Speaker 1>off about PEG's mom running an illegal business or something.

0:59:38.200 --> 0:59:43.280
<v Speaker 1>So PEG's mom and JJ are arrested, Which that's evil,

0:59:43.320 --> 0:59:47.200
<v Speaker 1>evil evil to do what WI was did, Yes, for sure,

0:59:47.400 --> 0:59:49.680
<v Speaker 1>But he's patriarchy. The guy that's the kind of thing

0:59:49.680 --> 0:59:54.200
<v Speaker 1>he's gonna do. What do you expect? So PEG's mom

0:59:54.360 --> 0:59:57.640
<v Speaker 1>is arrested. Then we cut to the opening scene with

0:59:57.760 --> 1:00:02.320
<v Speaker 1>Peg running through Buffalo. She fires the gun that she

1:00:02.440 --> 1:00:07.280
<v Speaker 1>got from Francis Um and then she attacks whiz and

1:00:07.320 --> 1:00:09.600
<v Speaker 1>they're fighting, and then the cops show up again and

1:00:09.720 --> 1:00:13.960
<v Speaker 1>arrest Peg. So she is detained with her mom and

1:00:14.000 --> 1:00:16.040
<v Speaker 1>this is where they have this like heart to heart.

1:00:16.320 --> 1:00:19.960
<v Speaker 1>They talk about their dreams and they talk about finances

1:00:20.040 --> 1:00:24.440
<v Speaker 1>and debt and how PEG's dad was actually an asshole.

1:00:25.320 --> 1:00:29.560
<v Speaker 1>So then Peg gets out and organizes a meeting with

1:00:29.600 --> 1:00:34.520
<v Speaker 1>all of the debt collecting agencies, including WHIZZZ. Don't know

1:00:34.600 --> 1:00:38.040
<v Speaker 1>why he's so like amicable all of a sudden, Yeah,

1:00:38.240 --> 1:00:42.520
<v Speaker 1>suddenly he's like, I did kind of call the cops

1:00:42.560 --> 1:00:49.400
<v Speaker 1>on her. So he's like, I'm sorry, I'm so sorry that. Yeah,

1:00:49.440 --> 1:00:52.840
<v Speaker 1>that climactic scene. I was like, oh, rewrite city going

1:00:52.920 --> 1:00:56.520
<v Speaker 1>on here? Like, um, It's like I don't know, I

1:00:56.360 --> 1:00:59.000
<v Speaker 1>just like I don't need to like slam them, but

1:00:59.120 --> 1:01:01.040
<v Speaker 1>it's like, um, okay, we gotta wrap this up. We

1:01:01.040 --> 1:01:03.040
<v Speaker 1>gotta wrap this up. What if everyone was in the

1:01:03.080 --> 1:01:05.280
<v Speaker 1>bar and then they said exactly what they did wrong?

1:01:05.320 --> 1:01:07.200
<v Speaker 1>And then the movie over and you're like, and then

1:01:07.240 --> 1:01:09.920
<v Speaker 1>the movie is finished, then that's exactly what And then

1:01:09.920 --> 1:01:14.280
<v Speaker 1>one more Buffalo bills, right, Because what happens is that

1:01:14.800 --> 1:01:18.400
<v Speaker 1>Peg pitches all of these debt collecting agencies a scenario

1:01:18.560 --> 1:01:21.080
<v Speaker 1>where they unite so that they can be this like

1:01:21.400 --> 1:01:24.720
<v Speaker 1>huge strong force and make a bunch of money. And

1:01:24.760 --> 1:01:27.840
<v Speaker 1>they're like, yeah, I love making money, and here's all

1:01:27.840 --> 1:01:31.280
<v Speaker 1>the shady shit I've done to make money. But surprise,

1:01:31.800 --> 1:01:34.920
<v Speaker 1>Peg was recording the whole thing. It's a setup, and

1:01:35.040 --> 1:01:37.400
<v Speaker 1>she now has them admitting to doing a bunch of

1:01:37.480 --> 1:01:41.560
<v Speaker 1>illegal stuff. So the cops and Jermaine Fowler, who is

1:01:41.600 --> 1:01:45.439
<v Speaker 1>a cop in this scene, come in and arrest all

1:01:45.480 --> 1:01:48.520
<v Speaker 1>of these Honestly, I was so confused at that point

1:01:48.560 --> 1:01:51.880
<v Speaker 1>that I didn't even realize that that was like it

1:01:52.000 --> 1:01:55.080
<v Speaker 1>was weird, like but that he was acting in the

1:01:55.120 --> 1:01:58.720
<v Speaker 1>capacity of not his job, like just not even remotely

1:01:58.800 --> 1:02:01.840
<v Speaker 1>his job. He's should be there, that makes sense, Yeah,

1:02:03.240 --> 1:02:08.760
<v Speaker 1>so bizarre, God bless. So Peg then like sneaks off

1:02:08.800 --> 1:02:11.880
<v Speaker 1>and goes to Graham's office, where he has all of

1:02:11.920 --> 1:02:16.000
<v Speaker 1>the evidence on all of these people to convict them,

1:02:16.040 --> 1:02:20.800
<v Speaker 1>because he's again also an investigative journalist question mark, Um,

1:02:21.960 --> 1:02:27.320
<v Speaker 1>he's a hustler too, investigator journal Everyone in this movie

1:02:28.360 --> 1:02:32.400
<v Speaker 1>is hustler. Yep. So Peg torches all of this evidence

1:02:32.480 --> 1:02:36.320
<v Speaker 1>because she wants to erase all of those people's debts,

1:02:36.360 --> 1:02:41.080
<v Speaker 1>because she has learned a lesson debt collecting is actually evil.

1:02:41.480 --> 1:02:44.240
<v Speaker 1>She has not had the opportunity to learn this lesson

1:02:44.280 --> 1:02:48.960
<v Speaker 1>earlier in the movie. We get to wrap at us up. Yeah,

1:02:49.000 --> 1:02:52.880
<v Speaker 1>and she's like, oh, debt collecting is evil, and you know,

1:02:52.960 --> 1:02:55.080
<v Speaker 1>most people are in debt because of medical bills and

1:02:55.120 --> 1:03:01.040
<v Speaker 1>student loans and other ways that capitalist institutions fuck over

1:03:01.240 --> 1:03:05.920
<v Speaker 1>so many Americans. So Peg learns this. But because Peg

1:03:06.040 --> 1:03:10.520
<v Speaker 1>destroyed that evidence, that's illegal. So then she gets thrown

1:03:10.560 --> 1:03:14.440
<v Speaker 1>back in jail for a while. But she's released. She

1:03:14.480 --> 1:03:19.640
<v Speaker 1>apologizes to her mom, she celebrates with her friends, and

1:03:20.080 --> 1:03:24.560
<v Speaker 1>she shifts gears from to quote the movie selling nothing

1:03:24.760 --> 1:03:27.800
<v Speaker 1>to people with less than nothing, which is what she

1:03:27.880 --> 1:03:31.240
<v Speaker 1>did as a debt collector. And she moves on to

1:03:31.520 --> 1:03:35.120
<v Speaker 1>the people who have everything, to the only hustle that's

1:03:35.160 --> 1:03:40.120
<v Speaker 1>even more of an unregulated clusterfuck than debt collecting, which

1:03:40.240 --> 1:03:45.720
<v Speaker 1>is hedge funds. Okay, and I love that. That was fun. Yeah,

1:03:45.920 --> 1:03:49.320
<v Speaker 1>that was fun. It was cathartic. I liked it because

1:03:49.640 --> 1:03:52.200
<v Speaker 1>they were like, I think again, trying to be like,

1:03:52.760 --> 1:03:57.400
<v Speaker 1>she hasn't really learned anything, right, right, She's just gonna

1:03:57.760 --> 1:04:02.360
<v Speaker 1>like use her powers for sort of more good now, yeah, yeah,

1:04:02.640 --> 1:04:06.960
<v Speaker 1>sort of more good. Yeah, but she's still being very selfish,

1:04:06.960 --> 1:04:09.920
<v Speaker 1>like you love that for her. And then there's some

1:04:09.960 --> 1:04:14.280
<v Speaker 1>text on screen about household debt in the US being

1:04:14.440 --> 1:04:18.560
<v Speaker 1>thirteen trillion dollars, which is over half of what our

1:04:18.640 --> 1:04:22.720
<v Speaker 1>like national federal debt is. So I can't believe that's

1:04:22.720 --> 1:04:29.120
<v Speaker 1>a number. Thirteen trillion, thirteen trillion dollars. It rageous, absurd.

1:04:30.000 --> 1:04:33.000
<v Speaker 1>So that's the movie. Let's take a quick break and

1:04:33.160 --> 1:04:44.479
<v Speaker 1>we will come back to discuss, and we're back. We're

1:04:44.600 --> 1:04:47.440
<v Speaker 1>I feel like we have actually had a lot of

1:04:47.440 --> 1:04:52.560
<v Speaker 1>discussion already. Yeah, I did see. I was thinking that.

1:04:52.680 --> 1:04:55.520
<v Speaker 1>Every time I interrupted, I was like, I could have

1:04:55.600 --> 1:04:58.360
<v Speaker 1>saved this, finished the episode. I'm like looking at the

1:04:58.440 --> 1:05:03.920
<v Speaker 1>clock too, and I was like, Shelley, you're you're a hustler. Cha,

1:05:05.160 --> 1:05:10.680
<v Speaker 1>thank you? Yeah so much. So what's what's left? I

1:05:10.760 --> 1:05:13.840
<v Speaker 1>think like we've had this discussion around PEG, but I

1:05:14.120 --> 1:05:18.040
<v Speaker 1>think that like PEG is a really interesting character. I

1:05:18.320 --> 1:05:20.520
<v Speaker 1>do like this movie kind of falls apart from me

1:05:20.600 --> 1:05:24.120
<v Speaker 1>in the third act, but setting up because like you

1:05:24.160 --> 1:05:26.760
<v Speaker 1>were saying at the beginning of the episode, Shelley, and honestly,

1:05:26.800 --> 1:05:28.920
<v Speaker 1>you've been like selling me on this movie more the

1:05:28.960 --> 1:05:32.000
<v Speaker 1>more we talk about it. It's because I'm a I'm scamming,

1:05:33.600 --> 1:05:37.760
<v Speaker 1>scamming me. It's sixty one and I'm fucked god artist.

1:05:40.080 --> 1:05:42.400
<v Speaker 1>But I do think that, like, yeah, we have so

1:05:42.440 --> 1:05:46.720
<v Speaker 1>many male protagonists that are the scammer that we like,

1:05:46.840 --> 1:05:49.880
<v Speaker 1>you know, don't morally agree with. But you're like, well,

1:05:49.920 --> 1:05:52.720
<v Speaker 1>I'm like down to watch this guy go for the ride,

1:05:52.760 --> 1:05:55.680
<v Speaker 1>even though it's like he has significantly less to like

1:05:55.800 --> 1:05:58.560
<v Speaker 1>push up against. Yeah, and it's cool to see a

1:05:58.640 --> 1:06:02.720
<v Speaker 1>woman put in that role and be equally fuck you,

1:06:03.160 --> 1:06:05.640
<v Speaker 1>like I am bad because I think that I'm trying

1:06:05.640 --> 1:06:07.520
<v Speaker 1>to think of an example of what we've covered on

1:06:07.520 --> 1:06:11.120
<v Speaker 1>the show. But I feel like sometimes when like a

1:06:11.200 --> 1:06:16.000
<v Speaker 1>female lead is doing bad stuff, the movie will go

1:06:16.320 --> 1:06:20.440
<v Speaker 1>way out of its way to give like ethical reasoning

1:06:20.520 --> 1:06:22.440
<v Speaker 1>for it in a way that you wouldn't for a

1:06:22.440 --> 1:06:25.840
<v Speaker 1>flawed male protagonist. They'd be like, well she is mommy,

1:06:26.040 --> 1:06:28.320
<v Speaker 1>or like she is not Like there's like a traditionally

1:06:28.360 --> 1:06:32.160
<v Speaker 1>feminine reason. She has this huge thing that's going on.

1:06:32.280 --> 1:06:35.200
<v Speaker 1>This is why she's being bad, This is why she's selfish.

1:06:35.400 --> 1:06:39.360
<v Speaker 1>Even kill Bill like that is like her whole She's

1:06:39.400 --> 1:06:42.360
<v Speaker 1>only murdering people because she is mommy. Like that kind

1:06:42.360 --> 1:06:45.240
<v Speaker 1>of hustlers comes to mind as well, where they're like, yeah,

1:06:45.240 --> 1:06:49.400
<v Speaker 1>we're like baking drugs and feeding them to people, but

1:06:49.520 --> 1:06:52.760
<v Speaker 1>it's because I have a daughter. Yeah, and even for

1:06:52.840 --> 1:06:56.520
<v Speaker 1>me like promising young woman and stuff like, yeah, I

1:06:56.560 --> 1:06:59.560
<v Speaker 1>love a revenge, Like this is not very revenge, but

1:06:59.680 --> 1:07:03.040
<v Speaker 1>I mean she is kind of mad at the system

1:07:03.480 --> 1:07:06.720
<v Speaker 1>people PEG anyway, the system. Yeah, but like I just

1:07:07.120 --> 1:07:11.800
<v Speaker 1>don't I want I've always wanted films with like, if

1:07:11.840 --> 1:07:14.400
<v Speaker 1>it's a revenge film with a woman, I wanted it

1:07:14.440 --> 1:07:18.200
<v Speaker 1>to just be she's just mad for no reason, Like

1:07:18.240 --> 1:07:21.000
<v Speaker 1>why can't she just want to be bad or want

1:07:21.000 --> 1:07:23.640
<v Speaker 1>to be selfish or want to make these like money

1:07:23.680 --> 1:07:26.000
<v Speaker 1>moves and all this kind of stuff because she just

1:07:26.120 --> 1:07:29.520
<v Speaker 1>wants to She's not trying to like pay to keep

1:07:29.520 --> 1:07:32.000
<v Speaker 1>her kids in the house or try to get someone

1:07:32.040 --> 1:07:33.760
<v Speaker 1>out of the hospital. And that's what I kind of

1:07:33.800 --> 1:07:36.680
<v Speaker 1>love about PEG. It's like, and she's been this way

1:07:36.960 --> 1:07:39.880
<v Speaker 1>since she was a kid, right, Like, she's just wanted

1:07:40.120 --> 1:07:43.080
<v Speaker 1>money and it's just something she learned from her dad,

1:07:43.120 --> 1:07:46.000
<v Speaker 1>which I also thought was cool. Was something a movie

1:07:46.080 --> 1:07:51.080
<v Speaker 1>where a girl inherits a trait or the characteristic or

1:07:51.080 --> 1:07:56.200
<v Speaker 1>something from her father versus like her mom, which I

1:07:56.240 --> 1:07:59.320
<v Speaker 1>think is was super super dope like, but I agree

1:07:59.320 --> 1:08:02.280
<v Speaker 1>with you that it and towards the end, and there

1:08:02.320 --> 1:08:04.080
<v Speaker 1>are a lot of holes, you know what I'm saying.

1:08:04.160 --> 1:08:07.360
<v Speaker 1>But I think because I was so amped about the

1:08:07.800 --> 1:08:11.000
<v Speaker 1>plot and the money and just how peg is, I

1:08:11.120 --> 1:08:14.520
<v Speaker 1>kind of like looked past them until right now we're

1:08:14.600 --> 1:08:19.479
<v Speaker 1>like dissecting. Honestly, most of my issues with the movie

1:08:19.520 --> 1:08:24.040
<v Speaker 1>are not necessarily like Bechtel cast lens related stuff. It's

1:08:24.080 --> 1:08:27.759
<v Speaker 1>more just like this script could have used a second draft,

1:08:27.880 --> 1:08:31.880
<v Speaker 1>Like the characters are a little like cartoonish and inconsistent.

1:08:32.720 --> 1:08:36.120
<v Speaker 1>The plot could be a bit more streamlined, maybe, but

1:08:36.840 --> 1:08:41.520
<v Speaker 1>as far as like examining a complicated and like morally

1:08:42.280 --> 1:08:47.400
<v Speaker 1>corrupt character who is a woman, which again is kind

1:08:47.400 --> 1:08:50.080
<v Speaker 1>of a rare thing for a movie to examine, because

1:08:50.200 --> 1:08:54.439
<v Speaker 1>those characters that writers or that like Hollywood makes space

1:08:54.479 --> 1:08:58.840
<v Speaker 1>for are almost always men, right, So yeah, I think

1:08:58.880 --> 1:09:02.800
<v Speaker 1>there's just like interesting too. That's a little why I

1:09:02.840 --> 1:09:05.200
<v Speaker 1>guess it's been like what we were just talking about,

1:09:05.240 --> 1:09:07.639
<v Speaker 1>where it's like the most of the movie doesn't like

1:09:07.680 --> 1:09:09.880
<v Speaker 1>we know why Peg is doing what she's doing, but

1:09:09.920 --> 1:09:12.479
<v Speaker 1>it is like a self motivated thing. She's not like

1:09:12.520 --> 1:09:14.840
<v Speaker 1>I'm trying to save the family. She's like family clearly

1:09:14.840 --> 1:09:17.200
<v Speaker 1>doesn't want to save themselves. I'm going to save myself.

1:09:17.360 --> 1:09:19.720
<v Speaker 1>Like it's not like she doesn't love her family, but

1:09:19.800 --> 1:09:22.880
<v Speaker 1>she's not like, I guess, you know, using all of

1:09:22.880 --> 1:09:25.000
<v Speaker 1>her time to be like, come on, mom, it's not

1:09:25.120 --> 1:09:28.479
<v Speaker 1>her like major concern. Yeah, it's not even her brother's bar.

1:09:28.720 --> 1:09:32.720
<v Speaker 1>She's like, you're being stupid about how you're running this bar.

1:09:32.800 --> 1:09:35.599
<v Speaker 1>I'm not gonna help you figure it out. But but

1:09:35.680 --> 1:09:40.400
<v Speaker 1>like you're wrong. Yeah, But like I guess that that's

1:09:40.439 --> 1:09:42.920
<v Speaker 1>why I felt a little like Studio notesy to me

1:09:43.040 --> 1:09:47.160
<v Speaker 1>that she's like so thoroughly absolved of everything at the

1:09:47.320 --> 1:09:50.040
<v Speaker 1>end and then she like I don't know, the whole

1:09:50.080 --> 1:09:52.519
<v Speaker 1>like colluding with the DA's office at the end of

1:09:52.600 --> 1:09:55.320
<v Speaker 1>like that whole thing. It's like this is a character

1:09:55.360 --> 1:09:59.920
<v Speaker 1>who is self motivated and bad like see that does

1:10:00.160 --> 1:10:03.000
<v Speaker 1>like see that through I don't know I guess that

1:10:03.040 --> 1:10:05.280
<v Speaker 1>they sort of do, because she ends up just sort

1:10:05.320 --> 1:10:08.599
<v Speaker 1>of like heel turning to do the exact same sort

1:10:08.640 --> 1:10:10.880
<v Speaker 1>of diabolical shit in a way that's less harmful to

1:10:11.160 --> 1:10:14.599
<v Speaker 1>vulnerable people. Yeah. Yeah, I just didn't like it too.

1:10:15.000 --> 1:10:17.240
<v Speaker 1>Only the major thing that I didn't like I kind

1:10:17.240 --> 1:10:20.280
<v Speaker 1>of liked that she had a shitty relationship with her mom,

1:10:20.360 --> 1:10:22.960
<v Speaker 1>And I think that like hard to heart moment in

1:10:23.000 --> 1:10:25.920
<v Speaker 1>the cell, it kind of made me a little upset

1:10:26.240 --> 1:10:29.960
<v Speaker 1>because it helped her make a turn or basically make

1:10:30.000 --> 1:10:32.519
<v Speaker 1>a little turn or whatever, being like, oh, you're just

1:10:32.560 --> 1:10:34.400
<v Speaker 1>like your dad and Dada dad lah. It's like I

1:10:34.439 --> 1:10:36.960
<v Speaker 1>wanted her to be like, yeah, I am, and I'm

1:10:37.000 --> 1:10:42.080
<v Speaker 1>going to keep being like just like it's just who

1:10:42.160 --> 1:10:44.559
<v Speaker 1>I am, Like I'm gonna be. So I kind of

1:10:44.560 --> 1:10:47.320
<v Speaker 1>don't like. I didn't like that bit of it, But

1:10:47.840 --> 1:10:49.400
<v Speaker 1>I don't know. I think it was because the same

1:10:49.400 --> 1:10:52.400
<v Speaker 1>thing is like hard to heart, learn something from your mom,

1:10:52.600 --> 1:10:54.840
<v Speaker 1>This is learn why you're doing wrong. I kind of

1:10:54.880 --> 1:10:58.040
<v Speaker 1>did want Pig to keep doing I wanted her to

1:10:58.040 --> 1:10:59.840
<v Speaker 1>like come back out of prison and be like, Okay,

1:10:59.840 --> 1:11:02.040
<v Speaker 1>so now I've learned exactly what not to do and

1:11:02.120 --> 1:11:04.680
<v Speaker 1>maybe take it somewhere else to another city, you know

1:11:04.680 --> 1:11:09.479
<v Speaker 1>what I mean, Like just I mean, but I yeah,

1:11:09.520 --> 1:11:11.479
<v Speaker 1>I did it. I would have ended like she's she's

1:11:11.560 --> 1:11:14.320
<v Speaker 1>like a little she's a little villainous and it's like

1:11:14.920 --> 1:11:18.000
<v Speaker 1>but and we know why. But it's like, yeah, yeah,

1:11:18.040 --> 1:11:19.960
<v Speaker 1>I don't know. I mean, it's like, I guess, do

1:11:20.040 --> 1:11:25.760
<v Speaker 1>I want Girl Boss Jordan Belford? No, But while we're here,

1:11:25.920 --> 1:11:28.360
<v Speaker 1>I don't know, Like I guess I feel kind of

1:11:28.439 --> 1:11:31.840
<v Speaker 1>like conflicted about it. I do like the wow, we're

1:11:31.880 --> 1:11:33.800
<v Speaker 1>here part of that, though, it's like, well, if we're

1:11:33.800 --> 1:11:36.840
<v Speaker 1>gonna do this, then right, like let's just do because

1:11:36.920 --> 1:11:39.320
<v Speaker 1>I don't It's not like I feel like a lot

1:11:39.320 --> 1:11:41.160
<v Speaker 1>of the times they do this with like black films too,

1:11:41.200 --> 1:11:43.639
<v Speaker 1>They'll take a white film and like make it black.

1:11:43.720 --> 1:11:45.519
<v Speaker 1>I'm not trying to tell them to like take this

1:11:45.600 --> 1:11:49.519
<v Speaker 1>like male censored situation and make it put a girl there.

1:11:49.520 --> 1:11:51.920
<v Speaker 1>But at the same time, if we're already here and

1:11:51.960 --> 1:11:54.519
<v Speaker 1>if that feels like it was kind of the plan anyway,

1:11:54.840 --> 1:11:58.439
<v Speaker 1>you got to see it all the way through, like yeah, yeah,

1:11:58.479 --> 1:11:59.960
<v Speaker 1>I don't know. I guess. It's like I'm sort of

1:12:00.120 --> 1:12:03.719
<v Speaker 1>all over the place in that regard because it's also like, well,

1:12:04.439 --> 1:12:09.639
<v Speaker 1>our hero is actively oppressing people and ruining their lives,

1:12:10.200 --> 1:12:13.360
<v Speaker 1>and that's I mean, I guess that you what this

1:12:13.400 --> 1:12:17.759
<v Speaker 1>movie does really well is contextualized that like a certain

1:12:17.760 --> 1:12:20.240
<v Speaker 1>amount of this is just like who Peg is as

1:12:20.280 --> 1:12:23.880
<v Speaker 1>a person. She's super fucking motivated. And but then where

1:12:23.880 --> 1:12:26.400
<v Speaker 1>the society ship comes in is like she has this

1:12:26.520 --> 1:12:30.840
<v Speaker 1>really intense motivated personality in the context of growing up

1:12:30.880 --> 1:12:33.800
<v Speaker 1>poor and in the context of being told that she's

1:12:33.800 --> 1:12:36.759
<v Speaker 1>not going to amount to shit and like can't do anything.

1:12:36.840 --> 1:12:39.320
<v Speaker 1>And so it's like a little mix of like nature

1:12:39.360 --> 1:12:43.080
<v Speaker 1>and nurture that like brings her to where she is,

1:12:43.120 --> 1:12:45.599
<v Speaker 1>And I feel like that's that's much more effective than

1:12:45.680 --> 1:12:48.960
<v Speaker 1>like in a void. Oh, she's just like this. And

1:12:49.120 --> 1:12:52.639
<v Speaker 1>I also think it like connects to her relationship with

1:12:53.360 --> 1:12:57.639
<v Speaker 1>her mom, which I think is really interesting and feels

1:12:57.760 --> 1:13:04.080
<v Speaker 1>very like boomer like late gen X parent and millennial

1:13:04.120 --> 1:13:09.280
<v Speaker 1>gen Z kid, where her mom does still have a

1:13:09.560 --> 1:13:12.040
<v Speaker 1>like even though she is a single mom who is

1:13:12.080 --> 1:13:14.400
<v Speaker 1>like busting her ass so that her kids can get

1:13:14.439 --> 1:13:16.920
<v Speaker 1>what they want. They don't have a great relationship, like

1:13:16.920 --> 1:13:19.080
<v Speaker 1>you're saying, Shelley. I liked that they didn't have a

1:13:19.080 --> 1:13:23.439
<v Speaker 1>great relationship. It like made sense because Peg represents all

1:13:23.520 --> 1:13:27.439
<v Speaker 1>these things and these qualities that her mom is not

1:13:27.560 --> 1:13:32.360
<v Speaker 1>comfortable with. Her mom still has like a fairly traditional

1:13:32.880 --> 1:13:37.000
<v Speaker 1>set of values in terms of gender. That comes up

1:13:37.040 --> 1:13:40.680
<v Speaker 1>several times, and then it's like this weird, well, yeah,

1:13:40.680 --> 1:13:42.240
<v Speaker 1>I want to know what you think about this, because

1:13:42.400 --> 1:13:45.040
<v Speaker 1>there's like that weird chafing argument with them that happens

1:13:45.040 --> 1:13:48.640
<v Speaker 1>a few times in the movie where her mom is

1:13:48.840 --> 1:13:52.000
<v Speaker 1>being pretty sexist towards her, and it is like, well,

1:13:52.000 --> 1:13:54.439
<v Speaker 1>why can't you just like settle down and like, you know,

1:13:54.479 --> 1:13:57.040
<v Speaker 1>cut the ship and settle down. You've met a nice guy,

1:13:57.479 --> 1:14:00.599
<v Speaker 1>which is super reductive and horrible and shitty, and Peg

1:14:00.640 --> 1:14:03.559
<v Speaker 1>never you know, entertains it. But then it also is

1:14:03.600 --> 1:14:06.040
<v Speaker 1>like it almost I don't know. There were moments where

1:14:06.439 --> 1:14:08.639
<v Speaker 1>Peg was like, no, I don't want to do that,

1:14:08.720 --> 1:14:12.160
<v Speaker 1>and thus I must do crime, and you're like, surely

1:14:12.160 --> 1:14:15.200
<v Speaker 1>there's some middle ground here. It's like, or you could

1:14:15.200 --> 1:14:17.720
<v Speaker 1>just not pay for the dinner, because that's where I came.

1:14:17.880 --> 1:14:19.639
<v Speaker 1>It came for me, is when she was talking about

1:14:19.640 --> 1:14:22.360
<v Speaker 1>I'm gonna take you out, and then the mom kept

1:14:22.360 --> 1:14:26.040
<v Speaker 1>saying who's paying, who's paying? Why would you pay? That

1:14:26.120 --> 1:14:28.680
<v Speaker 1>kind of situation. And I think if instead of her

1:14:28.760 --> 1:14:32.280
<v Speaker 1>being like oh, she could have just been like, I'm

1:14:32.320 --> 1:14:35.080
<v Speaker 1>going to pay for this dinner, not all right, Well,

1:14:35.120 --> 1:14:38.400
<v Speaker 1>I'm just gonna go open up my own scamming business

1:14:38.439 --> 1:14:41.320
<v Speaker 1>situation and be a girl boss so to show you

1:14:41.600 --> 1:14:44.720
<v Speaker 1>that I can pay for dinners with whatever guy I

1:14:44.800 --> 1:14:48.479
<v Speaker 1>want to. It just was a very intense going against

1:14:48.479 --> 1:14:53.280
<v Speaker 1>what mom wants situation. Yeah. Yeah. Also that character trait

1:14:53.439 --> 1:14:58.800
<v Speaker 1>of PEG's mom that she's like holding onto these patriarchal

1:14:59.240 --> 1:15:02.960
<v Speaker 1>standard of a man should pay for dinner because a

1:15:03.000 --> 1:15:06.360
<v Speaker 1>man should be the provider. And then like I feel like,

1:15:06.360 --> 1:15:09.320
<v Speaker 1>a couple minutes later, her mom's like, Peg, would it

1:15:09.400 --> 1:15:11.800
<v Speaker 1>kill you to wear a skirt every now? And then

1:15:12.439 --> 1:15:14.840
<v Speaker 1>that happened so late in the movie, and it feels

1:15:14.840 --> 1:15:17.320
<v Speaker 1>like it came out of nowhere. I'm like, yeah, what

1:15:17.720 --> 1:15:22.120
<v Speaker 1>has her mom been this like old fashioned, like whole

1:15:22.240 --> 1:15:28.000
<v Speaker 1>weird like sexist ideals, ladies. I feel like her equivalent

1:15:28.200 --> 1:15:31.320
<v Speaker 1>of my grandfather was in debt And you're like, why

1:15:31.360 --> 1:15:34.040
<v Speaker 1>am I learning this now? Yeah? Why am I learning

1:15:34.040 --> 1:15:37.160
<v Speaker 1>this about you now? Because if if let's say that

1:15:37.320 --> 1:15:41.320
<v Speaker 1>was established earlier about PEG's mom, that like if she

1:15:41.479 --> 1:15:45.000
<v Speaker 1>was sort of like judgmental of Peg for wanting to

1:15:45.080 --> 1:15:47.200
<v Speaker 1>be such a go getter and wanting to make so

1:15:47.280 --> 1:15:50.679
<v Speaker 1>much money because she's like no, no, no, like girls

1:15:50.720 --> 1:15:54.160
<v Speaker 1>and women shouldn't have to you know, you should just

1:15:54.479 --> 1:15:57.200
<v Speaker 1>go and try and find a man and and like

1:15:57.320 --> 1:15:59.439
<v Speaker 1>let him be the provider. Why are you so gung

1:15:59.520 --> 1:16:03.360
<v Speaker 1>ho about making your own money? And maybe that was

1:16:03.439 --> 1:16:08.280
<v Speaker 1>like fueled PEG's desire even more to be like I

1:16:08.400 --> 1:16:12.920
<v Speaker 1>have to prove these sexist ideals wrong. Like yeah, I

1:16:12.960 --> 1:16:15.080
<v Speaker 1>don't know. It might have been like kind of corny,

1:16:15.560 --> 1:16:18.280
<v Speaker 1>but at least it would have been consistent, yeah, because

1:16:18.280 --> 1:16:20.719
<v Speaker 1>it also would have helped, Like again, mayked more consistent too.

1:16:20.760 --> 1:16:25.160
<v Speaker 1>If why her mom like didn't really know about I

1:16:25.200 --> 1:16:27.560
<v Speaker 1>guess the debt situations like in the house, Like it

1:16:27.600 --> 1:16:29.040
<v Speaker 1>would have made sense if that was a part of

1:16:29.040 --> 1:16:31.840
<v Speaker 1>the character. If her mom was this person and a

1:16:31.880 --> 1:16:34.200
<v Speaker 1>lot of women back in her day when she was

1:16:34.240 --> 1:16:36.280
<v Speaker 1>being they didn't know how the finances of the house

1:16:36.360 --> 1:16:38.639
<v Speaker 1>was being ran. You feel me so because they were

1:16:38.800 --> 1:16:41.920
<v Speaker 1>very much so like I am just taking care of

1:16:41.960 --> 1:16:44.400
<v Speaker 1>house and home, like I make sure dinner is clipped

1:16:44.439 --> 1:16:46.760
<v Speaker 1>and the house is clean and all that kind of stuff.

1:16:46.800 --> 1:16:49.200
<v Speaker 1>So if they had introduced her as like more of

1:16:49.240 --> 1:16:52.160
<v Speaker 1>a gen X version of that woman. It would have

1:16:52.200 --> 1:16:55.559
<v Speaker 1>also made more sense throughout the film too, because I

1:16:55.560 --> 1:16:57.720
<v Speaker 1>remember at one point she asked her as soon as

1:16:57.760 --> 1:16:59.759
<v Speaker 1>she got home, the one of the ladies talked about

1:16:59.760 --> 1:17:03.479
<v Speaker 1>her roots too, and she was like, yes, we're gonna

1:17:03.479 --> 1:17:05.800
<v Speaker 1>get there taken care of and it's just like but

1:17:05.840 --> 1:17:07.920
<v Speaker 1>then she was like, get a job, or I haven't

1:17:07.920 --> 1:17:10.040
<v Speaker 1>seen you in a few weeks. It's just she was

1:17:10.040 --> 1:17:13.639
<v Speaker 1>a little bit choppy. Yeah, that and like her being

1:17:13.640 --> 1:17:18.479
<v Speaker 1>like women shouldn't like men are the providers. Meanwhile, PEG's

1:17:18.520 --> 1:17:22.960
<v Speaker 1>mom owns and operates a business, like a whole as business.

1:17:23.120 --> 1:17:25.680
<v Speaker 1>You would think that, like I mean, and again this

1:17:25.760 --> 1:17:28.559
<v Speaker 1>is but like if I have like a movie logic

1:17:28.640 --> 1:17:31.160
<v Speaker 1>helmet on, you would think that if she felt that way,

1:17:31.600 --> 1:17:35.160
<v Speaker 1>she would be remarried, like she would have actively sought

1:17:35.200 --> 1:17:37.400
<v Speaker 1>that up for herself. But it doesn't seem like that's

1:17:37.479 --> 1:17:41.679
<v Speaker 1>been a priority for her, which is fine. I prefer

1:17:41.920 --> 1:17:45.400
<v Speaker 1>that like for this story, but it's weird. I feel

1:17:45.400 --> 1:17:48.760
<v Speaker 1>like there is maybe room for something a little more nuanced,

1:17:48.800 --> 1:17:52.040
<v Speaker 1>because yeah, it didn't seem consistent with the character, and

1:17:52.200 --> 1:17:56.800
<v Speaker 1>it's like, there are you know, intergenerational, like varying definitions

1:17:56.800 --> 1:18:00.280
<v Speaker 1>of like her mom is making, you know, what would

1:18:00.320 --> 1:18:03.280
<v Speaker 1>be considered like an honest living like she is, Like

1:18:03.600 --> 1:18:05.800
<v Speaker 1>I guess it's her businesses and technically legal, but like

1:18:06.240 --> 1:18:09.120
<v Speaker 1>she's she's not doing work that is hurting people and

1:18:09.640 --> 1:18:11.800
<v Speaker 1>her job is not ethically compromised. And I feel like

1:18:11.840 --> 1:18:15.160
<v Speaker 1>there's that's kind of an interesting conversation to have between

1:18:15.200 --> 1:18:17.080
<v Speaker 1>a parent and a child and between a mother and

1:18:17.120 --> 1:18:20.040
<v Speaker 1>a daughter of like, I don't approve of what you're

1:18:20.200 --> 1:18:24.040
<v Speaker 1>doing because it's hurting people, and where is your line

1:18:24.040 --> 1:18:28.200
<v Speaker 1>of compromise, like morally, Like that's an interesting conversation, but

1:18:28.240 --> 1:18:31.679
<v Speaker 1>it felt more like they it became like a more

1:18:31.760 --> 1:18:34.519
<v Speaker 1>basic something that's been like hashed out a million times

1:18:34.560 --> 1:18:37.160
<v Speaker 1>of like put on a dress and get married, which,

1:18:37.600 --> 1:18:39.800
<v Speaker 1>like you're both saying, like, doesn't really have anything to

1:18:39.840 --> 1:18:42.080
<v Speaker 1>do with that character. Yeah, yeah, it just shows up

1:18:42.479 --> 1:18:48.559
<v Speaker 1>similarly Whiz being so cartoonish in his sexism. And I'm

1:18:48.600 --> 1:18:52.280
<v Speaker 1>not saying there aren't men like this, but like, for sure,

1:18:52.560 --> 1:18:56.760
<v Speaker 1>I feel like it's chicks. Yeah. Literally. Here are some

1:18:56.840 --> 1:19:03.360
<v Speaker 1>quotes from the movie Wait, please perform at Gai Courtney style. Please,

1:19:03.800 --> 1:19:07.240
<v Speaker 1>he says, go be my bar bitch and get me

1:19:07.320 --> 1:19:11.719
<v Speaker 1>some bears. And you're like, oh, Gi, I was hoping

1:19:11.760 --> 1:19:13.320
<v Speaker 1>that you were going to start off with that one.

1:19:13.360 --> 1:19:17.280
<v Speaker 1>I really really really was. And then when Peg like

1:19:17.360 --> 1:19:20.599
<v Speaker 1>double crosses him, he's like, this is why I don't

1:19:20.720 --> 1:19:23.240
<v Speaker 1>hire bitches, And I think what he means is this

1:19:23.280 --> 1:19:25.920
<v Speaker 1>is why I don't hire women, and he just thinks

1:19:25.960 --> 1:19:30.200
<v Speaker 1>all women are bitches or that's exactly Oh he is

1:19:30.600 --> 1:19:34.000
<v Speaker 1>a thousand percent saying because woman, And then like he

1:19:34.080 --> 1:19:37.400
<v Speaker 1>dumps blood on her head and like has a little

1:19:37.400 --> 1:19:39.960
<v Speaker 1>handwritten note that says something like the only thing that

1:19:40.040 --> 1:19:46.400
<v Speaker 1>bitches collect is menstrual blood. It was like cartoon ish,

1:19:46.600 --> 1:19:49.280
<v Speaker 1>like you're just like a cartoon character and it is

1:19:50.640 --> 1:19:52.240
<v Speaker 1>called out to She didn't even know that she was

1:19:52.280 --> 1:19:54.439
<v Speaker 1>going to try to Like I guess the other knew

1:19:54.520 --> 1:19:56.360
<v Speaker 1>she was gonna try to get a job there. But

1:19:56.479 --> 1:19:59.120
<v Speaker 1>he was like he told me, He told me I

1:19:59.240 --> 1:20:00.960
<v Speaker 1>was there was gonna be like a guest, but he

1:20:01.000 --> 1:20:04.480
<v Speaker 1>didn't say she was a piece, And I was like, oh, yeah,

1:20:04.240 --> 1:20:07.800
<v Speaker 1>he also, yeah, he aggressively sexually harasses her in the

1:20:07.800 --> 1:20:10.439
<v Speaker 1>workplace multiple times. He like I was like, hey, is

1:20:10.479 --> 1:20:14.280
<v Speaker 1>this buffalo's sexual harassment or is this character just using

1:20:14.360 --> 1:20:20.360
<v Speaker 1>wildly outdated terms because could you just call me a piece? Like?

1:20:20.600 --> 1:20:24.200
<v Speaker 1>But here is it? No? Um? There's another scene where

1:20:24.240 --> 1:20:27.280
<v Speaker 1>it's when like he's really short changing her as far

1:20:27.320 --> 1:20:30.120
<v Speaker 1>as how much commission she's supposed to earn, and he

1:20:30.200 --> 1:20:33.960
<v Speaker 1>like puts his arm around her and is like making

1:20:33.960 --> 1:20:37.840
<v Speaker 1>her uncomfortable, invading her space, and then she's like, I

1:20:37.880 --> 1:20:40.280
<v Speaker 1>mean she pushes back, which I'm happy to see where

1:20:40.280 --> 1:20:43.400
<v Speaker 1>she's just like, get your fucking hand off me. But

1:20:44.040 --> 1:20:48.240
<v Speaker 1>I think this is all just very indicative of while

1:20:48.479 --> 1:20:51.200
<v Speaker 1>the movie was directed by a woman, it was written

1:20:51.280 --> 1:20:53.920
<v Speaker 1>by a man, and I feel like, yeah, it was like,

1:20:54.720 --> 1:20:59.400
<v Speaker 1>what's his name, Brian Sokka, He's like, what does sexism

1:20:59.439 --> 1:21:02.880
<v Speaker 1>look like? Oh my god, it's when men call women

1:21:02.960 --> 1:21:06.759
<v Speaker 1>pitches one hundred times dumps and throw blood are blood

1:21:06.760 --> 1:21:09.920
<v Speaker 1>on you at a Buffalo Bill's game, and often uses

1:21:10.520 --> 1:21:13.840
<v Speaker 1>blow up. Thus from nineteen ninety two was very ol

1:21:13.920 --> 1:21:18.840
<v Speaker 1>Bundy like very like what oh yes, like what that was?

1:21:19.320 --> 1:21:22.240
<v Speaker 1>That was why he he was wild for that one.

1:21:22.280 --> 1:21:24.479
<v Speaker 1>And it also just seemed like Jai Courtney is like

1:21:24.600 --> 1:21:27.240
<v Speaker 1>as a man, was like doing kind of some old

1:21:27.280 --> 1:21:31.920
<v Speaker 1>man stuff when he was not an old man he was, um, yeah,

1:21:32.000 --> 1:21:34.280
<v Speaker 1>I thought, like, yeah, I think that, like honestly, that

1:21:34.680 --> 1:21:37.320
<v Speaker 1>as funny as I thought that character was, I feel

1:21:37.320 --> 1:21:40.280
<v Speaker 1>like it sort of again, like in the same way,

1:21:40.320 --> 1:21:42.519
<v Speaker 1>it's like it felt a little too broad and like

1:21:42.560 --> 1:21:46.400
<v Speaker 1>there could have been a more productive conversation of like

1:21:46.560 --> 1:21:50.559
<v Speaker 1>I think a lot of like discrimination in general is

1:21:50.680 --> 1:21:53.240
<v Speaker 1>done at like the micro aggression level and this but

1:21:53.320 --> 1:21:56.000
<v Speaker 1>this movie just like is not Ya does not have

1:21:56.040 --> 1:21:59.880
<v Speaker 1>the capacity for micro anything. Like everything is like maximal

1:22:00.240 --> 1:22:03.639
<v Speaker 1>all the time, so it's just maybe not the movie

1:22:03.680 --> 1:22:06.760
<v Speaker 1>for it. But yeah, now everything is very, very very

1:22:06.800 --> 1:22:08.360
<v Speaker 1>to the max. And I think, like when I was

1:22:08.360 --> 1:22:11.360
<v Speaker 1>watching this movie too, why I like really connected with

1:22:11.400 --> 1:22:13.360
<v Speaker 1>it or because, like I said, it was during like

1:22:13.400 --> 1:22:16.639
<v Speaker 1>the first Lockdown and I think this was like I

1:22:16.680 --> 1:22:20.920
<v Speaker 1>watched it in May or something like that. I think

1:22:20.920 --> 1:22:23.040
<v Speaker 1>it was because there was so much going on with

1:22:23.680 --> 1:22:26.639
<v Speaker 1>money in the world at that situation, Like a lot

1:22:26.640 --> 1:22:29.160
<v Speaker 1>of people were like concerned. I mean, it's always stuff

1:22:29.160 --> 1:22:30.640
<v Speaker 1>going on in the world with money, but a lot

1:22:30.680 --> 1:22:33.439
<v Speaker 1>of people were like super concerned about it. We didn't

1:22:33.439 --> 1:22:36.120
<v Speaker 1>know what was going on. People were losing jobs, like

1:22:36.400 --> 1:22:38.599
<v Speaker 1>all this kind of shit was happening, and I think

1:22:38.640 --> 1:22:40.320
<v Speaker 1>That's another reason why I was like, oh, yeah, I'm

1:22:40.360 --> 1:22:44.040
<v Speaker 1>gonna watch this movie about debt and scare myself a

1:22:44.080 --> 1:22:46.679
<v Speaker 1>little bit more like why not? Of course I am,

1:22:46.840 --> 1:22:52.280
<v Speaker 1>but yeah, and I'm just wondering why it's so hidden.

1:22:52.479 --> 1:22:56.120
<v Speaker 1>I guess, Like, but I often find films like that

1:22:56.240 --> 1:22:58.840
<v Speaker 1>where I like become obsessed with this movie that was

1:22:58.880 --> 1:23:03.160
<v Speaker 1>probably not really meant to be seen. Yeah, did it

1:23:03.320 --> 1:23:06.679
<v Speaker 1>have a theatrical release? Because I watched it on Hulu

1:23:06.720 --> 1:23:08.600
<v Speaker 1>and I was wondering, like, oh, it's just like a

1:23:08.840 --> 1:23:12.920
<v Speaker 1>Hulu production, and that's the thing. I also originally watched

1:23:12.960 --> 1:23:14.960
<v Speaker 1>it on Hulu and this was like three years ago,

1:23:15.000 --> 1:23:17.559
<v Speaker 1>so I don't think it was even meant to have

1:23:17.680 --> 1:23:20.479
<v Speaker 1>a theatrical release. Yeah, I don't remember it getting a

1:23:20.520 --> 1:23:22.920
<v Speaker 1>release if it did have one. I mean, this was

1:23:22.960 --> 1:23:25.320
<v Speaker 1>something we could probably easily look up. No, I mean

1:23:25.360 --> 1:23:27.920
<v Speaker 1>it made like less than thirty thousand dollars at the

1:23:27.960 --> 1:23:32.360
<v Speaker 1>box office, which again, and this was like pre pandemic too,

1:23:32.439 --> 1:23:35.479
<v Speaker 1>so it's like not even actually really during it. So

1:23:35.520 --> 1:23:38.760
<v Speaker 1>I do think it's it's frustrating because I mean I

1:23:38.800 --> 1:23:43.320
<v Speaker 1>don't know like this director Tanya Wexler, who also I

1:23:43.360 --> 1:23:46.160
<v Speaker 1>was like, oh, Massachusetts heads, was one of the first

1:23:46.240 --> 1:23:51.559
<v Speaker 1>queer was one of the first gay marriage became legal

1:23:51.560 --> 1:23:55.320
<v Speaker 1>in Massachusetts. In two thousand and four, Tanya Wexler and

1:23:55.439 --> 1:23:57.519
<v Speaker 1>her wife were one of the first couples to ever

1:23:57.600 --> 1:24:01.479
<v Speaker 1>be legally married in the country, which I thought was

1:24:01.520 --> 1:24:04.040
<v Speaker 1>really cool. It's just a fun fact. But like, she

1:24:04.120 --> 1:24:07.400
<v Speaker 1>was already a well respected director. This is her fourth film,

1:24:07.439 --> 1:24:09.920
<v Speaker 1>and I think it's like really frustrating that it didn't

1:24:09.960 --> 1:24:13.679
<v Speaker 1>get more attention because it's like, is it perfect? No?

1:24:14.040 --> 1:24:17.320
<v Speaker 1>Is it talking about stuff that no one ever talks

1:24:17.320 --> 1:24:20.240
<v Speaker 1>about in movies in a smart and funny way that

1:24:20.439 --> 1:24:24.880
<v Speaker 1>centers a woman who's poor, and like like that these

1:24:24.880 --> 1:24:27.719
<v Speaker 1>are all things that like, very very regularly happen. And

1:24:27.920 --> 1:24:30.400
<v Speaker 1>I wish, yeah, I wish I understood why it didn't

1:24:30.400 --> 1:24:33.080
<v Speaker 1>get more attention, because honestly, before you pitched it, Shelley,

1:24:33.120 --> 1:24:35.680
<v Speaker 1>I hadn't heard of this movie. And like, and I

1:24:35.720 --> 1:24:39.880
<v Speaker 1>think too, like with the cast being so stacked too,

1:24:39.960 --> 1:24:42.240
<v Speaker 1>Like it's a pretty good it's a pretty dope cast,

1:24:42.320 --> 1:24:44.559
<v Speaker 1>like Trudy Greer first of all, but then you got

1:24:44.600 --> 1:24:49.520
<v Speaker 1>all these familiar faces, like two smaller roles, but everyone

1:24:49.720 --> 1:24:52.719
<v Speaker 1>is just like in it. But yeah, I just thought

1:24:52.720 --> 1:24:55.639
<v Speaker 1>it was like a really dope movie because I movies

1:24:55.640 --> 1:24:59.040
<v Speaker 1>I talk about money in any capacity is really pretty

1:24:59.120 --> 1:25:00.760
<v Speaker 1>much interesting to me. But I don't know a lot

1:25:00.800 --> 1:25:05.840
<v Speaker 1>of movies about like debt and student loans and women

1:25:06.080 --> 1:25:08.760
<v Speaker 1>that are all kind of repped and poor, like being poor,

1:25:09.360 --> 1:25:12.679
<v Speaker 1>a poor woman. It was just like that was really

1:25:12.720 --> 1:25:15.000
<v Speaker 1>like drew me to it. But and then I just

1:25:15.040 --> 1:25:18.160
<v Speaker 1>like started really liking Zoe Dutch as an actress, Like,

1:25:19.000 --> 1:25:21.320
<v Speaker 1>but yeah, I saw her in Not Okay, which I

1:25:21.320 --> 1:25:24.320
<v Speaker 1>know a lot of people did not like. But also

1:25:24.400 --> 1:25:30.560
<v Speaker 1>she's she's the daughter of Leah Thompson, like the Caroline

1:25:30.600 --> 1:25:34.559
<v Speaker 1>in the City, like what. It's just like she is

1:25:34.600 --> 1:25:38.439
<v Speaker 1>like that is like some that nepotism did please me

1:25:38.520 --> 1:25:41.400
<v Speaker 1>a little bit. That was one that actually that pleased

1:25:41.479 --> 1:25:47.240
<v Speaker 1>me quite a bit, if I'm being honest. I was like, okay, wait,

1:25:47.640 --> 1:25:50.439
<v Speaker 1>Leah Thompson of Back to the Future, she plays the

1:25:50.520 --> 1:25:54.120
<v Speaker 1>random Back to the Future whoa Okay, And she's in

1:25:54.160 --> 1:25:58.040
<v Speaker 1>that duck movie Howard. I think Howard the Duck, isn't

1:25:58.080 --> 1:26:01.439
<v Speaker 1>she and Howard the Duck? We should cover Howard the Duck?

1:26:02.000 --> 1:26:06.920
<v Speaker 1>That one that is a trip Duck December on the

1:26:07.160 --> 1:26:10.880
<v Speaker 1>Matreon and due Howard the Duck and the Mighty Ducks. Oh,

1:26:11.000 --> 1:26:17.639
<v Speaker 1>it'll be great. Ducks Ducks, Ducks, Ducks December. Absolutely. Wow,

1:26:17.920 --> 1:26:21.160
<v Speaker 1>we're doing it. We will not stop until every bad

1:26:21.240 --> 1:26:26.519
<v Speaker 1>theme has been done. Um. Oh you could also do

1:26:26.640 --> 1:26:29.519
<v Speaker 1>duck Butter. Duck Butter? Did you already talk about that movie?

1:26:29.720 --> 1:26:33.040
<v Speaker 1>What's that? Oh? My god, I know about all these

1:26:33.080 --> 1:26:37.559
<v Speaker 1>movies that I've never heard of. That movie has uh

1:26:37.560 --> 1:26:44.160
<v Speaker 1>maybe fuka, Oh, Chicat is in it and it's gay

1:26:44.320 --> 1:26:50.680
<v Speaker 1>and it's bad to me. But it's called duck Butter. Yeah.

1:26:50.720 --> 1:26:57.120
<v Speaker 1>That gay movies be bad. That's my campaign all the time.

1:26:58.000 --> 1:27:02.960
<v Speaker 1>Gay movies be bad. But then you have dikes and

1:27:03.080 --> 1:27:07.320
<v Speaker 1>duck December. Yeah, there is Wow. Okay, I love it.

1:27:07.400 --> 1:27:10.799
<v Speaker 1>I love it. I love a theme. Okay, keep sending

1:27:10.800 --> 1:27:14.519
<v Speaker 1>pick because we we've been I it's shocking that we haven't.

1:27:14.880 --> 1:27:17.400
<v Speaker 1>I mean I think that our advantages they were never good.

1:27:18.000 --> 1:27:20.680
<v Speaker 1>They were always bad, and so we never had to

1:27:20.680 --> 1:27:22.639
<v Speaker 1>be like we had to think of another good theme.

1:27:22.960 --> 1:27:27.000
<v Speaker 1>It's never It's never happened. I love it. Um to

1:27:27.560 --> 1:27:31.519
<v Speaker 1>go back to the like discussion of like finances and money,

1:27:31.680 --> 1:27:35.599
<v Speaker 1>that that's like the crux of this movie or some

1:27:35.600 --> 1:27:38.000
<v Speaker 1>some might even call it the thrust of the movie.

1:27:38.360 --> 1:27:43.240
<v Speaker 1>I'm bringing it back. Whoa keep saying thrust? I wish

1:27:43.320 --> 1:27:46.639
<v Speaker 1>everyone could see that the eyebrows, not Jamie that went

1:27:46.720 --> 1:27:49.080
<v Speaker 1>up with that, Like, Okay, I know you can't funk

1:27:49.120 --> 1:27:54.160
<v Speaker 1>around with Caitlin when they're saying thrust. It's just like, okay,

1:27:54.560 --> 1:27:59.040
<v Speaker 1>you win. Yeah, don't try and stop me. I'm not

1:27:59.320 --> 1:28:03.639
<v Speaker 1>I'm not stop. So here's what has happened. I wrote

1:28:03.680 --> 1:28:06.439
<v Speaker 1>down something in my notes, and I don't remember if

1:28:06.439 --> 1:28:10.720
<v Speaker 1>it's because it gets examined thoughtfully in the movie or

1:28:10.760 --> 1:28:14.080
<v Speaker 1>if it's just a really meaningful, amazing thing that I

1:28:14.120 --> 1:28:19.600
<v Speaker 1>had to say. Excited, I'm still excited. So part of

1:28:19.600 --> 1:28:23.160
<v Speaker 1>the story is that she never even ends up having

1:28:23.240 --> 1:28:27.120
<v Speaker 1>student debt because she never ends up going to the

1:28:27.240 --> 1:28:31.040
<v Speaker 1>Ivy League school that she got into, or any school, because,

1:28:31.040 --> 1:28:34.799
<v Speaker 1>as she points out, that to go to the school

1:28:34.800 --> 1:28:39.480
<v Speaker 1>that she got into would have been seventy thousand dollars

1:28:39.520 --> 1:28:44.720
<v Speaker 1>in interest alone, So it's like hundreds of thousands of

1:28:44.760 --> 1:28:47.960
<v Speaker 1>dollars in tuition and housing and expenses that she would

1:28:48.000 --> 1:28:51.880
<v Speaker 1>have incurred. So I'm glad, they say, right. And one

1:28:51.880 --> 1:28:54.599
<v Speaker 1>of the reasons she's so kind of hell bent on

1:28:55.240 --> 1:28:59.320
<v Speaker 1>going to college and specifically an Ivy League school. Is

1:28:59.600 --> 1:29:04.599
<v Speaker 1>she as that higher education is the key to financial freedom.

1:29:05.160 --> 1:29:08.240
<v Speaker 1>Now I think that, I think that's tongue in cheese,

1:29:08.240 --> 1:29:10.759
<v Speaker 1>and I don't think this really gets examined or challenged

1:29:10.800 --> 1:29:15.639
<v Speaker 1>in the movie. But while like a degree does open

1:29:15.720 --> 1:29:20.519
<v Speaker 1>a lot more doors for people, higher education is also

1:29:20.720 --> 1:29:24.600
<v Speaker 1>kind of a racket and it ends up suffocating a

1:29:24.600 --> 1:29:27.720
<v Speaker 1>lot of people in student debt that they have a

1:29:27.720 --> 1:29:32.880
<v Speaker 1>really hard time escaping, and it doesn't necessarily like guarantee

1:29:33.120 --> 1:29:37.519
<v Speaker 1>you a magnificent job. So I don't and again, I

1:29:37.520 --> 1:29:39.519
<v Speaker 1>don't think the movie is actually commenting on that. I

1:29:39.520 --> 1:29:43.639
<v Speaker 1>think this is my tirade against all my higher education.

1:29:43.920 --> 1:29:47.880
<v Speaker 1>My view is like higher education should baseline be more accessible,

1:29:47.920 --> 1:29:52.559
<v Speaker 1>because it feels like between our parents' generation and hours,

1:29:52.920 --> 1:29:56.320
<v Speaker 1>it seems like you now need an expensive college degree

1:29:56.360 --> 1:29:58.320
<v Speaker 1>to have access to the same level of jobs that

1:29:58.360 --> 1:30:00.559
<v Speaker 1>our parents had with a high school degree, and so

1:30:00.600 --> 1:30:04.439
<v Speaker 1>now there's this huge financial entry point to work at

1:30:04.479 --> 1:30:07.120
<v Speaker 1>an entry level job, Like it's hard to get my

1:30:07.520 --> 1:30:09.880
<v Speaker 1>I mean, my my brother is like struggling with this

1:30:09.960 --> 1:30:12.000
<v Speaker 1>right now. He's trying to get a basic office job,

1:30:12.400 --> 1:30:14.559
<v Speaker 1>and it's like he has a college education, but it's

1:30:14.560 --> 1:30:17.760
<v Speaker 1>like it's still not enough and that wasn't as much

1:30:17.840 --> 1:30:21.240
<v Speaker 1>the case with previous generations. And I don't know, it's

1:30:21.240 --> 1:30:23.200
<v Speaker 1>like I don't I would never want to discourage anyone

1:30:23.280 --> 1:30:26.680
<v Speaker 1>from getting higher education. I think it's more of a

1:30:26.720 --> 1:30:29.599
<v Speaker 1>matter of just like I think that like I was,

1:30:29.920 --> 1:30:32.400
<v Speaker 1>I'm very glad I went to college. I feel very

1:30:32.479 --> 1:30:35.040
<v Speaker 1>lucky that I got to go. If I knew what

1:30:35.160 --> 1:30:40.479
<v Speaker 1>I knew now, I would have chosen. I probably would

1:30:40.479 --> 1:30:42.559
<v Speaker 1>have gone to a state school. I wouldn't have been

1:30:42.600 --> 1:30:48.280
<v Speaker 1>as like enchanted by the like high price tag, like

1:30:48.840 --> 1:30:51.320
<v Speaker 1>fancy looking like oh, you have to go here. But

1:30:51.400 --> 1:30:54.160
<v Speaker 1>even that introduces this sort of thing because you're like

1:30:54.240 --> 1:30:57.360
<v Speaker 1>almost buying into an alumni network and you're buying in

1:30:57.560 --> 1:31:01.479
<v Speaker 1>like there are things that come I just like I

1:31:01.479 --> 1:31:03.880
<v Speaker 1>don't know. I I because I feel like there's there's

1:31:03.920 --> 1:31:06.000
<v Speaker 1>a discussion about this in a recent like I think

1:31:06.040 --> 1:31:10.559
<v Speaker 1>it was one of the trillion bullshit New York Times

1:31:10.560 --> 1:31:13.640
<v Speaker 1>opinion articles that have come out recently. I think I

1:31:13.720 --> 1:31:16.360
<v Speaker 1>might be thinking of another publication. But they were like,

1:31:17.120 --> 1:31:19.280
<v Speaker 1>you know, asking like well, where have all the English

1:31:19.320 --> 1:31:24.000
<v Speaker 1>major's gone, and like English majors a culturally catch so

1:31:24.080 --> 1:31:27.120
<v Speaker 1>much shit of like this is a useless degree, this sucks,

1:31:27.160 --> 1:31:30.479
<v Speaker 1>blah blah blah. And I know, like I've probably made

1:31:30.560 --> 1:31:33.720
<v Speaker 1>similar comments like I have a useless degree, like and

1:31:34.520 --> 1:31:37.080
<v Speaker 1>I don't know, Like, but in retrospect, it's like you'd

1:31:37.120 --> 1:31:41.120
<v Speaker 1>need people to be incentivized to want to study literature

1:31:41.160 --> 1:31:45.000
<v Speaker 1>and study history, especially in like study history. Well, but

1:31:45.040 --> 1:31:48.040
<v Speaker 1>you can't be in you know, six figure debt to

1:31:48.120 --> 1:31:51.120
<v Speaker 1>study history. There's no way out of right, Like you're fucked.

1:31:51.160 --> 1:31:53.160
<v Speaker 1>And then so what do you do just like lose

1:31:53.479 --> 1:31:57.800
<v Speaker 1>certain areas of study because it's been made so impossible

1:31:57.840 --> 1:32:00.840
<v Speaker 1>to even access it. I just I don't know. I

1:32:00.880 --> 1:32:04.519
<v Speaker 1>think the movie kind of like explores it a little

1:32:04.560 --> 1:32:08.320
<v Speaker 1>bit by saying by the opposite, right, Like I think

1:32:08.320 --> 1:32:10.240
<v Speaker 1>that's what Peg thinks. She's like, oh my god, yeah,

1:32:10.240 --> 1:32:12.479
<v Speaker 1>like this is what I need in order to be somebody,

1:32:12.479 --> 1:32:14.080
<v Speaker 1>in order to get a lot of money in order

1:32:14.120 --> 1:32:16.320
<v Speaker 1>to do all this shit. Then ultimately she doesn't go

1:32:16.400 --> 1:32:19.679
<v Speaker 1>and she learns that that's actually not what you There's

1:32:19.680 --> 1:32:22.040
<v Speaker 1>so many ways for you to be successful. I guess

1:32:22.040 --> 1:32:24.240
<v Speaker 1>it just depends on what kind of financially successful you want.

1:32:24.280 --> 1:32:26.920
<v Speaker 1>Because she's scamming, So it's a little bit different, right,

1:32:26.960 --> 1:32:31.360
<v Speaker 1>But I think but successfully. But I think that like

1:32:31.840 --> 1:32:35.280
<v Speaker 1>I was very bought or in like sold a dream

1:32:35.280 --> 1:32:37.479
<v Speaker 1>when it came to like college. But I think that

1:32:37.640 --> 1:32:40.040
<v Speaker 1>like goes back to what it says about like our parents.

1:32:40.120 --> 1:32:41.960
<v Speaker 1>My parents were like I was the first person in

1:32:42.080 --> 1:32:44.720
<v Speaker 1>my I'm the first person in my family to like

1:32:44.800 --> 1:32:47.680
<v Speaker 1>go to college, right, like and to like graduate and

1:32:47.680 --> 1:32:49.960
<v Speaker 1>all that kind of stuff. Like my brother went, but

1:32:49.960 --> 1:32:52.320
<v Speaker 1>he went for like two semesters and was like, absolutely

1:32:52.320 --> 1:32:56.080
<v Speaker 1>the fuck not, I don't do this, you know, good

1:32:56.120 --> 1:32:58.599
<v Speaker 1>for him? Good for him? Right, And I think that

1:32:58.920 --> 1:33:01.920
<v Speaker 1>I wish, like when we're saying looking back, Jimmy, I

1:33:01.960 --> 1:33:09.240
<v Speaker 1>think like I wish that I had been told more

1:33:09.479 --> 1:33:12.240
<v Speaker 1>like the options, like you said, a state school or

1:33:12.400 --> 1:33:15.599
<v Speaker 1>going to community college first for some quarters and then

1:33:15.680 --> 1:33:19.000
<v Speaker 1>transferring over or knowing that like I didn't have to

1:33:19.040 --> 1:33:21.839
<v Speaker 1>do it in four years and wrack up all that debt,

1:33:21.880 --> 1:33:24.240
<v Speaker 1>all that kind of stuff. But I do think that

1:33:24.240 --> 1:33:28.479
<v Speaker 1>that is a really big thing. And people never I

1:33:28.479 --> 1:33:30.920
<v Speaker 1>would just go for fashion, Like I majored in fashion

1:33:30.960 --> 1:33:34.920
<v Speaker 1>and minored in journalism, right, But when I look back

1:33:34.960 --> 1:33:37.439
<v Speaker 1>at it now, like no one's ever asked to see

1:33:37.479 --> 1:33:41.160
<v Speaker 1>our degree. No one's ever asked for it. I've never

1:33:41.280 --> 1:33:43.800
<v Speaker 1>got I've never had to prove it. And then like

1:33:43.960 --> 1:33:48.599
<v Speaker 1>I never needed it for the career that I've made

1:33:48.920 --> 1:33:53.679
<v Speaker 1>for myself now, Like I really honestly didn't need to go,

1:33:53.960 --> 1:33:56.559
<v Speaker 1>but I was told that that is what I needed

1:33:56.640 --> 1:34:00.160
<v Speaker 1>in order to be successful, was a college degree. And

1:34:00.160 --> 1:34:01.800
<v Speaker 1>then I ended up putting myself in this debt. I

1:34:01.880 --> 1:34:03.960
<v Speaker 1>ended up putting my mom and dad in debt. And

1:34:03.960 --> 1:34:05.360
<v Speaker 1>that's what I was going to talk about too, with

1:34:05.439 --> 1:34:07.320
<v Speaker 1>like debt in general, that's why I know so much

1:34:07.320 --> 1:34:08.880
<v Speaker 1>about it because, like I said, I learned about debt

1:34:08.920 --> 1:34:11.839
<v Speaker 1>before I learned about earnings because my family was always

1:34:11.880 --> 1:34:15.400
<v Speaker 1>paying something off for paying a bill or catching up

1:34:15.400 --> 1:34:18.400
<v Speaker 1>on a bill or something like that. So I was

1:34:18.439 --> 1:34:22.000
<v Speaker 1>always more focused on that. But I personally only have

1:34:22.160 --> 1:34:25.320
<v Speaker 1>thirty thousand in student loans, and I only have that

1:34:25.880 --> 1:34:28.519
<v Speaker 1>because my mom and dad took on the rest, you

1:34:28.560 --> 1:34:30.679
<v Speaker 1>know what I mean. And I think it wasn't a plan.

1:34:30.880 --> 1:34:33.120
<v Speaker 1>I think it's just because like they were doing that

1:34:33.280 --> 1:34:36.240
<v Speaker 1>same thing of being like this is your key, so

1:34:36.320 --> 1:34:38.640
<v Speaker 1>we are going to take this on because this is

1:34:38.680 --> 1:34:42.400
<v Speaker 1>your key to doing all the big stuff and ultimately

1:34:42.479 --> 1:34:45.439
<v Speaker 1>like rescuing or being there for us, you know what

1:34:45.479 --> 1:34:48.200
<v Speaker 1>I mean too. So I think that's another thing that's

1:34:48.280 --> 1:34:51.120
<v Speaker 1>kind of explored in the movie too, Like Peg does

1:34:51.240 --> 1:34:53.599
<v Speaker 1>want to make money for herself, but she actually does

1:34:53.640 --> 1:34:56.719
<v Speaker 1>say it when she talks about going to school. She's

1:34:56.800 --> 1:34:59.519
<v Speaker 1>like it's for her and it's for her family, like

1:35:00.200 --> 1:35:02.880
<v Speaker 1>she herself as a she may be, she still knows

1:35:02.920 --> 1:35:06.720
<v Speaker 1>that her success equals like theirs, which is kind of

1:35:06.960 --> 1:35:11.720
<v Speaker 1>like a lot of pressure. But like, right, it's just

1:35:11.760 --> 1:35:14.439
<v Speaker 1>a lot of pressure, so I guess, But yeah, I

1:35:14.439 --> 1:35:19.040
<v Speaker 1>wish I had just been told more about loans and stuff,

1:35:19.120 --> 1:35:22.320
<v Speaker 1>like it's so and I feel like it's like intentional

1:35:22.479 --> 1:35:27.200
<v Speaker 1>that it's not so intentional. Yeah, you're seventeen. You are

1:35:27.320 --> 1:35:30.800
<v Speaker 1>seventeen years old. And then they're like, hey, you want

1:35:30.800 --> 1:35:32.519
<v Speaker 1>to go to college show you've watched those bit of

1:35:32.760 --> 1:35:37.679
<v Speaker 1>do you want to take out nine four years? Don't worry,

1:35:37.760 --> 1:35:40.120
<v Speaker 1>it's four years. We're gonna give you a really good degree.

1:35:40.120 --> 1:35:41.760
<v Speaker 1>You're gonna make so much money, and then we'll like

1:35:41.800 --> 1:35:43.320
<v Speaker 1>just get it back from me. If we're a little bit,

1:35:43.560 --> 1:35:46.760
<v Speaker 1>you're seventeen, you don't know anything, and I think we

1:35:47.080 --> 1:35:51.160
<v Speaker 1>know more so if our generation um like has kids

1:35:51.160 --> 1:35:54.479
<v Speaker 1>and stuff like that, I think I hope that it's

1:35:54.479 --> 1:35:57.400
<v Speaker 1>a little bit better for them, just because we can

1:35:57.520 --> 1:36:00.760
<v Speaker 1>now teach them more about these predatory practices and what

1:36:00.840 --> 1:36:03.519
<v Speaker 1>to be looking out for and all that kind of stuff.

1:36:03.800 --> 1:36:05.760
<v Speaker 1>And then the other thing is like pushing for like

1:36:05.880 --> 1:36:08.599
<v Speaker 1>more systemic like that's I mean, like literally what's happening

1:36:08.640 --> 1:36:12.920
<v Speaker 1>in the Supreme Court right now, and like how it

1:36:13.240 --> 1:36:16.639
<v Speaker 1>sucks because it's like as individuals your powers, you have

1:36:16.680 --> 1:36:19.960
<v Speaker 1>more power, and like telling your own child like, hey,

1:36:20.240 --> 1:36:23.040
<v Speaker 1>I fucking fell for this. We are not going to

1:36:23.160 --> 1:36:25.800
<v Speaker 1>fall for this. Yeah, we will not be fooled again.

1:36:26.040 --> 1:36:28.320
<v Speaker 1>But then on the other end is just like continuing

1:36:28.360 --> 1:36:31.679
<v Speaker 1>to push for this to be less of a problem,

1:36:31.840 --> 1:36:34.960
<v Speaker 1>which is like theoretically what should be happening with student

1:36:35.000 --> 1:36:37.479
<v Speaker 1>debt relief even though it's nowhere close to the amount

1:36:37.520 --> 1:36:40.280
<v Speaker 1>of like ten thousand is like a drop in the bucket,

1:36:40.680 --> 1:36:43.360
<v Speaker 1>like everybody, Yeah, it wouldn't even make a dent for

1:36:43.439 --> 1:36:49.000
<v Speaker 1>most people, right Yeah. And to be clear, I love education.

1:36:49.800 --> 1:36:52.160
<v Speaker 1>I love learning. You have so much of it. I

1:36:52.240 --> 1:36:55.640
<v Speaker 1>have so much of it in learning rocks. I'm not

1:36:55.760 --> 1:37:01.719
<v Speaker 1>pro ignorance, correct, What I am against is what higher

1:37:01.840 --> 1:37:06.000
<v Speaker 1>education has become as far as it's a scale like

1:37:06.200 --> 1:37:09.680
<v Speaker 1>odd business, and like you were saying, Jamie about just

1:37:09.720 --> 1:37:12.000
<v Speaker 1>sort of the shift in the in the job market

1:37:12.040 --> 1:37:16.479
<v Speaker 1>of like our generation now needs an advanced degree for

1:37:16.760 --> 1:37:20.759
<v Speaker 1>entry level positions versus what our parents needed. So people

1:37:20.840 --> 1:37:24.519
<v Speaker 1>noticed like, oh, there's now like this supply and demand

1:37:25.200 --> 1:37:28.879
<v Speaker 1>thing that we can completely exploit. And I mean, tuition

1:37:29.240 --> 1:37:34.720
<v Speaker 1>rates increase like dramatically every single year. Sometimes if I

1:37:34.760 --> 1:37:39.080
<v Speaker 1>really want to feel awful, I will google like annual

1:37:39.400 --> 1:37:44.560
<v Speaker 1>tuition rate for Boston University for just a lot of

1:37:44.600 --> 1:37:48.320
<v Speaker 1>private schools cost fifty eight thousand dollars a year just

1:37:48.400 --> 1:37:53.479
<v Speaker 1>in tuition sixty thousand, sixty four thousand, Like it's obscene.

1:37:53.560 --> 1:37:56.080
<v Speaker 1>There's so much complicity, And I like, Glin, I don't

1:37:56.120 --> 1:37:58.960
<v Speaker 1>disagree with your point that like, not everyone, I mean,

1:37:58.960 --> 1:38:01.400
<v Speaker 1>and Shellie you were seeing not everyone, Like if you

1:38:01.439 --> 1:38:03.640
<v Speaker 1>have first of all, if you don't know what you

1:38:03.640 --> 1:38:05.479
<v Speaker 1>want to do when you're seventeen years old, you are

1:38:05.600 --> 1:38:10.040
<v Speaker 1>normal and you don't like yeah that is so it

1:38:10.040 --> 1:38:12.719
<v Speaker 1>blows my mind. It blows my mind. It's like they're

1:38:12.720 --> 1:38:14.560
<v Speaker 1>you're seventeen and they're like, okay, so what are you

1:38:14.560 --> 1:38:15.720
<v Speaker 1>gonna do for the rest of your life? Are you

1:38:15.720 --> 1:38:19.439
<v Speaker 1>ready pick It's just like no, I don't know. No,

1:38:20.280 --> 1:38:23.559
<v Speaker 1>so like you should be allowed the grace to and

1:38:23.560 --> 1:38:26.280
<v Speaker 1>then like but then it creates this wild issue where

1:38:26.280 --> 1:38:27.559
<v Speaker 1>it's like, well, what are you going to do in

1:38:27.560 --> 1:38:29.320
<v Speaker 1>the meantime if you can't get a job without a

1:38:29.320 --> 1:38:32.400
<v Speaker 1>college degree, and like it just is a fucking whatever

1:38:32.439 --> 1:38:35.439
<v Speaker 1>that fancy word for sank eating its tail is, it's

1:38:35.479 --> 1:38:38.439
<v Speaker 1>that But I don't know. Yeah, But then there are

1:38:38.520 --> 1:38:40.360
<v Speaker 1>like I do agree with Caitlin where there's like some

1:38:40.400 --> 1:38:42.320
<v Speaker 1>things where it's like, I don't know, I went to

1:38:42.360 --> 1:38:45.960
<v Speaker 1>Emerson and I should be ashamed of that, and I am,

1:38:47.439 --> 1:38:52.080
<v Speaker 1>but they horrible school after disgusting what I mean, I

1:38:52.520 --> 1:38:56.400
<v Speaker 1>really like whenever I'm grateful I got to go to college,

1:38:56.439 --> 1:38:59.240
<v Speaker 1>I would not do that again. But it's partially because

1:38:59.240 --> 1:39:02.840
<v Speaker 1>it's like that school now offers like a comedy standard

1:39:02.960 --> 1:39:05.679
<v Speaker 1>and they will let wait, they will let a kid

1:39:05.840 --> 1:39:08.800
<v Speaker 1>go into six figure debt when the answer is go

1:39:09.040 --> 1:39:11.640
<v Speaker 1>to an open mic, open mic and humiliate yourself and

1:39:11.680 --> 1:39:14.400
<v Speaker 1>it's free like that kind of shit. You're like, that's

1:39:14.479 --> 1:39:17.679
<v Speaker 1>just like a predatory and a them problem with sixty

1:39:17.720 --> 1:39:20.200
<v Speaker 1>thousand dollars a year and they're like, will you speak

1:39:20.240 --> 1:39:22.439
<v Speaker 1>to them? I'm like, no, no, because you all you're

1:39:22.439 --> 1:39:24.559
<v Speaker 1>gonna do is get on stage and be like don't

1:39:24.560 --> 1:39:28.720
<v Speaker 1>do this. But I think that's the thing too, and

1:39:28.800 --> 1:39:31.799
<v Speaker 1>they'll just like cut your mic and you're just written

1:39:31.880 --> 1:39:36.320
<v Speaker 1>to like no, no, no, that wasn't very funny, was it. Well,

1:39:36.320 --> 1:39:38.920
<v Speaker 1>I guess I didn't learn a lot. I think that's

1:39:38.960 --> 1:39:42.040
<v Speaker 1>the thing too that a lot of colleges are doing, right,

1:39:42.120 --> 1:39:43.920
<v Speaker 1>Like I never kind off topic, we're not really on

1:39:44.439 --> 1:39:46.840
<v Speaker 1>topic about the movie, but like that's another thing that

1:39:46.880 --> 1:39:49.760
<v Speaker 1>colleges are doing. I think they're figuring out that we

1:39:50.280 --> 1:39:52.320
<v Speaker 1>or people have figured out that they don't need to

1:39:52.320 --> 1:39:54.519
<v Speaker 1>go to college to do certain things. Like you said,

1:39:54.720 --> 1:39:57.160
<v Speaker 1>a sixty thousand dollars a year to pay to learn

1:39:57.200 --> 1:39:59.400
<v Speaker 1>how to be a stand up comedian. I cannot believe

1:39:59.400 --> 1:40:02.120
<v Speaker 1>that that's an actu degree. Like that blows my mind.

1:40:02.200 --> 1:40:03.920
<v Speaker 1>I'm sorry, but like you know, you're going to be

1:40:04.000 --> 1:40:07.759
<v Speaker 1>learning from exclusively failed stand up comedians. That's not gonna

1:40:07.960 --> 1:40:11.000
<v Speaker 1>be But I think that's what they're doing. It's just

1:40:11.040 --> 1:40:14.320
<v Speaker 1>like they're very aware that people are going other routes

1:40:14.360 --> 1:40:16.439
<v Speaker 1>to do the things that they want to do. So

1:40:16.479 --> 1:40:19.800
<v Speaker 1>I think a smarter kid, especially of this generation with

1:40:19.960 --> 1:40:23.639
<v Speaker 1>parents who our millennials, will be like, Okay, you want

1:40:23.680 --> 1:40:26.439
<v Speaker 1>to be a standup comedian. Sure, that's fine, but I

1:40:26.479 --> 1:40:28.559
<v Speaker 1>would rather pay for you to go take a two

1:40:28.600 --> 1:40:32.880
<v Speaker 1>thousand dollars year class at second City versus sixty thousand

1:40:32.960 --> 1:40:37.160
<v Speaker 1>dollars a year at a major college for four years

1:40:37.400 --> 1:40:40.040
<v Speaker 1>to do the same thing. So I think colleges are

1:40:40.040 --> 1:40:43.040
<v Speaker 1>also they're just trying to use their names that they

1:40:43.080 --> 1:40:46.519
<v Speaker 1>have at these degrees and these programs to be like,

1:40:46.760 --> 1:40:48.799
<v Speaker 1>you still have to go to college to do whatever

1:40:48.840 --> 1:40:51.439
<v Speaker 1>it is you want to do. You still have to

1:40:51.479 --> 1:40:53.280
<v Speaker 1>go to college, because that's insane to me. I did

1:40:53.320 --> 1:40:56.400
<v Speaker 1>not know that you could actually get a degree in

1:40:56.600 --> 1:40:59.679
<v Speaker 1>stand up comedy from Emerson College. That's I will never

1:40:59.680 --> 1:41:02.640
<v Speaker 1>shut up about it. To be clear, I do not

1:41:02.720 --> 1:41:06.000
<v Speaker 1>have this degree, and I'm not used to participate. But like,

1:41:06.439 --> 1:41:08.840
<v Speaker 1>I don't know, Like I think ultimately, like I think

1:41:08.880 --> 1:41:12.640
<v Speaker 1>something that that Peg is not affected by, and I

1:41:12.640 --> 1:41:16.160
<v Speaker 1>think that her character is supposed to be gen Z.

1:41:16.400 --> 1:41:18.280
<v Speaker 1>Also like this movie could take place in any year.

1:41:18.280 --> 1:41:21.160
<v Speaker 1>I don't really know. You don't see people using phone

1:41:21.439 --> 1:41:25.120
<v Speaker 1>like cell phones anyways, But it seems like she's like

1:41:25.520 --> 1:41:27.880
<v Speaker 1>sort of a gen Z coded character, and I did

1:41:27.920 --> 1:41:31.240
<v Speaker 1>appreciate that, Like I don't know, like when I couldn't

1:41:31.280 --> 1:41:36.160
<v Speaker 1>go to the ridiculously overpriced college that I would have

1:41:36.200 --> 1:41:39.240
<v Speaker 1>been in debt forever if I had gone on. The

1:41:39.280 --> 1:41:41.320
<v Speaker 1>reason I went to Emerson was because they offered me

1:41:41.400 --> 1:41:45.960
<v Speaker 1>a big scholarship and so that was really lucky. But like, anyways,

1:41:46.080 --> 1:41:49.840
<v Speaker 1>like the I took it so personally. It felt like

1:41:49.840 --> 1:41:53.880
<v Speaker 1>a personal failure that I couldn't go where I thought

1:41:53.960 --> 1:41:56.960
<v Speaker 1>I was supposed to, and like so it felt personal,

1:41:57.439 --> 1:42:00.120
<v Speaker 1>and then it I also just was not educated it

1:42:00.200 --> 1:42:03.599
<v Speaker 1>on my options whatsoever, and like there was so much

1:42:03.680 --> 1:42:06.800
<v Speaker 1>stigma and like shame if you couldn't do the thing

1:42:06.840 --> 1:42:09.000
<v Speaker 1>you thought you're supposed to do. And it seems like

1:42:09.040 --> 1:42:13.080
<v Speaker 1>Peg does not suffer under that as the movie goes on,

1:42:13.280 --> 1:42:15.600
<v Speaker 1>like she's just like, well, I'm not like it. It

1:42:15.760 --> 1:42:22.400
<v Speaker 1>is the system, it's not me, So what can I do? Yeah? Yeah, um,

1:42:22.439 --> 1:42:25.479
<v Speaker 1>I wanted to just really quickly. I don't really have

1:42:25.640 --> 1:42:29.320
<v Speaker 1>much to say about this other than I just think

1:42:29.360 --> 1:42:36.639
<v Speaker 1>that the romance between Peg and Graham feels pretty wedged in. Yeah,

1:42:36.800 --> 1:42:38.880
<v Speaker 1>I don't mind that like Graham is there as a

1:42:38.960 --> 1:42:43.400
<v Speaker 1>character kind of you know, like representing whatever some kind

1:42:43.439 --> 1:42:47.920
<v Speaker 1>of like institutional like also like the failure of like

1:42:48.520 --> 1:42:51.320
<v Speaker 1>the legal system in the US. I feel like could

1:42:51.360 --> 1:42:56.000
<v Speaker 1>have maybe been better represented in his character. But I'm

1:42:56.040 --> 1:42:59.560
<v Speaker 1>just like why it doesn't, Like the story only suffers

1:42:59.640 --> 1:43:03.600
<v Speaker 1>it was weird, that character was so weird, and the

1:43:03.640 --> 1:43:08.080
<v Speaker 1>story suffers from like trying to like put them together,

1:43:08.200 --> 1:43:10.120
<v Speaker 1>and I'm just like, none of this makes any sense.

1:43:10.200 --> 1:43:13.120
<v Speaker 1>Like you're constantly talking about how this is a conflict

1:43:13.160 --> 1:43:16.759
<v Speaker 1>of interest and it is, so why are you together?

1:43:17.080 --> 1:43:19.600
<v Speaker 1>I think they thought that if they were going to

1:43:19.720 --> 1:43:23.559
<v Speaker 1>make her such this kind of character, that they had

1:43:23.600 --> 1:43:27.080
<v Speaker 1>to give her a romance, right, but which I do

1:43:27.200 --> 1:43:29.679
<v Speaker 1>like hate, but I would have really loved if instead

1:43:29.720 --> 1:43:31.640
<v Speaker 1>of making him because I agree it's one of the

1:43:31.680 --> 1:43:33.880
<v Speaker 1>things about the film that I'm kind of like, this

1:43:34.000 --> 1:43:37.240
<v Speaker 1>is weird. Instead of making him like a romantic interest,

1:43:37.280 --> 1:43:38.680
<v Speaker 1>I think it would have been coage just to keep

1:43:38.720 --> 1:43:41.839
<v Speaker 1>him as this other lawyer that it just like happens

1:43:41.880 --> 1:43:45.800
<v Speaker 1>to always be around because he's involved in this debt

1:43:45.880 --> 1:43:50.240
<v Speaker 1>collecting like situation, you know what I mean. Yeah, it

1:43:50.360 --> 1:43:53.559
<v Speaker 1>didn't have to be romantic it could have been a

1:43:53.640 --> 1:43:56.679
<v Speaker 1>little bit more comedic, and but yeah, it was kind

1:43:56.720 --> 1:44:00.400
<v Speaker 1>of weird, especially because they kept acknowledging that they not

1:44:00.920 --> 1:44:05.000
<v Speaker 1>and would not work out like they consistently did it,

1:44:05.120 --> 1:44:08.040
<v Speaker 1>So it was really weird to me. But yeah, it

1:44:08.160 --> 1:44:10.719
<v Speaker 1>was kind of like thrown in there, and she didn't

1:44:10.720 --> 1:44:13.400
<v Speaker 1>need a romance. I don't think Peg needed one in general,

1:44:13.520 --> 1:44:16.439
<v Speaker 1>or was seeking one or wanted one. But I think

1:44:16.560 --> 1:44:18.839
<v Speaker 1>when it came to the script, they were like, well,

1:44:19.479 --> 1:44:24.160
<v Speaker 1>we can't make her a girl boss and single, right

1:44:24.200 --> 1:44:26.719
<v Speaker 1>right pick a lane Peg, which is like wow, because

1:44:26.720 --> 1:44:30.240
<v Speaker 1>that sounds like something PEG's mom would say randomly, like absolutely,

1:44:30.400 --> 1:44:32.479
<v Speaker 1>I agree, Like I don't think that the love story

1:44:32.560 --> 1:44:35.920
<v Speaker 1>was necessary, but also it was like it was once again,

1:44:35.920 --> 1:44:37.840
<v Speaker 1>I was just like a little confusing because it seemed

1:44:37.840 --> 1:44:40.680
<v Speaker 1>like at first she was like using him, which she

1:44:40.880 --> 1:44:42.640
<v Speaker 1>was for most of the relationship, but then at the

1:44:42.680 --> 1:44:44.400
<v Speaker 1>end it's kind of like flipped and they're like, well,

1:44:44.400 --> 1:44:46.760
<v Speaker 1>but she does love him. I'm like, I was not

1:44:46.840 --> 1:44:48.759
<v Speaker 1>really picking up on that. It seemed like she would

1:44:48.800 --> 1:44:50.439
<v Speaker 1>go to be like, hey, do you want to have

1:44:50.479 --> 1:44:53.800
<v Speaker 1>sex when she needed to steal something from the DA's off,

1:44:54.080 --> 1:44:56.960
<v Speaker 1>Like that was almost exclusively what it was, and which

1:44:57.120 --> 1:44:59.400
<v Speaker 1>that feels more consistent with her character, but again it's

1:44:59.400 --> 1:45:00.960
<v Speaker 1>like a third act finger at the end, she's like,

1:45:01.000 --> 1:45:02.880
<v Speaker 1>I think he's my boyfriend, and you're like, I don't

1:45:02.880 --> 1:45:06.000
<v Speaker 1>know if you like him, Like what do you have

1:45:06.040 --> 1:45:08.720
<v Speaker 1>anything in common? Like, But that would have been great too,

1:45:08.800 --> 1:45:11.280
<v Speaker 1>to keep her as this selfish person who is just

1:45:11.360 --> 1:45:14.280
<v Speaker 1>very much being like I need some files. I'm just

1:45:14.320 --> 1:45:16.479
<v Speaker 1>gonna do this, But I don't think they were gonna

1:45:16.560 --> 1:45:19.160
<v Speaker 1>They weren't too keen on keep making peg that way

1:45:19.200 --> 1:45:22.320
<v Speaker 1>in like every aspect of her life, which yeah, they

1:45:22.360 --> 1:45:24.680
<v Speaker 1>wanted to like redeem her just enough by the end

1:45:24.680 --> 1:45:27.040
<v Speaker 1>of the movie, yeah, which and I do I do

1:45:27.160 --> 1:45:29.800
<v Speaker 1>like the kind of like half redemption of like she

1:45:29.880 --> 1:45:32.240
<v Speaker 1>doesn't be like I'm gonna go I'm gonna like I'm

1:45:32.320 --> 1:45:35.760
<v Speaker 1>a second grade teacher. Like she's like, I think that

1:45:35.920 --> 1:45:38.679
<v Speaker 1>like where she ends career wise at the end really worked.

1:45:39.040 --> 1:45:40.479
<v Speaker 1>But it was like the little things like that of

1:45:40.520 --> 1:45:42.840
<v Speaker 1>like and now she's in a relationship and now she

1:45:42.880 --> 1:45:45.320
<v Speaker 1>has a better relationship with her family, and it's like, yeah,

1:45:45.400 --> 1:45:50.040
<v Speaker 1>she can still be an asshole, like you know for sure,

1:45:50.160 --> 1:45:52.519
<v Speaker 1>but I don't know. Um, the one last thing I

1:45:52.560 --> 1:45:55.160
<v Speaker 1>wanted to say about this movie is so it's a

1:45:55.200 --> 1:46:00.519
<v Speaker 1>comedy from twenty nineteen, and I think you can tell

1:46:00.600 --> 1:46:03.919
<v Speaker 1>that it's a far like it's a more modern comedy

1:46:04.400 --> 1:46:09.519
<v Speaker 1>compared to comedies of you know, the nineties and early

1:46:09.800 --> 1:46:14.519
<v Speaker 1>in mid two thousands, because, as we've discussed so many times,

1:46:14.600 --> 1:46:18.200
<v Speaker 1>so much of the comedy in comedy movies of those

1:46:18.200 --> 1:46:23.040
<v Speaker 1>eras rely on a lot of punching down humor, yeah,

1:46:23.040 --> 1:46:27.720
<v Speaker 1>whereas this one generally avoids that. The only thing that

1:46:27.800 --> 1:46:32.400
<v Speaker 1>really stuck out for me was a remark that was

1:46:32.560 --> 1:46:38.120
<v Speaker 1>kind of judgmental towards sex workers, where a character says

1:46:38.120 --> 1:46:40.800
<v Speaker 1>something like, oh, would you trust a lawyer that pays

1:46:40.880 --> 1:46:44.280
<v Speaker 1>for sex? And she's like no. There's a little bit

1:46:44.320 --> 1:46:46.720
<v Speaker 1>of a little bit of body stuff as well. There

1:46:46.720 --> 1:46:50.800
<v Speaker 1>are a few offhand comments about weirdly Sal's body, which

1:46:50.840 --> 1:46:53.040
<v Speaker 1>is the screenwriter, so I'm guessing that he was okay

1:46:53.040 --> 1:46:56.160
<v Speaker 1>with it, given that he wrote the joke, but whatever,

1:46:56.240 --> 1:46:58.120
<v Speaker 1>there's like a comment about his body. And then there

1:46:58.200 --> 1:47:01.799
<v Speaker 1>is also, like I think, a pretty hardshum and overly

1:47:01.840 --> 1:47:05.280
<v Speaker 1>simplistic reason about why her father died. They were like, well,

1:47:05.280 --> 1:47:08.320
<v Speaker 1>he ate unhealthy and so he died and they're like, well,

1:47:08.320 --> 1:47:13.000
<v Speaker 1>that feels a little you know, overly simplified. But but yeah,

1:47:13.000 --> 1:47:14.720
<v Speaker 1>I mean I mean in terms of like I mean

1:47:14.760 --> 1:47:17.599
<v Speaker 1>even like a movie that would have come out ten

1:47:17.720 --> 1:47:21.639
<v Speaker 1>years earlier, in oh nine, I mean, it's uh pretty

1:47:21.680 --> 1:47:25.479
<v Speaker 1>close to Night and Day. Although you know, there there

1:47:25.479 --> 1:47:29.439
<v Speaker 1>are it's still centered around a white family and most

1:47:29.439 --> 1:47:34.280
<v Speaker 1>people of color are sort of relegated to smaller roles. Um.

1:47:34.320 --> 1:47:38.400
<v Speaker 1>But again, it's it's better than where are we Where

1:47:38.439 --> 1:47:40.280
<v Speaker 1>where we were? Which is another thing where it's like

1:47:40.920 --> 1:47:43.920
<v Speaker 1>I wish people knew about it and saw it when

1:47:43.960 --> 1:47:46.120
<v Speaker 1>it came out, because it would be great to have

1:47:46.680 --> 1:47:52.320
<v Speaker 1>more rompy, funny broad comedies that have like some kind

1:47:52.320 --> 1:47:54.360
<v Speaker 1>of conscience come out, Like it would be cool to

1:47:54.360 --> 1:47:56.200
<v Speaker 1>see those movies do better. So there's more of them,

1:47:56.600 --> 1:48:00.639
<v Speaker 1>for sure, you know, room for improvement, but also miles

1:48:00.680 --> 1:48:06.400
<v Speaker 1>ahead of what we were exposed to in earlier years. Yeah,

1:48:07.680 --> 1:48:12.960
<v Speaker 1>does this movie pass the Bechtel test? It super does. Yeah. Yeah,

1:48:13.000 --> 1:48:18.000
<v Speaker 1>there's there's no way around it, folks. It passes about

1:48:17.880 --> 1:48:21.880
<v Speaker 1>it passes handily. Combinations of characters we don't even need

1:48:21.880 --> 1:48:23.639
<v Speaker 1>to break down how many, because it's usually like if

1:48:23.640 --> 1:48:26.599
<v Speaker 1>there are two women in the script. They I believe,

1:48:26.640 --> 1:48:29.240
<v Speaker 1>all are all named, and they all talk to each other.

1:48:29.320 --> 1:48:34.599
<v Speaker 1>So thrill usually about money, usually about money and crimes

1:48:34.600 --> 1:48:39.000
<v Speaker 1>and scams and ethics. And you know, there are conversations

1:48:39.000 --> 1:48:41.600
<v Speaker 1>that reference the boyfriend, the brother, and the father, but

1:48:41.720 --> 1:48:44.920
<v Speaker 1>they are, I would say, in the minority of conversations.

1:48:45.560 --> 1:48:49.760
<v Speaker 1>And now to the only metric that truly matters, the

1:48:49.840 --> 1:48:53.840
<v Speaker 1>nipples scale, Caitlin, what are you giving Buffalo on the

1:48:53.920 --> 1:48:57.400
<v Speaker 1>nipple scale? Um, well, on our scale zero to five nipples,

1:48:57.439 --> 1:49:00.519
<v Speaker 1>where we rate the movie based on looking at it

1:49:00.560 --> 1:49:06.040
<v Speaker 1>through an intersectional feminist lens, I would give this I

1:49:06.080 --> 1:49:10.200
<v Speaker 1>guess like a three and a half because you know,

1:49:10.400 --> 1:49:13.439
<v Speaker 1>like we discussed, it's it's a movie that allows a

1:49:14.560 --> 1:49:22.080
<v Speaker 1>like ethically complicated woman to exist and explore her, like

1:49:23.240 --> 1:49:26.720
<v Speaker 1>all the moral ambiguities that she's dealing with in her

1:49:26.760 --> 1:49:30.559
<v Speaker 1>work and her life, which most stories don't make any

1:49:30.640 --> 1:49:33.479
<v Speaker 1>room for, in a way that like I didn't mention

1:49:33.520 --> 1:49:35.400
<v Speaker 1>this earlier, but it's like, I feel like this could

1:49:35.400 --> 1:49:37.519
<v Speaker 1>be sort of seen as like a girl Boss narrative,

1:49:37.560 --> 1:49:39.240
<v Speaker 1>but I feel like it's only truly a girl Boss

1:49:39.280 --> 1:49:44.040
<v Speaker 1>narrative if the movie is endorsing the crimes which I

1:49:44.120 --> 1:49:47.680
<v Speaker 1>don't think this movie is this like no, so I

1:49:48.120 --> 1:49:51.360
<v Speaker 1>feel like it's, um, it's all it. Yeah, I just

1:49:51.439 --> 1:49:53.679
<v Speaker 1>wish it was like I mean, I wish more people

1:49:53.920 --> 1:49:56.280
<v Speaker 1>knew about it and hopefully this a little I mean,

1:49:56.280 --> 1:50:00.479
<v Speaker 1>this episode is gonna just freaking what a pub felicity

1:50:01.080 --> 1:50:04.800
<v Speaker 1>moment for this movie now that no, I'm kidding, but um,

1:50:05.240 --> 1:50:08.120
<v Speaker 1>I should send us an edible arrangement for this. I

1:50:08.120 --> 1:50:12.679
<v Speaker 1>swear to god, I think you, Zoe, But I think

1:50:13.160 --> 1:50:16.599
<v Speaker 1>because there are like issues with just like it's kind

1:50:16.600 --> 1:50:22.360
<v Speaker 1>of a sloppy script and the characters are extremely cartoonation inconsistent,

1:50:22.400 --> 1:50:24.720
<v Speaker 1>and there's just some like kind of storytelling things. I

1:50:25.640 --> 1:50:27.880
<v Speaker 1>feel like it won't like stand the test of time

1:50:27.920 --> 1:50:31.599
<v Speaker 1>the way that like people still revisit movies like Wolf

1:50:31.600 --> 1:50:37.360
<v Speaker 1>of Wall Street and Short and these like male centered premises.

1:50:37.479 --> 1:50:43.240
<v Speaker 1>Unfortunately those movies do fucking sad. Yeah, I know, and

1:50:43.360 --> 1:50:46.680
<v Speaker 1>this one doesn't quite rule quite so hard just from

1:50:46.680 --> 1:50:50.000
<v Speaker 1>like a quality standpoint. So I feel like it'll be

1:50:50.080 --> 1:50:54.439
<v Speaker 1>kind of like yeah, yes, yes, so, but um yeah,

1:50:54.479 --> 1:50:57.599
<v Speaker 1>I'll give it three and a half. Um, I'll give

1:50:58.600 --> 1:51:03.880
<v Speaker 1>one two. Francis, her pal that she met in the

1:51:03.960 --> 1:51:09.160
<v Speaker 1>pen in the clink Wow, I'll give one to so Yeah,

1:51:09.439 --> 1:51:13.799
<v Speaker 1>Oh my gosh, I'm so cool. I'll give one to Backer,

1:51:14.000 --> 1:51:18.200
<v Speaker 1>the other woman she befriends from prison. Um, I'll give

1:51:18.240 --> 1:51:20.799
<v Speaker 1>one to Judy Greer, and I'll give my half nipple

1:51:21.160 --> 1:51:28.520
<v Speaker 1>to the rotting infested buffalo. Yeah, that was a metaphor

1:51:28.560 --> 1:51:33.120
<v Speaker 1>for something. I was like, Oh, okay, fine, we liked them.

1:51:33.960 --> 1:51:36.439
<v Speaker 1>I'll go three and a half as well. Um. I

1:51:36.479 --> 1:51:38.439
<v Speaker 1>think that this is a movie that's heart in the

1:51:38.520 --> 1:51:40.760
<v Speaker 1>right place. I've never seen a movie like it. I

1:51:40.800 --> 1:51:43.320
<v Speaker 1>agree that the execution is a little all over the place,

1:51:43.479 --> 1:51:46.400
<v Speaker 1>is a little sloppy, but I think I mean, I

1:51:47.280 --> 1:51:49.880
<v Speaker 1>really like the vibe this movie has, which is like

1:51:50.600 --> 1:51:54.960
<v Speaker 1>talking about something that is serious in a lighthearted, rompy way.

1:51:55.000 --> 1:51:57.760
<v Speaker 1>I feel like that is like super super super the

1:51:57.800 --> 1:52:01.800
<v Speaker 1>best way to or like a really effective way to

1:52:02.160 --> 1:52:05.200
<v Speaker 1>start conversations like this of like not feeling like you're

1:52:05.200 --> 1:52:07.519
<v Speaker 1>going to a lecture or like you're going to school,

1:52:07.840 --> 1:52:09.519
<v Speaker 1>or even like you're in a fucking cry, but it's

1:52:09.560 --> 1:52:15.160
<v Speaker 1>like you learn about something that affects most people in

1:52:15.200 --> 1:52:18.280
<v Speaker 1>a way that is goofy and fun and accessible. I

1:52:18.320 --> 1:52:21.559
<v Speaker 1>think it's cool. I yeah, like we're just talking about

1:52:21.600 --> 1:52:24.519
<v Speaker 1>I think that like Peg, you know, I'm not always

1:52:24.720 --> 1:52:27.280
<v Speaker 1>rooting for her, but I feel like her predicament is

1:52:27.320 --> 1:52:30.559
<v Speaker 1>contextualized and that her you know, crimes aren't endorsed, but

1:52:30.560 --> 1:52:32.519
<v Speaker 1>we also know why she's doing it. But it also

1:52:32.600 --> 1:52:34.560
<v Speaker 1>isn't like an overly like I am mommy thus I

1:52:34.640 --> 1:52:37.000
<v Speaker 1>crime kind of thing. I just thought it was cool.

1:52:37.479 --> 1:52:42.800
<v Speaker 1>I thought the Triman Fowler character was incomprehensible, but that's

1:52:42.840 --> 1:52:47.479
<v Speaker 1>not his fault. He he did his job, but the

1:52:47.760 --> 1:52:50.559
<v Speaker 1>character was so confusing. That Judy grig character was at

1:52:50.560 --> 1:52:55.840
<v Speaker 1>times confusing, like like in terms of who she was

1:52:56.000 --> 1:52:58.760
<v Speaker 1>and what she was about. But I liked the relationship

1:52:58.800 --> 1:53:01.679
<v Speaker 1>between I think like this movie, it was at its

1:53:01.680 --> 1:53:04.679
<v Speaker 1>best for me when it was like looking at money

1:53:04.840 --> 1:53:10.040
<v Speaker 1>and um generational stuff and class like that's where it

1:53:10.160 --> 1:53:13.120
<v Speaker 1>really really succeeded. M and I would love to see

1:53:13.120 --> 1:53:15.600
<v Speaker 1>more movies like this and very glad we got to

1:53:15.640 --> 1:53:17.160
<v Speaker 1>cover it. So I'm gonna give it three and a

1:53:17.200 --> 1:53:20.639
<v Speaker 1>half nipples. Uh and I'm gonna yeah, I'm gonna give

1:53:20.680 --> 1:53:23.559
<v Speaker 1>one to the rotting buffalo head. I'm gonna give one

1:53:23.640 --> 1:53:27.639
<v Speaker 1>to Jermaine Fowler's dirty underwear. I'm gonna give oh, yes,

1:53:27.880 --> 1:53:32.200
<v Speaker 1>one to the secretary who didn't care about anything, and

1:53:32.240 --> 1:53:35.440
<v Speaker 1>then I'll give my last half to Judy the waitress

1:53:36.000 --> 1:53:45.759
<v Speaker 1>and oh so iconic Danny's it's an American institution, Shelley,

1:53:45.800 --> 1:53:49.240
<v Speaker 1>what do you think? Okay, I'm gonna go with three.

1:53:49.600 --> 1:53:51.360
<v Speaker 1>I do want to say I gave it four and

1:53:51.360 --> 1:53:53.880
<v Speaker 1>a half on a letterbox, but that's just because I

1:53:53.920 --> 1:53:55.840
<v Speaker 1>was just like in such a good mood after watching it.

1:53:56.280 --> 1:53:59.800
<v Speaker 1>Their first people are gonna come for you. This is

1:53:59.840 --> 1:54:03.880
<v Speaker 1>a life change, this is life changing. I was like

1:54:03.920 --> 1:54:06.799
<v Speaker 1>four and a half, but I would do three. One

1:54:06.960 --> 1:54:10.840
<v Speaker 1>it's just for Judy Greer in general, like Judy Greer

1:54:10.920 --> 1:54:15.360
<v Speaker 1>being a part of this movie in general. The second

1:54:15.400 --> 1:54:22.080
<v Speaker 1>one is because I really like seeing a not so kind,

1:54:22.800 --> 1:54:26.839
<v Speaker 1>super moral girl when it comes to movies about money

1:54:27.040 --> 1:54:30.160
<v Speaker 1>and debt, in collecting money and all that kind of stuff.

1:54:30.520 --> 1:54:34.280
<v Speaker 1>And the third one is for I'm going to say

1:54:34.320 --> 1:54:37.240
<v Speaker 1>the wardrobe. I know that, so Stu, but I know

1:54:37.640 --> 1:54:40.560
<v Speaker 1>it looks in the credible fits are good, So I'm

1:54:40.560 --> 1:54:42.960
<v Speaker 1>going to say like three total. But I thought it

1:54:43.040 --> 1:54:46.280
<v Speaker 1>was like super great and I really do enjoy that

1:54:46.320 --> 1:54:48.640
<v Speaker 1>it was. I mean, we keep saying it, but Women's

1:54:48.680 --> 1:54:52.600
<v Speaker 1>History Month, I really do like them. A movie about

1:54:52.640 --> 1:54:54.600
<v Speaker 1>a girl who's kind of an asshole when it comes

1:54:54.600 --> 1:54:57.360
<v Speaker 1>to money, and she's not. She just wants it. She

1:54:57.520 --> 1:54:59.520
<v Speaker 1>wants it to want it. She doesn't want it to

1:54:59.600 --> 1:55:02.640
<v Speaker 1>like sol of World Hunger or to like rebuild the

1:55:02.680 --> 1:55:07.160
<v Speaker 1>community center or anything like that. She just wants it

1:55:07.400 --> 1:55:10.600
<v Speaker 1>because she wants money. And I really like that. And

1:55:11.040 --> 1:55:13.840
<v Speaker 1>I like what it taught about, like debt and collecting

1:55:13.880 --> 1:55:16.800
<v Speaker 1>and money in general. So three yeah. I love that

1:55:16.840 --> 1:55:20.160
<v Speaker 1>it had like such a clear like mission too, and

1:55:20.240 --> 1:55:22.640
<v Speaker 1>like that there its main character could still be a

1:55:22.720 --> 1:55:24.760
<v Speaker 1>huge asshole, and I feel like it pulled it off

1:55:24.760 --> 1:55:28.200
<v Speaker 1>the mission. Like I learned shit watching this serie. She

1:55:28.400 --> 1:55:33.800
<v Speaker 1>was a complete jerk, but I did learn stuff. I

1:55:33.840 --> 1:55:36.840
<v Speaker 1>got verified on some information that I already knew that

1:55:36.960 --> 1:55:40.520
<v Speaker 1>was very happy about, which made me want to tell

1:55:40.600 --> 1:55:43.120
<v Speaker 1>people about it even more. And I also think that

1:55:43.200 --> 1:55:45.920
<v Speaker 1>Zoe's just a really good actress. I think she's just

1:55:46.000 --> 1:55:48.200
<v Speaker 1>like good at what she does. I think she's pretty

1:55:48.240 --> 1:55:51.440
<v Speaker 1>talented too, But I dug it, I really like it.

1:55:51.680 --> 1:55:55.520
<v Speaker 1>I can't believe I learned so much about Buffalo's and Wings.

1:55:56.000 --> 1:55:59.840
<v Speaker 1>What the fuck? It was so fun to watch your

1:56:00.840 --> 1:56:05.520
<v Speaker 1>people in real time by that, You're like, it literally was.

1:56:05.640 --> 1:56:09.760
<v Speaker 1>I haven't had that feel like it's so because I

1:56:10.040 --> 1:56:14.280
<v Speaker 1>was not attached to that. It was the greatest. Shelly,

1:56:14.320 --> 1:56:16.000
<v Speaker 1>thank you so much for joining us, Thank you for

1:56:16.000 --> 1:56:18.760
<v Speaker 1>bringing us this movie. Um, if you're if you're looking

1:56:18.800 --> 1:56:21.240
<v Speaker 1>to watch it, it's on It's on Hulu. It's easy,

1:56:21.360 --> 1:56:26.040
<v Speaker 1>it's accessible Ulu. Yes, and Shelley, where can we follow

1:56:26.280 --> 1:56:30.640
<v Speaker 1>your work and follow you online? Plug away? I gotta

1:56:30.680 --> 1:56:32.840
<v Speaker 1>hate this part. I'm so hate part. I'm going to

1:56:32.880 --> 1:56:35.240
<v Speaker 1>be great at this part. Um. But I'm on Twitter.

1:56:35.800 --> 1:56:39.640
<v Speaker 1>Hi Shelley on Twitter, and then I'm on Instagram. Ao Shelley,

1:56:39.840 --> 1:56:42.520
<v Speaker 1>A y O s h e O I, and then Hi,

1:56:43.320 --> 1:56:46.600
<v Speaker 1>Hi s h e I on Twitter. Usually i just

1:56:46.600 --> 1:56:49.480
<v Speaker 1>share all my work there on Twitter, and I'm always

1:56:49.520 --> 1:56:53.280
<v Speaker 1>like having some discourse that I'm not really invited into.

1:56:53.680 --> 1:56:55.960
<v Speaker 1>But or I try to start it and then I

1:56:56.080 --> 1:56:59.080
<v Speaker 1>it happens and then I just leave and then you Yeah,

1:56:59.240 --> 1:57:01.440
<v Speaker 1>I love to start a conversation on the mute. It's

1:57:01.480 --> 1:57:03.120
<v Speaker 1>one of my favorite things to do to start it

1:57:03.120 --> 1:57:04.720
<v Speaker 1>and then be like, oh, I don't want to be

1:57:04.760 --> 1:57:07.400
<v Speaker 1>here anymore. This was just a passing thought about this movie.

1:57:07.560 --> 1:57:11.960
<v Speaker 1>I've actually fucked this by everybody, and you're like, actually,

1:57:12.120 --> 1:57:13.960
<v Speaker 1>see you the fuck later. I don't want to talk

1:57:13.960 --> 1:57:17.520
<v Speaker 1>about this anymore. I've been a huge must. Most recently,

1:57:17.640 --> 1:57:24.200
<v Speaker 1>I'm I'm on a Eurovision. I love Eurovision, and so

1:57:24.520 --> 1:57:28.240
<v Speaker 1>I'm like trying. I'm mostly talking about Eurovision on Twitter

1:57:28.320 --> 1:57:33.160
<v Speaker 1>right now because I've personally ranked all thirty seven songs.

1:57:35.040 --> 1:57:39.400
<v Speaker 1>Oh you're that kind of on Twitter right now? I am,

1:57:39.560 --> 1:57:43.640
<v Speaker 1>and I personally have ranked all thirty seven songs and um,

1:57:44.120 --> 1:57:46.800
<v Speaker 1>but yeah, it's great. But that's mainly where I'm at.

1:57:46.880 --> 1:57:49.800
<v Speaker 1>I'm never leaving Twitter, I even want it explodes. I

1:57:49.840 --> 1:57:52.640
<v Speaker 1>will probably still be there in the ruins talking about

1:57:52.680 --> 1:57:56.040
<v Speaker 1>some movie that no one's ever seen, like Buffalo. So me,

1:57:56.240 --> 1:57:59.040
<v Speaker 1>I was like, I truly think of I'm like, we're

1:57:59.160 --> 1:58:01.360
<v Speaker 1>like the Bad going to with the Titanic. You're like,

1:58:01.400 --> 1:58:06.960
<v Speaker 1>look we are, We're two brain damaged to not be there,

1:58:07.120 --> 1:58:09.200
<v Speaker 1>So it is that it is. We're guys, stay here.

1:58:09.240 --> 1:58:11.200
<v Speaker 1>And I also love that you worked in a Titanic

1:58:11.280 --> 1:58:17.280
<v Speaker 1>reference like oh, right under the wire. Right had to

1:58:17.280 --> 1:58:22.080
<v Speaker 1>make it happen. Thank you for having me. I love

1:58:22.120 --> 1:58:24.000
<v Speaker 1>the Big Back, and I'll be back to talk about

1:58:24.080 --> 1:58:27.240
<v Speaker 1>job Breaker please. Ye. So excited. We're so overdue for

1:58:27.240 --> 1:58:30.280
<v Speaker 1>a job breaker episode, so we'll have you then, yay.

1:58:30.320 --> 1:58:35.520
<v Speaker 1>And you can follow us on social media Instagram, Twitter,

1:58:35.920 --> 1:58:41.400
<v Speaker 1>at Bechtelcast. You can go to our Matreon at patreon

1:58:41.520 --> 1:58:45.920
<v Speaker 1>dot com slash Bectelcast, where you'll get two bonus episodes

1:58:46.040 --> 1:58:51.520
<v Speaker 1>every month. This month, we are wrapping up movies directed

1:58:51.520 --> 1:58:55.960
<v Speaker 1>by women, so we covered big and we've got the

1:58:56.120 --> 1:59:00.400
<v Speaker 1>Virgin suicidide as well, so you've got you've got change

1:59:00.520 --> 1:59:03.240
<v Speaker 1>on the Matreon this month. Oh and uh, you can

1:59:03.360 --> 1:59:06.160
<v Speaker 1>check out our merch store at tpublic dot com slash

1:59:06.320 --> 1:59:12.480
<v Speaker 1>the Bechdel Cast. And with that, uh, don't pay your

1:59:12.520 --> 1:59:17.480
<v Speaker 1>debt to do crime and don't pay your debt, never

1:59:17.520 --> 1:59:19.920
<v Speaker 1>pay your bills. Bye bye