1 00:00:02,880 --> 00:00:05,080 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,320 --> 00:00:17,160 Speaker 1: firms show? Well, look at the cat drag did I 3 00:00:17,160 --> 00:00:19,080 Speaker 1: don't know if you listen to our show today. By 4 00:00:19,079 --> 00:00:21,919 Speaker 1: the way, we were doing this podcast on Tuesday, but 5 00:00:22,000 --> 00:00:24,319 Speaker 1: we had our guest, Paul Mercuri. Oh and and we 6 00:00:24,360 --> 00:00:26,480 Speaker 1: had so much fun with him. We wouldn't let him leave. 7 00:00:26,520 --> 00:00:30,080 Speaker 1: We stole his keys. So you're not going anywhere, all right, 8 00:00:30,160 --> 00:00:31,760 Speaker 1: Thank you for staying with us. This is a lot 9 00:00:31,800 --> 00:00:34,360 Speaker 1: different than the other show. You can use foul language. 10 00:00:35,159 --> 00:00:37,280 Speaker 1: No you can't know. I was told I'm not allowed 11 00:00:37,320 --> 00:00:39,479 Speaker 1: to do that Today's right. Well, no, no, we're not 12 00:00:39,520 --> 00:00:41,960 Speaker 1: using this podcast on the show, so I can say. 13 00:00:42,200 --> 00:00:45,319 Speaker 1: Sometimes we take these podcasts and we we we edit 14 00:00:45,360 --> 00:00:46,879 Speaker 1: them up and we play them like when we're out 15 00:00:46,880 --> 00:00:53,319 Speaker 1: of town on the radio show, but we're not today. 16 00:00:53,360 --> 00:00:54,920 Speaker 1: I thought she had a dildo in her hand. What 17 00:00:55,080 --> 00:00:57,000 Speaker 1: was that? What was that? You just happen to see? 18 00:00:57,240 --> 00:00:59,440 Speaker 1: Who was that thing that NBC had? I think it 19 00:00:59,480 --> 00:01:02,520 Speaker 1: was like, if you haven't seen it, it's new to you. Yeah, 20 00:01:02,640 --> 00:01:04,840 Speaker 1: you remember that on Thursday Nights or something they did. 21 00:01:04,840 --> 00:01:07,600 Speaker 1: They did the reruns in summer, Like, if you haven't 22 00:01:07,640 --> 00:01:11,800 Speaker 1: seen it, it's new to you. Welcome to our fifteen 23 00:01:11,800 --> 00:01:13,840 Speaker 1: minute morning show podcast. I don't Paul you have you 24 00:01:13,880 --> 00:01:16,360 Speaker 1: have a podcaster? You're doing right, Yeah, I do. It's 25 00:01:16,400 --> 00:01:20,039 Speaker 1: one on one interviews with I just have curiosity in 26 00:01:20,120 --> 00:01:23,480 Speaker 1: all sorts of areas, especially music because I'm not musically inclined, 27 00:01:23,520 --> 00:01:26,080 Speaker 1: so one on one just talk to people about the 28 00:01:26,120 --> 00:01:29,000 Speaker 1: process what they do. So we've had like Colbert, we 29 00:01:29,040 --> 00:01:33,000 Speaker 1: had Paul McCartney, Brian Cranston, we had The Midbusters host 30 00:01:33,080 --> 00:01:35,640 Speaker 1: which were really cool because we ended up getting into 31 00:01:35,680 --> 00:01:39,400 Speaker 1: a conversation about God, creationism and science and they and 32 00:01:39,440 --> 00:01:42,959 Speaker 1: they go to these skeptic meetings and conferences because they 33 00:01:43,000 --> 00:01:46,880 Speaker 1: are scientists, and so we got into this really cool conversation, 34 00:01:46,880 --> 00:01:49,240 Speaker 1: which is what I love about the long form, you know, 35 00:01:49,280 --> 00:01:51,480 Speaker 1: because you can really kind of go places that you 36 00:01:51,480 --> 00:01:54,880 Speaker 1: didn't think you'd go. And uh, Adam Savage at one 37 00:01:54,880 --> 00:01:58,800 Speaker 1: point goes, you're gonna tell me God is responsible for 38 00:01:58,880 --> 00:02:02,160 Speaker 1: a cylindrical aluminum tube going seven hundred miles an hour 39 00:02:02,160 --> 00:02:04,040 Speaker 1: in the air, carrying you know, a hundred and fifty 40 00:02:04,040 --> 00:02:07,240 Speaker 1: people across the country, and so it's really cool. So 41 00:02:07,520 --> 00:02:12,160 Speaker 1: what was he? Uh? Don't you get answers in these shows? 42 00:02:12,280 --> 00:02:15,079 Speaker 1: How exactly. So what's the name of your podcast. It's 43 00:02:15,080 --> 00:02:16,800 Speaker 1: the Paul me Curio Show. We did a lot of 44 00:02:16,800 --> 00:02:19,359 Speaker 1: research on the name and really try to figure out 45 00:02:19,400 --> 00:02:23,000 Speaker 1: the bed to the point, I'll tell you about Brian Cranston, 46 00:02:23,560 --> 00:02:25,680 Speaker 1: my star on the Hollywood Walk of Famous right next 47 00:02:25,680 --> 00:02:32,919 Speaker 1: to He doesn't tell that story, and he doesn't know 48 00:02:33,240 --> 00:02:34,680 Speaker 1: he doesn't know who I am, nor does he give 49 00:02:34,680 --> 00:02:37,600 Speaker 1: a flying crap. Yeah, but also Luther Vandross, who's now 50 00:02:37,600 --> 00:02:39,960 Speaker 1: moved on to the next live he now knows who 51 00:02:39,960 --> 00:02:42,200 Speaker 1: I am, but he didn't know who it was till 52 00:02:42,240 --> 00:02:44,200 Speaker 1: he died. You know what you should do? Send Christmas 53 00:02:44,200 --> 00:02:48,919 Speaker 1: cards to your Hollywood Walk We'll see. That's the thing. 54 00:02:49,120 --> 00:02:51,360 Speaker 1: If you're in radio, it's easier to get one because 55 00:02:51,360 --> 00:02:53,720 Speaker 1: there's so many people in TV and movies and things, 56 00:02:53,800 --> 00:02:57,360 Speaker 1: I mean still in on or to get one. Did you? 57 00:02:57,680 --> 00:03:00,280 Speaker 1: How is it when the whole experience to seven money. 58 00:03:00,320 --> 00:03:02,960 Speaker 1: It's unbelievable because you know, we all flew to l A, 59 00:03:03,120 --> 00:03:05,359 Speaker 1: we all had a big time. No, it's it's it's 60 00:03:05,360 --> 00:03:07,639 Speaker 1: an honor, believe me. And the people that run it. 61 00:03:07,760 --> 00:03:12,639 Speaker 1: Anna is her name, She runs the whole Star department whatever. 62 00:03:13,200 --> 00:03:14,919 Speaker 1: The great people it was a lot of fun and 63 00:03:15,040 --> 00:03:18,239 Speaker 1: Chris Martin gave him his star. How do they decide 64 00:03:18,280 --> 00:03:20,120 Speaker 1: all this? How do they decide your next to and 65 00:03:20,160 --> 00:03:22,079 Speaker 1: who's giving you your star? Yeah? I don't know. I 66 00:03:22,120 --> 00:03:24,200 Speaker 1: don't know. Talk to the I don't just wanted to 67 00:03:24,240 --> 00:03:26,600 Speaker 1: pay for it. What is your microphone working? I think 68 00:03:29,360 --> 00:03:31,040 Speaker 1: they couldn't say your name though, Oh yeah, the guy 69 00:03:31,040 --> 00:03:34,080 Speaker 1: announced it. Another guy? Another guy getting a star today 70 00:03:34,160 --> 00:03:40,000 Speaker 1: is Elvis Durham. Really okay, but wait, I didn't want 71 00:03:40,000 --> 00:03:41,520 Speaker 1: to talk about my star all day. This is about you. 72 00:03:41,720 --> 00:03:44,760 Speaker 1: Let's talk about you. You brought up Brian Cranston, who 73 00:03:44,920 --> 00:03:49,640 Speaker 1: interview Paul McCartney talk about how I got him? How 74 00:03:49,680 --> 00:03:51,480 Speaker 1: you got I mean, don't you have a voicemail from 75 00:03:51,560 --> 00:03:56,120 Speaker 1: him or something like that. Yeah, So what happened was, uh, 76 00:03:56,480 --> 00:03:58,320 Speaker 1: I was working at the Colbert Report at the time, 77 00:03:58,480 --> 00:04:01,800 Speaker 1: and uh he was guess but I forgot that he 78 00:04:01,840 --> 00:04:03,960 Speaker 1: was a guest. Anyway, So I'm running downstairs we're about 79 00:04:03,960 --> 00:04:06,240 Speaker 1: to start taping, and I round the corner and there's 80 00:04:06,240 --> 00:04:09,680 Speaker 1: Paul McCartney standing in the hallway, leaning against the wall 81 00:04:09,800 --> 00:04:11,960 Speaker 1: like he's waiting for a bus, with his arms folded, 82 00:04:12,360 --> 00:04:14,960 Speaker 1: chewing gum with he was so adorably. He had a 83 00:04:14,960 --> 00:04:17,600 Speaker 1: little Colbert Report T shirt and that's somebody given him 84 00:04:17,640 --> 00:04:19,400 Speaker 1: and he tucked it into his pants and a little 85 00:04:19,400 --> 00:04:22,080 Speaker 1: bit it was like great, and he's just chewing gum alone, 86 00:04:22,160 --> 00:04:24,360 Speaker 1: looking up at the ceiling, and I'm like, and my, 87 00:04:24,680 --> 00:04:27,120 Speaker 1: I'm just like I stopped that in my tracks. And 88 00:04:27,160 --> 00:04:29,320 Speaker 1: you know, I've been around the fair amount of celebrities 89 00:04:29,360 --> 00:04:31,920 Speaker 1: like I don't get super whatever, but this was like, 90 00:04:31,960 --> 00:04:35,680 Speaker 1: oh my god, right and and and so, but what 91 00:04:35,800 --> 00:04:37,840 Speaker 1: through me was said? He was all alone, like there 92 00:04:37,880 --> 00:04:40,760 Speaker 1: was no handler, there was no like security. He was 93 00:04:40,839 --> 00:04:43,159 Speaker 1: literally like not a parrot on his shoulder. It was 94 00:04:43,200 --> 00:04:45,760 Speaker 1: like just him standing in the hallway and I and 95 00:04:45,800 --> 00:04:48,200 Speaker 1: as I'm approaching him, like my whole world slows down. 96 00:04:48,200 --> 00:04:50,120 Speaker 1: I'm like, oh, where you going at this Paul McCartney? 97 00:04:50,480 --> 00:04:52,760 Speaker 1: And I should I say hi? Should I not say hi? 98 00:04:52,839 --> 00:04:54,600 Speaker 1: And then I'm like, you know what, just go over 99 00:04:54,640 --> 00:04:57,160 Speaker 1: and say hi and keep walking. You're never gonna meet 100 00:04:57,160 --> 00:04:58,839 Speaker 1: this guy again. So I go over and I said, 101 00:04:58,839 --> 00:05:00,480 Speaker 1: I just want to say it's honored me a huge 102 00:05:00,480 --> 00:05:02,600 Speaker 1: fan looking forward to your performance. And I keep one. 103 00:05:02,640 --> 00:05:04,160 Speaker 1: He goes, now not come back, He goes, what's your name? 104 00:05:04,720 --> 00:05:06,680 Speaker 1: I go Paul mcre He goes, oh, Paul. He goes, 105 00:05:06,680 --> 00:05:10,360 Speaker 1: that's a good name. And uh and then he goes, 106 00:05:10,600 --> 00:05:12,120 Speaker 1: what do you do. I go, well, I'm a stand up. 107 00:05:12,160 --> 00:05:14,080 Speaker 1: He goes, oh, I love stand up. I don't know 108 00:05:14,120 --> 00:05:15,760 Speaker 1: how you guys do blah blah blah. I knew Richard 109 00:05:15,760 --> 00:05:18,760 Speaker 1: Pryor and this and that, and then uh, he goes, 110 00:05:18,880 --> 00:05:20,960 Speaker 1: you have a wife a kid. I go, yeah, me too, 111 00:05:21,040 --> 00:05:23,279 Speaker 1: He goes Heather and I you know, we split custody 112 00:05:23,320 --> 00:05:25,720 Speaker 1: with the boy and he's in London. And now like 113 00:05:25,920 --> 00:05:30,440 Speaker 1: we're just talking about life, like how on being on 114 00:05:30,480 --> 00:05:33,600 Speaker 1: the road you miss your kids? Paul McCartney, Paul McCarty, right, 115 00:05:33,760 --> 00:05:37,200 Speaker 1: and on the whole time. And I don't know if 116 00:05:37,200 --> 00:05:40,280 Speaker 1: this happened an interview, Like you're having like the conversation, 117 00:05:40,560 --> 00:05:43,000 Speaker 1: but you're having another conversation in your head, which is 118 00:05:43,240 --> 00:05:45,279 Speaker 1: pick up another question, think of another thing to say, 119 00:05:45,440 --> 00:05:48,359 Speaker 1: keep it going, interesting, keep keep it going, keep it 120 00:05:48,360 --> 00:05:51,720 Speaker 1: going as long's my breath. Okay, like all that, right, 121 00:05:52,040 --> 00:05:54,720 Speaker 1: and and and I literally like on the outside I 122 00:05:54,800 --> 00:05:56,719 Speaker 1: was smooth as silk, but on the inside I was, 123 00:05:56,760 --> 00:06:01,279 Speaker 1: like I'm talking, I was like the girls that Chase 124 00:06:01,320 --> 00:06:04,919 Speaker 1: Stadium I was out of my freaking mind. So um 125 00:06:05,040 --> 00:06:08,120 Speaker 1: and as I'm talking to him, I'm getting closer and 126 00:06:08,160 --> 00:06:11,599 Speaker 1: closer to his face because like it's Paul McCartney and 127 00:06:11,640 --> 00:06:14,840 Speaker 1: you've always seen him on like billboards or whatever, and 128 00:06:14,880 --> 00:06:18,320 Speaker 1: I'm like the close talker in Seinfeld. I was literally 129 00:06:18,360 --> 00:06:20,120 Speaker 1: like at one point he was started to kind of 130 00:06:20,200 --> 00:06:23,359 Speaker 1: lean backwards a little bit because I was like so 131 00:06:23,520 --> 00:06:26,520 Speaker 1: ridiculously like I could have, like you ever see those 132 00:06:26,560 --> 00:06:29,040 Speaker 1: like chimps on Discovery Channel where they clean like fleas 133 00:06:29,080 --> 00:06:31,360 Speaker 1: off there made I would have clearly I could have 134 00:06:31,400 --> 00:06:33,520 Speaker 1: cleaned like ticks off his eyebrows. Like That's how close 135 00:06:33,600 --> 00:06:35,000 Speaker 1: I was. And I was just like staring at it. 136 00:06:35,480 --> 00:06:38,159 Speaker 1: He looks amazing. I mean, he colors his hair, but 137 00:06:38,279 --> 00:06:42,440 Speaker 1: still like and um oh, I had said to it. 138 00:06:42,520 --> 00:06:44,640 Speaker 1: One of his security guys, I go, how is it 139 00:06:44,640 --> 00:06:46,679 Speaker 1: working for me? Goes, well, I lost thirty five pounds 140 00:06:46,720 --> 00:06:49,120 Speaker 1: of muscle because why he goes, because Paul's vegetarian. If 141 00:06:49,160 --> 00:06:51,480 Speaker 1: you work on his crew, you gotta be eat vegetarian 142 00:06:51,480 --> 00:06:53,640 Speaker 1: and I can't eat meat and blah blah blah. It's 143 00:06:53,640 --> 00:06:58,920 Speaker 1: really interest fascinating stuff. Yeah, And so so now I'm like, Okay, 144 00:06:58,960 --> 00:07:01,240 Speaker 1: I'm gonna leave the party really like I'm talking to Paul. 145 00:07:01,360 --> 00:07:05,680 Speaker 1: This is good, and I uh walk away and I 146 00:07:05,760 --> 00:07:07,640 Speaker 1: go into the bathroom when I closed the door, and 147 00:07:07,680 --> 00:07:12,280 Speaker 1: I called my wife Carol, and I'm like, I just 148 00:07:12,440 --> 00:07:15,880 Speaker 1: I'm like hyperventilating, like I just talked to Ma. And 149 00:07:15,960 --> 00:07:17,800 Speaker 1: she's like, why are you in the bathroom. You're doing 150 00:07:17,840 --> 00:07:19,440 Speaker 1: something weird in the boat. I'm like, no, I'm not. 151 00:07:19,640 --> 00:07:22,480 Speaker 1: I know I'm breathing every and um. I go through 152 00:07:22,640 --> 00:07:24,440 Speaker 1: and then I go to her. I say out loud, 153 00:07:24,480 --> 00:07:26,520 Speaker 1: you know, you know what? I should talk to him 154 00:07:26,560 --> 00:07:29,560 Speaker 1: about making music because he's a musician, and I don't. 155 00:07:29,840 --> 00:07:34,240 Speaker 1: I'm gonna ask him to do my podcast. Could go wrong? Right? 156 00:07:34,360 --> 00:07:37,720 Speaker 1: What could go wrong? So I hang up the phone. 157 00:07:37,760 --> 00:07:39,600 Speaker 1: I go and I knock on the dressing room door 158 00:07:39,640 --> 00:07:43,000 Speaker 1: and he's in there with somebody, and I go, hey, 159 00:07:43,040 --> 00:07:45,600 Speaker 1: I know this is crazy and you're huge and I'm nobody, 160 00:07:45,920 --> 00:07:48,080 Speaker 1: and he goes, no, you're not nobody. Go trust me, 161 00:07:48,120 --> 00:07:50,920 Speaker 1: I'm nobody. He goes, I go, what you do my podcast? 162 00:07:51,280 --> 00:07:53,360 Speaker 1: I love to talk to you about music and how 163 00:07:53,400 --> 00:07:55,480 Speaker 1: you make music because I can't do that. And I'm 164 00:07:55,520 --> 00:07:59,440 Speaker 1: fascinating by that process and he goes, yeah, sure, right, 165 00:08:00,160 --> 00:08:09,480 Speaker 1: just like that that it's right. So now I'm completely 166 00:08:09,520 --> 00:08:13,480 Speaker 1: thrown because I'm like canna, like you know, like there 167 00:08:13,560 --> 00:08:16,040 Speaker 1: was that girl or guy you always wanted to ask 168 00:08:16,080 --> 00:08:18,560 Speaker 1: out there, like way hotter than you. But You're like, 169 00:08:18,560 --> 00:08:20,200 Speaker 1: you know, I'm gonna ask him out. They're gonna say 170 00:08:24,480 --> 00:08:29,800 Speaker 1: I said yes, and when I asked him, iut, they're 171 00:08:29,760 --> 00:08:31,760 Speaker 1: gonna say no. But at least I'll know on my 172 00:08:31,800 --> 00:08:33,920 Speaker 1: deathbed that I did it. And instead they say yes. 173 00:08:33,960 --> 00:08:37,280 Speaker 1: And you don't have a plan, right, because it's like 174 00:08:37,320 --> 00:08:40,440 Speaker 1: you're almost hoping. They're saying kind of it's easier to 175 00:08:40,480 --> 00:08:43,440 Speaker 1: handle no. Yes, it's like you got shipped. Yeah exactly. 176 00:08:43,480 --> 00:08:46,520 Speaker 1: So now he goes, yeah, sure, how would we do it? 177 00:08:46,559 --> 00:08:50,280 Speaker 1: And I'm like standing there and I literally people on 178 00:08:50,760 --> 00:08:52,920 Speaker 1: listening can't here, but just imagine me standing there and 179 00:08:52,920 --> 00:08:55,240 Speaker 1: I'm rubbing my leg my right thigh with my hand, 180 00:08:55,280 --> 00:09:00,000 Speaker 1: and I literally sounded like this. I went, ah, um, 181 00:09:00,840 --> 00:09:04,560 Speaker 1: I we could do it, and I could I'll come 182 00:09:04,600 --> 00:09:07,880 Speaker 1: to London, he goes. He goes, We're in a room 183 00:09:07,920 --> 00:09:09,720 Speaker 1: in New York together. Why would you come to London? 184 00:09:10,480 --> 00:09:14,080 Speaker 1: And then and then and then I go yeah, he goes, 185 00:09:14,120 --> 00:09:16,720 Speaker 1: it's easy to do because I'm busy. I go, oh, 186 00:09:16,840 --> 00:09:20,440 Speaker 1: it's really easy, Like we could do it on the phone. 187 00:09:20,480 --> 00:09:22,560 Speaker 1: You could be like naked on the toilet. I'm like, 188 00:09:22,600 --> 00:09:28,559 Speaker 1: what am I sing? Just for a first date? Like 189 00:09:28,800 --> 00:09:31,360 Speaker 1: I who screwed it up at the appetizer? Like right? 190 00:09:31,640 --> 00:09:34,440 Speaker 1: So I'm like and then I'm like, now my brain 191 00:09:34,520 --> 00:09:36,880 Speaker 1: is like, just get out of here before you ruin this. 192 00:09:37,120 --> 00:09:39,880 Speaker 1: And I go, I go, look, you're really busy. I'll 193 00:09:39,920 --> 00:09:42,720 Speaker 1: find your assistant in the building. I'll set it up 194 00:09:42,720 --> 00:09:46,360 Speaker 1: with them. Here's the mind blow right here. He goes, no, no, no, 195 00:09:46,480 --> 00:09:48,360 Speaker 1: he goes you and I'll do it. I know what 196 00:09:48,440 --> 00:09:51,000 Speaker 1: you mean. He goes you and I we're gonna coordinate 197 00:09:51,040 --> 00:09:53,040 Speaker 1: it because they're gonna just muck it up and make 198 00:09:53,040 --> 00:09:57,240 Speaker 1: it too complicated. And they and I and I understood that. 199 00:09:57,640 --> 00:10:04,160 Speaker 1: He goes, let's exchange number hers Paul McCartney. Yeah, I 200 00:10:04,200 --> 00:10:08,000 Speaker 1: can't believe this is like insane. So now again I'm 201 00:10:08,000 --> 00:10:10,640 Speaker 1: trying to be as cool as possible. I'm like pissing 202 00:10:10,720 --> 00:10:13,480 Speaker 1: my pants, like is this really happening. I get a 203 00:10:13,559 --> 00:10:15,600 Speaker 1: post it and I write my number in the Poston 204 00:10:15,679 --> 00:10:18,200 Speaker 1: and I'll never forget this like I'm looking at my 205 00:10:18,320 --> 00:10:22,040 Speaker 1: hand handing it and my hand is like shaking, which 206 00:10:22,160 --> 00:10:24,679 Speaker 1: never really I'm like, this is crazy. And then he 207 00:10:24,720 --> 00:10:26,400 Speaker 1: hands me his and he goes, Now, when I call 208 00:10:26,520 --> 00:10:28,920 Speaker 1: you, you you gotta be ready to do it, mate, he goes, 209 00:10:28,920 --> 00:10:30,880 Speaker 1: because I'm real busy and I got a lot of stuff. 210 00:10:30,920 --> 00:10:33,760 Speaker 1: I go, oh, yeah, you're ready, you call, We'll do 211 00:10:33,840 --> 00:10:35,680 Speaker 1: it right away. And I don't. I don't know right 212 00:10:35,760 --> 00:10:38,199 Speaker 1: my studio at the time producing it was in l A. 213 00:10:38,320 --> 00:10:42,040 Speaker 1: I'm in New York, Okay, So he does the performance. 214 00:10:42,520 --> 00:10:44,080 Speaker 1: Bear with me. I'm not being rude. I just gotta 215 00:10:44,080 --> 00:10:48,720 Speaker 1: find something. Um and uh He's amazing, and I you know, 216 00:10:49,600 --> 00:10:51,720 Speaker 1: and you know, and I look, I thought I got 217 00:10:51,920 --> 00:10:54,240 Speaker 1: even with the phone number. I thought I got like 218 00:10:54,520 --> 00:10:56,600 Speaker 1: the nicest blow off on the face of the planet. 219 00:10:56,640 --> 00:10:58,280 Speaker 1: This guy knows how to say no to people, you 220 00:10:58,320 --> 00:11:00,280 Speaker 1: know what I mean, Like it's I'm gonna call It's 221 00:11:00,280 --> 00:11:04,160 Speaker 1: gonna be like a Chinese restaurant, you know, long hose 222 00:11:05,040 --> 00:11:10,480 Speaker 1: and uh. So I, um, I'm packing up my bag 223 00:11:10,600 --> 00:11:12,640 Speaker 1: and I'm also working at the Daily Show at the time, 224 00:11:12,679 --> 00:11:15,400 Speaker 1: which is three blocks away, and I'm late and I'm panicking. 225 00:11:15,480 --> 00:11:17,800 Speaker 1: So I'm in my phone rings and I don't recognize 226 00:11:17,840 --> 00:11:21,000 Speaker 1: the number, and I let it ring the voicemail and 227 00:11:21,040 --> 00:11:29,160 Speaker 1: this is message on my phone. I'm gonna ring you 228 00:11:29,200 --> 00:11:36,000 Speaker 1: back in five minutes podcasting some time. So if you 229 00:11:36,400 --> 00:11:40,240 Speaker 1: and five minutes time you called me, Wait, you have 230 00:11:40,320 --> 00:11:47,520 Speaker 1: five minutes? Okay? So how long did that? Uh that? 231 00:11:48,160 --> 00:11:51,280 Speaker 1: I picked up the voicemail because I thought it was 232 00:11:51,600 --> 00:11:54,160 Speaker 1: the work related thing for me, my agent maybe like 233 00:11:55,400 --> 00:11:59,720 Speaker 1: something anyway, And I retrieved the message at eleventh Avenue 234 00:11:59,760 --> 00:12:02,520 Speaker 1: and fifty third Street on the corner with my backpack on, 235 00:12:03,200 --> 00:12:06,040 Speaker 1: and I hear that and I do the following, Like 236 00:12:06,080 --> 00:12:08,360 Speaker 1: you know, when you see somebody who's got who's homeless 237 00:12:08,360 --> 00:12:10,319 Speaker 1: and they have mental issues and they're talking out loud, 238 00:12:11,360 --> 00:12:14,520 Speaker 1: That's what. I took my backpack and I threw it 239 00:12:14,600 --> 00:12:17,640 Speaker 1: on the ground, and I'm like, are you fucking kidding me? 240 00:12:18,960 --> 00:12:24,000 Speaker 1: I read Paul mccock call, like all these random words 241 00:12:26,320 --> 00:12:28,920 Speaker 1: throwing the backpack down, and that it was like just 242 00:12:29,080 --> 00:12:31,160 Speaker 1: this guy's you know, he just got let out of 243 00:12:31,200 --> 00:12:34,160 Speaker 1: an institution. So I'm like, I'll never getting back. What 244 00:12:34,320 --> 00:12:38,920 Speaker 1: are the fucking chances? I'm screaming and I'm losing my mind. Sorry, 245 00:12:38,920 --> 00:12:41,760 Speaker 1: I'm swearing, but that you gotta like and and so 246 00:12:42,760 --> 00:12:46,280 Speaker 1: I'm like, gosh, I go and I called back and 247 00:12:47,080 --> 00:12:50,199 Speaker 1: he picks up and I'm like, he goes, I'm ready 248 00:12:50,200 --> 00:12:53,280 Speaker 1: to do it. Looks like I got nothing. I'm in 249 00:12:53,280 --> 00:12:55,840 Speaker 1: the middle of the street and I have to be 250 00:12:55,880 --> 00:12:59,400 Speaker 1: in the studio like in twenty five minutes at the 251 00:12:59,480 --> 00:13:01,440 Speaker 1: Daily Show. So now I have to figure out how 252 00:13:01,440 --> 00:13:03,559 Speaker 1: to interview Paul McCartney. Be in the studio. Get it 253 00:13:03,600 --> 00:13:06,920 Speaker 1: all set up right. So I'm on I go. He goes, 254 00:13:06,960 --> 00:13:09,000 Speaker 1: are you ready? I go, uh yeah, I'm just on 255 00:13:09,040 --> 00:13:10,760 Speaker 1: the street. I'm going from one student another. I'll call 256 00:13:10,800 --> 00:13:13,320 Speaker 1: you right back. Hang up the phone. I call the 257 00:13:13,320 --> 00:13:16,200 Speaker 1: studio and l A, I go listen, um, Paul McCartney 258 00:13:16,200 --> 00:13:18,240 Speaker 1: ready to do a podcast. I need a recording line 259 00:13:18,320 --> 00:13:20,720 Speaker 1: right away. And it was like this intern and he goes, 260 00:13:20,840 --> 00:13:24,400 Speaker 1: uh uh yeah, there's somebody in the studio right now. 261 00:13:24,440 --> 00:13:26,760 Speaker 1: And then I snapped, anyway, did you not hear me? 262 00:13:27,320 --> 00:13:29,880 Speaker 1: I said, unless you have John Lennon or Jesus Christ 263 00:13:29,960 --> 00:13:33,679 Speaker 1: in the studio, get him out. It's Paul McCartney like 264 00:13:33,320 --> 00:13:36,560 Speaker 1: like like this person was like completely like whatever, right non, 265 00:13:36,600 --> 00:13:39,360 Speaker 1: Plus he didn't care, So we go all right. I 266 00:13:39,440 --> 00:13:42,360 Speaker 1: called ten minutes go by, fifteen minutes go by, and 267 00:13:42,400 --> 00:13:46,120 Speaker 1: then there's no call, and I'm calling back back, calling back, 268 00:13:46,160 --> 00:13:49,360 Speaker 1: going back forth, and he keeps and I call him back, Paul, 269 00:13:49,400 --> 00:13:52,120 Speaker 1: I need ten more minutes. Now I'm stalling, Paul McCartney, 270 00:13:52,280 --> 00:13:54,160 Speaker 1: I need ten more minute. And then finally go, look, 271 00:13:54,160 --> 00:13:55,719 Speaker 1: I'm having a nervous breakdown. I don't know if I 272 00:13:55,760 --> 00:13:57,000 Speaker 1: can do this right now. Kay. He goes, now, you 273 00:13:57,040 --> 00:13:59,720 Speaker 1: gotta do it now or you're gonna lose me. And 274 00:13:59,760 --> 00:14:02,199 Speaker 1: I call and then they got the line. And now 275 00:14:02,320 --> 00:14:04,360 Speaker 1: we have like a phone booth for privacy in the 276 00:14:04,440 --> 00:14:06,800 Speaker 1: Daily Show offices, and I'm in the phone booth and 277 00:14:06,840 --> 00:14:10,680 Speaker 1: I'm waiting to be page and I'm interviewing Paul McCartney. 278 00:14:10,720 --> 00:14:12,800 Speaker 1: And as I was walking down the street, I started 279 00:14:12,840 --> 00:14:14,880 Speaker 1: to write questions in my notebook of what I wanted 280 00:14:14,920 --> 00:14:17,240 Speaker 1: to ask him. It was just the most stressful. And 281 00:14:17,280 --> 00:14:19,600 Speaker 1: then I got him on the phone. Oh, I called him, 282 00:14:19,600 --> 00:14:21,720 Speaker 1: and I go, we're ready, and the guy goes hold on. 283 00:14:21,800 --> 00:14:23,760 Speaker 1: Paul's in the bathroom, and all I could picture is 284 00:14:23,840 --> 00:14:28,560 Speaker 1: Paul McCartney taking a ship, like, oh, dear lord, what 285 00:14:28,600 --> 00:14:30,920 Speaker 1: did you ever do it? Yeah, we did it, And 286 00:14:31,040 --> 00:14:36,120 Speaker 1: how did the interview go for? And it was all 287 00:14:36,160 --> 00:14:38,480 Speaker 1: about music. I didn't get into like the Yoko thing, 288 00:14:38,680 --> 00:14:41,360 Speaker 1: and I just it was all about process and how 289 00:14:41,520 --> 00:14:43,680 Speaker 1: they how they work together and stuff. So if someone 290 00:14:43,720 --> 00:14:45,560 Speaker 1: wants to hear your interview with Paul mcartney, now that 291 00:14:45,600 --> 00:14:47,600 Speaker 1: they know how you got it, it's even more interesting. 292 00:14:47,600 --> 00:14:50,240 Speaker 1: How do you find it? iTunes the Paul Mecurio show 293 00:14:50,480 --> 00:14:53,800 Speaker 1: or audio Boom, the Palme Curio Show. They'll find, they'll 294 00:14:53,800 --> 00:14:56,320 Speaker 1: find God. And that's all true. And I'm not None 295 00:14:56,320 --> 00:14:58,720 Speaker 1: of that was like Embell was worth it? Was it 296 00:14:58,800 --> 00:15:01,320 Speaker 1: a good interview? Oh? Yeah, it was, you know, because 297 00:15:01,480 --> 00:15:02,800 Speaker 1: you know he tells so he goes. You know, he 298 00:15:02,840 --> 00:15:04,720 Speaker 1: talks about turning around when they started in a van 299 00:15:04,800 --> 00:15:07,080 Speaker 1: and they didn't have any money, and they somebody broke 300 00:15:07,120 --> 00:15:08,920 Speaker 1: in and they had to sleep in a cold van, 301 00:15:09,040 --> 00:15:11,440 Speaker 1: like all huddled against each other in a Beatles sandwich. 302 00:15:11,480 --> 00:15:15,160 Speaker 1: And then he talks about wings and I said, you know, well, 303 00:15:15,200 --> 00:15:17,200 Speaker 1: one of the things I said to him as a performer, 304 00:15:18,000 --> 00:15:20,680 Speaker 1: you know you it's the same with you guys, like 305 00:15:20,960 --> 00:15:23,360 Speaker 1: your fans get used to a certain thing that they 306 00:15:23,360 --> 00:15:25,480 Speaker 1: really liked from you. You don't want to deviate a 307 00:15:25,520 --> 00:15:28,200 Speaker 1: lot from that, right, So I said to him, where 308 00:15:28,200 --> 00:15:30,880 Speaker 1: did you guys get the guts at such a young age, 309 00:15:30,880 --> 00:15:33,360 Speaker 1: when you had the world at your feet so radically 310 00:15:33,440 --> 00:15:35,960 Speaker 1: change your sound from one album to another and not 311 00:15:36,040 --> 00:15:38,880 Speaker 1: worry about losing your fan base, right, because when they 312 00:15:38,880 --> 00:15:41,160 Speaker 1: like something, they like a certain way. Because we didn't 313 00:15:41,160 --> 00:15:43,000 Speaker 1: think about that. Because we do something, we said, we 314 00:15:43,040 --> 00:15:44,680 Speaker 1: did it, We move on. We wanted to come down 315 00:15:44,720 --> 00:15:47,160 Speaker 1: to ourselves. Yeah, it was great, that's so cool. It was. 316 00:15:47,440 --> 00:15:52,640 Speaker 1: You have a thousand of these stupid stories. Paul mecurial, right,