WEBVTT - The Science of Staring

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, you're walking to stuff to go

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<v Speaker 1>in your mind. My name is Robert Lamp. I'm Julie Douglass. Julie,

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<v Speaker 1>have you engaged in a good staring contest? Reson? I'm

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<v Speaker 1>trying to do it with you right now. Don't blink.

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<v Speaker 1>I didn't. Don't kind of like narrow my eyes. Maybe

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<v Speaker 1>I used see the things you never know when you

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<v Speaker 1>go sometimes, I guess, so, yeah, but yeah, this is

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<v Speaker 1>something that I used to engage in with my brother

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<v Speaker 1>all the time. Yeah, did you Did you tend to win?

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<v Speaker 1>Or is it a stalemate? Did you just both stare

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<v Speaker 1>at each other un till your eyeballs dried up? And

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<v Speaker 1>he's pretty competitive, so I probably just got tired of

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<v Speaker 1>it after a while and blinked just to end it.

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<v Speaker 1>Staring is weird. It is a strange thing. I feel

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<v Speaker 1>like we've touched this before. But like, the more you

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<v Speaker 1>stare at somebody, the weirder it becomes, the weirder their

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<v Speaker 1>face becomes, and they start looking like just alien monster creatures,

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<v Speaker 1>you know, just because you you begin to to take

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<v Speaker 1>sort of the default version of what they look like,

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<v Speaker 1>and and and deconstruct it. Well, remember when we were

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<v Speaker 1>looking at the Bloody Mary studies about staring into the

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<v Speaker 1>mirror and if you stare hard enough and long enough,

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<v Speaker 1>your brain starts to freak out. And because it's just

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<v Speaker 1>staring at that one bit and starting to sort of say, Okay,

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<v Speaker 1>I'm gonna start throwing all sorts of weird images in here.

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<v Speaker 1>So hopefully you're not sitting in front of someone and

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<v Speaker 1>staring at them so intently that that's happening. But you're right,

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<v Speaker 1>it does kind of cause you to to sort of

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<v Speaker 1>reconfigure everything. Yeah. Now, I will say in in these

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<v Speaker 1>podcast recording sessions, I tend to make more eye contact

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<v Speaker 1>with you than I make with most people because we

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<v Speaker 1>are directly across from each other, and if I'm not

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<v Speaker 1>looking at the my notes are staring off into the

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<v Speaker 1>whole distance. Uh, then I'm having to engage with you

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<v Speaker 1>because this is kind of a conversation performance that we

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<v Speaker 1>do here. It's true, and you know, we're taking visual

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<v Speaker 1>cues off of each other too, like hey, wrap it up,

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<v Speaker 1>or hey, yeah that's really interesting. More and more so, Yeah,

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<v Speaker 1>steering obviously is something that we do as humans for

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<v Speaker 1>a variety of reasons, and yet it's a bit of

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<v Speaker 1>a mystery, right Yeah. And then there's there're whole these

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<v Speaker 1>whole elements too of uh you know, personal space and

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<v Speaker 1>the cheesemo. Um. A friend of mine was sent me

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<v Speaker 1>some sort of Facebook correspondence because he is friends with

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<v Speaker 1>all the people who went to high school with UM,

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<v Speaker 1>follows them on Facebook. So they'll inevitably say just weird

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<v Speaker 1>and stupid things or things that just don't really sink

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<v Speaker 1>with your own personal worldview, including like one dude who

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<v Speaker 1>lifts a lot and maybe doesn't do a lot of lifts,

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<v Speaker 1>lifts weights, lifts, you know, hits the gym and then

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<v Speaker 1>he starts off on this whole diet tribe that that

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<v Speaker 1>kind of breaks the world down into into those who

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<v Speaker 1>lift and those that don't, or those that lift a

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<v Speaker 1>lot and those that don't lift as much. And and

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<v Speaker 1>it was about like making eye contact with individuals on

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<v Speaker 1>the train or on the street, and how every and

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<v Speaker 1>and implying that every incident of this with men making

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<v Speaker 1>eye tak contact with each that it is a stare

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<v Speaker 1>down to see who is the alpha a k who

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<v Speaker 1>lives the most. Okay, well, that's very interesting for two reasons.

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<v Speaker 1>One is, and this is auncdotal, of course, but when

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<v Speaker 1>I've been at gym's before, I have noticed that people

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<v Speaker 1>who are lifting are always staring at themselves, like really,

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<v Speaker 1>like you noticed this, and they don't break in the mirror.

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<v Speaker 1>In the mirror, they're like staring almost like the person

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<v Speaker 1>in the mirror is the aggressor. Okay. So the second

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<v Speaker 1>thing about that, like they're like they're in an ape

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<v Speaker 1>that doesn't realize that the ape in the in the

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<v Speaker 1>mirror is their own reflections, right, that keeps staring at me?

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<v Speaker 1>Can't they see me with all my weight? But I

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<v Speaker 1>have noticed that over and over again. And David Turberg

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<v Speaker 1>at all of the University of Utrecht in the Netherlands,

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<v Speaker 1>and uh in some other researchers, they wanted to see

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<v Speaker 1>if this is really true that we stare for dominance,

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<v Speaker 1>that this is really automatic for humans. So they devised

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<v Speaker 1>a test in which participants were presented different colored ovals

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<v Speaker 1>and different colored dots. Seems pretty straightforward, right, What they

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<v Speaker 1>were advised to do is to try to popping up

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<v Speaker 1>on the screen in front of you. Yeah, those those

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<v Speaker 1>ovals are popping up on the screen. They're the same

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<v Speaker 1>color as the dots, and they're saying, hey, just visually

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<v Speaker 1>matched that oval to the dot when it comes up.

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<v Speaker 1>But they're sneaky the researchers, because a split second before

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<v Speaker 1>the oval appears, a face of the same color appeared

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<v Speaker 1>with either angry, happy, or neutral expression. Okay, So what

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<v Speaker 1>they were doing is they were testing to see how

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<v Speaker 1>long it took for people to look away from faces

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<v Speaker 1>with different emotions, and they compared this data with a

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<v Speaker 1>questionnaire that the participants completed that measured how dominant they

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<v Speaker 1>were in social situations. So if you had some of

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<v Speaker 1>the weightlifters here, no doubt they would rate, you know,

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<v Speaker 1>pretty high on social dominance. So the results were that

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<v Speaker 1>people who are more motivated to be dominant were slower

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<v Speaker 1>to look away from angry faces, and then people who

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<v Speaker 1>were motivated to seek rewar gazed at the happy faces longer. So,

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<v Speaker 1>in other words, the assumptions were right here is that

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<v Speaker 1>there is a bit of face or eyes staring in

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<v Speaker 1>terms of dominance and trying to say this is this

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<v Speaker 1>is a space that I'm occupying and I'm dominating right now.

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<v Speaker 1>It's weird because on one level I totally buy that,

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<v Speaker 1>but on the other It's like I think about, like

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<v Speaker 1>being on the train and if someone is like staring

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<v Speaker 1>at me with crazy eyes, I'm going to look away

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<v Speaker 1>because it just doesn't make like why would I. Why

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<v Speaker 1>would I engage that person? Like? Why would I? It's like,

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<v Speaker 1>all right, you're an alpha. It's great that you know

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<v Speaker 1>you're covering your own vomit. But your alpha, So I'm

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<v Speaker 1>gonna let you. But that's the extreme extreme, right, that's

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<v Speaker 1>the crazy eyes. What if someone is just like, what

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<v Speaker 1>if there's another you, Robert who just happens to be

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<v Speaker 1>across from you staring at you? Well, I I would

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<v Speaker 1>not stare back. Probably. I mean, do I know this

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<v Speaker 1>other me? Or do I say, oh, that's me, that's

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<v Speaker 1>my topplicating You don't know you. I don't me. You're

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<v Speaker 1>a stranger, okay, just another person of my general making model. Yes,

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<v Speaker 1>well no, I wouldn't want to really make eye contact

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<v Speaker 1>with him. Why would I do that? Okay, So I

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<v Speaker 1>can't believe I'm admitting this. But there's a seven year

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<v Speaker 1>old in my neighborhood. He was kind of a toughie,

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<v Speaker 1>and he's always kind of saying like awful things to people.

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<v Speaker 1>And I mean he's seven, right, so you don't take

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<v Speaker 1>him that seriously. But I have to say that I

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<v Speaker 1>was backing out of my driveway not too long ago.

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<v Speaker 1>Then he was. He was like trash talking, and I

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<v Speaker 1>knew he was trashing for backing out of your driveway.

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<v Speaker 1>I don't know this kid, I'm telling you anyway, So

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<v Speaker 1>I backed at the car and then you know, I

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<v Speaker 1>was parallel with him. He's on his bike, and I

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<v Speaker 1>sat there and I stared. I did the stair thing,

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<v Speaker 1>and I didn't even know at the time that that

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<v Speaker 1>was what I was doing. But I wasn't going to

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<v Speaker 1>roll down the window. So young man, don't trash talk, right,

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<v Speaker 1>But you know, I just sat there and gave him

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<v Speaker 1>the what I now understand was the dominant stare huh.

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<v Speaker 1>And we sat there and it was finally him who

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<v Speaker 1>broke it. But that was my way of saying, step off, kid,

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<v Speaker 1>I'm just trying to get to work. See now, I

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<v Speaker 1>find that if i'm if I'm at the train and

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<v Speaker 1>there's somebody like that, not a seven year old kid

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<v Speaker 1>that's threatening me. Yeah. And by the way, I know

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<v Speaker 1>how lame it is to do a stare off with

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<v Speaker 1>a seven year old. I get it. But now you

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<v Speaker 1>had to put your foot down. I think you did

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<v Speaker 1>the right thing here. But but I find that there's

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<v Speaker 1>someone that's being a little starry or being a little

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<v Speaker 1>kind of like, you know, tough guy in the train.

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<v Speaker 1>Like my gut instinct, if I'm thinking about it, if

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<v Speaker 1>I'm engaging in it and letting my ego engage in

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<v Speaker 1>in this kind of thing, which is probably a bad

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<v Speaker 1>idea to begin with, my response will be to not

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<v Speaker 1>acknowledge them at all, to sort of like stare straight

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<v Speaker 1>past them or through them. Um so is it so?

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<v Speaker 1>In my own mind, I'm thinking, I'm not engaging with you,

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<v Speaker 1>so you can't possibly be the alpha in this situation

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<v Speaker 1>because I can't even see you. You're so non alpha.

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<v Speaker 1>I like that. I like that. It's like, there's nound

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<v Speaker 1>really stupid. When I actually take it out into language,

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<v Speaker 1>it makes sense. I mean, it's all pretty stupid because

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<v Speaker 1>it's like the idea of like dudes on a train

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<v Speaker 1>having to establish a hierarchy of who's tough and who isn't,

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<v Speaker 1>and who lifts and who lifts more. I mean, it's

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<v Speaker 1>it's utterly ridiculous, and and I want and I my

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<v Speaker 1>instinct is to just throw it all out and say

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<v Speaker 1>that it's all just a bunch of molarchy. But I

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<v Speaker 1>do have to acknowledge there's these social dynamics exist. They do,

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<v Speaker 1>and staring is a really big way to try to

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<v Speaker 1>ferret out the emotional states of others anyway, right, because

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<v Speaker 1>if you were on the train you saw crazy eyes,

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<v Speaker 1>you have readed your days because you knew that was

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<v Speaker 1>no good. You're not gonna lock eyes. That's not good

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<v Speaker 1>news for you. They're going to think I want to

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<v Speaker 1>talk exactly, and you don't want to talk um. In

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<v Speaker 1>the article why we stare even when we don't want

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<v Speaker 1>to buy Dan Muslaf writing for Wired, she says that

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<v Speaker 1>humans are highly social animals, and rather than remaining among

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<v Speaker 1>our family or heard from birth to death, we venture

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<v Speaker 1>out and we have to do this in a safe way.

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<v Speaker 1>So we have evolved a rough screening process with this stare.

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<v Speaker 1>And she says that you know you're sweeping. Stare is

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<v Speaker 1>giving you all sorts of data that gets processed in

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<v Speaker 1>your magdala. Now, this is the area of the burning

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<v Speaker 1>that is associated with emotions and judgment, and so that's

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<v Speaker 1>how you deem if a person is safe or if

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<v Speaker 1>they're dodgy, and you've got that split second reassembly of

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<v Speaker 1>their face. By the way, while you're doing this um

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<v Speaker 1>in your mind's eye, and when you're reassembling that person's face,

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<v Speaker 1>you're looking for things like does this person look familiar

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<v Speaker 1>to me? Does this person have an emotion of sadness, happiness? Anger? Yeah?

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<v Speaker 1>Do they do? They look like they're a part of

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<v Speaker 1>my group? They look like that they are merely out

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<v Speaker 1>in my group now because they're lost. Do they look

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<v Speaker 1>like they have some sort of malicious intent? And yeah,

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<v Speaker 1>we do all of this without even really thinking about it. Uh.

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<v Speaker 1>In fact, we we often do this kind of thing

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<v Speaker 1>and then feel bad about it. You know. If you'll

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<v Speaker 1>you'll be like, how, who's that shady guy walking down

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<v Speaker 1>my street? And then a part of you like, no, no, uh,

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<v Speaker 1>he probably has a legitimate reason to be here. He

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<v Speaker 1>might be a missionary or a salesman. Don't jump to conclusions.

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<v Speaker 1>But they're still that part of your brain that instantly

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<v Speaker 1>passes judgment, right, And in the article, it's that that

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<v Speaker 1>whole part of like why we stay even we don't

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<v Speaker 1>want to. We're doing this too again, as you say,

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<v Speaker 1>like fare it out, like is this person here for

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<v Speaker 1>harm or good or what's going on us? Or are Yeah,

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<v Speaker 1>and and they were saying in the article, or Dan

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<v Speaker 1>Muslaf was saying that if the person deviates greatly from

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<v Speaker 1>the norm, for for instance, if the person had a

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<v Speaker 1>face transplant, right, that's probably about as much as you

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<v Speaker 1>can debat it from the norm. Then then your stare

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<v Speaker 1>really gets locked down because now your brain is again

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<v Speaker 1>reassembling the face, trying to make sense of it and

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<v Speaker 1>knowing that it doesn't make sense, so it's trying to

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<v Speaker 1>fill in those gaps, and you're going to stay a

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<v Speaker 1>longer and longer and longer. Yeah, it's I mean, when

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<v Speaker 1>you encounter any level of disfigurement or even just like

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<v Speaker 1>mild not even disfigure but even like mild a symmetry,

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<v Speaker 1>well not even not mild a symmetry, but say, um,

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<v Speaker 1>a symmetry that you haven't seen before, because you certainly

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<v Speaker 1>easily get used to a symmetry in any individual's face

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<v Speaker 1>or like like one eyes looking off a little bit

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<v Speaker 1>to the side, but the first time you encounter it

0:11:06.920 --> 0:11:08.560
<v Speaker 1>can be a little a little off putting. But if

0:11:08.559 --> 0:11:12.280
<v Speaker 1>it's something severe, if you get into that weird space, again,

0:11:12.320 --> 0:11:14.760
<v Speaker 1>where every instinct in your body is to look and

0:11:14.840 --> 0:11:17.760
<v Speaker 1>analyze and forget what's going on. But then you feel

0:11:17.800 --> 0:11:20.199
<v Speaker 1>just increasingly bad about doing it because we've all been

0:11:20.240 --> 0:11:22.640
<v Speaker 1>told from an early age, because in an early age,

0:11:22.640 --> 0:11:25.079
<v Speaker 1>we don't know, and that that's when we do things

0:11:25.120 --> 0:11:28.880
<v Speaker 1>like stare at a diminutively sized individual in a grocery

0:11:28.920 --> 0:11:30.760
<v Speaker 1>store and point at them and ask our mother what

0:11:30.800 --> 0:11:33.719
<v Speaker 1>they are. My sister did that. Um, that's when we

0:11:33.720 --> 0:11:35.599
<v Speaker 1>we don't really understand the social constraints we have to

0:11:35.640 --> 0:11:37.920
<v Speaker 1>work with, and we're told above all else, do not

0:11:38.320 --> 0:11:41.120
<v Speaker 1>point at people who are different, do not stare at

0:11:41.160 --> 0:11:43.760
<v Speaker 1>people who are different. Uh, But we have that strong

0:11:43.800 --> 0:11:46.400
<v Speaker 1>instinct to do so. Right. Largely humans are not meaning jerks.

0:11:46.400 --> 0:11:48.920
<v Speaker 1>They're just trying to figure out the discrepancies. Yeah. Like

0:11:48.960 --> 0:11:51.600
<v Speaker 1>I was in a nursing home once visiting my grandmother

0:11:51.640 --> 0:11:54.560
<v Speaker 1>and there was an individual there that and I was

0:11:54.920 --> 0:11:57.880
<v Speaker 1>again I didn't want to stare, So I don't even

0:11:57.880 --> 0:12:00.240
<v Speaker 1>really have a clear version of their vision of what

0:12:00.280 --> 0:12:02.959
<v Speaker 1>this person looked like in my mind because I didn't

0:12:02.960 --> 0:12:05.480
<v Speaker 1>go back for more details because it felt wrong. But

0:12:05.640 --> 0:12:08.360
<v Speaker 1>I remember their face was like just a black hole.

0:12:09.160 --> 0:12:11.240
<v Speaker 1>And I'm not even sure how that worked kind of

0:12:11.280 --> 0:12:14.640
<v Speaker 1>physical level, but it it was that it was it

0:12:14.679 --> 0:12:16.920
<v Speaker 1>was weird because there was the pole to stare and

0:12:16.920 --> 0:12:19.560
<v Speaker 1>it was a very strong poll uh that that I

0:12:19.600 --> 0:12:21.679
<v Speaker 1>just had to really push it down with all the

0:12:22.200 --> 0:12:24.160
<v Speaker 1>social rules that were in place, and you do you

0:12:24.200 --> 0:12:27.199
<v Speaker 1>have to tell your brain to shut that off, right, um.

0:12:27.400 --> 0:12:29.080
<v Speaker 1>And this is something we do all the time, right,

0:12:29.080 --> 0:12:31.520
<v Speaker 1>because we don't want to make others feel uncomfortable with

0:12:31.559 --> 0:12:34.720
<v Speaker 1>our stairs. Yeah. Well, another aspect of the whole others

0:12:34.760 --> 0:12:37.480
<v Speaker 1>in us safe and risk all. You know, disease factors

0:12:37.480 --> 0:12:39.200
<v Speaker 1>into that as well. Does this person look like they

0:12:39.200 --> 0:12:41.760
<v Speaker 1>are healthy? And if they are not healthy, then how

0:12:41.760 --> 0:12:45.160
<v Speaker 1>does that factor into my acceptance of their um, their

0:12:45.480 --> 0:12:49.040
<v Speaker 1>their presence within the boundaries of my group? Right, there's

0:12:49.040 --> 0:12:52.240
<v Speaker 1>your amygdala at work trying to make all right. So

0:12:52.240 --> 0:12:54.840
<v Speaker 1>we're gonna take a quick break and when we come back,

0:12:55.000 --> 0:12:57.400
<v Speaker 1>we will get into uh, not only the idea of

0:12:57.480 --> 0:13:01.000
<v Speaker 1>us staring at other people, but the thing that individuals

0:13:01.000 --> 0:13:12.240
<v Speaker 1>are staring at us. All right, we are back in

0:13:12.720 --> 0:13:16.400
<v Speaker 1>Robert Lamb. Have you ever had the sense that someone

0:13:16.480 --> 0:13:18.400
<v Speaker 1>was staring at you? He turned around and and lo

0:13:18.559 --> 0:13:21.520
<v Speaker 1>and behold, that person was staring at you. I do

0:13:21.600 --> 0:13:23.840
<v Speaker 1>get the feeling that people are staring at me sometimes,

0:13:23.880 --> 0:13:27.120
<v Speaker 1>but again, since I tend to be more passive, my

0:13:27.280 --> 0:13:30.480
<v Speaker 1>reaction is to not engage them and to continue looking

0:13:30.520 --> 0:13:34.400
<v Speaker 1>at my book or out the window or if I

0:13:34.800 --> 0:13:36.640
<v Speaker 1>but but if I can, then I might try to

0:13:36.720 --> 0:13:39.440
<v Speaker 1>check a reflection to see if I'm being stared at

0:13:39.720 --> 0:13:41.719
<v Speaker 1>to confirm okay. But then there are alway those those

0:13:41.800 --> 0:13:43.600
<v Speaker 1>moments too. What do you look up from whatever you're

0:13:43.640 --> 0:13:46.280
<v Speaker 1>doing and someone's eyes dart away from you, and then

0:13:46.320 --> 0:13:49.600
<v Speaker 1>instantly you you think, oh, they were staring at me. Yeah,

0:13:49.640 --> 0:13:51.439
<v Speaker 1>And I have to say I've felt that way before,

0:13:51.640 --> 0:13:53.560
<v Speaker 1>or like you felt like someone was staring at you

0:13:53.559 --> 0:13:56.440
<v Speaker 1>happened and behold they were. And this is called the

0:13:56.480 --> 0:13:59.800
<v Speaker 1>psychic staring effect. It's that idea that you can really

0:14:00.080 --> 0:14:02.360
<v Speaker 1>sense this, that this might be, you know, another one

0:14:02.400 --> 0:14:06.439
<v Speaker 1>of our senses that we have um or the converse

0:14:06.480 --> 0:14:10.280
<v Speaker 1>of this is that you yourself could stare so intensely

0:14:10.320 --> 0:14:12.360
<v Speaker 1>at someone else that you could cause them to turn

0:14:12.400 --> 0:14:15.240
<v Speaker 1>around and look at you, like a cartoon effect for

0:14:15.280 --> 0:14:17.760
<v Speaker 1>the eyeballs, like come out of the head um and

0:14:17.840 --> 0:14:21.720
<v Speaker 1>elongate and actually hit something that they're looking at. Yes, yeah, yeah,

0:14:21.840 --> 0:14:25.160
<v Speaker 1>and it happens all the time, right yeah. Yeah. Um. Now,

0:14:25.200 --> 0:14:29.720
<v Speaker 1>according to skeptic Um, the first scientific studies of what

0:14:29.920 --> 0:14:35.400
<v Speaker 1>is called PSC were reported in by British psychologist Edward B. Titchener.

0:14:35.440 --> 0:14:37.240
<v Speaker 1>He was interested to know if this was a thing,

0:14:37.480 --> 0:14:40.360
<v Speaker 1>because it feels real when when you're experiencing it, it

0:14:40.680 --> 0:14:44.000
<v Speaker 1>feels like you're actually sensing someone stairs. Yeah. But now,

0:14:44.320 --> 0:14:49.080
<v Speaker 1>all of the studies he did, they were all negative. So, um,

0:14:49.200 --> 0:14:51.520
<v Speaker 1>we don't know how many subjects were involved or how

0:14:51.720 --> 0:14:54.440
<v Speaker 1>actually the studies were conducted, but we do know that

0:14:54.560 --> 0:14:57.960
<v Speaker 1>his findings at least were negative. But along comes someone

0:14:58.000 --> 0:15:03.040
<v Speaker 1>called Rupert Sheldrick, and he's done several informal and formal

0:15:03.080 --> 0:15:09.640
<v Speaker 1>studies that show that PSC is real ish. Um, you

0:15:09.680 --> 0:15:12.240
<v Speaker 1>know his studies would bear that out. Now, others who

0:15:12.320 --> 0:15:16.920
<v Speaker 1>have tried to replicate the studies get negative results. Um.

0:15:16.960 --> 0:15:19.040
<v Speaker 1>And when they replicate his studies, by the way, they're

0:15:19.080 --> 0:15:22.840
<v Speaker 1>they're using random process and other strict controls that he

0:15:22.920 --> 0:15:26.160
<v Speaker 1>has been criticized for not using. Well that's a red

0:15:26.160 --> 0:15:29.240
<v Speaker 1>flag right there, right, So yeah, it's always a red

0:15:29.240 --> 0:15:31.520
<v Speaker 1>flag if you can't replicate the results over and over

0:15:31.680 --> 0:15:35.280
<v Speaker 1>and right. Um, So I would say, at best, the

0:15:35.360 --> 0:15:38.480
<v Speaker 1>jury is still out. At worst, it does seem like

0:15:38.480 --> 0:15:41.600
<v Speaker 1>this is something that is it's not a thing with

0:15:41.640 --> 0:15:45.800
<v Speaker 1>a capital ty. Yeah, it's researching the material. I really

0:15:45.840 --> 0:15:48.320
<v Speaker 1>had to fall into the suspicion that it is not

0:15:48.440 --> 0:15:52.400
<v Speaker 1>a thing, that it's merely um, a combination of two things. Really.

0:15:52.920 --> 0:15:56.120
<v Speaker 1>First of all, it's it's about superstition and uh. And

0:15:56.160 --> 0:15:58.320
<v Speaker 1>then the other side of it is that, of course

0:15:58.560 --> 0:16:01.960
<v Speaker 1>it is a it's a false positive. Okay. This goes

0:16:01.960 --> 0:16:04.480
<v Speaker 1>into the whole idea of error management theory, which we've

0:16:04.480 --> 0:16:07.720
<v Speaker 1>we've touched on before in discussing belief in the supernatural,

0:16:07.760 --> 0:16:11.520
<v Speaker 1>belief in lucky charms, uh, various things that are not real.

0:16:11.840 --> 0:16:14.440
<v Speaker 1>So when it comes to cognition, we have two types

0:16:14.480 --> 0:16:18.640
<v Speaker 1>of errors cognition and dealing with situations of uncertainty. You

0:16:18.640 --> 0:16:21.320
<v Speaker 1>can make a type one era, a false positive, in

0:16:21.400 --> 0:16:24.440
<v Speaker 1>which we decide that a risk or benefit exists when

0:16:24.440 --> 0:16:27.000
<v Speaker 1>it does not. Okay. So we make a type one

0:16:27.080 --> 0:16:29.200
<v Speaker 1>error when we think that there's a savor tooth tiger

0:16:30.080 --> 0:16:33.560
<v Speaker 1>behind us and then they're not there. Okay. Then there's

0:16:33.560 --> 0:16:36.680
<v Speaker 1>a type two error, a false negative, and this entails

0:16:36.840 --> 0:16:39.400
<v Speaker 1>failing to notice a risk or benefit that exists. So

0:16:39.440 --> 0:16:41.680
<v Speaker 1>this is when we think there might be a savor

0:16:41.720 --> 0:16:43.840
<v Speaker 1>tooth tiger, but we don't act on it, and then

0:16:43.840 --> 0:16:45.760
<v Speaker 1>we're eating, so we made a We're like, oh, I

0:16:45.800 --> 0:16:48.040
<v Speaker 1>don't think there's anything there, and then we're consumed. So

0:16:48.080 --> 0:16:50.440
<v Speaker 1>it's better to think that there might be that savoth.

0:16:51.280 --> 0:16:54.160
<v Speaker 1>You can argue the nature selects for those who jump

0:16:54.240 --> 0:16:58.080
<v Speaker 1>to conclusions, because if I react every time like there's

0:16:58.080 --> 0:17:00.600
<v Speaker 1>a savor tooth tiger tiger, then it more likely that

0:17:00.680 --> 0:17:03.600
<v Speaker 1>I will react correctly when the savory tooth tiger actually

0:17:03.640 --> 0:17:06.920
<v Speaker 1>comes for me. And likewise, if I always assume there's

0:17:06.920 --> 0:17:08.639
<v Speaker 1>no savor tooth tiger on the other side of the

0:17:08.720 --> 0:17:12.359
<v Speaker 1>high grasses, then I have increased odds of winding up

0:17:12.359 --> 0:17:15.240
<v Speaker 1>in a savor tooths belly. Okay, So that falls in

0:17:15.320 --> 0:17:18.680
<v Speaker 1>line perfectly with a study in Current Biology by the

0:17:18.760 --> 0:17:22.399
<v Speaker 1>University of Sydney called humans have an expectation that gaze

0:17:22.480 --> 0:17:24.960
<v Speaker 1>is directed for them. I think the title because if

0:17:25.000 --> 0:17:29.520
<v Speaker 1>someone's looking at me, they might have some some ill intentions.

0:17:29.800 --> 0:17:32.840
<v Speaker 1>So it's the same thing. Yeah, So the idea is

0:17:32.880 --> 0:17:35.360
<v Speaker 1>that we always think that people are staring at us,

0:17:35.600 --> 0:17:38.040
<v Speaker 1>so or we always expect that they are. So if

0:17:38.080 --> 0:17:40.400
<v Speaker 1>you feel like there's a sense like, oh, someone's staring

0:17:40.440 --> 0:17:43.640
<v Speaker 1>at me right now, you may look around quickly and

0:17:43.720 --> 0:17:46.359
<v Speaker 1>just assume that person is staring at you. So the

0:17:46.400 --> 0:17:49.760
<v Speaker 1>researchers say that this is largely protective, as you say,

0:17:49.880 --> 0:17:53.919
<v Speaker 1>and that many primates, a direct gaze is threatening or aggressive,

0:17:54.600 --> 0:17:57.240
<v Speaker 1>and you'd want to make sure that you didn't miss this, right,

0:17:57.280 --> 0:17:59.560
<v Speaker 1>you'd want to know if someone was trying to threaten you.

0:17:59.760 --> 0:18:02.679
<v Speaker 1>So what they did, of course, is they took some

0:18:02.760 --> 0:18:06.760
<v Speaker 1>participants with computer generated faces in front of them, and

0:18:06.800 --> 0:18:09.480
<v Speaker 1>then they made it difficult for the observer for the

0:18:09.480 --> 0:18:13.040
<v Speaker 1>participants by obscuring the direction of the gaze by rotating

0:18:13.040 --> 0:18:16.600
<v Speaker 1>the heads slightly from previous positions, and they asked the

0:18:16.600 --> 0:18:22.359
<v Speaker 1>participants to judge the relative gaze directions. Overwhelmingly, uh, when

0:18:23.119 --> 0:18:26.000
<v Speaker 1>they were in these uncertain positions, people will more likely

0:18:26.040 --> 0:18:30.280
<v Speaker 1>to judge that even this computer generated face was staring

0:18:30.359 --> 0:18:34.560
<v Speaker 1>directly at them. So, you know, just a tiniest little

0:18:34.600 --> 0:18:39.000
<v Speaker 1>bit of the gaze change, they think, oh, it's still

0:18:39.040 --> 0:18:41.760
<v Speaker 1>looking at me, even when it wasn't. So that's why

0:18:41.760 --> 0:18:44.680
<v Speaker 1>the researchers say this is something that perhaps we're just

0:18:44.760 --> 0:18:48.080
<v Speaker 1>hardwired to believe that people are staring at us. So

0:18:48.200 --> 0:18:50.680
<v Speaker 1>if you I'm sure you've seen this in the notice

0:18:50.680 --> 0:18:53.639
<v Speaker 1>this in the train before. If someone is sitting across

0:18:53.640 --> 0:18:56.760
<v Speaker 1>from you with sunglasses on, don't you for a while think,

0:18:57.160 --> 0:18:59.280
<v Speaker 1>I know you're staring at me, staring at me? What

0:18:59.320 --> 0:19:02.400
<v Speaker 1>are you thinking? Are are And then you realize suddenly, okay,

0:19:02.400 --> 0:19:04.400
<v Speaker 1>they have sunglasses on. They could be asleep right now.

0:19:04.760 --> 0:19:07.120
<v Speaker 1>It's true. Yeah, but I but I often find myself

0:19:07.480 --> 0:19:09.320
<v Speaker 1>in the past. I don't really wear sunglasses much in

0:19:09.359 --> 0:19:11.600
<v Speaker 1>the train anymore, but I have worn sunglasses on the

0:19:11.640 --> 0:19:15.080
<v Speaker 1>train and have thought to myself, I have free reign.

0:19:15.119 --> 0:19:17.679
<v Speaker 1>I can stare at whoever and wherever I want to.

0:19:17.840 --> 0:19:19.880
<v Speaker 1>And so I'll stare at this person or I'll stare

0:19:19.880 --> 0:19:23.159
<v Speaker 1>at that person. You know. Um, so I I know

0:19:23.200 --> 0:19:24.919
<v Speaker 1>if I'm doing it, other people are doing it. So

0:19:25.640 --> 0:19:27.560
<v Speaker 1>it's just the wild West open there. But isn't it

0:19:27.600 --> 0:19:29.760
<v Speaker 1>just because you don't have that data, your mind goes

0:19:29.800 --> 0:19:32.359
<v Speaker 1>a little bit crazy and you just assume that again,

0:19:32.400 --> 0:19:34.280
<v Speaker 1>I'm going to make that U I'm gonna make that

0:19:34.320 --> 0:19:36.880
<v Speaker 1>type one error. I'm just gonna assume that they're looking

0:19:36.880 --> 0:19:39.120
<v Speaker 1>at me and then take either the you know, take

0:19:39.160 --> 0:19:41.239
<v Speaker 1>it either as a compliment or a threat. There you go.

0:19:41.720 --> 0:19:44.040
<v Speaker 1>So the next stage of this research is to try

0:19:44.040 --> 0:19:47.800
<v Speaker 1>to figure out if this bias, this cognitive cognitive bias

0:19:47.800 --> 0:19:51.719
<v Speaker 1>really is learned orientate and what it might tell us

0:19:51.720 --> 0:19:55.400
<v Speaker 1>about other mental conditions, because it's shown that people who

0:19:55.440 --> 0:19:58.720
<v Speaker 1>have autism are less able to tell whether someone is

0:19:58.720 --> 0:20:00.760
<v Speaker 1>actually looking at them or is there ring at them,

0:20:00.840 --> 0:20:03.160
<v Speaker 1>and then people with social anxiety, on the other hand,

0:20:03.200 --> 0:20:05.200
<v Speaker 1>have a higher tendency to think that they are under

0:20:05.240 --> 0:20:10.040
<v Speaker 1>the stare of others more often. So it's interesting bit

0:20:10.080 --> 0:20:12.280
<v Speaker 1>of research there see what they tease out on them.

0:20:12.440 --> 0:20:13.760
<v Speaker 1>Cool and like I said, I feel like it has

0:20:13.840 --> 0:20:16.879
<v Speaker 1>a direct correlation with a lot of the research that

0:20:16.920 --> 0:20:19.280
<v Speaker 1>we've looked at in the past about superstitious beliefs in

0:20:19.320 --> 0:20:22.760
<v Speaker 1>the idea that a lucky charm works, et cetera. Right,

0:20:22.800 --> 0:20:24.879
<v Speaker 1>we do it because it makes sense for us to

0:20:25.080 --> 0:20:29.560
<v Speaker 1>go ahead and believe that this is the case. Now,

0:20:29.800 --> 0:20:33.920
<v Speaker 1>we've talked a lot about staring and faces. Uh, people

0:20:33.920 --> 0:20:36.080
<v Speaker 1>are are looking at my face, I'm looking at other

0:20:36.080 --> 0:20:39.920
<v Speaker 1>people's faces. But there's another type of staring that goes goes,

0:20:40.080 --> 0:20:43.120
<v Speaker 1>goes around, and that of course is staring at body. Parts. Yeah,

0:20:43.160 --> 0:20:46.040
<v Speaker 1>and this is where we get into objectification. Right, You're

0:20:46.119 --> 0:20:50.160
<v Speaker 1>not just staring at someone, You're staring at some aspect

0:20:50.160 --> 0:20:52.879
<v Speaker 1>of that person. We have mentioned this study before, but

0:20:53.000 --> 0:20:56.320
<v Speaker 1>Sarah your face, she's an assistant professor and lead author

0:20:56.320 --> 0:20:59.919
<v Speaker 1>of the study Seeing Women as Objects said, we introduced

0:21:00.040 --> 0:21:03.919
<v Speaker 1>and tested the sexual body part recognition bias hypothesis that

0:21:04.000 --> 0:21:08.120
<v Speaker 1>women versus men's bodies would be reduced to their sexual

0:21:08.240 --> 0:21:11.480
<v Speaker 1>body parts in the minds of perceivers. And this is

0:21:11.520 --> 0:21:15.000
<v Speaker 1>called global processing of data data rather than locals. So

0:21:15.040 --> 0:21:17.840
<v Speaker 1>in other words, what they did is they they took

0:21:18.000 --> 0:21:20.719
<v Speaker 1>images of clothes men and women, and they put them

0:21:20.760 --> 0:21:23.640
<v Speaker 1>in front of two hundred and twenty seven people, equally

0:21:23.760 --> 0:21:26.760
<v Speaker 1>men and women, and they were shown a sequence of

0:21:26.760 --> 0:21:29.760
<v Speaker 1>images before two images settled on their screen. One was

0:21:29.800 --> 0:21:33.159
<v Speaker 1>of the original image and the other showed the groin area,

0:21:33.880 --> 0:21:36.560
<v Speaker 1>the groin age, if the groinage, and men and women

0:21:36.560 --> 0:21:39.680
<v Speaker 1>were more likely to recognize body parts when shown images

0:21:39.720 --> 0:21:42.919
<v Speaker 1>of women. Okay, again, this is that that global and

0:21:42.960 --> 0:21:46.040
<v Speaker 1>then both were more likely to recognize the whole image

0:21:46.080 --> 0:21:49.080
<v Speaker 1>when shown pictures of men. What does this say? It

0:21:49.119 --> 0:21:52.959
<v Speaker 1>so that we look at men as complete people, whereas

0:21:53.160 --> 0:21:56.040
<v Speaker 1>women we look at them in just parts and men

0:21:56.119 --> 0:22:00.159
<v Speaker 1>and women. So we use global processing with men and

0:22:00.200 --> 0:22:03.760
<v Speaker 1>we use a local processing with women, Okay, and then

0:22:03.800 --> 0:22:06.480
<v Speaker 1>not to say that we cannot look at women with

0:22:06.520 --> 0:22:09.160
<v Speaker 1>global processing. And in fact, I would challenge anyone out

0:22:09.280 --> 0:22:11.359
<v Speaker 1>I mean, especially the men out there, that if you

0:22:11.400 --> 0:22:14.920
<v Speaker 1>find yourself using local processing, uh, you know, just sort

0:22:14.920 --> 0:22:17.080
<v Speaker 1>of without thinking about it, like oh, I'm looking at

0:22:17.119 --> 0:22:20.199
<v Speaker 1>that person's but like it at least, like turn on

0:22:20.320 --> 0:22:22.480
<v Speaker 1>global processing for a minute and think, oh, I wonder

0:22:22.560 --> 0:22:25.560
<v Speaker 1>what his or her hopes and dreams are. Well, what

0:22:25.600 --> 0:22:27.360
<v Speaker 1>I think is interesting about that is that both men

0:22:27.400 --> 0:22:30.240
<v Speaker 1>and women women do it. So if I'm on the

0:22:30.240 --> 0:22:33.720
<v Speaker 1>train and another woman comes on, if I'm not conscious

0:22:33.760 --> 0:22:36.520
<v Speaker 1>of it, most likely I'm maybe looking at this person

0:22:36.560 --> 0:22:38.760
<v Speaker 1>in parts as well and not thinking like what's she

0:22:38.800 --> 0:22:40.680
<v Speaker 1>going to have for dinner tonight, but more like, look

0:22:40.720 --> 0:22:44.560
<v Speaker 1>at those elbows. Those are some sharp elbows. I bet

0:22:44.560 --> 0:22:47.920
<v Speaker 1>they could really deliver a lot of paint. Um, yes,

0:22:48.000 --> 0:22:52.280
<v Speaker 1>something like that. But it made me think about Marina Uppermomitch. Okay,

0:22:52.320 --> 0:22:57.440
<v Speaker 1>So she is a performance artists. We've talked about her before, fascinating.

0:22:57.800 --> 0:23:00.159
<v Speaker 1>She has an exhibit, or had an exhibit called the

0:23:00.240 --> 0:23:02.399
<v Speaker 1>Artist is Present, and it was a retrospective of her

0:23:02.440 --> 0:23:04.400
<v Speaker 1>work over the past forty years, and she has done

0:23:04.480 --> 0:23:08.040
<v Speaker 1>a lot with objectification. In fact, in one of her

0:23:08.080 --> 0:23:11.119
<v Speaker 1>performance pieces, I believe, she was naked and she had

0:23:11.119 --> 0:23:13.760
<v Speaker 1>a bunch of objects around her. It was like a feather,

0:23:13.920 --> 0:23:16.800
<v Speaker 1>and then there was also a gun. Was it loaded,

0:23:16.840 --> 0:23:18.720
<v Speaker 1>I can't even remember that detail. I can't remember if

0:23:18.720 --> 0:23:20.320
<v Speaker 1>it was loaded either, But there was a knife, There

0:23:20.359 --> 0:23:23.399
<v Speaker 1>was all sorts of things. There was a flower, and

0:23:23.680 --> 0:23:28.880
<v Speaker 1>she allowed the audience to choose what they might do

0:23:28.960 --> 0:23:31.560
<v Speaker 1>with those objects, and she said it was awful that

0:23:31.560 --> 0:23:34.720
<v Speaker 1>that overwhelmingly after a period of time passed and one

0:23:34.760 --> 0:23:37.879
<v Speaker 1>person did something that was sort of out of the

0:23:37.960 --> 0:23:41.240
<v Speaker 1>norm with one of those objects, other people felt normalized

0:23:41.280 --> 0:23:43.639
<v Speaker 1>by it. And she had, you know, knives held up

0:23:43.680 --> 0:23:45.960
<v Speaker 1>to her. She did have one person wielding the gun,

0:23:46.240 --> 0:23:49.480
<v Speaker 1>and um, so it was really an exploration of like

0:23:49.600 --> 0:23:52.720
<v Speaker 1>how easy it is to objectify someone, particularly a woman.

0:23:53.560 --> 0:23:56.960
<v Speaker 1>So this, uh, this exhibit that she had The Artist

0:23:57.040 --> 0:24:02.240
<v Speaker 1>is Present is really sort of away the opposite of that,

0:24:02.359 --> 0:24:06.359
<v Speaker 1>a way to sort of take that objectification turn it

0:24:06.400 --> 0:24:09.960
<v Speaker 1>around on its head. And she would sit across from

0:24:10.040 --> 0:24:13.960
<v Speaker 1>someone at a table and that and that way, the

0:24:14.000 --> 0:24:17.159
<v Speaker 1>audience member was just one person just sitting across from her,

0:24:17.200 --> 0:24:19.040
<v Speaker 1>and she would stare at them for ten minutes and

0:24:19.080 --> 0:24:22.200
<v Speaker 1>they at her. And that way, they had to look

0:24:22.200 --> 0:24:24.640
<v Speaker 1>at her fully as a human being, and she had

0:24:24.680 --> 0:24:26.639
<v Speaker 1>to look at them fully as a human thing. And

0:24:26.680 --> 0:24:28.760
<v Speaker 1>what's it's you know, it seems pretty like, okay, well,

0:24:29.000 --> 0:24:30.919
<v Speaker 1>what are you talking about? Why is that? Are just

0:24:31.000 --> 0:24:33.840
<v Speaker 1>two people sitting across from each other. But it turns

0:24:33.880 --> 0:24:37.000
<v Speaker 1>out this is a really powerful experience because, as we

0:24:37.119 --> 0:24:41.240
<v Speaker 1>discussed in our podcast on performance art, you very seldom

0:24:41.280 --> 0:24:43.080
<v Speaker 1>sit across from someone and look in their eyes for

0:24:43.160 --> 0:24:46.560
<v Speaker 1>ten minutes straight, even your loved ones. And so people

0:24:46.720 --> 0:24:50.520
<v Speaker 1>just started crying and felt overwhelming and like they were

0:24:50.560 --> 0:24:53.639
<v Speaker 1>just in love with her. That was some of the things, uh,

0:24:53.800 --> 0:24:56.320
<v Speaker 1>some of the things that were said that she saw

0:24:56.359 --> 0:24:59.399
<v Speaker 1>them finally as a person um and here she is

0:24:59.440 --> 0:25:01.520
<v Speaker 1>a stranger to them, you know. And again, that's one

0:25:01.520 --> 0:25:03.680
<v Speaker 1>of the things that makes podcasting so weird, because we're

0:25:03.680 --> 0:25:06.080
<v Speaker 1>in here for like an hour and there's an absurd

0:25:06.119 --> 0:25:09.480
<v Speaker 1>amount of eye contact going on. Yeah, but I mean

0:25:09.560 --> 0:25:11.280
<v Speaker 1>for ten minutes, you and I don't just sit there

0:25:11.280 --> 0:25:14.080
<v Speaker 1>and stare at each other. Well that would be that

0:25:14.080 --> 0:25:16.400
<v Speaker 1>would be weird and arguably it would be a real

0:25:16.400 --> 0:25:19.200
<v Speaker 1>pain to listen to. Well, what I think is interesting

0:25:19.200 --> 0:25:22.440
<v Speaker 1>about what Abramovich was doing is that And I don't

0:25:22.440 --> 0:25:25.560
<v Speaker 1>know if she was aware that she was gaming people

0:25:25.760 --> 0:25:29.760
<v Speaker 1>in a way, but um, she was sort of manipulating

0:25:29.760 --> 0:25:33.160
<v Speaker 1>their feelings. And she did have an accomplice come behind

0:25:33.160 --> 0:25:36.520
<v Speaker 1>and take their wallet about five minutes. Then there was

0:25:37.000 --> 0:25:39.200
<v Speaker 1>they funded the whole thing. Well, you know, I gotta

0:25:39.200 --> 0:25:42.679
<v Speaker 1>get creative in the arts, uh. And Jake Kellerman's paper

0:25:42.960 --> 0:25:45.479
<v Speaker 1>Looking and Loving the Effects of Mutual Gaze on Feelings

0:25:45.480 --> 0:25:50.600
<v Speaker 1>of Romantic love, researchers took seventy two unacquainted undergraduate students,

0:25:50.800 --> 0:25:53.840
<v Speaker 1>split them into male female parents, and then they studied

0:25:53.880 --> 0:25:56.720
<v Speaker 1>the effects that two minutes, just two minutes of uninterrupted

0:25:56.800 --> 0:25:59.840
<v Speaker 1>mutual eye contact had on their feelings toward one another.

0:26:00.280 --> 0:26:02.600
<v Speaker 1>And they found that if the two strangers gazed into

0:26:02.640 --> 0:26:05.040
<v Speaker 1>each other's eyes for those two minutes, they later reported

0:26:05.040 --> 0:26:09.199
<v Speaker 1>that they had increased feelings of affection or even passionate

0:26:09.280 --> 0:26:14.080
<v Speaker 1>love towards that person. Now they did this, um and

0:26:14.119 --> 0:26:16.480
<v Speaker 1>in other ways where they weren't asked to actually like

0:26:16.560 --> 0:26:19.080
<v Speaker 1>actively steer into each other's eyes, but just be with

0:26:19.080 --> 0:26:21.520
<v Speaker 1>each other for two minutes. They were free to look

0:26:21.560 --> 0:26:23.600
<v Speaker 1>at the person's hands or so on and so forth.

0:26:23.920 --> 0:26:26.640
<v Speaker 1>And in that case they did not report those feelings.

0:26:27.119 --> 0:26:30.960
<v Speaker 1>But there's something about connecting staring into the eyes for

0:26:31.160 --> 0:26:35.200
<v Speaker 1>that long, uninterrupted that causes those feelings. And so I

0:26:35.240 --> 0:26:39.080
<v Speaker 1>wasn't too shocked when, um, when I began to think

0:26:39.080 --> 0:26:43.200
<v Speaker 1>about some of the things that popped up from Abrabois performance,

0:26:43.240 --> 0:26:46.159
<v Speaker 1>like there's a website called Marina made Me Cry or

0:26:46.240 --> 0:26:51.000
<v Speaker 1>Marina Abraboma which made me cry, um, Because that's the

0:26:51.000 --> 0:26:53.040
<v Speaker 1>the sort of deep held feelings that are in there

0:26:53.040 --> 0:26:55.120
<v Speaker 1>that when you connect with a person on that level

0:26:55.320 --> 0:26:58.359
<v Speaker 1>that come out. It reminds me to the study of

0:26:58.920 --> 0:27:02.320
<v Speaker 1>the two documentary to excellent documentary films, um Baraka and

0:27:02.359 --> 0:27:05.600
<v Speaker 1>Sam Sara, but by the same filmmakers. Have you seen

0:27:05.600 --> 0:27:08.440
<v Speaker 1>either of those? I assume you've seen you have seen,

0:27:08.960 --> 0:27:10.560
<v Speaker 1>and I've seen Baraca, but that was a long time ago,

0:27:10.600 --> 0:27:14.000
<v Speaker 1>and I wasn't so about it, and and then you

0:27:14.040 --> 0:27:18.439
<v Speaker 1>were terribly mortified by that. Well, Um, as you'll remember

0:27:18.480 --> 0:27:19.879
<v Speaker 1>in both of these films, and this is not a

0:27:19.920 --> 0:27:22.560
<v Speaker 1>technique that's limited just to Sam Sara and Baraca. But

0:27:22.600 --> 0:27:24.639
<v Speaker 1>they'll have these scenes where they'll be an individual from

0:27:24.640 --> 0:27:28.560
<v Speaker 1>a different culture and they'll just be standing there, uh,

0:27:28.920 --> 0:27:32.640
<v Speaker 1>filmed staring at you. So in a sense, you're you're

0:27:32.800 --> 0:27:35.399
<v Speaker 1>forced to make eye contact with this individual and connect

0:27:35.440 --> 0:27:38.639
<v Speaker 1>with this this uh, this subject of this uh, this

0:27:38.760 --> 0:27:42.120
<v Speaker 1>portrait not only as a subject, isn't as an object,

0:27:42.119 --> 0:27:46.359
<v Speaker 1>but as a person. And it it's really emotionally evocative,

0:27:46.840 --> 0:27:49.760
<v Speaker 1>right again, because now you're you're considering them as the whole. Yeah,

0:27:49.840 --> 0:27:52.680
<v Speaker 1>because you're you're you're watching them breathe and you're you're

0:27:52.880 --> 0:27:59.640
<v Speaker 1>you're staring into their eyes. I'm saying you exist, I exist. Yeah,

0:27:59.680 --> 0:28:01.359
<v Speaker 1>And then someone next to you in the theater says,

0:28:02.080 --> 0:28:06.280
<v Speaker 1>cut it out. Quit talking to the screen, Quit telling

0:28:06.320 --> 0:28:08.600
<v Speaker 1>the screen it exists. We're trying to watch a movie here.

0:28:08.960 --> 0:28:12.080
<v Speaker 1>But going back to the old staring contest, and I

0:28:12.119 --> 0:28:14.640
<v Speaker 1>wasn't really prepared for the staring contest. I'm not trying

0:28:14.680 --> 0:28:16.119
<v Speaker 1>to get out of losing it, but I've kind of

0:28:16.160 --> 0:28:18.600
<v Speaker 1>forgot what the rules were, because apparently the rule is

0:28:18.840 --> 0:28:21.879
<v Speaker 1>not that you lose by looking away, but you lose

0:28:21.920 --> 0:28:26.000
<v Speaker 1>by blinking alone, which seems kind of silly. Yeah, but

0:28:26.080 --> 0:28:29.199
<v Speaker 1>that's the dominance factor, right, like, I will not blink

0:28:29.359 --> 0:28:33.359
<v Speaker 1>and and I will be so intense and aggressive that

0:28:33.440 --> 0:28:35.600
<v Speaker 1>I will win this. I totally I need to have

0:28:35.640 --> 0:28:38.040
<v Speaker 1>a rematch with my brother, clearly, maybe you can do

0:28:38.040 --> 0:28:40.400
<v Speaker 1>it over Skype or something. Yeah, I think we're going

0:28:40.440 --> 0:28:45.360
<v Speaker 1>to FaceTime maybe. Um. So, of course, blinking, though, is inevitable,

0:28:45.400 --> 0:28:48.040
<v Speaker 1>and we do it something like fifteen to twenty times

0:28:48.080 --> 0:28:50.800
<v Speaker 1>a minute. Well, we have to lubricates the cornea, and

0:28:50.800 --> 0:28:53.200
<v Speaker 1>if you're not blinking enough, it's it's not good for

0:28:53.240 --> 0:28:56.480
<v Speaker 1>the eye, right, and it's dislodging little bits of dirt

0:28:56.520 --> 0:28:58.800
<v Speaker 1>and dust that get in there. But this is a

0:28:58.840 --> 0:29:02.680
<v Speaker 1>really interesting revelation that has recently come out in paper

0:29:02.720 --> 0:29:05.400
<v Speaker 1>published in the Proceedings of the National Academy of Sciences.

0:29:05.920 --> 0:29:09.160
<v Speaker 1>Researchers found that people tend to blink at predictable moments,

0:29:09.360 --> 0:29:12.040
<v Speaker 1>and they blink a lot more than they need to.

0:29:12.640 --> 0:29:15.880
<v Speaker 1>So you don't need to blink fifteen to twenty times

0:29:15.960 --> 0:29:19.000
<v Speaker 1>a minute just to lubricate your eyeball or dislodge something.

0:29:19.400 --> 0:29:22.240
<v Speaker 1>So you've got these predictable moments that you blink at.

0:29:22.640 --> 0:29:24.400
<v Speaker 1>So if you're reading, you tend to blink at the

0:29:24.520 --> 0:29:27.200
<v Speaker 1>end of each sentence. If you're listening to someone speak,

0:29:27.240 --> 0:29:30.640
<v Speaker 1>you may blink when the speaker pauses between statements. And

0:29:30.840 --> 0:29:33.240
<v Speaker 1>if a group of people are all watching the same video,

0:29:33.880 --> 0:29:36.840
<v Speaker 1>everyone tends to blink at the same time when the

0:29:36.880 --> 0:29:40.400
<v Speaker 1>action briefly lags. I was trying to remain conscious of

0:29:40.400 --> 0:29:41.920
<v Speaker 1>my blinking just now, and I did find that I

0:29:41.920 --> 0:29:45.200
<v Speaker 1>would blink whenever you would have a stop in the sentence.

0:29:45.960 --> 0:29:48.480
<v Speaker 1>I know. Actually I wish that we had had given

0:29:48.520 --> 0:29:50.480
<v Speaker 1>everybody a tip off before I read that to see

0:29:50.720 --> 0:29:52.800
<v Speaker 1>if they were doing the same thing. But maybe you

0:29:52.840 --> 0:29:55.440
<v Speaker 1>guys out there are being aware of that as well. Well.

0:29:55.480 --> 0:29:57.120
<v Speaker 1>As I say this, think about when you when you

0:29:57.160 --> 0:30:00.240
<v Speaker 1>blink towards Brill and the slivey toads, did Guay and

0:30:00.240 --> 0:30:03.120
<v Speaker 1>Gimble in the way, when did you blink? You know?

0:30:04.000 --> 0:30:10.320
<v Speaker 1>I think it might have matched up. So there's more

0:30:10.360 --> 0:30:12.440
<v Speaker 1>to it, though. This is the really cool thing, and

0:30:12.680 --> 0:30:16.600
<v Speaker 1>it's uh blinking, It turns out is a way that

0:30:16.640 --> 0:30:19.680
<v Speaker 1>we get a quick refresher for our brains. Yeah, and

0:30:19.720 --> 0:30:24.120
<v Speaker 1>since we're resetting the visuals that we're taking in, which

0:30:24.400 --> 0:30:27.160
<v Speaker 1>I find find really interesting. It's it's like I'm looking

0:30:27.160 --> 0:30:30.640
<v Speaker 1>at a painting and then I blink and then maybe

0:30:30.680 --> 0:30:32.040
<v Speaker 1>I'm looking to a new part of the painting and

0:30:32.080 --> 0:30:34.280
<v Speaker 1>I'm seeing it a new Each time we blink, we're

0:30:34.360 --> 0:30:37.160
<v Speaker 1>kind of re establishing the scenario for the brain. In

0:30:37.160 --> 0:30:40.680
<v Speaker 1>a sense, we're kind of updating the the the image

0:30:40.720 --> 0:30:43.640
<v Speaker 1>like a like a security camera that doesn't have a

0:30:43.680 --> 0:30:48.240
<v Speaker 1>constant stream but merely updates every it's refreshing and refocusing.

0:30:48.480 --> 0:30:51.720
<v Speaker 1>And of course someone tested this out to Mommy Nicano

0:30:51.760 --> 0:30:54.720
<v Speaker 1>along with other researchers, scan the brains of ten volunteers

0:30:54.880 --> 0:30:58.400
<v Speaker 1>in an f m R I machine while they watched Okay,

0:30:58.600 --> 0:31:02.800
<v Speaker 1>check this out, Mr Bean. Why Mr Bean, I do

0:31:02.880 --> 0:31:05.680
<v Speaker 1>not know, but they watched the show Mr Bean why

0:31:05.720 --> 0:31:07.440
<v Speaker 1>they were being scanned, And it turns out when the

0:31:07.480 --> 0:31:10.680
<v Speaker 1>volunteers blink, the activity correlated with increased blood flow to

0:31:10.880 --> 0:31:13.560
<v Speaker 1>the default mode network, which we know is the seat

0:31:13.600 --> 0:31:16.800
<v Speaker 1>of midline chatter in our brain, but also is associated

0:31:16.880 --> 0:31:22.320
<v Speaker 1>with a state of rest, or rather wakeful rest. So

0:31:22.480 --> 0:31:26.160
<v Speaker 1>the Mr Bean show also contained momentary blackouts, so those

0:31:26.360 --> 0:31:30.160
<v Speaker 1>were built into the shows and volunteers would see nothing

0:31:30.240 --> 0:31:32.800
<v Speaker 1>in these blackouts actually lasted for the same amount of

0:31:32.880 --> 0:31:36.120
<v Speaker 1>time that a blink does, and what they found is

0:31:36.160 --> 0:31:38.520
<v Speaker 1>that the brain did not respond in the same way,

0:31:39.760 --> 0:31:42.840
<v Speaker 1>and that that area that's were related to the default

0:31:42.880 --> 0:31:46.120
<v Speaker 1>mode network was not activated. And that leads to this

0:31:46.200 --> 0:31:49.400
<v Speaker 1>conclusion that blinking is something that is that's much more

0:31:49.440 --> 0:31:53.640
<v Speaker 1>than just a temporary blackout um that that it is

0:31:53.880 --> 0:31:57.080
<v Speaker 1>serving a purpose to refocus our efforts and our thoughts.

0:31:58.040 --> 0:32:00.480
<v Speaker 1>So in a sense, if we're engaging in some sort

0:32:00.480 --> 0:32:02.760
<v Speaker 1>of like alpha mare stare down and we're not blinking,

0:32:02.800 --> 0:32:04.760
<v Speaker 1>what we're saying is, yeah, I don't need to reset this.

0:32:05.280 --> 0:32:07.080
<v Speaker 1>I see everything I need to see right here. I

0:32:07.120 --> 0:32:09.680
<v Speaker 1>don't need any new information. That's right. That's right, Better

0:32:09.680 --> 0:32:12.440
<v Speaker 1>step off, that's right. I'm the zen master of all

0:32:12.560 --> 0:32:17.239
<v Speaker 1>stimuli coming in right now, going rods, some rods. So

0:32:17.320 --> 0:32:19.920
<v Speaker 1>take that in with you next time you you're on

0:32:20.000 --> 0:32:22.720
<v Speaker 1>the train, you're at the mall, you're pulling out of

0:32:22.760 --> 0:32:26.640
<v Speaker 1>your driveway, and there's somebody that needs a serious stare down. Um,

0:32:26.800 --> 0:32:29.080
<v Speaker 1>now you know a little more about why you feel

0:32:29.120 --> 0:32:32.440
<v Speaker 1>this compulsion to either engage with the staring or to

0:32:33.320 --> 0:32:36.640
<v Speaker 1>run from it, or or indeed why the blinking occurs,

0:32:36.840 --> 0:32:40.080
<v Speaker 1>because you're you're updating the information that is before you,

0:32:40.600 --> 0:32:43.040
<v Speaker 1>and probably that person isn't staring at you, but it's

0:32:43.040 --> 0:32:45.120
<v Speaker 1>good for you to be aware of your surroundings. Right, Yeah,

0:32:45.160 --> 0:32:47.400
<v Speaker 1>calm down a little bit. You're probably not being stared

0:32:47.440 --> 0:32:50.000
<v Speaker 1>at unless you know there is something like stuck to

0:32:50.000 --> 0:32:52.000
<v Speaker 1>the back of your shirt or something, and in case

0:32:52.200 --> 0:32:54.320
<v Speaker 1>in that case, maybe somebody will say something or toilet

0:32:54.320 --> 0:32:56.560
<v Speaker 1>paper trailing down from your pants, But don't worry about that.

0:32:56.560 --> 0:33:01.479
<v Speaker 1>It's just random stuff of life. A little ninnis all right. Well,

0:33:01.520 --> 0:33:04.040
<v Speaker 1>on that note, we're gonna go ahead and um and

0:33:04.160 --> 0:33:07.120
<v Speaker 1>call it a day on this podcast. The robot is

0:33:07.120 --> 0:33:10.720
<v Speaker 1>on vacation, so we hope that he's having a great time.

0:33:11.000 --> 0:33:14.360
<v Speaker 1>Where did you go, Abiza? Yeah? Wow, Well he loves

0:33:14.520 --> 0:33:18.000
<v Speaker 1>he loves the music scene there. He does volleyball, so

0:33:18.080 --> 0:33:21.120
<v Speaker 1>those are his passions, so we hope he's living it up. Um.

0:33:21.160 --> 0:33:23.000
<v Speaker 1>In the meantime, if you wanted to touch base with

0:33:23.080 --> 0:33:27.080
<v Speaker 1>us about staring, about blinking, we would love to hear

0:33:27.120 --> 0:33:30.840
<v Speaker 1>from you. What is your weird social dynamic with individuals

0:33:31.000 --> 0:33:33.560
<v Speaker 1>uh in regard to staring? And what is is there

0:33:33.600 --> 0:33:35.720
<v Speaker 1>any truth to this whole? Like is the world really

0:33:35.720 --> 0:33:37.960
<v Speaker 1>about duds who lift and doos who don't lift? And

0:33:38.000 --> 0:33:39.800
<v Speaker 1>then what is it like? What's it like? As a

0:33:39.840 --> 0:33:42.560
<v Speaker 1>woman to engage in this uh, in this world of staring,

0:33:42.560 --> 0:33:45.560
<v Speaker 1>in this world of justification, and the seeing of individuals

0:33:45.560 --> 0:33:48.160
<v Speaker 1>as uh as a pile of parts rather than a whole.

0:33:48.800 --> 0:33:50.440
<v Speaker 1>All of that's fair game. You can find us in

0:33:50.480 --> 0:33:53.320
<v Speaker 1>the usual places our main homepage, Stuff to Alow your

0:33:53.320 --> 0:33:55.720
<v Speaker 1>Mind dot com, Facebook, and Tumbler where we were Stuff

0:33:55.720 --> 0:33:57.680
<v Speaker 1>to Ablow your Mind, Twitter where we are blow the Mind,

0:33:57.760 --> 0:34:01.080
<v Speaker 1>and YouTube where we are mind stuff. And if you

0:34:01.120 --> 0:34:04.600
<v Speaker 1>are a lifter and you refute my anecdote about this

0:34:04.760 --> 0:34:07.640
<v Speaker 1>aggressive staring into the mirror sent me straight, let me know.

0:34:08.520 --> 0:34:10.560
<v Speaker 1>Let us know your feelings by dropping a line at

0:34:10.640 --> 0:34:17.960
<v Speaker 1>Blood of the Mind at discovery dot com for more

0:34:18.000 --> 0:34:20.319
<v Speaker 1>on this and thousands of other topics. Is it how

0:34:20.360 --> 0:34:27.160
<v Speaker 1>stuff Works dot com