1 00:00:16,280 --> 00:00:20,320 Speaker 1: Story Time with the Legendary Jerry. I am Jerry Clark 2 00:00:21,160 --> 00:00:23,360 Speaker 1: a k A D. Legendary Jered. This is my brother 3 00:00:23,400 --> 00:00:26,560 Speaker 1: and new face and new face. This brother right here, 4 00:00:26,600 --> 00:00:34,000 Speaker 1: we have one fourth of the almighty Goodie Mob. The 5 00:00:34,000 --> 00:00:41,520 Speaker 1: good Died mostly over. You take one all away, our brother, 6 00:00:42,440 --> 00:00:43,760 Speaker 1: big Gipt. What's up, Gift? 7 00:00:43,880 --> 00:00:45,440 Speaker 2: What's up King Jerry? 8 00:00:47,280 --> 00:00:51,080 Speaker 1: Yeah, Hey, finally new face, Finally we get you on 9 00:00:51,159 --> 00:00:51,520 Speaker 1: this weather. 10 00:00:51,680 --> 00:00:53,680 Speaker 2: Oh man, thank you so much. Man. It was a 11 00:00:53,760 --> 00:00:56,000 Speaker 2: test this morning. I said, hey, man, I walked outside, 12 00:00:56,000 --> 00:00:59,240 Speaker 2: I said, Lord Jesus Long John. I turned around and 13 00:00:59,280 --> 00:00:59,760 Speaker 2: went backing. 14 00:00:59,800 --> 00:01:02,280 Speaker 1: There is They say that the hulk that moved, the 15 00:01:02,440 --> 00:01:03,200 Speaker 1: hulk was out. 16 00:01:03,240 --> 00:01:05,600 Speaker 2: Man, it's not fall. 17 00:01:07,640 --> 00:01:12,039 Speaker 1: And give to still see you here and right not 18 00:01:12,200 --> 00:01:15,000 Speaker 1: just here, but you rocking and rolling. Man, y'all. I 19 00:01:15,080 --> 00:01:18,040 Speaker 1: just saw y'all at the One Music Fest. And I 20 00:01:18,120 --> 00:01:21,960 Speaker 1: remember when I every time I see different stuff from 21 00:01:22,560 --> 00:01:26,120 Speaker 1: from from the Dungeon family, whether it's cast Goodie Mob, 22 00:01:26,240 --> 00:01:29,039 Speaker 1: I think back to when I first saw y'all at 23 00:01:29,040 --> 00:01:33,760 Speaker 1: that Little Face showcase over what was the Diamonds and Pearls, 24 00:01:33,800 --> 00:01:43,000 Speaker 1: And I said, yeah, yeah, nigga, don't that's when that 25 00:01:43,000 --> 00:01:45,840 Speaker 1: that Little Face showcase and I heard them reckless, man, 26 00:01:46,560 --> 00:01:50,080 Speaker 1: I said, the niggas got some fucking hits man. 27 00:01:50,680 --> 00:01:50,880 Speaker 2: Man. 28 00:01:51,400 --> 00:01:53,680 Speaker 1: And and then let me say this to the audience watching. 29 00:01:54,000 --> 00:01:56,920 Speaker 1: And I want to preface by saying my personal I 30 00:01:56,960 --> 00:01:59,880 Speaker 1: have an upper eche line of albums, my Tier one 31 00:02:00,960 --> 00:02:03,480 Speaker 1: fifty years of hip hop. I have my personal list 32 00:02:03,560 --> 00:02:08,280 Speaker 1: of what I think the greatest rap albums are. My 33 00:02:08,400 --> 00:02:14,160 Speaker 1: personal So if y'all beat me up A Quemini, the 34 00:02:14,280 --> 00:02:20,639 Speaker 1: Chronic Uh jay Z, the Blueprint too, of course, all 35 00:02:20,720 --> 00:02:26,240 Speaker 1: eyes on me, sir, ready to die? Uh the low 36 00:02:26,440 --> 00:02:30,240 Speaker 1: end theory. Yes, and let me tell you that motherfucking 37 00:02:30,360 --> 00:02:34,919 Speaker 1: soul full new face no give straight up man that 38 00:02:35,200 --> 00:02:39,000 Speaker 1: hey man, that album man when it when it came out, 39 00:02:40,000 --> 00:02:43,120 Speaker 1: did you all realize what a classic this ship would be? 40 00:02:43,280 --> 00:02:45,079 Speaker 1: Twenty for now? How many years damn that. 41 00:02:47,480 --> 00:02:48,160 Speaker 2: Years ago? Got? 42 00:02:48,200 --> 00:02:50,800 Speaker 1: Did y'all realize then, when y'all was making that motherfucking 43 00:02:50,800 --> 00:02:53,680 Speaker 1: man that this this ship is gonna be around forever? 44 00:02:53,800 --> 00:03:01,519 Speaker 2: Man? We we didn't know at the time, simply because again, now, 45 00:03:01,960 --> 00:03:05,480 Speaker 2: during those times, you didn't get to hear the albums, 46 00:03:05,760 --> 00:03:07,920 Speaker 2: or didn't get to hear the verses and to the 47 00:03:07,919 --> 00:03:13,840 Speaker 2: thing till the actual album was finished. So I after 48 00:03:13,919 --> 00:03:18,079 Speaker 2: listening to the first album Outcast Southern Player of Risk 49 00:03:18,120 --> 00:03:21,080 Speaker 2: to Callec Music, I knew we signed it great together 50 00:03:21,200 --> 00:03:26,919 Speaker 2: all of us. Recording Soul Food was a different process 51 00:03:26,960 --> 00:03:30,440 Speaker 2: because we recorded that album at Curtis Mayfield House, so 52 00:03:31,639 --> 00:03:35,520 Speaker 2: we was recording versus and Reek then was just going 53 00:03:35,560 --> 00:03:38,600 Speaker 2: in after we record and putting the actual songs together. 54 00:03:39,360 --> 00:03:42,800 Speaker 2: So that's why you had so many verses where you know, 55 00:03:42,960 --> 00:03:45,080 Speaker 2: Reek then would just let us rap for like twenty 56 00:03:45,080 --> 00:03:48,480 Speaker 2: five thirty balls because they was like, we had so 57 00:03:48,600 --> 00:03:51,880 Speaker 2: much to say that instead of cutting us off, they 58 00:03:51,960 --> 00:03:54,760 Speaker 2: just let us go. And I think that's what really 59 00:03:54,800 --> 00:03:57,480 Speaker 2: made Soul Food because they didn't put us they didn't 60 00:03:57,480 --> 00:04:00,280 Speaker 2: put no governor on the things that we could we 61 00:04:00,280 --> 00:04:03,760 Speaker 2: could do and say on the album. So after it 62 00:04:03,840 --> 00:04:06,840 Speaker 2: was over and after I heard it, it brought, it 63 00:04:08,080 --> 00:04:11,040 Speaker 2: brought I was emotional because I knew that we had 64 00:04:11,680 --> 00:04:15,320 Speaker 2: tapped into something that was first of his kind. Yeah, 65 00:04:16,839 --> 00:04:20,200 Speaker 2: he and Selo sing a lot of that stuff. Was 66 00:04:22,480 --> 00:04:26,160 Speaker 2: That's how I met Silo, how I noticed him. I 67 00:04:26,240 --> 00:04:30,080 Speaker 2: knew him before you know music because my brother he 68 00:04:30,200 --> 00:04:31,840 Speaker 2: used to hang with my My brother used to hang 69 00:04:31,880 --> 00:04:34,240 Speaker 2: with his cousin Floated so I met him and when 70 00:04:34,279 --> 00:04:38,279 Speaker 2: I met him, and when I met him that night 71 00:04:38,760 --> 00:04:41,440 Speaker 2: he came to my house, it was floated. He was 72 00:04:41,520 --> 00:04:43,920 Speaker 2: calling him by a street name like this chicken Head, 73 00:04:44,440 --> 00:04:47,520 Speaker 2: and I was like, okay, and that's how I knew him, 74 00:04:47,560 --> 00:04:51,839 Speaker 2: It's Chickenhead. So me and Kujo was already running together. Timo, 75 00:04:51,880 --> 00:04:55,080 Speaker 2: we already running together. So one day when I went 76 00:04:55,120 --> 00:04:57,960 Speaker 2: over to Peyton Park come over morning my partners house, 77 00:04:58,040 --> 00:05:01,560 Speaker 2: Kujo was rapping against uh Selo and that was the 78 00:05:01,600 --> 00:05:06,239 Speaker 2: first time I noticed that he actually did music. And 79 00:05:06,279 --> 00:05:09,560 Speaker 2: he stepped back and started singing, and I was like, 80 00:05:09,839 --> 00:05:12,719 Speaker 2: I never saw that before, and I ran back to 81 00:05:12,760 --> 00:05:15,400 Speaker 2: the dungeon and I was like, yo, Rick Ray, like 82 00:05:15,480 --> 00:05:21,200 Speaker 2: it's this kid on the West Side. He's special. And 83 00:05:21,240 --> 00:05:26,000 Speaker 2: I think once we got Sea Loo, the album really 84 00:05:26,040 --> 00:05:30,240 Speaker 2: became whole because well people don't realize is that me, 85 00:05:30,360 --> 00:05:32,400 Speaker 2: Timo and Kujoe we graduated together. 86 00:05:32,680 --> 00:05:35,000 Speaker 1: Mais shot and. 87 00:05:35,080 --> 00:05:39,200 Speaker 2: Uh Selo he dropped out in the ninth grade, but he. 88 00:05:39,240 --> 00:05:42,520 Speaker 1: Was always younger, was a little younger than Yeah. 89 00:05:42,960 --> 00:05:46,479 Speaker 2: Dre Big and Sea Low the same age, and me, 90 00:05:46,600 --> 00:05:48,200 Speaker 2: Ti Moo and Coojo are the same age. 91 00:05:48,320 --> 00:05:50,920 Speaker 1: So we all came out. Me and you Willie Knight 92 00:05:50,960 --> 00:05:52,960 Speaker 1: and all of them came out in ninety yes, and 93 00:05:53,080 --> 00:05:54,720 Speaker 1: Big and all of them came ninety. 94 00:05:54,440 --> 00:05:58,039 Speaker 2: Two, ninety three, almost like ninety four, No, I think 95 00:05:58,520 --> 00:06:02,200 Speaker 2: three ninety three. Yeah, Brothers three years younger, Try City. 96 00:06:02,560 --> 00:06:06,800 Speaker 2: So you know, just watching the whole process and what 97 00:06:06,839 --> 00:06:09,720 Speaker 2: we came up with after the first two albums, I 98 00:06:09,839 --> 00:06:12,880 Speaker 2: just knew that we had did something that it was 99 00:06:12,920 --> 00:06:15,320 Speaker 2: gonna be remembered in time. Yeah. 100 00:06:15,520 --> 00:06:19,560 Speaker 1: So when it was the Lumberjacks East Point Chain game 101 00:06:20,480 --> 00:06:21,840 Speaker 1: and that came together. 102 00:06:22,440 --> 00:06:25,240 Speaker 2: And that was that was amazing too, because see really 103 00:06:27,440 --> 00:06:31,839 Speaker 2: goodie mob kujo. Everything comes from a group called six Sets, 104 00:06:31,960 --> 00:06:34,520 Speaker 2: which was me and Yoda in the group with a 105 00:06:34,560 --> 00:06:39,599 Speaker 2: girl named angel D. Yep from Organized angel D was 106 00:06:39,640 --> 00:06:43,760 Speaker 2: signed to ITCHI Bun. That's the first record, professional record 107 00:06:43,839 --> 00:06:47,600 Speaker 2: you ever heard get on, you know. So with that 108 00:06:47,640 --> 00:06:50,560 Speaker 2: being said, I went from angel d album to the 109 00:06:50,600 --> 00:06:58,159 Speaker 2: next album was Parental Advisory KP. They they meant Pebbles. 110 00:06:58,200 --> 00:07:00,760 Speaker 2: Pebbles was the first one that really really took us 111 00:07:00,800 --> 00:07:03,040 Speaker 2: in as a crew. I think if it was a 112 00:07:03,640 --> 00:07:05,600 Speaker 2: for Pebbles, I don't think we would have ever made 113 00:07:05,640 --> 00:07:06,120 Speaker 2: it to La. 114 00:07:06,920 --> 00:07:10,760 Speaker 1: So yeah, she shot. She was the gatekeeper and she 115 00:07:11,000 --> 00:07:14,640 Speaker 1: was Man's a right mind too, man smart, she was 116 00:07:14,800 --> 00:07:16,040 Speaker 1: a business mind. 117 00:07:16,600 --> 00:07:20,559 Speaker 2: And I think after having that experience, I did dope 118 00:07:20,600 --> 00:07:22,960 Speaker 2: stories on that album with uh. That was the first 119 00:07:23,000 --> 00:07:29,320 Speaker 2: time I put PIMC on one of our records. And 120 00:07:29,520 --> 00:07:34,160 Speaker 2: from there it was just we'd got the confidence of 121 00:07:34,680 --> 00:07:38,080 Speaker 2: understanding who we were, so now it became easier to 122 00:07:38,200 --> 00:07:42,440 Speaker 2: express where we wanted to go. After the first album 123 00:07:43,000 --> 00:07:46,520 Speaker 2: Southern Players, Cadellece Music and Soul Food and We and 124 00:07:47,040 --> 00:07:49,760 Speaker 2: both of those albums were so dynamic and so diverse 125 00:07:49,960 --> 00:07:52,840 Speaker 2: that it just gave us a real plan feel for 126 00:07:52,920 --> 00:07:55,720 Speaker 2: the albums to come after that. We didn't it was 127 00:07:55,760 --> 00:07:58,000 Speaker 2: it was no ceiling that we couldn't break you down. 128 00:07:58,600 --> 00:08:01,040 Speaker 2: We tried everything on the first two albums. 129 00:08:01,080 --> 00:08:04,480 Speaker 1: Yeah, and the look New Face is smooth, and it's 130 00:08:04,840 --> 00:08:07,160 Speaker 1: when when when our cast came out, you saw big 131 00:08:07,240 --> 00:08:10,040 Speaker 1: and dre then you got Goodie more Be coming right 132 00:08:10,040 --> 00:08:13,600 Speaker 1: after them. And when I tell you though, and Ghip 133 00:08:13,640 --> 00:08:16,160 Speaker 1: go laugh and I say that they want the motherfuckers 134 00:08:16,240 --> 00:08:18,400 Speaker 1: to try man. Oh yeah, we had Sealo on the 135 00:08:18,440 --> 00:08:22,040 Speaker 1: show and I remember I think it was Clark was 136 00:08:22,040 --> 00:08:24,400 Speaker 1: that it was a homecoming. It was Clark of Morris 137 00:08:24,400 --> 00:08:26,960 Speaker 1: Brown and a dude through a water bottle on stage 138 00:08:27,040 --> 00:08:27,480 Speaker 1: New Faith. 139 00:08:27,520 --> 00:08:30,080 Speaker 3: I was, it made the book. 140 00:08:31,320 --> 00:08:35,040 Speaker 1: I think that's my first new face. Hey, I think 141 00:08:35,520 --> 00:08:37,760 Speaker 1: might have jumped off the stage first. And after that, 142 00:08:38,080 --> 00:08:45,920 Speaker 1: I said, I said the nigga from Ain't No ain't 143 00:08:45,960 --> 00:08:47,959 Speaker 1: no hold in there, that bore just jump wherever he 144 00:08:48,040 --> 00:08:50,400 Speaker 1: thought the water bottle came, I said, But I said, 145 00:08:50,480 --> 00:08:52,080 Speaker 1: I said, I said, the boy right here from May 146 00:08:52,240 --> 00:08:53,880 Speaker 1: Because you I went to school, the cab Cads. We 147 00:08:53,880 --> 00:08:57,040 Speaker 1: always had that a p I said. I said that 148 00:08:57,120 --> 00:08:59,959 Speaker 1: the motherfuckers bos mate there ain't no hold. 149 00:09:00,080 --> 00:09:02,880 Speaker 2: Yeah, we we our class, we ain't really come with that. 150 00:09:03,320 --> 00:09:06,400 Speaker 2: It was that's when the I think the gun play 151 00:09:06,480 --> 00:09:09,520 Speaker 2: started with my class. So it was always like that, 152 00:09:09,760 --> 00:09:15,800 Speaker 2: like because between y'all, between Douglas, yere y'all always that was. 153 00:09:15,920 --> 00:09:17,720 Speaker 2: We were talking about that too while we was at 154 00:09:17,760 --> 00:09:20,840 Speaker 2: the One Music Best talking to colors. He was like, 155 00:09:20,880 --> 00:09:24,040 Speaker 2: what y'all experience out here in Pemt Park. I was like, bro, 156 00:09:24,559 --> 00:09:28,079 Speaker 2: we used to come out here every weekend to fight Douglas. 157 00:09:29,040 --> 00:09:31,880 Speaker 2: It was like on our side we would go meet up. 158 00:09:32,800 --> 00:09:34,840 Speaker 2: One side of the park will be made, one side 159 00:09:34,840 --> 00:09:37,840 Speaker 2: of be Doug hagh and we're meet in the middle 160 00:09:37,880 --> 00:09:40,160 Speaker 2: and we just do some like some outside of stuff and. 161 00:09:40,480 --> 00:09:42,640 Speaker 1: You know, it's so crazy to show you the growth 162 00:09:42,640 --> 00:09:44,560 Speaker 1: and all this gift the New faith is it a 163 00:09:44,559 --> 00:09:46,640 Speaker 1: lot of the cats that that would fight. I'd have 164 00:09:46,720 --> 00:09:49,719 Speaker 1: been out with some older events like I and I 165 00:09:49,760 --> 00:09:59,360 Speaker 1: see we have to fight everybody, man, Niggas just hang 166 00:09:59,360 --> 00:09:59,800 Speaker 1: it out, man. 167 00:10:00,000 --> 00:10:01,920 Speaker 2: And I'm gonna tell you that, Jared, Like I tell 168 00:10:01,960 --> 00:10:04,600 Speaker 2: a lot of people all the time, man, the East 169 00:10:04,640 --> 00:10:10,959 Speaker 2: Side is the nucleus for Atlanta. It's the east that again, 170 00:10:11,480 --> 00:10:15,000 Speaker 2: was the place that I first saw Luke Scott Walker, 171 00:10:15,440 --> 00:10:19,120 Speaker 2: the first first saw Gucci, question Sharon Sharing show k 172 00:10:19,280 --> 00:10:22,640 Speaker 2: gresson roll. Like the South Side, we had to go 173 00:10:22,679 --> 00:10:25,600 Speaker 2: to the East Side and the cater at that time 174 00:10:25,800 --> 00:10:28,040 Speaker 2: had the best talent shows Columbia. 175 00:10:28,720 --> 00:10:30,559 Speaker 1: If you didn't win Columbia High School Talent so you 176 00:10:30,600 --> 00:10:31,040 Speaker 1: wont the shit. 177 00:10:31,120 --> 00:10:33,760 Speaker 2: You wasn't a ship. And that's when I that's when 178 00:10:33,800 --> 00:10:36,280 Speaker 2: Wreak and Ray Wreak and Pat that's when they was 179 00:10:36,280 --> 00:10:39,240 Speaker 2: out here really really dancing, really really doing that thing. 180 00:10:39,679 --> 00:10:42,760 Speaker 2: And Atlanta was a different city then because it was 181 00:10:42,840 --> 00:10:46,840 Speaker 2: always exciting because like I tell people all the time, 182 00:10:46,960 --> 00:10:49,480 Speaker 2: like the first start of me in the hood was 183 00:10:49,520 --> 00:10:52,240 Speaker 2: the girl from s OS band. She used to work 184 00:10:52,280 --> 00:10:57,400 Speaker 2: at the the Ready, I mean the record store in Greenbrie, 185 00:10:57,720 --> 00:11:00,800 Speaker 2: Peppermin and I remember like she gave me my first 186 00:11:00,880 --> 00:11:03,800 Speaker 2: rap records. And then the next thing, you know, the 187 00:11:04,000 --> 00:11:07,080 Speaker 2: s O S s O S band became everything in 188 00:11:07,120 --> 00:11:11,839 Speaker 2: the elema. So that was my first kind of like 189 00:11:12,120 --> 00:11:16,080 Speaker 2: knowing that somebody from the neighborhood could win and. 190 00:11:15,720 --> 00:11:17,880 Speaker 1: And that's big that the bed to see that, especially 191 00:11:17,880 --> 00:11:19,400 Speaker 1: when you're coming up in the game. 192 00:11:19,960 --> 00:11:23,079 Speaker 2: It was it was everything, but you know, and and 193 00:11:23,280 --> 00:11:26,720 Speaker 2: it wasn't nothing bigger than Shoty to me at that time, uh, 194 00:11:27,240 --> 00:11:32,040 Speaker 2: because was from the neighborhood. And OHI really was with Shady. 195 00:11:32,200 --> 00:11:35,360 Speaker 2: So to watch him come over to the to the 196 00:11:35,160 --> 00:11:37,000 Speaker 2: to the to the record stores with. 197 00:11:37,160 --> 00:11:41,680 Speaker 1: THEO over there the head man, that's my love, THEO 198 00:11:42,960 --> 00:11:48,839 Speaker 1: we we really do, I love you, that's my dog man. 199 00:11:48,840 --> 00:11:53,400 Speaker 1: I love the shout out of the THEO hey man gif. 200 00:11:53,480 --> 00:11:55,880 Speaker 1: You know what I've been waiting to ask back and 201 00:11:55,960 --> 00:11:57,679 Speaker 1: a lot of people do face they don't know this 202 00:12:00,240 --> 00:12:03,600 Speaker 1: is that at one point y'all was beefing with the 203 00:12:03,640 --> 00:12:07,400 Speaker 1: Wu Tang Yeah m hmm, And it almost turned into 204 00:12:07,480 --> 00:12:08,640 Speaker 1: some real life street ship. 205 00:12:10,200 --> 00:12:10,400 Speaker 2: See. 206 00:12:10,480 --> 00:12:12,439 Speaker 1: I was around then and I saw some ship happening 207 00:12:12,440 --> 00:12:14,079 Speaker 1: at a couple of these music conventions. 208 00:12:15,400 --> 00:12:16,120 Speaker 2: What what what? 209 00:12:16,120 --> 00:12:17,160 Speaker 1: What did that ship start? 210 00:12:17,240 --> 00:12:17,320 Speaker 2: What? 211 00:12:17,640 --> 00:12:20,079 Speaker 1: And where did it start? And how did I'm glad 212 00:12:20,080 --> 00:12:22,800 Speaker 1: it ended? How did they end? Because I from what 213 00:12:22,880 --> 00:12:25,719 Speaker 1: I saw with my own eyes that it really was 214 00:12:25,720 --> 00:12:27,680 Speaker 1: getting close to some real life street ship. 215 00:12:30,400 --> 00:12:34,640 Speaker 2: I just think that at those times, man, it was 216 00:12:34,679 --> 00:12:37,640 Speaker 2: just it was everybody was just so full of aggression. 217 00:12:38,320 --> 00:12:41,840 Speaker 2: And uh Kujo was a different animal the boy. 218 00:12:43,600 --> 00:12:46,199 Speaker 1: Goodie boy, he was hey, he was heard, no no, 219 00:12:46,200 --> 00:12:48,839 Speaker 1: no new face. Look, look let me say this man 220 00:12:49,440 --> 00:12:51,560 Speaker 1: on a story time of legend. J we don't conone 221 00:12:51,679 --> 00:12:55,079 Speaker 1: condone any violence, but I've seen mister Willie Night and 222 00:12:55,080 --> 00:12:58,280 Speaker 1: a Kaku Joe Goodie one hit a quart of a 223 00:12:58,400 --> 00:13:01,079 Speaker 1: lot of folks, bro And when we say a different 224 00:13:01,120 --> 00:13:03,360 Speaker 1: animal man, he was a different alms but he one 225 00:13:03,400 --> 00:13:06,800 Speaker 1: of the coolest, most good hearted, good spirited people. But 226 00:13:06,960 --> 00:13:10,160 Speaker 1: a night but go ahead, he'll knock. 227 00:13:10,760 --> 00:13:14,040 Speaker 2: Yeah. It was like what I it was. It was 228 00:13:14,160 --> 00:13:20,520 Speaker 2: the meeting of Kujoe, myself and Ray Kron and ghost 229 00:13:20,520 --> 00:13:25,880 Speaker 2: Face and we the aggressives from our crew, you know, 230 00:13:26,000 --> 00:13:28,240 Speaker 2: and we met it. We we met one time in 231 00:13:28,440 --> 00:13:34,720 Speaker 2: h in the Wendy's in New Orleans, and I just 232 00:13:34,760 --> 00:13:37,960 Speaker 2: think that you know when when when bulldogs get into 233 00:13:38,400 --> 00:13:41,800 Speaker 2: a kennel, I mean, like it is what it is. 234 00:13:41,880 --> 00:13:44,720 Speaker 2: I mean we made eye contact, they made I contact, 235 00:13:44,760 --> 00:13:47,640 Speaker 2: and then it was like it went there. But you 236 00:13:47,679 --> 00:13:52,280 Speaker 2: know the biggest thing about Wu Tang is that Rezal 237 00:13:52,360 --> 00:13:55,240 Speaker 2: reached out to me, and Rizal was like, yo, come 238 00:13:55,280 --> 00:13:57,840 Speaker 2: to New York and mess with me. So I went 239 00:13:57,880 --> 00:14:00,480 Speaker 2: and hung out in New York and I was there 240 00:14:00,480 --> 00:14:03,880 Speaker 2: when No Dirty came on and a lot of that 241 00:14:03,960 --> 00:14:06,360 Speaker 2: stuff that was going on because me and Reza had 242 00:14:06,400 --> 00:14:12,760 Speaker 2: really kind of like started a relationship. So the things 243 00:14:12,800 --> 00:14:15,320 Speaker 2: with Wu Tang was that once we realized that we 244 00:14:15,360 --> 00:14:19,520 Speaker 2: represented the same thing, I think that dissolved any kind 245 00:14:19,520 --> 00:14:22,080 Speaker 2: of aggression towards each other. You know, it was just 246 00:14:22,560 --> 00:14:25,280 Speaker 2: we once we realized that they were just as much 247 00:14:25,320 --> 00:14:28,080 Speaker 2: as an outcast in New York as we was, then 248 00:14:28,400 --> 00:14:31,800 Speaker 2: we became our lives. So it was funny like Ray 249 00:14:31,880 --> 00:14:35,640 Speaker 2: Koran moved here first, he stayed in mable to round 250 00:14:35,640 --> 00:14:40,080 Speaker 2: the corner from Pempse, you know, and it was like 251 00:14:40,120 --> 00:14:43,360 Speaker 2: they put the Wu Tang store up downtown on Street, 252 00:14:44,600 --> 00:14:47,840 Speaker 2: and I think just from our communicating with them, if 253 00:14:47,880 --> 00:14:49,880 Speaker 2: you think about it, Wu Tang came and did more 254 00:14:49,920 --> 00:14:52,600 Speaker 2: work here than anybody else they did. They put their 255 00:14:52,640 --> 00:14:55,640 Speaker 2: store here and everything, you know. So that was because 256 00:14:55,640 --> 00:14:58,800 Speaker 2: of our relationship and us being able to bum with them, 257 00:14:58,840 --> 00:15:03,880 Speaker 2: like yo, we asked. We asked Kickers too, So we 258 00:15:03,960 --> 00:15:05,479 Speaker 2: might well be friends. 259 00:15:05,280 --> 00:15:07,600 Speaker 1: Because because we can get a hold, we get a 260 00:15:07,600 --> 00:15:08,160 Speaker 1: lot farther. 261 00:15:08,360 --> 00:15:11,560 Speaker 2: Yeah, because and once they realized we was as deep 262 00:15:11,600 --> 00:15:14,040 Speaker 2: as them at that time, they were like, oh okay, 263 00:15:14,080 --> 00:15:15,760 Speaker 2: they made the one to play with, you know what 264 00:15:15,800 --> 00:15:18,360 Speaker 2: I mean. So we we let that be and we 265 00:15:18,600 --> 00:15:21,760 Speaker 2: uh to this day. Man, we got great relationships, you know. 266 00:15:21,920 --> 00:15:24,960 Speaker 2: Like good ghost Face was always one of my favorites 267 00:15:25,040 --> 00:15:28,920 Speaker 2: because of the way he did his lyrics. 268 00:15:28,960 --> 00:15:31,240 Speaker 3: And it had to be happy to see the success 269 00:15:31,360 --> 00:15:34,160 Speaker 3: of the Outcast record with Ray Kwan Schooled on the 270 00:15:34,200 --> 00:15:37,200 Speaker 3: Barbie like that was one of the biggest commercial crossover 271 00:15:37,320 --> 00:15:40,320 Speaker 3: hits and it finds so naturally and it's probably because 272 00:15:40,320 --> 00:15:41,240 Speaker 3: of that relationship. 273 00:15:41,320 --> 00:15:44,960 Speaker 2: And after that, you know what happened, Ray Kuan, you 274 00:15:45,360 --> 00:15:47,720 Speaker 2: did records and then I did records with with Riz 275 00:15:47,840 --> 00:15:51,240 Speaker 2: on his first solo album. So yeah, we we squashed 276 00:15:51,760 --> 00:15:55,240 Speaker 2: I beef because we really felt like, man, we just 277 00:15:55,720 --> 00:15:58,600 Speaker 2: were just the weird though with our cad. We so 278 00:15:59,080 --> 00:16:01,520 Speaker 2: with knowing that and then just looking at their crew 279 00:16:01,560 --> 00:16:04,680 Speaker 2: at that time, like I mean, old Dirty was something else, 280 00:16:04,920 --> 00:16:06,800 Speaker 2: you know what I mean, Like he was he was. 281 00:16:07,000 --> 00:16:08,360 Speaker 2: He was a phenomenon. Bod it. 282 00:16:08,440 --> 00:16:10,160 Speaker 3: So let me ask you who would be the old 283 00:16:10,240 --> 00:16:12,600 Speaker 3: Dirty of the Dungeon family if there was, if we 284 00:16:12,600 --> 00:16:14,600 Speaker 3: were bone. 285 00:16:16,000 --> 00:16:20,480 Speaker 1: He did not shout out to my boy back love ball. 286 00:16:23,200 --> 00:16:23,960 Speaker 2: He's gonna let you. 287 00:16:26,120 --> 00:16:28,360 Speaker 1: Know what, get me. He gotta come on the show, 288 00:16:28,360 --> 00:16:30,160 Speaker 1: because the last two times and he was like, man, 289 00:16:30,680 --> 00:16:32,800 Speaker 1: well you know, Jed, I said, I said, all right, 290 00:16:32,880 --> 00:16:35,600 Speaker 1: I said, back by I got man. You know I'm 291 00:16:35,680 --> 00:16:37,480 Speaker 1: ready to come on you. I got some ship to say, 292 00:16:37,520 --> 00:16:39,880 Speaker 1: I said, I said, I get I said, it's time, 293 00:16:40,080 --> 00:16:41,720 Speaker 1: so New it's time for us to. 294 00:16:41,680 --> 00:16:46,920 Speaker 3: Have that brother came into the museum, Jared. He said, 295 00:16:46,920 --> 00:16:49,520 Speaker 3: I ain't on that wall, new Face, ain't on that wall. 296 00:16:49,560 --> 00:16:51,880 Speaker 3: And tell Dallas I need to be on that wall. 297 00:16:51,920 --> 00:16:54,720 Speaker 3: They got that be right though, I mean, come on, man, 298 00:16:54,840 --> 00:16:56,080 Speaker 3: he pulled over with the ski mask. 299 00:16:56,120 --> 00:16:58,520 Speaker 1: I said, you get Dallas hold on his back more. 300 00:16:58,600 --> 00:17:02,040 Speaker 1: He just came in with the ski mask. Yeah, man lyrically, man, 301 00:17:02,080 --> 00:17:05,880 Speaker 1: what he what he brought to the dungeon for Backbone Face? 302 00:17:06,400 --> 00:17:08,560 Speaker 2: It was hip hop. He was hip hop. He was 303 00:17:08,640 --> 00:17:13,560 Speaker 2: hip hop as Southern hip hop at his greatest. Yeah, 304 00:17:13,760 --> 00:17:16,000 Speaker 2: you know, I just think, like anything. You know, a 305 00:17:16,040 --> 00:17:17,760 Speaker 2: lot of my people be like, yo, what this person? 306 00:17:17,800 --> 00:17:20,520 Speaker 2: What this person? And I tell him sometimes Man, some 307 00:17:20,600 --> 00:17:25,600 Speaker 2: people aren't built for the music business. They just built 308 00:17:25,680 --> 00:17:30,679 Speaker 2: for the music, you know. And some people can't emotionally 309 00:17:31,359 --> 00:17:34,720 Speaker 2: like it's like, you know, like we give Like I've 310 00:17:34,720 --> 00:17:37,679 Speaker 2: been up here, down here, up here, down and a 311 00:17:37,680 --> 00:17:40,160 Speaker 2: lot of times it's not even up here down here. 312 00:17:40,240 --> 00:17:43,600 Speaker 2: It's when I feel like doing it. Like when you've 313 00:17:43,600 --> 00:17:49,679 Speaker 2: had succession this and you've lost uh personal space and 314 00:17:49,880 --> 00:17:54,080 Speaker 2: just being a regular person. Sometimes you have to lose 315 00:17:54,119 --> 00:17:54,640 Speaker 2: it all. 316 00:17:54,600 --> 00:18:00,760 Speaker 1: To You have to got to get knocked the canvas, 317 00:18:00,800 --> 00:18:01,040 Speaker 1: you know what. 318 00:18:01,040 --> 00:18:04,560 Speaker 2: I mean, like to go through you know, people don't 319 00:18:04,600 --> 00:18:10,360 Speaker 2: understand like to drop our third album and then get 320 00:18:10,359 --> 00:18:14,119 Speaker 2: a call like yo, l A just sold the Face 321 00:18:14,640 --> 00:18:18,840 Speaker 2: to Arista, to Arister, and you got to understand, like 322 00:18:19,119 --> 00:18:21,879 Speaker 2: our whole system of how we dealt with people, how 323 00:18:21,880 --> 00:18:25,160 Speaker 2: our records went out, it just changed overnight in the 324 00:18:25,200 --> 00:18:29,040 Speaker 2: middle of our album and the biggest record we ever 325 00:18:29,080 --> 00:18:32,760 Speaker 2: had come out just out the gate, like you know, 326 00:18:32,840 --> 00:18:37,040 Speaker 2: World Party saw eight hundred thousand like two months. So 327 00:18:37,320 --> 00:18:39,480 Speaker 2: it was like one of our biggest records that came 328 00:18:39,520 --> 00:18:43,000 Speaker 2: out because of Get Rich to This, which I caught 329 00:18:43,040 --> 00:18:44,200 Speaker 2: fans at that time was. 330 00:18:44,160 --> 00:18:47,080 Speaker 1: Not really like I don't know, and we're about to 331 00:18:47,080 --> 00:18:47,919 Speaker 1: get into that too. 332 00:18:47,840 --> 00:18:50,800 Speaker 2: I don't know, but I'm like yeah, but then I went. 333 00:18:51,400 --> 00:18:53,560 Speaker 2: But it was our biggest record on the West Coast. 334 00:18:54,040 --> 00:18:57,320 Speaker 2: We never had a record. Yeah, it's our biggest record, 335 00:18:57,800 --> 00:19:01,640 Speaker 2: and it was funny. You know, Power one five called 336 00:19:01,680 --> 00:19:04,240 Speaker 2: us and it was funny. Man. We did get Rich 337 00:19:04,280 --> 00:19:07,119 Speaker 2: of this and Backbone didn come. He went to the 338 00:19:07,160 --> 00:19:07,640 Speaker 2: super Bowl. 339 00:19:09,600 --> 00:19:30,320 Speaker 1: So yeah, hey, look, well look i'm gonna say that. 340 00:19:30,400 --> 00:19:32,800 Speaker 1: I'm gonna say this fan, and I want you to 341 00:19:32,600 --> 00:19:36,160 Speaker 1: want I want you to hear me out yep as 342 00:19:36,240 --> 00:19:39,280 Speaker 1: and you my brother. But as a Goodie Mob fan, yes, 343 00:19:41,080 --> 00:19:47,119 Speaker 1: from Soul Food to Still Standing, there was a this 344 00:19:47,200 --> 00:19:49,960 Speaker 1: is my opinion again my personal opinion as a Goodie 345 00:19:49,960 --> 00:19:54,280 Speaker 1: My fan, there was a big drop off, man, because 346 00:19:54,359 --> 00:19:55,160 Speaker 1: them first two. 347 00:19:54,960 --> 00:20:03,760 Speaker 2: Albums round here, because our whole third album was kind 348 00:20:03,760 --> 00:20:10,280 Speaker 2: of like dissected and commercialized once the label got it, 349 00:20:11,800 --> 00:20:13,720 Speaker 2: we had a whole photoshoot that went missing. 350 00:20:15,280 --> 00:20:18,760 Speaker 1: Uh that was on they charged you back. Yeah, they did. 351 00:20:20,320 --> 00:20:24,520 Speaker 2: A whole photo shoot. Well, we was on going into 352 00:20:24,640 --> 00:20:28,680 Speaker 2: the next still standing, and they didn't like the way 353 00:20:28,720 --> 00:20:33,520 Speaker 2: we was promoting the third album, and that's when we 354 00:20:33,640 --> 00:20:38,760 Speaker 2: started getting questions like, yo, y'all, y'all don't never have 355 00:20:38,880 --> 00:20:41,280 Speaker 2: no girls, like y'all don't y'all don't mess with girls 356 00:20:41,280 --> 00:20:44,680 Speaker 2: when y'all start getting it, And they came straight from 357 00:20:44,720 --> 00:20:47,159 Speaker 2: the man, you know what I mean. So it's like 358 00:20:48,440 --> 00:20:54,080 Speaker 2: we're like, okay, okay, he's saying, like to go to 359 00:20:54,200 --> 00:20:56,720 Speaker 2: another level, we have to figure out a way how 360 00:20:56,760 --> 00:21:01,560 Speaker 2: to engage the popular section of music at that time. 361 00:21:02,480 --> 00:21:06,119 Speaker 2: And if you look at World Party, it was an 362 00:21:06,200 --> 00:21:12,000 Speaker 2: experiment of them trying to make Goodie Mob commercialized. 363 00:21:12,720 --> 00:21:15,560 Speaker 1: And I as a fan, I remember, man, I was 364 00:21:15,880 --> 00:21:17,719 Speaker 1: and I could say this to you, man, I was. 365 00:21:17,760 --> 00:21:20,960 Speaker 1: I was disappointed, man, because I disappointed. I was living it. 366 00:21:21,920 --> 00:21:25,920 Speaker 1: I was, you know, the product and the lyrically y'all 367 00:21:26,000 --> 00:21:29,000 Speaker 1: was still there. I mean, but the production, man, I 368 00:21:29,080 --> 00:21:32,480 Speaker 1: was like, that is really organized. They're still doing the track. 369 00:21:32,359 --> 00:21:37,160 Speaker 2: Like well, well, well on on on some of that 370 00:21:37,920 --> 00:21:41,040 Speaker 2: we was letting DJ. DJ was getting in you know, 371 00:21:41,280 --> 00:21:45,359 Speaker 2: DJ was doing a lot of that stuff, and I 372 00:21:45,400 --> 00:21:49,840 Speaker 2: think Reap them man was so bogged down at that. 373 00:21:49,920 --> 00:21:54,600 Speaker 1: Time because they just did a label, had all them 374 00:21:54,600 --> 00:21:57,880 Speaker 1: over there, and they did a song deal with Sylvia, 375 00:21:59,040 --> 00:22:01,879 Speaker 1: so they had a lot on y'all want on the 376 00:22:01,920 --> 00:22:03,680 Speaker 1: top of the Okay. 377 00:22:03,440 --> 00:22:06,159 Speaker 2: No, it was. It was damn Now we having to 378 00:22:07,480 --> 00:22:10,520 Speaker 2: uh get a better relationship with l A and then 379 00:22:10,640 --> 00:22:13,199 Speaker 2: boom out of nowhere, LA says the label and then 380 00:22:13,359 --> 00:22:16,119 Speaker 2: LA not even then no more. Now we got an 381 00:22:16,200 --> 00:22:18,960 Speaker 2: album that is out, a label. 382 00:22:18,720 --> 00:22:22,879 Speaker 1: That disappeared, a whole new staff right right on P Street. 383 00:22:23,240 --> 00:22:24,600 Speaker 1: And now you got to deal with the host in 384 00:22:24,680 --> 00:22:25,880 Speaker 1: New York. 385 00:22:26,600 --> 00:22:30,080 Speaker 2: Now we gotta deal with New York. So us going 386 00:22:30,119 --> 00:22:34,200 Speaker 2: to New York every time. Arista never cared about Goodie 387 00:22:34,200 --> 00:22:36,840 Speaker 2: Marb you know what I mean. They never cared about 388 00:22:36,920 --> 00:22:38,760 Speaker 2: Goodie Mark. But no kind of way it was out 389 00:22:38,800 --> 00:22:42,720 Speaker 2: there TLC and Tony Braxton on the wall. Yeah, I 390 00:22:42,760 --> 00:22:44,480 Speaker 2: think Usher hadn't made it yet. 391 00:22:44,920 --> 00:22:46,840 Speaker 1: Then the Houston. 392 00:22:47,920 --> 00:22:50,199 Speaker 2: Yeah, and that's amazing because that's who we heard. We 393 00:22:50,240 --> 00:22:54,000 Speaker 2: went to go, We're gonna go see ah. Yeah, Clive, 394 00:22:54,320 --> 00:22:56,600 Speaker 2: we wouldn't seen Clive. He played us a Whitney Houston 395 00:22:56,600 --> 00:22:58,880 Speaker 2: song and then turn around and said, thank you, good 396 00:22:59,000 --> 00:22:59,560 Speaker 2: good to see ya. 397 00:23:00,320 --> 00:23:02,320 Speaker 1: I know that made you feel very welcoming, and I 398 00:23:02,400 --> 00:23:02,920 Speaker 1: was just. 399 00:23:02,840 --> 00:23:08,520 Speaker 2: Like, okay, here it is again. But see that's I 400 00:23:08,560 --> 00:23:11,680 Speaker 2: think that's always been the battle with Goodie Mob. At 401 00:23:11,680 --> 00:23:15,040 Speaker 2: the same time, with se Lo at that time saying, hey, man, 402 00:23:15,880 --> 00:23:20,200 Speaker 2: he had the successor that Centana record fifteen million. 403 00:23:21,080 --> 00:23:22,960 Speaker 1: So was he was he throwing a little hints that 404 00:23:23,000 --> 00:23:24,160 Speaker 1: he was ready to bounce from the group. 405 00:23:24,240 --> 00:23:26,959 Speaker 2: He already said it while we was recording the album. 406 00:23:27,640 --> 00:23:29,960 Speaker 1: So how did y'all take that when he initially said, now, 407 00:23:30,000 --> 00:23:31,920 Speaker 1: how did he How did he come to y'all and say, 408 00:23:32,920 --> 00:23:34,639 Speaker 1: you know, shit, I want to jump out and do 409 00:23:34,680 --> 00:23:34,920 Speaker 1: my own. 410 00:23:34,920 --> 00:23:39,400 Speaker 2: It just was like, yo, get like, if this don't work, 411 00:23:39,440 --> 00:23:42,280 Speaker 2: I want to go and do my thing. I want 412 00:23:42,320 --> 00:23:47,840 Speaker 2: to go sing. You know now. At that time, you 413 00:23:47,880 --> 00:23:52,080 Speaker 2: know it was it was like a blow to me. 414 00:23:52,320 --> 00:23:54,800 Speaker 2: But at the same time I had to I had 415 00:23:54,800 --> 00:23:58,000 Speaker 2: to understand and I had to had to at least 416 00:23:58,000 --> 00:24:00,640 Speaker 2: be honest to myself that the first time people heard 417 00:24:00,640 --> 00:24:04,800 Speaker 2: good In Mob, they heard this man saying so for 418 00:24:04,960 --> 00:24:07,399 Speaker 2: him to want to go at this time when the 419 00:24:07,480 --> 00:24:11,359 Speaker 2: labels disappeared, l A's leaving. Then LA called me and 420 00:24:11,400 --> 00:24:13,520 Speaker 2: Sea Lo and was like, Yo, I'm gonna give you 421 00:24:13,600 --> 00:24:17,880 Speaker 2: a Sea Lost solo deal. I got a solo deal 422 00:24:18,359 --> 00:24:22,399 Speaker 2: now with the New York And I know l A 423 00:24:22,480 --> 00:24:24,160 Speaker 2: get man when I say this, but I don't care 424 00:24:24,640 --> 00:24:27,040 Speaker 2: till I love you too. But you know, it was 425 00:24:27,080 --> 00:24:29,160 Speaker 2: just a trip because I sat down with La. He 426 00:24:29,200 --> 00:24:31,680 Speaker 2: was like, you need to do some records like Ludacris, 427 00:24:31,800 --> 00:24:40,160 Speaker 2: you know, like, huh Ludocrius. Yeah, I think that's my prototype. 428 00:24:40,400 --> 00:24:43,280 Speaker 1: Yeah, Like so you felt a sense of distress, I mean, 429 00:24:43,359 --> 00:24:46,639 Speaker 1: shout out the yeah. But it's like he was like, 430 00:24:46,640 --> 00:24:47,639 Speaker 1: I'm big gett behead. 431 00:24:48,320 --> 00:24:51,080 Speaker 2: Yeah, like you were poachyall that my poach, y'all. You 432 00:24:51,080 --> 00:24:53,720 Speaker 2: will't be had at my health. You what you talking about? 433 00:24:53,800 --> 00:24:59,280 Speaker 2: Caless I drove. So it was kind of like, uh huh, 434 00:24:59,840 --> 00:25:03,000 Speaker 2: you know what, I don't even want to put an 435 00:25:03,040 --> 00:25:06,160 Speaker 2: album out on airs. LA just let me go because 436 00:25:07,000 --> 00:25:09,480 Speaker 2: if it's gonna be like this, because I see that 437 00:25:10,720 --> 00:25:12,639 Speaker 2: at the end of the day, it's gonna be me 438 00:25:12,760 --> 00:25:18,719 Speaker 2: against se Loo. I knew that. I said, if I 439 00:25:18,720 --> 00:25:21,199 Speaker 2: put an album out here, good in mob Dad forever. 440 00:25:22,240 --> 00:25:24,000 Speaker 2: I said, nah, I just take my album and go 441 00:25:24,040 --> 00:25:28,400 Speaker 2: to Cotch and do it that way. And when it is, 442 00:25:29,040 --> 00:25:31,480 Speaker 2: uh stepping out and it still was a top for 443 00:25:31,640 --> 00:25:36,480 Speaker 2: the song on a on an independent, but then uh, 444 00:25:36,520 --> 00:25:39,880 Speaker 2: at that time, I'm going through a divorce and ship, 445 00:25:40,000 --> 00:25:44,800 Speaker 2: so I'm like, man, yeah, you know, I'm going through 446 00:25:44,800 --> 00:25:48,480 Speaker 2: a divorce, police involved, all kinds of shit, warrants and ship. 447 00:25:48,520 --> 00:25:53,120 Speaker 2: So I'm leaving. I'm not even really enjoying the solo ship. 448 00:25:53,200 --> 00:25:55,480 Speaker 2: I'm not. I'm hating it. If you listen to the 449 00:25:55,520 --> 00:25:59,240 Speaker 2: album I'm in a in a in a darker dark 450 00:25:59,280 --> 00:26:03,000 Speaker 2: and a dark. Yeah. I wasn't happy at all because 451 00:26:03,040 --> 00:26:05,360 Speaker 2: I never wanted to be a solo artist. I think 452 00:26:05,400 --> 00:26:07,400 Speaker 2: a solo artist you have to be a certain type 453 00:26:07,400 --> 00:26:10,840 Speaker 2: of mindframe, arrogant, all that kind of shit. I don't 454 00:26:10,880 --> 00:26:12,640 Speaker 2: really get into that, you know what I mean. So 455 00:26:13,119 --> 00:26:16,760 Speaker 2: it's hard. I've always been in the group, so I'm 456 00:26:16,800 --> 00:26:21,080 Speaker 2: good with that. And I think that I came to 457 00:26:21,119 --> 00:26:23,680 Speaker 2: a place where I just got angry and I ain't 458 00:26:23,680 --> 00:26:26,800 Speaker 2: want to do music no more. And I went to 459 00:26:26,920 --> 00:26:32,200 Speaker 2: l A and I met I just I'm just walking 460 00:26:32,280 --> 00:26:33,840 Speaker 2: up the street and a he pulled up and was 461 00:26:33,880 --> 00:26:40,520 Speaker 2: like and he was like, yo, man, me and Nelly 462 00:26:40,600 --> 00:26:43,119 Speaker 2: working up here. Got a house in the hills. Just 463 00:26:43,280 --> 00:26:46,080 Speaker 2: go up, damn, take you meet Nelly. I went and 464 00:26:46,119 --> 00:26:50,840 Speaker 2: met Nelly and it was so funny about why, you know, 465 00:26:50,960 --> 00:26:54,119 Speaker 2: to see Nelly again after the success. First time I 466 00:26:54,160 --> 00:26:59,440 Speaker 2: met Nelly, I met Nelly in Sylvia Rome office. Nellie 467 00:26:59,480 --> 00:27:02,240 Speaker 2: was signing his contract on one end of the table 468 00:27:02,640 --> 00:27:05,000 Speaker 2: and Joy was signing her contract on the other end. 469 00:27:05,600 --> 00:27:08,280 Speaker 2: So that's the first time I met Nelly. So after 470 00:27:08,320 --> 00:27:11,040 Speaker 2: the Sussist, he was just like, she is, just stay 471 00:27:11,080 --> 00:27:14,560 Speaker 2: with us. They're the ones named me Zaga, the same 472 00:27:14,680 --> 00:27:19,800 Speaker 2: lunatic and we just started doing song at the song 473 00:27:19,920 --> 00:27:22,919 Speaker 2: and Nelly was like, man, you're gonna stay with us. 474 00:27:23,040 --> 00:27:26,600 Speaker 2: And the next thing, you know, we did grills and 475 00:27:25,480 --> 00:27:31,520 Speaker 2: uh it went crazy. That's when I was like, I'm back. 476 00:27:32,080 --> 00:27:35,200 Speaker 2: I'm back one tape right, Yeah, I did that in 477 00:27:35,280 --> 00:27:38,280 Speaker 2: one tape because I was just I was in a 478 00:27:38,359 --> 00:27:42,800 Speaker 2: place of I got you know, I caught the feeling 479 00:27:42,880 --> 00:27:45,560 Speaker 2: again just because of being with Nelly and being away 480 00:27:45,560 --> 00:27:48,480 Speaker 2: from the city. The city I think the city turned 481 00:27:48,520 --> 00:27:56,000 Speaker 2: against the DF Yeah, definitely for me because he because 482 00:27:56,040 --> 00:28:00,359 Speaker 2: Sine Reeve was my lawyer, before he and. 483 00:28:00,280 --> 00:28:03,480 Speaker 1: I fired, before he became mayor of Fire. 484 00:28:03,560 --> 00:28:07,439 Speaker 2: Cassine Reed, we fired Bernard. Yeah, like a lot of 485 00:28:07,480 --> 00:28:10,000 Speaker 2: that was you know, Selo and Bernard had they thing, 486 00:28:10,920 --> 00:28:12,879 Speaker 2: you know what I mean. So it was like when 487 00:28:12,920 --> 00:28:15,800 Speaker 2: they got into power, the city turned into Jez Lane, 488 00:28:16,200 --> 00:28:18,560 Speaker 2: you know what I mean, and it was all good. 489 00:28:18,680 --> 00:28:18,879 Speaker 2: You know. 490 00:28:19,200 --> 00:28:22,040 Speaker 1: So you you you think what you're saying is you 491 00:28:22,080 --> 00:28:23,680 Speaker 1: got caught up in some of the politics. 492 00:28:24,040 --> 00:28:27,240 Speaker 2: Yeah, okay, people like a divorced somebody. 493 00:28:27,960 --> 00:28:33,639 Speaker 1: Yeah, Bernard was Goodie Mob's manager. Yes, Cassine Reed was 494 00:28:33,680 --> 00:28:37,960 Speaker 1: your attorney. Yes, Bernard and Cassine friends always. So you 495 00:28:38,000 --> 00:28:40,120 Speaker 1: felt like when you fired, when they both was fired, 496 00:28:40,120 --> 00:28:43,120 Speaker 1: it was like and it was and then Low and 497 00:28:43,160 --> 00:28:44,080 Speaker 1: Bernard had beef. 498 00:28:44,440 --> 00:28:47,840 Speaker 2: Yeah, Low and Berard had beef, and that could have 499 00:28:48,160 --> 00:28:51,240 Speaker 2: they could have ended up real bad, you know, like 500 00:28:52,440 --> 00:28:55,680 Speaker 2: we stopped we stopped the mergers that day, like uh, 501 00:28:56,360 --> 00:28:59,880 Speaker 2: because it was like people don't understand, like Sharlotte was a. 502 00:29:00,000 --> 00:29:04,240 Speaker 1: Different animal two Like that motherfucker shout out. 503 00:29:07,760 --> 00:29:10,400 Speaker 2: Different. Now you played with him many. 504 00:29:14,000 --> 00:29:16,640 Speaker 1: That little motherfucker will beat out of it. 505 00:29:17,480 --> 00:29:18,560 Speaker 2: I saw that one. 506 00:29:18,680 --> 00:29:21,240 Speaker 1: Look, I got some over these stores. I saw one 507 00:29:21,320 --> 00:29:25,600 Speaker 1: twelve who boy, I said, I said, this motherfucker will 508 00:29:25,880 --> 00:29:26,800 Speaker 1: fight two three. 509 00:29:28,280 --> 00:29:30,040 Speaker 3: What about that story you were trying to tell me 510 00:29:30,080 --> 00:29:32,120 Speaker 3: at the court house with the war, you know, you 511 00:29:32,160 --> 00:29:34,400 Speaker 3: know you said the two brothers were sitting next to 512 00:29:34,440 --> 00:29:36,400 Speaker 3: each other, but you said about ten years ago, see 513 00:29:36,400 --> 00:29:39,600 Speaker 3: Loo and his brother, Yeah, got into it at the 514 00:29:39,720 --> 00:29:40,400 Speaker 3: radio station. 515 00:29:40,800 --> 00:29:46,280 Speaker 1: Oh yeah, that was so funny. Selo had to put 516 00:29:46,320 --> 00:29:48,600 Speaker 1: hands on here talking recklessly. 517 00:29:50,000 --> 00:29:53,560 Speaker 2: Yeah, what happened was, uh, I think, uh, you know, 518 00:29:53,600 --> 00:29:57,440 Speaker 2: we brought shot into the Dungeon family. And I think 519 00:29:57,440 --> 00:30:00,360 Speaker 2: he sang and he sang, and I think he took 520 00:30:00,400 --> 00:30:03,080 Speaker 2: a little something from it, and he kind of had 521 00:30:03,080 --> 00:30:05,320 Speaker 2: a little thing. But see one thing about Low, he 522 00:30:05,400 --> 00:30:07,520 Speaker 2: gonna dress it. He's not gonna let you play with it, 523 00:30:07,720 --> 00:30:09,520 Speaker 2: you know what I mean. So when he said what 524 00:30:09,560 --> 00:30:11,880 Speaker 2: he said, you know, I got a call. They were 525 00:30:11,920 --> 00:30:15,320 Speaker 2: like yo, gilt you know but on the radio talking crazy, 526 00:30:15,320 --> 00:30:18,400 Speaker 2: and I'm just like wow, like here we go. Yeah, 527 00:30:18,440 --> 00:30:21,840 Speaker 2: we saved you and put you in and put money 528 00:30:21,840 --> 00:30:22,040 Speaker 2: in there. 529 00:30:22,120 --> 00:30:22,880 Speaker 1: Now you want to this. 530 00:30:23,040 --> 00:30:26,440 Speaker 2: So then I'm just like, well, we gotta go to 531 00:30:26,480 --> 00:30:30,480 Speaker 2: the atrou So we called him, we called him coming 532 00:30:30,760 --> 00:30:34,000 Speaker 2: in the atrium, but shout and showed him like man, 533 00:30:34,040 --> 00:30:36,680 Speaker 2: you really don't play with us like that, Like like 534 00:30:36,800 --> 00:30:38,440 Speaker 2: we really about putting. 535 00:30:38,160 --> 00:30:41,680 Speaker 1: Hands on one thing about the Goodie Bob. They go 536 00:30:41,840 --> 00:30:45,160 Speaker 1: stand they say, you know, they gonna put them hands 537 00:30:45,240 --> 00:30:47,040 Speaker 1: on your boy. But once again, man. 538 00:30:47,120 --> 00:30:49,560 Speaker 2: It was it was, but it was it was something 539 00:30:49,600 --> 00:30:52,640 Speaker 2: that was asked for, and it was something that you know, 540 00:30:52,680 --> 00:30:55,400 Speaker 2: they're good friend there. You know, sometimes I. 541 00:30:55,400 --> 00:30:57,680 Speaker 1: Just sometimes ate sometimes you gotta get people what they 542 00:30:57,720 --> 00:31:01,760 Speaker 1: asked for, Yeah, because I mean, like we we liked that. 543 00:31:01,920 --> 00:31:06,000 Speaker 2: Man Like a lot of people had to learn that 544 00:31:06,080 --> 00:31:09,840 Speaker 2: about us. And and that's what people I tell people 545 00:31:09,840 --> 00:31:12,960 Speaker 2: all the time. Man Like everybody in the face was 546 00:31:12,960 --> 00:31:15,880 Speaker 2: scared of Goodie Mom. You know they love ourcares. They 547 00:31:15,920 --> 00:31:18,640 Speaker 2: were scared of us though they was they really was 548 00:31:18,680 --> 00:31:19,400 Speaker 2: like man. 549 00:31:19,280 --> 00:31:21,560 Speaker 1: Like y'all was a little bit more rough around here. 550 00:31:21,680 --> 00:31:24,920 Speaker 2: Yeah, like we really wasn't, you know, as as as 551 00:31:25,400 --> 00:31:29,320 Speaker 2: you know, friendly as Outcares was. And I think that. 552 00:31:29,320 --> 00:31:31,000 Speaker 1: Was you think that hurt y'all when it came to 553 00:31:31,040 --> 00:31:35,080 Speaker 1: the politics of the building. I mean, of course, everybody 554 00:31:35,080 --> 00:31:37,080 Speaker 1: the staff gonna do what they do in La La 555 00:31:37,160 --> 00:31:39,800 Speaker 1: wants to sell records and make money. But being that 556 00:31:39,880 --> 00:31:41,800 Speaker 1: you all were a little rough around the edges and 557 00:31:42,040 --> 00:31:43,760 Speaker 1: like you say, might have put a little fear, you know, 558 00:31:43,800 --> 00:31:46,720 Speaker 1: because let's just be bro. These industry motherfuckers as holes. 559 00:31:46,720 --> 00:31:51,280 Speaker 2: They Yeah, I think so. But my my main thing 560 00:31:51,440 --> 00:31:53,800 Speaker 2: was watching Outcres go out for a year with a 561 00:31:53,840 --> 00:31:56,200 Speaker 2: platinum album and just do those radio shows. I was 562 00:31:56,240 --> 00:32:01,240 Speaker 2: telling people, like during that time, I got liing on Lionel. 563 00:32:01,520 --> 00:32:06,440 Speaker 2: Lionel was the man that to me, started hooking up 564 00:32:06,480 --> 00:32:08,880 Speaker 2: all these radio shows with all of us coming out 565 00:32:08,920 --> 00:32:13,560 Speaker 2: during that time, and I think it was great to 566 00:32:13,680 --> 00:32:17,600 Speaker 2: watch every time we went into a building that it 567 00:32:17,720 --> 00:32:21,240 Speaker 2: was sold out, and you know, but it's two of them, 568 00:32:21,960 --> 00:32:26,040 Speaker 2: and I'm like, br us four of us and for 569 00:32:26,200 --> 00:32:30,880 Speaker 2: dimn ain't it. So we went against the face on 570 00:32:30,920 --> 00:32:33,760 Speaker 2: the first album. We didn't do a promo tour. We 571 00:32:33,800 --> 00:32:37,080 Speaker 2: went and did a real tour and that tour was 572 00:32:37,360 --> 00:32:42,200 Speaker 2: the Roots, the Foojis and Goodie Mob, and we took 573 00:32:42,720 --> 00:32:45,720 Speaker 2: the debt instead of going and asking for the per diem, 574 00:32:46,640 --> 00:32:48,800 Speaker 2: and uh, I think that was the greatest decision we 575 00:32:48,880 --> 00:32:51,080 Speaker 2: ever could have did for ourselves because they set us 576 00:32:51,160 --> 00:32:55,440 Speaker 2: up as a touring band instead of a rap act. 577 00:32:55,600 --> 00:32:58,600 Speaker 1: Hey, let me tell you something, Once you tour, that's 578 00:32:58,600 --> 00:33:03,240 Speaker 1: for life. Yeah, story time with legendary Jerry. I am 579 00:33:03,320 --> 00:33:07,320 Speaker 1: Jerry Clark a k A D. Legendary Jerry, my brother 580 00:33:07,440 --> 00:33:10,880 Speaker 1: new face. He's always there here and is y'all here. 581 00:33:10,960 --> 00:33:14,720 Speaker 1: And see we got my brother, big Gip, goodie mo b. 582 00:33:15,680 --> 00:33:17,720 Speaker 1: So look, let me ask you something, Gipt. We're gonna 583 00:33:17,720 --> 00:33:20,600 Speaker 1: go back for a minute. He was talking about when 584 00:33:20,640 --> 00:33:23,680 Speaker 1: ce Lo came to you and said, you know, I 585 00:33:23,720 --> 00:33:25,480 Speaker 1: want to you know, I want to do my own thing. 586 00:33:25,920 --> 00:33:30,040 Speaker 1: He came to you. From that moment to the point 587 00:33:30,080 --> 00:33:31,600 Speaker 1: of it. Let me just say, it hurt me to 588 00:33:31,680 --> 00:33:36,160 Speaker 1: see from that moment to the point of doing the 589 00:33:36,280 --> 00:33:39,960 Speaker 1: album without him and naming the album one Monkey, Don't 590 00:33:40,000 --> 00:33:43,280 Speaker 1: stop no show man. That that hurt man, because I 591 00:33:43,320 --> 00:33:45,840 Speaker 1: was like, man, I've been watching these brothers literally brothers. 592 00:33:45,920 --> 00:33:49,720 Speaker 1: May's how came up together to see that and afford 593 00:33:49,760 --> 00:33:54,600 Speaker 1: to get to that point. What in between that transpire? Man, 594 00:33:54,920 --> 00:33:56,400 Speaker 1: transpired for that to happen. 595 00:33:56,640 --> 00:33:58,880 Speaker 2: See, we'll see let me let me let me be 596 00:33:58,960 --> 00:34:04,920 Speaker 2: real with you. That slogan was not directed that Sea Love. 597 00:34:05,600 --> 00:34:08,960 Speaker 2: That slogan was because Kujo had an accident and lost 598 00:34:08,960 --> 00:34:12,800 Speaker 2: his legs. He did, and when Kujo lost his leg 599 00:34:13,320 --> 00:34:15,360 Speaker 2: that was the first time that we all was in 600 00:34:15,400 --> 00:34:21,560 Speaker 2: a room together after the after we departed, So all 601 00:34:21,600 --> 00:34:26,800 Speaker 2: four of y'all yes, and Joe said, the next album, 602 00:34:27,160 --> 00:34:30,279 Speaker 2: no one monkey, don't stop, no show, even if it's 603 00:34:30,360 --> 00:34:34,480 Speaker 2: me and his thing was my grandmama used to say that. 604 00:34:35,360 --> 00:34:38,680 Speaker 2: So he and I know that the way we presented 605 00:34:38,680 --> 00:34:43,240 Speaker 2: it and everything, yeah yeah, yeah, but you gotta understand 606 00:34:43,360 --> 00:34:47,759 Speaker 2: he was also up shick. Also. We had to let 607 00:34:48,040 --> 00:34:51,840 Speaker 2: even our brother know that, Hey man, you gotta move 608 00:34:51,960 --> 00:34:57,440 Speaker 2: in a way of uh respect, Like even if you 609 00:34:57,480 --> 00:35:00,799 Speaker 2: do something, do it respectful, you know what I mean? 610 00:35:01,400 --> 00:35:06,880 Speaker 2: Because understand we raised you. You didn't raise us. You 611 00:35:06,960 --> 00:35:09,640 Speaker 2: a little kid. When we came out you sixteen seventeen 612 00:35:09,719 --> 00:35:13,000 Speaker 2: years old, we had already did a lot of things, 613 00:35:13,400 --> 00:35:16,879 Speaker 2: you know, shows, you know, performed Full of Face as 614 00:35:16,960 --> 00:35:19,400 Speaker 2: another group, A lot of things that you didn't have 615 00:35:19,480 --> 00:35:23,839 Speaker 2: to do for our movement. We did so. I don't know, 616 00:35:24,080 --> 00:35:26,319 Speaker 2: a lot of people took a lot of they took 617 00:35:26,360 --> 00:35:27,080 Speaker 2: it to heart. 618 00:35:27,440 --> 00:35:30,160 Speaker 1: But at that time, did Selo look at it like he. 619 00:35:31,960 --> 00:35:32,279 Speaker 2: Was mad? 620 00:35:32,600 --> 00:35:35,040 Speaker 1: He came at all your individuals like, okay. 621 00:35:35,320 --> 00:35:40,440 Speaker 2: He was upset, but shit, that upset made you go 622 00:35:40,520 --> 00:35:43,560 Speaker 2: and create what you did, you know what I mean? 623 00:35:43,880 --> 00:35:49,479 Speaker 2: Like it wasn't no easy easy play for him going 624 00:35:49,600 --> 00:35:52,319 Speaker 2: solo and doing the Timulin thing because he was out 625 00:35:52,360 --> 00:35:54,319 Speaker 2: of his element too, you know what I mean, Like 626 00:35:55,040 --> 00:35:57,279 Speaker 2: he really couldn't be who he was and Goodie Mob. 627 00:35:57,440 --> 00:36:00,839 Speaker 2: He had to figure that out. So you know, it's 628 00:36:00,920 --> 00:36:04,360 Speaker 2: just great that Dave Chappelle grabbed him, put him on 629 00:36:04,440 --> 00:36:08,359 Speaker 2: TV like like little John and really really looked out 630 00:36:08,760 --> 00:36:13,520 Speaker 2: and it really helped him continue to move. But it 631 00:36:13,600 --> 00:36:18,000 Speaker 2: was funny. People don't even understand that that happened. Then 632 00:36:18,480 --> 00:36:20,920 Speaker 2: we got together and people didn't even know we was 633 00:36:20,960 --> 00:36:26,279 Speaker 2: together recording a new album, and we was over there 634 00:36:26,320 --> 00:36:29,319 Speaker 2: on Monroe at his studio, and that's when we got 635 00:36:29,320 --> 00:36:32,719 Speaker 2: the tracks from Danger Mouse and he going through a 636 00:36:32,760 --> 00:36:35,759 Speaker 2: divorce now, so now you know, you know, you go 637 00:36:35,840 --> 00:36:38,360 Speaker 2: through your ship, you call your people, especially a divorce. 638 00:36:38,480 --> 00:36:42,360 Speaker 2: So I went through that shit first. Then him and 639 00:36:42,400 --> 00:36:45,080 Speaker 2: his folk started going through that and we started we 640 00:36:45,120 --> 00:36:48,040 Speaker 2: came back together and started working on the album. But 641 00:36:48,160 --> 00:36:52,400 Speaker 2: then Danjamous sent us from tracks and he was going 642 00:36:52,400 --> 00:36:54,719 Speaker 2: through it with her or whatever. He just said, man, 643 00:36:54,800 --> 00:36:56,400 Speaker 2: let me just go ahead and just put my thoughts 644 00:36:56,440 --> 00:36:59,280 Speaker 2: down on this song. He went in there one taped 645 00:37:00,320 --> 00:37:03,520 Speaker 2: and that was crazy, crazy, He sent it back to 646 00:37:03,640 --> 00:37:06,120 Speaker 2: Danger Mouse, and when we woke up in the morning, 647 00:37:06,200 --> 00:37:09,520 Speaker 2: he called me, said Gil, I said, what's up? He said, Man, 648 00:37:09,600 --> 00:37:11,680 Speaker 2: Danger Mouse went to the radio and played the song 649 00:37:11,719 --> 00:37:15,760 Speaker 2: on the radio. It's a smash. I gotta go to London, damn. 650 00:37:16,000 --> 00:37:17,040 Speaker 2: And I ain't see Low. 651 00:37:16,960 --> 00:37:20,720 Speaker 1: For five years, for five fucking years. 652 00:37:20,880 --> 00:37:24,400 Speaker 2: Yeah. So the whole time I'm with Nelly traveling the world, 653 00:37:24,440 --> 00:37:27,360 Speaker 2: he with Danger Mouse. 654 00:37:27,400 --> 00:37:29,560 Speaker 1: And that's what, man, that's why it's so good. It's like, 655 00:37:29,560 --> 00:37:31,799 Speaker 1: like I say, seeing y'all out doing shows, whether it's 656 00:37:31,800 --> 00:37:36,279 Speaker 1: one music, fast weather, it's wherever, because that's that's the 657 00:37:36,320 --> 00:37:39,200 Speaker 1: goodie mob, them the brothers, I'm fucking off. Yeah, to 658 00:37:39,280 --> 00:37:42,000 Speaker 1: see y'all back together like that. When did it so 659 00:37:42,400 --> 00:37:44,479 Speaker 1: after all that, you said you ain't see your brother 660 00:37:44,600 --> 00:37:47,040 Speaker 1: five years? Yeah, high all four, y'all come and sit 661 00:37:47,080 --> 00:37:49,239 Speaker 1: down with y'all. Did y'all go old school win and 662 00:37:49,280 --> 00:37:51,000 Speaker 1: go over to one of the houses over East Point. 663 00:37:51,440 --> 00:37:54,799 Speaker 2: Well, it was really started with me and See we 664 00:37:54,880 --> 00:37:57,319 Speaker 2: met in New York. I came in with Nelly, he 665 00:37:57,360 --> 00:37:59,920 Speaker 2: came in with Danger Mouse. We was both number one, 666 00:38:00,040 --> 00:38:03,239 Speaker 2: getting number one from being my and I remember he 667 00:38:03,320 --> 00:38:06,600 Speaker 2: walked up to me and started fixing my I said. 668 00:38:06,600 --> 00:38:08,600 Speaker 2: I walked up to him and started fixing his tie. 669 00:38:09,400 --> 00:38:10,960 Speaker 2: I hadn't seen him in five years. 670 00:38:11,040 --> 00:38:11,439 Speaker 3: Like them. 671 00:38:12,560 --> 00:38:14,440 Speaker 2: He was like, man, how you doing. I said, I'm good. 672 00:38:15,360 --> 00:38:18,480 Speaker 2: And after we saw each other, we just started talking 673 00:38:18,880 --> 00:38:23,160 Speaker 2: more and yeah. He was like, man, I'm ready to 674 00:38:23,160 --> 00:38:28,640 Speaker 2: do another album. And after the successor that, I got 675 00:38:28,680 --> 00:38:32,160 Speaker 2: a call he was like, yo, h, when you come 676 00:38:32,239 --> 00:38:35,560 Speaker 2: to New York, I'm about to do a solo album. 677 00:38:36,080 --> 00:38:39,000 Speaker 2: I want you to come be with me and I ran. 678 00:38:39,160 --> 00:38:42,000 Speaker 2: I left Nelly dim after me and Ali, Me and 679 00:38:42,040 --> 00:38:45,879 Speaker 2: Ali we dropped. We did uh. We did some great 680 00:38:45,880 --> 00:38:48,880 Speaker 2: ship with Nelly man like Nellie took care of your sweatsuit, 681 00:38:48,920 --> 00:38:54,000 Speaker 2: came out, did did eight million. We did eight million 682 00:38:54,000 --> 00:38:56,200 Speaker 2: on Sweatsuit. Then we came back and did Dirty and 683 00:38:56,320 --> 00:39:01,680 Speaker 2: T label album that went gold. Then we did Grills. 684 00:39:02,360 --> 00:39:08,120 Speaker 2: Then then me and Ali came with our album ken Folk. 685 00:39:09,000 --> 00:39:11,160 Speaker 2: And then that's when I left and I went to 686 00:39:11,719 --> 00:39:14,520 Speaker 2: New York met Low and he was signing a new 687 00:39:14,800 --> 00:39:21,160 Speaker 2: solo deal with Atlantic, Greg Cammon and Man. After that, 688 00:39:21,239 --> 00:39:25,000 Speaker 2: it took off for him all over again. Took off 689 00:39:25,040 --> 00:39:25,399 Speaker 2: for him. 690 00:39:25,320 --> 00:39:28,000 Speaker 1: All when you came with that idea, you you called 691 00:39:28,880 --> 00:39:31,439 Speaker 1: you called Tim. You called Coojo and said, hey, look man, 692 00:39:32,680 --> 00:39:35,520 Speaker 1: I talked talked to our brother. We're ready to do it, 693 00:39:35,560 --> 00:39:36,880 Speaker 1: and what they say, so let's go. 694 00:39:37,560 --> 00:39:43,759 Speaker 2: They were ready to go. You know, being with Low 695 00:39:43,800 --> 00:39:45,960 Speaker 2: at that time was just so crazy because we're working 696 00:39:46,000 --> 00:39:51,960 Speaker 2: on the the Lady Killer album and you know, Atlantic like, yo, man, 697 00:39:52,000 --> 00:39:53,399 Speaker 2: you know we've been in l A for a time, 698 00:39:53,440 --> 00:39:55,280 Speaker 2: it's time for us to go and get this album done. 699 00:39:55,400 --> 00:39:57,080 Speaker 2: I was like, Okay, we go to the studio. This 700 00:39:57,120 --> 00:40:00,319 Speaker 2: is the first time we meet Bruno Mars. We walk 701 00:40:00,400 --> 00:40:03,000 Speaker 2: in the studio and he playing that record fuck You. 702 00:40:04,160 --> 00:40:05,920 Speaker 2: When I first walked in I heard it. I said, Lo, 703 00:40:06,080 --> 00:40:07,160 Speaker 2: it's a smash. 704 00:40:06,760 --> 00:40:08,280 Speaker 1: By That ship is fucking smash. 705 00:40:08,480 --> 00:40:11,239 Speaker 2: It's a smash low Lo said, man, I hate that 706 00:40:11,320 --> 00:40:21,160 Speaker 2: goddamn record. Wrong. He said, man, I hate that motherfucker record. 707 00:40:21,239 --> 00:40:24,160 Speaker 2: Get fuck that ship, and he got so upset he 708 00:40:24,280 --> 00:40:26,680 Speaker 2: just said, funk, I'm gonna just go ahead freestyle. He 709 00:40:26,760 --> 00:40:30,040 Speaker 2: went in there and freestyled the verses. Mm hmm. So 710 00:40:30,080 --> 00:40:32,160 Speaker 2: those verses that you hearn't fuck you, that was him 711 00:40:32,200 --> 00:40:34,799 Speaker 2: being mad that he had to do the song We 712 00:40:34,840 --> 00:40:37,040 Speaker 2: walk up in the morning. That motherfucker was a smash 713 00:40:37,200 --> 00:40:39,719 Speaker 2: all over the world, all over and I was like, bro, 714 00:40:39,960 --> 00:40:43,000 Speaker 2: like this is crazy. We went around the world again 715 00:40:43,600 --> 00:40:50,120 Speaker 2: with him and boom Man. We this boy over night 716 00:40:50,200 --> 00:40:52,880 Speaker 2: become the biggest ship ever. We go overseas, we do 717 00:40:52,960 --> 00:40:57,040 Speaker 2: the voice, and we come back Saturday Night Live on 718 00:40:57,200 --> 00:40:59,400 Speaker 2: him to come to Saturday Night Live. First time you're 719 00:40:59,400 --> 00:41:02,920 Speaker 2: on Saturday Night Line. We go and do that. And 720 00:41:03,000 --> 00:41:06,160 Speaker 2: Mark Burnette was in the audience that night, the owner 721 00:41:06,200 --> 00:41:10,359 Speaker 2: of Survivor, the Voice and everything. He came backstage, he said, 722 00:41:10,360 --> 00:41:12,800 Speaker 2: would you like to be on TV? He said, I 723 00:41:12,840 --> 00:41:15,279 Speaker 2: don't care. We called us. 724 00:41:15,320 --> 00:41:18,080 Speaker 1: We went to La Now this is just you will 725 00:41:18,120 --> 00:41:19,400 Speaker 1: seal okay. 726 00:41:19,719 --> 00:41:25,799 Speaker 2: And that's when I realized the game of politics. That's 727 00:41:25,840 --> 00:41:29,640 Speaker 2: when I realized the game gets dirty once you get 728 00:41:29,719 --> 00:41:33,000 Speaker 2: up to a certain level. Because this is when being 729 00:41:33,040 --> 00:41:35,959 Speaker 2: on Atlantic at the time, this is when this three 730 00:41:36,040 --> 00:41:39,320 Speaker 2: sixty deals started being put into the faces of the artists. 731 00:41:39,760 --> 00:41:42,399 Speaker 2: The first person that got this ship was t Pain. 732 00:41:43,840 --> 00:41:47,040 Speaker 2: He was like, nah, I ain't signing it doing that. 733 00:41:47,880 --> 00:41:54,759 Speaker 2: Loope was next, Loope ain't signing it. They came to 734 00:41:54,840 --> 00:41:59,480 Speaker 2: Low and they told Low not to do the voice. 735 00:42:01,680 --> 00:42:04,000 Speaker 2: And at that time Blue Williams was with us. 736 00:42:05,080 --> 00:42:08,440 Speaker 1: Michael Blue Wais Blue said, mister manager, Blue. 737 00:42:08,160 --> 00:42:10,040 Speaker 2: Said, damn that we're doing the Voice. 738 00:42:10,480 --> 00:42:11,760 Speaker 1: Smartest move ever made. 739 00:42:11,840 --> 00:42:15,520 Speaker 2: And that shit turned into a phenomenon, bro, like the 740 00:42:15,560 --> 00:42:17,000 Speaker 2: man went diamond in TV. 741 00:42:18,320 --> 00:42:18,520 Speaker 1: You know. 742 00:42:19,000 --> 00:42:24,040 Speaker 2: Quick up. We went from doing the Voice at Prince 743 00:42:24,160 --> 00:42:27,959 Speaker 2: Club in the parking lot, the Prince Prince Club which 744 00:42:28,080 --> 00:42:31,680 Speaker 2: was empty at the time. That's our dressing rooms, and 745 00:42:31,760 --> 00:42:34,800 Speaker 2: we're doing the actual TV show in the parking lot. 746 00:42:35,000 --> 00:42:37,600 Speaker 2: And we were from in the parking lot downtown l 747 00:42:37,640 --> 00:42:41,960 Speaker 2: A to the next season being on paramunt fifteen eighteen 748 00:42:42,040 --> 00:42:46,640 Speaker 2: million dollar production a day. So I got to see 749 00:42:46,640 --> 00:42:49,319 Speaker 2: the difference between music, money and. 750 00:42:49,520 --> 00:42:55,400 Speaker 1: Moving TV TV. Moy. 751 00:42:55,680 --> 00:42:57,280 Speaker 2: My brother did good. 752 00:42:57,000 --> 00:42:58,200 Speaker 1: He did. 753 00:42:58,600 --> 00:43:00,840 Speaker 3: And then does this lead and to the Against the 754 00:43:00,920 --> 00:43:05,480 Speaker 3: Machine album that goes into the Age Age Against the 755 00:43:05,520 --> 00:43:06,840 Speaker 3: Machine album. 756 00:43:06,960 --> 00:43:09,799 Speaker 2: We do that album out there. It's kind of hard 757 00:43:09,840 --> 00:43:12,480 Speaker 2: low doing TV all day, going in the studio. He 758 00:43:12,600 --> 00:43:16,200 Speaker 2: tired at night. And that's when TBS coming to us 759 00:43:16,200 --> 00:43:17,759 Speaker 2: and say, yo, y'all want to do a Sea Little 760 00:43:17,800 --> 00:43:22,920 Speaker 2: Green takes over Vegas, a Vegas show. And then we 761 00:43:23,000 --> 00:43:26,200 Speaker 2: got a TV show on TBS and we stayed out 762 00:43:26,200 --> 00:43:29,960 Speaker 2: in Vegas and recorded that Age Against the Machine album 763 00:43:30,160 --> 00:43:32,200 Speaker 2: and we got a lot of flag for that, you 764 00:43:32,280 --> 00:43:34,759 Speaker 2: know what I mean, Like, you know, Searlotta was like, 765 00:43:35,400 --> 00:43:37,880 Speaker 2: we're gonna put ir first white girl on the Goodie 766 00:43:37,880 --> 00:43:43,319 Speaker 2: Mom bron Okay, Like but Bruno wrote it, yep, And 767 00:43:43,400 --> 00:43:46,520 Speaker 2: I'm just like, all right, all right. I don't know 768 00:43:46,560 --> 00:44:00,640 Speaker 2: how fans gonna take it, but hey, you know, like, well, hey, 769 00:44:01,120 --> 00:44:03,880 Speaker 2: so you gotta understand me calling back home the organize 770 00:44:03,880 --> 00:44:07,239 Speaker 2: the noise, Like, what the fuck? What is this very 771 00:44:07,280 --> 00:44:10,960 Speaker 2: first white girl? Is that what we're doing. I'm just like, bro, like, 772 00:44:11,239 --> 00:44:20,719 Speaker 2: I mean TV laying, i mean, like, y'all, what's going on. 773 00:44:20,880 --> 00:44:24,120 Speaker 2: I'm like, yo, bro, Like we brought KPN to try 774 00:44:24,160 --> 00:44:28,440 Speaker 2: and help us put the album together. Jannael, my name 775 00:44:28,600 --> 00:44:31,920 Speaker 2: was on the record, did very well with the Janelle 776 00:44:31,960 --> 00:44:35,960 Speaker 2: Money records. It did very well for us, We did 777 00:44:36,040 --> 00:44:39,040 Speaker 2: TV and everything. Him being just on TV at that 778 00:44:39,120 --> 00:44:42,560 Speaker 2: time helped Goodie Mob as a group, as a mob, 779 00:44:42,840 --> 00:44:47,640 Speaker 2: re establish us back into the actual industry at a 780 00:44:47,640 --> 00:44:50,120 Speaker 2: certain level because of where he was sitting. 781 00:44:49,800 --> 00:44:57,640 Speaker 1: At story time with the legendary Jerry's hosted by Me 782 00:44:58,440 --> 00:45:03,720 Speaker 1: the One and Only Clark. Music has been provided by 783 00:45:04,120 --> 00:45:09,160 Speaker 1: July the Producer. If you haven't already, please please make 784 00:45:09,200 --> 00:45:12,600 Speaker 1: sure you subscribe to Storytime with the Legendary Jerry on 785 00:45:12,680 --> 00:45:16,279 Speaker 1: YouTube and wherever you listen to podcasts, and make sure 786 00:45:16,320 --> 00:45:20,000 Speaker 1: you follow us on all social media platforms at the 787 00:45:20,120 --> 00:45:24,000 Speaker 1: Legendary Jerry podcast. For more podcasts on iHeartMedia, visit the 788 00:45:24,040 --> 00:45:26,799 Speaker 1: iHeartRadio app, Apple Podcasts, or wherever you listen to your 789 00:45:26,840 --> 00:45:27,560 Speaker 1: favorite shows.