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Speaker 1: What I did think we could talk about before we

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Speaker 1: jump into this recap is that this episode stole yet

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Speaker 1: another thing from writer's life. Just Sean is a Counting

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Speaker 1: Crows fan. I remember that, and I thought it would

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Speaker 1: be a perfect time to talk about Rider's Counting Crows.

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Speaker 2: Yeah, how did you as so funny? I think because

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Speaker 2: of this episode too, Like I am so associated with

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Speaker 2: the band and this was totally if I remember, Sherman

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Speaker 2: was the one who put it in because he knew

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Speaker 2: I was a fan, but everyone knew I was a fan.

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Speaker 3: Yeah, yeah, Michael would say he did. Michael would say

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Speaker 3: he did. I remember Michael saying that my time, Like, well, yeah,

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Speaker 3: we're writing for you, so that's why we do all

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Speaker 3: that stuff.

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Speaker 1: Yeah, how did this fandom start?

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Speaker 2: How did what was it?

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Speaker 1: You loved about it so much? Tell us about your

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Speaker 1: fascination with Counting Crows.

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Speaker 2: Oh wow, it's yeah, I mean it was just August

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Speaker 2: and everything after was a perfect album, really was. It

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Speaker 2: was a that was the first season of boy and

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Speaker 2: it really like in retrospect, it really came down. I

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Speaker 2: mean obviously like just great songwriting, great lyrics. I always

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Speaker 2: like people with unusual voices and good lyrics, so like

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Speaker 2: I was always a Van Morrison fan, a Bob Dylan fan,

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Speaker 2: and so alright, and Tom Waits I was already a

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Speaker 2: fan of. So this sort of ticked like Adam Durrit's

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Speaker 2: singing style ticked all those boxes. I've also been able

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Speaker 2: to relate it. It really goes back to my love

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Speaker 2: for musicals and like lay miz and the sort of

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Speaker 2: narrative emotional expression, you know, like where a singer songwriter

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Speaker 2: gets up and like and you know that's what Adam

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Speaker 2: was doing. Was like this real like he was basically

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Speaker 2: like crying every time he sang, and it sounded like

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Speaker 2: he was crying every time he sang. And then it

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Speaker 2: really grew for me because of fame. You know, here

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Speaker 2: was somebody singing about wanting to be famous or wanting

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Speaker 2: to be an artist. In Mister Jones, you listened to

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Speaker 2: lyrics it's like I want to be on TV or whatever,

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Speaker 2: and then knowing that that once you get it, it's

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Speaker 2: not going to be that great, Like you know, there's

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Speaker 2: this irony, and of course, like the crazy irony is

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Speaker 2: that the song about wanting to be famous and being

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Speaker 2: scared about wanting to be famous rocketed them to huge

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Speaker 2: fame starting and so then like Adam Durretz, you know,

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Speaker 2: I think ultimately not it wasn't a great move, but

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Speaker 2: he spent so much of his career complaining about being famous,

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Speaker 2: which to thirteen through sixteen year old riod Or Strong

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Speaker 2: on a TV show was like what I needed to hear.

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Speaker 3: It's also just flat out angsty and now that so

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Speaker 3: spoke to you where it was like you're listening to

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Speaker 3: him as he's breaking down on it. It was like

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Speaker 3: it was written for Rider Strong. It might as well

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Speaker 3: have been said, this album is for Rider Strong.

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Speaker 2: Well the thing, well, it's really Recovering the Satellites is

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Speaker 2: even a better album, I think in some ways, but

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Speaker 2: I mean it's really like what what Also, the reason

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Speaker 2: it was it became I started getting all the bootlegs

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Speaker 2: and going to concerts is because they improvised, which I

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Speaker 2: just you know, like we've talked about will you like

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Speaker 2: going to concerts where they sound exactly like it sound

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Speaker 2: like it does the album? That's the worst idea ever.

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Speaker 1: No.

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Speaker 2: And so what what Adam would do is he would

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Speaker 2: make up new lyrics on the spot every night. Uh

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Speaker 2: he would insert them into the songs and so liking

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Speaker 2: counting crows in the mid nineties and maybe this is

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Speaker 2: still true now became part of part of liking them

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Speaker 2: became sort of following the narrative of Adam's life, the

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Speaker 2: sort of autobiographical memoir singing experience that he was performing

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Speaker 2: every night, And for me, that was like a narrative

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Speaker 2: I wanted to keep up with, you know, I wanted

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Speaker 2: to It was like it was like he was like

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Speaker 2: the sort of fame shaman singing about the misery of

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Speaker 2: being fame too. For a teenage me, that was so important.

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Speaker 2: You know that somebody out there was feeling ambiguous about,

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Speaker 2: you know, the alienating effects. It's like you you start

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Speaker 2: expressing yourself artistically, you start opening yourself up emotionally, which

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Speaker 2: I was doing on Boy Meets World. And then because

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Speaker 2: you get recognizing because like people are literally like screaming

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Speaker 2: and pointing at me and malls and chasing me. If

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Speaker 2: you start feeling like people don't know you, you so while

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Speaker 2: you increase your fame and you increase your connectivity with

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Speaker 2: the world, feel alienated. You feel alienated. You actually start

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Speaker 2: feeling like your world has to be smaller and you

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Speaker 2: can only trust a small core group of friends who

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Speaker 2: really know the real you, and so it's it's it's

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Speaker 2: it's not a great cycle, and it wasn't, you know.

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Speaker 2: And so for me hearing somebody singing about that and

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Speaker 2: expressing themselves, it was just like it was so important

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Speaker 2: to me.

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Speaker 1: And so how did you end up meeting them?

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Speaker 2: Just going to concerts? I went to, you know, I

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Speaker 2: became a fan, and I think, uh, at one point

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Speaker 2: I met do you guys remember Tommy who I became friends. Yeah,

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Speaker 2: so Tommy was friends with Adam He, so I knew

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Speaker 2: this guy. He came up to me at a County

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Speaker 2: Crow's concert and said, hey, I know you from that

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Speaker 2: show Boy Meets World And I was like yeah, and

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Speaker 2: he was like, do you want to come backstage? Do

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Speaker 2: you want to come meet the band? And I was

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Speaker 2: like yeah, and we became friends. Tommy and I became friends,

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Speaker 2: and he knew he knew Adam from because he had

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Speaker 2: been friends with like River Phoenix, and I guess River

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Speaker 2: Phoenix had recorded his album right next to where they

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Speaker 2: recorded August and everything after, so like there was some

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Speaker 2: connection there. I don't know anyway, Yeah, And so like

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Speaker 2: you know, I just kept going to concerts and kept

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Speaker 2: hanging out backstage and and just you know it. Yeah,

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Speaker 2: And so like I remember Ben, Ben was at my

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Speaker 2: eighteenth birthday and he like came up because he didn't

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Speaker 2: know that I had met Adam. I guess, so we

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Speaker 2: were and Adam Dirt showed up on my birthday with

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Speaker 2: some a bunch of the band and and Ben's just like, writer,

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Speaker 2: why is Adam Dirt in your kitchen? And I was like,

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Speaker 2: oh yeah, let's get a good question, valid question.

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Speaker 1: Do you know if if Adam or the rest of

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Speaker 1: the band ever knew that you mentioned them on Boy

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Speaker 1: Meets World.

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Speaker 2: I'm not sure. I definitely know, like Adam knew I

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Speaker 2: was a big fan, and we talked about it. I

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Speaker 2: mean like yeah, I mean he was always the night.

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Speaker 2: They were always so nice. I mean, I'm still I'm

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Speaker 2: still in touch with imber Gluck Emmy, who's their guitarist.

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Speaker 2: But you know, yeah, like I saw the last time

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Speaker 2: I saw them in concert was probably two thousand and four,

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Speaker 2: two thousand and three, they played the Disney Concert Hall

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Speaker 2: with a full symphony. Oh wow, yeah, and that was power.

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Speaker 2: And I remember seeing it and being like I was

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Speaker 2: like fourth Row Center and I was like, this might

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Speaker 2: this might be the best concert they're ever going to do.

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Speaker 2: This is this CAP's the experiences. Although we were in Raleigh,

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Speaker 2: what we tried to see him play. I was like texting,

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Speaker 2: I'm like, can we come to the show? So yeah,

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Speaker 2: I'd love to see him again.

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Speaker 1: But they were sold out and we couldn't get in.

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Speaker 3: They could, they wouldn't let us in.

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Speaker 2: Adam was always super like nice and he knew I

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Speaker 2: was on a tvcher. I knew I was an actor,

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Speaker 2: you know, Like, but I don't know. I'm sure people

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Speaker 2: have brought it up to him. I think the crossover

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Speaker 2: of you know, because our show is so associated with

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Speaker 2: the nineties in a way that Counting Crows is also

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Speaker 2: so associated with the nineties. Yeah, like they were so

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Speaker 2: like the then diagram of like Sewan Hunter fans.

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Speaker 3: And fans makes sense, Yeah, it does. I mean it's

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Speaker 3: just but powerful music is like that. I mean, I

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Speaker 3: one of the things that I take with me is

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Speaker 3: the lyric by Bob Dylan where he's like haxactly and it.

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Speaker 1: Changed my life. Yeah, I mean I was like powerful man.

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Speaker 3: He was. He was on a flight that I was

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Speaker 3: on once and he had his hood down and he

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Speaker 3: was ducking to make sure nobody saw that it was him,

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Speaker 3: and it was clearly Bob Dylan. And I was like,

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Speaker 3: we're all dead because of course he's going to go

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Speaker 3: down in a plane crash, and of course I'm going

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Speaker 3: to be near him. And I was convinced. I was

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Speaker 3: like thirteen years old. I was like, this is it.

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Speaker 3: We're done.

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Speaker 2: Were your I?

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Speaker 1: I guess superstitious thoughts have gone all the way back

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Speaker 1: to thirteen years old.

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Speaker 3: Huh yeah, oh got way before that. Oh yeah, no,

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Speaker 3: knock Wood before that. Yeah.

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Speaker 1: Well, thank you both for giving us a little bit

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Speaker 1: more of an insight into Ryder Strong, the Counting Crows fan,

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Speaker 1: and Wilfredell the superstition I'm going down in a plane crash.

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Speaker 3: Exactly, Well, just with Bob Dylan, it wouldn't be good.

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Speaker 2: Yeah, also killed and also exactly. Welcome to Pod Meets World.

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Speaker 1: I'm Daniel Fishl, I'm right Strong, and I'm Wilfredell. We

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Speaker 1: are just over a week away from bringing Pod Meets

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Speaker 1: World to Philadelphia.

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Speaker 2: This is our biggest show yet and we want you

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Speaker 2: to join us.

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Speaker 3: It's Saturday, September thirtieth at the met and we're bringing

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Speaker 3: along our pals Tony Quinn, Trina McGee, and Matthew Lawrence,

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Speaker 3: and tickets are still available.

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Speaker 1: Will has been trying out a new accent for the show. Will,

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Speaker 1: why don't you give them a little taste.

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Speaker 3: Sure, it's going to be like this.

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Speaker 2: Hold we will fight for honor.

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Speaker 3: I don't do Philadelphia. So it's all I got is

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Speaker 3: bad Scottish. What do you think?

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Speaker 2: Well, yeah, I've heard you do better Scottish.

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Speaker 3: I did much better Scottish. That's greasy.

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Speaker 2: That's right.

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Speaker 3: We're gonna be at the mattin fully.

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Speaker 2: Hey, that's a loaf for.

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Speaker 3: A while, for a while, for a while.

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Speaker 2: If you guys want to hear more of that and

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Speaker 2: experience pudmeets World life, then go to Podmeetsworldshow dot com

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Speaker 2: right now and join us in Philly.

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Speaker 3: I'd like to apologize for all of our accents or

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Speaker 3: any of the shows we have planned, including Cleveland, Toronto, Pittsburgh,

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Speaker 3: and Washington, d C.

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Speaker 2: New York, Boston, Los Angeles, Chicago, New Orleans, Atlanta, Durham,

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Speaker 2: North Carolina, and two shows in Texas.

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Speaker 3: It's all at podmeets Worldshow dot com, where you can

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Speaker 3: get this kind of accent again.

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Speaker 2: That I'm good. I don't know. I prefer Irish anyway.

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Speaker 3: Buy your tickets now.

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Speaker 2: Nice.

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Speaker 1: So today we are recapping season three, episode eleven, City Slackers.

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Speaker 1: It originally air January fifth, nineteen ninety six. The synopsis

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Speaker 1: is Corey and Shawn sneak out to mister Feenie's cabin

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Speaker 1: in the mountains for a weekend of unsupervised mischief. They

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Speaker 1: get more than they bargained for when mister Feenie shows

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Speaker 1: up and they learn a few things about their old tea. Sure.

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Speaker 1: It was directed by Jeff McCracken. It was written by

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Speaker 1: Kevin Kelton, which is a name I don't remember.

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Speaker 2: Do you remember?

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Speaker 1: Yeah?

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Speaker 3: Sure, do you?

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Speaker 2: Yep? I remember the name, but I don't have a vision.

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Speaker 3: Like Kevin was a shorter guy, curly hair, glasses, very nice.

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Speaker 2: I know who you're talking about, Very very nice guy

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Speaker 2: with us for a while that much.

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Speaker 3: Yeah, Kevin was Kevin was a good was a good guy.

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Speaker 2: Yeah.

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Speaker 1: I mean, perhaps I don't remember him because I wasn't

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Speaker 1: in this episode, and so I wouldn't have spent a

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Speaker 1: whole lot of time with him.

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Speaker 3: You're going to be on this show someday, Daniel, I do.

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Speaker 1: I'm convinced reach to Ethan to see if he's interested

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Speaker 1: in taking this third chare. It would make more sense

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Speaker 1: at this point for just about anybody.

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Speaker 2: I don't believe you. Yes, I don't believe.

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Speaker 3: I was there, you were on this show.

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Speaker 2: I don't believe it. I just love that you didn't

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Speaker 2: realize this, like I just did, did you?

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Speaker 3: Aden?

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Speaker 2: So obvious? Like it's not until like the second half

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Speaker 2: of boy Meet's World that the Corey Tapanga thing is

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Speaker 2: the story the first like three years, it's you know,

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Speaker 2: she's there, but it's not, you know, but just barely there.

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Speaker 1: It's very Yes, it's so weird weird. So this episode

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Speaker 1: has some guest stars. Julie Ben's as Bianca. She has

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Speaker 1: worked a ton since the two thousands and is best

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Speaker 1: known for her role as a Rita on Dexter and

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Speaker 1: Darla on Buffy and Angel. We have Troy Evans as

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Speaker 1: Ranger Mark. This guy is never not working. He's a

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Speaker 1: character actor with almost two hundred credits to his name,

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Speaker 1: including Ace Ventura, Fear and Loathing in Las Vegas, The

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Speaker 1: Baseball Monkey Movie, Ed Bosh, and Deep, but he is

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Speaker 1: best known as Officer Frank Martin on One hundred and

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Speaker 1: thirty episodes of Er.

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Speaker 3: Yeah he's been in everything all the time. Yeah he's

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Speaker 3: yeah legend.

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Speaker 2: Here's Gomeber this week? Very well? Oh I do too, Yes, dude,

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Speaker 2: this is one I have lots of memories me. I

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Speaker 2: can't wait to get into them.

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Speaker 1: I can't wait because I even have a memory about

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Speaker 1: this week and I wasn't there.

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Speaker 3: I bet you I know what it was too.

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Speaker 2: I'll bet you I know exactly what it was. I

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Speaker 2: can't wait to talk about it. Okay, it was.

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Speaker 1: We have Blake Soaper as Joseph Joey the rat Epstein,

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Speaker 1: and Ethan Sipple as Frankie Stakino. So overall, what were

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Speaker 1: your thoughts? I love this episode. This is one of

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Speaker 1: my favorite episodes of the entire city.

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Speaker 2: I think this is like, I feel like this is

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Speaker 2: like one of the most boy meets world. Agree. It

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Speaker 2: has the most absurd story, yes, and then a story

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Speaker 2: that is okay but ends up ripping.

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Speaker 1: Your heart out, beautiful strange.

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Speaker 2: I do think it's a it's a weird episode, like

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Speaker 2: and it's not an episode people talk to me about

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Speaker 2: and I hear this because not much happened, like I

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Speaker 2: don't know, but it's so funny to me too. I

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Speaker 2: literally I think it was the last recap, wasn't I

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Speaker 2: just saying Sean and Feeney don't have any relationship. Yes,

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Speaker 2: it's like this episode swoops in with exactly the concern

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Speaker 2: that I was having that sort of as a viewer,

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Speaker 2: and I think that they must have been realizing it too.

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Speaker 2: It's so interesting. It's like, yeah, it's it's just great.

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Speaker 2: It does that service right, It makes Phoenie. It brings

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Speaker 2: Phoenie back into the show.

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Speaker 1: Which exactly, it brings Phenie back into the boys lives

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Speaker 1: as you know, as we've seen Phoenie's educator. Yes, seeing

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Speaker 1: Phoenie back with Corey and Sean as an educator and

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Speaker 1: as a man and learning more about his life, Oh

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Speaker 1: my god.

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Speaker 2: Story wise, I mean, like who cares? Both both the

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Speaker 2: A and B story are some of the least developed

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Speaker 2: stories in terms of plot. They're like they start a

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Speaker 2: plot and then just nothing happens, Like Corey Jean want

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Speaker 2: to go into meet girls. Disappears right, and Phoenie shows

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Speaker 2: up and they're gonna get in trouble. No, they're not

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Speaker 2: really gonna get in trouble. They're just gonna stay there.

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Speaker 2: We're gonna have this pool match to decide. Nope, we're

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Speaker 2: just gonna So it's like it starts a plot and

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Speaker 2: then just has these great scenes.

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Speaker 3: Yes, yeah, and that's.

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Speaker 2: Like a really it's almost like anti sitcoms episode. It's

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Speaker 2: so weird, but it's good.

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Speaker 3: I love it. I loved it.

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Speaker 2: I was wondering if you guys were gonna love it

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Speaker 2: or hate it, because I was hating a lot of

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Speaker 2: it for the lack of storytelling. But then I was like,

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Speaker 2: by the end, I'm like, no, that's that's a beautiful episode.

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Speaker 1: I loved it the whole way. I didn't even it

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Speaker 1: never bumped me that like we started. The only thing

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Speaker 1: that bumped me was like, yet again, here we go.

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Speaker 1: It's Amy Matthew's birthday, and the kids just don't care.

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Speaker 1: It's men aren't important. This is an odd family where

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Speaker 1: no one acknowledges really birthdays. It's like, as long as

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Speaker 1: somebody mentions that it's someone's birthday, we've done enough.

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Speaker 3: Yeah, somebody got very hurt by a birthday in the past,

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Speaker 3: and so birthdays are person now.

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Speaker 1: And that just kind of made me laugh. But I

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Speaker 1: got to work with Tony and with Alex.

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Speaker 2: Like that was the other thing.

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Speaker 3: I was like, I know, my god, I got to

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Speaker 3: work with both of them. I totally forgot that. I didn't.

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Speaker 2: You introduced yoursel just as you did on stage.

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Speaker 3: I know, and I thought I had no idea. I

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Speaker 3: had so much time.

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Speaker 1: I do feel like was shoehorned into a story. Of

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Speaker 1: course they had to get him in somehow, because there

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Speaker 1: really is like even though it's a small part.

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Speaker 2: There are no small parts, only small actors. Is even mentioned,

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Speaker 2: by the way, No, she doesn't exist, no exact We're

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Speaker 2: going to a ski lodge, which apparently ski lodges are

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Speaker 2: where you go to meet with the ski bunnies.

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Speaker 3: You meet the ski bunnies there, the ski bunnies.

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Speaker 2: But yeah, like why Corey wants to do that when

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Speaker 2: he has a girlfriend is really.

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Speaker 1: I think, I don't know that he's going for that.

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Speaker 1: I feel like he's going because he always does what

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Speaker 1: Sean wants to do. He gets suckered in. There's that

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Speaker 1: scene where he goes, oh, you know, I'm going where

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Speaker 1: he like tries to fight against it, but he's like,

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Speaker 1: I'm just in it.

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Speaker 2: But he never mentions to Penga RL's not going to

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Speaker 2: go because I have a girlfriend. Let me tell Penga, Yeah,

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Speaker 2: I'll go be a wingman for you.

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Speaker 3: I'll do something like that. You know, none, none of that?

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Speaker 1: Will you are a superstar in this episode?

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Speaker 2: So much fun? Can we talk about?

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Speaker 1: And do you want to share any of your memories

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Speaker 1: before we jump in or do you just want to

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Speaker 1: share him as we go?

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Speaker 3: Well, I mean, the thing I remember the most was

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Speaker 3: that they had me work with a magician and pool

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Speaker 3: player from the Magic Castle named Chef Anton.

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Speaker 2: Who does he get a credit? Does he?

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Speaker 3: I don't think so he doesn't he should have, like

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Speaker 3: and he just taught me, taught me all the pool

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Speaker 3: shots and we'll get into all that kind of stuff,

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Speaker 3: but I have to work the whole week with him,

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Speaker 3: and Julie was super nice, and Ethan and Blake were

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Speaker 3: fun to work with.

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Speaker 1: Will When you say Chef Anton, is it chef like

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Speaker 1: c HF like a chef.

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Speaker 3: That's what I remember was he was named was Chef Anton.

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Speaker 3: He was a magician at the Magic Castle, super nice guy,

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Speaker 3: but was also like a trick pool and so he

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Speaker 3: would We'd spent all day sitting there and he's like

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00:17:05,240 --> 00:17:07,200
Speaker 3: setting up the shots and he's got to like bang

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Speaker 3: certain things in at times into the you know, you

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Speaker 3: take one ball and hit it into the other ball,

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Speaker 3: so it made a little debt in the table so

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Speaker 3: the balls would stay where they had. It was a

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Speaker 3: whole thing, and he was teaching me all this stuff

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Speaker 3: and I did all the shots. I mean that was

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Speaker 3: all me doing all the sto and it was so cool.

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Speaker 3: We just had I might not have done. They cut

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Speaker 3: to one where it's like they cut and then it

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Speaker 3: goes yeah, and it goes that might have been Chef. No,

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Speaker 3: that was I think Chef doing that shot, but I.

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Speaker 2: Had to involve like a magnet or something, right.

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Speaker 3: One of them was a magnet, but the other one

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Speaker 3: is him actually spinning the ball. He did the shot.

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Speaker 3: I mean that's kind of the stuff he was doing.

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Speaker 3: So it was we had so much fun doing this

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Speaker 3: episode and it's so absurd and it kept getting more

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Speaker 3: absurd and I loved everything about it.

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Speaker 1: Well it really just so you know, Chef Anton is

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Speaker 1: still working. He is actually on Instagram. He is at

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Speaker 1: Scuba Magician. He specializes ino and scuba magic.

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Speaker 2: Pull wait, so pull like playing pool or scuba. I

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00:18:07,480 --> 00:18:11,679
Speaker 2: love that there's something called scuba magic this is underwater magic,

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Speaker 2: so everybody has to go underwater to be the audience.

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Speaker 2: Are you doing in a tank?

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Speaker 1: I would imagine there was a tank instead of just

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Speaker 1: form for the scuba die.

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Speaker 2: You remember when he came to the su night a

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Speaker 2: what if he just videos it? He goes underwater, does.

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Speaker 3: The magic there, and you'd be like, all of a

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Speaker 3: sudden a shark would appear or something like that.

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Speaker 2: To look into this, you have.

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Speaker 1: To look at scuba magician.

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Speaker 3: To the set that night. He came to the taping

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Speaker 3: when we did it, and he hit the thing. He

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Speaker 3: was famous for us. He liked that there was then

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Speaker 3: a crowd of all the writers producers around him as

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Speaker 3: he was like doing card tricks and the thing. He'd

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Speaker 3: finish a card trick and then he'd look at Minel

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Speaker 3: who was standing behind him and be like, oh, and

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00:18:48,480 --> 00:18:49,879
Speaker 3: by the way, here's your watch. And he'd be like

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00:18:49,920 --> 00:18:52,600
Speaker 3: wait what, Oh my gosh, All's watch was gone. It

402
00:18:52,680 --> 00:18:55,000
Speaker 3: was awesome. Yeah, it was a fun night. I remember

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Speaker 3: this episode so well.

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Speaker 1: Update writer, you do go down in the water with

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00:18:59,840 --> 00:19:03,040
Speaker 1: him him you scuba dive and he does magic for you.

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00:19:03,280 --> 00:19:06,359
Speaker 3: Oh my god, the magic is under boat.

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00:19:07,600 --> 00:19:11,919
Speaker 1: Yeah, guys, pod meets World Scuba Diving podcast.

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00:19:13,680 --> 00:19:14,480
Speaker 3: I love that.

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Speaker 2: I'm so into it.

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Speaker 3: I would totally do that.

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Speaker 1: All right, So let's jump into our recap. We start

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Speaker 1: in the Matthews kitchen. We're at the dining room table.

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Speaker 1: Corey is looking through a binder while Sean is folding

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Speaker 1: a paper into an airplane.

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Speaker 2: Now this this is a week week moment. Yeah. We're

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00:19:30,200 --> 00:19:33,439
Speaker 2: literally opening with me saying the one thing I'm glad

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Speaker 2: is that Phoenie's not around. It's like Phoene's always.

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00:19:39,640 --> 00:19:42,080
Speaker 1: I know the best thing about studying here is that

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00:19:42,119 --> 00:19:44,760
Speaker 1: there's no Phoene. But actually the only place other than

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Speaker 1: school there is is Corey's house.

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Speaker 2: And unfolding a paper airplane. It's like it's like we

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00:19:50,240 --> 00:19:52,280
Speaker 2: just went Let's go back to the pilot. Let's go

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Speaker 2: back to the pilot season one, remember, remember, Well.

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Speaker 1: I also can't let it go without pointing out that

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00:19:58,760 --> 00:20:02,040
Speaker 1: you are wearing two t sh shirts, a corduroy zip up,

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00:20:02,280 --> 00:20:03,080
Speaker 1: and a vest.

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00:20:03,560 --> 00:20:06,640
Speaker 3: Yeah, and also starting to look older.

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Speaker 2: Yeah.

429
00:20:07,560 --> 00:20:09,600
Speaker 3: I noticed it more in this episode than any of

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Speaker 3: the episodes coming up, where I'm like, oh, Wrider's starting

431
00:20:11,720 --> 00:20:13,480
Speaker 3: to look like writer, Like You're starting to look like

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00:20:13,520 --> 00:20:14,359
Speaker 3: teenage writer to me.

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Speaker 1: Yeah, yeah, so, Sean says, the best part about studying

434
00:20:17,000 --> 00:20:18,879
Speaker 1: at Corey's is there's no Phoenie. But then right on

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00:20:19,000 --> 00:20:21,439
Speaker 1: que Phenie knocks on the backyard door. Sean says he

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00:20:21,440 --> 00:20:23,080
Speaker 1: doesn't want to get hassled by Feenie. The door is

437
00:20:23,080 --> 00:20:25,399
Speaker 1: doing exactly what it's supposed to do. Corey explains that

438
00:20:25,400 --> 00:20:28,160
Speaker 1: Phoene is a pro. He leaves the principal stuff at school.

439
00:20:28,200 --> 00:20:30,879
Speaker 1: Then again, right on cue, Phoene asks if they're ready

440
00:20:30,880 --> 00:20:33,960
Speaker 1: for the test. The boys show Feenie they're currently studying,

441
00:20:33,960 --> 00:20:36,040
Speaker 1: and Phoene points out that Sean's book is still in

442
00:20:36,080 --> 00:20:40,520
Speaker 1: its original cellophane. Sean explains he gets top dollar on resale,

443
00:20:40,640 --> 00:20:43,560
Speaker 1: top dollar. Phoene says his best students have usually read

444
00:20:43,600 --> 00:20:45,960
Speaker 1: the book. Sean asks what that's what that gets him,

445
00:20:46,720 --> 00:20:50,640
Speaker 1: and Peenie responds into college. Then Amy walks down the stairs,

446
00:20:50,640 --> 00:20:52,920
Speaker 1: looking like she's ready to sell a brick split level

447
00:20:52,920 --> 00:20:56,320
Speaker 1: on Oak Street, or sell some paintings, or am I to.

448
00:20:56,359 --> 00:20:58,199
Speaker 2: Judge some galeryist stuff?

449
00:20:58,200 --> 00:21:00,960
Speaker 1: I don't know, but she asks Feeney if the boys

450
00:21:00,960 --> 00:21:03,520
Speaker 1: are in trouble. Phoene responds with probably, but that's not

451
00:21:03,520 --> 00:21:06,000
Speaker 1: why I'm here. Phoene hands Amy a small box with

452
00:21:06,040 --> 00:21:08,320
Speaker 1: a bow on it. She smiles and says, oh, he

453
00:21:08,400 --> 00:21:11,720
Speaker 1: remembered her birthday is Sunday. And this is a cute

454
00:21:11,720 --> 00:21:15,080
Speaker 1: little friendly thing between the Matthews and Phoenie that we

455
00:21:15,119 --> 00:21:16,880
Speaker 1: haven't really seen too often that.

456
00:21:16,760 --> 00:21:22,080
Speaker 2: They're kind of embarrassed getting some praise.

457
00:21:22,400 --> 00:21:25,639
Speaker 3: Feenie is what like where he's kind of like showing

458
00:21:25,680 --> 00:21:27,480
Speaker 3: a little look to Alan where he's like, you see

459
00:21:27,520 --> 00:21:31,760
Speaker 3: it is one of my favorite billisms. He's so awesome

460
00:21:31,760 --> 00:21:34,640
Speaker 3: at that kind of like well, chucks, you know it's

461
00:21:34,680 --> 00:21:35,560
Speaker 3: oh man, I loved it.

462
00:21:35,680 --> 00:21:38,880
Speaker 1: Love Yeah, it's it's I love the the faux blushing.

463
00:21:39,040 --> 00:21:41,280
Speaker 2: Oh yes, stop yeah, right exactly.

464
00:21:41,320 --> 00:21:43,919
Speaker 4: He's so good at it in this entire episode and

465
00:21:43,960 --> 00:21:48,200
Speaker 4: the whole episode, so you forget I had now officially

466
00:21:48,240 --> 00:21:50,679
Speaker 4: forgotten because he was coming in and doing one liners

467
00:21:50,680 --> 00:21:51,720
Speaker 4: and coming in and doing one.

468
00:21:51,600 --> 00:21:54,600
Speaker 3: Liners once again. You just get a masterclass in Bill

469
00:21:54,680 --> 00:21:57,240
Speaker 3: Daniels in this episode where it's like, oh man, he's

470
00:21:57,280 --> 00:21:57,760
Speaker 3: so good.

471
00:21:57,800 --> 00:22:01,360
Speaker 2: Every beat, every single beat is real with this man.

472
00:22:01,440 --> 00:22:03,360
Speaker 3: It is phenomenal. Yeah, awesome.

473
00:22:03,880 --> 00:22:06,879
Speaker 1: Just then Alan walks downstairs, sees Phoene and also asks

474
00:22:06,880 --> 00:22:09,200
Speaker 1: if the boys are in trouble. Amy exclaims that George

475
00:22:09,240 --> 00:22:12,200
Speaker 1: remembered it's her birthday. Alan says he didn't realize Amy's

476
00:22:12,240 --> 00:22:14,320
Speaker 1: birthday was coming up. He's kidding, of course, he wouldn't

477
00:22:14,320 --> 00:22:16,960
Speaker 1: forget it's a Sunday because the Eagles are playing. Amy

478
00:22:17,000 --> 00:22:19,720
Speaker 1: opens Phoene's present to reveal a key. It's for his

479
00:22:19,760 --> 00:22:22,120
Speaker 1: cottage in the mountains, because he thought Amy and Allan

480
00:22:22,160 --> 00:22:26,199
Speaker 1: would enjoy a romantic getaway this weekend. Amy kisses Foene

481
00:22:26,200 --> 00:22:28,240
Speaker 1: on the cheek and is thrilled, but she thought he

482
00:22:28,320 --> 00:22:30,960
Speaker 1: sold the cottage. Phoene says he intends to because he

483
00:22:30,960 --> 00:22:32,760
Speaker 1: doesn't get up there very much, but ensures her it

484
00:22:33,200 --> 00:22:36,760
Speaker 1: assures her it's very romantic. Alan appreciates the gesture, but

485
00:22:36,800 --> 00:22:39,560
Speaker 1: he's already made plans for Amy's birthday. The camera cuts

486
00:22:39,560 --> 00:22:41,919
Speaker 1: to Sean taking the key and then cuts back to

487
00:22:41,920 --> 00:22:44,080
Speaker 1: Phoenie telling the Matthews to keep the key. Maybe they

488
00:22:44,080 --> 00:22:46,679
Speaker 1: can go up another weekend. And I wondered why they

489
00:22:46,720 --> 00:22:49,679
Speaker 1: showed Sean taking the key there when then it's not

490
00:22:49,800 --> 00:22:52,360
Speaker 1: at all. The reveal later in the backyard.

491
00:22:52,240 --> 00:22:54,200
Speaker 2: Might have just been too tricky, Like you wouldn't have

492
00:22:54,240 --> 00:22:56,679
Speaker 2: believed that right that he Sean was unable to do it,

493
00:22:56,800 --> 00:22:57,960
Speaker 2: you know, right right.

494
00:22:59,160 --> 00:23:04,440
Speaker 1: So then the camera goes back to Sean, who spontaneously

495
00:23:04,480 --> 00:23:07,240
Speaker 1: throws his history book outside, saying it slipped. He says

496
00:23:07,280 --> 00:23:09,520
Speaker 1: Corey knows the terrain best, so he should help him

497
00:23:09,520 --> 00:23:09,879
Speaker 1: find it.

498
00:23:10,080 --> 00:23:10,800
Speaker 2: Corey looks over.

499
00:23:10,720 --> 00:23:12,760
Speaker 1: To Feenie and his parents, telling them, yeah, I know

500
00:23:12,880 --> 00:23:14,639
Speaker 1: this tundra, like it's my own backyard.

501
00:23:14,800 --> 00:23:20,000
Speaker 2: Back Yeah, so that's a yard. He does say about script,

502
00:23:20,160 --> 00:23:24,919
Speaker 2: I know this conversation because we've had.

503
00:23:24,760 --> 00:23:26,560
Speaker 3: Two writers come on and say it was the side yard.

504
00:23:27,119 --> 00:23:28,720
Speaker 2: I know anything.

505
00:23:29,960 --> 00:23:34,280
Speaker 1: These writers. And then we're in the Matthews backyard. Sewan

506
00:23:34,320 --> 00:23:36,200
Speaker 1: and Corey are now outside the kitchen and they close

507
00:23:36,280 --> 00:23:38,080
Speaker 1: the door. Sean says they have to use they have

508
00:23:38,160 --> 00:23:41,400
Speaker 1: to use code for security reasons. Corey says they don't

509
00:23:41,400 --> 00:23:43,639
Speaker 1: have code, and Sean responds with really, guys, like I

510
00:23:43,720 --> 00:23:46,960
Speaker 1: should have a code. And I noticed Ben seems to

511
00:23:46,960 --> 00:23:49,880
Speaker 1: be doing something different with Corey here, like the way

512
00:23:49,960 --> 00:23:51,320
Speaker 1: he's playing Corey.

513
00:23:51,480 --> 00:23:53,280
Speaker 2: This did not feel good to me.

514
00:23:53,359 --> 00:23:56,720
Speaker 3: There's something it was because it's it was supposed to

515
00:23:56,720 --> 00:23:58,840
Speaker 3: be like a fun running couplet that kind of has

516
00:23:58,880 --> 00:24:00,920
Speaker 3: nothing to do with it. And that's how you were

517
00:24:00,920 --> 00:24:04,000
Speaker 3: playing it and Ben was kind of almost playing it angry.

518
00:24:04,600 --> 00:24:07,760
Speaker 2: I could tell it was okay, Well, here's my memory

519
00:24:07,760 --> 00:24:11,160
Speaker 2: of this week. Okay, are you ready? Yeah? Ben and

520
00:24:11,320 --> 00:24:15,119
Speaker 2: I had the worst run through in the history of

521
00:24:15,720 --> 00:24:20,760
Speaker 2: Boy Beats World. This. Michael was gone. He wasn't there.

522
00:24:21,480 --> 00:24:22,879
Speaker 2: I don't know if he was gone all week, but

523
00:24:22,960 --> 00:24:25,800
Speaker 2: he certainly wasn't there for this one run through. And

524
00:24:26,080 --> 00:24:28,080
Speaker 2: I don't know what was happening. And all I remember

525
00:24:28,280 --> 00:24:31,600
Speaker 2: is that Ben and I were phoning it in. We

526
00:24:31,760 --> 00:24:35,159
Speaker 2: like waltz through a run through. I think we broke

527
00:24:35,240 --> 00:24:40,399
Speaker 2: a lot. We laughed and uh. David Kendall gave notes

528
00:24:40,480 --> 00:24:43,320
Speaker 2: and he just said, I don't I don't know what

529
00:24:43,400 --> 00:24:48,600
Speaker 2: to say. I just don't want to be here. Really,

530
00:24:49,119 --> 00:24:51,080
Speaker 2: I don't, you know, And he just like gave the

531
00:24:51,119 --> 00:24:53,880
Speaker 2: most like this is, I guess if you guys don't

532
00:24:54,000 --> 00:24:55,200
Speaker 2: want to do the show, I don't, I don't know

533
00:24:55,240 --> 00:24:57,400
Speaker 2: what to tell you. Oh he gave you that. I'm

534
00:24:57,400 --> 00:25:01,800
Speaker 2: not angry, I'm disappointed, just disapp And I also think

535
00:25:01,840 --> 00:25:04,399
Speaker 2: he truly didn't know what to do with us because

536
00:25:04,640 --> 00:25:06,800
Speaker 2: we had done so bad. And I remember that run

537
00:25:06,840 --> 00:25:09,439
Speaker 2: through ended and I remember being like, what what's happening?

538
00:25:09,480 --> 00:25:15,520
Speaker 2: And then me and Jeff McCracken and Ben had like

539
00:25:15,600 --> 00:25:19,480
Speaker 2: this huge like pow wow in our dressing rooms, like

540
00:25:19,640 --> 00:25:21,960
Speaker 2: post run through, it was like yeah, you know, and

541
00:25:22,040 --> 00:25:24,000
Speaker 2: like Jeff was like, what can I do? How can

542
00:25:24,040 --> 00:25:25,560
Speaker 2: we make this better? What do you guys want from

543
00:25:25,600 --> 00:25:28,000
Speaker 2: this episode? And I, honestly, I don't remember what the

544
00:25:28,040 --> 00:25:30,600
Speaker 2: problem was. I don't remember why. Ben and I I

545
00:25:30,600 --> 00:25:34,479
Speaker 2: think maybe we didn't like the episode, maybe we maybe

546
00:25:34,680 --> 00:25:37,080
Speaker 2: maybe it wasn't maybe we had pissed Bill off and

547
00:25:37,119 --> 00:25:40,040
Speaker 2: Bill said something. I'm not sure what happened, but it

548
00:25:40,119 --> 00:25:42,240
Speaker 2: was the only time in the history of Pointments world

549
00:25:42,280 --> 00:25:46,200
Speaker 2: where Ben and I were in trouble, like as kids,

550
00:25:46,240 --> 00:25:49,360
Speaker 2: for not being professional and not doing our jobs.

551
00:25:49,520 --> 00:25:51,040
Speaker 3: Do you remember do you remember if it was a

552
00:25:51,080 --> 00:25:52,760
Speaker 3: Monday run through or a Tuesday run It.

553
00:25:52,760 --> 00:25:54,359
Speaker 2: Had to be a Monday. Yeah, it had a network,

554
00:25:54,400 --> 00:25:57,640
Speaker 2: so this wasn't network nokay no, And like I said,

555
00:25:57,680 --> 00:26:01,000
Speaker 2: Michael wasn't there. But I remember just being like what

556
00:26:01,119 --> 00:26:04,080
Speaker 2: did we do? Like being so you know, and having

557
00:26:04,119 --> 00:26:07,280
Speaker 2: to like up our game. So I I just remember

558
00:26:07,359 --> 00:26:08,880
Speaker 2: being in trouble, like I just remember, and I can't

559
00:26:08,880 --> 00:26:10,960
Speaker 2: remember why. I think most of what happened is that

560
00:26:11,000 --> 00:26:12,680
Speaker 2: Ben and I were goofing off. I think we must

561
00:26:12,760 --> 00:26:15,919
Speaker 2: have just been phoning it in, making each other laugh.

562
00:26:16,160 --> 00:26:18,600
Speaker 2: If Michael was there, wasn't there, we probably thought it

563
00:26:18,640 --> 00:26:20,600
Speaker 2: wasn't important. Yeah, you know what I mean.

564
00:26:20,880 --> 00:26:23,280
Speaker 1: Michael wasn't there. There was probably a you guys felt

565
00:26:23,280 --> 00:26:24,760
Speaker 1: more relaxed, and.

566
00:26:24,760 --> 00:26:27,200
Speaker 2: We thought that the guy, you know, the moosh can't

567
00:26:27,200 --> 00:26:29,800
Speaker 2: be a ranger. It was the funniest things we thought

568
00:26:29,840 --> 00:26:33,359
Speaker 2: he was, and we probably did. Ever that's it ever

569
00:26:33,680 --> 00:26:35,359
Speaker 2: and I think, yeah, but it was.

570
00:26:35,480 --> 00:26:38,440
Speaker 1: It was an awful And then David Kendall probably also

571
00:26:38,560 --> 00:26:42,200
Speaker 1: felt like he had to take He had to take

572
00:26:42,240 --> 00:26:46,000
Speaker 1: it that seriously because one, how disrespectful that just because

573
00:26:46,040 --> 00:26:48,359
Speaker 1: Michael isn't here, you don't care about any of the

574
00:26:48,400 --> 00:26:51,080
Speaker 1: rest of us. And I need to get through to

575
00:26:51,160 --> 00:26:53,520
Speaker 1: you that this is not acceptable. And so I'm gonna

576
00:26:53,560 --> 00:26:55,520
Speaker 1: nip this in the bud right now instead of going

577
00:26:55,560 --> 00:26:56,840
Speaker 1: easy on you, I have to.

578
00:26:57,680 --> 00:26:59,720
Speaker 2: So, Yeah, that's it's always interesting.

579
00:26:59,400 --> 00:27:03,399
Speaker 3: Strange that that's that you would that would happen this

580
00:27:03,480 --> 00:27:06,800
Speaker 3: episode where the vast majority of your scenes it's just

581
00:27:06,960 --> 00:27:10,399
Speaker 3: you and Ben and Bill, like of all the weeks

582
00:27:10,440 --> 00:27:12,920
Speaker 3: to phone it in you think the one you'd never picked,

583
00:27:12,920 --> 00:27:15,520
Speaker 3: the one where it's you're actually working with Bill NonStop

584
00:27:15,560 --> 00:27:19,280
Speaker 3: and something that very much feels like a play. You know,

585
00:27:19,320 --> 00:27:22,480
Speaker 3: it's like wow that it's it's interesting that all you.

586
00:27:23,440 --> 00:27:26,480
Speaker 2: Think at this point we felt like we were we

587
00:27:26,480 --> 00:27:29,320
Speaker 2: were impervious, you know, like there's no way we couldn't

588
00:27:29,320 --> 00:27:33,160
Speaker 2: wait to get something. Dan Jokoff Man say the lines,

589
00:27:33,600 --> 00:27:35,440
Speaker 2: and like, you know, I think it was a reality

590
00:27:35,520 --> 00:27:37,359
Speaker 2: check of like we still needed to show up, we

591
00:27:37,359 --> 00:27:39,880
Speaker 2: still needed to do our jobs, and you know we did. Like,

592
00:27:39,920 --> 00:27:42,520
Speaker 2: but this this scene felt off for me too, Like

593
00:27:42,560 --> 00:27:44,720
Speaker 2: acting wise, I didn't feel like I was very good

594
00:27:45,000 --> 00:27:47,280
Speaker 2: and I was just like, what's happening here? And I

595
00:27:47,320 --> 00:27:49,679
Speaker 2: think if I remember, I didn't I didn't like the

596
00:27:49,720 --> 00:27:51,800
Speaker 2: dialogue and I'm not sure like I could see it now,

597
00:27:51,920 --> 00:27:54,320
Speaker 2: but it just didn't feel I don't know, something was

598
00:27:54,359 --> 00:27:57,280
Speaker 2: off for me. And it's still felt off watching this

599
00:27:57,280 --> 00:27:59,520
Speaker 2: this scene. But I mean, this is where they should

600
00:27:59,520 --> 00:28:02,080
Speaker 2: have brought into like in in fact, he should not

601
00:28:02,160 --> 00:28:03,760
Speaker 2: want to go, He should want to do the right

602
00:28:03,800 --> 00:28:06,160
Speaker 2: thing because he has a girlfriend and Da da dada

603
00:28:06,200 --> 00:28:09,480
Speaker 2: da and Sean should be like but girls, but you know,

604
00:28:09,560 --> 00:28:12,560
Speaker 2: snow money's but whatever, and again keeps seaching him until

605
00:28:12,560 --> 00:28:14,160
Speaker 2: he finally go, oh, you know, I'm going.

606
00:28:14,280 --> 00:28:16,920
Speaker 3: It has to be because think about it, we have

607
00:28:17,080 --> 00:28:23,560
Speaker 3: Ethan and Blake and Alex, Alex and Tony and Julie

608
00:28:23,560 --> 00:28:27,360
Speaker 3: Ben's and another. I mean there's like three different characters

609
00:28:27,359 --> 00:28:30,199
Speaker 3: that are speaking. So yeah, there's everybody was in this

610
00:28:30,240 --> 00:28:39,760
Speaker 3: episode except Daniel. It was very strange.

611
00:28:43,960 --> 00:28:45,960
Speaker 1: So Corey says they can bring up code words at

612
00:28:45,960 --> 00:28:47,760
Speaker 1: the next meeting, which prompts Sean to ask when the

613
00:28:47,800 --> 00:28:50,160
Speaker 1: next meeting is. Corey tells him they don't have meetings,

614
00:28:50,160 --> 00:28:53,480
Speaker 1: and Sean says this club blows, which I was like,

615
00:28:53,600 --> 00:28:58,480
Speaker 1: whoa the language. Sean says he knows how to make

616
00:28:58,520 --> 00:29:01,200
Speaker 1: everything better and pulls out and he's key, and then

617
00:29:01,600 --> 00:29:05,680
Speaker 1: the audience goes nuts. There this is this is a

618
00:29:05,800 --> 00:29:08,840
Speaker 1: hot audience, And I feel like, maybe it's those inmates,

619
00:29:09,760 --> 00:29:10,080
Speaker 1: you know what.

620
00:29:10,880 --> 00:29:14,000
Speaker 3: Excited about At this point we had actual fans. The

621
00:29:14,080 --> 00:29:17,360
Speaker 3: inmates were the season I'm not gonna start, okay, maybe.

622
00:29:17,080 --> 00:29:19,640
Speaker 1: You know, I feel like inmates would be thrilled about

623
00:29:19,680 --> 00:29:21,520
Speaker 1: about robbing Phoenie's house.

624
00:29:23,600 --> 00:29:26,360
Speaker 3: The inmates also all sounded like twelve year old girls,

625
00:29:26,400 --> 00:29:28,600
Speaker 3: so I want to know this was.

626
00:29:28,720 --> 00:29:32,360
Speaker 2: It was twelve year old girl president. It was literally

627
00:29:32,360 --> 00:29:37,480
Speaker 2: are they Daniel? Was Sean, like, what are they wooing about?

628
00:29:37,560 --> 00:29:40,160
Speaker 2: Like did they just automatically know that in the mountains

629
00:29:40,160 --> 00:29:41,400
Speaker 2: there are hot women, Like.

630
00:29:43,560 --> 00:29:47,120
Speaker 1: They woo about you guys stealing the key and going

631
00:29:47,160 --> 00:29:50,520
Speaker 1: there alone, and then they woo about the hot bunnies.

632
00:29:51,280 --> 00:29:55,680
Speaker 2: I think it's it's an ooh into oh, you're right.

633
00:29:55,880 --> 00:29:59,360
Speaker 3: So it's like, oh, you're stealing stuff and the hot

634
00:29:59,360 --> 00:30:04,040
Speaker 3: sche money of course ski bunnies with treating on to pay.

635
00:30:03,480 --> 00:30:06,520
Speaker 2: It was a new and wold exactly, which is what

636
00:30:07,080 --> 00:30:10,240
Speaker 2: so interested in the like ski lodge as a site

637
00:30:10,400 --> 00:30:13,640
Speaker 2: of like dating potential. Oh, I'll tell you why Michael

638
00:30:13,720 --> 00:30:16,440
Speaker 2: Jacobs had a house and asked. That's what I was thinking,

639
00:30:16,840 --> 00:30:18,560
Speaker 2: like this is when he got his house and asked

640
00:30:19,160 --> 00:30:19,840
Speaker 2: and was going.

641
00:30:20,400 --> 00:30:24,120
Speaker 1: It's so hot and sexy and sexy because I just.

642
00:30:26,080 --> 00:30:28,320
Speaker 2: Such a clear obsession with our show.

643
00:30:29,240 --> 00:30:33,400
Speaker 1: It is the ss bunnies everywhere and Aspen.

644
00:30:33,720 --> 00:30:36,920
Speaker 3: Ski Resorts, food and hair. There's something going on. I

645
00:30:36,960 --> 00:30:37,880
Speaker 3: want to know what's up.

646
00:30:40,480 --> 00:30:43,760
Speaker 1: So Sean explains, there's an empty cottage and ski country

647
00:30:43,760 --> 00:30:48,160
Speaker 1: with young, healthy, snuggly snowbodies.

648
00:30:50,160 --> 00:30:53,440
Speaker 2: Their health by the way. Okay, look, I definitely used

649
00:30:53,480 --> 00:30:57,000
Speaker 2: to talk about like women who snowboarded as being like

650
00:30:57,120 --> 00:30:59,880
Speaker 2: sexy because they were like a lettic or like god like.

651
00:31:00,080 --> 00:31:03,480
Speaker 2: I definitely went with this so wealthy.

652
00:31:05,280 --> 00:31:07,280
Speaker 3: No, it's just like such a weird to say they

653
00:31:07,320 --> 00:31:09,239
Speaker 3: eat their carrots. It is.

654
00:31:09,280 --> 00:31:12,880
Speaker 2: It's weird. It's the whole thing is It's just like it's.

655
00:31:12,680 --> 00:31:15,760
Speaker 3: Like that, you know, somebody obviously had an obsession with that.

656
00:31:15,840 --> 00:31:18,040
Speaker 3: It's like, oh, because we always have to go to

657
00:31:18,160 --> 00:31:19,400
Speaker 3: racetracks to meet hot with.

658
00:31:23,120 --> 00:31:25,280
Speaker 2: The old NASCAR, right, It's like.

659
00:31:25,320 --> 00:31:28,800
Speaker 3: Just picking weird exactly makes me want to escape, makes

660
00:31:28,840 --> 00:31:29,960
Speaker 3: me want to escape.

661
00:31:31,200 --> 00:31:33,840
Speaker 1: So Corey warrens, if they go up there, Phoene is

662
00:31:33,880 --> 00:31:35,920
Speaker 1: going to go mental, and Sean says that's a bonus.

663
00:31:36,080 --> 00:31:38,200
Speaker 1: Phoene goes out of his way to make Sean's life

664
00:31:38,240 --> 00:31:40,800
Speaker 1: miserable and this will make up for it. Sometimes they

665
00:31:40,800 --> 00:31:44,840
Speaker 1: have to break the rules. Corey says, it's deceitful and irresponsible,

666
00:31:44,880 --> 00:31:47,120
Speaker 1: but there's and there's no chance they'd get away with it.

667
00:31:47,160 --> 00:31:49,960
Speaker 1: Sean gives him a smirk and Corey says, oh, you know,

668
00:31:50,080 --> 00:31:52,880
Speaker 1: I'm going And I realized here that Sean has the

669
00:31:52,920 --> 00:31:54,960
Speaker 1: ability to ensorcele Corey with.

670
00:31:55,000 --> 00:31:55,560
Speaker 2: Just a smoker.

671
00:31:55,560 --> 00:31:58,440
Speaker 3: It doesn't, he doesn't. It's also very Sean Corey. I

672
00:31:58,520 --> 00:32:00,880
Speaker 3: like the very Corey moment of oh, you know, I'm

673
00:32:00,880 --> 00:32:02,160
Speaker 3: going to be thirty.

674
00:32:01,920 --> 00:32:03,840
Speaker 2: Minutes into our recap. We've made it through the first seat.

675
00:32:04,760 --> 00:32:06,480
Speaker 1: We're out of the Matthew's house.

676
00:32:06,760 --> 00:32:08,120
Speaker 2: All right, we're in the school hallway.

677
00:32:08,120 --> 00:32:10,000
Speaker 1: Sean runs up to Corey at his locker and reveals

678
00:32:10,000 --> 00:32:11,520
Speaker 1: two bus tickets to Paradise.

679
00:32:11,920 --> 00:32:13,560
Speaker 2: Is this still before school?

680
00:32:13,920 --> 00:32:15,960
Speaker 1: Did he skip the first part of school.

681
00:32:15,640 --> 00:32:16,760
Speaker 2: To go get these bus tickets?

682
00:32:16,840 --> 00:32:18,680
Speaker 1: Is everyone getting up at four am so they have

683
00:32:18,720 --> 00:32:21,880
Speaker 1: time to study at the house, have conversations with their parents,

684
00:32:21,920 --> 00:32:24,160
Speaker 1: buy bus tickets all before first period?

685
00:32:24,560 --> 00:32:29,000
Speaker 2: Right, it's like six am. It's like so early. I'm like, you, guys,

686
00:32:28,840 --> 00:32:32,400
Speaker 2: must you're in the same clothes.

687
00:32:34,400 --> 00:32:36,480
Speaker 1: Yes, you're in your corduroy two shirt.

688
00:32:36,640 --> 00:32:38,400
Speaker 2: Zip up. Damn.

689
00:32:38,920 --> 00:32:42,000
Speaker 1: Yeah, the morning still morning because.

690
00:32:41,720 --> 00:32:44,240
Speaker 2: Amy comes down as we're studying for the test in

691
00:32:44,280 --> 00:32:47,240
Speaker 2: the morning. Okay, yeah, you're we were cramming for a test.

692
00:32:47,360 --> 00:32:49,880
Speaker 1: And then you left still an ample time to go

693
00:32:49,920 --> 00:32:52,720
Speaker 1: get bus tickets or you just bailed on school for

694
00:32:52,760 --> 00:32:53,920
Speaker 1: the first part and you showed it.

695
00:32:54,040 --> 00:32:55,680
Speaker 2: I don't really know. I'm just I was just drinking.

696
00:32:55,880 --> 00:32:58,200
Speaker 2: I honestly don't remember. Do we ever? What what are

697
00:32:58,200 --> 00:32:59,400
Speaker 2: we telling Corey's parents?

698
00:32:59,800 --> 00:33:05,040
Speaker 3: We never talk about it doesn't mentioned, no, no, not mentioned.

699
00:33:05,280 --> 00:33:08,040
Speaker 2: So they only find out that we're okay.

700
00:33:07,960 --> 00:33:12,320
Speaker 1: When PHOENI, well Feoene goes up that same night, right,

701
00:33:12,840 --> 00:33:14,600
Speaker 1: so they're not gone very long.

702
00:33:14,760 --> 00:33:16,160
Speaker 2: But you know, my.

703
00:33:16,280 --> 00:33:18,880
Speaker 3: Head, I also assume it's the typical thing where Sean

704
00:33:19,000 --> 00:33:22,920
Speaker 3: tells Turner, I'm sleeping, and I'm sleeping at it.

705
00:33:23,040 --> 00:33:29,240
Speaker 1: Yeah, yeah, uh so. Sean reveals the weather report a

706
00:33:29,280 --> 00:33:31,840
Speaker 1: fresh blanket of snow on the mountains, but Corey says

707
00:33:31,840 --> 00:33:33,560
Speaker 1: he had a moment of clarity. It occurred to him.

708
00:33:33,600 --> 00:33:36,280
Speaker 1: They don't skate. Sean retorts by saying they don't learn.

709
00:33:36,320 --> 00:33:39,560
Speaker 1: But they go to school, don't they. Nearby Eric approaches

710
00:33:39,600 --> 00:33:43,760
Speaker 1: mister Turner and he introduces himself. It's me Eric, Corey's

711
00:33:43,800 --> 00:33:45,640
Speaker 1: brother sne I.

712
00:33:45,560 --> 00:33:47,640
Speaker 3: Remember just working with Tony and it's just such a

713
00:33:47,760 --> 00:33:50,720
Speaker 3: him just looking at me like you're in my clat

714
00:33:50,720 --> 00:33:53,200
Speaker 3: we talk every day. Is just one of my favorite

715
00:33:53,200 --> 00:33:53,680
Speaker 3: things of the world.

716
00:33:54,080 --> 00:34:01,080
Speaker 2: Is full of Oh the it's glorious.

717
00:34:01,480 --> 00:34:05,600
Speaker 1: Yeah, it really is. Turner says he knows Eric is

718
00:34:05,640 --> 00:34:07,800
Speaker 1: in his English Lit class. He's not doing so well.

719
00:34:08,320 --> 00:34:08,440
Speaker 3: Uh.

720
00:34:09,000 --> 00:34:11,200
Speaker 1: Eric asks mister Turner if he was just talking to

721
00:34:11,360 --> 00:34:15,120
Speaker 1: Bianca Sabatini, who is giggling nearby the payphone. She's played

722
00:34:15,120 --> 00:34:18,319
Speaker 1: by Julie Bens. Turner says, yes, he's her teacher. Eric

723
00:34:18,360 --> 00:34:20,040
Speaker 1: asks if he can teach her to go out with him.

724
00:34:20,239 --> 00:34:22,400
Speaker 1: Welcome back, girls, girls, girl.

725
00:34:22,320 --> 00:34:23,680
Speaker 2: Girls, girls, girl.

726
00:34:24,120 --> 00:34:26,920
Speaker 1: We're taking a break from college college college to go

727
00:34:27,000 --> 00:34:28,400
Speaker 1: back to girl girls.

728
00:34:28,960 --> 00:34:30,640
Speaker 3: I love it. I am a big fan.

729
00:34:31,040 --> 00:34:33,600
Speaker 1: Turner size, and Eric tells him she only goes out

730
00:34:33,600 --> 00:34:36,200
Speaker 1: with jocks. Eric watches the occasional game, but solely to

731
00:34:36,239 --> 00:34:39,680
Speaker 1: look at the players wives. They are hot, but imagine

732
00:34:39,719 --> 00:34:42,600
Speaker 1: him on a ski and imagine a ski Lune. Couldn't

733
00:34:42,600 --> 00:34:44,880
Speaker 1: even imagine you think they're hot in the stands, all

734
00:34:45,000 --> 00:34:45,520
Speaker 1: forget it.

735
00:34:45,800 --> 00:34:52,360
Speaker 2: Healthy, healthy, snugly skier, healthy snugly player wives.

736
00:34:52,480 --> 00:34:56,120
Speaker 1: Yeah. Turner cuts Eric off and says this conversation doesn't

737
00:34:56,120 --> 00:34:58,600
Speaker 1: really need him, does it. Eric says no, thanks him

738
00:34:58,600 --> 00:35:04,080
Speaker 1: for his time. So funny this conversation does. As Turner leaves,

739
00:35:04,160 --> 00:35:06,560
Speaker 1: Eric walks over to Bianca. He introduces himself and says

740
00:35:06,560 --> 00:35:09,279
Speaker 1: they're in the same English class, to which Bianca replies, Oh, yeah,

741
00:35:09,440 --> 00:35:15,760
Speaker 1: you're the smart one. Red flag right there, big big

742
00:35:16,719 --> 00:35:21,000
Speaker 1: red flag. Eric says, yes, he may be the class

743
00:35:21,200 --> 00:35:25,480
Speaker 1: victorian this year. The laughs says he's cute and asks

744
00:35:25,520 --> 00:35:31,239
Speaker 1: if he's a jock. Eric responds with I've worn them.

745
00:35:31,440 --> 00:35:33,719
Speaker 1: And then we are in Chubbies. Eric and Bianca have

746
00:35:33,800 --> 00:35:36,080
Speaker 1: quickly turned this conversation into an interior.

747
00:35:35,719 --> 00:35:38,800
Speaker 2: Of Chubbies that is shown. There's an exterior day of Chubbies.

748
00:35:38,840 --> 00:35:41,640
Speaker 2: Have we have we seen that exterior before?

749
00:35:42,880 --> 00:35:44,560
Speaker 1: I don't know about if we've seen that one. I

750
00:35:44,600 --> 00:35:46,440
Speaker 1: know we have seen one, and I don't remember. I

751
00:35:46,480 --> 00:35:49,560
Speaker 1: didn't technically technically.

752
00:35:49,880 --> 00:35:57,440
Speaker 2: And then we had the scene the rave where this

753
00:35:57,600 --> 00:35:59,840
Speaker 2: is in La Like, they clearly went somewhere in l

754
00:35:59,880 --> 00:36:04,600
Speaker 2: A and put a Chubby sign on a building somewhere

755
00:36:04,600 --> 00:36:06,480
Speaker 2: like in the valley. I would love to know where

756
00:36:06,520 --> 00:36:08,080
Speaker 2: that is and kind of looks there's.

757
00:36:07,880 --> 00:36:10,680
Speaker 3: Your old apartment building, Rider, the one in downtown, kind

758
00:36:10,680 --> 00:36:11,640
Speaker 3: of that red brick.

759
00:36:11,760 --> 00:36:13,400
Speaker 1: It would make sense that they would have stolen a

760
00:36:13,400 --> 00:36:14,560
Speaker 1: place that Ryder was living.

761
00:36:15,480 --> 00:36:16,439
Speaker 3: He stole everything else.

762
00:36:16,520 --> 00:36:18,239
Speaker 1: They stole everything else from Rider's life.

763
00:36:18,280 --> 00:36:20,400
Speaker 3: It's a writer's life. Counting crows all that stuff, the

764
00:36:20,400 --> 00:36:23,280
Speaker 3: fact that he loves ski bunnies. They just took everything everything.

765
00:36:23,360 --> 00:36:28,680
Speaker 1: It's so life. Yeah. So they've turned their conversation into

766
00:36:28,719 --> 00:36:31,480
Speaker 1: a date and Eric asks Bianca why she dates jocks,

767
00:36:31,520 --> 00:36:33,760
Speaker 1: and she says I like to date winners and inquires

768
00:36:33,760 --> 00:36:36,440
Speaker 1: what sport Eric plays. He hesitates and looks over.

769
00:36:36,320 --> 00:36:37,040
Speaker 2: At the pool table.

770
00:36:37,120 --> 00:36:39,239
Speaker 1: He asks if she follows pool, and she says not

771
00:36:39,320 --> 00:36:41,640
Speaker 1: at all. He smirks and tells her he's a grand master.

772
00:36:42,320 --> 00:36:44,200
Speaker 1: Eric and Bianca make their way to the pool table,

773
00:36:44,239 --> 00:36:46,719
Speaker 1: as Bianca says she never thought of pool as a

774
00:36:46,840 --> 00:36:49,640
Speaker 1: jockey kind of sport. Eric points to a scar on

775
00:36:49,680 --> 00:36:51,399
Speaker 1: his head, telling her he got it at the eight

776
00:36:51,440 --> 00:36:55,440
Speaker 1: Ball champions Championships in Mexico City in nineteen sixty four.

777
00:36:58,640 --> 00:37:02,680
Speaker 1: And then Fedora, Joey and Frankie welcome back to these two.

778
00:37:02,840 --> 00:37:05,960
Speaker 1: They come walking in, calling Eric and Bianca mister and

779
00:37:06,080 --> 00:37:09,040
Speaker 1: missus Batinsky because they took the table that he and

780
00:37:09,080 --> 00:37:11,880
Speaker 1: Frankie were already playing at. Eric says the table was empty,

781
00:37:11,920 --> 00:37:13,719
Speaker 1: so if they don't mind leaving while the two of

782
00:37:13,719 --> 00:37:17,160
Speaker 1: them finish up. Fodora Joey asks if Eric is challenging

783
00:37:17,239 --> 00:37:19,719
Speaker 1: Frankie to the table. Bianca tells Eric to do it

784
00:37:19,760 --> 00:37:22,000
Speaker 1: because she'd love to see the grand Master at work.

785
00:37:22,520 --> 00:37:25,759
Speaker 1: Eric obliges and tells Frankie you're on. He wonders how

786
00:37:25,800 --> 00:37:29,160
Speaker 1: good could Frankie be anyways, Fodora Joey laughs as Frankie

787
00:37:29,239 --> 00:37:32,200
Speaker 1: pulls out his own custick, telling Eric he's buried dead

788
00:37:32,239 --> 00:37:32,840
Speaker 1: in the ground.

789
00:37:34,239 --> 00:37:38,160
Speaker 3: First of all, I love how Eric never really sees

790
00:37:38,200 --> 00:37:40,640
Speaker 3: them as bullies. Yeah, you know, he's just like, no,

791
00:37:40,760 --> 00:37:43,600
Speaker 3: we got the table, you know this is It's not like, oh, geez,

792
00:37:43,600 --> 00:37:43,960
Speaker 3: they're here.

793
00:37:44,040 --> 00:37:44,360
Speaker 2: Sorry.

794
00:37:44,400 --> 00:37:46,640
Speaker 3: Yeah, it's like, no, you weren't here.

795
00:37:47,040 --> 00:37:49,400
Speaker 2: Yes, two, it would have been about how scary they

796
00:37:49,400 --> 00:37:52,880
Speaker 2: were something. Right, They're just part of the gang now, exactly.

797
00:37:53,320 --> 00:37:55,560
Speaker 1: It's one of my favorite things about the bullies having

798
00:37:55,640 --> 00:37:57,759
Speaker 1: less to do with Corey and Sean and more to

799
00:37:57,800 --> 00:38:00,000
Speaker 1: do with Eric. Where Eric is more on equal foot

800
00:38:00,239 --> 00:38:05,720
Speaker 1: with them, it becomes just more of a peer relationship.

801
00:38:05,120 --> 00:38:06,560
Speaker 2: Rather than like bullies.

802
00:38:06,640 --> 00:38:07,160
Speaker 3: I agree.

803
00:38:07,800 --> 00:38:09,600
Speaker 1: Will Had you ever played pool before this?

804
00:38:10,200 --> 00:38:11,759
Speaker 3: Yeah, I grew up. We actually had a pool table

805
00:38:11,800 --> 00:38:13,839
Speaker 3: in our house growing up. So my grandfather was a

806
00:38:13,960 --> 00:38:15,080
Speaker 3: very good pool player.

807
00:38:15,160 --> 00:38:16,000
Speaker 2: He was a grand master.

808
00:38:16,360 --> 00:38:18,120
Speaker 3: He was there was a grandfather.

809
00:38:20,239 --> 00:38:21,960
Speaker 1: And it's the father to.

810
00:38:21,920 --> 00:38:25,000
Speaker 3: Be right, so no, so he he taught me, and

811
00:38:25,120 --> 00:38:26,920
Speaker 3: I played most of my life growing up. I mean

812
00:38:26,920 --> 00:38:30,680
Speaker 3: I wasn't as good as Chef Anton right obviously, who's

813
00:38:30,719 --> 00:38:32,480
Speaker 3: doing trick shots and stuff. But no, I played pool

814
00:38:32,560 --> 00:38:34,160
Speaker 3: quite a bit actually, And then I had a pool

815
00:38:34,160 --> 00:38:37,360
Speaker 3: table in my apartment in Los Angeles that I didn't

816
00:38:37,440 --> 00:38:40,919
Speaker 3: measure correctly, so I couldn't draw the acoustick all.

817
00:38:40,840 --> 00:38:41,319
Speaker 2: The way back.

818
00:38:41,400 --> 00:38:45,879
Speaker 3: So it was like, don't like perfectly exactly a pool table.

819
00:38:45,719 --> 00:38:49,600
Speaker 2: In your bird apartment? Uh huh, I don't remember that

820
00:38:49,640 --> 00:38:53,799
Speaker 2: at all, Sure, big it was, Remember I had that.

821
00:38:54,040 --> 00:38:56,960
Speaker 3: I had the penthouse apartment by the end, and it

822
00:38:57,040 --> 00:38:59,120
Speaker 3: was like I had the there's that separate room where

823
00:38:59,120 --> 00:39:00,760
Speaker 3: I had the pool table, and it it was hysterical,

824
00:39:00,800 --> 00:39:02,440
Speaker 3: like people walking be like, I want to play pool,

825
00:39:02,520 --> 00:39:03,279
Speaker 3: don't hit the.

826
00:39:03,200 --> 00:39:06,000
Speaker 2: Wall all the penthouse at the oak Woods, like I wish.

827
00:39:06,120 --> 00:39:08,080
Speaker 3: I'm glad I was not in the oak Woods by

828
00:39:08,080 --> 00:39:09,840
Speaker 3: that point, but only like a mile away.

829
00:39:10,360 --> 00:39:13,760
Speaker 2: Okay, that burrito place right, which one on the street

830
00:39:13,800 --> 00:39:14,640
Speaker 2: from your.

831
00:39:14,520 --> 00:39:19,200
Speaker 3: Santa Fe cafe? Yes, that there's a there's one left

832
00:39:19,360 --> 00:39:22,279
Speaker 3: not in Burbank, out here by Danielle and I, And

833
00:39:22,360 --> 00:39:24,200
Speaker 3: soone and I go to it like once a month.

834
00:39:24,640 --> 00:39:27,840
Speaker 2: Amazingly, it tastes exactly the same.

835
00:39:27,960 --> 00:39:29,840
Speaker 3: You go and get that stuff and it brings you.

836
00:39:29,880 --> 00:39:31,719
Speaker 3: For the first time I had it because I'd said

837
00:39:31,760 --> 00:39:34,080
Speaker 3: to Sue maybe three years ago, it was it was

838
00:39:34,120 --> 00:39:36,360
Speaker 3: not that long ago. I was like, oh, there's this place.

839
00:39:36,440 --> 00:39:38,640
Speaker 3: And I went to the Santa Fe Cafe in Burbank

840
00:39:38,719 --> 00:39:40,640
Speaker 3: so many times that if there was a line, I

841
00:39:40,680 --> 00:39:43,440
Speaker 3: would just walk past the line, go behind the counter,

842
00:39:43,600 --> 00:39:45,600
Speaker 3: literally right in my order, put it up on the thing,

843
00:39:45,680 --> 00:39:48,759
Speaker 3: open the register, and put the money and they wink

844
00:39:48,800 --> 00:39:51,239
Speaker 3: at me. And so I was telling her this story,

845
00:39:51,239 --> 00:39:52,960
Speaker 3: and she's like, you know, there's a Santa Fe cafe

846
00:39:53,040 --> 00:39:56,200
Speaker 3: like fifteen minutes from here. It's like what She's like, yeah,

847
00:39:56,400 --> 00:39:58,040
Speaker 3: there's there were two. There was the one in Burbank

848
00:39:58,040 --> 00:39:59,600
Speaker 3: they closed out, and there was one out here and

849
00:39:59,640 --> 00:40:04,000
Speaker 3: like slink and it was well and jump. I'm so excited,

850
00:40:04,160 --> 00:40:05,319
Speaker 3: so good, so good.

851
00:40:06,000 --> 00:40:08,800
Speaker 1: So now we're at Phoene's cottage. A park ranger opens

852
00:40:08,800 --> 00:40:11,120
Speaker 1: the door to Peenie's cottage as Cory and Sean follow behind,

853
00:40:11,160 --> 00:40:12,839
Speaker 1: all bundled up and freezing cold.

854
00:40:12,960 --> 00:40:16,000
Speaker 2: Here's my question, Yeah, why is a park ranger showing

855
00:40:16,040 --> 00:40:16,919
Speaker 2: them into.

856
00:40:17,560 --> 00:40:20,760
Speaker 3: How close did the bus get them to the cabin

857
00:40:20,880 --> 00:40:21,520
Speaker 3: is my question.

858
00:40:21,800 --> 00:40:25,879
Speaker 2: I just don't understand what is happening. What is there

859
00:40:25,920 --> 00:40:29,560
Speaker 2: a ranger in the cabin? What does this have to do? What?

860
00:40:29,560 --> 00:40:31,920
Speaker 2: What world do you live in? It's not a hotel,

861
00:40:32,520 --> 00:40:34,640
Speaker 2: I'm not a lodge. What is it?

862
00:40:34,760 --> 00:40:35,560
Speaker 3: Just somebody's house.

863
00:40:35,920 --> 00:40:40,960
Speaker 2: It's Phoene's house, and the ranger just it's just I

864
00:40:41,000 --> 00:40:43,640
Speaker 2: don't mean it's funny. I like the scene, but I

865
00:40:43,960 --> 00:40:46,160
Speaker 2: have no idea what has happened. So in my head

866
00:40:46,200 --> 00:40:47,640
Speaker 2: there's a correlation between the two.

867
00:40:47,800 --> 00:40:51,319
Speaker 3: In my head, the bus dropped them off like three

868
00:40:51,400 --> 00:40:53,799
Speaker 3: quarters of a mile from the cabin. They're hoofing it

869
00:40:53,840 --> 00:40:56,799
Speaker 3: to the cabin, and the ranger drives find these two

870
00:40:56,960 --> 00:40:59,640
Speaker 3: kids walking through and it's like, hey, let me let

871
00:40:59,680 --> 00:41:02,319
Speaker 3: me dry to your cabin, and then he gets in

872
00:41:02,360 --> 00:41:03,560
Speaker 3: the cat and then they're there.

873
00:41:03,640 --> 00:41:05,520
Speaker 1: That's it, which, by the way, you could set up

874
00:41:05,560 --> 00:41:08,040
Speaker 1: with one sentence off so glad I saw you guys

875
00:41:08,040 --> 00:41:08,799
Speaker 1: taking up to the.

876
00:41:08,760 --> 00:41:13,600
Speaker 2: Cabin holding out there.

877
00:41:13,200 --> 00:41:15,560
Speaker 3: Exactly, That's what I think it was.

878
00:41:16,200 --> 00:41:17,919
Speaker 1: I agree with you. And by the way, as weird

879
00:41:17,920 --> 00:41:19,479
Speaker 1: as it is, it still didn't make me. It didn't

880
00:41:19,520 --> 00:41:22,319
Speaker 1: change what he felt about the episode. I was just like, yeah, sure.

881
00:41:23,640 --> 00:41:27,319
Speaker 3: To love him so much in everything he's done that

882
00:41:27,440 --> 00:41:29,640
Speaker 3: he came on screen, I was like anything, I'm good

883
00:41:29,880 --> 00:41:30,240
Speaker 3: with whatever.

884
00:41:30,480 --> 00:41:31,320
Speaker 2: He's so funny.

885
00:41:31,360 --> 00:41:32,920
Speaker 3: He's so funny.

886
00:41:33,200 --> 00:41:37,440
Speaker 1: So they say hankho, hankho, Harry Hodge, which it's not

887
00:41:37,680 --> 00:41:42,160
Speaker 1: there's no snow, but it's very cool. The ranger introduces

888
00:41:42,239 --> 00:41:44,279
Speaker 1: himself as Ranger Mark. He asks which one of them

889
00:41:44,320 --> 00:41:46,360
Speaker 1: is Foene's grandson. They both point to each other and

890
00:41:46,400 --> 00:41:49,080
Speaker 1: say he is. Sean says they both are as they're

891
00:41:49,560 --> 00:41:51,400
Speaker 1: at the same time. One of them says their brothers,

892
00:41:51,400 --> 00:41:55,280
Speaker 1: the other one says their cousins, their brother cousins. Ranger

893
00:41:55,320 --> 00:41:58,040
Speaker 1: Mark says there's no need to explain. He's from mountain

894
00:41:58,080 --> 00:42:03,000
Speaker 1: people himself, from mountain folk to so funny. Cory asks

895
00:42:03,040 --> 00:42:06,040
Speaker 1: how far the nearest ski lodge is looking for those bunnies,

896
00:42:06,440 --> 00:42:09,240
Speaker 1: and Ranger Mark tells them it's about two miles. Sean

897
00:42:09,280 --> 00:42:12,719
Speaker 1: asks how far it would be if they're walking, and tells.

898
00:42:12,440 --> 00:42:14,880
Speaker 2: Them And then I remember every line of the scene.

899
00:42:14,920 --> 00:42:17,160
Speaker 2: Do you every line of the scene. As it was happening,

900
00:42:17,200 --> 00:42:20,120
Speaker 2: I was like, I know every Yeah, I think maybe

901
00:42:20,120 --> 00:42:21,560
Speaker 2: the run through was so bad because Ben and I

902
00:42:21,600 --> 00:42:24,600
Speaker 2: just thought this was so funny. But I just remembered

903
00:42:25,000 --> 00:42:26,560
Speaker 2: laughing this entire.

904
00:42:26,480 --> 00:42:28,919
Speaker 1: It is so funny. All of it's great. It's great,

905
00:42:29,000 --> 00:42:31,200
Speaker 1: dumb Sean, Well, how far is it if we're walking,

906
00:42:31,719 --> 00:42:32,600
Speaker 1: that's only one mile?

907
00:42:33,080 --> 00:42:35,799
Speaker 2: Oh, that's so funny. I Also, here's the thing.

908
00:42:35,800 --> 00:42:39,439
Speaker 3: Though we've established they don't ski, Corey wants to get

909
00:42:39,480 --> 00:42:42,400
Speaker 3: to the ski lodge, So it's Corey who wants to

910
00:42:42,440 --> 00:42:43,080
Speaker 3: meet the women.

911
00:42:43,360 --> 00:42:46,440
Speaker 1: Yeah, unless Corey's looking for hot Coco.

912
00:42:47,520 --> 00:42:50,319
Speaker 2: That would have been great if that's her name. I mean.

913
00:42:53,040 --> 00:42:55,560
Speaker 1: Ranger Mark warns them to make sure everything is locked

914
00:42:55,600 --> 00:42:57,480
Speaker 1: up at night so they don't wake up with a

915
00:42:57,520 --> 00:43:00,680
Speaker 1: skull full of Grady's acts. Corey asked what that is,

916
00:43:00,719 --> 00:43:03,319
Speaker 1: and Ranger Mark says. Folklore says a man brought his

917
00:43:03,400 --> 00:43:05,960
Speaker 1: beautiful bride to Grady Pines once she fell in love

918
00:43:06,000 --> 00:43:08,600
Speaker 1: with a ski instructor, and the husband went mad. He

919
00:43:08,680 --> 00:43:11,200
Speaker 1: then hacked them both up before taking his own life.

920
00:43:11,360 --> 00:43:14,319
Speaker 1: The locals say every year the psycho returns to this

921
00:43:14,440 --> 00:43:17,839
Speaker 1: mountain to wreak his bloody revenge. Corey and Seawan sit

922
00:43:17,920 --> 00:43:21,120
Speaker 1: completely wide eyed on the couch. Corey then asks the ranger.

923
00:43:21,160 --> 00:43:22,840
Speaker 1: How the man is able to come back if he

924
00:43:22,880 --> 00:43:26,319
Speaker 1: took his own life. Ranger Mark is stumped. Sean says,

925
00:43:26,360 --> 00:43:28,360
Speaker 1: this is why you don't see many rangers on the

926
00:43:28,360 --> 00:43:32,760
Speaker 1: tonight show. Got another late night show, Joe.

927
00:43:33,360 --> 00:43:36,440
Speaker 3: Sean loves the old late night shows. I'm telling you.

928
00:43:38,400 --> 00:43:40,439
Speaker 1: Ranger Mark asks if the boys know how to turn

929
00:43:40,480 --> 00:43:43,080
Speaker 1: on the electricity. Sean scoff, saying he thinks they can

930
00:43:43,120 --> 00:43:45,560
Speaker 1: flip a switch. Ranger Mark says he has to go.

931
00:43:45,680 --> 00:43:48,200
Speaker 1: He's watching a movie with his buddy Moose. Corey asks

932
00:43:48,200 --> 00:43:51,200
Speaker 1: if that's another ranger, and Mark clarifies a moose can't

933
00:43:51,200 --> 00:43:51,840
Speaker 1: be a ranger.

934
00:43:52,120 --> 00:43:56,520
Speaker 2: He did that so for seventy years, said this line. Yeah, forever.

935
00:43:56,880 --> 00:44:00,000
Speaker 2: A moose can't be a ranger. Can't be a range.

936
00:44:00,800 --> 00:44:04,000
Speaker 1: I mean, I love that this is a similar moose

937
00:44:04,040 --> 00:44:05,839
Speaker 1: reference to what will eventually be.

938
00:44:06,960 --> 00:44:07,480
Speaker 2: The same thought.

939
00:44:07,680 --> 00:44:11,080
Speaker 1: Yeah, yeah, and yet the same thing with Moose is

940
00:44:11,280 --> 00:44:17,160
Speaker 1: just it gets around. Yeah, it had its roots. That's

941
00:44:17,200 --> 00:44:18,720
Speaker 1: his wife. Yeah, how dare you?

942
00:44:19,120 --> 00:44:21,040
Speaker 3: Moose can't be a ranger?

943
00:44:32,800 --> 00:44:35,200
Speaker 1: So Sean and Corey can't believe. Ranger Mark asked if

944
00:44:35,200 --> 00:44:37,440
Speaker 1: they could turn on the electricity, what kind of city

945
00:44:37,480 --> 00:44:39,960
Speaker 1: Mama's Boys does he take us for Corey asks as

946
00:44:40,000 --> 00:44:41,560
Speaker 1: he tries to turn on the light switch and it.

947
00:44:41,480 --> 00:44:42,319
Speaker 2: Doesn't work that.

948
00:44:43,800 --> 00:44:47,440
Speaker 3: He instantly turns it on and off. Who goes over

949
00:44:47,480 --> 00:44:50,080
Speaker 3: a light switch and goes on off? Nobody does that

950
00:44:50,200 --> 00:44:52,000
Speaker 3: in the history of the world. You flip on the

951
00:44:52,040 --> 00:44:55,560
Speaker 3: light switch, look on. It's so weird.

952
00:44:55,680 --> 00:45:00,239
Speaker 1: It's like there's someone acting and light switch acted own

953
00:45:00,280 --> 00:45:02,440
Speaker 1: and switch acting small objects.

954
00:45:02,560 --> 00:45:07,319
Speaker 2: I would say, watch and drain plug act. Yeah, that's

955
00:45:07,360 --> 00:45:11,239
Speaker 2: what I'm saying. There's like small maybe just props. I

956
00:45:11,280 --> 00:45:12,160
Speaker 2: was going to say props.

957
00:45:12,320 --> 00:45:13,320
Speaker 1: I will say.

958
00:45:13,680 --> 00:45:15,760
Speaker 2: Comedy props, roper.

959
00:45:16,520 --> 00:45:19,440
Speaker 1: It's hard for a lot of actors.

960
00:45:19,880 --> 00:45:20,719
Speaker 2: I love it.

961
00:45:20,800 --> 00:45:22,120
Speaker 3: I love it.

962
00:45:22,360 --> 00:45:24,040
Speaker 2: Of course I'm not on the show, though, so I'll

963
00:45:24,080 --> 00:45:24,479
Speaker 2: tell them.

964
00:45:25,160 --> 00:45:27,200
Speaker 3: Whatever sit come, you're on, you should tell us.

965
00:45:27,880 --> 00:45:28,560
Speaker 2: I will let him know.

966
00:45:29,600 --> 00:45:31,479
Speaker 1: Then we're in the Chubby's pool hall. Eric is playing

967
00:45:31,520 --> 00:45:33,680
Speaker 1: pool with a crowd gathered behind him. He takes his

968
00:45:33,719 --> 00:45:36,520
Speaker 1: shot and the ball flies completely off the felt. Eric

969
00:45:36,560 --> 00:45:39,720
Speaker 1: explains to a confused Bianca. In Mexico, they have chicken

970
00:45:39,719 --> 00:45:43,879
Speaker 1: wire around the table. I thought was a cute little call.

971
00:45:44,480 --> 00:45:47,760
Speaker 1: Bumpers on on bowling out at a bowling alley.

972
00:45:47,880 --> 00:45:50,720
Speaker 3: I just remember setting up all these shots and working

973
00:45:50,719 --> 00:45:52,600
Speaker 3: with chef and here's how we're going to do it,

974
00:45:52,600 --> 00:45:54,000
Speaker 3: and you're gonna do this one, you're gonna do that.

975
00:45:54,000 --> 00:45:56,760
Speaker 3: It was so cool. This whole week was like learning magic.

976
00:45:56,840 --> 00:45:58,200
Speaker 3: It was neat And so did.

977
00:45:58,040 --> 00:46:00,200
Speaker 1: You ever have to come in early and prack just

978
00:46:00,200 --> 00:46:00,560
Speaker 1: that stuff?

979
00:46:01,520 --> 00:46:06,680
Speaker 2: Yeah. The storyline is it's like from now on, you

980
00:46:06,719 --> 00:46:08,320
Speaker 2: guys are just shooting pool.

981
00:46:08,440 --> 00:46:11,040
Speaker 3: Yeah. Yeah, And do you remember how pool became an

982
00:46:11,120 --> 00:46:14,240
Speaker 3: integral part of the show too. Do you remember pockey?

983
00:46:14,520 --> 00:46:19,360
Speaker 3: What you don't remember pockey? So in when we eventually

984
00:46:19,400 --> 00:46:22,799
Speaker 3: then got to the college, there's the pool table in

985
00:46:22,880 --> 00:46:25,520
Speaker 3: the in the room, and we invented the game and

986
00:46:25,560 --> 00:46:28,759
Speaker 3: it's it's made the show where we actually have like

987
00:46:28,920 --> 00:46:32,440
Speaker 3: we're using the sticks like hockey sticks and we're knocking

988
00:46:32,480 --> 00:46:34,319
Speaker 3: the balls like that, and we called it pockey and

989
00:46:34,360 --> 00:46:36,320
Speaker 3: we'd be playing in the background, we'd be playing pocky.

990
00:46:36,320 --> 00:46:38,520
Speaker 3: Oh yeah, this is a whole thing that all of

991
00:46:38,560 --> 00:46:42,319
Speaker 3: us would played pocky. No. No, you will see it

992
00:46:42,360 --> 00:46:44,160
Speaker 3: in the background of some episodes where all of a

993
00:46:44,200 --> 00:46:48,160
Speaker 3: sudden we're playing pockey. Yeah, so it was cool hockey. Yeah.

994
00:46:48,200 --> 00:46:51,040
Speaker 1: Well, mister Williams, who apparently is just hanging out alone

995
00:46:51,040 --> 00:46:54,400
Speaker 1: at the student hangout and asks, of course, ask you

996
00:46:54,480 --> 00:46:56,600
Speaker 1: what the crowd is for, to which Bianca replies, there's

997
00:46:56,640 --> 00:46:58,960
Speaker 1: a big game going on. Frankie is about to take

998
00:46:58,960 --> 00:47:01,360
Speaker 1: another turn, so Joey tells him to concentrate like he

999
00:47:01,400 --> 00:47:04,160
Speaker 1: does on Thanksgiving. Frankie asks the first night or the

1000
00:47:04,200 --> 00:47:08,240
Speaker 1: second night. Joey clarifies there's only one night, and Frankie says,

1001
00:47:08,280 --> 00:47:13,480
Speaker 1: not at my house. Maybe the lowest common denominator of jokes,

1002
00:47:13,840 --> 00:47:16,160
Speaker 1: And at this point, I'm sure Ethan was getting a

1003
00:47:16,160 --> 00:47:18,920
Speaker 1: little sick of it. I wouldn't even though he's I

1004
00:47:18,920 --> 00:47:23,799
Speaker 1: wouldn't either, even though he's apparently way too humble to

1005
00:47:23,800 --> 00:47:24,480
Speaker 1: even mention it.

1006
00:47:25,560 --> 00:47:26,399
Speaker 2: Didn't even mention it.

1007
00:47:28,280 --> 00:47:30,400
Speaker 1: Frankie shoots his ball into the pocket, only for it

1008
00:47:30,440 --> 00:47:34,160
Speaker 1: to shoot right back out. Mister Williams, I didn't either.

1009
00:47:34,640 --> 00:47:36,759
Speaker 1: But they also don't understand. They say they've been there

1010
00:47:36,760 --> 00:47:39,360
Speaker 1: for an hour. You mean for a whole hour. Weird

1011
00:47:39,640 --> 00:47:42,120
Speaker 1: magical things have been happening on this table.

1012
00:47:42,160 --> 00:47:45,640
Speaker 2: That is not the point that there's a magical table.

1013
00:47:46,320 --> 00:47:49,200
Speaker 2: As I was sitting there, going is the idea that

1014
00:47:49,239 --> 00:47:51,880
Speaker 2: he's bad too, and he was like in over his

1015
00:47:52,000 --> 00:47:54,279
Speaker 2: head and he had been lying about being a Yes,

1016
00:47:54,480 --> 00:47:56,839
Speaker 2: it's all that. It's it's no matter what we do,

1017
00:47:57,719 --> 00:48:01,480
Speaker 2: because that Frankie normally is good. It's just today is

1018
00:48:01,520 --> 00:48:02,680
Speaker 2: a cursed pool.

1019
00:48:02,960 --> 00:48:05,920
Speaker 1: Yes, today, and that's the reason they stay at it.

1020
00:48:06,440 --> 00:48:09,920
Speaker 2: I guess about a complete lack of story, it's just yeah,

1021
00:48:10,200 --> 00:48:13,319
Speaker 2: it's just like, get into the conflict, just hold it

1022
00:48:13,320 --> 00:48:14,960
Speaker 2: there and do some fun stuff. Weird.

1023
00:48:15,000 --> 00:48:18,919
Speaker 1: Thankfully, it's funny enough that I'm I'm in me too.

1024
00:48:19,320 --> 00:48:23,040
Speaker 1: Okay for you, okay, fine for Eric is up and

1025
00:48:23,080 --> 00:48:26,720
Speaker 1: his ball curves perfectly and hits absolutely nothing. Mister Williams

1026
00:48:26,719 --> 00:48:29,920
Speaker 1: says he's having some serious bad luck, and then we're

1027
00:48:29,960 --> 00:48:32,279
Speaker 1: back at Phoene's cottage. Sean and Corey walk inside as

1028
00:48:32,280 --> 00:48:34,600
Speaker 1: Sean complains that it was the worst two hours of

1029
00:48:34,600 --> 00:48:38,080
Speaker 1: his life. The ski lodge was closed and Ranger Mark

1030
00:48:38,120 --> 00:48:40,320
Speaker 1: failed to mention there's no one else on the mountain,

1031
00:48:41,120 --> 00:48:45,000
Speaker 1: so Bunny's gone. We can stop that storyline, like as

1032
00:48:45,040 --> 00:48:46,960
Speaker 1: far as like the guys being obsessed with trying to

1033
00:48:46,960 --> 00:48:47,359
Speaker 1: find him.

1034
00:48:47,400 --> 00:48:47,879
Speaker 2: That's over.

1035
00:48:48,080 --> 00:48:51,759
Speaker 3: There's no one this weekend. He'll cheat on ski lodge later.

1036
00:48:52,239 --> 00:48:55,160
Speaker 1: Yeah, there's always time for there's always time.

1037
00:48:56,000 --> 00:48:57,640
Speaker 3: Age somewhere yep.

1038
00:48:58,520 --> 00:49:00,640
Speaker 1: There also turns out to be no no, even though

1039
00:49:00,680 --> 00:49:03,480
Speaker 1: Sean said the weather report stated there was fresh powder

1040
00:49:03,520 --> 00:49:06,080
Speaker 1: on the Rockies. Corey screams at Sean, telling him they're

1041
00:49:06,120 --> 00:49:10,800
Speaker 1: two thousand miles away from the Rocky Mountains. Sean thought

1042
00:49:10,920 --> 00:49:14,560
Speaker 1: Rocky was a description, not a name, like Chewie Nugat.

1043
00:49:14,719 --> 00:49:16,040
Speaker 3: That's funny, that's funny.

1044
00:49:16,160 --> 00:49:18,560
Speaker 2: Yeah, No is why we couldn't get through these seas

1045
00:49:18,560 --> 00:49:19,840
Speaker 2: because these were funny lines.

1046
00:49:20,440 --> 00:49:22,600
Speaker 1: The boys have no power, no lights, and no heat.

1047
00:49:22,680 --> 00:49:24,880
Speaker 1: Sean says he just needs to think, and suddenly the

1048
00:49:24,960 --> 00:49:27,440
Speaker 1: lights turn on. Corey says, someone's here. They need to

1049
00:49:27,440 --> 00:49:30,080
Speaker 1: be quiet. They think it's Grady the axe murderer. The

1050
00:49:30,120 --> 00:49:32,200
Speaker 1: locks on the door start jingling, and Corey and Sean

1051
00:49:32,360 --> 00:49:35,480
Speaker 1: run to grab weapons. The door opens and Feene walks

1052
00:49:35,480 --> 00:49:37,640
Speaker 1: in and they all stare at each other.

1053
00:49:38,000 --> 00:49:39,680
Speaker 3: That was a poorly written joke, by the way, and

1054
00:49:39,719 --> 00:49:42,640
Speaker 3: it's strictly the writing. When the lights came on, you

1055
00:49:42,680 --> 00:49:45,239
Speaker 3: shouldn't have said either the lights just came on or

1056
00:49:45,320 --> 00:49:47,239
Speaker 3: I had an idea. You should have just gone I

1057
00:49:47,280 --> 00:49:47,800
Speaker 3: have an idea.

1058
00:49:47,880 --> 00:49:48,480
Speaker 2: I have an idea.

1059
00:49:48,719 --> 00:49:51,440
Speaker 3: Yeah, that's you're killing the joke by saying either the

1060
00:49:51,520 --> 00:49:53,120
Speaker 3: lights came, I should have just been lights on, and

1061
00:49:53,120 --> 00:49:55,080
Speaker 3: then I have an idea which would have been hysterical.

1062
00:49:55,480 --> 00:49:55,680
Speaker 1: Yep.

1063
00:49:55,880 --> 00:49:57,200
Speaker 2: Yeah.

1064
00:49:57,280 --> 00:50:00,120
Speaker 1: So then we're still in Phoene's cottage. Phoene closes the

1065
00:50:00,120 --> 00:50:02,920
Speaker 1: door and tells the boys to explain themselves. Sean yells

1066
00:50:02,960 --> 00:50:05,839
Speaker 1: he has no right trespassing on his own property. Corey

1067
00:50:05,880 --> 00:50:07,799
Speaker 1: explains his parents are on their way up. They just

1068
00:50:07,880 --> 00:50:10,440
Speaker 1: rushed ahead to straighten up. Phoene tells him that's a

1069
00:50:10,440 --> 00:50:13,800
Speaker 1: bald faced lie, and Corey agrees with that statement. Phoene

1070
00:50:13,800 --> 00:50:16,440
Speaker 1: guesses exactly what the boys did, to which Sean replies,

1071
00:50:16,520 --> 00:50:19,759
Speaker 1: that's a bald face lie. Corey questions why Phoenie is there.

1072
00:50:19,800 --> 00:50:22,000
Speaker 1: He said he never uses the place. Phoene tells him

1073
00:50:22,040 --> 00:50:23,680
Speaker 1: he came to pack up so he could sell it.

1074
00:50:24,000 --> 00:50:26,920
Speaker 1: Corey says they'll take it. Shawn accuses Phoenie of trespassing

1075
00:50:26,920 --> 00:50:28,919
Speaker 1: on their property. Now, which I thought was a really

1076
00:50:28,920 --> 00:50:31,080
Speaker 1: fun little flip for Sean to do so quick.

1077
00:50:31,600 --> 00:50:35,480
Speaker 2: I will take it. Oh the question, because I completely

1078
00:50:35,480 --> 00:50:37,840
Speaker 2: forgot to mention some did you guys notice the flare

1079
00:50:37,960 --> 00:50:40,680
Speaker 2: of the flashlight that's burned onto the video?

1080
00:50:41,719 --> 00:50:42,600
Speaker 1: I did know that.

1081
00:50:44,600 --> 00:50:48,400
Speaker 2: Five times, so it's when Ben shines a flashlight in

1082
00:50:48,400 --> 00:50:50,080
Speaker 2: my face. What he's yelling at me that we're in

1083
00:50:50,080 --> 00:50:53,280
Speaker 2: the Poconos or whatever about the Rocky mountains. He's actually,

1084
00:50:54,000 --> 00:50:57,960
Speaker 2: it's actually like a flare on the video itself, and

1085
00:50:58,000 --> 00:51:00,319
Speaker 2: it's an after image burned under the video. I was like,

1086
00:51:00,719 --> 00:51:02,560
Speaker 2: is that on my screen or is that my eyes?

1087
00:51:02,640 --> 00:51:04,160
Speaker 2: I watched it like five times. I was like, no,

1088
00:51:04,200 --> 00:51:09,040
Speaker 2: it's like it's like a technical issue that is. Yeah,

1089
00:51:09,040 --> 00:51:10,560
Speaker 2: it's really interesting.

1090
00:51:10,920 --> 00:51:12,960
Speaker 1: I did also notice that I had no idea what

1091
00:51:13,000 --> 00:51:14,400
Speaker 1: it was, but I was like, oh, look at that.

1092
00:51:14,719 --> 00:51:15,799
Speaker 1: Look at that light burn.

1093
00:51:16,239 --> 00:51:18,799
Speaker 2: Yeah, I mean it has something to do. I don't

1094
00:51:18,800 --> 00:51:21,440
Speaker 2: know enough technically about what. I know. You're not supposed

1095
00:51:21,480 --> 00:51:25,440
Speaker 2: to like shine lights directly into camera. Film can handle it,

1096
00:51:25,480 --> 00:51:28,080
Speaker 2: but video can burn this like after image like that.

1097
00:51:28,160 --> 00:51:30,360
Speaker 2: And I'm so it's so amazing that it like stayed

1098
00:51:31,160 --> 00:51:32,920
Speaker 2: to the streamers, you know what I mean? Like that

1099
00:51:32,920 --> 00:51:35,680
Speaker 2: this it's image.

1100
00:51:36,000 --> 00:51:37,000
Speaker 1: Well, what did you want to say?

1101
00:51:38,120 --> 00:51:42,480
Speaker 3: So Feene came up there, He's saying, because he was

1102
00:51:42,520 --> 00:51:45,880
Speaker 3: going to use the time to clean it up, right, Yeah, okay.

1103
00:51:46,480 --> 00:51:48,160
Speaker 3: It was just it strange to me. I thought I

1104
00:51:48,239 --> 00:51:50,920
Speaker 3: remembered when I was watching this episode for some reason,

1105
00:51:51,000 --> 00:51:53,400
Speaker 3: I thought he came up there because he knew Corey

1106
00:51:53,400 --> 00:51:59,359
Speaker 3: and Sean were up there alone. Yeah, the ranger something right,

1107
00:51:59,520 --> 00:52:02,080
Speaker 3: like he you what he was he was walking into

1108
00:52:02,160 --> 00:52:02,640
Speaker 3: them there.

1109
00:52:03,600 --> 00:52:04,000
Speaker 2: Yeah.

1110
00:52:04,200 --> 00:52:05,920
Speaker 3: They didn't write to that. That's why it was a

1111
00:52:05,920 --> 00:52:07,919
Speaker 3: little weird for me. I didn't understand what was going

1112
00:52:07,920 --> 00:52:08,520
Speaker 3: on at that point.

1113
00:52:08,640 --> 00:52:10,080
Speaker 1: I know. I do think it actually would have been

1114
00:52:10,120 --> 00:52:13,040
Speaker 1: really smart for Feeni to have noticed Sean stole the

1115
00:52:13,120 --> 00:52:15,719
Speaker 1: key in the kitchen, like we wouldn't have seen.

1116
00:52:15,480 --> 00:52:17,120
Speaker 2: It in that earlier kitchen scene.

1117
00:52:17,160 --> 00:52:19,920
Speaker 1: But for Feeni to say, you think you could get

1118
00:52:19,920 --> 00:52:22,759
Speaker 1: anything by me, I saw you take the key and

1119
00:52:22,760 --> 00:52:25,160
Speaker 1: and then have been coming.

1120
00:52:24,560 --> 00:52:26,760
Speaker 2: That anyway, I think we should just go with that.

1121
00:52:27,120 --> 00:52:28,759
Speaker 2: It does. Yeah, he does. He does.

1122
00:52:28,800 --> 00:52:30,439
Speaker 3: He's not shocked when he opens the door.

1123
00:52:30,480 --> 00:52:37,800
Speaker 2: He knows exactly what he's got planning this all along.

1124
00:52:38,000 --> 00:52:40,040
Speaker 3: Okay, I think correct.

1125
00:52:40,360 --> 00:52:42,960
Speaker 1: Yea, So it wasn't mentioned, but that's the story. We're

1126
00:52:42,960 --> 00:52:43,600
Speaker 1: sticking with it.

1127
00:52:43,680 --> 00:52:44,200
Speaker 3: I like it.

1128
00:52:44,680 --> 00:52:44,919
Speaker 2: Uh.

1129
00:52:45,000 --> 00:52:46,920
Speaker 1: Cory asks Phoenie to call their parents so they could

1130
00:52:46,960 --> 00:52:49,040
Speaker 1: come pick him up before things get too out of hand,

1131
00:52:49,080 --> 00:52:52,000
Speaker 1: and Phoene says, nope, it's too late. They're stuck here

1132
00:52:52,080 --> 00:52:55,160
Speaker 1: until morning and there's only one bed. Sean tells Peoenie

1133
00:52:55,200 --> 00:52:57,239
Speaker 1: he'll flip him for it. Phoene catches the coin in

1134
00:52:57,280 --> 00:53:00,600
Speaker 1: mid air, looks at it and tells Sean he lost lost.

1135
00:53:00,520 --> 00:53:06,239
Speaker 2: Like great physical stuff, Like I don't, it's just completely

1136
00:53:06,400 --> 00:53:08,960
Speaker 2: in control of it. I'm like, and I don't remember

1137
00:53:09,040 --> 00:53:10,640
Speaker 2: this moment at all, but I'm like, home, is he

1138
00:53:10,680 --> 00:53:13,160
Speaker 2: going to catch it? Call it? Walk away? Like that?

1139
00:53:13,640 --> 00:53:15,840
Speaker 2: Just a beautiful Daniels.

1140
00:53:15,400 --> 00:53:18,760
Speaker 3: Every every time you especially when we started the show,

1141
00:53:18,760 --> 00:53:21,840
Speaker 3: writer you talked about not being present in your own body,

1142
00:53:22,320 --> 00:53:25,520
Speaker 3: and you can see that with actors. Bill Daniels is

1143
00:53:25,520 --> 00:53:28,080
Speaker 3: a masterclass of always being in his body. You can

1144
00:53:28,320 --> 00:53:31,319
Speaker 3: just see he's in perfect control of everything around him,

1145
00:53:31,320 --> 00:53:33,920
Speaker 3: of whatever it is. Props, you name, stage actor, you

1146
00:53:33,920 --> 00:53:36,080
Speaker 3: know it comes back to that, like you, you use

1147
00:53:36,160 --> 00:53:39,359
Speaker 3: your entire body and you're always Yeah, it's so good,

1148
00:53:39,400 --> 00:53:40,120
Speaker 3: it's amazing.

1149
00:53:40,320 --> 00:53:42,680
Speaker 2: I mean he was also working with Chef Anton that

1150
00:53:42,719 --> 00:53:44,640
Speaker 2: week then.

1151
00:53:44,840 --> 00:53:46,600
Speaker 3: Stealing watches and all that kind of stuff.

1152
00:53:46,640 --> 00:53:48,480
Speaker 2: Yeah. So then we're in Chubby's.

1153
00:53:48,520 --> 00:53:50,279
Speaker 1: Frankie is taking a shot at the pool table and

1154
00:53:50,280 --> 00:53:53,440
Speaker 1: for some reason, the crowd is still gathered. Bianca looks disappointed.

1155
00:53:53,440 --> 00:53:56,520
Speaker 1: Frankie misses his shot and everyone cheers. Eric asks mister

1156
00:53:56,560 --> 00:53:59,040
Speaker 1: Williams why everyone is cheering. Mister Williams says they've never

1157
00:53:59,080 --> 00:54:01,720
Speaker 1: seen people hold it take for three hours without sinking

1158
00:54:01,719 --> 00:54:04,440
Speaker 1: a shot. Eric, seeing this is a good thing, stands

1159
00:54:04,480 --> 00:54:06,799
Speaker 1: up and waves to the crowd. He asks Bianca how

1160
00:54:06,880 --> 00:54:09,120
Speaker 1: it feels to be dating a winner. She says she'll

1161
00:54:09,160 --> 00:54:10,759
Speaker 1: let him know as soon as she finds one and

1162
00:54:10,840 --> 00:54:14,440
Speaker 1: walks out. Eric's shouts, so you'll call me. Then, Joey

1163
00:54:14,440 --> 00:54:17,080
Speaker 1: and Frankie, in an attempt to console their pool competition,

1164
00:54:17,200 --> 00:54:20,040
Speaker 1: says Bianca was too good for him anyway. Eric says

1165
00:54:20,080 --> 00:54:22,360
Speaker 1: he's right, she was just holding him back. Eric yells,

1166
00:54:22,440 --> 00:54:24,800
Speaker 1: let's play some bull and then we see a little

1167
00:54:24,800 --> 00:54:27,960
Speaker 1: montage with dramatic music playing as we witness both boys

1168
00:54:27,960 --> 00:54:31,680
Speaker 1: still unable to sink a single shot. The pool balls

1169
00:54:31,680 --> 00:54:34,560
Speaker 1: are curving unnaturally, they're defying gravity by stacking on top

1170
00:54:34,600 --> 00:54:36,600
Speaker 1: of each other, and one even explodes.

1171
00:54:36,640 --> 00:54:38,360
Speaker 2: It flads turns to powder.

1172
00:54:38,680 --> 00:54:41,240
Speaker 1: Yes, it's just literally a magical table.

1173
00:54:41,520 --> 00:54:45,440
Speaker 2: So I you know, it's weird that your first scene

1174
00:54:45,440 --> 00:54:47,200
Speaker 2: to sort of set up all the exposition for this

1175
00:54:47,360 --> 00:54:51,400
Speaker 2: was with Tony and then Eli comes to witness the

1176
00:54:51,640 --> 00:54:53,799
Speaker 2: it should be that you. It should be like one

1177
00:54:53,800 --> 00:54:56,440
Speaker 2: of them for both right, Like he should have been

1178
00:54:56,480 --> 00:54:59,160
Speaker 2: you talking to Eli Williams, mister Williams. And then he

1179
00:54:59,239 --> 00:55:01,720
Speaker 2: shows up to like see and he could like comment

1180
00:55:01,800 --> 00:55:04,399
Speaker 2: on the conflict, like oh, you're still trying to get

1181
00:55:04,400 --> 00:55:06,400
Speaker 2: that girl or you know whatever.

1182
00:55:06,480 --> 00:55:08,799
Speaker 3: But now he's just there to hang out with high

1183
00:55:08,840 --> 00:55:11,600
Speaker 3: school kids and grab harder like you do as a teacher.

1184
00:55:11,840 --> 00:55:16,000
Speaker 1: Yeah, that's normal, that's totally normal. And then we're in

1185
00:55:16,040 --> 00:55:18,440
Speaker 1: Phoene's cottage again. Phoene, Corey, and Sean are sitting at

1186
00:55:18,440 --> 00:55:20,719
Speaker 1: a table finishing a meal. Sean puts a spoon on

1187
00:55:20,760 --> 00:55:22,680
Speaker 1: his nose and asks Cory to time how long he

1188
00:55:22,680 --> 00:55:25,319
Speaker 1: can hold it. Corey asks to borrow Phoene's watch, but

1189
00:55:25,360 --> 00:55:27,920
Speaker 1: he says no. Corey explains that Sean is trying to

1190
00:55:27,920 --> 00:55:30,640
Speaker 1: beat his previous record of seven and a half hours.

1191
00:55:30,960 --> 00:55:33,239
Speaker 1: Phoene asks Sean if he think what he thinks seven

1192
00:55:33,239 --> 00:55:35,040
Speaker 1: and a half hours of school work could do to

1193
00:55:35,040 --> 00:55:37,759
Speaker 1: his history grade, and Sean argues that his spoon trick

1194
00:55:37,800 --> 00:55:41,520
Speaker 1: brings pleasure to others. Phoene puts his watch near the

1195
00:55:41,600 --> 00:55:43,080
Speaker 1: kitchen sink, like.

1196
00:55:43,160 --> 00:55:46,879
Speaker 2: You do you do, like one does immediately takes it out.

1197
00:55:47,000 --> 00:55:50,120
Speaker 1: He puts it near the kitchen sink and a little

1198
00:55:50,160 --> 00:55:56,480
Speaker 1: bit of foreshadowing and then asks okay, yeah, and then

1199
00:55:56,520 --> 00:55:58,560
Speaker 1: he asks Sean if he enjoys doing the spoon trick,

1200
00:55:58,600 --> 00:56:01,320
Speaker 1: and Sean says yes. The prompts Sean to ask Feenie

1201
00:56:01,400 --> 00:56:04,120
Speaker 1: what he does up here for fun. Phoene reads books.

1202
00:56:04,239 --> 00:56:06,280
Speaker 1: He asks Sean if he wants to join him. Sean

1203
00:56:06,320 --> 00:56:08,440
Speaker 1: asks if he's supposed to jump off a bridge if

1204
00:56:08,440 --> 00:56:11,799
Speaker 1: Phoenie does too. Phoene hands the spoon back to Sean

1205
00:56:11,840 --> 00:56:13,560
Speaker 1: and tells him to go for the gold. As he

1206
00:56:13,600 --> 00:56:16,200
Speaker 1: walks away, Sean tells Corey that he thinks Peoenie hates

1207
00:56:16,280 --> 00:56:18,840
Speaker 1: him and they'll never understand each other. They're complete opposites.

1208
00:56:19,160 --> 00:56:21,400
Speaker 1: Corey tells him he should give Phoenie a chance. So

1209
00:56:21,520 --> 00:56:23,640
Speaker 1: Corey and Sean walk over to Feenie, who's sitting in

1210
00:56:23,640 --> 00:56:24,640
Speaker 1: a chair reading his book.

1211
00:56:24,760 --> 00:56:27,440
Speaker 2: This is that, this is where the show just goes,

1212
00:56:28,400 --> 00:56:31,359
Speaker 2: like exactly where it needed to go. It's like we've

1213
00:56:31,400 --> 00:56:35,040
Speaker 2: exhausted the Cory Feene relationship throughout the years, so now

1214
00:56:35,120 --> 00:56:38,160
Speaker 2: that is stable, and now it's time to bring in

1215
00:56:38,440 --> 00:56:42,000
Speaker 2: Sean's Feenie relationship and like it's so cool, Like I

1216
00:56:42,040 --> 00:56:44,160
Speaker 2: totally forgot that this happened. I mean, I think if

1217
00:56:44,160 --> 00:56:45,800
Speaker 2: you had told me, like, do you remember the episode

1218
00:56:45,800 --> 00:56:47,200
Speaker 2: with the watch, I would have been like, oh, yeah,

1219
00:56:47,200 --> 00:56:49,680
Speaker 2: there were, but I didn't remember that it was Sean

1220
00:56:49,840 --> 00:56:53,560
Speaker 2: and Feenie ye as the central relationship of that storyline

1221
00:56:53,560 --> 00:56:56,040
Speaker 2: of that episode, And it's so cool. It just makes

1222
00:56:56,040 --> 00:56:56,680
Speaker 2: me so happy.

1223
00:56:57,040 --> 00:56:59,919
Speaker 1: I also love I didn't expect it to be so Ernie.

1224
00:57:00,239 --> 00:57:02,839
Speaker 1: I didn't expect I knew when they're walking over there

1225
00:57:03,280 --> 00:57:05,799
Speaker 1: to have this conversation with Phoenie. I was expecting it

1226
00:57:05,800 --> 00:57:07,160
Speaker 1: to come from like a little bit more of a

1227
00:57:07,239 --> 00:57:09,759
Speaker 1: jokey place with Sean, but instead Sean just goes right

1228
00:57:09,800 --> 00:57:11,839
Speaker 1: for it. Why do you hate me? And I just

1229
00:57:12,160 --> 00:57:12,640
Speaker 1: I love it.

1230
00:57:12,960 --> 00:57:15,960
Speaker 3: We also talk about sorry talking about things they write

1231
00:57:16,000 --> 00:57:17,720
Speaker 3: into the show for us. We talked about counting Crows

1232
00:57:17,720 --> 00:57:20,360
Speaker 3: at the beginning. They also write in that now Corey

1233
00:57:20,400 --> 00:57:24,760
Speaker 3: and Shan thought Bill was British. Thought so that whole

1234
00:57:24,800 --> 00:57:26,680
Speaker 3: thing was like that's what we thought. We were like,

1235
00:57:26,760 --> 00:57:28,880
Speaker 3: he's British, so they ye.

1236
00:57:29,720 --> 00:57:31,840
Speaker 1: So Sean asks Pheenie why he hates him so much,

1237
00:57:31,880 --> 00:57:34,640
Speaker 1: and Phoene questions that's what you think. Sean responds by

1238
00:57:34,680 --> 00:57:37,200
Speaker 1: saying he's always getting on his case. Phoene says, he's

1239
00:57:37,240 --> 00:57:38,800
Speaker 1: always trying to get the best out of him, but

1240
00:57:38,840 --> 00:57:41,360
Speaker 1: he certainly doesn't hate him. It frustrates him to see

1241
00:57:41,360 --> 00:57:45,040
Speaker 1: a young charismatic man with so much unfilled potential. Sean says,

1242
00:57:45,040 --> 00:57:48,400
Speaker 1: he understands he's just another hopeless student. Phoene says, then

1243
00:57:48,400 --> 00:57:51,320
Speaker 1: he must just be another stodgy old principle, and Sean

1244
00:57:51,400 --> 00:57:54,960
Speaker 1: says the stalgiest mister. Phoenie asks what Sean knows about him.

1245
00:57:55,040 --> 00:57:57,960
Speaker 1: Sean hesitates and Feene laughs. Sean says Phoenie doesn't know

1246
00:57:57,960 --> 00:58:00,840
Speaker 1: anything about him either, and then Phoenie proceeds to prove

1247
00:58:00,880 --> 00:58:04,000
Speaker 1: Shan wrong by reciting his transcript and even adding that

1248
00:58:04,080 --> 00:58:07,320
Speaker 1: he loves a musical group named Counting Crows, something that

1249
00:58:07,400 --> 00:58:10,560
Speaker 1: was not listed in his transcript. And then this is

1250
00:58:10,560 --> 00:58:12,560
Speaker 1: where we see that they've stolen writer's life and put

1251
00:58:12,600 --> 00:58:16,160
Speaker 1: it on television, and we still can't get into see

1252
00:58:16,160 --> 00:58:16,919
Speaker 1: Accounting Crow show.

1253
00:58:16,920 --> 00:58:20,919
Speaker 3: So Rose tells him how much he loves him, says

1254
00:58:20,960 --> 00:58:22,840
Speaker 3: Strafty Bright talks about the cutting car.

1255
00:58:22,960 --> 00:58:25,840
Speaker 2: Here's a stroppy Bright Rose, Rose, I'm off to a

1256
00:58:25,880 --> 00:58:26,680
Speaker 2: crow's contra.

1257
00:58:26,680 --> 00:58:28,040
Speaker 3: Off a count of girls concert.

1258
00:58:29,160 --> 00:58:32,200
Speaker 1: Corey asks if Phoene knows how much knows this much

1259
00:58:32,200 --> 00:58:34,440
Speaker 1: about all his students, and he admits that he does.

1260
00:58:34,280 --> 00:58:38,400
Speaker 2: Not, which is my favorite line. Yeah, because it's just

1261
00:58:38,600 --> 00:58:43,640
Speaker 2: a little hint that like, oh yeah, seanial favorite, yeah, special,

1262
00:58:43,960 --> 00:58:46,320
Speaker 2: And it doesn't have to belabor the point. He just

1263
00:58:46,480 --> 00:58:48,720
Speaker 2: is like, Nope, I don't know. I don't.

1264
00:58:49,240 --> 00:58:54,080
Speaker 3: Bill's reaction to the subtle way he plays when you say,

1265
00:58:54,080 --> 00:58:56,960
Speaker 3: why do you hate me? It's written all over his

1266
00:58:57,080 --> 00:58:59,840
Speaker 3: face in the best way of like, not only do

1267
00:58:59,880 --> 00:59:03,000
Speaker 3: I hate you, but I hate that you think that exactly.

1268
00:59:03,320 --> 00:59:07,640
Speaker 1: He's actually physically hurt. Yes, and by the idea that

1269
00:59:07,640 --> 00:59:08,880
Speaker 1: that's how it's come across.

1270
00:59:08,960 --> 00:59:11,480
Speaker 3: He just the way he closes his book and you

1271
00:59:11,680 --> 00:59:14,800
Speaker 3: just see this look come across as it's so amazing.

1272
00:59:14,920 --> 00:59:16,200
Speaker 3: It's just incredible.

1273
00:59:16,280 --> 00:59:17,120
Speaker 1: Yeah, it's really great.

1274
00:59:17,160 --> 00:59:19,320
Speaker 3: Next level acting, just next level acting.

1275
00:59:30,560 --> 00:59:32,840
Speaker 1: Phoene asks for help with the dishes, and Sean says,

1276
00:59:32,880 --> 00:59:35,200
Speaker 1: if he knows everything about him, then he must also

1277
00:59:35,280 --> 00:59:38,200
Speaker 1: know he hates doing dishes. Corey asks Phoene to reveal

1278
00:59:38,240 --> 00:59:41,760
Speaker 1: something about himself. Phoene answers those closest to him would

1279
00:59:41,760 --> 00:59:44,200
Speaker 1: say he also dislikes doing the dishes, and with that

1280
00:59:44,320 --> 00:59:47,360
Speaker 1: he grabs He encourages Corey and Sean to get into

1281
00:59:47,400 --> 00:59:49,600
Speaker 1: the sink and do the dishes. Corey goes to grab

1282
00:59:49,640 --> 00:59:52,800
Speaker 1: the rag, which you should remember has Phoene's watch laying

1283
00:59:52,840 --> 00:59:55,000
Speaker 1: on top of it. Phoene tells him to look out

1284
00:59:55,160 --> 00:59:58,080
Speaker 1: and uh oh, the watch falls into the sink. Corey

1285
00:59:58,120 --> 01:00:00,880
Speaker 1: goes to grab it and instead pulls out the sink stopper,

1286
01:00:01,080 --> 01:00:04,400
Speaker 1: guiding the watch right down the drain. Phoene looks into

1287
01:00:04,400 --> 01:00:07,120
Speaker 1: the sink and he is visibly upset, but he tells

1288
01:00:07,160 --> 01:00:09,400
Speaker 1: them it's only a thirty year old watch, and he

1289
01:00:09,480 --> 01:00:11,600
Speaker 1: supposes it was time to get a new one anyway,

1290
01:00:11,640 --> 01:00:15,120
Speaker 1: but he is clearly very shaken. Cory and Sean looked

1291
01:00:15,120 --> 01:00:19,000
Speaker 1: disappointed as well as Phoene walks away. Just I was

1292
01:00:19,040 --> 01:00:21,520
Speaker 1: thinking about Phoenie as just like an adult, and I

1293
01:00:21,560 --> 01:00:24,000
Speaker 1: was like, yeah, I don't have that kind of patience.

1294
01:00:24,200 --> 01:00:28,600
Speaker 1: Had I walked into my cabin and two kids were there,

1295
01:00:29,000 --> 01:00:31,160
Speaker 1: I would not have been like, well, we're stuck here

1296
01:00:31,160 --> 01:00:35,480
Speaker 1: for the night, like and then they I know it

1297
01:00:35,560 --> 01:00:37,200
Speaker 1: is he's so.

1298
01:00:37,080 --> 01:00:39,960
Speaker 2: Far strong to read a book that it's like We're

1299
01:00:39,960 --> 01:00:42,280
Speaker 2: not going to have any distractions. I'm going to be

1300
01:00:42,360 --> 01:00:44,760
Speaker 2: the best teacher possible and change their lives in a night.

1301
01:00:45,120 --> 01:00:48,720
Speaker 2: And he does, and he does it. Gosh, do you

1302
01:00:48,800 --> 01:00:51,720
Speaker 2: have a cabin, Daniel, because you really don't you have

1303
01:00:51,760 --> 01:00:52,160
Speaker 2: a cabin.

1304
01:00:52,240 --> 01:00:53,000
Speaker 3: Yeah, I have a cabin.

1305
01:00:53,080 --> 01:00:56,240
Speaker 1: Yeah, bunnies are there buies around here? I keep snow

1306
01:00:56,240 --> 01:00:56,760
Speaker 1: bunnies there.

1307
01:00:56,840 --> 01:00:57,920
Speaker 3: Yeah, that's awesome.

1308
01:00:58,000 --> 01:00:58,240
Speaker 1: Yeah.

1309
01:00:58,400 --> 01:01:01,760
Speaker 3: I wouldn't want to break into Daniel's cabin because you're right,

1310
01:01:01,800 --> 01:01:03,720
Speaker 3: I don't think you have the patience. And eventually I

1311
01:01:03,760 --> 01:01:07,560
Speaker 3: think the axe murderer story would be about you taking

1312
01:01:07,560 --> 01:01:09,640
Speaker 3: out the two little kids in your cabin.

1313
01:01:10,000 --> 01:01:11,760
Speaker 1: For sure, someone would die there.

1314
01:01:12,040 --> 01:01:16,240
Speaker 2: That's the truth. I don't have a cabin because someone

1315
01:01:16,280 --> 01:01:21,680
Speaker 2: there to Panga can't be a ranger car.

1316
01:01:23,480 --> 01:01:26,280
Speaker 1: So we're still in Phoenie's cottage. Sean and Corey are

1317
01:01:26,280 --> 01:01:29,040
Speaker 1: now in the living room sans Feenie. Sean has a

1318
01:01:29,080 --> 01:01:31,240
Speaker 1: book in his hands and says he's reading the book

1319
01:01:31,240 --> 01:01:34,320
Speaker 1: Feenie was looking at is actually a diary. Corey can't

1320
01:01:34,320 --> 01:01:36,600
Speaker 1: believe he's reading Phoene's diary. What are you nuts?

1321
01:01:36,680 --> 01:01:37,080
Speaker 2: Crazy?

1322
01:01:37,280 --> 01:01:40,000
Speaker 1: Then he quickly asks if they're mentioned in it? Sean says,

1323
01:01:40,040 --> 01:01:42,240
Speaker 1: Phoenie knew so much about him. He just wanted to

1324
01:01:42,240 --> 01:01:42,960
Speaker 1: get to know Phoenie.

1325
01:01:43,040 --> 01:01:44,880
Speaker 2: Yeah. I love the way Ben does that are we

1326
01:01:44,960 --> 01:01:51,240
Speaker 2: mentioned it was a little was he mad?

1327
01:01:51,960 --> 01:01:56,280
Speaker 1: It's so cute. Sean tells Corey that Phoene used to

1328
01:01:56,280 --> 01:01:58,880
Speaker 1: come up here with his wife Lillian. Corey says he

1329
01:01:58,920 --> 01:02:01,360
Speaker 1: knew that, but Sean didn't know he was married. Sean

1330
01:02:01,400 --> 01:02:03,880
Speaker 1: reads Corey an excerpt from Phoene's diary that says, every

1331
01:02:03,920 --> 01:02:07,520
Speaker 1: now and then you have to break the rules. Corey says, Wow,

1332
01:02:07,520 --> 01:02:09,919
Speaker 1: he sounds a lot like Sean. Sean reads the next

1333
01:02:09,920 --> 01:02:13,160
Speaker 1: excerpt from December nineteenth. It's the next day. Lillian and

1334
01:02:13,200 --> 01:02:19,720
Speaker 1: I never made it out to the slopes. No regrets,

1335
01:02:20,000 --> 01:02:21,120
Speaker 1: No did.

1336
01:02:21,600 --> 01:02:22,360
Speaker 2: Either of you.

1337
01:02:23,000 --> 01:02:27,560
Speaker 3: If somebody had asked, could either of you have remembered

1338
01:02:28,520 --> 01:02:29,840
Speaker 3: mister Feoenie's wife's name?

1339
01:02:30,160 --> 01:02:33,040
Speaker 1: No, I wasn't remember that he had a wife.

1340
01:02:33,600 --> 01:02:35,520
Speaker 3: I knew he was married at one point.

1341
01:02:35,240 --> 01:02:37,440
Speaker 2: But Lily and I would it up when we were

1342
01:02:37,440 --> 01:02:40,920
Speaker 2: watching season one because he makes a reference to two

1343
01:02:41,240 --> 01:02:44,080
Speaker 2: yep something that we were all like, does this mean

1344
01:02:44,080 --> 01:02:46,560
Speaker 2: Phoenie's been married before? Remember? I think when he has

1345
01:02:46,640 --> 01:02:51,200
Speaker 2: salad by himself, so Salid for one. Yeah, they were

1346
01:02:51,240 --> 01:02:52,720
Speaker 2: in that episode, I think. And then we got a

1347
01:02:52,720 --> 01:02:57,200
Speaker 2: bunch of letters that people said that this episode does

1348
01:02:57,240 --> 01:02:59,480
Speaker 2: explain that backstory. So I knew because of that. But

1349
01:02:59,560 --> 01:03:01,920
Speaker 2: if you had asked me, was Phoenie ever married, and

1350
01:03:01,960 --> 01:03:02,480
Speaker 2: I wouldn't have.

1351
01:03:02,480 --> 01:03:04,160
Speaker 3: Known, I could have. I would have said, yeah, Feenie

1352
01:03:04,200 --> 01:03:06,840
Speaker 3: was married. I couldn't have pulled Lillian out. I mean,

1353
01:03:06,880 --> 01:03:09,080
Speaker 3: I don't remember that name, Lillian Feoenie. Don't remember that

1354
01:03:09,160 --> 01:03:11,080
Speaker 3: name at all, and I don't know if it's ever

1355
01:03:11,120 --> 01:03:12,760
Speaker 3: mentioned again.

1356
01:03:12,880 --> 01:03:16,240
Speaker 1: That's yeah, yeah, it probably is, but I'm just saying that, Yeah,

1357
01:03:16,240 --> 01:03:19,200
Speaker 1: I don't know. Corey reads the next entry that details

1358
01:03:19,240 --> 01:03:22,360
Speaker 1: their fifth anniversary when Lillian gave Foenie the wristwatch and

1359
01:03:22,400 --> 01:03:27,040
Speaker 1: we have our first ever violin swell. That tells us

1360
01:03:27,160 --> 01:03:31,840
Speaker 1: something important is happening in this scene, doesn't me, So

1361
01:03:31,920 --> 01:03:32,880
Speaker 1: let's talk about.

1362
01:03:32,680 --> 01:03:35,720
Speaker 2: The Phoenie prequel show.

1363
01:03:35,560 --> 01:03:38,200
Speaker 3: Show is just going to say that I saw it there,

1364
01:03:38,240 --> 01:03:42,120
Speaker 3: I paused it when I was watching. Sue said yes,

1365
01:03:42,720 --> 01:03:46,560
Speaker 3: I said, can you imagine the sixties and the sixty one?

1366
01:03:46,680 --> 01:03:48,080
Speaker 2: He is thirty one years old.

1367
01:03:48,000 --> 01:03:51,640
Speaker 3: He's thirty one in sixty one? What everything the country

1368
01:03:51,680 --> 01:03:55,040
Speaker 3: is going through the students. He's going to have Lillian

1369
01:03:55,120 --> 01:03:57,840
Speaker 3: as his wife. Yes, it would be the biggest show

1370
01:03:57,840 --> 01:04:00,560
Speaker 3: on televih and what happened to Lilian Actly what I

1371
01:04:00,600 --> 01:04:02,640
Speaker 3: would do is go forward later than this, So it's

1372
01:04:02,680 --> 01:04:03,720
Speaker 3: after his wife dies.

1373
01:04:03,760 --> 01:04:08,880
Speaker 2: So it's nineteen sixty six. She's died tragically. We don't

1374
01:04:08,880 --> 01:04:14,520
Speaker 2: know what we get to make a thanec she was

1375
01:04:14,600 --> 01:04:15,680
Speaker 2: run over by a bunch.

1376
01:04:15,480 --> 01:04:18,600
Speaker 4: Of sere by a ski buddy.

1377
01:04:18,720 --> 01:04:20,920
Speaker 3: Oh my god, she's killed by a moose or a

1378
01:04:20,960 --> 01:04:25,439
Speaker 3: great so late sixties, late sixties, he's early, he's late.

1379
01:04:25,480 --> 01:04:28,920
Speaker 2: He's now thirty turn getting into his forties. He's thirty

1380
01:04:28,920 --> 01:04:31,760
Speaker 2: eight to forty two ish. We have the late sixties

1381
01:04:31,800 --> 01:04:35,439
Speaker 2: through early seventies. Feenie teacher single for the first time

1382
01:04:35,480 --> 01:04:37,920
Speaker 2: in his life, trying to be and some of the

1383
01:04:38,040 --> 01:04:39,360
Speaker 2: students are so good.

1384
01:04:39,400 --> 01:04:41,200
Speaker 3: Some of the students are kind of hippie.

1385
01:04:41,400 --> 01:04:44,400
Speaker 2: Some of the students are by the loss of his wife. Yeah,

1386
01:04:44,480 --> 01:04:46,880
Speaker 2: so he has it becomes like the stand and deliver

1387
01:04:47,600 --> 01:04:50,440
Speaker 2: real channel it into the students and like that becomes

1388
01:04:50,600 --> 01:04:52,920
Speaker 2: the students can be so good.

1389
01:04:53,040 --> 01:04:55,480
Speaker 3: Also, can you think of because I was trying to

1390
01:04:55,480 --> 01:04:58,120
Speaker 3: I literally pause to write all this down. Can you

1391
01:04:58,240 --> 01:05:01,720
Speaker 3: think of a modern day six other than like that

1392
01:05:02,040 --> 01:05:07,400
Speaker 3: seventy show that is a period piece sitcom, right, because

1393
01:05:07,440 --> 01:05:11,520
Speaker 3: it would be a four camera period piece. Yeah show,

1394
01:05:11,680 --> 01:05:13,480
Speaker 3: but though those are all the same family. I mean,

1395
01:05:13,600 --> 01:05:17,080
Speaker 3: other than that doing a period piece, wasn't the Goldberg

1396
01:05:17,240 --> 01:05:21,080
Speaker 3: Teacher all that stuff? The single camera? I would do

1397
01:05:21,160 --> 01:05:24,160
Speaker 3: this multi camp. I would straight up do it multily.

1398
01:05:24,800 --> 01:05:26,200
Speaker 2: I think it needs to be a hybrid.

1399
01:05:26,560 --> 01:05:29,200
Speaker 3: No, that's why, because I think that's what everyone would expect.

1400
01:05:29,240 --> 01:05:33,560
Speaker 3: But having Feenie in a four camera sitcom and his

1401
01:05:33,680 --> 01:05:34,520
Speaker 3: home like, oh.

1402
01:05:34,680 --> 01:05:37,360
Speaker 2: I mean, casting Phoenie is the big challenge there. I know,

1403
01:05:38,000 --> 01:05:39,680
Speaker 2: a thirty eight year old Bill Daniels.

1404
01:05:39,960 --> 01:05:42,640
Speaker 1: As soon as the strike is over, let's work on it.

1405
01:05:43,320 --> 01:05:46,160
Speaker 2: Who would we get? We'd have to that's casting.

1406
01:05:46,160 --> 01:05:47,920
Speaker 3: I don't Yeah, we can't do casting. We can't talk

1407
01:05:47,960 --> 01:05:50,000
Speaker 3: about anything until the strike is over. But ye, yes,

1408
01:05:50,800 --> 01:05:53,959
Speaker 3: it would be such a good show. And that would

1409
01:05:53,960 --> 01:05:56,880
Speaker 3: be the lead in to our Brother Sister show to

1410
01:05:56,960 --> 01:06:00,000
Speaker 3: bring back tgif we have two of the four blocks

1411
01:06:00,040 --> 01:06:00,840
Speaker 3: we need for the block for.

1412
01:06:00,800 --> 01:06:05,760
Speaker 1: Teaching, okay, perfect, Yeah, and it's just called he yes

1413
01:06:09,440 --> 01:06:13,240
Speaker 1: rolls right off the tongue so they realize it's the

1414
01:06:13,280 --> 01:06:16,240
Speaker 1: wristwatch they lost in the drain. Corey continues to read

1415
01:06:16,440 --> 01:06:19,280
Speaker 1: that watch will keep time but for a moment in time,

1416
01:06:19,600 --> 01:06:24,280
Speaker 1: but her smile will reflect in its face forever A little.

1417
01:06:27,040 --> 01:06:27,800
Speaker 1: I like it.

1418
01:06:27,800 --> 01:06:30,880
Speaker 2: It's things, but all you to do is reference the wristwatch,

1419
01:06:30,880 --> 01:06:32,240
Speaker 2: and I feel like it would have been enough, but

1420
01:06:32,320 --> 01:06:35,800
Speaker 2: to have the whole poetic assidge about how it will

1421
01:06:35,880 --> 01:06:36,520
Speaker 2: last forever.

1422
01:06:39,120 --> 01:06:40,560
Speaker 3: And now it's it's a kids show.

1423
01:06:40,920 --> 01:06:42,880
Speaker 2: It's a kid show, exactly fine.

1424
01:06:43,640 --> 01:06:46,520
Speaker 1: So then we're still in Phoenie's cottage. Phoene is walking

1425
01:06:46,560 --> 01:06:48,439
Speaker 1: down the stairs and Corey runs in the front door,

1426
01:06:48,560 --> 01:06:51,160
Speaker 1: urgently telling Phoene he needs a flashlight and a wetsuit.

1427
01:06:51,400 --> 01:06:54,400
Speaker 1: Sean then frantically enters, and he's soaking wet. Phoene says,

1428
01:06:54,400 --> 01:06:57,520
Speaker 1: Sean is dripping on the rug and he reeks. Sean apologizes,

1429
01:06:57,560 --> 01:07:00,480
Speaker 1: but says his septic tanks a lot deeper than it looks.

1430
01:07:00,840 --> 01:07:02,960
Speaker 2: Phoenie, gross, gross.

1431
01:07:02,640 --> 01:07:07,280
Speaker 3: And so unhealthy. Just for the record, is swimming and human?

1432
01:07:08,080 --> 01:07:12,120
Speaker 1: Yeah, unlike those healthy ski bunnies. He's just woman and sewage.

1433
01:07:12,200 --> 01:07:14,400
Speaker 2: I mean, health should have been covered head to toe.

1434
01:07:14,560 --> 01:07:16,880
Speaker 2: I should have, yeah, but I guess that would have

1435
01:07:16,920 --> 01:07:19,240
Speaker 2: just been really gross really really good. You have to

1436
01:07:19,240 --> 01:07:21,680
Speaker 2: have that balance right, like, but realistically, if I was

1437
01:07:22,360 --> 01:07:25,920
Speaker 2: diving into a septic that I would be covered in crap.

1438
01:07:26,520 --> 01:07:30,800
Speaker 1: Yeah, which is terrible. Phoene tells them he's tried being patient,

1439
01:07:30,800 --> 01:07:33,560
Speaker 1: but this nonsense has gone too far. Corey tries to interrupt,

1440
01:07:33,600 --> 01:07:35,600
Speaker 1: but Phoene says he doesn't want to hear another word

1441
01:07:35,600 --> 01:07:38,080
Speaker 1: from them until they're back in the city. Sean pulls

1442
01:07:38,080 --> 01:07:40,560
Speaker 1: the wristwatch out and hands it to mister Feoenie. Corey

1443
01:07:40,560 --> 01:07:43,560
Speaker 1: hopes it still works. Phoenie admits he never thought he'd

1444
01:07:43,560 --> 01:07:46,120
Speaker 1: see it again. Sean says they figured it meant a

1445
01:07:46,120 --> 01:07:48,800
Speaker 1: lot to him, being his anniversary watch and all. Phoene

1446
01:07:48,880 --> 01:07:51,280
Speaker 1: asks Sean if he read a book, and Sean responds,

1447
01:07:51,360 --> 01:07:54,280
Speaker 1: I guess I did. Phoene thinks them both and tells

1448
01:07:54,320 --> 01:07:55,880
Speaker 1: them to take a dip in the lake and get

1449
01:07:55,880 --> 01:07:58,560
Speaker 1: cleaned up before they leave. They leave, the boys look

1450
01:07:58,640 --> 01:08:01,400
Speaker 1: shocked it's twenty degrees out hed freeze. Foene shrugs and

1451
01:08:01,400 --> 01:08:04,120
Speaker 1: tells them take us wetter. Corey and Sean laugh as

1452
01:08:04,120 --> 01:08:06,760
Speaker 1: they walk outside, and Feene stays behind in the cottage,

1453
01:08:07,120 --> 01:08:08,880
Speaker 1: looking around with emotion.

1454
01:08:09,480 --> 01:08:11,640
Speaker 3: With just a phill watch.

1455
01:08:11,720 --> 01:08:16,599
Speaker 1: Yep on his wrist on his wrist, and then we're

1456
01:08:16,600 --> 01:08:19,439
Speaker 1: in the Matthew's kitchen. Alan, Amy, Feenie, and Turner are

1457
01:08:19,439 --> 01:08:22,040
Speaker 1: all in the kitchen, clearly angry at the boys. Alan

1458
01:08:22,080 --> 01:08:24,120
Speaker 1: asks Cory and Sean what the heck they were thinking.

1459
01:08:24,320 --> 01:08:28,000
Speaker 1: Amy tells the boy they lied, trespassed, and endangered themselves.

1460
01:08:28,080 --> 01:08:30,120
Speaker 1: Alan adds they're in it a lot deeper than they

1461
01:08:30,120 --> 01:08:33,040
Speaker 1: were in that septic tank. Amy apologizes to Feenie, and

1462
01:08:33,040 --> 01:08:36,000
Speaker 1: Turner says the punishment will fit the crime. Feoenie wants

1463
01:08:36,040 --> 01:08:39,080
Speaker 1: the parents to understand the kid's behavior was wrong, but

1464
01:08:39,600 --> 01:08:42,720
Speaker 1: their spirit is right and they're two good guys. He

1465
01:08:42,760 --> 01:08:45,360
Speaker 1: walks away and whispers to Sean, I'm pulling for you,

1466
01:08:45,800 --> 01:08:48,439
Speaker 1: and now it's really cute because you guys do have

1467
01:08:48,479 --> 01:08:52,679
Speaker 1: your own relationship. Very sweet. Corey hesitates and then follows

1468
01:08:52,720 --> 01:08:55,760
Speaker 1: mister Feenie out the back door, and Sean follows. Then

1469
01:08:55,800 --> 01:08:58,200
Speaker 1: we're in the Matthew's backyard. The boy's hand, mister Feenie

1470
01:08:58,240 --> 01:09:00,360
Speaker 1: his key back. They figure he's going to it when

1471
01:09:00,360 --> 01:09:03,680
Speaker 1: he sells the place, and Phoenie responds, if I sell it.

1472
01:09:04,120 --> 01:09:06,080
Speaker 1: Sean then pulls the spoon out of his pocket. And

1473
01:09:06,080 --> 01:09:08,760
Speaker 1: hands it to Feenie. Alan, from inside the house yells

1474
01:09:08,800 --> 01:09:11,160
Speaker 1: to the boys, we're not done with you yet. Phoenie

1475
01:09:11,160 --> 01:09:14,559
Speaker 1: gives them advice don't talk, nod a lot smart.

1476
01:09:15,040 --> 01:09:18,040
Speaker 2: It would have been so cool. In Girl Meets World,

1477
01:09:18,640 --> 01:09:22,120
Speaker 2: Sean runs away to a cabin. Mm hmm, so cool

1478
01:09:22,120 --> 01:09:25,840
Speaker 2: if it had been Phoenie's cabin, Phoene's cabin. Would like

1479
01:09:25,880 --> 01:09:28,960
Speaker 2: if I had access to it, and so because there's

1480
01:09:29,000 --> 01:09:32,000
Speaker 2: this whole episode where I'm off in a cabin and yeah,

1481
01:09:32,040 --> 01:09:33,960
Speaker 2: they come and get me to bring me back, and

1482
01:09:33,960 --> 01:09:35,439
Speaker 2: it would have been so cool to just have it

1483
01:09:35,479 --> 01:09:36,120
Speaker 2: beat me.

1484
01:09:36,400 --> 01:09:38,360
Speaker 1: Yeah that you borrowed Phoenie's cabin.

1485
01:09:38,439 --> 01:09:40,720
Speaker 2: I'm telling you cabin references.

1486
01:09:40,840 --> 01:09:42,920
Speaker 1: So, Cory and Sean walk back into the kitchen and

1487
01:09:42,960 --> 01:09:45,400
Speaker 1: Phoene places the spoon on his nose. He balances it

1488
01:09:45,439 --> 01:09:47,640
Speaker 1: for a second and admits, I still don't get it.

1489
01:09:47,680 --> 01:09:49,519
Speaker 3: I still don't get it. Great, great bat Still.

1490
01:09:50,080 --> 01:09:52,400
Speaker 1: And then we're in the tag and Chubby's Eric is

1491
01:09:52,439 --> 01:09:55,439
Speaker 1: now asleep. This bad game of pool just will not end.

1492
01:09:55,760 --> 01:09:57,880
Speaker 1: Joey flicks Eric on the nose, and Eric moans in

1493
01:09:57,920 --> 01:10:00,240
Speaker 1: pain and asks if it's his shot. Joey's as the

1494
01:10:00,240 --> 01:10:02,240
Speaker 1: game is over. They've been playing for fifteen hours and

1495
01:10:02,280 --> 01:10:04,519
Speaker 1: they still haven't sunk a ball. Frankie says he has

1496
01:10:04,560 --> 01:10:07,080
Speaker 1: to get to church for choir practice anyway. He's an alto.

1497
01:10:07,479 --> 01:10:10,240
Speaker 1: Joey chimes in, saying he sings like an angel. Eric

1498
01:10:10,280 --> 01:10:12,200
Speaker 1: stands up and says they're chickening out right when he

1499
01:10:12,240 --> 01:10:14,679
Speaker 1: asks them where he wants them. Joey says Eric couldn't

1500
01:10:14,720 --> 01:10:16,320
Speaker 1: hit the broad side of a barn if it came

1501
01:10:16,400 --> 01:10:18,360
Speaker 1: up to him and said, hey, I'm the broadside of

1502
01:10:18,400 --> 01:10:19,760
Speaker 1: a barn bar.

1503
01:10:20,520 --> 01:10:23,320
Speaker 3: So first of all, before I stand up, I roll

1504
01:10:23,320 --> 01:10:26,639
Speaker 3: over and I'm doing the perfect Burt Reynolds. I don't

1505
01:10:26,640 --> 01:10:28,679
Speaker 3: know if anybody else notice that I have the great

1506
01:10:29,520 --> 01:10:33,920
Speaker 3: Burt Reynolds pose on the chairs. And then I remember

1507
01:10:34,000 --> 01:10:38,439
Speaker 3: this last shot because up up now again. I was

1508
01:10:38,520 --> 01:10:41,800
Speaker 3: told this several times. I'm sure it wasn't true, but

1509
01:10:42,040 --> 01:10:44,240
Speaker 3: Chef Anton and a number of the other people there

1510
01:10:44,479 --> 01:10:47,920
Speaker 3: told me that this was like a record. This was

1511
01:10:47,960 --> 01:10:51,000
Speaker 3: the number that the most balls put in with one

1512
01:10:51,040 --> 01:10:52,520
Speaker 3: shot ever on camera.

1513
01:10:52,240 --> 01:10:52,760
Speaker 2: At that time.

1514
01:10:53,040 --> 01:10:56,160
Speaker 1: You do it in one This was the first.

1515
01:10:56,040 --> 01:10:59,559
Speaker 3: And only take, a first take, and you can watch

1516
01:11:00,160 --> 01:11:02,519
Speaker 3: my face. You see me like like oh, they all

1517
01:11:02,560 --> 01:11:05,360
Speaker 3: went in because during rehearsals it never worked.

1518
01:11:05,880 --> 01:11:09,559
Speaker 1: And that's my memory from this week. And I wasn't

1519
01:11:09,600 --> 01:11:13,840
Speaker 1: even there, but I knew the minute it happened. I

1520
01:11:13,960 --> 01:11:17,200
Speaker 1: said to Jensen Carr, husband, producer of this podcast, he

1521
01:11:17,240 --> 01:11:19,040
Speaker 1: did that in one take. Yeah, that was the first take.

1522
01:11:19,120 --> 01:11:22,400
Speaker 1: And I like, it's mind boggling to me.

1523
01:11:22,640 --> 01:11:24,760
Speaker 3: And you can see my face where I'm like like,

1524
01:11:24,840 --> 01:11:26,280
Speaker 3: oh wow, oh I did and then I'm like, oh wait,

1525
01:11:26,360 --> 01:11:27,559
Speaker 3: bring it back, bring it back, you got it.

1526
01:11:27,560 --> 01:11:30,559
Speaker 1: You're still Actually I didn't notice it. I was shocked

1527
01:11:30,640 --> 01:11:32,960
Speaker 1: because I thought, I thought, how did he not react

1528
01:11:33,000 --> 01:11:33,240
Speaker 1: to that?

1529
01:11:34,120 --> 01:11:35,400
Speaker 3: I could see it in my face where I was like,

1530
01:11:35,439 --> 01:11:37,000
Speaker 3: oh my god, I was show. But I was told

1531
01:11:37,000 --> 01:11:38,800
Speaker 3: at the time that was like a record for the

1532
01:11:38,840 --> 01:11:41,120
Speaker 3: most balls put in with one one swipe in a

1533
01:11:41,160 --> 01:11:41,799
Speaker 3: pool tair.

1534
01:11:41,720 --> 01:11:44,400
Speaker 1: And there's no magic to that. There was no magnets.

1535
01:11:44,439 --> 01:11:47,400
Speaker 1: You literally had to hit one ball and there was

1536
01:11:47,439 --> 01:11:49,200
Speaker 1: a way to do it. It was obviously set up

1537
01:11:49,360 --> 01:11:52,479
Speaker 1: sure so that if you did it correctly, they would

1538
01:11:52,600 --> 01:11:56,440
Speaker 1: all go in. But you had to hit it perfectly

1539
01:11:56,479 --> 01:11:58,240
Speaker 1: where it was supposed to and you did.

1540
01:11:58,479 --> 01:12:00,680
Speaker 3: And the cube ball originally the way he had it

1541
01:12:00,720 --> 01:12:02,720
Speaker 3: set up, the cueball was not supposed to go in.

1542
01:12:02,840 --> 01:12:05,240
Speaker 3: He went, you cleared the whole table, so even the

1543
01:12:05,280 --> 01:12:07,680
Speaker 3: cue ball goes in, everything goes in. Yeah, it was

1544
01:12:07,880 --> 01:12:10,080
Speaker 3: that was fun. That was fun. I remember him us

1545
01:12:10,120 --> 01:12:11,840
Speaker 3: setting it up and him deciding how it was going

1546
01:12:11,880 --> 01:12:12,080
Speaker 3: to do.

1547
01:12:12,200 --> 01:12:13,720
Speaker 2: How can we find out if you, like are a

1548
01:12:13,840 --> 01:12:14,799
Speaker 2: world record holder?

1549
01:12:14,920 --> 01:12:17,160
Speaker 3: Oh, I have no idea. I mean I can't and

1550
01:12:17,160 --> 01:12:19,920
Speaker 3: again who knows, but he did. He told me that

1551
01:12:19,960 --> 01:12:20,360
Speaker 3: flat out.

1552
01:12:20,400 --> 01:12:22,760
Speaker 2: He's like, if you do this, I was going to say,

1553
01:12:22,760 --> 01:12:26,439
Speaker 2: now you have to do it underwater exactly. And I've

1554
01:12:26,479 --> 01:12:28,280
Speaker 2: been thinking about to keep the whole time. Is it

1555
01:12:28,400 --> 01:12:30,880
Speaker 2: card tricks? Is it disappearing stuff? Is it because you

1556
01:12:30,920 --> 01:12:33,320
Speaker 2: can't talk underwater? How do you scuba magic?

1557
01:12:33,520 --> 01:12:35,479
Speaker 1: We'll find out on his Instagram. I bet it's card

1558
01:12:35,600 --> 01:12:38,960
Speaker 1: Jensen said, card tricks and juggle juggling and.

1559
01:12:38,680 --> 01:12:50,240
Speaker 2: Juggling underwater juggling. It feels really easy. Wait twenty minutes,

1560
01:12:50,240 --> 01:12:53,320
Speaker 2: it'll come back down right. Underwater juggling.

1561
01:12:53,840 --> 01:13:01,000
Speaker 3: Just you're watch like fifty I got we gotta find

1562
01:13:01,000 --> 01:13:01,600
Speaker 3: out what that is.

1563
01:13:02,000 --> 01:13:06,080
Speaker 2: Slow motion underwater because you can just talk like.

1564
01:13:07,720 --> 01:13:10,800
Speaker 3: We're still talking slow that'd be me.

1565
01:13:12,360 --> 01:13:13,640
Speaker 2: We got to figure out how to do that.

1566
01:13:13,760 --> 01:13:16,960
Speaker 1: Under well, after you hit all the balls in, Eric

1567
01:13:17,000 --> 01:13:20,280
Speaker 1: walks out, shaking his head, saying, just just Lexico.

1568
01:13:20,479 --> 01:13:21,200
Speaker 3: Just like Mexica.

1569
01:13:21,240 --> 01:13:22,559
Speaker 2: Great line, it was fun.

1570
01:13:22,720 --> 01:13:25,800
Speaker 3: That was a fun storyline that was absurd and ridiculous,

1571
01:13:25,840 --> 01:13:29,240
Speaker 3: and I thought balanced the drama of the a storyline perfectly.

1572
01:13:29,280 --> 01:13:30,920
Speaker 2: That's what I loved it so much.

1573
01:13:31,080 --> 01:13:33,519
Speaker 1: I loved the episode me too, so great. I love

1574
01:13:33,600 --> 01:13:36,360
Speaker 1: everything about it. Well. Thank you all for joining us

1575
01:13:36,360 --> 01:13:38,280
Speaker 1: for this episode of Pod Meets World. As always, you

1576
01:13:38,320 --> 01:13:40,880
Speaker 1: can follow us on Instagram pod Meets World Show. You

1577
01:13:40,880 --> 01:13:43,040
Speaker 1: can send us your emails pod meets World Show at

1578
01:13:43,120 --> 01:13:50,559
Speaker 1: gmail dot com and we have merch. Are you I'm

1579
01:13:50,600 --> 01:13:55,320
Speaker 1: underwater on Yeah, pod meets worldshow dot com. Join us

1580
01:13:55,320 --> 01:13:57,880
Speaker 1: for our next episode. We are going to recap season

1581
01:13:57,920 --> 01:14:01,719
Speaker 1: three episode twelve, The Grass Is Always Greener. It originally

1582
01:14:01,760 --> 01:14:05,479
Speaker 1: aired January twelfth, nineteen ninety six. Will send us out.

1583
01:14:06,000 --> 01:14:10,720
Speaker 3: We love you all, pod dismissed. Pod Meets World is

1584
01:14:10,720 --> 01:14:14,120
Speaker 3: an iHeart podcast produced and hosted by Danielle Fischel, Wilfordell

1585
01:14:14,160 --> 01:14:17,439
Speaker 3: and Ryder Strong. Executive producers Jensen Carp and Amy Sugarman,

1586
01:14:17,600 --> 01:14:20,719
Speaker 3: Executive in charge of production, Danielle Romo, producer and editor

1587
01:14:20,760 --> 01:14:24,439
Speaker 3: Taras Sudbach, producer, Jackie Rodriguez, engineer and Boy Meets World

1588
01:14:24,439 --> 01:14:27,240
Speaker 3: superfan Easton Allen. Our theme song is by Kyle Morton

1589
01:14:27,280 --> 01:14:29,439
Speaker 3: of Typhoon and you can follow us on Instagram at

1590
01:14:29,520 --> 01:14:32,960
Speaker 3: Pod Meets World Show or email us at Podmeets Worldshow

1591
01:14:33,000 --> 01:14:34,320
Speaker 3: at gmail dot com