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Speaker 1: The volume. Okay, Ror, you can start talking whenever you're ready,

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Speaker 1: just chewing as Mr.

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Speaker 2: He can beat off to it later.

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Speaker 1: That can just be our cold opening right right there.

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Speaker 1: Matter of fact, that's how we start the episode, right

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Speaker 1: right what Jamaras said, Yo, I don't like some of

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Speaker 1: our listeners comments. Man, somebody said, since I got new teeth,

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Speaker 1: it looked like y'all cloned me.

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Speaker 3: They've been calling you Chip Skylark, and that ship has

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Speaker 3: been frying me.

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Speaker 4: Who's Chip Skylark?

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Speaker 2: Old ass?

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Speaker 3: It's the guy from Fairly O Parents. I know it's yep, I.

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Speaker 4: Know who that is.

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Speaker 2: Fairly Our Parents is a good show. Fairly Appearents is

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Speaker 2: my favorite cartoon all.

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Speaker 1: Time, really over like Rocco's Modern Life rug Rats.

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Speaker 3: Yes, it's my favorite all time. Interesting, that's a weird pic. Really,

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Speaker 3: I don't think. I don't think you're a little you're

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Speaker 3: a little older than me. Just a buy it tad.

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Speaker 3: So that's why some of those things were relevance.

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Speaker 2: You Now, out of.

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Speaker 3: All the cartoons, I watched drug Rats the most, right,

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Speaker 3: I feel like every person born in ninety four did.

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Speaker 3: But favorite was Fairly Appearance. Was hysterical to me.

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Speaker 1: Yeah, I wonder if Amar is gonna want to watch

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Speaker 1: like if I throw on the rug Rats, if feel

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Speaker 1: like that, or if her brain is already wired to

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Speaker 1: like what Pepper Pig looks like?

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Speaker 3: Coco melon is crack for kids? So do you let

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Speaker 3: her watch that? She's watched it a few times? She

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Speaker 3: picks on her iPad. Now what she wants to watch?

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Speaker 3: She found some like German cartoon.

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Speaker 1: Yeah, like of all the languages, small all come on, bro, can.

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Speaker 2: We blur that right?

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Speaker 1: Like?

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Speaker 4: Just blur it all? Right?

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Speaker 1: Thank you?

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Speaker 2: Yeah?

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Speaker 1: So, like of all the language she should probably learn Spanish.

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Speaker 1: They teach a Mandarin that she started the K. By

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Speaker 1: the way, guys, I didn't know what three K was.

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Speaker 1: I thought he was a rapper, but apparently three K

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Speaker 1: is a thing?

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Speaker 2: Was that a thing? When to anyone else? We called

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Speaker 2: it head start back in the day.

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Speaker 1: Okay, well, she's not three yet, but she's already with

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Speaker 1: she's with three year olds. Okay, yeah, she she switched

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Speaker 1: more from daycare to like a real school.

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Speaker 2: Oh, which reminds me. I owe Game an apology.

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Speaker 4: Mmm, he pressed you?

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Speaker 1: Huh No, I have not seen or spoken to Game

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Speaker 1: in quite some time. And matter of fact, last night

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Speaker 1: we spoke on sexon it was great. I should not

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Speaker 1: diagnose people because someone tried to diagnose my daughter and

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Speaker 1: I was ready to storm at that woman. Oh yeah

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Speaker 1: you did say that. She they you told us that

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Speaker 1: she did? I say it on Mike Yeah, okay, yeah,

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Speaker 1: well yeah, we switched out of there and pre diagnosis.

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Speaker 1: She's already ahead, she's with three year olds and she's two.

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Speaker 4: But what did she try to diagnose mar.

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Speaker 1: Adhd which you can't even have at her age? And

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Speaker 1: you're not a doctor, like you're just at a daycare.

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Speaker 1: Oh that's crazy, and listen, childcare we've talked about. I

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Speaker 1: don't understand how y'all do that job. You guys are incredible,

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Speaker 1: but you're not a doctor.

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Speaker 4: A white woman. Yeah, how does that happen? Like when

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Speaker 4: as a white parent, when you see other whites white

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Speaker 4: we all go to the same meetings. But when when

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Speaker 4: a white teacher tries to like diagnose your white daughter,

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Speaker 4: what is it?

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Speaker 2: What does that have to do with race?

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Speaker 4: Point? I'm just saying because like I don't I never

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Speaker 4: really think all doctor should be Asian is I know,

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Speaker 4: I've never seen I've never seen like white people try

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Speaker 4: to diagnose like white kids at a daycare, usually they

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Speaker 4: do that the black kids, okay, like they usually like

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Speaker 4: they usually just think like all white kids are brilliant,

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Speaker 4: brilliant that day.

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Speaker 1: I don't think that's how it works, you know. And

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Speaker 1: I think people with ADHD are brilliant in their own right.

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Speaker 4: But I just see, I have a theory that we

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Speaker 4: all have ADHD. And you said that though I think

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Speaker 4: everybody was playing.

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Speaker 1: That's a theory, and I just feel like technology has

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Speaker 1: forced all our brains to have it.

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Speaker 4: I was about to say I had one of these

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Speaker 4: we all have eighty A.

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Speaker 3: Yeah, No, y'all can be easily distracted, it's not ADHD.

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Speaker 3: I just don't want your to downplay ADHD. ADHD, No,

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Speaker 3: I have, I have ADHD. I'm spoking.

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Speaker 4: I'm speaking from like a survivor standpoint, like I'm surviving

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Speaker 4: through this this. I don't know, I want to call

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Speaker 4: it a disease, but like, yeah, with this illness, I'm

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Speaker 4: not not an illness.

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Speaker 1: With this ability, you're not only a spokesperson, you're also

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Speaker 1: a client.

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Speaker 4: Yeah, I think we all have it, I hear, because

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Speaker 4: I don't think anybody can focus, like put on a

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Speaker 4: movie and just watch people like your friends, just watch them.

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Speaker 4: Just put a movie on. You're gonna watch a movie

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Speaker 4: and see who could actually really watch the movie.

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Speaker 1: But that's the majority of them have phone addiction and

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Speaker 1: short attention spans. That's different and ADHD. What's funny is

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Speaker 1: I do have in my brain which I did even

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Speaker 1: talk to Key about this. If we put something on,

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Speaker 1: is it something that I can be on my phone

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Speaker 1: and watch or something I have to watch? I hate

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Speaker 1: I feel like you because some no, because I'm not

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Speaker 1: the person that is on their phone while watching something.

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Speaker 1: But is it one of those shows that I'm just

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Speaker 1: gonna have to stop everything that I'm doing to make

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Speaker 1: sure I can like get every detail or is this

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Speaker 1: something that I can, like, all right, I can check

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Speaker 1: an email and still be caught up.

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Speaker 4: That means the show is not good if you do that.

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Speaker 1: Some shows are just meant to just turn your rain off.

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Speaker 1: That's what reality TV is for, Like it's to turn

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Speaker 1: your rain off for a second. Everything needs to like

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Speaker 1: move your mind.

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Speaker 3: No.

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Speaker 4: No, if I'm watching Baddies, I can be on my

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Speaker 4: phone and watch Baddies at the same time.

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Speaker 1: That's one of those phones off.

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Speaker 4: I don't got to be super locked in to know

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Speaker 4: what's going on with baddies. I know who about to fight.

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Speaker 4: I know what they're fighting about. Somebody ripped somebody's wig.

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Speaker 2: Like I come out, babe, what I miss? They fighting again?

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Speaker 4: They still fighting out. I gotta understand.

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Speaker 1: Speaking of which, I want to thank both you guys

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Speaker 1: all her fault. I'm on episode five. I cannot wait

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Speaker 1: to leave here to finish the entire series.

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Speaker 2: You still have an episode? No, I had to know

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Speaker 2: good with shows. Yeah, I'll binge.

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Speaker 1: I'll binge two seasons in one day if I can, Like,

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Speaker 1: I'll move from the TV, put it on my phone

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Speaker 1: while I'm doing errands, like I'm one of those people.

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Speaker 1: But I will say, and we're going to talk about

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Speaker 1: this for the remainder of the week, so no spoiler

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Speaker 1: alerts yet. It's one of the best shows I've seen

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Speaker 1: in quite some time. Told you it's incredible.

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Speaker 4: It belongs in that same COVID year with the Undoing

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Speaker 4: Yeah and the Night of and Yeah, it's in that

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Speaker 4: like it feels someone. When I started watching it, I

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Speaker 4: was like, this feels like it should have came out

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Speaker 4: during the pandemic when we had all of those great shows.

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Speaker 1: I was telling Jamarson TEXTI yesterday, putting Shiv and Sugar

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Speaker 1: together may have been the greatest casting call I've seen

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Speaker 1: in quite some time.

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Speaker 3: Shiv would be Chevron from Succession in Sugar from the Bear.

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Speaker 2: I didn't recognize.

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Speaker 3: I recognized Sugar, but I couldn't figure out where she

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Speaker 3: was from, which means you're doing a really good job

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Speaker 3: at acting if I'm like, I know your face, but

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Speaker 3: I can't pick out the character.

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Speaker 2: And I was like, oh, I.

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Speaker 4: Know, it's a good show, and it's like a you know,

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Speaker 4: a thriller and drama and all these things. But one

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Speaker 4: time she was walking around the house, she had them

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Speaker 4: pants on. She was she was holding back. She asked, no, no, no, no,

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Speaker 4: me tell you. Did you watch Succession? Yeah?

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Speaker 2: Yeah, shit been holding since.

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Speaker 3: Season I wrote it in the group chat, and I

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Speaker 3: felt creepy, So I unscent it.

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Speaker 4: You saw it.

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Speaker 2: I wonder what that on top.

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Speaker 3: I was watching it because and I felt real creepy

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Speaker 3: because it.

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Speaker 2: Was like eight thirty in the morning, nine o'clock in

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Speaker 2: the morning.

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Speaker 4: I was like, I was looking at as.

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Speaker 2: I was like, man, shiit ass fat as fuck. I

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Speaker 2: don't even know.

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Speaker 1: What we used to joke, you know those like quick

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Speaker 1: cuts they used to do in succession, like how the

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Speaker 1: cinematography is we used to joke. I wonder how many

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Speaker 1: times the DP just did that to Shiv's thighs. Yeah,

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Speaker 1: like sh they styled her so well in that show

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Speaker 1: that like they always picked pants that that held it

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Speaker 1: up too.

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Speaker 3: It's looked like she got thicker when I was watching

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Speaker 3: it in this I'm like, Shiv got thick, Like ship

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Speaker 3: look good. I'm sorry, Sarah Snooky, Thank.

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Speaker 2: You Sarah Snook.

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Speaker 1: But to your point of Sugar and Shiv, like both

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Speaker 1: those people you think would be type cast because they

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Speaker 1: both have iconic characters and other shows, they don't act

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Speaker 1: like those characters at all. Yeah, all her fault Like

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Speaker 1: even like I think is a great actor, but Lawrence,

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Speaker 1: But Lawrence acts the same way and insecure as he

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Speaker 1: did in Top Gun. Yeah, so.

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Speaker 2: You know he's a good act Like he's great in

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Speaker 2: the show.

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Speaker 4: But then I definitely like, yo, Lawrence gotta go get.

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Speaker 1: Maybe Lawrence is just that iconic of a character. It's

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Speaker 1: like you know how Laura's leave La and his flying

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Speaker 1: jets right, j ellis to.

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Speaker 3: Actually, but even when I was watching him and all

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Speaker 3: her fault. I was just waiting for him to say, fuck,

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Speaker 3: that's I was just waiting for him to say.

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Speaker 4: Yeah, he's forever, He's forever, Like that's.

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Speaker 1: Well. I mean, this is the only spoiler I will

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Speaker 1: give because it's not that big of a pivotal part

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Speaker 1: of all her fault when you find out that Lawrence

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Speaker 1: is fucking sugar. In my head, I was like, Manas

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Speaker 1: was right, he dol like white girls.

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Speaker 2: Stop.

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Speaker 4: You tried to call it all into a whole new.

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Speaker 2: Same universe. That was Lawrence.

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Speaker 1: He just moved on, and it's all her faults. East's fault.

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Speaker 2: That's the only problem with that show though.

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Speaker 1: And I mean, Lu's probably gonna call me gay, but

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Speaker 1: that's not There's no way.

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Speaker 4: Laurence, like, look at Lawrence. He's not dating an older

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Speaker 4: white woman. He's a good he's.

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Speaker 2: A very good looking guy.

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Speaker 1: I'm not saying, first of all, ship she is beautiful,

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Speaker 1: but I'm just saying, like they're not even in the

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Speaker 1: same age bracket.

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Speaker 3: Well, Abby, Abby isn't old. They're probably he's probably older

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Speaker 3: than her. White people aged. Worst myself is what thirty eight.

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Speaker 4: NOA she doesn't look that, she doesn't even look at oh,

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Speaker 4: you're being me.

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Speaker 2: She don't even look at.

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Speaker 1: Oh, well, the roles that they put her in, like

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Speaker 1: right there, she doesn't it looks amazing. But when they

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Speaker 1: make her sugar and make her uh least leah, like

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Speaker 1: they're trying to make it look like a she's like

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Speaker 1: an old addict on that show.

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Speaker 2: So they made her look like a younger sister.

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Speaker 3: Yah, you're funny, is bro. I'm crying, but I don't know. Huh,

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Speaker 3: great show, great show.

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Speaker 1: I'm so glad you guys haven't spoiled anything. I do

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Speaker 1: not know if we owe the husband in apology or

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Speaker 1: he's the biggest sol I want to talk.

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Speaker 2: Because yeah, yeah, for you to get here.

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Speaker 1: Yeah, anybody used to have a bunch of theories. Now

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Speaker 1: I'm kind of I have none. Everything they try to

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Speaker 1: make it seem like it's going to be something. I mean,

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Speaker 1: at the end of the day, I just think the

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Speaker 1: adopted mom did everything.

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Speaker 4: See that I'm dooing. I ain't gonna like I was

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Speaker 4: on the side of the sun. Did it at once

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Speaker 4: and not undoing? I'm sure it was yea, yeah, I

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Speaker 4: think you yelled it out.

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Speaker 1: I thought the person they passing the sidewalk did it?

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Speaker 2: I thought Extra number three did it.

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Speaker 4: I can't wait to finish this though, so we could

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Speaker 4: really talk about it.

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Speaker 1: Is it just one season? Yeah, it's like a limited series, right,

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Speaker 1: or does it? And where it looks like it could

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Speaker 1: be a season two?

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Speaker 2: No, it's a limited series.

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Speaker 4: Okay, sure, I don't see them bring a season two

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Speaker 4: for this.

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Speaker 2: That's what like.

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Speaker 1: I like limited series because I go in with the

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Speaker 1: expectations that I know will get a conclusion. I can

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Speaker 1: move on with my life. I hate when you get

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Speaker 1: to like season three and season four isn't get picked up,

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Speaker 1: and it's just like, why did we do this?

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Speaker 4: Now?

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Speaker 1: Now my whole life is fucked up because I'm thinking

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Speaker 1: about what's going on.

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Speaker 4: I'm still never letting go to Messiah. I'm sorry. I'm

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Speaker 4: gonna bring that up every time we talk about great

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Speaker 4: shows that never got a season two.

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Speaker 1: I couldn't get the first EPISO, so was cool. I

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Speaker 1: was just waiting for it to pick up.

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Speaker 4: On the Messiah. Yeah, you know, you only watch one episode.

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Speaker 4: Oh you can't this conversation, you gotta watch it. You

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Speaker 4: have to watch that season. That's one of the best

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Speaker 4: shows that they just canceled because people were offended that

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Speaker 4: they were trying to depict the Messiah and all, yeah,

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Speaker 4: like what's what the fuck are we talking? Wait, Jesus,

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Speaker 4: we don't know. We didn't get a season two. Oh

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Speaker 4: so oh we don't know. We do not know. This

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Speaker 4: is the problem here, This is why we need a

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Speaker 4: season too. We have questions.

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Speaker 1: It's like when they opened the tomb and there was

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Speaker 1: nobody three days, like we were going to season two

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Speaker 1: is in the tomb?

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Speaker 4: Yeah? Man, they would cancel season two because people are offended.

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Speaker 3: That's how I feel about love Craft Country though, Like yeah,

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Speaker 3: that look that was heartbreaking, like bro Emmy nominations, Critical acclaim,

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Speaker 3: everything like cult fan favorite and y'all canceled it? God

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Speaker 3: was it was telling the truth about ship might back.

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Speaker 3: People will stepping into their power.

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Speaker 4: Yo, what do y'all feel about the Diddy Dock being

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Speaker 4: number one in forty nine countries? That shit is like

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Speaker 4: robbling like Stranger Things numbers and this. We can say

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Speaker 4: what we want, but that shit is doing some incredible

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Speaker 4: shit on Netflix. That's all I'm saying. Shut out to

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Speaker 4: fifty and the team, like, listen to how you feel

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Speaker 4: about the dock is how you feel? And what a

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Speaker 4: on Tandra Stranger Things, Yo, listen that. Yeah, it was

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Speaker 4: real stranger things like that is like listen number one

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Speaker 4: in forty nine countries, bro, say what you want man,

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Speaker 4: That's that's some incredible shit they did.

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Speaker 2: I just saw.

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Speaker 1: Torre had brought up something interesting because you know that

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Speaker 1: clip that we've all seen for years of big saying

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Speaker 1: you know, I feel PARANOI, I feel like someone's gonna

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Speaker 1: kill me. Yeah, and then then in the dock they

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Speaker 1: cut right to March ninth, nineteen ninety seven to make

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Speaker 1: it look like so I was like, Yo, I did

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Speaker 1: that interview with him before the first album. He's talking

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Speaker 1: about the streets, he's not talking about puffies, about the industry.

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Speaker 1: He's scared, he's selling drugs and he's terrified someone's going

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Speaker 1: to kill him. So, yes, that doc has so much

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Speaker 1: factual shape. But how they manipulated a lot of that, yeah,

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Speaker 1: should be studied of how like that's what worries me

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Speaker 1: sometimes too, especially like we see it now with Twitter

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Speaker 1: and hip hop. Now, just like all these young kids

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Speaker 1: that know nothing have all these strong opinions.

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Speaker 2: In forty nine countries, there's a lot of people.

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Speaker 1: That are getting a lot of misinformation and this is

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Speaker 1: their first time being introduced to this story, like huff

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Speaker 1: didn't kill Tupac, and now that's a narrative.

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Speaker 4: I remember, what's the guy's name from TMZ Dan No,

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Speaker 4: not Van, Harvey, Harvey.

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Speaker 1: Oh you know it even Harvey Levin. No, no, Harvey Kaitel.

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Speaker 4: That's acting. That's the actor, Harvey Levin, right, Harvey Levan.

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Speaker 4: He's a great he's a great. Shit up. He was talking.

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Speaker 4: I saw a clip of him talking about the fact that, uh,

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Speaker 4: you know, in the dock some of the footage of

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Speaker 4: did he talking to his lawyer? He was like, he

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Speaker 4: can't believe that that's in it, Like, why would did

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Speaker 4: he even record that? Yeah, I told you my theory

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Speaker 4: that he was like, it's like lawyer, it's like client lawyer,

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Speaker 4: I mean lawyer client, Like you know, privacy privilege.

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Speaker 2: Even in jail, nobody can listen to your commisation.

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Speaker 4: Like the fact that he was recording that and didn't

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Speaker 4: tell his his lawyer that he was recording those conversations.

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Speaker 4: Oh yeah, you know.

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Speaker 1: That could have really be ensued by your own lawyers

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Speaker 1: would be funny.

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Speaker 4: I just thought. But even even in watching the doc

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Speaker 4: I did like things like that. I was like, I

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Speaker 4: don't know if the camera should have been rolling right there. Yeah.

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Speaker 1: And speaking of Harvey Levin back to our Kardashians versus

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Speaker 1: the Kennedy's conversation, TMZ is also tied to the Kardashians. Like,

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Speaker 1: the first case that Harvey Levin even really covered was

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Speaker 1: the O. J. Simpson trial to like get his name

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Speaker 1: out there. So the more I thought about it after

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Speaker 1: our episode, I yeah, it's rothschild Kardashian and then Kennedy.

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Speaker 4: Well, what's the head of the DuPonts made somewhere in there?

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Speaker 4: What's the head of the Health Advisory? What's his name?

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Speaker 1: Luigi?

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Speaker 4: No, what's the Kennedy that's the head? Is a Robert

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Speaker 4: rfk R k Jr. What is his role again, I'm.

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Speaker 1: Sorry, head of vaccines or something?

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Speaker 4: Head of vaccine, head of vaccines. No, he's the Secretary

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Speaker 4: of Health and Human Services. Did y'all see the video

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Speaker 4: going around him doing twenty pull ups yesterday? No, it's

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Speaker 4: impressive a guy his age like being able to do

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Speaker 4: twenty pull ups.

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Speaker 1: Listen, man, I just recently found out he's married to

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Speaker 1: Cheryl from Curby Your Enthusiasm, So.

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Speaker 4: Really, yes? Oh, shit, I didn't know that simulation. In

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Speaker 4: a simulation, I swear, nothing makes sense. Man, while we're here,

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Speaker 4: congrats to our guy, my son Mondamie just appointed him

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Speaker 4: as the criminal Justice Advisor for New York City. And

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Speaker 4: I don't like them, man, I don't like how they

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Speaker 4: did my guy, my son and all, Like every single

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Speaker 4: headline is ex con rapper, Like, yes, my son go

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Speaker 4: to jail, but the amount of things my son has

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Speaker 4: done since he's gotten out of jail.

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Speaker 1: Enough he should just be labeled as x con.

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Speaker 4: You know, they got too, you know, they gotta do that.

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Speaker 4: They got to try to make the correlation. He's a

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Speaker 4: I mean I think that I think that that's a

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Speaker 4: stat though. Yeah, but yeah, put that on the paper,

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Speaker 4: put that on an x con, and now I am

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Speaker 4: the head of who would understand justice more than an

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Speaker 4: ex con? Yeah, Like, I think that's I saw people

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Speaker 4: that was kind of like, damn, they fucked up for that.

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Speaker 4: I'm on the opposite side of that, man, Like, look,

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Speaker 4: how look how much somebody can change? Look how far

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Speaker 4: somebody can come? Pause? Look how you know that was crazy? Like,

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Speaker 4: y'all gotta start respecting the pause, man, you gotta say

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Speaker 4: Pauls first. Yeah, but I'm just saying I didn't realize,

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Speaker 4: you know, in a minute. Yeah, anticipate you know what

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Speaker 4: I'm saying, how crazy that was gonna land. But anyway, yeah,

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Speaker 4: I think that was dope though, for them to put

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Speaker 4: that on the page, like, yeah, I am an ex con. Yeah,

387
00:17:00,280 --> 00:17:02,680
Speaker 4: and now look what I am. So shoutut to my song.

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Speaker 4: Another bronze leedgend worry. I'll know that of course. So yeah,

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Speaker 4: shout out the my song. Shout out to Mom Donnie

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Speaker 4: for just going in there and just doing shit different.

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Speaker 1: Man. Fuck it, that's what I'm about. Fuck all this

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Speaker 1: shit up.

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Speaker 4: Do everything higher, everybody, give Tasha Kate ahead of something.

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Speaker 4: Put all of them in there, ahead of the post here, yeah,

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Speaker 4: put all of them in there. Let's just see what

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Speaker 4: page six. Let's just see where ship lands. Man, that's

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Speaker 4: what I'm on. Let's just see what ship lands.

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Speaker 1: I'll take this because I know my son does have

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Speaker 1: very good intentions. I'll take that over Eric Adams giving

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Speaker 1: his side check, corterating salary just to show up, sorry,

401
00:17:37,760 --> 00:17:39,840
Speaker 1: no show job. Yeah, just to list how much you

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Speaker 1: think they're paying my song. I'm sure we can. I

403
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Speaker 1: mean it's our tax dollars they have to tell us.

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Speaker 2: But yet I don't know.

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Speaker 1: What that that job usually offers you?

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Speaker 4: Who and can we find out who held that position

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00:17:52,119 --> 00:17:55,399
Speaker 4: in the last uh the last term?

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Speaker 1: That's the chief of police probably. I just want to

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Speaker 1: see something, you know.

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Speaker 4: Like, I've never even heard of this position in the

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Speaker 4: you know, in the city. So I'm just I just

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Speaker 4: want to know who was the last what is it,

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Speaker 4: head of criminal.

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Speaker 2: Criminal justice advisor. I don't know if it was really

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Speaker 2: a role.

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00:18:12,720 --> 00:18:17,760
Speaker 4: Who was the criminal justice advisor underneath the Eric Adams administration.

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Speaker 1: I mean, listen, it makes more sense than making Ben

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Speaker 1: Carson the head of urban development. He's a doctor of housing.

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Speaker 1: Whatever the fuck he did.

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Speaker 2: I don't know.

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Speaker 1: I love that our government could just make up fucking

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Speaker 1: titles and get people ship.

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Speaker 4: What if we find out that Eric Adams girlfriend that

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Speaker 4: was her position last last term she was.

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Speaker 1: That would make sense though she was the head of

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Speaker 1: it would make sense. It would make sense because the

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Speaker 1: crypt population is tripled.

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Speaker 2: In the last three years.

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Speaker 4: Everybody is completely different.

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Speaker 2: The crip population.

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Speaker 4: It was just bloods now, it's it's running rampant with

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Speaker 4: the ops. Yeah.

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Speaker 1: Anyways, what what do we have on today Today's list

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Speaker 1: before my son cleans our city up.

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Speaker 4: Maul.

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00:19:04,320 --> 00:19:06,560
Speaker 1: Somebody told me over the weekend that you were thinking

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00:19:06,560 --> 00:19:09,920
Speaker 1: about upgrading to the all new iPhone seventeen Pro. They said,

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Speaker 1: you've been thinking about it for I don't know the

439
00:19:11,720 --> 00:19:14,520
Speaker 1: last six months at this point, because it's designed to

440
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Speaker 1: So, I don't know if y'all seen with that clip

483
00:21:06,160 --> 00:21:08,040
Speaker 1: where we were talking about all the underrated albums from

484
00:21:08,040 --> 00:21:10,320
Speaker 1: twenty eleven, like it being an underrated year of music

485
00:21:10,400 --> 00:21:14,040
Speaker 1: is going crazy? Like yeah, still no, it's like bled

486
00:21:14,080 --> 00:21:16,240
Speaker 1: over into my personal life where friends are just calling

487
00:21:16,240 --> 00:21:20,640
Speaker 1: me to debate years of hip hop because I think a.

488
00:21:20,560 --> 00:21:22,879
Speaker 4: Lot of we must never know what conversations are going

489
00:21:22,920 --> 00:21:23,840
Speaker 4: to take, Like how was that that?

490
00:21:24,080 --> 00:21:25,879
Speaker 2: Yeah, that's going crazy.

491
00:21:25,960 --> 00:21:27,960
Speaker 3: Our most viral clip is if you're talking about pepsi,

492
00:21:27,960 --> 00:21:28,880
Speaker 3: you really never Yeah.

493
00:21:28,880 --> 00:21:34,439
Speaker 1: But that's why, Like when people would ask me for

494
00:21:34,480 --> 00:21:36,719
Speaker 1: advice on podcasts, there's remarking this and that. I used

495
00:21:36,720 --> 00:21:38,080
Speaker 1: to give them answers. Now it's good, but I have

496
00:21:38,080 --> 00:21:40,159
Speaker 1: no idea. I have no idea what's gonna work. I

497
00:21:40,160 --> 00:21:42,880
Speaker 1: don't know them all. Hating pepsis is the reason why

498
00:21:42,920 --> 00:21:45,840
Speaker 1: people tune into our podcast apparently, and.

499
00:21:45,800 --> 00:21:47,320
Speaker 4: The reason why we can't get a pepsi spot.

500
00:21:47,440 --> 00:21:50,800
Speaker 1: I think I think I was even debating that's a

501
00:21:50,840 --> 00:21:53,000
Speaker 1: stupid clip. We shouldn't even put that out.

502
00:21:54,640 --> 00:21:56,360
Speaker 2: It's going to even la like even want to listen

503
00:21:56,400 --> 00:21:56,600
Speaker 2: to that.

504
00:21:57,359 --> 00:21:58,800
Speaker 1: Well, Yeah, No, I've been debating a lot of my

505
00:21:58,840 --> 00:22:02,639
Speaker 1: friends just on the phone about years, and I've noticed

506
00:22:03,520 --> 00:22:08,240
Speaker 1: a lot of my friends from Mall's generation have been

507
00:22:08,359 --> 00:22:11,440
Speaker 1: arguing ninety eight to me, which I makes total sense.

508
00:22:11,480 --> 00:22:14,120
Speaker 2: I've alway understood nineteen ninety eight being there, But.

509
00:22:14,119 --> 00:22:16,280
Speaker 1: I kind of feel like I can argue my era,

510
00:22:16,400 --> 00:22:18,200
Speaker 1: Like I think five is super underrated.

511
00:22:19,240 --> 00:22:20,840
Speaker 4: Oh five might be the worst she in rap.

512
00:22:21,640 --> 00:22:24,920
Speaker 1: It was definitely a very strange fucking time. Yes, snap

513
00:22:25,000 --> 00:22:28,240
Speaker 1: music was taking over. I think that was probably when

514
00:22:28,320 --> 00:22:31,000
Speaker 1: Nas decided that he wanted to titles album hip Hop

515
00:22:31,080 --> 00:22:32,800
Speaker 1: is Dead. It was a very very strange time. But

516
00:22:32,840 --> 00:22:36,760
Speaker 1: if you go to five, like, there still was great

517
00:22:37,359 --> 00:22:38,320
Speaker 1: albums at that time.

518
00:22:38,440 --> 00:22:43,000
Speaker 4: Lady Registration and Documentary Okay, two for two, b Common.

519
00:22:42,680 --> 00:22:48,159
Speaker 1: Okay, Incredible, gz TM one on One, Classic You Said Game, Documentary,

520
00:22:48,200 --> 00:22:51,760
Speaker 1: Massacre Carter two, Little Brother Minstrel Show was one of

521
00:22:51,800 --> 00:22:52,680
Speaker 1: my favorite albums ever.

522
00:22:52,760 --> 00:22:55,479
Speaker 2: Like five, az A Wall was crazy.

523
00:22:55,600 --> 00:22:57,920
Speaker 3: I'd like to shout out Certified by David Banner because

524
00:22:57,960 --> 00:22:59,920
Speaker 3: play is one of the greatest songs of all time.

525
00:23:00,400 --> 00:23:04,040
Speaker 1: Yeah, I was. I was just texting with with Royce yesterday.

526
00:23:04,600 --> 00:23:07,040
Speaker 1: David Banner might be one of the most underrated producers

527
00:23:07,560 --> 00:23:10,280
Speaker 1: that we have if you go through his catalog. We

528
00:23:10,320 --> 00:23:13,159
Speaker 1: need to give David Banner way more flowers anytime he

529
00:23:13,160 --> 00:23:15,000
Speaker 1: gets brought up. We should continue to do that.

530
00:23:15,040 --> 00:23:15,960
Speaker 2: But that's a side note.

531
00:23:16,000 --> 00:23:18,000
Speaker 1: I don't I think five yes was hip hop and

532
00:23:18,080 --> 00:23:20,359
Speaker 1: probably one of the weirdest places ever. Did look like

533
00:23:20,400 --> 00:23:23,119
Speaker 1: it was going in a completely different direction, but you

534
00:23:23,160 --> 00:23:26,919
Speaker 1: still get Tony Ao thoughts of a predicant Fellain. That

535
00:23:27,000 --> 00:23:29,800
Speaker 1: is a straight album. Little Kim to the Naked Truth.

536
00:23:31,280 --> 00:23:33,960
Speaker 2: What was the single on that was?

537
00:23:34,000 --> 00:23:34,160
Speaker 1: It?

538
00:23:34,920 --> 00:23:35,919
Speaker 2: Was it put your Lighters Up?

539
00:23:36,000 --> 00:23:36,080
Speaker 3: Light?

540
00:23:36,200 --> 00:23:37,639
Speaker 2: I was about to say, was it lighters up?

541
00:23:38,720 --> 00:23:38,840
Speaker 4: Yo?

542
00:23:38,920 --> 00:23:40,679
Speaker 1: Little Kim had some joints when I was in high school.

543
00:23:40,760 --> 00:23:43,879
Speaker 1: Like people give her her nineties run, but they failed

544
00:23:43,880 --> 00:23:48,919
Speaker 1: to mention the two thousands that she had. But yeah,

545
00:23:49,080 --> 00:23:53,359
Speaker 1: I have five as one of my favorite under rated

546
00:23:53,440 --> 00:23:55,080
Speaker 1: years of hip hop.

547
00:23:56,080 --> 00:23:59,919
Speaker 4: Yeah, looking at this list, that was It's made me

548
00:24:00,200 --> 00:24:03,120
Speaker 4: six on there. That's worth going back to.

549
00:24:03,200 --> 00:24:06,560
Speaker 1: Paul Wall Peoples Champions a great album. Bun be Trill,

550
00:24:06,720 --> 00:24:07,440
Speaker 1: great album.

551
00:24:07,720 --> 00:24:11,240
Speaker 4: There's a lot of shit jeezy okay, one on one,

552
00:24:11,440 --> 00:24:12,880
Speaker 4: Oh Bean's dropped that year.

553
00:24:14,880 --> 00:24:17,159
Speaker 2: Yeah, B by Common is a very important album too.

554
00:24:17,200 --> 00:24:20,800
Speaker 1: By the way, that is a certified classic album without question.

555
00:24:20,920 --> 00:24:26,720
Speaker 1: I think despite the radio sounding fucking insane, this was

556
00:24:26,760 --> 00:24:27,560
Speaker 1: an incredible year.

557
00:24:27,760 --> 00:24:30,119
Speaker 4: Very about it's some good. I mean this was the

558
00:24:30,160 --> 00:24:36,720
Speaker 4: documentary to become in Carter two. I mean it's that alone.

559
00:24:36,760 --> 00:24:39,800
Speaker 4: It's definitely some some some great albums right there.

560
00:24:40,119 --> 00:24:42,000
Speaker 1: How like, I haven't really thought this through, and I'm

561
00:24:42,040 --> 00:24:42,960
Speaker 1: not even trying to do like.

562
00:24:43,280 --> 00:24:44,920
Speaker 2: Shock value takes here.

563
00:24:45,320 --> 00:24:49,879
Speaker 1: How upset would your generation be if I thought maybe

564
00:24:49,920 --> 00:24:52,840
Speaker 1: two thousand twenty ten could rival in nineteen ninety to

565
00:24:52,920 --> 00:24:53,640
Speaker 1: nineteen ninety.

566
00:24:53,520 --> 00:24:57,919
Speaker 4: Nine the year two thousands, Well.

567
00:24:57,840 --> 00:24:59,280
Speaker 1: I guess it would be two thousand and nine. Then

568
00:24:59,480 --> 00:25:02,600
Speaker 1: I can two thousand and two nineties versus two thousands.

569
00:25:02,880 --> 00:25:07,359
Speaker 1: I think, yes, the nineties probably get you there with

570
00:25:07,880 --> 00:25:10,960
Speaker 1: absolute classic albums, but I think it's closer than people

571
00:25:10,960 --> 00:25:12,040
Speaker 1: would would think.

572
00:25:13,600 --> 00:25:14,240
Speaker 4: I don't think so.

573
00:25:14,880 --> 00:25:16,840
Speaker 1: I think the nineties is the greatest ever in music

574
00:25:16,880 --> 00:25:22,520
Speaker 1: ever period or just hip hop, hip hop fair and

575
00:25:22,760 --> 00:25:23,160
Speaker 1: R and B.

576
00:25:25,800 --> 00:25:26,439
Speaker 4: Definitely R and B.

577
00:25:26,520 --> 00:25:28,359
Speaker 1: Definitely R and B Yeah, you're not wrong with R

578
00:25:28,359 --> 00:25:31,119
Speaker 1: and B, so now you're not so much so now

579
00:25:31,119 --> 00:25:33,080
Speaker 1: you're talk about hip hop in the nineties.

580
00:25:33,440 --> 00:25:35,919
Speaker 3: As far as albums, Yeah, it depends on what kind

581
00:25:35,920 --> 00:25:38,520
Speaker 3: of hip hop you like, what your preference of hip

582
00:25:38,520 --> 00:25:41,000
Speaker 3: hop is, because if you want just straight hip hop.

583
00:25:41,280 --> 00:25:43,200
Speaker 2: Yeah, Like there were a couple of fact that y'all.

584
00:25:43,040 --> 00:25:45,080
Speaker 4: Got the snap era in from two thousand, two thousand

585
00:25:45,080 --> 00:25:47,120
Speaker 4: and ten. That's in there, y'all lose, but.

586
00:25:47,080 --> 00:25:48,000
Speaker 2: The snap era didn't.

587
00:25:48,280 --> 00:25:51,160
Speaker 1: Like that was singles like that that invented the ringtone,

588
00:25:51,160 --> 00:25:54,840
Speaker 1: that invented what became streaming of a single. Like, there

589
00:25:54,840 --> 00:25:56,840
Speaker 1: were still great that people were still making great albums

590
00:25:56,840 --> 00:25:57,479
Speaker 1: in the two thousands.

591
00:25:57,520 --> 00:26:01,199
Speaker 3: We still had the rap with the singing hook, Like

592
00:26:01,600 --> 00:26:04,480
Speaker 3: that originated in the nineties, but it really jumped off

593
00:26:04,480 --> 00:26:06,840
Speaker 3: in the two thousands, and I feel like that's such

594
00:26:06,840 --> 00:26:08,880
Speaker 3: an important part of hip hop. I feel like it's

595
00:26:08,880 --> 00:26:12,200
Speaker 3: what hip hop is missing now, honestly. But the rap

596
00:26:12,240 --> 00:26:16,719
Speaker 3: with the singing hook, that's that's two thousand shit heavy.

597
00:26:17,200 --> 00:26:18,280
Speaker 1: I would even know about that.

598
00:26:19,480 --> 00:26:22,040
Speaker 3: Like I said, it started in the nineties, but that

599
00:26:22,240 --> 00:26:23,920
Speaker 3: was the thing in the two thousands.

600
00:26:23,960 --> 00:26:25,919
Speaker 4: You definitely listen to more music from the nineties than

601
00:26:25,960 --> 00:26:27,680
Speaker 4: you do from the two early two thousand and rap

602
00:26:27,760 --> 00:26:29,640
Speaker 4: no period in your life.

603
00:26:29,840 --> 00:26:30,640
Speaker 2: No, I don't, I don't.

604
00:26:30,680 --> 00:26:33,560
Speaker 4: I can name two Janet albums that you bang from

605
00:26:33,600 --> 00:26:37,880
Speaker 4: the nineties top to bottom, Whitney Album top to bottom,

606
00:26:38,240 --> 00:26:40,080
Speaker 4: Mariah Carey top to bottom.

607
00:26:40,640 --> 00:26:43,600
Speaker 3: Okay, right, we'll be doing okay. But I also listened

608
00:26:43,600 --> 00:26:45,359
Speaker 3: to a lot of two thousands R and B.

609
00:26:46,400 --> 00:26:48,360
Speaker 4: You listen to singles, No, listen.

610
00:26:48,640 --> 00:26:52,760
Speaker 2: I listened to albums I have, Destiny's Cat.

611
00:26:53,200 --> 00:26:55,320
Speaker 3: I was gonna say my top three favorite albums are

612
00:26:55,359 --> 00:26:57,000
Speaker 3: from the two thousands, like R and B albums The

613
00:26:57,000 --> 00:27:02,280
Speaker 3: Emancipation of Me, Me, Channel, Orange, Offer You by Janna Jackson,

614
00:27:02,600 --> 00:27:06,119
Speaker 3: and Destiny Fulfilled by Destiny's Shout. Those would be in

615
00:27:06,160 --> 00:27:08,080
Speaker 3: my top five favorite albums all all of.

616
00:27:08,040 --> 00:27:11,200
Speaker 1: Those are from the two thousands, Yo, Voodoo, Who Is

617
00:27:11,280 --> 00:27:14,880
Speaker 1: Jill Scott, Mama's Gun, Songs in a Minor, Lovers Rock

618
00:27:14,960 --> 00:27:19,480
Speaker 1: eighty seven oh one, maybe The Diary of Alicia Keys Uh,

619
00:27:19,560 --> 00:27:23,360
Speaker 1: the Aliyah album Get Lifted, John Legend.

620
00:27:24,400 --> 00:27:25,440
Speaker 2: Don't see why.

621
00:27:27,320 --> 00:27:28,280
Speaker 4: I don't like that. I don't like that.

622
00:27:28,760 --> 00:27:29,360
Speaker 2: I don't like that.

623
00:27:29,440 --> 00:27:31,320
Speaker 1: I don't like that Get Lifted as a classic album,

624
00:27:32,359 --> 00:27:37,800
Speaker 1: Dream Love, Hate, shit Neo's Hole catalog justin future sex

625
00:27:37,840 --> 00:27:40,960
Speaker 1: love sounds come on, Like what are we talking.

626
00:27:40,840 --> 00:27:42,840
Speaker 3: Chris Brown's first album, which I still to this day

627
00:27:42,840 --> 00:27:45,199
Speaker 3: think is his best album, or at least one of

628
00:27:45,240 --> 00:27:47,040
Speaker 3: the top three, Like what we're doing.

629
00:27:47,920 --> 00:27:50,280
Speaker 1: I also hate doing this though, because like as much

630
00:27:50,280 --> 00:27:52,600
Speaker 1: as yeah, I do like agree that ninety eight is

631
00:27:52,600 --> 00:27:55,280
Speaker 1: probably the best year of music. I was also eight,

632
00:27:55,520 --> 00:27:57,600
Speaker 1: like I do remember it, but like Maul can speak

633
00:27:57,640 --> 00:28:00,520
Speaker 1: more to that than I can, like to me, I

634
00:28:00,560 --> 00:28:03,199
Speaker 1: have two thousand and three above it just because I

635
00:28:03,280 --> 00:28:06,440
Speaker 1: was thirteen and like really actually remember it and went

636
00:28:06,480 --> 00:28:09,520
Speaker 1: and bought those CDs. I had to really go back

637
00:28:09,600 --> 00:28:14,480
Speaker 1: to appreciate ninety eight, like Volumec was one of the

638
00:28:14,480 --> 00:28:18,760
Speaker 1: first albums I bought, But like I don't know, I was.

639
00:28:18,760 --> 00:28:21,359
Speaker 2: I was young. What do you I had no life

640
00:28:21,400 --> 00:28:22,240
Speaker 2: experience trying.

641
00:28:22,040 --> 00:28:24,159
Speaker 1: To listen to Capital Punishment, I don't have like a

642
00:28:24,800 --> 00:28:27,679
Speaker 1: connection of like I was outside with that, but like

643
00:28:27,760 --> 00:28:29,160
Speaker 1: get Rich, I was outside.

644
00:28:30,760 --> 00:28:33,160
Speaker 3: What do you remember about ninety eight in music? More

645
00:28:33,359 --> 00:28:34,760
Speaker 3: like what did it feel like outside?

646
00:28:34,840 --> 00:28:35,240
Speaker 2: Was it hot?

647
00:28:35,400 --> 00:28:35,480
Speaker 4: Was?

648
00:28:35,640 --> 00:28:35,720
Speaker 1: Like?

649
00:28:36,000 --> 00:28:36,919
Speaker 2: What it about like.

650
00:28:39,040 --> 00:28:39,200
Speaker 4: Dark?

651
00:28:41,920 --> 00:28:44,360
Speaker 3: No, because I remember twenty sixteen, I remember when the

652
00:28:44,360 --> 00:28:47,000
Speaker 3: air felt like when fucking the Life of Pablo dropped, Like,

653
00:28:47,040 --> 00:28:49,719
Speaker 3: what did it feel like in ninety eight? What albums

654
00:28:49,720 --> 00:28:52,040
Speaker 3: do you remember? Memories do you remember from that time.

655
00:28:52,320 --> 00:28:57,560
Speaker 4: I mean, when Jay dropped Hard Knocked Life, I think

656
00:28:57,640 --> 00:29:01,520
Speaker 4: that was a obviously Jay was you know, he was

657
00:29:02,000 --> 00:29:03,960
Speaker 4: making noise and he was he was, he was hot

658
00:29:04,000 --> 00:29:06,600
Speaker 4: before you know, Hard Knocked Life. But when that Hard

659
00:29:06,680 --> 00:29:08,560
Speaker 4: Knock Light, when the songs dropped, not even an album,

660
00:29:08,560 --> 00:29:09,960
Speaker 4: when the song dropped.

661
00:29:09,760 --> 00:29:11,800
Speaker 1: You were one of the kids in the chorus, right, no,

662
00:29:12,000 --> 00:29:14,480
Speaker 1: fuck you you could.

663
00:29:14,520 --> 00:29:17,240
Speaker 4: You could literally From that point on, you can see

664
00:29:17,280 --> 00:29:22,280
Speaker 4: how music business, like a lot of things changed because

665
00:29:22,320 --> 00:29:26,240
Speaker 4: that was the beginning of Jay's ascension into like becoming

666
00:29:26,280 --> 00:29:29,440
Speaker 4: a superstar and then becoming a mogul and things like that.

667
00:29:29,520 --> 00:29:31,800
Speaker 4: Based off of that one song like that, the Hard

668
00:29:31,880 --> 00:29:35,480
Speaker 4: Knock Life song changed Jay's entire trajectory. But then you

669
00:29:35,520 --> 00:29:38,800
Speaker 4: also had DMX dropping I think two albums that year.

670
00:29:39,280 --> 00:29:42,160
Speaker 1: YEP number one it was.

671
00:29:42,600 --> 00:29:44,120
Speaker 4: You know, we don't talk about him no more, he's

672
00:29:44,200 --> 00:29:47,520
Speaker 4: XI from the culture. But the R album R Kelly

673
00:29:47,880 --> 00:29:51,960
Speaker 4: with that did that year Juvenile and with you know,

674
00:29:52,040 --> 00:29:55,960
Speaker 4: cash Money started doing around that time. It was just

675
00:29:56,040 --> 00:30:00,240
Speaker 4: a it was just a Lauryn Hill The mistagic Cation

676
00:30:00,400 --> 00:30:02,800
Speaker 4: album came out ninety eight, that little mixtape, Yeah, just

677
00:30:02,800 --> 00:30:05,000
Speaker 4: a little little something shit put together just to feed

678
00:30:05,000 --> 00:30:07,040
Speaker 4: the streets. Like that was that was a year of

679
00:30:07,640 --> 00:30:10,800
Speaker 4: you know, these are legends that we're talking about that

680
00:30:10,880 --> 00:30:14,080
Speaker 4: all dropped and was in the ecosystem that year. Brandy

681
00:30:14,200 --> 00:30:14,800
Speaker 4: Never Say.

682
00:30:14,600 --> 00:30:16,160
Speaker 2: Never, That's my favorite Brandy album.

683
00:30:16,240 --> 00:30:18,720
Speaker 4: Yeah, Like it was just the music and then not

684
00:30:18,760 --> 00:30:22,880
Speaker 4: only the music, something else that we don't really pay

685
00:30:22,920 --> 00:30:27,680
Speaker 4: a lot of attention to videos the way videos started

686
00:30:27,680 --> 00:30:33,200
Speaker 4: looking around ninety eight ninety nine, that's when you started

687
00:30:33,240 --> 00:30:37,600
Speaker 4: to see, like, you know, our cultures was like these

688
00:30:37,600 --> 00:30:41,200
Speaker 4: are superstars. You started seeing them on the trls and

689
00:30:41,240 --> 00:30:43,560
Speaker 4: things like that, and different network seeing them. You know,

690
00:30:44,880 --> 00:30:46,720
Speaker 4: if it was like an MTV beach House thing. You

691
00:30:46,760 --> 00:30:49,200
Speaker 4: see a bunch of white kids on spring Break like

692
00:30:49,360 --> 00:30:52,800
Speaker 4: dancing to like Dmax and Jay and these guys, and

693
00:30:52,800 --> 00:30:55,320
Speaker 4: you're like, what the fuck, Like everybody fuck with these dudes.

694
00:30:55,520 --> 00:30:59,240
Speaker 4: So ninety eight was definitely a pivotal year in the

695
00:30:59,320 --> 00:31:03,240
Speaker 4: cultures music, but also I think business too, Like around

696
00:31:03,240 --> 00:31:06,160
Speaker 4: that time, you know, people started to really pay attention

697
00:31:06,200 --> 00:31:09,360
Speaker 4: to their brands and wanting to do things outside of music,

698
00:31:09,960 --> 00:31:12,800
Speaker 4: just like everything. Just the energy shifted in ninety.

699
00:31:12,600 --> 00:31:14,440
Speaker 2: Eight, wasn't it Black Stars ninety eight two?

700
00:31:14,480 --> 00:31:14,720
Speaker 1: Right?

701
00:31:15,120 --> 00:31:16,840
Speaker 2: Mostefan quality probably.

702
00:31:16,920 --> 00:31:19,440
Speaker 1: Just looking at that list though outcast equimin I Lauryn Hill,

703
00:31:19,520 --> 00:31:23,440
Speaker 1: Big Pun, jay Z, two DMX albums, Juvenile Brandy. Yeah,

704
00:31:23,480 --> 00:31:27,040
Speaker 1: that that's a wild three hundred and sixty five days. Yeah,

705
00:31:27,200 --> 00:31:30,840
Speaker 1: that's like you may go broke going to the fucking

706
00:31:30,920 --> 00:31:33,800
Speaker 1: CD store for that. But I mean, oh three again,

707
00:31:34,520 --> 00:31:37,360
Speaker 1: it is just probably more I mean demeriics. We're four

708
00:31:37,400 --> 00:31:40,800
Speaker 1: years apart, so oh three, that may be actually a

709
00:31:40,840 --> 00:31:42,320
Speaker 1: big gap for us because I was thirteen.

710
00:31:42,600 --> 00:31:43,440
Speaker 2: I was in third grade.

711
00:31:43,600 --> 00:31:46,680
Speaker 4: Yeah, the marriage, don't know what two thousand and three was.

712
00:31:47,480 --> 00:31:49,160
Speaker 4: You knew about all the new snacks, which she ain't

713
00:31:49,160 --> 00:31:50,480
Speaker 4: no nothing about no music though.

714
00:31:50,400 --> 00:31:54,200
Speaker 3: Okay, so don't don't do that, don't so what I

715
00:31:54,400 --> 00:31:55,880
Speaker 3: what I remember about three?

716
00:31:56,040 --> 00:31:56,280
Speaker 2: Right?

717
00:31:56,680 --> 00:31:59,200
Speaker 3: My favorite jay Z album is the Black Album, Okay,

718
00:31:59,320 --> 00:32:01,080
Speaker 3: And I don't want to make this the whole cast,

719
00:32:01,240 --> 00:32:04,880
Speaker 3: but that introduce I would say that that I don't

720
00:32:04,880 --> 00:32:07,960
Speaker 3: want to say introduced me to hip hop, right, because

721
00:32:07,960 --> 00:32:10,480
Speaker 3: I grew up on hip hop. My dad was a DJ.

722
00:32:11,160 --> 00:32:13,840
Speaker 3: The way my dad played that album that introduced me

723
00:32:13,880 --> 00:32:16,880
Speaker 3: to a love of hip hop that the Black album

724
00:32:16,960 --> 00:32:19,160
Speaker 3: is probably the first hip hop album I can recite

725
00:32:19,360 --> 00:32:21,600
Speaker 3: from tops. I was able to recite from top to bottom.

726
00:32:21,760 --> 00:32:23,920
Speaker 3: Like you said, I have a very special connection to

727
00:32:23,960 --> 00:32:27,200
Speaker 3: the album because it never stopped playing. And then when

728
00:32:27,560 --> 00:32:31,840
Speaker 3: the fucking the DVD with maul in it that one,

729
00:32:32,000 --> 00:32:34,960
Speaker 3: Yeah we gave malt whatever that that that one is

730
00:32:35,800 --> 00:32:37,000
Speaker 3: he gave you to key City or whatever.

731
00:32:37,960 --> 00:32:39,560
Speaker 2: Yeah, Rory always.

732
00:32:39,400 --> 00:32:45,520
Speaker 3: Jokes around that like, yeah, I remember my dad saying

733
00:32:45,600 --> 00:32:48,480
Speaker 3: Joe j is retiring this Like I remember like.

734
00:32:48,600 --> 00:32:52,000
Speaker 1: That, like yeah to me, to me like that was

735
00:32:52,440 --> 00:32:55,040
Speaker 1: to me, I'm sure I could be debated.

736
00:32:55,080 --> 00:32:57,880
Speaker 2: It felt like first superstar.

737
00:32:57,480 --> 00:33:01,360
Speaker 1: Rap album of all time, Like Jay became a superstar

738
00:33:01,400 --> 00:33:03,840
Speaker 1: at that time in my opinion, and I like, yeah,

739
00:33:03,840 --> 00:33:05,920
Speaker 1: I hadn't seen that, Like yeah, with the we went

740
00:33:05,960 --> 00:33:08,360
Speaker 1: to the theaters to watch Faded Black, Like it felt

741
00:33:08,360 --> 00:33:11,160
Speaker 1: like the first superstar thing hip hop had to me.

742
00:33:11,360 --> 00:33:13,280
Speaker 2: I know people older than me.

743
00:33:13,400 --> 00:33:15,960
Speaker 1: Maybe call me crazy, but to me, it was like, oh,

744
00:33:16,000 --> 00:33:18,640
Speaker 1: this is this isn't just something I like the whole world,

745
00:33:19,600 --> 00:33:22,480
Speaker 1: Like my mom knew what the Fade to Black movie was,

746
00:33:23,360 --> 00:33:26,400
Speaker 1: so yeah, oh three kind of felt like that Shift.

747
00:33:26,440 --> 00:33:30,440
Speaker 1: But just at thirteen, I got Get Rich ja Z

748
00:33:30,520 --> 00:33:34,280
Speaker 1: Black Album, TI Trap Music, Outcast, Speaker Box, Love Below,

749
00:33:34,320 --> 00:33:38,880
Speaker 1: Diplomatic Community, Diary, Releasa Keys, Dangerously in Love. I mean,

750
00:33:39,680 --> 00:33:41,960
Speaker 1: he's cancel from the culture. But Chocolate Factory might be

751
00:33:41,960 --> 00:33:46,280
Speaker 1: the best Arclly album, Like there was just a lot

752
00:33:46,480 --> 00:33:49,960
Speaker 1: that year. Ludicris, Chicken and Beer is a personal classic

753
00:33:50,000 --> 00:33:52,800
Speaker 1: to me, trying to think what else.

754
00:33:52,720 --> 00:33:55,200
Speaker 4: According to hip hop, that's the hip hop oracle.

755
00:33:55,760 --> 00:33:58,480
Speaker 2: I mean to me that he defines hop.

756
00:33:58,520 --> 00:34:01,040
Speaker 4: Ninety eight to old three is JASP so that that

757
00:34:01,160 --> 00:34:04,280
Speaker 4: makes sense. Ninety eight We all knock Life. O three

758
00:34:04,360 --> 00:34:07,360
Speaker 4: was the concert fade, the black coming off the blueprint,

759
00:34:08,080 --> 00:34:12,520
Speaker 4: Like yeah, that for sure he's a piece of shit,

760
00:34:12,600 --> 00:34:15,640
Speaker 4: but that all Kelly J shook that part of the show.

761
00:34:15,560 --> 00:34:19,240
Speaker 2: And wearing white and all that. Oh my god, I see.

762
00:34:19,080 --> 00:34:19,560
Speaker 4: I was there.

763
00:34:19,640 --> 00:34:19,840
Speaker 1: I was.

764
00:34:20,440 --> 00:34:22,520
Speaker 4: It's a difference when you watching it and when you

765
00:34:22,600 --> 00:34:25,720
Speaker 4: was in the garden that night, Like that energy in theaters.

766
00:34:25,760 --> 00:34:27,239
Speaker 1: I was like, holy shit, how do I get a

767
00:34:27,239 --> 00:34:27,840
Speaker 1: white jacket?

768
00:34:27,920 --> 00:34:32,960
Speaker 4: That energy was like insane, like them just standing on

769
00:34:33,040 --> 00:34:38,200
Speaker 4: stage like not saying nothing, all white like that image

770
00:34:38,239 --> 00:34:41,359
Speaker 4: that moment was like, that's when to me one of

771
00:34:41,400 --> 00:34:44,080
Speaker 4: the moments in hip hop where it was like, damn,

772
00:34:44,120 --> 00:34:45,640
Speaker 4: you could really be from the hood and become a

773
00:34:45,719 --> 00:34:48,200
Speaker 4: star and this shit. Yeah.

774
00:34:48,360 --> 00:34:52,799
Speaker 1: My favorite moment of that movie is when slick Rick

775
00:34:52,960 --> 00:34:55,040
Speaker 1: has the pillowcase and it's given all his jewelry to

776
00:34:55,080 --> 00:34:58,240
Speaker 1: ghost Face so he go perform Summertime with Beyonnest. Yeah,

777
00:34:58,280 --> 00:35:00,359
Speaker 1: that was like the coolest shit I've ever seen my life,

778
00:35:00,719 --> 00:35:03,200
Speaker 1: slick Rick just pulling up like yeah, yeah, I got

779
00:35:03,200 --> 00:35:04,800
Speaker 1: you and just giving him all the jewelry.

780
00:35:04,920 --> 00:35:06,879
Speaker 4: Crazy great time and music.

781
00:35:06,880 --> 00:35:09,080
Speaker 1: It's gonna sound crazy, but Bad Boys two soundtrack was

782
00:35:09,120 --> 00:35:09,799
Speaker 1: also three.

783
00:35:10,680 --> 00:35:11,080
Speaker 4: One of my.

784
00:35:11,000 --> 00:35:14,960
Speaker 1: Favorite Shakey Tail Feather with someone Else that was canceled,

785
00:35:15,520 --> 00:35:17,719
Speaker 1: someone else that was canceling shake your Tail for.

786
00:35:17,760 --> 00:35:19,040
Speaker 2: Who's Murphy lean Nelli and Diddy?

787
00:35:20,320 --> 00:35:25,359
Speaker 4: I think that reckons fire, Shakey Tail feathers.

788
00:35:25,280 --> 00:35:27,040
Speaker 2: Amy Whinehouse, Frank we Got No. Three?

789
00:35:27,800 --> 00:35:34,120
Speaker 1: Oh wow? Yeah, I was a year that oh shipping

790
00:35:34,200 --> 00:35:37,440
Speaker 1: Neptune's clones. I mean, I know Mall was definitely bumping

791
00:35:37,480 --> 00:35:41,600
Speaker 1: Genuine and the Senior. It's his favorite Genuine album, Bubba

792
00:35:41,640 --> 00:35:43,560
Speaker 1: Sparks Deliverance. I'm not making jokes. This is a really

793
00:35:43,600 --> 00:35:47,600
Speaker 1: good album, nahmate. Marcus Houston don't play. Oh yeah, fab

794
00:35:47,640 --> 00:35:51,759
Speaker 1: Street Dreams O three O Man three is up there?

795
00:35:52,000 --> 00:35:53,720
Speaker 2: Did Cheetah Girls album came out.

796
00:35:53,600 --> 00:35:55,799
Speaker 4: In A three? Yeah, we wasn't bumping that. See how

797
00:35:55,800 --> 00:35:58,960
Speaker 4: excited you got for that? Yeah, that's all she got.

798
00:36:00,080 --> 00:36:04,879
Speaker 1: Accept Come on, now's going hater's going hate.

799
00:36:05,400 --> 00:36:08,239
Speaker 4: I'm not. That just wasn't in our like you know,

800
00:36:09,640 --> 00:36:11,680
Speaker 4: we didn't just a hater. Now. We didn't play that.

801
00:36:11,760 --> 00:36:15,680
Speaker 4: We just didn't. We didn't get it. Ball balls playing

802
00:36:15,680 --> 00:36:18,400
Speaker 4: Destiny's Child though they were they were. They try to

803
00:36:18,440 --> 00:36:20,399
Speaker 4: make like the man that's Cheetah Girl esque.

804
00:36:20,840 --> 00:36:24,560
Speaker 1: No, nigga, I'm sorry. We were bumping Cheetah girls. We

805
00:36:24,560 --> 00:36:27,319
Speaker 1: were bumping Cheetah girls like that was at thirteen. I

806
00:36:27,320 --> 00:36:29,560
Speaker 1: had ship at thirty five. I still crushes on all

807
00:36:29,560 --> 00:36:32,000
Speaker 1: three of them. But it was four of them for you.

808
00:36:32,480 --> 00:36:35,640
Speaker 1: You conveniently forgot the white one didn't drop brother. No,

809
00:36:35,920 --> 00:36:37,440
Speaker 1: she was in the movie, but she wasn't in the

810
00:36:37,440 --> 00:36:38,520
Speaker 1: group when they put music out.

811
00:36:38,600 --> 00:36:39,200
Speaker 4: Yes she was.

812
00:36:39,360 --> 00:36:39,920
Speaker 2: Oh, I don't know.

813
00:36:39,960 --> 00:36:42,880
Speaker 1: I don't think when they were actually three l W

814
00:36:43,960 --> 00:36:47,960
Speaker 1: they that girl wasn't in. There was only three lgb's

815
00:36:48,040 --> 00:36:50,200
Speaker 1: not in three three Little Women. But neither is Raven

816
00:36:50,320 --> 00:36:53,440
Speaker 1: Raven's not in three W either way? Is it?

817
00:36:53,520 --> 00:36:55,279
Speaker 2: One girl from Cheetahir two Girls and Cheat Girls?

818
00:36:55,360 --> 00:36:55,560
Speaker 1: Yeah?

819
00:36:55,719 --> 00:36:56,160
Speaker 4: Three W?

820
00:36:56,360 --> 00:37:00,640
Speaker 2: Yeah, didn't Cameron right? Like the hit record three W

821
00:37:00,680 --> 00:37:01,520
Speaker 2: you fucking Lion?

822
00:37:02,040 --> 00:37:06,160
Speaker 1: I swear to God, I think Cameron wrote Wait, Cameron

823
00:37:06,320 --> 00:37:08,480
Speaker 1: three l W.

824
00:37:08,680 --> 00:37:10,120
Speaker 2: It's funny when you find out, like.

825
00:37:11,800 --> 00:37:21,240
Speaker 1: Yeah, Cameron wrote no more for three wises that came computers.

826
00:37:21,320 --> 00:37:24,320
Speaker 1: If you really listen to that flow that's broken promises,

827
00:37:25,160 --> 00:37:29,000
Speaker 1: you think there's a reference track of Cam absolutely promises.

828
00:37:30,000 --> 00:37:32,960
Speaker 2: In different numbers and numbers.

829
00:37:36,640 --> 00:37:37,640
Speaker 1: You get Cam.

830
00:37:38,920 --> 00:37:39,440
Speaker 4: Yo.

831
00:37:41,960 --> 00:37:44,040
Speaker 3: Oh man, that's how Now I gotta look at what

832
00:37:44,080 --> 00:37:45,080
Speaker 3: else camun rolle?

833
00:37:45,320 --> 00:37:47,640
Speaker 2: Like yeah again.

834
00:37:47,680 --> 00:37:51,040
Speaker 1: It's just funny hearing those stories of like Nas writing

835
00:37:51,080 --> 00:37:56,359
Speaker 1: big Willie style fifty writing puffs verse on Let's get it,

836
00:37:56,719 --> 00:37:58,960
Speaker 1: like one of the most iconic Diddy verses, just a

837
00:37:59,000 --> 00:38:02,440
Speaker 1: young Curtis Jackson crazy my name is Diddy, I run

838
00:38:02,480 --> 00:38:03,680
Speaker 1: this city that he went.

839
00:38:04,360 --> 00:38:07,640
Speaker 4: To now executive producing the records. It's just crazy is life?

840
00:38:07,680 --> 00:38:12,160
Speaker 4: Life is just it's awful circle it comes back, man, So.

841
00:38:12,080 --> 00:38:14,040
Speaker 2: Maybe they should have Cameron on the view. Isn't she

842
00:38:14,080 --> 00:38:14,680
Speaker 2: on the View now?

843
00:38:15,640 --> 00:38:19,879
Speaker 4: One of the girls from Yeah, Adrian Adrian Balon. Yeah,

844
00:38:20,040 --> 00:38:22,399
Speaker 4: she's tholen the View. I thought they switched that cast

845
00:38:22,400 --> 00:38:23,680
Speaker 4: so much. I don't know who's on the View no

846
00:38:23,719 --> 00:38:27,279
Speaker 4: more Cam was on. Cam wrote part of Crush on You.

847
00:38:27,400 --> 00:38:27,919
Speaker 4: I low Kim.

848
00:38:28,880 --> 00:38:31,920
Speaker 3: He has writing credits Crush on You and Gone by

849
00:38:31,960 --> 00:38:36,320
Speaker 3: Kanye West. Well, I mean he's wraps on it.

850
00:38:36,400 --> 00:38:40,279
Speaker 2: Vieta makes sense. Sorry my bad. I think I think

851
00:38:40,280 --> 00:38:41,799
Speaker 2: he's writing credits on Purple Hayes too.

852
00:38:43,480 --> 00:38:49,120
Speaker 4: Camp. Maybe to have that come home with the album

853
00:38:50,360 --> 00:38:51,120
Speaker 4: depends all over that.

854
00:38:53,600 --> 00:38:55,799
Speaker 1: So yeah, I think I think we made a good

855
00:38:55,800 --> 00:38:59,359
Speaker 1: case that twenty eleven can hang when it's not brought

856
00:38:59,400 --> 00:39:03,000
Speaker 1: up the way. Like I'm even looking at Complex, which again,

857
00:39:03,120 --> 00:39:05,920
Speaker 1: greatest publication of all time until they take us off

858
00:39:05,920 --> 00:39:09,280
Speaker 1: a list. I don't even think they put twenty eleven

859
00:39:09,360 --> 00:39:11,319
Speaker 1: on their top twenty, and I think that shit could

860
00:39:11,360 --> 00:39:14,520
Speaker 1: be in the top five. So we cracked the code

861
00:39:14,520 --> 00:39:14,959
Speaker 1: on that one.

862
00:39:15,040 --> 00:39:17,520
Speaker 4: It's not enough in twenty eleven.

863
00:39:17,680 --> 00:39:20,560
Speaker 1: To not make the top twenty.

864
00:39:20,680 --> 00:39:24,800
Speaker 4: Let me see take Care Wash the Throne on section eighty,

865
00:39:25,120 --> 00:39:31,120
Speaker 4: Section eighty, Okay, what else we got up there? See

866
00:39:31,160 --> 00:39:33,120
Speaker 4: that it gets not.

867
00:39:33,080 --> 00:39:34,799
Speaker 1: Still there because you get you have take Care Watched

868
00:39:34,800 --> 00:39:40,120
Speaker 1: the Throne. Sean finally Famous Loupe Lasers Beyonce four, Like

869
00:39:40,120 --> 00:39:42,239
Speaker 1: we went through the clip that one viral. Rihanna talked

870
00:39:42,239 --> 00:39:48,640
Speaker 1: that talk Weekend Cocaine eighties Frank Ocean, like it's it's there.

871
00:39:48,800 --> 00:39:51,839
Speaker 3: I'm going to bring this way by Lady Gagai, which

872
00:39:51,880 --> 00:39:53,920
Speaker 3: is like, well revered.

873
00:39:53,960 --> 00:39:56,560
Speaker 1: I'm not saying that it needs to be top three,

874
00:39:56,680 --> 00:39:58,680
Speaker 1: but the fact that Complex doesn't even have it on

875
00:39:58,680 --> 00:40:00,000
Speaker 1: its top twenty is like.

876
00:40:00,040 --> 00:40:02,400
Speaker 4: Yeah, those with those albums you just named alone, that

877
00:40:02,440 --> 00:40:02,680
Speaker 4: could be.

878
00:40:02,719 --> 00:40:05,160
Speaker 1: That's one that's in the same Yeah, But I mean,

879
00:40:05,200 --> 00:40:06,880
Speaker 1: I guess I don't know. Everyone just says ninety eight,

880
00:40:06,960 --> 00:40:09,160
Speaker 1: I'm going to three just because of my age. But

881
00:40:09,840 --> 00:40:11,440
Speaker 1: I was kind of mad my birth year wasn't on

882
00:40:11,520 --> 00:40:14,840
Speaker 1: this ship. Well, my year was trash and.

883
00:40:14,880 --> 00:40:17,000
Speaker 2: Shit going on, including your birth Like was it like

884
00:40:17,000 --> 00:40:17,719
Speaker 2: what nobody was.

885
00:40:18,120 --> 00:40:20,839
Speaker 4: Going on even when you was born to a lot

886
00:40:20,840 --> 00:40:23,160
Speaker 4: of women ship during child Wait, let's see who, Let's

887
00:40:23,200 --> 00:40:25,480
Speaker 4: see who has the best birth year out of all

888
00:40:25,480 --> 00:40:27,240
Speaker 4: three of us, because.

889
00:40:27,000 --> 00:40:30,160
Speaker 2: I feel like, are you here comes the fucking my

890
00:40:30,280 --> 00:40:32,800
Speaker 2: birth year going to smoke you? Nigga?

891
00:40:32,840 --> 00:40:33,040
Speaker 3: Hard?

892
00:40:33,520 --> 00:40:36,160
Speaker 1: Was you born ninety four? Saturn rising at the time?

893
00:40:36,280 --> 00:40:38,400
Speaker 1: Just tell us why yours would be. Actually, ninety four

894
00:40:38,480 --> 00:40:42,480
Speaker 1: is number one in the complex. Yeah, yeah, all right,

895
00:40:42,520 --> 00:40:45,040
Speaker 1: so you're eighty one, right, yeah, all right, let's eighty

896
00:40:45,080 --> 00:40:48,600
Speaker 1: one nineteen ninety four Jamarus is without me looking.

897
00:40:48,800 --> 00:40:50,600
Speaker 2: I feel like Damarrius is probably gonna clean us the

898
00:40:50,640 --> 00:40:51,080
Speaker 2: fuck up.

899
00:40:51,520 --> 00:40:54,319
Speaker 4: Only seven albums came out of Age oh gosh, not

900
00:40:54,440 --> 00:40:55,000
Speaker 4: just hip hop.

901
00:40:56,880 --> 00:40:58,520
Speaker 2: Yes, took a while to press those albums.

902
00:40:58,520 --> 00:41:02,040
Speaker 4: But only seven albums came out of nineteen eighty one.

903
00:41:02,160 --> 00:41:03,840
Speaker 2: Okay, so eighty one we want.

904
00:41:05,280 --> 00:41:07,400
Speaker 4: All right, we got face value? Phil Collins, All right,

905
00:41:07,440 --> 00:41:09,440
Speaker 4: I'm in the game, got Phil?

906
00:41:10,800 --> 00:41:12,400
Speaker 2: What's on that Phil album?

907
00:41:12,719 --> 00:41:13,920
Speaker 4: Face Value? Yeah?

908
00:41:14,719 --> 00:41:14,920
Speaker 2: Was that?

909
00:41:14,960 --> 00:41:17,480
Speaker 1: Because was that one of those Phil albums?

910
00:41:17,520 --> 00:41:22,040
Speaker 4: Like I feel like if one more Night is on there, okay,

911
00:41:22,120 --> 00:41:24,920
Speaker 4: then yeah, I guess. Oh god, in the Air of

912
00:41:24,920 --> 00:41:27,440
Speaker 4: the Night nineteen eighty one, one of the greatest songs ever,

913
00:41:27,680 --> 00:41:30,160
Speaker 4: one of the greatest songs ever came out the year

914
00:41:30,160 --> 00:41:30,640
Speaker 4: I was born.

915
00:41:31,040 --> 00:41:33,120
Speaker 2: That might be the greatest song for one of.

916
00:41:33,080 --> 00:41:34,920
Speaker 4: The greatest songs ever, in the Air of the Night.

917
00:41:35,320 --> 00:41:36,279
Speaker 4: See it was something in the.

918
00:41:36,280 --> 00:41:38,080
Speaker 2: Air to night when I read some Street Songs by

919
00:41:38,200 --> 00:41:38,680
Speaker 2: Rick James.

920
00:41:38,760 --> 00:41:40,560
Speaker 3: Was the album that came out and that was that

921
00:41:40,640 --> 00:41:42,920
Speaker 3: has freaking and give it to me, baby on it.

922
00:41:43,280 --> 00:41:46,560
Speaker 1: So Luther Van Jos Never Too Much came out ninety

923
00:41:46,560 --> 00:41:46,880
Speaker 1: eighty one.

924
00:41:46,920 --> 00:41:48,359
Speaker 2: Yeah, so yeah.

925
00:41:48,440 --> 00:41:50,240
Speaker 4: I mean, I'm feeling like eighty one was the greatest

926
00:41:50,280 --> 00:41:51,800
Speaker 4: year in music. That's why, just how I'm feeling that.

927
00:41:51,880 --> 00:41:52,560
Speaker 2: That's just how you feel.

928
00:41:52,719 --> 00:41:53,759
Speaker 4: That's just how I feel right now.

929
00:41:54,200 --> 00:41:55,279
Speaker 2: What's on the earth?

930
00:41:55,320 --> 00:41:59,399
Speaker 1: Winding Fire raised out off hand, I don't know, and

931
00:41:59,440 --> 00:42:00,960
Speaker 1: Stevie Wonder hotter than July.

932
00:42:01,800 --> 00:42:04,520
Speaker 4: Come on, man, one of the greatest artists ever. I'm

933
00:42:04,560 --> 00:42:06,719
Speaker 4: saying eighty one was a great year. It was a

934
00:42:06,719 --> 00:42:09,200
Speaker 4: great year as far as uncncerned. We got some important

935
00:42:09,239 --> 00:42:11,839
Speaker 4: albums from some important artists in nineteen eighty one.

936
00:42:12,040 --> 00:42:14,839
Speaker 1: Oh wait, hold on, Gap Band three came out, then

937
00:42:14,880 --> 00:42:17,879
Speaker 1: too Yearning for Your Love came out in nineteen eighty one.

938
00:42:18,760 --> 00:42:23,080
Speaker 4: All right, that's cool. Some great songs, some song great artists, all.

939
00:42:23,000 --> 00:42:26,360
Speaker 1: Right, roy or what ninety one, ninety ninety Oh fuck,

940
00:42:26,719 --> 00:42:27,440
Speaker 1: go to yours?

941
00:42:27,520 --> 00:42:30,800
Speaker 2: All right? Let's go? Uh lb Devaux Poison okay?

942
00:42:30,880 --> 00:42:31,040
Speaker 4: Hell?

943
00:42:31,239 --> 00:42:33,759
Speaker 1: Cool j Mama said, knock you out? Okay, Coolgie. Rap

944
00:42:33,800 --> 00:42:35,840
Speaker 1: Wanted Dead or Alive one of the most underrated rap.

945
00:42:35,680 --> 00:42:38,480
Speaker 4: Albums, America's most wanted ice Cube.

946
00:42:38,320 --> 00:42:40,719
Speaker 2: Damn Brand Nubian one for all.

947
00:42:41,040 --> 00:42:42,960
Speaker 4: See, but that's not fair because by that time, hip

948
00:42:43,000 --> 00:42:45,920
Speaker 4: hop was a little older. So it's like, you know

949
00:42:45,960 --> 00:42:47,560
Speaker 4: what I mean, it's hip hop was still so young

950
00:42:47,600 --> 00:42:51,760
Speaker 4: when I was born. It was like, see what I'm saying.

951
00:42:53,040 --> 00:42:53,439
Speaker 2: Mm hmm.

952
00:42:54,000 --> 00:42:58,279
Speaker 1: Johnny Gill self titled album not even kind of weird,

953
00:42:58,320 --> 00:43:00,600
Speaker 1: but I'm all right, I'm all right here.

954
00:43:01,600 --> 00:43:03,120
Speaker 4: Now you got some good albums though.

955
00:43:03,080 --> 00:43:05,359
Speaker 1: Okay, now go to mind, please thank you, ninety four,

956
00:43:06,400 --> 00:43:07,160
Speaker 1: Ready to Die.

957
00:43:08,200 --> 00:43:09,080
Speaker 2: Like what we like?

958
00:43:09,120 --> 00:43:11,680
Speaker 4: What we doing like, Ready to Die.

959
00:43:12,640 --> 00:43:18,000
Speaker 1: Outcast, Southern Playlistic, cadialag Warren g Regulate, Gangs are Hard

960
00:43:18,040 --> 00:43:19,560
Speaker 1: to Earn, Common Resurrection.

961
00:43:21,160 --> 00:43:24,040
Speaker 3: Yeah, age ain't nothing but a number of crazy sexy cool,

962
00:43:24,280 --> 00:43:26,520
Speaker 3: Black Streak, Branchy, super Tight.

963
00:43:27,320 --> 00:43:29,200
Speaker 2: Come on, I'll get up on it by Keith Sweat.

964
00:43:29,280 --> 00:43:32,120
Speaker 2: Mariah's Christmas album My Life Mary Jay came out.

965
00:43:32,480 --> 00:43:34,600
Speaker 4: Oh yeah, no, it's not even close. That's that's Above

966
00:43:34,600 --> 00:43:37,239
Speaker 4: the Rim soundtrack, the Best of Saday. Yeah, that's one

967
00:43:37,239 --> 00:43:41,839
Speaker 4: of the best. Man, Crazy Sexy Cool came up. Yeah, yeah,

968
00:43:41,880 --> 00:43:44,359
Speaker 4: what were doing? Yeah, that's that's a lot of ship.

969
00:43:44,440 --> 00:43:45,879
Speaker 4: That's let me know what we're doing.

970
00:43:46,000 --> 00:43:48,440
Speaker 1: Yeah, that's too many, that's too many records. You bragging

971
00:43:48,480 --> 00:43:50,240
Speaker 1: when Maul was the only one listening to those albums

972
00:43:50,239 --> 00:43:52,760
Speaker 1: in nineteen ninety four, You and I were, Yeah.

973
00:43:52,840 --> 00:43:54,120
Speaker 4: That's what I'm saying. I could speak to it, like

974
00:43:54,160 --> 00:43:56,080
Speaker 4: those are some classic.

975
00:43:55,680 --> 00:43:59,840
Speaker 2: Album Rhythm of Love, Anita Baker, the fact.

976
00:43:59,680 --> 00:44:06,600
Speaker 4: That Madic, Ready to Die, Crazy, Sexy Cool, Like, those

977
00:44:06,640 --> 00:44:09,680
Speaker 4: are like three iconic albums.

978
00:44:10,760 --> 00:44:12,799
Speaker 3: You Bye, Boys to Men came out, and that's like

979
00:44:13,080 --> 00:44:14,400
Speaker 3: huge Boys to Men.

980
00:44:14,800 --> 00:44:18,640
Speaker 1: I mean to me, twenty sixteen would have to be

981
00:44:18,640 --> 00:44:22,680
Speaker 1: my version of ninety four of like actually remembering all

982
00:44:22,880 --> 00:44:27,240
Speaker 1: iconic albums being put out in one year. The last

983
00:44:27,440 --> 00:44:31,560
Speaker 1: iconic year six twenty sixteen is the last iconic year.

984
00:44:32,320 --> 00:44:32,919
Speaker 4: Twenty twenty.

985
00:44:32,920 --> 00:44:34,120
Speaker 2: You might have something to say.

986
00:44:34,840 --> 00:44:37,920
Speaker 4: Twenty twenty is an underrated year. We're talking about that

987
00:44:38,239 --> 00:44:40,080
Speaker 4: because of the pandemic. Like, but when you go and

988
00:44:40,120 --> 00:44:42,600
Speaker 4: look at the music that we got in twenty twenty,

989
00:44:42,760 --> 00:44:45,399
Speaker 4: we got some great albums in twenty twenty. We got

990
00:44:45,400 --> 00:44:48,080
Speaker 4: great albums, We got great shows on television in twenty twenty,

991
00:44:48,760 --> 00:44:51,560
Speaker 4: Like it was a weird year, but artistically it was

992
00:44:51,600 --> 00:44:52,399
Speaker 4: it was a great year.

993
00:44:53,520 --> 00:44:55,000
Speaker 1: I hear what you guys are saying, But even like

994
00:44:55,080 --> 00:44:59,400
Speaker 1: We're twenty sixteen kind of beats everyone. For some reason,

995
00:44:59,440 --> 00:45:02,919
Speaker 1: that year was the cycle that every A list artist

996
00:45:03,080 --> 00:45:05,920
Speaker 1: yet out, yeah, not only an album, one of their

997
00:45:05,920 --> 00:45:09,319
Speaker 1: best albums in their catalog, like Yeah, are you fucking with?

998
00:45:09,840 --> 00:45:12,760
Speaker 1: Drake Views Anderson Pac Malibu, Salange, Seat at the Table,

999
00:45:13,080 --> 00:45:15,719
Speaker 1: trapcal Quest, We got it from Here, No Worries, Yes,

1000
00:45:15,800 --> 00:45:22,239
Speaker 1: Lord Free, Black Coloring Book, Blank Face, lp Lemonade UNTITLEDA

1001
00:45:23,320 --> 00:45:29,040
Speaker 1: twenty sixteen salon No Names, Like this is Donald Glover,

1002
00:45:29,120 --> 00:45:33,200
Speaker 1: Awaken My Love, Weekend Starboy, you got Life of Pablo,

1003
00:45:33,280 --> 00:45:37,239
Speaker 1: then to Party next Door three like Bruno Mars twenty

1004
00:45:37,239 --> 00:45:39,520
Speaker 1: four K Magic Shrimp Life two.

1005
00:45:39,920 --> 00:45:44,120
Speaker 4: Anti Yeah, Yeah, like I.

1006
00:45:43,840 --> 00:45:47,160
Speaker 1: Big Big Sean, Big Sean and uh Janey twenty eighty

1007
00:45:47,200 --> 00:45:49,600
Speaker 1: eight Ja Cole for Your Eyes Only, which, by the way,

1008
00:45:49,719 --> 00:45:52,840
Speaker 1: I revisited I may ocall a little bit of an

1009
00:45:52,840 --> 00:45:54,320
Speaker 1: apology for how much I should have on that album.

1010
00:45:54,400 --> 00:45:59,560
Speaker 1: Yeah you do, which it's definitely it's definitely still, in

1011
00:45:59,600 --> 00:46:01,480
Speaker 1: my opinion, in the bottom of his catalog. But when

1012
00:46:01,520 --> 00:46:03,600
Speaker 1: I say bottom was catalog, it's j Cole is a

1013
00:46:03,719 --> 00:46:05,840
Speaker 1: legend in rap. That doesn't mean it's bad. It's just

1014
00:46:05,920 --> 00:46:09,120
Speaker 1: at the bottom to me, as far as catalog go,

1015
00:46:09,600 --> 00:46:12,320
Speaker 1: but I went back to it it I gave it

1016
00:46:12,360 --> 00:46:13,880
Speaker 1: a lot of shit. I should have lived with it

1017
00:46:13,920 --> 00:46:17,600
Speaker 1: some more. I think Neighbors might have been the biggest

1018
00:46:17,680 --> 00:46:21,520
Speaker 1: record on there. I'm not gonna say it's his American

1019
00:46:21,560 --> 00:46:24,239
Speaker 1: Gangster where it's like years later you realize maybe it's

1020
00:46:24,280 --> 00:46:26,719
Speaker 1: one of his best, but it's it's better than the

1021
00:46:26,760 --> 00:46:27,480
Speaker 1: shit I gave it.

1022
00:46:28,560 --> 00:46:29,400
Speaker 4: Okay, that's fair.

1023
00:46:29,640 --> 00:46:33,120
Speaker 1: Yeah, Like I mean, the outro I always loved, but

1024
00:46:33,360 --> 00:46:37,319
Speaker 1: I mean that's some of his best rapping ever. But like,

1025
00:46:37,400 --> 00:46:39,600
Speaker 1: imagine it if we got kod instead of that. Though

1026
00:46:39,600 --> 00:46:41,600
Speaker 1: in twenty sixteen, I would say it would rival ninety four,

1027
00:46:41,719 --> 00:46:43,839
Speaker 1: ninety eight and everything at that point.

1028
00:46:43,960 --> 00:46:46,480
Speaker 3: But I still think that twenty sixteen is probably the

1029
00:46:46,480 --> 00:46:49,680
Speaker 3: best year in music in the twenty in the two thousands.

1030
00:46:49,440 --> 00:46:51,960
Speaker 2: Yeah, those albums are in. I'm with peaged. I think

1031
00:46:52,000 --> 00:46:53,680
Speaker 2: I think it was the last iconic.

1032
00:46:53,520 --> 00:46:55,799
Speaker 3: Year of music, and they weren't just like it wasn't

1033
00:46:55,840 --> 00:46:58,160
Speaker 3: just like all the greats dropped in album, because there's

1034
00:46:58,200 --> 00:47:00,440
Speaker 3: some there's like one or two other years like I

1035
00:47:00,520 --> 00:47:02,200
Speaker 3: think it was all the greats dropped.

1036
00:47:01,960 --> 00:47:02,880
Speaker 2: Their best album.

1037
00:47:03,239 --> 00:47:05,680
Speaker 3: It was like, or at least the fan favorite, Like,

1038
00:47:06,000 --> 00:47:09,960
Speaker 3: my favorite Beyonce album it is probably Lemonade. My favorite

1039
00:47:10,000 --> 00:47:12,000
Speaker 3: Rihanna album is Antime. You know what I'm saying, Like

1040
00:47:12,040 --> 00:47:14,799
Speaker 3: my favorite Kanye and it goes on and on, so

1041
00:47:16,280 --> 00:47:17,399
Speaker 3: it's yeah, you.

1042
00:47:17,400 --> 00:47:19,839
Speaker 4: Know, it's one thing I noticed, like as much as

1043
00:47:19,880 --> 00:47:25,320
Speaker 4: I like, No, Beyonce is incredible. She's like an amazing artist.

1044
00:47:25,400 --> 00:47:28,800
Speaker 4: I really don't listen to Beyonce and that's okay, you

1045
00:47:28,880 --> 00:47:30,880
Speaker 4: know what I'm saying, Like it's crazy, Like when I

1046
00:47:30,880 --> 00:47:34,800
Speaker 4: think about it, I'm like, she puts out incredible albums,

1047
00:47:34,840 --> 00:47:37,600
Speaker 4: incredible songs, but I really can't tell you a time

1048
00:47:37,600 --> 00:47:40,759
Speaker 4: where I actually went and like put on outside of

1049
00:47:40,800 --> 00:47:42,719
Speaker 4: when the album first come out, just to hear what

1050
00:47:42,840 --> 00:47:43,480
Speaker 4: she gave us what.

1051
00:47:43,480 --> 00:47:44,719
Speaker 2: She did, because it's not your vibe.

1052
00:47:44,800 --> 00:47:46,600
Speaker 3: But that's why when I when me and you get

1053
00:47:46,640 --> 00:47:49,080
Speaker 3: into it all the time, when I'm like, just because

1054
00:47:49,120 --> 00:47:49,800
Speaker 3: you listen.

1055
00:47:49,680 --> 00:47:51,719
Speaker 2: To it more doesn't make it the greatest.

1056
00:47:52,239 --> 00:47:53,719
Speaker 3: We said that. I'll tell you that all the time.

1057
00:47:53,960 --> 00:47:56,600
Speaker 3: Something can be great and just not be what you

1058
00:47:56,640 --> 00:47:57,239
Speaker 3: want to hear on it.

1059
00:47:57,280 --> 00:47:59,560
Speaker 4: Oh no, for sure, I'm not. I will never argue that.

1060
00:47:59,600 --> 00:48:03,560
Speaker 4: But it's like it's almost like weird, how much I

1061
00:48:03,600 --> 00:48:05,719
Speaker 4: don't listen to Beyonce and how much I recognize that

1062
00:48:05,760 --> 00:48:07,440
Speaker 4: she's one of the greatest artists ever.

1063
00:48:07,680 --> 00:48:11,239
Speaker 1: For I think my personal take is she's one of

1064
00:48:11,280 --> 00:48:14,280
Speaker 1: the few artists that the second half of her solo

1065
00:48:14,320 --> 00:48:18,239
Speaker 1: catalog is better than the first, Like every Beyonce album

1066
00:48:18,320 --> 00:48:20,040
Speaker 1: has gotten better something.

1067
00:48:19,800 --> 00:48:22,799
Speaker 4: Which because she's grown as a producer as like artists.

1068
00:48:22,600 --> 00:48:26,279
Speaker 1: Like four Isn't is an incredible, incredible pop up four

1069
00:48:26,400 --> 00:48:31,040
Speaker 1: On and like Mother Mature, Beyonce is the greatest, like

1070
00:48:32,080 --> 00:48:33,640
Speaker 1: I hear you like I don't go back to I

1071
00:48:33,680 --> 00:48:35,560
Speaker 1: don't listen to like Sasha Fears album like that, I

1072
00:48:35,600 --> 00:48:37,640
Speaker 1: don't listen to Dangerously in Love like that, But I

1073
00:48:37,719 --> 00:48:42,920
Speaker 1: listened to Lemonade Beyonce Cowboy Carter like religiously throughout the week,

1074
00:48:43,360 --> 00:48:46,120
Speaker 1: like I will throw Lemonade on in the car at

1075
00:48:46,160 --> 00:48:46,600
Speaker 1: any time.

1076
00:48:46,680 --> 00:48:48,440
Speaker 3: The BDA people are gonna kick your ass about that,

1077
00:48:48,600 --> 00:48:50,799
Speaker 3: because there's there's a b Day like stand.

1078
00:48:50,560 --> 00:48:52,480
Speaker 2: Oh, Beyonce doesn't have a bad album.

1079
00:48:52,600 --> 00:48:54,400
Speaker 3: No what I mean, I'm just talking about that, Like

1080
00:48:54,440 --> 00:48:56,920
Speaker 3: there's a there is a part of the Internet that

1081
00:48:56,920 --> 00:48:58,880
Speaker 3: will say b DA is Beyonce's best album, and they

1082
00:48:58,880 --> 00:48:59,680
Speaker 3: will fight you on that.

1083
00:48:59,760 --> 00:49:03,160
Speaker 2: I think it was. I think it was four. It's

1084
00:49:03,200 --> 00:49:04,840
Speaker 2: the most ron four is the most rn B, so

1085
00:49:04,880 --> 00:49:06,319
Speaker 2: that I mean yes, But I mean I don't know.

1086
00:49:06,680 --> 00:49:11,120
Speaker 1: I think Beyonce and Lemonade can rivele it like her

1087
00:49:11,360 --> 00:49:14,000
Speaker 1: her latter half of her career. To me, is has

1088
00:49:14,040 --> 00:49:15,040
Speaker 1: so much replay value.

1089
00:49:15,080 --> 00:49:17,280
Speaker 2: What was going on in y'all love lives when Lemonade dropped?

1090
00:49:18,000 --> 00:49:23,000
Speaker 4: William was at twenty sixteen. I was in a relationship, man,

1091
00:49:23,080 --> 00:49:28,000
Speaker 4: I was. I was just a fucking The spirit of

1092
00:49:28,000 --> 00:49:29,360
Speaker 4: the Jezebel was all over me.

1093
00:49:32,239 --> 00:49:34,360
Speaker 2: Did you get an Elmonade song dedicated to you?

1094
00:49:34,560 --> 00:49:36,360
Speaker 3: I feel like every man at that time that was

1095
00:49:36,400 --> 00:49:37,680
Speaker 3: a piece of shit had Eliminade.

1096
00:49:38,400 --> 00:49:41,400
Speaker 4: I can't even remember, but that the Jezebel spirit was

1097
00:49:41,440 --> 00:49:42,200
Speaker 4: just all over me.

1098
00:49:42,400 --> 00:49:44,520
Speaker 2: I think Page correct me if I'm wrong.

1099
00:49:44,560 --> 00:49:47,839
Speaker 1: I think we did Palooza in Miami the day because

1100
00:49:47,880 --> 00:49:51,440
Speaker 1: didn't Lemonade drop on like HBO with the videos or something.

1101
00:49:51,680 --> 00:49:53,200
Speaker 2: Wasn't there like a movie or something?

1102
00:49:53,840 --> 00:49:57,959
Speaker 1: Yes, And I remember coming back to our Airbnb after

1103
00:49:58,040 --> 00:50:01,440
Speaker 1: Palooza and just like the timeline just hating men and

1104
00:50:01,440 --> 00:50:04,080
Speaker 1: we're like, yo, what the fuck just happened? We couldn't

1105
00:50:04,080 --> 00:50:05,799
Speaker 1: even get chicks back to the spot. It was just

1106
00:50:05,840 --> 00:50:06,520
Speaker 1: man hatered.

1107
00:50:06,480 --> 00:50:07,840
Speaker 4: Because that was the album when her and Jay was

1108
00:50:07,880 --> 00:50:08,640
Speaker 4: going through was going.

1109
00:50:08,480 --> 00:50:11,000
Speaker 3: Through the thing right well, I mean they had gotten

1110
00:50:11,000 --> 00:50:12,720
Speaker 3: through it, but yeah, yeah, she put.

1111
00:50:12,520 --> 00:50:13,399
Speaker 4: It all on the album.

1112
00:50:13,600 --> 00:50:16,960
Speaker 1: She talked about it like, yeah, don't even give it, like,

1113
00:50:17,320 --> 00:50:21,480
Speaker 1: don't let me nerd out about Lemonade is perfectly sequenced

1114
00:50:21,560 --> 00:50:27,480
Speaker 1: for a breakup grieving process, like all the stages of

1115
00:50:27,560 --> 00:50:30,719
Speaker 1: brief starts from track one all the way to the

1116
00:50:30,800 --> 00:50:33,879
Speaker 1: end of forgiveness, Like that album is so deep if

1117
00:50:33,880 --> 00:50:35,600
Speaker 1: you really get into it, even to the point with

1118
00:50:35,680 --> 00:50:37,799
Speaker 1: the with the weekend record is placed right where like

1119
00:50:38,080 --> 00:50:39,440
Speaker 1: you know what, fuck this, I'm gonna go through my

1120
00:50:39,440 --> 00:50:42,000
Speaker 1: whole phase mm hm, like fucking you know, I'm gonna

1121
00:50:42,000 --> 00:50:43,759
Speaker 1: go out and fuck people like and then it gets

1122
00:50:43,800 --> 00:50:44,120
Speaker 1: back to.

1123
00:50:44,120 --> 00:50:46,680
Speaker 4: Like, man, fuck these streets, I miss them. I'm gonna

1124
00:50:46,680 --> 00:50:47,600
Speaker 4: forgive them.

1125
00:50:47,320 --> 00:50:50,440
Speaker 1: Like it's it's legitimately a breakup in one cycle of

1126
00:50:50,440 --> 00:50:54,319
Speaker 1: the sequence. It's such a brilliant album, Like it's incredible

1127
00:50:54,920 --> 00:50:56,960
Speaker 1: how they even fit that into a pop and.

1128
00:50:57,040 --> 00:50:58,840
Speaker 2: R and B album with the writing.

1129
00:50:59,000 --> 00:51:01,920
Speaker 4: Is that might be her most important album.

1130
00:51:02,160 --> 00:51:03,759
Speaker 2: I definitely think it is, hands down.

1131
00:51:03,960 --> 00:51:05,480
Speaker 4: It might not be her best album. But it's her

1132
00:51:05,480 --> 00:51:06,000
Speaker 4: most important.

1133
00:51:06,239 --> 00:51:07,080
Speaker 2: I think it's the best too.

1134
00:51:07,520 --> 00:51:09,480
Speaker 1: Even once you get into the whole phase, then you

1135
00:51:09,480 --> 00:51:11,319
Speaker 1: got to get into your relationship with your pops and

1136
00:51:11,320 --> 00:51:13,320
Speaker 1: why you even chose this guy that she on you.

1137
00:51:13,239 --> 00:51:13,920
Speaker 4: Like, like.

1138
00:51:15,640 --> 00:51:16,479
Speaker 2: It's a whole theory.

1139
00:51:16,520 --> 00:51:18,080
Speaker 1: I know it's cliche to say with albums like this

1140
00:51:18,120 --> 00:51:20,440
Speaker 1: is a therapy session that ship is a legitimate breakup

1141
00:51:20,480 --> 00:51:22,280
Speaker 1: therapy session in one album.

1142
00:51:22,360 --> 00:51:26,040
Speaker 3: Have to be in a good place to listen to Lemonade,

1143
00:51:26,040 --> 00:51:28,360
Speaker 3: Like I can't listen to Lemonade and be in a

1144
00:51:28,400 --> 00:51:28,880
Speaker 3: bad place.

1145
00:51:29,160 --> 00:51:30,560
Speaker 2: I can't pray you catch me as one of the

1146
00:51:30,560 --> 00:51:31,200
Speaker 2: greatest intros.

1147
00:51:31,239 --> 00:51:33,320
Speaker 3: Ball it's probably and that's probably one of my favorite

1148
00:51:33,320 --> 00:51:34,080
Speaker 3: Beyonce songs.

1149
00:51:34,160 --> 00:51:37,080
Speaker 2: I pray. Love Drought is one of my favorite Beyonce

1150
00:51:37,160 --> 00:51:38,960
Speaker 2: songs of all time. Love draw is my favorite Beyonce

1151
00:51:39,080 --> 00:51:42,160
Speaker 2: song of all time. And All Night aultro shit, Come on,

1152
00:51:42,480 --> 00:51:42,920
Speaker 2: I never.

1153
00:51:42,800 --> 00:51:47,279
Speaker 1: Made it all night because I never forgave them.

1154
00:51:47,320 --> 00:51:49,440
Speaker 2: You never want to kiss up and kiss up and

1155
00:51:49,480 --> 00:51:50,400
Speaker 2: rubber on them.

1156
00:51:50,480 --> 00:51:54,080
Speaker 1: Nah, now you're talking about saying castles they washed away.

1157
00:51:54,239 --> 00:51:54,759
Speaker 2: Fuck all that.

1158
00:51:56,400 --> 00:51:59,840
Speaker 3: I turn it off at at at the Daddy song Daddy.

1159
00:51:59,600 --> 00:52:04,640
Speaker 1: Lessons, and then and then after she forgives her king

1160
00:52:04,719 --> 00:52:07,360
Speaker 1: and all men are are important again, we get it.

1161
00:52:07,560 --> 00:52:11,239
Speaker 1: Just Blaze and Beyonce record Freedom is the craziest beat ever.

1162
00:52:12,120 --> 00:52:14,520
Speaker 1: Like the fact that that's they had never worked together.

1163
00:52:15,080 --> 00:52:17,160
Speaker 1: It's kind of nuts to me too. What was was

1164
00:52:17,160 --> 00:52:18,880
Speaker 1: why did she put that on? What was that attached to?

1165
00:52:20,000 --> 00:52:22,120
Speaker 1: I mean, there was some things going on in twenty sixteen.

1166
00:52:22,160 --> 00:52:24,480
Speaker 4: Yeah, yeah, but I can't like so much. It happened

1167
00:52:24,520 --> 00:52:25,359
Speaker 4: in the last ten years.

1168
00:52:25,640 --> 00:52:27,600
Speaker 2: That was that was kind of like the start of

1169
00:52:27,640 --> 00:52:29,840
Speaker 2: the Black Lives Yeah, Black Lives Matter of twenty fifteen.

1170
00:52:33,120 --> 00:52:34,839
Speaker 4: I knew it was something. I couldn't remember what it was.

1171
00:52:35,120 --> 00:52:36,880
Speaker 1: We're not talking about the LLCs, just talk about the

1172
00:52:36,920 --> 00:52:40,160
Speaker 1: actual movement that had actual substance to not the people

1173
00:52:40,200 --> 00:52:42,759
Speaker 1: that took money and what you're doing.

1174
00:52:43,360 --> 00:52:47,000
Speaker 2: Yeah, it was that's when that started to That was.

1175
00:52:47,280 --> 00:52:48,520
Speaker 3: That was a good time. But I don't know about

1176
00:52:48,560 --> 00:52:51,120
Speaker 3: most important. I think most important might be the Beyonce album.

1177
00:52:51,360 --> 00:52:53,080
Speaker 3: The Beyonce Album Changed Music.

1178
00:52:54,480 --> 00:52:57,920
Speaker 1: Yeah, it was, I mean GRAVI and it's the first

1179
00:52:57,920 --> 00:52:59,800
Speaker 1: like actual surprise album, which.

1180
00:52:59,560 --> 00:53:04,200
Speaker 4: That song I can't believe.

1181
00:53:06,360 --> 00:53:09,919
Speaker 2: That would be myself and I first.

1182
00:53:10,080 --> 00:53:11,480
Speaker 4: That might be Beyonce's best.

1183
00:53:12,320 --> 00:53:14,760
Speaker 1: If you were to Family Feud. That was the last

1184
00:53:14,760 --> 00:53:16,040
Speaker 1: that men's favorite Beyonce song.

1185
00:53:16,080 --> 00:53:20,839
Speaker 3: It would be meet that album, not Love on Top,

1186
00:53:20,880 --> 00:53:24,400
Speaker 3: but also uh oh god, I'm gonna think of it

1187
00:53:24,400 --> 00:53:24,800
Speaker 3: in a second.

1188
00:53:24,800 --> 00:53:27,440
Speaker 2: Hold I signed four but yeah, Love on Top video

1189
00:53:28,000 --> 00:53:31,120
Speaker 2: new edition. That's our new edition.

1190
00:53:31,280 --> 00:53:31,760
Speaker 1: Conversation.

1191
00:53:31,920 --> 00:53:33,040
Speaker 4: I can't remember Love on Top.

1192
00:53:33,360 --> 00:53:34,520
Speaker 2: It's a very similar.

1193
00:53:34,719 --> 00:53:38,359
Speaker 1: It has a new edition. Vibe the treatment of them

1194
00:53:38,400 --> 00:53:41,560
Speaker 1: in the like that rec center dancing and ship. Yeah, okay,

1195
00:53:41,680 --> 00:53:42,320
Speaker 1: that's yeah.

1196
00:53:42,440 --> 00:53:44,239
Speaker 2: They definitely like that's what you know.

1197
00:53:44,280 --> 00:53:46,160
Speaker 4: The song is hard, like you gotta be in the

1198
00:53:46,239 --> 00:53:49,120
Speaker 4: dance studio by yourself. Like if you wasn't in the

1199
00:53:49,239 --> 00:53:52,080
Speaker 4: dance studio by yourself for herson and your video song

1200
00:53:52,160 --> 00:53:55,200
Speaker 4: wasn't a hit, Like every great R and B song

1201
00:53:55,320 --> 00:53:58,000
Speaker 4: had that one, Like that great artist had that one

1202
00:53:58,120 --> 00:54:01,759
Speaker 4: video where it's just them and the dance studio mirrors

1203
00:54:01,960 --> 00:54:03,960
Speaker 4: by themself, like you got it. That's like part of

1204
00:54:04,120 --> 00:54:06,959
Speaker 4: like every artist want that video, Like I need that video.

1205
00:54:06,960 --> 00:54:08,640
Speaker 3: It was just me and a dance studio and we

1206
00:54:08,680 --> 00:54:13,200
Speaker 3: just I just want to talk about who started it.

1207
00:54:11,719 --> 00:54:12,799
Speaker 2: Is the in the dance.

1208
00:54:12,800 --> 00:54:16,319
Speaker 4: I don't think Janel started that the pleasure She might

1209
00:54:16,320 --> 00:54:20,200
Speaker 4: have na the audition was before that. I think, yeah,

1210
00:54:20,239 --> 00:54:21,759
Speaker 4: an audition was does before that. I think it's just

1211
00:54:22,400 --> 00:54:25,359
Speaker 4: if this Isn't Love, it might have been before that. Really, yeah,

1212
00:54:25,400 --> 00:54:28,319
Speaker 4: it might be, Yeah, it might be if this Isn't

1213
00:54:28,360 --> 00:54:31,080
Speaker 4: Love might be before. Pleasure Principal is the.

1214
00:54:31,040 --> 00:54:32,840
Speaker 1: Dance studio, the same as the laying down on your

1215
00:54:32,880 --> 00:54:34,880
Speaker 1: album cover? Is that the equivalent?

1216
00:54:35,320 --> 00:54:38,520
Speaker 4: Okay, if This Isn't Love is eighty eight? Yeah, I

1217
00:54:38,520 --> 00:54:40,799
Speaker 4: think Pusure Principal was right after that, right.

1218
00:54:41,080 --> 00:54:44,239
Speaker 2: Prince was eighty six? Baby respect.

1219
00:54:44,640 --> 00:54:47,439
Speaker 4: Okay, see, let's close. I was young. I was young

1220
00:54:47,480 --> 00:54:48,960
Speaker 4: and I was only five, you know what I'm saying.

1221
00:54:49,000 --> 00:54:51,560
Speaker 4: But I remember that I remember this around the same time.

1222
00:54:51,560 --> 00:54:54,680
Speaker 4: But okay, Plasure looking route just biting. Yeah, I mean, listen,

1223
00:54:54,680 --> 00:54:57,880
Speaker 4: that was Janet, Listen, it is what it is. That

1224
00:54:57,960 --> 00:54:58,720
Speaker 4: was Miss Jackson.

1225
00:54:58,719 --> 00:55:00,279
Speaker 2: I was somebody before that.

1226
00:55:00,320 --> 00:55:02,200
Speaker 1: But oh yeah, yeah, I don't even put they made

1227
00:55:02,200 --> 00:55:05,279
Speaker 1: it iconic though. I'll even put Cowboy Carter pretty high

1228
00:55:05,440 --> 00:55:09,920
Speaker 1: on Beyonce's desography list. That has more replay value than

1229
00:55:11,120 --> 00:55:13,760
Speaker 1: Ship to Me than b DA Sasha fears Dangerously.

1230
00:55:13,400 --> 00:55:15,320
Speaker 2: And love You're wrong, And that's okay.

1231
00:55:16,040 --> 00:55:18,960
Speaker 1: Replay value to me. You could, of course Dangerous Love.

1232
00:55:19,000 --> 00:55:23,839
Speaker 1: I think all fucking sixteen records are hits, but yeah, Cowboy,

1233
00:55:24,280 --> 00:55:28,920
Speaker 1: that might be my favorite yeah hip hop at the time,

1234
00:55:28,960 --> 00:55:32,879
Speaker 1: though it was asked into and O three, I gave

1235
00:55:32,920 --> 00:55:34,120
Speaker 1: a little what's the jay Z gift?

1236
00:55:34,160 --> 00:55:38,360
Speaker 2: When I was doing that a little bit, Okay, I

1237
00:55:38,400 --> 00:55:39,160
Speaker 2: was trying to catch it.

1238
00:55:39,160 --> 00:55:39,480
Speaker 4: He was.

1239
00:55:40,120 --> 00:55:47,080
Speaker 2: You couldn't catch it either, damn yo.

1240
00:55:48,440 --> 00:55:51,560
Speaker 1: This episode is brought to you by Walden University. Maul,

1241
00:55:51,680 --> 00:55:54,439
Speaker 1: Have you ever caught yourself thinking what if I could

1242
00:55:54,480 --> 00:55:57,560
Speaker 1: go after what I actually want and really make a difference?

1243
00:55:57,600 --> 00:56:00,239
Speaker 1: You you ever thought like we cannot change the world

1244
00:56:00,320 --> 00:56:03,480
Speaker 1: until we change ourselves exactly. Nothing disappointed my grandfather on

1245
00:56:03,520 --> 00:56:05,759
Speaker 1: his deathbed more than me not graduating college. But I

1246
00:56:05,760 --> 00:56:07,879
Speaker 1: felt like an adult and I could not go back

1247
00:56:07,920 --> 00:56:10,879
Speaker 1: to school. Wald University is changing that. For over fifty years,

1248
00:56:10,920 --> 00:56:14,000
Speaker 1: wald and has helped working adults like us go get

1249
00:56:14,000 --> 00:56:16,239
Speaker 1: the w with the knowledge and skills to build the

1250
00:56:16,280 --> 00:56:19,200
Speaker 1: future you want and make a difference where it matters most.

1251
00:56:19,480 --> 00:56:21,200
Speaker 4: If you've been waiting for the right moment, this is

1252
00:56:21,239 --> 00:56:23,719
Speaker 4: it had to WALDENU dot eed you and take that

1253
00:56:23,760 --> 00:56:26,760
Speaker 4: first step. Walden University set a course for Change, certified

1254
00:56:26,800 --> 00:56:35,719
Speaker 4: to Operate by Chef. That's Beyonce's best album? Was that

1255
00:56:35,760 --> 00:56:39,200
Speaker 4: sort of covered? That's her best album? Dangerously in Love?

1256
00:56:38,960 --> 00:56:41,239
Speaker 2: I guess I don't know.

1257
00:56:41,440 --> 00:56:43,920
Speaker 3: Yeah, when the last time y'all loved somebody like like

1258
00:56:44,000 --> 00:56:44,759
Speaker 3: dangerously in love?

1259
00:56:44,840 --> 00:56:44,960
Speaker 4: Too?

1260
00:56:45,120 --> 00:56:47,480
Speaker 2: Like, when was the last time y'all loved somebody like that?

1261
00:56:47,680 --> 00:56:51,360
Speaker 1: Oh shit, I don't know what do you mean by

1262
00:56:51,440 --> 00:56:52,160
Speaker 1: dangerously in love?

1263
00:56:52,239 --> 00:56:55,759
Speaker 3: That bitch said like, I'm dangerously in love with you,

1264
00:56:55,800 --> 00:56:59,440
Speaker 3: Like it's like I'll never leave. I've been said every

1265
00:56:59,480 --> 00:57:02,880
Speaker 3: time I say face, my heart smiles. Created in this

1266
00:57:02,920 --> 00:57:05,880
Speaker 3: world of love, to hold, to breathe, to feel, to

1267
00:57:06,000 --> 00:57:07,760
Speaker 3: live you.

1268
00:57:07,840 --> 00:57:11,040
Speaker 1: Yeah, that's probably crazier than cater to you. Hey man, look.

1269
00:57:10,920 --> 00:57:12,719
Speaker 4: Man, yeah, I ain't make I ain't make enough money

1270
00:57:12,760 --> 00:57:15,359
Speaker 4: yet for them to love me like that. Yeah, that's

1271
00:57:15,840 --> 00:57:17,080
Speaker 4: you gotta make it. You gotta be in a certain

1272
00:57:17,120 --> 00:57:18,360
Speaker 4: bracket for them to love you like that.

1273
00:57:19,640 --> 00:57:20,640
Speaker 1: Yeah that's kind of crazy.

1274
00:57:21,200 --> 00:57:22,320
Speaker 4: Yeah, dangerously in love?

1275
00:57:22,400 --> 00:57:25,959
Speaker 1: Yeah, nah ship even though Mama Blake and what's the

1276
00:57:26,200 --> 00:57:28,200
Speaker 1: jay Z and Beyonce first record that they ever did,

1277
00:57:28,280 --> 00:57:32,280
Speaker 1: that's on Dangerously Love, Bonnie and Claude, No crazy love,

1278
00:57:32,920 --> 00:57:36,680
Speaker 1: even crazy and love is kind of sick if you

1279
00:57:36,720 --> 00:57:38,040
Speaker 1: get into the lyrics.

1280
00:57:38,560 --> 00:57:39,760
Speaker 4: That's Jamionce's first one.

1281
00:57:40,040 --> 00:57:43,240
Speaker 2: I think I'm uh.

1282
00:57:43,920 --> 00:57:47,240
Speaker 1: Bonnie and Clyde was what they both came out the

1283
00:57:47,280 --> 00:57:51,320
Speaker 1: same year, so okay, yeah, yeah, I thought Crazy and

1284
00:57:51,360 --> 00:57:56,480
Speaker 1: Love was like you know their ig reveal likely he

1285
00:57:56,560 --> 00:57:59,880
Speaker 1: no longer was the rolex and the forearm like they

1286
00:58:00,120 --> 00:58:06,440
Speaker 1: outside with it. Yeah damn y'all. Yeah, look at what

1287
00:58:06,480 --> 00:58:08,720
Speaker 1: you did to me? Yea. She went kind of nuts

1288
00:58:08,760 --> 00:58:10,920
Speaker 1: on crazy.

1289
00:58:10,240 --> 00:58:12,640
Speaker 3: Said baby, I can't go anywhere without thinking that you are.

1290
00:58:12,640 --> 00:58:14,280
Speaker 3: It seems like, yeah, everywhere is true that I be.

1291
00:58:14,320 --> 00:58:15,600
Speaker 3: Oh that's day JAVL wrong song.

1292
00:58:15,680 --> 00:58:18,320
Speaker 4: Sorry, you just do all like look at you. You

1293
00:58:19,240 --> 00:58:23,400
Speaker 4: get your life together, Get your fucking life together.

1294
00:58:23,640 --> 00:58:25,520
Speaker 2: Same girl didn't make it all night on Lemonade and

1295
00:58:25,560 --> 00:58:28,960
Speaker 2: saying that you can't make it the all night.

1296
00:58:29,040 --> 00:58:32,720
Speaker 1: I wish some like more engineers did podcast interviews because

1297
00:58:32,760 --> 00:58:35,080
Speaker 1: like I would love to know what it was like

1298
00:58:35,560 --> 00:58:40,320
Speaker 1: the day, like she walks out the booth after cutting

1299
00:58:40,360 --> 00:58:42,720
Speaker 1: Love on Top, Like what that feeling has to be

1300
00:58:42,800 --> 00:58:45,280
Speaker 1: like of like there's only three people in the world

1301
00:58:45,280 --> 00:58:47,400
Speaker 1: that know we have one of the most undeniable records

1302
00:58:47,440 --> 00:58:49,840
Speaker 1: of all time, Like what does that feel like?

1303
00:58:50,600 --> 00:58:52,720
Speaker 4: And do you do you know, yeah, end Norman, do

1304
00:58:52,760 --> 00:58:54,880
Speaker 4: you know like that's gonna I think it's hard to

1305
00:58:54,960 --> 00:58:58,560
Speaker 4: like really know if like certain records I think are

1306
00:58:58,600 --> 00:59:03,200
Speaker 4: like I'm guessing that when fucking Michael Jackson and them

1307
00:59:03,200 --> 00:59:05,480
Speaker 4: did Thriller, everybody in the studio knew, like, all right,

1308
00:59:05,520 --> 00:59:07,120
Speaker 4: this is is over see.

1309
00:59:07,160 --> 00:59:10,120
Speaker 3: You know what though, I think songs like that no,

1310
00:59:10,240 --> 00:59:12,200
Speaker 3: because I think songs like that are a risk.

1311
00:59:12,400 --> 00:59:13,720
Speaker 2: That's not a proven formula.

1312
00:59:14,360 --> 00:59:14,760
Speaker 4: Thriller.

1313
00:59:15,200 --> 00:59:16,000
Speaker 2: I think it's a risk.

1314
00:59:16,040 --> 00:59:19,959
Speaker 3: I don't think anybody imagines that thriller becomes with Thriller.

1315
00:59:19,840 --> 00:59:22,800
Speaker 1: And Thriller was built, yeah, like because then they had

1316
00:59:22,800 --> 00:59:26,000
Speaker 1: to go do the most iconic video ever, Like.

1317
00:59:26,200 --> 00:59:30,560
Speaker 3: It was built, video made the song. The song is

1318
00:59:30,560 --> 00:59:33,280
Speaker 3: an amazing song. Can't you just drop Thriller on soundclouds

1319
00:59:33,640 --> 00:59:35,560
Speaker 3: with no visual? I don't know if it has the

1320
00:59:35,600 --> 00:59:36,680
Speaker 3: same trajectory.

1321
00:59:36,280 --> 00:59:39,800
Speaker 4: At that time? Crazy at hell out of't be like

1322
00:59:39,840 --> 00:59:41,520
Speaker 4: what the fuck is this? What's the greatest song I

1323
00:59:41,600 --> 00:59:43,960
Speaker 4: ever heard about life? Take away from the song, but

1324
00:59:44,080 --> 00:59:47,400
Speaker 4: do you get the video? The video? The video. The

1325
00:59:47,440 --> 00:59:49,479
Speaker 4: reason why they put the emphasis on the Thriller video

1326
00:59:49,520 --> 00:59:52,400
Speaker 4: like that is because the record the song and then

1327
00:59:52,440 --> 00:59:54,920
Speaker 4: at that time Michael was like, yo, he is the

1328
00:59:54,960 --> 00:59:56,360
Speaker 4: biggest star in music right now.

1329
00:59:56,600 --> 00:59:58,440
Speaker 1: And that was more of the formula fact. I'm not

1330
00:59:58,480 --> 01:00:01,200
Speaker 1: comparing it to like say, Childish getting Bino. This is

1331
01:00:01,240 --> 01:00:04,000
Speaker 1: America that needed a visual like you like you weren't

1332
01:00:04,280 --> 01:00:06,360
Speaker 1: like if you just dropped that record, like you're not like.

1333
01:00:08,440 --> 01:00:09,320
Speaker 2: Thriller thoh nah.

1334
01:00:09,400 --> 01:00:10,040
Speaker 4: Yeah, I'm not.

1335
01:00:10,000 --> 01:00:12,320
Speaker 1: Comparing it in that way where it's like this needs

1336
01:00:12,360 --> 01:00:13,560
Speaker 1: a visual to land.

1337
01:00:14,240 --> 01:00:19,040
Speaker 2: But that did build, Like you equate it to the visual.

1338
01:00:19,200 --> 01:00:21,640
Speaker 1: What do you have to Yeah, so down to the choreography,

1339
01:00:21,680 --> 01:00:25,360
Speaker 1: like even single Ladies undeniable. The choreography and it being

1340
01:00:25,400 --> 01:00:28,960
Speaker 1: presented that way made this story even bigger.

1341
01:00:29,160 --> 01:00:32,040
Speaker 3: Which is crazy because the video dropped a year after

1342
01:00:32,040 --> 01:00:32,880
Speaker 3: the album dropped.

1343
01:00:33,280 --> 01:00:37,000
Speaker 4: That's what I'm saying. It was the song thriller. Yeah,

1344
01:00:37,040 --> 01:00:39,720
Speaker 4: it was the song they knew ever that song was.

1345
01:00:40,040 --> 01:00:42,280
Speaker 4: That's one of those ones where any of the engineer,

1346
01:00:42,840 --> 01:00:47,560
Speaker 4: the producer, like everything is just like they know, like no,

1347
01:00:47,720 --> 01:00:51,440
Speaker 4: this is we've we've everything about this song is.

1348
01:00:51,880 --> 01:00:55,280
Speaker 2: Perfect as Quincy though he's still talking.

1349
01:00:56,200 --> 01:01:00,640
Speaker 4: Quincy has passed away and resting with the aig juice Man.

1350
01:01:00,720 --> 01:01:03,160
Speaker 1: Yes, I wish we would have gotten one more interview

1351
01:01:03,240 --> 01:01:09,320
Speaker 1: from him so we could tell us created COVID Jones dementia.

1352
01:01:09,640 --> 01:01:10,680
Speaker 4: He died last year.

1353
01:01:10,680 --> 01:01:13,320
Speaker 2: A year last year. Oh, you're right, he did.

1354
01:01:13,560 --> 01:01:16,560
Speaker 1: We talked about it and we read his most iconic interview.

1355
01:01:16,760 --> 01:01:19,040
Speaker 4: Yeah.

1356
01:01:19,160 --> 01:01:21,120
Speaker 1: Once he told us that Marvin Game Richard Pride was sucking.

1357
01:01:22,160 --> 01:01:24,840
Speaker 1: He said, he told us who killed JFK? And then

1358
01:01:24,840 --> 01:01:26,680
Speaker 1: when yoh, so you like Brazilian.

1359
01:01:26,240 --> 01:01:29,760
Speaker 4: Food another day, don't we asked an interview.

1360
01:01:32,160 --> 01:01:33,800
Speaker 3: I feel so bad if I asked if he's still

1361
01:01:33,800 --> 01:01:35,680
Speaker 3: talking and he's dead, that feels so bad.

1362
01:01:36,680 --> 01:01:38,200
Speaker 1: I don't know if we've asked you this before, but

1363
01:01:38,640 --> 01:01:41,160
Speaker 1: what was there songs that you heard in the studio

1364
01:01:41,200 --> 01:01:43,919
Speaker 1: and was like that we all know and love now

1365
01:01:44,040 --> 01:01:48,480
Speaker 1: that you were like, oh yeah, that's they got one there.

1366
01:01:50,080 --> 01:01:55,640
Speaker 1: Other side Jay's ps A, oh for sure. Yeah.

1367
01:01:55,680 --> 01:01:57,680
Speaker 4: When I heard that, I knew the city was going

1368
01:01:57,720 --> 01:01:59,200
Speaker 4: to flip upside down when that shit trick.

1369
01:01:59,840 --> 01:02:02,919
Speaker 1: The story of that is crazy from what Just Blaze said.

1370
01:02:02,960 --> 01:02:06,760
Speaker 1: He he was doing press at Baseline for the Black

1371
01:02:06,760 --> 01:02:10,200
Speaker 1: album like already, and Just Blaze was making that in

1372
01:02:10,200 --> 01:02:12,919
Speaker 1: the b room while Jay was going back and forth

1373
01:02:12,960 --> 01:02:15,840
Speaker 1: to do press, and he heard it and would do

1374
01:02:15,880 --> 01:02:18,440
Speaker 1: an interview run in and do two lines, do an interview,

1375
01:02:18,600 --> 01:02:21,120
Speaker 1: run back through two more lines, like that's crazy.

1376
01:02:21,520 --> 01:02:23,680
Speaker 4: Yeah, when they played that, that was like that song

1377
01:02:23,840 --> 01:02:27,720
Speaker 4: was played so much in baseline. Yeah, when I heard PSA,

1378
01:02:27,960 --> 01:02:29,320
Speaker 4: I was I definitely and I was like, yeah, this

1379
01:02:29,360 --> 01:02:33,160
Speaker 4: is this is definitely gonna go crazy. And sure enough,

1380
01:02:33,200 --> 01:02:35,880
Speaker 4: I think Flex made a debut.

1381
01:02:35,480 --> 01:02:37,960
Speaker 1: That probably makes sense act, but I just like I'd

1382
01:02:37,960 --> 01:02:40,000
Speaker 1: like to ask just Blaze what that car ride home

1383
01:02:40,120 --> 01:02:43,120
Speaker 1: was he burns it onto a CD driving back to Jersey,

1384
01:02:43,200 --> 01:02:44,680
Speaker 1: like just knowing you got this.

1385
01:02:46,280 --> 01:02:49,000
Speaker 4: Yeah, that was one that that was an undeniable Everybody

1386
01:02:49,000 --> 01:02:51,800
Speaker 4: that heard that in the studio was like Jesus Christ.

1387
01:02:52,040 --> 01:02:57,520
Speaker 1: Did y'all feel that way about Lucifer because I heard Lucifer,

1388
01:02:57,520 --> 01:03:00,560
Speaker 1: wouldn't I don't think Lucifer wasn't a single before the album?

1389
01:03:00,720 --> 01:03:03,680
Speaker 4: No? No, yeah, you know was the album could Yeah,

1390
01:03:03,720 --> 01:03:05,400
Speaker 4: I didn't hear that. I didn't hear that one until

1391
01:03:05,400 --> 01:03:07,919
Speaker 4: the album came out, and then obviously I couldn't really

1392
01:03:07,960 --> 01:03:08,400
Speaker 4: listen to that.

1393
01:03:08,440 --> 01:03:10,520
Speaker 1: But yeah, I mean even in the Faded Black movie, Oh,

1394
01:03:10,760 --> 01:03:12,720
Speaker 1: Kanye just playing that ship and like Jay's like, wait,

1395
01:03:12,720 --> 01:03:13,600
Speaker 1: what the fuck is that?

1396
01:03:13,960 --> 01:03:16,320
Speaker 4: Yeah? Yeah, that was another one that those ones.

1397
01:03:16,360 --> 01:03:19,520
Speaker 1: Though I've asked Guru that question before of like what's

1398
01:03:19,560 --> 01:03:20,840
Speaker 1: it like to just know you have that?

1399
01:03:20,920 --> 01:03:22,360
Speaker 2: He compared it.

1400
01:03:22,760 --> 01:03:26,040
Speaker 1: He said, when you guys interviewed push your Tea and

1401
01:03:26,080 --> 01:03:27,960
Speaker 1: then you went home that night, you knew that you

1402
01:03:28,040 --> 01:03:31,040
Speaker 1: had something that tomorrow was going to stop the worlds.

1403
01:03:31,080 --> 01:03:32,880
Speaker 1: He's like, you remember that? Was like, yeah, I remember

1404
01:03:32,920 --> 01:03:34,280
Speaker 1: hitting the group chat like yo, I have no idea,

1405
01:03:34,320 --> 01:03:36,680
Speaker 1: what the fuck you about to drop tomorrow? So yeah,

1406
01:03:36,680 --> 01:03:39,840
Speaker 1: I guess I understand that anticipation, but obviously not to

1407
01:03:39,880 --> 01:03:43,520
Speaker 1: that degree. I could never imagine making the blueprint and

1408
01:03:43,600 --> 01:03:46,560
Speaker 1: driving home like just having harder the city on a

1409
01:03:46,600 --> 01:03:51,120
Speaker 1: burnt CD, like wait till the world hears this, Like

1410
01:03:51,200 --> 01:03:52,000
Speaker 1: this is insane.

1411
01:03:52,080 --> 01:03:53,400
Speaker 3: So I know they be calling this is this this,

1412
01:03:53,520 --> 01:03:54,880
Speaker 3: this is this is my thing, And they could lie

1413
01:03:54,880 --> 01:03:57,360
Speaker 3: and say that they don't. I know, they'd be calling

1414
01:03:57,480 --> 01:03:59,680
Speaker 3: they bitches, the ones they know they could trust and

1415
01:03:59,680 --> 01:04:02,120
Speaker 3: be like you gotta hear this. You got a pillow

1416
01:04:02,160 --> 01:04:03,840
Speaker 3: talk They hit records before they come out.

1417
01:04:04,720 --> 01:04:05,760
Speaker 2: Yeah, there's no way.

1418
01:04:05,840 --> 01:04:07,480
Speaker 1: Of course, we even I mean shout out to it

1419
01:04:07,520 --> 01:04:11,120
Speaker 1: to our brother Quinton Miller when we interviewed him. I

1420
01:04:11,120 --> 01:04:12,800
Speaker 1: mean a lot of the reasons why shit was leaky.

1421
01:04:12,800 --> 01:04:14,720
Speaker 1: He was like, of course I was playing that for bitches.

1422
01:04:16,040 --> 01:04:18,600
Speaker 1: You don't think my reference for Drake, I wasn't playing

1423
01:04:18,600 --> 01:04:18,959
Speaker 1: for people.

1424
01:04:19,480 --> 01:04:22,480
Speaker 4: You have to almost like like, come on, you're working

1425
01:04:22,480 --> 01:04:25,120
Speaker 4: with the biggest artists, Like what are we talking about.

1426
01:04:25,360 --> 01:04:27,200
Speaker 4: I have to get that off, Like I gotta bring

1427
01:04:27,240 --> 01:04:29,320
Speaker 4: my chicks that I like to the studio and just

1428
01:04:29,360 --> 01:04:32,040
Speaker 4: play it and then they know that the biggest artist

1429
01:04:32,080 --> 01:04:34,960
Speaker 4: is about to record on this, Like that's part of it.

1430
01:04:35,600 --> 01:04:38,120
Speaker 4: You have to that's that's part of the whole moment

1431
01:04:38,120 --> 01:04:38,680
Speaker 4: of the record.

1432
01:04:39,200 --> 01:04:43,520
Speaker 1: Yeah, because even like when which I'm snitching myself. We

1433
01:04:43,560 --> 01:04:45,800
Speaker 1: talked about it with Gigs, like when Jay did the

1434
01:04:45,800 --> 01:04:49,280
Speaker 1: The God Did Verse and I was there right after

1435
01:04:49,320 --> 01:04:51,960
Speaker 1: he recorded it with Guru and he was probably like,

1436
01:04:52,400 --> 01:04:55,240
Speaker 1: all right, Jay's rapper for like six minutes. Like I

1437
01:04:55,360 --> 01:04:57,040
Speaker 1: ran right back. I was like, Kiah, I heard a

1438
01:04:57,080 --> 01:04:59,560
Speaker 1: six minute jay z verse Like yeah, I started. I

1439
01:04:59,560 --> 01:05:02,240
Speaker 1: started talking about it immediately. The Guru played that over

1440
01:05:02,280 --> 01:05:03,800
Speaker 1: the phone for me. I feel like he did. I

1441
01:05:03,840 --> 01:05:08,680
Speaker 1: called you, yeah, Gigs, like when when you have something

1442
01:05:08,720 --> 01:05:12,000
Speaker 1: you call people like you you called me too, like

1443
01:05:12,200 --> 01:05:16,720
Speaker 1: probably yeah, Like I remember I remember hearing partners. I

1444
01:05:16,720 --> 01:05:20,680
Speaker 1: think you called me too. I was sitting there trying

1445
01:05:20,680 --> 01:05:23,080
Speaker 1: to remember, Oh yeah, no, I was definitely trying to

1446
01:05:23,080 --> 01:05:26,080
Speaker 1: memorize Jay's versus I've rapped because R Jungle Studios there

1447
01:05:26,080 --> 01:05:27,800
Speaker 1: is and where I was staying was like walking distance,

1448
01:05:27,960 --> 01:05:29,240
Speaker 1: and I was I was rapping.

1449
01:05:29,040 --> 01:05:30,280
Speaker 2: That ship to myself. I was like, what do you

1450
01:05:30,320 --> 01:05:30,720
Speaker 2: say again?

1451
01:05:31,480 --> 01:05:31,680
Speaker 1: Yo?

1452
01:05:32,880 --> 01:05:35,160
Speaker 4: Yeah, Drakes Drake sent me a record that might change

1453
01:05:35,160 --> 01:05:36,880
Speaker 4: my life, but I don't know if it's gonna make

1454
01:05:36,920 --> 01:05:40,600
Speaker 4: that album.

1455
01:05:39,080 --> 01:05:40,840
Speaker 2: Change your Oh so you're mentioned in.

1456
01:05:40,800 --> 01:05:45,840
Speaker 4: It, Niggas said, Man, he didn't say, he said. Niggas said,

1457
01:05:45,920 --> 01:05:48,600
Speaker 4: ma baby d No.

1458
01:05:49,880 --> 01:05:52,520
Speaker 1: Niggas said, it doesn't make that to the mall for

1459
01:05:52,600 --> 01:05:57,080
Speaker 1: podcasts and equipment, she just wanted to he didn't say. Okay,

1460
01:05:57,920 --> 01:06:01,920
Speaker 1: Drake Drake rapping mall fun, Drake wrapping the words podcast

1461
01:06:01,920 --> 01:06:06,000
Speaker 1: equipment would be the funniest fun. But if it doesn't

1462
01:06:06,040 --> 01:06:07,880
Speaker 1: make the album, don't worry. Because Stove God shout you

1463
01:06:07,920 --> 01:06:09,280
Speaker 1: out on the verse on my album.

1464
01:06:09,520 --> 01:06:09,880
Speaker 4: He did.

1465
01:06:11,040 --> 01:06:12,560
Speaker 2: That is from the Bronx.

1466
01:06:12,720 --> 01:06:18,000
Speaker 4: I'm here. I was very pivotal in putting the world

1467
01:06:18,040 --> 01:06:18,840
Speaker 4: on the Stove God.

1468
01:06:18,880 --> 01:06:21,400
Speaker 1: Okay, that is that is definitely true. They killed me

1469
01:06:22,600 --> 01:06:24,640
Speaker 1: all out at the end of the verse. I moved

1470
01:06:24,800 --> 01:06:29,040
Speaker 1: the shout out to the beginning of the verse in

1471
01:06:29,040 --> 01:06:31,800
Speaker 1: between the verses. You know what, let me put them

1472
01:06:31,840 --> 01:06:33,720
Speaker 1: all on this little this this dead air right here.

1473
01:06:35,200 --> 01:06:36,880
Speaker 3: They killed me for sake, like when I said on

1474
01:06:36,920 --> 01:06:38,600
Speaker 3: the internet, because they were like Ory mad don't put

1475
01:06:38,640 --> 01:06:41,160
Speaker 3: people on the no new artist, And I'm like, I was, like,

1476
01:06:41,200 --> 01:06:43,200
Speaker 3: half of y'all wouldn't know who a lot of Griselda

1477
01:06:43,320 --> 01:06:45,840
Speaker 3: is without Rory in ma back in those days. Obviously

1478
01:06:45,880 --> 01:06:48,520
Speaker 3: now of course, but back when like y'all weren't listening to.

1479
01:06:48,560 --> 01:06:51,360
Speaker 4: Black and Daniel Caesar both have personally thanked me for

1480
01:06:51,720 --> 01:06:54,480
Speaker 4: the first person in media to ever say their name. Yeah,

1481
01:06:54,680 --> 01:06:55,280
Speaker 4: you can't pay that.

1482
01:06:56,040 --> 01:06:57,640
Speaker 2: People forget that's that's hilarious.

1483
01:06:57,640 --> 01:06:59,200
Speaker 4: But people a lot of well, to be fair, a

1484
01:06:59,200 --> 01:07:03,440
Speaker 4: lot of people were probably listening to us in twenty sixteen,

1485
01:07:03,520 --> 01:07:07,120
Speaker 4: twenty seventeen when a lot of those guys we were playing,

1486
01:07:07,600 --> 01:07:09,040
Speaker 4: so you know, they missed it.

1487
01:07:09,080 --> 01:07:13,240
Speaker 2: But I'd like seen the fly God artwork.

1488
01:07:13,280 --> 01:07:15,320
Speaker 1: But Maul was the first person for sure to like

1489
01:07:16,160 --> 01:07:18,280
Speaker 1: force me to have to sit and be like, it's

1490
01:07:18,320 --> 01:07:21,320
Speaker 1: not only Westcide Gun this Ky Conway and then like

1491
01:07:21,360 --> 01:07:25,400
Speaker 1: one of their cousins or some shit is insane, like

1492
01:07:25,560 --> 01:07:25,920
Speaker 1: happened to.

1493
01:07:25,920 --> 01:07:29,440
Speaker 4: Be Benny the Butcher. This was Benny Like. I was like,

1494
01:07:29,520 --> 01:07:30,560
Speaker 4: y'all never heard of this too.

1495
01:07:30,440 --> 01:07:33,840
Speaker 1: Like, yeah, we get a NAS album this week, Yes,

1496
01:07:34,080 --> 01:07:35,240
Speaker 1: DJ Premiere, We.

1497
01:07:35,120 --> 01:07:37,000
Speaker 4: Get a NAS album this week. We get a Conway

1498
01:07:37,000 --> 01:07:40,600
Speaker 4: album the same day. So yeah, rap, it's a lot

1499
01:07:40,600 --> 01:07:42,120
Speaker 4: of rap. This was a lot of good raps. I'm

1500
01:07:42,120 --> 01:07:45,200
Speaker 4: excited to hear what mass Appel did with this NAS

1501
01:07:45,800 --> 01:07:46,800
Speaker 4: DJ Premier album.

1502
01:07:47,080 --> 01:07:48,920
Speaker 1: We're saying casually, like this is not the way we

1503
01:07:48,920 --> 01:07:49,880
Speaker 1: talked about twenty sixteen.

1504
01:07:49,880 --> 01:07:51,440
Speaker 2: We're getting a NAS in DJ.

1505
01:07:51,280 --> 01:07:54,920
Speaker 1: Premiere final week, finally happening. I saw a rumor and

1506
01:07:54,960 --> 01:07:58,440
Speaker 1: it was Twitter, so it's true. Maybe it was just

1507
01:07:58,440 --> 01:08:01,000
Speaker 1: because they took a photo, but there was some Rome

1508
01:08:01,040 --> 01:08:06,080
Speaker 1: Streets NAS talk. What do you mean as far as

1509
01:08:06,120 --> 01:08:08,680
Speaker 1: working together on this album?

1510
01:08:08,760 --> 01:08:11,720
Speaker 4: Yeah, but the track lisk, it's only one feature on

1511
01:08:11,720 --> 01:08:12,320
Speaker 4: this album.

1512
01:08:12,720 --> 01:08:15,520
Speaker 1: I saw that with it just a yeah, but I

1513
01:08:15,560 --> 01:08:19,040
Speaker 1: don't know. People were in the Rome Streets side of Twitter.

1514
01:08:19,120 --> 01:08:21,280
Speaker 1: They were saying they're working and I don't know it's

1515
01:08:21,280 --> 01:08:23,160
Speaker 1: because they got to creature together. Yeah, but there was

1516
01:08:23,160 --> 01:08:25,479
Speaker 1: more evidence, you know, they breaked everything down on Twitter

1517
01:08:25,520 --> 01:08:27,519
Speaker 1: and read it. Yeah, but I would love to see that.

1518
01:08:27,560 --> 01:08:30,560
Speaker 1: I mean, that's just great Queen Shites. Great for Rome

1519
01:08:30,600 --> 01:08:33,439
Speaker 1: deserves it. And I know, I know NAS this year

1520
01:08:33,479 --> 01:08:34,759
Speaker 1: paid attention and listen everything.

1521
01:08:35,240 --> 01:08:37,599
Speaker 4: Nas listen to that. But guys like that, the rap

1522
01:08:37,680 --> 01:08:41,439
Speaker 4: is the real MC's they pay attention to. Even if

1523
01:08:41,439 --> 01:08:46,519
Speaker 4: they're not motivated or inspired by the current climate and rap,

1524
01:08:46,600 --> 01:08:49,840
Speaker 4: they always still pay attention to what's going on. Who

1525
01:08:49,840 --> 01:08:52,680
Speaker 4: are the new guys that are, you know, holding a

1526
01:08:52,760 --> 01:08:56,680
Speaker 4: pin to a certain standard, like so Nas Jay and

1527
01:08:56,840 --> 01:09:00,240
Speaker 4: you know, guys like that, they always in tune like

1528
01:09:00,760 --> 01:09:02,240
Speaker 4: artists that are going to come up that don't think

1529
01:09:02,280 --> 01:09:03,280
Speaker 4: that those guys know about them.

1530
01:09:03,360 --> 01:09:05,360
Speaker 1: If you're dope, they definitely know who you are.

1531
01:09:05,560 --> 01:09:09,120
Speaker 4: Yeah, yeah, I mean the studio session I've been in

1532
01:09:09,160 --> 01:09:11,000
Speaker 4: with j Cole, all he does is sit on YouTube

1533
01:09:11,000 --> 01:09:13,519
Speaker 4: and look like you see, he literally sees everything like

1534
01:09:13,600 --> 01:09:15,880
Speaker 4: you have. When you're that at that level and you

1535
01:09:15,920 --> 01:09:18,840
Speaker 4: pay attention to that, like you're that meticulous with the

1536
01:09:18,920 --> 01:09:20,920
Speaker 4: with the craft, you definitely know about all of the

1537
01:09:20,960 --> 01:09:23,280
Speaker 4: guys that are bubbling and that are making noise.

1538
01:09:23,400 --> 01:09:26,599
Speaker 1: That's even how I discovered that Donald Glover interviewed Chief

1539
01:09:26,680 --> 01:09:30,160
Speaker 1: Keith mm hmm. Jay Cole stopped there on the studio

1540
01:09:30,160 --> 01:09:34,200
Speaker 1: on stage, Donald Glover just interviewed. It's quite possibly the

1541
01:09:34,200 --> 01:09:36,519
Speaker 1: funniest fucking interview I've ever seen my I just saw

1542
01:09:36,560 --> 01:09:38,640
Speaker 1: a clip of h.

1543
01:09:38,760 --> 01:09:40,479
Speaker 4: I shout out of Vince Stables. I got a Vince Stables.

1544
01:09:40,520 --> 01:09:42,559
Speaker 4: He did an interview with I forgot the young lady's name,

1545
01:09:42,800 --> 01:09:46,520
Speaker 4: ze Way. Yes, now her show is alected. She's so funny.

1546
01:09:47,040 --> 01:09:51,080
Speaker 4: I just love Vince Man. I just watch. It's like

1547
01:09:51,360 --> 01:09:54,559
Speaker 4: the way he answers questions because Vince has this he

1548
01:09:54,600 --> 01:09:56,640
Speaker 4: has this demeanor about him, like and I don't know

1549
01:09:56,680 --> 01:09:59,720
Speaker 4: if with the relationship between Vince and z Way are

1550
01:09:59,760 --> 01:10:03,080
Speaker 4: if they just met during this interview or not, But like,

1551
01:10:03,840 --> 01:10:06,360
Speaker 4: as someone that's sitting across from Vince, if it's your

1552
01:10:06,400 --> 01:10:09,240
Speaker 4: first time and you're asking questions, you really think he's

1553
01:10:09,280 --> 01:10:11,840
Speaker 4: being an asshole, Like he has that thing about him

1554
01:10:11,840 --> 01:10:14,240
Speaker 4: where you like he's being a dick. But this is

1555
01:10:14,320 --> 01:10:17,240
Speaker 4: really who Vince really, I'm talking about camera's off. That's

1556
01:10:17,280 --> 01:10:19,519
Speaker 4: exactly what Vince would have said for sure, all of

1557
01:10:19,520 --> 01:10:19,960
Speaker 4: those questions.

1558
01:10:20,000 --> 01:10:21,479
Speaker 1: And maybe it's because I'm an asshole. I don't think

1559
01:10:21,520 --> 01:10:23,599
Speaker 1: he comes across as an asshole at all. No, why

1560
01:10:23,640 --> 01:10:24,360
Speaker 1: people would think.

1561
01:10:24,200 --> 01:10:29,160
Speaker 2: That, But he's king sarcasm and so is No, he don't.

1562
01:10:29,439 --> 01:10:34,439
Speaker 1: He's not being sarcastic about cameras cameras off.

1563
01:10:34,479 --> 01:10:36,040
Speaker 4: That would have been his answer. That would have been

1564
01:10:36,080 --> 01:10:39,080
Speaker 4: his response to those questions like this is like him

1565
01:10:39,200 --> 01:10:41,639
Speaker 4: just in the studio, kicking it like and just having

1566
01:10:41,640 --> 01:10:44,439
Speaker 4: a conversation like this is exactly who Vince is. I

1567
01:10:44,439 --> 01:10:46,400
Speaker 4: do have to watch this full energies. I only saw

1568
01:10:46,720 --> 01:10:49,680
Speaker 4: some of the clips, but check out the z Way

1569
01:10:49,680 --> 01:10:52,559
Speaker 4: interview with Vince Staples. From what I saw, it looks

1570
01:10:52,600 --> 01:10:53,360
Speaker 4: like it's hilarious.

1571
01:10:53,439 --> 01:10:55,200
Speaker 1: Even like when he was talking to Speed, he was like,

1572
01:10:55,280 --> 01:10:56,320
Speaker 1: you let people at your house?

1573
01:10:56,400 --> 01:10:57,400
Speaker 2: He wasn't being sarcastic.

1574
01:10:57,520 --> 01:10:59,479
Speaker 4: Yeah, he didn't understand that. He couldn't even understand how

1575
01:10:59,479 --> 01:11:01,880
Speaker 4: the spials and like what do you mean like come

1576
01:11:01,920 --> 01:11:02,880
Speaker 4: of my house? Like what do you mean?

1577
01:11:03,000 --> 01:11:05,679
Speaker 2: Are you cooked for your friends? The fuck is wrong

1578
01:11:05,720 --> 01:11:05,960
Speaker 2: with you?

1579
01:11:06,400 --> 01:11:09,639
Speaker 4: Yeah, shut out the vins Man.

1580
01:11:09,920 --> 01:11:10,960
Speaker 2: Yeah.

1581
01:11:11,160 --> 01:11:14,400
Speaker 1: I hope uh season three gets picked up Olflex. I

1582
01:11:14,400 --> 01:11:17,840
Speaker 1: mean especially everything Netflix is going, Yeah, I mean they

1583
01:11:17,840 --> 01:11:18,719
Speaker 1: should have the capital.

1584
01:11:18,840 --> 01:11:22,240
Speaker 4: Yeah. Season two, the numbers that Netflix and Paramoun's throwing

1585
01:11:22,280 --> 01:11:24,599
Speaker 4: around is fucking they just up there just playing all

1586
01:11:24,640 --> 01:11:27,519
Speaker 4: kind of games with billions. I got eighty two billion

1587
01:11:27,560 --> 01:11:29,000
Speaker 4: for you, Yeah, I got a hundred and eight for you.

1588
01:11:30,040 --> 01:11:31,680
Speaker 4: So y'all niggas is just up here playing with two

1589
01:11:31,760 --> 01:11:37,400
Speaker 4: hundred million dollars, Like y'all just up here. It's niggas homeless,

1590
01:11:37,400 --> 01:11:39,400
Speaker 4: all kind of shit, and y'all just in this office,

1591
01:11:39,479 --> 01:11:41,800
Speaker 4: like throwing around two hundred million dollars, Like.

1592
01:11:42,000 --> 01:11:43,759
Speaker 1: Can we google how much money is in the world?

1593
01:11:44,720 --> 01:11:47,160
Speaker 4: It's how much? How much money is? It doesn't make

1594
01:11:47,160 --> 01:11:49,160
Speaker 4: any how much money is in that Warner Brothers parking

1595
01:11:49,160 --> 01:11:51,240
Speaker 4: lot right now? Yeah, that's what we need to google.

1596
01:11:51,600 --> 01:11:52,519
Speaker 2: Well, what year is it?

1597
01:11:52,560 --> 01:11:56,000
Speaker 1: When when money actually technically didn't exist Because the rate

1598
01:11:56,040 --> 01:11:59,559
Speaker 1: of money printed versus what the golds that it used

1599
01:11:59,600 --> 01:12:00,800
Speaker 1: to be represent, so.

1600
01:12:00,800 --> 01:12:04,439
Speaker 4: Physical cash it's around nine to ten trillion dollars, while

1601
01:12:04,479 --> 01:12:09,160
Speaker 4: the broader money supply is roughly ninety to one hundred

1602
01:12:09,200 --> 01:12:13,479
Speaker 4: and twenty trillion. A total global wealth is much higher,

1603
01:12:13,680 --> 01:12:17,679
Speaker 4: nearing four hundred and seventy trillion or more, showing most

1604
01:12:17,720 --> 01:12:22,240
Speaker 4: value is in physical currency, but digital assets, so physical

1605
01:12:22,280 --> 01:12:24,479
Speaker 4: commncy none to ten trillion.

1606
01:12:24,640 --> 01:12:28,120
Speaker 1: Even the rate of which we value money from certain

1607
01:12:28,200 --> 01:12:31,600
Speaker 1: countries is compared to ours is made up. I'm not

1608
01:12:31,600 --> 01:12:33,599
Speaker 1: one of those people that thinks everything Kanye West says

1609
01:12:33,680 --> 01:12:36,960
Speaker 1: is profound. But when he did ask Joe Rogan, how

1610
01:12:37,000 --> 01:12:38,840
Speaker 1: much do you think the world costs? Like that really

1611
01:12:38,880 --> 01:12:41,519
Speaker 1: did actually fuck with my mind. I was like, no,

1612
01:12:42,240 --> 01:12:43,840
Speaker 1: I'm not being one of those Kanye people, but he

1613
01:12:43,880 --> 01:12:45,439
Speaker 1: has like that's a really interesting question.

1614
01:12:45,520 --> 01:12:46,840
Speaker 4: How much debt is the world? And it just came

1615
01:12:46,880 --> 01:12:47,639
Speaker 4: out yesterday? Right?

1616
01:12:48,040 --> 01:12:49,799
Speaker 2: Who are we in debt to? You mean the US?

1617
01:12:51,000 --> 01:12:53,120
Speaker 4: You just go to Union Square told you they got

1618
01:12:53,120 --> 01:12:56,200
Speaker 4: the debt clocker. No, No, that's not the world debt.

1619
01:12:56,720 --> 01:12:59,040
Speaker 2: That's I'm saying world debt because who is the world?

1620
01:12:59,280 --> 01:12:59,439
Speaker 1: Yet?

1621
01:12:59,439 --> 01:13:01,920
Speaker 2: Who are we in dea? You mean the no, the

1622
01:13:01,960 --> 01:13:02,360
Speaker 2: whole kind?

1623
01:13:02,439 --> 01:13:05,880
Speaker 4: Look the US, The world debt is nearing three hundred

1624
01:13:05,920 --> 01:13:07,920
Speaker 4: and forty six trillion by late twenty twenty five?

1625
01:13:08,760 --> 01:13:10,760
Speaker 1: Is that all the country's debt to each other?

1626
01:13:10,840 --> 01:13:15,240
Speaker 4: So China and Japan US? Uh? Yeah.

1627
01:13:15,600 --> 01:13:17,599
Speaker 1: The what I don't understand is why can't like the

1628
01:13:17,640 --> 01:13:20,920
Speaker 1: country just file chapter level Like, I mean, I know

1629
01:13:21,040 --> 01:13:23,200
Speaker 1: that gets you in a great depression, but like we

1630
01:13:23,280 --> 01:13:24,080
Speaker 1: should just files.

1631
01:13:24,080 --> 01:13:24,320
Speaker 2: I don't.

1632
01:13:24,320 --> 01:13:25,280
Speaker 4: I don't want to, got it?

1633
01:13:25,320 --> 01:13:27,000
Speaker 2: I don't want Tom to have to pay this ship back,

1634
01:13:27,040 --> 01:13:29,760
Speaker 2: Like can we file? Can we? Can we just start

1635
01:13:29,760 --> 01:13:30,240
Speaker 2: at zero?

1636
01:13:31,360 --> 01:13:33,680
Speaker 4: Oh man, I mean I'm sure the USI bil its

1637
01:13:33,680 --> 01:13:34,280
Speaker 4: credit back up.

1638
01:13:35,360 --> 01:13:39,960
Speaker 1: I mean Damarus is giving us the wrap it up

1639
01:13:40,200 --> 01:13:42,360
Speaker 1: thing because you know she's part of the illuminati. Now

1640
01:13:42,360 --> 01:13:43,920
Speaker 1: we're starting to ask the real questions and now she

1641
01:13:43,960 --> 01:13:48,200
Speaker 1: wants us to get off the mic. Damn US debt

1642
01:13:48,520 --> 01:13:54,479
Speaker 1: clock dot org. I'm I'm sure that I'm sure this

1643
01:13:54,560 --> 01:13:55,920
Speaker 1: is really a dot gov if you get into the

1644
01:13:56,000 --> 01:13:58,160
Speaker 1: dark web, that they own this website as well.

1645
01:13:58,160 --> 01:13:59,600
Speaker 2: But this was fun. I'm glad we actually got to

1646
01:13:59,600 --> 01:14:00,320
Speaker 2: talk about music.

1647
01:14:00,960 --> 01:14:02,960
Speaker 4: I'm good I told my music with you. Sometimes when

1648
01:14:03,000 --> 01:14:05,040
Speaker 4: you're not like, you know, deep into your barefoot bag

1649
01:14:06,000 --> 01:14:07,599
Speaker 4: and when you come back to like queens a little

1650
01:14:07,600 --> 01:14:11,240
Speaker 4: bit like you appreciate that we fu fun with Barefoot though, no,

1651
01:14:11,400 --> 01:14:13,439
Speaker 4: me too. But you know sometimes Rory is like he

1652
01:14:13,520 --> 01:14:15,280
Speaker 4: don't put socks on for a week, and it's just

1653
01:14:15,280 --> 01:14:16,479
Speaker 4: like he don't want to talk about.

1654
01:14:16,360 --> 01:14:19,360
Speaker 3: I feel like snocks, no socks and new balanced feet

1655
01:14:19,400 --> 01:14:20,479
Speaker 3: stink that whole.

1656
01:14:21,479 --> 01:14:26,280
Speaker 1: Once once mac Miller and Anderson Pack did like the

1657
01:14:26,320 --> 01:14:30,320
Speaker 1: greatest version of Barefoot rap single with a what was off?

1658
01:14:30,360 --> 01:14:31,439
Speaker 1: The divine feminine?

1659
01:14:31,439 --> 01:14:31,680
Speaker 4: That thing.

1660
01:14:31,960 --> 01:14:32,920
Speaker 2: I gotta see that.

1661
01:14:33,040 --> 01:14:36,680
Speaker 1: The Yeah, everyone tried to copy that after that, and

1662
01:14:36,760 --> 01:14:38,439
Speaker 1: I started to fall out of love with with with

1663
01:14:38,520 --> 01:14:41,400
Speaker 1: Barefoot music because everyone just tried they ran into the ground.

1664
01:14:41,760 --> 01:14:43,840
Speaker 1: And not to say it's eat. Some of the beats

1665
01:14:43,880 --> 01:14:47,720
Speaker 1: are easy to make, but the actual songs are tough,

1666
01:14:47,760 --> 01:14:49,400
Speaker 1: and everyone just they took it and ran with it.

1667
01:14:49,479 --> 01:14:52,600
Speaker 1: And that genre, man, they killed it. Yeah, It's like

1668
01:14:52,920 --> 01:14:55,160
Speaker 1: I'm sure K pop has ran it in the ground too.

1669
01:14:56,000 --> 01:14:57,879
Speaker 1: I'm kind of over the Barefoot ship.

1670
01:14:57,840 --> 01:15:00,320
Speaker 4: All right. But we got some Nas album this weekend.

1671
01:15:00,600 --> 01:15:03,200
Speaker 4: DJ for me got Conway Can't Kill God with Bullets

1672
01:15:03,240 --> 01:15:05,559
Speaker 4: this weekend as well. So listen, man, we got some

1673
01:15:05,600 --> 01:15:06,360
Speaker 4: good music on the way.

1674
01:15:06,360 --> 01:15:08,880
Speaker 1: Are you gonna pass out toys and Baisley with me

1675
01:15:08,920 --> 01:15:14,320
Speaker 1: and Nas? Listen, man, you're good. I'll show you around Queens.

1676
01:15:14,320 --> 01:15:15,240
Speaker 1: It's cool, You'll be safe.

1677
01:15:15,360 --> 01:15:16,000
Speaker 4: I'm always good.

1678
01:15:16,439 --> 01:15:16,920
Speaker 2: I promise.

1679
01:15:17,680 --> 01:15:20,400
Speaker 4: They know me. They know me on Partiley, they know

1680
01:15:20,479 --> 01:15:27,679
Speaker 4: me on Jamaica, Parsons Parsons, I'm sorry, Parts Parsons Boulevard.

1681
01:15:27,720 --> 01:15:29,240
Speaker 4: They know me over there, man, I'm good.

1682
01:15:29,120 --> 01:15:35,000
Speaker 1: Over there, man, Because you're thinking Baisley, that's what it was.

1683
01:15:35,720 --> 01:15:37,560
Speaker 4: That's what it was. All right, well we'll talk to

1684
01:15:37,600 --> 01:15:40,120
Speaker 4: You'll soon be safe, be blessed. I'm that nigga. He's

1685
01:15:40,200 --> 01:15:41,080
Speaker 4: just ginger peace