WEBVTT - Science of Pet Peeves

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, what can't the stuff to blow

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<v Speaker 1>your mind? My name is Robert Lamb and I'm Julie Douglas.

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<v Speaker 1>Julie Way. Is being on a plane the absolute worst?

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<v Speaker 1>Like setting there on the on the plane waiting to

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<v Speaker 1>take off, it seems like every possible annoying thing in

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<v Speaker 1>the world is inevitably trapped in there with you. Well,

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<v Speaker 1>I mean your personal space is being invaded, right, there's

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<v Speaker 1>elbow wars going on. It's true. They're stinky air being circulated.

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<v Speaker 1>Well yeah, no, really, I mean think about it, Like,

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<v Speaker 1>all of a sudden, five minutes into it, you've got,

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<v Speaker 1>you know, a hundred people crammed in this space. Stinky

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<v Speaker 1>air is happening. It's true. They're they're they're rooting around

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<v Speaker 1>for stuff. Some of them have brought on outside food. Yeah, person,

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<v Speaker 1>next you may have a pizza that they're pulling out

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<v Speaker 1>of a satchel to to chomp down on. And then

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<v Speaker 1>a lot of it's all out of your control too.

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<v Speaker 1>I mean, that's that's a huge thing too. You step

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<v Speaker 1>on the plane and it's definite plane rules, step out

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<v Speaker 1>of line. Somebody's going to escort you away and like

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<v Speaker 1>shackle you to a seat somewhere and they will by

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<v Speaker 1>the way, Yeah, just so you now, did that happen? No? Okay,

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<v Speaker 1>But there are other elements going on, right, I mean

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<v Speaker 1>that really the five senses are engaged here and and

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<v Speaker 1>most notably the h your your ears, because there's just

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<v Speaker 1>that they're being assaulted, right, Because inevitably when you get

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<v Speaker 1>on that plane, there is going to be a baby

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<v Speaker 1>crying or a toddler whining. This is just the law

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<v Speaker 1>of airplane travel. Ye. Generally the dogs are going to

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<v Speaker 1>be tranked, so you don't really have to worry about those. No. No,

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<v Speaker 1>I've heard I've heard of people flying though where they're

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<v Speaker 1>encountering cats, uh, cats and little boxes on the seat

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<v Speaker 1>next to them, cats catterwalling, Yeah, I guess. I mean

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<v Speaker 1>that's what they're going to do for the duration of

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<v Speaker 1>a flight. If they do it for an entire drive

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<v Speaker 1>across the town to to the vet, uh, I think

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<v Speaker 1>it's guaranteed um transoceanic flight. Well, unless they get a

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<v Speaker 1>mother's little helper, you know what I'm saying. But but

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<v Speaker 1>I mean, okay, so sound is a big deal on

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<v Speaker 1>the plane. Now, obviously, Eventually there's going to be an

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<v Speaker 1>airplane engine and some nice sort of white noise to

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<v Speaker 1>sort of help. Eventually you're going to be able to

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<v Speaker 1>turn on your iPod or other listening to music device

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<v Speaker 1>without being yelled at and hopefully drown out some of

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<v Speaker 1>the sound. But there's there's gonna be some time there

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<v Speaker 1>where you're gonna have to deal with the crying baby,

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<v Speaker 1>the dude that is coughing and sniffling, um, the person

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<v Speaker 1>who's like shuffling papers, the person who won't stop fidgeting

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<v Speaker 1>with their seatbelt. Oh, and the cell phone talker. Well,

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<v Speaker 1>luckily that'll well I don't know, can you talk on

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<v Speaker 1>a cell phone on UM? I think some transatlantic ones

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<v Speaker 1>you can. I can't recall remember seeing a news item

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<v Speaker 1>about it and sort of cringing inwardly. But certainly everybody

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<v Speaker 1>tries to finish up their conversations before the before they

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<v Speaker 1>take off, before the in the right after they get

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<v Speaker 1>that that weird call where you're getting arranging. Generally, it's

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<v Speaker 1>just like a ranging pickup, like I'm here, this plane

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<v Speaker 1>is awful, Um, I'll be out in ten minutes. But

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<v Speaker 1>but when you first got on the plane, there's no

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<v Speaker 1>telling what it's going to be some snippet of some

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<v Speaker 1>some conversation that is just amazingly irritating or way too personal,

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<v Speaker 1>and you're like, what, I can't believe they're having this discussion, uh,

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<v Speaker 1>because some people just have blinders on when they're when

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<v Speaker 1>they're having these these discussions with with somebody, and you're like, WHOA,

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<v Speaker 1>that is way too much detail to just be shoveling

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<v Speaker 1>out into the island on the airplane. And it's the

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<v Speaker 1>worst because you know you're only hearing half of it,

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<v Speaker 1>and the half of it that you are hearing sometimes

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<v Speaker 1>is so like you say, horrendous. You're like, really, you

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<v Speaker 1>don't need to be airing your dirty laundry. And I

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<v Speaker 1>only knew half of what you're talking about. So obviously

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<v Speaker 1>what we're talking about today is sort of the science

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<v Speaker 1>of pet peeves. Why we react the way that we do, yes,

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<v Speaker 1>because inevitably some scientists, researcher, neuroscientist has been on a plane,

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<v Speaker 1>put up with this stuff, and then they've decided that's it.

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<v Speaker 1>I'm going back. I'm getting funding, I'm gonna research this,

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<v Speaker 1>gonna get a test group together, I'm gonna figure this out.

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<v Speaker 1>My next flight is going to be far less annoying, right,

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<v Speaker 1>we hope right, or at least we've we've uncovered the

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<v Speaker 1>reasons why we're annoyed. According to an article on Wired

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<v Speaker 1>by Alex Vincent, there is one sound more annoying than

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<v Speaker 1>nails on a blackboard or even sirens, and that is

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<v Speaker 1>the whining child. Yes, the whining child. Not just the

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<v Speaker 1>crying child, but the whining specifically the whining child. And

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<v Speaker 1>and that sort of catterwauling actually peaks between the ages

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<v Speaker 1>of two and four. In case you're wondering this, This

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<v Speaker 1>this frequency that toddlers seemed to cultivate and and just

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<v Speaker 1>resonate their out in the universe, the moment I that

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<v Speaker 1>kind of yeah, yeah, you got it. Um, Yeah that um.

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<v Speaker 1>And it doesn't matter if you're a parent or not.

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<v Speaker 1>It affects everybody equally, bothers everyone. Um. In a study

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<v Speaker 1>published in the journal Social Evolutionary and Cultural Psychology, participants

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<v Speaker 1>were asked to do subtraction problems while listening to an

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<v Speaker 1>infinct crying, also a regular speech silence, whining in a

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<v Speaker 1>high pitched table saw and mother ease, mother ease? Now

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<v Speaker 1>can you give up as a mother? Can you give

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<v Speaker 1>an example of mother ease. I can't give you I

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<v Speaker 1>know right that just that just made me feel dirty. Um.

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<v Speaker 1>This is that sort of exaggerated baby talk, and it's universal.

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<v Speaker 1>It doesn't matter what language you speak, and there's there's

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<v Speaker 1>mother ease, and we do it when we talk to babies,

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<v Speaker 1>and we do it when we talk to our pets,

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<v Speaker 1>sometimes to our significant other. I generally don't use that

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<v Speaker 1>voice um when talking to my significant either or my cat,

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<v Speaker 1>but occasionally somebody else will be introduced to the cat

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<v Speaker 1>and they'll like break out some mother ease on him.

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<v Speaker 1>I'm always kind of like, oh, wait, don't talk to

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<v Speaker 1>my cat that way. She's not she's not accustomed to this.

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<v Speaker 1>That's interesting. You're like, don't expose my cat to to

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<v Speaker 1>mother ease. She's going to expect this or is that

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<v Speaker 1>what you're thinking. I don't know it just then it

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<v Speaker 1>might warp her somehow. You know, it's gonna irritating sound.

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<v Speaker 1>And I'm like, oh, don't inflict that on me. You

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<v Speaker 1>don't inflict that on the cat either. Well. The worst though,

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<v Speaker 1>I think, is when people flirt in mother EA's and

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<v Speaker 1>it reminds me of that Seinfeld episode in which Jerry

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<v Speaker 1>and his girlfriends started calling each other schmoopy, you're schmoopy,

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<v Speaker 1>your schmoopy? Well, and this I guess this also kind

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<v Speaker 1>of ties into the whole the whole sexy baby voice,

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<v Speaker 1>which I just don't get. Yeah, but but it seems

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<v Speaker 1>to be some more levels of annoying. Maybe it quite

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<v Speaker 1>as as bad I mean, And I don't know if

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<v Speaker 1>it's been empirically studied, like the mother ease. Oh what

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<v Speaker 1>the sexy baby voice. Yeah, I don't hear of you

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<v Speaker 1>study of the sexy baby boy. I don't think that

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<v Speaker 1>there's any sort of brain development that is going on

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<v Speaker 1>with the baby sexy voice. But you know, at least

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<v Speaker 1>with mother ease and with babies, we can see an

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<v Speaker 1>actual tie there between you know, cooing to a baby

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<v Speaker 1>and talking in mother e's and the child actually understanding

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<v Speaker 1>that this voice is specifically for him or her and

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<v Speaker 1>to pay attention, and that these words like dindon and

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<v Speaker 1>now I know how to completely annoy this is awesome,

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<v Speaker 1>um for dinner that is short for dinner, and so

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<v Speaker 1>they sort of understand, uh, you know, phonologically from mother ease.

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<v Speaker 1>But that being said, Mother's as annoying as it is,

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<v Speaker 1>is still less annoying than the baby whinings because because

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<v Speaker 1>when those people were doing uh, the math, the subtractions,

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<v Speaker 1>they found that they made more mistakes per math problems

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<v Speaker 1>completed when listening to the wines and any other speech

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<v Speaker 1>patterns or noises. And just to be clear to when

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<v Speaker 1>they used the language samples the speech patterns, what they

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<v Speaker 1>did is they scrambled it so that or excuse me,

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<v Speaker 1>didn't scramble. They had it in another language. And the

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<v Speaker 1>reason they did that is because they didn't want people

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<v Speaker 1>to be distracted by what was actually being said. They

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<v Speaker 1>just wanted to hear someone talking. Huh. I wonder if

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<v Speaker 1>anyone has ever used this to try and get something

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<v Speaker 1>a break on their taxes or excuse some sort of

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<v Speaker 1>clerical error in bookkeeping where they're like, I'm sorry, I

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<v Speaker 1>work at a priest. Cool look at the study. I was.

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<v Speaker 1>I was doing really good to get any of this right.

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<v Speaker 1>I was on an airplane trying to complete the report.

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<v Speaker 1>There was a baby whining. What was I to do?

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<v Speaker 1>It's true, but it is but this is tied to

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<v Speaker 1>an evolutionary thing because because the idea is I mean,

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<v Speaker 1>we've discussed before, like the big evolutionary push is reproduced,

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<v Speaker 1>make another little person and push that person out, continue

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<v Speaker 1>the gene, continue the species. And so therefore we have

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<v Speaker 1>it built in that it's like whoa, one of the

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<v Speaker 1>larval humans requires sustenance. Stop what you're doing, tend to that,

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<v Speaker 1>and then you can get by with whatever the other

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<v Speaker 1>thing is, because this is the thing that is genetically

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<v Speaker 1>most important. Yes, the larval humans are trying to get

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<v Speaker 1>the parents attention. And that's what co author Rosemary so

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<v Speaker 1>called Chang seems to think. She's the she ran the study.

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<v Speaker 1>So yes, there it's something. It's the sort of pitch

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<v Speaker 1>that could drill through any distraction to get your parents attention.

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<v Speaker 1>The larva require candy, the larva require toys. Whatever it is,

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<v Speaker 1>it's more important than checking out pool. Sorry, I will

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<v Speaker 1>really stop doing that. Um So that explains. That explains

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<v Speaker 1>whining that the child catterwauling. What explains the annoyance that

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<v Speaker 1>we feel when we hear only half of a conversation. Yeah,

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<v Speaker 1>this is really interesting, and we touched on it earlier.

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<v Speaker 1>Half of a conversation. We're even dropping on half of something,

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<v Speaker 1>and so that our brains cannot help but follow along

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<v Speaker 1>and try and make sense of what we're hearing. I mean,

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<v Speaker 1>our senses have evolved to make sense of the world

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<v Speaker 1>around us and help us navigate this world. And uh,

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<v Speaker 1>and therefore you've got this half of a conversation going on,

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<v Speaker 1>even if you don't want to, even if you know

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<v Speaker 1>it's the dumbest conversation on the planet, or it's something

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<v Speaker 1>just completely offensive, and you know that you are growing

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<v Speaker 1>stupider every second that you listen to it. Your your

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<v Speaker 1>brain cannot shut it off. Um. There was an interesting

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<v Speaker 1>uh study into this by graduate student Cornell University. UM.

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<v Speaker 1>He subjected people to having to listen to these half conversations,

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<v Speaker 1>and then he had another group of people that he

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<v Speaker 1>had listened to the same conversation, but but with the

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<v Speaker 1>words garbled. So you were hearing not the not the words,

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<v Speaker 1>but just the sound just kind of you know, kind

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<v Speaker 1>of you weren't you weren't hearing a pattern or a

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<v Speaker 1>story or half of a story being told. You're just

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<v Speaker 1>hearing gobbledy cook, just hearing gobbledy cook the whole um,

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<v Speaker 1>you know, the mother on peanuts kind of a thing.

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<v Speaker 1>Because the idea, Yeah, because the idea was, Um, are

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<v Speaker 1>we annoyed by the sound? Is it just the sound

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<v Speaker 1>of somebody else yabbering when we're trying to do something,

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<v Speaker 1>or is it tied to the words? Is it tied

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<v Speaker 1>to our brains trying to figure out the meaning of

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<v Speaker 1>this conversation, And it's tied to the meaning. That was

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<v Speaker 1>what he found there. The person was far more distracted

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<v Speaker 1>um our, Our our thought process and our problem solving

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<v Speaker 1>bodies were far more impacted by the actual worded conversation

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<v Speaker 1>as opposed to the gobblty cook. And I thought that

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<v Speaker 1>was interesting because a lot of times you and I

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<v Speaker 1>have talked about how the brain is just one of

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<v Speaker 1>his primary functions is predictive modeling. It's always trying to

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<v Speaker 1>figure out what the next step is, what's going on, what,

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<v Speaker 1>what is the pattern in front of the unfolding So

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<v Speaker 1>it drives the brain crazy when it only has half

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<v Speaker 1>of the information. Yeah, Lewis Black, I mean, comedians love

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<v Speaker 1>talking about things that annoy them. It's like, like, I

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<v Speaker 1>guess eight to nine percent of anybody's stick. But Louis

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<v Speaker 1>Black has this bit where he's talking about overhearing part

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<v Speaker 1>of a conversation I believe about um. It was something

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<v Speaker 1>to the effect of a woman saying and then if

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<v Speaker 1>I didn't have that horse, I wouldn't have gotten into college. Yeah,

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<v Speaker 1>I forget it involved college and a horse. And that's

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<v Speaker 1>the only piece he heard. Yeah, that's the only piece

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<v Speaker 1>he heard. And so he does this long bit about

0:11:40.840 --> 0:11:43.400
<v Speaker 1>where he's just flying into a rage about his inability

0:11:43.480 --> 0:11:46.440
<v Speaker 1>to understand what the context could possibly be for such

0:11:46.480 --> 0:11:49.520
<v Speaker 1>a ludicrous statement. And it's a great example of how

0:11:49.520 --> 0:11:51.439
<v Speaker 1>I think any of us feel on some level when

0:11:51.440 --> 0:11:54.000
<v Speaker 1>we're hearing this conversation, like what was that person talking about?

0:11:54.080 --> 0:11:57.600
<v Speaker 1>I remember, I remember being in an airport and overhearing

0:11:57.640 --> 0:11:59.679
<v Speaker 1>just just one snippet. It wasn't enough to be annoying,

0:12:00.280 --> 0:12:02.960
<v Speaker 1>but I heard some guys say, yeah, I'm about to

0:12:02.960 --> 0:12:05.480
<v Speaker 1>have to break through some membranes, and and that was

0:12:05.559 --> 0:12:07.679
<v Speaker 1>that was it. And then so for for a while

0:12:07.760 --> 0:12:10.679
<v Speaker 1>it's like what membranes was he gonna breakthrough? Like is

0:12:10.679 --> 0:12:13.640
<v Speaker 1>this metaphorical or yeah, I'm picturing him like, you know,

0:12:13.679 --> 0:12:17.360
<v Speaker 1>he's like shrinking down fantastic void style and like, you know,

0:12:17.520 --> 0:12:20.480
<v Speaker 1>journeying through some cellular tissue or something. I don't know,

0:12:20.520 --> 0:12:22.520
<v Speaker 1>it just made or is it some slang that I'm

0:12:22.559 --> 0:12:25.120
<v Speaker 1>just not hip to. I don't know. I love that, like,

0:12:25.200 --> 0:12:28.920
<v Speaker 1>is he turning into a blood nanobot um. The Science

0:12:29.000 --> 0:12:32.160
<v Speaker 1>of What Bugs Us by Joe Palca and Florida Lickman

0:12:32.320 --> 0:12:34.880
<v Speaker 1>is a book that actually covers a lot of this material,

0:12:35.559 --> 0:12:39.120
<v Speaker 1>and co author Joe Palca actually says that you can

0:12:39.960 --> 0:12:43.040
<v Speaker 1>you can actually change the circumstances um when you are

0:12:43.040 --> 0:12:46.640
<v Speaker 1>being annoyed by by something like this, and he calls

0:12:46.640 --> 0:12:50.079
<v Speaker 1>it cognitive restructuring. Uh. He says that when you're faced

0:12:50.080 --> 0:12:52.480
<v Speaker 1>with the situation in which you're annoyed a cell phone call,

0:12:52.600 --> 0:12:55.720
<v Speaker 1>a seemingly endless line that you're standing in, or mosquito

0:12:55.760 --> 0:13:00.079
<v Speaker 1>buzzing around you, you can practice cognitive restructuring. So his

0:13:00.080 --> 0:13:02.960
<v Speaker 1>his example is, you can tell yourself that the mosquito

0:13:03.120 --> 0:13:06.320
<v Speaker 1>is just a part of the life flow in the world,

0:13:06.480 --> 0:13:08.800
<v Speaker 1>and I shouldn't be mad. It's just trying to do

0:13:08.880 --> 0:13:13.199
<v Speaker 1>what it is genetically programmed to do, and that that

0:13:13.320 --> 0:13:17.880
<v Speaker 1>sort of cognitive restructuring will alleviate your your symptoms of annoyance.

0:13:18.880 --> 0:13:21.600
<v Speaker 1>I'm going to try it, Okay, Well, I found that

0:13:21.640 --> 0:13:24.720
<v Speaker 1>I'm One thing I try and do is just tell myself,

0:13:24.880 --> 0:13:27.440
<v Speaker 1>don't be a jerk, don't be an idiot, that that

0:13:27.520 --> 0:13:30.040
<v Speaker 1>tends to to help. Like if I I'll find like

0:13:30.080 --> 0:13:32.240
<v Speaker 1>it'll be a situation where, um, and I think this

0:13:32.320 --> 0:13:33.760
<v Speaker 1>is something a lot of people do, especially in this

0:13:33.840 --> 0:13:36.080
<v Speaker 1>day and age. Something annoys you, and you have to vent,

0:13:36.120 --> 0:13:38.839
<v Speaker 1>you have to say something about it. So in our

0:13:38.840 --> 0:13:42.680
<v Speaker 1>social media age, there's this huge temptation to do a

0:13:42.679 --> 0:13:46.600
<v Speaker 1>tweet about it, right and and and I find it

0:13:46.600 --> 0:13:48.440
<v Speaker 1>will be a situation where like, somebody has like a

0:13:48.520 --> 0:13:52.480
<v Speaker 1>really annoying aftershave or deodorant on, and I'll just really

0:13:52.520 --> 0:13:55.800
<v Speaker 1>want to do a tweet about how it smells like

0:13:56.400 --> 0:13:59.160
<v Speaker 1>a stick of right Guard exploded in the office. But

0:13:59.160 --> 0:14:01.200
<v Speaker 1>but I hold off because I'm like, that's that's just

0:14:01.280 --> 0:14:03.199
<v Speaker 1>doing nobody need good. It will be like a moment

0:14:03.200 --> 0:14:05.319
<v Speaker 1>of relief, and then people would be like, wow, this

0:14:05.400 --> 0:14:07.480
<v Speaker 1>is a great Twitter feed. He always does his gripe

0:14:07.480 --> 0:14:10.440
<v Speaker 1>about the smells in the office. Right and so instead,

0:14:10.720 --> 0:14:13.480
<v Speaker 1>are you now going to start saying to yourself right

0:14:13.520 --> 0:14:16.800
<v Speaker 1>guard It exists in the world, Yes, exactly, it exists.

0:14:17.240 --> 0:14:19.800
<v Speaker 1>It helps them to not stink. Exactly. Well, maybe you

0:14:19.840 --> 0:14:23.080
<v Speaker 1>know right guard is better than the alternative, I guess, right, right,

0:14:23.680 --> 0:14:26.359
<v Speaker 1>But it is worth noting that things like right Guard

0:14:26.480 --> 0:14:30.560
<v Speaker 1>or fake lavender. Yeah, and we'll fake lavender is such

0:14:30.560 --> 0:14:34.000
<v Speaker 1>a weird thing because actual lavender smells so good, it's wonderful. Yeah,

0:14:34.080 --> 0:14:37.960
<v Speaker 1>but fake lavendar is like the death of my nose follicles. Yes,

0:14:38.000 --> 0:14:41.120
<v Speaker 1>like being gas and U and I mean that is

0:14:41.440 --> 0:14:45.040
<v Speaker 1>is specifically tied to our genetic structure. There's a gene

0:14:45.040 --> 0:14:50.520
<v Speaker 1>called trip a one that's trp A one, and in mammals,

0:14:50.520 --> 0:14:54.320
<v Speaker 1>it's primarily receptor for chemical irritants. I mean, because it

0:14:54.360 --> 0:14:57.320
<v Speaker 1>basically breaks down. You can't feel your DNA getting mutated,

0:14:57.800 --> 0:15:01.760
<v Speaker 1>so so our bodies need another alarm system. Um. And

0:15:01.960 --> 0:15:03.840
<v Speaker 1>they've they've done these experiments where they found that if

0:15:03.880 --> 0:15:06.160
<v Speaker 1>they removed this from a fruit fly, it will lap

0:15:06.240 --> 0:15:09.400
<v Speaker 1>up cinnamon water like it was just normal water. Um.

0:15:09.440 --> 0:15:11.520
<v Speaker 1>They've removed it from mice and the mice will just

0:15:11.600 --> 0:15:13.600
<v Speaker 1>eat a whole bunch of a sabi and not care.

0:15:13.760 --> 0:15:16.600
<v Speaker 1>It's used to help us pick up on harmful chemicals,

0:15:16.600 --> 0:15:18.720
<v Speaker 1>but it's also it can also be uh be set

0:15:18.760 --> 0:15:22.240
<v Speaker 1>up by by extremes of colder heat. It's uh basically

0:15:22.280 --> 0:15:25.680
<v Speaker 1>this kicks in any time our bodies meet the outside world,

0:15:26.160 --> 0:15:29.080
<v Speaker 1>so any number of like chemical or physical irritants that's

0:15:29.080 --> 0:15:31.560
<v Speaker 1>what's happening. And it's really interesting why you would be

0:15:31.600 --> 0:15:34.720
<v Speaker 1>annoyed by those smells because on a cellular level, it's

0:15:34.720 --> 0:15:38.120
<v Speaker 1>saying like this is danger or could potential changer, and

0:15:38.160 --> 0:15:40.720
<v Speaker 1>we don't know. Yeah, yeah, potentially, And certainly there has

0:15:40.760 --> 0:15:43.600
<v Speaker 1>been you know, I'm not sure about current products, but

0:15:43.600 --> 0:15:45.000
<v Speaker 1>they're hit. In the past, there has have been some

0:15:45.040 --> 0:15:48.360
<v Speaker 1>concerns about various air fresheners. I mean, I'm sure they're

0:15:48.440 --> 0:15:50.320
<v Speaker 1>so are for a lot of the products out there,

0:15:50.760 --> 0:15:52.800
<v Speaker 1>about some of the chemicals that are involved in That's

0:15:52.800 --> 0:15:55.360
<v Speaker 1>why people end up going for these these more natural

0:15:55.400 --> 0:15:57.920
<v Speaker 1>products in any cases, because it's this whole question mark

0:15:57.960 --> 0:16:00.480
<v Speaker 1>of what am I actually pumping into the air. So

0:16:00.520 --> 0:16:03.120
<v Speaker 1>our bodies, Yeah, their bodies actually get in on the

0:16:03.160 --> 0:16:06.080
<v Speaker 1>conversation too, and they're like, whoa, I think this might

0:16:06.080 --> 0:16:10.160
<v Speaker 1>be harmful. Let's get away from this particular odor or funk.

0:16:10.400 --> 0:16:14.360
<v Speaker 1>The funk coming in. It's the cloud of fake lavenger, yes, yes,

0:16:14.480 --> 0:16:18.160
<v Speaker 1>rushing toward us. And actually that brings up another point

0:16:18.320 --> 0:16:21.040
<v Speaker 1>when we're talking about actual funk in terms of like

0:16:21.120 --> 0:16:25.920
<v Speaker 1>hygiene or also another huge thing, uh on airplanes coughing

0:16:25.920 --> 0:16:28.200
<v Speaker 1>and sneezing. Another stand up comedian as He's and Sorry,

0:16:28.280 --> 0:16:31.120
<v Speaker 1>has a bit where he's he's talking about somebody like

0:16:31.160 --> 0:16:33.720
<v Speaker 1>flying into a rage at him about him having the sniffles,

0:16:34.360 --> 0:16:35.920
<v Speaker 1>and he and the person's just like, you can have

0:16:35.960 --> 0:16:38.760
<v Speaker 1>the sniffles for you know, however many hours and he

0:16:38.840 --> 0:16:40.920
<v Speaker 1>was like, whoa, that was, you know, really an appropriate

0:16:41.000 --> 0:16:43.600
<v Speaker 1>amount of anger over someone having the sniffles. But it

0:16:43.640 --> 0:16:46.760
<v Speaker 1>can be annoying on one level. It is like this

0:16:46.840 --> 0:16:50.920
<v Speaker 1>unpredictable sound, like when's it gonna stop, when's it gonna

0:16:50.920 --> 0:16:53.360
<v Speaker 1>happen again? You know? And then if you add into

0:16:53.360 --> 0:16:55.640
<v Speaker 1>that someone not covering their mouth when they cough, like

0:16:55.680 --> 0:16:58.320
<v Speaker 1>that's the worst. And I think I think the reasons

0:16:58.320 --> 0:17:00.840
<v Speaker 1>here pretty obvious, and that is that this is somebody's

0:17:00.840 --> 0:17:03.760
<v Speaker 1>else's hygiene issue going on. They've got some sort of

0:17:03.760 --> 0:17:06.160
<v Speaker 1>a bunk that we don't want to catch. So it's

0:17:06.240 --> 0:17:08.360
<v Speaker 1>it's natural that we would want to avoid it at

0:17:08.359 --> 0:17:10.920
<v Speaker 1>all costs. Okay, So that's why you see people on

0:17:10.920 --> 0:17:14.439
<v Speaker 1>the airplane sometimes like constantly spring their hands and cleaning,

0:17:14.680 --> 0:17:16.639
<v Speaker 1>or just George's bringing on like a tub of it

0:17:16.720 --> 0:17:18.320
<v Speaker 1>and just you can't do that anymore, but you still

0:17:18.440 --> 0:17:21.040
<v Speaker 1>bring on a tub of hand sanitizer and just and

0:17:21.119 --> 0:17:23.560
<v Speaker 1>just glob it on specifically, what right you'd want a

0:17:23.600 --> 0:17:27.399
<v Speaker 1>barrier of glob hand sanitizer? So glad they don't do that,

0:17:27.480 --> 0:17:31.040
<v Speaker 1>let you do that anymore. Yeah. Well, even on taking

0:17:31.040 --> 0:17:33.199
<v Speaker 1>the train to work, you know, somebody will cough and

0:17:33.240 --> 0:17:35.720
<v Speaker 1>instantly all I can think about are those images where

0:17:35.720 --> 0:17:38.320
<v Speaker 1>they show how far a cough travels, you know, where

0:17:38.359 --> 0:17:41.080
<v Speaker 1>they show this like giant red cloud that stems out

0:17:41.160 --> 0:17:43.360
<v Speaker 1>and I'm like, oh, like even when somebody's covering their mouth,

0:17:43.400 --> 0:17:45.520
<v Speaker 1>I'm just kind of cringe. And then if they don't,

0:17:45.560 --> 0:17:48.560
<v Speaker 1>I'm just like, oh, disease vector, throw that person from

0:17:48.560 --> 0:17:50.359
<v Speaker 1>the tree. That's it. I mean that's because you're you

0:17:50.800 --> 0:17:53.600
<v Speaker 1>are witnessing all of that. So yeah, we're trying to

0:17:53.640 --> 0:17:58.280
<v Speaker 1>detect disease um and even decay right because certain smells

0:17:58.320 --> 0:18:01.760
<v Speaker 1>and we're like whoa, uh, it's all very interesting how

0:18:01.800 --> 0:18:05.240
<v Speaker 1>we are doing this on an unconscious level. Oh here's

0:18:05.240 --> 0:18:08.040
<v Speaker 1>another one for our I think our last little bit

0:18:08.080 --> 0:18:10.480
<v Speaker 1>on this one. I was once on the train and

0:18:10.480 --> 0:18:13.639
<v Speaker 1>it was it was pretty crowded and uh, and somebody

0:18:13.640 --> 0:18:16.040
<v Speaker 1>gets on and they're having a loud, annoying and appropriate

0:18:16.040 --> 0:18:19.240
<v Speaker 1>conversation where it's like really mad, they're really irritated on

0:18:19.280 --> 0:18:21.960
<v Speaker 1>this phone call. And then they add and this train

0:18:22.080 --> 0:18:23.639
<v Speaker 1>is really crowded, and you know, that's one of my

0:18:23.680 --> 0:18:26.359
<v Speaker 1>pet peeves. And I'm thinking, that's that can't really be

0:18:26.400 --> 0:18:28.920
<v Speaker 1>your pet peeve. Don't act like you're the like one

0:18:28.920 --> 0:18:31.399
<v Speaker 1>of the few people on earth who doesn't dig a

0:18:31.520 --> 0:18:34.960
<v Speaker 1>crowded train. Like unless you were a, um, you know,

0:18:35.080 --> 0:18:38.240
<v Speaker 1>like a groper on a like a Japanese subway, or

0:18:38.320 --> 0:18:41.919
<v Speaker 1>you're a pickpocket, you're you're probably not going to be

0:18:42.000 --> 0:18:45.040
<v Speaker 1>really wild about the idea of a really uber crowded train.

0:18:45.400 --> 0:18:49.600
<v Speaker 1>But it's also a regular condition of at least in

0:18:49.640 --> 0:18:52.919
<v Speaker 1>our city at peak times, you know, so you you

0:18:53.040 --> 0:18:55.359
<v Speaker 1>come to expect this, but we still we never get

0:18:55.440 --> 0:18:58.800
<v Speaker 1>quite used to it. You know, like there's nothing there's

0:18:58.840 --> 0:19:01.240
<v Speaker 1>nothing sweeter than an empty train pulling up at the

0:19:01.280 --> 0:19:03.959
<v Speaker 1>track to take you to work. I will say that

0:19:04.000 --> 0:19:06.879
<v Speaker 1>at the peak of summer, when you're in the train

0:19:07.119 --> 0:19:09.520
<v Speaker 1>and it's just like it's a hundred ten outside and

0:19:09.840 --> 0:19:14.040
<v Speaker 1>drew inside the train. Um, it does kind of start

0:19:14.080 --> 0:19:17.240
<v Speaker 1>to smell like the reptile house at the it does.

0:19:17.359 --> 0:19:21.040
<v Speaker 1>There's a certain funk. But all of us being said,

0:19:21.240 --> 0:19:24.040
<v Speaker 1>we still have not answered the question about why nails

0:19:24.040 --> 0:19:28.520
<v Speaker 1>on a blackboard are so crowd thing. Yeah, go back,

0:19:28.520 --> 0:19:30.199
<v Speaker 1>we'll get we'll get the crowds, but let's let's go

0:19:30.200 --> 0:19:32.040
<v Speaker 1>to the nailboard thing. Well, before you get the nail

0:19:32.080 --> 0:19:33.560
<v Speaker 1>board the I'm gonna we need to take a break.

0:19:33.880 --> 0:19:36.360
<v Speaker 1>Oh yeah, we do. I know it's annoying, but we'll

0:19:36.359 --> 0:19:40.800
<v Speaker 1>gree high back after this. This podcast is brought to

0:19:40.840 --> 0:19:45.119
<v Speaker 1>you by Intel, the sponsors of Tomorrow and the Discovery Channel.

0:19:45.840 --> 0:19:49.800
<v Speaker 1>At Intel, we believe curiosity is the spark which drives innovation.

0:19:50.480 --> 0:19:53.880
<v Speaker 1>Join us at curiosity dot com and explore the answers

0:19:53.920 --> 0:20:00.480
<v Speaker 1>to life's questions. And we're back. So, yeah, we have

0:20:00.520 --> 0:20:03.240
<v Speaker 1>crowds to discuss, and we also have nails in a chalkboard.

0:20:03.240 --> 0:20:04.560
<v Speaker 1>I mean, that's the big one. So let's go ahead

0:20:04.560 --> 0:20:07.520
<v Speaker 1>and discuss nails on a chalkboard. It is the iconic

0:20:07.560 --> 0:20:10.560
<v Speaker 1>annoying sound. And I think everyone responds the same to this.

0:20:10.600 --> 0:20:13.280
<v Speaker 1>And this again, this is a universal thing. The jury

0:20:13.440 --> 0:20:17.000
<v Speaker 1>is still out on exactly wine nails on chalkboards send

0:20:17.000 --> 0:20:19.359
<v Speaker 1>shivers down our spine and make us clench our teeth.

0:20:19.680 --> 0:20:22.639
<v Speaker 1>But in nineteen eighties, six study by doctors Lynn Helper

0:20:22.640 --> 0:20:27.600
<v Speaker 1>and Randolph Blake and James Hildebrand, subjected volunteers like the

0:20:28.200 --> 0:20:31.680
<v Speaker 1>fantasy artists who did all the token illustrations. Yes, that's

0:20:31.680 --> 0:20:35.920
<v Speaker 1>what I mean. The name caught my eye. Um volunteers.

0:20:35.920 --> 0:20:38.919
<v Speaker 1>I'm gonna put volunteers and quotation marks, I think, uh

0:20:38.960 --> 0:20:42.359
<v Speaker 1>to sixteen different sounds and found that the sound made

0:20:42.840 --> 0:20:46.639
<v Speaker 1>from dragging a three pronged garden fork dragged across a

0:20:46.640 --> 0:20:49.359
<v Speaker 1>piece of slate was the worst, which is kind of

0:20:49.400 --> 0:20:52.440
<v Speaker 1>like mona of course, nodah. It was like that the

0:20:52.520 --> 0:20:55.159
<v Speaker 1>high frequencies were actually the culprit. But they found that

0:20:55.200 --> 0:20:59.440
<v Speaker 1>when they removed the high frequencies from the sound recording

0:20:59.560 --> 0:21:02.000
<v Speaker 1>that that had no difference. Oh so it was the

0:21:02.160 --> 0:21:03.720
<v Speaker 1>it was a combination of the high and the low.

0:21:03.840 --> 0:21:07.119
<v Speaker 1>It was actually the middle frequencies that were driving everybody nuts.

0:21:07.880 --> 0:21:11.199
<v Speaker 1>But still no solid reason for the response though. The

0:21:11.320 --> 0:21:15.760
<v Speaker 1>study hazard a hazard a guess in which they positive

0:21:15.800 --> 0:21:18.840
<v Speaker 1>that the frequency is really similar to the warning cries

0:21:19.040 --> 0:21:23.280
<v Speaker 1>of certain monkeys and apes. Okay, so on a very

0:21:23.320 --> 0:21:27.119
<v Speaker 1>like ancient level, we're back to this primordial form in

0:21:27.160 --> 0:21:30.880
<v Speaker 1>the forest, and typically in in forest settings or or

0:21:30.880 --> 0:21:34.280
<v Speaker 1>even on the savannahs. You'll have multiple animals that are present,

0:21:34.640 --> 0:21:38.880
<v Speaker 1>but but but one prey animal, say giraffe or or

0:21:39.000 --> 0:21:42.399
<v Speaker 1>or one monkey species will put out the call. They're like, oh,

0:21:42.440 --> 0:21:45.080
<v Speaker 1>there's a predator in the area, and everything will spine right. Yeah,

0:21:45.160 --> 0:21:48.480
<v Speaker 1>we see this in a various nature documentaries, and one

0:21:48.480 --> 0:21:51.080
<v Speaker 1>of the co authors, Random Blake, said, you know, he

0:21:51.080 --> 0:21:53.280
<v Speaker 1>he feels like this is actually a good theory in

0:21:53.400 --> 0:21:57.760
<v Speaker 1>that primate warning cries are some of the recordings that

0:21:57.800 --> 0:21:59.960
<v Speaker 1>he has of them. He says, if I didn't tell

0:22:00.040 --> 0:22:02.240
<v Speaker 1>you what you are listening to, you could easily think

0:22:02.240 --> 0:22:05.960
<v Speaker 1>you were listening to fingernails on a chalkboard. But the

0:22:06.040 --> 0:22:10.600
<v Speaker 1>studies other co author, James Hildebrand or hill in Brand,

0:22:10.600 --> 0:22:13.119
<v Speaker 1>I should say, he disagrees. He says that the nails

0:22:13.119 --> 0:22:16.439
<v Speaker 1>on chalkboard zone is just a very particular sound and

0:22:16.440 --> 0:22:19.280
<v Speaker 1>a very particular reaction, and it's not the kind of

0:22:19.320 --> 0:22:21.520
<v Speaker 1>reaction that you would have if you are encountered a

0:22:21.600 --> 0:22:24.040
<v Speaker 1>dangerous animal. Well, yeah, I have to say, like when

0:22:24.040 --> 0:22:26.760
<v Speaker 1>I when I've heard that sound in the past, I

0:22:27.080 --> 0:22:29.720
<v Speaker 1>don't feel like I'm having that Oh my goodness, there's

0:22:29.720 --> 0:22:33.640
<v Speaker 1>a saber tooth tiger in the area. Response Yeah, it's

0:22:33.640 --> 0:22:36.480
<v Speaker 1>more of like, oh stop that. Yeah, and he says

0:22:36.520 --> 0:22:38.200
<v Speaker 1>that the response has to do more with like friction

0:22:38.240 --> 0:22:41.120
<v Speaker 1>and memory and it's not sound per se, but it's

0:22:41.160 --> 0:22:45.480
<v Speaker 1>the image that's conjured up during that scraping, which I

0:22:45.520 --> 0:22:48.639
<v Speaker 1>thought was really interesting because there is, uh, there is

0:22:48.680 --> 0:22:52.200
<v Speaker 1>something very uh tactile even happening. Even though it's a

0:22:52.240 --> 0:22:54.400
<v Speaker 1>sound that you're hearing, it's something that you can almost

0:22:54.600 --> 0:22:57.200
<v Speaker 1>feel as if you were doing it yourself. Well, it

0:22:57.440 --> 0:22:59.560
<v Speaker 1>also I don't know, you just can't help but think

0:22:59.560 --> 0:23:02.159
<v Speaker 1>of claw us. You know, it's like claws and like

0:23:02.200 --> 0:23:05.399
<v Speaker 1>Freddy Krueger or something, or or some sort of like

0:23:05.440 --> 0:23:09.439
<v Speaker 1>sharp implement. It's just and it's also the person like

0:23:09.480 --> 0:23:12.720
<v Speaker 1>it's in it's in many case. I mean you certainly

0:23:12.960 --> 0:23:15.800
<v Speaker 1>you have situations where a teacher will do it accidentally,

0:23:16.160 --> 0:23:19.640
<v Speaker 1>but so so often it was it's done by some

0:23:19.720 --> 0:23:21.560
<v Speaker 1>jerk who's going, we're trying to get a rise out

0:23:21.560 --> 0:23:25.919
<v Speaker 1>of somebody, So you end up associating, not associating the

0:23:25.960 --> 0:23:30.200
<v Speaker 1>sound with the type of person who does annoying things

0:23:30.240 --> 0:23:33.879
<v Speaker 1>just to watch people react. M it's a very bartsome

0:23:33.960 --> 0:23:40.160
<v Speaker 1>some move. Yeah, that definitely definitely a bart move. Crowds. Crowds, Yes,

0:23:40.400 --> 0:23:43.000
<v Speaker 1>so yeah, this this one lady on the train's pet

0:23:43.000 --> 0:23:47.040
<v Speaker 1>peeve of large crowds. Why is this annoying? Like why

0:23:47.080 --> 0:23:48.639
<v Speaker 1>don't we just want to get in there and just

0:23:49.160 --> 0:23:51.760
<v Speaker 1>go elbow to elbow and just dig off the body

0:23:51.800 --> 0:23:55.880
<v Speaker 1>heat like penguins. Well again, I think it's that predictive modeling, right,

0:23:55.960 --> 0:23:59.240
<v Speaker 1>because if you have a crowd swelling around you, you

0:23:59.240 --> 0:24:02.119
<v Speaker 1>you no longer have these visual markers. You're kind of

0:24:02.119 --> 0:24:05.520
<v Speaker 1>getting lost in the crowd. You don't you're getting disoriented,

0:24:06.280 --> 0:24:08.280
<v Speaker 1>and that could have you know, have these feelings of

0:24:08.359 --> 0:24:12.800
<v Speaker 1>panic or specifically annoyance because hey where am I? You're

0:24:12.840 --> 0:24:14.960
<v Speaker 1>you're in my way, and all of a sudden, um,

0:24:15.000 --> 0:24:17.760
<v Speaker 1>this becomes sort of like a threat to you, right, Yeah.

0:24:17.760 --> 0:24:19.760
<v Speaker 1>And there have been the there have been various computer

0:24:19.800 --> 0:24:22.040
<v Speaker 1>models have been together about how crowds behave, and I

0:24:22.040 --> 0:24:24.040
<v Speaker 1>thought it was interesting that they pointed out the larger

0:24:24.200 --> 0:24:27.760
<v Speaker 1>crowd becomes, the more they people in the crowd be

0:24:27.800 --> 0:24:30.480
<v Speaker 1>can behaving like molecules and a fluid bouncing off one

0:24:30.960 --> 0:24:34.040
<v Speaker 1>one of another at random, and eventually you reach the

0:24:34.040 --> 0:24:37.840
<v Speaker 1>point where it becomes so jam packed that there's there's

0:24:37.880 --> 0:24:40.800
<v Speaker 1>no control, like no, no individuals in control of the crowd.

0:24:40.840 --> 0:24:43.360
<v Speaker 1>It's like the airplane situation of who's in control. I'm

0:24:43.359 --> 0:24:45.840
<v Speaker 1>not in control what's going on, except on a much

0:24:45.840 --> 0:24:48.480
<v Speaker 1>more real scale. I mean, that's why you have various

0:24:48.520 --> 0:24:50.960
<v Speaker 1>large gatherings where things could out of hand and people

0:24:51.000 --> 0:24:53.680
<v Speaker 1>end up getting trampled or pushed up against the fence. Uh,

0:24:53.720 --> 0:24:56.160
<v Speaker 1>you know, the soccer riot, even on stuff like the

0:24:56.160 --> 0:24:58.439
<v Speaker 1>the the hajj and and Mecca. I mean, it's the

0:24:58.440 --> 0:25:00.600
<v Speaker 1>whole reason that when when you have large groups of

0:25:00.600 --> 0:25:04.359
<v Speaker 1>people gathering, police like to to have a heads up

0:25:04.359 --> 0:25:07.000
<v Speaker 1>on it, on it occurring. Um. One of the reasons,

0:25:07.040 --> 0:25:10.240
<v Speaker 1>like it or not, that social media departments of various

0:25:10.400 --> 0:25:15.800
<v Speaker 1>police departments are increasingly focusing on flash mobs because if

0:25:15.800 --> 0:25:17.640
<v Speaker 1>there's gonna be a lot of people gathering in a place,

0:25:17.680 --> 0:25:20.159
<v Speaker 1>even if it's something sort of simple like oh, you

0:25:20.200 --> 0:25:23.160
<v Speaker 1>know a thousand people wearing party hats, well that's great,

0:25:23.200 --> 0:25:25.480
<v Speaker 1>but it's still gonna be a thousand people suddenly appearing

0:25:25.480 --> 0:25:28.560
<v Speaker 1>in a tight space, and that brings up various wild

0:25:28.560 --> 0:25:32.360
<v Speaker 1>cards of human behavior and just sort of groupthink, or

0:25:32.920 --> 0:25:35.000
<v Speaker 1>in this case, it's not even group think, it's just

0:25:35.440 --> 0:25:39.119
<v Speaker 1>bodies behaving like molecules in a space. It's interesting too.

0:25:39.320 --> 0:25:41.520
<v Speaker 1>I think in some of those studies protect to people

0:25:41.520 --> 0:25:45.680
<v Speaker 1>who study um like egrass flows for public transportation, they

0:25:45.760 --> 0:25:48.439
<v Speaker 1>noticed that when it starts to get somewhat crowded, that

0:25:48.520 --> 0:25:51.640
<v Speaker 1>people actually do move in patterns like V formations, and

0:25:51.840 --> 0:25:54.520
<v Speaker 1>it's weird that they naturally do this. It's sort of

0:25:54.520 --> 0:25:57.000
<v Speaker 1>like the emergence that we've talked about before, how people

0:25:57.040 --> 0:25:59.080
<v Speaker 1>just like there's sort of like one brain that takes

0:25:59.119 --> 0:26:03.119
<v Speaker 1>over and and that actually those sort of formations aren't

0:26:03.119 --> 0:26:06.560
<v Speaker 1>really helpful because they block, you know, the ways that

0:26:06.600 --> 0:26:09.000
<v Speaker 1>you can sort of navigate the crowd. But then there

0:26:09.080 --> 0:26:12.320
<v Speaker 1>is a tipping point where the crowd becomes there's so

0:26:12.320 --> 0:26:15.320
<v Speaker 1>many people in the crowd that, like you said, them,

0:26:15.440 --> 0:26:18.840
<v Speaker 1>it's like they behave erratically and it's like molecules bouncing

0:26:18.840 --> 0:26:21.640
<v Speaker 1>off one another. But it's really fascinating, right, And then you,

0:26:21.720 --> 0:26:23.159
<v Speaker 1>like you said, you get into big enough crowd and

0:26:23.160 --> 0:26:25.200
<v Speaker 1>you're gonna lose your bearings. You're not gonna where you are,

0:26:25.240 --> 0:26:28.600
<v Speaker 1>and that's gonna that excites and frighten us. Frightens us

0:26:28.600 --> 0:26:31.760
<v Speaker 1>on a on a very primitive level, because um, I mean,

0:26:31.840 --> 0:26:35.239
<v Speaker 1>just rewind back to ancient times and imagine yourself in

0:26:35.280 --> 0:26:37.199
<v Speaker 1>some sort of a setting where there's the potential for

0:26:37.240 --> 0:26:39.640
<v Speaker 1>that saber tooth tiger to be around the corner, and

0:26:39.760 --> 0:26:41.480
<v Speaker 1>you don't know where you are, You don't know where

0:26:41.520 --> 0:26:43.720
<v Speaker 1>you are in relation to your home base to cover,

0:26:44.200 --> 0:26:46.480
<v Speaker 1>to where you just came from, and to where you're

0:26:46.480 --> 0:26:50.000
<v Speaker 1>going your very life maybe at steak right, and if

0:26:50.000 --> 0:26:52.600
<v Speaker 1>you don't have that blueprint, that predictive modeling, then everything

0:26:52.640 --> 0:26:55.440
<v Speaker 1>is a threat, right because you're taking all that stimuli in. Yeah,

0:26:55.440 --> 0:26:59.879
<v Speaker 1>and I do applaud Atlanta's Marta public transportation force the

0:27:00.000 --> 0:27:02.639
<v Speaker 1>significantly cutting down on the number of saber tooth tiger

0:27:02.640 --> 0:27:05.080
<v Speaker 1>attacks that occur every year. Well, I think it's all there,

0:27:05.160 --> 0:27:08.480
<v Speaker 1>the posters that they've put up. It's just it's a

0:27:08.640 --> 0:27:11.600
<v Speaker 1>there's a lot more awareness. Yeah, Yeah, don't don't feed them.

0:27:11.680 --> 0:27:14.440
<v Speaker 1>It just encourages more saber tooth tigers to run around

0:27:14.440 --> 0:27:16.800
<v Speaker 1>on the tracks. And definitely don't approach them and try

0:27:16.800 --> 0:27:18.920
<v Speaker 1>to pet them. Yeah, even if they're wearing a top

0:27:18.920 --> 0:27:22.240
<v Speaker 1>hat exactly, so pet peeves. There you go. We covered

0:27:22.440 --> 0:27:24.159
<v Speaker 1>some of them, not all of them, but some of

0:27:24.200 --> 0:27:26.320
<v Speaker 1>the big ones anyway, and the ones that have been studied,

0:27:26.359 --> 0:27:30.359
<v Speaker 1>though I imagine everybody has some variation uh on these

0:27:30.400 --> 0:27:32.679
<v Speaker 1>that they find it extra annoying. Well yeah, and some

0:27:32.720 --> 0:27:34.800
<v Speaker 1>of it depends on the environment in which you grew

0:27:34.880 --> 0:27:37.520
<v Speaker 1>up in, right, That's that's definitely going to call your perception.

0:27:37.880 --> 0:27:39.960
<v Speaker 1>Yeah yeah. This podcast, though, it also serves as a

0:27:40.000 --> 0:27:43.000
<v Speaker 1>nice sort of part two to the previous podcast we

0:27:43.040 --> 0:27:47.840
<v Speaker 1>did about like why is the sound of gum chewing annoying? Yeah? Yeah,

0:27:48.040 --> 0:27:50.520
<v Speaker 1>And we actually received a few different listener males about that.

0:27:50.520 --> 0:27:53.160
<v Speaker 1>One we heard from listener An who writes in about

0:27:53.160 --> 0:27:55.320
<v Speaker 1>miss aphonia. She says, Wow, I may have this, but

0:27:55.359 --> 0:27:57.280
<v Speaker 1>I think it's also connected to my a d h D.

0:27:57.760 --> 0:27:59.760
<v Speaker 1>I have a worker who pops her gum and makes

0:28:00.000 --> 0:28:02.800
<v Speaker 1>your stuff nasally sounds, and it drives me nuts. I

0:28:02.840 --> 0:28:06.199
<v Speaker 1>can't concentrate on conversations if there's quiet music or talking

0:28:06.200 --> 0:28:09.119
<v Speaker 1>going on in the background. My absolutely worst trigger is

0:28:09.119 --> 0:28:11.879
<v Speaker 1>the sound of something dragging on a cheap carpeting. An

0:28:11.920 --> 0:28:14.600
<v Speaker 1>example of the kind you find in offices are dorms,

0:28:14.760 --> 0:28:18.520
<v Speaker 1>especially socks on furniture or furniture dragging on it. Socks

0:28:18.560 --> 0:28:21.199
<v Speaker 1>alone bother me and I hate wearing them to the

0:28:21.240 --> 0:28:23.880
<v Speaker 1>sounds they make when being put on or taken off.

0:28:24.280 --> 0:28:27.080
<v Speaker 1>Even thinking about it makes me feel icked out, so

0:28:27.320 --> 0:28:31.280
<v Speaker 1>that that there's some inside there into a very particular annoyance.

0:28:31.400 --> 0:28:34.680
<v Speaker 1>In this case, socks. I wouldn't have guessed socks. I

0:28:34.840 --> 0:28:37.200
<v Speaker 1>wouldn't and I may have been kind of snickering a little,

0:28:37.240 --> 0:28:39.840
<v Speaker 1>because I mean, for snee, socks are absolutely good. I

0:28:39.880 --> 0:28:42.520
<v Speaker 1>think I like putting none pair of socks. That's because

0:28:42.560 --> 0:28:45.280
<v Speaker 1>they're soft. They're soft. It's good time. But again, masophonia

0:28:45.480 --> 0:28:48.160
<v Speaker 1>is it's those subtle sounds that drive people crazy. I

0:28:48.280 --> 0:28:51.720
<v Speaker 1>recently read where someone was driven nuts by the sound

0:28:51.800 --> 0:28:54.520
<v Speaker 1>of balloons being blown up and then ties that, yeah,

0:28:54.600 --> 0:28:57.640
<v Speaker 1>somebody was ranting about yes specifically like you you go

0:28:57.840 --> 0:29:01.560
<v Speaker 1>to an event and there's somebody making balloon animals, and yeah,

0:29:01.760 --> 0:29:04.720
<v Speaker 1>it's like magicians clowns. I kind of go medieval on

0:29:04.960 --> 0:29:08.800
<v Speaker 1>because it drives me nuts. Yeah, well there you go. So, yeah,

0:29:08.800 --> 0:29:12.000
<v Speaker 1>I can definitely understand how socks could be annoying to somebody.

0:29:12.040 --> 0:29:14.280
<v Speaker 1>Has you know, this subtle sound in the background that

0:29:14.600 --> 0:29:17.680
<v Speaker 1>eventually leads to madness. We also heard from We Have

0:29:17.840 --> 0:29:21.080
<v Speaker 1>by the Name of By the Name of ian Ian Wright.

0:29:21.120 --> 0:29:22.520
<v Speaker 1>Soon it says I'm a big fan of the podcast

0:29:22.560 --> 0:29:24.600
<v Speaker 1>started listening during the summer, and now I've listened to

0:29:24.640 --> 0:29:27.800
<v Speaker 1>almost all of them. I just finished the Missophonia podcast,

0:29:27.960 --> 0:29:31.800
<v Speaker 1>which totally blew my mind nonintended. I wondered why the

0:29:31.880 --> 0:29:34.320
<v Speaker 1>sound of eating eating bothers me the way it does,

0:29:34.880 --> 0:29:36.920
<v Speaker 1>except when I do it. It's not fun having this.

0:29:37.080 --> 0:29:39.360
<v Speaker 1>I really like food and the people I'm with, but

0:29:39.480 --> 0:29:42.040
<v Speaker 1>it's incredibly hard to concentrate and keep cool when all

0:29:42.080 --> 0:29:45.400
<v Speaker 1>you hear is chewing, not to mention, you feel awful

0:29:45.480 --> 0:29:48.040
<v Speaker 1>because something people need to do and generally enjoy, and

0:29:48.120 --> 0:29:51.520
<v Speaker 1>it creates a layers of unwanted emotions. So I found

0:29:51.520 --> 0:29:54.320
<v Speaker 1>that interesting here from somebody who who seems to experience

0:29:54.600 --> 0:29:58.120
<v Speaker 1>something at least closer to miss aphonia than than than

0:29:58.160 --> 0:30:00.640
<v Speaker 1>a lot of us, actually screed well in and I

0:30:00.680 --> 0:30:03.200
<v Speaker 1>thought it was interesting about that is when we were

0:30:03.280 --> 0:30:06.960
<v Speaker 1>looking into it, people who ignored their feelings tended to

0:30:07.400 --> 0:30:10.160
<v Speaker 1>to actually experience them even more. And so I can't

0:30:10.200 --> 0:30:12.760
<v Speaker 1>imagine how difficult that must because you're trying to manage

0:30:12.800 --> 0:30:15.680
<v Speaker 1>the situation, right and you're with your loved ones, your friends,

0:30:16.240 --> 0:30:18.800
<v Speaker 1>your family, trying to just eat a dinner and and

0:30:18.880 --> 0:30:21.760
<v Speaker 1>to to feel that sort of anxiety just must be unbearable.

0:30:21.880 --> 0:30:23.600
<v Speaker 1>So I know that there are some things that you

0:30:23.680 --> 0:30:27.160
<v Speaker 1>can do some um coming into behavior therapy for that.

0:30:27.320 --> 0:30:29.680
<v Speaker 1>So so although there's no cure, there are some some

0:30:29.840 --> 0:30:33.880
<v Speaker 1>avenues you can take. Yeah, definitely and uh not related

0:30:33.920 --> 0:30:38.240
<v Speaker 1>to the mesophonia. We also heard from a listener by

0:30:38.280 --> 0:30:41.720
<v Speaker 1>the name of Annie, who also happens to edit this

0:30:41.760 --> 0:30:46.160
<v Speaker 1>show for us. Yeah, Annie writes in and says, um

0:30:46.320 --> 0:30:48.520
<v Speaker 1>at the end of your Nightmare podcast. Yeah, I know

0:30:48.600 --> 0:30:50.560
<v Speaker 1>this is a little late. You called for accounts from

0:30:50.560 --> 0:30:53.200
<v Speaker 1>people who have died in their dreams. For eight years now.

0:30:53.280 --> 0:30:56.000
<v Speaker 1>I've had dreams with a continuing storyline that takes place

0:30:56.080 --> 0:30:59.840
<v Speaker 1>in a futuristic, war torn world of genetic modification. Did

0:31:00.040 --> 0:31:03.040
<v Speaker 1>dreams don't come at frequent intervals, Um. Sometimes I have

0:31:03.160 --> 0:31:05.080
<v Speaker 1>to wait weeks to find out what happened after I

0:31:05.320 --> 0:31:07.560
<v Speaker 1>woke up from the last one. Each new one picks

0:31:07.640 --> 0:31:09.960
<v Speaker 1>up where the previous one left off. The characters have

0:31:10.080 --> 0:31:13.400
<v Speaker 1>undergone the passage of time. There are flashbacks to other dreams,

0:31:13.640 --> 0:31:16.000
<v Speaker 1>and I can never predict what's going to happen. I've

0:31:16.080 --> 0:31:18.640
<v Speaker 1>woken up stunned at the outcome of these dreams before

0:31:18.720 --> 0:31:21.200
<v Speaker 1>and will consciously trut I every night to return to

0:31:21.240 --> 0:31:23.960
<v Speaker 1>the story, usually to no avail. The funny thing about

0:31:24.000 --> 0:31:26.120
<v Speaker 1>it to me is that the character and I say

0:31:26.240 --> 0:31:28.840
<v Speaker 1>character because it was me, but much more awesome in

0:31:29.120 --> 0:31:31.720
<v Speaker 1>every way. Uh, that was based off me, and the

0:31:31.840 --> 0:31:34.720
<v Speaker 1>dream died after only about a year, so I'm not

0:31:34.800 --> 0:31:37.120
<v Speaker 1>even in them anymore. I see it from the point

0:31:37.160 --> 0:31:39.240
<v Speaker 1>of view of one of the other characters. The p

0:31:39.400 --> 0:31:41.360
<v Speaker 1>o V switched over to the new character after the

0:31:41.440 --> 0:31:43.720
<v Speaker 1>death of my own, which can sometimes be strange and

0:31:43.760 --> 0:31:46.720
<v Speaker 1>unsettling to feel uh something so strongly while dreaming and

0:31:46.760 --> 0:31:48.800
<v Speaker 1>then wake up and have your own very different take

0:31:48.840 --> 0:31:50.640
<v Speaker 1>on the whole thing. Anyway, just thought you might find

0:31:50.640 --> 0:31:53.520
<v Speaker 1>it interesting. Love the podcast je put the awesomeness, Well,

0:31:53.640 --> 0:31:57.000
<v Speaker 1>that's a pretty awesome dream on several levels. Yeah. Actually,

0:31:57.000 --> 0:31:58.760
<v Speaker 1>I was so excited to hear about that because I've

0:31:58.800 --> 0:32:01.160
<v Speaker 1>had something similar like that, but not to the degree

0:32:01.200 --> 0:32:02.880
<v Speaker 1>that she has. And I really think that we should

0:32:02.920 --> 0:32:06.080
<v Speaker 1>just all encourage her to write those dreams stands. I

0:32:06.160 --> 0:32:08.840
<v Speaker 1>really feel like there are like three novels here or

0:32:10.680 --> 0:32:12.880
<v Speaker 1>word time napping. I'm going to talk to Roxanne about

0:32:12.880 --> 0:32:15.600
<v Speaker 1>getting that. Yeah, Annie, Annie needs to go into the

0:32:15.680 --> 0:32:19.400
<v Speaker 1>slate chamber. And create some dreams. Yeah, because I've mentioned

0:32:19.440 --> 0:32:21.480
<v Speaker 1>before how I returned to this setting. It's like some

0:32:21.520 --> 0:32:25.560
<v Speaker 1>sort of unreal public transport underground train kind of situation.

0:32:25.920 --> 0:32:28.520
<v Speaker 1>But there's not like an overarching story or character. It's

0:32:28.560 --> 0:32:30.480
<v Speaker 1>just kind of a place that I seem to wind

0:32:30.600 --> 0:32:32.840
<v Speaker 1>up and it seems very much a product of my

0:32:33.240 --> 0:32:35.719
<v Speaker 1>daily commuting. But this, this is a whole another thing.

0:32:36.040 --> 0:32:37.760
<v Speaker 1>And I mean to be killed off in your own

0:32:37.840 --> 0:32:40.560
<v Speaker 1>dream after a year, we're written out of your dream.

0:32:40.640 --> 0:32:43.240
<v Speaker 1>That's but I love that it continued. It was like, Okay,

0:32:43.320 --> 0:32:45.680
<v Speaker 1>that character came to an end, We're still going forward

0:32:45.760 --> 0:32:48.240
<v Speaker 1>with this storyline here. Maybe it's not a dream, or

0:32:48.320 --> 0:32:51.120
<v Speaker 1>maybe this is the dream? Are you going in parallel?

0:32:51.200 --> 0:32:54.280
<v Speaker 1>Universal could be so so Annie, when you listen to this,

0:32:54.480 --> 0:32:57.120
<v Speaker 1>just consider the fact that maybe this is the dream

0:32:57.680 --> 0:33:01.760
<v Speaker 1>and the real world is the one where um, you're dead.

0:33:01.800 --> 0:33:04.520
<v Speaker 1>I guess um. Okay, no, no, no, no, that is no.

0:33:05.560 --> 0:33:07.640
<v Speaker 1>If you're listening to us, Annie, write down the dreams

0:33:08.080 --> 0:33:09.960
<v Speaker 1>if you want to read the story. So, if you

0:33:10.120 --> 0:33:11.880
<v Speaker 1>have something you want to share with us, be at

0:33:12.080 --> 0:33:15.760
<v Speaker 1>a pet peeve um, a sound that annoys you, or

0:33:16.080 --> 0:33:18.600
<v Speaker 1>some strange other world that you go to in your

0:33:18.680 --> 0:33:21.920
<v Speaker 1>dreams um that involve the future of humanity. Let us know.

0:33:22.120 --> 0:33:23.880
<v Speaker 1>You can find us on Facebook and Twitter. We are

0:33:23.920 --> 0:33:26.280
<v Speaker 1>blow the Mind on both of those and we regularly

0:33:26.360 --> 0:33:28.920
<v Speaker 1>update those feeds with all sorts of links to stuff

0:33:29.000 --> 0:33:33.360
<v Speaker 1>where researching stuff, we're writing, stuff we're thinking about podcasting about,

0:33:33.480 --> 0:33:36.280
<v Speaker 1>and we're always ready to hear from you there, yep,

0:33:36.360 --> 0:33:38.200
<v Speaker 1>and you can always drop us a line at blew

0:33:38.280 --> 0:33:44.880
<v Speaker 1>the Mind at how stuff works dot com. Be sure

0:33:44.960 --> 0:33:47.840
<v Speaker 1>to check out our new video podcast, Stuff from the Future.

0:33:48.200 --> 0:33:50.480
<v Speaker 1>Join how Stuff Work staff as we explore the most

0:33:50.520 --> 0:33:53.320
<v Speaker 1>promising and perplexing possibilities of tomorrow.