1 00:00:05,519 --> 00:00:08,520 Speaker 1: What's Up? This is the I M Rappaport Stereo Podcast. 2 00:00:09,160 --> 00:00:12,080 Speaker 1: My name is Michael Rappaport a k a. The Gringo 3 00:00:12,160 --> 00:00:16,360 Speaker 1: man Dingo a k a. The Jake Lamonta of podcasting 4 00:00:16,400 --> 00:00:21,759 Speaker 1: a ka White Mike. Today You're going to listen to 5 00:00:21,840 --> 00:00:29,040 Speaker 1: a smash mouth live show from Houston, Texas. Me and G. 6 00:00:29,240 --> 00:00:33,520 Speaker 1: Moody live on stage in Houston with special guests Motherfucking 7 00:00:33,600 --> 00:00:40,000 Speaker 1: Paul Wall, Houston O G Houston Legend. In Houston, we 8 00:00:40,120 --> 00:00:44,720 Speaker 1: gave the final Willie Hutching of Tony Romo. We had 9 00:00:44,800 --> 00:00:48,800 Speaker 1: some live six Fox of the Week and fantastic Kanye 10 00:00:48,800 --> 00:00:53,240 Speaker 1: West stories from Paul Wall. This is a dope live show. 11 00:00:53,280 --> 00:00:56,800 Speaker 1: Almost a year after the city was underwater, we came, 12 00:00:57,280 --> 00:01:00,000 Speaker 1: We saw, We kicked as. It's the I m rap 13 00:01:00,040 --> 00:01:04,520 Speaker 1: Reports Stereo Podcast Live from Houston, Me and G. Moody 14 00:01:04,560 --> 00:01:09,000 Speaker 1: with our special guest Paul Wall, Miles Jordan's you Know 15 00:01:09,040 --> 00:01:13,480 Speaker 1: what to Do? All Right? The Iron Rapports Stereo Podcast 16 00:01:13,640 --> 00:01:20,040 Speaker 1: Live Tour continues this week. The world tour continues August 17 00:01:20,080 --> 00:01:26,119 Speaker 1: twenty second Wednesday, August twenty two in Philadelphia, Pennsylvania at 18 00:01:26,280 --> 00:01:32,000 Speaker 1: Union Transfer. Me and G. Moody are going to show Philadelphia, Pennsylvania, 19 00:01:32,120 --> 00:01:36,320 Speaker 1: be ready for a fucking kick ass show. You know, 20 00:01:36,440 --> 00:01:40,080 Speaker 1: we love all things Philadelphia, everything from Dr J to 21 00:01:40,200 --> 00:01:43,240 Speaker 1: World b Free to Darryl Dawkins to the Roots to 22 00:01:43,360 --> 00:01:47,920 Speaker 1: School E D and the entire Philadelphia sound August two, 23 00:01:48,320 --> 00:01:52,200 Speaker 1: Live from Philadelphia and then from Boston. We're coming up 24 00:01:52,200 --> 00:01:56,760 Speaker 1: to Boston, Baby, Boston is r Town. Saturday, August twenty. 25 00:01:57,400 --> 00:02:00,640 Speaker 1: The I M Rapp Reports Stereo podcast continues the twenty 26 00:02:00,720 --> 00:02:04,559 Speaker 1: sewond in Philadelphia and the in Boston. There are tickets 27 00:02:04,600 --> 00:02:09,680 Speaker 1: still available at I Am rappaport Tour dot com. In Boston, 28 00:02:09,720 --> 00:02:14,239 Speaker 1: we're having special guests, motherfucking Warren Sap Live. We're talking 29 00:02:14,240 --> 00:02:17,680 Speaker 1: all kinds of ship plus my main man from Boston, 30 00:02:17,760 --> 00:02:21,600 Speaker 1: Jermaine Wiggins. This is gonna be a y'all dudes think 31 00:02:21,600 --> 00:02:23,839 Speaker 1: they're gonna have me on my heels in Boston. It's 32 00:02:23,840 --> 00:02:26,079 Speaker 1: not going down, Okay. It's going to be a kick 33 00:02:26,080 --> 00:02:28,560 Speaker 1: ass show in Boston Saturday Night. It's gonna be a 34 00:02:28,639 --> 00:02:32,040 Speaker 1: kick ass show in Philadelphia. The twenty second tickets are 35 00:02:32,040 --> 00:02:50,440 Speaker 1: available I am Rappaport Tour dot Com to Texas to 36 00:02:51,120 --> 00:03:00,360 Speaker 1: Last Duty. You see the Rod Strickling of plot cast 37 00:03:00,440 --> 00:03:04,560 Speaker 1: co host. That's a good one. The Rod Strickler, the 38 00:03:04,639 --> 00:03:08,680 Speaker 1: podcast co host, like it and I'll take it. Yeah. 39 00:03:08,760 --> 00:03:11,359 Speaker 1: My name is Michael Rapport a K. The Gringo Man 40 00:03:11,480 --> 00:03:14,720 Speaker 1: Dingo a k A Mr New York a K. The 41 00:03:14,880 --> 00:03:19,840 Speaker 1: Jacomato Podcasting and we're gonna take you fifteen rounds D 42 00:03:21,840 --> 00:03:26,680 Speaker 1: and a ship talking extravaganza high from the h And 43 00:03:26,760 --> 00:03:29,359 Speaker 1: the first thing we want to do is sort of 44 00:03:30,080 --> 00:03:33,320 Speaker 1: inform you guys we're gonna talk football, because I know 45 00:03:33,560 --> 00:03:41,080 Speaker 1: Texas is a huge football state. But you guys now 46 00:03:41,280 --> 00:03:45,920 Speaker 1: have the honor of having our guy Carmelo Anthony as 47 00:03:45,920 --> 00:03:50,920 Speaker 1: a Houston Rocket, So we just want to prepare Houston 48 00:03:52,520 --> 00:03:54,360 Speaker 1: and what they're gonna be dealing with for the next 49 00:03:54,440 --> 00:03:59,119 Speaker 1: year's because we had Carmelo. Yes we don't fact check, 50 00:03:59,160 --> 00:04:02,760 Speaker 1: but we had them for six or seven years. We 51 00:04:02,840 --> 00:04:07,040 Speaker 1: had the good, the bad, and the hoodie. So get 52 00:04:07,040 --> 00:04:14,480 Speaker 1: your booing ready, get ready to boo. We're gonna free him. 53 00:04:14,560 --> 00:04:18,000 Speaker 1: But five things that you guys need to be aware 54 00:04:18,040 --> 00:04:23,600 Speaker 1: of and prepare of in the upcoming year or two 55 00:04:23,600 --> 00:04:27,719 Speaker 1: with Carmelo Anthony is number one. Number one, you lost 56 00:04:27,760 --> 00:04:31,479 Speaker 1: your two best defenders, Trevor Ariza and in boot day 57 00:04:31,520 --> 00:04:35,039 Speaker 1: and you got the worst defender you're ever gonna have 58 00:04:35,480 --> 00:04:39,560 Speaker 1: at Carmelo Anthony in the history to leave Hall of 59 00:04:39,640 --> 00:04:45,240 Speaker 1: Famer career average twenty four. He couldn't guard Jordan Winter 60 00:04:45,839 --> 00:04:48,440 Speaker 1: on a cold that Jordan Winter Miles Davis are in 61 00:04:48,440 --> 00:04:58,920 Speaker 1: the house. The dust Brothers Number two. Carmelo Anthony will 62 00:04:58,960 --> 00:05:01,520 Speaker 1: take when he that's the bull at the three point line, 63 00:05:01,560 --> 00:05:07,479 Speaker 1: he will take many, many necessary jab steps, and then 64 00:05:07,480 --> 00:05:12,440 Speaker 1: he will continue taking five more unnecessary jab steps and 65 00:05:12,520 --> 00:05:19,640 Speaker 1: run the second clock down to the ground. Nobody in 66 00:05:19,680 --> 00:05:23,480 Speaker 1: the NBA jab steps anymore except for Carmelo Anthony. By 67 00:05:23,520 --> 00:05:26,880 Speaker 1: the time Carmelo Anthony stops jab stepping, James Harden fucking 68 00:05:26,920 --> 00:05:29,400 Speaker 1: Beard will go great, We're gonna get to that fucking 69 00:05:29,440 --> 00:05:36,039 Speaker 1: beer later. I wonder, I wonder what if they said, 70 00:05:36,320 --> 00:05:39,320 Speaker 1: if they said to James Harden, if you shave that 71 00:05:39,400 --> 00:05:43,960 Speaker 1: fucking rats nest, Yeah, he looked like wolverine and shipped 72 00:05:43,960 --> 00:05:49,080 Speaker 1: out there. If if we guaranteed you get to the finals, 73 00:05:49,080 --> 00:05:52,080 Speaker 1: if you shave that rats nest, you know he wouldn't 74 00:05:52,120 --> 00:05:55,640 Speaker 1: just shave it right away, You'd taper it. They have 75 00:05:55,720 --> 00:05:58,520 Speaker 1: to think about it, He'd contemplated he'd be like, shit, 76 00:06:00,000 --> 00:06:03,280 Speaker 1: aampionship or cut this ship a championship for people are 77 00:06:03,279 --> 00:06:07,320 Speaker 1: gonna actually see my fucking teeth. Yeah, that's the whole deal. 78 00:06:09,880 --> 00:06:18,760 Speaker 1: That's that's why he growed that motherfucker no leadership skills, 79 00:06:21,400 --> 00:06:26,760 Speaker 1: hoodie mellow has done. Houston can welcome sulking Carmelo Anthony. 80 00:06:27,600 --> 00:06:29,680 Speaker 1: Hooey mellows a guy wears the hoodies. But when you 81 00:06:29,720 --> 00:06:34,840 Speaker 1: see Carmelo Anthony do this, that's it. That's when you 82 00:06:34,920 --> 00:06:39,719 Speaker 1: gotta fucking worry. That means first round exit. This usually 83 00:06:39,839 --> 00:06:43,360 Speaker 1: does in the fourth quarter when he's not playing, cursing 84 00:06:43,360 --> 00:06:46,919 Speaker 1: at D'Antoni under his breath, you funk, I wish you 85 00:06:46,960 --> 00:06:51,560 Speaker 1: grew that mustache back. And then, finally, the greatest thing 86 00:06:51,640 --> 00:06:55,120 Speaker 1: you have to look forward to is that you have 87 00:06:55,320 --> 00:07:00,440 Speaker 1: the most the most decorated Olympian Olympic basketball here ever, 88 00:07:00,680 --> 00:07:04,080 Speaker 1: which means absolutely nothing in the NBA. But he's got 89 00:07:04,120 --> 00:07:09,680 Speaker 1: three gold medals, so good fucking luck. Yes, yes, what 90 00:07:09,720 --> 00:07:11,640 Speaker 1: else you got? Bro? I got it? But I got 91 00:07:11,680 --> 00:07:14,960 Speaker 1: a whole bunch of this is I just like this 92 00:07:15,040 --> 00:07:18,800 Speaker 1: crowd here, like him. I feel very polite and confident 93 00:07:18,840 --> 00:07:22,120 Speaker 1: with it. We're gonna we're gonna whip these motherfucker's into 94 00:07:22,160 --> 00:07:24,160 Speaker 1: shape too. Yeah, I'm not worried about it. You know, 95 00:07:24,280 --> 00:07:28,760 Speaker 1: So tonight tonight your money to talk to money money 96 00:07:28,760 --> 00:07:33,720 Speaker 1: cool up, man, watch the show. Listen, Hey, listen. I 97 00:07:33,760 --> 00:07:38,000 Speaker 1: don't know if he's listen to me. You fuck you don't. 98 00:07:38,280 --> 00:07:41,960 Speaker 1: We're gonna have to stand up for you, man, Gonna 99 00:07:42,000 --> 00:07:47,240 Speaker 1: come down, work, Sit the funk down. We're doing a 100 00:07:47,280 --> 00:07:50,480 Speaker 1: meeting green later. You're not invited. Shut the funk off. 101 00:07:52,080 --> 00:08:00,400 Speaker 1: I yellow on his fucking gun. Relax, relax, gonna fun 102 00:08:00,480 --> 00:08:05,200 Speaker 1: the show up. I just want to make sure we clarify. 103 00:08:05,440 --> 00:08:09,640 Speaker 1: I haven't gotten over my resentment of the Knicks losing 104 00:08:10,280 --> 00:08:16,880 Speaker 1: to the Houston Rockets. Yeah, what's a tough year, man, 105 00:08:18,200 --> 00:08:24,520 Speaker 1: A keen the dream, Robert or Sam Cassell, Kenny, the Jets, 106 00:08:24,560 --> 00:08:29,680 Speaker 1: smith Man, Robert or everybody. Great team. They beat our 107 00:08:29,720 --> 00:08:33,120 Speaker 1: guys and Nicks are They beat the best Knicks we 108 00:08:33,240 --> 00:08:40,320 Speaker 1: ever had in our lifetime. And it was all O. J. 109 00:08:40,559 --> 00:08:45,520 Speaker 1: Simpson's fault. Yeah. O J was going to suck a ship. 110 00:08:46,559 --> 00:08:49,640 Speaker 1: Everything was going good until that coxsucker had to get 111 00:08:49,679 --> 00:08:54,640 Speaker 1: into the white Bronco end of fucking screen. We didn't 112 00:08:54,679 --> 00:08:58,520 Speaker 1: see the fucking game. It's so unimportant. The NBA Finals 113 00:08:58,559 --> 00:09:02,800 Speaker 1: mean nothing because this fun, this fucking hit. You fucking 114 00:09:02,920 --> 00:09:13,760 Speaker 1: cut sucko you Woosters d NBA Championship. Everything was going 115 00:09:13,800 --> 00:09:15,800 Speaker 1: good until O J. What was his name? A C. 116 00:09:16,040 --> 00:09:21,360 Speaker 1: Green A call, a call, fuck us up. But you know, 117 00:09:21,400 --> 00:09:26,360 Speaker 1: it's fantasy football season and I'm looking, I'm looking closely 118 00:09:26,400 --> 00:09:28,920 Speaker 1: at all the Houston Texans. You guys are gonna have 119 00:09:28,960 --> 00:09:34,800 Speaker 1: a good, uh a good season. Honey Badger, Friend of 120 00:09:34,840 --> 00:09:45,400 Speaker 1: the Iron Rapports Stereo podcast, de Sean well Man, d 121 00:09:45,600 --> 00:09:50,080 Speaker 1: Hop DeAndre J. Dave and Clowney, who I saw in 122 00:09:50,160 --> 00:09:52,520 Speaker 1: person one time. He's a fucking he's a he's a 123 00:09:53,559 --> 00:09:58,520 Speaker 1: will slap fire out chast. That's what they need here. 124 00:09:59,240 --> 00:10:01,120 Speaker 1: But j J. Why, I mean, like, you know, we 125 00:10:01,120 --> 00:10:03,320 Speaker 1: were thinking before we were doing the show last year, 126 00:10:03,320 --> 00:10:08,440 Speaker 1: around this time, this city was under fucking water. Yeah, 127 00:10:11,000 --> 00:10:13,559 Speaker 1: Houston stroke. So we're so glad to be here. I 128 00:10:13,600 --> 00:10:21,080 Speaker 1: think last year we were gonna perform her amazing, amazing recovery. 129 00:10:23,040 --> 00:10:27,559 Speaker 1: That's what tom it is we saw this week. I 130 00:10:27,840 --> 00:10:31,000 Speaker 1: don't understand. I never I never thought of Houston as 131 00:10:31,040 --> 00:10:34,720 Speaker 1: a potentially corrupt city, and it crossed my mind. But 132 00:10:34,840 --> 00:10:40,760 Speaker 1: maybe there's some corruption that for some reason, that fuck 133 00:10:41,920 --> 00:10:46,440 Speaker 1: Mr God, Mr, Mr Mr Everything, Mr Bible Thumper, Mr 134 00:10:46,559 --> 00:10:56,840 Speaker 1: Some Mr Somems, Mr. Proverbs Joel Oldstein, that fuck, how 135 00:10:56,880 --> 00:10:59,920 Speaker 1: do you guys feel about this? Motherfucker may May maybe 136 00:11:00,120 --> 00:11:06,880 Speaker 1: Mr and Mr Mr Botox face Backstreet boy cock suck. Yeah, Yeah, 137 00:11:06,960 --> 00:11:15,400 Speaker 1: he's a fucking con he's Mr. Mr Pulp, Mr. I mean, 138 00:11:15,440 --> 00:11:18,640 Speaker 1: for the one time you had an opportunity to show 139 00:11:18,640 --> 00:11:21,600 Speaker 1: it you did ship, you wouldn't let the people in. 140 00:11:22,480 --> 00:11:29,079 Speaker 1: Is it for some reason? Mr? God said no, he 141 00:11:29,120 --> 00:11:31,600 Speaker 1: looks like he got kicked out of the Backstreet Boys, 142 00:11:31,679 --> 00:11:34,680 Speaker 1: his fucking guys, Like he was like like the six 143 00:11:34,800 --> 00:11:37,240 Speaker 1: man on the Backstreet Boys. And Donny Warburg said, no, 144 00:11:37,480 --> 00:11:42,400 Speaker 1: not him, not him, all that preaching all he's got 145 00:11:42,440 --> 00:11:44,680 Speaker 1: arenas size. What has he got. He's got the church, 146 00:11:44,760 --> 00:11:47,000 Speaker 1: he's got to this, He's got the Summit. I think 147 00:11:47,000 --> 00:11:52,319 Speaker 1: he owns the fucking summit. When it was time to 148 00:11:52,360 --> 00:11:54,800 Speaker 1: put up, put up for shut up, he would and 149 00:11:54,920 --> 00:11:57,320 Speaker 1: people were sucking at the door. He said no. He 150 00:11:57,480 --> 00:12:00,480 Speaker 1: was in t freaking off with three four are five 151 00:12:00,559 --> 00:12:05,920 Speaker 1: broads at the time. Yeah. No, he ain't a stick man. 152 00:12:06,000 --> 00:12:14,640 Speaker 1: He's a slick man. There's a lot of chit chat 153 00:12:14,679 --> 00:12:16,800 Speaker 1: in here. You made me turn the lights up and 154 00:12:16,840 --> 00:12:26,760 Speaker 1: put that Willie hut on. Who's mother? He had to wee? 155 00:12:27,200 --> 00:12:30,200 Speaker 1: Oh he's on that jarome Yeah, hell yeah. He took 156 00:12:30,240 --> 00:12:36,520 Speaker 1: a tab. He's on that more reach. He got resle 157 00:12:36,559 --> 00:12:41,040 Speaker 1: due all over his fucking face. Man, look at him. 158 00:12:41,120 --> 00:12:46,800 Speaker 1: He's on that gun ball. Sit your air. It's only 159 00:12:46,840 --> 00:12:49,959 Speaker 1: eight o'clock. He's on that ship. K too, my man, 160 00:12:50,040 --> 00:12:52,280 Speaker 1: that's one man of K two K choose in the 161 00:12:52,320 --> 00:12:56,800 Speaker 1: front row, K too? How how could you be this 162 00:12:56,880 --> 00:13:00,280 Speaker 1: hyped up and swap ass? And five minutes into the show, 163 00:13:01,200 --> 00:13:05,480 Speaker 1: it's fucking foaming at the mouth. It's mid August in Houston, Texas. 164 00:13:05,520 --> 00:13:09,199 Speaker 1: I mean, this is everything that is swamp past season. 165 00:13:09,240 --> 00:13:12,520 Speaker 1: I mean we are deep in the throws of swamp 166 00:13:12,559 --> 00:13:16,240 Speaker 1: past season. That humidity is like a fucking force field 167 00:13:16,240 --> 00:13:18,840 Speaker 1: out there. I know why people walk slower in they're 168 00:13:18,880 --> 00:13:22,200 Speaker 1: down south. Yeah, you can't funk like, you can't be 169 00:13:22,240 --> 00:13:24,720 Speaker 1: in a rush to go anywhere when you're down here. 170 00:13:24,800 --> 00:13:27,440 Speaker 1: All your fucking body water with just evaporate. And I 171 00:13:27,440 --> 00:13:30,600 Speaker 1: don't understand everybody's with the barbecue and the cooked tams 172 00:13:30,640 --> 00:13:34,120 Speaker 1: and the hammocks and I went all that ship. You 173 00:13:34,240 --> 00:13:36,920 Speaker 1: send me to a place where there's some chicklings, Paul Wall, 174 00:13:37,040 --> 00:13:39,240 Speaker 1: you take me to a place or some chilings. I 175 00:13:39,280 --> 00:13:43,400 Speaker 1: don't give a fun And when and when you walk out, 176 00:13:43,440 --> 00:13:45,800 Speaker 1: that motherfucker, you're gonna have a hearted time. That's why 177 00:13:45,800 --> 00:13:48,599 Speaker 1: I don't understand it. It's so hot, How could it 178 00:13:50,360 --> 00:13:55,200 Speaker 1: I funk with the chilings. You know what we're gonna do. 179 00:13:55,440 --> 00:14:01,480 Speaker 1: We're not gonna money getting heated. No chill who who 180 00:14:01,559 --> 00:14:06,240 Speaker 1: who's with his experience with We're gonna go after his friends. 181 00:14:06,280 --> 00:14:11,640 Speaker 1: If you can't control his folly'll control your man. Money, 182 00:14:11,720 --> 00:14:15,160 Speaker 1: Chill money, chill Wenna. Put you in the fucking hole. 183 00:14:15,520 --> 00:14:18,280 Speaker 1: We're gonna put you in the fucking back. I got 184 00:14:18,280 --> 00:14:20,200 Speaker 1: the Gorilla duck tape in the back. You want the 185 00:14:20,240 --> 00:14:23,600 Speaker 1: fucking duck tape, not the silver ship, the black, the 186 00:14:23,680 --> 00:14:28,000 Speaker 1: black duck tape. We'll drag your ass out of here. Man, 187 00:14:28,160 --> 00:14:32,560 Speaker 1: Biggy's small style. You got your seven eleven sunglasses, all 188 00:14:32,600 --> 00:14:37,480 Speaker 1: listen to me? He fuck, shut the fuck up, you cocksucker. 189 00:14:37,800 --> 00:14:45,200 Speaker 1: You got white on Parma shorts, waring motherfucker. Motherfucker got 190 00:14:45,200 --> 00:14:49,680 Speaker 1: on black sneakers with white socks. Motherfucker, take your fucking 191 00:14:49,760 --> 00:14:54,400 Speaker 1: socks off. He got our nikes. He got our nikes 192 00:14:54,440 --> 00:14:58,240 Speaker 1: and some Puma socks. The funny out of here. Hold 193 00:14:58,280 --> 00:15:03,720 Speaker 1: your head, Hold your fucking head. I I he's gonna 194 00:15:03,760 --> 00:15:05,800 Speaker 1: make me. He's gonna make me lose my voice. In 195 00:15:05,800 --> 00:15:08,520 Speaker 1: the first seven minutes. I got him. I got it where. 196 00:15:08,520 --> 00:15:10,640 Speaker 1: I got this fucking thing under control. I saved the 197 00:15:10,720 --> 00:15:18,080 Speaker 1: fucking plane. This is nothing that I saved the fucking plane. 198 00:15:18,120 --> 00:15:21,200 Speaker 1: This is nothing. Sully ain't got ship on you, man. 199 00:15:21,720 --> 00:15:23,920 Speaker 1: I had a guy. I was on the plane. I 200 00:15:23,960 --> 00:15:27,800 Speaker 1: swear this has happened. And the only reason why I 201 00:15:27,840 --> 00:15:33,240 Speaker 1: didn't have two thousand and eighteen summer airplane incident too, 202 00:15:33,360 --> 00:15:36,720 Speaker 1: is because of two thousand and eighteen Summer incident one. 203 00:15:37,720 --> 00:15:40,320 Speaker 1: I'm up there in first class, minded my business, listening 204 00:15:40,360 --> 00:15:43,120 Speaker 1: to that good soul. I'm not sleeping. I got my 205 00:15:43,160 --> 00:15:46,880 Speaker 1: sunglasses on, my hat and a hoodie, just just because 206 00:15:46,880 --> 00:15:48,840 Speaker 1: that's how I get down on the plane. I'm I'm chilling. 207 00:15:49,040 --> 00:15:52,400 Speaker 1: I got my my whole area wiped down, sprayed down. 208 00:15:52,440 --> 00:15:54,120 Speaker 1: I got my little spray. I should have brought my 209 00:15:54,160 --> 00:15:59,880 Speaker 1: spray on stage for this motherfucker. Right here, go ahead, 210 00:16:00,800 --> 00:16:03,040 Speaker 1: and I see a fucking guy while I'm sitting there, 211 00:16:04,000 --> 00:16:07,320 Speaker 1: walks past me. This is just two three weeks after 212 00:16:07,360 --> 00:16:11,200 Speaker 1: I saved the plane, then turns back, got his phone 213 00:16:11,280 --> 00:16:15,840 Speaker 1: right here, comes right up to my face, filming me 214 00:16:15,880 --> 00:16:18,160 Speaker 1: on a plane. I don't care about being filmed you. 215 00:16:18,200 --> 00:16:20,480 Speaker 1: I don't care about being filmed in Starbucks. I don't 216 00:16:20,520 --> 00:16:22,480 Speaker 1: care about being filmed at the gas station. But on 217 00:16:22,520 --> 00:16:26,000 Speaker 1: the plane, I felt like violating, Like he was looking 218 00:16:26,040 --> 00:16:29,400 Speaker 1: at like, you know, he said, it tests you. They're 219 00:16:29,400 --> 00:16:32,240 Speaker 1: trying to test you. They're like, yo, he saved the play. 220 00:16:32,320 --> 00:16:34,280 Speaker 1: Let's see what he got. Let's see let's see what's good. 221 00:16:34,360 --> 00:16:38,200 Speaker 1: Let's see if he's really about that stretch. Let's see it. 222 00:16:38,280 --> 00:16:41,880 Speaker 1: Let's see if it was bullshit his face. But the 223 00:16:41,880 --> 00:16:44,680 Speaker 1: only reason why I didn't get crunk on the plane krunk, 224 00:16:44,760 --> 00:16:49,200 Speaker 1: that's that South Ship. It's because the incident number one. 225 00:16:50,520 --> 00:16:52,680 Speaker 1: You know, I wanted to acknowledge because we're in the 226 00:16:52,760 --> 00:16:56,440 Speaker 1: state of Texas. This is where Johnny Clark had won 227 00:16:56,560 --> 00:17:02,480 Speaker 1: his Heisman. I mean, my fucking's like, man, sal you 228 00:17:02,520 --> 00:17:06,360 Speaker 1: don't think he's embarrassing Americans up there in Canada. You're 229 00:17:06,359 --> 00:17:10,240 Speaker 1: an American playing Canadian football. Heisman Trophy winner. That makes 230 00:17:10,240 --> 00:17:14,960 Speaker 1: the Heisman Trophy look like a fucking joke. You're embarrassing us. 231 00:17:15,000 --> 00:17:17,160 Speaker 1: They should take his heisman and give it to fucking 232 00:17:17,160 --> 00:17:20,240 Speaker 1: o j after they took Old Jay's heisman away, he 233 00:17:20,359 --> 00:17:23,359 Speaker 1: should volunteery to mean what what what validity does that 234 00:17:23,440 --> 00:17:25,680 Speaker 1: give the Heisman Trophy? Like, yo, you can't even get 235 00:17:25,680 --> 00:17:29,040 Speaker 1: busy at Canada. You're getting knocked out, getting knocked the funk? 236 00:17:29,080 --> 00:17:31,920 Speaker 1: Are you through four interceptions in one half of football? 237 00:17:32,320 --> 00:17:35,200 Speaker 1: You came back the next game. They gave him the 238 00:17:35,280 --> 00:17:39,080 Speaker 1: Joe Frazier Ship at the line. Yeah out man, you're 239 00:17:39,119 --> 00:17:44,160 Speaker 1: embarrassing us. Man ship at Texas is a great football state. 240 00:17:44,200 --> 00:17:48,760 Speaker 1: It's probably the football state. Warren Moon went out there, 241 00:17:48,840 --> 00:17:52,280 Speaker 1: showed his ass. Man. Doug Flutey was out there. He's 242 00:17:52,400 --> 00:17:57,000 Speaker 1: five six. They knocked the fucking shift out of man'sille. 243 00:17:57,000 --> 00:17:59,920 Speaker 1: He had to sit out game four of the Canadian 244 00:18:00,000 --> 00:18:02,200 Speaker 1: We were in Canada. We did a show in Toronto. 245 00:18:02,280 --> 00:18:05,640 Speaker 1: We took a pole in Canada. I said, how many 246 00:18:05,680 --> 00:18:10,320 Speaker 1: of you Canadian cocksuckers give two ships about Canadian football? 247 00:18:10,560 --> 00:18:16,200 Speaker 1: They started booing at me. That's when you just turn 248 00:18:16,280 --> 00:18:21,720 Speaker 1: in your fucking helmet. We're gonna get to Tony Romo later. 249 00:18:24,720 --> 00:18:29,080 Speaker 1: That's like raw meat dangle Royal meet in front of 250 00:18:29,080 --> 00:18:32,840 Speaker 1: these motherfucker's. But it's the I N Rapports Stereo Podcast. 251 00:18:33,480 --> 00:18:35,840 Speaker 1: And uh, you know, I told you we got special guests. 252 00:18:36,160 --> 00:18:38,680 Speaker 1: So we're gonna talk some ship. You know, we came 253 00:18:38,720 --> 00:18:40,840 Speaker 1: to Houston. We knew we needed to get some Houston, 254 00:18:41,200 --> 00:18:44,880 Speaker 1: some soil, some deep rooted soil. So we're gonna bring 255 00:18:44,960 --> 00:18:47,560 Speaker 1: to the stage our guy Paul Wall who bring him 256 00:18:47,600 --> 00:18:54,240 Speaker 1: up to the stage, the great pol How you feeling 257 00:18:54,240 --> 00:18:57,720 Speaker 1: my man? Feeling good? Man, feeling good? So we knew 258 00:18:57,760 --> 00:18:59,679 Speaker 1: we were like yeo, first all, we we linked up 259 00:18:59,680 --> 00:19:02,040 Speaker 1: when I was down here for the Big Three. But like, 260 00:19:02,240 --> 00:19:05,119 Speaker 1: like Houston, there's like a few names synonymous with Houston. 261 00:19:05,200 --> 00:19:10,480 Speaker 1: Earl Campbell was Earl Campbell in the house. Yeah, you're 262 00:19:10,520 --> 00:19:12,520 Speaker 1: about to wheel him out. No no, no, no, no, 263 00:19:13,960 --> 00:19:19,400 Speaker 1: it's the Rose of Texas. Earl was my guy. You know, 264 00:19:19,760 --> 00:19:22,240 Speaker 1: hip hop, you guys have your old kinds of like 265 00:19:22,280 --> 00:19:24,240 Speaker 1: the legacy down here, so we knew we needed to 266 00:19:24,240 --> 00:19:27,160 Speaker 1: bring you down here and rock with us. So so Paul, 267 00:19:27,240 --> 00:19:30,320 Speaker 1: like you're known like you're hip hop and and and 268 00:19:30,359 --> 00:19:32,359 Speaker 1: your girls and I'll will be the first. Let you know, 269 00:19:32,560 --> 00:19:35,480 Speaker 1: Paul wal just hooked me up backstage fitting me with 270 00:19:35,560 --> 00:19:40,600 Speaker 1: my hero grills. The hero, an American hero needs to 271 00:19:40,640 --> 00:19:43,960 Speaker 1: have it a grill man. A real American hero needs 272 00:19:44,000 --> 00:19:47,240 Speaker 1: a real hero grill. So next time you and g Moody, 273 00:19:47,280 --> 00:19:49,560 Speaker 1: I'll getting on a plane stretching, pop your grill in. 274 00:19:49,720 --> 00:19:51,800 Speaker 1: You know what I'm answering, Hey, back away from that door. 275 00:19:52,000 --> 00:19:53,760 Speaker 1: He back away from that door. You can tell them, 276 00:19:53,800 --> 00:19:55,879 Speaker 1: you know exactly if I mean, if I can't if 277 00:19:55,920 --> 00:19:58,560 Speaker 1: I'm sitting in first class with a grill on and 278 00:19:58,600 --> 00:20:00,639 Speaker 1: I can't control ship, I'm I just will not be 279 00:20:00,680 --> 00:20:03,480 Speaker 1: in first class with the grill. So so let me 280 00:20:03,480 --> 00:20:05,800 Speaker 1: ask you a questions to you. So, name some of 281 00:20:05,800 --> 00:20:09,080 Speaker 1: the people like cand you like, just rattle off like ten, 282 00:20:09,160 --> 00:20:11,399 Speaker 1: ten of the people you've given grills to. Uh some 283 00:20:11,480 --> 00:20:13,640 Speaker 1: of the you know, the big names. There's an athletes 284 00:20:13,720 --> 00:20:17,560 Speaker 1: like Shaq or Lebron or Venus and Serena. Uh. You 285 00:20:17,600 --> 00:20:23,720 Speaker 1: know our Houston Astros. We just gave them World Series grillos. Yeah, 286 00:20:22,760 --> 00:20:25,399 Speaker 1: the whole How did you How did you get to 287 00:20:25,440 --> 00:20:27,200 Speaker 1: the who did you beat to get to the World 288 00:20:27,200 --> 00:20:30,240 Speaker 1: Series first? Houston? We you know we've been Yeah we've 289 00:20:30,240 --> 00:20:32,520 Speaker 1: beat the Yankees and then beat the Dodgers. Yeah. Yeah, 290 00:20:34,000 --> 00:20:35,879 Speaker 1: but y'all don't want enough. Man, let us get us. 291 00:20:36,920 --> 00:20:39,000 Speaker 1: But hey, when we you know, we never settled. So 292 00:20:39,080 --> 00:20:40,600 Speaker 1: this year we I don't know even if we back 293 00:20:40,640 --> 00:20:42,959 Speaker 1: do this year. I've been thinking, I don't know if 294 00:20:42,960 --> 00:20:45,040 Speaker 1: I'm an upgrade the grills if we win again this 295 00:20:45,119 --> 00:20:47,080 Speaker 1: year or what I might. I don't know. We might 296 00:20:47,200 --> 00:20:48,920 Speaker 1: we might pass out from text in a while. We 297 00:20:48,920 --> 00:20:53,560 Speaker 1: will swang on some phofos. When when you did the 298 00:20:53,600 --> 00:20:56,919 Speaker 1: Houston Astros, did you do did you fit them all custom? 299 00:20:57,000 --> 00:20:59,560 Speaker 1: One by one? They? You know, A lot of it 300 00:20:59,720 --> 00:21:01,720 Speaker 1: was we didn't want to do it because the idea 301 00:21:01,800 --> 00:21:03,960 Speaker 1: came when I was at a restaurant here State for 302 00:21:04,080 --> 00:21:08,040 Speaker 1: the eight and I saw Justin Verlander, Dallas Kaiko and 303 00:21:08,200 --> 00:21:10,280 Speaker 1: h Tyler clipping and I just mentioned and then what's up? 304 00:21:10,320 --> 00:21:11,920 Speaker 1: You ready for your grills? We go to the World Series, 305 00:21:11,920 --> 00:21:13,800 Speaker 1: I'm hooking y'all up. And it was just, you know, 306 00:21:13,880 --> 00:21:15,840 Speaker 1: just kind of joking around a little bit. And then 307 00:21:16,119 --> 00:21:17,960 Speaker 1: we went to the World Series and it was like, Okay, 308 00:21:17,960 --> 00:21:20,480 Speaker 1: it's time. Now we're really gonna do that. But when 309 00:21:20,480 --> 00:21:22,439 Speaker 1: I mentioned it to him. They were all like, yeah, hey, 310 00:21:22,520 --> 00:21:24,480 Speaker 1: y'all want some grills. So they're kind of like set 311 00:21:24,520 --> 00:21:27,000 Speaker 1: it in motion. But and when we're battling in the 312 00:21:27,040 --> 00:21:29,879 Speaker 1: World Series, I don't want to be a distraction for 313 00:21:29,920 --> 00:21:31,320 Speaker 1: the squad, you know what I'm saying. It was more 314 00:21:31,359 --> 00:21:34,000 Speaker 1: like hype for the fans getting hyped. But for me 315 00:21:34,080 --> 00:21:36,359 Speaker 1: it was like, look, if we lose the World Series, 316 00:21:36,520 --> 00:21:39,360 Speaker 1: it's not gonna be because I was bidding up for grills, 317 00:21:39,720 --> 00:21:41,600 Speaker 1: you know what. So we had we had to wait 318 00:21:41,640 --> 00:21:43,480 Speaker 1: till it was over. And when we want it was like, okay, 319 00:21:43,560 --> 00:21:46,640 Speaker 1: y'all come by the shop boy Johnny six to Richmond 320 00:21:46,720 --> 00:21:52,600 Speaker 1: already all right, shout out to my boy TV Johnny 321 00:21:52,640 --> 00:21:58,320 Speaker 1: one time. So so justin Verland, he's the one who 322 00:21:58,320 --> 00:22:01,400 Speaker 1: goes out with Kate Upton and they had to skeep pictures, 323 00:22:01,480 --> 00:22:04,200 Speaker 1: right yeah, yeah, yeah. That didn't go over too good 324 00:22:04,240 --> 00:22:06,359 Speaker 1: here and he had to dad justin Berlin and Kate up. 325 00:22:06,359 --> 00:22:10,119 Speaker 1: Then they had some skeep pictures. I told him we 326 00:22:10,160 --> 00:22:13,040 Speaker 1: got the his and hers. You know, you didn't make 327 00:22:13,040 --> 00:22:15,280 Speaker 1: a grill, fir not not yet. But I don't know. 328 00:22:15,280 --> 00:22:17,640 Speaker 1: It's it's on II is waiting for it. So if 329 00:22:17,960 --> 00:22:20,320 Speaker 1: like I was very conscious when when when you when 330 00:22:20,320 --> 00:22:22,040 Speaker 1: you looked me up, like I was like, the last 331 00:22:22,040 --> 00:22:24,399 Speaker 1: thing I want is Paul Wall to be like Mike Raps. 332 00:22:24,480 --> 00:22:28,560 Speaker 1: Breath's hot as fun have you never had to give 333 00:22:28,600 --> 00:22:30,400 Speaker 1: a gril for somebody where you could just be like, yo, 334 00:22:30,520 --> 00:22:34,120 Speaker 1: my man, you go burn through the fucking metal, you know. Definitely, 335 00:22:34,200 --> 00:22:36,679 Speaker 1: especially in the earlier days. I mean it still happened 336 00:22:36,720 --> 00:22:39,400 Speaker 1: to every day at our store. People walk in there 337 00:22:39,560 --> 00:22:41,439 Speaker 1: and a lot of times they just browsing and then 338 00:22:41,480 --> 00:22:43,760 Speaker 1: it turns into a good deal. Let me get my grill. 339 00:22:44,080 --> 00:22:46,280 Speaker 1: So you know, people always aren't like you, and they 340 00:22:46,280 --> 00:22:48,440 Speaker 1: are cautious. A lot of people don't care about their breath. 341 00:22:48,440 --> 00:22:50,359 Speaker 1: They only care about the other person, bro, you know what. 342 00:22:51,520 --> 00:22:54,399 Speaker 1: Definitely on my in my earlier days, though, man, I 343 00:22:54,480 --> 00:22:59,000 Speaker 1: got some grill horror stories of some people. Some people breath, man, 344 00:22:59,080 --> 00:23:02,040 Speaker 1: oh man, Especially when you get somebody who has had 345 00:23:02,240 --> 00:23:05,120 Speaker 1: a permanent teeth and they want to upgrade or they've 346 00:23:05,119 --> 00:23:06,600 Speaker 1: had them for ten years and they want to get 347 00:23:06,640 --> 00:23:08,600 Speaker 1: them taken out, and they get them taken out by 348 00:23:08,640 --> 00:23:11,280 Speaker 1: the dentists and they look like, you know, they got 349 00:23:11,280 --> 00:23:14,720 Speaker 1: the glue once. Yeah, yeah, yeah, So without saying who's 350 00:23:14,720 --> 00:23:17,480 Speaker 1: they were. What's the most expensive grill you ever made? 351 00:23:18,200 --> 00:23:20,360 Speaker 1: We made one for von Miller or you said, don't 352 00:23:20,480 --> 00:23:24,919 Speaker 1: well it was about it was almost sixty thousand. It 353 00:23:25,040 --> 00:23:28,359 Speaker 1: was something crazy. You know. It's sometimes I hear about 354 00:23:28,400 --> 00:23:30,840 Speaker 1: people say they want they spun a hundred thousand on 355 00:23:30,880 --> 00:23:34,320 Speaker 1: a grill, or you know, look a pair of Jordan's 356 00:23:34,359 --> 00:23:37,119 Speaker 1: costs how much two hundrellars. So I could sell you 357 00:23:37,160 --> 00:23:40,280 Speaker 1: a pair of Jordan's for ten thousand dollars, but they're 358 00:23:40,280 --> 00:23:43,080 Speaker 1: only worth two hundred dollars. You know, some people, You know, 359 00:23:43,200 --> 00:23:46,040 Speaker 1: if if I'm one thing, me and my partner Johnny Dane, 360 00:23:46,040 --> 00:23:48,520 Speaker 1: one thing we always pride of ourselves phone was doing 361 00:23:48,560 --> 00:23:51,200 Speaker 1: good business, not getting over on somebody because they didn't 362 00:23:51,200 --> 00:23:53,920 Speaker 1: know how much some costs. So we do something basics, 363 00:23:53,960 --> 00:23:57,280 Speaker 1: we make money, but it's a percentage basis, not this 364 00:23:57,400 --> 00:24:00,160 Speaker 1: motherfucker got it. Yeah man, one time we got get 365 00:24:00,160 --> 00:24:05,320 Speaker 1: around clause my bloodside one time TV at it. Yeah. So. 366 00:24:05,320 --> 00:24:06,840 Speaker 1: So one of the things, one of the things that 367 00:24:06,880 --> 00:24:11,240 Speaker 1: I always loved about about Texas Houston in general, is 368 00:24:11,280 --> 00:24:17,360 Speaker 1: like the culture of Houston is so specific to Houston, 369 00:24:17,400 --> 00:24:20,960 Speaker 1: It's so specific to Texas and and like like especially 370 00:24:20,960 --> 00:24:23,800 Speaker 1: within hip hop, Like I feel like New York like 371 00:24:23,880 --> 00:24:26,680 Speaker 1: we've sort of lost our identity. Like New York used 372 00:24:26,720 --> 00:24:30,080 Speaker 1: to be like Timberland's we had all our ship and 373 00:24:30,119 --> 00:24:33,720 Speaker 1: then like for some reason, dude started biting New York. 374 00:24:33,800 --> 00:24:37,879 Speaker 1: Dude started like rocking Florida ship, Atlanta ship, Texas ship Elation. 375 00:24:38,240 --> 00:24:42,640 Speaker 1: So if if a spaceman came down and ask you, 376 00:24:42,680 --> 00:24:45,800 Speaker 1: Paul Wall, what is Houston? What is what are like 377 00:24:46,080 --> 00:24:48,920 Speaker 1: the essential Houston things? What would you say, like break 378 00:24:48,960 --> 00:24:52,400 Speaker 1: break Houston down to to to some New York motherfucker's 379 00:24:52,440 --> 00:24:55,160 Speaker 1: like me and Moody, Okay, definitely. Uh, you know, it's 380 00:24:55,200 --> 00:24:57,840 Speaker 1: hotter down here, so you know the heat, like you said, 381 00:24:57,880 --> 00:24:59,639 Speaker 1: it does kind of slow you down a little bit. 382 00:24:59,680 --> 00:25:01,760 Speaker 1: All though, we just take our time, whether we're just 383 00:25:01,800 --> 00:25:03,840 Speaker 1: not in a rush, because if you start wrestling too much, 384 00:25:03,840 --> 00:25:05,280 Speaker 1: you're gonna be sweating. You got to take two or 385 00:25:05,320 --> 00:25:08,760 Speaker 1: three showers a day. So you know, we always have 386 00:25:08,880 --> 00:25:11,840 Speaker 1: been like a slower pace. We moved at a slow pace, 387 00:25:11,880 --> 00:25:13,919 Speaker 1: but we moved at our pace kind of not like 388 00:25:13,960 --> 00:25:16,119 Speaker 1: where somebody don't tell it, so that that all comes 389 00:25:16,160 --> 00:25:18,800 Speaker 1: with it. So you know, one, we've always been a big, 390 00:25:18,840 --> 00:25:20,239 Speaker 1: you know, with a truck state we got the most 391 00:25:20,280 --> 00:25:22,560 Speaker 1: trucks more than any other states. So everybody got a big, 392 00:25:22,560 --> 00:25:24,720 Speaker 1: gass truck. And you know, I gotta tell you I 393 00:25:24,760 --> 00:25:26,399 Speaker 1: had it. I had an experience, and I thought it 394 00:25:26,440 --> 00:25:29,280 Speaker 1: was bullshit all the way over here. I called an Uber. 395 00:25:29,680 --> 00:25:35,760 Speaker 1: The motherfucker come up with a pickup truck. Fifty I 396 00:25:35,760 --> 00:25:38,160 Speaker 1: think got Uber pickup trucks. I don't want to get 397 00:25:38,200 --> 00:25:40,840 Speaker 1: in the front with the pickup truck. What I'm using? 398 00:25:42,280 --> 00:25:43,800 Speaker 1: And he says, I wish you were going on a 399 00:25:43,880 --> 00:25:46,480 Speaker 1: longer ride with me. I go, what are you talking about, Bubba, Like, 400 00:25:46,520 --> 00:25:54,639 Speaker 1: what do you We're not doing that? Yeah, yeah, yeah, 401 00:25:54,720 --> 00:25:58,159 Speaker 1: but definitely with that. Also, you know, Cadillacs has always 402 00:25:58,200 --> 00:26:02,359 Speaker 1: been something or the GM type of anything come from GM, Chevallet, Cadillacs, 403 00:26:02,359 --> 00:26:06,080 Speaker 1: all that always have been. Yeah, definitely Cadillacs of something 404 00:26:06,160 --> 00:26:09,720 Speaker 1: we always loved in Texas. Now a lot of come 405 00:26:09,800 --> 00:26:13,280 Speaker 1: with the slope with the being hot at all, culminate 406 00:26:13,359 --> 00:26:17,080 Speaker 1: from that. So the food here is slow smoke, the 407 00:26:17,119 --> 00:26:22,200 Speaker 1: barbecue slow smoke. You know, you know, uh DJ Screw 408 00:26:22,280 --> 00:26:26,160 Speaker 1: of course he invented a style of music. But now 409 00:26:26,400 --> 00:26:29,240 Speaker 1: you you you here being you know, and he always 410 00:26:29,280 --> 00:26:31,480 Speaker 1: would say he gonna screw the world. And it wasn't 411 00:26:31,520 --> 00:26:33,880 Speaker 1: just a catchy saying. It was like that was really 412 00:26:33,880 --> 00:26:36,479 Speaker 1: he wanted to bring the style of music to the world, 413 00:26:36,840 --> 00:26:41,320 Speaker 1: and he created an avenue of hip hop for all 414 00:26:41,359 --> 00:26:44,359 Speaker 1: of us down here. Now, everyone in Houston wasn't a 415 00:26:44,440 --> 00:26:47,600 Speaker 1: part of that movement or wasn't influenced by that movement, 416 00:26:47,640 --> 00:26:52,080 Speaker 1: but that gave our city and identity that was unlike 417 00:26:52,119 --> 00:26:54,280 Speaker 1: no other. And you know, it's to the point now 418 00:26:54,320 --> 00:26:57,240 Speaker 1: where even you know, almost twenty years after DJ Screw 419 00:26:57,280 --> 00:27:00,280 Speaker 1: passed away, it's been fifteen sixteen years, you know, said 420 00:27:00,359 --> 00:27:03,240 Speaker 1: he died in you know, it's my mom's birthday, November six, 421 00:27:04,000 --> 00:27:06,040 Speaker 1: two thousand, two thousand one, So you know, it's been 422 00:27:06,160 --> 00:27:09,280 Speaker 1: almost twenty years now. And you hear this style of 423 00:27:09,359 --> 00:27:13,200 Speaker 1: music be sampled and other artists from Justin timber Lake, 424 00:27:13,800 --> 00:27:17,959 Speaker 1: Black Eyed Peas. So it's not just Southern hip hop 425 00:27:18,119 --> 00:27:21,280 Speaker 1: or Texas hip hop, but it's mainstream music. So the 426 00:27:21,600 --> 00:27:23,720 Speaker 1: slow pace, come with the heat, with the you know, 427 00:27:23,760 --> 00:27:26,720 Speaker 1: the cars, the lanes are a little wider, so that 428 00:27:26,760 --> 00:27:29,119 Speaker 1: allowed me to put my pokers on so I can 429 00:27:29,160 --> 00:27:35,520 Speaker 1: swang wide, you know, and how about that lead. Yeah, yeah, yeah, yeah, yeah, 430 00:27:35,760 --> 00:27:38,200 Speaker 1: And what is that ship? That lead? What is that? 431 00:27:38,280 --> 00:27:42,280 Speaker 1: What exactly what is that ship? Syrup? Hey, I'm just 432 00:27:42,760 --> 00:27:45,439 Speaker 1: all I'm doing is following my doctor's orders. The doctor 433 00:27:45,440 --> 00:27:49,399 Speaker 1: tell me. It's prescribed from the doctor. The doctor says, 434 00:27:49,800 --> 00:27:51,880 Speaker 1: mix it with food. That's what I'm doing. So I'm 435 00:27:51,920 --> 00:27:56,199 Speaker 1: just I'm following doctor's orders. Cool syrup and ice? What 436 00:27:56,400 --> 00:28:00,479 Speaker 1: is it? Corp serrup over ice? How all used sipping 437 00:28:00,520 --> 00:28:04,440 Speaker 1: the ship? Yeah, we're mixing with We're mixing with SODA's. 438 00:28:04,560 --> 00:28:07,720 Speaker 1: It's something that's been around, you know, since the eighties. 439 00:28:07,760 --> 00:28:09,840 Speaker 1: For sure. It might have been around since seventies, but 440 00:28:09,880 --> 00:28:11,800 Speaker 1: for sure, I know for a fact it's been around 441 00:28:12,160 --> 00:28:17,919 Speaker 1: since the eighties. Yeah. Yeah, I don't have the disposition 442 00:28:18,040 --> 00:28:20,080 Speaker 1: like there must not be a lot of Jewish men 443 00:28:20,119 --> 00:28:22,520 Speaker 1: out here, because that ship would have me talked under this, 444 00:28:23,160 --> 00:28:26,159 Speaker 1: I'd be like to be under the stage. Well, I 445 00:28:26,200 --> 00:28:30,280 Speaker 1: mean to me, like when I you know, and and 446 00:28:30,280 --> 00:28:33,240 Speaker 1: it's like a kind of gray area because part of 447 00:28:33,280 --> 00:28:35,560 Speaker 1: it is it's it's a big part of our identity 448 00:28:35,560 --> 00:28:38,120 Speaker 1: and our culture hand Houston. Another part of it is 449 00:28:38,680 --> 00:28:40,720 Speaker 1: we don't want to advocate too much for it because 450 00:28:40,720 --> 00:28:43,200 Speaker 1: there's a lot of crash dummies out there, you know, 451 00:28:43,320 --> 00:28:47,240 Speaker 1: either one they're sipping fake serup or two their combining things. 452 00:28:47,280 --> 00:28:49,480 Speaker 1: And you know, so it's it's something that we don't 453 00:28:49,520 --> 00:28:52,360 Speaker 1: try to promote it too much on the mainstream type 454 00:28:52,400 --> 00:28:55,600 Speaker 1: of level. And then they, you know, when Justin Bieber 455 00:28:55,640 --> 00:28:57,600 Speaker 1: got caught with it, they banned it. That's when the 456 00:28:57,600 --> 00:29:01,080 Speaker 1: activists shut down. They said, they said, if Justin bie 457 00:29:01,120 --> 00:29:05,440 Speaker 1: Re sipping a product recreationally, we don't want and they 458 00:29:05,440 --> 00:29:10,280 Speaker 1: shut it down after that, when he had guy, he's 459 00:29:10,400 --> 00:29:16,200 Speaker 1: fucking guy. He reminds myself. He reminds me myself in 460 00:29:16,280 --> 00:29:18,480 Speaker 1: the third grade. He can't fucking he just like he's 461 00:29:18,520 --> 00:29:21,360 Speaker 1: dying to say something. I'm gonna stick this microphone up 462 00:29:21,360 --> 00:29:27,080 Speaker 1: your ass. No, bro, no, he can't help him. So, yeah, 463 00:29:27,160 --> 00:29:32,200 Speaker 1: look at him. The more I call him a fuck, 464 00:29:32,280 --> 00:29:35,800 Speaker 1: the happier he gets. He's got his fucking lean, he's 465 00:29:35,800 --> 00:29:42,800 Speaker 1: got blue syrup. You junkie cock sucking you. But you know, 466 00:29:43,200 --> 00:29:45,840 Speaker 1: with like uh, you know, with a lot of artists 467 00:29:45,840 --> 00:29:49,680 Speaker 1: coming from Houston making a mainstream we'd be in different sets. 468 00:29:49,720 --> 00:29:52,040 Speaker 1: Like I don't do cocaine, so I would be in 469 00:29:52,000 --> 00:29:53,800 Speaker 1: another city, like I'd be in New York like man 470 00:29:53,800 --> 00:29:55,680 Speaker 1: with a drink and anybody I don't sirrup out here 471 00:29:55,680 --> 00:29:57,880 Speaker 1: and they'd be like what And it'd be funny to 472 00:29:57,920 --> 00:30:01,120 Speaker 1: me because I remember sometimes we'd be like with our 473 00:30:01,160 --> 00:30:05,640 Speaker 1: record executive who's like multimillionaires, super high powered in the 474 00:30:05,680 --> 00:30:08,720 Speaker 1: record business, and they'd be doing lines of cocaine and 475 00:30:08,760 --> 00:30:11,480 Speaker 1: I'd be asking for serve and they'd be looking at 476 00:30:11,480 --> 00:30:13,640 Speaker 1: me like I'm a crackhead, like you're crazy, Like oh, 477 00:30:13,760 --> 00:30:15,960 Speaker 1: you sit, you're sitting counselor up like they really would 478 00:30:15,960 --> 00:30:17,320 Speaker 1: look at me like I'm a crackhead and then turn 479 00:30:17,360 --> 00:30:19,720 Speaker 1: around and take a bump and they're on, yeah, on 480 00:30:19,760 --> 00:30:21,240 Speaker 1: the book. So it would be like that. Man, it's 481 00:30:21,280 --> 00:30:25,880 Speaker 1: just you know, but to each his own. So you're 482 00:30:25,920 --> 00:30:29,160 Speaker 1: like you're known also like as like when I say hustler, 483 00:30:29,200 --> 00:30:30,640 Speaker 1: I mean it's in the best sense of the world, 484 00:30:30,640 --> 00:30:32,960 Speaker 1: like a motherfucker. Like you you know, like we're talking 485 00:30:32,960 --> 00:30:37,360 Speaker 1: about the grills obviously your your your music career. What 486 00:30:37,600 --> 00:30:39,280 Speaker 1: is it that put that in you? Like what like 487 00:30:39,360 --> 00:30:41,520 Speaker 1: what other stuff are you involved and why do you 488 00:30:41,680 --> 00:30:44,400 Speaker 1: have that? Like you know, you hear about Paul Wallace, 489 00:30:44,440 --> 00:30:46,479 Speaker 1: Paul Walla and at first she was like, oh, everybody 490 00:30:46,520 --> 00:30:48,400 Speaker 1: got a business. And then you're like twenty years later 491 00:30:48,920 --> 00:30:51,680 Speaker 1: and when grills grills sort of we're popping and then 492 00:30:51,680 --> 00:30:53,880 Speaker 1: it dipped and now grills are sort of like means 493 00:30:54,120 --> 00:30:57,280 Speaker 1: like the Kardashi aon't got grilled? You know, uh speaking 494 00:30:57,280 --> 00:30:59,640 Speaker 1: on that when you see somebody like the Cardashi when 495 00:30:59,640 --> 00:31:03,400 Speaker 1: the girls you like, what the fund did I do? Well? Yeah? Sometimes, 496 00:31:03,520 --> 00:31:05,560 Speaker 1: but I made that grill. So I'm like, ship, I 497 00:31:05,560 --> 00:31:10,800 Speaker 1: can't be mad, you know what I'm saying, Wait did man? 498 00:31:12,320 --> 00:31:17,680 Speaker 1: I'm not hating because hey, whome boys girls worth a billy, 499 00:31:17,920 --> 00:31:20,200 Speaker 1: But I remember making her grills too when she was 500 00:31:20,240 --> 00:31:22,400 Speaker 1: like eleven, teen year, twelve years old. So even not 501 00:31:22,560 --> 00:31:25,120 Speaker 1: like when I see college general, I think of when 502 00:31:25,120 --> 00:31:27,520 Speaker 1: I first met her and she, you know, she was 503 00:31:27,520 --> 00:31:29,920 Speaker 1: twelve years old or you know, around that age. So 504 00:31:29,960 --> 00:31:32,200 Speaker 1: I'm like, now I don't see college gener Now when 505 00:31:32,240 --> 00:31:34,120 Speaker 1: I look at her, I'll see a child because that's 506 00:31:34,240 --> 00:31:36,960 Speaker 1: how I met her. But you know, it definitely was 507 00:31:37,040 --> 00:31:39,360 Speaker 1: you know, when we made grills for Paris Hilton, you 508 00:31:39,360 --> 00:31:41,480 Speaker 1: know people, you know a lot of other people. It 509 00:31:41,560 --> 00:31:43,560 Speaker 1: was kind of getting to a point where it was like, Okay, 510 00:31:43,560 --> 00:31:46,680 Speaker 1: this is a mainstream fad, and then people who were 511 00:31:46,720 --> 00:31:50,160 Speaker 1: originally wearing grills because that's what they wore are now 512 00:31:50,320 --> 00:31:52,680 Speaker 1: like wait a minute, and it kind of switched. So 513 00:31:52,720 --> 00:31:55,000 Speaker 1: it died down for a little while. And then when 514 00:31:55,440 --> 00:31:57,600 Speaker 1: the newer generation they kind of came out just like yeah, 515 00:31:57,640 --> 00:32:00,520 Speaker 1: I need grills, and it just came back. Kids sort 516 00:32:00,520 --> 00:32:02,920 Speaker 1: of brought the ship back. That's the dog, all right. 517 00:32:03,000 --> 00:32:06,880 Speaker 1: So music the drive Slow Joint with Kanye, which was 518 00:32:07,160 --> 00:32:09,480 Speaker 1: when Kanye was in like at the best of his 519 00:32:09,480 --> 00:32:12,680 Speaker 1: his ship. Talk to me about how that happened, How 520 00:32:12,720 --> 00:32:15,280 Speaker 1: did you wind up working like the origins of that song. 521 00:32:15,440 --> 00:32:18,000 Speaker 1: Walked me through the whole Kanye experience, because then we're 522 00:32:18,000 --> 00:32:20,719 Speaker 1: gonna get to the new Kanye experience. Man it. I 523 00:32:20,760 --> 00:32:27,120 Speaker 1: originally met Kanye another album mixtape review. I reginally met 524 00:32:27,200 --> 00:32:30,480 Speaker 1: Kanye when I made his Grills, And even then I 525 00:32:30,600 --> 00:32:34,520 Speaker 1: met him kind of on some shaky circumstances because I was, 526 00:32:35,000 --> 00:32:37,800 Speaker 1: you know, on a label with another rapper who he 527 00:32:37,840 --> 00:32:41,440 Speaker 1: had met and there whatever situation didn't go too good. 528 00:32:41,480 --> 00:32:42,920 Speaker 1: They're all, you know, they were supposed to be in 529 00:32:42,920 --> 00:32:45,440 Speaker 1: the studio and ended up not working out in the studio. 530 00:32:45,560 --> 00:32:47,320 Speaker 1: So when I've seen him he you know, it was like, yeah, 531 00:32:47,320 --> 00:32:49,040 Speaker 1: what's up with your boy? Isn't that I'm like, hey, 532 00:32:49,040 --> 00:32:51,520 Speaker 1: look we're on the same label, but I'm my own person. 533 00:32:51,680 --> 00:32:54,080 Speaker 1: Whatever you got with him, you know whatever, And he 534 00:32:54,160 --> 00:32:55,719 Speaker 1: was like, hey, what's up with these grills. A matter 535 00:32:55,760 --> 00:32:57,680 Speaker 1: of fact, when I first met him, we were at 536 00:32:58,000 --> 00:33:02,400 Speaker 1: King Magazine photos for up and Coming Kings and it 537 00:33:02,480 --> 00:33:06,360 Speaker 1: was like, uh, you know, top basketball players, seventeen millionaire 538 00:33:06,400 --> 00:33:09,160 Speaker 1: under the age of twenty author, you know, all kind 539 00:33:09,160 --> 00:33:11,320 Speaker 1: of just different people. Common was there as an actor, 540 00:33:11,840 --> 00:33:15,720 Speaker 1: Kanye was there as a record exect for good music 541 00:33:15,840 --> 00:33:18,600 Speaker 1: or whatever. I was there for entrepreneur for grills. So 542 00:33:18,640 --> 00:33:21,000 Speaker 1: it was all that kind of hop. Kanye walking the door, 543 00:33:21,160 --> 00:33:23,240 Speaker 1: it's like a super industry were in New York, everything 544 00:33:23,400 --> 00:33:26,000 Speaker 1: super industry. He walked in like, man, it's some old 545 00:33:26,000 --> 00:33:28,719 Speaker 1: industry ship and he just bust out freestyling. And then 546 00:33:29,480 --> 00:33:34,080 Speaker 1: he started freestyling, and of course everybody, no, no, no, 547 00:33:34,320 --> 00:33:38,520 Speaker 1: He just was like he hasn't changed. Yeah, he was 548 00:33:38,520 --> 00:33:40,080 Speaker 1: just like this supposed to be a hip hop of man, 549 00:33:40,120 --> 00:33:42,640 Speaker 1: where you know what a hip hop at And he 550 00:33:42,720 --> 00:33:44,520 Speaker 1: just bust out with a freestyle and then when he 551 00:33:44,560 --> 00:33:46,880 Speaker 1: was done, it was like back to silence, and he 552 00:33:46,960 --> 00:33:49,120 Speaker 1: was like, damn, that's it. I was trying. I'm trying 553 00:33:49,120 --> 00:33:52,160 Speaker 1: to get a cipher going. Now. I'm from Houston, so 554 00:33:52,640 --> 00:33:55,640 Speaker 1: freestyle and it's like in all blood, so especially at 555 00:33:55,640 --> 00:33:58,840 Speaker 1: that time, and you couldn't. You couldn't tell me. I 556 00:33:58,880 --> 00:34:02,200 Speaker 1: couldn't the ship, and I'm in my mind, I'm like, Okay, 557 00:34:02,200 --> 00:34:04,400 Speaker 1: I'm gonna hold it down for Zero, I'm older down 558 00:34:04,440 --> 00:34:06,800 Speaker 1: for slim Dog, I'm gonna hold it down for DJ 559 00:34:06,960 --> 00:34:09,279 Speaker 1: screw Fat Pad. I'm about the older now for a 560 00:34:09,280 --> 00:34:12,200 Speaker 1: little Kiki right now, mom me, those are the real 561 00:34:12,280 --> 00:34:14,720 Speaker 1: Houston motherfucker's out there. A lot of motherfucker's ain't clapping, 562 00:34:17,880 --> 00:34:20,160 Speaker 1: so I you know, I fits some stuff off the 563 00:34:20,200 --> 00:34:21,799 Speaker 1: top of the head too, so you know, of course. 564 00:34:21,840 --> 00:34:23,279 Speaker 1: And then you know, I think you know that it 565 00:34:23,440 --> 00:34:25,480 Speaker 1: was a little bit of camaraderie over of course, you know, 566 00:34:25,480 --> 00:34:27,200 Speaker 1: he's seen I was about my ship. I wouldn't just 567 00:34:27,239 --> 00:34:29,120 Speaker 1: you know. And then that led to a you know, 568 00:34:29,160 --> 00:34:30,800 Speaker 1: what's up with your boy? And then that led to 569 00:34:30,840 --> 00:34:32,799 Speaker 1: aim out like your grill man, and then that led 570 00:34:32,840 --> 00:34:35,080 Speaker 1: to a ship. I'm grills on wheels. I got my 571 00:34:35,120 --> 00:34:36,919 Speaker 1: grill kid in the bag. What's up? You want grill 572 00:34:37,440 --> 00:34:39,560 Speaker 1: and then Ship like, yeah, let's go on, let's go 573 00:34:39,600 --> 00:34:42,000 Speaker 1: downstairs real quick. Window they got his grill mode. And 574 00:34:42,040 --> 00:34:44,640 Speaker 1: then this was around the time when he did uh 575 00:34:44,800 --> 00:34:47,879 Speaker 1: Diamonds off Forever Diamonds from ci Leon. He uh here 576 00:34:48,080 --> 00:34:50,440 Speaker 1: this also we have something here when we used to 577 00:34:50,520 --> 00:34:53,360 Speaker 1: have in Gallaston called the Kappa. The Cappa Beach Party 578 00:34:53,800 --> 00:34:57,360 Speaker 1: basically would be like it's like the freaking Nick Knaka, 579 00:34:57,840 --> 00:34:59,920 Speaker 1: but it was just we would all go down there 580 00:35:00,000 --> 00:35:03,600 Speaker 1: the third weekend in April and it was loosely organized. 581 00:35:03,680 --> 00:35:06,759 Speaker 1: It was put together by a cap outside fraternity. That's 582 00:35:06,800 --> 00:35:09,360 Speaker 1: why it's called the Capital. But it really wasn't like 583 00:35:09,719 --> 00:35:11,759 Speaker 1: organized as you pay to get on the beach. It 584 00:35:11,800 --> 00:35:13,120 Speaker 1: was just we were out to have them. Everybody was 585 00:35:13,120 --> 00:35:15,360 Speaker 1: at having fun, so we would. It was just a 586 00:35:15,440 --> 00:35:18,279 Speaker 1: legendary iconic thing for you know Texas. People will come 587 00:35:18,280 --> 00:35:20,880 Speaker 1: down from all over so you know that. That's just 588 00:35:20,960 --> 00:35:22,759 Speaker 1: kind of how we all kind of we would go 589 00:35:22,760 --> 00:35:25,719 Speaker 1: out there for fun. Was the last year at the Capita. 590 00:35:25,880 --> 00:35:29,960 Speaker 1: Kanye was out there. He was like, hey, what you're doing. Uh. 591 00:35:30,560 --> 00:35:32,359 Speaker 1: This is when his grills were ready. We made him 592 00:35:32,360 --> 00:35:34,640 Speaker 1: as grills they ready. Hey, yeah, I'm about to bring 593 00:35:34,640 --> 00:35:36,600 Speaker 1: your grills. He well, I'm coming down to Houston to 594 00:35:36,680 --> 00:35:38,640 Speaker 1: come to this cap of ship. What is this cap ship? 595 00:35:38,680 --> 00:35:40,960 Speaker 1: I'm going out there with scar face. Okay, ship you 596 00:35:41,040 --> 00:35:42,640 Speaker 1: coming out of with scar face? Here, I'm coming out 597 00:35:42,680 --> 00:35:44,840 Speaker 1: of the scar face. He was getting his music mixed. 598 00:35:44,880 --> 00:35:47,279 Speaker 1: Mike Dean was mixing his music. So we pull up 599 00:35:47,280 --> 00:35:48,839 Speaker 1: on him at the studio and Mike den give him 600 00:35:48,840 --> 00:35:51,279 Speaker 1: his grills because that led to something else, led to 601 00:35:51,320 --> 00:35:53,480 Speaker 1: some other grills for the crew and just something, you know, 602 00:35:53,480 --> 00:35:55,560 Speaker 1: a few other things. And then his A and R 603 00:35:56,080 --> 00:35:59,560 Speaker 1: with somebody named playing Pat playing Pat. He just you know, 604 00:35:59,640 --> 00:36:02,799 Speaker 1: managed uh found Kick Cutty, a bunch of other people. 605 00:36:02,840 --> 00:36:04,279 Speaker 1: He always you know, he was an A and R 606 00:36:04,360 --> 00:36:07,399 Speaker 1: for for Death Jam for a long time. I came 607 00:36:07,480 --> 00:36:10,799 Speaker 1: up fifteen years old doing promotion street promotions for Death Jam. 608 00:36:11,280 --> 00:36:12,880 Speaker 1: That's how that's how I got my foot into the 609 00:36:12,960 --> 00:36:15,000 Speaker 1: to the industry. Nobody want to hear somebody up and coming. 610 00:36:15,040 --> 00:36:19,359 Speaker 1: Wrap everybody wrapped, everybody wrap so wrapt. Yeah. Yeah, So 611 00:36:19,640 --> 00:36:21,400 Speaker 1: you gotta find your way in. You can't get in 612 00:36:21,400 --> 00:36:22,920 Speaker 1: through the front door. You gotta get in through the 613 00:36:22,920 --> 00:36:25,040 Speaker 1: side door, the garage, the back door, whatever, you know. 614 00:36:25,640 --> 00:36:27,399 Speaker 1: So that was me. That was my way to get 615 00:36:27,440 --> 00:36:29,440 Speaker 1: in was doing street promotions. So I was already kind 616 00:36:29,440 --> 00:36:31,000 Speaker 1: of I knew a few people from Death Jam, this 617 00:36:31,120 --> 00:36:32,480 Speaker 1: and that. Then at that time, I was making a 618 00:36:32,520 --> 00:36:34,279 Speaker 1: little noise that you know, we had still tipping out, 619 00:36:34,360 --> 00:36:37,600 Speaker 1: sitting sideways, came out, was just about to come out, Hello, 620 00:36:38,480 --> 00:36:41,879 Speaker 1: shout out, big poking, what's up? All right? All right? 621 00:36:43,160 --> 00:36:45,439 Speaker 1: And Playing Pad was like, look, man, matter of fact, 622 00:36:45,440 --> 00:36:47,719 Speaker 1: Playing Pat try to sign me, but l A Red 623 00:36:47,840 --> 00:36:49,759 Speaker 1: was trying to sign Commition there at the time, he 624 00:36:49,760 --> 00:36:52,080 Speaker 1: and Comedo we came out as a group and then 625 00:36:52,120 --> 00:36:55,160 Speaker 1: we went on ways as solo artists. Playing Pat was 626 00:36:55,200 --> 00:36:56,759 Speaker 1: trying to sign me, l A Read trying to sign 627 00:36:56,840 --> 00:36:59,000 Speaker 1: comed In. There ended up neither one of us got signed, 628 00:36:59,200 --> 00:37:01,560 Speaker 1: but me and Playing Path was always cool. He was like, hey, yo, look, 629 00:37:01,760 --> 00:37:04,359 Speaker 1: I know you just did these grills for Kanye. I'm 630 00:37:04,400 --> 00:37:06,520 Speaker 1: working on his album. He said, he funk with you, 631 00:37:06,520 --> 00:37:09,280 Speaker 1: He funk with your rhymes. You know, whatever, I gotta 632 00:37:09,440 --> 00:37:11,360 Speaker 1: We got a song we might use, he might not 633 00:37:11,600 --> 00:37:13,319 Speaker 1: use it, you know, I don't know. That was just 634 00:37:13,360 --> 00:37:16,399 Speaker 1: like the uh, that was the insurance policy in case 635 00:37:16,440 --> 00:37:18,000 Speaker 1: I come with something whack. You know what I'm saying 636 00:37:18,000 --> 00:37:19,640 Speaker 1: they wouldn't promise and they was gonna use it, but 637 00:37:19,680 --> 00:37:21,360 Speaker 1: they were like, you know, they ain't in the car. 638 00:37:21,760 --> 00:37:23,960 Speaker 1: If you come with from flying, we might use But 639 00:37:24,080 --> 00:37:26,440 Speaker 1: I all I need is opportunity, so I ain't tripping. 640 00:37:26,520 --> 00:37:28,759 Speaker 1: So I took the opportunity. Was like, hey, yeah, I 641 00:37:28,800 --> 00:37:30,520 Speaker 1: did my thing in my studio and sent it to 642 00:37:30,600 --> 00:37:32,759 Speaker 1: him and he's like, yeah, that's cool. When you when 643 00:37:32,760 --> 00:37:35,160 Speaker 1: you did it, you weren't there with him. I did 644 00:37:35,200 --> 00:37:37,120 Speaker 1: it here in Houston in my studio. He sent you 645 00:37:37,160 --> 00:37:40,880 Speaker 1: the beat, He sent me to beat the beat, but 646 00:37:41,000 --> 00:37:43,000 Speaker 1: is it the beat was the beat finished? The beat, 647 00:37:43,200 --> 00:37:45,480 Speaker 1: it was pretty much finished. And the song it was 648 00:37:45,520 --> 00:37:47,879 Speaker 1: just it's called drive Slow. Okay, that's it. That's all 649 00:37:47,880 --> 00:37:51,359 Speaker 1: I knew it was about. I did my verse. He 650 00:37:51,440 --> 00:37:53,040 Speaker 1: was like, man, I like it, but I got some 651 00:37:53,080 --> 00:37:54,520 Speaker 1: other stuff I want you to do. I want you 652 00:37:54,560 --> 00:37:56,440 Speaker 1: to try some stuff. Man, you're down to come out 653 00:37:56,480 --> 00:37:58,160 Speaker 1: to l A. I think we recorded it in the 654 00:37:58,280 --> 00:38:00,080 Speaker 1: l at the record playing somewhere in l A. Was like, 655 00:38:00,400 --> 00:38:01,920 Speaker 1: and you're down to come to l A too, to 656 00:38:02,040 --> 00:38:04,000 Speaker 1: do you do samet versus just do it over. I 657 00:38:04,040 --> 00:38:07,040 Speaker 1: want to be there when you do it. Okay. Cool, yeah, yeah, Ship, 658 00:38:07,080 --> 00:38:09,200 Speaker 1: we were I'm gonna say no, so yeah, I want. 659 00:38:09,400 --> 00:38:11,120 Speaker 1: I happy to be in l A, like, yeah, we're 660 00:38:11,120 --> 00:38:13,040 Speaker 1: gonna be here for this week recording. I went out 661 00:38:13,080 --> 00:38:15,480 Speaker 1: there on the way to the studio too. We got 662 00:38:15,480 --> 00:38:18,120 Speaker 1: pulled over the limo driver swanging too wide. We are 663 00:38:18,640 --> 00:38:21,279 Speaker 1: And and that was in the MTV Punk Day. So 664 00:38:21,360 --> 00:38:23,759 Speaker 1: I'm like the whole time. My mom like, man, they're 665 00:38:23,800 --> 00:38:26,400 Speaker 1: not gonna punk me. They pumped me. I'm going to jail. 666 00:38:27,000 --> 00:38:31,200 Speaker 1: I'm getting a fight or something. I was man, It 667 00:38:31,360 --> 00:38:33,799 Speaker 1: was not I had we had an in house rule. Man, 668 00:38:33,960 --> 00:38:36,400 Speaker 1: anybody sent me up to get punk, You're fired no 669 00:38:36,440 --> 00:38:38,759 Speaker 1: matter who you are. So Ship, you better you better 670 00:38:38,840 --> 00:38:40,960 Speaker 1: let me know anytime, because I don't even know I 671 00:38:41,080 --> 00:38:42,480 Speaker 1: was so I was man. One time we got off 672 00:38:42,520 --> 00:38:45,200 Speaker 1: the airplane. The police they thought we were you know, 673 00:38:45,239 --> 00:38:47,080 Speaker 1: I don't know man. They hemmed us up. I cut 674 00:38:47,160 --> 00:38:49,240 Speaker 1: the police smoothed out because I thought I was being pumped. 675 00:38:49,760 --> 00:38:51,799 Speaker 1: Coming find I wasn't being pumped. It was some air 676 00:38:51,920 --> 00:38:55,040 Speaker 1: Marshall's like, oh man, so I ain't never been punk, 677 00:38:55,160 --> 00:38:57,880 Speaker 1: but I thought I've been punked a few times and 678 00:38:57,920 --> 00:39:00,680 Speaker 1: it didn't into well for me. But so anyway, we 679 00:39:00,760 --> 00:39:02,360 Speaker 1: end up at the you know, I ain't up at 680 00:39:02,400 --> 00:39:04,880 Speaker 1: the studio. He's like, okay, come upstairs. J l C. 681 00:39:05,080 --> 00:39:08,160 Speaker 1: Me and j l C upstairs, can't come up here. 682 00:39:08,160 --> 00:39:09,680 Speaker 1: This is what I wants you to do. Downstairs in 683 00:39:09,719 --> 00:39:12,560 Speaker 1: the room, nas is doing his verse for the same album, 684 00:39:12,880 --> 00:39:14,640 Speaker 1: and he, you know, should I did my thing? Okay, 685 00:39:14,640 --> 00:39:16,160 Speaker 1: I wants you to do this whatever, try something to 686 00:39:16,280 --> 00:39:17,880 Speaker 1: Okay bad what I'm you know, ship I do my 687 00:39:17,960 --> 00:39:21,760 Speaker 1: thing Because some people they just take what you give him. 688 00:39:21,800 --> 00:39:24,799 Speaker 1: But he got something in mind that he wants, so 689 00:39:24,960 --> 00:39:27,880 Speaker 1: he like, not necessarily like he want to tell me 690 00:39:27,920 --> 00:39:29,759 Speaker 1: what to say, but he like, man, you want to 691 00:39:29,800 --> 00:39:31,600 Speaker 1: tell me how to say it? Kind of or kind 692 00:39:31,600 --> 00:39:34,279 Speaker 1: of like you know, and this something I always wanted 693 00:39:34,320 --> 00:39:36,560 Speaker 1: about you being an actor to not doing it being 694 00:39:36,560 --> 00:39:39,440 Speaker 1: a podcast. When you're an actor, they're telling you what 695 00:39:39,480 --> 00:39:42,399 Speaker 1: to say. But you know, I know you do other 696 00:39:42,440 --> 00:39:44,799 Speaker 1: things other than the podcast too, but with the podcast 697 00:39:45,200 --> 00:39:46,919 Speaker 1: you get to say what the funk you want. That's 698 00:39:46,920 --> 00:39:50,400 Speaker 1: one of the things we love about the Pocket is 699 00:39:50,400 --> 00:39:52,600 Speaker 1: is is you know, we start when we want, we 700 00:39:52,600 --> 00:39:54,680 Speaker 1: stop what we want. We we could say what we want, 701 00:39:54,719 --> 00:39:56,200 Speaker 1: we could say it how we want, we want to 702 00:39:56,200 --> 00:40:00,360 Speaker 1: say it, you know, fact checking zero fact check it, 703 00:40:01,520 --> 00:40:03,120 Speaker 1: but yeah, that was that was that was here for 704 00:40:03,160 --> 00:40:04,640 Speaker 1: the song. And then you know, we did the song 705 00:40:04,640 --> 00:40:06,600 Speaker 1: and he's like, yeah, we end up getting high Winds 706 00:40:06,640 --> 00:40:08,640 Speaker 1: that he got high Winds to direct the video and 707 00:40:08,920 --> 00:40:10,440 Speaker 1: that's the only video I did with hype Winds. So 708 00:40:10,480 --> 00:40:15,000 Speaker 1: I'm like, I got a video with hype k so 709 00:40:15,280 --> 00:40:16,880 Speaker 1: so let me put it on my album. And he 710 00:40:16,960 --> 00:40:18,920 Speaker 1: put it on his album. I'm like, damn man. And 711 00:40:19,000 --> 00:40:20,960 Speaker 1: even even then, like when they let me put it 712 00:40:21,000 --> 00:40:23,840 Speaker 1: on my Craig Calvin at Atlantic was like, yeah, I 713 00:40:23,840 --> 00:40:25,560 Speaker 1: got an idea. Why don't you put it on your 714 00:40:25,560 --> 00:40:28,080 Speaker 1: album too? And I'm like, of course, why yeah, But 715 00:40:28,239 --> 00:40:29,360 Speaker 1: do you think he's gonna let me put it on 716 00:40:29,400 --> 00:40:31,160 Speaker 1: my album? And he said she you know, we're cool 717 00:40:31,200 --> 00:40:33,160 Speaker 1: with jay Z jay Z the president of the Death Jam. 718 00:40:33,480 --> 00:40:35,200 Speaker 1: If they say it's cool, when we're gonna work it out, 719 00:40:35,280 --> 00:40:37,920 Speaker 1: So hey, man, work it out. Jay Z was like, 720 00:40:37,960 --> 00:40:39,960 Speaker 1: hey man, I fun with Para. We're not gonna charge 721 00:40:40,040 --> 00:40:41,759 Speaker 1: him extra, We're not gonna charge him for the bea. 722 00:40:41,800 --> 00:40:44,719 Speaker 1: We're not gonna charge him a clearance fee, says jay Z. 723 00:40:44,880 --> 00:40:51,239 Speaker 1: That's my boy, that's Joe Brooklyn. All right, So my 724 00:40:51,320 --> 00:40:54,760 Speaker 1: last question is is so, because obviously we respect Kanye, 725 00:40:54,760 --> 00:40:57,200 Speaker 1: we like to break his balls because it's just too 726 00:40:57,200 --> 00:41:00,440 Speaker 1: easy not to. Um. So when you see when you 727 00:41:00,440 --> 00:41:02,719 Speaker 1: you've worked him, obviously we you know, I know, like 728 00:41:02,800 --> 00:41:04,759 Speaker 1: I'm a fan is and all that stuff. When you 729 00:41:04,800 --> 00:41:07,680 Speaker 1: see like the evolution of where he is, you know 730 00:41:08,080 --> 00:41:10,000 Speaker 1: now from when you worked with him, and like that 731 00:41:10,040 --> 00:41:12,200 Speaker 1: beginning where like it was like sort of like across 732 00:41:12,520 --> 00:41:15,080 Speaker 1: the board, like everybody was like I funk with him, 733 00:41:15,120 --> 00:41:17,160 Speaker 1: I'm a huge fan, or you respect him. It was 734 00:41:17,200 --> 00:41:19,759 Speaker 1: one of those things, like what is your take on 735 00:41:19,800 --> 00:41:23,400 Speaker 1: the whole Kanye phenomenon, because like the last few months 736 00:41:23,400 --> 00:41:28,600 Speaker 1: of Kanye have been so polarizing, Like when it like, 737 00:41:28,680 --> 00:41:30,719 Speaker 1: you know, when I worked with him, which I mean, 738 00:41:30,840 --> 00:41:33,480 Speaker 1: I'm not gonna front I only it was only you know, 739 00:41:33,920 --> 00:41:35,640 Speaker 1: I'm not gonna say like he my best friend, I'm 740 00:41:35,640 --> 00:41:37,359 Speaker 1: texting him every day like that. You know, I worked 741 00:41:37,360 --> 00:41:38,880 Speaker 1: with him a few times and we performed together a 742 00:41:38,880 --> 00:41:41,520 Speaker 1: few times. You know, he was always one hunting straight 743 00:41:41,600 --> 00:41:44,279 Speaker 1: up with me. You know. But when you walk into 744 00:41:44,280 --> 00:41:45,960 Speaker 1: somewhere you don't know somebody, of course, you know, I 745 00:41:46,000 --> 00:41:48,160 Speaker 1: don't really I know him like that when I first 746 00:41:48,200 --> 00:41:49,759 Speaker 1: met him. So I'm, you know, just people, the same 747 00:41:49,800 --> 00:41:52,080 Speaker 1: people that you can kind of see glimpses of, like 748 00:41:52,160 --> 00:41:54,640 Speaker 1: what we see now now that there's social media showing 749 00:41:54,719 --> 00:41:57,160 Speaker 1: all of us, you know. So it's but to me, 750 00:41:57,239 --> 00:42:00,000 Speaker 1: I kind of always want to like everything that happened. 751 00:42:00,160 --> 00:42:01,560 Speaker 1: We ain't here nothing for a while, and all of 752 00:42:01,600 --> 00:42:03,640 Speaker 1: a sudden, it was like two or three weeks a 753 00:42:03,719 --> 00:42:08,239 Speaker 1: NonStop you know, TMZ ran everything you know, left the right, 754 00:42:08,280 --> 00:42:09,439 Speaker 1: and it was like the no, all of a sudden, 755 00:42:09,480 --> 00:42:11,680 Speaker 1: we don't hear nothing no more. Do you think it was? 756 00:42:11,719 --> 00:42:16,200 Speaker 1: Like just part of me is like I don't even 757 00:42:16,239 --> 00:42:18,840 Speaker 1: want to get into none of what he says or 758 00:42:18,880 --> 00:42:20,960 Speaker 1: what he said, because it's kind of like, man, I 759 00:42:21,000 --> 00:42:23,000 Speaker 1: don't want to bite the bait of it's just a 760 00:42:23,040 --> 00:42:27,799 Speaker 1: publicity stunt. I like biting bait, Paul the bait, but 761 00:42:28,040 --> 00:42:35,160 Speaker 1: I suck, I spit it out. But that's my that's 762 00:42:35,200 --> 00:42:40,960 Speaker 1: my achilles heighting bait. You know, everything he's saying we 763 00:42:41,040 --> 00:42:44,160 Speaker 1: got to take into consideration too, everything he said, whether 764 00:42:44,280 --> 00:42:45,919 Speaker 1: any of us agree with it or not, we think 765 00:42:45,920 --> 00:42:50,080 Speaker 1: he's crazy. Those are things that people in this country believe, right, 766 00:42:50,400 --> 00:42:54,640 Speaker 1: and sometimes we was so tribalized. Now we only I 767 00:42:54,719 --> 00:42:56,440 Speaker 1: only hang with my crew. I don't even listen to 768 00:42:56,480 --> 00:42:58,880 Speaker 1: what I want to listen to, only listen to the 769 00:42:58,920 --> 00:43:02,759 Speaker 1: podcast I can wrap for a podcast, the podcast that 770 00:43:02,800 --> 00:43:06,040 Speaker 1: I listened to, you know, like everything, you know, like 771 00:43:06,080 --> 00:43:09,560 Speaker 1: we're so much of a Netflix society where we choose 772 00:43:09,600 --> 00:43:13,239 Speaker 1: what we wanna consume, you know, where I don't know 773 00:43:13,320 --> 00:43:15,200 Speaker 1: sometimes with the guy on other side of the streets 774 00:43:15,200 --> 00:43:18,239 Speaker 1: consuming so I think he's like me, but I don't 775 00:43:18,280 --> 00:43:21,200 Speaker 1: realize that Motherfu's a complete opposite to me. So, you know, 776 00:43:21,280 --> 00:43:24,600 Speaker 1: we gotta take into consideration that, yes, Kanye saying these things, 777 00:43:24,600 --> 00:43:26,600 Speaker 1: but there are a lot of people in this country 778 00:43:26,840 --> 00:43:29,000 Speaker 1: who feel that way, whether they're right or wrong. So 779 00:43:29,360 --> 00:43:32,560 Speaker 1: my take is just, h yeah, we gotta hear each 780 00:43:32,600 --> 00:43:34,919 Speaker 1: other out because we all feel how we feel coming 781 00:43:34,960 --> 00:43:37,719 Speaker 1: from our perspective. So if me and you are, me 782 00:43:37,760 --> 00:43:41,160 Speaker 1: and g Moody disagree, well maybe if I was living 783 00:43:41,160 --> 00:43:43,560 Speaker 1: in his shoes and was raising boring how he was, 784 00:43:43,640 --> 00:43:45,719 Speaker 1: then maybe I would feel how he feels. If he 785 00:43:45,800 --> 00:43:47,960 Speaker 1: was living on my shoes, he might feel I feel right. 786 00:43:48,160 --> 00:43:50,640 Speaker 1: So I don't you know, I disagree with a lot 787 00:43:50,640 --> 00:43:53,879 Speaker 1: of people, and this is something that I feel like too, 788 00:43:54,040 --> 00:43:56,719 Speaker 1: just because you know, I see some of the comments sometimes, 789 00:43:56,920 --> 00:43:59,959 Speaker 1: like for you for your podcast, you have so many listen, 790 00:44:00,000 --> 00:44:03,480 Speaker 1: there's a fans from all into the spectrum. So there 791 00:44:03,520 --> 00:44:06,480 Speaker 1: are people who will listen to love Trump, people are 792 00:44:06,520 --> 00:44:08,640 Speaker 1: listening to hate Trump, people are listening to don't even 793 00:44:08,640 --> 00:44:10,440 Speaker 1: give me one way or the other. You know. So 794 00:44:11,560 --> 00:44:13,400 Speaker 1: it kind of this ain't similar with me where I 795 00:44:13,400 --> 00:44:16,080 Speaker 1: would always come in and often come into contact with 796 00:44:16,120 --> 00:44:19,880 Speaker 1: people who are of all walks of life, all genders, 797 00:44:19,960 --> 00:44:24,719 Speaker 1: all races, all classes. So just because this person don't 798 00:44:24,760 --> 00:44:26,600 Speaker 1: agree with me, I feel like I feel I just 799 00:44:26,680 --> 00:44:29,320 Speaker 1: fal like I just kind of learned to just respect 800 00:44:29,360 --> 00:44:31,239 Speaker 1: how they feel and just you know, I don't want 801 00:44:31,239 --> 00:44:36,040 Speaker 1: to get into back and forth. Respect each other. That's it, 802 00:44:36,280 --> 00:44:40,640 Speaker 1: all right, ladies. Let's say but sometimes you got he 803 00:44:41,000 --> 00:44:50,439 Speaker 1: sometimes you gotta come down there down listen. I gotta 804 00:44:50,480 --> 00:44:52,640 Speaker 1: tell the people listening to the Iron Wrap Reports stereo 805 00:44:52,680 --> 00:44:56,319 Speaker 1: podcast about our friends at my bookie dot ag, the 806 00:44:56,480 --> 00:45:00,440 Speaker 1: number one online sports action site. For three straight years, 807 00:45:00,520 --> 00:45:04,200 Speaker 1: I've been cashing out on preseason NFL action. You bet 808 00:45:04,360 --> 00:45:06,520 Speaker 1: you win. You know who's gonna win, right, you know 809 00:45:06,560 --> 00:45:08,719 Speaker 1: what you're doing, right? You put your money where your 810 00:45:08,719 --> 00:45:12,040 Speaker 1: mouth is, laid down some cash and win big today 811 00:45:12,160 --> 00:45:15,920 Speaker 1: my Bookie dot a G. Join the thousands of online 812 00:45:15,920 --> 00:45:19,480 Speaker 1: players just like me and start betting at my Bookie 813 00:45:19,480 --> 00:45:23,080 Speaker 1: sign up. Collect the one bonus and double your bank 814 00:45:23,200 --> 00:45:25,920 Speaker 1: roll on the house. It's on the house. Just use 815 00:45:25,960 --> 00:45:28,400 Speaker 1: the promo called wrapp Report r A P A p 816 00:45:28,560 --> 00:45:31,759 Speaker 1: O RT to get started today. At my Bookie they 817 00:45:31,800 --> 00:45:35,280 Speaker 1: have in game live betting, the most rewarding player perks 818 00:45:35,280 --> 00:45:38,600 Speaker 1: in the business, and all new best in class mobile 819 00:45:38,600 --> 00:45:41,600 Speaker 1: website that makes wagering on the go of breeze. It's 820 00:45:41,640 --> 00:45:44,320 Speaker 1: easy to use, it's fast to use, and it's efficient 821 00:45:44,320 --> 00:45:46,760 Speaker 1: and unlike some other websites you might find my book 822 00:45:46,760 --> 00:45:50,319 Speaker 1: You offers fast, no hassle payouts when you win. Use 823 00:45:50,360 --> 00:45:53,040 Speaker 1: the promo code rapp report to activate offers. Visit my 824 00:45:53,080 --> 00:45:56,040 Speaker 1: Bookie dot a G today or call eight four four 825 00:45:56,239 --> 00:45:59,440 Speaker 1: nine bets b E T S. You play, you win, 826 00:45:59,640 --> 00:46:02,640 Speaker 1: you get paid a S A P expert or rookie. 827 00:46:02,840 --> 00:46:08,399 Speaker 1: You gotta check out my Bookie sign up today. All right, 828 00:46:09,800 --> 00:46:18,360 Speaker 1: Miles Jordan's let me get that sick funk of the week. Female. 829 00:46:20,560 --> 00:46:24,479 Speaker 1: That's the sick funk of the week. The sick Funck 830 00:46:24,560 --> 00:46:28,920 Speaker 1: of the Week is an award that is earned. It 831 00:46:29,000 --> 00:46:41,160 Speaker 1: goes out to a person with a certain not everybody 832 00:46:41,200 --> 00:46:44,920 Speaker 1: could be a sick funk of the week. Alright, so 833 00:46:45,120 --> 00:46:47,000 Speaker 1: the sick funking a week, you guys know, while you 834 00:46:47,040 --> 00:46:50,399 Speaker 1: know how we get down, I'll gerald, I'll let you 835 00:46:50,520 --> 00:46:53,359 Speaker 1: uh right al off the free And I just want 836 00:46:53,360 --> 00:46:56,880 Speaker 1: you to know all of these six funks of the 837 00:46:56,920 --> 00:47:03,720 Speaker 1: week actually look like the fox. Of course, so number 838 00:47:03,719 --> 00:47:08,000 Speaker 1: one in Fayetteville, North Carolina, this six funck put rat 839 00:47:08,040 --> 00:47:12,680 Speaker 1: poison in the cheese at a pizza restaurant. An employee 840 00:47:12,680 --> 00:47:17,719 Speaker 1: at Primo Pizza, detectives have charged and arrested Ricky Lee. 841 00:47:17,840 --> 00:47:20,760 Speaker 1: Out of me anybody named Ricky Lee, you know you're 842 00:47:20,600 --> 00:47:24,560 Speaker 1: you gotta, you gotta, you gotta keep eyes on. Ricky 843 00:47:24,640 --> 00:47:33,120 Speaker 1: Lee was distributing food containing noxious material. The manager was 844 00:47:33,160 --> 00:47:37,080 Speaker 1: preparing the pizza when he observed an unknown substance mixed 845 00:47:37,160 --> 00:47:39,799 Speaker 1: with the shredded cheese. He tried to bake the rat 846 00:47:39,840 --> 00:47:44,399 Speaker 1: poison in the pizza in my pizza at ella. Why 847 00:47:44,440 --> 00:47:47,600 Speaker 1: would you do that? Shockingly? Sick Funk of the Week 848 00:47:47,719 --> 00:47:54,120 Speaker 1: Number two comes from Oka Cheepe, Florida. Of course, this 849 00:47:54,280 --> 00:47:58,640 Speaker 1: sick fuck brought his pet spider monkey with him shopping 850 00:47:58,680 --> 00:48:02,759 Speaker 1: to home depot. The pet spider monkey didn't want to 851 00:48:02,760 --> 00:48:06,560 Speaker 1: go shopping at heat home depot, got out of the cage, 852 00:48:06,600 --> 00:48:10,919 Speaker 1: just started running around the home depot, scaring the ship 853 00:48:12,080 --> 00:48:15,440 Speaker 1: out of customers. Leave your fucking monkey and old world. 854 00:48:15,680 --> 00:48:18,920 Speaker 1: It's bad enough that you gotta pet spider monkey, you cocksucker, 855 00:48:19,200 --> 00:48:21,520 Speaker 1: and you want to bring it to home depot that 856 00:48:21,600 --> 00:48:23,840 Speaker 1: the monkey asked you to go to home deep monkeys 857 00:48:23,880 --> 00:48:31,040 Speaker 1: not getting paint supplies. Leave the motherfucker home man can 858 00:48:31,239 --> 00:48:39,280 Speaker 1: do next one. In Fort Mariers, Florida, two six funks 859 00:48:39,280 --> 00:48:43,800 Speaker 1: were arrested for animal cruelty for beating cows with metal 860 00:48:43,960 --> 00:48:51,680 Speaker 1: rods at a dairy farm. Let that sink in. Nothing 861 00:48:51,760 --> 00:48:53,920 Speaker 1: happens without a thought, so you gotta think to go 862 00:48:54,000 --> 00:48:58,040 Speaker 1: beat the fucking cow. At this same cow farm, another 863 00:48:58,080 --> 00:49:02,439 Speaker 1: worker was arrested for kicking a cow. If you don't 864 00:49:02,480 --> 00:49:05,480 Speaker 1: like the cows, get a new job, you sick fuck you. 865 00:49:07,080 --> 00:49:10,200 Speaker 1: In Tulsa, Oklahoma, this guy looks like a sick fuck, 866 00:49:10,520 --> 00:49:14,320 Speaker 1: behaves like a sick fuck. He's walking around local stores 867 00:49:14,360 --> 00:49:19,240 Speaker 1: such as Target and stripping his clothes off, running up 868 00:49:19,280 --> 00:49:23,319 Speaker 1: and down in the aisles and as usual, this guy 869 00:49:23,400 --> 00:49:29,640 Speaker 1: from Tulsa, John Stanford, I don't understand if why would you? 870 00:49:29,680 --> 00:49:32,879 Speaker 1: Why don't you stay at home and be naked? Yeah, 871 00:49:33,960 --> 00:49:36,360 Speaker 1: you want to go to target, that's how you shot. 872 00:49:37,160 --> 00:49:41,200 Speaker 1: But as up and down the aisuse and you gotta run. 873 00:49:42,080 --> 00:49:45,880 Speaker 1: Why are you naked? Why don't you nake it? Why 874 00:49:45,920 --> 00:49:59,880 Speaker 1: don't you have clothes on? Dude? Exactly? Finally, finally, in 875 00:50:00,160 --> 00:50:05,719 Speaker 1: Forest Tail, Alabama, a sick fuck try to rob a 876 00:50:05,800 --> 00:50:11,200 Speaker 1: bank by passing the bank manager a note saying he 877 00:50:11,280 --> 00:50:15,120 Speaker 1: needed six thousand dollars from the bank vault. The note 878 00:50:15,160 --> 00:50:20,560 Speaker 1: said if she didn't comply, he would sexually assaulter, but 879 00:50:21,800 --> 00:50:25,640 Speaker 1: if she gave him the six thousand dollars, he would 880 00:50:25,680 --> 00:50:30,840 Speaker 1: reward her with sexual favors. If you give me the 881 00:50:31,280 --> 00:50:36,799 Speaker 1: six grand, you can give me my check. This guy 882 00:50:36,880 --> 00:50:40,440 Speaker 1: is a real six fuck. It's not it's not give 883 00:50:40,480 --> 00:50:42,000 Speaker 1: me the money or I'm gonna kill you. It's give 884 00:50:42,000 --> 00:50:46,319 Speaker 1: me the money or I'm gonna fuck you. Not even 885 00:50:46,360 --> 00:50:48,640 Speaker 1: this guy's got a great sense of humor. He should 886 00:50:48,640 --> 00:50:58,080 Speaker 1: be locked under the fucking jail. It's not a stick man. 887 00:50:58,640 --> 00:51:02,920 Speaker 1: All right, all right, all alright, alright, all right. I'm 888 00:51:02,920 --> 00:51:09,400 Speaker 1: gonna let the crowd participation participate because later on in 889 00:51:09,440 --> 00:51:12,240 Speaker 1: the show, believe it or not, I got my vows. 890 00:51:13,800 --> 00:51:17,080 Speaker 1: One of our best fans is renewing is twenty five 891 00:51:17,280 --> 00:51:23,040 Speaker 1: year wedding anniversary. So I'm gonna take a few questions 892 00:51:23,040 --> 00:51:25,000 Speaker 1: from fans. If you guys got any questions for me 893 00:51:25,080 --> 00:51:29,759 Speaker 1: and ge Moody, you could ask him not you? Yeah, 894 00:51:30,080 --> 00:51:31,680 Speaker 1: and uh you know we could we could have a 895 00:51:31,760 --> 00:51:38,600 Speaker 1: little conversation. Anybody got any questions? Yo? Okay, stand stand 896 00:51:38,640 --> 00:51:41,840 Speaker 1: up loud. From the Stern Show Fantasy League, are you 897 00:51:41,920 --> 00:51:48,600 Speaker 1: most excited to give? Good question? Good question? The question 898 00:51:48,719 --> 00:51:52,320 Speaker 1: is who from the Stern League am I most excited 899 00:51:52,360 --> 00:51:55,680 Speaker 1: about giving the wonder bread bag and olive oil treatment. 900 00:51:55,800 --> 00:52:00,200 Speaker 1: I see that. That's dope. Now. Of course, I le's 901 00:52:00,280 --> 00:52:04,680 Speaker 1: have eyes for Ba Ba booie. I always have eyes 902 00:52:04,719 --> 00:52:10,040 Speaker 1: for gorilla face Gary. But this year, this year, the 903 00:52:10,080 --> 00:52:12,000 Speaker 1: guy who I'm gonna be focusing on, the guy who 904 00:52:12,000 --> 00:52:15,240 Speaker 1: I'm gonna be looking for a nice, fresh clean wonder 905 00:52:15,239 --> 00:52:26,719 Speaker 1: bread bag, is that fuck print him. I want him bad, 906 00:52:28,280 --> 00:52:30,759 Speaker 1: I want him, I want him bad. So he's the guy. 907 00:52:30,880 --> 00:52:40,400 Speaker 1: Got I got eyes for you? Yeah? U is air 908 00:52:40,520 --> 00:52:45,520 Speaker 1: Moody doing any more dunce in the future. So y'all, 909 00:52:45,520 --> 00:52:49,560 Speaker 1: so I completed that. Let's do let's do our third 910 00:52:49,600 --> 00:52:53,279 Speaker 1: city poll. We did a poll in Toronto, We did 911 00:52:53,320 --> 00:52:57,040 Speaker 1: a poll in uh what were we bosted? No, not 912 00:52:57,160 --> 00:52:59,839 Speaker 1: bost in New York, New York, and in another place. 913 00:53:00,160 --> 00:53:03,320 Speaker 1: So to his face, this is this is the place 914 00:53:03,360 --> 00:53:05,919 Speaker 1: of honesty. You guys came out to see the Iron 915 00:53:05,960 --> 00:53:11,160 Speaker 1: Wrappers stereo podcast. We love the fans, obviously, so honesty 916 00:53:11,280 --> 00:53:21,200 Speaker 1: is important. If you think Ge Moody dun't raise your hand, okay, now, 917 00:53:21,280 --> 00:53:24,240 Speaker 1: now he's I expect, I expect all the black people's 918 00:53:24,239 --> 00:53:31,040 Speaker 1: hands should be raised. You're happy about this guy? Yeah, okay, 919 00:53:31,120 --> 00:53:35,239 Speaker 1: this fucking guy here, take him out of here, all right, 920 00:53:35,280 --> 00:53:38,839 Speaker 1: don't tell mus shut the funk up, tell mus shut 921 00:53:38,840 --> 00:53:43,000 Speaker 1: the funk up. Shut, shut the funk up. If you 922 00:53:43,080 --> 00:53:47,919 Speaker 1: think Ge Moody did not dun't graze your hands, all right, 923 00:53:48,320 --> 00:53:52,439 Speaker 1: all right, all right, So to answer you a question, yes, 924 00:53:52,760 --> 00:53:55,920 Speaker 1: I'm gonna go forward again because I got injured and 925 00:53:55,960 --> 00:54:01,920 Speaker 1: I couldn't work out. But now I'm I'm all good. Okay, okay, 926 00:54:02,040 --> 00:54:04,279 Speaker 1: I'm good. Shut up, I'm gonna let me go over 927 00:54:04,320 --> 00:54:10,279 Speaker 1: here with deal with this motherfucker's Okay, okay, just put 928 00:54:10,320 --> 00:54:21,120 Speaker 1: the bunk down. Tiger Woods did not read my book. 929 00:54:21,480 --> 00:54:25,360 Speaker 1: That motherfucker will remain in second place until he fully 930 00:54:25,400 --> 00:54:28,960 Speaker 1: embraces his love for waitresses at T G I F. 931 00:54:29,080 --> 00:54:33,840 Speaker 1: Friday and Apple Piece. I don't judge your Tiger. We 932 00:54:34,040 --> 00:54:41,439 Speaker 1: know you're a piece of ship. Ske and compete. Ski 933 00:54:42,040 --> 00:54:45,480 Speaker 1: and compete because if you don't ski, you can't compete. 934 00:54:45,520 --> 00:54:48,920 Speaker 1: If you don't skeets, you can't compete. I say it 935 00:54:48,960 --> 00:54:53,279 Speaker 1: one more time, if you don't ski, fucking guy, man, 936 00:54:54,520 --> 00:54:56,680 Speaker 1: I don't I don't like. I don't like any jack 937 00:54:56,719 --> 00:55:01,839 Speaker 1: facing motherfucker's And if you're faking jack's, it's gonna come. 938 00:55:01,880 --> 00:55:03,680 Speaker 1: First of all, the guy said it's first thing he 939 00:55:04,040 --> 00:55:07,160 Speaker 1: when he said he was he wasn't black. That's when 940 00:55:07,200 --> 00:55:09,239 Speaker 1: you knew you had a fucking doozy on your head. 941 00:55:09,320 --> 00:55:14,319 Speaker 1: He's disqualified. And now you're out here trying to play 942 00:55:14,400 --> 00:55:17,280 Speaker 1: like you're you're You're you're Johnny Friendly, You're Mr. Homebody. 943 00:55:17,719 --> 00:55:21,720 Speaker 1: We know who you is. If he should fucking Nike, 944 00:55:21,920 --> 00:55:25,720 Speaker 1: fuck Gatorade get an endorsement, dear with Schlit, Small Liquor 945 00:55:26,239 --> 00:55:28,960 Speaker 1: and em praise the fucking guy who you really are? 946 00:55:29,800 --> 00:55:32,000 Speaker 1: All Right, I'm gonna answer all the questions. I promise, 947 00:55:32,080 --> 00:55:34,680 Speaker 1: we're gonna, we're gonna, we're gonna bring this couple up 948 00:55:34,719 --> 00:55:37,959 Speaker 1: to renew their twenty five year vows. The show ain't over, 949 00:55:38,400 --> 00:55:41,040 Speaker 1: but I would just appreciate. I sorry, I don't have 950 00:55:41,080 --> 00:55:44,279 Speaker 1: to scream the whole time, because literally I'm gonna have 951 00:55:44,360 --> 00:55:46,279 Speaker 1: no voice. All Right, you guys, come on up here. 952 00:55:46,360 --> 00:55:51,759 Speaker 1: Let me get some music for them off. Yeah, all right, 953 00:55:56,480 --> 00:56:03,839 Speaker 1: all right, ladies and Jenna meet the Nandez Houston's own 954 00:56:04,040 --> 00:56:07,440 Speaker 1: twenty five years now. Believe it or not. Believe it 955 00:56:07,560 --> 00:56:12,279 Speaker 1: or not, you can't carry six or more dildos in 956 00:56:12,320 --> 00:56:16,040 Speaker 1: this state, but you can become an ordained minister in 957 00:56:16,120 --> 00:56:22,600 Speaker 1: fifteen minutes online. I am an ordained minister. Yes, all right, 958 00:56:22,680 --> 00:56:28,400 Speaker 1: so twenty five years, Louise and Laura's her Nandez twenty 959 00:56:28,520 --> 00:56:33,600 Speaker 1: five years. You you're gonna renew your vows? Okay. G 960 00:56:33,760 --> 00:56:37,680 Speaker 1: Moody's your best man. Of course, I'm always best. All right, 961 00:56:39,080 --> 00:56:41,920 Speaker 1: Laura's do you have any reservations about renewing your vows 962 00:56:41,960 --> 00:56:50,759 Speaker 1: twenty five years? No, louder No, she sounds convincing. Yeah, 963 00:56:52,760 --> 00:56:54,680 Speaker 1: you sound scared. Shit you've been do? You've been with 964 00:56:54,760 --> 00:56:56,840 Speaker 1: this guy twenty five years? I can't get any worse. 965 00:56:57,200 --> 00:57:00,200 Speaker 1: The lights. You see that little light down here, it's 966 00:57:00,239 --> 00:57:09,759 Speaker 1: the fucking light down there. Louis five years, man, did bid, 967 00:57:10,120 --> 00:57:14,359 Speaker 1: good bid? So Lord's do you solemnly swear to take 968 00:57:14,480 --> 00:57:21,920 Speaker 1: this cocksucker for twenty five to fifty more hard loving years. 969 00:57:27,560 --> 00:57:34,439 Speaker 1: She agrees, and Louis twenty five years. You haven't fucked up? 970 00:57:37,040 --> 00:57:41,160 Speaker 1: Now you solemnly swear to take this beautiful woman for 971 00:57:42,560 --> 00:57:45,479 Speaker 1: fifty till death. Do you part, because if you don't, 972 00:57:45,640 --> 00:57:48,960 Speaker 1: I'm gonna get my fucking baseball bet and break your 973 00:57:49,000 --> 00:57:57,400 Speaker 1: fucking head the one in all, my warrior always I 974 00:57:57,520 --> 00:58:01,680 Speaker 1: do all right? Yes, oh bough, you probably are so 975 00:58:01,720 --> 00:58:03,640 Speaker 1: sick and tired of it one more time for the 976 00:58:03,680 --> 00:58:06,880 Speaker 1: next rest of your life, happy marriage. You may rekiss 977 00:58:06,920 --> 00:58:19,920 Speaker 1: the bride. Yes, congratulations you guys. I appreciate it. You guys, 978 00:58:19,920 --> 00:58:38,880 Speaker 1: give it up for true love. Louis and lords rnand alright. 979 00:58:38,920 --> 00:58:44,200 Speaker 1: This has been a great showing. A repeat the question 980 00:58:44,720 --> 00:58:48,360 Speaker 1: the favorite what's the favorite thing about Houston? My favorite 981 00:58:48,400 --> 00:58:50,720 Speaker 1: thing about Houston? And listen, I'm not gonna front. We 982 00:58:50,720 --> 00:58:56,040 Speaker 1: haven't spent that much time here in my years. Okay, 983 00:58:56,080 --> 00:58:58,440 Speaker 1: you give you, give what you My favorite thing is 984 00:58:58,480 --> 00:59:03,680 Speaker 1: a kim Alas the first thing. Wait wait wait wait 985 00:59:03,680 --> 00:59:10,000 Speaker 1: wait more, one more, Willie D, Scarface, Mike D, Jake, 986 00:59:10,080 --> 00:59:21,800 Speaker 1: Prince Rap, a lot of records, Bushwick Bill my my 987 00:59:21,920 --> 00:59:28,880 Speaker 1: favorite thing. Oh zero zero's and now zero my four. 988 00:59:29,320 --> 00:59:33,800 Speaker 1: Of course, of course I didn't want to cross the rio. 989 00:59:34,080 --> 00:59:37,560 Speaker 1: Zero's in the house, and we put him up there 990 00:59:37,640 --> 00:59:42,760 Speaker 1: with the upper echelon of Houston hip hop. Pardon me, man, 991 00:59:43,000 --> 00:59:46,080 Speaker 1: When when I think of Houston, I think of childhood 992 00:59:46,120 --> 00:59:50,320 Speaker 1: memories of Monday night football with the great Howard co 993 00:59:50,520 --> 00:59:54,720 Speaker 1: Sell and Earl Campbell with his arroway jerseys and his 994 00:59:54,880 --> 00:59:59,240 Speaker 1: big fucking legs running over people. I think of Moses Malone, 995 00:59:59,440 --> 01:00:05,640 Speaker 1: the Great Moses Malone. Hell yeah, Robert Reid, Alan Level, 996 01:00:05,680 --> 01:00:08,960 Speaker 1: all these motherfucker's. Man. Yeah, I mean listen, you know 997 01:00:09,000 --> 01:00:13,680 Speaker 1: whether you're Rockets fan, live or die like yo, Houston sports. 998 01:00:14,320 --> 01:00:16,160 Speaker 1: When Houston used to go out of with the with 999 01:00:16,200 --> 01:00:18,360 Speaker 1: the with the Pittsburgh Steelers in the snow and the 1000 01:00:18,400 --> 01:00:21,800 Speaker 1: wet man, what is it with pistargic? What was it 1001 01:00:21,840 --> 01:00:25,920 Speaker 1: a good quarterback's name, Damn Pastorini, Pastorini, love you blue 1002 01:00:26,160 --> 01:00:28,360 Speaker 1: bum Phillips with the put the hat on and all 1003 01:00:28,360 --> 01:00:34,200 Speaker 1: that ship. We know that ship man Nolan Ryan, bad 1004 01:00:34,240 --> 01:00:40,280 Speaker 1: news Bears, breaking training, Let damn play let, damn play let. 1005 01:00:41,680 --> 01:00:44,640 Speaker 1: He's a lot of young motherfucker's in here. The young 1006 01:00:44,680 --> 01:00:48,320 Speaker 1: people like, what the fund are you talking? All right? 1007 01:00:48,360 --> 01:00:50,560 Speaker 1: You know what we said we were gonna talk about 1008 01:00:50,560 --> 01:00:52,680 Speaker 1: Tony Romo. Miles, Can I get that? Willie Hudge? I'm 1009 01:00:52,680 --> 01:01:10,960 Speaker 1: gonna give Tony. They gotta get it. That's that sweet 1010 01:01:10,960 --> 01:01:22,720 Speaker 1: Willie Hud. Go ahead, Tony Romo, he wasn't ship duke. Yeah. 1011 01:01:23,280 --> 01:01:29,280 Speaker 1: All the other quarterbacks Brent for Aaron Rodgers, Tom Brady, 1012 01:01:30,200 --> 01:01:34,320 Speaker 1: when they got the ball, you had to worry about 1013 01:01:34,400 --> 01:01:39,760 Speaker 1: catching up. But when Tony Romo got the ball, you 1014 01:01:39,880 --> 01:01:44,720 Speaker 1: just had to wait until he fucked up. Yeah, inevitable 1015 01:01:44,800 --> 01:01:49,240 Speaker 1: interceptions when we needed the most. I don't give a 1016 01:01:49,280 --> 01:01:52,200 Speaker 1: funk how many how many blonds you've been you've been 1017 01:01:52,280 --> 01:01:57,160 Speaker 1: down with Tony Romo. You're a fucking loser. I don't 1018 01:01:57,160 --> 01:01:59,919 Speaker 1: know why they gave you your own day to sell 1019 01:02:00,000 --> 01:02:02,760 Speaker 1: a break what and Mark Cuban, I funk with you. 1020 01:02:02,960 --> 01:02:05,200 Speaker 1: I funk with shark take. Why are you giving this 1021 01:02:05,320 --> 01:02:08,480 Speaker 1: dude try out on the layupp lie for the Mavericks. 1022 01:02:08,840 --> 01:02:10,840 Speaker 1: You might as well let Air Moody get out there 1023 01:02:10,840 --> 01:02:18,880 Speaker 1: and try to dunk. Try no succeed. Tony Romo is 1024 01:02:18,920 --> 01:02:23,960 Speaker 1: a good broadcaster, but as a football player, he wasn't Batman. 1025 01:02:25,480 --> 01:02:29,600 Speaker 1: Wasn't up at the end. You wasn't Batman. You wasn't Superman. 1026 01:02:30,160 --> 01:02:45,000 Speaker 1: You're not even Troy eighth Man. Uh uh uh, all right, 1027 01:02:46,760 --> 01:02:58,320 Speaker 1: Tony Romo was a ship man. Sorry, Ela Manning. All right. Listen, 1028 01:02:58,840 --> 01:03:01,120 Speaker 1: you guys have listened to a hundreds of Iron Wrapp 1029 01:03:01,160 --> 01:03:05,800 Speaker 1: Reports stereo podcast. The book, This book has balls, which 1030 01:03:05,840 --> 01:03:10,840 Speaker 1: is now a variable on paperback. You fux you money 1031 01:03:10,840 --> 01:03:16,120 Speaker 1: got it? Give him credit him. Staniel asked only one cokay, okay, 1032 01:03:16,160 --> 01:03:20,200 Speaker 1: a couple and you this whole section now you miss 1033 01:03:20,240 --> 01:03:24,040 Speaker 1: But the rest of you, guys, you cheap cocksuckers. You 1034 01:03:24,160 --> 01:03:32,720 Speaker 1: know how the fuck you he's been all his ship 1035 01:03:32,760 --> 01:03:39,880 Speaker 1: old Sarah, motherfucker. That's where the book went. Listen, we're 1036 01:03:39,920 --> 01:03:50,520 Speaker 1: doing a meet and greed after the show. She likes 1037 01:03:50,520 --> 01:03:52,760 Speaker 1: the j b A. What the fun is that? That's that? 1038 01:03:52,760 --> 01:03:57,080 Speaker 1: That's the ball league where These two assholes shot the 1039 01:03:57,120 --> 01:04:00,720 Speaker 1: ball seventies six times in one game. Yeah, that was 1040 01:04:00,760 --> 01:04:03,360 Speaker 1: a forest man. Damn. They fun kids up with that. 1041 01:04:03,680 --> 01:04:06,240 Speaker 1: Can you imagine you're playing in the a basketball game 1042 01:04:06,600 --> 01:04:11,560 Speaker 1: and two assholes shoot the ball seventies six times? Do 1043 01:04:11,600 --> 01:04:13,840 Speaker 1: you know the three guys are out there for the cardio? 1044 01:04:14,360 --> 01:04:18,920 Speaker 1: I thought it was about the kids. Remember you traded 1045 01:04:18,960 --> 01:04:24,360 Speaker 1: your eligibility for a thousand dollars. Jesus, that's a fucking 1046 01:04:24,440 --> 01:04:29,280 Speaker 1: uh p T Barnum. Yeah he ran over here. That's 1047 01:04:29,320 --> 01:04:33,240 Speaker 1: a good nice hustle, yeah, hustle man. All right, listen. 1048 01:04:33,240 --> 01:04:38,000 Speaker 1: Finally this goes out to Jerry Jones, You cock sucker. 1049 01:04:38,040 --> 01:04:48,680 Speaker 1: You You got ricked of the great Tom Landry and 1050 01:04:48,760 --> 01:04:53,560 Speaker 1: his dusty mothball hats, and then you had that fuck 1051 01:04:54,320 --> 01:04:58,960 Speaker 1: Jimmy Johnson running the team. You had a good run. 1052 01:04:59,200 --> 01:05:03,280 Speaker 1: You cookie asked, did you he got a boat toox too? 1053 01:05:04,040 --> 01:05:07,360 Speaker 1: Who got boat? Jerry Jones? That's like getting my fucking 1054 01:05:07,360 --> 01:05:10,840 Speaker 1: shoot boats. He looked he you should have saw him before. 1055 01:05:12,280 --> 01:05:15,400 Speaker 1: He looked like fucking Michael Myers out there. Man. Listen, 1056 01:05:17,480 --> 01:05:19,720 Speaker 1: we're doing an entire meet and greed. I gotta say. 1057 01:05:20,120 --> 01:05:22,440 Speaker 1: We've been doing live shows for three years now. I 1058 01:05:22,440 --> 01:05:24,440 Speaker 1: think this might be the best live show we did. 1059 01:05:24,520 --> 01:05:29,720 Speaker 1: Is because of you, guys, Houston. We don't have no problems. 1060 01:05:29,800 --> 01:05:32,920 Speaker 1: I want to thank you guys. We're gonna coming up. 1061 01:05:33,480 --> 01:05:35,320 Speaker 1: Thank you guys for comeing up. I Am rapp or 1062 01:05:35,440 --> 01:05:45,920 Speaker 1: Stereo podcast live from Houston, running up, all right. I 1063 01:05:45,960 --> 01:05:47,800 Speaker 1: told you we shut it down live. I want to 1064 01:05:47,800 --> 01:05:50,960 Speaker 1: thank our special guest Paul Wall for the hospitality, the 1065 01:05:51,000 --> 01:05:57,400 Speaker 1: Southern hospitality again Wednesday in Philadelphia, August Live show August 1066 01:05:58,200 --> 01:06:01,360 Speaker 1: Saturday Night in Boston with I Shall Guess, Warren Sapp 1067 01:06:01,440 --> 01:06:03,800 Speaker 1: and Jamine Wiggins and you never know who else is 1068 01:06:03,800 --> 01:06:07,560 Speaker 1: gonna show up. Tickets are available at I Am Rappaport 1069 01:06:07,600 --> 01:06:13,120 Speaker 1: Tour dot com. That's I Am Rappaport Tour dot com. 1070 01:06:13,280 --> 01:06:16,640 Speaker 1: Miles Jordan's take us out of here. Some nice, some 1071 01:06:16,840 --> 01:06:31,080 Speaker 1: real problem done