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Speaker 1: Following Chante's discovery of the truth behind Freedom House, she

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Speaker 1: fell into a deep despair. When we were with her

3
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Speaker 1: last she had made the decision to call her pimp Davon.

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Speaker 1: Of course, she knew he would be displeased with her

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Speaker 1: considering how they had left things, but Chantes could not

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Speaker 1: endure staying at the house any longer. It hurt, and

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Speaker 1: she didn't like feeling hurt. Calling Davon was the natural alternative.

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Speaker 1: He was surprised to hear from her, but secretly he

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Speaker 1: was impressed by her boldness, for surely she knew there

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Speaker 1: would be consequences to their unresolved dispute. Did she got

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Speaker 1: some motherfucking nerve? Hit my motherfucking line. I ain't got

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Speaker 1: nobody else to call. I wouldn't give a fuck. Were

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Speaker 1: you out right now? I'm in West Open. Can you

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Speaker 1: come pick me up? Utterly yours down there in the

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Speaker 1: bottoms for real, for real? Out of that fact ass stunt.

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Speaker 1: You just fool Okay, that wasn't my fault, dumb crazy bitch, wouldn't. No,

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Speaker 1: I don't give a funk. I don't want to hear

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Speaker 1: none of that ship you feel me your skinny gass

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Speaker 1: hand o bin is being in wether fucking car in

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Speaker 1: the first place. Are you right all right? That was

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Speaker 1: my bad? Uh? Huh, it was damn show. You're bad,

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Speaker 1: bit you feel me? That's why I ain't fucking with

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Speaker 1: your ass. Hoon, Daddy, Please, I'm sorry, Please come get me.

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Speaker 1: H Uh. I'm gonna give you this one last chance though,

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Speaker 1: but just know this, bitch, you ain't my bottom. Bitch

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Speaker 1: You better get that ship out of your head right now,

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Speaker 1: though you feel me, because the ship you full just

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Speaker 1: don't sit right with me. You feel me. I'm about

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Speaker 1: to make your ass work harder than you ever worked

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Speaker 1: before and make your feet leave. Bit you hear me,

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Speaker 1: I hear you, and I'll do whatever it takes his

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Speaker 1: daddy give me another chance. Chant was contrite and submissive.

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Speaker 1: Thought something had changed. Though she minded the words she

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Speaker 1: was supposed to say, they felt oddly hollow when it's

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Speaker 1: two weeks ago she might have truly meant them Now.

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Speaker 1: I disgusted her to hear the pleading tone of her voice,

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Speaker 1: but Chantes played the role she was meant to play.

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Speaker 1: It wasn't fair and it wasn't pretty, but it was life,

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Speaker 1: her life. The decision to return to it was inevitable.

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Speaker 1: Who was she to think there would be more to

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Speaker 1: life than lecherous men, no place to feel at home,

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Speaker 1: and a constant sense of lots. Freedom house had been

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Speaker 1: a mirage, a reprieve from her normal existence, but in

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Speaker 1: the end, it was better that she returned to reality

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Speaker 1: than live in a deflated dream. Davon arrived at the

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Speaker 1: house at eight p m. The timing was perfect since

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Speaker 1: the others had just left the house to go on

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Speaker 1: their weekly excursion with Irene. Chantey was invited, but she declined,

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Speaker 1: citing a headache. Sensing Chante was still upset, Irene asked

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Speaker 1: if everything was okay. Her inquiries were answered with a

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Speaker 1: stoic silence. Chanty was already outside waiting for Davon as

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Speaker 1: he pulled up in his freshly repaired Lexus. She approached

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Speaker 1: the vehicle is downcast when she got into the car.

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Speaker 1: Davon refused to acknowledge her after she meekly greeted him.

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Speaker 1: He looked straight ahead as he started the car and

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Speaker 1: began to drive. They didn't get past the first stock

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Speaker 1: sign before he finally turned to look at her. So

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Speaker 1: is that all you gotta say, bitch? You feel me.

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Speaker 1: You know you almost killed my motherfucking mama said, I

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Speaker 1: was sorry. You're sorry as motherfucker at all you feel me?

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Speaker 1: I mean you look sorry jokes. Davon reached over and

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Speaker 1: slapped her across the side of the head. This didn't

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Speaker 1: come as a surprise to Chante, who had expected to

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Speaker 1: pay this price. But again she felt that something had changed.

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Speaker 1: Submission felt wrong and impossibly, Like Eve of biblical times,

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Speaker 1: Chanty had eaten the forbidden fruit, and seeing that she

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Speaker 1: was naked and there would be no return to eating

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Speaker 1: for her. You got a lot to be sorry about

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Speaker 1: a bit, you feel me? Her only one apology? I

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Speaker 1: want apology for my car, my mama. You're making me

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Speaker 1: look weak in front of our bitches. Now I'm sorry

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Speaker 1: about your car and what else. I'm sorry about your

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Speaker 1: mama almost getting hit. Okay, I'm sorry you'll bit You

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Speaker 1: see how weak you are. I checked yourself. It's they

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Speaker 1: ain't even a huh. Chante did not intentionally misspeak, but

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Speaker 1: now she had opened the floodgates, she considered for a

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Speaker 1: moment what she ought to say next. A very particular

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Speaker 1: image arrived in her mind, like a vision comes to

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Speaker 1: an oracle. It was Davon's face. If she were to

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Speaker 1: tell him that no, she had not stuttered, but meant

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Speaker 1: exactly what she said, how shocked he would be. The

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Speaker 1: thought amused her endlessly, and she let out a giggle.

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Speaker 1: Infuriated Davon observed the smirk on her face. Are you

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Speaker 1: gotta jokes? Bit What the fund you laughing about? Not

85
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Speaker 1: a motherfucker? Than't funny here? I didn't stir, she could

86
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Speaker 1: not help it. The words brimmed to her lips before

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Speaker 1: she could reconsider speaking them. I am sorry. I'm sorry

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Speaker 1: that your bitches saw how wish you are. I'm sorry

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Speaker 1: that you are punk all right, and believe me, your

90
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Speaker 1: bitches know it. Your mam will running things and you're

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Speaker 1: just another fish in the mama. Before she could utter

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Speaker 1: another syllable, his hands were around her neck, crushing her.

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Speaker 1: At first, she did not fight it, knowing that doing

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Speaker 1: so would just make things worse. She had nearly blacked

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Speaker 1: out when he let go of her, leaving her gasping

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Speaker 1: for air, but as she tried to regain her breath,

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Speaker 1: he began to hit her on the side of her

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Speaker 1: head with a closed fist. She cowered, putting her hands

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Speaker 1: up to her face in defense. Chante's rage was slowly building,

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Speaker 1: increasing with every hit. It was strange. She knew she

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Speaker 1: probably deserved the strikes he delivered so mercilessly, but she

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Speaker 1: couldn't quite feel that it was true. Perhaps she thought

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Speaker 1: it was he who deserved to be hit. After all,

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Speaker 1: what had he ever really done for her besides humiliate

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Speaker 1: and terrorize her. He hadn't uttered a kind word to

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Speaker 1: her since they left Vallejo, So in addition to her rage,

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Speaker 1: she also felt disgust for Davon and towards herself for

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Speaker 1: calling him in the first place. Why now this, No,

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Speaker 1: it wasn't she who deserved to me on the receiving

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Speaker 1: end of such fury. It was he who should feel

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Speaker 1: her wrath. She wasn't sure at what point she started

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Speaker 1: to fight back. It happened very organically and without conscious

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Speaker 1: thought on her part. It wasn't until she could feel

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Speaker 1: her nails on the skin of his face that she

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Speaker 1: realized they were engaged in a true fight. She fought

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Speaker 1: with every ounce of herself. It was violent, ugly. Deep down,

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Speaker 1: she knew that there was no way she would escape

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Speaker 1: from this alive. He got ahold of her neck and

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Speaker 1: choked her again again. Chanty could feel herself fading. Instinctively,

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Speaker 1: her hands searched for something to grab. Ahold of her

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Speaker 1: frantic fingers found a ballpoint pen in the side pocket

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Speaker 1: at the passenger door. She took the pen and stabbed

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Speaker 1: Davon twice in the arm with it. He yelled in pain,

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Speaker 1: releasing his grasp of her. Finally, she was able to breathe, je,

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Speaker 1: What the fuck did she just stab me in my

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Speaker 1: fucking all? Okay, you a shot to kill me. I

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Speaker 1: try to kill you, but I'm about to kill your No,

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Speaker 1: you're not give me that. Let out. It's come here,

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Speaker 1: No work. I got something better for your ass for real. Yeah,

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Speaker 1: so you're about to shoot me, miss, I'm thinking about it.

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Speaker 1: Oh my god, whe coming up? Come here, come me,

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Speaker 1: Come here, comes Shantes sunk the pen deep into Davon's

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Speaker 1: left eye. She watched in horror as he screamed, bled,

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Speaker 1: and eventually stopped moving. For her part, Irene stood outside

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Speaker 1: the car banging on the window. Chanty barely heard the

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Speaker 1: noise as she sat in the seat, paralyzed by the

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Speaker 1: violence of what just occurred and mesmerized by the aftermath.

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Speaker 1: Come on, it took Chanta nearly thirty seconds to recover herself.

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Speaker 1: She reached over and unlocked the door for Irene, who

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Speaker 1: was calm composed but urgent. She pushed Davon's motionless body

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Speaker 1: out of the way so that she could get into

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Speaker 1: the driver's seat and close the door her self. Assured

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Speaker 1: actions struck Chante, who was still dumbfounded by the whole ordeal,

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Speaker 1: but Irene spotterly in control of herself and the situation.

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Speaker 1: If Chante had never noticed Irene's callous nature before she

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Speaker 1: saw it. Now, okay, what are we going to do?

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Speaker 1: First thing we need to do is get this car

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Speaker 1: up the street. I'll drive it into the garage. We'll

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Speaker 1: figure out everything else from there. Do you think he's deep?

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Speaker 1: Looks that way to me. I have to open the

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Speaker 1: garage manually. Stay here, hurry up. He is bleeding all

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Speaker 1: over me. Hell, he's still alive. You have to finish,

153
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Speaker 1: finish him. What the fund does that mean? You know

154
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Speaker 1: what it means? Figure it out. I'm going to close

155
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Speaker 1: the door. Damn. See, he should have just left me

156
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Speaker 1: the fuck alone. An good job. That's what finished looks like.

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Speaker 1: Give me that gun here. We have to go upstairs

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Speaker 1: to pack a small bag. Okay, essentials only. Where are

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Speaker 1: we going out of here? But first we're gonna torch

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Speaker 1: this place, torchy. You don't think that's a little too extra, No,

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Speaker 1: I don't. But if you have a better idea, I'm

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Speaker 1: open to hearing it. That's you did John Day packed haphazardly,

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Speaker 1: not carrying what she threw in her bag. Nothing that

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Speaker 1: happened in the last twenty minutes made any sense in

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Speaker 1: her life. She had been exposed more trauma than any

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Speaker 1: child should be, and those incidents should have made her

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Speaker 1: completely jaded to everything thrown her way. However, killing Davon

168
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Speaker 1: now forced her to break character, and she could not

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Speaker 1: help the few tears that fell from her eyes as

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Speaker 1: she gathered her belongings. Irene walked into the room, her

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Speaker 1: packed bag in hand. You're done almost Just stop sucking

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Speaker 1: rushing me. You gotta death wish her something? Why would

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Speaker 1: you call him? I don't know. It just seemed like

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Speaker 1: the right thing to do for you much. This is

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Speaker 1: gonna be a bit to clean up. My uncle is

176
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Speaker 1: not going to be happy about this. Is your uncle?

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Speaker 1: That's who I work for. I thought you worked for

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Speaker 1: the government. No, honey, I mean technically I do, but

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Speaker 1: my uncle is the boss, the boss of wood. We'll

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Speaker 1: talk about it later. Right now, we need to focus

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Speaker 1: on the current problem. Okay, where is everyone else? That's

182
00:11:01,040 --> 00:11:04,040
Speaker 1: the question they're out bowling. I came back because I

183
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Speaker 1: was worried about you. Why you care? At the end

184
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Speaker 1: of the day, You're just like him? Oh really, I'm

185
00:11:10,840 --> 00:11:13,200
Speaker 1: no different than a violent pimp who would take everything

186
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Speaker 1: from you and give you nothing, a man who would

187
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Speaker 1: forced you to put yourself into dangerous situations. Look, I

188
00:11:21,000 --> 00:11:22,920
Speaker 1: don't make the rules, and I sure as hell don't

189
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Speaker 1: tell other people what they should and shouldn't do with

190
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Speaker 1: their own body. Okay, bitch, what you want to cookie

191
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Speaker 1: or something? Aren't you also be some type of role

192
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Speaker 1: model or some ship. Ain't that the whole point of

193
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Speaker 1: your job? I am definitely not a role model, Chante.

194
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Speaker 1: My job is a far more complicated than that. Are

195
00:11:38,120 --> 00:11:42,079
Speaker 1: you ready? Let's go? The two of them grabbed the

196
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Speaker 1: packed bags and headed to Irene's car. It all felt

197
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Speaker 1: so surreal to Chante. She had killed Davon twice. Though

198
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Speaker 1: she was initially in shock, Irene's powerful influence on her

199
00:11:54,440 --> 00:11:57,920
Speaker 1: was undeniable, and the shock wore off more quickly was natural.

200
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Speaker 1: When they re entered the girls, Irene poured gasoline on

201
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Speaker 1: the floor and inside of Davon's car. Chanty had the

202
00:12:05,240 --> 00:12:08,840
Speaker 1: feeling this wasn't Irene's first time starting a fire. She

203
00:12:08,880 --> 00:12:10,959
Speaker 1: wondered if it was Irene who burned down the other

204
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Speaker 1: buildings in Oakland, but she kept that question to herself.

205
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Speaker 1: Here we go. You're ready that this is like a

206
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Speaker 1: fucking movie. This is a fucking movie. Irene lit a match,

207
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Speaker 1: handing it to our corrupted heroine, who refused to take

208
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Speaker 1: it from her, but Irene insisted that she must be

209
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Speaker 1: the one to close this chapter of her life. Knowing

210
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Speaker 1: she had no choice, Chanty took the match and threw

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Speaker 1: it to the ground. The whole room lit up quickly,

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Speaker 1: as if a very bright light bulb had just been

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Speaker 1: turned on. Chantay wasn't awe for a moment before Irene

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Speaker 1: pulled her up the stairs. They ran out of the

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Speaker 1: house and back to the car. Irene pulled off quickly

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Speaker 1: as they headed to the freeway. Okay, so what about

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Speaker 1: the neighbor's houses. They'll be fine. Firefighters will be there

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Speaker 1: in five minutes before it spreads. Man, this is so crazy.

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Speaker 1: I can't believe it. Never doubt that you did the

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Speaker 1: right thing, right or wrong. I don't know. I just

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Speaker 1: did what I had to do. But who are you

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Speaker 1: for real? My name is actually eat Inga, but only

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Speaker 1: my family calls me that a girl. Kind of name?

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Speaker 1: Is that? Russian? Russian? Okay, so that's what you'd be

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Speaker 1: talking sometimes. You told me you was just lungling cats

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Speaker 1: out of the bag a lot about a lot of things.

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Speaker 1: But for good reason, take some responsibility. Deep down, you

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Speaker 1: know I was lying. You chose to believe me. I

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Speaker 1: won't be making a mistake again. So look, where are

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Speaker 1: we going. First we're going to Richmond to switch out

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Speaker 1: the car. Then we'll have to San Francisco and talk

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Speaker 1: to my uncle, who will give us the next steps.

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Speaker 1: Then we'll take it from there. Your uncle, what does

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Speaker 1: he have to do with anything? And why do we

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Speaker 1: have to meet him? Let's just say he's one of

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Speaker 1: the most influential and important men in Brussia. Also, you're

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Speaker 1: with me. We're a team. Now. My uncle trusts my judgment,

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Speaker 1: So if I say I trust you, then we're good.

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Speaker 1: That's what the funk y'all wishes be doing. Shadiest book.

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Speaker 1: We've committed a crime together. We're bonded for life, and

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Speaker 1: now I know I can trust you for real. Okay,

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Speaker 1: But how do I know I can trust you? You

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Speaker 1: know that ship you did back there, you was a

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Speaker 1: cold bitch, and I know you could do the same

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Speaker 1: thing to me in a blink of any Okay. You

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00:14:54,800 --> 00:14:57,000
Speaker 1: know you may not want to trust me, but the

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Speaker 1: fact is you have no choice in the matter. There

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Speaker 1: are no table options for you that don't involve prison time.

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Speaker 1: I'm all you've got. We are very similar, Shante, I

250
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Speaker 1: didn't lie about that. Both trying to escape the stories

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Speaker 1: that were written about us far long before we had

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Speaker 1: to stay in them. Once upon a time, I was

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Speaker 1: eating the chick in the Chefska Russian them fatel, Soviet spy,

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Speaker 1: enemy of the state, and you you're the team prostitute

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Speaker 1: from a broken family. If the story had continued that way,

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Speaker 1: it would have ended with you addicted to crack or heroin,

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Speaker 1: or maybe you would have been kidnapped in traffic, beaten

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Speaker 1: and broken. Okay, but you you changed your fate. You

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Speaker 1: did it all on your own, just like I did. No,

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Speaker 1: I don't know if you're trying to be cute of.

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Speaker 1: You're just trying to read me the beach. What the

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Speaker 1: hell are you even talking about? Okay, hold on, be quiet, listen.

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Speaker 1: Do you hear that? Chante paused, trying very hard to

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Speaker 1: listen to whatever it was I really wanted her to hear.

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Speaker 1: She throwed her brow, unable to detect anything except voice

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Speaker 1: at the distance. He definitely don't sound like he can

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Speaker 1: round here. He sound me some bougie white dude. Yep,

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Speaker 1: that's him. That's the guy who's been writing your story.

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Speaker 1: You've got to get rid of him. What do you

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Speaker 1: mean writing my story? He's the voice of the patriarchy, Chante. Basically,

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Speaker 1: he's there to make sure that your life supports a white,

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Speaker 1: male dominated narrative of the world. If you allow him

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Speaker 1: to tell your story, you will be a stereotype and

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Speaker 1: your life will become one big cliche full of tropes

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Speaker 1: and a predictable plot points, like a really bad horror movie.

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Speaker 1: If you don't make your choices, he will make them

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Speaker 1: for you. Okay, and how do I do that? You're

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Speaker 1: already doing it? Going back to Devon, was you playing

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Speaker 1: into the bougie white duke's plan for you? But when

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Speaker 1: you killed Divan, you started taking your life into your

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Speaker 1: own hands. Irene was as convincing and conniving, as ever

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Speaker 1: more deceptive than Eve herself. Okay, okay, he's talking about

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Speaker 1: Eve or something. He likes that story of Lot. Anything

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Speaker 1: involving a woman trigging a man is down to be

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Speaker 1: a favorite of his. Chante began to consider what Irene

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Speaker 1: told her. Could it be true? Could there be a nameless,

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Speaker 1: faceless voice out there that dictated the lives of women?

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Speaker 1: Such a notion was absurd, impossible, and the source from

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Speaker 1: which the information came was unreliable at best. There was

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Speaker 1: a strong possibility that Irene was mentally unstable, schizophrenic. Perhaps, man,

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Speaker 1: this dude don't stop talking. He just don't shut the

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Speaker 1: hell up doing so. How do I get rid of

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Speaker 1: his ass? Now he'll never completely disappear. You'll have to

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Speaker 1: struggle with him your whole life. Probably, I know I

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00:17:58,720 --> 00:18:03,000
Speaker 1: still do. Try talking over him, drown his voice out

296
00:18:03,080 --> 00:18:12,639
Speaker 1: with your own impressionable young heroine closed her eyes and

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Speaker 1: imagined what she wanted, But she couldn't. Y'all, this is

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Speaker 1: some crazy ship, and I don't know what the motherfucker's

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Speaker 1: expect next. All I know is that I'm ready for

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Speaker 1: a change. You know, this little crazy Russian bitch might

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Speaker 1: be lying that. Don't mean she can't be right about

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Speaker 1: some ship. I mean a whole life I can't even

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Speaker 1: visualize yet waiting on me. I'm gonna get it though,

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Speaker 1: I'll stay tu him. Hello, I'm I'm home baby. Wow,

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Speaker 1: I've almost forgotten what you looked like. You know how

306
00:19:04,160 --> 00:19:07,000
Speaker 1: it is. But when you're on the arm of Oakland's

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Speaker 1: next mayor, cut the ship, Lenny, What do you mean

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Speaker 1: you are never going to be mayor? Never? Hey? Hey,

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Speaker 1: where's this aggression coming from. I know I've been running

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Speaker 1: around a lot lately, but I'm doing my best here.

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Speaker 1: Let me repeat, you are never going to be mayor.

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Speaker 1: And if you do, by some crazy miracle, end up

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Speaker 1: as Oakland mayor, I'm going to make sure everyone knows

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Speaker 1: what a low life scumbag you are. That you are

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Speaker 1: a man who screws his grandson's mother. Who told you

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Speaker 1: that heard it from the horse's own mouth? What horse

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Speaker 1: are we talking about here? Don't do that. Don't you dare?

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Speaker 1: Play done with me? You're not a good enough liar.

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Speaker 1: I'm not, you are correct, I just don't understand what's

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Speaker 1: going on. Who ever told you that is a liar?

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Speaker 1: And that what has gotten into you? What is the

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00:20:06,960 --> 00:20:09,680
Speaker 1: problem here? You asked me what the problem is? One

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00:20:09,680 --> 00:20:13,800
Speaker 1: more time? Okay, okay, allow me to rephrase. Are you

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Speaker 1: out of your fucking mind? I would never ever sleep

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Speaker 1: with Aricelli? Why would she lie to me? There doesn't

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Speaker 1: have to be a reason. She's an addict for crying

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Speaker 1: out loud, that's what they do. She's mentally unstable. Oh

328
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Speaker 1: so you leased the house behind my back to an addict.

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00:20:41,359 --> 00:20:47,120
Speaker 1: She's our son's baby mama. Why would not without telling me?

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Speaker 1: It didn't seem like a big deal. Lenny, this is

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Speaker 1: the wrong place to go with us. Don't you sit

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Speaker 1: there and pretend you didn't know how I would feel

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Speaker 1: about you renting my property to a woman who has

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Speaker 1: done nothing but lie and steal from us. Top it off,

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Speaker 1: you go and fuck the bitch. Enough of that. You

336
00:21:13,560 --> 00:21:15,280
Speaker 1: know she left her ship all over the house I

337
00:21:15,359 --> 00:21:18,000
Speaker 1: just rented out. The place was trashed when I went by.

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00:21:18,520 --> 00:21:21,760
Speaker 1: God only knows what Sebashion has been exposed to. She's

339
00:21:21,880 --> 00:21:26,480
Speaker 1: just trying to get attention, Babe. You said it yourself.

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Speaker 1: She's a liar. Yeah she is, but so are you

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00:21:37,840 --> 00:21:41,679
Speaker 1: all right? So maybe I didn't neglect to tell you

342
00:21:41,720 --> 00:21:47,679
Speaker 1: about the apartment, and I can apologize for that. I

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00:21:47,720 --> 00:21:52,520
Speaker 1: am sorry I didn't tell you, but I knew you

344
00:21:52,520 --> 00:22:01,160
Speaker 1: wouldn't help her cheating on you though. Come on, Oh

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00:22:01,920 --> 00:22:06,240
Speaker 1: I have proof? What proof? I guess you don't know

346
00:22:06,280 --> 00:22:11,000
Speaker 1: how to clear your previous purchases from your Amazon account.

347
00:22:11,080 --> 00:22:17,720
Speaker 1: Uh let's take a look. Oh, here we go. Three

348
00:22:17,800 --> 00:22:21,840
Speaker 1: months ago you sent some trashy panties to Ari Sally

349
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Speaker 1: and some more. Two weeks after that, you even had

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00:22:27,440 --> 00:22:36,040
Speaker 1: a gift wrapped very thoughtful. Oh shit, okay, m hm,

351
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Speaker 1: I can see how this looks bad, but she um,

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Speaker 1: she asked me to buy them for her. It wasn't

353
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Speaker 1: for my benefits. Do you just assume that everyone around

354
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Speaker 1: you is stupid enough to believe your garbage? We have

355
00:23:00,720 --> 00:23:06,320
Speaker 1: been married for twenty years, you moron. You're too lazy

356
00:23:06,440 --> 00:23:10,440
Speaker 1: or stupid to even give me a decent excuse, disgusting

357
00:23:12,560 --> 00:23:17,840
Speaker 1: an excuse. It's it's the truth, right, You're sticking to denial,

358
00:23:18,280 --> 00:23:25,600
Speaker 1: so typical. What am I supposed to say? Nothing? Absolutely nothing.

359
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Speaker 1: I'm sorry. Danny is livid by the way she told

360
00:23:34,640 --> 00:23:42,600
Speaker 1: Danny Harlives too. No I did. Apparently I'm the only

361
00:23:42,640 --> 00:23:45,840
Speaker 1: one who gives a crap about helping our son. Listen,

362
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Speaker 1: you want to be mad at me, that's fine, But

363
00:23:51,920 --> 00:23:54,560
Speaker 1: why rake him into it when you know he's fresh

364
00:23:54,560 --> 00:23:58,480
Speaker 1: out of rehab? Nice? Nice, Now you want to play

365
00:23:58,560 --> 00:24:01,119
Speaker 1: the role of supportive father. But he told me what

366
00:24:01,280 --> 00:24:03,399
Speaker 1: you asked him to do to that other cafe, and

367
00:24:03,440 --> 00:24:06,000
Speaker 1: in less than twenty four hours of him being out.

368
00:24:07,720 --> 00:24:10,400
Speaker 1: I'm sure local media will have a field day with

369
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Speaker 1: that information. You wouldn't. Haven't decided yet. We're weighing the

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00:24:15,760 --> 00:24:20,200
Speaker 1: pros and cons of exposing you personally. I don't think

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00:24:20,240 --> 00:24:22,359
Speaker 1: anyone gives enough of a shit about you for it

372
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Speaker 1: to make a difference. It doesn't matter, though they'll enjoy

373
00:24:27,680 --> 00:24:33,280
Speaker 1: watching the spectacle of your downfall. After all I do

374
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Speaker 1: for the community. You come at me with that bullshit.

375
00:24:38,760 --> 00:24:43,600
Speaker 1: I have sacrificed. I have defended, helped and loved the

376
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Speaker 1: people here. They care about me, and no fucking crackhead,

377
00:24:49,080 --> 00:24:55,840
Speaker 1: my son or not, he's going to change that. M hm. Wow,

378
00:24:55,960 --> 00:25:00,280
Speaker 1: so much for the Father of the Year award. I've

379
00:25:00,320 --> 00:25:04,440
Speaker 1: been standing by as you've peddled property that doesn't belong

380
00:25:04,840 --> 00:25:11,639
Speaker 1: to you. You take me for granted, Lenny, and that

381
00:25:11,760 --> 00:25:16,240
Speaker 1: ends now. I bet you expected me to go along

382
00:25:16,280 --> 00:25:24,720
Speaker 1: with your manic episodes forever. Okay, slow down here. You're

383
00:25:24,720 --> 00:25:35,520
Speaker 1: not going to divorce me over this. I am, and

384
00:25:35,640 --> 00:25:39,680
Speaker 1: you know what, I don't even care if you get

385
00:25:39,720 --> 00:25:43,560
Speaker 1: half of everything, A small price to pay to have

386
00:25:43,720 --> 00:25:47,680
Speaker 1: your crazy ass out of my life. We can't talk

387
00:25:47,720 --> 00:25:56,000
Speaker 1: about this. How can I make it better? Oh, Lenny?

388
00:25:56,640 --> 00:25:59,919
Speaker 1: We are so far from repair it's not even funny.

389
00:26:01,560 --> 00:26:07,000
Speaker 1: No more of this circus, no more. What do you

390
00:26:07,000 --> 00:26:09,720
Speaker 1: mean by no more? Yeah? Okay, what do I mean

391
00:26:09,760 --> 00:26:11,919
Speaker 1: by no more? Sure? Allow me to translate it for you.

392
00:26:11,960 --> 00:26:13,919
Speaker 1: Get the hell out of my house. Where am I

393
00:26:13,920 --> 00:26:17,400
Speaker 1: supposed to go? Sleep at the cafe for all I care?

394
00:26:17,480 --> 00:26:19,920
Speaker 1: You love that place more than any human being. Anyway,

395
00:26:20,560 --> 00:26:22,320
Speaker 1: Stay there as long as you like until I figure

396
00:26:22,359 --> 00:26:24,200
Speaker 1: out how to get rid of it. You can't do that.

397
00:26:24,400 --> 00:26:28,360
Speaker 1: I can and I will att Did you not hear me?

398
00:26:29,000 --> 00:26:35,320
Speaker 1: Leave now? But all my stuff? I don't care. By

399
00:26:35,359 --> 00:26:40,000
Speaker 1: the way, I've frozen most of the accounts, which, like

400
00:26:40,119 --> 00:26:45,679
Speaker 1: almost everything else, is in my name. Oh thanks for

401
00:26:45,720 --> 00:26:58,520
Speaker 1: the heads up, bitch, any I got your fence? What's

402
00:26:58,520 --> 00:27:02,120
Speaker 1: going on MS to Green. Where do I begin? Mr? Green,

403
00:27:02,200 --> 00:27:05,040
Speaker 1: I haven't heard that name in a while. Well, you'll

404
00:27:05,040 --> 00:27:07,240
Speaker 1: always be the next door neighbor to me. So why

405
00:27:07,240 --> 00:27:09,840
Speaker 1: did you want me to meet you here? Because you're

406
00:27:09,880 --> 00:27:12,280
Speaker 1: the only one I trust these days, the only one

407
00:27:12,320 --> 00:27:15,119
Speaker 1: who knows me, the real me. Well, you must have

408
00:27:15,200 --> 00:27:17,080
Speaker 1: run too some serious trouble if I'm the only one

409
00:27:17,119 --> 00:27:20,280
Speaker 1: to guy worse than you know, it's a mess that

410
00:27:20,400 --> 00:27:23,679
Speaker 1: I've created. Half the neighborhood thinks I'm a homophobe, the

411
00:27:23,720 --> 00:27:26,320
Speaker 1: other half things I'm a white supremacy. My kid hates me,

412
00:27:27,400 --> 00:27:30,280
Speaker 1: my wife wants a divorce. I got the government on

413
00:27:30,359 --> 00:27:35,480
Speaker 1: my ass. Yeah that sounds like a lot. But when

414
00:27:35,480 --> 00:27:37,159
Speaker 1: I hear this, I can't help but think of the

415
00:27:37,200 --> 00:27:41,240
Speaker 1: story of Job and now he was testing and persevered.

416
00:27:42,160 --> 00:27:43,800
Speaker 1: He had the weight of the world on his shoulders.

417
00:27:43,840 --> 00:27:46,800
Speaker 1: But it's still trusted in God, even when God tore

418
00:27:46,880 --> 00:27:48,960
Speaker 1: his life apart. But it was all a test that

419
00:27:49,000 --> 00:27:51,119
Speaker 1: he passed with flying colors. Yeah, I know the story.

420
00:27:51,160 --> 00:27:52,840
Speaker 1: Well you got all that ass, What on earth do

421
00:27:52,880 --> 00:27:56,439
Speaker 1: you need me for? Let's be honest. Okay, I'm not

422
00:27:56,480 --> 00:27:58,960
Speaker 1: one of those dudes in the Bible. No way in hell,

423
00:27:59,000 --> 00:28:03,240
Speaker 1: I'm a prophet or messenger or whatever. Maybe I just

424
00:28:03,359 --> 00:28:06,080
Speaker 1: want reassurance for you to tell me that I'm not

425
00:28:06,119 --> 00:28:10,600
Speaker 1: a total douche. I'm not a priest. Lenny. I can't

426
00:28:10,640 --> 00:28:13,560
Speaker 1: give you absolution. What I can tell you this God

427
00:28:13,640 --> 00:28:17,760
Speaker 1: works in mysterious ways. Has it occurred to you that

428
00:28:18,080 --> 00:28:20,160
Speaker 1: you're just a cog in the will of something bigger

429
00:28:20,160 --> 00:28:24,879
Speaker 1: than you? Come on? That thinking just isn't practical. Like

430
00:28:24,920 --> 00:28:26,920
Speaker 1: I said, you know me and I'm not the type

431
00:28:26,960 --> 00:28:30,200
Speaker 1: to just wait around for plans to magically reveal themselves. Well,

432
00:28:30,200 --> 00:28:32,359
Speaker 1: in that case, is it possible that you're doing something

433
00:28:32,359 --> 00:28:35,919
Speaker 1: wrong in your relationships? Something you can change? Seems all

434
00:28:35,920 --> 00:28:39,000
Speaker 1: I gotta do is open my mouth. And there's a problem.

435
00:28:39,080 --> 00:28:42,600
Speaker 1: The whole game is raped. What on earth do you

436
00:28:42,640 --> 00:28:45,480
Speaker 1: know about the game being read? It is raped. You

437
00:28:45,520 --> 00:28:48,600
Speaker 1: can't win. You of all people should know what I'm

438
00:28:48,640 --> 00:28:52,480
Speaker 1: talking about. Just look at what happened here the other week.

439
00:28:52,640 --> 00:28:55,640
Speaker 1: When those guys try to dictate how you run your church.

440
00:28:55,960 --> 00:28:59,120
Speaker 1: You follow all the rules, speak to and with respect,

441
00:28:59,280 --> 00:29:01,400
Speaker 1: and still they can a problem with you. First of all,

442
00:29:01,440 --> 00:29:03,360
Speaker 1: nobody tells me how to run my church. I'm not

443
00:29:03,400 --> 00:29:06,480
Speaker 1: worried about that. Though I do appreciate you intervening on

444
00:29:06,560 --> 00:29:10,280
Speaker 1: my bad See, I can't be a bad guy if

445
00:29:10,280 --> 00:29:13,800
Speaker 1: I'm doing good things. I'm not sure it works that way.

446
00:29:14,240 --> 00:29:17,320
Speaker 1: I'd say intention and what's in your heart matters most.

447
00:29:18,160 --> 00:29:22,960
Speaker 1: This is if we're talking about personal salvation here. We

448
00:29:23,080 --> 00:29:26,480
Speaker 1: both know I gave up on salvation a long time ago.

449
00:29:27,680 --> 00:29:31,600
Speaker 1: I'm not perfect, and I've never tried to be perfect either.

450
00:29:32,520 --> 00:29:34,760
Speaker 1: When I go to sleep at night, my soul is

451
00:29:34,800 --> 00:29:38,360
Speaker 1: the last thing on my mind. It's like in that story, uh,

452
00:29:38,560 --> 00:29:40,719
Speaker 1: the one where the guy wants to be young forever

453
00:29:40,760 --> 00:29:44,400
Speaker 1: and he switches places with his portrait Dorian Gray. Yeah,

454
00:29:44,560 --> 00:29:49,479
Speaker 1: Dorian Gray, I'm Dorian. My soul could rot before my

455
00:29:49,600 --> 00:29:52,840
Speaker 1: eyes from all the hany shit. I've done no problem,

456
00:29:52,880 --> 00:29:55,000
Speaker 1: and I'm okay with the fact that I'm okay with that.

457
00:29:55,760 --> 00:29:59,520
Speaker 1: But what bothers me is that nothing I've done, good

458
00:29:59,560 --> 00:30:02,959
Speaker 1: or bad, has made the least bit of difference. Regardless

459
00:30:03,000 --> 00:30:05,840
Speaker 1: of what I do, help my grandkids, mom, raise money

460
00:30:05,920 --> 00:30:09,680
Speaker 1: for the LGBTs, nothing pays off. You're a pragmatist, I

461
00:30:09,720 --> 00:30:13,800
Speaker 1: get that, But what is your purpose? My purpose? I

462
00:30:13,840 --> 00:30:17,920
Speaker 1: don't know. Make O clean a better place, help out families,

463
00:30:17,960 --> 00:30:22,480
Speaker 1: who are struggling. But why, I don't know. I remember

464
00:30:22,520 --> 00:30:25,400
Speaker 1: when you were a kid. You were a mean little ship.

465
00:30:25,520 --> 00:30:29,960
Speaker 1: Pardon my French, but seriously, I saw this instinct you

466
00:30:30,040 --> 00:30:33,320
Speaker 1: had to terrorize others. Kids picked on me every single day.

467
00:30:33,400 --> 00:30:37,880
Speaker 1: I recall this one incident vivid me. You were out

468
00:30:37,880 --> 00:30:40,040
Speaker 1: in the street playing with some other kids in the neighborhood.

469
00:30:40,080 --> 00:30:43,080
Speaker 1: I can't remember if it was football and baseball, but anyway,

470
00:30:43,320 --> 00:30:45,239
Speaker 1: you weren't doing so well and they wanted to kick

471
00:30:45,280 --> 00:30:48,440
Speaker 1: you out. My god, you do a thing, started screaming

472
00:30:48,480 --> 00:30:52,600
Speaker 1: and shouting, cursing them out and their mothers too. That

473
00:30:52,680 --> 00:30:55,080
Speaker 1: sounds like me. Actually, I don't know what got into you,

474
00:30:56,240 --> 00:30:58,600
Speaker 1: but I can see that all you really wanted was

475
00:30:58,640 --> 00:31:04,480
Speaker 1: to be appreciated, light popular, and I saw how you

476
00:31:04,560 --> 00:31:08,680
Speaker 1: chose to be feared rather than loved. I think the

477
00:31:08,760 --> 00:31:11,719
Speaker 1: problem you have right now is that you want both

478
00:31:12,520 --> 00:31:16,520
Speaker 1: and you can't have it both ways. No, that's not

479
00:31:16,560 --> 00:31:20,440
Speaker 1: true at all. That sounds sympathetic. Look, look, look, if

480
00:31:20,480 --> 00:31:22,240
Speaker 1: you wanted a yes man who would tell you everything

481
00:31:22,320 --> 00:31:24,360
Speaker 1: was gonna be all right, you came to the wrong place.

482
00:31:25,200 --> 00:31:29,000
Speaker 1: I'm not your therapist nor your pastor, and I'm definitely

483
00:31:29,040 --> 00:31:32,240
Speaker 1: not here to give you sage wisdom and then disappear.

484
00:31:33,200 --> 00:31:36,400
Speaker 1: I simply want to be honest with you. Can I

485
00:31:36,440 --> 00:31:41,000
Speaker 1: be honest with you? I might regret it, but okay,

486
00:31:41,200 --> 00:31:44,840
Speaker 1: you're a black hole. I say this with love because

487
00:31:44,880 --> 00:31:49,000
Speaker 1: I do believe that every person serves God's ultimate purpose.

488
00:31:49,520 --> 00:31:53,320
Speaker 1: I think of a toolbox filled with various objects meant

489
00:31:53,520 --> 00:31:57,600
Speaker 1: for different purposes. Would you use a hammer to put

490
00:31:57,600 --> 00:32:01,760
Speaker 1: it in a screw? No? You use a jill? Thank you,

491
00:32:01,800 --> 00:32:06,520
Speaker 1: pastor green? Um? What does that mean? And how does

492
00:32:06,520 --> 00:32:09,400
Speaker 1: it help me? How do I get what I want

493
00:32:10,040 --> 00:32:14,160
Speaker 1: without pissing everyone off? One moment? I'm getting a lot

494
00:32:14,200 --> 00:32:21,160
Speaker 1: of texts there. Oh no, that's from I just gotta

495
00:32:21,240 --> 00:32:25,640
Speaker 1: message that Freedom Houses on fire. Don't go on your

496
00:32:25,640 --> 00:32:29,280
Speaker 1: wife own that property? Yeah, it's on fire. How why

497
00:32:29,440 --> 00:32:32,000
Speaker 1: does it say? I don't know. Some of the church

498
00:32:32,120 --> 00:32:35,200
Speaker 1: members lived near there, and they sent me these pictures.

499
00:32:36,680 --> 00:32:47,480
Speaker 1: I gotta go. I'm gonna get your break. Fuck look

500
00:32:47,480 --> 00:32:52,560
Speaker 1: at this? Why a side isn't it? Agent Evans? What

501
00:32:52,600 --> 00:32:55,800
Speaker 1: the hell are you doing here? I own Freedom House?

502
00:32:55,960 --> 00:33:00,560
Speaker 1: I know, of course you do you have any idea?

503
00:33:00,560 --> 00:33:04,200
Speaker 1: Who could have done this? Chuck? I don't know anything.

504
00:33:05,120 --> 00:33:09,440
Speaker 1: It's a Halfway House, Fatigen girls. For Christ's sakes, whoever

505
00:33:09,440 --> 00:33:13,960
Speaker 1: burnt this place is a real fucking sicko. They found

506
00:33:13,960 --> 00:33:18,680
Speaker 1: a body in the garage, Lenny, potential homicide here. Unlike

507
00:33:18,680 --> 00:33:21,960
Speaker 1: other fires in the city, it's not looking good for you, man.

508
00:33:22,640 --> 00:33:27,680
Speaker 1: You gotta give me something anything, otherwise I won't be

509
00:33:27,720 --> 00:33:31,200
Speaker 1: able to protect you. You don't think I want to

510
00:33:31,240 --> 00:33:34,520
Speaker 1: know who burned my property down? What about other properties?

511
00:33:35,120 --> 00:33:43,640
Speaker 1: Cafe Meta unless that one was you? Yeah, I know

512
00:33:43,680 --> 00:33:52,520
Speaker 1: whom mask for Cafe Meda? Who oh one? No? Who

513
00:33:52,640 --> 00:34:10,560
Speaker 1: was my son? Danny bullshit? Oh yeah, the Lord Bottoms

514
00:34:10,880 --> 00:34:19,120
Speaker 1: Episode nine. We're starting a revelation. The sort is the truth? Yeah? Uh?

515
00:34:20,160 --> 00:34:24,960
Speaker 1: Will Packer? Was that? Gonna? Producer James Lopez? I was

516
00:34:25,000 --> 00:34:30,400
Speaker 1: that gonn A producer? Look here, Jack Leavy, executive producer

517
00:34:30,400 --> 00:34:36,240
Speaker 1: and direct Let's go, Dominique move time? Yeah now? Creator

518
00:34:36,239 --> 00:34:41,320
Speaker 1: and writer, producer La your Baby you need Hello? Hello,

519
00:34:42,640 --> 00:34:49,799
Speaker 1: Whitney Fuller, creative executive Michael Keith Burd co producer, Rrell

520
00:34:49,880 --> 00:34:57,360
Speaker 1: Alexis recording mixer shown design Ross Davis, audio consultant, music

521
00:34:57,400 --> 00:35:02,680
Speaker 1: supervisor Jeff Forster you sic by death? Jeff, what the boy?

522
00:35:02,960 --> 00:35:09,440
Speaker 1: Joe Wolf, Tony Homer Score Mongers, Paye Ramsay production assistant,

523
00:35:09,680 --> 00:35:18,440
Speaker 1: Julior Rohne production assistant. You didn't main cats, now you

524
00:35:18,600 --> 00:35:26,400
Speaker 1: did as she platts as and that. Uh huh and

525
00:35:26,600 --> 00:35:33,120
Speaker 1: uh Drew playing ass Devon Wallace come on now, uh huh,

526
00:35:35,040 --> 00:35:43,319
Speaker 1: Katia Friday, Irene, come on, Hey, Kelsey, Grandma the narrator,

527
00:35:44,239 --> 00:35:51,359
Speaker 1: come on, Kevin E. West special agent, Chuck Evans h All,

528
00:35:51,440 --> 00:36:00,520
Speaker 1: My Dorsey playing as past Green, Teresa Celess, Shante Thomas. Yeah,

529
00:36:01,360 --> 00:36:07,200
Speaker 1: be a ROSSI let me Martelli. It shuts out, so

530
00:36:07,320 --> 00:36:14,240
Speaker 1: it's Mission Town Venus baby and I real do sound

531
00:36:14,280 --> 00:36:20,920
Speaker 1: by podcast stage. Yeah, this has been a world packer

532
00:36:21,000 --> 00:36:26,719
Speaker 1: of media production. I heart production and I am that boy.

533
00:36:26,800 --> 00:36:29,479
Speaker 1: Drew down the One and Only no Phony. I'm backing

534
00:36:29,560 --> 00:36:35,759
Speaker 1: out the Roman. Let's go. That's an additional voices. Yeah,

535
00:36:36,760 --> 00:36:39,000
Speaker 1: one and only got about