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Speaker 1: En Rory.

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Speaker 2: You know I don't get excited.

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Speaker 3: That is true.

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Speaker 4: I've watched some of the greatest artists and entertainers perform

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Speaker 4: right next to you. Didn't move, didn't clap, didn't do anything.

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Speaker 4: You tease me about it, like Jesus Christ, Do you

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Speaker 4: have any emotion?

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Speaker 3: I stood next to you, Serena Williams and Kevin Durant

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Speaker 3: while we watched Drake perform his greatest hits. Yes, you

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Speaker 3: didn't flinch at all. I thought you were a celciopath.

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Speaker 4: Right today, today you saw some emotion and some happiness

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Speaker 4: out of me that you've probably.

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Speaker 3: I've never seen it like Christmas morning.

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Speaker 4: Here God here today, elevated doors open, and two guys

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Speaker 4: who I've probably been huge fans of. They have no

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Speaker 4: idea how much they've impacted my life, my friends' lives.

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Speaker 4: They were sitting in the lounge area talking to you

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Speaker 4: and Julian, and I'm just like, what the fuck? Today

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Speaker 4: we are joined by the legendary duo who are a

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Speaker 4: part of what I believe is easily the most impactful

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Speaker 4: show uh HBO has ever has ever aired.

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Speaker 3: Are you going for it?

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Speaker 1: Wow?

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Speaker 5: Wow?

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Speaker 1: For me? I'm just for me.

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Speaker 2: I don't suck everybody else.

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Speaker 3: Today, I'm just talking Tony Soprano.

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Speaker 4: Tony Soprano, I'm talking about this show How to Make

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Speaker 4: It in America represented with me and my friends in

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Speaker 4: my circle were dealing with growing up in New York City.

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Speaker 4: Finally felt seen, We felt like our story was being told.

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Speaker 4: So today we are joined by Brian Greenberg and Victor

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Speaker 4: Rasuk wow.

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Speaker 2: As, Ben Epstein, Yeah, and Cam listen having us. I

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Speaker 2: look forward to this day.

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Speaker 4: When we found out that you guys wanted to be

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Speaker 4: on immediately, I was like, this is I want a

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Speaker 4: Chris pat to.

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Speaker 1: I don't know, you know what's so crazy about the.

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Speaker 4: Chris pat Like I made this is this show to

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Speaker 4: me outfit out last night.

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Speaker 1: School.

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Speaker 4: This show to me represented listen to Man on the

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Speaker 4: Moon God Canaida Yeah, like to me, uh, you know,

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Speaker 4: looking forward back twenty ten when How to Make It

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Speaker 4: in America first aired, uh you know, fast forward fourteen

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Speaker 4: years later.

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Speaker 2: I think what you guys did, uh laid.

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Speaker 4: The blueprint for what I think New York City is today,

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Speaker 4: as definitely what you guys did for street where, just

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Speaker 4: for guys that's growing up in the city that wanted

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Speaker 4: to hustle and find their way and you know, the

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Speaker 4: stories and the life and everything in between. I think

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Speaker 4: that you guys were way ahead of the curve. I know, HBO,

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Speaker 4: we'll get into it. I know HBO fucked it up

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Speaker 4: to me, they tried to put their hands in it

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Speaker 4: too much. Fuck up the chefs, you know, order and

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Speaker 4: all that ship. We'll get into that. But remains is

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Speaker 4: the fact that you know been in in cam your

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Speaker 4: characters on how to Make It in America represented so

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Speaker 4: much in the cult, and I'm just I'm honest for

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Speaker 4: you guys.

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Speaker 1: Thank you, man. We really appreciate that. That's correct, No, man,

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Speaker 1: I appreciate it.

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Speaker 3: It's crazy, man.

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Speaker 1: For real from a distance.

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Speaker 3: That's that's amazing to your praise of the intro. Remember

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Speaker 3: we were reading Fonte's comparison between rappers and TV shows.

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Speaker 3: You wrote an article about Yeah, oh, he put how

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Speaker 3: to Make It in America as biggie, Oh what I'll

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Speaker 3: take something that was about to be a legendment was

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Speaker 3: cut way too short, paraphrasing exactly what he was saying,

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Speaker 3: but he was suggesting and never got to see its potential.

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Speaker 3: But it was one of the greatest things that we

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Speaker 3: had seen.

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Speaker 1: This Wow, the show is also like he's definitely he

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Speaker 1: could be number one.

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Speaker 4: Oh absolutely, he is number one on some people's listening,

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Speaker 4: you know, rightfully so. But I don't know where to start.

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Speaker 4: But I think I want to start at the beginning of, uh,

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Speaker 4: you know, how to make It in America, like before

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Speaker 4: you guys actually started shooting the show, because I know

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Speaker 4: that you guys actually met at this screen test, and

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Speaker 4: the chemistry right away was like, these two guys have

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Speaker 4: to know each other, and if they don't, this is

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Speaker 4: like the universe aligning itself in a way where we're

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Speaker 4: going to have something special. Shout out to the producers

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Speaker 4: Ian Edelman, Mark Wahlberg, Steen Levenstein. I think that what

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Speaker 4: they tried to capture they did. But I think that

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Speaker 4: HBO at the time, with Entourage and all of those

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Speaker 4: types of shows, they were trying to find the next

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Speaker 4: Entourage instead of saying, no, this is totally different.

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Speaker 2: It has its own space. Let this be what it is.

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Speaker 4: So speak to how to how to make an America

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Speaker 4: change your life and what was life like before?

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Speaker 1: How to make it.

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Speaker 6: It's funny that I'm listening to talk about like how

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Speaker 6: much of a trend set of the show was. I

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Speaker 6: think that if more people like our fans that were

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Speaker 6: watching the show kind of knew more of the business side,

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Speaker 6: we wouldn't have gotten approach all these years about why

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Speaker 6: I got castled. You know, I don't even think we

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Speaker 6: would even start our own you know, our own podcast, right,

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Speaker 6: we almost made it.

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Speaker 1: So I appreciate that.

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Speaker 6: I which more fans are like just explaining like that,

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Speaker 6: but like, did you already know? We explain it exactly,

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Speaker 6: but how it changed our lives, so you know, like

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Speaker 6: we were talking about earlier. But you know, I'm from

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Speaker 6: Lower East Side, Yeah, straight New York girl, and I

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Speaker 6: started off doing the move. I started, thankfully where I

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Speaker 6: grew up in l e S. I grew up on

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Speaker 6: Atrian Avenue d Jacob Rees projects shout out to jacobre

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Speaker 6: Re's projects. But I was the proximity where I was

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Speaker 6: at was next to NYU, you know what I'm saying.

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Speaker 6: So I in the summers that when I was thirteen,

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Speaker 6: twelve thirteen, there was nothing to do.

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Speaker 1: I was a timeson Square Park. I was like, where

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Speaker 1: the hell is that with girls that like Square Park?

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Speaker 1: Well apparently That's what I was. And I was like,

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Speaker 1: dare but what was there though, Is that because of

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Speaker 1: the proximity of n YU.

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Speaker 6: A lot of n YU students, like film students, were

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Speaker 6: shooting their thesis film there. So like me being curious, Yeah,

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Speaker 6: I know, like you know, you're walking down the street,

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Speaker 6: you talk fourteen yeah, no, no girls. So you're like,

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Speaker 6: I'm gonna go to the pool. But then when I

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Speaker 6: was walking to the pool, I saw a bunch of

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Speaker 6: NYU students shooting like I don't know, like a bird

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Speaker 6: on the tree and no was good, like these white

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Speaker 6: these white kids, And I was like, yo, what's up?

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Speaker 1: Can I be in that movie?

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Speaker 6: And they looked at me and they were like yeah,

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Speaker 6: actually yeah, because they can't pay actors. They're like, yeah,

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Speaker 6: we get so we exchanged numbers before cell phones before

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Speaker 6: all that, right, but you know you take the piece

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Speaker 6: of paper from the number, you know, like okay, I

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Speaker 6: got your number. So then I called them and then

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Speaker 6: how I got in. And that's why I'm so thankful

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Speaker 6: about being raised in l e s because the level

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Speaker 6: of creativity that.

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Speaker 1: Was there around that time.

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Speaker 6: You know, I was there during like the Dinkins, you know,

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Speaker 6: when Mayor Dinkins was there, and like before like Giuliani

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Speaker 6: cleaned it up. Was kind of like still sketchy, but

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Speaker 6: there was a lot of artists, you know what I'm saying.

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Speaker 6: I was like Andy Walhall the about SCons, like I

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Speaker 6: grew up during that time. Anyway, long story short and

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Speaker 6: hy you. I was doing a lot of short films.

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Speaker 6: One of the film students did a feature that I

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Speaker 6: started called Raising Victor Vargas, and from there, like New

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Speaker 6: York was already talking about like who's this kid Victim

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Speaker 6: Suke And then later on, you know, that's when Ian Edelman,

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Speaker 6: you know, he had me in mind because he saw

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Speaker 6: my movie and he was like, yo, I write, I

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Speaker 6: wrote this thing, how to make it in America? He

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Speaker 6: so he already had me in mind, just like he

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Speaker 6: had Brian in my because he saw Brian as something earlier.

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Speaker 6: But that is kind of how I got my foot

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Speaker 6: in with how to make it in America?

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Speaker 2: Yeah, okay, yeah.

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Speaker 3: It's funny. I was listening to Neil Brennan interviewed Michael Jay,

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Speaker 3: who also grew up in the Projects and others. I'm

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Speaker 3: not sure which one it is, yeah, but he was

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Speaker 3: explaining how crazy that was, like leaving the Courtyard Projects

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Speaker 3: to walk into what the world l e s really is.

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Speaker 3: It was like night and day. But you know he

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Speaker 3: went to LaGuardia High School because he was around artists

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Speaker 3: in the Lower East Side instead of just staying right

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Speaker 3: in those projects. Yeah, and those projects are very project y.

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Speaker 6: Yes, the yeah, I've been there, took me there fans

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Speaker 6: of how to make it when we got when we

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Speaker 6: got cast and uh, it was you know, we were

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Speaker 6: ben in camp. We came, they flew aside, we came

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Speaker 6: to New York right, we put up and I was like,

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Speaker 6: you know, I still have Fami and Jacob Reeveese projects.

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Speaker 6: So I was like, Brian, I know, you know, we

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Speaker 6: just met, but like you should come see my fan.

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Speaker 1: And code to the projects. Yeah.

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Speaker 6: First of all, I love this dude for so many reasons,

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Speaker 6: but some of the fact that he even had his

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Speaker 6: same was like, yeah, let's go, yo. He can't in

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Speaker 6: the projects is like mass short.

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Speaker 1: You know what I'm saying. It's not made for tall people.

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Speaker 1: So you know, you know, six one sixty six, but

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Speaker 1: I'll take the six ones.

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Speaker 6: So he comes with the projects, right, and it's actually

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Speaker 6: one of the nicer buildings in the projects. And sometimes,

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Speaker 6: like if you go deep in the projects, like the

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Speaker 6: more in the middle you go, the.

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Speaker 1: Worse it is.

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Speaker 6: But if you're in the peripheral, I don't know if

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Speaker 6: it's because logistically where it's at, but it's actually nicer

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Speaker 6: like nighter right, like they clean it better.

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Speaker 1: I guess I don't know.

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Speaker 2: Why I don't go all the way they.

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Speaker 6: Want to make you find that the little ones and

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Speaker 6: the ones that are in the peripheral are actually clean up.

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Speaker 1: Anyway, my aunt happened to live in that one of

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Speaker 1: one of the cleaner ones, and he can't. And Roan,

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Speaker 1: you know, we had you know, I don't go out

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Speaker 1: with you lodge.

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Speaker 6: You know, saying we have my people, my Dominican people's food,

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Speaker 6: and Brian a we chilled, and I remember at the

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Speaker 6: end we were still shalling. You know, I'm laughing for

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Speaker 6: my family because you got my little cousins and everything.

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Speaker 6: You know, it's like fifty people in one apartment. And

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Speaker 6: I remember I just look at Brian's mad quiet, and

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Speaker 6: you could just tell he's like, yes, it's time to go.

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Speaker 1: Bro started hitting hard.

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Speaker 2: You know what I'm going down, It's time to get

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Speaker 2: on that.

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Speaker 6: It was like just the cluster phoe because you know

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Speaker 6: it's small. I mean it's like a single block. You

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Speaker 6: know what I'm saying, Like, that's what that's what.

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Speaker 2: It's crazy you think about.

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Speaker 4: Yo, we grew up here, so many of us lived

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Speaker 4: here hot it was one shower, Yeah, ten people in

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Speaker 4: an apartment.

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Speaker 2: How do we make it happen? Nobody has a schedule.

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Speaker 2: Everybody has to be a school, it has to be

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Speaker 2: a work.

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Speaker 1: Got the bathroom? Yo, what's up? What's yo? I gotta go.

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Speaker 2: Never ran out of hot water?

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Speaker 3: The projects and apartments on earth.

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Speaker 1: Okay, that's gonna say. You said, you said, That's exactly

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Speaker 1: what I was gonna say.

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Speaker 6: You'd be like, yoall turn off the fucking know y'all

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Speaker 6: screaming out tonight, So y'all turn off the heat.

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Speaker 1: How arrived?

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Speaker 2: Where are you from?

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Speaker 1: Uh? So I'm from the Midwest, from Omaha, Nebraska.

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Speaker 2: Omaha.

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Speaker 1: Yeah, so I was born there.

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Speaker 7: I lived there for twelve years and then I moved

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Speaker 7: to Saint Louis, Missouri. Okay, so that was like they're

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Speaker 7: from seventh through twelfth grade and then I moved here

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Speaker 7: when I was eighteen, wing to n y U. But

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Speaker 7: my dad's from Queens and like my like his whole

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Speaker 7: family's from here, so I come here all the time.

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Speaker 7: So I was always being pulled in New York just

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Speaker 7: felt like being called.

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Speaker 1: Almost you know. I was like, this is the music

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Speaker 1: I was listening to.

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Speaker 7: All the hip hop, all the actors I respected were

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Speaker 7: coming out of New York.

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Speaker 1: The teater saying what rap do you listened to? Omaha?

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Speaker 1: In Omaha, Well, it was like three eleven and eleven,

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Speaker 1: they were like the big band.

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Speaker 7: Back back there was like rap rock, which doesn't really

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Speaker 7: hold up now, but in the nineties it was like.

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Speaker 1: Give it ten years, give it ten years, it'll it'll come.

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Speaker 7: Raise against the machine holds up. Three eleven holds up,

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Speaker 7: but rage holds. They would like the claimage rage holds.

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Speaker 7: We got Crawford now omahast boxer, pound for pound, half

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Speaker 7: a belly. But but yeah, I just always never felt

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Speaker 7: like I was going to stay in the Midwest. You know,

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Speaker 7: I'm happy that I was from there, but New York

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Speaker 7: was always calling me when I would visit as a kids, like,

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Speaker 7: oh man, this is this is it? So I just

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Speaker 7: felt like it was in my bones. And so when

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Speaker 7: I came to NYU, I was like, I've I'm here,

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Speaker 7: you know, and I've kind of been here ever since

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Speaker 7: pretty much.

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Speaker 4: So the How to Make It in America the cast

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Speaker 4: and Cole goes out, what did y'all think about the

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Speaker 4: script or the opportunity? Did you think that this was

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Speaker 4: gonna be something big or were you just looking for work?

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Speaker 4: Was it just like I just want to do something,

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Speaker 4: I don't have any expectations. Is I'm just gonna try

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Speaker 4: to shit and just see what happens.

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Speaker 7: H Well, I was on a I had some momentum

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Speaker 7: going at that time in my career. I was coming

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Speaker 7: off of I was just coming off of an ABC

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Speaker 7: show that I was the leader of called October Road,

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Speaker 7: which we did the two seasons of.

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Speaker 1: It was a great show.

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Speaker 7: Before that, I did this movie Prime with Meryl Streep

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Speaker 7: and Uma Thurman, and that was very like New York

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Speaker 7: centric movie and it's a romantic comedy. It's actually I'm

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Speaker 7: very proud of that film. It's a great film by

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Speaker 7: the younger man who I played a younger man dating

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Speaker 7: an older woman, Uma Thurman. And it turns out Meryl Streep,

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Speaker 7: it's her therapist, is also my mother.

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Speaker 1: So there you go.

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Speaker 2: I hooked you up.

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Speaker 1: I looked it up. You have a son.

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Speaker 3: But it was very New York like saying Meryl Streep

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Speaker 3: and how to drop that?

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Speaker 1: How to drop it? Named so, but that was a

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Speaker 1: very New York like.

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Speaker 7: That was you ask about how to make it, like

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Speaker 7: I feel like my character And that was similar to

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Speaker 7: ben Epstein, meaning he was like a Brooklyn guy, was

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Speaker 7: an artist, Like I remember my character took Uma to

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Speaker 7: like a downtown Brooklyn party and they're playing Biggie and

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Speaker 7: you know, stretch Armstrong spinning and like it was just

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Speaker 7: it touched on a couple of things that that.

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Speaker 1: Had to make it would later on expand upon.

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Speaker 7: So I think maybe Ian the Edelman the right of

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Speaker 7: the creator kind of saw me in his head with that,

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Speaker 7: but it did. It wasn't an offer. Like I read

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Speaker 7: the script, I was like this. I kind of knew

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Speaker 7: Ian because we played ball together, but I didn't even

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Speaker 7: know he was a writer. I was like, Oh, this

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Speaker 7: guy's cool.

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Speaker 1: He's a New York dude. He's like, he's just cool.

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Speaker 7: I fucked with him. But and then I was like,

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Speaker 7: is this Ian the same Ian?

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Speaker 2: Yeah?

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Speaker 1: And then I read it.

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Speaker 7: I was like this is but he's the kind of

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Speaker 7: dude who he's so ahead of it, like whatever he

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Speaker 7: does like, you know.

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Speaker 1: It's cool.

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Speaker 2: Yeah, he's one of those guys like.

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Speaker 7: If he's saying it's cool, then he's verifying it, right.

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Speaker 7: So I read it and I'm like, Okay, I don't

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Speaker 7: really get it, to be honest, because it's not like

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Speaker 7: anything I've ever read before.

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Speaker 1: It didn't have you normal, apply you normal. It just

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Speaker 1: was a.

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Speaker 7: Vibe, right, and there wasn't a lot of those things

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Speaker 7: happening at the time. It's like, oh, let's just I

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Speaker 7: call it a tone show. There wasn't a lot of

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Speaker 7: that at the time. Now since How to Make It,

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Speaker 7: there's been other iterations of that type of show, but

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Speaker 7: nothing like that at the time. So I was like,

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Speaker 7: I don't know, but I like Ian and I did

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Speaker 7: an show called Unscripted on HBO before, so I've always

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Speaker 7: I love HBO And at the time, HBO was like

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Speaker 7: the best. I'm like, all right, they're doing it. It's

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Speaker 7: the leader HBO Sundays.

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Speaker 1: Yeah. I mean their slogan was this is not TV,

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Speaker 1: it's HBO. Right now.

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Speaker 7: This is before Netflix and everybody came up, but they

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Speaker 7: were kind of killing it then, so I would I

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Speaker 7: was into it, and then so I went in and

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Speaker 7: then I. They were like, Okay, we're thinking about Victor

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Speaker 7: for the other role. And we did chemistry read what

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Speaker 7: you were talking about, and we just I mean, we

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Speaker 7: haven't stopped hanging out since that chemistry.

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Speaker 1: Read now our kids hanging out together. It's crazy. For me,

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Speaker 1: I was like, ye'ah walked down. I was like, straight

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Speaker 1: off for bus.

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Speaker 2: From the city.

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Speaker 1: I want somebody I wish.

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Speaker 6: Now it was, you know, after raising Victor Vargas, I

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Speaker 6: was trying to like do that thing while I was

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Speaker 6: I you know, I'm New York obviously, so like, let

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Speaker 6: me try to do different things.

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Speaker 1: So like shortly after Vargas, you.

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Speaker 6: Know, the movie was getting so much praise that I

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Speaker 6: was not getting office but a lot of interests for

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Speaker 6: different types of movies, so like it wasn't just straight

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Speaker 6: New York characters, which is what I didn't want to

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Speaker 6: do because I wanted to like be box exactly and

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Speaker 6: early on too, which I'm glad that I had the

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Speaker 6: right team around me. But the thing is that the

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Speaker 6: offers for something that wasn't pigeonholing me weren't coming in.

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Speaker 6: So I was still working on trying to like do

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Speaker 6: things that were out the box. I know, Rory, you

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Speaker 6: were saying you were a fan of Lloyd to Dogtown.

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Speaker 6: So Lloyd to Dogtown was like my first major thing

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Speaker 6: after raising Victor Vargas. But again audition, like I wasn't

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Speaker 6: mister California. I was playing Tony Alva like it was

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Speaker 6: like the complete Officers. I had to work on my accent.

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Speaker 6: I had to live with the dude he was teaching me.

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Speaker 6: That dude you learned skated, I had to learn. But

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Speaker 6: I was living with him and he wanted it right,

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Speaker 6: and I was like, yo, they gave us. Thankfully, they

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Speaker 6: gave us three months to do it. Anyway, the long

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Speaker 6: the point I'm trying to make is that like at

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Speaker 6: that point in my career, it was like I was

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Speaker 6: just trying to do different things outside of New York

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Speaker 6: and then like I had I don't know, there was

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Speaker 6: like a gap of between how to make it and Vargas,

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Speaker 6: maybe like eight years or something like that, so I

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Speaker 6: think I like not established, but at least I had

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Speaker 6: content out there like Lords.

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Speaker 1: And then I was on another show.

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Speaker 6: I was on Er, which I played a young doctor

383
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Speaker 6: coming in it was like the last season, so I was

384
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Speaker 6: already sort of like okay, I'm not just missed to

385
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Speaker 6: New York. But when when how to make it came,

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Speaker 6: I didn't think listen. I didn't think it was a hey,

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Speaker 6: I didn't you know. It was like a tone like

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Speaker 6: Brian was saying, it was like another script, another pilot,

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Speaker 6: pilot seasons, Like I guess I.

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Speaker 1: Have to audition for this.

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Speaker 6: But I was like, thank god, I could do something

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Speaker 6: that's not a lord to a Dogtown or er where

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Speaker 6: I'm like I could play more of myself because I

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Speaker 6: knew I knew that world.

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Speaker 1: I mean, I knew the world of New York.

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Speaker 6: I didn't know the fashion world, but I knew, like, oh,

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Speaker 6: I can fuck with this. And then when I found

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Speaker 6: out Ian was already interested, it was like kind of

399
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Speaker 6: like for me to lose. Like I felt like I

400
00:16:27,720 --> 00:16:29,280
Speaker 6: was already gonna have it, but I was like, at

401
00:16:29,280 --> 00:16:30,440
Speaker 6: this point, it's for me to lose, you know what

402
00:16:30,440 --> 00:16:32,440
Speaker 6: I'm saying. So then when we met and then they

403
00:16:32,440 --> 00:16:35,040
Speaker 6: saw the vibe because you know, Lev and Ian and

404
00:16:35,120 --> 00:16:36,880
Speaker 6: Rob Weiss, they were all there when they saw me

405
00:16:36,920 --> 00:16:38,640
Speaker 6: and hit me, and I think you could tell in

406
00:16:38,680 --> 00:16:40,600
Speaker 6: the room and you're like, oh, yeah, this is gonna work.

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Speaker 7: Yeah, we felt that I rolled up on the fixed

408
00:16:42,640 --> 00:16:45,560
Speaker 7: gear you know, yeah, yeah, yeah, yeah, yeah, that's what

409
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Speaker 7: I forgot. Yeah, I think I now that we're thinking

410
00:16:48,280 --> 00:16:51,600
Speaker 7: about it. I remember thinking, wow, this show could be

411
00:16:51,680 --> 00:16:54,400
Speaker 7: dope if because I know the world too, Like we

412
00:16:54,520 --> 00:16:56,520
Speaker 7: come from this Yeah, I'm living in New York.

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Speaker 1: It's like we understand this downtown scene. We know these people.

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00:17:01,000 --> 00:17:03,360
Speaker 7: I was just familiar with the world. No one's told

415
00:17:03,400 --> 00:17:05,240
Speaker 7: this story before. I think we'd be good ones to

416
00:17:05,280 --> 00:17:08,840
Speaker 7: tell this story. But I was like it's very execution dependent,

417
00:17:08,840 --> 00:17:11,000
Speaker 7: and my agents were like, I don't know, Brian. I'm like,

418
00:17:11,320 --> 00:17:13,200
Speaker 7: I think I know, like I know this world. I

419
00:17:13,760 --> 00:17:15,960
Speaker 7: think it's I think if we do it right, it's

420
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Speaker 7: gonna work.

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Speaker 1: Yeah, you know.

422
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Speaker 4: So it's it's a gamble, you know, only the thing

423
00:17:19,240 --> 00:17:21,320
Speaker 4: that me and my friends the only thing we can

424
00:17:21,400 --> 00:17:23,280
Speaker 4: think about at the time. I mean, obviously we know

425
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Speaker 4: more information now. Why we never got a third season

426
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Speaker 4: of How.

427
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Speaker 1: You Tell Me Man? Because I don't know.

428
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Speaker 2: Well, we thought we felt like is this to New York?

429
00:17:34,880 --> 00:17:38,720
Speaker 4: Like is this because watching every episode, I was like, bro,

430
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Speaker 4: we just lived this type of shit last month, some

431
00:17:42,480 --> 00:17:44,760
Speaker 4: shit like that, Like this is crazy that this show

432
00:17:44,840 --> 00:17:49,160
Speaker 4: is depicting real shit that happens in the city, even

433
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Speaker 4: like the clothes. We're in a life going to flight club,

434
00:17:52,760 --> 00:17:55,520
Speaker 4: you know, going to the going to the club's avenue

435
00:17:55,560 --> 00:17:56,080
Speaker 4: and older shit.

436
00:17:56,119 --> 00:17:57,480
Speaker 2: It was like we was just there.

437
00:17:57,680 --> 00:18:02,400
Speaker 1: Yeah, yes, freshly watched the show again, you know.

438
00:18:02,320 --> 00:18:06,000
Speaker 4: Watching it ten twelve years ago when it aired and

439
00:18:06,040 --> 00:18:09,159
Speaker 4: then watching it now you pick up so many.

440
00:18:09,000 --> 00:18:09,760
Speaker 3: Does hold things?

441
00:18:09,760 --> 00:18:10,320
Speaker 1: Does it hold up?

442
00:18:10,440 --> 00:18:13,640
Speaker 8: I just saying, how it's still.

443
00:18:13,880 --> 00:18:15,440
Speaker 3: Holds It's time capsule?

444
00:18:15,840 --> 00:18:16,879
Speaker 2: What's the time capsule?

445
00:18:17,040 --> 00:18:19,359
Speaker 1: Daddy? Do you know? Yeah? What's the fashion? And I

446
00:18:19,400 --> 00:18:20,160
Speaker 1: know you keep it going.

447
00:18:21,240 --> 00:18:23,320
Speaker 2: They're dressing like that now again.

448
00:18:23,200 --> 00:18:26,159
Speaker 1: I know that's what we're thinking because it like, so

449
00:18:26,200 --> 00:18:26,840
Speaker 1: that's that's dope.

450
00:18:27,160 --> 00:18:30,040
Speaker 4: It's insane because again that's what I'm asking, like, did

451
00:18:30,119 --> 00:18:33,320
Speaker 4: y'all know being from New York obviously being spent a

452
00:18:33,359 --> 00:18:36,720
Speaker 4: time in the city getting that script, shooting it where

453
00:18:36,760 --> 00:18:39,439
Speaker 4: you were shooting it, even going to Japan in season

454
00:18:39,440 --> 00:18:43,359
Speaker 4: two right and shooting got with no no permits. He

455
00:18:43,440 --> 00:18:45,439
Speaker 4: wasn't even allowed to shoot to shoot that ship on

456
00:18:45,440 --> 00:18:46,520
Speaker 4: one camera everything?

457
00:18:46,520 --> 00:18:47,399
Speaker 1: Bro? Were you there? Bro?

458
00:18:48,320 --> 00:18:52,359
Speaker 9: This is so I'm just looking I'm just looking at

459
00:18:52,359 --> 00:18:54,760
Speaker 9: it now and I'm like, I'm like this was so

460
00:18:55,200 --> 00:19:00,400
Speaker 9: ahead of the time, but it was so great then,

461
00:19:00,840 --> 00:19:02,879
Speaker 9: but even now it makes more sense today.

462
00:19:02,960 --> 00:19:05,480
Speaker 1: Well maybe because it was so ahead that it works today.

463
00:19:05,680 --> 00:19:07,800
Speaker 3: If you get it now, it might come off as

464
00:19:07,800 --> 00:19:11,080
Speaker 3: a cheesy like kiss type of show where it's worldwide

465
00:19:11,080 --> 00:19:13,200
Speaker 3: now the street where it was so niche at that time.

466
00:19:13,480 --> 00:19:16,160
Speaker 3: Kind of to your point of, if we execute this right,

467
00:19:16,240 --> 00:19:18,440
Speaker 3: it'll be great. And to me, that's why the show

468
00:19:18,480 --> 00:19:21,360
Speaker 3: was canceled because we did it right, executed it so right.

469
00:19:21,440 --> 00:19:23,760
Speaker 3: It was just to one they get it, and it

470
00:19:23,840 --> 00:19:26,919
Speaker 3: did not right across to everyone else for someone to

471
00:19:26,920 --> 00:19:28,000
Speaker 3: get the genius of it.

472
00:19:28,160 --> 00:19:32,680
Speaker 7: Also, now we're living in times that are so fractured, right,

473
00:19:32,960 --> 00:19:35,840
Speaker 7: Like we're not living in like NBC, ABC, CBS, like

474
00:19:35,880 --> 00:19:38,760
Speaker 7: three channels, right, everybody's got a show for their.

475
00:19:38,680 --> 00:19:41,200
Speaker 1: Own taste, right yeah, and their own network. Right.

476
00:19:41,520 --> 00:19:44,880
Speaker 7: So yeah, I don't know like it was and that's

477
00:19:44,960 --> 00:19:46,760
Speaker 7: it was very niche, you know, and that would work

478
00:19:46,800 --> 00:19:47,960
Speaker 7: now because everything is niche.

479
00:19:48,000 --> 00:19:50,000
Speaker 3: Well, I think it used you you guys as a

480
00:19:50,160 --> 00:19:52,760
Speaker 3: case study to do Girls. I know those are two

481
00:19:52,800 --> 00:19:55,639
Speaker 3: totally different fucking shows. But to what Maul is saying,

482
00:19:55,680 --> 00:19:57,879
Speaker 3: like they went to Greenhouse, like it was such a

483
00:19:57,880 --> 00:20:01,480
Speaker 3: New York show, but see problems and issues they were

484
00:20:01,480 --> 00:20:05,280
Speaker 3: going through. We're so worldwide and relatable that girls worked,

485
00:20:05,320 --> 00:20:07,560
Speaker 3: but it still had that Oh these are I know

486
00:20:07,680 --> 00:20:09,879
Speaker 3: this girl, I know these girls in Bushwick. I know

487
00:20:09,920 --> 00:20:13,080
Speaker 3: these transplants, I know this. But I think they saw

488
00:20:13,119 --> 00:20:13,560
Speaker 3: what I.

489
00:20:13,480 --> 00:20:16,320
Speaker 1: Think they had to make room for girls. If I'm

490
00:20:16,320 --> 00:20:17,320
Speaker 1: being frank, Yeah, I.

491
00:20:17,320 --> 00:20:19,920
Speaker 3: Think it was like guys did good with New York

492
00:20:19,920 --> 00:20:21,480
Speaker 3: ship and like, let's find they.

493
00:20:21,560 --> 00:20:22,400
Speaker 1: Didn't take that.

494
00:20:22,480 --> 00:20:25,640
Speaker 6: It took a whole crew, like literally like the DP

495
00:20:25,800 --> 00:20:27,199
Speaker 6: of the whole ship that worked on How to Make

496
00:20:27,240 --> 00:20:29,240
Speaker 6: It and they're like, yeah, we're working on the show

497
00:20:29,280 --> 00:20:31,920
Speaker 6: called Girls next season and wow, and that's when we

498
00:20:33,160 --> 00:20:35,280
Speaker 6: knock on them. But I'm not they didn't just take that,

499
00:20:35,280 --> 00:20:36,240
Speaker 6: but they also took our crew.

500
00:20:37,600 --> 00:20:40,359
Speaker 3: Would have been so cool in hindsight, if those it

501
00:20:40,440 --> 00:20:45,760
Speaker 3: was the same universe. Yeah, those offentially, I thought.

502
00:20:45,600 --> 00:20:53,359
Speaker 1: About that, all of them, like oh yeah.

503
00:20:53,840 --> 00:20:56,600
Speaker 4: One of my favorite scenes ever in How to Make

504
00:20:56,640 --> 00:20:59,520
Speaker 4: It is when y'all are on the corner downtown selling

505
00:20:59,560 --> 00:21:01,560
Speaker 4: the levage steal it.

506
00:21:01,560 --> 00:21:05,520
Speaker 6: When I steal the pleasant and and and Ben is

507
00:21:05,560 --> 00:21:07,760
Speaker 6: standing there with the cop because the cop is like,

508
00:21:07,840 --> 00:21:08,560
Speaker 6: let me see the permit.

509
00:21:08,720 --> 00:21:10,480
Speaker 4: Yeah, and you're like, all right, cool, I got it

510
00:21:10,680 --> 00:21:12,159
Speaker 4: right here. And then you walk to the rack like

511
00:21:12,160 --> 00:21:14,240
Speaker 4: you're going to get the permit. You snatched the coach

512
00:21:14,280 --> 00:21:15,040
Speaker 4: and you start running.

513
00:21:15,400 --> 00:21:16,200
Speaker 2: Ben doesn't move.

514
00:21:16,240 --> 00:21:18,600
Speaker 4: He's drinking his coffee with the cop. Cop is like

515
00:21:18,800 --> 00:21:19,800
Speaker 4: you want to call your friend back?

516
00:21:20,080 --> 00:21:22,760
Speaker 3: Ye? To me, that's such a like you.

517
00:21:22,760 --> 00:21:25,840
Speaker 2: Gotta let your man know when YO listen about the boocket.

518
00:21:26,200 --> 00:21:28,360
Speaker 2: I don't know what you're doing with coffee and his cop.

519
00:21:28,520 --> 00:21:29,800
Speaker 2: But I'm out here, but I know.

520
00:21:29,760 --> 00:21:31,480
Speaker 1: I know me and you ran for five back in

521
00:21:31,520 --> 00:21:33,760
Speaker 1: the day. That was when I read that. I was like, oh, yeah,

522
00:21:33,760 --> 00:21:34,080
Speaker 1: I've done it.

523
00:21:34,960 --> 00:21:37,119
Speaker 2: That was bad because you have the friend that's not

524
00:21:37,200 --> 00:21:38,160
Speaker 2: going to run that's right.

525
00:21:39,840 --> 00:21:43,280
Speaker 1: Yes. Would you have told your man though too? Right now?

526
00:21:43,280 --> 00:21:47,880
Speaker 7: I would stand there right now he's been he's standing there.

527
00:21:47,920 --> 00:21:49,560
Speaker 2: I'm the guy that's gonna be like I'm out.

528
00:21:49,640 --> 00:21:58,760
Speaker 3: Yeah, certainly remember laminated cards. I don't know mall idea, Yeah, yeah,

529
00:21:58,800 --> 00:21:59,720
Speaker 3: I'm waiting for an uber.

530
00:22:00,800 --> 00:22:02,720
Speaker 4: We brought a Michael Cha's name. It's funny because I

531
00:22:02,720 --> 00:22:04,640
Speaker 4: feel like if how to make it was still think

532
00:22:04,640 --> 00:22:07,800
Speaker 4: Michael J would be a character hilarious. He would absolutely

533
00:22:07,880 --> 00:22:08,280
Speaker 4: be in how to.

534
00:22:08,520 --> 00:22:10,640
Speaker 6: I'm trying to think of what project he was, because

535
00:22:10,680 --> 00:22:13,040
Speaker 6: I feel like you know, when you when you grew

536
00:22:13,160 --> 00:22:16,280
Speaker 6: up in this particular you know project or whatever, there's

537
00:22:16,320 --> 00:22:18,760
Speaker 6: multiple projects right next to you know, whatever project you

538
00:22:18,760 --> 00:22:21,199
Speaker 6: grew up in, And I remember that we always had

539
00:22:21,240 --> 00:22:24,280
Speaker 6: beef with This is so stupid, but like now the hindsight,

540
00:22:24,320 --> 00:22:25,080
Speaker 6: I'm like, damn, man, I.

541
00:22:25,080 --> 00:22:26,600
Speaker 1: Can't believe I was doing stupid shit like this.

542
00:22:26,560 --> 00:22:28,919
Speaker 6: But you would always have yeah, you know how like

543
00:22:29,160 --> 00:22:31,560
Speaker 6: so I was Jacob Riese, but we always had beef

544
00:22:31,600 --> 00:22:35,040
Speaker 6: with kats and brooches. This project called I think that's

545
00:22:35,080 --> 00:22:37,439
Speaker 6: where he might be from. I'm not sure, but I

546
00:22:37,520 --> 00:22:42,280
Speaker 6: wonder if like on some beef stupid like adolescent ship,

547
00:22:43,119 --> 00:22:44,680
Speaker 6: just because he was with, you know, with a whole

548
00:22:44,720 --> 00:22:47,520
Speaker 6: other crew and I was with the Jacob Reese, that's crazy.

549
00:22:47,840 --> 00:22:48,760
Speaker 1: We might actually bumped it.

550
00:22:48,800 --> 00:22:51,960
Speaker 6: But anyway, Michael Ja, I never met him, but like

551
00:22:52,600 --> 00:22:53,920
Speaker 6: I could have been having beef with him and I

552
00:22:53,920 --> 00:22:54,359
Speaker 6: didn't even know.

553
00:22:54,359 --> 00:22:56,560
Speaker 1: What he was. Maybe had a Knicks game or something.

554
00:22:56,600 --> 00:23:00,879
Speaker 1: I don't know. Maybe oh yeah as an adult. Yeah yeah, yeah,

555
00:23:00,920 --> 00:23:02,240
Speaker 1: I can't wait till you guys roll up on you

556
00:23:02,320 --> 00:23:03,320
Speaker 1: ye on site.

557
00:23:03,440 --> 00:23:06,600
Speaker 8: I wanted to ask when when Entrage was coming to

558
00:23:06,600 --> 00:23:08,960
Speaker 8: an end? Is kind of when you guys were like beginning. Yeah,

559
00:23:09,280 --> 00:23:11,439
Speaker 8: And in hindsight, I know now that the shows have

560
00:23:11,800 --> 00:23:15,879
Speaker 8: long been over. They're compared constantly. The LA version of

561
00:23:16,080 --> 00:23:19,240
Speaker 8: the New York version of Entrages in America never got

562
00:23:19,040 --> 00:23:23,440
Speaker 8: at the table reader like in the chemistry reading at

563
00:23:23,440 --> 00:23:25,960
Speaker 8: that time. Did you see the similarity? Were you fans

564
00:23:26,000 --> 00:23:27,919
Speaker 8: of that show? Did you like kind of see it

565
00:23:27,960 --> 00:23:29,960
Speaker 8: then or was this something that kind of grew over time.

566
00:23:30,240 --> 00:23:32,880
Speaker 7: So I was definitely a fan of that show. I've

567
00:23:32,920 --> 00:23:36,600
Speaker 7: seen every episode of onage. I think it's great. But

568
00:23:37,280 --> 00:23:39,399
Speaker 7: like I said, like I knew this world and I

569
00:23:39,440 --> 00:23:41,760
Speaker 7: knew that this was very far from that world, and

570
00:23:42,000 --> 00:23:46,880
Speaker 7: this Entourage was about like very It was like aspirational, right,

571
00:23:47,080 --> 00:23:48,960
Speaker 7: these wouldn't it be nice to be a movie star.

572
00:23:49,080 --> 00:23:51,600
Speaker 7: Wouldn't it be nice to like have all your friends

573
00:23:51,680 --> 00:23:54,120
Speaker 7: come with you and live that life. These guys were

574
00:23:54,119 --> 00:23:56,560
Speaker 7: trying to like put twelve hundred dollars together to like,

575
00:23:56,840 --> 00:23:59,600
Speaker 7: you know, pay a pattern, make it right, Like this

576
00:23:59,720 --> 00:24:02,800
Speaker 7: is not that world, you know. So it was just

577
00:24:02,880 --> 00:24:05,160
Speaker 7: like two different ye and it felt.

578
00:24:04,920 --> 00:24:06,399
Speaker 5: Like I mean again because of the New Yorker.

579
00:24:06,600 --> 00:24:08,760
Speaker 8: Yeah, like Androdge always felt like a fever dream and

580
00:24:08,840 --> 00:24:10,439
Speaker 8: it was just like this whole like world that was

581
00:24:10,440 --> 00:24:13,360
Speaker 8: like this it's a real but it's not. Yeah this show,

582
00:24:13,720 --> 00:24:15,840
Speaker 8: your show is like the whole cop interaction running from

583
00:24:15,840 --> 00:24:17,520
Speaker 8: the cops and yeah, that's that's real.

584
00:24:17,640 --> 00:24:19,720
Speaker 5: That's life. Yeah, that stuff that could happen.

585
00:24:19,800 --> 00:24:22,240
Speaker 3: Hollywood and How to Make an America was very anti that.

586
00:24:22,359 --> 00:24:24,040
Speaker 3: It was a completely different world.

587
00:24:24,080 --> 00:24:25,040
Speaker 1: Look, we were build that.

588
00:24:25,040 --> 00:24:29,639
Speaker 7: Way because obviously it's same producers Rob Why, you know,

589
00:24:30,119 --> 00:24:34,800
Speaker 7: Mark wahlber, Ce Lemonson, Money, Julian Farino. Yeah, and they yeah,

590
00:24:34,840 --> 00:24:36,960
Speaker 7: they had they had heat at a spew at the time.

591
00:24:37,080 --> 00:24:40,639
Speaker 7: So I think it's also easy for you know, people,

592
00:24:41,240 --> 00:24:42,800
Speaker 7: they don't want to do a lot of deep diving,

593
00:24:42,840 --> 00:24:44,119
Speaker 7: you know, they just want a headline, like what is

594
00:24:44,119 --> 00:24:45,720
Speaker 7: it about? Oh, it's a New York contract. Okay, cool,

595
00:24:45,720 --> 00:24:47,560
Speaker 7: I'll watch that. It's like, you know, you got it,

596
00:24:47,600 --> 00:24:50,720
Speaker 7: can't like give them. It's about these two upstarts who start.

597
00:24:50,560 --> 00:24:51,320
Speaker 1: Do them no, you know.

598
00:24:51,560 --> 00:24:54,440
Speaker 7: So I think that was just their way to kind

599
00:24:54,440 --> 00:24:56,960
Speaker 7: of introduce us to the world. But I think once

600
00:24:57,000 --> 00:24:59,720
Speaker 7: people started watching it, they realized that we were totally different.

601
00:24:59,800 --> 00:25:03,680
Speaker 3: Yeah, what was that first table read like with this

602
00:25:03,720 --> 00:25:05,959
Speaker 3: guy that has a song called Day and Night right

603
00:25:06,119 --> 00:25:08,840
Speaker 3: starting to bubble on the radio a little bit Because

604
00:25:08,880 --> 00:25:11,200
Speaker 3: you guys shot the first season, I'd imagine in nine

605
00:25:11,280 --> 00:25:15,040
Speaker 3: right eight eight eight, So was they not even come

606
00:25:15,040 --> 00:25:15,400
Speaker 3: out yet?

607
00:25:16,040 --> 00:25:18,920
Speaker 4: Day and I was out it was and I Cuddy

608
00:25:18,960 --> 00:25:21,200
Speaker 4: was Cuddy at the time, it was he wasn't.

609
00:25:21,720 --> 00:25:22,120
Speaker 1: He wasn't.

610
00:25:22,200 --> 00:25:23,640
Speaker 2: He wasn't Cuddy.

611
00:25:24,000 --> 00:25:26,000
Speaker 4: But when he was on the screen, people know, yo,

612
00:25:26,040 --> 00:25:27,560
Speaker 4: that's kid cutty. Like everybody.

613
00:25:28,640 --> 00:25:30,159
Speaker 3: I feel like if you were kind of in the no,

614
00:25:30,640 --> 00:25:31,919
Speaker 3: that's what it was, Cuddy.

615
00:25:32,160 --> 00:25:36,800
Speaker 5: Yeah, it was day think they came out February fifth,

616
00:25:36,800 --> 00:25:37,560
Speaker 5: two thousand and eight.

617
00:25:38,040 --> 00:25:39,080
Speaker 1: Yeah, but like.

618
00:25:39,359 --> 00:25:42,320
Speaker 6: Perculating when season two came out, that's when like the

619
00:25:42,440 --> 00:25:43,200
Speaker 6: vibe was different.

620
00:25:43,200 --> 00:25:45,719
Speaker 1: When when we were shooting season two, he was like,

621
00:25:45,800 --> 00:25:50,440
Speaker 1: because we're like, oh ship yeah at that point yeah, at.

622
00:25:50,320 --> 00:25:52,159
Speaker 6: That point in the season two, we were like, how

623
00:25:52,240 --> 00:25:54,679
Speaker 6: y'all locking you know me? And at least I was thinking, like,

624
00:25:54,960 --> 00:25:57,119
Speaker 6: how are the producers locking him down with his crazy

625
00:25:57,160 --> 00:25:58,200
Speaker 6: schedule to shoot the show?

626
00:25:58,640 --> 00:26:00,320
Speaker 1: Wait? And he even said, you know, we had him

627
00:26:00,359 --> 00:26:00,919
Speaker 1: on our podcast.

628
00:26:01,000 --> 00:26:04,439
Speaker 6: He was saying like season one, Season two heat like study,

629
00:26:04,560 --> 00:26:07,000
Speaker 6: like like how to be a better actor, like in

630
00:26:07,000 --> 00:26:09,200
Speaker 6: between those seasons so he could come to season two

631
00:26:09,400 --> 00:26:11,240
Speaker 6: coming correct. I mean that says a lot about just

632
00:26:11,280 --> 00:26:13,680
Speaker 6: like his artistry, you know what I'm saying. But when

633
00:26:13,760 --> 00:26:15,840
Speaker 6: he came on season two, he was he was cutting

634
00:26:15,840 --> 00:26:17,920
Speaker 6: and we went there's a video. I think we put

635
00:26:17,920 --> 00:26:21,160
Speaker 6: it on our pod, the videos that we don't have,

636
00:26:21,400 --> 00:26:23,879
Speaker 6: we put it on our assets. Right, like we were

637
00:26:23,880 --> 00:26:26,520
Speaker 6: talking about earlier, he put there was a there's a

638
00:26:26,600 --> 00:26:29,000
Speaker 6: video at the night of when when the album his

639
00:26:29,000 --> 00:26:31,200
Speaker 6: first album on the Moon Man Moon. Yeah, we were

640
00:26:31,240 --> 00:26:33,639
Speaker 6: down going down Tom Square in his like suv and

641
00:26:33,680 --> 00:26:36,080
Speaker 6: we were like yo, I was shaking.

642
00:26:35,760 --> 00:26:38,120
Speaker 1: It, like yo, your album is out playing right now.

643
00:26:38,320 --> 00:26:40,600
Speaker 1: We had Tom Squid is just crazy. Yeah. I was

644
00:26:40,600 --> 00:26:41,840
Speaker 1: more hype for him than he was.

645
00:26:41,880 --> 00:26:43,840
Speaker 2: Bro Yeah yeah, it was crazy.

646
00:26:44,119 --> 00:26:45,640
Speaker 1: No, But we told the story too.

647
00:26:45,800 --> 00:26:48,760
Speaker 7: I think on the pot we're like, you know, we

648
00:26:48,800 --> 00:26:52,000
Speaker 7: went to go see him, I think Santos, Yeah.

649
00:26:51,760 --> 00:26:53,840
Speaker 1: And there was way on the stage. This is like

650
00:26:54,080 --> 00:26:55,840
Speaker 1: shooting the pilot. I mean there's nobody in the there's

651
00:26:55,880 --> 00:26:58,040
Speaker 1: like thirty people in the audience. Yeah, yeah, and Scott

652
00:26:58,080 --> 00:26:59,040
Speaker 1: comes up there kills it.

653
00:26:59,160 --> 00:27:02,119
Speaker 7: But he's also like, tell he his a little like frustrated,

654
00:27:02,160 --> 00:27:04,840
Speaker 7: like it was a small crowd, and but he he

655
00:27:04,920 --> 00:27:06,680
Speaker 7: said this thing, and I love the confidence that he had.

656
00:27:06,680 --> 00:27:08,240
Speaker 7: He said, you guys, you guys don't know me now,

657
00:27:08,280 --> 00:27:09,760
Speaker 7: but I guarantee in the year you can't know who

658
00:27:09,800 --> 00:27:10,080
Speaker 7: I am.

659
00:27:10,840 --> 00:27:13,119
Speaker 1: Was in the audience, was in the audience at the

660
00:27:13,160 --> 00:27:16,520
Speaker 1: bar in the back with the Yankee fitted Ye, so

661
00:27:16,600 --> 00:27:17,000
Speaker 1: he knew.

662
00:27:17,160 --> 00:27:20,159
Speaker 7: But like, yeah, I mean it was his start of

663
00:27:20,400 --> 00:27:21,680
Speaker 7: his his talent undeniable.

664
00:27:21,760 --> 00:27:23,200
Speaker 1: We all knew. It's like just a matter of time

665
00:27:23,280 --> 00:27:23,680
Speaker 1: he had.

666
00:27:23,800 --> 00:27:28,399
Speaker 2: He cracked the code for the most genius job. He

667
00:27:28,560 --> 00:27:29,440
Speaker 2: sells weed at night.

668
00:27:30,920 --> 00:27:34,240
Speaker 1: Oh yeah, who thought of cannabis?

669
00:27:34,280 --> 00:27:35,800
Speaker 2: Who wrote that into the adman?

670
00:27:35,800 --> 00:27:37,640
Speaker 1: I'm gonna say, yeah, yeah, it was all credit.

671
00:27:38,080 --> 00:27:40,840
Speaker 6: That is fucking But I feel like I feel like

672
00:27:40,880 --> 00:27:42,879
Speaker 6: he because his ears it still is.

673
00:27:42,920 --> 00:27:44,800
Speaker 1: I feel like his ears always to the streets.

674
00:27:45,720 --> 00:27:48,240
Speaker 2: He must he knows somebody that knows. You can't just

675
00:27:48,280 --> 00:27:48,719
Speaker 2: create that.

676
00:27:48,800 --> 00:27:51,560
Speaker 3: But that's how great the show was executed because Kid

677
00:27:51,560 --> 00:27:54,240
Speaker 3: Cutty was exactly who he was in real life at

678
00:27:54,240 --> 00:27:56,159
Speaker 3: that time. Like if you knew a kid from the

679
00:27:56,160 --> 00:27:58,679
Speaker 3: Bape Store music living in East New York, like he

680
00:27:58,840 --> 00:28:01,920
Speaker 3: was that scene, Yeah, a nutshell, like that was probably

681
00:28:01,960 --> 00:28:04,879
Speaker 3: one of the best casted roles of all time if

682
00:28:04,880 --> 00:28:06,560
Speaker 3: he knew who cut he was at that time.

683
00:28:07,640 --> 00:28:10,479
Speaker 1: And that's all ian Ian found him. He found him

684
00:28:10,520 --> 00:28:12,960
Speaker 1: at like a party or something. I don't even know.

685
00:28:13,320 --> 00:28:15,159
Speaker 6: Who is this hbos, like, who's this guy? But they

686
00:28:15,200 --> 00:28:17,199
Speaker 6: loved him, I mean when they performed there, like they

687
00:28:17,200 --> 00:28:18,639
Speaker 6: loved him so much. You know, we said this on

688
00:28:18,640 --> 00:28:20,720
Speaker 6: our podcast, do that. But they loved him so much

689
00:28:20,880 --> 00:28:23,360
Speaker 6: that they created like he came in for Cam. Yeah,

690
00:28:23,400 --> 00:28:25,560
Speaker 6: and then obviously that what you know, they had Camp,

691
00:28:25,640 --> 00:28:27,480
Speaker 6: they had they had the vision of me being playing Camp.

692
00:28:27,520 --> 00:28:29,560
Speaker 6: But then they loved him so much that the Mingo

693
00:28:29,640 --> 00:28:31,960
Speaker 6: didn't even exist in the original pilot that they wrote

694
00:28:32,320 --> 00:28:34,800
Speaker 6: the mingo because they loved his audition.

695
00:28:35,320 --> 00:28:37,240
Speaker 2: He was originally supposed to be casted from one of

696
00:28:37,280 --> 00:28:37,800
Speaker 2: the leads.

697
00:28:37,800 --> 00:28:41,840
Speaker 6: Correct he came in for Cam and so they were like,

698
00:28:41,880 --> 00:28:43,200
Speaker 6: obviously it was going to go to Vic.

699
00:28:43,280 --> 00:28:45,600
Speaker 2: But they were like, yo, he could be his own thing, yo, And.

700
00:28:45,480 --> 00:28:48,000
Speaker 6: That never happens in our industry, like never, They never

701
00:28:48,400 --> 00:28:49,840
Speaker 6: create a new role.

702
00:28:51,840 --> 00:28:53,800
Speaker 1: Like we gotta we gotta get him in the world somehow,

703
00:28:54,000 --> 00:28:55,120
Speaker 1: and this is crazy.

704
00:28:55,200 --> 00:29:00,280
Speaker 2: And then also which was dope, the iconic Louis Guzman.

705
00:29:00,040 --> 00:29:05,040
Speaker 4: Bro cousin Rene, Yes icon culturally known as the iconic pachanga.

706
00:29:05,280 --> 00:29:08,960
Speaker 2: Yeah, from Collego's way, him being your cousin.

707
00:29:09,040 --> 00:29:11,120
Speaker 4: I don't know who thought of that, but that was like,

708
00:29:11,320 --> 00:29:13,760
Speaker 4: this is what really how it really goes because he

709
00:29:13,840 --> 00:29:17,000
Speaker 4: just did a shipload of time and the Feds whatever, he's.

710
00:29:16,800 --> 00:29:19,200
Speaker 2: Home now, we need some money.

711
00:29:20,440 --> 00:29:21,479
Speaker 1: To that, you know what I mean?

712
00:29:21,760 --> 00:29:24,840
Speaker 4: Like that was like, to me, the most genius and

713
00:29:25,080 --> 00:29:27,560
Speaker 4: who else but Luis Guzman to play that role.

714
00:29:27,760 --> 00:29:31,120
Speaker 3: He his career to me is the example of not

715
00:29:31,200 --> 00:29:34,080
Speaker 3: being type casted. When everyone's trying to type cast he

716
00:29:34,160 --> 00:29:36,520
Speaker 3: somehow breaks out of the box every single time he

717
00:29:36,560 --> 00:29:39,720
Speaker 3: has this stereotypical role that he smokes. Yeah, but then

718
00:29:39,960 --> 00:29:42,040
Speaker 3: the next month you'll see him in something like how

719
00:29:42,080 --> 00:29:42,719
Speaker 3: the fuck is he?

720
00:29:42,800 --> 00:29:43,000
Speaker 1: Even?

721
00:29:43,160 --> 00:29:44,680
Speaker 3: The thing is, why did it work?

722
00:29:45,560 --> 00:29:46,400
Speaker 1: Yeah? You no wrong?

723
00:29:46,440 --> 00:29:48,000
Speaker 7: And I remember when we were shooting, we walked down

724
00:29:48,000 --> 00:29:49,880
Speaker 7: the streets to him and he would get love from

725
00:29:49,960 --> 00:29:53,880
Speaker 7: everybody from different Every fan was from a different Poey

726
00:29:53,960 --> 00:29:55,760
Speaker 7: like for sure, it was never the same thing.

727
00:29:55,800 --> 00:29:57,160
Speaker 6: Brian and I have you know, we've had the good

728
00:29:57,200 --> 00:30:01,080
Speaker 6: fortune of working with some household names and and be

729
00:30:01,200 --> 00:30:04,480
Speaker 6: either friends or not friends. But he's the only person

730
00:30:04,960 --> 00:30:08,240
Speaker 6: that is the most recognized person that I've ever like

731
00:30:08,280 --> 00:30:09,520
Speaker 6: walked alongside on the street.

732
00:30:09,600 --> 00:30:15,520
Speaker 1: All genres, all genres, no matter what he does, you know,

733
00:30:15,960 --> 00:30:19,240
Speaker 1: Brian's worth, Meryl Street Clooney. I think he's still more

734
00:30:19,280 --> 00:30:23,360
Speaker 1: recognized than those those like It's Crowded my Friends film

735
00:30:23,440 --> 00:30:25,959
Speaker 1: story Okay, oh yeah, yeah, I saw that.

736
00:30:26,040 --> 00:30:28,240
Speaker 6: Oh yeah, it was the indie movie. I think he

737
00:30:28,240 --> 00:30:29,959
Speaker 6: also produced it too, That's kind of why he told

738
00:30:30,000 --> 00:30:30,760
Speaker 6: me to go watch it.

739
00:30:30,840 --> 00:30:32,080
Speaker 1: Yeah, yeah, I liked it a lot.

740
00:30:32,320 --> 00:30:34,920
Speaker 3: Aristotle super Yeah, yeah, I am he.

741
00:30:35,280 --> 00:30:36,640
Speaker 6: I don't know if a lot of people don't know

742
00:30:36,720 --> 00:30:38,760
Speaker 6: the story about how Loui even got involved with the show,

743
00:30:38,920 --> 00:30:40,920
Speaker 6: But there was a point where they didn't even consider

744
00:30:41,000 --> 00:30:42,880
Speaker 6: him because they didn't think that he would do the

745
00:30:42,920 --> 00:30:44,800
Speaker 6: show because he was such a big deal.

746
00:30:45,400 --> 00:30:48,080
Speaker 1: And so I had, you know, two l E. S Cats.

747
00:30:48,080 --> 00:30:49,840
Speaker 1: He's from l S. So, he's from Mazarik Projects.

748
00:30:50,000 --> 00:30:54,400
Speaker 6: I'm from Jacob Rees and he he we have been friends,

749
00:30:54,440 --> 00:30:56,520
Speaker 6: and so when they were thinking about like a Louis

750
00:30:56,560 --> 00:30:58,239
Speaker 6: Guzman type, it was like, why don't we just get

751
00:30:58,320 --> 00:31:00,840
Speaker 6: Louis Guzman, Like, oh shit, and we get Luis I

752
00:31:00,920 --> 00:31:03,240
Speaker 6: was like, business is funny, bro, Like I make the

753
00:31:03,320 --> 00:31:05,640
Speaker 6: call like I known him already, you know, it's like

754
00:31:05,640 --> 00:31:07,520
Speaker 6: my big brother. You know what I'm saying, I call him,

755
00:31:07,840 --> 00:31:09,840
Speaker 6: And so I did, and then you know whatever I

756
00:31:09,880 --> 00:31:11,080
Speaker 6: told him by him. But he was like, Yo, it's

757
00:31:11,080 --> 00:31:12,440
Speaker 6: not enough for me to do in the pilot, Like

758
00:31:12,480 --> 00:31:13,560
Speaker 6: I'm only in like one scene.

759
00:31:13,840 --> 00:31:16,120
Speaker 1: I'm like, yo, Louis, there's only one opportunity.

760
00:31:16,120 --> 00:31:19,000
Speaker 6: We're going to do a show about our hood, you

761
00:31:19,040 --> 00:31:21,760
Speaker 6: know what I'm saying, or close to our hood, you know,

762
00:31:21,800 --> 00:31:23,520
Speaker 6: I mean vibe. And so he kind of took me

763
00:31:23,560 --> 00:31:24,640
Speaker 6: out of my word and he was like, all right,

764
00:31:24,680 --> 00:31:26,040
Speaker 6: well then, and I could tell he was a little

765
00:31:26,040 --> 00:31:26,520
Speaker 6: bit hesitant.

766
00:31:26,800 --> 00:31:29,240
Speaker 1: So then I told Ian and Rob or whatever.

767
00:31:29,240 --> 00:31:31,840
Speaker 6: And then they got Mark Wahlberg to seal the deal

768
00:31:31,880 --> 00:31:33,920
Speaker 6: because him and Mark had done like two movies or

769
00:31:33,960 --> 00:31:36,000
Speaker 6: maybe one movie. They did Boogie Nights, and they were

770
00:31:36,000 --> 00:31:38,640
Speaker 6: friends and Mark of course was like a huge fan

771
00:31:38,680 --> 00:31:41,440
Speaker 6: of his whatever. So then all props to Mark, like

772
00:31:41,480 --> 00:31:42,560
Speaker 6: he definitely sealed the deal.

773
00:31:43,040 --> 00:31:44,360
Speaker 1: Can you believe that if he didn't do it, I

774
00:31:44,360 --> 00:31:45,320
Speaker 1: can't think of anybody else.

775
00:31:45,320 --> 00:31:46,800
Speaker 2: I don't know who else would have played that role.

776
00:31:46,840 --> 00:31:50,480
Speaker 4: Yeah, and not at that level, and just because I

777
00:31:50,480 --> 00:31:52,880
Speaker 4: feel like a lot of that watching it, it's almost

778
00:31:52,920 --> 00:31:56,120
Speaker 4: like he's not acting, like he wouldn't really react like that, Yeah, situation,

779
00:31:56,240 --> 00:31:57,840
Speaker 4: he would, That's how he would react in that situation.

780
00:31:58,560 --> 00:32:00,960
Speaker 7: He played such a great heavy because he's got that face.

781
00:32:01,240 --> 00:32:03,040
Speaker 7: You know, he doesn't do ship. He just looks at

782
00:32:03,040 --> 00:32:04,000
Speaker 7: you and you're like.

783
00:32:03,960 --> 00:32:05,240
Speaker 3: Okay, Yeah.

784
00:32:05,480 --> 00:32:07,400
Speaker 1: I was like not acting either. I was like, you're

785
00:32:07,440 --> 00:32:07,880
Speaker 1: not sure if.

786
00:32:07,760 --> 00:32:09,000
Speaker 3: You should laugh to be terrified.

787
00:32:09,120 --> 00:32:11,400
Speaker 1: Yeah, but he's such a teddy bear man.

788
00:32:11,640 --> 00:32:14,800
Speaker 7: He's a sweetheart, like he's he's a good man, Like

789
00:32:14,880 --> 00:32:17,840
Speaker 7: he's just he's all about the people, and he's all

790
00:32:17,840 --> 00:32:20,800
Speaker 7: about giving a charity and he's just he's amazing.

791
00:32:20,880 --> 00:32:23,440
Speaker 2: All right, So let's let's sho it on HBO for okay, Okay,

792
00:32:23,520 --> 00:32:24,040
Speaker 2: I love this.

793
00:32:24,640 --> 00:32:28,080
Speaker 8: Ask one more casting question before we did Changing Gears,

794
00:32:28,440 --> 00:32:28,920
Speaker 8: Push a T.

795
00:32:29,280 --> 00:32:30,480
Speaker 5: How did he get into the show?

796
00:32:31,560 --> 00:32:34,800
Speaker 3: Yeah, I forgot push it T. Yeah, Push was great

797
00:32:34,880 --> 00:32:37,760
Speaker 3: man the Caribbean. What was the Caribbean he was the

798
00:32:37,800 --> 00:32:38,239
Speaker 3: season too?

799
00:32:38,920 --> 00:32:39,280
Speaker 1: Want to.

800
00:32:40,800 --> 00:32:41,959
Speaker 2: Was the name of the crew that he was a

801
00:32:41,960 --> 00:32:43,360
Speaker 2: photo man the Caribbean.

802
00:32:43,440 --> 00:32:45,760
Speaker 7: So I gotta be honest, I haven't seen the show

803
00:32:46,080 --> 00:32:49,120
Speaker 7: and like since it aired, and we're rewatching the show

804
00:32:49,560 --> 00:32:50,240
Speaker 7: and I'm only out.

805
00:32:51,480 --> 00:32:54,000
Speaker 1: Three because we just finished it. My memory is so bad,

806
00:32:54,040 --> 00:32:55,480
Speaker 1: so like I don't even know. I don't even I

807
00:32:55,480 --> 00:32:57,680
Speaker 1: don't remember. I'm watching it, Like do we get the

808
00:32:57,760 --> 00:33:00,800
Speaker 1: jeans or not? Honestly, I forgot it, So I have

809
00:33:00,880 --> 00:33:01,920
Speaker 1: no idea for yourself.

810
00:33:02,120 --> 00:33:05,520
Speaker 3: Yeah, I hope he makes it. I hope this gets

811
00:33:05,520 --> 00:33:06,120
Speaker 3: the third season.

812
00:33:07,320 --> 00:33:09,880
Speaker 1: Really like that bend dude, bro that can't do this

813
00:33:09,920 --> 00:33:10,760
Speaker 1: eye but that bed?

814
00:33:13,320 --> 00:33:16,320
Speaker 4: Yeah, and I love What was it the one thing

815
00:33:16,360 --> 00:33:18,560
Speaker 4: I did to with the scarf leaving the scarf.

816
00:33:18,240 --> 00:33:21,720
Speaker 1: At What was the thing? Man? I don't know, dogs,

817
00:33:22,560 --> 00:33:24,720
Speaker 1: I felt like it was me what season? First of all,

818
00:33:24,800 --> 00:33:26,440
Speaker 1: start off with that one.

819
00:33:26,280 --> 00:33:28,560
Speaker 4: Right where y'all would leave the scarf if you hooked

820
00:33:28,640 --> 00:33:30,760
Speaker 4: up with a girl, and then like so if you

821
00:33:30,760 --> 00:33:32,320
Speaker 4: went back to the girl's.

822
00:33:32,120 --> 00:33:34,240
Speaker 3: House, this is our show.

823
00:33:34,600 --> 00:33:35,840
Speaker 1: Show, it's our show. I did.

824
00:33:35,920 --> 00:33:37,480
Speaker 3: I think this is real?

825
00:33:37,080 --> 00:33:41,920
Speaker 5: Don't go to the girls watching again summer.

826
00:33:42,160 --> 00:33:44,280
Speaker 6: I think think you didn't see it, but I think

827
00:33:44,320 --> 00:33:46,360
Speaker 6: we talked about that at some point.

828
00:33:46,360 --> 00:33:47,920
Speaker 1: We was like, Yo, we need the scarf. I know

829
00:33:48,040 --> 00:33:50,120
Speaker 1: not to go in. We talked about we didn't but

830
00:33:50,160 --> 00:33:50,920
Speaker 1: you didn't see it?

831
00:33:51,000 --> 00:33:53,160
Speaker 6: Okay, yeah, I think there was a quick mention that

832
00:33:53,560 --> 00:33:55,120
Speaker 6: and it was and it was with Scott. I think

833
00:33:55,120 --> 00:33:57,280
Speaker 6: it was yeah too, like you hook up with a

834
00:33:57,320 --> 00:33:58,080
Speaker 6: girl leave this gag?

835
00:33:58,240 --> 00:34:02,320
Speaker 8: Yeah, yeah, yeah, it was like whoa like but yeah again,

836
00:34:02,360 --> 00:34:03,760
Speaker 8: I don't know the name of Push his crew, but

837
00:34:03,880 --> 00:34:05,760
Speaker 8: just he was casting again as a drug dealer and

838
00:34:05,760 --> 00:34:06,880
Speaker 8: he okay, so how.

839
00:34:06,720 --> 00:34:07,400
Speaker 1: Did he get cassed?

840
00:34:07,440 --> 00:34:09,840
Speaker 7: I don't know exactly, but I think Scott Venner, the

841
00:34:09,920 --> 00:34:15,160
Speaker 7: music supervisor, might have some Bogo who was a huge

842
00:34:15,160 --> 00:34:17,280
Speaker 7: part of the show, the music at the time.

843
00:34:17,600 --> 00:34:21,600
Speaker 2: He was he does the music for Baller, but he.

844
00:34:21,600 --> 00:34:24,560
Speaker 7: Was breaking a lot of like musicians, I mean Ali Black,

845
00:34:24,800 --> 00:34:28,319
Speaker 7: yeah alone, you know what I mean, all of Black

846
00:34:28,360 --> 00:34:31,360
Speaker 7: credits how to make it the theme song for launching

847
00:34:31,360 --> 00:34:33,160
Speaker 7: his career, and that justs.

848
00:34:32,760 --> 00:34:35,960
Speaker 3: Still like really understanding a show rather than what your

849
00:34:36,000 --> 00:34:39,720
Speaker 3: resume is. Because some interview Entourrage has his own podcast

850
00:34:39,760 --> 00:34:43,319
Speaker 3: now oh yeah, and they were interviewing him. He was

851
00:34:43,400 --> 00:34:46,560
Speaker 3: never supposed to score any of that show. The producer

852
00:34:46,600 --> 00:34:48,040
Speaker 3: just brought it to him for like opinion, like what

853
00:34:48,040 --> 00:34:50,279
Speaker 3: do you think about the show? They were just friends. Yeah,

854
00:34:50,280 --> 00:34:52,640
Speaker 3: He's like this is great. The music just fucking sucks.

855
00:34:53,160 --> 00:34:56,359
Speaker 3: So he replaced all the songs. Yeah, and they were like, hey,

856
00:34:56,360 --> 00:34:57,520
Speaker 3: do you want to just keep doing this for the

857
00:34:57,560 --> 00:34:59,600
Speaker 3: rest of the show, Like, I know, it's not your job.

858
00:35:00,040 --> 00:35:01,200
Speaker 3: Then he just ended up doing that shit.

859
00:35:01,320 --> 00:35:01,560
Speaker 1: Yeah.

860
00:35:01,680 --> 00:35:05,280
Speaker 4: Scott Venner is like he's secretly one of the guys

861
00:35:05,320 --> 00:35:08,640
Speaker 4: that has had his DNA and his imprint on a lot.

862
00:35:08,520 --> 00:35:09,759
Speaker 2: Of the iconic shows.

863
00:35:10,080 --> 00:35:13,440
Speaker 7: Yeah, we also got to get gave Hilford. Gave hill

864
00:35:13,480 --> 00:35:15,759
Speaker 7: Ford is also one of the musicians. Yes, doesn't get

865
00:35:15,760 --> 00:35:17,879
Speaker 7: as much credit, but he's also was a big part

866
00:35:17,880 --> 00:35:19,759
Speaker 7: of it. He's huge now. He does like a lot

867
00:35:19,760 --> 00:35:22,120
Speaker 7: of big I mean, I did you people, he did

868
00:35:22,160 --> 00:35:23,280
Speaker 7: that and he does a lot.

869
00:35:23,120 --> 00:35:23,720
Speaker 1: Of big shows.

870
00:35:24,000 --> 00:35:25,640
Speaker 6: But y'all on a side, noons, just real quick because

871
00:35:25,680 --> 00:35:28,319
Speaker 6: I know, especially I know Mall is like a big fan.

872
00:35:28,440 --> 00:35:29,920
Speaker 1: So you didn't want to hear the anecdotes.

873
00:35:30,520 --> 00:35:32,920
Speaker 6: One of the best moments that I had on how

874
00:35:32,920 --> 00:35:34,080
Speaker 6: to Make It. There's a lot of moments, right we

875
00:35:34,080 --> 00:35:36,520
Speaker 6: can talk about the clubs, how we was living real life.

876
00:35:36,560 --> 00:35:38,160
Speaker 6: You know, we've shut the club. Oh yeah, we wrapped,

877
00:35:38,160 --> 00:35:41,000
Speaker 6: We're gonna stay. Yeah, but there's a great moment I

878
00:35:41,000 --> 00:35:44,080
Speaker 6: had to do with Alo Black, So me and Brian

879
00:35:44,120 --> 00:35:45,960
Speaker 6: we shot the pilot right, so we're like, yo, we

880
00:35:46,000 --> 00:35:47,239
Speaker 6: don't know if it's a hit, but we felt really

881
00:35:47,280 --> 00:35:48,520
Speaker 6: good when we shot the pilot. So it was like

882
00:35:48,600 --> 00:35:50,640
Speaker 6: eight day we were just in LA. I mean it

883
00:35:50,680 --> 00:35:52,239
Speaker 6: was just in New York. We flew Black to LA.

884
00:35:52,480 --> 00:35:53,920
Speaker 6: So now we got to do the adr right. We

885
00:35:53,960 --> 00:35:55,120
Speaker 6: got to do all the school you know, all the

886
00:35:55,239 --> 00:35:57,200
Speaker 6: like there was a helicopter in one season. We got

887
00:35:57,200 --> 00:35:59,359
Speaker 6: to like redo the voices or whatever, you know, since

888
00:35:59,360 --> 00:36:02,799
Speaker 6: we're in the studio, and they got to start from

889
00:36:02,840 --> 00:36:04,959
Speaker 6: the beginning, right, because they got to do in chronological order,

890
00:36:05,000 --> 00:36:06,680
Speaker 6: like what we have to record with our voices. So

891
00:36:06,800 --> 00:36:08,880
Speaker 6: they started with the beginning and the credits, and me

892
00:36:08,920 --> 00:36:10,200
Speaker 6: and Brian don't know what we're watching.

893
00:36:10,320 --> 00:36:11,839
Speaker 1: We just we just knew he just shot.

894
00:36:11,920 --> 00:36:13,680
Speaker 6: We just know that what we shot and what was

895
00:36:13,719 --> 00:36:15,560
Speaker 6: on the page, but visually we don't know what we're

896
00:36:15,560 --> 00:36:16,160
Speaker 6: about to watch.

897
00:36:16,800 --> 00:36:17,800
Speaker 1: So they started.

898
00:36:18,440 --> 00:36:20,279
Speaker 6: First time we saw Alo black and then we saw

899
00:36:20,320 --> 00:36:22,239
Speaker 6: all the I need a dollar and then you see

900
00:36:22,239 --> 00:36:23,640
Speaker 6: my name with the ear ring and you see his

901
00:36:23,719 --> 00:36:26,160
Speaker 6: name with it, and then the subway and we looked

902
00:36:26,200 --> 00:36:28,400
Speaker 6: at each other. I'll never forget this look, and we

903
00:36:28,400 --> 00:36:33,120
Speaker 6: were like, oh, we got one, it was like dudes

904
00:36:33,200 --> 00:36:36,239
Speaker 6: like like acting like kids were like oh and like

905
00:36:36,320 --> 00:36:38,680
Speaker 6: as actors. Yo, it's like it's crazy when you know

906
00:36:38,760 --> 00:36:43,120
Speaker 6: you got something dopey forget that moment, bro, it was

907
00:36:43,160 --> 00:36:45,520
Speaker 6: like okay, and then ever since then it was like shoot.

908
00:36:45,480 --> 00:36:47,920
Speaker 2: It was like, well, how to make it?

909
00:36:48,160 --> 00:36:52,960
Speaker 4: The theme song was so iconic, sequence credit sequence, that

910
00:36:53,080 --> 00:36:57,400
Speaker 4: was just I think that made way for like the Power.

911
00:36:57,840 --> 00:36:59,840
Speaker 1: Yeah, it set the tone.

912
00:37:00,040 --> 00:37:03,160
Speaker 4: Were like shows like listen from the from the gate,

913
00:37:03,360 --> 00:37:06,440
Speaker 4: it has to hit the music, the way, the names,

914
00:37:06,480 --> 00:37:09,480
Speaker 4: the character, like everything has to how to make it

915
00:37:09,520 --> 00:37:09,840
Speaker 4: set that.

916
00:37:09,960 --> 00:37:12,239
Speaker 3: But even though we shoot on HBO, they've always been

917
00:37:12,280 --> 00:37:16,560
Speaker 3: great at that, why like you just knew right.

918
00:37:16,480 --> 00:37:19,240
Speaker 1: Away, but you got to number for us like we didn't.

919
00:37:19,320 --> 00:37:21,279
Speaker 6: We we could we could have been the first, like

920
00:37:21,440 --> 00:37:22,520
Speaker 6: we could have been the first thinker.

921
00:37:22,520 --> 00:37:23,400
Speaker 1: We were like, we don't know.

922
00:37:23,440 --> 00:37:26,279
Speaker 3: You know what I'm saying, that's what's crazy about want

923
00:37:26,280 --> 00:37:28,440
Speaker 3: to run it? Are we going to ruin the leg exactly?

924
00:37:28,520 --> 00:37:30,759
Speaker 1: So we were kind of nervous when we saw we're

925
00:37:30,800 --> 00:37:31,640
Speaker 1: not going to be that good.

926
00:37:31,840 --> 00:37:33,879
Speaker 6: But I was like, I don't know, like even when

927
00:37:33,880 --> 00:37:35,759
Speaker 6: you record music, don't you feel like sometimes I don't

928
00:37:35,760 --> 00:37:37,080
Speaker 6: know if you ever had that moment that we had

929
00:37:37,080 --> 00:37:37,560
Speaker 6: where you're.

930
00:37:37,440 --> 00:37:39,520
Speaker 1: Like, you recorded it, you think it's going to be dope,

931
00:37:39,520 --> 00:37:43,399
Speaker 1: but then you hear You're like, oh what thinks everything? Man,

932
00:37:44,320 --> 00:37:46,959
Speaker 1: we had that moment so like it was just crazy.

933
00:37:47,000 --> 00:37:49,120
Speaker 6: I never someone that I could talk about it and

934
00:37:49,200 --> 00:37:51,840
Speaker 6: visualize it still telling y'all the story, you know what

935
00:37:51,880 --> 00:37:54,040
Speaker 6: I'm saying, Like, that's what we had, Like it was crazy. Anyway,

936
00:37:54,239 --> 00:37:55,879
Speaker 6: we were talking about Alto Black, but Push your Tea.

937
00:37:56,239 --> 00:37:58,640
Speaker 6: I think it was Scott Venner. And by the way,

938
00:37:58,800 --> 00:38:00,000
Speaker 6: I didn't even know who he was at the time

939
00:38:00,040 --> 00:38:02,080
Speaker 6: because he didn't really like, you know the clips.

940
00:38:02,320 --> 00:38:03,319
Speaker 1: I didn't really know.

941
00:38:03,400 --> 00:38:05,560
Speaker 6: Man, Like I had to be put on by everybody,

942
00:38:05,600 --> 00:38:07,480
Speaker 6: and then he came on and did that whole thing

943
00:38:07,600 --> 00:38:08,200
Speaker 6: like you know her.

944
00:38:08,360 --> 00:38:09,919
Speaker 3: You knew what they the clips were, I know the clip.

945
00:38:09,920 --> 00:38:11,320
Speaker 3: Didn't know him specifically.

946
00:38:11,440 --> 00:38:13,880
Speaker 1: I didn't think he was like super solo at that

947
00:38:14,080 --> 00:38:16,239
Speaker 1: he was so and then when he broke he was

948
00:38:16,280 --> 00:38:17,000
Speaker 1: off the show.

949
00:38:17,160 --> 00:38:18,920
Speaker 6: Like then it wasn't because of the show, But I'm

950
00:38:18,920 --> 00:38:21,319
Speaker 6: just saying the chronology was he blew up after the show.

951
00:38:21,560 --> 00:38:23,800
Speaker 3: Twenty ten was probably around the time Pushes. He became

952
00:38:23,880 --> 00:38:25,279
Speaker 3: the solo artist but yeah, you.

953
00:38:25,280 --> 00:38:26,080
Speaker 1: Got your music.

954
00:38:26,320 --> 00:38:28,000
Speaker 5: You got it was right around the same time. Yeah,

955
00:38:28,040 --> 00:38:28,520
Speaker 5: that's why I.

956
00:38:29,080 --> 00:38:32,080
Speaker 3: Him in twenty ten when he became like the solo act,

957
00:38:32,160 --> 00:38:33,920
Speaker 3: when he was doing All the Good Friday Ship and

958
00:38:34,160 --> 00:38:36,319
Speaker 3: Kanye came in and was like, yeah, one of my

959
00:38:36,360 --> 00:38:38,680
Speaker 3: first signings that I want to push is this guy from.

960
00:38:38,520 --> 00:38:40,439
Speaker 1: The Clips and every Good Music. Yeah.

961
00:38:40,520 --> 00:38:43,520
Speaker 3: Sure, he's from d n V right, Yeah, from Virginia.

962
00:38:43,640 --> 00:38:45,279
Speaker 6: That's the first time I ever heard that term, because

963
00:38:45,280 --> 00:38:46,520
Speaker 6: I remember talking to him off set.

964
00:38:46,480 --> 00:38:49,399
Speaker 2: From the Bronx. Man, oh he moved to Virginia really

965
00:38:49,640 --> 00:38:50,680
Speaker 2: because he told me Virginia.

966
00:38:50,760 --> 00:38:52,760
Speaker 1: So I talked about.

967
00:38:52,520 --> 00:38:55,120
Speaker 2: The Virginia at a very young age. But I still

968
00:38:55,120 --> 00:38:56,080
Speaker 2: say pushes from the rock.

969
00:38:56,160 --> 00:38:57,560
Speaker 6: Okay, well, that's the first time I ever heard the

970
00:38:57,600 --> 00:39:00,680
Speaker 6: DMV that that term. You know, DC Maryland, the Virginia's out.

971
00:39:00,880 --> 00:39:01,200
Speaker 1: I don't know.

972
00:39:01,680 --> 00:39:05,960
Speaker 3: While we're on Good Music, what what was your reaction

973
00:39:06,280 --> 00:39:09,880
Speaker 3: when Cuddy hit the group chat and said, yo, Puff

974
00:39:09,960 --> 00:39:10,799
Speaker 3: just blew up my car.

975
00:39:12,200 --> 00:39:14,080
Speaker 1: Honestly, I never even got into with him. Man.

976
00:39:14,440 --> 00:39:18,040
Speaker 7: I'm close friends with Cut and we never I never

977
00:39:18,200 --> 00:39:18,800
Speaker 7: I never brought that.

978
00:39:18,960 --> 00:39:19,479
Speaker 1: I don't know.

979
00:39:19,680 --> 00:39:22,120
Speaker 3: That'd be weird, like to bring up to like years later,

980
00:39:22,160 --> 00:39:24,279
Speaker 3: if I you said exactly what I was going to say,

981
00:39:24,320 --> 00:39:26,200
Speaker 3: I leave that alone. If he didn't tell me, it's.

982
00:39:26,080 --> 00:39:28,040
Speaker 1: Like if if it comes up, it comes up.

983
00:39:28,320 --> 00:39:30,560
Speaker 6: You're my man, and we're talking about some shorty and

984
00:39:30,560 --> 00:39:33,320
Speaker 6: then that happened. Am I really going to ask you that? Like,

985
00:39:33,360 --> 00:39:35,839
Speaker 6: I don't know, maybe you would, but I would close.

986
00:39:35,920 --> 00:39:38,080
Speaker 6: We are, And I think that's why we kind of

987
00:39:38,120 --> 00:39:39,560
Speaker 6: just touch and go. I would look at you for

988
00:39:39,560 --> 00:39:44,600
Speaker 6: a while and just be like, and then this should happened.

989
00:39:44,600 --> 00:39:47,240
Speaker 6: Obviously what happened with did he even more reason.

990
00:39:47,000 --> 00:39:48,719
Speaker 1: Why I don't even want to touch it. I don't

991
00:39:48,719 --> 00:39:49,080
Speaker 1: even want to.

992
00:39:49,840 --> 00:39:52,080
Speaker 3: And it happened so long ago and it didn't even

993
00:39:52,160 --> 00:39:54,600
Speaker 3: hit the press, Like, I'm sure that's something he's wanted

994
00:39:54,640 --> 00:39:57,640
Speaker 3: to move on from for quite some time. I can

995
00:39:57,680 --> 00:39:58,279
Speaker 3: relive that ship.

996
00:39:58,400 --> 00:40:01,480
Speaker 1: Yeah, yeah, I'd leave it alone. If you're my man,

997
00:40:01,480 --> 00:40:03,480
Speaker 1: I'm gonna leave it alone. I'm especially it came up

998
00:40:03,800 --> 00:40:04,040
Speaker 1: with this.

999
00:40:04,120 --> 00:40:06,399
Speaker 2: You want to talk about it, I'm sure. I'm waiting, sure,

1000
00:40:06,560 --> 00:40:08,520
Speaker 2: but I'm not all. I'm not gonna for.

1001
00:40:08,640 --> 00:40:11,640
Speaker 3: Yeah, I mean I'll read about it. The then holding

1002
00:40:11,640 --> 00:40:13,120
Speaker 3: the coffee and me would have been like, well, did

1003
00:40:13,120 --> 00:40:17,160
Speaker 3: you have auto insurance. Yeah, so there's ways around this,

1004
00:40:17,280 --> 00:40:19,319
Speaker 3: dude to get a new car. You should have called me.

1005
00:40:19,560 --> 00:40:23,640
Speaker 4: All right, So that's we end? Uh we end season two,

1006
00:40:24,200 --> 00:40:28,080
Speaker 4: h y'all, that's my favorite season. The beautiful rooftop. Everybody

1007
00:40:28,120 --> 00:40:30,640
Speaker 4: has on the crisp jeans and you're.

1008
00:40:30,520 --> 00:40:33,520
Speaker 5: Gonna write to the end Japan stories.

1009
00:40:34,760 --> 00:40:37,520
Speaker 4: We'll talk about Japan. So yeah, shot in Japan. I

1010
00:40:37,680 --> 00:40:41,080
Speaker 4: read that there were no permits. Nah, you had like

1011
00:40:41,200 --> 00:40:43,759
Speaker 4: maybe one or two cameras, one p A.

1012
00:40:44,280 --> 00:40:47,600
Speaker 1: And the unlimited budget, which is probably we got canceled.

1013
00:40:48,440 --> 00:40:50,560
Speaker 2: Random money up in Japan going crazy.

1014
00:40:50,680 --> 00:40:53,319
Speaker 1: Yeah, the ends were flying, Yeah, so much.

1015
00:40:53,360 --> 00:40:56,760
Speaker 4: It's so much material that y'all never put out from Japan.

1016
00:40:57,080 --> 00:40:59,960
Speaker 2: There could be a whole only you like maybe nineties

1017
00:41:00,000 --> 00:41:00,960
Speaker 2: second two minutes of it.

1018
00:41:01,040 --> 00:41:04,320
Speaker 1: Yeah, yeah, so you're talking about that. To me is

1019
00:41:04,360 --> 00:41:05,040
Speaker 1: the biggest.

1020
00:41:04,719 --> 00:41:07,480
Speaker 7: Travels seat because it shots so much good stuff out

1021
00:41:07,480 --> 00:41:09,360
Speaker 7: there that's on the cutting room floor.

1022
00:41:10,120 --> 00:41:12,000
Speaker 1: Where we started to start. Bro.

1023
00:41:12,760 --> 00:41:17,640
Speaker 6: You take cats projects New York, you take them to Japan, Tokyo,

1024
00:41:17,680 --> 00:41:19,800
Speaker 6: you put them up in what's the hotel?

1025
00:41:20,280 --> 00:41:25,879
Speaker 1: Man canceled? Let's scholar your hands hotel? And I lost

1026
00:41:25,880 --> 00:41:28,240
Speaker 1: the translation? What was it at Park Hyatt.

1027
00:41:28,520 --> 00:41:31,520
Speaker 6: You put me at the Park Hya in Japan.

1028
00:41:31,239 --> 00:41:33,040
Speaker 2: We're going level.

1029
00:41:34,440 --> 00:41:36,040
Speaker 3: You know, jet lag, get your brain.

1030
00:41:36,800 --> 00:41:39,759
Speaker 6: So we shooting Kamakazi style, right, we got like you said,

1031
00:41:40,520 --> 00:41:43,840
Speaker 6: gorilla style, you know the way I come from that

1032
00:41:43,840 --> 00:41:45,200
Speaker 6: world in a lot of way because I came from

1033
00:41:45,200 --> 00:41:47,080
Speaker 6: the New York in shot. I was like, oh, I know,

1034
00:41:47,160 --> 00:41:48,840
Speaker 6: I know, I know what we're doing. This is the

1035
00:41:48,880 --> 00:41:50,200
Speaker 6: kind of ship we're gonna do. We gonna know how

1036
00:41:50,239 --> 00:41:53,440
Speaker 6: to do this. So we were shooting a lot, right,

1037
00:41:53,480 --> 00:41:55,239
Speaker 6: and then I would like sometimes be like, Yo, we've

1038
00:41:55,239 --> 00:41:56,480
Speaker 6: done yet. I'll tell you Yo, we.

1039
00:41:56,520 --> 00:42:00,000
Speaker 1: Done got it. You guys got it. We got it

1040
00:42:00,040 --> 00:42:05,080
Speaker 1: because like yo, were good club. Yeah, this is hip

1041
00:42:05,160 --> 00:42:07,239
Speaker 1: hop club named Harlow. We wanted to goody. I want

1042
00:42:07,280 --> 00:42:09,400
Speaker 1: to go to just I want to eat it. Call

1043
00:42:09,440 --> 00:42:10,960
Speaker 1: it your hands and sushi. You know what I'm saying.

1044
00:42:11,000 --> 00:42:12,200
Speaker 1: I was trying to do it up. You know what

1045
00:42:12,200 --> 00:42:12,560
Speaker 1: I'm saying.

1046
00:42:12,600 --> 00:42:13,280
Speaker 5: I was sushi.

1047
00:42:13,880 --> 00:42:15,239
Speaker 1: I was trying to do the Bill Murray thing, you

1048
00:42:15,280 --> 00:42:15,680
Speaker 1: know what I mean.

1049
00:42:16,080 --> 00:42:18,040
Speaker 6: So we was in Parkhia and then we were like

1050
00:42:18,080 --> 00:42:19,960
Speaker 6: on day three, I'm like, yo, we got all the footage,

1051
00:42:20,200 --> 00:42:23,160
Speaker 6: Like I'm not showing up at the nine o'clock Avenue

1052
00:42:23,360 --> 00:42:24,960
Speaker 6: all the time that it's not really a call time.

1053
00:42:25,000 --> 00:42:26,839
Speaker 6: It's just it's just heads being like, yo, what time?

1054
00:42:26,880 --> 00:42:28,200
Speaker 6: We all mean it was not a real call time.

1055
00:42:28,480 --> 00:42:31,200
Speaker 6: So the third day they're like, Yo, it's big, I

1056
00:42:31,200 --> 00:42:33,200
Speaker 6: got my massage. I'm like up in the I'm up

1057
00:42:33,200 --> 00:42:34,759
Speaker 6: at the park, high in the massage.

1058
00:42:35,400 --> 00:42:37,799
Speaker 1: Man, you know some shorties. I'm like, yo, we I'm good.

1059
00:42:37,800 --> 00:42:40,640
Speaker 1: I'm gonna be tell me where y'all I'll be there.

1060
00:42:40,840 --> 00:42:42,319
Speaker 3: Yeah, yeah, storyline it up.

1061
00:42:42,360 --> 00:42:43,920
Speaker 6: I'm like, tell me where y'all and I'll be there.

1062
00:42:43,920 --> 00:42:45,919
Speaker 6: Because we got enough footage, I was acting a fool.

1063
00:42:46,320 --> 00:42:48,080
Speaker 1: I'm sorry. I'm gonna tell you right now.

1064
00:42:48,320 --> 00:42:50,520
Speaker 4: But why didn't they use it? Though all of the

1065
00:42:50,560 --> 00:42:52,480
Speaker 4: footage I have? Why was none of that used?

1066
00:42:52,520 --> 00:42:54,600
Speaker 1: I don't know, man. It was a great ninety second.

1067
00:42:54,760 --> 00:42:57,560
Speaker 1: She oh no, that was my favorite ninety second. That

1068
00:42:57,640 --> 00:42:58,280
Speaker 1: was amazing.

1069
00:42:58,400 --> 00:43:00,840
Speaker 3: It's the best thing I've ever shot to cameras. Maybe

1070
00:43:01,040 --> 00:43:03,080
Speaker 3: it just didn't match the rest of the season.

1071
00:43:03,320 --> 00:43:05,160
Speaker 1: I don't know, man, But it was a vibe.

1072
00:43:05,160 --> 00:43:07,520
Speaker 7: You know, we caught a flavor of it, and yeah,

1073
00:43:07,760 --> 00:43:10,279
Speaker 7: that could have been a whole season flight.

1074
00:43:10,400 --> 00:43:10,560
Speaker 1: Yo.

1075
00:43:10,640 --> 00:43:12,000
Speaker 6: So let me let me tell you another part of

1076
00:43:12,000 --> 00:43:13,279
Speaker 6: the story. I don't know if y'all gonna keep this

1077
00:43:13,320 --> 00:43:15,239
Speaker 6: or not, but yo, so me and Brian, right, we're like,

1078
00:43:15,239 --> 00:43:17,920
Speaker 6: all right, we're done with Tokyo. Ian flies back, right.

1079
00:43:18,719 --> 00:43:20,560
Speaker 6: Me and Brian like we already here. Let's go to

1080
00:43:20,600 --> 00:43:22,600
Speaker 6: South Korea and like, let's just go to Seul because

1081
00:43:22,880 --> 00:43:24,680
Speaker 6: my boy is a big DJ out there, so he

1082
00:43:25,000 --> 00:43:26,680
Speaker 6: all hooked up and by the way, but besides that,

1083
00:43:26,719 --> 00:43:28,200
Speaker 6: like we already it was a party time, Like we

1084
00:43:28,200 --> 00:43:29,520
Speaker 6: already here, it's already paid for.

1085
00:43:29,640 --> 00:43:30,680
Speaker 1: Let's go, so we.

1086
00:43:30,680 --> 00:43:33,360
Speaker 6: Get there, right, yo, tell me why I didn't realize

1087
00:43:33,400 --> 00:43:35,440
Speaker 6: fifteen year olds can get drunk and like get stupid

1088
00:43:35,480 --> 00:43:37,960
Speaker 6: and fall on the street and be like and I'm like, oh,

1089
00:43:38,040 --> 00:43:39,000
Speaker 6: this is this kind of town.

1090
00:43:40,160 --> 00:43:43,600
Speaker 7: Yeah, so basically like New Orleans, like Bourbon Street, but.

1091
00:43:43,520 --> 00:43:47,440
Speaker 1: Bourbon like like on a steroid. Yeah. I remember, like

1092
00:43:47,840 --> 00:43:49,640
Speaker 1: we didn't sleep. I remember. I was like, Yo, I'm

1093
00:43:49,680 --> 00:43:52,400
Speaker 1: so tired of like the third day. But we ate, Yo,

1094
00:43:52,480 --> 00:43:55,239
Speaker 1: we play well. Yo. We were like yo hb yo,

1095
00:43:55,360 --> 00:43:57,319
Speaker 1: we love y'all. Man. I was thinking we're coming back

1096
00:43:57,360 --> 00:44:00,160
Speaker 1: season three. This season three, money gonna pay of the

1097
00:44:00,160 --> 00:44:00,879
Speaker 1: season too money.

1098
00:44:01,400 --> 00:44:04,160
Speaker 2: There's like too many massages yeah, I'm like.

1099
00:44:04,080 --> 00:44:05,880
Speaker 1: This is gonna pay for all that, man, yo. But

1100
00:44:05,920 --> 00:44:09,279
Speaker 1: the crazy I was trying to be good man. He

1101
00:44:09,360 --> 00:44:10,720
Speaker 1: was trying to get the cond of no breakfast.

1102
00:44:10,800 --> 00:44:13,480
Speaker 6: I was already at eleven am, like, Yo, bring that

1103
00:44:13,520 --> 00:44:16,120
Speaker 6: ship upstairs. You know what I'm saying, So can I

1104
00:44:16,200 --> 00:44:19,160
Speaker 6: keep this rope? I for sure blew that budget. It

1105
00:44:19,200 --> 00:44:21,880
Speaker 6: was crazy. But when we went in South Korea, the

1106
00:44:21,920 --> 00:44:23,440
Speaker 6: best part of that guy. There was a lot of

1107
00:44:23,440 --> 00:44:24,800
Speaker 6: good trip. There was a lot of good parts of

1108
00:44:24,840 --> 00:44:27,280
Speaker 6: that ship. But I remember we were on Korean Airways

1109
00:44:27,600 --> 00:44:29,120
Speaker 6: flying the seven forty seven.

1110
00:44:29,200 --> 00:44:31,239
Speaker 1: We was on the bottom part right first class. Yo.

1111
00:44:31,320 --> 00:44:33,880
Speaker 1: There was nobody in the first class from soul.

1112
00:44:33,880 --> 00:44:35,839
Speaker 6: To l A and me and Brian just looking at

1113
00:44:35,880 --> 00:44:39,600
Speaker 6: each other like this is the best ever downhill from here.

1114
00:44:40,160 --> 00:44:44,200
Speaker 6: We enjoyed the two flight and the girl was so

1115
00:44:44,280 --> 00:44:46,160
Speaker 6: bored at the flight attendant, Like we would have a

1116
00:44:46,160 --> 00:44:48,560
Speaker 6: conversation and she'd be on her phone like because there's

1117
00:44:48,600 --> 00:44:51,000
Speaker 6: nobody set me in head Like we were like, let

1118
00:44:51,040 --> 00:44:52,480
Speaker 6: me get the third cookie at this morning.

1119
00:44:52,840 --> 00:44:56,040
Speaker 1: She got nothing to do. It was crazy. It was

1120
00:44:56,200 --> 00:44:58,600
Speaker 1: crazy anyway, I just have to throw that story out there.

1121
00:44:58,680 --> 00:45:00,560
Speaker 1: Like season two.

1122
00:45:00,719 --> 00:45:03,840
Speaker 2: Season two, you definitely could tell that the budget was bigger.

1123
00:45:03,920 --> 00:45:06,920
Speaker 1: Yep, the way it was shot, we had a yacht.

1124
00:45:07,160 --> 00:45:10,000
Speaker 2: Yeah, everything was ya. It was beautiful.

1125
00:45:10,000 --> 00:45:11,919
Speaker 1: You ask the question.

1126
00:45:12,200 --> 00:45:15,359
Speaker 4: Yeah, Like, but season two as far as because I've

1127
00:45:15,360 --> 00:45:20,759
Speaker 4: read that HBO, the people that HBO wanted the characters

1128
00:45:20,760 --> 00:45:24,440
Speaker 4: to progress, Yeah, they wanted the writing to rest with

1129
00:45:24,480 --> 00:45:26,799
Speaker 4: the characters faster or something like that that I read,

1130
00:45:26,840 --> 00:45:29,520
Speaker 4: And I was just like, what in season two you

1131
00:45:29,560 --> 00:45:31,600
Speaker 4: wanted to just did you feel like.

1132
00:45:31,560 --> 00:45:34,719
Speaker 7: It did or do you feel like it one better

1133
00:45:34,840 --> 00:45:35,080
Speaker 7: or no?

1134
00:45:35,920 --> 00:45:38,440
Speaker 4: Well, season one, the first one is always gonna be

1135
00:45:38,440 --> 00:45:41,480
Speaker 4: special because it sets the tone. But I like season

1136
00:45:41,520 --> 00:45:45,760
Speaker 4: two because it was like, Okay, y'all got the T shirts,

1137
00:45:46,000 --> 00:45:48,800
Speaker 4: I made your first little bag. Now y'all starting to

1138
00:45:48,840 --> 00:45:50,719
Speaker 4: rub shoulders with you know, people that's.

1139
00:45:50,560 --> 00:45:51,239
Speaker 1: Really in it.

1140
00:45:51,680 --> 00:45:55,040
Speaker 4: They like y'all energy, they like your personality, y'all entering

1141
00:45:55,120 --> 00:45:59,040
Speaker 4: this world, but y'all still yourselves. Ben kind of gets

1142
00:45:59,040 --> 00:46:01,239
Speaker 4: caught up, you know, pussy blind sides him.

1143
00:46:01,120 --> 00:46:01,560
Speaker 1: A little bit.

1144
00:46:01,880 --> 00:46:05,359
Speaker 4: It happened, Yeah, Cam you start to see you y'all

1145
00:46:05,480 --> 00:46:08,960
Speaker 4: roles kind of switched in season two. You become more like, yo,

1146
00:46:09,400 --> 00:46:12,080
Speaker 4: we got it responsible, where Ben is.

1147
00:46:12,000 --> 00:46:14,200
Speaker 1: Like a little bit Yeah.

1148
00:46:14,200 --> 00:46:16,200
Speaker 4: So that to me was the interestant part, because it's

1149
00:46:16,200 --> 00:46:19,040
Speaker 4: like it's so it's like, Okay, the dynamics have shifted

1150
00:46:19,080 --> 00:46:22,120
Speaker 4: a little bit once they got into this new world. Okay,

1151
00:46:22,200 --> 00:46:25,480
Speaker 4: now we're really mixing and mingling with these people. And

1152
00:46:27,040 --> 00:46:29,520
Speaker 4: it progressed beautifully all the way to the end of it.

1153
00:46:29,600 --> 00:46:32,719
Speaker 4: Everybody's wearing the clothing, the jeans, the T shirt, and

1154
00:46:32,760 --> 00:46:35,200
Speaker 4: then we just don't get nothing after that. So it

1155
00:46:35,239 --> 00:46:36,800
Speaker 4: was kind of like we got a glimpse and Okay,

1156
00:46:36,840 --> 00:46:40,279
Speaker 4: it's happening. Yeah, yeah, it's taking off, man, and then

1157
00:46:40,320 --> 00:46:41,120
Speaker 4: it's like nothing.

1158
00:46:41,239 --> 00:46:42,600
Speaker 7: Well, what I liked to by season two is the

1159
00:46:42,600 --> 00:46:44,960
Speaker 7: stakes got higher, right, Like when you're just doing like

1160
00:46:44,960 --> 00:46:47,200
Speaker 7: the twelve hundred dollars to pay a pattern maker, like

1161
00:46:47,239 --> 00:46:51,240
Speaker 7: that's cool and relatable, but like it like the drama

1162
00:46:51,360 --> 00:46:55,080
Speaker 7: isn't there as much, But when you've got like millions

1163
00:46:55,120 --> 00:46:57,520
Speaker 7: on the line, right for these characters who have just

1164
00:46:57,560 --> 00:47:00,600
Speaker 7: come from that world, it just feels like everything gets bigger.

1165
00:47:00,760 --> 00:47:02,759
Speaker 1: Right. Yeah, So I did enjoy that.

1166
00:47:02,760 --> 00:47:06,319
Speaker 7: It's an actor gave us more to play with, and

1167
00:47:06,360 --> 00:47:08,480
Speaker 7: it does suck for the fans because it does it

1168
00:47:08,520 --> 00:47:11,400
Speaker 7: felt like we were just hitting our strips, right, and

1169
00:47:11,480 --> 00:47:13,600
Speaker 7: then and then it's just yeah, yeah.

1170
00:47:13,680 --> 00:47:16,560
Speaker 3: Do you think that goes back to the comparison of Entourage,

1171
00:47:16,760 --> 00:47:18,200
Speaker 3: because it's they're two totally different.

1172
00:47:17,960 --> 00:47:20,520
Speaker 1: Shows getting into that Entourage world right.

1173
00:47:20,560 --> 00:47:23,799
Speaker 3: Season two and Entourage she had already gotten Aquaman back

1174
00:47:23,840 --> 00:47:26,040
Speaker 3: to like more okay show, it's about to be the

1175
00:47:26,080 --> 00:47:28,520
Speaker 3: biggest movie star on Earth season two, right, And maybe

1176
00:47:28,520 --> 00:47:30,520
Speaker 3: they're looking at this like right, all right, they need

1177
00:47:30,719 --> 00:47:33,840
Speaker 3: Kiff needs to be opened by now. Yeah, yeah, just

1178
00:47:33,880 --> 00:47:38,279
Speaker 3: a thought and progress quicker. Yeah, but it will just

1179
00:47:38,320 --> 00:47:41,880
Speaker 3: be struggling this long. But there are different shows though.

1180
00:47:42,920 --> 00:47:45,600
Speaker 4: If it's working, clear and this thing is working, the

1181
00:47:45,680 --> 00:47:47,960
Speaker 4: show is working. I don't know what the numbers look

1182
00:47:48,120 --> 00:47:51,960
Speaker 4: like and what HBO wanted, but where I was sitting

1183
00:47:52,000 --> 00:47:55,560
Speaker 4: at and here I was from everybody Sunday.

1184
00:47:56,480 --> 00:47:59,799
Speaker 7: But see you're not The executives weren't sitting where you

1185
00:47:59,800 --> 00:48:01,880
Speaker 7: were sitting, right, And that's what they were sitting in

1186
00:48:01,880 --> 00:48:05,120
Speaker 7: different places, right, And it was registering on different frequencies,

1187
00:48:05,520 --> 00:48:08,279
Speaker 7: So I think it really registered heart, I'm on the

1188
00:48:08,280 --> 00:48:10,959
Speaker 7: same frequency as you, Like, I really would watch this show.

1189
00:48:11,120 --> 00:48:12,719
Speaker 1: This was this was my kind of show.

1190
00:48:13,239 --> 00:48:15,920
Speaker 7: But I HBO at the time, I think they were

1191
00:48:15,960 --> 00:48:18,040
Speaker 7: looking for super high ratings.

1192
00:48:18,520 --> 00:48:19,640
Speaker 1: Everybody was stealing our ship.

1193
00:48:19,760 --> 00:48:21,440
Speaker 6: Yeah, everybody that was That was another thing. Everybody was

1194
00:48:21,440 --> 00:48:23,279
Speaker 6: stealing our ship. There's a lot of kinds.

1195
00:48:23,320 --> 00:48:24,840
Speaker 1: I liked it. They couldn't afford HBO.

1196
00:48:25,000 --> 00:48:27,520
Speaker 3: Yeah, they were kind of love the show.

1197
00:48:27,520 --> 00:48:29,239
Speaker 1: I ripped everything a bit tour and I was like.

1198
00:48:29,360 --> 00:48:31,560
Speaker 6: Yeah, that's the reason we got castled things. So it

1199
00:48:31,600 --> 00:48:33,040
Speaker 6: was like a low key this but like a couple

1200
00:48:33,000 --> 00:48:34,880
Speaker 6: of guilty, right.

1201
00:48:34,880 --> 00:48:37,120
Speaker 3: I was in a college dorm roo when the show can.

1202
00:48:37,680 --> 00:48:39,880
Speaker 3: I did have HBO for that. I was ripping Entourage

1203
00:48:39,880 --> 00:48:41,439
Speaker 3: off your fault.

1204
00:48:41,719 --> 00:48:48,840
Speaker 7: I didn't come, don't come out laptop, you know, we.

1205
00:48:48,680 --> 00:48:50,239
Speaker 3: Were that gas.

1206
00:48:50,560 --> 00:48:51,360
Speaker 1: That was a big part of it.

1207
00:48:52,400 --> 00:48:55,359
Speaker 7: And then also I think HBO what they were looking

1208
00:48:55,360 --> 00:48:58,279
Speaker 7: for at the time was you know, uh, the awards,

1209
00:48:58,400 --> 00:49:00,359
Speaker 7: you know, and we weren't getting the awards, but it

1210
00:49:00,440 --> 00:49:02,800
Speaker 7: was buzzing on on the street level.

1211
00:49:02,560 --> 00:49:05,359
Speaker 1: And very high. Yeah we're looking But I.

1212
00:49:05,280 --> 00:49:08,719
Speaker 7: Don't think there's no social media at that time, so

1213
00:49:08,760 --> 00:49:10,440
Speaker 7: you can't count like those impressions.

1214
00:49:10,440 --> 00:49:12,759
Speaker 1: There was there's no way to quantify it, you know.

1215
00:49:13,080 --> 00:49:15,319
Speaker 7: So I think it was like they didn't really know

1216
00:49:15,360 --> 00:49:17,160
Speaker 7: what they had and I can't.

1217
00:49:16,920 --> 00:49:19,840
Speaker 1: Speak for them. I'm just being I was I'm too inside.

1218
00:49:19,880 --> 00:49:23,759
Speaker 1: I can't be objective, but it feels like that, you know.

1219
00:49:23,800 --> 00:49:25,400
Speaker 7: And I think they wanted to make room for Girls,

1220
00:49:25,440 --> 00:49:27,239
Speaker 7: which is a good show. But it's just they didn't

1221
00:49:27,239 --> 00:49:29,840
Speaker 7: want too many New York young people in New York shows.

1222
00:49:30,520 --> 00:49:32,000
Speaker 3: It's the same universe to me. That's why I think

1223
00:49:32,000 --> 00:49:32,560
Speaker 3: they worked.

1224
00:49:32,800 --> 00:49:34,040
Speaker 2: I mean that kind of happened to me too, like

1225
00:49:34,239 --> 00:49:35,640
Speaker 2: Rachel could have been in Girls.

1226
00:49:35,800 --> 00:49:38,240
Speaker 1: I did a really cool show called Unscripted on HBO.

1227
00:49:39,320 --> 00:49:41,320
Speaker 1: You know what, Okay, it's hard to find.

1228
00:49:42,719 --> 00:49:44,719
Speaker 3: How to make an America's hard to find the way

1229
00:49:44,760 --> 00:49:46,680
Speaker 3: they push things on Max dot com right.

1230
00:49:46,600 --> 00:49:49,240
Speaker 1: Now, but you can't find on scripted on on streaming.

1231
00:49:49,360 --> 00:49:49,759
Speaker 1: It's gone.

1232
00:49:50,120 --> 00:49:54,160
Speaker 3: It's on me. I know, you can't find it.

1233
00:49:54,400 --> 00:49:56,680
Speaker 1: Let me know, let to find it because I love

1234
00:49:56,800 --> 00:49:57,560
Speaker 1: this was like one.

1235
00:49:57,400 --> 00:49:58,960
Speaker 5: Of the doesn't look like it's available.

1236
00:49:59,480 --> 00:50:01,120
Speaker 3: I don't know where it was saying before I went

1237
00:50:01,160 --> 00:50:03,520
Speaker 3: to Max, and even before HBO go, you were able

1238
00:50:03,560 --> 00:50:07,200
Speaker 3: to find it on the TV, like okay in the depths, yeah,

1239
00:50:07,960 --> 00:50:08,880
Speaker 3: like before they.

1240
00:50:08,760 --> 00:50:11,759
Speaker 7: Had this was one of the things, right this, this

1241
00:50:11,800 --> 00:50:13,640
Speaker 7: show called Unscripted that George Clooney.

1242
00:50:13,880 --> 00:50:15,799
Speaker 5: I found a link to it on YouTube.

1243
00:50:15,480 --> 00:50:17,239
Speaker 1: Oh yeah, you can read it on YouTube. There you

1244
00:50:17,280 --> 00:50:18,840
Speaker 1: go there. It was funny though, But if how to

1245
00:50:18,880 --> 00:50:23,279
Speaker 1: make It came back, let's just say so. The thing is,

1246
00:50:23,480 --> 00:50:25,359
Speaker 1: this was a really cool show.

1247
00:50:25,560 --> 00:50:27,520
Speaker 7: Actors love the shows about actors trying to make it

1248
00:50:27,560 --> 00:50:28,040
Speaker 7: a Hollywood.

1249
00:50:28,120 --> 00:50:29,320
Speaker 3: I play a version of myself.

1250
00:50:29,360 --> 00:50:30,320
Speaker 1: I played Brian Greenberg.

1251
00:50:30,400 --> 00:50:33,440
Speaker 7: This is before reality shows became reality shows. So I

1252
00:50:33,520 --> 00:50:35,520
Speaker 7: was playing an actor trying to make it. I was

1253
00:50:35,560 --> 00:50:38,640
Speaker 7: sort of playing myself like what I wasn't They would

1254
00:50:38,640 --> 00:50:40,560
Speaker 7: book me. It's kind of hard to explain. They would

1255
00:50:40,600 --> 00:50:43,400
Speaker 7: book me on shows like Er and just to be

1256
00:50:43,440 --> 00:50:45,600
Speaker 7: an extra. But we'd be filming all that stuff, like

1257
00:50:45,680 --> 00:50:47,640
Speaker 7: me talking to Wiley in the past, right, that was

1258
00:50:47,680 --> 00:50:50,239
Speaker 7: cool playing scenarios, right, and then in real life, like

1259
00:50:50,480 --> 00:50:52,600
Speaker 7: they came on One Tree Hill and we would create

1260
00:50:52,640 --> 00:50:55,120
Speaker 7: scenarios that like, okay, Brian's doing this, and like we'd

1261
00:50:55,160 --> 00:50:57,600
Speaker 7: film with the cast and they filmed on Prime as well,

1262
00:50:57,640 --> 00:50:59,880
Speaker 7: and we would shoot mal streeping with Derman it was,

1263
00:51:00,239 --> 00:51:03,680
Speaker 7: and we'd film all these like for example, we did

1264
00:51:03,680 --> 00:51:07,600
Speaker 7: this scene in in Unscripted where my character Brian Greenberg,

1265
00:51:08,000 --> 00:51:11,560
Speaker 7: it's very surreal, talk about like that shows up drunk

1266
00:51:11,600 --> 00:51:12,839
Speaker 7: to work, right, Like.

1267
00:51:12,800 --> 00:51:14,360
Speaker 2: I didn't know that Ryan would never do that.

1268
00:51:14,400 --> 00:51:18,279
Speaker 7: I would never I'm yeah, but uh so, like they

1269
00:51:18,320 --> 00:51:19,800
Speaker 7: changed my call time. I didn't know it was supposed

1270
00:51:19,800 --> 00:51:20,920
Speaker 7: to work that day, and I got to come in

1271
00:51:20,960 --> 00:51:23,959
Speaker 7: and I'm wasted in front of Mail Street, right, not

1272
00:51:23,960 --> 00:51:26,839
Speaker 7: not real, it didn't happen, But so I would film

1273
00:51:26,880 --> 00:51:28,360
Speaker 7: the scene. I had two mics on me, right, I

1274
00:51:28,360 --> 00:51:30,520
Speaker 7: had a mic on me for for unscripted, a mic

1275
00:51:30,560 --> 00:51:31,319
Speaker 7: on me for Prime.

1276
00:51:31,400 --> 00:51:31,520
Speaker 1: Right.

1277
00:51:31,560 --> 00:51:33,640
Speaker 7: So I'm shooting the scene on Mail Street and then

1278
00:51:34,040 --> 00:51:36,920
Speaker 7: we'll cut and then I and then and Meryl's in

1279
00:51:37,000 --> 00:51:38,080
Speaker 7: on the joke and then.

1280
00:51:38,040 --> 00:51:39,960
Speaker 1: I'd say, oh my god, song over I'm doing right now.

1281
00:51:40,000 --> 00:51:41,160
Speaker 1: She's like, oh my god, you want me get you

1282
00:51:41,160 --> 00:51:42,799
Speaker 1: some Madville from the prop table, you know.

1283
00:51:42,920 --> 00:51:45,120
Speaker 7: So it was like filming two things at once, so

1284
00:51:45,280 --> 00:51:49,720
Speaker 7: very surreal, right, But anyways, Point is great show. Uh

1285
00:51:49,880 --> 00:51:54,960
Speaker 7: But at the time, HBO had uh extras. They had

1286
00:51:55,320 --> 00:51:58,879
Speaker 7: Entourage just premiered, yeah, and they had The Comeback so

1287
00:51:58,920 --> 00:52:01,719
Speaker 7: and they had Kubery enthusiasms. So they had all these

1288
00:52:01,760 --> 00:52:06,120
Speaker 7: like Entered the Comeback was with Lisa Kudro. It's all

1289
00:52:06,120 --> 00:52:08,880
Speaker 7: these like actor type shows, and I think they were

1290
00:52:08,920 --> 00:52:11,600
Speaker 7: just like there's too many we got a Yeah, so

1291
00:52:11,640 --> 00:52:13,440
Speaker 7: you can't have too many of the same thing on

1292
00:52:13,480 --> 00:52:16,400
Speaker 7: the same networks. So I felt the same thing happened

1293
00:52:16,400 --> 00:52:17,600
Speaker 7: with How to Make It. It's like I can't have

1294
00:52:17,640 --> 00:52:19,080
Speaker 7: too many young New York shows.

1295
00:52:19,120 --> 00:52:20,640
Speaker 3: Have you seen Dave yet? Yeah?

1296
00:52:20,719 --> 00:52:21,200
Speaker 1: I like Dave.

1297
00:52:21,280 --> 00:52:24,520
Speaker 3: Do you like it has some comparison to it.

1298
00:52:24,600 --> 00:52:26,960
Speaker 7: I think How To Make It mine too? Yeah, you know, yeah,

1299
00:52:27,080 --> 00:52:28,560
Speaker 7: but I really like that show. I think it's a

1300
00:52:28,560 --> 00:52:31,560
Speaker 7: really smart show. I think Kirby Enthusiasm has more.

1301
00:52:31,920 --> 00:52:34,839
Speaker 3: The comedic side has definitely drive very David humor more

1302
00:52:34,840 --> 00:52:37,319
Speaker 3: so the scenarios he's put in with real life. Yeah,

1303
00:52:37,320 --> 00:52:39,960
Speaker 3: for the actor, I see an unscripted with David.

1304
00:52:40,000 --> 00:52:41,319
Speaker 7: I'm glad you saw that, man, and not a lot

1305
00:52:41,320 --> 00:52:43,200
Speaker 7: of people have seen it. I'm really proud of that show.

1306
00:52:43,239 --> 00:52:45,480
Speaker 1: That's one of the coolest. Most you wish that show

1307
00:52:45,520 --> 00:52:46,799
Speaker 1: for like legit. I watched it.

1308
00:52:46,880 --> 00:52:47,439
Speaker 3: Yeah, it was fun.

1309
00:52:47,520 --> 00:52:49,439
Speaker 1: Man. That looks like he had fun too. Man.

1310
00:52:49,760 --> 00:52:51,640
Speaker 6: And I always quote, because you know the movie that

1311
00:52:51,640 --> 00:52:53,879
Speaker 6: he hit his character gets on his tough zone.

1312
00:52:54,800 --> 00:52:57,520
Speaker 7: It's like a tough zone. Yeah, we're playing ball in

1313
00:52:57,600 --> 00:52:59,640
Speaker 7: vic scors Like every time I school.

1314
00:52:59,520 --> 00:53:03,880
Speaker 1: Playing ball like tough zone. I keep saying, you talk

1315
00:53:03,880 --> 00:53:04,319
Speaker 1: about your pain.

1316
00:53:11,960 --> 00:53:15,000
Speaker 4: We keep talking about Kiff. How much do you think

1317
00:53:15,040 --> 00:53:17,320
Speaker 4: Crisp inspired.

1318
00:53:16,719 --> 00:53:19,120
Speaker 7: I've talked to about this. Yeah, I'm a big fan

1319
00:53:19,160 --> 00:53:22,000
Speaker 7: of Kiff and what Ronnie's done with the brand. And

1320
00:53:22,080 --> 00:53:23,799
Speaker 7: by the way, he's gonna come on the pot We're talk.

1321
00:53:23,680 --> 00:53:29,200
Speaker 6: About inspired him, he said, yeah, he says, imagine, Yeah, yeah.

1322
00:53:28,600 --> 00:53:31,720
Speaker 7: He's kind of to. I mean, I haven't met Teddy.

1323
00:53:31,719 --> 00:53:33,719
Speaker 7: I'm a huge fan. Obviously, I'm wearing the ship right now.

1324
00:53:33,880 --> 00:53:36,440
Speaker 7: I love I love what I does. I'd love to

1325
00:53:36,440 --> 00:53:38,680
Speaker 7: talk to. I think he'd be great, great guests as well.

1326
00:53:38,920 --> 00:53:42,400
Speaker 7: But yeah, Ronnie always says, you're telling you told our story,

1327
00:53:42,600 --> 00:53:43,480
Speaker 7: told my story, you know.

1328
00:53:44,040 --> 00:53:47,040
Speaker 6: So we were to get like it was just we're

1329
00:53:47,040 --> 00:53:49,120
Speaker 6: gonna get him. We're gonna get him. I'm just stuff.

1330
00:53:49,160 --> 00:53:51,759
Speaker 6: We had an episode ready to go like two weeks ago.

1331
00:53:51,920 --> 00:53:53,880
Speaker 6: It was like a scheduling. Yeah, but he's coming on,

1332
00:53:53,960 --> 00:53:55,040
Speaker 6: but so close.

1333
00:53:55,360 --> 00:53:58,279
Speaker 3: Jeff Staple would be good. Yeah, yeah, I feel like

1334
00:53:58,360 --> 00:54:00,680
Speaker 3: that was that era too in real time, you know, I.

1335
00:54:00,600 --> 00:54:02,399
Speaker 1: Think it wasn't he one of the pictures. I feel

1336
00:54:02,400 --> 00:54:04,360
Speaker 1: like we he was. His name was brought up already.

1337
00:54:04,440 --> 00:54:06,960
Speaker 3: Yeah, I mean, when you guys were filming. He was, yeah,

1338
00:54:07,239 --> 00:54:10,000
Speaker 3: y'all in the show Times in the Lower east Side. Yeah,

1339
00:54:10,120 --> 00:54:13,160
Speaker 3: putting the pigeon everywhere. Yeah, Jeff Staples, Yeah me, I

1340
00:54:13,200 --> 00:54:14,760
Speaker 3: thought they were kind of telling his story.

1341
00:54:15,000 --> 00:54:15,200
Speaker 1: Yeah.

1342
00:54:15,480 --> 00:54:17,920
Speaker 7: A lot of these guys, the hundreds, those guys out

1343
00:54:17,960 --> 00:54:21,080
Speaker 7: of LA A lot of these streetwear fashion guys have

1344
00:54:21,160 --> 00:54:23,399
Speaker 7: come up to us throughout the years and have said

1345
00:54:23,480 --> 00:54:25,600
Speaker 7: we've told their story, and we told it authentically.

1346
00:54:25,680 --> 00:54:26,439
Speaker 1: So I'm proud of that.

1347
00:54:26,520 --> 00:54:28,120
Speaker 3: What what was the jay Z story that you go?

1348
00:54:28,280 --> 00:54:32,959
Speaker 1: Oh yeah, yeah, yeah, alright, so check this out. So yeah,

1349
00:54:33,200 --> 00:54:35,520
Speaker 1: I'm excited. Crazy, it's crazy.

1350
00:54:35,640 --> 00:54:38,960
Speaker 3: Does he blow someone's car up?

1351
00:54:38,719 --> 00:54:42,279
Speaker 1: Ship? I gotta I gotta lower the expectations to me.

1352
00:54:42,320 --> 00:54:46,120
Speaker 1: I think it's dumb case blown up. Yeah.

1353
00:54:46,200 --> 00:54:48,960
Speaker 6: So so when we have when we got Pharrell, right,

1354
00:54:49,480 --> 00:54:52,080
Speaker 6: so before that episode was already written, it was about

1355
00:54:52,080 --> 00:54:53,759
Speaker 6: it was about that we met somebody at the on

1356
00:54:53,800 --> 00:54:56,600
Speaker 6: the boat, somebody influential, like like, you know, like a

1357
00:54:56,680 --> 00:54:57,000
Speaker 6: jay Z.

1358
00:54:58,080 --> 00:55:02,239
Speaker 1: So jay Z apparently Ian was cool with Rich.

1359
00:55:02,280 --> 00:55:04,160
Speaker 7: It was gonna be the first all right, it's gonna

1360
00:55:04,200 --> 00:55:06,680
Speaker 7: be the first episode of the second season where Ben

1361
00:55:06,719 --> 00:55:08,560
Speaker 7: and Cam we're having a pop crisp.

1362
00:55:08,840 --> 00:55:11,160
Speaker 1: Yeah, I'm sorry not the boat was the power Yeah, yeah,

1363
00:55:11,360 --> 00:55:14,040
Speaker 1: but but Ian was cool with who's his man? Is

1364
00:55:14,080 --> 00:55:14,680
Speaker 1: Rich climbing?

1365
00:55:15,160 --> 00:55:16,319
Speaker 3: Yeah?

1366
00:55:17,040 --> 00:55:17,839
Speaker 1: So Rich? So Rich.

1367
00:55:18,080 --> 00:55:22,400
Speaker 6: So apparently Ian brought up to Rich Jay can we

1368
00:55:22,440 --> 00:55:22,839
Speaker 6: get Jay?

1369
00:55:23,400 --> 00:55:25,239
Speaker 1: So Rich didn't say yes or no.

1370
00:55:25,200 --> 00:55:27,480
Speaker 6: But like kind of like, well, let me talk to Ja.

1371
00:55:27,640 --> 00:55:29,439
Speaker 1: So this was like weeks before we.

1372
00:55:29,360 --> 00:55:32,160
Speaker 6: Shot, right, so when we were about to I mean

1373
00:55:32,160 --> 00:55:35,520
Speaker 6: I guess the day the morning of when we were

1374
00:55:35,520 --> 00:55:39,919
Speaker 6: supposed to shoot that scene. The story goes that Jay

1375
00:55:40,000 --> 00:55:42,799
Speaker 6: gets to the office, looks at Rich It's like yo,

1376
00:55:42,840 --> 00:55:45,160
Speaker 6: and I'm not going to do that whatever that show

1377
00:55:45,160 --> 00:55:47,200
Speaker 6: that how to make a show. And I guess Rich

1378
00:55:47,280 --> 00:55:49,920
Speaker 6: was like you know now or like no, that's not

1379
00:55:49,920 --> 00:55:55,279
Speaker 6: gonna happen whatever, But it was on Jay's radar, So

1380
00:55:55,400 --> 00:55:57,759
Speaker 6: like I guess Rich did think that a miscommunity.

1381
00:55:57,760 --> 00:55:58,799
Speaker 1: It was a communication.

1382
00:55:59,120 --> 00:56:01,200
Speaker 6: So had the myths can be should not happened, we

1383
00:56:01,239 --> 00:56:03,759
Speaker 6: would at least have home for some which I think

1384
00:56:04,160 --> 00:56:06,359
Speaker 6: that would have been like seems like how you like,

1385
00:56:06,400 --> 00:56:07,960
Speaker 6: I'm like, I'm good, like if you would have came

1386
00:56:08,000 --> 00:56:08,359
Speaker 6: on the show.

1387
00:56:08,760 --> 00:56:10,560
Speaker 1: We got parol later, which, by the way, like you

1388
00:56:10,680 --> 00:56:15,359
Speaker 1: still have to okay, can you just loaded the window

1389
00:56:15,480 --> 00:56:17,200
Speaker 1: be like y'all what was going on over here and

1390
00:56:17,320 --> 00:56:18,520
Speaker 1: just raised the window and.

1391
00:56:18,719 --> 00:56:21,520
Speaker 3: That you would know even that makes more sense.

1392
00:56:21,719 --> 00:56:25,600
Speaker 6: Yeah, street wear ship, but if you music felt like

1393
00:56:25,640 --> 00:56:27,839
Speaker 6: we all all like we would have been like, y'all, I.

1394
00:56:27,800 --> 00:56:29,919
Speaker 7: Think I think the bit was gonna be that Ben

1395
00:56:29,960 --> 00:56:33,160
Speaker 7: and camer are wor super hyped that Ja might stop by,

1396
00:56:33,480 --> 00:56:36,279
Speaker 7: right and then like the thing was like I think

1397
00:56:36,320 --> 00:56:37,960
Speaker 7: there was a shooting at the pop up or something

1398
00:56:38,040 --> 00:56:38,960
Speaker 7: like that, wasn't it, Like.

1399
00:56:39,200 --> 00:56:41,080
Speaker 3: Yeah, that's why the pop up dispersed?

1400
00:56:41,360 --> 00:56:43,920
Speaker 7: Yeah, I got you, and then yeah and then and

1401
00:56:43,960 --> 00:56:46,560
Speaker 7: then Jay was supposed to roll by the end rose

1402
00:56:46,560 --> 00:56:50,799
Speaker 7: window down and be like it's not happening, and then yeah,

1403
00:56:50,880 --> 00:56:51,440
Speaker 7: but then it.

1404
00:56:51,520 --> 00:56:56,359
Speaker 1: Was a miss camp bro and he was still still

1405
00:56:56,400 --> 00:56:58,919
Speaker 1: type and so that makes sense.

1406
00:57:00,200 --> 00:57:02,560
Speaker 3: Was like HBO Sunday guy, Oh.

1407
00:57:02,440 --> 00:57:04,319
Speaker 4: Yeah, no, that was it was a thing soul ful

1408
00:57:04,360 --> 00:57:08,960
Speaker 4: Sundays that Jame's like a real thing back then. Have

1409
00:57:09,040 --> 00:57:11,960
Speaker 4: y'all ever really thought about taking crisp and making it

1410
00:57:12,000 --> 00:57:12,480
Speaker 4: a real thing.

1411
00:57:12,960 --> 00:57:15,920
Speaker 7: It's funny because you see this this merch here for

1412
00:57:16,040 --> 00:57:18,080
Speaker 7: our podcast. It's like, I think we're just doing the

1413
00:57:18,080 --> 00:57:21,640
Speaker 7: podcast as a trojan horse, just make some merch just

1414
00:57:21,680 --> 00:57:24,080
Speaker 7: to talk about the merch No, I mean it's a

1415
00:57:24,720 --> 00:57:27,480
Speaker 7: it's been fun because we're kind of like reliving our

1416
00:57:27,600 --> 00:57:29,640
Speaker 7: characters Bye bye by doing this.

1417
00:57:29,680 --> 00:57:30,400
Speaker 1: It's pretty fun.

1418
00:57:31,040 --> 00:57:32,960
Speaker 7: We've talked about it, but I think with this we're

1419
00:57:32,960 --> 00:57:35,280
Speaker 7: sort of reliving that the Ben and Camp world like

1420
00:57:35,440 --> 00:57:37,600
Speaker 7: as to how it works, like making merch and make it.

1421
00:57:38,080 --> 00:57:39,760
Speaker 1: It's been truly enjoyable, you know.

1422
00:57:39,760 --> 00:57:41,400
Speaker 6: Also, like I don't know if y'all remember, but like

1423
00:57:41,800 --> 00:57:45,080
Speaker 6: four or five years ago, we we linked up with

1424
00:57:45,120 --> 00:57:47,160
Speaker 6: a boy Ofvarts who had a brand and we did

1425
00:57:47,240 --> 00:57:49,560
Speaker 6: like we weren't playing Ben and Cam, but it was

1426
00:57:49,600 --> 00:57:52,600
Speaker 6: a little thing that to promote his his his brand.

1427
00:57:53,000 --> 00:57:55,320
Speaker 6: It was like me and Brian which in the cafe

1428
00:57:55,440 --> 00:57:57,240
Speaker 6: and were New York. Nico shot it New York Nico

1429
00:57:57,280 --> 00:57:59,080
Speaker 6: shot it after New York shout.

1430
00:57:58,840 --> 00:58:01,080
Speaker 1: Out yeah yo.

1431
00:58:00,320 --> 00:58:02,760
Speaker 6: So yeah, so it was kind of like not a spoof,

1432
00:58:02,800 --> 00:58:07,360
Speaker 6: but it was a not exactly And Yo, that's shit.

1433
00:58:07,480 --> 00:58:11,160
Speaker 6: When Banana's viral, like everybody's like season three coming back,

1434
00:58:11,600 --> 00:58:13,480
Speaker 6: that's what started to talk so bad.

1435
00:58:13,720 --> 00:58:14,720
Speaker 3: Yeah, I was like, what do we do?

1436
00:58:15,720 --> 00:58:18,800
Speaker 4: Like that's not what everybody started to be like, Yo,

1437
00:58:18,840 --> 00:58:21,080
Speaker 4: they're coming back, And I was like what I was

1438
00:58:21,080 --> 00:58:22,640
Speaker 4: looking at it. I looked at the clip. I was like,

1439
00:58:23,680 --> 00:58:25,440
Speaker 4: I was like, I don't know. They don't like they

1440
00:58:25,440 --> 00:58:27,520
Speaker 4: don't look like they filmed anything. They look like they're

1441
00:58:27,560 --> 00:58:31,120
Speaker 4: like playing with the idea, kind of like kind of

1442
00:58:31,160 --> 00:58:34,000
Speaker 4: like nudge the producers, like, look, the internet is going

1443
00:58:34,000 --> 00:58:35,280
Speaker 4: crazy over this one clip.

1444
00:58:35,280 --> 00:58:38,160
Speaker 1: But apparently that got up to the exacts of course. Yeah,

1445
00:58:38,280 --> 00:58:40,720
Speaker 1: people are like this, But I think that gave us

1446
00:58:40,720 --> 00:58:44,040
Speaker 1: the inspiration to do our own joints, our own thing.

1447
00:58:44,160 --> 00:58:47,439
Speaker 4: Yeah, but what y'all doing is dope, like rewatching it, yeah,

1448
00:58:47,640 --> 00:58:49,600
Speaker 4: talking about each episode reliving it.

1449
00:58:49,720 --> 00:58:52,120
Speaker 2: Yeah, I think that's a genius idea with the pot.

1450
00:58:52,360 --> 00:58:54,800
Speaker 7: When we we pitched the pot during the actress tracks

1451
00:58:54,920 --> 00:58:56,760
Speaker 7: like we gotta do something, man. So that's when the

1452
00:58:56,760 --> 00:58:58,640
Speaker 7: pot I did came around. And also people coming up

1453
00:58:58,680 --> 00:58:59,560
Speaker 7: to us all the time.

1454
00:59:00,000 --> 00:59:03,800
Speaker 1: Show What Happened Show. We're like, let's do this pocket.

1455
00:59:03,560 --> 00:59:05,440
Speaker 7: Let's do this with the fans, right, But then we're thinking,

1456
00:59:05,880 --> 00:59:07,880
Speaker 7: there's so much more here, There's so much more meat

1457
00:59:07,920 --> 00:59:10,360
Speaker 7: on the bone than just that sixteen episodes we shot.

1458
00:59:10,400 --> 00:59:12,560
Speaker 7: It's like all the themes are still relevant, you know,

1459
00:59:12,840 --> 00:59:15,400
Speaker 7: the hustle never ends, and like you know, we're just

1460
00:59:15,560 --> 00:59:18,040
Speaker 7: so curious to talk to people about their ambitions and

1461
00:59:18,160 --> 00:59:20,400
Speaker 7: how they went about their.

1462
00:59:19,880 --> 00:59:22,440
Speaker 1: Achieving their goals and all the failures they had.

1463
00:59:22,520 --> 00:59:24,680
Speaker 7: And I just think it's it's super relevant for all

1464
00:59:24,720 --> 00:59:28,680
Speaker 7: these fields, chefs, actors, you know, musicians, it's like athletes.

1465
00:59:28,680 --> 00:59:30,120
Speaker 1: It's been been really cool.

1466
00:59:30,160 --> 00:59:31,680
Speaker 6: So you know we're gonna hitch out out to coming

1467
00:59:31,720 --> 00:59:35,520
Speaker 6: our podcasts. Yeah, yeah, both stories just the way like

1468
00:59:35,600 --> 00:59:38,600
Speaker 6: the hustle. I'm just saying, like, yeah, the epitome of

1469
00:59:38,600 --> 00:59:40,360
Speaker 6: the hustle, which is I think what Brian was saying

1470
00:59:40,400 --> 00:59:43,160
Speaker 6: about our podcasts, like there's only sixteen episodes, right, that's

1471
00:59:43,200 --> 00:59:43,560
Speaker 6: all we did.

1472
00:59:43,960 --> 00:59:45,760
Speaker 1: We can't do a full season podcast.

1473
00:59:45,880 --> 00:59:47,760
Speaker 6: So I think now we're starting to sort of like

1474
00:59:48,720 --> 00:59:52,720
Speaker 6: find our way that like okay, it could be about everybody's.

1475
00:59:52,200 --> 00:59:54,480
Speaker 3: Hustle, gift right to make an America?

1476
00:59:54,600 --> 00:59:56,080
Speaker 6: Right, the thing about how to make an America, but like

1477
00:59:56,440 --> 00:59:58,360
Speaker 6: everybody got a hustles. Like when you talk to people,

1478
00:59:58,400 --> 01:00:01,000
Speaker 6: you're like what you did? What that how you blew

1479
01:00:01,080 --> 01:00:02,720
Speaker 6: up to where you are? Like what what was the

1480
01:00:02,800 --> 01:00:05,120
Speaker 6: journey that got to you? And all the anecdotes too,

1481
01:00:05,200 --> 01:00:07,080
Speaker 6: Like people find that interesting as you guys know, you

1482
01:00:07,120 --> 01:00:09,160
Speaker 6: know what I'm saying, so I think on podcast, we

1483
01:00:09,240 --> 01:00:11,640
Speaker 6: having fun. That's that's the biggest thing, is like, y'all know,

1484
01:00:12,000 --> 01:00:13,680
Speaker 6: we ain't getting rich off of it, straight up, let's

1485
01:00:13,680 --> 01:00:15,240
Speaker 6: just call it what it is. But as long as

1486
01:00:15,240 --> 01:00:16,880
Speaker 6: we having fun and then we catching up and we've

1487
01:00:16,880 --> 01:00:19,040
Speaker 6: already been homies for all those years, but like to

1488
01:00:19,520 --> 01:00:21,760
Speaker 6: have an excuse to like sit at the studio.

1489
01:00:21,680 --> 01:00:26,080
Speaker 1: Chop it up, y'all. You know what I'm saying. You know,

1490
01:00:26,720 --> 01:00:28,280
Speaker 1: you know already what it is.

1491
01:00:28,320 --> 01:00:29,560
Speaker 3: You know what I'm saying right now.

1492
01:00:31,320 --> 01:00:35,360
Speaker 1: It's a workshop, y'all. Yeah, yeah, but it's been fun.

1493
01:00:35,400 --> 01:00:37,480
Speaker 6: So now we're like, now after this New York trip,

1494
01:00:37,520 --> 01:00:38,880
Speaker 6: we're like, oh yeah, we definitely we.

1495
01:00:38,760 --> 01:00:40,600
Speaker 1: Were already excited. We got to do more works trips,

1496
01:00:40,640 --> 01:00:45,640
Speaker 1: we do more workship. Maybe we might see y'all Detroit,

1497
01:00:47,200 --> 01:00:49,720
Speaker 1: go to Japanner.

1498
01:00:50,480 --> 01:00:54,560
Speaker 4: Absolutely, I think that Josh should definitely try to do

1499
01:00:54,600 --> 01:00:55,480
Speaker 4: something with Chris.

1500
01:00:56,000 --> 01:00:57,640
Speaker 6: I think, yeah, I don't know, but I don't know

1501
01:00:57,720 --> 01:01:03,920
Speaker 6: legally beget to it.

1502
01:01:04,560 --> 01:01:07,000
Speaker 1: I know that somebody else bit crisp, like it's a

1503
01:01:07,080 --> 01:01:07,800
Speaker 1: dentim line. Now.

1504
01:01:07,840 --> 01:01:10,200
Speaker 7: I think that they see our Yeah I don't even

1505
01:01:10,200 --> 01:01:13,760
Speaker 7: give them plug, but whatever, Yeah, yeah, I don't know.

1506
01:01:13,760 --> 01:01:16,720
Speaker 4: That just speaks to exactly how real the show felt,

1507
01:01:17,200 --> 01:01:20,160
Speaker 4: how much people connected to it, how many people like

1508
01:01:20,240 --> 01:01:23,240
Speaker 4: you know, meeting the plug where we're from, you made

1509
01:01:23,240 --> 01:01:25,200
Speaker 4: a plug for something else, right, meeting the plug for

1510
01:01:25,240 --> 01:01:26,680
Speaker 4: the denim and for the.

1511
01:01:26,640 --> 01:01:29,959
Speaker 2: Blank t Like, yeah, that's such a New York thing.

1512
01:01:29,960 --> 01:01:32,040
Speaker 4: We ory we were just going through that with our merch,

1513
01:01:32,480 --> 01:01:35,439
Speaker 4: trying to find like the correct blanks four.

1514
01:01:35,560 --> 01:01:37,520
Speaker 1: Yeah, you know what I mean. So it's like just

1515
01:01:37,760 --> 01:01:41,920
Speaker 1: that says it all right there, because do you enjoy.

1516
01:01:41,720 --> 01:01:46,080
Speaker 3: The process or not really because it's not my passionoy it.

1517
01:01:46,200 --> 01:01:48,680
Speaker 3: But it just speaks to like when you're ignorant to

1518
01:01:48,760 --> 01:01:51,120
Speaker 3: how other businesses move, they are the same as the

1519
01:01:51,120 --> 01:01:53,640
Speaker 3: ones you understand. People think podcasting, let me just set

1520
01:01:53,720 --> 01:01:56,560
Speaker 3: up a mic and talk. It's so much to this.

1521
01:01:57,080 --> 01:01:59,720
Speaker 3: So when it comes to merche, ignorant to that entire

1522
01:01:59,760 --> 01:02:02,280
Speaker 3: problem said right now, I see why this is people's

1523
01:02:02,440 --> 01:02:05,960
Speaker 3: entire life's passion because it takes so much time to

1524
01:02:06,000 --> 01:02:10,480
Speaker 3: get something right. It's not just printing a logo T shirt.

1525
01:02:10,560 --> 01:02:11,960
Speaker 3: This is an entire life.

1526
01:02:11,720 --> 01:02:14,080
Speaker 4: Feel right, yeah, Like it has to, it has to

1527
01:02:14,120 --> 01:02:16,000
Speaker 4: sit right, it has to like you have to see

1528
01:02:16,000 --> 01:02:18,600
Speaker 4: it and like, okay, that's the vision. That's what I

1529
01:02:18,600 --> 01:02:20,360
Speaker 4: thought it would look like, what it would feel like

1530
01:02:20,680 --> 01:02:23,880
Speaker 4: people wearing it. One of my favorite parts of season

1531
01:02:23,880 --> 01:02:25,320
Speaker 4: two is when y'all see the kids in the street

1532
01:02:25,400 --> 01:02:30,640
Speaker 4: with it, with the look at this ship, like we're

1533
01:02:31,520 --> 01:02:32,960
Speaker 4: that's such a real thing.

1534
01:02:33,080 --> 01:02:33,240
Speaker 1: You know.

1535
01:02:33,280 --> 01:02:35,920
Speaker 7: That happened to me yesterday, right, give me the podcast.

1536
01:02:36,360 --> 01:02:38,520
Speaker 7: We were over at where was that pizza spots?

1537
01:02:38,560 --> 01:02:42,960
Speaker 1: Dope over on? It's got a weird come on? Uh?

1538
01:02:43,000 --> 01:02:47,680
Speaker 6: It was it Scars Scars.

1539
01:02:47,800 --> 01:02:48,720
Speaker 1: Yeah, we were down the.

1540
01:02:50,280 --> 01:02:50,560
Speaker 5: Spot.

1541
01:02:50,800 --> 01:02:54,080
Speaker 7: I walked out a phone call and someone's like, yo,

1542
01:02:54,920 --> 01:02:55,640
Speaker 7: I love the pod.

1543
01:02:55,720 --> 01:03:01,120
Speaker 1: I was like, that's the first first fan, which you

1544
01:03:01,160 --> 01:03:03,480
Speaker 1: know what I mean. It was. It was a nice moment.

1545
01:03:03,560 --> 01:03:06,400
Speaker 1: It's a very nice moment. It's reacting.

1546
01:03:06,640 --> 01:03:09,520
Speaker 4: He watches the pot, same feeling you get when you

1547
01:03:09,560 --> 01:03:13,840
Speaker 4: have something an idea, you execute the idea and it

1548
01:03:13,880 --> 01:03:15,400
Speaker 4: gets out into the world and you now see people

1549
01:03:15,480 --> 01:03:17,400
Speaker 4: gravitating and connecting to.

1550
01:03:17,440 --> 01:03:20,400
Speaker 7: The It's amazing, amazing, And this is a new world

1551
01:03:20,440 --> 01:03:24,080
Speaker 7: for us, right as actors that come into the podcast world. First,

1552
01:03:24,200 --> 01:03:26,160
Speaker 7: we're not the first one to do that, but it's

1553
01:03:26,200 --> 01:03:30,920
Speaker 7: just such such a different uh, it's just a different muscle, right,

1554
01:03:31,040 --> 01:03:33,720
Speaker 7: and people what's the pot about.

1555
01:03:33,880 --> 01:03:37,240
Speaker 1: I'm kind of like, I don't know. I don't know.

1556
01:03:37,200 --> 01:03:40,160
Speaker 3: Because I think it's still struggle at Thanksgiving dinner to explain.

1557
01:03:40,680 --> 01:03:41,280
Speaker 1: But I don't.

1558
01:03:43,360 --> 01:03:46,320
Speaker 7: Want to have kind of push an agenda. Like Vic said,

1559
01:03:46,360 --> 01:03:47,280
Speaker 7: I'm not really even doing it.

1560
01:03:47,200 --> 01:03:47,640
Speaker 1: For the money.

1561
01:03:47,800 --> 01:03:50,560
Speaker 7: We're just hanging out and just vibing. And that's kind

1562
01:03:50,560 --> 01:03:52,400
Speaker 7: of like what the show was. It didn't really have

1563
01:03:52,480 --> 01:03:55,400
Speaker 7: a plot. They're just like it's sort of had a plot,

1564
01:03:55,480 --> 01:03:57,840
Speaker 7: but it was really just hanging out with these guys,

1565
01:03:57,840 --> 01:03:58,320
Speaker 7: you know what I mean.

1566
01:03:58,480 --> 01:03:59,520
Speaker 1: That's the same thing as the pot.

1567
01:03:59,680 --> 01:04:02,240
Speaker 4: I think what y'all are doing is, uh, it's so dope,

1568
01:04:02,280 --> 01:04:05,040
Speaker 4: man Like again, something like how to make it an American?

1569
01:04:05,120 --> 01:04:09,120
Speaker 4: What is meant to so many people including myself? And

1570
01:04:09,200 --> 01:04:11,880
Speaker 4: to see y'all still have this chemistry in this relationship?

1571
01:04:12,120 --> 01:04:12,240
Speaker 1: Man?

1572
01:04:12,400 --> 01:04:14,880
Speaker 4: Now do it podcasting but then actually going back and

1573
01:04:14,880 --> 01:04:19,160
Speaker 4: reliving it's been fun, such a great iconic show. Yeah,

1574
01:04:20,480 --> 01:04:24,440
Speaker 4: is there a possibility for a season three?

1575
01:04:24,800 --> 01:04:26,840
Speaker 1: Can chime in it?

1576
01:04:27,200 --> 01:04:27,280
Speaker 7: In?

1577
01:04:27,320 --> 01:04:31,920
Speaker 1: Man, let me not cut you off, let me not

1578
01:04:31,920 --> 01:04:34,000
Speaker 1: cut you off. I'm gonna cut you off an well,

1579
01:04:34,000 --> 01:04:35,880
Speaker 1: I'm gonna let you finish.

1580
01:04:36,120 --> 01:04:39,520
Speaker 7: So you know, Jon had one of the greatest albums.

1581
01:04:40,400 --> 01:04:43,160
Speaker 1: That was good, That was good. I deserve that one.

1582
01:04:43,880 --> 01:04:47,400
Speaker 6: So this this crazy thing is happening, right, So shout

1583
01:04:47,400 --> 01:04:49,600
Speaker 6: out to b G. He just he got cast in

1584
01:04:49,800 --> 01:04:53,480
Speaker 6: suits L a w D resurg You and a lot

1585
01:04:53,480 --> 01:04:56,480
Speaker 6: of a few shows have had a resurgence where it

1586
01:04:56,560 --> 01:04:58,520
Speaker 6: came out X amount of years ago and then it

1587
01:04:58,560 --> 01:05:00,360
Speaker 6: gets on Netflix and then it guys like a whole

1588
01:05:00,360 --> 01:05:02,440
Speaker 6: new audience. Suits La is one of them. So he's

1589
01:05:02,440 --> 01:05:03,560
Speaker 6: about to go shoot that new.

1590
01:05:03,560 --> 01:05:06,120
Speaker 1: Show though, yeah different than the origin, Yeah, different than

1591
01:05:06,120 --> 01:05:06,640
Speaker 1: the original. Yes.

1592
01:05:07,280 --> 01:05:09,360
Speaker 6: The point I'm trying to make is that I think

1593
01:05:09,520 --> 01:05:13,400
Speaker 6: if if the right audience, right, like were on your show.

1594
01:05:13,440 --> 01:05:14,960
Speaker 1: We you know, we've been on other shows.

1595
01:05:14,760 --> 01:05:19,400
Speaker 6: Too, Like if there's somebody in HBO, right, it always

1596
01:05:19,400 --> 01:05:21,800
Speaker 6: takes just like the right person to just to hear

1597
01:05:21,840 --> 01:05:23,760
Speaker 6: and be like why didnt we? You know what I mean,

1598
01:05:23,920 --> 01:05:25,320
Speaker 6: you never know, but you gotta at least try and

1599
01:05:25,320 --> 01:05:27,000
Speaker 6: put it out there. So to answer you a question,

1600
01:05:27,040 --> 01:05:29,439
Speaker 6: I think that if we had the same resurgence as

1601
01:05:29,640 --> 01:05:32,240
Speaker 6: put us on Netflix, put us on Netflix and maybe

1602
01:05:32,240 --> 01:05:34,800
Speaker 6: show just the first season see what happens, I almost

1603
01:05:34,840 --> 01:05:37,360
Speaker 6: feel like we would get the love in them because

1604
01:05:37,440 --> 01:05:38,600
Speaker 6: it'll get the same kind of.

1605
01:05:38,520 --> 01:05:41,440
Speaker 1: Like suits you love, Like why didn't we not see suits?

1606
01:05:41,440 --> 01:05:43,600
Speaker 1: Like why it's not the worst idea, But you know,

1607
01:05:43,640 --> 01:05:46,160
Speaker 1: I'm not saying I said if that would have happened,

1608
01:05:46,160 --> 01:05:47,760
Speaker 1: If it would happen, I think we would come back. Yet,

1609
01:05:47,800 --> 01:05:49,040
Speaker 1: I mean, here's and we would all do it, just you.

1610
01:05:49,040 --> 01:05:51,000
Speaker 6: Know, because everybody always asking us, like would we do it?

1611
01:05:51,080 --> 01:05:52,920
Speaker 1: Yes, we would do it. But I don't want to

1612
01:05:52,960 --> 01:05:55,040
Speaker 1: be this actor right here trying to campaign for that.

1613
01:05:55,000 --> 01:05:57,440
Speaker 7: I got canceled, and you go like that's not I

1614
01:05:57,480 --> 01:05:59,440
Speaker 7: don't want to live in the past, Like that's not

1615
01:06:00,080 --> 01:06:00,920
Speaker 7: good for me mentally.

1616
01:06:01,560 --> 01:06:05,000
Speaker 1: But that being said, like, I'm so proud of this show.

1617
01:06:05,000 --> 01:06:06,680
Speaker 1: It's one of the coolest things I've ever done.

1618
01:06:06,920 --> 01:06:08,520
Speaker 7: Like it's I've done a lot of shit, but this

1619
01:06:08,600 --> 01:06:11,360
Speaker 7: is one of the only shows or projects that have.

1620
01:06:11,800 --> 01:06:13,720
Speaker 1: People come up to me and say this changed my life.

1621
01:06:14,120 --> 01:06:17,480
Speaker 7: This actually got me to move to New York City

1622
01:06:17,600 --> 01:06:18,760
Speaker 7: and start a business.

1623
01:06:18,440 --> 01:06:20,480
Speaker 1: And now I'm having success. It's just so cool.

1624
01:06:20,640 --> 01:06:23,640
Speaker 7: It's inspired people and as an artist, like, I mean, look,

1625
01:06:23,680 --> 01:06:24,360
Speaker 7: I didn't create it.

1626
01:06:24,360 --> 01:06:25,520
Speaker 1: I was just a part of it. I can't I

1627
01:06:25,560 --> 01:06:26,200
Speaker 1: can't claim it.

1628
01:06:26,400 --> 01:06:28,440
Speaker 7: But it's just I feel very proud to be a

1629
01:06:28,520 --> 01:06:31,160
Speaker 7: part of that, and so is this how to make

1630
01:06:31,160 --> 01:06:33,000
Speaker 7: an America will always hold a very special place in

1631
01:06:33,040 --> 01:06:34,840
Speaker 7: my heart, in my life and in my career.

1632
01:06:35,120 --> 01:06:38,240
Speaker 1: But you know that being said, yeah, people don't do it.

1633
01:06:38,280 --> 01:06:39,960
Speaker 1: We're all game. Like everybody's game.

1634
01:06:40,080 --> 01:06:43,240
Speaker 3: I think everybody cats up with that the way movies now,

1635
01:06:43,440 --> 01:06:46,840
Speaker 3: you just get sequels or reboots, repurposing everything because no

1636
01:06:46,920 --> 01:06:48,960
Speaker 3: one wants to take any risks. They don't have the data,

1637
01:06:49,120 --> 01:06:51,360
Speaker 3: lose their job. Everyone wants to stay in the same place.

1638
01:06:51,480 --> 01:06:53,800
Speaker 3: Want ip you can't fire me because it said something

1639
01:06:53,840 --> 01:06:54,600
Speaker 3: that happened already.

1640
01:06:54,600 --> 01:06:55,920
Speaker 1: Want to play they want to play it.

1641
01:06:56,120 --> 01:06:58,120
Speaker 3: I think TV is going to catch up with that,

1642
01:06:58,200 --> 01:07:00,560
Speaker 3: and I hope they do it correctly. Yeah, I would

1643
01:07:00,560 --> 01:07:02,600
Speaker 3: only think they could do it with HBO shows that

1644
01:07:02,640 --> 01:07:04,120
Speaker 3: are already in their catalog.

1645
01:07:04,160 --> 01:07:05,800
Speaker 1: I would only do it. Ian Edelman.

1646
01:07:07,120 --> 01:07:09,160
Speaker 7: Even would do it though, Yeah, I would only do

1647
01:07:09,160 --> 01:07:11,280
Speaker 7: it some other Yeah.

1648
01:07:11,640 --> 01:07:13,400
Speaker 6: Also, like there's a level just to add to your point,

1649
01:07:13,440 --> 01:07:16,160
Speaker 6: like there's also a level of like nostalgia to where

1650
01:07:16,160 --> 01:07:17,919
Speaker 6: they're bringing back Like I just saw the Fresh Prince

1651
01:07:17,920 --> 01:07:18,680
Speaker 6: of bel is back.

1652
01:07:18,800 --> 01:07:23,120
Speaker 1: I mean obviously, but it's original. Yeah, But of like

1653
01:07:23,240 --> 01:07:25,720
Speaker 1: TV coming back. So who knows, man, But like, I

1654
01:07:25,760 --> 01:07:28,200
Speaker 1: really think the more that we do this, that somebody's

1655
01:07:28,240 --> 01:07:33,720
Speaker 1: gonna hear us. Somebody's going to hear us campaign campaign

1656
01:07:34,160 --> 01:07:35,200
Speaker 1: on our own podcast.

1657
01:07:35,280 --> 01:07:37,480
Speaker 6: I don't know, but like at some point, even if

1658
01:07:37,480 --> 01:07:40,040
Speaker 6: it's a movie, I think Lake felt was like a

1659
01:07:40,080 --> 01:07:42,960
Speaker 6: movie movie movie would she said.

1660
01:07:42,960 --> 01:07:46,200
Speaker 1: Lake wants Yeah, I think Lake wants to do it. Yeah.

1661
01:07:46,240 --> 01:07:48,760
Speaker 6: She's directed since How to Make It, She's been directing

1662
01:07:48,760 --> 01:07:49,280
Speaker 6: a lot of TV.

1663
01:07:49,400 --> 01:07:50,760
Speaker 8: Are you guys in touch with any of the other

1664
01:07:51,080 --> 01:07:52,680
Speaker 8: I know you guys are obviously very close. So there

1665
01:07:52,720 --> 01:07:55,600
Speaker 8: are the other cast members from that show, like chat,

1666
01:07:55,680 --> 01:07:56,560
Speaker 8: group chat or something.

1667
01:07:56,600 --> 01:08:00,440
Speaker 1: Well that the pot is bringing us all back together.

1668
01:08:00,520 --> 01:08:02,360
Speaker 1: Like we just had Lake on. She's coming out to well,

1669
01:08:02,360 --> 01:08:04,000
Speaker 1: I don't know what this is, but she'll be on.

1670
01:08:04,480 --> 01:08:05,440
Speaker 1: And then we had Louis.

1671
01:08:05,600 --> 01:08:08,560
Speaker 7: We just did Eddie K. Thomas yesterday. It's great catch up.

1672
01:08:08,600 --> 01:08:11,040
Speaker 7: But Eddie who played Capo, Yeah, you know we did

1673
01:08:11,080 --> 01:08:11,640
Speaker 7: whatever we did.

1674
01:08:11,720 --> 01:08:14,560
Speaker 1: Cuddy like yeah, yeah, I.

1675
01:08:14,520 --> 01:08:16,639
Speaker 3: Mean that's the biggest asset as far as a reboot

1676
01:08:16,680 --> 01:08:19,240
Speaker 3: to me. Yeah, it seems like Cuddy what he loves it.

1677
01:08:19,320 --> 01:08:21,559
Speaker 3: He don't want to do something like a reboot this

1678
01:08:21,760 --> 01:08:23,760
Speaker 3: rather than something new, and you.

1679
01:08:23,720 --> 01:08:26,880
Speaker 6: Know, he he's actually like, look sometimes I'm like, oh,

1680
01:08:26,880 --> 01:08:28,840
Speaker 6: I should not say that, you know, because whatever I

1681
01:08:28,880 --> 01:08:30,000
Speaker 6: don't want I don't want to.

1682
01:08:30,000 --> 01:08:32,800
Speaker 1: Not get hired or whatever. He's so open about it. Man,

1683
01:08:33,000 --> 01:08:33,960
Speaker 1: if he was on the pot.

1684
01:08:34,000 --> 01:08:35,519
Speaker 6: I mean he kind of said it on our podcast

1685
01:08:35,560 --> 01:08:37,800
Speaker 6: a little bit, but he was like, Yo, who do

1686
01:08:37,840 --> 01:08:39,360
Speaker 6: I got to make a call to a HBO?

1687
01:08:39,600 --> 01:08:41,600
Speaker 1: What do I got to do? Because he's still I

1688
01:08:41,600 --> 01:08:44,920
Speaker 1: think he's still tight about the catch. Louis was. Yeah,

1689
01:08:44,960 --> 01:08:48,160
Speaker 1: Louis was very talk about I was. I was blind sided.

1690
01:08:48,160 --> 01:08:49,000
Speaker 1: I didn't see it coming.

1691
01:08:49,160 --> 01:08:50,880
Speaker 3: But really, Louise, yeah, I had no idea.

1692
01:08:50,920 --> 01:08:51,479
Speaker 1: What was the call?

1693
01:08:51,560 --> 01:08:55,280
Speaker 3: Like that day the same I was skiing.

1694
01:08:55,439 --> 01:08:57,400
Speaker 1: He was already spent three money, he'd even have. I

1695
01:08:57,439 --> 01:08:59,880
Speaker 1: was like, yo, we got he's blowing.

1696
01:08:59,880 --> 01:09:02,240
Speaker 5: The bag was gone.

1697
01:09:02,360 --> 01:09:03,720
Speaker 1: Man, it was.

1698
01:09:05,240 --> 01:09:07,400
Speaker 7: And I was chilling on the top of a mountain

1699
01:09:08,040 --> 01:09:10,800
Speaker 7: there before and then Ian called me. It's like, it's

1700
01:09:10,840 --> 01:09:13,439
Speaker 7: not happened. I was like what I felt like my

1701
01:09:13,800 --> 01:09:15,479
Speaker 7: soul just pulled out of me.

1702
01:09:15,560 --> 01:09:16,479
Speaker 3: I wought a two day pass it.

1703
01:09:16,560 --> 01:09:20,280
Speaker 1: Then my night trip became a two night tip.

1704
01:09:20,600 --> 01:09:23,120
Speaker 3: I gotta get it up, ski out.

1705
01:09:23,200 --> 01:09:26,000
Speaker 1: I was good man, so it was.

1706
01:09:26,800 --> 01:09:28,760
Speaker 7: It wrecked me, man, because I just didn't see it coming,

1707
01:09:28,800 --> 01:09:30,759
Speaker 7: and I just felt like we were on our way

1708
01:09:30,960 --> 01:09:33,600
Speaker 7: and we had so much to tell with that, you know,

1709
01:09:33,800 --> 01:09:36,519
Speaker 7: so many more stories to old. I feel we're just

1710
01:09:36,520 --> 01:09:40,200
Speaker 7: getting started. So I also like the audience. I just

1711
01:09:40,320 --> 01:09:41,040
Speaker 7: was blindsided.

1712
01:09:41,040 --> 01:09:43,600
Speaker 1: And yo, you know what I was doing. I was

1713
01:09:43,640 --> 01:09:44,439
Speaker 1: in La in my car.

1714
01:09:44,520 --> 01:09:47,360
Speaker 6: Ian called me to and I was actually looking at

1715
01:09:47,400 --> 01:09:49,479
Speaker 6: cribs in l A. I was like, oh man, I'm

1716
01:09:49,479 --> 01:09:52,120
Speaker 6: a good Let's go to West, go to Hollywood.

1717
01:09:51,880 --> 01:09:54,920
Speaker 1: Okay, that's I canna affoid. That was putting the numbers together.

1718
01:09:55,240 --> 01:09:56,240
Speaker 1: Three money, you know what I'm saying.

1719
01:09:56,360 --> 01:09:59,760
Speaker 6: He calls me, say, Vig, I wish I had better

1720
01:09:59,760 --> 01:10:03,519
Speaker 6: news to tell you, and I knew right down, yeah, yeah,

1721
01:10:04,280 --> 01:10:06,559
Speaker 6: you know it was. It was you know, natural, but

1722
01:10:06,600 --> 01:10:06,840
Speaker 6: it was.

1723
01:10:06,960 --> 01:10:09,719
Speaker 2: It wasn't strictly because of just the numbers weren't.

1724
01:10:09,479 --> 01:10:11,200
Speaker 1: Performing at the time. We don't we don't know. We

1725
01:10:11,320 --> 01:10:11,960
Speaker 1: still don't know.

1726
01:10:12,120 --> 01:10:14,320
Speaker 7: Like I can't, I can't say it was because of

1727
01:10:14,360 --> 01:10:16,320
Speaker 7: this reason. They don't tell you that. I just say,

1728
01:10:16,520 --> 01:10:18,240
Speaker 7: you're not coming back. That's what they they tell you.

1729
01:10:18,240 --> 01:10:20,800
Speaker 7: They're not going to thank you. And also like, but

1730
01:10:20,840 --> 01:10:22,639
Speaker 7: I love HBO, like I'm not gonna I'm not gonna

1731
01:10:22,640 --> 01:10:24,760
Speaker 7: shoot on them because it's like I'm so and I've

1732
01:10:24,760 --> 01:10:27,360
Speaker 7: worked with them since and and honestly, they gave us

1733
01:10:27,400 --> 01:10:29,760
Speaker 7: our shot, like there was no show without Ispio. Like

1734
01:10:30,080 --> 01:10:33,439
Speaker 7: I'm forever grateful Topio. It was a beautiful story. And

1735
01:10:33,479 --> 01:10:35,320
Speaker 7: maybe it's cool that it's just like this cult classic

1736
01:10:35,360 --> 01:10:37,280
Speaker 7: that just lives for two seasons, Like maybe it's better

1737
01:10:37,320 --> 01:10:38,920
Speaker 7: that way that we don't touch it.

1738
01:10:39,320 --> 01:10:40,760
Speaker 1: You know, I don't know I.

1739
01:10:40,720 --> 01:10:42,760
Speaker 4: Would understand what you mean by that, but it's just

1740
01:10:42,800 --> 01:10:45,800
Speaker 4: so hard for the story to end on that note.

1741
01:10:45,840 --> 01:10:48,000
Speaker 1: It's like, what if now it's just did illmatic And

1742
01:10:48,040 --> 01:10:49,040
Speaker 1: then they came back.

1743
01:10:48,840 --> 01:10:50,160
Speaker 3: To Fante's Biggie compassion.

1744
01:10:50,800 --> 01:10:51,280
Speaker 1: That's true.

1745
01:10:51,320 --> 01:10:53,040
Speaker 3: It's just like I said, stopped right there. It's the

1746
01:10:53,040 --> 01:10:53,840
Speaker 3: greatest ship to us.

1747
01:10:53,920 --> 01:10:56,479
Speaker 7: And it's James z right, you know you've burned fast

1748
01:10:56,520 --> 01:10:57,760
Speaker 7: and and.

1749
01:10:57,960 --> 01:10:59,439
Speaker 3: Have you heard the Chris Rock joke when he's like, yeah,

1750
01:10:59,439 --> 01:11:01,439
Speaker 3: everyone talks about Tupac if you continue to live. Yeah,

1751
01:11:01,439 --> 01:11:03,200
Speaker 3: I hope he would have been a senator, but he

1752
01:11:03,280 --> 01:11:05,400
Speaker 3: might have just been kicking Jill Scott down some steps

1753
01:11:05,400 --> 01:11:08,160
Speaker 3: of Ferry movie like the Legacy could have it could

1754
01:11:08,200 --> 01:11:13,400
Speaker 3: have gotten worse. Yeah that's true. Yeah, yeah, hopefully he

1755
01:11:13,400 --> 01:11:14,800
Speaker 3: would have been this political. You never know.

1756
01:11:15,080 --> 01:11:18,360
Speaker 4: It's just in watching it this past week and watching

1757
01:11:18,800 --> 01:11:23,040
Speaker 4: both seasons, it just felt like this was something that

1758
01:11:23,600 --> 01:11:26,960
Speaker 4: I'm watching for the first time, and then you realize

1759
01:11:26,960 --> 01:11:28,960
Speaker 4: like this was thirteen years ago.

1760
01:11:29,120 --> 01:11:31,439
Speaker 6: Yeah, I'm so happy that you actually took the time

1761
01:11:31,479 --> 01:11:33,160
Speaker 6: to watch it again, and the whole thing, not only

1762
01:11:33,200 --> 01:11:33,559
Speaker 6: just like the.

1763
01:11:33,479 --> 01:11:34,240
Speaker 1: First few episodes.

1764
01:11:34,520 --> 01:11:35,719
Speaker 2: This is my favorite show.

1765
01:11:36,720 --> 01:11:38,840
Speaker 6: It's a lot man Like, Yeah, I was like, damn,

1766
01:11:38,920 --> 01:11:41,280
Speaker 6: you watched the whole thing. I would watched the whole

1767
01:11:41,280 --> 01:11:42,599
Speaker 6: thing at once soon if I could. But I think

1768
01:11:42,600 --> 01:11:46,439
Speaker 6: for our benefits of podcast watching it right doing great.

1769
01:11:47,560 --> 01:11:49,160
Speaker 1: I'm like, yo, you watch watching.

1770
01:11:49,080 --> 01:11:51,320
Speaker 7: You guys are podcasts bro Give us like what are

1771
01:11:51,320 --> 01:11:53,160
Speaker 7: we doing wrong? Tell us like how can we? How

1772
01:11:53,160 --> 01:11:53,439
Speaker 7: can we?

1773
01:11:53,920 --> 01:11:57,920
Speaker 1: And off camera way you know criticism.

1774
01:11:58,000 --> 01:11:59,800
Speaker 4: I think what y'all are doing is great because y'all

1775
01:11:59,800 --> 01:12:03,559
Speaker 4: are relive in a very special moment. But the way

1776
01:12:03,640 --> 01:12:08,040
Speaker 4: y'all incorporating, like you're having Ronnie fig I think that's

1777
01:12:08,560 --> 01:12:12,120
Speaker 4: like super unique that only you two could do something

1778
01:12:12,160 --> 01:12:12,360
Speaker 4: like that.

1779
01:12:12,520 --> 01:12:13,360
Speaker 1: We're just talking about.

1780
01:12:13,200 --> 01:12:16,880
Speaker 4: Because the show A Street where Branch started in New

1781
01:12:16,960 --> 01:12:18,920
Speaker 4: York City. What Ronnie has been able to do with

1782
01:12:19,000 --> 01:12:22,920
Speaker 4: Kith is amazing. Sitting down talking with you two and

1783
01:12:23,000 --> 01:12:25,040
Speaker 4: you know, being able to which I know Ronnie would

1784
01:12:25,040 --> 01:12:26,920
Speaker 4: give you your flowers on camera and tell you how

1785
01:12:27,400 --> 01:12:30,720
Speaker 4: your show inspired him. He was at David Z's and

1786
01:12:30,760 --> 01:12:35,640
Speaker 4: doing it like that in Yeah, I was dead ye

1787
01:12:38,360 --> 01:12:41,600
Speaker 4: working at David Z's. But absolutely how to Make It

1788
01:12:41,640 --> 01:12:45,760
Speaker 4: in America and Crisp inspired Kid. That's not I don't

1789
01:12:45,960 --> 01:12:47,880
Speaker 4: Ronnie doesn't have to admit that to me, and I

1790
01:12:47,920 --> 01:12:50,600
Speaker 4: would know his mind. Yet you understand because it's just

1791
01:12:50,680 --> 01:12:53,360
Speaker 4: how could it not. So I think what y'all are doing,

1792
01:12:53,760 --> 01:12:57,559
Speaker 4: it's a very unique podcast, but it's so real to

1793
01:12:57,600 --> 01:13:00,479
Speaker 4: who you obviously are, to something that you're a part

1794
01:13:00,520 --> 01:13:03,519
Speaker 4: of forever, something that's in the culture forever. And I

1795
01:13:03,560 --> 01:13:07,040
Speaker 4: think that anybody that is in street where brand now,

1796
01:13:07,720 --> 01:13:10,559
Speaker 4: if they haven't already watched How to Make It in America,

1797
01:13:10,880 --> 01:13:14,599
Speaker 4: somebody that's in the fashion business at the streetwear level

1798
01:13:14,840 --> 01:13:16,639
Speaker 4: will tell them, you have to watch how to Make

1799
01:13:16,640 --> 01:13:18,080
Speaker 4: It Sure if you.

1800
01:13:18,040 --> 01:13:19,960
Speaker 2: Want to be in this game. And I think that

1801
01:13:19,960 --> 01:13:21,000
Speaker 2: that alone.

1802
01:13:21,120 --> 01:13:25,160
Speaker 4: With your podcast, Yeah, is because what make podcasts special

1803
01:13:25,280 --> 01:13:26,880
Speaker 4: is it has to be a uniqueness to it.

1804
01:13:27,680 --> 01:13:29,240
Speaker 2: There's a million podcasts.

1805
01:13:29,280 --> 01:13:32,479
Speaker 4: Everybody has a mic, camera and talking, but what y'all

1806
01:13:32,560 --> 01:13:34,799
Speaker 4: have is so special and unique.

1807
01:13:35,400 --> 01:13:37,200
Speaker 2: I think it's it's a it's amazing.

1808
01:13:38,160 --> 01:13:40,680
Speaker 6: But we're gonna be We're gonna be texting y'all, if you,

1809
01:13:40,760 --> 01:13:42,800
Speaker 6: if you, if you, and you're like, yo, Vig, you

1810
01:13:42,800 --> 01:13:44,840
Speaker 6: should have done this. So yeah, should have talked about that.

1811
01:13:46,800 --> 01:13:48,400
Speaker 3: Off my conversation. The visual stuff.

1812
01:13:48,479 --> 01:13:49,400
Speaker 1: Yeah, yeah.

1813
01:13:49,680 --> 01:13:51,640
Speaker 3: I just think the idea of the theme of how

1814
01:13:51,640 --> 01:13:53,960
Speaker 3: to make in America and telling other people's stories to

1815
01:13:54,080 --> 01:13:57,400
Speaker 3: spread that out in the middle of each episode. Okay,

1816
01:13:57,760 --> 01:14:01,000
Speaker 3: if you know episode four, season one, episode five, like

1817
01:14:01,080 --> 01:14:03,320
Speaker 3: I would spread it out in between telling some of

1818
01:14:03,360 --> 01:14:03,800
Speaker 3: these stories.

1819
01:14:03,800 --> 01:14:06,120
Speaker 1: I mean in the actual episode. Are you saying, like,

1820
01:14:06,160 --> 01:14:07,000
Speaker 1: do a recap, do.

1821
01:14:07,080 --> 01:14:10,600
Speaker 3: A whole recap for season one, episode three, then have

1822
01:14:10,640 --> 01:14:12,200
Speaker 3: a guest to just that's kind of we're going to

1823
01:14:12,240 --> 01:14:14,120
Speaker 3: make it. That's kind of what we're doing, saying, spread

1824
01:14:14,120 --> 01:14:17,600
Speaker 3: it out even more sad recaps like I watched the

1825
01:14:17,640 --> 01:14:23,200
Speaker 3: Sopranos episode based one. Yeah, Chris Mantasante, they have so

1826
01:14:23,400 --> 01:14:25,920
Speaker 3: much to work with that they can keep that pace going. Yeah,

1827
01:14:26,080 --> 01:14:29,000
Speaker 3: you guys have two seasons, right, and that ship out

1828
01:14:29,400 --> 01:14:31,799
Speaker 3: people to really anticipate when we get to the finale,

1829
01:14:32,000 --> 01:14:32,760
Speaker 3: like you.

1830
01:14:33,640 --> 01:14:35,599
Speaker 1: I did tell you.

1831
01:14:34,640 --> 01:14:40,160
Speaker 3: If you get right away, it's like all right man, yeah, okay, yeah,

1832
01:14:40,320 --> 01:14:42,439
Speaker 3: because people are gonna be waiting for those Those are

1833
01:14:42,479 --> 01:14:46,360
Speaker 3: like the bonus bonus episodes, looking for that in between

1834
01:14:47,520 --> 01:14:48,320
Speaker 3: gole to tell their story.

1835
01:14:48,680 --> 01:14:50,639
Speaker 1: I got you, got you, and.

1836
01:14:50,640 --> 01:14:52,479
Speaker 3: Just focusing on street where people yeah.

1837
01:14:54,120 --> 01:14:56,000
Speaker 6: You know, we are going to get that speak of

1838
01:14:56,000 --> 01:14:58,280
Speaker 6: the street where we'll just pivot. What was the name

1839
01:14:58,320 --> 01:15:00,360
Speaker 6: of that spot you talked about, David Z's. I remember

1840
01:15:00,560 --> 01:15:03,120
Speaker 6: getting my teams to take David Z's and then across

1841
01:15:03,160 --> 01:15:06,400
Speaker 6: the street, Uh, just west of it. That's why I

1842
01:15:06,400 --> 01:15:09,040
Speaker 6: got my way north Faced bubbles from it. It was Uh,

1843
01:15:09,640 --> 01:15:11,160
Speaker 6: it was that spot right down Broadway. It's like you

1844
01:15:11,200 --> 01:15:13,639
Speaker 6: cross the street of David z you go a little

1845
01:15:13,640 --> 01:15:14,679
Speaker 6: bit north and it's right there.

1846
01:15:14,720 --> 01:15:18,400
Speaker 1: You remember that rat yellow thought one. It was a

1847
01:15:18,520 --> 01:15:19,599
Speaker 1: mad big spot. Man.

1848
01:15:19,640 --> 01:15:21,960
Speaker 6: It was like, that's what you got your bubbles, north Faces.

1849
01:15:21,960 --> 01:15:22,840
Speaker 6: You got everything there.

1850
01:15:23,439 --> 01:15:24,439
Speaker 2: And it was on the same block.

1851
01:15:24,600 --> 01:15:24,760
Speaker 1: It was.

1852
01:15:24,800 --> 01:15:26,320
Speaker 6: It was across the street, but on the same block.

1853
01:15:26,680 --> 01:15:28,120
Speaker 6: So like you cross the street and you make a right,

1854
01:15:28,200 --> 01:15:33,400
Speaker 6: you go away from Houston. This is gonna be the best,

1855
01:15:33,600 --> 01:15:34,040
Speaker 6: just like.

1856
01:15:37,280 --> 01:15:37,680
Speaker 1: The other day.

1857
01:15:37,720 --> 01:15:39,240
Speaker 6: And I was like, of course it's not there no more.

1858
01:15:39,240 --> 01:15:40,320
Speaker 6: And I'm like, damn, what was the name of that?

1859
01:15:40,640 --> 01:15:42,080
Speaker 6: I used to go there religiously and then I used

1860
01:15:42,080 --> 01:15:45,080
Speaker 6: to go get my Jordan's from the really the only

1861
01:15:45,120 --> 01:15:46,920
Speaker 6: footlock I could get if I stayed there early in

1862
01:15:46,960 --> 01:15:49,200
Speaker 6: the morning, right down bro, you know the one that

1863
01:15:49,240 --> 01:15:51,400
Speaker 6: was right on Saint Mark's and used to get the

1864
01:15:51,439 --> 01:15:52,160
Speaker 6: new Jordan's there.

1865
01:15:52,200 --> 01:15:53,360
Speaker 2: I'm gonna have the name of that store.

1866
01:15:53,439 --> 01:15:53,639
Speaker 1: Yeah.

1867
01:15:53,840 --> 01:15:55,519
Speaker 6: I feel like once you once you, once you hear

1868
01:15:55,520 --> 01:15:57,000
Speaker 6: the name of like, oh yeah, I've been here before.

1869
01:15:57,160 --> 01:16:00,639
Speaker 7: Anyway, you guys are like you guys are in New York?

1870
01:16:00,720 --> 01:16:03,160
Speaker 7: What's and like we're back in LA. I'm sorry, I

1871
01:16:03,200 --> 01:16:05,120
Speaker 7: live in La, New York, but like, what's good now?

1872
01:16:05,160 --> 01:16:07,519
Speaker 1: Man? You guys put us on because I'm like, I'm

1873
01:16:07,560 --> 01:16:08,519
Speaker 1: not those guys anymore.

1874
01:16:08,560 --> 01:16:09,720
Speaker 2: I'm not that guy anymore either.

1875
01:16:09,760 --> 01:16:09,880
Speaker 1: What.

1876
01:16:09,960 --> 01:16:10,719
Speaker 2: I don't go out.

1877
01:16:11,640 --> 01:16:12,200
Speaker 1: I'm shocked.

1878
01:16:12,240 --> 01:16:12,800
Speaker 2: I don't go out.

1879
01:16:12,840 --> 01:16:13,080
Speaker 1: I don't.

1880
01:16:13,120 --> 01:16:14,120
Speaker 2: I don't club. I don't do not.

1881
01:16:14,120 --> 01:16:16,519
Speaker 1: Because you'll we met at the club. I want to eat.

1882
01:16:16,600 --> 01:16:18,840
Speaker 2: If y'all want to go eat and get some dope spots, oh,

1883
01:16:18,880 --> 01:16:19,840
Speaker 2: then we could do.

1884
01:16:19,800 --> 01:16:20,840
Speaker 1: That all day. You don't want to go club.

1885
01:16:20,880 --> 01:16:23,120
Speaker 6: I want to go cover yo, yo. So because you

1886
01:16:23,160 --> 01:16:24,800
Speaker 6: and I felt like we met at the club when we.

1887
01:16:24,800 --> 01:16:27,559
Speaker 4: Met, I met you in twenty fourteen. Oh yeah, at

1888
01:16:27,560 --> 01:16:29,840
Speaker 4: a club in Manhattan. I can't remember the name of

1889
01:16:29,840 --> 01:16:32,439
Speaker 4: the club, but I remember walking in and I.

1890
01:16:32,439 --> 01:16:34,679
Speaker 2: Was like, it wasn't out Griffin.

1891
01:16:35,560 --> 01:16:35,600
Speaker 1: No.

1892
01:16:35,880 --> 01:16:39,559
Speaker 4: I was like, I said, Yo, that's dam and I'm fourteen.

1893
01:16:39,840 --> 01:16:41,680
Speaker 4: In twenty fourteen. I was like, yo, that's Cam right there.

1894
01:16:41,680 --> 01:16:43,519
Speaker 4: I was like, I gotta say, what's up to them?

1895
01:16:43,560 --> 01:16:45,120
Speaker 3: Were definitely forty our room for sure.

1896
01:16:45,200 --> 01:16:46,200
Speaker 2: I can't remember where the funk.

1897
01:16:46,240 --> 01:16:49,680
Speaker 4: I was the one probably saying you were standing up

1898
01:16:49,680 --> 01:16:52,320
Speaker 4: talking to some people avenue and I just did salute.

1899
01:16:52,360 --> 01:16:53,599
Speaker 2: I was like, yo, a big fan.

1900
01:16:53,920 --> 01:16:54,160
Speaker 1: Yeah.

1901
01:16:54,640 --> 01:16:56,519
Speaker 2: I just kept him like that was like it was

1902
01:16:56,520 --> 01:16:58,519
Speaker 2: like twenty fourteen, okay four.

1903
01:16:58,439 --> 01:16:59,840
Speaker 6: But it came out the elevator. I was like, we

1904
01:16:59,840 --> 01:17:02,519
Speaker 6: met before. It was it was real, Yeah, it was.

1905
01:17:02,560 --> 01:17:03,320
Speaker 6: It was real quick.

1906
01:17:03,680 --> 01:17:05,880
Speaker 4: And I just gave you a salute. And you know,

1907
01:17:05,880 --> 01:17:07,680
Speaker 4: I told you I love the show, but this is

1908
01:17:07,680 --> 01:17:08,360
Speaker 4: our first time.

1909
01:17:08,960 --> 01:17:09,479
Speaker 1: The club thing.

1910
01:17:09,520 --> 01:17:12,320
Speaker 7: I can't do it anymore, you know, I'm not, so

1911
01:17:13,560 --> 01:17:13,920
Speaker 7: let me know.

1912
01:17:16,920 --> 01:17:18,080
Speaker 3: I wouldn't know what club to go to.

1913
01:17:18,160 --> 01:17:19,200
Speaker 2: Now, that's what I'm saying.

1914
01:17:19,360 --> 01:17:21,479
Speaker 3: I don't know because I don't think you'd like Little Sister.

1915
01:17:21,560 --> 01:17:24,200
Speaker 8: Little Sister would be the best bet for like the

1916
01:17:24,240 --> 01:17:28,320
Speaker 8: club like that. I was like, I it depends on

1917
01:17:28,320 --> 01:17:28,760
Speaker 8: who I'm with.

1918
01:17:29,360 --> 01:17:29,880
Speaker 3: The version of.

1919
01:17:32,320 --> 01:17:36,559
Speaker 5: Yeah jeans, yet.

1920
01:17:36,479 --> 01:17:37,479
Speaker 1: It's going to be here.

1921
01:17:37,479 --> 01:17:40,760
Speaker 5: It's right around the question. Yeah, it's great. It's a

1922
01:17:40,760 --> 01:17:41,160
Speaker 5: good spot.

1923
01:17:41,200 --> 01:17:44,919
Speaker 8: That's the one that I would recommend, a good lounge.

1924
01:17:45,080 --> 01:17:46,840
Speaker 3: Speaking clubs and the era of how to make in

1925
01:17:46,880 --> 01:17:50,880
Speaker 3: America rest in piece of gold bar closed last month,

1926
01:17:51,040 --> 01:17:51,799
Speaker 3: but you know what.

1927
01:17:51,880 --> 01:17:53,479
Speaker 1: Go bar is closed before and it comes back.

1928
01:17:53,760 --> 01:17:56,120
Speaker 3: It's like you, I think it's officials dead, but the

1929
01:17:56,200 --> 01:17:58,280
Speaker 3: skull you have to give it its credit, all right?

1930
01:17:58,439 --> 01:18:01,320
Speaker 3: Is that probably the longest last let's go I know,

1931
01:18:01,680 --> 01:18:06,080
Speaker 3: long at last thirty four Marquie on the longest War

1932
01:18:06,200 --> 01:18:07,000
Speaker 3: never really got.

1933
01:18:06,920 --> 01:18:11,759
Speaker 6: I never agree with your right, right right, the longest

1934
01:18:11,840 --> 01:18:13,880
Speaker 6: last thing that did not get corny to me.

1935
01:18:13,960 --> 01:18:16,800
Speaker 1: It's just crazy to me. Okay, I went to yeah

1936
01:18:17,040 --> 01:18:17,800
Speaker 1: it's corny.

1937
01:18:19,840 --> 01:18:22,559
Speaker 3: The Marquie too. I'm not. I'm just still fill us.

1938
01:18:23,880 --> 01:18:26,200
Speaker 6: Did I agree with you on that? But yeah, I

1939
01:18:26,280 --> 01:18:28,639
Speaker 6: was shocked that Marque was still open during the pandemic.

1940
01:18:28,720 --> 01:18:30,200
Speaker 1: To I was like, yeah, no, this is crazy.

1941
01:18:30,439 --> 01:18:32,400
Speaker 7: That's the thing about New York though Marqui was open

1942
01:18:32,439 --> 01:18:33,800
Speaker 7: during the pin That's what we were talking about.

1943
01:18:33,880 --> 01:18:34,800
Speaker 5: I went there a couple of times.

1944
01:18:35,080 --> 01:18:37,920
Speaker 3: I want to like some underground clubs they created out

1945
01:18:37,920 --> 01:18:40,200
Speaker 3: of office spaces the pandemic.

1946
01:18:40,360 --> 01:18:43,040
Speaker 8: My nightlife scene of the pandemic was like I occasionally

1947
01:18:43,080 --> 01:18:44,560
Speaker 8: did the marquet, but I luckily have a lot of

1948
01:18:44,600 --> 01:18:46,280
Speaker 8: friends that owned like bars and restaurants, and what they

1949
01:18:46,320 --> 01:18:48,439
Speaker 8: would do they would just pull down the like the

1950
01:18:48,479 --> 01:18:50,720
Speaker 8: metal grades and like just draw the shades and then

1951
01:18:50,920 --> 01:18:52,519
Speaker 8: you just party in the back of the restaurant.

1952
01:18:52,600 --> 01:18:53,759
Speaker 1: Yeah. Yeah, it was great.

1953
01:18:53,800 --> 01:18:55,719
Speaker 5: They leave the kitchen open, bring food.

1954
01:18:56,960 --> 01:18:59,479
Speaker 1: We're just fucked up and everybody again, Coach was so

1955
01:18:59,600 --> 01:18:59,960
Speaker 1: much fun.

1956
01:19:00,120 --> 01:19:06,719
Speaker 6: Every Yeah, yeah, super spready if.

1957
01:19:06,600 --> 01:19:08,840
Speaker 2: We all get it, all get it and we'll be

1958
01:19:08,920 --> 01:19:09,320
Speaker 2: just fine.

1959
01:19:09,479 --> 01:19:11,280
Speaker 1: Yeah. It was crazy to me. I was.

1960
01:19:11,320 --> 01:19:13,680
Speaker 6: I was in the subway the other day and I

1961
01:19:13,720 --> 01:19:16,240
Speaker 6: was like, you know, we put on my mask first.

1962
01:19:16,240 --> 01:19:18,360
Speaker 1: Fool was like, mask. What you're talking about the money

1963
01:19:18,360 --> 01:19:20,400
Speaker 1: wearing mask. I'm like, yo, it's crazy to me, man.

1964
01:19:20,439 --> 01:19:23,479
Speaker 1: I was just say that it wasn't you know, somebody

1965
01:19:23,479 --> 01:19:25,719
Speaker 1: told me that somebody was I was like, no, I said,

1966
01:19:25,960 --> 01:19:28,040
Speaker 1: I said, you don't need a metric card, man, That's

1967
01:19:28,040 --> 01:19:30,120
Speaker 1: what it was. He said, how do I get a

1968
01:19:30,439 --> 01:19:31,439
Speaker 1: can Weald about New York?

1969
01:19:31,680 --> 01:19:33,080
Speaker 6: I remember back and then it was just a coin

1970
01:19:33,120 --> 01:19:35,120
Speaker 6: with the little Oh yeah, I know that's I was like.

1971
01:19:35,600 --> 01:19:37,640
Speaker 6: And now I'm like, damn, they charging you what to

1972
01:19:37,800 --> 01:19:41,200
Speaker 6: sound for the best one bro to ninety.

1973
01:19:41,240 --> 01:19:43,360
Speaker 1: Back then when I was in l E s was like,

1974
01:19:43,439 --> 01:19:44,000
Speaker 1: you have to term.

1975
01:19:44,080 --> 01:19:46,200
Speaker 2: That was a day of food, slice and soda.

1976
01:19:47,000 --> 01:19:49,800
Speaker 1: And I can get on the dropping the mic. I'm

1977
01:19:49,840 --> 01:19:51,480
Speaker 1: not going to touch the mic, but I'm dropping.

1978
01:19:51,400 --> 01:19:54,280
Speaker 4: A Hawaiian punch and I can get on the train.

1979
01:19:54,560 --> 01:19:59,759
Speaker 6: Tropical fantasy spur killing bro, Yeah, dog, it's absolutely.

1980
01:20:00,320 --> 01:20:00,880
Speaker 1: This would be yo.

1981
01:20:00,920 --> 01:20:02,559
Speaker 6: There was a podcast talking about the sperm killers is

1982
01:20:02,560 --> 01:20:05,439
Speaker 6: you know it was called but there was there's a

1983
01:20:05,439 --> 01:20:07,280
Speaker 6: podcast out there that was talking about the myth of

1984
01:20:07,640 --> 01:20:08,639
Speaker 6: tropical fantasies.

1985
01:20:08,760 --> 01:20:10,599
Speaker 1: But that's a whole other time. That was real.

1986
01:20:10,720 --> 01:20:13,599
Speaker 4: That that shook the hood of like cod bro. Bro,

1987
01:20:14,000 --> 01:20:16,120
Speaker 4: when we thowt tropical fantasies, lower your sperm.

1988
01:20:15,920 --> 01:20:19,040
Speaker 1: Count, yo, because I would play ball, right, I'll playball, yo.

1989
01:20:19,320 --> 01:20:22,200
Speaker 1: He's like he's like, yo, right.

1990
01:20:23,040 --> 01:20:25,640
Speaker 3: I forgot that was but we're going back back there

1991
01:20:25,640 --> 01:20:29,040
Speaker 3: with Kim getting the stomach pump. Yes, yes, yes, yes,

1992
01:20:29,120 --> 01:20:29,920
Speaker 3: ship yo yo.

1993
01:20:30,000 --> 01:20:31,519
Speaker 1: So that's when I used to play ball.

1994
01:20:31,760 --> 01:20:33,840
Speaker 6: Is like a sprite or whatever was a little bit

1995
01:20:33,840 --> 01:20:36,080
Speaker 6: more expensive, so you get the tropical fantasy. But then

1996
01:20:36,320 --> 01:20:38,280
Speaker 6: the myths started happened, and I was like, well, yo,

1997
01:20:38,520 --> 01:20:40,240
Speaker 6: I'm not gonna be able to play ball because I

1998
01:20:40,320 --> 01:20:42,200
Speaker 6: used to play about ten hours, you know, like from

1999
01:20:42,240 --> 01:20:44,680
Speaker 6: from literally sun up to sundown because you know, they

2000
01:20:44,680 --> 01:20:45,559
Speaker 6: had the lights on the court.

2001
01:20:45,640 --> 01:20:47,439
Speaker 1: But I'm like, if it's going to kill my sperm,

2002
01:20:47,479 --> 01:20:49,200
Speaker 1: I'm like, I'm not gonna be able to last play ball.

2003
01:20:49,240 --> 01:20:50,719
Speaker 6: I'm like, so I used to just pay the extra

2004
01:20:50,760 --> 01:20:52,720
Speaker 6: fifty cent and get the spride or whatever, because you know,

2005
01:20:52,720 --> 01:20:53,639
Speaker 6: sprite was like targeted.

2006
01:20:53,800 --> 01:20:58,240
Speaker 1: It was talking in the hood hard back then shaking anyway.

2007
01:20:58,560 --> 01:21:00,479
Speaker 1: You get to take me back, ya y'all think the

2008
01:21:00,520 --> 01:21:02,840
Speaker 1: nut crackers? You ever get the nut crackers? No? No,

2009
01:21:03,000 --> 01:21:05,880
Speaker 1: never had a park, which was that that's what they

2010
01:21:06,000 --> 01:21:06,639
Speaker 1: summing the park.

2011
01:21:07,360 --> 01:21:08,080
Speaker 2: You never had one.

2012
01:21:08,200 --> 01:21:11,080
Speaker 1: Maybe must have moved that. Maybe the was it covering that.

2013
01:21:11,920 --> 01:21:13,400
Speaker 3: Nobody really knows.

2014
01:21:15,280 --> 01:21:16,240
Speaker 1: Nobody really knows.

2015
01:21:16,200 --> 01:21:18,160
Speaker 2: You can get them uptown and Dykeman. They got me.

2016
01:21:18,200 --> 01:21:19,360
Speaker 2: If somebody's outside.

2017
01:21:19,080 --> 01:21:20,720
Speaker 1: Of Brooklyn, I will will get them every now and

2018
01:21:21,360 --> 01:21:23,080
Speaker 1: get one going.

2019
01:21:23,240 --> 01:21:28,240
Speaker 2: Yeah, that ship definitely wasn't covering that people making their

2020
01:21:28,240 --> 01:21:28,759
Speaker 2: own drinks.

2021
01:21:29,040 --> 01:21:30,840
Speaker 1: But they got tropical fantasy still out there.

2022
01:21:31,040 --> 01:21:32,479
Speaker 3: Oh that doubt it.

2023
01:21:32,520 --> 01:21:34,800
Speaker 2: Okay, Yeah, tropical fantasy is still around.

2024
01:21:34,800 --> 01:21:35,800
Speaker 3: I don't go to that part of them.

2025
01:21:36,960 --> 01:21:38,200
Speaker 2: I don't go to that. I don't go to that

2026
01:21:38,240 --> 01:21:39,040
Speaker 2: freezing the body.

2027
01:21:39,120 --> 01:21:40,760
Speaker 1: Yes, I don't know that.

2028
01:21:40,800 --> 01:21:42,360
Speaker 4: I'm gonna stop at the water. I just get a

2029
01:21:42,360 --> 01:21:44,240
Speaker 4: bottle of water in the monel or the.

2030
01:21:44,240 --> 01:21:48,680
Speaker 1: Roster Monster or far from that. He let up, He

2031
01:21:48,760 --> 01:21:50,320
Speaker 1: let up, let that was?

2032
01:21:50,360 --> 01:21:53,559
Speaker 2: That was that Roster Monster?

2033
01:21:54,320 --> 01:21:55,280
Speaker 3: Last quick quick ones.

2034
01:21:55,320 --> 01:21:55,479
Speaker 1: Yeah.

2035
01:21:56,640 --> 01:21:58,680
Speaker 3: What was it like working with Johnny Knoxville as a

2036
01:21:58,720 --> 01:21:59,760
Speaker 3: serious actor.

2037
01:22:01,320 --> 01:22:03,519
Speaker 1: Because he played my manager on Lord's of Dogtown.

2038
01:22:03,760 --> 01:22:05,120
Speaker 3: It was his first like real role.

2039
01:22:05,479 --> 01:22:07,320
Speaker 1: No, no, no, no, actually, well yes and no because he

2040
01:22:07,320 --> 01:22:08,680
Speaker 1: had come off that movie with the Rock and that

2041
01:22:08,720 --> 01:22:09,240
Speaker 1: was a big deal.

2042
01:22:09,240 --> 01:22:12,280
Speaker 3: That's why oh Speak and Men in Black he played

2043
01:22:12,280 --> 01:22:15,000
Speaker 3: like yeah, yeah, character sures.

2044
01:22:15,080 --> 01:22:15,320
Speaker 1: Yeah.

2045
01:22:15,400 --> 01:22:17,760
Speaker 3: He then played the kid in the Special Olympics, like yes,

2046
01:22:18,000 --> 01:22:19,400
Speaker 3: but this was the first time I feel like he

2047
01:22:19,479 --> 01:22:20,960
Speaker 3: got into sort of a series.

2048
01:22:21,160 --> 01:22:21,320
Speaker 1: Yeah.

2049
01:22:22,040 --> 01:22:24,000
Speaker 6: But so so how he got that role is that

2050
01:22:24,479 --> 01:22:28,160
Speaker 6: at the time his agent at CIA was Heath Legs agent,

2051
01:22:28,200 --> 01:22:31,599
Speaker 6: which he led obviously the movie. Yeah, so he was

2052
01:22:32,000 --> 01:22:33,840
Speaker 6: I think he was just trying to find kind of

2053
01:22:33,880 --> 01:22:35,639
Speaker 6: like what I was saying that what I was saying,

2054
01:22:36,040 --> 01:22:37,400
Speaker 6: I was a New York actor. I was trying to

2055
01:22:37,439 --> 01:22:40,120
Speaker 6: do different things, and so I think his agent found that, oh,

2056
01:22:40,360 --> 01:22:42,519
Speaker 6: this is a good role and obviously like it's such

2057
01:22:42,560 --> 01:22:45,120
Speaker 6: a historical moment and people are going to watch this movie,

2058
01:22:45,120 --> 01:22:48,280
Speaker 6: which they kind of didn't at the time, but his

2059
01:22:48,320 --> 01:22:49,679
Speaker 6: agent was like, Yo, you should do that, and there's

2060
01:22:49,680 --> 01:22:51,920
Speaker 6: a great role for you to play a serious role.

2061
01:22:52,360 --> 01:22:54,360
Speaker 6: The crazy thing about Johnny Knoxville and.

2062
01:22:54,680 --> 01:22:59,000
Speaker 3: Crazy thing about starting and Lords of Dark toown of

2063
01:22:59,040 --> 01:23:01,080
Speaker 3: the crazy thought of Johnny not to that movie.

2064
01:23:02,080 --> 01:23:05,960
Speaker 6: It really how do you encourage a lot of bad behavior,

2065
01:23:06,040 --> 01:23:07,719
Speaker 6: Let's just say it, because we were trying to capture

2066
01:23:07,720 --> 01:23:11,200
Speaker 6: a moment seventies hippie dippy, you know what I'm saying,

2067
01:23:11,320 --> 01:23:14,800
Speaker 6: Like everything's free, let's try this new drug, all this thing,

2068
01:23:15,640 --> 01:23:17,679
Speaker 6: and Knoxville brought that kind of you know what I'm saying.

2069
01:23:17,880 --> 01:23:19,680
Speaker 6: He was like, it was something I remember one time

2070
01:23:19,720 --> 01:23:21,800
Speaker 6: we were working together and we were doing that scene.

2071
01:23:21,840 --> 01:23:23,120
Speaker 6: I don't know if you remember when I rolled up

2072
01:23:23,160 --> 01:23:24,519
Speaker 6: on the meal hirsh and I was like, yo, man,

2073
01:23:24,520 --> 01:23:26,920
Speaker 6: I'm signed with whatever Johny Knoxville character.

2074
01:23:26,800 --> 01:23:27,960
Speaker 1: The conib convertible.

2075
01:23:28,960 --> 01:23:29,640
Speaker 3: I really love that.

2076
01:23:29,880 --> 01:23:32,519
Speaker 1: Yeah, yeah, yeah, So right before we shot that.

2077
01:23:33,000 --> 01:23:35,720
Speaker 6: You know, it always amazes me, like how actors get

2078
01:23:35,760 --> 01:23:37,360
Speaker 6: I mean, I'm not saying I don't get nervous, but

2079
01:23:37,400 --> 01:23:40,320
Speaker 6: the level of nervousness where you literally feel them shaky.

2080
01:23:40,360 --> 01:23:42,280
Speaker 1: He was nervous, was yeah, he was.

2081
01:23:42,360 --> 01:23:45,720
Speaker 6: And so he was hey, buddy, Hey. It was like,

2082
01:23:45,800 --> 01:23:48,800
Speaker 6: so shit from the matrix, you want the red or

2083
01:23:48,800 --> 01:23:49,320
Speaker 6: the blue pill?

2084
01:23:49,400 --> 01:23:51,920
Speaker 1: And I was like, nah, man, I'm good on the pills. Man.

2085
01:23:52,120 --> 01:23:55,519
Speaker 1: He goes good, I'm gonna take both of them. I

2086
01:23:55,560 --> 01:23:56,880
Speaker 1: was like, you don do this right before we roll.

2087
01:23:58,400 --> 01:23:59,840
Speaker 1: I was like, you to do this right before we roll.

2088
01:24:00,920 --> 01:24:01,800
Speaker 1: Didn't even answer me.

2089
01:24:02,280 --> 01:24:05,120
Speaker 3: Bro It was.

2090
01:24:07,760 --> 01:24:10,000
Speaker 6: He didn't murder scene later and I was like, and

2091
01:24:11,040 --> 01:24:13,360
Speaker 6: a scene that he did later which I think he murdered.

2092
01:24:13,960 --> 01:24:15,479
Speaker 6: I didn't he didn't offer the red in the blue

2093
01:24:15,520 --> 01:24:16,880
Speaker 6: blue because there was a lot of people in the

2094
01:24:16,920 --> 01:24:19,439
Speaker 6: other scene that one sceneed the convertible it was just

2095
01:24:19,479 --> 01:24:20,840
Speaker 6: me and him, so I think there was a lot

2096
01:24:20,840 --> 01:24:23,160
Speaker 6: of eyes that weren't looking at it because he could

2097
01:24:23,160 --> 01:24:25,120
Speaker 6: do it on the low, the rat the Blue Hill,

2098
01:24:25,160 --> 01:24:26,080
Speaker 6: and I was like, no.

2099
01:24:26,240 --> 01:24:27,000
Speaker 1: I'm good, bro.

2100
01:24:29,600 --> 01:24:31,599
Speaker 6: And the reason why I was like, you gotta remember

2101
01:24:31,680 --> 01:24:34,480
Speaker 6: they took me from the hood, like I'm in Hollywood

2102
01:24:34,520 --> 01:24:39,920
Speaker 6: and I'm like, oh, okay, yo, this is but the

2103
01:24:39,960 --> 01:24:41,360
Speaker 6: one thing that they let us do.

2104
01:24:41,760 --> 01:24:43,320
Speaker 1: Well, they didn't let us do it. Let me take

2105
01:24:43,320 --> 01:24:43,679
Speaker 1: that back.

2106
01:24:43,840 --> 01:24:45,320
Speaker 6: The one thing that I was doing, I was puffing

2107
01:24:45,320 --> 01:24:47,040
Speaker 6: trees in New York and I was definitely puffing trees

2108
01:24:47,040 --> 01:24:47,479
Speaker 6: on that movie.

2109
01:24:47,479 --> 01:24:50,120
Speaker 1: You can puff trees and act, but hold up.

2110
01:24:50,280 --> 01:24:52,280
Speaker 6: I was puffing the trees when they were like cut

2111
01:24:52,280 --> 01:24:53,920
Speaker 6: because it was the same thing, like how to make it.

2112
01:24:54,360 --> 01:24:56,519
Speaker 6: We would shut down the club and if you watch

2113
01:24:56,520 --> 01:24:59,280
Speaker 6: there's a lot of party scenes. We weren't at clubs.

2114
01:24:59,439 --> 01:25:01,760
Speaker 6: There's a lot the party and it was it was

2115
01:25:01,800 --> 01:25:04,920
Speaker 6: like my introduction legit. It's like you took homeboy at

2116
01:25:04,960 --> 01:25:06,760
Speaker 6: the hood, you put him here and you're like, yo,

2117
01:25:06,800 --> 01:25:08,960
Speaker 6: everything you're doing, it's okay, keep doing it, but just

2118
01:25:08,960 --> 01:25:09,839
Speaker 6: don't use your accent.

2119
01:25:10,960 --> 01:25:12,080
Speaker 1: Wow. It was crazy.

2120
01:25:12,439 --> 01:25:14,320
Speaker 3: The like Trip venis.

2121
01:25:14,760 --> 01:25:17,200
Speaker 1: Exactly to answer your question. He was mad cool. I

2122
01:25:17,280 --> 01:25:19,519
Speaker 1: just wasn't on that vibe that time, but he was

2123
01:25:19,560 --> 01:25:21,120
Speaker 1: really trying. To his credit.

2124
01:25:21,479 --> 01:25:23,120
Speaker 6: I think he kind of sat back at times and

2125
01:25:23,240 --> 01:25:25,840
Speaker 6: was like watching all these dope actors and was like, yeah,

2126
01:25:26,000 --> 01:25:26,840
Speaker 6: I want to step my gaming.

2127
01:25:26,840 --> 01:25:28,960
Speaker 1: He was so nervous that that's what he had to do. YEA.

2128
01:25:29,000 --> 01:25:30,200
Speaker 1: I don't want to blow his spot because I don't

2129
01:25:30,200 --> 01:25:30,640
Speaker 1: think he does that.

2130
01:25:30,800 --> 01:25:32,640
Speaker 3: I don't think that's super interesting because you would say,

2131
01:25:32,640 --> 01:25:34,679
Speaker 3: why would Johnny Knoxviel be nervous about anything?

2132
01:25:34,920 --> 01:25:35,160
Speaker 1: Yeah?

2133
01:25:35,360 --> 01:25:37,360
Speaker 3: Yeah, himself out of a fucking can. He fights butter

2134
01:25:37,360 --> 01:25:38,080
Speaker 3: beans sweat.

2135
01:25:38,080 --> 01:25:43,599
Speaker 6: I was saying, that's it to sweat after like running

2136
01:25:43,600 --> 01:25:45,400
Speaker 6: on the trip, and I was like, what the fun

2137
01:25:45,720 --> 01:25:48,040
Speaker 6: was you nervous about this little sea with me and

2138
01:25:48,200 --> 01:25:49,720
Speaker 6: who By the way, we weren't household names, and we

2139
01:25:50,040 --> 01:25:50,800
Speaker 6: still kind of worried.

2140
01:25:50,840 --> 01:25:52,840
Speaker 1: I was like, okay, he was like the red or

2141
01:25:52,840 --> 01:25:53,920
Speaker 1: the Blue. I was like, I'm good.

2142
01:25:55,520 --> 01:25:58,879
Speaker 3: I feel that way too, performing in front of thousands

2143
01:25:58,920 --> 01:26:01,400
Speaker 3: of people. We talk for a living, but if you

2144
01:26:01,479 --> 01:26:04,080
Speaker 3: put me like in a Starbucks with someone I've never

2145
01:26:04,160 --> 01:26:06,400
Speaker 3: met to have a meeting, like, I'm like, I don't

2146
01:26:06,439 --> 01:26:08,280
Speaker 3: get nervous I don't know how to do. It's not

2147
01:26:08,320 --> 01:26:08,679
Speaker 3: my world.

2148
01:26:08,800 --> 01:26:10,280
Speaker 6: But you're gonna take the red and the blue. I

2149
01:26:10,320 --> 01:26:14,320
Speaker 6: mean I understand one, right, he said, And I don't

2150
01:26:14,320 --> 01:26:19,960
Speaker 6: know what that is. And it wasn't like yo, like

2151
01:26:20,040 --> 01:26:23,400
Speaker 6: horse pills. Yeah, it was like it wasn't it was

2152
01:26:23,439 --> 01:26:26,479
Speaker 6: like the gel one. So you know, like, no, no,

2153
01:26:26,520 --> 01:26:30,679
Speaker 6: it wasn't you it could have been a sea ball

2154
01:26:31,800 --> 01:26:34,439
Speaker 6: because later in another scene on me, it was like

2155
01:26:34,479 --> 01:26:35,400
Speaker 6: that he did the same thing.

2156
01:26:35,439 --> 01:26:36,360
Speaker 1: They had listen.

2157
01:26:36,360 --> 01:26:37,600
Speaker 6: I don't know if he's tak it enough, but my

2158
01:26:38,320 --> 01:26:41,559
Speaker 6: offer you maybe early on that he was on some shape.

2159
01:26:42,680 --> 01:26:46,040
Speaker 7: Yeah, the acting things funny because like it looks easy, right,

2160
01:26:46,160 --> 01:26:48,960
Speaker 7: everybody's all they're just talking, but like you get people

2161
01:26:49,040 --> 01:26:51,400
Speaker 7: who haven't been trained or haven't been on set before,

2162
01:26:51,400 --> 01:26:52,960
Speaker 7: and they just freeze and you're.

2163
01:26:52,840 --> 01:26:54,400
Speaker 1: Like it's like they will fair thing, Like what do

2164
01:26:54,439 --> 01:26:55,200
Speaker 1: I do with my hands?

2165
01:26:55,240 --> 01:26:58,479
Speaker 7: You know it's really it's a skill you have to

2166
01:26:58,600 --> 01:27:01,599
Speaker 7: hone and it's not it's not it doesn't come natural.

2167
01:27:02,200 --> 01:27:04,160
Speaker 6: Pot that we were nervous about. Just leave it at

2168
01:27:04,160 --> 01:27:07,320
Speaker 6: that is like Knoxville was nervous about that. Like I remember,

2169
01:27:07,360 --> 01:27:09,559
Speaker 6: we should have had to make it and we were like, yo,

2170
01:27:10,000 --> 01:27:12,800
Speaker 6: is a walking talk right now, me and Brian in

2171
01:27:12,880 --> 01:27:15,600
Speaker 6: the middle of Canal Street. And actually, and I was

2172
01:27:15,600 --> 01:27:17,560
Speaker 6: always nervous because you know those walking talk snes that

2173
01:27:17,560 --> 01:27:17,960
Speaker 6: we're doing in.

2174
01:27:17,960 --> 01:27:19,120
Speaker 1: The streets, we're doing down here.

2175
01:27:19,439 --> 01:27:21,280
Speaker 6: Yeah, we do, right if we If one of us

2176
01:27:21,320 --> 01:27:23,439
Speaker 6: sucked it up, go all the way back to one

2177
01:27:23,840 --> 01:27:26,000
Speaker 6: and I will feel bad because he was given adult performance.

2178
01:27:26,040 --> 01:27:27,400
Speaker 6: But I fucked up this lunch, so we gotta go back.

2179
01:27:27,479 --> 01:27:30,400
Speaker 1: I was kill The nerves are there, but I want

2180
01:27:30,479 --> 01:27:33,200
Speaker 1: to carry this. Yeah, he has a cat he had

2181
01:27:33,240 --> 01:27:36,760
Speaker 1: to carry. Yeah, but I wasn't Like the Blue and

2182
01:27:36,800 --> 01:27:39,760
Speaker 1: the Red. I never did that scene. So anyway, I can't.

2183
01:27:40,240 --> 01:27:40,559
Speaker 1: I can't.

2184
01:27:40,720 --> 01:27:43,280
Speaker 7: Like I've worked with some actors who smoke before they

2185
01:27:43,560 --> 01:27:43,920
Speaker 7: I don't know.

2186
01:27:44,000 --> 01:27:45,519
Speaker 1: I think that is all right.

2187
01:27:45,600 --> 01:27:49,000
Speaker 7: I did a movie once where it was similar to that,

2188
01:27:48,800 --> 01:27:51,240
Speaker 7: that story of telling about unscripted, but this was the

2189
01:27:51,240 --> 01:27:54,519
Speaker 7: real thing. Like I was smoking and this is I

2190
01:27:54,520 --> 01:27:57,040
Speaker 7: don't really smoking anymore, but I was smoking. And then

2191
01:27:57,240 --> 01:27:59,240
Speaker 7: they did change by call time and they brought me

2192
01:27:59,280 --> 01:28:02,160
Speaker 7: in and I was still stone stone and like you know,

2193
01:28:02,240 --> 01:28:04,519
Speaker 7: when you get paranoid, like and it's like you think

2194
01:28:04,560 --> 01:28:05,360
Speaker 7: everybody's looking at you.

2195
01:28:05,680 --> 01:28:08,680
Speaker 1: What if they really were. It was really bet on

2196
01:28:08,720 --> 01:28:12,439
Speaker 1: the train. Yeah, you just saw recently was bet on

2197
01:28:12,479 --> 01:28:14,240
Speaker 1: the train? Like? Am I talking to you a lot?

2198
01:28:14,600 --> 01:28:15,160
Speaker 1: I gotta go off?

2199
01:28:16,160 --> 01:28:18,320
Speaker 7: I was like, I don't know how some act, but

2200
01:28:18,360 --> 01:28:20,840
Speaker 7: I've worked with comedians who just like you go to

2201
01:28:20,920 --> 01:28:22,920
Speaker 7: their trailer and it's just weed after.

2202
01:28:23,240 --> 01:28:25,720
Speaker 1: I don't know. I can't. I'm not a functional.

2203
01:28:25,320 --> 01:28:26,920
Speaker 3: Stuff like that that I can't do it.

2204
01:28:26,960 --> 01:28:28,719
Speaker 2: I can't smoke before I pod.

2205
01:28:29,479 --> 01:28:32,360
Speaker 4: I can't smoke because it's gonna kick in and I'm

2206
01:28:32,400 --> 01:28:35,960
Speaker 4: either gonna start like looking into your soul, yeah, or

2207
01:28:36,040 --> 01:28:38,320
Speaker 4: like my my mouth is gonna get so heavy that

2208
01:28:38,360 --> 01:28:38,679
Speaker 4: I can't.

2209
01:28:39,439 --> 01:28:42,080
Speaker 1: Yeah, I don't know, y'all.

2210
01:28:42,360 --> 01:28:46,240
Speaker 3: Yeah fantasy y'all really smoking like that?

2211
01:28:46,360 --> 01:28:49,479
Speaker 8: Matter of fact, it was two weeks ago Rory took

2212
01:28:49,680 --> 01:28:51,559
Speaker 8: edible awful and I got.

2213
01:28:51,479 --> 01:28:52,320
Speaker 3: A weed smoker at all.

2214
01:28:52,360 --> 01:28:53,160
Speaker 1: I wasn't okay.

2215
01:28:53,880 --> 01:28:56,600
Speaker 3: Right before we started recording. I could barely read this.

2216
01:28:58,080 --> 01:29:00,200
Speaker 3: I told everyone in here before we hit a or

2217
01:29:00,439 --> 01:29:02,040
Speaker 3: I just took an edible, I'm not sure I'll be

2218
01:29:02,040 --> 01:29:03,360
Speaker 3: able to get through this episode where it was like

2219
01:29:03,360 --> 01:29:05,200
Speaker 3: three I wanted to run home.

2220
01:29:05,360 --> 01:29:06,639
Speaker 1: Why did you get through it though?

2221
01:29:06,960 --> 01:29:09,600
Speaker 3: Yeah? And then we went to the Loved it. We

2222
01:29:09,640 --> 01:29:12,280
Speaker 3: went to Philly and we did like you know, meet

2223
01:29:12,280 --> 01:29:14,200
Speaker 3: and greets before and after. I talk with the fans

2224
01:29:14,240 --> 01:29:16,679
Speaker 3: and they were like, yo, you should take edibles more often.

2225
01:29:16,680 --> 01:29:19,640
Speaker 3: Why didn't we get fucking episode?

2226
01:29:19,880 --> 01:29:21,719
Speaker 1: Why did we get I want.

2227
01:29:21,560 --> 01:29:23,960
Speaker 3: To come back your higher so you hate me now? No,

2228
01:29:24,040 --> 01:29:25,240
Speaker 3: I want to see the.

2229
01:29:26,640 --> 01:29:28,200
Speaker 2: Do y'all show. I want to do y'all. I want

2230
01:29:28,200 --> 01:29:28,880
Speaker 2: to be high when I do.

2231
01:29:29,160 --> 01:29:31,880
Speaker 1: I bet, I I want to I'm gonna take smoke.

2232
01:29:32,120 --> 01:29:34,240
Speaker 1: I take the blue pill you take, you know what

2233
01:29:34,280 --> 01:29:34,479
Speaker 1: I mean.

2234
01:29:34,560 --> 01:29:35,960
Speaker 3: I take little edibles just to sleep.

2235
01:29:36,240 --> 01:29:38,160
Speaker 1: It's like I just, yeah, I'm not not gonna have

2236
01:29:38,160 --> 01:29:38,559
Speaker 1: fun with this.

2237
01:29:38,880 --> 01:29:41,920
Speaker 7: You gotta and I don't you know, something changed in

2238
01:29:41,960 --> 01:29:44,120
Speaker 7: my body chemistry where it's like I smoke every day

2239
01:29:44,160 --> 01:29:45,920
Speaker 7: all the time, and then all of a sudden it

2240
01:29:46,000 --> 01:29:48,439
Speaker 7: was just like my I got paranoid and it was

2241
01:29:48,560 --> 01:29:50,559
Speaker 7: the opposite of fun. It's kind of like clubbing, like

2242
01:29:50,600 --> 01:29:52,400
Speaker 7: I do not want to be they used to be again,

2243
01:29:52,439 --> 01:29:53,160
Speaker 7: It's not fun anymore.

2244
01:29:53,560 --> 01:29:53,960
Speaker 1: I don't know.

2245
01:29:54,080 --> 01:29:55,479
Speaker 6: I don't like how the edibles sneak up on you

2246
01:29:55,479 --> 01:29:56,639
Speaker 6: because I like I like when I'm puffed.

2247
01:29:56,680 --> 01:29:58,240
Speaker 1: I know when it's gonna come. I don't like like

2248
01:29:58,600 --> 01:30:00,519
Speaker 1: when are you coming? Oh, I'm hot.

2249
01:30:01,360 --> 01:30:05,280
Speaker 3: Not only that we get the second wave higher. Yeah,

2250
01:30:05,320 --> 01:30:07,559
Speaker 3: that's what I would have preferred to hear the story

2251
01:30:07,600 --> 01:30:10,400
Speaker 3: of Meryl Streep doing the Red Pill Blue Pill. That

2252
01:30:10,439 --> 01:30:12,599
Speaker 3: would have been cold. She was.

2253
01:30:12,760 --> 01:30:18,240
Speaker 7: She was like she she's she knows that she's a legend,

2254
01:30:18,479 --> 01:30:20,640
Speaker 7: but like so I think she goes out of her

2255
01:30:20,640 --> 01:30:22,920
Speaker 7: way to like disarm you and and be very I.

2256
01:30:22,840 --> 01:30:23,639
Speaker 2: Love people like that.

2257
01:30:23,720 --> 01:30:24,599
Speaker 3: Yeah, like she doesn't.

2258
01:30:24,600 --> 01:30:29,639
Speaker 4: So you know that you're this huge iconic figure, yes,

2259
01:30:29,720 --> 01:30:32,400
Speaker 4: and you know people know, yeah, when they're in your presence.

2260
01:30:32,400 --> 01:30:35,320
Speaker 4: That Meryl Street, yes it's me, does everything to be

2261
01:30:35,479 --> 01:30:36,280
Speaker 4: like Yeah.

2262
01:30:36,560 --> 01:30:38,800
Speaker 7: She used to come into my trailer and just want

2263
01:30:38,840 --> 01:30:40,600
Speaker 7: to hang out and she's like, oh, I have my

2264
01:30:40,640 --> 01:30:42,400
Speaker 7: guitar and there she's like, oh you're playing music.

2265
01:30:42,479 --> 01:30:44,360
Speaker 1: Yeah. I played guitar with her and just hang out.

2266
01:30:44,400 --> 01:30:44,960
Speaker 2: I love people.

2267
01:30:45,240 --> 01:30:50,320
Speaker 3: She was so fun. If I was high in Meryl Street, yeah,

2268
01:30:50,560 --> 01:30:59,920
Speaker 3: this isn't real. Yeah. With Heath on the set, I'm

2269
01:31:00,160 --> 01:31:03,600
Speaker 3: obviously unfortunately know the end of his story, and that

2270
01:31:03,720 --> 01:31:06,679
Speaker 3: was before Dark Knight. He played that role a little

2271
01:31:06,720 --> 01:31:09,880
Speaker 3: too fucking well on Lord's of Dogtown. Yeah, that's one

2272
01:31:09,920 --> 01:31:13,000
Speaker 3: of my favorite Heath Roles and after you found out

2273
01:31:13,040 --> 01:31:15,280
Speaker 3: what happened with Dark Knight, was he acting?

2274
01:31:16,760 --> 01:31:19,120
Speaker 1: Yeah, did you ever meet Heath or did you just

2275
01:31:19,160 --> 01:31:20,040
Speaker 1: meet the character? No?

2276
01:31:20,240 --> 01:31:22,680
Speaker 6: So so, like I said, it was my first like

2277
01:31:23,200 --> 01:31:25,960
Speaker 6: Hollywood movie. So when they flew when they flew us

2278
01:31:25,960 --> 01:31:29,000
Speaker 6: out there and I got cast, Heath actually went out

2279
01:31:29,000 --> 01:31:31,720
Speaker 6: of his way to call me, Emil and John and

2280
01:31:31,720 --> 01:31:33,519
Speaker 6: he's like, hey, come to my house and you know

2281
01:31:33,680 --> 01:31:36,080
Speaker 6: we're this is me and blah blahlah blah, and so

2282
01:31:36,320 --> 01:31:38,720
Speaker 6: his vibe he he we were just talking about this

2283
01:31:38,720 --> 01:31:43,320
Speaker 6: with somebody Abby Cordneys, who's another Australian actress. He he

2284
01:31:43,439 --> 01:31:46,760
Speaker 6: wanted like he wanted to start kind of and indirectly

2285
01:31:46,800 --> 01:31:49,760
Speaker 6: start right away, like just building the chemistry between us, right,

2286
01:31:49,800 --> 01:31:50,960
Speaker 6: It's like like kind.

2287
01:31:50,800 --> 01:31:52,840
Speaker 1: Of what you said. And by the way he was,

2288
01:31:53,000 --> 01:31:55,000
Speaker 1: he was already like pretty known already he had done.

2289
01:31:55,320 --> 01:31:57,400
Speaker 6: He already done the paintry and knights Tale of the

2290
01:31:57,400 --> 01:31:58,800
Speaker 6: Pantry was like, you know, was.

2291
01:31:58,800 --> 01:32:00,479
Speaker 3: That before broke back or so.

2292
01:32:00,439 --> 01:32:02,439
Speaker 6: We got I got a story, real quick story, funny story.

2293
01:32:02,479 --> 01:32:04,320
Speaker 6: I broke back, but so he so we all get

2294
01:32:04,320 --> 01:32:05,920
Speaker 6: his crib and it's like my first time going up

2295
01:32:05,960 --> 01:32:06,479
Speaker 6: in the hills.

2296
01:32:06,760 --> 01:32:07,880
Speaker 1: We were just talking about the hills.

2297
01:32:07,920 --> 01:32:10,200
Speaker 6: You're telling me that you had rented the house, and

2298
01:32:10,280 --> 01:32:10,679
Speaker 6: I mean.

2299
01:32:10,600 --> 01:32:14,000
Speaker 5: You say you was there too.

2300
01:32:14,000 --> 01:32:16,720
Speaker 1: Okay, yeah, so it was my first time.

2301
01:32:16,760 --> 01:32:19,600
Speaker 6: So I'm like, you know, this is before ways and like,

2302
01:32:19,640 --> 01:32:21,760
Speaker 6: so like I'm gonna get my what is it garment.

2303
01:32:21,720 --> 01:32:24,400
Speaker 1: The old school? What is it called the navigation?

2304
01:32:24,479 --> 01:32:26,320
Speaker 6: The navigation he had to put in your car because

2305
01:32:26,760 --> 01:32:29,479
Speaker 6: it was called the Garmen system whatever or Gemini.

2306
01:32:30,400 --> 01:32:33,400
Speaker 1: You shut outment, come back sponsor. I'm like, all right,

2307
01:32:33,400 --> 01:32:35,160
Speaker 1: I'm going here. I'm like, you know, I'm not a

2308
01:32:35,280 --> 01:32:37,439
Speaker 1: dry I'm like yo. So we get there, yo.

2309
01:32:38,240 --> 01:32:39,960
Speaker 6: Just it felt like I was like, not in a

2310
01:32:40,000 --> 01:32:42,320
Speaker 6: Buddhist temple, but he just felt like his crib was

2311
01:32:42,360 --> 01:32:44,160
Speaker 6: set up in a way where like he's.

2312
01:32:44,000 --> 01:32:44,960
Speaker 3: Down the pillows.

2313
01:32:45,240 --> 01:32:46,640
Speaker 6: It was a lot of pillows, but it was he

2314
01:32:46,720 --> 01:32:49,559
Speaker 6: was definitely on a different frequency on like on his

2315
01:32:49,600 --> 01:32:54,360
Speaker 6: personal level. So we got there, we sat down, puffed,

2316
01:32:54,920 --> 01:32:56,599
Speaker 6: you know, he had the bowl of herb and we

2317
01:32:56,600 --> 01:32:57,840
Speaker 6: was just like, yo, can I I was like you

2318
01:32:57,920 --> 01:32:59,960
Speaker 6: can I touch this? He was like, of course, really,

2319
01:33:00,080 --> 01:33:02,599
Speaker 6: I love ustrengthing. So I was like he's playing his music.

2320
01:33:02,640 --> 01:33:04,719
Speaker 6: I'm like, this is the first time getting put onto

2321
01:33:05,439 --> 01:33:07,800
Speaker 6: like a knew Rolling Stones, but like I was really

2322
01:33:07,800 --> 01:33:10,760
Speaker 6: getting put onto, like real old school Rolling Stones, and

2323
01:33:10,800 --> 01:33:12,920
Speaker 6: like just even that whole movie I was put on

2324
01:33:12,960 --> 01:33:15,559
Speaker 6: like old school Black Sabbath, like all the music, which, yeah,

2325
01:33:15,560 --> 01:33:17,160
Speaker 6: by the way, we talk about how to make it music,

2326
01:33:17,240 --> 01:33:20,759
Speaker 6: like really like low Key Lloyd's Dog Lords of Dogtown

2327
01:33:20,840 --> 01:33:23,680
Speaker 6: music was kind of an amazing sort of soundtrack too.

2328
01:33:23,880 --> 01:33:25,000
Speaker 3: Clarence Budget, I'm sure.

2329
01:33:25,560 --> 01:33:26,559
Speaker 1: No, you know what happened.

2330
01:33:26,560 --> 01:33:29,439
Speaker 6: You know what happened when we wanted certain big songs

2331
01:33:29,479 --> 01:33:34,160
Speaker 6: like even iron Man from Black Sabbath, Osborne's son, What's

2332
01:33:34,160 --> 01:33:38,800
Speaker 6: the Sun's Jack huge fan? So the sound the sound.

2333
01:33:38,880 --> 01:33:41,320
Speaker 6: The supervisor was like, I already know Jack, I already.

2334
01:33:41,040 --> 01:33:42,519
Speaker 1: Know he's a fan. He's gonna give it to us

2335
01:33:42,560 --> 01:33:44,160
Speaker 1: on discount. We got all of that on discount.

2336
01:33:44,160 --> 01:33:46,960
Speaker 6: Because all these guys were fans of the people that

2337
01:33:47,000 --> 01:33:49,639
Speaker 6: we played, Tony Alvin all that back in the seventies

2338
01:33:49,680 --> 01:33:51,599
Speaker 6: when they were nobodies and then they became this big stars.

2339
01:33:51,600 --> 01:33:53,280
Speaker 1: They were like, oh my god, we would be honored to.

2340
01:33:53,200 --> 01:33:56,760
Speaker 6: Be so anyway, long story short, he felt set the

2341
01:33:56,800 --> 01:33:59,840
Speaker 6: tone and then once you know, once we started shooting, yo,

2342
01:34:00,320 --> 01:34:03,679
Speaker 6: he was he was already in the Venice Surf Club.

2343
01:34:03,720 --> 01:34:05,599
Speaker 6: He already knew cats like we would get on set

2344
01:34:05,560 --> 01:34:07,679
Speaker 6: and he already knew all these old school cats because

2345
01:34:07,680 --> 01:34:09,960
Speaker 6: he already went out of his way to go meet

2346
01:34:10,000 --> 01:34:13,360
Speaker 6: these cats to get that the research. But then he

2347
01:34:13,400 --> 01:34:15,280
Speaker 6: brought Nobody knew this, but back in the day, he

2348
01:34:15,560 --> 01:34:18,560
Speaker 6: was already a surfer in Australia because he was He's Australian.

2349
01:34:18,360 --> 01:34:19,240
Speaker 1: So he was already a surfer.

2350
01:34:19,720 --> 01:34:22,120
Speaker 6: It was just a different sort of frequency when it

2351
01:34:22,160 --> 01:34:25,360
Speaker 6: came to Venice, but the surfing he already knew, and

2352
01:34:25,439 --> 01:34:27,519
Speaker 6: so like, I guess my point is that he really

2353
01:34:27,520 --> 01:34:29,479
Speaker 6: took the time to like embrace. He knew it was

2354
01:34:29,479 --> 01:34:32,280
Speaker 6: a big deal for us, and he he just like

2355
01:34:32,400 --> 01:34:34,120
Speaker 6: embodied that. And I think that that was he was

2356
01:34:34,160 --> 01:34:36,040
Speaker 6: already on his way to not do it in the

2357
01:34:36,160 --> 01:34:38,360
Speaker 6: big mainstream movie. He was like, y'all, I want to

2358
01:34:38,400 --> 01:34:41,559
Speaker 6: do something that is character based. And right right before

2359
01:34:41,600 --> 01:34:44,880
Speaker 6: he wrapped, he already he had just booked Broke Back

2360
01:34:44,960 --> 01:34:47,040
Speaker 6: Mind and it was in the trades and all of

2361
01:34:47,120 --> 01:34:50,320
Speaker 6: us young dudes was like, yeah, so you're gonna go.

2362
01:34:50,600 --> 01:34:58,200
Speaker 1: Break Jake's back. You guys are funny. I think that's

2363
01:34:58,200 --> 01:34:58,959
Speaker 1: his best performance.

2364
01:34:59,040 --> 01:35:02,760
Speaker 6: Yeah, you know, it's better than I think Dark Knight

2365
01:35:02,800 --> 01:35:04,839
Speaker 6: was great, but those two he had a different frequency.

2366
01:35:05,200 --> 01:35:05,800
Speaker 1: We broke back.

2367
01:35:05,960 --> 01:35:08,200
Speaker 6: I just to be able to like do what he

2368
01:35:08,280 --> 01:35:11,080
Speaker 6: did and like just kind of strip everything. Yeah, literally

2369
01:35:11,120 --> 01:35:13,680
Speaker 6: and figuratively. Yeah, as an actor, I thought that was

2370
01:35:13,720 --> 01:35:14,520
Speaker 6: his best performance.

2371
01:35:14,680 --> 01:35:15,639
Speaker 1: Yeah, he definitely.

2372
01:35:15,720 --> 01:35:18,760
Speaker 6: He definitely was broke into something and in Dark Knight,

2373
01:35:18,760 --> 01:35:20,720
Speaker 6: don't get me wrong, but I think for me just

2374
01:35:20,760 --> 01:35:22,519
Speaker 6: as an actor, like I just kind of knew where

2375
01:35:22,520 --> 01:35:23,719
Speaker 6: he had to go to do those things.

2376
01:35:24,000 --> 01:35:25,360
Speaker 1: Yeah, it was it was more.

2377
01:35:25,439 --> 01:35:28,200
Speaker 6: It was more here and not like sound you know,

2378
01:35:28,240 --> 01:35:30,720
Speaker 6: the whole Joker thing, like, but the thing it was

2379
01:35:30,760 --> 01:35:31,519
Speaker 6: here broke back.

2380
01:35:31,600 --> 01:35:35,920
Speaker 7: He did have this like physicality where you could see

2381
01:35:35,920 --> 01:35:40,360
Speaker 7: that like the secrets was torturing his it was twisting

2382
01:35:40,479 --> 01:35:43,200
Speaker 7: him up and he the way he contorted his body,

2383
01:35:43,240 --> 01:35:44,200
Speaker 7: it was he was.

2384
01:35:44,479 --> 01:35:47,120
Speaker 3: It wasn't the first time I was like this, dude's

2385
01:35:47,160 --> 01:35:48,160
Speaker 3: on a For.

2386
01:35:48,160 --> 01:35:50,240
Speaker 6: Me, it was all here, man, well he all that

2387
01:35:50,320 --> 01:35:52,360
Speaker 6: was happening, but you're going to see it through the eyes,

2388
01:35:52,680 --> 01:35:54,760
Speaker 6: so you see and with Joker, like, yes, it was

2389
01:35:54,800 --> 01:35:57,200
Speaker 6: all there, but there was so much disc with that.

2390
01:35:57,920 --> 01:36:02,120
Speaker 6: But like he couldn't escape. You can't escape that and Broke.

2391
01:36:02,200 --> 01:36:05,759
Speaker 2: And then and then Joker too costume make.

2392
01:36:05,680 --> 01:36:08,080
Speaker 6: Up, Yeah, like it helps the illusion. I think with

2393
01:36:08,240 --> 01:36:10,160
Speaker 6: bro there was no illusion Broa.

2394
01:36:10,320 --> 01:36:13,479
Speaker 7: It was like yeah, I mean that's like one of

2395
01:36:13,520 --> 01:36:16,080
Speaker 7: those icon performances.

2396
01:36:16,200 --> 01:36:16,919
Speaker 3: Yeah, periods.

2397
01:36:17,160 --> 01:36:19,800
Speaker 2: Yeah, but I also think I do like Joaquin Phoenix's joke.

2398
01:36:19,920 --> 01:36:20,840
Speaker 3: He's great as well.

2399
01:36:20,960 --> 01:36:22,679
Speaker 2: I mean yeah, personally, both.

2400
01:36:22,479 --> 01:36:25,479
Speaker 1: Those guys there were they go deep. Yeah, they go

2401
01:36:25,680 --> 01:36:27,160
Speaker 1: which by the way, they were they were you know,

2402
01:36:27,200 --> 01:36:27,960
Speaker 1: they came up together.

2403
01:36:28,000 --> 01:36:30,479
Speaker 6: So like I would go to these parties and Joaquin

2404
01:36:30,600 --> 01:36:33,519
Speaker 6: was kind of known just from uh the really Scott

2405
01:36:33,560 --> 01:36:36,479
Speaker 6: uh Gladiator, but he hadn't like he was doing stuff,

2406
01:36:36,479 --> 01:36:37,479
Speaker 6: but he had like really pop.

2407
01:36:37,560 --> 01:36:39,000
Speaker 1: So they would always hang out and I was like,

2408
01:36:39,000 --> 01:36:40,839
Speaker 1: oh yeah it was Phoenix.

2409
01:36:41,840 --> 01:36:44,120
Speaker 6: Could you imagine the amount of times they probably like

2410
01:36:44,120 --> 01:36:46,840
Speaker 6: like audition for the same part, like crazy anyway, Yeah,

2411
01:36:48,000 --> 01:36:48,800
Speaker 6: but thanks for the question.

2412
01:36:48,880 --> 01:36:50,160
Speaker 1: But I haven't talked about Heath.

2413
01:36:49,960 --> 01:36:53,719
Speaker 3: In a long even his performance in Lords of Dogtown,

2414
01:36:53,800 --> 01:36:56,800
Speaker 3: Like he didn't just play some stone or burnout. It

2415
01:36:56,880 --> 01:36:58,880
Speaker 3: wasn't a cheat and show role that he did. He

2416
01:36:59,000 --> 01:37:01,920
Speaker 3: was very much like the Joe in that movie. His

2417
01:37:02,040 --> 01:37:03,400
Speaker 3: performance and Lords of dog sound, I.

2418
01:37:03,360 --> 01:37:06,760
Speaker 6: Don't yeah enough because you see like, oh man, I'm

2419
01:37:06,840 --> 01:37:09,680
Speaker 6: about to lose these kids who I was I was

2420
01:37:09,720 --> 01:37:12,040
Speaker 6: really I was hard on them, but like it was

2421
01:37:12,080 --> 01:37:13,880
Speaker 6: kind of like that like tough dad love.

2422
01:37:14,000 --> 01:37:14,639
Speaker 1: And then when you.

2423
01:37:14,560 --> 01:37:16,920
Speaker 6: Saw he was about to lose everything he worked for,

2424
01:37:17,400 --> 01:37:19,680
Speaker 6: just like what he did again without like kind of

2425
01:37:19,680 --> 01:37:21,840
Speaker 6: a Louis Guzma not not you know, two different type

2426
01:37:21,840 --> 01:37:24,400
Speaker 6: of actors, but where it was all internal, like I'm

2427
01:37:24,400 --> 01:37:26,160
Speaker 6: gonna do whatever it tastes and not lose all this

2428
01:37:26,240 --> 01:37:27,720
Speaker 6: and then he kind of loses his mind at the end.

2429
01:37:27,760 --> 01:37:28,679
Speaker 1: Yeah. It was crazy.

2430
01:37:28,720 --> 01:37:31,759
Speaker 3: Yeah, It's an incredible role. Yeah yeah, And just I'm

2431
01:37:31,840 --> 01:37:33,559
Speaker 3: trapped here and all the kids that I used to

2432
01:37:33,560 --> 01:37:35,920
Speaker 3: make fun of are now going on with the rest

2433
01:37:35,920 --> 01:37:38,960
Speaker 3: of their lives. Oh, I'm the fucking loser, Adam's entire thing.

2434
01:37:39,640 --> 01:37:42,280
Speaker 3: That's really his role. All these kids that I thought

2435
01:37:42,320 --> 01:37:44,280
Speaker 3: I could control, now I have moved on with their

2436
01:37:44,320 --> 01:37:45,840
Speaker 3: lives and want to do ship. And I used to

2437
01:37:45,840 --> 01:37:47,640
Speaker 3: clown them for trying to do other shit, right, and

2438
01:37:47,680 --> 01:37:49,519
Speaker 3: now I'm this fucking loser, still trying to make a

2439
01:37:49,560 --> 01:37:54,000
Speaker 3: fucking surfboard Yoda, going through fucking overpaid bills and.

2440
01:37:53,960 --> 01:37:56,360
Speaker 6: Yo, remember that last last party scene and then he

2441
01:37:56,360 --> 01:37:58,719
Speaker 6: throws the bottle at the end of the room. Everybody

2442
01:37:58,760 --> 01:38:00,360
Speaker 6: got out of his way. Man, and know what I'm

2443
01:38:00,360 --> 01:38:02,559
Speaker 6: talking about literally like he because you know he had

2444
01:38:02,560 --> 01:38:03,120
Speaker 6: that surfboard.

2445
01:38:03,120 --> 01:38:05,000
Speaker 1: He was like, hey, man ate leaning off the ship

2446
01:38:05,200 --> 01:38:05,519
Speaker 1: and yo.

2447
01:38:05,680 --> 01:38:08,000
Speaker 6: I was like this, this is an actor that you

2448
01:38:08,040 --> 01:38:09,479
Speaker 6: want to get out the way because you're going to

2449
01:38:09,520 --> 01:38:11,640
Speaker 6: get hurt. And I know later he's not going to

2450
01:38:11,680 --> 01:38:14,240
Speaker 6: mean to hurt you, but he's giving that kind of performance.

2451
01:38:14,400 --> 01:38:16,280
Speaker 1: Get out the way. So if you catch me that

2452
01:38:16,360 --> 01:38:18,400
Speaker 1: scene like I'm on the wall just like this, like

2453
01:38:18,479 --> 01:38:20,080
Speaker 1: I don't want to get here, but not in a

2454
01:38:20,080 --> 01:38:20,479
Speaker 1: bad way.

2455
01:38:20,760 --> 01:38:22,559
Speaker 6: No, it was control, but it was in a way

2456
01:38:22,560 --> 01:38:24,519
Speaker 6: where like I'm not going to take this moment right now,

2457
01:38:24,520 --> 01:38:25,120
Speaker 6: this ye moment.

2458
01:38:25,160 --> 01:38:26,840
Speaker 1: It was crazy. Sorry, yeah, I'll shut up.

2459
01:38:26,960 --> 01:38:28,800
Speaker 3: No, No, great.

2460
01:38:29,520 --> 01:38:31,840
Speaker 2: Telling people where they can catch the pod and listen

2461
01:38:31,840 --> 01:38:32,240
Speaker 2: to you guys.

2462
01:38:32,360 --> 01:38:34,479
Speaker 7: Yeah, you can get on Apple, Spotify where to get

2463
01:38:34,520 --> 01:38:36,599
Speaker 7: your podcasts. You can follow us on at we Almost

2464
01:38:36,640 --> 01:38:39,599
Speaker 7: Made It podcast on Instagram or call me at Brian

2465
01:38:39,640 --> 01:38:43,519
Speaker 7: Greenberg at Victims and we also people comments on the

2466
01:38:43,600 --> 01:38:45,400
Speaker 7: at we Almost Made a podcast and tell us what

2467
01:38:45,439 --> 01:38:45,880
Speaker 7: you want to hear.

2468
01:38:45,920 --> 01:38:49,080
Speaker 1: We answer fan questions. So slide slide in the DMS.

2469
01:38:49,720 --> 01:38:54,720
Speaker 4: Yeah, this has been a nostalgic, just like listening to

2470
01:38:54,760 --> 01:38:57,479
Speaker 4: you guys, watching you guys sit right here in our

2471
01:38:57,520 --> 01:38:59,960
Speaker 4: studio has been amazing for me personally on a personal left.

2472
01:39:00,720 --> 01:39:03,200
Speaker 4: So I want to thank you guys for for coming

2473
01:39:03,200 --> 01:39:06,040
Speaker 4: through today, spending time kicking it. Thank you for how

2474
01:39:06,040 --> 01:39:09,720
Speaker 4: to make it in America, thank you for being a

2475
01:39:09,800 --> 01:39:15,479
Speaker 4: presence in my circles lives every Sunday for some years.

2476
01:39:15,800 --> 01:39:21,120
Speaker 4: And I'm I'm looking forward to season whatever, whatever the

2477
01:39:21,160 --> 01:39:23,280
Speaker 4: next season is from you too, I'm looking forward to it.

2478
01:39:23,320 --> 01:39:24,320
Speaker 2: I support you, God, thank you.

2479
01:39:24,760 --> 01:39:27,679
Speaker 1: To be here man for real. We talk to y'all soon.

2480
01:39:27,880 --> 01:39:29,479
Speaker 4: This is how to make it in America, how to

2481
01:39:29,520 --> 01:39:31,160
Speaker 4: pot in America.

2482
01:39:32,479 --> 01:39:34,360
Speaker 8: Before we go, I found the scene that we were

2483
01:39:34,360 --> 01:39:36,559
Speaker 8: referencing earlier of him robbing and running away.

2484
01:39:37,240 --> 01:39:39,519
Speaker 5: Could we just we can watch it? Watch this on

2485
01:39:39,520 --> 01:39:40,800
Speaker 5: the way out.

2486
01:39:41,439 --> 01:39:43,720
Speaker 6: Fifty piece Mark Kenneth butter Sault of the Jackets, one

2487
01:39:43,760 --> 01:39:44,519
Speaker 6: hundred and fifty.

2488
01:39:44,320 --> 01:39:49,080
Speaker 1: Piece, still Chilli. Thank you your boy friend, check one

2489
01:39:49,080 --> 01:39:53,559
Speaker 1: out checking my guys see the vendors permit.

2490
01:39:54,760 --> 01:39:58,479
Speaker 7: Yes, yes, he's in a lot of HBO ship Like

2491
01:39:58,560 --> 01:40:01,879
Speaker 7: I don't know, big.

2492
01:40:02,760 --> 01:40:06,719
Speaker 1: Fucking big look. We'll call your friend back here please.

2493
01:40:06,800 --> 01:40:10,600
Speaker 7: Yeah yeah yeah yeah, I gotta go.

2494
01:40:11,840 --> 01:40:12,800
Speaker 2: I'm gonna call it right now.

2495
01:40:12,880 --> 01:40:14,960
Speaker 3: Yeah yeah, we're talking today.

2496
01:40:15,080 --> 01:40:17,360
Speaker 2: Be blessed him that he's just ginger peace.

2497
01:40:18,120 --> 01:40:18,800
Speaker 1: Thank you, guys,