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Speaker 1: The volume.

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Speaker 2: Happy.

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Speaker 3: Top of the week, everybody, it's the top of the week.

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Speaker 4: Oh shit, what.

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Speaker 1: Days you think it was?

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Speaker 4: I don't know, just a day. Every day is just

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Speaker 4: a blurreday is a day, man, I don't know what

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Speaker 4: day it is.

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Speaker 1: Time is a construct. Yes, I agree with you. There

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Speaker 1: you go, but we all really starts on Sunday, right,

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Speaker 1: but you know, only for Jesus.

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Speaker 4: And guess what, Rory, I.

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Speaker 2: Think I have an idea.

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Speaker 4: We're sponsored by Boost Mobile.

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Speaker 5: I'll limited talk excellent day twenty five dollars forever forever.

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Speaker 1: Ye, there you go, and we're sponsored by Boost forever forever.

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Speaker 3: I don't know until the data.

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Speaker 5: Yeah, it's long after, long after we're going to the

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Speaker 5: data was still it's a new boosting mall.

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Speaker 4: Absolutely absolutely.

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Speaker 6: Well.

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Speaker 1: How are you feeling, man, I'm good.

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Speaker 4: I'm good man. How you feeling?

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Speaker 1: I'm cool.

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Speaker 2: I don't know if you guys noticed.

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Speaker 1: We were in the office and no one said anything

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Speaker 1: which made me feel better. I have a redness on

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Speaker 1: my nose and right above my eye. I had an

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Speaker 1: insane bacon accident yesterday.

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Speaker 5: You should stay out of the kitchen. This kitchen is

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Speaker 5: not your place. It's always some tragedy that happens whenever

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Speaker 5: you go in the kitchen and try something.

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Speaker 1: Here's the thing. When you have to cook bacon for

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Speaker 1: like a whole house, and once you get to like

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Speaker 1: at least fifteen slices of bacon, it's just too much

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Speaker 1: grease for the for the pan that I really have.

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Speaker 1: I thought I was blind. I thought I was going

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Speaker 1: to have to I would be the Stevie Wonder podcast.

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Speaker 1: I legitimately thought I was blind. You think this too,

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Speaker 1: I thought it seared my eyebrows off.

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Speaker 4: You think it's too much grease for the pan versus

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Speaker 4: your intestines.

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Speaker 1: Oh, they ate the bacon.

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Speaker 4: I didn't.

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Speaker 1: Oh, I love bacon, but I didn't eat any of

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Speaker 1: the bacon. After the grease shattered my entire face, I

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Speaker 1: went in the room.

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Speaker 4: To cry, you make you put your bacon in the oven?

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Speaker 1: No pan on top of the fucking American Come on,

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Speaker 1: some people put there, you know, they put the strips on.

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Speaker 1: They're communists.

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Speaker 5: Yeah, bacon, though, what does that have to do with anything?

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Speaker 5: It's not or no, I have no idea.

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Speaker 1: But other than that, the weekend was amazing. Kicked it

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Speaker 1: with family, Mara, Mom's everything, you know, regular weekend.

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Speaker 5: Yeah, I went out, took my mom and my aunt

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Speaker 5: to uh, I guess it was dinner. It was right

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Speaker 5: after brunch yesterday, Yes, dinner, I guess.

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Speaker 4: Yeah. It was cool catching up with the ladies. Love hearing.

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Speaker 5: You know, the gossip, get so much gossip when you

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Speaker 5: hang out with your mom. I know everybody's business.

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Speaker 4: All I got to do is taping with my mom

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Speaker 4: once a month. What's going on? You like it's going on?

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Speaker 4: Let us everybody's business. I know who's gay, I know everything.

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Speaker 4: I know all. I know all of the family business.

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Speaker 4: Now it's fun.

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Speaker 2: But you knew who was gay.

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Speaker 5: You have an idea, but it's like when it's like

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Speaker 5: confirmed by a mom, it's like.

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Speaker 1: Okay, yeah, there's never been a family member that anyone

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Speaker 1: thought wasn't gay that than up in that way, which

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Speaker 1: is fine because we love and support that. I'm just saying,

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Speaker 1: let's not act like this was something nobody's.

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Speaker 5: So but finally out like your cousins is gay on Facebook.

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Speaker 5: It's crazy like when they say that, when they come

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Speaker 5: out on Facebook and say that gay, I'm so glad.

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Speaker 5: I don't know what's My mom knows everything that's going

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Speaker 5: on over there. On Facebook without family.

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Speaker 1: With how like great the gays are at celebrating, You'd

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Speaker 1: think that there'd be like the way they do gender reveals.

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Speaker 1: You think the gays would take over like they're coming

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Speaker 1: out of the closet parties better I can. I can

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Speaker 1: feel the Maria staring at me being mad right now.

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Speaker 7: I'm not.

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Speaker 5: I am not listening to the marriage. Had that listen,

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Speaker 5: I'm gonna tell you that this baby did. If I

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Speaker 5: see that, carry on, I'm just saying, no, no, no no.

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Speaker 5: If I see that, you know.

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Speaker 2: What.

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Speaker 1: Nope, And this is what I don't like because it

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Speaker 1: was public information. You added a town I'd never heard

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Speaker 1: of on your own Instagram.

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Speaker 2: Okay, we don't got bring it up here. We ain't

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Speaker 2: bringing it up on this podcast.

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Speaker 4: Yeah no, I'm not saying where you were.

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Speaker 7: I'm not even the fact that I was gone.

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Speaker 2: How was your weekend? We were just trying to get

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Speaker 2: you were gone?

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Speaker 4: Like now you're back?

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Speaker 2: Yeah, I never left, I just me and my suit case.

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Speaker 2: Stay here to the whole weekend.

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Speaker 1: Put your spirits. I needed a little state like I

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Speaker 1: watched your instagment, not the close friends, your regular ass Instagram.

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Speaker 3: Where everyone can see you.

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Speaker 7: Baby, they they're good.

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Speaker 5: A little staycation, that's it, all right, But listen, do

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Speaker 5: you gotta give me the one time? I'm good, I'm

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Speaker 5: back off, I'm good. Good to see you, though, baby.

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Speaker 4: Do you look good?

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Speaker 2: Thank you?

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Speaker 4: That's all you know? You look you look refreshed, little,

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Speaker 4: well rested, well arrested.

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Speaker 1: But your staycation here in the office was in front

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Speaker 1: of them.

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Speaker 4: You stayed here all weekend. Yeah, okay, that's what's up. Man.

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Speaker 5: I knew it felt a little homely when we already Yeah, yeah,

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Speaker 5: I know it felt a little homely in here.

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Speaker 4: Okay, appreciate that.

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Speaker 1: After we left recording on Thursday, which the episode came

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Speaker 1: out on Friday. Listen, man number nine.

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Speaker 4: And what we Oh yeah, I'm listen.

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Speaker 1: I'm telling you today, I enjoy your like, actual genuine

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Speaker 1: reaction today.

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Speaker 3: It's it's actually like a pretty big deal. And mauls

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Speaker 3: just like.

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Speaker 5: I totally forgot it all I didn't know what the

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Speaker 5: hell y'all were clapping that, but okay, got it now,

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Speaker 5: I'm one boy, got it.

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Speaker 1: I was extremely late to pick my daughter up from

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Speaker 1: daycare on Thursday. I ran out of here and then

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Speaker 1: my phone started buzzing while I was waiting for my

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Speaker 1: car at the garage. So I called peage. I said

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Speaker 1: that fucking Complex list came out. How did they slight us?

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Speaker 1: That was my exact thing, Because I'm pessimistic.

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Speaker 4: I just know ye was the worst.

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Speaker 1: We already knew what tom it was. We appreciated thirteen

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Speaker 1: last year. That's when we made our amends with Complex

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Speaker 1: that's kept saying the greatest platform, greatest platform I've ever

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Speaker 1: seen in my entire When we were thirteen, I was like,

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Speaker 1: is there anyone greater than No, I don't agree that

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Speaker 1: my album shouldn't have been on the top of Now

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Speaker 1: you put us at thirteen here like everything's cool, black

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Speaker 1: ball on, it's just so good. I got white balls. Yes,

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Speaker 1: So I didn't even care. But I just felt like

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Speaker 1: I had this feeling in my stomach that Karesha was

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Speaker 1: going to be number one this year.

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Speaker 7: Let it go, Let it it's okay.

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Speaker 1: Why is it that I wanted to see where Karesha

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Speaker 1: was before? We were like, tell me where Karesha. Don't

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Speaker 1: tell me where New Roya Ma is.

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Speaker 2: That she didn't even have any episodes this year, I

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Speaker 2: be number one, That's why you wanted to know? I

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Speaker 2: was like, oh, the pup.

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Speaker 1: Child is gonna be like yo, just her influence being

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Speaker 1: quiet was the number one thing, so I assumed that

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Speaker 1: she was number one. She was not on the list.

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Speaker 1: We ended up being at number nine. Congrats to everybody

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Speaker 1: in here, Josh Peage DeMars, the whole entire crew volume.

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Speaker 1: Thank you for everything that you guys do. We made

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Speaker 1: this number nine.

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Speaker 5: Man, yeah, man, thank you the complex for the uh,

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Speaker 5: you know, the write up. Once again, what's that guy's.

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Speaker 2: Name, Jordan Jordan? Did I write up?

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Speaker 4: Jordan? Thank you?

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Speaker 5: Jordan Jordan, though, but uh, please don't ever refer to

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Speaker 5: me as the Drake Whisper again in your life.

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Speaker 4: That's all.

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Speaker 5: Thank you for lovely, lovely other everything. Other than that

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Speaker 5: thank you, it was something else he said, and I

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Speaker 5: was like, wait, what, oh, let's pull it up read

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Speaker 5: some something, some words that Jordan had in it. I

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Speaker 5: was like, yo, wait, hold on, look.

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Speaker 1: At what happens even when you make top ten of

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Speaker 1: a list that you still have cripes.

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Speaker 5: No, no, no, just it was just some of the

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Speaker 5: lists we'll never make us whole. It was some of

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Speaker 5: the wording that I just didn't like. That's all, just

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Speaker 5: some of the wording yeah, Rory Maul on the Rise

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Speaker 5: after day being on This is last year they've kept

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Speaker 5: into the top ten on the Rise on the Rise

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Speaker 5: thanks to the fact that thanks to the fact that

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Speaker 5: their platform has come more than just a place to

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Speaker 5: react to music, it's now making news of its own.

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Speaker 5: Ovio Mall his lean to tay his connections, emerging as

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Speaker 5: something of a something of a I'm nothing of a

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Speaker 5: Drake whisperer.

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Speaker 1: And by the way, you can't quote yourself. I can't know,

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Speaker 1: I'm saying George like, who called you the Drake whisper?

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Speaker 4: He did, He's the only one.

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Speaker 5: When he dropped that Drake had a bomb on Iceman,

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Speaker 5: Internet went into a frenzy. He later clarified that it

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Speaker 5: wasn't another desk, just that there was a hit coming.

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Speaker 5: To their credit, Rory mal are in on the jokes

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Speaker 5: and they find ways to have fun with the reputation.

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Speaker 5: On the one year University of the Kendrick Wisters, Drake

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Speaker 5: Beef Mall went head to head with West Coast counterpart

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Speaker 5: DJ Head. I look how he did that and at

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Speaker 5: first take style debate with Rory Damaras got in the discussion.

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Speaker 5: It was one of the most entertaining podcasts episodes of

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Speaker 5: the year. You may not agree with all that takes,

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Speaker 5: and maybe yes, Mare takes the overeal glazing.

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Speaker 4: That's what I didn't like.

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Speaker 8: Yo, I know we're going to get the right, right,

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Speaker 8: great thing something like that. Beautiful Jordan Rose, beautiful right up.

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Speaker 5: Other than that a little too far, but perhaps for

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Speaker 5: the duo for consistently finding new and created ways to

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Speaker 5: stay entertaining Jordan Rose and everyone in the complex.

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Speaker 1: Thank you, Yeah, thank you, Jordan. I think that was great. Uh.

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Speaker 1: I don't know, man, as much as like I do

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Speaker 1: appreciate this type of ship lists like don't need that

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Speaker 1: much to you or in general, they don't validate anything

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Speaker 1: per se, Like I think the list they put together

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Speaker 1: is cool and fair, but there was plenty of people

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Speaker 1: that were left off that list that I felt should

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Speaker 1: be on there. That like it was cool, Like I

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Speaker 1: appreciate people even hitting me up, like Yo, number nine

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Speaker 1: is big, Like even if you don't care about list shit,

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Speaker 1: that's big top top ten hip hop media that that

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Speaker 1: means something grateful appreciating it. Think it's great for when

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Speaker 1: you have a partner like Volume. They like to see

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Speaker 1: that shit. People like to see that type of stuff.

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Speaker 1: But shit going through the list. My biggest ripe last

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Speaker 1: year was that Bootleg keV was not higher. He went

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Speaker 1: lower this year, and I feel like BOOTLEGKEV has been

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Speaker 1: smoking shit.

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Speaker 5: Honestly, to be fair, I didn't look at Peage. I

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Speaker 5: think I was here with Peage and he had pulled

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Speaker 5: up the power rankings, and once he showed me where

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Speaker 5: we landed, I really didn't look at the rest of

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Speaker 5: the list, honestly, So I don't know who landed where,

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Speaker 5: who is or isn't on the list. But either way,

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Speaker 5: you know, lists are cool, and you know it kind

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Speaker 5: of puts things into you know, perspective somewhat compartmentalize, and

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Speaker 5: you know it's good to have conversations and things like that.

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Speaker 4: But anybody that didn't make.

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Speaker 5: The list, you know, don't feel bad that you didn't.

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Speaker 5: Don't think that you're not doing the work or not

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Speaker 5: doing good work because you didn't make the list.

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Speaker 3: We've been left off when I knew we should have

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Speaker 3: been on it.

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Speaker 4: Yeah, it happens, man, it happens.

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Speaker 1: But that doesn't mean as counterparts, we can't bring up

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Speaker 1: those types of people like I feel bag Fuel has

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Speaker 1: been smoking shit shut out the bag field. If you're

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Speaker 1: talking about people that it's hip hop media, right, and

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Speaker 1: I think they covered a lot of basis. I think

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Speaker 1: streamers that's still hip hop media. And we'll get to

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Speaker 1: the cord thing after this. But what bag Fuel has

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Speaker 1: been doing under what they said as their definition in

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Speaker 1: the article, how are they not in a top twenty

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Speaker 1: five of everything bag Fuel has been doing? Gina not

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Speaker 1: being on that list is fucking crazy to me. But

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Speaker 1: her and Head show it's both of them though, correct? Yeah,

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Speaker 1: but so what did he made the list? I'm sure

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Speaker 1: yeah he did, so why weren't both of them?

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Speaker 3: But then also Elliott made it?

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Speaker 1: And here's my thing, I think Jeremy should have been

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Speaker 1: on this list because everything Jeremy has done outside of

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Speaker 1: Head Elliott and his show, he's been smoking shit on

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Speaker 1: the solo side. I feel like more than anyone on

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Speaker 1: that shows, there's Jeremy clips every single week of what

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Speaker 1: he's doing on his own. I think Jeremy should have been.

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Speaker 4: On that list. I think it was the bars On

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Speaker 4: I I A five that kind of.

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Speaker 1: First of all, it was just incredible show. Oh it

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Speaker 1: wasn't bars On I five.

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Speaker 4: Oh sorry.

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Speaker 1: First of all, if Jeremy drove to Connecticut to get

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Speaker 1: them bars off.

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Speaker 5: He left LA I thought it was because Jeremy was

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Speaker 5: on just incredible that, you know, they kind of kept

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Speaker 5: them off the list.

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Speaker 4: They wasn't feeling his bars.

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Speaker 1: I mean, I just feel by their standards, everything he's

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Speaker 1: been doing, he should have been there.

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Speaker 4: Yeah. I think that.

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Speaker 5: You know, again, these lists are cool and we're grateful,

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Speaker 5: thank you the Complex. But to anybody that didn't make it,

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Speaker 5: or will feel like they should be ranked higher, whatever, whatever,

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Speaker 5: listen to everybody, just continue doing good work, good work

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Speaker 5: in the space, good work for hip hop. I think

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Speaker 5: at some point another we all need and feed off

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Speaker 5: of each other in the space. You know, whether it's competitive,

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Speaker 5: whether it's you know, because we don't like each other,

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Speaker 5: whether it's because we don't think that you know, this

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Speaker 5: person's work is good or whatever, whatever, so you want

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Speaker 5: to kind of work harder so you can kind of

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Speaker 5: get these people out the way.

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Speaker 4: Whatever it may be.

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Speaker 5: Let's just continue to keep doing good work and keep

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Speaker 5: putting hip hop first in this space that we're in,

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Speaker 5: because that's that's really what matters at the end of

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Speaker 5: the day.

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Speaker 1: I agree with you, and I love all that positivity,

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Speaker 1: but nah, I'm here for a messy.

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Speaker 4: Mood, are you? Are you? Oh? Okay, go ahead get messy.

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Speaker 1: Well, no, I'll start with positivity. Black Boy Max at

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Speaker 1: number four, I can make a case that he should

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Speaker 1: be higher. I love everything black Boy's been doing his

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Speaker 1: entire series of in the booth of like actually having

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Speaker 1: rappers come in there and make music in real time

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Speaker 1: on stream. That to me is the definition of hip

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Speaker 1: hop media and not streaming gossip bullshit. If we're doing

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Speaker 1: hip hop media, you could make a case that plat

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Speaker 1: Boy Max is one or two in that regard. If

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Speaker 1: we're talking about hip hop media. Everything that we're doing

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Speaker 1: here is for hip hop. I think he should be higher.

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Speaker 1: He wasn't even on it last year, but I guess

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Speaker 1: that just speaks to the year that he's had. He

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Speaker 1: went from not on the list at all at number four,

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Speaker 1: So I agree with that. The Kai thing is what

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Speaker 1: I saw stirred up a lot of conversation. Is Ky

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Speaker 1: belong number one on a streamer list? I don't think

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Speaker 1: there's anything to debate there. Numbers are real. Is ki

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Speaker 1: hip hop media.

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Speaker 5: He's from the Bronx, that's hip hop, so it is

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Speaker 5: Ralph Lauren holos hip hop? I mean KYB, but you

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Speaker 5: know he had, he has his things, his moments, his

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Speaker 5: hip hop moments. That's not his focus. So I can

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Speaker 5: see why people may fill away at him being number one.

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Speaker 1: Based off the standards that Complex did give in the

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Speaker 1: beginning again of the article. I totally understand why Ki

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Speaker 1: would be there under those circumstances of launching rollouts, of

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Speaker 1: having moments within hip hop. Yes, I just don't know

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Speaker 1: if Kai would be deemed a hip hop like streamer.

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Speaker 1: Yes he had, he has those moments and they go

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Speaker 1: far greater than anything that we've ever done numbers wise,

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Speaker 1: But is that Kaim Like?

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Speaker 3: Do people go to Ki for hip hop?

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Speaker 2: I don't think.

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Speaker 5: I think the audience does. I think it's I think

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Speaker 5: there's some people that may go to him for hip hop.

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Speaker 1: Absolutely, I think he does an incredible job of taking

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Speaker 1: in hip hop to the new generation and how the

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Speaker 1: young kids consume media, for sure, and making hip hop

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Speaker 1: part of his world. But I mean, this isn't hate,

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Speaker 1: it's actually quite the opposite. I just don't think Kai.

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Speaker 1: If we're media power players, I think Kai should be

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Speaker 1: up there on a Rogan list when you're coming to

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Speaker 1: that type of thing. But I don't know if if

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Speaker 1: Kai really came in or ever focused on it being

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Speaker 1: a hip hop platform. I mean of the moment, you know,

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Speaker 1: we love to see Offset dance with him in the

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Speaker 1: basement and like all that. Yeah, this ship is great.

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Speaker 1: Is that a hip hop platform just because Offset happens

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Speaker 1: to be a rapper?

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Speaker 5: No, But that's what I'm saying. He's not just hip hop.

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Speaker 5: He has a lot of some big moments. You know,

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Speaker 5: he listen to music on the stream when when the

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Speaker 5: albums drop, when songs drop.

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Speaker 3: So I mean, yeah, I'm not mad at Ky being

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Speaker 3: number I'm fine with I love everything.

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Speaker 4: Then what is hip hop media like?

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Speaker 3: Of course hip hop media my next question, it.

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Speaker 4: Changes.

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Speaker 5: It's not the the you know, the word up magazine

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Speaker 5: and it's not that type of thing. And it's not

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Speaker 5: just the source magazine type of hip hop media style anymore.

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Speaker 4: Things have changed. Things are digital.

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Speaker 5: Streaming is such a huge part of our culture right

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Speaker 5: now and the way people receive music.

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Speaker 4: So I think this is on brand FAKA to be

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Speaker 4: number one. I'm not mad at that.

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Speaker 5: And I didn't know he was number one until I

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Speaker 5: think just now, until y'all just told me that I

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Speaker 5: seriously did not look at the rest of this list,

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Speaker 5: like I don't know who is what and where they landed.

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Speaker 1: Yeah, And I mean I guess based off their criteria.

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Speaker 1: Is to your point, the question I want to ask,

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Speaker 1: what is hip hop media? Because there should never be

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Speaker 1: a world where my name is above Big Boy's name

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Speaker 1: in hip hop media power players ever. But if it's

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Speaker 1: off the criteria of what is actually just happening right

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Speaker 1: now and how people are finding new ways to revamp

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Speaker 1: how people consume things, then I get it. But putting

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Speaker 1: this together is going to offend somebody.

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Speaker 5: Yeah, somebody's gonna be offended, just like I was offended.

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Speaker 5: But thank you, Jordan Roose appreciate that. What man?

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Speaker 2: When Jordan hit me up for a picture and I'm like,

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Speaker 2: what man, what we do now, he was like, it's

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Speaker 2: for the hip Hop Power rank his list.

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Speaker 3: You don't even tell us that how I found out

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Speaker 3: on my way to daycare.

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Speaker 2: Why would I tell y'all that? But I didn't know

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Speaker 2: what number we were. He didn't tell me what number

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Speaker 2: we were. He just said that he was doing the list, So.

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Speaker 7: Why would I.

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Speaker 2: I mean, I knew we eventually were going to find

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Speaker 2: out what number we were. I was gonna ask him

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Speaker 2: what number we were, so I sent him pictures. Jo Jordan,

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Speaker 2: I sent you two pictures, man, One of them had

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Speaker 2: me in it, YO, trying to figure out why the

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Speaker 2: fuck you went with the one with just for him all.

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Speaker 1: I said in the post stop, I feel like you

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Speaker 1: should have been right there.

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Speaker 2: You don't have to That's fine, It's okay.

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Speaker 7: I appreciate that, but you don't have to do that.

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Speaker 4: Okay.

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Speaker 1: Well, I thought this would be a way more fun conversation.

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Speaker 1: Never mind fast, thank you. The complex shouts everyone on

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Speaker 1: the list, shouts everyone that's not on the list that

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Speaker 1: deserves to be there. You know, I wanted to have

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Speaker 1: fun with this, but never month.

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Speaker 4: What fun did you want to have about the ship?

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Speaker 1: Come on, man, like.

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Speaker 4: Joke about what the exactly like?

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Speaker 7: What's the joke?

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Speaker 3: This ain't clickbaity shit. This is just a fact.

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Speaker 1: Angela Yee has done more by the criteria of the

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Speaker 1: hip hop media list than Charlemagne that God has in

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Speaker 1: the last year.

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Speaker 4: That's true.

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Speaker 2: I agree with you.

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Speaker 1: Yeah, Angela got her own show and has been smoking shit.

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Speaker 1: I love what she doesn't beat it. I love what

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Speaker 1: she does with Mano. She has made more moments than

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Speaker 1: Charlemagne has in the hip hop space. If you want

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Speaker 1: to talk about all the controversy that happened with Jess

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Speaker 1: Hilarious and that entire like they're inner workings, which you

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Speaker 1: know we started that style, stole that from us.

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Speaker 2: That's not hip hop to.

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Speaker 1: Beef an internal internal beef is so Jess Hilarious and

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Speaker 1: cohost shit. That was a hip hop moment.

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Speaker 2: No, no, that was a pop culture moment, not a

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Speaker 2: hip hop moment.

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Speaker 1: Okay, go through the interviews that Angela has done in

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Speaker 1: the past year and tell me what more hip hop

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Speaker 1: media compared to what the Breakfast Club is will go

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Speaker 1: down in history as the greatest morning show of our time.

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Speaker 1: I'm again, you only sound like a hater when you

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Speaker 1: bring up facts. Why is he there?

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Speaker 4: Yeah? I mean again, this is me I again.

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Speaker 1: If it's legacy, then put Big Boy, Elliott Angie, put

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Speaker 1: all them in the top five. Like if if we're

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Speaker 1: going off legacy because Charlamagne is is goaded in that room, what.

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Speaker 2: Did they say under his article? What did they say

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Speaker 2: he talked to Neon?

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Speaker 1: Because Neon's hip hop pull a pull up a photo

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Speaker 1: of Neon, So, uh, Damaris and Maul can see who

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Speaker 1: Neon is. That's how they started the article of his

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Speaker 1: biggest moment, sweet kid, That's how they started.

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Speaker 2: Oh he's an asshole. Oh that's okay.

443
00:19:59,160 --> 00:20:00,080
Speaker 4: Yeah, man, you.

444
00:20:00,119 --> 00:20:02,200
Speaker 1: Know and I know, I know, me even ranting about

445
00:20:02,200 --> 00:20:04,040
Speaker 1: this is probably going to get us lower on the

446
00:20:04,040 --> 00:20:06,800
Speaker 1: list next year, no matter what, no matter.

447
00:20:06,600 --> 00:20:07,120
Speaker 2: What we do.

448
00:20:07,520 --> 00:20:12,760
Speaker 1: But yeah, starting a Charlemagne article with everything Charlemagne has

449
00:20:12,760 --> 00:20:16,000
Speaker 1: done in his career that has been monumental of Hey,

450
00:20:16,040 --> 00:20:18,679
Speaker 1: he interviewed Neon, so he's number four at the fucking

451
00:20:19,600 --> 00:20:20,640
Speaker 1: hip hop media list.

452
00:20:21,440 --> 00:20:24,280
Speaker 2: Did they have a viral moment from breaking down Nokia

453
00:20:24,440 --> 00:20:26,119
Speaker 2: or is that one?

454
00:20:27,560 --> 00:20:29,560
Speaker 3: Look at the question see look at the questions you're asking.

455
00:20:31,840 --> 00:20:33,600
Speaker 2: And I was just wondering why that was important.

456
00:20:34,760 --> 00:20:37,000
Speaker 5: Yeah, and listen, to be clear, this is no shade,

457
00:20:37,080 --> 00:20:39,640
Speaker 5: no hate. I don't Again, I didn't even know who

458
00:20:39,840 --> 00:20:41,840
Speaker 5: else was on the list, So I'm not mad at

459
00:20:41,920 --> 00:20:42,919
Speaker 5: where anybody landed.

460
00:20:42,920 --> 00:20:43,920
Speaker 4: Shout out to everybody.

461
00:20:44,560 --> 00:20:46,120
Speaker 5: But if we're just going through the year, I want

462
00:20:46,119 --> 00:20:47,800
Speaker 5: to have some fun. No, I'm having fun with you.

463
00:20:47,840 --> 00:20:50,320
Speaker 5: If we're going through the year interviewing Neon on.

464
00:20:50,320 --> 00:20:54,840
Speaker 4: The Breakfast Club. There's nothing hip hop about that. That's

465
00:20:54,840 --> 00:20:55,440
Speaker 4: all now.

466
00:20:55,480 --> 00:21:00,600
Speaker 5: But they listen to Nokia like together all friends commentary

467
00:21:00,640 --> 00:21:03,960
Speaker 5: on the Diddy Trial. Some may say that's hip hop,

468
00:21:04,000 --> 00:21:05,239
Speaker 5: you know what I mean? I mean, I don't know.

469
00:21:06,000 --> 00:21:08,879
Speaker 1: No covering the Didty trial is very much hip hop media.

470
00:21:09,040 --> 00:21:12,199
Speaker 1: Don't get me wrong there, but offering commentary on the

471
00:21:12,240 --> 00:21:12,840
Speaker 1: Diddy Trial.

472
00:21:14,400 --> 00:21:17,240
Speaker 5: Wait, why am I dropping a spot because I'm transcending

473
00:21:17,320 --> 00:21:20,120
Speaker 5: hip hop? That was one of the withering questions Charlemagne

474
00:21:20,280 --> 00:21:22,800
Speaker 5: posted to us last year after falling from number three

475
00:21:22,960 --> 00:21:25,240
Speaker 5: to number four on our annual list. Now, for the

476
00:21:25,280 --> 00:21:28,040
Speaker 5: third year in a row, he drops another slot, largely

477
00:21:28,119 --> 00:21:31,359
Speaker 5: for a similar reason. Because he's transcending hip hop is

478
00:21:31,400 --> 00:21:35,439
Speaker 5: why he's dropping on the list. Charlemagne has undoubtedly broadened

479
00:21:35,440 --> 00:21:38,680
Speaker 5: his reach even more, but the expansion has arguably diluted

480
00:21:38,680 --> 00:21:42,159
Speaker 5: his once hyper focused grip on rap conversations. That doesn't

481
00:21:42,160 --> 00:21:43,920
Speaker 5: mean he no longer has a voice in hip hop,

482
00:21:44,160 --> 00:21:46,960
Speaker 5: especially among the older crowd. The Breakfast Club remains a

483
00:21:46,960 --> 00:21:50,720
Speaker 5: powerful force. Neon's disastrous appearists on the show has been

484
00:21:50,760 --> 00:21:52,879
Speaker 5: one of the biggest storylines of the last couple of weeks,

485
00:21:53,520 --> 00:21:56,760
Speaker 5: and even on an even and even an offhand comment

486
00:21:57,040 --> 00:21:59,240
Speaker 5: from him can still spark debate, like when he advised

487
00:21:59,280 --> 00:22:01,840
Speaker 5: Kendrick Lamar before and not like us in full at

488
00:22:01,840 --> 00:22:02,520
Speaker 5: the super Bowl.

489
00:22:02,720 --> 00:22:06,400
Speaker 1: I'm sure that Kendrick was sitting there and went, that's

490
00:22:06,400 --> 00:22:10,480
Speaker 1: a really good idea. Charlotne I don't even thought about that. Again,

491
00:22:10,680 --> 00:22:11,199
Speaker 1: that sounds like.

492
00:22:11,200 --> 00:22:14,600
Speaker 4: Hey, it does. It's okay. Sometimes hate is.

493
00:22:14,520 --> 00:22:15,240
Speaker 2: Good here, all right.

494
00:22:16,000 --> 00:22:20,000
Speaker 1: Yes, Charlemagne has transcended hip hop, and I love that

495
00:22:20,040 --> 00:22:22,760
Speaker 1: he's grown. I like, you're not supposed to just stay

496
00:22:22,880 --> 00:22:25,679
Speaker 1: a fucking Actually, that's what I hate a lot about

497
00:22:25,720 --> 00:22:28,639
Speaker 1: the radio culture and the gate keep culture. Charlemage is

498
00:22:28,640 --> 00:22:30,080
Speaker 1: not one of those people. Charlamagne puts a lot of

499
00:22:30,080 --> 00:22:32,240
Speaker 1: people on. He's done a lot of great things for people,

500
00:22:32,600 --> 00:22:37,119
Speaker 1: and he took an amazing opportunity and went further with it,

501
00:22:37,520 --> 00:22:39,399
Speaker 1: carrying a message of hip hop throughout it.

502
00:22:39,680 --> 00:22:42,200
Speaker 2: But I hate that.

503
00:22:41,560 --> 00:22:44,439
Speaker 1: Phrase of transcending hip hop. Hip Hop is the biggest

504
00:22:44,440 --> 00:22:47,360
Speaker 1: thing in the world. Anytime people try to do that shit,

505
00:22:47,480 --> 00:22:49,919
Speaker 1: it bothers me of like, oh, just because I want

506
00:22:49,920 --> 00:22:51,600
Speaker 1: to fuck with hip hop shit and I moved out, Well,

507
00:22:51,600 --> 00:22:54,080
Speaker 1: why'd you move away from it? You can do both

508
00:22:55,160 --> 00:22:57,119
Speaker 1: and Charlomon's getting older, he's got kids. How old are

509
00:22:57,160 --> 00:23:00,680
Speaker 1: Charlot Mane now right close to fifty? Yeah, I'm assuming,

510
00:23:01,000 --> 00:23:02,399
Speaker 1: which is fine. I'm not one of those people that

511
00:23:02,440 --> 00:23:05,440
Speaker 1: thinks you should retire like we got bills and shit.

512
00:23:05,920 --> 00:23:11,840
Speaker 1: But why why is that a stat Why is that

513
00:23:11,880 --> 00:23:14,320
Speaker 1: a stat when you say it? Oh, because I transcended

514
00:23:14,400 --> 00:23:14,760
Speaker 1: hip hop?

515
00:23:16,320 --> 00:23:16,399
Speaker 9: No?

516
00:23:16,520 --> 00:23:18,000
Speaker 5: Well, I think he was asking is that why he

517
00:23:18,080 --> 00:23:20,360
Speaker 5: dropped from number three to before last year?

518
00:23:20,480 --> 00:23:21,200
Speaker 2: It's a status?

519
00:23:21,240 --> 00:23:23,440
Speaker 1: Just okay, I didn't. I don't have the tone. I'm

520
00:23:23,440 --> 00:23:24,560
Speaker 1: just reading context.

521
00:23:24,760 --> 00:23:28,160
Speaker 4: Yeah, I just think why. But you know, listen happens.

522
00:23:28,320 --> 00:23:31,800
Speaker 2: If him transcending hip hop is the issue, then KI

523
00:23:31,880 --> 00:23:35,040
Speaker 2: wouldn't be number one because Kai transcends hip hop.

524
00:23:36,000 --> 00:23:38,320
Speaker 1: So Charlamagne came in, Well, let me not say that

525
00:23:38,320 --> 00:23:41,080
Speaker 1: because I don't know. Charlotte came in. Yeah, radio shows,

526
00:23:41,080 --> 00:23:44,400
Speaker 1: but then Wendy Williams. Charlemagne, of course is hip hop.

527
00:23:44,480 --> 00:23:47,520
Speaker 1: But I don't think Kay's brand came in the same

528
00:23:47,520 --> 00:23:52,359
Speaker 1: way Charlemagne's did of hip hop. M hm, am I

529
00:23:52,400 --> 00:23:52,800
Speaker 1: wrong there?

530
00:23:53,040 --> 00:23:53,960
Speaker 2: No, I don't think so.

531
00:23:54,960 --> 00:23:58,359
Speaker 3: Like Breakfast Club was is hip hop originally?

532
00:23:58,440 --> 00:24:01,159
Speaker 1: Yes, he came came in that way. I don't know,

533
00:24:01,160 --> 00:24:04,480
Speaker 1: if Kai ever came he didn't transcend hip hop.

534
00:24:04,720 --> 00:24:04,920
Speaker 2: Ki.

535
00:24:05,880 --> 00:24:07,879
Speaker 1: You know there's hip hop moments and stuff, but E

536
00:24:07,880 --> 00:24:12,040
Speaker 1: think he came in he's a streamer. Yeah, of course

537
00:24:12,119 --> 00:24:16,000
Speaker 1: hip hop is going to blend with streaming. But I

538
00:24:16,000 --> 00:24:21,400
Speaker 1: don't think Ki came in like a hip hop guy

539
00:24:21,560 --> 00:24:23,919
Speaker 1: like that. Am I all right? Maybe I'm bugging.

540
00:24:24,080 --> 00:24:25,560
Speaker 2: No, you're not bugging asking me.

541
00:24:25,600 --> 00:24:28,120
Speaker 4: He's asking the wrong person. I don't know how Kai started.

542
00:24:27,880 --> 00:24:30,080
Speaker 2: Saying, but when I'm saying somebody transcends hip hop, it

543
00:24:30,080 --> 00:24:32,000
Speaker 2: doesn't mean you originally came from hip hop and you

544
00:24:32,040 --> 00:24:32,960
Speaker 2: got bigger than hip hop.

545
00:24:33,000 --> 00:24:35,520
Speaker 7: It just means that you are bigger than hip hop.

546
00:24:35,640 --> 00:24:38,000
Speaker 2: Whether you started there or whether you just got there,

547
00:24:38,040 --> 00:24:40,359
Speaker 2: you are bigger than hip hop. Kai is bigger than

548
00:24:40,400 --> 00:24:42,720
Speaker 2: hip hop when it comes to music. So that's why

549
00:24:42,760 --> 00:24:46,040
Speaker 2: it's like, if if Charlemagne is dropping spots because he's

550
00:24:46,080 --> 00:24:48,600
Speaker 2: doing more than just hip hop, then it's not fair

551
00:24:48,600 --> 00:24:50,560
Speaker 2: for Kai to be where he is because Kai does

552
00:24:50,600 --> 00:24:51,600
Speaker 2: more than just hip hop.

553
00:24:52,840 --> 00:24:53,199
Speaker 4: Yeah.

554
00:24:53,520 --> 00:24:56,520
Speaker 1: Fair, And that's where I think Kai and Charlemagne are different.

555
00:24:57,240 --> 00:24:59,800
Speaker 1: And this entire conversation is gonna look nuts because of

556
00:25:00,080 --> 00:25:03,320
Speaker 1: my white face. But Charlemagne is hip hop.

557
00:25:03,359 --> 00:25:03,760
Speaker 4: He couldn't.

558
00:25:03,840 --> 00:25:06,840
Speaker 1: You can't transcend hip hop. I'm even looking up the

559
00:25:06,880 --> 00:25:10,120
Speaker 1: definition to make sure I didn't, like, misunderstand that entire thing,

560
00:25:10,640 --> 00:25:14,480
Speaker 1: to go beyond the range or limits of field or division,

561
00:25:15,040 --> 00:25:16,919
Speaker 1: something abstract, something conceptual.

562
00:25:17,320 --> 00:25:19,040
Speaker 3: Anywhere Charlamagne goes is hip hop.

563
00:25:19,680 --> 00:25:20,320
Speaker 2: He's hip hop.

564
00:25:22,400 --> 00:25:25,680
Speaker 4: Okay, I see what you're saying. I get it.

565
00:25:25,880 --> 00:25:27,960
Speaker 1: Even when he did his book, which I make fun

566
00:25:28,000 --> 00:25:29,600
Speaker 1: of all the time because I thought it was the

567
00:25:29,600 --> 00:25:33,800
Speaker 1: most surface leveled therapy shit of all time, Charlomagne helped

568
00:25:33,800 --> 00:25:36,120
Speaker 1: bring a conversation of therapy into hip hop.

569
00:25:37,520 --> 00:25:38,120
Speaker 2: That's hip hop.

570
00:25:40,680 --> 00:25:44,120
Speaker 1: Matter what he does, he goes even when like Kanye

571
00:25:44,160 --> 00:25:47,640
Speaker 1: who I adored at one point when he was even

572
00:25:47,720 --> 00:25:50,560
Speaker 1: on his eight o eight's run, with that of like,

573
00:25:51,320 --> 00:25:53,720
Speaker 1: oh yeah, no, I'm getting away from the hip hop,

574
00:25:53,760 --> 00:25:56,120
Speaker 1: like you're hip hop. No, No, you're taking hip hop

575
00:25:56,200 --> 00:26:00,880
Speaker 1: and moving it forward. You're not transcending it your hip hop?

576
00:26:01,280 --> 00:26:04,000
Speaker 3: How the fuck could you leave it everywhere you go?

577
00:26:04,080 --> 00:26:04,800
Speaker 1: You're hip hop?

578
00:26:04,920 --> 00:26:05,160
Speaker 4: Yeah.

579
00:26:06,160 --> 00:26:08,200
Speaker 1: So that's why I just don't like that those type

580
00:26:08,240 --> 00:26:10,800
Speaker 1: of lines, especially when now hip hop is the biggest

581
00:26:10,800 --> 00:26:14,280
Speaker 1: thing on earth. Why Charlemagne was able to transcend in

582
00:26:14,320 --> 00:26:16,440
Speaker 1: the bullshit of the business that we're in is because

583
00:26:16,480 --> 00:26:18,720
Speaker 1: he represented hip hop and they wanted the taste of

584
00:26:18,840 --> 00:26:20,800
Speaker 1: hip hop, your hip hop.

585
00:26:21,280 --> 00:26:23,800
Speaker 5: I don't think there's anything bigger than hip hop. What

586
00:26:23,840 --> 00:26:24,640
Speaker 5: are you thinking about it?

587
00:26:25,119 --> 00:26:25,920
Speaker 2: In America?

588
00:26:26,560 --> 00:26:30,560
Speaker 4: In the world, soccer is hip hop.

589
00:26:31,800 --> 00:26:32,960
Speaker 2: Soccer is not hip hop.

590
00:26:33,440 --> 00:26:36,120
Speaker 5: You want to get to the origin of it. That's

591
00:26:36,119 --> 00:26:39,320
Speaker 5: a that's hip hop, man. And they definitely lean towards

592
00:26:39,840 --> 00:26:43,600
Speaker 5: the best players now, the young best players. They all

593
00:26:43,600 --> 00:26:47,000
Speaker 5: are like hip hop culture, all of them not wrong there.

594
00:26:48,280 --> 00:26:51,160
Speaker 5: So that's what I'm saying. Even hip hop has bled

595
00:26:51,200 --> 00:26:54,159
Speaker 5: into that, like them, you know, leaning trying to like

596
00:26:54,200 --> 00:26:59,320
Speaker 5: bring the soccer or football to America. I think DMX

597
00:26:59,400 --> 00:27:00,800
Speaker 5: was at a football soccer game.

598
00:27:01,520 --> 00:27:02,040
Speaker 4: Uh.

599
00:27:02,240 --> 00:27:04,119
Speaker 5: I think he may have performed or something like that.

600
00:27:04,160 --> 00:27:07,199
Speaker 5: Like they they still want to tap into hip hop culture.

601
00:27:07,240 --> 00:27:09,840
Speaker 5: Even though soccer or football is one of is probably

602
00:27:09,880 --> 00:27:12,920
Speaker 5: the biggest sport in the world. They still need hip

603
00:27:12,960 --> 00:27:16,440
Speaker 5: hop culture to be deemed cool or to be deemed you.

604
00:27:16,400 --> 00:27:19,560
Speaker 1: Know, Kendrick got the Super Bowl, Drake's about to do

605
00:27:19,600 --> 00:27:23,680
Speaker 1: the fe for shit, Like every place goes to get

606
00:27:23,800 --> 00:27:24,240
Speaker 1: hip hop.

607
00:27:24,880 --> 00:27:25,280
Speaker 2: You can't.

608
00:27:25,840 --> 00:27:27,080
Speaker 1: You cannot transcend hip hop.

609
00:27:27,160 --> 00:27:29,600
Speaker 5: Not saying soccer is not big without hip hop yet

610
00:27:29,680 --> 00:27:30,440
Speaker 5: Ken Martin.

611
00:27:30,280 --> 00:27:32,200
Speaker 3: The super Bowl, did he transcend hip hop?

612
00:27:34,840 --> 00:27:37,760
Speaker 2: No, he's a hip hop artist.

613
00:27:37,880 --> 00:27:39,320
Speaker 3: The super Bowl is the biggest thing in the world.

614
00:27:39,440 --> 00:27:41,800
Speaker 7: Yeah, I get it. You in America, in America.

615
00:27:42,600 --> 00:27:43,600
Speaker 1: Wait, there's another world.

616
00:27:44,960 --> 00:27:49,480
Speaker 4: Depends on who you ask, depends on who you ask.

617
00:27:49,760 --> 00:27:51,240
Speaker 2: Yeah, is Drake hip hop?

618
00:27:52,040 --> 00:27:52,639
Speaker 4: Absolutely?

619
00:27:54,000 --> 00:27:57,359
Speaker 1: Is he not hosting fucking FIFA whatever whatever that deal is?

620
00:27:58,280 --> 00:28:01,959
Speaker 5: Listen, I again, to me, dreamy is the biggest culture

621
00:28:02,119 --> 00:28:04,000
Speaker 5: on the planet, not even close.

622
00:28:04,400 --> 00:28:05,200
Speaker 4: It is what it is.

623
00:28:06,600 --> 00:28:07,639
Speaker 1: It can't be transcended.

624
00:28:08,200 --> 00:28:10,320
Speaker 4: Now, I feel what you're saying. It's hard when you

625
00:28:10,320 --> 00:28:12,239
Speaker 4: say transion. So where did you? Where did you go?

626
00:28:12,520 --> 00:28:12,600
Speaker 1: Like?

627
00:28:12,640 --> 00:28:14,520
Speaker 4: Where did you if you transitated hip hop?

628
00:28:14,560 --> 00:28:15,600
Speaker 7: Already read the definition.

629
00:28:15,640 --> 00:28:17,720
Speaker 2: It means I can't be held just to the I

630
00:28:17,760 --> 00:28:19,480
Speaker 2: can't be limited just to hip hop.

631
00:28:19,560 --> 00:28:21,159
Speaker 5: But no matter, but what Rory is saying is, no

632
00:28:21,200 --> 00:28:25,680
Speaker 5: matter what room Charlemagne walks in, who he interviews, who,

633
00:28:25,920 --> 00:28:28,480
Speaker 5: whatever he does, it's still going to come back to

634
00:28:28,560 --> 00:28:28,920
Speaker 5: hip hop.

635
00:28:29,280 --> 00:28:31,120
Speaker 3: Why do you think Obama sat with the breakfast cloth?

636
00:28:31,280 --> 00:28:36,040
Speaker 2: So then, so then y'all are you're actually going back

637
00:28:36,040 --> 00:28:38,880
Speaker 2: on your original point where you ask why does Charlemagne

638
00:28:38,920 --> 00:28:42,040
Speaker 2: deserve to be five, because does Charlemagne even do anything

639
00:28:42,040 --> 00:28:43,800
Speaker 2: that's hip hop anymore? That's what y'all just said when

640
00:28:43,840 --> 00:28:46,520
Speaker 2: you originally started talking about it, so you can't say no, no, no.

641
00:28:47,640 --> 00:28:49,680
Speaker 1: They were also saying in the beginning of that hour,

642
00:28:49,840 --> 00:28:53,760
Speaker 1: it's been within the last year, and I think Charlemagne

643
00:28:54,360 --> 00:28:56,160
Speaker 1: in the last year. I mean, I love what he's

644
00:28:56,200 --> 00:28:58,200
Speaker 1: doing Black Effect, and everyone seems to be happy over there.

645
00:28:58,240 --> 00:29:00,600
Speaker 1: But that wasn't even mentioned in why he was on

646
00:29:00,640 --> 00:29:03,200
Speaker 1: the list? What what what would what would be the

647
00:29:03,240 --> 00:29:07,960
Speaker 1: moment that would put you at four interviewing someone that's

648
00:29:07,960 --> 00:29:08,480
Speaker 1: not hip hop?

649
00:29:09,960 --> 00:29:10,360
Speaker 2: Mm hmm.

650
00:29:10,640 --> 00:29:13,360
Speaker 3: Oh that's all I was saying, is yeah, four or five?

651
00:29:13,720 --> 00:29:13,960
Speaker 2: Five?

652
00:29:14,240 --> 00:29:14,480
Speaker 1: Five?

653
00:29:14,640 --> 00:29:15,000
Speaker 4: Right? Five?

654
00:29:16,360 --> 00:29:18,920
Speaker 1: Okay, and listen, no matter what, this is gonna be

655
00:29:19,000 --> 00:29:20,560
Speaker 1: viewed as me hating and I don't really care because

656
00:29:20,560 --> 00:29:25,040
Speaker 1: I made sense in my fucking head and that's the

657
00:29:23,000 --> 00:29:27,560
Speaker 1: only you guys are telling me. I'm crazy.

658
00:29:27,880 --> 00:29:28,080
Speaker 4: Thanks.

659
00:29:28,400 --> 00:29:34,000
Speaker 2: Yes, I mean, I mean you tried, but yeah, I mean,

660
00:29:34,040 --> 00:29:35,720
Speaker 2: I don't think he deserves to be number five each

661
00:29:35,960 --> 00:29:39,240
Speaker 2: but I think it is possible to transcend hip hop

662
00:29:39,280 --> 00:29:41,560
Speaker 2: to not be limited by hip hop.

663
00:29:41,600 --> 00:29:43,920
Speaker 7: I think that that's very much possible. I don't know

664
00:29:43,960 --> 00:29:44,920
Speaker 7: if Charlelayne has done it.

665
00:29:44,960 --> 00:29:47,080
Speaker 2: But I think it's very much possible to not be.

666
00:29:47,520 --> 00:29:49,720
Speaker 3: An example of somebody that's that's transcended hip hop.

667
00:29:56,320 --> 00:30:00,000
Speaker 7: Will swift definitely, but Trump, but I think you're a mistake.

668
00:30:00,200 --> 00:30:01,760
Speaker 3: He just circles back together.

669
00:30:02,160 --> 00:30:03,239
Speaker 7: Yeah, but he didn't need to.

670
00:30:04,040 --> 00:30:08,200
Speaker 2: I think you are misunderstanding transcending as transcending doesn't mean

671
00:30:08,240 --> 00:30:10,480
Speaker 2: you need nothing to do with hip you have nothing

672
00:30:10,480 --> 00:30:11,840
Speaker 2: to do with hip hop. It just means that you're

673
00:30:11,880 --> 00:30:13,880
Speaker 2: now bigger than hip Like you're bigger than that, your

674
00:30:13,920 --> 00:30:16,200
Speaker 2: platform has grown bigger than that. Doesn't mean that you're

675
00:30:16,240 --> 00:30:18,280
Speaker 2: not still hip hop or that you are not still

676
00:30:18,280 --> 00:30:20,280
Speaker 2: connected to hip hop. It just means I'm bigger than that.

677
00:30:20,320 --> 00:30:23,400
Speaker 2: Now Drake has transcended hip hop. Is he still hip hop?

678
00:30:23,480 --> 00:30:23,720
Speaker 7: Yes?

679
00:30:23,920 --> 00:30:26,320
Speaker 2: But we will because we will always consider Drake. Drake

680
00:30:26,400 --> 00:30:29,360
Speaker 2: is now a pop star. He's transcended hip hop. He's

681
00:30:29,360 --> 00:30:31,720
Speaker 2: not a hip hop artist. He's gotten bigger than that.

682
00:30:32,120 --> 00:30:34,520
Speaker 2: I don't think that that means that you've abandoned hip hop.

683
00:30:34,520 --> 00:30:36,040
Speaker 2: It just means that's what he was saying, like, are

684
00:30:36,120 --> 00:30:38,880
Speaker 2: y'all now taking me down notches because I've now become

685
00:30:38,880 --> 00:30:40,000
Speaker 2: a little bit bigger than hip hop.

686
00:30:40,000 --> 00:30:41,760
Speaker 7: My platform has become bigger than hip hop.

687
00:30:42,760 --> 00:30:46,040
Speaker 1: Even when Drake became the biggest pop star, you could

688
00:30:46,080 --> 00:30:51,400
Speaker 1: find at minimum six records that are just completely flat out.

689
00:30:51,160 --> 00:30:53,800
Speaker 2: What I said to begin with, Rory doesn't mean that

690
00:30:53,840 --> 00:30:55,440
Speaker 2: you gave up on hip hop or that you stopped

691
00:30:55,440 --> 00:30:58,120
Speaker 2: being hip hop. It just means that you're now bigger

692
00:30:58,120 --> 00:31:00,600
Speaker 2: than hip hop. You have gone farther than hip hop,

693
00:31:01,000 --> 00:31:02,640
Speaker 2: still connected to it, still a part of it.

694
00:31:03,400 --> 00:31:05,840
Speaker 5: But see, I don't that's that's that statement is what

695
00:31:05,880 --> 00:31:08,840
Speaker 5: I don't agree with when you say he went further

696
00:31:08,920 --> 00:31:09,640
Speaker 5: than hip hop.

697
00:31:10,400 --> 00:31:12,240
Speaker 4: I don't even think you can't like hip hop. What's

698
00:31:12,280 --> 00:31:14,800
Speaker 4: the biggest It is the biggest culture on the planet.

699
00:31:14,800 --> 00:31:16,680
Speaker 2: It's the biggest culture, but it's not the biggest meat,

700
00:31:16,920 --> 00:31:19,400
Speaker 2: especially when it's talking to Drake. It's not the biggest music.

701
00:31:19,600 --> 00:31:21,000
Speaker 2: It's not the most important music.

702
00:31:21,560 --> 00:31:22,840
Speaker 4: I think it is, okay.

703
00:31:22,960 --> 00:31:25,320
Speaker 2: I think that people take a lot from us and

704
00:31:25,360 --> 00:31:27,360
Speaker 2: they use it to get bigger. I think it's the

705
00:31:27,360 --> 00:31:30,200
Speaker 2: most important, but I don't think it's the biggest because

706
00:31:30,400 --> 00:31:32,720
Speaker 2: we have been complaining for the past two years that

707
00:31:32,840 --> 00:31:36,280
Speaker 2: hip hop can barely make number one. Before this battle,

708
00:31:36,360 --> 00:31:38,479
Speaker 2: remember that was a whole conversation for like a year

709
00:31:38,560 --> 00:31:40,280
Speaker 2: or two page where it's like, yo, are we going

710
00:31:40,360 --> 00:31:42,040
Speaker 2: to have a rap number one? Are we going to

711
00:31:42,080 --> 00:31:43,520
Speaker 2: have a rap number one album? Are we going to

712
00:31:43,560 --> 00:31:45,680
Speaker 2: have a rap Look at the top ten on Billboard.

713
00:31:45,800 --> 00:31:47,880
Speaker 2: It hasn't been rapped, it's been popping, it's been country.

714
00:31:48,000 --> 00:31:51,440
Speaker 1: Okay, you're talking straight numbers wise, I think what word

715
00:31:51,720 --> 00:31:56,560
Speaker 1: suggesting is more of an intangible of you cannot surpass

716
00:31:56,720 --> 00:32:00,960
Speaker 1: the number one aura of the entire world, to the

717
00:32:00,960 --> 00:32:03,440
Speaker 1: fact that Justin Bieber, who I would say is a

718
00:32:03,560 --> 00:32:05,360
Speaker 1: top three pop star of our generation.

719
00:32:06,600 --> 00:32:07,880
Speaker 3: His features are gonna.

720
00:32:07,680 --> 00:32:11,240
Speaker 1: And sexy red on his pop album You can't transcend

721
00:32:11,320 --> 00:32:13,680
Speaker 1: hip hop. Everyone goes to hip hop to get they sauce.

722
00:32:13,880 --> 00:32:14,920
Speaker 1: You can't transcend it.

723
00:32:15,400 --> 00:32:16,680
Speaker 2: Okay, we can agree to this.

724
00:32:16,920 --> 00:32:20,360
Speaker 1: He didn't go do a country album and get fucking

725
00:32:20,400 --> 00:32:22,400
Speaker 1: Tim McGraw and shit, he went and got Gunna.

726
00:32:22,960 --> 00:32:25,360
Speaker 7: But that's also always been who Bieber is.

727
00:32:25,960 --> 00:32:27,560
Speaker 4: Even Tim McGraw came and got Nelly.

728
00:32:29,000 --> 00:32:29,240
Speaker 2: Nelly.

729
00:32:29,280 --> 00:32:30,480
Speaker 7: I think Nelly wouldn't got Tim McGraw.

730
00:32:30,880 --> 00:32:31,760
Speaker 4: Tim Cold.

731
00:32:33,040 --> 00:32:34,920
Speaker 5: Said Nelly, A goddamn it, Nelly, I love what you're

732
00:32:34,920 --> 00:32:37,120
Speaker 5: doing over there. No love what you're doing over there.

733
00:32:37,120 --> 00:32:42,560
Speaker 2: In that hip hop, that hippie hop.

734
00:32:42,640 --> 00:32:44,680
Speaker 4: I love what you're doing with the hippity hop, Nelly.

735
00:32:44,600 --> 00:32:47,320
Speaker 1: And I mean again that went to a separate conversation

736
00:32:47,760 --> 00:32:50,480
Speaker 1: from the Complex. Listen, even Charlottage to begin with, I

737
00:32:50,600 --> 00:32:53,560
Speaker 1: just I've always hated that term. That's all because I've

738
00:32:53,560 --> 00:32:55,840
Speaker 1: seen so many people that get success say oh, I'm

739
00:32:55,840 --> 00:32:58,400
Speaker 1: trying to just get above what it is. I'm like,

740
00:32:58,640 --> 00:33:01,040
Speaker 1: you can't get above this is this is the hip hop?

741
00:33:01,120 --> 00:33:01,360
Speaker 2: Is it?

742
00:33:01,880 --> 00:33:05,640
Speaker 1: Yeah, there's nothing else on earth that could transcend that.

743
00:33:05,760 --> 00:33:07,560
Speaker 1: I like, unless it's out of the taxes.

744
00:33:09,920 --> 00:33:13,280
Speaker 5: Very much a part of hip hop, very much a

745
00:33:13,320 --> 00:33:14,320
Speaker 5: part of hip hop without it.

746
00:33:14,440 --> 00:33:18,560
Speaker 1: Like every commercial, everyone gets their sauce from hip hop,

747
00:33:18,600 --> 00:33:23,240
Speaker 1: every designer, you got anything from fashion. You have the

748
00:33:23,280 --> 00:33:28,280
Speaker 1: clips walking in Louis Vautan and a song is playing

749
00:33:28,280 --> 00:33:32,600
Speaker 1: about their parents dying at the snobbyest fucking event in

750
00:33:32,640 --> 00:33:36,280
Speaker 1: the snobbiest city of all time. How could you transcend

751
00:33:36,320 --> 00:33:40,600
Speaker 1: hip hop? Yep Okay, listen, I get it.

752
00:33:41,480 --> 00:33:47,560
Speaker 5: Pharrell, who is now the head designer, Yeah, he's from

753
00:33:47,600 --> 00:33:53,440
Speaker 5: hip hop. They gotta tap in rest in peace, Virgil,

754
00:33:53,880 --> 00:33:57,400
Speaker 5: he was hip hop. They gotta come to the hip

755
00:33:57,400 --> 00:33:57,959
Speaker 5: hop culture.

756
00:33:58,000 --> 00:33:58,120
Speaker 1: Man.

757
00:33:58,200 --> 00:34:01,040
Speaker 4: Everything has to run through hip hop culture everything and.

758
00:34:01,000 --> 00:34:03,880
Speaker 1: At one point before they realized that Kanye West, who

759
00:34:03,880 --> 00:34:05,760
Speaker 1: was the bigges artist, couldn't even get a fucking invite

760
00:34:05,840 --> 00:34:07,920
Speaker 1: until they had to keep up with the rest of

761
00:34:07,960 --> 00:34:09,759
Speaker 1: the world. Oh, everyone's getting the shaite from hip hop?

762
00:34:10,160 --> 00:34:10,719
Speaker 4: Am I bad?

763
00:34:11,440 --> 00:34:12,040
Speaker 3: Who's your man?

764
00:34:12,120 --> 00:34:12,400
Speaker 1: Vergon?

765
00:34:12,440 --> 00:34:12,520
Speaker 6: Oh?

766
00:34:12,560 --> 00:34:13,560
Speaker 2: I didn't even my bad?

767
00:34:13,560 --> 00:34:14,120
Speaker 1: I didn't even know.

768
00:34:15,840 --> 00:34:17,799
Speaker 2: Yeah, but I get therapy books.

769
00:34:17,840 --> 00:34:22,439
Speaker 3: Won't do it well? Cohuse everybody that made the list.

770
00:34:22,520 --> 00:34:24,680
Speaker 5: Congrats everybody that did make the list, but that's still

771
00:34:24,680 --> 00:34:26,000
Speaker 5: doing great work.

772
00:34:26,480 --> 00:34:31,319
Speaker 1: No yet. This is a message that applies to ninety

773
00:34:31,400 --> 00:34:34,000
Speaker 1: nine percent of you listening right now, because that's how

774
00:34:34,040 --> 00:34:36,520
Speaker 1: many of you can be covered by fast and reliable

775
00:34:36,560 --> 00:34:40,080
Speaker 1: service on the Boost mobile network with ninety nine percent

776
00:34:40,440 --> 00:34:42,280
Speaker 1: nationwide coverage.

777
00:34:42,280 --> 00:34:42,880
Speaker 4: And if you're.

778
00:34:42,719 --> 00:34:46,240
Speaker 1: Thinking, no, I'm special, I'm in the one percent. Boost

779
00:34:46,280 --> 00:34:49,080
Speaker 1: Mobile's amazing network doesn't apply to me. I don't want

780
00:34:49,080 --> 00:34:51,319
Speaker 1: to hear that, and neither is Mal. That's actually the

781
00:34:51,360 --> 00:34:53,200
Speaker 1: thing Mal never wants to hear. He hates that more

782
00:34:53,239 --> 00:34:55,560
Speaker 1: than anything in the world. Absolutely is the one percent

783
00:34:55,560 --> 00:34:57,400
Speaker 1: of people that think they're above all this. But for

784
00:34:57,440 --> 00:35:00,319
Speaker 1: the other ninety nine percent of you, listen up right.

785
00:35:00,239 --> 00:35:01,759
Speaker 5: Now when you switch to boost Mo, where you can

786
00:35:01,760 --> 00:35:04,239
Speaker 5: get the iPhone fifteen with Dynamic Island and the forty

787
00:35:04,280 --> 00:35:06,120
Speaker 5: eight megapixel main camera for.

788
00:35:06,120 --> 00:35:08,120
Speaker 4: Ninety nine ninety nine. That's ninety nine dollars and.

789
00:35:08,160 --> 00:35:11,600
Speaker 5: Ninety nine cents for the iPhone fifteen on a nationwide network.

790
00:35:11,719 --> 00:35:14,319
Speaker 5: I'm ninety nine percent positive Rory that boos Mogil just

791
00:35:14,320 --> 00:35:16,120
Speaker 5: gave us a really good deal.

792
00:35:16,400 --> 00:35:18,160
Speaker 4: In store off of only thirty five dollars.

793
00:35:18,200 --> 00:35:21,719
Speaker 5: Device set up fee may apply, requires credit qualification, ID

794
00:35:21,960 --> 00:35:23,760
Speaker 5: verification and activation.

795
00:35:23,680 --> 00:35:24,759
Speaker 4: On a sixty dollars plan.

796
00:35:25,160 --> 00:35:33,480
Speaker 5: Taxis extra five G speeds not available in all areas.

797
00:35:34,719 --> 00:35:37,280
Speaker 2: I ain't congratulating nobody else that shit in our face.

798
00:35:37,640 --> 00:35:41,240
Speaker 2: I'm over niggas. Why niggas being weird?

799
00:35:41,280 --> 00:35:42,279
Speaker 7: I don't like weird shit?

800
00:35:42,360 --> 00:35:42,480
Speaker 1: Who?

801
00:35:42,960 --> 00:35:44,400
Speaker 7: I don't need to fuck with y'all like that, But

802
00:35:44,480 --> 00:35:45,560
Speaker 7: I don't like when people.

803
00:35:45,280 --> 00:35:47,080
Speaker 4: Weard of you? Why are you being weird to me?

804
00:35:50,520 --> 00:35:51,880
Speaker 4: Who being weird? Do you domatic?

805
00:35:51,960 --> 00:35:54,000
Speaker 7: I'm just gonna get married when I say that. When

806
00:35:54,040 --> 00:35:55,359
Speaker 7: you had your leg up?

807
00:35:55,680 --> 00:35:56,960
Speaker 4: Who being weirdy you? Demaric?

808
00:35:57,080 --> 00:35:59,360
Speaker 2: Ain't nobody being weird to me? Niggas being weird of y'all?

809
00:36:00,080 --> 00:36:02,040
Speaker 2: Y'all was pussy. Ain't say I was payin. Anybody said

810
00:36:02,080 --> 00:36:04,759
Speaker 2: I was pussy. Is sad, y'all was pussy. The thing

811
00:36:04,760 --> 00:36:07,120
Speaker 2: about puddles, I want to give both y'all, y'all flowers.

812
00:36:08,920 --> 00:36:13,279
Speaker 2: I've been wrong, what because I did think all this

813
00:36:13,320 --> 00:36:16,719
Speaker 2: shit was just content or whatever. Now these people is fucking.

814
00:36:16,520 --> 00:36:20,400
Speaker 1: Straight up, straight up fucking like. I know everybody's weirdos.

815
00:36:20,440 --> 00:36:24,920
Speaker 1: I've been in this business a long time, but yeah,

816
00:36:25,040 --> 00:36:26,880
Speaker 1: the days that I have thought of, like, let's just

817
00:36:26,920 --> 00:36:29,000
Speaker 1: talk about this, like, who gives a fuck? Like nobody

818
00:36:29,000 --> 00:36:32,640
Speaker 1: cares about that person. It's just fun, It's just for funsies. No,

819
00:36:32,800 --> 00:36:36,520
Speaker 1: y'all are right. These people are fucking like the weirdest

820
00:36:36,520 --> 00:36:38,680
Speaker 1: seeming some of the best creative writers I've ever heard

821
00:36:38,680 --> 00:36:41,400
Speaker 1: in my life. I see why their pen game is like,

822
00:36:42,160 --> 00:36:45,080
Speaker 1: because boy, can you tell a fucking story. So I

823
00:36:45,120 --> 00:36:47,600
Speaker 1: even when this was on the list, I said to

824
00:36:47,640 --> 00:36:50,799
Speaker 1: DeMars before you came, usually this will be a time

825
00:36:50,800 --> 00:36:53,080
Speaker 1: where I would you and I would fight about like, yo,

826
00:36:53,120 --> 00:36:54,759
Speaker 1: let's just talk about it. Who gives a fuck? I

827
00:36:54,800 --> 00:36:57,880
Speaker 1: don't ever want to mention these motherfucker's names again. Right,

828
00:36:59,040 --> 00:37:01,920
Speaker 1: that was the oddest, hodest fucking thing. I had ever

829
00:37:01,920 --> 00:37:02,719
Speaker 1: seen for that.

830
00:37:02,960 --> 00:37:06,640
Speaker 5: Listen, man, I'll be trying to tell y'all, man, I apologize, No, listen.

831
00:37:06,440 --> 00:37:07,000
Speaker 4: It's all good.

832
00:37:07,040 --> 00:37:08,600
Speaker 5: I'll be trying to tell y'all that's why I don't

833
00:37:08,640 --> 00:37:10,640
Speaker 5: go nowhere. That's why I don't be around these people. Man,

834
00:37:10,960 --> 00:37:14,719
Speaker 5: Now you understand it. Man, it's just weird weird.

835
00:37:14,880 --> 00:37:17,960
Speaker 1: That one was like extra weird, like we've seen but

836
00:37:18,400 --> 00:37:22,040
Speaker 1: we've seen the weirdest of weird before and it's it's fun,

837
00:37:22,040 --> 00:37:23,680
Speaker 1: like who gives a fuck? But that was just like

838
00:37:23,840 --> 00:37:27,000
Speaker 1: I was watching that, like, yo, are you are we

839
00:37:27,120 --> 00:37:28,080
Speaker 1: in the matrix right now?

840
00:37:28,080 --> 00:37:29,240
Speaker 2: Like do you live on Earth?

841
00:37:29,360 --> 00:37:30,839
Speaker 4: Yes? We are in the simulation. Yes.

842
00:37:31,120 --> 00:37:33,440
Speaker 2: For for the listeners that aren't exactly clear about what

843
00:37:33,520 --> 00:37:36,520
Speaker 2: we're talking about, I'm not gonna say I'm not saying names.

844
00:37:37,600 --> 00:37:39,920
Speaker 2: No problem give you would let me tell you I'm

845
00:37:39,920 --> 00:37:45,600
Speaker 2: not giving nobody no more free program because I done

846
00:37:45,680 --> 00:37:48,719
Speaker 2: came out and said to y'all, hey, let's be unbiased

847
00:37:48,719 --> 00:37:51,120
Speaker 2: about certain things. Regardless whether y'all think that mall is

848
00:37:51,160 --> 00:37:52,879
Speaker 2: biased when it comes to Drake. He's admitted his bias

849
00:37:52,880 --> 00:37:54,360
Speaker 2: when it comes to Drake. That is what it is.

850
00:37:54,400 --> 00:37:57,359
Speaker 2: That's his friend. We let that rock whatever. But when

851
00:37:57,360 --> 00:38:00,120
Speaker 2: it comes to people who have straight ship and I

852
00:38:00,040 --> 00:38:03,439
Speaker 2: I mall had little raps about mediocre raps about mall.

853
00:38:03,719 --> 00:38:05,560
Speaker 7: We done came and gave niggas props.

854
00:38:05,880 --> 00:38:08,480
Speaker 2: We kind of, We done came out here, been unbiased,

855
00:38:08,680 --> 00:38:11,560
Speaker 2: judged a whole fucking that whole fucking New York versus

856
00:38:11,560 --> 00:38:13,759
Speaker 2: West Coast battle. We came out here, we were unbiased.

857
00:38:13,840 --> 00:38:17,239
Speaker 2: We gave niggas props. We linked niggas fucking distracks. We said, Yo,

858
00:38:17,320 --> 00:38:19,200
Speaker 2: go check this out, go listen to this, all in

859
00:38:19,200 --> 00:38:21,480
Speaker 2: the name of hip hop. But for people to go

860
00:38:21,560 --> 00:38:26,799
Speaker 2: on platforms and to still stand down bullshit business tell

861
00:38:26,880 --> 00:38:29,120
Speaker 2: lies about the way that certain things went down when

862
00:38:29,120 --> 00:38:31,719
Speaker 2: they were interviewed. That's the lame as fuck because we

863
00:38:31,880 --> 00:38:35,160
Speaker 2: never had to mention you. You mentioned niggas hundreds of

864
00:38:35,200 --> 00:38:38,759
Speaker 2: times for attention, and we never had to fucking mention

865
00:38:38,920 --> 00:38:41,680
Speaker 2: you ever, Like, let's really talk about shit. Niggas gave

866
00:38:41,680 --> 00:38:43,880
Speaker 2: you props, niggas gave you a platform to talk. Niggas

867
00:38:43,880 --> 00:38:46,920
Speaker 2: did all of that, and you still circled back and

868
00:38:46,960 --> 00:38:51,680
Speaker 2: did some lame ass shit. That's disrespectful, it's corny as fuck,

869
00:38:51,840 --> 00:38:54,719
Speaker 2: and it tells more about you than anything. You too

870
00:38:54,800 --> 00:38:56,640
Speaker 2: old for shit like that. Niggas might not know how

871
00:38:56,680 --> 00:38:59,759
Speaker 2: old you are. You too fucking old for shit age,

872
00:38:59,800 --> 00:39:01,560
Speaker 2: so you too old for ship like that.

873
00:39:01,560 --> 00:39:03,879
Speaker 7: That ship is corny as fuck. And I'm tired, y'all.

874
00:39:05,200 --> 00:39:07,239
Speaker 2: I'm tired of y'all sent up it no, because y'all

875
00:39:07,280 --> 00:39:09,200
Speaker 2: give a lot of niggas props that other niggas in

876
00:39:09,239 --> 00:39:12,960
Speaker 2: this media space don't do. Y'all give platforms and spaces

877
00:39:13,000 --> 00:39:15,520
Speaker 2: to smaller artists, whether y'all like them or not, whether

878
00:39:15,560 --> 00:39:18,080
Speaker 2: they put little corny dishes out about y'all or not.

879
00:39:18,520 --> 00:39:20,120
Speaker 7: And y'all don't have to fucking do that.

880
00:39:20,600 --> 00:39:23,000
Speaker 2: Niggas could talk about y'all all day, say drake glazing

881
00:39:23,040 --> 00:39:25,239
Speaker 2: shit all day, corny shit all day, but y'all are

882
00:39:25,280 --> 00:39:27,840
Speaker 2: still real as fucking give niggas props and props is due.

883
00:39:27,880 --> 00:39:29,520
Speaker 2: I swear to God, the next time y'all do that ship,

884
00:39:29,560 --> 00:39:31,759
Speaker 2: I'm knocking over all these fucking black magics. We're not

885
00:39:31,800 --> 00:39:34,439
Speaker 2: giving nobody else no more fucking free pomo. I'm over

886
00:39:34,480 --> 00:39:34,799
Speaker 2: that ship.

887
00:39:34,840 --> 00:39:35,200
Speaker 7: I'm done.

888
00:39:35,640 --> 00:39:37,080
Speaker 4: Welcome to my party, baby d.

889
00:39:38,840 --> 00:39:40,680
Speaker 7: I don't even mean to go off like that, but

890
00:39:40,760 --> 00:39:41,040
Speaker 7: I don't.

891
00:39:41,120 --> 00:39:41,719
Speaker 4: I don't like that.

892
00:39:41,719 --> 00:39:43,279
Speaker 7: I don't like that y'all are.

893
00:39:44,600 --> 00:39:47,200
Speaker 1: Left out some fucking crazy details of make him look

894
00:39:47,239 --> 00:39:48,520
Speaker 1: even more fucking insane.

895
00:39:48,600 --> 00:39:49,680
Speaker 7: Yeah, I'm not even I'm not even.

896
00:39:49,760 --> 00:39:52,839
Speaker 1: You was the one on some weirdo tim and we

897
00:39:52,880 --> 00:39:56,520
Speaker 1: was on some always contest fun like he did a

898
00:39:56,600 --> 00:40:01,080
Speaker 1: role reversal. He made himself us in us him. I've

899
00:40:01,080 --> 00:40:02,600
Speaker 1: never seen some shit like that in my life.

900
00:40:03,360 --> 00:40:05,719
Speaker 7: Yeah, that shit lame is I hate lame.

901
00:40:05,760 --> 00:40:08,359
Speaker 1: Said it with a straight face. That's what's scary. That's

902
00:40:08,360 --> 00:40:10,160
Speaker 1: why I think I can't fuck with weirdo shit. You

903
00:40:10,239 --> 00:40:12,520
Speaker 1: said all that was such a straight face, that like

904
00:40:13,040 --> 00:40:14,880
Speaker 1: you're untrustworthy in the world.

905
00:40:16,000 --> 00:40:19,400
Speaker 2: Yeah, because we're silly and joky and funny on this

906
00:40:19,440 --> 00:40:21,799
Speaker 2: fucking podcast. That rhetoric that people try to run with

907
00:40:21,840 --> 00:40:24,319
Speaker 2: that y'all are pussy is crazy. I don't even be

908
00:40:24,360 --> 00:40:26,320
Speaker 2: like I don't you know, I talked to y'all crazy

909
00:40:26,400 --> 00:40:28,759
Speaker 2: like whatever in the streets. Niggas do not talk to

910
00:40:28,800 --> 00:40:31,319
Speaker 2: y'all crazy. I've been out with y'all. When people say

911
00:40:31,320 --> 00:40:33,480
Speaker 2: that they've had these run ins with y'all and it's

912
00:40:33,600 --> 00:40:36,600
Speaker 2: never ever been no crazy energy, But niggas start copping

913
00:40:36,640 --> 00:40:39,360
Speaker 2: please to y'all every single fucking time we out, and

914
00:40:39,400 --> 00:40:41,480
Speaker 2: I'm about to start calling that shit out because it's

915
00:40:41,520 --> 00:40:42,360
Speaker 2: not just him.

916
00:40:42,280 --> 00:40:44,279
Speaker 4: But but but but baby dde listen, this is what

917
00:40:44,280 --> 00:40:45,120
Speaker 4: you got to and I love that.

918
00:40:45,239 --> 00:40:46,480
Speaker 7: Y'all got me yelling ish no no.

919
00:40:46,520 --> 00:40:48,120
Speaker 5: I love the energy. I mean you over there, but

920
00:40:48,160 --> 00:40:50,120
Speaker 5: you got impanadas on in the oven. You got all

921
00:40:50,160 --> 00:40:52,000
Speaker 5: kind of shit going on over there right now. But

922
00:40:52,040 --> 00:40:55,600
Speaker 5: what I'm saying is like, what else is supposed to happen?

923
00:40:55,640 --> 00:40:55,799
Speaker 1: Though?

924
00:40:55,840 --> 00:40:56,560
Speaker 4: That's why I don't.

925
00:40:56,640 --> 00:40:59,560
Speaker 5: I can't really give this too much energy because it's like,

926
00:40:59,640 --> 00:41:02,040
Speaker 5: I know what happens is like, you get on these platforms,

927
00:41:02,440 --> 00:41:05,440
Speaker 5: talk reckless, whatever, you get clicks, you talk.

928
00:41:05,400 --> 00:41:06,839
Speaker 4: Tough, cool, do that fit?

929
00:41:06,960 --> 00:41:09,839
Speaker 5: But then when we see each other, it's nah, man,

930
00:41:09,880 --> 00:41:11,880
Speaker 5: you know, so of course, what else is it gonna be?

931
00:41:11,920 --> 00:41:14,120
Speaker 5: Of course it's just rapp and it's just entertainment. It's

932
00:41:14,160 --> 00:41:16,120
Speaker 5: just because what else is gonna be? It ain't gonna

933
00:41:16,120 --> 00:41:18,160
Speaker 5: be nothing else other than that. But my thing is like,

934
00:41:18,200 --> 00:41:20,759
Speaker 5: come on, man, like keep it, keep it a little real.

935
00:41:20,840 --> 00:41:24,000
Speaker 5: That'd be my thing. I be thinking men are supposed

936
00:41:24,000 --> 00:41:25,640
Speaker 5: to keep it all way real because I keep it

937
00:41:25,640 --> 00:41:26,120
Speaker 5: all way real.

938
00:41:27,280 --> 00:41:29,759
Speaker 4: I can't expect people to do that, but keep it

939
00:41:29,800 --> 00:41:32,040
Speaker 4: at least a little real, is my thing.

940
00:41:32,440 --> 00:41:33,759
Speaker 5: You ain't gotta be all the way real, you ain't

941
00:41:33,760 --> 00:41:35,719
Speaker 5: gotta be all the way honest, but you gotta be

942
00:41:35,760 --> 00:41:38,720
Speaker 5: a little real like at least that's what I expect

943
00:41:38,760 --> 00:41:41,319
Speaker 5: from just men. Be a little honest man. And then

944
00:41:42,000 --> 00:41:44,120
Speaker 5: you don't have to be And here's the other thing

945
00:41:44,160 --> 00:41:46,879
Speaker 5: you don't have to be. You don't have to put

946
00:41:46,920 --> 00:41:49,480
Speaker 5: on this facade in this front and say these things

947
00:41:49,520 --> 00:41:52,279
Speaker 5: to get you know, clicks and views. You just put

948
00:41:52,280 --> 00:41:54,800
Speaker 5: out good shit, put out good quality, put out good product,

949
00:41:54,920 --> 00:41:55,239
Speaker 5: you know what I mean.

950
00:41:55,280 --> 00:41:56,960
Speaker 4: Put out good music. That's what. That's all.

951
00:41:57,000 --> 00:41:59,479
Speaker 5: You really need all this other shit that they telling

952
00:41:59,480 --> 00:42:01,359
Speaker 5: you you need to know, you don't. You don't need

953
00:42:01,400 --> 00:42:02,880
Speaker 5: to do that. You don't need to go viral, you

954
00:42:02,880 --> 00:42:05,480
Speaker 5: don't need to get you know, be this click baity person.

955
00:42:05,520 --> 00:42:07,000
Speaker 4: You don't need that. You just need to put out

956
00:42:07,040 --> 00:42:08,479
Speaker 4: good product. That's it.

957
00:42:09,360 --> 00:42:12,840
Speaker 1: And in my opinion, if I ever talked about another

958
00:42:12,920 --> 00:42:21,120
Speaker 1: man's body, I wouldn't go hug it in person. Hey, yo, y'all,

959
00:42:21,440 --> 00:42:23,600
Speaker 1: I'm just curious, like of somebody that we never had

960
00:42:23,719 --> 00:42:26,279
Speaker 1: energy for. And then you had the energy, and then

961
00:42:26,320 --> 00:42:30,239
Speaker 1: you hugged what you were talking about, and then said,

962
00:42:30,280 --> 00:42:32,839
Speaker 1: oh next time, Yo, we're in New York, let's come

963
00:42:32,840 --> 00:42:33,279
Speaker 1: on the show.

964
00:42:33,719 --> 00:42:38,359
Speaker 2: Like, let's really clear up. Like niggas dist, we say, yoh,

965
00:42:38,440 --> 00:42:39,080
Speaker 2: we last.

966
00:42:38,880 --> 00:42:39,359
Speaker 4: Good job.

967
00:42:39,560 --> 00:42:40,120
Speaker 7: Niggas dist.

968
00:42:40,200 --> 00:42:41,960
Speaker 2: We say, all right, that's not a bad dis niggas

969
00:42:41,960 --> 00:42:44,279
Speaker 2: dissed you, like three times every time we say, all right, man,

970
00:42:44,280 --> 00:42:45,240
Speaker 2: he's still a good rapper.

971
00:42:45,480 --> 00:42:47,680
Speaker 7: Never had no fucking energy ever.

972
00:42:48,840 --> 00:42:52,040
Speaker 5: But I will say, you know, continue to put out

973
00:42:52,080 --> 00:42:55,000
Speaker 5: good shit, We'll continue to talk about it, We'll continue.

974
00:42:54,600 --> 00:42:56,239
Speaker 4: To cover it. It is what it is.

975
00:42:56,840 --> 00:43:00,640
Speaker 5: Just in person, listen, man, save the fake. I'm just

976
00:43:00,719 --> 00:43:03,239
Speaker 5: I'm from a different era, different cloth. I don't do

977
00:43:03,280 --> 00:43:03,920
Speaker 5: the fake phonish.

978
00:43:04,040 --> 00:43:05,840
Speaker 3: But if you put out dope product, I'll still cover it.

979
00:43:06,160 --> 00:43:07,880
Speaker 4: I'm not. I'm not. I'm not in that.

980
00:43:07,960 --> 00:43:10,120
Speaker 5: I'm not that type of person. You know, if shit

981
00:43:10,239 --> 00:43:11,759
Speaker 5: is dope, if s it is dope, if you put

982
00:43:11,760 --> 00:43:13,400
Speaker 5: out product you know and I like it, I'm not.

983
00:43:13,480 --> 00:43:14,880
Speaker 4: I'm not a hater. Bro, I'll let you know I

984
00:43:14,960 --> 00:43:15,120
Speaker 4: like it.

985
00:43:15,280 --> 00:43:16,040
Speaker 3: Great creative writer.

986
00:43:16,239 --> 00:43:21,520
Speaker 5: But in person, if if we shall have a cross

987
00:43:21,560 --> 00:43:24,920
Speaker 5: paths again, just you know, I don't want to. I

988
00:43:24,960 --> 00:43:28,359
Speaker 5: can't handshake and show love because I don't know if

989
00:43:28,400 --> 00:43:30,600
Speaker 5: that's going to turn into you know, something else once

990
00:43:31,000 --> 00:43:33,120
Speaker 5: another cameras in your face. So let's just keep it,

991
00:43:33,360 --> 00:43:36,040
Speaker 5: you know, Yeah, it's just something else. It's just like

992
00:43:36,360 --> 00:43:38,399
Speaker 5: you know, but keep putting out, you know, good ship,

993
00:43:38,960 --> 00:43:41,160
Speaker 5: good luck in your career, good luck on whatever you

994
00:43:41,200 --> 00:43:43,759
Speaker 5: got coming out, and yeah, let's just keep it at that.

995
00:43:43,880 --> 00:43:44,040
Speaker 4: Man.

996
00:43:44,080 --> 00:43:46,640
Speaker 5: But I can't be. I'm not with the phony fake shit.

997
00:43:46,840 --> 00:43:48,440
Speaker 5: That's just not it not my pedigree.

998
00:43:49,600 --> 00:43:52,799
Speaker 1: All right, Well, speaking of rappers that will actually make

999
00:43:52,840 --> 00:43:56,479
Speaker 1: some impact, Freddie gives Alfredo too.

1000
00:43:56,960 --> 00:43:59,680
Speaker 4: Shout out to Alfredo. Dope.

1001
00:44:00,080 --> 00:44:04,320
Speaker 1: It's it's been it's been three days man, it's it's rivaling.

1002
00:44:04,960 --> 00:44:07,600
Speaker 4: It's I don't let him get done.

1003
00:44:07,640 --> 00:44:09,959
Speaker 2: He text me said best our best rapper alive, best

1004
00:44:10,000 --> 00:44:11,400
Speaker 2: album out.

1005
00:44:10,840 --> 00:44:12,919
Speaker 3: I text that to you before I even listen.

1006
00:44:13,640 --> 00:44:14,480
Speaker 4: No, but he was.

1007
00:44:16,520 --> 00:44:18,959
Speaker 5: About to say what he was about to say, don't

1008
00:44:19,000 --> 00:44:20,960
Speaker 5: say is rivalry rival.

1009
00:44:20,719 --> 00:44:25,560
Speaker 10: It's a tough way to say, right, it's very rivals

1010
00:44:25,880 --> 00:44:29,719
Speaker 10: rival ring, Yes, part one, don't don't do that. Oh,

1011
00:44:29,760 --> 00:44:32,919
Speaker 10: I was going to say the clips I this would

1012
00:44:32,920 --> 00:44:35,440
Speaker 10: be better for the Ovo thing that they said on Complex.

1013
00:44:35,520 --> 00:44:39,240
Speaker 1: I'm saying it's rival ring. The clips from my opinion

1014
00:44:39,280 --> 00:44:44,000
Speaker 1: of rap album the year, of course, never my number

1015
00:44:44,040 --> 00:44:45,400
Speaker 1: two Tylers of course number one.

1016
00:44:46,960 --> 00:44:50,480
Speaker 5: Yeah, I like Alfredo too. I like it a lot.

1017
00:44:51,719 --> 00:44:54,040
Speaker 5: I listened to it over the weekend. I lived with it,

1018
00:44:54,080 --> 00:44:56,799
Speaker 5: moved around with it a little bit. I don't know

1019
00:44:56,840 --> 00:45:01,920
Speaker 5: if it's better than the first one, but in terms

1020
00:45:02,000 --> 00:45:07,480
Speaker 5: of this year so far rap albums, it definitely is

1021
00:45:08,280 --> 00:45:09,960
Speaker 5: one of the best rap albums of the year.

1022
00:45:10,400 --> 00:45:14,480
Speaker 1: I still love her as probably off three days my

1023
00:45:14,520 --> 00:45:15,839
Speaker 1: favorite rap song of the year.

1024
00:45:18,360 --> 00:45:18,880
Speaker 2: I'm with you.

1025
00:45:19,040 --> 00:45:23,359
Speaker 1: I'm not at all ready to say it's it's not

1026
00:45:23,440 --> 00:45:26,560
Speaker 1: better than one One has better music, but this is

1027
00:45:26,600 --> 00:45:29,120
Speaker 1: the highest level I've heard Freddy rap period.

1028
00:45:29,160 --> 00:45:30,120
Speaker 2: Out of his whole catalog.

1029
00:45:30,440 --> 00:45:34,640
Speaker 1: You Cannada, you can say, you can say albums are

1030
00:45:34,680 --> 00:45:37,440
Speaker 1: better in his desography. This is the highest level of

1031
00:45:37,480 --> 00:45:39,919
Speaker 1: rapping i've heard him. He is, like I didn't get

1032
00:45:39,960 --> 00:45:42,640
Speaker 1: I think I think almost some of how good he's

1033
00:45:42,719 --> 00:45:47,120
Speaker 1: rapping on this is why I prefer Alfredo one, if

1034
00:45:47,200 --> 00:45:48,919
Speaker 1: that makes any sense, Like some of it is pulled

1035
00:45:48,960 --> 00:45:49,839
Speaker 1: back on Alfredo one.

1036
00:45:50,239 --> 00:45:52,279
Speaker 3: He is rapping, but that's rapping on this ship.

1037
00:45:52,360 --> 00:45:55,560
Speaker 5: But that's why I think I like Alfredo. It's not

1038
00:45:55,640 --> 00:45:58,960
Speaker 5: fair because it just came out. But just listening to

1039
00:45:59,000 --> 00:46:02,839
Speaker 5: Alfredo too, I don't feel like he's rapping better on

1040
00:46:02,880 --> 00:46:06,279
Speaker 5: this than one yet. I like Alfredo to a lot.

1041
00:46:06,400 --> 00:46:11,000
Speaker 5: The thing with him and Freddie did was dope. I

1042
00:46:11,040 --> 00:46:12,640
Speaker 5: love what he said about why he locks in with

1043
00:46:12,640 --> 00:46:14,719
Speaker 5: a producer for a project, because people love to kill

1044
00:46:14,760 --> 00:46:16,840
Speaker 5: me when I say that about artists, that that's what

1045
00:46:16,840 --> 00:46:19,319
Speaker 5: they should do. But he said it makes it more cohesive.

1046
00:46:19,360 --> 00:46:21,319
Speaker 5: It just feels like a better you know, And.

1047
00:46:21,239 --> 00:46:24,200
Speaker 1: I love that he said that. Let's look at like

1048
00:46:24,480 --> 00:46:27,520
Speaker 1: Freddy's saying that, like any average rapper can lock in

1049
00:46:27,560 --> 00:46:28,760
Speaker 1: with mad Lib and Alchemist.

1050
00:46:28,920 --> 00:46:30,480
Speaker 4: No, no, no, he's fortunate.

1051
00:46:30,560 --> 00:46:41,320
Speaker 9: He's fortunate, like yo, very fortunate and privilege to be

1052
00:46:41,880 --> 00:46:45,040
Speaker 9: able to lock in with producers like mad Lib or

1053
00:46:45,120 --> 00:46:46,640
Speaker 9: Alchemists for entire project.

1054
00:46:48,200 --> 00:46:50,719
Speaker 4: But he's right though, like it makes it very cohesive.

1055
00:46:50,800 --> 00:46:52,360
Speaker 4: The sound, the synergy.

1056
00:46:54,800 --> 00:46:58,160
Speaker 5: I think that, you know, he has some of some

1057
00:46:58,320 --> 00:47:01,640
Speaker 5: of my favorite Alchemist tracks in theast few years, without

1058
00:47:01,640 --> 00:47:02,000
Speaker 5: a doubt.

1059
00:47:02,280 --> 00:47:02,520
Speaker 4: Yeah.

1060
00:47:03,040 --> 00:47:05,160
Speaker 5: What they've been able to do with these last these

1061
00:47:05,719 --> 00:47:09,720
Speaker 5: Alfredo projects is is hip hop. It's it's the sound,

1062
00:47:09,800 --> 00:47:15,120
Speaker 5: the energy, the content. It's dope, man, I really enjoyed

1063
00:47:15,160 --> 00:47:18,120
Speaker 5: this project. Freddy, Freddy Gibbs is one of my favorite

1064
00:47:18,880 --> 00:47:24,239
Speaker 5: favorite rappers right now. I hate that him and you know,

1065
00:47:24,680 --> 00:47:26,480
Speaker 5: my other guy Bennie are in the space that they're

1066
00:47:26,520 --> 00:47:28,799
Speaker 5: in because those are two of my favorite rappers. Shout

1067
00:47:28,800 --> 00:47:31,440
Speaker 5: out to Bennie to shout out to his project Summer

1068
00:47:31,480 --> 00:47:36,399
Speaker 5: Tom Butch. So I hate that part of it. But yeah,

1069
00:47:36,480 --> 00:47:40,240
Speaker 5: Freddie is, Freddy is. Listen man, He's He's. He's staking

1070
00:47:40,320 --> 00:47:43,120
Speaker 5: his claim right now as one of the one of

1071
00:47:43,160 --> 00:47:46,560
Speaker 5: the best mcs in the game by far. I don't

1072
00:47:46,560 --> 00:47:49,520
Speaker 5: even think it's a conversation about Freddy's status in the

1073
00:47:49,600 --> 00:47:51,200
Speaker 5: in the in the in the game right now. He's

1074
00:47:51,560 --> 00:47:54,719
Speaker 5: the projects he's putting out over the last however, many is.

1075
00:47:54,800 --> 00:47:57,279
Speaker 5: I don't think Freddy Gibbs has a whack album in

1076
00:47:57,360 --> 00:48:00,440
Speaker 5: his discography. I think his discography is better than a

1077
00:48:00,520 --> 00:48:03,399
Speaker 5: lot of your top five top ten mcs. I don't

1078
00:48:03,400 --> 00:48:05,040
Speaker 5: want to repeat ourselves, but I want Demerius to give

1079
00:48:05,080 --> 00:48:10,360
Speaker 5: us our flowers. Freddy Gibbs, Freddy Gibbs is, He's and

1080
00:48:11,000 --> 00:48:12,719
Speaker 5: I feel like he's getting better. I feel like he's

1081
00:48:12,760 --> 00:48:15,640
Speaker 5: getting better as an artist. Yeah, Like I feel like

1082
00:48:15,680 --> 00:48:18,839
Speaker 5: he's getting better as an artist, like he's been rapping

1083
00:48:18,880 --> 00:48:21,880
Speaker 5: his ass over for years. But as an artist, you

1084
00:48:21,920 --> 00:48:26,080
Speaker 5: look at Freddy's discography, it's incredible, Like his albums are

1085
00:48:26,160 --> 00:48:27,040
Speaker 5: damn near flawless.

1086
00:48:28,200 --> 00:48:31,920
Speaker 1: I know it's only been three days, but Demerius, if

1087
00:48:31,920 --> 00:48:37,839
Speaker 1: we're going from Pinata in twenty fifteen to Freddy Bandana

1088
00:48:38,800 --> 00:48:42,600
Speaker 1: Alfredo so so separately, you only die once. Alfredo too.

1089
00:48:44,000 --> 00:48:45,840
Speaker 1: Cole may need, he may need to come out and

1090
00:48:45,920 --> 00:48:46,319
Speaker 1: say something.

1091
00:48:47,680 --> 00:48:51,160
Speaker 2: No, why you can't just leave Cole out of this?

1092
00:48:51,320 --> 00:48:53,560
Speaker 2: Why you can't just give Freddy his props. It's not

1093
00:48:53,840 --> 00:48:55,640
Speaker 2: like Cole ricause I'm trying.

1094
00:48:55,680 --> 00:48:57,640
Speaker 1: I'm trying to get you involved in like I want

1095
00:48:57,640 --> 00:48:58,800
Speaker 1: you to argue with me.

1096
00:48:59,160 --> 00:49:03,239
Speaker 2: No, nothing to do with it because I haven't heard

1097
00:49:03,280 --> 00:49:05,480
Speaker 2: from I haven't got a chance to listen to it yet,

1098
00:49:05,680 --> 00:49:06,680
Speaker 2: so I can't argue with you.

1099
00:49:07,360 --> 00:49:09,040
Speaker 7: I'm sure it's amazing, though I haven't.

1100
00:49:09,040 --> 00:49:10,520
Speaker 5: I don't know if I like it better than Part

1101
00:49:10,640 --> 00:49:16,880
Speaker 5: one yet, though like Alfredo Alfredo part one is you know,

1102
00:49:17,080 --> 00:49:20,239
Speaker 5: incredible that project to me and and you know, to

1103
00:49:20,320 --> 00:49:21,399
Speaker 5: be fair, it came out.

1104
00:49:21,520 --> 00:49:23,160
Speaker 4: We always about it, pandemic.

1105
00:49:23,400 --> 00:49:25,920
Speaker 5: We got some of the best music that year, so

1106
00:49:26,000 --> 00:49:27,640
Speaker 5: we have more time to be still and kind of

1107
00:49:27,840 --> 00:49:30,040
Speaker 5: really live with music. So we had what we were

1108
00:49:30,080 --> 00:49:33,480
Speaker 5: doing was in the house. So Alfredo one might be

1109
00:49:34,040 --> 00:49:36,160
Speaker 5: better just because of that, I lived with it longer.

1110
00:49:36,880 --> 00:49:38,279
Speaker 5: That's what I'm saying. I don't want to say it yet,

1111
00:49:39,040 --> 00:49:41,840
Speaker 5: but just Alfredo two project is dope. Like I'm we

1112
00:49:41,960 --> 00:49:45,160
Speaker 5: have as hip hop consumers, it's a it's a great year.

1113
00:49:45,680 --> 00:49:46,600
Speaker 1: So far, it's been amazing.

1114
00:49:46,680 --> 00:49:47,520
Speaker 4: It's a great year.

1115
00:49:48,160 --> 00:49:50,960
Speaker 1: I get all right, we're trying to review this ship

1116
00:49:51,080 --> 00:49:54,120
Speaker 1: within three days. It's safe to say that Freddie Gibbs

1117
00:49:54,239 --> 00:49:59,680
Speaker 1: already has the best hip hop catalog of the new generation.

1118
00:50:02,160 --> 00:50:05,040
Speaker 1: It's easy to say, man, Like, I'm kind of say

1119
00:50:05,080 --> 00:50:07,400
Speaker 1: like with a new generation point at this point, who's

1120
00:50:07,440 --> 00:50:14,680
Speaker 1: like generation? I think Kendrick, Drake and Cole transcend hip hop. Yeah,

1121
00:50:15,120 --> 00:50:18,200
Speaker 1: if we talk about hip hop since twenty fifteen, you

1122
00:50:18,320 --> 00:50:21,399
Speaker 1: can put Kendrick and Cole right there.

1123
00:50:21,480 --> 00:50:22,040
Speaker 2: And I get it.

1124
00:50:22,120 --> 00:50:23,719
Speaker 1: I'm not talk about numbers. I'm just about anything you

1125
00:50:23,760 --> 00:50:25,320
Speaker 1: want to talk about hip hop. If you're about to

1126
00:50:25,360 --> 00:50:28,000
Speaker 1: tell me Freddy Gibbs it's not in that conversation, then

1127
00:50:28,000 --> 00:50:29,200
Speaker 1: I can't have a conversation.

1128
00:50:28,880 --> 00:50:30,520
Speaker 4: With you talking about the music. Yeah, I get it. Yeah,

1129
00:50:30,520 --> 00:50:32,080
Speaker 4: I'm with you, which it's.

1130
00:50:32,000 --> 00:50:34,560
Speaker 1: Not even like close. How he's not brought up. I

1131
00:50:34,640 --> 00:50:37,600
Speaker 1: get with numbers whatever, but how he's not brought up.

1132
00:50:37,680 --> 00:50:38,520
Speaker 4: We just told the music.

1133
00:50:38,840 --> 00:50:40,800
Speaker 1: Yeah, it's not even close though, Like I'm with you.

1134
00:50:41,560 --> 00:50:44,719
Speaker 3: I only needed three days with Alfredo two. We can

1135
00:50:44,760 --> 00:50:46,200
Speaker 3: debate Alfredo one two later.

1136
00:50:46,360 --> 00:50:46,520
Speaker 2: Yeah.

1137
00:50:46,560 --> 00:50:49,520
Speaker 1: Yeah, but if we're talking desography, it took three days

1138
00:50:49,520 --> 00:50:54,759
Speaker 1: to know, Like, has this guy not delivered since twenty fifteen? Yeah,

1139
00:50:54,840 --> 00:50:55,680
Speaker 1: every fucking year.

1140
00:50:57,280 --> 00:50:59,200
Speaker 5: And I know people gonna say, well, he got alchem

1141
00:50:59,360 --> 00:51:01,200
Speaker 5: Is mad Libya, but he could still be you can

1142
00:51:01,880 --> 00:51:04,120
Speaker 5: you could fuck up an alchemist in a mad live track.

1143
00:51:05,040 --> 00:51:09,560
Speaker 1: Listen, it's Tupaca goat. Absolutely nobody said well yes, doctor

1144
00:51:09,640 --> 00:51:12,000
Speaker 1: dre Right, Like, what the fuck does that matter?

1145
00:51:12,320 --> 00:51:13,400
Speaker 4: I get it, I get it.

1146
00:51:13,560 --> 00:51:18,880
Speaker 3: Yeah, it's bad that a legendary producer saw his talent.

1147
00:51:19,080 --> 00:51:21,320
Speaker 4: Right and thought that I thought that that would be

1148
00:51:21,520 --> 00:51:23,600
Speaker 4: a great fit for each other. Yeah, I get it.

1149
00:51:24,440 --> 00:51:27,560
Speaker 1: So I mean, to me, that's that's nuts. I did

1150
00:51:27,680 --> 00:51:30,720
Speaker 1: also love to put your team wile A record Damage Control.

1151
00:51:31,640 --> 00:51:35,000
Speaker 1: Wile A also quietly has just been putting out great Ship.

1152
00:51:35,719 --> 00:51:38,160
Speaker 1: I'm curious it's actually gonna make the project and what's not.

1153
00:51:38,320 --> 00:51:40,520
Speaker 1: Sometimes I can't figure out what's a single and what's

1154
00:51:40,600 --> 00:51:43,600
Speaker 1: not a single. But while a for the last six months,

1155
00:51:43,719 --> 00:51:44,600
Speaker 1: everything's put out.

1156
00:51:44,520 --> 00:51:46,080
Speaker 5: While at feel like he gotta he gotta use his

1157
00:51:46,280 --> 00:51:48,720
Speaker 5: energy is a little he got a chip on his shoulder.

1158
00:51:49,040 --> 00:51:49,440
Speaker 4: I like that.

1159
00:51:49,560 --> 00:51:51,279
Speaker 1: I think you're the first podcast to break that news.

1160
00:51:51,840 --> 00:51:54,680
Speaker 5: No, I'm just saying like he has like you can

1161
00:51:54,840 --> 00:51:56,520
Speaker 5: like it, but you can you can hear it though

1162
00:51:56,560 --> 00:51:59,279
Speaker 5: in the music now, like I could feel that.

1163
00:52:01,120 --> 00:52:04,160
Speaker 1: I have heard it since before. He should have had

1164
00:52:04,200 --> 00:52:07,719
Speaker 1: a yeah. But I like that though sometimes I think that, yeah,

1165
00:52:07,760 --> 00:52:08,160
Speaker 1: you need that.

1166
00:52:08,239 --> 00:52:10,440
Speaker 5: You need that sometime to go out there and put

1167
00:52:10,480 --> 00:52:12,480
Speaker 5: your foot in the nas and let them know, like

1168
00:52:12,560 --> 00:52:14,000
Speaker 5: you know, I'm one of those dudes.

1169
00:52:14,040 --> 00:52:15,000
Speaker 4: So I love it.

1170
00:52:15,080 --> 00:52:16,719
Speaker 1: Man shout out to Walle Similar to what we were

1171
00:52:16,719 --> 00:52:20,399
Speaker 1: talking about with graph of like the new waven era

1172
00:52:20,600 --> 00:52:25,759
Speaker 1: of underground coming with Griselda and everything. Had Wally came

1173
00:52:25,840 --> 00:52:29,120
Speaker 1: out later with this whole thing, I still think he

1174
00:52:29,120 --> 00:52:31,040
Speaker 1: would have done records with Lady Gaga. I still would

1175
00:52:31,040 --> 00:52:33,600
Speaker 1: have had records like Bad and all that. I just

1176
00:52:33,640 --> 00:52:36,400
Speaker 1: think he would have been respected a bit more in

1177
00:52:36,560 --> 00:52:39,759
Speaker 1: that world because he was fighting in the blog era world.

1178
00:52:40,960 --> 00:52:43,680
Speaker 1: This world would the same way we talked about Freddy,

1179
00:52:43,680 --> 00:52:46,080
Speaker 1: because I can go through Walle's catalog and say, I'll

1180
00:52:46,080 --> 00:52:48,480
Speaker 1: put this up with every last one of your favorite

1181
00:52:48,560 --> 00:52:53,520
Speaker 1: Ja Cole Demeris, He's he's up there with me with Freddy,

1182
00:52:53,719 --> 00:52:56,719
Speaker 1: Like can you if you put up a catalog, it's

1183
00:52:56,719 --> 00:52:57,920
Speaker 1: a little different when you look at.

1184
00:52:57,880 --> 00:53:01,680
Speaker 4: It song for song. Yeah, I try to bait you.

1185
00:53:01,719 --> 00:53:02,120
Speaker 4: I'm sorry.

1186
00:53:02,320 --> 00:53:02,840
Speaker 2: It's fine.

1187
00:53:03,560 --> 00:53:05,359
Speaker 4: I notice now, and I just you know, you're gonna

1188
00:53:05,360 --> 00:53:06,920
Speaker 4: have your chance. You're gonna have your chance to talk

1189
00:53:06,960 --> 00:53:07,600
Speaker 4: your ship. Baby.

1190
00:53:07,640 --> 00:53:10,600
Speaker 5: The cold dropping this year, it's definitely happening. You're gonna

1191
00:53:10,600 --> 00:53:12,080
Speaker 5: have You're gonna have your chance to talk your ship.

1192
00:53:12,080 --> 00:53:13,120
Speaker 4: You have your chance to pop it.

1193
00:53:13,560 --> 00:53:14,440
Speaker 2: And it's fine.

1194
00:53:15,000 --> 00:53:17,600
Speaker 1: I don't hope music sucks. I want a great Jacob.

1195
00:53:17,880 --> 00:53:20,480
Speaker 4: Why wouldn't I? Oh no, yeah, I would absolutely.

1196
00:53:20,680 --> 00:53:22,680
Speaker 5: This year so far from me. You know, we got

1197
00:53:22,760 --> 00:53:25,520
Speaker 5: Nick Grant, I took it personal. You got the clips,

1198
00:53:26,239 --> 00:53:27,600
Speaker 5: you got Alfreido too.

1199
00:53:28,120 --> 00:53:29,680
Speaker 2: Happy birthday, Nick, by the way.

1200
00:53:30,239 --> 00:53:34,399
Speaker 4: Happy birthday, Nick. Yeah, birthday, you get him. You think

1201
00:53:34,400 --> 00:53:35,480
Speaker 4: I got him a present?

1202
00:53:36,520 --> 00:53:38,560
Speaker 7: You could have said, gift a present. It's crazy.

1203
00:53:38,800 --> 00:53:41,000
Speaker 4: You think I bought Nick like a present for maybe

1204
00:53:41,000 --> 00:53:41,760
Speaker 4: wrapped it and everything.

1205
00:53:42,719 --> 00:53:43,920
Speaker 2: If I got Scotch take.

1206
00:53:44,200 --> 00:53:50,480
Speaker 4: I wouldn't how sat watched this boy?

1207
00:53:50,600 --> 00:53:53,120
Speaker 5: Just let taking people keep recording the whole d I

1208
00:53:53,239 --> 00:53:55,640
Speaker 5: want you to know how funny that is, Like, yeah.

1209
00:53:55,440 --> 00:53:58,800
Speaker 1: Maybe it's like a favorite like Fragrance Candle or something.

1210
00:54:00,200 --> 00:54:02,120
Speaker 5: I'm gonna call him and just say that. Watch his

1211
00:54:02,239 --> 00:54:04,799
Speaker 5: respond you just said, probably happy earth Day?

1212
00:54:05,360 --> 00:54:09,200
Speaker 4: Yo, my boy? What's yo? Real quick?

1213
00:54:09,239 --> 00:54:12,000
Speaker 5: We were recording right and Demarus we was talking about,

1214
00:54:12,000 --> 00:54:13,640
Speaker 5: you know, all the albums that came out this ship,

1215
00:54:13,640 --> 00:54:15,480
Speaker 5: and you know, I take it personal being one of

1216
00:54:15,560 --> 00:54:19,600
Speaker 5: our favorites. So Damarius goes, Happy birthday Nick. So I

1217
00:54:19,680 --> 00:54:22,080
Speaker 5: was like, yes, just Nick's birthday. So then Rory says,

1218
00:54:22,400 --> 00:54:23,719
Speaker 5: did you did you get him? What did you get

1219
00:54:23,760 --> 00:54:25,360
Speaker 5: him for his birthday? And I said, you think I

1220
00:54:25,440 --> 00:54:28,320
Speaker 5: got Nick a present for his birthday? I just wanted

1221
00:54:28,360 --> 00:54:31,479
Speaker 5: to because they don't know our relationship. How crazy would

1222
00:54:31,480 --> 00:54:33,319
Speaker 5: that have been if I say, your Nick, go check

1223
00:54:33,360 --> 00:54:34,160
Speaker 5: in your mailbox.

1224
00:54:34,200 --> 00:54:35,160
Speaker 4: I sent you something for your.

1225
00:54:35,160 --> 00:54:37,120
Speaker 3: Birthdayeah, maybe like a gift card to a spot.

1226
00:54:38,080 --> 00:54:41,560
Speaker 4: He already say said, yeah, y'all niggas in love. He

1227
00:54:41,600 --> 00:54:42,520
Speaker 4: ain't getting this nigga.

1228
00:54:42,600 --> 00:54:46,240
Speaker 1: No present normalized giving our male friends gifts for their birthday.

1229
00:54:46,880 --> 00:54:48,759
Speaker 4: Get the fuck out of here with that ship. Man,

1230
00:54:48,800 --> 00:54:49,520
Speaker 4: we doing that?

1231
00:54:53,560 --> 00:54:55,200
Speaker 3: Nick, you could say thank you the fuck?

1232
00:54:55,840 --> 00:54:56,000
Speaker 10: Nick.

1233
00:54:56,280 --> 00:54:59,120
Speaker 4: Nick de Mara said, you can say thank you the fuck? Oh,

1234
00:54:59,360 --> 00:55:03,040
Speaker 4: thank you, thank I appreciate you looking out. How you feeling, man?

1235
00:55:03,040 --> 00:55:04,560
Speaker 2: You good man?

1236
00:55:04,560 --> 00:55:07,920
Speaker 4: I'm tired as a motherfucker boy. Yeah, we'll wore your

1237
00:55:07,960 --> 00:55:11,360
Speaker 4: ass out. Huh bigger. But that shit hit me like

1238
00:55:11,440 --> 00:55:12,160
Speaker 4: a ton of breaks.

1239
00:55:12,200 --> 00:55:17,799
Speaker 6: I get upright, man, I can't do that no more.

1240
00:55:19,520 --> 00:55:20,880
Speaker 4: I can't do that ship I used to.

1241
00:55:22,120 --> 00:55:24,279
Speaker 3: And your birthday is about everybody else about you.

1242
00:55:24,520 --> 00:55:25,800
Speaker 4: Yeah, and you got so you got you got a

1243
00:55:25,840 --> 00:55:27,640
Speaker 4: little boy, yes for your birthday?

1244
00:55:27,680 --> 00:55:29,960
Speaker 2: No more, man, it's his not for sure.

1245
00:55:30,480 --> 00:55:31,919
Speaker 4: We got to go back to enjoy yourself.

1246
00:55:32,000 --> 00:55:34,279
Speaker 5: I'll hit you later, all right for say you'll be

1247
00:55:34,320 --> 00:55:35,600
Speaker 5: good man, have a good show, all right?

1248
00:55:35,640 --> 00:55:38,800
Speaker 1: Peace and see this is my entire point. This is

1249
00:55:38,840 --> 00:55:43,040
Speaker 1: why men are so fucking exhausted, because we have been

1250
00:55:43,080 --> 00:55:46,440
Speaker 1: suppressing our feel of joy forever. Why can't we just

1251
00:55:46,760 --> 00:55:49,520
Speaker 1: ask and expect our male friends to get up kiss

1252
00:55:49,719 --> 00:55:51,960
Speaker 1: like any type of president should come from your friend.

1253
00:55:52,200 --> 00:55:55,200
Speaker 1: Damaras hit me yesterday about a female friend and say Hey,

1254
00:55:55,320 --> 00:55:55,800
Speaker 1: was their birthday?

1255
00:55:55,800 --> 00:55:56,279
Speaker 2: What you get her?

1256
00:55:57,800 --> 00:55:58,640
Speaker 7: That ain't what I said?

1257
00:55:58,680 --> 00:56:01,439
Speaker 4: What did you say? Yeah, it's a lady friend.

1258
00:56:01,600 --> 00:56:04,479
Speaker 2: You cash after I said, you sent her cap money

1259
00:56:04,520 --> 00:56:06,239
Speaker 2: on her cash ap. Yeah you did what the fuck

1260
00:56:06,280 --> 00:56:06,920
Speaker 2: you was supposed to do.

1261
00:56:07,040 --> 00:56:09,359
Speaker 1: Okay, And my thing is why Nick just said, Bro,

1262
00:56:09,800 --> 00:56:11,759
Speaker 1: I'm exhausted. You could hear the pain in his voice.

1263
00:56:11,800 --> 00:56:16,560
Speaker 1: It's his birthday and it's based off you laughing that

1264
00:56:16,719 --> 00:56:18,640
Speaker 1: I would say, you wouldn't get your man's a gift.

1265
00:56:18,680 --> 00:56:22,000
Speaker 1: You wouldn't celebrate your man's like maybe he deserves happy birthday.

1266
00:56:22,080 --> 00:56:24,680
Speaker 4: Yeah, no, happy birthday, family, good a man later.

1267
00:56:25,239 --> 00:56:27,759
Speaker 3: And that's why he's so exhausted because we've been built

1268
00:56:27,800 --> 00:56:28,280
Speaker 3: this way.

1269
00:56:29,800 --> 00:56:30,560
Speaker 4: On his birthday.

1270
00:56:30,640 --> 00:56:33,040
Speaker 5: Yeah yeah, fuck that heppy birthday and they can get

1271
00:56:33,040 --> 00:56:36,280
Speaker 5: off my phone. That's all I'm.

1272
00:56:36,120 --> 00:56:37,319
Speaker 1: Gonna get you a birthday gift. Man.

1273
00:56:37,840 --> 00:56:40,279
Speaker 2: When I asked him if he got the birthday gift

1274
00:56:40,320 --> 00:56:41,880
Speaker 2: for you, bringing that up, a nigga liked my message

1275
00:56:41,880 --> 00:56:43,880
Speaker 2: and kept going, I'm like, as so, is that a

1276
00:56:44,000 --> 00:56:45,560
Speaker 2: yes or yeah? All right?

1277
00:56:45,760 --> 00:56:47,480
Speaker 4: You cash up your male friends with your birthday?

1278
00:56:47,960 --> 00:56:51,520
Speaker 2: It wasn't a dude to marriage depends on the friend,

1279
00:56:51,560 --> 00:56:53,440
Speaker 2: depends on how close the friend is I usually take

1280
00:56:53,520 --> 00:56:56,600
Speaker 2: them out and we both can indulge.

1281
00:56:56,920 --> 00:57:00,680
Speaker 1: Yeah, like I'm thinking of something. Yeah, okay, Damara says,

1282
00:57:00,760 --> 00:57:02,400
Speaker 1: for one of my birthday parties on my crib, she

1283
00:57:02,480 --> 00:57:04,319
Speaker 1: cooked everything like that. To me, that was a gift.

1284
00:57:05,239 --> 00:57:07,440
Speaker 2: The groceries too, that fire like not to me, that

1285
00:57:07,560 --> 00:57:11,560
Speaker 2: was it was like a birthday cake.

1286
00:57:11,680 --> 00:57:12,160
Speaker 4: That's fire.

1287
00:57:12,239 --> 00:57:14,480
Speaker 3: Now that's why it cooks my favorite stuff. Like yeah,

1288
00:57:14,520 --> 00:57:16,000
Speaker 3: that to me, I was like, yeah, that's fire.

1289
00:57:16,320 --> 00:57:17,240
Speaker 1: A real friend.

1290
00:57:17,200 --> 00:57:20,280
Speaker 4: Birthday gifts, Yeah, that's fire. I respect that. I was

1291
00:57:20,360 --> 00:57:21,640
Speaker 4: love right there that.

1292
00:57:21,920 --> 00:57:23,880
Speaker 2: I feel like that brought me like ten years, like, yeah,

1293
00:57:23,920 --> 00:57:26,040
Speaker 2: she's a dope friend. He ain't seen me on a

1294
00:57:26,040 --> 00:57:27,959
Speaker 2: birthday since Yeah, are.

1295
00:57:27,880 --> 00:57:30,240
Speaker 5: You one of those this nigga, this birthday, let this

1296
00:57:30,360 --> 00:57:33,160
Speaker 5: part let just roll over. Let this roll over the

1297
00:57:33,240 --> 00:57:34,160
Speaker 5: next three birthdays.

1298
00:57:34,440 --> 00:57:35,080
Speaker 4: I respect that.

1299
00:57:35,600 --> 00:57:39,560
Speaker 1: Yeah, well, I mean ship my last my thirty fifth,

1300
00:57:39,600 --> 00:57:41,240
Speaker 1: I went to Detroit. Somebody could do anything.

1301
00:57:42,320 --> 00:57:42,960
Speaker 2: I prayed for you.

1302
00:57:44,080 --> 00:57:45,800
Speaker 4: Oh yeah, he was working on your birthday.

1303
00:57:47,080 --> 00:57:47,880
Speaker 1: Last few birthdays.

1304
00:57:48,000 --> 00:57:49,200
Speaker 4: But don't love ourselves enough.

1305
00:57:50,160 --> 00:57:54,520
Speaker 1: That's why I could hear the exhaustion. And I know

1306
00:57:54,720 --> 00:57:58,000
Speaker 1: for a fact because he has a kid. Today was

1307
00:57:58,040 --> 00:57:59,360
Speaker 1: about everybody but him.

1308
00:58:01,840 --> 00:58:02,280
Speaker 2: I know what.

1309
00:58:02,400 --> 00:58:04,520
Speaker 1: It was like, Hey, how about how would we do

1310
00:58:04,680 --> 00:58:06,560
Speaker 1: everything that you're gonna have to pay for it and

1311
00:58:06,800 --> 00:58:09,280
Speaker 1: take it? Like because if you say, yo, how about

1312
00:58:09,360 --> 00:58:11,760
Speaker 1: like just for today you leave me the funk alone? Nah?

1313
00:58:13,200 --> 00:58:14,120
Speaker 4: You look and say, but.

1314
00:58:14,120 --> 00:58:17,760
Speaker 1: Speaking of the girl whose birthday just passed, this is

1315
00:58:17,800 --> 00:58:19,640
Speaker 1: the girl that put me onto the t app. She

1316
00:58:19,720 --> 00:58:21,240
Speaker 1: put me into marass onto the tap.

1317
00:58:22,160 --> 00:58:23,840
Speaker 4: I keep hearing about this t app shit.

1318
00:58:24,000 --> 00:58:28,320
Speaker 2: So that thing. A couple of months ago, right, I

1319
00:58:28,600 --> 00:58:30,560
Speaker 2: was trying to figure out if a man that I

1320
00:58:30,960 --> 00:58:34,280
Speaker 2: was entertaining was gay or if.

1321
00:58:34,200 --> 00:58:35,560
Speaker 4: He was a serial Is that the one you showed

1322
00:58:35,560 --> 00:58:38,200
Speaker 4: me a picture of it? And I said, yeah, he's gay, Yes, okay.

1323
00:58:39,240 --> 00:58:40,560
Speaker 2: I was trying to figure out if he was gay

1324
00:58:40,680 --> 00:58:42,840
Speaker 2: or a serial killer because he was too perfect, something

1325
00:58:42,880 --> 00:58:43,439
Speaker 2: had to be wrong.

1326
00:58:43,800 --> 00:58:44,400
Speaker 4: Definitely gay.

1327
00:58:44,560 --> 00:58:44,920
Speaker 11: So I was.

1328
00:58:46,080 --> 00:58:48,840
Speaker 2: So I was talking to her and she was like, well,

1329
00:58:48,880 --> 00:58:50,080
Speaker 2: have you heard of the t APP? I'm like no,

1330
00:58:50,200 --> 00:58:51,920
Speaker 2: She's like, we know that. You go on there and

1331
00:58:52,040 --> 00:58:54,080
Speaker 2: was she painted it to me as It's like they'll

1332
00:58:54,160 --> 00:58:56,560
Speaker 2: tell you if like a man is and if he's

1333
00:58:56,640 --> 00:58:58,320
Speaker 2: if you should stay away from him, like if he's

1334
00:58:58,320 --> 00:59:01,240
Speaker 2: a rapist or if he's like a murderer, a killer,

1335
00:59:01,360 --> 00:59:03,200
Speaker 2: or he's creepy, like it'll tell you that.

1336
00:59:03,320 --> 00:59:06,440
Speaker 4: And I know if he was a killer, yeah, okay,

1337
00:59:08,000 --> 00:59:10,640
Speaker 4: red Flag. He just came home, no for real.

1338
00:59:10,760 --> 00:59:12,200
Speaker 7: One of the people on there, it's like he just

1339
00:59:12,280 --> 00:59:13,520
Speaker 7: came home for murdering his wife.

1340
00:59:13,560 --> 00:59:13,800
Speaker 2: He did.

1341
00:59:14,080 --> 00:59:15,640
Speaker 7: He got time served like ship like that.

1342
00:59:16,280 --> 00:59:18,480
Speaker 4: So I'm like, you got tom served.

1343
00:59:21,120 --> 00:59:25,200
Speaker 2: Okay. So I'm like, so that's what it was painted

1344
00:59:25,280 --> 00:59:27,600
Speaker 2: to as painted to me as so I'm like, okay,

1345
00:59:27,640 --> 00:59:29,400
Speaker 2: this is such a great app like a warm woman

1346
00:59:29,440 --> 00:59:32,080
Speaker 2: against like horrible men and stuff like this. Now, over

1347
00:59:32,160 --> 00:59:34,760
Speaker 2: the weekend it blew up and was like people were

1348
00:59:34,840 --> 00:59:37,520
Speaker 2: on there like year girl, he got a girlfriend, he'd

1349
00:59:37,520 --> 00:59:39,800
Speaker 2: be cheating on his girlfriend, his dick wag.

1350
00:59:40,640 --> 00:59:41,960
Speaker 1: Just slow down because I want you to get there,

1351
00:59:42,320 --> 00:59:45,040
Speaker 1: but don't act like me. And you did not search

1352
00:59:45,520 --> 00:59:47,320
Speaker 1: my name Maul's name.

1353
00:59:47,400 --> 00:59:49,560
Speaker 2: We did. Everybody. We fucking knew his name.

1354
00:59:50,200 --> 00:59:51,560
Speaker 7: He showed us that you're not on it.

1355
00:59:51,680 --> 00:59:54,640
Speaker 3: We are not on that tea app whatsoever. One of

1356
00:59:54,680 --> 00:59:55,320
Speaker 3: our homies.

1357
00:59:56,360 --> 00:59:57,520
Speaker 1: Yeah, there was somebody that was on there.

1358
00:59:57,520 --> 00:59:59,960
Speaker 2: I was like, damn, one of our homies is on there,

1359
01:00:00,200 --> 01:00:00,600
Speaker 2: not for like.

1360
01:00:00,680 --> 01:00:03,360
Speaker 1: Doing no like foul rape ship.

1361
01:00:03,400 --> 01:00:05,040
Speaker 2: But they just say he keeps cheating on his girlfriend.

1362
01:00:05,080 --> 01:00:05,760
Speaker 2: That shit ain't right.

1363
01:00:05,880 --> 01:00:07,880
Speaker 4: But oh that's that's man.

1364
01:00:08,160 --> 01:00:12,760
Speaker 1: But but yes, once this girl introduced AMARSONI to this app,

1365
01:00:12,920 --> 01:00:19,160
Speaker 1: we searched peege, I'm searching us.

1366
01:00:19,200 --> 01:00:21,280
Speaker 7: We found we didn't find I'm sorry. We searched for you.

1367
01:00:21,360 --> 01:00:23,120
Speaker 7: We didn't find you. I'm sorry, Yes, did we?

1368
01:00:23,200 --> 01:00:24,600
Speaker 2: Because maybe we should double check?

1369
01:00:24,640 --> 01:00:26,560
Speaker 4: So wait, this app is was just for women all

1370
01:00:26,640 --> 01:00:28,040
Speaker 4: over the world country.

1371
01:00:28,840 --> 01:00:30,680
Speaker 1: No, you could put a zip code a whole area,

1372
01:00:31,240 --> 01:00:33,400
Speaker 1: like she shares her location with that app, so she

1373
01:00:33,480 --> 01:00:34,480
Speaker 1: could just hit her location.

1374
01:00:35,080 --> 01:00:38,960
Speaker 5: Okay, okay, people in the area, gotcha.

1375
01:00:39,880 --> 01:00:41,160
Speaker 4: It's like dick yill Okay.

1376
01:00:41,760 --> 01:00:43,120
Speaker 7: But it wasn't originally for that.

1377
01:00:43,320 --> 01:00:46,240
Speaker 1: It was it was for the protection of women. I mean,

1378
01:00:46,280 --> 01:00:48,920
Speaker 1: I don't know if if te Apple will say this,

1379
01:00:49,040 --> 01:00:51,200
Speaker 1: but it same way only fans A lot of that

1380
01:00:51,320 --> 01:00:53,080
Speaker 1: to do with certain women and sex work and things

1381
01:00:53,120 --> 01:00:55,840
Speaker 1: like that. To make sure whatever you're doing is safe

1382
01:00:55,840 --> 01:00:57,680
Speaker 1: with the people that you're meeting up with you So

1383
01:00:58,080 --> 01:01:02,120
Speaker 1: then it spread, okay, and Demerius, you can take it

1384
01:01:02,160 --> 01:01:03,600
Speaker 1: from here. After that breach, I just want to make

1385
01:01:03,640 --> 01:01:08,760
Speaker 1: it clear. Yeah, that ship and anything after this well

1386
01:01:08,800 --> 01:01:11,160
Speaker 1: one because we talked about it Yeah.

1387
01:01:11,360 --> 01:01:15,640
Speaker 2: They they started just it stopped becoming about safety and

1388
01:01:15,720 --> 01:01:20,120
Speaker 2: started just becoming about quote unquote gossip, and so it

1389
01:01:20,200 --> 01:01:20,560
Speaker 2: blew up.

1390
01:01:20,640 --> 01:01:22,560
Speaker 7: Niggas was getting mad. They're like, what if we did

1391
01:01:22,640 --> 01:01:26,560
Speaker 7: this for women? Ah, y'all did. It was called group chats,

1392
01:01:26,960 --> 01:01:28,720
Speaker 7: but they were just so everything.

1393
01:01:28,920 --> 01:01:31,480
Speaker 2: Everybody was so angry because people were, you know, exposing

1394
01:01:31,520 --> 01:01:32,920
Speaker 2: like oh I went on a date with him and

1395
01:01:33,000 --> 01:01:36,000
Speaker 2: his dick was whack, or he's hairy, or his butt

1396
01:01:36,080 --> 01:01:37,480
Speaker 2: stings like it was just ship like that.

1397
01:01:42,680 --> 01:01:44,400
Speaker 4: That's what they on this app talking about.

1398
01:01:44,640 --> 01:01:47,240
Speaker 2: Yes, and they can give you people can give you

1399
01:01:47,320 --> 01:01:49,160
Speaker 2: red flags or green flags, YadA YadA.

1400
01:01:49,600 --> 01:01:50,560
Speaker 7: So yeah, it spread out.

1401
01:01:51,200 --> 01:01:53,960
Speaker 2: There was a huge dad Yeah, they put a picture

1402
01:01:53,960 --> 01:01:56,640
Speaker 2: of your face. There was a huge data breach where

1403
01:01:57,200 --> 01:01:59,680
Speaker 2: so some people I guess were uploading their license to

1404
01:01:59,760 --> 01:02:04,160
Speaker 2: because when you sign up, you have to verify that

1405
01:02:04,320 --> 01:02:06,840
Speaker 2: they need a record of you being who you are, right.

1406
01:02:07,440 --> 01:02:09,400
Speaker 2: So for example, when I signed up a couple months

1407
01:02:09,440 --> 01:02:11,080
Speaker 2: ago to find out if that man was a murderer,

1408
01:02:11,320 --> 01:02:12,120
Speaker 2: I used my photo.

1409
01:02:12,160 --> 01:02:13,160
Speaker 7: I didn't use my ID.

1410
01:02:13,800 --> 01:02:15,720
Speaker 2: Some people were using their ID and then there was

1411
01:02:15,720 --> 01:02:18,840
Speaker 2: a data breach, So then all of those people's IDs

1412
01:02:19,080 --> 01:02:22,480
Speaker 2: and selfies became public when the app is actually supposed

1413
01:02:22,480 --> 01:02:24,160
Speaker 2: to delete them the moment they have them, but you know,

1414
01:02:24,320 --> 01:02:26,200
Speaker 2: the moment you take them or whatever and they verify,

1415
01:02:26,280 --> 01:02:27,920
Speaker 2: but you know that doesn't ever work out like that,

1416
01:02:28,080 --> 01:02:30,800
Speaker 2: So huge data breach. Everybody's like, ah, that's what y'all get.

1417
01:02:30,840 --> 01:02:33,000
Speaker 2: Y'all are fucking stupid for signing up to this app.

1418
01:02:33,200 --> 01:02:35,160
Speaker 2: And I'm just like, if the app was being used

1419
01:02:35,160 --> 01:02:37,720
Speaker 2: for what it was originally created for, I understand why

1420
01:02:37,760 --> 01:02:39,400
Speaker 2: an app like that exists, and I'm grateful that in

1421
01:02:39,400 --> 01:02:41,560
Speaker 2: an app like that exists, But to make it just

1422
01:02:41,600 --> 01:02:45,400
Speaker 2: about like personal like stupid shit, it's just shit.

1423
01:02:45,680 --> 01:02:48,280
Speaker 1: When we were looking on the app with her, all

1424
01:02:48,360 --> 01:02:51,360
Speaker 1: of that shit was legitimately about like whether that man

1425
01:02:51,520 --> 01:02:53,960
Speaker 1: was safe or not. Yeah, like it wasn't on some

1426
01:02:54,040 --> 01:02:56,320
Speaker 1: of its dick was whack or like it was really

1427
01:02:56,360 --> 01:03:00,600
Speaker 1: about safety. Yeah, So once that shit, because how long

1428
01:03:00,600 --> 01:03:00,920
Speaker 1: ago do you.

1429
01:03:00,920 --> 01:03:01,320
Speaker 4: Think that was?

1430
01:03:01,680 --> 01:03:02,640
Speaker 1: That she showed us that app?

1431
01:03:03,080 --> 01:03:04,600
Speaker 2: A couple of months ago? Seven years ago?

1432
01:03:06,240 --> 01:03:07,560
Speaker 4: You know that seven?

1433
01:03:07,840 --> 01:03:10,240
Speaker 1: No, there was a couple of months ago top of June.

1434
01:03:10,720 --> 01:03:12,240
Speaker 1: It's okay, you can tell the truth of mine. I

1435
01:03:12,240 --> 01:03:14,320
Speaker 1: don't care unless you're trying to right before the pandemic

1436
01:03:14,480 --> 01:03:17,560
Speaker 1: Top of June, Top of June. Okay, yeah, when we

1437
01:03:17,680 --> 01:03:20,200
Speaker 1: were looking at that, I mean, whatever her settings were,

1438
01:03:20,280 --> 01:03:23,600
Speaker 1: we're just for safety. Yeah, because because once I saw

1439
01:03:23,640 --> 01:03:24,920
Speaker 1: this ship go off, I was like, oh, that was

1440
01:03:24,960 --> 01:03:26,200
Speaker 1: the app that Shorty showed us.

1441
01:03:26,600 --> 01:03:28,600
Speaker 5: So is there an app like this for guys, like

1442
01:03:28,880 --> 01:03:30,560
Speaker 5: so we can know that the women that we would

1443
01:03:30,560 --> 01:03:31,760
Speaker 5: get arrested if we had an app like that?

1444
01:03:32,520 --> 01:03:32,720
Speaker 4: Why?

1445
01:03:34,080 --> 01:03:35,840
Speaker 1: Because double standards exist to.

1446
01:03:35,840 --> 01:03:40,919
Speaker 2: See that I agree with, Like, that's true, Rob me. Yeah, yeah, men.

1447
01:03:40,840 --> 01:03:42,600
Speaker 1: Couldn't have that app. We wouldn't have we would never

1448
01:03:42,680 --> 01:03:43,240
Speaker 1: be allowed to have that.

1449
01:03:45,120 --> 01:03:48,360
Speaker 4: But that is so crazy. Women do crazy shit too. No,

1450
01:03:48,480 --> 01:03:48,920
Speaker 4: I agree.

1451
01:03:49,720 --> 01:03:51,600
Speaker 1: No, I think men should be able to have their

1452
01:03:51,640 --> 01:03:53,880
Speaker 1: tea app. I'm just saying in this society we would

1453
01:03:53,920 --> 01:03:54,600
Speaker 1: get smoked for.

1454
01:03:54,560 --> 01:03:55,120
Speaker 4: Having that app.

1455
01:03:55,960 --> 01:03:57,560
Speaker 2: I mean, but to be fair, women are getting are

1456
01:03:57,560 --> 01:03:59,320
Speaker 2: getting smoked for having that app right now too.

1457
01:03:59,560 --> 01:04:00,120
Speaker 4: So well.

1458
01:04:00,120 --> 01:04:03,600
Speaker 1: Also the irony, yeah, also irony of the entire thing,

1459
01:04:03,640 --> 01:04:05,840
Speaker 1: because I don't really agree with how that app ended

1460
01:04:05,920 --> 01:04:07,880
Speaker 1: up being because it ended up being gossip ship. But

1461
01:04:08,000 --> 01:04:11,120
Speaker 1: it is kind of funny that a t app designed

1462
01:04:11,240 --> 01:04:14,720
Speaker 1: to protect women ended up having all of their addresses

1463
01:04:14,760 --> 01:04:17,880
Speaker 1: out there Jesus like that was. That was the irony

1464
01:04:17,920 --> 01:04:20,800
Speaker 1: of the entire thing because all the women that used

1465
01:04:20,840 --> 01:04:27,440
Speaker 1: their IDs their addresses. But it turned into some gossipy

1466
01:04:27,680 --> 01:04:30,880
Speaker 1: ship like listen, dick Yelp was fucked up, but at

1467
01:04:30,960 --> 01:04:32,680
Speaker 1: least it was called dick Yelp. We knew what type

1468
01:04:32,680 --> 01:04:34,320
Speaker 1: of time it was. The t app was really started

1469
01:04:34,400 --> 01:04:36,560
Speaker 1: to help and protect women.

1470
01:04:37,440 --> 01:04:39,120
Speaker 4: Yeah, they was wrong for putting me on that app.

1471
01:04:40,480 --> 01:04:42,880
Speaker 1: They said incredible things about you. You remember the things

1472
01:04:42,920 --> 01:04:44,280
Speaker 1: they said about me. No, it was fucked up they

1473
01:04:44,320 --> 01:04:44,680
Speaker 1: put me on.

1474
01:04:46,480 --> 01:04:48,000
Speaker 3: I said, I used the hardy R and tried to

1475
01:04:48,080 --> 01:04:49,640
Speaker 3: do slave cosplate with it.

1476
01:04:54,280 --> 01:04:54,440
Speaker 1: You know.

1477
01:04:54,800 --> 01:04:57,160
Speaker 3: Oh, it's fucked up that everyone found out that you're

1478
01:04:57,160 --> 01:04:57,800
Speaker 3: a huge dick.

1479
01:04:57,960 --> 01:05:02,120
Speaker 2: You're a great lover. Oh my god, how are you?

1480
01:05:02,320 --> 01:05:02,919
Speaker 2: Poor guy?

1481
01:05:04,040 --> 01:05:08,680
Speaker 1: They said that I do slave cosplay and the only

1482
01:05:08,760 --> 01:05:10,920
Speaker 1: way I can fuck is if I use the already R.

1483
01:05:12,840 --> 01:05:13,800
Speaker 3: You poor gentlemen.

1484
01:05:13,880 --> 01:05:16,520
Speaker 4: I'm so sorry that I forgot they said that about you.

1485
01:05:17,000 --> 01:05:19,120
Speaker 2: Damn the only thing on dick YEP I had.

1486
01:05:19,320 --> 01:05:21,320
Speaker 4: Yeah, Damn, my bad, bro, I forgot about that.

1487
01:05:21,640 --> 01:05:24,960
Speaker 2: I do slave cosplay exactly Rory because.

1488
01:05:24,720 --> 01:05:27,520
Speaker 5: I'm a history but he dresses up like Leonardo DiCaprio,

1489
01:05:27,680 --> 01:05:28,480
Speaker 5: d django.

1490
01:05:30,840 --> 01:05:31,760
Speaker 3: Really in the history.

1491
01:05:34,160 --> 01:05:36,959
Speaker 1: And she didn't realize that if we continued on with it, everyone,

1492
01:05:36,960 --> 01:05:37,920
Speaker 1: we're going to be free, everybody.

1493
01:05:40,680 --> 01:05:41,800
Speaker 4: She didn't let the story go on.

1494
01:05:43,320 --> 01:05:44,440
Speaker 2: All right, please.

1495
01:05:44,680 --> 01:05:46,640
Speaker 4: It starts out bad, but it ends in the beauty.

1496
01:05:46,800 --> 01:05:47,480
Speaker 2: It ends with j.

1497
01:05:49,960 --> 01:05:51,920
Speaker 7: All right, all right, okay, it ends on.

1498
01:05:53,880 --> 01:05:53,920
Speaker 1: You.

1499
01:05:53,920 --> 01:05:55,400
Speaker 2: I'm not about to tell on Dick.

1500
01:05:55,480 --> 01:05:55,680
Speaker 4: Help.

1501
01:05:55,720 --> 01:05:56,160
Speaker 2: It's okay.

1502
01:05:56,200 --> 01:05:58,720
Speaker 1: If somebody makes up some ship that I'm going slaves playing,

1503
01:06:00,120 --> 01:06:00,800
Speaker 1: talk about the ship.

1504
01:06:00,800 --> 01:06:04,120
Speaker 5: It ends on June. That's where it ends on June teeth.

1505
01:06:04,440 --> 01:06:09,680
Speaker 5: It is when the story is showing some real historical No,

1506
01:06:10,040 --> 01:06:12,120
Speaker 5: they didn't see your vision, man, they didn't see your vision.

1507
01:06:12,480 --> 01:06:13,800
Speaker 2: Oh my god, holy ship.

1508
01:06:13,920 --> 01:06:15,600
Speaker 4: That's hilarious. All right?

1509
01:06:15,760 --> 01:06:18,560
Speaker 1: Is there anything before we do get to voicemails? Is

1510
01:06:18,560 --> 01:06:20,240
Speaker 1: there anything we need to cover here?

1511
01:06:20,440 --> 01:06:20,760
Speaker 2: Anything?

1512
01:06:20,880 --> 01:06:21,080
Speaker 11: Music?

1513
01:06:21,400 --> 01:06:21,560
Speaker 2: Oh?

1514
01:06:21,880 --> 01:06:23,160
Speaker 1: Destiny, child reunion.

1515
01:06:23,480 --> 01:06:24,320
Speaker 2: I don't want to talk about it.

1516
01:06:24,880 --> 01:06:25,080
Speaker 4: Yeah.

1517
01:06:25,280 --> 01:06:27,680
Speaker 1: I kind of don't either, Man, Why because I would

1518
01:06:27,720 --> 01:06:29,720
Speaker 1: have I would have spent my last dollar or fly

1519
01:06:29,800 --> 01:06:30,880
Speaker 1: to Vegas to go see this ship.

1520
01:06:30,920 --> 01:06:36,480
Speaker 2: I would have sa for that. Add me to the tap.

1521
01:06:36,520 --> 01:06:38,320
Speaker 2: What you need from me? What's funny?

1522
01:06:40,080 --> 01:06:42,400
Speaker 5: I would have you would have sold cat for the

1523
01:06:42,520 --> 01:06:49,640
Speaker 5: tickets right there, Yo, man, I can do in Vegas.

1524
01:06:49,720 --> 01:06:52,320
Speaker 1: I can go see the Cowboy Carter tour. Wove can

1525
01:06:52,360 --> 01:06:54,520
Speaker 1: come out, and then Destiny'stroud can come out.

1526
01:06:54,680 --> 01:06:56,240
Speaker 2: That's crazyboozy too.

1527
01:06:58,320 --> 01:06:59,400
Speaker 4: Damn, that's a hell of show.

1528
01:06:59,640 --> 01:07:02,040
Speaker 7: Show her light skin assd with that one.

1529
01:07:02,240 --> 01:07:02,880
Speaker 4: That's crazy.

1530
01:07:03,240 --> 01:07:06,120
Speaker 1: I know, I know they film everything. If that show specifically,

1531
01:07:06,160 --> 01:07:08,400
Speaker 1: it's not like a Netflix special. I'm going to be tight,

1532
01:07:08,560 --> 01:07:10,200
Speaker 1: all right, but I need to see that full show.

1533
01:07:10,280 --> 01:07:15,000
Speaker 4: Here's the crazy question. Was it like the first Destiny's Child?

1534
01:07:15,520 --> 01:07:16,960
Speaker 2: No, it was, it was, it was.

1535
01:07:17,200 --> 01:07:20,040
Speaker 4: It was the trio was Charlie's and Michelle. It was

1536
01:07:20,040 --> 01:07:20,880
Speaker 4: a Charlie's Angels.

1537
01:07:21,240 --> 01:07:25,000
Speaker 1: Okay, all right, you think it was all of them?

1538
01:07:25,040 --> 01:07:25,800
Speaker 1: I think it was all five.

1539
01:07:26,440 --> 01:07:27,840
Speaker 4: No, I'm just saying, you never know. You never know

1540
01:07:27,880 --> 01:07:29,000
Speaker 4: what those women ask in their life.

1541
01:07:29,040 --> 01:07:31,360
Speaker 2: Right now, I think there were six total members of

1542
01:07:31,400 --> 01:07:35,280
Speaker 2: Destiny Shout like six like everybody who's ever claimed to

1543
01:07:35,320 --> 01:07:36,880
Speaker 2: be a part of the shout at six of them.

1544
01:07:37,400 --> 01:07:42,240
Speaker 1: Kelly, that wasn't original, right, No, Kelly.

1545
01:07:42,080 --> 01:07:47,280
Speaker 2: Kelly, LaTavia LaToya that the original ball or Farren Oh

1546
01:07:48,360 --> 01:07:48,960
Speaker 2: that was her name?

1547
01:07:49,120 --> 01:07:51,200
Speaker 3: And then sorry, you could get the child.

1548
01:07:51,520 --> 01:07:53,120
Speaker 2: They could ship your luggage.

1549
01:07:53,600 --> 01:07:55,040
Speaker 3: That was said to LaToya, right.

1550
01:07:55,120 --> 01:07:58,800
Speaker 2: That was said to Pharaoh and then Michelle mm hmm,

1551
01:08:00,160 --> 01:08:02,560
Speaker 2: so there were I think six original I.

1552
01:08:02,560 --> 01:08:04,760
Speaker 1: Mean, LaToya Luggag has been the only like vocal one

1553
01:08:04,760 --> 01:08:07,600
Speaker 1: about the entire thing though, right, I don't know if

1554
01:08:07,600 --> 01:08:09,960
Speaker 1: I've seen like a LaTavia or Farah interview.

1555
01:08:10,960 --> 01:08:13,280
Speaker 4: I mean, but it was only there for like ten

1556
01:08:13,400 --> 01:08:13,840
Speaker 4: months though.

1557
01:08:13,960 --> 01:08:15,280
Speaker 2: Yeah, she was was quick.

1558
01:08:16,240 --> 01:08:18,720
Speaker 4: They tried something. They was like, she she's pretty, you know,

1559
01:08:18,800 --> 01:08:19,840
Speaker 4: she might be fit the study.

1560
01:08:20,160 --> 01:08:22,880
Speaker 1: You know, I'm be high, right, you know, like beyond

1561
01:08:23,080 --> 01:08:25,960
Speaker 1: to me is the goat. If somebody ever said in

1562
01:08:26,040 --> 01:08:28,120
Speaker 1: my face, we could ship your luggage.

1563
01:08:28,600 --> 01:08:30,599
Speaker 2: But howmgo, I got no luggage. I mean they could

1564
01:08:30,600 --> 01:08:31,600
Speaker 2: ship you bug.

1565
01:08:34,840 --> 01:08:38,200
Speaker 1: Every camera and that ship is going the water out

1566
01:08:38,320 --> 01:08:42,400
Speaker 1: that studio. Oh my god, I'm flipping over the soundboard.

1567
01:08:43,160 --> 01:08:47,400
Speaker 1: We could ship be look at me. Sometimes it was

1568
01:08:47,439 --> 01:08:50,120
Speaker 1: a child at that time too, Like I'm not judging

1569
01:08:50,160 --> 01:08:52,320
Speaker 1: them in there, but I would have she should have

1570
01:08:52,400 --> 01:08:54,120
Speaker 1: lost my ship if somebody would have said.

1571
01:08:53,960 --> 01:08:56,840
Speaker 2: She didn't give New York or Houston nothing but Vegas

1572
01:08:56,920 --> 01:09:00,400
Speaker 2: and Atlanta. You decided to give them something, damn, you know.

1573
01:09:00,520 --> 01:09:02,960
Speaker 1: Seeing the bigger play Gampbell, Tom.

1574
01:09:04,320 --> 01:09:07,400
Speaker 4: I guess, I guess. Shout out to.

1575
01:09:09,080 --> 01:09:12,040
Speaker 5: Shout out to hit Boy, who is now out of

1576
01:09:12,120 --> 01:09:14,160
Speaker 5: his fucked up contract that he was in since he

1577
01:09:14,240 --> 01:09:18,120
Speaker 5: was probably eighteen years old. Jay jay Z had a

1578
01:09:18,160 --> 01:09:20,320
Speaker 5: lot to do with helping him get out of that contract.

1579
01:09:21,560 --> 01:09:23,880
Speaker 5: So shout out to hip Boy for you know that

1580
01:09:24,080 --> 01:09:25,519
Speaker 5: finally happened. I for him, I know not much that

1581
01:09:25,720 --> 01:09:27,559
Speaker 5: was fucking with him in his career.

1582
01:09:27,880 --> 01:09:30,280
Speaker 1: Great moment at the Vegas show as well. Yeah, somebody

1583
01:09:30,400 --> 01:09:32,840
Speaker 1: called hit Boys you're seeing hove and ran over.

1584
01:09:33,200 --> 01:09:34,320
Speaker 2: Yeah, like yo, thank you.

1585
01:09:34,800 --> 01:09:35,000
Speaker 4: Yeah.

1586
01:09:35,640 --> 01:09:37,120
Speaker 5: So you got to put the good stories, the great

1587
01:09:37,160 --> 01:09:39,080
Speaker 5: stories out about Jay that you know, people try to

1588
01:09:40,160 --> 01:09:42,839
Speaker 5: try to keep stifled and you know, make up bullshit

1589
01:09:42,880 --> 01:09:45,320
Speaker 5: stories about Jay, but those are the those are the

1590
01:09:45,360 --> 01:09:48,560
Speaker 5: stories that matter, the real stories, the stories that you

1591
01:09:48,680 --> 01:09:51,320
Speaker 5: can see and see people talk about and hear people

1592
01:09:51,360 --> 01:09:53,680
Speaker 5: talk about and thank him for the things that he's

1593
01:09:53,720 --> 01:09:56,160
Speaker 5: done for them. So shout out to hit Boy man, Yeah,

1594
01:09:56,880 --> 01:09:57,240
Speaker 5: oh shit.

1595
01:09:57,280 --> 01:09:59,400
Speaker 1: Before we get to voicemails, did you do this intentionally?

1596
01:10:00,200 --> 01:10:02,599
Speaker 1: The Centralcy and Drake record that I said I love

1597
01:10:03,439 --> 01:10:04,360
Speaker 1: came out many.

1598
01:10:05,320 --> 01:10:05,720
Speaker 4: I'm trying.

1599
01:10:06,000 --> 01:10:07,680
Speaker 5: I sit here, I try not to man, you know,

1600
01:10:07,760 --> 01:10:09,519
Speaker 5: it's just you know, try not to try not to

1601
01:10:09,560 --> 01:10:11,599
Speaker 5: bring that. I try not to bring up the obvious, man,

1602
01:10:11,640 --> 01:10:13,360
Speaker 5: you know what I mean. But listen, man, here, fuck it,

1603
01:10:13,439 --> 01:10:14,120
Speaker 5: let's talk about it.

1604
01:10:15,240 --> 01:10:19,800
Speaker 1: I've enjoyed how he's he's done these streams. Do we

1605
01:10:19,880 --> 01:10:21,639
Speaker 1: think that they're actually like live streams?

1606
01:10:22,080 --> 01:10:22,960
Speaker 4: They are streams?

1607
01:10:23,000 --> 01:10:25,160
Speaker 3: Okay, Well that's a very dope content.

1608
01:10:25,200 --> 01:10:27,000
Speaker 1: That's that's that's I thought maybe we were doing a

1609
01:10:27,040 --> 01:10:28,960
Speaker 1: live stream and we shot this already and we're putting

1610
01:10:28,960 --> 01:10:29,200
Speaker 1: it here.

1611
01:10:29,720 --> 01:10:31,760
Speaker 5: No, no, no, So that's that's one thing that I think,

1612
01:10:31,880 --> 01:10:35,040
Speaker 5: you know, people don't realize. It's it's a continuous shot

1613
01:10:36,880 --> 01:10:40,160
Speaker 5: for the last one to which one record with Drake

1614
01:10:40,240 --> 01:10:42,519
Speaker 5: and Central Seed. All of that you're seeing is literally,

1615
01:10:42,880 --> 01:10:46,439
Speaker 5: you know, like thirteen twelve to thirteen different setups. Yeah,

1616
01:10:46,880 --> 01:10:49,000
Speaker 5: Drake has to literally after one shot has done, he's

1617
01:10:49,040 --> 01:10:52,120
Speaker 5: running to another another shot, getting in the car, driving

1618
01:10:52,200 --> 01:10:54,599
Speaker 5: up the block to a bath house, hopping out, going

1619
01:10:54,640 --> 01:10:55,400
Speaker 5: to the train station.

1620
01:10:56,080 --> 01:10:58,240
Speaker 1: Like no, no, I mean I watched the I watched

1621
01:10:58,280 --> 01:10:59,920
Speaker 1: both of them in real time. I just wasn't sure

1622
01:11:00,080 --> 01:11:02,920
Speaker 1: this was something that was really shot. No, it's literally shot.

1623
01:11:03,000 --> 01:11:06,040
Speaker 1: It's it's live stream. So you know, you know, I

1624
01:11:06,080 --> 01:11:09,200
Speaker 1: think I think what Drake is doing is amazing with this,

1625
01:11:09,320 --> 01:11:12,400
Speaker 1: the way he's doing this. It's my belief again, I

1626
01:11:12,439 --> 01:11:14,200
Speaker 1: don't know for sure, it's my belief that all of

1627
01:11:14,280 --> 01:11:17,160
Speaker 1: this ties into one big thing at the end of it,

1628
01:11:17,720 --> 01:11:20,479
Speaker 1: like an album called well no, well obviously that but

1629
01:11:20,560 --> 01:11:22,720
Speaker 1: I mean like it's like the way everything is, it's

1630
01:11:22,760 --> 01:11:23,840
Speaker 1: a story behind the album.

1631
01:11:23,880 --> 01:11:25,479
Speaker 2: Oh yeah, I think so as well, you know what

1632
01:11:25,479 --> 01:11:25,720
Speaker 2: I mean.

1633
01:11:25,840 --> 01:11:28,800
Speaker 1: So I just I think there's locations he's just even

1634
01:11:28,840 --> 01:11:32,519
Speaker 1: though he was already in Europe for that entire thing. Yeah,

1635
01:11:32,560 --> 01:11:36,519
Speaker 1: I think how he's even shot these things, it means something.

1636
01:11:36,640 --> 01:11:37,080
Speaker 4: It's dope.

1637
01:11:38,400 --> 01:11:41,120
Speaker 1: Like I said, off the Wireless Ship, I think which

1638
01:11:41,120 --> 01:11:42,760
Speaker 1: one is fire dope?

1639
01:11:42,840 --> 01:11:45,559
Speaker 5: I think a debut at number seven, I don't even,

1640
01:11:45,600 --> 01:11:49,160
Speaker 5: I don't care, you don't care. But for but for

1641
01:11:49,240 --> 01:11:51,280
Speaker 5: Central c it's his first record in the top ten.

1642
01:11:51,360 --> 01:11:52,960
Speaker 4: So that's meg. Yeah, that's big fan.

1643
01:11:53,640 --> 01:11:56,800
Speaker 1: Yeah, Ship Congress is Centralcy. That's great. I like his

1644
01:11:56,920 --> 01:11:57,439
Speaker 1: verse on there.

1645
01:11:59,240 --> 01:12:02,400
Speaker 3: I wish they would of with the beat switch that

1646
01:12:02,520 --> 01:12:05,479
Speaker 3: beat in the Elevator maybe a little earlier, that.

1647
01:12:05,600 --> 01:12:11,120
Speaker 4: Boy Wonder track. Oh my god, oh yeah god, yeah yeah,

1648
01:12:11,200 --> 01:12:14,800
Speaker 4: that's that's yeah. We need that, we need that Damn,

1649
01:12:14,840 --> 01:12:18,160
Speaker 4: it's so hard not to talk about it. But yeah, man,

1650
01:12:18,320 --> 01:12:19,800
Speaker 4: we we need that. Man, we need that.

1651
01:12:20,720 --> 01:12:22,280
Speaker 1: I mean, not that it matters now because no matter

1652
01:12:22,360 --> 01:12:24,560
Speaker 1: what the Internet is going to de pick sides on it.

1653
01:12:24,960 --> 01:12:26,760
Speaker 1: Was it a misstep of doing the Pinocchio thing?

1654
01:12:26,920 --> 01:12:27,720
Speaker 2: Because I do.

1655
01:12:27,880 --> 01:12:29,599
Speaker 1: Understand what he was saying. He's trying to run away

1656
01:12:29,640 --> 01:12:31,320
Speaker 1: from the lyre and he's got a bag which probably

1657
01:12:31,320 --> 01:12:33,240
Speaker 1: has all the secrets and this and that. But that

1658
01:12:33,280 --> 01:12:35,840
Speaker 1: could also be interpreted of like are you running away

1659
01:12:35,840 --> 01:12:39,000
Speaker 1: from your lives? Like having Pinocchio run around in the

1660
01:12:39,080 --> 01:12:40,520
Speaker 1: same tree as Kendrick.

1661
01:12:40,280 --> 01:12:42,800
Speaker 4: Like, oh, it's just you know, lidge Lidge chase me.

1662
01:12:43,760 --> 01:12:47,559
Speaker 1: Okay, yeah, No, I get the concept lige chasing chasing.

1663
01:12:47,360 --> 01:12:49,360
Speaker 4: Me to a whole.

1664
01:12:50,960 --> 01:12:53,599
Speaker 1: A whole platform that is trying to take you down

1665
01:12:53,640 --> 01:12:54,320
Speaker 1: with that type of ship.

1666
01:12:55,080 --> 01:12:56,960
Speaker 3: So yeah, but I think how you got how this

1667
01:12:57,120 --> 01:13:02,640
Speaker 3: spend shot? How coolest idea is? I focus more on it, like,

1668
01:13:03,960 --> 01:13:05,680
Speaker 3: I mean, it's a little easter egg, it's not you

1669
01:13:05,760 --> 01:13:07,759
Speaker 3: know my real question.

1670
01:13:08,320 --> 01:13:10,040
Speaker 1: I know we're supposed to do serious hip hop shiit here?

1671
01:13:10,240 --> 01:13:12,160
Speaker 1: Who do you think they cast it to be the Pinocchio?

1672
01:13:13,680 --> 01:13:14,560
Speaker 1: Like who dressed up that?

1673
01:13:14,720 --> 01:13:15,160
Speaker 2: Like I want to.

1674
01:13:15,240 --> 01:13:16,679
Speaker 1: I want to meet that person I don't care about.

1675
01:13:16,680 --> 01:13:18,080
Speaker 1: I don't want to interview Drake. I want to interview

1676
01:13:18,080 --> 01:13:20,559
Speaker 1: the guy that dressed up like Pinocchio and ran after Drake.

1677
01:13:21,680 --> 01:13:23,680
Speaker 1: The whole time, I was like, because that guy had

1678
01:13:23,720 --> 01:13:26,760
Speaker 1: to especially if it's really live stream, he had to

1679
01:13:27,000 --> 01:13:30,559
Speaker 1: like rehearse that. Yeah, so he dressed up that way

1680
01:13:31,040 --> 01:13:33,400
Speaker 1: and then ran in a London stream.

1681
01:13:33,479 --> 01:13:37,000
Speaker 5: Absolutely absolutely, record is dope though. I like that record,

1682
01:13:37,040 --> 01:13:37,920
Speaker 5: like that record, baby.

1683
01:13:37,760 --> 01:13:40,080
Speaker 2: D I've heard a little bit from you guys like

1684
01:13:40,160 --> 01:13:42,560
Speaker 2: playing it and here like pag I think played it

1685
01:13:42,640 --> 01:13:44,960
Speaker 2: earlier today when he was playing Pleach played every single

1686
01:13:45,080 --> 01:13:47,200
Speaker 2: graduation song that existed today.

1687
01:13:47,320 --> 01:13:49,000
Speaker 7: I'm eve gonna get into his playlist.

1688
01:13:49,120 --> 01:13:51,519
Speaker 1: No, if that was played at graduations, that's a sick

1689
01:13:51,560 --> 01:13:53,760
Speaker 1: ass graduation. He played every record that was spposed to

1690
01:13:53,760 --> 01:13:56,800
Speaker 1: be a motivational kid record and it was Yeah. I

1691
01:13:56,840 --> 01:13:59,840
Speaker 1: didn't even catch his DJ set until the third one

1692
01:14:00,080 --> 01:14:02,320
Speaker 1: and now I know I can't came on and said

1693
01:14:02,760 --> 01:14:03,720
Speaker 1: she was trying to right now.

1694
01:14:04,400 --> 01:14:07,559
Speaker 2: Yeah, he played like I don't know what he was doing,

1695
01:14:07,640 --> 01:14:09,400
Speaker 2: but he played it earlier and I was like, okay,

1696
01:14:09,400 --> 01:14:11,040
Speaker 2: my hips are moving like a little bit like Okay,

1697
01:14:11,120 --> 01:14:12,760
Speaker 2: what's up? But I haven't taken the time to sit

1698
01:14:12,840 --> 01:14:15,000
Speaker 2: and listen to I haven't been listening to music lately. Y'all.

1699
01:14:15,040 --> 01:14:16,479
Speaker 4: What you've been listening to? What you've been doing?

1700
01:14:17,320 --> 01:14:19,719
Speaker 2: You said, what what you've been doing? I've been talking

1701
01:14:19,760 --> 01:14:21,519
Speaker 2: to myself a lot lately. I don't know if I'm

1702
01:14:21,600 --> 01:14:24,080
Speaker 2: like manic, but I've been like talking to myself a lot.

1703
01:14:24,240 --> 01:14:25,000
Speaker 4: What have you been saying?

1704
01:14:26,640 --> 01:14:28,120
Speaker 2: I just be I mean, I'll be like, Yo, they

1705
01:14:28,160 --> 01:14:30,120
Speaker 2: think you pussy like a lot of like it's a

1706
01:14:30,240 --> 01:14:36,800
Speaker 2: lot like I don't know, like Josh, you cool?

1707
01:14:39,080 --> 01:14:40,280
Speaker 4: Baby? Did what you going through?

1708
01:14:40,320 --> 01:14:48,599
Speaker 12: Yo? You and you imagine baby watching this and like talking,

1709
01:14:51,439 --> 01:14:52,759
Speaker 12: people just be thinking I'm pussy.

1710
01:14:52,800 --> 01:14:55,960
Speaker 2: I don't know you talking about sometimes when people like

1711
01:14:56,040 --> 01:14:57,599
Speaker 2: go to say ship to me and like you ever

1712
01:14:57,720 --> 01:15:01,600
Speaker 2: catch a tone like fuck you. I haven't slapped the

1713
01:15:01,600 --> 01:15:03,560
Speaker 2: ship out of nobody in a long time, and I

1714
01:15:03,680 --> 01:15:05,880
Speaker 2: feel like because of that, I don't know, like people

1715
01:15:05,920 --> 01:15:08,200
Speaker 2: are questioning my ability and my willingness to do it,

1716
01:15:08,640 --> 01:15:09,600
Speaker 2: you know what I'm saying. That's why I want to

1717
01:15:09,600 --> 01:15:13,320
Speaker 2: apologize to my listeners for the vigor and my yelling earlier.

1718
01:15:13,439 --> 01:15:15,160
Speaker 7: Like I didn't even like I didn't even want to come.

1719
01:15:15,080 --> 01:15:17,680
Speaker 2: To you, right, Yeah, that ain't it ain't even you

1720
01:15:17,720 --> 01:15:21,599
Speaker 2: know it can be though I told the truth exactly.

1721
01:15:21,760 --> 01:15:24,240
Speaker 2: I don't lie, but you know, there we are.

1722
01:15:24,600 --> 01:15:26,280
Speaker 7: Yeah, I just I don't know. I've been feeling shit.

1723
01:15:26,320 --> 01:15:31,640
Speaker 4: But when yourself do you answer, I'll.

1724
01:15:31,240 --> 01:15:33,679
Speaker 2: Say something like I feel like they niggas think I'm pussy,

1725
01:15:33,680 --> 01:15:35,439
Speaker 2: and they be like, nah, niggas don't think I'm pussy.

1726
01:15:35,520 --> 01:15:38,479
Speaker 2: But I don't know. Marriatry tripping like like sometimes you

1727
01:15:38,560 --> 01:15:41,120
Speaker 2: gotta you gotta talk yourself off the ledge. I don't know,

1728
01:15:41,560 --> 01:15:43,200
Speaker 2: but I need to listen to more music. I'll go

1729
01:15:43,240 --> 01:15:45,960
Speaker 2: put on Alfredo to today. I'll listen to that. But

1730
01:15:46,080 --> 01:15:48,080
Speaker 2: that might put me in a different move, you know

1731
01:15:48,120 --> 01:15:49,760
Speaker 2: what I mean? Like, what's type of time here on?

1732
01:15:49,960 --> 01:15:51,920
Speaker 4: You might might go outside and putting bitches on the blade.

1733
01:15:52,680 --> 01:15:53,360
Speaker 4: Get that money.

1734
01:15:54,360 --> 01:15:55,600
Speaker 7: That's the type of time I need to be on.

1735
01:15:55,760 --> 01:15:57,240
Speaker 7: So I'll listen get that money.

1736
01:15:57,280 --> 01:15:57,519
Speaker 4: Baby.

1737
01:15:57,840 --> 01:15:58,960
Speaker 1: I like people thinking I'm bussy.

1738
01:15:59,560 --> 01:15:59,960
Speaker 2: I love it.

1739
01:16:00,080 --> 01:16:04,880
Speaker 5: It's let me put that out there, posou what camera

1740
01:16:05,000 --> 01:16:06,280
Speaker 5: man of Peach, I am pussy.

1741
01:16:06,400 --> 01:16:09,120
Speaker 4: I'm a tax pade citizen. I'm putting that on camera.

1742
01:16:09,240 --> 01:16:11,120
Speaker 4: I am scared.

1743
01:16:11,800 --> 01:16:14,400
Speaker 1: Yes, y'all are totally right. I walk around clubs and

1744
01:16:14,880 --> 01:16:23,479
Speaker 1: ask for sympathy. Gone, get fucking stupid people sound yet?

1745
01:16:25,240 --> 01:16:28,320
Speaker 1: This episode is sponsored by Roe. You cannot spell Rory

1746
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Speaker 4: Oh do we have voicemails? You've got mail.

1761
01:17:25,680 --> 01:17:29,519
Speaker 1: Today's voicemails are sponsored by Row. You cannot spell Rory

1762
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Speaker 1: without the Row.

1763
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Speaker 4: Josh, what do we have from Austin, Texas?

1764
01:17:33,960 --> 01:17:34,120
Speaker 9: Right?

1765
01:17:35,479 --> 01:17:35,599
Speaker 1: Yo?

1766
01:17:35,800 --> 01:17:37,880
Speaker 4: So, me and my wife just recently found out that.

1767
01:17:39,520 --> 01:17:41,439
Speaker 11: We have a really close friend and she's always so

1768
01:17:41,680 --> 01:17:43,840
Speaker 11: nice and you know, we support her all this stuff.

1769
01:17:44,920 --> 01:17:46,920
Speaker 11: But we found out at a baby show recently that

1770
01:17:47,040 --> 01:17:50,040
Speaker 11: she was talking behind her back, saying that our second

1771
01:17:50,120 --> 01:17:53,240
Speaker 11: baby wasn't planning this and that, and talking to other

1772
01:17:53,280 --> 01:17:56,240
Speaker 11: people about just our relationship and stuff. But I've never

1773
01:17:56,400 --> 01:17:58,439
Speaker 11: seen this coming from her, Like she's always been talk

1774
01:17:58,479 --> 01:18:02,400
Speaker 11: sweet as likewards us. Like, how do you handle it?

1775
01:18:02,479 --> 01:18:04,040
Speaker 11: Like do you bring that up to her? Or like

1776
01:18:04,160 --> 01:18:05,880
Speaker 11: do you just cut people off? Like you know, because

1777
01:18:05,880 --> 01:18:07,400
Speaker 11: I'm at that age where I just don't have time

1778
01:18:07,560 --> 01:18:09,760
Speaker 11: energy to be like talking discussion about that. But why

1779
01:18:09,800 --> 01:18:13,479
Speaker 11: do you think people talk about our relationship behind our

1780
01:18:13,520 --> 01:18:16,240
Speaker 11: back when they show all this stuff, how they support

1781
01:18:16,280 --> 01:18:17,880
Speaker 11: us in face to face?

1782
01:18:17,960 --> 01:18:18,120
Speaker 6: You know?

1783
01:18:19,479 --> 01:18:21,120
Speaker 4: Baby d Let me know how you respond.

1784
01:18:22,360 --> 01:18:25,599
Speaker 1: What's what's wrong if the especially the second baby wasn't planned,

1785
01:18:28,520 --> 01:18:31,200
Speaker 1: who cares? Yeah, I could see like the first one,

1786
01:18:32,160 --> 01:18:34,840
Speaker 1: but the second one, what's wrong with that?

1787
01:18:36,160 --> 01:18:37,160
Speaker 4: My thing is is.

1788
01:18:38,880 --> 01:18:42,000
Speaker 2: Who's the information coming from my next thing, I'd like

1789
01:18:42,080 --> 01:18:43,800
Speaker 2: to know, how how do you guys find this up?

1790
01:18:44,320 --> 01:18:44,479
Speaker 10: Right?

1791
01:18:44,640 --> 01:18:47,679
Speaker 2: Like, cause who even came? Who even decided to bring

1792
01:18:47,840 --> 01:18:51,360
Speaker 2: that into your life? Like you're having a baby, you're happy,

1793
01:18:51,360 --> 01:18:54,360
Speaker 2: you're in a healthy relationship. Who's the person that decided

1794
01:18:54,400 --> 01:18:56,080
Speaker 2: to come and be like, hey, here's a little bit

1795
01:18:56,120 --> 01:18:58,760
Speaker 2: of drama to add to the recap of yours. Because

1796
01:18:58,760 --> 01:19:01,880
Speaker 2: I don't really trust that person because somebody could say

1797
01:19:01,920 --> 01:19:03,960
Speaker 2: that your second baby wasn't playing and not say it

1798
01:19:04,040 --> 01:19:06,280
Speaker 2: in a malicious way. So that's why it's like, if

1799
01:19:06,320 --> 01:19:07,920
Speaker 2: this person has only been known to be a good

1800
01:19:07,960 --> 01:19:11,080
Speaker 2: person to you, who is this information coming from and

1801
01:19:11,160 --> 01:19:12,479
Speaker 2: why did they feel it to bring it to you?

1802
01:19:12,680 --> 01:19:14,560
Speaker 1: That's why I would I also think there's more to

1803
01:19:14,720 --> 01:19:19,120
Speaker 1: the second baby wasn't planned thing. Like, I just think

1804
01:19:19,120 --> 01:19:21,800
Speaker 1: there's more to that story. And that's how they know that.

1805
01:19:21,920 --> 01:19:24,320
Speaker 1: That bitch said that because she was the only one

1806
01:19:24,320 --> 01:19:28,400
Speaker 1: that knew the information about it. But I don't know,

1807
01:19:28,640 --> 01:19:30,439
Speaker 1: is it the New Yorker and all of us We

1808
01:19:30,439 --> 01:19:32,680
Speaker 1: don't trust any nice people? And I still stick with

1809
01:19:32,760 --> 01:19:35,320
Speaker 1: that those always be the ones that be shady, talking

1810
01:19:35,479 --> 01:19:38,880
Speaker 1: on your back, those fucking nice in your face supportive.

1811
01:19:38,479 --> 01:19:40,719
Speaker 2: Ass people, not always usually.

1812
01:19:41,080 --> 01:19:42,920
Speaker 1: I bet she goes to church. I can guarantee that

1813
01:19:43,040 --> 01:19:46,240
Speaker 1: that woman goes to church without a doubt. That is

1814
01:19:46,320 --> 01:19:49,719
Speaker 1: a church going woman that has supported that couple.

1815
01:19:49,840 --> 01:19:51,880
Speaker 4: Those are the most judgmental people percent.

1816
01:19:52,920 --> 01:19:55,280
Speaker 1: So I can guarantee that probably goes to Joe Olstein's

1817
01:19:55,320 --> 01:19:58,519
Speaker 1: church bar in Texas. Right, yeah, Sprobade goes to that

1818
01:19:58,560 --> 01:20:03,559
Speaker 1: scam flowing on his jet from Dallas to Austin, Okay

1819
01:20:04,080 --> 01:20:08,600
Speaker 1: through the O Zone, just just wasting up guys in

1820
01:20:08,640 --> 01:20:09,880
Speaker 1: the Lord's name, though he had to get there to

1821
01:20:09,920 --> 01:20:13,360
Speaker 1: preach the word. I mean I would. I wouldn't say

1822
01:20:13,360 --> 01:20:17,720
Speaker 1: confront her, but ask her. Someone said this, even going

1823
01:20:17,800 --> 01:20:19,400
Speaker 1: to a positive I don't think you would say some

1824
01:20:19,439 --> 01:20:21,200
Speaker 1: shit like that. But this is what someone told me.

1825
01:20:21,280 --> 01:20:23,680
Speaker 4: Did you say it? That's how you would leave it.

1826
01:20:23,760 --> 01:20:25,479
Speaker 4: I don't think you would say this, but somebody told

1827
01:20:25,479 --> 01:20:25,920
Speaker 4: me you said this.

1828
01:20:26,439 --> 01:20:27,920
Speaker 3: She's shady, so I got to leave with shade.

1829
01:20:29,520 --> 01:20:31,559
Speaker 5: That's a good way to lead into it. I don't

1830
01:20:31,600 --> 01:20:34,040
Speaker 5: believe you said this, but they're saying you said this. Yeah,

1831
01:20:34,600 --> 01:20:35,280
Speaker 5: I'm hearing you.

1832
01:20:35,360 --> 01:20:37,360
Speaker 1: Said this, But no, I get that you're at the

1833
01:20:37,439 --> 01:20:40,280
Speaker 1: age that yeah, I'm not going back and forth with people,

1834
01:20:40,360 --> 01:20:42,120
Speaker 1: like it's easier just to cut off. But if that's

1835
01:20:42,160 --> 01:20:45,160
Speaker 1: somebody like that you considered a friend, yeah, talk to him.

1836
01:20:45,439 --> 01:20:46,880
Speaker 1: Maybe they didn't say that shit. Maybe the person that

1837
01:20:46,920 --> 01:20:50,400
Speaker 1: brought you the information is a weird though, could be that.

1838
01:20:50,760 --> 01:20:53,200
Speaker 2: Yeah, that's what I'm thinking, because I like, even if

1839
01:20:53,240 --> 01:20:55,880
Speaker 2: somebody did say that to me, I'm not bringing that

1840
01:20:55,960 --> 01:20:58,520
Speaker 2: to my friends at a time where like they're celebrating

1841
01:20:58,600 --> 01:21:01,439
Speaker 2: like their happiness, Like that's drama. Why are you bringing

1842
01:21:01,479 --> 01:21:03,559
Speaker 2: drama to my doorstep? You seem like you want drama.

1843
01:21:03,640 --> 01:21:04,920
Speaker 1: Yeah, but I still want my friend to say that,

1844
01:21:04,960 --> 01:21:06,439
Speaker 1: because I don't know if I want that person around

1845
01:21:06,439 --> 01:21:09,439
Speaker 1: my kid. If they're talking shit about my kid, I.

1846
01:21:09,439 --> 01:21:11,320
Speaker 2: Mean, but they're not talking about your kidy're talking about

1847
01:21:11,360 --> 01:21:12,000
Speaker 2: you by proxy.

1848
01:21:12,040 --> 01:21:14,160
Speaker 1: It's it's it's sort of there.

1849
01:21:14,720 --> 01:21:16,160
Speaker 2: I hate when people do that, Like you're talking shit

1850
01:21:16,160 --> 01:21:17,800
Speaker 2: about my kid. I said you don't feed your kid.

1851
01:21:17,840 --> 01:21:24,000
Speaker 2: I'm not talking about your about about ship like, oh,

1852
01:21:24,120 --> 01:21:26,439
Speaker 2: you said my kid Like it's in like a poor

1853
01:21:26,520 --> 01:21:27,160
Speaker 2: public school.

1854
01:21:27,280 --> 01:21:29,320
Speaker 7: I'm not talking about your kid. I'm talking about you.

1855
01:21:29,400 --> 01:21:31,200
Speaker 2: You are the one to have her. And that's shitty school.

1856
01:21:31,320 --> 01:21:33,559
Speaker 7: But the shitty graduation rate like it's.

1857
01:21:33,560 --> 01:21:35,599
Speaker 2: I hate when people say that, like you're talking about

1858
01:21:35,600 --> 01:21:37,040
Speaker 2: my kid, like you make it seem like an animal,

1859
01:21:37,040 --> 01:21:38,360
Speaker 2: like I'm talking about your kid, I'm talking about it,

1860
01:21:38,439 --> 01:21:39,000
Speaker 2: I'm talking about you.

1861
01:21:39,280 --> 01:21:41,320
Speaker 7: But yeah, I get what you're saying. I would confront too.

1862
01:21:42,080 --> 01:21:46,439
Speaker 1: Honestly, or I mean, look at your wife and say

1863
01:21:46,560 --> 01:21:47,639
Speaker 1: I stay out of women's business.

1864
01:21:47,680 --> 01:21:48,080
Speaker 4: You had it.

1865
01:21:50,200 --> 01:21:53,240
Speaker 1: H Wait, No, I thought we're supposed to stay in

1866
01:21:53,240 --> 01:21:53,800
Speaker 1: a women's business.

1867
01:21:53,840 --> 01:21:56,240
Speaker 4: Though no we are, but that that was the whole

1868
01:21:56,400 --> 01:21:58,240
Speaker 4: That's just not a good way to go about Okay,

1869
01:21:59,040 --> 01:21:59,880
Speaker 4: did I did that?

1870
01:22:00,000 --> 01:22:02,120
Speaker 1: Tell you you guys on mic of how I already

1871
01:22:02,160 --> 01:22:07,439
Speaker 1: fucked up at daycare with a. With Amar's teachers, they're

1872
01:22:07,479 --> 01:22:09,160
Speaker 1: all very nice, you know, they give like give you

1873
01:22:09,200 --> 01:22:12,720
Speaker 1: the rundown of the day, how everything went. They said

1874
01:22:12,800 --> 01:22:17,280
Speaker 1: Amar kicked a kid in the face and without even

1875
01:22:17,360 --> 01:22:20,360
Speaker 1: has it, like just blurted out, didn't even think in

1876
01:22:20,479 --> 01:22:23,880
Speaker 1: my head, said what the kid do? When I say,

1877
01:22:23,960 --> 01:22:27,320
Speaker 1: those two teachers looked at me with such disgust, valid

1878
01:22:27,400 --> 01:22:29,720
Speaker 1: questions like and after I said it, like I caught

1879
01:22:29,800 --> 01:22:33,160
Speaker 1: myself like why did I just say that out loud? Yes,

1880
01:22:33,560 --> 01:22:35,360
Speaker 1: we'll work on it the mark, but what did he

1881
01:22:35,400 --> 01:22:38,960
Speaker 1: want They were doing the sensory thing and I don't know,

1882
01:22:38,960 --> 01:22:40,759
Speaker 1: Amar wanted to put her hand in the sand.

1883
01:22:42,280 --> 01:22:43,200
Speaker 4: So it wasn't intentional.

1884
01:22:43,960 --> 01:22:45,479
Speaker 1: No, no, no, kid wouldn't let her and then just

1885
01:22:45,680 --> 01:22:48,840
Speaker 1: just kicked him. That's what I was on that side.

1886
01:22:49,360 --> 01:22:53,720
Speaker 1: You're not allowed to say that ated daycare. It's Trump

1887
01:22:53,920 --> 01:22:56,519
Speaker 1: alienated me from the daycare group chat.

1888
01:22:58,479 --> 01:22:59,919
Speaker 4: Yeah, I bet that, lesbians.

1889
01:23:00,240 --> 01:23:04,560
Speaker 1: You want to see a group of fucking losers, A

1890
01:23:04,640 --> 01:23:06,960
Speaker 1: bunch of men on a Saturday just just running down

1891
01:23:06,960 --> 01:23:08,720
Speaker 1: what they're doing for the day. I don't even know

1892
01:23:08,760 --> 01:23:11,840
Speaker 1: what these fathers look like, but we're just yeah, we're

1893
01:23:11,880 --> 01:23:14,560
Speaker 1: in like a WhatsApp group me all the parents that

1894
01:23:14,680 --> 01:23:15,519
Speaker 1: go to the stake.

1895
01:23:15,280 --> 01:23:20,439
Speaker 4: Here is that for like if the kids or something happens,

1896
01:23:20,479 --> 01:23:21,960
Speaker 4: we just like the parents know each other.

1897
01:23:22,200 --> 01:23:25,000
Speaker 1: Yeah, and like you know, sometimes there'll be birthdays or

1898
01:23:25,120 --> 01:23:27,760
Speaker 1: like kids that get along and then they just throw

1899
01:23:27,800 --> 01:23:30,840
Speaker 1: shit in the group chat too. I'm not calling them losers.

1900
01:23:30,880 --> 01:23:33,400
Speaker 1: I'm saying we're all losers. Like like if I have

1901
01:23:33,479 --> 01:23:35,000
Speaker 1: a sale at Old Navy, I'm putting it in that

1902
01:23:35,040 --> 01:23:38,519
Speaker 1: group chat. But like I'm telling them there Now.

1903
01:23:38,560 --> 01:23:40,040
Speaker 4: That's a new thing though. Putting all the parents in

1904
01:23:40,080 --> 01:23:40,559
Speaker 4: a group chat.

1905
01:23:40,680 --> 01:23:42,280
Speaker 5: Yeah, I was thrown off. I was like the last

1906
01:23:42,320 --> 01:23:44,680
Speaker 5: one in the group. Yeah, but you know, and then

1907
01:23:44,720 --> 01:23:46,760
Speaker 5: what if you like decide to leave, is it this

1908
01:23:46,800 --> 01:23:47,719
Speaker 5: says Rory left.

1909
01:23:47,600 --> 01:23:50,240
Speaker 3: The chat probably yeah, that happens on WhatsApp.

1910
01:23:50,400 --> 01:23:51,439
Speaker 4: Yeah, Rory left the group.

1911
01:23:52,840 --> 01:23:55,800
Speaker 3: But like you have to figure out why somebody left,

1912
01:23:55,920 --> 01:23:57,719
Speaker 3: like like did you leave parenthood?

1913
01:23:58,320 --> 01:24:00,479
Speaker 4: Like why did you leave? Just don't want the hold y'all.

1914
01:24:00,479 --> 01:24:02,000
Speaker 1: I don't now like I see you.

1915
01:24:02,040 --> 01:24:05,400
Speaker 3: And your kid at daycare, Like you're still at th daycare,

1916
01:24:05,479 --> 01:24:06,120
Speaker 3: you're still a dad.

1917
01:24:06,520 --> 01:24:07,960
Speaker 4: Me at daycare. I don't want to talk to y'all

1918
01:24:08,040 --> 01:24:10,759
Speaker 4: on a Saturday. On a Sunday, see me at daycare.

1919
01:24:10,960 --> 01:24:13,240
Speaker 4: My kid kicked your kid. We'll talk about it Monday.

1920
01:24:13,439 --> 01:24:17,200
Speaker 1: Yeah, And and I felt like they were snitching. Why,

1921
01:24:18,320 --> 01:24:20,240
Speaker 1: Like that's that's daycare business. Hold that down.

1922
01:24:20,880 --> 01:24:25,479
Speaker 5: That's true, Like, yeah, look what you're teaching them good

1923
01:24:25,520 --> 01:24:29,519
Speaker 5: that tomorrow is you know, showing that assertiveness. Don't tell

1924
01:24:29,560 --> 01:24:32,280
Speaker 5: me what I can and can't do. Take this side

1925
01:24:32,360 --> 01:24:33,040
Speaker 5: through to the face.

1926
01:24:33,240 --> 01:24:37,320
Speaker 1: And and I think it's nice of tomorrow. How'd you

1927
01:24:37,360 --> 01:24:41,880
Speaker 1: know your size? I do appreciate that when she does push,

1928
01:24:41,960 --> 01:24:44,360
Speaker 1: she says push before it's like you know it's coming.

1929
01:24:46,080 --> 01:24:48,760
Speaker 2: And then she'll go she's calling off a move.

1930
01:24:48,840 --> 01:24:50,960
Speaker 3: That's what I'm saying, like she's calling off all the

1931
01:24:51,040 --> 01:24:52,400
Speaker 3: kids a chance left hook.

1932
01:24:53,920 --> 01:24:55,960
Speaker 4: I'm giving you the opportunity to pray for it.

1933
01:24:56,080 --> 01:24:59,200
Speaker 1: It's like Mortal Mortal combat, like get your catchphrase before

1934
01:24:59,240 --> 01:25:00,280
Speaker 1: you know the move is coming.

1935
01:25:00,640 --> 01:25:03,160
Speaker 4: She's listened. Man, you're doing a great job, like teaching her.

1936
01:25:03,200 --> 01:25:05,479
Speaker 1: Well, it was a scorpion. He said get over here,

1937
01:25:05,600 --> 01:25:07,880
Speaker 1: and get over here. He gave you a shot.

1938
01:25:07,960 --> 01:25:11,800
Speaker 4: Either you jump with dug. Either way it's happened. Like

1939
01:25:11,960 --> 01:25:13,200
Speaker 4: either way it's happening.

1940
01:25:13,280 --> 01:25:16,080
Speaker 1: What was the street fighter ship could get?

1941
01:25:16,360 --> 01:25:17,960
Speaker 4: What was that duken?

1942
01:25:18,240 --> 01:25:20,720
Speaker 2: Yeah? Come on, you knew what you knew it was coming.

1943
01:25:20,760 --> 01:25:24,000
Speaker 4: You knew the Hodduken was coming. Yeah, that's that's that's push. Yeah.

1944
01:25:25,120 --> 01:25:28,400
Speaker 1: But I mean, apparently are bad parent. I was victim blaming,

1945
01:25:28,479 --> 01:25:29,120
Speaker 1: That's what I was doing.

1946
01:25:29,200 --> 01:25:31,479
Speaker 4: Yes, it's okay, but you know, good job Omar.

1947
01:25:32,240 --> 01:25:35,040
Speaker 1: And I mean she was wearing crocks and it was

1948
01:25:35,080 --> 01:25:35,760
Speaker 1: a boy were.

1949
01:25:35,680 --> 01:25:38,639
Speaker 4: There in sports move? Oh yeah, oh yeah that hurts.

1950
01:25:39,040 --> 01:25:41,599
Speaker 1: Yeah, you get that heel and Omar, for some reason,

1951
01:25:41,840 --> 01:25:44,760
Speaker 1: likes to wear her crocks on opposite feet I don't

1952
01:25:44,760 --> 01:25:46,720
Speaker 1: know if it gives her more like leverage with the kick, but.

1953
01:25:48,600 --> 01:25:49,720
Speaker 4: Turn corners pretty well.

1954
01:25:52,200 --> 01:25:54,200
Speaker 1: Sage walking in daycare. You just see Mark hit a

1955
01:25:54,280 --> 01:25:57,280
Speaker 1: corner on the wrong feet. Get that corner really well

1956
01:25:58,280 --> 01:25:58,760
Speaker 1: like the s P.

1957
01:25:59,080 --> 01:25:59,679
Speaker 4: Yeah exactly.

1958
01:26:02,800 --> 01:26:05,439
Speaker 1: Well, anyways, do you have any advice with this gentleman

1959
01:26:05,960 --> 01:26:07,439
Speaker 1: besides state of women's business.

1960
01:26:08,320 --> 01:26:13,000
Speaker 5: No, that's the safest advice. That's probably the most helpful advice. Yeah,

1961
01:26:13,080 --> 01:26:16,960
Speaker 5: let's do let us lady handle it. I'm with you,

1962
01:26:17,080 --> 01:26:18,960
Speaker 5: he can't do nothing with that. Let us lady handle it.

1963
01:26:19,360 --> 01:26:20,799
Speaker 3: Josh, have anymore voicemails?

1964
01:26:21,040 --> 01:26:21,439
Speaker 4: Or is that it?

1965
01:26:21,600 --> 01:26:21,760
Speaker 10: You know?

1966
01:26:24,200 --> 01:26:25,160
Speaker 4: I said, you're.

1967
01:26:26,520 --> 01:26:30,360
Speaker 6: What's going on y'all? Showing her sean in North Carolina?

1968
01:26:30,520 --> 01:26:32,599
Speaker 6: Make sure y'all co bet me, y'all get a chance. Man,

1969
01:26:32,680 --> 01:26:35,280
Speaker 6: we fuck with syall. So I'm getting straight to the point.

1970
01:26:35,360 --> 01:26:38,000
Speaker 6: I know my last question was kind of crazy and whatnot.

1971
01:26:38,479 --> 01:26:40,880
Speaker 6: Maybe it couldn't relate, but maybe this one might hit

1972
01:26:40,920 --> 01:26:42,519
Speaker 6: a little bit at home and help me work through

1973
01:26:42,520 --> 01:26:46,519
Speaker 6: this situation. So I started talking to this woman in January.

1974
01:26:47,040 --> 01:26:51,680
Speaker 6: She was in an abusive relationship. We've been together for

1975
01:26:51,760 --> 01:26:55,920
Speaker 6: about sismo now and done everything to make sure she

1976
01:26:56,040 --> 01:27:01,719
Speaker 6: feel loved on. Whoop the baby daddy ass. This situation

1977
01:27:01,920 --> 01:27:04,640
Speaker 6: and stuff things is supposed to be good now, but

1978
01:27:05,520 --> 01:27:06,120
Speaker 6: she keep on.

1979
01:27:07,880 --> 01:27:09,080
Speaker 4: Underappreciating me, And.

1980
01:27:09,080 --> 01:27:11,559
Speaker 6: I feel like as times and she got more comfortable,

1981
01:27:11,600 --> 01:27:13,680
Speaker 6: she got more comfortable with disrespect to me, and that's

1982
01:27:13,720 --> 01:27:16,640
Speaker 6: really like my biggest thing. Like everything else is kind

1983
01:27:16,680 --> 01:27:20,000
Speaker 6: of good with, but like the disrespect and feeling unappreciated

1984
01:27:20,160 --> 01:27:21,960
Speaker 6: is kind of where I draw the line. And I

1985
01:27:22,040 --> 01:27:24,280
Speaker 6: feel like she got like a warped sense of reality.

1986
01:27:24,800 --> 01:27:27,800
Speaker 6: She liked to use the term under delivered times and

1987
01:27:28,360 --> 01:27:30,240
Speaker 6: the marriage. I heard what you're saying. But baby, I

1988
01:27:30,280 --> 01:27:32,080
Speaker 6: don't make one hundred and fifty K, but I made

1989
01:27:32,120 --> 01:27:35,040
Speaker 6: pretty close and the six months I don't been with

1990
01:27:35,200 --> 01:27:37,760
Speaker 6: her just on our cans hipt. I don't send her

1991
01:27:37,920 --> 01:27:42,160
Speaker 6: over fourteen thousand dollars, you know, yet like I can

1992
01:27:42,240 --> 01:27:44,519
Speaker 6: call me, I can show you the shit. So basically

1993
01:27:44,600 --> 01:27:47,600
Speaker 6: my question is is am I under delivery? And do

1994
01:27:47,720 --> 01:27:49,280
Speaker 6: I need to step my shit up? Or should I

1995
01:27:49,360 --> 01:27:50,160
Speaker 6: just let this person go?

1996
01:27:50,280 --> 01:27:52,400
Speaker 1: And they was just using me to get off, So

1997
01:27:52,600 --> 01:28:01,519
Speaker 1: basically you fully understand, yeah, baby, right, I think that.

1998
01:28:01,800 --> 01:28:03,400
Speaker 3: Baby, like that guy maybe had a point.

1999
01:28:03,840 --> 01:28:07,000
Speaker 4: All right, listen, it's just a it's a real thing.

2000
01:28:07,200 --> 01:28:08,479
Speaker 7: That's relax it's.

2001
01:28:08,360 --> 01:28:08,880
Speaker 4: A real thing.

2002
01:28:09,000 --> 01:28:12,479
Speaker 3: And everything was bleeped up. No one knows what we

2003
01:28:12,560 --> 01:28:13,120
Speaker 3: even just said.

2004
01:28:15,520 --> 01:28:19,000
Speaker 4: Yeah, Leaf, yeah that's the same.

2005
01:28:19,240 --> 01:28:19,400
Speaker 8: Yeah.

2006
01:28:19,439 --> 01:28:20,840
Speaker 1: I don't even like I don't know if we have

2007
01:28:20,920 --> 01:28:24,040
Speaker 1: to overthink this one. If you don't feel appreciative, I

2008
01:28:24,120 --> 01:28:28,559
Speaker 1: feel like she's disrespecting you. Leaf almost caught a charge

2009
01:28:28,600 --> 01:28:29,080
Speaker 1: over this chick.

2010
01:28:29,560 --> 01:28:30,679
Speaker 4: That cat must be good.

2011
01:28:31,320 --> 01:28:34,679
Speaker 5: Yeah, niggas go through all of that and they sending

2012
01:28:34,840 --> 01:28:38,720
Speaker 5: money and the now they calling voicemails. He need us

2013
01:28:38,760 --> 01:28:41,960
Speaker 5: to tell you a cat good man, he called it,

2014
01:28:42,560 --> 01:28:47,639
Speaker 5: leaving a voicemail trying to figure it if I'm sending

2015
01:28:47,680 --> 01:28:51,680
Speaker 5: a woman fourteen thousand dollars in the year cash up,

2016
01:28:51,800 --> 01:28:54,519
Speaker 5: just you know whatever, help out with her six month bills, whatever,

2017
01:28:54,640 --> 01:28:57,280
Speaker 5: six six months, help out with her bills, things like that, whatever,

2018
01:28:58,840 --> 01:29:00,760
Speaker 5: And then I got to beat her baby. Daddy's asked

2019
01:29:00,760 --> 01:29:04,479
Speaker 5: because he disrespecting her. And now I'm calling and seeing

2020
01:29:04,520 --> 01:29:06,280
Speaker 5: what I should do, Like he calling us to see

2021
01:29:06,320 --> 01:29:09,240
Speaker 5: what that cat is good man, because he don't want

2022
01:29:09,280 --> 01:29:11,519
Speaker 5: to leave. He don't he don't want to leave, like

2023
01:29:11,600 --> 01:29:13,280
Speaker 5: he just he wants to see if he tripping or not.

2024
01:29:13,400 --> 01:29:14,040
Speaker 4: So he calling us.

2025
01:29:14,479 --> 01:29:16,360
Speaker 5: He knows, Yeah, he calling us to see you am

2026
01:29:16,400 --> 01:29:19,639
Speaker 5: my tripping? Well, yes you're tripping, But if the cat

2027
01:29:19,800 --> 01:29:22,400
Speaker 5: is as good as it seems it is, then you know,

2028
01:29:22,439 --> 01:29:23,760
Speaker 5: I understand why you're tripping in.

2029
01:29:23,840 --> 01:29:26,960
Speaker 1: A fourteen K. And Charlotte, that's like a down payment

2030
01:29:27,000 --> 01:29:29,920
Speaker 1: on a mansion. That's a lot of fucking money.

2031
01:29:29,960 --> 01:29:35,920
Speaker 5: And Charlotte, yeah, Charlotte. Charlotte's not New York, but it's

2032
01:29:36,160 --> 01:29:38,519
Speaker 5: Charlotte is getting up there. It ain't cheating, all right.

2033
01:29:38,520 --> 01:29:40,680
Speaker 1: But if you're like thirty minutes outside of Charlotte, you

2034
01:29:40,720 --> 01:29:42,880
Speaker 1: could definitely buy family.

2035
01:29:44,080 --> 01:29:44,680
Speaker 4: Absolutely.

2036
01:29:46,200 --> 01:29:49,040
Speaker 2: I feel like you should check her firmly. Don't put

2037
01:29:49,080 --> 01:29:51,400
Speaker 2: your hands on her, obviously, but check her firmly.

2038
01:29:54,000 --> 01:29:55,679
Speaker 4: And what's the firm? What's the firm?

2039
01:29:55,800 --> 01:30:01,200
Speaker 2: Check a firm? Sitting down at y'all, Beckerly and you

2040
01:30:01,280 --> 01:30:03,040
Speaker 2: can be right here or you could go back to

2041
01:30:03,080 --> 01:30:04,560
Speaker 2: you could leave me. I could leave you and you

2042
01:30:04,640 --> 01:30:06,640
Speaker 2: go back to what the fuck you had before. But

2043
01:30:06,720 --> 01:30:08,360
Speaker 2: I'm not gonna deal with you talking to me like this.

2044
01:30:08,520 --> 01:30:10,280
Speaker 2: I'm not gonna deal with you being unappreciative of the

2045
01:30:10,320 --> 01:30:12,080
Speaker 2: shit that I do for you. Say it just like that,

2046
01:30:12,640 --> 01:30:14,719
Speaker 2: and if she doesn't respond, well to that or change

2047
01:30:14,720 --> 01:30:17,280
Speaker 2: her behavior, go and get the fuck. But I think

2048
01:30:17,360 --> 01:30:20,080
Speaker 2: that you should check her because she might think, because

2049
01:30:20,120 --> 01:30:22,000
Speaker 2: you not mopping the floor with her and knock her

2050
01:30:22,000 --> 01:30:24,040
Speaker 2: head between the washer and dryer, that she can skate

2051
01:30:24,080 --> 01:30:26,479
Speaker 2: on you. And usually if you put your foot down,

2052
01:30:27,360 --> 01:30:29,680
Speaker 2: like the shit will change. But if you don't, then

2053
01:30:30,000 --> 01:30:32,560
Speaker 2: just leave. If she don't respond, just leave. But I

2054
01:30:32,600 --> 01:30:34,080
Speaker 2: can tell you really really like her, So give her

2055
01:30:34,120 --> 01:30:37,519
Speaker 2: a chance to communicate how you feel like, really communicate firmly,

2056
01:30:37,640 --> 01:30:41,200
Speaker 2: not like sometimes you'll communicate shit and it'll it'll like,

2057
01:30:41,240 --> 01:30:43,040
Speaker 2: people will brush past it because they don't know how

2058
01:30:43,080 --> 01:30:43,479
Speaker 2: serious you.

2059
01:30:43,479 --> 01:30:45,080
Speaker 7: Are about it. They don't know how close to leaving

2060
01:30:45,120 --> 01:30:45,360
Speaker 7: you are.

2061
01:30:45,479 --> 01:30:48,200
Speaker 2: But now I put your fucking foot down, and if

2062
01:30:48,240 --> 01:30:50,840
Speaker 2: she still step on that bitch, take that same foot,

2063
01:30:50,840 --> 01:30:52,479
Speaker 2: put it in a shoe and walk out the fucking door.

2064
01:30:52,920 --> 01:30:53,080
Speaker 5: Man.

2065
01:30:53,960 --> 01:30:57,120
Speaker 1: A few months in and she's already being disrespectful, not

2066
01:30:57,200 --> 01:30:59,799
Speaker 1: appreciating you. Do you think that it's gonna change. Nah's

2067
01:30:59,800 --> 01:31:01,240
Speaker 1: three years she'll respect me.

2068
01:31:01,439 --> 01:31:04,080
Speaker 4: Yeah, like this this.

2069
01:31:04,160 --> 01:31:06,760
Speaker 1: Early into relationship. Let's say they were together for three

2070
01:31:06,880 --> 01:31:08,760
Speaker 1: years and then it got a little weird. You can

2071
01:31:08,840 --> 01:31:11,280
Speaker 1: work on that, because there's an example of this working

2072
01:31:11,360 --> 01:31:13,880
Speaker 1: before six months is this should not work and leave

2073
01:31:14,320 --> 01:31:15,639
Speaker 1: like cut your losses.

2074
01:31:15,840 --> 01:31:16,479
Speaker 4: Cats too good?

2075
01:31:16,560 --> 01:31:20,920
Speaker 1: Fucking you Ben Charlotte, North Carolina good. She's the only

2076
01:31:20,960 --> 01:31:24,640
Speaker 1: one that has to North Carolina good cat. I can

2077
01:31:24,720 --> 01:31:26,080
Speaker 1: assure you that that's not the case.

2078
01:31:26,320 --> 01:31:28,200
Speaker 2: Maybe he liked her for more than just her pussy.

2079
01:31:28,280 --> 01:31:29,760
Speaker 2: First of all, let's not reduce her down.

2080
01:31:29,920 --> 01:31:32,320
Speaker 1: He likes her because she disrespects him and doesn't appreciate him.

2081
01:31:32,439 --> 01:31:35,280
Speaker 2: No, obviously, before she started doing that, he liked her

2082
01:31:35,360 --> 01:31:37,240
Speaker 2: for something else, Like he obviously likes her.

2083
01:31:37,439 --> 01:31:38,599
Speaker 7: You like have to push her pussy.

2084
01:31:39,640 --> 01:31:41,479
Speaker 4: She's pretty, she's cool, you know what I'm saying. They

2085
01:31:41,520 --> 01:31:41,960
Speaker 4: get along.

2086
01:31:42,040 --> 01:31:43,840
Speaker 5: And now that they're six months in and he had

2087
01:31:43,880 --> 01:31:46,280
Speaker 5: to beat the baby daddy's ass, and he's sending her

2088
01:31:46,320 --> 01:31:47,960
Speaker 5: money to help with her bills and things like that,

2089
01:31:48,040 --> 01:31:50,880
Speaker 5: and now he's he isn't on the voicemails trying to

2090
01:31:50,920 --> 01:31:53,719
Speaker 5: figure it out if he if the puss, if the cat.

2091
01:31:53,720 --> 01:31:54,639
Speaker 4: Wasn't good, he would be going.

2092
01:31:54,720 --> 01:31:56,280
Speaker 2: I'm not saying that the cat isn't good. I'm saying,

2093
01:31:56,360 --> 01:31:58,599
Speaker 2: let's not reduce women like women. Let's not just reduce

2094
01:31:58,640 --> 01:32:00,479
Speaker 2: it down to them only liking them for pussy.

2095
01:32:00,720 --> 01:32:03,559
Speaker 3: Just know we're saying he only likes her for how

2096
01:32:03,680 --> 01:32:04,400
Speaker 3: do you know that?

2097
01:32:05,560 --> 01:32:08,760
Speaker 1: Because he's being disrespected, gave her fourteen grand almost caught

2098
01:32:08,800 --> 01:32:10,640
Speaker 1: a fucking misdemeanor throwing mad bitch is.

2099
01:32:10,640 --> 01:32:13,479
Speaker 2: With great personalities that can be disrespectful. That means nothing,

2100
01:32:13,800 --> 01:32:15,760
Speaker 2: Like you got a great personality and still be disrespectful.

2101
01:32:15,800 --> 01:32:18,800
Speaker 2: There's duality here that's true, Like like, I'm sure he

2102
01:32:18,960 --> 01:32:20,640
Speaker 2: likes her for other things other than her pussy and

2103
01:32:20,720 --> 01:32:22,400
Speaker 2: her just being shitty to him. I don't think that

2104
01:32:22,520 --> 01:32:22,760
Speaker 2: that's it.

2105
01:32:23,760 --> 01:32:24,240
Speaker 4: Get the help.

2106
01:32:24,360 --> 01:32:28,080
Speaker 5: So when the cat good, you overlook a lot of

2107
01:32:28,120 --> 01:32:30,200
Speaker 5: that shit. You overlook a lot of disrespect when you

2108
01:32:30,240 --> 01:32:30,960
Speaker 5: know that cat good.

2109
01:32:31,600 --> 01:32:33,800
Speaker 4: Like, damn, she she's playing. She talking crazy to me.

2110
01:32:34,160 --> 01:32:36,760
Speaker 1: I'm not letting the Americ get this up. Well, when

2111
01:32:36,800 --> 01:32:38,720
Speaker 1: a man is in an awful situation, what is the

2112
01:32:38,840 --> 01:32:43,000
Speaker 1: only thing that usually keeps in there? She's funny, I

2113
01:32:43,120 --> 01:32:43,479
Speaker 1: never do.

2114
01:32:46,320 --> 01:32:46,360
Speaker 6: That.

2115
01:32:46,479 --> 01:32:47,200
Speaker 2: Pussy is great.

2116
01:32:47,760 --> 01:32:52,320
Speaker 4: Yeah, that kept me a warm cat on a fall night.

2117
01:32:54,360 --> 01:32:56,040
Speaker 1: You're sitting there and you're like, she don't even mean

2118
01:32:56,080 --> 01:32:58,280
Speaker 1: that distract She just in one of those moods today.

2119
01:32:58,360 --> 01:33:01,040
Speaker 5: Now, if the cat too good, you start saying about yourself,

2120
01:33:01,080 --> 01:33:03,840
Speaker 5: like you know what I do be tripping. I do

2121
01:33:04,000 --> 01:33:06,680
Speaker 5: be in hitkond of tripping sometimes. But if it ain't like,

2122
01:33:06,760 --> 01:33:10,200
Speaker 5: I'm out. I ain't got to do this, say with

2123
01:33:10,320 --> 01:33:12,120
Speaker 5: women though, like y'all leave y'all, like you know what,

2124
01:33:12,400 --> 01:33:14,559
Speaker 5: like like I'm not.

2125
01:33:14,640 --> 01:33:17,000
Speaker 4: Dealing with this, Like if it ain't good, I'm out.

2126
01:33:17,040 --> 01:33:20,720
Speaker 1: All right, Let's say you beat the breaks off your

2127
01:33:20,760 --> 01:33:24,040
Speaker 1: girl's baby father, like in a very heroic movie like

2128
01:33:24,600 --> 01:33:26,520
Speaker 1: Texas Walker Ranger.

2129
01:33:26,360 --> 01:33:28,519
Speaker 4: Whatever that guy is everything you throw just laying Yeah.

2130
01:33:28,439 --> 01:33:29,640
Speaker 1: Like it was. It was one of those like you

2131
01:33:29,760 --> 01:33:33,040
Speaker 1: even surprised yourself it went that well. How would you

2132
01:33:33,080 --> 01:33:36,639
Speaker 1: want to be appreciative that minute afterwards? Like what should

2133
01:33:36,640 --> 01:33:37,880
Speaker 1: she be doing for you that evening?

2134
01:33:38,479 --> 01:33:38,760
Speaker 4: Mm hm?

2135
01:33:40,360 --> 01:33:45,840
Speaker 1: Red Lobster, Oh, because don't get me the same head

2136
01:33:45,920 --> 01:33:48,760
Speaker 1: you gave me before I beat your baby father up.

2137
01:33:49,200 --> 01:33:50,680
Speaker 1: You gotta we have to figure something else out.

2138
01:33:50,800 --> 01:33:52,719
Speaker 2: Red Lobster got crab boils Now, though.

2139
01:33:54,960 --> 01:33:55,800
Speaker 4: I don't want that ship.

2140
01:33:58,760 --> 01:34:00,599
Speaker 1: It's owned by a young black entrepreneur.

2141
01:34:00,680 --> 01:34:02,679
Speaker 4: No, no shout offs to him. He's doing a great job.

2142
01:34:02,760 --> 01:34:03,880
Speaker 4: But yeah, I don't want that.

2143
01:34:04,320 --> 01:34:09,639
Speaker 5: Cool Yeah, maybe a threesomes right, Yeah? If I beat

2144
01:34:09,640 --> 01:34:11,400
Speaker 5: your baby dad, ass, you call you up your cute

2145
01:34:11,400 --> 01:34:13,599
Speaker 5: friend over here, the one that keep coming over here

2146
01:34:13,960 --> 01:34:16,400
Speaker 5: on Sundays undernnounced while I'm here trying to sleep.

2147
01:34:16,240 --> 01:34:18,880
Speaker 1: Because that's how easy it usually is, right, keep friends,

2148
01:34:19,320 --> 01:34:20,880
Speaker 1: hit her up. I've been waiting for you guys to

2149
01:34:20,880 --> 01:34:21,439
Speaker 1: call me the fuck.

2150
01:34:22,760 --> 01:34:24,200
Speaker 4: Yeah, you coming over here Sunday?

2151
01:34:24,439 --> 01:34:26,880
Speaker 5: You keep coming over here? Why you keep coming over

2152
01:34:26,920 --> 01:34:28,840
Speaker 5: here early on Sundays? While you had eleven thirty on

2153
01:34:28,880 --> 01:34:31,439
Speaker 5: a Sunday? We didn't he come from church?

2154
01:34:33,120 --> 01:34:34,920
Speaker 4: You coming here from church? You're coming to my house

2155
01:34:34,960 --> 01:34:35,320
Speaker 4: from church?

2156
01:34:35,439 --> 01:34:36,120
Speaker 2: Yeah, y'all got this?

2157
01:34:36,600 --> 01:34:38,679
Speaker 5: Uh, we got I got some. I got a snack

2158
01:34:38,720 --> 01:34:40,679
Speaker 5: in here for you coming this. Come in this bedroom

2159
01:34:40,720 --> 01:34:43,920
Speaker 5: and get this snack. Get get this dunker rou come

2160
01:34:44,240 --> 01:34:48,679
Speaker 5: this lunch, Come get this dunker rus.

2161
01:34:48,840 --> 01:34:51,519
Speaker 7: You old as fuck, by the way, like you really

2162
01:34:51,680 --> 01:34:55,160
Speaker 7: just too Yeah goo, get this dunker rule.

2163
01:34:55,160 --> 01:34:56,800
Speaker 5: It's eleven thirty on the Sunday. You keep coming to

2164
01:34:56,880 --> 01:34:59,080
Speaker 5: my house. Now, we ain't doing that. The game not

2165
01:34:59,200 --> 01:34:59,720
Speaker 5: even on yet.

2166
01:34:59,760 --> 01:35:03,160
Speaker 3: Why you she was respecting that you could have the

2167
01:35:03,200 --> 01:35:04,920
Speaker 3: three so before the game so you didn't miss a quarter.

2168
01:35:05,040 --> 01:35:06,960
Speaker 5: Yeah, but come on, man, you keep coming over here

2169
01:35:07,120 --> 01:35:08,880
Speaker 5: early on a Sunday. She pretty too?

2170
01:35:09,960 --> 01:35:13,160
Speaker 4: What's up? Man? What you want every Sunday, I wake

2171
01:35:13,280 --> 01:35:16,280
Speaker 4: up before you in my house? What you here for?

2172
01:35:17,960 --> 01:35:19,439
Speaker 2: More? You must have really been through this you a

2173
01:35:19,479 --> 01:35:20,000
Speaker 2: little bit too?

2174
01:35:20,560 --> 01:35:23,240
Speaker 4: Yeah? Why she keep coming over here?

2175
01:35:24,040 --> 01:35:24,439
Speaker 2: Mm hmm.

2176
01:35:25,600 --> 01:35:29,000
Speaker 1: What's more disrespectful having the new boyfriend beat you up?

2177
01:35:30,120 --> 01:35:32,320
Speaker 1: Or that they probably went back to her career where

2178
01:35:32,360 --> 01:35:32,840
Speaker 1: your child is?

2179
01:35:34,080 --> 01:35:34,280
Speaker 4: Wait?

2180
01:35:34,400 --> 01:35:39,040
Speaker 1: What what is more disrespectful getting beat up by your

2181
01:35:39,120 --> 01:35:43,320
Speaker 1: ex's new boyfriend? Okay, or the fact that they probably

2182
01:35:43,400 --> 01:35:45,720
Speaker 1: went back home to her house where your child is.

2183
01:35:46,479 --> 01:35:48,599
Speaker 1: Don't whoop my ass and then go see see.

2184
01:35:48,439 --> 01:35:49,760
Speaker 2: My kid na.

2185
01:35:51,479 --> 01:35:52,800
Speaker 7: Your ass and then leave you with the kid for

2186
01:35:52,840 --> 01:35:53,240
Speaker 7: the weekend.

2187
01:35:55,120 --> 01:35:59,679
Speaker 4: Nah, that's either way. That's wild. That is crazy.

2188
01:36:00,200 --> 01:36:02,280
Speaker 3: North Carolina has some relaxed gun laws too.

2189
01:36:02,479 --> 01:36:04,360
Speaker 4: Oh absolutely, okay, Yeah.

2190
01:36:04,600 --> 01:36:09,560
Speaker 1: Yeah, sir, check your rear view, man, he maybe you

2191
01:36:09,640 --> 01:36:11,160
Speaker 1: know you should get out of get the fuck out

2192
01:36:11,160 --> 01:36:11,719
Speaker 1: of the situation.

2193
01:36:11,840 --> 01:36:15,759
Speaker 3: Yeah, that fourteen grand could have went to some firearms hopefully.

2194
01:36:15,880 --> 01:36:19,320
Speaker 5: He you know, he is with a woman that appreciates him,

2195
01:36:19,360 --> 01:36:21,080
Speaker 5: and you know they're just going through a rough spot.

2196
01:36:21,120 --> 01:36:23,439
Speaker 5: Six months are still early, very early.

2197
01:36:23,560 --> 01:36:24,040
Speaker 4: That's early.

2198
01:36:24,360 --> 01:36:26,320
Speaker 2: But that's I mean, but if she just got disrespectful

2199
01:36:26,320 --> 01:36:28,599
Speaker 2: after six months, I don't think she's a disrespectful person.

2200
01:36:28,800 --> 01:36:31,000
Speaker 7: It could be something else going on, Like so.

2201
01:36:31,120 --> 01:36:32,880
Speaker 4: Yeah, he just telling her. You gotta we gotta hear

2202
01:36:32,920 --> 01:36:36,720
Speaker 4: from her. Yeah, like I hear you homing, it's all good,

2203
01:36:36,760 --> 01:36:38,120
Speaker 4: But like we gotta hear from her, like why is

2204
01:36:38,240 --> 01:36:41,080
Speaker 4: she being disrespectful? What you doing? Like, let's hear her

2205
01:36:41,160 --> 01:36:41,920
Speaker 4: side of the story.

2206
01:36:42,200 --> 01:36:44,320
Speaker 1: And I'd like to hear from him what he thinks

2207
01:36:44,400 --> 01:36:48,240
Speaker 1: being appreciated, Yeah, because she could be appreciating the ship

2208
01:36:48,240 --> 01:36:49,680
Speaker 1: out of him, but he just he don't know what

2209
01:36:49,760 --> 01:36:49,960
Speaker 1: it is.

2210
01:36:50,000 --> 01:36:50,760
Speaker 2: You don't know what that is?

2211
01:36:52,080 --> 01:36:54,760
Speaker 3: Or he thinks being appreciated is like all right, how

2212
01:36:54,800 --> 01:36:55,439
Speaker 3: can we have him fucked?

2213
01:36:55,439 --> 01:36:56,080
Speaker 4: Your cute umbrel?

2214
01:36:56,160 --> 01:36:59,479
Speaker 1: Yet he may view his appreciation for shy some.

2215
01:36:59,520 --> 01:37:01,480
Speaker 4: Wild Yeah I don't feel appreciated.

2216
01:37:01,800 --> 01:37:03,559
Speaker 1: Yeah, Like why haven't you let me fuck a bunch

2217
01:37:03,600 --> 01:37:06,000
Speaker 1: of other women? Look what I've done for you. Yeah,

2218
01:37:06,400 --> 01:37:08,320
Speaker 1: he could be one of those. Well stop sending her money,

2219
01:37:08,400 --> 01:37:12,800
Speaker 1: that'll fix it, Seyes. You started acting, See she started

2220
01:37:12,800 --> 01:37:14,719
Speaker 1: acting once that money stopped coming through, once that wire

2221
01:37:14,760 --> 01:37:15,280
Speaker 1: stop hitting.

2222
01:37:16,080 --> 01:37:18,880
Speaker 7: You wanted to go from disrespect for the super disrespectful Like.

2223
01:37:18,920 --> 01:37:21,519
Speaker 5: I mean, she ain't she ain't appreciating him, and he

2224
01:37:21,520 --> 01:37:23,040
Speaker 5: you know what I'm saying. He's doing his part, he

2225
01:37:23,160 --> 01:37:25,240
Speaker 5: helping her out, you know what I mean, and she

2226
01:37:25,240 --> 01:37:27,400
Speaker 5: ain't being appreciative, then he gotta gi me.

2227
01:37:27,479 --> 01:37:30,080
Speaker 4: Stop being so so helpful.

2228
01:37:30,360 --> 01:37:33,400
Speaker 2: Sometimes money isn't everything. Sometimes I could be asking you

2229
01:37:33,520 --> 01:37:36,280
Speaker 2: to do simple ship and you sending me money simple

2230
01:37:36,280 --> 01:37:36,640
Speaker 2: shit like.

2231
01:37:36,640 --> 01:37:38,040
Speaker 7: What what Lotto said?

2232
01:37:38,160 --> 01:37:41,720
Speaker 2: Lotto said, I asked for more reassurance and affection. You

2233
01:37:41,800 --> 01:37:45,519
Speaker 2: went and brought me a necklace, like like, I want this,

2234
01:37:45,800 --> 01:37:47,640
Speaker 2: and you're just giving me this because this is the

2235
01:37:47,720 --> 01:37:49,400
Speaker 2: only way that you know how to show that you

2236
01:37:49,520 --> 01:37:50,840
Speaker 2: care about me. And it's like, I don't want that.

2237
01:37:50,880 --> 01:37:53,360
Speaker 2: I want you to do the dishes. That's what I want.

2238
01:37:54,360 --> 01:37:55,200
Speaker 2: So yes, even though you.

2239
01:37:55,400 --> 01:37:56,760
Speaker 4: I want you to do the dish, I want you

2240
01:37:56,800 --> 01:37:57,040
Speaker 4: to do that.

2241
01:37:57,160 --> 01:37:58,680
Speaker 7: I want you to help me with the dishes one time.

2242
01:37:58,720 --> 01:38:00,360
Speaker 1: Wait, so you mean I could save four and gran

2243
01:38:00,439 --> 01:38:01,080
Speaker 1: and just go.

2244
01:38:03,200 --> 01:38:06,120
Speaker 4: You both both just whe you thought you had women

2245
01:38:06,200 --> 01:38:09,200
Speaker 4: figured out, just when you thought, nah, just do the dishes.

2246
01:38:09,320 --> 01:38:13,439
Speaker 2: Nah, duality, duality. But I'm if I'm asking you if.

2247
01:38:13,439 --> 01:38:16,479
Speaker 5: Nothing like a woman coming home to clean house, you

2248
01:38:16,560 --> 01:38:20,120
Speaker 5: come home, your nigga cleaned the whole spot through.

2249
01:38:20,000 --> 01:38:22,960
Speaker 7: The mattress, won't even make it to the mattress through

2250
01:38:22,960 --> 01:38:23,360
Speaker 7: the sofa.

2251
01:38:24,760 --> 01:38:29,080
Speaker 1: I have nothing to appreciated mopping my ass off all

2252
01:38:29,120 --> 01:38:29,400
Speaker 1: the time.

2253
01:38:30,160 --> 01:38:30,599
Speaker 4: Very different.

2254
01:38:31,240 --> 01:38:32,720
Speaker 7: You look like you mop like.

2255
01:38:32,800 --> 01:38:34,720
Speaker 2: You look like you look like if I told you

2256
01:38:34,840 --> 01:38:36,640
Speaker 2: to clean, you would go mop like you would pull

2257
01:38:36,640 --> 01:38:38,479
Speaker 2: out the mop. One sweep first or nothing, Just pull

2258
01:38:38,520 --> 01:38:38,960
Speaker 2: out the mop.

2259
01:38:39,080 --> 01:38:41,080
Speaker 4: Nah, not sweeping first, yo.

2260
01:38:41,280 --> 01:38:44,640
Speaker 5: Mopping a dirty floor like with dusty and sh every

2261
01:38:44,760 --> 01:38:47,280
Speaker 5: day is just wow, cheese doodles and you just mopping it.

2262
01:38:47,800 --> 01:38:50,720
Speaker 1: You have to sweep, then do the the swifter as well.

2263
01:38:50,800 --> 01:38:52,560
Speaker 1: You gotta double sweep to make sure you get all that.

2264
01:38:52,680 --> 01:38:53,360
Speaker 2: Then you can mop.

2265
01:38:53,920 --> 01:38:56,720
Speaker 5: I just vacuum and then mob twice. But the water

2266
01:38:56,800 --> 01:38:58,920
Speaker 5: got to be like I'm boiling hot like a boiler.

2267
01:38:59,280 --> 01:38:59,880
Speaker 7: I boil the water.

2268
01:39:00,600 --> 01:39:04,439
Speaker 1: H One of my summer jobs was to like cut

2269
01:39:04,479 --> 01:39:06,000
Speaker 1: the grass of the parks and ship and then we

2270
01:39:06,040 --> 01:39:07,600
Speaker 1: also had to clean the bathrooms.

2271
01:39:07,760 --> 01:39:10,000
Speaker 4: At the park. Yeah, I'm sorry you had to go

2272
01:39:10,080 --> 01:39:12,320
Speaker 4: through that, man. Yeah, that's like work, really shit. That's

2273
01:39:12,400 --> 01:39:13,800
Speaker 4: like you know, criminal murder.

2274
01:39:14,160 --> 01:39:17,120
Speaker 3: It paid really well, Like it paid really well.

2275
01:39:17,720 --> 01:39:19,479
Speaker 4: Killed somebody got to clean the park bathroom.

2276
01:39:19,560 --> 01:39:21,400
Speaker 1: I mean everything else was easy because I got like

2277
01:39:21,640 --> 01:39:24,120
Speaker 1: cutting the grass and weed whacking that ship was you

2278
01:39:24,200 --> 01:39:26,840
Speaker 1: throwing headphones? You get through a fucking eight hour day

2279
01:39:26,920 --> 01:39:29,439
Speaker 1: each it was just those weeks when you had to

2280
01:39:29,479 --> 01:39:31,679
Speaker 1: go and clean. But I'm a fucking mop specialist because

2281
01:39:31,680 --> 01:39:34,280
Speaker 1: of it. You think I can't clean my hardwood floors

2282
01:39:34,280 --> 01:39:37,920
Speaker 1: when I was cleaning the park, like moving a homeless Manda.

2283
01:39:40,200 --> 01:39:42,320
Speaker 4: What's the nastiest shit you ever seen in the park bathroom?

2284
01:39:45,479 --> 01:39:49,120
Speaker 1: I mean probably ship everywhere but the toilet. Yeah, like

2285
01:39:49,240 --> 01:39:52,320
Speaker 1: that's probably, which was like actually pretty common, to be

2286
01:39:52,400 --> 01:39:56,000
Speaker 1: quite honest. And at that point, like you're really just

2287
01:39:56,160 --> 01:39:58,439
Speaker 1: mopping dirty water and ship, Like it got to a

2288
01:39:58,479 --> 01:40:00,280
Speaker 1: point and you should never let teenagers do this either.

2289
01:40:00,880 --> 01:40:02,400
Speaker 1: Like we were just wet in the floor and we

2290
01:40:02,560 --> 01:40:06,120
Speaker 1: was out, like we can't clean this. You need like

2291
01:40:06,360 --> 01:40:08,400
Speaker 1: an actual professional to clean this type of shit. Now

2292
01:40:08,479 --> 01:40:09,800
Speaker 1: you need a powerwasher to clean this.

2293
01:40:10,479 --> 01:40:11,240
Speaker 2: You gave me a mock.

2294
01:40:11,439 --> 01:40:13,240
Speaker 4: I've never used the park bathroom in my life.

2295
01:40:14,080 --> 01:40:16,599
Speaker 5: Me and I used to be in a park for hours,

2296
01:40:16,640 --> 01:40:20,439
Speaker 5: and I don't even remember having a pee, As crazy

2297
01:40:20,479 --> 01:40:23,479
Speaker 5: as that sounds, like we played ball for four hours.

2298
01:40:25,760 --> 01:40:28,000
Speaker 4: That's why I never had I've never used the.

2299
01:40:28,000 --> 01:40:29,760
Speaker 5: Park bathroom in Like I'm sitting here thinking, like have

2300
01:40:29,880 --> 01:40:32,240
Speaker 5: I ever even the park bathroom in my hood?

2301
01:40:32,240 --> 01:40:34,439
Speaker 4: I don't even think the park bathroom was open.

2302
01:40:35,640 --> 01:40:37,960
Speaker 5: I don't think we could go with the bathroom like

2303
01:40:38,400 --> 01:40:40,680
Speaker 5: that's what I'm like park bathroom, Like if we had

2304
01:40:40,720 --> 01:40:43,200
Speaker 5: to pee where we it was like a little building

2305
01:40:43,240 --> 01:40:45,160
Speaker 5: and there was like trees, we go behind the building,

2306
01:40:46,280 --> 01:40:49,400
Speaker 5: behind them building in a park back. I've never walked

2307
01:40:49,439 --> 01:40:53,080
Speaker 5: inside of a park bathroom in my life. I've used

2308
01:40:53,120 --> 01:40:56,080
Speaker 5: like public pool. I mean you got to go there

2309
01:40:56,120 --> 01:40:58,280
Speaker 5: to change, like check your wet trunks off when you

2310
01:40:58,400 --> 01:41:00,559
Speaker 5: leave it and all that, But I don't even think

2311
01:41:00,560 --> 01:41:03,559
Speaker 5: I've ever like used the bathroom in a pool bathroom.

2312
01:41:03,640 --> 01:41:06,000
Speaker 1: Like listen, I ran track these parks.

2313
01:41:06,080 --> 01:41:08,400
Speaker 5: It's crazy how you like will hold up like when

2314
01:41:08,400 --> 01:41:11,920
Speaker 5: you like playing in the park, like you're bla will

2315
01:41:11,920 --> 01:41:15,760
Speaker 5: hold you in danger of sepsis here, you're as soon

2316
01:41:15,800 --> 01:41:18,400
Speaker 5: as I get off a flight, oh we I gotta go.

2317
01:41:19,760 --> 01:41:20,240
Speaker 2: I gotta go.

2318
01:41:20,600 --> 01:41:22,439
Speaker 4: As soon as I get off the flight, I'm going

2319
01:41:22,479 --> 01:41:23,639
Speaker 4: to the bathroom to take a pitch.

2320
01:41:23,840 --> 01:41:24,200
Speaker 6: I have to.

2321
01:41:24,280 --> 01:41:26,360
Speaker 4: I don't know what it is. Every time I get

2322
01:41:26,400 --> 01:41:28,599
Speaker 4: off a flight, my first stop is the bathroom.

2323
01:41:29,200 --> 01:41:32,120
Speaker 1: I've pissed in many park bathrooms. But I'm I'm running

2324
01:41:32,160 --> 01:41:34,160
Speaker 1: home with after ship like I'm I'll draw.

2325
01:41:34,720 --> 01:41:37,000
Speaker 5: You can't ship in a park bathroom because then what

2326
01:41:37,080 --> 01:41:38,679
Speaker 5: you're doing after that, you're going back to the court.

2327
01:41:39,360 --> 01:41:43,080
Speaker 2: Take your shitty ass home, man, funky, Yeah, who sit in.

2328
01:41:44,680 --> 01:41:49,439
Speaker 4: That's what? But that's like homeless people like you have

2329
01:41:49,560 --> 01:41:49,840
Speaker 4: a home.

2330
01:41:50,479 --> 01:41:50,839
Speaker 1: Everyone.

2331
01:41:51,040 --> 01:41:53,080
Speaker 3: The ship was everywhere but the toilet every time.

2332
01:41:53,240 --> 01:41:55,360
Speaker 4: Yeah, no, you're not shipping no park bathroom.

2333
01:41:55,280 --> 01:41:56,640
Speaker 1: And then it just be wet. You don't know what

2334
01:41:56,720 --> 01:42:00,679
Speaker 1: it is wet from, like, yeah, bath those bathrooms were crazy.

2335
01:42:00,720 --> 01:42:07,240
Speaker 5: You know where it's went from? Heroin, Lady Heroin, how

2336
01:42:07,320 --> 01:42:09,920
Speaker 5: do you miss eh man water?

2337
01:42:11,320 --> 01:42:13,439
Speaker 1: There'd be condoms in there, and then I just be wondering,

2338
01:42:13,560 --> 01:42:15,440
Speaker 1: like condoms and the homeless.

2339
01:42:15,120 --> 01:42:20,160
Speaker 4: People like a raw like yo, homeless people fuck?

2340
01:42:21,200 --> 01:42:24,240
Speaker 7: Yeah no, I'm telling him, homeless people fuck like you.

2341
01:42:26,800 --> 01:42:29,400
Speaker 4: That's crazy. The thought of that. You don't stop getting

2342
01:42:29,400 --> 01:42:32,000
Speaker 4: horny because you don't have a home. How you horny?

2343
01:42:32,080 --> 01:42:36,160
Speaker 5: And you oh yeah, the body is take away horny

2344
01:42:36,240 --> 01:42:37,400
Speaker 5: and you homeless as wild.

2345
01:42:37,840 --> 01:42:38,160
Speaker 4: I don't know.

2346
01:42:38,160 --> 01:42:40,599
Speaker 1: I feel like when like you know, when people drink

2347
01:42:40,600 --> 01:42:43,040
Speaker 1: alcohol to get a little horny. I'm sure, well, I'm

2348
01:42:43,040 --> 01:42:44,920
Speaker 1: sure Hunter Biden can let us know you probably get

2349
01:42:44,960 --> 01:42:46,000
Speaker 1: horny when you smoke crack.

2350
01:42:46,080 --> 01:42:48,280
Speaker 7: Oh, I know you be horning off the crack. I

2351
01:42:48,600 --> 01:42:50,000
Speaker 7: know you be horny off the crack.

2352
01:42:50,040 --> 01:42:52,799
Speaker 1: Just based off those lapt photos. I know, Hunter Biden

2353
01:42:52,840 --> 01:42:54,160
Speaker 1: with hold on the mass.

2354
01:42:54,200 --> 01:42:56,760
Speaker 2: How do you know that because like, think about it,

2355
01:42:57,920 --> 01:43:01,280
Speaker 2: you never thought, I know, crack sexy be five.

2356
01:43:01,520 --> 01:43:02,800
Speaker 4: Er Oh my god.

2357
01:43:03,840 --> 01:43:06,519
Speaker 7: Ah, that's probably how you get addicted. You fuck around

2358
01:43:06,520 --> 01:43:06,680
Speaker 7: a half.

2359
01:43:06,720 --> 01:43:08,360
Speaker 2: You will probably try crack and be like, all right,

2360
01:43:08,400 --> 01:43:10,519
Speaker 2: I'm done with the crack, but then you're gonna have

2361
01:43:10,680 --> 01:43:12,759
Speaker 2: sex off the crack. It's like, nah, I need this again.

2362
01:43:12,880 --> 01:43:15,160
Speaker 2: Regular sex never gonna feel the same off the rock.

2363
01:43:15,400 --> 01:43:17,280
Speaker 5: No, life is never gonna feel the same off the rock.

2364
01:43:17,360 --> 01:43:20,640
Speaker 5: That's why they can't get off fuck the sex. They

2365
01:43:20,680 --> 01:43:22,960
Speaker 5: want that feeling all because that how only lasts like

2366
01:43:23,000 --> 01:43:26,400
Speaker 5: ten minutes. That's why crackhead is always you know, I mean,

2367
01:43:26,479 --> 01:43:28,839
Speaker 5: looking looking to get high, but it'll quit.

2368
01:43:28,720 --> 01:43:32,400
Speaker 1: High Like coke they say gives you like ed, right,

2369
01:43:33,040 --> 01:43:35,479
Speaker 1: I mean not unless you take row. But don't you

2370
01:43:35,520 --> 01:43:36,720
Speaker 1: get like olymptic off coke?

2371
01:43:37,640 --> 01:43:37,840
Speaker 5: Nah?

2372
01:43:38,200 --> 01:43:40,080
Speaker 1: So you think crack like offset the baking sot the

2373
01:43:40,120 --> 01:43:42,280
Speaker 1: offsets that I don't know.

2374
01:43:42,439 --> 01:43:44,960
Speaker 4: I don't know, man, I'm guessing when you smoke it,

2375
01:43:45,000 --> 01:43:45,719
Speaker 4: it's just a difference.

2376
01:43:46,240 --> 01:43:48,240
Speaker 1: First of all, Josh, what website is this? Before I

2377
01:43:48,280 --> 01:43:50,439
Speaker 1: read anything? Crack makes orgasms better?

2378
01:43:50,560 --> 01:43:51,839
Speaker 2: I told h niggas.

2379
01:43:51,960 --> 01:43:52,880
Speaker 4: I told y'all.

2380
01:43:53,040 --> 01:43:56,080
Speaker 5: Cocaine can make it harder to orgasm if you use

2381
01:43:56,120 --> 01:44:00,640
Speaker 5: it often. Cocaine may decrease physical sensitivity while increase anxiety

2382
01:44:00,760 --> 01:44:04,280
Speaker 5: and irritability. These changes can make it challenging to remain

2383
01:44:04,400 --> 01:44:07,400
Speaker 5: focused on sex and enjoy the moment.

2384
01:44:07,760 --> 01:44:08,200
Speaker 2: That's them.

2385
01:44:08,360 --> 01:44:11,439
Speaker 4: I love this next paragraph. It's safe once in a while.

2386
01:44:12,040 --> 01:44:13,000
Speaker 1: Everything in moderation.

2387
01:44:13,320 --> 01:44:19,439
Speaker 5: Everything in moderation. Crack is safe. Biden Biden dot gov

2388
01:44:19,960 --> 01:44:20,920
Speaker 5: vote unter Biden.

2389
01:44:21,080 --> 01:44:23,760
Speaker 7: That's there. Dare is telling you it don't make sex better.

2390
01:44:24,160 --> 01:44:25,040
Speaker 7: I feel like it does.

2391
01:44:26,439 --> 01:44:29,679
Speaker 3: I used to smoke weed with our dair counselor. It's

2392
01:44:29,760 --> 01:44:30,720
Speaker 3: four years older than us.

2393
01:44:34,640 --> 01:44:37,120
Speaker 4: Oh, Crack increases sexual dysfunction.

2394
01:44:38,240 --> 01:44:40,960
Speaker 2: So does molly in ecstasy for some people. But for

2395
01:44:41,040 --> 01:44:44,679
Speaker 2: the people that it don't. I'm just saying, y'all, please

2396
01:44:44,680 --> 01:44:47,680
Speaker 2: don't do drugs for drugs made it worse for you.

2397
01:44:48,120 --> 01:44:50,000
Speaker 4: Yeah, I couldn't. I couldn't get erect.

2398
01:44:52,080 --> 01:44:54,640
Speaker 1: I'm the opposite they walk around like a predator. I

2399
01:44:54,640 --> 01:44:55,559
Speaker 1: got to wear the right pants.

2400
01:44:55,880 --> 01:44:57,840
Speaker 4: My ship was like, nigga, I had no blood in

2401
01:44:57,920 --> 01:45:00,920
Speaker 4: my ship. I ain't know what was going on. My

2402
01:45:01,040 --> 01:45:05,519
Speaker 4: day ain't been that small as I was four. Never again,

2403
01:45:06,640 --> 01:45:10,800
Speaker 4: never again. It was a rap. Never again.

2404
01:45:11,880 --> 01:45:13,920
Speaker 5: I took that ship one time. I said, never again,

2405
01:45:15,240 --> 01:45:17,200
Speaker 5: sitting there explaining to her like, no, it's never happened.

2406
01:45:17,280 --> 01:45:20,280
Speaker 5: She knew, she knew, she knew. We got I know,

2407
01:45:20,360 --> 01:45:22,320
Speaker 5: we got busy a few like twelve hours later, but

2408
01:45:22,439 --> 01:45:24,200
Speaker 5: like she knew. In a moment, I was like, yo,

2409
01:45:24,320 --> 01:45:25,160
Speaker 5: this is crazy.

2410
01:45:25,240 --> 01:45:29,200
Speaker 4: We were just laughing. That ship would smir me. I

2411
01:45:29,400 --> 01:45:31,760
Speaker 4: was like, Yo, this is wild. I was like, yo,

2412
01:45:31,880 --> 01:45:35,679
Speaker 4: this is some pathetic ship. This is crazy.

2413
01:45:36,560 --> 01:45:39,599
Speaker 5: But you had to talk and you high, so yeah, Miley,

2414
01:45:39,680 --> 01:45:41,360
Speaker 5: so we got to talk. We got to have a conversation.

2415
01:45:42,640 --> 01:45:44,240
Speaker 5: I'm like, this never happens. I was like, I don't

2416
01:45:44,240 --> 01:45:45,760
Speaker 5: know what I'm talking about. Butt ass in the bed

2417
01:45:45,840 --> 01:45:48,479
Speaker 5: like that. I'm like, yo, this never happened, Like I.

2418
01:45:48,640 --> 01:45:52,679
Speaker 4: Really don't know. She's like, it's okay, like it happened sometimes.

2419
01:45:52,720 --> 01:45:54,080
Speaker 5: I was like, yeah, this is I was like yeah

2420
01:45:54,080 --> 01:46:00,120
Speaker 5: the same wait was yeah, no left you Yeah, but

2421
01:46:00,240 --> 01:46:01,920
Speaker 5: we know. We finally went to sleep at like eight

2422
01:46:02,000 --> 01:46:04,920
Speaker 5: a m. And then got up at like three and

2423
01:46:05,320 --> 01:46:06,080
Speaker 5: got busy.

2424
01:46:07,040 --> 01:46:08,960
Speaker 1: Being but asking you can't get the hardest hilarious to me.

2425
01:46:09,000 --> 01:46:11,800
Speaker 1: For some I'm like, you took your shirt off.

2426
01:46:12,320 --> 01:46:15,160
Speaker 4: I was everything off, socks, everything was off. The only

2427
01:46:15,200 --> 01:46:19,920
Speaker 4: thing I had on was lotion. That was That's all

2428
01:46:19,960 --> 01:46:20,920
Speaker 4: I had. All was lotion.

2429
01:46:21,080 --> 01:46:24,360
Speaker 5: It couldn't get it right trying to use the lotion. Man,

2430
01:46:24,640 --> 01:46:26,120
Speaker 5: I'm sitting there glistening, I'm laying.

2431
01:46:26,800 --> 01:46:27,240
Speaker 2: She was trying.

2432
01:46:27,280 --> 01:46:28,000
Speaker 7: She was trying to suck it.

2433
01:46:28,120 --> 01:46:30,080
Speaker 1: Wasn't she the worse than that?

2434
01:46:30,680 --> 01:46:30,960
Speaker 9: God?

2435
01:46:31,280 --> 01:46:31,479
Speaker 2: Yeah.

2436
01:46:32,360 --> 01:46:34,040
Speaker 4: I was like, yo, listen, we don't have to do this.

2437
01:46:34,240 --> 01:46:37,800
Speaker 2: Like it ain't even way yo.

2438
01:46:37,960 --> 01:46:39,360
Speaker 4: I was like, yo, we don't have to do it.

2439
01:46:39,400 --> 01:46:41,160
Speaker 1: I let a girl do that one time and I

2440
01:46:42,200 --> 01:46:45,240
Speaker 1: still scarred from it. Like she was going for like

2441
01:46:45,240 --> 01:46:46,800
Speaker 1: another two three minutes. I was like, you can stop now,

2442
01:46:46,840 --> 01:46:50,160
Speaker 1: this is this is this is it is pathetic. Just

2443
01:46:50,200 --> 01:46:53,120
Speaker 1: give me a few minutes. But because we had already yeah,

2444
01:46:53,240 --> 01:46:55,599
Speaker 1: and she wanted yeah, So I was like, just give

2445
01:46:55,640 --> 01:46:58,040
Speaker 1: me and she I was like, all right, fine, you

2446
01:46:58,080 --> 01:46:59,439
Speaker 1: could try.

2447
01:46:59,680 --> 01:46:59,880
Speaker 4: Yeah.

2448
01:46:59,920 --> 01:47:03,479
Speaker 1: I know my pace, I know my clock. That ship

2449
01:47:03,600 --> 01:47:05,479
Speaker 1: was the most embarrassing fucking thing. I was just sitting

2450
01:47:05,520 --> 01:47:08,240
Speaker 1: there like, this is you look pathetic?

2451
01:47:08,400 --> 01:47:08,840
Speaker 4: Not just me?

2452
01:47:09,320 --> 01:47:11,720
Speaker 3: And then the more a soft dick. It's just I

2453
01:47:11,800 --> 01:47:12,599
Speaker 3: don't want that for her.

2454
01:47:12,840 --> 01:47:15,599
Speaker 4: Yeah that's crazy. That means she like you though.

2455
01:47:16,040 --> 01:47:16,240
Speaker 2: Yeah.

2456
01:47:16,320 --> 01:47:18,439
Speaker 1: No, we was like that wasn't some random ship.

2457
01:47:18,520 --> 01:47:20,760
Speaker 4: Yeah, it means she liked you. No, she she was.

2458
01:47:21,000 --> 01:47:22,800
Speaker 1: We was cool enough that she could see see soft

2459
01:47:22,880 --> 01:47:25,880
Speaker 1: dick off to once you get old now, oh no,

2460
01:47:26,160 --> 01:47:27,040
Speaker 1: I don't give a fuck.

2461
01:47:27,080 --> 01:47:30,559
Speaker 5: Oh my god, I don't care whatever. Get out if

2462
01:47:30,560 --> 01:47:32,799
Speaker 5: you're leaving, yo, I don't.

2463
01:47:32,640 --> 01:47:33,280
Speaker 2: Care no more.

2464
01:47:34,240 --> 01:47:34,479
Speaker 11: Bye.

2465
01:47:34,840 --> 01:47:35,800
Speaker 2: This is what I have.

2466
01:47:36,120 --> 01:47:36,880
Speaker 1: It's never gonna say.

2467
01:47:37,040 --> 01:47:37,400
Speaker 9: This is it?

2468
01:47:37,680 --> 01:47:40,760
Speaker 4: This is fucking it man. But thank you sir.

2469
01:47:42,240 --> 01:47:44,840
Speaker 3: Yeah you know what are you going for? Stop giving

2470
01:47:44,880 --> 01:47:47,960
Speaker 3: her the money? Oh yeah, oh yeah, I forgot who

2471
01:47:48,000 --> 01:47:49,400
Speaker 3: we were even talking about even get there.

2472
01:47:49,479 --> 01:47:53,280
Speaker 4: Stop giving her the money, straighten up. If not, you'll

2473
01:47:53,280 --> 01:47:54,639
Speaker 4: find somebody better. Yeah.

2474
01:47:55,240 --> 01:47:58,320
Speaker 1: All right, Well this was fun today. I hope everyone

2475
01:47:58,320 --> 01:48:02,519
Speaker 1: has a wonderful, wonderful week. Yeah that's all I got today.

2476
01:48:03,080 --> 01:48:04,760
Speaker 3: All right, Well, we'll talk to y'all soon. Be safe,

2477
01:48:04,800 --> 01:48:05,280
Speaker 3: be blushed.

2478
01:48:05,280 --> 01:48:06,719
Speaker 4: I'm that nigga. He's his ginger peace.

2479
01:48:07,720 --> 01:48:09,160
Speaker 2: No, worrying now,