1 00:00:00,720 --> 00:00:17,439 Speaker 1: I am all in again. Oh, Let's kiss you. I 2 00:00:17,440 --> 00:00:22,360 Speaker 1: Am all in Again with Scott Patterson and iHeartRadio podcast. 3 00:00:22,680 --> 00:00:24,959 Speaker 1: Hey Everybody, Scott Patterson, I Am all In Podcast one 4 00:00:24,960 --> 00:00:29,240 Speaker 1: of the love productions iHeart Media Radio, I Heart Podcasts. 5 00:00:30,080 --> 00:00:35,599 Speaker 1: Recap episode seventeen, Season three, A Tale of Pose and 6 00:00:35,880 --> 00:00:43,040 Speaker 1: fire Man. I tell you. Olivia Hack is here. She 7 00:00:43,400 --> 00:00:45,200 Speaker 1: is a dynamic actress. 8 00:00:46,520 --> 00:00:48,120 Speaker 2: Oh I don't know about that, thank you. 9 00:00:48,880 --> 00:00:53,320 Speaker 1: She is Captain Picard's daughter in Star Trek Generations nineteen 10 00:00:53,360 --> 00:00:57,840 Speaker 1: ninety four and followed by starring as Cindy Brady in 11 00:00:57,880 --> 00:01:02,760 Speaker 1: the iconic Brady Bunch movie and a Very Brady sequel. 12 00:01:02,960 --> 00:01:07,200 Speaker 1: She's a successful voice over actor in several shows including Rondon, Hey, Arnold, 13 00:01:07,280 --> 00:01:10,840 Speaker 1: Chloe and Brat's Avatar, The Last Airbender, and several other 14 00:01:10,920 --> 00:01:15,920 Speaker 1: animated series, and she was Rory's roommate during her freshman year. 15 00:01:16,000 --> 00:01:20,080 Speaker 1: Tana season four, episode eight, Welcome back, Olivia Hack to 16 00:01:20,240 --> 00:01:23,560 Speaker 1: the show to recap this episode. How you doing, I'm 17 00:01:23,600 --> 00:01:24,160 Speaker 1: doing good? 18 00:01:24,200 --> 00:01:24,920 Speaker 2: How are you doing? 19 00:01:25,200 --> 00:01:30,440 Speaker 1: I'm doing pretty good. We are still chugging along here 20 00:01:30,600 --> 00:01:34,160 Speaker 1: at I Am all In and this aired. This episode 21 00:01:34,200 --> 00:01:37,960 Speaker 1: aired April fifteenth, two thousand and three. Edgar Allen Post 22 00:01:38,000 --> 00:01:43,440 Speaker 1: Society is in town, but a big fire disrupts their stay. 23 00:01:44,160 --> 00:01:47,400 Speaker 1: Dragon the Dragonfly or the Independence in the Independence end 24 00:01:48,040 --> 00:01:51,360 Speaker 1: catches fire. Rory makes a big decision about college. Meanwhile, 25 00:01:51,480 --> 00:01:58,120 Speaker 1: Jess gets recognition at work, and Luke and Suki are 26 00:01:58,200 --> 00:02:03,040 Speaker 1: behind the counter getting along making meals together. Chris Long 27 00:02:03,080 --> 00:02:09,240 Speaker 1: directed Daniel Palladino writes it, Rory is making her pro 28 00:02:09,320 --> 00:02:13,520 Speaker 1: con list for Harvard, Princeton, Yale. I think Princeton really 29 00:02:13,560 --> 00:02:15,960 Speaker 1: took it on the chin in this episode. I tell you, 30 00:02:17,680 --> 00:02:21,120 Speaker 1: Luke shares news. There's all kinds of things happening Olivia. 31 00:02:21,200 --> 00:02:21,519 Speaker 2: Overall. 32 00:02:21,560 --> 00:02:22,799 Speaker 1: What do you think of the episode? 33 00:02:23,360 --> 00:02:26,000 Speaker 2: You know, I think it's actually kind of an important episode. 34 00:02:26,840 --> 00:02:29,919 Speaker 2: I like the general chaos of the episode for sure, 35 00:02:30,080 --> 00:02:34,440 Speaker 2: I mean, moralized, displaced. She ends up spending the night 36 00:02:34,440 --> 00:02:37,080 Speaker 2: at Luke's, which I think is kind of important. There's 37 00:02:37,160 --> 00:02:41,040 Speaker 2: there's strangely not a lot of filler in this episode. 38 00:02:41,680 --> 00:02:44,720 Speaker 2: You know, we kind of learned that Jess is maybe 39 00:02:44,760 --> 00:02:48,560 Speaker 2: not all on the up and up. The in burns 40 00:02:48,600 --> 00:02:50,720 Speaker 2: down at the end, which is very important. It's kind 41 00:02:50,720 --> 00:02:53,760 Speaker 2: of where Rory spent so much of her time, and 42 00:02:53,800 --> 00:02:56,399 Speaker 2: now she's being you know, pushed on to the next 43 00:02:56,400 --> 00:02:58,520 Speaker 2: phase for life. So there's there's a lot going on 44 00:02:58,560 --> 00:03:01,000 Speaker 2: in this episode. It's kind of a big one. 45 00:03:01,480 --> 00:03:05,920 Speaker 1: Right, not your traditional Gilmore Girls episode. There was the 46 00:03:06,240 --> 00:03:10,359 Speaker 1: you know, the it's rare that you see crises of 47 00:03:10,400 --> 00:03:13,400 Speaker 1: this nature, you know, the fire that's a that's a 48 00:03:13,480 --> 00:03:17,320 Speaker 1: big that's not like a big network drama sort of 49 00:03:18,919 --> 00:03:24,080 Speaker 1: storyline that found itself oddly in this episode, and it, 50 00:03:24,760 --> 00:03:27,360 Speaker 1: you know, I thought two ways about it. It felt 51 00:03:27,520 --> 00:03:31,040 Speaker 1: really out of place. It didn't feel like Gilmore We 52 00:03:31,200 --> 00:03:34,640 Speaker 1: lose a tremendous amount of intimacy and this sort of 53 00:03:34,840 --> 00:03:37,240 Speaker 1: closed in safe world. All of a sudden, it's not 54 00:03:37,440 --> 00:03:40,640 Speaker 1: safe anymore. There's a fire, there's we're we're dealing with, 55 00:03:40,680 --> 00:03:43,520 Speaker 1: you know, potential injury and death here now. So this 56 00:03:43,680 --> 00:03:47,720 Speaker 1: is not something that Gilmore Girl really Gilmore Girls really does. 57 00:03:48,840 --> 00:03:51,520 Speaker 2: You know. What really didn't feel like Gilmore Girls to 58 00:03:51,560 --> 00:03:54,640 Speaker 2: me was when Luke goes to this Walmart meeting. It 59 00:03:54,880 --> 00:03:58,000 Speaker 2: just is having because obviously in the show they talk 60 00:03:58,040 --> 00:04:01,720 Speaker 2: about pop culture things, but to actually be in a 61 00:04:01,800 --> 00:04:04,920 Speaker 2: Walmart area with everybody in their blue vests, I was 62 00:04:05,000 --> 00:04:06,720 Speaker 2: kind of like, wholl We're really I have to start 63 00:04:06,880 --> 00:04:09,720 Speaker 2: follow here? For a second. It felt very kind of 64 00:04:09,800 --> 00:04:11,760 Speaker 2: not in a bad way, but it was definitely blaring, 65 00:04:11,920 --> 00:04:12,200 Speaker 2: you know. 66 00:04:12,800 --> 00:04:18,080 Speaker 1: Right, because Luke is so opposed to anything that has 67 00:04:18,160 --> 00:04:21,800 Speaker 1: anything to do with you know, corporate capture and that 68 00:04:21,880 --> 00:04:24,240 Speaker 1: kind of a thing, but he's got to support his nephew, 69 00:04:24,279 --> 00:04:29,440 Speaker 1: so I see the dilemma there. Yeah, it wasn't the rollicking. 70 00:04:30,120 --> 00:04:34,200 Speaker 1: It wasn't like your borsch belt comedian that is in disguise, 71 00:04:34,240 --> 00:04:38,320 Speaker 1: which is Laura like Gilmore going through her very harmless day, 72 00:04:39,240 --> 00:04:43,640 Speaker 1: being incredibly funny and dropping truth bombs and comedy bombs 73 00:04:44,000 --> 00:04:46,880 Speaker 1: everywhere she goes like bred Crumb. So I could just 74 00:04:47,000 --> 00:04:50,160 Speaker 1: enjoy it. That wasn't this episode. 75 00:04:50,800 --> 00:04:53,200 Speaker 2: No, And it ends on a real want won't you know. 76 00:04:53,279 --> 00:04:55,640 Speaker 2: I mean, it's not a not a great ending, it's 77 00:04:55,680 --> 00:04:58,000 Speaker 2: it's if you're into it, it's a real kind of 78 00:04:58,040 --> 00:04:59,040 Speaker 2: tear drinker ending. 79 00:04:59,360 --> 00:05:02,520 Speaker 1: Yes, you know, yeah it was when you think of it, 80 00:05:02,800 --> 00:05:06,480 Speaker 1: I think it's really hard to take the show out 81 00:05:06,520 --> 00:05:09,559 Speaker 1: of its little snow globe bubble and put it into 82 00:05:09,600 --> 00:05:13,640 Speaker 1: the real world where real world things are happening. It 83 00:05:13,760 --> 00:05:16,919 Speaker 1: was intriguing, but I wanted to get back. I wanted 84 00:05:16,920 --> 00:05:18,840 Speaker 1: it to get back in that snow globe real fast. 85 00:05:18,880 --> 00:05:21,520 Speaker 1: But once once you see a fire truck and there's 86 00:05:21,720 --> 00:05:27,520 Speaker 1: there's you know, there's fire consciousness, it's hard to it's 87 00:05:27,520 --> 00:05:29,440 Speaker 1: hard to put it back in the snow globe. 88 00:05:29,480 --> 00:05:31,680 Speaker 2: After that, Yeah, you felt a little displaced. 89 00:05:32,200 --> 00:05:35,080 Speaker 1: You felt a little displaced. And now Miss Patty's has 90 00:05:35,080 --> 00:05:38,039 Speaker 1: turned into a crisis center where they're you know, they're 91 00:05:38,080 --> 00:05:41,400 Speaker 1: answering false It was just it was odd. It was 92 00:05:41,440 --> 00:05:43,599 Speaker 1: an odd little forty minutes for me. 93 00:05:44,880 --> 00:05:47,480 Speaker 2: It is odd. It doesn't and it's funny because I 94 00:05:47,560 --> 00:05:49,560 Speaker 2: was reading a little bit on the internet. A lot 95 00:05:49,560 --> 00:05:52,200 Speaker 2: of people love this episode. This is a lot of 96 00:05:52,200 --> 00:05:57,360 Speaker 2: people top five episode. To me? Is that because yeah, yeah, 97 00:05:57,400 --> 00:06:01,680 Speaker 2: and maybe because there is drama in it, but and 98 00:06:01,720 --> 00:06:04,200 Speaker 2: I mean, we do get some resolution where she finally 99 00:06:04,200 --> 00:06:07,400 Speaker 2: makes the decision between Harvard and Yale. I don't know 100 00:06:07,440 --> 00:06:10,440 Speaker 2: where Laura Lai got all those all that Yale to 101 00:06:10,560 --> 00:06:13,680 Speaker 2: court in the middle of the night, but you know, 102 00:06:14,000 --> 00:06:16,279 Speaker 2: sometimes we just have to have a little bit of 103 00:06:16,400 --> 00:06:21,480 Speaker 2: TV suspension of disbelief, you know. And I think people 104 00:06:21,600 --> 00:06:25,480 Speaker 2: like seeing Laura supporting Rory in that way, even though 105 00:06:25,800 --> 00:06:27,560 Speaker 2: she didn't want her to go to Yale because it 106 00:06:27,640 --> 00:06:31,560 Speaker 2: was you know, her dad's alma mater and whatnot. But yeah, 107 00:06:31,600 --> 00:06:34,359 Speaker 2: it is. It is definitely an odd episode. When I 108 00:06:34,400 --> 00:06:38,040 Speaker 2: watched it, I hadn't seen it in twenty years or 109 00:06:38,520 --> 00:06:43,000 Speaker 2: twenty five years whenever it aired. I feel what you're feeling. 110 00:06:43,080 --> 00:06:46,240 Speaker 2: It doesn't feel like Gilmour. Not to say it's bad. 111 00:06:46,200 --> 00:06:50,440 Speaker 1: Just no, no, no, no no. But I think in 112 00:06:50,520 --> 00:06:54,240 Speaker 1: my opinion, in my experience and how I relate to 113 00:06:54,320 --> 00:06:58,960 Speaker 1: and love this show, I think it is it is 114 00:06:59,279 --> 00:07:05,200 Speaker 1: misrepresent in it as a dramaedy. It's really a comedy drama. 115 00:07:05,720 --> 00:07:09,600 Speaker 1: I think it operates best as a comedy with some 116 00:07:09,680 --> 00:07:13,000 Speaker 1: drama in it, not as a drama with some comedy 117 00:07:13,040 --> 00:07:15,440 Speaker 1: in it. And that's what I think that this this 118 00:07:15,560 --> 00:07:18,560 Speaker 1: sort of like this, this pulled a one eighty on 119 00:07:18,680 --> 00:07:21,280 Speaker 1: us and flipped the script a little bit. So it was. 120 00:07:21,640 --> 00:07:25,560 Speaker 2: Heavy, even with Jess not we find out, you know, 121 00:07:25,640 --> 00:07:27,920 Speaker 2: he's not going to school and all that. Yeah, it 122 00:07:27,960 --> 00:07:31,000 Speaker 2: was it was a it is a heavier episode, for sure. 123 00:07:30,800 --> 00:07:35,960 Speaker 1: It is. It is, right, and that kind of left 124 00:07:36,280 --> 00:07:38,680 Speaker 1: even some of the comedy bits and there were still 125 00:07:38,720 --> 00:07:43,480 Speaker 1: a lot of them, right, it's it. It's they sort 126 00:07:43,520 --> 00:07:49,440 Speaker 1: of almost didn't work in those situations within this narrative 127 00:07:49,560 --> 00:07:53,320 Speaker 1: right within this structure, now, within this upside down world. 128 00:07:53,520 --> 00:07:55,720 Speaker 2: And no, and there's not even that much comedy in 129 00:07:55,760 --> 00:07:56,440 Speaker 2: this episode. 130 00:07:56,560 --> 00:08:00,880 Speaker 1: There's not a lot. Not no, there's it was really 131 00:08:00,920 --> 00:08:08,000 Speaker 1: wanting for comedy. Well listen, uh gosh, I mean just 132 00:08:09,280 --> 00:08:13,800 Speaker 1: hard to do, right, I mean, imagine imagine the pressure 133 00:08:14,040 --> 00:08:18,920 Speaker 1: of writing fifty great jokes every single week, no, no 134 00:08:20,240 --> 00:08:25,760 Speaker 1: exhaust Like I'm empty this week. You know, let's uh, 135 00:08:25,840 --> 00:08:30,200 Speaker 1: let's burn the place down. Let's literally burn it down. 136 00:08:32,800 --> 00:08:36,000 Speaker 2: I mean, we do see Luke and Wareli get closer 137 00:08:36,080 --> 00:08:38,840 Speaker 2: in this episode, right, she spends the night over there, 138 00:08:39,000 --> 00:08:41,800 Speaker 2: you know, and she's telling him her dream and he's 139 00:08:41,840 --> 00:08:46,679 Speaker 2: obviously in his feelings about that. So I mean, I 140 00:08:46,720 --> 00:08:51,240 Speaker 2: think there are big moments that happen, which I think 141 00:08:51,320 --> 00:08:54,440 Speaker 2: is why people like that. But they definitely cram it 142 00:08:54,480 --> 00:08:56,960 Speaker 2: all into this one, so I think then they can't 143 00:08:57,000 --> 00:09:00,240 Speaker 2: get back to the comedy. They're like, let's just do. 144 00:09:00,200 --> 00:09:02,880 Speaker 1: It all at once, you know, right right, they're setting 145 00:09:02,960 --> 00:09:10,200 Speaker 1: up all this potential conflict between Lindsay and Rory and 146 00:09:10,400 --> 00:09:12,040 Speaker 1: Nicole and Laurel. 147 00:09:12,080 --> 00:09:16,679 Speaker 2: I well, I think that's the whole title of the episode, right, 148 00:09:16,720 --> 00:09:19,960 Speaker 2: the two posts. So we've got murder and Yale, Lindsay 149 00:09:20,040 --> 00:09:25,160 Speaker 2: and Nicole, Rory's growing con list. They're really you know, 150 00:09:25,320 --> 00:09:28,080 Speaker 2: even Luke and Lorelei kind of are Luke and Suki 151 00:09:28,200 --> 00:09:32,400 Speaker 2: kind of banding together. She's very adorable. Yeah, it's it's 152 00:09:32,600 --> 00:09:34,240 Speaker 2: it's a lot going on. It's a lot going on. 153 00:09:34,600 --> 00:09:41,839 Speaker 1: Yeah, Luca shares, you know, you congratulates Rory with getting 154 00:09:41,840 --> 00:09:45,640 Speaker 1: into Harvard, gives her that awkward hug, and then after 155 00:09:45,720 --> 00:09:48,720 Speaker 1: she leaves, shares the news of just becoming employee of 156 00:09:48,720 --> 00:09:55,160 Speaker 1: the month at Walmart with larele I, and I just felt, 157 00:09:55,600 --> 00:09:57,840 Speaker 1: I don't know, I just kind of felt this chasm 158 00:09:58,080 --> 00:10:02,439 Speaker 1: between them. It it was almost awkward, you know, her 159 00:10:02,520 --> 00:10:06,559 Speaker 1: reaction to you know, oh that's great, that's just great, 160 00:10:06,600 --> 00:10:09,800 Speaker 1: you know, and you're really having to put on And 161 00:10:10,000 --> 00:10:12,480 Speaker 1: I couldn't, you know, honestly, Olivia, I couldn't tell if 162 00:10:12,559 --> 00:10:14,280 Speaker 1: she was being genuine. 163 00:10:13,920 --> 00:10:17,040 Speaker 2: You know what. I couldn't either. It's funny you say that, 164 00:10:17,040 --> 00:10:19,400 Speaker 2: because I clocked that moment as well. But I think 165 00:10:19,480 --> 00:10:22,439 Speaker 2: she was, you know, I mean, this is Jess we're 166 00:10:22,480 --> 00:10:26,400 Speaker 2: talking about, right, So I think anything positive in his 167 00:10:26,559 --> 00:10:31,680 Speaker 2: life she's feeling, you know, why not be supportive? But yes, 168 00:10:31,800 --> 00:10:36,080 Speaker 2: it is very weird to see Walmart kind of instead 169 00:10:36,120 --> 00:10:38,160 Speaker 2: of just being talked about, coming to it as an 170 00:10:38,240 --> 00:10:41,640 Speaker 2: actual physical location, it was it was glaring for me. 171 00:10:41,679 --> 00:10:43,800 Speaker 2: I mean, you never see you know, you never really 172 00:10:43,840 --> 00:10:47,280 Speaker 2: see Rory and the Lorelei out in the world that's 173 00:10:47,360 --> 00:10:51,800 Speaker 2: not stars hollow, so it's or looked for that matter. 174 00:10:51,840 --> 00:10:55,040 Speaker 2: And so yeah, it's just it's like, oh, they're literally 175 00:10:55,080 --> 00:10:56,000 Speaker 2: a Walmart right now. 176 00:10:56,360 --> 00:11:01,720 Speaker 1: But I think her reaction was tinged with her very 177 00:11:01,880 --> 00:11:07,640 Speaker 1: thinly veiled disapproval of the relationship overall between her daughter 178 00:11:07,679 --> 00:11:12,840 Speaker 1: and Jess. I don't think she likes it happen right, Like, 179 00:11:13,040 --> 00:11:16,520 Speaker 1: get her to Yale, get her out of here, get 180 00:11:16,520 --> 00:11:19,160 Speaker 1: her away from this guy, I think. 181 00:11:19,440 --> 00:11:20,640 Speaker 2: I mean, can you blame her? 182 00:11:21,360 --> 00:11:23,240 Speaker 1: No, I do not blame her at all. I do 183 00:11:23,360 --> 00:11:25,880 Speaker 1: not blame her for a second. I mean, he is. 184 00:11:30,200 --> 00:11:32,160 Speaker 2: He's always the cute ones. 185 00:11:32,800 --> 00:11:35,560 Speaker 1: He's a he's a he's an angry kid. He's he's 186 00:11:35,640 --> 00:11:38,280 Speaker 1: really just wow, trying to figure it out. He's in 187 00:11:38,320 --> 00:11:41,880 Speaker 1: a not in a good place, but trying, but trying. 188 00:11:41,920 --> 00:11:43,520 Speaker 1: You gotta get credit he's trying. 189 00:11:44,160 --> 00:11:47,400 Speaker 2: I don't wish a seventeen year old boy on anyone. 190 00:11:48,880 --> 00:12:03,720 Speaker 1: Let's be clear, so then this issue of Luke finds 191 00:12:03,760 --> 00:12:09,720 Speaker 1: out through his justice Walmart boss that Luke's just putting 192 00:12:09,760 --> 00:12:12,199 Speaker 1: in forty forty five hours a week. How's that possible? 193 00:12:12,240 --> 00:12:13,760 Speaker 1: How can he go to school, work a job, work 194 00:12:13,760 --> 00:12:17,440 Speaker 1: at the diner Date Royal. There's just not enough hours 195 00:12:17,480 --> 00:12:17,880 Speaker 1: in the day. 196 00:12:17,920 --> 00:12:20,640 Speaker 2: So then Luke's really lying to himself there. He's like, 197 00:12:20,679 --> 00:12:23,480 Speaker 2: there's there's no way he would not he wouldn't do that, 198 00:12:23,679 --> 00:12:25,439 Speaker 2: you know, but right, right. 199 00:12:25,440 --> 00:12:28,480 Speaker 1: Yeah, So then you know there's there's some red flags 200 00:12:28,480 --> 00:12:31,440 Speaker 1: there because if he's missing school, that's trouble, all right. 201 00:12:31,480 --> 00:12:35,160 Speaker 1: So now Paris has not been on the scene there 202 00:12:35,360 --> 00:12:38,920 Speaker 1: Chilton for five days, so Rory goes here. She's depressed, 203 00:12:38,960 --> 00:12:41,640 Speaker 1: she's in bed, she's watching soap opera. She's just kind 204 00:12:41,679 --> 00:12:44,840 Speaker 1: of giving up, and Rory convinces her that there are 205 00:12:44,880 --> 00:12:47,280 Speaker 1: other choices. What do you think of this scene? 206 00:12:48,400 --> 00:12:52,720 Speaker 2: So it's funny because going on to the heaviness of 207 00:12:52,760 --> 00:12:55,560 Speaker 2: the episode, that's also kind of a heavy scene. Although 208 00:12:55,679 --> 00:13:00,840 Speaker 2: if we're going to talk about comedic moments in that episode, 209 00:13:00,920 --> 00:13:03,560 Speaker 2: that's kind of one of the ones. I mean, I 210 00:13:03,600 --> 00:13:07,120 Speaker 2: did find it funny that she is just completely laid 211 00:13:07,200 --> 00:13:10,920 Speaker 2: out because she didn't get into her school pick and 212 00:13:10,920 --> 00:13:14,840 Speaker 2: then also laid back the interview that she did with 213 00:13:15,040 --> 00:13:20,600 Speaker 2: the school administer administrator, and you can completely see why 214 00:13:20,800 --> 00:13:24,640 Speaker 2: she watched it. She doesn't sound like she says like 215 00:13:24,760 --> 00:13:29,960 Speaker 2: she's on math, but you know, so that scene brought 216 00:13:30,000 --> 00:13:34,360 Speaker 2: some levity. But again it is a heavier episode. Everyone's 217 00:13:34,480 --> 00:13:38,040 Speaker 2: just kind of in their fields in this one. 218 00:13:38,520 --> 00:13:45,440 Speaker 1: Yeah, yeah, yeah, everybody's facing crises. Yeah all right, So 219 00:13:45,679 --> 00:13:48,679 Speaker 1: Rory Is and Laurea I are focused on the pro 220 00:13:48,840 --> 00:13:56,080 Speaker 1: con list for Harvard Yale Princeton. Princeton strangely is dubbed 221 00:13:56,440 --> 00:14:02,680 Speaker 1: filthy because, as Laureal I speculated, it seems like Harvard 222 00:14:03,080 --> 00:14:06,080 Speaker 1: is advertising that they have a cleaning staff or a 223 00:14:06,120 --> 00:14:10,160 Speaker 1: supports staff of twelve hundred and and and there's nothing 224 00:14:10,240 --> 00:14:13,360 Speaker 1: about that in Princeton literature, so she assumes there's only two. 225 00:14:13,440 --> 00:14:16,480 Speaker 1: So they dub it the filthy not terribly fair. I've 226 00:14:16,520 --> 00:14:21,440 Speaker 1: been to Princeton. It's very clean. So now we're starting 227 00:14:21,480 --> 00:14:25,000 Speaker 1: to get you know, maybe it's not going to be Harvard. 228 00:14:25,160 --> 00:14:27,760 Speaker 1: Maybe maybe maybe why are they making this list? 229 00:14:27,800 --> 00:14:28,000 Speaker 2: Why? 230 00:14:28,200 --> 00:14:30,080 Speaker 1: You know, I thought she was so focused on Harvard. 231 00:14:30,080 --> 00:14:32,200 Speaker 1: All right. Now we moved to Jess. He comes to 232 00:14:32,280 --> 00:14:36,680 Speaker 1: Lane to check on Rory, and she, you know, she 233 00:14:36,760 --> 00:14:37,360 Speaker 1: confronts him. 234 00:14:38,200 --> 00:14:39,400 Speaker 2: Yeah, she clocked it. 235 00:14:39,840 --> 00:14:42,160 Speaker 1: Yeah, She's like, hey, you know, are you lying to me? 236 00:14:42,360 --> 00:14:44,200 Speaker 1: Are you? Am I lying to my mother? Like what's 237 00:14:44,280 --> 00:14:47,200 Speaker 1: what's happening here? You know, be honest with me. 238 00:14:47,440 --> 00:14:51,520 Speaker 2: And he's like, don't worry, baby girl, everything's. 239 00:14:51,040 --> 00:14:55,440 Speaker 1: Fine, right right, I got it under control. Yeah. It 240 00:14:55,520 --> 00:14:58,320 Speaker 1: takes me. It takes them hours to absorb this stuff 241 00:14:58,400 --> 00:15:00,240 Speaker 1: takes me minutes. So we know he's smart. He's a 242 00:15:00,280 --> 00:15:03,880 Speaker 1: very bright kid. He just needs money, he just needs 243 00:15:03,920 --> 00:15:06,520 Speaker 1: to work. And I think he's working to get the 244 00:15:06,560 --> 00:15:11,360 Speaker 1: heck out of Stars Hollow for sure, you know. And 245 00:15:11,400 --> 00:15:14,920 Speaker 1: who knows what plans he has for Rory? All right, Kirk, 246 00:15:16,080 --> 00:15:21,080 Speaker 1: another great bit with Sean Gun with his and the 247 00:15:21,240 --> 00:15:24,480 Speaker 1: very famous and iconic and I see these T shirts 248 00:15:24,480 --> 00:15:28,360 Speaker 1: at every convention. I do b Bet eight oatmeal T 249 00:15:28,480 --> 00:15:31,520 Speaker 1: shirts hysterically funny. 250 00:15:31,800 --> 00:15:33,320 Speaker 2: Do you really see them out? 251 00:15:33,640 --> 00:15:37,200 Speaker 1: Oh yeah? Oh yeah? Like the number one obviously is 252 00:15:37,240 --> 00:15:42,320 Speaker 1: the many iterations of the Lukes logoed sweatshirts T shirt. 253 00:15:43,520 --> 00:15:46,840 Speaker 1: But Bebbet I see be Bet eight Oatmeal shirts a lot. 254 00:15:47,360 --> 00:15:48,920 Speaker 2: That's funny. Now I'm going to clock it. 255 00:15:50,200 --> 00:15:55,480 Speaker 1: Great deal, that that really became a go to T shirt, 256 00:15:56,360 --> 00:15:59,720 Speaker 1: so he's selling them for around fourteen ninety five with 257 00:16:00,120 --> 00:16:04,520 Speaker 1: humorous topical headlines around town. Uh For fourteen ninety five, 258 00:16:04,880 --> 00:16:08,840 Speaker 1: uh Suki has taken in a stray cat called Papaya 259 00:16:10,080 --> 00:16:14,280 Speaker 1: and says since she's become pregnant, she's become very nurturing, 260 00:16:14,920 --> 00:16:19,120 Speaker 1: and Kirk has another topical two shirt called Foe fa 261 00:16:19,360 --> 00:16:29,640 Speaker 1: Ux pose foes. All right, So this episode if, if 262 00:16:29,640 --> 00:16:33,640 Speaker 1: it's if, if it wasn't on the heavy side, absolutely 263 00:16:33,680 --> 00:16:36,960 Speaker 1: did showcase Stars hollow in this sort of light, airy, 264 00:16:37,000 --> 00:16:43,040 Speaker 1: delightful way, in congruous though it may have felt, Yeah. 265 00:16:42,960 --> 00:16:45,480 Speaker 2: Everyone's in this one. This is a se character of 266 00:16:45,520 --> 00:16:47,360 Speaker 2: heavy stars heavy episode. 267 00:16:47,600 --> 00:16:51,960 Speaker 1: Yeah, no more though, and no tailor. Sure, we don't 268 00:16:52,000 --> 00:16:54,000 Speaker 1: see you know the thing? This is what I noticed. 269 00:16:54,040 --> 00:16:56,840 Speaker 1: We don't see Taylor enough? Do we not that much? 270 00:16:57,080 --> 00:17:00,440 Speaker 1: We don't see I'm gonna I'm gonna look up how 271 00:17:00,440 --> 00:17:03,080 Speaker 1: many episodes he did, because it doesn't seem like he's 272 00:17:03,080 --> 00:17:03,560 Speaker 1: in enough. 273 00:17:04,040 --> 00:17:06,399 Speaker 2: We get some Miss Patty in this episode. 274 00:17:06,640 --> 00:17:09,040 Speaker 1: We get some Miss Patty. Why do you think here's 275 00:17:09,080 --> 00:17:12,000 Speaker 1: a question for you, Olivia, why do you think that 276 00:17:12,080 --> 00:17:17,640 Speaker 1: Babbett eight Oatmeal became such an iconic slogan for Gilmore. 277 00:17:18,000 --> 00:17:19,840 Speaker 2: This is news to me. I did not know this. 278 00:17:19,960 --> 00:17:23,119 Speaker 2: I'm this today. I was today years old when I 279 00:17:23,200 --> 00:17:27,720 Speaker 2: when I learned this, I don't know. It's you never 280 00:17:27,800 --> 00:17:30,200 Speaker 2: quite know what people pick up on, right, You never 281 00:17:30,240 --> 00:17:34,679 Speaker 2: know what's going to be the the iconic line. But uh, 282 00:17:35,760 --> 00:17:37,000 Speaker 2: I guess because it's on a shirt. 283 00:17:37,320 --> 00:17:43,359 Speaker 1: Babet eight oatmeal is really a testament to the sort 284 00:17:43,359 --> 00:17:48,480 Speaker 1: of absurd nature of you know, it's kind of like 285 00:17:50,000 --> 00:17:54,320 Speaker 1: babet is almost and More are almost like the married couple, 286 00:17:55,119 --> 00:17:58,040 Speaker 1: the married Kirks. It's like they're sort of in the 287 00:17:58,119 --> 00:17:59,960 Speaker 1: same like they're from the same plant. 288 00:18:00,200 --> 00:18:02,720 Speaker 2: It almost absolutely you know, they're. 289 00:18:02,560 --> 00:18:05,960 Speaker 1: Like out there, man, but they they they know each other. 290 00:18:06,560 --> 00:18:10,919 Speaker 1: So uh and I crack Staff over here says that 291 00:18:11,040 --> 00:18:14,199 Speaker 1: Taylor was only in fifty three episodes, so he was 292 00:18:14,200 --> 00:18:18,320 Speaker 1: in a third of the episodes. And I'm really surprised 293 00:18:18,320 --> 00:18:18,679 Speaker 1: by that. 294 00:18:19,320 --> 00:18:24,280 Speaker 2: Fifty three is a lot though, I mean that's you know, yeah, yeah, 295 00:18:25,280 --> 00:18:25,840 Speaker 2: you want more. 296 00:18:26,000 --> 00:18:29,680 Speaker 1: You're a tailor, Stan, I am, I really am. I 297 00:18:29,800 --> 00:18:33,199 Speaker 1: love I love working with I just love working all right. Now, 298 00:18:33,280 --> 00:18:37,359 Speaker 1: let's get into this. Uh this Edgar Allen Poe Society 299 00:18:37,480 --> 00:18:41,320 Speaker 1: which exists all over random, right. 300 00:18:43,119 --> 00:18:47,000 Speaker 2: Right, I mean real random. Like we start off the 301 00:18:47,080 --> 00:18:51,119 Speaker 2: open the episode with them basically watching this pole play 302 00:18:51,400 --> 00:18:55,240 Speaker 2: and kind of ripping into it. They're both don't seem 303 00:18:55,240 --> 00:18:56,560 Speaker 2: to be a girl and Poe. 304 00:18:56,320 --> 00:19:02,560 Speaker 1: Fans and uh, although Laurel I does display a pretty 305 00:19:02,600 --> 00:19:05,120 Speaker 1: in depth knowledge of his work. 306 00:19:06,000 --> 00:19:09,280 Speaker 2: Oh, they know all about it, but they seem they 307 00:19:09,280 --> 00:19:11,640 Speaker 2: feel he's a little long winded and a little uh, 308 00:19:11,680 --> 00:19:13,280 Speaker 2: you know, the sauce or something. 309 00:19:13,359 --> 00:19:17,159 Speaker 1: Yeah, uh huh uh huh. Yeah, So that's that's happening 310 00:19:17,160 --> 00:19:22,000 Speaker 1: at Miss Patty's. There are there are two readings of 311 00:19:22,040 --> 00:19:26,320 Speaker 1: the Raven by two different pose rival pose, very funny 312 00:19:26,920 --> 00:19:30,399 Speaker 1: and they're also uh that's where we see Dean and 313 00:19:30,440 --> 00:19:34,639 Speaker 1: Lindsay and Lindsay giving Rory dirty looks and and uh, 314 00:19:34,800 --> 00:19:37,240 Speaker 1: Nicole giving Laura I some looks. I don't know if 315 00:19:37,280 --> 00:19:39,639 Speaker 1: they were so dirty, but they weren't approval. 316 00:19:39,720 --> 00:19:40,879 Speaker 2: Well, they weren't kind. 317 00:19:41,240 --> 00:19:42,080 Speaker 1: They were not kind. 318 00:19:42,200 --> 00:19:44,640 Speaker 2: No, she did lend her a pen, but that's that's 319 00:19:44,680 --> 00:19:45,840 Speaker 2: what I'm going to get from her. 320 00:19:45,920 --> 00:19:48,400 Speaker 1: That's all you're going to get. And she did make 321 00:19:48,440 --> 00:19:51,320 Speaker 1: it a point of saying I'm going to need that back, 322 00:19:52,760 --> 00:19:56,240 Speaker 1: implying that you know, you're not going to take my 323 00:19:56,400 --> 00:20:00,359 Speaker 1: pen and you're not taking my man no way. Do 324 00:20:00,400 --> 00:20:04,000 Speaker 1: you think that Lindsay and Nicole have a right to 325 00:20:04,040 --> 00:20:05,600 Speaker 1: feel jealous of Rory and LARELEI? 326 00:20:07,200 --> 00:20:11,879 Speaker 2: I mean, women and jealousy, that's all very Those are 327 00:20:12,000 --> 00:20:15,400 Speaker 2: very complex emotions, aren't they, Scott? I mean, oh yeah, 328 00:20:15,600 --> 00:20:18,360 Speaker 2: does anybody have a right to feel jealous of anyone? 329 00:20:18,920 --> 00:20:21,120 Speaker 2: That's all. That's all on you. You got to take 330 00:20:21,160 --> 00:20:25,479 Speaker 2: ownership of your own insecurity or whatever that is. 331 00:20:25,800 --> 00:20:28,280 Speaker 1: Yeah, that's when I just I just leave the room. 332 00:20:28,720 --> 00:20:29,800 Speaker 2: Are you a jealous person? 333 00:20:31,560 --> 00:20:35,520 Speaker 1: I used to be in my younger years, and then 334 00:20:35,720 --> 00:20:41,480 Speaker 1: I just stopped. I just completely stopped. 335 00:20:42,520 --> 00:20:45,680 Speaker 2: I think there's a difference between jealousy and pedescentness too, 336 00:20:46,359 --> 00:20:46,640 Speaker 2: you know. 337 00:20:47,240 --> 00:20:50,480 Speaker 1: Yeah, I think I think when I was a you know, teenager, 338 00:20:53,000 --> 00:20:55,760 Speaker 1: I was Yeah, I just I just stopped doing it. 339 00:20:55,880 --> 00:20:58,439 Speaker 1: I just stopped. You know, I got very focused on 340 00:20:59,000 --> 00:21:02,240 Speaker 1: what I wanted to do in life pretty early, and 341 00:21:02,320 --> 00:21:04,959 Speaker 1: I just kind of focused on that, and I just 342 00:21:05,040 --> 00:21:07,520 Speaker 1: you got to focus on yourself, you know, reading lately 343 00:21:07,560 --> 00:21:10,879 Speaker 1: all about this stuff about how you know how powerful 344 00:21:10,920 --> 00:21:13,120 Speaker 1: your signal has to be and your ability to cut 345 00:21:13,119 --> 00:21:15,680 Speaker 1: out the noise and to get what you want in life. 346 00:21:15,680 --> 00:21:17,720 Speaker 1: And you know, I've been doing that my whole life. 347 00:21:17,720 --> 00:21:20,840 Speaker 1: So yeah, there was a time that I was trying 348 00:21:20,880 --> 00:21:27,639 Speaker 1: to navigate the the very choppy seas of relationships and 349 00:21:27,760 --> 00:21:28,480 Speaker 1: paying the price. 350 00:21:29,320 --> 00:21:30,960 Speaker 2: It's a little frequency, you know. 351 00:21:31,400 --> 00:21:35,440 Speaker 1: Right, I so agree. It's it's so draining and such 352 00:21:35,440 --> 00:21:39,760 Speaker 1: a waste, and yeah, it's just it's it's a pathetic emotion. 353 00:21:40,160 --> 00:21:42,840 Speaker 2: It really is a little bit, you know, a little 354 00:21:42,840 --> 00:21:44,800 Speaker 2: bit because people are going to do what they're gonna do. 355 00:21:45,080 --> 00:21:48,360 Speaker 1: They're gonna do what they're gonna do. Yeah, and if 356 00:21:48,359 --> 00:21:50,680 Speaker 1: you don't know that yet, if you haven't learned that yet, 357 00:21:50,760 --> 00:22:02,520 Speaker 1: then it's it can be tough sailing, all right, Let's 358 00:22:02,520 --> 00:22:03,439 Speaker 1: deal with the fire. 359 00:22:04,280 --> 00:22:06,960 Speaker 2: Okay, Okay, let's let's get in there. 360 00:22:07,320 --> 00:22:11,920 Speaker 1: Let's get in with this drama rama fire situation with boy. 361 00:22:11,960 --> 00:22:16,400 Speaker 2: There's all kinds of well again, this whole thing operates 362 00:22:16,440 --> 00:22:20,199 Speaker 2: in a suspension of disbelief. Where you go this the 363 00:22:20,280 --> 00:22:23,920 Speaker 2: independence end is the only hotel around for five hundred miles. 364 00:22:24,040 --> 00:22:27,399 Speaker 2: We can't possibly call up other places and put these 365 00:22:27,440 --> 00:22:30,000 Speaker 2: people up for a night. Our only option is to 366 00:22:30,119 --> 00:22:33,880 Speaker 2: open up our homes to complete strangers and take them 367 00:22:33,880 --> 00:22:37,000 Speaker 2: in and displace ourselves to where we are wandering around 368 00:22:37,040 --> 00:22:40,199 Speaker 2: stars allow with a pillow and nowhere to go. 369 00:22:40,640 --> 00:22:44,080 Speaker 1: Right sure, sure. 370 00:22:43,400 --> 00:22:46,919 Speaker 2: I mean you were very gracious to open up your diner, and. 371 00:22:48,080 --> 00:22:51,280 Speaker 1: I thought so, I thought so well, I mean, can 372 00:22:51,320 --> 00:22:53,439 Speaker 1: you say no to Laura alive when she marches in 373 00:22:53,480 --> 00:22:54,840 Speaker 1: with you know, thirty people. 374 00:22:55,440 --> 00:22:57,160 Speaker 2: I don't think you had a choice. 375 00:22:57,000 --> 00:23:01,359 Speaker 1: No choice. Uh So I gets to call fire at 376 00:23:01,400 --> 00:23:05,760 Speaker 1: the end, she rushes over. They evacuate the guests. But 377 00:23:06,080 --> 00:23:08,959 Speaker 1: as the fire chief communicates thee in his stable and 378 00:23:09,000 --> 00:23:12,160 Speaker 1: will be open in twenty four hours, why the heck 379 00:23:12,240 --> 00:23:13,120 Speaker 1: did he say that? 380 00:23:14,200 --> 00:23:15,480 Speaker 2: Yeah? He was like, no problem. 381 00:23:16,720 --> 00:23:18,720 Speaker 1: It was all burn out inside, you know what was 382 00:23:19,000 --> 00:23:23,080 Speaker 1: He's all right? So in the meantime, Suki takes over 383 00:23:23,160 --> 00:23:27,600 Speaker 1: Luke's diner for all the guests, and I will I 384 00:23:27,680 --> 00:23:32,399 Speaker 1: will tell you a Matthew Perry story. Matthew Perry was 385 00:23:32,520 --> 00:23:35,840 Speaker 1: visiting the set. He was friends with Lauren and so 386 00:23:35,880 --> 00:23:39,679 Speaker 1: he was they were filming I guess right down. You know, 387 00:23:39,720 --> 00:23:41,920 Speaker 1: they're on the Warner boat plot. So they were in 388 00:23:42,000 --> 00:23:44,639 Speaker 1: the soundstage pretty close by. So he was on a 389 00:23:44,680 --> 00:23:47,280 Speaker 1: break and they were spending some time together, and you know, 390 00:23:47,320 --> 00:23:49,200 Speaker 1: we got to meet him and talk to him a 391 00:23:49,240 --> 00:23:53,720 Speaker 1: little bit. And he was in the diner watching us 392 00:23:53,760 --> 00:23:59,119 Speaker 1: rehearse that scene, and he started riffing on my line 393 00:24:00,040 --> 00:24:05,600 Speaker 1: because I didn't know which inn was on fire. And 394 00:24:05,680 --> 00:24:07,600 Speaker 1: I say to Laura, like because it was a lot 395 00:24:07,600 --> 00:24:10,680 Speaker 1: of fast back and and I was confused, and I say, 396 00:24:10,720 --> 00:24:15,760 Speaker 1: you'in and Matthew Perry rifts on urine. Ha ha ha. 397 00:24:16,200 --> 00:24:19,000 Speaker 1: You know he's going off on it. Very clever guy, 398 00:24:19,119 --> 00:24:22,159 Speaker 1: very funny guy. So that's my Matthew Perry start. It's 399 00:24:22,160 --> 00:24:23,320 Speaker 1: not a great one, but he was there. 400 00:24:23,480 --> 00:24:25,439 Speaker 2: No, no, no, but you remember it, you know. 401 00:24:25,480 --> 00:24:29,840 Speaker 1: And he riffed on your in and turned it into urine. Okay, 402 00:24:30,840 --> 00:24:32,480 Speaker 1: that's how his mind works. 403 00:24:33,760 --> 00:24:35,560 Speaker 2: And you didn't forget your lines after. 404 00:24:35,359 --> 00:24:38,320 Speaker 1: That, No, I did not. Very funny, nice guy, very 405 00:24:38,440 --> 00:24:45,360 Speaker 1: very open guy. Uh you know you like him immediately anyway, 406 00:24:46,640 --> 00:24:50,720 Speaker 1: And Miss Patty's becomes the new headquarters. But bet, Miss 407 00:24:50,800 --> 00:24:55,920 Speaker 1: Patty and Michelle are answering phones, and Michelle and Miss 408 00:24:56,000 --> 00:24:59,360 Speaker 1: Patty are bickering back and forth about her her style, 409 00:25:00,200 --> 00:25:04,640 Speaker 1: the time it takes for her to her opening greeting 410 00:25:04,800 --> 00:25:10,919 Speaker 1: it's too long. And Laurel I puts up families in 411 00:25:10,960 --> 00:25:13,760 Speaker 1: her home because as you say, there are no other 412 00:25:13,840 --> 00:25:18,400 Speaker 1: places to stay in the media, like these people don't 413 00:25:18,440 --> 00:25:20,240 Speaker 1: have cars. They could just go to Hartford. 414 00:25:19,920 --> 00:25:23,040 Speaker 2: Right, No, no, no, there's not a million bed and 415 00:25:23,080 --> 00:25:24,680 Speaker 2: breakfast in Connecticut. 416 00:25:24,480 --> 00:25:29,560 Speaker 1: Right anyway, But they end up staying at in town, 417 00:25:29,680 --> 00:25:30,800 Speaker 1: at people's homes. 418 00:25:31,000 --> 00:25:34,480 Speaker 2: And because she makes it sound so charming that that 419 00:25:34,680 --> 00:25:37,760 Speaker 2: second couple shows up at the end. They're like, she's like, 420 00:25:37,800 --> 00:25:39,360 Speaker 2: I got you went back. They go, you just made 421 00:25:39,400 --> 00:25:42,199 Speaker 2: this sound too good, right, you just made stand at 422 00:25:42,200 --> 00:25:43,600 Speaker 2: your house just sound too fun? 423 00:25:44,240 --> 00:25:48,720 Speaker 1: Exactly exactly. So Laurel I takes in a couple families, 424 00:25:49,080 --> 00:25:53,520 Speaker 1: and then a second family comes in and takes her bed, 425 00:25:53,640 --> 00:25:56,760 Speaker 1: so she's out of a bed, so she's she's wandering 426 00:25:56,800 --> 00:25:59,679 Speaker 1: the streets with her pillow and her blanket, and she 427 00:25:59,760 --> 00:26:04,200 Speaker 1: throws rocks at Luke's window. He answers, and what the 428 00:26:04,240 --> 00:26:08,000 Speaker 1: heck are you doing? And she explains the situation. She 429 00:26:08,119 --> 00:26:11,120 Speaker 1: comes up, and here we are setting up even more 430 00:26:11,160 --> 00:26:15,800 Speaker 1: conflict with Nicole because she calls while laurel is there. 431 00:26:15,960 --> 00:26:18,480 Speaker 1: He doesn't acknowledge that Laurel I is there, and the 432 00:26:18,560 --> 00:26:22,040 Speaker 1: question becomes, why didn't you tell her here? And he 433 00:26:22,080 --> 00:26:24,480 Speaker 1: says it didn't come up. Well, this is you know, 434 00:26:24,920 --> 00:26:29,480 Speaker 1: he's so stupid, right why would he Why would he say? 435 00:26:31,359 --> 00:26:36,120 Speaker 2: You know why? Cause conflict? Yeah, I wouldn't have brought 436 00:26:36,119 --> 00:26:36,399 Speaker 2: it up. 437 00:26:36,880 --> 00:26:39,440 Speaker 1: Oh, by the way, Laurel is here, she's spending the night. 438 00:26:39,480 --> 00:26:40,040 Speaker 1: I gotta go. 439 00:26:40,200 --> 00:26:41,840 Speaker 2: Yeah no no no no. 440 00:26:41,720 --> 00:26:44,760 Speaker 1: No no no no. The inn burned down, So she's here. 441 00:26:44,880 --> 00:26:46,879 Speaker 1: Why is she here? Why? Why is she over there? 442 00:26:46,920 --> 00:26:48,720 Speaker 1: Why can't she go somewhere else? You know? Why can't 443 00:26:48,720 --> 00:26:51,760 Speaker 1: she go to Sukis? Why can't you go here? So yeah, 444 00:26:51,760 --> 00:26:58,320 Speaker 1: he uh he he's avoiding that conversation. And then Laurel, 445 00:26:58,359 --> 00:27:01,919 Speaker 1: I tell you, Luke, but this was a nice moment 446 00:27:01,960 --> 00:27:06,359 Speaker 1: between these two, and it really was. And she tells, 447 00:27:07,119 --> 00:27:08,920 Speaker 1: and she had the funniest line in the whole thing. 448 00:27:09,080 --> 00:27:13,879 Speaker 1: She says, what am I a dream tramp? Is it mine? 449 00:27:14,000 --> 00:27:17,159 Speaker 1: What am I a dream trip? So Laurla has that dream, 450 00:27:17,560 --> 00:27:22,400 Speaker 1: tells tells Luke about her dream about them beings. 451 00:27:21,800 --> 00:27:27,359 Speaker 2: That little smile that yeah, yeah, right, intimate, it's very intimate. 452 00:27:27,320 --> 00:27:31,000 Speaker 1: Pregnant with twins. And he said eighteen alarm clocks all right, 453 00:27:31,080 --> 00:27:36,520 Speaker 1: So all right, so this chemistry here between these two 454 00:27:36,600 --> 00:27:41,879 Speaker 1: is building and building and building. So an important episode 455 00:27:41,880 --> 00:27:45,160 Speaker 1: for that. All Right, closing scenes here, Laura I gets 456 00:27:45,160 --> 00:27:48,560 Speaker 1: a call that the inn is back open, so he 457 00:27:48,640 --> 00:27:51,840 Speaker 1: and Suki and Michelle hood over to assess the damage. Actually, no, 458 00:27:51,920 --> 00:27:54,160 Speaker 1: they didn't think that. They didn't think they were assessing 459 00:27:54,240 --> 00:27:56,560 Speaker 1: damage at all. They thought that they were going to 460 00:27:56,640 --> 00:27:59,520 Speaker 1: walk in and be open. And then they walk in 461 00:27:59,680 --> 00:28:05,560 Speaker 1: and boy, it's not looking good done. So yeah, that's big, 462 00:28:05,680 --> 00:28:11,240 Speaker 1: big insurance company intervention and repairs. It's completely ruined and 463 00:28:11,280 --> 00:28:13,679 Speaker 1: they're shocked and they stand there and take it in. 464 00:28:13,880 --> 00:28:17,560 Speaker 1: And that was a moving scene, I admit. 465 00:28:17,560 --> 00:28:19,639 Speaker 2: Well, because it ends on that, you know, you're not 466 00:28:19,720 --> 00:28:22,800 Speaker 2: getting a happy ending in that episode, you know, and 467 00:28:22,840 --> 00:28:25,960 Speaker 2: it's really kind of I don't think people really saw 468 00:28:26,000 --> 00:28:30,040 Speaker 2: that coming because Gilmore Girls and so kind of upbeat 469 00:28:30,560 --> 00:28:34,760 Speaker 2: and whatever. So to end like that, it really is 470 00:28:34,840 --> 00:28:37,760 Speaker 2: kind of a oh, what's next? This is We're all 471 00:28:37,760 --> 00:28:39,360 Speaker 2: about to pivot here, you know. 472 00:28:40,640 --> 00:28:43,000 Speaker 1: And then, as you pointed out earlier, Rory's room is 473 00:28:43,040 --> 00:28:48,600 Speaker 1: completely done redone with Yale memorabilia overnight. 474 00:28:49,320 --> 00:28:53,440 Speaker 2: Overnight between between having people over at her house and 475 00:28:53,560 --> 00:28:58,000 Speaker 2: sleeping at Loops and whatever, she just kind of, you know, 476 00:28:58,760 --> 00:29:02,440 Speaker 2: Amazon wasn't a back then, and it's current form, so 477 00:29:02,800 --> 00:29:04,800 Speaker 2: I don't know, but she she got it there. It's 478 00:29:04,880 --> 00:29:05,560 Speaker 2: very impressive. 479 00:29:05,760 --> 00:29:14,120 Speaker 1: It is quite amazing. Good work, good work. Well, Rory's 480 00:29:14,120 --> 00:29:17,080 Speaker 1: future looked pretty bright. She decides to go to Yale. 481 00:29:17,440 --> 00:29:20,719 Speaker 2: Yeah, and it's sweet. You know, she's supporting her in 482 00:29:20,760 --> 00:29:25,680 Speaker 2: a way. It's that thing where your child making a 483 00:29:25,720 --> 00:29:28,480 Speaker 2: decision that you don't want, but you know you have 484 00:29:28,560 --> 00:29:32,400 Speaker 2: to support them or lose them forever. And it's it's 485 00:29:32,520 --> 00:29:35,320 Speaker 2: very sweet when she's got that. What I like too, 486 00:29:35,560 --> 00:29:37,240 Speaker 2: not only does she have all the yell stuff up, 487 00:29:37,240 --> 00:29:39,840 Speaker 2: but she'd also put up the pro and column list 488 00:29:40,520 --> 00:29:46,800 Speaker 2: on her bulletin board, you know, acknowledging that this is 489 00:29:46,520 --> 00:29:50,200 Speaker 2: this was a thought out of decision and and something 490 00:29:50,200 --> 00:29:53,920 Speaker 2: that was they kind of came to together. And that's awesome, 491 00:29:54,080 --> 00:29:56,040 Speaker 2: you know, and I think I think people like that, 492 00:29:56,200 --> 00:29:56,440 Speaker 2: you know. 493 00:29:57,680 --> 00:30:00,000 Speaker 1: Yeah, I mean to have a mother who was son 494 00:30:00,480 --> 00:30:03,200 Speaker 1: and so caring, who is going to take the time, 495 00:30:04,680 --> 00:30:07,920 Speaker 1: you know, to sit there and go through pro con 496 00:30:08,120 --> 00:30:10,840 Speaker 1: lists for three universities, do that research, do put that 497 00:30:10,920 --> 00:30:15,160 Speaker 1: work in. It's just very special. It's very special. So 498 00:30:15,640 --> 00:30:19,120 Speaker 1: you can imagine how safe that child feels in the 499 00:30:19,120 --> 00:30:22,280 Speaker 1: presence of her mother and that's a beautiful thing. 500 00:30:22,560 --> 00:30:23,920 Speaker 2: And that's why people love the show. 501 00:30:24,040 --> 00:30:27,000 Speaker 1: That's why people love the show. Yeah, that's it. That 502 00:30:27,080 --> 00:30:34,720 Speaker 1: relationship right there. Safety, safety, not judgment, not anger, just 503 00:30:34,960 --> 00:30:37,440 Speaker 1: nothing but love and support. And you're a great kid. 504 00:30:38,200 --> 00:30:42,040 Speaker 1: You know, kids remember how you make them feel? 505 00:30:42,800 --> 00:30:44,120 Speaker 2: That's it? 506 00:30:45,080 --> 00:30:48,920 Speaker 1: How do you and she making Rory feel great all 507 00:30:48,960 --> 00:30:53,520 Speaker 1: the time? And this is a real turning point in 508 00:30:53,640 --> 00:30:58,560 Speaker 1: both their lives. I mean, it's a hard thing for 509 00:30:58,600 --> 00:31:01,520 Speaker 1: a parent to let their own only child go. And 510 00:31:01,560 --> 00:31:06,040 Speaker 1: she's going to Yeah, she's not going far, and that's great. 511 00:31:06,160 --> 00:31:10,959 Speaker 1: I think that gives her, Laurli great comfort, great comfort 512 00:31:12,520 --> 00:31:16,160 Speaker 1: because I tell you, I, you know, I'm going to 513 00:31:16,200 --> 00:31:18,160 Speaker 1: be facing that in a couple. 514 00:31:17,960 --> 00:31:21,480 Speaker 2: Of years and are you ready? 515 00:31:22,120 --> 00:31:23,960 Speaker 1: No? No, I don't even want to think about it. 516 00:31:24,000 --> 00:31:25,200 Speaker 1: I don't even know why I brought it up, so 517 00:31:25,200 --> 00:31:29,880 Speaker 1: I'm going to shut up anyway. So all in all, 518 00:31:30,040 --> 00:31:35,480 Speaker 1: I think a pretty a pretty strong episode. I give 519 00:31:35,680 --> 00:31:38,440 Speaker 1: I give them credit for taking these types of risks. 520 00:31:38,480 --> 00:31:41,040 Speaker 1: They obviously were aware that this was going to be 521 00:31:41,080 --> 00:31:42,720 Speaker 1: a different type of episode. 522 00:31:43,120 --> 00:31:45,440 Speaker 2: I feel like you come around on this episode in 523 00:31:45,520 --> 00:31:46,240 Speaker 2: discussing it. 524 00:31:46,520 --> 00:31:48,760 Speaker 1: You know, there's a lot in it, you know, after 525 00:31:48,800 --> 00:31:52,320 Speaker 1: discussing and realizing there it really is just chocked full 526 00:31:52,360 --> 00:31:56,640 Speaker 1: of storylines. And now I see it how the fans 527 00:31:57,000 --> 00:31:59,040 Speaker 1: really love the episode because it does set up so 528 00:31:59,240 --> 00:32:04,840 Speaker 1: much momentum going forward. It ratchets up tensions. It's it's 529 00:32:05,600 --> 00:32:10,160 Speaker 1: it's it's you know, it's it's it's tying up loose 530 00:32:10,280 --> 00:32:13,680 Speaker 1: ends and starting new narratives. I mean, life is changing here. 531 00:32:14,480 --> 00:32:17,320 Speaker 2: Nothing's kind of the same after this one, even just 532 00:32:17,480 --> 00:32:21,080 Speaker 2: kind of fall apart a little, you know, it's all, yeah, this. 533 00:32:21,680 --> 00:32:24,240 Speaker 1: Is a big, big beat in the life of this 534 00:32:24,400 --> 00:32:26,560 Speaker 1: show and the overall story of the show that it 535 00:32:26,640 --> 00:32:29,400 Speaker 1: really is. It is an important episode now now I 536 00:32:29,440 --> 00:32:38,560 Speaker 1: see it. Well, final thoughts, Olivia, have we come around 537 00:32:38,720 --> 00:32:40,720 Speaker 1: to really really love this show? 538 00:32:40,920 --> 00:32:43,480 Speaker 2: I think we like this one? You know, I think 539 00:32:43,520 --> 00:32:46,320 Speaker 2: this Maybe this isn't a top ten episode. 540 00:32:47,120 --> 00:32:47,720 Speaker 1: Maybe it is. 541 00:32:47,680 --> 00:32:52,600 Speaker 2: Different, it's different, Maybe it is you know, difference is 542 00:32:52,640 --> 00:32:53,320 Speaker 2: not always bad. 543 00:32:54,040 --> 00:32:56,440 Speaker 1: Different it's not always bad, you know. I think they 544 00:32:56,600 --> 00:33:01,880 Speaker 1: I think they pulled it off. Well, okay, I think 545 00:33:01,920 --> 00:33:05,160 Speaker 1: I would give this. We don't really vote or rate 546 00:33:05,240 --> 00:33:07,160 Speaker 1: these anymore, and I don't want to do that, but 547 00:33:07,240 --> 00:33:10,760 Speaker 1: I I yeah, I see now that you know, it 548 00:33:10,800 --> 00:33:14,200 Speaker 1: was well balanced let's just say that it's. 549 00:33:14,160 --> 00:33:16,600 Speaker 2: Very chaotic and yet it all gets tied up. 550 00:33:17,400 --> 00:33:20,440 Speaker 1: It really does. Right, Yeah, it did a lot of 551 00:33:20,520 --> 00:33:24,240 Speaker 1: things really really well. Oh what a show. I thought 552 00:33:24,280 --> 00:33:26,960 Speaker 1: it looked great. I thought it was beautifully I think 553 00:33:27,400 --> 00:33:33,400 Speaker 1: Chris Long did a great job directing this episode. And 554 00:33:34,600 --> 00:33:39,840 Speaker 1: all right, we look that's it. It's a great episode. 555 00:33:39,840 --> 00:33:41,440 Speaker 1: What are you going to do? It's a great episode. 556 00:33:41,480 --> 00:33:42,240 Speaker 1: We saw something different. 557 00:33:42,280 --> 00:33:44,120 Speaker 2: It was a little jar I liked that we started 558 00:33:44,160 --> 00:33:46,920 Speaker 2: one place and we came we ended somewhere else. 559 00:33:47,080 --> 00:33:54,680 Speaker 1: I got over it. Over it, Olivia. 560 00:33:54,880 --> 00:33:57,680 Speaker 2: A pleasure, A pleasure as always. 561 00:33:58,000 --> 00:34:02,840 Speaker 1: Please come back. Uh and uh, all the best to you. 562 00:34:02,880 --> 00:34:04,800 Speaker 1: Anything you're working on right now? You want to you 563 00:34:04,840 --> 00:34:06,120 Speaker 1: want to let the fans know. 564 00:34:06,880 --> 00:34:10,600 Speaker 2: I'm working on another season of Bratt's as Chloe and 565 00:34:10,640 --> 00:34:13,319 Speaker 2: then they had for twenty years. And I'm actually going 566 00:34:13,400 --> 00:34:15,600 Speaker 2: to see you at the weekend in the Life Convention. 567 00:34:16,520 --> 00:34:18,520 Speaker 2: Oh you're going to be there, that's right, Stember, I 568 00:34:18,600 --> 00:34:21,080 Speaker 2: will September fourth through six. 569 00:34:21,560 --> 00:34:24,719 Speaker 1: In September fourth through six in New Milford, Connecticut. We're 570 00:34:24,760 --> 00:34:27,000 Speaker 1: going to do it again. Yeah, you're gonna is that 571 00:34:27,040 --> 00:34:27,880 Speaker 1: your first time there? 572 00:34:28,880 --> 00:34:29,680 Speaker 2: It is my first time. 573 00:34:29,840 --> 00:34:33,240 Speaker 1: Oh, you're going to love it. The fans are so 574 00:34:33,760 --> 00:34:36,760 Speaker 1: happy and they're just they just have such a great time. 575 00:34:36,600 --> 00:34:40,080 Speaker 2: There, and it really does feel like stars follow it, really, 576 00:34:40,160 --> 00:34:41,279 Speaker 2: especially that time of year. 577 00:34:41,400 --> 00:34:44,680 Speaker 1: Oh my god, Oh yes it does. Yeah, that'll be fun. 578 00:34:45,040 --> 00:34:47,640 Speaker 1: All right, good good catching up. Nice going through the 579 00:34:47,680 --> 00:34:51,160 Speaker 1: episode with you. I think we both came around. Boy 580 00:34:51,239 --> 00:34:56,920 Speaker 1: the show. I tell you, this show, you think it's 581 00:34:56,920 --> 00:34:59,120 Speaker 1: wriggling away from you, and then it just comes back 582 00:34:59,160 --> 00:35:02,479 Speaker 1: and gives you a bit big hug. Right, it's undoneable, right, 583 00:35:03,560 --> 00:35:04,000 Speaker 1: kind of like. 584 00:35:03,920 --> 00:35:06,120 Speaker 2: That awkward hug you gave Mari in this episode. 585 00:35:08,880 --> 00:35:12,440 Speaker 1: What the heck was that was like a headlock, like 586 00:35:12,480 --> 00:35:16,040 Speaker 1: a wrestling move. What was I doing? I don't know anyway, 587 00:35:16,320 --> 00:35:20,280 Speaker 1: all the best, great seeing you, Good luck with everything, 588 00:35:20,480 --> 00:35:25,839 Speaker 1: and we'll see in September. Out in September, and keep 589 00:35:25,880 --> 00:35:29,080 Speaker 1: the cards and letters comment everybody, Thank you for all 590 00:35:29,120 --> 00:35:32,759 Speaker 1: the feedback and the downloads. Remember where you lead, we 591 00:35:32,880 --> 00:36:04,400 Speaker 1: will follow best fans on the planet. Stay safe, hey, everybody, 592 00:36:04,400 --> 00:36:07,719 Speaker 1: and don't forget Follow us on Instagram at I Am 593 00:36:07,880 --> 00:36:12,800 Speaker 1: all In podcast and email us at Gilmore at iHeartRadio 594 00:36:13,120 --> 00:36:23,440 Speaker 1: dot com.