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Speaker 1: It's the best bits of the week with Morgan number two. Hey, hey,

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Speaker 1: it's Morgan number two, who are breaking down everything that

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Speaker 1: happened during the show this week, your favorite moments, what

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Speaker 1: y'all engaged with the most online, and the things that

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Speaker 1: you called in the most about. So these are the

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Speaker 1: biggest segments of the week. So the show has been

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Speaker 1: a full on a LoveFest, I mean engagements, weddings, Ray

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Speaker 1: got married, Bobby got engaged, and Mike D got engaged.

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Speaker 1: All amazing things happening in our studio. But this week,

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Speaker 1: Mike D kind of shared some of the finalizing wedding

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Speaker 1: plans that have happened recently, and I wanted to bring

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Speaker 1: them on to even share a little bit more details.

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Speaker 1: What's up, Mike? What up? So you shared this week?

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Speaker 1: Just give a little bit of a recap, not much

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Speaker 1: because I'll hear the whole segment, but just that we

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Speaker 1: finally set our wedding date, okay, and it's next year,

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Speaker 1: next year in June, and it's going to be in Texas,

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Speaker 1: Which where is all your family lived, right, Yeah, that's

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Speaker 1: where my family lives and my fiancee's family. So how

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Speaker 1: is the wedding process going are you involved in it.

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Speaker 1: I'm involved in, like I would say, the fun stuff,

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Speaker 1: Like the thing I just did was booked the mariachi,

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Speaker 1: So you're gonna have a mariachi on your wedding, Okay.

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Speaker 1: So I was like, okay, I'll take care of that.

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Speaker 1: So I'm kind of taking care of the things that

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Speaker 1: are like I don't know, music related or anything like that. Well,

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Speaker 1: when you are vegan, for any of our listeners that

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Speaker 1: don't know that, So what do you think your menu

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Speaker 1: at the wedding is going to be like? And are

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Speaker 1: you gonna stick with like vegan things. Well, we're going

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Speaker 1: with Mexican food, so we're gonna have like a food truck.

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Speaker 1: And I don't know if I'm gonna be vegan on

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Speaker 1: my wedding because I have a role at a break

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Speaker 1: around Christmas where I allow myself to eat whatever I

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Speaker 1: want and I'm not vegan for that day. So I

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Speaker 1: was even thinking, in like the spirit of having fun

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Speaker 1: and going all out, I'll probably I don't think I'll

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Speaker 1: eat meat, but I probably eat some mu cheese on it.

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Speaker 1: So okay, so at least a little bit off of

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Speaker 1: your normal thing. What about desserts because you also don't

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Speaker 1: eat a lot of desserts being vegan. I mean, you

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Speaker 1: don't even really eat desserts period, So what is that

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Speaker 1: going to be like? So we're not even doing a

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Speaker 1: wedding cake. Our plan is to do like these really

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Speaker 1: great cookies that my fiance loves. So I think I

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Speaker 1: will have one of those. Because she told me about

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Speaker 1: these cookies, I was like, there's no way that could

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Speaker 1: be as good as you're hyping them up. I tried

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Speaker 1: them last Christmas and they are amazing. So we're getting

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Speaker 1: go much of those. So food truck with tacos and

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Speaker 1: cookies and a mariachi band. Yes, is the mariachi band

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Speaker 1: gonna play the entire time? Are you having something else

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Speaker 1: going on to We're gonna have a DJ two so

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Speaker 1: all right, stop though? Do you have one song that

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Speaker 1: you have to make sure it's played at your wedding? Oh?

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Speaker 1: I want to see if the mariachi can do a

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Speaker 1: Ring of Fire. But other than that, that's the only one.

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Speaker 1: And what about y'all's family. You talked about you guys

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Speaker 1: getting together before the wedding. Are you guys still planning

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Speaker 1: on doing that? So my sister actually just met my

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Speaker 1: fiance's mom because my family mate themals this past week

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Speaker 1: and she was driving through Texas and dropped them off,

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Speaker 1: and that was like the first time anybody from my

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Speaker 1: family he's met anybody from her family, and they were

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Speaker 1: like best of friends already. Oh great. They made plans

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Speaker 1: for our families to get together maybe over Christmas. So

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Speaker 1: hopefully when y'all go back for Christmas you want, we'll

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Speaker 1: see what happens. Are you nervous about that? No, because

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Speaker 1: I think if my sister got along with her mom

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Speaker 1: so well, I think our personalities will match. So probably

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Speaker 1: more nervous about like my dad, because my dad is

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Speaker 1: kind of like me. I think that's where I get

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Speaker 1: the whole don't talk a whole lot from So I

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Speaker 1: think that would be the interesting dynamic, just because my

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Speaker 1: dad is so reserved. And what about Kelsey? How is she?

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Speaker 1: So Kelsey is your fiance? Yeah, how is she handling

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Speaker 1: the wedding process? She's doing She's taken on a lot

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Speaker 1: of it, so it's a little bit of her having

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Speaker 1: to do her job. She's also in grad school right now,

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Speaker 1: so it's a lot for her. So there's some days

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Speaker 1: where she's like, all right, I can't talk about the

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Speaker 1: wedding anymore. I'm just focusing on what I need to

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Speaker 1: do today. But I'm trying to help her out as

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Speaker 1: much as I can. And has she found her wedding

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Speaker 1: dress yet? She has. I think she's started looking a

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Speaker 1: little bit, but she hasn't gone to try on anything yet. Okay,

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Speaker 1: so prospects, yeah, not the dress, very early stages of it.

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Speaker 1: Do you know what color you're going to be wearing.

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Speaker 1: I think I'm just going straight black, Okay, maybe even

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Speaker 1: all black. I wanted to look like a like a

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Speaker 1: gothic angel and okay, like your punk rock style is

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Speaker 1: what you're going. Yeah. I was like, can I wear black?

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Speaker 1: She was like, yeah, you wear black? Like can I

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Speaker 1: do all black? She's like, I don't know. We had

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Speaker 1: to pick some kind of accent colors what she said, So, yes,

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Speaker 1: very true. What about is the wedding going to be

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Speaker 1: indoor outdoor? You can? You can say, you know, you

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Speaker 1: plead the fifth if I'm asking too many personal questions.

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Speaker 1: I believe the ceremony will be outdoor and then it's

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Speaker 1: an indoor for the reception. Okay, Well, is there anything

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Speaker 1: else you want our listeners to know about? Your whole love, relationship, marriage,

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Speaker 1: all the things happening right now. Don't be afraid to

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Speaker 1: online date. Well, yeah, because y'all met on bumble. I

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Speaker 1: met on a dating gap and at work it's successful,

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Speaker 1: so I know, I think it's less now that there's

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Speaker 1: a stigma around it. But if they're one for dating apps,

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Speaker 1: I wouldn't have a fiance. Well. I think the other

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Speaker 1: thing too is don't be afraid of a long distance

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Speaker 1: because y'all were a long distance for a really long time. Yeah.

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Speaker 1: For the first two years of our relationship it was

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Speaker 1: all a long distance and I think a little bit

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Speaker 1: people were like, well, could you make it work? It's

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Speaker 1: really hard, Like, yeah, it is hard, but any relationships hard.

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Speaker 1: I think that made us a lot stronger in the

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Speaker 1: beginning of just getting down how to communicate to each other,

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Speaker 1: and that long distance brought us closer together and luckily

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Speaker 1: this year unfortunately with the pandemic stuff, that's kind of

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Speaker 1: what got us to be able to spend so much

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Speaker 1: time together in her leading to being able to move here.

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Speaker 1: But yeah, long distance, you can do it. Oh you

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Speaker 1: just made me think of a question, did you guys,

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Speaker 1: Is there anything that you guys have found out about

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Speaker 1: each other living with each other, you did it so

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Speaker 1: much like or no before I'd say it's more on

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Speaker 1: my end if she found out how messy I am

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Speaker 1: because I've been a single dude for my entire life

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Speaker 1: and I live like an animal apparently, so she's kind

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Speaker 1: of figured out, like, oh, yeah, this is going to

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Speaker 1: be a thing, and I've tried to get better at it.

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Speaker 1: I'm very conscious about much I just leave stuff laying around,

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Speaker 1: or how much I don't pick up after myself. So yeah,

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Speaker 1: that is me well, and I will attest. I've met

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Speaker 1: Kelsey many times and she is wonderful. So I'm very

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Speaker 1: happy for you guys. But you guys can listen to

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Speaker 1: this segment now where Mike talks more about his wedding plans. Also,

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Speaker 1: Right and Bobby talk about babies, if they're going to

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Speaker 1: have them, when they're going to have them, all the things.

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Speaker 1: Number seven, I guess we'll start with the news about

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Speaker 1: Mike d who is a writer on the show. It

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Speaker 1: comes on the here a couple of times a week,

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Speaker 1: stands in the corner, get a little desk. But you

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Speaker 1: have your wedding plans kind of figured out. Yep, we

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Speaker 1: set a date. Wait, what is your date? June fifth?

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Speaker 1: So much wedding and love happening here, right, Mundo just

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Speaker 1: got married, Mike d and I both got engaged in

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Speaker 1: the same month. Yeah, and so yours is June fifth?

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Speaker 1: Where in Texas? Okay? Out that coming? So why Texas well?

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Speaker 1: Because all of my family lives there, and all of

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Speaker 1: my fiance's family lives there. It just makes sense to

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Speaker 1: go there. Did you at all want to have it here? No,

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Speaker 1: I had that in my head from the start of it.

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Speaker 1: So I'm good with Texas. Have you guys found the venue?

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Speaker 1: Found the venue? Yeah? It was it hard to get No, Surprisingly,

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Speaker 1: the first place we looked into was available, so we

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Speaker 1: got lucky. Does she like it? Yeah? Okay, all right,

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Speaker 1: anything else you want tell us about the wedding? That

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Speaker 1: is it. I'm excited. What what city in Texas outside

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Speaker 1: of Austin. I didn't know if they were going to

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Speaker 1: Mike's hometown or Waxahachee or if she was from somewhere else.

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Speaker 1: I don't know where she's from from. Yeah, I'll be

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Speaker 1: outside of Austin. And you've met her family and you

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Speaker 1: liked them. Yeah, we're all good. They like you they

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Speaker 1: do have your families met, they have not met. Well,

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Speaker 1: that's always fun. May try to do something before the

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Speaker 1: wedding because I think it'd be weird if the first

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Speaker 1: time they meet is there. So, but as of now,

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Speaker 1: they have not met yet. But you've hung out with

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Speaker 1: her dad. Yeah? Does her dad talk? Yeah, because you don't,

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Speaker 1: I don't know. Yeah, that's hard for me. You're not

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Speaker 1: the kind of guy I would see quickly bonding with

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Speaker 1: someone because you don't talk at all. I know, I

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Speaker 1: had to ask you for advicely dude, what do I

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Speaker 1: talk to about? And what do I say about his job? Okay?

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Speaker 1: The police officer? Oh yeah, you can ask a lot

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Speaker 1: of questions. Why is a cop? Hunh he's retired now,

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Speaker 1: bad question. I'm sorry. That's probably really traumatic for him

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Speaker 1: if he said, I know, that's why I wouldn't be

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Speaker 1: good on the wedding. Yeah, how traditional is the wedding?

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Speaker 1: Meaning the funding of the wedding. Yeah, we actually just

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Speaker 1: had a meeting with them about um, they're paying for it.

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Speaker 1: They are. Yeah, that's what you do, Mike d did

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Speaker 1: your wife my father in law paid for every single thing.

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Speaker 1: I mean, we didn't spend a dime. And I'll tell

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Speaker 1: you what, I don't even know how much do. I

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Speaker 1: don't know how much a single thing cost on my

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Speaker 1: wedding because I was like, don't care, Bill, ain't coming

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Speaker 1: to me. You deal with it. Bones my wedding, lunch

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Speaker 1: books is wedding. There's no way it was cheap. It

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Speaker 1: was awesome. My father in law, we got married first,

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Speaker 1: so he paid for that, and then she has two

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Speaker 1: other sisters got married the same year. Right after that.

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Speaker 1: He had three weddings in two years. Oh brutal Klin

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Speaker 1: sisters is getting married like three weeks after us. Yeah,

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Speaker 1: there I go, I'm paying for the wedding. Wait what what? No,

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Speaker 1: Noby Bobby, you gotta go. You cannot buck the system. No,

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Speaker 1: I'm bucking it. Because I was like, I want to

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Speaker 1: do it now, you're throwing the idea on. The conversation

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Speaker 1: went like this, Hey, I want to pay for the wedding.

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Speaker 1: I'm fortunate enough to have money right now, so I'd

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Speaker 1: be happy to pay for it. You're gonna keep it

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Speaker 1: though the morning I'll blowing on the wedding listen, I'm

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Speaker 1: and also they have two weddings. I was like, hey,

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Speaker 1: let me take some burden off this situation. Do you

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Speaker 1: have this conversation with her? Dad had a conversation with her.

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Speaker 1: Oh interesting, And then she goes and then she told

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Speaker 1: me that she was like, hey, Bobby likes pay for

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Speaker 1: the wedding, and they're like, okay, cool, oh okay. So

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Speaker 1: she had the conversation with them. It wasn't like I'm

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Speaker 1: announcing it right now. They had no idea struggle at

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Speaker 1: the dinner table or anything, or I'll pay for it.

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Speaker 1: And he would have, but I was like, hey, listen,

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Speaker 1: let me do it like I'm blessed right now. Let

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Speaker 1: me do it. No problem. So he has no issue.

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Speaker 1: So then they'll pay for the honeymoon. I don't know

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Speaker 1: how that works. No, Bobby's gonna pay for it, blust

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Speaker 1: right now. Usually it's the groom family that but since

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Speaker 1: you're paying for the wedding, they have to step up.

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Speaker 1: Then the Grooms family will also pay for the Grooms

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Speaker 1: family also pays for the rehearsal dinner. There I go,

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Speaker 1: I guess listen, okay, okay, Mike, congratulations, But let's get

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Speaker 1: going here. It's a long travel to Texas. Yeah, that's fine.

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Speaker 1: You don't even know you got invited yet things. It's

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Speaker 1: the best bits of the week with Morgan. Number two.

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Speaker 1: Major controversy on the show for the last couple of

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Speaker 1: weeks over Luke Holmbs and his Crocs. Now, Luke Holmbs

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Speaker 1: put out a few collaborations with Crocs for shoes and

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Speaker 1: these latest ones were so awesome and they were a

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Speaker 1: hot commodity. Well, he sent up some to the show

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Speaker 1: to Bobby Amy and Hillary, who's like our liaison between

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Speaker 1: the show and artists Lunchbox and Raymundo were so upset

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Speaker 1: that they weren't included and that they didn't get Crocs.

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Speaker 1: You know, it was a whole thing. Okay, they were

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Speaker 1: cry babies about this, and there was an update on

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Speaker 1: it that happened because well Crocs emailed me. You can

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Speaker 1: find out in this segment if it went good or

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Speaker 1: if it went back. Number six. Now last week there

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Speaker 1: was a big drama because Hillary, you can come speak

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Speaker 1: to this for a second. Crocs, Luke Combs and Crocs

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Speaker 1: sent us three pair of crocs, right, yes, four me,

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Speaker 1: you and Amy. Well, and some people on the show

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Speaker 1: got mad because you were on the list of those

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Speaker 1: receiving the Crocs. Yes, are they comfortable? They're very comfortable.

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Speaker 1: I just saw him last night. They're my favorite Crocs.

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Speaker 1: I have them too, they have their own They sold

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Speaker 1: out in minutes because people love Luke homb so much

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Speaker 1: and so lunchboxes. Guy really upset. Well, here's the update, Morgan.

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Speaker 1: What happened? So I got an email from Tory who

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Speaker 1: works marketing for Crocs, and she heard the whole situation

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Speaker 1: go down on the show about these Crocs and she's

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Speaker 1: now sending anyone who wants a pair from the show

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Speaker 1: a pair. Yeah, that's how you get it done. Bay Back.

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Speaker 1: We have to realize that people listen to this show

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Speaker 1: and they hear you acting like babies winning about not

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Speaker 1: getting crocs. That's crazy. Yeah, I mean they hear me

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Speaker 1: whining because they realize, man, we made a huge error

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Speaker 1: in judgment and we need to rectify the situation. They

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Speaker 1: realize what they did, and that's what I'm talking about.

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Speaker 1: That's how you start a morning. How did they get

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Speaker 1: in touch with you or how do they know? She

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Speaker 1: sent me an email and she was just like, I'm

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Speaker 1: reaching out on behalf of the team over at Crocs.

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Speaker 1: We heard the crew at the Bobby Bone Show chatting

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Speaker 1: earlier this week about how they only received three pairs

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Speaker 1: of the Crocs and Luke Combs collaboration, and we'd really

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Speaker 1: love to send over additional pairs. We are such babies, Yeah, particulous,

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Speaker 1: Like I'm embarrassed a little bit. What are you embarrassed about?

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Speaker 1: You about a wrong being turned into a right? Can

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Speaker 1: you also ask them for some of the Justin Bieber? Hey,

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Speaker 1: I can you want me to? I'd like a pair

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Speaker 1: because they're the Justin Bieber what's his brain called? Drew? Like?

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Speaker 1: Those are pretty cool too, So if they have any

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Speaker 1: of those laying around side eleven will be cool. Okay,

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Speaker 1: I got you, But it is pretty embarrassing to be

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Speaker 1: known as the show. They have to go now and

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Speaker 1: satisfy the whiners. That's why I love Crocs, so they

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Speaker 1: know what's up. That is what I'm talking about. We

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Speaker 1: got some Crocs. I'm not high fiving that. Who wears

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Speaker 1: the biggest shoe on the show? What do you wear?

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Speaker 1: Ten and a half? Ten and a half? Eleven? No,

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Speaker 1: don't go or eleven? What depends what brad Well, I

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Speaker 1: can wear eleven? Two thirteen, guys, I got a pair

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Speaker 1: of twelves in the closet. Ray I'm ten, but I'm

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Speaker 1: very short, so that's actually a pretty big size. Okay,

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Speaker 1: everyone's making eleven, but ten half feels good. No, but

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Speaker 1: like a good fourteen feels it's the best bits of

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Speaker 1: the week with Morgan. Number two Lunchbox brought in audio

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Speaker 1: to the show this week and we had to determine

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Speaker 1: whether his youngest son, Baby Box, to set his first

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Speaker 1: word or not, and Lunchbox was pretty adamant that he

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Speaker 1: hoped to win over his wife. Listen, let us know

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Speaker 1: what you think. Number five, Lunchbox, how old is your

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Speaker 1: youngest nine months old? When did baby start talking? Like?

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Speaker 1: Around what age? I would say nine, ten, eleven months?

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Speaker 1: I mean, not sentences, just one word here or there, Eddie,

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Speaker 1: what about your boys? Well, my baby right now, my

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Speaker 1: foster baby is already sane words that we can understand.

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Speaker 1: And he's nine months so oh this I forgot You

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Speaker 1: two were fighting, which was a little war sometimes the

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Speaker 1: foster baby. The foster baby is a year and nine months.

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Speaker 1: Eddie's trying to make it sound like he's the same

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Speaker 1: age as my child, but he is. I hear he

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Speaker 1: has here ahead, but he is more advanced than my

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Speaker 1: two year old. So his foster baby. The competition was

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Speaker 1: my older son, and it's so annoying, Like Eddie's foster

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Speaker 1: baby rides a scooter like a start, like he stands

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Speaker 1: on it and pushes it with one leg and then

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Speaker 1: gets on it and rides it. And my kid can't

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Speaker 1: walk down the street without falling over like it is

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Speaker 1: so frustrating. I bought him a bike not even know

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Speaker 1: how to get on it. So annoying. So we're gonna

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Speaker 1: hear though, your youngest, my youngest who is nine months old,

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Speaker 1: who hasn't said a word yet, has not said a

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Speaker 1: word yet, And my wife says, oh, he said a word,

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Speaker 1: And I'm like, I don't know if that's really a word. Okay,

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Speaker 1: so don't tell us what it is exactly, because I

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Speaker 1: don't want to cloud your judgment. Here as the clip

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Speaker 1: of Lunchbox's youngest son talking, go ahead, okay, okay, what

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Speaker 1: word do we think he's I mean, obviously it sounds

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Speaker 1: like he's just going to die dad, over and over again.

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Speaker 1: Is he looking at you, Lunchbox when he's saying that, yep?

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Speaker 1: Are you lying? Nope? Well then hey, bones, there's no

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Speaker 1: argument there. He's saying, Dad, that you think so yeah?

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Speaker 1: Play it again, and he's looking at you, looking at me,

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Speaker 1: and listen, my wife doesn't want to hear data. That's

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Speaker 1: why I said, she's the one that really doesn't want

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Speaker 1: to hear it. I heard dada, so I started recording.

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Speaker 1: He is saying data. Come on, guys, but he is

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Speaker 1: saying data. That is his first part. Let's go more again.

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Speaker 1: What do you think I do think he's saying dada.

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Speaker 1: I hear it. I can't help it. Well, I think

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Speaker 1: that he's saying dadad. Take that wife, you and you.

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Speaker 1: It's crazy. She spends more time with him because she

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Speaker 1: doesn't have a job, so she's at home with him

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Speaker 1: all the time. So you would think he would say mama,

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Speaker 1: but no, he knows what's up. That's Dad. Everybody damn

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Speaker 1: good every time. Everybody, Nice day there, and nice day there.

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Speaker 1: They you're your oldest same MoMA. First he said mama

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Speaker 1: before dad now, but his first word was oh, that's

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Speaker 1: his first word. But mama before daddy and dadad now.

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Speaker 1: In the second kid, yeah, first word is dad. It's

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Speaker 1: the best Bits of the week with Morgan number two.

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Speaker 1: It was a big week in country music, especially here

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Speaker 1: in Nashville. It was the CMA Awards, and every year

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Speaker 1: before the show, we do pre show interviews with all

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Speaker 1: of the artists, which is really fun, and normally we

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Speaker 1: go in person and we get to eat this really

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Speaker 1: great food. This year it was digital and all things virtual.

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Speaker 1: It got a little awkward. I brought on Lunchbox and

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Speaker 1: Eddie because it was the three of us who were

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Speaker 1: sitting here doing these virtual interviews. And I kind of

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Speaker 1: have a bone to pick because Lunchbox interrupted one of

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Speaker 1: my interviews. Here's the problem is, I don't understand why

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Speaker 1: you say awkward. What was awkward about it? I asked

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Speaker 1: a question that everybody in America wanted to know, and

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Speaker 1: you were dancing around it, dancing around it. And I

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Speaker 1: don't like to dance. You know what I like to

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Speaker 1: do I walk straight lines, and so I walk straight

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Speaker 1: lines right into it. Well, here's the thing with artists,

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Speaker 1: we tend to be respective of their privacy because they're

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Speaker 1: humans too, you know. So as we're interviewing her, and

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Speaker 1: I'm talking about her big song that she has out

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Speaker 1: right now called Next Girl, and I love it. It's

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Speaker 1: a good jam, and fans have thought it's about an

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Speaker 1: ex of hers. Well, Lunchbox thought it'd be a good

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Speaker 1: idea to directly ask her that question when this is

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Speaker 1: still fresh, right, Like this is within months of this ending,

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Speaker 1: and he wanted to know if it was about and

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Speaker 1: I didn't think it. But if you write a song

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Speaker 1: about something and everybody speculates about it, why don't we

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Speaker 1: just get to the truth. If you're going to write

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Speaker 1: a song about it, you're open about it. Yeah, but

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Speaker 1: maybe they're just not quite ready yet to talk about that.

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Speaker 1: I think if you ask them about it, they're gonna say,

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Speaker 1: you know, hey, this is what I want to talk about.

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Speaker 1: But she didn't do that, and then lunchbox creeped up

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Speaker 1: in the classroom and interrupted the whole interview. Yeah, that's

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Speaker 1: that's where the problem was. Like, there's a time and

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Speaker 1: place for where I don't know little of interview and

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Speaker 1: her just chatting it up somewhere drinking coffee, and you're like,

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Speaker 1: tell me what really happened with that song? Like you

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Speaker 1: write it about this, you're right about that, but literally,

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Speaker 1: Morgan number two was in the middle of an interview

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Speaker 1: and then you go stop stop right there, almost like

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Speaker 1: Kanye and Taylor, didn't you? Yeah, I said it afterwards,

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Speaker 1: I was like, I feel like Taylor Swift right now,

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Speaker 1: you kanyate her because she was trying to just do

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Speaker 1: her job. I could tell Morgan number two wasn't going

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Speaker 1: to ask the hard hitting question that everybody wanted. Is

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Speaker 1: it like news station this is interesting? He wants it

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Speaker 1: to be TMZ. Fox wants to be TMS. It's not TMZ.

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Speaker 1: It's the one question everybody wants to know. So why

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Speaker 1: would you not if you have the person right there,

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Speaker 1: why would you not ask that one question. It's sort

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Speaker 1: of like Carol Baskin, Uh, you gotta ask her did

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Speaker 1: you kill your husband? Okay, but we had her on

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Speaker 1: we did not ask that question. It's like, oh j

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Speaker 1: you ask them. That's another one OJ But see dude,

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Speaker 1: like like and props to Carly too for like answering

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Speaker 1: at the best that she could. You gotta think how awkward?

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Speaker 1: How awkward is it? I imagine it took me at

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Speaker 1: least three months to even want to share on the

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Speaker 1: show that I broke up with my boyfriend. I can't

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Speaker 1: imagine getting out of what she got out of, And

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Speaker 1: a lot of these artists did that. They are inspired

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Speaker 1: to write songs, but it's never like, yes, this song

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Speaker 1: is about a party that I threw and no one

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Speaker 1: showed up. They're like, oh, does this happened one time?

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Speaker 1: And it's kind of about maybe she was waiting for

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Speaker 1: someone to ask her. You never know when you asked

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Speaker 1: the question, but we didn't know that until you ask

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Speaker 1: no one was no one has the guts to ask it.

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Speaker 1: So you ask it, and maybe she's like, you know what,

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Speaker 1: finally someone just comes out and ask me what the song?

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Speaker 1: If it's about so and so. Do you think Morgan

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Speaker 1: number two that lunchbox does this just to have something

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Speaker 1: to get people riled up about, Like, do you think

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Speaker 1: he just does this on purpose? Or does he really

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Speaker 1: is all about routing people up? Oh? So you don't

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Speaker 1: think he was really wondering what this song was about

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Speaker 1: or who He didn't even get the song title right,

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Speaker 1: He didn't even know the song. He's got this. You

422
00:21:38,600 --> 00:21:41,440
Speaker 1: call it New Girl Girl because my wife was watching

423
00:21:41,520 --> 00:21:44,439
Speaker 1: New Girl the night before, so I had hours ago. Okay,

424
00:21:44,560 --> 00:21:46,560
Speaker 1: you know what, right, now, give me a lyric of

425
00:21:46,560 --> 00:21:49,520
Speaker 1: the song. Sing me a verse. It's next girl, sing

426
00:21:49,640 --> 00:21:52,440
Speaker 1: a verse. Uh so for the next girl, you gotta

427
00:21:52,520 --> 00:21:55,000
Speaker 1: run sing it. I can't sing guys, I don't need

428
00:21:55,040 --> 00:21:56,720
Speaker 1: to sing it. You just need the words. If you don't,

429
00:21:56,760 --> 00:21:59,240
Speaker 1: you don't know any of that song, No I do.

430
00:21:59,440 --> 00:22:01,520
Speaker 1: It's like he tells you he's gonna be here forever.

431
00:22:01,640 --> 00:22:03,399
Speaker 1: He makes you think you're the only one, you're the

432
00:22:03,440 --> 00:22:09,360
Speaker 1: greatest thing. And next then it's like, yeah, that's basically

433
00:22:09,400 --> 00:22:11,400
Speaker 1: that's exactly what the song says. Yeah, but I needed

434
00:22:11,600 --> 00:22:15,639
Speaker 1: like a specific lyric to preach a specific lyric. You

435
00:22:15,640 --> 00:22:18,119
Speaker 1: gave us anopsis of a song that is most likely

436
00:22:18,160 --> 00:22:20,639
Speaker 1: when it's about and then too. I think he like

437
00:22:20,840 --> 00:22:22,800
Speaker 1: when we were prepping for these interviews, like when we

438
00:22:22,840 --> 00:22:24,960
Speaker 1: got the list of who was going to be on

439
00:22:25,080 --> 00:22:28,440
Speaker 1: here or whatever, he automatically his go to question, which

440
00:22:28,480 --> 00:22:30,280
Speaker 1: I don't even think he got to ask this time around,

441
00:22:30,359 --> 00:22:32,880
Speaker 1: But it's like how much money do you make? Are

442
00:22:32,960 --> 00:22:35,840
Speaker 1: you rich? Like like literally we were going through notes

443
00:22:35,880 --> 00:22:38,080
Speaker 1: and be like, oh, that's cool, let's ask Marin about

444
00:22:38,119 --> 00:22:41,439
Speaker 1: her kids, you her son, and like why shouldn't put

445
00:22:41,480 --> 00:22:43,239
Speaker 1: them on social media? Oh, let's ask so and so

446
00:22:43,280 --> 00:22:46,080
Speaker 1: about this. I want to know how much money they make?

447
00:22:46,720 --> 00:22:50,440
Speaker 1: Are you rich? Here's the thing. You guys want to

448
00:22:50,440 --> 00:22:53,600
Speaker 1: ask the same boring questions that every other interviewer was doing.

449
00:22:53,680 --> 00:22:56,120
Speaker 1: That's your business. I don't do that crap. I ask

450
00:22:56,280 --> 00:22:59,160
Speaker 1: fun interesting questions that you're not going to hear anywhere else.

451
00:22:59,359 --> 00:23:01,959
Speaker 1: You can listen to any other interview and hear the

452
00:23:01,960 --> 00:23:04,240
Speaker 1: exact same questions you guys are asking. Do you I

453
00:23:04,280 --> 00:23:08,240
Speaker 1: don't do that? Do you ever care if an artist

454
00:23:08,320 --> 00:23:12,800
Speaker 1: doesn't like you? After? Not one bit? Why I don't

455
00:23:12,840 --> 00:23:16,720
Speaker 1: care about them exactly? Would care about you? The interview went, well,

456
00:23:17,119 --> 00:23:20,440
Speaker 1: they don't. They just want you to get their music

457
00:23:20,480 --> 00:23:24,160
Speaker 1: out there. They don't really like you. They are nice

458
00:23:24,200 --> 00:23:26,640
Speaker 1: to you, so you'll interview them and put their music

459
00:23:26,680 --> 00:23:29,760
Speaker 1: out there and promote their stuff. Not one, not one really,

460
00:23:29,840 --> 00:23:33,240
Speaker 1: that's very much not job. Maybe who I don't know.

461
00:23:33,760 --> 00:23:36,400
Speaker 1: I couldn't tell you. Well, just all of our listeners,

462
00:23:36,440 --> 00:23:38,640
Speaker 1: it's very much not true. They all are very kind.

463
00:23:39,440 --> 00:23:41,359
Speaker 1: Remember on the side of the road with a flat tire,

464
00:23:41,359 --> 00:23:42,760
Speaker 1: they're not going to stop and help. There are so

465
00:23:42,800 --> 00:23:46,840
Speaker 1: many stories about celebrities helping. Somebody would help you, Yeah, somebody,

466
00:23:46,840 --> 00:23:49,440
Speaker 1: but it wouldn't be there. I'm Kip more No, he'd

467
00:23:49,480 --> 00:23:53,399
Speaker 1: call somebody now Kip Moore would know. He would not.

468
00:23:53,480 --> 00:23:56,800
Speaker 1: He doesn't like me, Eddie. You got to interview brothers

469
00:23:56,840 --> 00:24:00,399
Speaker 1: Osborne when Lunchbox and I weren't sitting there and had

470
00:24:00,440 --> 00:24:02,679
Speaker 1: to feel the pressure of that. How did that go?

471
00:24:02,880 --> 00:24:04,480
Speaker 1: Was it better to not have the pressure of that

472
00:24:04,520 --> 00:24:06,280
Speaker 1: and you got to just enjoy the interview? No, it

473
00:24:06,359 --> 00:24:09,480
Speaker 1: was good, Like, yeah, not worry about someone interrupted my

474
00:24:09,520 --> 00:24:13,119
Speaker 1: interview and asking hard hitting questions. Yeah, it's fine. I

475
00:24:13,200 --> 00:24:16,520
Speaker 1: just think these interviews are just a little awkward because

476
00:24:16,600 --> 00:24:19,760
Speaker 1: you know that they are on a what you would

477
00:24:19,760 --> 00:24:22,760
Speaker 1: call like a tour interview tour. Yes, so they're literally

478
00:24:22,800 --> 00:24:28,160
Speaker 1: doing ten, fifteen, sometimes fifty interviews right before they came

479
00:24:28,200 --> 00:24:30,640
Speaker 1: to you. Yeah, and what questions are being asked exact

480
00:24:30,640 --> 00:24:33,880
Speaker 1: same ones you were asking, right, But I still don't

481
00:24:33,880 --> 00:24:35,840
Speaker 1: want to make him feel awkward, Like I don't want

482
00:24:35,840 --> 00:24:41,160
Speaker 1: to ask him the question that everyone's wonders asking Luke Combs,

483
00:24:41,200 --> 00:24:43,920
Speaker 1: who's going to carve the turkey at Thanksgiving? That's a

484
00:24:43,960 --> 00:24:47,040
Speaker 1: good question to ask because it's something he's not gonna get. Thanks.

485
00:24:47,600 --> 00:24:49,240
Speaker 1: Point of the answer though, like like what are we

486
00:24:49,280 --> 00:24:51,800
Speaker 1: gonna learn if he says me not my father in

487
00:24:51,880 --> 00:24:57,000
Speaker 1: law screw him? So we're all like, wow, that's so cool.

488
00:24:57,080 --> 00:24:59,280
Speaker 1: Now every time I hear a Luke Colmbs I'm gonna

489
00:24:59,320 --> 00:25:01,800
Speaker 1: know he's you rather here? Would you rather here? Talking

490
00:25:01,800 --> 00:25:04,040
Speaker 1: about would you rather be here? Real life things? Or

491
00:25:04,440 --> 00:25:07,719
Speaker 1: hey man, like, at one point, did you know this

492
00:25:07,760 --> 00:25:10,800
Speaker 1: song was going to be a hit. I would like

493
00:25:10,880 --> 00:25:12,840
Speaker 1: to argue this because this is not the questions that

494
00:25:12,880 --> 00:25:14,840
Speaker 1: I asked. I found out that Mary Moore says Taylor

495
00:25:14,840 --> 00:25:17,199
Speaker 1: Swift in her phone, love that. I love that. And

496
00:25:17,240 --> 00:25:19,920
Speaker 1: I found out that John Osborne pete next to Charlie

497
00:25:19,960 --> 00:25:26,320
Speaker 1: Daniels one time, but embarrassing. What is the difference between asking, um,

498
00:25:26,720 --> 00:25:28,200
Speaker 1: what slebt you have in your phone and how much

499
00:25:28,200 --> 00:25:29,680
Speaker 1: money you have in your bank account? It's no one

500
00:25:29,720 --> 00:25:32,160
Speaker 1: likes to talk about the money, you know. We literally

501
00:25:32,200 --> 00:25:35,160
Speaker 1: did a segment on the show about the questions you're

502
00:25:35,160 --> 00:25:38,720
Speaker 1: not supposed to ask people, and you ask them to

503
00:25:39,040 --> 00:25:43,080
Speaker 1: artists an interviews. There are celebrities, there are people there

504
00:25:44,040 --> 00:25:46,520
Speaker 1: us they've put on their pants one legged a time. Well,

505
00:25:46,520 --> 00:25:48,920
Speaker 1: before we wrap this up, you guys, you guys keep

506
00:25:48,960 --> 00:25:50,879
Speaker 1: doing your fun interviews. I'll do them my way and

507
00:25:50,880 --> 00:25:53,239
Speaker 1: we'll see who gets better ratings. Well we'll wrap this

508
00:25:53,359 --> 00:25:56,399
Speaker 1: up before we do, though, Eddie, who is the best

509
00:25:56,400 --> 00:26:00,239
Speaker 1: person you've ever interviewed? Oh? H Jimmy Buffett. I mean,

510
00:26:00,240 --> 00:26:03,240
Speaker 1: oh yeah, Hugh Cameras show. He's my idol and my

511
00:26:03,280 --> 00:26:06,760
Speaker 1: favorite person, and I wish I was him and lived

512
00:26:07,000 --> 00:26:10,600
Speaker 1: life the way he lives life is time. Yes, five

513
00:26:10,640 --> 00:26:15,760
Speaker 1: o'clock somewhere? Is that five o'clock somewhere? That's it? Lunchbox?

514
00:26:15,800 --> 00:26:19,320
Speaker 1: Who's your favorite interviews? He fifty cent? You interviewed fifty cents?

515
00:26:19,359 --> 00:26:21,000
Speaker 1: Does that go? I was great, asking how much money

516
00:26:21,040 --> 00:26:23,320
Speaker 1: hasn't make? I went dressed a fifty cent like I

517
00:26:23,440 --> 00:26:26,920
Speaker 1: dressed up as a member of g Unit boy and Unit.

518
00:26:27,119 --> 00:26:30,720
Speaker 1: I walked in there with my six XL shirt, my

519
00:26:30,800 --> 00:26:34,440
Speaker 1: g Unit hat, my big old chain, everything, and he

520
00:26:34,800 --> 00:26:37,840
Speaker 1: freaking loved it. He laughed and he thought it was great.

521
00:26:37,880 --> 00:26:39,920
Speaker 1: And he was like, yeah, man, you think the first

522
00:26:39,960 --> 00:26:42,040
Speaker 1: time I heard a lunchbox when you watching that room?

523
00:26:42,119 --> 00:26:43,879
Speaker 1: Now they've been talking about you for years, man, I've

524
00:26:43,880 --> 00:26:46,880
Speaker 1: been hearing all about this lunchbox guy. He said, awesome,

525
00:26:46,920 --> 00:26:49,919
Speaker 1: So he lied to you. So, but at least I

526
00:26:49,960 --> 00:26:53,560
Speaker 1: had fun with it and it was awesome. Well, number two,

527
00:26:53,560 --> 00:26:58,240
Speaker 1: what was yours? My favorite was Granger Smith because I

528
00:26:58,280 --> 00:27:00,879
Speaker 1: got him to bring out Earl div Oles Junior and

529
00:27:00,920 --> 00:27:03,520
Speaker 1: we would reverse questions every other time. It was great.

530
00:27:03,560 --> 00:27:06,560
Speaker 1: It was the most fun I've had an interview probably ever,

531
00:27:07,000 --> 00:27:10,280
Speaker 1: because for somebody to turn on a dime quickly from

532
00:27:10,280 --> 00:27:13,840
Speaker 1: one personality to the other is pretty impressive. Yeah, especially

533
00:27:13,880 --> 00:27:16,199
Speaker 1: when it's Granger Smith in her old Divil's junior and

534
00:27:16,240 --> 00:27:19,640
Speaker 1: you know it's him, but he won't talk about him

535
00:27:19,720 --> 00:27:22,720
Speaker 1: like he is him. Yes, they don't know each other basically,

536
00:27:22,840 --> 00:27:25,480
Speaker 1: it's how they act, but you are him. Yeah, it's

537
00:27:25,520 --> 00:27:28,240
Speaker 1: so wild. Okay, Well check out this segment. Also, the

538
00:27:28,280 --> 00:27:31,200
Speaker 1: full interviews from our CMA remotes are up on YouTube.

539
00:27:31,359 --> 00:27:34,920
Speaker 1: Slash Bobby Bones Show number four. This is you talking

540
00:27:34,920 --> 00:27:38,600
Speaker 1: with Carly Pierce. You ask her if they consider Luke

541
00:27:38,680 --> 00:27:40,679
Speaker 1: Combs doing I hope you're happy now with Carly at

542
00:27:40,680 --> 00:27:42,879
Speaker 1: the CMAS because he wrote the song. Yeah, here's that clip.

543
00:27:43,040 --> 00:27:45,199
Speaker 1: One of your co writers on this song was Luke Combs.

544
00:27:45,200 --> 00:27:47,200
Speaker 1: Did you guys even talk about the idea of Luke

545
00:27:47,280 --> 00:27:50,840
Speaker 1: Combs doing the duet with you? We did, and I

546
00:27:50,880 --> 00:27:55,399
Speaker 1: think that just with his scheduling and with him already

547
00:27:55,400 --> 00:27:57,399
Speaker 1: performing on the show, I think they were trying to

548
00:27:57,440 --> 00:28:00,320
Speaker 1: do something a little different, you know. Good for her

549
00:28:00,359 --> 00:28:02,680
Speaker 1: too for going Yeah, we did. Yeah, because she could

550
00:28:02,680 --> 00:28:04,399
Speaker 1: have easily said no. We just always felt it was

551
00:28:04,480 --> 00:28:06,960
Speaker 1: Charles Kelly. But good for Carley for being honest about that.

552
00:28:07,560 --> 00:28:09,280
Speaker 1: I think Charles Kelly is gonna be fine and good,

553
00:28:10,040 --> 00:28:11,560
Speaker 1: but I mean to have Luke Combs on that song.

554
00:28:12,200 --> 00:28:16,040
Speaker 1: Let's be honest. Pretty cool. Morgan asked Marion Morris, who's

555
00:28:16,080 --> 00:28:18,440
Speaker 1: the most famous person's phone number she has in her phone.

556
00:28:19,119 --> 00:28:21,480
Speaker 1: I feel like I'm name dropping, but that's obviously the

557
00:28:21,960 --> 00:28:27,760
Speaker 1: it's a question. There's name dropping. Yeah, Taylor Swift, Yeah, Okay.

558
00:28:27,880 --> 00:28:31,000
Speaker 1: She's been super, super sweet and supportive of me, and

559
00:28:31,400 --> 00:28:33,159
Speaker 1: I'm just such a fan of what she does and

560
00:28:33,359 --> 00:28:37,600
Speaker 1: her platform. So we text sometimes. And she's been so

561
00:28:37,640 --> 00:28:40,080
Speaker 1: sweet about my my son that was born a few

562
00:28:40,200 --> 00:28:43,560
Speaker 1: a few months ago, and has just been such a

563
00:28:43,600 --> 00:28:46,400
Speaker 1: sweet friend about me being a new mom. Here's one

564
00:28:46,400 --> 00:28:48,680
Speaker 1: more question with Morgan and Marion Morris where she keeps

565
00:28:48,720 --> 00:28:52,160
Speaker 1: all the awards in her house. When my friend and

566
00:28:52,320 --> 00:28:55,720
Speaker 1: late producer Buzzby passed away last year, they were clearing

567
00:28:55,720 --> 00:28:58,360
Speaker 1: out his studio here in Nashville, and his wife Jess,

568
00:28:58,840 --> 00:29:02,560
Speaker 1: gave me his piano that we wrote eighties Mercedes on

569
00:29:02,720 --> 00:29:05,320
Speaker 1: and Once and a lot of my songs were on

570
00:29:05,320 --> 00:29:09,000
Speaker 1: that piano with him, So that piano is my most

571
00:29:09,040 --> 00:29:12,520
Speaker 1: prized possession, and it's sitting in my basement and I

572
00:29:12,600 --> 00:29:15,160
Speaker 1: have a photo of me and Buzz on top of

573
00:29:15,160 --> 00:29:17,600
Speaker 1: it that my band framed for me, and I have

574
00:29:17,720 --> 00:29:20,640
Speaker 1: my CMA awards and Grammy on top of the piano.

575
00:29:20,760 --> 00:29:24,880
Speaker 1: So um, it's it's kind of a Buzzby shrine, but

576
00:29:25,120 --> 00:29:27,280
Speaker 1: it's a it's a really special corner of my house.

577
00:29:27,640 --> 00:29:29,760
Speaker 1: If I can go back to Morgan. And while she's

578
00:29:29,760 --> 00:29:33,200
Speaker 1: talking to Carly Pierce, Lunchbox jumps in in the middle

579
00:29:33,240 --> 00:29:35,840
Speaker 1: of the interview and can you play a clip of

580
00:29:35,960 --> 00:29:50,480
Speaker 1: Next Girl? This is Carly song falls and sorry say

581
00:29:50,600 --> 00:29:56,440
Speaker 1: all all right things nolda dress, no old t think

582
00:29:56,560 --> 00:30:01,040
Speaker 1: you're the best thing. But I'm not having Smith Girl.

583
00:30:02,360 --> 00:30:04,880
Speaker 1: So it's about it, dude. He pretty much did her

584
00:30:04,880 --> 00:30:06,920
Speaker 1: wrong and she knows the story. So Lunchbox asks her,

585
00:30:07,400 --> 00:30:10,680
Speaker 1: who's that about? Why? I don't know, Carle this Lunchbox,

586
00:30:10,760 --> 00:30:13,680
Speaker 1: I'm going rogue. Here is that song you said you

587
00:30:13,720 --> 00:30:16,200
Speaker 1: were like, is it about anybody in particular? New Girl,

588
00:30:17,000 --> 00:30:20,840
Speaker 1: Next Next Girl Girl? I mean I don't know. I

589
00:30:20,880 --> 00:30:23,560
Speaker 1: mean it's it's definitely written about my life. Okay, so

590
00:30:23,600 --> 00:30:25,959
Speaker 1: we're just gonna keep it at that. Yeah, all right,

591
00:30:26,040 --> 00:30:28,880
Speaker 1: to love it. It's a great song, Lunchbox, You're bad.

592
00:30:29,800 --> 00:30:36,440
Speaker 1: I felt it like I felt its Honestly, I knew

593
00:30:36,440 --> 00:30:38,360
Speaker 1: it was gonna happen. I saw him in I was like, here,

594
00:30:38,520 --> 00:30:41,360
Speaker 1: somebody's gonna do it. Ray. You in there, Ray, Ray

595
00:30:41,400 --> 00:30:43,360
Speaker 1: didn't want to do it. I figured I had to ask.

596
00:30:43,480 --> 00:30:45,880
Speaker 1: I wanted to because we've had your back this whole time,

597
00:30:45,920 --> 00:30:48,400
Speaker 1: so I wanted to, you know, I want to come

598
00:30:48,400 --> 00:30:50,800
Speaker 1: in there having my back. I see you. I'm gonna

599
00:30:50,800 --> 00:30:53,000
Speaker 1: mess up your song title and I'm gonna ask you

600
00:30:53,040 --> 00:30:56,440
Speaker 1: a question about it. You girl, So this song you

601
00:30:56,520 --> 00:30:59,720
Speaker 1: wrote called new Boy, what I know? That's not it?

602
00:31:00,440 --> 00:31:02,920
Speaker 1: Luxx was with Luke Holmbs for a second. You asked

603
00:31:02,960 --> 00:31:04,760
Speaker 1: him about croc Gate. Yeah, I want to know what

604
00:31:04,800 --> 00:31:07,400
Speaker 1: happened with croc Gate. But everybody's fighting over Luke Combs

605
00:31:07,400 --> 00:31:10,520
Speaker 1: crocs here in the studio. I'm absolutely aware. I've heard

606
00:31:10,520 --> 00:31:12,600
Speaker 1: of I've heard a lot of a lot of murmurs

607
00:31:12,640 --> 00:31:16,120
Speaker 1: about crocs Gate. Yeah, yeah, crocs Gate. You know, Bobby

608
00:31:16,200 --> 00:31:18,400
Speaker 1: gets a pair of Amy gets a pair, and the

609
00:31:18,520 --> 00:31:21,000
Speaker 1: homeless cat in the back, Hillary got a pair and

610
00:31:21,200 --> 00:31:23,600
Speaker 1: lunchbox did not get a pair of loose combs crocs?

611
00:31:23,640 --> 00:31:25,880
Speaker 1: What's up with that, Luke. I've heard that the problem

612
00:31:25,920 --> 00:31:28,360
Speaker 1: has been reconciled. So before you ask, you may want

613
00:31:28,360 --> 00:31:31,240
Speaker 1: to say, who got ahold of crocs and got you

614
00:31:31,360 --> 00:31:34,480
Speaker 1: some pairs of those? Oh? Okay, I wonder, I do

615
00:31:34,640 --> 00:31:36,960
Speaker 1: wonder who got ahold of crocs and got me a pair?

616
00:31:37,280 --> 00:31:40,480
Speaker 1: Who knows? Oh, you never know. I'm like country music

617
00:31:40,520 --> 00:31:44,640
Speaker 1: Santa Claus. I'll never know. Did you have them? You

618
00:31:44,680 --> 00:31:46,320
Speaker 1: have them mail? Yeah, they came in the mail. You

619
00:31:46,360 --> 00:31:47,880
Speaker 1: have them. I got him in my house. Y happy

620
00:31:47,960 --> 00:31:50,080
Speaker 1: you wear them? I got them last night, So I

621
00:31:50,120 --> 00:31:51,920
Speaker 1: gotta put them on today. First day. I'm gonna put

622
00:31:52,000 --> 00:31:54,800
Speaker 1: him on for the Cmas. You know where I'm tonight. Absolutely,

623
00:31:55,120 --> 00:31:59,000
Speaker 1: stop calling Hillary a homeless cat, by the way, I

624
00:31:59,120 --> 00:32:01,080
Speaker 1: think literally, she has more work on the show than

625
00:32:01,360 --> 00:32:05,960
Speaker 1: most people like actual work, and she's not a homeless cat.

626
00:32:06,040 --> 00:32:10,640
Speaker 1: That's actually pretty rude to say. Apologize this doesn't apologize

627
00:32:11,320 --> 00:32:14,840
Speaker 1: a homeless cat. It's a it's a metaphor. Why can't

628
00:32:14,840 --> 00:32:20,040
Speaker 1: you just apologize what's a metaphor? Something? It's a metaphor. Oh,

629
00:32:20,120 --> 00:32:23,960
Speaker 1: it's like where something stands for something fair enough. Yeah,

630
00:32:24,360 --> 00:32:31,080
Speaker 1: similes the same. Yeah, yeah, that's what I mean. Metaphor

631
00:32:31,120 --> 00:32:33,520
Speaker 1: you want to apologize, Yeah, you should apologize. There's nothing

632
00:32:33,520 --> 00:32:39,360
Speaker 1: to apologize for. Okay, like it's a good metaphorless cat Yeah, okay,

633
00:32:39,560 --> 00:32:43,320
Speaker 1: it is not a good metaphor. It's the best bits

634
00:32:43,320 --> 00:32:48,200
Speaker 1: of the week with Morgan. Number two, we had a

635
00:32:48,320 --> 00:32:51,360
Speaker 1: debut with an artist this week. Parker McCollum stopped by

636
00:32:51,480 --> 00:32:55,200
Speaker 1: for the first time. He performed his song pretty Hard,

637
00:32:55,440 --> 00:32:59,120
Speaker 1: Plus he bonded with the guys over Texas, and he

638
00:32:59,200 --> 00:33:01,760
Speaker 1: also talked a lot about what got him into music

639
00:33:01,760 --> 00:33:05,840
Speaker 1: in the first place. Number three The Friday Morning Conversation

640
00:33:06,040 --> 00:33:09,280
Speaker 1: with Parker McCollum. Good to finally meet you, man, oh

641
00:33:09,360 --> 00:33:11,000
Speaker 1: man of Pleasure is all mine. Thanks for having me.

642
00:33:11,000 --> 00:33:13,480
Speaker 1: So you live in Austin. Huh, I split time between

643
00:33:13,520 --> 00:33:16,400
Speaker 1: here in Austin. We're all I mean, so do we? Yeah?

644
00:33:16,880 --> 00:33:18,800
Speaker 1: I knew that, Yeah so do we? We You know

645
00:33:18,920 --> 00:33:21,360
Speaker 1: this our whole show came together in Austin, and so

646
00:33:21,440 --> 00:33:24,200
Speaker 1: it's still a humongous part of our lives. Lunchbox went

647
00:33:24,240 --> 00:33:27,440
Speaker 1: to high school and yeah Anderson High School. Mopack and

648
00:33:27,520 --> 00:33:30,920
Speaker 1: stick shout out. Hey, Yeah, that's legit and not a

649
00:33:30,960 --> 00:33:33,440
Speaker 1: lot of people know what mopeck is. Where where'd you

650
00:33:33,480 --> 00:33:35,040
Speaker 1: grow up? Grow up? I grew up in a town

651
00:33:35,040 --> 00:33:37,840
Speaker 1: called Conro. Where's that just north of Houston? Yeah? And

652
00:33:37,920 --> 00:33:40,920
Speaker 1: when did you move over to Austin? Right after I

653
00:33:40,960 --> 00:33:43,080
Speaker 1: graduated high school? Just a few days? Was that two

654
00:33:43,160 --> 00:33:45,800
Speaker 1: pursue music? It was? I told my parents I was

655
00:33:45,840 --> 00:33:49,360
Speaker 1: going to community college just so they would let me

656
00:33:49,400 --> 00:33:51,720
Speaker 1: move there, and I went for about a week and

657
00:33:51,720 --> 00:33:54,640
Speaker 1: a half and I was enrolled for like a whole year.

658
00:33:55,240 --> 00:33:58,960
Speaker 1: They didn't know that I wasn't going and uh, but

659
00:33:59,200 --> 00:34:01,040
Speaker 1: I told my dad. I was like, man, I was like,

660
00:34:01,040 --> 00:34:03,800
Speaker 1: I think I could do this seriously. Uh And he

661
00:34:03,880 --> 00:34:05,680
Speaker 1: was like, well, you get out of school and do it.

662
00:34:05,760 --> 00:34:08,000
Speaker 1: So so he was your parents were super supportive of bad.

663
00:34:08,120 --> 00:34:11,000
Speaker 1: My dad really really was. He Uh he was. He's

664
00:34:11,040 --> 00:34:13,520
Speaker 1: this kind of businessman. You know. He didn't have a

665
00:34:13,520 --> 00:34:15,480
Speaker 1: college degree either, so he was like, IM gonna be

666
00:34:15,480 --> 00:34:17,839
Speaker 1: a doctor or a lawyer. Go get it, go start

667
00:34:17,920 --> 00:34:20,400
Speaker 1: learning doing what you actually want to do. And I

668
00:34:20,440 --> 00:34:22,759
Speaker 1: didn't know how to form a band or even get

669
00:34:22,760 --> 00:34:25,360
Speaker 1: a show for a couple of years. Um, and just

670
00:34:25,480 --> 00:34:28,239
Speaker 1: kind of bummed around Austin finally started playing at the

671
00:34:28,280 --> 00:34:30,719
Speaker 1: Saxon Pub and Poody's out in Spicewood if y'all know

672
00:34:30,760 --> 00:34:33,719
Speaker 1: where that is. You know, I played the Bobby Bones

673
00:34:33,719 --> 00:34:36,440
Speaker 1: show today, So what was it? You go and you're

674
00:34:36,440 --> 00:34:39,319
Speaker 1: just playing these any any type solo spot you can get, right,

675
00:34:39,719 --> 00:34:42,040
Speaker 1: So when did it all start to kind of come

676
00:34:42,080 --> 00:34:43,880
Speaker 1: together where you're like, oh, I may actually have a

677
00:34:43,960 --> 00:34:48,160
Speaker 1: career in country music. Um, well, there's a there's a

678
00:34:48,160 --> 00:34:50,440
Speaker 1: band out of Texas called the Randy Rogers Band. We know,

679
00:34:50,760 --> 00:34:53,800
Speaker 1: uh and uh. I was a huge fan growing up obviously,

680
00:34:54,719 --> 00:34:57,160
Speaker 1: and Randy had started a management company right after my

681
00:34:57,160 --> 00:34:58,680
Speaker 1: first album had come out, and I think he had

682
00:34:58,719 --> 00:35:00,920
Speaker 1: gotten a hold of it and opened for him one night,

683
00:35:00,960 --> 00:35:03,520
Speaker 1: and he wanted to sign me and start managing me.

684
00:35:03,600 --> 00:35:07,880
Speaker 1: And that was really kind of um when I started

685
00:35:07,920 --> 00:35:10,920
Speaker 1: being like, I think, you know, maybe this could snowball

686
00:35:10,960 --> 00:35:12,799
Speaker 1: into what I wanted to be get to where I'm

687
00:35:12,800 --> 00:35:14,680
Speaker 1: trying to go. He was really a big ticket on

688
00:35:14,719 --> 00:35:19,880
Speaker 1: that Parker McCollums. Here, you were a violin kid. No no,

689
00:35:20,000 --> 00:35:21,400
Speaker 1: I you know it's funny they say I was an

690
00:35:21,480 --> 00:35:23,440
Speaker 1: orchestra and like, you know, they make you join band

691
00:35:23,520 --> 00:35:27,320
Speaker 1: or orchestra and intermediate school, and and I wanted to

692
00:35:27,400 --> 00:35:28,440
Speaker 1: I was I didn't want to be in a band.

693
00:35:28,440 --> 00:35:30,279
Speaker 1: I want to play the violin because I always heard

694
00:35:30,320 --> 00:35:32,640
Speaker 1: it in George Strait songs. And uh, and I was

695
00:35:32,760 --> 00:35:36,919
Speaker 1: last chair both years. I spent most of my time

696
00:35:36,920 --> 00:35:39,799
Speaker 1: out in the hallway because one of my best friends

697
00:35:39,800 --> 00:35:42,200
Speaker 1: the world, Nick Nightingale, he was in my class as well,

698
00:35:42,239 --> 00:35:45,480
Speaker 1: and he was saying he was second to last chair. Uh.

699
00:35:45,520 --> 00:35:47,520
Speaker 1: And we both spent a lot of time in the hallway.

700
00:35:47,880 --> 00:35:50,520
Speaker 1: So it was never a care on the fiddle for you. No,

701
00:35:50,680 --> 00:35:54,400
Speaker 1: And I didn't even start playing guitar, I think probably

702
00:35:54,480 --> 00:35:56,440
Speaker 1: until a year or two after that. So remember your

703
00:35:56,440 --> 00:35:59,360
Speaker 1: first song you ever learned a guitar? It was framed

704
00:35:59,400 --> 00:36:02,560
Speaker 1: by Chris and and you sat down. How did you

705
00:36:02,680 --> 00:36:04,600
Speaker 1: learn to play guitar? Because for me, I just bought

706
00:36:04,600 --> 00:36:06,920
Speaker 1: a chord sheet at Walmart. You know that's what for you?

707
00:36:07,000 --> 00:36:08,880
Speaker 1: How was it at thirteen? Um? Well, I have an

708
00:36:08,880 --> 00:36:11,920
Speaker 1: older brother, Tyler is six years old and nine, phenomenal songwriter,

709
00:36:12,120 --> 00:36:15,880
Speaker 1: really really a true talent um and he was always

710
00:36:15,880 --> 00:36:18,880
Speaker 1: playing guitar. I didn't even really have any interest in

711
00:36:18,880 --> 00:36:20,479
Speaker 1: playing guitar. I just wanted to do what big brother

712
00:36:20,600 --> 00:36:22,800
Speaker 1: was doing, and so he would never teach me anything.

713
00:36:22,800 --> 00:36:24,320
Speaker 1: He always made me learning on my own. So I

714
00:36:24,360 --> 00:36:26,040
Speaker 1: mean I would go on that's when like YouTube was

715
00:36:26,200 --> 00:36:29,600
Speaker 1: very first a thing, and I would go and you know,

716
00:36:29,680 --> 00:36:32,000
Speaker 1: search how to play framed by Chris Nider. I think

717
00:36:32,480 --> 00:36:34,680
Speaker 1: Yellow by Cold Play was a song I learned a

718
00:36:34,719 --> 00:36:38,080
Speaker 1: play really early on. So it's funny he acts like YouTube,

719
00:36:38,520 --> 00:36:40,520
Speaker 1: he's like a long time. Yeah, you're like twenty eight.

720
00:36:41,160 --> 00:36:44,000
Speaker 1: Back in the olden days. He was like, you know,

721
00:36:44,040 --> 00:36:46,880
Speaker 1: the internet started like in my childhood, so it's I

722
00:36:47,239 --> 00:36:50,680
Speaker 1: remember a little bit before it. But um but and

723
00:36:50,719 --> 00:36:52,160
Speaker 1: I tell kids all the time, like, don't pay for

724
00:36:52,200 --> 00:36:53,960
Speaker 1: guitar lessons. I was like, everything you want to know

725
00:36:54,120 --> 00:36:57,120
Speaker 1: is free on YouTube. Parker mccullums here is gonna play

726
00:36:57,120 --> 00:36:58,799
Speaker 1: for us in just a second. But I remember back

727
00:36:59,440 --> 00:37:02,160
Speaker 1: pretty hard, doing pretty well, and then you you were

728
00:37:02,160 --> 00:37:05,000
Speaker 1: going to go play some shows. And it was right

729
00:37:05,120 --> 00:37:06,600
Speaker 1: when it was starting to open up a bit in

730
00:37:06,600 --> 00:37:09,719
Speaker 1: Texas with COVID. And I read your post You're like, well,

731
00:37:09,760 --> 00:37:12,279
Speaker 1: I woke up and couldn't taste or smell. Yes, I

732
00:37:12,320 --> 00:37:15,160
Speaker 1: think I have COVID. I did. That's so did you

733
00:37:15,160 --> 00:37:17,840
Speaker 1: know immediately you're like, oh crap, did you know immediately

734
00:37:18,600 --> 00:37:20,480
Speaker 1: what kind of took I didn't even realize I walked

735
00:37:20,520 --> 00:37:22,680
Speaker 1: down the stairs. I was on vacation and Gulf Shores

736
00:37:22,680 --> 00:37:25,319
Speaker 1: of my family, and I'd been there for like three

737
00:37:25,400 --> 00:37:27,320
Speaker 1: or four days and nobody ended up getting it. I

738
00:37:27,480 --> 00:37:30,400
Speaker 1: guess I had arrived with it. Um, and we were

739
00:37:30,400 --> 00:37:32,160
Speaker 1: eating breakfast and I was like, which one with the bacon?

740
00:37:32,920 --> 00:37:35,759
Speaker 1: True story? True story? And everybody was like, the bacon

741
00:37:35,760 --> 00:37:37,799
Speaker 1: taste fine. And then I realized that I didn't smell it.

742
00:37:37,840 --> 00:37:39,959
Speaker 1: You know, it's a very It's like how you smell

743
00:37:40,000 --> 00:37:41,640
Speaker 1: it in the morning and start your day. And I

744
00:37:41,680 --> 00:37:43,160
Speaker 1: was like, uh, So I went and got like a

745
00:37:43,239 --> 00:37:44,960
Speaker 1: doctor pep out of the fridge and I was like,

746
00:37:45,360 --> 00:37:47,359
Speaker 1: smell like this big pumpkin candle. And I was like,

747
00:37:47,400 --> 00:37:49,959
Speaker 1: this is not good. So you go and get a test.

748
00:37:50,040 --> 00:37:52,360
Speaker 1: And I went't gout a test and had the bus

749
00:37:52,360 --> 00:37:54,640
Speaker 1: come get me and take me to the ranch and um,

750
00:37:54,920 --> 00:37:56,360
Speaker 1: so they called me and said it was positive. And

751
00:37:56,400 --> 00:37:58,000
Speaker 1: I was like, well, I gotta stay here now. And

752
00:37:58,080 --> 00:38:00,239
Speaker 1: I was there for ten days and I never felt

753
00:38:00,239 --> 00:38:02,720
Speaker 1: bad or anything. I never got sick or The tyson

754
00:38:02,760 --> 00:38:04,880
Speaker 1: smell thing was the only thing so Eddie had it.

755
00:38:05,280 --> 00:38:07,680
Speaker 1: He was a bit symptomatic. Yeah I was. But the

756
00:38:07,680 --> 00:38:08,960
Speaker 1: same thing for me is like I was in the

757
00:38:09,000 --> 00:38:11,640
Speaker 1: shower and like, my shampoo's so strong smelling and I

758
00:38:11,640 --> 00:38:13,200
Speaker 1: can't smell it right now. And then when I got out,

759
00:38:13,200 --> 00:38:15,239
Speaker 1: I sped, I sprayed cologne, couldn't smell that. I'm like,

760
00:38:15,239 --> 00:38:17,640
Speaker 1: I'm in trouble. It's really it's really bizarre. If it's

761
00:38:17,640 --> 00:38:20,399
Speaker 1: hard to explain to people what it's like, just like

762
00:38:20,719 --> 00:38:23,719
Speaker 1: if you hope you don't have to experience obviously, but

763
00:38:23,920 --> 00:38:26,120
Speaker 1: it's really strained. I saw you post it on your

764
00:38:26,160 --> 00:38:29,080
Speaker 1: Instagram feed that it was John Mayor's birthday. You're wishing

765
00:38:29,120 --> 00:38:31,319
Speaker 1: him have a birthday. John may my favorite artist, you know,

766
00:38:31,600 --> 00:38:34,040
Speaker 1: John Ayreon, Garth Brooks to me are my favorite. So

767
00:38:34,080 --> 00:38:37,799
Speaker 1: what about John John Mayer you know is inspiring to you? Um,

768
00:38:38,800 --> 00:38:41,200
Speaker 1: you know, it's a lot of people. I know, I think,

769
00:38:41,239 --> 00:38:43,560
Speaker 1: and I think it kind of gets put on the

770
00:38:43,719 --> 00:38:45,359
Speaker 1: back burner a little bit with him because he's such

771
00:38:45,360 --> 00:38:47,600
Speaker 1: a phenomenal guitar player and his image and everything is

772
00:38:48,000 --> 00:38:50,239
Speaker 1: kind of spot on. And I always say, if you

773
00:38:50,239 --> 00:38:52,480
Speaker 1: had a video game, create a player to create the

774
00:38:52,520 --> 00:38:55,680
Speaker 1: perfect artists you'd probably come out with John may or

775
00:38:55,680 --> 00:38:59,040
Speaker 1: something close to it. But it's really a songwriting everything

776
00:38:59,120 --> 00:39:05,080
Speaker 1: from um heartbreak Warfare, heavier things, um Born and Raised

777
00:39:05,080 --> 00:39:07,640
Speaker 1: in Paradise Valley or two records that didn't get a

778
00:39:07,640 --> 00:39:10,160
Speaker 1: lot of love that I really kind of lived with

779
00:39:10,239 --> 00:39:12,640
Speaker 1: for a while and they were more country Southwest. They

780
00:39:12,640 --> 00:39:14,759
Speaker 1: were they really was. It's like steel guitar on it

781
00:39:14,760 --> 00:39:16,799
Speaker 1: and stuff. It's I always say, it's like it's it's

782
00:39:16,800 --> 00:39:19,000
Speaker 1: like really close to country music. It's like not all

783
00:39:19,040 --> 00:39:21,520
Speaker 1: the way there, which I thought was really cool. And um,

784
00:39:21,800 --> 00:39:24,560
Speaker 1: I just man, I think someone that uh you know,

785
00:39:24,600 --> 00:39:27,919
Speaker 1: he's what forty three, forty four now, no wife, no kids,

786
00:39:27,920 --> 00:39:30,520
Speaker 1: still fully committed to a career in songwriting and still

787
00:39:30,520 --> 00:39:33,799
Speaker 1: trying to write great records. Something I admire a big

788
00:39:33,800 --> 00:39:37,080
Speaker 1: time about him. He was the first songwriter that I

789
00:39:37,120 --> 00:39:40,120
Speaker 1: ever felt was speaking for me, which so we're good

790
00:39:40,160 --> 00:39:41,680
Speaker 1: way to put it. Yeah, it was it was like, oh,

791
00:39:41,719 --> 00:39:43,400
Speaker 1: I feel that same way. Wow, you're saying what I

792
00:39:43,480 --> 00:39:45,160
Speaker 1: say And I didn't even know I wanted to say

793
00:39:45,160 --> 00:39:47,480
Speaker 1: it that way. And that's kind of why, you know.

794
00:39:47,520 --> 00:39:49,319
Speaker 1: I was like, man, John Mayer's that's that's my guy,

795
00:39:49,400 --> 00:39:51,000
Speaker 1: all right? Well, listen, man, I'm glad you're here. Let's

796
00:39:51,000 --> 00:39:53,439
Speaker 1: shout out your sister real quick. Yes, Oh she's gonna free.

797
00:39:53,560 --> 00:39:55,920
Speaker 1: She is like, I'm not signed, she's she The other

798
00:39:56,000 --> 00:39:58,040
Speaker 1: day she was in Austin looking at houses. She's about

799
00:39:58,040 --> 00:39:59,840
Speaker 1: to move there, and she didn't know I was playing

800
00:39:59,840 --> 00:40:02,200
Speaker 1: this this week. And she got in the car and

801
00:40:02,239 --> 00:40:03,440
Speaker 1: I was like, well, I gotta fly the National next

802
00:40:03,440 --> 00:40:05,879
Speaker 1: week and play Bobby Bones. She started yelling, She's like, man,

803
00:40:06,080 --> 00:40:07,880
Speaker 1: you made it, and I was like, I was like,

804
00:40:08,080 --> 00:40:10,160
Speaker 1: I think it's definitely a step in the right direction.

805
00:40:10,880 --> 00:40:13,520
Speaker 1: What's her name? You'll say her name, Michael mc Michael Adams.

806
00:40:13,560 --> 00:40:15,200
Speaker 1: Now she's married, she'd be married for five years. I

807
00:40:15,200 --> 00:40:18,680
Speaker 1: still call her Michael McCollum, Michael Adams. Though. All right, well, Michael,

808
00:40:18,719 --> 00:40:21,160
Speaker 1: thank you for the support. We appreciate that you want

809
00:40:21,160 --> 00:40:22,840
Speaker 1: to play this big, old fat hit you have. I

810
00:40:22,840 --> 00:40:24,440
Speaker 1: would do it, man, that sounds good when you say

811
00:40:24,440 --> 00:40:26,000
Speaker 1: it like that, I mean because it is, you know.

812
00:40:26,080 --> 00:40:27,600
Speaker 1: I would hear it for a while and I was like, Okay,

813
00:40:27,600 --> 00:40:29,239
Speaker 1: this thing's got a shot. And it was on the

814
00:40:29,320 --> 00:40:31,319
Speaker 1: Verge song for a while and I was like, and

815
00:40:31,440 --> 00:40:32,839
Speaker 1: I was rooting for you because I know where you're

816
00:40:32,840 --> 00:40:35,040
Speaker 1: from and here, I mean now, it's just a big

817
00:40:35,040 --> 00:40:37,719
Speaker 1: old hit everywhere. So congratulations man, Thank you man. I

818
00:40:37,719 --> 00:40:40,320
Speaker 1: appreciate cool. I hear it's pretty hard from Parkner McCall

819
00:40:40,360 --> 00:41:01,720
Speaker 1: and he's got his guitar. Let's hear it. I didn't

820
00:41:01,840 --> 00:41:07,160
Speaker 1: think I was a big I knew that you were good.

821
00:41:07,600 --> 00:41:12,319
Speaker 1: You would go and knowing inside, and you love me

822
00:41:12,680 --> 00:41:17,480
Speaker 1: the best you could. I'm the one that dropped the ball,

823
00:41:18,360 --> 00:41:23,759
Speaker 1: got you high, let you fall, let the best thing

824
00:41:24,000 --> 00:41:31,080
Speaker 1: I ever had slip away? And what does that say

825
00:41:31,719 --> 00:41:37,439
Speaker 1: about me? I could do you like I did, then

826
00:41:37,560 --> 00:41:43,680
Speaker 1: I could breaking nameels wings. What does that say about me?

827
00:41:45,040 --> 00:41:50,280
Speaker 1: Then a studio like a fence posts? He drove off

828
00:41:50,360 --> 00:41:55,280
Speaker 1: in your car, and what does that say about me?

829
00:41:55,920 --> 00:42:13,640
Speaker 1: And now that I bro y'all pretty? You pretty? Come

830
00:42:13,680 --> 00:42:17,919
Speaker 1: on man, that's awesome man, Thank you so much. Job man,

831
00:42:17,960 --> 00:42:20,240
Speaker 1: You're just the kind of guy I'm jealous of because

832
00:42:20,280 --> 00:42:22,400
Speaker 1: he got it all. He's tall, he's good luck, and

833
00:42:22,440 --> 00:42:25,160
Speaker 1: he's good singing and play. I got none of that. No.

834
00:42:25,320 --> 00:42:27,640
Speaker 1: I mean, I'm a little tall, but other than that,

835
00:42:27,719 --> 00:42:30,200
Speaker 1: I got none of that. You're an athlete in high school?

836
00:42:30,400 --> 00:42:33,759
Speaker 1: Uh wow? I was until uh, for a little for

837
00:42:33,840 --> 00:42:35,680
Speaker 1: a little while, so you learned you get sing so well,

838
00:42:35,719 --> 00:42:37,880
Speaker 1: and then that was gonna get your girls. Yes, well

839
00:42:37,880 --> 00:42:39,960
Speaker 1: I just noticed I was a lot better than all

840
00:42:40,000 --> 00:42:42,040
Speaker 1: my friends at doing that than I was at playing

841
00:42:42,040 --> 00:42:45,279
Speaker 1: football or basketball. So, man, you're impressive. Thank you just

842
00:42:45,760 --> 00:42:47,719
Speaker 1: I mean, even even you sink. Sometimes I wonder because

843
00:42:47,719 --> 00:42:49,680
Speaker 1: I hadn't met you before today. And occasionally we get

844
00:42:49,719 --> 00:42:51,400
Speaker 1: a new artist that comes in and I'm like, you

845
00:42:51,440 --> 00:42:53,719
Speaker 1: know what, they could use a little work, but not

846
00:42:53,880 --> 00:42:56,480
Speaker 1: you nailed it. Man, that's awesome. Thanks a lot. I

847
00:42:56,520 --> 00:42:58,680
Speaker 1: would like to invite you to come back in December.

848
00:42:58,719 --> 00:43:01,040
Speaker 1: We do a real special thing every year for Saint Jude,

849
00:43:01,160 --> 00:43:03,920
Speaker 1: and I know you've been to the hospital and if

850
00:43:03,920 --> 00:43:05,320
Speaker 1: you don't mind, you want to come back any siwhere

851
00:43:05,320 --> 00:43:07,480
Speaker 1: in play song for the radio, don May I would

852
00:43:07,480 --> 00:43:09,680
Speaker 1: love too. All right, there he is Parker McCall. It's

853
00:43:09,719 --> 00:43:15,479
Speaker 1: been fantastic. It's the best Bits of the Week with

854
00:43:15,560 --> 00:43:21,080
Speaker 1: Morgan number two. So this week Bobby's fiance stopped by

855
00:43:21,120 --> 00:43:23,080
Speaker 1: the studio. She really came up to watch one of

856
00:43:23,080 --> 00:43:26,480
Speaker 1: her favorite artists, Craig Morgan, perform, but while she was here,

857
00:43:26,719 --> 00:43:28,319
Speaker 1: we kind of convinced her to stay and hang out

858
00:43:28,320 --> 00:43:30,799
Speaker 1: a little bit, so I bought Bobby on to talk

859
00:43:30,840 --> 00:43:33,919
Speaker 1: about this segment a little bit more. Um, she wasn't

860
00:43:33,920 --> 00:43:36,000
Speaker 1: planning to sit even out a microphone, and I think

861
00:43:36,040 --> 00:43:37,719
Speaker 1: when I said, hey, sit up here in Amy's chair

862
00:43:37,719 --> 00:43:39,960
Speaker 1: because Amy's not here this week, it's like Amy to

863
00:43:40,000 --> 00:43:42,960
Speaker 1: get mad, I don't want to talk, and then you

864
00:43:43,040 --> 00:43:44,839
Speaker 1: just have to get someone to sit there. And then

865
00:43:44,880 --> 00:43:46,719
Speaker 1: I thought she was pretty good on the show. Actually, yeah,

866
00:43:46,719 --> 00:43:49,200
Speaker 1: she was great. Do you think she's getting better at

867
00:43:49,400 --> 00:43:51,719
Speaker 1: being able to talk and do these things. I think

868
00:43:51,760 --> 00:43:55,439
Speaker 1: that for her it's really uncomfortable, but I think she's

869
00:43:55,480 --> 00:43:57,520
Speaker 1: starting to go, you know what, this is kind of

870
00:43:57,560 --> 00:44:00,319
Speaker 1: my new normal that I need to be a little

871
00:44:00,360 --> 00:44:02,360
Speaker 1: more open to doing it than I used to be.

872
00:44:02,440 --> 00:44:04,279
Speaker 1: She has no interest in the public life. I had

873
00:44:04,320 --> 00:44:05,960
Speaker 1: to convince it it. She loves to cook, and I

874
00:44:06,000 --> 00:44:08,759
Speaker 1: was like, do these cooking shows, You'll love it. She's like,

875
00:44:08,760 --> 00:44:10,239
Speaker 1: I don't want to be on camera. But now she

876
00:44:10,320 --> 00:44:12,839
Speaker 1: kind of likes doing the cooking and seeing people cook

877
00:44:12,920 --> 00:44:14,439
Speaker 1: the same thing and be like, hey, that was really good.

878
00:44:14,640 --> 00:44:17,040
Speaker 1: So I don't think it'll ever be her thing that

879
00:44:17,120 --> 00:44:19,600
Speaker 1: she wants to do, But she's becoming a little more

880
00:44:19,600 --> 00:44:21,239
Speaker 1: receptive to going. Yeah, I'll come and be a part

881
00:44:21,239 --> 00:44:23,279
Speaker 1: of that because it's important to me. Well, And have

882
00:44:23,360 --> 00:44:26,520
Speaker 1: you guys enjoyed like have you enjoyed the wedding planning

883
00:44:26,600 --> 00:44:28,920
Speaker 1: more than you thought you would? I'm enjoying it a

884
00:44:28,920 --> 00:44:31,920
Speaker 1: ton because I ain't doing it. It's the most enjoyable

885
00:44:31,960 --> 00:44:33,880
Speaker 1: thing I've ever timee. But does she get like your

886
00:44:33,920 --> 00:44:36,320
Speaker 1: input on little things like when she's working on stuff,

887
00:44:36,400 --> 00:44:38,399
Speaker 1: or does she, for the most part, just leave out

888
00:44:38,400 --> 00:44:40,920
Speaker 1: of it. I think she doesn't leave me out of it,

889
00:44:40,920 --> 00:44:42,880
Speaker 1: but she knows I would rather just let her do

890
00:44:42,920 --> 00:44:45,440
Speaker 1: it unless she needs my help. I think there are

891
00:44:45,440 --> 00:44:47,880
Speaker 1: times she probably wishes she had more help, and she'll

892
00:44:47,880 --> 00:44:50,279
Speaker 1: she'll get it. I don't know what to do with

893
00:44:50,320 --> 00:44:56,319
Speaker 1: a wedding. I'm not looking forward to I'm looking forward

894
00:44:56,360 --> 00:44:58,480
Speaker 1: to the wedding in the marriage, but all of the

895
00:44:58,520 --> 00:45:01,040
Speaker 1: details that go into it, for getting all those together,

896
00:45:01,680 --> 00:45:03,600
Speaker 1: And she probably doesn't either. She probably just knows that's

897
00:45:03,640 --> 00:45:05,680
Speaker 1: what if she doesn't do it? No? Ay? Will? Well,

898
00:45:05,680 --> 00:45:08,880
Speaker 1: have you guys picked the colors for your wedding? I

899
00:45:08,920 --> 00:45:11,239
Speaker 1: don't know any colors. I'm pretty color blind. I don't know.

900
00:45:11,440 --> 00:45:13,560
Speaker 1: But has she told you what they might be, since

901
00:45:13,560 --> 00:45:15,279
Speaker 1: you're not going to wear a red tux, which is

902
00:45:15,280 --> 00:45:17,960
Speaker 1: what that segment was kind of about. Um, the red

903
00:45:18,000 --> 00:45:20,919
Speaker 1: sux is red sucks. The red tux isn't completely out

904
00:45:20,920 --> 00:45:24,040
Speaker 1: of the picture. I'm not that married to it anyway. Honestly,

905
00:45:24,880 --> 00:45:27,160
Speaker 1: I think we're just gonna be black and white. I

906
00:45:27,280 --> 00:45:31,359
Speaker 1: think you think, or red, white and blue. I'm maybe

907
00:45:31,400 --> 00:45:33,960
Speaker 1: getting those two things confused. One, yeah, that might be America.

908
00:45:34,120 --> 00:45:37,600
Speaker 1: Have you learned anything new about Caitlin during this wedding

909
00:45:37,640 --> 00:45:40,319
Speaker 1: print planning process that you didn't know before? I don't

910
00:45:40,320 --> 00:45:43,480
Speaker 1: know that I've learned anything new. I think that it

911
00:45:43,640 --> 00:45:47,600
Speaker 1: is solidified my belief that, like, she's just solid with

912
00:45:47,640 --> 00:45:49,840
Speaker 1: the having a lot on her plate. Her job is

913
00:45:49,880 --> 00:45:52,200
Speaker 1: a lot all the time too, so she's just good

914
00:45:52,320 --> 00:45:54,600
Speaker 1: with having to be a very detailed oriented person. I mean,

915
00:45:54,640 --> 00:45:56,880
Speaker 1: she teaches people around the world how to use different

916
00:45:56,920 --> 00:46:01,239
Speaker 1: software for oil and gas, and a wedding planning is

917
00:46:01,239 --> 00:46:03,880
Speaker 1: probably just just a minor inconvenience to her. But to

918
00:46:03,920 --> 00:46:05,360
Speaker 1: watch your handle all of it's been pretty cool. So

919
00:46:05,400 --> 00:46:07,040
Speaker 1: I don't know anything new, but you know, kind of

920
00:46:07,040 --> 00:46:09,799
Speaker 1: reaffirmed what I already thought about her. What about any

921
00:46:10,040 --> 00:46:13,160
Speaker 1: bridesmaids or groomsmen. Have you guys decided on that yet?

922
00:46:13,480 --> 00:46:15,719
Speaker 1: Not yet? But are you going to have them? I

923
00:46:15,800 --> 00:46:21,600
Speaker 1: assume yeah, I assume hopefully. Are you supposed to write? Well,

924
00:46:21,640 --> 00:46:23,920
Speaker 1: some people do and some people don't. It just kind

925
00:46:23,920 --> 00:46:26,360
Speaker 1: of depends on prefer Well, they make these large cutouts,

926
00:46:26,480 --> 00:46:28,680
Speaker 1: that's gonna get five or six of me standing next

927
00:46:28,680 --> 00:46:32,520
Speaker 1: to me, duplicates of different different color suits. Yeah, and

928
00:46:32,600 --> 00:46:34,880
Speaker 1: red sus well. And I think this is the biggest

929
00:46:34,920 --> 00:46:38,520
Speaker 1: question though, does Stanley love you or her more? Her?

930
00:46:39,400 --> 00:46:41,840
Speaker 1: I have to be the enforcer because she's like, I

931
00:46:41,880 --> 00:46:44,600
Speaker 1: don't want to I don't want to be the disciplinarian.

932
00:46:44,800 --> 00:46:47,680
Speaker 1: So he like hang under her chair, he never leaves

933
00:46:47,680 --> 00:46:51,080
Speaker 1: her side, and I have to come in and be like, hey, bro,

934
00:46:51,400 --> 00:46:55,959
Speaker 1: these are the rules. Let's go so her for sure?

935
00:46:56,320 --> 00:46:58,360
Speaker 1: All right? Well, is there anything else that you think

936
00:46:58,520 --> 00:47:00,680
Speaker 1: the listeners should know about you and Caitlyn and your

937
00:47:00,719 --> 00:47:03,680
Speaker 1: wedding or just your lives right now? Nope, I think

938
00:47:03,680 --> 00:47:05,560
Speaker 1: they know at all. That's all. I think. I think

939
00:47:05,600 --> 00:47:07,200
Speaker 1: every little bit of it. I think there's so much

940
00:47:07,239 --> 00:47:09,160
Speaker 1: that sometimes she's like, do you have to share that?

941
00:47:09,200 --> 00:47:12,440
Speaker 1: I'm like, you're probably a little too much. But um oh,

942
00:47:12,480 --> 00:47:14,239
Speaker 1: I do have one more. Well, I'm just used to

943
00:47:14,239 --> 00:47:16,200
Speaker 1: be in completely TMI all the time, and now I

944
00:47:16,200 --> 00:47:19,319
Speaker 1: have to respect someone else's and I should, but um

945
00:47:19,480 --> 00:47:21,840
Speaker 1: now I think we're pretty much all out there on

946
00:47:22,080 --> 00:47:24,439
Speaker 1: his dancer. Do you think she's funnier than you? Yeah,

947
00:47:24,440 --> 00:47:26,560
Speaker 1: of course, funnier and smarter and more of an athlete.

948
00:47:26,600 --> 00:47:28,200
Speaker 1: It sucks. I told her I'm just a JB version

949
00:47:28,200 --> 00:47:31,080
Speaker 1: of her. She's marrying the junior varsity version of her.

950
00:47:31,600 --> 00:47:33,400
Speaker 1: There you have it all right, Well, Caitlin is the

951
00:47:33,520 --> 00:47:35,840
Speaker 1: varsity version. So here check out this segment where we

952
00:47:35,880 --> 00:47:38,200
Speaker 1: talk a little bit about their wedding, his tucks in

953
00:47:38,360 --> 00:47:40,239
Speaker 1: her dress, all the things I can't wait to listen.

954
00:47:40,280 --> 00:47:44,600
Speaker 1: In number two, good Craig Morgan gonna be in studio

955
00:47:44,640 --> 00:47:46,800
Speaker 1: and he's gonna perform coming up in fifteen twenty minutes.

956
00:47:47,040 --> 00:47:49,080
Speaker 1: And this is such a historic day on the show

957
00:47:49,320 --> 00:47:51,759
Speaker 1: that Craig's coming in that Kaitlin, my fiance, I wanted

958
00:47:51,800 --> 00:47:54,279
Speaker 1: to come to the studio. I invited her. She was like,

959
00:47:54,400 --> 00:47:56,640
Speaker 1: I'm there. Yeah, she's here right now to watch Craig

960
00:47:56,719 --> 00:48:01,920
Speaker 1: Morgan live. Yeah, yeah, sorry, How do you feel? I

961
00:48:01,960 --> 00:48:05,920
Speaker 1: feel pumped? Yeah? I love Craig Morgan, favorite song, favorite,

962
00:48:05,920 --> 00:48:09,719
Speaker 1: Craig Oh favorite, Craig, if we were listing second and third,

963
00:48:09,760 --> 00:48:14,520
Speaker 1: Craig Zough, Craig Roberson, who is that Dynasty? Oh? Oh no,

964
00:48:14,560 --> 00:48:18,919
Speaker 1: that's isn't that? Isn't that? Oh yeah? Cig Robinson Yeah, yeah, yeah,

965
00:48:18,920 --> 00:48:21,080
Speaker 1: I thought she said rob Yeah. I kind of said

966
00:48:21,120 --> 00:48:27,000
Speaker 1: it quietly because I wasn't sure. So Craig Morrigan, Craig Robinson.

967
00:48:28,239 --> 00:48:30,680
Speaker 1: I mean that's all we got, right, Craig Biggio, Oh

968
00:48:30,800 --> 00:48:34,760
Speaker 1: from the that you used to astros, Craig More, Craig Campbell,

969
00:48:35,200 --> 00:48:39,200
Speaker 1: Craig Campbell, I would do. Craig Conover from Southern Charm

970
00:48:40,640 --> 00:48:46,239
Speaker 1: No One, okay, Craig Morgan's okay, Craig Ferguson, Oh the

971
00:48:46,320 --> 00:48:49,600
Speaker 1: Brett had the talk show? Oh yeah, I remember him.

972
00:48:49,880 --> 00:48:54,560
Speaker 1: Craig Craig O'Neil from Arkansas Morning Radio and THHV Channel

973
00:48:54,560 --> 00:48:56,839
Speaker 1: eleven News and Lettle Rock. Craig Coulber went to high

974
00:48:56,840 --> 00:49:01,960
Speaker 1: school with him. Okay, so Kaitlyn's here, let's do the

975
00:49:02,080 --> 00:49:04,360
Speaker 1: Morning Corny. Amy's not here. I'm doing the Morning Corny

976
00:49:04,360 --> 00:49:11,040
Speaker 1: for her, So let's do that first Morning Corny. Repeat

977
00:49:11,080 --> 00:49:14,680
Speaker 1: back the joke Kaitlyn. Okay, okay, how does Jesus make

978
00:49:14,719 --> 00:49:19,320
Speaker 1: his coffee? How does Jesus make his coffee? He brews it? Oh, Hebrew?

979
00:49:24,480 --> 00:49:27,839
Speaker 1: That was the morning corny. Well, since we have you here,

980
00:49:29,040 --> 00:49:31,200
Speaker 1: is it okay to talk about the wedding dress shopping

981
00:49:31,200 --> 00:49:33,759
Speaker 1: you did this past weekend? Can I tell you what

982
00:49:33,800 --> 00:49:36,160
Speaker 1: made me uncomfortable about it? You almost showed me a

983
00:49:36,200 --> 00:49:38,560
Speaker 1: picture of it. He didn't. That wasn't even the right one.

984
00:49:38,640 --> 00:49:40,200
Speaker 1: She was like, look it so here you're not. I

985
00:49:40,239 --> 00:49:42,479
Speaker 1: guess you're not supposed see the wedding dress. Yeah, which

986
00:49:42,480 --> 00:49:45,040
Speaker 1: he's been crazy about. I don't want to see anything

987
00:49:45,040 --> 00:49:47,520
Speaker 1: about it. Okay, what I like? Don't tell me what

988
00:49:47,520 --> 00:49:50,320
Speaker 1: color it is. I'm likes white? Why because it brings

989
00:49:50,440 --> 00:49:55,760
Speaker 1: bad luck? Yeah? Supposedly, which if our relationship is that shaky,

990
00:49:56,080 --> 00:49:59,359
Speaker 1: then like, let's reevaluate, because I'm pretty sure we could

991
00:49:59,360 --> 00:50:02,680
Speaker 1: stand well. She goes and sends me a picture of

992
00:50:02,719 --> 00:50:05,480
Speaker 1: her though, in a wedding dress that she didn't pick. Yeah,

993
00:50:05,680 --> 00:50:09,120
Speaker 1: is that acceptable? Yeah? Yes, but she's saying this one sucked.

994
00:50:09,320 --> 00:50:12,120
Speaker 1: They did that with Ray Ray. You saw wedding dresses

995
00:50:12,120 --> 00:50:14,200
Speaker 1: that she didn't pick? Yeah, I saw like five runner ups.

996
00:50:14,200 --> 00:50:16,279
Speaker 1: I never saw the at one though, until the day

997
00:50:16,320 --> 00:50:17,920
Speaker 1: of well I even felt like comfortable with that. I

998
00:50:17,960 --> 00:50:20,360
Speaker 1: was like, I'm I supposed to see this? Is it supposed?

999
00:50:20,400 --> 00:50:21,960
Speaker 1: Is it supposed to be? Like you white? Me going

1000
00:50:22,120 --> 00:50:26,120
Speaker 1: why we're white? Sometimes? Do you though? It's kind of

1001
00:50:26,120 --> 00:50:29,200
Speaker 1: always kind of dingy because probably because I don't know

1002
00:50:29,239 --> 00:50:31,759
Speaker 1: how to wat And how was that wedding? So you

1003
00:50:31,840 --> 00:50:34,880
Speaker 1: go into a store and you take your own my girls,

1004
00:50:34,960 --> 00:50:37,200
Speaker 1: you take your friends, and that's a thing for girls.

1005
00:50:37,200 --> 00:50:39,359
Speaker 1: You go with your friends, and yeah, it was a thing.

1006
00:50:39,400 --> 00:50:42,040
Speaker 1: It was awkward for a second for me, just because

1007
00:50:42,120 --> 00:50:45,560
Speaker 1: it's weird to walk in and beat try on something

1008
00:50:45,600 --> 00:50:48,200
Speaker 1: and then everyone's staring at you telling you if they

1009
00:50:48,239 --> 00:50:50,000
Speaker 1: like it or not, like that's just a little weird.

1010
00:50:50,200 --> 00:50:52,279
Speaker 1: Oh did they tell you that if they like it

1011
00:50:52,320 --> 00:50:54,000
Speaker 1: before you get to give your opinion, because you don't

1012
00:50:54,000 --> 00:50:55,320
Speaker 1: want to say I don't like it. Then that'd be

1013
00:50:55,320 --> 00:50:57,239
Speaker 1: the dress be like, oh, you're like, I love it,

1014
00:50:57,280 --> 00:50:59,640
Speaker 1: that's weird. No, that would have been weird. They didn't.

1015
00:50:59,680 --> 00:51:03,279
Speaker 1: They it on my reaction and then would say what

1016
00:51:03,320 --> 00:51:05,759
Speaker 1: they thought smart, which was nice. Yeah, and you picked

1017
00:51:05,760 --> 00:51:08,759
Speaker 1: your dress. Yes, it's the most beautiful thing I've ever

1018
00:51:08,800 --> 00:51:11,080
Speaker 1: seen you said yes to the dress. I said yes

1019
00:51:11,200 --> 00:51:13,840
Speaker 1: to the dress already. Yeah, I was so quick. I

1020
00:51:14,200 --> 00:51:16,759
Speaker 1: honestly tried on like board dresses and was like, this

1021
00:51:16,960 --> 00:51:19,560
Speaker 1: is it because she went into the day going I'm

1022
00:51:19,600 --> 00:51:22,920
Speaker 1: not going to find anything, like you were a bit, yeah,

1023
00:51:23,120 --> 00:51:26,000
Speaker 1: pessimistic about the process. I don't like tin on clothes.

1024
00:51:26,640 --> 00:51:28,920
Speaker 1: I feel like, I mean, maybe Morgan get to like,

1025
00:51:28,920 --> 00:51:31,600
Speaker 1: if you go and you're looking for something specific, you

1026
00:51:31,680 --> 00:51:34,319
Speaker 1: never find it. You never find it, it's never good enough.

1027
00:51:34,719 --> 00:51:38,120
Speaker 1: I'm like, I looked disgusting. This is horrible, and I

1028
00:51:38,160 --> 00:51:40,520
Speaker 1: didn't want that for my wedding dress. Like I just

1029
00:51:40,560 --> 00:51:42,200
Speaker 1: wanted to be a good day. So I was nervous

1030
00:51:42,200 --> 00:51:45,800
Speaker 1: about it. But I went to a shop here in

1031
00:51:45,920 --> 00:51:49,000
Speaker 1: Nashville and they were just lovely. And you can shout

1032
00:51:49,080 --> 00:51:51,000
Speaker 1: him out if you want. Oh the dress theory Nashville.

1033
00:51:51,080 --> 00:51:55,680
Speaker 1: My girl Gianna, she's amazing. Yeah, she brought dresses that

1034
00:51:55,760 --> 00:51:58,319
Speaker 1: she thought I would like. She listened to my reactions

1035
00:51:58,440 --> 00:52:02,839
Speaker 1: and she brought me the perfect dress. I cried, My

1036
00:52:02,880 --> 00:52:06,440
Speaker 1: friends all cried. We had my mom on FaceTime. She

1037
00:52:06,640 --> 00:52:09,719
Speaker 1: was crying. It's just it was so special. Do you

1038
00:52:09,760 --> 00:52:11,759
Speaker 1: guys like drink champagne? And stuff. All what's happening is that?

1039
00:52:11,840 --> 00:52:17,080
Speaker 1: Yeah they had champagne. But does that affect your emotional No? No,

1040
00:52:17,160 --> 00:52:19,239
Speaker 1: I mean I think it was just emotional. I just

1041
00:52:19,520 --> 00:52:23,160
Speaker 1: saw myself in a dress. It wasn't that I thought

1042
00:52:23,280 --> 00:52:26,239
Speaker 1: I look ravishing. It was just like I had on

1043
00:52:26,280 --> 00:52:29,960
Speaker 1: this dress and I was like, I'm gonna get emotional now.

1044
00:52:30,000 --> 00:52:33,520
Speaker 1: It was just like I get to marry the person

1045
00:52:33,600 --> 00:52:36,520
Speaker 1: I should like, the best person for me. And I

1046
00:52:36,600 --> 00:52:40,200
Speaker 1: just never knew it could feel this good and this settled.

1047
00:52:40,239 --> 00:52:41,759
Speaker 1: And so I was just like standing in the mirror

1048
00:52:41,840 --> 00:52:44,240
Speaker 1: looking at myself in this dress, thinking, oh my gosh.

1049
00:52:44,280 --> 00:52:47,160
Speaker 1: I like, it's not even about the dress, it's just

1050
00:52:47,239 --> 00:52:49,960
Speaker 1: this is real. Like I'm really gonna get married to you.

1051
00:52:50,440 --> 00:52:54,319
Speaker 1: I was special. Wow? And how do you feel about that?

1052
00:52:54,880 --> 00:52:58,920
Speaker 1: Getting married to me? Amazing? Nice? That's how much she said. Yeah,

1053
00:52:58,960 --> 00:53:01,279
Speaker 1: are you going to cry every time something happens like

1054
00:53:01,560 --> 00:53:06,160
Speaker 1: wedding playing? Like when you get their capkins, You're like, okay, okay,

1055
00:53:06,400 --> 00:53:11,080
Speaker 1: leave it to them to ruin my No, I'm not

1056
00:53:11,120 --> 00:53:18,720
Speaker 1: gonna cry at the forks. That was special chocolate cream?

1057
00:53:19,160 --> 00:53:22,239
Speaker 1: Are we doing that? Like going? And do you eat

1058
00:53:22,280 --> 00:53:24,040
Speaker 1: a bunch of cake? Yeah? We're gonna do you have

1059
00:53:24,080 --> 00:53:26,920
Speaker 1: to taste a bunch of taste? Yeah, I didn't go.

1060
00:53:27,000 --> 00:53:28,759
Speaker 1: I went. My wife went with her dad because I

1061
00:53:28,760 --> 00:53:31,080
Speaker 1: don't like cake, so I said, you go doos. It's

1062
00:53:31,280 --> 00:53:35,800
Speaker 1: about if you like cake or not. She probably doesn't

1063
00:53:35,840 --> 00:53:38,000
Speaker 1: like napkins, but she had to choose them. Oh no,

1064
00:53:38,040 --> 00:53:40,040
Speaker 1: she spent forty five minutes looking at napkins because they

1065
00:53:40,040 --> 00:53:42,040
Speaker 1: were different colored whites. I mean, I was like, I'm out,

1066
00:53:42,280 --> 00:53:45,000
Speaker 1: that's to make it special. No, no one cares about

1067
00:53:45,000 --> 00:53:47,640
Speaker 1: the napkins. Just picked the first napkin because they're just napkins.

1068
00:53:47,640 --> 00:53:49,560
Speaker 1: No one cares about the plates because they're just plates.

1069
00:53:50,080 --> 00:53:52,080
Speaker 1: How many weddings can you tell me? You went to

1070
00:53:52,120 --> 00:53:53,640
Speaker 1: tell me what the plates looked like? You have no

1071
00:53:53,640 --> 00:53:57,480
Speaker 1: freaking yes, I do. Actually several or gold, summer silver.

1072
00:53:57,640 --> 00:54:03,800
Speaker 1: What we're right phrase, we're challenge me. They were like

1073
00:54:03,960 --> 00:54:06,120
Speaker 1: they were like they had some gold thing underneath it.

1074
00:54:06,280 --> 00:54:08,120
Speaker 1: That's what I'm saying. No one cares. It's just a play.

1075
00:54:08,160 --> 00:54:10,799
Speaker 1: It's important to us to make the day good for

1076
00:54:10,840 --> 00:54:13,960
Speaker 1: our guests, so we like it. If the groom won't

1077
00:54:14,000 --> 00:54:16,920
Speaker 1: help out, a little bit, would you say I'm helping out?

1078
00:54:19,040 --> 00:54:22,560
Speaker 1: I'd say you. I'd say that you are when I

1079
00:54:22,600 --> 00:54:25,160
Speaker 1: ask you too. But the problem that we have sometimes

1080
00:54:25,160 --> 00:54:28,239
Speaker 1: with the wedding is that every suggestion he gives is

1081
00:54:28,280 --> 00:54:32,399
Speaker 1: a jokey one. Yeah. Sure. So it's like I don't

1082
00:54:32,440 --> 00:54:34,200
Speaker 1: even go to him with real ones, or if he

1083
00:54:34,239 --> 00:54:35,759
Speaker 1: has a real one, I kind of shut it down

1084
00:54:35,760 --> 00:54:37,880
Speaker 1: because I'm like, I don't want you to say I

1085
00:54:38,000 --> 00:54:39,880
Speaker 1: want to quack down the aisle. It's like it's not

1086
00:54:39,880 --> 00:54:45,279
Speaker 1: gonna happen or like whatever. He's like, hey, me and

1087
00:54:45,280 --> 00:54:47,439
Speaker 1: a red me and red tucks Eddy and a green

1088
00:54:47,520 --> 00:54:49,719
Speaker 1: rage of idiots. I'm like, it's not a it's not

1089
00:54:49,760 --> 00:54:54,680
Speaker 1: a concert or wedding. I don't want to start fighting ahead.

1090
00:54:54,760 --> 00:54:57,560
Speaker 1: There's no fight. We're not fighting words, totally like we're

1091
00:54:57,600 --> 00:55:02,680
Speaker 1: having We're totally cool, right, Okay on his color of

1092
00:55:02,760 --> 00:55:05,239
Speaker 1: his touches. Okay, thank you for bringing that up. That's

1093
00:55:05,239 --> 00:55:08,640
Speaker 1: why I liked because I did see that somewhere on

1094
00:55:08,640 --> 00:55:10,239
Speaker 1: the show. I guess y'all had said I wouldn't let

1095
00:55:10,280 --> 00:55:11,719
Speaker 1: you wear red, or you wanted to wear red, or

1096
00:55:11,719 --> 00:55:14,920
Speaker 1: something might have been an article, and some listeners were

1097
00:55:14,960 --> 00:55:17,080
Speaker 1: saying that I needed to let you wear red. Thank

1098
00:55:17,080 --> 00:55:19,200
Speaker 1: you for your feedback. Listeners. But this is the thing.

1099
00:55:19,719 --> 00:55:21,759
Speaker 1: I will let him wear red. He wants to wear

1100
00:55:21,880 --> 00:55:30,240
Speaker 1: fire engine red. Nice, thank you. I I have offered

1101
00:55:30,520 --> 00:55:35,480
Speaker 1: every shade of red that would be appropriate. Urgundy, maroons,

1102
00:55:35,520 --> 00:55:39,320
Speaker 1: not red, that's maroon. Excuse me, yes, a little sooner crimson.

1103
00:55:40,640 --> 00:55:44,880
Speaker 1: I don't know what I'm not wearing Sooner colors. I'm saying,

1104
00:55:45,040 --> 00:55:48,520
Speaker 1: we have looked for a red that would compliment the

1105
00:55:48,760 --> 00:55:52,759
Speaker 1: venue and the dress and everything, and I've offered tin

1106
00:55:52,840 --> 00:55:54,840
Speaker 1: shades of red, and he just keeps coming back to

1107
00:55:54,880 --> 00:55:57,720
Speaker 1: firing Look at his hat. That Arkansas red looks perfect.

1108
00:55:57,840 --> 00:56:00,320
Speaker 1: It's not happening. That's what I want, Arkansas red. That's okay.

1109
00:56:00,400 --> 00:56:05,040
Speaker 1: I I've I'm out. I'm gonna wear black. But Stanley

1110
00:56:05,120 --> 00:56:06,760
Speaker 1: is gonna get to walk down the aisle, of course,

1111
00:56:07,120 --> 00:56:09,799
Speaker 1: and I have other things. Stanley is going to be

1112
00:56:09,800 --> 00:56:11,400
Speaker 1: walked down that aisle. No, no, we just let to

1113
00:56:11,440 --> 00:56:13,560
Speaker 1: run free. We opened it up like a dog race.

1114
00:56:13,640 --> 00:56:15,000
Speaker 1: We put him in a crate and you open it.

1115
00:56:15,120 --> 00:56:17,799
Speaker 1: Just see where he runs. Can you imagine? Um? But

1116
00:56:17,920 --> 00:56:21,000
Speaker 1: and then we're hoping, you know, because we're looking at

1117
00:56:21,040 --> 00:56:26,080
Speaker 1: an early summer wedding, we're hoping that vaccine is rocking,

1118
00:56:26,200 --> 00:56:29,440
Speaker 1: which absolutely there was an update today or so. Anyway,

1119
00:56:29,520 --> 00:56:31,840
Speaker 1: it's going good. It's going great. I am handling the

1120
00:56:31,920 --> 00:56:33,840
Speaker 1: music though. I've already reached out to my buddy Kramer,

1121
00:56:34,200 --> 00:56:38,520
Speaker 1: whom who DJs? Who DJ's in Little Rock Creamer. Yeah,

1122
00:56:38,600 --> 00:56:41,279
Speaker 1: he's like, I got a great guy. I'm like, he's like,

1123
00:56:41,440 --> 00:56:44,919
Speaker 1: he's a great day, babe, he's a great DJ. Telling

1124
00:56:44,960 --> 00:56:48,360
Speaker 1: me about him. Got a little connection around here Nashville.

1125
00:56:48,440 --> 00:56:50,799
Speaker 1: Oh yeah, a lot of good DJs around here. I'm like,

1126
00:56:50,880 --> 00:56:53,080
Speaker 1: just let me know. I can't wait to sorry, can't

1127
00:56:53,080 --> 00:56:55,120
Speaker 1: wait to hear him. He's like na buddy from back

1128
00:56:55,120 --> 00:56:58,800
Speaker 1: in Arkansas. I said, when's the last time you even

1129
00:56:59,000 --> 00:57:02,399
Speaker 1: saw Cramer? And he's loon probably twenty years ago, he goes,

1130
00:57:02,520 --> 00:57:09,479
Speaker 1: but he's doing great things on Facebook live. Wow. Yeah,

1131
00:57:09,520 --> 00:57:13,200
Speaker 1: I'm going spun in twenty years. Oh yeah, j he

1132
00:57:13,239 --> 00:57:15,880
Speaker 1: does weddings all the time. I reached out to him

1133
00:57:15,920 --> 00:57:17,280
Speaker 1: and I was like, hey, man, you free, he goes,

1134
00:57:17,360 --> 00:57:19,439
Speaker 1: that's like the one weekend I'm free. Oh I had

1135
00:57:19,880 --> 00:57:23,280
Speaker 1: the one weekend he's free. Miraculous when he really said

1136
00:57:23,280 --> 00:57:27,640
Speaker 1: he had the whole year free everyone. Thank you, Kramer.

1137
00:57:27,720 --> 00:57:30,000
Speaker 1: I'm really excited to hear your work. Thank you, and

1138
00:57:30,040 --> 00:57:33,880
Speaker 1: I'm picking the band. Yeah yeah, I'll be a part

1139
00:57:33,880 --> 00:57:35,959
Speaker 1: of that. Yeah you are. You'll bring me some people

1140
00:57:35,960 --> 00:57:38,680
Speaker 1: and we'll discuss it together. Craig Morgan's about to be in.

1141
00:57:38,760 --> 00:57:41,760
Speaker 1: But before we go away and come back, let me

1142
00:57:41,840 --> 00:57:43,520
Speaker 1: say that. So Eddie and I were playing in a

1143
00:57:44,000 --> 00:57:46,600
Speaker 1: charity golf tournament and I said, hendy to ask Kaitlin

1144
00:57:46,680 --> 00:57:53,680
Speaker 1: a question, and so caller on FaceTime. FaceTime rings for

1145
00:57:53,720 --> 00:57:56,880
Speaker 1: about five minutes unavailable. I'm like, well crap. So Eddie

1146
00:57:56,920 --> 00:57:59,440
Speaker 1: goes We'll let me call her. Three seconds times. I

1147
00:57:59,440 --> 00:58:03,040
Speaker 1: hang up. It's like, oh hey, Eddie, Hey, what's up.

1148
00:58:05,560 --> 00:58:09,080
Speaker 1: The truth is my phone was facedown. I guess while

1149
00:58:09,080 --> 00:58:11,120
Speaker 1: he was calling me. My phone's always on silent, which

1150
00:58:11,160 --> 00:58:13,439
Speaker 1: is probably not good because I lose it all the time.

1151
00:58:13,760 --> 00:58:15,520
Speaker 1: But it was facedown, so I didn't know he called.

1152
00:58:15,560 --> 00:58:16,920
Speaker 1: And then I just happened to flip it over. I

1153
00:58:16,960 --> 00:58:21,120
Speaker 1: see Eddie. I'm like, Eddie, hey, what's up? Embarrassed, And

1154
00:58:21,160 --> 00:58:22,280
Speaker 1: they were together and it was just Eddie and then

1155
00:58:22,320 --> 00:58:26,560
Speaker 1: Bobby's like, I called you. I don't talk. I find

1156
00:58:26,600 --> 00:58:30,640
Speaker 1: Marshall Bill I called you. It's the best bits of

1157
00:58:30,720 --> 00:58:36,120
Speaker 1: the week with Morgan. Number two. Our biggest segment from

1158
00:58:36,120 --> 00:58:39,880
Speaker 1: the show this week was none other than Craig Morgan. Obviously,

1159
00:58:39,920 --> 00:58:42,400
Speaker 1: it was Veteran's Day this week and he stopped by

1160
00:58:42,520 --> 00:58:45,520
Speaker 1: on the special day. He is a veteran himself. He

1161
00:58:45,600 --> 00:58:48,760
Speaker 1: also was a firefighter and eant and a police officer.

1162
00:58:48,800 --> 00:58:51,080
Speaker 1: I mean, this guy has done it all and he

1163
00:58:51,160 --> 00:58:54,280
Speaker 1: talked all about it with us. Was he performed so

1164
00:58:54,320 --> 00:58:56,680
Speaker 1: many of his hits, like I think we went down

1165
00:58:56,800 --> 00:58:58,920
Speaker 1: almost all of his hits and it was such a

1166
00:58:58,920 --> 00:59:02,320
Speaker 1: cool moment. And Bobby's fiance Caitlin wasn't here with us,

1167
00:59:02,320 --> 00:59:04,480
Speaker 1: and she geeked out, which was really fun to watch.

1168
00:59:04,520 --> 00:59:07,400
Speaker 1: So listen to this whole thing, enjoy it, take it in.

1169
00:59:07,680 --> 00:59:12,720
Speaker 1: It's wonderful. Number one on the Bobby Bones Show. Nowaga

1170
00:59:12,800 --> 00:59:15,040
Speaker 1: more again, Greg, How are you man? I'm good, buddy,

1171
00:59:15,040 --> 00:59:16,280
Speaker 1: how are you? It's good to see I mean I

1172
00:59:16,320 --> 00:59:19,360
Speaker 1: see quite regularly doing the opera. Yeah, but still it's

1173
00:59:19,360 --> 00:59:21,520
Speaker 1: really good to see in studio you two. Man. Today

1174
00:59:21,560 --> 00:59:24,080
Speaker 1: is a special day because never in the history of

1175
00:59:24,120 --> 00:59:26,920
Speaker 1: my show has my now fiance wanted to come and

1176
00:59:26,960 --> 00:59:31,800
Speaker 1: watch a performance. Not once I started following you. Oh

1177
00:59:31,920 --> 00:59:35,880
Speaker 1: my gosh, you didn't following you. I'm not a creeper

1178
00:59:35,920 --> 00:59:38,920
Speaker 1: to this or Instagram. I love Bobby and so I

1179
00:59:39,000 --> 00:59:41,200
Speaker 1: kind of watch who heat follows and and then I

1180
00:59:41,280 --> 00:59:43,800
Speaker 1: see all y'all's post, and so I started following you.

1181
00:59:43,840 --> 00:59:45,640
Speaker 1: Oh I'm going to follow you back. I turned my

1182
00:59:45,680 --> 00:59:48,439
Speaker 1: phone off so it wouldn't go off right now, I did,

1183
00:59:48,480 --> 00:59:50,920
Speaker 1: but I stopped. What did I do? I'm sorry? No,

1184
00:59:51,080 --> 00:59:54,960
Speaker 1: I just felt weird. Now I have permission. That's awesome.

1185
00:59:55,040 --> 00:59:57,720
Speaker 1: She might be your biggest fan ever. Oh you're so sweet.

1186
00:59:57,840 --> 00:59:59,959
Speaker 1: That's awesome. And I didn't know, but I would just start,

1187
01:00:00,520 --> 01:00:02,120
Speaker 1: you know, I'd have different playlists that you were on,

1188
01:00:02,160 --> 01:00:04,560
Speaker 1: and she would know every single word to every single

1189
01:00:04,600 --> 01:00:07,960
Speaker 1: songs on your playlist. If I turn it on Craig

1190
01:00:07,960 --> 01:00:11,480
Speaker 1: Morgan artist on Spotify, no skips. Oh you're so sweet.

1191
01:00:11,600 --> 01:00:14,280
Speaker 1: That's awesome. What is your favorite Craig Morgan song of

1192
01:00:14,360 --> 01:00:18,080
Speaker 1: all time? Well? What I love about Sunday obviously? Do

1193
01:00:18,080 --> 01:00:20,680
Speaker 1: you guys know that? Grabbing it right now? All? Right,

1194
01:00:20,720 --> 01:00:22,200
Speaker 1: here we go, Here we go, let's tell of it.

1195
01:00:39,040 --> 01:00:43,920
Speaker 1: Raymond's in his Sunday best. He's usually up to his

1196
01:00:44,120 --> 01:00:51,160
Speaker 1: chairs and old and green. There's a moderns Wong and

1197
01:00:51,320 --> 01:00:56,200
Speaker 1: in with that mean little freckle face kid who broke

1198
01:00:56,240 --> 01:01:01,560
Speaker 1: a window, last streak swe eat. Miss Benny likes to

1199
01:01:01,600 --> 01:01:05,680
Speaker 1: sing off key and the pub behinding me. It's what

1200
01:01:05,840 --> 01:01:10,800
Speaker 1: I love about Sunday. I sing along as a quiet

1201
01:01:11,000 --> 01:01:18,400
Speaker 1: ways every verse of amazing grace. Then we shake the

1202
01:01:18,480 --> 01:01:23,320
Speaker 1: beach's hand, go home and to your booe jeans, have

1203
01:01:23,560 --> 01:01:28,120
Speaker 1: some chicken as some made beans, to pick a backyard

1204
01:01:28,280 --> 01:01:34,560
Speaker 1: football team, not do much of anything. It's what I

1205
01:01:34,640 --> 01:01:42,800
Speaker 1: love about Sunday, nice glood. I don't think once we

1206
01:01:42,880 --> 01:01:44,920
Speaker 1: sent you a voice memo of her singing that in

1207
01:01:44,960 --> 01:01:47,680
Speaker 1: the car, and Joe was like, correct, you're singing every song.

1208
01:01:47,720 --> 01:01:49,640
Speaker 1: I can't get a stop. That's awesome. I do have

1209
01:01:49,680 --> 01:01:51,800
Speaker 1: a question. Can I ask a question? You do whatever

1210
01:01:51,800 --> 01:01:55,040
Speaker 1: you want? Okay? Is it Sally and Rod Ron or

1211
01:01:55,160 --> 01:01:57,720
Speaker 1: rob because I trail off, I hit raw hard and

1212
01:01:57,840 --> 01:02:04,040
Speaker 1: don't ever know what tis funny? Is funny? I don't know,

1213
01:02:03,480 --> 01:02:07,040
Speaker 1: you don't know? So where's that line? Looks like Sally

1214
01:02:07,120 --> 01:02:12,520
Speaker 1: and Ron looks like Sally and Ron, and I don't

1215
01:02:12,520 --> 01:02:23,400
Speaker 1: even RAI Sali rum It's up to our interpretation. Ron. Yeah,

1216
01:02:23,400 --> 01:02:32,360
Speaker 1: it might be Robbed, it could be Bob salif Hey,

1217
01:02:32,400 --> 01:02:35,439
Speaker 1: so today Rainia for a couple of reasons. One, um,

1218
01:02:35,480 --> 01:02:37,720
Speaker 1: she loves you, obviously I do. But it's also a

1219
01:02:37,800 --> 01:02:41,320
Speaker 1: Veterans Day today, it is, which it's very special day,

1220
01:02:41,520 --> 01:02:43,880
Speaker 1: right for all of us, but especially you who served,

1221
01:02:44,120 --> 01:02:45,760
Speaker 1: you know, And I just finished a podcast talking with

1222
01:02:45,800 --> 01:02:47,920
Speaker 1: a lot of veterans where I did a whole series on,

1223
01:02:48,320 --> 01:02:52,040
Speaker 1: you know, how they transitioned from being in the service

1224
01:02:52,280 --> 01:02:55,280
Speaker 1: to being a civilian. What was that like for you, transitioning?

1225
01:02:56,240 --> 01:02:58,280
Speaker 1: I'll tell you what I tell everybody. I'm working on

1226
01:02:58,320 --> 01:03:02,000
Speaker 1: it still. Yeah, I mean, it's a it's a difficult

1227
01:03:02,040 --> 01:03:05,200
Speaker 1: thing for the average American who's never served to truly

1228
01:03:05,240 --> 01:03:09,640
Speaker 1: comprehend because you live a lifestyle that is so unimaginable,

1229
01:03:10,560 --> 01:03:13,280
Speaker 1: especially someone like myself for such a long period of time.

1230
01:03:13,600 --> 01:03:16,560
Speaker 1: And I'm not I'm not trying to delude to someone

1231
01:03:16,600 --> 01:03:19,360
Speaker 1: who only might serve three years. But the more time

1232
01:03:19,440 --> 01:03:22,120
Speaker 1: you spend in that lifestyle, the more difficult it is

1233
01:03:22,160 --> 01:03:27,600
Speaker 1: to not separate yourself but transition into something that is

1234
01:03:28,160 --> 01:03:32,840
Speaker 1: nothing like that. I mean, just imagine spending a third

1235
01:03:32,880 --> 01:03:36,200
Speaker 1: of your life driving as fast as you can avoiding

1236
01:03:36,240 --> 01:03:40,360
Speaker 1: being shot, hearing stuff blow up, seeing dead bodies, and

1237
01:03:40,440 --> 01:03:43,080
Speaker 1: all of this for a very long period of time

1238
01:03:43,240 --> 01:03:46,160
Speaker 1: because we've been in conflict, you know, for quite some time,

1239
01:03:46,520 --> 01:03:48,720
Speaker 1: and we're still in conflict. There's people still experiencing that

1240
01:03:48,760 --> 01:03:51,040
Speaker 1: on a daily basis. So it's a difficult transition. I'm

1241
01:03:51,040 --> 01:03:53,960
Speaker 1: not saying like I have issues with it, but you know,

1242
01:03:54,600 --> 01:03:57,120
Speaker 1: like if I see something bad happening to someone, I

1243
01:03:57,120 --> 01:04:00,280
Speaker 1: immediately go into that mode of I needed to find

1244
01:04:00,320 --> 01:04:02,520
Speaker 1: that person, and I'm willing to die to do that.

1245
01:04:02,560 --> 01:04:05,000
Speaker 1: And that's a gene or trait that you experience. And

1246
01:04:05,040 --> 01:04:06,360
Speaker 1: I don't know that you're born with it, but you

1247
01:04:06,440 --> 01:04:09,040
Speaker 1: definitely develop it when you spend a large portion of

1248
01:04:09,080 --> 01:04:12,880
Speaker 1: your life in that environment. So with you, why did

1249
01:04:12,920 --> 01:04:15,960
Speaker 1: you get into the military. Why did you enlist? I

1250
01:04:16,000 --> 01:04:21,200
Speaker 1: wanted free hunting clothes. No, I know, Um, I think

1251
01:04:21,400 --> 01:04:23,800
Speaker 1: you know. I grew up wanting to do something bigger

1252
01:04:23,840 --> 01:04:28,200
Speaker 1: than than than just be me, which makes this job

1253
01:04:28,280 --> 01:04:32,600
Speaker 1: really difficult. Um. And I'm still that guy still, Like

1254
01:04:32,640 --> 01:04:35,760
Speaker 1: I said, if I see someone being abused or hurt,

1255
01:04:35,800 --> 01:04:38,240
Speaker 1: I feel like we're supposed to step in. It's the

1256
01:04:38,320 --> 01:04:41,600
Speaker 1: human thing to do. And I've always felt like that,

1257
01:04:41,760 --> 01:04:44,800
Speaker 1: even before the military. I was an EMT, you know,

1258
01:04:44,840 --> 01:04:47,640
Speaker 1: I was on the fire department. After I got out,

1259
01:04:47,680 --> 01:04:50,480
Speaker 1: I went to straight to work as a police officer. Um,

1260
01:04:51,160 --> 01:04:55,320
Speaker 1: I just I feel like the desire to help other people,

1261
01:04:56,240 --> 01:04:58,360
Speaker 1: and some of it for self, I guess. I mean,

1262
01:04:58,360 --> 01:05:00,400
Speaker 1: I'm not gonna I'm not gonna lie to you. You

1263
01:05:00,480 --> 01:05:02,640
Speaker 1: want to feel it makes you feel good when you

1264
01:05:02,680 --> 01:05:05,600
Speaker 1: help someone. I mean, even something as simple as given

1265
01:05:05,640 --> 01:05:07,040
Speaker 1: the goal on the side of the street a buck

1266
01:05:07,040 --> 01:05:09,160
Speaker 1: to buy it, or give any much a happy meal

1267
01:05:09,240 --> 01:05:10,480
Speaker 1: or something, you know what I mean, it makes you

1268
01:05:10,520 --> 01:05:14,840
Speaker 1: feel good. So that is compounded when you save someone's life.

1269
01:05:14,880 --> 01:05:17,240
Speaker 1: I mean, it's a good feeling. But I don't do

1270
01:05:17,280 --> 01:05:19,720
Speaker 1: it for that good feeling or that energy as much

1271
01:05:19,720 --> 01:05:22,760
Speaker 1: as I just feel like it's the right thing. You've

1272
01:05:22,760 --> 01:05:25,960
Speaker 1: done so many things, so many, so many careers that

1273
01:05:26,520 --> 01:05:29,000
Speaker 1: give back consistently. Right, you listened to all the things,

1274
01:05:29,120 --> 01:05:30,920
Speaker 1: even you even worked on the dairy department of Walmart.

1275
01:05:30,960 --> 01:05:34,360
Speaker 1: I believe that, right you watch the weather close when

1276
01:05:34,360 --> 01:05:37,040
Speaker 1: you're that guy, how did you like? Because for you

1277
01:05:37,080 --> 01:05:39,800
Speaker 1: to jump into a career of doing country music, that's

1278
01:05:39,880 --> 01:05:42,360
Speaker 1: kind of all those jobs, as crazy and as dangerous

1279
01:05:42,360 --> 01:05:44,640
Speaker 1: as they are, that's they're still stable. And you have

1280
01:05:44,680 --> 01:05:46,440
Speaker 1: a job as police officer. You have a job, and

1281
01:05:46,560 --> 01:05:48,520
Speaker 1: in the military you have a job. This is not

1282
01:05:48,600 --> 01:05:51,080
Speaker 1: stable what you're doing now, You're right, how in the

1283
01:05:51,120 --> 01:05:53,280
Speaker 1: world did you go all right, I'm gonna go pursue

1284
01:05:53,320 --> 01:05:57,760
Speaker 1: country music and it's complete instability. Attribute it to a

1285
01:05:57,800 --> 01:06:03,640
Speaker 1: couple of leaders that I had who were great, very inspirational.

1286
01:06:04,440 --> 01:06:07,320
Speaker 1: In fact, when I decided to make the transition out

1287
01:06:07,360 --> 01:06:10,960
Speaker 1: of active duty, I was so unsure that this would

1288
01:06:11,000 --> 01:06:13,440
Speaker 1: work that I stayed in the active reserves. And I

1289
01:06:13,440 --> 01:06:15,240
Speaker 1: went and talked to my commander, who to this day

1290
01:06:15,320 --> 01:06:17,360
Speaker 1: is a very dear friend and another gentleman. Some of

1291
01:06:17,400 --> 01:06:19,840
Speaker 1: you may recognize the name General Shelton. He was my

1292
01:06:20,080 --> 01:06:22,560
Speaker 1: general officer at the time. And I went and talked

1293
01:06:22,560 --> 01:06:24,400
Speaker 1: to him and I said, look, I'm considering getting into

1294
01:06:24,400 --> 01:06:26,520
Speaker 1: the music business. I think, you know, if I don't

1295
01:06:26,520 --> 01:06:28,560
Speaker 1: do it now, I never will because I was at

1296
01:06:28,560 --> 01:06:30,520
Speaker 1: ten and a half years of active duty half of

1297
01:06:30,560 --> 01:06:34,680
Speaker 1: my career, you know, over so and I'll never forget.

1298
01:06:35,200 --> 01:06:37,200
Speaker 1: Colonel grown General Shelton both said, if you stay in

1299
01:06:37,240 --> 01:06:40,280
Speaker 1: the army, there's a good chance your own track to

1300
01:06:40,400 --> 01:06:43,120
Speaker 1: be the sergeant major of the army someday. We believe

1301
01:06:43,160 --> 01:06:44,600
Speaker 1: you have the potential to be the sorry major of

1302
01:06:44,600 --> 01:06:48,600
Speaker 1: the army. But we also think that you should try

1303
01:06:48,640 --> 01:06:51,680
Speaker 1: this stay in the active reserves. If it don't work,

1304
01:06:51,720 --> 01:06:53,320
Speaker 1: you'll come back in. You'll lose no time in service.

1305
01:06:53,360 --> 01:06:55,120
Speaker 1: At least you can say you tried. You're really good

1306
01:06:55,120 --> 01:06:57,280
Speaker 1: at this. And I'm gonna say they had more confidence

1307
01:06:57,320 --> 01:06:59,880
Speaker 1: in my ability than I did. I mean, I wasn't

1308
01:07:00,120 --> 01:07:01,760
Speaker 1: trying to be I didn't get out to be a singer. Really.

1309
01:07:01,760 --> 01:07:04,080
Speaker 1: I really wanted to just write because I knew that

1310
01:07:04,120 --> 01:07:07,080
Speaker 1: you could make money writing songs instantly through this thing

1311
01:07:07,280 --> 01:07:09,120
Speaker 1: they call it an advance. I didn't understand it at

1312
01:07:09,120 --> 01:07:10,680
Speaker 1: the time, but I knew you could get paid. I

1313
01:07:10,680 --> 01:07:12,560
Speaker 1: had a wife and two kids, so I needed to

1314
01:07:12,600 --> 01:07:13,920
Speaker 1: make money. So that's what I did. I got a

1315
01:07:13,920 --> 01:07:16,720
Speaker 1: publishing deal and that led to a record deal, and

1316
01:07:17,240 --> 01:07:19,880
Speaker 1: now here we are. What was the first song for

1317
01:07:19,960 --> 01:07:21,800
Speaker 1: you when it hit? It could have been your first, second,

1318
01:07:21,840 --> 01:07:24,040
Speaker 1: third hit, maybe not even a hit where you go, okay,

1319
01:07:24,160 --> 01:07:27,360
Speaker 1: I think I actually have some some some real chance

1320
01:07:27,440 --> 01:07:30,080
Speaker 1: here to to stay in the music scene. What song

1321
01:07:30,240 --> 01:07:34,160
Speaker 1: was it? I think Almost Home definitely helped. That was

1322
01:07:34,200 --> 01:07:36,880
Speaker 1: a pusher for me. But I'll be honest with you, man.

1323
01:07:37,200 --> 01:07:39,240
Speaker 1: In two thousand, my first single came out of a

1324
01:07:39,240 --> 01:07:43,400
Speaker 1: song called Paradise, which was a top twenty, top thirty hit.

1325
01:07:43,520 --> 01:07:44,920
Speaker 1: I mean, and that's a big hit. Of course, back

1326
01:07:44,960 --> 01:07:47,960
Speaker 1: then it was different than it is now. But it

1327
01:07:48,000 --> 01:07:50,840
Speaker 1: wasn't until two thousand and eight, when I was made

1328
01:07:50,880 --> 01:07:52,600
Speaker 1: a member of the Grand Ole Opry that I felt

1329
01:07:52,640 --> 01:07:55,080
Speaker 1: like I had some stay power in the business. I'll

1330
01:07:55,080 --> 01:07:57,680
Speaker 1: be honest. And what a cool Grand ol Obry story

1331
01:07:57,720 --> 01:08:00,720
Speaker 1: you have, because it wasn't in Nashville, right when they know.

1332
01:08:01,080 --> 01:08:03,600
Speaker 1: It was at a base Fort Bragg, North Carolina. My

1333
01:08:03,640 --> 01:08:06,120
Speaker 1: invitation came there and and it was really cool because

1334
01:08:06,120 --> 01:08:08,080
Speaker 1: you know, I was very fortunate to work with a

1335
01:08:08,080 --> 01:08:11,520
Speaker 1: lot of great heroic Americans and a lot of those

1336
01:08:11,560 --> 01:08:13,640
Speaker 1: guys and these are guys that work in the Special

1337
01:08:13,680 --> 01:08:18,439
Speaker 1: Forces in the community, um just real. We call them

1338
01:08:18,439 --> 01:08:21,040
Speaker 1: door bangers, and these are real dudes, men who've seen

1339
01:08:21,080 --> 01:08:23,000
Speaker 1: a lot of stuff. And a bunch of those guys

1340
01:08:23,040 --> 01:08:25,320
Speaker 1: were standing on the side of the stage. You know,

1341
01:08:25,320 --> 01:08:26,880
Speaker 1: they don't they were't out in the audience, They weren't

1342
01:08:26,880 --> 01:08:29,120
Speaker 1: mixing in because they these guys you don't know their faces,

1343
01:08:29,120 --> 01:08:31,000
Speaker 1: you don't know their names, and they were all over

1344
01:08:31,040 --> 01:08:32,680
Speaker 1: there and standing. My wife was over there, and when

1345
01:08:32,720 --> 01:08:35,400
Speaker 1: John kindly came up and invited me, like, I completely

1346
01:08:35,439 --> 01:08:37,320
Speaker 1: lost my crap, dude. I mean, I was just so

1347
01:08:37,439 --> 01:08:39,479
Speaker 1: torn up about being invited to be a member of

1348
01:08:39,520 --> 01:08:42,200
Speaker 1: the operation. And I probably would have been okay, but

1349
01:08:42,240 --> 01:08:44,680
Speaker 1: I looked over and some of the toughest men I

1350
01:08:44,760 --> 01:08:48,080
Speaker 1: knew in the world were crying. It was like, you know,

1351
01:08:48,439 --> 01:08:51,160
Speaker 1: they were more proud than I was. It was unbelievable.

1352
01:08:51,360 --> 01:08:55,520
Speaker 1: It was unbelievable. So, yeah, the Grand Old Opera invitation

1353
01:08:55,600 --> 01:09:00,000
Speaker 1: came on a military installation. That's That's an amazing story,

1354
01:09:00,040 --> 01:09:03,960
Speaker 1: a true story. I mean, so Craig Morgan's here. You

1355
01:09:04,080 --> 01:09:06,920
Speaker 1: mentioned Almost Home, which again has probably been played in

1356
01:09:07,000 --> 01:09:09,280
Speaker 1: my house more times than it has a month. Right,

1357
01:09:09,400 --> 01:09:13,040
Speaker 1: I'm sorry, And she's like, this is such a set.

1358
01:09:13,320 --> 01:09:15,639
Speaker 1: Why do you love the song? It's beautiful. It's about

1359
01:09:15,640 --> 01:09:18,719
Speaker 1: a person whose dreams are better than his real life

1360
01:09:18,760 --> 01:09:21,120
Speaker 1: and he wants to stay in his dreams and someone

1361
01:09:21,160 --> 01:09:24,000
Speaker 1: wakes them up because they think he's needs to go home,

1362
01:09:24,000 --> 01:09:27,160
Speaker 1: but he's like, I was home in my head. Oh

1363
01:09:27,240 --> 01:09:30,120
Speaker 1: you just described that song to the I mean, to

1364
01:09:30,240 --> 01:09:34,240
Speaker 1: its perfection. That is exactly you know, I just wrote

1365
01:09:34,240 --> 01:09:37,800
Speaker 1: a song called the Mask, and it's kind of a

1366
01:09:38,000 --> 01:09:40,559
Speaker 1: current description of that same thing. You know, we have

1367
01:09:40,600 --> 01:09:42,200
Speaker 1: to put on this mask when we go to work.

1368
01:09:42,200 --> 01:09:44,400
Speaker 1: And I'm not talking about the physical mask that we're wearing.

1369
01:09:44,880 --> 01:09:48,759
Speaker 1: Like you have a crappy day, Bobby, You've had crappy

1370
01:09:48,840 --> 01:09:51,320
Speaker 1: things happen in life, and you still get up and

1371
01:09:51,400 --> 01:09:53,600
Speaker 1: you go to work. You put that mask on. And

1372
01:09:53,640 --> 01:09:55,680
Speaker 1: that's what that Almost Home for me was about. The

1373
01:09:55,720 --> 01:09:59,360
Speaker 1: old man was laying there asleep, and he was even

1374
01:09:59,400 --> 01:10:01,920
Speaker 1: though he might have and chili in his dream and

1375
01:10:01,920 --> 01:10:07,360
Speaker 1: in his unconscious state, he was happy. Uh, you know,

1376
01:10:07,400 --> 01:10:09,000
Speaker 1: and that and that's okay. That's it. I think it's

1377
01:10:09,000 --> 01:10:11,160
Speaker 1: okay that we do that we're supposed to. It's called dreaming.

1378
01:10:11,200 --> 01:10:13,200
Speaker 1: You know, when you quit dreaming, you quit living. In

1379
01:10:13,240 --> 01:10:15,240
Speaker 1: my opinion, Craig Morgan's here. Do you guys want to

1380
01:10:15,240 --> 01:10:16,680
Speaker 1: play a little bit Almost Home? Yeah? I would be

1381
01:10:16,680 --> 01:10:29,640
Speaker 1: glad to. From two thousand and two, he had plastic

1382
01:10:29,720 --> 01:10:33,560
Speaker 1: bags wrapped around his shoes, he was covered with the

1383
01:10:33,680 --> 01:10:38,120
Speaker 1: Evening News, had a pair of old wolf socks on

1384
01:10:38,200 --> 01:10:46,080
Speaker 1: his hands, Bang times flashing five below. It was freezing

1385
01:10:46,240 --> 01:10:52,000
Speaker 1: rain and spitting snow. He was curled behind some garbage cans.

1386
01:10:55,400 --> 01:10:58,920
Speaker 1: I was afraid that he was dead. I gave me

1387
01:10:59,120 --> 01:11:04,880
Speaker 1: my gentle ship. When he opened up his eyes, I said,

1388
01:11:04,960 --> 01:11:13,160
Speaker 1: old manner, you can, he said, just climbed out of

1389
01:11:13,200 --> 01:11:21,120
Speaker 1: the cotton moon tree. I was running from some money

1390
01:11:21,400 --> 01:11:33,320
Speaker 1: bees drim dry, then the summer breeze. After jumping into

1391
01:11:33,479 --> 01:11:45,479
Speaker 1: Calorico creem. I was walking down in older past field

1392
01:11:45,600 --> 01:11:52,000
Speaker 1: of me that it just spanned bold. Man, I wish

1393
01:11:52,080 --> 01:12:04,680
Speaker 1: you just left me because I was home. O. Come on,

1394
01:12:06,120 --> 01:12:10,360
Speaker 1: that's great, man, that's great. Thank you. Here. I didn't listen.

1395
01:12:11,040 --> 01:12:12,840
Speaker 1: I assumed you guys know all of your songs, do

1396
01:12:12,880 --> 01:12:15,400
Speaker 1: you two? No? You know I forget the words regularly.

1397
01:12:16,160 --> 01:12:17,800
Speaker 1: I can help you out if you forget any man

1398
01:12:18,760 --> 01:12:22,360
Speaker 1: when ron rob who knows? Will you bring up the mask?

1399
01:12:23,000 --> 01:12:25,360
Speaker 1: And I, I mean, you guys know enough of that

1400
01:12:25,400 --> 01:12:28,160
Speaker 1: to play a little bit of that? Now play? Yeah,

1401
01:12:28,320 --> 01:12:31,160
Speaker 1: you guys don't mind? Right, No, I don't. I'm here

1402
01:12:31,160 --> 01:12:33,479
Speaker 1: to have fun. Yea, all right, I've been doing this

1403
01:12:33,560 --> 01:12:35,960
Speaker 1: while I still can't believe people want to. They still listen.

1404
01:12:37,120 --> 01:12:45,320
Speaker 1: All right, you're kidding. Here's Craig Morgan here. I got

1405
01:12:45,360 --> 01:12:50,320
Speaker 1: pains inside of me, pains I don't let people see

1406
01:12:51,080 --> 01:12:54,200
Speaker 1: I see I'm fine, cause I know they see me

1407
01:12:54,280 --> 01:13:02,400
Speaker 1: strong behind my eyes and my soul feels like I'm

1408
01:13:02,560 --> 01:13:06,280
Speaker 1: digging a deeper hole. But I put on a smile

1409
01:13:06,520 --> 01:13:13,240
Speaker 1: a line, I ho because man, I get home and

1410
01:13:13,360 --> 01:13:17,320
Speaker 1: it's laid didn't night, no one's around, and I turn

1411
01:13:17,439 --> 01:13:21,200
Speaker 1: off the lights. I cry and scream and yell like

1412
01:13:21,240 --> 01:13:27,320
Speaker 1: a crazy man. I don't have to pretend that I'm

1413
01:13:27,360 --> 01:13:30,880
Speaker 1: doing well. I can tell the world it can go

1414
01:13:30,960 --> 01:13:34,920
Speaker 1: to hill. It's just me and God when I take

1415
01:13:35,120 --> 01:13:41,280
Speaker 1: off the mask. Nice, that's awesome, man, anybody God, family Country.

1416
01:13:41,560 --> 01:13:47,920
Speaker 1: It came out in the pandemic. Yeah, I mean, what else? Right?

1417
01:13:48,080 --> 01:13:51,080
Speaker 1: How often, Craig, are you in a snowy place with

1418
01:13:51,200 --> 01:13:55,439
Speaker 1: large animals versus home? At least twice a year during

1419
01:13:55,479 --> 01:13:58,519
Speaker 1: the snow, which is that's the good time because the

1420
01:13:58,560 --> 01:14:02,040
Speaker 1: bear harbor name, it's the summer in Alaska when we

1421
01:14:02,080 --> 01:14:03,240
Speaker 1: go up there to the summer that you have to

1422
01:14:03,240 --> 01:14:05,680
Speaker 1: be a little more careful, a little more cautious. It

1423
01:14:05,760 --> 01:14:08,000
Speaker 1: seems like every time I see you online you're with

1424
01:14:08,320 --> 01:14:12,439
Speaker 1: you've killed some sort of big animal. Well, I'm into

1425
01:14:12,520 --> 01:14:16,599
Speaker 1: the outdoors, yeah, as you know, and I'm big into

1426
01:14:16,680 --> 01:14:20,040
Speaker 1: eating healthy. Like my wife and I haven't bought meat

1427
01:14:20,120 --> 01:14:24,840
Speaker 1: from a grocery store and probably fifteen years, so we

1428
01:14:24,880 --> 01:14:26,920
Speaker 1: only eat meat that I harvest, which is, you know,

1429
01:14:27,240 --> 01:14:31,360
Speaker 1: completely organic. I know what it's been eating because I'm

1430
01:14:31,360 --> 01:14:33,679
Speaker 1: out there in the environment where it's eating it. So yeah,

1431
01:14:33,680 --> 01:14:35,599
Speaker 1: that's why I do that. And I do love being

1432
01:14:35,640 --> 01:14:37,639
Speaker 1: in the outdoors. I mean, for me, it's not always

1433
01:14:37,640 --> 01:14:41,000
Speaker 1: just about shooting an animal. In fact, i've been I

1434
01:14:41,040 --> 01:14:42,479
Speaker 1: was going to go this morning but it was just

1435
01:14:42,520 --> 01:14:44,840
Speaker 1: too hot. But I just love being out in the

1436
01:14:44,840 --> 01:14:46,640
Speaker 1: woods and watching the sun come up, and listening to

1437
01:14:46,680 --> 01:14:49,320
Speaker 1: the birds when they first start singing, and the smells

1438
01:14:49,439 --> 01:14:52,080
Speaker 1: and everything about it for me is just I mean,

1439
01:14:52,120 --> 01:14:54,680
Speaker 1: it's just so rejuvenating. You sound like Caitlin. Yeah. I

1440
01:14:54,680 --> 01:14:56,400
Speaker 1: was about to say that sounds like a dream. It

1441
01:14:56,479 --> 01:14:59,559
Speaker 1: is a dream, and I live it pretty regular. Yeah.

1442
01:14:59,640 --> 01:15:03,719
Speaker 1: You did a Lifetime movie. Yeah, what is your acting

1443
01:15:03,800 --> 01:15:07,519
Speaker 1: experience up to that? Well, that's just my third movie.

1444
01:15:08,040 --> 01:15:10,240
Speaker 1: I've been on the TV show Rosolian Isles. I had

1445
01:15:10,240 --> 01:15:12,320
Speaker 1: a character in that. I tell people that because I

1446
01:15:12,400 --> 01:15:15,920
Speaker 1: literally have a bachelor's of Science and forensics and the

1447
01:15:15,960 --> 01:15:19,120
Speaker 1: only time I've worked as a forensics investigator was on

1448
01:15:19,160 --> 01:15:24,320
Speaker 1: the TV show Resolian Aisles. It's like that TV commercial,

1449
01:15:24,520 --> 01:15:27,960
Speaker 1: you know, but that's the truth. Yeah. So I've done

1450
01:15:28,000 --> 01:15:30,720
Speaker 1: a bunch and I've been pretending. I've been acting like

1451
01:15:30,720 --> 01:15:33,960
Speaker 1: a singer for almost twenty years. When are you most

1452
01:15:34,040 --> 01:15:38,360
Speaker 1: nervous acting singing? Or when there's a crazy situation and

1453
01:15:38,400 --> 01:15:41,439
Speaker 1: you're called into action to help somebody, they're helping somebody.

1454
01:15:41,479 --> 01:15:43,400
Speaker 1: I never get nervous in those situations because I figure

1455
01:15:43,439 --> 01:15:45,360
Speaker 1: the worst thing that's going to happen is I'm gonna die.

1456
01:15:45,720 --> 01:15:48,840
Speaker 1: And I'm prepared to die at any time, whether it

1457
01:15:48,960 --> 01:15:52,800
Speaker 1: be COVID or getting hit by a car, or you know,

1458
01:15:53,000 --> 01:15:56,080
Speaker 1: whatever might the situation might be. My soul is ready.

1459
01:15:56,640 --> 01:15:59,240
Speaker 1: I don't want to die, don't get me wrong, but

1460
01:15:59,320 --> 01:16:03,880
Speaker 1: I'm prepared spiritually, physically, emotionally. I'm prepared to die. Uh.

1461
01:16:04,160 --> 01:16:06,720
Speaker 1: I really get a little nervous in the acting thing,

1462
01:16:06,760 --> 01:16:10,280
Speaker 1: depending on who's there, because I'm not a you know,

1463
01:16:10,360 --> 01:16:13,000
Speaker 1: staple actor. So I want to do well because I

1464
01:16:13,040 --> 01:16:15,479
Speaker 1: don't want people to go, oh, coun't you think your singer, thanks,

1465
01:16:15,479 --> 01:16:18,519
Speaker 1: he's an actor, you know, just like baseball players think

1466
01:16:18,560 --> 01:16:22,160
Speaker 1: they're singers, you know, or songwriters or whatever you know. Uh,

1467
01:16:22,240 --> 01:16:25,000
Speaker 1: anytime we cross into another genre we have we take

1468
01:16:25,040 --> 01:16:27,439
Speaker 1: the stigma with us. Uh. So I want to do well.

1469
01:16:27,479 --> 01:16:29,240
Speaker 1: I want to represent I want to I want I want.

1470
01:16:29,280 --> 01:16:31,559
Speaker 1: I love it. When I do something and the director

1471
01:16:31,600 --> 01:16:35,920
Speaker 1: goes not not what I expected, like you like acting,

1472
01:16:36,160 --> 01:16:38,559
Speaker 1: I do, I love it. I enjoy it. Um, it's

1473
01:16:38,560 --> 01:16:40,000
Speaker 1: a lot of fun. I don't have to worry about

1474
01:16:40,000 --> 01:16:45,880
Speaker 1: a band, a crew, no offense, offense like uh. But

1475
01:16:45,880 --> 01:16:48,120
Speaker 1: but but but on stage, I want to do well

1476
01:16:48,160 --> 01:16:51,559
Speaker 1: as as also when we do a show, uh, like

1477
01:16:51,600 --> 01:16:53,800
Speaker 1: we got this show coming up. We got this uh

1478
01:16:54,000 --> 01:16:56,799
Speaker 1: drive in show in a couple of days where in Dixon.

1479
01:16:57,680 --> 01:17:00,960
Speaker 1: Uh it's sold out, so they sold all the cars

1480
01:17:00,960 --> 01:17:04,400
Speaker 1: they could sell. But it's that's such a different environment.

1481
01:17:05,280 --> 01:17:08,080
Speaker 1: So I want to I want people to enjoy themselves

1482
01:17:08,280 --> 01:17:10,000
Speaker 1: when they come to this show. It's a different show.

1483
01:17:10,960 --> 01:17:12,560
Speaker 1: But so but when they leave, I want them to

1484
01:17:12,600 --> 01:17:16,040
Speaker 1: feel like they got the same feeling and emotions that

1485
01:17:16,120 --> 01:17:18,360
Speaker 1: they would get at a normal concert. And that's that's

1486
01:17:18,360 --> 01:17:20,320
Speaker 1: a little nervous. That makes it a little nervous, you know.

1487
01:17:20,760 --> 01:17:22,640
Speaker 1: But we just do what we do and hope that

1488
01:17:22,640 --> 01:17:26,080
Speaker 1: everyone enjoys themselves and feels like they got their money's worth.

1489
01:17:26,439 --> 01:17:30,360
Speaker 1: I've been singing one of your songs wrong for thirteen

1490
01:17:30,400 --> 01:17:33,960
Speaker 1: years now, you know which one? Which one? Nation? International harvest. Yeah.

1491
01:17:34,200 --> 01:17:37,680
Speaker 1: So we're in Virginia, Kaitlin and I are. We got

1492
01:17:37,760 --> 01:17:40,080
Speaker 1: a Virginia from my Nagio show, and we're on a

1493
01:17:40,120 --> 01:17:44,000
Speaker 1: farm and Kaylin's singing every word. You want to sing

1494
01:17:44,040 --> 01:17:47,479
Speaker 1: a little bit of it? Go ahead, that's the thing.

1495
01:17:47,560 --> 01:17:51,800
Speaker 1: She knows it all from the beginning. Go ahead that

1496
01:17:52,280 --> 01:17:56,840
Speaker 1: I'm you want me to go there there? Oh no,

1497
01:17:56,920 --> 01:18:01,000
Speaker 1: I'm gonna do. Sound like a little bit of life.

1498
01:18:01,040 --> 01:18:03,560
Speaker 1: Are you sure you're on the right? I love that

1499
01:18:03,880 --> 01:18:06,599
Speaker 1: it sound like the inter a little bit of life. Um,

1500
01:18:08,439 --> 01:18:11,920
Speaker 1: I'm a son of a third generation farm. Come on,

1501
01:18:13,200 --> 01:18:18,360
Speaker 1: I've been mary change. Here s the farms dot. I'm

1502
01:18:18,400 --> 01:18:21,920
Speaker 1: a hard working, god fearing combine driver, hugging up the

1503
01:18:22,000 --> 01:18:24,920
Speaker 1: road with a flower check a lug a lugging five

1504
01:18:25,040 --> 01:18:32,320
Speaker 1: miles an hour. I'm an international harvester. No, no, because

1505
01:18:32,360 --> 01:18:34,760
Speaker 1: I sang I'm an international harvester, because that's how he

1506
01:18:34,800 --> 01:18:39,200
Speaker 1: sings it. But it's on my right. I'm a yeah.

1507
01:18:39,280 --> 01:18:43,240
Speaker 1: I was like, where's the harvest in Russia? China? Give

1508
01:18:43,320 --> 01:18:45,120
Speaker 1: us a little bit of that two thousand and seven

1509
01:18:45,160 --> 01:18:55,280
Speaker 1: International Harvester from the from the mouth of the man himself. Yep,

1510
01:18:58,160 --> 01:19:03,040
Speaker 1: I'm a son of a third genera Asian farmer. I

1511
01:19:03,200 --> 01:19:08,559
Speaker 1: didn't main teen years to a farmer's dog. I'm a

1512
01:19:08,600 --> 01:19:12,000
Speaker 1: god fearing, hard working combine driver, hauging up the road

1513
01:19:12,120 --> 01:19:17,479
Speaker 1: on my flower, lugging five miles an hour on my

1514
01:19:17,720 --> 01:19:26,680
Speaker 1: International Harvester. I think if people go to you, and

1515
01:19:26,720 --> 01:19:29,240
Speaker 1: this is the most complimentary thing that I can say,

1516
01:19:29,240 --> 01:19:31,040
Speaker 1: an obi take it this way. I think sometimes you

1517
01:19:31,080 --> 01:19:32,200
Speaker 1: go to a show and you're like, oh, I didn't know.

1518
01:19:32,200 --> 01:19:33,880
Speaker 1: I knew that, so I didn't know. If they go

1519
01:19:33,920 --> 01:19:35,760
Speaker 1: to one of your shows, I bet you if they're

1520
01:19:35,800 --> 01:19:37,600
Speaker 1: not a super fan of just a casual fan, they go,

1521
01:19:37,760 --> 01:19:39,280
Speaker 1: I didn't know he's sang that. Because you have so

1522
01:19:39,320 --> 01:19:41,280
Speaker 1: many hits, you're not offending me at all. In fact,

1523
01:19:41,320 --> 01:19:43,960
Speaker 1: I had a T shirt made then on the back

1524
01:19:44,439 --> 01:19:46,639
Speaker 1: it's literally and we sell them, it says the guy

1525
01:19:46,880 --> 01:19:51,040
Speaker 1: who sings International Harvester. That's what I love about Sunday Red, y'all.

1526
01:19:52,920 --> 01:19:54,640
Speaker 1: I can read lips and I can't tell you how

1527
01:19:54,640 --> 01:19:56,479
Speaker 1: many times I've been on stage and I see someone go.

1528
01:19:56,720 --> 01:20:01,080
Speaker 1: I didn't know he sang that. I love that. This

1529
01:20:01,080 --> 01:20:02,960
Speaker 1: Old Boy is a song that I feel like I

1530
01:20:03,040 --> 01:20:05,599
Speaker 1: relate to now And I never did. I never really

1531
01:20:05,640 --> 01:20:08,200
Speaker 1: did in my life, right until I met her. Yes,

1532
01:20:08,320 --> 01:20:10,160
Speaker 1: And then you would hear I'd hear this Old Boy

1533
01:20:10,160 --> 01:20:13,160
Speaker 1: and it's like a song about you, just like I'm

1534
01:20:13,240 --> 01:20:15,320
Speaker 1: lucky I get this old boy gets to have all

1535
01:20:15,360 --> 01:20:18,519
Speaker 1: this stuff going on. Yeah, And I really never felt

1536
01:20:18,560 --> 01:20:22,080
Speaker 1: like I understood that song until her. Oh that's awesome,

1537
01:20:22,200 --> 01:20:24,600
Speaker 1: that's that's so sweet, and probably her playing it for

1538
01:20:24,680 --> 01:20:27,320
Speaker 1: me over and over again. Yeah, yeah, you get tired

1539
01:20:27,360 --> 01:20:29,920
Speaker 1: of it. Uh, that's really what it's that song's all about,

1540
01:20:30,360 --> 01:20:33,479
Speaker 1: you know, that relationship being I've been married to the

1541
01:20:33,520 --> 01:20:36,519
Speaker 1: same woman for over thirty years. Uh. And she just

1542
01:20:36,680 --> 01:20:39,200
Speaker 1: I mean, she has just gotten hotter lately. It's just

1543
01:20:39,880 --> 01:20:43,559
Speaker 1: I mean, god, dang, she has like not gray, but

1544
01:20:43,640 --> 01:20:46,080
Speaker 1: this silver hair. It's natural. I'll show you, pitch you

1545
01:20:46,080 --> 01:20:48,519
Speaker 1: in a minute. I'm not kid, y'all. Uh. And she's

1546
01:20:48,560 --> 01:20:50,479
Speaker 1: gotten it back into her health kit. You know. When

1547
01:20:50,479 --> 01:20:53,400
Speaker 1: we lost our son, it was a real difficult time. Uh,

1548
01:20:54,280 --> 01:20:57,280
Speaker 1: And and we managed to stay strong in our faith,

1549
01:20:57,320 --> 01:21:00,599
Speaker 1: in our relationship. But it's just tough um. But man,

1550
01:21:00,720 --> 01:21:05,360
Speaker 1: she has gotten back in and good gosh, good, yeah

1551
01:21:05,479 --> 01:21:08,320
Speaker 1: she's party. Let's do. Let's do one more, Let's do

1552
01:21:08,400 --> 01:21:10,360
Speaker 1: Redneck Yacht Club. I feel like if we don't, my

1553
01:21:10,400 --> 01:21:20,160
Speaker 1: listeners are gonna be upset. All right, y, I ned

1554
01:21:20,479 --> 01:21:24,280
Speaker 1: my buddies out on the lake. We're headed out to

1555
01:21:24,479 --> 01:21:29,040
Speaker 1: a special place we love. But just a few folks

1556
01:21:29,080 --> 01:21:36,080
Speaker 1: know there's no signing up, no monthly dudes, Sticky Johnson here,

1557
01:21:36,160 --> 01:21:40,400
Speaker 1: murgery or you're living rude and fired up, made us

1558
01:21:40,439 --> 01:21:48,160
Speaker 1: out of party. Go I come on in the waters fine.

1559
01:21:50,320 --> 01:21:57,480
Speaker 1: I just idled on over and tossing lines, bass trackers,

1560
01:21:57,520 --> 01:22:00,840
Speaker 1: bay liners and a party bar strung together like a

1561
01:22:00,960 --> 01:22:09,920
Speaker 1: phone trailer park, hangered out and getting loud all summer love. Subside,

1562
01:22:09,960 --> 01:22:13,799
Speaker 1: there's five house boat front porches, has to turn laun

1563
01:22:13,840 --> 01:22:19,920
Speaker 1: chairs and diggy George's regular, Joe's bragging the boat. That's us,

1564
01:22:20,280 --> 01:22:26,320
Speaker 1: the red Neck Yacht Club, rag Board Studio. Let me

1565
01:22:26,439 --> 01:22:28,360
Speaker 1: tell you he's got so much going on. First of all,

1566
01:22:28,600 --> 01:22:31,320
Speaker 1: check out the record, God Family Country. It was out

1567
01:22:31,400 --> 01:22:35,800
Speaker 1: the summer, but you know you're probably nothing's been normal

1568
01:22:35,800 --> 01:22:37,920
Speaker 1: and we're starting to get a bit normal. It feels

1569
01:22:38,040 --> 01:22:40,720
Speaker 1: now so it's got to be weird putting out music

1570
01:22:40,720 --> 01:22:42,840
Speaker 1: and not being able to really torn it. It was.

1571
01:22:42,920 --> 01:22:47,120
Speaker 1: It is super weird promoting. And what's really weird is

1572
01:22:47,120 --> 01:22:49,559
Speaker 1: when we put this album out, we didn't go to

1573
01:22:49,680 --> 01:22:53,400
Speaker 1: the marketplace with it. It was strictly through download because

1574
01:22:53,400 --> 01:22:55,400
Speaker 1: we felt like it didn't make all sense because at

1575
01:22:55,439 --> 01:22:57,720
Speaker 1: the time when we first put it out, nobody was

1576
01:22:57,760 --> 01:23:00,759
Speaker 1: going shopping for the most part, especially not buying CDs.

1577
01:23:00,880 --> 01:23:03,120
Speaker 1: And when I do my rooms, I'll be like, look,

1578
01:23:03,160 --> 01:23:04,880
Speaker 1: I know you're probably not working. So if you can't

1579
01:23:04,880 --> 01:23:07,320
Speaker 1: buy us, no big deal. Listen to us, you know,

1580
01:23:07,439 --> 01:23:09,719
Speaker 1: listen to it online. You know, I peeking a forward

1581
01:23:09,800 --> 01:23:12,719
Speaker 1: one song that's cool, you know. Um, And we still

1582
01:23:12,760 --> 01:23:15,720
Speaker 1: to date have not pushed the hard product to all

1583
01:23:15,760 --> 01:23:18,040
Speaker 1: the main outlets. You can get the hard product on

1584
01:23:18,080 --> 01:23:22,040
Speaker 1: our website and um, I don't know other places, but

1585
01:23:22,040 --> 01:23:23,760
Speaker 1: but as far as it being in Walmart of those

1586
01:23:23,800 --> 01:23:26,880
Speaker 1: kind of places, we didn't do that. And yet I

1587
01:23:26,920 --> 01:23:32,360
Speaker 1: had like the biggest first weekdah during a pandemic, so

1588
01:23:32,640 --> 01:23:35,240
Speaker 1: which told me that people still very much love to

1589
01:23:35,240 --> 01:23:37,920
Speaker 1: hear music, you know, So that's a good thing or

1590
01:23:38,000 --> 01:23:39,760
Speaker 1: love to hear Craig Morgan's music. I think you're not

1591
01:23:39,760 --> 01:23:42,439
Speaker 1: giving yourself enough credit here. Music is a very healing thing,

1592
01:23:42,560 --> 01:23:44,880
Speaker 1: and I think it doesn't matter. I mean even Blake

1593
01:23:44,920 --> 01:23:50,000
Speaker 1: Shelton selling records you know so a lot, Kaitlin, did

1594
01:23:50,000 --> 01:23:53,360
Speaker 1: you enjoy your experience? Loved it? My favorite phrase now

1595
01:23:53,439 --> 01:23:55,360
Speaker 1: around the house when you're on is like, oh, give

1596
01:23:55,360 --> 01:23:59,000
Speaker 1: it a Grammy, Like I want to go give that song.

1597
01:24:01,320 --> 01:24:02,920
Speaker 1: We have a song just for you that we'll do

1598
01:24:03,160 --> 01:24:05,679
Speaker 1: after we're done. What do you mean after we're done?

1599
01:24:05,720 --> 01:24:09,360
Speaker 1: What is it? Uh? Well, you two guys, are you know, engaged?

1600
01:24:10,120 --> 01:24:12,720
Speaker 1: Everything you're gonna I wrote a song. We wrote a

1601
01:24:12,760 --> 01:24:15,760
Speaker 1: song that uh uh Like I said, we went through

1602
01:24:15,800 --> 01:24:18,960
Speaker 1: some hard times after losing our son, and I wrote

1603
01:24:18,960 --> 01:24:21,200
Speaker 1: we wrote this song because I think people give up

1604
01:24:21,240 --> 01:24:23,960
Speaker 1: too easy. And you guys are gonna run across some

1605
01:24:24,000 --> 01:24:26,479
Speaker 1: gravel roads. It's gonna be tough. You're gonna you're gonna

1606
01:24:26,520 --> 01:24:30,080
Speaker 1: hate him sometimes, I promise you, and and he's gonna

1607
01:24:30,080 --> 01:24:32,720
Speaker 1: be very angry with you at times. But this is

1608
01:24:32,720 --> 01:24:36,200
Speaker 1: a song about not not letting that stuff interfere. Is

1609
01:24:36,240 --> 01:24:38,320
Speaker 1: this song already out? It's on the new record. Okay,

1610
01:24:38,439 --> 01:24:41,120
Speaker 1: let's let's do it now. We got millions of people listening. Okay,

1611
01:24:41,479 --> 01:24:43,880
Speaker 1: what is this song? We ain't going out like this?

1612
01:24:53,200 --> 01:25:00,519
Speaker 1: Midnight sitting here, can't see clear, wasting tears on you,

1613
01:25:03,000 --> 01:25:09,400
Speaker 1: tick Tom, round the clock, on the dog, every thought

1614
01:25:09,560 --> 01:25:18,200
Speaker 1: consoos list missing you, going round and round like this

1615
01:25:19,439 --> 01:25:24,439
Speaker 1: is the time to call it. Quiz Tell me I

1616
01:25:24,479 --> 01:25:29,559
Speaker 1: didn'tn't hear you ride? Tell me it's just another fine.

1617
01:25:30,560 --> 01:25:34,840
Speaker 1: But we ain't going out like this. We ain't going

1618
01:25:35,040 --> 01:25:39,760
Speaker 1: out like this. Hell me what I'm supposed to do

1619
01:25:40,160 --> 01:25:44,599
Speaker 1: when I feel like I'm losing you? Because we ain't

1620
01:25:44,640 --> 01:25:49,240
Speaker 1: going out like this. We ain't going out like this.

1621
01:25:52,400 --> 01:25:57,200
Speaker 1: There it is Craig Morgan. Man. We appreciate you coming

1622
01:25:57,200 --> 01:25:59,639
Speaker 1: in just playing because heck, half of stuff I don't

1623
01:25:59,640 --> 01:26:02,240
Speaker 1: even run. You always like play this, no worries. I'm

1624
01:26:02,280 --> 01:26:03,920
Speaker 1: glad to be here. Nobody thought a dollar in his

1625
01:26:03,960 --> 01:26:06,400
Speaker 1: case when he wants out. Yeah, it's been tough right now.

1626
01:26:08,000 --> 01:26:09,639
Speaker 1: Let me also let mention a couple of things here

1627
01:26:09,640 --> 01:26:12,479
Speaker 1: Fridays at four with performances in Q and A on

1628
01:26:12,600 --> 01:26:17,320
Speaker 1: Craig's Facebook page. Also the Lifetime movie which is what

1629
01:26:17,439 --> 01:26:21,360
Speaker 1: is that movie called uh Hey, Welcome Home Christmas. Raymundo

1630
01:26:21,479 --> 01:26:23,439
Speaker 1: reviewed it, watched it said you were good in it,

1631
01:26:23,439 --> 01:26:25,599
Speaker 1: and this is before you came on the air. Oh awesome,

1632
01:26:25,680 --> 01:26:28,160
Speaker 1: Thank you, Ray you give him. Yeah, it was good.

1633
01:26:28,200 --> 01:26:29,960
Speaker 1: I thought maybe you should have had a kissing scene

1634
01:26:29,960 --> 01:26:32,160
Speaker 1: with Jana Kramer. Your roles should have been bigger. He

1635
01:26:32,200 --> 01:26:34,040
Speaker 1: can't hear you, but he said your roles should have

1636
01:26:34,040 --> 01:26:35,840
Speaker 1: been bigger, and he was waiting for a kissing scene

1637
01:26:35,840 --> 01:26:38,000
Speaker 1: with you and Janna Kramer. Oh no, she had that

1638
01:26:38,080 --> 01:26:43,360
Speaker 1: with the other fellow. That's our next movie, all right, Craig,

1639
01:26:43,400 --> 01:26:46,760
Speaker 1: and check out Craig's World on Circle Network. Thank you. Yeah,

1640
01:26:46,760 --> 01:26:49,360
Speaker 1: there he is. This has been extremely special for me.

1641
01:26:49,439 --> 01:26:50,960
Speaker 1: Thank you for coming in and just being so open

1642
01:26:51,000 --> 01:26:53,240
Speaker 1: and playing, and you got her up to the studio,

1643
01:26:53,280 --> 01:26:55,439
Speaker 1: which she's always like, you know, I'm just gonna listen

1644
01:26:55,439 --> 01:26:59,759
Speaker 1: on the app. I'll listen like so well. Thank you, Kate, Craig, Morgan,

1645
01:26:59,800 --> 01:27:04,160
Speaker 1: every buddy, Thank you, Greg, Thank y'all. It's the best

1646
01:27:04,280 --> 01:27:10,280
Speaker 1: bits of the week with Morgan number two. Well, that

1647
01:27:10,320 --> 01:27:12,920
Speaker 1: wraps it up for me. Thanks for listening. That was

1648
01:27:13,000 --> 01:27:15,320
Speaker 1: our top segments this week. But you know, there's so

1649
01:27:15,400 --> 01:27:18,080
Speaker 1: much content that happens on our show, so make sure

1650
01:27:18,160 --> 01:27:20,360
Speaker 1: you go check it out on our show site. Which

1651
01:27:20,439 --> 01:27:22,840
Speaker 1: is Bobby bones dot com. Also, all of our social

1652
01:27:22,880 --> 01:27:25,799
Speaker 1: media is at Bobby Bones Show and you can literally

1653
01:27:25,840 --> 01:27:28,479
Speaker 1: catch up on everything we talked about. I promise you

1654
01:27:28,560 --> 01:27:31,080
Speaker 1: I put all the content there for you guys. Also,

1655
01:27:31,120 --> 01:27:33,679
Speaker 1: don't forget to follow me. I'm at web Girl Morgan

1656
01:27:34,160 --> 01:27:37,160
Speaker 1: and join me next Saturday for more behind the scenes

1657
01:27:37,360 --> 01:27:39,439
Speaker 1: because I promise this is the best part. You get

1658
01:27:39,479 --> 01:27:40,920
Speaker 1: all the juicy details on