1 00:00:04,240 --> 00:00:08,280 Speaker 1: Welcome everyone to the Martha Stewart Podcast. I am so 2 00:00:08,280 --> 00:00:11,760 Speaker 1: so excited to have someone who has played one of 3 00:00:11,800 --> 00:00:16,800 Speaker 1: my favorite characters on television. She is known to all 4 00:00:16,840 --> 00:00:20,720 Speaker 1: of us as Beth Dutton. You know who I'm talking 5 00:00:20,760 --> 00:00:25,560 Speaker 1: about from the Show's Yellowstone and now Dutton Ranch. Kelly Riley, 6 00:00:25,640 --> 00:00:28,040 Speaker 1: welcome to my farm. And it's so nice of you 7 00:00:28,080 --> 00:00:30,040 Speaker 1: to come all the way out to Bedford from New 8 00:00:30,120 --> 00:00:33,279 Speaker 1: York on your way to Southampton. It's a little out 9 00:00:33,320 --> 00:00:33,760 Speaker 1: of the way. 10 00:00:34,040 --> 00:00:36,800 Speaker 2: No. I drove from Southampton yesterday and I loved it. 11 00:00:36,800 --> 00:00:39,000 Speaker 2: It was a great drive. I've never been here and 12 00:00:39,040 --> 00:00:41,440 Speaker 2: it's been on my little list. I've been further upstate. 13 00:00:41,960 --> 00:00:44,200 Speaker 2: When I first moved to New York, I was looking 14 00:00:44,240 --> 00:00:46,800 Speaker 2: for a bit of England, because I've. 15 00:00:46,360 --> 00:00:47,440 Speaker 1: A little bit of England, don't you. 16 00:00:47,640 --> 00:00:50,640 Speaker 2: Yes, And I couldn't find it. My husband's really the 17 00:00:51,040 --> 00:00:53,040 Speaker 2: water baby, and I've sort of adopted that. But I 18 00:00:53,080 --> 00:00:55,320 Speaker 2: missed the trees and the hills. 19 00:00:55,560 --> 00:00:58,720 Speaker 1: This would be the perfect, perfect farm if it were 20 00:00:58,800 --> 00:01:00,000 Speaker 1: on the Atlantic Ocean. 21 00:01:00,560 --> 00:01:04,320 Speaker 2: Yes, yeah, but you know it's not too far two 22 00:01:04,360 --> 00:01:06,480 Speaker 2: and a half hours. I didn't mind, and I'd like 23 00:01:06,560 --> 00:01:08,800 Speaker 2: to drive, and so yeah, it was I was like, 24 00:01:09,120 --> 00:01:11,039 Speaker 2: I'm going to pin this and look for my own 25 00:01:11,040 --> 00:01:11,520 Speaker 2: little farm. 26 00:01:11,640 --> 00:01:13,920 Speaker 1: Well, I've wanted to sit down with you and chat 27 00:01:14,280 --> 00:01:19,440 Speaker 1: about Beth, your character ever since I started watching Yellowstone. 28 00:01:19,720 --> 00:01:22,200 Speaker 1: What a character? Yeah, how long did it take you 29 00:01:22,280 --> 00:01:23,679 Speaker 1: to get into that character? 30 00:01:24,040 --> 00:01:28,240 Speaker 2: I mean, I've been playing Beth now since twenty seventeen, 31 00:01:28,840 --> 00:01:29,600 Speaker 2: so there's a long time. 32 00:01:29,760 --> 00:01:30,600 Speaker 1: Almost ten years. 33 00:01:30,600 --> 00:01:33,560 Speaker 2: It's almost wow years, and I don't know where the 34 00:01:33,560 --> 00:01:35,800 Speaker 2: time has gone. Honestly, it's been a hell of a 35 00:01:35,880 --> 00:01:40,160 Speaker 2: journey professionally, personally, I mean to have a character that 36 00:01:40,360 --> 00:01:44,640 Speaker 2: has sustained and changed and evolved when I first got 37 00:01:44,640 --> 00:01:47,520 Speaker 2: the role, when Taylor offered me Beth, I mean I 38 00:01:47,640 --> 00:01:51,160 Speaker 2: really there was some part of my deep in my 39 00:01:51,240 --> 00:01:53,960 Speaker 2: pit of my stomach that had to play her. Like 40 00:01:54,320 --> 00:01:56,560 Speaker 2: I was obsessed with her, but at the same time 41 00:01:56,640 --> 00:01:59,200 Speaker 2: I was I'd only read the first three episodes of 42 00:01:59,240 --> 00:02:01,960 Speaker 2: the first season of Yellowstone. That was that's all we had, 43 00:02:02,680 --> 00:02:06,000 Speaker 2: and I didn't know anything about her backstory, which Taylor 44 00:02:06,040 --> 00:02:09,040 Speaker 2: then went to sort of really film me in over 45 00:02:09,200 --> 00:02:12,120 Speaker 2: hours and hours and hours of discussion. But there was 46 00:02:12,280 --> 00:02:15,280 Speaker 2: just a gut instinct about this woman that I was 47 00:02:15,360 --> 00:02:18,760 Speaker 2: intrigued about, and I had to play her, but she 48 00:02:18,800 --> 00:02:20,320 Speaker 2: also terrified me and I didn't know how I was 49 00:02:20,320 --> 00:02:21,880 Speaker 2: going to do it, but that was part of it. 50 00:02:22,120 --> 00:02:24,519 Speaker 1: You come from England from Sussex. 51 00:02:25,080 --> 00:02:27,239 Speaker 2: Yeah, originally I'm sort of South London. 52 00:02:27,320 --> 00:02:31,080 Speaker 1: Sorry, you know, but the Susex and you have a 53 00:02:31,520 --> 00:02:35,200 Speaker 1: very strong British accent. I mean, I know you're an actress, 54 00:02:35,240 --> 00:02:38,760 Speaker 1: but this is a very difficult transition to the Montana 55 00:02:38,919 --> 00:02:41,120 Speaker 1: draw that you somehow adopted. 56 00:02:41,360 --> 00:02:44,639 Speaker 2: I mean, I have an incredible dialect coach, Jessica, who 57 00:02:44,720 --> 00:02:46,600 Speaker 2: is just I've worked with for years. I work with 58 00:02:46,639 --> 00:02:48,800 Speaker 2: her on all of the roles I've done in America. 59 00:02:48,919 --> 00:02:52,359 Speaker 2: My first American role was in a film called Flight 60 00:02:52,440 --> 00:02:55,680 Speaker 2: with that Bob Zamechi is directed with Denzel Washington, and 61 00:02:55,720 --> 00:02:58,120 Speaker 2: I met her there. I mean, I married to an 62 00:02:58,120 --> 00:03:00,240 Speaker 2: American and I live here most of the time, so 63 00:03:00,280 --> 00:03:03,560 Speaker 2: I'm surrounded by it. So you know what we sound, Yes, 64 00:03:03,680 --> 00:03:08,880 Speaker 2: but it's one thing then inhabiting, right, I worn't really diligently. 65 00:03:08,919 --> 00:03:10,720 Speaker 2: I have my she writes me out all these kind 66 00:03:10,760 --> 00:03:13,800 Speaker 2: of almost like voice dialect sheets that sort of just 67 00:03:14,240 --> 00:03:17,680 Speaker 2: it's not phonetics. It's like poor man's phonetics, where it's 68 00:03:17,720 --> 00:03:20,360 Speaker 2: it makes sense to me what it sounds like. I 69 00:03:20,400 --> 00:03:23,120 Speaker 2: have quite a weak r as Kelly. I think a 70 00:03:23,120 --> 00:03:28,760 Speaker 2: lot of english people do and Americans. So she sort 71 00:03:28,800 --> 00:03:31,320 Speaker 2: of really goes at me about my RS. But yeah, 72 00:03:31,360 --> 00:03:35,000 Speaker 2: so I I really immersed myself in the dialect. I 73 00:03:35,040 --> 00:03:38,280 Speaker 2: had done True Detective with her and so yeah, she's 74 00:03:38,280 --> 00:03:40,360 Speaker 2: still with me. I still do all my dialect sessions 75 00:03:40,400 --> 00:03:41,920 Speaker 2: with her. I don't skip a session. 76 00:03:42,560 --> 00:03:45,200 Speaker 1: You told me when we first met at the Dutton 77 00:03:45,280 --> 00:03:50,200 Speaker 1: Ranch premiere in Lincoln Center that you use some of 78 00:03:50,280 --> 00:03:54,920 Speaker 1: my characteristics in the development of beds. Is that true? Yeah, 79 00:03:54,960 --> 00:03:57,640 Speaker 1: it's true from my documentary or from my TV show. 80 00:03:57,520 --> 00:04:01,480 Speaker 2: Your Whole Vibe. Oh, an admire of yours for a 81 00:04:01,480 --> 00:04:05,480 Speaker 2: long time. I mean you. I mean the word iconic 82 00:04:05,520 --> 00:04:09,280 Speaker 2: gets banded around, but you are, and it's the way 83 00:04:09,320 --> 00:04:14,840 Speaker 2: you inhabit unapologetically who you are, but maintain your deep femininity. 84 00:04:15,080 --> 00:04:17,599 Speaker 2: I think that's something that I was really I think 85 00:04:17,760 --> 00:04:21,840 Speaker 2: successful women, especially as an entrepreneur and business and politics, 86 00:04:22,200 --> 00:04:26,200 Speaker 2: women almost have to erase their either their sexuality or 87 00:04:26,200 --> 00:04:28,800 Speaker 2: their femininity to sort of be taken serious. Tire you 88 00:04:28,839 --> 00:04:33,520 Speaker 2: cannot right and you reject all of those things. And 89 00:04:33,600 --> 00:04:36,559 Speaker 2: it's beautiful and I find it very live and very 90 00:04:37,000 --> 00:04:41,120 Speaker 2: The polarities of you are fascinating, and I think Beth 91 00:04:41,520 --> 00:04:42,960 Speaker 2: holds some of that well. 92 00:04:42,960 --> 00:04:45,680 Speaker 1: In the last episode of Dutton Ranch that I watched, 93 00:04:45,800 --> 00:04:49,400 Speaker 1: there is a scene where your co star and Net Benning, 94 00:04:49,560 --> 00:04:52,719 Speaker 1: Oh yeah, snaps at a housekeeper and tells her she's 95 00:04:52,839 --> 00:04:55,760 Speaker 1: using the wrong knife to cut the citrus. That's right 96 00:04:55,839 --> 00:04:58,839 Speaker 1: out of my out of my Netflix documentary. Do you 97 00:04:58,920 --> 00:05:00,000 Speaker 1: know that I didn't? 98 00:05:00,000 --> 00:05:00,760 Speaker 2: You do not know that? 99 00:05:00,880 --> 00:05:03,919 Speaker 1: It is because I snapped at one of my housekeepers 100 00:05:04,480 --> 00:05:08,039 Speaker 1: and I was embarrassed to stay in my documentary because yeah, 101 00:05:08,040 --> 00:05:11,480 Speaker 1: I snap at my helpers sometimes it's real. Yeah, it's real. 102 00:05:11,560 --> 00:05:14,719 Speaker 1: And she didn't take offense. She changed the knife. Yeah, 103 00:05:15,000 --> 00:05:17,680 Speaker 1: she was using the wrong knife to cut something. And 104 00:05:17,720 --> 00:05:21,560 Speaker 1: here's a Net Benning using that. That's probably a tailor 105 00:05:21,640 --> 00:05:23,600 Speaker 1: sheratan right writing He. 106 00:05:23,520 --> 00:05:27,279 Speaker 2: Didn't write this one, but Chad fie Hann wrote this season. 107 00:05:27,480 --> 00:05:30,440 Speaker 2: But I mean, she's somebody who you should speak to. 108 00:05:31,200 --> 00:05:35,159 Speaker 2: I mean, she's a fierce actress and a really a powerhouse. 109 00:05:35,200 --> 00:05:36,680 Speaker 2: But yeah, she had a lot of fun with that. 110 00:05:36,720 --> 00:05:38,760 Speaker 2: But yeah I could. I hadn't. That hadn't occurred to me. 111 00:05:38,880 --> 00:05:42,080 Speaker 1: Yeah, that's right out of my Netflix documentary. 112 00:05:42,279 --> 00:05:44,599 Speaker 2: But you know, it shows that humanity and there's nothing 113 00:05:44,640 --> 00:05:45,880 Speaker 2: worse in me. I know. 114 00:05:46,040 --> 00:05:48,880 Speaker 1: And you know what, it's real, y you expect a 115 00:05:48,960 --> 00:05:52,360 Speaker 1: Net Benning's character to be saying that, Yes, Wow, how 116 00:05:52,400 --> 00:05:54,080 Speaker 1: did you like working with a net being. 117 00:05:54,320 --> 00:05:57,440 Speaker 2: Net and Ed Harris? I mean they kind of made 118 00:05:57,440 --> 00:06:00,640 Speaker 2: our show legit because we could have just in a 119 00:06:00,760 --> 00:06:04,960 Speaker 2: sort of lightweight spin off, and to have these two masters, 120 00:06:05,279 --> 00:06:05,479 Speaker 2: you know. 121 00:06:05,640 --> 00:06:08,520 Speaker 1: I mean, Ed Harris is so good in the show. 122 00:06:08,720 --> 00:06:10,560 Speaker 2: He's the heart of the show. He's the good guy. 123 00:06:10,760 --> 00:06:14,840 Speaker 2: He's so good, the moral compass. And I needed Beth 124 00:06:14,920 --> 00:06:17,240 Speaker 2: to have a man that was not going to be 125 00:06:17,240 --> 00:06:19,720 Speaker 2: a father figure to her, but someone she always sort 126 00:06:19,720 --> 00:06:22,680 Speaker 2: of admires salty men and feels comfortable with them. And 127 00:06:23,279 --> 00:06:26,839 Speaker 2: Ed is just real and kind, and I think she 128 00:06:26,880 --> 00:06:28,800 Speaker 2: feels really safe with him. And I felt like that 129 00:06:28,839 --> 00:06:31,599 Speaker 2: with Ed, whereas a Net she just lit me up. 130 00:06:32,080 --> 00:06:33,359 Speaker 2: A Net is just like this. 131 00:06:34,240 --> 00:06:36,640 Speaker 1: You two could play off each other extremely well. 132 00:06:36,720 --> 00:06:39,240 Speaker 2: Yeah, Well, we built a foundation and I think I'm 133 00:06:39,279 --> 00:06:42,680 Speaker 2: excited to come back to really fine tune it. The 134 00:06:42,720 --> 00:06:45,960 Speaker 2: thing I love about older women who inhabit that I 135 00:06:46,040 --> 00:06:48,440 Speaker 2: call it the twinkly eye thing. That's like everything is 136 00:06:48,480 --> 00:06:51,800 Speaker 2: still very much alive. They are full of life and 137 00:06:51,880 --> 00:06:54,200 Speaker 2: humor and almost. 138 00:06:53,960 --> 00:06:57,600 Speaker 1: Like And she's had a pretty hideous life too, boy 139 00:06:57,839 --> 00:07:01,560 Speaker 1: difficult and net Yeah I don't know that so much. No, No, 140 00:07:01,600 --> 00:07:05,080 Speaker 1: I don't mean real life. 141 00:07:05,760 --> 00:07:07,159 Speaker 2: Yeah yeah, yeah, she's. 142 00:07:07,000 --> 00:07:10,000 Speaker 1: Been married to our hero Warren Batty. 143 00:07:10,160 --> 00:07:12,880 Speaker 2: Yes exactly. I was going to say, Bennette seems really 144 00:07:13,480 --> 00:07:16,720 Speaker 2: very happy and very lovely, but no, Butlah, for sure. 145 00:07:16,840 --> 00:07:20,120 Speaker 2: I think Beth and Butlah share this sort of burden 146 00:07:20,160 --> 00:07:22,600 Speaker 2: of knowing that they have to take care of, you know, 147 00:07:22,640 --> 00:07:24,720 Speaker 2: what it takes to take care of a ranch right 148 00:07:25,040 --> 00:07:27,840 Speaker 2: and for their men, and for the lineage of their family. 149 00:07:28,080 --> 00:07:29,560 Speaker 2: And Beth is rejecting that. 150 00:07:30,280 --> 00:07:34,400 Speaker 1: So Beth Dunton is such a force. She's fears, she's fearless, 151 00:07:34,440 --> 00:07:39,400 Speaker 1: she's unapologetic. How different is she from you in real life? 152 00:07:40,800 --> 00:07:42,680 Speaker 2: When I first took her on, I thought she was 153 00:07:42,720 --> 00:07:47,000 Speaker 2: completely as far away from me as possibly could imagine. 154 00:07:47,000 --> 00:07:50,679 Speaker 2: And as the years have gone on, I've understood parts 155 00:07:50,680 --> 00:07:51,680 Speaker 2: of myself in her. 156 00:07:51,960 --> 00:07:53,280 Speaker 1: What does your husband say? 157 00:07:53,480 --> 00:07:56,400 Speaker 2: I mean, I think she's fun to come home to 158 00:07:56,520 --> 00:07:58,240 Speaker 2: every now and then, but I don't think it's fund 159 00:07:58,240 --> 00:08:00,320 Speaker 2: to I don't think being married to Beth, and there's 160 00:08:00,360 --> 00:08:01,239 Speaker 2: a walking park. 161 00:08:01,840 --> 00:08:04,760 Speaker 1: Especially the Beth in Dutton Ranch is a little bit 162 00:08:04,880 --> 00:08:07,880 Speaker 1: to me, a little bit more understandable than the Beth 163 00:08:07,960 --> 00:08:12,520 Speaker 1: in Yellow Star. Yeah, you were really wild and yellow Stone. 164 00:08:12,280 --> 00:08:15,760 Speaker 2: Well that was you know, Taylor Sheridan's Beth. He carved 165 00:08:15,800 --> 00:08:18,680 Speaker 2: her from you know, his imagination, and it was such 166 00:08:18,840 --> 00:08:22,040 Speaker 2: such a force of nature, I mean, such a storm 167 00:08:22,080 --> 00:08:24,640 Speaker 2: of a woman. And I, you know, I just I 168 00:08:24,720 --> 00:08:26,880 Speaker 2: went for it with him, like I literally. 169 00:08:27,000 --> 00:08:29,400 Speaker 1: So you enjoy the badass energy, I. 170 00:08:29,440 --> 00:08:35,120 Speaker 2: Enjoy the audacity. I enjoy the fearlessness of her. But 171 00:08:35,800 --> 00:08:39,920 Speaker 2: the thing I loved most about Beth is her devotion 172 00:08:40,080 --> 00:08:43,560 Speaker 2: to the people she loves. And there is something very 173 00:08:43,559 --> 00:08:46,680 Speaker 2: tragic to me about her. Obviously, people lead with the 174 00:08:46,720 --> 00:08:48,920 Speaker 2: fierceness and the badass and all that, and I get it, 175 00:08:49,240 --> 00:08:51,800 Speaker 2: But for me, there is something about a woman who 176 00:08:51,880 --> 00:08:55,880 Speaker 2: felt responsible for her mother's death, and she felt like 177 00:08:55,960 --> 00:08:58,520 Speaker 2: she had to then dedicate her entire life to serving 178 00:08:58,520 --> 00:09:02,439 Speaker 2: her father to make up for it, and that weakness 179 00:09:02,440 --> 00:09:04,920 Speaker 2: in her had to be sort of cut out, which 180 00:09:05,040 --> 00:09:08,280 Speaker 2: I don't believe, but she does. And so but it 181 00:09:08,320 --> 00:09:13,240 Speaker 2: makes her incredibly admirable and exciting and in a fierce warrior, 182 00:09:13,880 --> 00:09:16,240 Speaker 2: and then when he died at the end of the show, 183 00:09:16,320 --> 00:09:19,199 Speaker 2: it was almost like I wanted to then it was 184 00:09:19,200 --> 00:09:21,600 Speaker 2: an opportunity for me to take Beth into a different 185 00:09:22,679 --> 00:09:26,600 Speaker 2: part time era of her life where she could be 186 00:09:26,679 --> 00:09:30,480 Speaker 2: a woman for herself, and I wondered what that might 187 00:09:30,520 --> 00:09:31,800 Speaker 2: look like for a minute. 188 00:09:31,840 --> 00:09:33,840 Speaker 1: And then you moved to Texas. 189 00:09:33,520 --> 00:09:38,520 Speaker 2: We moved. Everything got burned down literally furatively in every way. 190 00:09:38,600 --> 00:09:41,760 Speaker 1: That fire scene and the first scene of Dutton Ranch 191 00:09:41,880 --> 00:09:46,240 Speaker 1: is so tragic. Yeah, Oh, it's utterly pitiful. 192 00:09:46,400 --> 00:09:51,800 Speaker 2: So they finally get their dream. Yeah, but in a 193 00:09:51,880 --> 00:09:54,800 Speaker 2: way it was sort of emblematic of what what we 194 00:09:54,880 --> 00:09:55,280 Speaker 2: had to do. 195 00:09:55,679 --> 00:09:59,240 Speaker 1: Would you wake up thinking about your part when I'm 196 00:09:59,240 --> 00:09:59,720 Speaker 1: playing her? 197 00:10:00,360 --> 00:10:00,920 Speaker 2: I bet you do. 198 00:10:01,360 --> 00:10:03,800 Speaker 1: How long did it take to do the ten episodes 199 00:10:03,840 --> 00:10:05,760 Speaker 1: of Dutton Ranch Season one? 200 00:10:05,880 --> 00:10:08,400 Speaker 2: Gosh, Dutton Ranch took a little bit longer because we 201 00:10:08,400 --> 00:10:11,600 Speaker 2: were dealing with weather and Season one usually take their 202 00:10:11,679 --> 00:10:15,560 Speaker 2: trying to find their feet, you know, writing, And we 203 00:10:15,679 --> 00:10:18,240 Speaker 2: also filmed over the holidays, over Christmas, so we had 204 00:10:18,240 --> 00:10:20,160 Speaker 2: time off, so there was a little bit of a hiatus. 205 00:10:20,200 --> 00:10:22,080 Speaker 2: But all in all, we started in August and we 206 00:10:22,120 --> 00:10:22,920 Speaker 2: finished in March. 207 00:10:23,160 --> 00:10:23,439 Speaker 1: Wow. 208 00:10:23,600 --> 00:10:25,640 Speaker 2: Yeah, long, Yeah, it's a. 209 00:10:25,640 --> 00:10:28,480 Speaker 1: Long time and you're starting a new one when we. 210 00:10:28,400 --> 00:10:29,200 Speaker 2: Start in January. 211 00:10:29,280 --> 00:10:31,880 Speaker 1: Oh boy. Yeah, really good weather though, and I hope and. 212 00:10:32,040 --> 00:10:33,640 Speaker 2: I drink a bit cooler. Yeah. 213 00:10:34,280 --> 00:10:36,199 Speaker 1: So how do you leave birth at the end of 214 00:10:36,240 --> 00:10:38,000 Speaker 1: the day. Is it easier hard? 215 00:10:38,120 --> 00:10:39,320 Speaker 2: It used to be hard. Now? 216 00:10:39,520 --> 00:10:41,400 Speaker 1: Does your husband come on the shoots with you? 217 00:10:41,440 --> 00:10:43,600 Speaker 2: No, I mean he comes in to visit, but I 218 00:10:43,720 --> 00:10:45,320 Speaker 2: like to get home. If I have more than three 219 00:10:45,440 --> 00:10:47,040 Speaker 2: or four days off, I'm going to I usually come 220 00:10:47,080 --> 00:10:48,160 Speaker 2: on a plane and I go home. 221 00:10:49,440 --> 00:10:51,599 Speaker 1: I am back to Britain. Tag to Britain, back to 222 00:10:51,640 --> 00:10:52,480 Speaker 1: New York. Oh, New York. 223 00:10:52,640 --> 00:10:57,040 Speaker 2: Yeah, Britain would be a bit too far. But no. 224 00:10:57,200 --> 00:11:01,760 Speaker 2: I when I was in Montana and we would have 225 00:11:01,880 --> 00:11:03,920 Speaker 2: like I had a lovely little cabin in the mountains, 226 00:11:03,960 --> 00:11:06,400 Speaker 2: and he would come out, and my dog would come out, 227 00:11:06,440 --> 00:11:08,760 Speaker 2: my family would come out, and I loved that. But 228 00:11:09,120 --> 00:11:11,400 Speaker 2: usually when I'm filming, I get a bit tunnel vision 229 00:11:11,640 --> 00:11:13,400 Speaker 2: and I don't like to be distracted, and I need 230 00:11:13,840 --> 00:11:15,440 Speaker 2: work really long hours. And I come home and I 231 00:11:15,480 --> 00:11:17,360 Speaker 2: do my dialect and I learn my lines and I 232 00:11:17,400 --> 00:11:21,160 Speaker 2: go to bed. So I'm not really much fun to 233 00:11:21,240 --> 00:11:22,960 Speaker 2: be around. But he would come in and cook for 234 00:11:23,040 --> 00:11:24,680 Speaker 2: me and give me a hug. 235 00:11:35,400 --> 00:11:40,360 Speaker 1: So, city life or country life, Where do you really belong? 236 00:11:41,080 --> 00:11:44,760 Speaker 2: Definitely not city to live. As much as I love 237 00:11:44,840 --> 00:11:47,640 Speaker 2: going in to go see a play, go to dinner, 238 00:11:47,920 --> 00:11:51,080 Speaker 2: go see some art, I love to get out again, 239 00:11:51,120 --> 00:11:51,400 Speaker 2: you have. 240 00:11:51,360 --> 00:11:53,640 Speaker 1: To come move to Bedford. We have a very nice 241 00:11:53,720 --> 00:11:57,000 Speaker 1: artistic community of here. This is like Beverly Hills of 242 00:11:57,040 --> 00:12:00,560 Speaker 1: the East. It is a lot of movies to here, 243 00:12:00,600 --> 00:12:02,760 Speaker 1: and a producer just moved across the street from me 244 00:12:02,800 --> 00:12:06,760 Speaker 1: and they're so nice. Matt Damon lives here really Yeah. 245 00:12:07,160 --> 00:12:10,480 Speaker 2: Yeah, see I like the idea of being quite remote 246 00:12:10,600 --> 00:12:11,760 Speaker 2: from anybody. 247 00:12:11,800 --> 00:12:13,240 Speaker 1: Oh, they don't hang out altogether. 248 00:12:12,960 --> 00:12:15,040 Speaker 2: Don't hang out, but it's nice to know that you can. 249 00:12:15,240 --> 00:12:17,640 Speaker 1: Yeah. They come to community parties. 250 00:12:17,320 --> 00:12:19,800 Speaker 2: Have all the nice restaurants and things like that. 251 00:12:20,080 --> 00:12:23,679 Speaker 1: So you like country posted pictures of a country garden 252 00:12:24,360 --> 00:12:25,040 Speaker 1: my cottage. 253 00:12:25,080 --> 00:12:28,120 Speaker 2: Our cottage in England is almost three hundred and twenty 254 00:12:28,200 --> 00:12:33,520 Speaker 2: years old and we've had it for about fifteen years now. 255 00:12:34,040 --> 00:12:37,160 Speaker 2: I've been slowly building my garden there and it's sort 256 00:12:37,160 --> 00:12:40,480 Speaker 2: of I mean, I have people who help. I'm learning 257 00:12:40,679 --> 00:12:41,800 Speaker 2: and I really would like. 258 00:12:41,800 --> 00:12:43,439 Speaker 1: So what kinds of things are you planting? 259 00:12:43,559 --> 00:12:45,920 Speaker 2: Well? I don't have vegetables because I'm never long enough 260 00:12:46,000 --> 00:12:48,520 Speaker 2: in a place that is my dream. And I drove 261 00:12:48,559 --> 00:12:52,240 Speaker 2: through your estate, my goodness or your. 262 00:12:52,280 --> 00:12:54,680 Speaker 1: This is this is a farm. We call it a farm. 263 00:12:54,720 --> 00:12:55,640 Speaker 1: It Yeah, I love it. 264 00:12:55,800 --> 00:12:57,079 Speaker 2: This is a perfect size. 265 00:12:57,240 --> 00:13:00,000 Speaker 1: Yeah, it's a farm at very close to New York. 266 00:13:00,040 --> 00:13:02,000 Speaker 1: I can commute to New York every day, which I do. 267 00:13:02,679 --> 00:13:05,120 Speaker 1: It's one hundred and fifty six acres, which is also 268 00:13:05,280 --> 00:13:07,640 Speaker 1: large for that close to New York. I grow all 269 00:13:07,640 --> 00:13:10,760 Speaker 1: my vegetables. I have all my eggs from the chickens 270 00:13:10,800 --> 00:13:12,520 Speaker 1: and the guin yourself way to live. 271 00:13:12,640 --> 00:13:14,520 Speaker 2: Yes, I mean, I remember guessing when I came to 272 00:13:14,559 --> 00:13:17,240 Speaker 2: New York in twenty ten. Is when I moved here 273 00:13:17,320 --> 00:13:22,400 Speaker 2: twenty eleven. I remember getting your magazine. Oh good, And 274 00:13:22,520 --> 00:13:24,880 Speaker 2: that's probably when I started to really because in England, 275 00:13:24,920 --> 00:13:27,920 Speaker 2: I didn't necessarily know, didn't grow up with your show, 276 00:13:28,320 --> 00:13:30,600 Speaker 2: but I came to America. It was something that I 277 00:13:30,760 --> 00:13:33,120 Speaker 2: remember looking at your monthly schedule. 278 00:13:33,920 --> 00:13:37,679 Speaker 1: Oh yes, gentle reminder was amazing, and you know a 279 00:13:37,720 --> 00:13:40,880 Speaker 1: lot of people followed that. That was a very clever 280 00:13:41,040 --> 00:13:43,640 Speaker 1: thing in the magazine because it reminded people of what 281 00:13:43,720 --> 00:13:44,480 Speaker 1: had to be done. 282 00:13:44,600 --> 00:13:46,800 Speaker 2: Yeah, and I was just like, she's so fucking busy. 283 00:13:47,080 --> 00:13:49,880 Speaker 1: I am, I still am. Does she do it. 284 00:13:49,800 --> 00:13:52,200 Speaker 2: All by herself? I mean you do do a lot. 285 00:13:52,440 --> 00:13:55,560 Speaker 1: Yeah, I know. My hands are in every single thing, 286 00:13:55,600 --> 00:13:58,160 Speaker 1: but I have very very good help here. 287 00:13:58,280 --> 00:13:58,920 Speaker 2: Yeah, I couldn't. 288 00:13:58,960 --> 00:14:02,120 Speaker 1: And I have a great head gardener, and I have 289 00:14:02,600 --> 00:14:06,280 Speaker 1: groundskeepers who are delightful and so hard working, and they 290 00:14:06,280 --> 00:14:08,560 Speaker 1: can do everything. They can prune trees and dig holes, 291 00:14:08,600 --> 00:14:10,880 Speaker 1: fixed fences, they can do all that stuff, just like 292 00:14:10,960 --> 00:14:13,760 Speaker 1: Taylor has on his ranch. He has great guys down there. 293 00:14:13,960 --> 00:14:15,959 Speaker 2: Yeah, you need the caretakers. 294 00:14:15,320 --> 00:14:20,000 Speaker 1: In my room and the stable Helen is fantastic. So 295 00:14:20,040 --> 00:14:21,240 Speaker 1: we have we have good stuff. 296 00:14:21,280 --> 00:14:23,800 Speaker 2: But your trees, Oh, I love you. 297 00:14:24,040 --> 00:14:25,520 Speaker 1: I just want you to know. I'll take you around 298 00:14:25,520 --> 00:14:27,560 Speaker 1: a little bit after the podcast, but I want you 299 00:14:27,600 --> 00:14:30,040 Speaker 1: to know that almost every tree you see I planted 300 00:14:30,080 --> 00:14:32,800 Speaker 1: in the last twenty years, and so you know, I've 301 00:14:32,800 --> 00:14:33,640 Speaker 1: been here twenty years. 302 00:14:33,640 --> 00:14:36,440 Speaker 2: It's a long time, but it's such an amazing thing 303 00:14:36,520 --> 00:14:39,560 Speaker 2: to pass on. It's like steward Ship. Yeah, which is 304 00:14:39,640 --> 00:14:43,160 Speaker 2: the show really, you know, being a custodian and protector 305 00:14:43,200 --> 00:14:44,080 Speaker 2: of always Land. 306 00:14:44,240 --> 00:14:45,280 Speaker 1: What's your favorite flower? 307 00:14:45,960 --> 00:14:48,680 Speaker 2: Oh? I mean I have to say a rose yes, 308 00:14:48,720 --> 00:14:50,960 Speaker 2: and I do love roses and I do love I. 309 00:14:50,840 --> 00:14:53,520 Speaker 1: Mean, can you grow good roses on your I have good. 310 00:14:53,440 --> 00:14:57,000 Speaker 2: Roses, Yeah, I grew. I've planted a bunch of roses 311 00:14:57,000 --> 00:14:59,080 Speaker 2: a couple of years ago and they're doing so great 312 00:14:59,120 --> 00:15:00,000 Speaker 2: this year. Yeah. 313 00:15:00,080 --> 00:15:02,640 Speaker 1: Yeah. The climate climate is so beautiful there. 314 00:15:02,800 --> 00:15:05,200 Speaker 2: Yeah, it's hot right now though, I mean my garden 315 00:15:05,240 --> 00:15:05,880 Speaker 2: is sweltering. 316 00:15:05,880 --> 00:15:09,160 Speaker 1: I think the water yeah, every. 317 00:15:09,560 --> 00:15:12,440 Speaker 2: Yeah, but it's one of the things I love is 318 00:15:12,440 --> 00:15:14,480 Speaker 2: when all the trees come in, you know, I say, 319 00:15:14,480 --> 00:15:15,720 Speaker 2: the green, when the green is back. 320 00:15:15,760 --> 00:15:17,520 Speaker 1: What's your favorite time there in England? 321 00:15:18,160 --> 00:15:21,280 Speaker 2: Okay, So summer is probably my least favorite time. I 322 00:15:21,360 --> 00:15:23,560 Speaker 2: find there's too many hours of light in a day. 323 00:15:23,600 --> 00:15:25,400 Speaker 2: I actually don't mind it when the clocks go back 324 00:15:25,440 --> 00:15:27,440 Speaker 2: and it starts to get a bit darker and cozier. 325 00:15:27,520 --> 00:15:30,960 Speaker 2: So I love October, November, I love. I love the 326 00:15:31,000 --> 00:15:34,160 Speaker 2: foliage in fall. But I also I think May, when 327 00:15:34,200 --> 00:15:35,960 Speaker 2: my garden is waking up and it. 328 00:15:35,920 --> 00:15:37,160 Speaker 1: All comes that's my favorite time. 329 00:15:37,320 --> 00:15:39,200 Speaker 2: It's just like that's when I'm in the garden and 330 00:15:39,200 --> 00:15:40,520 Speaker 2: the bus flies it out. 331 00:15:40,400 --> 00:15:42,960 Speaker 1: And that's when I that's when I schedule garden tours. 332 00:15:42,960 --> 00:15:45,240 Speaker 1: Do you let people come and through your gardener. 333 00:15:45,200 --> 00:15:47,440 Speaker 2: To friends, but no, I've never done that. 334 00:15:47,720 --> 00:15:50,600 Speaker 1: Might well, when you get a little a little older 335 00:15:50,640 --> 00:15:53,840 Speaker 1: and you and you're slowing down and your acting career, 336 00:15:54,360 --> 00:15:58,760 Speaker 1: you know, it's nice is to share it with garden groups. 337 00:15:59,200 --> 00:16:03,040 Speaker 1: You know, people come. I let garden clubs come and visit. 338 00:16:03,760 --> 00:16:06,640 Speaker 1: We have a garden conservancy in this area that our 339 00:16:06,760 --> 00:16:10,840 Speaker 1: nationwide actually in America, that visits important gardens everywhere and 340 00:16:11,160 --> 00:16:13,800 Speaker 1: that you learn from it. I love to see gardens. 341 00:16:14,080 --> 00:16:17,760 Speaker 2: Yeah, me too. I mean it's my grandmother. Both my 342 00:16:17,800 --> 00:16:21,400 Speaker 2: grandmothers were gardeners, and my grandfather in Ireland was a 343 00:16:21,440 --> 00:16:25,040 Speaker 2: head gardener a big estate, and so it's in my 344 00:16:25,240 --> 00:16:28,280 Speaker 2: DNA and I always remember my grandmother just walking around 345 00:16:28,280 --> 00:16:30,640 Speaker 2: gardens and looking at things. And I don't think it 346 00:16:30,680 --> 00:16:32,880 Speaker 2: was something I appreciated when I was younger, but as 347 00:16:32,920 --> 00:16:35,160 Speaker 2: I've getten older, it's my biggest joy. 348 00:16:35,280 --> 00:16:36,560 Speaker 1: Have you always been an actress? 349 00:16:36,840 --> 00:16:37,080 Speaker 2: Yeah? 350 00:16:37,320 --> 00:16:41,360 Speaker 1: Yeah, that was your chosen profession from day one. 351 00:16:41,480 --> 00:16:44,440 Speaker 2: I didn't know. You know, I come from quite a 352 00:16:44,480 --> 00:16:47,080 Speaker 2: working class family. Nobody. I didn't grow up with people 353 00:16:47,160 --> 00:16:49,760 Speaker 2: actors in my family. I didn't know any actors, so 354 00:16:49,800 --> 00:16:52,160 Speaker 2: it's I had really great drama teachers when I was 355 00:16:52,160 --> 00:16:56,000 Speaker 2: about fourteen fifteen years old. I was so lucky. Without them, 356 00:16:56,240 --> 00:16:58,720 Speaker 2: I wouldn't be here, and I wouldn't there's no way. 357 00:16:58,840 --> 00:17:00,960 Speaker 2: And they took me to this theater. They gave me 358 00:17:00,960 --> 00:17:03,360 Speaker 2: plays to read, and it was like catching a bargo 359 00:17:03,440 --> 00:17:05,680 Speaker 2: is so obsessed. It was the only thing I wanted 360 00:17:05,720 --> 00:17:05,919 Speaker 2: to do. 361 00:17:06,680 --> 00:17:10,200 Speaker 1: You've done lots of riding on the show. Did Beth 362 00:17:10,280 --> 00:17:12,440 Speaker 1: make you fearless when it comes to riding or did 363 00:17:12,440 --> 00:17:13,960 Speaker 1: you already have a love of horses? 364 00:17:14,080 --> 00:17:16,560 Speaker 2: And Beth was afraid of horses, which was a really 365 00:17:16,600 --> 00:17:19,960 Speaker 2: interesting character trait that Taylor had given her. There was 366 00:17:20,000 --> 00:17:22,080 Speaker 2: an accident when she was very young in season one 367 00:17:22,280 --> 00:17:24,960 Speaker 2: where she was afraid and the horse felt her fear 368 00:17:25,480 --> 00:17:28,520 Speaker 2: and she didn't how to control it, and it reared 369 00:17:28,600 --> 00:17:30,600 Speaker 2: and there was a big accident and the horse landed. 370 00:17:30,600 --> 00:17:34,080 Speaker 2: It spunt two legs on her mother's chest and crushed 371 00:17:34,080 --> 00:17:36,760 Speaker 2: her chest and she died. And as she was looking 372 00:17:36,760 --> 00:17:39,560 Speaker 2: at Beth, she says, this is your fault as she died. Yeah, 373 00:17:39,600 --> 00:17:41,520 Speaker 2: it's almost something that have of a Greek tragedy. I 374 00:17:41,560 --> 00:17:44,880 Speaker 2: was like, that is some great stuff psychologically to get 375 00:17:44,880 --> 00:17:47,400 Speaker 2: my head around. So Beth had a fear of horses 376 00:17:47,440 --> 00:17:50,159 Speaker 2: and a hatred of horses. And it was something that 377 00:17:50,320 --> 00:17:52,639 Speaker 2: over the course of the seasons I wanted and Taylor 378 00:17:52,680 --> 00:17:54,879 Speaker 2: started to sort of heal and fix in her and 379 00:17:54,880 --> 00:17:57,359 Speaker 2: to overcome this fear. She couldn't be a rancher's daughter 380 00:17:57,400 --> 00:17:58,360 Speaker 2: and afraid of horses. 381 00:17:59,040 --> 00:18:02,919 Speaker 1: And there's something very grounding about ranch work. Did the 382 00:18:03,000 --> 00:18:04,960 Speaker 1: rhythm of that life appeal to you? 383 00:18:05,760 --> 00:18:07,639 Speaker 2: Ranching is hard, hard work? 384 00:18:08,119 --> 00:18:09,640 Speaker 1: Is I am not repetitious? 385 00:18:10,160 --> 00:18:12,720 Speaker 2: I mean to be a cowboy if I see. 386 00:18:12,640 --> 00:18:14,719 Speaker 1: Rip gets up on his horse one more time, just 387 00:18:14,720 --> 00:18:19,120 Speaker 1: to go out with that whole gang of ranchers. It's work, 388 00:18:19,359 --> 00:18:22,360 Speaker 1: day in and day, grounding up the cowl. 389 00:18:22,480 --> 00:18:24,840 Speaker 2: It's a way of life. And I, you know, I've 390 00:18:24,880 --> 00:18:26,920 Speaker 2: gotten to know a lot of real cowboys, a lot 391 00:18:26,960 --> 00:18:30,199 Speaker 2: of our wranglers. They're the real deal. As you know. 392 00:18:30,280 --> 00:18:36,840 Speaker 2: Will Taylor's universe, of the authentic way he portrays and 393 00:18:36,880 --> 00:18:40,280 Speaker 2: tells the story of ranchers and cowboys is very, very 394 00:18:41,200 --> 00:18:45,320 Speaker 2: very true. And so it doesn't I don't imagine myself 395 00:18:45,359 --> 00:18:48,560 Speaker 2: ever to have that life, but I really truly admire it. 396 00:18:48,480 --> 00:18:51,480 Speaker 1: Well, the true grid that it takes to be a rancher, 397 00:18:51,600 --> 00:18:55,600 Speaker 1: the way that you guys are ranching is pretty horrendous. 398 00:18:55,640 --> 00:18:58,080 Speaker 1: I think the worst so far that I've seen is 399 00:18:58,080 --> 00:19:00,840 Speaker 1: the hoof and mouth disease. I know that was. 400 00:19:01,080 --> 00:19:05,160 Speaker 2: Horrible, awful, I think, and we lived. 401 00:19:04,920 --> 00:19:07,040 Speaker 1: Through that a few years ago. You in England they 402 00:19:07,119 --> 00:19:09,920 Speaker 1: put down so many hour I remember it was remembering. 403 00:19:10,680 --> 00:19:13,639 Speaker 2: You would just see in the countryside smoke because they 404 00:19:13,640 --> 00:19:16,760 Speaker 2: were just having to cremate every all of the cattle. 405 00:19:16,880 --> 00:19:18,800 Speaker 2: It was it was so hot. 406 00:19:18,600 --> 00:19:22,600 Speaker 1: Breaking And then that's seen in Dutton Ranch. But I 407 00:19:22,600 --> 00:19:24,720 Speaker 1: don't want to ruin it for the It doesn't ruin 408 00:19:24,720 --> 00:19:26,520 Speaker 1: it because it's so horrible, No. 409 00:19:26,440 --> 00:19:29,560 Speaker 2: It's I think there's something about just showing how hard 410 00:19:29,560 --> 00:19:31,880 Speaker 2: it is, because I think the life of the cowboy 411 00:19:32,119 --> 00:19:36,240 Speaker 2: can be romanticized or any outdoor life. But riding for 412 00:19:36,320 --> 00:19:37,919 Speaker 2: me was something I did all my life. I mean 413 00:19:37,960 --> 00:19:41,000 Speaker 2: I grew up riding. My brother was a golfer and 414 00:19:41,440 --> 00:19:43,040 Speaker 2: they used to drop my mum used to drop me 415 00:19:43,040 --> 00:19:45,520 Speaker 2: off at the little local riding stables and I get lessons. 416 00:19:45,560 --> 00:19:47,960 Speaker 2: I'm talking about seven, eight, nine, ten, and then by 417 00:19:48,000 --> 00:19:50,439 Speaker 2: the time I was thirteen fourteen, I was working at 418 00:19:50,440 --> 00:19:53,240 Speaker 2: a stables. I was mucking out the horses. 419 00:19:52,840 --> 00:19:55,639 Speaker 1: And you look very natural exercising. 420 00:19:55,200 --> 00:19:56,960 Speaker 2: The polar horses, and I thought that was going to 421 00:19:57,000 --> 00:20:00,360 Speaker 2: be my life, honestly, horses. I thought that's probably where 422 00:20:00,400 --> 00:20:02,080 Speaker 2: I would passion. 423 00:20:03,000 --> 00:20:06,600 Speaker 1: You become a rancher well too. Are you tempted to 424 00:20:06,640 --> 00:20:07,840 Speaker 1: buy a ranch in Texas? 425 00:20:07,920 --> 00:20:10,600 Speaker 2: No, I'm not. I would definitely buy a farm up 426 00:20:10,640 --> 00:20:14,640 Speaker 2: here and maybe or in I mean in England. That's 427 00:20:14,680 --> 00:20:15,960 Speaker 2: my dream. I have a little bit. 428 00:20:15,840 --> 00:20:18,399 Speaker 1: Of land or anytime you want to ride, you're welcome 429 00:20:18,440 --> 00:20:21,480 Speaker 1: to come and ride one of my stress that they're 430 00:20:21,560 --> 00:20:24,560 Speaker 1: lovely and we have nice trails here. We have like 431 00:20:24,640 --> 00:20:27,920 Speaker 1: a couple hundred miles of trails in Bedford. I would 432 00:20:27,960 --> 00:20:31,280 Speaker 1: love it and it's very pretty to ride through. Yeah, 433 00:20:31,280 --> 00:20:33,880 Speaker 1: when you're not on set, what does your perfect day 434 00:20:33,920 --> 00:20:34,760 Speaker 1: at home look like? 435 00:20:35,920 --> 00:20:40,159 Speaker 2: You know? I love being home. I'm such a homebird. 436 00:20:40,960 --> 00:20:45,400 Speaker 2: I am not a particularly social creature. And also when 437 00:20:45,400 --> 00:20:48,240 Speaker 2: i'm filming, I'm away from home, so I'm always away, 438 00:20:48,280 --> 00:20:50,240 Speaker 2: and I'm always traveling, and I'm always staying in somebody 439 00:20:50,280 --> 00:20:52,320 Speaker 2: else's house that i'm renting, or a hotel room or 440 00:20:52,320 --> 00:20:55,000 Speaker 2: a plane. So when I'm not working and I've done 441 00:20:55,240 --> 00:20:59,040 Speaker 2: like God, I did another show called Understalt Marsh in England. 442 00:21:00,040 --> 00:21:03,600 Speaker 2: So it's Yellowstone, six episodes of Under Salt Marsh, and 443 00:21:03,640 --> 00:21:07,000 Speaker 2: then nine episodes of Under Now it is, Yeah, it's 444 00:21:07,000 --> 00:21:08,960 Speaker 2: on sky, but I'm not sure where it's coming here. 445 00:21:08,960 --> 00:21:09,840 Speaker 2: It's coming to. 446 00:21:09,760 --> 00:21:13,120 Speaker 1: Them, it's not it's not here yet. Oh we're watching that. 447 00:21:13,119 --> 00:21:14,240 Speaker 1: That gets on the calendar. 448 00:21:15,240 --> 00:21:17,720 Speaker 2: I hadn't stopped for a long time, and I kind 449 00:21:17,720 --> 00:21:20,040 Speaker 2: of got a bit By the time we finished Dutton Ranch. 450 00:21:20,080 --> 00:21:22,120 Speaker 2: I was like, I'm going to gift myself some time 451 00:21:22,200 --> 00:21:25,439 Speaker 2: off and just to be home. So my favorite I 452 00:21:25,480 --> 00:21:28,359 Speaker 2: think my favorite day would probably be with my dog. 453 00:21:29,400 --> 00:21:30,920 Speaker 1: What kind of dog? 454 00:21:31,040 --> 00:21:34,960 Speaker 2: My dog. He's the standard Schnauzer and he is one 455 00:21:35,000 --> 00:21:36,880 Speaker 2: of the great loves of my life. 456 00:21:36,920 --> 00:21:37,800 Speaker 1: So there was in England. 457 00:21:38,040 --> 00:21:41,880 Speaker 2: Now he's new. He's cross country with me about five 458 00:21:41,960 --> 00:21:44,560 Speaker 2: times and he comes over to England with us. But 459 00:21:44,640 --> 00:21:47,840 Speaker 2: he's fifteen now, so he's slowing down, you know. To 460 00:21:47,880 --> 00:21:49,920 Speaker 2: take him up by the water and sit with him 461 00:21:49,960 --> 00:21:52,000 Speaker 2: there and he's just We used to go swimming with him, 462 00:21:52,600 --> 00:21:55,240 Speaker 2: my nieces, coming to hang out, my husband, probably on 463 00:21:55,240 --> 00:21:59,320 Speaker 2: the barbecue or cooking and just posturing around at home. 464 00:22:00,440 --> 00:22:02,520 Speaker 2: Things at home probably my favorite. 465 00:22:02,560 --> 00:22:03,040 Speaker 1: Do you cook? 466 00:22:03,520 --> 00:22:05,800 Speaker 2: I do, but not as much as he does. I 467 00:22:05,920 --> 00:22:07,920 Speaker 2: used to do a lot more. It's on my list 468 00:22:08,000 --> 00:22:10,000 Speaker 2: of like things I want to catch up with. 469 00:22:10,119 --> 00:22:12,080 Speaker 1: Do you like to eat? Do you love to eat 470 00:22:12,359 --> 00:22:14,320 Speaker 1: in New York City? What's your favorite restaurant? 471 00:22:16,000 --> 00:22:18,080 Speaker 2: I haven't been. I had an apartment in the city. 472 00:22:18,160 --> 00:22:20,840 Speaker 2: We did for years, and we left it in twenty 473 00:22:20,880 --> 00:22:23,120 Speaker 2: seventeen because we weren't using it. So when I go 474 00:22:23,160 --> 00:22:26,399 Speaker 2: into the city, there is a restaurant called Supper in 475 00:22:26,440 --> 00:22:29,320 Speaker 2: the East Village, which is we used to be our 476 00:22:29,320 --> 00:22:32,000 Speaker 2: local haunt. We used to go in their local neighborhood restaurant, 477 00:22:32,000 --> 00:22:33,040 Speaker 2: which was great. What's yours? 478 00:22:33,080 --> 00:22:37,359 Speaker 1: I love Japanese food. I'm generally going to sushi a 479 00:22:37,440 --> 00:22:39,160 Speaker 1: suda joji. 480 00:22:39,440 --> 00:22:39,640 Speaker 2: Yeah. 481 00:22:39,680 --> 00:22:43,400 Speaker 1: I like really good Japanese food. I always feel good 482 00:22:43,440 --> 00:22:45,760 Speaker 1: after I eat that kind of meal. There's another restaurant 483 00:22:45,840 --> 00:22:48,600 Speaker 1: four two five on Park Avenue that's very nice too. 484 00:22:48,680 --> 00:22:50,360 Speaker 1: That's Jean George beautiful. 485 00:22:50,440 --> 00:22:54,119 Speaker 2: Yeah. I know that you go to senn in sak Harbor. Oh. 486 00:22:54,160 --> 00:22:58,880 Speaker 1: I have been there. I love Yeah. Sooking is cooking 487 00:22:58,960 --> 00:22:59,760 Speaker 1: is secondary? 488 00:23:00,119 --> 00:23:03,040 Speaker 2: Well, it's not for lack of one. The idea of 489 00:23:03,080 --> 00:23:05,359 Speaker 2: spending a day in the kitchen. It seems like a 490 00:23:05,440 --> 00:23:08,399 Speaker 2: luxury to me, but I just haven't really It's like 491 00:23:08,440 --> 00:23:10,960 Speaker 2: being in the garden. It's almost like it's after everything 492 00:23:10,960 --> 00:23:12,879 Speaker 2: else you have done or need to do, then you 493 00:23:12,920 --> 00:23:13,560 Speaker 2: get out there. 494 00:23:27,480 --> 00:23:29,640 Speaker 1: So if you were hosting a dinner party, what would 495 00:23:29,680 --> 00:23:34,160 Speaker 1: be on the table and who would be your guests? Oh? 496 00:23:35,119 --> 00:23:39,840 Speaker 2: I'm not a big hostess. I'm good at smaller groups, 497 00:23:40,040 --> 00:23:42,320 Speaker 2: like two people one person. I like one on one 498 00:23:42,400 --> 00:23:44,399 Speaker 2: more than a big group. I think groups sort of 499 00:23:44,880 --> 00:23:49,240 Speaker 2: give me anxiety a little bit. But my husband would 500 00:23:49,240 --> 00:23:51,159 Speaker 2: be on the barbecue probably, I'll be making all the 501 00:23:51,200 --> 00:23:55,760 Speaker 2: salads and the sides, and I would probably have my family, yeah, 502 00:23:56,320 --> 00:23:57,159 Speaker 2: and my best friends. 503 00:23:57,400 --> 00:23:59,880 Speaker 1: I like that too. But the last Saturday I entered 504 00:23:59,880 --> 00:24:03,200 Speaker 1: you in two hundred and twenty at a two hundred 505 00:24:03,200 --> 00:24:07,280 Speaker 1: and fiftieth Anniversary of America party, turned out to be 506 00:24:07,320 --> 00:24:11,040 Speaker 1: a perfect evening, rain held off, and we celebrated John Jay, 507 00:24:11,160 --> 00:24:13,720 Speaker 1: that one of our founding fathers. So we have quite 508 00:24:14,000 --> 00:24:14,879 Speaker 1: quite a time. 509 00:24:15,440 --> 00:24:18,320 Speaker 2: How do you do that two hundred and fifty people? 510 00:24:18,480 --> 00:24:19,919 Speaker 1: Well, I had a lot of help. I have a 511 00:24:20,000 --> 00:24:22,879 Speaker 1: chef who does a beautiful job, and there was a 512 00:24:22,920 --> 00:24:26,520 Speaker 1: crew of volunteers from the John Jay House that's right 513 00:24:26,560 --> 00:24:30,000 Speaker 1: down the road. We're raising money for its restoration right now. 514 00:24:30,359 --> 00:24:32,639 Speaker 1: Is there a lot of restoration going on in Sussex. 515 00:24:33,040 --> 00:24:36,000 Speaker 2: Yeah, I mean I'm restoring my cottage right now, Like 516 00:24:36,080 --> 00:24:39,119 Speaker 2: we're just slowly kind of renovating it and getting it 517 00:24:39,160 --> 00:24:42,800 Speaker 2: back to its sort of strong bones. But I love 518 00:24:43,000 --> 00:24:47,120 Speaker 2: old houses, anything that's old and crumbly and has character, 519 00:24:47,320 --> 00:24:51,480 Speaker 2: all the old wooden beans and the England nook fireplaces. 520 00:24:52,119 --> 00:24:55,200 Speaker 2: Actually my cottage is in the v and a gallery. 521 00:24:55,280 --> 00:24:55,840 Speaker 1: Oh what it is. 522 00:24:56,280 --> 00:24:59,040 Speaker 2: It's a constable painted a lot down in West Sussex 523 00:25:00,080 --> 00:25:05,000 Speaker 2: and it's an old mill cottage. So I just yeah, 524 00:25:05,040 --> 00:25:07,000 Speaker 2: there's a little there's a little stream. It just comes 525 00:25:07,000 --> 00:25:10,719 Speaker 2: from the South Downs and it's just it's really a 526 00:25:10,760 --> 00:25:13,919 Speaker 2: magical place where where that cottage is because it's it 527 00:25:13,960 --> 00:25:16,439 Speaker 2: can't be built on it's protected land. And you go 528 00:25:16,520 --> 00:25:18,840 Speaker 2: out my garden at the gate and then up the 529 00:25:18,880 --> 00:25:22,199 Speaker 2: hill and there's the field that I really want my 530 00:25:22,320 --> 00:25:25,480 Speaker 2: horses one day when I can be home a bit longer. 531 00:25:25,640 --> 00:25:28,000 Speaker 2: And then you walk you're basically onto the South Downs 532 00:25:28,000 --> 00:25:31,399 Speaker 2: and you can just walk for miles and miles and miles. 533 00:25:31,800 --> 00:25:33,040 Speaker 1: Yeah, there's those nice trails. 534 00:25:33,880 --> 00:25:36,000 Speaker 2: Yeah, there's a walking trail right at the bottom of 535 00:25:36,040 --> 00:25:39,280 Speaker 2: my garden. So I get a lot of ramblers. They 536 00:25:39,400 --> 00:25:40,919 Speaker 2: just come in the gate and You're just like, no, 537 00:25:41,040 --> 00:25:42,000 Speaker 2: it's that way. 538 00:25:42,440 --> 00:25:43,280 Speaker 1: Put a little arrow. 539 00:25:43,440 --> 00:25:46,439 Speaker 2: Yeah, I just built. I just had a shepherd up 540 00:25:46,480 --> 00:25:49,520 Speaker 2: built in my garden, which is really special. So it's 541 00:25:49,560 --> 00:25:51,520 Speaker 2: just right on my pond where the willow tree is, 542 00:25:51,560 --> 00:25:54,920 Speaker 2: and it's just I just love being in the trees 543 00:25:54,960 --> 00:25:57,680 Speaker 2: and in nature and just somewhere to just get really 544 00:25:57,800 --> 00:26:03,199 Speaker 2: quiet and just restore a little bit and read and 545 00:26:03,240 --> 00:26:06,600 Speaker 2: then go out into the world and do this crazy job. 546 00:26:06,880 --> 00:26:08,600 Speaker 1: But yeah, you have a crazy job, but you have 547 00:26:08,760 --> 00:26:12,359 Speaker 1: such opportunity and it's so what would you like to 548 00:26:12,359 --> 00:26:14,040 Speaker 1: play next? What kind of character? 549 00:26:14,840 --> 00:26:17,960 Speaker 2: You know? I'm at a moment where I'm trying to 550 00:26:18,040 --> 00:26:23,320 Speaker 2: take off some times so I can start the next 551 00:26:23,520 --> 00:26:25,359 Speaker 2: project for and ready. 552 00:26:25,560 --> 00:26:27,200 Speaker 1: So you have to do Dutton Ranch two. 553 00:26:27,400 --> 00:26:30,040 Speaker 2: Done Runch in January, So I've got I've got six 554 00:26:30,080 --> 00:26:33,919 Speaker 2: months off now to really kind of get ready for 555 00:26:34,000 --> 00:26:35,840 Speaker 2: that and to start. I want to go and do 556 00:26:35,920 --> 00:26:37,280 Speaker 2: a play, is the truth? 557 00:26:37,320 --> 00:26:37,840 Speaker 1: Oh really? 558 00:26:37,960 --> 00:26:40,119 Speaker 2: Yeah? It's where I started was the theater. 559 00:26:40,240 --> 00:26:40,760 Speaker 1: Oh you did it? 560 00:26:40,840 --> 00:26:41,240 Speaker 2: Okay. 561 00:26:41,560 --> 00:26:44,119 Speaker 1: Adrian Brody lives in town. Okay, so I went to 562 00:26:45,000 --> 00:26:48,720 Speaker 1: see him in his play what a difficult play is 563 00:26:48,960 --> 00:26:52,560 Speaker 1: he plays a prisoner on death row? Right, Okay, he's 564 00:26:52,600 --> 00:26:56,399 Speaker 1: playing the lead in the Fear of thirteen Adrian Brody. 565 00:26:56,680 --> 00:26:57,639 Speaker 1: So difficult. 566 00:26:57,960 --> 00:26:59,879 Speaker 2: Did you see Nathan Lay? 567 00:27:00,760 --> 00:27:03,520 Speaker 1: No, I haven't seen it. Your Death of a Salesman? Oh, 568 00:27:03,600 --> 00:27:07,400 Speaker 1: I have seen every other production of a Salesman? 569 00:27:07,440 --> 00:27:07,679 Speaker 2: Are you? 570 00:27:07,880 --> 00:27:10,600 Speaker 1: Are you a fan? I don't go. I don't seem 571 00:27:11,080 --> 00:27:14,240 Speaker 1: I really should. I saw him, I really should go 572 00:27:14,320 --> 00:27:16,679 Speaker 1: see it. But it reminds me of my father. 573 00:27:16,920 --> 00:27:19,920 Speaker 2: Yeah, it's so sad. Yeah, but it's so touched my father. 574 00:27:20,400 --> 00:27:23,480 Speaker 1: My father was a salesman and he was a charmer 575 00:27:24,200 --> 00:27:27,359 Speaker 1: and a disappointed charmers. And I always think of I 576 00:27:27,400 --> 00:27:30,440 Speaker 1: always think of Death of a Salesman. So it's hard 577 00:27:30,440 --> 00:27:32,640 Speaker 1: for me to want to go see it again. Yeah, 578 00:27:32,640 --> 00:27:33,480 Speaker 1: it is very hard. 579 00:27:33,560 --> 00:27:37,520 Speaker 2: It's hard. It's such great writing, and Nathan Lane brings 580 00:27:37,560 --> 00:27:40,880 Speaker 2: such a sort of sad humor to it, that sort 581 00:27:40,880 --> 00:27:44,280 Speaker 2: of frustration with your recommendation. I will go, but it's 582 00:27:44,359 --> 00:27:46,879 Speaker 2: it's a hard watch. But it's a beautiful watch. Ye, 583 00:27:47,000 --> 00:27:50,280 Speaker 2: it's really And the staging is really incredible. 584 00:27:50,240 --> 00:27:53,160 Speaker 1: And he's having such a career. Yeah, isn't it great? 585 00:27:53,240 --> 00:27:55,840 Speaker 2: It's great. I mean, just I don't know how he's 586 00:27:55,880 --> 00:27:58,040 Speaker 2: doing it. I went to see it back in previews. 587 00:27:58,280 --> 00:28:00,920 Speaker 2: I think about them every day, actually going God, there, 588 00:28:01,560 --> 00:28:04,399 Speaker 2: they're doing that every night, every single night. It's like 589 00:28:04,440 --> 00:28:08,639 Speaker 2: being an athlete, you know. And I used to do that. 590 00:28:08,720 --> 00:28:11,479 Speaker 2: I mean I did like Othello and after Miss Julie 591 00:28:11,480 --> 00:28:14,800 Speaker 2: and these big tragic plays every night like five months. 592 00:28:15,200 --> 00:28:19,040 Speaker 2: And it was amazing, but it was it sort of 593 00:28:19,440 --> 00:28:21,119 Speaker 2: You've got to be fit for it. I've got to 594 00:28:21,119 --> 00:28:23,120 Speaker 2: get my muscles back to get on stage, I think. 595 00:28:23,160 --> 00:28:25,560 Speaker 1: But I'm looking forward to So. Have you optioned any 596 00:28:25,880 --> 00:28:28,000 Speaker 1: books or yourself. 597 00:28:28,560 --> 00:28:28,639 Speaker 2: No. 598 00:28:28,840 --> 00:28:32,320 Speaker 1: I just read that Anne Hathaway bought the rights to 599 00:28:32,960 --> 00:28:36,680 Speaker 1: the hottest book on the bestseller list right now, which 600 00:28:36,720 --> 00:28:41,920 Speaker 1: is Yesteryear, which is a very interesting story and extremely 601 00:28:42,360 --> 00:28:45,240 Speaker 1: of the moment because it's about a trad wife. Do 602 00:28:45,240 --> 00:28:46,400 Speaker 1: you know what trad wives are? 603 00:28:46,800 --> 00:28:47,080 Speaker 2: No? 604 00:28:47,320 --> 00:28:48,120 Speaker 1: Oh you don't. 605 00:28:48,320 --> 00:28:50,520 Speaker 2: What's the trad wife? Aditional wife? 606 00:28:50,640 --> 00:28:55,200 Speaker 1: Yeah, a traditional wife with many children who does everything 607 00:28:55,520 --> 00:29:02,400 Speaker 1: from scratch and lives sort of like the wife. Do this, wife, 608 00:29:03,000 --> 00:29:05,640 Speaker 1: You're going to have as many children as I want. Wife. 609 00:29:05,680 --> 00:29:07,480 Speaker 1: You're going to cook, You're going to milk the cows. 610 00:29:07,480 --> 00:29:10,000 Speaker 1: You're going to do this. You're going to do that Monday? 611 00:29:11,080 --> 00:29:12,920 Speaker 2: Not what set now. 612 00:29:13,000 --> 00:29:16,360 Speaker 1: Yes, well it's set in the present, but the book, 613 00:29:16,800 --> 00:29:20,600 Speaker 1: but then she wakes up in the past when she 614 00:29:20,760 --> 00:29:24,800 Speaker 1: really would have been doing all those things without all 615 00:29:24,840 --> 00:29:28,080 Speaker 1: the money that she was married to. Okay, and it's 616 00:29:28,120 --> 00:29:31,520 Speaker 1: a it's horrifying, and it's the big thing right. 617 00:29:31,360 --> 00:29:33,320 Speaker 2: Now everybody's talking about I'm going to get it. 618 00:29:33,400 --> 00:29:36,640 Speaker 1: Yeah, get it, get it. It's going to be a 619 00:29:36,800 --> 00:29:40,400 Speaker 1: very interesting it'll be an interesting movie. Follow Instagram at all. 620 00:29:40,880 --> 00:29:43,240 Speaker 2: I used to be on Instagram and then found it 621 00:29:43,280 --> 00:29:45,560 Speaker 2: a bit overwhelming and it wasn't good for my brain. 622 00:29:45,880 --> 00:29:48,040 Speaker 1: Well, there are there are several tid wives that you 623 00:29:48,080 --> 00:29:49,960 Speaker 1: could you could look at to learn what they are. 624 00:29:50,520 --> 00:29:55,680 Speaker 1: One's ballerina farm Oh okay, she's yeah, she's she has 625 00:29:55,840 --> 00:30:01,120 Speaker 1: nine children and she's in nine years and a beautiful 626 00:30:01,360 --> 00:30:05,280 Speaker 1: ex ballerina who was married to this very wealthy dairy 627 00:30:05,400 --> 00:30:09,480 Speaker 1: farmer and she out in Utah, so just imagine. And 628 00:30:09,520 --> 00:30:12,600 Speaker 1: then there's this other one called Nara Aziza. 629 00:30:14,440 --> 00:30:18,200 Speaker 2: She's very beautiful, she speaks very softly. Yes, everything looks. 630 00:30:18,160 --> 00:30:21,720 Speaker 1: And she wears couture, highest couture. As she's making the 631 00:30:21,760 --> 00:30:28,360 Speaker 1: sprinkles for her Sundays and the uh you have to watch. Well, 632 00:30:28,400 --> 00:30:30,440 Speaker 1: I was the original trad Waving. I didn't have the 633 00:30:30,520 --> 00:30:33,240 Speaker 1: kids though I only had one, So I feel I 634 00:30:33,320 --> 00:30:36,680 Speaker 1: feel a little bit like a fake trad wife. But 635 00:30:36,680 --> 00:30:37,080 Speaker 1: but I. 636 00:30:37,040 --> 00:30:39,920 Speaker 2: Know, I think you're probably the most authentic track. 637 00:30:40,040 --> 00:30:42,600 Speaker 1: Yeah, but I had I had the goats in the backyard, 638 00:30:42,640 --> 00:30:44,800 Speaker 1: and I had the chicks, and I had the pig 639 00:30:44,920 --> 00:30:48,360 Speaker 1: that we made into pershutto and you know all that stuff, 640 00:30:48,840 --> 00:30:51,240 Speaker 1: and so everybody laughs that I was like the original 641 00:30:51,280 --> 00:30:56,240 Speaker 1: trad wife. But it's an interesting part, an interesting part. 642 00:30:56,760 --> 00:30:59,200 Speaker 1: Maybe you should tell Anne Hathaway that you'll play that part. 643 00:30:59,320 --> 00:31:02,200 Speaker 2: Okay, So I think you said so, I think you. 644 00:31:02,200 --> 00:31:04,800 Speaker 1: Would be I think you would be perfect for that part. 645 00:31:04,920 --> 00:31:06,240 Speaker 2: I mean there's a darkness to it. 646 00:31:06,280 --> 00:31:09,080 Speaker 1: Right, Oh, yes, because you have to be dark. 647 00:31:09,640 --> 00:31:11,400 Speaker 2: Yes, which is the interesting. 648 00:31:11,000 --> 00:31:13,880 Speaker 1: It's shockingly dark, which is interesting. 649 00:31:13,600 --> 00:31:16,080 Speaker 2: I would imagine. I mean, it's also just that presenting 650 00:31:16,160 --> 00:31:16,800 Speaker 2: of perfection. 651 00:31:17,040 --> 00:31:19,280 Speaker 1: So is there a part that has been played by 652 00:31:19,360 --> 00:31:23,920 Speaker 1: anybody that you wish you had played? Oh, I'm sure 653 00:31:23,960 --> 00:31:26,920 Speaker 1: you think about it when you see these fabulous movies. 654 00:31:27,200 --> 00:31:29,959 Speaker 2: So on stage, I've had that a few times. I 655 00:31:30,000 --> 00:31:32,400 Speaker 2: saw Jody comer. I don't know if you know her. 656 00:31:32,400 --> 00:31:35,240 Speaker 2: It's an incredible British actress. Played a did a one 657 00:31:35,240 --> 00:31:37,400 Speaker 2: woman show called Prima Facce, and she did it in 658 00:31:37,440 --> 00:31:40,040 Speaker 2: London and New York and she won the Olivia Award 659 00:31:40,400 --> 00:31:42,360 Speaker 2: for Best Actress. I think she won the Tony Award 660 00:31:42,400 --> 00:31:47,840 Speaker 2: as well, and I was dumbfounded by her performance. The 661 00:31:47,880 --> 00:31:51,120 Speaker 2: play is great, but her performance was astonishing and I 662 00:31:51,480 --> 00:31:54,200 Speaker 2: sort of walked out the theater. Usually I'm always like 663 00:31:54,280 --> 00:31:55,680 Speaker 2: I would have liked to have had to go at that, 664 00:31:56,320 --> 00:31:59,200 Speaker 2: but that one and I thought, sometimes I think I 665 00:31:59,200 --> 00:32:01,760 Speaker 2: could have done it differently or out of you know, 666 00:32:02,040 --> 00:32:06,520 Speaker 2: enjoyed the challenge of something. But she blew me away 667 00:32:06,640 --> 00:32:09,680 Speaker 2: so much the performance move away that I couldn't imagine 668 00:32:09,720 --> 00:32:11,920 Speaker 2: playing that part. She was amazing. And then I saw 669 00:32:12,040 --> 00:32:15,040 Speaker 2: Jessica Chstain in the Doll's House. I love the doors. 670 00:32:15,320 --> 00:32:15,880 Speaker 1: I saw that. 671 00:32:16,240 --> 00:32:21,320 Speaker 2: Yes, she was beautiful, really moving, And so there's there's 672 00:32:21,560 --> 00:32:23,480 Speaker 2: I think I'm too old to play that now, maybe not, 673 00:32:23,880 --> 00:32:28,280 Speaker 2: but yeah, there's everything Meryl Streep did when she was 674 00:32:28,440 --> 00:32:32,320 Speaker 2: Jesska Lang. You know those those actresses, you know, they're 675 00:32:32,400 --> 00:32:35,240 Speaker 2: just the heroes that I watch and try and learn from. 676 00:32:35,320 --> 00:32:37,560 Speaker 2: And just enjoy. 677 00:32:38,120 --> 00:32:41,280 Speaker 1: I know I missed those movies too too, I missed them. 678 00:32:41,360 --> 00:32:46,160 Speaker 2: I mean, Kramer Versus Kramer, Jessica Lang in pretty much everything. 679 00:32:47,080 --> 00:32:48,800 Speaker 2: Out of Africa is one of my favorite. 680 00:32:49,160 --> 00:32:50,880 Speaker 1: I just watched it Out of Africa with their friend 681 00:32:50,880 --> 00:32:53,880 Speaker 1: the other night. I seen it before, oh yea many times, 682 00:32:53,920 --> 00:32:56,320 Speaker 1: but he had it on his big screen in his kitchen, 683 00:32:56,320 --> 00:32:59,040 Speaker 1: and we just sat there and sort of sobbed, you know. 684 00:32:59,000 --> 00:33:00,240 Speaker 2: Because it's the best film. 685 00:33:00,520 --> 00:33:03,880 Speaker 1: And Meryl Street is so beautiful in that movie. And Robert, 686 00:33:04,040 --> 00:33:06,680 Speaker 1: of course, he was my neighbor for a while. 687 00:33:06,560 --> 00:33:09,520 Speaker 2: Well he was. He's basically was one of my big 688 00:33:09,640 --> 00:33:10,840 Speaker 2: sort of crushes. 689 00:33:10,920 --> 00:33:12,520 Speaker 1: Oh gosh. I mean he would come in. I had 690 00:33:12,560 --> 00:33:15,160 Speaker 1: a little store in Westport. He would come in and 691 00:33:15,200 --> 00:33:17,520 Speaker 1: buy a bag of cookies and then he put it 692 00:33:17,560 --> 00:33:19,240 Speaker 1: in his seats like that, you know, and hold a 693 00:33:19,320 --> 00:33:22,640 Speaker 1: bag and while he was doing something else and nothing 694 00:33:22,920 --> 00:33:25,000 Speaker 1: nothing more attractive than that. 695 00:33:25,400 --> 00:33:28,880 Speaker 2: He was so beautiful, so and just his philosophy and 696 00:33:29,040 --> 00:33:32,360 Speaker 2: art in life. He was ulous and beat to his 697 00:33:32,400 --> 00:33:33,200 Speaker 2: own drum. 698 00:33:33,000 --> 00:33:35,120 Speaker 1: And just he was always visiting Paul. 699 00:33:34,920 --> 00:33:37,320 Speaker 2: Newman, yes, yeah, okay, yes, And. 700 00:33:37,240 --> 00:33:39,600 Speaker 1: So Paul would come in with him sometimes too, who 701 00:33:39,640 --> 00:33:42,880 Speaker 1: was a friend of mine. But what a what a duo? 702 00:33:43,680 --> 00:33:46,120 Speaker 2: Yeah, they don't make them like that anymore, No, I 703 00:33:46,160 --> 00:33:50,400 Speaker 2: don't think when Robert Redford passed away, and I'd always 704 00:33:50,440 --> 00:33:53,720 Speaker 2: just sort of been fascinated by him and creating sun Dance, 705 00:33:53,840 --> 00:33:56,600 Speaker 2: and he was a true filmmaker and artists and advocate 706 00:33:56,640 --> 00:34:01,280 Speaker 2: for actors and storytellers, and I I just but he 707 00:34:01,320 --> 00:34:03,760 Speaker 2: did it with such humility, you know, and he had 708 00:34:03,800 --> 00:34:06,520 Speaker 2: such charm and you know, you look at his backstory. 709 00:34:06,600 --> 00:34:08,960 Speaker 2: He was you know, he was this pretty boy, and 710 00:34:09,000 --> 00:34:12,560 Speaker 2: he really was wanting more for himself than just his 711 00:34:12,719 --> 00:34:17,719 Speaker 2: journey into director and filmmaker. And I just, yeah, just 712 00:34:17,760 --> 00:34:20,080 Speaker 2: to see someone coming to their own the way he did. 713 00:34:20,239 --> 00:34:23,040 Speaker 2: I just found him so admirable. And again, like he 714 00:34:23,080 --> 00:34:26,200 Speaker 2: had his home in Utah. That was his homestead. I 715 00:34:26,200 --> 00:34:28,320 Speaker 2: feel like people have their places. 716 00:34:27,920 --> 00:34:30,440 Speaker 1: And Sundance was him. Yeah, he was Sundance. 717 00:34:30,600 --> 00:34:30,920 Speaker 2: Yeah. 718 00:34:31,719 --> 00:34:33,120 Speaker 1: Have you gone to Sundance? I have? 719 00:34:33,320 --> 00:34:34,959 Speaker 2: Yeah, Yes, I love Utah. 720 00:34:35,000 --> 00:34:38,520 Speaker 1: Actually, So here's the wrap up fun stuff. Okay, it's 721 00:34:38,560 --> 00:34:43,560 Speaker 1: something I call what would Martha never do? Okay, okay, 722 00:34:43,560 --> 00:34:45,080 Speaker 1: what would Kelly Riley never do? 723 00:34:45,920 --> 00:34:48,800 Speaker 2: I would probably never host a party for two hundred 724 00:34:48,840 --> 00:34:51,880 Speaker 2: and fifty people. I think that probably might be my 725 00:34:51,920 --> 00:34:54,320 Speaker 2: worst Nightmas where our roads diverge? Martha? 726 00:34:54,920 --> 00:34:56,680 Speaker 1: What would Beth Dutton never do? 727 00:34:57,680 --> 00:34:59,560 Speaker 2: Give a fuck what anybody thinks of her? 728 00:35:00,320 --> 00:35:04,240 Speaker 1: Probably everybody's always asking me what I'm reading, what I'm 729 00:35:04,239 --> 00:35:09,440 Speaker 1: binging and loving right now? Well, I'm reading Yesterdayear this 730 00:35:09,640 --> 00:35:16,279 Speaker 1: fantastic book. I'm watching all of Harlan Coben's mysteries. Have 731 00:35:16,320 --> 00:35:20,040 Speaker 1: you watched any of those? They're kind of interesting, you 732 00:35:20,080 --> 00:35:23,920 Speaker 1: can binge, they're they're good bingers. But but my favorite, 733 00:35:23,920 --> 00:35:27,000 Speaker 1: my favorite stuff on television is your stuff, all all 734 00:35:27,040 --> 00:35:31,480 Speaker 1: of Taylor Sheridan stuff, all of Guy Richie's stuff. Have 735 00:35:31,560 --> 00:35:33,080 Speaker 1: you worked with Guy Richie? 736 00:35:33,000 --> 00:35:38,000 Speaker 2: You did? Mary Watson? 737 00:35:38,239 --> 00:35:40,400 Speaker 1: Okay, well you did, That's right, Okay. 738 00:35:40,440 --> 00:35:42,759 Speaker 2: I'm going to relook at that long time ago. 739 00:35:43,160 --> 00:35:46,600 Speaker 1: He's his his second season. 740 00:35:46,440 --> 00:35:48,879 Speaker 2: Of Molin coming out. 741 00:35:49,160 --> 00:35:51,480 Speaker 1: I can't wait. He said, it's even more evil than 742 00:35:51,520 --> 00:35:52,040 Speaker 1: the first. 743 00:35:53,120 --> 00:35:55,760 Speaker 2: Son is one of my heroes. 744 00:35:55,880 --> 00:35:56,640 Speaker 1: Isn't she amazing? 745 00:35:56,680 --> 00:35:58,600 Speaker 2: It's just I worked with her in my very first 746 00:35:58,640 --> 00:36:02,800 Speaker 2: job when I was like sixteen years old, and she's 747 00:36:02,880 --> 00:36:06,280 Speaker 2: one of my my literally my my heroes. 748 00:36:06,360 --> 00:36:07,160 Speaker 1: I want to meet her. 749 00:36:07,520 --> 00:36:10,040 Speaker 2: Oh my god, you have to hear want to, So. 750 00:36:09,960 --> 00:36:12,040 Speaker 1: What are what are you reading now? 751 00:36:12,960 --> 00:36:15,280 Speaker 2: I just gave you the book that I've been I'm 752 00:36:15,320 --> 00:36:17,640 Speaker 2: reading right now and I'm loving. It's called Cassandra Speaks 753 00:36:17,680 --> 00:36:21,239 Speaker 2: by Elizabeth Lesso, and it's it's a story about the 754 00:36:21,280 --> 00:36:25,400 Speaker 2: original original stories told through the lens of the women, 755 00:36:25,480 --> 00:36:28,520 Speaker 2: the narrative of basically what the stories we are told 756 00:36:28,600 --> 00:36:31,960 Speaker 2: throughout life through the lens of a man? Right, And 757 00:36:32,080 --> 00:36:37,000 Speaker 2: she's just like, well, what if we turned? It's slightly feminist, 758 00:36:37,080 --> 00:36:41,000 Speaker 2: but it's really just beautifully written as sort of essays 759 00:36:41,320 --> 00:36:43,400 Speaker 2: and what if we turn the lens through the woman's 760 00:36:43,400 --> 00:36:46,160 Speaker 2: point of view? And how does that then reverberate through 761 00:36:46,200 --> 00:36:48,840 Speaker 2: culture and how we see each other in society in 762 00:36:48,880 --> 00:36:54,080 Speaker 2: our stories. And it's it's done very poetically. So that's 763 00:36:54,160 --> 00:36:59,480 Speaker 2: something that I really recommend. I what I can't wait 764 00:36:59,520 --> 00:37:00,719 Speaker 2: to see them Mary Oliver. 765 00:37:00,560 --> 00:37:02,279 Speaker 1: Documentary, Oh yes, I can't. 766 00:37:03,000 --> 00:37:05,359 Speaker 2: I'm really excited about that's coming out next month. I'm 767 00:37:05,360 --> 00:37:09,480 Speaker 2: a huge Mary Oliver. I love poetry and I'm watching 768 00:37:11,000 --> 00:37:12,760 Speaker 2: I just binge watched. 769 00:37:16,600 --> 00:37:17,839 Speaker 1: I haven't watched it. It's good. 770 00:37:17,920 --> 00:37:22,520 Speaker 2: No, I love watching documentaries on people. I find lifting 771 00:37:22,640 --> 00:37:25,880 Speaker 2: the bonnet up and seeing who they really are. 772 00:37:26,400 --> 00:37:27,440 Speaker 1: Well done documentary. 773 00:37:27,520 --> 00:37:30,719 Speaker 2: It's great, and I just it's also there's a there's 774 00:37:30,719 --> 00:37:34,719 Speaker 2: a character in his life who I couldn't I was 775 00:37:34,800 --> 00:37:38,720 Speaker 2: fascinated by his uncle who was his mentor and coach 776 00:37:38,880 --> 00:37:41,680 Speaker 2: when he was younger. And you can't tell if he 777 00:37:41,840 --> 00:37:47,360 Speaker 2: was an absolute like inspiration and a great inspiration or 778 00:37:47,400 --> 00:37:51,160 Speaker 2: a monster just his sort of the way he coached 779 00:37:51,200 --> 00:37:54,960 Speaker 2: him one. In some episodes of it or some moments, 780 00:37:55,000 --> 00:37:57,320 Speaker 2: I just thought he was brilliant, and then the others 781 00:37:57,400 --> 00:38:00,640 Speaker 2: I was like, Wow, you really are just the capacity 782 00:38:00,960 --> 00:38:05,200 Speaker 2: for suffering during greatness and to reach for greatness as 783 00:38:05,200 --> 00:38:09,000 Speaker 2: a sportsman, as an athlete. I find that really interesting. 784 00:38:09,640 --> 00:38:14,720 Speaker 2: An obsession, obsession, true obsession. I think anyone who's driven 785 00:38:14,840 --> 00:38:18,800 Speaker 2: I find really interesting. What's that about? Yeah, I definitely 786 00:38:18,800 --> 00:38:22,520 Speaker 2: know what it means to feel passionate about things and 787 00:38:23,239 --> 00:38:24,760 Speaker 2: get fixated. 788 00:38:24,280 --> 00:38:27,040 Speaker 1: And driven and satisfied. 789 00:38:26,520 --> 00:38:29,359 Speaker 2: And satisfying, and to want to protect something. I can 790 00:38:29,400 --> 00:38:33,400 Speaker 2: definitely get fiercely protective over things I love. But yeah, 791 00:38:33,560 --> 00:38:38,320 Speaker 2: I think storytelling is getting into character immersing yourself. Do 792 00:38:38,360 --> 00:38:42,440 Speaker 2: you write a thing I'm not anything worth reading but 793 00:38:42,480 --> 00:38:43,120 Speaker 2: for myself? 794 00:38:43,400 --> 00:38:46,760 Speaker 1: Yeah, good, keep keep ready to keep everything. 795 00:38:47,000 --> 00:38:49,360 Speaker 2: Yes, I kind of want to pass it on to 796 00:38:49,400 --> 00:38:52,560 Speaker 2: my nieces, just they have any interest in some of 797 00:38:52,560 --> 00:38:56,000 Speaker 2: the inner workings and going through things and the courage 798 00:38:56,000 --> 00:38:59,319 Speaker 2: you have, the muster to face life and to make art, 799 00:38:59,440 --> 00:39:01,640 Speaker 2: and some of the things that you have to really 800 00:39:02,080 --> 00:39:05,200 Speaker 2: turn on in yourself that don't necessarily feel natural. And 801 00:39:05,239 --> 00:39:09,120 Speaker 2: I just think, you know, to have a woman in 802 00:39:09,160 --> 00:39:12,400 Speaker 2: their life that can be a you know, to know 803 00:39:12,480 --> 00:39:16,000 Speaker 2: that she overcame some fears and some personal kind of 804 00:39:16,120 --> 00:39:20,239 Speaker 2: like insecurities like that. We're all human, but you can 805 00:39:20,280 --> 00:39:21,960 Speaker 2: do great things, and you can do things that you 806 00:39:21,960 --> 00:39:22,600 Speaker 2: didn't think you. 807 00:39:22,719 --> 00:39:25,600 Speaker 1: Were lucky girls to have you, Well, I'm lucky to 808 00:39:25,640 --> 00:39:28,600 Speaker 1: have them. One last Solly question, how do you keep 809 00:39:28,680 --> 00:39:29,680 Speaker 1: in shape? 810 00:39:29,960 --> 00:39:34,760 Speaker 2: Adrenaline? I think I have my mom. I've been blessed 811 00:39:34,760 --> 00:39:38,680 Speaker 2: with her jeans that I just run hot. Okay, so 812 00:39:38,719 --> 00:39:41,480 Speaker 2: I'm always moving. I'm never sort of, but I you know, 813 00:39:41,560 --> 00:39:44,200 Speaker 2: I do a lot of walking. I swim. I'm not 814 00:39:44,320 --> 00:39:45,760 Speaker 2: I don't really like the gym. 815 00:39:45,960 --> 00:39:50,799 Speaker 1: No, but your hor's back, right, I do, right? Yeah? Yeah, 816 00:39:50,960 --> 00:39:52,279 Speaker 1: and the walking is great. 817 00:39:52,440 --> 00:39:54,319 Speaker 2: Yeah, I'm lady of leisure right now. 818 00:39:55,239 --> 00:39:56,800 Speaker 1: You don't have you don't have until when. 819 00:39:56,960 --> 00:39:57,880 Speaker 2: I have till January. 820 00:39:58,000 --> 00:39:59,800 Speaker 1: Oh yeah, so you can do a play. 821 00:40:00,320 --> 00:40:04,120 Speaker 2: No, it's Martha open in September. No. I want to 822 00:40:04,160 --> 00:40:06,120 Speaker 2: be in my garden. I want to be in my kitchen. 823 00:40:06,120 --> 00:40:08,200 Speaker 2: I want to be reading, I want to be daydreaming. 824 00:40:08,320 --> 00:40:10,680 Speaker 2: I want to be whimsical and myself for a little 825 00:40:10,680 --> 00:40:12,279 Speaker 2: while and then I'll strap it back on. 826 00:40:13,680 --> 00:40:16,919 Speaker 1: So enjoy yourself, have your have a very nice few 827 00:40:16,960 --> 00:40:19,600 Speaker 1: months off, and we look forward to the next season 828 00:40:19,640 --> 00:40:23,800 Speaker 1: of Dutton Ranch and anything else. Kelly Riley does appreciate you. O, 829 00:40:23,880 --> 00:40:24,640 Speaker 1: thank you, thank you.