1 00:00:00,560 --> 00:00:06,159 Speaker 1: From Hollywood. Thank you for listening to us y Air 2 00:00:06,320 --> 00:00:10,799 Speaker 1: with Ryan Seacrest. What are you gonna be for Halloween? Tanya? 3 00:00:12,480 --> 00:00:19,480 Speaker 1: I am going to be Courtney Kardashian. That's so good. Well, 4 00:00:19,520 --> 00:00:23,959 Speaker 1: good morning, guys, Welcome to your Wednesday. I'm doing a 5 00:00:23,960 --> 00:00:27,840 Speaker 1: lot of different costumes. You've seen some of them, Yes, 6 00:00:28,000 --> 00:00:30,680 Speaker 1: we have. I don't want to give too much away, 7 00:00:31,320 --> 00:00:36,639 Speaker 1: but Kelly and I RiPP and I are doing that 8 00:00:37,000 --> 00:00:39,760 Speaker 1: special that we do every year where we're a lot 9 00:00:39,840 --> 00:00:43,280 Speaker 1: of different characters and there's a lot of costumes and 10 00:00:43,320 --> 00:00:45,760 Speaker 1: a lot of really a lot of acting for me. 11 00:00:46,840 --> 00:00:48,920 Speaker 1: Do you get to keep any of those? I don't 12 00:00:48,960 --> 00:00:51,640 Speaker 1: really want to keep any of them. Well, no, like 13 00:00:51,720 --> 00:00:53,360 Speaker 1: you do it for work, it would be nice if 14 00:00:53,360 --> 00:00:55,360 Speaker 1: you could like take one home and actually worked on home. Well, 15 00:00:55,400 --> 00:00:57,200 Speaker 1: I was gonna the one I showed you of me 16 00:00:57,320 --> 00:00:59,520 Speaker 1: dancing in the window. I was gonna be that for 17 00:00:59,560 --> 00:01:03,680 Speaker 1: this year's Halloween. Okay, okay, because you said that you 18 00:01:03,760 --> 00:01:07,679 Speaker 1: liked my legs in that one. Legs look very very 19 00:01:07,760 --> 00:01:09,480 Speaker 1: nice in that out of it. So how did you 20 00:01:09,520 --> 00:01:11,520 Speaker 1: not have said that? I wasn't even thinking about it, 21 00:01:11,560 --> 00:01:15,560 Speaker 1: but then you said that, and I thought, oh, that's marketable. Yeah, 22 00:01:15,600 --> 00:01:19,480 Speaker 1: if you're going on the parral owl on Halloween, that's 23 00:01:19,480 --> 00:01:21,640 Speaker 1: a good costume. I'm not even going out, but I'm 24 00:01:21,680 --> 00:01:25,600 Speaker 1: just gonna wear it around. I don't think around the 25 00:01:25,600 --> 00:01:29,240 Speaker 1: pad right around the pad um. I did want to 26 00:01:29,280 --> 00:01:32,280 Speaker 1: tell you something though, I owe you an apology. What 27 00:01:32,400 --> 00:01:36,240 Speaker 1: is it for something that I used to criticize you 28 00:01:36,360 --> 00:01:42,600 Speaker 1: over for many years? And I actually tried them on 29 00:01:45,760 --> 00:01:50,040 Speaker 1: and I'm now a fan game shoes. No, are those 30 00:01:50,120 --> 00:01:55,240 Speaker 1: vands of white vands? These are white albirds crocks. Because 31 00:01:55,240 --> 00:02:00,120 Speaker 1: they're back and they're cool again, tell trendy it's I 32 00:02:00,120 --> 00:02:03,640 Speaker 1: mean they never went on my feet. I put one 33 00:02:03,640 --> 00:02:06,240 Speaker 1: on my foot and I am never looking back. I'm 34 00:02:06,280 --> 00:02:08,920 Speaker 1: gonna wait forget that. How they get back into your life? 35 00:02:09,919 --> 00:02:12,320 Speaker 1: They were never in my life. I used to judge mcgonnion. 36 00:02:13,280 --> 00:02:16,800 Speaker 1: How they come in. One of my girlfriends, who wears 37 00:02:16,840 --> 00:02:20,440 Speaker 1: them all the time, bought me a pair and just 38 00:02:20,520 --> 00:02:27,880 Speaker 1: Socrates or Robbie does he wear them? No? He they 39 00:02:27,919 --> 00:02:32,520 Speaker 1: are easy, easy as you. For gosh, for twenty years, 40 00:02:33,200 --> 00:02:37,080 Speaker 1: you've ripped open that scar about my crocks. I know, 41 00:02:37,280 --> 00:02:39,520 Speaker 1: and that's how Robbie is to me. But I now 42 00:02:39,520 --> 00:02:41,680 Speaker 1: I'm saying if I can get his foot into one 43 00:02:41,720 --> 00:02:43,920 Speaker 1: of those, he'll be a change man. Well, thank you, 44 00:02:43,960 --> 00:02:47,120 Speaker 1: I accept your apology and we'll enjoy our crocks together. 45 00:02:48,360 --> 00:02:51,920 Speaker 1: Jessica is on the line so much talk about the 46 00:02:52,000 --> 00:02:55,399 Speaker 1: supply chain. You know, you can't get anything, and there's 47 00:02:55,400 --> 00:02:58,120 Speaker 1: a real ripple effect to it. I'm fascinated by what's 48 00:02:58,120 --> 00:02:59,920 Speaker 1: happening and how long it's gonna catch up and out's 49 00:02:59,919 --> 00:03:03,160 Speaker 1: in pacting drivers to the drivers there. Jessica, you're a 50 00:03:03,160 --> 00:03:08,200 Speaker 1: report driver, Yes I am. I am actually a truck driver, 51 00:03:08,760 --> 00:03:12,840 Speaker 1: a truck driver I worked for And tell me, how 52 00:03:13,200 --> 00:03:15,679 Speaker 1: is what we're seeing on the news and what we're 53 00:03:15,720 --> 00:03:18,600 Speaker 1: living through in terms of all of the backlogging of 54 00:03:18,639 --> 00:03:22,000 Speaker 1: supplies and containers and delivering, how is that impacting you 55 00:03:22,600 --> 00:03:26,360 Speaker 1: in your role? So? Um, it affects us a lot 56 00:03:26,400 --> 00:03:31,160 Speaker 1: of drivers a lot because we pretty seed loads during 57 00:03:31,200 --> 00:03:34,320 Speaker 1: the week and we don't get any loads from our 58 00:03:34,800 --> 00:03:39,200 Speaker 1: company because the poor is behind on a lot of things. 59 00:03:39,280 --> 00:03:44,040 Speaker 1: They don't have enough chassis for us drivers. Um, they 60 00:03:44,040 --> 00:03:46,760 Speaker 1: don't have enough. Every time I call it, pretty much 61 00:03:46,800 --> 00:03:51,960 Speaker 1: in the morning, they basically failed curtain chassis, curtain containers. 62 00:03:52,080 --> 00:03:54,800 Speaker 1: So that makes it, you know, that makes us delayed 63 00:03:54,840 --> 00:03:57,720 Speaker 1: big time because then we can't take no loads inside 64 00:03:57,800 --> 00:04:01,960 Speaker 1: of empties inside the port, and and there's not enough chassis. 65 00:04:02,000 --> 00:04:05,120 Speaker 1: So they always say, oh, it's a driver shortage. It's 66 00:04:05,200 --> 00:04:08,680 Speaker 1: definitely not. There's tons of love. Drivers were just pretty 67 00:04:08,760 --> 00:04:12,080 Speaker 1: much waiting on work. I'm in and it's pretty much 68 00:04:12,080 --> 00:04:14,560 Speaker 1: in the port. Every time I go inside the port 69 00:04:14,960 --> 00:04:17,600 Speaker 1: and I have a low sometimes I'm there for four 70 00:04:17,680 --> 00:04:23,000 Speaker 1: hours inside because the management inside of the poor is 71 00:04:23,560 --> 00:04:28,520 Speaker 1: it's no one's taking control in there. Um the crane operator. 72 00:04:28,880 --> 00:04:31,599 Speaker 1: You know that I give us our containers. They take 73 00:04:31,839 --> 00:04:35,520 Speaker 1: so much time, like hours, just for us to get 74 00:04:35,560 --> 00:04:38,800 Speaker 1: our low sealt because nobody is there to you know, 75 00:04:38,920 --> 00:04:42,640 Speaker 1: to monitor them. And yeah, that delays us drivers a lot. 76 00:04:42,800 --> 00:04:46,480 Speaker 1: And a lot of people keep saying, oh, it's you know, truckers. No, 77 00:04:47,040 --> 00:04:49,560 Speaker 1: they're not in no need of truckers because we're here. 78 00:04:49,640 --> 00:04:52,320 Speaker 1: We just need to work, you know, And and it's hard, 79 00:04:53,120 --> 00:04:56,440 Speaker 1: you know. And I heard your segment last week. Yeah, No, 80 00:04:56,560 --> 00:05:01,640 Speaker 1: I'm just what do you what can you do? Well? 81 00:05:01,680 --> 00:05:04,919 Speaker 1: On our part, it's, uh, we can't do anything because 82 00:05:04,960 --> 00:05:07,880 Speaker 1: we're waiting for the poort. I guess they do updates. 83 00:05:07,960 --> 00:05:11,320 Speaker 1: I don't know. I I honestly, Ryan, because you know you, 84 00:05:12,279 --> 00:05:14,880 Speaker 1: I think this could go around a lot if it 85 00:05:14,880 --> 00:05:18,760 Speaker 1: would help out, if somebody takes control and inside the port, 86 00:05:19,440 --> 00:05:20,719 Speaker 1: you know, I don't want to be rude and say 87 00:05:20,720 --> 00:05:23,960 Speaker 1: there's lazy workers in there, but there really is. There's 88 00:05:24,760 --> 00:05:27,560 Speaker 1: too much time like there. They do whatever they want 89 00:05:27,600 --> 00:05:30,719 Speaker 1: inside the pore, and it sucks because we're they're trying 90 00:05:30,760 --> 00:05:33,120 Speaker 1: to be in and out, trying to get our loads, 91 00:05:33,120 --> 00:05:37,960 Speaker 1: and these lines are insane inside. I'm always giving daily updates. Um, 92 00:05:38,080 --> 00:05:40,360 Speaker 1: they call me chucker girl, Jess. I always do daily 93 00:05:40,440 --> 00:05:44,880 Speaker 1: updates when I go into the port, actually record inside 94 00:05:44,960 --> 00:05:48,239 Speaker 1: and record the huge lines the time that I'm in there. 95 00:05:49,080 --> 00:05:51,520 Speaker 1: You know, it's it's insane, and it sucks for all 96 00:05:51,560 --> 00:05:53,960 Speaker 1: of us drivers, and it's gonna suck for all these 97 00:05:54,000 --> 00:05:57,400 Speaker 1: people that are waiting for things because you know, there's 98 00:05:57,440 --> 00:06:00,560 Speaker 1: no work for us because of inside the courts being 99 00:06:00,600 --> 00:06:06,760 Speaker 1: handled correctly, and so I just it's so frustrating, I know, 100 00:06:07,120 --> 00:06:09,760 Speaker 1: for you and so many other people that are in 101 00:06:09,760 --> 00:06:12,360 Speaker 1: your position and all along the line, you know, as 102 00:06:12,400 --> 00:06:16,280 Speaker 1: it affects so many different components. Uh, we'll keep a 103 00:06:16,839 --> 00:06:19,800 Speaker 1: truck driver, just keep us posted if there's anything you 104 00:06:19,800 --> 00:06:23,560 Speaker 1: want to get on the air about you let us know, okay, yeah, please, 105 00:06:23,600 --> 00:06:26,880 Speaker 1: it's struck your girl just on Instagram. And also could 106 00:06:26,920 --> 00:06:30,000 Speaker 1: I give a shout out really quick to my family, Yeah, 107 00:06:30,000 --> 00:06:32,000 Speaker 1: of course, of course. Okay. I want to get a 108 00:06:32,000 --> 00:06:34,160 Speaker 1: shout out to my kids Alex and Niciah. I love 109 00:06:34,200 --> 00:06:36,240 Speaker 1: you guys so much just because of them that I 110 00:06:36,279 --> 00:06:39,360 Speaker 1: became a trust driver. And to night Tony, I love 111 00:06:39,400 --> 00:06:42,800 Speaker 1: you guys so much. To the Bernabi family, to the 112 00:06:42,839 --> 00:06:46,360 Speaker 1: Wilson howboys, to my mother in law Elaine, she loves 113 00:06:46,400 --> 00:06:49,000 Speaker 1: you Ryan and we love you. I love you. I 114 00:06:49,040 --> 00:06:51,400 Speaker 1: listened to you guys all the time. And and yeah, 115 00:06:51,400 --> 00:06:54,960 Speaker 1: it's very frustrating on all these truck drivers. Want everyone 116 00:06:55,080 --> 00:06:58,760 Speaker 1: to know that it's not a driver's shortage. It's inside 117 00:06:58,760 --> 00:07:02,600 Speaker 1: the poor that we're low on chassisse were the workers 118 00:07:02,600 --> 00:07:06,000 Speaker 1: inside are working pretty slow. They're taking their sweet time, 119 00:07:06,200 --> 00:07:09,440 Speaker 1: like you know. I hope this goes out to everyone, 120 00:07:09,640 --> 00:07:15,040 Speaker 1: just say glass drivers for sure, well, thank you for 121 00:07:15,080 --> 00:07:17,920 Speaker 1: your perspective. I car mother in law, and thank you 122 00:07:18,320 --> 00:07:20,440 Speaker 1: just for listen to us. You take good care right, 123 00:07:20,520 --> 00:07:23,680 Speaker 1: All better times are coming, So thank you guys so much. 124 00:07:23,760 --> 00:07:29,960 Speaker 1: I live to take care of trucker girl jess On. 125 00:07:30,000 --> 00:07:33,880 Speaker 1: I G that's her name, Trucker Girl jess On Instagram. 126 00:07:33,920 --> 00:07:36,239 Speaker 1: All right, yeah, there's just so much to the story, 127 00:07:36,240 --> 00:07:40,000 Speaker 1: there isn't it. And the quote of the day, because 128 00:07:40,000 --> 00:07:45,240 Speaker 1: we are those cheesy people that love quotes. Yeah I am, 129 00:07:45,280 --> 00:07:50,240 Speaker 1: I like them better than others. But if you really 130 00:07:50,240 --> 00:07:51,680 Speaker 1: want to set the mood, they're saying, these are the 131 00:07:51,680 --> 00:07:55,160 Speaker 1: three scariest movies of all time for Halloween, The Exorcists 132 00:07:55,200 --> 00:07:59,800 Speaker 1: from seventy three. The Exorcist, y'all see that. I don't 133 00:07:59,800 --> 00:08:02,640 Speaker 1: think I have seen that one. Yeah, you know, I 134 00:08:02,680 --> 00:08:09,400 Speaker 1: don't want to give it away. Well, I think um hereditary, 135 00:08:09,800 --> 00:08:14,520 Speaker 1: that's Tony Collette. A grieving families haunted by tragedy and 136 00:08:14,600 --> 00:08:21,200 Speaker 1: a disturbing occurrence or two her hereditary in the in 137 00:08:21,240 --> 00:08:25,840 Speaker 1: the Conjuring Paranormal, I don't want to give it away, 138 00:08:25,880 --> 00:08:28,600 Speaker 1: but paranormal investigators worked out a family terrorized by a 139 00:08:28,680 --> 00:08:31,400 Speaker 1: dark presence in their farmhouse. I don't need to see 140 00:08:31,400 --> 00:08:34,640 Speaker 1: these movies. I donder see any of those. I for 141 00:08:34,679 --> 00:08:40,400 Speaker 1: Halloween prefer to watch a ghostbustery type movie, yes, right, 142 00:08:40,520 --> 00:08:47,560 Speaker 1: like not scary, scary, but funny, campy yeah, focus, Yeah, 143 00:08:47,720 --> 00:08:51,480 Speaker 1: I'm more campy than I am scary shocker. Today's quote 144 00:08:52,880 --> 00:08:59,600 Speaker 1: don't take criticism from someone you wouldn't take advice from 145 00:09:00,120 --> 00:09:06,920 Speaker 1: secrets tiny. The US moved a step closer to expanding 146 00:09:06,960 --> 00:09:11,040 Speaker 1: COVID nineteen vaccinations for millions more children, as government advisors 147 00:09:11,160 --> 00:09:14,360 Speaker 1: endorsed Visor shots for five to eleven year olds and 148 00:09:14,480 --> 00:09:18,280 Speaker 1: FDA advisory panel voted unanimously that the vaccine's benefits in 149 00:09:18,320 --> 00:09:22,800 Speaker 1: preventing COVID nineteen and the age group outweigh any potential risks. 150 00:09:23,160 --> 00:09:27,199 Speaker 1: Shots could begin in early November. Mayor Garsetti announced the 151 00:09:27,240 --> 00:09:29,800 Speaker 1: launch of a grant program that will provide five thousand 152 00:09:29,880 --> 00:09:33,400 Speaker 1: dollar grants to five thousand small Los Angeles businesses. The 153 00:09:33,440 --> 00:09:36,160 Speaker 1: city is using funds from the American Rescue Plan Act 154 00:09:36,240 --> 00:09:39,199 Speaker 1: to provide twenty five million dollars worth of grants to 155 00:09:39,360 --> 00:09:41,719 Speaker 1: small businesses and need a financial help due to the 156 00:09:41,800 --> 00:09:46,160 Speaker 1: effects of the COVID nineteen pandemic, and the largest guaranteed 157 00:09:46,200 --> 00:09:49,880 Speaker 1: basic income pilot program in the country was approved by 158 00:09:49,880 --> 00:09:52,800 Speaker 1: the l A City Council yesterday. The Big Lead program 159 00:09:52,800 --> 00:09:55,520 Speaker 1: will give a thousand dollars in direct cash payments to 160 00:09:55,640 --> 00:09:59,160 Speaker 1: families each month for twelve months. The no strings attached 161 00:09:59,160 --> 00:10:01,720 Speaker 1: payments will be give into families who were impacted by 162 00:10:01,760 --> 00:10:06,480 Speaker 1: the pandemic and are living in poverty. On air with 163 00:10:06,640 --> 00:10:11,439 Speaker 1: Ryan Seacrest, Well well, well, I mean just I mean 164 00:10:11,520 --> 00:10:13,680 Speaker 1: so much coin on the sold out jingle Ball tickets 165 00:10:13,800 --> 00:10:17,679 Speaker 1: that's on the way stand by at five. And also 166 00:10:17,760 --> 00:10:20,839 Speaker 1: Dulipa go see her show too, as we at the 167 00:10:20,880 --> 00:10:24,120 Speaker 1: forum in March. Hey, Erica, who's just to give me 168 00:10:24,120 --> 00:10:26,000 Speaker 1: the background. She was living in her parents house. We're 169 00:10:26,080 --> 00:10:28,240 Speaker 1: on the show years and years. Talk to you on 170 00:10:28,240 --> 00:10:30,040 Speaker 1: the phone before. Matter of fact, you talked to the 171 00:10:30,080 --> 00:10:33,520 Speaker 1: TikToker on the phone before she came on, and I 172 00:10:33,520 --> 00:10:36,000 Speaker 1: saw you, TikTok respond to her. TikTok, Oh, my gosh, 173 00:10:36,000 --> 00:10:38,240 Speaker 1: you saw that. I saw you were having some wine 174 00:10:38,360 --> 00:10:41,760 Speaker 1: and you were listening to her. Yeah, that's right, I 175 00:10:41,800 --> 00:10:44,360 Speaker 1: was having wine. Because so did she follow at least now? 176 00:10:44,400 --> 00:10:46,040 Speaker 1: And TikTok did she get it right? That she was? 177 00:10:46,040 --> 00:10:48,600 Speaker 1: She confused about coming into the show. When she came in. 178 00:10:49,120 --> 00:10:53,439 Speaker 1: She wasn't sure what she was hearing, but she was 179 00:10:53,760 --> 00:10:56,679 Speaker 1: the show, yeah, and she didn't realize she was hearing 180 00:10:56,720 --> 00:10:58,480 Speaker 1: the show, so then she thought you guys were talking 181 00:10:58,520 --> 00:11:01,760 Speaker 1: to her. You but she was nice about it. It It 182 00:11:01,880 --> 00:11:07,559 Speaker 1: was fine, hilarious. Or timing is great. Yeah, or timing 183 00:11:07,600 --> 00:11:09,959 Speaker 1: is great very so I started following her after after 184 00:11:10,080 --> 00:11:14,440 Speaker 1: you clapped back clap, I started clapping. It's not a 185 00:11:14,480 --> 00:11:17,360 Speaker 1: clap back because it was a nice response. It's a 186 00:11:17,360 --> 00:11:20,320 Speaker 1: clap back if you're mad. Oh, there's no good clap 187 00:11:20,360 --> 00:11:22,080 Speaker 1: back clap. It's only back clap. It's more of just 188 00:11:22,160 --> 00:11:25,439 Speaker 1: like a hello, I'm a good club back clop. I 189 00:11:25,480 --> 00:11:28,320 Speaker 1: don't know. I thought was that clap was could go 190 00:11:28,360 --> 00:11:30,400 Speaker 1: either way. I thought it could go both ways. To clap. 191 00:11:30,880 --> 00:11:34,000 Speaker 1: No clap back is like negative? What's a good clap? Then? 192 00:11:35,440 --> 00:11:41,120 Speaker 1: Uh comment response? If I need to catch your clap, 193 00:11:41,920 --> 00:11:44,240 Speaker 1: we should make up one. It could be like no 194 00:11:44,360 --> 00:11:48,200 Speaker 1: snap is bad, I can't go good clap back claps. 195 00:11:48,760 --> 00:11:52,200 Speaker 1: It's a good cup back cop not a thing. Well 196 00:11:52,280 --> 00:11:54,360 Speaker 1: it needs to start being a thing. Get with Elisa 197 00:11:54,360 --> 00:11:58,040 Speaker 1: on TikTok and start a good clap. Alright, So, Erica, 198 00:11:58,160 --> 00:12:01,400 Speaker 1: now the reason you're here, uh they it just told 199 00:12:01,400 --> 00:12:04,680 Speaker 1: me you've been the seven weddings this year. Yeah. People 200 00:12:04,720 --> 00:12:07,199 Speaker 1: are calling me like the real life twenty seven dresses? 201 00:12:07,640 --> 00:12:14,720 Speaker 1: Is that because everyone was backlogged? I think it's a 202 00:12:14,760 --> 00:12:17,560 Speaker 1: little bit backlogged, and also my age. I'm twenty eight, 203 00:12:17,760 --> 00:12:20,600 Speaker 1: so like everyone in my life is getting married. Yeah, 204 00:12:21,040 --> 00:12:24,120 Speaker 1: so I'm a professional wedding guest now like everyone in 205 00:12:24,120 --> 00:12:29,960 Speaker 1: my life getting married again. Right, So you have some 206 00:12:30,040 --> 00:12:32,880 Speaker 1: advice though for this since you've been to so many. Yeah, 207 00:12:33,000 --> 00:12:35,199 Speaker 1: some real advice is just for people who are getting 208 00:12:35,200 --> 00:12:36,800 Speaker 1: married or going to the wedding. This is for the 209 00:12:36,840 --> 00:12:42,720 Speaker 1: people getting married to assure it's great for also your guests. Okay, okay. 210 00:12:43,240 --> 00:12:45,080 Speaker 1: The first one is make sure that your guests who 211 00:12:45,120 --> 00:12:48,640 Speaker 1: are going to dance or sitting closest to the dance floor. 212 00:12:48,840 --> 00:12:52,000 Speaker 1: Because I was at a wedding where like the older 213 00:12:52,040 --> 00:12:54,440 Speaker 1: crowd was closest to the dance floor and all of 214 00:12:54,520 --> 00:12:56,360 Speaker 1: us who were just like getting down on that dance 215 00:12:56,360 --> 00:12:59,000 Speaker 1: floor felt like we were being watched in official They're 216 00:12:59,040 --> 00:13:01,280 Speaker 1: staring at you. Yeah. Kind of threw off the vibes 217 00:13:01,280 --> 00:13:02,640 Speaker 1: a little bit, but we made it work. It was 218 00:13:02,679 --> 00:13:07,000 Speaker 1: totally fine. So seating, you know, your younger guests closer 219 00:13:07,040 --> 00:13:09,360 Speaker 1: to the dance floor. The other thing is make sure 220 00:13:09,400 --> 00:13:11,800 Speaker 1: your bridal party knows when you're doing things like the 221 00:13:11,840 --> 00:13:14,600 Speaker 1: cake cutting and the bouquet toss. I can't tell you 222 00:13:14,640 --> 00:13:17,640 Speaker 1: how many bridesmaids have missed the bouquet toss because we 223 00:13:17,679 --> 00:13:22,320 Speaker 1: are drinking? Really? So is there no announcements? How do 224 00:13:22,360 --> 00:13:25,520 Speaker 1: you sometimes there's an announcement you're outside in the photo booth. 225 00:13:25,520 --> 00:13:31,400 Speaker 1: And I'm not saying I've done that, but I have anore. 226 00:13:32,559 --> 00:13:35,079 Speaker 1: You thought what wasn't cool anywhere? Cake cutting? Everybody told 227 00:13:35,120 --> 00:13:37,520 Speaker 1: me that the cake cutting isn't the thing anymore. They've 228 00:13:37,520 --> 00:13:39,560 Speaker 1: done it at all the weddings I've been to, but 229 00:13:39,640 --> 00:13:43,840 Speaker 1: it's it's less of a like spectacle, and who's everybody? 230 00:13:44,080 --> 00:13:49,080 Speaker 1: Like everybody's saying everybody, everybody person. The wedding planner that 231 00:13:49,120 --> 00:13:53,840 Speaker 1: I talked to my friends aren't listening to everybody. I guess, 232 00:13:54,000 --> 00:13:58,880 Speaker 1: are you interviewing wedding planners? I'm just curious because I 233 00:13:59,040 --> 00:14:01,240 Speaker 1: noticed the weddings that I was but this was pre COVID, 234 00:14:01,280 --> 00:14:04,920 Speaker 1: so maybe they're back after you interviewing wedding planners. I'm 235 00:14:04,960 --> 00:14:07,959 Speaker 1: asking wedding planners when I see them at these events, 236 00:14:08,000 --> 00:14:13,079 Speaker 1: like why is there? Do you mean the interview? What 237 00:14:13,720 --> 00:14:19,240 Speaker 1: did she just she's looking for a wedding planners. I 238 00:14:19,280 --> 00:14:21,160 Speaker 1: didn't say I'm meeting with them, and say when I 239 00:14:21,240 --> 00:14:26,400 Speaker 1: meet them at the weddings asking questions every time Tanya 240 00:14:26,440 --> 00:14:31,040 Speaker 1: meets a wedding planner, was that her notebook should do 241 00:14:31,080 --> 00:14:33,640 Speaker 1: you need me to get ready? I'm ready for ring Barron? 242 00:14:34,240 --> 00:14:37,400 Speaker 1: Oh wow, that would be that would be a spectacle, Erica, 243 00:14:37,440 --> 00:14:40,040 Speaker 1: what's the third piece of advice for those having weddings? 244 00:14:40,040 --> 00:14:41,800 Speaker 1: The last piece? Like, if Tanya, you want to keep 245 00:14:41,800 --> 00:14:44,040 Speaker 1: this in mind, um, it's just think about the lighting. 246 00:14:44,200 --> 00:14:46,120 Speaker 1: I had friends who did their first dance and it 247 00:14:46,160 --> 00:14:49,200 Speaker 1: was like every light in the barn was on and 248 00:14:49,240 --> 00:14:51,320 Speaker 1: they were like, it was so awkward that we didn't 249 00:14:51,360 --> 00:14:54,000 Speaker 1: turn the lights down for the dancing. The first dance, 250 00:14:54,200 --> 00:14:57,440 Speaker 1: they felt like they had like a weird floodlights on them. 251 00:14:57,640 --> 00:15:00,440 Speaker 1: So just think about your lighting during your reception. Are 252 00:15:00,520 --> 00:15:02,360 Speaker 1: these are things that would never cross my mind? A 253 00:15:02,360 --> 00:15:05,560 Speaker 1: matter of fact, just hearing those things, I'm calling off 254 00:15:05,560 --> 00:15:09,120 Speaker 1: my wedding. You did that long time ago? Well I 255 00:15:09,160 --> 00:15:10,880 Speaker 1: didn't do it because it didn't set it. But I 256 00:15:10,960 --> 00:15:13,880 Speaker 1: still convinced that weddings are too much drama that you 257 00:15:13,920 --> 00:15:17,160 Speaker 1: don't need when you're just starting a relationship. Case in 258 00:15:17,200 --> 00:15:20,880 Speaker 1: point right there those three things. Yeah, all right, Tereka, 259 00:15:21,440 --> 00:15:24,480 Speaker 1: when's the next wedding? My next wedding. I actually I'm 260 00:15:24,520 --> 00:15:30,640 Speaker 1: off until next spring, so thank you. Let's bring in Michael. 261 00:15:30,640 --> 00:15:34,040 Speaker 1: It's hands Full with Michael. A segment where weekly we 262 00:15:34,160 --> 00:15:37,600 Speaker 1: go live to Michael and scans home, where there is 263 00:15:37,640 --> 00:15:41,960 Speaker 1: a home studio and surveys ten weeks old and Michael 264 00:15:42,040 --> 00:15:44,600 Speaker 1: is here. Michael, it's your He's been looking forward to it. 265 00:15:44,640 --> 00:15:46,920 Speaker 1: I can tell by the look on his face. Is 266 00:15:47,080 --> 00:15:50,920 Speaker 1: highlight of my week. Me too, me too? Um all right, 267 00:15:50,960 --> 00:15:55,160 Speaker 1: so Survey is ten weeks old? How scany? She is great? 268 00:15:55,760 --> 00:16:01,080 Speaker 1: You know, she's we're really close to Halloween, so crunch time. Uh, 269 00:16:01,240 --> 00:16:04,720 Speaker 1: putting it all together? Rhyan Stone's hot glue. I mean 270 00:16:04,760 --> 00:16:07,560 Speaker 1: she didn't I see some post? I saw some Halloween 271 00:16:07,560 --> 00:16:12,800 Speaker 1: posts already. Yeah, exactly. So she there's this sphere sculpture 272 00:16:12,840 --> 00:16:14,320 Speaker 1: that we have in our house. It's it's like a 273 00:16:14,680 --> 00:16:17,680 Speaker 1: it's a wooden circle, but she's using it to build 274 00:16:17,880 --> 00:16:22,240 Speaker 1: the head contraption for as Rosita costume. So it's like 275 00:16:22,280 --> 00:16:25,280 Speaker 1: a full on costume studio in this house. It's it's 276 00:16:25,320 --> 00:16:28,600 Speaker 1: incredible what she finds. So um, all right, So what 277 00:16:28,720 --> 00:16:31,240 Speaker 1: about I mean gossip about SURVEYA what's she doing, what's 278 00:16:31,280 --> 00:16:34,160 Speaker 1: she into? What's happening, so you know, same, same, you know, 279 00:16:34,400 --> 00:16:37,240 Speaker 1: it's ten weeks, so playing a little more. She's just 280 00:16:37,360 --> 00:16:39,840 Speaker 1: kicking on her little pad and and laying down on 281 00:16:39,880 --> 00:16:41,920 Speaker 1: the back and hitting the keyboard. So that's kind of cute. 282 00:16:41,960 --> 00:16:44,480 Speaker 1: But I mean she's had three when what a Halloween? 283 00:16:45,280 --> 00:16:49,480 Speaker 1: Three costumes so far? I think three, yeah, and we 284 00:16:49,560 --> 00:16:52,520 Speaker 1: have one more to go. No, it's just the parents 285 00:16:52,520 --> 00:16:55,960 Speaker 1: having a good time. They clearly it doesn't have anything, yeah, 286 00:16:56,240 --> 00:16:59,600 Speaker 1: like dressing playing doll baby. So I mean, you know 287 00:16:59,680 --> 00:17:03,040 Speaker 1: this about Cissany, she is really into Halloween and she 288 00:17:03,160 --> 00:17:06,280 Speaker 1: got me even more into Halloween. And and then we're 289 00:17:06,320 --> 00:17:08,800 Speaker 1: just so we can't We don't really pick one thing 290 00:17:08,840 --> 00:17:10,720 Speaker 1: and if we've got some great ideas, we just do it. 291 00:17:10,800 --> 00:17:14,080 Speaker 1: So two to three to four costumes a year. Uh. 292 00:17:14,200 --> 00:17:17,760 Speaker 1: So we've got our family costume coming up, uh, which 293 00:17:17,760 --> 00:17:21,399 Speaker 1: will be um a little Mermaid, so you know we 294 00:17:21,440 --> 00:17:26,040 Speaker 1: can give that away breaking news and uh. And then 295 00:17:26,040 --> 00:17:28,840 Speaker 1: we'll we'll go to a Halloween party, Cissany and I 296 00:17:29,080 --> 00:17:31,720 Speaker 1: and we'll do Adam's family stuff. So just us without 297 00:17:31,720 --> 00:17:36,840 Speaker 1: the kids, but on the town for the parental units 298 00:17:36,880 --> 00:17:41,040 Speaker 1: in Constant. Got gotta get out, gotta do something now. 299 00:17:41,640 --> 00:17:44,120 Speaker 1: How are the twins? Are they are? Are they the kids? Now? 300 00:17:44,119 --> 00:17:50,120 Speaker 1: Getting along? Everybody on the same page. You've got your moments, right, Um? 301 00:17:50,200 --> 00:17:53,000 Speaker 1: So like this last weekend, it seemed like they were 302 00:17:53,000 --> 00:17:55,040 Speaker 1: like best friends. They were singing together. I've got to 303 00:17:55,080 --> 00:17:57,040 Speaker 1: post this. I haven't posted it yet, but I'm going 304 00:17:57,080 --> 00:18:00,080 Speaker 1: to eventually. But they're just they're singing this song on 305 00:18:00,200 --> 00:18:02,320 Speaker 1: this kid's song, and they each have a line, so 306 00:18:02,359 --> 00:18:06,159 Speaker 1: they're singing to each other and I'm just it's so cute, 307 00:18:06,480 --> 00:18:08,600 Speaker 1: and then right back to fighting and get away from me, 308 00:18:08,680 --> 00:18:10,639 Speaker 1: don't touch me. But it's it's the little moments of 309 00:18:10,680 --> 00:18:14,560 Speaker 1: cuteness that get you through all the other stuff, right. Absolutely. 310 00:18:14,640 --> 00:18:16,640 Speaker 1: I mean it's like, you know when people talk about 311 00:18:16,680 --> 00:18:18,679 Speaker 1: how tough twins are, but then you see those moments 312 00:18:18,680 --> 00:18:20,600 Speaker 1: you're like, Okay, I think I think we're doing a 313 00:18:20,640 --> 00:18:28,040 Speaker 1: good job. Are you enjoying it? Yeah? I mean absolutely. 314 00:18:28,440 --> 00:18:30,840 Speaker 1: I mean And and the hesitation in the background is 315 00:18:30,880 --> 00:18:33,320 Speaker 1: from because it's just really hard. It's really hard. I'm 316 00:18:33,359 --> 00:18:37,320 Speaker 1: not I haven't slept. I haven't slept. It's so hard. 317 00:18:37,840 --> 00:18:41,159 Speaker 1: And I'll tell you this, um, because we get to 318 00:18:41,200 --> 00:18:43,920 Speaker 1: these moments where it's like twenty minutes thirty minutes both 319 00:18:43,920 --> 00:18:46,439 Speaker 1: of us, and we're just tired. And you need this, right, 320 00:18:46,480 --> 00:18:49,919 Speaker 1: You need this partnership where it's like, okay, tag team 321 00:18:49,600 --> 00:18:51,840 Speaker 1: and you go out, I'm gonna go in and I'm 322 00:18:51,840 --> 00:18:54,680 Speaker 1: gonna try and help put her down because you get 323 00:18:54,680 --> 00:18:56,680 Speaker 1: so frustrated on this edge you don't have the energy 324 00:18:56,760 --> 00:18:58,200 Speaker 1: to put her down. And it's like if it wasn't 325 00:18:58,200 --> 00:19:00,760 Speaker 1: for that, then yeah, it could be really hard. But 326 00:19:00,760 --> 00:19:02,600 Speaker 1: Sisteny and I worked really hard at being a good 327 00:19:02,640 --> 00:19:05,640 Speaker 1: team even when we're both depleted. I think that's important. 328 00:19:05,680 --> 00:19:09,119 Speaker 1: So you mean you guys have a great communicative relationship. 329 00:19:09,160 --> 00:19:11,240 Speaker 1: We know she can communicate. I know how she can. 330 00:19:12,000 --> 00:19:17,199 Speaker 1: I think you do too well. Handsful with Michael. I 331 00:19:17,320 --> 00:19:19,720 Speaker 1: love to everybody. Michael, thanks for coming on and tell us. 332 00:19:19,760 --> 00:19:22,040 Speaker 1: I can't wait to see her soon. Okay, we'll do 333 00:19:22,200 --> 00:19:27,199 Speaker 1: take care alright, buddy, Bye bye? So interesting is hesitation? 334 00:19:27,240 --> 00:19:31,679 Speaker 1: Are you having a good time? I think that's just 335 00:19:31,720 --> 00:19:36,080 Speaker 1: fatigued talking, That's what that is. All right, Dana is 336 00:19:36,160 --> 00:19:39,040 Speaker 1: on the line here, Dana. We love a good surprise. 337 00:19:39,080 --> 00:19:43,000 Speaker 1: How you doing. I'm good? How are you? I'm good? 338 00:19:43,119 --> 00:19:47,040 Speaker 1: So here's what we know you you got jingle ball 339 00:19:47,040 --> 00:19:51,560 Speaker 1: tickets right, Yes, and you're taking your daughter, Yes, my 340 00:19:51,640 --> 00:19:55,320 Speaker 1: twelve year old daughter. And he knows about it. She 341 00:19:55,400 --> 00:20:00,639 Speaker 1: knows about the conflict. Uh huh. But but she doesn't 342 00:20:00,640 --> 00:20:02,960 Speaker 1: know BTS is going to be there, and she's like 343 00:20:03,000 --> 00:20:06,479 Speaker 1: the biggest btsan. Well how does she not know that? 344 00:20:06,520 --> 00:20:08,520 Speaker 1: I feel like I've been saying that every day so 345 00:20:08,600 --> 00:20:12,600 Speaker 1: many times? Did she stop listening to every day? When 346 00:20:12,600 --> 00:20:14,439 Speaker 1: we get because she has to get her bust up 347 00:20:14,440 --> 00:20:16,400 Speaker 1: at sixty teens? So when we get in the car, 348 00:20:16,840 --> 00:20:19,840 Speaker 1: I turned the radio station until she gets up the car. 349 00:20:20,000 --> 00:20:23,960 Speaker 1: You and I need to have a talk. So we 350 00:20:26,600 --> 00:20:28,720 Speaker 1: go and we add BTS and that gets you to 351 00:20:28,840 --> 00:20:33,520 Speaker 1: turn the station away. Yeah, for my daughter. Because when 352 00:20:33,520 --> 00:20:36,120 Speaker 1: you guys said you had a big announcement that Monday, 353 00:20:36,560 --> 00:20:39,240 Speaker 1: I was like, so what if BTS is going to 354 00:20:39,280 --> 00:20:41,680 Speaker 1: be there? She's like, Mom, BTS is having their own concerts. 355 00:20:41,680 --> 00:20:43,679 Speaker 1: They're not going to be there. Well, she's not wrong, 356 00:20:44,520 --> 00:20:47,440 Speaker 1: they do know because and I know that. And the 357 00:20:47,560 --> 00:20:50,359 Speaker 1: prices are very expensive and I felt bad because I 358 00:20:50,359 --> 00:20:53,200 Speaker 1: couldn't buy them. You're good mom, though, forgetting her to 359 00:20:53,280 --> 00:20:57,320 Speaker 1: jingle ball. Yeah, I'm glad. All right, So here's what 360 00:20:57,359 --> 00:20:59,600 Speaker 1: we'll do. I do forgive you for turning the station. 361 00:21:00,040 --> 00:21:03,480 Speaker 1: Is you're one? Now I can leave it on. Yeah, 362 00:21:03,480 --> 00:21:06,400 Speaker 1: I'm glad we have this moment to work through it. Okay, 363 00:21:06,440 --> 00:21:08,560 Speaker 1: it's important that we do. I feel better. How do 364 00:21:08,560 --> 00:21:10,840 Speaker 1: you feel better? I feel better about us better kind 365 00:21:10,880 --> 00:21:13,080 Speaker 1: the better, But like not, I don't feel great about it. 366 00:21:13,080 --> 00:21:19,560 Speaker 1: Still feel better about this all sort of happening on 367 00:21:19,560 --> 00:21:22,800 Speaker 1: the fly, So bear with me. I think we've got here. 368 00:21:22,840 --> 00:21:30,040 Speaker 1: We go, Mackenzie. Right, Hello, hi's Mackenzie there. Yeah, I'm Mackenzie. 369 00:21:30,080 --> 00:21:33,280 Speaker 1: It's Ryan Seacrest on one or two point seven kiss FM. 370 00:21:33,359 --> 00:21:40,120 Speaker 1: I'm here with your mom Dana. Okay, sorry to bother you, Mackenzie, 371 00:21:40,160 --> 00:21:44,040 Speaker 1: but heard you're coming to our jingle ball. Yeah. Are 372 00:21:44,040 --> 00:21:51,200 Speaker 1: you excited? Yeah, you're twelve years old. I'm excited. There's 373 00:21:51,200 --> 00:21:53,040 Speaker 1: gonna be a lot of people there. Who do you 374 00:21:53,160 --> 00:21:54,800 Speaker 1: want to see the most? Are you excited to see 375 00:21:54,800 --> 00:22:01,920 Speaker 1: a jingle ball? And Ed Shearon is gonna be there? 376 00:22:05,359 --> 00:22:07,880 Speaker 1: Do Alipa? I like do alip a lot? Oh? Yeah, 377 00:22:07,960 --> 00:22:14,520 Speaker 1: of course, Mackenzie. Yes, I'm calling to tell you some 378 00:22:14,560 --> 00:22:20,160 Speaker 1: other good news if you get there with your mom. 379 00:22:20,520 --> 00:22:23,600 Speaker 1: Right at the beginning of jingle Ball, I'm gonna bring 380 00:22:23,640 --> 00:22:34,920 Speaker 1: out b TS to do Butter and dynamite. McKenzie. Yeah, 381 00:22:35,000 --> 00:22:39,600 Speaker 1: really you want to you want to see b TS? Yeah, okay, 382 00:22:39,600 --> 00:22:42,639 Speaker 1: So I'm gonna introduce BTS and they will sing butter 383 00:22:42,720 --> 00:22:47,560 Speaker 1: and dynamite and then they'll leave. Okay, so you gotta 384 00:22:47,600 --> 00:22:52,439 Speaker 1: be there early, don't miss it. Okay. What do you 385 00:22:52,480 --> 00:22:57,800 Speaker 1: say to your mom? Thank you? You're welcome, baby. You 386 00:22:57,840 --> 00:22:59,639 Speaker 1: have to say something off to who else? Do you 387 00:22:59,680 --> 00:23:07,840 Speaker 1: think she doesn't know? It's too much happening for it 388 00:23:07,920 --> 00:23:10,960 Speaker 1: right now, Dan, it's not going on. I want to 389 00:23:10,960 --> 00:23:13,440 Speaker 1: thank you guys so much. You're very welcome. We can't 390 00:23:13,440 --> 00:23:15,879 Speaker 1: wait to see I'll see you a jingle ball Kim mackenzie. 391 00:23:18,000 --> 00:23:19,720 Speaker 1: All right, Danny, you guys take care. Thank you for 392 00:23:19,760 --> 00:23:23,800 Speaker 1: reaching out. Bye bye bye. I love it too much. 393 00:23:24,680 --> 00:23:29,720 Speaker 1: It's gonna be fun surprising your kids like that. Yeah, 394 00:23:30,760 --> 00:23:36,080 Speaker 1: and PTS please, I'm just reflecting. I'm gonna surprise your 395 00:23:36,119 --> 00:23:47,240 Speaker 1: kids all the time. Here's easy on mead. Alright, So 396 00:23:47,520 --> 00:23:50,280 Speaker 1: looking at the hour, here, there's jingle ball taketsur in 397 00:23:50,320 --> 00:23:53,880 Speaker 1: a few minutes half past ish, we'll give those away, 398 00:23:53,920 --> 00:23:57,240 Speaker 1: presented by Capital One Sunshine Today in the upper seventies 399 00:23:57,280 --> 00:24:03,880 Speaker 1: eighties and Squid Game. I'm so happy Halloween is back. 400 00:24:03,960 --> 00:24:07,720 Speaker 1: Otherwise what would people do having had Squid Games as 401 00:24:07,760 --> 00:24:10,240 Speaker 1: the most popular show and no Halloween. It would have 402 00:24:10,280 --> 00:24:15,120 Speaker 1: been an injustice. Just imagine if this were last year 403 00:24:15,359 --> 00:24:18,640 Speaker 1: or the year we had really no Halloween. Which because 404 00:24:18,920 --> 00:24:23,439 Speaker 1: game is such the it's almost two now cliche to 405 00:24:23,440 --> 00:24:26,359 Speaker 1: do it, because it's gonna be the go to for everybody, 406 00:24:26,359 --> 00:24:28,879 Speaker 1: that everybody's gonna do it, that it's already jumped the 407 00:24:28,880 --> 00:24:33,480 Speaker 1: shark before it's even debut. I totally agree with you. 408 00:24:33,560 --> 00:24:35,480 Speaker 1: I had the exact same thought because when I was 409 00:24:35,520 --> 00:24:38,080 Speaker 1: watching it, I thought I want to be one of 410 00:24:38,119 --> 00:24:40,600 Speaker 1: the but not in the jumpsuit, not like a very 411 00:24:40,640 --> 00:24:43,040 Speaker 1: simple one, but kind of maybe one of the masks people. 412 00:24:43,200 --> 00:24:45,119 Speaker 1: But then I realized it's like the number one costume 413 00:24:45,160 --> 00:24:48,400 Speaker 1: and everybody's gonna do it. It's not cool anymore. It's 414 00:24:48,440 --> 00:24:51,760 Speaker 1: the same thought I had. It would have been cool 415 00:24:52,080 --> 00:24:54,199 Speaker 1: if people were just starting to talk about it and 416 00:24:54,240 --> 00:25:00,639 Speaker 1: it was boom Halloween. But now you know everybody, not everybody. 417 00:25:00,640 --> 00:25:04,399 Speaker 1: Why I say everybody, I mean you know people who 418 00:25:05,640 --> 00:25:08,520 Speaker 1: actually think they're too cool are going to do it 419 00:25:09,200 --> 00:25:12,000 Speaker 1: and think they're too cool. You know what I mean 420 00:25:12,040 --> 00:25:15,119 Speaker 1: by that? Like, I think you if I came in 421 00:25:15,200 --> 00:25:17,480 Speaker 1: the pink suit and the mask with a circle around 422 00:25:17,480 --> 00:25:22,280 Speaker 1: my face, you would call me a tool. You're you 423 00:25:22,280 --> 00:25:25,679 Speaker 1: would say you're too tool. You're not saying I wouldn't tool, 424 00:25:25,880 --> 00:25:31,680 Speaker 1: but I wouldn't think you're original. So I mean, look, 425 00:25:31,680 --> 00:25:33,840 Speaker 1: the easiest costume in the world is just putting on 426 00:25:34,240 --> 00:25:37,000 Speaker 1: you know, double O one in a sweatsuit and rolling 427 00:25:37,040 --> 00:25:40,320 Speaker 1: out with your vans the van so w s J 428 00:25:40,680 --> 00:25:44,240 Speaker 1: Welst Journal reporting the van sales are just through the 429 00:25:44,320 --> 00:25:47,200 Speaker 1: roof global. Um. You know it's the most watched. Squid 430 00:25:47,240 --> 00:25:50,680 Speaker 1: Game is now the most watched Netflix original series ever. 431 00:25:52,320 --> 00:25:58,040 Speaker 1: UM and Vans has seen a major spike in sales 432 00:25:58,320 --> 00:26:00,840 Speaker 1: this month. I don't have, but I do have those 433 00:26:00,840 --> 00:26:04,400 Speaker 1: white slip on shoes. There may buy all Birds, Alberts 434 00:26:04,400 --> 00:26:07,720 Speaker 1: all Birds and there slip on and once you start. 435 00:26:07,720 --> 00:26:09,560 Speaker 1: I don't know if you have these vans from Squid 436 00:26:09,600 --> 00:26:12,840 Speaker 1: Game or or Vans anyway, and I've had them all 437 00:26:12,840 --> 00:26:15,840 Speaker 1: my life. On't you really rely on a slip on shoe? 438 00:26:15,920 --> 00:26:18,200 Speaker 1: It is way too much time and labor to just 439 00:26:18,320 --> 00:26:20,600 Speaker 1: bend over entire your lace and to untie your lace 440 00:26:20,640 --> 00:26:24,359 Speaker 1: and a boot is out of the question. Yeah. I 441 00:26:24,400 --> 00:26:26,480 Speaker 1: think maybe the pandemic made us a little bit lazy 442 00:26:26,520 --> 00:26:28,440 Speaker 1: in that in that regard, because I could not agree 443 00:26:28,440 --> 00:26:31,560 Speaker 1: with you. If I can't slip in and slip out, 444 00:26:31,680 --> 00:26:33,560 Speaker 1: then I don't want to wear it. I don't want 445 00:26:33,560 --> 00:26:37,600 Speaker 1: to put it on. Yeah, so you could go if 446 00:26:37,600 --> 00:26:40,679 Speaker 1: you're gonna go in the squid game ecosystem, you can 447 00:26:40,720 --> 00:26:42,840 Speaker 1: go with the track suit. You can go as that 448 00:26:43,680 --> 00:26:49,280 Speaker 1: freaky dull robot that tells you about the game. Yeah, 449 00:26:50,119 --> 00:26:52,880 Speaker 1: you can go as the people in the pink suits 450 00:26:53,440 --> 00:26:56,159 Speaker 1: or what's who's the person that's I've not gotten all 451 00:26:56,200 --> 00:26:58,439 Speaker 1: the way through it's don't blow it, But who's the 452 00:26:58,480 --> 00:27:03,280 Speaker 1: person that's running the game? Don't I'm not gonna tell you. 453 00:27:03,240 --> 00:27:07,320 Speaker 1: That would be the biggest spoiler alert. So I'll find out. Yes, 454 00:27:07,880 --> 00:27:10,320 Speaker 1: But to be that person, you could wear like a bunny. 455 00:27:10,400 --> 00:27:12,400 Speaker 1: I think it's like a bunny mask. It's a bedazzled 456 00:27:12,440 --> 00:27:16,119 Speaker 1: bunny mask in a suit. Well, that's not who I'm 457 00:27:16,160 --> 00:27:18,760 Speaker 1: talking about. You just gave something away. Who's that? I 458 00:27:18,760 --> 00:27:21,640 Speaker 1: don't know who that is? Oh, I'm talking about the end. 459 00:27:21,680 --> 00:27:23,280 Speaker 1: I'm talking about the one that's in the match sort 460 00:27:23,280 --> 00:27:27,880 Speaker 1: of the Matt charcoal. You gave him too much information, Tanya, 461 00:27:28,320 --> 00:27:30,080 Speaker 1: you just ruin it. What are you talking about? A rabbit? 462 00:27:31,920 --> 00:27:36,480 Speaker 1: You'll find You'll find out, You'll find out. I want 463 00:27:36,480 --> 00:27:38,920 Speaker 1: to come to the show and not speak. It's gonna 464 00:27:38,960 --> 00:27:41,639 Speaker 1: break your heart when you find out who is the 465 00:27:41,680 --> 00:27:45,399 Speaker 1: person behind the black mask. That's now you have me 466 00:27:45,480 --> 00:27:49,400 Speaker 1: thinking about the rabbit. No, you have me thinking who's 467 00:27:49,440 --> 00:27:53,760 Speaker 1: in the suit? Now I'm over the rabbit. The rabbit. Yeah, 468 00:27:53,840 --> 00:27:55,639 Speaker 1: it's gonna break your heart when you find out the 469 00:27:55,720 --> 00:27:58,760 Speaker 1: rabbit is not the suit. The suit. I don't know 470 00:27:58,760 --> 00:28:00,920 Speaker 1: who the suit is. But once I'm about is the 471 00:28:01,040 --> 00:28:04,440 Speaker 1: person in the charcoal gray black hoodie with the Matt 472 00:28:04,560 --> 00:28:09,119 Speaker 1: mask that's watching everybody on camera and that answers the phone. 473 00:28:09,800 --> 00:28:13,160 Speaker 1: And that's a really sexy costume, by the way, is it? 474 00:28:13,480 --> 00:28:16,720 Speaker 1: I think so? But what if you're let down underneath it? 475 00:28:17,520 --> 00:28:20,080 Speaker 1: But I think going in the magic of going in 476 00:28:20,200 --> 00:28:22,440 Speaker 1: not not knowing who's behind that mask. I think it's 477 00:28:22,440 --> 00:28:24,680 Speaker 1: really sexy, the holloway. But then when you never take 478 00:28:24,720 --> 00:28:26,240 Speaker 1: it off, because then when they get to the me it, 479 00:28:26,240 --> 00:28:28,120 Speaker 1: they'll be like, let don't take it off at all 480 00:28:29,119 --> 00:28:33,520 Speaker 1: for nothing? So are we dressing up on Friday? What 481 00:28:33,560 --> 00:28:39,040 Speaker 1: do I need to know? We are okay, We're all 482 00:28:39,080 --> 00:28:43,000 Speaker 1: gonna be something together. I got my costume, and I 483 00:28:43,040 --> 00:28:45,320 Speaker 1: think there's a problem with my costume. Well hold on, 484 00:28:45,480 --> 00:28:48,840 Speaker 1: wait for a second. We're not going to be sitting 485 00:28:48,840 --> 00:28:50,520 Speaker 1: together because I know what mine is and I don't 486 00:28:50,560 --> 00:28:53,200 Speaker 1: know what yours is. We are, yeah, we know what 487 00:28:53,240 --> 00:28:55,040 Speaker 1: you are going to be, and so we're going to 488 00:28:55,120 --> 00:29:00,280 Speaker 1: be the same. Are you literally sinking to my phone? Patty? 489 00:29:00,320 --> 00:29:03,280 Speaker 1: What's wrong with your costume? What? I can't say what's 490 00:29:03,280 --> 00:29:05,360 Speaker 1: wrong with it because then I'll give it away? But 491 00:29:05,440 --> 00:29:12,880 Speaker 1: you will say the theme today is a spoilers, but 492 00:29:13,080 --> 00:29:15,440 Speaker 1: it's too late to make any changes, so it's going 493 00:29:15,480 --> 00:29:18,479 Speaker 1: to just it is what it is. Interesting, Tanny, this 494 00:29:18,520 --> 00:29:20,000 Speaker 1: was an easy one for me to give a think 495 00:29:20,000 --> 00:29:23,160 Speaker 1: on our trending report. And Tanya says, and she'll give 496 00:29:23,240 --> 00:29:24,920 Speaker 1: us the story why this came up. But she said, 497 00:29:25,440 --> 00:29:28,320 Speaker 1: are you a cold turkey breaker upper or are you 498 00:29:28,360 --> 00:29:31,640 Speaker 1: dip by dip? We dipper dip back in breaker rupper, 499 00:29:32,120 --> 00:29:34,320 Speaker 1: You dip? I did we? Did? You put your hand 500 00:29:34,400 --> 00:29:39,240 Speaker 1: up my head? Wow, what a great throwback. I dip. 501 00:29:40,400 --> 00:29:44,880 Speaker 1: You know that I dip for years, So do you 502 00:29:44,880 --> 00:29:48,040 Speaker 1: want to know who you're like? Well, wait a minute, 503 00:29:48,120 --> 00:29:51,120 Speaker 1: let me think about it. Okay, I've given it some thought. 504 00:29:51,160 --> 00:29:56,320 Speaker 1: I don't know Kristen Cavalary. That's interesting m hm. So 505 00:29:56,400 --> 00:29:59,400 Speaker 1: let me tell you she is a dip in, dip 506 00:29:59,400 --> 00:30:02,280 Speaker 1: out kind of gal herself. So she admitted that she 507 00:30:02,400 --> 00:30:04,840 Speaker 1: and Jake Cutler went on a couple of dates after 508 00:30:04,960 --> 00:30:08,440 Speaker 1: filing for divorce. So they were married for seven years. 509 00:30:08,760 --> 00:30:12,000 Speaker 1: They have three kids together, and she said that after 510 00:30:12,040 --> 00:30:13,840 Speaker 1: they filed for divorce, they went on a couple of 511 00:30:13,920 --> 00:30:17,000 Speaker 1: dates just to make sure and she realized that she 512 00:30:17,120 --> 00:30:19,040 Speaker 1: made the right decision, that it was fully the right 513 00:30:19,040 --> 00:30:22,280 Speaker 1: decision and continued on. But I respect the fact that 514 00:30:22,760 --> 00:30:24,400 Speaker 1: they filed for divorce and she wanted to make sure 515 00:30:24,480 --> 00:30:28,240 Speaker 1: she was making the right decisions, so she went on 516 00:30:28,280 --> 00:30:29,960 Speaker 1: a couple of dates. But I think it just depends 517 00:30:29,960 --> 00:30:31,840 Speaker 1: on the type of person that you are, you know, 518 00:30:32,280 --> 00:30:37,000 Speaker 1: because I think it can give you false hope. Well, 519 00:30:37,040 --> 00:30:40,920 Speaker 1: it's interesting because do you after you go through and 520 00:30:41,040 --> 00:30:43,040 Speaker 1: I don't know what really happened. I think you told 521 00:30:43,080 --> 00:30:45,200 Speaker 1: me once in a training report what was reported between them, 522 00:30:45,200 --> 00:30:47,600 Speaker 1: but who knows. Anyway, you filed for and you want 523 00:30:47,600 --> 00:30:49,480 Speaker 1: to go back and just double double double triple down 524 00:30:49,560 --> 00:30:52,600 Speaker 1: check that you're on the right page. And of course 525 00:30:52,600 --> 00:30:56,440 Speaker 1: sounds like she was on the right page. But you 526 00:30:56,440 --> 00:31:00,480 Speaker 1: know what's interesting that she also said is that she 527 00:31:00,720 --> 00:31:05,920 Speaker 1: comes from divorced parents and she didn't want her kids 528 00:31:05,960 --> 00:31:08,920 Speaker 1: growing uproot, thinking that the relationship that she and Jay 529 00:31:08,960 --> 00:31:11,280 Speaker 1: had was a good relationship. And she said she saw 530 00:31:11,280 --> 00:31:14,239 Speaker 1: her mom remarry and have a thriving relationship and she 531 00:31:14,280 --> 00:31:16,680 Speaker 1: wanted her kids to see her in a happy, healthy 532 00:31:16,720 --> 00:31:21,400 Speaker 1: one and she's in one now now, she's happy. She's 533 00:31:21,480 --> 00:31:25,240 Speaker 1: currently single. You know, uh, you said she went back 534 00:31:25,280 --> 00:31:28,680 Speaker 1: out on a date or date. See, I think when 535 00:31:28,720 --> 00:31:31,680 Speaker 1: when I've referred to dip or others have referred to 536 00:31:31,760 --> 00:31:37,640 Speaker 1: you dip, I dip, we dip, it's like, yeah, hey, 537 00:31:38,080 --> 00:31:43,480 Speaker 1: you know what comfort? Comfort? All right? Like the Sunday Blues. Yeah, 538 00:31:43,800 --> 00:31:46,600 Speaker 1: that's what I was trying to articulate comfort. And you 539 00:31:46,640 --> 00:31:49,160 Speaker 1: know you've been there before, right, and you both are 540 00:31:49,200 --> 00:31:52,200 Speaker 1: in the same place, and I think you caught a 541 00:31:52,240 --> 00:31:56,680 Speaker 1: no strings dip. Yeah. H wasn't that a movie with 542 00:31:56,720 --> 00:32:01,280 Speaker 1: Ashton Kutcher and melak Kunis It was no string dipping? Now, 543 00:32:01,320 --> 00:32:05,840 Speaker 1: Ashton Kutcher and Natalie Portman. Yeah, no strings dip. Yeah, 544 00:32:05,880 --> 00:32:08,000 Speaker 1: it was Mila Kunis and Justin Timberlake that did the 545 00:32:08,000 --> 00:32:11,120 Speaker 1: other movie strings attached? Yeah? Who is in that one? 546 00:32:12,200 --> 00:32:19,800 Speaker 1: Justin Timberlake and Mila Mila Kunas. No, that's Friends with Benefits? Okay, 547 00:32:20,400 --> 00:32:25,360 Speaker 1: no strings attached? Natalie Portman and Jake Killenhaal, Ashton Kutcher 548 00:32:25,400 --> 00:32:29,440 Speaker 1: and Natalie Portman were in No strings attached? Yes, the 549 00:32:29,480 --> 00:32:31,640 Speaker 1: movies are basically the same thing. So you're on Justin 550 00:32:31,680 --> 00:32:37,320 Speaker 1: Bieber and milk in one Timberlake Timberlake. Yes, Patty, friends 551 00:32:37,360 --> 00:32:40,320 Speaker 1: would benefits I think you're talking about. Yes, we just 552 00:32:40,360 --> 00:32:45,760 Speaker 1: determined that starring whom Justin and Mila? Yes, and then 553 00:32:45,760 --> 00:32:50,080 Speaker 1: no strings attached? Is Natalie Portman and Ashton Kutcher and 554 00:32:50,120 --> 00:32:57,440 Speaker 1: who sang the dip song? I don't know? Uh, justin Timberlake. No, 555 00:32:58,360 --> 00:33:01,040 Speaker 1: we did. I put my end up on your hip? 556 00:33:01,160 --> 00:33:15,000 Speaker 1: Were not? And that is my freak nasty m Wow. Allison, 557 00:33:15,040 --> 00:33:18,800 Speaker 1: how are you hi? Doing well? Good? So what can 558 00:33:18,840 --> 00:33:23,080 Speaker 1: we do for you? Well? I guess I'm excited. I'm 559 00:33:23,120 --> 00:33:25,800 Speaker 1: having a little baby and my husband and I are 560 00:33:26,000 --> 00:33:28,800 Speaker 1: expecting a new Uh. Thank you're a girl in a 561 00:33:28,840 --> 00:33:32,400 Speaker 1: couple of months, and I've been so excited. You know, 562 00:33:32,440 --> 00:33:35,320 Speaker 1: we're coming up on the time, and my husband and 563 00:33:35,360 --> 00:33:37,240 Speaker 1: I are honing in on a couple of names, you know, 564 00:33:37,280 --> 00:33:42,760 Speaker 1: getting the shortlist together, And naturally, I really wanted to 565 00:33:42,880 --> 00:33:45,560 Speaker 1: name the baby after my mom. She's such a role 566 00:33:45,560 --> 00:33:48,040 Speaker 1: model in my life, you know, and we're so close, 567 00:33:48,680 --> 00:33:51,680 Speaker 1: and I thought she would be thrilled about this. My 568 00:33:51,840 --> 00:33:56,120 Speaker 1: husband was on board, but we saw her recently she 569 00:33:56,280 --> 00:33:59,600 Speaker 1: told me she's like very disturbed by it and did 570 00:33:59,680 --> 00:34:02,880 Speaker 1: not feel comfortable at all and does not want me 571 00:34:02,920 --> 00:34:06,080 Speaker 1: to name the baby after her. So now I'm a 572 00:34:06,160 --> 00:34:10,239 Speaker 1: little confused and just not sure what to do. Why 573 00:34:10,360 --> 00:34:17,120 Speaker 1: is why is she disturbed by it? Yeah? Yeah, I 574 00:34:17,200 --> 00:34:20,759 Speaker 1: asked that too, and she just thinks it's you know, 575 00:34:20,960 --> 00:34:24,040 Speaker 1: maybe a mixture of like bad juju. And she also 576 00:34:24,120 --> 00:34:28,600 Speaker 1: said she just finds it very weird, which I was 577 00:34:28,840 --> 00:34:31,799 Speaker 1: I was like kind of hurt by. Uh, you know, 578 00:34:32,120 --> 00:34:34,799 Speaker 1: it's just you try and do a good thing and 579 00:34:34,800 --> 00:34:37,799 Speaker 1: it backfires on you, right like that. To me, it's 580 00:34:37,880 --> 00:34:40,799 Speaker 1: kind of a beautiful thing. So let me ask you this. 581 00:34:41,320 --> 00:34:43,759 Speaker 1: If she doesn't want you to do it, are you 582 00:34:43,800 --> 00:34:48,320 Speaker 1: fine with that? And just move on to another name. Yeah, 583 00:34:48,560 --> 00:34:52,120 Speaker 1: I'm kind of thinking of maybe making it an because 584 00:34:52,120 --> 00:34:54,719 Speaker 1: I love the name and I love what I love 585 00:34:54,800 --> 00:34:58,480 Speaker 1: what it represents. So I'm okay not making it a 586 00:34:58,520 --> 00:35:02,600 Speaker 1: first name, but I might have to find a middle ground. 587 00:35:05,360 --> 00:35:07,279 Speaker 1: This is like one of those things that you never 588 00:35:07,400 --> 00:35:09,839 Speaker 1: think in life is going to happen. What in the 589 00:35:10,000 --> 00:35:12,520 Speaker 1: entirety of life is going on? Right? Like, come on, 590 00:35:12,560 --> 00:35:15,840 Speaker 1: it is very strange. I've never heard anybody not wanting 591 00:35:16,120 --> 00:35:19,240 Speaker 1: a child, and I almost wanted. There are other issues 592 00:35:19,400 --> 00:35:22,080 Speaker 1: we don't know about that exists, because this sounds to 593 00:35:22,120 --> 00:35:26,680 Speaker 1: me like some sort of a root issue. Oh yeah, 594 00:35:26,800 --> 00:35:29,520 Speaker 1: I don't know. That's that's a really good point. Maybe 595 00:35:29,920 --> 00:35:34,480 Speaker 1: it's deeper than just the name. To me, it would be. 596 00:35:34,520 --> 00:35:36,680 Speaker 1: But just move if you're fine with it, move on, 597 00:35:37,520 --> 00:35:40,640 Speaker 1: and it's stop stopped doing good deeds? Right. It's like 598 00:35:40,680 --> 00:35:42,960 Speaker 1: here you go trying to do something good and then 599 00:35:44,280 --> 00:35:46,880 Speaker 1: maybe your mom had a hard life first. I don't know, 600 00:35:46,920 --> 00:35:48,880 Speaker 1: maybe there's something that your mom that you don't know. 601 00:35:49,000 --> 00:35:51,319 Speaker 1: There's a root issue here. There's a root issue here. 602 00:35:51,600 --> 00:35:54,920 Speaker 1: We'll give it some thought. Auson and congratulations on the baby, 603 00:35:55,560 --> 00:36:00,560 Speaker 1: Thank you so much. Okay, bye. You know when you're 604 00:36:00,880 --> 00:36:03,000 Speaker 1: in life, whatever it is. You're so excited to tell 605 00:36:03,040 --> 00:36:12,480 Speaker 1: somebody something and they don't react like the worst. On 606 00:36:12,680 --> 00:36:21,400 Speaker 1: air with Ryst let me bring up Vanessa Lasha. Welcome home, Vanessa. 607 00:36:21,400 --> 00:36:25,920 Speaker 1: You're on Kiss FM, Los Angeles. How are you? Good morning? 608 00:36:25,920 --> 00:36:29,480 Speaker 1: I'm good. How are you? It's a homecoming of sorts. Uh? 609 00:36:29,680 --> 00:36:32,400 Speaker 1: You know? Yeah, Nick, your husband is floating around the 610 00:36:32,400 --> 00:36:35,000 Speaker 1: East Coast and here you are. Are you in Hawaii now? 611 00:36:35,920 --> 00:36:39,160 Speaker 1: I'm in Hawaii? Now? Yes? And he just literally left you. 612 00:36:39,160 --> 00:36:42,080 Speaker 1: You've got a La sandwich today, you're gonna beach. Well, 613 00:36:42,120 --> 00:36:43,960 Speaker 1: you know, I said to him, how's it going? Because 614 00:36:44,520 --> 00:36:46,360 Speaker 1: do you what I want to hear more about the 615 00:36:46,360 --> 00:36:49,320 Speaker 1: decision to take this amazing role and then bring everybody 616 00:36:49,320 --> 00:36:51,600 Speaker 1: to Hawaiian a second. I said to him, how's it going, 617 00:36:51,680 --> 00:36:53,880 Speaker 1: you know, because everybody here it seems like a dream. 618 00:36:53,920 --> 00:36:56,200 Speaker 1: And he said it's great, except he's trying to figure 619 00:36:56,239 --> 00:36:57,920 Speaker 1: out sometimes what to do in the middle of the 620 00:36:57,960 --> 00:37:01,160 Speaker 1: day and he said he I said, well, what about 621 00:37:01,160 --> 00:37:04,359 Speaker 1: surfing or what about learn the language? He say, he's 622 00:37:04,360 --> 00:37:07,319 Speaker 1: working on his golf. Well, the number one thing is 623 00:37:07,320 --> 00:37:10,280 Speaker 1: why don't you go surfing? And he's like, I'm forty 624 00:37:10,400 --> 00:37:12,920 Speaker 1: seven and I've never surved. He did once. I think 625 00:37:12,920 --> 00:37:16,960 Speaker 1: he did a Culliet later charity thing, but um, he's like, 626 00:37:17,000 --> 00:37:19,800 Speaker 1: I just to learn it now at forty seven doesn't 627 00:37:19,920 --> 00:37:22,520 Speaker 1: really excite him. And so then yeah, everyone says, well, 628 00:37:22,520 --> 00:37:25,200 Speaker 1: then go golf. And while that's a sport, he can 629 00:37:25,200 --> 00:37:27,080 Speaker 1: play solo. He's also like, who am I going to 630 00:37:27,160 --> 00:37:29,560 Speaker 1: go with and have a beer with? And so I 631 00:37:29,560 --> 00:37:32,840 Speaker 1: think you literally hit it on the head. It sounds 632 00:37:33,040 --> 00:37:35,359 Speaker 1: so sexy and dreamy and amazing. And if you ask 633 00:37:35,440 --> 00:37:37,840 Speaker 1: anybody on the street, ten people, would you move to 634 00:37:37,880 --> 00:37:40,439 Speaker 1: Hawaii for work? I believe ten out of ten would 635 00:37:40,480 --> 00:37:43,200 Speaker 1: say yes. And then you get here and I do 636 00:37:43,360 --> 00:37:46,000 Speaker 1: have work, and I have my crew and my cast, 637 00:37:46,160 --> 00:37:48,279 Speaker 1: and you know, when I come home, I'm studying, I 638 00:37:48,360 --> 00:37:50,080 Speaker 1: have the kids. I'm excited to see them because I 639 00:37:50,080 --> 00:37:55,359 Speaker 1: haven't seen them all day. Meanwhile, Nick's like, hey, I've 640 00:37:55,360 --> 00:37:59,960 Speaker 1: been here all day with these kids and nothing else 641 00:38:00,080 --> 00:38:03,080 Speaker 1: to do. And while he's the best daddy in the world, yeah, 642 00:38:03,080 --> 00:38:05,000 Speaker 1: he's like, let's go do something. And I'm like, I can. 643 00:38:05,040 --> 00:38:08,719 Speaker 1: I gotta work tomorrow where I am and Vanessa with us. 644 00:38:08,719 --> 00:38:12,200 Speaker 1: Now who's on location in Hawaii doing It's on Monday's 645 00:38:12,200 --> 00:38:14,759 Speaker 1: tempting on CBS, but n C I s Hawaii. So 646 00:38:15,280 --> 00:38:18,239 Speaker 1: I think people who are listening can relate to a 647 00:38:18,320 --> 00:38:21,759 Speaker 1: great opportunity comes up. You've got the family, but that 648 00:38:21,880 --> 00:38:25,319 Speaker 1: job requires a relocation for a period of time. Was 649 00:38:25,360 --> 00:38:29,400 Speaker 1: it difficult? You know? I think too back to like athletes, 650 00:38:29,480 --> 00:38:32,120 Speaker 1: like they have to move all the time. But then 651 00:38:32,160 --> 00:38:36,040 Speaker 1: I realized they have the team, and I think that's 652 00:38:36,080 --> 00:38:39,800 Speaker 1: the hardest part, not only being older trying to make friends, 653 00:38:40,600 --> 00:38:43,680 Speaker 1: but like being nick trying to make friends, you know 654 00:38:43,719 --> 00:38:46,759 Speaker 1: what I mean. So he's a super social guy, but 655 00:38:46,840 --> 00:38:50,319 Speaker 1: we just don't know. We don't know what people's expectations 656 00:38:50,320 --> 00:38:51,719 Speaker 1: are in motives, and I don't mean the people on 657 00:38:51,760 --> 00:38:55,640 Speaker 1: the island. Everybody here is so warm, so kind, so welcoming. 658 00:38:56,440 --> 00:39:00,880 Speaker 1: It's hard, um for for him because he's literally really isolated. 659 00:39:00,880 --> 00:39:04,920 Speaker 1: It's it's it's only us, um. But yeah, nobody had 660 00:39:04,920 --> 00:39:08,880 Speaker 1: a crystal ball, nobody could say what's going to happen? 661 00:39:08,960 --> 00:39:11,359 Speaker 1: And he doesn't regret it. He's like, if you went 662 00:39:11,360 --> 00:39:13,000 Speaker 1: back in time, I still would say yes, because this 663 00:39:13,000 --> 00:39:15,080 Speaker 1: opportunity is great for you and for our family and 664 00:39:15,080 --> 00:39:17,920 Speaker 1: for our marriage. But he's also just being realistic you know, 665 00:39:17,960 --> 00:39:19,520 Speaker 1: he loves it. We wake up every day. I'm looking 666 00:39:19,560 --> 00:39:22,600 Speaker 1: at the ocean right now. It's unreal. And they've been 667 00:39:22,640 --> 00:39:25,320 Speaker 1: so warm and welcoming here of our family and Upona. 668 00:39:26,000 --> 00:39:29,279 Speaker 1: But it is I think at times for him isolating. 669 00:39:29,320 --> 00:39:31,600 Speaker 1: So then I said, why don't you get back into 670 00:39:31,600 --> 00:39:37,960 Speaker 1: acting and we'll write you in the show. Yes, yes, 671 00:39:38,320 --> 00:39:40,840 Speaker 1: that's why he saw you today. He wants to. He 672 00:39:40,960 --> 00:39:43,600 Speaker 1: loved singing, and he loves, you know, being a personality 673 00:39:43,640 --> 00:39:46,640 Speaker 1: and hosting. He he which is really sweet. He doesn't 674 00:39:46,640 --> 00:39:48,880 Speaker 1: like pretending to be someone he's not. And me actually 675 00:39:48,920 --> 00:39:51,000 Speaker 1: is that I don't know how to be anybody else 676 00:39:51,000 --> 00:39:53,799 Speaker 1: but myself, which I think is why acting for him 677 00:39:53,920 --> 00:39:56,719 Speaker 1: is like it gives him anxiety. That's charming. I mean, 678 00:39:56,800 --> 00:39:58,400 Speaker 1: you know, and I'm just looking at some of the 679 00:39:58,600 --> 00:40:00,799 Speaker 1: success of n c I A White It is a 680 00:40:00,840 --> 00:40:03,600 Speaker 1: massive hit. I mean, this franchise is big. I can't 681 00:40:03,640 --> 00:40:06,120 Speaker 1: believe I'm saying this, but you're the first female lead 682 00:40:06,520 --> 00:40:08,960 Speaker 1: and an n c I show. Is that right? Yeah? 683 00:40:09,080 --> 00:40:13,319 Speaker 1: Isn't that crazy? It's what is? And uh, I'm the 684 00:40:13,320 --> 00:40:16,120 Speaker 1: first female n c I S franchise lead, which is 685 00:40:16,160 --> 00:40:19,239 Speaker 1: such an honor and so awesome and I get to 686 00:40:19,320 --> 00:40:22,200 Speaker 1: live to see the day. Yeah. No, I mean it's 687 00:40:22,480 --> 00:40:24,760 Speaker 1: it's great, but I can't believe it hadn't happened already 688 00:40:24,760 --> 00:40:27,920 Speaker 1: in a way, you know, yeah, you know. I mean 689 00:40:27,960 --> 00:40:30,440 Speaker 1: a lot of changes are happening and in the world 690 00:40:30,480 --> 00:40:33,719 Speaker 1: and in our industry, and I'm just I'm I'm excited 691 00:40:33,760 --> 00:40:36,440 Speaker 1: to be literally along for the ride. All right, before 692 00:40:36,480 --> 00:40:39,360 Speaker 1: you go on. Tanya was telling me about your book. 693 00:40:40,200 --> 00:40:44,160 Speaker 1: Is it targeted for unmarried unkidded up, right? Or is 694 00:40:44,200 --> 00:40:49,320 Speaker 1: it targeted for kidded up and married? Uh, it's targeted 695 00:40:49,520 --> 00:40:58,480 Speaker 1: for It's targeted for those who crave tradition, familiarity, um, nostalgia, 696 00:40:59,400 --> 00:41:03,920 Speaker 1: you know, fighting, family and friends, entertaining. So it's probably 697 00:41:04,440 --> 00:41:07,840 Speaker 1: it's it's basically in a nutshell. Um. You know, I 698 00:41:08,520 --> 00:41:11,600 Speaker 1: haven't really been forthcoming about my childhood, not because I 699 00:41:11,760 --> 00:41:13,560 Speaker 1: anything to hide, but it's just never really come up 700 00:41:13,560 --> 00:41:17,359 Speaker 1: in conversations or interviews. And my mom left when I 701 00:41:17,400 --> 00:41:20,520 Speaker 1: was really young. Um, she literally just left me. And 702 00:41:20,560 --> 00:41:22,480 Speaker 1: it's in the book at the beginning and the introduction. 703 00:41:23,000 --> 00:41:25,840 Speaker 1: And instead of saying the glasses half empty, which I 704 00:41:25,880 --> 00:41:27,920 Speaker 1: did for a very long time, I finally just kind 705 00:41:27,920 --> 00:41:29,719 Speaker 1: of booked up and said, what am I going to 706 00:41:29,800 --> 00:41:31,479 Speaker 1: do about it? I'm going to find my friends terming 707 00:41:31,480 --> 00:41:33,680 Speaker 1: We're gonna have a family, and I'm going to give 708 00:41:33,719 --> 00:41:37,359 Speaker 1: them heirlooms and traditions and things to look forward to 709 00:41:37,440 --> 00:41:40,160 Speaker 1: and recipes that they could make a jewelry that they conceived. 710 00:41:40,239 --> 00:41:43,359 Speaker 1: And so yeah, it's literally I created this Life from 711 00:41:43,360 --> 00:41:45,200 Speaker 1: Scratch with Nick as I guess he would be in 712 00:41:45,239 --> 00:41:49,239 Speaker 1: my shoe show. And then uh, it's the tagline is 713 00:41:49,280 --> 00:41:52,319 Speaker 1: that family traditions that start with you and and none 714 00:41:52,360 --> 00:41:55,160 Speaker 1: of our messy past, or just our past for that matter, 715 00:41:55,520 --> 00:41:57,400 Speaker 1: have to define our future and where we're going and 716 00:41:57,440 --> 00:41:59,920 Speaker 1: what we want in life. So if you want to 717 00:42:00,000 --> 00:42:02,719 Speaker 1: cuddle up with a book with my book Ryan and 718 00:42:02,760 --> 00:42:05,919 Speaker 1: a glass of wine and a little padded so then yes, 719 00:42:05,960 --> 00:42:09,719 Speaker 1: it could be targeted to unmarried single men. Perfect. So 720 00:42:09,880 --> 00:42:12,480 Speaker 1: look for a cameo from a member of ninety degrees 721 00:42:12,520 --> 00:42:15,880 Speaker 1: on n CS Hawaii soon, Vanessa Leach with us. He's 722 00:42:15,920 --> 00:42:23,640 Speaker 1: gonna play himself next down. I love it, um book. 723 00:42:23,840 --> 00:42:26,120 Speaker 1: It's called Life from Scratch and it is out November. 724 00:42:26,840 --> 00:42:28,560 Speaker 1: But I said, thank you for coming on and we'll 725 00:42:28,640 --> 00:42:31,840 Speaker 1: hope to see you back soon. Okay, I hope. So 726 00:42:31,880 --> 00:42:37,799 Speaker 1: would well take care bye bye on air with Ryan Seacrets. 727 00:42:39,440 --> 00:42:44,080 Speaker 1: It is Wednesday, and we are rolling through it sunshine 728 00:42:44,080 --> 00:42:48,120 Speaker 1: in seventies and eighties here in southern California. Now, if 729 00:42:48,160 --> 00:42:51,600 Speaker 1: you have never been to l A, what do you think? 730 00:42:51,760 --> 00:42:54,759 Speaker 1: How do you generalize and stereotype people who live in 731 00:42:54,880 --> 00:42:57,640 Speaker 1: l A? You hear it a lot, and for people 732 00:42:57,680 --> 00:43:01,160 Speaker 1: who have never been, it's impossible through stereo type someone 733 00:43:01,239 --> 00:43:04,080 Speaker 1: that is from We're living in l A. There's just 734 00:43:04,200 --> 00:43:07,960 Speaker 1: not one place that's the same. It's such a mosaic 735 00:43:08,040 --> 00:43:13,200 Speaker 1: of different cultures and foods and shops and neighborhoods. But 736 00:43:13,280 --> 00:43:14,880 Speaker 1: you don't know that if you've never been here, you 737 00:43:14,880 --> 00:43:18,520 Speaker 1: don't realize that. It also really irks me when people 738 00:43:18,560 --> 00:43:21,400 Speaker 1: say years right, well, let me just tell That's what 739 00:43:21,440 --> 00:43:25,359 Speaker 1: the Times wrote about. They said, the tourists perceptions of 740 00:43:25,440 --> 00:43:30,239 Speaker 1: people in Los Angeles are this. People here we wake 741 00:43:30,320 --> 00:43:34,160 Speaker 1: up at six am. We all have our half calf 742 00:43:34,280 --> 00:43:38,200 Speaker 1: soy milk chai latte. I can safely say I've never 743 00:43:38,200 --> 00:43:41,799 Speaker 1: had that my life. Then from seven to a they 744 00:43:41,840 --> 00:43:46,120 Speaker 1: say we either go to yoga or pilates. No, Then 745 00:43:46,239 --> 00:43:48,200 Speaker 1: we work from nine to noon, then have a lunch 746 00:43:48,200 --> 00:43:50,799 Speaker 1: a power lunch. I don't think I've had lunch in 747 00:43:50,840 --> 00:43:55,279 Speaker 1: twenty years. Like I eat it, but I've never had it, right, 748 00:43:55,320 --> 00:43:57,399 Speaker 1: there's a difference how I'm going to have a lunch 749 00:43:57,520 --> 00:44:01,040 Speaker 1: or eat a lunch out of a container, all right, 750 00:44:01,080 --> 00:44:04,000 Speaker 1: So that's not so true. And then people are having 751 00:44:04,160 --> 00:44:08,200 Speaker 1: rose and watching the sunset on on a rooftop. Okay, 752 00:44:08,480 --> 00:44:11,239 Speaker 1: you know what that is. That's the schedule of a 753 00:44:11,320 --> 00:44:13,840 Speaker 1: business traveler that doesn't live here that comes to l A. 754 00:44:14,000 --> 00:44:16,480 Speaker 1: That's what they do. That's like someone who's on a 755 00:44:16,560 --> 00:44:20,439 Speaker 1: sales call from another city. That's their day. We don't 756 00:44:20,440 --> 00:44:27,439 Speaker 1: do that. No, do you have any relatives think you're 757 00:44:27,480 --> 00:44:30,720 Speaker 1: so l a, Tanya or any friends because your relatives 758 00:44:30,760 --> 00:44:34,040 Speaker 1: are from nearby, but any friends. Yes, I have people 759 00:44:34,080 --> 00:44:37,960 Speaker 1: that think I'm so LA because when I order at 760 00:44:37,960 --> 00:44:42,640 Speaker 1: restaurants it's like hold the cheese, no dairy please, you 761 00:44:42,680 --> 00:44:46,480 Speaker 1: know that kind of stuff. I have developed a feeling 762 00:44:46,480 --> 00:44:49,440 Speaker 1: of guilt when I do order things like that. I 763 00:44:49,480 --> 00:44:53,600 Speaker 1: can't say it's l A. It's just high maintenance. That's 764 00:44:53,600 --> 00:44:58,120 Speaker 1: a universal high maintenance quality. Yeah. But if you if 765 00:44:58,160 --> 00:45:00,879 Speaker 1: you go back to why you're doing it, you're trying 766 00:45:00,920 --> 00:45:03,680 Speaker 1: to do it for health and diet and digestion and 767 00:45:03,680 --> 00:45:06,960 Speaker 1: all that stuff. But again that sounds pretentious. Yeah, and 768 00:45:07,000 --> 00:45:08,960 Speaker 1: I actually had a girlfriend, so this is one of them. 769 00:45:09,040 --> 00:45:10,799 Speaker 1: She was a she's a sorority sister of mine. So 770 00:45:10,800 --> 00:45:13,160 Speaker 1: we went to college together and she now lives it. Uh, 771 00:45:13,400 --> 00:45:16,600 Speaker 1: she lives in Texas now. But she always told me 772 00:45:16,680 --> 00:45:19,279 Speaker 1: I needed to move out of l A to date. 773 00:45:19,400 --> 00:45:21,000 Speaker 1: She was like, you can't date guys in l A 774 00:45:21,080 --> 00:45:24,600 Speaker 1: like to move. I'm so tired of that too, No, 775 00:45:24,880 --> 00:45:27,200 Speaker 1: I know. I was like, no, that's bologny. There's no 776 00:45:27,280 --> 00:45:29,600 Speaker 1: such thing as one typical guy in l A. I mean, 777 00:45:29,640 --> 00:45:31,839 Speaker 1: look at l A. Have you landed at l A X. 778 00:45:33,000 --> 00:45:35,719 Speaker 1: Have you seen all of those rooftops back to back 779 00:45:35,760 --> 00:45:38,040 Speaker 1: to back to back to back, all the rooftops. Not 780 00:45:38,200 --> 00:45:40,759 Speaker 1: one area is the same as the other. I know. 781 00:45:41,719 --> 00:45:46,920 Speaker 1: I mean, Patty, where you live, that's not stereotypical of 782 00:45:47,000 --> 00:45:48,960 Speaker 1: what some people what some people say, That's what this 783 00:45:49,080 --> 00:45:53,120 Speaker 1: art was about. Pomona, Woodland Hills, Claremont, Pacoima, Mark. I 784 00:45:53,160 --> 00:45:55,319 Speaker 1: don't want to give away where you and your family live, 785 00:45:55,400 --> 00:45:58,520 Speaker 1: but tell us we live in Newberry Park, Newbury Park. 786 00:45:59,480 --> 00:46:04,040 Speaker 1: People haven't half calf Choco Lato it's always there. Probably 787 00:46:04,120 --> 00:46:07,239 Speaker 1: some I'm sorry to those people because I've never ordered that. 788 00:46:08,000 --> 00:46:11,759 Speaker 1: I actually, you know what, I ordered my coffee black. Yeah, 789 00:46:11,880 --> 00:46:14,280 Speaker 1: And you know what, sometimes the person mind the counter 790 00:46:14,320 --> 00:46:19,520 Speaker 1: says just black. Okay, okay, let's not go that bar. 791 00:46:19,640 --> 00:46:22,319 Speaker 1: I remember very specifically there were some days when we 792 00:46:22,320 --> 00:46:24,200 Speaker 1: were in the studio at e when I would have 793 00:46:24,320 --> 00:46:28,279 Speaker 1: to go and make your macha with a special hookama honey, 794 00:46:28,480 --> 00:46:33,040 Speaker 1: stirred in with the phase. That was a phase. That 795 00:46:33,160 --> 00:46:39,200 Speaker 1: was a phase someone that got me into that. We'd 796 00:46:39,239 --> 00:46:41,520 Speaker 1: have to drive to Starbucks every morning to get a 797 00:46:41,560 --> 00:46:47,280 Speaker 1: coffee with no with no sh yeah, yeah, way back. 798 00:46:47,360 --> 00:46:49,239 Speaker 1: And that was so long ago and no one had 799 00:46:49,280 --> 00:46:52,520 Speaker 1: to do anything. And by the way, I think you 800 00:46:52,560 --> 00:46:55,560 Speaker 1: can tell my warm beverage orders by who I was 801 00:46:55,640 --> 00:46:59,520 Speaker 1: dating at the time. It's very easy. Really, let's write 802 00:46:59,520 --> 00:47:03,839 Speaker 1: it down the coffee stage, the coffee stage, you go back. 803 00:47:03,840 --> 00:47:05,640 Speaker 1: If you look at the different coffees I would have, 804 00:47:06,239 --> 00:47:09,200 Speaker 1: I think that would reflect stages of my life. Right now, 805 00:47:10,360 --> 00:47:15,080 Speaker 1: red I like black coffee with a shot of espresso. 806 00:47:15,120 --> 00:47:18,960 Speaker 1: They caught a red eye, just realized on air with 807 00:47:19,160 --> 00:47:25,120 Speaker 1: Ryan Seacrest. Thank you for listening this morning. Tomorrow Ryan's 808 00:47:25,200 --> 00:47:29,240 Speaker 1: Roses seven forty is well. He went out to dinner 809 00:47:29,239 --> 00:47:31,560 Speaker 1: with a buddy, or so he said, and then more 810 00:47:31,600 --> 00:47:34,360 Speaker 1: to the story that's tomorrow on KISS. Thanks for listening 811 00:47:34,360 --> 00:47:37,200 Speaker 1: to On Air with Ryan Seacrest, make sure to subscribe 812 00:47:37,200 --> 00:47:38,680 Speaker 1: it and we'll talk to you again tomorrow