1 00:00:00,160 --> 00:00:02,160 Speaker 1: Hi guys. By the way, this is a very This 2 00:00:02,240 --> 00:00:04,960 Speaker 1: is a meaningful moment. You ready, drum drum roll, Danel. 3 00:00:06,920 --> 00:00:11,480 Speaker 1: This is my last episode of the podcast in Los Angeles. Oh, 4 00:00:12,960 --> 00:00:15,239 Speaker 1: I have done other than my trip to England, as 5 00:00:15,280 --> 00:00:18,760 Speaker 1: you listeners may recall, I've done ever since Quarantine began, 6 00:00:18,880 --> 00:00:23,560 Speaker 1: every single episode in this very room. Wow. And now 7 00:00:23,560 --> 00:00:25,840 Speaker 1: I'm East Coast bound. I promise you I will still 8 00:00:25,840 --> 00:00:29,760 Speaker 1: bring the magic. I'm excited for you. Donald, how do 9 00:00:29,760 --> 00:00:34,479 Speaker 1: you feel about this? I show him gonna miss you. 10 00:00:34,840 --> 00:00:36,600 Speaker 1: I know I'm gonna miss you too. Donald and I 11 00:00:36,640 --> 00:00:40,560 Speaker 1: went out and saw Black Widow at Man's Chinese Theater. 12 00:00:41,560 --> 00:00:45,400 Speaker 1: We were in the theater, yeah, we had some of 13 00:00:45,440 --> 00:00:47,520 Speaker 1: us obviously been in a theater. We wore our masks 14 00:00:47,520 --> 00:00:49,600 Speaker 1: because we ain't trying to get that del to Ain't 15 00:00:49,600 --> 00:00:53,400 Speaker 1: nobody trying to get that deal to that that Delta 16 00:00:53,479 --> 00:00:56,200 Speaker 1: for real food? Yeah, that Delta doesn't. And then so 17 00:00:56,240 --> 00:00:58,120 Speaker 1: then we saw the movie, which of course was amazing, 18 00:00:58,120 --> 00:00:59,720 Speaker 1: and then we were going to go. It was also 19 00:00:59,760 --> 00:01:02,280 Speaker 1: the opening nine of the Hotel Cafe, which was where 20 00:01:02,360 --> 00:01:05,119 Speaker 1: all our friends play music and a great music venue 21 00:01:05,160 --> 00:01:08,240 Speaker 1: if you ever visited Los Angeles and uh so we 22 00:01:08,360 --> 00:01:11,679 Speaker 1: decided that we would walk from Man's Chinese to Kuwango 23 00:01:11,800 --> 00:01:18,600 Speaker 1: which by which? Which is which is a wrong choice? 24 00:01:18,760 --> 00:01:22,360 Speaker 1: No no, no, no, no, no, no no, not in this 25 00:01:22,480 --> 00:01:25,920 Speaker 1: heat Listen. I'm from New York City, born and raised 26 00:01:25,959 --> 00:01:30,200 Speaker 1: Hell's Kitchen, Hell's Kitchen, Times Square. I'm used to tourists. 27 00:01:30,200 --> 00:01:33,600 Speaker 1: I'm used to the element that it brings to that 28 00:01:33,720 --> 00:01:37,319 Speaker 1: area that you know. I'm used to it. I'm gonna 29 00:01:37,319 --> 00:01:41,559 Speaker 1: say something right now, go ahead. I went into full 30 00:01:41,560 --> 00:01:48,720 Speaker 1: bodyguard mode. Was like if Casey was a was a 31 00:01:48,720 --> 00:01:53,120 Speaker 1: politician and Donald was like her secret service agent. Dude, 32 00:01:53,120 --> 00:01:56,840 Speaker 1: if my wife was chew that night, she like she 33 00:01:56,840 --> 00:02:00,480 Speaker 1: she had on the stuff. She was looking good. She 34 00:02:00,640 --> 00:02:03,920 Speaker 1: looked like um. But anyway, No, it was a bit 35 00:02:03,920 --> 00:02:06,920 Speaker 1: of a sketchy walk. It's funny. I've lived here twenty years. 36 00:02:06,960 --> 00:02:09,800 Speaker 1: I've never walked down on Hollywood Boulevard. I've gone to 37 00:02:10,320 --> 00:02:15,000 Speaker 1: Listen Boulevard several times, and I know I've gone to 38 00:02:15,560 --> 00:02:18,560 Speaker 1: the theaters that are on a Hollywood Boulevard. I've done 39 00:02:18,600 --> 00:02:21,440 Speaker 1: the Jimmy Gimmel show that's on Hollywood Boulevard. I have 40 00:02:21,520 --> 00:02:26,000 Speaker 1: never walked down Hollywood Boulevard on a Saturday night at 41 00:02:26,120 --> 00:02:30,400 Speaker 1: prime summertime. It's intense, it's live, Yes, it is. It 42 00:02:30,560 --> 00:02:33,119 Speaker 1: was live. That's the way. That's the way to put it. 43 00:02:33,120 --> 00:02:38,000 Speaker 1: It was sincerely reminded me of New York back in 44 00:02:38,040 --> 00:02:40,559 Speaker 1: the day when I was a kid and the summertime, 45 00:02:41,200 --> 00:02:44,840 Speaker 1: you know, Friday, Saturday night time Square. I was like, Wow, 46 00:02:44,880 --> 00:02:47,519 Speaker 1: this shit is not only is it popping right now, 47 00:02:48,040 --> 00:02:50,600 Speaker 1: but there's an element of danger in the air. And 48 00:02:50,639 --> 00:02:52,680 Speaker 1: I like the smell of it, you know what I mean. 49 00:02:52,680 --> 00:02:54,800 Speaker 1: It was like, yeah, it was like it was just 50 00:02:54,880 --> 00:02:56,799 Speaker 1: like like there was a guy on so much. There 51 00:02:56,840 --> 00:02:58,960 Speaker 1: was a guy on whatever drug he was on, like 52 00:02:59,120 --> 00:03:01,280 Speaker 1: splay down on the high walk, so you have to 53 00:03:01,320 --> 00:03:05,640 Speaker 1: go around him, right, Yeah, So because he's on his 54 00:03:05,800 --> 00:03:09,639 Speaker 1: ride and uh and as we're going around, he hears 55 00:03:09,720 --> 00:03:11,639 Speaker 1: us say something. He's like, you don't know what the 56 00:03:11,680 --> 00:03:15,480 Speaker 1: fire talking about. He goes shut the fuck up, and 57 00:03:15,520 --> 00:03:19,240 Speaker 1: we were like, you don't know what I was And 58 00:03:19,280 --> 00:03:22,240 Speaker 1: I was like, Donald, do not kill him. No, I wasn't. 59 00:03:22,280 --> 00:03:24,919 Speaker 1: I wasn't gonna that's the dude that you stay away from. 60 00:03:25,040 --> 00:03:28,680 Speaker 1: What it was like, you throw a kick at that dude, 61 00:03:28,720 --> 00:03:34,679 Speaker 1: he bites you. It was a little like Zombieland yeah, 62 00:03:34,800 --> 00:03:39,720 Speaker 1: very much. Anyway, that was a very interesting, very interesting 63 00:03:40,040 --> 00:03:43,240 Speaker 1: stroll we had that night. But then, but Donald, you 64 00:03:43,280 --> 00:03:45,360 Speaker 1: love the mo more importantly, you love the movie as 65 00:03:45,360 --> 00:03:47,880 Speaker 1: a Marvel fan. I did love the movie as a 66 00:03:47,920 --> 00:03:51,400 Speaker 1: Marvel fan. I mean it's out everybody, everybody can see it. Joel, 67 00:03:51,480 --> 00:03:56,120 Speaker 1: did you like it? I loved It's so funny, like 68 00:03:56,560 --> 00:03:58,440 Speaker 1: I do not expect it to be funny at all, 69 00:03:58,520 --> 00:04:01,280 Speaker 1: and it's super is. I was worried about going back 70 00:04:01,280 --> 00:04:03,960 Speaker 1: in time. You know, sometimes I can get a little sketchy, 71 00:04:04,240 --> 00:04:05,960 Speaker 1: but I thought they pulled it off beautifully and added 72 00:04:06,000 --> 00:04:09,160 Speaker 1: elements to like feature screenings of different movies. It's good. 73 00:04:09,240 --> 00:04:10,920 Speaker 1: It's a good ride. I just you know, it's funny. 74 00:04:10,960 --> 00:04:12,880 Speaker 1: I don't watch these movies, as you know, I just 75 00:04:12,960 --> 00:04:15,920 Speaker 1: cannot believe how incredible the visual effects Donald's you remember, 76 00:04:15,920 --> 00:04:17,440 Speaker 1: I got when they when they got to the visual 77 00:04:17,440 --> 00:04:20,440 Speaker 1: effects artists, which which in the crawl I just started. 78 00:04:20,480 --> 00:04:22,600 Speaker 1: I started. I got the audience going with the round 79 00:04:22,600 --> 00:04:25,520 Speaker 1: of applause. I did, right, it started with I like, 80 00:04:25,720 --> 00:04:28,159 Speaker 1: I spread it all through Man's Chinese Theater. Because I 81 00:04:28,240 --> 00:04:30,400 Speaker 1: have to say again, as someone who hasn't seen all 82 00:04:30,440 --> 00:04:35,160 Speaker 1: of these movies, the I thought The visual effects were unbelievable. 83 00:04:35,160 --> 00:04:37,279 Speaker 1: There is not a single thing that looked fake or 84 00:04:37,320 --> 00:04:41,799 Speaker 1: green screen, and there's just giant sequences of them falling 85 00:04:41,839 --> 00:04:45,120 Speaker 1: from the sky and doing insane shit that obviously is 86 00:04:45,160 --> 00:04:48,520 Speaker 1: on green screen, and it looked flawless. It was so 87 00:04:48,560 --> 00:04:52,520 Speaker 1: good that Zach got a very special episode of Boy 88 00:04:52,640 --> 00:04:57,320 Speaker 1: Meets World slow clap going in the movie theater. That's 89 00:04:57,320 --> 00:04:59,560 Speaker 1: how mean it was. I'm talking about when when when 90 00:04:59,560 --> 00:05:03,240 Speaker 1: the artist, yeah, yeah, when the visual effects artists came up, 91 00:05:03,320 --> 00:05:07,080 Speaker 1: you got a nice special episode. Or tonight on a 92 00:05:07,200 --> 00:05:10,560 Speaker 1: very special episode of Boy Meets World, you got one 93 00:05:10,600 --> 00:05:13,560 Speaker 1: of the slow claps at the end of the episode, 94 00:05:13,640 --> 00:05:15,840 Speaker 1: you got one of those going yea where people were 95 00:05:15,880 --> 00:05:20,359 Speaker 1: at the end applauding and cheering for the special effects artists. 96 00:05:20,560 --> 00:05:22,560 Speaker 1: They deserved it, they deserved it. It was really really good. 97 00:05:22,600 --> 00:05:25,320 Speaker 1: And we got Kevin Figi was at the r screening 98 00:05:25,360 --> 00:05:28,520 Speaker 1: and he introduced the movie. That was really cool. That 99 00:05:28,560 --> 00:05:31,200 Speaker 1: was cool. It took everything in my power not to 100 00:05:31,200 --> 00:05:34,640 Speaker 1: be like, I'm Donald Faison, you're a huge fan. Yeah, 101 00:05:34,680 --> 00:05:36,560 Speaker 1: Donald was gonna bum rush him and asked for a role. 102 00:05:38,040 --> 00:05:40,080 Speaker 1: It took everything in my power not when I was 103 00:05:40,160 --> 00:05:42,240 Speaker 1: joking and he's like and and and then, so sit 104 00:05:42,279 --> 00:05:45,080 Speaker 1: back and enjoy Black Widow. Now, if, by the way, 105 00:05:45,080 --> 00:05:48,640 Speaker 1: if there's any forty seven year old African American actors 106 00:05:48,800 --> 00:05:52,640 Speaker 1: in the audience, please see me at the back. Yeah, 107 00:05:53,640 --> 00:05:55,920 Speaker 1: you know if you already said that. Oh, let's get 108 00:05:55,920 --> 00:05:57,960 Speaker 1: into it, guys. We got a very very very wacky, 109 00:05:58,240 --> 00:06:03,200 Speaker 1: very wacky funny episode. Donald counts six seven eight stories 110 00:06:04,080 --> 00:06:12,520 Speaker 1: about show. We made about a bunch of doctor nurses stories. 111 00:06:16,360 --> 00:06:26,680 Speaker 1: So get around, yeah around. I feel like I'm on 112 00:06:26,800 --> 00:06:29,640 Speaker 1: drugs in this episode. I am so hyped up. I 113 00:06:29,680 --> 00:06:32,360 Speaker 1: feel like this whole show was on drugs. I was 114 00:06:32,480 --> 00:06:35,080 Speaker 1: laughing and with I was with Bill this weekend and 115 00:06:35,120 --> 00:06:37,120 Speaker 1: we were just I was telling him how funny it 116 00:06:37,160 --> 00:06:39,040 Speaker 1: is to watch the show, and how the tone of 117 00:06:39,120 --> 00:06:41,640 Speaker 1: season five is so wacky. And I was telling you 118 00:06:41,680 --> 00:06:43,359 Speaker 1: we were talking about the ostriches and we were just 119 00:06:43,440 --> 00:06:46,160 Speaker 1: cracking up at how He's like, he'll come on and 120 00:06:46,160 --> 00:06:47,480 Speaker 1: talk about it. He's like, I don't know, I got 121 00:06:47,480 --> 00:06:50,479 Speaker 1: a little board, Ella board got a little whacky. I 122 00:06:50,600 --> 00:06:52,400 Speaker 1: told you, man, That's what I felt like at the 123 00:06:52,440 --> 00:06:55,000 Speaker 1: beginning of the season. I feel like everybody. I don't 124 00:06:55,000 --> 00:06:57,360 Speaker 1: feel like everybody was bored, but I feel like it's 125 00:06:57,440 --> 00:07:00,479 Speaker 1: not as fresh as new anymore. And now, you know, 126 00:07:00,520 --> 00:07:02,760 Speaker 1: after three years in the NBA, you're a veteran, you're 127 00:07:02,800 --> 00:07:06,159 Speaker 1: considerative vent And we were this is now five years 128 00:07:06,200 --> 00:07:11,440 Speaker 1: on NBC Primetime comedy Thursday nights. Following we were following 129 00:07:11,680 --> 00:07:13,600 Speaker 1: I'm not sure if it's friends now or if we're 130 00:07:13,600 --> 00:07:17,200 Speaker 1: following Joey, but we're like, we're like, yeah, remember that, 131 00:07:18,000 --> 00:07:22,280 Speaker 1: we're like the freaking We're a part of the Thursday 132 00:07:22,440 --> 00:07:25,720 Speaker 1: night lineup. We're officially and we're and we're pushing up 133 00:07:25,720 --> 00:07:27,920 Speaker 1: on a hundred episodes. Also, yeah, it's the hundreds. The 134 00:07:27,960 --> 00:07:32,040 Speaker 1: next one, uh is one? The next one or this one? 135 00:07:33,320 --> 00:07:36,280 Speaker 1: It's the next one? My way home? The hundred trivia 136 00:07:36,400 --> 00:07:39,640 Speaker 1: for you trivia lovers is is the Wichard of Oz 137 00:07:39,680 --> 00:07:42,240 Speaker 1: episode which I directed, which is I think one of 138 00:07:42,280 --> 00:07:44,760 Speaker 1: the best episodes, not just because I directed it. Um 139 00:07:45,040 --> 00:07:47,800 Speaker 1: And that's next, which I believe is the hundredth Yes, 140 00:07:48,000 --> 00:07:51,520 Speaker 1: And so that being said, it's like, that's a lot 141 00:07:51,560 --> 00:07:54,320 Speaker 1: of episodes. Man, that's a lot of that's a lot 142 00:07:54,360 --> 00:07:57,520 Speaker 1: of you know what I mean. We all strive to 143 00:07:57,560 --> 00:07:59,800 Speaker 1: do this as actors, to get on a television show, 144 00:07:59,800 --> 00:08:02,400 Speaker 1: if you're if you're a television actor, you want to 145 00:08:02,400 --> 00:08:04,320 Speaker 1: get on a show that does one hundred episodes. That 146 00:08:04,400 --> 00:08:06,400 Speaker 1: means you worked a lot. I means you made a 147 00:08:06,440 --> 00:08:07,960 Speaker 1: lot of money. That means you did a lot of 148 00:08:08,040 --> 00:08:10,600 Speaker 1: really good things, Like you feel really proud of the 149 00:08:10,600 --> 00:08:13,800 Speaker 1: things you something was working right. So now we've reached 150 00:08:13,840 --> 00:08:17,440 Speaker 1: that hump. We're pulling up on that hump. The motivation 151 00:08:17,560 --> 00:08:19,880 Speaker 1: has to be from someone, has to come from somewhere else, 152 00:08:19,960 --> 00:08:22,440 Speaker 1: because we're not freaking We're not as hungry as we 153 00:08:22,520 --> 00:08:24,360 Speaker 1: used to be, for sure at this point. But I 154 00:08:24,400 --> 00:08:25,960 Speaker 1: look like I mean, we look like we're having fun. 155 00:08:26,000 --> 00:08:28,560 Speaker 1: I mean, I'm sure. All I'm saying is, though, I'm 156 00:08:28,640 --> 00:08:31,840 Speaker 1: so if you watch me in this episode, I don't 157 00:08:31,880 --> 00:08:34,680 Speaker 1: know what's going on in my I'm I'm on level 158 00:08:34,720 --> 00:08:37,200 Speaker 1: ten every single scene. Now. I know part of the 159 00:08:37,240 --> 00:08:40,240 Speaker 1: plot is that I'm I'm so happy because I feel 160 00:08:40,280 --> 00:08:43,360 Speaker 1: like I'm Cox's pier and I'm trying to out Cox 161 00:08:43,440 --> 00:08:47,480 Speaker 1: Cox and be mister confident. But I'm just I think 162 00:08:47,520 --> 00:08:51,199 Speaker 1: I'm particularly fucking hyped up and wacky in this episode. 163 00:08:52,200 --> 00:08:54,800 Speaker 1: What's Up? I totally agree with you. I think the 164 00:08:54,800 --> 00:08:56,959 Speaker 1: whole show is, but I Okay, so let's start from 165 00:08:56,960 --> 00:09:00,199 Speaker 1: the beginning. You're on a mini scooter, right, Yes, yes, 166 00:09:00,840 --> 00:09:03,200 Speaker 1: Sasha's in the shop. What's Sasha in the shop for? 167 00:09:05,280 --> 00:09:07,440 Speaker 1: What is Sasha in the shop for? I forgot what 168 00:09:07,520 --> 00:09:10,640 Speaker 1: happened to Sasha, but she's down for the count. Now 169 00:09:10,679 --> 00:09:12,959 Speaker 1: this is the time, if you guys recall whatever year 170 00:09:13,040 --> 00:09:19,960 Speaker 1: this was, two thousand and two thousand and six, Um, 171 00:09:20,000 --> 00:09:23,240 Speaker 1: it's when all these little electric things came out, little 172 00:09:23,240 --> 00:09:26,000 Speaker 1: scooters and little go carts and little everything. And we 173 00:09:26,240 --> 00:09:28,400 Speaker 1: had them, and we had them all. We had them 174 00:09:28,480 --> 00:09:31,440 Speaker 1: everywhere at the hospital and we would like ride them around. 175 00:09:31,559 --> 00:09:33,960 Speaker 1: It was so fun. We would lie, we would ride 176 00:09:34,000 --> 00:09:36,720 Speaker 1: them around the as we told you, our our our, 177 00:09:36,960 --> 00:09:38,920 Speaker 1: our dressing rooms, in the production office. We're all on 178 00:09:38,960 --> 00:09:41,680 Speaker 1: the third floor of the hospital. So we'd fly around 179 00:09:41,840 --> 00:09:45,559 Speaker 1: the fucking whole third floor of the hospital on them. 180 00:09:45,600 --> 00:09:48,240 Speaker 1: And uh and I'm sure that's where Bill got Dadda 181 00:09:48,320 --> 00:09:50,640 Speaker 1: to put this tiny little thing in the show. We 182 00:09:50,640 --> 00:09:53,320 Speaker 1: were literally like hamsters in the cage man, And that 183 00:09:53,400 --> 00:09:56,040 Speaker 1: was our and that was our track. That's a good analogy. 184 00:09:56,080 --> 00:09:57,520 Speaker 1: That's a good analogy. That was our that was our 185 00:09:57,559 --> 00:10:00,559 Speaker 1: spinning wheel. And and we had no thing to do. 186 00:10:00,679 --> 00:10:03,280 Speaker 1: There was so much downtime. Donald played a lot of 187 00:10:03,760 --> 00:10:06,520 Speaker 1: Grand Theft, aught on a lot of GTA Miami. That 188 00:10:06,600 --> 00:10:12,160 Speaker 1: was what Miami. The Miami one was out finish that. Yeah, 189 00:10:12,200 --> 00:10:14,560 Speaker 1: Donald was down. Should get Donald could get lost in 190 00:10:14,559 --> 00:10:17,559 Speaker 1: a video game like so many can. I probably should have. 191 00:10:17,640 --> 00:10:19,800 Speaker 1: I did play some Hitman, but then I was just like, 192 00:10:20,400 --> 00:10:22,320 Speaker 1: I was just like, I was like, like he said, 193 00:10:22,360 --> 00:10:24,160 Speaker 1: a hamster on a fucking wheel. So we would just 194 00:10:24,320 --> 00:10:26,840 Speaker 1: find wacky shit to do, like like have a scooter 195 00:10:26,920 --> 00:10:30,439 Speaker 1: races around in the hospital. Yea, yeah, so that tiny 196 00:10:30,480 --> 00:10:32,600 Speaker 1: motorcycle got worked in. I thought that was funny. I 197 00:10:32,720 --> 00:10:37,280 Speaker 1: ride it through the bushes with a Classic and then 198 00:10:37,280 --> 00:10:39,959 Speaker 1: I'm carrying it through the hospital. That's how small it is, right, 199 00:10:40,040 --> 00:10:42,160 Speaker 1: But I don't know, just this is what I don't understand. 200 00:10:42,200 --> 00:10:46,000 Speaker 1: Because he has a mini bike. The ladies love him. 201 00:10:46,600 --> 00:10:51,800 Speaker 1: He's feeling himself because he thinks but that was fantasy. No, 202 00:10:51,960 --> 00:10:54,400 Speaker 1: but he thinks that that ride is a lot hotter 203 00:10:54,440 --> 00:10:56,079 Speaker 1: than it is. He thinks it's a turn on. He's 204 00:10:56,080 --> 00:10:58,560 Speaker 1: like sitting on the counter. The ladies are all gathered 205 00:10:58,559 --> 00:11:01,520 Speaker 1: around him, the nurses, and he's like, yeah, you know, 206 00:11:01,600 --> 00:11:03,880 Speaker 1: it's uh you know, I don't know what I say, 207 00:11:03,920 --> 00:11:07,680 Speaker 1: but something bragging about the hog. Yeah, I know, but 208 00:11:07,760 --> 00:11:10,600 Speaker 1: I'm just saying, like, weren't we just at a point 209 00:11:10,600 --> 00:11:14,640 Speaker 1: where jad was lonely and I think he is still lonely. 210 00:11:14,679 --> 00:11:16,800 Speaker 1: He's just he could have had any one of those 211 00:11:16,880 --> 00:11:19,040 Speaker 1: nurses at that point, of course. Yeah, I don't know 212 00:11:19,080 --> 00:11:20,800 Speaker 1: if he could have them. They're just they're just they're 213 00:11:20,800 --> 00:11:23,920 Speaker 1: just they're like listening to his tales of wiping out 214 00:11:23,960 --> 00:11:27,000 Speaker 1: on his mini scooters. By the way, I like the 215 00:11:27,040 --> 00:11:30,080 Speaker 1: shot Victor Nelly directed this of going through the going 216 00:11:30,120 --> 00:11:34,160 Speaker 1: through the ceiling and the floor and showing the rat inside. 217 00:11:34,360 --> 00:11:38,880 Speaker 1: That was cool. Yeah, this is Victor Nelly. And Kevin 218 00:11:38,880 --> 00:11:43,280 Speaker 1: Beagle wrote, um, now let's talk about the Todd. You 219 00:11:43,280 --> 00:11:50,240 Speaker 1: can see his shaft bouncing. What when the Todd finds 220 00:11:50,280 --> 00:11:52,840 Speaker 1: the janitor in on the in the in the stolen 221 00:11:53,160 --> 00:11:56,960 Speaker 1: therapeutic bath on the roofs okay, Todd comes in to 222 00:11:57,040 --> 00:12:00,400 Speaker 1: find the janitor has put a no banana hammocks on 223 00:12:00,480 --> 00:12:04,880 Speaker 1: the bath, right, and as Todd comes in, you can 224 00:12:04,920 --> 00:12:08,000 Speaker 1: see his shaft as he walks sort of bounce against 225 00:12:08,040 --> 00:12:10,920 Speaker 1: his banana hammock. And then the sun hits it. And 226 00:12:10,960 --> 00:12:14,280 Speaker 1: it sort of glimmers what I went back and watched again. 227 00:12:14,320 --> 00:12:19,360 Speaker 1: It bounces, it like an elephant's trunk. It bounces. Oh 228 00:12:19,520 --> 00:12:22,319 Speaker 1: my gosh, I'm just telling you. I just couldn't believe 229 00:12:22,360 --> 00:12:27,160 Speaker 1: that this was on NBC because it's very, very revealing. 230 00:12:28,120 --> 00:12:32,960 Speaker 1: Speaking of very revealing moments, I'm playing a lot of tennis. Now, 231 00:12:34,000 --> 00:12:36,200 Speaker 1: what does that have to do with anything? Ahead I've 232 00:12:36,240 --> 00:12:39,200 Speaker 1: gotten back into it. No banana hammocks on a tennis court, though, Yeah, 233 00:12:39,280 --> 00:12:41,240 Speaker 1: don't rock a banana hammock on the tennis court. You 234 00:12:41,280 --> 00:12:43,520 Speaker 1: gotta get into pickleball. I played like twice and I 235 00:12:43,600 --> 00:12:47,679 Speaker 1: love it. What does pickleball, dude, I don't understand it. 236 00:12:47,520 --> 00:12:49,640 Speaker 1: M It's like small tennis basically, but you play with 237 00:12:49,679 --> 00:12:52,439 Speaker 1: the whiffleball and you play with paddles instead of a racket, 238 00:12:52,480 --> 00:12:54,640 Speaker 1: and you'd be so amazing at it because it's kind 239 00:12:54,679 --> 00:12:56,680 Speaker 1: of like ping pong meets tennis. You can put so 240 00:12:56,760 --> 00:12:59,840 Speaker 1: much spin on the ball, and you play doubles because 241 00:13:00,240 --> 00:13:02,600 Speaker 1: that's well, you don't have to, but most people play doubles, 242 00:13:02,840 --> 00:13:04,640 Speaker 1: and it's kind of like you're standing on the ping 243 00:13:04,640 --> 00:13:07,080 Speaker 1: pong table, you know, obviously, but a bigger scale and 244 00:13:07,240 --> 00:13:11,160 Speaker 1: it's really fast. It's all about volleying and it's fun. 245 00:13:11,200 --> 00:13:13,440 Speaker 1: You'd love it. I play with Bill and he's obviously 246 00:13:13,880 --> 00:13:17,840 Speaker 1: really really good gets spending a lot of time together. Huh. Well, 247 00:13:17,880 --> 00:13:20,960 Speaker 1: I love him and I'm leaving and I love you, 248 00:13:21,000 --> 00:13:22,559 Speaker 1: and that's why I spent time with you, because I'm 249 00:13:22,600 --> 00:13:23,959 Speaker 1: trying to get in. I'm trying to get in on 250 00:13:24,040 --> 00:13:25,520 Speaker 1: my all my savors. How long are you going to 251 00:13:25,600 --> 00:13:30,280 Speaker 1: be gone? For? Um? A long time. I'm gonna be gone. 252 00:13:30,280 --> 00:13:32,280 Speaker 1: I'm going in with Atlanta briefly to do a part 253 00:13:32,320 --> 00:13:38,520 Speaker 1: in a movie with Berlandi's producing and the actor's Cole Sprouse, 254 00:13:41,480 --> 00:13:45,480 Speaker 1: a popular, nice seeming actor. I've never met him before. 255 00:13:45,480 --> 00:13:48,439 Speaker 1: I'm going to meet him on Wednesday, and then I'm 256 00:13:48,480 --> 00:13:51,800 Speaker 1: going you guys have Phil Lewis in common? Yes, we'll 257 00:13:51,800 --> 00:13:54,959 Speaker 1: talk about whoileis UM and then um and then I'm 258 00:13:54,960 --> 00:13:57,360 Speaker 1: going to New York to prep um, you know, my film, 259 00:13:57,400 --> 00:13:59,040 Speaker 1: and then eventually shoot my film. So I'm gonna be 260 00:13:59,040 --> 00:14:02,200 Speaker 1: there until probably December, so the rest of the year, yeah, 261 00:14:02,240 --> 00:14:05,080 Speaker 1: pretty much. So I just want you to save her. 262 00:14:05,120 --> 00:14:07,480 Speaker 1: I need you to save her. I'm trying to save her. 263 00:14:07,480 --> 00:14:09,760 Speaker 1: But you're spending all your time with Bill Lawrence. Well, 264 00:14:10,400 --> 00:14:12,200 Speaker 1: don't be jealous. I went to the movies with you. 265 00:14:12,559 --> 00:14:16,320 Speaker 1: We had our sketchy walked down together, sat in the dark. Okay, 266 00:14:16,400 --> 00:14:18,320 Speaker 1: we sat in the dark and then we walked out here. 267 00:14:18,360 --> 00:14:21,280 Speaker 1: You didn't shot. You didn't offer me one sour pitch patch. Kid. 268 00:14:21,840 --> 00:14:23,800 Speaker 1: I thought Trona died. You got a six pack? You 269 00:14:23,840 --> 00:14:26,520 Speaker 1: got six pack abs right. I didn't want one. I 270 00:14:26,520 --> 00:14:32,360 Speaker 1: just wanted to be offered one. Oh, next time, Okay, 271 00:14:32,080 --> 00:14:36,080 Speaker 1: So TODs. So Todd's balls are bouncing. It's on his balls. 272 00:14:36,080 --> 00:14:38,600 Speaker 1: You can see that the shaft is just gently lifting 273 00:14:38,880 --> 00:14:41,520 Speaker 1: as as as he's walking. I noticed that. You'll all 274 00:14:41,520 --> 00:14:43,000 Speaker 1: want to go back and watch. And he's and he 275 00:14:43,080 --> 00:14:45,040 Speaker 1: says to the janitor, can I He's like, can I 276 00:14:45,080 --> 00:14:46,600 Speaker 1: get in? And he says, if you get in here, 277 00:14:47,160 --> 00:14:50,680 Speaker 1: I'm gonna hang you by that banana hammock. Yeah, atomic 278 00:14:50,720 --> 00:14:54,080 Speaker 1: weggie right off the side of this roof. Yes. And 279 00:14:54,120 --> 00:14:56,880 Speaker 1: then the janitor uses a mirror to blind me so 280 00:14:56,920 --> 00:15:01,840 Speaker 1: that I crashed the scooter right, and um, yes, I'm 281 00:15:01,880 --> 00:15:04,160 Speaker 1: bragging to the nurses and I say I'm a lifetime 282 00:15:04,200 --> 00:15:08,320 Speaker 1: member of the Danger Club, and um, they're impressed. And 283 00:15:08,360 --> 00:15:11,280 Speaker 1: then I throw away my scooter. And then um, then 284 00:15:11,320 --> 00:15:13,960 Speaker 1: we do this sequence of where we talk about pain 285 00:15:14,040 --> 00:15:17,720 Speaker 1: tolerance and Beard Fusse is pulling a hook out of 286 00:15:17,720 --> 00:15:22,640 Speaker 1: a S and M guy's face. Yes, what does he 287 00:15:22,720 --> 00:15:24,800 Speaker 1: do at this hospital? I don't know. I thought we 288 00:15:24,840 --> 00:15:29,360 Speaker 1: settled on him being either a pharmacist or a There 289 00:15:29,400 --> 00:15:32,640 Speaker 1: was talk that he's an anesthesiologist maybe, but why would 290 00:15:32,640 --> 00:15:36,360 Speaker 1: an anesthesiologist be pulling a hook? I think it's safe 291 00:15:36,400 --> 00:15:38,320 Speaker 1: to say. I think if you ask Bill, we don't 292 00:15:38,320 --> 00:15:39,880 Speaker 1: need to ask Bill, because I can tell you Bill 293 00:15:39,880 --> 00:15:42,320 Speaker 1: would say there is I have no idea what he does. 294 00:15:42,480 --> 00:15:44,920 Speaker 1: But the point is is that he's just a generic 295 00:15:45,720 --> 00:15:49,480 Speaker 1: doctor at the hospital. We know that he does like 296 00:15:49,560 --> 00:15:52,560 Speaker 1: to spend his downtime in the pharmacy, because he is 297 00:15:52,600 --> 00:15:57,840 Speaker 1: often in the pharmacy. The pharmacy and um and but no, 298 00:15:57,920 --> 00:16:00,560 Speaker 1: in this episode, he is removing a hook from a 299 00:16:01,880 --> 00:16:04,440 Speaker 1: I guess, I uh, what do you call that, Joel? 300 00:16:04,480 --> 00:16:07,040 Speaker 1: What do you call that? Someone who is in leathers 301 00:16:07,080 --> 00:16:11,520 Speaker 1: and likes needles in their face? They remember the BDSM community. Yes, 302 00:16:11,560 --> 00:16:17,400 Speaker 1: he's a member of them, stand for Bondage and Submission 303 00:16:18,000 --> 00:16:21,560 Speaker 1: b d S and he's into b d S M 304 00:16:21,760 --> 00:16:24,200 Speaker 1: and uh, but he's gone too far obviously because he's 305 00:16:24,200 --> 00:16:25,760 Speaker 1: in the hospital with a hook in his face and 306 00:16:25,800 --> 00:16:28,040 Speaker 1: as Beard FAA is trying to remove it, but he's 307 00:16:28,040 --> 00:16:33,080 Speaker 1: steaming in agony in pleasure. Oh yeah, what does he say? 308 00:16:33,160 --> 00:16:37,080 Speaker 1: He's like, oh, oh, I forget what he says at 309 00:16:37,080 --> 00:16:42,920 Speaker 1: the end of it, but it's definitely that of yes, don't. 310 00:16:43,360 --> 00:16:46,320 Speaker 1: We don't really learn if he's completing his what he 311 00:16:46,360 --> 00:16:48,920 Speaker 1: began at home or not, but we can assume he 312 00:16:49,000 --> 00:16:52,880 Speaker 1: might be um. And then we see Todd's atomic lea wait, no, 313 00:16:52,920 --> 00:16:56,440 Speaker 1: we don't. We go to the face chart and the 314 00:16:56,560 --> 00:17:00,280 Speaker 1: guy with the face first, the patient match is the 315 00:17:00,320 --> 00:17:04,920 Speaker 1: face chart perfectly, which I laughed out loud at. Yeah, 316 00:17:04,000 --> 00:17:06,720 Speaker 1: that was funny. And then Todd jumps and then Todd 317 00:17:06,840 --> 00:17:09,639 Speaker 1: we see the atomic weggie, which is way too big. 318 00:17:10,040 --> 00:17:14,800 Speaker 1: First of all, it's way too how how first of all, 319 00:17:15,080 --> 00:17:19,720 Speaker 1: not just his underwear? How wide does the janitor's reach 320 00:17:19,800 --> 00:17:23,440 Speaker 1: have to be to be able to to be able 321 00:17:23,480 --> 00:17:28,000 Speaker 1: to have a wedgie that wide hanging? It's literally it's 322 00:17:28,119 --> 00:17:32,480 Speaker 1: literally his whole body plus some So the janitor's reach 323 00:17:32,560 --> 00:17:36,760 Speaker 1: has to be that of a crane pretty much. I 324 00:17:36,760 --> 00:17:38,440 Speaker 1: don't know, but all I know is that the underwear 325 00:17:38,480 --> 00:17:42,000 Speaker 1: itself would be like that would be like, no, it 326 00:17:42,000 --> 00:17:44,639 Speaker 1: would be enormous. It would be like the biggest fucking 327 00:17:44,680 --> 00:17:47,040 Speaker 1: pair of underwear ever. But I laughed how loud. It 328 00:17:47,080 --> 00:17:48,840 Speaker 1: was so fucking funny. And then he hits the glass. 329 00:17:48,920 --> 00:17:53,639 Speaker 1: That was fun and I and for some reason, I 330 00:17:53,720 --> 00:17:56,760 Speaker 1: remember this episode. Maybe it's because of the Indiana Jones spot, 331 00:17:57,000 --> 00:18:00,159 Speaker 1: but I remember this episode. And I remember Todd laughing, 332 00:18:00,200 --> 00:18:05,520 Speaker 1: well like screaming, but actually laughing. Anytime he was naked. 333 00:18:05,640 --> 00:18:08,199 Speaker 1: He was giggling. He thought it was so funny. I 334 00:18:08,200 --> 00:18:11,959 Speaker 1: think he's a bit of an exhibitionist rob because by 335 00:18:11,960 --> 00:18:13,960 Speaker 1: the way that ething we did aired, and I didn't 336 00:18:13,960 --> 00:18:15,920 Speaker 1: hear anybody talk about it. I don't know if anyone 337 00:18:15,960 --> 00:18:18,119 Speaker 1: saw it. I didn't. I didn't see it either. I 338 00:18:18,320 --> 00:18:20,800 Speaker 1: had no idea. Did you guys know that you're in it? 339 00:18:21,520 --> 00:18:24,040 Speaker 1: That's crazy. You have cameo, Joel, you have a well 340 00:18:24,160 --> 00:18:25,639 Speaker 1: I don't know if you see Daniel in the booth, 341 00:18:25,640 --> 00:18:29,800 Speaker 1: but Joel, you have a cameo. That's very I'll tell 342 00:18:29,880 --> 00:18:32,080 Speaker 1: my mother. She was so excited. Yeah, tell your mom. 343 00:18:32,280 --> 00:18:35,639 Speaker 1: I think your mom slid into my DMS. Stop it. No, 344 00:18:36,000 --> 00:18:41,160 Speaker 1: did she she is on Instagram. She does she does 345 00:18:41,359 --> 00:18:43,639 Speaker 1: comment some time. Oh lord, I want you to know 346 00:18:43,720 --> 00:18:48,240 Speaker 1: that it went down in the MS. Boy, No, it's 347 00:18:48,359 --> 00:18:50,679 Speaker 1: very sweet. I think it was something like thank you 348 00:18:50,720 --> 00:18:54,440 Speaker 1: for being so wonderful to my daughter. That sounds like, yeah, 349 00:18:54,480 --> 00:18:56,199 Speaker 1: she was very sweet. I don't have to talk to 350 00:18:56,200 --> 00:18:57,840 Speaker 1: her about it. I don't know if it was her 351 00:18:57,960 --> 00:19:01,480 Speaker 1: or someone pretending to be her. Um, I'm gonna ask her. 352 00:19:01,480 --> 00:19:05,960 Speaker 1: I don't her I was I was scrolling. Um. Now 353 00:19:06,400 --> 00:19:10,159 Speaker 1: JD gets his ass kicked by a kid, his neighbor, 354 00:19:11,040 --> 00:19:16,879 Speaker 1: Eliot's neighbor, a six year old kid, beach Ja. Yes, yeah, yeah, 355 00:19:17,040 --> 00:19:19,560 Speaker 1: one time only he's not gonna do what happened when 356 00:19:19,600 --> 00:19:21,439 Speaker 1: the last time that he fucked up the scooter he 357 00:19:21,520 --> 00:19:25,200 Speaker 1: beat me up. Yeah right, it's it's now this whole rant. 358 00:19:25,240 --> 00:19:27,480 Speaker 1: I'm trying to be coxed in the ICU, right, I'm like, 359 00:19:30,119 --> 00:19:32,280 Speaker 1: is this your second one or your third one that 360 00:19:32,400 --> 00:19:35,480 Speaker 1: you've had. I don't know, because it feels like you 361 00:19:35,520 --> 00:19:37,639 Speaker 1: have a lot of long mono monologues. Yeah, there's a 362 00:19:37,640 --> 00:19:40,040 Speaker 1: lot of monologues, like Boston around my interns and telling 363 00:19:40,080 --> 00:19:41,600 Speaker 1: him what to do. I'm trying to I'm so want 364 00:19:41,640 --> 00:19:44,439 Speaker 1: to be cocks but um, I this once again I 365 00:19:44,480 --> 00:19:47,200 Speaker 1: fall flat on my face. It's you know, these episodes 366 00:19:47,200 --> 00:19:51,840 Speaker 1: about him teaching me a big lesson, um about not 367 00:19:51,880 --> 00:19:54,159 Speaker 1: to give up on a patient before they're ready to 368 00:19:54,160 --> 00:19:59,520 Speaker 1: give up themselves. Now, Gary Busey, Sarah, Sarah Elliott gets 369 00:19:59,560 --> 00:20:03,560 Speaker 1: mistaken for Gary Busey, and there's a really random Gary 370 00:20:03,600 --> 00:20:09,239 Speaker 1: Busey cameo and Gary Busey exits the nurses station and 371 00:20:09,320 --> 00:20:13,960 Speaker 1: you say, bye, Elliott. Yeah, I didn't. I This is 372 00:20:14,000 --> 00:20:15,959 Speaker 1: another thing. This is where I'm like, I don't get this, 373 00:20:16,040 --> 00:20:18,119 Speaker 1: Like this is like this is part of the show, 374 00:20:18,800 --> 00:20:25,920 Speaker 1: but it's hell yeah if you're a stoner. Even a 375 00:20:26,040 --> 00:20:28,280 Speaker 1: stoner would be like, I don't understand this, man, What 376 00:20:28,280 --> 00:20:31,360 Speaker 1: didn't you understand? What the fuck is Gary Busey doing 377 00:20:31,400 --> 00:20:33,520 Speaker 1: hanging out the hospital, dude? And it's not a freaking 378 00:20:33,600 --> 00:20:36,679 Speaker 1: and it's not a freaking fantasy man. In the world 379 00:20:36,880 --> 00:20:40,280 Speaker 1: of scrubs, Gary Busey is a doctor. No, a guy 380 00:20:40,320 --> 00:20:46,320 Speaker 1: who looks a lot like Gary Busey. Nobody, Nobody, nobody, 381 00:20:46,640 --> 00:20:48,639 Speaker 1: I think again. I think Bill was like how funny 382 00:20:48,680 --> 00:20:50,760 Speaker 1: would it be? First of all, I wonder if Sarah 383 00:20:50,840 --> 00:20:56,000 Speaker 1: was offended by being told she looked like Gary um 384 00:20:56,240 --> 00:20:58,119 Speaker 1: because no offense to Gary Busey. It's not really a 385 00:20:58,200 --> 00:21:00,440 Speaker 1: complement a woman would want to hear. I don't say, 386 00:21:01,200 --> 00:21:07,440 Speaker 1: Joel No. Yeah so, but it was random. I think 387 00:21:07,440 --> 00:21:11,879 Speaker 1: he comes back again on his on his U I 388 00:21:11,920 --> 00:21:15,120 Speaker 1: saw and scrubs wiki on his name tag his picture 389 00:21:15,240 --> 00:21:19,840 Speaker 1: is Sarah. No. The people in the name tag and 390 00:21:19,880 --> 00:21:22,080 Speaker 1: the people in the name tag office also were confused. 391 00:21:24,160 --> 00:21:28,760 Speaker 1: Yeah so as somebody who smokes jazz cabbage every now 392 00:21:28,760 --> 00:21:30,560 Speaker 1: and then. This did not make sense to me. This 393 00:21:30,680 --> 00:21:33,239 Speaker 1: all of a sudden, like this this episode. As as 394 00:21:33,359 --> 00:21:35,800 Speaker 1: much as I laughed at this episode, this episode seems 395 00:21:35,840 --> 00:21:39,160 Speaker 1: like you know, and it has some really grounding moments 396 00:21:39,240 --> 00:21:43,399 Speaker 1: between j D and Cox, but everything around it other 397 00:21:43,440 --> 00:21:47,880 Speaker 1: than that is like what the heck? Like everything, doctor Acula. 398 00:21:48,520 --> 00:21:51,480 Speaker 1: Maybe you're rushing through alight, We're gonna take a break 399 00:21:51,480 --> 00:21:59,680 Speaker 1: and we'll be right back. Yes, it is a very 400 00:22:00,040 --> 00:22:03,399 Speaker 1: donory episode. If you like jazz cabbage, this is a 401 00:22:03,400 --> 00:22:06,639 Speaker 1: good one for you. This is crazy, dude, I go 402 00:22:06,720 --> 00:22:11,399 Speaker 1: up somebody's butt and find a golden colon as Indiana Jones. 403 00:22:11,560 --> 00:22:13,800 Speaker 1: Now you must have loved this because you this was, 404 00:22:13,840 --> 00:22:17,439 Speaker 1: first of all, a very funny, big fantasy. They clearly 405 00:22:17,440 --> 00:22:20,399 Speaker 1: built the inside of a colon as a set. And 406 00:22:20,600 --> 00:22:23,200 Speaker 1: you love Indiana Jones, So was this a big moment 407 00:22:23,240 --> 00:22:26,320 Speaker 1: for you? I tried to do my best Indiana Jones walk. 408 00:22:26,800 --> 00:22:30,760 Speaker 1: I tried to do everything that I could to pay 409 00:22:30,880 --> 00:22:36,880 Speaker 1: homage to one of my favorite characters in cinema history. Well, 410 00:22:36,920 --> 00:22:39,280 Speaker 1: I think you did a really great job. Now you 411 00:22:39,520 --> 00:22:44,119 Speaker 1: you there's some clear references to Indiana Jones, right, instead 412 00:22:44,160 --> 00:22:47,240 Speaker 1: of you go colon, why didn't have to be the colon? Right? 413 00:22:47,280 --> 00:22:49,520 Speaker 1: Instead of snakes? Why didn't have to be snakes? Right? 414 00:22:49,680 --> 00:22:53,080 Speaker 1: And then they did a good job with those arrows 415 00:22:53,119 --> 00:22:56,320 Speaker 1: that looked good. Ye have special effects department, Yeah, that 416 00:22:56,359 --> 00:22:59,200 Speaker 1: was all effects, But I mean, for it looks good. 417 00:22:59,240 --> 00:23:04,520 Speaker 1: And then you place the tumor with a bag of sand. 418 00:23:04,800 --> 00:23:07,400 Speaker 1: Sand is that what it is in the movie? It 419 00:23:07,480 --> 00:23:09,520 Speaker 1: is in the movie. It's a bag of sand. And 420 00:23:09,520 --> 00:23:12,920 Speaker 1: he tries to weigh the sand to match the ambulet 421 00:23:13,119 --> 00:23:15,680 Speaker 1: and not the ambulet the idol. And then you come 422 00:23:15,680 --> 00:23:18,000 Speaker 1: out and then the nurses have arrows in them and 423 00:23:18,040 --> 00:23:20,800 Speaker 1: you say something like they knew the risk, something like 424 00:23:20,840 --> 00:23:25,240 Speaker 1: they knew that Indiana Jones too. No, that's not Okay, Joel, 425 00:23:25,280 --> 00:23:27,520 Speaker 1: Are you a big Indiana Jones fan like Donald? Oh? 426 00:23:27,600 --> 00:23:32,919 Speaker 1: Hell yeah, I mean all the Okay, can I can? 427 00:23:32,960 --> 00:23:35,360 Speaker 1: I can? I can? I ask you a question? Are 428 00:23:35,359 --> 00:23:37,280 Speaker 1: you Are you saying that the fourth one doesn't count? 429 00:23:38,440 --> 00:23:42,080 Speaker 1: What fourth one? Oh? Very good? People feel about this? Is? 430 00:23:42,280 --> 00:23:44,520 Speaker 1: This is what I was going to ask you, because 431 00:23:45,400 --> 00:23:47,159 Speaker 1: and and you write about that too. A lot of 432 00:23:47,160 --> 00:23:49,840 Speaker 1: people pretend that the sea the ninth season of Scrubs 433 00:23:49,840 --> 00:23:54,640 Speaker 1: doesn't exist. Are you excited for Indiana Jones the next one? 434 00:23:56,040 --> 00:23:59,840 Speaker 1: Am I excited for the next one? Yes, Joel? Uh, well, 435 00:24:00,080 --> 00:24:02,760 Speaker 1: we'll see how I'm gonna see it. You know obviously 436 00:24:02,840 --> 00:24:05,440 Speaker 1: all the franchise properties. Am I excited for it? No? 437 00:24:05,560 --> 00:24:07,560 Speaker 1: I mean, I'll have like a countdown going, and I'm 438 00:24:07,600 --> 00:24:11,000 Speaker 1: not checking for new trailers. But it's like I imagine 439 00:24:11,000 --> 00:24:13,840 Speaker 1: when Charles Bronson was getting old as fun, people were like, 440 00:24:14,200 --> 00:24:15,760 Speaker 1: I just don't know if I could go see this 441 00:24:15,840 --> 00:24:18,200 Speaker 1: movie anymore, you know what I mean? Not that Harrison 442 00:24:18,320 --> 00:24:20,800 Speaker 1: Ford as old as fuck, but like he's getting up 443 00:24:20,840 --> 00:24:23,000 Speaker 1: there in age now, you know what I mean. Yeah, 444 00:24:23,040 --> 00:24:25,439 Speaker 1: I don't know if I can buy him freaking beating 445 00:24:25,440 --> 00:24:30,280 Speaker 1: the crap out of twenty five year old not see men, 446 00:24:30,520 --> 00:24:32,720 Speaker 1: you know what I mean? Like it's like, yeah, and 447 00:24:32,840 --> 00:24:35,320 Speaker 1: they haven't aged up the storyline at all either, Like 448 00:24:35,760 --> 00:24:39,800 Speaker 1: a forty five year old like anthropologist is doing much 449 00:24:39,840 --> 00:24:42,960 Speaker 1: different things than a seventy year old anthropologist, Like if 450 00:24:42,960 --> 00:24:44,399 Speaker 1: you're in the field, what does that look like? And 451 00:24:44,440 --> 00:24:46,200 Speaker 1: how does it change? And are you you know he's 452 00:24:46,200 --> 00:24:48,199 Speaker 1: a teacher, Like, there's so many opportunities, I think, for 453 00:24:48,200 --> 00:24:52,080 Speaker 1: different storylines that make sense, that keep that classic cinema 454 00:24:52,200 --> 00:24:54,920 Speaker 1: style that sort of made the original three so successful. 455 00:24:55,280 --> 00:24:59,680 Speaker 1: So oh, I don't know know who's directing it actually 456 00:24:59,680 --> 00:25:02,080 Speaker 1: mean it out, but him going to war against a 457 00:25:02,119 --> 00:25:05,200 Speaker 1: bunch of freaking people and fisticuffs and all of that shit. 458 00:25:05,520 --> 00:25:08,680 Speaker 1: It just I can't buy that. I'm sorry. I loved 459 00:25:08,720 --> 00:25:15,399 Speaker 1: the movies, you know, I love the suspended reality of 460 00:25:15,440 --> 00:25:17,960 Speaker 1: movies and everything like that, But that's some bullshit. Dude, 461 00:25:17,960 --> 00:25:20,600 Speaker 1: Come on, man, Oh, well, you know what, James Mangold, 462 00:25:20,680 --> 00:25:24,719 Speaker 1: who wrote Logan, is doing it. And I love Logan 463 00:25:24,920 --> 00:25:28,679 Speaker 1: and he did an older Logan, so maybe yeah. But 464 00:25:28,760 --> 00:25:31,560 Speaker 1: Logan's also a superhero, you know what I mean. That's 465 00:25:31,600 --> 00:25:34,880 Speaker 1: the one thing that you could the dude has super 466 00:25:34,920 --> 00:25:37,679 Speaker 1: strength and healing. If you removed at the superhero elements 467 00:25:37,680 --> 00:25:39,920 Speaker 1: from that movie, it would still be bombed. It's still 468 00:25:39,920 --> 00:25:41,400 Speaker 1: be so good. Well, he'd be dead in the first 469 00:25:41,440 --> 00:25:44,840 Speaker 1: five minutes of the moment too. If he survived the shooting, 470 00:25:44,960 --> 00:25:49,480 Speaker 1: it still here, So JD doesn't know that Arnold Palmer 471 00:25:49,560 --> 00:25:51,439 Speaker 1: is a golfer. That was really funny. I think that 472 00:25:51,560 --> 00:25:54,520 Speaker 1: was weird to me. That was also right hating on 473 00:25:54,520 --> 00:25:57,720 Speaker 1: this episode because it just was out of control. Man, 474 00:25:57,760 --> 00:25:59,360 Speaker 1: I'm sorry, I'm not hating on it. I just thought 475 00:25:59,400 --> 00:26:04,080 Speaker 1: this episode was out of you. I love the show Scrubs. 476 00:26:04,320 --> 00:26:06,920 Speaker 1: I love the music, I love I love I love 477 00:26:06,960 --> 00:26:09,480 Speaker 1: the actors, I love the character. Well, I thought it 478 00:26:09,520 --> 00:26:12,240 Speaker 1: was very funny when I say, he going, I'm talking 479 00:26:12,280 --> 00:26:15,520 Speaker 1: to him about the Arnold Palmer drink and then he 480 00:26:15,560 --> 00:26:17,800 Speaker 1: says Arnlod Palmer's a golfer, and I go, I'm sure 481 00:26:17,840 --> 00:26:19,399 Speaker 1: he has a lot of hobbies. Perry the man's a 482 00:26:19,440 --> 00:26:24,280 Speaker 1: drink mugul. Now this part of the show I did 483 00:26:24,359 --> 00:26:27,400 Speaker 1: laugh at and was like, this is this is the 484 00:26:27,440 --> 00:26:31,840 Speaker 1: most scrubs out of everything. Everybody's around outside in the 485 00:26:31,920 --> 00:26:36,959 Speaker 1: parking lot and Kelso goes, hold on, wait a minute, 486 00:26:37,880 --> 00:26:44,280 Speaker 1: take a look around bleacher ladder bucket of combs. She's 487 00:26:44,520 --> 00:26:49,480 Speaker 1: trying to take the picture, run and everybody runs, and 488 00:26:49,680 --> 00:26:52,320 Speaker 1: everyone had been lured out to the parking lot being 489 00:26:52,359 --> 00:26:57,120 Speaker 1: promised different things. Yes, and uh and Todd had thought 490 00:26:57,160 --> 00:27:01,399 Speaker 1: there was a booby touching booth by the way, we 491 00:27:01,480 --> 00:27:05,080 Speaker 1: skipped it. But the pictures of the of the other 492 00:27:05,160 --> 00:27:08,320 Speaker 1: years where Carla has tried to get everyone together were 493 00:27:08,359 --> 00:27:12,280 Speaker 1: so funny. It todds in everyone in a bananamic and 494 00:27:12,359 --> 00:27:14,760 Speaker 1: like the first year there's like three people, second years 495 00:27:14,840 --> 00:27:16,159 Speaker 1: is like two people, and then the last one is 496 00:27:16,160 --> 00:27:19,639 Speaker 1: just him and Carlo. Yeah, the crew photo that has 497 00:27:19,680 --> 00:27:22,719 Speaker 1: taken both at this point, the janitor ruins with his mirror, 498 00:27:23,160 --> 00:27:25,919 Speaker 1: and the one at the end is all our crew. 499 00:27:26,119 --> 00:27:31,080 Speaker 1: That's our actual crew, and that's not everybody. It gets 500 00:27:31,080 --> 00:27:32,640 Speaker 1: a sense of how many people worked on the show. 501 00:27:32,720 --> 00:27:34,880 Speaker 1: That's that's not even everybody, but that's as many people 502 00:27:34,920 --> 00:27:38,040 Speaker 1: as were available that day to come be in the picture. Um. 503 00:27:38,160 --> 00:27:40,119 Speaker 1: And at the end you'll notice that Bill is in 504 00:27:40,160 --> 00:27:44,239 Speaker 1: it twice, so I'm sure on purpose knowing him. So 505 00:27:44,440 --> 00:27:47,480 Speaker 1: there's a close up, um, and you see Bill in 506 00:27:47,520 --> 00:27:50,240 Speaker 1: the background, and then it pops wide to show everyone 507 00:27:50,280 --> 00:27:52,520 Speaker 1: and that and that he's lying. He's lying in front 508 00:27:53,320 --> 00:27:56,520 Speaker 1: um like Waldo. Worst looked for Bill. But um, you 509 00:27:56,560 --> 00:27:59,399 Speaker 1: know what I want to say something also, Buddy, because 510 00:27:59,440 --> 00:28:02,000 Speaker 1: I have been shitting on this episode, but I also 511 00:28:02,040 --> 00:28:05,360 Speaker 1: wrote in my notes, you know Zb's on fire this year. 512 00:28:05,440 --> 00:28:09,800 Speaker 1: Oh well, there we go, finally you have some You 513 00:28:10,200 --> 00:28:13,080 Speaker 1: literally are on fire this year. You have a rhythm going, 514 00:28:13,680 --> 00:28:17,800 Speaker 1: You're very h you're very funny, and you're very charming. 515 00:28:17,880 --> 00:28:20,280 Speaker 1: The thing that we didn't talk about is the bucket 516 00:28:20,640 --> 00:28:24,080 Speaker 1: that sorry, the nurses basket and Jad taking a bite 517 00:28:24,080 --> 00:28:28,320 Speaker 1: out of everything. Yeah, that was very very very very funny. Yea. 518 00:28:28,520 --> 00:28:30,919 Speaker 1: And right after that, right after the last one happened 519 00:28:31,200 --> 00:28:35,320 Speaker 1: where you I guess it's the fruit. Yeah yeah, yeah, 520 00:28:35,320 --> 00:28:38,480 Speaker 1: And you're like, whatever type of fruit that was that? 521 00:28:38,520 --> 00:28:41,400 Speaker 1: You just say? I wrote ZB is on fire this year? 522 00:28:41,840 --> 00:28:44,040 Speaker 1: You were Is this the first year you got nominated? 523 00:28:45,080 --> 00:28:48,440 Speaker 1: I don't know about that, but I definitely I feel 524 00:28:48,480 --> 00:28:50,640 Speaker 1: that I'm extra silly this year. I look like I'm 525 00:28:50,640 --> 00:28:53,480 Speaker 1: really happy to be there, not that I ever wasn't. 526 00:28:53,520 --> 00:28:57,040 Speaker 1: I just mean, like, I don't know some seasons I 527 00:28:57,080 --> 00:28:59,000 Speaker 1: agree with you. I had I just see an extra 528 00:28:59,000 --> 00:29:01,400 Speaker 1: pep in my step. Better for worse. Maybe sometimes it 529 00:29:01,440 --> 00:29:03,280 Speaker 1: was too much, but I just look like I'm all 530 00:29:03,800 --> 00:29:06,280 Speaker 1: fucking stoked to be there, and I'm I know, I 531 00:29:06,280 --> 00:29:09,320 Speaker 1: improv like a crazy person on this episode, a lot 532 00:29:09,320 --> 00:29:11,840 Speaker 1: of this wacky shit. Bill and I and you were 533 00:29:11,840 --> 00:29:14,200 Speaker 1: all just making up at the time. Now, so this 534 00:29:14,240 --> 00:29:16,360 Speaker 1: was I don't think anyone ever thought Doctor Acula was 535 00:29:16,360 --> 00:29:18,560 Speaker 1: going to become so popular. This was the very first 536 00:29:18,560 --> 00:29:23,240 Speaker 1: mention of vampire Doctors and someone says vampire doctors, and 537 00:29:23,280 --> 00:29:25,640 Speaker 1: I go, how did you know about my screenplay? And 538 00:29:27,080 --> 00:29:30,400 Speaker 1: then the fans, as we all know now, thought that 539 00:29:30,480 --> 00:29:32,360 Speaker 1: was so funny, And to this day it's one of 540 00:29:32,400 --> 00:29:35,440 Speaker 1: the most referenced things that ever comes up in my life. 541 00:29:35,440 --> 00:29:37,720 Speaker 1: Regarding Scrubs. People are like, when are you and Donald 542 00:29:37,760 --> 00:29:40,680 Speaker 1: making Doctor Acula? I really think we should make it, 543 00:29:40,800 --> 00:29:46,320 Speaker 1: but make it a animated cartoon or animated stop motion 544 00:29:46,360 --> 00:29:51,600 Speaker 1: animated movie and we do the voices of the That's 545 00:29:51,640 --> 00:29:54,680 Speaker 1: a great idea, you know. You know people always ask 546 00:29:54,760 --> 00:29:57,600 Speaker 1: us to do about doing some sort of Scrubs thing now, 547 00:29:57,800 --> 00:30:00,480 Speaker 1: and you know it would be the easiest thing, not 548 00:30:00,600 --> 00:30:03,160 Speaker 1: easiest in terms of getting it made, but the easiest 549 00:30:03,280 --> 00:30:05,959 Speaker 1: would be an animated thing. Yeah, an animated series, right 550 00:30:06,040 --> 00:30:09,560 Speaker 1: because everyone everyone would of course lend their voice and 551 00:30:09,600 --> 00:30:10,920 Speaker 1: I don't know who the fuck's going to write it, 552 00:30:10,920 --> 00:30:12,760 Speaker 1: but I mean like, it wouldn't have we wouldn't have 553 00:30:12,760 --> 00:30:15,400 Speaker 1: to all figure out schedules and how to get it together. 554 00:30:15,440 --> 00:30:17,160 Speaker 1: But that would be that would be cool, Like, well, yeah, 555 00:30:17,200 --> 00:30:19,520 Speaker 1: it would be dope. Like think about it. There's Clone High, 556 00:30:19,640 --> 00:30:22,440 Speaker 1: there's what name was. I mean back in the day 557 00:30:22,480 --> 00:30:27,240 Speaker 1: when we were kids, sitcoms did actually become cartoons on Saturday. 558 00:30:27,280 --> 00:30:31,360 Speaker 1: Like there was Punky Brewster, there was Steve Berkel, there 559 00:30:31,480 --> 00:30:34,520 Speaker 1: was a bunch of those. It would be really cool 560 00:30:34,560 --> 00:30:39,640 Speaker 1: actually for Scrubs to become a sitcom animated show. I personally, 561 00:30:39,720 --> 00:30:44,000 Speaker 1: you know, me and you all who listened to the podcast, 562 00:30:44,080 --> 00:30:45,880 Speaker 1: note that I would prefer to be stop motion. I 563 00:30:45,880 --> 00:30:47,400 Speaker 1: think that would be a really cool, right, But it 564 00:30:47,440 --> 00:30:50,280 Speaker 1: isn't that so much more expensive to do stop motion? No, 565 00:30:50,480 --> 00:30:53,120 Speaker 1: not necessarily, it's all It all costs money, no matter 566 00:30:53,160 --> 00:30:54,520 Speaker 1: how you look at it. It all takes right. But 567 00:30:54,560 --> 00:31:01,800 Speaker 1: I'm saying, compared to two D animation, um, isn't stop 568 00:31:01,840 --> 00:31:06,920 Speaker 1: motion a lot more expensive to make? I don't know 569 00:31:07,000 --> 00:31:08,840 Speaker 1: the answer to that, to be honest with you, you 570 00:31:08,960 --> 00:31:11,080 Speaker 1: might because you're so into the well, I don't. I mean, 571 00:31:11,160 --> 00:31:14,080 Speaker 1: I don't know how much. I don't know how much RYA. 572 00:31:14,880 --> 00:31:20,560 Speaker 1: Those are all two D animated shows, I mean movies 573 00:31:20,560 --> 00:31:23,239 Speaker 1: and stuff like that, and I imagine that, you know, 574 00:31:23,560 --> 00:31:27,920 Speaker 1: having animator's period, paying animators long hours, it still takes 575 00:31:28,000 --> 00:31:31,240 Speaker 1: years to make. I don't know. I can't answer that question. Well, 576 00:31:31,280 --> 00:31:32,920 Speaker 1: can you see if you can find an answer to that. 577 00:31:32,960 --> 00:31:35,800 Speaker 1: I've I never know the answer, like is I would 578 00:31:35,800 --> 00:31:37,760 Speaker 1: just assume in my head when I watch the stop 579 00:31:37,800 --> 00:31:39,920 Speaker 1: motion videos of them doing it, like, oh my god. 580 00:31:40,440 --> 00:31:42,680 Speaker 1: But it all takes time. It all takes time. That's 581 00:31:42,720 --> 00:31:44,560 Speaker 1: the thing, though, And it all takes I'm just curious. 582 00:31:44,640 --> 00:31:47,960 Speaker 1: I'm just curious, like one person in CG animation doesn't 583 00:31:48,000 --> 00:31:51,240 Speaker 1: do everything. They do one thing and then another person 584 00:31:51,320 --> 00:31:54,320 Speaker 1: does the shadowing, and then another person does the coloring, 585 00:31:54,320 --> 00:31:56,160 Speaker 1: and then you know, I'm just curious, like if you 586 00:31:56,400 --> 00:31:59,200 Speaker 1: I'm curious to the answer if which one in general 587 00:31:59,280 --> 00:32:02,239 Speaker 1: costs more? And Joel's gonna find out the answer. Um, 588 00:32:03,720 --> 00:32:06,960 Speaker 1: there's a random momentum who gave her a shade remote. 589 00:32:07,200 --> 00:32:10,120 Speaker 1: I didn't know we had shade remote. I don't know 590 00:32:10,160 --> 00:32:15,480 Speaker 1: where that comes out. Um, oh no, So then this 591 00:32:15,600 --> 00:32:17,320 Speaker 1: is really funny when I when when I when I'm 592 00:32:17,360 --> 00:32:19,840 Speaker 1: telling you guys about first of all, I sucked the 593 00:32:19,880 --> 00:32:23,840 Speaker 1: blood out of the you know, the female patient, and 594 00:32:23,920 --> 00:32:27,520 Speaker 1: then I spit it into the test tube and that's 595 00:32:27,520 --> 00:32:29,560 Speaker 1: a fantasy. And we pop and I'm telling you guys 596 00:32:29,680 --> 00:32:31,880 Speaker 1: in the cafeteria about my my screenplay, and you guys 597 00:32:31,920 --> 00:32:34,080 Speaker 1: are so geeked out about it. Donald, You're really into it. 598 00:32:34,120 --> 00:32:36,600 Speaker 1: You're ready to start. And then I and I go 599 00:32:36,840 --> 00:32:39,920 Speaker 1: and then and you see the doctor Acula with the 600 00:32:39,960 --> 00:32:41,680 Speaker 1: period come up on the screen, and I'm like, you 601 00:32:41,800 --> 00:32:45,040 Speaker 1: take that period, you get it out of there, you 602 00:32:45,160 --> 00:32:51,080 Speaker 1: squish it together. It says Dracula. And then you're like, 603 00:32:51,200 --> 00:32:54,280 Speaker 1: that's an awesome ending. And I go, thank you for 604 00:32:54,360 --> 00:33:03,360 Speaker 1: telling me what I already know. Turk, you know you know, Um, 605 00:33:04,120 --> 00:33:07,680 Speaker 1: I just realized something. JD wrote Doctor Acula. It's his story, 606 00:33:07,840 --> 00:33:09,680 Speaker 1: it's his story, and he keeps trying to get it. 607 00:33:09,760 --> 00:33:12,360 Speaker 1: Mean well, when this continues the joke, we we we 608 00:33:12,520 --> 00:33:15,040 Speaker 1: keep trying to find moments to to to make it 609 00:33:15,160 --> 00:33:19,640 Speaker 1: in the hospital, right, that's when you wig, yeah, with 610 00:33:19,760 --> 00:33:23,640 Speaker 1: that wig moment. That is so funny when you the 611 00:33:23,800 --> 00:33:27,040 Speaker 1: camera cuts straight out of shuffle. Yeah, the camera, the 612 00:33:27,200 --> 00:33:34,120 Speaker 1: camera falls over and now I'm wearing the wig. Oh 613 00:33:34,280 --> 00:33:38,040 Speaker 1: my god, that's funny. Um. Yeah. My other idea, my 614 00:33:38,160 --> 00:33:40,920 Speaker 1: other idea I pitched a bill. I know I mentioned 615 00:33:40,920 --> 00:33:43,840 Speaker 1: it on here, but my my idea for a Scrubs 616 00:33:44,080 --> 00:33:47,320 Speaker 1: movie was that somehow we come, we come into money, 617 00:33:47,360 --> 00:33:50,040 Speaker 1: like a patient leaves us money or something, and we 618 00:33:50,400 --> 00:33:53,840 Speaker 1: and we use that money to to finally make Doctor Acula. 619 00:33:54,600 --> 00:33:57,800 Speaker 1: It'd be hilarious. A live action version, Yeah, a live 620 00:33:57,840 --> 00:34:00,720 Speaker 1: action version of Doctor Actil. Would it have crazy special 621 00:34:00,760 --> 00:34:04,720 Speaker 1: effects like real explosions and special effects? Sure? I don't know. 622 00:34:04,960 --> 00:34:07,080 Speaker 1: I just I just know that the fans anytime you 623 00:34:07,160 --> 00:34:09,520 Speaker 1: talk about this stuff, they go and when you like 624 00:34:09,600 --> 00:34:11,600 Speaker 1: if I'm I have every like post a picture of 625 00:34:11,680 --> 00:34:13,719 Speaker 1: mean like on a set, They're like, please tell me 626 00:34:13,800 --> 00:34:22,040 Speaker 1: it's doctor Accula, a figure of me, like behind a 627 00:34:22,160 --> 00:34:25,120 Speaker 1: movie camera. Everyone people are somebod people are like, finally 628 00:34:25,200 --> 00:34:28,920 Speaker 1: making Accula. Huh. Imagine if we really made Doctor Accula 629 00:34:28,960 --> 00:34:31,040 Speaker 1: and we went all out, balls out and fucking like 630 00:34:31,160 --> 00:34:34,560 Speaker 1: black Widow Dead bad boy, like straight up like with 631 00:34:34,719 --> 00:34:37,960 Speaker 1: the uber duper special effects, we should call Kevin Figi 632 00:34:38,080 --> 00:34:40,440 Speaker 1: and be like, listen, we got it. I know it's 633 00:34:40,480 --> 00:34:42,800 Speaker 1: not a Marvel property, but we have an idea for you. 634 00:34:43,280 --> 00:34:45,719 Speaker 1: We got a bad guy for Blade. We got the 635 00:34:45,880 --> 00:34:50,400 Speaker 1: bad guy for Blade. It's Doctor Accula, played by two actors, 636 00:34:50,520 --> 00:34:53,839 Speaker 1: Donald Phazon and Zach Braf. What is Joel saying here? 637 00:34:54,280 --> 00:34:56,239 Speaker 1: So basically Missing Link, which is a movie like I 638 00:34:56,320 --> 00:34:58,319 Speaker 1: did that stop motion, I had a budget of one 639 00:34:58,400 --> 00:35:01,000 Speaker 1: hundred and two point three million. And then Over the Moon, 640 00:35:01,120 --> 00:35:02,799 Speaker 1: which is a CGI movie that came out the same 641 00:35:02,880 --> 00:35:07,319 Speaker 1: year for Netflix, was forty four million. That's different. That's 642 00:35:07,400 --> 00:35:11,080 Speaker 1: different the same level of talent. What about now just 643 00:35:11,200 --> 00:35:14,520 Speaker 1: look at uh, look at Pixar, what Pixar costs and 644 00:35:14,840 --> 00:35:18,120 Speaker 1: look at what do you Toy Story for a budget? Yeah, 645 00:35:18,800 --> 00:35:21,759 Speaker 1: well that doesn't count because of everyone's salaries on like 646 00:35:21,840 --> 00:35:24,839 Speaker 1: a No, well this that movie we had. That movie 647 00:35:24,920 --> 00:35:27,560 Speaker 1: had Zach Galafanaki, the one of them, the once she's 648 00:35:27,560 --> 00:35:30,560 Speaker 1: talking about had Zach Galafanakis. No, but it's but it's 649 00:35:30,600 --> 00:35:33,200 Speaker 1: by by by the time you're paying Tom imagine what 650 00:35:33,400 --> 00:35:35,719 Speaker 1: Tom Hanks is being paid in the fourth version of 651 00:35:35,800 --> 00:35:38,560 Speaker 1: Toy Story. You got you gotta do apples to apples. Okay, 652 00:35:38,600 --> 00:35:41,880 Speaker 1: So let's do Rayah and the last Dragon then okay, 653 00:35:43,440 --> 00:35:45,600 Speaker 1: which is a couple of years later. That's a good. 654 00:35:45,840 --> 00:35:52,160 Speaker 1: That's a good all right? So oh wow, so still 655 00:35:53,120 --> 00:35:56,000 Speaker 1: there it is so stop motion costs more? Yes, yes, 656 00:35:56,640 --> 00:35:59,960 Speaker 1: I got it, um Donald, your brain your brain freeze 657 00:36:00,000 --> 00:36:02,279 Speaker 1: scream is very funny. It's very real. Have you ever 658 00:36:02,360 --> 00:36:04,120 Speaker 1: had brain freeze? I hate freeze. I get it all 659 00:36:04,160 --> 00:36:07,000 Speaker 1: the time. I hate it. Everyone has brain freeze. I 660 00:36:07,120 --> 00:36:09,279 Speaker 1: know what the funny things about brain freeze is while 661 00:36:09,320 --> 00:36:14,799 Speaker 1: you're screaming in agony, you're still scooping up the next bite. Yeah. Yeah, yeah, 662 00:36:16,000 --> 00:36:18,040 Speaker 1: nobody really hates brain freeze them. You know what you're 663 00:36:18,080 --> 00:36:19,719 Speaker 1: supposed to do. By the way, here's a tip from 664 00:36:19,719 --> 00:36:25,200 Speaker 1: a fake doctor. You're supposed to press your tongue to 665 00:36:25,280 --> 00:36:28,080 Speaker 1: the roof of your mouth right now. You're not have 666 00:36:28,200 --> 00:36:31,920 Speaker 1: heard that, But do you know why? I assume because 667 00:36:31,920 --> 00:36:33,960 Speaker 1: your tongue is warm and it's gonna heat up the 668 00:36:34,040 --> 00:36:36,920 Speaker 1: cold spot right well, yeah, because that's where your brain freezes. 669 00:36:37,120 --> 00:36:40,040 Speaker 1: Your brain freezes when your tongue hits when the cold 670 00:36:40,160 --> 00:36:42,520 Speaker 1: hits the roof of your mouth. Hey, what a weird 671 00:36:42,640 --> 00:36:46,279 Speaker 1: human defect. Yeah, so look, we pretty much went through 672 00:36:46,320 --> 00:36:53,160 Speaker 1: all the show. Do we go that shit? Calm down? Yes, um, okay, 673 00:36:53,520 --> 00:37:00,480 Speaker 1: you're just okay, what sumbala? That ship was hilarious. He goes, 674 00:37:00,520 --> 00:37:01,800 Speaker 1: how old do you think I am? And I'm like, 675 00:37:01,880 --> 00:37:03,880 Speaker 1: change the subject. You and Eden should come over for 676 00:37:04,000 --> 00:37:06,440 Speaker 1: some jumbalaya. And he goes, oh, it would be good 677 00:37:06,480 --> 00:37:08,600 Speaker 1: to get her out of the house, and I'm like, 678 00:37:08,680 --> 00:37:12,239 Speaker 1: change the subject back. You're seventy eight, sir, you think 679 00:37:12,280 --> 00:37:20,960 Speaker 1: I'm not old? Jumbalaya? That's funny, right, That's very funny. 680 00:37:21,239 --> 00:37:24,239 Speaker 1: And then he admits. He admits that he um, he 681 00:37:24,440 --> 00:37:29,960 Speaker 1: trolls from He trolls Brookstone Stone. He hangs out at Brookstone. 682 00:37:30,080 --> 00:37:31,840 Speaker 1: I don't even know if there's still are Brookstones. But 683 00:37:32,360 --> 00:37:34,239 Speaker 1: I don't know if things just either. I don't know 684 00:37:34,280 --> 00:37:38,480 Speaker 1: if I used to love Brookstone and the Sharper Immage 685 00:37:38,480 --> 00:37:39,880 Speaker 1: when I was a kid, if you went into the 686 00:37:39,880 --> 00:37:41,959 Speaker 1: Sharper Image, I just thought it was the coolest place 687 00:37:42,080 --> 00:37:45,600 Speaker 1: in the world. Yeah. Absolutely, I would say. I would 688 00:37:45,640 --> 00:37:47,719 Speaker 1: get the Sharper Immage catalog right, and I'd have my 689 00:37:47,760 --> 00:37:51,279 Speaker 1: little bottom. I'm I'm taking a twozie and I and 690 00:37:51,400 --> 00:37:53,839 Speaker 1: I just I put the catalog out on my lap 691 00:37:54,280 --> 00:37:57,279 Speaker 1: and I turned and my thing and I would listen. 692 00:37:57,280 --> 00:37:59,440 Speaker 1: I be so excited. I like, wait for this. It 693 00:37:59,560 --> 00:38:01,279 Speaker 1: was like a I wait for the catalog to do 694 00:38:01,360 --> 00:38:04,760 Speaker 1: this pooh, and then I'd on each page, I'd be like, okay, 695 00:38:05,000 --> 00:38:08,319 Speaker 1: I could pick one thing, I'd pick this, Okay, next 696 00:38:08,360 --> 00:38:10,920 Speaker 1: page folded over. Okay, if I could pick one thing, 697 00:38:11,000 --> 00:38:13,799 Speaker 1: I would pick this. And I would play that game 698 00:38:14,920 --> 00:38:17,600 Speaker 1: with myself when we listened back to this, I want 699 00:38:17,640 --> 00:38:19,520 Speaker 1: you to listen to how you set that story up. 700 00:38:22,640 --> 00:38:24,640 Speaker 1: I'm just telling you how geeked I was. Like when 701 00:38:24,680 --> 00:38:27,400 Speaker 1: it was a Sharper Image catalog day and I had 702 00:38:27,440 --> 00:38:33,399 Speaker 1: a pooh, it was very exciting. I would like, I'd 703 00:38:33,400 --> 00:38:35,319 Speaker 1: like fold down the corners, being like one day I'm 704 00:38:35,320 --> 00:38:37,600 Speaker 1: gonna get that massage chair. Do you want to know 705 00:38:37,680 --> 00:38:40,239 Speaker 1: when I realized Star Wars was like a big deal 706 00:38:40,320 --> 00:38:42,920 Speaker 1: for me when somebody came over and was like, wow, man, 707 00:38:42,960 --> 00:38:45,760 Speaker 1: you got Star Wars in your bathroom. Like I literally 708 00:38:45,800 --> 00:38:49,040 Speaker 1: had Star Wars books because I thought it was cool 709 00:38:49,200 --> 00:38:51,239 Speaker 1: for people when they came over and they were taking 710 00:38:51,840 --> 00:38:54,520 Speaker 1: I was for your guests so they could they could 711 00:38:55,160 --> 00:38:57,000 Speaker 1: you know what I mean? And I had it lined 712 00:38:57,120 --> 00:39:00,279 Speaker 1: up in you know, in series order all of these 713 00:39:00,320 --> 00:39:02,440 Speaker 1: comics and everything, like the people are gonna spend a 714 00:39:02,480 --> 00:39:06,200 Speaker 1: long time in your bathroom. Do you think it's weird 715 00:39:06,320 --> 00:39:10,880 Speaker 1: to lay out reading materials for guests in the guest bathroom. 716 00:39:12,600 --> 00:39:15,400 Speaker 1: I mean, I think now that we know about hygiene 717 00:39:15,560 --> 00:39:19,200 Speaker 1: like uh, COVID hygiene and stuff like that, I think 718 00:39:19,239 --> 00:39:21,240 Speaker 1: it's weird because you know, wiping your ass and stuff 719 00:39:21,280 --> 00:39:22,680 Speaker 1: like that. Then I know, but when your guests are 720 00:39:22,719 --> 00:39:24,840 Speaker 1: coming over, like I'm talking about, like I have this 721 00:39:24,920 --> 00:39:28,239 Speaker 1: little like half bath with it for guests right now, 722 00:39:28,320 --> 00:39:30,680 Speaker 1: I have some reading materials in there that are just like, hey, 723 00:39:31,040 --> 00:39:34,000 Speaker 1: you know, hey, take a look at this book. But 724 00:39:34,120 --> 00:39:37,040 Speaker 1: sometimes I'm like, is that weird because I'm telling them, like, 725 00:39:38,120 --> 00:39:40,000 Speaker 1: you know, don't just have a quick pooh, like, no, 726 00:39:40,200 --> 00:39:46,000 Speaker 1: stay a while read it. Just like everybody has phones now, 727 00:39:46,200 --> 00:39:48,839 Speaker 1: so I can't imagine let me just pick up this book, 728 00:39:50,160 --> 00:39:52,080 Speaker 1: but if it's a comic book, you might pick it up. 729 00:39:52,560 --> 00:39:55,800 Speaker 1: Like that's what that's That was my whole angle. My 730 00:39:55,920 --> 00:39:57,960 Speaker 1: angle was I put comic books in here so that 731 00:39:58,040 --> 00:40:00,520 Speaker 1: when they come and they can look at pictures, and 732 00:40:00,840 --> 00:40:03,800 Speaker 1: you know, I bet there's so much less reading on 733 00:40:03,880 --> 00:40:06,320 Speaker 1: the toilet now that people have phones like people just 734 00:40:06,400 --> 00:40:08,719 Speaker 1: read their phone. Joel's right, they don't pick up a nice, 735 00:40:09,239 --> 00:40:12,000 Speaker 1: a nice book that you've left out for your guests. Well, no, 736 00:40:12,120 --> 00:40:15,600 Speaker 1: because hygiene now also suggests that that's not really the 737 00:40:15,640 --> 00:40:17,120 Speaker 1: best idea. You know what I'm gonna do. I'm gonna 738 00:40:17,120 --> 00:40:19,120 Speaker 1: put a piece of fishing line on the book and 739 00:40:19,320 --> 00:40:21,799 Speaker 1: see if it breaks. I'm gonna see if anyone picked 740 00:40:21,800 --> 00:40:25,719 Speaker 1: it up. That's what I'm gonna do. I'm gonna hide 741 00:40:25,760 --> 00:40:27,920 Speaker 1: a piece of fishing lines to the reading materials that 742 00:40:28,000 --> 00:40:31,879 Speaker 1: I've set out and see if anyone picks them up. Um, 743 00:40:32,280 --> 00:40:35,400 Speaker 1: the janitor is finally so thrilled to be included in 744 00:40:35,480 --> 00:40:38,960 Speaker 1: the photo that he hugs Carla. Yes, he's so tired 745 00:40:39,040 --> 00:40:43,479 Speaker 1: of being left out. Yes, who says this great line? 746 00:40:43,520 --> 00:40:48,759 Speaker 1: Never make assumptions based on your own perceptions. It is 747 00:40:48,920 --> 00:40:52,560 Speaker 1: it's him to me because I've made an assumption based 748 00:40:52,600 --> 00:40:55,600 Speaker 1: on my perception of her age that she's ready to go, 749 00:40:56,080 --> 00:40:57,600 Speaker 1: and she's like, what are you talking about. I'm not 750 00:40:57,640 --> 00:40:59,279 Speaker 1: ready to go. I'm ready to fight this fucking thing. 751 00:41:00,400 --> 00:41:04,000 Speaker 1: And I think that's very good. Scrubs Life advice for Earth. 752 00:41:04,320 --> 00:41:07,880 Speaker 1: Never make assumptions based on your own perceptions. I think 753 00:41:07,920 --> 00:41:09,640 Speaker 1: how many times you've gone down the road in your 754 00:41:09,680 --> 00:41:13,640 Speaker 1: head making up these elaborate stories of what might be 755 00:41:13,920 --> 00:41:15,640 Speaker 1: and none of it is true. It's just shit you're 756 00:41:15,680 --> 00:41:18,719 Speaker 1: making up in your head. It's very hard to live 757 00:41:18,800 --> 00:41:22,279 Speaker 1: by that when you have so many distractions like Facebook 758 00:41:22,360 --> 00:41:26,520 Speaker 1: and Instagram. And I know, I'm just saying that, like you, 759 00:41:27,080 --> 00:41:30,360 Speaker 1: we we something happens, we all make up an elaborate 760 00:41:30,400 --> 00:41:32,279 Speaker 1: story of what we thought that that meant. And then 761 00:41:32,440 --> 00:41:34,640 Speaker 1: of course when it's disproven, and you get all anxious 762 00:41:35,000 --> 00:41:37,080 Speaker 1: in your head and depressed and pissed off, and then 763 00:41:37,200 --> 00:41:40,640 Speaker 1: of course later nine percent times it's disproven and it's 764 00:41:40,680 --> 00:41:42,360 Speaker 1: not that, and then you just move on to the 765 00:41:42,440 --> 00:41:45,319 Speaker 1: next thing. You don't ever teach your brain and be like, hey, 766 00:41:45,440 --> 00:41:48,680 Speaker 1: remember that day you spent stressed because you thought someone 767 00:41:48,880 --> 00:41:52,080 Speaker 1: was ignoring you when they actually didn't see you. It's like, 768 00:41:52,160 --> 00:41:56,920 Speaker 1: we don't we don't learn, you know. I guess I'm 769 00:41:56,960 --> 00:41:59,200 Speaker 1: saying I shouldn't be saying a universal weed. I'm saying 770 00:41:59,239 --> 00:42:04,440 Speaker 1: I I I find that I, you know, make assumptions 771 00:42:04,480 --> 00:42:09,719 Speaker 1: based on my perceptions. Life would be so much easier 772 00:42:09,760 --> 00:42:11,800 Speaker 1: if we could stop ourselves from doing that, because we 773 00:42:11,920 --> 00:42:14,120 Speaker 1: suffer so much from things that we make up in 774 00:42:14,160 --> 00:42:17,360 Speaker 1: our heads that aren't have any basis in reality. Challenge 775 00:42:17,440 --> 00:42:19,440 Speaker 1: to shake your own perception that like literally shake the 776 00:42:19,480 --> 00:42:22,200 Speaker 1: way you view the world. We're also given so many 777 00:42:22,840 --> 00:42:25,320 Speaker 1: views of how the world should be for us, you 778 00:42:25,400 --> 00:42:27,480 Speaker 1: know what I mean. Like it's not like we're you know, 779 00:42:27,600 --> 00:42:29,839 Speaker 1: you open up, you open up your phone, you turn 780 00:42:29,960 --> 00:42:33,280 Speaker 1: on the TV. I'm not talking news like sitcoms, whatever 781 00:42:33,480 --> 00:42:37,600 Speaker 1: it is, fantasy shows, whatever it is. There's so many 782 00:42:37,680 --> 00:42:42,040 Speaker 1: things out there that are like so opposite of what 783 00:42:43,080 --> 00:42:45,160 Speaker 1: you're trying to do. Like if you're trying to just 784 00:42:45,239 --> 00:42:48,239 Speaker 1: be like, all right, if everything out there doesn't exist, well, 785 00:42:48,280 --> 00:42:51,120 Speaker 1: it does exist, But if everything out there, my perception 786 00:42:51,280 --> 00:42:55,000 Speaker 1: of what's out there isn't exactly accurate because I don't 787 00:42:55,080 --> 00:42:57,560 Speaker 1: know what's out there. But yet I'm giving all of this, 788 00:42:57,760 --> 00:43:02,560 Speaker 1: given all of this false information from I hate to 789 00:43:02,600 --> 00:43:07,360 Speaker 1: say it, but from media, like whether it be you know, Instagram, 790 00:43:07,520 --> 00:43:12,000 Speaker 1: whether it'd be television, whether it'd be you know, whatever, 791 00:43:12,239 --> 00:43:14,920 Speaker 1: whether it be your favorite Uh. I don't know. I 792 00:43:14,920 --> 00:43:17,000 Speaker 1: don't know why today I'm such a I'm a hater. Today, 793 00:43:17,040 --> 00:43:19,000 Speaker 1: I'm like a hater on everything you're in a weird 794 00:43:19,080 --> 00:43:21,040 Speaker 1: mood today. I think we can all agree that you're 795 00:43:21,040 --> 00:43:23,440 Speaker 1: in a weird mood. That's what I'm talking about, all right. 796 00:43:23,680 --> 00:43:27,759 Speaker 1: But I wasn't saying I maybe I was misunderstood. I 797 00:43:27,800 --> 00:43:31,160 Speaker 1: wasn't saying related to our perceptions of the media. I'm 798 00:43:31,200 --> 00:43:33,560 Speaker 1: just to use a quick example, just meeting up out 799 00:43:33,600 --> 00:43:36,759 Speaker 1: of the blue. You see a friend and they and 800 00:43:36,880 --> 00:43:39,120 Speaker 1: you wave to them and they ignore you. Okay, Now, 801 00:43:39,600 --> 00:43:42,640 Speaker 1: you might spend if you're neurotic, and like me, you 802 00:43:42,719 --> 00:43:44,360 Speaker 1: might spend all day going what the fuck did I 803 00:43:44,400 --> 00:43:47,239 Speaker 1: do to Paul? Why is Paul mad at me? Fucking hell? 804 00:43:47,280 --> 00:43:49,319 Speaker 1: I bet it's because, Oh I bet he's mad because 805 00:43:49,360 --> 00:43:52,239 Speaker 1: of this, And I suffer all day long. And then 806 00:43:52,360 --> 00:43:54,680 Speaker 1: later I run into Paul and I go, did I 807 00:43:54,760 --> 00:43:57,040 Speaker 1: upset you? And He's like, what are you talking about? 808 00:43:57,040 --> 00:43:58,560 Speaker 1: I didn't see you at the grocery store. What are 809 00:43:58,560 --> 00:44:00,440 Speaker 1: you're talking about? Now? I spent the whole whole day 810 00:44:00,760 --> 00:44:03,120 Speaker 1: anxious about what I did to Paul. I'm just talking 811 00:44:03,160 --> 00:44:06,840 Speaker 1: about that level of shit. That's what I understood, And 812 00:44:07,000 --> 00:44:09,759 Speaker 1: I think that I think it's other people suffer from this. 813 00:44:09,840 --> 00:44:12,680 Speaker 1: It's it's it's horrible, it's it's it's and we just 814 00:44:12,760 --> 00:44:16,960 Speaker 1: go from one thing or the other. Is that hard 815 00:44:17,000 --> 00:44:25,160 Speaker 1: to shake the show? And I wish I got to 816 00:44:25,239 --> 00:44:29,960 Speaker 1: pull a ball hit that. That's a fucking rip. Fucking 817 00:44:30,360 --> 00:44:33,279 Speaker 1: holy cowd. You don't smoke it through a glass tube? 818 00:44:33,360 --> 00:44:35,919 Speaker 1: Do you just roll it in papers? No? I smoke 819 00:44:35,960 --> 00:44:37,680 Speaker 1: it through a glass tube. So you're back on that 820 00:44:37,800 --> 00:44:40,880 Speaker 1: ganja huh. You know I decided today that I was 821 00:44:40,880 --> 00:44:43,040 Speaker 1: going to get off of it. Actually all right, good. 822 00:44:44,160 --> 00:44:47,719 Speaker 1: I decided to do the you can't do special occasions, 823 00:44:47,760 --> 00:44:50,560 Speaker 1: you're not capable of that? No, I'm not incapable of 824 00:44:52,800 --> 00:44:55,080 Speaker 1: every once in a while. Yeah, I've learned. Well, that's 825 00:44:55,080 --> 00:44:57,719 Speaker 1: a good to admit to yourself. It's the truth. And 826 00:44:57,880 --> 00:45:02,960 Speaker 1: so because of that, I've my wife's gonna be very 827 00:45:03,040 --> 00:45:05,320 Speaker 1: happy about this. I'm gonna go. I'm gonna do this. 828 00:45:05,440 --> 00:45:08,320 Speaker 1: I'm gonna go for another streak. I'm of the school 829 00:45:10,040 --> 00:45:14,120 Speaker 1: you're ready. Yeah, if you if one is incapable of 830 00:45:14,280 --> 00:45:20,080 Speaker 1: not um doing something occasionally but they probably shouldn't do it, 831 00:45:22,280 --> 00:45:24,200 Speaker 1: then I have. Then there's so many things in life 832 00:45:24,239 --> 00:45:28,680 Speaker 1: that I can't do. What's the case, what are you 833 00:45:28,800 --> 00:45:34,040 Speaker 1: incapable of doing occasionally? You want the HONESTO goin this truth. 834 00:45:34,280 --> 00:45:37,040 Speaker 1: I know sex, but that's that's different. You love sex. 835 00:45:37,120 --> 00:45:42,640 Speaker 1: We all know that. Besides sex, Um, I love toys. 836 00:45:44,640 --> 00:45:46,479 Speaker 1: I mean things that could be harmful to your body, 837 00:45:46,560 --> 00:45:51,719 Speaker 1: not toys. Oh woa shit weed sex, that's it all right, 838 00:45:51,760 --> 00:45:53,600 Speaker 1: weed and sex. Well, you don't have to give up 839 00:45:53,600 --> 00:45:58,440 Speaker 1: sex because your wife enjoys sex with you. I think 840 00:45:58,480 --> 00:46:03,279 Speaker 1: I kill Should we bring the guests in, m let's 841 00:46:03,320 --> 00:46:05,359 Speaker 1: do it. Let's take a quick break. I am going 842 00:46:05,440 --> 00:46:08,200 Speaker 1: to pee urine through my No, they don't need to 843 00:46:08,280 --> 00:46:09,960 Speaker 1: know that. They don't know. What's going to happen is 844 00:46:10,120 --> 00:46:12,360 Speaker 1: my yurine is going to be pushed through my urretra 845 00:46:13,400 --> 00:46:14,759 Speaker 1: and it's going to end up in a bull of 846 00:46:14,800 --> 00:46:24,960 Speaker 1: water and we'll be right back. And we're bad. We're bad. 847 00:46:25,040 --> 00:46:28,080 Speaker 1: I liked our new edge hearing the song I'm Woo. 848 00:46:30,600 --> 00:46:33,000 Speaker 1: It's very hooky. So I'm not a big Are you 849 00:46:33,080 --> 00:46:36,000 Speaker 1: a radio listener, Daniel or are you a I have 850 00:46:36,360 --> 00:46:41,320 Speaker 1: my iPod and I found some songs on a you 851 00:46:41,360 --> 00:46:42,480 Speaker 1: know what I mean? Like, how do you do it? 852 00:46:43,120 --> 00:46:46,040 Speaker 1: Spotify pretty much exclusively? Like I mostly listen when I'm 853 00:46:46,040 --> 00:46:47,399 Speaker 1: at my computer, when I'm in the car, I'm either 854 00:46:47,480 --> 00:46:51,200 Speaker 1: listening to podcasts or I'm listening to Spotify. Yes here 855 00:46:51,239 --> 00:46:56,279 Speaker 1: I put on I vacillate between like Lithium on serious Um, 856 00:46:56,520 --> 00:46:59,360 Speaker 1: which is like nineties grunge, and then I listened to 857 00:46:59,520 --> 00:47:02,959 Speaker 1: like um, this is this channel called Spectrum. I listened 858 00:47:02,960 --> 00:47:04,359 Speaker 1: to a lot of news when him in the car, 859 00:47:04,600 --> 00:47:06,720 Speaker 1: But I also play Hits one, which is like whatever 860 00:47:06,800 --> 00:47:09,200 Speaker 1: the latest pop song, Top forty pop songs other week, 861 00:47:09,520 --> 00:47:11,879 Speaker 1: and that's why that's where I hear the noon joints. Well, 862 00:47:11,880 --> 00:47:13,960 Speaker 1: I'm also friends with Ed, so I like to hear 863 00:47:14,000 --> 00:47:20,520 Speaker 1: what he's up to. Came out no, but I emailed 864 00:47:20,560 --> 00:47:23,480 Speaker 1: with him and said, this is very hooky and great 865 00:47:23,560 --> 00:47:29,839 Speaker 1: congrats when you're coming to LA. I haven't less necessarily 866 00:47:29,920 --> 00:47:33,000 Speaker 1: got hooked on that song yet, it's very host You're 867 00:47:33,000 --> 00:47:35,839 Speaker 1: gonna love it. We've listened to it a couple of times. 868 00:47:36,320 --> 00:47:40,160 Speaker 1: You know, I'm it doesn't even sound like him. I 869 00:47:40,239 --> 00:47:42,960 Speaker 1: feel like well. He also then put out an acoustic 870 00:47:43,080 --> 00:47:45,359 Speaker 1: version of it, which sounds way more like him. It's yeah, 871 00:47:45,360 --> 00:47:47,360 Speaker 1: it sounds like a dance track, but you know it's summer. 872 00:47:47,440 --> 00:47:50,080 Speaker 1: You need a bop, right, Joel, It's like a summer bop. 873 00:47:51,960 --> 00:47:53,759 Speaker 1: I just love that sharing. To be honest with you, 874 00:47:54,040 --> 00:47:55,960 Speaker 1: I like Ed Sharon and I like summer bops. All right, 875 00:47:56,000 --> 00:47:57,839 Speaker 1: let's bring in the guests. Let's see what Joelle has 876 00:47:57,920 --> 00:48:03,680 Speaker 1: planned for us today. We got a car. Games. You 877 00:48:03,760 --> 00:48:10,600 Speaker 1: can talk, you know, like a BA spoke maybe talking 878 00:48:10,640 --> 00:48:14,160 Speaker 1: about the episode. So come on, let's get the show. 879 00:48:16,960 --> 00:48:29,280 Speaker 1: Ladies and gentlemen, give it up for Steven and Trina. Hello, 880 00:48:29,520 --> 00:48:32,400 Speaker 1: Stephen and Trina, how are you hello? Right, good to 881 00:48:32,480 --> 00:48:36,480 Speaker 1: see you. Welcome to the program. That's Donald Fazon, djel 882 00:48:36,520 --> 00:48:39,920 Speaker 1: Monique and everyone's favorite DJ DJ Daniel who streams on 883 00:48:40,040 --> 00:48:43,960 Speaker 1: Twitch and you can throw money at him um and 884 00:48:44,760 --> 00:48:46,680 Speaker 1: will if it's the right amount of money, he will 885 00:48:46,719 --> 00:48:49,719 Speaker 1: take you private and twork it out. And he will 886 00:48:49,800 --> 00:49:02,400 Speaker 1: twork while he plays tetris Um nailed it for Thank you, Daniel. 887 00:49:02,480 --> 00:49:05,120 Speaker 1: I would, I would. I would watch you do anything 888 00:49:05,200 --> 00:49:06,800 Speaker 1: on Twitch. I know that you play video games, but 889 00:49:06,840 --> 00:49:10,400 Speaker 1: I would watch you do anything. By Wednesday Friday Sunday, 890 00:49:13,800 --> 00:49:16,520 Speaker 1: can we pitch things for you to do? Sure? Yeah, 891 00:49:16,560 --> 00:49:17,960 Speaker 1: he said he would do it if we make it 892 00:49:18,120 --> 00:49:20,319 Speaker 1: rain for him. We make it rain. Maybe really need 893 00:49:20,400 --> 00:49:22,000 Speaker 1: to make it. Look, let's not we don't. We don't 894 00:49:22,000 --> 00:49:23,719 Speaker 1: need to put a monetary incentive behind it. You can 895 00:49:23,760 --> 00:49:26,239 Speaker 1: just tell me and I will legit make it rain. 896 00:49:26,320 --> 00:49:27,560 Speaker 1: But I want you to do something. We have to 897 00:49:27,640 --> 00:49:30,440 Speaker 1: set a date because we're prerecording a lot of these episodes, 898 00:49:30,440 --> 00:49:31,600 Speaker 1: and I'm sure there are gonna be a lot of 899 00:49:31,640 --> 00:49:32,920 Speaker 1: people that want to be on the day that we 900 00:49:33,040 --> 00:49:35,880 Speaker 1: decided Wednesday, Friday, Sunday. Yeah, but it has to be 901 00:49:36,000 --> 00:49:40,319 Speaker 1: like Wednesday the what or their Friday the what. We know, Well, 902 00:49:40,400 --> 00:49:43,040 Speaker 1: we need to plan a date in advance that we 903 00:49:43,160 --> 00:49:45,759 Speaker 1: can tell everyone. And then, Daniel, I feel like, if 904 00:49:45,760 --> 00:49:47,759 Speaker 1: I'm gonna watch a twitch stream, if I'm gonna make 905 00:49:47,760 --> 00:49:49,520 Speaker 1: it rain, I don't want to watch the thing that 906 00:49:49,600 --> 00:49:52,160 Speaker 1: you're doing because I don't care what. I want to 907 00:49:52,200 --> 00:49:59,239 Speaker 1: watch you do something. I like, all right, Nan'll make 908 00:49:59,320 --> 00:50:04,160 Speaker 1: us something. So so he's gonna be performing West Side 909 00:50:04,239 --> 00:50:09,160 Speaker 1: Story basically, Zach Right, Yes, yes, Dan, not West Side Story, 910 00:50:09,280 --> 00:50:11,799 Speaker 1: but um, if you could perform a one man show 911 00:50:11,880 --> 00:50:17,880 Speaker 1: of Dear Evan Hanson or Wicked, right, just dear Evan Hansen. 912 00:50:18,640 --> 00:50:20,440 Speaker 1: Now he said Wicked. He said Wicked. We're holding on 913 00:50:20,520 --> 00:50:22,879 Speaker 1: that one. By the way, Joel, you got tickets day still. 914 00:50:23,040 --> 00:50:25,600 Speaker 1: You told me to see Brella's announced she's going She's 915 00:50:25,640 --> 00:50:27,880 Speaker 1: bringing back Waitress, and I'm gonna starn in herself. What 916 00:50:28,040 --> 00:50:29,680 Speaker 1: date did you get? I'll go with you woke up 917 00:50:30,080 --> 00:50:33,440 Speaker 1: it happening on my birthday, wow, which is October one, 918 00:50:33,920 --> 00:50:36,440 Speaker 1: And I was like, that is too serendipitous for me 919 00:50:36,520 --> 00:50:38,440 Speaker 1: to be here when the tickets darn stale. So I 920 00:50:38,560 --> 00:50:41,320 Speaker 1: do wait in line for an hour virtually, and I 921 00:50:41,400 --> 00:50:43,480 Speaker 1: got in and I got great set seats in like 922 00:50:43,560 --> 00:50:46,080 Speaker 1: the orchestra section. I'm so excited it's gonna do well. 923 00:50:46,080 --> 00:50:49,320 Speaker 1: I'm gonna go too because I'm so excited about Here's 924 00:50:49,320 --> 00:50:52,680 Speaker 1: the only problem with her doing that thing. I'd be 925 00:50:53,000 --> 00:50:54,800 Speaker 1: I'd be in the audience and I'd be like, do 926 00:50:55,000 --> 00:51:02,600 Speaker 1: love song? No, imagine what about when the people came 927 00:51:02,640 --> 00:51:05,759 Speaker 1: to see your play that you think they're yelling to Clueless? Yeah, 928 00:51:08,000 --> 00:51:11,240 Speaker 1: they're clueless. Just did that monologue. It was funny. Clueless 929 00:51:11,360 --> 00:51:20,600 Speaker 1: killed that monologue. What's up, clueless, clooness. There's actually a 930 00:51:20,680 --> 00:51:22,480 Speaker 1: moment in that in the play that I did where 931 00:51:22,520 --> 00:51:24,480 Speaker 1: we do break the fourth wall and we jump into 932 00:51:24,560 --> 00:51:29,520 Speaker 1: the audience and take yeah, take a oh, but it's 933 00:51:29,520 --> 00:51:31,319 Speaker 1: Steve Martin. You love it, I know, But I hate 934 00:51:31,320 --> 00:51:34,000 Speaker 1: audience participation. I was, but it's Steve Martin, you love it. 935 00:51:34,040 --> 00:51:35,800 Speaker 1: Don't say I don't want to be picked up on stage, 936 00:51:36,080 --> 00:51:40,800 Speaker 1: but I'm from making me feel welcome. Zach, Why what 937 00:51:40,880 --> 00:51:43,600 Speaker 1: did I do? He said, you hate audience participation? Oh no, 938 00:51:43,719 --> 00:51:45,840 Speaker 1: that's different. I love guests, and I love our friends 939 00:51:45,880 --> 00:51:48,560 Speaker 1: and fans of the show. I'd be saying. I whenever 940 00:51:48,640 --> 00:51:50,440 Speaker 1: I'm in a play and they start coming into the 941 00:51:50,480 --> 00:51:53,200 Speaker 1: audience and interacting with with the audience, I'm always like, 942 00:51:53,239 --> 00:51:57,600 Speaker 1: oh no, oh no, don't like Like I remember when 943 00:51:57,600 --> 00:51:59,080 Speaker 1: I was a kid and I saw cats and they 944 00:51:59,120 --> 00:52:00,960 Speaker 1: were like sitting on your lap, and I was like, 945 00:52:01,000 --> 00:52:05,759 Speaker 1: I don't want that cat to see lap. Ready the cat, 946 00:52:06,000 --> 00:52:08,080 Speaker 1: I don't want that. I don't want that freaking sweaty 947 00:52:08,160 --> 00:52:14,759 Speaker 1: dancer on the ball tail looks like it hasn't been 948 00:52:14,840 --> 00:52:21,719 Speaker 1: washed since eighty four. Yeah, I don't like audience participation. 949 00:52:23,080 --> 00:52:25,800 Speaker 1: That show lied, man, That show lied, and it lied 950 00:52:26,960 --> 00:52:32,319 Speaker 1: now and forever at the Winter Garden Theater. My ass, Well, 951 00:52:32,360 --> 00:52:34,200 Speaker 1: I'm sorry if you love that show, but I'm gonna 952 00:52:34,200 --> 00:52:36,880 Speaker 1: say something I don't normally ever say bad about theater. 953 00:52:38,280 --> 00:52:45,640 Speaker 1: Drum Roll show. It was it a good movie. It's 954 00:52:45,800 --> 00:52:47,160 Speaker 1: I didn't make it through the movie, but it's like, 955 00:52:47,280 --> 00:52:51,279 Speaker 1: it's poetry about cats. It's poetry about cats, which, if 956 00:52:51,320 --> 00:52:53,880 Speaker 1: you love cats, is your jam. But it turns out 957 00:52:53,920 --> 00:52:59,319 Speaker 1: it wasn't my jam. Oh sorry, do you love cats? Okay? 958 00:52:59,360 --> 00:53:08,320 Speaker 1: So do you love cats? The musical point? You just 959 00:53:08,400 --> 00:53:10,400 Speaker 1: proved my point. You're a crazy cat lady. Okay, this 960 00:53:10,719 --> 00:53:13,920 Speaker 1: thing is made for you. Someone clearly went Andrew lad 961 00:53:13,920 --> 00:53:16,400 Speaker 1: Webert Clearing went, oh my god, people love cats. What 962 00:53:16,480 --> 00:53:19,759 Speaker 1: about a musical based on on cat poetry? And they 963 00:53:19,800 --> 00:53:24,319 Speaker 1: couldn't get Trina and I'm a I'm a crazy cat, 964 00:53:24,960 --> 00:53:26,440 Speaker 1: all right? Good? Well, you know there was a lot 965 00:53:26,480 --> 00:53:28,880 Speaker 1: of debate and when they made the Cats movie. I 966 00:53:28,880 --> 00:53:30,520 Speaker 1: don't know if you guys know this, but when they 967 00:53:30,560 --> 00:53:34,439 Speaker 1: originally did the the computer effects, they gave the cats 968 00:53:34,480 --> 00:53:38,279 Speaker 1: assholes because yes, why did they take that out? Well, 969 00:53:40,520 --> 00:53:43,880 Speaker 1: it was really distracting to see all the assholes. So 970 00:53:44,040 --> 00:53:46,520 Speaker 1: then they digitally had to go back and remove all 971 00:53:46,560 --> 00:53:50,480 Speaker 1: the assholes. And then I saw someone on Twitter was like, 972 00:53:51,080 --> 00:53:58,880 Speaker 1: released the asshole cut? Who thought of that? That's my 973 00:53:58,960 --> 00:54:02,040 Speaker 1: good question. I didn't. They mustn't went to all these 974 00:54:02,080 --> 00:54:03,520 Speaker 1: things are tested. They wants to go to a test 975 00:54:03,560 --> 00:54:05,360 Speaker 1: audience and someone's like, Okay, don't get me wrong, I 976 00:54:05,440 --> 00:54:08,799 Speaker 1: love cats, I love poetry. Those fake assholes are really 977 00:54:08,840 --> 00:54:13,400 Speaker 1: bumming me out. I can I can throw a random 978 00:54:13,520 --> 00:54:16,839 Speaker 1: thought for you and Donald this a little bit more. 979 00:54:16,880 --> 00:54:19,480 Speaker 1: I grew up in the Great City of Kentucky, and 980 00:54:19,680 --> 00:54:24,640 Speaker 1: the Kentucky mascot used to have a tongue in his mouth. Um, 981 00:54:24,719 --> 00:54:26,600 Speaker 1: if you look at it today, there's no tongue in 982 00:54:26,680 --> 00:54:30,200 Speaker 1: the University of Kentucky mascot because if you look at it, 983 00:54:30,360 --> 00:54:38,560 Speaker 1: it looks very phallic. Yeah. They had dick tongue. Yeah, yeah, 984 00:54:38,640 --> 00:54:42,320 Speaker 1: correct tongue. Dick tongue. So you've heard of twat ears. 985 00:54:42,680 --> 00:54:46,879 Speaker 1: We now know of dick tongue. Yeah, so there there's 986 00:54:46,920 --> 00:54:49,839 Speaker 1: some interesting folks out there. I guess that that seed 987 00:54:49,960 --> 00:54:54,080 Speaker 1: a bunch of dick tongue. Well, well enough people saw 988 00:54:54,160 --> 00:54:57,320 Speaker 1: dick tongue to be like, no, we got we gotta 989 00:54:57,360 --> 00:55:01,640 Speaker 1: change that. So apparently, apparently like the Little Mermaid the 990 00:55:02,080 --> 00:55:06,239 Speaker 1: on the VHS uh back in the day. I don't 991 00:55:06,239 --> 00:55:08,319 Speaker 1: know if this is true or not, because I had 992 00:55:08,400 --> 00:55:11,160 Speaker 1: the VHS, but then when I found this out, I 993 00:55:11,239 --> 00:55:14,920 Speaker 1: didn't have that. I had, you know, CDD he drew 994 00:55:14,960 --> 00:55:18,040 Speaker 1: a penis. He drew a penis as the castle, drew 995 00:55:18,080 --> 00:55:20,719 Speaker 1: a penis as the castle. I had this hand the 996 00:55:20,840 --> 00:55:33,720 Speaker 1: castle I had, I had, like, you're like penis castle. Anyway, Daniel, 997 00:55:33,760 --> 00:55:36,400 Speaker 1: we need that on the soundboard please. I hope you're 998 00:55:36,480 --> 00:55:39,200 Speaker 1: keeping a list of these. I just thought that. I 999 00:55:39,280 --> 00:55:43,360 Speaker 1: just thought that was outrageously like how mad do you 1000 00:55:43,520 --> 00:55:44,880 Speaker 1: have to be to be Like, I'm gonna make it 1001 00:55:44,960 --> 00:55:47,200 Speaker 1: so that when kids look at the cover of this 1002 00:55:49,000 --> 00:55:54,200 Speaker 1: they take the dick pretty much like do you remember 1003 00:55:54,239 --> 00:55:58,080 Speaker 1: that camel the camel animated camel for Camel Cigarettes told 1004 00:55:58,080 --> 00:56:03,520 Speaker 1: me were crawling up clear a cock and balls. No, 1005 00:56:03,680 --> 00:56:06,760 Speaker 1: it was undeniable. If you look at the Joe Cammell 1006 00:56:06,880 --> 00:56:11,279 Speaker 1: animated character, he's face is a giant cock and balls. Yes, 1007 00:56:11,560 --> 00:56:15,360 Speaker 1: just Tren, I'm sorry. I'm sorry to say this in 1008 00:56:15,440 --> 00:56:22,040 Speaker 1: front of you. Joel's used language. I don't she's queen. 1009 00:56:22,360 --> 00:56:25,759 Speaker 1: Respect the queen. Um. Oh by the way, um, I 1010 00:56:25,880 --> 00:56:28,040 Speaker 1: want to say something. Sorry, Stephen and Trina, you're gonna 1011 00:56:28,040 --> 00:56:31,279 Speaker 1: have your moment. But I I the T shirt we 1012 00:56:31,360 --> 00:56:33,600 Speaker 1: put out with all the names on it. I kind 1013 00:56:33,640 --> 00:56:36,600 Speaker 1: of fucked up because I answered the question who should 1014 00:56:36,600 --> 00:56:38,719 Speaker 1: be on the T shirt like very late at night. 1015 00:56:39,280 --> 00:56:41,360 Speaker 1: And I want you to know that I took everyone's 1016 00:56:41,400 --> 00:56:44,720 Speaker 1: constructive criticism. And when I say constructive, I mean everyone's 1017 00:56:44,719 --> 00:56:47,839 Speaker 1: screaming at me. Um. And I fixed the T shirt 1018 00:56:48,400 --> 00:56:52,360 Speaker 1: so now it includes Ted, it includes Jordan, and I 1019 00:56:52,560 --> 00:56:58,440 Speaker 1: changed it from Todd to the Todd. So if you 1020 00:56:58,560 --> 00:57:00,520 Speaker 1: were someone who already bought it, like I think how 1021 00:57:00,560 --> 00:57:03,040 Speaker 1: many people, like five hundred people bought ye, you're gonna 1022 00:57:03,040 --> 00:57:07,120 Speaker 1: have a very limited edition shirt. You got it. You 1023 00:57:07,239 --> 00:57:11,840 Speaker 1: got it, Stephen, uh No, but I should have invested. 1024 00:57:12,040 --> 00:57:14,120 Speaker 1: Oh anyway, My point is that was that was a 1025 00:57:14,160 --> 00:57:18,680 Speaker 1: limited edition. Those are gone and now I corrected, man 1026 00:57:21,120 --> 00:57:23,640 Speaker 1: we um, Now we have a fixed shirt. Anyway, they 1027 00:57:23,680 --> 00:57:25,640 Speaker 1: were on at cotton Bureau. You got at cotton bureau 1028 00:57:25,680 --> 00:57:27,600 Speaker 1: dot com and just look up Fake Doctor's Real Friends 1029 00:57:27,640 --> 00:57:30,200 Speaker 1: and you'll see uh the shirts. All right, guys, you 1030 00:57:30,240 --> 00:57:34,040 Speaker 1: have a question for us? Yeah, the first question I 1031 00:57:34,080 --> 00:57:38,040 Speaker 1: wanted to throw it at you was, you know a 1032 00:57:38,080 --> 00:57:41,520 Speaker 1: lot of times if you're just sad, upset, in a 1033 00:57:41,720 --> 00:57:45,320 Speaker 1: in a terrible mood, Um, what's kind of your your 1034 00:57:45,360 --> 00:57:48,480 Speaker 1: go to or one or two go to movies or 1035 00:57:48,600 --> 00:57:51,640 Speaker 1: TV shows that you can just watch over and over again, 1036 00:57:52,600 --> 00:57:55,760 Speaker 1: laugh and be in a good mood. Donald, that's a 1037 00:57:55,800 --> 00:57:59,800 Speaker 1: good question for you. Um, I like try. I like 1038 00:58:00,080 --> 00:58:06,360 Speaker 1: movies when I'm feeling down and out that are where 1039 00:58:06,400 --> 00:58:09,040 Speaker 1: the character kind of feels like I feel, but as 1040 00:58:09,080 --> 00:58:13,320 Speaker 1: triumphant in an Indian triumphant Indian I should. Yeah, And 1041 00:58:13,520 --> 00:58:16,280 Speaker 1: so movies like growing up, I was a huge fan 1042 00:58:16,520 --> 00:58:21,760 Speaker 1: of Can't Buy Me Love, And you know, like rom 1043 00:58:21,880 --> 00:58:24,280 Speaker 1: coms are great for when you're in your field for 1044 00:58:24,400 --> 00:58:26,840 Speaker 1: me personally, when you're in your feelings and you want 1045 00:58:26,880 --> 00:58:29,640 Speaker 1: to you know, you want to still go through the emotions, 1046 00:58:29,720 --> 00:58:31,360 Speaker 1: but at the end of it, you want to feel love. 1047 00:58:32,200 --> 00:58:35,560 Speaker 1: Uh So for me, a good rom com is always 1048 00:58:35,720 --> 00:58:40,640 Speaker 1: great when I am in a bad mood. Absolutely. M 1049 00:58:40,960 --> 00:58:43,280 Speaker 1: I usually just try leane to comedy, you know, a 1050 00:58:43,280 --> 00:58:48,640 Speaker 1: half hour comedy. Um I've been Yeah, something that will 1051 00:58:48,680 --> 00:58:50,760 Speaker 1: make me laugh. I watched, Um, I've been watching the 1052 00:58:50,880 --> 00:58:55,760 Speaker 1: second season of Dave lately. Hilarious, really fucking bizarre and 1053 00:58:55,880 --> 00:58:59,360 Speaker 1: weird but funny. Um. Yeah, I tend to. I tend 1054 00:58:59,360 --> 00:59:03,840 Speaker 1: to seek out communic things I think to cheer me up. Yeah. Absolutely. 1055 00:59:04,520 --> 00:59:07,040 Speaker 1: The other thing is with how music is kind of 1056 00:59:07,120 --> 00:59:10,000 Speaker 1: so important in scrubs and then just kind of evoking 1057 00:59:10,120 --> 00:59:15,200 Speaker 1: the emotions and you're in Donald's just absolute love for music. 1058 00:59:16,200 --> 00:59:19,760 Speaker 1: Music can bring you to that that that moment in 1059 00:59:19,920 --> 00:59:22,240 Speaker 1: that place, like a few other things I think can. 1060 00:59:22,800 --> 00:59:26,080 Speaker 1: And so my question is, is, um, what song and 1061 00:59:26,200 --> 00:59:28,840 Speaker 1: if and if you care to share the memory? Um, 1062 00:59:29,200 --> 00:59:31,760 Speaker 1: you know what's the key memory that a you know, 1063 00:59:31,840 --> 00:59:35,200 Speaker 1: what's the song that invokes the key memory? And if 1064 00:59:35,240 --> 00:59:38,280 Speaker 1: you care to share it, you know what the memory is. Okay, 1065 00:59:38,520 --> 00:59:41,640 Speaker 1: So for me, it's not my memory. It's well, it 1066 00:59:41,840 --> 00:59:46,040 Speaker 1: is my memory, but it it's not my emotion that 1067 00:59:46,720 --> 00:59:50,600 Speaker 1: I don't know how to explain it. Um. In Family Ties, 1068 00:59:50,640 --> 00:59:52,680 Speaker 1: it was the first time that I realized where I 1069 00:59:52,800 --> 00:59:56,440 Speaker 1: felt the angst for another character. And it was when 1070 00:59:56,520 --> 00:59:59,760 Speaker 1: Alex p. Keaton's girlfriend left for the first time and 1071 01:00:00,000 --> 01:00:02,120 Speaker 1: he is writing a letter to her at the kitchen 1072 01:00:02,200 --> 01:00:05,000 Speaker 1: table and the music that's playing in the background, I 1073 01:00:05,040 --> 01:00:08,000 Speaker 1: think is, what did you do you think I would 1074 01:00:08,040 --> 01:00:12,720 Speaker 1: do at this moment? Right? And that was like the 1075 01:00:12,880 --> 01:00:18,560 Speaker 1: first time that I felt that the you know that, 1076 01:00:18,720 --> 01:00:20,920 Speaker 1: you know, the you know I had. I had never 1077 01:00:21,040 --> 01:00:23,200 Speaker 1: felt love before when that came out. I had never 1078 01:00:23,320 --> 01:00:25,880 Speaker 1: felt you know, well, I felt love for my parents, 1079 01:00:25,960 --> 01:00:29,320 Speaker 1: but I had never felt like love for another, Yeah, 1080 01:00:29,440 --> 01:00:34,080 Speaker 1: like a romantic love before, but through that I felt it, 1081 01:00:34,720 --> 01:00:39,120 Speaker 1: like really for the first time, through that moment, and 1082 01:00:40,360 --> 01:00:44,800 Speaker 1: so I I, you know, that's one that it's not 1083 01:00:44,960 --> 01:00:48,160 Speaker 1: my emotion. I mean, it's it was sparked by someone 1084 01:00:48,240 --> 01:00:52,280 Speaker 1: else's moment, but it's still resonated in me. Did you 1085 01:00:52,360 --> 01:00:56,000 Speaker 1: mean Steven specifically in in a piece of film or TV, 1086 01:00:57,280 --> 01:01:01,320 Speaker 1: not necessarily just just music in general. Yea, Because when 1087 01:01:01,320 --> 01:01:04,360 Speaker 1: I thought about it, I thought about Fooling the Rain 1088 01:01:04,440 --> 01:01:07,160 Speaker 1: with led Zeppelin, which is, uh, the song that we 1089 01:01:07,400 --> 01:01:09,840 Speaker 1: left and walked back down the aisle after our wedding 1090 01:01:09,920 --> 01:01:14,000 Speaker 1: kind of our our sol kind of brings me back 1091 01:01:14,080 --> 01:01:17,000 Speaker 1: to that memory and that, you know, goofy conversation on 1092 01:01:17,160 --> 01:01:20,800 Speaker 1: because we got buried on the beach afterwards, and you know, 1093 01:01:20,880 --> 01:01:22,919 Speaker 1: it's kind of like, how far are we supposed to walk? 1094 01:01:25,080 --> 01:01:29,280 Speaker 1: How was to do here? We didn't do this in 1095 01:01:29,360 --> 01:01:31,920 Speaker 1: rehearsal very well. How find walk? Did you walk to 1096 01:01:32,120 --> 01:01:35,160 Speaker 1: make it to the ocean? Did make it? Yes? We 1097 01:01:35,520 --> 01:01:38,080 Speaker 1: kept on going. Threw her up in my arms and 1098 01:01:38,400 --> 01:01:40,680 Speaker 1: uh we we just kept on walking for a while. 1099 01:01:41,160 --> 01:01:43,280 Speaker 1: So what where where where do you? You said you 1100 01:01:43,560 --> 01:01:46,200 Speaker 1: you're in you were in Kentucky or you are still Um, 1101 01:01:46,320 --> 01:01:49,480 Speaker 1: we were we we are just south part of Atlanta. 1102 01:01:50,040 --> 01:01:53,000 Speaker 1: So we're in Georgia. Yeah, yeah, I'm coming there on. 1103 01:01:54,520 --> 01:01:57,080 Speaker 1: I'm coming to the atl I haven't flown in so long. 1104 01:01:57,920 --> 01:02:01,760 Speaker 1: I'm gonna I'm gonna suit up and come on a plane. Donald, 1105 01:02:01,800 --> 01:02:04,520 Speaker 1: you've flown to Atlanta? How long is the flight? Four 1106 01:02:04,560 --> 01:02:07,600 Speaker 1: hour flight? Four and a half hour flight from my lad? Yeah? 1107 01:02:07,640 --> 01:02:13,560 Speaker 1: About that? Yeah, yourself to watch. They call it Hot Lanta. Yeah, 1108 01:02:14,760 --> 01:02:17,080 Speaker 1: it's very hot right now. It's hot in La right now. 1109 01:02:17,160 --> 01:02:21,160 Speaker 1: It's La right now. Ye. I like it. Though people 1110 01:02:21,240 --> 01:02:23,360 Speaker 1: complain about it, but I like it. I love you 1111 01:02:23,440 --> 01:02:25,920 Speaker 1: like that heat. Like I much rather be hot than 1112 01:02:26,160 --> 01:02:32,040 Speaker 1: cold any any day. Absolutely, no doubt, no doubt that 1113 01:02:32,200 --> 01:02:35,680 Speaker 1: cold can kiss it. What do you think I might 1114 01:02:35,720 --> 01:02:37,680 Speaker 1: answer to your question? I was because I was going 1115 01:02:37,760 --> 01:02:40,360 Speaker 1: to answer, like, Donald, like, what song I've said this before. 1116 01:02:40,400 --> 01:02:43,040 Speaker 1: I'm sorry to be a broken record, but the sea 1117 01:02:43,280 --> 01:02:48,520 Speaker 1: song that ends six feet under breathe me. I just 1118 01:02:48,640 --> 01:02:50,200 Speaker 1: heard it. I heard in the gym the other day, 1119 01:02:50,200 --> 01:02:52,320 Speaker 1: and I like instantly brought me back to all the 1120 01:02:52,360 --> 01:02:56,520 Speaker 1: emotions I had with that beautiful series ending and um 1121 01:02:56,800 --> 01:02:59,360 Speaker 1: and people think say that I'm decent at placing music. 1122 01:02:59,520 --> 01:03:01,880 Speaker 1: I think that it's one of the best place pieces 1123 01:03:01,920 --> 01:03:03,960 Speaker 1: of music in a in a show. This is so 1124 01:03:04,280 --> 01:03:08,440 Speaker 1: perfect and so moving to me. Okay, and then there's 1125 01:03:08,480 --> 01:03:10,520 Speaker 1: one song that makes me cry, no matter when it 1126 01:03:10,600 --> 01:03:14,240 Speaker 1: comes on, No matter what, I don't know why, I 1127 01:03:14,280 --> 01:03:16,640 Speaker 1: know what it is, what you're trying to get into, 1128 01:03:17,040 --> 01:03:25,760 Speaker 1: what you're trying to do. There can be mericos when 1129 01:03:26,080 --> 01:03:29,560 Speaker 1: you believe Zack Zille hasn't seen this movie, he doesn't 1130 01:03:29,560 --> 01:03:34,400 Speaker 1: know hope it is from this Phil No, this is 1131 01:03:34,400 --> 01:03:41,320 Speaker 1: Whitney Houston and Mariyah Kerry in first animated film. You 1132 01:03:41,560 --> 01:03:53,160 Speaker 1: can che when you believe somehow you will. All right, 1133 01:03:53,280 --> 01:03:57,200 Speaker 1: it's time for South Atlanta's favorite segments. It's time to 1134 01:03:57,720 --> 01:04:06,120 Speaker 1: fix You're ahead, guys, How can we help you in 1135 01:04:06,240 --> 01:04:11,160 Speaker 1: any way? We are your free coaches today. Well fantastic um. 1136 01:04:12,000 --> 01:04:15,480 Speaker 1: As as I kind of wrote in UM March of 1137 01:04:16,360 --> 01:04:22,160 Speaker 1: twenty twenty, we actually adopted or in the process of adopting, 1138 01:04:22,240 --> 01:04:25,960 Speaker 1: two children. We m We got a call in January 1139 01:04:26,480 --> 01:04:31,240 Speaker 1: UM and forty eight hours later our son had come 1140 01:04:31,320 --> 01:04:34,000 Speaker 1: up from college. We have an adult sign and we 1141 01:04:34,120 --> 01:04:36,760 Speaker 1: were on our way up to Virginia, about a twelve 1142 01:04:36,800 --> 01:04:39,280 Speaker 1: hour drive to go meet the young man that we 1143 01:04:39,360 --> 01:04:44,400 Speaker 1: found out was was available for for an adoption, and 1144 01:04:45,240 --> 01:04:50,479 Speaker 1: we met him his birth mother and his sister as well, 1145 01:04:51,520 --> 01:04:56,000 Speaker 1: and instantly we just we just knew it was absolutely right. Sorry, 1146 01:04:56,000 --> 01:04:59,520 Speaker 1: how old was the how old was the child? Abdul 1147 01:04:59,600 --> 01:05:03,240 Speaker 1: had just turned five years old and his little sister 1148 01:05:03,640 --> 01:05:08,560 Speaker 1: was still three, about to be four actually, um, And 1149 01:05:10,000 --> 01:05:12,200 Speaker 1: so we we bet and we kind of started the 1150 01:05:12,320 --> 01:05:17,040 Speaker 1: process and their their birth mother then suggested or kind 1151 01:05:17,080 --> 01:05:19,440 Speaker 1: of threw it out there of would you like to 1152 01:05:21,480 --> 01:05:23,360 Speaker 1: would you like to have Asha to come live with 1153 01:05:23,520 --> 01:05:27,280 Speaker 1: you as well temporarily temporarily, you know kind of thing, 1154 01:05:27,320 --> 01:05:29,000 Speaker 1: and we kind of understood that it was going to 1155 01:05:29,080 --> 01:05:33,560 Speaker 1: grow into keeping the children together and a brother sister adoption, 1156 01:05:34,280 --> 01:05:38,640 Speaker 1: and that's exactly what happened. And of course there's a 1157 01:05:39,160 --> 01:05:41,640 Speaker 1: you know, there's a pretty long story and all kinds 1158 01:05:41,680 --> 01:05:44,680 Speaker 1: of details, but you know, that's right when the pandemic 1159 01:05:44,760 --> 01:05:47,240 Speaker 1: and shut down hit and everything, which was a blessing 1160 01:05:47,360 --> 01:05:52,280 Speaker 1: and some challenges at the same time, and you know, 1161 01:05:52,320 --> 01:05:54,320 Speaker 1: but it gave us a chance to bond and grow 1162 01:05:54,400 --> 01:05:59,000 Speaker 1: as a family and our son ab Duel is um. 1163 01:05:59,120 --> 01:06:02,600 Speaker 1: We found out, you know, we went through the testing process, 1164 01:06:02,760 --> 01:06:07,320 Speaker 1: but he is actually UM on the autism spectrum and 1165 01:06:07,640 --> 01:06:12,440 Speaker 1: he's UM, you know, he's he's relatively high functioning UM 1166 01:06:12,600 --> 01:06:15,120 Speaker 1: and he's you know, been able to be a part 1167 01:06:15,160 --> 01:06:18,680 Speaker 1: of the neurotypical classroom and all that fun stuff. But 1168 01:06:18,840 --> 01:06:23,480 Speaker 1: it has presented some some craziness and some some fun 1169 01:06:23,600 --> 01:06:26,560 Speaker 1: and challenges. But we've also have a fantastic network of 1170 01:06:26,680 --> 01:06:31,120 Speaker 1: people around us and UM, some groups through our church 1171 01:06:31,240 --> 01:06:34,720 Speaker 1: and just various things UM that have particularly helped with 1172 01:06:35,040 --> 01:06:38,440 Speaker 1: with that. But specifically, what we wanted to kind of 1173 01:06:38,480 --> 01:06:40,600 Speaker 1: throw out at you guys, and knowing a little bit 1174 01:06:40,640 --> 01:06:43,760 Speaker 1: about Donald's background, UM, the reason I kind of reached 1175 01:06:43,760 --> 01:06:48,440 Speaker 1: out is we are you know, white Caucasian parents and 1176 01:06:48,840 --> 01:06:53,600 Speaker 1: both of our children are of mixed ethnicity. They are 1177 01:06:53,720 --> 01:06:59,240 Speaker 1: African American and Hispanic and Middle East, and so I 1178 01:06:59,280 --> 01:07:01,200 Speaker 1: wanted to kind of throw throw out some thoughts about 1179 01:07:02,480 --> 01:07:07,200 Speaker 1: blended families as far as ethnicity goes, UM, maybe some 1180 01:07:07,320 --> 01:07:10,520 Speaker 1: thoughts or challenges that have that have gone on there. 1181 01:07:10,680 --> 01:07:15,200 Speaker 1: And kind of the second part is, UM, you know, 1182 01:07:17,120 --> 01:07:20,400 Speaker 1: with the world, that's UM that's kind of gone on 1183 01:07:20,600 --> 01:07:23,480 Speaker 1: and you know, I mean America has always had trouble 1184 01:07:23,600 --> 01:07:28,320 Speaker 1: with with racial and ethnical relations. But of course it's 1185 01:07:28,320 --> 01:07:32,600 Speaker 1: been um magnified in our eyes, UM over the last 1186 01:07:32,680 --> 01:07:34,919 Speaker 1: year and a half, just becoming aware in a different way, 1187 01:07:35,680 --> 01:07:40,080 Speaker 1: and you know, just as as white parents, you know, 1188 01:07:40,240 --> 01:07:45,440 Speaker 1: being able to not just um love our children wholeheartedly 1189 01:07:45,520 --> 01:07:48,320 Speaker 1: and completely, just like we would with every child, but 1190 01:07:48,680 --> 01:07:52,240 Speaker 1: also understanding you know, what does it mean to be um? 1191 01:07:52,920 --> 01:07:54,080 Speaker 1: You know, what does it mean to be black in 1192 01:07:54,120 --> 01:07:58,200 Speaker 1: America today? And how can we help them see that experience? 1193 01:07:59,680 --> 01:08:11,960 Speaker 1: Honor that, my guess is the best. Wow before Donald 1194 01:08:12,080 --> 01:08:15,320 Speaker 1: and h and Joel answer that better uh than uh 1195 01:08:15,760 --> 01:08:17,479 Speaker 1: than Dane, and I think I could. I just wanted 1196 01:08:17,479 --> 01:08:20,760 Speaker 1: to say, it's it's so impressive what you've taken on 1197 01:08:20,960 --> 01:08:24,759 Speaker 1: adopting two children who who really needed a family, especially 1198 01:08:25,000 --> 01:08:28,200 Speaker 1: now you learn that your son has special needs. Uh, 1199 01:08:28,360 --> 01:08:30,880 Speaker 1: it's it's it's a real testament to the kind of 1200 01:08:30,920 --> 01:08:34,120 Speaker 1: people you are. And uh I I I had tears 1201 01:08:34,200 --> 01:08:36,360 Speaker 1: in my eyes just listening to you talk, and so 1202 01:08:36,560 --> 01:08:39,120 Speaker 1: I I on behalf of the I'm sure so many 1203 01:08:39,160 --> 01:08:41,559 Speaker 1: people that are listening. Uh, it's it's beautiful that you've 1204 01:08:41,560 --> 01:08:46,400 Speaker 1: done what you've done and saved lives. Maybe figuratively but 1205 01:08:46,479 --> 01:08:48,400 Speaker 1: maybe literally, who knows. But I just think it's really 1206 01:08:48,520 --> 01:08:50,640 Speaker 1: I think it's beautiful what you've done. Um and and 1207 01:08:50,800 --> 01:08:54,320 Speaker 1: also not to plug my movie, but this is in 1208 01:08:54,360 --> 01:08:56,680 Speaker 1: a comedic way, In a comedic way, this is what 1209 01:08:56,800 --> 01:08:59,000 Speaker 1: Cheaper by the Dozens about. Gabrielle Union and I are 1210 01:08:59,600 --> 01:09:01,960 Speaker 1: a black and white couple, and I don't you don't 1211 01:09:02,160 --> 01:09:05,120 Speaker 1: know anything about having black children. And and she's got 1212 01:09:05,160 --> 01:09:07,400 Speaker 1: an ex husband who's who wants the kids to be 1213 01:09:07,520 --> 01:09:10,400 Speaker 1: raised around them him, but he's never around anyway. You're 1214 01:09:10,400 --> 01:09:13,320 Speaker 1: gonna love the movie when it comes out. Also, but 1215 01:09:13,520 --> 01:09:15,479 Speaker 1: Donald and Joel, what would you do? You do you 1216 01:09:15,520 --> 01:09:16,960 Speaker 1: have any thoughts for them? How would you speak to 1217 01:09:17,040 --> 01:09:19,439 Speaker 1: how How does a pair of Caucasian parents make sure 1218 01:09:19,520 --> 01:09:23,280 Speaker 1: that a mixed race child is getting exposed to the 1219 01:09:23,360 --> 01:09:25,559 Speaker 1: right things that they should be exposed to. The great 1220 01:09:25,600 --> 01:09:28,240 Speaker 1: thing is is that whereas in the past there weren't 1221 01:09:28,320 --> 01:09:30,960 Speaker 1: great examples, there are a lot of great examples of 1222 01:09:31,840 --> 01:09:34,679 Speaker 1: actors mentioned one a Cheaper by the Dozen movie, there's 1223 01:09:34,760 --> 01:09:37,120 Speaker 1: a lot of examples of blended families. As far as 1224 01:09:37,160 --> 01:09:41,880 Speaker 1: the African American experience right now, as much knowledge as 1225 01:09:42,040 --> 01:09:51,640 Speaker 1: you can give your son about his ancestors. And now 1226 01:09:51,680 --> 01:09:53,840 Speaker 1: I don't mean his blood to his mom and stuff 1227 01:09:53,880 --> 01:09:58,559 Speaker 1: like that. I mean like where he comes from. That's 1228 01:09:58,800 --> 01:10:02,080 Speaker 1: really important how he he got here. As long as 1229 01:10:02,160 --> 01:10:05,880 Speaker 1: he is given or she is given the truth about 1230 01:10:06,800 --> 01:10:10,200 Speaker 1: who they are, their blackness all, you know, as long 1231 01:10:10,280 --> 01:10:12,840 Speaker 1: as that is handed to them, they will have so 1232 01:10:13,040 --> 01:10:15,320 Speaker 1: much power and so much knowledge to take out into 1233 01:10:15,360 --> 01:10:18,839 Speaker 1: the world with. I think knowledge of self is very important, 1234 01:10:19,439 --> 01:10:22,759 Speaker 1: and I would assume and I would I would assume 1235 01:10:22,840 --> 01:10:25,519 Speaker 1: find ways in your community, whether it's through your church 1236 01:10:25,800 --> 01:10:28,840 Speaker 1: or through children's groups, whatever you can find that that 1237 01:10:29,040 --> 01:10:32,000 Speaker 1: put them around other children that are like them. I 1238 01:10:32,000 --> 01:10:33,680 Speaker 1: don't know what your town is like, but make sure 1239 01:10:33,720 --> 01:10:37,400 Speaker 1: that they're around other children of lots of different ethnicities, 1240 01:10:37,439 --> 01:10:39,720 Speaker 1: so they're not just growing up in a in a 1241 01:10:39,880 --> 01:10:44,320 Speaker 1: super Caucasian environmental environment. Yeah, you know, I grew up 1242 01:10:44,360 --> 01:10:46,960 Speaker 1: in a very diverse community. I grew up in house Kitchen, 1243 01:10:47,400 --> 01:10:50,519 Speaker 1: New York City, and it's it wasn't just black people. 1244 01:10:50,680 --> 01:10:58,560 Speaker 1: There were Spanish, Russian, Jewish, Muslim. I mean, it just 1245 01:10:58,760 --> 01:11:03,120 Speaker 1: was like a it's been melting. Everything's right, it's everything. 1246 01:11:03,560 --> 01:11:06,599 Speaker 1: And I feel like I understand a lot of people, 1247 01:11:07,000 --> 01:11:10,240 Speaker 1: the people in my community because we were all we 1248 01:11:10,360 --> 01:11:12,559 Speaker 1: were exposed to everything, you know what I mean everywhere 1249 01:11:12,880 --> 01:11:16,040 Speaker 1: I got to see everything. I got to see Hanaka 1250 01:11:16,160 --> 01:11:19,479 Speaker 1: with my friends, or kin Signetta with my other friends, 1251 01:11:19,479 --> 01:11:20,840 Speaker 1: you know what I mean. Like, it's just I got 1252 01:11:20,920 --> 01:11:24,040 Speaker 1: to experience different religions and different backgrounds. And so I 1253 01:11:24,120 --> 01:11:28,519 Speaker 1: think community building with the kids. I think that's a big, big, big, 1254 01:11:28,680 --> 01:11:34,640 Speaker 1: big part of creating confidence in them as well. I 1255 01:11:34,840 --> 01:11:39,720 Speaker 1: have well three three real quick tips. Uh. One, make 1256 01:11:39,760 --> 01:11:42,080 Speaker 1: sure they have toys that look like them, and then 1257 01:11:42,120 --> 01:11:45,240 Speaker 1: think those toys really well you know, um, I think 1258 01:11:45,280 --> 01:11:50,840 Speaker 1: that's really vital. Actually have mixed dolls too, if you 1259 01:11:50,880 --> 01:11:53,040 Speaker 1: seek them out. I only know because they were obviously 1260 01:11:53,080 --> 01:11:56,599 Speaker 1: props in our film that I was. You know, Yeah, 1261 01:11:57,200 --> 01:12:00,639 Speaker 1: that's okay. Uh. To make sure they know that they're beautiful. 1262 01:12:01,600 --> 01:12:03,720 Speaker 1: A lot of black kids think they're ugly. It's really sad. 1263 01:12:03,760 --> 01:12:07,200 Speaker 1: There are tons of studies on this. It seems a 1264 01:12:07,280 --> 01:12:11,120 Speaker 1: small thing, but it's really really big. And then three, 1265 01:12:11,560 --> 01:12:14,719 Speaker 1: I'm neuro divergent as well, so I can totally empathize 1266 01:12:14,760 --> 01:12:16,599 Speaker 1: and I would say, just be a total warrior when 1267 01:12:16,640 --> 01:12:19,880 Speaker 1: it comes to their teachers, particularly with your son. You know, 1268 01:12:19,920 --> 01:12:23,720 Speaker 1: I have a brother and it was just really a 1269 01:12:23,760 --> 01:12:26,200 Speaker 1: struggle for him in school. He was the only black 1270 01:12:26,439 --> 01:12:31,600 Speaker 1: kid in his class and sweetest kid ever, but the 1271 01:12:31,640 --> 01:12:33,680 Speaker 1: community didn't know that, and it took them a really 1272 01:12:33,720 --> 01:12:35,439 Speaker 1: long time to figure that out, and it was really 1273 01:12:35,479 --> 01:12:39,600 Speaker 1: really hard. So just make sure the teacher knows that 1274 01:12:39,720 --> 01:12:41,800 Speaker 1: you know your children and that you know them, and 1275 01:12:41,920 --> 01:12:44,479 Speaker 1: that you're watching and you're aware so that you can 1276 01:12:44,600 --> 01:12:47,519 Speaker 1: protect them when they're out in the world. And then 1277 01:12:48,040 --> 01:12:51,680 Speaker 1: one last thing, finally, just make sure they have adults 1278 01:12:51,880 --> 01:12:55,719 Speaker 1: of their same ethnicity engaging in their lives throughout because, 1279 01:12:55,840 --> 01:12:58,479 Speaker 1: like Donald was saying, you know, community is really good. 1280 01:12:58,560 --> 01:13:01,920 Speaker 1: There's also so much that you know, as like a 1281 01:13:02,000 --> 01:13:04,640 Speaker 1: young black kid growing up in a white community, I 1282 01:13:04,680 --> 01:13:06,880 Speaker 1: didn't know until I got older about just like how 1283 01:13:07,560 --> 01:13:09,840 Speaker 1: other black people engage with each other and things like that. 1284 01:13:10,000 --> 01:13:12,360 Speaker 1: That would have been really great to know what it's 1285 01:13:12,360 --> 01:13:14,360 Speaker 1: a black nod and why is it happening, and why 1286 01:13:14,439 --> 01:13:17,320 Speaker 1: is it important that I reciprocate that black nod? What 1287 01:13:17,400 --> 01:13:20,080 Speaker 1: does that mean? So and there's just things that you 1288 01:13:20,080 --> 01:13:24,040 Speaker 1: won't be able to teach them about that culture. And so, yeah, 1289 01:13:24,360 --> 01:13:27,320 Speaker 1: you know, just those things I think obviously you've already 1290 01:13:27,360 --> 01:13:30,080 Speaker 1: given them so much love and my very first step. 1291 01:13:30,439 --> 01:13:32,400 Speaker 1: I can't sit here and be like and make sure 1292 01:13:32,400 --> 01:13:34,720 Speaker 1: it comes from love, because it's clear that you love 1293 01:13:34,800 --> 01:13:38,360 Speaker 1: your children. It's oh, you know what I mean, you 1294 01:13:38,479 --> 01:13:42,519 Speaker 1: have any idea, you know, you're starting from an amazing place. 1295 01:13:42,600 --> 01:13:45,439 Speaker 1: By the way, even the idea to ask the question 1296 01:13:45,720 --> 01:13:48,720 Speaker 1: and not just say you know. I think it's just 1297 01:13:48,720 --> 01:13:51,000 Speaker 1: so important that you came on. I mean, not that 1298 01:13:51,080 --> 01:13:53,960 Speaker 1: we're specialists, but that you're asking. And I'm sure you're 1299 01:13:53,960 --> 01:13:56,439 Speaker 1: asking true specialists too, but even the fact that you're 1300 01:13:56,520 --> 01:13:59,360 Speaker 1: engaging in in wanting to do this, I think is 1301 01:13:59,400 --> 01:14:03,280 Speaker 1: a great step. And and you'll continue to find resources 1302 01:14:03,360 --> 01:14:06,519 Speaker 1: I'm sure in your community and I'm sure online that 1303 01:14:06,600 --> 01:14:10,400 Speaker 1: can that can help. Sorry, no, absolutely, I think the 1304 01:14:11,200 --> 01:14:13,599 Speaker 1: big word is the community word that seems to kind 1305 01:14:13,640 --> 01:14:16,880 Speaker 1: of come through over and over again. Um. And I 1306 01:14:17,000 --> 01:14:21,960 Speaker 1: definitely appreciate the perspectives because sometimes when you ask questions, 1307 01:14:22,320 --> 01:14:26,960 Speaker 1: and I appreciate your your your confidence building or your 1308 01:14:27,040 --> 01:14:30,680 Speaker 1: reassurance was saying that's act. But sometimes when you ask questions, UM, 1309 01:14:31,400 --> 01:14:33,360 Speaker 1: you want to make sure you don't want to be 1310 01:14:33,439 --> 01:14:36,040 Speaker 1: offensive when you ask a question. Does that make sense? Yes, 1311 01:14:36,439 --> 01:14:39,599 Speaker 1: of course, But also you know we have a warped perspective. Well, 1312 01:14:39,680 --> 01:14:42,479 Speaker 1: I should say I can't speak for all, I can 1313 01:14:42,520 --> 01:14:44,920 Speaker 1: speak for Donald and I we have a warped perspective 1314 01:14:45,160 --> 01:14:48,680 Speaker 1: because we've spent our lives in New York City and 1315 01:14:48,840 --> 01:14:52,800 Speaker 1: Los Angeles, and I think that we often have to, 1316 01:14:53,680 --> 01:14:56,720 Speaker 1: you know, recalibrate. For I have no idea what South 1317 01:14:56,800 --> 01:14:58,080 Speaker 1: Atlanta is like. But you know what I mean, Like, 1318 01:14:58,640 --> 01:15:00,600 Speaker 1: I listened from the point of view of growing up 1319 01:15:00,680 --> 01:15:03,080 Speaker 1: in North Jersey, which is a lot like New York 1320 01:15:03,200 --> 01:15:06,160 Speaker 1: and in LA and Chicago where I went to school, 1321 01:15:06,520 --> 01:15:09,759 Speaker 1: so I have to always go I have no idea 1322 01:15:09,880 --> 01:15:12,360 Speaker 1: what your community is like. And so if you're if 1323 01:15:12,560 --> 01:15:14,959 Speaker 1: for example, you're in an all white community or predominantly 1324 01:15:15,000 --> 01:15:17,120 Speaker 1: white community, it would be super important for you, like 1325 01:15:17,240 --> 01:15:22,160 Speaker 1: to maybe find an African American mentor older teenager that 1326 01:15:22,240 --> 01:15:23,720 Speaker 1: could be in his or her life, or you know, 1327 01:15:23,880 --> 01:15:26,080 Speaker 1: something like that, or if it just happens naturally at church, 1328 01:15:26,200 --> 01:15:29,160 Speaker 1: that's great. But you know, it's it's all about you know, community, 1329 01:15:30,280 --> 01:15:32,920 Speaker 1: It really at the end of the day, it really is, 1330 01:15:33,040 --> 01:15:35,559 Speaker 1: you know what I mean. And you know, when your 1331 01:15:35,640 --> 01:15:39,920 Speaker 1: child's older and goes to college and or goes out 1332 01:15:39,960 --> 01:15:42,639 Speaker 1: in life and everything like that when it's bait. When 1333 01:15:42,880 --> 01:15:45,360 Speaker 1: you have a very strong foundation, You guys know this. 1334 01:15:45,600 --> 01:15:48,600 Speaker 1: Everybody knows this. When you have a great, strong, strong foundation, 1335 01:15:49,080 --> 01:15:54,120 Speaker 1: it's easy to thrive regardless of your It's I should say, 1336 01:15:54,160 --> 01:16:01,160 Speaker 1: it's easier to strive regardless of your regardless of your background, 1337 01:16:01,240 --> 01:16:04,200 Speaker 1: because you have people that are there to support support 1338 01:16:04,280 --> 01:16:08,880 Speaker 1: a lot with with real support, a lot of a 1339 01:16:08,920 --> 01:16:14,519 Speaker 1: lot of hurdles and obstacles can be tackled and or removed. 1340 01:16:14,720 --> 01:16:19,040 Speaker 1: That's what I'm talking about. Yeah, I was trying to 1341 01:16:19,120 --> 01:16:22,479 Speaker 1: shift it back to a comedic tone. Um, you guys, 1342 01:16:22,520 --> 01:16:26,560 Speaker 1: are you guys? You a dick man? Straight up? You 1343 01:16:26,880 --> 01:16:32,599 Speaker 1: dick tongue you dick yo tongue tongue Yo, dick tongue, 1344 01:16:32,840 --> 01:16:38,920 Speaker 1: dick tongue. Yeo. On that note, um from Live from 1345 01:16:39,000 --> 01:16:45,080 Speaker 1: twenty yars and dick tongue. Listen, it would make a 1346 01:16:45,200 --> 01:16:49,880 Speaker 1: great couple, great couple, couple, A lot of nice kisses 1347 01:16:49,880 --> 01:16:53,840 Speaker 1: in that ear. Listen. We love you guys, You're incredible people, 1348 01:16:54,360 --> 01:16:57,960 Speaker 1: and thank you for being You just restored, you single 1349 01:16:58,040 --> 01:17:03,719 Speaker 1: handedly restored my faith in humanity. Oh well, what Tina, 1350 01:17:03,760 --> 01:17:10,320 Speaker 1: don't cancel it out because no, no, no, I didn't 1351 01:17:10,320 --> 01:17:12,479 Speaker 1: want to interrupt you earlier, but you had said something 1352 01:17:12,520 --> 01:17:14,559 Speaker 1: about Stephen, and I'm going to tell you right now 1353 01:17:14,800 --> 01:17:18,080 Speaker 1: that is these little people coming into our lives has 1354 01:17:18,120 --> 01:17:21,800 Speaker 1: been truly the most humbling experience of my personal life. 1355 01:17:22,680 --> 01:17:27,040 Speaker 1: And I cannot be more grateful for absolutely, for what 1356 01:17:27,600 --> 01:17:31,200 Speaker 1: what these guys have taught us, um and I am 1357 01:17:31,320 --> 01:17:34,160 Speaker 1: so damn grateful to be a part of their journey. 1358 01:17:35,120 --> 01:17:37,439 Speaker 1: So well, I'm still allowed to say that you're a 1359 01:17:37,479 --> 01:17:40,360 Speaker 1: pretty incredible person if you don't really, Okay, But my 1360 01:17:40,880 --> 01:17:44,160 Speaker 1: point to you is, I really feel like from our perspective, 1361 01:17:44,240 --> 01:17:46,599 Speaker 1: that's that's how we feel. I mean, it's I think 1362 01:17:46,640 --> 01:17:49,320 Speaker 1: that's beautiful. But I also think from my perspective, I 1363 01:17:49,520 --> 01:17:53,559 Speaker 1: love you. No. Two adults who raised an adult child 1364 01:17:54,240 --> 01:17:57,120 Speaker 1: who then had an epiphany that they were going to 1365 01:17:57,280 --> 01:18:01,320 Speaker 1: take on adopting young children. One of them has is 1366 01:18:01,360 --> 01:18:03,880 Speaker 1: on the spectrum, and not only are you doing it 1367 01:18:03,960 --> 01:18:06,000 Speaker 1: well obviously with so much love, but you're like, how 1368 01:18:06,080 --> 01:18:08,280 Speaker 1: can we do it better? I just think you're incredible people. 1369 01:18:09,040 --> 01:18:11,000 Speaker 1: And you know, sometimes you go on the interwebs and 1370 01:18:11,040 --> 01:18:12,960 Speaker 1: you're like, and you look at what's happening on earth, 1371 01:18:13,040 --> 01:18:16,080 Speaker 1: and you think humanity is fucked, and then you meet 1372 01:18:16,240 --> 01:18:19,240 Speaker 1: Trina and Stephen and you feel good again, like, yoh, 1373 01:18:19,280 --> 01:18:21,920 Speaker 1: did y'all see what happened in London and Italy and 1374 01:18:22,040 --> 01:18:24,880 Speaker 1: how London lost? But how to two black players miss 1375 01:18:24,960 --> 01:18:27,719 Speaker 1: the goals and how they're getting death threats and stuff? 1376 01:18:27,800 --> 01:18:31,760 Speaker 1: Right now, it's yeah, let's not think about that and 1377 01:18:31,840 --> 01:18:34,639 Speaker 1: think about how beautiful Stephen and Trina are. Okay, my bed, 1378 01:18:35,439 --> 01:18:43,360 Speaker 1: we we appreciate sick lifts. You know, I'm protesting, but 1379 01:18:43,439 --> 01:18:46,080 Speaker 1: I can't help it. I can't but help protesting, but 1380 01:18:46,200 --> 01:18:53,680 Speaker 1: I can't help hitting the clapmoise is. Thank you very much, guys. Hey, 1381 01:18:53,760 --> 01:18:56,240 Speaker 1: you're welcome to appreciate it. Hey, you're welcome. Thank you 1382 01:18:56,320 --> 01:18:58,840 Speaker 1: for coming on. We appreciate you. Thank you, guys. We'll 1383 01:18:58,840 --> 01:19:06,000 Speaker 1: see future. Be well by guys. Bye, bye, lovely people. 1384 01:19:06,040 --> 01:19:07,600 Speaker 1: I think that's the first time the guests we're like, 1385 01:19:07,880 --> 01:19:12,519 Speaker 1: we want to get on. I think you don't clearly 1386 01:19:12,520 --> 01:19:14,720 Speaker 1: their church going people, and you went into another round 1387 01:19:14,800 --> 01:19:17,599 Speaker 1: of dick the twat ears and they're like, well, we're 1388 01:19:17,600 --> 01:19:22,360 Speaker 1: gonna get going. We're gonna get going. We have a 1389 01:19:22,439 --> 01:19:30,640 Speaker 1: church group. If they're gonna their friends, they're gonna tell 1390 01:19:30,640 --> 01:19:32,360 Speaker 1: their friends that are on the show, and they're not 1391 01:19:32,360 --> 01:19:34,679 Speaker 1: gonna be They're gonna be like we didn't it didn't happen. 1392 01:19:34,800 --> 01:19:42,439 Speaker 1: Their real names are probably Carl and Cindy. All right ahead, ahead, 1393 01:19:42,439 --> 01:19:45,759 Speaker 1: all right, listen, we love you all. Be kind, be kind, 1394 01:19:46,040 --> 01:19:48,400 Speaker 1: beat like those people there. I'm not saying you have 1395 01:19:48,479 --> 01:19:50,360 Speaker 1: to take on what they took on and go adopt 1396 01:19:50,479 --> 01:19:53,280 Speaker 1: young children in need, but be nice to each other. 1397 01:19:54,280 --> 01:19:57,240 Speaker 1: It's so easy to be nice. Fucking mean, It's so 1398 01:19:57,640 --> 01:20:03,599 Speaker 1: easy to be kind, right, Joel, Yes, it's always easier 1399 01:20:03,640 --> 01:20:05,280 Speaker 1: to be kind. Even though I had one of those 1400 01:20:05,360 --> 01:20:07,439 Speaker 1: days where I was a hater, at the end of 1401 01:20:07,479 --> 01:20:09,200 Speaker 1: the day, it just was so easy. It was so 1402 01:20:09,320 --> 01:20:13,040 Speaker 1: much easier to be don't you hate everybody? And when 1403 01:20:13,120 --> 01:20:17,160 Speaker 1: you get the opportunity, check out Zack's guns because he 1404 01:20:17,280 --> 01:20:20,880 Speaker 1: just flex for us was that they're not going to 1405 01:20:20,920 --> 01:20:22,920 Speaker 1: get the opportunity because this isn't on the intergrams. But 1406 01:20:23,200 --> 01:20:25,120 Speaker 1: you gotta put you gotta put this the arm on 1407 01:20:25,200 --> 01:20:28,960 Speaker 1: the interwebs. Maybe for us, I'll slide into your DM, 1408 01:20:29,080 --> 01:20:32,599 Speaker 1: but your mom, Joel, can I respond to your mom 1409 01:20:32,680 --> 01:20:37,280 Speaker 1: with a with a bicep picture? Very confused, but you can, Joel. 1410 01:20:37,360 --> 01:20:40,120 Speaker 1: He he's got abs, yo, He's got like real deal. 1411 01:20:40,200 --> 01:20:42,479 Speaker 1: Holy feel abs like I know. I only sent them 1412 01:20:42,479 --> 01:20:44,160 Speaker 1: to Donald, but he told me to stop because he 1413 01:20:44,600 --> 01:20:47,800 Speaker 1: was feeling shifting movement. There was a little bit of movement, man, 1414 01:20:47,840 --> 01:20:50,640 Speaker 1: and it felt weird. All right, listen, we love you, 1415 01:20:50,840 --> 01:20:52,840 Speaker 1: be kind to each other. Here is the incredible Josh 1416 01:20:52,920 --> 01:21:04,360 Speaker 1: Raden with a beautiful song called these Photographs. You see 1417 01:21:04,560 --> 01:21:13,360 Speaker 1: him lane as you drift from the bed and your romance, 1418 01:21:13,880 --> 01:21:23,200 Speaker 1: so it cuts moment pass its amountable as you get 1419 01:21:23,280 --> 01:21:28,800 Speaker 1: out the car. The way you read me no one 1420 01:21:28,920 --> 01:21:38,160 Speaker 1: can't see means through your heart. The horest keep me 1421 01:21:38,400 --> 01:21:59,000 Speaker 1: a light gives your side. Being too too long to 1422 01:21:59,360 --> 01:22:11,280 Speaker 1: fight in your life my best surprise. You need a 1423 01:22:11,439 --> 01:22:19,280 Speaker 1: smile when you talk on the phone, you sing to 1424 01:22:19,720 --> 01:22:29,960 Speaker 1: me un along alone. You're marry assa what people tell 1425 01:22:30,080 --> 01:22:36,320 Speaker 1: you you're not. You're like a child all the while 1426 01:22:36,920 --> 01:22:51,040 Speaker 1: meet you lie. These fulgrass gave me a lie. They 1427 01:22:55,760 --> 01:23:07,720 Speaker 1: is your soul be too too long to find in 1428 01:23:08,080 --> 01:23:20,320 Speaker 1: your life, My best bride. I want to know what 1429 01:23:20,680 --> 01:23:32,800 Speaker 1: you know. I want to go where you go. These 1430 01:23:32,960 --> 01:23:40,200 Speaker 1: things remind me up. These things remind me up, These 1431 01:23:40,360 --> 01:23:59,920 Speaker 1: things remind me You use your soul be too too 1432 01:24:00,240 --> 01:24:09,040 Speaker 1: long to find in your life, my detrikes