1 00:00:01,720 --> 00:00:04,680 Speaker 1: Cool Zone Media. 2 00:00:05,000 --> 00:00:07,360 Speaker 2: Hello, and welcome to Cool People Who Did Cool Stuff, 3 00:00:07,520 --> 00:00:11,720 Speaker 2: your weekly podcast that sometimes is people who it's really 4 00:00:11,760 --> 00:00:14,360 Speaker 2: easy to say are cool, and sometimes are people who 5 00:00:14,440 --> 00:00:18,439 Speaker 2: it's really easy to say aren't boring. And someone who 6 00:00:18,480 --> 00:00:23,400 Speaker 2: is neither uncool nor boring is my guest, bridget Todd, 7 00:00:23,480 --> 00:00:25,000 Speaker 2: host of There Are No Girls on the Internet. 8 00:00:25,160 --> 00:00:27,280 Speaker 3: How are you a bridget I'm great, thank you for 9 00:00:27,320 --> 00:00:27,760 Speaker 3: having me. 10 00:00:27,920 --> 00:00:31,800 Speaker 4: I'm honored that you think I'm sometimes cool and maybe 11 00:00:31,840 --> 00:00:32,440 Speaker 4: not boring. 12 00:00:32,760 --> 00:00:34,320 Speaker 3: I strive for both of those things. 13 00:00:34,680 --> 00:00:38,760 Speaker 2: You do well at both, unlike some of the people 14 00:00:38,760 --> 00:00:41,559 Speaker 2: we're going to talk about this week, who managed some 15 00:00:41,720 --> 00:00:43,519 Speaker 2: of them and not the others. 16 00:00:45,280 --> 00:00:49,000 Speaker 5: Is a complicated one. I am thank you. I know 17 00:00:49,159 --> 00:00:52,080 Speaker 5: who I like. I like a little moral ambiguity. I 18 00:00:52,200 --> 00:00:55,360 Speaker 5: like a complicated historical or cultural figure. 19 00:00:56,000 --> 00:01:02,240 Speaker 2: Okay, okay, well first I implicated historical figure is Sophie Lichterman, 20 00:01:02,280 --> 00:01:09,640 Speaker 2: who's been podcasting since the fourteen hundreds and apparently really 21 00:01:09,760 --> 00:01:13,680 Speaker 2: really old skincare fucking on point. 22 00:01:13,840 --> 00:01:16,479 Speaker 1: Your sun's green even if you're not going outside. 23 00:01:16,360 --> 00:01:19,639 Speaker 4: Yeah, you're like one of those vampires who doesn't age. 24 00:01:21,360 --> 00:01:22,840 Speaker 2: We're gonna talk about vampires this week. 25 00:01:23,959 --> 00:01:26,640 Speaker 3: Really, I didn't even know that she must have known that. 26 00:01:26,680 --> 00:01:31,240 Speaker 2: No, this is just happy and our audio engineer is Danil. 27 00:01:31,240 --> 00:01:32,920 Speaker 2: Everyone knows is a Hi to Daniel, Hi Danel. 28 00:01:33,200 --> 00:01:35,319 Speaker 3: I yea Hi Danel. 29 00:01:35,880 --> 00:01:38,880 Speaker 2: Our theme music was written for us by unwoman. So 30 00:01:39,160 --> 00:01:40,600 Speaker 2: not the last time we had you on, but the 31 00:01:40,600 --> 00:01:42,600 Speaker 2: first time we had you on, we were talking about 32 00:01:42,640 --> 00:01:47,840 Speaker 2: how computer used to be a job, right, And this 33 00:01:47,920 --> 00:01:50,760 Speaker 2: week I was like, let's talk about the origin of computers. 34 00:01:51,960 --> 00:01:54,280 Speaker 2: And by that I mean I want to tell a 35 00:01:54,320 --> 00:01:59,240 Speaker 2: story that involves vampires, poetry, revolution, and an almost unprecedented 36 00:01:59,280 --> 00:02:04,040 Speaker 2: amount of heatness to get access I'm using. Today, we're 37 00:02:04,040 --> 00:02:06,040 Speaker 2: going to tell the story of the first computer programmer, 38 00:02:06,440 --> 00:02:09,840 Speaker 2: a woman named Ada Lovelace who never met her father, 39 00:02:10,480 --> 00:02:13,400 Speaker 2: but her and her husband were obsessed with her father, 40 00:02:13,919 --> 00:02:17,600 Speaker 2: the infamous hedonist, the sex crazed class trader, the most 41 00:02:17,600 --> 00:02:21,760 Speaker 2: famous poet of his generation, and the first vampire lord Byron. 42 00:02:24,040 --> 00:02:25,560 Speaker 2: You familiar with much of this story. 43 00:02:25,800 --> 00:02:27,400 Speaker 3: I am familiar with some of this story. 44 00:02:27,520 --> 00:02:31,280 Speaker 4: I just I'm like quivering with excitement because when you 45 00:02:31,320 --> 00:02:33,680 Speaker 4: said a complicated person, I had a feeling. Then when 46 00:02:33,680 --> 00:02:35,680 Speaker 4: you said vampires, I was like, Oh, I think I 47 00:02:35,720 --> 00:02:36,160 Speaker 4: really know. 48 00:02:37,560 --> 00:02:40,960 Speaker 3: I'm so excited to get into this cool. Yeah. 49 00:02:41,000 --> 00:02:43,920 Speaker 2: No, I was like, I'm going to do Ada Lovelace 50 00:02:43,919 --> 00:02:45,560 Speaker 2: because I've just been doing a bunch of stuff that 51 00:02:45,720 --> 00:02:48,240 Speaker 2: revolves not revolves around but like Lord Byron is a 52 00:02:48,240 --> 00:02:51,640 Speaker 2: periphery figure skulking in the dark and drinking people's blood 53 00:02:51,680 --> 00:02:56,000 Speaker 2: or whatever. And I was like, all right, well, I 54 00:02:56,000 --> 00:02:58,040 Speaker 2: don't really want to specifically get into him, and so 55 00:02:58,080 --> 00:03:00,880 Speaker 2: I started doing Ada Lovelace, and then I more and 56 00:03:00,919 --> 00:03:05,120 Speaker 2: more realized that I actually think that understanding her father 57 00:03:05,280 --> 00:03:10,079 Speaker 2: is like a big part of it. And also not boring, 58 00:03:10,280 --> 00:03:14,880 Speaker 2: not a cool guy, maybe a cool guy. Really the 59 00:03:15,000 --> 00:03:17,440 Speaker 2: jury is out historically about this man. 60 00:03:18,120 --> 00:03:21,840 Speaker 4: I think not boring is the perfect way to describe him. 61 00:03:22,000 --> 00:03:24,080 Speaker 4: I know that Ada Lovelace is somebody who had a 62 00:03:24,200 --> 00:03:27,280 Speaker 4: very complicated relationship with her family on top of being 63 00:03:27,280 --> 00:03:30,360 Speaker 4: a complicated person herself. And I like how you're coming 64 00:03:30,400 --> 00:03:32,480 Speaker 4: at this, like we do sort of have to talk 65 00:03:32,520 --> 00:03:35,240 Speaker 4: about her father or to really understand who she was. 66 00:03:35,760 --> 00:03:39,440 Speaker 2: Yeah, And I was also like, before I did too 67 00:03:39,520 --> 00:03:41,440 Speaker 2: much of this research, there's this thing where people kind 68 00:03:41,440 --> 00:03:43,960 Speaker 2: of talk about Ada Lovelace as if like she's like, 69 00:03:44,080 --> 00:03:45,880 Speaker 2: oh well, we kind of need to throw a woman 70 00:03:45,920 --> 00:03:51,480 Speaker 2: in there. When we're talking about early computers. No, like 71 00:03:52,200 --> 00:03:55,760 Speaker 2: she she's as important as Charles Babbage. There's no part 72 00:03:55,800 --> 00:03:57,720 Speaker 2: of me after reading all of this that doubts that, 73 00:03:57,760 --> 00:03:59,280 Speaker 2: if anything, she was more important. 74 00:04:00,120 --> 00:04:01,000 Speaker 3: Totally agree. 75 00:04:01,080 --> 00:04:05,640 Speaker 4: And I hate this perspective where people you can tell 76 00:04:05,720 --> 00:04:08,960 Speaker 4: the inclusion of traditionally marginalized people is like a footnote, 77 00:04:08,960 --> 00:04:10,960 Speaker 4: like they're like, oh, yeah, some women were there, some 78 00:04:11,000 --> 00:04:13,840 Speaker 4: queer folks were there, some transpoloks were there, black folks, whatever, whatever, whatever. 79 00:04:14,080 --> 00:04:17,960 Speaker 4: But that's so wrong because these people they were at 80 00:04:18,000 --> 00:04:21,279 Speaker 4: every I mean this literally, at every step of computers 81 00:04:21,320 --> 00:04:24,880 Speaker 4: becoming the ubiquitous forces they are in twenty twenty four. 82 00:04:25,120 --> 00:04:27,840 Speaker 4: Women were there, Queer folks were there, trans folks were there, 83 00:04:27,880 --> 00:04:30,240 Speaker 4: black folks were there. And so this idea that adding 84 00:04:30,279 --> 00:04:32,720 Speaker 4: them is like a little nod to diversity or something 85 00:04:32,880 --> 00:04:36,080 Speaker 4: that is so wrong because they wouldn't exist without us. 86 00:04:36,440 --> 00:04:40,359 Speaker 2: Yeah. Absolutely, And it was really nice to like know 87 00:04:40,640 --> 00:04:43,960 Speaker 2: that by reading more about this story, you know, I 88 00:04:43,960 --> 00:04:45,680 Speaker 2: actually had this moment where I was like, am I 89 00:04:45,720 --> 00:04:47,920 Speaker 2: really going to do some fucking nobles? I like kind 90 00:04:48,000 --> 00:04:51,680 Speaker 2: of hate English nobility specifically, like a lot of what 91 00:04:51,720 --> 00:04:54,000 Speaker 2: we're going to be talking about happened around the same 92 00:04:54,040 --> 00:04:57,080 Speaker 2: time that England was Oh, I don't know, genocide in 93 00:04:57,120 --> 00:05:01,400 Speaker 2: Ireland and things like that. You know, I usually don't 94 00:05:01,440 --> 00:05:05,200 Speaker 2: like nobility. I usually am like whatever. But these folks, 95 00:05:05,200 --> 00:05:10,120 Speaker 2: their story is compelling enough that I decided it's worth it. 96 00:05:10,600 --> 00:05:13,880 Speaker 2: Although I've refuse to learn why marrying an earl makes 97 00:05:13,920 --> 00:05:18,360 Speaker 2: you a countess. I don't understand it, and I refuse 98 00:05:18,440 --> 00:05:21,240 Speaker 2: to learn. And if you know, listener, don't tell me. 99 00:05:21,720 --> 00:05:22,360 Speaker 2: I don't care. 100 00:05:23,440 --> 00:05:28,640 Speaker 4: Margarete Killso a hearty supporter of monarchies. 101 00:05:28,200 --> 00:05:31,560 Speaker 2: And nobility, not traditionally a fan. 102 00:05:31,680 --> 00:05:31,760 Speaker 1: No. 103 00:05:32,960 --> 00:05:36,960 Speaker 2: So one thing that Ada Lovelacener father Lord Byron hav 104 00:05:36,960 --> 00:05:40,520 Speaker 2: in common is a shocking amount of secrecy. There's an 105 00:05:40,640 --> 00:05:42,960 Speaker 2: awful lot we don't know about them that we will 106 00:05:43,000 --> 00:05:45,200 Speaker 2: never know about them in their personal lives. And then 107 00:05:45,240 --> 00:05:47,640 Speaker 2: a lot of conjecture, and some of it based with 108 00:05:47,680 --> 00:05:51,120 Speaker 2: a lot of evidence. Right, we also don't know the 109 00:05:51,200 --> 00:05:55,440 Speaker 2: juiciest bits. So whatever we think we know, there's probably 110 00:05:55,520 --> 00:05:59,719 Speaker 2: something wilder. Lord Byron when he died, his friends burned 111 00:05:59,720 --> 00:06:02,600 Speaker 2: his wars, less history judge him as a monster. 112 00:06:03,760 --> 00:06:06,000 Speaker 4: That's when you know you're really like when you're It's 113 00:06:06,040 --> 00:06:07,840 Speaker 4: like the old school equivalent of. 114 00:06:07,760 --> 00:06:11,240 Speaker 3: Clearing your browser history. You can't burn their. 115 00:06:11,080 --> 00:06:16,640 Speaker 2: Papers, Yeah, totally, and they could have gotten a lot 116 00:06:16,640 --> 00:06:21,200 Speaker 2: of money for those papers. This man was famous, and 117 00:06:21,320 --> 00:06:26,000 Speaker 2: Lovelace didn't fare entirely better. There's a deathbed confession that 118 00:06:26,160 --> 00:06:28,719 Speaker 2: shocked her husband that we don't know. 119 00:06:31,080 --> 00:06:31,880 Speaker 3: What do you think it was? 120 00:06:33,160 --> 00:06:36,400 Speaker 2: I think it was a round cheating, but I don't 121 00:06:36,440 --> 00:06:38,800 Speaker 2: know because I also we'll get to it. I think 122 00:06:38,800 --> 00:06:41,080 Speaker 2: they were swingers. I think they knew each other as cheating. 123 00:06:41,160 --> 00:06:43,440 Speaker 2: So it's got to be something wilder than that, is 124 00:06:43,480 --> 00:06:48,880 Speaker 2: my personal guess. Unless he was just such a like 125 00:06:49,279 --> 00:06:52,279 Speaker 2: goody two shoes wife guy. Well, okay, we'll talk about 126 00:06:52,360 --> 00:06:57,680 Speaker 2: him later. We're gonna start chronologically with the father, Lord Byron. 127 00:07:00,600 --> 00:07:03,560 Speaker 2: Lord Byron was, for like one hundred years at least, 128 00:07:03,600 --> 00:07:07,880 Speaker 2: the archtypical bad boy, the anti hero. I'm not a 129 00:07:07,960 --> 00:07:12,040 Speaker 2: classic literature girl. I'm much more of a fantasy speculative fiction. 130 00:07:12,800 --> 00:07:15,840 Speaker 2: So I never heard anyone use the phrase byronic hero. 131 00:07:15,960 --> 00:07:18,120 Speaker 2: Had either of you heard this phrase before. 132 00:07:19,080 --> 00:07:19,840 Speaker 3: I had heard it? 133 00:07:20,000 --> 00:07:25,080 Speaker 4: I am a PhD in literature dropout. Unfortunately I have 134 00:07:25,200 --> 00:07:27,440 Speaker 4: heard that phrase. Don't ask me what it means. That's 135 00:07:27,480 --> 00:07:30,600 Speaker 4: why I'm a That's why I'm a dropout and not 136 00:07:30,640 --> 00:07:32,680 Speaker 4: a degree holder, but I have heard that phrase before. 137 00:07:33,160 --> 00:07:41,880 Speaker 2: Okay, really cool, Yeah, no, let's dropout. I really excited 138 00:07:41,920 --> 00:07:44,320 Speaker 2: when I accidentally, like I knew that you know a 139 00:07:44,320 --> 00:07:46,880 Speaker 2: lot about computer things and the way that women are 140 00:07:46,920 --> 00:07:49,800 Speaker 2: talked about in the history of computing. I love when 141 00:07:49,840 --> 00:07:52,280 Speaker 2: I find out that I have the perfect guests for something. 142 00:07:52,800 --> 00:07:55,840 Speaker 4: Uh, the perfect guest might have been a PhD holder. 143 00:07:56,840 --> 00:07:58,720 Speaker 4: I'll take it nonetheless now because then. 144 00:07:58,720 --> 00:08:01,560 Speaker 2: If you're a PhD holder, he'd be like, Margaret, that's 145 00:08:01,600 --> 00:08:04,400 Speaker 2: not the way that it happened, Margaret. 146 00:08:04,640 --> 00:08:04,920 Speaker 3: Yeah. 147 00:08:04,920 --> 00:08:07,240 Speaker 2: And if there's any moments like that, you should interject them, 148 00:08:07,240 --> 00:08:09,680 Speaker 2: because I didn't give a shit about Lord Byron until 149 00:08:09,720 --> 00:08:12,080 Speaker 2: he was in the background of all of these stories. 150 00:08:12,120 --> 00:08:14,120 Speaker 2: I did know and care about, and finally I was like, 151 00:08:14,120 --> 00:08:17,400 Speaker 2: all right, I need to know. A byronic hero is 152 00:08:17,400 --> 00:08:19,600 Speaker 2: an anti hero. It's a it's a fuck boy. It 153 00:08:19,680 --> 00:08:24,920 Speaker 2: is a Victoria pre Victorian fuck boy. And people would 154 00:08:24,960 --> 00:08:27,600 Speaker 2: throw that phrase around byronic the way that we might 155 00:08:27,680 --> 00:08:31,320 Speaker 2: talk about Orwellian or kafka esque today, not meaning the 156 00:08:31,360 --> 00:08:34,480 Speaker 2: same thing. But if you have like a brooding, sexy 157 00:08:34,520 --> 00:08:39,960 Speaker 2: anti hero, he has a byronic figure. He absolutely fucked, 158 00:08:40,240 --> 00:08:42,920 Speaker 2: he broke hearts. He spit on the conservative morals of 159 00:08:42,960 --> 00:08:45,960 Speaker 2: his society. He wrote poetry. It was that was like 160 00:08:46,040 --> 00:08:49,559 Speaker 2: the rock star job at the time, not the way 161 00:08:49,559 --> 00:08:51,120 Speaker 2: it comes across now. When you tell people that you 162 00:08:51,120 --> 00:08:53,800 Speaker 2: write poetry, which everyone should still do, mind you, but 163 00:08:53,880 --> 00:08:57,640 Speaker 2: it doesn't carry the same weight. It's like telling someone 164 00:08:57,640 --> 00:09:00,920 Speaker 2: you're a podcaster or something. You know. He spent his 165 00:09:00,960 --> 00:09:04,880 Speaker 2: fortune and his fame on revolution and liberation. He pissed 166 00:09:04,920 --> 00:09:07,920 Speaker 2: off an awful lot of people. Despite not being conventionally 167 00:09:07,920 --> 00:09:11,520 Speaker 2: attractive and being disabled, he was the most sexually desired 168 00:09:11,559 --> 00:09:14,760 Speaker 2: man in high society in London. This is literally the 169 00:09:14,800 --> 00:09:17,160 Speaker 2: guy who wrote Don Juan, or as he pronounced it, 170 00:09:17,200 --> 00:09:19,920 Speaker 2: don Juwan, I think, just because he was English, not 171 00:09:20,000 --> 00:09:23,959 Speaker 2: as like a weird Yeah, and it's semi auto biographical. 172 00:09:23,960 --> 00:09:27,160 Speaker 2: It's also semi auto biographic about his fuck up dad too, 173 00:09:27,200 --> 00:09:29,120 Speaker 2: because his fuck up dad was a lot like him. 174 00:09:30,640 --> 00:09:34,880 Speaker 2: He home wrecked constantly, He ruined lives, He was sleeping 175 00:09:34,920 --> 00:09:38,000 Speaker 2: with his half sister. He was not around to raise 176 00:09:38,040 --> 00:09:40,480 Speaker 2: his kids, although this was not entirely his fault always 177 00:09:41,200 --> 00:09:44,560 Speaker 2: he honestly could potentially have fathered hundreds of children. There's 178 00:09:44,559 --> 00:09:47,240 Speaker 2: only a few that we know about. He spoke up 179 00:09:47,280 --> 00:09:49,320 Speaker 2: for the working class when no one else would. He 180 00:09:49,360 --> 00:09:52,240 Speaker 2: went into exile because his sexuality was a capital offense 181 00:09:52,280 --> 00:09:55,280 Speaker 2: in his native country, the backwards, a little island called England. 182 00:09:56,240 --> 00:09:58,040 Speaker 2: Someone's going to get mad that England is actually the 183 00:09:58,120 --> 00:10:00,440 Speaker 2: name of a specific country, not the larger island whatever. 184 00:10:01,120 --> 00:10:04,880 Speaker 2: And he died young trying to free far off Grease 185 00:10:04,880 --> 00:10:10,280 Speaker 2: from foreign occupation. So people argue about him today. They say, 186 00:10:10,400 --> 00:10:13,559 Speaker 2: was he a hero? Was he a monster? Was he misunderstood? 187 00:10:14,440 --> 00:10:16,640 Speaker 2: I have come to the conclusion, and I'm curious your take. 188 00:10:17,280 --> 00:10:18,800 Speaker 2: He's all three of these things. 189 00:10:20,440 --> 00:10:21,560 Speaker 3: Yeah, I agree with you. 190 00:10:21,640 --> 00:10:25,320 Speaker 4: I think complicated person like I think trying to be like, oh, 191 00:10:25,400 --> 00:10:29,040 Speaker 4: he's just purely a hero, purely a monster. I think 192 00:10:29,080 --> 00:10:31,600 Speaker 4: his legacy is a little too complex to boil it 193 00:10:31,640 --> 00:10:32,240 Speaker 4: down in that way. 194 00:10:32,280 --> 00:10:33,360 Speaker 3: I think all of these things. 195 00:10:33,880 --> 00:10:39,199 Speaker 2: Yeah. And the thing that I'm like, well, i'll get 196 00:10:39,200 --> 00:10:42,160 Speaker 2: into it. The way he specifically handled a few relationships 197 00:10:42,280 --> 00:10:44,200 Speaker 2: is the thing that I'm like, Wow, I wish I 198 00:10:44,240 --> 00:10:46,200 Speaker 2: had more details. I wish I kind of knew better. 199 00:10:46,960 --> 00:10:49,360 Speaker 2: But I mean it's like, who am I to sit 200 00:10:49,400 --> 00:10:50,599 Speaker 2: in judgment of these people who have been dead for 201 00:10:50,679 --> 00:10:52,400 Speaker 2: hundreds of years. But I'm like, that's literally my job 202 00:10:52,480 --> 00:10:54,520 Speaker 2: is to try and find entertaining ways to sit in 203 00:10:54,600 --> 00:10:56,520 Speaker 2: judgment of people who've been dead for hundreds of years. 204 00:10:56,559 --> 00:10:59,280 Speaker 4: So I do think is like the way that he 205 00:10:59,320 --> 00:11:02,320 Speaker 4: showed up in reallyationships does relate to his work and legacy. 206 00:11:02,400 --> 00:11:05,160 Speaker 4: So it's not like we're just being petty and being like, oh, well, 207 00:11:05,200 --> 00:11:08,719 Speaker 4: he wrote this, but also he was a scoundrel. 208 00:11:08,840 --> 00:11:11,360 Speaker 3: Like those things are kind of related totally. 209 00:11:11,400 --> 00:11:15,120 Speaker 2: He wasn't like writing about a wandering fuck boy out 210 00:11:15,160 --> 00:11:18,199 Speaker 2: of like an insul imagination sitting in his parents' basement. 211 00:11:18,720 --> 00:11:18,960 Speaker 2: You know. 212 00:11:19,920 --> 00:11:20,360 Speaker 1: He was a. 213 00:11:20,280 --> 00:11:27,000 Speaker 2: Wandering fuck boy. And in seventeen eighty eight, Lord Byron 214 00:11:27,160 --> 00:11:29,680 Speaker 2: was born into minor nobility in the center of that 215 00:11:29,760 --> 00:11:33,560 Speaker 2: world spanning nightmarish hydra called the British Empire. His first 216 00:11:33,640 --> 00:11:36,360 Speaker 2: name was not Lord, it was George, but no one 217 00:11:36,520 --> 00:11:39,679 Speaker 2: as soon as he becomes Lord Byron, he's just Lord Byron, like, 218 00:11:40,559 --> 00:11:46,040 Speaker 2: which is a move. But he was born George Gordon Byron. 219 00:11:46,440 --> 00:11:48,720 Speaker 2: He was born in London to a Scottish heiress and 220 00:11:48,760 --> 00:11:52,800 Speaker 2: a father named mad Jack. To be fair, Lord Byron 221 00:11:52,880 --> 00:11:55,120 Speaker 2: named his own father mad Jack in like an obituary 222 00:11:55,280 --> 00:11:58,880 Speaker 2: of the aforementioned mad Jack. But that's the name that's stuck, 223 00:11:58,960 --> 00:12:01,600 Speaker 2: because Lord Byron, if he names something, that's the name 224 00:12:01,640 --> 00:12:06,240 Speaker 2: that's going to stick. Matt Jack was lived up to 225 00:12:06,280 --> 00:12:09,800 Speaker 2: his name. He fought against the American Revolution. He blew 226 00:12:09,840 --> 00:12:11,960 Speaker 2: all of his money gambling. He fucked around on his 227 00:12:12,000 --> 00:12:15,120 Speaker 2: wife with other married women. He left his second wife 228 00:12:15,160 --> 00:12:16,920 Speaker 2: and all of his kids to go live in France 229 00:12:16,960 --> 00:12:20,959 Speaker 2: with his own sister, whom he was probably fucking. Then 230 00:12:21,080 --> 00:12:24,120 Speaker 2: he died at thirty four, probably from friend of the 231 00:12:24,120 --> 00:12:31,240 Speaker 2: pod tuberculosis, but possibly by his own hand. Meanwhile, Young 232 00:12:31,280 --> 00:12:33,880 Speaker 2: Byron not quite yet Lord, although he's going to become 233 00:12:33,880 --> 00:12:35,640 Speaker 2: a lord at ten, which is not a thing you 234 00:12:35,640 --> 00:12:38,760 Speaker 2: should do to a child. He moves with his mom 235 00:12:38,800 --> 00:12:41,600 Speaker 2: to Scotland. He was born with a club foot. He 236 00:12:41,600 --> 00:12:43,600 Speaker 2: will walk with a limb his entire life. And he's 237 00:12:43,600 --> 00:12:46,960 Speaker 2: never able to dance, at least like in a way 238 00:12:47,000 --> 00:12:52,480 Speaker 2: that is presentable to high society. Through vagaries of inheritance, 239 00:12:52,520 --> 00:12:55,079 Speaker 2: I refuse to study in depth. My opinion about the 240 00:12:55,080 --> 00:12:58,720 Speaker 2: English nobility is already on record. A series of dead 241 00:12:58,760 --> 00:13:01,720 Speaker 2: airs mean that our young Lord Byron winds up inheriting 242 00:13:01,800 --> 00:13:04,520 Speaker 2: the title Lord Byron from his great uncle who is 243 00:13:04,600 --> 00:13:09,960 Speaker 2: named Lord Byron. The new young Lord Byron is ten 244 00:13:10,080 --> 00:13:13,400 Speaker 2: when he becomes the sixth Lord Byron, which is a baron. 245 00:13:13,880 --> 00:13:14,600 Speaker 2: He's a baron. 246 00:13:15,640 --> 00:13:18,800 Speaker 4: Again, we don't really know how the titles work. I 247 00:13:18,800 --> 00:13:20,520 Speaker 4: don't know either, and I refuse to look it up. 248 00:13:20,559 --> 00:13:22,720 Speaker 4: So if you do know that, I feel like, keep 249 00:13:22,760 --> 00:13:23,320 Speaker 4: it to yourself. 250 00:13:23,360 --> 00:13:23,800 Speaker 3: Maybe. 251 00:13:24,000 --> 00:13:27,440 Speaker 2: Yeah. So he suddenly becomes a character in a weird 252 00:13:27,440 --> 00:13:29,800 Speaker 2: old movie, only he predates old movies right by one 253 00:13:29,840 --> 00:13:31,360 Speaker 2: hundred years, so he's actually the things that they're all 254 00:13:31,400 --> 00:13:33,800 Speaker 2: based on. It becomes a baron of this estate called 255 00:13:33,840 --> 00:13:37,520 Speaker 2: Newstead Abbey in Nottingham, near Sherwood Forest and all that shit. 256 00:13:38,040 --> 00:13:40,400 Speaker 2: It is old and run down, so his mom leases 257 00:13:40,440 --> 00:13:42,600 Speaker 2: it out rather than living there, but he spends some 258 00:13:42,640 --> 00:13:45,800 Speaker 2: time there as a kid in the like we can't 259 00:13:45,800 --> 00:13:50,400 Speaker 2: afford to keep up our giant Gothic mansion, and he 260 00:13:50,440 --> 00:13:53,440 Speaker 2: has a Gothic nightmare of a childhood. His mother was 261 00:13:53,440 --> 00:13:55,880 Speaker 2: a drunk. A lot of biographers like to argue about 262 00:13:55,880 --> 00:13:58,640 Speaker 2: whether or not she was shitty to him. His nurse 263 00:13:58,760 --> 00:14:01,000 Speaker 2: was very shitty to him. The way that it's phrased 264 00:14:01,000 --> 00:14:05,600 Speaker 2: in history books. I specifically disagree with because his nurse 265 00:14:06,000 --> 00:14:10,040 Speaker 2: beat him regularly, sexually assaulted him regularly when he's like, 266 00:14:10,280 --> 00:14:13,439 Speaker 2: you know, ten or something, and then would yell at 267 00:14:13,480 --> 00:14:16,400 Speaker 2: him in scripture and you know, talk about what terrible 268 00:14:16,440 --> 00:14:19,840 Speaker 2: person he is or whatever. Right, And one reason it's 269 00:14:19,880 --> 00:14:21,360 Speaker 2: hard to piece out a lot of things is that 270 00:14:21,400 --> 00:14:26,480 Speaker 2: people dance around both the things that he had inflicted 271 00:14:26,560 --> 00:14:29,640 Speaker 2: upon him and that he inflicted upon others. People don't. 272 00:14:29,760 --> 00:14:32,400 Speaker 2: People are like sly and vague, And I think that's 273 00:14:32,400 --> 00:14:36,480 Speaker 2: like a British nobility thing, where when they talk about assault, 274 00:14:36,640 --> 00:14:40,480 Speaker 2: child abuse, incest, homosexuality and affairs, and they're all like 275 00:14:40,640 --> 00:14:42,880 Speaker 2: conflated as bad things, even though some of them are 276 00:14:42,880 --> 00:14:45,480 Speaker 2: perfectly fine and consensual and some of them are horrific, 277 00:14:45,640 --> 00:14:48,560 Speaker 2: nightmare things whatever. I'm not even going to repeat it. 278 00:14:48,600 --> 00:14:51,600 Speaker 2: I don't like the way that about half the histories 279 00:14:51,600 --> 00:14:55,080 Speaker 2: that I read about him refer to what he suffered 280 00:14:55,080 --> 00:14:59,560 Speaker 2: at the hand of his caretakers. He was very happy 281 00:14:59,600 --> 00:15:02,040 Speaker 2: to get sent way to boarding school. He called them 282 00:15:02,080 --> 00:15:04,520 Speaker 2: the happiest days of his life. He met a bunch 283 00:15:04,520 --> 00:15:06,760 Speaker 2: of his forever friends while he was at school. He's 284 00:15:06,760 --> 00:15:11,000 Speaker 2: probably started sleeping with boys. I understand why men at 285 00:15:11,000 --> 00:15:14,760 Speaker 2: the time talk slyly around homosexuality because it was a 286 00:15:15,000 --> 00:15:19,680 Speaker 2: public hanging offense at the time, and he falls in 287 00:15:19,760 --> 00:15:21,440 Speaker 2: love with girls a bunch too, and he's way more 288 00:15:21,440 --> 00:15:27,680 Speaker 2: public about that. By college, the school is like, oh, 289 00:15:27,680 --> 00:15:32,160 Speaker 2: you can't keep a dog in your room, and he's like, okay, 290 00:15:32,520 --> 00:15:33,320 Speaker 2: So he gets a bear. 291 00:15:35,480 --> 00:15:37,800 Speaker 4: Wait where did he get a bear? Like, what do 292 00:15:37,880 --> 00:15:39,640 Speaker 4: we know about him obtaining this bear? 293 00:15:40,760 --> 00:15:43,920 Speaker 2: I don't know enough. He keeps animals his whole life. 294 00:15:43,960 --> 00:15:46,680 Speaker 2: He always has like a menagere that follows him around 295 00:15:46,720 --> 00:15:49,800 Speaker 2: basically through all of his travels, and it's like whatever, 296 00:15:49,960 --> 00:15:54,160 Speaker 2: weird animals, But he specifically likes dogs and birds, like 297 00:15:54,240 --> 00:15:57,480 Speaker 2: giant birds, peacocks and eagles and stuff like that. Right, 298 00:15:58,000 --> 00:15:59,880 Speaker 2: But it's referred to as a tame bear, and I 299 00:16:00,080 --> 00:16:01,800 Speaker 2: refuse to like just say it was a tame bear 300 00:16:01,840 --> 00:16:04,840 Speaker 2: because I only half believe that that's a concept. You know. 301 00:16:05,080 --> 00:16:07,160 Speaker 2: I think you can have a trained bear. I think 302 00:16:07,240 --> 00:16:12,240 Speaker 2: that's true. And yeah, I it's just one of these 303 00:16:12,240 --> 00:16:15,200 Speaker 2: like rich European people things like every now and then 304 00:16:15,240 --> 00:16:17,400 Speaker 2: you read about like someone who lives in Europe and 305 00:16:17,400 --> 00:16:18,760 Speaker 2: they have a ton of money, so they have like 306 00:16:19,360 --> 00:16:21,040 Speaker 2: a leopard or whatever, you know. 307 00:16:21,240 --> 00:16:23,200 Speaker 3: Yeah, if I you know that meme. 308 00:16:23,880 --> 00:16:25,800 Speaker 4: I wouldn't tell anybody if I won the lottery, but 309 00:16:25,840 --> 00:16:28,160 Speaker 4: there would be signs I would definitely get all kinds 310 00:16:28,200 --> 00:16:29,239 Speaker 4: of weird animals. 311 00:16:29,360 --> 00:16:30,920 Speaker 3: Oh yeah, for sure. I mean I would treat them 312 00:16:30,960 --> 00:16:32,560 Speaker 3: well and have like specialists or whatever. 313 00:16:32,720 --> 00:16:32,840 Speaker 4: Like. 314 00:16:33,080 --> 00:16:34,920 Speaker 3: I wouldn't be you. 315 00:16:34,920 --> 00:16:36,640 Speaker 4: Know, it wouldn't be one of those things where it's like, oh, 316 00:16:36,640 --> 00:16:39,840 Speaker 4: this person had a alligator in their studio apartment or something, 317 00:16:39,880 --> 00:16:42,280 Speaker 4: they would be well cared for. But yes, I get it, 318 00:16:42,280 --> 00:16:43,480 Speaker 4: this is something I understand. 319 00:16:43,760 --> 00:16:48,320 Speaker 2: Yeah, no, totally, And like, yeah, all of the birds 320 00:16:48,320 --> 00:16:49,920 Speaker 2: and stuff that he keeps, I'm like, yeah, I would 321 00:16:49,920 --> 00:16:52,480 Speaker 2: totally do that if I, like, if I got to 322 00:16:52,560 --> 00:16:55,160 Speaker 2: hire people to take care of things, you know, for me. 323 00:16:56,640 --> 00:17:00,800 Speaker 2: And while in school he got into poetry. His first 324 00:17:00,840 --> 00:17:03,600 Speaker 2: poems were terrible love poems for his cousin Margaret, which 325 00:17:03,600 --> 00:17:06,600 Speaker 2: I only included because I like the name Margaret and 326 00:17:06,880 --> 00:17:10,760 Speaker 2: Margaret did not want him. He self published two poetry books, 327 00:17:11,040 --> 00:17:13,240 Speaker 2: one of which he had to censor because of its 328 00:17:13,280 --> 00:17:15,840 Speaker 2: like frank eroticism. He's like from a very young age, 329 00:17:15,920 --> 00:17:18,879 Speaker 2: is like and then I like fucking you know, and 330 00:17:18,920 --> 00:17:21,520 Speaker 2: then the priests are like you shouldn't say that, and 331 00:17:21,560 --> 00:17:25,720 Speaker 2: he's like, and then I like vague metaphors, and. 332 00:17:25,680 --> 00:17:28,760 Speaker 3: That's much better. Then I like intimacy. 333 00:17:29,320 --> 00:17:32,080 Speaker 2: Yeah, yeah, exactly. Now he's constantly talking about his like 334 00:17:32,200 --> 00:17:35,719 Speaker 2: intimate friendships with boys and then the like long curly 335 00:17:35,800 --> 00:17:37,959 Speaker 2: locks that go down the back of this boy's you 336 00:17:37,960 --> 00:17:39,000 Speaker 2: know back or whatever. 337 00:17:39,359 --> 00:17:41,000 Speaker 3: I think we're picking up what he's putting down. 338 00:17:41,280 --> 00:17:44,000 Speaker 2: Yeah, totally. But it's funny because it took hundreds of 339 00:17:44,040 --> 00:17:45,479 Speaker 2: years for people to pick it up because they were 340 00:17:45,480 --> 00:17:47,920 Speaker 2: like and then late later spoiler, he leaves England because 341 00:17:47,920 --> 00:17:49,959 Speaker 2: he can't come back, and it's because of scandal, and 342 00:17:50,040 --> 00:17:52,800 Speaker 2: some of it's like kind of legit scandal. But he's 343 00:17:52,840 --> 00:17:55,119 Speaker 2: pretty open in his letters. He's like, I can't go 344 00:17:55,160 --> 00:17:57,280 Speaker 2: back becaus they hang me for having the sex that 345 00:17:57,359 --> 00:17:57,680 Speaker 2: I have. 346 00:17:58,440 --> 00:17:59,680 Speaker 3: You know. Yes, this is. 347 00:17:59,600 --> 00:18:01,800 Speaker 4: Something that I've seen time and time again from history 348 00:18:01,800 --> 00:18:04,840 Speaker 4: where the person they're writing about all but comes out 349 00:18:04,880 --> 00:18:06,439 Speaker 4: and says it and it's like, ooh, what was the 350 00:18:06,480 --> 00:18:08,399 Speaker 4: relationship here? And it's like, well, you can read what 351 00:18:08,440 --> 00:18:10,400 Speaker 4: they wrote where they talked about how they have it's 352 00:18:10,400 --> 00:18:12,800 Speaker 4: a sexual one, or he can act like it's like 353 00:18:13,000 --> 00:18:13,840 Speaker 4: very cloudy. 354 00:18:14,560 --> 00:18:18,119 Speaker 2: Yeah, we just do it as they do in Greece, 355 00:18:18,400 --> 00:18:22,879 Speaker 2: and we're buried next to each other, like uh huh. 356 00:18:23,160 --> 00:18:23,440 Speaker 3: Yeah. 357 00:18:23,480 --> 00:18:27,640 Speaker 2: So he self publishes two poetry books, right, and then 358 00:18:27,680 --> 00:18:30,119 Speaker 2: his third book finds a publisher and it's called his 359 00:18:30,440 --> 00:18:33,320 Speaker 2: first published book by someone else's called Hours of Idleness, 360 00:18:33,720 --> 00:18:37,840 Speaker 2: and it's not particularly impressive. It is widely panned. People 361 00:18:37,920 --> 00:18:41,400 Speaker 2: are like, it's no good, it's derivative. I honestly didn't 362 00:18:41,400 --> 00:18:43,000 Speaker 2: totally love his poetry, so I'm not going to like 363 00:18:43,040 --> 00:18:45,719 Speaker 2: include much of it in this episode. I actually really 364 00:18:45,800 --> 00:18:48,639 Speaker 2: like a lot of his contemporaries poetry like Percy Shelley, 365 00:18:49,359 --> 00:18:51,720 Speaker 2: which I'm not going to quote in here. But anyway, 366 00:18:52,640 --> 00:18:55,080 Speaker 2: so he turned around and he wrote poems making fun 367 00:18:55,080 --> 00:18:59,360 Speaker 2: of his reviewers, and these were his first good poems 368 00:18:59,359 --> 00:19:03,720 Speaker 2: that people like, where his poems talking shit and if 369 00:19:03,760 --> 00:19:07,760 Speaker 2: you want to talk shit, you can talk shit about 370 00:19:08,440 --> 00:19:11,359 Speaker 2: are well, no, you should never talk shit about our advertisers. 371 00:19:11,359 --> 00:19:13,240 Speaker 2: We think that all of them are perfect in every way, 372 00:19:13,400 --> 00:19:16,680 Speaker 2: especially the ones that are about things that go exactly 373 00:19:16,680 --> 00:19:30,040 Speaker 2: against everything that we believe in. Here's Dad's and we're back. 374 00:19:32,520 --> 00:19:35,800 Speaker 2: So he won't dance for obvious reasons, but he is 375 00:19:36,080 --> 00:19:39,000 Speaker 2: an athlete. He is a fairly obsessive athlete. He's not 376 00:19:39,040 --> 00:19:41,480 Speaker 2: particularly talented, he's not particularly bad at it either, but 377 00:19:41,520 --> 00:19:44,119 Speaker 2: he's like always like swimming canals and doing all of 378 00:19:44,160 --> 00:19:48,840 Speaker 2: this stuff right his whole life. And he ends up 379 00:19:48,840 --> 00:19:51,639 Speaker 2: going to the same college, Trinity College at Cambridge, that 380 00:19:51,680 --> 00:19:54,600 Speaker 2: are later bisexual hero Oscar Wilde would go to almost 381 00:19:54,640 --> 00:19:57,440 Speaker 2: a century later, and they're both into boxing, and they 382 00:19:57,440 --> 00:20:01,520 Speaker 2: both self publish bad poetry while in college. And I 383 00:20:01,600 --> 00:20:03,600 Speaker 2: just we did an episode about him like a month ago, 384 00:20:03,680 --> 00:20:06,600 Speaker 2: and I just I'm going to forget the name Trinity 385 00:20:06,640 --> 00:20:09,159 Speaker 2: College like in three months, but for now it sticks 386 00:20:09,160 --> 00:20:12,240 Speaker 2: in my mind, top of mind. He gets out of 387 00:20:12,240 --> 00:20:15,440 Speaker 2: college and he starts doing what he's really good at, 388 00:20:15,600 --> 00:20:19,040 Speaker 2: becoming a wandering vagabond, and fuck boy, this is nit 389 00:20:19,240 --> 00:20:22,440 Speaker 2: his niche niche. How do you pronounce that word niche? 390 00:20:22,520 --> 00:20:24,200 Speaker 3: I think I've heard both. 391 00:20:24,320 --> 00:20:25,960 Speaker 4: I know, it's one of those words that whenever I 392 00:20:26,000 --> 00:20:29,160 Speaker 4: say on a podcast, I second guess myself. 393 00:20:29,400 --> 00:20:31,040 Speaker 3: Yoh, I don't know tbd. 394 00:20:31,400 --> 00:20:36,160 Speaker 2: Yeah, he went on a grand tour like all rich 395 00:20:36,160 --> 00:20:38,399 Speaker 2: assholes do when they're like done the school, you know, 396 00:20:38,600 --> 00:20:42,000 Speaker 2: and they traveling around and now, don't get me wrong, 397 00:20:42,600 --> 00:20:45,760 Speaker 2: dropping out of college or finishing college and going and 398 00:20:45,800 --> 00:20:48,800 Speaker 2: wandering around for a couple of years or whatever. That's fine. 399 00:20:48,960 --> 00:20:52,040 Speaker 2: It's a rich asshole move when you have all of 400 00:20:52,080 --> 00:20:57,240 Speaker 2: your friends and servants in your meningerie with you, that's 401 00:20:57,240 --> 00:20:57,680 Speaker 2: that going. 402 00:20:57,720 --> 00:21:01,600 Speaker 4: It's like what an artist, like a musician, goes on tour, 403 00:21:01,800 --> 00:21:03,359 Speaker 4: Like everybody's. 404 00:21:02,800 --> 00:21:03,320 Speaker 3: Coming with us. 405 00:21:03,359 --> 00:21:05,919 Speaker 4: We've gotta cook, get a servant and a cleaner, and 406 00:21:06,000 --> 00:21:07,920 Speaker 4: everybody that I'm sleeping with all in one group. 407 00:21:08,320 --> 00:21:11,600 Speaker 2: Yep, which is often for him an overlap between those 408 00:21:11,680 --> 00:21:12,560 Speaker 2: various positions. 409 00:21:13,040 --> 00:21:15,760 Speaker 3: It actually doesn't sound bad. I'm not gonna know, it's not. 410 00:21:16,000 --> 00:21:20,280 Speaker 2: He's lived a final life and like there's only one 411 00:21:20,359 --> 00:21:22,439 Speaker 2: thing that is gonna comp up in his life that 412 00:21:22,880 --> 00:21:25,960 Speaker 2: may not have been consensual on his part, and like 413 00:21:26,400 --> 00:21:29,399 Speaker 2: even that, honestly, I'm not so sure, at least in 414 00:21:29,520 --> 00:21:33,960 Speaker 2: everything that I've read. So he's off adventuring, and the 415 00:21:34,040 --> 00:21:37,320 Speaker 2: Napoleonic Wars have like shut down Europe to travel, right, 416 00:21:37,359 --> 00:21:40,399 Speaker 2: it's not a good idea to go wander around with 417 00:21:40,440 --> 00:21:44,639 Speaker 2: peacocks and like your lovers around Europe. So he goes 418 00:21:44,800 --> 00:21:49,159 Speaker 2: to the Mediterranean, and he also picked that area, and 419 00:21:49,200 --> 00:21:51,280 Speaker 2: he wrote about this, and again people didn't bother me. 420 00:21:51,400 --> 00:21:53,159 Speaker 2: They're like, oh, it's just the wars. He picked that 421 00:21:53,200 --> 00:21:56,280 Speaker 2: area because homosexuality is more tolerated and autumn and controlled 422 00:21:56,320 --> 00:22:00,880 Speaker 2: areas than European areas. He was also into like esoteric 423 00:22:00,920 --> 00:22:03,520 Speaker 2: shit and orientalism. He's pretty into like being a white 424 00:22:03,520 --> 00:22:05,639 Speaker 2: guy in a Sufi mysticism and all that shit. 425 00:22:06,520 --> 00:22:08,720 Speaker 4: I feel like, I know guys like this. This is 426 00:22:08,760 --> 00:22:11,800 Speaker 4: as like you're just like this as a type. This 427 00:22:11,840 --> 00:22:12,920 Speaker 4: guy is still out there. 428 00:22:13,160 --> 00:22:17,640 Speaker 2: Yeah, he is the first, and I was gonna say finest, 429 00:22:17,640 --> 00:22:21,199 Speaker 2: but I'm not sure. But I challenge if you are 430 00:22:21,200 --> 00:22:22,679 Speaker 2: listening to this and you're like, I'm kind of this 431 00:22:22,800 --> 00:22:26,360 Speaker 2: kind of asshole, commit your life and possibly lose your 432 00:22:26,400 --> 00:22:29,639 Speaker 2: life to progressive causes of liberation. That's what I'm gonna say. 433 00:22:30,000 --> 00:22:33,920 Speaker 2: That's the thing you should do, and always stay consensual. 434 00:22:34,960 --> 00:22:38,080 Speaker 2: The sketchiest thing that we can immediately point to is 435 00:22:38,119 --> 00:22:40,639 Speaker 2: that during these travels, and he's just out of college, 436 00:22:40,680 --> 00:22:43,640 Speaker 2: he is almost certainly fucking a fourteen year old boy 437 00:22:44,200 --> 00:22:46,400 Speaker 2: who's like with him on these travels, and he's also 438 00:22:46,960 --> 00:22:50,280 Speaker 2: in love with like every woman he meets, including three sisters, 439 00:22:50,280 --> 00:22:54,080 Speaker 2: one of whom is twelve. However, usually when people are 440 00:22:54,119 --> 00:22:56,120 Speaker 2: like he is in love with it means that he's 441 00:22:56,119 --> 00:22:59,520 Speaker 2: fucking them. I actually don't think he's fucking these sisters. Then, 442 00:22:59,560 --> 00:23:01,880 Speaker 2: the most part is that the only thing that's abnormal 443 00:23:01,920 --> 00:23:03,800 Speaker 2: about what I just described is that one of them 444 00:23:03,800 --> 00:23:06,480 Speaker 2: as a boy for the time. This is not to 445 00:23:06,480 --> 00:23:09,160 Speaker 2: say it was all right, but it wasn't a thing 446 00:23:09,160 --> 00:23:12,760 Speaker 2: that people bothered to note as weird. He starts writing 447 00:23:12,800 --> 00:23:17,159 Speaker 2: epic travelog poetry. His first successes came from a poem 448 00:23:17,240 --> 00:23:21,000 Speaker 2: called Child Harold's Pilgrimage, and this did real well, like 449 00:23:21,640 --> 00:23:25,639 Speaker 2: selling tens of thousands of copies right away. Byron says, 450 00:23:25,680 --> 00:23:29,359 Speaker 2: I awoke one morning and found myself famous. Anywhere you 451 00:23:29,400 --> 00:23:32,199 Speaker 2: go in England, someone has either read this or is 452 00:23:32,280 --> 00:23:36,520 Speaker 2: talking to someone who has read this. I can't imagine 453 00:23:36,560 --> 00:23:41,240 Speaker 2: poetry ever finding that same niche in society ever. Again, 454 00:23:41,280 --> 00:23:43,520 Speaker 2: I'm just gonna switch between niche and niche every single 455 00:23:43,560 --> 00:23:44,720 Speaker 2: time I say it. That's my plan. 456 00:23:45,280 --> 00:23:47,600 Speaker 3: I like it. The only poem, the only poet that 457 00:23:47,640 --> 00:23:49,000 Speaker 3: I can think of like that is. 458 00:23:49,400 --> 00:23:54,119 Speaker 4: Who's the poet who writes kind of sparse poems that 459 00:23:54,200 --> 00:23:54,600 Speaker 4: It's like. 460 00:23:54,760 --> 00:23:56,639 Speaker 2: I'm going to embarrass myself by not knowing. 461 00:23:56,680 --> 00:23:58,920 Speaker 3: Her first name is Rupee. She's very famous. 462 00:23:59,040 --> 00:24:01,080 Speaker 4: Okay, she might have been dating Corey Booker for a while, 463 00:24:01,200 --> 00:24:04,520 Speaker 4: like like she's the last poet that I remember that like. 464 00:24:04,520 --> 00:24:10,080 Speaker 3: Blew up everywhere, k A you are, and. 465 00:24:10,160 --> 00:24:13,440 Speaker 4: Every every poem is like the lines, the breaks are 466 00:24:13,440 --> 00:24:17,320 Speaker 4: really interesting, so it'll be like the milk line break 467 00:24:17,640 --> 00:24:19,879 Speaker 4: in my heart line break. Like it's like very like 468 00:24:19,960 --> 00:24:22,280 Speaker 4: the poems are sparse and broken on the page in 469 00:24:22,280 --> 00:24:23,280 Speaker 4: a specific kind of way. 470 00:24:23,520 --> 00:24:25,200 Speaker 2: These go on Instagram a lot, right. 471 00:24:25,520 --> 00:24:27,800 Speaker 3: Yes, it's like Instagram famous poet. 472 00:24:27,960 --> 00:24:31,640 Speaker 1: Yeah, which is that's her name it? But I think 473 00:24:31,680 --> 00:24:32,760 Speaker 1: it's I think it's not Ruby. 474 00:24:32,800 --> 00:24:36,000 Speaker 3: I think it's Rupee Rupee, Yes, thank. 475 00:24:35,840 --> 00:24:38,880 Speaker 1: You, Yes, so yeah, check her out. 476 00:24:40,080 --> 00:24:41,760 Speaker 2: I think that we've just hit this place where it's 477 00:24:41,800 --> 00:24:43,959 Speaker 2: just a media saturation thing where it's like because at 478 00:24:43,960 --> 00:24:47,040 Speaker 2: the same time you're like, oh, the novelist and you're like, oh, 479 00:24:47,080 --> 00:24:50,320 Speaker 2: which one. There's ten there are ten novelists available for 480 00:24:50,359 --> 00:24:54,719 Speaker 2: you to listen to to read, you know, and now 481 00:24:54,920 --> 00:24:57,879 Speaker 2: everyone can write novels and that's great, but it does 482 00:24:57,960 --> 00:25:01,919 Speaker 2: make it harder to become an overnight success. He was 483 00:25:02,280 --> 00:25:06,720 Speaker 2: writing basically pulp fiction adventure tales about different wandering fuck boys, 484 00:25:06,800 --> 00:25:09,959 Speaker 2: but in poetry form it has lots of Orientalism. Literally, 485 00:25:09,960 --> 00:25:13,199 Speaker 2: these are referred to as his Oriental tales, and his 486 00:25:13,240 --> 00:25:17,800 Speaker 2: particular obsession is with Greece and Albania. And since he's 487 00:25:17,840 --> 00:25:19,840 Speaker 2: a lord, as soon as he comes of age, he 488 00:25:19,880 --> 00:25:22,160 Speaker 2: goes and he joins the House of Lords. I again 489 00:25:22,320 --> 00:25:24,920 Speaker 2: refuse to know if this is automatic, but he is 490 00:25:24,960 --> 00:25:29,520 Speaker 2: now in government because because an uncle died, right, that's 491 00:25:29,640 --> 00:25:34,159 Speaker 2: how government should work. He gives three speeches total his 492 00:25:34,400 --> 00:25:38,600 Speaker 2: entire career, and all of them are super radical and 493 00:25:38,680 --> 00:25:44,080 Speaker 2: unpopular because he's politically he's really fucking cool. The first 494 00:25:44,119 --> 00:25:46,439 Speaker 2: speech he gives there I actually covered in the episode 495 00:25:46,440 --> 00:25:49,720 Speaker 2: about the Lattites. Basically, all of these people are rioters, 496 00:25:49,720 --> 00:25:52,480 Speaker 2: are destroying machinery that was destroying their livelihood. They didn't 497 00:25:52,480 --> 00:25:55,359 Speaker 2: hate technology, they hated specific technology that was putting them 498 00:25:55,359 --> 00:25:58,560 Speaker 2: out of a job. It's very applicable to a lot 499 00:25:58,600 --> 00:26:01,520 Speaker 2: of people. Right now, we're listening to this m HM 500 00:26:02,320 --> 00:26:05,600 Speaker 2: and the House of Lords was considering a bill that 501 00:26:05,640 --> 00:26:09,000 Speaker 2: they passed which was let hang everyone who breaks machines, 502 00:26:09,040 --> 00:26:14,080 Speaker 2: because that's England's solution to everything at this point. Hangings, yeah, 503 00:26:14,119 --> 00:26:16,159 Speaker 2: just public hangings, which to be fair is a lot 504 00:26:16,280 --> 00:26:18,440 Speaker 2: less gruesome than what England was doing to kill people 505 00:26:18,440 --> 00:26:21,560 Speaker 2: about two hundred years earlier. So he stands up and 506 00:26:21,560 --> 00:26:24,520 Speaker 2: he gives this long speech about like, hey, actually the 507 00:26:24,600 --> 00:26:27,000 Speaker 2: Luddites are kind of cool and at very least don't 508 00:26:27,119 --> 00:26:31,800 Speaker 2: murder them. His second speech in the House of Lords 509 00:26:31,920 --> 00:26:34,520 Speaker 2: was what if we treated the Catholics over in Ireland 510 00:26:34,600 --> 00:26:36,960 Speaker 2: a little bit better? Huh how about that? Doesn't that 511 00:26:37,000 --> 00:26:41,560 Speaker 2: seem like a good plan? That one was equally unpopular. 512 00:26:41,880 --> 00:26:44,000 Speaker 3: Yeah, I can't imagine that going over well. 513 00:26:44,200 --> 00:26:49,439 Speaker 2: No, and like, Okay, the one cool thing about an 514 00:26:49,440 --> 00:26:51,439 Speaker 2: inherent nobility is that every now and then you're just 515 00:26:51,440 --> 00:26:53,640 Speaker 2: gonna have this guy who's just like, I guess I'm 516 00:26:53,680 --> 00:26:56,080 Speaker 2: in government now, but I fucking hate all of you, 517 00:26:56,600 --> 00:26:59,840 Speaker 2: like because he's not trying to play nice with the 518 00:27:00,080 --> 00:27:02,439 Speaker 2: House of Lords. He doesn't care about any of this stuff, 519 00:27:02,520 --> 00:27:04,880 Speaker 2: you know. All he cares about is getting his dick 520 00:27:04,920 --> 00:27:09,920 Speaker 2: wet and like writing poetry and wandering around and actually 521 00:27:10,160 --> 00:27:13,000 Speaker 2: trying to be nice to everyone constantly, and like really 522 00:27:13,040 --> 00:27:16,360 Speaker 2: like he gives all of his stuff away constantly. He 523 00:27:16,440 --> 00:27:21,359 Speaker 2: is selfish romantically in some ways, but he's also he 524 00:27:21,359 --> 00:27:23,679 Speaker 2: doesn't care when the people he sleeps asleep with other people, 525 00:27:23,880 --> 00:27:27,600 Speaker 2: so I don't know. I don't So he spends four 526 00:27:27,680 --> 00:27:30,760 Speaker 2: years of his life in society, which is like I'm 527 00:27:30,760 --> 00:27:33,280 Speaker 2: gonna put in air quotes because he gets capitalized. This 528 00:27:33,320 --> 00:27:36,159 Speaker 2: is the rich asshole clique of five thousand people in 529 00:27:36,200 --> 00:27:38,760 Speaker 2: a city of one million that, like all of the 530 00:27:38,800 --> 00:27:42,560 Speaker 2: books and shit are all about. He is a rock 531 00:27:42,600 --> 00:27:44,920 Speaker 2: star when he enters society because he's just come back 532 00:27:44,920 --> 00:27:47,359 Speaker 2: from his grand tour and he's famous as hell, and 533 00:27:47,400 --> 00:27:49,680 Speaker 2: so he's invited all the fancy poets and he either 534 00:27:49,720 --> 00:27:53,800 Speaker 2: starts seducing or honestly, the way that most histories present it, 535 00:27:54,560 --> 00:27:59,400 Speaker 2: being sought after by everyone in society. Everyone is trying 536 00:27:59,400 --> 00:28:02,959 Speaker 2: to fuck this guy. Everyone's like mailing him blocks of 537 00:28:03,040 --> 00:28:11,080 Speaker 2: hair and like writing him weird letters and shit, Yeah, 538 00:28:11,200 --> 00:28:12,240 Speaker 2: this fucking guy. 539 00:28:12,440 --> 00:28:14,840 Speaker 4: Like I mean, like it's like throwing a bra up 540 00:28:14,880 --> 00:28:18,160 Speaker 4: on stage or something, you know, like can't go anywhere 541 00:28:18,200 --> 00:28:20,359 Speaker 4: without people sending me. 542 00:28:20,359 --> 00:28:24,600 Speaker 2: A weird letter totally, And like I remember when at 543 00:28:24,640 --> 00:28:26,800 Speaker 2: some point there's this like reckoning that will eventually happen 544 00:28:26,800 --> 00:28:28,639 Speaker 2: to the history of rock and roll, where we realize 545 00:28:28,640 --> 00:28:31,800 Speaker 2: that all of these men are like mass rapists, right 546 00:28:32,440 --> 00:28:33,760 Speaker 2: and people are like, well, if you can't just like 547 00:28:33,800 --> 00:28:35,760 Speaker 2: randomly fucked group is, why would you be a rock star? 548 00:28:36,040 --> 00:28:38,160 Speaker 2: Like I don't know, like make music and like change 549 00:28:38,160 --> 00:28:40,680 Speaker 2: people's lives and shit. And that's also say that you 550 00:28:40,680 --> 00:28:43,600 Speaker 2: can't have like wild consensual sex with lots of people. 551 00:28:43,640 --> 00:28:46,320 Speaker 2: But like, obviously the way that the rock stars were 552 00:28:46,320 --> 00:28:51,720 Speaker 2: doing it overall was not so good. Lord Byron starts 553 00:28:51,760 --> 00:28:54,600 Speaker 2: up an affair with a woman named Lady Lamb, which 554 00:28:54,640 --> 00:28:58,000 Speaker 2: is a funny name. Her name is Lady Caroline. Lamb 555 00:28:58,520 --> 00:29:02,400 Speaker 2: definitely pursued him. She sent him a bunch of letters 556 00:29:02,400 --> 00:29:04,360 Speaker 2: and lock of hair, and then she learned how to 557 00:29:04,400 --> 00:29:06,920 Speaker 2: copy his prose style and wrote him in his own 558 00:29:07,040 --> 00:29:08,480 Speaker 2: voice to try and get his attention. 559 00:29:09,080 --> 00:29:11,880 Speaker 3: Whoa pretty intense, Lady Lamb. 560 00:29:12,640 --> 00:29:15,520 Speaker 2: She is going to get way more intense. This is 561 00:29:15,600 --> 00:29:19,680 Speaker 2: the relationship that I like. I think they're just bad 562 00:29:19,720 --> 00:29:22,400 Speaker 2: for each other, but it's like the relationship where he 563 00:29:22,520 --> 00:29:24,960 Speaker 2: is either the worst person or she is either the 564 00:29:24,960 --> 00:29:27,560 Speaker 2: worst person, or they're both just really bad for each other. 565 00:29:27,760 --> 00:29:30,160 Speaker 4: Oh my god, I know this relationship where it's like 566 00:29:30,240 --> 00:29:32,760 Speaker 4: both of y'all are really toxic and together it's like 567 00:29:32,840 --> 00:29:34,440 Speaker 4: unleashed something really wild. 568 00:29:34,760 --> 00:29:37,200 Speaker 2: Yeah, totally. You're like, well, yeah, no, he is absolutely 569 00:29:37,240 --> 00:29:40,320 Speaker 2: awful if in this context, and you're really awful in 570 00:29:40,400 --> 00:29:42,040 Speaker 2: his context too, And I wish he would just get 571 00:29:42,080 --> 00:29:45,760 Speaker 2: away from each other. She called him while she was 572 00:29:45,760 --> 00:29:48,880 Speaker 2: still pursuing him. She called him mad, bad, and dangerous 573 00:29:48,880 --> 00:29:51,880 Speaker 2: to know, which is like the quote about him that 574 00:29:52,640 --> 00:29:58,120 Speaker 2: it's not on his tombstone, but practically, and she wasn't wrong. 575 00:29:59,160 --> 00:30:03,640 Speaker 2: This relationship absolutely wrecks her. You could make the case 576 00:30:03,840 --> 00:30:06,400 Speaker 2: that she was emotionally abusive to him. You could make 577 00:30:06,440 --> 00:30:08,600 Speaker 2: the case that she was acting in the ways that 578 00:30:08,680 --> 00:30:10,800 Speaker 2: she was because of the way that he was acting 579 00:30:10,840 --> 00:30:14,960 Speaker 2: to her. I think I usually tend towards siding with 580 00:30:15,040 --> 00:30:19,440 Speaker 2: women in any such pairing. I couldn't tell you in 581 00:30:19,480 --> 00:30:22,440 Speaker 2: this case, and maybe that's because of there's entire books 582 00:30:22,440 --> 00:30:25,240 Speaker 2: written for hundreds of years arguing one side or the other. 583 00:30:25,400 --> 00:30:27,680 Speaker 2: It annoys me how much has been written about this, honestly, 584 00:30:27,720 --> 00:30:29,280 Speaker 2: even though I'm like, I wish I knew more about it, 585 00:30:29,360 --> 00:30:30,880 Speaker 2: but I wish I knew more about it without having 586 00:30:30,880 --> 00:30:36,280 Speaker 2: to read like all of these politicized triestises arguing one 587 00:30:36,280 --> 00:30:39,960 Speaker 2: position or the other. Lady Caroline Lamb was already married 588 00:30:40,000 --> 00:30:42,080 Speaker 2: to a future prime minister, but that did not stop 589 00:30:42,120 --> 00:30:44,520 Speaker 2: her and Lord Byron from having this very public affair, 590 00:30:45,160 --> 00:30:47,800 Speaker 2: which I think was kind of just normal in society. 591 00:30:47,840 --> 00:30:49,760 Speaker 2: I think it was all just swingers, but they all 592 00:30:49,760 --> 00:30:51,200 Speaker 2: had weird rules about it. 593 00:30:51,960 --> 00:30:52,640 Speaker 3: I think so too. 594 00:30:53,200 --> 00:30:57,080 Speaker 2: Yeah, she would do things like mail him her pubic 595 00:30:57,160 --> 00:31:00,960 Speaker 2: hair cut so close there's still blood on it. That 596 00:31:01,120 --> 00:31:04,560 Speaker 2: is a move, show up at his house, grab a 597 00:31:04,880 --> 00:31:07,360 Speaker 2: letter opener, and threaten to kill herself if he doesn't 598 00:31:07,440 --> 00:31:11,520 Speaker 2: date her, and she's mad that he's not faithful to 599 00:31:11,560 --> 00:31:15,160 Speaker 2: her even though she's married. On the other hand, I 600 00:31:15,200 --> 00:31:18,120 Speaker 2: think he's fucking her. Mother in law. 601 00:31:21,160 --> 00:31:22,959 Speaker 3: Is one messy. 602 00:31:23,760 --> 00:31:29,880 Speaker 1: Yeah, there's messy, then there's fucking mother he's getting He's 603 00:31:29,920 --> 00:31:30,760 Speaker 1: gonna get messier. 604 00:31:31,400 --> 00:31:33,960 Speaker 2: Both of them are going to get messier. What's messier 605 00:31:34,000 --> 00:31:36,280 Speaker 2: than mother in law? Half sister? 606 00:31:36,760 --> 00:31:39,000 Speaker 1: Oh god, I think mother in law is messier. 607 00:31:39,800 --> 00:31:44,280 Speaker 2: Okay, okay, wait, I'm I think his own half sister. 608 00:31:44,760 --> 00:31:45,600 Speaker 2: He is half sister. 609 00:31:46,040 --> 00:31:48,480 Speaker 3: His half sister might up. 610 00:31:50,000 --> 00:31:52,680 Speaker 2: With his wife, but we'll get to that. He's not 611 00:31:52,720 --> 00:31:57,360 Speaker 2: married yet at this point, sir. Yeah, So he hates 612 00:31:57,480 --> 00:32:00,360 Speaker 2: dances because he can't dance because of his club foot, 613 00:32:01,080 --> 00:32:03,760 Speaker 2: but he goes to dances with her, and he's embarrassed 614 00:32:03,760 --> 00:32:06,560 Speaker 2: because she dances with everyone else, and so eventually he's like, 615 00:32:07,360 --> 00:32:08,920 Speaker 2: if we go to these dances, you can't dance with 616 00:32:08,960 --> 00:32:12,920 Speaker 2: anyone else, which is him being controlling whatever. After he 617 00:32:13,040 --> 00:32:16,200 Speaker 2: leaves her, she gets wilder. At one point, he's getting 618 00:32:16,240 --> 00:32:19,520 Speaker 2: his portrait done, so she copies his style of writing 619 00:32:19,600 --> 00:32:22,040 Speaker 2: and writes the portrait artist and is like, oh yeah, 620 00:32:22,080 --> 00:32:24,880 Speaker 2: I'll like send somebody by to pick up that painting. 621 00:32:25,560 --> 00:32:27,080 Speaker 2: I'm totally Lord Byron. 622 00:32:27,720 --> 00:32:30,160 Speaker 4: These people would have loved being in an era where 623 00:32:30,160 --> 00:32:33,680 Speaker 4: you could have digital drama, because like, yeah, like forging 624 00:32:33,760 --> 00:32:36,280 Speaker 4: someone's way of speaking, and then I guess the person's like, well, 625 00:32:36,320 --> 00:32:36,960 Speaker 4: sounds like him. 626 00:32:37,000 --> 00:32:37,720 Speaker 3: I guess that's right. 627 00:32:37,960 --> 00:32:40,280 Speaker 4: Like imagine the damage these two could have done to 628 00:32:40,320 --> 00:32:42,320 Speaker 4: each other with Instagram. 629 00:32:42,560 --> 00:32:47,280 Speaker 2: Oh absolutely, the friend's only close friends stories that these two. 630 00:32:47,200 --> 00:32:51,040 Speaker 1: Were, stories with like quotes like oh my god, all 631 00:32:51,120 --> 00:32:54,920 Speaker 1: of Koe Kardashian style dramatic quotes. 632 00:32:55,160 --> 00:32:58,040 Speaker 2: And they would be like screen capping I noticed you 633 00:32:58,080 --> 00:33:00,400 Speaker 2: saw my story but didn't heart react it and then 634 00:33:00,440 --> 00:33:05,080 Speaker 2: like sending that to each other nikes. So she steals 635 00:33:05,080 --> 00:33:07,600 Speaker 2: this portrait of him and won't give it back unless 636 00:33:07,600 --> 00:33:09,480 Speaker 2: he sends a lock of his hair. This is after 637 00:33:09,560 --> 00:33:12,960 Speaker 2: they're broken up, so he sends a lock of his 638 00:33:13,040 --> 00:33:16,719 Speaker 2: new lover's hair instead. I'm not sure whether it was like, haha, 639 00:33:16,720 --> 00:33:18,200 Speaker 2: fuck you is my new lover's hair, or if he 640 00:33:18,240 --> 00:33:21,440 Speaker 2: was pretending it was his own. Later he's going to 641 00:33:21,560 --> 00:33:24,080 Speaker 2: like straight up like write her back from like his 642 00:33:24,120 --> 00:33:27,520 Speaker 2: new lovers of address and shit, just to piss her off. 643 00:33:29,480 --> 00:33:31,840 Speaker 2: At one point, he runs across her at a dance 644 00:33:31,880 --> 00:33:34,320 Speaker 2: and she's like, well, I guess I can dance now, 645 00:33:34,400 --> 00:33:37,000 Speaker 2: ha ha ha, because I'm not dating you anymore. And 646 00:33:37,040 --> 00:33:40,040 Speaker 2: he's like, sure, because you dance with everyone in a 647 00:33:40,120 --> 00:33:43,720 Speaker 2: like you're a dirty slut kind of implied way. Right, 648 00:33:44,840 --> 00:33:47,160 Speaker 2: So she smashes a glass and starts cutting at her 649 00:33:47,280 --> 00:33:51,120 Speaker 2: wrist in front of everyone. She does not seriously wound herself, 650 00:33:51,720 --> 00:33:54,480 Speaker 2: but this is not great. So they're bad for each other, 651 00:33:54,600 --> 00:33:56,360 Speaker 2: and they're bad to be in the same society as 652 00:33:56,360 --> 00:34:00,400 Speaker 2: each other, and she wants him back to the end 653 00:34:00,400 --> 00:34:04,280 Speaker 2: of her life. None of the people who lives he 654 00:34:04,400 --> 00:34:08,120 Speaker 2: wrecking Balld stop spending the rest of their life even 655 00:34:08,160 --> 00:34:12,400 Speaker 2: after he dies, pining for him. I am guessing this 656 00:34:12,440 --> 00:34:14,400 Speaker 2: man could fuck yeah. 657 00:34:14,440 --> 00:34:17,080 Speaker 4: I mean when the hold lasts longer than your actual 658 00:34:17,160 --> 00:34:20,120 Speaker 4: life on this earth when you've died, and they're still like, hm, 659 00:34:20,360 --> 00:34:21,240 Speaker 4: the one that got away. 660 00:34:21,719 --> 00:34:23,000 Speaker 3: Yeah, that really says something. 661 00:34:23,520 --> 00:34:26,040 Speaker 2: Yeah, And he, like I does, I think on some 662 00:34:26,160 --> 00:34:28,080 Speaker 2: level genuinely cares for her, and he's like writing her 663 00:34:28,080 --> 00:34:30,200 Speaker 2: for a long time, but then like after they're breaking up, 664 00:34:30,239 --> 00:34:33,200 Speaker 2: he's like, oh, I should probably really stop writing her 665 00:34:33,239 --> 00:34:33,680 Speaker 2: and stuff. 666 00:34:33,680 --> 00:34:33,880 Speaker 3: You know. 667 00:34:34,600 --> 00:34:37,360 Speaker 2: At one point in desperation, she builds a huge bonfire 668 00:34:37,480 --> 00:34:39,480 Speaker 2: and makes all the servant women. It's like it's like 669 00:34:39,560 --> 00:34:41,000 Speaker 2: all of the women in town, but I think it's 670 00:34:41,000 --> 00:34:43,160 Speaker 2: like her town, because she's like, fucking she's a higher 671 00:34:43,239 --> 00:34:45,880 Speaker 2: up richer, noble, right, So it's like all the women 672 00:34:45,920 --> 00:34:47,880 Speaker 2: have to like come out and like burn all of 673 00:34:47,920 --> 00:34:50,319 Speaker 2: his shit, like all of the trinkets and letters and 674 00:34:50,360 --> 00:34:52,880 Speaker 2: stuff that he sent her in a big public spectacle. 675 00:34:53,719 --> 00:34:55,799 Speaker 2: And then and this far it's fun. I kind of 676 00:34:55,840 --> 00:34:58,759 Speaker 2: like this. She's like, fuck my own reputation, I am 677 00:34:58,800 --> 00:35:01,359 Speaker 2: going to write a novel about this man with a 678 00:35:01,400 --> 00:35:05,160 Speaker 2: thinly disguised chriacature of Byron named Lord Ruthven. Because she's 679 00:35:05,200 --> 00:35:08,360 Speaker 2: actually a really good writer on her own right, and 680 00:35:08,400 --> 00:35:10,279 Speaker 2: she writes this whole Gothic novel at a different point 681 00:35:10,280 --> 00:35:11,600 Speaker 2: that I haven't read yet but kind of want to. 682 00:35:11,640 --> 00:35:15,600 Speaker 2: It seems up my alley. So she puts this out 683 00:35:16,600 --> 00:35:20,400 Speaker 2: and it like torpedoes are standing in society. But it 684 00:35:20,480 --> 00:35:22,960 Speaker 2: kind of takes him down a little bit too. Right. 685 00:35:24,280 --> 00:35:27,200 Speaker 2: Of all the affairs he started, the most scandalous besides 686 00:35:27,239 --> 00:35:29,799 Speaker 2: the men that he can't admit he's fucking, is that 687 00:35:29,840 --> 00:35:32,719 Speaker 2: he is fucking his half sister Augusta. There's a lot 688 00:35:32,760 --> 00:35:36,520 Speaker 2: of like, oh, maybe he is fucking his half sister Augusta. 689 00:35:36,560 --> 00:35:39,279 Speaker 2: I'm going to go on a limb here, and this 690 00:35:39,320 --> 00:35:41,759 Speaker 2: is his father's kid from a previous marriage. It is 691 00:35:41,760 --> 00:35:44,759 Speaker 2: scandalous because it is incest, but it is not as 692 00:35:44,800 --> 00:35:47,640 Speaker 2: scandalous as it could be. I am not making I 693 00:35:47,680 --> 00:35:49,960 Speaker 2: am making a moral judgment. My moral judgment is separate 694 00:35:50,000 --> 00:35:52,239 Speaker 2: from the one that I am now describing. The moral 695 00:35:52,320 --> 00:35:55,880 Speaker 2: judgment of this pre Victorian English society is that it's 696 00:35:55,920 --> 00:35:57,560 Speaker 2: not as scandalous as it could be because they did 697 00:35:57,560 --> 00:36:00,399 Speaker 2: not grow up together, it did not really know each 698 00:36:00,440 --> 00:36:03,040 Speaker 2: other too well until they were adults, and because of 699 00:36:03,040 --> 00:36:07,320 Speaker 2: the fact that they had different mothers rather than different fathers. 700 00:36:07,320 --> 00:36:09,880 Speaker 1: Some Game of Thrones, ash ship Margaret. 701 00:36:10,520 --> 00:36:13,279 Speaker 2: Yeah. The more I read history, the more I'm like, 702 00:36:13,320 --> 00:36:16,759 Speaker 2: George R. Martin was just just pulling on some he was. 703 00:36:16,719 --> 00:36:20,040 Speaker 1: Just he was just going off of what actually happened. Yes, 704 00:36:20,280 --> 00:36:22,960 Speaker 1: with some with some magic and some dragons mixed in. 705 00:36:23,200 --> 00:36:24,719 Speaker 2: Yeah. God, I wish we. 706 00:36:24,680 --> 00:36:25,759 Speaker 1: Had dragons like that. 707 00:36:26,440 --> 00:36:26,879 Speaker 2: I know. 708 00:36:27,200 --> 00:36:32,400 Speaker 1: Oh, I would commit war crimes or a dragon. A dragon, 709 00:36:32,520 --> 00:36:35,520 Speaker 1: I would write a dragon and you're blonde. 710 00:36:35,960 --> 00:36:38,040 Speaker 3: I am yeah, not a dragon. 711 00:36:38,640 --> 00:36:39,800 Speaker 2: Yeah, but I don't. 712 00:36:40,160 --> 00:36:41,680 Speaker 1: But I'm not into the incest. 713 00:36:42,200 --> 00:36:43,680 Speaker 3: Sorry, Oh you're not weird. 714 00:36:44,320 --> 00:36:50,520 Speaker 2: I'm sorry. That's a firm modern sensibility, the incest dragon writing. Yes, 715 00:36:52,000 --> 00:36:56,120 Speaker 2: that's about it. So at this point, Lord Byron, who 716 00:36:56,160 --> 00:37:00,360 Speaker 2: was not successfully acquired a dragon, is like, I know, 717 00:37:00,760 --> 00:37:03,080 Speaker 2: He's like, I better get married to quell this scandal. 718 00:37:03,840 --> 00:37:06,560 Speaker 2: Plus I keep blowing all my money, so I better 719 00:37:06,600 --> 00:37:10,640 Speaker 2: marry someone rich. He refused to take money for poetry 720 00:37:10,719 --> 00:37:16,600 Speaker 2: because of like weird nobility ethics. But the cool thing 721 00:37:16,640 --> 00:37:18,560 Speaker 2: he did is that he gave away the copyright to 722 00:37:18,600 --> 00:37:22,839 Speaker 2: his works to like anyone who like needed money. Like, 723 00:37:22,880 --> 00:37:24,279 Speaker 2: instead of being like, oh, I made some money off 724 00:37:24,320 --> 00:37:26,360 Speaker 2: my work, here's the money for it, he just a 725 00:37:26,400 --> 00:37:29,080 Speaker 2: straight up like, ah, it's your poem. Now you can 726 00:37:29,080 --> 00:37:30,480 Speaker 2: sell it under my name. I don't care. 727 00:37:30,920 --> 00:37:32,759 Speaker 3: That's kind of bad ass, I know. 728 00:37:33,400 --> 00:37:40,160 Speaker 2: Like his political ethics, I'm chill with. And I also 729 00:37:40,320 --> 00:37:43,000 Speaker 2: understand why, coming from the society that he does, he 730 00:37:43,800 --> 00:37:48,920 Speaker 2: spits on conventional morality. You know, I just think that 731 00:37:48,920 --> 00:37:54,840 Speaker 2: there's some babies in bathwater problem happening. But most people 732 00:37:54,920 --> 00:37:58,040 Speaker 2: paint this marriage as a marriage of convenience that he 733 00:37:58,440 --> 00:37:59,160 Speaker 2: ends up in. 734 00:38:00,080 --> 00:38:00,600 Speaker 3: I see why. 735 00:38:00,640 --> 00:38:03,200 Speaker 2: The two of them get along pretty well. He marries 736 00:38:03,200 --> 00:38:06,440 Speaker 2: a woman named Anna Isabella Millbank or Annabella for short, 737 00:38:06,480 --> 00:38:09,920 Speaker 2: who is mostly known to history as Lady Byron. She 738 00:38:10,080 --> 00:38:12,239 Speaker 2: is interesting in her own right. We're actually going to 739 00:38:12,280 --> 00:38:14,239 Speaker 2: talk about her more in the second half of this 740 00:38:15,239 --> 00:38:19,360 Speaker 2: particular episode. She is his opposite in all ways but politics. 741 00:38:19,640 --> 00:38:23,280 Speaker 2: She's like into non hedonism, and she likes math not poetry. 742 00:38:24,480 --> 00:38:27,400 Speaker 2: And she also said no the first time he proposed 743 00:38:27,400 --> 00:38:30,319 Speaker 2: to her, which probably just like is probably why he 744 00:38:30,360 --> 00:38:31,000 Speaker 2: was so into her. 745 00:38:31,239 --> 00:38:31,440 Speaker 5: You know. 746 00:38:34,000 --> 00:38:38,120 Speaker 2: They get married at his new wife's insistence, his half 747 00:38:38,120 --> 00:38:42,160 Speaker 2: sister and lover, Augusta, moves in with the couple. Okay, 748 00:38:42,920 --> 00:38:45,480 Speaker 2: most nights, Annabella is on the couch and Augusta's in 749 00:38:45,520 --> 00:38:47,920 Speaker 2: the marriage bed is the way that it is often phrased. 750 00:38:48,000 --> 00:38:49,799 Speaker 2: I think that there's a chance of that is a 751 00:38:49,840 --> 00:38:54,920 Speaker 2: triad and not talked about. And plus he's just running 752 00:38:54,920 --> 00:38:59,000 Speaker 2: around fucking other people. This marriage does not last. This 753 00:38:59,040 --> 00:38:59,920 Speaker 2: is going to be shocking. 754 00:39:00,800 --> 00:39:04,200 Speaker 3: Surprises me. What was that? A solid foundation? 755 00:39:04,800 --> 00:39:08,399 Speaker 2: I know last less than a year. All that came 756 00:39:08,440 --> 00:39:11,720 Speaker 2: out of it was Annabella's life being like pretty fucked 757 00:39:11,760 --> 00:39:14,000 Speaker 2: up by it all. And they had a daughter named 758 00:39:14,000 --> 00:39:20,399 Speaker 2: Augusta Ada because Ada Lovelace is named after the half 759 00:39:20,440 --> 00:39:23,240 Speaker 2: sister that her dad is banging. 760 00:39:24,080 --> 00:39:25,240 Speaker 3: It's pretty messy. 761 00:39:26,320 --> 00:39:32,319 Speaker 2: Yeah. Shortly after Ada's birth, Annabella takes Ada and leaves 762 00:39:32,320 --> 00:39:36,000 Speaker 2: her husband, but Annabella doesn't stop loving and caring for 763 00:39:36,080 --> 00:39:40,760 Speaker 2: Lord Byron. Annabella is like, you are fucking insane. That's 764 00:39:40,800 --> 00:39:45,279 Speaker 2: what's happening here is you are non She was like, 765 00:39:46,080 --> 00:39:49,520 Speaker 2: my ex husband is neurodivergent in ways that are problematic. 766 00:39:50,600 --> 00:39:53,080 Speaker 2: Is the way she would have phrased it in her Instagram. 767 00:39:53,080 --> 00:39:57,120 Speaker 2: She would not have been messy on Instagram. Well she 768 00:39:57,120 --> 00:39:59,040 Speaker 2: would have had to be because he would have been 769 00:39:59,080 --> 00:39:59,840 Speaker 2: messy on Instagram. 770 00:40:00,160 --> 00:40:00,239 Speaker 1: Her. 771 00:40:00,320 --> 00:40:02,600 Speaker 4: Yeah, you get you get pulled into this stuff, even 772 00:40:02,640 --> 00:40:04,320 Speaker 4: if you are not the kind of person who is 773 00:40:04,360 --> 00:40:07,200 Speaker 4: messy on Instagram. When you're in the orbit of people 774 00:40:07,239 --> 00:40:08,520 Speaker 4: who are you get pulled in. 775 00:40:09,360 --> 00:40:16,960 Speaker 2: Yeah, Lord Byron never sees his daughter again, but he 776 00:40:17,239 --> 00:40:20,120 Speaker 2: like writes about her constantly in his poetry. This is 777 00:40:20,200 --> 00:40:23,560 Speaker 2: like the great loss in his life that he's not 778 00:40:23,760 --> 00:40:25,360 Speaker 2: more part of his daughter's life as far as I 779 00:40:25,400 --> 00:40:30,680 Speaker 2: can tell. And Annabella Mom continues to think fondly of 780 00:40:30,680 --> 00:40:33,400 Speaker 2: Lord Byron for a long time, but is like pretty like, 781 00:40:34,120 --> 00:40:36,680 Speaker 2: but you got to stay no influence. My kid cannot 782 00:40:36,760 --> 00:40:38,680 Speaker 2: end up like you. You're just a weird crazy man 783 00:40:38,760 --> 00:40:43,799 Speaker 2: that I miss and who's like soul. She's constantly trying 784 00:40:43,800 --> 00:40:49,200 Speaker 2: to say, she's really religious. So in eighteen sixteen, Byron 785 00:40:49,320 --> 00:40:52,600 Speaker 2: left England for good. Most accounts refer to the scandal 786 00:40:52,640 --> 00:40:56,279 Speaker 2: of the failed marriage, but his own correspondence was like, yeah, 787 00:40:56,360 --> 00:40:59,120 Speaker 2: I could get hanged for you know the way I 788 00:40:59,160 --> 00:41:02,759 Speaker 2: like to have sex, which is with men. But what 789 00:41:02,960 --> 00:41:11,880 Speaker 2: isn't a hanging offence is taking advantage of these sweet deals. 790 00:41:11,960 --> 00:41:13,600 Speaker 2: This is the worst one. This is the worst one 791 00:41:13,640 --> 00:41:19,399 Speaker 2: I've ever done. It's like Robert Evans level. I know, 792 00:41:19,520 --> 00:41:22,560 Speaker 2: I I try to rise above such it's because I'm 793 00:41:22,600 --> 00:41:25,799 Speaker 2: doing someone who isn't actually because I'm doing someone who 794 00:41:25,800 --> 00:41:30,880 Speaker 2: could easily be a bastard. That's why valid valid. But 795 00:41:31,960 --> 00:41:34,959 Speaker 2: that doesn't mean that these deals are bastards. The fact 796 00:41:35,000 --> 00:41:38,640 Speaker 2: that they are is completely unrelated. Here's the ads geesus. 797 00:41:38,680 --> 00:41:41,440 Speaker 3: You you got there. I feel like you got there. 798 00:41:41,960 --> 00:41:42,960 Speaker 3: You laided the plane. 799 00:41:54,280 --> 00:41:58,520 Speaker 2: So we're back, much like our wanderers, back to wandering. 800 00:41:59,280 --> 00:42:02,840 Speaker 2: This time I'm among his uh menoche. He brings a 801 00:42:02,840 --> 00:42:07,480 Speaker 2: Catholic personal physician named Polardari, whom he was probably fucking. 802 00:42:07,880 --> 00:42:11,880 Speaker 2: Who is a man, and he was probably fucking Polardari. 803 00:42:11,920 --> 00:42:14,359 Speaker 1: No one. I don't try him to do anything else 804 00:42:14,400 --> 00:42:18,800 Speaker 1: when he's just consistently fucking all the time. 805 00:42:19,280 --> 00:42:19,480 Speaker 3: You know. 806 00:42:19,840 --> 00:42:23,040 Speaker 2: He writes about writing poetry as like it's like hard, 807 00:42:23,120 --> 00:42:26,160 Speaker 2: and he does that annoying thing where writers are like, 808 00:42:26,160 --> 00:42:28,840 Speaker 2: this is the hardest thing anyone's ever done. I am 809 00:42:29,400 --> 00:42:32,120 Speaker 2: forcing the muse out of me or whatever, you know, 810 00:42:32,680 --> 00:42:34,759 Speaker 2: because I think the thing that he actually enjoys, yeah, 811 00:42:34,920 --> 00:42:39,920 Speaker 2: is just having sex constantly. He was absolutely nagging and 812 00:42:40,000 --> 00:42:43,080 Speaker 2: monstrous to Polardari if they were dating. Whether or not 813 00:42:43,120 --> 00:42:46,560 Speaker 2: they were dating, he was absolutely just like pretty verbally 814 00:42:46,600 --> 00:42:50,520 Speaker 2: abusive to Polardari. And so that kind of implies that 815 00:42:50,520 --> 00:42:54,560 Speaker 2: that might have been. He has tempestuous moods, and so 816 00:42:55,080 --> 00:42:56,560 Speaker 2: I think a lot of the way that people are 817 00:42:56,560 --> 00:42:59,080 Speaker 2: behaving around him is like understandable in that context. You know, 818 00:43:01,120 --> 00:43:04,160 Speaker 2: he settles in Switzerland, where the most famous thing about 819 00:43:04,239 --> 00:43:08,359 Speaker 2: him happens. Well from the modern sense, at the time, 820 00:43:08,400 --> 00:43:10,200 Speaker 2: he was famous for like everything else. But at the time, 821 00:43:10,239 --> 00:43:12,040 Speaker 2: but now these days people are like, oh, yeah, the 822 00:43:12,080 --> 00:43:15,680 Speaker 2: guy whose fucking house Frankenstein was written at because he 823 00:43:15,760 --> 00:43:19,160 Speaker 2: was staying at some chateau or whatever the fucking Switzerland 824 00:43:19,160 --> 00:43:22,239 Speaker 2: for the summer. Because he's rich as fuck, you know, 825 00:43:22,280 --> 00:43:23,799 Speaker 2: he's like they're always like, oh, and then he was 826 00:43:23,800 --> 00:43:26,279 Speaker 2: like broken in debt, and they're like, there's noble rich, 827 00:43:26,480 --> 00:43:29,720 Speaker 2: and then there's like normal people like like there's noble poor, 828 00:43:29,800 --> 00:43:33,520 Speaker 2: which is way the fuck above like even like middle 829 00:43:33,520 --> 00:43:34,080 Speaker 2: class rich. 830 00:43:34,560 --> 00:43:37,359 Speaker 4: Yeah, he's not broke, like like someone like me is broke. 831 00:43:37,400 --> 00:43:39,960 Speaker 4: I gu it's a different level of broke we're talking. 832 00:43:39,680 --> 00:43:44,120 Speaker 2: About, Yeah, exactly. So he's at the chateau. I've covered 833 00:43:44,120 --> 00:43:46,479 Speaker 2: this a little bit on other things. The writers Mary 834 00:43:46,520 --> 00:43:48,239 Speaker 2: Shelley and Percy Shelley show up to his house in 835 00:43:48,239 --> 00:43:50,200 Speaker 2: Switzerland on the lake. They spend the summer and the 836 00:43:50,280 --> 00:43:53,520 Speaker 2: year without a summer there because the reason the year 837 00:43:53,640 --> 00:43:55,879 Speaker 2: was without a summers because some volcanos fucked up the weather. 838 00:43:56,840 --> 00:43:59,120 Speaker 2: Guests in the hotel across the lake would pay to 839 00:43:59,239 --> 00:44:02,640 Speaker 2: use telescope to spy on the famous rockstar poets over there, 840 00:44:03,680 --> 00:44:08,040 Speaker 2: and people like to conjecture about what they got up to, 841 00:44:08,160 --> 00:44:14,239 Speaker 2: and I suspect it was horny, but who knows. Mary 842 00:44:14,280 --> 00:44:19,000 Speaker 2: Shelley wrote Frankenstein there and invented science fiction. And Polodori, 843 00:44:19,760 --> 00:44:21,919 Speaker 2: the physician who was also there, who's never remembered because 844 00:44:21,920 --> 00:44:23,879 Speaker 2: he's a servant, because there's a ton of people there, 845 00:44:23,880 --> 00:44:27,920 Speaker 2: because they have fucking servants there, who are people people 846 00:44:27,920 --> 00:44:28,680 Speaker 2: You can get that. 847 00:44:28,600 --> 00:44:32,400 Speaker 4: Fucking servants as in servants, they are fucking or fucking 848 00:44:32,560 --> 00:44:34,440 Speaker 4: servants like fucking servants. 849 00:44:34,800 --> 00:44:36,840 Speaker 2: I you know, probably both in this kind of a 850 00:44:36,840 --> 00:44:41,040 Speaker 2: little bit of both. Yeah, Polodori started writing The Vampire. 851 00:44:41,080 --> 00:44:42,520 Speaker 2: If you want to hear me do a reading of 852 00:44:42,560 --> 00:44:45,919 Speaker 2: The Vampire, listen to Coolsone Media book Club. I read 853 00:44:45,920 --> 00:44:49,799 Speaker 2: it recently because it's about an evil, seductive vampire named 854 00:44:49,840 --> 00:44:52,600 Speaker 2: Lord Ruthven, the same name that Lady Lamb used to 855 00:44:52,640 --> 00:44:55,879 Speaker 2: make fun of Lord Byron and this Lord Ruthven, who 856 00:44:55,920 --> 00:44:59,759 Speaker 2: is clearly Byron, is traveling around with his friend around 857 00:44:59,840 --> 00:45:03,160 Speaker 2: year up especially the Mediterranean, and just fucking up people's lives. 858 00:45:03,760 --> 00:45:07,920 Speaker 2: And it is just the barest, most obvious. I am 859 00:45:07,920 --> 00:45:09,919 Speaker 2: traveling with a vampire. What the fuck is my life? 860 00:45:10,520 --> 00:45:13,080 Speaker 2: Which is to say, Lord Byron is the first vampire, 861 00:45:13,680 --> 00:45:19,000 Speaker 2: and therefore I can tie computers back to vampires. It's 862 00:45:19,040 --> 00:45:19,600 Speaker 2: the whole. 863 00:45:19,400 --> 00:45:24,360 Speaker 4: Point, masterfully, that weaving is quite masterful. 864 00:45:24,640 --> 00:45:27,440 Speaker 2: Thanks with a ready yarn on a big bulletin board. 865 00:45:30,160 --> 00:45:32,640 Speaker 3: When you're using your computer, think vampires. 866 00:45:32,920 --> 00:45:36,960 Speaker 2: Yeah, yeah, Bulladori is going to die young as hell, 867 00:45:37,080 --> 00:45:40,000 Speaker 2: probably by suicide. The toxicology reports are like, oh, it 868 00:45:40,120 --> 00:45:42,040 Speaker 2: was like some reason to think it might not have been. 869 00:45:42,960 --> 00:45:46,840 Speaker 2: His life was functionally ruined by Lord Byron. Or maybe 870 00:45:46,880 --> 00:45:49,000 Speaker 2: he died because he was sucked dry of all his 871 00:45:49,080 --> 00:45:52,719 Speaker 2: blood because Lord Byron is actually a vampire who's to tone. 872 00:45:54,680 --> 00:45:59,600 Speaker 2: After Switzerland, the vampire Lord Ruthven, sorry, Lord Byron went 873 00:45:59,640 --> 00:46:02,120 Speaker 2: on to where he slept his way into a secret 874 00:46:02,120 --> 00:46:05,720 Speaker 2: society trying to free Italy from the Austrians, which is cool. 875 00:46:06,920 --> 00:46:09,080 Speaker 2: Then he started a newspaper called The Liberal, which is 876 00:46:09,080 --> 00:46:12,160 Speaker 2: about revolution because they liberals were made different back then. 877 00:46:13,640 --> 00:46:16,719 Speaker 2: He studied Armenian. He wrote I think the first English 878 00:46:16,800 --> 00:46:21,360 Speaker 2: language Armenian grammar book, but I'm not sure, and he 879 00:46:21,400 --> 00:46:23,960 Speaker 2: wrote about the needs for Armenian liberation. He kept fucking 880 00:46:23,960 --> 00:46:28,040 Speaker 2: people's wives the whole time. Of course, he would write 881 00:46:28,040 --> 00:46:30,719 Speaker 2: a three thousand word letter to his publisher back in 882 00:46:30,760 --> 00:46:34,239 Speaker 2: England just talking about how he's fucking the wife of 883 00:46:34,280 --> 00:46:35,200 Speaker 2: some baker. 884 00:46:38,760 --> 00:46:42,960 Speaker 4: Like like, his publisher is like, why are you telling 885 00:46:43,000 --> 00:46:43,200 Speaker 4: me this? 886 00:46:43,280 --> 00:46:44,240 Speaker 3: Where are your pages? 887 00:46:44,760 --> 00:46:48,080 Speaker 2: I know I can't publish this until you die, like, 888 00:46:49,719 --> 00:46:52,000 Speaker 2: and those letters are definitely published now because everything he 889 00:46:52,000 --> 00:46:58,360 Speaker 2: wrote that didn't get burned is published. But and meanwhile, 890 00:46:58,400 --> 00:47:01,400 Speaker 2: Greece is like, what have we didn't have Ottoman rulers anymore? 891 00:47:01,440 --> 00:47:03,560 Speaker 2: What if we were like Greece again? So you have 892 00:47:03,560 --> 00:47:05,680 Speaker 2: the Greek War of Independence that goes from eighteen twenty 893 00:47:05,680 --> 00:47:08,880 Speaker 2: one to eighteen twenty nine. In eighteen twenty three, pretty 894 00:47:08,880 --> 00:47:13,200 Speaker 2: early on, Lord Byron joins in accounts that dislike him 895 00:47:13,239 --> 00:47:16,360 Speaker 2: are like he was like, oh, I'm so special and important. 896 00:47:16,360 --> 00:47:18,080 Speaker 2: I'm going to go become the king of Greece and 897 00:47:18,200 --> 00:47:20,200 Speaker 2: I'm going to be a famous war hero because war 898 00:47:20,320 --> 00:47:23,359 Speaker 2: is fun, adventure and I like adventure. I think there's 899 00:47:23,440 --> 00:47:26,399 Speaker 2: some of that, But I think it's two things happening. One, 900 00:47:27,600 --> 00:47:29,759 Speaker 2: I think this man had a death wish. I think 901 00:47:29,800 --> 00:47:32,560 Speaker 2: he felt like his race was run at this point, 902 00:47:32,960 --> 00:47:35,919 Speaker 2: but I'm not sure that's my own conjecture. And Two, 903 00:47:36,080 --> 00:47:37,840 Speaker 2: the thing I know a little bit more about is 904 00:47:37,880 --> 00:47:41,160 Speaker 2: that Greek rebels were writing him, being like, hey, you 905 00:47:41,160 --> 00:47:43,239 Speaker 2: know how you like Greece and always write about us 906 00:47:43,280 --> 00:47:45,879 Speaker 2: and like exoticize us and made all your money writing 907 00:47:45,920 --> 00:47:47,480 Speaker 2: about it. Why actually he didn't take any money, made 908 00:47:47,480 --> 00:47:50,040 Speaker 2: all your fame writing about us, Why don't you come 909 00:47:50,120 --> 00:47:54,239 Speaker 2: throw down? And so they talk him into going, and 910 00:47:54,320 --> 00:47:57,200 Speaker 2: he's like, yeah, all right, I talk a big game. 911 00:47:57,239 --> 00:47:59,399 Speaker 2: Time to fucking put my money where my mouth does. 912 00:47:59,400 --> 00:48:03,200 Speaker 2: He's in his mid thirties at this point. He sailed 913 00:48:03,200 --> 00:48:05,520 Speaker 2: to Greece. He had to dodge Ottoman patrols in order 914 00:48:05,560 --> 00:48:09,000 Speaker 2: to do it. He spent his fortune retrofitting the Greek 915 00:48:09,080 --> 00:48:11,800 Speaker 2: navy and supporting the rebel cause. Like literally, he sells 916 00:48:11,800 --> 00:48:15,520 Speaker 2: his estate in England like he actually now he like 917 00:48:15,640 --> 00:48:18,719 Speaker 2: actually goes broke for something, and he gives all of 918 00:48:18,760 --> 00:48:22,399 Speaker 2: his money to the cause, and especially a younger man 919 00:48:22,680 --> 00:48:25,400 Speaker 2: who he was trying to fuck but who didn't love 920 00:48:25,440 --> 00:48:31,640 Speaker 2: him back? And then he gets sick. It's the nineteenth century. 921 00:48:31,880 --> 00:48:34,800 Speaker 2: Don't catch a cold in the nineteenth century. But his 922 00:48:34,960 --> 00:48:38,520 Speaker 2: doctors they tried everything, you know what they tried. They 923 00:48:38,520 --> 00:48:42,200 Speaker 2: tried everything. They tried blood letting, they tried animas, they 924 00:48:42,239 --> 00:48:45,239 Speaker 2: even tried bringing up blisters on his skin. None of that, 925 00:48:45,360 --> 00:48:49,040 Speaker 2: friend was working. No, not of it, which is funny 926 00:48:49,040 --> 00:48:52,040 Speaker 2: because Polodari his like personal physician. That was the thing 927 00:48:52,080 --> 00:48:53,880 Speaker 2: he was trained into. There's a word for it. I 928 00:48:53,880 --> 00:48:55,360 Speaker 2: forget the word for it, but it's like the like 929 00:48:55,640 --> 00:48:57,719 Speaker 2: doctors at the time or like we have to get 930 00:48:57,760 --> 00:49:01,000 Speaker 2: the bad out of you through whatever, which is like, 931 00:49:01,880 --> 00:49:03,920 Speaker 2: I mean, you can physically remove an infection from your 932 00:49:03,920 --> 00:49:07,799 Speaker 2: body in certain contexts, but really it's like really rare, 933 00:49:07,840 --> 00:49:10,520 Speaker 2: like like if you have like a cut that's infected, 934 00:49:11,480 --> 00:49:14,640 Speaker 2: you can kind of don't I'm not advocating anyone do this. 935 00:49:14,760 --> 00:49:17,200 Speaker 2: You can kind of like get all that stuff out 936 00:49:17,200 --> 00:49:19,680 Speaker 2: of there and clean it again, you know, like if 937 00:49:19,719 --> 00:49:21,920 Speaker 2: you catch it early enough. I'm not This is not 938 00:49:21,960 --> 00:49:25,080 Speaker 2: how you do medicine overall. There's every now and then 939 00:49:25,160 --> 00:49:27,040 Speaker 2: you can get the bad out of you. It is rare. 940 00:49:27,960 --> 00:49:30,319 Speaker 4: So when they were like putting leeches on people, it 941 00:49:30,360 --> 00:49:34,160 Speaker 4: wasn't like completely crazy that it's not based out of 942 00:49:34,200 --> 00:49:37,239 Speaker 4: absolutely nothing that that was going to be effective. 943 00:49:37,320 --> 00:49:42,360 Speaker 2: Maybe I know less about blood letting, okay, and I 944 00:49:42,680 --> 00:49:45,760 Speaker 2: only know a little bit about like removing like literally, 945 00:49:45,760 --> 00:49:47,080 Speaker 2: I mean, there's just some things that you're like, oh, 946 00:49:47,080 --> 00:49:48,640 Speaker 2: we're going to go in and cut out that tumor, 947 00:49:48,560 --> 00:49:50,480 Speaker 2: or we're going to you know, so they're at least 948 00:49:50,480 --> 00:49:53,200 Speaker 2: coming from a cause of like, oh there's a bad 949 00:49:53,239 --> 00:49:55,400 Speaker 2: thing in you, We're going to remove it, right. You know. 950 00:49:56,120 --> 00:49:57,680 Speaker 2: I want to know more about this stuff because I 951 00:49:57,680 --> 00:50:00,000 Speaker 2: think eventually the way that we currently look at medicine 952 00:50:00,000 --> 00:50:01,480 Speaker 2: and is going to look as silly as the Four 953 00:50:01,560 --> 00:50:02,680 Speaker 2: Humors did, you know? 954 00:50:03,200 --> 00:50:04,280 Speaker 3: I totally agree. 955 00:50:04,800 --> 00:50:07,239 Speaker 2: Yeah, they'll be like the way that we talk about 956 00:50:07,239 --> 00:50:09,520 Speaker 2: tuberculos is killing everyone and people are like, god this 957 00:50:09,560 --> 00:50:13,600 Speaker 2: people just didn't have antibiotics one day. If humanity survives 958 00:50:13,680 --> 00:50:16,160 Speaker 2: the current climate crisis, people are going to look back 959 00:50:16,200 --> 00:50:19,640 Speaker 2: and say that about cancer. You know, they're like Wow, 960 00:50:19,640 --> 00:50:21,480 Speaker 2: They'll be like given doing a history podcast and he'd 961 00:50:21,520 --> 00:50:23,160 Speaker 2: be like, you would't believe what this bitch died of 962 00:50:23,560 --> 00:50:26,400 Speaker 2: fucking cancer? Just everyone's just dying of cancer. 963 00:50:26,600 --> 00:50:29,359 Speaker 4: Don't get cancer in twenty twenty four, y'all. I know 964 00:50:29,680 --> 00:50:31,680 Speaker 4: we're making like pithy little jokes about it, like we 965 00:50:31,719 --> 00:50:32,320 Speaker 4: are now. 966 00:50:32,400 --> 00:50:35,799 Speaker 2: Yeah, exactly, and that will be good. I am glad that. 967 00:50:35,840 --> 00:50:37,839 Speaker 2: I mean, people still die of tuberculous all the time, 968 00:50:37,840 --> 00:50:42,080 Speaker 2: but that is a crime of poverty, not a anyway whatever. 969 00:50:43,480 --> 00:50:46,799 Speaker 2: So he's sick, and at one point he says there 970 00:50:46,800 --> 00:50:49,120 Speaker 2: are many more die of the lancet than the lance, 971 00:50:49,280 --> 00:50:52,080 Speaker 2: which is his pithy way of saying, I don't think 972 00:50:52,120 --> 00:50:54,280 Speaker 2: that all this blood letting is good for me. Later 973 00:50:54,360 --> 00:50:56,600 Speaker 2: doctors have been like, this is the reason he died 974 00:50:56,640 --> 00:50:58,080 Speaker 2: is they took out all of his blood while he 975 00:50:58,120 --> 00:51:02,720 Speaker 2: was trying to fight a cold. He died on April nineteenth, 976 00:51:02,760 --> 00:51:04,960 Speaker 2: eighteen twenty four, on the west coast of Greece, at 977 00:51:04,960 --> 00:51:07,440 Speaker 2: the age of thirty six. He never fought a battle 978 00:51:07,480 --> 00:51:10,080 Speaker 2: in Greece. He failed at uniting all the various factions 979 00:51:10,080 --> 00:51:12,320 Speaker 2: while he was alive. But while he was there he 980 00:51:12,360 --> 00:51:15,040 Speaker 2: did a fuck ton of humanitarian work for both Christians 981 00:51:15,040 --> 00:51:18,080 Speaker 2: and Muslims there, and he became a symbol and an 982 00:51:18,360 --> 00:51:21,280 Speaker 2: icon of Greek rebels, succeeding in death what he failed 983 00:51:21,280 --> 00:51:23,280 Speaker 2: to do in life, Like there's a suburb of Athens 984 00:51:23,320 --> 00:51:29,640 Speaker 2: that's named after him, and his friends immediately burn his 985 00:51:29,719 --> 00:51:33,279 Speaker 2: memoirs lest his reputation be forever tarred, tarred with what 986 00:51:33,960 --> 00:51:38,560 Speaker 2: I wish I knew, Like realistically, it's probably all the 987 00:51:38,640 --> 00:51:43,279 Speaker 2: stuff that I was like conjecturing about. But I don't know. 988 00:51:43,840 --> 00:51:46,200 Speaker 3: I mean, that's what happens when you're dangerous to know. 989 00:51:47,080 --> 00:51:52,040 Speaker 2: Yeah, as he was dying, he said, let not my 990 00:51:52,120 --> 00:51:56,680 Speaker 2: body be hacked or sent to England. Both requests were denied. 991 00:51:57,360 --> 00:51:59,560 Speaker 2: His lungs or maybe his heart of read both were 992 00:51:59,600 --> 00:52:01,760 Speaker 2: like taken out and put in an urn in Greece, 993 00:52:01,800 --> 00:52:03,560 Speaker 2: so that Greece got to hold onto a little bit 994 00:52:03,600 --> 00:52:06,399 Speaker 2: of him their new hero, you know. And the rest 995 00:52:06,480 --> 00:52:09,640 Speaker 2: was sent to England. His body was sent to England, 996 00:52:09,920 --> 00:52:11,360 Speaker 2: and there was a place that was the most obvious 997 00:52:11,400 --> 00:52:13,839 Speaker 2: and logical place to bury him. In Westminster Abbey. There 998 00:52:13,880 --> 00:52:17,040 Speaker 2: was all the famous poets got buried at Poet's Corner. 999 00:52:17,600 --> 00:52:21,200 Speaker 2: The dean was like, this man is the devil. He 1000 00:52:21,280 --> 00:52:25,800 Speaker 2: is not getting buried here, no fucking way. Probably didn't cuss. 1001 00:52:27,640 --> 00:52:30,360 Speaker 2: It wasn't until nineteen sixty nine that a memorial was 1002 00:52:30,360 --> 00:52:32,560 Speaker 2: placed for him at Westminster Abbey with all of the 1003 00:52:32,560 --> 00:52:33,920 Speaker 2: other poets of his generation. 1004 00:52:34,160 --> 00:52:35,279 Speaker 3: Wow, that's so late. 1005 00:52:36,239 --> 00:52:42,520 Speaker 2: People did not the nobility did not like him for 1006 00:52:42,560 --> 00:52:47,239 Speaker 2: a very long time. Instead, he was buried near his 1007 00:52:47,280 --> 00:52:51,040 Speaker 2: own home, Nottingham, with a marble slab donated by the 1008 00:52:51,120 --> 00:52:55,000 Speaker 2: King of Greece because Greece wins its independence. Although he 1009 00:52:55,080 --> 00:52:56,600 Speaker 2: really win independence. He rand up by the king. 1010 00:52:56,640 --> 00:52:57,040 Speaker 3: But whatever. 1011 00:52:59,280 --> 00:53:02,480 Speaker 2: His friends mission to statue, but nowhere would take it 1012 00:53:02,560 --> 00:53:04,440 Speaker 2: for a long time. I think eventually it ends up 1013 00:53:04,480 --> 00:53:07,080 Speaker 2: at Cambridge to this college, but like for years they're like, 1014 00:53:07,120 --> 00:53:09,080 Speaker 2: we made a statue of the guy, and everyone's like, nah, 1015 00:53:09,080 --> 00:53:13,360 Speaker 2: we're good like that guy. He was kind of sketchy, 1016 00:53:14,239 --> 00:53:18,120 Speaker 2: and it's like not for the right reasons, you know, Like, 1017 00:53:19,200 --> 00:53:22,080 Speaker 2: but no one wants a statue to evil hedonism. He 1018 00:53:22,200 --> 00:53:24,840 Speaker 2: was mourned by the working class of England and he 1019 00:53:24,960 --> 00:53:27,440 Speaker 2: was spurned by the nobility because even the way he 1020 00:53:27,520 --> 00:53:36,080 Speaker 2: wrote was like pulp adventure poetry. And almost two hundred 1021 00:53:36,120 --> 00:53:38,360 Speaker 2: years since his death, some of us still don't know 1022 00:53:38,360 --> 00:53:42,200 Speaker 2: what to make of him. That's where I land, like. 1023 00:53:42,200 --> 00:53:45,480 Speaker 4: Yeah, I mean, you promised a complicated character and you 1024 00:53:45,600 --> 00:53:46,320 Speaker 4: sure delivered. 1025 00:53:46,960 --> 00:53:49,960 Speaker 2: I like my clean cut moral that's not true. I 1026 00:53:49,960 --> 00:53:53,120 Speaker 2: always like it into the messy moral complexities of people, 1027 00:53:53,680 --> 00:53:57,680 Speaker 2: but like, don't treat people the way he treated people. 1028 00:53:57,760 --> 00:54:01,000 Speaker 2: But also like there's nothing in apparently wrong with like 1029 00:54:01,800 --> 00:54:03,440 Speaker 2: sleeping with a bunch of people who want to sleep 1030 00:54:03,440 --> 00:54:06,759 Speaker 2: with you, you know, and like the society telling him that 1031 00:54:06,760 --> 00:54:08,799 Speaker 2: that was wrong, especially the society had told him that 1032 00:54:08,800 --> 00:54:13,080 Speaker 2: he'd get hanged for. Like part of the scandal was 1033 00:54:13,120 --> 00:54:15,719 Speaker 2: that he liked performing anal I don't like to usually 1034 00:54:15,719 --> 00:54:17,879 Speaker 2: talk much about like specifics of sex because I'm kind 1035 00:54:17,880 --> 00:54:21,120 Speaker 2: of a kind of a prude on my own podcast, 1036 00:54:21,920 --> 00:54:25,799 Speaker 2: But he liked performing that on men and women, And 1037 00:54:25,840 --> 00:54:28,239 Speaker 2: so women who I believe consentually had that kind of 1038 00:54:28,280 --> 00:54:32,399 Speaker 2: sex with him would later like make a big deal 1039 00:54:32,400 --> 00:54:34,080 Speaker 2: out of like this is why he's bad. Is he 1040 00:54:34,200 --> 00:54:36,719 Speaker 2: likes this it's illegal. And then the other thing, I 1041 00:54:36,719 --> 00:54:38,680 Speaker 2: actually don't know how it didn't end up in the script. 1042 00:54:38,960 --> 00:54:41,120 Speaker 2: One of the things that Lady Lamb did to him 1043 00:54:41,840 --> 00:54:45,680 Speaker 2: was through like clever, weird wordplay, blackmail him and be 1044 00:54:45,800 --> 00:54:48,880 Speaker 2: like I know you like boys, so you should be 1045 00:54:48,960 --> 00:54:52,319 Speaker 2: nice to me, you know, by like I think she 1046 00:54:52,480 --> 00:54:54,880 Speaker 2: like wrote like remember me in one of his books. 1047 00:54:54,920 --> 00:54:56,480 Speaker 2: That was like by a fame, a man who was 1048 00:54:56,520 --> 00:54:57,279 Speaker 2: like famously gay. 1049 00:54:59,160 --> 00:55:02,920 Speaker 4: Something I don't like about the behavior here is people 1050 00:55:03,239 --> 00:55:07,600 Speaker 4: who enjoy all different kinds of sets then turning around 1051 00:55:07,719 --> 00:55:11,080 Speaker 4: and like using that to like blackmail or shame other 1052 00:55:11,160 --> 00:55:13,120 Speaker 4: people that they've had that kind of sex with. It's 1053 00:55:13,120 --> 00:55:15,920 Speaker 4: like you're getting down that way too, Like who are 1054 00:55:15,920 --> 00:55:17,040 Speaker 4: you to point a finger? 1055 00:55:17,400 --> 00:55:21,480 Speaker 2: Yeah, totally, Or he was pressuring everyone into sex that 1056 00:55:21,760 --> 00:55:24,560 Speaker 2: you know. It's like, I don't fucking know, you know, 1057 00:55:25,400 --> 00:55:27,920 Speaker 2: And no one can talk honestly about it because of 1058 00:55:27,960 --> 00:55:34,360 Speaker 2: the laws criminalizing sodomy and homosexuality. No one can actually 1059 00:55:34,480 --> 00:55:40,800 Speaker 2: say what was happening. That's my somehow tie it all together? Takeaway? 1060 00:55:40,840 --> 00:55:47,319 Speaker 2: I don't know, But there's your archetypical, mad, bad and 1061 00:55:47,440 --> 00:55:54,000 Speaker 2: dangerous to no guy. Yeah, his daughter was really into 1062 00:55:54,080 --> 00:55:59,520 Speaker 2: him and she basically invented software and we're gonna talk 1063 00:55:59,560 --> 00:56:02,560 Speaker 2: about her and computers that I promised on Wednesday. 1064 00:56:06,320 --> 00:56:09,280 Speaker 3: This was a much more sexual episode than than I'm expecting. 1065 00:56:09,360 --> 00:56:12,600 Speaker 2: I love it, Okay, good, No, I like I again, 1066 00:56:12,640 --> 00:56:16,760 Speaker 2: like I'm not like and I feel like I mostly 1067 00:56:16,800 --> 00:56:19,439 Speaker 2: don't talk about the more details of this kind of thing, 1068 00:56:19,600 --> 00:56:22,799 Speaker 2: but I feel like it's just necessary in this particular case, you. 1069 00:56:22,800 --> 00:56:26,279 Speaker 4: Know, absolutely, Like I feel like you need to know 1070 00:56:26,400 --> 00:56:29,000 Speaker 4: that fact because I didn't know that about the anal sex, 1071 00:56:29,040 --> 00:56:32,960 Speaker 4: and so it does help contextualize exactly how these how 1072 00:56:33,000 --> 00:56:34,799 Speaker 4: these figures were interacting with each other. 1073 00:56:35,400 --> 00:56:40,000 Speaker 2: Yeah, I really I think part of why I like 1074 00:56:40,080 --> 00:56:43,640 Speaker 2: studying history so much because there's so many versions of 1075 00:56:43,760 --> 00:56:45,880 Speaker 2: history that people like take what they currently believe in 1076 00:56:45,920 --> 00:56:48,319 Speaker 2: project it backwards, like what we have is projections of 1077 00:56:48,360 --> 00:56:55,480 Speaker 2: ourselves backwards, you know, and trying to figure out how 1078 00:56:55,840 --> 00:56:58,759 Speaker 2: wild people were and weren't in the past is like 1079 00:56:59,440 --> 00:57:01,799 Speaker 2: so fast to me because there's all these reads where 1080 00:57:01,800 --> 00:57:03,680 Speaker 2: it was like, no, that was unheard of, no one 1081 00:57:03,719 --> 00:57:05,360 Speaker 2: did that, And then there's other reads where like, well, 1082 00:57:05,360 --> 00:57:07,360 Speaker 2: of course they did that. People have those bodies and 1083 00:57:07,400 --> 00:57:10,600 Speaker 2: they go together in that you know, they can fit 1084 00:57:10,640 --> 00:57:12,319 Speaker 2: that way, so of course people did it. You know. 1085 00:57:12,360 --> 00:57:15,399 Speaker 2: It's like it's really interesting to me because I think 1086 00:57:15,400 --> 00:57:18,480 Speaker 2: it says so much about you know, like like the 1087 00:57:18,520 --> 00:57:21,880 Speaker 2: Victorians actually just trashed history because they just projected Victorian 1088 00:57:21,960 --> 00:57:24,840 Speaker 2: values out to the past, and so we're still unpacking 1089 00:57:24,880 --> 00:57:26,800 Speaker 2: all of the things that the Victorians tried to apply 1090 00:57:26,840 --> 00:57:30,680 Speaker 2: retroactively and then it's annoying because it's like five thousand 1091 00:57:30,800 --> 00:57:34,840 Speaker 2: rich white assholes in fucking London that the entire world's 1092 00:57:34,920 --> 00:57:37,760 Speaker 2: history lives in the shadow of their moral values, and 1093 00:57:37,800 --> 00:57:39,360 Speaker 2: it's so annoying. 1094 00:57:40,880 --> 00:57:43,400 Speaker 4: Anyway, Yeah, this is why it would be helpful of 1095 00:57:43,440 --> 00:57:46,320 Speaker 4: some of this if there weren't laws that made people 1096 00:57:46,640 --> 00:57:48,480 Speaker 4: squeamish about writing some of this stuff down. 1097 00:57:48,520 --> 00:57:55,000 Speaker 2: Clearly, Yeah, totally. Well, if people want to, I don't 1098 00:57:55,000 --> 00:57:57,240 Speaker 2: have a good way to transfer that into your plug 1099 00:57:57,280 --> 00:57:59,560 Speaker 2: for your podcast. But where can people listen to you 1100 00:57:59,560 --> 00:58:00,520 Speaker 2: talking about stuff? 1101 00:58:01,600 --> 00:58:03,520 Speaker 4: Anal Sex doesn't come up a lot, but if you 1102 00:58:03,560 --> 00:58:05,560 Speaker 4: still want to hear the podcast, you can. 1103 00:58:05,480 --> 00:58:05,920 Speaker 1: Check it out. 1104 00:58:05,920 --> 00:58:08,800 Speaker 2: I come up on this show. I'm being like, I'm 1105 00:58:08,800 --> 00:58:09,840 Speaker 2: blushing and defensive. 1106 00:58:09,880 --> 00:58:11,600 Speaker 3: Anyway, please kids, has it come up? 1107 00:58:13,120 --> 00:58:14,840 Speaker 4: But all other kinds of things do that are still 1108 00:58:14,960 --> 00:58:17,120 Speaker 4: very interesting. The show was called There Are No Girls 1109 00:58:17,160 --> 00:58:17,760 Speaker 4: on the Internet. 1110 00:58:17,880 --> 00:58:21,880 Speaker 2: Please check it out, all right, and we'll be back 1111 00:58:21,920 --> 00:58:27,600 Speaker 2: on Wednesday. By everyone. 1112 00:58:28,960 --> 00:58:31,440 Speaker 1: Cool People Who Did Cool Stuff is a production of 1113 00:58:31,520 --> 00:58:34,600 Speaker 1: cool Zone Media. For more podcasts and cool Zone Media, 1114 00:58:34,760 --> 00:58:37,800 Speaker 1: visit our website cool Zonemedia dot com, or check us 1115 00:58:37,800 --> 00:58:40,960 Speaker 1: out on the Iheard Radio app, Apple Podcasts, or wherever 1116 00:58:41,160 --> 00:58:42,240 Speaker 1: you get your podcasts