WEBVTT - Dog Days (“Special Education” S2 E9)

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<v Speaker 1>And That's what You Really Missed with Jenna.

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<v Speaker 2>And Kevin An iHeartRadio podcast.

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<v Speaker 1>Welcome to my and That's what You Really miss Podcast

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<v Speaker 1>recap edition.

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<v Speaker 2>Hi Kevin, Hey Jenna, Thanks every much for being here today.

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<v Speaker 2>We have It's a fat episode because it's a competition episode.

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<v Speaker 1>I was thinking about this in the shower this morning,

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<v Speaker 1>and I was thinking, why does it feel like a

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<v Speaker 1>fat episode? And it is because it's a competition. But

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<v Speaker 1>when you watch it, it may not feel as fat to

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<v Speaker 1>people as it does for us like it felt. I

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<v Speaker 1>watched it and I was like, oh, that was a

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<v Speaker 1>good episode, solid episode. Didn't feel as full as it

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<v Speaker 1>felt back.

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<v Speaker 2>No, All I think about when I see us on

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<v Speaker 2>stage is how long we were on that stage doing that.

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<v Speaker 1>Dance well exactly and in that theater. And I think

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<v Speaker 1>it's because we were in those theaters for such a

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<v Speaker 1>long time that the shooting feels so full. Because anytime

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<v Speaker 1>you're at a competition, you're like, we're in for it,

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<v Speaker 1>We're in for it. You know it's going to be

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<v Speaker 1>a long one. You know this episode is going to

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<v Speaker 1>take forever. So much rehearsal for these numbers, I mean,

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<v Speaker 1>it was it's a lot so, but.

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<v Speaker 2>I will say this episode has so many I feel

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<v Speaker 2>like classic Glee numbers in it. Yes, like when I

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<v Speaker 2>think about Glee, I think about some of these numbers specifically,

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<v Speaker 2>and I didn't even remember they were all in one episode. Yes, agreed,

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<v Speaker 2>important episode in Glee her.

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<v Speaker 1>History it is, I also noticed, and we'll we can

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<v Speaker 1>talk about it when we get there, but we this

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<v Speaker 1>is when the dialogue gets really fast. We start speaking

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<v Speaker 1>so fast. Really, I mean, go back and watch our

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<v Speaker 1>scene we're the cheerleader. I'm speaking so fast, and I

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<v Speaker 1>remember it because I feel like Leah said the tone

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<v Speaker 1>with that because of Rachel. But then everybody kind of

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<v Speaker 1>caught onto that, and then it was like if you

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<v Speaker 1>don't you realize, if you don't say your line's that fast,

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<v Speaker 1>they'll get cut.

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<v Speaker 2>And we also have to fit in extra music, so

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<v Speaker 2>there's a lot of story that has to happen, and

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<v Speaker 2>so we have to just talk quickly, like it's a

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<v Speaker 2>Shonda Rhyme show.

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<v Speaker 1>And I remember after Glee was over and I had

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<v Speaker 1>a bunch of auditions which I didn't book, I would

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<v Speaker 1>speak so quickly and I could not rid myself of

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<v Speaker 1>the Glee tone or Tina because we are so used

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<v Speaker 1>to speaking so freaking fast.

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<v Speaker 2>Yep, Okay. I had the exact same experience minus the

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<v Speaker 2>first audition I had during Glee. I was sitting down

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<v Speaker 2>and didn't move my legs, and I realized halfway through,

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<v Speaker 2>like the second scene or something, and then I completely

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<v Speaker 2>psyched myself out and I completely screwed up the entire

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<v Speaker 2>audition because then I was all in my head thinking

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<v Speaker 2>about my eggs, and it's like, well, I don't know

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<v Speaker 2>what to do with my legs now. Anyway, that's the

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<v Speaker 2>side of the point, okay. Season two, episode nine, Special Education.

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<v Speaker 2>This originally aired on November thirtieth, twenty ten in the

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<v Speaker 2>News Jennet it was the number one song in the country.

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<v Speaker 1>Only girl in the World fail.

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<v Speaker 2>I love that song. The number one movie was still

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<v Speaker 2>Harry Potter and Death The Allis Part one and.

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<v Speaker 1>In Glean News this Week. On November thirtieth, twenty ten,

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<v Speaker 1>same day as the episode Glee, the volume Glee the

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<v Speaker 1>Music Volume four was released. The album featured eighteen tracks

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<v Speaker 1>from nine episodes in season two minus episode two, Season

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<v Speaker 1>two episode five. It was on iTunes and CD. And

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<v Speaker 1>it's crazy that we're already at a.

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<v Speaker 2>Volume four this was my favorite album cover that we had.

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<v Speaker 1>I loved this one. I thought it was very cute.

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<v Speaker 2>Yeah, I don't know why loved this album packaging.

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<v Speaker 1>We have our favorite, one of our favorite directors back. Yes,

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<v Speaker 1>mister Paris Barclay.

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<v Speaker 2>The one and only Paris. I knew it too. Happy

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<v Speaker 2>to the episode is like, I think Paris did this.

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<v Speaker 1>I try the same thing. It took me a minute

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<v Speaker 1>for some read. I always think Beeker does these now,

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<v Speaker 1>but we haven't gotten there yet.

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<v Speaker 2>No, if Paris directed the shit out of this, yes

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<v Speaker 2>he did, because it is also I feel like this

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<v Speaker 2>script must have been long because there's a lot happening

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<v Speaker 2>in it, so that's probably why we were and he

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<v Speaker 2>covered all of that and more.

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<v Speaker 1>Yes, okay, we have some songs. We have an array

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<v Speaker 1>of songs. We have don't cry from me, Argentina. We

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<v Speaker 1>have the living years. We have Heyesel's sister. We have

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<v Speaker 1>had the time of my life. We have Valerie and

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<v Speaker 1>dog days are over. That is all.

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<v Speaker 2>That's right. That's a lot of music, and we were

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<v Speaker 2>playing long versions of those competition songs, so that ate

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<v Speaker 2>up a lot. I remember in the scripts when you

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<v Speaker 2>would start to see the song in the script, and

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<v Speaker 2>it was written differently, like how long? How much of

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<v Speaker 2>the script is this taking up? She knew it would

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<v Speaker 2>cut into all the other storylines.

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<v Speaker 1>The living years is very funny, and I forgot about that.

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<v Speaker 2>Memory so funny. I can't wait to talk about that one.

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<v Speaker 1>Okay.

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<v Speaker 2>So in this episode, it's sectionals, but the Glee Club

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<v Speaker 2>may be falling apart at the same time as some

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<v Speaker 2>relationships start to crumble. Kurt is adjusting to his new

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<v Speaker 2>life as a Warbler, and Emma surprises Will with some

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<v Speaker 2>news about her and doctor Carl.

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<v Speaker 1>Totally forgot about this too.

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<v Speaker 2>Oh yeah, I did too.

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<v Speaker 1>You didn't remember, Okay.

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<v Speaker 2>You know, living in a small town, moving quickly.

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<v Speaker 1>Well, let's talk about sectionals, yes, and the setlist. So

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<v Speaker 1>the fact that we don't have a setlist at is.

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<v Speaker 2>Is recurring theme here. Will Shuster is it very questionable teacher?

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<v Speaker 1>Exactly? His name? Prep is not great?

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<v Speaker 2>So but I guess it's like an extracurricular though, right,

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<v Speaker 2>Like he's a Spanish teacher. So glee club is yeah.

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<v Speaker 1>But it's this main thing, let's be real.

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<v Speaker 2>I guess you're right.

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<v Speaker 1>So he invites Emma as his plus one to sectionals

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<v Speaker 1>and then she's like totally totally guesses, I don't know

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<v Speaker 1>how guesses how mister Shue is what the setlist is

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<v Speaker 1>going to look like. And she's like, let me yes,

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<v Speaker 1>it's gonna be a solo from Rachel and Finn and

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<v Speaker 1>it's going to be you know, Mercedes pulling out the

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<v Speaker 1>steps and he's like, wait, how did you know? And

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<v Speaker 1>then she points out that she realized from Rocky Horror

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<v Speaker 1>that the Glee Club is full of talent and he

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<v Speaker 1>may not be utilizing all of them because they may

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<v Speaker 1>not shine as bright as the other stars. And I

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<v Speaker 1>think she's right.

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<v Speaker 2>I think she has it. Yeah, it's one of those

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<v Speaker 2>things where that's the show commenting on itself exactly exactly.

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<v Speaker 1>So he agrees, and he's like all right, and he

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<v Speaker 1>thinks that the duet partner should take the lead on

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<v Speaker 1>this one, and it's gonna be Sam and Quinn, which

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<v Speaker 1>is very cute Ken and Barbie akah, and then Quinn

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<v Speaker 1>has this very harsh line to Rachel and I noticed

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<v Speaker 1>that this was like I felt this one, I like

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<v Speaker 1>a gut punch and I was like, oh wow, that

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<v Speaker 1>wasn't mean, like we got we got mean.

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<v Speaker 2>For a sec that happens a couple of times in

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<v Speaker 2>this episode.

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<v Speaker 1>Yeah, yeah, yeah for sure, and Mike and Mike and

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<v Speaker 1>Brittany are gonna have a dance solo, which is gonna

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<v Speaker 1>be great, and then Rachel is very upset about it,

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<v Speaker 1>which we'll see later. But uh, Finn and Rachel are

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<v Speaker 1>also like, what are you trying to throw this competition?

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<v Speaker 1>And everybody starts kind of arguing, and Santana spills the

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<v Speaker 1>truth about her and Finn hooking up and Finn's whole lie.

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<v Speaker 2>Do you remember filming the scene? No, I just remember

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<v Speaker 2>it is because everybody had a lot of different people

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<v Speaker 2>had dialogue and we had to cover. Oh maybe this

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<v Speaker 2>whole thing about talking faster is checking out because I

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<v Speaker 2>remember we had we rehearsed it over and over and over,

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<v Speaker 2>so everyone got their shit tight because there was so

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<v Speaker 2>much because I think Paris probably went into this knowing

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<v Speaker 2>the script was long. And also this this scene takes

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<v Speaker 2>you a lot of places. It's mm hmm, wait, everybody,

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<v Speaker 2>hold on, I have an announcement. Announcement since everybody into chaos,

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<v Speaker 2>and then it's Santana revealing this gigantic thing, and also

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<v Speaker 2>you know, Finn getting upset, which doesn't really happen about

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<v Speaker 2>Glee Club, and there was a lot happening, and it

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<v Speaker 2>just moves at such a fast clip and it works perfectly. Right.

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<v Speaker 2>The next part is I loved the scene. I really

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<v Speaker 2>loved already scenes with Brittany and Tina this episode because

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<v Speaker 2>we didn't necessarily get a lot of these little weird

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<v Speaker 2>one off scenes. Yes, and it was great, but especially

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<v Speaker 2>this one. Brittany is paralyzed with fear even though she

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<v Speaker 2>knows she's better than all of us, and so Artie

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<v Speaker 2>convinces her to take his magic comb and that will

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<v Speaker 2>make them win.

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<v Speaker 1>It's cute, It's really cute. It is very cute, and

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<v Speaker 1>also her just standing in the corner was also very funny,

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<v Speaker 1>just by herself paralyzed with fear.

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<v Speaker 2>The other thing is, we're down a member because Kurt's gone, right,

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<v Speaker 2>so shee enlists Puck because everyone likes him or is

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<v Speaker 2>afraid of him, and so he goes on this pretty

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<v Speaker 2>funny journey to get the one and only Zis, which

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<v Speaker 2>is Ashley Fink, who ends up becoming a part of

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<v Speaker 2>the Glee Club for a long time and Glee fam forever.

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<v Speaker 2>So that was also like a very outside of the

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<v Speaker 2>show monumental thing. You know, it was a big personal

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<v Speaker 2>change for us in a great way.

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<v Speaker 1>It was. It was very exciting and I forgot about

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<v Speaker 1>I totally had forgotten about that.

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<v Speaker 2>What is it with everybody ending up in a porta potty?

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<v Speaker 2>I do like it. It makes me feel better that,

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<v Speaker 2>you know, Puck gets into a port after twenty four hours. Yeah,

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<v Speaker 2>praying to Buddha Alla Satan.

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<v Speaker 1>My gosh. But it's very exciting to have Zics there.

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<v Speaker 1>And Ashley think obviously, who really becomes a very important

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<v Speaker 1>part of the glee club, doesn't she? Ye? Okay, So

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<v Speaker 1>Puck's in the get stuck in a poor body. And

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<v Speaker 1>then we get to sectionals where we do have a so.

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<v Speaker 2>We have a set list, but everybody hates each other.

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<v Speaker 2>Everybody everyone's unhinged.

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<v Speaker 1>Yeah, stuff gets weird, and and then we have people

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<v Speaker 1>who are performing weird weird numbers. Can we talk about

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<v Speaker 1>the numbers of the other glee clubs?

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<v Speaker 2>Yes? Please talk about the Living Years?

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<v Speaker 1>Okay? So the Living Years is by the Hipsters, which

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<v Speaker 1>so ian to write that was so the lead singer

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<v Speaker 1>of the Hipsters is Luanne, who was our other two

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<v Speaker 1>Davis who was our lyric Master and amongst them thousands

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<v Speaker 1>of hats that he wore. But Luanne was kind of

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<v Speaker 1>took over Tim when things got a little too crazy

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<v Speaker 1>for him and he had time. Yeah, And so Leanne

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<v Speaker 1>was on set with us, and then she starred in

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<v Speaker 1>The Hipsters and that's actually her singing too.

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<v Speaker 2>I believe. I think you're right because so then the

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<v Speaker 2>other woman who's singing in it, do you remember this,

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<v Speaker 2>uh huhm is the one singing the Circle of Life

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<v Speaker 2>and the Lion King. That's right, And they a lot

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<v Speaker 2>of those people in the Hipsters were a part of

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<v Speaker 2>that choir for the Circle of Life.

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<v Speaker 1>Right, Kevin good memory. Oh what a.

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<v Speaker 2>Special time because when Lunn.

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<v Speaker 1>Is the nicest, I know, the sweetest.

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<v Speaker 2>Person, and that came up somehow and I remember going

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<v Speaker 2>up to is this true? And she was sort of like,

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<v Speaker 2>She's like, yeah, it is. She was like, why haven't

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<v Speaker 2>you led with that? That is the coolest thing. We

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<v Speaker 2>were so starstruck the rest of the day and I

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<v Speaker 2>felt so bad that they all had to be dressed

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<v Speaker 2>up like that. These are legends. It was funny.

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<v Speaker 1>What theater were we in in La? Do you remember?

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<v Speaker 2>No idea?

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<v Speaker 1>Hard to say? Okay, we did.

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<v Speaker 2>So many different theaters and we skipped around every competition,

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<v Speaker 2>didn't a lot of the time.

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<v Speaker 1>I remember by the dress, but I can't remember this one.

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<v Speaker 2>So Jenna, do you remember we did not learn a

0:13:27.760 --> 0:13:31.839
<v Speaker 2>lot of this choreography until the night like the night

0:13:31.840 --> 0:13:35.400
<v Speaker 2>before I think we had maybe thirty minutes what and

0:13:35.440 --> 0:13:38.800
<v Speaker 2>then the morning of we learned most of it. No,

0:13:39.360 --> 0:13:42.360
<v Speaker 2>and that going over, I remember Zach looking so panicked

0:13:42.360 --> 0:13:43.880
<v Speaker 2>because it was one of those things where we were

0:13:43.880 --> 0:13:47.600
<v Speaker 2>so overscheduled where we didn't have time to learn the

0:13:47.640 --> 0:13:51.120
<v Speaker 2>actual competition dance. And I remember it was Ashley's first

0:13:51.360 --> 0:13:55.000
<v Speaker 2>competition with us, and we're like, we are so sorry.

0:13:55.040 --> 0:13:58.880
<v Speaker 2>It is not normally like this, but we sort of,

0:13:59.760 --> 0:14:03.400
<v Speaker 2>you know, like Heather and Harry obviously knew their thing

0:14:04.000 --> 0:14:06.400
<v Speaker 2>with Naya. They had that all sorted out, but we

0:14:06.440 --> 0:14:10.319
<v Speaker 2>didn't know what we were doing behind them, and we

0:14:10.440 --> 0:14:14.600
<v Speaker 2>learned all of that on the day. Yes, and it

0:14:14.720 --> 0:14:16.760
<v Speaker 2>was rough, I.

0:14:16.720 --> 0:14:19.040
<v Speaker 1>Remember, And I also when watching this was like, I

0:14:19.040 --> 0:14:21.600
<v Speaker 1>don't know what I'm doing in this in this number

0:14:21.760 --> 0:14:25.200
<v Speaker 1>and it made sense, that makes sense now. It was

0:14:25.640 --> 0:14:30.360
<v Speaker 1>very off the cover. Yeah, this is when it started

0:14:30.360 --> 0:14:32.960
<v Speaker 1>to get really crazy. But think about it, we had

0:14:33.200 --> 0:14:36.120
<v Speaker 1>so much to shoot. There were so many things going on,

0:14:36.400 --> 0:14:41.480
<v Speaker 1>and then a whole sectionals to boot and a whole

0:14:41.480 --> 0:14:43.400
<v Speaker 1>new choir that's going to be around for a very

0:14:43.440 --> 0:14:47.440
<v Speaker 1>long time. Yeah, so there's a lot blessed Paris Barklay's

0:14:47.440 --> 0:14:50.320
<v Speaker 1>heart for taking on this monster episode.

0:14:50.360 --> 0:14:53.320
<v Speaker 2>That edit really made us look great.

0:14:53.280 --> 0:14:56.440
<v Speaker 1>Great, and also it felt so smooth. It didn't feel

0:14:56.440 --> 0:14:58.520
<v Speaker 1>clunky like well, like it was when we were shooting

0:14:58.600 --> 0:14:59.960
<v Speaker 1>in No. I'll tell you that.

0:15:01.360 --> 0:15:02.880
<v Speaker 2>This is I want to have. Have the scene though in

0:15:02.880 --> 0:15:04.560
<v Speaker 2>the greenroom right before we performed.

0:15:05.040 --> 0:15:07.040
<v Speaker 1>There's a whole thing happening. Tell me about it.

0:15:07.160 --> 0:15:09.800
<v Speaker 2>Well, it's way if you've been listening thus far to

0:15:09.880 --> 0:15:13.600
<v Speaker 2>us on the podcast, these green room scenes are the

0:15:13.600 --> 0:15:17.720
<v Speaker 2>band of our existence because there are about eighty of

0:15:17.800 --> 0:15:20.360
<v Speaker 2>us and one room, and the camera has to shoot

0:15:20.400 --> 0:15:26.360
<v Speaker 2>everybody from every angle right right. However, we were in

0:15:26.400 --> 0:15:28.760
<v Speaker 2>there a hot minute. But this was not a bad

0:15:28.800 --> 0:15:29.680
<v Speaker 2>experience at all.

0:15:30.080 --> 0:15:30.680
<v Speaker 1>No, it was not.

0:15:31.200 --> 0:15:34.360
<v Speaker 2>And I think we were getting better each time, and

0:15:34.400 --> 0:15:38.160
<v Speaker 2>this was even better than the time before. And there

0:15:38.280 --> 0:15:42.200
<v Speaker 2>was so much drama going on and people yelling at

0:15:42.200 --> 0:15:44.040
<v Speaker 2>each other, and it was so fun to watch and

0:15:44.160 --> 0:15:45.720
<v Speaker 2>also be a part of.

0:15:46.600 --> 0:15:49.600
<v Speaker 1>It was really fun to watch, I think because Paris

0:15:49.600 --> 0:15:54.800
<v Speaker 1>did it very strategically. Yes, everybody wasn't in every part

0:15:54.840 --> 0:15:57.520
<v Speaker 1>of it, and that's what it was. It was corners.

0:15:57.760 --> 0:16:00.600
<v Speaker 1>Tina and Mike were in a corner and Heather are

0:16:00.640 --> 0:16:01.480
<v Speaker 1>hardy in Brittany.

0:16:01.560 --> 0:16:03.920
<v Speaker 2>We were tied together. Yeah, we were. Our story was

0:16:03.960 --> 0:16:05.400
<v Speaker 2>happening in one section.

0:16:05.560 --> 0:16:07.800
<v Speaker 1>But like you shot it and you just see like

0:16:07.960 --> 0:16:10.800
<v Speaker 1>maybees icys in the background of Tina and Mike and

0:16:10.840 --> 0:16:14.240
<v Speaker 1>that's it. So we didn't feel as a monster where

0:16:14.280 --> 0:16:17.400
<v Speaker 1>you're in the room every time somebody's you know, coverage

0:16:17.400 --> 0:16:20.440
<v Speaker 1>is getting shot. And I think that might have also

0:16:20.840 --> 0:16:23.040
<v Speaker 1>been a part of it, was that we'd done it

0:16:23.080 --> 0:16:25.360
<v Speaker 1>before and we were like, let's do this better.

0:16:26.680 --> 0:16:30.360
<v Speaker 2>A side note, Will being so mad at everyone and

0:16:30.440 --> 0:16:32.680
<v Speaker 2>be like I'm ashamed of you scares me every time.

0:16:34.120 --> 0:16:35.720
<v Speaker 1>It was big.

0:16:36.000 --> 0:16:38.000
<v Speaker 2>What teachers talk like that to their students.

0:16:38.320 --> 0:16:41.840
<v Speaker 1>I've had teachers yell at us before. I had like that.

0:16:41.960 --> 0:16:43.960
<v Speaker 2>Yeah, this is the second time in that in the

0:16:43.960 --> 0:16:45.040
<v Speaker 2>episode where he's I.

0:16:44.960 --> 0:16:46.840
<v Speaker 1>Know, and then the way he speaks to Rachel about it.

0:16:46.880 --> 0:16:48.720
<v Speaker 1>I mean, look, she wasn't being a team player. But

0:16:48.760 --> 0:16:50.560
<v Speaker 1>I have to say it was aggressive.

0:16:50.960 --> 0:16:52.000
<v Speaker 2>It was very aggressive.

0:16:52.160 --> 0:16:55.440
<v Speaker 1>It was scary. You're right, it was a little scary.

0:16:55.520 --> 0:16:56.880
<v Speaker 1>It wouldn't fly right now.

0:16:57.280 --> 0:17:01.480
<v Speaker 2>No, no, I remember were watching it. I watched this

0:17:01.520 --> 0:17:03.520
<v Speaker 2>episode last night with my parents because.

0:17:03.400 --> 0:17:05.600
<v Speaker 1>I'm in teching, Oh that's cute.

0:17:05.600 --> 0:17:08.960
<v Speaker 2>And he starts yelling and I just burst out laughing,

0:17:09.080 --> 0:17:12.879
<v Speaker 2>like what. I'm like, I can't take it now, what

0:17:13.040 --> 0:17:15.640
<v Speaker 2>is this? I cannot believe.

0:17:16.920 --> 0:17:20.280
<v Speaker 1>It's a lot, but we are acting a bit a

0:17:20.280 --> 0:17:23.400
<v Speaker 1>fool and not everybody. Everybody's very much out for themselves

0:17:23.400 --> 0:17:26.840
<v Speaker 1>in this episode.

0:17:25.760 --> 0:17:29.080
<v Speaker 2>And teens are teening, that's right.

0:17:29.119 --> 0:17:31.359
<v Speaker 1>So amidst all of this, like, let's let can we

0:17:31.359 --> 0:17:33.680
<v Speaker 1>talk about the Tina, Artie and Brittany of it all?

0:17:34.040 --> 0:17:37.720
<v Speaker 1>Because and then we'll go back to sectionals. This is funny.

0:17:37.720 --> 0:17:39.840
<v Speaker 1>I forgot this was in this this part of this

0:17:39.880 --> 0:17:46.840
<v Speaker 1>whole storyline. Tina convinces Artie that Mike and Brittany are

0:17:46.920 --> 0:17:47.800
<v Speaker 1>having an affair.

0:17:48.400 --> 0:17:51.920
<v Speaker 2>Also updating the list of this is now up there

0:17:51.920 --> 0:17:55.040
<v Speaker 2>with favorite scenes that we've ever done. I completely forgot

0:17:55.040 --> 0:17:57.479
<v Speaker 2>about this scene completely.

0:17:57.240 --> 0:17:59.600
<v Speaker 1>Totally did too, except for the costume when I was like,

0:17:59.760 --> 0:18:02.439
<v Speaker 1>oh right, it was funny.

0:18:04.240 --> 0:18:05.360
<v Speaker 2>I love this scene.

0:18:05.840 --> 0:18:08.119
<v Speaker 1>I love this scene too. I just forgot how fast

0:18:08.280 --> 0:18:08.680
<v Speaker 1>we talk.

0:18:08.920 --> 0:18:11.439
<v Speaker 2>Yeah, but I liked it because it also it was

0:18:11.440 --> 0:18:15.280
<v Speaker 2>so I remember filming that and it was a note

0:18:15.320 --> 0:18:17.520
<v Speaker 2>we all had that we had to talk faster. This

0:18:17.600 --> 0:18:21.640
<v Speaker 2>is all coming back to me now and that makes

0:18:21.720 --> 0:18:24.320
<v Speaker 2>it so much easier in terms of you don't have

0:18:24.400 --> 0:18:26.040
<v Speaker 2>to think about it, you just do it. And the

0:18:26.040 --> 0:18:31.240
<v Speaker 2>comedy you know, is written. Yeah, exactly, and it's nice

0:18:31.240 --> 0:18:33.120
<v Speaker 2>for us to get the I like Tina and Artie

0:18:33.240 --> 0:18:35.560
<v Speaker 2>and cahoots being like, look, I'm just setting you know

0:18:36.560 --> 0:18:39.960
<v Speaker 2>what's up, and then Arty confronts Brittany, and Brittany's acting

0:18:40.080 --> 0:18:44.200
<v Speaker 2>all strange. Heather was also hilarious.

0:18:43.320 --> 0:18:46.280
<v Speaker 1>So funny. I mean, the cole itself of that whole

0:18:46.280 --> 0:18:48.800
<v Speaker 1>storyline could have just flown on its own, but then

0:18:48.920 --> 0:18:53.080
<v Speaker 1>to add this whole thing Heather was very, very funny.

0:18:53.320 --> 0:18:57.399
<v Speaker 2>I like that calls apart at the actual in the competition.

0:18:57.600 --> 0:19:01.960
<v Speaker 1>Yeah, oh yeah, so Britain. Brittany Artie is like you

0:19:03.320 --> 0:19:05.560
<v Speaker 1>you've been adultrous? Is that a word?

0:19:05.920 --> 0:19:07.679
<v Speaker 2>Adultrius? Even an adultrius?

0:19:08.000 --> 0:19:11.840
<v Speaker 1>Adultrius? And Brittany doesn't know what that means.

0:19:11.960 --> 0:19:14.840
<v Speaker 2>No, but she's like, I have I'm so sorry, I'm

0:19:14.840 --> 0:19:16.760
<v Speaker 2>so ashamed of the way I behaved.

0:19:16.600 --> 0:19:19.359
<v Speaker 1>And then Mike's like, what's going on? And I'm like,

0:19:19.440 --> 0:19:24.080
<v Speaker 1>you're a jerk to Mike, and and that convinces Alreadie

0:19:24.080 --> 0:19:26.480
<v Speaker 1>because Alartie wasn't so convinced that they were having an affair,

0:19:26.520 --> 0:19:33.280
<v Speaker 1>but now we're sure of it because now already thinks

0:19:33.320 --> 0:19:36.679
<v Speaker 1>that Latina said that Mike tastes like lipsmackers, which Brittany

0:19:37.000 --> 0:19:42.240
<v Speaker 1>Brittany used, and then it falls apart, and then Brittany

0:19:42.520 --> 0:19:47.159
<v Speaker 1>admits that she didn't cheat on him, but that she

0:19:47.240 --> 0:19:48.080
<v Speaker 1>lost the comb.

0:19:49.600 --> 0:19:51.760
<v Speaker 2>So sweet, it's really sweet.

0:19:51.800 --> 0:19:54.440
<v Speaker 1>The comb is really sweet. It's just you finding a

0:19:54.440 --> 0:19:56.720
<v Speaker 1>way for her to be awesome. And then she goes

0:19:56.760 --> 0:19:58.120
<v Speaker 1>out and is awesome.

0:19:58.600 --> 0:20:02.480
<v Speaker 2>Also, we kiss and then I smile and my parents

0:20:02.480 --> 0:20:07.240
<v Speaker 2>start laughing. Why and I'm like, just because you look

0:20:07.320 --> 0:20:10.560
<v Speaker 2>so dorky. Oh my gosh. It's like, I can't watch

0:20:10.560 --> 0:20:11.760
<v Speaker 2>these episodes with my parents anymore.

0:20:11.800 --> 0:20:12.399
<v Speaker 1>No, you can't.

0:20:13.320 --> 0:20:16.880
<v Speaker 2>You can't do it. It is weird though, because we were filming.

0:20:17.200 --> 0:20:19.680
<v Speaker 2>I wasn't with my family while we were doing this,

0:20:19.800 --> 0:20:22.200
<v Speaker 2>and I've never like watched the show with them before.

0:20:22.119 --> 0:20:26.360
<v Speaker 1>Right, right, very rare to watch the episode with your parents, right,

0:20:27.080 --> 0:20:29.360
<v Speaker 1>There's just so many things too inside things that you're

0:20:29.359 --> 0:20:31.439
<v Speaker 1>like laughing at, Like I watch it with David and

0:20:31.480 --> 0:20:33.480
<v Speaker 1>I laugh and I'm like, oh, I remember that, and

0:20:33.520 --> 0:20:35.760
<v Speaker 1>he's like what, and I'm like, never mind, Yeah.

0:20:35.600 --> 0:20:37.640
<v Speaker 2>I'm laughing at all the wrong moments I have nothing

0:20:37.680 --> 0:20:41.119
<v Speaker 2>to do with. It's actually happening on screen exactly. So

0:20:41.200 --> 0:20:45.960
<v Speaker 2>now that Rachel knows that Finn did sleep with Santana,

0:20:46.880 --> 0:20:53.159
<v Speaker 2>they're obviously having some huge, huge blowout falling out. Artie

0:20:53.840 --> 0:20:57.359
<v Speaker 2>and Brittany are possibly on the fritz, and so are

0:20:57.560 --> 0:21:02.280
<v Speaker 2>Mike and Tina, and then we have Emma and will.

0:21:02.960 --> 0:21:05.520
<v Speaker 2>Emma shows up when we're leaving for the competitions, like, actually,

0:21:05.520 --> 0:21:09.720
<v Speaker 2>I can't go because I realized I was withholding, which

0:21:09.760 --> 0:21:14.679
<v Speaker 2>is even worse than lying to Carl, and we had

0:21:14.720 --> 0:21:20.000
<v Speaker 2>a fight and we made up and I'm not coming

0:21:20.040 --> 0:21:20.240
<v Speaker 2>with you.

0:21:20.960 --> 0:21:23.200
<v Speaker 1>Yeah, fair enough.

0:21:23.160 --> 0:21:26.480
<v Speaker 2>Fair enough, And so then we go and all mayhem,

0:21:27.040 --> 0:21:30.240
<v Speaker 2>you know, breaks loose. I'll help breaks loose, and then

0:21:30.320 --> 0:21:32.280
<v Speaker 2>we get to perform Jenna.

0:21:32.720 --> 0:21:41.560
<v Speaker 1>Oh my gosh, these numbers are number one, very cute.

0:21:41.720 --> 0:21:44.640
<v Speaker 1>But I didn't remember that whole thing until just now

0:21:44.720 --> 0:21:46.560
<v Speaker 1>that you remind when you reminded me that we didn't

0:21:46.640 --> 0:21:48.440
<v Speaker 1>learn it, and that's why it feels such a mess

0:21:48.480 --> 0:21:49.040
<v Speaker 1>in my mind.

0:21:49.320 --> 0:21:50.879
<v Speaker 2>I think it.

0:21:51.520 --> 0:21:55.800
<v Speaker 1>Flew in like a like a quick math calculus test

0:21:55.880 --> 0:21:56.879
<v Speaker 1>and then out of my brain.

0:21:57.040 --> 0:22:00.320
<v Speaker 2>Yeah, the short memory was strong during those days. Term

0:22:00.400 --> 0:22:01.040
<v Speaker 2>is non existing.

0:22:01.520 --> 0:22:06.280
<v Speaker 1>No, I don't know, but I will say Valerie goes

0:22:06.320 --> 0:22:11.320
<v Speaker 1>down in history her story and is I well number

0:22:11.359 --> 0:22:13.679
<v Speaker 1>one couldn't watch it. I had. I watched it, but

0:22:13.760 --> 0:22:17.199
<v Speaker 1>I had a really really hard time watching it. I

0:22:17.240 --> 0:22:24.200
<v Speaker 1>had a hard time watching it, really hard time. Yeah,

0:22:24.800 --> 0:22:30.720
<v Speaker 1>really hard time. But it's a great number. It's so good.

0:22:30.960 --> 0:22:31.919
<v Speaker 2>My eyes are watering.

0:22:32.080 --> 0:22:37.360
<v Speaker 1>I know me too. But also Heather and Hair, Oh

0:22:37.480 --> 0:22:40.840
<v Speaker 1>my god, are you joking? Why didn't they get to

0:22:40.880 --> 0:22:41.440
<v Speaker 1>do that more?

0:22:41.600 --> 0:22:42.440
<v Speaker 2>What's wrong with them?

0:22:42.560 --> 0:22:46.239
<v Speaker 1>Why are they It's stupid how good that number is.

0:22:46.359 --> 0:22:49.160
<v Speaker 1>And they did like a lightened version of it on tour,

0:22:49.720 --> 0:22:56.000
<v Speaker 1>but that version is so good. Between Nia and then

0:22:56.040 --> 0:22:58.240
<v Speaker 1>the two of them, You're like, why is this number

0:22:58.359 --> 0:23:00.600
<v Speaker 1>not the best numbering?

0:23:00.960 --> 0:23:04.679
<v Speaker 2>I mean it is. It's that is up there. That

0:23:04.840 --> 0:23:12.040
<v Speaker 2>is a huge, huge, I mean I also I like

0:23:12.119 --> 0:23:14.960
<v Speaker 2>shouted when Nia walks across the stage and she leans

0:23:15.000 --> 0:23:17.880
<v Speaker 2>back and she does her like lazy stripper shoulder thing.

0:23:18.520 --> 0:23:20.480
<v Speaker 2>Because after each take we'd go up to her and

0:23:20.600 --> 0:23:24.040
<v Speaker 2>be like, no, you gotta get even crazier, like drag her,

0:23:24.480 --> 0:23:27.040
<v Speaker 2>make this shit drag. And the one that made it

0:23:27.040 --> 0:23:30.560
<v Speaker 2>into the edit is this crazy massive Yeah. If you

0:23:30.640 --> 0:23:32.800
<v Speaker 2>go back and watch, she's walking across the stage, her

0:23:32.800 --> 0:23:36.480
<v Speaker 2>shoulders are back and she's just like swinging her shoulders

0:23:37.200 --> 0:23:40.320
<v Speaker 2>back and forth. And it was what we used to do.

0:23:40.640 --> 0:23:43.960
<v Speaker 2>I don't know why, as like our lazy stripper slash

0:23:44.080 --> 0:23:47.119
<v Speaker 2>like model runway walk is what we would do. And

0:23:47.960 --> 0:23:51.359
<v Speaker 2>she was the I didn't realize she fits something in

0:23:51.480 --> 0:23:54.240
<v Speaker 2>every single number of hers. She did one of those

0:23:54.240 --> 0:23:56.200
<v Speaker 2>little references for us.

0:23:57.000 --> 0:24:00.679
<v Speaker 1>Just so funny and they worked. Oh that worked, just worked.

0:24:00.880 --> 0:24:02.960
<v Speaker 1>And she's saying the shit out of this song. I know,

0:24:03.200 --> 0:24:06.119
<v Speaker 1>what a wild I don't even remember her recording this, Like,

0:24:06.119 --> 0:24:07.919
<v Speaker 1>I don't think she even told anybody. She just like

0:24:07.960 --> 0:24:08.560
<v Speaker 1>went and did it.

0:24:08.680 --> 0:24:11.119
<v Speaker 2>Yeah of course, okay, yeah, it's like I got I

0:24:11.119 --> 0:24:12.480
<v Speaker 2>got this, don't worry about yeah.

0:24:12.440 --> 0:24:17.000
<v Speaker 1>Yeah, like nothing that number. And then sweet Sweet Time

0:24:17.040 --> 0:24:19.359
<v Speaker 1>of your Life, which we didn't do that on tour,

0:24:19.400 --> 0:24:19.760
<v Speaker 1>did we?

0:24:20.119 --> 0:24:21.119
<v Speaker 2>No, we didn't.

0:24:21.800 --> 0:24:24.159
<v Speaker 1>Wasn't it talked about on tour and I was like,

0:24:24.200 --> 0:24:25.240
<v Speaker 1>we're not doing this on time.

0:24:25.280 --> 0:24:28.240
<v Speaker 2>I think maybe but it didn't. It didn't happen. But

0:24:28.359 --> 0:24:32.080
<v Speaker 2>those two together are just cute, cute pair also like

0:24:32.160 --> 0:24:37.240
<v Speaker 2>the most beautiful humans, like what they both look stunning

0:24:38.600 --> 0:24:40.960
<v Speaker 2>singing this adorable song. I didn't remember any of those

0:24:40.960 --> 0:24:43.520
<v Speaker 2>backgrounds happening the end of that song.

0:24:43.680 --> 0:24:46.600
<v Speaker 1>I did clearly was not singing them either.

0:24:47.160 --> 0:24:49.760
<v Speaker 2>No, I was because this all makes a lot more

0:24:49.800 --> 0:24:52.840
<v Speaker 2>sense now because we were in pure chaos at this time.

0:24:52.960 --> 0:24:54.720
<v Speaker 1>Yes, yes, barely making it.

0:24:54.880 --> 0:24:57.600
<v Speaker 2>And if we mark us down and all the notes

0:24:57.600 --> 0:25:01.800
<v Speaker 2>that everyone's taking, things just start to get crazier. And

0:25:01.840 --> 0:25:05.640
<v Speaker 2>I think this is the beginning of that agreed agreed

0:25:06.000 --> 0:25:10.280
<v Speaker 2>because like it, this is where the practicalness practicality of

0:25:10.320 --> 0:25:13.320
<v Speaker 2>making this show was butting up against the head of

0:25:14.200 --> 0:25:17.160
<v Speaker 2>what was scheduled, Like we were supposed to be doing

0:25:17.200 --> 0:25:19.240
<v Speaker 2>these episodes in eight days.

0:25:19.960 --> 0:25:21.280
<v Speaker 1>Oh, I never read it.

0:25:21.800 --> 0:25:25.439
<v Speaker 2>There was just no way we could do that. So

0:25:25.480 --> 0:25:27.639
<v Speaker 2>then we started shooting multiple episodes at the same time.

0:25:27.760 --> 0:25:30.399
<v Speaker 1>And poor Ashley Fink for joining at this point.

0:25:30.760 --> 0:25:31.520
<v Speaker 2>Oh my god.

0:25:34.960 --> 0:25:37.760
<v Speaker 1>Okay, So one of the other fifteen storylines is that

0:25:38.160 --> 0:25:42.520
<v Speaker 1>we talked about then and Rachel, you know, finding out

0:25:42.560 --> 0:25:49.919
<v Speaker 1>about Santana. Well after the competition, they make up and

0:25:49.960 --> 0:25:56.800
<v Speaker 1>everything seemingly is okay, right, they they apologized they were wrong,

0:25:57.480 --> 0:26:00.240
<v Speaker 1>but then there's no more lying. So she had to

0:26:00.280 --> 0:26:04.199
<v Speaker 1>fess up and admit that while they were fighting, she

0:26:05.840 --> 0:26:10.480
<v Speaker 1>made it out with Puck and I don't know that.

0:26:10.560 --> 0:26:16.160
<v Speaker 1>I feel like this is the valid response because he

0:26:16.280 --> 0:26:22.320
<v Speaker 1>did lie and sleep with somebody. But but he really

0:26:22.680 --> 0:26:26.280
<v Speaker 1>cuts through her heart, saying like he just never thought

0:26:26.400 --> 0:26:28.400
<v Speaker 1>she would make him feel his way, And so they

0:26:28.560 --> 0:26:34.200
<v Speaker 1>break up. Rachel and Finn break up number one two one.

0:26:34.600 --> 0:26:35.399
<v Speaker 2>Who knows.

0:26:37.000 --> 0:26:37.600
<v Speaker 1>They break up?

0:26:37.880 --> 0:26:43.120
<v Speaker 2>Yeah, a big deal and it felt big. I felt it.

0:26:43.240 --> 0:26:45.399
<v Speaker 1>Yeah, I felt it, especially during dog Days when she

0:26:45.440 --> 0:26:51.639
<v Speaker 1>takes the next off and takes the cat underto and

0:26:51.640 --> 0:26:57.000
<v Speaker 1>and and and also Emma and Will done because Emma

0:26:57.119 --> 0:27:01.520
<v Speaker 1>tells Will that they did not get engaged. They got murred.

0:27:02.160 --> 0:27:07.400
<v Speaker 1>They got murried in Vegas and that's the end of it.

0:27:07.480 --> 0:27:11.479
<v Speaker 2>Too quick, too quick, How does that happen? But the

0:27:11.520 --> 0:27:18.840
<v Speaker 2>good news is is that the Glee Club one, so

0:27:18.920 --> 0:27:21.320
<v Speaker 2>did the Warblers because we needed the Warblers to stay

0:27:21.359 --> 0:27:21.800
<v Speaker 2>on the show.

0:27:21.880 --> 0:27:24.560
<v Speaker 1>So that's right, Well, because Kurt's there.

0:27:24.640 --> 0:27:26.440
<v Speaker 2>Yeah, let's talk about the Warblers, Jenner.

0:27:26.600 --> 0:27:28.840
<v Speaker 1>Let's talk about it. So they do Hayesel Sister, which

0:27:30.320 --> 0:27:36.160
<v Speaker 1>I vaguely remember this number. They didn't do it on tour.

0:27:36.480 --> 0:27:39.720
<v Speaker 1>They did do it on tour. This also did really

0:27:39.760 --> 0:27:43.520
<v Speaker 1>well I remember on the charts. But they so the

0:27:43.560 --> 0:27:49.480
<v Speaker 1>Warblers in preparation for sectionals. Kurt is there, Kurt is joining,

0:27:49.560 --> 0:27:51.760
<v Speaker 1>and he's all these ideas, as Kurt would do and

0:27:52.080 --> 0:27:55.360
<v Speaker 1>as new Directions would, but they have a much more

0:27:55.480 --> 0:27:58.760
<v Speaker 1>rigid system in place where they have to audition for solos.

0:27:59.560 --> 0:28:03.600
<v Speaker 1>And so Kurt's at Dalton and as a new Warbler,

0:28:03.600 --> 0:28:11.080
<v Speaker 1>he has to take care of this canary Pavaratti, Pavaratti, Babarotti.

0:28:11.960 --> 0:28:15.960
<v Speaker 1>And it's a old tradition. Do you remember when you

0:28:16.000 --> 0:28:18.080
<v Speaker 1>had to, like in Homac take care of those eggs?

0:28:18.400 --> 0:28:22.919
<v Speaker 1>Oh yeah, yep, and basically like that, you know, but

0:28:23.080 --> 0:28:24.040
<v Speaker 1>with a real bird.

0:28:24.640 --> 0:28:37.399
<v Speaker 2>Yes. And so Kurt discovers that, oh, everyone has a

0:28:37.480 --> 0:28:42.960
<v Speaker 2>voice here. I have ideas, but okay, I will audition,

0:28:43.040 --> 0:28:46.400
<v Speaker 2>because Blaine says, we, you know, we respect that you've

0:28:46.480 --> 0:28:49.280
<v Speaker 2>adapted to this, because your ideas got shot down so quickly.

0:28:50.120 --> 0:28:54.760
<v Speaker 2>And so he turns to Rachel to help him prepare

0:28:54.840 --> 0:29:00.000
<v Speaker 2>for his audition, and they do. Don't cry for me, urgent.

0:29:00.640 --> 0:29:02.960
<v Speaker 1>Somehow Rachel does the number when she's helping her.

0:29:03.600 --> 0:29:08.800
<v Speaker 2>Of course, when when the shot when she's up on

0:29:08.840 --> 0:29:12.680
<v Speaker 2>that balcony out of nowhere, still singing, I burst out laughing.

0:29:12.680 --> 0:29:14.520
<v Speaker 2>It was like what And my mom and dad are

0:29:14.560 --> 0:29:16.840
<v Speaker 2>like what, what's so funny? I was like, why is

0:29:16.840 --> 0:29:18.840
<v Speaker 2>she on the balcony? Now? How did she get there?

0:29:18.840 --> 0:29:21.600
<v Speaker 2>She's still no I know why she is. Oh, but

0:29:21.640 --> 0:29:24.440
<v Speaker 2>I just mean like she was singing on the stage and.

0:29:24.440 --> 0:29:26.600
<v Speaker 1>Then ended up just in a balcony and she's.

0:29:26.720 --> 0:29:28.800
<v Speaker 2>Hold the music, please let me get upstairs to get

0:29:28.840 --> 0:29:29.520
<v Speaker 2>to this balcony.

0:29:29.800 --> 0:29:32.120
<v Speaker 1>Gotta do it. She's got to be on a balcony.

0:29:32.160 --> 0:29:36.480
<v Speaker 2>That's when I remember it's a satire, you know, right right,

0:29:36.560 --> 0:29:40.880
<v Speaker 2>just a gentle hilarious in your face. But Kurt doesn't

0:29:40.920 --> 0:29:45.040
<v Speaker 2>get the solo and it's fine, and he goes on

0:29:45.120 --> 0:29:49.960
<v Speaker 2>to perform with the Warblers, and we as the new directions,

0:29:50.000 --> 0:29:53.480
<v Speaker 2>are all so excited and happy watching him, and it

0:29:53.520 --> 0:29:56.520
<v Speaker 2>was so sweet and he was sweet. Curt and Rachel

0:29:56.520 --> 0:30:00.880
<v Speaker 2>have this really nice scene at the concessions stand at

0:30:00.880 --> 0:30:02.880
<v Speaker 2>the competition where they catch up a bit and it's

0:30:02.920 --> 0:30:05.320
<v Speaker 2>it's really really He's like, why are you being so

0:30:05.400 --> 0:30:06.840
<v Speaker 2>nice to me. You weren't just nice to me. It's

0:30:06.880 --> 0:30:08.120
<v Speaker 2>cool she was.

0:30:08.360 --> 0:30:11.680
<v Speaker 1>He was her only real competition, which is very sweet.

0:30:11.960 --> 0:30:15.480
<v Speaker 1>But yes, there it's fun to see. It's fun to

0:30:15.480 --> 0:30:18.680
<v Speaker 1>switch it up. You know, somebody's you know, a competition

0:30:18.800 --> 0:30:21.560
<v Speaker 1>now and you know, on the other side of it.

0:30:22.280 --> 0:30:26.560
<v Speaker 1>And then Kurt is worried because Pavarotti is not singing

0:30:26.600 --> 0:30:28.760
<v Speaker 1>and he's not doing well, and Blaine says he's just

0:30:28.840 --> 0:30:34.240
<v Speaker 1>molting and he's growing a new coat of feathers, which metaphor, yeah,

0:30:34.280 --> 0:30:40.400
<v Speaker 1>exactly for Kurt molting his old old directions and growing

0:30:40.440 --> 0:30:47.680
<v Speaker 1>a new warbler. So very good, thank you. I thought

0:30:47.680 --> 0:30:48.760
<v Speaker 1>of that all by myself.

0:30:48.920 --> 0:30:49.480
<v Speaker 2>Yeah.

0:30:50.240 --> 0:30:55.200
<v Speaker 1>So so that's really it. So now we're we're headed

0:30:55.200 --> 0:30:58.239
<v Speaker 1>to sectionals with Kurt as a Warbler and we're up

0:30:58.280 --> 0:31:03.640
<v Speaker 1>against Dalton and sorry Regional original sorry, And and that's

0:31:03.720 --> 0:31:06.239
<v Speaker 1>that's where we are. That's where we're going. And then

0:31:06.280 --> 0:31:10.000
<v Speaker 1>we do dog Days are over the most fun number.

0:31:10.400 --> 0:31:15.000
<v Speaker 2>And dog Days was a moment if you're keeping track

0:31:15.320 --> 0:31:17.320
<v Speaker 2>of the show, Like I've now said a billion times,

0:31:17.720 --> 0:31:20.720
<v Speaker 2>we start doing numbers differently after dog Days. And maybe

0:31:20.720 --> 0:31:23.520
<v Speaker 2>this happened because we didn't have time to learn a number.

0:31:23.840 --> 0:31:26.160
<v Speaker 2>I'm not sure why this, it could have been that.

0:31:27.040 --> 0:31:28.080
<v Speaker 1>Just run around the stage.

0:31:28.200 --> 0:31:31.800
<v Speaker 2>Yeah, seuce. We also, i think learned that very last minute. Yes,

0:31:32.240 --> 0:31:35.320
<v Speaker 2>but it works so well and it's really the first

0:31:35.360 --> 0:31:39.960
<v Speaker 2>time so far in thirty two episodes that we've done

0:31:40.000 --> 0:31:43.000
<v Speaker 2>anything like that where there is a lot of running

0:31:43.000 --> 0:31:47.080
<v Speaker 2>around and just freeform. We were doing what we wanted

0:31:47.080 --> 0:31:47.400
<v Speaker 2>to do.

0:31:48.400 --> 0:31:52.280
<v Speaker 1>And for people who we haven't said this yet, free

0:31:52.360 --> 0:31:58.920
<v Speaker 1>form rock out ter that Zach coined where he'd be like, Okay,

0:31:59.000 --> 0:32:00.720
<v Speaker 1>we're gonna walk in a line, we're gonna get in

0:32:00.800 --> 0:32:03.200
<v Speaker 1>a diagonal, you're all gonna clap your hands, and then

0:32:03.280 --> 0:32:05.640
<v Speaker 1>this is eightcounts of free form rock out, and that

0:32:05.680 --> 0:32:08.000
<v Speaker 1>meant you could do whatever you want free accounts. Yes,

0:32:08.160 --> 0:32:12.040
<v Speaker 1>it's more like thirty two probably, but it was always

0:32:12.080 --> 0:32:15.160
<v Speaker 1>a fun free form rockout. That's right. It's always there's

0:32:15.200 --> 0:32:16.640
<v Speaker 1>always time for free form rock out.

0:32:17.640 --> 0:32:19.280
<v Speaker 2>You can use it in any sort of you can

0:32:19.400 --> 0:32:22.360
<v Speaker 2>use it in everyday life, you know, just you can like,

0:32:22.400 --> 0:32:23.760
<v Speaker 2>I don't know what to do, but just free form

0:32:23.840 --> 0:32:26.560
<v Speaker 2>rock out. Whatever you want. You can't go wrong every

0:32:26.600 --> 0:32:29.160
<v Speaker 2>time order free rock free form rock out.

0:32:30.320 --> 0:32:32.640
<v Speaker 1>But it's true, you're you're totally right. I think it

0:32:32.680 --> 0:32:34.360
<v Speaker 1>was a lot of like, Okay, there's not a lot

0:32:34.360 --> 0:32:37.080
<v Speaker 1>of time to choreograph, and it actually works. It's okay,

0:32:37.160 --> 0:32:38.920
<v Speaker 1>we don't it doesn't have to be perfect. It's like,

0:32:38.960 --> 0:32:43.560
<v Speaker 1>don't stop believing. When we had the nth version where

0:32:44.120 --> 0:32:46.680
<v Speaker 1>we finally were like, okay, this is slightly choreographed, but

0:32:46.720 --> 0:32:50.200
<v Speaker 1>this is also very free. It's very free. That's where

0:32:50.520 --> 0:32:56.280
<v Speaker 1>New Directions thrives. So I enjoyed watching this because everybody

0:32:56.280 --> 0:32:57.560
<v Speaker 1>looks like they're having a blast.

0:32:57.800 --> 0:33:00.520
<v Speaker 2>You also sounded fit me.

0:33:00.920 --> 0:33:03.520
<v Speaker 1>No, oh, thank you, that's very nice. This is the

0:33:03.520 --> 0:33:05.760
<v Speaker 1>first Florence song, and this is where I found my

0:33:05.800 --> 0:33:09.320
<v Speaker 1>love for Florence in the machine. I had no voice

0:33:09.320 --> 0:33:10.280
<v Speaker 1>when I was recording this.

0:33:10.640 --> 0:33:16.080
<v Speaker 2>That sounds good. Whatever was happening, they did a good job.

0:33:17.960 --> 0:33:19.520
<v Speaker 2>They helped us a lot when we needed.

0:33:20.080 --> 0:33:23.320
<v Speaker 1>You did they really did, and somehow it worked. But yes,

0:33:23.520 --> 0:33:24.800
<v Speaker 1>that was a very exciting number.

0:33:24.960 --> 0:33:26.880
<v Speaker 2>You and Amber sounds so good together too.

0:33:27.040 --> 0:33:29.520
<v Speaker 1>I mean, you know, sing with people who make you better.

0:33:31.000 --> 0:33:33.959
<v Speaker 2>No, but not everybody's tones, you know fit together nicely,

0:33:34.040 --> 0:33:37.120
<v Speaker 2>and your voices just fit together. Do you remember recording this,

0:33:37.400 --> 0:33:39.680
<v Speaker 2>like do you lose your voice?

0:33:40.920 --> 0:33:44.600
<v Speaker 1>I was having vocal problems all of season two, starting

0:33:44.640 --> 0:33:48.080
<v Speaker 1>from Asian Camp, and they wanted me to do Getting

0:33:48.080 --> 0:33:50.920
<v Speaker 1>to Know You at Asian Camp with Harry Live, and

0:33:51.000 --> 0:33:54.960
<v Speaker 1>I was like, I was struggling, and that was really

0:33:54.960 --> 0:33:59.040
<v Speaker 1>scary because like it's like your moneymaker. Yeah, and I

0:33:59.080 --> 0:34:02.280
<v Speaker 1>was still struggling or around this time, and it was

0:34:02.320 --> 0:34:06.440
<v Speaker 1>because I think recording and singing live are so different,

0:34:07.080 --> 0:34:10.000
<v Speaker 1>and I wasn't technically doing it properly, and I think

0:34:10.040 --> 0:34:11.799
<v Speaker 1>I was losing my voice. And then you're also like

0:34:11.960 --> 0:34:14.360
<v Speaker 1>lip syncing, which is like kind of whispering, and that's

0:34:14.400 --> 0:34:16.000
<v Speaker 1>the worst thing you can do for your voice. So

0:34:16.200 --> 0:34:17.719
<v Speaker 1>it was just like a lot of getting used to

0:34:18.120 --> 0:34:21.800
<v Speaker 1>and we were just exhausted. But I did lose my voice,

0:34:21.920 --> 0:34:24.319
<v Speaker 1>and I did lose my upper register like a lot,

0:34:24.320 --> 0:34:25.960
<v Speaker 1>and I have a pretty high voice, so it was

0:34:26.440 --> 0:34:30.160
<v Speaker 1>very upsetting. It was very upsetting to lose your upper register.

0:34:30.920 --> 0:34:34.520
<v Speaker 1>And I remember Alex just being like, just use it,

0:34:34.680 --> 0:34:38.080
<v Speaker 1>like use the raspe, use the whispery, like let's just

0:34:38.200 --> 0:34:40.560
<v Speaker 1>use it from Florence because it works. It's not like

0:34:41.000 --> 0:34:44.759
<v Speaker 1>for me Argentina where you actually have to belot. So yeah, yeah,

0:34:44.800 --> 0:34:47.680
<v Speaker 1>I remember recording that. That was really fun and feeling

0:34:47.719 --> 0:34:50.399
<v Speaker 1>like I was going to be happy with the even

0:34:50.480 --> 0:34:52.560
<v Speaker 1>with the voice losing. I was like, I think I'm

0:34:52.560 --> 0:34:54.640
<v Speaker 1>going to be happy with this. And I was very

0:34:55.040 --> 0:34:57.359
<v Speaker 1>excited to hear the final because it was the first

0:34:57.360 --> 0:35:00.359
<v Speaker 1>song that I felt like was the most like a real,

0:35:00.520 --> 0:35:05.040
<v Speaker 1>like top chart topper, current song that I was able

0:35:05.160 --> 0:35:07.239
<v Speaker 1>to sing on like a lead on, and so that

0:35:07.360 --> 0:35:07.880
<v Speaker 1>was exciting.

0:35:08.360 --> 0:35:09.799
<v Speaker 2>And we get to do it on tour, which is

0:35:10.120 --> 0:35:11.959
<v Speaker 2>one of my favorite moments of the entire show.

0:35:12.239 --> 0:35:14.120
<v Speaker 1>So much fun to do it on tour and Amber

0:35:14.160 --> 0:35:15.879
<v Speaker 1>and I got to sing it live. It was really fun.

0:35:16.440 --> 0:35:20.120
<v Speaker 2>Fun. We did it again because this version worked so

0:35:20.200 --> 0:35:22.920
<v Speaker 2>well the performance and Ryan liked it so much that

0:35:23.560 --> 0:35:29.040
<v Speaker 2>we did it again for fun. That's a fun song.

0:35:32.000 --> 0:35:35.719
<v Speaker 1>We are young, Yes, thank you. I mean we did

0:35:35.760 --> 0:35:38.080
<v Speaker 1>it a lot, and then even in the New Class,

0:35:38.200 --> 0:35:41.040
<v Speaker 1>like later later seasons, we did it for this is

0:35:41.080 --> 0:35:42.239
<v Speaker 1>the New Year, remember that.

0:35:42.680 --> 0:35:44.960
<v Speaker 2>And it was always we were doing dog Days. It

0:35:45.040 --> 0:35:46.560
<v Speaker 2>was always a dog Days reference.

0:35:46.880 --> 0:35:50.080
<v Speaker 1>That's right, that's right. That's a good point. Good point. Well,

0:35:50.160 --> 0:35:53.879
<v Speaker 1>that is special education and all of its goodness. Great episode,

0:35:54.160 --> 0:35:55.120
<v Speaker 1>really really solid.

0:35:55.200 --> 0:36:00.320
<v Speaker 2>I really enjoyed this, me too. TARTI takes let's do it, okay,

0:36:00.360 --> 0:36:06.000
<v Speaker 2>cringe moments, Jenna, I would say the Cadbury Egg and

0:36:06.040 --> 0:36:09.359
<v Speaker 2>the Asian kiss Asian kiss.

0:36:10.080 --> 0:36:12.399
<v Speaker 1>David said to me, why is it an Asian kiss?

0:36:12.400 --> 0:36:14.319
<v Speaker 1>And I was like, have you not been watching right?

0:36:17.600 --> 0:36:20.320
<v Speaker 1>And yes, the sicy thing. She's like, she won't perform

0:36:20.360 --> 0:36:24.319
<v Speaker 1>without her sugar. Yeah, it's like, yes, we have all

0:36:24.480 --> 0:36:30.239
<v Speaker 1>these like, yeah, cliches of stereotypes. If you will, that

0:36:30.719 --> 0:36:36.799
<v Speaker 1>would never never okay, fair enough, best dance move, I

0:36:36.880 --> 0:36:47.520
<v Speaker 1>mean obviously, Valerie, Valerie, Harry exceptional, like what that's insane? Okay,

0:36:47.640 --> 0:36:49.160
<v Speaker 1>best song. We can't pick one, so you have to

0:36:49.160 --> 0:36:51.319
<v Speaker 1>pick one and I have to pick one and we die.

0:36:52.000 --> 0:36:54.759
<v Speaker 2>All right, I'll do it because you probably won't want

0:36:54.800 --> 0:36:56.439
<v Speaker 2>to do it. So I'll say dog Days.

0:36:56.320 --> 0:36:58.799
<v Speaker 1>Okay, and I'll say Valerie and we'll switch. Great.

0:36:58.920 --> 0:37:02.320
<v Speaker 2>Yeah, yeah, both are true. We're copainting, yes.

0:37:02.200 --> 0:37:06.160
<v Speaker 1>Yes, best performance by a prop.

0:37:08.760 --> 0:37:10.880
<v Speaker 2>Also the warbler bird, Pavarotti.

0:37:11.800 --> 0:37:14.279
<v Speaker 1>Karate, yeah, sweet Pavaratti.

0:37:15.200 --> 0:37:17.520
<v Speaker 2>Best line, Brittany.

0:37:18.440 --> 0:37:21.880
<v Speaker 1>First of all, she says, well, I went to motocross practice, okay,

0:37:22.360 --> 0:37:25.600
<v Speaker 1>thrown away and I was like, I cannot miss that line.

0:37:25.680 --> 0:37:29.280
<v Speaker 2>Oh god, I have never forgotten that line. It's so good.

0:37:29.680 --> 0:37:33.840
<v Speaker 1>Okay. Second one already admits that the Magic Home wasn't magic,

0:37:33.880 --> 0:37:36.680
<v Speaker 1>and he said, that wasn't magic. I found it on

0:37:36.719 --> 0:37:39.840
<v Speaker 1>the floor and ran into you in the hallway on

0:37:39.920 --> 0:37:44.160
<v Speaker 1>the way to tossing it in the trash, and Brittany says,

0:37:44.320 --> 0:37:47.920
<v Speaker 1>you let me comb my hair with it. So witty

0:37:47.960 --> 0:37:51.080
<v Speaker 1>and quick, you guys, so quick.

0:37:51.360 --> 0:37:53.600
<v Speaker 2>My favorite line, I would I think I would have

0:37:53.640 --> 0:37:55.880
<v Speaker 2>to go with the motocross as well, though, I'm gonna

0:37:55.920 --> 0:37:56.839
<v Speaker 2>I'm gonna second that.

0:37:57.280 --> 0:38:01.040
<v Speaker 1>Great, great, great, great, how he went on the talk

0:38:01.960 --> 0:38:05.839
<v Speaker 1>on the talk and Liu of Succession coming to an end.

0:38:05.960 --> 0:38:07.520
<v Speaker 2>Don't worry, no spoilers here.

0:38:07.480 --> 0:38:09.440
<v Speaker 1>Okay, great, because I'm not caught up yet.

0:38:09.520 --> 0:38:14.359
<v Speaker 2>Yeah, there's I got a lot of people sent this

0:38:14.400 --> 0:38:19.919
<v Speaker 2>to me, and it is a duet with Arty and

0:38:20.480 --> 0:38:22.000
<v Speaker 2>Arty Abrams and kendl Roy.

0:38:22.520 --> 0:38:24.479
<v Speaker 1>You guys look like a wonderful pair.

0:38:24.920 --> 0:38:27.040
<v Speaker 2>I mean, we could be related.

0:38:27.640 --> 0:38:28.560
<v Speaker 1>We wow.

0:38:28.960 --> 0:38:35.840
<v Speaker 2>It's our versions of honesty together and it's a little painful,

0:38:36.600 --> 0:38:40.480
<v Speaker 2>but mostly it feels like an honor, you know. And

0:38:40.560 --> 0:38:43.000
<v Speaker 2>the only time that Artie or myself will have anything

0:38:43.040 --> 0:38:44.439
<v Speaker 2>to do with Kendle Roy.

0:38:45.480 --> 0:38:50.840
<v Speaker 1>This is from Spidey t crch.

0:38:51.080 --> 0:38:56.800
<v Speaker 2>And this is great. Thank you for making this absolute beauty.

0:38:57.360 --> 0:38:59.640
<v Speaker 2>Somebody's like, wait, why do the harmonies work? I mean

0:38:59.680 --> 0:39:05.440
<v Speaker 2>a little bit, it's you know they do. These comments

0:39:05.440 --> 0:39:07.400
<v Speaker 2>are really funny, but don't read the comments if you

0:39:07.400 --> 0:39:09.240
<v Speaker 2>haven't seen the finale of Success.

0:39:09.360 --> 0:39:10.560
<v Speaker 1>I'm not gonna want I can't. I can't.

0:39:10.560 --> 0:39:15.200
<v Speaker 2>Okay, but that is maybe one of the most creative

0:39:15.920 --> 0:39:20.360
<v Speaker 2>and crazy polls. Two worlds colliding that should have nothing

0:39:21.040 --> 0:39:24.520
<v Speaker 2>to do with one another. But thank you Spidey for

0:39:24.680 --> 0:39:28.080
<v Speaker 2>posting that because it's great.

0:39:28.120 --> 0:39:28.960
<v Speaker 1>Everything to do with you.

0:39:28.960 --> 0:39:29.680
<v Speaker 2>You got to look it up.

0:39:30.040 --> 0:39:33.240
<v Speaker 1>Okay, it's a little hard though, that is special education.

0:39:33.360 --> 0:39:38.000
<v Speaker 1>Thanks for joining us for that very full episode, and

0:39:38.600 --> 0:39:41.880
<v Speaker 1>don't miss next week because we're it's Christmas time.

0:39:43.520 --> 0:39:47.319
<v Speaker 2>And that's what you really missed. Thanks for listening and

0:39:47.440 --> 0:39:50.040
<v Speaker 2>follow us on Instagram at and that's what you really

0:39:50.080 --> 0:39:52.239
<v Speaker 2>miss pod. Make sure to write us a review and

0:39:52.360 --> 0:39:54.279
<v Speaker 2>leave us five stars. See you next time.