1 00:00:01,800 --> 00:00:04,479 Speaker 1: And That's what You Really Missed with Jenna. 2 00:00:04,559 --> 00:00:07,920 Speaker 2: And Kevin An iHeartRadio podcast. 3 00:00:09,640 --> 00:00:11,640 Speaker 1: Welcome to my and That's what You Really miss Podcast 4 00:00:12,440 --> 00:00:13,680 Speaker 1: recap edition. 5 00:00:15,040 --> 00:00:20,480 Speaker 2: Hi Kevin, Hey Jenna, Thanks every much for being here today. 6 00:00:20,880 --> 00:00:26,320 Speaker 2: We have It's a fat episode because it's a competition episode. 7 00:00:26,720 --> 00:00:28,400 Speaker 1: I was thinking about this in the shower this morning, 8 00:00:28,600 --> 00:00:31,040 Speaker 1: and I was thinking, why does it feel like a 9 00:00:31,040 --> 00:00:33,960 Speaker 1: fat episode? And it is because it's a competition. But 10 00:00:34,040 --> 00:00:37,120 Speaker 1: when you watch it, it may not feel as fat to 11 00:00:37,200 --> 00:00:41,320 Speaker 1: people as it does for us like it felt. I 12 00:00:41,360 --> 00:00:42,479 Speaker 1: watched it and I was like, oh, that was a 13 00:00:42,479 --> 00:00:45,680 Speaker 1: good episode, solid episode. Didn't feel as full as it 14 00:00:45,800 --> 00:00:46,320 Speaker 1: felt back. 15 00:00:46,440 --> 00:00:48,400 Speaker 2: No, All I think about when I see us on 16 00:00:48,479 --> 00:00:52,520 Speaker 2: stage is how long we were on that stage doing that. 17 00:00:52,520 --> 00:00:56,080 Speaker 1: Dance well exactly and in that theater. And I think 18 00:00:56,080 --> 00:00:58,400 Speaker 1: it's because we were in those theaters for such a 19 00:00:58,440 --> 00:01:01,520 Speaker 1: long time that the shooting feels so full. Because anytime 20 00:01:01,560 --> 00:01:04,959 Speaker 1: you're at a competition, you're like, we're in for it, 21 00:01:05,040 --> 00:01:06,800 Speaker 1: We're in for it. You know it's going to be 22 00:01:06,840 --> 00:01:09,040 Speaker 1: a long one. You know this episode is going to 23 00:01:09,080 --> 00:01:13,680 Speaker 1: take forever. So much rehearsal for these numbers, I mean, 24 00:01:13,760 --> 00:01:16,240 Speaker 1: it was it's a lot so, but. 25 00:01:16,200 --> 00:01:20,720 Speaker 2: I will say this episode has so many I feel 26 00:01:20,760 --> 00:01:24,840 Speaker 2: like classic Glee numbers in it. Yes, like when I 27 00:01:24,840 --> 00:01:27,880 Speaker 2: think about Glee, I think about some of these numbers specifically, 28 00:01:27,920 --> 00:01:33,480 Speaker 2: and I didn't even remember they were all in one episode. Yes, agreed, 29 00:01:33,520 --> 00:01:35,520 Speaker 2: important episode in Glee her. 30 00:01:35,400 --> 00:01:40,399 Speaker 1: History it is, I also noticed, and we'll we can 31 00:01:40,440 --> 00:01:43,560 Speaker 1: talk about it when we get there, but we this 32 00:01:43,640 --> 00:01:49,480 Speaker 1: is when the dialogue gets really fast. We start speaking 33 00:01:50,240 --> 00:01:55,400 Speaker 1: so fast. Really, I mean, go back and watch our 34 00:01:55,400 --> 00:02:00,920 Speaker 1: scene we're the cheerleader. I'm speaking so fast, and I 35 00:02:00,960 --> 00:02:03,800 Speaker 1: remember it because I feel like Leah said the tone 36 00:02:03,800 --> 00:02:06,040 Speaker 1: with that because of Rachel. But then everybody kind of 37 00:02:06,080 --> 00:02:09,040 Speaker 1: caught onto that, and then it was like if you 38 00:02:09,080 --> 00:02:11,640 Speaker 1: don't you realize, if you don't say your line's that fast, 39 00:02:11,639 --> 00:02:12,360 Speaker 1: they'll get cut. 40 00:02:13,240 --> 00:02:16,080 Speaker 2: And we also have to fit in extra music, so 41 00:02:16,400 --> 00:02:18,400 Speaker 2: there's a lot of story that has to happen, and 42 00:02:18,480 --> 00:02:19,959 Speaker 2: so we have to just talk quickly, like it's a 43 00:02:20,000 --> 00:02:20,840 Speaker 2: Shonda Rhyme show. 44 00:02:21,080 --> 00:02:24,280 Speaker 1: And I remember after Glee was over and I had 45 00:02:24,360 --> 00:02:28,000 Speaker 1: a bunch of auditions which I didn't book, I would 46 00:02:28,400 --> 00:02:33,239 Speaker 1: speak so quickly and I could not rid myself of 47 00:02:33,320 --> 00:02:36,560 Speaker 1: the Glee tone or Tina because we are so used 48 00:02:36,560 --> 00:02:38,600 Speaker 1: to speaking so freaking fast. 49 00:02:38,720 --> 00:02:42,520 Speaker 2: Yep, Okay. I had the exact same experience minus the 50 00:02:42,600 --> 00:02:46,080 Speaker 2: first audition I had during Glee. I was sitting down 51 00:02:46,120 --> 00:02:51,120 Speaker 2: and didn't move my legs, and I realized halfway through, 52 00:02:51,160 --> 00:02:54,160 Speaker 2: like the second scene or something, and then I completely 53 00:02:54,200 --> 00:02:57,880 Speaker 2: psyched myself out and I completely screwed up the entire 54 00:02:57,919 --> 00:02:59,520 Speaker 2: audition because then I was all in my head thinking 55 00:02:59,560 --> 00:03:01,440 Speaker 2: about my eggs, and it's like, well, I don't know 56 00:03:01,440 --> 00:03:03,040 Speaker 2: what to do with my legs now. Anyway, that's the 57 00:03:03,080 --> 00:03:07,720 Speaker 2: side of the point, okay. Season two, episode nine, Special Education. 58 00:03:07,919 --> 00:03:12,160 Speaker 2: This originally aired on November thirtieth, twenty ten in the 59 00:03:12,160 --> 00:03:14,640 Speaker 2: News Jennet it was the number one song in the country. 60 00:03:15,040 --> 00:03:19,040 Speaker 1: Only girl in the World fail. 61 00:03:21,000 --> 00:03:23,239 Speaker 2: I love that song. The number one movie was still 62 00:03:23,240 --> 00:03:26,120 Speaker 2: Harry Potter and Death The Allis Part one and. 63 00:03:26,200 --> 00:03:29,840 Speaker 1: In Glean News this Week. On November thirtieth, twenty ten, 64 00:03:29,919 --> 00:03:33,519 Speaker 1: same day as the episode Glee, the volume Glee the 65 00:03:33,600 --> 00:03:37,800 Speaker 1: Music Volume four was released. The album featured eighteen tracks 66 00:03:37,840 --> 00:03:42,920 Speaker 1: from nine episodes in season two minus episode two, Season 67 00:03:43,000 --> 00:03:48,400 Speaker 1: two episode five. It was on iTunes and CD. And 68 00:03:49,520 --> 00:03:51,520 Speaker 1: it's crazy that we're already at a. 69 00:03:51,600 --> 00:03:54,840 Speaker 2: Volume four this was my favorite album cover that we had. 70 00:03:55,120 --> 00:03:57,240 Speaker 1: I loved this one. I thought it was very cute. 71 00:03:57,720 --> 00:04:00,480 Speaker 2: Yeah, I don't know why loved this album packaging. 72 00:04:02,720 --> 00:04:05,080 Speaker 1: We have our favorite, one of our favorite directors back. Yes, 73 00:04:05,520 --> 00:04:07,800 Speaker 1: mister Paris Barclay. 74 00:04:07,280 --> 00:04:09,360 Speaker 2: The one and only Paris. I knew it too. Happy 75 00:04:09,400 --> 00:04:11,160 Speaker 2: to the episode is like, I think Paris did this. 76 00:04:11,400 --> 00:04:15,080 Speaker 1: I try the same thing. It took me a minute 77 00:04:15,280 --> 00:04:17,360 Speaker 1: for some read. I always think Beeker does these now, 78 00:04:17,400 --> 00:04:18,520 Speaker 1: but we haven't gotten there yet. 79 00:04:18,600 --> 00:04:20,960 Speaker 2: No, if Paris directed the shit out of this, yes 80 00:04:20,960 --> 00:04:24,040 Speaker 2: he did, because it is also I feel like this 81 00:04:24,080 --> 00:04:26,919 Speaker 2: script must have been long because there's a lot happening 82 00:04:26,920 --> 00:04:29,080 Speaker 2: in it, so that's probably why we were and he 83 00:04:29,200 --> 00:04:32,000 Speaker 2: covered all of that and more. 84 00:04:32,480 --> 00:04:36,760 Speaker 1: Yes, okay, we have some songs. We have an array 85 00:04:36,800 --> 00:04:39,200 Speaker 1: of songs. We have don't cry from me, Argentina. We 86 00:04:39,240 --> 00:04:42,400 Speaker 1: have the living years. We have Heyesel's sister. We have 87 00:04:42,920 --> 00:04:46,040 Speaker 1: had the time of my life. We have Valerie and 88 00:04:46,240 --> 00:04:50,480 Speaker 1: dog days are over. That is all. 89 00:04:50,680 --> 00:04:53,680 Speaker 2: That's right. That's a lot of music, and we were 90 00:04:53,680 --> 00:04:59,279 Speaker 2: playing long versions of those competition songs, so that ate 91 00:04:59,400 --> 00:05:02,320 Speaker 2: up a lot. I remember in the scripts when you 92 00:05:02,360 --> 00:05:03,880 Speaker 2: would start to see the song in the script, and 93 00:05:03,920 --> 00:05:06,479 Speaker 2: it was written differently, like how long? How much of 94 00:05:06,480 --> 00:05:09,479 Speaker 2: the script is this taking up? She knew it would 95 00:05:09,920 --> 00:05:11,840 Speaker 2: cut into all the other storylines. 96 00:05:12,400 --> 00:05:14,880 Speaker 1: The living years is very funny, and I forgot about that. 97 00:05:14,880 --> 00:05:17,680 Speaker 2: Memory so funny. I can't wait to talk about that one. 98 00:05:18,520 --> 00:05:18,839 Speaker 1: Okay. 99 00:05:20,160 --> 00:05:24,360 Speaker 2: So in this episode, it's sectionals, but the Glee Club 100 00:05:24,360 --> 00:05:26,400 Speaker 2: may be falling apart at the same time as some 101 00:05:27,000 --> 00:05:31,240 Speaker 2: relationships start to crumble. Kurt is adjusting to his new 102 00:05:31,279 --> 00:05:35,120 Speaker 2: life as a Warbler, and Emma surprises Will with some 103 00:05:35,240 --> 00:05:38,360 Speaker 2: news about her and doctor Carl. 104 00:05:38,200 --> 00:05:39,560 Speaker 1: Totally forgot about this too. 105 00:05:40,000 --> 00:05:41,599 Speaker 2: Oh yeah, I did too. 106 00:05:42,000 --> 00:05:43,240 Speaker 1: You didn't remember, Okay. 107 00:05:43,040 --> 00:05:45,640 Speaker 2: You know, living in a small town, moving quickly. 108 00:05:46,000 --> 00:05:53,000 Speaker 1: Well, let's talk about sectionals, yes, and the setlist. So 109 00:05:53,440 --> 00:05:55,800 Speaker 1: the fact that we don't have a setlist at is. 110 00:05:55,440 --> 00:06:01,719 Speaker 2: Is recurring theme here. Will Shuster is it very questionable teacher? 111 00:06:02,520 --> 00:06:05,640 Speaker 1: Exactly? His name? Prep is not great? 112 00:06:06,440 --> 00:06:09,240 Speaker 2: So but I guess it's like an extracurricular though, right, 113 00:06:09,240 --> 00:06:12,080 Speaker 2: Like he's a Spanish teacher. So glee club is yeah. 114 00:06:11,880 --> 00:06:14,000 Speaker 1: But it's this main thing, let's be real. 115 00:06:14,600 --> 00:06:15,320 Speaker 2: I guess you're right. 116 00:06:16,080 --> 00:06:19,760 Speaker 1: So he invites Emma as his plus one to sectionals 117 00:06:19,760 --> 00:06:24,080 Speaker 1: and then she's like totally totally guesses, I don't know 118 00:06:24,160 --> 00:06:27,360 Speaker 1: how guesses how mister Shue is what the setlist is 119 00:06:27,360 --> 00:06:29,240 Speaker 1: going to look like. And she's like, let me yes, 120 00:06:30,720 --> 00:06:33,520 Speaker 1: it's gonna be a solo from Rachel and Finn and 121 00:06:33,600 --> 00:06:36,440 Speaker 1: it's going to be you know, Mercedes pulling out the 122 00:06:36,480 --> 00:06:40,040 Speaker 1: steps and he's like, wait, how did you know? And 123 00:06:40,080 --> 00:06:43,040 Speaker 1: then she points out that she realized from Rocky Horror 124 00:06:43,080 --> 00:06:46,240 Speaker 1: that the Glee Club is full of talent and he 125 00:06:46,279 --> 00:06:48,760 Speaker 1: may not be utilizing all of them because they may 126 00:06:48,839 --> 00:06:53,680 Speaker 1: not shine as bright as the other stars. And I 127 00:06:53,760 --> 00:06:54,800 Speaker 1: think she's right. 128 00:06:55,480 --> 00:06:59,000 Speaker 2: I think she has it. Yeah, it's one of those 129 00:06:59,000 --> 00:07:03,760 Speaker 2: things where that's the show commenting on itself exactly exactly. 130 00:07:04,640 --> 00:07:08,000 Speaker 1: So he agrees, and he's like all right, and he 131 00:07:08,080 --> 00:07:11,680 Speaker 1: thinks that the duet partner should take the lead on 132 00:07:11,720 --> 00:07:14,840 Speaker 1: this one, and it's gonna be Sam and Quinn, which 133 00:07:14,880 --> 00:07:21,840 Speaker 1: is very cute Ken and Barbie akah, and then Quinn 134 00:07:21,840 --> 00:07:26,720 Speaker 1: has this very harsh line to Rachel and I noticed 135 00:07:26,760 --> 00:07:29,440 Speaker 1: that this was like I felt this one, I like 136 00:07:29,480 --> 00:07:32,320 Speaker 1: a gut punch and I was like, oh wow, that 137 00:07:32,520 --> 00:07:35,400 Speaker 1: wasn't mean, like we got we got mean. 138 00:07:35,480 --> 00:07:37,160 Speaker 2: For a sec that happens a couple of times in 139 00:07:37,160 --> 00:07:37,640 Speaker 2: this episode. 140 00:07:37,800 --> 00:07:42,320 Speaker 1: Yeah, yeah, yeah for sure, and Mike and Mike and 141 00:07:42,320 --> 00:07:45,080 Speaker 1: Brittany are gonna have a dance solo, which is gonna 142 00:07:45,080 --> 00:07:50,440 Speaker 1: be great, and then Rachel is very upset about it, 143 00:07:51,000 --> 00:07:56,960 Speaker 1: which we'll see later. But uh, Finn and Rachel are 144 00:07:57,040 --> 00:07:59,200 Speaker 1: also like, what are you trying to throw this competition? 145 00:07:59,800 --> 00:08:04,880 Speaker 1: And everybody starts kind of arguing, and Santana spills the 146 00:08:04,920 --> 00:08:11,160 Speaker 1: truth about her and Finn hooking up and Finn's whole lie. 147 00:08:11,480 --> 00:08:19,200 Speaker 2: Do you remember filming the scene? No, I just remember 148 00:08:19,240 --> 00:08:22,160 Speaker 2: it is because everybody had a lot of different people 149 00:08:22,200 --> 00:08:25,960 Speaker 2: had dialogue and we had to cover. Oh maybe this 150 00:08:26,040 --> 00:08:30,160 Speaker 2: whole thing about talking faster is checking out because I 151 00:08:30,240 --> 00:08:33,240 Speaker 2: remember we had we rehearsed it over and over and over, 152 00:08:33,360 --> 00:08:38,600 Speaker 2: so everyone got their shit tight because there was so 153 00:08:38,760 --> 00:08:42,000 Speaker 2: much because I think Paris probably went into this knowing 154 00:08:42,000 --> 00:08:46,160 Speaker 2: the script was long. And also this this scene takes 155 00:08:46,160 --> 00:08:49,240 Speaker 2: you a lot of places. It's mm hmm, wait, everybody, 156 00:08:49,280 --> 00:08:51,679 Speaker 2: hold on, I have an announcement. Announcement since everybody into chaos, 157 00:08:51,760 --> 00:08:55,520 Speaker 2: and then it's Santana revealing this gigantic thing, and also 158 00:08:55,600 --> 00:08:59,080 Speaker 2: you know, Finn getting upset, which doesn't really happen about 159 00:08:59,120 --> 00:09:01,520 Speaker 2: Glee Club, and there was a lot happening, and it 160 00:09:01,640 --> 00:09:05,840 Speaker 2: just moves at such a fast clip and it works perfectly. Right. 161 00:09:07,440 --> 00:09:12,680 Speaker 2: The next part is I loved the scene. I really 162 00:09:12,920 --> 00:09:18,079 Speaker 2: loved already scenes with Brittany and Tina this episode because 163 00:09:18,120 --> 00:09:20,800 Speaker 2: we didn't necessarily get a lot of these little weird 164 00:09:21,280 --> 00:09:25,360 Speaker 2: one off scenes. Yes, and it was great, but especially 165 00:09:25,400 --> 00:09:28,280 Speaker 2: this one. Brittany is paralyzed with fear even though she 166 00:09:28,320 --> 00:09:30,480 Speaker 2: knows she's better than all of us, and so Artie 167 00:09:31,480 --> 00:09:35,480 Speaker 2: convinces her to take his magic comb and that will 168 00:09:36,120 --> 00:09:37,480 Speaker 2: make them win. 169 00:09:37,920 --> 00:09:41,640 Speaker 1: It's cute, It's really cute. It is very cute, and 170 00:09:41,720 --> 00:09:44,280 Speaker 1: also her just standing in the corner was also very funny, 171 00:09:45,640 --> 00:09:47,360 Speaker 1: just by herself paralyzed with fear. 172 00:09:47,880 --> 00:09:51,760 Speaker 2: The other thing is, we're down a member because Kurt's gone, right, 173 00:09:51,840 --> 00:09:57,240 Speaker 2: so shee enlists Puck because everyone likes him or is 174 00:09:57,280 --> 00:10:00,559 Speaker 2: afraid of him, and so he goes on this pretty 175 00:10:00,760 --> 00:10:07,720 Speaker 2: funny journey to get the one and only Zis, which 176 00:10:07,760 --> 00:10:11,160 Speaker 2: is Ashley Fink, who ends up becoming a part of 177 00:10:12,160 --> 00:10:15,040 Speaker 2: the Glee Club for a long time and Glee fam forever. 178 00:10:15,920 --> 00:10:19,520 Speaker 2: So that was also like a very outside of the 179 00:10:19,559 --> 00:10:23,320 Speaker 2: show monumental thing. You know, it was a big personal 180 00:10:23,440 --> 00:10:25,200 Speaker 2: change for us in a great way. 181 00:10:25,280 --> 00:10:28,079 Speaker 1: It was. It was very exciting and I forgot about 182 00:10:28,120 --> 00:10:29,600 Speaker 1: I totally had forgotten about that. 183 00:10:29,679 --> 00:10:31,640 Speaker 2: What is it with everybody ending up in a porta potty? 184 00:10:36,360 --> 00:10:38,760 Speaker 2: I do like it. It makes me feel better that, 185 00:10:38,840 --> 00:10:43,480 Speaker 2: you know, Puck gets into a port after twenty four hours. Yeah, 186 00:10:43,520 --> 00:10:45,200 Speaker 2: praying to Buddha Alla Satan. 187 00:10:46,000 --> 00:10:49,000 Speaker 1: My gosh. But it's very exciting to have Zics there. 188 00:10:49,120 --> 00:10:55,920 Speaker 1: And Ashley think obviously, who really becomes a very important 189 00:10:55,920 --> 00:11:08,760 Speaker 1: part of the glee club, doesn't she? Ye? Okay, So 190 00:11:09,080 --> 00:11:11,880 Speaker 1: Puck's in the get stuck in a poor body. And 191 00:11:11,920 --> 00:11:16,640 Speaker 1: then we get to sectionals where we do have a so. 192 00:11:18,760 --> 00:11:21,760 Speaker 2: We have a set list, but everybody hates each other. 193 00:11:22,720 --> 00:11:24,719 Speaker 2: Everybody everyone's unhinged. 194 00:11:25,760 --> 00:11:33,280 Speaker 1: Yeah, stuff gets weird, and and then we have people 195 00:11:33,280 --> 00:11:41,880 Speaker 1: who are performing weird weird numbers. Can we talk about 196 00:11:42,760 --> 00:11:44,640 Speaker 1: the numbers of the other glee clubs? 197 00:11:44,720 --> 00:11:46,200 Speaker 2: Yes? Please talk about the Living Years? 198 00:11:46,360 --> 00:11:49,520 Speaker 1: Okay? So the Living Years is by the Hipsters, which 199 00:11:50,880 --> 00:11:55,480 Speaker 1: so ian to write that was so the lead singer 200 00:11:55,720 --> 00:11:59,959 Speaker 1: of the Hipsters is Luanne, who was our other two 201 00:12:00,160 --> 00:12:05,000 Speaker 1: Davis who was our lyric Master and amongst them thousands 202 00:12:05,040 --> 00:12:07,920 Speaker 1: of hats that he wore. But Luanne was kind of 203 00:12:07,960 --> 00:12:10,920 Speaker 1: took over Tim when things got a little too crazy 204 00:12:10,920 --> 00:12:14,240 Speaker 1: for him and he had time. Yeah, And so Leanne 205 00:12:14,240 --> 00:12:16,679 Speaker 1: was on set with us, and then she starred in 206 00:12:16,760 --> 00:12:18,960 Speaker 1: The Hipsters and that's actually her singing too. 207 00:12:19,040 --> 00:12:21,800 Speaker 2: I believe. I think you're right because so then the 208 00:12:21,840 --> 00:12:23,520 Speaker 2: other woman who's singing in it, do you remember this, 209 00:12:24,040 --> 00:12:26,760 Speaker 2: uh huhm is the one singing the Circle of Life 210 00:12:26,760 --> 00:12:30,440 Speaker 2: and the Lion King. That's right, And they a lot 211 00:12:30,480 --> 00:12:33,760 Speaker 2: of those people in the Hipsters were a part of 212 00:12:33,800 --> 00:12:36,559 Speaker 2: that choir for the Circle of Life. 213 00:12:36,520 --> 00:12:40,040 Speaker 1: Right, Kevin good memory. Oh what a. 214 00:12:40,000 --> 00:12:42,000 Speaker 2: Special time because when Lunn. 215 00:12:41,800 --> 00:12:45,120 Speaker 1: Is the nicest, I know, the sweetest. 216 00:12:44,600 --> 00:12:48,040 Speaker 2: Person, and that came up somehow and I remember going 217 00:12:48,080 --> 00:12:50,560 Speaker 2: up to is this true? And she was sort of like, 218 00:12:50,559 --> 00:12:53,040 Speaker 2: She's like, yeah, it is. She was like, why haven't 219 00:12:53,080 --> 00:12:55,760 Speaker 2: you led with that? That is the coolest thing. We 220 00:12:55,760 --> 00:12:59,160 Speaker 2: were so starstruck the rest of the day and I 221 00:12:59,200 --> 00:13:01,520 Speaker 2: felt so bad that they all had to be dressed 222 00:13:01,600 --> 00:13:05,840 Speaker 2: up like that. These are legends. It was funny. 223 00:13:06,160 --> 00:13:08,920 Speaker 1: What theater were we in in La? Do you remember? 224 00:13:09,960 --> 00:13:10,480 Speaker 2: No idea? 225 00:13:13,320 --> 00:13:15,440 Speaker 1: Hard to say? Okay, we did. 226 00:13:15,360 --> 00:13:18,400 Speaker 2: So many different theaters and we skipped around every competition, 227 00:13:18,520 --> 00:13:19,520 Speaker 2: didn't a lot of the time. 228 00:13:19,559 --> 00:13:23,400 Speaker 1: I remember by the dress, but I can't remember this one. 229 00:13:23,520 --> 00:13:27,760 Speaker 2: So Jenna, do you remember we did not learn a 230 00:13:27,760 --> 00:13:31,839 Speaker 2: lot of this choreography until the night like the night 231 00:13:31,840 --> 00:13:35,400 Speaker 2: before I think we had maybe thirty minutes what and 232 00:13:35,440 --> 00:13:38,800 Speaker 2: then the morning of we learned most of it. No, 233 00:13:39,360 --> 00:13:42,360 Speaker 2: and that going over, I remember Zach looking so panicked 234 00:13:42,360 --> 00:13:43,880 Speaker 2: because it was one of those things where we were 235 00:13:43,880 --> 00:13:47,600 Speaker 2: so overscheduled where we didn't have time to learn the 236 00:13:47,640 --> 00:13:51,120 Speaker 2: actual competition dance. And I remember it was Ashley's first 237 00:13:51,360 --> 00:13:55,000 Speaker 2: competition with us, and we're like, we are so sorry. 238 00:13:55,040 --> 00:13:58,880 Speaker 2: It is not normally like this, but we sort of, 239 00:13:59,760 --> 00:14:03,400 Speaker 2: you know, like Heather and Harry obviously knew their thing 240 00:14:04,000 --> 00:14:06,400 Speaker 2: with Naya. They had that all sorted out, but we 241 00:14:06,440 --> 00:14:10,319 Speaker 2: didn't know what we were doing behind them, and we 242 00:14:10,440 --> 00:14:14,600 Speaker 2: learned all of that on the day. Yes, and it 243 00:14:14,720 --> 00:14:16,760 Speaker 2: was rough, I. 244 00:14:16,720 --> 00:14:19,040 Speaker 1: Remember, And I also when watching this was like, I 245 00:14:19,040 --> 00:14:21,600 Speaker 1: don't know what I'm doing in this in this number 246 00:14:21,760 --> 00:14:25,200 Speaker 1: and it made sense, that makes sense now. It was 247 00:14:25,640 --> 00:14:30,360 Speaker 1: very off the cover. Yeah, this is when it started 248 00:14:30,360 --> 00:14:32,960 Speaker 1: to get really crazy. But think about it, we had 249 00:14:33,200 --> 00:14:36,120 Speaker 1: so much to shoot. There were so many things going on, 250 00:14:36,400 --> 00:14:41,480 Speaker 1: and then a whole sectionals to boot and a whole 251 00:14:41,480 --> 00:14:43,400 Speaker 1: new choir that's going to be around for a very 252 00:14:43,440 --> 00:14:47,440 Speaker 1: long time. Yeah, so there's a lot blessed Paris Barklay's 253 00:14:47,440 --> 00:14:50,320 Speaker 1: heart for taking on this monster episode. 254 00:14:50,360 --> 00:14:53,320 Speaker 2: That edit really made us look great. 255 00:14:53,280 --> 00:14:56,440 Speaker 1: Great, and also it felt so smooth. It didn't feel 256 00:14:56,440 --> 00:14:58,520 Speaker 1: clunky like well, like it was when we were shooting 257 00:14:58,600 --> 00:14:59,960 Speaker 1: in No. I'll tell you that. 258 00:15:01,360 --> 00:15:02,880 Speaker 2: This is I want to have. Have the scene though in 259 00:15:02,880 --> 00:15:04,560 Speaker 2: the greenroom right before we performed. 260 00:15:05,040 --> 00:15:07,040 Speaker 1: There's a whole thing happening. Tell me about it. 261 00:15:07,160 --> 00:15:09,800 Speaker 2: Well, it's way if you've been listening thus far to 262 00:15:09,880 --> 00:15:13,600 Speaker 2: us on the podcast, these green room scenes are the 263 00:15:13,600 --> 00:15:17,720 Speaker 2: band of our existence because there are about eighty of 264 00:15:17,800 --> 00:15:20,360 Speaker 2: us and one room, and the camera has to shoot 265 00:15:20,400 --> 00:15:26,360 Speaker 2: everybody from every angle right right. However, we were in 266 00:15:26,400 --> 00:15:28,760 Speaker 2: there a hot minute. But this was not a bad 267 00:15:28,800 --> 00:15:29,680 Speaker 2: experience at all. 268 00:15:30,080 --> 00:15:30,680 Speaker 1: No, it was not. 269 00:15:31,200 --> 00:15:34,360 Speaker 2: And I think we were getting better each time, and 270 00:15:34,400 --> 00:15:38,160 Speaker 2: this was even better than the time before. And there 271 00:15:38,280 --> 00:15:42,200 Speaker 2: was so much drama going on and people yelling at 272 00:15:42,200 --> 00:15:44,040 Speaker 2: each other, and it was so fun to watch and 273 00:15:44,160 --> 00:15:45,720 Speaker 2: also be a part of. 274 00:15:46,600 --> 00:15:49,600 Speaker 1: It was really fun to watch, I think because Paris 275 00:15:49,600 --> 00:15:54,800 Speaker 1: did it very strategically. Yes, everybody wasn't in every part 276 00:15:54,840 --> 00:15:57,520 Speaker 1: of it, and that's what it was. It was corners. 277 00:15:57,760 --> 00:16:00,600 Speaker 1: Tina and Mike were in a corner and Heather are 278 00:16:00,640 --> 00:16:01,480 Speaker 1: hardy in Brittany. 279 00:16:01,560 --> 00:16:03,920 Speaker 2: We were tied together. Yeah, we were. Our story was 280 00:16:03,960 --> 00:16:05,400 Speaker 2: happening in one section. 281 00:16:05,560 --> 00:16:07,800 Speaker 1: But like you shot it and you just see like 282 00:16:07,960 --> 00:16:10,800 Speaker 1: maybees icys in the background of Tina and Mike and 283 00:16:10,840 --> 00:16:14,240 Speaker 1: that's it. So we didn't feel as a monster where 284 00:16:14,280 --> 00:16:17,400 Speaker 1: you're in the room every time somebody's you know, coverage 285 00:16:17,400 --> 00:16:20,440 Speaker 1: is getting shot. And I think that might have also 286 00:16:20,840 --> 00:16:23,040 Speaker 1: been a part of it, was that we'd done it 287 00:16:23,080 --> 00:16:25,360 Speaker 1: before and we were like, let's do this better. 288 00:16:26,680 --> 00:16:30,360 Speaker 2: A side note, Will being so mad at everyone and 289 00:16:30,440 --> 00:16:32,680 Speaker 2: be like I'm ashamed of you scares me every time. 290 00:16:34,120 --> 00:16:35,720 Speaker 1: It was big. 291 00:16:36,000 --> 00:16:38,000 Speaker 2: What teachers talk like that to their students. 292 00:16:38,320 --> 00:16:41,840 Speaker 1: I've had teachers yell at us before. I had like that. 293 00:16:41,960 --> 00:16:43,960 Speaker 2: Yeah, this is the second time in that in the 294 00:16:43,960 --> 00:16:45,040 Speaker 2: episode where he's I. 295 00:16:44,960 --> 00:16:46,840 Speaker 1: Know, and then the way he speaks to Rachel about it. 296 00:16:46,880 --> 00:16:48,720 Speaker 1: I mean, look, she wasn't being a team player. But 297 00:16:48,760 --> 00:16:50,560 Speaker 1: I have to say it was aggressive. 298 00:16:50,960 --> 00:16:52,000 Speaker 2: It was very aggressive. 299 00:16:52,160 --> 00:16:55,440 Speaker 1: It was scary. You're right, it was a little scary. 300 00:16:55,520 --> 00:16:56,880 Speaker 1: It wouldn't fly right now. 301 00:16:57,280 --> 00:17:01,480 Speaker 2: No, no, I remember were watching it. I watched this 302 00:17:01,520 --> 00:17:03,520 Speaker 2: episode last night with my parents because. 303 00:17:03,400 --> 00:17:05,600 Speaker 1: I'm in teching, Oh that's cute. 304 00:17:05,600 --> 00:17:08,960 Speaker 2: And he starts yelling and I just burst out laughing, 305 00:17:09,080 --> 00:17:12,879 Speaker 2: like what. I'm like, I can't take it now, what 306 00:17:13,040 --> 00:17:15,640 Speaker 2: is this? I cannot believe. 307 00:17:16,920 --> 00:17:20,280 Speaker 1: It's a lot, but we are acting a bit a 308 00:17:20,280 --> 00:17:23,400 Speaker 1: fool and not everybody. Everybody's very much out for themselves 309 00:17:23,400 --> 00:17:26,840 Speaker 1: in this episode. 310 00:17:25,760 --> 00:17:29,080 Speaker 2: And teens are teening, that's right. 311 00:17:29,119 --> 00:17:31,359 Speaker 1: So amidst all of this, like, let's let can we 312 00:17:31,359 --> 00:17:33,680 Speaker 1: talk about the Tina, Artie and Brittany of it all? 313 00:17:34,040 --> 00:17:37,720 Speaker 1: Because and then we'll go back to sectionals. This is funny. 314 00:17:37,720 --> 00:17:39,840 Speaker 1: I forgot this was in this this part of this 315 00:17:39,880 --> 00:17:46,840 Speaker 1: whole storyline. Tina convinces Artie that Mike and Brittany are 316 00:17:46,920 --> 00:17:47,800 Speaker 1: having an affair. 317 00:17:48,400 --> 00:17:51,920 Speaker 2: Also updating the list of this is now up there 318 00:17:51,920 --> 00:17:55,040 Speaker 2: with favorite scenes that we've ever done. I completely forgot 319 00:17:55,040 --> 00:17:57,479 Speaker 2: about this scene completely. 320 00:17:57,240 --> 00:17:59,600 Speaker 1: Totally did too, except for the costume when I was like, 321 00:17:59,760 --> 00:18:02,439 Speaker 1: oh right, it was funny. 322 00:18:04,240 --> 00:18:05,360 Speaker 2: I love this scene. 323 00:18:05,840 --> 00:18:08,119 Speaker 1: I love this scene too. I just forgot how fast 324 00:18:08,280 --> 00:18:08,680 Speaker 1: we talk. 325 00:18:08,920 --> 00:18:11,439 Speaker 2: Yeah, but I liked it because it also it was 326 00:18:11,440 --> 00:18:15,280 Speaker 2: so I remember filming that and it was a note 327 00:18:15,320 --> 00:18:17,520 Speaker 2: we all had that we had to talk faster. This 328 00:18:17,600 --> 00:18:21,640 Speaker 2: is all coming back to me now and that makes 329 00:18:21,720 --> 00:18:24,320 Speaker 2: it so much easier in terms of you don't have 330 00:18:24,400 --> 00:18:26,040 Speaker 2: to think about it, you just do it. And the 331 00:18:26,040 --> 00:18:31,240 Speaker 2: comedy you know, is written. Yeah, exactly, and it's nice 332 00:18:31,240 --> 00:18:33,120 Speaker 2: for us to get the I like Tina and Artie 333 00:18:33,240 --> 00:18:35,560 Speaker 2: and cahoots being like, look, I'm just setting you know 334 00:18:36,560 --> 00:18:39,960 Speaker 2: what's up, and then Arty confronts Brittany, and Brittany's acting 335 00:18:40,080 --> 00:18:44,200 Speaker 2: all strange. Heather was also hilarious. 336 00:18:43,320 --> 00:18:46,280 Speaker 1: So funny. I mean, the cole itself of that whole 337 00:18:46,280 --> 00:18:48,800 Speaker 1: storyline could have just flown on its own, but then 338 00:18:48,920 --> 00:18:53,080 Speaker 1: to add this whole thing Heather was very, very funny. 339 00:18:53,320 --> 00:18:57,399 Speaker 2: I like that calls apart at the actual in the competition. 340 00:18:57,600 --> 00:19:01,960 Speaker 1: Yeah, oh yeah, so Britain. Brittany Artie is like you 341 00:19:03,320 --> 00:19:05,560 Speaker 1: you've been adultrous? Is that a word? 342 00:19:05,920 --> 00:19:07,679 Speaker 2: Adultrius? Even an adultrius? 343 00:19:08,000 --> 00:19:11,840 Speaker 1: Adultrius? And Brittany doesn't know what that means. 344 00:19:11,960 --> 00:19:14,840 Speaker 2: No, but she's like, I have I'm so sorry, I'm 345 00:19:14,840 --> 00:19:16,760 Speaker 2: so ashamed of the way I behaved. 346 00:19:16,600 --> 00:19:19,359 Speaker 1: And then Mike's like, what's going on? And I'm like, 347 00:19:19,440 --> 00:19:24,080 Speaker 1: you're a jerk to Mike, and and that convinces Alreadie 348 00:19:24,080 --> 00:19:26,480 Speaker 1: because Alartie wasn't so convinced that they were having an affair, 349 00:19:26,520 --> 00:19:33,280 Speaker 1: but now we're sure of it because now already thinks 350 00:19:33,320 --> 00:19:36,679 Speaker 1: that Latina said that Mike tastes like lipsmackers, which Brittany 351 00:19:37,000 --> 00:19:42,240 Speaker 1: Brittany used, and then it falls apart, and then Brittany 352 00:19:42,520 --> 00:19:47,159 Speaker 1: admits that she didn't cheat on him, but that she 353 00:19:47,240 --> 00:19:48,080 Speaker 1: lost the comb. 354 00:19:49,600 --> 00:19:51,760 Speaker 2: So sweet, it's really sweet. 355 00:19:51,800 --> 00:19:54,440 Speaker 1: The comb is really sweet. It's just you finding a 356 00:19:54,440 --> 00:19:56,720 Speaker 1: way for her to be awesome. And then she goes 357 00:19:56,760 --> 00:19:58,120 Speaker 1: out and is awesome. 358 00:19:58,600 --> 00:20:02,480 Speaker 2: Also, we kiss and then I smile and my parents 359 00:20:02,480 --> 00:20:07,240 Speaker 2: start laughing. Why and I'm like, just because you look 360 00:20:07,320 --> 00:20:10,560 Speaker 2: so dorky. Oh my gosh. It's like, I can't watch 361 00:20:10,560 --> 00:20:11,760 Speaker 2: these episodes with my parents anymore. 362 00:20:11,800 --> 00:20:12,399 Speaker 1: No, you can't. 363 00:20:13,320 --> 00:20:16,880 Speaker 2: You can't do it. It is weird though, because we were filming. 364 00:20:17,200 --> 00:20:19,680 Speaker 2: I wasn't with my family while we were doing this, 365 00:20:19,800 --> 00:20:22,200 Speaker 2: and I've never like watched the show with them before. 366 00:20:22,119 --> 00:20:26,360 Speaker 1: Right, right, very rare to watch the episode with your parents, right, 367 00:20:27,080 --> 00:20:29,360 Speaker 1: There's just so many things too inside things that you're 368 00:20:29,359 --> 00:20:31,439 Speaker 1: like laughing at, Like I watch it with David and 369 00:20:31,480 --> 00:20:33,480 Speaker 1: I laugh and I'm like, oh, I remember that, and 370 00:20:33,520 --> 00:20:35,760 Speaker 1: he's like what, and I'm like, never mind, Yeah. 371 00:20:35,600 --> 00:20:37,640 Speaker 2: I'm laughing at all the wrong moments I have nothing 372 00:20:37,680 --> 00:20:41,119 Speaker 2: to do with. It's actually happening on screen exactly. So 373 00:20:41,200 --> 00:20:45,960 Speaker 2: now that Rachel knows that Finn did sleep with Santana, 374 00:20:46,880 --> 00:20:53,159 Speaker 2: they're obviously having some huge, huge blowout falling out. Artie 375 00:20:53,840 --> 00:20:57,359 Speaker 2: and Brittany are possibly on the fritz, and so are 376 00:20:57,560 --> 00:21:02,280 Speaker 2: Mike and Tina, and then we have Emma and will. 377 00:21:02,960 --> 00:21:05,520 Speaker 2: Emma shows up when we're leaving for the competitions, like, actually, 378 00:21:05,520 --> 00:21:09,720 Speaker 2: I can't go because I realized I was withholding, which 379 00:21:09,760 --> 00:21:14,679 Speaker 2: is even worse than lying to Carl, and we had 380 00:21:14,720 --> 00:21:20,000 Speaker 2: a fight and we made up and I'm not coming 381 00:21:20,040 --> 00:21:20,240 Speaker 2: with you. 382 00:21:20,960 --> 00:21:23,200 Speaker 1: Yeah, fair enough. 383 00:21:23,160 --> 00:21:26,480 Speaker 2: Fair enough, And so then we go and all mayhem, 384 00:21:27,040 --> 00:21:30,240 Speaker 2: you know, breaks loose. I'll help breaks loose, and then 385 00:21:30,320 --> 00:21:32,280 Speaker 2: we get to perform Jenna. 386 00:21:32,720 --> 00:21:41,560 Speaker 1: Oh my gosh, these numbers are number one, very cute. 387 00:21:41,720 --> 00:21:44,640 Speaker 1: But I didn't remember that whole thing until just now 388 00:21:44,720 --> 00:21:46,560 Speaker 1: that you remind when you reminded me that we didn't 389 00:21:46,640 --> 00:21:48,440 Speaker 1: learn it, and that's why it feels such a mess 390 00:21:48,480 --> 00:21:49,040 Speaker 1: in my mind. 391 00:21:49,320 --> 00:21:50,879 Speaker 2: I think it. 392 00:21:51,520 --> 00:21:55,800 Speaker 1: Flew in like a like a quick math calculus test 393 00:21:55,880 --> 00:21:56,879 Speaker 1: and then out of my brain. 394 00:21:57,040 --> 00:22:00,320 Speaker 2: Yeah, the short memory was strong during those days. Term 395 00:22:00,400 --> 00:22:01,040 Speaker 2: is non existing. 396 00:22:01,520 --> 00:22:06,280 Speaker 1: No, I don't know, but I will say Valerie goes 397 00:22:06,320 --> 00:22:11,320 Speaker 1: down in history her story and is I well number 398 00:22:11,359 --> 00:22:13,679 Speaker 1: one couldn't watch it. I had. I watched it, but 399 00:22:13,760 --> 00:22:17,199 Speaker 1: I had a really really hard time watching it. I 400 00:22:17,240 --> 00:22:24,200 Speaker 1: had a hard time watching it, really hard time. Yeah, 401 00:22:24,800 --> 00:22:30,720 Speaker 1: really hard time. But it's a great number. It's so good. 402 00:22:30,960 --> 00:22:31,919 Speaker 2: My eyes are watering. 403 00:22:32,080 --> 00:22:37,360 Speaker 1: I know me too. But also Heather and Hair, Oh 404 00:22:37,480 --> 00:22:40,840 Speaker 1: my god, are you joking? Why didn't they get to 405 00:22:40,880 --> 00:22:41,440 Speaker 1: do that more? 406 00:22:41,600 --> 00:22:42,440 Speaker 2: What's wrong with them? 407 00:22:42,560 --> 00:22:46,239 Speaker 1: Why are they It's stupid how good that number is. 408 00:22:46,359 --> 00:22:49,160 Speaker 1: And they did like a lightened version of it on tour, 409 00:22:49,720 --> 00:22:56,000 Speaker 1: but that version is so good. Between Nia and then 410 00:22:56,040 --> 00:22:58,240 Speaker 1: the two of them, You're like, why is this number 411 00:22:58,359 --> 00:23:00,600 Speaker 1: not the best numbering? 412 00:23:00,960 --> 00:23:04,679 Speaker 2: I mean it is. It's that is up there. That 413 00:23:04,840 --> 00:23:12,040 Speaker 2: is a huge, huge, I mean I also I like 414 00:23:12,119 --> 00:23:14,960 Speaker 2: shouted when Nia walks across the stage and she leans 415 00:23:15,000 --> 00:23:17,880 Speaker 2: back and she does her like lazy stripper shoulder thing. 416 00:23:18,520 --> 00:23:20,480 Speaker 2: Because after each take we'd go up to her and 417 00:23:20,600 --> 00:23:24,040 Speaker 2: be like, no, you gotta get even crazier, like drag her, 418 00:23:24,480 --> 00:23:27,040 Speaker 2: make this shit drag. And the one that made it 419 00:23:27,040 --> 00:23:30,560 Speaker 2: into the edit is this crazy massive Yeah. If you 420 00:23:30,640 --> 00:23:32,800 Speaker 2: go back and watch, she's walking across the stage, her 421 00:23:32,800 --> 00:23:36,480 Speaker 2: shoulders are back and she's just like swinging her shoulders 422 00:23:37,200 --> 00:23:40,320 Speaker 2: back and forth. And it was what we used to do. 423 00:23:40,640 --> 00:23:43,960 Speaker 2: I don't know why, as like our lazy stripper slash 424 00:23:44,080 --> 00:23:47,119 Speaker 2: like model runway walk is what we would do. And 425 00:23:47,960 --> 00:23:51,359 Speaker 2: she was the I didn't realize she fits something in 426 00:23:51,480 --> 00:23:54,240 Speaker 2: every single number of hers. She did one of those 427 00:23:54,240 --> 00:23:56,200 Speaker 2: little references for us. 428 00:23:57,000 --> 00:24:00,679 Speaker 1: Just so funny and they worked. Oh that worked, just worked. 429 00:24:00,880 --> 00:24:02,960 Speaker 1: And she's saying the shit out of this song. I know, 430 00:24:03,200 --> 00:24:06,119 Speaker 1: what a wild I don't even remember her recording this, Like, 431 00:24:06,119 --> 00:24:07,919 Speaker 1: I don't think she even told anybody. She just like 432 00:24:07,960 --> 00:24:08,560 Speaker 1: went and did it. 433 00:24:08,680 --> 00:24:11,119 Speaker 2: Yeah of course, okay, yeah, it's like I got I 434 00:24:11,119 --> 00:24:12,480 Speaker 2: got this, don't worry about yeah. 435 00:24:12,440 --> 00:24:17,000 Speaker 1: Yeah, like nothing that number. And then sweet Sweet Time 436 00:24:17,040 --> 00:24:19,359 Speaker 1: of your Life, which we didn't do that on tour, 437 00:24:19,400 --> 00:24:19,760 Speaker 1: did we? 438 00:24:20,119 --> 00:24:21,119 Speaker 2: No, we didn't. 439 00:24:21,800 --> 00:24:24,159 Speaker 1: Wasn't it talked about on tour and I was like, 440 00:24:24,200 --> 00:24:25,240 Speaker 1: we're not doing this on time. 441 00:24:25,280 --> 00:24:28,240 Speaker 2: I think maybe but it didn't. It didn't happen. But 442 00:24:28,359 --> 00:24:32,080 Speaker 2: those two together are just cute, cute pair also like 443 00:24:32,160 --> 00:24:37,240 Speaker 2: the most beautiful humans, like what they both look stunning 444 00:24:38,600 --> 00:24:40,960 Speaker 2: singing this adorable song. I didn't remember any of those 445 00:24:40,960 --> 00:24:43,520 Speaker 2: backgrounds happening the end of that song. 446 00:24:43,680 --> 00:24:46,600 Speaker 1: I did clearly was not singing them either. 447 00:24:47,160 --> 00:24:49,760 Speaker 2: No, I was because this all makes a lot more 448 00:24:49,800 --> 00:24:52,840 Speaker 2: sense now because we were in pure chaos at this time. 449 00:24:52,960 --> 00:24:54,720 Speaker 1: Yes, yes, barely making it. 450 00:24:54,880 --> 00:24:57,600 Speaker 2: And if we mark us down and all the notes 451 00:24:57,600 --> 00:25:01,800 Speaker 2: that everyone's taking, things just start to get crazier. And 452 00:25:01,840 --> 00:25:05,640 Speaker 2: I think this is the beginning of that agreed agreed 453 00:25:06,000 --> 00:25:10,280 Speaker 2: because like it, this is where the practicalness practicality of 454 00:25:10,320 --> 00:25:13,320 Speaker 2: making this show was butting up against the head of 455 00:25:14,200 --> 00:25:17,160 Speaker 2: what was scheduled, Like we were supposed to be doing 456 00:25:17,200 --> 00:25:19,240 Speaker 2: these episodes in eight days. 457 00:25:19,960 --> 00:25:21,280 Speaker 1: Oh, I never read it. 458 00:25:21,800 --> 00:25:25,439 Speaker 2: There was just no way we could do that. So 459 00:25:25,480 --> 00:25:27,639 Speaker 2: then we started shooting multiple episodes at the same time. 460 00:25:27,760 --> 00:25:30,399 Speaker 1: And poor Ashley Fink for joining at this point. 461 00:25:30,760 --> 00:25:31,520 Speaker 2: Oh my god. 462 00:25:34,960 --> 00:25:37,760 Speaker 1: Okay, So one of the other fifteen storylines is that 463 00:25:38,160 --> 00:25:42,520 Speaker 1: we talked about then and Rachel, you know, finding out 464 00:25:42,560 --> 00:25:49,919 Speaker 1: about Santana. Well after the competition, they make up and 465 00:25:49,960 --> 00:25:56,800 Speaker 1: everything seemingly is okay, right, they they apologized they were wrong, 466 00:25:57,480 --> 00:26:00,240 Speaker 1: but then there's no more lying. So she had to 467 00:26:00,280 --> 00:26:04,199 Speaker 1: fess up and admit that while they were fighting, she 468 00:26:05,840 --> 00:26:10,480 Speaker 1: made it out with Puck and I don't know that. 469 00:26:10,560 --> 00:26:16,160 Speaker 1: I feel like this is the valid response because he 470 00:26:16,280 --> 00:26:22,320 Speaker 1: did lie and sleep with somebody. But but he really 471 00:26:22,680 --> 00:26:26,280 Speaker 1: cuts through her heart, saying like he just never thought 472 00:26:26,400 --> 00:26:28,400 Speaker 1: she would make him feel his way, And so they 473 00:26:28,560 --> 00:26:34,200 Speaker 1: break up. Rachel and Finn break up number one two one. 474 00:26:34,600 --> 00:26:35,399 Speaker 2: Who knows. 475 00:26:37,000 --> 00:26:37,600 Speaker 1: They break up? 476 00:26:37,880 --> 00:26:43,120 Speaker 2: Yeah, a big deal and it felt big. I felt it. 477 00:26:43,240 --> 00:26:45,399 Speaker 1: Yeah, I felt it, especially during dog Days when she 478 00:26:45,440 --> 00:26:51,639 Speaker 1: takes the next off and takes the cat underto and 479 00:26:51,640 --> 00:26:57,000 Speaker 1: and and and also Emma and Will done because Emma 480 00:26:57,119 --> 00:27:01,520 Speaker 1: tells Will that they did not get engaged. They got murred. 481 00:27:02,160 --> 00:27:07,400 Speaker 1: They got murried in Vegas and that's the end of it. 482 00:27:07,480 --> 00:27:11,479 Speaker 2: Too quick, too quick, How does that happen? But the 483 00:27:11,520 --> 00:27:18,840 Speaker 2: good news is is that the Glee Club one, so 484 00:27:18,920 --> 00:27:21,320 Speaker 2: did the Warblers because we needed the Warblers to stay 485 00:27:21,359 --> 00:27:21,800 Speaker 2: on the show. 486 00:27:21,880 --> 00:27:24,560 Speaker 1: So that's right, Well, because Kurt's there. 487 00:27:24,640 --> 00:27:26,440 Speaker 2: Yeah, let's talk about the Warblers, Jenner. 488 00:27:26,600 --> 00:27:28,840 Speaker 1: Let's talk about it. So they do Hayesel Sister, which 489 00:27:30,320 --> 00:27:36,160 Speaker 1: I vaguely remember this number. They didn't do it on tour. 490 00:27:36,480 --> 00:27:39,720 Speaker 1: They did do it on tour. This also did really 491 00:27:39,760 --> 00:27:43,520 Speaker 1: well I remember on the charts. But they so the 492 00:27:43,560 --> 00:27:49,480 Speaker 1: Warblers in preparation for sectionals. Kurt is there, Kurt is joining, 493 00:27:49,560 --> 00:27:51,760 Speaker 1: and he's all these ideas, as Kurt would do and 494 00:27:52,080 --> 00:27:55,360 Speaker 1: as new Directions would, but they have a much more 495 00:27:55,480 --> 00:27:58,760 Speaker 1: rigid system in place where they have to audition for solos. 496 00:27:59,560 --> 00:28:03,600 Speaker 1: And so Kurt's at Dalton and as a new Warbler, 497 00:28:03,600 --> 00:28:11,080 Speaker 1: he has to take care of this canary Pavaratti, Pavaratti, Babarotti. 498 00:28:11,960 --> 00:28:15,960 Speaker 1: And it's a old tradition. Do you remember when you 499 00:28:16,000 --> 00:28:18,080 Speaker 1: had to, like in Homac take care of those eggs? 500 00:28:18,400 --> 00:28:22,919 Speaker 1: Oh yeah, yep, and basically like that, you know, but 501 00:28:23,080 --> 00:28:24,040 Speaker 1: with a real bird. 502 00:28:24,640 --> 00:28:37,399 Speaker 2: Yes. And so Kurt discovers that, oh, everyone has a 503 00:28:37,480 --> 00:28:42,960 Speaker 2: voice here. I have ideas, but okay, I will audition, 504 00:28:43,040 --> 00:28:46,400 Speaker 2: because Blaine says, we, you know, we respect that you've 505 00:28:46,480 --> 00:28:49,280 Speaker 2: adapted to this, because your ideas got shot down so quickly. 506 00:28:50,120 --> 00:28:54,760 Speaker 2: And so he turns to Rachel to help him prepare 507 00:28:54,840 --> 00:29:00,000 Speaker 2: for his audition, and they do. Don't cry for me, urgent. 508 00:29:00,640 --> 00:29:02,960 Speaker 1: Somehow Rachel does the number when she's helping her. 509 00:29:03,600 --> 00:29:08,800 Speaker 2: Of course, when when the shot when she's up on 510 00:29:08,840 --> 00:29:12,680 Speaker 2: that balcony out of nowhere, still singing, I burst out laughing. 511 00:29:12,680 --> 00:29:14,520 Speaker 2: It was like what And my mom and dad are 512 00:29:14,560 --> 00:29:16,840 Speaker 2: like what, what's so funny? I was like, why is 513 00:29:16,840 --> 00:29:18,840 Speaker 2: she on the balcony? Now? How did she get there? 514 00:29:18,840 --> 00:29:21,600 Speaker 2: She's still no I know why she is. Oh, but 515 00:29:21,640 --> 00:29:24,440 Speaker 2: I just mean like she was singing on the stage and. 516 00:29:24,440 --> 00:29:26,600 Speaker 1: Then ended up just in a balcony and she's. 517 00:29:26,720 --> 00:29:28,800 Speaker 2: Hold the music, please let me get upstairs to get 518 00:29:28,840 --> 00:29:29,520 Speaker 2: to this balcony. 519 00:29:29,800 --> 00:29:32,120 Speaker 1: Gotta do it. She's got to be on a balcony. 520 00:29:32,160 --> 00:29:36,480 Speaker 2: That's when I remember it's a satire, you know, right right, 521 00:29:36,560 --> 00:29:40,880 Speaker 2: just a gentle hilarious in your face. But Kurt doesn't 522 00:29:40,920 --> 00:29:45,040 Speaker 2: get the solo and it's fine, and he goes on 523 00:29:45,120 --> 00:29:49,960 Speaker 2: to perform with the Warblers, and we as the new directions, 524 00:29:50,000 --> 00:29:53,480 Speaker 2: are all so excited and happy watching him, and it 525 00:29:53,520 --> 00:29:56,520 Speaker 2: was so sweet and he was sweet. Curt and Rachel 526 00:29:56,520 --> 00:30:00,880 Speaker 2: have this really nice scene at the concessions stand at 527 00:30:00,880 --> 00:30:02,880 Speaker 2: the competition where they catch up a bit and it's 528 00:30:02,920 --> 00:30:05,320 Speaker 2: it's really really He's like, why are you being so 529 00:30:05,400 --> 00:30:06,840 Speaker 2: nice to me. You weren't just nice to me. It's 530 00:30:06,880 --> 00:30:08,120 Speaker 2: cool she was. 531 00:30:08,360 --> 00:30:11,680 Speaker 1: He was her only real competition, which is very sweet. 532 00:30:11,960 --> 00:30:15,480 Speaker 1: But yes, there it's fun to see. It's fun to 533 00:30:15,480 --> 00:30:18,680 Speaker 1: switch it up. You know, somebody's you know, a competition 534 00:30:18,800 --> 00:30:21,560 Speaker 1: now and you know, on the other side of it. 535 00:30:22,280 --> 00:30:26,560 Speaker 1: And then Kurt is worried because Pavarotti is not singing 536 00:30:26,600 --> 00:30:28,760 Speaker 1: and he's not doing well, and Blaine says he's just 537 00:30:28,840 --> 00:30:34,240 Speaker 1: molting and he's growing a new coat of feathers, which metaphor, yeah, 538 00:30:34,280 --> 00:30:40,400 Speaker 1: exactly for Kurt molting his old old directions and growing 539 00:30:40,440 --> 00:30:47,680 Speaker 1: a new warbler. So very good, thank you. I thought 540 00:30:47,680 --> 00:30:48,760 Speaker 1: of that all by myself. 541 00:30:48,920 --> 00:30:49,480 Speaker 2: Yeah. 542 00:30:50,240 --> 00:30:55,200 Speaker 1: So so that's really it. So now we're we're headed 543 00:30:55,200 --> 00:30:58,239 Speaker 1: to sectionals with Kurt as a Warbler and we're up 544 00:30:58,280 --> 00:31:03,640 Speaker 1: against Dalton and sorry Regional original sorry, And and that's 545 00:31:03,720 --> 00:31:06,239 Speaker 1: that's where we are. That's where we're going. And then 546 00:31:06,280 --> 00:31:10,000 Speaker 1: we do dog Days are over the most fun number. 547 00:31:10,400 --> 00:31:15,000 Speaker 2: And dog Days was a moment if you're keeping track 548 00:31:15,320 --> 00:31:17,320 Speaker 2: of the show, Like I've now said a billion times, 549 00:31:17,720 --> 00:31:20,720 Speaker 2: we start doing numbers differently after dog Days. And maybe 550 00:31:20,720 --> 00:31:23,520 Speaker 2: this happened because we didn't have time to learn a number. 551 00:31:23,840 --> 00:31:26,160 Speaker 2: I'm not sure why this, it could have been that. 552 00:31:27,040 --> 00:31:28,080 Speaker 1: Just run around the stage. 553 00:31:28,200 --> 00:31:31,800 Speaker 2: Yeah, seuce. We also, i think learned that very last minute. Yes, 554 00:31:32,240 --> 00:31:35,320 Speaker 2: but it works so well and it's really the first 555 00:31:35,360 --> 00:31:39,960 Speaker 2: time so far in thirty two episodes that we've done 556 00:31:40,000 --> 00:31:43,000 Speaker 2: anything like that where there is a lot of running 557 00:31:43,000 --> 00:31:47,080 Speaker 2: around and just freeform. We were doing what we wanted 558 00:31:47,080 --> 00:31:47,400 Speaker 2: to do. 559 00:31:48,400 --> 00:31:52,280 Speaker 1: And for people who we haven't said this yet, free 560 00:31:52,360 --> 00:31:58,920 Speaker 1: form rock out ter that Zach coined where he'd be like, Okay, 561 00:31:59,000 --> 00:32:00,720 Speaker 1: we're gonna walk in a line, we're gonna get in 562 00:32:00,800 --> 00:32:03,200 Speaker 1: a diagonal, you're all gonna clap your hands, and then 563 00:32:03,280 --> 00:32:05,640 Speaker 1: this is eightcounts of free form rock out, and that 564 00:32:05,680 --> 00:32:08,000 Speaker 1: meant you could do whatever you want free accounts. Yes, 565 00:32:08,160 --> 00:32:12,040 Speaker 1: it's more like thirty two probably, but it was always 566 00:32:12,080 --> 00:32:15,160 Speaker 1: a fun free form rockout. That's right. It's always there's 567 00:32:15,200 --> 00:32:16,640 Speaker 1: always time for free form rock out. 568 00:32:17,640 --> 00:32:19,280 Speaker 2: You can use it in any sort of you can 569 00:32:19,400 --> 00:32:22,360 Speaker 2: use it in everyday life, you know, just you can like, 570 00:32:22,400 --> 00:32:23,760 Speaker 2: I don't know what to do, but just free form 571 00:32:23,840 --> 00:32:26,560 Speaker 2: rock out. Whatever you want. You can't go wrong every 572 00:32:26,600 --> 00:32:29,160 Speaker 2: time order free rock free form rock out. 573 00:32:30,320 --> 00:32:32,640 Speaker 1: But it's true, you're you're totally right. I think it 574 00:32:32,680 --> 00:32:34,360 Speaker 1: was a lot of like, Okay, there's not a lot 575 00:32:34,360 --> 00:32:37,080 Speaker 1: of time to choreograph, and it actually works. It's okay, 576 00:32:37,160 --> 00:32:38,920 Speaker 1: we don't it doesn't have to be perfect. It's like, 577 00:32:38,960 --> 00:32:43,560 Speaker 1: don't stop believing. When we had the nth version where 578 00:32:44,120 --> 00:32:46,680 Speaker 1: we finally were like, okay, this is slightly choreographed, but 579 00:32:46,720 --> 00:32:50,200 Speaker 1: this is also very free. It's very free. That's where 580 00:32:50,520 --> 00:32:56,280 Speaker 1: New Directions thrives. So I enjoyed watching this because everybody 581 00:32:56,280 --> 00:32:57,560 Speaker 1: looks like they're having a blast. 582 00:32:57,800 --> 00:33:00,520 Speaker 2: You also sounded fit me. 583 00:33:00,920 --> 00:33:03,520 Speaker 1: No, oh, thank you, that's very nice. This is the 584 00:33:03,520 --> 00:33:05,760 Speaker 1: first Florence song, and this is where I found my 585 00:33:05,800 --> 00:33:09,320 Speaker 1: love for Florence in the machine. I had no voice 586 00:33:09,320 --> 00:33:10,280 Speaker 1: when I was recording this. 587 00:33:10,640 --> 00:33:16,080 Speaker 2: That sounds good. Whatever was happening, they did a good job. 588 00:33:17,960 --> 00:33:19,520 Speaker 2: They helped us a lot when we needed. 589 00:33:20,080 --> 00:33:23,320 Speaker 1: You did they really did, and somehow it worked. But yes, 590 00:33:23,520 --> 00:33:24,800 Speaker 1: that was a very exciting number. 591 00:33:24,960 --> 00:33:26,880 Speaker 2: You and Amber sounds so good together too. 592 00:33:27,040 --> 00:33:29,520 Speaker 1: I mean, you know, sing with people who make you better. 593 00:33:31,000 --> 00:33:33,959 Speaker 2: No, but not everybody's tones, you know fit together nicely, 594 00:33:34,040 --> 00:33:37,120 Speaker 2: and your voices just fit together. Do you remember recording this, 595 00:33:37,400 --> 00:33:39,680 Speaker 2: like do you lose your voice? 596 00:33:40,920 --> 00:33:44,600 Speaker 1: I was having vocal problems all of season two, starting 597 00:33:44,640 --> 00:33:48,080 Speaker 1: from Asian Camp, and they wanted me to do Getting 598 00:33:48,080 --> 00:33:50,920 Speaker 1: to Know You at Asian Camp with Harry Live, and 599 00:33:51,000 --> 00:33:54,960 Speaker 1: I was like, I was struggling, and that was really 600 00:33:54,960 --> 00:33:59,040 Speaker 1: scary because like it's like your moneymaker. Yeah, and I 601 00:33:59,080 --> 00:34:02,280 Speaker 1: was still struggling or around this time, and it was 602 00:34:02,320 --> 00:34:06,440 Speaker 1: because I think recording and singing live are so different, 603 00:34:07,080 --> 00:34:10,000 Speaker 1: and I wasn't technically doing it properly, and I think 604 00:34:10,040 --> 00:34:11,799 Speaker 1: I was losing my voice. And then you're also like 605 00:34:11,960 --> 00:34:14,360 Speaker 1: lip syncing, which is like kind of whispering, and that's 606 00:34:14,400 --> 00:34:16,000 Speaker 1: the worst thing you can do for your voice. So 607 00:34:16,200 --> 00:34:17,719 Speaker 1: it was just like a lot of getting used to 608 00:34:18,120 --> 00:34:21,800 Speaker 1: and we were just exhausted. But I did lose my voice, 609 00:34:21,920 --> 00:34:24,319 Speaker 1: and I did lose my upper register like a lot, 610 00:34:24,320 --> 00:34:25,960 Speaker 1: and I have a pretty high voice, so it was 611 00:34:26,440 --> 00:34:30,160 Speaker 1: very upsetting. It was very upsetting to lose your upper register. 612 00:34:30,920 --> 00:34:34,520 Speaker 1: And I remember Alex just being like, just use it, 613 00:34:34,680 --> 00:34:38,080 Speaker 1: like use the raspe, use the whispery, like let's just 614 00:34:38,200 --> 00:34:40,560 Speaker 1: use it from Florence because it works. It's not like 615 00:34:41,000 --> 00:34:44,759 Speaker 1: for me Argentina where you actually have to belot. So yeah, yeah, 616 00:34:44,800 --> 00:34:47,680 Speaker 1: I remember recording that. That was really fun and feeling 617 00:34:47,719 --> 00:34:50,399 Speaker 1: like I was going to be happy with the even 618 00:34:50,480 --> 00:34:52,560 Speaker 1: with the voice losing. I was like, I think I'm 619 00:34:52,560 --> 00:34:54,640 Speaker 1: going to be happy with this. And I was very 620 00:34:55,040 --> 00:34:57,359 Speaker 1: excited to hear the final because it was the first 621 00:34:57,360 --> 00:35:00,359 Speaker 1: song that I felt like was the most like a real, 622 00:35:00,520 --> 00:35:05,040 Speaker 1: like top chart topper, current song that I was able 623 00:35:05,160 --> 00:35:07,239 Speaker 1: to sing on like a lead on, and so that 624 00:35:07,360 --> 00:35:07,880 Speaker 1: was exciting. 625 00:35:08,360 --> 00:35:09,799 Speaker 2: And we get to do it on tour, which is 626 00:35:10,120 --> 00:35:11,959 Speaker 2: one of my favorite moments of the entire show. 627 00:35:12,239 --> 00:35:14,120 Speaker 1: So much fun to do it on tour and Amber 628 00:35:14,160 --> 00:35:15,879 Speaker 1: and I got to sing it live. It was really fun. 629 00:35:16,440 --> 00:35:20,120 Speaker 2: Fun. We did it again because this version worked so 630 00:35:20,200 --> 00:35:22,920 Speaker 2: well the performance and Ryan liked it so much that 631 00:35:23,560 --> 00:35:29,040 Speaker 2: we did it again for fun. That's a fun song. 632 00:35:32,000 --> 00:35:35,719 Speaker 1: We are young, Yes, thank you. I mean we did 633 00:35:35,760 --> 00:35:38,080 Speaker 1: it a lot, and then even in the New Class, 634 00:35:38,200 --> 00:35:41,040 Speaker 1: like later later seasons, we did it for this is 635 00:35:41,080 --> 00:35:42,239 Speaker 1: the New Year, remember that. 636 00:35:42,680 --> 00:35:44,960 Speaker 2: And it was always we were doing dog Days. It 637 00:35:45,040 --> 00:35:46,560 Speaker 2: was always a dog Days reference. 638 00:35:46,880 --> 00:35:50,080 Speaker 1: That's right, that's right. That's a good point. Good point. Well, 639 00:35:50,160 --> 00:35:53,879 Speaker 1: that is special education and all of its goodness. Great episode, 640 00:35:54,160 --> 00:35:55,120 Speaker 1: really really solid. 641 00:35:55,200 --> 00:36:00,320 Speaker 2: I really enjoyed this, me too. TARTI takes let's do it, okay, 642 00:36:00,360 --> 00:36:06,000 Speaker 2: cringe moments, Jenna, I would say the Cadbury Egg and 643 00:36:06,040 --> 00:36:09,359 Speaker 2: the Asian kiss Asian kiss. 644 00:36:10,080 --> 00:36:12,399 Speaker 1: David said to me, why is it an Asian kiss? 645 00:36:12,400 --> 00:36:14,319 Speaker 1: And I was like, have you not been watching right? 646 00:36:17,600 --> 00:36:20,320 Speaker 1: And yes, the sicy thing. She's like, she won't perform 647 00:36:20,360 --> 00:36:24,319 Speaker 1: without her sugar. Yeah, it's like, yes, we have all 648 00:36:24,480 --> 00:36:30,239 Speaker 1: these like, yeah, cliches of stereotypes. If you will, that 649 00:36:30,719 --> 00:36:36,799 Speaker 1: would never never okay, fair enough, best dance move, I 650 00:36:36,880 --> 00:36:47,520 Speaker 1: mean obviously, Valerie, Valerie, Harry exceptional, like what that's insane? Okay, 651 00:36:47,640 --> 00:36:49,160 Speaker 1: best song. We can't pick one, so you have to 652 00:36:49,160 --> 00:36:51,319 Speaker 1: pick one and I have to pick one and we die. 653 00:36:52,000 --> 00:36:54,759 Speaker 2: All right, I'll do it because you probably won't want 654 00:36:54,800 --> 00:36:56,439 Speaker 2: to do it. So I'll say dog Days. 655 00:36:56,320 --> 00:36:58,799 Speaker 1: Okay, and I'll say Valerie and we'll switch. Great. 656 00:36:58,920 --> 00:37:02,320 Speaker 2: Yeah, yeah, both are true. We're copainting, yes. 657 00:37:02,200 --> 00:37:06,160 Speaker 1: Yes, best performance by a prop. 658 00:37:08,760 --> 00:37:10,880 Speaker 2: Also the warbler bird, Pavarotti. 659 00:37:11,800 --> 00:37:14,279 Speaker 1: Karate, yeah, sweet Pavaratti. 660 00:37:15,200 --> 00:37:17,520 Speaker 2: Best line, Brittany. 661 00:37:18,440 --> 00:37:21,880 Speaker 1: First of all, she says, well, I went to motocross practice, okay, 662 00:37:22,360 --> 00:37:25,600 Speaker 1: thrown away and I was like, I cannot miss that line. 663 00:37:25,680 --> 00:37:29,280 Speaker 2: Oh god, I have never forgotten that line. It's so good. 664 00:37:29,680 --> 00:37:33,840 Speaker 1: Okay. Second one already admits that the Magic Home wasn't magic, 665 00:37:33,880 --> 00:37:36,680 Speaker 1: and he said, that wasn't magic. I found it on 666 00:37:36,719 --> 00:37:39,840 Speaker 1: the floor and ran into you in the hallway on 667 00:37:39,920 --> 00:37:44,160 Speaker 1: the way to tossing it in the trash, and Brittany says, 668 00:37:44,320 --> 00:37:47,920 Speaker 1: you let me comb my hair with it. So witty 669 00:37:47,960 --> 00:37:51,080 Speaker 1: and quick, you guys, so quick. 670 00:37:51,360 --> 00:37:53,600 Speaker 2: My favorite line, I would I think I would have 671 00:37:53,640 --> 00:37:55,880 Speaker 2: to go with the motocross as well, though, I'm gonna 672 00:37:55,920 --> 00:37:56,839 Speaker 2: I'm gonna second that. 673 00:37:57,280 --> 00:38:01,040 Speaker 1: Great, great, great, great, how he went on the talk 674 00:38:01,960 --> 00:38:05,839 Speaker 1: on the talk and Liu of Succession coming to an end. 675 00:38:05,960 --> 00:38:07,520 Speaker 2: Don't worry, no spoilers here. 676 00:38:07,480 --> 00:38:09,440 Speaker 1: Okay, great, because I'm not caught up yet. 677 00:38:09,520 --> 00:38:14,359 Speaker 2: Yeah, there's I got a lot of people sent this 678 00:38:14,400 --> 00:38:19,919 Speaker 2: to me, and it is a duet with Arty and 679 00:38:20,480 --> 00:38:22,000 Speaker 2: Arty Abrams and kendl Roy. 680 00:38:22,520 --> 00:38:24,479 Speaker 1: You guys look like a wonderful pair. 681 00:38:24,920 --> 00:38:27,040 Speaker 2: I mean, we could be related. 682 00:38:27,640 --> 00:38:28,560 Speaker 1: We wow. 683 00:38:28,960 --> 00:38:35,840 Speaker 2: It's our versions of honesty together and it's a little painful, 684 00:38:36,600 --> 00:38:40,480 Speaker 2: but mostly it feels like an honor, you know. And 685 00:38:40,560 --> 00:38:43,000 Speaker 2: the only time that Artie or myself will have anything 686 00:38:43,040 --> 00:38:44,439 Speaker 2: to do with Kendle Roy. 687 00:38:45,480 --> 00:38:50,840 Speaker 1: This is from Spidey t crch. 688 00:38:51,080 --> 00:38:56,800 Speaker 2: And this is great. Thank you for making this absolute beauty. 689 00:38:57,360 --> 00:38:59,640 Speaker 2: Somebody's like, wait, why do the harmonies work? I mean 690 00:38:59,680 --> 00:39:05,440 Speaker 2: a little bit, it's you know they do. These comments 691 00:39:05,440 --> 00:39:07,400 Speaker 2: are really funny, but don't read the comments if you 692 00:39:07,400 --> 00:39:09,240 Speaker 2: haven't seen the finale of Success. 693 00:39:09,360 --> 00:39:10,560 Speaker 1: I'm not gonna want I can't. I can't. 694 00:39:10,560 --> 00:39:15,200 Speaker 2: Okay, but that is maybe one of the most creative 695 00:39:15,920 --> 00:39:20,360 Speaker 2: and crazy polls. Two worlds colliding that should have nothing 696 00:39:21,040 --> 00:39:24,520 Speaker 2: to do with one another. But thank you Spidey for 697 00:39:24,680 --> 00:39:28,080 Speaker 2: posting that because it's great. 698 00:39:28,120 --> 00:39:28,960 Speaker 1: Everything to do with you. 699 00:39:28,960 --> 00:39:29,680 Speaker 2: You got to look it up. 700 00:39:30,040 --> 00:39:33,240 Speaker 1: Okay, it's a little hard though, that is special education. 701 00:39:33,360 --> 00:39:38,000 Speaker 1: Thanks for joining us for that very full episode, and 702 00:39:38,600 --> 00:39:41,880 Speaker 1: don't miss next week because we're it's Christmas time. 703 00:39:43,520 --> 00:39:47,319 Speaker 2: And that's what you really missed. Thanks for listening and 704 00:39:47,440 --> 00:39:50,040 Speaker 2: follow us on Instagram at and that's what you really 705 00:39:50,080 --> 00:39:52,239 Speaker 2: miss pod. Make sure to write us a review and 706 00:39:52,360 --> 00:39:54,279 Speaker 2: leave us five stars. See you next time.