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Speaker 1: Sorright, I'm already mad.

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Speaker 2: Just go.

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Speaker 3: So I'm in and his kind of like downstairs VR

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Speaker 3: chamber with Peter Boyle years back, and he puts on

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Speaker 3: the goggles and he's like, just wait and just like

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Speaker 3: let it wash over. I'm not going to give you

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Speaker 3: any context or anything, just like, just like, just let

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Speaker 3: it happen.

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Speaker 2: So he puts on the goggles, keep going.

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Speaker 3: I'm on like a three sixty treadmill, so I have

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Speaker 3: like full mobility in this VR world and I'm in

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Speaker 3: the White House.

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Speaker 2: Stop you're not.

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Speaker 3: And I look down and it seems like I am

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Speaker 3: Jackie Kennedy. No me that, and I'm given, are you

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Speaker 3: reacting to something else? It doesn't seem like you're reacting

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Speaker 3: to what I'm saying necessarily, And you have your hand

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Speaker 3: up in a way.

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Speaker 2: He's stop, you're kidding? Can you hear me? My headphones

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Speaker 2: on my headfoot? I thought I was gonna be able

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Speaker 2: to make it through the whole episode without asking, But

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Speaker 2: are mind working? Your headphones are on? Yes?

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Speaker 3: You mean are they okay? So you have been able

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Speaker 3: to hear innovated No? But I know what we do.

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Speaker 2: Generally, it's like somebody tells the story that.

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Speaker 3: You were like, oh that's crazy. You were really really close. Wow,

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Speaker 3: you were so close I could feel it.

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Speaker 2: I just sort of watch your mouth and there'd be

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Speaker 2: these moments where I was like you, like, like this

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Speaker 2: is interesting.

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Speaker 3: So it was like keeping me going, yeah, I'll give

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Speaker 3: you the quickest run.

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Speaker 2: Now.

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Speaker 3: I was in Peter Boyle had designed this VR experience

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Speaker 3: where I played Jackie Kennedy.

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Speaker 2: Uh.

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Speaker 3: And so i show up in the White House as

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Speaker 3: Jackie and I'm surrounded by like AIDS, and I can

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Speaker 3: hear you you can just starting right now, yes, And

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Speaker 3: we had a little conversation before and then I was yeah, okay,

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Speaker 3: and this now is working. Hey, welcome to Holly Carpet

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Speaker 3: Lines back always of this industry we call showbiss. I

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Speaker 3: can understand how that would be a difficult time for

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Speaker 3: you to just jump in. So it's not about not

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Speaker 3: your fault. Just like Presidential AIDS, it was I was

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Speaker 3: Jackie Kennedy. Ah, so Aid's to like the first lady.

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Speaker 3: And it seemed like they had just finished asking me

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Speaker 3: a question what I showed up in this world?

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Speaker 2: And I didn't.

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Speaker 3: I had no content for what I was supposed to

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Speaker 3: be doing, and they're all just like waiting for me

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Speaker 3: to do like first lady stuff. He didn't tell me

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Speaker 3: anything I was supposed to be doing, so I ended

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Speaker 3: up just kind of wandering out.

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Speaker 2: Of the White House.

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Speaker 3: It's a fully open world game, and so I like,

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Speaker 3: I just go I go home to my house in

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Speaker 3: the game.

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Speaker 2: So you're Kenny, oh yeah, and so that's all I

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Speaker 2: really know to do. And your parents and your wife

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Speaker 2: are just kind of everyone everyone Jacky.

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Speaker 3: Yeah, but they don't recognize me, and so I want

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Speaker 3: to explain that I am Hayes when I'm in this VR.

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Speaker 2: What year is it? This is so? Yes, it's nineteen

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Speaker 2: six one.

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Speaker 3: So at the time, Yes, my my wife is a

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Speaker 3: little younger. It was kind of fun to see how

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Speaker 3: I sort of that's how I remember her. Is like,

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Speaker 3: I don't recognize this is the person though. Now I

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Speaker 3: remember my wife when she was little, when she was

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Speaker 3: forty five and sixty one.

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Speaker 2: Yeah. Interesting. We have a big guest to be a

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Speaker 2: huge giant. It's Caitlin. It's Caitlyn. Hi, guys, get.

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Speaker 1: Over here, Do I go buy one name?

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Speaker 2: Now? Oh you are Caitlyn. Do you want your last name?

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Speaker 2: Make a mystery? Yeah, it's one of the biggest Caitlyns

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Speaker 2: are out right great, y'all.

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Speaker 1: I'll take it. I'll take it. I like to be

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Speaker 1: the biggest Caitlin.

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Speaker 2: Yeah, I think you're for me. You're up there, baby.

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Speaker 3: You ever type it? Oh, you ever type it letter

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Speaker 3: by letter into IMDb and c.

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Speaker 1: Complete googling myself, my name, my face, all of it.

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Speaker 3: I tried it, and it happens. All you have to

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Speaker 3: do is click the cursor in the search bar and

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Speaker 3: it's right.

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Speaker 1: Yeah, Well I'm I'm wildly successful, and so people are

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Speaker 1: looking up.

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Speaker 3: And for some people that would mean that you are

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Speaker 3: like extremely like very successful. But I know the way

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Speaker 3: you're saying it, which is true, is you're successful in

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Speaker 3: a very wild way, like I'm crazy. Yeah, you're like

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Speaker 3: doing wild stuff.

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Speaker 1: You don't mean I'm very successful.

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Speaker 2: No, you are. You are successful and you are comp.

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Speaker 3: And yeah, say any extremely Sanya, we can talk about this.

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Speaker 2: We You came in and you sat on the chair

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Speaker 2: upside down. You did a headstand and pulled the mic

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Speaker 2: down and you said this is how you use a

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Speaker 2: chair and Okay, I'm in for quite a ride. Yeah yeah, and.

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Speaker 1: That right after that, I was like, did you guys

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Speaker 1: see that just.

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Speaker 2: To make sure because you were upside down. You just

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Speaker 2: want to make sure you saw what you were looking.

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Speaker 2: And it's lame to while you're doing it be checking

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Speaker 2: in a lot with your eyes. That's right.

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Speaker 1: So I just went ahead and I just asked, because.

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Speaker 2: And we and and what did we say? Do you

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Speaker 2: remember you guys.

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Speaker 1: Were laughing so hard you could barely talk.

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Speaker 2: Yeah, that's right.

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Speaker 3: Yeah, we have to sort of account for it. So

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Speaker 3: we did an episode where Sean so Kevin help me

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Speaker 3: out with this the timeline stuff. We have to keep

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Speaker 3: clarifying the time. So we explained to you before the

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Speaker 3: show that this is tri month. We're getting good guests

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Speaker 3: and we're trying really hard to do good episodes. And

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Speaker 3: that's what you're seeing right now, is that, Yes, this

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Speaker 3: is maximum effort for us.

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Speaker 1: Good thing I did my chips. I don't share a bit.

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Speaker 2: Yeah, no kidding, gave us something to kick it off.

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Speaker 3: But I said this to Kevin in the last episode,

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Speaker 3: and I really like and I hate to say it again,

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Speaker 3: and I really hate using this kind of language and

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Speaker 3: coming down on Kevin so hard, But TRI month is

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Speaker 3: is turning into try my patience Month.

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Speaker 2: Oh no, and that kind of language Hayes doesn't normally use.

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Speaker 1: Oh that's the kind of language that you don't normally use.

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Speaker 1: Is it because it's negative?

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Speaker 2: Yeah?

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Speaker 3: I don't and only positive. And also that kind of

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Speaker 3: word play is normally very hard.

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Speaker 2: For me to do. Yeah, yeah, I can find it gross.

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Speaker 2: I see people do it all the time on these shows,

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Speaker 2: and I just go like, what you how did you

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Speaker 2: do the normal way?

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Speaker 1: It's lazy?

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Speaker 2: Maybe yeah, I like I hope so because I cannot

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Speaker 2: figure it out and even because it's too lazy. This

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Speaker 2: is the second time Hayes is done try my Patience

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Speaker 2: month in front of me, and I both times have

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Speaker 2: gone into my mind to go like, do I have

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Speaker 2: something like that? And the answer has been no, Okay.

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Speaker 4: Hey guys, Chef Kevin here. Technically weird Aul did it

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Speaker 4: on the first episode too.

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Speaker 3: He said that exact phrase, and so that's where I

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Speaker 3: got it.

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Speaker 2: I think so has anybody talked about patient? But that's weird.

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Speaker 2: He does He does steal, right, he steals melodies, he

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Speaker 2: steals rhythm, and that's the essence of a song.

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Speaker 1: Yeah, that's how that's the words or whatever.

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Speaker 2: And he got rich off it and he's.

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Speaker 1: Getting away rich and he got away, Well, maybe is

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Speaker 1: that rubbing off on you? Like, why are you doing it?

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Speaker 2: Now? I'm a stealer. I hate to think that to

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Speaker 2: see the way he was living and to look at your.

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Speaker 1: Own and a lot of people like that in here,

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Speaker 1: if you're that influenced.

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Speaker 3: And I thought I was really going to be able

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Speaker 3: to like like give him a stern talking to and

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Speaker 3: to show him the like the error of his ways.

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Speaker 3: But he was just an intoxicating presence and he did

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Speaker 3: end up sucking me in in every possible way.

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Speaker 1: Now you're saying all the things that he says.

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Speaker 2: No, it's true. He was so magnetic and so erotic

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Speaker 2: to be around that ultimately I was not able to

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Speaker 2: challenge him in the way that I wanted. And this

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Speaker 2: is the problem with capitalism. It's up.

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Speaker 1: Yeah, you were aroused by weird hel I get it, Kevin.

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Speaker 3: What is this is still happening in March? What order

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Speaker 3: are all these things coming out?

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Speaker 2: And do we even know.

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Speaker 4: This episode is coming out this Tuesday?

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Speaker 2: WHOA? I thought the last episode we did was coming

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Speaker 2: out this Tuesday.

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Speaker 4: That episode is going to come out next Tuesday?

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Speaker 2: What must be something? Plug? What happened between the last

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Speaker 2: record and this one. You didn't like the recording, He

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Speaker 2: didn't like something that happened. You messed up.

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Speaker 4: No one messed up. I just think this episode would

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Speaker 4: be great on Tuesday, and the next episode would be

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Speaker 4: great next to.

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Speaker 2: What probably happened? Is Kaylen, did you give Kevin a

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Speaker 2: little talking to about having to wait one Tuesday?

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Speaker 1: I called on the way in. I think it's more

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Speaker 1: appropriate if I lead in weird out.

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Speaker 2: This is breaking my heart that you have Kevin's phone

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Speaker 2: number and call him. We like that a lot. That

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Speaker 2: is devastating. You need to throw out your phone.

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Speaker 1: No, no, no, My kids were like, hey, mom, you

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Speaker 1: got to show this to Kevin, and so like.

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Speaker 2: Your pone's infected. Yeah, your phone, he's been in. There've

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Speaker 2: been rooting around.

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Speaker 1: He's a name in our house.

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Speaker 2: Phones contaminated. You got to get a new one and

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Speaker 2: maybe just cycle through burners for a little while, because

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Speaker 2: Kevin is the kind of number that sticks with you.

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Speaker 2: Really betrayling you.

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Speaker 1: Wow, he really tricked me.

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Speaker 3: So far, so good, Caleny, it's so nice you guys.

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Speaker 1: Thanks for having me. You jumped in with the high

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Speaker 1: voice too.

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Speaker 2: Yeah, I did it. We're a team match. Yes, I

204
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Speaker 2: am something of a chameleon, and this is why I

205
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Speaker 2: didn't have one particular friend group in high school.

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Speaker 1: Yeah, me too.

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Speaker 2: Have you meant anyone like this? Oh, and see you're

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Speaker 2: doing it now, I really see a matching me.

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Speaker 1: No, No, this is just I feel comfortable. But if

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Speaker 1: I'm having a meeting where someone is comfortable, super uncomfortable,

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Speaker 1: I am so awkward and then it makes me angry

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Speaker 1: because I'm like, why can't I just let them be awkward?

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Speaker 2: Yeah?

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Speaker 3: Yeah, let's talk about so we we had a meeting

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Speaker 3: at a coffee being a couple of weeks ago. Was

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Speaker 3: it cool when you showed up and I pretended not

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Speaker 3: to know who you are or that you were a celebrity.

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Speaker 2: That's what I do in all my meetings. Did that

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Speaker 2: work on you? Yeah?

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Speaker 1: You big timed me a little bit.

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Speaker 2: Yeah. I was like, oh, you're from.

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Speaker 1: Right like this, Well, it's weird when you walk in

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Speaker 1: and you're meeting with a writer who you haven't met

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Speaker 1: and you're supposed to recognize them. You know, you kind

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Speaker 1: of just let me walk around for like a good

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Speaker 1: twenty minutes, and then when you introduce yourself, you were like,

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Speaker 1: I'm sorry, I've just noticed that you were been wandering,

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Speaker 1: are you Caitlin? And so then I kind of yeah,

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Speaker 1: that that did kind of that made me very uncomfortable, right,

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Speaker 1: but you were interested. Oh my god, it was very attractive.

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Speaker 1: I was like, this is the guy.

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Speaker 2: That is what? This is the guy. Do you remember

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Speaker 2: what an our meeting where I walked in and then

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Speaker 2: very welcomingly yes, And I wouldn't want you to, okay,

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Speaker 2: I in a very welcoming way. I said do you

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Speaker 2: want a glass of water or anything? And you said yes?

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Speaker 2: And I said me too, aren't you running? Get two waters?

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Speaker 1: Yeah?

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Speaker 2: That was good too.

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Speaker 1: That roped me into these are the surprises that you

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Speaker 1: You don't want to admit that that's going to get you,

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Speaker 1: but it does. Games.

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Speaker 2: Games. The world is a house games. Yeah, the world

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Speaker 2: a house of games, and all of us a player. Wow,

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Speaker 2: you love acting. You're addicted to this stuff. And and

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Speaker 2: and I'll tell you what else you're dang good?

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Speaker 1: Oh my god, you guys.

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Speaker 2: And we want to see more of it.

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Speaker 1: Thank you.

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Speaker 2: That's nice. Yeah, I like it, but we got it.

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Speaker 2: We could fix some stuff too, Oh you got notes.

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Speaker 3: Let's talk about iconic roles okay, Sweet Dean.

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Speaker 1: Oh god, it was so close, so so close. Yep,

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Speaker 1: Sweet d She the Return of the Mac.

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Speaker 2: Yeah, that was a.

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Speaker 1: Little bit less close Tonight the Tonight Tonight, No Mac

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Speaker 1: and Me. That one was called the But it was

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Speaker 1: only on for two seasons, so I can see how

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Speaker 1: you may be for.

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Speaker 2: Yeah, m m hey, that's one more season than most

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Speaker 2: of the ship I've been working on. Yeah, Jesus Christ. Yeah,

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Speaker 2: and it was a bunch of episodes. I've been doing

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Speaker 2: one season and often I'm not involved in the whole thing.

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Speaker 1: Oh wow, that's tricky, you.

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Speaker 2: Would think, but it sort of just naturally happened.

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Speaker 3: But I mean, you noticed a trend with some of

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Speaker 3: these shows, which is that Sean is asked to go

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Speaker 3: home at the show.

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Speaker 2: Can't Oh did they did they make correctly diagnose what

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Speaker 2: the issue was on the show? That's the thing that

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Speaker 2: was helping is actually what they got rid of.

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Speaker 1: Right, Well, I hope they learned their lesson.

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Speaker 2: I don't know, I don't know. Everybody's doing fine, I guess,

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Speaker 2: so we gotta figure out what we gotta get figure out.

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Speaker 1: I gotta figure out what I'm doing next. Yeah, I

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Speaker 1: got Sonny, We're doing season fourteen.

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Speaker 2: Of Sonny Sonny and Share Sonny Wanni. Remember the number

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Speaker 2: two at Theranos, he and Elizabeth Holmes were having a

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Speaker 2: bit of a flate. You read Wow.

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Speaker 1: No, there's a show on FX called It's Always Sonny

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Speaker 1: in Philadelphia?

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Speaker 2: Is that true?

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Speaker 4: Yeah?

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Speaker 2: You know what.

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Speaker 1: We got Danny DeVito, so that's cool. Check that out.

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Speaker 1: Dumbo from Yes, Danny DeVito from Dumbo is one of

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Speaker 1: the tweens. One of the tweens from Dumbo from Twins.

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Speaker 3: Yeah, yeah, because there's tweens in Dumbo. Dumbo is Dumbo's

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Speaker 3: between and then they don't even follow his tweet.

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Speaker 1: What happens about flying little tween?

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Speaker 2: Be up or something? Because if you think about it,

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Speaker 2: they showed the movie and the new movie.

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Speaker 3: I've seen it, Dumbo's atween. He gets cyber bullied. Huh

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Speaker 3: at the circus.

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Speaker 1: Oh, I haven't seen it yet.

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Speaker 2: He gets cyber bullied somebody. Yeah, somebody gets in access

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Speaker 2: to his d MS and Auburn and peanuts and lure

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Speaker 2: him away. He called him not nice stuff.

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Speaker 3: Did Danny ever read lines from Did he ever like

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Speaker 3: read lines from Dumbo with like on set?

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Speaker 2: Did he ever? Was he ever confused? Was he ever

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Speaker 2: preparing to let him get it out. Jesus, Caitlin, the

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Speaker 2: guy's asking a well formulated question. You're jumping down his.

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Speaker 1: Throat to help him. He's just stuttering all over the place.

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Speaker 2: That's not how I interpreted. Now, Now he's got a

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Speaker 2: great question.

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Speaker 3: Oh yeah, last I checked, it was our show and

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Speaker 3: I am I am actually the one doing the interviewing.

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Speaker 3: So if I could just get back into it, was

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Speaker 3: he did he ever.

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Speaker 2: Did when he? Uh?

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Speaker 3: Was he ever doing Dumbo? And did he ever do

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Speaker 3: it on the set?

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Speaker 2: Did he ever say? But I will take it from it.

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Speaker 2: So Danny did dumb Well, Danny did Dumbo and you're

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Speaker 2: working with with him and on your show, and is

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Speaker 2: he going when he do? Right? Hey, doing the show going?

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Speaker 2: That's Dumbo for him?

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Speaker 1: You guys done?

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Speaker 2: Okay? And is he and he's friends with Dumbo? And

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Speaker 2: is he saying that?

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Speaker 1: Is he saying on our set that he's friends with Dumbo?

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Speaker 2: Is that the question exactly? No?

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Speaker 1: Yeah, I guess I'm not getting it.

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Speaker 2: Yeah, I guess not. We can move on. Let's let's

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Speaker 2: just move on stonewalling us on this one.

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Speaker 3: Okay, you were saying before you never been the comedy

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Speaker 3: bang bang.

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Speaker 1: Yeah, I was saying, though before I've never done it.

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Speaker 2: Yeah. Good, that's so rich for us, that's so juicy.

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Speaker 2: Do you like that I'd figure this out? Well? We

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Speaker 2: love that? Yeah? Are you kidding? Me?

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Speaker 1: And arch Nemeses.

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Speaker 3: It's hosted by a guy you've never heard of named

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Speaker 3: Scott Ackerman, and he is listening to this right now.

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Speaker 3: When he's listening to you say that you hate his show.

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Speaker 2: And he and he squeezing his hostess cupcakes so hard

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Speaker 2: that all the philis shooting out of it.

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Speaker 1: The topic that I don't say that though I think

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Speaker 1: he's super funny and I would love to.

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Speaker 2: Do his show. You can't because it's Devin. We're going

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Speaker 2: to use our edit. We're going to use our one edit.

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Speaker 2: We get one We get one edit per show.

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Speaker 1: We signed a new some stuff out there.

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Speaker 2: Oh no, do you want to just do them all

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Speaker 2: right now? Yeah? Do you want to just get it?

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Speaker 2: Because we get one drop? Okay, she's saving it. Damn.

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Speaker 2: I didn't know this was going to be so adversarial,

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Speaker 2: but we were.

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Speaker 3: We have to do new iconic roles for for you.

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Speaker 1: You're going to come up with what I should the

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Speaker 1: next project I should do Chelsea Clinton.

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Speaker 2: Chelsea Clinton cat Woman? Chelsea Clinton? Is she's Catwoman? Think

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Speaker 2: about it. Catwoman is always somebody who you don't know.

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Speaker 2: So when she's not being Catwoman, what is that movie?

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Speaker 2: And Clinton not quite enough for a movie?

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Speaker 3: And the other movie she takes off the Catwoman mask

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Speaker 3: and I'm like, okay, yeah, who is that?

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Speaker 2: I put it back on.

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Speaker 1: So you're saying, I play Chelsea Clinton? Who is catwo counteract?

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Speaker 2: Nice? Right? People are mad at you. You did something.

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Speaker 2: I'm not totally clear, or maybe you didn't. They're pissed.

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Speaker 2: You go ahead, you throw on the Catwoman. Ask you

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Speaker 2: go check this out. Climb whatever climb? Is it a

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Speaker 2: political movie?

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Speaker 1: I mean, well, I just don't know why. Why are

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Speaker 1: we choosing Chelsea Clinton.

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Speaker 2: Maybe we don't want someone who's so interesting that you

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Speaker 2: don't want them to be Catwoman. Yeah, but we do

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Speaker 2: want someone you know, it's gotta be too, it's got

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Speaker 2: to really thread the needle where the person you wouldn't

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Speaker 2: want to watch a whole movie about them, but you're

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Speaker 2: willing to watch them if you know they're going to

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Speaker 2: be Catwoman soon. You also don't want to be pissed

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Speaker 2: when they stop being Catwoman.

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Speaker 1: Okay, but it wouldn't just be like me playing just

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Speaker 1: like a character. You don't know who's playing.

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Speaker 2: Catwoman characters that you do. I do like that.

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Speaker 1: I do like that.

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Speaker 2: See can we could we meet Catwoman who is Chelsea Clinton?

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Speaker 2: Can we?

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Speaker 3: I would love to be introduced and just be able

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Speaker 3: to speak with Can we speak with her?

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Speaker 2: Catwoman? Who is Chelsea Clinton? Yeah?

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Speaker 1: I mean I I'll I humor you. But here's the

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Speaker 1: I think it's a really like, not an idea but

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Speaker 1: smart or that's something that I would ever Actually I

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Speaker 1: didn't say that. No, I didn't say that. No, I

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Speaker 1: just think it's a very stupid idea.

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Speaker 2: Interesting that you didn't say it. You didn't say it,

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Speaker 2: but you kind of did it in a way. And

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Speaker 2: so when you say stupid, do you just mean kind

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Speaker 2: of you don't get it?

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Speaker 1: Like I'm calling myself. Yeah, yeah, I'm familiar with who

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Speaker 1: Chelsea Clinton?

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Speaker 2: Or you rather Chelsea Handler?

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Speaker 1: Funnier?

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Speaker 2: You think Chelsea Handler is funnier than Chelsea Clinton.

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Speaker 1: I'm guessing I've never I've know Chelsea Clinton.

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Speaker 2: I'm getting messed now. I'm actually getting fired up and pissed.

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00:19:22,840 --> 00:19:25,480
Speaker 2: So you have somebody you don't know, and you're just

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Speaker 2: guessing that Chelsea Handler's funnier than that.

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Speaker 3: And I'll say this, I don't think we should be

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Speaker 3: pitting women against each other.

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Speaker 2: Sorry, thank you, I'm sorry. I support all their whole

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Speaker 2: thing a competition. I think they all whatever they do

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Speaker 2: is great.

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Speaker 1: I feel like that's like just you throwing that out

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Speaker 1: there to cover yourself. What do you support women fighting

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Speaker 1: with each other? Because that's part of it, that's a

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Speaker 1: part of it.

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Speaker 2: All cornered here, I am cornered, and I've already used

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Speaker 2: my edit. This is what I don't it's about. You

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Speaker 2: don't need to hear.

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Speaker 1: From Scott Ackerman's people.

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Speaker 2: Soon's it's Scott Ackerman, that's the people.

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Speaker 1: That's fine.

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Speaker 2: These people are him.

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Speaker 1: I'll leave my phone number for him just in case

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Speaker 1: he wants to reach out.

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Speaker 2: Okay, we know you can get it through Kevin.

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00:20:20,960 --> 00:20:24,520
Speaker 1: Okay, so you don't like that text, sorry, came through

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Speaker 1: from my kids. I gotta pass it on to Kevin.

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Speaker 1: Hang on one second, okay.

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Speaker 2: Kevin, what's the text? Say?

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Speaker 4: It's a it's a meme.

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Speaker 1: Yeah, other kids, you know?

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Speaker 2: Yeah, what's the mean? Man? What's the meme?

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Speaker 1: Uh?

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Speaker 4: It's a clown turning the lights off.

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Speaker 2: And it's just not a meme. What you're describing is

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Speaker 2: not a meme. What does it say?

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Speaker 4: It's cute lights off kids.

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Speaker 2: That's not a mean.

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Speaker 1: You know, they don't always have to make sense. Know

436
00:21:00,280 --> 00:21:00,920
Speaker 1: the kids are sick.

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Speaker 2: This makes too much sense, it does. There's no playoffs.

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Speaker 1: I mean, it doesn't make sense why they would send

439
00:21:10,520 --> 00:21:13,560
Speaker 1: that particular dumb meme to him. But that's not my fault.

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00:21:13,760 --> 00:21:17,040
Speaker 2: And dumb and stupid and all these words you're using.

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Speaker 2: But you know that we are very positive. Okay.

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Speaker 1: Well you're getting me going, you're riling me.

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Speaker 2: Up, okay, and that's good. I love that you're in

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Speaker 2: that space because we're going to get a better performance

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Speaker 2: for obviously not the Chelsea Clinton cat Woman movie. And

446
00:21:30,440 --> 00:21:32,600
Speaker 2: that's just as soon as you agree to do something.

447
00:21:32,960 --> 00:21:35,760
Speaker 2: But when you do something, god, you're gonna put it

448
00:21:35,880 --> 00:21:36,400
Speaker 2: into it.

449
00:21:36,400 --> 00:21:40,119
Speaker 3: Money in the bank for deposit, for for later withdrawal.

450
00:21:41,920 --> 00:21:46,120
Speaker 2: When you sorry, when you were clearing up the timeline

451
00:21:46,320 --> 00:21:49,920
Speaker 2: before with Kevin, yeah and saying like, hey, this is

452
00:21:49,960 --> 00:21:52,440
Speaker 2: coming out tuesday next Tuesday? Was it because you wanted

453
00:21:52,480 --> 00:21:55,040
Speaker 2: to on this show? Do you want to again?

454
00:21:55,320 --> 00:21:58,240
Speaker 3: The show is like watching momentous it is if you

455
00:21:58,320 --> 00:22:00,000
Speaker 3: even you're like, when is this happen?

456
00:22:00,119 --> 00:22:00,920
Speaker 1: One big puzzle?

457
00:22:01,040 --> 00:22:03,879
Speaker 2: Oh? Yeah, oh yeah, And then and then afterwards you

458
00:22:03,920 --> 00:22:06,600
Speaker 2: go like, I think that was cool.

459
00:22:10,240 --> 00:22:11,200
Speaker 1: The listener.

460
00:22:12,520 --> 00:22:16,439
Speaker 2: Or you I too, Oh, I'm sort of on the

461
00:22:16,520 --> 00:22:18,920
Speaker 2: ride home going I think that was kind of cool. Right,

462
00:22:20,320 --> 00:22:22,320
Speaker 2: were you asking him because you were going to once

463
00:22:22,320 --> 00:22:24,520
Speaker 2: again clarify the timeline that in two weeks there will

464
00:22:24,560 --> 00:22:26,879
Speaker 2: be an episode where I call in basically during the

465
00:22:26,920 --> 00:22:30,920
Speaker 2: delivery my baby. Yeah, this show is a fact taking

466
00:22:30,960 --> 00:22:34,840
Speaker 2: place with the baby baby is in the world. Yes,

467
00:22:35,040 --> 00:22:35,440
Speaker 2: m hmm.

468
00:22:35,560 --> 00:22:37,159
Speaker 3: This would be fun for the fans to kind of

469
00:22:37,200 --> 00:22:40,040
Speaker 3: stitch together to like do like a flow chart, and

470
00:22:40,080 --> 00:22:44,280
Speaker 3: they'll probably use that gift that everyone uses of the yeah,

471
00:22:44,440 --> 00:22:48,720
Speaker 3: lights out cloud, lights out clown or the guy from

472
00:22:48,720 --> 00:22:52,439
Speaker 3: the show. There's a guy from the show with Sweet

473
00:22:52,480 --> 00:22:58,840
Speaker 3: Dean's friend d who is the Dean scream one of

474
00:22:58,840 --> 00:23:00,639
Speaker 3: the most and he's looking at all the papers on

475
00:23:00,680 --> 00:23:01,520
Speaker 3: the wall and.

476
00:23:01,359 --> 00:23:01,920
Speaker 2: He's like.

477
00:23:03,400 --> 00:23:09,720
Speaker 3: Charlie, ah, right, Hayes, Actually we have to do what's

478
00:23:09,760 --> 00:23:10,880
Speaker 3: another iconic role.

479
00:23:11,480 --> 00:23:14,560
Speaker 2: Well, there's the lights out clown. Obviously we could do

480
00:23:14,600 --> 00:23:16,919
Speaker 2: a movie about that. It's something that I know you

481
00:23:17,040 --> 00:23:19,000
Speaker 2: already like Andy Richter?

482
00:23:21,119 --> 00:23:21,760
Speaker 1: What about him?

483
00:23:22,880 --> 00:23:26,320
Speaker 3: You play Andy Richter and a movie about the lights

484
00:23:26,320 --> 00:23:26,879
Speaker 3: out clown?

485
00:23:27,880 --> 00:23:32,680
Speaker 2: Okay, Andy is being the lights out clown. Yeah, you're

486
00:23:32,680 --> 00:23:33,760
Speaker 2: playing Andy?

487
00:23:34,359 --> 00:23:36,199
Speaker 1: Yeah?

488
00:23:36,640 --> 00:23:39,000
Speaker 2: Am I getting through to you? Yeah?

489
00:23:39,040 --> 00:23:42,200
Speaker 1: You're suggesting I play Andy Richter who is a lights

490
00:23:42,200 --> 00:23:42,720
Speaker 1: out clown.

491
00:23:43,560 --> 00:23:45,199
Speaker 2: I think that can be part of I think we

492
00:23:45,240 --> 00:23:48,200
Speaker 2: want to span his whole career. He starts as the

493
00:23:48,280 --> 00:23:54,120
Speaker 2: lights out clown, you know, then he does other shit?

494
00:23:54,480 --> 00:23:56,440
Speaker 1: Is it like a sketch comedy show? I mean, why

495
00:23:56,480 --> 00:23:56,960
Speaker 1: am I playing?

496
00:23:57,359 --> 00:24:00,320
Speaker 2: No? This is a movie, like you got. I aim

497
00:24:00,440 --> 00:24:03,920
Speaker 2: higher than this. I do. Yeah, I am. You're trying

498
00:24:03,960 --> 00:24:07,840
Speaker 2: to You're way past the sketch comedy show. I know.

499
00:24:07,880 --> 00:24:09,360
Speaker 1: That's why I'm confused. Why you want me to play

500
00:24:09,359 --> 00:24:10,520
Speaker 1: a man like what? It doesn't?

501
00:24:12,000 --> 00:24:13,040
Speaker 2: Okay?

502
00:24:14,040 --> 00:24:16,160
Speaker 1: Wow, Well you're not allowed to say that.

503
00:24:16,119 --> 00:24:18,840
Speaker 2: You stepped in it. You're not allowed to say you're

504
00:24:18,880 --> 00:24:21,560
Speaker 2: not allowed to say that. Maybe you could say something

505
00:24:21,720 --> 00:24:22,919
Speaker 2: or that they should couldn't.

506
00:24:23,080 --> 00:24:25,520
Speaker 3: Maybe we could say since the timeline is all messed

507
00:24:25,600 --> 00:24:27,840
Speaker 3: up to cover that up, we can say that it's

508
00:24:27,840 --> 00:24:31,640
Speaker 3: like two thousand and two oh in this episode.

509
00:24:31,800 --> 00:24:35,240
Speaker 2: That is helpful for me. That's a lie. Do you

510
00:24:35,280 --> 00:24:39,880
Speaker 2: want to hear something sweet Dean about interesting that maybe

511
00:24:39,920 --> 00:24:41,840
Speaker 2: would give you an idea for a role. Is something

512
00:24:41,840 --> 00:24:45,080
Speaker 2: that my baby's been talking to me about. It is

513
00:24:45,200 --> 00:24:49,760
Speaker 2: saying that the famous boss baby from that movie works

514
00:24:49,800 --> 00:24:54,679
Speaker 2: for him. Really, so he's the boss Baby's boss. Is

515
00:24:54,720 --> 00:25:00,400
Speaker 2: that a movie? All right? Okay, now I'm in Ceo Baby? Yeah?

516
00:25:00,440 --> 00:25:05,960
Speaker 2: Oh yeah, yeah, so that is interesting. So then we

517
00:25:06,080 --> 00:25:08,200
Speaker 2: start on the boss Baby and we sort of pull

518
00:25:08,280 --> 00:25:13,040
Speaker 2: out to see the top of the building and you're going, hey,

519
00:25:13,119 --> 00:25:17,880
Speaker 2: boss Baby, give me those numbers, right? So what else

520
00:25:17,920 --> 00:25:20,200
Speaker 2: you are playing this baby in your mind?

521
00:25:20,800 --> 00:25:22,119
Speaker 1: Yeah, I'm playing the ceo baby.

522
00:25:22,119 --> 00:25:24,199
Speaker 2: You could do it. I think it could be a

523
00:25:24,240 --> 00:25:29,240
Speaker 2: girl baby. I agree. Yes, it was two thousand and two,

524
00:25:29,320 --> 00:25:32,600
Speaker 2: and now we're cutting back into twenty nineteen. So let's

525
00:25:32,600 --> 00:25:36,040
Speaker 2: say for sure we've had seventeen years to marinate on

526
00:25:36,160 --> 00:25:39,720
Speaker 2: ideas for you. The boss Baby's boss number one? Come on,

527
00:25:40,240 --> 00:25:46,159
Speaker 2: so can I speak to the boss Baby's boss for

528
00:25:46,240 --> 00:25:46,600
Speaker 2: a moment?

529
00:25:47,600 --> 00:25:49,320
Speaker 1: Yeah, give me a second. There's the whole thing that

530
00:25:49,359 --> 00:25:49,960
Speaker 1: has to happen.

531
00:25:51,520 --> 00:25:53,040
Speaker 2: And in the meantime, do you mind if I eat

532
00:25:53,040 --> 00:25:58,400
Speaker 2: this sort of granola cup with the granola cup down? Oh? Wow?

533
00:25:58,400 --> 00:25:59,680
Speaker 1: It's driving me nuts.

534
00:26:00,080 --> 00:26:03,520
Speaker 2: Oh no, the boss babies pauses here. I'm getting in care,

535
00:26:03,760 --> 00:26:05,840
Speaker 2: very very mean, and she has pulled her shirt over

536
00:26:05,840 --> 00:26:11,320
Speaker 2: her head like corn wholy, huh, I'm hungry. Oh do

537
00:26:11,359 --> 00:26:13,480
Speaker 2: you do you want someone a granola cup?

538
00:26:13,560 --> 00:26:13,720
Speaker 1: Well?

539
00:26:13,760 --> 00:26:17,840
Speaker 2: I have one, but you have one. I just start

540
00:26:18,359 --> 00:26:21,880
Speaker 2: getting out of here this morning, like and THEU.

541
00:26:22,200 --> 00:26:25,879
Speaker 1: I have to say it one more time. Okay, get

542
00:26:25,960 --> 00:26:26,720
Speaker 1: in the elevator.

543
00:26:27,119 --> 00:26:29,000
Speaker 2: I guess I'm expecting more baby stuff.

544
00:26:29,760 --> 00:26:34,080
Speaker 1: Push level twenty three. Get the granola cup, puree in

545
00:26:34,119 --> 00:26:34,640
Speaker 1: a blender.

546
00:26:34,720 --> 00:26:42,880
Speaker 2: Okay, that's for milk. Get ah. Oh wow, wow, too loud.

547
00:26:44,680 --> 00:26:46,240
Speaker 2: This movie is a little too loud.

548
00:26:46,560 --> 00:26:49,960
Speaker 1: Yeah. Oh yeah, well you wanted me in it, right, Yeah?

549
00:26:50,000 --> 00:26:51,080
Speaker 1: I gotta be quiet?

550
00:26:51,280 --> 00:26:54,360
Speaker 2: Oh okay, yeah, well maybe we can do so. That's

551
00:26:54,400 --> 00:26:57,440
Speaker 2: a scoop. How many big mate doesn't have that? That's

552
00:26:57,440 --> 00:26:59,879
Speaker 2: a scoop. Oh she doesn't know how to be quiet.

553
00:27:00,119 --> 00:27:01,479
Speaker 2: Mm hmmm. We'll do that.

554
00:27:01,480 --> 00:27:05,919
Speaker 3: We'll give that to the Daily Express. Think about that,

555
00:27:05,960 --> 00:27:08,040
Speaker 3: all righty, That one is sold to the Daily Express.

556
00:27:08,920 --> 00:27:10,080
Speaker 2: Weank you very kindly.

557
00:27:10,720 --> 00:27:11,480
Speaker 1: You guys got me.

558
00:27:12,200 --> 00:27:15,000
Speaker 2: So that's one movie in the can. But that's animated,

559
00:27:15,160 --> 00:27:20,280
Speaker 2: and I'd rather see that face on screen and I'm

560
00:27:20,320 --> 00:27:23,000
Speaker 2: picturing now. I'd rather see it up there me too.

561
00:27:23,240 --> 00:27:24,920
Speaker 2: You don't want to play at Chelsea Clinton. You don't

562
00:27:24,920 --> 00:27:28,879
Speaker 2: want to play Andy Richter. No, but we're finding our range.

563
00:27:29,000 --> 00:27:31,439
Speaker 2: This is like when I'm out shooting hoops and I

564
00:27:31,480 --> 00:27:33,280
Speaker 2: throw one so hard it bounce off, hit me in

565
00:27:33,320 --> 00:27:35,280
Speaker 2: the head, and then I throw the other one it

566
00:27:35,320 --> 00:27:38,400
Speaker 2: barely leaves my hand. I go, now got my range.

567
00:27:38,920 --> 00:27:44,600
Speaker 2: So what is in between Andy Richter at Chelsea Clinton

568
00:27:44,880 --> 00:27:48,160
Speaker 2: as catwoman? As Andy Richter as the clown and doing

569
00:27:48,240 --> 00:27:51,359
Speaker 2: his whole career. There's a lot of it. Andy Barker

570
00:27:51,400 --> 00:27:55,600
Speaker 2: p I that whole era and Chelsea Clinton do a catwoman.

571
00:27:55,920 --> 00:27:58,200
Speaker 2: So what's right in between this? I think we all

572
00:27:58,200 --> 00:27:58,800
Speaker 2: know the answer.

573
00:27:58,960 --> 00:28:00,000
Speaker 1: Dumbo's tween two.

574
00:28:00,800 --> 00:28:04,600
Speaker 2: That's right, the story they didn't want to tell. Right now,

575
00:28:04,720 --> 00:28:07,040
Speaker 2: Danny can introduce you.

576
00:28:06,520 --> 00:28:07,440
Speaker 1: Yeah, to the tween.

577
00:28:07,720 --> 00:28:10,760
Speaker 3: Yeah, of course he can. So this in this version,

578
00:28:10,760 --> 00:28:15,800
Speaker 3: you're saying Dumbo has a tween child. No, Dumbo is

579
00:28:15,800 --> 00:28:18,080
Speaker 3: a tween Okay, good, Yeah, okay.

580
00:28:17,920 --> 00:28:19,600
Speaker 1: Yeah, Dumbo is a twin.

581
00:28:19,920 --> 00:28:24,119
Speaker 2: Dumbo's twin, but oh, okay, twin. Yeah, you want to play,

582
00:28:24,280 --> 00:28:26,520
Speaker 2: But this fit to me also feels like it would

583
00:28:26,640 --> 00:28:28,359
Speaker 2: likely not be your face on screen.

584
00:28:29,800 --> 00:28:31,320
Speaker 1: Yeah, I keep gravitating.

585
00:28:31,720 --> 00:28:35,840
Speaker 3: Yeah, I have a pet too modest. A couple guys

586
00:28:36,600 --> 00:28:39,640
Speaker 3: are at the at the bar watching the game. Damn

587
00:28:39,680 --> 00:28:43,680
Speaker 3: I'm loving Wings and they say, uh, blue colored boy. Yeah,

588
00:28:43,680 --> 00:28:48,280
Speaker 3: and they like say, like Bartender, poor me, poor me.

589
00:28:48,760 --> 00:28:52,400
Speaker 3: This beard is the buffalo wild Wings. I don't think

590
00:28:52,400 --> 00:28:53,080
Speaker 3: we can get that.

591
00:28:53,840 --> 00:28:55,560
Speaker 2: Yeah, I don't think so either. I was gonna say

592
00:28:55,600 --> 00:28:56,440
Speaker 2: that I.

593
00:28:56,440 --> 00:28:58,760
Speaker 3: Reference the tilted Kilt in the recent episode, but I

594
00:28:58,800 --> 00:29:00,920
Speaker 3: don't think people really recognize that either.

595
00:29:01,000 --> 00:29:03,160
Speaker 2: So it's just just the bar we're inside. We don't

596
00:29:03,200 --> 00:29:04,480
Speaker 2: have to be It's a bar. Yep.

597
00:29:05,120 --> 00:29:08,959
Speaker 3: Door flies open and like the wind is like blowing

598
00:29:09,000 --> 00:29:11,480
Speaker 3: in their face and they're like, oh my god, it's

599
00:29:11,600 --> 00:29:15,400
Speaker 3: Danica Patrick. And then they look over it is you

600
00:29:16,600 --> 00:29:17,880
Speaker 3: playing Danica Patrick?

601
00:29:18,000 --> 00:29:22,280
Speaker 1: What why do I have to play other people a

602
00:29:22,360 --> 00:29:24,640
Speaker 1: movie about you? Well, no, I would like to just

603
00:29:24,640 --> 00:29:25,320
Speaker 1: be a character.

604
00:29:26,480 --> 00:29:29,120
Speaker 3: She is something of a character if you've actually seen

605
00:29:29,440 --> 00:29:30,360
Speaker 3: some of these ads.

606
00:29:30,400 --> 00:29:32,720
Speaker 2: She's a Chelsea Handler type in your parlance.

607
00:29:34,640 --> 00:29:37,400
Speaker 3: So she walks in and she's like, Bartender, I'll take

608
00:29:37,400 --> 00:29:39,880
Speaker 3: that beard instead of those guys, and she drinks it

609
00:29:39,960 --> 00:29:41,840
Speaker 3: instead chugs.

610
00:29:42,760 --> 00:29:45,720
Speaker 1: Right, Maybe some of it spills spills out a little bit.

611
00:29:46,000 --> 00:29:48,840
Speaker 2: Oh yes, we're getting into.

612
00:29:48,560 --> 00:29:51,560
Speaker 3: It, and then the screen freezes and it says, to

613
00:29:51,600 --> 00:29:56,920
Speaker 3: see the full movie. Goats Go, Daddy dot cop. Are

614
00:29:56,920 --> 00:30:00,360
Speaker 3: we thinking this is the trailer? It is word of

615
00:30:00,360 --> 00:30:02,240
Speaker 3: a trailer. It's the beginning of the movie.

616
00:30:02,520 --> 00:30:04,240
Speaker 1: So I'm doing the movie, not just the trailer.

617
00:30:04,480 --> 00:30:05,920
Speaker 2: Yes, okay, I like that.

618
00:30:06,080 --> 00:30:11,840
Speaker 1: But you had me with the bar and the guys

619
00:30:12,080 --> 00:30:15,320
Speaker 1: ordering a drink and the door flying open, and it's

620
00:30:15,320 --> 00:30:18,320
Speaker 1: really windy and in flies dumbos twin.

621
00:30:18,880 --> 00:30:20,200
Speaker 2: Okay, but it.

622
00:30:20,160 --> 00:30:23,840
Speaker 1: Doesn't have to be animated. It could be me in.

623
00:30:23,800 --> 00:30:29,120
Speaker 2: Costume, costume on cables, on cables, practical effects. I miss that.

624
00:30:29,560 --> 00:30:32,920
Speaker 2: You Are you afraid of being pigeonholed as being in

625
00:30:32,960 --> 00:30:35,840
Speaker 2: a bar? Right? Right?

626
00:30:36,040 --> 00:30:37,800
Speaker 1: We should not set it in a bar.

627
00:30:37,880 --> 00:30:42,800
Speaker 2: Well, or do we make it like a hotel bar, classy.

628
00:30:42,320 --> 00:30:43,760
Speaker 1: Bar, not a dive bar.

629
00:30:44,760 --> 00:30:44,960
Speaker 2: Yeah.

630
00:30:45,000 --> 00:30:47,520
Speaker 1: I haven't really cornered the entire bar market.

631
00:30:47,680 --> 00:30:49,520
Speaker 2: Well, and this is what I'm thinking of, and it's

632
00:30:49,560 --> 00:30:51,920
Speaker 2: not too jarring. People aren't going to be like, what

633
00:30:52,000 --> 00:30:52,320
Speaker 2: the fuck?

634
00:30:52,440 --> 00:30:54,360
Speaker 1: Yeah, what's she doing here in this movie? She's supposed

635
00:30:54,360 --> 00:30:58,200
Speaker 1: to be on TV? And it's at least there's a bar, and.

636
00:30:57,720 --> 00:30:59,920
Speaker 3: Said, do we like could get even farther away from it?

637
00:31:00,120 --> 00:31:03,280
Speaker 3: And instead of hotel bar, it's a hotel breakfast bar.

638
00:31:04,040 --> 00:31:05,160
Speaker 1: Like a like a buffet.

639
00:31:06,520 --> 00:31:09,240
Speaker 3: Yes, and it seems like Dumbo could potentially go ham

640
00:31:09,280 --> 00:31:10,680
Speaker 3: on that literally.

641
00:31:10,400 --> 00:31:14,160
Speaker 2: And it's and what's on the menu cold pizza. That's

642
00:31:14,240 --> 00:31:16,000
Speaker 2: so good for breakfast cold.

643
00:31:15,760 --> 00:31:17,960
Speaker 1: Pizza the day it's kind of dive barsh and we

644
00:31:18,000 --> 00:31:20,280
Speaker 1: want to stay away from that. But I do like

645
00:31:20,400 --> 00:31:24,960
Speaker 1: Dumbo flying in and just going straight for the mimosas

646
00:31:25,000 --> 00:31:29,160
Speaker 1: and wrapping a champagne flute in his cute little trunk.

647
00:31:29,360 --> 00:31:32,920
Speaker 3: Okay, yes, so this is Dumbo's twins sister, thank you

648
00:31:33,040 --> 00:31:33,560
Speaker 3: very much?

649
00:31:34,480 --> 00:31:36,880
Speaker 2: And well and now I and now I really believe

650
00:31:36,880 --> 00:31:38,960
Speaker 2: it doesn't have to be animated because we're saying twin sisters,

651
00:31:39,000 --> 00:31:42,280
Speaker 2: so they're obviously not identical twins, and at that point

652
00:31:42,720 --> 00:31:46,080
Speaker 2: it could just be you. We're really describing is Jack

653
00:31:46,120 --> 00:31:48,360
Speaker 2: and Jill? I mean that is something.

654
00:31:48,080 --> 00:31:52,280
Speaker 3: That Jill would would do, is roll into the hotel

655
00:31:52,320 --> 00:31:52,960
Speaker 3: breakfast bar.

656
00:31:53,240 --> 00:31:56,120
Speaker 2: And do you remember the Sandman doing Jack and Jill?

657
00:31:56,400 --> 00:31:56,600
Speaker 1: No?

658
00:31:56,960 --> 00:32:00,280
Speaker 2: Okay, and I'm standing with the Sandman. Did move Why

659
00:32:00,280 --> 00:32:01,840
Speaker 2: you're pretending not to remember this movie.

660
00:32:02,240 --> 00:32:05,000
Speaker 1: I remember it. I didn't see it. Okay, yeah, I

661
00:32:05,040 --> 00:32:05,840
Speaker 1: know what you're talking about.

662
00:32:05,840 --> 00:32:10,080
Speaker 2: Bice Pepper's people are eating the Jill would go run

663
00:32:10,120 --> 00:32:12,360
Speaker 2: and hide in the woods and cry in the woods

664
00:32:12,360 --> 00:32:16,800
Speaker 2: when upset. Oh, of course was a character trait.

665
00:32:17,200 --> 00:32:19,200
Speaker 1: Okay, girls do.

666
00:32:19,880 --> 00:32:21,280
Speaker 2: Well, that's what we found out.

667
00:32:21,400 --> 00:32:21,760
Speaker 1: I guess.

668
00:32:21,760 --> 00:32:29,600
Speaker 2: So so an Alpucino intoxicated by Jill love. He's doing

669
00:32:29,600 --> 00:32:32,920
Speaker 2: it Dunky Donuts commercial and he falls in love with Jill.

670
00:32:33,000 --> 00:32:36,720
Speaker 2: Oh yeah, so all of these things say to me,

671
00:32:37,920 --> 00:32:40,680
Speaker 2: let's just do jacket Jill. Oh, why we working so

672
00:32:40,720 --> 00:32:44,959
Speaker 2: hard with this Dumbo twin thing? No, get rid of Dumbo.

673
00:32:45,320 --> 00:32:47,800
Speaker 1: Okay, so I'm Jack and Jill.

674
00:32:48,640 --> 00:32:51,400
Speaker 2: Well, but you didn't want to play man in two

675
00:32:51,440 --> 00:32:53,000
Speaker 2: thousand and two when we first discussed this.

676
00:32:53,120 --> 00:32:56,040
Speaker 1: Yeah, but I have really evolved since then, and I

677
00:32:56,080 --> 00:32:57,440
Speaker 1: love that as long as I can play a man

678
00:32:57,520 --> 00:32:58,320
Speaker 1: and a woman.

679
00:32:58,640 --> 00:33:01,400
Speaker 2: And you can play Alpucina too. Oh really, yeah, well

680
00:33:01,400 --> 00:33:02,360
Speaker 2: we're not going to get him.

681
00:33:02,480 --> 00:33:04,720
Speaker 1: Yeah no, I'm starring in it.

682
00:33:07,040 --> 00:33:10,640
Speaker 2: Yeah yeah, yeah, okay, great, So we've got a movie,

683
00:33:11,640 --> 00:33:14,440
Speaker 2: We've got a rich character for you. Are you going

684
00:33:14,480 --> 00:33:16,680
Speaker 2: to do pop album this year? Because we have been

685
00:33:16,720 --> 00:33:18,920
Speaker 2: trying to sing songs on the show a lot. People

686
00:33:19,000 --> 00:33:22,560
Speaker 2: like that better than when we're doing comedy we just

687
00:33:22,680 --> 00:33:27,200
Speaker 2: plays boring song. Well, I don't think it's boring when

688
00:33:27,280 --> 00:33:30,160
Speaker 2: people really have an angle, but when they're kind of

689
00:33:30,160 --> 00:33:32,480
Speaker 2: feeling around for a light switch in the dark, which

690
00:33:32,520 --> 00:33:35,320
Speaker 2: is really what this show is. I think that bites

691
00:33:35,360 --> 00:33:39,200
Speaker 2: OFFWN this year every episode. Yeah, the light the lights

692
00:33:39,200 --> 00:33:42,080
Speaker 2: of Cloud shows up right before we start recording, and

693
00:33:42,120 --> 00:33:46,360
Speaker 2: he does a very good job. So what we were

694
00:33:46,440 --> 00:33:48,760
Speaker 2: wondering is, are there any songs that you want to

695
00:33:48,800 --> 00:33:53,320
Speaker 2: sing for us for your pop album? And it can

696
00:33:53,360 --> 00:33:58,880
Speaker 2: be covers? Oh god, you guys, what what's the matter? No?

697
00:33:59,560 --> 00:34:02,520
Speaker 2: For my pop album? What you want to do more of?

698
00:34:02,640 --> 00:34:04,880
Speaker 2: Like a country folks thing?

699
00:34:05,080 --> 00:34:06,240
Speaker 1: I don't want to do an album.

700
00:34:06,400 --> 00:34:09,239
Speaker 2: I don't want to do an album. How are you

701
00:34:09,280 --> 00:34:11,800
Speaker 2: going to play? Jack and Jill afraid of success?

702
00:34:12,400 --> 00:34:12,560
Speaker 1: Ray?

703
00:34:12,560 --> 00:34:16,920
Speaker 2: Am I getting that my self? Sabotage doesn't want to

704
00:34:17,000 --> 00:34:20,440
Speaker 2: sing a song? On the Hollywood Handbook podcast with Hazen

705
00:34:20,480 --> 00:34:22,759
Speaker 2: Shaw and a Pack One has an entire pop show

706
00:34:22,880 --> 00:34:23,960
Speaker 2: now on the Pop Network.

707
00:34:24,120 --> 00:34:28,720
Speaker 1: Really it's called Flack Always One.

708
00:34:29,280 --> 00:34:31,600
Speaker 2: Yep, You and pack when you've been neck and neck

709
00:34:31,760 --> 00:34:34,880
Speaker 2: and now she has the sky struck a mighty blow.

710
00:34:36,320 --> 00:34:38,960
Speaker 2: Are you going to counter punch or are you gonna

711
00:34:39,040 --> 00:34:40,879
Speaker 2: lay on the map? All right?

712
00:34:40,920 --> 00:34:42,200
Speaker 1: What should what should we sing?

713
00:34:42,400 --> 00:34:46,560
Speaker 2: Okay, well, good call? Yes? What should we sing? Like?

714
00:34:47,120 --> 00:34:48,920
Speaker 3: Does it have to be a parody song? Sometimes we

715
00:34:48,960 --> 00:34:51,319
Speaker 3: don't even do that anymore. Sometimes we just we just

716
00:34:51,360 --> 00:34:54,120
Speaker 3: sing a song and we don't have to. You don't

717
00:34:54,120 --> 00:34:56,319
Speaker 3: have to get the rights to it if it's if

718
00:34:56,360 --> 00:34:58,000
Speaker 3: it's a comedy show.

719
00:34:58,440 --> 00:35:00,000
Speaker 1: Really because they don't take it soon.

720
00:35:00,400 --> 00:35:02,120
Speaker 3: And if we talk we wanted to, if we talk

721
00:35:02,239 --> 00:35:06,240
Speaker 3: loud enough over it, then the bots that are searching

722
00:35:06,400 --> 00:35:09,400
Speaker 3: for copyright violations, can I say, won't hear it?

723
00:35:09,520 --> 00:35:10,760
Speaker 2: Kevin? What are some songs?

724
00:35:11,000 --> 00:35:12,360
Speaker 1: What are some song ideas?

725
00:35:12,960 --> 00:35:15,200
Speaker 4: Angel by Shaggy?

726
00:35:15,440 --> 00:35:18,000
Speaker 3: I like that one pretty well, but I don't know

727
00:35:18,000 --> 00:35:19,799
Speaker 3: if the way I do it when I sing along

728
00:35:19,800 --> 00:35:25,719
Speaker 3: in the car is offensive. Shaggy might be off the

729
00:35:25,760 --> 00:35:28,759
Speaker 3: table for My first reaction was yes, go do it now,

730
00:35:28,800 --> 00:35:29,959
Speaker 3: But then I kicked.

731
00:35:30,719 --> 00:35:32,759
Speaker 2: If it was two thousand and two, we would absolutely

732
00:35:32,840 --> 00:35:35,640
Speaker 2: sing Angel by Shaggy, do the Shaggy impression. But I

733
00:35:35,680 --> 00:35:38,960
Speaker 2: think Shaggy's off the table for twenty nineteen because we

734
00:35:39,280 --> 00:35:42,480
Speaker 2: are going to be sort of fighting our instincts safe.

735
00:35:42,600 --> 00:35:49,680
Speaker 3: I felt the bullet graze me. Okay, Kevin, try to

736
00:35:49,680 --> 00:35:51,479
Speaker 3: trap me with another one?

737
00:35:51,840 --> 00:35:54,919
Speaker 4: Uh pootylicious by Destiny's child.

738
00:35:55,040 --> 00:35:59,799
Speaker 2: I don't know about that, Kevin. What about I got

739
00:35:59,800 --> 00:36:04,919
Speaker 2: the feeling that Kate really like smashing pumpkins.

740
00:36:07,200 --> 00:36:10,440
Speaker 3: We're really forcing this into the show. Yeah, right, should

741
00:36:10,440 --> 00:36:11,200
Speaker 3: we not do it at all?

742
00:36:12,120 --> 00:36:12,680
Speaker 2: Something else?

743
00:36:12,880 --> 00:36:13,080
Speaker 3: Right?

744
00:36:13,160 --> 00:36:14,880
Speaker 2: We can? We don't have to keep doing That's the

745
00:36:14,960 --> 00:36:17,439
Speaker 2: nice thing about the lights out Cloud, right.

746
00:36:17,640 --> 00:36:18,600
Speaker 1: He knows how to pivot.

747
00:36:19,840 --> 00:36:22,279
Speaker 2: He gives you a real opportunity to just say, hey,

748
00:36:22,320 --> 00:36:26,000
Speaker 2: couldn't find the song, Yeah, let's do something else. That's right.

749
00:36:26,120 --> 00:36:30,560
Speaker 2: Do you have you have a baby advice? Yeah? Please,

750
00:36:30,920 --> 00:36:34,520
Speaker 2: especially for this freaking while man, I got I gotta

751
00:36:34,560 --> 00:36:37,640
Speaker 2: say this. I love my baby, one of my best friends.

752
00:36:38,160 --> 00:36:42,080
Speaker 2: He sounds like a loser when he's crying. He's like

753
00:36:42,440 --> 00:36:46,560
Speaker 2: screaming crying. Oh Like, I'm like, it's that you sound

754
00:36:46,600 --> 00:36:52,000
Speaker 2: like a fucking dork, dude, Like, because I'm going for me. Sure,

755
00:36:52,040 --> 00:36:54,240
Speaker 2: I cry sometimes, but I get way down.

756
00:36:54,000 --> 00:36:57,160
Speaker 1: It right, you're getting stuff out.

757
00:36:58,000 --> 00:37:01,319
Speaker 2: His cry is just superficial. It's up, it's up in

758
00:37:01,400 --> 00:37:06,000
Speaker 2: his nose. It's not what we want. I'm looking for

759
00:37:06,080 --> 00:37:08,440
Speaker 2: him to really get down. So do you have any

760
00:37:08,560 --> 00:37:09,120
Speaker 2: wanting to.

761
00:37:09,080 --> 00:37:10,440
Speaker 1: Be manly when he's crying?

762
00:37:11,120 --> 00:37:14,600
Speaker 2: What? What do you sound like me?

763
00:37:15,640 --> 00:37:18,520
Speaker 1: You know, I get pretty guttural. Also, can we really

764
00:37:18,600 --> 00:37:18,920
Speaker 1: let it be?

765
00:37:20,920 --> 00:37:24,279
Speaker 2: Really? That was better than what he's doing.

766
00:37:24,280 --> 00:37:26,520
Speaker 1: It was I don't think it came from my gut.

767
00:37:26,560 --> 00:37:30,239
Speaker 2: If that helps to me, Like, I don't really like yeah,

768
00:37:30,360 --> 00:37:31,920
Speaker 2: his is more almost anything.

769
00:37:31,680 --> 00:37:32,360
Speaker 1: He's like whining.

770
00:37:32,480 --> 00:37:35,880
Speaker 2: It starts. It sounds like somebody's setting off a firework.

771
00:37:35,920 --> 00:37:40,719
Speaker 2: It's like, hey, it's like, yeah, I go not in

772
00:37:40,840 --> 00:37:41,480
Speaker 2: my house.

773
00:37:41,840 --> 00:37:44,359
Speaker 1: Yeah. You know what you could do maybe is put

774
00:37:44,440 --> 00:37:49,240
Speaker 1: headphones on him and play like really deep, loud, manly

775
00:37:49,400 --> 00:37:51,240
Speaker 1: crying noises, just maybe.

776
00:37:51,000 --> 00:37:51,960
Speaker 2: Which I have some of them.

777
00:37:52,000 --> 00:37:54,320
Speaker 1: Because he's a baby, he needs to learn this stuff.

778
00:37:54,400 --> 00:37:55,399
Speaker 1: You've got to teach him.

779
00:37:55,600 --> 00:37:55,839
Speaker 2: Fair.

780
00:37:55,960 --> 00:37:56,719
Speaker 1: How was he supposed to know?

781
00:37:56,920 --> 00:37:58,879
Speaker 2: Maybe you haven't been giving him enough credit for being

782
00:37:58,880 --> 00:37:59,400
Speaker 2: a baby.

783
00:37:59,560 --> 00:38:00,879
Speaker 1: Well he's what how many days old?

784
00:38:01,360 --> 00:38:01,640
Speaker 2: Five?

785
00:38:02,080 --> 00:38:04,520
Speaker 1: Yeah? So he just needs to learn how to cry

786
00:38:04,640 --> 00:38:05,759
Speaker 1: in a more attractive way.

787
00:38:06,120 --> 00:38:08,719
Speaker 2: Yeah, Oh no, wait, really four? I mean he was

788
00:38:08,719 --> 00:38:12,359
Speaker 2: born on the twelfth, so that's even really four.

789
00:38:12,360 --> 00:38:14,319
Speaker 3: It is actually four days and he was born the

790
00:38:14,400 --> 00:38:16,400
Speaker 3: night of the twelfth, so he's not even.

791
00:38:16,280 --> 00:38:19,680
Speaker 1: Four days old. Yeah, you got to cut him some slack.

792
00:38:20,120 --> 00:38:21,520
Speaker 1: And one thing that I helped to is when he

793
00:38:21,560 --> 00:38:24,600
Speaker 1: does start crying like that, you just cry louder and

794
00:38:24,640 --> 00:38:25,840
Speaker 1: deeper in his face.

795
00:38:26,239 --> 00:38:29,920
Speaker 2: I was pissed that he ended up we you know,

796
00:38:29,960 --> 00:38:32,000
Speaker 2: we were in there ready for him to be born,

797
00:38:32,680 --> 00:38:36,799
Speaker 2: and he missed three eleven by one day. Because imagine

798
00:38:36,840 --> 00:38:39,320
Speaker 2: you just you do a three eleventh theme birthday party

799
00:38:39,400 --> 00:38:44,720
Speaker 2: every year, all mixed up energy. Oh yeah, it is annoying.

800
00:38:44,920 --> 00:38:47,960
Speaker 1: My my littlest one was due on April Fool's Day.

801
00:38:48,560 --> 00:38:51,279
Speaker 2: And for a comedia so great, and.

802
00:38:51,200 --> 00:38:53,200
Speaker 1: Then he went ahead and just stayed in there.

803
00:38:53,080 --> 00:38:56,480
Speaker 2: For more days. Yeah. Oh, he's doing a joke on you.

804
00:38:56,760 --> 00:38:58,640
Speaker 2: That's a real you. That was the joke.

805
00:38:58,760 --> 00:38:59,120
Speaker 1: I was.

806
00:38:59,480 --> 00:39:02,640
Speaker 2: So he missed three eleven by a day and Pie

807
00:39:02,719 --> 00:39:06,399
Speaker 2: Day by two days, but it was free I Hot

808
00:39:06,600 --> 00:39:10,400
Speaker 2: Pancakes day. Oh so did you look, it's a sweet

809
00:39:10,520 --> 00:39:14,480
Speaker 2: week because there's all around you. Yeah, you're gonna land

810
00:39:14,520 --> 00:39:15,520
Speaker 2: on something pretty good.

811
00:39:17,160 --> 00:39:19,560
Speaker 3: Do you have you considered doing crying training with him,

812
00:39:19,840 --> 00:39:23,000
Speaker 3: where like, well, there you can play the sad, the

813
00:39:23,040 --> 00:39:27,000
Speaker 3: masculine crying sounds, but if you put on the song

814
00:39:27,120 --> 00:39:30,920
Speaker 3: fifteen by High for Fighting.

815
00:39:30,960 --> 00:39:35,000
Speaker 2: I think is that them five for fighting? Yes? Fifteen

816
00:39:35,200 --> 00:39:38,000
Speaker 2: miss Oh yeah, okay, isn't that them?

817
00:39:38,360 --> 00:39:39,280
Speaker 1: Oh yeah?

818
00:39:39,320 --> 00:39:42,120
Speaker 3: And then he's gonna be going like phasic Superman, right,

819
00:39:42,600 --> 00:39:43,040
Speaker 3: I think?

820
00:39:43,120 --> 00:39:48,040
Speaker 2: So I can stand fly? Yeah? Yeah, do you remember

821
00:39:48,040 --> 00:39:50,040
Speaker 2: that I do that?

822
00:39:50,280 --> 00:39:50,440
Speaker 1: No?

823
00:39:50,800 --> 00:39:54,400
Speaker 2: Okay, no, so what so that's your baby? Advice is

824
00:39:54,560 --> 00:39:57,560
Speaker 2: maybe put headphones in low crying fifteen We're gonna play.

825
00:39:58,040 --> 00:40:01,080
Speaker 3: But I strike my exact actually very god, no one

826
00:40:01,160 --> 00:40:03,239
Speaker 3: asked me. But like when I like, if you you

827
00:40:03,280 --> 00:40:05,680
Speaker 3: want to just get this masculine crying sound, Devin, can

828
00:40:05,719 --> 00:40:06,799
Speaker 3: we do like a several.

829
00:40:06,560 --> 00:40:07,320
Speaker 2: File for this.

830
00:40:11,400 --> 00:40:13,000
Speaker 1: That's the sound you make when you crush.

831
00:40:13,040 --> 00:40:15,120
Speaker 2: That's the crying sound. Huh.

832
00:40:15,200 --> 00:40:17,359
Speaker 3: And I thought about some sad stuff in my own

833
00:40:17,400 --> 00:40:19,279
Speaker 3: life to do to get there.

834
00:40:20,239 --> 00:40:22,760
Speaker 2: I'm realizing I've heard you cry before. What stuff?

835
00:40:22,840 --> 00:40:23,480
Speaker 1: Yeah?

836
00:40:23,600 --> 00:40:24,600
Speaker 2: My wife is really old.

837
00:40:24,880 --> 00:40:25,680
Speaker 1: Oh oh.

838
00:40:28,760 --> 00:40:30,560
Speaker 2: She was forty five and nineteen sixty one.

839
00:40:30,840 --> 00:40:32,760
Speaker 3: I don't know if you heard my story from the beginning,

840
00:40:32,960 --> 00:40:35,359
Speaker 3: but yea, she has become extremely old.

841
00:40:36,040 --> 00:40:37,360
Speaker 2: Remember that's a challenge.

842
00:40:37,600 --> 00:40:40,880
Speaker 1: Yeah, she's probably on her way out at this point.

843
00:40:41,280 --> 00:40:44,359
Speaker 2: Come on, Jesus Kate, and he fucking knows that.

844
00:40:44,480 --> 00:40:46,839
Speaker 1: Sorry, yeah, that's where that came from.

845
00:40:46,920 --> 00:40:48,360
Speaker 2: That face it.

846
00:40:48,760 --> 00:40:50,560
Speaker 3: But it's like I can go back and visit her

847
00:40:50,600 --> 00:40:53,600
Speaker 3: in this VR world. Peter Boyle's created the baby version

848
00:40:53,600 --> 00:40:58,160
Speaker 3: of And unfortunately when I come back and forth, things

849
00:40:58,520 --> 00:41:01,120
Speaker 3: are different. I can change in the past, and when

850
00:41:01,160 --> 00:41:03,120
Speaker 3: I come back things have things change.

851
00:41:03,680 --> 00:41:06,120
Speaker 2: What's the biggest thing you've changed? Like, what about my

852
00:41:06,239 --> 00:41:11,640
Speaker 2: life is different that I haven't noticed? Was change? You know? Uh?

853
00:41:12,239 --> 00:41:18,040
Speaker 2: Shaky's Pizza No in Hollywood? You know? Yeah? You do?

854
00:41:18,160 --> 00:41:21,960
Speaker 2: Now I do that. That used to be called Snakey's Pizza. Whoa,

855
00:41:23,719 --> 00:41:25,840
Speaker 2: that's that's huge.

856
00:41:26,160 --> 00:41:29,319
Speaker 3: I came back from my last trip and now it

857
00:41:29,400 --> 00:41:32,040
Speaker 3: is called Shaky's, which, like I guess, is better.

858
00:41:32,080 --> 00:41:33,560
Speaker 2: I don't know it does. I don't know if it's better.

859
00:41:33,960 --> 00:41:35,600
Speaker 1: I'll say this, they're both pretty bad.

860
00:41:35,920 --> 00:41:38,520
Speaker 2: Yeah, neither one sounds really really pizza.

861
00:41:38,800 --> 00:41:42,680
Speaker 3: I wonder if someone else went on like a really

862
00:41:42,800 --> 00:41:48,880
Speaker 3: damaging VR journey to the past and changed something in

863
00:41:48,960 --> 00:41:50,319
Speaker 3: more serious ways.

864
00:41:50,360 --> 00:41:54,160
Speaker 2: I have gone. I have gone to the past. And

865
00:41:54,960 --> 00:41:58,800
Speaker 2: what you say, well, I went to what at the

866
00:41:58,840 --> 00:41:59,880
Speaker 2: time was known as a pizza.

867
00:42:01,080 --> 00:42:02,719
Speaker 1: Oh, because the pizza is hot.

868
00:42:03,120 --> 00:42:06,080
Speaker 2: That makes more sense. And now it's a hut, which

869
00:42:07,040 --> 00:42:10,160
Speaker 2: I don't know how that you do that. I know

870
00:42:10,200 --> 00:42:12,239
Speaker 2: it was different when I got back, but I don't

871
00:42:12,239 --> 00:42:14,200
Speaker 2: remember doing anything in particular.

872
00:42:15,520 --> 00:42:17,640
Speaker 1: Have you been to the past, Yeah, that's so weird

873
00:42:17,640 --> 00:42:20,640
Speaker 1: that it's just a strange that all these pizza places

874
00:42:20,640 --> 00:42:25,920
Speaker 1: that keep changing. But uh, I my favorite place back

875
00:42:25,960 --> 00:42:29,920
Speaker 1: in the fifties to have pizza was damn It Hose And.

876
00:42:30,560 --> 00:42:32,920
Speaker 2: I could see why, Yes, that change.

877
00:42:33,080 --> 00:42:34,879
Speaker 1: Well, I think just the time you got to change

878
00:42:34,880 --> 00:42:35,600
Speaker 1: with the times.

879
00:42:35,680 --> 00:42:38,800
Speaker 3: Yes, So that might have not even been you doing

880
00:42:38,840 --> 00:42:39,840
Speaker 3: anything in the past.

881
00:42:39,920 --> 00:42:41,200
Speaker 2: That might have just been.

882
00:42:41,320 --> 00:42:42,359
Speaker 1: No, I was just eating there.

883
00:42:42,800 --> 00:42:47,439
Speaker 2: Yeah. And then now, of course it's called Papa Johds. Yep,

884
00:42:48,000 --> 00:42:54,880
Speaker 2: that's right, classic reversal. Uh, tell them what you're gonna do.

885
00:42:54,960 --> 00:42:56,800
Speaker 2: But that surprised them with the way you do that?

886
00:42:56,880 --> 00:43:00,279
Speaker 2: Really did it was? It was unexpected. It was because

887
00:43:00,320 --> 00:43:04,919
Speaker 2: it was a structured joke. And we still like those

888
00:43:04,960 --> 00:43:06,879
Speaker 2: every now and then, don't we. Yeah, but you.

889
00:43:06,880 --> 00:43:10,000
Speaker 1: Gotta you gotta get surprised every now and Yes, keep

890
00:43:10,000 --> 00:43:10,760
Speaker 1: you on your toes.

891
00:43:11,040 --> 00:43:15,919
Speaker 2: I love surprises. And so I guess what any other

892
00:43:16,239 --> 00:43:18,440
Speaker 2: baby advice, just in terms of like what I should

893
00:43:18,480 --> 00:43:23,880
Speaker 2: be doing more podcast exercising, should I be podcasting instead

894
00:43:23,920 --> 00:43:27,000
Speaker 2: of spending time with him. This is now as we

895
00:43:27,040 --> 00:43:28,759
Speaker 2: said day four, Yeah, I.

896
00:43:28,680 --> 00:43:30,759
Speaker 1: Told you here, Well, you were telling me that you

897
00:43:30,800 --> 00:43:34,080
Speaker 1: were on the phone in the bathroom in the hospital,

898
00:43:34,800 --> 00:43:37,600
Speaker 1: like as your wife was about to deliver the baby.

899
00:43:37,600 --> 00:43:40,320
Speaker 2: Stay tuned two weeks that episode drops.

900
00:43:40,400 --> 00:43:44,239
Speaker 1: Yeah, Kevin seems to be very unreliable.

901
00:43:45,040 --> 00:43:47,640
Speaker 2: He has something planned. I can't you tell.

902
00:43:47,800 --> 00:43:49,759
Speaker 1: Yeah, but I can't figure out for the life of

903
00:43:49,760 --> 00:43:51,640
Speaker 1: me what it is I know, or how I'm supposed

904
00:43:51,680 --> 00:43:52,239
Speaker 1: to keep track.

905
00:43:52,400 --> 00:43:59,080
Speaker 2: His motivations are divided. He's obviously got a conflict of interest.

906
00:43:59,200 --> 00:44:01,240
Speaker 2: I don't know what he's think.

907
00:44:01,040 --> 00:44:01,680
Speaker 1: He's a mole.

908
00:44:03,320 --> 00:44:06,160
Speaker 2: I've thought about that, and I've been rewatching this.

909
00:44:07,040 --> 00:44:12,919
Speaker 3: I've been watching this Fred Savage scene from Austin Powers too, right.

910
00:44:13,840 --> 00:44:15,160
Speaker 1: It's reminding you, Yes.

911
00:44:15,600 --> 00:44:18,680
Speaker 2: Who throws a shoe? Come on? That's from the first one? Yeah,

912
00:44:18,680 --> 00:44:20,000
Speaker 2: but oh from two?

913
00:44:20,320 --> 00:44:24,400
Speaker 3: Yeah, I believe Fred Savage is only in the second one.

914
00:44:24,400 --> 00:44:28,279
Speaker 2: By Shag Is he not in the first one? Can

915
00:44:28,320 --> 00:44:30,880
Speaker 2: we talk to about this? Can we?

916
00:44:30,960 --> 00:44:34,439
Speaker 3: And can please speak to Can we please speak to Fred?

917
00:44:34,480 --> 00:44:36,400
Speaker 2: And when maybe ask Fred this question?

918
00:44:37,680 --> 00:44:42,600
Speaker 1: Fred were even both Austin Powers movies. Fred says no,

919
00:44:42,640 --> 00:44:43,520
Speaker 1: it's just the second one.

920
00:44:43,680 --> 00:44:45,560
Speaker 2: Okay. I definitely thought we were going to hear you

921
00:44:45,640 --> 00:44:52,680
Speaker 2: do Fred's No, he's in in the Vigin meme, which

922
00:44:52,760 --> 00:45:00,440
Speaker 2: is I'm not seeing him, You're not seeing at all.

923
00:45:00,680 --> 00:45:02,640
Speaker 2: It takes every opportunity to just perform it.

924
00:45:02,719 --> 00:45:07,600
Speaker 3: Might it must be the third, yeah, but I was

925
00:45:07,640 --> 00:45:08,640
Speaker 3: definitely closer to right.

926
00:45:09,280 --> 00:45:11,760
Speaker 2: Oh yeah, uh.

927
00:45:12,280 --> 00:45:15,160
Speaker 1: What you like to it was advice?

928
00:45:15,360 --> 00:45:17,720
Speaker 2: Yeah, would you like to promote anything, any baby advice?

929
00:45:17,800 --> 00:45:19,759
Speaker 1: Yeah, you said that I want to promote some baby

930
00:45:19,800 --> 00:45:23,160
Speaker 1: advice first, please? Yeah, no, just all I was going

931
00:45:23,200 --> 00:45:26,839
Speaker 1: to say that that the way that you disappeared, like

932
00:45:27,000 --> 00:45:29,359
Speaker 1: right before she was going to push the baby out.

933
00:45:29,640 --> 00:45:33,120
Speaker 1: That's always a good thing to do, like if you

934
00:45:33,160 --> 00:45:35,279
Speaker 1: smell that there's a dirty diaper or something like that.

935
00:45:35,360 --> 00:45:40,480
Speaker 2: Just got actually did Yes, that's that. This morning there

936
00:45:40,640 --> 00:45:44,200
Speaker 2: was a diaper situation and I was already running late.

937
00:45:44,600 --> 00:45:46,880
Speaker 1: Yeah, and so sorry, but it always needs to be

938
00:45:46,920 --> 00:45:48,880
Speaker 1: like that. You really you want to you know what

939
00:45:48,880 --> 00:45:50,359
Speaker 1: I mean, like I really want to do.

940
00:45:50,320 --> 00:45:54,760
Speaker 2: This, So I shouldn't have said that's my cue. That'll

941
00:45:54,760 --> 00:45:59,920
Speaker 2: give you away your Yeah, putting a closed pan over your.

942
00:45:59,800 --> 00:46:03,360
Speaker 1: Nose, yeah, like gross, get it away from me.

943
00:46:04,560 --> 00:46:07,239
Speaker 3: Yeah, okay, but it was nice for you and your

944
00:46:07,320 --> 00:46:09,800
Speaker 3: husband were working on the same show so you could

945
00:46:09,840 --> 00:46:11,800
Speaker 3: both go to work.

946
00:46:12,160 --> 00:46:13,560
Speaker 2: Yeah, you smell the dirty diapers.

947
00:46:13,640 --> 00:46:16,480
Speaker 1: Yeah, but we brought the baby. I was feeding the baby.

948
00:46:16,200 --> 00:46:19,880
Speaker 2: Baby's hair from the body. Yes, And I've been seeing

949
00:46:19,920 --> 00:46:24,000
Speaker 2: the baby doing this too, eating from a body.

950
00:46:23,760 --> 00:46:24,680
Speaker 1: Isn't it do you?

951
00:46:24,800 --> 00:46:27,240
Speaker 2: How do you feel about that? Is it weird? That's insane?

952
00:46:27,320 --> 00:46:28,799
Speaker 1: It's kind of awesome, right.

953
00:46:28,800 --> 00:46:30,400
Speaker 2: All of it has been pretty crazy.

954
00:46:30,480 --> 00:46:31,480
Speaker 1: Yeah, it's real crazy.

955
00:46:31,560 --> 00:46:36,080
Speaker 2: Well, when they come out, that's what was in there. Yeah,

956
00:46:36,239 --> 00:46:39,479
Speaker 2: the whole time, you know what I mean? Yeah, you're

957
00:46:39,520 --> 00:46:45,960
Speaker 2: seeing this, Yeah, all curled up in a ball. There's

958
00:46:46,000 --> 00:46:49,520
Speaker 2: such a mystery for so long, like what is Yeah?

959
00:46:49,880 --> 00:46:51,320
Speaker 2: Like did it have hair?

960
00:46:51,480 --> 00:46:52,160
Speaker 4: Freak me out?

961
00:46:52,280 --> 00:46:54,960
Speaker 2: Yeah? Yes, really hair?

962
00:46:55,360 --> 00:46:57,799
Speaker 1: That's so weird mine, we're bald. There's something about that

963
00:46:57,800 --> 00:47:00,200
Speaker 1: that's so weird. There's hair on the head.

964
00:47:00,080 --> 00:47:01,880
Speaker 2: Lot of hair on the head. We'll see if it

965
00:47:01,880 --> 00:47:03,160
Speaker 2: stays a lot of hair on the head.

966
00:47:03,400 --> 00:47:06,320
Speaker 3: And it's not really eyebrows. So I go like, what's

967
00:47:06,360 --> 00:47:09,000
Speaker 3: this choice? No, I have a question for your high school.

968
00:47:09,040 --> 00:47:11,840
Speaker 3: My drama teacher said that when his wife gave birth,

969
00:47:11,880 --> 00:47:12,719
Speaker 3: he lactated.

970
00:47:12,800 --> 00:47:17,080
Speaker 2: Did you what did you do that? Well, that is dramatic,

971
00:47:19,200 --> 00:47:20,960
Speaker 2: just a little bit. He said a little bit from

972
00:47:21,000 --> 00:47:24,239
Speaker 2: both nipples, from both nipples and lied to you.

973
00:47:24,280 --> 00:47:25,239
Speaker 1: What else did he do to you?

974
00:47:25,360 --> 00:47:29,120
Speaker 2: I didn't chat. No, I'm the one with the predatory

975
00:47:29,560 --> 00:47:33,600
Speaker 2: Oh yes, but go ahead. He taught you.

976
00:47:34,880 --> 00:47:36,960
Speaker 3: You're looking at it. You're looking at you're watching it.

977
00:47:36,960 --> 00:47:39,680
Speaker 3: He's performing right now, always performing.

978
00:47:40,000 --> 00:47:41,400
Speaker 1: What a genius that man was.

979
00:47:41,760 --> 00:47:46,279
Speaker 2: Yeah, yes, you didn't do like Rob did I? Did

980
00:47:46,320 --> 00:47:48,520
Speaker 2: he make a milk bus from his Did.

981
00:47:48,360 --> 00:47:51,480
Speaker 1: He bus from his nipples? I don't think. No, he

982
00:47:51,480 --> 00:47:53,040
Speaker 1: didn't mention it. He didn't mention it.

983
00:47:53,080 --> 00:47:54,799
Speaker 2: If he did, he didn't, Yeah, because if I did it,

984
00:47:54,800 --> 00:47:55,279
Speaker 2: that's for me.

985
00:47:55,520 --> 00:47:57,440
Speaker 3: But you could say, if he was wearing like a

986
00:47:57,440 --> 00:47:59,960
Speaker 3: heather gray T shirt or something, you could probably.

987
00:47:59,680 --> 00:48:04,640
Speaker 1: Really the worst color for liquids. Yeah, no, I don't.

988
00:48:04,680 --> 00:48:06,440
Speaker 1: I don't think he did. He did. He did go

989
00:48:06,480 --> 00:48:08,919
Speaker 1: and take a shower when I was in labor because

990
00:48:08,920 --> 00:48:10,279
Speaker 1: he didn't feel fresh.

991
00:48:10,520 --> 00:48:13,439
Speaker 2: Okay, And why do we think he might have gone

992
00:48:13,520 --> 00:48:14,000
Speaker 2: to do that?

993
00:48:14,120 --> 00:48:19,759
Speaker 1: Oh? Do you think he just sprang everywhere? He had

994
00:48:19,800 --> 00:48:20,840
Speaker 1: to go wash that shirt?

995
00:48:20,880 --> 00:48:23,160
Speaker 2: Why do you think I went and did a phone call? Yeah,

996
00:48:23,280 --> 00:48:29,880
Speaker 2: you know, it's embarrassing. So do you want to plug anything?

997
00:48:30,440 --> 00:48:33,319
Speaker 1: I do a show called It's Always Sunny in Philadelphia. Yes,

998
00:48:33,560 --> 00:48:38,520
Speaker 1: we're back for season fourteen. Yes, longest running Yeah show,

999
00:48:38,719 --> 00:48:40,440
Speaker 1: live action comedy.

1000
00:48:40,719 --> 00:48:44,280
Speaker 2: That's nuts, pretty crazy, right. Cool?

1001
00:48:45,040 --> 00:48:47,399
Speaker 1: There's that, and then that's it for now.

1002
00:48:47,600 --> 00:48:50,520
Speaker 2: My friends with Patrick Walsh. He was on the show before.

1003
00:48:50,719 --> 00:48:52,800
Speaker 1: I love Patrick Walsh a couple of times. He's a

1004
00:48:52,800 --> 00:48:53,160
Speaker 1: good guy.

1005
00:48:53,160 --> 00:48:53,840
Speaker 2: Couple of times.

1006
00:48:54,400 --> 00:48:55,680
Speaker 1: Ye, funny, funny guy.

1007
00:48:56,320 --> 00:49:00,360
Speaker 2: What else about that show? That's my biggest anniction.

1008
00:49:00,840 --> 00:49:01,279
Speaker 1: That's it.

1009
00:49:01,800 --> 00:49:03,439
Speaker 2: That's as close as I can guess.

1010
00:49:03,520 --> 00:49:05,480
Speaker 1: You're making me feel like you've never seen it?

1011
00:49:05,640 --> 00:49:06,600
Speaker 2: Are you kidding me?

1012
00:49:06,920 --> 00:49:07,160
Speaker 1: No?

1013
00:49:07,360 --> 00:49:12,000
Speaker 2: The gangs does this? The gang remember when the gang

1014
00:49:12,160 --> 00:49:19,040
Speaker 2: is trying to there well advice in which the gang

1015
00:49:20,080 --> 00:49:24,520
Speaker 2: is always up to something, aren't they. We're friends with

1016
00:49:24,520 --> 00:49:33,040
Speaker 2: Howard from the show Howard Howard. Who Oh, you don't

1017
00:49:33,040 --> 00:49:40,239
Speaker 2: even know Howard. You don't know. You just said that,

1018
00:49:40,280 --> 00:49:48,720
Speaker 2: You're he's he's very one of the guys. Okay, the

1019
00:49:48,719 --> 00:49:49,640
Speaker 2: main ones.

1020
00:49:50,400 --> 00:49:51,840
Speaker 1: You should tune in. It's funny.

1021
00:49:51,920 --> 00:49:53,120
Speaker 2: It's Howard.

1022
00:49:53,360 --> 00:50:00,640
Speaker 1: Okay, Howard. I'll tell Howard that you you said hello, yeah, yes,

1023
00:50:00,920 --> 00:50:01,640
Speaker 1: from both.

1024
00:50:01,440 --> 00:50:04,400
Speaker 2: Both you both and if Pat and if you see.

1025
00:50:04,160 --> 00:50:06,160
Speaker 1: Pat, Yeah, he doesn't work on our show anymore.

1026
00:50:06,320 --> 00:50:09,640
Speaker 2: No, yeah, what happened there? He moved on?

1027
00:50:10,480 --> 00:50:11,480
Speaker 1: I don't know. I don't know.

1028
00:50:11,520 --> 00:50:13,279
Speaker 2: I'm not in charge of the right. You're still clean

1029
00:50:13,360 --> 00:50:13,960
Speaker 2: up the mess.

1030
00:50:14,440 --> 00:50:16,160
Speaker 1: I'm still trying to put the pieces back together.

1031
00:50:16,360 --> 00:50:18,920
Speaker 2: And of course if I were to ask someone like

1032
00:50:19,239 --> 00:50:21,799
Speaker 2: Sonny Lee, he would say, it's not always sunny and

1033
00:50:21,800 --> 00:50:24,799
Speaker 2: Philip oh, because he doesn't work there.

1034
00:50:24,880 --> 00:50:27,279
Speaker 1: He doesn't work there anymore, but he's got the name

1035
00:50:27,320 --> 00:50:27,760
Speaker 1: in common.

1036
00:50:29,160 --> 00:50:31,640
Speaker 2: I wonder what happened there? I don't know.

1037
00:50:31,680 --> 00:50:34,320
Speaker 1: Guys both very very funny, funny guys.

1038
00:50:35,480 --> 00:50:36,160
Speaker 2: Good people.

1039
00:50:36,920 --> 00:50:39,040
Speaker 1: Just if you know what, we just had a different idea.

1040
00:50:39,640 --> 00:50:42,160
Speaker 2: It's just different yet a different idea of how to

1041
00:50:42,160 --> 00:50:44,640
Speaker 2: do the show. Either of those guys either.

1042
00:50:44,480 --> 00:50:47,919
Speaker 1: One wrong, neither one right, just different.

1043
00:50:47,800 --> 00:50:50,719
Speaker 2: Just different. And that's sometimes it's best to just wash

1044
00:50:50,719 --> 00:50:53,160
Speaker 2: your hands of one another and say never again.

1045
00:50:53,360 --> 00:50:56,960
Speaker 1: It's best for you, and you do your own thing

1046
00:50:57,400 --> 00:51:01,000
Speaker 1: that you think is funny, you know, and we'll just

1047
00:51:01,080 --> 00:51:04,319
Speaker 1: keep for fourteen plus years.

1048
00:51:04,360 --> 00:51:06,040
Speaker 2: I used to have a writing partner, you know. When

1049
00:51:06,040 --> 00:51:07,640
Speaker 2: we broke up, he went to write for the Mix.

1050
00:51:08,640 --> 00:51:09,480
Speaker 2: What do you think about that?

1051
00:51:09,719 --> 00:51:11,160
Speaker 1: What was his name? Is this true?

1052
00:51:11,200 --> 00:51:13,560
Speaker 2: Dominic? Oh really, Dominic? Yep?

1053
00:51:13,840 --> 00:51:15,280
Speaker 1: I left you? You left you behind?

1054
00:51:15,920 --> 00:51:17,080
Speaker 2: Yeah, he left me behind.

1055
00:51:17,200 --> 00:51:21,359
Speaker 1: Sorry about that. But you got this? Yeah, I got this.

1056
00:51:21,600 --> 00:51:25,080
Speaker 2: That's nice to think about. I've got this. What does

1057
00:51:25,120 --> 00:51:29,719
Speaker 2: he got money? Right? Right? Yeah?

1058
00:51:29,800 --> 00:51:33,080
Speaker 3: And you have a movie coming out where you play

1059
00:51:33,719 --> 00:51:34,279
Speaker 3: Chelsea Quinton.

1060
00:51:35,239 --> 00:51:37,880
Speaker 1: Yep, I have I have that in the works. No

1061
00:51:38,000 --> 00:51:42,080
Speaker 1: release date yet, but yeah, I'll let you. I'll send up.

1062
00:51:42,120 --> 00:51:43,839
Speaker 2: That's how they do it now. It just shows up

1063
00:51:43,840 --> 00:51:48,200
Speaker 2: in your iTunes or whatever. Actually, you just go on

1064
00:51:48,400 --> 00:51:49,480
Speaker 2: my phone.

1065
00:51:49,560 --> 00:51:52,240
Speaker 3: Is that instead of first daughter, it's called fist daughter?

1066
00:51:52,320 --> 00:51:53,240
Speaker 3: Is that correct?

1067
00:51:53,600 --> 00:51:55,160
Speaker 2: Fist daughter because of the fighting.

1068
00:51:55,320 --> 00:52:00,160
Speaker 1: No, it's not gonna go. That's not gonna standard and

1069
00:52:00,200 --> 00:52:03,000
Speaker 1: practices are gonna got veto fifth daughter. We said bye

1070
00:52:03,080 --> 00:52:15,640
Speaker 1: bye by oh bye Hollywood, Hamburg, Hm,