WEBVTT - Listener Mail: Said The White Rabbit

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your

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<v Speaker 1>Mind listener Mail. This is Robert Lamb and Seth Nicholas Johnson.

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<v Speaker 1>That's right, Joe is still out on parental leave and

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<v Speaker 1>we're still doing listener mail. And since we have a

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<v Speaker 1>few bits of listener mail on this one that have

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<v Speaker 1>to do with an episode of Weird House Cinema that

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<v Speaker 1>Seth joined me for, I've decided, well we should have

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<v Speaker 1>Seth in here on this episode of listener mail as well.

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<v Speaker 1>Happy to join. All right, well, let's jump right into

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<v Speaker 1>the mail bag here, we're gonna kick off with one

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<v Speaker 1>that's another bit of goat listener mail. Uh. The goat

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<v Speaker 1>mail keeps coming, and it should keep coming. This one

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<v Speaker 1>comes to us from Chris from Chicago. Hi, Robert, Seth

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<v Speaker 1>and Joe in absentia. Congratulations on the new arrival. I

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<v Speaker 1>have been ruminating on this email since the first Goat episode.

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<v Speaker 1>I was surprised by all of the goat lore and

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<v Speaker 1>history across so many cultures. One culture of goat content

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<v Speaker 1>that I enjoy is beer culture, more specifically German beer culture.

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<v Speaker 1>Bach beer is a staple of Old World brewing styles.

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<v Speaker 1>Here is a link to a quick summary, and that

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<v Speaker 1>they included a link that goes to a brewery. And yes,

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<v Speaker 1>there there's some posters and images and some labels that

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<v Speaker 1>that that definitely featured goats with with large curling horns.

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<v Speaker 1>Chris continues from the web page quote Bach originated in

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<v Speaker 1>the northern German city of Einbeck, probably as far back

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<v Speaker 1>as the fourteen hundreds. By the sixteen hundreds it was

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<v Speaker 1>being brewed in the Munich area of southern Germany. The

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<v Speaker 1>name Einbeck was pronounced as Einbach in the Bavarian accent

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<v Speaker 1>of the region, and Einbach means billy goat. I never

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<v Speaker 1>knew that. With that being that, a quick Google search

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<v Speaker 1>we'll find you a plethora of goat and beer label images.

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<v Speaker 1>One of my favorite box styles is that of the

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<v Speaker 1>double box or double box slightly darker, multier, and higher

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<v Speaker 1>in a b V. My favorite example of the style

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<v Speaker 1>is eyeinger celebration. Include a link to this. I'm clicking

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<v Speaker 1>on it. It's pulling up the image slowly from Germany,

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<v Speaker 1>and it's kind of stalling it. No, no, it's back, Okay, yes, alright,

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<v Speaker 1>I see this wonderful label here with a giant it's

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<v Speaker 1>either a giant frothing grail of beer or it is

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<v Speaker 1>a very small one um or I don't know, or

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<v Speaker 1>maybe it's regular size and the goats are small, but

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<v Speaker 1>there are two horned goats on either side. Um, sort

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<v Speaker 1>of dancing or rearing up against the beer. Well, if

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<v Speaker 1>it's a double box, you need double the goats. Makes sense. Yeah,

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<v Speaker 1>it does look delicious. It's almost like a root beer float.

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<v Speaker 1>But I think I just I prefer a root beer

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<v Speaker 1>to an actual beer. So so maybe it's just where

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<v Speaker 1>my mind wants to go. And Chris continues here. One

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<v Speaker 1>of my favorite American and local breweries, Revolution Brewing here

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<v Speaker 1>in Chicago, has a seasonal beer called Baham, a a

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<v Speaker 1>bock beer coming in at six point six six percent

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<v Speaker 1>ABV and featuring a great label with a rendition of

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<v Speaker 1>the goat of Mindy's featuring some additional beer specific changes

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<v Speaker 1>please see the attached that's wonderful a six point six

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<v Speaker 1>six a b V and the beer is called bah

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<v Speaker 1>that's a hilarious round of applause for them. And uh yeah,

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<v Speaker 1>I'm I'm pulling up a link to this here to

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<v Speaker 1>see the cover. Oh yes, this is very This is

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<v Speaker 1>very nice. I'm not really a beer person, but if

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<v Speaker 1>if you've offered one of these, I might have to

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<v Speaker 1>try it out, just because it has a very very

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<v Speaker 1>metal looking label on it. Very nice. Yeah, I'm looking

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<v Speaker 1>at the image here and at first I was thinking,

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<v Speaker 1>is this an artichoke floating over the goat's head? I'm

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<v Speaker 1>gonna guess it's probably a hop. I'm not a brew master,

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<v Speaker 1>but I believe hops look similar to artich chokes, especially

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<v Speaker 1>if it's zoomed in. So once again we're getting into

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<v Speaker 1>the idea of scale, just like with the previous label.

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<v Speaker 1>Is this a very large hop or a very small

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<v Speaker 1>baffo a? I don't know either way, though great label,

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<v Speaker 1>I applaud it. I'm also not entirely sure what a

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<v Speaker 1>hop is. Do you think you know? Like, I know,

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<v Speaker 1>it's like a like a you know, a barley thing

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<v Speaker 1>of a jig, but like, like, is is it the flower?

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<v Speaker 1>I I genuinely don't know. I'm I'm very ignorant on beer,

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<v Speaker 1>No I am. I've I've been straight edged for like,

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<v Speaker 1>holy cow, um, over a decade. I can't I literally

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<v Speaker 1>can't remember the last time I had alcohol. So yeah, sorry,

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<v Speaker 1>these are beautiful labels, though it would Beer is also

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<v Speaker 1>something that I don't think Joe and I have covered

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<v Speaker 1>on the show before as a devoted you know, like

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<v Speaker 1>that how to beer or or the invention of beer

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<v Speaker 1>and so for the beer comes up now and again,

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<v Speaker 1>but we've never really done an episode that dives into it.

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<v Speaker 1>That would be that would be interesting to do in

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<v Speaker 1>the future though. Yeah. Anyway, Chris winds it up here

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<v Speaker 1>with thank you for all the consistently great content, Chris

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<v Speaker 1>from Chicago right our next messages from Keith goes As. Thus,

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<v Speaker 1>I listened to your conversation about anti witchcraft practices this week,

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<v Speaker 1>and the part about shoes made me think of this

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<v Speaker 1>meme that is all enjoy. Memes are of course visual,

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<v Speaker 1>but I'll explain them to the audience. Here we have

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<v Speaker 1>the image of let's see it looks like the end

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<v Speaker 1>of a bench or a bed, and we have two

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<v Speaker 1>boots sitting on the floor. It looks like to Doc

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<v Speaker 1>Martin's and they're very widely spaced apart, like got to

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<v Speaker 1>be at least what two and a half three feet

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<v Speaker 1>as the two boots sitting on the ground space apart.

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<v Speaker 1>And this is the text on said meme, I leave

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<v Speaker 1>my shoes far up heart so if a burglar comes in,

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<v Speaker 1>they think I'm big a f ah fair fair absolutely

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<v Speaker 1>and know that this doesn't make sense. There there is

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<v Speaker 1>something going back to that episode that that you did.

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<v Speaker 1>It was the interview where it was about things found

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<v Speaker 1>in the walls, whether it be you know, shoes, etcetera, etcetera.

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<v Speaker 1>And man, there is something spooky about a shoe by itself.

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<v Speaker 1>I have no idea why it is. I I perhaps

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<v Speaker 1>maybe like gives us like the vibe of like an

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<v Speaker 1>invisible person or something. Maybe it's got something to do

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<v Speaker 1>with like just the amount of life that goes into

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<v Speaker 1>an average pair of shoes that it is like even

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<v Speaker 1>more so than like something like a hat or a

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<v Speaker 1>shirt or even something like a pair of jeans. A

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<v Speaker 1>pair of shoes really has gone places with a person.

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<v Speaker 1>So it does feel almost like a fingernail or something. Yeah, yeah,

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<v Speaker 1>there is. Yeah, there's something. There's something strange about finding

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<v Speaker 1>the one shoe if you're out on a walk mirror

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<v Speaker 1>be it in on an urban or rural environ meant,

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<v Speaker 1>of course, there are various traditions with the throwing of

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<v Speaker 1>the lace together shoes over a power line or a

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<v Speaker 1>telephone wire, or a tree branch and so forth. This

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<v Speaker 1>is all from that Brian Hoggard episode recently people should

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<v Speaker 1>listen to if they haven't. My favorite part from that

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<v Speaker 1>interview something that's so obvious but I never thought about

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<v Speaker 1>until it was settled out in that episode, the idea

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<v Speaker 1>that shoes were not made for left or right feet.

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<v Speaker 1>You just made shoe and it was just you wore

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<v Speaker 1>two shoe and ultimately it would form to your foot.

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<v Speaker 1>And perhaps that's why the idea of Cinderella's you know,

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<v Speaker 1>shoe fitting her perfectly was such like an individual notion.

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<v Speaker 1>And it's like, oh, of course, because like you know,

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<v Speaker 1>I've I've I've heard that story million times in my life,

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<v Speaker 1>and I thought, so many people are going to fit

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<v Speaker 1>into that shoe if it's just a shoe. But no, no,

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<v Speaker 1>if if it really was like you know, her, like

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<v Speaker 1>old leather shoe that had magically turned into this glass slipper,

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<v Speaker 1>then no, it would be like exactly her foot. It

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<v Speaker 1>would be like a love not to you know, confuse

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<v Speaker 1>my articles of clothing here. Yeah, I know, this is

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<v Speaker 1>a great point. Yeah, because the leather shoe, obviously is

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<v Speaker 1>this thing that's already kind of flesh, and then it

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<v Speaker 1>slowly becomes more in tune with your body. But yeah,

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<v Speaker 1>I didn't evenin about the Cinderella comparison here, but that's

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<v Speaker 1>I think that's that's right on there. It makes that

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<v Speaker 1>story feel a bit more concrete that than it used

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<v Speaker 1>to in my head by by adding that extra little

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<v Speaker 1>wrinkle of like, no, no, no, shoes weren't like shoes now.

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<v Speaker 1>Shoes were these very specific things that fit only your feet. Yeah,

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<v Speaker 1>And I think that's that's probably a layer to it

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<v Speaker 1>that definitely would have spoken to people in olden times

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<v Speaker 1>when they heard the story, read the story, or had

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<v Speaker 1>the story told to them. I also bet, because you know,

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<v Speaker 1>I mean we here, we are in the modern age,

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<v Speaker 1>a couple of pairs of shoes that I by regularly,

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<v Speaker 1>A standard pair of Converse high tops and a standard

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<v Speaker 1>pair of Doc Martin boots, just two pairs of shoes

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<v Speaker 1>that I always have on hand. You know, you got

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<v Speaker 1>to wear them in for a couple of days. And

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<v Speaker 1>those are modern, made for left, made for right shoes.

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<v Speaker 1>I can't imagine how long it took to wear in

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<v Speaker 1>a pair of shoes that were two nondescripts, just pieces

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<v Speaker 1>of of of of of formerly cow flesh, you know,

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<v Speaker 1>like I can't even imagine. Yeah, uh, that episode definitely

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<v Speaker 1>had me thinking more and more about shoe placement in

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<v Speaker 1>the house. My household is a is a shoes off

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<v Speaker 1>once you enter the house household, so we have all

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<v Speaker 1>the shoes lined up in trays right when you enter

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<v Speaker 1>the house. And so after that interview, I kept thinking

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<v Speaker 1>about it when I look over and see all those

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<v Speaker 1>shoes and think of them collecting demons. And weirdly enough,

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<v Speaker 1>it was either right about the same time we recorded

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<v Speaker 1>this or a little afterwards, our cat started sleeping on

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<v Speaker 1>the shoes. So now sleeping on the shoes is one

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<v Speaker 1>of her favorite spots that she'll you know, get around

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<v Speaker 1>too during the course of her travels through the house

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<v Speaker 1>in the day, and she'll sleep for hours on the shoes. Well, well,

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<v Speaker 1>the next time you took up your shoes in your house,

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<v Speaker 1>do like this meme says, and leave your shoes far apart,

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<v Speaker 1>so if a burglar comes in, they think your big

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<v Speaker 1>a f Yeah, here you go. All right, now we're

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<v Speaker 1>going to get into some of the weird house listener mail,

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<v Speaker 1>and this is delightful because at least a couple of

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<v Speaker 1>them have to do with our discussion of the Alice.

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<v Speaker 1>This first one comes to us from Joe. Joe rides

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<v Speaker 1>then and says the following, Dear Robert and Seth. First

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<v Speaker 1>of all, hearty congratulations to Joe, are Joe on the

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<v Speaker 1>new baby. Best wishes to the family. This is a

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<v Speaker 1>little off tangent, but after seeing the weird puppets in Alice,

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<v Speaker 1>I feel the need to tell you about some other

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<v Speaker 1>weird and maybe awesome puppets, particularly the puppets in Pee Lee,

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<v Speaker 1>a puppet series that started in and hasn't ended yet. Yes,

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<v Speaker 1>you heard that right. The show is still ongoing. There

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<v Speaker 1>are some two thousand, six undred episodes and counting. I

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<v Speaker 1>don't know if this number includes the multiple spinoffs that

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<v Speaker 1>are supposedly set in the same universe that follow different characters,

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<v Speaker 1>but I'm a little afraid to find out. That's even

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<v Speaker 1>longer than The Simpsons because the Simpsons, so that this

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<v Speaker 1>this pre dates the Simpsons and it is still going

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<v Speaker 1>very impressive. Yeah, I mean, it's got to be up

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<v Speaker 1>there for like, the longest puppet show on the air

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<v Speaker 1>in general has to be Yea. They continue. The show

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<v Speaker 1>is produced by pe Lee International Multimedia, Taiwan and in

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<v Speaker 1>my opinion, has some really beautiful puppets. Unfortunately, the main

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<v Speaker 1>series is in Taiwanese hot Keen and the subs are

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<v Speaker 1>in Traditional Chinese, so they're pretty inaccessible to anyone who

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<v Speaker 1>can't read Traditional Chinese. However, the collaboration with Good Smile

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<v Speaker 1>Thunderbolt Fantasy has English subs on YouTube. The show is

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<v Speaker 1>a Chinese C and C series which revolves around cultivation Taoism,

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<v Speaker 1>flying around, super secret manuals and techniques, flashy attacks, big swords,

0:12:06.120 --> 0:12:09.920
<v Speaker 1>and lots of instances of honor being impugned been avenged.

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<v Speaker 1>They also have a YouTube channel and has a ton

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<v Speaker 1>of edits and compilations. They've come a long way since

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<v Speaker 1>the ninety nineties and I hope you get a kick

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<v Speaker 1>out of seeing the difference in cinematics. Thanks for reading.

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<v Speaker 1>These are beautiful. I'm looking at these right now, and

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<v Speaker 1>not only are the like primary figures like like there

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<v Speaker 1>seemed to be some humanoid esque figures, but man that

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<v Speaker 1>I'm seeing some creatures here. Um, Like wow, there's like

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<v Speaker 1>this some giant bear like creature with antlers that is

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<v Speaker 1>so beautiful looking. Yeah. Yeah, I'm glancing at some of

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<v Speaker 1>this footage as well. On an epic sword fight here

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<v Speaker 1>battle on the shores of the Sticks. This is amazing looking. Yeah.

0:12:53.040 --> 0:12:55.920
<v Speaker 1>The one I'm talking about is Demigod the legend begins

0:12:56.240 --> 0:12:59.880
<v Speaker 1>and it looks gorgeous. Yeah. Anyway, thanks for some of

0:12:59.920 --> 0:13:10.600
<v Speaker 1>the into us. Yes, absolutely, all right. Next up we

0:13:10.640 --> 0:13:15.079
<v Speaker 1>have a message from Tantry. They write the following, Hey, guys,

0:13:15.440 --> 0:13:17.720
<v Speaker 1>love the show as always. I wanted to let you

0:13:17.760 --> 0:13:21.319
<v Speaker 1>know about the tarts in Sphank mars Alice. Those are

0:13:21.400 --> 0:13:24.520
<v Speaker 1>poppy seed colatches. Is that you think that's the correct

0:13:24.520 --> 0:13:30.000
<v Speaker 1>pronunciation colches? Yeah? Or co colaches? Yeah, spelled k O

0:13:30.320 --> 0:13:32.360
<v Speaker 1>l A c h e s. Just in case you

0:13:32.400 --> 0:13:34.080
<v Speaker 1>at home were wondering and want to look these up,

0:13:34.520 --> 0:13:38.880
<v Speaker 1>I'll say colaches for now, just going phonetically. Uh. Colaches

0:13:38.920 --> 0:13:42.640
<v Speaker 1>are the most quintessential of all check pastries, and poppy

0:13:42.720 --> 0:13:47.199
<v Speaker 1>seed is the most check filling. Poppy seed. We did

0:13:47.240 --> 0:13:50.000
<v Speaker 1>not say poppy seed, but now now that now that

0:13:50.040 --> 0:13:53.559
<v Speaker 1>we're saying it out loud, I can definitely see poppy seed.

0:13:53.679 --> 0:13:56.200
<v Speaker 1>So that's that's interesting. Thank thank you for for clearing

0:13:56.240 --> 0:13:59.959
<v Speaker 1>up this mystery for us. So continue with the message.

0:14:00.280 --> 0:14:03.440
<v Speaker 1>Sometimes they are topped with strussel, or sometimes like an

0:14:03.440 --> 0:14:06.880
<v Speaker 1>alice with almonds, So there we go, there we go. Yeah,

0:14:07.240 --> 0:14:09.800
<v Speaker 1>we had a big discussion about what these were, if

0:14:09.880 --> 0:14:13.440
<v Speaker 1>they were teeth, whether or not they were just mud

0:14:13.440 --> 0:14:17.320
<v Speaker 1>filled with baby teeth, but no poppy seed with almonds.

0:14:18.480 --> 0:14:21.840
<v Speaker 1>Back to the message. Uh, it's funny that without context

0:14:21.880 --> 0:14:25.080
<v Speaker 1>they do come off looking rather unappetizing in the film,

0:14:25.120 --> 0:14:28.640
<v Speaker 1>particularly in a film where everything edible is made to

0:14:28.640 --> 0:14:32.560
<v Speaker 1>look upsetting, especially since in context they're the only thing

0:14:32.600 --> 0:14:35.320
<v Speaker 1>in the film that seems like it's supposed to be delicious.

0:14:35.880 --> 0:14:39.560
<v Speaker 1>Then they sent us an example image, and you're absolutely correct,

0:14:39.680 --> 0:14:42.960
<v Speaker 1>this looks wonderful. I would absolutely take a bite of this.

0:14:43.360 --> 0:14:47.160
<v Speaker 1>Um yeah, absolutely yeah. Yeah. Well, out of the context

0:14:47.320 --> 0:14:52.800
<v Speaker 1>of Johns funk Myers alice, this looks rather delicious. So um.

0:14:52.800 --> 0:14:56.560
<v Speaker 1>So yeah, I'm I'm glad to to define out exactly

0:14:56.600 --> 0:14:59.880
<v Speaker 1>what this this was supposed to be. And uh, and yes,

0:15:00.240 --> 0:15:02.520
<v Speaker 1>Country makes some some great points to about you. Could

0:15:02.560 --> 0:15:05.840
<v Speaker 1>you could basically put anything, any food item in its

0:15:05.880 --> 0:15:08.560
<v Speaker 1>place in alice, and you would be a little suspicious

0:15:08.600 --> 0:15:11.120
<v Speaker 1>of it. You have only because it might contain thumb

0:15:11.120 --> 0:15:15.480
<v Speaker 1>tax in the context of alice. Yeah yeah, because if

0:15:15.560 --> 0:15:18.200
<v Speaker 1>this uh and as far as I can tell, this

0:15:18.240 --> 0:15:20.920
<v Speaker 1>is one for one exactly what is in this movie.

0:15:21.000 --> 0:15:24.480
<v Speaker 1>I mean, it seems exactly correct. If that's the case.

0:15:24.680 --> 0:15:28.400
<v Speaker 1>It's the only food that is not suspicious in one

0:15:28.400 --> 0:15:30.640
<v Speaker 1>way or another, whether it be the bread with the nails,

0:15:30.640 --> 0:15:33.440
<v Speaker 1>and it's the marmalade with the thumb tax this one

0:15:33.520 --> 0:15:36.800
<v Speaker 1>never appeared to have anything foreign inside it at all.

0:15:36.840 --> 0:15:41.320
<v Speaker 1>It was always food throughout the film. So yeah, yeah, anyway,

0:15:41.600 --> 0:15:50.160
<v Speaker 1>no baby teeth and mud, poppy seeds and almonds. All right,

0:15:50.240 --> 0:15:54.080
<v Speaker 1>here's another weird house cinema message, and this one comes

0:15:54.120 --> 0:15:57.000
<v Speaker 1>to us from Kate. Kate rides in and says, Dear

0:15:57.080 --> 0:15:59.960
<v Speaker 1>Robert and Joe, thank you for all your incredible programming.

0:16:00.040 --> 0:16:02.720
<v Speaker 1>You are my favorite companions for running and you always

0:16:02.720 --> 0:16:04.680
<v Speaker 1>make the time fly by, even on days when I

0:16:04.720 --> 0:16:07.480
<v Speaker 1>don't really want to be slogging up hills. You guys

0:16:07.520 --> 0:16:10.440
<v Speaker 1>do such a wonderful job of science communication. I wanted

0:16:10.480 --> 0:16:12.720
<v Speaker 1>to write in to comment on your discussion with David

0:16:12.760 --> 0:16:16.480
<v Speaker 1>Streepy on The Gate, particularly your comments on the use

0:16:16.520 --> 0:16:19.120
<v Speaker 1>of problematic language in the film and how that might

0:16:19.160 --> 0:16:21.800
<v Speaker 1>impact your choice to watch it with kids. I had

0:16:21.800 --> 0:16:26.200
<v Speaker 1>the experience of showing my kids seven movie Monster Squad. Oh,

0:16:26.240 --> 0:16:29.840
<v Speaker 1>I know exactly where this is going. This I adore

0:16:29.920 --> 0:16:32.920
<v Speaker 1>this movie, and man, there's some hate speech in the

0:16:32.920 --> 0:16:35.760
<v Speaker 1>beginning that makes it real rough. Uh sorry, I haven't

0:16:35.760 --> 0:16:38.240
<v Speaker 1>read this in advance. I'm just reacting in real time.

0:16:38.440 --> 0:16:42.400
<v Speaker 1>Please continue, Rob, No, no, no, that's I'm I've been

0:16:42.400 --> 0:16:44.440
<v Speaker 1>in a weird spot with Monster Squad as well, because

0:16:44.480 --> 0:16:48.240
<v Speaker 1>I fondly remember it from from my childhood. Because the

0:16:48.320 --> 0:16:52.040
<v Speaker 1>monsters are incredible. Yes, it's it's a kid's, you know,

0:16:52.520 --> 0:16:54.440
<v Speaker 1>kick butt kind of a movie, so it has that

0:16:54.520 --> 0:16:58.880
<v Speaker 1>going for it, but I've always been hesitant to revisit it,

0:16:58.880 --> 0:17:00.440
<v Speaker 1>and certainly to view it with my child Now. I

0:17:00.480 --> 0:17:04.240
<v Speaker 1>didn't remember the problematic language, but I remembered the whole

0:17:04.840 --> 0:17:08.520
<v Speaker 1>the plot point about needing a virgin to do something

0:17:08.560 --> 0:17:11.119
<v Speaker 1>to close or open a gate. And even at the

0:17:11.160 --> 0:17:14.119
<v Speaker 1>time as a child, I remember finding this weird and

0:17:14.200 --> 0:17:16.720
<v Speaker 1>had at least had plot holes in it because I'm like, wait,

0:17:17.000 --> 0:17:19.520
<v Speaker 1>they keep saying that, like, Okay, the old man's not

0:17:19.600 --> 0:17:21.639
<v Speaker 1>a virgin, he can't open it. It has to be

0:17:21.680 --> 0:17:23.679
<v Speaker 1>the girl. But then it's like, does that mean that

0:17:23.920 --> 0:17:26.879
<v Speaker 1>all the male children are are no longer virgins in

0:17:26.880 --> 0:17:30.040
<v Speaker 1>this movie, like there's there. I had questions and had

0:17:30.040 --> 0:17:32.160
<v Speaker 1>issues with it, and like I don't I don't want

0:17:32.160 --> 0:17:34.240
<v Speaker 1>to have to explain all this too much of my son.

0:17:34.440 --> 0:17:36.879
<v Speaker 1>And even more so, I would say even more problematic

0:17:36.960 --> 0:17:40.159
<v Speaker 1>than that, because even hocus Pocus goes down that route

0:17:40.359 --> 0:17:44.200
<v Speaker 1>of you know, virgins being necessary for things to work

0:17:44.240 --> 0:17:48.520
<v Speaker 1>with magic spells um. I. My other least favorite part

0:17:48.600 --> 0:17:50.919
<v Speaker 1>about this from just you know, a modern sensibility and

0:17:51.400 --> 0:17:52.840
<v Speaker 1>I'm an adult so I can look at this with

0:17:52.880 --> 0:17:56.320
<v Speaker 1>adult eyes, is there's a lot of peeping on a

0:17:56.359 --> 0:17:58.800
<v Speaker 1>woman while she is not consenting to be peeped upon,

0:17:58.960 --> 0:18:02.760
<v Speaker 1>with photos being taken ever, and stuff not cool, you know, like,

0:18:03.160 --> 0:18:05.600
<v Speaker 1>oh wow, I don't remember that at all from this film.

0:18:05.680 --> 0:18:07.439
<v Speaker 1>It was a different time. I get it, but now

0:18:08.080 --> 0:18:10.479
<v Speaker 1>it was wrong then and it's wrong now. But anyway,

0:18:10.480 --> 0:18:12.359
<v Speaker 1>back back to this message, I I can't wait to

0:18:12.359 --> 0:18:15.320
<v Speaker 1>hear more about the Monster Squad. Okay, Kate continues. What

0:18:15.400 --> 0:18:18.200
<v Speaker 1>I had completely forgotten was the liberal use of hateful

0:18:18.240 --> 0:18:21.359
<v Speaker 1>language early in the film, particularly the use of homophobic

0:18:21.440 --> 0:18:24.399
<v Speaker 1>slurs by the bully characters. It was a huge shock

0:18:24.440 --> 0:18:27.600
<v Speaker 1>while watching, and my kids picked up on my discomfort immediately.

0:18:28.160 --> 0:18:30.159
<v Speaker 1>I would have preferred they not hear that kind of

0:18:30.200 --> 0:18:32.800
<v Speaker 1>hateful language. However, we ended up having a very long

0:18:32.840 --> 0:18:35.760
<v Speaker 1>conversation about words and how some words take on a

0:18:35.800 --> 0:18:39.359
<v Speaker 1>broader and more harmful meaning than mere insults. We also

0:18:39.400 --> 0:18:42.239
<v Speaker 1>talked about how the world I grew up in was

0:18:42.400 --> 0:18:44.960
<v Speaker 1>more open in using those words, but they are still

0:18:45.040 --> 0:18:48.040
<v Speaker 1>wielded as weapons now, and that it does real damage

0:18:48.080 --> 0:18:50.920
<v Speaker 1>to people overall. And it ended up being an opportunity

0:18:50.960 --> 0:18:53.480
<v Speaker 1>to talk with them about these issues and the movie

0:18:53.560 --> 0:18:57.000
<v Speaker 1>provided a context for them to understand. My oldest even

0:18:57.080 --> 0:19:00.240
<v Speaker 1>referenced our Monster Squad discussion when he found my copy

0:19:00.240 --> 0:19:02.479
<v Speaker 1>of Huckleberry Finn and I told him why I had

0:19:02.560 --> 0:19:05.320
<v Speaker 1>very mixed feelings about him reading it. I wanted to

0:19:05.320 --> 0:19:08.480
<v Speaker 1>share my experience for any other parents who might show

0:19:08.520 --> 0:19:12.240
<v Speaker 1>their kids a movie from their eighties childhood and they

0:19:12.240 --> 0:19:15.359
<v Speaker 1>that they did not expect to contain casual hate and

0:19:15.440 --> 0:19:18.880
<v Speaker 1>words they don't want their children to hear. I would

0:19:18.880 --> 0:19:21.000
<v Speaker 1>not have done it on purpose, but it can be

0:19:21.080 --> 0:19:23.800
<v Speaker 1>a chance for a real talk about the power and

0:19:23.840 --> 0:19:26.960
<v Speaker 1>gravity of hateful words. Thanks so much for all you

0:19:27.000 --> 0:19:31.480
<v Speaker 1>guys do. Cheers, Kate. I think that's a wonderful, wonderful sentiment.

0:19:31.720 --> 0:19:34.639
<v Speaker 1>And um, I'm really grateful that you did that with

0:19:34.680 --> 0:19:37.760
<v Speaker 1>your kids. I think communication with children is h an

0:19:37.800 --> 0:19:40.760
<v Speaker 1>overlooked art form, so I really appreciate that you did that.

0:19:41.280 --> 0:19:43.399
<v Speaker 1>And also I do think it also opens up the

0:19:43.440 --> 0:19:46.280
<v Speaker 1>world to a broader place that once a child does

0:19:46.520 --> 0:19:49.800
<v Speaker 1>understand the difference between something that happened in the past

0:19:49.800 --> 0:19:52.280
<v Speaker 1>and something that happened today, not only can can they

0:19:52.359 --> 0:19:56.520
<v Speaker 1>now hopefully enjoy a broader range of entertainments like, for example,

0:19:56.520 --> 0:19:58.760
<v Speaker 1>watching like old Looney Tunes, shorts and stuff like that.

0:19:59.119 --> 0:20:01.720
<v Speaker 1>But but in addition to that, I think it's really

0:20:01.720 --> 0:20:05.560
<v Speaker 1>really helpful for thinking about the things we do today,

0:20:05.960 --> 0:20:08.400
<v Speaker 1>thinking about it from a future perspective and going, hey,

0:20:08.440 --> 0:20:11.080
<v Speaker 1>in the future, what am I doing right now that

0:20:11.160 --> 0:20:15.000
<v Speaker 1>I will probably regret? What words should I stop using? What?

0:20:14.840 --> 0:20:18.480
<v Speaker 1>What what attitudes should I please drop? You know? So,

0:20:18.480 --> 0:20:21.240
<v Speaker 1>so I think that is very valuable, Kate, So, so

0:20:21.320 --> 0:20:23.160
<v Speaker 1>way to go with that. And also I know how

0:20:23.160 --> 0:20:26.280
<v Speaker 1>important it is to find really good um podcast listening

0:20:26.280 --> 0:20:28.800
<v Speaker 1>for jogging, so I'm glad we can provide that for you.

0:20:28.920 --> 0:20:31.320
<v Speaker 1>It's a it's it's it's a balancing act. It's gotta

0:20:31.320 --> 0:20:33.280
<v Speaker 1>be interesting, but it can't be too interesting, you know,

0:20:33.320 --> 0:20:36.160
<v Speaker 1>it's got to be like just right, you know. So, yeah,

0:20:36.200 --> 0:20:38.719
<v Speaker 1>I'm with you. Yeah, yeah, these are all great points. Um.

0:20:38.920 --> 0:20:42.080
<v Speaker 1>I know. Also racial stereotypes or something that also comes

0:20:42.119 --> 0:20:44.719
<v Speaker 1>up in a lot of films from yesteryear and they

0:20:44.920 --> 0:20:47.359
<v Speaker 1>those two will jump out when you least expect them.

0:20:47.400 --> 0:20:51.000
<v Speaker 1>And um and yeah, I have found that to be

0:20:51.240 --> 0:20:54.520
<v Speaker 1>an opportunity for my wife and I discuss those things

0:20:54.560 --> 0:20:56.920
<v Speaker 1>with with our son. Oh and by the way, Kate

0:20:57.000 --> 0:21:02.040
<v Speaker 1>also uh suggested that Joan return to the topic of

0:21:02.080 --> 0:21:06.280
<v Speaker 1>the electric microbe land episode. Apparently there have been some

0:21:06.560 --> 0:21:10.040
<v Speaker 1>some more recent studies that have come out, uh that

0:21:10.040 --> 0:21:12.119
<v Speaker 1>that suggests that there there might be more that we

0:21:12.160 --> 0:21:15.320
<v Speaker 1>need to discuss in the future. So I appreciate that. Obviously,

0:21:15.359 --> 0:21:18.800
<v Speaker 1>anytime you're out there and you you hear of new studies,

0:21:18.800 --> 0:21:21.480
<v Speaker 1>new findings, new angles on things that we've discussed in

0:21:21.480 --> 0:21:24.600
<v Speaker 1>the past on the show that could be explored in

0:21:24.640 --> 0:21:27.320
<v Speaker 1>the future. Yeah, shoot him our way. We we would

0:21:27.520 --> 0:21:35.160
<v Speaker 1>We would love to hear from you. Absolutely. We've got

0:21:35.160 --> 0:21:38.760
<v Speaker 1>one more message. This is from Adam says, hey, y'all,

0:21:39.119 --> 0:21:42.080
<v Speaker 1>quick suggestion on some films that I've seen on the

0:21:42.200 --> 0:21:47.320
<v Speaker 1>mission channel on my videos TVs watch free app. I

0:21:47.359 --> 0:21:48.800
<v Speaker 1>don't think I know what that is? Do you do?

0:21:48.840 --> 0:21:51.280
<v Speaker 1>You know what a mission channel is? This my my

0:21:51.880 --> 0:21:55.639
<v Speaker 1>so my understanding, mostly from being in like Airbnb houses,

0:21:56.080 --> 0:21:58.360
<v Speaker 1>is that some of these modern TVs have like their

0:21:58.400 --> 0:22:00.440
<v Speaker 1>own little you know, they had a little apps for

0:22:00.480 --> 0:22:04.800
<v Speaker 1>the different viewing uh services, and some of them have.

0:22:04.960 --> 0:22:06.640
<v Speaker 1>It seems like there are a number of different services

0:22:06.680 --> 0:22:10.439
<v Speaker 1>that maybe have more or less the same assortment of

0:22:10.520 --> 0:22:13.320
<v Speaker 1>films that they offer up for I think usually quote

0:22:13.359 --> 0:22:17.400
<v Speaker 1>unquote free, so it's usually advertising supported. I get that. Yeah, yeah,

0:22:17.400 --> 0:22:19.359
<v Speaker 1>my my TV has something like that, just like that,

0:22:19.440 --> 0:22:22.240
<v Speaker 1>like a random movie channel that forces itself on me

0:22:22.280 --> 0:22:26.440
<v Speaker 1>as often as it can. It's almost always showing Father Goose. Okay, okay,

0:22:26.440 --> 0:22:29.720
<v Speaker 1>I got that. So so um from Adam, these are

0:22:29.720 --> 0:22:34.200
<v Speaker 1>the suggestions that Adam is is making black Star uh

0:22:34.280 --> 0:22:36.960
<v Speaker 1>Saturn three, and if I remember correctly, Adam also wrote

0:22:36.960 --> 0:22:40.040
<v Speaker 1>in it suggested Ice Pirates a while ago and uh.

0:22:40.320 --> 0:22:44.400
<v Speaker 1>Adam ends with I'll probably return with more. So yeah, yeah,

0:22:44.760 --> 0:22:48.680
<v Speaker 1>I don't know what black Star film they're referring to here. Um,

0:22:48.680 --> 0:22:50.800
<v Speaker 1>I know there's like black Star in the Golden Bat

0:22:50.840 --> 0:22:55.280
<v Speaker 1>from nine. Uh, there's some other films that have the

0:22:55.280 --> 0:22:59.119
<v Speaker 1>the title black Star, but I'm not sure what this

0:22:59.200 --> 0:23:01.880
<v Speaker 1>is a reference to. One thing I love and thank

0:23:01.920 --> 0:23:04.400
<v Speaker 1>you Adam for writing in with these suggestions. I mean,

0:23:04.760 --> 0:23:07.960
<v Speaker 1>one thing I love about weird house cinema is how

0:23:08.160 --> 0:23:11.000
<v Speaker 1>easy it is to find movies to do in weird

0:23:11.040 --> 0:23:15.400
<v Speaker 1>house Cinema. Like it's just it's just a never ending list, Like, um,

0:23:15.640 --> 0:23:18.240
<v Speaker 1>should we kind of spill the beans a bit about

0:23:18.240 --> 0:23:21.040
<v Speaker 1>the next episode that we're doing, would you hear that? Yeah?

0:23:21.119 --> 0:23:23.159
<v Speaker 1>Absolutely gives people a chance to watch ahead time at

0:23:23.200 --> 0:23:25.439
<v Speaker 1>the one. Yeah. So so, so this is for this

0:23:25.520 --> 0:23:28.919
<v Speaker 1>upcoming Friday, I will be the co host again. And

0:23:29.200 --> 0:23:31.159
<v Speaker 1>Rob was saying to me, Hey, I'm kind in the

0:23:31.200 --> 0:23:36.680
<v Speaker 1>mood for like a seventies eighties fantasy science fiction, e

0:23:36.920 --> 0:23:39.880
<v Speaker 1>kind of animated film. Since since Rob knows my background

0:23:39.880 --> 0:23:42.920
<v Speaker 1>and love for animation, then you know, I'm like, oh,

0:23:42.960 --> 0:23:46.560
<v Speaker 1>I'll happily oblige with that. So I sent four examples

0:23:46.720 --> 0:23:49.800
<v Speaker 1>in and uh, one of them is is this wonderful,

0:23:49.880 --> 0:23:53.159
<v Speaker 1>wonderful film from Eastern Europe called The Treasure Planets, not

0:23:53.200 --> 0:23:56.119
<v Speaker 1>the Disney one. This one's from two It's called the

0:23:56.240 --> 0:23:58.959
<v Speaker 1>Treasure Planets so good. You can find the whole thing

0:23:58.960 --> 0:24:02.640
<v Speaker 1>on YouTube very easily. Um, if y'all didn't know Brian

0:24:02.760 --> 0:24:06.080
<v Speaker 1>Cranston before he was famous, used to use a fake

0:24:06.200 --> 0:24:09.760
<v Speaker 1>name and just make money by doing um anime voiceovers

0:24:09.800 --> 0:24:12.520
<v Speaker 1>and and just various dubbing. He is the star of

0:24:12.600 --> 0:24:15.399
<v Speaker 1>this film, a very young Brian Cranston's that's a lot

0:24:15.440 --> 0:24:17.359
<v Speaker 1>of fun but also just some of the greatest animation.

0:24:18.040 --> 0:24:22.119
<v Speaker 1>I also brought up UM the v one filmed The Point,

0:24:22.560 --> 0:24:26.000
<v Speaker 1>which is great. It stars Bobby Brady from The Brady

0:24:26.040 --> 0:24:31.480
<v Speaker 1>Bunch and Ringo Star and it's made by um Fred Wolfe,

0:24:31.680 --> 0:24:36.359
<v Speaker 1>the guy that made that UM one to who three

0:24:36.440 --> 0:24:40.800
<v Speaker 1>roll Pop commercial in addition to being instrumental in the

0:24:40.840 --> 0:24:43.920
<v Speaker 1>creation of the studio that brought us The Ninja Turtle's

0:24:43.920 --> 0:24:48.440
<v Speaker 1>animated series. And then another option that I really hope

0:24:48.440 --> 0:24:53.280
<v Speaker 1>you do someday. It's high fantasy Santa Claus mythology from L.

0:24:53.359 --> 0:24:56.960
<v Speaker 1>Frank Baum called The Life and Adventures of Santa Claus.

0:24:57.480 --> 0:25:02.040
<v Speaker 1>It's a stop motion extravaganza. Uh, it is so strange.

0:25:02.160 --> 0:25:06.320
<v Speaker 1>It's all about basically a demigod finding this abandoned baby,

0:25:06.600 --> 0:25:08.560
<v Speaker 1>and so all the gods need to come together and

0:25:08.600 --> 0:25:10.600
<v Speaker 1>have a meeting about whether or not they can turn

0:25:10.840 --> 0:25:13.639
<v Speaker 1>Santa Claus immortal, whether or not that's allowed based on

0:25:13.680 --> 0:25:16.399
<v Speaker 1>the tasks that this human Santa Claus has done in

0:25:16.440 --> 0:25:19.639
<v Speaker 1>its life. And it's it's a trip, it's ranking bass,

0:25:19.640 --> 0:25:23.040
<v Speaker 1>it's stop motion, it's beautiful. But then the one we

0:25:23.119 --> 0:25:26.920
<v Speaker 1>settled on because coincidentally, other than my suggesting it, you

0:25:27.000 --> 0:25:29.040
<v Speaker 1>told me you had just looked up the trailer recently.

0:25:29.720 --> 0:25:33.359
<v Speaker 1>It's it's another ranking bass to the animated The Flight

0:25:33.520 --> 0:25:37.080
<v Speaker 1>of Dragons that will be this Friday's movie. Yes, I

0:25:37.119 --> 0:25:39.600
<v Speaker 1>am excited to talk about this one. I watched it

0:25:39.640 --> 0:25:42.280
<v Speaker 1>the other evening with my son, and yeah, we both

0:25:42.280 --> 0:25:43.879
<v Speaker 1>really enjoyed it. I thought it thought it held up

0:25:43.920 --> 0:25:49.359
<v Speaker 1>really well. It's message is ultimately just as important today

0:25:49.760 --> 0:25:52.199
<v Speaker 1>as it as it was back then. So it'll be

0:25:52.200 --> 0:25:54.960
<v Speaker 1>a fun one to discuss. And it is. It's it's

0:25:55.040 --> 0:25:57.040
<v Speaker 1>it's easy to find. You can. I think we ended

0:25:57.080 --> 0:25:59.399
<v Speaker 1>up doing a digital rental on it. So if you

0:25:59.440 --> 0:26:02.920
<v Speaker 1>want to be the right there at the cutting edge

0:26:02.960 --> 0:26:05.520
<v Speaker 1>as we published this episode, then you can you can

0:26:05.560 --> 0:26:06.960
<v Speaker 1>watch ahead of time. Man, you should be able to

0:26:07.000 --> 0:26:09.399
<v Speaker 1>find it anywhere you get your digital movies and if

0:26:09.400 --> 0:26:12.320
<v Speaker 1>you're a physical media person, I know I bought my

0:26:12.440 --> 0:26:16.320
<v Speaker 1>DVD off of the Warner Archives collection. Have you ever

0:26:16.320 --> 0:26:20.040
<v Speaker 1>bought anything for the Warner Archives before, Rob, I don't think.

0:26:20.080 --> 0:26:22.600
<v Speaker 1>I think I may have rented something that was part

0:26:22.640 --> 0:26:25.919
<v Speaker 1>of that that collections. It's so cool what the Warner

0:26:25.960 --> 0:26:29.160
<v Speaker 1>Brothers does this thing where basically, um, they haven't obviously,

0:26:29.160 --> 0:26:31.720
<v Speaker 1>Warner Brothers has an enormous back catalog, not only with

0:26:31.760 --> 0:26:33.920
<v Speaker 1>the movies that they own, but a bunch of movies

0:26:34.000 --> 0:26:36.000
<v Speaker 1>that you know, they've bought a company and now they

0:26:36.040 --> 0:26:38.240
<v Speaker 1>own that whole catalog as well. Like think about like

0:26:38.280 --> 0:26:40.200
<v Speaker 1>you know, the whole hand of bar Bearer back catalog

0:26:40.240 --> 0:26:43.440
<v Speaker 1>stuff like that. So what they'll do is for all

0:26:43.520 --> 0:26:47.040
<v Speaker 1>of the properties that are kind of popular but not

0:26:47.200 --> 0:26:50.000
<v Speaker 1>popular enough for them to print five thousand copies of

0:26:50.400 --> 0:26:52.560
<v Speaker 1>what they'll do is they'll just have it on demand.

0:26:52.800 --> 0:26:55.480
<v Speaker 1>You can order one copy, they'll burn it for you,

0:26:55.640 --> 0:26:58.280
<v Speaker 1>put it in like a printer, you know, a piece

0:26:58.320 --> 0:27:00.359
<v Speaker 1>of paper in like a plastic box in to ship

0:27:00.359 --> 0:27:04.120
<v Speaker 1>it to you. It's it's like the cheapest, flimsiest physical

0:27:04.119 --> 0:27:07.119
<v Speaker 1>media you can buy, but you can buy it, and

0:27:07.160 --> 0:27:09.200
<v Speaker 1>that's the important part. And that's how I got the

0:27:09.480 --> 0:27:12.439
<v Speaker 1>Flight of Dragons. Oh wow. Yeah, as far as I know,

0:27:12.520 --> 0:27:16.280
<v Speaker 1>that's not one that has had a like robust physical release,

0:27:16.359 --> 0:27:19.240
<v Speaker 1>but but but it deserves one. Yeah, it's it's it's

0:27:19.240 --> 0:27:22.120
<v Speaker 1>a great one and I recommend people watch it and

0:27:22.320 --> 0:27:26.520
<v Speaker 1>we'll be talking more about it this Friday. Absolutely. All right, Well,

0:27:26.520 --> 0:27:29.000
<v Speaker 1>we're gonna go ahead and close it out there, but

0:27:29.160 --> 0:27:31.840
<v Speaker 1>keep the listener mail coming. If you have any any

0:27:31.880 --> 0:27:36.160
<v Speaker 1>thoughts about the episodes that have published recently, thoughts about

0:27:36.160 --> 0:27:40.560
<v Speaker 1>episodes that should publish in the future. Everything's fair game. Uh,

0:27:40.680 --> 0:27:43.400
<v Speaker 1>let's see what's going on. What have you got going

0:27:43.400 --> 0:27:47.200
<v Speaker 1>on with Rusty Needles Record Club. Let's see here. Um,

0:27:47.240 --> 0:27:51.280
<v Speaker 1>we just wrapped up a month of requests and I

0:27:51.320 --> 0:27:54.960
<v Speaker 1>believe by the time this episode comes out, we may

0:27:55.000 --> 0:28:01.159
<v Speaker 1>be just starting our full December of holiday albums. So yeah,

0:28:01.200 --> 0:28:02.399
<v Speaker 1>I guess I'll say it. In case of no one,

0:28:02.440 --> 0:28:05.080
<v Speaker 1>no one's heard, I host a podcast called Rusty Needles

0:28:05.080 --> 0:28:08.399
<v Speaker 1>Record Club. Find it wherever you find podcasts. You know

0:28:08.520 --> 0:28:10.840
<v Speaker 1>it's um, it's a book club, but for music instead,

0:28:10.880 --> 0:28:13.040
<v Speaker 1>that's what we say. And if you're just looking for

0:28:13.359 --> 0:28:16.920
<v Speaker 1>some good music conversation or some good music recommendations hop

0:28:16.960 --> 0:28:19.320
<v Speaker 1>on by we'd love to have you all right, and

0:28:19.520 --> 0:28:21.960
<v Speaker 1>remindered everyone that listener mail publishes in the Stuff to

0:28:21.960 --> 0:28:24.679
<v Speaker 1>Blow Your Mind podcast feed every Monday, Core episodes on

0:28:24.680 --> 0:28:28.040
<v Speaker 1>Tuesdays and Thursday, Short Form Artifact or Monster Fact on Wednesdays,

0:28:28.080 --> 0:28:31.800
<v Speaker 1>and on Friday's Weird House Cinema. Thanks again to Seth

0:28:31.960 --> 0:28:35.400
<v Speaker 1>for producing the show and of course co hosting this episode.

0:28:35.840 --> 0:28:37.440
<v Speaker 1>Uh and if you want to get in touch with us, well,

0:28:37.480 --> 0:28:39.720
<v Speaker 1>just email us at contact at stuff to blow your

0:28:39.760 --> 0:28:49.200
<v Speaker 1>Mind dot com. Stuff to Blow Your Mind is a

0:28:49.240 --> 0:28:51.880
<v Speaker 1>production of I Heart Radio. For more podcasts for my

0:28:51.920 --> 0:28:54.880
<v Speaker 1>heart Radio, visit the i heart Radio app, Apple Podcasts,

0:28:54.960 --> 0:28:56.760
<v Speaker 1>or wherever you listen to your favorite shows.