1 00:00:02,960 --> 00:00:05,280 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of 2 00:00:05,320 --> 00:00:10,680 Speaker 1: My Heart Radio. Hey, welcome to Stuff to Blow your 3 00:00:10,720 --> 00:00:14,720 Speaker 1: Mind listener Mail. This is Robert Lamb and Seth Nicholas Johnson. 4 00:00:14,840 --> 00:00:18,080 Speaker 1: That's right, Joe is still out on parental leave and 5 00:00:18,239 --> 00:00:21,479 Speaker 1: we're still doing listener mail. And since we have a 6 00:00:21,480 --> 00:00:23,680 Speaker 1: few bits of listener mail on this one that have 7 00:00:23,840 --> 00:00:26,599 Speaker 1: to do with an episode of Weird House Cinema that 8 00:00:26,720 --> 00:00:29,319 Speaker 1: Seth joined me for, I've decided, well we should have 9 00:00:29,360 --> 00:00:32,280 Speaker 1: Seth in here on this episode of listener mail as well. 10 00:00:32,560 --> 00:00:39,800 Speaker 1: Happy to join. All right, well, let's jump right into 11 00:00:39,800 --> 00:00:42,400 Speaker 1: the mail bag here, we're gonna kick off with one 12 00:00:42,520 --> 00:00:46,480 Speaker 1: that's another bit of goat listener mail. Uh. The goat 13 00:00:46,520 --> 00:00:49,760 Speaker 1: mail keeps coming, and it should keep coming. This one 14 00:00:49,840 --> 00:00:53,480 Speaker 1: comes to us from Chris from Chicago. Hi, Robert, Seth 15 00:00:53,560 --> 00:00:57,960 Speaker 1: and Joe in absentia. Congratulations on the new arrival. I 16 00:00:58,000 --> 00:01:01,400 Speaker 1: have been ruminating on this email since the first Goat episode. 17 00:01:01,720 --> 00:01:03,720 Speaker 1: I was surprised by all of the goat lore and 18 00:01:03,880 --> 00:01:07,200 Speaker 1: history across so many cultures. One culture of goat content 19 00:01:07,319 --> 00:01:11,760 Speaker 1: that I enjoy is beer culture, more specifically German beer culture. 20 00:01:12,520 --> 00:01:15,920 Speaker 1: Bach beer is a staple of Old World brewing styles. 21 00:01:16,319 --> 00:01:19,000 Speaker 1: Here is a link to a quick summary, and that 22 00:01:19,040 --> 00:01:23,920 Speaker 1: they included a link that goes to a brewery. And yes, 23 00:01:24,280 --> 00:01:28,800 Speaker 1: there there's some posters and images and some labels that 24 00:01:28,800 --> 00:01:34,120 Speaker 1: that that definitely featured goats with with large curling horns. 25 00:01:34,600 --> 00:01:38,800 Speaker 1: Chris continues from the web page quote Bach originated in 26 00:01:38,800 --> 00:01:42,560 Speaker 1: the northern German city of Einbeck, probably as far back 27 00:01:42,560 --> 00:01:45,440 Speaker 1: as the fourteen hundreds. By the sixteen hundreds it was 28 00:01:45,480 --> 00:01:48,160 Speaker 1: being brewed in the Munich area of southern Germany. The 29 00:01:48,240 --> 00:01:52,840 Speaker 1: name Einbeck was pronounced as Einbach in the Bavarian accent 30 00:01:52,880 --> 00:01:57,600 Speaker 1: of the region, and Einbach means billy goat. I never 31 00:01:57,640 --> 00:02:01,120 Speaker 1: knew that. With that being that, a quick Google search 32 00:02:01,160 --> 00:02:03,960 Speaker 1: we'll find you a plethora of goat and beer label images. 33 00:02:04,040 --> 00:02:06,440 Speaker 1: One of my favorite box styles is that of the 34 00:02:06,480 --> 00:02:10,880 Speaker 1: double box or double box slightly darker, multier, and higher 35 00:02:10,880 --> 00:02:13,200 Speaker 1: in a b V. My favorite example of the style 36 00:02:13,800 --> 00:02:18,040 Speaker 1: is eyeinger celebration. Include a link to this. I'm clicking 37 00:02:18,080 --> 00:02:22,720 Speaker 1: on it. It's pulling up the image slowly from Germany, 38 00:02:23,080 --> 00:02:25,760 Speaker 1: and it's kind of stalling it. No, no, it's back, Okay, yes, alright, 39 00:02:25,800 --> 00:02:29,399 Speaker 1: I see this wonderful label here with a giant it's 40 00:02:29,400 --> 00:02:34,959 Speaker 1: either a giant frothing grail of beer or it is 41 00:02:35,000 --> 00:02:37,760 Speaker 1: a very small one um or I don't know, or 42 00:02:37,760 --> 00:02:39,760 Speaker 1: maybe it's regular size and the goats are small, but 43 00:02:39,800 --> 00:02:43,519 Speaker 1: there are two horned goats on either side. Um, sort 44 00:02:43,560 --> 00:02:47,040 Speaker 1: of dancing or rearing up against the beer. Well, if 45 00:02:47,040 --> 00:02:51,240 Speaker 1: it's a double box, you need double the goats. Makes sense. Yeah, 46 00:02:51,600 --> 00:02:54,040 Speaker 1: it does look delicious. It's almost like a root beer float. 47 00:02:54,200 --> 00:02:57,959 Speaker 1: But I think I just I prefer a root beer 48 00:02:58,040 --> 00:03:00,440 Speaker 1: to an actual beer. So so maybe it's just where 49 00:03:00,480 --> 00:03:04,880 Speaker 1: my mind wants to go. And Chris continues here. One 50 00:03:04,880 --> 00:03:08,679 Speaker 1: of my favorite American and local breweries, Revolution Brewing here 51 00:03:08,760 --> 00:03:12,720 Speaker 1: in Chicago, has a seasonal beer called Baham, a a 52 00:03:12,919 --> 00:03:17,680 Speaker 1: bock beer coming in at six point six six percent 53 00:03:17,800 --> 00:03:22,280 Speaker 1: ABV and featuring a great label with a rendition of 54 00:03:22,320 --> 00:03:26,480 Speaker 1: the goat of Mindy's featuring some additional beer specific changes 55 00:03:26,919 --> 00:03:32,960 Speaker 1: please see the attached that's wonderful a six point six 56 00:03:33,000 --> 00:03:35,400 Speaker 1: six a b V and the beer is called bah 57 00:03:35,800 --> 00:03:40,240 Speaker 1: that's a hilarious round of applause for them. And uh yeah, 58 00:03:40,280 --> 00:03:43,040 Speaker 1: I'm I'm pulling up a link to this here to 59 00:03:43,080 --> 00:03:45,200 Speaker 1: see the cover. Oh yes, this is very This is 60 00:03:45,320 --> 00:03:49,240 Speaker 1: very nice. I'm not really a beer person, but if 61 00:03:49,320 --> 00:03:51,160 Speaker 1: if you've offered one of these, I might have to 62 00:03:51,160 --> 00:03:53,960 Speaker 1: try it out, just because it has a very very 63 00:03:54,000 --> 00:03:57,360 Speaker 1: metal looking label on it. Very nice. Yeah, I'm looking 64 00:03:57,360 --> 00:03:59,240 Speaker 1: at the image here and at first I was thinking, 65 00:03:59,360 --> 00:04:03,280 Speaker 1: is this an artichoke floating over the goat's head? I'm 66 00:04:03,280 --> 00:04:07,200 Speaker 1: gonna guess it's probably a hop. I'm not a brew master, 67 00:04:07,400 --> 00:04:11,080 Speaker 1: but I believe hops look similar to artich chokes, especially 68 00:04:11,400 --> 00:04:13,360 Speaker 1: if it's zoomed in. So once again we're getting into 69 00:04:13,400 --> 00:04:15,640 Speaker 1: the idea of scale, just like with the previous label. 70 00:04:16,120 --> 00:04:18,520 Speaker 1: Is this a very large hop or a very small 71 00:04:18,560 --> 00:04:22,679 Speaker 1: baffo a? I don't know either way, though great label, 72 00:04:22,760 --> 00:04:24,760 Speaker 1: I applaud it. I'm also not entirely sure what a 73 00:04:24,839 --> 00:04:27,839 Speaker 1: hop is. Do you think you know? Like, I know, 74 00:04:27,920 --> 00:04:30,840 Speaker 1: it's like a like a you know, a barley thing 75 00:04:30,880 --> 00:04:33,560 Speaker 1: of a jig, but like, like, is is it the flower? 76 00:04:33,720 --> 00:04:37,240 Speaker 1: I I genuinely don't know. I'm I'm very ignorant on beer, 77 00:04:38,240 --> 00:04:41,480 Speaker 1: No I am. I've I've been straight edged for like, 78 00:04:41,839 --> 00:04:45,599 Speaker 1: holy cow, um, over a decade. I can't I literally 79 00:04:45,640 --> 00:04:50,040 Speaker 1: can't remember the last time I had alcohol. So yeah, sorry, 80 00:04:50,080 --> 00:04:53,400 Speaker 1: these are beautiful labels, though it would Beer is also 81 00:04:53,520 --> 00:04:55,920 Speaker 1: something that I don't think Joe and I have covered 82 00:04:55,960 --> 00:04:58,960 Speaker 1: on the show before as a devoted you know, like 83 00:04:59,000 --> 00:05:02,200 Speaker 1: that how to beer or or the invention of beer 84 00:05:02,240 --> 00:05:04,200 Speaker 1: and so for the beer comes up now and again, 85 00:05:04,240 --> 00:05:06,880 Speaker 1: but we've never really done an episode that dives into it. 86 00:05:07,080 --> 00:05:08,520 Speaker 1: That would be that would be interesting to do in 87 00:05:08,520 --> 00:05:11,400 Speaker 1: the future though. Yeah. Anyway, Chris winds it up here 88 00:05:11,400 --> 00:05:13,800 Speaker 1: with thank you for all the consistently great content, Chris 89 00:05:13,800 --> 00:05:23,080 Speaker 1: from Chicago right our next messages from Keith goes As. Thus, 90 00:05:23,839 --> 00:05:27,760 Speaker 1: I listened to your conversation about anti witchcraft practices this week, 91 00:05:28,160 --> 00:05:30,040 Speaker 1: and the part about shoes made me think of this 92 00:05:30,160 --> 00:05:33,760 Speaker 1: meme that is all enjoy. Memes are of course visual, 93 00:05:33,760 --> 00:05:36,560 Speaker 1: but I'll explain them to the audience. Here we have 94 00:05:36,680 --> 00:05:38,640 Speaker 1: the image of let's see it looks like the end 95 00:05:38,680 --> 00:05:42,039 Speaker 1: of a bench or a bed, and we have two 96 00:05:42,080 --> 00:05:45,039 Speaker 1: boots sitting on the floor. It looks like to Doc 97 00:05:45,080 --> 00:05:49,120 Speaker 1: Martin's and they're very widely spaced apart, like got to 98 00:05:49,160 --> 00:05:51,159 Speaker 1: be at least what two and a half three feet 99 00:05:51,480 --> 00:05:54,000 Speaker 1: as the two boots sitting on the ground space apart. 100 00:05:54,720 --> 00:05:58,760 Speaker 1: And this is the text on said meme, I leave 101 00:05:58,880 --> 00:06:01,800 Speaker 1: my shoes far up heart so if a burglar comes in, 102 00:06:01,880 --> 00:06:07,120 Speaker 1: they think I'm big a f ah fair fair absolutely 103 00:06:07,600 --> 00:06:09,640 Speaker 1: and know that this doesn't make sense. There there is 104 00:06:09,720 --> 00:06:13,159 Speaker 1: something going back to that episode that that you did. 105 00:06:13,240 --> 00:06:15,640 Speaker 1: It was the interview where it was about things found 106 00:06:15,680 --> 00:06:19,320 Speaker 1: in the walls, whether it be you know, shoes, etcetera, etcetera. 107 00:06:19,440 --> 00:06:24,080 Speaker 1: And man, there is something spooky about a shoe by itself. 108 00:06:24,160 --> 00:06:27,400 Speaker 1: I have no idea why it is. I I perhaps 109 00:06:27,440 --> 00:06:29,400 Speaker 1: maybe like gives us like the vibe of like an 110 00:06:29,400 --> 00:06:32,839 Speaker 1: invisible person or something. Maybe it's got something to do 111 00:06:33,120 --> 00:06:35,440 Speaker 1: with like just the amount of life that goes into 112 00:06:35,560 --> 00:06:39,080 Speaker 1: an average pair of shoes that it is like even 113 00:06:39,120 --> 00:06:41,320 Speaker 1: more so than like something like a hat or a 114 00:06:41,400 --> 00:06:44,279 Speaker 1: shirt or even something like a pair of jeans. A 115 00:06:44,400 --> 00:06:47,279 Speaker 1: pair of shoes really has gone places with a person. 116 00:06:47,360 --> 00:06:51,320 Speaker 1: So it does feel almost like a fingernail or something. Yeah, yeah, 117 00:06:51,360 --> 00:06:54,160 Speaker 1: there is. Yeah, there's something. There's something strange about finding 118 00:06:54,160 --> 00:06:57,279 Speaker 1: the one shoe if you're out on a walk mirror 119 00:06:58,000 --> 00:07:00,280 Speaker 1: be it in on an urban or rural environ meant, 120 00:07:00,600 --> 00:07:03,880 Speaker 1: of course, there are various traditions with the throwing of 121 00:07:03,920 --> 00:07:08,640 Speaker 1: the lace together shoes over a power line or a 122 00:07:08,640 --> 00:07:12,000 Speaker 1: telephone wire, or a tree branch and so forth. This 123 00:07:12,040 --> 00:07:15,000 Speaker 1: is all from that Brian Hoggard episode recently people should 124 00:07:15,000 --> 00:07:16,840 Speaker 1: listen to if they haven't. My favorite part from that 125 00:07:17,080 --> 00:07:20,559 Speaker 1: interview something that's so obvious but I never thought about 126 00:07:20,840 --> 00:07:23,360 Speaker 1: until it was settled out in that episode, the idea 127 00:07:23,440 --> 00:07:26,120 Speaker 1: that shoes were not made for left or right feet. 128 00:07:26,280 --> 00:07:28,800 Speaker 1: You just made shoe and it was just you wore 129 00:07:28,880 --> 00:07:32,280 Speaker 1: two shoe and ultimately it would form to your foot. 130 00:07:32,520 --> 00:07:36,200 Speaker 1: And perhaps that's why the idea of Cinderella's you know, 131 00:07:36,320 --> 00:07:40,520 Speaker 1: shoe fitting her perfectly was such like an individual notion. 132 00:07:40,600 --> 00:07:42,480 Speaker 1: And it's like, oh, of course, because like you know, 133 00:07:42,520 --> 00:07:45,040 Speaker 1: I've I've I've heard that story million times in my life, 134 00:07:45,080 --> 00:07:47,200 Speaker 1: and I thought, so many people are going to fit 135 00:07:47,240 --> 00:07:49,720 Speaker 1: into that shoe if it's just a shoe. But no, no, 136 00:07:49,800 --> 00:07:51,960 Speaker 1: if if it really was like you know, her, like 137 00:07:52,080 --> 00:07:55,679 Speaker 1: old leather shoe that had magically turned into this glass slipper, 138 00:07:56,320 --> 00:07:59,000 Speaker 1: then no, it would be like exactly her foot. It 139 00:07:59,040 --> 00:08:01,640 Speaker 1: would be like a love not to you know, confuse 140 00:08:01,760 --> 00:08:04,880 Speaker 1: my articles of clothing here. Yeah, I know, this is 141 00:08:04,880 --> 00:08:07,960 Speaker 1: a great point. Yeah, because the leather shoe, obviously is 142 00:08:07,960 --> 00:08:10,160 Speaker 1: this thing that's already kind of flesh, and then it 143 00:08:10,520 --> 00:08:13,720 Speaker 1: slowly becomes more in tune with your body. But yeah, 144 00:08:13,720 --> 00:08:15,960 Speaker 1: I didn't evenin about the Cinderella comparison here, but that's 145 00:08:16,080 --> 00:08:18,440 Speaker 1: I think that's that's right on there. It makes that 146 00:08:18,520 --> 00:08:22,280 Speaker 1: story feel a bit more concrete that than it used 147 00:08:22,280 --> 00:08:24,480 Speaker 1: to in my head by by adding that extra little 148 00:08:24,520 --> 00:08:27,800 Speaker 1: wrinkle of like, no, no, no, shoes weren't like shoes now. 149 00:08:28,000 --> 00:08:33,520 Speaker 1: Shoes were these very specific things that fit only your feet. Yeah, 150 00:08:33,559 --> 00:08:35,480 Speaker 1: And I think that's that's probably a layer to it 151 00:08:35,640 --> 00:08:39,040 Speaker 1: that definitely would have spoken to people in olden times 152 00:08:39,040 --> 00:08:41,600 Speaker 1: when they heard the story, read the story, or had 153 00:08:41,640 --> 00:08:44,199 Speaker 1: the story told to them. I also bet, because you know, 154 00:08:44,280 --> 00:08:46,480 Speaker 1: I mean we here, we are in the modern age, 155 00:08:47,080 --> 00:08:49,079 Speaker 1: a couple of pairs of shoes that I by regularly, 156 00:08:49,280 --> 00:08:52,160 Speaker 1: A standard pair of Converse high tops and a standard 157 00:08:52,200 --> 00:08:55,280 Speaker 1: pair of Doc Martin boots, just two pairs of shoes 158 00:08:55,280 --> 00:08:57,120 Speaker 1: that I always have on hand. You know, you got 159 00:08:57,240 --> 00:08:59,320 Speaker 1: to wear them in for a couple of days. And 160 00:08:59,360 --> 00:09:02,880 Speaker 1: those are modern, made for left, made for right shoes. 161 00:09:03,160 --> 00:09:05,320 Speaker 1: I can't imagine how long it took to wear in 162 00:09:05,400 --> 00:09:10,520 Speaker 1: a pair of shoes that were two nondescripts, just pieces 163 00:09:10,600 --> 00:09:13,400 Speaker 1: of of of of of formerly cow flesh, you know, 164 00:09:13,559 --> 00:09:17,560 Speaker 1: like I can't even imagine. Yeah, uh, that episode definitely 165 00:09:17,559 --> 00:09:19,880 Speaker 1: had me thinking more and more about shoe placement in 166 00:09:19,920 --> 00:09:23,520 Speaker 1: the house. My household is a is a shoes off 167 00:09:23,559 --> 00:09:26,880 Speaker 1: once you enter the house household, so we have all 168 00:09:26,880 --> 00:09:29,160 Speaker 1: the shoes lined up in trays right when you enter 169 00:09:29,400 --> 00:09:33,200 Speaker 1: the house. And so after that interview, I kept thinking 170 00:09:33,240 --> 00:09:34,839 Speaker 1: about it when I look over and see all those 171 00:09:34,880 --> 00:09:38,680 Speaker 1: shoes and think of them collecting demons. And weirdly enough, 172 00:09:39,120 --> 00:09:41,400 Speaker 1: it was either right about the same time we recorded 173 00:09:41,400 --> 00:09:45,320 Speaker 1: this or a little afterwards, our cat started sleeping on 174 00:09:45,360 --> 00:09:49,040 Speaker 1: the shoes. So now sleeping on the shoes is one 175 00:09:49,040 --> 00:09:51,600 Speaker 1: of her favorite spots that she'll you know, get around 176 00:09:51,600 --> 00:09:53,760 Speaker 1: too during the course of her travels through the house 177 00:09:53,800 --> 00:09:57,640 Speaker 1: in the day, and she'll sleep for hours on the shoes. Well, well, 178 00:09:57,679 --> 00:09:59,640 Speaker 1: the next time you took up your shoes in your house, 179 00:10:00,320 --> 00:10:03,120 Speaker 1: do like this meme says, and leave your shoes far apart, 180 00:10:03,520 --> 00:10:05,280 Speaker 1: so if a burglar comes in, they think your big 181 00:10:05,320 --> 00:10:14,120 Speaker 1: a f Yeah, here you go. All right, now we're 182 00:10:14,160 --> 00:10:17,880 Speaker 1: going to get into some of the weird house listener mail, 183 00:10:18,360 --> 00:10:20,400 Speaker 1: and this is delightful because at least a couple of 184 00:10:20,440 --> 00:10:23,360 Speaker 1: them have to do with our discussion of the Alice. 185 00:10:23,880 --> 00:10:26,080 Speaker 1: This first one comes to us from Joe. Joe rides 186 00:10:26,120 --> 00:10:29,120 Speaker 1: then and says the following, Dear Robert and Seth. First 187 00:10:29,160 --> 00:10:33,520 Speaker 1: of all, hearty congratulations to Joe, are Joe on the 188 00:10:33,559 --> 00:10:36,160 Speaker 1: new baby. Best wishes to the family. This is a 189 00:10:36,200 --> 00:10:40,600 Speaker 1: little off tangent, but after seeing the weird puppets in Alice, 190 00:10:41,840 --> 00:10:43,840 Speaker 1: I feel the need to tell you about some other 191 00:10:43,880 --> 00:10:49,040 Speaker 1: weird and maybe awesome puppets, particularly the puppets in Pee Lee, 192 00:10:49,080 --> 00:10:55,200 Speaker 1: a puppet series that started in and hasn't ended yet. Yes, 193 00:10:55,280 --> 00:10:58,520 Speaker 1: you heard that right. The show is still ongoing. There 194 00:10:58,520 --> 00:11:01,960 Speaker 1: are some two thousand, six undred episodes and counting. I 195 00:11:02,000 --> 00:11:05,040 Speaker 1: don't know if this number includes the multiple spinoffs that 196 00:11:05,080 --> 00:11:08,439 Speaker 1: are supposedly set in the same universe that follow different characters, 197 00:11:08,640 --> 00:11:11,240 Speaker 1: but I'm a little afraid to find out. That's even 198 00:11:11,320 --> 00:11:15,040 Speaker 1: longer than The Simpsons because the Simpsons, so that this 199 00:11:15,040 --> 00:11:17,440 Speaker 1: this pre dates the Simpsons and it is still going 200 00:11:17,960 --> 00:11:20,440 Speaker 1: very impressive. Yeah, I mean, it's got to be up 201 00:11:20,440 --> 00:11:24,200 Speaker 1: there for like, the longest puppet show on the air 202 00:11:24,240 --> 00:11:27,480 Speaker 1: in general has to be Yea. They continue. The show 203 00:11:27,520 --> 00:11:31,560 Speaker 1: is produced by pe Lee International Multimedia, Taiwan and in 204 00:11:31,600 --> 00:11:35,440 Speaker 1: my opinion, has some really beautiful puppets. Unfortunately, the main 205 00:11:35,520 --> 00:11:39,719 Speaker 1: series is in Taiwanese hot Keen and the subs are 206 00:11:39,760 --> 00:11:43,160 Speaker 1: in Traditional Chinese, so they're pretty inaccessible to anyone who 207 00:11:43,240 --> 00:11:48,760 Speaker 1: can't read Traditional Chinese. However, the collaboration with Good Smile 208 00:11:49,400 --> 00:11:54,080 Speaker 1: Thunderbolt Fantasy has English subs on YouTube. The show is 209 00:11:54,120 --> 00:12:00,719 Speaker 1: a Chinese C and C series which revolves around cultivation Taoism, 210 00:12:00,920 --> 00:12:06,120 Speaker 1: flying around, super secret manuals and techniques, flashy attacks, big swords, 211 00:12:06,120 --> 00:12:09,920 Speaker 1: and lots of instances of honor being impugned been avenged. 212 00:12:10,480 --> 00:12:13,280 Speaker 1: They also have a YouTube channel and has a ton 213 00:12:13,320 --> 00:12:16,400 Speaker 1: of edits and compilations. They've come a long way since 214 00:12:16,440 --> 00:12:18,520 Speaker 1: the ninety nineties and I hope you get a kick 215 00:12:18,520 --> 00:12:21,800 Speaker 1: out of seeing the difference in cinematics. Thanks for reading. 216 00:12:22,240 --> 00:12:25,560 Speaker 1: These are beautiful. I'm looking at these right now, and 217 00:12:25,640 --> 00:12:29,120 Speaker 1: not only are the like primary figures like like there 218 00:12:29,160 --> 00:12:33,120 Speaker 1: seemed to be some humanoid esque figures, but man that 219 00:12:33,160 --> 00:12:36,440 Speaker 1: I'm seeing some creatures here. Um, Like wow, there's like 220 00:12:36,480 --> 00:12:42,080 Speaker 1: this some giant bear like creature with antlers that is 221 00:12:42,200 --> 00:12:45,200 Speaker 1: so beautiful looking. Yeah. Yeah, I'm glancing at some of 222 00:12:45,240 --> 00:12:48,480 Speaker 1: this footage as well. On an epic sword fight here 223 00:12:49,120 --> 00:12:53,040 Speaker 1: battle on the shores of the Sticks. This is amazing looking. Yeah. 224 00:12:53,040 --> 00:12:55,920 Speaker 1: The one I'm talking about is Demigod the legend begins 225 00:12:56,240 --> 00:12:59,880 Speaker 1: and it looks gorgeous. Yeah. Anyway, thanks for some of 226 00:12:59,920 --> 00:13:10,600 Speaker 1: the into us. Yes, absolutely, all right. Next up we 227 00:13:10,640 --> 00:13:15,079 Speaker 1: have a message from Tantry. They write the following, Hey, guys, 228 00:13:15,440 --> 00:13:17,720 Speaker 1: love the show as always. I wanted to let you 229 00:13:17,760 --> 00:13:21,319 Speaker 1: know about the tarts in Sphank mars Alice. Those are 230 00:13:21,400 --> 00:13:24,520 Speaker 1: poppy seed colatches. Is that you think that's the correct 231 00:13:24,520 --> 00:13:30,000 Speaker 1: pronunciation colches? Yeah? Or co colaches? Yeah, spelled k O 232 00:13:30,320 --> 00:13:32,360 Speaker 1: l A c h e s. Just in case you 233 00:13:32,400 --> 00:13:34,080 Speaker 1: at home were wondering and want to look these up, 234 00:13:34,520 --> 00:13:38,880 Speaker 1: I'll say colaches for now, just going phonetically. Uh. Colaches 235 00:13:38,920 --> 00:13:42,640 Speaker 1: are the most quintessential of all check pastries, and poppy 236 00:13:42,720 --> 00:13:47,199 Speaker 1: seed is the most check filling. Poppy seed. We did 237 00:13:47,240 --> 00:13:50,000 Speaker 1: not say poppy seed, but now now that now that 238 00:13:50,040 --> 00:13:53,559 Speaker 1: we're saying it out loud, I can definitely see poppy seed. 239 00:13:53,679 --> 00:13:56,200 Speaker 1: So that's that's interesting. Thank thank you for for clearing 240 00:13:56,240 --> 00:13:59,959 Speaker 1: up this mystery for us. So continue with the message. 241 00:14:00,280 --> 00:14:03,440 Speaker 1: Sometimes they are topped with strussel, or sometimes like an 242 00:14:03,440 --> 00:14:06,880 Speaker 1: alice with almonds, So there we go, there we go. Yeah, 243 00:14:07,240 --> 00:14:09,800 Speaker 1: we had a big discussion about what these were, if 244 00:14:09,880 --> 00:14:13,440 Speaker 1: they were teeth, whether or not they were just mud 245 00:14:13,440 --> 00:14:17,320 Speaker 1: filled with baby teeth, but no poppy seed with almonds. 246 00:14:18,480 --> 00:14:21,840 Speaker 1: Back to the message. Uh, it's funny that without context 247 00:14:21,880 --> 00:14:25,080 Speaker 1: they do come off looking rather unappetizing in the film, 248 00:14:25,120 --> 00:14:28,640 Speaker 1: particularly in a film where everything edible is made to 249 00:14:28,640 --> 00:14:32,560 Speaker 1: look upsetting, especially since in context they're the only thing 250 00:14:32,600 --> 00:14:35,320 Speaker 1: in the film that seems like it's supposed to be delicious. 251 00:14:35,880 --> 00:14:39,560 Speaker 1: Then they sent us an example image, and you're absolutely correct, 252 00:14:39,680 --> 00:14:42,960 Speaker 1: this looks wonderful. I would absolutely take a bite of this. 253 00:14:43,360 --> 00:14:47,160 Speaker 1: Um yeah, absolutely yeah. Yeah. Well, out of the context 254 00:14:47,320 --> 00:14:52,800 Speaker 1: of Johns funk Myers alice, this looks rather delicious. So um. 255 00:14:52,800 --> 00:14:56,560 Speaker 1: So yeah, I'm I'm glad to to define out exactly 256 00:14:56,600 --> 00:14:59,880 Speaker 1: what this this was supposed to be. And uh, and yes, 257 00:15:00,240 --> 00:15:02,520 Speaker 1: Country makes some some great points to about you. Could 258 00:15:02,560 --> 00:15:05,840 Speaker 1: you could basically put anything, any food item in its 259 00:15:05,880 --> 00:15:08,560 Speaker 1: place in alice, and you would be a little suspicious 260 00:15:08,600 --> 00:15:11,120 Speaker 1: of it. You have only because it might contain thumb 261 00:15:11,120 --> 00:15:15,480 Speaker 1: tax in the context of alice. Yeah yeah, because if 262 00:15:15,560 --> 00:15:18,200 Speaker 1: this uh and as far as I can tell, this 263 00:15:18,240 --> 00:15:20,920 Speaker 1: is one for one exactly what is in this movie. 264 00:15:21,000 --> 00:15:24,480 Speaker 1: I mean, it seems exactly correct. If that's the case. 265 00:15:24,680 --> 00:15:28,400 Speaker 1: It's the only food that is not suspicious in one 266 00:15:28,400 --> 00:15:30,640 Speaker 1: way or another, whether it be the bread with the nails, 267 00:15:30,640 --> 00:15:33,440 Speaker 1: and it's the marmalade with the thumb tax this one 268 00:15:33,520 --> 00:15:36,800 Speaker 1: never appeared to have anything foreign inside it at all. 269 00:15:36,840 --> 00:15:41,320 Speaker 1: It was always food throughout the film. So yeah, yeah, anyway, 270 00:15:41,600 --> 00:15:50,160 Speaker 1: no baby teeth and mud, poppy seeds and almonds. All right, 271 00:15:50,240 --> 00:15:54,080 Speaker 1: here's another weird house cinema message, and this one comes 272 00:15:54,120 --> 00:15:57,000 Speaker 1: to us from Kate. Kate rides in and says, Dear 273 00:15:57,080 --> 00:15:59,960 Speaker 1: Robert and Joe, thank you for all your incredible programming. 274 00:16:00,040 --> 00:16:02,720 Speaker 1: You are my favorite companions for running and you always 275 00:16:02,720 --> 00:16:04,680 Speaker 1: make the time fly by, even on days when I 276 00:16:04,720 --> 00:16:07,480 Speaker 1: don't really want to be slogging up hills. You guys 277 00:16:07,520 --> 00:16:10,440 Speaker 1: do such a wonderful job of science communication. I wanted 278 00:16:10,480 --> 00:16:12,720 Speaker 1: to write in to comment on your discussion with David 279 00:16:12,760 --> 00:16:16,480 Speaker 1: Streepy on The Gate, particularly your comments on the use 280 00:16:16,520 --> 00:16:19,120 Speaker 1: of problematic language in the film and how that might 281 00:16:19,160 --> 00:16:21,800 Speaker 1: impact your choice to watch it with kids. I had 282 00:16:21,800 --> 00:16:26,200 Speaker 1: the experience of showing my kids seven movie Monster Squad. Oh, 283 00:16:26,240 --> 00:16:29,840 Speaker 1: I know exactly where this is going. This I adore 284 00:16:29,920 --> 00:16:32,920 Speaker 1: this movie, and man, there's some hate speech in the 285 00:16:32,920 --> 00:16:35,760 Speaker 1: beginning that makes it real rough. Uh sorry, I haven't 286 00:16:35,760 --> 00:16:38,240 Speaker 1: read this in advance. I'm just reacting in real time. 287 00:16:38,440 --> 00:16:42,400 Speaker 1: Please continue, Rob, No, no, no, that's I'm I've been 288 00:16:42,400 --> 00:16:44,440 Speaker 1: in a weird spot with Monster Squad as well, because 289 00:16:44,480 --> 00:16:48,240 Speaker 1: I fondly remember it from from my childhood. Because the 290 00:16:48,320 --> 00:16:52,040 Speaker 1: monsters are incredible. Yes, it's it's a kid's, you know, 291 00:16:52,520 --> 00:16:54,440 Speaker 1: kick butt kind of a movie, so it has that 292 00:16:54,520 --> 00:16:58,880 Speaker 1: going for it, but I've always been hesitant to revisit it, 293 00:16:58,880 --> 00:17:00,440 Speaker 1: and certainly to view it with my child Now. I 294 00:17:00,480 --> 00:17:04,240 Speaker 1: didn't remember the problematic language, but I remembered the whole 295 00:17:04,840 --> 00:17:08,520 Speaker 1: the plot point about needing a virgin to do something 296 00:17:08,560 --> 00:17:11,119 Speaker 1: to close or open a gate. And even at the 297 00:17:11,160 --> 00:17:14,119 Speaker 1: time as a child, I remember finding this weird and 298 00:17:14,200 --> 00:17:16,720 Speaker 1: had at least had plot holes in it because I'm like, wait, 299 00:17:17,000 --> 00:17:19,520 Speaker 1: they keep saying that, like, Okay, the old man's not 300 00:17:19,600 --> 00:17:21,639 Speaker 1: a virgin, he can't open it. It has to be 301 00:17:21,680 --> 00:17:23,679 Speaker 1: the girl. But then it's like, does that mean that 302 00:17:23,920 --> 00:17:26,879 Speaker 1: all the male children are are no longer virgins in 303 00:17:26,880 --> 00:17:30,040 Speaker 1: this movie, like there's there. I had questions and had 304 00:17:30,040 --> 00:17:32,160 Speaker 1: issues with it, and like I don't I don't want 305 00:17:32,160 --> 00:17:34,240 Speaker 1: to have to explain all this too much of my son. 306 00:17:34,440 --> 00:17:36,879 Speaker 1: And even more so, I would say even more problematic 307 00:17:36,960 --> 00:17:40,159 Speaker 1: than that, because even hocus Pocus goes down that route 308 00:17:40,359 --> 00:17:44,200 Speaker 1: of you know, virgins being necessary for things to work 309 00:17:44,240 --> 00:17:48,520 Speaker 1: with magic spells um. I. My other least favorite part 310 00:17:48,600 --> 00:17:50,919 Speaker 1: about this from just you know, a modern sensibility and 311 00:17:51,400 --> 00:17:52,840 Speaker 1: I'm an adult so I can look at this with 312 00:17:52,880 --> 00:17:56,320 Speaker 1: adult eyes, is there's a lot of peeping on a 313 00:17:56,359 --> 00:17:58,800 Speaker 1: woman while she is not consenting to be peeped upon, 314 00:17:58,960 --> 00:18:02,760 Speaker 1: with photos being taken ever, and stuff not cool, you know, like, 315 00:18:03,160 --> 00:18:05,600 Speaker 1: oh wow, I don't remember that at all from this film. 316 00:18:05,680 --> 00:18:07,439 Speaker 1: It was a different time. I get it, but now 317 00:18:08,080 --> 00:18:10,479 Speaker 1: it was wrong then and it's wrong now. But anyway, 318 00:18:10,480 --> 00:18:12,359 Speaker 1: back back to this message, I I can't wait to 319 00:18:12,359 --> 00:18:15,320 Speaker 1: hear more about the Monster Squad. Okay, Kate continues. What 320 00:18:15,400 --> 00:18:18,200 Speaker 1: I had completely forgotten was the liberal use of hateful 321 00:18:18,240 --> 00:18:21,359 Speaker 1: language early in the film, particularly the use of homophobic 322 00:18:21,440 --> 00:18:24,399 Speaker 1: slurs by the bully characters. It was a huge shock 323 00:18:24,440 --> 00:18:27,600 Speaker 1: while watching, and my kids picked up on my discomfort immediately. 324 00:18:28,160 --> 00:18:30,159 Speaker 1: I would have preferred they not hear that kind of 325 00:18:30,200 --> 00:18:32,800 Speaker 1: hateful language. However, we ended up having a very long 326 00:18:32,840 --> 00:18:35,760 Speaker 1: conversation about words and how some words take on a 327 00:18:35,800 --> 00:18:39,359 Speaker 1: broader and more harmful meaning than mere insults. We also 328 00:18:39,400 --> 00:18:42,239 Speaker 1: talked about how the world I grew up in was 329 00:18:42,400 --> 00:18:44,960 Speaker 1: more open in using those words, but they are still 330 00:18:45,040 --> 00:18:48,040 Speaker 1: wielded as weapons now, and that it does real damage 331 00:18:48,080 --> 00:18:50,920 Speaker 1: to people overall. And it ended up being an opportunity 332 00:18:50,960 --> 00:18:53,480 Speaker 1: to talk with them about these issues and the movie 333 00:18:53,560 --> 00:18:57,000 Speaker 1: provided a context for them to understand. My oldest even 334 00:18:57,080 --> 00:19:00,240 Speaker 1: referenced our Monster Squad discussion when he found my copy 335 00:19:00,240 --> 00:19:02,479 Speaker 1: of Huckleberry Finn and I told him why I had 336 00:19:02,560 --> 00:19:05,320 Speaker 1: very mixed feelings about him reading it. I wanted to 337 00:19:05,320 --> 00:19:08,480 Speaker 1: share my experience for any other parents who might show 338 00:19:08,520 --> 00:19:12,240 Speaker 1: their kids a movie from their eighties childhood and they 339 00:19:12,240 --> 00:19:15,359 Speaker 1: that they did not expect to contain casual hate and 340 00:19:15,440 --> 00:19:18,880 Speaker 1: words they don't want their children to hear. I would 341 00:19:18,880 --> 00:19:21,000 Speaker 1: not have done it on purpose, but it can be 342 00:19:21,080 --> 00:19:23,800 Speaker 1: a chance for a real talk about the power and 343 00:19:23,840 --> 00:19:26,960 Speaker 1: gravity of hateful words. Thanks so much for all you 344 00:19:27,000 --> 00:19:31,480 Speaker 1: guys do. Cheers, Kate. I think that's a wonderful, wonderful sentiment. 345 00:19:31,720 --> 00:19:34,639 Speaker 1: And um, I'm really grateful that you did that with 346 00:19:34,680 --> 00:19:37,760 Speaker 1: your kids. I think communication with children is h an 347 00:19:37,800 --> 00:19:40,760 Speaker 1: overlooked art form, so I really appreciate that you did that. 348 00:19:41,280 --> 00:19:43,399 Speaker 1: And also I do think it also opens up the 349 00:19:43,440 --> 00:19:46,280 Speaker 1: world to a broader place that once a child does 350 00:19:46,520 --> 00:19:49,800 Speaker 1: understand the difference between something that happened in the past 351 00:19:49,800 --> 00:19:52,280 Speaker 1: and something that happened today, not only can can they 352 00:19:52,359 --> 00:19:56,520 Speaker 1: now hopefully enjoy a broader range of entertainments like, for example, 353 00:19:56,520 --> 00:19:58,760 Speaker 1: watching like old Looney Tunes, shorts and stuff like that. 354 00:19:59,119 --> 00:20:01,720 Speaker 1: But but in addition to that, I think it's really 355 00:20:01,720 --> 00:20:05,560 Speaker 1: really helpful for thinking about the things we do today, 356 00:20:05,960 --> 00:20:08,400 Speaker 1: thinking about it from a future perspective and going, hey, 357 00:20:08,440 --> 00:20:11,080 Speaker 1: in the future, what am I doing right now that 358 00:20:11,160 --> 00:20:15,000 Speaker 1: I will probably regret? What words should I stop using? What? 359 00:20:14,840 --> 00:20:18,480 Speaker 1: What what attitudes should I please drop? You know? So, 360 00:20:18,480 --> 00:20:21,240 Speaker 1: so I think that is very valuable, Kate, So, so 361 00:20:21,320 --> 00:20:23,160 Speaker 1: way to go with that. And also I know how 362 00:20:23,160 --> 00:20:26,280 Speaker 1: important it is to find really good um podcast listening 363 00:20:26,280 --> 00:20:28,800 Speaker 1: for jogging, so I'm glad we can provide that for you. 364 00:20:28,920 --> 00:20:31,320 Speaker 1: It's a it's it's it's a balancing act. It's gotta 365 00:20:31,320 --> 00:20:33,280 Speaker 1: be interesting, but it can't be too interesting, you know, 366 00:20:33,320 --> 00:20:36,160 Speaker 1: it's got to be like just right, you know. So, yeah, 367 00:20:36,200 --> 00:20:38,719 Speaker 1: I'm with you. Yeah, yeah, these are all great points. Um. 368 00:20:38,920 --> 00:20:42,080 Speaker 1: I know. Also racial stereotypes or something that also comes 369 00:20:42,119 --> 00:20:44,719 Speaker 1: up in a lot of films from yesteryear and they 370 00:20:44,920 --> 00:20:47,359 Speaker 1: those two will jump out when you least expect them. 371 00:20:47,400 --> 00:20:51,000 Speaker 1: And um and yeah, I have found that to be 372 00:20:51,240 --> 00:20:54,520 Speaker 1: an opportunity for my wife and I discuss those things 373 00:20:54,560 --> 00:20:56,920 Speaker 1: with with our son. Oh and by the way, Kate 374 00:20:57,000 --> 00:21:02,040 Speaker 1: also uh suggested that Joan return to the topic of 375 00:21:02,080 --> 00:21:06,280 Speaker 1: the electric microbe land episode. Apparently there have been some 376 00:21:06,560 --> 00:21:10,040 Speaker 1: some more recent studies that have come out, uh that 377 00:21:10,040 --> 00:21:12,119 Speaker 1: that suggests that there there might be more that we 378 00:21:12,160 --> 00:21:15,320 Speaker 1: need to discuss in the future. So I appreciate that. Obviously, 379 00:21:15,359 --> 00:21:18,800 Speaker 1: anytime you're out there and you you hear of new studies, 380 00:21:18,800 --> 00:21:21,480 Speaker 1: new findings, new angles on things that we've discussed in 381 00:21:21,480 --> 00:21:24,600 Speaker 1: the past on the show that could be explored in 382 00:21:24,640 --> 00:21:27,320 Speaker 1: the future. Yeah, shoot him our way. We we would 383 00:21:27,520 --> 00:21:35,160 Speaker 1: We would love to hear from you. Absolutely. We've got 384 00:21:35,160 --> 00:21:38,760 Speaker 1: one more message. This is from Adam says, hey, y'all, 385 00:21:39,119 --> 00:21:42,080 Speaker 1: quick suggestion on some films that I've seen on the 386 00:21:42,200 --> 00:21:47,320 Speaker 1: mission channel on my videos TVs watch free app. I 387 00:21:47,359 --> 00:21:48,800 Speaker 1: don't think I know what that is? Do you do? 388 00:21:48,840 --> 00:21:51,280 Speaker 1: You know what a mission channel is? This my my 389 00:21:51,880 --> 00:21:55,639 Speaker 1: so my understanding, mostly from being in like Airbnb houses, 390 00:21:56,080 --> 00:21:58,360 Speaker 1: is that some of these modern TVs have like their 391 00:21:58,400 --> 00:22:00,440 Speaker 1: own little you know, they had a little apps for 392 00:22:00,480 --> 00:22:04,800 Speaker 1: the different viewing uh services, and some of them have. 393 00:22:04,960 --> 00:22:06,640 Speaker 1: It seems like there are a number of different services 394 00:22:06,680 --> 00:22:10,439 Speaker 1: that maybe have more or less the same assortment of 395 00:22:10,520 --> 00:22:13,320 Speaker 1: films that they offer up for I think usually quote 396 00:22:13,359 --> 00:22:17,400 Speaker 1: unquote free, so it's usually advertising supported. I get that. Yeah, yeah, 397 00:22:17,400 --> 00:22:19,359 Speaker 1: my my TV has something like that, just like that, 398 00:22:19,440 --> 00:22:22,240 Speaker 1: like a random movie channel that forces itself on me 399 00:22:22,280 --> 00:22:26,440 Speaker 1: as often as it can. It's almost always showing Father Goose. Okay, okay, 400 00:22:26,440 --> 00:22:29,720 Speaker 1: I got that. So so um from Adam, these are 401 00:22:29,720 --> 00:22:34,200 Speaker 1: the suggestions that Adam is is making black Star uh 402 00:22:34,280 --> 00:22:36,960 Speaker 1: Saturn three, and if I remember correctly, Adam also wrote 403 00:22:36,960 --> 00:22:40,040 Speaker 1: in it suggested Ice Pirates a while ago and uh. 404 00:22:40,320 --> 00:22:44,400 Speaker 1: Adam ends with I'll probably return with more. So yeah, yeah, 405 00:22:44,760 --> 00:22:48,680 Speaker 1: I don't know what black Star film they're referring to here. Um, 406 00:22:48,680 --> 00:22:50,800 Speaker 1: I know there's like black Star in the Golden Bat 407 00:22:50,840 --> 00:22:55,280 Speaker 1: from nine. Uh, there's some other films that have the 408 00:22:55,280 --> 00:22:59,119 Speaker 1: the title black Star, but I'm not sure what this 409 00:22:59,200 --> 00:23:01,880 Speaker 1: is a reference to. One thing I love and thank 410 00:23:01,920 --> 00:23:04,400 Speaker 1: you Adam for writing in with these suggestions. I mean, 411 00:23:04,760 --> 00:23:07,960 Speaker 1: one thing I love about weird house cinema is how 412 00:23:08,160 --> 00:23:11,000 Speaker 1: easy it is to find movies to do in weird 413 00:23:11,040 --> 00:23:15,400 Speaker 1: house Cinema. Like it's just it's just a never ending list, Like, um, 414 00:23:15,640 --> 00:23:18,240 Speaker 1: should we kind of spill the beans a bit about 415 00:23:18,240 --> 00:23:21,040 Speaker 1: the next episode that we're doing, would you hear that? Yeah? 416 00:23:21,119 --> 00:23:23,159 Speaker 1: Absolutely gives people a chance to watch ahead time at 417 00:23:23,200 --> 00:23:25,439 Speaker 1: the one. Yeah. So so, so this is for this 418 00:23:25,520 --> 00:23:28,919 Speaker 1: upcoming Friday, I will be the co host again. And 419 00:23:29,200 --> 00:23:31,159 Speaker 1: Rob was saying to me, Hey, I'm kind in the 420 00:23:31,200 --> 00:23:36,680 Speaker 1: mood for like a seventies eighties fantasy science fiction, e 421 00:23:36,920 --> 00:23:39,880 Speaker 1: kind of animated film. Since since Rob knows my background 422 00:23:39,880 --> 00:23:42,920 Speaker 1: and love for animation, then you know, I'm like, oh, 423 00:23:42,960 --> 00:23:46,560 Speaker 1: I'll happily oblige with that. So I sent four examples 424 00:23:46,720 --> 00:23:49,800 Speaker 1: in and uh, one of them is is this wonderful, 425 00:23:49,880 --> 00:23:53,159 Speaker 1: wonderful film from Eastern Europe called The Treasure Planets, not 426 00:23:53,200 --> 00:23:56,119 Speaker 1: the Disney one. This one's from two It's called the 427 00:23:56,240 --> 00:23:58,959 Speaker 1: Treasure Planets so good. You can find the whole thing 428 00:23:58,960 --> 00:24:02,640 Speaker 1: on YouTube very easily. Um, if y'all didn't know Brian 429 00:24:02,760 --> 00:24:06,080 Speaker 1: Cranston before he was famous, used to use a fake 430 00:24:06,200 --> 00:24:09,760 Speaker 1: name and just make money by doing um anime voiceovers 431 00:24:09,800 --> 00:24:12,520 Speaker 1: and and just various dubbing. He is the star of 432 00:24:12,600 --> 00:24:15,399 Speaker 1: this film, a very young Brian Cranston's that's a lot 433 00:24:15,440 --> 00:24:17,359 Speaker 1: of fun but also just some of the greatest animation. 434 00:24:18,040 --> 00:24:22,119 Speaker 1: I also brought up UM the v one filmed The Point, 435 00:24:22,560 --> 00:24:26,000 Speaker 1: which is great. It stars Bobby Brady from The Brady 436 00:24:26,040 --> 00:24:31,480 Speaker 1: Bunch and Ringo Star and it's made by um Fred Wolfe, 437 00:24:31,680 --> 00:24:36,359 Speaker 1: the guy that made that UM one to who three 438 00:24:36,440 --> 00:24:40,800 Speaker 1: roll Pop commercial in addition to being instrumental in the 439 00:24:40,840 --> 00:24:43,920 Speaker 1: creation of the studio that brought us The Ninja Turtle's 440 00:24:43,920 --> 00:24:48,440 Speaker 1: animated series. And then another option that I really hope 441 00:24:48,440 --> 00:24:53,280 Speaker 1: you do someday. It's high fantasy Santa Claus mythology from L. 442 00:24:53,359 --> 00:24:56,960 Speaker 1: Frank Baum called The Life and Adventures of Santa Claus. 443 00:24:57,480 --> 00:25:02,040 Speaker 1: It's a stop motion extravaganza. Uh, it is so strange. 444 00:25:02,160 --> 00:25:06,320 Speaker 1: It's all about basically a demigod finding this abandoned baby, 445 00:25:06,600 --> 00:25:08,560 Speaker 1: and so all the gods need to come together and 446 00:25:08,600 --> 00:25:10,600 Speaker 1: have a meeting about whether or not they can turn 447 00:25:10,840 --> 00:25:13,639 Speaker 1: Santa Claus immortal, whether or not that's allowed based on 448 00:25:13,680 --> 00:25:16,399 Speaker 1: the tasks that this human Santa Claus has done in 449 00:25:16,440 --> 00:25:19,639 Speaker 1: its life. And it's it's a trip, it's ranking bass, 450 00:25:19,640 --> 00:25:23,040 Speaker 1: it's stop motion, it's beautiful. But then the one we 451 00:25:23,119 --> 00:25:26,920 Speaker 1: settled on because coincidentally, other than my suggesting it, you 452 00:25:27,000 --> 00:25:29,040 Speaker 1: told me you had just looked up the trailer recently. 453 00:25:29,720 --> 00:25:33,359 Speaker 1: It's it's another ranking bass to the animated The Flight 454 00:25:33,520 --> 00:25:37,080 Speaker 1: of Dragons that will be this Friday's movie. Yes, I 455 00:25:37,119 --> 00:25:39,600 Speaker 1: am excited to talk about this one. I watched it 456 00:25:39,640 --> 00:25:42,280 Speaker 1: the other evening with my son, and yeah, we both 457 00:25:42,280 --> 00:25:43,879 Speaker 1: really enjoyed it. I thought it thought it held up 458 00:25:43,920 --> 00:25:49,359 Speaker 1: really well. It's message is ultimately just as important today 459 00:25:49,760 --> 00:25:52,199 Speaker 1: as it as it was back then. So it'll be 460 00:25:52,200 --> 00:25:54,960 Speaker 1: a fun one to discuss. And it is. It's it's 461 00:25:55,040 --> 00:25:57,040 Speaker 1: it's easy to find. You can. I think we ended 462 00:25:57,080 --> 00:25:59,399 Speaker 1: up doing a digital rental on it. So if you 463 00:25:59,440 --> 00:26:02,920 Speaker 1: want to be the right there at the cutting edge 464 00:26:02,960 --> 00:26:05,520 Speaker 1: as we published this episode, then you can you can 465 00:26:05,560 --> 00:26:06,960 Speaker 1: watch ahead of time. Man, you should be able to 466 00:26:07,000 --> 00:26:09,399 Speaker 1: find it anywhere you get your digital movies and if 467 00:26:09,400 --> 00:26:12,320 Speaker 1: you're a physical media person, I know I bought my 468 00:26:12,440 --> 00:26:16,320 Speaker 1: DVD off of the Warner Archives collection. Have you ever 469 00:26:16,320 --> 00:26:20,040 Speaker 1: bought anything for the Warner Archives before, Rob, I don't think. 470 00:26:20,080 --> 00:26:22,600 Speaker 1: I think I may have rented something that was part 471 00:26:22,640 --> 00:26:25,919 Speaker 1: of that that collections. It's so cool what the Warner 472 00:26:25,960 --> 00:26:29,160 Speaker 1: Brothers does this thing where basically, um, they haven't obviously, 473 00:26:29,160 --> 00:26:31,720 Speaker 1: Warner Brothers has an enormous back catalog, not only with 474 00:26:31,760 --> 00:26:33,920 Speaker 1: the movies that they own, but a bunch of movies 475 00:26:34,000 --> 00:26:36,000 Speaker 1: that you know, they've bought a company and now they 476 00:26:36,040 --> 00:26:38,240 Speaker 1: own that whole catalog as well. Like think about like 477 00:26:38,280 --> 00:26:40,200 Speaker 1: you know, the whole hand of bar Bearer back catalog 478 00:26:40,240 --> 00:26:43,440 Speaker 1: stuff like that. So what they'll do is for all 479 00:26:43,520 --> 00:26:47,040 Speaker 1: of the properties that are kind of popular but not 480 00:26:47,200 --> 00:26:50,000 Speaker 1: popular enough for them to print five thousand copies of 481 00:26:50,400 --> 00:26:52,560 Speaker 1: what they'll do is they'll just have it on demand. 482 00:26:52,800 --> 00:26:55,480 Speaker 1: You can order one copy, they'll burn it for you, 483 00:26:55,640 --> 00:26:58,280 Speaker 1: put it in like a printer, you know, a piece 484 00:26:58,320 --> 00:27:00,359 Speaker 1: of paper in like a plastic box in to ship 485 00:27:00,359 --> 00:27:04,120 Speaker 1: it to you. It's it's like the cheapest, flimsiest physical 486 00:27:04,119 --> 00:27:07,119 Speaker 1: media you can buy, but you can buy it, and 487 00:27:07,160 --> 00:27:09,200 Speaker 1: that's the important part. And that's how I got the 488 00:27:09,480 --> 00:27:12,439 Speaker 1: Flight of Dragons. Oh wow. Yeah, as far as I know, 489 00:27:12,520 --> 00:27:16,280 Speaker 1: that's not one that has had a like robust physical release, 490 00:27:16,359 --> 00:27:19,240 Speaker 1: but but but it deserves one. Yeah, it's it's it's 491 00:27:19,240 --> 00:27:22,120 Speaker 1: a great one and I recommend people watch it and 492 00:27:22,320 --> 00:27:26,520 Speaker 1: we'll be talking more about it this Friday. Absolutely. All right, Well, 493 00:27:26,520 --> 00:27:29,000 Speaker 1: we're gonna go ahead and close it out there, but 494 00:27:29,160 --> 00:27:31,840 Speaker 1: keep the listener mail coming. If you have any any 495 00:27:31,880 --> 00:27:36,160 Speaker 1: thoughts about the episodes that have published recently, thoughts about 496 00:27:36,160 --> 00:27:40,560 Speaker 1: episodes that should publish in the future. Everything's fair game. Uh, 497 00:27:40,680 --> 00:27:43,400 Speaker 1: let's see what's going on. What have you got going 498 00:27:43,400 --> 00:27:47,200 Speaker 1: on with Rusty Needles Record Club. Let's see here. Um, 499 00:27:47,240 --> 00:27:51,280 Speaker 1: we just wrapped up a month of requests and I 500 00:27:51,320 --> 00:27:54,960 Speaker 1: believe by the time this episode comes out, we may 501 00:27:55,000 --> 00:28:01,159 Speaker 1: be just starting our full December of holiday albums. So yeah, 502 00:28:01,200 --> 00:28:02,399 Speaker 1: I guess I'll say it. In case of no one, 503 00:28:02,440 --> 00:28:05,080 Speaker 1: no one's heard, I host a podcast called Rusty Needles 504 00:28:05,080 --> 00:28:08,399 Speaker 1: Record Club. Find it wherever you find podcasts. You know 505 00:28:08,520 --> 00:28:10,840 Speaker 1: it's um, it's a book club, but for music instead, 506 00:28:10,880 --> 00:28:13,040 Speaker 1: that's what we say. And if you're just looking for 507 00:28:13,359 --> 00:28:16,920 Speaker 1: some good music conversation or some good music recommendations hop 508 00:28:16,960 --> 00:28:19,320 Speaker 1: on by we'd love to have you all right, and 509 00:28:19,520 --> 00:28:21,960 Speaker 1: remindered everyone that listener mail publishes in the Stuff to 510 00:28:21,960 --> 00:28:24,679 Speaker 1: Blow Your Mind podcast feed every Monday, Core episodes on 511 00:28:24,680 --> 00:28:28,040 Speaker 1: Tuesdays and Thursday, Short Form Artifact or Monster Fact on Wednesdays, 512 00:28:28,080 --> 00:28:31,800 Speaker 1: and on Friday's Weird House Cinema. Thanks again to Seth 513 00:28:31,960 --> 00:28:35,400 Speaker 1: for producing the show and of course co hosting this episode. 514 00:28:35,840 --> 00:28:37,440 Speaker 1: Uh and if you want to get in touch with us, well, 515 00:28:37,480 --> 00:28:39,720 Speaker 1: just email us at contact at stuff to blow your 516 00:28:39,760 --> 00:28:49,200 Speaker 1: Mind dot com. Stuff to Blow Your Mind is a 517 00:28:49,240 --> 00:28:51,880 Speaker 1: production of I Heart Radio. For more podcasts for my 518 00:28:51,920 --> 00:28:54,880 Speaker 1: heart Radio, visit the i heart Radio app, Apple Podcasts, 519 00:28:54,960 --> 00:28:56,760 Speaker 1: or wherever you listen to your favorite shows.