WEBVTT - Episode 255 w/ Cam’ron

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<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

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<v Speaker 1>and I Heart Radio and it Drink Chat mothering podcast.

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<v Speaker 1>He's a legendary Queen's rappers. He segre's your boy here,

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<v Speaker 1>no r He's a Miami hippopon is d j e fn.

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<v Speaker 1>Together they drinking up with some of the biggest players

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<v Speaker 1>in the most professional unprofessional podcast and yet number one

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<v Speaker 1>sorts for Drunk mother is New year' z just for

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<v Speaker 1>Drinking Champs. Trink Up? Would it good? Be? Hopefully should be?

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<v Speaker 1>To see your boy? And what up? Is d J

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<v Speaker 1>e F And it's just drink Chats, motherfucking y'all? Ya

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<v Speaker 1>makes up now right now? When I tell you this

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<v Speaker 1>is probably the most requested guests in Drink Champ's history.

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<v Speaker 1>The man is one of the most efficient hustlers in

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<v Speaker 1>this game. When I first met this brother, they were

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<v Speaker 1>doing card whales and he had everybody grown to ask

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<v Speaker 1>people from the record labor card whales. I wanted to

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<v Speaker 1>see men not looking an Olympic gym or some ship semn.

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<v Speaker 1>His brother is influential. If he says we're pink, thank god,

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<v Speaker 1>damn it, motherfucker's this gonna were pink he's put on

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<v Speaker 1>people ilustrious career, made one of the illest movies on

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<v Speaker 1>his own and major and independent. He's still out here.

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<v Speaker 1>It's fucking his NIAVL right now. I love it. I

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<v Speaker 1>think that same y'all. My name. You know what I'm saying,

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<v Speaker 1>different nationalities to change the neighbor but keep sucking the

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<v Speaker 1>neighbor man. This man, like I said, it's influential. He's

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<v Speaker 1>put on other people that likes Jim Jones, Juel Santana,

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<v Speaker 1>you know, Freaky Zeki. These guys have changed the world

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<v Speaker 1>with when when dip set ran Ship New York was

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<v Speaker 1>New York mixtape, game Over came over, took over the rock.

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<v Speaker 1>We're gonna ask about all that Biggie Smalls I spoke

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<v Speaker 1>to the other day. He said, Biggie, that's one of

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<v Speaker 1>the biggest last request was to make sure Cameron gets

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<v Speaker 1>a deal. So in case y'all don't understand who the

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<v Speaker 1>hell I'm introducing, we did introducing killer motherfucking camera. Let

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<v Speaker 1>me sprek some creed man out real, spreate some creed

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<v Speaker 1>and there you know what I'm saying, kill the motherfucking

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<v Speaker 1>I can't tell you how proud I am to get

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<v Speaker 1>you listen, I'm gonna be honest. Your fans and our

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<v Speaker 1>fans are out niggas, like I can't even take a

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<v Speaker 1>mess with you. As soon as I take a person,

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<v Speaker 1>we're there chests stretch. So me and you spoke the

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<v Speaker 1>other day. I think he was having lunch. I think

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<v Speaker 1>when we said and you said, yo, man said, Duke

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<v Speaker 1>told me wait for the culture. That my saying I

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<v Speaker 1>need to do it for the coaching man in my

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<v Speaker 1>comments and all that, so ip people can make out

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<v Speaker 1>make you this is this is all right? When when

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<v Speaker 1>everybody's top five, when you when when the person speaks

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<v Speaker 1>about a person's top five and big just as repeatedly

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<v Speaker 1>a part of that conversation, and when you know that

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<v Speaker 1>that was big. One of the biggest last requests was

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<v Speaker 1>to make sure that you gotta do because you wrote

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<v Speaker 1>crush on you for the Little Seeds part, not a

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<v Speaker 1>Little Kim part. Like if you listen to the album

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<v Speaker 1>version Little Seasons by something, I guess they couldn't get

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<v Speaker 1>Little Kim in the studio whatever you gotta ask on that,

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<v Speaker 1>but for a Little Seas part, yeall wrote that, So

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<v Speaker 1>how is that like, um, you got the call from

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<v Speaker 1>now what happened is they wanted to makes the right

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<v Speaker 1>like six songs for Kim or Sees or whoever. So

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<v Speaker 1>they paid him thirty thousand for like five songs and

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<v Speaker 1>he gave me five thousand for one of them and

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<v Speaker 1>crushed on you was to joint. So uh, Mace learned

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<v Speaker 1>it when and then did it after when when it

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<v Speaker 1>came out went platinum. Then I was like, I did it.

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<v Speaker 1>I'm one of my shot. That's how that went. But

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<v Speaker 1>they paid Mace to write some songs for him, and

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<v Speaker 1>Mace came to me to get it. So let me

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<v Speaker 1>ask you. I noticed is like pushing the story farther along.

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<v Speaker 1>But Big all of a sudden dies because Big you

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<v Speaker 1>met Big? Yeah, and so what what what was that exchange? Like, Um,

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<v Speaker 1>Mace took me the Bigg's house because I guess Big

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<v Speaker 1>was looking for artists. Uh. I got to his crib.

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<v Speaker 1>He had two bitches. His leg was broke. I think

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<v Speaker 1>he's in the car so that he had two bitches

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<v Speaker 1>in the bed and he was like a Biggie rhyme.

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<v Speaker 1>Yeah yeah he was. He just was like yello, man.

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<v Speaker 1>He wanted to say another kid that makes both them

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<v Speaker 1>and Mace was like Nae Kim is to do cam

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<v Speaker 1>really got it kind of yeah, yeah, definitely. So he

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<v Speaker 1>uh he put on like fifteen beats are beat. He

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<v Speaker 1>put on our rap to it. I used to have

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<v Speaker 1>mad wraps in my pocket, written wraps, no phone wraps, like,

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<v Speaker 1>so I just wrapped every beat and he's like that

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<v Speaker 1>said enough, I want to sign you. Then he called um.

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<v Speaker 1>I was like, bet, let's do the deal. So then

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<v Speaker 1>he passed away and they happened to be shooting. They

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<v Speaker 1>always love big popa video and harm because that was

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<v Speaker 1>my question because back in the days, if someone passed

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<v Speaker 1>a win, like you know, we didn't have like communication

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<v Speaker 1>like how we we didn't have Instagram, So how had

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<v Speaker 1>he passed away? How did you get Um? Yeah, I

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<v Speaker 1>see harm it. Always loved big paper video shoot and

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<v Speaker 1>I stepped to him. I'm like, yo, I'm gonna do

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<v Speaker 1>a big one to sign that. He's like, now I'm

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<v Speaker 1>in the middle of a finish up a deal with

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<v Speaker 1>Epic and as soon as I do, I'm gonna give

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<v Speaker 1>you the deal. And that's how it went. Just like that,

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<v Speaker 1>just ran down on him like what are we doing?

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<v Speaker 1>Oh god, damn god, damn. Miss some lost to that

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<v Speaker 1>I think one of the verses that you kicked the

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<v Speaker 1>verse for one of my old you haven't set up

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<v Speaker 1>and I brought the free style. You told me that

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<v Speaker 1>this was a verse you kicked forbid. Ok I don't

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<v Speaker 1>know if I told you that. Yeah, you do the

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<v Speaker 1>free stuff for Okay, I'm I can't. I can't say

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<v Speaker 1>about our roles do with you. I can get your

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<v Speaker 1>own bottom. Thank you enough. Okay, this is killer kid.

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<v Speaker 1>I've been a lot of money with a lot of

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<v Speaker 1>thugs and a lot of drugs. You know what I'm saying.

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<v Speaker 1>I might start the ship out with one of your

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<v Speaker 1>bitch as the biggest party for stunning I'm saying, but

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<v Speaker 1>right now with my day a e f hes about

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<v Speaker 1>to play something exclusive ship, So back the funk about

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<v Speaker 1>our face if you ain't talking about no cheesecakes ship.

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<v Speaker 1>She wanted to check the City Chian. That kid is

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<v Speaker 1>latest man's obligation fixing conturation cat sack. Strangely, those he

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<v Speaker 1>changed bes paid my old team more so they could

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<v Speaker 1>play at b frame me inside the Blue three used

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<v Speaker 1>me with two keys, blue Chi and movie and me

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<v Speaker 1>playing group be who cheats The two bees even got

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<v Speaker 1>the coat that I trist in my Lucy. Got to

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<v Speaker 1>make arrangements. Before arrangements, say what's to say to say?

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<v Speaker 1>What's I cave it? But they's repentance before the sentence.

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<v Speaker 1>Just got to catch that girl that I was friends with.

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<v Speaker 1>It seems she was even my key from the visas

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<v Speaker 1>flight twenty three easton because the region her day was

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<v Speaker 1>Nat took a cab straight to Ltwaia cour at the

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<v Speaker 1>checking body killing. I don't remember. I don't even remember that.

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<v Speaker 1>You don't remember it, Na, I ain't gone. I'll be

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<v Speaker 1>listening to this ship like that. Remember, No, No, I

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<v Speaker 1>don't remember. Was too good that perfectly? One take? What

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<v Speaker 1>a big house? No know what I'm saying when it?

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<v Speaker 1>Oh yeah, yeah, I'll be on that like that. Yeah,

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<v Speaker 1>one take boys, man, So let's get to twenty nine.

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<v Speaker 1>See and what the fun is going on with tway

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<v Speaker 1>nine s she's just stalking up with you? How to

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<v Speaker 1>like the stalking nothing? I mean, let's and man, it's

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<v Speaker 1>it's all. It's all proof case shit go left. You

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<v Speaker 1>gotta tape all that ship. You never know when it Mike.

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<v Speaker 1>First of all, it's in the complexion for the connections

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<v Speaker 1>on her side, so you never know when she's gonna

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<v Speaker 1>go right or wrong. But you know, I'm single. I'm

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<v Speaker 1>having fun. That's what's about. But this is what I got,

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<v Speaker 1>so I gotta get in your business bad. First, What

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<v Speaker 1>was the first? What was part one? I didn't see

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<v Speaker 1>part one. I've seen part DM me. She DM me.

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<v Speaker 1>It was in my d M s and she was

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<v Speaker 1>taping me from a terrorists. So when she was taping me,

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<v Speaker 1>I just posted it because she's like, she went out

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<v Speaker 1>of my black baby, So I thought that was funny.

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<v Speaker 1>I think that's funny too. Yeah, I thought that was funny.

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<v Speaker 1>And after that, you know you're staying up building by

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<v Speaker 1>the beach. We went to the beacht and like and

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<v Speaker 1>I'm not trying. You know, it's a lot of slot

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<v Speaker 1>niggers in here, so I want to be too much info,

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<v Speaker 1>but I'm not really in there. Like love, I'll beat

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<v Speaker 1>bitches up when I have secions, not bad because they

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<v Speaker 1>know that they got to want it. They want that,

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<v Speaker 1>so I'm really aggressive. That was part three. Then part four.

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<v Speaker 1>I don't feel like I'm obligating because I'm not in

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<v Speaker 1>a relationship, and you know that's where we are right now.

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<v Speaker 1>And then part five, Um, I've seen you in two g's.

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<v Speaker 1>What was your last night? Yeah? Yeah, we us a

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<v Speaker 1>full lot of them. No, he's in Brown County. Wasn't

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<v Speaker 1>all the way in for a lot of them, but yeah, playhouse,

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<v Speaker 1>playhouse to see the spots I go to like that.

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<v Speaker 1>But we's in we us in Brodwood County. We's having fun.

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<v Speaker 1>I got a little fun last night. We had a

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<v Speaker 1>great time last night. Actually, so let me ask you

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<v Speaker 1>to Twain nine ce pump or you pulled up what

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<v Speaker 1>Twain was in there? She was in there. I don't

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<v Speaker 1>know if it was random or what. If she spoted

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<v Speaker 1>followed the call, what happened. But we had a good

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<v Speaker 1>time last night. We're on good terms right now. We're

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<v Speaker 1>in great terms. She was running down you at one point.

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<v Speaker 1>This is why I don't say that's been going on?

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<v Speaker 1>What's been going on? Eight this morning? That's when this

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<v Speaker 1>eight this morning? Yo? Yo, you can't do this show.

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<v Speaker 1>You can't do this. No, no, no, no no, I'm

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<v Speaker 1>I'm gonna I'm gonna call security. Yo. I'm going to

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<v Speaker 1>to call I'm going to call security, yo. Yo. Yo.

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<v Speaker 1>Why first of all, why are you calling me and

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<v Speaker 1>you're outside the door, Yo? Yo, fruit, that's crazy. I'm like,

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<v Speaker 1>I gotta do this all that. Oh but that's this

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<v Speaker 1>and I'm talking about right here. Nope, nope, okay, I'm

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<v Speaker 1>getting to order protection. Yo, I'm telling you that I'm

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<v Speaker 1>getting to order. Yeah that was one day. I'll take that.

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<v Speaker 1>I got more footage of that, but no, she just

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<v Speaker 1>gonna get living than that. Man, still get living than that. Okay,

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<v Speaker 1>So moving around. Remember the first time me and you,

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<v Speaker 1>matt Um, I remember the first time I've seen you.

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<v Speaker 1>I don't think we actually met. I was telling you know,

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<v Speaker 1>we're talking up a day and I was like, yo,

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<v Speaker 1>first time I seen you, I believe it was in

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<v Speaker 1>D and D studios and you were just mad, hyperactive.

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<v Speaker 1>When I elevated something like yo, left practice high right

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<v Speaker 1>going crazy and I'm like I'm on the elevator, like, yo,

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<v Speaker 1>what's doing because I don't really know what left racktill

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<v Speaker 1>and I'm like this dude's crazy, Like Yo, what's your name?

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<v Speaker 1>I'm like kid and he's like I'm Noriega and I'm

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<v Speaker 1>like it's good to meet you. Man. So I don't

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<v Speaker 1>know if that was like a formal introduction, but I

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<v Speaker 1>remember remember with that, but our formal real first time

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<v Speaker 1>like chilling was the clue tech. Okay, now I remember

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<v Speaker 1>that clearly a hundred percent, definitely that was a great

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<v Speaker 1>That was a great great I was legend Derry. I

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<v Speaker 1>remember that. Yeah, that was a great. Such that was

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<v Speaker 1>That was like our first introduction because I believe you'll

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<v Speaker 1>was supposed to do the clue tape and we were

0:12:06.160 --> 0:12:09.000
<v Speaker 1>supposed to do clue tape. And I think we either

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<v Speaker 1>came early or came late. That y'all a must have

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<v Speaker 1>came late. And who he was, I don't no bones

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<v Speaker 1>in jail. It was me and Trash was supposed to

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<v Speaker 1>do it. Emm wasn't really a rapper. And that's why

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<v Speaker 1>if you noticed, Mace caused him almany thug on the

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<v Speaker 1>on the joint, he doesn't say Emon thug because we

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<v Speaker 1>didn't he didn't really know his name. And the crazy

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<v Speaker 1>ship is, if you really listened to the freestyle, Trash

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<v Speaker 1>didn't know. He thought that they were the locks. So

0:12:35.480 --> 0:12:37.560
<v Speaker 1>he says that the andiges pick up to the locks.

0:12:37.640 --> 0:12:42.360
<v Speaker 1>It's like, this is a mess, Like well, I think

0:12:42.400 --> 0:12:45.560
<v Speaker 1>we didn't know each other, and then the stardom came

0:12:45.679 --> 0:12:49.240
<v Speaker 1>like this, this is the first freestyle and um, that's

0:12:49.280 --> 0:12:51.800
<v Speaker 1>it stuck to New York. Up. Ye, that's a fact. Clue.

0:12:52.360 --> 0:12:53.679
<v Speaker 1>You know, it was a lot of mixed tapes you

0:12:53.720 --> 0:12:58.160
<v Speaker 1>have rawn g s. But when Clue started doing them tapes,

0:12:58.679 --> 0:13:00.719
<v Speaker 1>you know, it was a big deal to be on

0:13:00.880 --> 0:13:04.520
<v Speaker 1>his tape. I remember listening to like Naas and Jungle

0:13:04.760 --> 0:13:06.959
<v Speaker 1>and jay Z and Source Money and a bunch of

0:13:07.000 --> 0:13:09.760
<v Speaker 1>different people. So to get on Clue save, you have

0:13:09.880 --> 0:13:12.240
<v Speaker 1>to take advantage of that situation, you know what I'm saying.

0:13:12.360 --> 0:13:14.559
<v Speaker 1>So we already knew what he was going there to do,

0:13:14.679 --> 0:13:18.040
<v Speaker 1>no matter who is there, it didn't matter if fucking

0:13:18.440 --> 0:13:20.120
<v Speaker 1>the best rapp in the world, then we knew what

0:13:20.200 --> 0:13:21.920
<v Speaker 1>we was coming to do. And y'all killed it too.

0:13:22.240 --> 0:13:26.440
<v Speaker 1>But that was our first introduction. And um, I believe

0:13:26.480 --> 0:13:29.040
<v Speaker 1>our relationships started from live. But moving on, I was

0:13:29.120 --> 0:13:31.240
<v Speaker 1>watching because when I do these interviews, I like to

0:13:31.320 --> 0:13:33.520
<v Speaker 1>go and do my little research. So one thing that

0:13:33.559 --> 0:13:36.120
<v Speaker 1>I noticed for the past couple of years in your

0:13:36.160 --> 0:13:38.719
<v Speaker 1>performance and your performance, you don't do none of your

0:13:38.720 --> 0:13:41.520
<v Speaker 1>old ship. You don't do like horse and carriage or

0:13:41.679 --> 0:13:43.199
<v Speaker 1>what mean the world are you? And stuff like that?

0:13:43.480 --> 0:13:45.320
<v Speaker 1>Is there a reason for that? I'll do what mean

0:13:45.400 --> 0:13:47.280
<v Speaker 1>the world are you I really want to do horse

0:13:47.320 --> 0:13:50.319
<v Speaker 1>And because like even though the album was dope, everybody

0:13:50.440 --> 0:13:52.880
<v Speaker 1>likes Confessions of Fire, it's not a hundred percent mine.

0:13:53.400 --> 0:13:56.920
<v Speaker 1>Like I wrote everything and you know, did everything, but

0:13:57.400 --> 0:13:58.880
<v Speaker 1>had a lot of say on that. You know what

0:13:58.920 --> 0:14:02.880
<v Speaker 1>I'm saying, like a creative dude, and I'm a creative dude.

0:14:02.960 --> 0:14:04.720
<v Speaker 1>But if you're want the car, it's only one stand

0:14:04.760 --> 0:14:07.600
<v Speaker 1>where only one person could drive. So we class heads

0:14:07.640 --> 0:14:09.640
<v Speaker 1>a lot, and not in a bad way, just creatively.

0:14:09.720 --> 0:14:12.120
<v Speaker 1>But you gotta realize from the point of view, I

0:14:12.200 --> 0:14:16.079
<v Speaker 1>saw my deal in September seven something like that, nine

0:14:16.440 --> 0:14:21.400
<v Speaker 1>November whenever. But Biggie died in March, so they lived

0:14:21.440 --> 0:14:24.280
<v Speaker 1>with Big. That's the man. Everything I did I compared

0:14:24.320 --> 0:14:27.080
<v Speaker 1>to Big, like, yo, Big, what it did? It Like

0:14:27.160 --> 0:14:28.960
<v Speaker 1>this is a big thing like that because that was

0:14:29.040 --> 0:14:31.480
<v Speaker 1>his crew. And I'm like, I'm not from Brooklyn, I'm

0:14:31.520 --> 0:14:33.720
<v Speaker 1>not Big. It's only one Big, you know. You gotta

0:14:33.760 --> 0:14:35.920
<v Speaker 1>let me beat myself. So a lot of that Confessor

0:14:36.000 --> 0:14:38.800
<v Speaker 1>is a fire album. It was clashing and I don't

0:14:38.800 --> 0:14:40.600
<v Speaker 1>really listen to that ship that much. A lot of

0:14:40.640 --> 0:14:43.000
<v Speaker 1>people love it, but I don't really. It's not me.

0:14:43.280 --> 0:14:46.080
<v Speaker 1>So when you start getting the s d E. Come

0:14:46.120 --> 0:14:49.960
<v Speaker 1>home with Me, diplomat ship rockets. Yeah, all that ship

0:14:50.240 --> 0:14:52.920
<v Speaker 1>is mine. That's what I did the first album. It

0:14:53.080 --> 0:14:56.080
<v Speaker 1>was like collaboration and I'm not saying it's bad, but

0:14:56.720 --> 0:15:00.560
<v Speaker 1>I like that. Like I'm sure if you tell Nas

0:15:00.640 --> 0:15:02.960
<v Speaker 1>and J and all these greades that first album, it

0:15:03.080 --> 0:15:05.800
<v Speaker 1>is a collapse too because you're learning the game, right. So, um,

0:15:05.920 --> 0:15:07.800
<v Speaker 1>but that's interested to hear Houston he say that. Yeah,

0:15:07.840 --> 0:15:09.840
<v Speaker 1>I just don't. I don't funk with that album like that,

0:15:09.920 --> 0:15:11.600
<v Speaker 1>and I love it. I'm not mad at it, but

0:15:12.280 --> 0:15:14.840
<v Speaker 1>I wasn't comfortable in my skin doing that album. That

0:15:14.960 --> 0:15:17.000
<v Speaker 1>was too much yell big what it said? This Like

0:15:17.200 --> 0:15:20.600
<v Speaker 1>every session it was like if Biggie was here big

0:15:20.680 --> 0:15:22.440
<v Speaker 1>with you know what I'm saying. And you can't even

0:15:22.480 --> 0:15:25.200
<v Speaker 1>knock them because they're still mourning. Really, you know what

0:15:25.320 --> 0:15:29.040
<v Speaker 1>I'm saying. Like he wasn't the biggest rapper right exactly,

0:15:29.120 --> 0:15:31.000
<v Speaker 1>you know what I'm saying. So it is what it is.

0:15:31.160 --> 0:15:33.080
<v Speaker 1>But I don't really perform nothing of that ship because

0:15:33.080 --> 0:15:35.520
<v Speaker 1>I don't really consider that a hundreds of scent my music.

0:15:35.680 --> 0:15:39.480
<v Speaker 1>So what's your favorite album? Speaking of that? Um, I

0:15:39.600 --> 0:15:41.440
<v Speaker 1>like Purple Haze. I was in a good zone when

0:15:41.480 --> 0:15:44.040
<v Speaker 1>Purple Haze came out. I was in a great rhythm.

0:15:44.120 --> 0:15:46.080
<v Speaker 1>You know what I'm saying. That's probably my favorite drink.

0:15:46.560 --> 0:15:49.160
<v Speaker 1>I like rock Well come home with me. That's right.

0:15:49.200 --> 0:15:51.280
<v Speaker 1>When we got to Rockefeller, Like, we had a bunch

0:15:51.320 --> 0:15:52.760
<v Speaker 1>of sep What you gotta realize, we had a lot

0:15:52.800 --> 0:15:54.840
<v Speaker 1>of mixtapes to them put out. You know what I'm saying,

0:15:54.840 --> 0:15:56.720
<v Speaker 1>A bunch of mix tapes. So but if I have

0:15:56.800 --> 0:15:58.680
<v Speaker 1>to pick my favorite autum, I say it's Purple Haze.

0:16:01.200 --> 0:16:03.280
<v Speaker 1>You felt at the time when you felt it was

0:16:03.320 --> 0:16:07.360
<v Speaker 1>all you, Yeah, not from s D. From Sden on.

0:16:07.480 --> 0:16:09.040
<v Speaker 1>It was all me. But I just was in a

0:16:09.280 --> 0:16:11.440
<v Speaker 1>n t to sue you for s the because didn't

0:16:11.440 --> 0:16:16.240
<v Speaker 1>you have like but it was the basketball in the gun,

0:16:18.080 --> 0:16:20.040
<v Speaker 1>like the posters up from for that ship. They really

0:16:20.040 --> 0:16:21.480
<v Speaker 1>see it. They just made us take it down. There

0:16:21.560 --> 0:16:23.240
<v Speaker 1>wasn't no big lawsuit or none of that ship. But

0:16:23.760 --> 0:16:26.760
<v Speaker 1>they wouldn't they wouldn't let us advertise using the NBA

0:16:26.880 --> 0:16:29.720
<v Speaker 1>logo with a gun. This was an idea at the time,

0:16:29.840 --> 0:16:32.160
<v Speaker 1>you know what I'm saying. So, but U s D

0:16:32.480 --> 0:16:35.200
<v Speaker 1>one to today everything I felt is my what I

0:16:35.320 --> 0:16:37.600
<v Speaker 1>wanted to do. Ain't nothing worse than I mean, the

0:16:37.680 --> 0:16:39.840
<v Speaker 1>album with Gold. But to me, I felt I was

0:16:39.880 --> 0:16:42.360
<v Speaker 1>applied to mortists in my brain, you know what I'm saying.

0:16:42.440 --> 0:16:47.960
<v Speaker 1>So to me, it's nothing worse than not succeeding when

0:16:48.000 --> 0:16:49.960
<v Speaker 1>it's not your idea. So like, if I'm gonna fail,

0:16:50.040 --> 0:16:52.360
<v Speaker 1>let it be my ship. I want to fail doing

0:16:52.400 --> 0:16:53.760
<v Speaker 1>what I want to do. I don't want to fail

0:16:54.280 --> 0:16:57.080
<v Speaker 1>doing your idea. And that's how I feel about Ship.

0:16:57.160 --> 0:17:00.760
<v Speaker 1>That's how I felt about uh Confession a fire album.

0:17:01.120 --> 0:17:04.479
<v Speaker 1>But here's hiss, his hiss, the deal boom. You got

0:17:04.520 --> 0:17:06.440
<v Speaker 1>you dealing with this one ego on his one side.

0:17:07.400 --> 0:17:09.200
<v Speaker 1>You gotta you feel like you're gonna get out of

0:17:09.240 --> 0:17:12.040
<v Speaker 1>this deal and then you get with this other ego

0:17:13.400 --> 0:17:16.119
<v Speaker 1>that worked at least for that time. But what you

0:17:16.240 --> 0:17:24.960
<v Speaker 1>talking about exactly, because I mean, what kind of because

0:17:25.040 --> 0:17:29.080
<v Speaker 1>like I'm imagining, I'm not I'm not sorring imagining leaving

0:17:29.160 --> 0:17:32.520
<v Speaker 1>from on You're saying to yourself, Okay, it was a clash.

0:17:32.920 --> 0:17:34.280
<v Speaker 1>You don't want to go through that. It's not a

0:17:34.359 --> 0:17:39.639
<v Speaker 1>bad clash. Trash me, trash class opinions. Someone say it

0:17:39.760 --> 0:17:42.280
<v Speaker 1>was a good class class And I had to do

0:17:42.359 --> 0:17:47.399
<v Speaker 1>the same thing. But when you you the hottest fucking

0:17:47.520 --> 0:17:50.359
<v Speaker 1>label happened to be Yeah, man, I think y'all from

0:17:50.400 --> 0:17:55.040
<v Speaker 1>from from Harlem and then you go to the rock

0:17:55.160 --> 0:17:57.159
<v Speaker 1>Is it? Is it any of that what you just

0:17:57.280 --> 0:18:01.359
<v Speaker 1>dealt with with? Yeah, with DNA, what happened. What happened

0:18:01.400 --> 0:18:05.520
<v Speaker 1>with Dane was this. So when I left her Entertainment,

0:18:06.040 --> 0:18:10.840
<v Speaker 1>I got to Sony to Epic directly because they got

0:18:10.920 --> 0:18:14.040
<v Speaker 1>to keep whatever artists they unknost this deal or whatever

0:18:14.359 --> 0:18:16.359
<v Speaker 1>artists they wanted to take from his label, they got

0:18:16.440 --> 0:18:22.240
<v Speaker 1>the key. So when I got the epic, I ain't

0:18:22.240 --> 0:18:23.960
<v Speaker 1>really I'm starting to learning the game. I didn't really

0:18:24.000 --> 0:18:26.680
<v Speaker 1>know the game and entertainment, you know. I got a deal.

0:18:26.800 --> 0:18:28.359
<v Speaker 1>I'm sorrying I signed a fifty but some of my

0:18:28.440 --> 0:18:31.160
<v Speaker 1>publishing not knowing I knew, but I didn't give a funk.

0:18:31.240 --> 0:18:35.600
<v Speaker 1>I just wanted Brad, did you get red for the Yeah?

0:18:35.600 --> 0:18:39.800
<v Speaker 1>They gave me bread, but yeah, yeah, but it was

0:18:40.200 --> 0:18:43.480
<v Speaker 1>not the bread you're supposed to get that first deal

0:18:43.600 --> 0:18:51.560
<v Speaker 1>on one. Yeah. So, um, when I got the epic,

0:18:53.000 --> 0:18:55.400
<v Speaker 1>you know, she moving slow, you know, it's like corporate.

0:18:55.480 --> 0:18:57.320
<v Speaker 1>So as a girl that who was cool with me,

0:18:58.480 --> 0:19:00.880
<v Speaker 1>and she started schooling me to what niggas wasn't doing.

0:19:01.560 --> 0:19:04.520
<v Speaker 1>Like it was the records, wasn't getting spending certain states.

0:19:05.600 --> 0:19:08.200
<v Speaker 1>My fucking promotion wasn't going right. And she's like, that

0:19:08.320 --> 0:19:11.359
<v Speaker 1>Nigga run promotion, that nigga run your market, and that

0:19:11.480 --> 0:19:14.360
<v Speaker 1>nigga do X y Z and epic. Because I'm going

0:19:14.440 --> 0:19:16.080
<v Speaker 1>up there and seeing what's something, She's like, look, you're

0:19:16.080 --> 0:19:17.919
<v Speaker 1>not getting no spence here. You're not getting no spence here.

0:19:17.920 --> 0:19:19.879
<v Speaker 1>You're like, you know, Spence said, you're not doing this.

0:19:20.240 --> 0:19:23.159
<v Speaker 1>This nigga run your market and it's no marketing dollars

0:19:23.280 --> 0:19:26.199
<v Speaker 1>being spent. But you know he got a brand new

0:19:26.280 --> 0:19:28.960
<v Speaker 1>car outside. So I'm like, I'm like, when Nigga is

0:19:29.000 --> 0:19:30.600
<v Speaker 1>doing the money, you know what I'm saying. So I'm

0:19:30.680 --> 0:19:32.480
<v Speaker 1>learning all this ship She's telling me all this, So

0:19:32.520 --> 0:19:34.639
<v Speaker 1>now I'm like, Nigga is trying to play me. So

0:19:35.840 --> 0:19:37.520
<v Speaker 1>me and Dame had to fall out. I used to

0:19:37.680 --> 0:19:39.200
<v Speaker 1>rock with Dame when I was young. You know, I

0:19:39.320 --> 0:19:41.080
<v Speaker 1>used to do ship for him. You know what I'm saying.

0:19:41.280 --> 0:19:43.720
<v Speaker 1>You don't have to be specific about what, but I

0:19:43.880 --> 0:19:45.680
<v Speaker 1>used to run around and do ship for Dame, you

0:19:45.720 --> 0:19:48.280
<v Speaker 1>know what I'm saying. So we fell out when I

0:19:48.440 --> 0:19:51.320
<v Speaker 1>was young. He he was just getting his deal. I

0:19:51.400 --> 0:19:53.480
<v Speaker 1>was just trying to get my deal because but that's

0:19:53.520 --> 0:19:55.600
<v Speaker 1>my man since I was thirteen years old, you know

0:19:55.600 --> 0:19:57.840
<v Speaker 1>what I'm saying. So I already know his ego ain't

0:19:57.840 --> 0:20:02.199
<v Speaker 1>no problem. Now I'm seeing what's going on a sony

0:20:02.800 --> 0:20:04.640
<v Speaker 1>and I'm like Rocket fell is on top of the world.

0:20:04.720 --> 0:20:07.080
<v Speaker 1>I know Dame got other distribution beside definitely him. He

0:20:07.160 --> 0:20:09.919
<v Speaker 1>had a lecturer, he had to land and got mad distributions.

0:20:10.440 --> 0:20:11.960
<v Speaker 1>So I was like, I gotta swallow my product and

0:20:12.000 --> 0:20:13.720
<v Speaker 1>go talk to my men because I'm like, yo, I

0:20:13.760 --> 0:20:15.600
<v Speaker 1>took a risk. I took mad risk for you, bro.

0:20:16.200 --> 0:20:17.680
<v Speaker 1>You know what I'm saying, Like you can at least

0:20:18.160 --> 0:20:20.680
<v Speaker 1>He's like yo, he like, Cam, ain't no big deal.

0:20:20.760 --> 0:20:22.879
<v Speaker 1>You know, you get out to deal with give me

0:20:22.960 --> 0:20:25.760
<v Speaker 1>one of my distribution. So I'm like, I ain't bet

0:20:25.960 --> 0:20:27.600
<v Speaker 1>he said, if you get out to deal like yeah,

0:20:27.840 --> 0:20:31.159
<v Speaker 1>Like yeah, So I'm like, yo, bet So now I'm

0:20:31.200 --> 0:20:34.200
<v Speaker 1>just going to four um epic every day with like

0:20:34.280 --> 0:20:37.480
<v Speaker 1>forty niggas and making that Mad uncomfortable. Like I'm like

0:20:37.880 --> 0:20:41.000
<v Speaker 1>niggas is running up people cubicles eating they lunch, you know,

0:20:41.119 --> 0:20:44.200
<v Speaker 1>we're going in Dave mcphe's offense taking his calls to

0:20:44.320 --> 0:20:47.800
<v Speaker 1>the point where it's like mad undercover cops and epic

0:20:48.400 --> 0:20:50.960
<v Speaker 1>every day. Because I was going every day with forty niggas.

0:20:51.000 --> 0:20:53.040
<v Speaker 1>My nigga Luke got Brady Tylerman was like forty of

0:20:53.160 --> 0:20:56.000
<v Speaker 1>us going every day. So then niggas was just like

0:20:56.920 --> 0:21:00.040
<v Speaker 1>this beginning becoming a headache. So Dame came up and

0:21:00.119 --> 0:21:01.879
<v Speaker 1>talk to Damon Fish and he's like, Yo, this is

0:21:01.920 --> 0:21:04.920
<v Speaker 1>not gonna stop you not as well let him out.

0:21:04.960 --> 0:21:08.080
<v Speaker 1>So he eventually let me out. And when I got

0:21:08.160 --> 0:21:11.600
<v Speaker 1>the Rocket Feller, I told Dame might say, y'all, I

0:21:11.600 --> 0:21:12.920
<v Speaker 1>don't know if I want to come to Rocket Feller.

0:21:12.960 --> 0:21:16.360
<v Speaker 1>You got all a distribution with a lecture and whoever else,

0:21:16.400 --> 0:21:17.840
<v Speaker 1>Maybe we should take it over there because I know

0:21:17.880 --> 0:21:19.320
<v Speaker 1>what I'm coming with. I already know the game. Now

0:21:19.359 --> 0:21:21.840
<v Speaker 1>I just got jerked. I'm not gonna get jerked again.

0:21:21.880 --> 0:21:23.480
<v Speaker 1>But I knew Dame won't trying to drink me anyway,

0:21:23.480 --> 0:21:26.040
<v Speaker 1>because now you gotta record label this popping, and you

0:21:26.119 --> 0:21:28.280
<v Speaker 1>got my man who's trying to teach me instead of robbing.

0:21:29.240 --> 0:21:35.680
<v Speaker 1>So when that happened, I came up to Rocket Feller.

0:21:35.680 --> 0:21:37.560
<v Speaker 1>He's like, now it's gonna be cooler. Rocket, I'm telling

0:21:37.560 --> 0:21:40.119
<v Speaker 1>you everything is straight. We're gonna be good. And when

0:21:40.160 --> 0:21:43.240
<v Speaker 1>we got there, we just, uh, we just funked up

0:21:43.280 --> 0:21:45.440
<v Speaker 1>an epic. We just turned into animals and went crazy

0:21:45.560 --> 0:21:48.000
<v Speaker 1>up there and just put music out because it seems

0:21:48.040 --> 0:21:51.399
<v Speaker 1>like But I but to answer your question, no, I

0:21:51.440 --> 0:21:52.960
<v Speaker 1>ain't have no problem with Dame Dame. You know what

0:21:53.119 --> 0:21:55.560
<v Speaker 1>Dame told me. Dame told me this. Dame said, look,

0:21:56.359 --> 0:21:58.520
<v Speaker 1>anybody loves you and harm you didn't think up there,

0:21:58.800 --> 0:22:01.800
<v Speaker 1>this is what we're gonna do. You're gonna give your

0:22:01.800 --> 0:22:05.119
<v Speaker 1>opportunity to an album. If it don't work, you know,

0:22:05.160 --> 0:22:06.600
<v Speaker 1>at least you got your job and you can answer

0:22:06.640 --> 0:22:08.320
<v Speaker 1>phones and ship. You know what I'm saying, nothing like

0:22:09.320 --> 0:22:14.560
<v Speaker 1>like like no, I don't want to. But he was

0:22:14.640 --> 0:22:17.000
<v Speaker 1>that serious. He wasn't joking. But that's real ship though.

0:22:17.400 --> 0:22:19.520
<v Speaker 1>You know what I'm saying that he was still willing

0:22:19.560 --> 0:22:23.000
<v Speaker 1>to give me a job if this ship ain't go right. Okay,

0:22:23.080 --> 0:22:24.960
<v Speaker 1>let me ask you a question. Is it's a fair

0:22:25.000 --> 0:22:27.920
<v Speaker 1>assessment to say that once you came Rocket fella, you

0:22:28.000 --> 0:22:32.160
<v Speaker 1>became a superstar. Um, if I don't like the huge

0:22:32.359 --> 0:22:34.400
<v Speaker 1>and I think that's for public to decide if you're

0:22:34.400 --> 0:22:37.919
<v Speaker 1>a superstar, megastar, whatever. Period. I just think I became

0:22:37.960 --> 0:22:41.359
<v Speaker 1>more recognizable in the household man. Yeah, absolutely, and they

0:22:41.440 --> 0:22:43.680
<v Speaker 1>can start paying attention to more of what I was doing.

0:22:44.240 --> 0:22:45.920
<v Speaker 1>And it was like, this is what I want to

0:22:46.000 --> 0:22:47.760
<v Speaker 1>do anyway, you know, I want to bring my niggas

0:22:47.800 --> 0:22:51.200
<v Speaker 1>in and you know, start a crew and have artists, etcetera, etcetera.

0:22:51.280 --> 0:22:53.399
<v Speaker 1>You know what I'm saying. Like, it's like you, I

0:22:53.440 --> 0:22:57.680
<v Speaker 1>don't know if you've ever seen uh boutang series? You

0:22:57.800 --> 0:23:03.200
<v Speaker 1>know yea in order them one da It's a great series.

0:23:03.240 --> 0:23:05.359
<v Speaker 1>Didn't even get to the rap part yet after season one.

0:23:05.440 --> 0:23:07.399
<v Speaker 1>But at the same time, I consider that ship my

0:23:07.520 --> 0:23:10.119
<v Speaker 1>story kind of like Rising story. He had to label,

0:23:10.160 --> 0:23:12.000
<v Speaker 1>we had to put out the single he didn't want

0:23:12.000 --> 0:23:14.320
<v Speaker 1>to put out. Then we got out the fucking deal.

0:23:14.680 --> 0:23:17.600
<v Speaker 1>He started putting together all the ship that he wanted

0:23:17.640 --> 0:23:19.440
<v Speaker 1>to do. But you know what I'm saying, So to me,

0:23:19.560 --> 0:23:22.439
<v Speaker 1>that's kind of the same scenario because it's this famous

0:23:22.480 --> 0:23:26.400
<v Speaker 1>line like you who else said one time for cam

0:23:26.520 --> 0:23:32.760
<v Speaker 1>for taking over the rock? Did it seems like everything

0:23:32.880 --> 0:23:35.600
<v Speaker 1>was different from that moment on out side looking in

0:23:35.920 --> 0:23:38.560
<v Speaker 1>even though, even though like I knew you, Damn it's

0:23:38.560 --> 0:23:42.600
<v Speaker 1>twenty years, it's seven. I was side looking at I

0:23:42.680 --> 0:23:44.560
<v Speaker 1>thought that everything was sweet. I thought you, I think

0:23:44.560 --> 0:23:48.240
<v Speaker 1>it's went there, really took it over. But I didn't

0:23:48.240 --> 0:23:50.480
<v Speaker 1>think you had no problems. I didn't think none of this.

0:23:50.680 --> 0:23:55.760
<v Speaker 1>Then that line actually says, and then everything kind of changed.

0:23:55.800 --> 0:23:57.960
<v Speaker 1>I think Karen Sibyl said it was over parking spy

0:23:58.480 --> 0:24:00.760
<v Speaker 1>and all this ship. Do you thing? I know, I'm

0:24:00.760 --> 0:24:04.400
<v Speaker 1>asking you to carrosson. We don't know what the funk

0:24:04.480 --> 0:24:06.520
<v Speaker 1>she'd be talking about. Sometimes she got to shut the

0:24:06.600 --> 0:24:08.960
<v Speaker 1>funk out. She just be trying to get cloud for

0:24:09.040 --> 0:24:10.639
<v Speaker 1>her ship, you know what I'm saying. She was my

0:24:10.800 --> 0:24:14.240
<v Speaker 1>employee too, and I called about lying about that ship, like,

0:24:14.680 --> 0:24:16.520
<v Speaker 1>I know you're doing whatever you're doing to get your

0:24:16.560 --> 0:24:18.399
<v Speaker 1>ship popping and all that, but you worked for me

0:24:18.520 --> 0:24:20.480
<v Speaker 1>for like three years. Stop with the lion and ship.

0:24:20.760 --> 0:24:22.679
<v Speaker 1>So you because you're cloud chasing and you ain't got

0:24:22.760 --> 0:24:24.920
<v Speaker 1>you already established, you know what I'm saying. I don't

0:24:24.920 --> 0:24:27.760
<v Speaker 1>got no problem with her, but over that situation right there,

0:24:27.800 --> 0:24:29.359
<v Speaker 1>I called her like what are you talking about? And

0:24:29.480 --> 0:24:31.159
<v Speaker 1>she's like, oh no, they made this. I said, I

0:24:31.280 --> 0:24:34.680
<v Speaker 1>heard it all right, So let's just address that type

0:24:34.720 --> 0:24:37.760
<v Speaker 1>of woman wasn't. This is what happened. You wanna know

0:24:37.800 --> 0:24:45.960
<v Speaker 1>what happened? We got the rocket. Drink with me or something. Man,

0:24:46.040 --> 0:24:50.080
<v Speaker 1>please give me some water and drinking water, drinking, I'm

0:24:50.119 --> 0:24:58.320
<v Speaker 1>not drinking. Let's try something now, ain't drinking. But basically, well,

0:24:58.680 --> 0:25:03.040
<v Speaker 1>so we get the rocket. Fellow, um, I said, we

0:25:03.200 --> 0:25:07.680
<v Speaker 1>just got jerked. So we know the game and what's

0:25:07.720 --> 0:25:11.920
<v Speaker 1>going on is we're not waiting for nobody. You get

0:25:11.960 --> 0:25:14.040
<v Speaker 1>what I'm saying. We're not sitting around waiting for Dame

0:25:14.119 --> 0:25:17.040
<v Speaker 1>to do something or bigs at jail or whoever. We're

0:25:17.080 --> 0:25:19.600
<v Speaker 1>going to bust the moves. So when we get there,

0:25:20.400 --> 0:25:22.400
<v Speaker 1>Bobby Dash the radio we get wanted him to get

0:25:22.520 --> 0:25:25.760
<v Speaker 1>radio boom, start building a rapport with him. You know

0:25:25.760 --> 0:25:29.520
<v Speaker 1>what I'm saying. We started learning everybody who does what

0:25:29.720 --> 0:25:31.960
<v Speaker 1>in office, the a and rs and people who picked beats,

0:25:32.040 --> 0:25:34.880
<v Speaker 1>that secretaries, everybody. We're building the report. So we're going

0:25:34.960 --> 0:25:39.280
<v Speaker 1>there every single day. Uh. And what we did was

0:25:39.359 --> 0:25:42.720
<v Speaker 1>we took advantage of a studio baseline studios, so we

0:25:42.800 --> 0:25:46.399
<v Speaker 1>would whenever jail being Memphis Bleak of Beans or whoever,

0:25:46.560 --> 0:25:50.440
<v Speaker 1>wasn't performed recording. We would go in there and we

0:25:50.520 --> 0:25:52.800
<v Speaker 1>would record, but if we have to stay there or night,

0:25:52.960 --> 0:25:54.640
<v Speaker 1>no matter what it was, you know what I'm saying.

0:25:55.000 --> 0:25:57.199
<v Speaker 1>So then we did a mixtape. You know, a lot

0:25:57.200 --> 0:26:00.560
<v Speaker 1>of people don't know we really did the first artist mixtape.

0:26:01.680 --> 0:26:04.480
<v Speaker 1>You know, you had mixtapes, but all the artists was

0:26:04.560 --> 0:26:10.600
<v Speaker 1>on DJ's mixtape. Fifty did it after us. And I'm

0:26:10.640 --> 0:26:12.960
<v Speaker 1>not sitting there trying to take credit because it's like

0:26:13.119 --> 0:26:15.240
<v Speaker 1>who invited the toilet? You don't really give a funk.

0:26:15.240 --> 0:26:17.400
<v Speaker 1>You're gonna take a ship, you know what I'm saying.

0:26:18.160 --> 0:26:20.320
<v Speaker 1>But I'm just telling you. We started doing our own

0:26:20.480 --> 0:26:23.440
<v Speaker 1>mixtapes first because he's on everybody mix tape, like, you

0:26:23.560 --> 0:26:26.479
<v Speaker 1>might as well do our own ship. So then Damion like, yo,

0:26:26.600 --> 0:26:28.560
<v Speaker 1>y'all putting out free music? What the funk are y'all doing?

0:26:28.560 --> 0:26:30.879
<v Speaker 1>And I'm like, yo, you gotta build a buzz if

0:26:30.920 --> 0:26:33.440
<v Speaker 1>the streets funk with it. Then He's like, now we

0:26:33.480 --> 0:26:35.640
<v Speaker 1>gotta sell this ship. We gotta sell. I say, broe

0:26:36.200 --> 0:26:38.160
<v Speaker 1>have more music, gonall be ready, you know what I'm saying.

0:26:38.280 --> 0:26:43.480
<v Speaker 1>So we're doing all this ship. Now I'm learning with depth.

0:26:43.560 --> 0:26:46.080
<v Speaker 1>Jimmy's that def jam, I don't remember this, Dann says upstairs.

0:26:46.119 --> 0:26:48.160
<v Speaker 1>So now I'm going to funk with Kevin Lows every day.

0:26:48.160 --> 0:26:50.720
<v Speaker 1>I'm like, yeah, what's up, man, I got this. You know,

0:26:50.800 --> 0:26:52.880
<v Speaker 1>I'm funking with this song. So I'm going funk with Leo,

0:26:53.119 --> 0:26:55.400
<v Speaker 1>going to funk with Julie Greenwall. You know what I'm saying.

0:26:55.440 --> 0:27:00.399
<v Speaker 1>I'm like, that's my crew. Yeah, I love that, yeah, Kiser,

0:27:02.160 --> 0:27:06.840
<v Speaker 1>Yeah you know, yeah exactly, yeah, yeah, fat cat. So

0:27:07.119 --> 0:27:09.200
<v Speaker 1>I'm up there fucking with them, thank you, sucking with

0:27:09.280 --> 0:27:16.720
<v Speaker 1>them every day. And so we're up there, it's too

0:27:18.720 --> 0:27:24.200
<v Speaker 1>big closets, like walking closets. It's mad posted boards and

0:27:24.280 --> 0:27:26.480
<v Speaker 1>shipping them in front of the closets, cubical so it's

0:27:26.520 --> 0:27:28.960
<v Speaker 1>two closets. We're talking fell the offices and they yeah,

0:27:28.960 --> 0:27:31.280
<v Speaker 1>in their offices, but you know they offered they were

0:27:31.280 --> 0:27:36.360
<v Speaker 1>seting there with Murder in Murder Ink was up there too. Yeah,

0:27:36.600 --> 0:27:41.560
<v Speaker 1>so nobody's using these closets. But they big closets and

0:27:41.600 --> 0:27:43.760
<v Speaker 1>it's cubicles in front of them. So we used to

0:27:43.760 --> 0:27:46.760
<v Speaker 1>stay to everybody leaves, so we cleaned them ships out.

0:27:47.520 --> 0:27:49.320
<v Speaker 1>I got the phone man, you know, we stay up

0:27:49.359 --> 0:27:51.200
<v Speaker 1>the smoke. We got the phone that you put the

0:27:51.240 --> 0:27:53.480
<v Speaker 1>phone line in here, put the phone line in there.

0:27:54.000 --> 0:27:56.760
<v Speaker 1>So it used to be in Dame office every day.

0:27:56.880 --> 0:28:00.880
<v Speaker 1>So then we're chilling in front of um. We saw

0:28:00.960 --> 0:28:03.760
<v Speaker 1>walking past Dame offer. They're like, what's up? So they

0:28:03.840 --> 0:28:05.560
<v Speaker 1>walked past, so they're like, yo, where the fund? Y'all

0:28:05.640 --> 0:28:07.040
<v Speaker 1>keep going down there and they're like, no, we got

0:28:07.119 --> 0:28:10.280
<v Speaker 1>the office. So Nig's like, how the fund you get office?

0:28:10.359 --> 0:28:13.639
<v Speaker 1>And I'm like, we it was just closet space. We

0:28:13.720 --> 0:28:16.360
<v Speaker 1>put some dusk in there. We caught some hire some interns.

0:28:17.720 --> 0:28:21.240
<v Speaker 1>So niggas is like that's I said, look, look, look

0:28:21.240 --> 0:28:23.960
<v Speaker 1>I see nigga's faces. Don't funk with this ship. Man,

0:28:24.800 --> 0:28:27.159
<v Speaker 1>y'all could have been did this ship? Seemed like it's

0:28:27.160 --> 0:28:30.720
<v Speaker 1>been for years. I remember the niggas sparks from state

0:28:30.800 --> 0:28:32.720
<v Speaker 1>property coming there, like, how the fun him come in

0:28:32.760 --> 0:28:35.560
<v Speaker 1>here and get a fucking office already? How the niggas

0:28:35.560 --> 0:28:39.040
<v Speaker 1>getting officers and orders other ship? And I'm like, yo, bro,

0:28:39.200 --> 0:28:41.920
<v Speaker 1>y'all y'all in this situation that I was, But y'all

0:28:41.920 --> 0:28:44.480
<v Speaker 1>in a better situation, y'all being taken care of. I

0:28:44.560 --> 0:28:46.160
<v Speaker 1>don't really want to be taken care of. I know

0:28:46.280 --> 0:28:48.120
<v Speaker 1>what's going on. Now, I don't need to wait for

0:28:48.400 --> 0:28:50.760
<v Speaker 1>Dame to say do this and do that. And I'm

0:28:50.800 --> 0:28:53.360
<v Speaker 1>an asset and not saying there was a liability. But

0:28:53.480 --> 0:28:56.000
<v Speaker 1>I'm coming with ship already done. I got jerked my

0:28:56.160 --> 0:28:59.280
<v Speaker 1>first couple of albums, as far as I'm concerned. So

0:28:59.400 --> 0:29:02.160
<v Speaker 1>now I know what to do. So Nigger started taking

0:29:02.400 --> 0:29:06.440
<v Speaker 1>heat and that, like Kim got the office, got secretaries

0:29:06.480 --> 0:29:10.520
<v Speaker 1>and all this ship out out out. I'm like, all right, whatever, man,

0:29:10.600 --> 0:29:12.560
<v Speaker 1>I don't really care about nobody feeling, you know what

0:29:12.600 --> 0:29:15.640
<v Speaker 1>I'm saying. So I told Dame. I said, Yo, look

0:29:16.960 --> 0:29:19.560
<v Speaker 1>I got this Dipper mass ship going on. You wanna

0:29:19.600 --> 0:29:22.040
<v Speaker 1>funk with it? Let me know. He's like, yo, Kim, yeah,

0:29:22.080 --> 0:29:23.760
<v Speaker 1>I mayn't even come out, Yeah, you got the children.

0:29:23.800 --> 0:29:26.800
<v Speaker 1>I'm like, well, you don't really be out like I'm out.

0:29:26.840 --> 0:29:30.360
<v Speaker 1>We're building a buzz bro something coming outside. Yeah yeah,

0:29:30.400 --> 0:29:31.760
<v Speaker 1>not not like that. I ain't want to playing. But

0:29:31.800 --> 0:29:33.960
<v Speaker 1>I'm telling him he don't know what's going on. So

0:29:34.040 --> 0:29:36.040
<v Speaker 1>I'm like, bro, you you need to jump on this

0:29:36.280 --> 0:29:39.920
<v Speaker 1>pause before get crazy. He like, Kim, you didn't even

0:29:39.960 --> 0:29:41.720
<v Speaker 1>put your ship out yet. I said, I ain't cool,

0:29:41.800 --> 0:29:46.600
<v Speaker 1>No problem going my man. Kevin Love's office, I said, yo,

0:29:46.760 --> 0:29:49.040
<v Speaker 1>when he played my artist Jewels played the song players

0:29:49.120 --> 0:29:52.080
<v Speaker 1>dipping that project, and he said, I wanted I want

0:29:52.120 --> 0:29:54.760
<v Speaker 1>to sign the whole Diplomat ship. I said, back, this

0:29:54.960 --> 0:29:58.440
<v Speaker 1>is this is right after Dame isn't paid it for

0:29:58.600 --> 0:30:01.320
<v Speaker 1>or not. Excuse me hard knock like screaming on Kevins

0:30:01.440 --> 0:30:05.560
<v Speaker 1>for giving one of his artists death Jam jacket. So

0:30:05.640 --> 0:30:09.960
<v Speaker 1>this is after this, yeah continue yeah, so yeah, so

0:30:10.880 --> 0:30:13.880
<v Speaker 1>so so Dame is like, I mean, Kevin is like better,

0:30:13.880 --> 0:30:15.760
<v Speaker 1>I want everything, I said. I had my lawyer's called

0:30:15.800 --> 0:30:18.080
<v Speaker 1>we get all this ship together. So the next day

0:30:18.120 --> 0:30:21.560
<v Speaker 1>I give Dame the courtesy. I said. Look, I said, yo,

0:30:23.840 --> 0:30:25.240
<v Speaker 1>I know i'm your artists, but I'm about to do

0:30:25.240 --> 0:30:27.640
<v Speaker 1>a joint venture deal with death Jam, with Juels and

0:30:27.840 --> 0:30:30.080
<v Speaker 1>diplomats and all that. He's like, what we are you

0:30:30.120 --> 0:30:32.920
<v Speaker 1>talking about? What are you talking about? I said, let's

0:30:32.960 --> 0:30:38.920
<v Speaker 1>calm down. I said, I said, you're going crazy. Said

0:30:38.920 --> 0:30:42.120
<v Speaker 1>you gotta calm down. Bro I bought it to you first.

0:30:42.600 --> 0:30:45.640
<v Speaker 1>You told me to chill. Now I'm about to do this.

0:30:45.920 --> 0:30:49.360
<v Speaker 1>Oh not kevitist doing that, because now he's doing that

0:30:49.480 --> 0:30:52.080
<v Speaker 1>to make me mad, I said, bro. Man the Nigga's

0:30:52.160 --> 0:30:55.800
<v Speaker 1>jewels is nice. I tried to tell you this man, No, no, no,

0:30:55.960 --> 0:30:57.640
<v Speaker 1>we're going down in there. I grabbed. I said, we're

0:30:57.720 --> 0:31:00.200
<v Speaker 1>not going down there there. You're not gonna sunk this money.

0:31:00.760 --> 0:31:04.400
<v Speaker 1>He said, if if the deal don't go through, I'll

0:31:04.400 --> 0:31:06.880
<v Speaker 1>give you the money postget him. I said, right now,

0:31:07.000 --> 0:31:10.800
<v Speaker 1>we could go there. Yeah, like a mill on the table,

0:31:11.040 --> 0:31:13.360
<v Speaker 1>close to the mill. So I'm like, yo, we go

0:31:13.480 --> 0:31:15.640
<v Speaker 1>down there. He goes yelling, call. I'm looking at Kevin.

0:31:18.280 --> 0:31:19.800
<v Speaker 1>I got a good relations I want to seem like

0:31:19.840 --> 0:31:22.560
<v Speaker 1>I told now you're trying to gas him up. Now

0:31:22.640 --> 0:31:25.120
<v Speaker 1>that doing doing gonna do this deal only to make

0:31:25.160 --> 0:31:29.160
<v Speaker 1>me mad. Kevin is like, Dame, I'm not trying to

0:31:29.200 --> 0:31:30.800
<v Speaker 1>make you mad. I like the kids. Who else? I

0:31:30.920 --> 0:31:33.360
<v Speaker 1>like the diplomat ship. I want to funk with it. Now,

0:31:33.480 --> 0:31:36.440
<v Speaker 1>you're just going crazy. You would. It's going through Rockefeller.

0:31:36.480 --> 0:31:39.800
<v Speaker 1>It's going through Rockefeller. Kevin's like, Dame. If it goes

0:31:39.840 --> 0:31:42.040
<v Speaker 1>through death m or it goes through Rocket Feller, I

0:31:42.120 --> 0:31:45.560
<v Speaker 1>get the same salary. It doesn't matter who it goes through.

0:31:45.840 --> 0:31:48.280
<v Speaker 1>So if you wanted to go through there, yeah, yeah,

0:31:48.320 --> 0:31:51.320
<v Speaker 1>it's going through us. So now we get the deal.

0:31:51.480 --> 0:31:53.880
<v Speaker 1>You know, end up going through Damian Dame argue because

0:31:54.360 --> 0:32:00.080
<v Speaker 1>I got a blunt roller from Peru. Man, I'm so

0:32:06.240 --> 0:32:11.240
<v Speaker 1>nah so the nigger um. So the deal was taking

0:32:11.280 --> 0:32:12.840
<v Speaker 1>a while. It took like a month when it was

0:32:12.920 --> 0:32:14.680
<v Speaker 1>could of took a week. So now me and dam

0:32:14.840 --> 0:32:17.360
<v Speaker 1>is going getting into it. I'm like, bro, I got

0:32:17.440 --> 0:32:19.760
<v Speaker 1>ship to do. Man like, yo, you're holding me up.

0:32:20.560 --> 0:32:22.600
<v Speaker 1>He's like, yo, Man, this down the third I said, look,

0:32:23.240 --> 0:32:26.880
<v Speaker 1>I'm gonna need a nine hundred thousand because you told

0:32:26.920 --> 0:32:28.520
<v Speaker 1>me if this deal don't go through, you're gonna give

0:32:28.520 --> 0:32:32.760
<v Speaker 1>me the bread. So, long story short, the bread came

0:32:32.800 --> 0:32:35.120
<v Speaker 1>next week. So we got the deal and then duels

0:32:35.160 --> 0:32:38.680
<v Speaker 1>was signed. There, diplomats was signed. There. Now was Juel

0:32:38.800 --> 0:32:42.480
<v Speaker 1>signed directly to def dam No he signed, He signed

0:32:42.520 --> 0:32:45.760
<v Speaker 1>a diplomat and I had a drink venture with through

0:32:45.840 --> 0:32:48.400
<v Speaker 1>rocket Feller with def Jam, but he was gonna be

0:32:48.560 --> 0:32:51.880
<v Speaker 1>signed through diplomat no matter what to def Jam. Dame

0:32:52.000 --> 0:32:55.080
<v Speaker 1>just wanted the rocket Feller logo on the deal as well.

0:32:55.160 --> 0:32:57.440
<v Speaker 1>It's still a drint venture deal for me, you know

0:32:57.440 --> 0:33:00.640
<v Speaker 1>what I'm saying. So I remember you was you was

0:33:00.680 --> 0:33:04.719
<v Speaker 1>shopping duels to violated offices. Remember that, Yeah, I remember

0:33:05.280 --> 0:33:08.360
<v Speaker 1>for I think me buster rhymes and Chris like, yeah, yeah,

0:33:08.680 --> 0:33:13.920
<v Speaker 1>I remember that. That's so how did you know? You?

0:33:14.000 --> 0:33:16.800
<v Speaker 1>And Jim Jones story as well documented how how you

0:33:16.880 --> 0:33:19.840
<v Speaker 1>guys mad, how you guys go up together and been free?

0:33:20.080 --> 0:33:24.600
<v Speaker 1>But Joel's was a later on edition. Correct, well, Joel

0:33:24.640 --> 0:33:27.160
<v Speaker 1>was one of my second album. Yeah, you know. As

0:33:27.200 --> 0:33:29.280
<v Speaker 1>soon as I left that, I ran into him, like

0:33:29.440 --> 0:33:34.040
<v Speaker 1>my my best friend in elementary school basically was like, yeah,

0:33:34.040 --> 0:33:35.440
<v Speaker 1>I got this kid this hot, and I got my

0:33:35.440 --> 0:33:37.920
<v Speaker 1>ship together. At the time, I'm like, I don't really

0:33:37.960 --> 0:33:39.840
<v Speaker 1>want to listen nobody. Time. I get my ship together,

0:33:39.880 --> 0:33:41.880
<v Speaker 1>and I fell asleep on my car. He was dropping

0:33:41.920 --> 0:33:44.280
<v Speaker 1>my car, and when I woke up, Juel was in

0:33:44.320 --> 0:33:45.840
<v Speaker 1>my back seat. He's like, just to came, I'm telling

0:33:45.840 --> 0:33:48.120
<v Speaker 1>you about. I'm like, yo, bro, what are you doing this?

0:33:48.320 --> 0:33:52.720
<v Speaker 1>It's weird, don't know what woke up? No, I woke up.

0:33:52.800 --> 0:33:54.160
<v Speaker 1>He's like, this is Nick I'm telling you about. But

0:33:54.160 --> 0:33:56.520
<v Speaker 1>I told him I didn't want to meet him because

0:33:56.560 --> 0:33:59.640
<v Speaker 1>I'm like, my ship wasn't right. So when he woke up,

0:33:59.640 --> 0:34:01.040
<v Speaker 1>I'm and now I'm like, why did you do this?

0:34:01.400 --> 0:34:03.480
<v Speaker 1>So I'm like, yeah, you're already in the car rap

0:34:03.680 --> 0:34:05.240
<v Speaker 1>and when he wrapped, he was super, HOWD. I'm like,

0:34:05.920 --> 0:34:07.640
<v Speaker 1>this kid, it's tough. So I'm writing them to the

0:34:07.720 --> 0:34:10.759
<v Speaker 1>studio and we started working on s D album. He's like,

0:34:10.840 --> 0:34:13.880
<v Speaker 1>actually on two songs on s D album. Yeah. So

0:34:14.520 --> 0:34:16.839
<v Speaker 1>he's been with me since he's like fifteen, sixteen years old.

0:34:16.880 --> 0:34:18.600
<v Speaker 1>You know, he didn't want to go to school because

0:34:19.760 --> 0:34:21.200
<v Speaker 1>he went to school and watch his heights and he

0:34:21.239 --> 0:34:25.640
<v Speaker 1>said his teachers didn't speak English and he couldn't understand him. Yeah. Man,

0:34:26.200 --> 0:34:29.600
<v Speaker 1>so I made him write that's that. But that's how

0:34:29.640 --> 0:34:32.359
<v Speaker 1>you've been up. I said, that's how long you've been down.

0:34:32.480 --> 0:34:37.880
<v Speaker 1>Since he's fifteen years old. Sixteen. Yeah, he's going act

0:34:38.000 --> 0:34:41.239
<v Speaker 1>on the Instagram all the time. He making you the

0:34:41.280 --> 0:34:44.040
<v Speaker 1>man on Instagram brother right now. He told me I

0:34:44.080 --> 0:34:49.680
<v Speaker 1>gotta respect his fan base. Yeah, that's Mr pod Man. Well,

0:34:49.800 --> 0:34:57.360
<v Speaker 1>can't keep a pot man. That's so you've just the

0:34:57.440 --> 0:35:02.120
<v Speaker 1>same same time about so obviously, the first time I

0:35:02.239 --> 0:35:06.560
<v Speaker 1>met you was it was a freestyle session. You know,

0:35:06.680 --> 0:35:08.120
<v Speaker 1>we said, we said, dn D, I believe you. I

0:35:08.200 --> 0:35:12.239
<v Speaker 1>just don't remember the actual particulars of that, but that

0:35:12.400 --> 0:35:15.680
<v Speaker 1>freestyle and it was you, Mace and Car that that

0:35:15.800 --> 0:35:17.760
<v Speaker 1>was a dn D Studios, So that was you remember

0:35:17.840 --> 0:35:21.520
<v Speaker 1>studios that that as Unique Studios and that's the only

0:35:21.520 --> 0:35:23.600
<v Speaker 1>studio we come for. Yeah, you know that was like

0:35:23.760 --> 0:35:25.560
<v Speaker 1>that was like the step up of D and D.

0:35:26.280 --> 0:35:32.279
<v Speaker 1>But it's not right track, it's not due. I think

0:35:32.320 --> 0:35:34.759
<v Speaker 1>he used to plant the roaches in there. Thing used

0:35:34.800 --> 0:35:41.600
<v Speaker 1>to come like. But so for me, I mean, and

0:35:41.680 --> 0:35:46.759
<v Speaker 1>you had a relationship. But that was you and Mace

0:35:47.280 --> 0:35:49.920
<v Speaker 1>and Car that I had always thought, y'all, I was

0:35:49.960 --> 0:35:53.319
<v Speaker 1>a group. I thought that was Harlem World right then

0:35:53.520 --> 0:35:56.160
<v Speaker 1>the children in the corner, No, that that's the way

0:35:56.280 --> 0:35:59.680
<v Speaker 1>before n you know, it's crazy. I was doing you

0:35:59.719 --> 0:36:01.120
<v Speaker 1>know what. I'm in the middle doing my dock and

0:36:01.160 --> 0:36:03.600
<v Speaker 1>they fly the moving pieces. You know that need to

0:36:03.640 --> 0:36:05.719
<v Speaker 1>be explained, like sooner the corner was big el Ship

0:36:06.560 --> 0:36:10.440
<v Speaker 1>and me my God blesses that my man blood Shed

0:36:10.520 --> 0:36:12.359
<v Speaker 1>and the producer Digger kind of ran with the name.

0:36:12.400 --> 0:36:13.960
<v Speaker 1>But Big I was trying to put the crew together

0:36:14.640 --> 0:36:17.879
<v Speaker 1>and it was like Nicks from the Bronx and from Queens,

0:36:17.960 --> 0:36:19.759
<v Speaker 1>Nicks from all over. So niggas didn't see each other

0:36:19.840 --> 0:36:22.440
<v Speaker 1>every day like me blood and Digging this so and

0:36:22.640 --> 0:36:27.480
<v Speaker 1>her McGruff too. So we kept the name. So but

0:36:27.640 --> 0:36:30.480
<v Speaker 1>Farst caught in Mace and whatever and me called in

0:36:30.600 --> 0:36:32.719
<v Speaker 1>and Mace, yeah, you know, Make got the deal with

0:36:32.800 --> 0:36:36.959
<v Speaker 1>bad Boy. He was running around with them with Mace

0:36:37.680 --> 0:36:40.800
<v Speaker 1>and you know, doing these free styles to clue freestyles everything.

0:36:41.120 --> 0:36:46.239
<v Speaker 1>Uh yeah, absolutely, So we always hanging run around with Mace,

0:36:46.360 --> 0:36:50.440
<v Speaker 1>and Mace got this deal and uh we Mace had

0:36:50.520 --> 0:36:52.440
<v Speaker 1>Hall and World. He wanted to name in Halloworld. So

0:36:52.520 --> 0:36:55.160
<v Speaker 1>when he got his deal, he ended up getting uh

0:36:56.239 --> 0:37:01.440
<v Speaker 1>label deal from Jamaine Duprie and a joint venture Hall

0:37:01.520 --> 0:37:03.960
<v Speaker 1>and World. So so deaf because so Jamaine du Pre

0:37:04.080 --> 0:37:05.840
<v Speaker 1>missed out on signing Makes he wanted to That's what

0:37:05.960 --> 0:37:08.719
<v Speaker 1>makes want to sign with Originally the main du Pre

0:37:09.000 --> 0:37:10.719
<v Speaker 1>missed out on it, so he doubled back to do

0:37:10.840 --> 0:37:14.279
<v Speaker 1>the label dere and Mace was giving out. He was

0:37:14.400 --> 0:37:17.120
<v Speaker 1>recruiting niggas in the group and nobody really robbed. It

0:37:17.239 --> 0:37:19.640
<v Speaker 1>was like, even as my brother you got how the

0:37:19.800 --> 0:37:21.920
<v Speaker 1>six how wasn't no rapper? You know what I'm saying,

0:37:21.960 --> 0:37:24.800
<v Speaker 1>I like I write it for him, sugar j He

0:37:24.840 --> 0:37:28.560
<v Speaker 1>ain't no rapper. His sister not no rapper. Loon just

0:37:28.680 --> 0:37:31.080
<v Speaker 1>started rapping at the time. I believe I don't want

0:37:31.120 --> 0:37:33.879
<v Speaker 1>to tell what Loon started, but he was just coming

0:37:33.960 --> 0:37:36.399
<v Speaker 1>on the scene as a rapper. And then they got

0:37:36.800 --> 0:37:39.440
<v Speaker 1>nigger named men know who really did rap. So I'm like,

0:37:39.480 --> 0:37:41.640
<v Speaker 1>we could write these niggas because we're thinking the niggas

0:37:41.680 --> 0:37:44.000
<v Speaker 1>who want to selling. So I believe we got deal

0:37:44.040 --> 0:37:46.640
<v Speaker 1>for two million dollars. He was getting everybody ten thousand dollars,

0:37:47.320 --> 0:37:49.000
<v Speaker 1>so he's about to get me ten thousands. I'm like,

0:37:49.080 --> 0:37:51.839
<v Speaker 1>hold on, I'm not part of the ten thousand dollar crew.

0:37:52.880 --> 0:37:55.000
<v Speaker 1>I'm writing the fucking souls and ship like, what the

0:37:55.040 --> 0:37:58.960
<v Speaker 1>fund is the ten thousand? No? No, So he started

0:37:59.560 --> 0:38:01.600
<v Speaker 1>like IRV and not picking the phone up in all

0:38:01.640 --> 0:38:05.120
<v Speaker 1>this others, and I'm like, no, I got the bust moves.

0:38:05.200 --> 0:38:07.320
<v Speaker 1>I'm not that how you wanna get meet ten thousand.

0:38:07.800 --> 0:38:10.719
<v Speaker 1>I'm writing the songs or write niggas versus and you're

0:38:10.719 --> 0:38:13.080
<v Speaker 1>giving the niggas who don't write rhymes or anything like

0:38:13.200 --> 0:38:15.480
<v Speaker 1>that the same amount. This math is not right for me,

0:38:16.400 --> 0:38:18.400
<v Speaker 1>So I end up just started doing my own thing.

0:38:18.440 --> 0:38:21.279
<v Speaker 1>I have to kurt that situation. So where did y'all

0:38:21.360 --> 0:38:27.759
<v Speaker 1>go wrong? Then? That I'm seeing? So me and Mace

0:38:27.880 --> 0:38:29.880
<v Speaker 1>Mason do a lot, a lot of little ship that

0:38:31.719 --> 0:38:34.960
<v Speaker 1>that I don't really always gotta be talked about, you

0:38:35.000 --> 0:38:36.960
<v Speaker 1>know what I'm saying. But he'll do little ship like

0:38:37.680 --> 0:38:41.359
<v Speaker 1>call me randomly and be like, yo, meeting. We speak

0:38:41.360 --> 0:38:43.960
<v Speaker 1>a couple of years and he'll be like, YO, meet

0:38:44.040 --> 0:38:47.400
<v Speaker 1>me here. I'll be like, I bet. I give an example.

0:38:47.480 --> 0:38:49.680
<v Speaker 1>This one example, he calls me out the blue one

0:38:49.760 --> 0:38:54.520
<v Speaker 1>day randomly. This is on tape, my man tape. He's like, YO,

0:38:54.640 --> 0:38:57.040
<v Speaker 1>meet me or two five. I ain spet him a

0:38:57.040 --> 0:39:00.719
<v Speaker 1>couple of years. I like, I bet this probably two

0:39:00.840 --> 0:39:05.439
<v Speaker 1>thousand eight, probably two thousand and eight years or something

0:39:05.480 --> 0:39:07.759
<v Speaker 1>like that. You like, meet me on her twin fifth

0:39:07.800 --> 0:39:09.640
<v Speaker 1>from like bad I meet him. We talk. He's like,

0:39:09.719 --> 0:39:13.600
<v Speaker 1>y'all gotta go to funk Flex car show. Let's go together.

0:39:14.200 --> 0:39:17.200
<v Speaker 1>I'm like, all right, cool, I gotta do something. He's like,

0:39:17.200 --> 0:39:20.520
<v Speaker 1>I gotta do something too. He tells me, you'll meet

0:39:20.560 --> 0:39:24.520
<v Speaker 1>me on her forty ninety by the gas stations. All right, cool,

0:39:26.320 --> 0:39:29.759
<v Speaker 1>go over there. He don't pick the phone up, called

0:39:29.840 --> 0:39:32.280
<v Speaker 1>me back. Oh I'm bugging. I'm boy River Park towers.

0:39:32.360 --> 0:39:35.640
<v Speaker 1>All right, Cool? I go over there. Yeah, yeah, he

0:39:35.719 --> 0:39:38.560
<v Speaker 1>don't because consoles in West sester Side. He don't pick up.

0:39:39.080 --> 0:39:41.480
<v Speaker 1>So now me, howey, it's a few other nigs be like,

0:39:41.800 --> 0:39:44.080
<v Speaker 1>it's this niga doing this again. So we go to

0:39:44.160 --> 0:39:46.200
<v Speaker 1>the car show, like let's see if the cars he did.

0:39:46.239 --> 0:39:50.520
<v Speaker 1>He's like, oh, ship, y'all, what y'all doing here? Y'all good?

0:39:50.680 --> 0:39:52.480
<v Speaker 1>This nothing? And so me like, yeah, why you gottas

0:39:52.520 --> 0:39:55.480
<v Speaker 1>running around the city and ship? He like, come on,

0:39:55.640 --> 0:39:58.160
<v Speaker 1>I know y'all not bugging over that. And I'm like, yea,

0:39:58.320 --> 0:40:03.759
<v Speaker 1>all y'at do that. You don't fucking me. But that's

0:40:03.880 --> 0:40:06.280
<v Speaker 1>it's a bunch of that. It's like if a nigga

0:40:06.440 --> 0:40:09.279
<v Speaker 1>keeps talking you on your side a honey, times you're

0:40:09.280 --> 0:40:12.360
<v Speaker 1>just gonna slap them. So that it's that ship happens

0:40:12.400 --> 0:40:14.959
<v Speaker 1>a million times. That little story right there. I can't

0:40:15.000 --> 0:40:18.279
<v Speaker 1>even tell you how many different times that happens. And

0:40:18.400 --> 0:40:20.520
<v Speaker 1>just get to the like like like I said, like

0:40:20.600 --> 0:40:23.520
<v Speaker 1>we do our research and where the artists come. We

0:40:23.640 --> 0:40:26.719
<v Speaker 1>listen to the music. And when I'm listening to music,

0:40:26.800 --> 0:40:29.000
<v Speaker 1>it's even on Welcome to New York City is like

0:40:30.400 --> 0:40:32.960
<v Speaker 1>you said, I'm gonna give what you said, Uh May Scott,

0:40:33.120 --> 0:40:36.600
<v Speaker 1>he ran to Atlanta, So I can tell us like

0:40:36.719 --> 0:40:39.160
<v Speaker 1>something that was it the Horse and Carriage video because

0:40:39.480 --> 0:40:40.879
<v Speaker 1>you know what, I was in the Horse and Carriage video.

0:40:41.840 --> 0:40:44.000
<v Speaker 1>It's crazy. Fifty cent told me he's in the water too.

0:40:45.239 --> 0:40:48.160
<v Speaker 1>Birds said he's in the in the video in the water.

0:40:48.760 --> 0:40:57.120
<v Speaker 1>Bird says a lot of modees in that video. Therson

0:40:57.160 --> 0:40:59.959
<v Speaker 1>Carriage video show. I'm talk about you cheated me in basket.

0:41:00.000 --> 0:41:03.000
<v Speaker 1>We've been talking about that later. But um, definitely, definitely

0:41:03.040 --> 0:41:05.080
<v Speaker 1>these all the niggas turned different. Like once it was

0:41:05.120 --> 0:41:09.480
<v Speaker 1>time of wait basketball, they put on goggles coming out

0:41:11.040 --> 0:41:13.400
<v Speaker 1>blow tried it out of nowhere, but get bat of

0:41:13.480 --> 0:41:17.719
<v Speaker 1>that later. But so's that like a shot to your face,

0:41:17.840 --> 0:41:22.640
<v Speaker 1>like when you know y'all boys right, And you know

0:41:22.680 --> 0:41:24.239
<v Speaker 1>I had to get learned that lesson to where a

0:41:24.280 --> 0:41:26.160
<v Speaker 1>person said, you know what, you gotta pay me, like

0:41:27.040 --> 0:41:29.200
<v Speaker 1>like you know what I'm saying, we're coming up? And

0:41:29.360 --> 0:41:31.400
<v Speaker 1>what was that? Was that a lesson? Like what what?

0:41:32.040 --> 0:41:34.160
<v Speaker 1>Because I guess that was the rumor that he wanted

0:41:34.160 --> 0:41:36.000
<v Speaker 1>to be paid or something and he said it on

0:41:36.160 --> 0:41:38.680
<v Speaker 1>that day. That's the reason why he didn't show up. No,

0:41:38.840 --> 0:41:40.960
<v Speaker 1>I think I wasn't tripping off that under number was

0:41:41.040 --> 0:41:42.840
<v Speaker 1>more mad about it, you know, because they felt they

0:41:43.040 --> 0:41:45.880
<v Speaker 1>other business they did with Mason everything else and so

0:41:46.000 --> 0:41:48.160
<v Speaker 1>on and so forth, that Mace wanted Bread to do

0:41:48.239 --> 0:41:51.240
<v Speaker 1>another song on my album. I didn't get really triple

0:41:51.280 --> 0:41:52.800
<v Speaker 1>off that they undt. I was trying to plant that

0:41:52.920 --> 0:41:54.640
<v Speaker 1>my head, like how your man charging you? How they

0:41:54.760 --> 0:41:57.080
<v Speaker 1>stand the third And I'm sitting there like I ain't

0:41:57.120 --> 0:41:59.440
<v Speaker 1>tripping because I'm me. You know, I would have been

0:41:59.480 --> 0:42:01.040
<v Speaker 1>doping for his there, but I knew what I was

0:42:01.160 --> 0:42:03.719
<v Speaker 1>destined to do, so I wasn't tripping. But you know

0:42:04.400 --> 0:42:06.920
<v Speaker 1>that was more in Jacob York being mad about that

0:42:07.040 --> 0:42:10.320
<v Speaker 1>than I was. I wasn't. But you didn't feel nothing

0:42:10.400 --> 0:42:12.040
<v Speaker 1>like because you know, I mean, you could have showed up,

0:42:12.080 --> 0:42:13.879
<v Speaker 1>but I wasn't gonna crowd. But I turned out good.

0:42:14.200 --> 0:42:16.680
<v Speaker 1>You know, it turned out real good. But I I'm

0:42:16.719 --> 0:42:19.319
<v Speaker 1>more upset. Well, I was more upset over the ship.

0:42:19.400 --> 0:42:24.080
<v Speaker 1>I just told you. Yeah, like yeah, like yeah, the

0:42:24.200 --> 0:42:26.000
<v Speaker 1>music like my nigga because you know, at the end

0:42:26.000 --> 0:42:28.640
<v Speaker 1>of the day, Mace, but I tell the nigger's two

0:42:28.680 --> 0:42:32.560
<v Speaker 1>and I don't really hold accountable like fastest right, you

0:42:32.680 --> 0:42:35.879
<v Speaker 1>know a nigger right now, definitely right there. Let's say

0:42:35.880 --> 0:42:38.720
<v Speaker 1>they're thirty five years old. If you give a nigga

0:42:39.000 --> 0:42:41.160
<v Speaker 1>two hundred thousand right now just is nigga you know

0:42:41.239 --> 0:42:43.440
<v Speaker 1>on the hud or whatever. They might lose their mind

0:42:43.480 --> 0:42:45.200
<v Speaker 1>because they never had that much money at one time.

0:42:45.360 --> 0:42:48.880
<v Speaker 1>Like I know a nigger now there's thirty three skim

0:42:49.000 --> 0:42:56.239
<v Speaker 1>hut one time, he's gonna go crazy smoking cigarettes exactly that.

0:42:56.560 --> 0:42:59.959
<v Speaker 1>So Mace was twenty two years old, triple platinum, probably

0:43:00.239 --> 0:43:04.680
<v Speaker 1>ten million dollars, and still trying to be in the hood,

0:43:04.840 --> 0:43:07.479
<v Speaker 1>like you know that ship you look back on because

0:43:07.480 --> 0:43:09.160
<v Speaker 1>you know me. You know you're year older than me.

0:43:09.239 --> 0:43:10.640
<v Speaker 1>But at that point you'd be like, yo, why are

0:43:10.640 --> 0:43:12.799
<v Speaker 1>you doing this? While you're doing that, You're like, nigged lord,

0:43:12.840 --> 0:43:16.279
<v Speaker 1>you might lose your mind with ten million dollars three

0:43:16.360 --> 0:43:19.040
<v Speaker 1>years old. You get what I'm saying. You ever felt

0:43:19.080 --> 0:43:20.920
<v Speaker 1>you you went Hollywood like I ain't got a lot

0:43:21.040 --> 0:43:22.680
<v Speaker 1>ninety eight, I might have went to far. Did I

0:43:22.760 --> 0:43:24.960
<v Speaker 1>ever feel like I want? Yeah, like I ain't gonna

0:43:25.120 --> 0:43:27.160
<v Speaker 1>like when I hit flatting, I didn't know how to do.

0:43:27.320 --> 0:43:31.080
<v Speaker 1>I was with two. I felt I was Hollywood before

0:43:31.080 --> 0:43:35.440
<v Speaker 1>I was anybody saying, like my com from that say

0:43:35.760 --> 0:43:38.279
<v Speaker 1>go up, I wake up this morning. I talked to

0:43:38.360 --> 0:43:40.279
<v Speaker 1>myself in a mirathon ten minutes where I leave my

0:43:40.360 --> 0:43:49.359
<v Speaker 1>house and telling myself, I'm that nigga. Me my ship,

0:43:50.040 --> 0:43:51.960
<v Speaker 1>nigga walk in on me, like Yo, what's going on?

0:43:52.080 --> 0:43:58.239
<v Speaker 1>I'm like, Yo, do that ship? You know what I'm saying.

0:43:58.239 --> 0:44:01.520
<v Speaker 1>I practice out with my how walk like I walk

0:44:01.560 --> 0:44:03.840
<v Speaker 1>on the treadmill, practice, I walk up on the block

0:44:05.600 --> 0:44:08.040
<v Speaker 1>nigga because I feel I'm that nigga, you know what

0:44:08.080 --> 0:44:10.960
<v Speaker 1>I'm saying. So I ain't really feel no way about

0:44:11.000 --> 0:44:12.840
<v Speaker 1>nothing that ship. But I never I felt I was

0:44:12.920 --> 0:44:14.960
<v Speaker 1>Hollywood before I was Hollywood and I have a dollar

0:44:15.040 --> 0:44:16.920
<v Speaker 1>but you know what I mean, Do I have Hollywood

0:44:16.920 --> 0:44:18.759
<v Speaker 1>with my niggas? No? No, I mean did you ever

0:44:18.920 --> 0:44:21.759
<v Speaker 1>like you know, Um, I had to be brought down,

0:44:21.920 --> 0:44:23.719
<v Speaker 1>like you know what I'm saying, Like, you know, just

0:44:23.840 --> 0:44:26.360
<v Speaker 1>sometimes just being a man in the world and just realizing,

0:44:26.440 --> 0:44:28.279
<v Speaker 1>like you know what this is, just this is just

0:44:28.719 --> 0:44:30.879
<v Speaker 1>famous like that, and I had to like you ain't

0:44:30.920 --> 0:44:41.959
<v Speaker 1>never have had that problem, humble, Yeah, nor haven't because

0:44:42.000 --> 0:44:45.600
<v Speaker 1>it's just like yo, because you know what, like for instance, right,

0:44:46.400 --> 0:44:50.319
<v Speaker 1>certain niggas they gotta wear jewelry every day or whatever.

0:44:50.640 --> 0:44:52.440
<v Speaker 1>You know, if it's something to do, I'm gonna get flyer.

0:44:52.520 --> 0:44:54.359
<v Speaker 1>I'm gonna step up. I'm gonna show you I dressed

0:44:54.400 --> 0:44:56.719
<v Speaker 1>better than you, but I'm gonna show you my swag better.

0:44:56.760 --> 0:44:59.160
<v Speaker 1>I'm sure you can't compete, you know what I'm saying.

0:44:59.200 --> 0:45:01.120
<v Speaker 1>If I need to do. But I'm going to this store,

0:45:01.360 --> 0:45:03.479
<v Speaker 1>I'm gonna put on a regular T shirt. Might gotta

0:45:04.640 --> 0:45:07.719
<v Speaker 1>holding it from my ashes or anything else. And I'm

0:45:07.760 --> 0:45:09.399
<v Speaker 1>still gonna talk to you how I want to talk

0:45:09.440 --> 0:45:11.239
<v Speaker 1>to you, because I don't feel I need none of

0:45:11.320 --> 0:45:13.640
<v Speaker 1>this ship to be the person I am. You get

0:45:13.680 --> 0:45:16.520
<v Speaker 1>what I'm saying. But when it's time to show up

0:45:16.520 --> 0:45:19.239
<v Speaker 1>and show out, wonder all that too. But that's just

0:45:19.400 --> 0:45:23.080
<v Speaker 1>my attitude. I come from my harsh neighborhood. Man, you

0:45:23.120 --> 0:45:24.680
<v Speaker 1>know what I'm saying. And when I say hard, I'm

0:45:24.680 --> 0:45:28.439
<v Speaker 1>talking about the joke harsh. It's like they joke real harsh,

0:45:28.560 --> 0:45:31.359
<v Speaker 1>like the jokes and ship. You may feel like it's

0:45:31.400 --> 0:45:34.200
<v Speaker 1>not a joke, you know what I'm saying, Like it's real,

0:45:34.719 --> 0:45:37.440
<v Speaker 1>like like Big Alt two, he's a funny nigger, that's

0:45:37.520 --> 0:45:39.760
<v Speaker 1>my man. And I'll be like, yo, this, these jokes

0:45:39.800 --> 0:45:42.520
<v Speaker 1>are not funny if they just somebody else. You know

0:45:42.560 --> 0:45:45.960
<v Speaker 1>what I'm saying. I knew, you know, give reason we outside,

0:45:46.160 --> 0:45:49.760
<v Speaker 1>somebody knew how the ship back on and they arguing

0:45:49.800 --> 0:45:52.040
<v Speaker 1>with somebody else that I know, And my man was like, yo,

0:45:52.239 --> 0:45:55.640
<v Speaker 1>change your ship back. You stick in the middle of

0:45:55.680 --> 0:46:00.480
<v Speaker 1>an argument. But it was cool injury like someone that

0:46:02.040 --> 0:46:11.080
<v Speaker 1>he got stabbed up ship mad metically and he's outside talking,

0:46:11.160 --> 0:46:14.120
<v Speaker 1>et cetera. But nigga snapping and nigga just like yore

0:46:14.200 --> 0:46:17.359
<v Speaker 1>changing ship back, you stick like ya. It's a harsh

0:46:17.400 --> 0:46:21.560
<v Speaker 1>thing to say, and they just kept it moving. But

0:46:21.640 --> 0:46:23.440
<v Speaker 1>I used to be like ya, this is this is

0:46:23.560 --> 0:46:26.120
<v Speaker 1>ruw and this is fucked up over here, like the

0:46:26.160 --> 0:46:28.279
<v Speaker 1>way they talked that niggas. You know, you got out

0:46:28.400 --> 0:46:30.279
<v Speaker 1>that shell growing up because you don't even know what

0:46:30.440 --> 0:46:33.520
<v Speaker 1>nigg is gonna talk about. You had a record with

0:46:33.600 --> 0:46:39.200
<v Speaker 1>Wayne Younna suck it or not? Record went crazy, but

0:46:39.560 --> 0:46:42.640
<v Speaker 1>he did. He wasn't at the video. What happened with

0:46:42.719 --> 0:46:46.120
<v Speaker 1>that one. I didn't really shoot a video for that.

0:46:47.400 --> 0:46:51.239
<v Speaker 1>It wasn't half went into that joint. No, that was

0:46:51.440 --> 0:46:53.600
<v Speaker 1>not the only thing I did for a second. A

0:46:53.680 --> 0:46:55.520
<v Speaker 1>matter of fact, I did shoot the video for sucking

0:46:55.600 --> 0:46:58.400
<v Speaker 1>nine went to wet White. Um. I don't remember. But

0:46:58.520 --> 0:47:03.520
<v Speaker 1>the keeping their hunting Um, Bootsy and Webby was on

0:47:03.680 --> 0:47:06.360
<v Speaker 1>that song first. You know what I'm saying, shout to

0:47:06.400 --> 0:47:09.960
<v Speaker 1>Booty and Webby. You know what. Yeah, it was released

0:47:10.000 --> 0:47:12.759
<v Speaker 1>some type of way, but Wayne heard it and you know,

0:47:13.400 --> 0:47:15.960
<v Speaker 1>Top my Squids Asylum, they wanted to put Wayne on it,

0:47:16.719 --> 0:47:18.960
<v Speaker 1>and um, it was a last minute decision before we

0:47:19.600 --> 0:47:21.960
<v Speaker 1>you know, and ended up mastering the album or whatever.

0:47:22.040 --> 0:47:25.040
<v Speaker 1>But the song originally was Bootsy and Webby and they

0:47:25.120 --> 0:47:30.320
<v Speaker 1>was originally on it. But um, you know, Wayne, Wayne

0:47:30.360 --> 0:47:32.279
<v Speaker 1>is a fan and it came out. I don't even

0:47:32.320 --> 0:47:35.560
<v Speaker 1>want to sit here and say how or why, But regardless,

0:47:35.680 --> 0:47:37.320
<v Speaker 1>I'm not big on if you show up to the

0:47:37.440 --> 0:47:39.840
<v Speaker 1>video you did the song, thank you, you know what

0:47:39.880 --> 0:47:42.120
<v Speaker 1>I'm saying. But Wayne, my man. Today I called Wayne

0:47:42.719 --> 0:47:44.600
<v Speaker 1>Wayne one of them niggas just gonna send a record

0:47:44.600 --> 0:47:46.680
<v Speaker 1>back before the sun. You know what I'm saying. You

0:47:46.760 --> 0:47:51.120
<v Speaker 1>worked fast, so definitely, how was it at the time

0:47:52.440 --> 0:47:56.520
<v Speaker 1>we made a song called about About It. Um didn't

0:47:56.719 --> 0:47:58.320
<v Speaker 1>go to New Orleans a lot, so a lot of

0:47:58.360 --> 0:48:01.720
<v Speaker 1>people didn't know how important you was doing about about

0:48:01.719 --> 0:48:04.439
<v Speaker 1>It and remaking that. How was that working with master

0:48:04.520 --> 0:48:06.560
<v Speaker 1>here at that time? It was dope? That was what

0:48:06.719 --> 0:48:09.320
<v Speaker 1>what happened was I was a fan of the South always.

0:48:09.360 --> 0:48:12.680
<v Speaker 1>I went to school in Texas, you know, family in South.

0:48:12.760 --> 0:48:15.440
<v Speaker 1>But not only that, I traveled lived outside of New York.

0:48:15.480 --> 0:48:17.239
<v Speaker 1>I lived in Ohio, I lived in Chicago. And I

0:48:17.280 --> 0:48:19.480
<v Speaker 1>see how big of a fact our artists had, Like

0:48:19.520 --> 0:48:22.000
<v Speaker 1>New York niggas. Our mentality is we the biggest niggers

0:48:22.000 --> 0:48:24.879
<v Speaker 1>in the world. Pause, But when you go out of town,

0:48:24.960 --> 0:48:27.080
<v Speaker 1>niggers don't really care too much about all that New

0:48:27.160 --> 0:48:28.800
<v Speaker 1>York ship. They got their own ship going on. So

0:48:28.840 --> 0:48:32.279
<v Speaker 1>I always respected that being able to travel, and me

0:48:32.400 --> 0:48:34.040
<v Speaker 1>and masr P we end up sitting on the flight

0:48:34.120 --> 0:48:36.120
<v Speaker 1>next to each other and we just talked the whole flight,

0:48:36.920 --> 0:48:38.400
<v Speaker 1>and um, I was like, yeah, I want to remake

0:48:38.440 --> 0:48:41.120
<v Speaker 1>your record. He liked bet and we did it. And

0:48:41.200 --> 0:48:45.360
<v Speaker 1>he owns that master correct for my soul about his

0:48:45.400 --> 0:48:48.319
<v Speaker 1>own Yeah, yeah, he could only do it. He could

0:48:48.360 --> 0:48:51.719
<v Speaker 1>clear Yeah, he cleared it for me. So we did

0:48:51.840 --> 0:48:55.840
<v Speaker 1>the song and it was cool. Jim didn't like it.

0:48:56.719 --> 0:49:00.279
<v Speaker 1>Jim directed the video not just only in light and

0:49:00.440 --> 0:49:02.319
<v Speaker 1>that's he was super cool when we shot the video.

0:49:02.680 --> 0:49:04.239
<v Speaker 1>But I guess when they're doing b ROW, I wasn't

0:49:04.239 --> 0:49:07.200
<v Speaker 1>there for everything. He was screaming on Jim. I guess

0:49:07.200 --> 0:49:09.120
<v Speaker 1>because it was taking time and stupid. I we're four

0:49:09.200 --> 0:49:13.440
<v Speaker 1>hundred million. They got me standing out here, and Jim

0:49:13.520 --> 0:49:17.080
<v Speaker 1>was like, it's hard to work with this guy four

0:49:17.480 --> 0:49:23.800
<v Speaker 1>millions in fitness. That another park on a hund fifty

0:49:23.920 --> 0:49:26.759
<v Speaker 1>first by Joels, but first Amsterdam. And now it's like

0:49:28.239 --> 0:49:30.239
<v Speaker 1>there were so many kids outside, but you know, you

0:49:30.360 --> 0:49:32.680
<v Speaker 1>do the big scene with everybody, so I gotta beat

0:49:32.719 --> 0:49:34.480
<v Speaker 1>it all time. Jim taking them to do little b

0:49:34.719 --> 0:49:36.560
<v Speaker 1>road shots to this, and I guess they took time

0:49:36.640 --> 0:49:39.080
<v Speaker 1>to set the camera and he just kept screaming this

0:49:39.160 --> 0:49:42.000
<v Speaker 1>four hundred millions shot out and niggas just holding him

0:49:42.080 --> 0:49:43.640
<v Speaker 1>up and he got shipped to do in order because

0:49:43.680 --> 0:49:45.640
<v Speaker 1>Jim kept calling me like, Yo, this sniker keeps telling

0:49:45.640 --> 0:49:48.080
<v Speaker 1>me you got four billion and he ain't got time

0:49:48.160 --> 0:49:57.000
<v Speaker 1>for this ship. You say, you said I got four

0:49:57.040 --> 0:49:59.719
<v Speaker 1>on a minute, what do we do? What do you say?

0:50:00.840 --> 0:50:03.600
<v Speaker 1>Stay patient? We need it, you know, we need it. Yeah,

0:50:03.680 --> 0:50:05.840
<v Speaker 1>we need this look. So that's what happened. Who was

0:50:05.840 --> 0:50:07.480
<v Speaker 1>the eldest person that you told you there was a

0:50:07.560 --> 0:50:11.240
<v Speaker 1>fan of you that you was like it was personal study,

0:50:11.520 --> 0:50:15.759
<v Speaker 1>all right, So it's a dope story. Right. So my

0:50:15.880 --> 0:50:18.160
<v Speaker 1>first album, my first album is not even out yet,

0:50:18.560 --> 0:50:23.520
<v Speaker 1>and we're in the airport. It's me and a couple

0:50:23.560 --> 0:50:29.120
<v Speaker 1>of my niggers and Laurd Fishburne walked past, just randomly

0:50:29.239 --> 0:50:32.640
<v Speaker 1>like We're like, oh shit, fucking Laurence Fritshburn. We don't

0:50:32.640 --> 0:50:35.759
<v Speaker 1>have no album, so we like talking to see Laurence Fishburn.

0:50:36.320 --> 0:50:39.439
<v Speaker 1>He's like, yo, man, he loved Lauren Frishburn. No HOMEO.

0:50:39.640 --> 0:50:42.800
<v Speaker 1>So jim is sitting there. Jimmy's like, y'all, I was

0:50:42.880 --> 0:50:46.440
<v Speaker 1>in choice of Russ And if you call him Larry,

0:50:46.560 --> 0:50:49.160
<v Speaker 1>he loses his mind. He don't like to be called Larry.

0:50:50.400 --> 0:50:54.640
<v Speaker 1>So my man is an ask. So he died, I'm

0:50:54.680 --> 0:50:58.200
<v Speaker 1>in Fast Show and got blessed to day. He like, yo,

0:50:58.360 --> 0:51:03.000
<v Speaker 1>Larry just yeah, he looked to be like he looked.

0:51:03.000 --> 0:51:05.759
<v Speaker 1>He's like yo, I said, what's up, Larry? Ship. So

0:51:06.000 --> 0:51:10.320
<v Speaker 1>Laurence Fishburn stops and walks over and says, what you

0:51:10.440 --> 0:51:12.560
<v Speaker 1>just called me? Is that the airport? Yes? Yes? And

0:51:12.640 --> 0:51:14.320
<v Speaker 1>the airport He's like, what did you call me? He's like,

0:51:15.080 --> 0:51:20.600
<v Speaker 1>I said, what's uping Larry? What's was happening? So we're like, yo,

0:51:20.719 --> 0:51:22.759
<v Speaker 1>we fans this stand the third he tuned in us out.

0:51:22.800 --> 0:51:24.960
<v Speaker 1>He's like, yo, why are you calling me like? He said,

0:51:24.960 --> 0:51:27.200
<v Speaker 1>because that ship name. He said, my name is Lawrence.

0:51:28.040 --> 0:51:32.360
<v Speaker 1>He said, your name is Larry. Hilarious. I'll get it.

0:51:33.120 --> 0:51:35.239
<v Speaker 1>Let me tell you this, just this story, so about

0:51:35.320 --> 0:51:38.319
<v Speaker 1>to do research on it. His name was Larry when

0:51:38.360 --> 0:51:41.080
<v Speaker 1>he was young, but then after hire learning he changed

0:51:41.120 --> 0:51:44.600
<v Speaker 1>at the Lawrence I guess Larry's will and niggery and

0:51:44.640 --> 0:51:47.040
<v Speaker 1>then he did learning and he said he want to

0:51:47.080 --> 0:51:50.520
<v Speaker 1>be like proper Black, the Matrix and all this ship.

0:51:50.680 --> 0:51:56.840
<v Speaker 1>So anyway, he like, man, fuck you. He teld my

0:51:56.920 --> 0:51:59.719
<v Speaker 1>men that we like yo, don't listen to him. Jim

0:51:59.760 --> 0:52:03.040
<v Speaker 1>and just did a scene on New York Undercover as

0:52:03.080 --> 0:52:08.759
<v Speaker 1>an extra and he active say, Jim was like an

0:52:08.800 --> 0:52:11.080
<v Speaker 1>extra New York Uncle last side, you know, no album out.

0:52:11.120 --> 0:52:16.640
<v Speaker 1>He's promoting ship. So he walks off. You're like, yo,

0:52:16.719 --> 0:52:18.640
<v Speaker 1>why you do that? Sean like, what's wrong with you?

0:52:18.840 --> 0:52:25.480
<v Speaker 1>Like man funk that your name is Larry. So we're chilling,

0:52:25.600 --> 0:52:30.440
<v Speaker 1>like ten minutes later, this nigga come back. It's sitting

0:52:30.480 --> 0:52:34.000
<v Speaker 1>next to us, be like, yo, man, don't worry about him.

0:52:34.040 --> 0:52:36.560
<v Speaker 1>He now he overre my man is Sean over there

0:52:36.920 --> 0:52:39.880
<v Speaker 1>be like, yo, man, we fished. Jim like, I'm like,

0:52:40.080 --> 0:52:41.520
<v Speaker 1>my man was just on New York going to cover

0:52:41.520 --> 0:52:43.439
<v Speaker 1>if you can help us out with the little active ship,

0:52:43.880 --> 0:52:46.040
<v Speaker 1>need a little kig and all that ship. You're like,

0:52:46.080 --> 0:52:49.160
<v Speaker 1>I'm not helping you all, and be like what's wrong? Man?

0:52:49.280 --> 0:52:53.440
<v Speaker 1>He like you with somebody who keep calling me Larry.

0:52:54.880 --> 0:52:58.720
<v Speaker 1>My man leaned over and say your name is laughing

0:52:58.760 --> 0:53:03.200
<v Speaker 1>and don't ask me again, Lord Fishburn, get up, get out,

0:53:03.680 --> 0:53:05.719
<v Speaker 1>taking his wallet out, put in my men face. What

0:53:05.800 --> 0:53:08.799
<v Speaker 1>does that say? My man is like, I don't care

0:53:08.880 --> 0:53:12.839
<v Speaker 1>what he's say. Your name's Lay. So we're like, yo,

0:53:12.920 --> 0:53:14.920
<v Speaker 1>fuck him. Then I'm about to be a rapper. What

0:53:14.920 --> 0:53:18.520
<v Speaker 1>I'm saying snigger. My man is acting to stand the

0:53:18.640 --> 0:53:23.480
<v Speaker 1>third yo, so the Maura fisherroom. Wow. So he says, yo,

0:53:23.520 --> 0:53:26.399
<v Speaker 1>stop acting me for help. Man. You know what I'm saying,

0:53:26.719 --> 0:53:29.360
<v Speaker 1>funk that I'm not helping y'all. Just think you gotta understand.

0:53:29.480 --> 0:53:33.800
<v Speaker 1>So now Jimmy's basically begging Lord Fishburn. Now I'm like,

0:53:34.960 --> 0:53:39.080
<v Speaker 1>are you fuck you? Get the funk out of here,

0:53:40.440 --> 0:53:43.160
<v Speaker 1>like kissing your ass and man, fuck you matter fact,

0:53:43.160 --> 0:53:46.440
<v Speaker 1>I'm about to swing on you. So Frishburn like you

0:53:46.560 --> 0:53:49.200
<v Speaker 1>backed up. This nigga pulls some gloves out of his

0:53:49.320 --> 0:53:53.200
<v Speaker 1>pocket and put on his gloves. So I'm like, I

0:53:53.320 --> 0:53:54.920
<v Speaker 1>looked at my man team, I'm like, you're about to

0:53:55.000 --> 0:54:00.160
<v Speaker 1>jump this nigga. He just looked and walked off off

0:54:01.680 --> 0:54:04.120
<v Speaker 1>like the like a movie like just walked off into

0:54:04.120 --> 0:54:05.880
<v Speaker 1>the ship. And I'm like, my man showing like you

0:54:06.000 --> 0:54:10.040
<v Speaker 1>an asshole. I said, I got tired of kissing his ass.

0:54:10.120 --> 0:54:12.040
<v Speaker 1>He was like, nah, he was on the verge of

0:54:12.160 --> 0:54:19.479
<v Speaker 1>snuffing me. Man, I'm just gonna fall out, fun up everything, brother,

0:54:21.000 --> 0:54:23.120
<v Speaker 1>I said, I can't take it no more anyway. Fast

0:54:23.200 --> 0:54:27.840
<v Speaker 1>forward to answer your question, my man is driving my

0:54:28.000 --> 0:54:31.080
<v Speaker 1>pink range over one day at hall On like stuff

0:54:31.160 --> 0:54:38.279
<v Speaker 1>like like yeah, so yeah like fish Lawrence like whatever,

0:54:39.480 --> 0:54:41.920
<v Speaker 1>He's like, yeah, camera Pink range over. He's like yes,

0:54:42.080 --> 0:54:45.440
<v Speaker 1>my man, he said, Yo, tell that guy love his music. Man,

0:54:45.520 --> 0:54:47.719
<v Speaker 1>I'm a big fucking fan of camera man. You let

0:54:47.800 --> 0:54:50.239
<v Speaker 1>him know that. And I'm like, Lawrence don't even know that.

0:54:50.280 --> 0:54:54.000
<v Speaker 1>I was listening the airport like fucking six years ago

0:54:54.520 --> 0:54:57.120
<v Speaker 1>that she was going crazy because Nikka called you Larry.

0:54:57.680 --> 0:54:59.640
<v Speaker 1>Now you're a fan of my music, My nigga, Look

0:54:59.719 --> 0:55:03.080
<v Speaker 1>look at that my nigga. So that's a person who

0:55:03.120 --> 0:55:05.759
<v Speaker 1>I would say is a fan who basically shipped on us,

0:55:05.840 --> 0:55:09.480
<v Speaker 1>to us to kick rocks and get the funk out

0:55:09.520 --> 0:55:11.320
<v Speaker 1>of here because my man was going crazy on that.

0:55:11.760 --> 0:55:16.719
<v Speaker 1>Make some noy for that guy, Laurence I was. I

0:55:16.760 --> 0:55:23.920
<v Speaker 1>was scared. Now, I don't call him yea man. You

0:55:23.960 --> 0:55:27.239
<v Speaker 1>don't like Larry, you want to be Laurus. So so

0:55:27.880 --> 0:55:33.239
<v Speaker 1>I imagine growing up being from all from all, being

0:55:33.280 --> 0:55:36.080
<v Speaker 1>from New York City, you had to be fans of

0:55:36.280 --> 0:55:39.520
<v Speaker 1>Jay and not. But at one point you was at

0:55:40.760 --> 0:55:45.040
<v Speaker 1>odds with Jay and Not. I mean, which one you

0:55:45.080 --> 0:55:46.879
<v Speaker 1>want to talk about first? If you if you don't

0:55:46.920 --> 0:55:49.840
<v Speaker 1>matter either. So all right, let's say j J for instance,

0:55:49.840 --> 0:55:52.840
<v Speaker 1>because you were at Rocket Feller and this is you

0:55:53.120 --> 0:55:56.240
<v Speaker 1>leaving Rocket Feller or exiting Rocket Feller. Just these records

0:55:56.280 --> 0:55:59.040
<v Speaker 1>that pop up now. But what happened was I believe

0:56:00.239 --> 0:56:02.800
<v Speaker 1>Dame was gonna make me the president of the Rocket Feller.

0:56:03.239 --> 0:56:05.440
<v Speaker 1>This is his office. That was just that has to

0:56:05.480 --> 0:56:07.680
<v Speaker 1>do with this office he was talking about earlier. No,

0:56:07.840 --> 0:56:12.279
<v Speaker 1>we just house. That wasn't the same time and he

0:56:12.360 --> 0:56:15.520
<v Speaker 1>was the president. It never really came before wishing me

0:56:15.600 --> 0:56:17.719
<v Speaker 1>being a president being an actually president. He wanted to

0:56:17.800 --> 0:56:20.640
<v Speaker 1>make me a president, Okay, and I don't think he

0:56:22.640 --> 0:56:25.239
<v Speaker 1>talked to j about that, you know what I'm saying.

0:56:25.320 --> 0:56:27.600
<v Speaker 1>So like when i ainked some bust it and me

0:56:27.680 --> 0:56:30.040
<v Speaker 1>and Jake Cool were just on the sky Zoom call

0:56:30.280 --> 0:56:32.279
<v Speaker 1>like a week ago. So this just stories. Me and

0:56:32.360 --> 0:56:38.600
<v Speaker 1>Jain't got no problems. We're super cool. So by the way,

0:56:39.440 --> 0:56:45.400
<v Speaker 1>I thought, I'm gonna take it with me. No, no,

0:56:45.480 --> 0:56:51.840
<v Speaker 1>I appreciate it. So. Um, Basically, when I got the

0:56:51.960 --> 0:56:55.120
<v Speaker 1>rocket feller, you know, I tried to ingratiate myself with

0:56:55.239 --> 0:56:57.480
<v Speaker 1>everybody because I don't know what that means. Yeah, I'm

0:56:57.480 --> 0:57:00.120
<v Speaker 1>trying to be cool whatever I'm trying to say. They

0:57:00.200 --> 0:57:07.480
<v Speaker 1>already have something going and trying to be cool with

0:57:07.560 --> 0:57:09.520
<v Speaker 1>everybody because y'all got your own thing, you know what

0:57:09.560 --> 0:57:10.840
<v Speaker 1>I'm saying. I don't want to come in here and

0:57:10.840 --> 0:57:13.279
<v Speaker 1>seem like I'm stepping on toes or whatever. So I'm

0:57:13.320 --> 0:57:16.200
<v Speaker 1>cool with everybody. You know, Hey, this down the third

0:57:16.280 --> 0:57:19.480
<v Speaker 1>and you know Jay Jay is a competitor, you know

0:57:19.520 --> 0:57:23.360
<v Speaker 1>what I'm saying. So me coming there, I don't know

0:57:23.560 --> 0:57:26.560
<v Speaker 1>this was dame situation and say something that he did,

0:57:26.720 --> 0:57:33.040
<v Speaker 1>so you know, um, first thing is happened. I bought

0:57:33.080 --> 0:57:35.040
<v Speaker 1>Kay Slay up there, and I guess I didn't know

0:57:35.160 --> 0:57:38.480
<v Speaker 1>he was mad at Kase Slave because kse Slay musts

0:57:38.520 --> 0:57:41.480
<v Speaker 1>to play Eta at the time, and he was mad

0:57:41.560 --> 0:57:45.280
<v Speaker 1>at now for Ether and Order. Never heard this story. Yeah, yeah,

0:57:45.320 --> 0:57:46.840
<v Speaker 1>I'm telling you. You can tell you what happened. You

0:57:46.920 --> 0:57:54.600
<v Speaker 1>got ask Kate slept. So I wait a minute, run

0:57:54.720 --> 0:57:59.480
<v Speaker 1>case Lay up to baseline. Yeah, okay, this is after

0:58:00.040 --> 0:58:04.720
<v Speaker 1>case Slag. He definitely voted for NAS either, remember this. Yeah,

0:58:04.960 --> 0:58:08.520
<v Speaker 1>so bordom up there because you know we're using case

0:58:08.560 --> 0:58:11.080
<v Speaker 1>Slay the hostid mixtape. So Kay came up there, boom.

0:58:11.360 --> 0:58:14.120
<v Speaker 1>Jay wasn't there. But as I'm leaving, Jay is in

0:58:14.200 --> 0:58:18.800
<v Speaker 1>the lobby of Baseline, So I want k to the elevator,

0:58:20.360 --> 0:58:23.160
<v Speaker 1>and I guess they said Jay and jay Z said

0:58:23.200 --> 0:58:26.560
<v Speaker 1>what's up whatever? So I walked back and he said, Yo,

0:58:26.600 --> 0:58:28.520
<v Speaker 1>you gotta be careful who you're bringing around here. He

0:58:28.600 --> 0:58:30.400
<v Speaker 1>might have just slapped the ship out of Case Slang.

0:58:30.480 --> 0:58:33.520
<v Speaker 1>And I'm like, wait, what's going on, man? And you know,

0:58:33.640 --> 0:58:35.960
<v Speaker 1>I don't even know what's going on. He's like he's like,

0:58:36.560 --> 0:58:39.680
<v Speaker 1>he's like, yo, just saying be careful all right, cool,

0:58:39.760 --> 0:58:41.320
<v Speaker 1>this your house. Ain't that no problem with that? You

0:58:41.320 --> 0:58:45.560
<v Speaker 1>know what I'm saying. It's all good. Cool, we're building

0:58:45.640 --> 0:58:49.360
<v Speaker 1>buzz up. I'm like, yo, Jay in the studio, I'm like, yo,

0:58:49.480 --> 0:58:52.280
<v Speaker 1>we might want to hop on his record. We're building

0:58:52.280 --> 0:58:57.200
<v Speaker 1>the buzz and he'll just look like, okay, that's cute,

0:58:57.280 --> 0:58:59.680
<v Speaker 1>Like he didn't say that, but he's like okay. I'm like,

0:59:00.000 --> 0:59:03.840
<v Speaker 1>ain't cool. Cool. I don't know what's going on, but whatever,

0:59:04.080 --> 0:59:08.800
<v Speaker 1>So um, I start heating up, you know what I'm saying,

0:59:09.760 --> 0:59:14.880
<v Speaker 1>And he like, yo, we seeming you know, you can

0:59:14.920 --> 0:59:17.360
<v Speaker 1>tell us some tension. So one day I come to

0:59:17.400 --> 0:59:19.480
<v Speaker 1>the studio. You're like, yo, it seemed like it's some

0:59:19.560 --> 0:59:23.360
<v Speaker 1>tension in here. Yea, yeah to me, I'm talking. I

0:59:23.400 --> 0:59:25.480
<v Speaker 1>don't know if exact words, but he says something going on.

0:59:26.000 --> 0:59:27.160
<v Speaker 1>I just want to let you know. I see all

0:59:27.240 --> 0:59:30.000
<v Speaker 1>niggers rocking. I ain't got no problem. Were all good,

0:59:30.120 --> 0:59:33.640
<v Speaker 1>you know what I'm saying. So I'm like, bad, um

0:59:33.920 --> 0:59:37.000
<v Speaker 1>just got a song up right now, you know, like, yeah,

0:59:37.080 --> 0:59:39.600
<v Speaker 1>let's just do it now. And he's like, back, so

0:59:39.720 --> 0:59:43.000
<v Speaker 1>we did the song room, So I said, yo, the song.

0:59:43.080 --> 0:59:48.480
<v Speaker 1>He know we might could do the video He like, okay,

0:59:48.600 --> 0:59:52.919
<v Speaker 1>we back to that cool so that that happened, then

0:59:53.920 --> 0:59:56.200
<v Speaker 1>back to all we're saying about I'm starting to do

0:59:56.360 --> 0:59:59.480
<v Speaker 1>bus moves or whatever. Because there was that. There was

0:59:59.600 --> 1:00:01.840
<v Speaker 1>a ja the verse on Old Boy, and you might

1:00:02.120 --> 1:00:06.479
<v Speaker 1>tell you that. So Pete Crap, nobody's fucking Pete Crap,

1:00:06.720 --> 1:00:10.000
<v Speaker 1>Stay Property, nobody, Peddy Crack. I was gonna fun with

1:00:10.040 --> 1:00:16.919
<v Speaker 1>Speedy Crap. He had the song one for Pete Crap. Yeah,

1:00:17.960 --> 1:00:20.320
<v Speaker 1>that was this on myself. I put me in jewels

1:00:20.360 --> 1:00:22.760
<v Speaker 1>on it. Taking the Dame like about the fun, He like,

1:00:22.800 --> 1:00:24.640
<v Speaker 1>he fulfilled you to funk with Stay Property. I'm like,

1:00:25.280 --> 1:00:29.440
<v Speaker 1>why everything I gotta be so philly, this holmness. I

1:00:29.480 --> 1:00:32.240
<v Speaker 1>don't think I heard the story Pete Cracker story. Don't

1:00:32.240 --> 1:00:36.480
<v Speaker 1>even need to drink it's on flat. He told the

1:00:36.520 --> 1:00:39.520
<v Speaker 1>story on VLAG. I already knew how I went anyway,

1:00:39.560 --> 1:00:42.280
<v Speaker 1>But he tells the story. So day in the studio

1:00:42.360 --> 1:00:44.439
<v Speaker 1>he said he got this hot song. You know, because

1:00:44.520 --> 1:00:46.680
<v Speaker 1>he wasn't signing State Property. I was working with him.

1:00:46.720 --> 1:00:49.400
<v Speaker 1>He come to New York or whatever, and I was

1:00:49.440 --> 1:00:51.400
<v Speaker 1>gonna sign him, but Dame was like, I was gonna

1:00:51.440 --> 1:00:53.440
<v Speaker 1>suck up ful Philly and all this ship, and I'm like,

1:00:54.360 --> 1:00:57.080
<v Speaker 1>so Pete was was like, it's a situation with Bothyard's right,

1:00:57.120 --> 1:00:59.880
<v Speaker 1>by the way, Yeah, Dame is right, and you were right.

1:01:00.120 --> 1:01:03.960
<v Speaker 1>This is a situation. But continue. So he's property but

1:01:04.200 --> 1:01:06.960
<v Speaker 1>it's seeming like that, but he's not. So he's like,

1:01:07.000 --> 1:01:09.880
<v Speaker 1>I'm not signing him niggas camp. So we did the song,

1:01:11.360 --> 1:01:14.520
<v Speaker 1>so he played. Pete's playing the song for jay Z

1:01:15.120 --> 1:01:18.280
<v Speaker 1>whoever else in the studio and like I said, Pete,

1:01:18.600 --> 1:01:20.920
<v Speaker 1>Pete crack story is on flack. He talks about a

1:01:20.960 --> 1:01:22.720
<v Speaker 1>couple of interviews. I already knew how it went though,

1:01:22.800 --> 1:01:25.840
<v Speaker 1>but we don't mention the other outlets. Yeah, so he's

1:01:25.880 --> 1:01:29.760
<v Speaker 1>playing sorry about that. So he's especially that they apologize

1:01:30.000 --> 1:01:33.080
<v Speaker 1>a couple of videos. He he a couple of the

1:01:33.160 --> 1:01:35.680
<v Speaker 1>interviews he mentioned this. So he says he's in the

1:01:35.760 --> 1:01:39.960
<v Speaker 1>studio playing it and my verse come on and j say,

1:01:40.040 --> 1:01:44.400
<v Speaker 1>stopping erased that ship and just erased my whole verse.

1:01:45.720 --> 1:01:56.080
<v Speaker 1>So Pete calls me, he like, you're saying the original

1:01:56.240 --> 1:02:02.160
<v Speaker 1>one for Pete? You're on there, would you? Yes, pets

1:02:02.240 --> 1:02:06.120
<v Speaker 1>in the studio actually plays director. No, this is what happened.

1:02:07.240 --> 1:02:09.400
<v Speaker 1>I used to go to Philly. I has Salon and Philly.

1:02:10.080 --> 1:02:16.800
<v Speaker 1>You know what I'm saying. So so one night after

1:02:17.080 --> 1:02:18.800
<v Speaker 1>you know, check on my business and Philly, I go

1:02:18.920 --> 1:02:21.840
<v Speaker 1>to a club, this DJ Koreyak I think his name was,

1:02:22.520 --> 1:02:24.080
<v Speaker 1>and I'm like, in the hole in the wall and

1:02:24.200 --> 1:02:26.320
<v Speaker 1>PT Crack is performing in this hole in the war

1:02:26.360 --> 1:02:28.560
<v Speaker 1>and the whole club is going crazy. So I went

1:02:28.640 --> 1:02:30.920
<v Speaker 1>up to him in Meadow. I'm like, yo, what's up here?

1:02:30.920 --> 1:02:32.880
<v Speaker 1>Like now you know beans just down the third and

1:02:32.960 --> 1:02:35.600
<v Speaker 1>then I funk with everybody. You know, there were those

1:02:35.680 --> 1:02:38.200
<v Speaker 1>with his niggas. So then a week or two later

1:02:38.360 --> 1:02:39.680
<v Speaker 1>I went to I don't know at the time when

1:02:39.760 --> 1:02:42.800
<v Speaker 1>we go to Philly radio station and he's outside the

1:02:42.920 --> 1:02:47.800
<v Speaker 1>radio station. Yeah, he's outside the radio station, and he like,

1:02:48.040 --> 1:02:50.960
<v Speaker 1>chill her, what's up man? I'm like, I thought you

1:02:51.320 --> 1:02:53.640
<v Speaker 1>with state property? Me like, game ain't signing Damon's there.

1:02:53.680 --> 1:02:55.880
<v Speaker 1>He's like, they main't sign me nothing. I'm like, word,

1:02:56.240 --> 1:02:59.160
<v Speaker 1>so that record you there still not send it to me?

1:03:00.080 --> 1:03:01.640
<v Speaker 1>Wasn't sending that some type of way? He gave me

1:03:01.680 --> 1:03:03.920
<v Speaker 1>a CD I think I had, and I did it

1:03:05.040 --> 1:03:06.560
<v Speaker 1>and gave it to him. He came there, used to

1:03:06.640 --> 1:03:08.720
<v Speaker 1>come to New York. So when I did it, Dame.

1:03:08.800 --> 1:03:11.280
<v Speaker 1>It's like, yo, hold on, I said, the man said,

1:03:11.320 --> 1:03:14.920
<v Speaker 1>he's not signing y'all. There's nobody. Well, you know we

1:03:15.240 --> 1:03:16.760
<v Speaker 1>was gonna do this and I was gonna do that,

1:03:16.920 --> 1:03:21.000
<v Speaker 1>and I'm like whatever. So then what happened was Dame said, look,

1:03:21.840 --> 1:03:25.240
<v Speaker 1>I guess beans and nothing's like, how can this was

1:03:25.520 --> 1:03:27.600
<v Speaker 1>pt cracks on me? How Kim and them jumping on

1:03:27.720 --> 1:03:31.080
<v Speaker 1>our record on the Philly record bed, Like, I ain't

1:03:31.080 --> 1:03:33.720
<v Speaker 1>know you wanted to do the record. So Dame come

1:03:33.800 --> 1:03:35.520
<v Speaker 1>to me. I guess it was a problem over that

1:03:35.680 --> 1:03:40.960
<v Speaker 1>or whatever. Dame like, Yo, this is what we're gonna do.

1:03:41.400 --> 1:03:43.960
<v Speaker 1>We're gonna put state property on it and keep you

1:03:44.080 --> 1:03:47.240
<v Speaker 1>on it. We're gonna take you els off. I'm like, now,

1:03:47.400 --> 1:03:49.840
<v Speaker 1>didn't take me off to like, I don't understand what's

1:03:49.880 --> 1:03:51.760
<v Speaker 1>going on? Why this is such a big deal, like

1:03:52.360 --> 1:03:56.200
<v Speaker 1>it was gonna takes off and leave you. And I'm like, nah, man,

1:03:56.520 --> 1:03:58.320
<v Speaker 1>I said, well take me off the record to man

1:03:58.360 --> 1:04:00.440
<v Speaker 1>and ain't no problem. You know what I'm saying. But

1:04:01.480 --> 1:04:03.800
<v Speaker 1>prior to all this video for that song and everything,

1:04:03.960 --> 1:04:06.960
<v Speaker 1>jay Z heard the verse and just eraseing my ship

1:04:07.120 --> 1:04:09.960
<v Speaker 1>to Pete crack erace it or shame whoever was um

1:04:10.280 --> 1:04:14.880
<v Speaker 1>engineering that day. I'm like, what's it's why I'm back

1:04:15.000 --> 1:04:17.320
<v Speaker 1>and energy going on, but we don't give a funk.

1:04:17.560 --> 1:04:19.959
<v Speaker 1>But Cam, I gotta ask because this is very deep.

1:04:20.720 --> 1:04:25.040
<v Speaker 1>Everybody's good, everybody's good. Drink right now, but this is

1:04:25.280 --> 1:04:27.960
<v Speaker 1>this is one facts you know that that happened. You

1:04:28.040 --> 1:04:30.800
<v Speaker 1>know that that if you want, we could pull this interview.

1:04:30.840 --> 1:04:34.240
<v Speaker 1>Pull it up on your phone. We've got people who's

1:04:34.240 --> 1:04:39.800
<v Speaker 1>paid for that. Let's go first. You pull up, pull up,

1:04:39.880 --> 1:04:44.560
<v Speaker 1>Cameron Jewells and Pete crap. It's just called pet ain't

1:04:44.600 --> 1:04:54.520
<v Speaker 1>casting my course for a minute. Ken, Yeah, yeah, but

1:04:54.680 --> 1:04:56.400
<v Speaker 1>you put up, pull up. I don't want to bring it.

1:04:56.400 --> 1:04:59.480
<v Speaker 1>I don't want to. I want to bring Zeke in,

1:04:59.520 --> 1:05:00.680
<v Speaker 1>but I don't want to. You got it, want to

1:05:00.720 --> 1:05:04.280
<v Speaker 1>keep going, you get him all not even be even

1:05:04.400 --> 1:05:09.080
<v Speaker 1>better coming from that. I never heard this story. So

1:05:09.440 --> 1:05:12.200
<v Speaker 1>but I'm saying not the fact that that doesn't exist,

1:05:12.280 --> 1:05:15.800
<v Speaker 1>but the fact that the person that said that Jay

1:05:15.880 --> 1:05:19.840
<v Speaker 1>said to take that verse off. That's really one million percent.

1:05:20.240 --> 1:05:25.680
<v Speaker 1>I wouldn't be on your show making no ship. Yeah yeah, yeah,

1:05:25.800 --> 1:05:27.480
<v Speaker 1>you know what I'm saying. I mean, I know you

1:05:27.560 --> 1:05:30.880
<v Speaker 1>got a huge ordiance ain't on time, you know, Like

1:05:31.000 --> 1:05:33.200
<v Speaker 1>I said, Jay may I have a different way of

1:05:33.320 --> 1:05:35.680
<v Speaker 1>going about it. But this with Pete Crack said, he's

1:05:35.680 --> 1:05:37.120
<v Speaker 1>like because he wanted to give me a copy, but

1:05:37.200 --> 1:05:39.680
<v Speaker 1>already had a copy. I put it on my mixtape.

1:05:40.000 --> 1:05:42.320
<v Speaker 1>So you saying that to say that to bring it

1:05:42.360 --> 1:05:47.200
<v Speaker 1>to old boy, right, So you know, J one Day

1:05:47.680 --> 1:06:00.640
<v Speaker 1>was like, um yeah, J one Day was like, um, y'all,

1:06:00.720 --> 1:06:03.120
<v Speaker 1>did I did a little son for you in the studio.

1:06:04.480 --> 1:06:07.280
<v Speaker 1>I was coming in through, he was walking out, So

1:06:07.400 --> 1:06:10.520
<v Speaker 1>I'm like, then he had son the old Boy And

1:06:10.640 --> 1:06:13.160
<v Speaker 1>I was like, this is old Boys already number one. Yeah,

1:06:13.200 --> 1:06:17.400
<v Speaker 1>it's popping, Yeah, this is popping. Yeah, this is the

1:06:17.560 --> 1:06:21.560
<v Speaker 1>rough draft when old boys already lit right you to

1:06:22.000 --> 1:06:25.200
<v Speaker 1>right right. So I listened to it and I was like,

1:06:26.840 --> 1:06:30.680
<v Speaker 1>erased that ship. She did the ship to me. So

1:06:30.800 --> 1:06:35.880
<v Speaker 1>I was like, I race it. That's how the song

1:06:35.960 --> 1:06:38.520
<v Speaker 1>got a race. You know what, just say something as

1:06:38.560 --> 1:06:45.560
<v Speaker 1>a petty nick. Patty like to take back my clothes,

1:06:45.600 --> 1:06:51.080
<v Speaker 1>likes to buy a bit like taking back bringing up here.

1:06:51.640 --> 1:06:56.840
<v Speaker 1>I'm taking that as a petty nick. Yeah, so there

1:06:56.920 --> 1:07:01.480
<v Speaker 1>is no more level deserved, just right like you literally

1:07:01.760 --> 1:07:04.520
<v Speaker 1>he raised the jay Z but yeah, because he raised

1:07:04.560 --> 1:07:07.240
<v Speaker 1>my verse. You know what I'm saying. You know what

1:07:07.280 --> 1:07:15.240
<v Speaker 1>I'm saying. So let no not that taking out the

1:07:15.280 --> 1:07:18.320
<v Speaker 1>back and put that paint horse power up there? What

1:07:18.400 --> 1:07:23.520
<v Speaker 1>the big horse power. Let's finish the story. So yeah, so, um,

1:07:24.440 --> 1:07:26.800
<v Speaker 1>that's why a racist verse. And I would love PD

1:07:26.880 --> 1:07:28.600
<v Speaker 1>crack picked the phone up, even pick up. No, I

1:07:28.720 --> 1:07:31.520
<v Speaker 1>just text him. Yeah, so we let somebody say something

1:07:31.560 --> 1:07:41.360
<v Speaker 1>about him. No, make a good presentable. That's via right right,

1:07:43.120 --> 1:07:46.760
<v Speaker 1>that would take me somebody. Yeah. So and it's all natural.

1:07:49.280 --> 1:07:55.800
<v Speaker 1>Um so basically, so bust it right one day and

1:07:55.920 --> 1:07:58.160
<v Speaker 1>that's all After the president ship, Like I said, I

1:07:58.200 --> 1:08:01.400
<v Speaker 1>think that's where ship went bad. That not confirming with

1:08:01.760 --> 1:08:03.880
<v Speaker 1>j about Dames saying making me the president. I went

1:08:03.960 --> 1:08:06.200
<v Speaker 1>on Rap City and talked about it. And what I

1:08:06.320 --> 1:08:09.520
<v Speaker 1>said was, you know, Dame, this what Dame told me,

1:08:09.560 --> 1:08:12.720
<v Speaker 1>I'll making you president. We're gonna bring beans along further

1:08:12.920 --> 1:08:14.680
<v Speaker 1>when he get it together, Non learn more about the

1:08:14.720 --> 1:08:17.519
<v Speaker 1>business that ya YadA. So I was repeating with Dame

1:08:17.600 --> 1:08:20.080
<v Speaker 1>told me. So one day I come on basely by myself.

1:08:20.760 --> 1:08:22.800
<v Speaker 1>J I went on vacation or some ship. That's why

1:08:22.880 --> 1:08:25.000
<v Speaker 1>he wasn't around the office. So I walked in the

1:08:25.240 --> 1:08:30.400
<v Speaker 1>studio by myself. It's Jay is beans is bleak and

1:08:30.479 --> 1:08:31.920
<v Speaker 1>you know you're walk in the room and you know

1:08:32.040 --> 1:08:36.240
<v Speaker 1>they were just talking about you. Everybody stopped, so I'll

1:08:36.280 --> 1:08:39.479
<v Speaker 1>just walk in. Music not playing no More and nobody

1:08:39.600 --> 1:08:46.960
<v Speaker 1>talking something like and you by yourself by myself. I'm like, so,

1:08:47.240 --> 1:08:53.000
<v Speaker 1>y'all's like nine. So Nikka being said, Yo, kind of

1:08:53.040 --> 1:08:54.400
<v Speaker 1>talk to you for a minute. We go outside of

1:08:54.400 --> 1:08:56.519
<v Speaker 1>the room. I said, what's up. He's like, yo, bro,

1:08:57.320 --> 1:08:59.280
<v Speaker 1>he said, please don't make me look bad on TV

1:08:59.439 --> 1:09:01.320
<v Speaker 1>No More and Data data. I said, what are you

1:09:01.400 --> 1:09:03.439
<v Speaker 1>talking about? He said, now you told me I don't

1:09:03.439 --> 1:09:05.599
<v Speaker 1>know the business and this that in the third I said, yo,

1:09:06.200 --> 1:09:07.760
<v Speaker 1>my nigga ain't trying to make you look bad. I

1:09:07.880 --> 1:09:10.160
<v Speaker 1>just was repeating with Dames said if you feel away,

1:09:10.520 --> 1:09:12.800
<v Speaker 1>I apologize, But that wasn't my attempt to make you

1:09:12.920 --> 1:09:15.840
<v Speaker 1>look bad. He's like, yeah, please man, because I look crazy.

1:09:15.920 --> 1:09:18.960
<v Speaker 1>So I said, okay, I see what's going on in

1:09:19.080 --> 1:09:21.840
<v Speaker 1>this room. Before I walked in. This is kiming them

1:09:21.880 --> 1:09:24.760
<v Speaker 1>got the office, Kim and him, but moves Kim doing

1:09:24.840 --> 1:09:29.519
<v Speaker 1>this without authorization speaking to Jay and being us company.

1:09:29.720 --> 1:09:31.960
<v Speaker 1>You know you could have you could have guest let

1:09:32.040 --> 1:09:34.280
<v Speaker 1>him know whatever. But Jay didn't really come to the office.

1:09:34.840 --> 1:09:36.599
<v Speaker 1>And that's one thing I say about Jay. No matter

1:09:36.680 --> 1:09:38.840
<v Speaker 1>what we had a problem with everything I had to do,

1:09:38.960 --> 1:09:47.240
<v Speaker 1>I had to get six seven signatures, Big Jay, Dane, Leo, Julian,

1:09:47.520 --> 1:09:50.200
<v Speaker 1>Kevin Lows for six signatures. He always signed off on everything,

1:09:50.280 --> 1:09:52.240
<v Speaker 1>but it was good or bad. He wasn't hating or

1:09:52.880 --> 1:09:57.280
<v Speaker 1>anything I was doing. But that's why I race his verse,

1:09:57.439 --> 1:10:00.519
<v Speaker 1>because you know, that's how he raised my verse. And

1:10:00.600 --> 1:10:04.000
<v Speaker 1>then it just became further and it's just the relationships.

1:10:05.680 --> 1:10:09.599
<v Speaker 1>This is what's what's weird. Because after that, you still

1:10:09.680 --> 1:10:12.040
<v Speaker 1>did New York City. To know that was before that,

1:10:12.160 --> 1:10:14.479
<v Speaker 1>oh that was New City was recorded, befoh, I didn't

1:10:14.479 --> 1:10:19.160
<v Speaker 1>know that. Oh like it like it was levels of

1:10:20.040 --> 1:10:23.479
<v Speaker 1>it was levels of And like I said, I just

1:10:23.560 --> 1:10:25.400
<v Speaker 1>think this j As is a person like you gotta

1:10:25.439 --> 1:10:29.400
<v Speaker 1>earn his respect, but see me personally. And I may

1:10:29.439 --> 1:10:32.120
<v Speaker 1>have came in there with the wrong attitude for not

1:10:32.280 --> 1:10:35.000
<v Speaker 1>to me, but just to him thinking because I you know,

1:10:35.240 --> 1:10:38.000
<v Speaker 1>I knew, I knew Jay Z as far as I've

1:10:38.040 --> 1:10:40.120
<v Speaker 1>been in this house from five sixties State Street, not

1:10:40.280 --> 1:10:44.559
<v Speaker 1>respect everything he did before music career. I remember, um,

1:10:45.080 --> 1:10:46.880
<v Speaker 1>what happened. Now he's trying to tell me, try to

1:10:46.880 --> 1:10:58.640
<v Speaker 1>get you to drink like I'm gonna get drink the

1:10:58.720 --> 1:11:03.640
<v Speaker 1>same holding so because basically I remember jay Z used

1:11:03.680 --> 1:11:05.880
<v Speaker 1>to open up form not even open up. He had

1:11:05.960 --> 1:11:07.519
<v Speaker 1>no deal or nothing. They just had money him and

1:11:07.600 --> 1:11:09.840
<v Speaker 1>Dane was getting money and me and Bleek used to

1:11:09.960 --> 1:11:11.960
<v Speaker 1>ride around with them. No, Jay had no deal. We

1:11:12.040 --> 1:11:15.200
<v Speaker 1>just young niggas. I was Damn young man, Bleak was

1:11:15.360 --> 1:11:18.000
<v Speaker 1>j young nigga, and I remember, you know, they had

1:11:18.080 --> 1:11:21.160
<v Speaker 1>the song Coming of Age and Bleek used to perform

1:11:21.200 --> 1:11:24.240
<v Speaker 1>that with them. My mom going to Philly, me Bleak,

1:11:24.560 --> 1:11:27.280
<v Speaker 1>Jay and Dame just in the in their car and

1:11:27.479 --> 1:11:31.120
<v Speaker 1>m G S three hunting and them niggas opening up

1:11:31.520 --> 1:11:34.080
<v Speaker 1>for red Man not part of me, method Man. Methyd

1:11:34.120 --> 1:11:36.920
<v Speaker 1>Man was on top of the world and Damon Jake

1:11:37.000 --> 1:11:39.000
<v Speaker 1>paid to open up. I think Penn State one of

1:11:39.080 --> 1:11:42.560
<v Speaker 1>them colleges to to open up for them niggas, and

1:11:42.800 --> 1:11:44.400
<v Speaker 1>you know it was dope. It wasn't a lot of

1:11:44.439 --> 1:11:47.439
<v Speaker 1>people in the crowd, nothing, but you know it was

1:11:47.520 --> 1:11:51.560
<v Speaker 1>bugged out. Years later when they had the rock the

1:11:51.600 --> 1:11:54.880
<v Speaker 1>mic to methy Man and red Man was opening up

1:11:55.000 --> 1:11:57.720
<v Speaker 1>for fucking jay Z. They was opening that. I was like,

1:11:57.840 --> 1:12:01.240
<v Speaker 1>that's fucking amazing because I'm but these niggas just paying

1:12:01.800 --> 1:12:03.600
<v Speaker 1>to open up. They have no deal, they ain't have

1:12:03.680 --> 1:12:05.720
<v Speaker 1>nothing they have. Brandon said, let us be the opening that,

1:12:06.000 --> 1:12:08.280
<v Speaker 1>you know what I'm saying. So you know the progression

1:12:08.360 --> 1:12:12.240
<v Speaker 1>of jay Z. I've seen it a lot of it.

1:12:12.400 --> 1:12:13.600
<v Speaker 1>You know, I'm not gonna sit there and say you

1:12:13.680 --> 1:12:16.599
<v Speaker 1>got no Ti ti and or be high or source

1:12:16.720 --> 1:12:19.479
<v Speaker 1>money or jazz at any of them niggas. But you know,

1:12:19.720 --> 1:12:21.519
<v Speaker 1>I felt I was close enough to be like, now

1:12:21.600 --> 1:12:24.160
<v Speaker 1>I've seen you grow, my nigga. So when I got there,

1:12:24.200 --> 1:12:26.240
<v Speaker 1>I thought I may have had that same report from

1:12:26.840 --> 1:12:29.479
<v Speaker 1>what we had the ninety four and ninety five or

1:12:29.520 --> 1:12:31.800
<v Speaker 1>whatever years it was, you know what I'm saying, And

1:12:33.479 --> 1:12:36.519
<v Speaker 1>obviously it wasn't that. It wasn't that same relationship. You

1:12:36.560 --> 1:12:38.160
<v Speaker 1>know what I'm saying, because I tell niggas on the

1:12:38.200 --> 1:12:41.080
<v Speaker 1>time to time, it's a nigger who made me want

1:12:41.120 --> 1:12:43.920
<v Speaker 1>to get money, Like I got kicked out of college, right,

1:12:44.800 --> 1:12:47.760
<v Speaker 1>I ain't have a dollar. And I remember meeting me

1:12:47.840 --> 1:12:50.960
<v Speaker 1>and Dane went to meet jay Z and ty Ty

1:12:51.160 --> 1:12:55.160
<v Speaker 1>and Jackson holds a restaurant in New York, Hamburgers and

1:12:55.200 --> 1:12:57.160
<v Speaker 1>all that. So he went to meet them one day

1:12:58.160 --> 1:13:02.200
<v Speaker 1>and they have some It was with two checks to me,

1:13:02.280 --> 1:13:05.519
<v Speaker 1>and Dame just pulled up eight with them. So I'm like, damn,

1:13:05.520 --> 1:13:08.920
<v Speaker 1>I don't have a dollar I just got Yeah, I

1:13:09.040 --> 1:13:11.920
<v Speaker 1>just got kicked out of college. Yeah, like literally like

1:13:12.040 --> 1:13:14.920
<v Speaker 1>a week after that, and Ty, look, yeah, you know

1:13:15.000 --> 1:13:17.479
<v Speaker 1>he's short, so you're know how old TI tires or whatever,

1:13:18.160 --> 1:13:22.880
<v Speaker 1>and it was time to pay for for the building.

1:13:22.960 --> 1:13:27.880
<v Speaker 1>I'm like this about Dame got me or whatever and

1:13:28.160 --> 1:13:30.720
<v Speaker 1>talk he probably older than me, but I thought he

1:13:30.840 --> 1:13:33.599
<v Speaker 1>was my age and younger. And this nigga pulled out

1:13:33.640 --> 1:13:38.240
<v Speaker 1>a not like this, and I was like, who you fain?

1:13:38.600 --> 1:13:40.439
<v Speaker 1>And I'm like, oh, if nigga is my age like

1:13:40.520 --> 1:13:42.960
<v Speaker 1>this getting this much money, I got to go get

1:13:43.040 --> 1:13:45.240
<v Speaker 1>some money. And he did. Nigga. I swear to guy

1:13:45.360 --> 1:13:47.000
<v Speaker 1>that day. I was like, I'm gonna get money to morrow.

1:13:47.000 --> 1:13:48.560
<v Speaker 1>If I gotta robbing the gotta do whatever. I'm not

1:13:48.600 --> 1:13:53.080
<v Speaker 1>gonna my age pulling out this much money he paid

1:13:53.120 --> 1:13:56.360
<v Speaker 1>for everything. That really motivated me to say I don't

1:13:56.360 --> 1:13:57.920
<v Speaker 1>give a funk more and get some money in that week.

1:13:58.040 --> 1:14:04.920
<v Speaker 1>Later I started getting money for that. Not creaky, creaky

1:14:05.000 --> 1:14:08.280
<v Speaker 1>motherfucker ziggy man, what's going on, dude? We think good

1:14:08.360 --> 1:14:14.720
<v Speaker 1>bro'reving around the circle. Calls in the hurricane, don't you. Yeah,

1:14:14.760 --> 1:14:21.040
<v Speaker 1>he found it. He did this. I'm connected and we

1:14:21.160 --> 1:14:27.439
<v Speaker 1>need to get pt crack on. You say you don't

1:14:27.479 --> 1:14:31.519
<v Speaker 1>want to promote the I think we should get We

1:14:31.560 --> 1:14:36.200
<v Speaker 1>can't use it though. That's not with me. Yeah, but

1:14:36.320 --> 1:14:39.400
<v Speaker 1>that's crazy. I didn't know that story at all. You're

1:14:39.400 --> 1:14:49.559
<v Speaker 1>not dreak ze right now, right now, right now, I'm freaky. Yeah,

1:14:50.040 --> 1:14:54.400
<v Speaker 1>don't leave along drinks. He don't know how to drink

1:14:54.479 --> 1:14:56.240
<v Speaker 1>for one of two days. It's like a three month

1:14:56.320 --> 1:15:00.439
<v Speaker 1>thing that I'm talking about. Word, no, no, not, it's

1:15:00.479 --> 1:15:02.560
<v Speaker 1>not it's not good. Let's not get stuff. Let me

1:15:02.560 --> 1:15:04.360
<v Speaker 1>stuff just me for me. I'm gonna drink for both

1:15:04.360 --> 1:15:07.120
<v Speaker 1>of y'all. I'm reading for both of y'all. We usually

1:15:07.160 --> 1:15:08.800
<v Speaker 1>take shots to this time. I mean, you want take

1:15:08.800 --> 1:15:13.200
<v Speaker 1>a shot together. He called in. He's ready, but he's

1:15:13.240 --> 1:15:14.680
<v Speaker 1>trying to figure out how the phone. This is. This

1:15:14.800 --> 1:15:19.920
<v Speaker 1>is too good talk. Yeah, let us talk. We're trying

1:15:19.920 --> 1:15:21.759
<v Speaker 1>to figure out the FaceTime. He doesn't have a iPhone,

1:15:21.800 --> 1:15:26.400
<v Speaker 1>so so put it on speaking. They know that voice.

1:15:26.560 --> 1:15:28.720
<v Speaker 1>Let's see, let's is it going to going to your

1:15:28.800 --> 1:15:36.920
<v Speaker 1>mic portion? Did you be boss? I didn't even I

1:15:36.960 --> 1:15:39.080
<v Speaker 1>don't even know. I just say no, homo, but I know,

1:15:39.120 --> 1:15:42.160
<v Speaker 1>I don't know if that's politically correct. You know what

1:15:42.200 --> 1:15:45.160
<v Speaker 1>I'm saying about. I didn't invent that. That's my niggas

1:15:45.240 --> 1:15:56.000
<v Speaker 1>from the east Side. Let crack. It's good cat told

1:15:56.000 --> 1:16:02.000
<v Speaker 1>to you yo, yo, this ship. Shoot, how are you

1:16:02.080 --> 1:16:06.720
<v Speaker 1>doing you all right? Yeah? Yeah, right man? No good

1:16:07.560 --> 1:16:10.600
<v Speaker 1>going on? I'm been locking nothing and I miss you

1:16:10.720 --> 1:16:13.280
<v Speaker 1>like a motherfucker force. Man. I love this nigga. I

1:16:13.479 --> 1:16:17.320
<v Speaker 1>love y'all love this nigga. This nigga he has no

1:16:17.760 --> 1:16:21.760
<v Speaker 1>this niggas genuine no filter period, yo. So listen, I'm

1:16:21.840 --> 1:16:25.160
<v Speaker 1>telling the story about how the whole ship started with you.

1:16:25.280 --> 1:16:27.800
<v Speaker 1>A rocket fell and they're like, Kim. They're not saying

1:16:27.840 --> 1:16:30.960
<v Speaker 1>they don't believe me, but they like, are you sure?

1:16:31.560 --> 1:16:33.360
<v Speaker 1>And I was telling them, could you tell them how

1:16:33.439 --> 1:16:38.240
<v Speaker 1>we met? Real quick? Yeah, real brief? You want to

1:16:38.240 --> 1:16:41.920
<v Speaker 1>do anybody now? Yeah? All right to check it. Um.

1:16:42.200 --> 1:16:44.639
<v Speaker 1>It was a DJ named Korey. I can't silly throwing

1:16:44.760 --> 1:16:47.800
<v Speaker 1>like this before I find to anything to throw these drunks.

1:16:47.800 --> 1:16:51.439
<v Speaker 1>They let Nig perform that, and uh can and Korea

1:16:51.720 --> 1:16:53.639
<v Speaker 1>is a real tighten. So Kim would come to fill

1:16:53.680 --> 1:16:55.560
<v Speaker 1>me a lot. How we care about it? All we

1:16:55.640 --> 1:16:58.439
<v Speaker 1>care about I don't know how to get into that bullshit,

1:16:58.479 --> 1:17:01.840
<v Speaker 1>but anyway, how to hear something out there? Right? The

1:17:01.960 --> 1:17:04.439
<v Speaker 1>chick in the headphlines who we always do about that ship?

1:17:05.160 --> 1:17:09.400
<v Speaker 1>So I performed at the joint and Kim was in

1:17:09.479 --> 1:17:12.439
<v Speaker 1>the thud and he heard it the next day. He

1:17:12.560 --> 1:17:14.960
<v Speaker 1>must have got my number from Corey. He called me,

1:17:15.080 --> 1:17:17.559
<v Speaker 1>got rack right? No, what's good? I need a voice

1:17:17.600 --> 1:17:19.280
<v Speaker 1>from the rip. I'm like, oh, Ship, I'm a big

1:17:19.400 --> 1:17:22.679
<v Speaker 1>camera fans my man now, but even before for Full

1:17:23.040 --> 1:17:25.599
<v Speaker 1>three fifty seven and all that, you man a fan

1:17:25.680 --> 1:17:28.920
<v Speaker 1>of hip hop period, So I'm hight. I came on

1:17:29.000 --> 1:17:30.519
<v Speaker 1>the phone. He's like, yo, I want to do that

1:17:30.680 --> 1:17:33.240
<v Speaker 1>song that journe. Did you be saying that mat goes

1:17:33.600 --> 1:17:35.920
<v Speaker 1>the name? I said, that's one for P. D. Craig.

1:17:36.080 --> 1:17:38.479
<v Speaker 1>We could throw it over. What's up? He said, come

1:17:38.560 --> 1:17:42.080
<v Speaker 1>up to New York bringing with you ll Uh, I'm

1:17:42.120 --> 1:17:44.280
<v Speaker 1>gonna meet you there baseline to believe it that a

1:17:44.320 --> 1:17:46.760
<v Speaker 1>matter of fact, I got a head love of that baseline.

1:17:47.640 --> 1:17:49.840
<v Speaker 1>The next day he came in in the middle of

1:17:49.920 --> 1:17:52.719
<v Speaker 1>the night. Then the elves got baby on that drink.

1:17:52.760 --> 1:17:55.519
<v Speaker 1>I come in the next day, the versus his on it.

1:17:56.200 --> 1:17:58.679
<v Speaker 1>I'm in there. I'm in the main room. I'm excited

1:17:59.439 --> 1:18:03.479
<v Speaker 1>me and man uh Jay walk saying I'm playing the

1:18:03.520 --> 1:18:05.880
<v Speaker 1>ship for everybody to walk in because I'm just geeking

1:18:05.880 --> 1:18:08.040
<v Speaker 1>because I got a drinking cam on the ship about

1:18:08.040 --> 1:18:10.120
<v Speaker 1>to go around for me. That's in my head. You're

1:18:10.120 --> 1:18:14.280
<v Speaker 1>any time I Mike Jay walked in. I'm not gonna

1:18:14.360 --> 1:18:17.040
<v Speaker 1>check this ship off. I played. I played my part.

1:18:17.080 --> 1:18:19.160
<v Speaker 1>I come on. I don't know who came on first.

1:18:19.479 --> 1:18:23.120
<v Speaker 1>You gotta come on first. And came was like after me,

1:18:23.720 --> 1:18:26.640
<v Speaker 1>and soon the can verse come on like he just

1:18:26.800 --> 1:18:30.320
<v Speaker 1>liked to stop that ship. He stop it. He's like, Yo,

1:18:30.400 --> 1:18:33.120
<v Speaker 1>delete that ship. I'm gonnoking. I looked up, like, Yo,

1:18:33.320 --> 1:18:36.280
<v Speaker 1>hold on a lot, what the is going on? Yo?

1:18:36.400 --> 1:18:39.080
<v Speaker 1>Delete that ship? Um, you got cracked you on even

1:18:39.360 --> 1:18:41.599
<v Speaker 1>you're doing that drink. Do you do what you gotta

1:18:41.640 --> 1:18:44.360
<v Speaker 1>do your thing? And just walked out the room and ship.

1:18:45.160 --> 1:18:48.840
<v Speaker 1>I'm stuck. I'm sitting there looking crazy. I'm like, God, ship,

1:18:48.920 --> 1:18:52.360
<v Speaker 1>I just had a feature with the nigger can deleted

1:18:52.439 --> 1:18:56.040
<v Speaker 1>my ship. Um I caught. So the next a couple

1:18:56.080 --> 1:18:58.680
<v Speaker 1>of days later, I'm in New York. I'm l a

1:18:59.680 --> 1:19:03.040
<v Speaker 1>oh on can. I got a call from I think

1:19:03.080 --> 1:19:05.080
<v Speaker 1>you to share you Somebody from the office was like,

1:19:05.160 --> 1:19:07.640
<v Speaker 1>yo Pete uh. I said, I'm about to leave. She's like,

1:19:07.760 --> 1:19:09.479
<v Speaker 1>hold up, Kim on the line. You want to talk

1:19:09.520 --> 1:19:11.840
<v Speaker 1>to you, get on the phone with it like you

1:19:12.040 --> 1:19:15.800
<v Speaker 1>crack man, umy man. You know we all funk with you. El.

1:19:16.040 --> 1:19:20.040
<v Speaker 1>Everybody's likes man or freaky everybody and if you want, man,

1:19:20.160 --> 1:19:22.880
<v Speaker 1>you always got a home over here with us over

1:19:23.080 --> 1:19:25.880
<v Speaker 1>the this shet niggas. I said, I appreciate that, man,

1:19:25.960 --> 1:19:29.400
<v Speaker 1>but write this shoot out with these niggas and by

1:19:29.520 --> 1:19:31.400
<v Speaker 1>him telling you like being so Gim went with me

1:19:31.560 --> 1:19:33.360
<v Speaker 1>right there, just keeping the phone in with me like that.

1:19:33.760 --> 1:19:35.280
<v Speaker 1>I just said to keep. I had to tell me

1:19:35.360 --> 1:19:37.960
<v Speaker 1>like yo, Bro, I was in the studio thinking Jay

1:19:38.040 --> 1:19:41.080
<v Speaker 1>to leave at your first I'm thinking the nigga can

1:19:41.160 --> 1:19:43.479
<v Speaker 1>gonna react like on something like I sess ship. And

1:19:43.520 --> 1:19:45.680
<v Speaker 1>he didn't even save him. He just was like, yo, man,

1:19:45.800 --> 1:19:47.640
<v Speaker 1>don't worry about that ship cracked. Just do what you

1:19:47.720 --> 1:19:49.960
<v Speaker 1>gotta do, man, Go get on your flight and go

1:19:50.160 --> 1:19:52.240
<v Speaker 1>kill that ship. Whatever you're doing, man, don't even doing

1:19:52.240 --> 1:19:56.000
<v Speaker 1>any trip. And right before I flew up, he called

1:19:56.040 --> 1:19:58.720
<v Speaker 1>me back and I had a drop. He had to drip,

1:19:58.760 --> 1:20:01.240
<v Speaker 1>and just to drip. He met me somewhere. He pulled

1:20:01.320 --> 1:20:04.400
<v Speaker 1>up and had like the blue uh seven forty five

1:20:04.439 --> 1:20:06.599
<v Speaker 1>and some ship was one of these the husky BIMs

1:20:07.120 --> 1:20:09.040
<v Speaker 1>spread up for me and gave me the TV. I

1:20:09.160 --> 1:20:12.160
<v Speaker 1>had another copy of the ship I got, you know,

1:20:12.240 --> 1:20:14.120
<v Speaker 1>I mean just that that we don't like run. I

1:20:14.160 --> 1:20:15.960
<v Speaker 1>got a copy of this ship. You go right to it.

1:20:16.520 --> 1:20:19.800
<v Speaker 1>I rocked ship the whole way, the whole flame um

1:20:19.920 --> 1:20:24.280
<v Speaker 1>to l A. I get the l A. If you

1:20:24.320 --> 1:20:26.040
<v Speaker 1>want me to go further, that's all you want. You

1:20:26.080 --> 1:20:30.519
<v Speaker 1>want more of that? You can wrap it up with you. Yeah, yeah, yeah,

1:20:31.640 --> 1:20:33.519
<v Speaker 1>because I get the l A. Get the whole more

1:20:33.680 --> 1:20:36.640
<v Speaker 1>like her, more like spooky to me. So what the

1:20:36.720 --> 1:20:40.120
<v Speaker 1>fucker is going on? I think just off the on

1:20:40.240 --> 1:20:43.320
<v Speaker 1>the strip that back was riding for um for Jay,

1:20:43.560 --> 1:20:46.360
<v Speaker 1>and I mean, and that was this man under the circumstances.

1:20:46.680 --> 1:20:49.880
<v Speaker 1>I ain't understand that the issues that Kim and Jay

1:20:50.000 --> 1:20:51.720
<v Speaker 1>had a time, I ain't know. I just was like,

1:20:51.800 --> 1:20:53.519
<v Speaker 1>what the fund was up with these niggas. I didn't

1:20:53.520 --> 1:20:56.360
<v Speaker 1>know because it wasn't really talked about that much, but

1:20:56.479 --> 1:20:59.280
<v Speaker 1>it was going on. So I get to l A.

1:21:00.000 --> 1:21:01.920
<v Speaker 1>I played the CD. I'll painted in the CD the

1:21:02.000 --> 1:21:04.280
<v Speaker 1>whole way. I know all the words that anybody versus

1:21:04.360 --> 1:21:08.439
<v Speaker 1>and anything. I need to l a uh go up

1:21:08.439 --> 1:21:10.960
<v Speaker 1>to the road. I think beings and Leith was playing

1:21:11.040 --> 1:21:14.439
<v Speaker 1>the game in the in the suite. Put it in

1:21:14.520 --> 1:21:18.560
<v Speaker 1>the CD. Mack, get up and you check people and

1:21:18.960 --> 1:21:22.160
<v Speaker 1>breaking ahead and throw it in the trash. So I'm

1:21:22.200 --> 1:21:25.080
<v Speaker 1>looking at was the like, but she was like the

1:21:25.200 --> 1:21:28.880
<v Speaker 1>tighlights on that ship. And that's when I realized, said

1:21:29.080 --> 1:21:35.320
<v Speaker 1>the math, get what you take. I'll tell you what

1:21:35.360 --> 1:21:37.760
<v Speaker 1>you're talking. Okay, all right, crap. We love you, brother.

1:21:39.840 --> 1:21:42.439
<v Speaker 1>I'm about to tax you now. I'm about to text

1:21:42.479 --> 1:21:43.840
<v Speaker 1>you from my number when I get out of here.

1:21:44.280 --> 1:21:47.400
<v Speaker 1>So you got my number where you at? You're a

1:21:47.479 --> 1:21:50.640
<v Speaker 1>Philly right now, I'll call you when I get out

1:21:50.680 --> 1:22:00.680
<v Speaker 1>of here. Y'all the sid he's saying Kim that he wait, wait, wait,

1:22:00.760 --> 1:22:04.960
<v Speaker 1>not only everything I told you, I didn't need to

1:22:05.000 --> 1:22:11.160
<v Speaker 1>break the studio. He went the studio J deleted it,

1:22:12.000 --> 1:22:14.040
<v Speaker 1>but he called to tell me about I had a copy.

1:22:14.120 --> 1:22:15.920
<v Speaker 1>I gave him a copy anyway before he went to

1:22:16.000 --> 1:22:18.320
<v Speaker 1>his flight to elect to go to l A. He

1:22:18.439 --> 1:22:19.920
<v Speaker 1>said he flew all the way in l A to

1:22:20.000 --> 1:22:22.320
<v Speaker 1>me State property when he got this. When he got

1:22:22.400 --> 1:22:26.519
<v Speaker 1>to l A, beans and whoever else from state property

1:22:26.680 --> 1:22:28.200
<v Speaker 1>was in there playing the game. And he's like, yo,

1:22:28.320 --> 1:22:31.800
<v Speaker 1>listening ship I did with Kim and jewels, And when

1:22:31.800 --> 1:22:34.040
<v Speaker 1>he played at being stopped playing the game, injected and

1:22:34.160 --> 1:22:36.479
<v Speaker 1>broke the C D and half and threw it in

1:22:36.560 --> 1:22:44.200
<v Speaker 1>the garbage. That's exactly what he said. He did co me. Well,

1:22:45.240 --> 1:22:48.760
<v Speaker 1>me and you are only record after that was what

1:22:49.200 --> 1:22:54.360
<v Speaker 1>R Kelly and jay Z need you. How then was

1:22:54.360 --> 1:22:57.759
<v Speaker 1>he getting that record? I used to live in Chicago.

1:22:57.880 --> 1:23:02.120
<v Speaker 1>You know I couldn't be ignored in Chicago. Well, well

1:23:02.120 --> 1:23:06.160
<v Speaker 1>I go say, I'm gonna make noise, be like never

1:23:06.240 --> 1:23:09.400
<v Speaker 1>could step on all Kelly toads in Chicago, but they

1:23:09.479 --> 1:23:11.920
<v Speaker 1>knew about us. We're playing it our flag out there,

1:23:12.520 --> 1:23:14.680
<v Speaker 1>like so we all have to do Chicago dips at

1:23:14.760 --> 1:23:17.840
<v Speaker 1>Chicago weekends all that ship. So you want to funk

1:23:17.880 --> 1:23:20.360
<v Speaker 1>with me? And like his uh manage at the time,

1:23:20.479 --> 1:23:23.280
<v Speaker 1>Georgian Regina Daniels, they took me in. They really like

1:23:23.400 --> 1:23:25.920
<v Speaker 1>took a liking to me and ship so they was

1:23:26.000 --> 1:23:31.200
<v Speaker 1>heavy in the city, especially George Daniel. I ain't gonna

1:23:31.200 --> 1:23:33.200
<v Speaker 1>say and tell you all remember I don't even remember,

1:23:33.400 --> 1:23:34.920
<v Speaker 1>you know, I did a few songs were all Kelly.

1:23:35.240 --> 1:23:37.080
<v Speaker 1>Remember we did a video on Cali and all that,

1:23:37.200 --> 1:23:40.040
<v Speaker 1>So that particular time, I'm not sure if Kelly was

1:23:40.120 --> 1:23:43.400
<v Speaker 1>there not, but you know we're still funk around. Pause,

1:23:46.640 --> 1:23:53.240
<v Speaker 1>y'all say no, petty man, have you got a segment

1:23:53.320 --> 1:23:56.000
<v Speaker 1>on the show called quick Time with slam right now?

1:23:56.120 --> 1:23:59.360
<v Speaker 1>Quick time was slam me. You pick one of the right.

1:24:00.240 --> 1:24:02.960
<v Speaker 1>Usually if the person picked both, we take a shot

1:24:03.040 --> 1:24:05.840
<v Speaker 1>for it. But being at y'all, Satan's or something, yes,

1:24:06.000 --> 1:24:09.200
<v Speaker 1>something going down, something going down over there, y'all motherfuckers

1:24:09.200 --> 1:24:12.400
<v Speaker 1>in the church or something in the daytime. So don't worry.

1:24:12.560 --> 1:24:14.880
<v Speaker 1>We're gonna hold y'all. Dad, I'm gonna take with you.

1:24:15.040 --> 1:24:18.719
<v Speaker 1>Ain't got regular rock I'll take the fucking white grade.

1:24:19.120 --> 1:24:21.960
<v Speaker 1>This is terrible. You should you you want, I don't

1:24:21.960 --> 1:24:23.720
<v Speaker 1>got y'a already tear me your story. I'm not bad,

1:24:23.920 --> 1:24:32.519
<v Speaker 1>ain't drinking you even know, but Rocky Tarryaki, I'm not.

1:24:32.760 --> 1:24:39.439
<v Speaker 1>I can't lie to your man for years many alright, cool,

1:24:39.560 --> 1:24:42.680
<v Speaker 1>so alright, cool and tune it comes, make it going on.

1:24:43.680 --> 1:24:47.440
<v Speaker 1>Ain't got the regular I got. I don't think he's

1:24:47.439 --> 1:24:50.080
<v Speaker 1>gonna pick both on this one anyway. The first one

1:24:51.479 --> 1:24:55.680
<v Speaker 1>you're ready to care quick time and slim, what the

1:24:55.840 --> 1:25:03.280
<v Speaker 1>fuck go the other? Surrock? Yeah? Oh yeah, So it's

1:25:03.280 --> 1:25:08.960
<v Speaker 1>gonna be me and you a cool we'll replaced it.

1:25:09.000 --> 1:25:11.560
<v Speaker 1>Come on, you know, put something for some ice in

1:25:11.600 --> 1:25:15.560
<v Speaker 1>this motherfucker. All right, very very grat now's a jay Z.

1:25:23.640 --> 1:25:27.880
<v Speaker 1>I don't know, man, we're gonna make us drink off.

1:25:29.400 --> 1:25:33.519
<v Speaker 1>So if you don't think well, we gotta drink. If

1:25:33.520 --> 1:25:35.439
<v Speaker 1>you say both, we gotta drink. If you say both,

1:25:35.479 --> 1:25:38.439
<v Speaker 1>we gotta drink. Please don't do that, don't do us

1:25:38.520 --> 1:25:41.080
<v Speaker 1>like pick one. I ain't mad at you do both.

1:25:42.960 --> 1:25:44.760
<v Speaker 1>I'm gonna go with jay Z if I got to.

1:25:44.960 --> 1:25:48.679
<v Speaker 1>But it's really hard, it's really he says, that's hard.

1:25:48.720 --> 1:25:51.200
<v Speaker 1>It's hard. It's really hard to pick you know what.

1:25:51.400 --> 1:25:53.559
<v Speaker 1>Let me tell you something, right, y'all can feel to drink.

1:25:53.560 --> 1:25:56.760
<v Speaker 1>I'll tell your story real quick, quick story. Ain't gonna

1:25:56.840 --> 1:25:59.760
<v Speaker 1>drag when I was, when I was, when I was

1:26:00.960 --> 1:26:02.640
<v Speaker 1>trying to get an album out, like I knew ja

1:26:03.040 --> 1:26:04.600
<v Speaker 1>Ja was coming up with Ain't no Nigga and all that,

1:26:05.120 --> 1:26:10.360
<v Speaker 1>and I was at this girl house and uh, I was.

1:26:10.479 --> 1:26:12.680
<v Speaker 1>She was like, Jay is nice, Jayden, I don't think

1:26:12.720 --> 1:26:14.519
<v Speaker 1>at first, I don't even come out. You're like, I

1:26:14.680 --> 1:26:18.400
<v Speaker 1>like jay Z. I'm like better than Nas. She like yeah,

1:26:18.439 --> 1:26:21.519
<v Speaker 1>And I'm like, Na, no, no, no, you're bugging. You're

1:26:21.560 --> 1:26:24.839
<v Speaker 1>bugging you like Nasa is the nigga. Nas, You're bugging.

1:26:25.520 --> 1:26:27.160
<v Speaker 1>She like, Kim, listen when I go to the club,

1:26:27.200 --> 1:26:29.080
<v Speaker 1>I don't want to bring addiction every with me. You

1:26:29.160 --> 1:26:30.360
<v Speaker 1>know what I'm saying. I just want to have a

1:26:30.479 --> 1:26:32.880
<v Speaker 1>party and have a good time. And that's that. I

1:26:32.920 --> 1:26:34.640
<v Speaker 1>don't want to have to think so much. And I

1:26:34.760 --> 1:26:38.000
<v Speaker 1>was like, I kept that in mind for when I

1:26:38.120 --> 1:26:40.400
<v Speaker 1>went forward. I'm like, you know, certain ships you could

1:26:40.439 --> 1:26:43.000
<v Speaker 1>get deep on with certain people, you gotta dumb it

1:26:43.120 --> 1:26:46.720
<v Speaker 1>damn for as well too. You know what I'm saying. Yeah,

1:26:46.800 --> 1:26:50.080
<v Speaker 1>you know what I'm saying. So um, I always kept

1:26:50.120 --> 1:26:52.320
<v Speaker 1>that in mind moving forward when she said that, But

1:26:52.439 --> 1:26:56.360
<v Speaker 1>it's the only reason I would pick jay Z over Nas.

1:26:56.439 --> 1:26:58.760
<v Speaker 1>And like I said, Nas to me, it is a

1:26:58.880 --> 1:27:02.960
<v Speaker 1>supreme lyricist it's just that, you know, I would say,

1:27:03.000 --> 1:27:05.280
<v Speaker 1>if I'm in the club, you could play more in

1:27:05.320 --> 1:27:06.840
<v Speaker 1>the club, you know what I'm saying. But if i'm

1:27:06.920 --> 1:27:09.280
<v Speaker 1>driving thinking, you probably want to listen to Niles more,

1:27:09.720 --> 1:27:11.799
<v Speaker 1>you know what I'm saying. So that's the only reason.

1:27:11.920 --> 1:27:14.840
<v Speaker 1>But it's a trick question, you know what I'm saying.

1:27:15.040 --> 1:27:17.360
<v Speaker 1>Do you consider yourself lyricist? Like when you think about it,

1:27:17.520 --> 1:27:19.320
<v Speaker 1>I could be, you know what I'm saying, But sometimes

1:27:19.360 --> 1:27:21.720
<v Speaker 1>I dumped it down too because it's like coming in

1:27:21.880 --> 1:27:30.679
<v Speaker 1>you you was coming in absolutely okay under Dame Dame Dash,

1:27:31.320 --> 1:27:35.360
<v Speaker 1>Dame Dash. Okay, this is pretty easy, all right, Uh this,

1:27:35.800 --> 1:27:38.360
<v Speaker 1>this is gonna be easy as well. Mace with you else,

1:27:39.720 --> 1:27:42.640
<v Speaker 1>I'm gonna pick you outs. But but you can't. You know,

1:27:42.680 --> 1:27:44.680
<v Speaker 1>I can't take away with Mace did as well, you

1:27:44.720 --> 1:27:48.280
<v Speaker 1>know what I'm saying, but definitely drops thinking. They both

1:27:48.360 --> 1:27:50.960
<v Speaker 1>got to three albums. But I'm always gonna pick you else.

1:27:51.320 --> 1:27:53.280
<v Speaker 1>But you know you don't want to take away with Mace.

1:27:53.720 --> 1:27:56.400
<v Speaker 1>You know, people still funk with him, funk with his music,

1:27:56.520 --> 1:28:01.160
<v Speaker 1>you know, fun with Mason not I probably once a week,

1:28:01.280 --> 1:28:03.760
<v Speaker 1>once for me once a month. Still listen to Um

1:28:04.720 --> 1:28:07.320
<v Speaker 1>been around the World remix. You know what I'm saying.

1:28:07.560 --> 1:28:11.720
<v Speaker 1>I love that saying Okay, this, this is really I

1:28:11.800 --> 1:28:16.599
<v Speaker 1>think we sucked up Biggie or Big Gul. I'm gonna

1:28:16.640 --> 1:28:18.679
<v Speaker 1>go with big El because I knew him more personally

1:28:18.720 --> 1:28:20.080
<v Speaker 1>and I knew what he did. I'm not saying what

1:28:20.160 --> 1:28:22.160
<v Speaker 1>Biggie did for the world. It's kind of like the

1:28:22.320 --> 1:28:24.840
<v Speaker 1>un situation that we just talked about earlier. They was

1:28:24.920 --> 1:28:26.760
<v Speaker 1>close to him and I was close to big Out,

1:28:27.080 --> 1:28:28.960
<v Speaker 1>but I don't think big Al really got the shot

1:28:29.040 --> 1:28:31.439
<v Speaker 1>to heat the fish shot that he deserved. But I'm

1:28:31.520 --> 1:28:34.920
<v Speaker 1>not gonna sit there. And you know, Biggie's definitely like

1:28:36.680 --> 1:28:40.240
<v Speaker 1>a world renowned top MC considered. You know what I'm saying,

1:28:40.760 --> 1:28:43.880
<v Speaker 1>I funking round and say Biggie and go to Lennox

1:28:43.920 --> 1:28:45.600
<v Speaker 1>and get hit over my head for not saying it.

1:28:46.400 --> 1:28:53.640
<v Speaker 1>You Rockefeller, right, he was supposed to know with big

1:28:53.760 --> 1:28:55.880
<v Speaker 1>Al bigged us up. He's like, you know, I want

1:28:55.920 --> 1:28:59.720
<v Speaker 1>to do with cam and and Nori is doing was

1:28:59.760 --> 1:29:02.519
<v Speaker 1>a great yeah. Right. You see that click where Bigger

1:29:02.520 --> 1:29:06.640
<v Speaker 1>Al was like bigging us up was me you I

1:29:06.720 --> 1:29:10.240
<v Speaker 1>think me you DMX like the top three dudes at

1:29:10.280 --> 1:29:13.280
<v Speaker 1>the time, and Bigger it's like right before, I think

1:29:13.320 --> 1:29:14.479
<v Speaker 1>it was one of the best to do it. He

1:29:14.560 --> 1:29:16.320
<v Speaker 1>picked up up like he was like, yeah, I love

1:29:16.360 --> 1:29:18.639
<v Speaker 1>the way that they're doing it. So people were moving on. Okay,

1:29:18.800 --> 1:29:24.759
<v Speaker 1>Lebron and Jordan, Jordan, you're very easy mans um independent

1:29:24.800 --> 1:29:30.320
<v Speaker 1>on major independent. Damn, look at you losing so far.

1:29:30.479 --> 1:29:33.920
<v Speaker 1>I'm dumb, dumb if we were sinking. Yeah, I've been losing.

1:29:33.960 --> 1:29:37.639
<v Speaker 1>I um on the World Times, children in the court,

1:29:38.640 --> 1:29:44.240
<v Speaker 1>children in the corn. Okay, mo or Ace, we gotta

1:29:44.240 --> 1:29:47.000
<v Speaker 1>be politically correctly, so you don't have to be. You

1:29:47.000 --> 1:29:48.680
<v Speaker 1>could be. You can go with with you one. I

1:29:48.840 --> 1:29:56.240
<v Speaker 1>drink more wax. But click on the other day, what

1:29:56.400 --> 1:29:58.320
<v Speaker 1>is what is that? It's clicko, right, it's clicko. But

1:29:58.400 --> 1:30:02.519
<v Speaker 1>it's rich the new like Rose Ship. I'm about to say,

1:30:02.680 --> 1:30:05.040
<v Speaker 1>I'm a funk with the Ace now that it's available. Yes,

1:30:05.080 --> 1:30:07.760
<v Speaker 1>that's right, so we're here. Think they don't have it

1:30:07.840 --> 1:30:11.200
<v Speaker 1>in the store sometimes, right, Yeah, I told this motherfucker

1:30:11.280 --> 1:30:21.320
<v Speaker 1>that you don't know, all right, the ship for listen man,

1:30:21.800 --> 1:30:25.840
<v Speaker 1>when the store it was none, there's none. Okay, this

1:30:25.920 --> 1:30:29.640
<v Speaker 1>should be also easy Miami or l a Miami. I

1:30:29.720 --> 1:30:36.960
<v Speaker 1>knew that. Okay, respect all loyalty, loyalty, Okay, little Camel,

1:30:37.080 --> 1:30:53.759
<v Speaker 1>Foxy Brown, Damn man, dah, that's a tough one. That's tough.

1:30:54.120 --> 1:30:57.280
<v Speaker 1>What is the drink? I would say? Yeah, I must

1:30:57.280 --> 1:31:05.200
<v Speaker 1>say both out back. It's a lot of another shot

1:31:05.240 --> 1:31:12.160
<v Speaker 1>because I think he's gonna through the same on this one, don't. Yeah,

1:31:12.640 --> 1:31:16.160
<v Speaker 1>that's why I use my hand. I thought you wasn't

1:31:16.160 --> 1:31:19.000
<v Speaker 1>say both. I want to say both the jay Z

1:31:19.120 --> 1:31:28.559
<v Speaker 1>and nine too. If I knew we could say both, Chicago,

1:31:28.840 --> 1:31:44.240
<v Speaker 1>Ohio both get me back, man, all right? You know? Yeah,

1:31:44.960 --> 1:31:48.160
<v Speaker 1>slowed up man, Beanie Segal like Jay to kiss Man,

1:31:48.200 --> 1:31:54.680
<v Speaker 1>I'm just gonna drink this one, daw broth. Now, I'm

1:31:54.720 --> 1:31:57.880
<v Speaker 1>gonna go with kiss though, Okay, Yeah, gotta New York

1:31:58.120 --> 1:32:01.640
<v Speaker 1>from New York. Yeah, I think all right, I think

1:32:01.680 --> 1:32:05.559
<v Speaker 1>you're definitively gonna pick this too. No Limit or cash Money.

1:32:07.160 --> 1:32:11.400
<v Speaker 1>That's a tough one. That's tough. That's how Yeah, I'm

1:32:11.400 --> 1:32:14.360
<v Speaker 1>gonna go with both because you know why master p

1:32:15.520 --> 1:32:20.439
<v Speaker 1>both both master Peak of the signed cash Money. You

1:32:20.520 --> 1:32:23.840
<v Speaker 1>know what I'm saying. And I think that when master

1:32:23.960 --> 1:32:28.120
<v Speaker 1>Piece started getting commercial, No Limit picked off picked up

1:32:28.240 --> 1:32:30.080
<v Speaker 1>right where they left. I mean part mean cash Money

1:32:30.120 --> 1:32:32.840
<v Speaker 1>picked up right with no limit left off when they

1:32:32.880 --> 1:32:38.639
<v Speaker 1>started doing a lot of commercial ship shot that alright,

1:32:38.840 --> 1:32:41.760
<v Speaker 1>but P paved the way myself up. I feel like

1:32:41.760 --> 1:32:44.280
<v Speaker 1>you're gonna go vote on this one too. Feel like

1:32:44.360 --> 1:32:47.920
<v Speaker 1>I'm just gonna do the go double the bottom J

1:32:48.160 --> 1:32:50.280
<v Speaker 1>Blades A Kanye, No, I think I think you're gonna

1:32:50.320 --> 1:32:51.599
<v Speaker 1>pick I don't know. I think I know you would

1:32:51.640 --> 1:32:59.360
<v Speaker 1>pick they both. Good man, I'm gonna pick somebody for you.

1:32:59.400 --> 1:33:03.040
<v Speaker 1>I would say Kanye because he got he got more.

1:33:03.120 --> 1:33:06.720
<v Speaker 1>I like, just it to justice defensive. It's very rare

1:33:06.840 --> 1:33:10.000
<v Speaker 1>just playing beats. I don't like every time he plays

1:33:10.040 --> 1:33:11.640
<v Speaker 1>some ship. I think he knows what I want to hear,

1:33:11.720 --> 1:33:14.040
<v Speaker 1>so I don't. I can't even remember the time I

1:33:14.120 --> 1:33:18.599
<v Speaker 1>tell him to skip past a record or he plai yeah. Yeah,

1:33:18.640 --> 1:33:21.600
<v Speaker 1>but I'm telling you for my personal like it. But

1:33:21.800 --> 1:33:24.519
<v Speaker 1>I'm just you know, I'm being not being biased, because

1:33:24.880 --> 1:33:26.800
<v Speaker 1>can you make beach for himself? He make beach for

1:33:26.840 --> 1:33:29.679
<v Speaker 1>other people, wrap over his own fucking beach. I remember

1:33:29.720 --> 1:33:31.280
<v Speaker 1>that's a big thing. When he got the rocket feller

1:33:31.320 --> 1:33:32.880
<v Speaker 1>to be like, you're gonna keep the ship for yourself.

1:33:33.120 --> 1:33:35.439
<v Speaker 1>You know what I'm saying. When like Yo and so

1:33:35.560 --> 1:33:39.920
<v Speaker 1>now he gonna be for yourself. So say, I'm gonna

1:33:39.920 --> 1:33:42.920
<v Speaker 1>say Kanye because he's an artist as well, and it's

1:33:42.920 --> 1:33:45.720
<v Speaker 1>the last one of them both. I'm I do not

1:33:45.840 --> 1:33:48.639
<v Speaker 1>know what you're gonna pick on this one. The locks

1:33:48.680 --> 1:33:56.800
<v Speaker 1>of state property. Uh, I'm gonna say both. I'm gonna say,

1:33:58.840 --> 1:34:02.120
<v Speaker 1>just got locks already. Now you know why, because state property,

1:34:04.160 --> 1:34:07.240
<v Speaker 1>state property locks. Of course, I'm from New York and

1:34:07.479 --> 1:34:10.680
<v Speaker 1>and I love you know Sheic Styles and J Nigus too.

1:34:11.000 --> 1:34:14.719
<v Speaker 1>But you gotta care underestimate the movement that stay property

1:34:14.840 --> 1:34:18.320
<v Speaker 1>not necessarily did a movement to close you know, everything else.

1:34:18.439 --> 1:34:21.519
<v Speaker 1>But they got a lot of a lot of they

1:34:21.640 --> 1:34:27.479
<v Speaker 1>might got more. Uh like clubs shipped in the locks,

1:34:27.680 --> 1:34:30.400
<v Speaker 1>like you know what I'm saying, like that PD crackh

1:34:30.439 --> 1:34:33.080
<v Speaker 1>It dope, like even Free Freeway. Like I remember he

1:34:33.240 --> 1:34:34.920
<v Speaker 1>was looking for a single and he's playing me his

1:34:35.040 --> 1:34:37.599
<v Speaker 1>album and I'm like, you got a single right here?

1:34:38.280 --> 1:34:40.320
<v Speaker 1>Like they just be singing, said Tom Dame m I said,

1:34:40.400 --> 1:34:43.960
<v Speaker 1>make this a single. Um this ship with um Beanie

1:34:44.000 --> 1:34:46.360
<v Speaker 1>and jay Z, like you playing us in the club.

1:34:46.560 --> 1:34:49.920
<v Speaker 1>That's it go crazy, Yo, that's it, nig It's going

1:34:49.960 --> 1:34:52.000
<v Speaker 1>crazy off that record. I think they got more light

1:34:52.560 --> 1:34:54.560
<v Speaker 1>in the club ships, but lots got a bunch of

1:34:54.600 --> 1:34:59.519
<v Speaker 1>ship too. I'm gonna just say both. So Y've been

1:34:59.560 --> 1:35:02.200
<v Speaker 1>fucked up. You to change your mind? Yeah, because we

1:35:02.840 --> 1:35:07.160
<v Speaker 1>took the shot. But man, you know all right, So, um,

1:35:07.240 --> 1:35:10.240
<v Speaker 1>I gotta ask this question straight up because I believe

1:35:10.880 --> 1:35:13.599
<v Speaker 1>Nick Cannon says something to you said something Nick Cannon

1:35:14.280 --> 1:35:16.120
<v Speaker 1>and he was like, you don't tell the family. I'm

1:35:16.200 --> 1:35:19.000
<v Speaker 1>good find the felt like he was trying to say,

1:35:19.080 --> 1:35:24.280
<v Speaker 1>you smashed. I'm not sure. I just gotta ask straight up, right,

1:35:24.439 --> 1:35:28.200
<v Speaker 1>just my friend, all right? And I got mad. You know.

1:35:28.240 --> 1:35:30.360
<v Speaker 1>Another thing is me and Nick. We was sucking around

1:35:30.400 --> 1:35:32.519
<v Speaker 1>on Instagram and going back and forth each try to

1:35:32.560 --> 1:35:35.439
<v Speaker 1>make fun of my pink coat when I'm holding the ship.

1:35:36.040 --> 1:35:39.120
<v Speaker 1>But I put up a clip of Mariah like caressing

1:35:39.200 --> 1:35:41.240
<v Speaker 1>me with it. You know what I'm saying, Like yo,

1:35:45.200 --> 1:35:47.680
<v Speaker 1>But one thing I will say about Nick Cannon and

1:35:48.000 --> 1:35:50.200
<v Speaker 1>he you know, um, we haven't seen each other, but

1:35:50.360 --> 1:35:51.760
<v Speaker 1>he gave me some props on the radio a few

1:35:51.840 --> 1:35:56.200
<v Speaker 1>years ago. That Nigga gets to the bag. That Nigga

1:35:56.240 --> 1:36:00.960
<v Speaker 1>gets to the bag. Yeah, yeah, it gets to the bag.

1:36:01.120 --> 1:36:04.160
<v Speaker 1>He then gets up and hustles and he sucked a

1:36:04.240 --> 1:36:07.840
<v Speaker 1>lot of bad bitches, like y'all carning the canon, Corny

1:36:07.920 --> 1:36:09.360
<v Speaker 1>all that ship you want and it gets to the

1:36:09.400 --> 1:36:16.880
<v Speaker 1>bag bitches and nig it gets to the Turkpin. Yeah, yeah,

1:36:16.920 --> 1:36:21.200
<v Speaker 1>that's what I didn't know. It's a turk Pin. It's

1:36:21.240 --> 1:36:23.680
<v Speaker 1>a Turpin. Is the other ship the turk Pin? That's

1:36:23.720 --> 1:36:27.080
<v Speaker 1>a Turkpence ship where he got like, I gotta don't

1:36:27.439 --> 1:36:31.720
<v Speaker 1>you know what it is that's getting right there. You

1:36:31.800 --> 1:36:33.760
<v Speaker 1>gotta be confident to do that. But so we're the back.

1:36:33.800 --> 1:36:37.519
<v Speaker 1>You definitely didn't smash me right back. Didn't say that

1:36:38.439 --> 1:36:44.640
<v Speaker 1>a lot of people can't come on the table A

1:36:44.680 --> 1:36:54.280
<v Speaker 1>lot of night your single you drink you man. That's

1:36:54.320 --> 1:36:56.439
<v Speaker 1>the one thing they got mad. And I'm not saying

1:36:56.479 --> 1:36:58.519
<v Speaker 1>I did the right guy, but that's the one thing

1:36:58.600 --> 1:37:01.360
<v Speaker 1>they did. They mac mad and nick about going and

1:37:01.520 --> 1:37:07.519
<v Speaker 1>telling everybody you won't kim kar this been tra Marie

1:37:07.560 --> 1:37:10.360
<v Speaker 1>and they're like, yo, chill, bro, you want more bits

1:37:10.439 --> 1:37:20.200
<v Speaker 1>with the fuck chill. I wasn't ready for that. You

1:37:20.320 --> 1:37:26.720
<v Speaker 1>gotta be run and tell everything you ain't gonna get

1:37:26.720 --> 1:37:33.519
<v Speaker 1>the next bit, Oh my god. The neighbor. Yeah yeah,

1:37:33.720 --> 1:37:36.680
<v Speaker 1>but you know, you know it's one thing when you

1:37:36.840 --> 1:37:39.439
<v Speaker 1>bring your own celebrity to the table, and it's another

1:37:39.520 --> 1:37:42.479
<v Speaker 1>thing when I make you famous. You know, I'm gonna

1:37:42.479 --> 1:37:45.120
<v Speaker 1>respect because I want to get to the horse. Um.

1:37:45.600 --> 1:37:48.120
<v Speaker 1>So we talked about j you having the problem with

1:37:48.200 --> 1:37:52.360
<v Speaker 1>Jay and fixing it. Let's get to the nasright, because

1:37:52.360 --> 1:37:55.559
<v Speaker 1>I believe I'm actually in this NAS problem. Like when

1:37:55.640 --> 1:37:58.679
<v Speaker 1>he went at you, he dissed me. At the same

1:37:58.800 --> 1:38:04.840
<v Speaker 1>time this interview happens. He comes out, he goes, this

1:38:05.040 --> 1:38:06.760
<v Speaker 1>is you, this is me. I think this is a

1:38:07.880 --> 1:38:12.040
<v Speaker 1>this is Nelly, this is a step your lyrics. Y. Yeah,

1:38:12.680 --> 1:38:15.559
<v Speaker 1>he went at me and he's the first guy my time,

1:38:15.680 --> 1:38:19.840
<v Speaker 1>my brother. Now's okay, Like you said with James, you

1:38:20.040 --> 1:38:22.640
<v Speaker 1>made seven? How many this rectors are you make in

1:38:22.720 --> 1:38:26.680
<v Speaker 1>a night Christmas? You know, it was like conscious. It

1:38:26.800 --> 1:38:30.000
<v Speaker 1>was a hard decision because Nas, just like you said,

1:38:30.040 --> 1:38:31.960
<v Speaker 1>he just got on the radio start this niggas and

1:38:32.000 --> 1:38:36.120
<v Speaker 1>we're big NAS fans, super big NAS fans, so we like, man,

1:38:36.280 --> 1:38:39.479
<v Speaker 1>what the funk is this about? Like why is this thing?

1:38:39.600 --> 1:38:41.600
<v Speaker 1>But at the same time, we gained a momentum in

1:38:41.680 --> 1:38:46.360
<v Speaker 1>the street to so we just like NAS ain't gonna

1:38:46.400 --> 1:38:48.320
<v Speaker 1>walk in the park like lead like you know, because

1:38:48.360 --> 1:38:50.040
<v Speaker 1>we thought we could rhyme two people like this is

1:38:50.360 --> 1:38:54.320
<v Speaker 1>fucking nas like the best, right, Yeah, this is the

1:38:54.439 --> 1:38:57.120
<v Speaker 1>best rapper ever, you know what I'm saying. So we like, damn,

1:38:57.280 --> 1:38:59.719
<v Speaker 1>what do we do? Do we ignore it? And niggas

1:38:59.800 --> 1:39:02.080
<v Speaker 1>like nine, you can't ignore that ship right now? So

1:39:02.200 --> 1:39:04.920
<v Speaker 1>we're like, but what was his line to you? Because

1:39:04.960 --> 1:39:06.760
<v Speaker 1>he just blew up my line? He said to me,

1:39:07.000 --> 1:39:16.599
<v Speaker 1>I don't remember though, he like he was basically saying,

1:39:16.640 --> 1:39:18.800
<v Speaker 1>how night selling this rack? Playing these whack niggers like

1:39:18.920 --> 1:39:21.960
<v Speaker 1>Cameron and Nelly? He just Nellie and then he told

1:39:21.960 --> 1:39:24.439
<v Speaker 1>me that much. Yeah, he was like, yeah, y'all appear

1:39:24.479 --> 1:39:27.920
<v Speaker 1>playing this garbage you want to bring up. Yeah, it's like,

1:39:28.040 --> 1:39:32.360
<v Speaker 1>y'all nigga is playing this garbage up here, and I'm like, damn,

1:39:32.439 --> 1:39:34.640
<v Speaker 1>what the fund was that about? So normal story is

1:39:34.720 --> 1:39:36.360
<v Speaker 1>we have to think and we're like, damn, if we're

1:39:36.400 --> 1:39:44.920
<v Speaker 1>gonna respects, right, you just win that jay Z. This

1:39:45.120 --> 1:39:51.719
<v Speaker 1>is arguably the best guy, or not to what I'm saying.

1:39:51.800 --> 1:39:54.439
<v Speaker 1>That's what I'm saying. What the there's nothing to you

1:39:54.560 --> 1:39:57.120
<v Speaker 1>but everything I'm telling you, right, And that's why it's

1:39:57.120 --> 1:39:59.400
<v Speaker 1>good to have this cover everything you're telling me, I'm

1:39:59.400 --> 1:40:02.080
<v Speaker 1>telling your or the questions you're asking are good because

1:40:02.560 --> 1:40:04.720
<v Speaker 1>in all these stories we're talking about, did I just

1:40:04.800 --> 1:40:08.599
<v Speaker 1>start anything? Did I just randomly come out of nowhere

1:40:08.640 --> 1:40:12.439
<v Speaker 1>and just be this? And not or until this ped

1:40:12.560 --> 1:40:16.880
<v Speaker 1>crack story we I speaking of as an outside looking in,

1:40:17.760 --> 1:40:22.120
<v Speaker 1>we thought that I was wilding. It's really like like

1:40:23.240 --> 1:40:26.000
<v Speaker 1>Dame was like trying to break up. Break up like

1:40:26.120 --> 1:40:28.840
<v Speaker 1>one of the questions that you know, we always do

1:40:28.920 --> 1:40:30.960
<v Speaker 1>this before we do a drink, chance, well, I give

1:40:31.000 --> 1:40:33.240
<v Speaker 1>somebody a clue. When you had to give somebody the clue.

1:40:33.240 --> 1:40:36.360
<v Speaker 1>I didn't want to say I I can't, but everybody's like, yo,

1:40:37.040 --> 1:40:40.759
<v Speaker 1>ask Camps straight up, does he think he's the reason

1:40:40.960 --> 1:40:44.640
<v Speaker 1>Dame Dash and jay Z broke up? Like, no, I

1:40:44.760 --> 1:40:46.920
<v Speaker 1>know the real reason? And then't I mean, they've got

1:40:46.960 --> 1:40:49.679
<v Speaker 1>nothing to me from now? Started looking in it looks

1:40:49.680 --> 1:40:52.760
<v Speaker 1>good and I don't want to say because, um, well

1:40:52.840 --> 1:40:54.640
<v Speaker 1>they don't give a funk. You know, I don't think

1:40:54.680 --> 1:40:57.640
<v Speaker 1>none of them giving my opinion. Yeah, my point my

1:40:57.960 --> 1:41:01.120
<v Speaker 1>opinion is this. It started and they didn't get Jay's

1:41:01.360 --> 1:41:05.040
<v Speaker 1>opinion or input on trying to make me the president.

1:41:05.400 --> 1:41:08.400
<v Speaker 1>He started shining away. Then from what Dames says, I

1:41:08.439 --> 1:41:09.960
<v Speaker 1>don't you know that sudden you have to ask jay

1:41:10.040 --> 1:41:12.439
<v Speaker 1>Z is that he got to a point where he

1:41:12.479 --> 1:41:14.720
<v Speaker 1>didn't want to break bread with Biggs no more so,

1:41:15.080 --> 1:41:17.560
<v Speaker 1>Dame says, who didn't want to break bread? Jay Z?

1:41:18.360 --> 1:41:20.040
<v Speaker 1>Like they split? I don't know they split. I don't

1:41:20.040 --> 1:41:22.439
<v Speaker 1>know if it's fifty three three, I don't know if

1:41:22.680 --> 1:41:26.080
<v Speaker 1>jay got sixty. This is Dame's story. This is what

1:41:26.240 --> 1:41:28.240
<v Speaker 1>he's saying. Why everything, like all they don't want to

1:41:28.240 --> 1:41:30.920
<v Speaker 1>break Biggs off no more that. I'm like, I don't

1:41:30.960 --> 1:41:33.960
<v Speaker 1>know after oh boy, this is yet you got the

1:41:34.000 --> 1:41:37.000
<v Speaker 1>cologne over right? You know what I'm saying. But you

1:41:37.120 --> 1:41:40.360
<v Speaker 1>could see jay Z started distance yourself. He'll be around,

1:41:40.600 --> 1:41:43.200
<v Speaker 1>but he'll be you can see it, you know what

1:41:43.240 --> 1:41:45.080
<v Speaker 1>I'm saying, Like you know if nigger come to office

1:41:45.120 --> 1:41:48.479
<v Speaker 1>five days a week, then from because O g Wan

1:41:48.600 --> 1:41:52.400
<v Speaker 1>is with him, who was also another hardlem god w

1:41:52.640 --> 1:41:54.799
<v Speaker 1>my man, Like why are you something come to baseline

1:41:54.800 --> 1:41:57.200
<v Speaker 1>where I want this your house? Like not overstep in

1:41:57.320 --> 1:42:03.360
<v Speaker 1>jay Z, when you liked this this situation because like

1:42:03.439 --> 1:42:06.280
<v Speaker 1>I said, so many people are fans of you, fans

1:42:06.360 --> 1:42:09.360
<v Speaker 1>of this show. That people that that was the direct question.

1:42:09.360 --> 1:42:13.400
<v Speaker 1>That's the most anything you want to talk, that was

1:42:13.479 --> 1:42:17.960
<v Speaker 1>the direct um breakup of it. So I think that's

1:42:18.000 --> 1:42:20.360
<v Speaker 1>something that you have to ask Ja Dame or whoever.

1:42:20.840 --> 1:42:23.720
<v Speaker 1>But me personally, I just think it's like a communication

1:42:24.280 --> 1:42:29.639
<v Speaker 1>and jay Z wasn't not saying respecting, he wasn't digging

1:42:29.720 --> 1:42:34.280
<v Speaker 1>how ship was being ran where he wasn't around. That's

1:42:34.320 --> 1:42:36.160
<v Speaker 1>what I think. And then you know because Jay when

1:42:36.360 --> 1:42:38.400
<v Speaker 1>when I got there, Jay won't coming to office every day,

1:42:38.439 --> 1:42:40.200
<v Speaker 1>you know what I'm saying. And I don't think he

1:42:40.320 --> 1:42:43.240
<v Speaker 1>necessarily like everything that was going on in the office,

1:42:43.400 --> 1:42:46.880
<v Speaker 1>you know, whether it's decisions being made without him being

1:42:47.720 --> 1:42:49.880
<v Speaker 1>talked to about it or anything like that, to where

1:42:49.920 --> 1:42:52.960
<v Speaker 1>he probably was playing an induction on his own before

1:42:53.040 --> 1:42:55.640
<v Speaker 1>it came to light anyway. But there's something you have

1:42:55.720 --> 1:42:59.120
<v Speaker 1>to ask him. Me personally, I think my situation played

1:42:59.120 --> 1:43:01.679
<v Speaker 1>a role year, but not purposely that I did anything.

1:43:02.280 --> 1:43:04.479
<v Speaker 1>I just think I just thinking That's why I said

1:43:04.479 --> 1:43:05.760
<v Speaker 1>I didn't want to go there. I just think that

1:43:05.840 --> 1:43:09.080
<v Speaker 1>we bought too much there to wear to We're like, yea,

1:43:09.200 --> 1:43:12.240
<v Speaker 1>you got state property there, and now I don't want

1:43:12.240 --> 1:43:14.920
<v Speaker 1>to use the word falling in line or bleak there

1:43:15.040 --> 1:43:16.200
<v Speaker 1>and I don't want to like I said, not for

1:43:16.400 --> 1:43:19.720
<v Speaker 1>the life, because they've more considered family. But we came there.

1:43:19.720 --> 1:43:23.080
<v Speaker 1>It's almost like we funk with y'all, but we can't wait. Yeah,

1:43:23.200 --> 1:43:25.559
<v Speaker 1>we can't wait. We don't want to wait for y'all

1:43:25.600 --> 1:43:27.439
<v Speaker 1>to say, Yo, this is going to al right cool,

1:43:27.439 --> 1:43:29.160
<v Speaker 1>I'm gonna go to the niggas y'all funk with and

1:43:29.240 --> 1:43:32.360
<v Speaker 1>bust these moves. But and just down the third and

1:43:32.439 --> 1:43:35.680
<v Speaker 1>then we just got overwhelmed, overwhelmed to where it's like,

1:43:36.200 --> 1:43:38.200
<v Speaker 1>how the fun Like I told you, Sparkses came in

1:43:38.240 --> 1:43:40.439
<v Speaker 1>the office for Philly like I can't get office. I

1:43:40.479 --> 1:43:43.120
<v Speaker 1>remember that. Then he came in one day and then

1:43:43.520 --> 1:43:45.639
<v Speaker 1>Sparks is the funny thing. I liked him to pause.

1:43:45.720 --> 1:43:50.400
<v Speaker 1>That's the guy and state property. Yeah exactly. Yeah, he

1:43:50.560 --> 1:43:57.360
<v Speaker 1>came in one day. Yeah, yeah, Jim pulled the gum out.

1:43:58.360 --> 1:44:00.720
<v Speaker 1>He came there one day because there be rocking, we

1:44:00.800 --> 1:44:03.040
<v Speaker 1>got albums moving on. He just came in there one day.

1:44:05.800 --> 1:44:09.760
<v Speaker 1>Niggas said, yo, he came my office. Last said, kim

1:44:10.680 --> 1:44:14.320
<v Speaker 1>My CD done, we're marketing. Well, I gotta go, I said,

1:44:18.160 --> 1:44:21.880
<v Speaker 1>he said, promotions anything, man, it's done. I said, you

1:44:21.960 --> 1:44:25.960
<v Speaker 1>gotta go talk to the office. You know, he said,

1:44:26.000 --> 1:44:28.559
<v Speaker 1>you ain't talking to nobody because you're just doing whatever

1:44:30.160 --> 1:44:35.000
<v Speaker 1>I said. It may seem like that, but it's a protocol,

1:44:35.160 --> 1:44:37.080
<v Speaker 1>you know what I'm saying, Like when the protocol this

1:44:37.240 --> 1:44:40.240
<v Speaker 1>and just buked off talking to himself or whatever. But

1:44:40.720 --> 1:44:44.559
<v Speaker 1>you know what them Niggas was all waiting for Niggas

1:44:44.640 --> 1:44:46.439
<v Speaker 1>and Rockfall to get the ship together, and I went

1:44:46.479 --> 1:44:48.920
<v Speaker 1>through that already yet entertainment. I went through that an

1:44:48.960 --> 1:44:51.479
<v Speaker 1>epic until I said, I'm not letting that happen again.

1:44:51.560 --> 1:44:53.599
<v Speaker 1>Not nothing bad, but I know who I need to meet,

1:44:53.640 --> 1:44:55.439
<v Speaker 1>who I need to talk to, But the musicals don't

1:44:55.439 --> 1:44:58.680
<v Speaker 1>get done and we're gonna bust the move. So I

1:44:58.760 --> 1:45:01.360
<v Speaker 1>just think it was a lot moving too fast, and

1:45:01.640 --> 1:45:06.719
<v Speaker 1>Niggas wasn't basically letting jay Z know, like like basically,

1:45:06.800 --> 1:45:09.720
<v Speaker 1>for instance, right you run Rocket Fellow Records and you're

1:45:09.760 --> 1:45:13.000
<v Speaker 1>here on TV right that Kim's going to be the president,

1:45:13.120 --> 1:45:15.679
<v Speaker 1>like the fun called me. You know what, I'm saying

1:45:15.760 --> 1:45:18.960
<v Speaker 1>that same thing, like with diplomats, same thing, Like I

1:45:19.120 --> 1:45:21.680
<v Speaker 1>ran not saying random artists like yo, we're gonna make

1:45:21.720 --> 1:45:25.280
<v Speaker 1>it fucking JR. Right at the president at the time,

1:45:25.400 --> 1:45:28.080
<v Speaker 1>like who said that that I didn't say that. If

1:45:28.120 --> 1:45:30.439
<v Speaker 1>it's supposed to be my label, you get what I'm saying.

1:45:30.600 --> 1:45:33.200
<v Speaker 1>So I think it was like a lack of communication,

1:45:34.000 --> 1:45:38.880
<v Speaker 1>you know what. That goddamn that left a lot of

1:45:39.040 --> 1:45:45.120
<v Speaker 1>my shoulders kill me. That make noise for that when

1:45:45.200 --> 1:45:47.720
<v Speaker 1>you said I've mentioned this on drink chains before. When

1:45:47.760 --> 1:45:51.880
<v Speaker 1>you say, and I'm paraphrasing, when the funk we start bouncing,

1:45:51.960 --> 1:45:53.920
<v Speaker 1>when the New York stopped bouncings that what you say

1:45:53.960 --> 1:46:00.360
<v Speaker 1>and not second that's my second album, so get out

1:46:00.360 --> 1:46:03.960
<v Speaker 1>of that. JA. That's definitely was it. Yeah, it seemed

1:46:03.960 --> 1:46:08.400
<v Speaker 1>like it, but yeah, bounced bounced with Okay, I'm not

1:46:08.439 --> 1:46:11.360
<v Speaker 1>gonna say it. It might have been. It might have been.

1:46:11.640 --> 1:46:14.639
<v Speaker 1>I don't know, but I can't recall. That was a haze,

1:46:14.680 --> 1:46:18.680
<v Speaker 1>that was wild. It was a wild time, But you

1:46:18.760 --> 1:46:20.720
<v Speaker 1>weren't thinking that anybody specific at the time when you

1:46:20.800 --> 1:46:25.120
<v Speaker 1>wrote that. I ain't gonna say that I don't remember

1:46:25.320 --> 1:46:27.560
<v Speaker 1>that song came in my nine I might I'm not

1:46:27.600 --> 1:46:30.040
<v Speaker 1>gonna say it wasn't. I'm not saying you know, the

1:46:30.120 --> 1:46:34.080
<v Speaker 1>whole record this and Jay z uh Yeah, So I'm

1:46:34.080 --> 1:46:35.840
<v Speaker 1>not gonna say I I don't remember if I did

1:46:35.880 --> 1:46:37.920
<v Speaker 1>it because I feel like you saw the future of

1:46:37.960 --> 1:46:41.960
<v Speaker 1>New York. New York after that was bouncing. Okay, right,

1:46:42.680 --> 1:46:50.000
<v Speaker 1>I'm not gonna say yes, and I'm gonna take your

1:46:50.000 --> 1:46:56.679
<v Speaker 1>word for it. So moving on fifty fifty was cool

1:46:57.240 --> 1:47:02.920
<v Speaker 1>even just said earlier that horse and Carriage. Fifty told

1:47:03.000 --> 1:47:06.599
<v Speaker 1>you that he was actually in that pool. Right, where

1:47:06.600 --> 1:47:08.760
<v Speaker 1>did you guys go on? I didn't, I didn't see that.

1:47:09.280 --> 1:47:11.960
<v Speaker 1>What happened was, you know, so basically Jim and went

1:47:12.080 --> 1:47:16.000
<v Speaker 1>over the Cotch Records and we started doing a lot

1:47:16.040 --> 1:47:18.519
<v Speaker 1>of business with Cotch Records, and Coach was a label

1:47:18.600 --> 1:47:21.000
<v Speaker 1>that wasn't that popular at the time, you know what

1:47:21.080 --> 1:47:23.400
<v Speaker 1>I'm saying. So fifty started and being we was the

1:47:23.479 --> 1:47:25.479
<v Speaker 1>only biggest artist day at the time, they had a

1:47:25.520 --> 1:47:28.360
<v Speaker 1>bunch of niggas. Wasn't popping. They's like they want to

1:47:28.400 --> 1:47:30.840
<v Speaker 1>go on up a bag. A lot of people called it.

1:47:31.080 --> 1:47:34.280
<v Speaker 1>It wasn't was it land before and then they became

1:47:34.320 --> 1:47:42.160
<v Speaker 1>When I got there in Boston, I didn't even know that.

1:47:42.479 --> 1:47:46.200
<v Speaker 1>But like, so when we got um, well now we

1:47:46.400 --> 1:47:48.360
<v Speaker 1>Jim probably eat that whole deal for himself. He seen

1:47:48.920 --> 1:47:50.880
<v Speaker 1>they didn't want to sign Jim because you said that

1:47:51.000 --> 1:47:53.439
<v Speaker 1>you bumped you out. Yeah, but they don't. I brought

1:47:53.479 --> 1:47:55.200
<v Speaker 1>him too. They didn't want to sign him, but Jim

1:47:55.280 --> 1:47:57.120
<v Speaker 1>wasn't gonna wait and he was. Jim started doing his

1:47:57.240 --> 1:47:59.479
<v Speaker 1>own thing, moving around everywhere. So he came to me,

1:47:59.520 --> 1:48:01.519
<v Speaker 1>He's like yo ho. When to me, I'm like, bad,

1:48:01.920 --> 1:48:04.280
<v Speaker 1>we could get the deal. So cos had a bunch

1:48:04.280 --> 1:48:06.080
<v Speaker 1>of old artis stage ready to go in an old

1:48:06.200 --> 1:48:08.280
<v Speaker 1>bag and pull out all that old money and spend

1:48:08.320 --> 1:48:11.080
<v Speaker 1>it on new talent. And if it coincided at the

1:48:11.160 --> 1:48:13.120
<v Speaker 1>same time we was doing our ship a depth to him,

1:48:13.439 --> 1:48:16.320
<v Speaker 1>it was perfect. So when we started other artists over

1:48:16.360 --> 1:48:19.400
<v Speaker 1>there due to God and I was, you know, artisides

1:48:19.479 --> 1:48:22.599
<v Speaker 1>dealing with so fittings on the rail saying that that's

1:48:22.680 --> 1:48:25.680
<v Speaker 1>the graveyard for rappers. You know. He's like, that's the

1:48:25.760 --> 1:48:29.080
<v Speaker 1>graveyard that gets over there. They go over there to die,

1:48:29.520 --> 1:48:31.120
<v Speaker 1>you know what I'm saying. So we just took a

1:48:31.240 --> 1:48:34.240
<v Speaker 1>fence to it because we're like, who else you talking about?

1:48:34.360 --> 1:48:36.960
<v Speaker 1>Like nobody's been talking to nobody's been talking about Cots

1:48:37.040 --> 1:48:38.560
<v Speaker 1>for us since we know, because I didn't even know

1:48:38.600 --> 1:48:40.439
<v Speaker 1>about him till Jim told me about him. Yeah, but

1:48:40.479 --> 1:48:42.400
<v Speaker 1>they used to be land Speed. That's the reason when

1:48:42.439 --> 1:48:44.200
<v Speaker 1>he was talking, Yeah, I didn't know. You didn't know that.

1:48:44.400 --> 1:48:46.400
<v Speaker 1>I didn't know that. So when he was saying he

1:48:46.479 --> 1:48:50.799
<v Speaker 1>didn't say land speed, he was in Bob Perry office

1:48:51.000 --> 1:48:55.240
<v Speaker 1>or Alan Grumlock. Yeah. So we're just going through it.

1:48:55.320 --> 1:48:57.280
<v Speaker 1>And then I just got on the phone and we

1:48:57.360 --> 1:48:58.800
<v Speaker 1>just went back and forth with it. But I just

1:48:58.880 --> 1:49:01.160
<v Speaker 1>took a fence to cops. Was like out home too,

1:49:01.240 --> 1:49:03.920
<v Speaker 1>as far as death chair and everything else. We took

1:49:04.000 --> 1:49:06.560
<v Speaker 1>cops like that was our crib like we used to

1:49:06.600 --> 1:49:10.200
<v Speaker 1>going there. Wow. Zeke always telling me about how like

1:49:10.800 --> 1:49:14.920
<v Speaker 1>you just calmed down, Zeke. I don't know. I don't

1:49:14.920 --> 1:49:16.920
<v Speaker 1>know what. I don't know what's going on, Zeke. I know,

1:49:17.040 --> 1:49:19.960
<v Speaker 1>I know even twenty five yeall you just you just

1:49:20.080 --> 1:49:21.720
<v Speaker 1>you just heard just chilling. I don't know. I'm like

1:49:21.800 --> 1:49:25.200
<v Speaker 1>getting it like I'm just I'm doing something. Okay, I

1:49:25.320 --> 1:49:30.240
<v Speaker 1>like you old shops like that. That's right in North Carolina? Right,

1:49:30.600 --> 1:49:33.400
<v Speaker 1>did you out did you out did doing your ship? Okay? Yeah, okay,

1:49:33.520 --> 1:49:37.479
<v Speaker 1>So what he was filiciously and I was just saying that. So,

1:49:39.680 --> 1:49:45.000
<v Speaker 1>so fifty goes on the radio you call in um,

1:49:45.400 --> 1:49:49.040
<v Speaker 1>I don't remember, but probably so probably a number he

1:49:49.160 --> 1:49:51.599
<v Speaker 1>was in cots when he was just cos okay, yes,

1:49:51.720 --> 1:49:55.000
<v Speaker 1>I called Daniel and we just started like, yo, why

1:49:55.000 --> 1:49:57.400
<v Speaker 1>are you coming? Because to me, it wasn't coming to cops,

1:49:58.000 --> 1:50:01.519
<v Speaker 1>it was coming at us because who gives the funk

1:50:01.560 --> 1:50:04.680
<v Speaker 1>about Michael Cotch? And I don't respect the Mike cos

1:50:04.840 --> 1:50:08.320
<v Speaker 1>that's my man, or Alan Grumblack or why randomly just

1:50:08.680 --> 1:50:11.479
<v Speaker 1>this them nigger, as if they was land Speed or

1:50:11.520 --> 1:50:14.439
<v Speaker 1>they was whoever else, and why all of a sudden

1:50:14.520 --> 1:50:17.400
<v Speaker 1>when we hear him, it's this them. So that's how

1:50:17.439 --> 1:50:19.400
<v Speaker 1>I took it at the time. How many projects you

1:50:19.520 --> 1:50:23.439
<v Speaker 1>had at that time? At what Cotch? It was Jim, Jim,

1:50:23.640 --> 1:50:26.280
<v Speaker 1>how I was trying to go. They rushed the dealing

1:50:26.360 --> 1:50:28.960
<v Speaker 1>this son and baby Grandma's son. But Duke the God

1:50:29.160 --> 1:50:32.080
<v Speaker 1>was doing all the albums there and his ship turned

1:50:32.120 --> 1:50:34.840
<v Speaker 1>in the compilations of all of us, so he would

1:50:34.880 --> 1:50:36.920
<v Speaker 1>have duel songs, he would have Jim songs, he has

1:50:37.040 --> 1:50:39.439
<v Speaker 1>my songs, he obviously songs, he'll have everything. But we

1:50:39.600 --> 1:50:43.560
<v Speaker 1>was putting instead of the mix tapes. So once we

1:50:43.760 --> 1:50:45.880
<v Speaker 1>was doing stopped doing the mix tapes, you released them.

1:50:45.880 --> 1:50:50.479
<v Speaker 1>Officials would start releasing them at Cotch officially, and that's

1:50:50.479 --> 1:50:52.439
<v Speaker 1>how all our ships and we'll put them under the

1:50:52.479 --> 1:50:54.880
<v Speaker 1>duke the god names so he like hosted tapes, but

1:50:54.960 --> 1:50:57.960
<v Speaker 1>all the mix tapes became money because we was releasing

1:50:58.040 --> 1:51:03.240
<v Speaker 1>them all in Cotch. That was the game at that point, right, yeah, yeah,

1:51:03.360 --> 1:51:09.720
<v Speaker 1>changed the game, goddamn it. You know how plus where

1:51:09.720 --> 1:51:19.880
<v Speaker 1>you are? Yeah yeah, I mean it's some real ship.

1:51:20.080 --> 1:51:22.160
<v Speaker 1>Like I don't know what the pink horse power is,

1:51:22.200 --> 1:51:23.880
<v Speaker 1>but I'm about to take a shot of that. I

1:51:23.960 --> 1:51:26.760
<v Speaker 1>got a case for you if it's don't take a

1:51:26.800 --> 1:51:29.920
<v Speaker 1>shot right now, but I'm home in a second thing.

1:51:30.000 --> 1:51:32.040
<v Speaker 1>I got my time limit. I'm about to say now

1:51:32.160 --> 1:51:35.120
<v Speaker 1>that you know it's all naturals from Africa's straight up

1:51:35.160 --> 1:51:37.640
<v Speaker 1>and ain't no gas. They're supposed or nothing. But we

1:51:37.920 --> 1:51:40.720
<v Speaker 1>didn't introduce pink power at all. So you say it

1:51:40.760 --> 1:51:42.800
<v Speaker 1>from Africa people that's listening, because if we got a

1:51:42.800 --> 1:51:45.640
<v Speaker 1>big audience that listener and that that can't watch this

1:51:45.800 --> 1:51:47.920
<v Speaker 1>right now to do the joke drivers out there. So

1:51:48.040 --> 1:51:52.240
<v Speaker 1>this squab so basically horse powers. It's an all natural

1:51:52.600 --> 1:51:59.599
<v Speaker 1>supplements similar to similar to viagra, tree barks, roots, leaves,

1:51:59.800 --> 1:52:02.639
<v Speaker 1>all made in um I don't want to say Ghana,

1:52:02.680 --> 1:52:05.120
<v Speaker 1>but it's a part of Africa and we bought it

1:52:05.200 --> 1:52:07.280
<v Speaker 1>over here so that you know, if you need a

1:52:07.360 --> 1:52:09.360
<v Speaker 1>little help in the bedroom, you don't have to take

1:52:09.400 --> 1:52:11.400
<v Speaker 1>a gas c shappella. You don't have to take something

1:52:11.479 --> 1:52:14.320
<v Speaker 1>from the pharmacy. You can take something all natural and

1:52:14.400 --> 1:52:16.920
<v Speaker 1>it's really gonna work. But your man was telling you,

1:52:17.160 --> 1:52:19.320
<v Speaker 1>is right, that ship working like fifty minutes. Don't take

1:52:19.360 --> 1:52:21.719
<v Speaker 1>it around nobody that you don't want to be around

1:52:21.760 --> 1:52:24.200
<v Speaker 1>when it's time to take it. How do you know

1:52:24.360 --> 1:52:33.559
<v Speaker 1>about that? You want to take it right now? It's

1:52:33.600 --> 1:52:36.200
<v Speaker 1>not one of them things you can say, is you

1:52:36.280 --> 1:52:38.000
<v Speaker 1>know what I'm saying this and not one of them. Sisters,

1:52:38.000 --> 1:52:39.160
<v Speaker 1>you can be like I'm gonna let it chill in

1:52:39.240 --> 1:52:44.519
<v Speaker 1>my system and stop because what we thought it is

1:52:44.720 --> 1:52:47.080
<v Speaker 1>like tiger balls when you could sit bit. Yeah, and

1:52:47.120 --> 1:52:58.160
<v Speaker 1>you're still chill. You you you knocking it down like yeah, Sisters,

1:52:59.439 --> 1:53:02.760
<v Speaker 1>can't be read with that. No man, Sugar was here,

1:53:02.880 --> 1:53:05.759
<v Speaker 1>you telling me, tell you shake it. He's telling Ecstacy

1:53:05.920 --> 1:53:09.720
<v Speaker 1>right should took this. My man should and told me

1:53:09.760 --> 1:53:11.240
<v Speaker 1>you have to hop out the car because he's in

1:53:11.280 --> 1:53:14.240
<v Speaker 1>his car with his mother and it wasn't right. I

1:53:14.439 --> 1:53:16.479
<v Speaker 1>want to take for the story now I'm just telling

1:53:16.560 --> 1:53:20.920
<v Speaker 1>you that he took it too early and you got

1:53:21.360 --> 1:53:25.120
<v Speaker 1>on your mom's in the cars. Mom. And what I'm

1:53:25.120 --> 1:53:30.200
<v Speaker 1>trying to tell you it ain't mental. It's gonna work. Hearts,

1:53:30.960 --> 1:53:33.320
<v Speaker 1>that's all you know. Power, it ain't about That's what

1:53:33.439 --> 1:53:36.760
<v Speaker 1>t tell man. At this point, the man tell you

1:53:37.160 --> 1:53:41.719
<v Speaker 1>don't take it because you're gonna be like, yeah, take

1:53:41.800 --> 1:53:45.879
<v Speaker 1>that right. You remember the R expels, the blue arxpells.

1:53:46.200 --> 1:53:55.519
<v Speaker 1>They don't remembers. Yeah, I can tell this first, doesn't

1:53:56.120 --> 1:54:01.640
<v Speaker 1>you with we can press after the chill. See you

1:54:01.760 --> 1:54:05.040
<v Speaker 1>got you went a little buff. I would horney go

1:54:05.240 --> 1:54:07.840
<v Speaker 1>weed after the alls. This is no, this is not

1:54:08.000 --> 1:54:10.719
<v Speaker 1>it ya this past that. That's you said when niggers

1:54:10.760 --> 1:54:15.680
<v Speaker 1>using Now it's honey, anybody going honeys honey, Yeah, look

1:54:15.720 --> 1:54:18.880
<v Speaker 1>at some man. Yeah, look at it. Sneak You see

1:54:20.040 --> 1:54:24.439
<v Speaker 1>anybody better? You see his sneakers. Cat, look at Cathlea.

1:54:24.520 --> 1:54:27.040
<v Speaker 1>Look at my cabral, my main cab. They get too

1:54:27.080 --> 1:54:39.440
<v Speaker 1>much money to do with this. Come on again, keeping

1:54:41.280 --> 1:54:47.680
<v Speaker 1>keeping honey. You know what yo, what's your name? Honey? Ordience?

1:54:47.760 --> 1:54:51.560
<v Speaker 1>Somebody appreciate that. Not some girl right now. I was

1:54:51.600 --> 1:54:56.600
<v Speaker 1>gonna say, he killed it's saying me to do that

1:54:57.480 --> 1:55:01.160
<v Speaker 1>what they love They listen straight ships like all the way.

1:55:01.240 --> 1:55:07.000
<v Speaker 1>Ye know he's not gonna get homebo that Eddie Murphy.

1:55:07.080 --> 1:55:12.600
<v Speaker 1>J know, Texas, you kind of made those what is that?

1:55:12.760 --> 1:55:19.640
<v Speaker 1>Baby is that? Babe baby Clark? They collaboration failed. They

1:55:19.760 --> 1:55:21.760
<v Speaker 1>just be clear. You know a lot of these wren

1:55:21.800 --> 1:55:26.640
<v Speaker 1>to do colaboracing baby baby Clark. It didn't work. Just

1:55:26.840 --> 1:55:31.960
<v Speaker 1>continue the one where you're working. Don't you know where

1:55:31.960 --> 1:55:35.320
<v Speaker 1>you're laughing because he like y'all don't even know ye

1:55:40.160 --> 1:55:50.280
<v Speaker 1>that race, that collaboration didn't work. I can't believe this

1:55:50.400 --> 1:55:56.040
<v Speaker 1>is great, This is this is so great, Holy MONI guacamoni,

1:55:56.320 --> 1:56:02.560
<v Speaker 1>okay boom. The only time I was glad like we

1:56:02.680 --> 1:56:06.080
<v Speaker 1>got you know, but the only time I've ever been

1:56:06.200 --> 1:56:08.960
<v Speaker 1>disappointed and you you told me it was disappointed in me.

1:56:09.360 --> 1:56:11.560
<v Speaker 1>Only time I ever was disappointed in you when you

1:56:11.680 --> 1:56:16.680
<v Speaker 1>and Jim was beefing. I didn't understand it. I couldn't.

1:56:16.800 --> 1:56:19.520
<v Speaker 1>I couldn't get it. How is that? How was that

1:56:19.680 --> 1:56:23.520
<v Speaker 1>for you? Like when y'all felt out for to me? No,

1:56:23.960 --> 1:56:26.720
<v Speaker 1>like you know, if you ever look at it, when

1:56:26.760 --> 1:56:28.920
<v Speaker 1>the gym was upset for me for what ever? The

1:56:29.120 --> 1:56:32.160
<v Speaker 1>fifty million times he's been upsetting. I never did gym.

1:56:32.240 --> 1:56:34.520
<v Speaker 1>I never fourth back, I never did a song. I

1:56:34.640 --> 1:56:36.600
<v Speaker 1>never fell into that because that's my brother. I know

1:56:36.720 --> 1:56:39.320
<v Speaker 1>he might be emotional gym, real emotional guy. So you

1:56:39.400 --> 1:56:43.080
<v Speaker 1>ain't never hear no disrecord. You never heard heard I

1:56:43.200 --> 1:56:45.320
<v Speaker 1>played Jim or nothing like that. The only thing I

1:56:45.400 --> 1:56:47.720
<v Speaker 1>ever did was when he went on phone Master Flex

1:56:48.360 --> 1:56:50.160
<v Speaker 1>I was saying that I didn't come to shows or

1:56:50.160 --> 1:56:53.720
<v Speaker 1>anything like that. I did alive, you know, rebuttaling what

1:56:53.840 --> 1:56:57.320
<v Speaker 1>he said. But I've never did gym ever to this day.

1:56:57.400 --> 1:56:59.800
<v Speaker 1>So it may seem like be going through it or

1:56:59.800 --> 1:57:02.720
<v Speaker 1>what ever from his end or whatever, but you can't

1:57:02.760 --> 1:57:06.400
<v Speaker 1>find nothing of me this and gym nowhere. I wouldn't

1:57:06.400 --> 1:57:09.480
<v Speaker 1>never this him because I fall out period. I was

1:57:09.560 --> 1:57:14.520
<v Speaker 1>just like, but but that's my point, so much fall

1:57:14.600 --> 1:57:17.280
<v Speaker 1>out with me. But I know him. I know he's

1:57:17.360 --> 1:57:21.200
<v Speaker 1>upset for the minute, so I don't know, so like,

1:57:22.440 --> 1:57:26.120
<v Speaker 1>I've never really this gym ever. Like I said, I

1:57:26.160 --> 1:57:29.080
<v Speaker 1>did one thing, you know, the correct a few things

1:57:29.160 --> 1:57:31.720
<v Speaker 1>that I thought was wrong when he did the funk

1:57:31.800 --> 1:57:33.960
<v Speaker 1>Flex interview. But I know he was really upset at

1:57:34.000 --> 1:57:36.400
<v Speaker 1>the time, so I was like, let me just clear

1:57:36.400 --> 1:57:39.640
<v Speaker 1>a couple of things up. So but I've never died Gym.

1:57:40.040 --> 1:57:43.200
<v Speaker 1>It's nowhere you can find where I'll be like me

1:57:43.400 --> 1:57:45.680
<v Speaker 1>this and Gym nowhere. So when he's upset, I just

1:57:45.800 --> 1:57:48.280
<v Speaker 1>know he's passionate about what he do. He puts his

1:57:48.720 --> 1:57:50.920
<v Speaker 1>he wears his heart on his sleeve, you know, and

1:57:51.000 --> 1:57:53.720
<v Speaker 1>everything like that. But I already know after a while

1:57:53.840 --> 1:57:55.800
<v Speaker 1>it's going weird down and we're gonna be good again.

1:57:55.880 --> 1:57:59.680
<v Speaker 1>So that's why I never really said, now, you can't

1:57:59.720 --> 1:58:02.400
<v Speaker 1>put end up with me, him, this and them right now. No, No,

1:58:02.480 --> 1:58:05.400
<v Speaker 1>I'm just saying this is discripacy, period, absolutely, because I

1:58:05.520 --> 1:58:09.520
<v Speaker 1>love seeing y'all together so much. And that's that's that's

1:58:09.560 --> 1:58:10.960
<v Speaker 1>what I know from y'all. You know what I'm saying,

1:58:10.960 --> 1:58:12.680
<v Speaker 1>Like I know y'all from the count of the beginning,

1:58:12.760 --> 1:58:17.600
<v Speaker 1>Like I know these stories you spoke about today, and

1:58:18.640 --> 1:58:21.160
<v Speaker 1>and I'm I'm not putting gem in because that's my family,

1:58:21.240 --> 1:58:24.959
<v Speaker 1>yess not. It's no story where I started with nobody.

1:58:26.440 --> 1:58:28.120
<v Speaker 1>I'm glad we got to clad up on your show

1:58:28.240 --> 1:58:31.440
<v Speaker 1>because every time I wanted somebody, you came to me first.

1:58:31.560 --> 1:58:35.360
<v Speaker 1>Well I felt like you did. Yeah, we just did.

1:58:39.400 --> 1:58:41.480
<v Speaker 1>And I was just saying that nobody else was on

1:58:41.640 --> 1:58:45.240
<v Speaker 1>cots to just randomly discotch. It wasn't like mob Deeper

1:58:45.280 --> 1:58:47.200
<v Speaker 1>got there yet or anybody else that got there. We

1:58:47.280 --> 1:58:50.000
<v Speaker 1>used the only ones there. So if it was land

1:58:50.040 --> 1:58:53.120
<v Speaker 1>Speed Up Catch or whoever it was, it was like,

1:58:53.280 --> 1:58:56.440
<v Speaker 1>why dissed them out there? Blue? But what the says

1:58:56.480 --> 1:58:59.840
<v Speaker 1>the graveyard for rappers? The only rappers then except for me.

1:59:00.040 --> 1:59:01.520
<v Speaker 1>It kind of felt like he was picking on Mace

1:59:01.600 --> 1:59:03.800
<v Speaker 1>a little bit, okay, But at the end of the day,

1:59:03.800 --> 1:59:05.520
<v Speaker 1>I just told you, he kept hitting me in my

1:59:05.680 --> 1:59:10.600
<v Speaker 1>ribs like this sixteen different times. Yeah, like I said,

1:59:10.680 --> 1:59:13.000
<v Speaker 1>these stories, because it'd be a hundred of different stories

1:59:13.560 --> 1:59:15.360
<v Speaker 1>I can call the same way we call Pete Crack.

1:59:15.440 --> 1:59:23.120
<v Speaker 1>I called eight. I'm just telling me that ship Pete

1:59:23.160 --> 1:59:26.960
<v Speaker 1>Crack just said it would verbat him for whatever. I'm

1:59:26.960 --> 1:59:28.600
<v Speaker 1>gonna just tell you the facts, mean to tell you

1:59:28.640 --> 1:59:31.720
<v Speaker 1>exactly what happened. So it may seem like I'm picking

1:59:31.800 --> 1:59:35.960
<v Speaker 1>on them. But if somebody keep poking you, somebody keep

1:59:36.040 --> 1:59:39.160
<v Speaker 1>kicking you under the table at dinner. Because he because

1:59:39.240 --> 1:59:41.720
<v Speaker 1>he made this this record, was was surprised when he

1:59:42.240 --> 1:59:45.040
<v Speaker 1>that this record. I was proud of him. Oh ship,

1:59:47.800 --> 1:59:50.200
<v Speaker 1>like that's proud of him. Man. I was like, y'all

1:59:50.280 --> 1:59:54.040
<v Speaker 1>felt like fucking U. To be honest, I felt like

1:59:54.200 --> 2:00:00.800
<v Speaker 1>den Zeland training day when the nigga we pulled the

2:00:00.880 --> 2:00:03.920
<v Speaker 1>gun out and said I'm gonna killing about to kill

2:00:04.040 --> 2:00:20.200
<v Speaker 1>him in the house and trading yeah, like they get

2:00:20.320 --> 2:00:27.120
<v Speaker 1>dropping him, like yeah, yeah, he's a good community. I

2:00:27.160 --> 2:00:29.840
<v Speaker 1>ain't gonna that might have been against its sponsor. I've

2:00:29.840 --> 2:00:41.640
<v Speaker 1>ever heard that. It's funny, it's bro Holy ready, I've

2:00:41.640 --> 2:00:44.400
<v Speaker 1>never been this shock right now. I wasn't ready. I

2:00:44.480 --> 2:00:50.960
<v Speaker 1>wasn't ready, Holy morningly, but putting it all together to

2:00:51.120 --> 2:00:53.560
<v Speaker 1>see even you guys together right now, you know how

2:00:53.680 --> 2:00:56.440
<v Speaker 1>hard it is to have a twenty year relationship in

2:00:56.560 --> 2:01:02.800
<v Speaker 1>this fucking fustiness. Absolutely, so many cools you see from

2:01:02.880 --> 2:01:07.440
<v Speaker 1>twenty years ago. They don't have three of the same

2:01:07.560 --> 2:01:11.840
<v Speaker 1>members for the same members that's around. So me seeing

2:01:11.920 --> 2:01:16.160
<v Speaker 1>y'all brothers together, man, Like I remember doing shows with y'all. U.

2:01:16.560 --> 2:01:19.680
<v Speaker 1>Mike Lady, you said you said something on this other

2:01:19.800 --> 2:01:24.120
<v Speaker 1>guy's uh TV one time, so the guy's platform, you

2:01:24.160 --> 2:01:26.040
<v Speaker 1>know what I'm talking about. I don't say that guy's

2:01:26.080 --> 2:01:30.520
<v Speaker 1>thanks he said it earlier. And you described a show

2:01:30.840 --> 2:01:37.560
<v Speaker 1>with Mike Lady, do you remember the time where oh

2:01:37.640 --> 2:01:41.480
<v Speaker 1>they tried to get that killer. Oh, yes, it's at

2:01:41.480 --> 2:01:44.360
<v Speaker 1>the same time. I think I had went there early

2:01:44.640 --> 2:01:47.840
<v Speaker 1>because this was the ship back in the actually was

2:01:47.960 --> 2:01:50.640
<v Speaker 1>the reason why we went crazy because I went there earlier,

2:01:50.640 --> 2:01:54.000
<v Speaker 1>I got paid earlier. Everyone wanted to go. I remember

2:01:54.040 --> 2:01:56.920
<v Speaker 1>the everyone was the headline of the show, and I

2:01:57.000 --> 2:01:59.280
<v Speaker 1>was like, let's go, earluse. I know these niggas. I

2:01:59.560 --> 2:02:01.120
<v Speaker 1>did a show with these things before. They ain't got

2:02:01.160 --> 2:02:04.760
<v Speaker 1>the bread, so I'm going. I went. I opened up.

2:02:04.760 --> 2:02:07.680
<v Speaker 1>They're like plat and I'm like, I opened up, let's go.

2:02:09.360 --> 2:02:11.560
<v Speaker 1>I didn't show giving my money. And then I went

2:02:11.680 --> 2:02:15.200
<v Speaker 1>and freaky like, yo, where are you going? Said yo, yeah,

2:02:15.200 --> 2:02:17.720
<v Speaker 1>I got paid. He said, wait a minute, we didn't.

2:02:17.760 --> 2:02:21.840
<v Speaker 1>I said, supposed to. And then I didn't know from

2:02:21.880 --> 2:02:24.520
<v Speaker 1>there and I read I saw on the interview that

2:02:24.640 --> 2:02:28.600
<v Speaker 1>you did. He was like, y'all came and it was

2:02:28.720 --> 2:02:33.800
<v Speaker 1>it was they didn't have my money, they have my money.

2:02:34.400 --> 2:02:37.080
<v Speaker 1>And the next thing, you know, they tried some big

2:02:37.240 --> 2:02:44.720
<v Speaker 1>toll six times the niggas came out. It was redgas. Yeah,

2:02:45.600 --> 2:02:50.080
<v Speaker 1>and uh they came out. I guess protecting Mike Lady

2:02:50.080 --> 2:02:51.920
<v Speaker 1>because we're like, give us our money. And then like

2:02:51.960 --> 2:02:53.640
<v Speaker 1>they had a lot of niggers, but they're like forty

2:02:53.720 --> 2:02:58.480
<v Speaker 1>niggas and they surrounded me because I think Jim and

2:02:58.600 --> 2:03:00.960
<v Speaker 1>Black of Dawn on his side beef and like, YO,

2:03:01.080 --> 2:03:03.480
<v Speaker 1>give us our fucking money. And they walked out like oh,

2:03:03.960 --> 2:03:06.480
<v Speaker 1>and then like forty niggers filed them around and they

2:03:06.560 --> 2:03:09.480
<v Speaker 1>surround me like here me beef about your money. And

2:03:09.560 --> 2:03:14.920
<v Speaker 1>then nigger yapped my chain. Word yeah, I did a

2:03:15.000 --> 2:03:17.800
<v Speaker 1>song about him, scored that of a That Alive. It

2:03:17.920 --> 2:03:22.520
<v Speaker 1>turned out crazy, just typing that of a Lot that Alive.

2:03:22.560 --> 2:03:24.840
<v Speaker 1>I told the whole story on that. Wow, I didn't

2:03:24.880 --> 2:03:27.400
<v Speaker 1>know that I on this show good. I ain't at

2:03:27.520 --> 2:03:29.560
<v Speaker 1>I said. I just went and paid the left. So

2:03:30.120 --> 2:03:33.640
<v Speaker 1>they yat my chain and my man what you just think?

2:03:33.680 --> 2:03:37.640
<v Speaker 1>I'm like, I don't know what I know. This turned

2:03:37.680 --> 2:03:44.120
<v Speaker 1>out bad for them. You're not getting but my chain.

2:03:44.280 --> 2:03:48.720
<v Speaker 1>And then my man just came out. I ain't gonna

2:03:48.720 --> 2:03:50.480
<v Speaker 1>say an he's gonna get mad at me anyway. He

2:03:50.640 --> 2:03:54.480
<v Speaker 1>fucking came out popping and pistol whip the nigg who

2:03:54.560 --> 2:03:56.920
<v Speaker 1>took my chain and took his chain and got my

2:03:57.080 --> 2:03:59.440
<v Speaker 1>chain back. And then we left, and then he's like,

2:03:59.560 --> 2:04:02.960
<v Speaker 1>fucking Mike Lighty man, snicker got this going all this

2:04:03.080 --> 2:04:11.240
<v Speaker 1>ship for you actually made a song my only movie,

2:04:12.640 --> 2:04:17.160
<v Speaker 1>but this did some great story. But I didn't know it.

2:04:17.800 --> 2:04:21.400
<v Speaker 1>I didn't know that period til I've seen you describe

2:04:21.440 --> 2:04:23.160
<v Speaker 1>that story. He was like, Yo, because you said, you said,

2:04:23.160 --> 2:04:25.640
<v Speaker 1>you exactly did exactly what you said. You said, I've

2:04:25.640 --> 2:04:30.400
<v Speaker 1>seen Nori and because what happened was I kept telling me, yo,

2:04:31.400 --> 2:04:35.040
<v Speaker 1>you on the tour with everybody hot, they're gonna come late.

2:04:36.200 --> 2:04:39.720
<v Speaker 1>Don't funk with that lationship. You ain't gonna get bad. Like.

2:04:40.040 --> 2:04:42.240
<v Speaker 1>So we were supposed to come at nine. I showed

2:04:42.320 --> 2:04:46.000
<v Speaker 1>up at six like I'm ready. I performed with the

2:04:46.040 --> 2:04:53.040
<v Speaker 1>sixty people where I killed it. Everybody got paid. But

2:04:53.400 --> 2:04:55.560
<v Speaker 1>I'm like, but you know what, it was that thing

2:04:55.680 --> 2:04:58.280
<v Speaker 1>we wanted to the headline, So all of us showed

2:04:58.360 --> 2:05:00.920
<v Speaker 1>up later. So I had to a vantage of being like,

2:05:01.400 --> 2:05:04.200
<v Speaker 1>you know, people showing up late, and you know, a

2:05:04.280 --> 2:05:06.280
<v Speaker 1>certain times we thought it was headlines. But that was

2:05:06.440 --> 2:05:08.400
<v Speaker 1>that was crazy when I heard six and your uh

2:05:08.920 --> 2:05:12.160
<v Speaker 1>and I heard your record to it. So what's your

2:05:12.160 --> 2:05:16.200
<v Speaker 1>favorite ever in hip hop camp? My favorite era? Um?

2:05:19.040 --> 2:05:23.000
<v Speaker 1>I mean it depends on like as a professional or

2:05:23.080 --> 2:05:26.840
<v Speaker 1>just a hip hop fan, you know whatever. Yeah, yeah,

2:05:26.960 --> 2:05:28.600
<v Speaker 1>it's pretty much both. I don't take a shot for

2:05:28.720 --> 2:05:32.560
<v Speaker 1>that too. You pretty much want to get me drunk cameras.

2:05:34.000 --> 2:05:35.720
<v Speaker 1>I was like, I'm like, it's a lot of ship.

2:05:35.800 --> 2:05:38.320
<v Speaker 1>You know. You gotta realize when I was a child,

2:05:38.520 --> 2:05:42.440
<v Speaker 1>you know, eleven, twelve, thirteen years old, You've got people

2:05:42.480 --> 2:05:44.720
<v Speaker 1>who I wanted to be like and dressed like. And

2:05:45.560 --> 2:05:47.640
<v Speaker 1>you know I remember going the Canal Street and get

2:05:47.680 --> 2:05:49.600
<v Speaker 1>a chain because e p m D have a link,

2:05:49.720 --> 2:05:51.840
<v Speaker 1>or about the fisherman had because epm D got a

2:05:51.880 --> 2:05:54.920
<v Speaker 1>fisherman had, or loving Uh you know I used to

2:05:55.000 --> 2:05:57.920
<v Speaker 1>love nice and smooth, you know, smooth being greg nice

2:05:58.040 --> 2:06:03.360
<v Speaker 1>and fucking pop called question you ran daddy? Are you

2:06:03.680 --> 2:06:08.800
<v Speaker 1>and fucking you know, just try to sneak that on

2:06:11.400 --> 2:06:17.000
<v Speaker 1>you on the grat a g Yeah, definitely a f

2:06:17.480 --> 2:06:19.600
<v Speaker 1>I ain't know that, so I thought he was all

2:06:19.680 --> 2:06:26.840
<v Speaker 1>like on space mask, what's the ship? Leave me alone?

2:06:26.840 --> 2:06:34.160
<v Speaker 1>Ain't no spaces my space, No grand daddy got a page.

2:06:35.000 --> 2:06:39.240
<v Speaker 1>But you know I knew a girl named can your

2:06:39.360 --> 2:06:45.480
<v Speaker 1>phone West Virgin Like that made me want to be

2:06:45.560 --> 2:06:49.920
<v Speaker 1>a rapper. Yeah, like that off I heard that baby

2:06:51.760 --> 2:06:56.280
<v Speaker 1>can't Yeah, that's so matter at the more the more

2:06:56.520 --> 2:07:01.400
<v Speaker 1>that's the name of you remember that Jinia mom oh

2:07:02.000 --> 2:07:05.520
<v Speaker 1>early in the which one, it was like it was like,

2:07:05.560 --> 2:07:13.400
<v Speaker 1>I forget what it's called. What happened? Oh yeah? Is

2:07:13.440 --> 2:07:18.360
<v Speaker 1>that not your favorite year your career? Nah? No? Who

2:07:18.480 --> 2:07:22.840
<v Speaker 1>was it? Say? Oh too? Probably? Oh boy? Because I

2:07:22.880 --> 2:07:25.640
<v Speaker 1>got all my niggers on, you know what I'm saying,

2:07:25.880 --> 2:07:29.200
<v Speaker 1>Like everybody had a deal. Like I love your career,

2:07:29.200 --> 2:07:34.320
<v Speaker 1>and I know because I feel like you had horse

2:07:34.400 --> 2:07:38.680
<v Speaker 1>and Carriage when I had Super Thub. I feel like

2:07:39.800 --> 2:07:43.760
<v Speaker 1>I had grimed me when you had I forget what else?

2:07:44.080 --> 2:07:51.560
<v Speaker 1>Like everything and oh boy, and I had Homeboy and

2:07:51.640 --> 2:07:54.120
<v Speaker 1>I felt that was so great. Yeah, you know we

2:07:54.200 --> 2:07:57.800
<v Speaker 1>didn't pay the full tour, remember, yeah, absolutely, but like

2:07:57.920 --> 2:08:00.400
<v Speaker 1>probably oh three, Like just being able to have all

2:08:00.480 --> 2:08:02.680
<v Speaker 1>my niggas or one with a deal, whether they had

2:08:02.680 --> 2:08:05.080
<v Speaker 1>an album out the time or anything like that, it

2:08:05.200 --> 2:08:08.320
<v Speaker 1>was just a that's like a it was some bucket

2:08:08.360 --> 2:08:10.880
<v Speaker 1>ship list to get off me, to get make sure

2:08:12.160 --> 2:08:14.440
<v Speaker 1>Jim out of deal, jewels had to deal like it

2:08:14.600 --> 2:08:18.080
<v Speaker 1>was a sign. Freaky Zeke went to jail, and when

2:08:18.200 --> 2:08:20.760
<v Speaker 1>he went to jail, when he came over from jail.

2:08:21.440 --> 2:08:23.680
<v Speaker 1>It was dope to that car ready for him and

2:08:24.280 --> 2:08:27.120
<v Speaker 1>a crib and corndo and all that ship ready in cash,

2:08:27.200 --> 2:08:29.360
<v Speaker 1>and then he eventually ended up getting Then I get

2:08:29.480 --> 2:08:31.200
<v Speaker 1>when he came from jail, I got him a deal

2:08:31.800 --> 2:08:34.440
<v Speaker 1>and asylum. You know what I'm saying. But everything like

2:08:35.280 --> 2:08:37.440
<v Speaker 1>those are my favorite years when I was able to

2:08:37.520 --> 2:08:39.440
<v Speaker 1>help the crew out. And this is after a board

2:08:39.560 --> 2:08:42.120
<v Speaker 1>is old three oh four he said, oh, three oh three.

2:08:42.160 --> 2:08:44.520
<v Speaker 1>Ye is when the dip mouth came out. Jus came

2:08:44.560 --> 2:08:47.000
<v Speaker 1>out three or oh four, So I felt gil Zeke

2:08:47.120 --> 2:08:48.920
<v Speaker 1>was in jail. He came out like, oh seven, oh

2:08:49.680 --> 2:08:53.760
<v Speaker 1>got MC deal O eight And what a year whenever

2:08:53.800 --> 2:08:55.680
<v Speaker 1>he came out and got him a deal like I

2:08:55.840 --> 2:08:59.440
<v Speaker 1>like that ship two days later. Yeah, I remember I

2:08:59.520 --> 2:09:03.880
<v Speaker 1>got two our question for you. But I remember me

2:09:04.200 --> 2:09:06.640
<v Speaker 1>looking at your face at one point when Cam and

2:09:06.720 --> 2:09:10.640
<v Speaker 1>Jewels was Camon and Jim wasn't seeing uh and me

2:09:10.800 --> 2:09:12.440
<v Speaker 1>just looking at your face. I forget what it was

2:09:12.600 --> 2:09:15.600
<v Speaker 1>through internet was through the internet, and I remember like

2:09:15.840 --> 2:09:18.160
<v Speaker 1>that might have been one of the most stressed times.

2:09:18.240 --> 2:09:22.160
<v Speaker 1>You're like it was, It wasn't. At first. I couldn't

2:09:22.400 --> 2:09:25.960
<v Speaker 1>understand it because we we've been tight before. Wrap like

2:09:26.080 --> 2:09:30.240
<v Speaker 1>this is a cam by sandwich came about Sai and

2:09:30.640 --> 2:09:32.960
<v Speaker 1>that was it came had the sandwich. So we were

2:09:33.080 --> 2:09:35.560
<v Speaker 1>getting to try to get a piece. Cam was spit

2:09:35.680 --> 2:09:38.120
<v Speaker 1>on the sandwich. You know what I'm saying. It was

2:09:38.160 --> 2:09:45.400
<v Speaker 1>like and it didn't matter. You know what I'm saying,

2:09:45.840 --> 2:09:47.160
<v Speaker 1>give us a piece. And he got that way. So

2:09:47.440 --> 2:09:50.400
<v Speaker 1>that's how close we want so far get out of jam.

2:09:50.560 --> 2:09:53.080
<v Speaker 1>Like then you hear this person did this and that

2:09:53.240 --> 2:09:56.240
<v Speaker 1>person to that. But I just couldn't gather what was

2:09:56.320 --> 2:09:58.480
<v Speaker 1>going on because I'm like, ayes, so what he did

2:09:58.560 --> 2:10:01.440
<v Speaker 1>this or whatever whatever they point was of, not what

2:10:01.760 --> 2:10:04.560
<v Speaker 1>in the act with each other. I couldn't believe it.

2:10:04.640 --> 2:10:07.360
<v Speaker 1>But then I've seen it's going on. I think I

2:10:07.520 --> 2:10:08.680
<v Speaker 1>was on. I don't know if I was on that

2:10:08.840 --> 2:10:13.040
<v Speaker 1>I went somewhere with Jim and I'm thinking I'm rectif

2:10:13.200 --> 2:10:15.280
<v Speaker 1>I wanted to rectify the situation because these things I

2:10:15.400 --> 2:10:20.040
<v Speaker 1>loved you, like I'm sorry to cut you off, but

2:10:20.120 --> 2:10:21.920
<v Speaker 1>I want to pick you up. I can tell her

2:10:22.160 --> 2:10:25.120
<v Speaker 1>everybody you would have heard this, everybody. In my opinion,

2:10:25.160 --> 2:10:26.880
<v Speaker 1>I could be wrong. You look at me and say, no, no,

2:10:27.480 --> 2:10:29.040
<v Speaker 1>I know these things is gonna get it back together

2:10:29.360 --> 2:10:31.560
<v Speaker 1>or you could be like but at one point it

2:10:31.720 --> 2:10:35.440
<v Speaker 1>really seemed like ugly. It really seems okay because I

2:10:35.560 --> 2:10:37.200
<v Speaker 1>love both of them, you know what I'm saying, like

2:10:37.440 --> 2:10:39.600
<v Speaker 1>like hands down, you know what I mean when they

2:10:39.640 --> 2:10:41.320
<v Speaker 1>say what you bring me to tell you? But all that,

2:10:41.520 --> 2:10:43.720
<v Speaker 1>like I put my soul out here, you know what

2:10:43.760 --> 2:10:46.040
<v Speaker 1>I mean? It won would be a time if something's

2:10:46.080 --> 2:10:49.040
<v Speaker 1>going on, I'm if it's over, it's over, you know

2:10:49.080 --> 2:10:50.600
<v Speaker 1>what I mean. That's how it ran with you, and

2:10:50.760 --> 2:10:54.120
<v Speaker 1>that's how I still because it was for y'all. It's

2:10:54.160 --> 2:10:58.320
<v Speaker 1>more y'all, but the forefront is for y'all. Zeke Juel's

2:11:00.280 --> 2:11:04.920
<v Speaker 1>m jem right. But then you got fast On, you

2:11:05.080 --> 2:11:08.160
<v Speaker 1>got Tito my man food back in the days. Then

2:11:08.160 --> 2:11:09.960
<v Speaker 1>you got a song we told my Tito trying to

2:11:09.960 --> 2:11:14.080
<v Speaker 1>stab ship night. That was all. I love that, um

2:11:14.560 --> 2:11:20.240
<v Speaker 1>um all these people so but you as like the artist,

2:11:20.280 --> 2:11:23.320
<v Speaker 1>that wasn't the artist? How much pressure was that on

2:11:23.440 --> 2:11:26.280
<v Speaker 1>the fans when the fans were seeing you? I really can.

2:11:26.400 --> 2:11:28.400
<v Speaker 1>I don't know if you remember this, but I wanted

2:11:28.480 --> 2:11:31.960
<v Speaker 1>to be can. It was like, look, anybody can't do anything,

2:11:32.400 --> 2:11:35.120
<v Speaker 1>you know what I'm saying. So when Rocket Fuller was

2:11:35.200 --> 2:11:38.560
<v Speaker 1>going on, he was like, look, just go every day,

2:11:38.680 --> 2:11:40.840
<v Speaker 1>get up in there and go speak to them up

2:11:40.840 --> 2:11:42.080
<v Speaker 1>in the cubic foods, you know what I mean. So

2:11:42.360 --> 2:11:45.960
<v Speaker 1>every time if they finished a session six in the morning,

2:11:46.280 --> 2:11:48.520
<v Speaker 1>I'm up there, Like you mentioned Sherry before, I'm up

2:11:49.440 --> 2:11:52.480
<v Speaker 1>I mean every tube marketing promoting, just being a face

2:11:53.040 --> 2:11:55.560
<v Speaker 1>if they wasn't there or I'll just be up in there.

2:11:55.600 --> 2:11:58.720
<v Speaker 1>So that's I took that as what I needed to

2:11:58.800 --> 2:12:00.320
<v Speaker 1>do at the time, you know what I'm saying. But

2:12:00.400 --> 2:12:03.120
<v Speaker 1>if Kim asked me to do something, mama spit a

2:12:03.280 --> 2:12:05.520
<v Speaker 1>verse of a hook I'm excuse me, more so a hooker, really,

2:12:05.960 --> 2:12:08.040
<v Speaker 1>you know what I mean. But there's a lot of

2:12:08.200 --> 2:12:11.560
<v Speaker 1>underground ship that Food Freaky was doing, you know what

2:12:11.640 --> 2:12:14.120
<v Speaker 1>I'm saying. I was keeping everything a lot. You were

2:12:14.160 --> 2:12:17.480
<v Speaker 1>jumping on conference calls, on the street team conference calls too, Yeah,

2:12:17.600 --> 2:12:19.920
<v Speaker 1>because I was doing the deaf Jam street Team. He

2:12:20.400 --> 2:12:26.560
<v Speaker 1>actually you felt about I know what, let me answer

2:12:26.560 --> 2:12:29.880
<v Speaker 1>the sum something because you saw that going to the

2:12:30.000 --> 2:12:33.640
<v Speaker 1>car like we're gonna like, no know what I'm saying

2:12:33.680 --> 2:12:36.720
<v Speaker 1>this Zeke me and Jim wasn't speaking Zeken do ship

2:12:36.880 --> 2:12:39.120
<v Speaker 1>like be next to me and put Jim on the phone, like, yo,

2:12:39.640 --> 2:12:44.440
<v Speaker 1>what me and Cape have the same situation. But sometimes

2:12:44.440 --> 2:12:46.840
<v Speaker 1>when you were together with somebody that close, you're just

2:12:46.880 --> 2:12:49.280
<v Speaker 1>gonna have a situation. It doesn't matter, It doesn't matter

2:12:49.280 --> 2:12:52.520
<v Speaker 1>if we could both be right now. The answer Zeke

2:12:52.640 --> 2:12:57.760
<v Speaker 1>for Zeke, Zeke was mad. You know, he's being politically

2:12:57.840 --> 2:13:00.320
<v Speaker 1>correct the way you're doing and not mad one of

2:13:00.440 --> 2:13:03.320
<v Speaker 1>us matter the situation, because he would be next to

2:13:03.400 --> 2:13:06.240
<v Speaker 1>me or next to Jim and be like, Yo, my

2:13:06.320 --> 2:13:07.480
<v Speaker 1>man want to talk to you, and I'll be like

2:13:07.520 --> 2:13:09.520
<v Speaker 1>who this and then be Jim and we'll both like yeah,

2:13:09.640 --> 2:13:11.640
<v Speaker 1>come on man, and this in the phone way like

2:13:12.000 --> 2:13:13.720
<v Speaker 1>in eight times. So he was trying to fix the

2:13:14.600 --> 2:13:17.440
<v Speaker 1>the problem from day from day one, from the very

2:13:17.600 --> 2:13:20.200
<v Speaker 1>very beginning, he was trying to fix it. Whether I

2:13:20.320 --> 2:13:22.360
<v Speaker 1>was ready to fix it or Jim was ready to

2:13:22.440 --> 2:13:25.720
<v Speaker 1>fix it or not, he was always there trying to

2:13:25.800 --> 2:13:28.560
<v Speaker 1>fix the problem. And like he was about to say earlier,

2:13:29.480 --> 2:13:32.320
<v Speaker 1>because basically to me, what he wanted to tell you

2:13:32.480 --> 2:13:34.160
<v Speaker 1>is that he wants his credit for all them Old

2:13:34.240 --> 2:13:37.960
<v Speaker 1>Boys songs and hey Ma songs. Because he sat in

2:13:38.040 --> 2:13:41.680
<v Speaker 1>Michael Kaiser office every day for three months and basically

2:13:41.760 --> 2:13:44.640
<v Speaker 1>told Mike Kaiser, you leave when I want you to leave,

2:13:44.800 --> 2:13:48.880
<v Speaker 1>or I'll be here tomorrow or whatever, and Old Boy

2:13:48.920 --> 2:13:53.560
<v Speaker 1>and Hey Mom became eventually the number one spun records

2:13:53.600 --> 2:13:56.520
<v Speaker 1>and definitely in history, whether it's BC Boys, Old Coo,

2:13:56.640 --> 2:14:00.880
<v Speaker 1>J Three, Third Base, whoever you want, even Jay Z.

2:14:01.160 --> 2:14:04.040
<v Speaker 1>At the time before Kanye started breaking the records, those

2:14:04.080 --> 2:14:07.440
<v Speaker 1>records were the number one spunt records in definitam history.

2:14:08.040 --> 2:14:11.720
<v Speaker 1>And being that, Zeke sat in Michael Kaiser's office every

2:14:11.840 --> 2:14:14.400
<v Speaker 1>day at radio, and then when Haymond came out and

2:14:14.440 --> 2:14:16.760
<v Speaker 1>crossed over, he sat in ken Lanes that's the Z

2:14:16.880 --> 2:14:21.240
<v Speaker 1>one hundred stations, you know, every day for months, put

2:14:21.280 --> 2:14:25.920
<v Speaker 1>in Prussia. Nice pressure that the records became the best

2:14:25.960 --> 2:14:28.280
<v Speaker 1>records in de jam history. And I think he's sponsible

2:14:28.280 --> 2:14:39.200
<v Speaker 1>for those now. I think that's what he wanted. I

2:14:39.320 --> 2:14:41.000
<v Speaker 1>think he was trying to get out of here, like

2:14:41.040 --> 2:14:43.120
<v Speaker 1>I'm gonna get this out before we wrapped this up

2:14:43.160 --> 2:14:46.760
<v Speaker 1>and then let niggas know that these songs basically not

2:14:46.880 --> 2:14:48.800
<v Speaker 1>saying they wasn't good music, but it was a little

2:14:48.840 --> 2:14:54.800
<v Speaker 1>elbow grease hues. So I got I got one more question,

2:14:54.840 --> 2:14:57.120
<v Speaker 1>and I got three more questions from my nephew, nephews

2:14:59.720 --> 2:15:03.480
<v Speaker 1>when I'm back. Yeah that when when when? When when

2:15:03.560 --> 2:15:06.880
<v Speaker 1>me and you were speaking and we wasn't one one communicated?

2:15:06.920 --> 2:15:09.720
<v Speaker 1>My name was like no, just chill. That's how cam is.

2:15:15.000 --> 2:15:20.440
<v Speaker 1>He's telling me now like that Camus fly like that.

2:15:21.120 --> 2:15:22.840
<v Speaker 1>He just doesn't. I'm supposed to speak to certain people

2:15:26.480 --> 2:15:32.440
<v Speaker 1>you've never met, but but but his I just want

2:15:32.480 --> 2:15:35.120
<v Speaker 1>to get to this right Internet, we all got Twitter,

2:15:35.200 --> 2:15:38.240
<v Speaker 1>we all got do you als get locked up? There's

2:15:38.280 --> 2:15:41.720
<v Speaker 1>this song to come out. What you was? Right? People

2:15:41.720 --> 2:15:44.120
<v Speaker 1>are pointing to finger saying, man, they got to be

2:15:44.240 --> 2:15:47.840
<v Speaker 1>talking about you. Well all right, I mean can't they

2:15:47.920 --> 2:15:50.520
<v Speaker 1>gotta be talking about campus. Just be clear you just

2:15:50.560 --> 2:15:53.080
<v Speaker 1>said that to me earlier. Actually anything So yeah, absolutely

2:15:54.200 --> 2:15:59.400
<v Speaker 1>definitely this song comes out. I'm a journalist. Now you

2:15:59.480 --> 2:16:01.560
<v Speaker 1>don't even know me. This is it first we've knowing

2:16:01.640 --> 2:16:04.520
<v Speaker 1>me as a journalist, Like you know, these people are

2:16:04.560 --> 2:16:08.640
<v Speaker 1>hearing me, and that's saying, look, no meows, it's going

2:16:08.760 --> 2:16:14.400
<v Speaker 1>to slide. I'm not a gossip reporter. Don't report it

2:16:14.520 --> 2:16:17.920
<v Speaker 1>or nothing, but being at you here, I have to

2:16:18.000 --> 2:16:22.320
<v Speaker 1>ask that question. Um, this is record that comes out

2:16:22.680 --> 2:16:26.280
<v Speaker 1>with Joel's is in jail or prior, and it seems

2:16:26.320 --> 2:16:28.080
<v Speaker 1>like he's coming at you. Did you hear this record?

2:16:28.120 --> 2:16:32.120
<v Speaker 1>Do you know what I'm talking about? So what happened

2:16:32.120 --> 2:16:36.160
<v Speaker 1>in that situation, Well, Joel's was in jail when the record. Basically,

2:16:37.560 --> 2:16:40.320
<v Speaker 1>I guess his girlfriend and his brother put the record

2:16:40.360 --> 2:16:42.760
<v Speaker 1>Outum the album and he put out a mixtape by

2:16:42.760 --> 2:16:46.280
<v Speaker 1>album or someone. He's in jail and so basically, um,

2:16:46.760 --> 2:16:50.360
<v Speaker 1>I hear the record, sounds like it's about me. This

2:16:50.520 --> 2:16:53.600
<v Speaker 1>to me, but I'm not gonna I'm not dissing Jim

2:16:53.680 --> 2:16:56.879
<v Speaker 1>with duels. I'm just not dissing them on the record.

2:16:57.000 --> 2:16:59.560
<v Speaker 1>So talking about them public publicly or whatever. If y'are

2:16:59.600 --> 2:17:01.120
<v Speaker 1>mad at me, call I'm just not ever going to

2:17:01.240 --> 2:17:05.080
<v Speaker 1>do that. But his girl called me, and uh, she

2:17:05.280 --> 2:17:08.800
<v Speaker 1>explained to me, and I end up speaking to Jewels,

2:17:08.840 --> 2:17:12.240
<v Speaker 1>and Jewels said that basically it's supposed to be too

2:17:13.879 --> 2:17:16.080
<v Speaker 1>two sides of it. So it's when me and him

2:17:16.160 --> 2:17:20.360
<v Speaker 1>wasn't speaking, it was that was his point of view,

2:17:21.320 --> 2:17:24.480
<v Speaker 1>and he said he wrote my point of view, but

2:17:24.560 --> 2:17:27.440
<v Speaker 1>he said instead of me him saying how I felt,

2:17:27.520 --> 2:17:32.160
<v Speaker 1>he wanted me to write how he felt when Niggas

2:17:32.200 --> 2:17:37.000
<v Speaker 1>wasn't speaking in jail. No, he had songs in his computer,

2:17:37.160 --> 2:17:38.840
<v Speaker 1>and you know they're making no music in jail. I

2:17:38.879 --> 2:17:41.360
<v Speaker 1>guess you got a Jewell got two million songs in computer.

2:17:41.400 --> 2:17:44.920
<v Speaker 1>I don't know white for them out. So basically, that

2:17:45.120 --> 2:17:48.520
<v Speaker 1>particular song he was saying it wasn't supposed to This

2:17:48.560 --> 2:17:50.400
<v Speaker 1>is what he said that it was supposed to go

2:17:50.400 --> 2:17:54.480
<v Speaker 1>on this album because he wanted me to do a

2:17:54.680 --> 2:17:57.080
<v Speaker 1>verse or how he felt during that era when he

2:17:57.240 --> 2:17:59.040
<v Speaker 1>was mad at me or I was mad at him

2:17:59.120 --> 2:18:01.680
<v Speaker 1>or whatever, and I told him, you know this one

2:18:01.760 --> 2:18:04.440
<v Speaker 1>y'all jail. We had this conversation and I was like, yeah,

2:18:04.480 --> 2:18:07.600
<v Speaker 1>I'm not gonna do that because just confusing the fans.

2:18:07.680 --> 2:18:09.360
<v Speaker 1>They don't know if this is today, they don't know

2:18:09.360 --> 2:18:11.880
<v Speaker 1>if this is, oh, this is I don't really get it.

2:18:12.080 --> 2:18:14.760
<v Speaker 1>But I just did the concept. It would have been

2:18:14.800 --> 2:18:17.160
<v Speaker 1>dope if it was a few years ago. But I

2:18:17.240 --> 2:18:19.600
<v Speaker 1>just yeah, but I just didn't feel it as a

2:18:19.600 --> 2:18:21.680
<v Speaker 1>purpose for that. But that's what he told me. Okay,

2:18:23.120 --> 2:18:26.119
<v Speaker 1>cool too. I just spoke to her yesterday, so it's beautiful.

2:18:26.200 --> 2:18:28.280
<v Speaker 1>It's beautiful. So let me get to one of my

2:18:28.400 --> 2:18:32.080
<v Speaker 1>nephews questions. He wants to know when you look at

2:18:32.120 --> 2:18:37.520
<v Speaker 1>the free bands, change I know as I can. Tom.

2:18:45.360 --> 2:18:48.320
<v Speaker 1>You know you told me. You know, he told me,

2:18:48.440 --> 2:18:51.040
<v Speaker 1>said I couldn't afford to change, and I want to

2:18:51.080 --> 2:18:53.400
<v Speaker 1>be dip set so bad that he said it took

2:18:53.440 --> 2:18:57.720
<v Speaker 1>me three days to soft the eagle that's on the

2:18:57.760 --> 2:19:03.560
<v Speaker 1>basketball truphies, but sorted for three days and bought a

2:19:03.640 --> 2:19:13.480
<v Speaker 1>little route. You think about this respect that. Yeah, he's

2:19:13.480 --> 2:19:16.480
<v Speaker 1>funked up. He's gonna he's gonna be mad. But so

2:19:16.680 --> 2:19:20.920
<v Speaker 1>he's like, yo, free bands and he actually sent me

2:19:20.959 --> 2:19:25.800
<v Speaker 1>a picture he ain't playing. Look he liked asked, y'all,

2:19:25.959 --> 2:19:29.560
<v Speaker 1>what do you feel about free bands? Change? I mean,

2:19:29.600 --> 2:19:32.200
<v Speaker 1>it's so good to be honest with you, my man,

2:19:32.760 --> 2:19:35.000
<v Speaker 1>chubby baby, that's our family. You know what I'm saying

2:19:35.800 --> 2:19:45.760
<v Speaker 1>right back, cam ain fucking with you, he laught, man, right, both,

2:19:45.920 --> 2:19:48.280
<v Speaker 1>Let's get with my nigga. How you doing your right,

2:19:50.240 --> 2:19:54.000
<v Speaker 1>my nigger? That's something being good to see you, man.

2:19:55.600 --> 2:19:57.880
<v Speaker 1>So we don't know. We're on your questions right now,

2:19:58.000 --> 2:20:01.240
<v Speaker 1>we're on the free bands. Do we feel like future?

2:20:02.400 --> 2:20:04.920
<v Speaker 1>I was to say that, but I would I would

2:20:05.280 --> 2:20:08.360
<v Speaker 1>know how you feel about the future. Um, you know,

2:20:08.920 --> 2:20:12.720
<v Speaker 1>he basically took the eagle bird and put mgb all

2:20:12.760 --> 2:20:17.200
<v Speaker 1>that and now that stage change, but that original change. Yeah, okay,

2:20:17.280 --> 2:20:19.240
<v Speaker 1>all right, hold on spirit, we're gonna leave right there.

2:20:19.720 --> 2:20:21.959
<v Speaker 1>We feel about that camp, I don't feel the way

2:20:22.000 --> 2:20:25.840
<v Speaker 1>I mean like with Diplomats and Woo thing. I think

2:20:25.879 --> 2:20:28.680
<v Speaker 1>those are the best logos. That's not gonna go nowhere.

2:20:29.280 --> 2:20:32.000
<v Speaker 1>And Futures Family, that's you know, that's my guy. Plus

2:20:32.160 --> 2:20:38.240
<v Speaker 1>he was dealing with chubby Baby, Chubby Baby from the Bronx.

2:20:38.320 --> 2:20:41.240
<v Speaker 1>But we met in Ohio, me and us Ohio. That's

2:20:41.240 --> 2:20:43.720
<v Speaker 1>where we met at and uh, you know he's been

2:20:43.720 --> 2:20:45.400
<v Speaker 1>in Atlanta working for Future and a whole bunch of

2:20:45.400 --> 2:20:49.160
<v Speaker 1>other niggers. So he's the future uh a while. When

2:20:49.200 --> 2:20:50.959
<v Speaker 1>that logo came out, he called and told me about

2:20:50.959 --> 2:20:53.520
<v Speaker 1>it before it happened, So it was all good with me.

2:20:53.760 --> 2:20:58.520
<v Speaker 1>Like I said, Future Family is all good. God damn it. Yeah,

2:20:58.560 --> 2:21:00.360
<v Speaker 1>I got all your other questions, y'all. I al would

2:21:00.360 --> 2:21:03.240
<v Speaker 1>have used you all your other questions. I'm looking at

2:21:03.280 --> 2:21:05.680
<v Speaker 1>I'm I'm trying to be like a good journalist, so

2:21:05.720 --> 2:21:07.840
<v Speaker 1>I'm looking at all your other questions. Yeah, I already

2:21:07.840 --> 2:21:09.959
<v Speaker 1>are we already good that this is a great interview.

2:21:10.320 --> 2:21:12.520
<v Speaker 1>And he told me he didn't trust me this is crazy.

2:21:14.760 --> 2:21:20.120
<v Speaker 1>No reason told you told me? Last really told me?

2:21:20.400 --> 2:21:41.640
<v Speaker 1>Last kills the man always trust I bad the best

2:21:41.680 --> 2:21:51.760
<v Speaker 1>thing in the world. I make a piece. Oh yeah,

2:21:52.879 --> 2:21:54.600
<v Speaker 1>I'll be gonna hit you back. We're gonna hit you back.

2:21:59.600 --> 2:22:04.880
<v Speaker 1>Do not not listen? Listen listen when I got a shot?

2:22:04.920 --> 2:22:07.280
<v Speaker 1>How my shot magically appear. Let's take another shot for

2:22:07.360 --> 2:22:13.680
<v Speaker 1>Killer Killer, motherfucking camp A movie getting the horse horsepower point. Yeah,

2:22:14.000 --> 2:22:20.440
<v Speaker 1>all right, y'all take We need to understand again, we're

2:22:20.440 --> 2:22:23.640
<v Speaker 1>taking this shot for him. We're taking this shot for horsepower.

2:22:24.080 --> 2:22:33.480
<v Speaker 1>Why not let me look at Thanks for having me man,

2:22:33.520 --> 2:22:38.920
<v Speaker 1>I appreciate it. Listen to me camp Um. I know

2:22:39.000 --> 2:22:40.800
<v Speaker 1>I said this to you kind of like off the air,

2:22:41.720 --> 2:22:47.760
<v Speaker 1>but you're one of my most favorite people in the world.

2:22:48.840 --> 2:22:52.520
<v Speaker 1>Our relationship in the beginning, what happened was I'm gonna

2:22:52.520 --> 2:22:57.640
<v Speaker 1>blame that on our success because why we didn't keep going.

2:22:58.200 --> 2:23:01.600
<v Speaker 1>You know what I'm saying. I feel like without you know,

2:23:01.720 --> 2:23:05.440
<v Speaker 1>over bigging us up. Maybe I'm over bigging me up.

2:23:06.760 --> 2:23:08.880
<v Speaker 1>I feel like we were like j and NAS, like

2:23:09.000 --> 2:23:12.760
<v Speaker 1>we dealt with that kind of situation where you were

2:23:12.959 --> 2:23:15.560
<v Speaker 1>super a man then I was super a man here

2:23:17.080 --> 2:23:21.280
<v Speaker 1>and but we could have done some well marketable ship

2:23:22.000 --> 2:23:25.000
<v Speaker 1>and still can and still can. And I just want

2:23:25.000 --> 2:23:26.840
<v Speaker 1>to tell you how much I appreciate you from then,

2:23:29.240 --> 2:23:33.160
<v Speaker 1>how much I appreciate you now, how much I appreciate

2:23:33.280 --> 2:23:36.920
<v Speaker 1>y'all because I got to see y'all like I got

2:23:37.000 --> 2:23:38.160
<v Speaker 1>to see I don't want to say I got to

2:23:38.160 --> 2:23:40.320
<v Speaker 1>see you at the bottom, but I got to see

2:23:40.400 --> 2:23:42.840
<v Speaker 1>y'all coming up likewise, and I got to see you

2:23:42.959 --> 2:23:45.480
<v Speaker 1>at the top. And I've always been propped, So just

2:23:45.560 --> 2:23:48.480
<v Speaker 1>in case you don't know that, always been proud of.

2:23:49.240 --> 2:23:51.440
<v Speaker 1>One thing about this right now is like this bro

2:23:51.600 --> 2:23:53.400
<v Speaker 1>hustling is gonna hustle and we're gonna get the back.

2:23:53.400 --> 2:23:55.400
<v Speaker 1>And that's one thing I respected by everybody. Of course

2:23:55.440 --> 2:23:59.600
<v Speaker 1>our friendship. But to see, like you said I mentioned

2:23:59.720 --> 2:24:02.200
<v Speaker 1>ninety seven, h ninety six, whatever year, is to see

2:24:02.240 --> 2:24:04.040
<v Speaker 1>that you're still doing this, you see it, you still

2:24:04.080 --> 2:24:06.920
<v Speaker 1>look great, pause that you still get money. I respect

2:24:07.000 --> 2:24:10.080
<v Speaker 1>that more than anything else. Of course, I friendship, But

2:24:10.120 --> 2:24:12.720
<v Speaker 1>I don't like nigger. You know what. I hate to

2:24:12.760 --> 2:24:19.720
<v Speaker 1>hang out. First, Yeah, I love you had everything. I

2:24:20.000 --> 2:24:22.080
<v Speaker 1>know what. I don't like what people say you'd be like, yo,

2:24:22.160 --> 2:24:24.520
<v Speaker 1>how you doing, and somebody be like Yeah, I'm just maintaining.

2:24:24.560 --> 2:24:26.400
<v Speaker 1>And I'm like, I don't want to hear you maintain it,

2:24:26.760 --> 2:24:29.360
<v Speaker 1>Like I'm not really doing that. Maintaining ship And you

2:24:29.400 --> 2:24:33.320
<v Speaker 1>know what I'm saying, that's another word that's like it

2:24:33.480 --> 2:24:37.400
<v Speaker 1>wants depressing. How you doing maintaining? Yeah, my nigger, you

2:24:37.520 --> 2:24:43.240
<v Speaker 1>just like when what I maintaining ship? Kevin Laos told

2:24:43.280 --> 2:24:45.000
<v Speaker 1>me that and I ran with that for like fifteen

2:24:45.040 --> 2:24:48.160
<v Speaker 1>twe years because you just go if you're just maintaining,

2:24:48.360 --> 2:24:52.040
<v Speaker 1>you're satisfied with just getting by, And I'm not happy

2:24:52.160 --> 2:24:55.080
<v Speaker 1>with just getting by, Like I got habits that I

2:24:55.080 --> 2:24:57.600
<v Speaker 1>don't want to support. I want to keep doing. You

2:24:57.640 --> 2:24:59.840
<v Speaker 1>get what I'm saying. So to say that, I'm saying

2:24:59.879 --> 2:25:01.520
<v Speaker 1>that to say this, to see that you're still doing

2:25:01.600 --> 2:25:04.640
<v Speaker 1>your shows, your second and you still could do songs

2:25:04.680 --> 2:25:07.640
<v Speaker 1>if you want. It's about a few people, you know

2:25:07.720 --> 2:25:16.960
<v Speaker 1>what I'm saying. But let's do it. Let's get the balls. Listen. No,

2:25:17.120 --> 2:25:22.480
<v Speaker 1>I'm not gonna lie. I always had this Independent, major

2:25:22.600 --> 2:25:27.920
<v Speaker 1>debate debate when it comes to the Independent. The way Cam,

2:25:28.440 --> 2:25:32.080
<v Speaker 1>Jim and Dip said, did the Independent is different for

2:25:32.320 --> 2:25:37.000
<v Speaker 1>New York based at that time, It's not difference. No,

2:25:37.320 --> 2:25:39.080
<v Speaker 1>they did it great as far as New York. But

2:25:39.120 --> 2:25:41.080
<v Speaker 1>what I'm trying to say is only independent base that

2:25:41.240 --> 2:25:44.520
<v Speaker 1>was working was people from the South, people from Richmond, California.

2:25:45.120 --> 2:25:46.480
<v Speaker 1>It wasn't working for them, you know what I'm saying

2:25:46.520 --> 2:25:50.039
<v Speaker 1>that they wasn't once that it worked for in New

2:25:50.120 --> 2:25:55.320
<v Speaker 1>York like it works. If what I'm saying about Cots wasn't,

2:25:56.440 --> 2:26:00.800
<v Speaker 1>it wasn't a lie. Most other people other than we're

2:26:00.840 --> 2:26:04.199
<v Speaker 1>going there and die. They're the only ones getting money.

2:26:04.240 --> 2:26:06.120
<v Speaker 1>So that I could see it, fifty is coming from

2:26:06.200 --> 2:26:11.200
<v Speaker 1>like here talking about you. So um, that's That's what

2:26:11.240 --> 2:26:14.039
<v Speaker 1>I'm talking about. But the way they did it independent,

2:26:14.160 --> 2:26:16.480
<v Speaker 1>I gotta I gotta salute that. I gotta sloop that

2:26:16.520 --> 2:26:18.520
<v Speaker 1>I didn't see that not from New York. We other

2:26:18.560 --> 2:26:22.959
<v Speaker 1>independent other than Rocket Fellow. There was no other independent people.

2:26:23.160 --> 2:26:28.039
<v Speaker 1>Think about it Camp. No, they weren't independent. They were

2:26:28.160 --> 2:26:33.400
<v Speaker 1>universe VERSU from the beginning because once DMX side that

2:26:33.600 --> 2:26:38.880
<v Speaker 1>was definitely have university. The Locks were in the school. No,

2:26:39.040 --> 2:26:40.960
<v Speaker 1>they were bad boy, yeah, and then they went then

2:26:41.000 --> 2:26:45.720
<v Speaker 1>they moved over. So YEAHLL were the first independent of

2:26:46.080 --> 2:26:49.520
<v Speaker 1>the independent company. People were independent with the major I

2:26:49.640 --> 2:26:55.200
<v Speaker 1>just thought you mad independent period you know, independent, independent, independent,

2:26:55.400 --> 2:26:59.920
<v Speaker 1>fucking with the independent, these other people with independent made

2:27:00.600 --> 2:27:05.360
<v Speaker 1>That's that's right. Yeah, depending on the deal though, depending

2:27:05.400 --> 2:27:09.040
<v Speaker 1>on the deal you have is how it is. If

2:27:09.080 --> 2:27:11.640
<v Speaker 1>you own your masters, if you own your ship, but

2:27:11.800 --> 2:27:15.120
<v Speaker 1>the end you can't own your masters. The major you can,

2:27:15.680 --> 2:27:22.240
<v Speaker 1>you can the deal. It depends on the deal. Puff

2:27:22.320 --> 2:27:25.760
<v Speaker 1>got his master's back. Now, eventually, if you work the system,

2:27:25.840 --> 2:27:27.520
<v Speaker 1>you might get it. I'm in the process of that

2:27:27.680 --> 2:27:30.119
<v Speaker 1>right now. Like I just got my master's back. Masters

2:27:30.360 --> 2:27:33.600
<v Speaker 1>you want own in death Jam you don't. You don't want,

2:27:33.640 --> 2:27:37.000
<v Speaker 1>you don't want the epic I'm working. They got Sony too.

2:27:37.160 --> 2:27:39.560
<v Speaker 1>But so what's going on? Is this? So in case

2:27:39.600 --> 2:27:43.840
<v Speaker 1>you ain't know, it's the thing I just found out

2:27:43.879 --> 2:27:50.280
<v Speaker 1>about May ten years seven. Okay, you could go. You

2:27:50.360 --> 2:27:54.680
<v Speaker 1>can re record your records right now, eight year statue

2:27:54.760 --> 2:27:59.000
<v Speaker 1>limitation on your records. It's just like music. Yes, it's

2:27:59.040 --> 2:28:02.120
<v Speaker 1>just a criminals. I just chart it out. So, so,

2:28:02.360 --> 2:28:07.320
<v Speaker 1>for instance, who gets your super Doug ship forever? Well,

2:28:07.520 --> 2:28:11.920
<v Speaker 1>right now it's Tommy. I forget it. Let's just use

2:28:11.959 --> 2:28:14.280
<v Speaker 1>a random example. Let's just say I want to do

2:28:14.400 --> 2:28:16.959
<v Speaker 1>oh boy over, I clear the sample everything I don't

2:28:16.959 --> 2:28:20.560
<v Speaker 1>record the record right now, put out on streaming service

2:28:20.640 --> 2:28:22.440
<v Speaker 1>and tells don't go they definitely on to get it

2:28:22.480 --> 2:28:25.360
<v Speaker 1>get I go, get it to me right now, my bread,

2:28:25.600 --> 2:28:30.080
<v Speaker 1>you record, got to record your everything, but this is

2:28:30.120 --> 2:28:32.360
<v Speaker 1>the new version. Yeah, but you don't have to. You

2:28:32.400 --> 2:28:33.960
<v Speaker 1>can say because people don't want to hear what they

2:28:34.000 --> 2:28:36.040
<v Speaker 1>want to hear, you can record the exact same song

2:28:36.200 --> 2:28:41.240
<v Speaker 1>you did today and put it out streaming because statue

2:28:41.280 --> 2:28:44.000
<v Speaker 1>limitation on the on the music that how long they

2:28:44.040 --> 2:28:46.480
<v Speaker 1>can actually own your ship and we don't. We don't

2:28:46.520 --> 2:28:50.840
<v Speaker 1>be knowing ship like this right now. Yeah, well tell

2:28:50.879 --> 2:28:57.160
<v Speaker 1>me no. I'm just telling you. So you could go

2:28:57.280 --> 2:29:00.920
<v Speaker 1>and record everything over that you want to Yeah, seven,

2:29:01.120 --> 2:29:02.920
<v Speaker 1>seven or eight. My Lloyder, me and my lawyer just

2:29:03.000 --> 2:29:04.920
<v Speaker 1>went through this last week because I'm like, I want

2:29:04.920 --> 2:29:11.880
<v Speaker 1>to go seven or yeah. Good, we could go do

2:29:12.000 --> 2:29:15.120
<v Speaker 1>three fifty seven over any record. I want to do

2:29:15.280 --> 2:29:20.720
<v Speaker 1>this over eight years over superdu is good. You go

2:29:21.720 --> 2:29:27.080
<v Speaker 1>to make a little bit get checks right, you know

2:29:27.160 --> 2:29:30.200
<v Speaker 1>that's an athorage a little nice. I like it, man,

2:29:30.280 --> 2:29:35.760
<v Speaker 1>go ahead, thay much. But that's different publishing. Ye, that

2:29:37.360 --> 2:29:42.440
<v Speaker 1>that's all I'm publishing. I don't I don't own. That's

2:29:42.720 --> 2:29:45.280
<v Speaker 1>fucking genius. I had had no idea. Yeah, but I

2:29:45.400 --> 2:29:48.120
<v Speaker 1>own my masters from Warner Brothers. All the stuff that

2:29:48.200 --> 2:29:51.960
<v Speaker 1>I did when I left, defin want to publish it. No,

2:29:52.160 --> 2:29:55.840
<v Speaker 1>I was on a Sylum, but it was through uh yeah,

2:29:55.920 --> 2:29:58.959
<v Speaker 1>exactly so. But my deal I hadded like seven years

2:29:58.959 --> 2:30:01.000
<v Speaker 1>statue of lemons say and on that for in the deal.

2:30:01.120 --> 2:30:03.760
<v Speaker 1>So top mask was Joey I. E. They gave you

2:30:03.800 --> 2:30:05.760
<v Speaker 1>back all my masters, So I got all my masters

2:30:05.840 --> 2:30:07.840
<v Speaker 1>from there. So this is in the deals when you

2:30:07.959 --> 2:30:10.520
<v Speaker 1>sign them, it says it's somewhere in there. On that

2:30:10.680 --> 2:30:13.520
<v Speaker 1>particular deal with Tom Muskus and Joey I, I don't

2:30:13.520 --> 2:30:15.640
<v Speaker 1>think they ever had a vision of standing there too long,

2:30:15.720 --> 2:30:18.160
<v Speaker 1>so they wanted to give all this back they shipped.

2:30:18.520 --> 2:30:21.480
<v Speaker 1>So basically after seven years I got my ship back.

2:30:21.520 --> 2:30:22.920
<v Speaker 1>I just got it back for like the last three

2:30:23.000 --> 2:30:25.520
<v Speaker 1>or four years. So like all the ship killing season

2:30:25.720 --> 2:30:28.440
<v Speaker 1>and the album, the movie, etcetera. Ey, thinking that I

2:30:28.560 --> 2:30:31.480
<v Speaker 1>did on a Sylum, I owned them. The money is

2:30:31.480 --> 2:30:34.200
<v Speaker 1>a death chair. That's saying that ain't money there. But

2:30:34.360 --> 2:30:37.480
<v Speaker 1>that's the catalog catalog. But I could go if I

2:30:37.560 --> 2:30:39.760
<v Speaker 1>want to put the time in, I go record the

2:30:39.800 --> 2:30:42.680
<v Speaker 1>whole album everything we did it depth him over and

2:30:42.840 --> 2:30:46.200
<v Speaker 1>still my traffic this way to go get it. It's

2:30:46.200 --> 2:30:49.160
<v Speaker 1>a lot of work. That's why. That's why the question

2:30:49.240 --> 2:30:52.120
<v Speaker 1>he acts is like you could go to label right

2:30:52.160 --> 2:30:53.760
<v Speaker 1>and be like, yo, it's up the masses. You can

2:30:53.800 --> 2:30:57.720
<v Speaker 1>give me. At least I could just go record the

2:30:57.800 --> 2:31:00.800
<v Speaker 1>ship over and y'all don't get nothing, or y'all get

2:31:00.800 --> 2:31:03.240
<v Speaker 1>whatever I stuff on my Instagram ca now social media

2:31:03.360 --> 2:31:07.920
<v Speaker 1>you can drop. That's the process of it. You have

2:31:08.080 --> 2:31:10.400
<v Speaker 1>to still get the clearance. Some people don't want to

2:31:10.440 --> 2:31:13.720
<v Speaker 1>go do that headache having to pay the producer. You know,

2:31:13.879 --> 2:31:16.360
<v Speaker 1>if it's a sample in it or whatever, you have

2:31:16.400 --> 2:31:19.960
<v Speaker 1>to do it all over again. It's still the same process,

2:31:20.200 --> 2:31:23.640
<v Speaker 1>but you could own it. It will be yours. Yeah, exactly,

2:31:24.560 --> 2:31:28.480
<v Speaker 1>hard crazy man. Do the whole worri for the over

2:31:29.320 --> 2:31:34.440
<v Speaker 1>tragical bone down right. Now you've got some much some

2:31:34.640 --> 2:31:37.080
<v Speaker 1>mean you got. You got niggas I funk with, like

2:31:37.400 --> 2:31:40.720
<v Speaker 1>of course I funk with my nigga Johnny sitson Cinematic

2:31:40.879 --> 2:31:46.000
<v Speaker 1>and and my nigga Gazia Empire. But you know, basically

2:31:46.120 --> 2:31:48.080
<v Speaker 1>what they do is pay to git you on the

2:31:48.200 --> 2:31:52.520
<v Speaker 1>top streaming services. Well so Spotify. What does it Spotify

2:31:52.760 --> 2:31:57.199
<v Speaker 1>um wrap caveat, you know, the top playlists to play

2:31:57.280 --> 2:32:00.920
<v Speaker 1>top playlists or whatever. But that's if you want to

2:32:00.959 --> 2:32:04.200
<v Speaker 1>go that route to give them, which I do. I

2:32:04.280 --> 2:32:09.000
<v Speaker 1>funk with them, but as cinematic, both of them. More

2:32:09.120 --> 2:32:11.800
<v Speaker 1>with Cinematic the Empire, but I do business with Empire too.

2:32:12.320 --> 2:32:15.040
<v Speaker 1>But the point being is you can go fucking get

2:32:15.120 --> 2:32:18.440
<v Speaker 1>the distroct Kids account or a tune Core account right now,

2:32:19.240 --> 2:32:21.640
<v Speaker 1>upload your music and that should be in your pocket

2:32:22.120 --> 2:32:25.000
<v Speaker 1>thirty days, and then they come every thirty days straight

2:32:25.040 --> 2:32:27.200
<v Speaker 1>to your pocket. So right now, that's what I tell

2:32:27.240 --> 2:32:28.800
<v Speaker 1>the things. Now they'd be like, so I go to Major,

2:32:28.800 --> 2:32:30.240
<v Speaker 1>I'm like, yeo, if you gotta bust the way it

2:32:30.280 --> 2:32:34.560
<v Speaker 1>works right now? Everything you could it's analytics. So they

2:32:34.640 --> 2:32:36.760
<v Speaker 1>could be like, you don't have this many Facebook friends,

2:32:36.920 --> 2:32:39.600
<v Speaker 1>you don't have this many Internet um Instagram followers, you

2:32:39.640 --> 2:32:43.120
<v Speaker 1>ain't got this many Twitter followers, etcetera, etcetera, etcetera. But

2:32:43.240 --> 2:32:45.680
<v Speaker 1>then when you do out all them numbers, you probably

2:32:45.720 --> 2:32:47.920
<v Speaker 1>already set up with distroct Kids and tune Core and

2:32:48.000 --> 2:32:50.440
<v Speaker 1>all that stream money coming to you. So what the

2:32:50.520 --> 2:32:52.320
<v Speaker 1>funk you really need them for? Because they're not building

2:32:52.440 --> 2:32:54.680
<v Speaker 1>artist from the ground up. No more, they're not done

2:32:54.760 --> 2:32:56.600
<v Speaker 1>off from the ground up. They're going off your numbers. Yo,

2:32:57.280 --> 2:32:59.640
<v Speaker 1>they ain't got this thing out. Fifteen millions streams on

2:33:00.040 --> 2:33:02.640
<v Speaker 1>hits on YouTube, you got this many Now we want

2:33:02.640 --> 2:33:04.040
<v Speaker 1>to funk with him. But at that point, if the

2:33:04.200 --> 2:33:06.600
<v Speaker 1>artist is smart, they don't need you. But you know

2:33:06.640 --> 2:33:09.400
<v Speaker 1>what I mean. So that's the game right now. It's

2:33:09.480 --> 2:33:11.760
<v Speaker 1>any artist that's out right now, you're like, y'all wish

2:33:11.760 --> 2:33:15.120
<v Speaker 1>you all to them new artists, new artists. Um to

2:33:15.280 --> 2:33:16.920
<v Speaker 1>be honest with you'all can have fun with a lot

2:33:16.959 --> 2:33:20.879
<v Speaker 1>of artists. Man, I'd be curving because I enjoyed my piece.

2:33:21.000 --> 2:33:24.080
<v Speaker 1>Like when you get an artist, they problems become your problems,

2:33:24.720 --> 2:33:27.119
<v Speaker 1>like and then they'd be super cool. And then when

2:33:27.160 --> 2:33:30.199
<v Speaker 1>they be your artists would be mad. Problems they didn't

2:33:30.200 --> 2:33:34.160
<v Speaker 1>have before that they got now that become they became

2:33:34.240 --> 2:33:37.840
<v Speaker 1>your artists. Like Yo, my rent backed up. I'm like,

2:33:37.879 --> 2:33:48.560
<v Speaker 1>how long six years making like now? Man? Yeah? Like

2:33:48.920 --> 2:33:52.200
<v Speaker 1>she like that like that weird? I was supposed to

2:33:52.240 --> 2:33:55.560
<v Speaker 1>say that, Come on, how many of you? I don't

2:33:55.560 --> 2:33:59.080
<v Speaker 1>even want the paper? Can't come on artist, artists and yourself.

2:33:59.080 --> 2:34:01.240
<v Speaker 1>I ain't gonnaind you out. I got one kid man,

2:34:01.879 --> 2:34:09.000
<v Speaker 1>so you could do your man one kid man. That's

2:34:09.080 --> 2:34:12.600
<v Speaker 1>it so um because I heard you say in the

2:34:12.720 --> 2:34:14.640
<v Speaker 1>rhyme you said you was gonna take Juju back, but

2:34:14.720 --> 2:34:19.240
<v Speaker 1>you saw what the fari what was what? It sounds

2:34:19.280 --> 2:34:25.080
<v Speaker 1>like you understand. I don't know, I don't know. I'm

2:34:25.120 --> 2:34:27.960
<v Speaker 1>asking so when I know when I broke up with

2:34:28.040 --> 2:34:30.240
<v Speaker 1>her whatever, I guess. You know, we love and hip

2:34:30.280 --> 2:34:33.640
<v Speaker 1>hop create the scenarios hard Safari running around, but a

2:34:33.720 --> 2:34:35.720
<v Speaker 1>lot of people were sending it to me and you know,

2:34:35.760 --> 2:34:38.000
<v Speaker 1>a little ship to stand the third And this is

2:34:38.080 --> 2:34:39.720
<v Speaker 1>not to throw nobody under bucks. I don't have no

2:34:39.760 --> 2:34:41.760
<v Speaker 1>problem with Safari, you have no problem with Juju or

2:34:41.800 --> 2:34:46.240
<v Speaker 1>anything like that or whatever. But you know what when

2:34:46.280 --> 2:34:48.200
<v Speaker 1>you was doing memes together, Yeah, like you know, I

2:34:48.959 --> 2:34:51.440
<v Speaker 1>think I have an opportunity which you know, we won't

2:34:51.440 --> 2:34:55.880
<v Speaker 1>get into the maybe'll rekindle ou situation if I wanted to,

2:34:56.520 --> 2:35:00.400
<v Speaker 1>but that just kind of made it for me, like na,

2:35:00.640 --> 2:35:04.400
<v Speaker 1>like no disrespect to so far, but you ain't got

2:35:04.440 --> 2:35:06.720
<v Speaker 1>no type, like you know what I'm saying, Like it's

2:35:06.800 --> 2:35:10.360
<v Speaker 1>just that's just two apples and orange, just big, like

2:35:10.760 --> 2:35:12.440
<v Speaker 1>if you can mess with that note. And I'm not

2:35:12.520 --> 2:35:16.840
<v Speaker 1>dissing them. I'm just like, that's your type. I'm not

2:35:17.000 --> 2:35:32.080
<v Speaker 1>your type. No more respectful, respectfully, that's respectfully. I've never

2:35:32.160 --> 2:35:37.480
<v Speaker 1>been stuck in my life. Please, I don't know what

2:35:38.440 --> 2:35:41.200
<v Speaker 1>if you have. I'm a big big Elth fan. So

2:35:41.280 --> 2:35:43.360
<v Speaker 1>if you have any big Elth story that you can

2:35:43.440 --> 2:35:53.959
<v Speaker 1>tell me, big story, I really Uh damn. I got

2:35:54.000 --> 2:35:56.440
<v Speaker 1>a lot of big eld stories. But they're like it's

2:35:57.320 --> 2:36:00.879
<v Speaker 1>then if I say I'm it's still nigga's outside, that's

2:36:00.920 --> 2:36:04.640
<v Speaker 1>gonna know what I'm talking about, the fun Like I'm

2:36:04.680 --> 2:36:07.240
<v Speaker 1>trying to think, like, for instance, it's big I used

2:36:07.280 --> 2:36:10.200
<v Speaker 1>to snap. The nigga's cruel person snapping, you know what

2:36:10.240 --> 2:36:12.959
<v Speaker 1>I'm saying, and the niggas he was talking about still

2:36:13.040 --> 2:36:16.200
<v Speaker 1>be outside. Not that I'm gonna talk, not that it's

2:36:16.200 --> 2:36:18.160
<v Speaker 1>a problem, but it's just one of the situations like

2:36:18.200 --> 2:36:21.800
<v Speaker 1>I don't want to bring up a nigga. You know,

2:36:21.920 --> 2:36:28.960
<v Speaker 1>it's just hard man. His face, nigga's rude. He's like

2:36:29.040 --> 2:36:33.640
<v Speaker 1>your mother's gonna die tomorrow, right, Yeah, talk like that

2:36:33.800 --> 2:36:37.000
<v Speaker 1>to people. You know what I'm saying, Like, yeah, like

2:36:37.160 --> 2:36:39.440
<v Speaker 1>if we'll be rolling, dicing and nigga loud, you like

2:36:39.520 --> 2:36:42.080
<v Speaker 1>your mother's gonna die to more anyway, So about that,

2:36:42.400 --> 2:36:45.280
<v Speaker 1>and I'll be like, yo, this nigga is harsh man

2:36:45.440 --> 2:36:48.760
<v Speaker 1>really harsh. But yeah, I can't really get into the

2:36:48.879 --> 2:36:53.440
<v Speaker 1>best ones because his friends, his friends that he funk

2:36:53.520 --> 2:36:57.879
<v Speaker 1>with that he used to talk about it's still outside, So, um,

2:36:59.360 --> 2:37:01.840
<v Speaker 1>I'm really trying I think of a cool putting together

2:37:02.000 --> 2:37:04.800
<v Speaker 1>Children of the Corn he said it was his. Yeah, absolutely, yeah,

2:37:04.879 --> 2:37:06.720
<v Speaker 1>he had to deal so he you know, he's seen

2:37:06.840 --> 2:37:09.920
<v Speaker 1>Nickel movements was popping off, so you know, he round

2:37:10.000 --> 2:37:11.800
<v Speaker 1>it up. It's a song on this album called eight

2:37:11.959 --> 2:37:14.600
<v Speaker 1>is Enough and he put me on that album on

2:37:14.920 --> 2:37:17.600
<v Speaker 1>that song. So you know, I didn't really know anybody

2:37:17.640 --> 2:37:19.400
<v Speaker 1>else on the record, so it was a privilege for

2:37:19.440 --> 2:37:21.200
<v Speaker 1>him to put me on the record. And just the

2:37:21.280 --> 2:37:23.280
<v Speaker 1>fact that he thought I could wrap. I appreciated that.

2:37:24.640 --> 2:37:27.360
<v Speaker 1>Was it crazy that one record was the same sample

2:37:27.480 --> 2:37:31.080
<v Speaker 1>that Puck had for what was the record the podcast

2:37:31.120 --> 2:37:35.080
<v Speaker 1>after he passed It was the It was a record

2:37:35.120 --> 2:37:36.720
<v Speaker 1>that you're talking about, man, It was one of the

2:37:36.840 --> 2:37:41.000
<v Speaker 1>It was the American Dream. Yeah, yeah, I mean we

2:37:41.240 --> 2:37:44.400
<v Speaker 1>we had it first. Res just wanted to use it

2:37:44.480 --> 2:37:48.080
<v Speaker 1>before somebody else had it because Biggie I used um

2:37:49.120 --> 2:37:52.600
<v Speaker 1>the bar sample for one more chance, And actually big

2:37:52.800 --> 2:37:55.840
<v Speaker 1>L had that simple first on his ship having a

2:37:55.879 --> 2:37:59.199
<v Speaker 1>big A couple of times. Yeah, Bigel had it first

2:37:59.240 --> 2:38:04.240
<v Speaker 1>and then Biggie used it, and uh that Shi blew

2:38:04.240 --> 2:38:06.600
<v Speaker 1>out the world. I changed the whole scenario for Biggie

2:38:06.760 --> 2:38:10.119
<v Speaker 1>after that record came out. Yeah, how did you get?

2:38:10.200 --> 2:38:16.400
<v Speaker 1>How did you? And phase on Glover? What's the names on?

2:38:25.120 --> 2:38:27.520
<v Speaker 1>What is what is this? What is going on now?

2:38:27.640 --> 2:38:30.000
<v Speaker 1>One day he was just talking reckless about jay Z.

2:38:30.120 --> 2:38:32.960
<v Speaker 1>Wasn't you the street money? I just chimed in like

2:38:33.360 --> 2:38:35.120
<v Speaker 1>I don't like, I don't think you're kind of out

2:38:35.120 --> 2:38:38.320
<v Speaker 1>of pocket right there, because just just choming in like

2:38:38.400 --> 2:38:42.680
<v Speaker 1>everybody else. Then he just started doing wow me, like

2:38:42.920 --> 2:38:46.200
<v Speaker 1>photoshop pictures, acting like I was gay and doing gay ship.

2:38:46.280 --> 2:38:48.840
<v Speaker 1>And I'm like, I'm gonna just go to all your videos.

2:38:48.879 --> 2:38:51.039
<v Speaker 1>You're doing wow gay ship. If we're this and gay,

2:38:51.080 --> 2:38:53.040
<v Speaker 1>I have a problem with gay people at all, nothing

2:38:53.160 --> 2:38:55.960
<v Speaker 1>like that. But he was just calling me and I'm

2:38:55.959 --> 2:38:59.879
<v Speaker 1>not having sexual so I like, if we're going this route,

2:39:00.040 --> 2:39:02.920
<v Speaker 1>us have fun. You got nigg smacking him on the ass.

2:39:03.600 --> 2:39:05.640
<v Speaker 1>You know what I'm saying. Humping him, you know what

2:39:05.680 --> 2:39:08.280
<v Speaker 1>I mean, all in his movies and all type of ships.

2:39:08.320 --> 2:39:11.240
<v Speaker 1>So I like, you should have probably picked a better

2:39:11.360 --> 2:39:13.760
<v Speaker 1>topic then to go to this round, because I'm a

2:39:14.360 --> 2:39:16.920
<v Speaker 1>I'm gonna clown you have fun doing that ship. I

2:39:17.120 --> 2:39:20.800
<v Speaker 1>like Instagram, social media that should just like yeah, it's

2:39:20.840 --> 2:39:22.520
<v Speaker 1>like you know what, But I tell me because it's

2:39:22.560 --> 2:39:27.320
<v Speaker 1>like a it's it's a it's a Chevy on top

2:39:27.360 --> 2:39:30.440
<v Speaker 1>of the world cream porch for me because when I

2:39:30.560 --> 2:39:32.840
<v Speaker 1>say that, it's because it's extra it brings money to

2:39:32.879 --> 2:39:35.240
<v Speaker 1>the table, et cetera. Cool. But I didn't come up

2:39:35.280 --> 2:39:37.840
<v Speaker 1>in that error, so I don't panic it got niggas

2:39:37.840 --> 2:39:39.959
<v Speaker 1>would come up in the Instagram error. Who if they

2:39:40.000 --> 2:39:41.680
<v Speaker 1>don't get this many likes and there's many heads of

2:39:41.760 --> 2:39:44.160
<v Speaker 1>this that they probably pin not probably definitely not seen

2:39:44.200 --> 2:39:46.840
<v Speaker 1>it happen, or they're not feeling me anymore. My likes

2:39:46.879 --> 2:39:49.200
<v Speaker 1>are going down. This is going down. So they panicked

2:39:49.240 --> 2:39:51.680
<v Speaker 1>because they came up in the social media ever and

2:39:51.760 --> 2:39:56.280
<v Speaker 1>that's what and to me, I Didin't this ship all

2:39:56.800 --> 2:40:00.000
<v Speaker 1>extra cool? We're gonna bring some breadthrough social media, through

2:40:00.040 --> 2:40:03.880
<v Speaker 1>the internet, etcetera, etcetera. But I'm not gonna panic if

2:40:04.160 --> 2:40:07.800
<v Speaker 1>ship don't get a hundred thousand likes or if this

2:40:07.920 --> 2:40:11.840
<v Speaker 1>don't get uh a million views or whatever the case is,

2:40:11.920 --> 2:40:14.800
<v Speaker 1>because I still got wild bread. This ship is just

2:40:15.040 --> 2:40:18.480
<v Speaker 1>extra topping on the cake for when for making it.

2:40:18.600 --> 2:40:22.200
<v Speaker 1>But people panic over this because they came up in it.

2:40:23.200 --> 2:40:26.320
<v Speaker 1>That's just not me. The same thing that that allows

2:40:26.360 --> 2:40:40.360
<v Speaker 1>a dope talking, Yeah, the same thing that makes it dope.

2:40:42.360 --> 2:40:44.840
<v Speaker 1>It's the same, the same engines in your brain that

2:40:45.360 --> 2:40:47.400
<v Speaker 1>that makes you want to like you know what I'm saying.

2:40:47.440 --> 2:40:50.480
<v Speaker 1>So that's why the kids are going crazy because they

2:40:50.680 --> 2:40:52.800
<v Speaker 1>like dope fings. It was the whole doctor were talking

2:40:52.800 --> 2:40:54.520
<v Speaker 1>we talked about we're talking about with Pitbull, the whole

2:40:54.560 --> 2:40:57.600
<v Speaker 1>documentary that the guys that created the social media networks

2:40:57.879 --> 2:41:03.360
<v Speaker 1>they made it that way. That the documentary you're doing

2:41:03.720 --> 2:41:07.640
<v Speaker 1>ye on you or on dip set Okay, what's her

2:41:07.680 --> 2:41:10.360
<v Speaker 1>name is documentary? I don't have a name it. We're

2:41:10.360 --> 2:41:12.600
<v Speaker 1>in the middle of production now. Because what happens is this,

2:41:12.760 --> 2:41:16.440
<v Speaker 1>I've been and you too. Most of your adult life

2:41:16.480 --> 2:41:18.920
<v Speaker 1>has been publicized. So niggas don't think that you had

2:41:18.959 --> 2:41:22.160
<v Speaker 1>a life before. You've been before you got the man,

2:41:22.240 --> 2:41:24.360
<v Speaker 1>before I was the man. Yeah, exactly, I know what

2:41:24.480 --> 2:41:26.520
<v Speaker 1>you said when you said you was Hollywood for the

2:41:26.600 --> 2:41:35.360
<v Speaker 1>man before. Yeah, exactly before the yallar was the y'all exactly.

2:41:35.480 --> 2:41:38.040
<v Speaker 1>That's what I'm saying. So most of my adult life

2:41:38.080 --> 2:41:41.080
<v Speaker 1>has been captured this album and that album, and then

2:41:41.160 --> 2:41:43.000
<v Speaker 1>niggas just think that's all it is. You know what

2:41:43.040 --> 2:41:47.800
<v Speaker 1>I'm saying. Like, so now you got to realize what

2:41:47.920 --> 2:41:51.480
<v Speaker 1>I'm doing. This I'm doing like before you've been gaining music.

2:41:51.520 --> 2:41:55.760
<v Speaker 1>I'm doing two two parts haul them in the late

2:41:55.840 --> 2:41:59.360
<v Speaker 1>seventies and through the eighties. This is sound a documentary.

2:41:59.480 --> 2:42:02.640
<v Speaker 1>This sounds like a reenacted documentary. No, it's a documentary

2:42:02.760 --> 2:42:07.959
<v Speaker 1>docu drama, like like Ri's. It's the real you're talking about.

2:42:07.959 --> 2:42:11.800
<v Speaker 1>It's people acting you out. No, No, it'd be stock

2:42:11.879 --> 2:42:15.400
<v Speaker 1>footage and people doing interviews and maybe old. But what

2:42:15.560 --> 2:42:18.200
<v Speaker 1>it is. What I want to do is from the

2:42:18.280 --> 2:42:22.040
<v Speaker 1>late seventies to ear and through the eighties. I want

2:42:22.080 --> 2:42:27.320
<v Speaker 1>to show that I was brought up in you get

2:42:27.360 --> 2:42:31.279
<v Speaker 1>what I'm saying, like, and probably a five six block radius.

2:42:31.320 --> 2:42:33.600
<v Speaker 1>There's so many dope people from the late seventy early

2:42:33.680 --> 2:42:36.520
<v Speaker 1>eighties and big time drug dealers or number runners or

2:42:36.520 --> 2:42:40.000
<v Speaker 1>anything else like that that that needs to be publicized

2:42:40.080 --> 2:42:44.840
<v Speaker 1>to make the realize who the niggut turned out to be,

2:42:45.080 --> 2:42:47.000
<v Speaker 1>what made me the nigg got turned out to be

2:42:47.920 --> 2:42:52.960
<v Speaker 1>so fucking uh. I want to talk about Fritz, I

2:42:53.040 --> 2:42:55.040
<v Speaker 1>want to talk about Doug ee Lime. I want to

2:42:55.120 --> 2:42:58.560
<v Speaker 1>talk about all these prominent figures in the four or

2:42:58.560 --> 2:43:01.480
<v Speaker 1>five block radius to make me the person that I

2:43:01.600 --> 2:43:03.680
<v Speaker 1>am growing up, you know, I want to talk about

2:43:04.240 --> 2:43:07.720
<v Speaker 1>Big Allen, what it was, you know, his demas and

2:43:07.840 --> 2:43:09.760
<v Speaker 1>his dad for on. These is all my friends, that

2:43:09.959 --> 2:43:11.840
<v Speaker 1>the stories. I don't want to tell this story because

2:43:11.840 --> 2:43:14.160
<v Speaker 1>it's not my story to tell. But if you ever

2:43:14.200 --> 2:43:16.640
<v Speaker 1>see the movie City of Gods, that you know what

2:43:16.720 --> 2:43:20.080
<v Speaker 1>I'm saying. That's my story for big galls and nigger story.

2:43:20.080 --> 2:43:23.360
<v Speaker 1>I'm the cameraman, you know I'm not. I'm not the

2:43:23.440 --> 2:43:26.600
<v Speaker 1>nigger who was. Yeah, but I'm just saying I can

2:43:26.680 --> 2:43:28.800
<v Speaker 1>tell you everything about the whole story. I wasn't out

2:43:28.840 --> 2:43:32.200
<v Speaker 1>there killing with them niggers with killing each other. But

2:43:32.360 --> 2:43:34.040
<v Speaker 1>at the end of the day, I can tell you

2:43:34.160 --> 2:43:36.000
<v Speaker 1>everything that happened, and a lot I need to be

2:43:36.040 --> 2:43:41.080
<v Speaker 1>explained because like right now, right, I'm a superstitious nigger

2:43:41.200 --> 2:43:45.760
<v Speaker 1>right like cut Poles, I mean you're working together. Yeah,

2:43:45.800 --> 2:43:51.080
<v Speaker 1>I mean, I like, I don't handicapped Parker. I don't

2:43:51.280 --> 2:43:54.000
<v Speaker 1>when I park, I walk around the handicap park I

2:43:54.040 --> 2:43:56.760
<v Speaker 1>don't even want my feet to touch it the space

2:43:57.360 --> 2:44:02.160
<v Speaker 1>period because yeah, yeah, yeah, because that could be your

2:44:02.200 --> 2:44:04.360
<v Speaker 1>spot if you want it. You know what I'm saying.

2:44:04.480 --> 2:44:09.960
<v Speaker 1>That can really be your Yeah, you can make it

2:44:10.040 --> 2:44:11.680
<v Speaker 1>your spot. But the more of the story is, like

2:44:11.800 --> 2:44:15.160
<v Speaker 1>my block, it's nothing in the world. It's nothing in

2:44:15.240 --> 2:44:18.400
<v Speaker 1>this whole world right now that could make me. I

2:44:18.480 --> 2:44:20.760
<v Speaker 1>could go Hunt forty Street, I go down Hunt thirty

2:44:20.840 --> 2:44:22.600
<v Speaker 1>nine Fifth Avenue. It's nothing in this world that can

2:44:22.680 --> 2:44:25.200
<v Speaker 1>make me walk and get out of my car on

2:44:25.280 --> 2:44:29.440
<v Speaker 1>a Hunt thirty ninth Street between seven Atlantic Avenue because

2:44:29.520 --> 2:44:31.800
<v Speaker 1>three niggers I know got popped, like in the twenty

2:44:31.879 --> 2:44:35.879
<v Speaker 1>five ft space. So I'm never getting out my car

2:44:36.120 --> 2:44:39.240
<v Speaker 1>on that block. I might go down, I don't. I'm

2:44:39.320 --> 2:44:41.280
<v Speaker 1>just like, don't go to the Taco shot. Yeah, I'm

2:44:41.280 --> 2:44:44.600
<v Speaker 1>not gonna go. Yeah, I don't go there because one

2:44:44.640 --> 2:44:47.680
<v Speaker 1>of my best friends person I love, when he left there.

2:44:49.480 --> 2:44:52.280
<v Speaker 1>Shot you're telling them, I don't. I don't. I won't.

2:44:52.560 --> 2:44:57.280
<v Speaker 1>I look at it, but I won't right certain stayed outside, right,

2:44:57.480 --> 2:44:59.879
<v Speaker 1>But I dig it like, I'm not typing that. I'm

2:44:59.879 --> 2:45:03.960
<v Speaker 1>just not gonna do certain ship. So I'm superstitious like

2:45:04.080 --> 2:45:07.360
<v Speaker 1>that though. But anyway, the story needs to be told

2:45:07.480 --> 2:45:10.320
<v Speaker 1>on what I grew up into and what made me,

2:45:11.320 --> 2:45:14.520
<v Speaker 1>you know, not trust certain niggains or not you it's

2:45:14.560 --> 2:45:19.680
<v Speaker 1>not yeah, and then whatever I move, I move or whatever,

2:45:20.440 --> 2:45:22.720
<v Speaker 1>and uh, you know, it needs to be a little

2:45:22.760 --> 2:45:25.320
<v Speaker 1>more light shine on my neighborhood. So that's what I'm

2:45:25.320 --> 2:45:27.600
<v Speaker 1>gonna do my first couple episodes before we even getting

2:45:27.640 --> 2:45:31.240
<v Speaker 1>the dip set and my music career, anything, basketball career,

2:45:31.320 --> 2:45:34.200
<v Speaker 1>anything like that. But if ship is so rich, why

2:45:34.320 --> 2:45:36.720
<v Speaker 1>wouldn't it be like a re enacting ship? If I

2:45:37.160 --> 2:45:41.320
<v Speaker 1>funk that question, if somebody's gonna play came run in

2:45:41.360 --> 2:45:44.879
<v Speaker 1>the movie you're talking about, like with the wood Take Ship, Yeah,

2:45:45.000 --> 2:45:47.360
<v Speaker 1>I think that can all happen. But I think this

2:45:47.480 --> 2:45:53.240
<v Speaker 1>is set that the pet for that. Yeah. Yeah, and

2:45:53.280 --> 2:45:56.080
<v Speaker 1>they're making it tomorrow. Who are you picking to play you?

2:45:57.000 --> 2:45:58.880
<v Speaker 1>I don't know. I don't even know what they're gona

2:45:58.879 --> 2:46:04.480
<v Speaker 1>like me. Bro, it's hard, but that's it's you. You You,

2:46:07.959 --> 2:46:10.080
<v Speaker 1>This is really you play Alphle How did you do

2:46:10.120 --> 2:46:12.920
<v Speaker 1>your research for Alphole. I lived in halland if I

2:46:13.000 --> 2:46:14.840
<v Speaker 1>did a bad job, I wouldn't be able to live

2:46:14.920 --> 2:46:17.600
<v Speaker 1>that damn. Like you know what I'm gonna do, go

2:46:17.720 --> 2:46:19.360
<v Speaker 1>back home. And then when I did that movie, this

2:46:19.480 --> 2:46:21.680
<v Speaker 1>when I was outside every day, like I was on

2:46:21.800 --> 2:46:28.880
<v Speaker 1>Lenox Avenue every day, when a beat out of no,

2:46:29.000 --> 2:46:32.240
<v Speaker 1>I'm just saying you know, you know, I'm just saying

2:46:32.320 --> 2:46:36.080
<v Speaker 1>that because um, you know Damon, Damon's like going to

2:46:36.080 --> 2:46:38.160
<v Speaker 1>produce that movie, had a little leverage, and then um,

2:46:40.120 --> 2:46:42.120
<v Speaker 1>Dame lobby for me to get that spot. He wanted,

2:46:42.840 --> 2:46:45.800
<v Speaker 1>They wanted another actor to get it, but they were

2:46:45.840 --> 2:46:48.120
<v Speaker 1>stuck on with Harris. So Dame told him, if you

2:46:48.240 --> 2:46:50.800
<v Speaker 1>really want what Harris, you gotta get me camera and

2:46:50.879 --> 2:46:53.480
<v Speaker 1>he did good. So that's how that went. But but

2:46:54.200 --> 2:46:55.880
<v Speaker 1>I said it earlier in the interview. I was like,

2:46:56.200 --> 2:47:03.800
<v Speaker 1>like superstar status, household name. I think after paying the Fall, yeah,

2:47:03.840 --> 2:47:06.760
<v Speaker 1>absolutely have to pay for you gotta realize its painting.

2:47:06.840 --> 2:47:09.200
<v Speaker 1>Fall came out one year there, old boy and Haymond

2:47:09.240 --> 2:47:11.440
<v Speaker 1>and diplomats and Jim Jones, didn't you well it was

2:47:11.480 --> 2:47:13.680
<v Speaker 1>like a domino effect of a lot of ship there.

2:47:15.040 --> 2:47:20.200
<v Speaker 1>So yeah, after that, it wasn't it was Yeah, you

2:47:20.240 --> 2:47:24.040
<v Speaker 1>described you to do you play the great part to me.

2:47:27.520 --> 2:47:29.120
<v Speaker 1>I I'm gonna tell you what my sick. My ship

2:47:29.200 --> 2:47:33.600
<v Speaker 1>was all freestyle. What happened was one year. Uh I

2:47:33.720 --> 2:47:37.400
<v Speaker 1>knew Griselda. I didn't because this just sounds crazy. I

2:47:37.520 --> 2:47:40.560
<v Speaker 1>just the way describers was tart. Let me just excuse

2:47:40.600 --> 2:47:42.600
<v Speaker 1>me because we're tart. It might be wrong too, right,

2:47:43.280 --> 2:47:48.640
<v Speaker 1>But I knew that there was some Colombians and queens. Oh,

2:47:48.800 --> 2:47:52.800
<v Speaker 1>I did not be personally, but Queen's we had the cocaine.

2:47:53.879 --> 2:47:58.560
<v Speaker 1>We didn't have to go up town. And I've seen

2:47:58.600 --> 2:48:02.800
<v Speaker 1>Alpo and Rich. That's the ship I'm describing, Nika popping

2:48:02.840 --> 2:48:05.680
<v Speaker 1>the wheelies all that that was them. Niggas was in

2:48:05.840 --> 2:48:10.520
<v Speaker 1>forty Projects and that's what they were doing the same

2:48:10.560 --> 2:48:13.000
<v Speaker 1>exact scene that I'm striving. And I don't know, I

2:48:13.240 --> 2:48:17.199
<v Speaker 1>don't get what you say because they're like, y'll listen,

2:48:17.320 --> 2:48:22.879
<v Speaker 1>describe alphole but over exaggerated. I was like, alright, cool,

2:48:23.040 --> 2:48:25.560
<v Speaker 1>I don't even have to kind of over exaggerated. I

2:48:25.680 --> 2:48:29.000
<v Speaker 1>kind of it's gonna use what I've seen in forty Projects.

2:48:29.040 --> 2:48:30.600
<v Speaker 1>One day I went to see Uncle Wise and forty

2:48:30.640 --> 2:48:34.760
<v Speaker 1>Projects or basically is one of those things and I've

2:48:34.800 --> 2:48:39.800
<v Speaker 1>seen Alphole Rich and I forget whatever whatever one of

2:48:39.920 --> 2:48:43.520
<v Speaker 1>these other guys is. But they was out there because queens.

2:48:43.600 --> 2:48:46.680
<v Speaker 1>We had it at this time, and they were showing off.

2:48:47.360 --> 2:48:49.040
<v Speaker 1>That's when I knew what the Hall of Nigga was.

2:48:49.640 --> 2:48:51.920
<v Speaker 1>The Hall of Nigga is one of the Papa Willie

2:48:52.040 --> 2:48:57.039
<v Speaker 1>in forty projects, just got killer neighborhood. But these things

2:48:57.080 --> 2:49:00.760
<v Speaker 1>wanted to be like like yo, yoa gonna remember who

2:49:00.800 --> 2:49:03.160
<v Speaker 1>we were when we left. But they bore all the drugs.

2:49:03.280 --> 2:49:07.000
<v Speaker 1>It's a fact. And I was like wow. So when

2:49:07.040 --> 2:49:09.760
<v Speaker 1>I got the role, you know that my part some

2:49:09.879 --> 2:49:12.840
<v Speaker 1>of y'all shy did in Canada, right, most of it. Yeah,

2:49:13.040 --> 2:49:16.040
<v Speaker 1>My sip was on a huntred fur. My sip was

2:49:16.120 --> 2:49:18.800
<v Speaker 1>in hall. So they said, yo, and I just I

2:49:18.920 --> 2:49:22.720
<v Speaker 1>just a freestyle that most of the ship. I freestyle.

2:49:22.879 --> 2:49:37.960
<v Speaker 1>Charles Stone was super dop. It was I havenau. The

2:49:38.080 --> 2:49:40.800
<v Speaker 1>script was whacked, the clothing was whacking. I was like, yo, dame,

2:49:40.840 --> 2:49:43.560
<v Speaker 1>they're gonna move back. No not. The script was wack.

2:49:43.680 --> 2:49:46.600
<v Speaker 1>The dialogue so what they did was yes, yes, yes,

2:49:46.720 --> 2:49:49.120
<v Speaker 1>divalogue was trash to use their dialogue. Yeah, So what

2:49:49.280 --> 2:49:52.560
<v Speaker 1>Charles to do was you didn't use their dialogue me. No,

2:49:52.760 --> 2:49:57.320
<v Speaker 1>he he gave me. He gave me two takes. I

2:49:57.360 --> 2:49:59.440
<v Speaker 1>would read the dialogue that was in the script and

2:49:59.480 --> 2:50:02.480
<v Speaker 1>he'd like saying, how for real you would say that

2:50:02.520 --> 2:50:05.120
<v Speaker 1>if he was out there. So ninety percent of my

2:50:05.280 --> 2:50:09.000
<v Speaker 1>dialogue was improv because shaw Stones understood that he's a

2:50:09.080 --> 2:50:11.760
<v Speaker 1>dope director, but he did um you know, how to

2:50:11.800 --> 2:50:14.000
<v Speaker 1>capture and he didn't like Daddy day Care or something

2:50:14.080 --> 2:50:16.600
<v Speaker 1>like that CEO C movie. You know, I'm the girl

2:50:17.040 --> 2:50:19.080
<v Speaker 1>girl really thought. I really thought she was left dive

2:50:19.160 --> 2:50:26.320
<v Speaker 1>man playing that part off. He's gonna capturing times? Man, Oh,

2:50:28.040 --> 2:50:30.760
<v Speaker 1>what what's kill the season? What we're gonna do last

2:50:30.800 --> 2:50:35.080
<v Speaker 1>season parts? You know that's big niggas. Niggas really want

2:50:35.160 --> 2:50:38.360
<v Speaker 1>that man. So yeah, let's put together. Start to go

2:50:38.520 --> 2:50:42.000
<v Speaker 1>fund me, start to go fund me see him. Niggers

2:50:42.040 --> 2:50:48.400
<v Speaker 1>really wanted. He can't really independent. Do you want us

2:50:48.440 --> 2:51:03.160
<v Speaker 1>to man all the killing season? Where we filmed that movie?

2:51:04.400 --> 2:51:07.520
<v Speaker 1>I was crazy. I would get up. I would watch

2:51:07.600 --> 2:51:10.840
<v Speaker 1>a movie and have to pay the yeah, and everybody

2:51:10.920 --> 2:51:14.840
<v Speaker 1>goes listen, everybody's starving for you to act like I'm

2:51:14.879 --> 2:51:16.680
<v Speaker 1>doing my own ship because you know what, I think

2:51:16.720 --> 2:51:20.240
<v Speaker 1>it's me Broma's roles like be a florist. You know

2:51:20.320 --> 2:51:23.800
<v Speaker 1>what hurts me mad? Now I'm old. I'm not you know,

2:51:23.840 --> 2:51:25.720
<v Speaker 1>I can't comprehend. But you know what hurt me bad

2:51:25.840 --> 2:51:28.360
<v Speaker 1>ro When I went to see Minster Society in the

2:51:28.440 --> 2:51:31.160
<v Speaker 1>movie theater and then the next time I went to

2:51:31.280 --> 2:51:33.840
<v Speaker 1>movie theater to see Old Dog, he was inkwell, and

2:51:33.920 --> 2:51:36.160
<v Speaker 1>I'm like, na, I'm not dog. Like you know what

2:51:36.240 --> 2:51:43.840
<v Speaker 1>I'm saying, Like I noticed he's acting. Yeah, he really

2:51:43.879 --> 2:51:46.959
<v Speaker 1>acted about telling you at that particular time like I'll

2:51:47.000 --> 2:51:50.000
<v Speaker 1>play I play against the forest florist. Now, I'm just saying.

2:51:50.520 --> 2:51:52.960
<v Speaker 1>At that time, I wanted taking roles like It's ship

2:51:53.080 --> 2:51:54.840
<v Speaker 1>with Tom Hanks stayed for me on type of ship.

2:51:55.040 --> 2:51:57.920
<v Speaker 1>Somebout Tom doing my own movie, and I gotta say, man,

2:51:58.000 --> 2:52:00.160
<v Speaker 1>I spend like a hunting son down too on it

2:52:00.240 --> 2:52:02.680
<v Speaker 1>on it. But I was waking up, like right, what

2:52:02.800 --> 2:52:05.240
<v Speaker 1>do we I saw that Shi in order like I

2:52:05.480 --> 2:52:07.080
<v Speaker 1>just that there is a story here, we show the

2:52:07.120 --> 2:52:09.080
<v Speaker 1>me in here, we have a shoot I watched heat

2:52:09.080 --> 2:52:11.440
<v Speaker 1>one name like, yo, my sister, I'm like, I want

2:52:11.440 --> 2:52:13.440
<v Speaker 1>to have a shootout. She like, if you wait next week,

2:52:13.520 --> 2:52:16.760
<v Speaker 1>we could do it. For I wanted tomorrow She's like,

2:52:16.879 --> 2:52:18.800
<v Speaker 1>give me two days. Can We just had to shoot

2:52:18.840 --> 2:52:21.320
<v Speaker 1>out and I made this. That ship was off the

2:52:21.400 --> 2:52:23.480
<v Speaker 1>top of my head. It was no script. We ain't

2:52:23.480 --> 2:52:27.440
<v Speaker 1>nobody had no paperwork, stared on nothing, one nigga period.

2:52:27.640 --> 2:52:31.320
<v Speaker 1>I just got the masters the rights back to it

2:52:33.600 --> 2:52:36.680
<v Speaker 1>a silence part of my master's getting back. So basically

2:52:36.760 --> 2:52:39.200
<v Speaker 1>they at the rights in the movie. And then um,

2:52:39.840 --> 2:52:41.640
<v Speaker 1>I got my music back, and then I got Killer

2:52:41.720 --> 2:52:44.160
<v Speaker 1>season back probably about eleven months ago. Show now on it.

2:52:45.240 --> 2:52:52.160
<v Speaker 1>Oh Dad, this is right, I only got you got anything.

2:52:52.520 --> 2:52:56.400
<v Speaker 1>You the reason why I got my business perfect like that.

2:52:59.800 --> 2:53:01.760
<v Speaker 1>Let it's just a basic thing that me and my

2:53:01.879 --> 2:53:05.879
<v Speaker 1>lady got together. Close shoes, accessories, waste, trainers, you need

2:53:06.480 --> 2:53:08.320
<v Speaker 1>we got, you know what I mean. And it really

2:53:08.360 --> 2:53:11.040
<v Speaker 1>comes off stemming off a Killer because everything he did,

2:53:11.480 --> 2:53:13.320
<v Speaker 1>if he saw something, he wanted to know how to

2:53:13.480 --> 2:53:15.039
<v Speaker 1>own it. You know what I'm saying. He don't want

2:53:15.080 --> 2:53:16.280
<v Speaker 1>to be a part of it, you know what I mean.

2:53:16.360 --> 2:53:17.880
<v Speaker 1>He wanted to own He made the tire, he wanted

2:53:17.879 --> 2:53:20.560
<v Speaker 1>to make the tire so good that they become his tire.

2:53:20.720 --> 2:53:23.200
<v Speaker 1>So with that and everybody moving forth, I don't even

2:53:23.680 --> 2:53:26.240
<v Speaker 1>knew what to do because of him, and that's how

2:53:26.280 --> 2:53:28.920
<v Speaker 1>I had the stories about ten years now. But you

2:53:28.959 --> 2:53:39.720
<v Speaker 1>know what I'm saying, definitely, it's www dot my perfect

2:53:39.800 --> 2:53:42.560
<v Speaker 1>pid dot net. You know what I'm saying, Definitely, ladies

2:53:42.600 --> 2:53:47.320
<v Speaker 1>going there from super small to five X. Now, Mom,

2:53:47.400 --> 2:53:49.680
<v Speaker 1>I think it's my last question. It's gotta be gotta be.

2:53:49.879 --> 2:53:57.320
<v Speaker 1>I gotta peak this last one little off this deserve ship.

2:53:59.520 --> 2:54:02.000
<v Speaker 1>Do you think that y'all brung it to the furthest

2:54:02.200 --> 2:54:07.000
<v Speaker 1>stent with that, oh, the liquor, yeah, the look at

2:54:07.040 --> 2:54:11.280
<v Speaker 1>this yeah, uh killing with further, you know, be honest

2:54:11.320 --> 2:54:13.280
<v Speaker 1>with you. That's John. There was a lot of Jim

2:54:13.920 --> 2:54:17.200
<v Speaker 1>Jim connect. I was more of a face even though

2:54:17.240 --> 2:54:20.560
<v Speaker 1>he's you know, the money was all good, but Jim

2:54:20.680 --> 2:54:22.480
<v Speaker 1>handled a lot of that, like a lot of stuff

2:54:22.560 --> 2:54:25.240
<v Speaker 1>Jim needs, Like Jim went to Cotch. He's the one

2:54:25.280 --> 2:54:28.080
<v Speaker 1>one not wanting to go to cots Jim felts people.

2:54:28.600 --> 2:54:30.400
<v Speaker 1>You know, Jim brought a lot of ship to the table.

2:54:30.520 --> 2:54:33.480
<v Speaker 1>So while he was getting along with him not getting along,

2:54:33.520 --> 2:54:36.240
<v Speaker 1>I played my position, even though my position was still

2:54:37.560 --> 2:54:39.680
<v Speaker 1>the same as his. But I let him handle that

2:54:39.720 --> 2:54:41.520
<v Speaker 1>ship like that's a lot of ship to me and

2:54:41.640 --> 2:54:44.520
<v Speaker 1>Jim do today when it comes to business and maybe

2:54:44.600 --> 2:54:48.720
<v Speaker 1>in some shift for diplomat going on, uh clothing deal

2:54:48.840 --> 2:54:50.880
<v Speaker 1>and I'm like, I'm talking to home like I handle it,

2:54:51.040 --> 2:54:52.720
<v Speaker 1>let me know what we get. But then it might

2:54:52.800 --> 2:54:55.280
<v Speaker 1>be a skateboard deal, and be like, yo, I'm just like,

2:54:55.400 --> 2:54:57.320
<v Speaker 1>you know, about to bust these mood funds dot dot.

2:54:57.760 --> 2:54:59.840
<v Speaker 1>So we don't always gotta be around each other as

2:54:59.879 --> 2:55:02.400
<v Speaker 1>we communicating. Let me know you're about to be two

2:55:02.480 --> 2:55:05.400
<v Speaker 1>and eight thousand for hat deal, or it might be

2:55:05.800 --> 2:55:07.959
<v Speaker 1>a skateboard deal for for you know what I'm saying,

2:55:08.040 --> 2:55:09.880
<v Speaker 1>like I don't got to be there, just let me

2:55:09.920 --> 2:55:12.640
<v Speaker 1>know what the numbers is and vice versa. You know

2:55:12.680 --> 2:55:15.880
<v Speaker 1>what I'm saying, Like that's trust too. Yeah, absolutely, because

2:55:15.920 --> 2:55:17.600
<v Speaker 1>we got some ship that's about to come up. I

2:55:17.640 --> 2:55:21.360
<v Speaker 1>didn't even tell you, but I got it's a surprise. Yeah,

2:55:21.560 --> 2:55:27.320
<v Speaker 1>we're not gonna really Yeah, let's be clear. I'm gonna

2:55:27.320 --> 2:55:31.000
<v Speaker 1>be honest. I love your brothers, I appreciate, I'm so

2:55:31.120 --> 2:55:34.520
<v Speaker 1>glad everything everything, But y'all all the actually first guests

2:55:34.560 --> 2:55:38.280
<v Speaker 1>and never drink or smoke it out. That's not that's

2:55:38.320 --> 2:55:45.640
<v Speaker 1>not because these niggs drink and smoke smoking a black

2:55:45.680 --> 2:55:51.760
<v Speaker 1>and I don't know what what this black and is about.

2:55:52.800 --> 2:55:56.760
<v Speaker 1>Let's be honest with y'all. Seen you show and I'd

2:55:56.800 --> 2:55:59.600
<v Speaker 1>be like, niggas look crazy, funked up up your small

2:56:01.720 --> 2:56:05.920
<v Speaker 1>we're not good to talk about it. I wasn't gonna

2:56:05.920 --> 2:56:10.720
<v Speaker 1>do that. I don't see things up here. I don't

2:56:10.720 --> 2:56:34.000
<v Speaker 1>know if people gold. I've seen the way different, different way.

2:56:34.080 --> 2:56:36.360
<v Speaker 1>Let's just tell you something before people put up the

2:56:36.440 --> 2:56:39.440
<v Speaker 1>drink chance. We begged them, don't get drunk, don't smoke,

2:56:40.000 --> 2:56:41.760
<v Speaker 1>just come so we could do it together. You know

2:56:41.760 --> 2:56:45.320
<v Speaker 1>what I'm saying, that's what the celebration. Listen, you know,

2:56:45.400 --> 2:56:48.199
<v Speaker 1>god less versus for taking our celebration, you know, thinking

2:56:48.280 --> 2:56:50.040
<v Speaker 1>and making it theirs. And that's no problem because you

2:56:50.040 --> 2:56:52.880
<v Speaker 1>know what. You don't have to laugh that hard, all right,

2:56:54.640 --> 2:56:57.360
<v Speaker 1>but if you're right, but you know, god less versus

2:56:57.360 --> 2:56:59.480
<v Speaker 1>for taking that, that's what this is. It's a celebration.

2:56:59.800 --> 2:57:02.880
<v Speaker 1>So just in case I didn't say it, because you know,

2:57:03.040 --> 2:57:04.560
<v Speaker 1>I don't know if your fans have been telling you

2:57:04.640 --> 2:57:05.920
<v Speaker 1>this is the reason why they want you to come

2:57:05.959 --> 2:57:09.320
<v Speaker 1>on Drink Champs, it's because how how much I appreciate you.

2:57:09.840 --> 2:57:13.040
<v Speaker 1>You've been a part of not only my you know,

2:57:13.560 --> 2:57:18.000
<v Speaker 1>CNN when when once come on with to Jail. That's

2:57:18.040 --> 2:57:21.080
<v Speaker 1>my first freestyle with someone outside of my barrow all

2:57:21.120 --> 2:57:23.600
<v Speaker 1>side of people that I worked with, but not only that,

2:57:24.760 --> 2:57:29.800
<v Speaker 1>uh my solo career. You know bad from TV. I said,

2:57:29.840 --> 2:57:34.800
<v Speaker 1>I called you earlier? What what? And that was a

2:57:34.879 --> 2:57:40.000
<v Speaker 1>disrespect to band from TV because band for TV was

2:57:40.080 --> 2:57:43.920
<v Speaker 1>the people that I considered my closest friends. So that's

2:57:43.920 --> 2:57:45.440
<v Speaker 1>why I wish you would have called me back then

2:57:45.480 --> 2:57:48.600
<v Speaker 1>when we talked about that earlier. But but that and

2:57:49.720 --> 2:57:55.080
<v Speaker 1>what was this last question I got? Is Perrie dogging? Right?

2:58:02.400 --> 2:58:08.760
<v Speaker 1>Take another shot? What's your memory a band from TV?

2:58:09.720 --> 2:58:12.600
<v Speaker 1>I remember when I wanted to be was hard to

2:58:12.720 --> 2:58:16.600
<v Speaker 1>be was so hard and I wanted to rap longer.

2:58:16.640 --> 2:58:18.640
<v Speaker 1>And he was like, Kim, I gotta be trouble. I

2:58:18.680 --> 2:58:21.600
<v Speaker 1>think it's troubler. Yeah, And I was like, yo, let

2:58:21.640 --> 2:58:24.640
<v Speaker 1>me just go crazy like him. You gotta keep it,

2:58:25.000 --> 2:58:26.920
<v Speaker 1>you gotta keep it sixteen I'm like, this be too

2:58:27.000 --> 2:58:30.800
<v Speaker 1>hard to do. Sixteen bars many. I don't remember this camp,

2:58:30.800 --> 2:58:34.320
<v Speaker 1>so you gotta school me. Did you hear anybody else's

2:58:34.480 --> 2:58:39.280
<v Speaker 1>verse at that time? Really? I just now I didn't

2:58:39.360 --> 2:58:41.240
<v Speaker 1>nobody else verse. I just I just heard the beat,

2:58:41.320 --> 2:58:43.760
<v Speaker 1>and I was like, yeo this, I didn't know Locks

2:58:43.800 --> 2:58:52.360
<v Speaker 1>and nobody was gonna be on there. We appreciate your

2:59:00.280 --> 2:59:10.960
<v Speaker 1>ship ship all right, so weerate this question. Reiterated, relaxed.

2:59:12.800 --> 2:59:15.279
<v Speaker 1>You didn't know no one else was on that record

2:59:15.560 --> 2:59:19.440
<v Speaker 1>for band, for TV. You just played the beef for me,

2:59:20.879 --> 2:59:24.560
<v Speaker 1>elect lady. I don't remember the studio, but I remember

2:59:27.000 --> 2:59:29.400
<v Speaker 1>I ain't getting a lot of money. I don't remember.

2:59:30.040 --> 2:59:32.800
<v Speaker 1>I do remember when I heard it. I was like, damn, man,

2:59:32.840 --> 2:59:34.680
<v Speaker 1>I would have probably did something else because I heard

2:59:34.720 --> 2:59:39.880
<v Speaker 1>the Locks on it. Afterwards, then Pun was on it. Yeah, yeah,

2:59:39.959 --> 2:59:43.160
<v Speaker 1>you killed Now I appreciate it, but I still was.

2:59:43.320 --> 2:59:48.560
<v Speaker 1>I was like, it's nothing like in my opinion is

2:59:48.640 --> 2:59:51.200
<v Speaker 1>just like damn, I wish I would. I didn't know

2:59:51.280 --> 2:59:53.119
<v Speaker 1>nobody was gonna be on the record, period. Not saying

2:59:53.160 --> 2:59:55.119
<v Speaker 1>I didn't appreciate. I didn't throw to me a nory

2:59:55.200 --> 2:59:56.800
<v Speaker 1>record though I didn't know who else was gonna be.

2:59:57.520 --> 2:59:59.920
<v Speaker 1>Everybody else on the record that other people on today

3:00:00.040 --> 3:00:03.680
<v Speaker 1>hear their verses. Honestly, it was how did that process

3:00:03.720 --> 3:00:08.360
<v Speaker 1>go with everybody else? It was nature was in the

3:00:08.440 --> 3:00:17.360
<v Speaker 1>studio called hunt called cam cam always was in Man,

3:00:18.160 --> 3:00:21.240
<v Speaker 1>I think I'm twenty blocks away. I'm good you came.

3:00:21.560 --> 3:00:25.039
<v Speaker 1>You heard the ship slave this ship and just laugh. Okay,

3:00:25.080 --> 3:00:28.480
<v Speaker 1>but everybody else here the other verses, I didn't know

3:00:28.560 --> 3:00:30.520
<v Speaker 1>if we was I was gonna put hooks in there.

3:00:30.959 --> 3:00:33.080
<v Speaker 1>So he's probably right when he says when he says, yo,

3:00:33.200 --> 3:00:35.360
<v Speaker 1>I just played him to be. I wanted to keep

3:00:35.440 --> 3:00:37.880
<v Speaker 1>going rapping. I remember he's like Cam, so you just

3:00:38.040 --> 3:00:41.200
<v Speaker 1>never told people there was other I can't live his story.

3:00:41.280 --> 3:00:43.720
<v Speaker 1>His other part of the story is helping me, shoping

3:00:43.800 --> 3:00:46.360
<v Speaker 1>mild the part of the story. But really what it

3:00:46.600 --> 3:00:50.800
<v Speaker 1>was was I thought I was gonna do a hook

3:00:51.879 --> 3:00:55.120
<v Speaker 1>but it was Nature. Then it was Pun, and it

3:00:55.320 --> 3:00:57.120
<v Speaker 1>was Cam, and I got them all three on the

3:00:57.280 --> 3:01:02.160
<v Speaker 1>same exact day, no, same exact night. And the reason

3:01:02.200 --> 3:01:04.199
<v Speaker 1>why I remember it was it was an electric Lady,

3:01:04.680 --> 3:01:07.000
<v Speaker 1>was because I went downstairs because one of my boys

3:01:07.040 --> 3:01:10.400
<v Speaker 1>went to Great Papayas and I went downstairs because Pun

3:01:10.600 --> 3:01:13.480
<v Speaker 1>was never supposed to be on the record. You talked

3:01:13.480 --> 3:01:15.200
<v Speaker 1>about PM wasn't supposed to be on the record. I

3:01:15.240 --> 3:01:17.000
<v Speaker 1>was supposed to put you in Nature on the record.

3:01:17.520 --> 3:01:21.680
<v Speaker 1>That was my idea. But then I went downstairs to

3:01:21.760 --> 3:01:23.920
<v Speaker 1>Great Policies. One of my dudes was eating the frank

3:01:24.000 --> 3:01:25.560
<v Speaker 1>and I was like, I just wanted to make fun

3:01:25.640 --> 3:01:28.080
<v Speaker 1>of this nigga, and I went and pun lay the verse.

3:01:28.480 --> 3:01:31.760
<v Speaker 1>When pun lay Diverse, I was like, yo, I gotta

3:01:31.800 --> 3:01:35.080
<v Speaker 1>put put cam on this, and you were like twenty

3:01:35.080 --> 3:01:36.360
<v Speaker 1>blocks away. I forgot. I think he was in a

3:01:36.440 --> 3:01:38.560
<v Speaker 1>hip factory. I think it was a block hit factory.

3:01:38.879 --> 3:01:41.680
<v Speaker 1>But you didn't know anybody else was on this verse. Okay,

3:01:41.760 --> 3:01:43.680
<v Speaker 1>so let's just end this with this. Do you think

3:01:43.720 --> 3:01:47.720
<v Speaker 1>you had the best version of Badman TV? Uh? I

3:01:47.800 --> 3:01:49.880
<v Speaker 1>don't know. I have to listen to it again, but

3:01:50.560 --> 3:01:54.640
<v Speaker 1>I really, I'm really a big fan of when Jada

3:01:54.720 --> 3:01:57.320
<v Speaker 1>and Styles go back to back, I'm a big fan of.

3:01:57.879 --> 3:02:00.560
<v Speaker 1>That's very humble, you know like that. Then also, you know,

3:02:01.360 --> 3:02:04.040
<v Speaker 1>what's your part as well? You're saying I had the

3:02:04.080 --> 3:02:06.840
<v Speaker 1>best part. You say that can Yeah, at least I'm

3:02:06.840 --> 3:02:10.960
<v Speaker 1>not talking. I'm saying I'm not your lot. Fun was

3:02:11.080 --> 3:02:16.080
<v Speaker 1>one of the best to the club. See, that's what

3:02:16.160 --> 3:02:19.640
<v Speaker 1>I'm saying. When you ab all that ship, you have

3:02:19.800 --> 3:02:22.959
<v Speaker 1>to put yourself in different minds, you in the car,

3:02:23.160 --> 3:02:25.040
<v Speaker 1>or you in the business or whatever when you're in

3:02:25.040 --> 3:02:39.400
<v Speaker 1>the club. But for the club, you had the verse right.

3:02:41.080 --> 3:02:43.480
<v Speaker 1>Thanks for joining us for another episode of Drink Champs,

3:02:43.560 --> 3:02:46.160
<v Speaker 1>hosted by Yours truly, d J e F and n

3:02:46.200 --> 3:02:48.240
<v Speaker 1>O r E. Please make sure to follow us on

3:02:48.320 --> 3:02:51.439
<v Speaker 1>all our socials. Let's at Drink Champs across all platforms

3:02:52.000 --> 3:02:55.480
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3:02:55.920 --> 3:02:58.840
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3:02:59.000 --> 3:03:01.760
<v Speaker 1>j e FN on Twitter, and most importantly, stay up

3:03:01.800 --> 3:03:04.920
<v Speaker 1>to date with the latest releases, news, and merge by

3:03:05.000 --> 3:03:10.080
<v Speaker 1>going to drink champs dot com. For more podcasts from

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3:03:14.400 --> 3:03:16.279
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