WEBVTT - Episode 176 : King Von Documentary Heated Debate | Feat Trap Lore Ross | Part 1

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<v Speaker 1>You know who it is, Big Loon. We got trapped

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<v Speaker 1>Lord Ross. Today We're gonna be talking about a lot

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<v Speaker 1>of things. You know, It's a lot of information to

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<v Speaker 1>be spoken about. It's a lot of game to be had.

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<v Speaker 1>He's been instrumental in a bunch of things that I've

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<v Speaker 1>took a liking to. But I do think that there's

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<v Speaker 1>some pushback that needs to be had. This dude is

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<v Speaker 1>a content creator of the highest form. Right over the

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<v Speaker 1>last couple of days, they've been kind of mashing him

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<v Speaker 1>up with ten ninety Jake. He's a little different than

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<v Speaker 1>Jake though, he actually is a content creator like and

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<v Speaker 1>I'll get to some of his his way of coming

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<v Speaker 1>in the coach and how he got here and all

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<v Speaker 1>of that. But it's gonna be a good one. It's

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<v Speaker 1>gonna be a great conversation. He's been welcoming to all

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<v Speaker 1>questions and all criticism, and he's been able to sit

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<v Speaker 1>with people like academics, King Vaughan's old manager, Adam twenty two,

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<v Speaker 1>a lot of those people I've had on my platform

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<v Speaker 1>as well. But you know, I'm Big Loan. So for

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<v Speaker 1>those of you that's knew around here, which I don't

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<v Speaker 1>know if anyone that has not saw my face. I'm

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<v Speaker 1>the dude that is taking over right when we talk

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<v Speaker 1>about podcasting, I'm the guy that went and got a

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<v Speaker 1>couple of deals. I did a little babies roll out,

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<v Speaker 1>money bag yo, rollout. So I'm one of the biggest

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<v Speaker 1>you know, and also the real ones check in with me.

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<v Speaker 1>So if you guys got questions, if you guys want

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<v Speaker 1>to interact with the conversation, it's definitely a situation where

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<v Speaker 1>we're gonna We're gonna definitely let you guys in on it.

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<v Speaker 1>So I am here. What's going on? My god?

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<v Speaker 2>What's good man? Good to connect, Good to be here finally. Sorry,

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<v Speaker 2>sorry it took me so long to settle and get

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<v Speaker 2>to you, but I'm here now. I'm excited to talk.

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<v Speaker 3>Man.

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<v Speaker 1>Good man, I've been seeing you making you round, so

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<v Speaker 1>I know you've been a busy guy after that King

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<v Speaker 1>Vaughn thing came out, so I know how that works. Definitely.

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<v Speaker 2>Yeah, it was crazy, man, because you know, I've been

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<v Speaker 2>doing this for a few years, but I never had

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<v Speaker 2>I never had a tension on this level.

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<v Speaker 3>You know. I had a lot of different.

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<v Speaker 2>People asking me for interviews, for appearances, for debates, so

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<v Speaker 2>it's been a lot to handle. But I got shout

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<v Speaker 2>out Adam twenty two man, because he told me, I

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<v Speaker 2>got checking with you. He said, I've got to make

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<v Speaker 2>sure that this one happens.

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<v Speaker 1>So that's my man.

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<v Speaker 3>I'm here.

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<v Speaker 1>Yeah, that's my guy, Adam. That's my guy. Man. I

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<v Speaker 1>went out there and dealt with Adam. We talked behind

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<v Speaker 1>the scenes, out of time. Adam's running the multi million

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<v Speaker 1>dollar business. I'm running a multi million dollar business, so

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<v Speaker 1>we talk all the time about those things. Shout out Adam,

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<v Speaker 1>shout out, no jump. But he's been he's hey, he's

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<v Speaker 1>headed rough here lately.

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<v Speaker 3>It's been up and down for him.

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<v Speaker 1>Man.

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<v Speaker 2>You know, I think it's been like you say, you know,

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<v Speaker 2>it's tough. You know, I'm not I'm not a multimillion

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<v Speaker 2>dollar business yet, but you know what I'm saying, I'm

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<v Speaker 2>still grinding. I'm coming a long way over the list

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<v Speaker 2>few months. But I look up to Adam a lot,

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<v Speaker 2>and you know, I can tell that his operation, there's

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<v Speaker 2>a lot going on, you know, a lot of people

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<v Speaker 2>to keep happy. So I know it's been a tough, tough,

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<v Speaker 2>tough situation for him the past few months. But you

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<v Speaker 2>know what I mean, I got love for Adam, I

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<v Speaker 2>got love for all of the guys that you know,

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<v Speaker 2>we're on No Jumper and on anymore. You know, it

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<v Speaker 2>was really sad to kind of see that that breakup happened.

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<v Speaker 2>But you know what I'm saying, I love all those

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<v Speaker 2>guys and I know they're going to keep winning.

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<v Speaker 1>So yeah, yeah, there my guys, ad them, my guys, Adam,

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<v Speaker 1>my guy. You know, it's business at the end of

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<v Speaker 1>the day. You know, me and Adam talked the other day.

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<v Speaker 1>I say, yo, you took a hit. But he just

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<v Speaker 1>got to basically find his chicken sandwich, you know, like Pope's,

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<v Speaker 1>Like the menu was the menu, but when they introduced

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<v Speaker 1>their chicken sandwich, the line was wrapped around the building.

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<v Speaker 1>So now he has to just figure out what that

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<v Speaker 1>is to his audience. And I believe he has an

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<v Speaker 1>opportunity to do so. So it'll just be it'll just

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<v Speaker 1>be a process of finding what that new niche is.

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<v Speaker 1>He may have to walk completely away from you know,

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<v Speaker 1>what he was doing at first with those guys, right

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<v Speaker 1>and just try to plug more people in. He may

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<v Speaker 1>have to kind of re you know, reimagine what he

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<v Speaker 1>wants to do on camera. You know what I'm saying.

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<v Speaker 2>Yeah, well, you know, I think what's good is that

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<v Speaker 2>he seems to have, you know, checked in with some

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<v Speaker 2>new interesting people. You know, he's got caught brick Baby.

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<v Speaker 2>You know, I'm a big fan of brick Baby, and

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<v Speaker 2>I think he's great on camera. So you know what

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<v Speaker 2>I'm saying, it's it's a good opportunity for new talent

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<v Speaker 2>to come through. You know, I'm still watching, still watching

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<v Speaker 2>back on fig Community, but you know, new talent on

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<v Speaker 2>No Jump is interesting too, man, So it's it's kind

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<v Speaker 2>of good to see what's going on. Obviously it's tough,

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<v Speaker 2>but hell man, you know there's a lot of a

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<v Speaker 2>lot of podcast beefs over the year, and you know,

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<v Speaker 2>the big whole Joe Budden breakup was obviously a big

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<v Speaker 2>thing I was into.

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<v Speaker 3>At the time.

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<v Speaker 2>So yeah, ain't need to running the podcast out here.

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<v Speaker 1>That's where I got on you from. And I want

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<v Speaker 1>my audience to know because I know they want me

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<v Speaker 1>to like and we're gonna have some conversations about all

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<v Speaker 1>of the King Vaughn and some of that shit. But

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<v Speaker 1>I know they want me to get him long, like

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<v Speaker 1>talk to him about this shit loan because you're the guy,

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<v Speaker 1>and we'll get to talk about it. But I do

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<v Speaker 1>want people to know that I do respect what you do,

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<v Speaker 1>right I saw. I remember when I first saw you

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<v Speaker 1>on the Joe Budden podcast Breakup. I said, oh, this dude,

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<v Speaker 1>I actually pitched you to a big company and I

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<v Speaker 1>just didn't reach out to you just yet. But but

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<v Speaker 1>I'll talk to you behind the scenes about a few things.

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<v Speaker 1>But you know, the way you do that documentary style

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<v Speaker 1>thing is just I really appreciate that, right, I want

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<v Speaker 1>you to know that. And that's before the King Vaughn thing. Now,

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<v Speaker 1>the King Vaughn thing, it sent waves through the culture because.

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<v Speaker 2>I wasn't expecting it, to be honest, it was more

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<v Speaker 2>than I was. I was dogging for.

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<v Speaker 1>I know it. Tell me, tell me your upbringing before

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<v Speaker 1>we get to all of that stuff. Tell the people

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<v Speaker 1>where you're from, how you were born and raised, things

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<v Speaker 1>like that.

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<v Speaker 2>Yeah, man, I'm happy to talk about that. So I

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<v Speaker 2>was born in London, or sort of like an area

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<v Speaker 2>that's sort of the south of London. Some people say

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<v Speaker 2>it's not London, some people say it is, but area

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<v Speaker 2>called Croydon, which is kind of you know, it's got

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<v Speaker 2>a little bit of a reputation, but you know, at

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<v Speaker 2>the same time, you know, I lived there till I

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<v Speaker 2>was about five or six, and then my family relocated

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<v Speaker 2>to a very small town on the south coast of England.

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<v Speaker 2>You probably never heard of this town, but it's a

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<v Speaker 2>town called Bognor, Regis. It's a very small town. It's

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<v Speaker 2>by the seaside, by the beach. You know, I'll be honest,

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<v Speaker 2>it's not a very diverse town. You know, it's sort

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<v Speaker 2>of a very kind of simple British people. Not to

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<v Speaker 2>disrespect them, but it's you know, it's a small town,

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<v Speaker 2>you know, small, small opportunities.

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<v Speaker 3>Not a lot going on there.

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<v Speaker 2>But the funny thing is, man, you know, I grew

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<v Speaker 2>up loving hip hop and where I'm from it's not

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<v Speaker 2>a very hip hop place, you know where in the UK.

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<v Speaker 2>You know, London's really the big place for hip hop.

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<v Speaker 2>But I moved out of London when I was very young.

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<v Speaker 2>But fortunately I grew up just when the Internet was

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<v Speaker 2>really kind of hitting, and so I was a young kid,

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<v Speaker 2>you know, nine ten years old on the Internet, downloading music,

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<v Speaker 2>listening to people like jay Z fifty seven, Eminem and

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<v Speaker 2>you know, my parents didn't understand I had two older

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<v Speaker 2>brothers that were super into hip hop, and really I

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<v Speaker 2>was just like an internet baby, you know, I was.

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<v Speaker 2>I was kind of getting raised by rappers on the Internet.

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<v Speaker 2>Listening to all of these stories, you know, the success,

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<v Speaker 2>the danger, the lifestyle, the ups and downs. Like I say,

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<v Speaker 2>people like jay Z, you know, listening to his story

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<v Speaker 2>coming from the Massy Projects where I was growing up

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<v Speaker 2>at the time, was just you know, it's the complete opposite.

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<v Speaker 2>You know, no pun intended, but it was black and

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<v Speaker 2>white day and night. What I was living to what

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<v Speaker 2>I was hearing in these songs about people like jay Z,

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<v Speaker 2>them dmx eminem was it was fascinating to me, honestly,

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<v Speaker 2>and I was just in love with hip hop. You know,

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<v Speaker 2>I didn't have many friends that liked hip hop. But

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<v Speaker 2>like I said, I grew up in a very small,

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<v Speaker 2>boring town. You know, not much happened, you know, there

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<v Speaker 2>wasn't there wasn't much going on.

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<v Speaker 1>So what would you say? What would you say? Because

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<v Speaker 1>I know your love from hip hop is there. I

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<v Speaker 1>think a lot of people share that across the world.

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<v Speaker 3>Right.

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<v Speaker 1>Hip hop is just such a magnet, right, It's something

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<v Speaker 1>that draws people to it. But it's our culture. Right,

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<v Speaker 1>So where did where did you gain your understanding of it?

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<v Speaker 1>Not your love for it, but your understanding because that's

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<v Speaker 1>a little different, and that's when you get into the weeds. Right,

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<v Speaker 1>your love for it could have you speak on something

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<v Speaker 1>that you may not understand. So now we got to

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<v Speaker 1>figure out where the understanding of hip hop and that

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<v Speaker 1>culture comes from. Seeing that you did grow up in

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<v Speaker 1>the area that really didn't have all all of what

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<v Speaker 1>we've been through, right, Like me, did you ever did

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<v Speaker 1>you ever do backwards flips on mattresses or play football

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<v Speaker 1>up the heel or nick knock or do you even

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<v Speaker 1>know what nick knock is? Or like you know some

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<v Speaker 1>of these things what our culture grew up in. It's

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<v Speaker 1>like where did where did you get your understanding of it?

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<v Speaker 1>Was it through the music?

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<v Speaker 3>Is nick knock?

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<v Speaker 2>Is that like when you knock on the door and

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<v Speaker 2>run away in the UK? In the UK we call

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<v Speaker 2>that knockdown ginger?

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<v Speaker 1>Okay, So it's different, different verbis yeah, yeah, yeah.

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<v Speaker 2>So I mean, I'll be honest, man, you know, like

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<v Speaker 2>I say, you know, it begun with the music and

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<v Speaker 2>really it was you know, it was another world to me.

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<v Speaker 2>I'll be honest, you know, and I think you make

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<v Speaker 2>a good point. You know, I understand I understood the music,

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<v Speaker 2>but I didn't understand the culture. You know, I'd never uh,

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<v Speaker 2>I'd never been to some of the places I was

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<v Speaker 2>hearing about in this music. It was only through the internet,

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<v Speaker 2>you know, listening to them, listening to the songs, and

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<v Speaker 2>like reading the lyrics. You know, when you get like

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<v Speaker 2>a back in the day, you'd get CD. You'd actually

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<v Speaker 2>buy album, you know, like the Blueprint or something on CD,

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<v Speaker 2>and sometimes you might have or on vinyl and it

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<v Speaker 2>might have all the lyrics you know, in the booklet

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<v Speaker 2>or stuff like that, you know. And I would really

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<v Speaker 2>study hip hop and the rappers that I was into,

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<v Speaker 2>and honestly just the details, you know. And for me,

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<v Speaker 2>I think it was actually like a case that I

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<v Speaker 2>kind of knew I didn't have that cultural understanding of

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<v Speaker 2>the music, and I was really just trying to learn

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<v Speaker 2>as much as I possibly could, you know, I think

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<v Speaker 2>I was always just really hungry and thirsty to know

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<v Speaker 2>about hip hop, Like these artists were inspiring me, and

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<v Speaker 2>you know, I wanted to learn more about jay Z's past.

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<v Speaker 2>I wanted to know what, what's it like in New York?

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<v Speaker 2>You know, what is the massie projects, Like what's the

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<v Speaker 2>history of these places? Like and really just between listening

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<v Speaker 2>to the music, you know, doing research on the internet

0:10:11.120 --> 0:10:13.400
<v Speaker 2>that type of thing. You know, I just I was

0:10:13.480 --> 0:10:15.960
<v Speaker 2>just obsessed with hip hop and these rappers that are

0:10:16.000 --> 0:10:17.880
<v Speaker 2>idolized and then over the years, you know, I just

0:10:17.960 --> 0:10:18.760
<v Speaker 2>learned more about it.

0:10:19.160 --> 0:10:20.240
<v Speaker 3>And you know, it's kind of.

0:10:20.240 --> 0:10:23.400
<v Speaker 2>An interesting transition because when I was eighteen, I moved

0:10:23.440 --> 0:10:25.000
<v Speaker 2>to London. I kind of moved back to like the

0:10:25.000 --> 0:10:28.240
<v Speaker 2>center of London. And you know, London's interesting because, you know,

0:10:28.360 --> 0:10:31.720
<v Speaker 2>unlike where I grew up. You know, London is very multicultural.

0:10:31.920 --> 0:10:34.080
<v Speaker 2>You've got a lot of people from different backgrounds. You know,

0:10:34.160 --> 0:10:37.960
<v Speaker 2>Black Asian you know, obviously is a big Asian sort

0:10:38.000 --> 0:10:40.040
<v Speaker 2>of community in the UK.

0:10:40.520 --> 0:10:41.160
<v Speaker 3>You know, people of.

0:10:41.120 --> 0:10:44.400
<v Speaker 2>Indian and Pakistani descent especially, as well like Afro Caribbean

0:10:44.400 --> 0:10:47.520
<v Speaker 2>people from you know, different areas, different countries in Africa

0:10:47.559 --> 0:10:50.440
<v Speaker 2>and stuff like that. So it was interesting for me.

0:10:50.480 --> 0:10:52.800
<v Speaker 2>I kind of moved back to London and you know,

0:10:52.960 --> 0:10:54.320
<v Speaker 2>I'll just be real with you. You know, I came from

0:10:54.360 --> 0:10:54.880
<v Speaker 2>a place.

0:10:54.720 --> 0:10:55.800
<v Speaker 3>That was very white.

0:10:56.040 --> 0:10:58.760
<v Speaker 2>You know, there weren't really many black people growing up

0:10:59.000 --> 0:11:01.040
<v Speaker 2>where I grew up. You know, we probably had like

0:11:01.080 --> 0:11:03.960
<v Speaker 2>one black dude in our school realistically, and you know,

0:11:03.960 --> 0:11:05.800
<v Speaker 2>when I moved to London, it was just more multicultural.

0:11:05.800 --> 0:11:05.960
<v Speaker 3>You know.

0:11:06.040 --> 0:11:08.720
<v Speaker 2>I'd like to think of myself as pretty open minded.

0:11:08.760 --> 0:11:11.400
<v Speaker 2>You know, the rappers and the people I idolized growing

0:11:11.480 --> 0:11:14.160
<v Speaker 2>up a lot of successful Can you.

0:11:14.160 --> 0:11:17.720
<v Speaker 1>Be open minded if you didn't grow up around us, Like,

0:11:17.800 --> 0:11:19.120
<v Speaker 1>how do you develop that?

0:11:20.520 --> 0:11:23.280
<v Speaker 2>It's an interesting one because I think for me, because

0:11:23.360 --> 0:11:25.840
<v Speaker 2>I listened to so much hip hop music, I think

0:11:25.920 --> 0:11:28.880
<v Speaker 2>I was just open minded to black culture in general.

0:11:28.960 --> 0:11:32.280
<v Speaker 2>It wasn't necessarily just hip hop music, like black comedians too.

0:11:32.360 --> 0:11:35.200
<v Speaker 2>I used to love deaf comedy jam Dave Chappelle, like

0:11:35.280 --> 0:11:38.320
<v Speaker 2>way back, you know before obviously Chappelle was always big,

0:11:38.360 --> 0:11:39.960
<v Speaker 2>but like where he's at now, you know, when I

0:11:39.960 --> 0:11:41.800
<v Speaker 2>was a kid, it was like early Chappelle's show he

0:11:41.840 --> 0:11:44.720
<v Speaker 2>was doing like Live at the fillmore deaf comedy jam,

0:11:44.760 --> 0:11:48.040
<v Speaker 2>And I guess I was just really I just liked

0:11:48.080 --> 0:11:51.440
<v Speaker 2>black culture. I just I found black comedians funny, and

0:11:51.520 --> 0:11:53.880
<v Speaker 2>I found a lot of white comedians not as funny,

0:11:53.960 --> 0:11:55.920
<v Speaker 2>or I just it's funny because it's like I can't

0:11:55.920 --> 0:11:58.120
<v Speaker 2>really say I related to it more because I didn't

0:11:58.160 --> 0:12:00.720
<v Speaker 2>live that experience. But at the same time, you know,

0:12:01.000 --> 0:12:02.720
<v Speaker 2>all I would listen to is hip hop music. I

0:12:02.720 --> 0:12:05.959
<v Speaker 2>didn't relate to the pop music that my friends were

0:12:05.960 --> 0:12:07.880
<v Speaker 2>listening to at school. I couldn't get into it. I

0:12:07.880 --> 0:12:09.720
<v Speaker 2>didn't like it. I wanted to listen to jay Z,

0:12:10.160 --> 0:12:11.960
<v Speaker 2>I wanted to listen to DMX, I wanted to listen

0:12:12.000 --> 0:12:14.959
<v Speaker 2>to NAS and you know, to be honest, I guess

0:12:15.000 --> 0:12:17.920
<v Speaker 2>it's just a case of like that, I would probably

0:12:17.920 --> 0:12:20.040
<v Speaker 2>say that were racist people.

0:12:20.080 --> 0:12:21.959
<v Speaker 3>You know, where I grew up, it's very white.

0:12:21.760 --> 0:12:25.319
<v Speaker 1>Clothes, That's what I'm saying. So okay, So let's focus

0:12:25.360 --> 0:12:28.320
<v Speaker 1>on the words, right because you say that yo, I

0:12:28.440 --> 0:12:32.160
<v Speaker 1>was open minded, but where I'm from it racist people.

0:12:32.920 --> 0:12:35.400
<v Speaker 1>And so at some point you want us to believe

0:12:35.440 --> 0:12:37.360
<v Speaker 1>that you're the only one that came out of there

0:12:37.559 --> 0:12:40.480
<v Speaker 1>without the racism on them. You see what I'm saying now.

0:12:40.520 --> 0:12:43.200
<v Speaker 1>I don't know, but for the sake of conversation, we

0:12:43.240 --> 0:12:46.440
<v Speaker 1>got ahead a conversation. If you come from a place

0:12:46.480 --> 0:12:51.240
<v Speaker 1>where it's mostly one black dude in the school, how

0:12:51.240 --> 0:12:54.040
<v Speaker 1>do you get from that to speaking on black culture?

0:12:54.120 --> 0:12:58.360
<v Speaker 1>And then number two, my second question would be, let's

0:12:58.400 --> 0:13:01.760
<v Speaker 1>focus on the words of open minded or infatuated? Were

0:13:01.760 --> 0:13:04.920
<v Speaker 1>you just infatuated with culture? Because I was infatuated with

0:13:05.040 --> 0:13:07.840
<v Speaker 1>my own culture as a youngster, Like you say, def comedy, jam,

0:13:07.920 --> 0:13:11.120
<v Speaker 1>the rap stuff. But for you to be open minded

0:13:11.360 --> 0:13:14.480
<v Speaker 1>would kind of speak to an understanding. You see what

0:13:14.520 --> 0:13:19.080
<v Speaker 1>I'm saying. Open minded does it speak to engaging with

0:13:19.400 --> 0:13:23.760
<v Speaker 1>or like listening to or you know, seeking after it?

0:13:24.120 --> 0:13:26.920
<v Speaker 1>Kind of open minded, in my opinion, speaks to an

0:13:27.080 --> 0:13:31.480
<v Speaker 1>understanding of of that culture. So help me with those

0:13:31.480 --> 0:13:32.200
<v Speaker 1>two questions.

0:13:33.040 --> 0:13:34.839
<v Speaker 2>Yeah, I guess the way I see it is it's

0:13:34.920 --> 0:13:37.400
<v Speaker 2>just like, you know, I gained a lot of understanding

0:13:37.600 --> 0:13:40.400
<v Speaker 2>and knowledge about hip hop through listening to hip hop music.

0:13:40.440 --> 0:13:41.920
<v Speaker 2>It's the only genre that I wanted to listen to,

0:13:42.040 --> 0:13:43.920
<v Speaker 2>you know, I think, and you know, I don't think

0:13:43.960 --> 0:13:45.880
<v Speaker 2>it's necessarily fair to say if I'm from an area

0:13:45.880 --> 0:13:48.079
<v Speaker 2>that's like predominantly white and there are a lot of

0:13:48.120 --> 0:13:50.520
<v Speaker 2>racist people, that that necessarily makes me racist. You know,

0:13:50.559 --> 0:13:52.480
<v Speaker 2>I left that area I moved to London.

0:13:52.520 --> 0:13:57.240
<v Speaker 1>Doesn't make you racist. But you do come from you know,

0:13:57.320 --> 0:14:01.280
<v Speaker 1>your environment does dictate your outlook, right, and it's hard

0:14:01.320 --> 0:14:03.280
<v Speaker 1>for me to believe that you can come from a

0:14:03.320 --> 0:14:07.200
<v Speaker 1>place where you see no black people at all, and

0:14:07.240 --> 0:14:09.439
<v Speaker 1>not that you're racist. Right. I don't want to say

0:14:09.480 --> 0:14:11.520
<v Speaker 1>you're racist, because I don't think you're racist. I really

0:14:11.559 --> 0:14:15.640
<v Speaker 1>believe you enjoy our culture. But I think your understanding

0:14:15.679 --> 0:14:18.160
<v Speaker 1>of some things that happen in the culture can be

0:14:18.240 --> 0:14:19.720
<v Speaker 1>off a little bit. And that's why we're going to

0:14:19.800 --> 0:14:22.120
<v Speaker 1>have a conversation to kind of see where we live at,

0:14:22.160 --> 0:14:26.280
<v Speaker 1>Like what can we do to either figure out Oh yeah, fuck,

0:14:26.320 --> 0:14:28.920
<v Speaker 1>I didn't think about that, or no, I thought about that,

0:14:28.960 --> 0:14:30.640
<v Speaker 1>But this is just how I look at it. Right,

0:14:31.040 --> 0:14:33.600
<v Speaker 1>So I'm thinking when you come from and I don't

0:14:33.640 --> 0:14:35.840
<v Speaker 1>want to hang up on this a lot, but if

0:14:35.880 --> 0:14:40.120
<v Speaker 1>you come from a place where you see one black person, right,

0:14:40.280 --> 0:14:42.480
<v Speaker 1>first of all, how did you discover hip hop? Was

0:14:42.480 --> 0:14:44.760
<v Speaker 1>it the internet? Yeah?

0:14:44.800 --> 0:14:46.520
<v Speaker 3>So first off, let me just jump back.

0:14:46.680 --> 0:14:48.440
<v Speaker 2>I think I just want to make it clear out

0:14:48.440 --> 0:14:50.600
<v Speaker 2>I don't necessarily really agree with that premise as far

0:14:50.600 --> 0:14:52.840
<v Speaker 2>as like if you're from an area that is, say,

0:14:53.240 --> 0:14:55.200
<v Speaker 2>predominantly white, that you're going to be racist. You know,

0:14:55.240 --> 0:14:56.840
<v Speaker 2>for example, like if you come from an area that's

0:14:56.880 --> 0:14:59.280
<v Speaker 2>high crime, that doesn't necessarily mean that you're going to

0:14:59.280 --> 0:15:01.040
<v Speaker 2>be a criminal, you know what I'm saying. So, but

0:15:01.320 --> 0:15:04.480
<v Speaker 2>what you won't see crunch the person by their environment

0:15:04.520 --> 0:15:05.960
<v Speaker 2>they're from, if you get what I'm saying. So it's

0:15:06.040 --> 0:15:08.200
<v Speaker 2>kind of like, you know, I just I just want

0:15:08.240 --> 0:15:10.320
<v Speaker 2>to make it clear, like I don't think that me

0:15:10.520 --> 0:15:14.720
<v Speaker 2>being from an area that's predominantly white necessarily should should

0:15:14.840 --> 0:15:16.880
<v Speaker 2>lead to like an assumption being made about the type

0:15:16.880 --> 0:15:18.080
<v Speaker 2>of person I am. You know, I want to be

0:15:18.160 --> 0:15:20.400
<v Speaker 2>judged on my actions and the content of my character

0:15:20.480 --> 0:15:22.520
<v Speaker 2>rather than where I'm from or the color of my skin.

0:15:22.560 --> 0:15:24.720
<v Speaker 1>You know you will be. What I'm saying is I'm

0:15:24.760 --> 0:15:27.880
<v Speaker 1>not speaking to your behavior. I'm speaking to your understanding.

0:15:28.560 --> 0:15:30.800
<v Speaker 1>So I'm speaking to if I grow up in a

0:15:30.800 --> 0:15:34.200
<v Speaker 1>house where domestic violence is prevalent, when I come outside

0:15:34.240 --> 0:15:36.240
<v Speaker 1>of it at home, I don't see that as abnormal.

0:15:37.000 --> 0:15:39.320
<v Speaker 1>I don't see when I see a man fight a woman,

0:15:39.400 --> 0:15:42.640
<v Speaker 1>I don't see that as abnormal because that's all I

0:15:42.720 --> 0:15:45.960
<v Speaker 1>saw growing up. So I'm speaking about your understanding, not

0:15:46.040 --> 0:15:49.000
<v Speaker 1>your behavior. You're talking to me about your behavior. I'm

0:15:49.040 --> 0:15:52.600
<v Speaker 1>talking about if I come from a place where I've

0:15:52.640 --> 0:15:54.640
<v Speaker 1>seen no bugs all my life and then I come

0:15:54.640 --> 0:15:56.560
<v Speaker 1>in your house and see a bug, I'm going to

0:15:56.640 --> 0:15:59.080
<v Speaker 1>react in a certain way because I have no understanding

0:15:59.120 --> 0:16:00.680
<v Speaker 1>of it. It's gonna be like, oh, what the fuck

0:16:00.720 --> 0:16:02.320
<v Speaker 1>is that? I've never grew up, I've never seen that.

0:16:02.440 --> 0:16:04.640
<v Speaker 1>Oh how nasty? All y'all have those what the fuck

0:16:04.720 --> 0:16:04.880
<v Speaker 1>is that?

0:16:05.240 --> 0:16:05.320
<v Speaker 3>Like?

0:16:05.400 --> 0:16:07.120
<v Speaker 1>It could be something that calls it. It could be

0:16:07.160 --> 0:16:09.680
<v Speaker 1>your neighbors. It could be your neighbors are nasty to

0:16:09.800 --> 0:16:12.720
<v Speaker 1>cause their buck. I have no understanding on bugs at all.

0:16:13.200 --> 0:16:15.480
<v Speaker 1>So all I know is I've never saw it, so

0:16:15.560 --> 0:16:18.080
<v Speaker 1>I was. I'm more so speaking about your behavior. I

0:16:18.080 --> 0:16:21.360
<v Speaker 1>mean your understanding, not your behavior. Cause again I want

0:16:21.360 --> 0:16:25.120
<v Speaker 1>to say that you look at our culture and you enjoyed,

0:16:25.200 --> 0:16:27.680
<v Speaker 1>you participate in it. Like I'm telling you, I've watched

0:16:27.680 --> 0:16:31.080
<v Speaker 1>your content. Bro, you you bust raps like you're not

0:16:31.280 --> 0:16:34.360
<v Speaker 1>just some guy who you know is just flavorless and

0:16:34.480 --> 0:16:37.600
<v Speaker 1>just jumped into this, right, But your understanding is what

0:16:38.320 --> 0:16:41.160
<v Speaker 1>we're just gonna live at a second. But to that,

0:16:41.200 --> 0:16:43.440
<v Speaker 1>what do you say? Cause again I'm speaking of understanding,

0:16:43.520 --> 0:16:44.200
<v Speaker 1>not behavior.

0:16:45.280 --> 0:16:47.240
<v Speaker 2>Yeah, I mean, you know the thing that I think

0:16:47.280 --> 0:16:49.600
<v Speaker 2>I think it's really clear to like try and communicate

0:16:49.800 --> 0:16:51.880
<v Speaker 2>is you know the environment that I grew up in,

0:16:51.960 --> 0:16:54.360
<v Speaker 2>maybe that was predominantly white. I didn't feel like I

0:16:54.440 --> 0:16:56.880
<v Speaker 2>fit in not that I identify as black or something

0:16:56.920 --> 0:16:58.880
<v Speaker 2>crazy like that. But all the artists that I was

0:16:58.920 --> 0:17:01.680
<v Speaker 2>listening to, not all of them, because you've got plenty

0:17:01.720 --> 0:17:03.520
<v Speaker 2>of you know, successful good white artists that I was

0:17:03.520 --> 0:17:06.359
<v Speaker 2>listening to growing up, people like Eminem or you know,

0:17:06.760 --> 0:17:09.119
<v Speaker 2>other kind of white rappers that were popular. But the

0:17:09.160 --> 0:17:11.720
<v Speaker 2>people I idolized were predominantly black. You know, I was

0:17:11.760 --> 0:17:13.760
<v Speaker 2>a young white guy in a predominantly white area, but

0:17:13.840 --> 0:17:16.320
<v Speaker 2>the posters on my wall were successful black men that

0:17:16.359 --> 0:17:18.960
<v Speaker 2>I looked up to and idolized. I mean, I'll be honest,

0:17:19.040 --> 0:17:21.640
<v Speaker 2>I don't have that experience. I didn't grow up in

0:17:21.680 --> 0:17:23.600
<v Speaker 2>an area that you know, I didn't grow up in

0:17:23.640 --> 0:17:27.280
<v Speaker 2>a predominantly black area with some of the maybe, for example,

0:17:27.280 --> 0:17:29.760
<v Speaker 2>the socioeconomic problems that you know, might go on in

0:17:29.800 --> 0:17:32.800
<v Speaker 2>some of those areas traditionally, right, So I'll throw I'll

0:17:32.840 --> 0:17:34.120
<v Speaker 2>be the first to throw my hands up and say

0:17:34.119 --> 0:17:36.320
<v Speaker 2>I haven't been through that struggle. But for me, I

0:17:36.359 --> 0:17:39.280
<v Speaker 2>think as a youngster, when I wasn't in that sort

0:17:39.280 --> 0:17:41.520
<v Speaker 2>of area, I think the music was like a window

0:17:41.600 --> 0:17:44.479
<v Speaker 2>for me to understand black people and the black struggle.

0:17:44.560 --> 0:17:47.119
<v Speaker 2>You know, I don't pretend that like I know what

0:17:47.200 --> 0:17:48.960
<v Speaker 2>it was like to grow up in the massy projects.

0:17:49.119 --> 0:17:51.080
<v Speaker 2>But I think listening to you know nothing but jay

0:17:51.119 --> 0:17:54.320
<v Speaker 2>Z songs growing up, it gave me that sympathy. And then,

0:17:54.400 --> 0:17:57.160
<v Speaker 2>you know, I knew black people growing up. I would

0:17:57.160 --> 0:17:59.159
<v Speaker 2>never be judgmental of someone based on the color of

0:17:59.200 --> 0:18:01.359
<v Speaker 2>their skin, even maybe at school. You know, there were

0:18:01.440 --> 0:18:03.880
<v Speaker 2>racist people at my school, and you know I didn't

0:18:03.920 --> 0:18:05.879
<v Speaker 2>fuck with that. But once I became an adult and

0:18:05.920 --> 0:18:07.719
<v Speaker 2>I turned eighteen, you know, I moved to London. As

0:18:07.720 --> 0:18:09.840
<v Speaker 2>I was saying a minute ago, London was very multicultural.

0:18:10.080 --> 0:18:11.719
<v Speaker 2>You know, I begun to make friends with a lot

0:18:11.720 --> 0:18:13.800
<v Speaker 2>of black people. And what I actually ended up doing

0:18:13.800 --> 0:18:16.560
<v Speaker 2>when I was in London as a job is, you know,

0:18:16.600 --> 0:18:19.800
<v Speaker 2>I started making music videos and making music videos for rappers.

0:18:19.800 --> 0:18:22.720
<v Speaker 2>You know, I guess the majority of the artists that

0:18:22.760 --> 0:18:24.840
<v Speaker 2>I shot music videos with were black. But you know,

0:18:24.840 --> 0:18:31.480
<v Speaker 2>I never met black people with a closed minded a perspective.

0:18:31.520 --> 0:18:33.160
<v Speaker 2>You know, I was always just in love with hip

0:18:33.200 --> 0:18:35.679
<v Speaker 2>hop music. If I met somebody that was black, white

0:18:35.760 --> 0:18:38.720
<v Speaker 2>Indian that also loved hip hop music, we had a connection.

0:18:38.880 --> 0:18:41.280
<v Speaker 2>We had something to talk about. I can't say that,

0:18:41.560 --> 0:18:45.720
<v Speaker 2>you know, I grew up in the tough areas.

0:18:45.520 --> 0:18:47.919
<v Speaker 1>And I want to be a good trap is that

0:18:48.359 --> 0:18:51.080
<v Speaker 1>when I say us, and this is what I'm saying about,

0:18:51.119 --> 0:18:53.480
<v Speaker 1>your understanding even of our culture is a little old

0:18:54.000 --> 0:18:57.520
<v Speaker 1>because I'm a rich black man, right, so when I

0:18:57.560 --> 0:19:00.960
<v Speaker 1>say black men, we don't need simpathy. You know what

0:19:01.000 --> 0:19:04.120
<v Speaker 1>I'm saying, There's no like all of us ain't come

0:19:04.200 --> 0:19:07.000
<v Speaker 1>from or all of our circumstances are not in a

0:19:07.040 --> 0:19:10.679
<v Speaker 1>place where people need to sympathize for us, or you know,

0:19:10.880 --> 0:19:15.679
<v Speaker 1>be like we're some sort of victims. Like you know

0:19:15.720 --> 0:19:17.679
<v Speaker 1>what I'm saying. It's like you know, I know you

0:19:17.720 --> 0:19:20.480
<v Speaker 1>say it gives you a window into listening to jay Z,

0:19:20.560 --> 0:19:22.879
<v Speaker 1>gave you a window into black culture, so you can

0:19:22.960 --> 0:19:25.720
<v Speaker 1>kind of sympathize. First of all, a lot of the

0:19:25.800 --> 0:19:28.960
<v Speaker 1>rap shit is fake, a lot of the talking from raps,

0:19:29.000 --> 0:19:31.879
<v Speaker 1>and I know from outside of the culture, y'all, you

0:19:31.920 --> 0:19:33.560
<v Speaker 1>may not get that. Oh that's what I want to say.

0:19:33.600 --> 0:19:35.520
<v Speaker 1>Let me go back. We'll get to that in a second.

0:19:37.520 --> 0:19:40.399
<v Speaker 1>When I say hip hop or when I say the

0:19:40.520 --> 0:19:43.000
<v Speaker 1>tough area, when I say our culture, I'm not talking

0:19:43.000 --> 0:19:45.840
<v Speaker 1>about just the criminal element, right. That's why I was

0:19:45.840 --> 0:19:49.840
<v Speaker 1>talking to you about maybe barbecues or you know, football

0:19:49.920 --> 0:19:53.159
<v Speaker 1>up the heel, or maybe cookouts or you know, just

0:19:53.280 --> 0:19:56.399
<v Speaker 1>other things that we do in our culture that lends

0:19:56.480 --> 0:19:59.120
<v Speaker 1>us that understanding. Even when we talk to each other,

0:19:59.560 --> 0:20:02.239
<v Speaker 1>Like my neighborhood. I don't play like this, but in

0:20:02.280 --> 0:20:05.720
<v Speaker 1>my neighborhood, for some strange reason, they talk to each

0:20:05.760 --> 0:20:08.840
<v Speaker 1>other and they'll say, bitch, what you doing, bitch, bitch,

0:20:08.840 --> 0:20:12.840
<v Speaker 1>how you bitch? What you got? Like if a police

0:20:12.880 --> 0:20:17.080
<v Speaker 1>officer or someone is listening to that, that sounds violent

0:20:17.440 --> 0:20:19.560
<v Speaker 1>when that's not even that. You have to be of

0:20:19.720 --> 0:20:22.080
<v Speaker 1>the culture to understand how they can use a word

0:20:22.640 --> 0:20:24.959
<v Speaker 1>like that to each other and it's not causing that

0:20:25.040 --> 0:20:27.240
<v Speaker 1>level of violence. You can't get that through hip hop.

0:20:27.640 --> 0:20:29.280
<v Speaker 1>You see what I'm saying that. And I mean when

0:20:29.320 --> 0:20:34.360
<v Speaker 1>I say culture, it's not just music. It's fashion, it's jargon,

0:20:34.680 --> 0:20:38.280
<v Speaker 1>it's lifestyle, it's it's even and it is it is

0:20:38.320 --> 0:20:41.200
<v Speaker 1>some hardship, it is some what we've been through. Right,

0:20:41.280 --> 0:20:43.439
<v Speaker 1>I talk like this, I walk like this because of

0:20:43.480 --> 0:20:45.840
<v Speaker 1>what I've been through, you know. And so it's more

0:20:45.880 --> 0:20:49.080
<v Speaker 1>than just hip hop that makes us what we are.

0:20:49.280 --> 0:20:51.600
<v Speaker 1>And so I'm trying to help you get a real

0:20:51.640 --> 0:20:54.639
<v Speaker 1>window into the culture because hip hop is just a

0:20:54.680 --> 0:20:57.840
<v Speaker 1>little bitty facet of our culture. And when you're dealing

0:20:57.880 --> 0:21:00.360
<v Speaker 1>with our rappers, you're dealing with more than the hip

0:21:00.359 --> 0:21:02.560
<v Speaker 1>hop artists. You're dealing with a young black man from

0:21:02.680 --> 0:21:05.600
<v Speaker 1>our culture. You see what I'm saying. And I know

0:21:05.720 --> 0:21:08.840
<v Speaker 1>sometimes from the outside it's just oh, another rapper, blew

0:21:08.920 --> 0:21:12.840
<v Speaker 1>up another rapper. It's like, no, he's speaking culture language.

0:21:12.880 --> 0:21:15.240
<v Speaker 1>He's saying some culture shit. Whether it's right or wrong.

0:21:15.680 --> 0:21:20.600
<v Speaker 1>And how you how you interpret it is what we

0:21:20.640 --> 0:21:23.040
<v Speaker 1>want to talk about a little later. But you know,

0:21:23.640 --> 0:21:24.720
<v Speaker 1>to that, what do you say?

0:21:25.800 --> 0:21:27.439
<v Speaker 2>Well, you know, I think it's interesting because I think

0:21:27.440 --> 0:21:28.679
<v Speaker 2>if we go back to like what I said at

0:21:28.680 --> 0:21:30.520
<v Speaker 2>the start, you know, it's not just about hip hop

0:21:30.560 --> 0:21:33.520
<v Speaker 2>like I say. You know, I grew up just into

0:21:34.160 --> 0:21:37.159
<v Speaker 2>things that I guess would be seen as black culture.

0:21:37.160 --> 0:21:38.440
<v Speaker 2>You know, it's not just hip hop like I say.

0:21:38.560 --> 0:21:41.440
<v Speaker 2>I grew up watching comedy like Deaf comedy jam, people.

0:21:41.200 --> 0:21:43.200
<v Speaker 1>That like DL D.

0:21:43.400 --> 0:21:44.960
<v Speaker 3>L Hugley, Dave Chappelle.

0:21:44.600 --> 0:21:46.280
<v Speaker 2>And I think, you know, it's it's almost like I

0:21:46.640 --> 0:21:48.240
<v Speaker 2>got I actually go you know, everything you just said

0:21:48.280 --> 0:21:50.439
<v Speaker 2>I agreed with to be honest, Like, I think for me,

0:21:50.520 --> 0:21:52.800
<v Speaker 2>it's it's not necessarily I don't feel like I've really

0:21:52.800 --> 0:21:55.000
<v Speaker 2>got something to prove as far as, like, you know,

0:21:55.119 --> 0:21:57.919
<v Speaker 2>my affinity with black people. You know, at the end

0:21:57.920 --> 0:22:00.320
<v Speaker 2>of the day, I think I'm just this weird white

0:22:00.359 --> 0:22:02.040
<v Speaker 2>dude that grew up in a very white area. But

0:22:02.080 --> 0:22:04.280
<v Speaker 2>I listened to nothing but hip hop, you know, listen

0:22:04.320 --> 0:22:07.400
<v Speaker 2>to nothing but black comedians, black people I find successful.

0:22:07.400 --> 0:22:09.159
<v Speaker 2>Even beyond that, you know, I remember growing up and

0:22:09.200 --> 0:22:12.720
<v Speaker 2>I seeing the Malcolm X film and just being so

0:22:12.800 --> 0:22:15.840
<v Speaker 2>inspired by this amazing, you know, powerful black man that

0:22:15.960 --> 0:22:18.440
<v Speaker 2>kind of overcome his adversity. And as I said before,

0:22:18.520 --> 0:22:20.639
<v Speaker 2>like really I just grew up having a lot of

0:22:20.640 --> 0:22:23.240
<v Speaker 2>black people as my heroes and people I really admired. Now,

0:22:23.440 --> 0:22:25.800
<v Speaker 2>does that mean that I had the black experience? You know, No,

0:22:25.920 --> 0:22:27.760
<v Speaker 2>and I don't claim to have had that. And like

0:22:27.800 --> 0:22:29.240
<v Speaker 2>I said, I kind of agree with everything you just

0:22:29.240 --> 0:22:31.440
<v Speaker 2>said to be honest, but I really what I'm trying

0:22:31.440 --> 0:22:33.240
<v Speaker 2>to say is just it's like I really mean no

0:22:33.320 --> 0:22:35.679
<v Speaker 2>harm like, and I don't claim to be like an

0:22:35.720 --> 0:22:38.639
<v Speaker 2>expert of black culture or black people, like, you know,

0:22:38.680 --> 0:22:40.640
<v Speaker 2>my topic area on my channel is hip hop, hip

0:22:40.640 --> 0:22:44.359
<v Speaker 2>hop music, rappers, that stuff I'm interested in, and realistically, like,

0:22:44.400 --> 0:22:46.159
<v Speaker 2>when it comes to that, stuff. You know, I do

0:22:46.240 --> 0:22:48.040
<v Speaker 2>have a good knowledge, you know, it's all it's it's

0:22:48.359 --> 0:22:51.280
<v Speaker 2>we're talking twenty five years plus of just me listening

0:22:51.320 --> 0:22:54.720
<v Speaker 2>to nothing but hip hop and like learning about hip hop,

0:22:54.800 --> 0:22:56.639
<v Speaker 2>learning about the lyrics. I don't claim to be like

0:22:56.680 --> 0:22:59.280
<v Speaker 2>some sort of a black culture expert. But at the

0:22:59.320 --> 0:23:01.560
<v Speaker 2>same time, I kind of, you know, I grew up

0:23:01.600 --> 0:23:04.040
<v Speaker 2>on that stuff, even though I wasn't from that area.

0:23:04.119 --> 0:23:06.760
<v Speaker 2>So I'm kind of a messed up with random dude.

0:23:07.080 --> 0:23:08.720
<v Speaker 2>I really I'm not trying to claim to be anything

0:23:08.720 --> 0:23:10.800
<v Speaker 2>I'm not. And you know, I really don't mean to

0:23:10.840 --> 0:23:13.240
<v Speaker 2>offend anybody with the things I say or the things

0:23:13.280 --> 0:23:13.919
<v Speaker 2>I put across.

0:23:14.119 --> 0:23:15.359
<v Speaker 3>And I'm quite open minded.

0:23:15.119 --> 0:23:18.520
<v Speaker 1>Man and necessarily right with the King Vaughn thingg And

0:23:18.520 --> 0:23:20.800
<v Speaker 1>that's what I'm saying. Right before the King Vaughn thinging.

0:23:21.320 --> 0:23:24.320
<v Speaker 1>I'm literally in building saying, look, I need to hire

0:23:24.400 --> 0:23:26.400
<v Speaker 1>this guy, like, give me it. I need to hire

0:23:26.440 --> 0:23:28.159
<v Speaker 1>this guy. Got some things I want to do with

0:23:28.600 --> 0:23:30.560
<v Speaker 1>this guy, like how he does it. I want to

0:23:30.560 --> 0:23:33.320
<v Speaker 1>pitch him some things and let him kind of get

0:23:33.359 --> 0:23:35.080
<v Speaker 1>it together and then we bring it back to the

0:23:35.119 --> 0:23:38.639
<v Speaker 1>network like I was. And then the King Vaughn thing happened,

0:23:38.640 --> 0:23:41.760
<v Speaker 1>but before King Vaughn. Let's go back. I still want

0:23:41.800 --> 0:23:44.280
<v Speaker 1>to know how you got onto jay Z. If nobody

0:23:44.320 --> 0:23:48.639
<v Speaker 1>around you's listening to how we crept into your roller dicks.

0:23:48.480 --> 0:23:50.720
<v Speaker 2>Well that's the thing, so to be fair. So I

0:23:50.720 --> 0:23:52.639
<v Speaker 2>had two older brothers, right, and bear in mind, so

0:23:52.760 --> 0:23:55.800
<v Speaker 2>I moved her from London, South London to like Croydon

0:23:56.320 --> 0:23:59.679
<v Speaker 2>from when I was about five or six years old, right.

0:24:00.080 --> 0:24:03.280
<v Speaker 2>So my older brothers they were like, I don't know

0:24:03.320 --> 0:24:04.640
<v Speaker 2>the exactly, like six and ten.

0:24:04.600 --> 0:24:05.280
<v Speaker 3>Years older than me.

0:24:05.600 --> 0:24:07.879
<v Speaker 2>So they grew up in London, right, So they were

0:24:08.440 --> 0:24:11.240
<v Speaker 2>more urbanized as far as like living in the city,

0:24:11.560 --> 0:24:13.639
<v Speaker 2>living in a much more multicultural area. So they were

0:24:13.680 --> 0:24:16.879
<v Speaker 2>into like a lot more diverse range of things, not

0:24:17.000 --> 0:24:18.959
<v Speaker 2>just hip hop, but they liked hip hop. They had

0:24:18.960 --> 0:24:20.040
<v Speaker 2>a few hip hop records.

0:24:20.160 --> 0:24:20.840
<v Speaker 3>They were into.

0:24:20.680 --> 0:24:24.800
<v Speaker 2>Skateboarding, surfing, just more shit that was more city type stuff.

0:24:25.280 --> 0:24:27.399
<v Speaker 2>And for me, I think it's just hip Hop's the

0:24:27.440 --> 0:24:28.920
<v Speaker 2>thing I latched onto. You know, I had an older

0:24:28.960 --> 0:24:31.240
<v Speaker 2>brother that he would make hip hop beats. You know,

0:24:31.280 --> 0:24:33.240
<v Speaker 2>we moved from London to this kind of small town.

0:24:33.280 --> 0:24:35.080
<v Speaker 2>There was nothing going on, and you know, my brother

0:24:35.119 --> 0:24:37.360
<v Speaker 2>would mess around on logic making beats, and I thought

0:24:37.400 --> 0:24:39.320
<v Speaker 2>that was really cool. You know, I would steal his

0:24:39.400 --> 0:24:41.240
<v Speaker 2>records and like I say, listen to my jay Z,

0:24:41.440 --> 0:24:43.040
<v Speaker 2>listen to my you know these up here I do

0:24:43.160 --> 0:24:45.080
<v Speaker 2>if you know these this is the like Ruckus Records

0:24:45.160 --> 0:24:49.920
<v Speaker 2>kind of collection. And these are some of the first

0:24:49.960 --> 0:24:51.919
<v Speaker 2>records that I ever had of Like these are records

0:24:51.920 --> 0:24:53.800
<v Speaker 2>that I stole from my older brothers and were spinning

0:24:54.200 --> 0:24:57.560
<v Speaker 2>like peramunch eminem like early stuff. And i'd have been

0:24:57.600 --> 0:25:00.560
<v Speaker 2>so I think that series like ninety nine, two thousand,

0:25:01.000 --> 0:25:02.800
<v Speaker 2>so you know, we're talking like i'd be like seven

0:25:02.880 --> 0:25:04.760
<v Speaker 2>or eight discovering this stuff for the first time. So

0:25:05.280 --> 0:25:07.160
<v Speaker 2>I guess I would give it to my older brothers.

0:25:07.240 --> 0:25:09.119
<v Speaker 2>You know, I had an older brother that used to

0:25:09.119 --> 0:25:11.159
<v Speaker 2>make rap beats. My other brother, you know, there was

0:25:11.200 --> 0:25:13.080
<v Speaker 2>a period of time when he was trying to kind

0:25:13.080 --> 0:25:16.199
<v Speaker 2>of make it as a rapper and releasing songs and

0:25:16.240 --> 0:25:19.960
<v Speaker 2>pressing records, and I was just super inspired by them

0:25:20.080 --> 0:25:22.119
<v Speaker 2>and sort of the rappers that I was listening to really,

0:25:22.160 --> 0:25:24.280
<v Speaker 2>so in a way, I guess it's sort of like

0:25:24.320 --> 0:25:26.919
<v Speaker 2>my older brothers having some hip hop records around, but

0:25:27.080 --> 0:25:29.480
<v Speaker 2>like they were kind of they were into that shit.

0:25:29.560 --> 0:25:31.600
<v Speaker 2>But I really just got obsessive and just took it

0:25:31.640 --> 0:25:33.600
<v Speaker 2>to a whole other level. I didn't want to play football,

0:25:33.960 --> 0:25:36.240
<v Speaker 2>I didn't want to surf for skateboard. I just wanted

0:25:36.280 --> 0:25:38.600
<v Speaker 2>to listen to hip hop all day. And like you know,

0:25:38.640 --> 0:25:40.560
<v Speaker 2>I was when I was a little kid, even like

0:25:40.600 --> 0:25:42.240
<v Speaker 2>I was a young kid, like nine years old, trying

0:25:42.240 --> 0:25:44.159
<v Speaker 2>to rap. But I had my little raps in school

0:25:44.359 --> 0:25:45.920
<v Speaker 2>and people were like, what the hell are you doing?

0:25:45.960 --> 0:25:46.600
<v Speaker 3>Like what is this?

0:25:46.760 --> 0:25:48.600
<v Speaker 2>But I just loved it. I just thought that was

0:25:48.600 --> 0:25:50.080
<v Speaker 2>so cool. That's what I wanted to do, That's what

0:25:50.119 --> 0:25:52.199
<v Speaker 2>I wanted to be. And I guess yeah, partly like

0:25:52.240 --> 0:25:55.399
<v Speaker 2>my older brothers, partly the Internet, because I once I

0:25:55.560 --> 0:25:58.200
<v Speaker 2>got these records and I kind of got into hip hop,

0:25:58.520 --> 0:26:00.719
<v Speaker 2>and then the Internet was around. I would just you know,

0:26:00.800 --> 0:26:03.360
<v Speaker 2>looking up all these artists, downloading their whole catalog. Let

0:26:03.359 --> 0:26:05.960
<v Speaker 2>me listen to the you know, discover eminem and jay Z.

0:26:06.119 --> 0:26:08.320
<v Speaker 2>Let me listen to every song they've ever made, every

0:26:08.359 --> 0:26:10.400
<v Speaker 2>remix they've ever done. That's I was just sat there

0:26:10.400 --> 0:26:11.760
<v Speaker 2>doing that all day. And that's how I kind of

0:26:11.760 --> 0:26:14.400
<v Speaker 2>built up this hip hop knowledge. Kind of by accident,

0:26:14.520 --> 0:26:17.440
<v Speaker 2>but that's where that knowledge came from. And then many

0:26:17.520 --> 0:26:20.400
<v Speaker 2>years later, you know, I tried to get into the industry.

0:26:20.440 --> 0:26:22.800
<v Speaker 2>I wanted to be a video director for rappers. So

0:26:22.880 --> 0:26:25.400
<v Speaker 2>I was kind of working with just like local rappers

0:26:25.400 --> 0:26:27.600
<v Speaker 2>and rappers that I met in London to like shoot

0:26:27.600 --> 0:26:30.040
<v Speaker 2>their videos and try and help promote their careers and stuff.

0:26:30.600 --> 0:26:32.399
<v Speaker 2>And you know, I just wanted to be close to

0:26:32.480 --> 0:26:34.560
<v Speaker 2>hip hop. I honestly, at the time, I never really

0:26:34.560 --> 0:26:36.320
<v Speaker 2>would have even imagined I'd have ended up doing what

0:26:36.359 --> 0:26:38.760
<v Speaker 2>I do now, But you know, things just kind of

0:26:38.840 --> 0:26:41.439
<v Speaker 2>unfolded in a weird way. But yeah, it's just it

0:26:41.560 --> 0:26:43.399
<v Speaker 2>just all came from the music and just being a

0:26:43.440 --> 0:26:45.000
<v Speaker 2>kid just loving hip hop really.

0:26:44.920 --> 0:26:47.520
<v Speaker 1>And you know what, you got onto the music early.

0:26:47.720 --> 0:26:50.760
<v Speaker 1>And I can hear that, right, I want to know

0:26:52.320 --> 0:26:56.600
<v Speaker 1>when did you get into the content part of it?

0:26:57.000 --> 0:26:59.520
<v Speaker 1>Like not necessarily the music, but hey, I think I

0:26:59.640 --> 0:27:03.320
<v Speaker 1>knowing no about this stuff. I'm gonna say something, right,

0:27:03.359 --> 0:27:04.480
<v Speaker 1>when when did you get there?

0:27:05.880 --> 0:27:08.399
<v Speaker 2>That's an interesting story, right, So this is a funny one.

0:27:08.400 --> 0:27:10.840
<v Speaker 2>It might not be what you expect. But so I

0:27:10.880 --> 0:27:13.080
<v Speaker 2>moved to London when I was like eighteen, you know,

0:27:13.119 --> 0:27:15.560
<v Speaker 2>I was studying making music videos for rappers. It was

0:27:15.640 --> 0:27:17.159
<v Speaker 2>kind of like just I was trying a lot of

0:27:17.160 --> 0:27:20.240
<v Speaker 2>different stuff, and I actually started doing stand up comedy.

0:27:20.560 --> 0:27:22.679
<v Speaker 2>So you know, I was going around in London, like

0:27:22.720 --> 0:27:25.439
<v Speaker 2>going to these nightclubs because as well as rappers like

0:27:25.520 --> 0:27:28.120
<v Speaker 2>people like Dave Chappelle, I looked up to comedians too,

0:27:28.200 --> 0:27:31.360
<v Speaker 2>like a lot of comedians that I just thought were dope.

0:27:31.359 --> 0:27:33.040
<v Speaker 2>So I wanted to give that a try. So I

0:27:33.080 --> 0:27:35.399
<v Speaker 2>got into the open mic circuit in London and started

0:27:35.400 --> 0:27:37.600
<v Speaker 2>doing a bit stand up comedy and it was you know,

0:27:37.640 --> 0:27:39.320
<v Speaker 2>I'm saying I was doing it a bit, but it

0:27:39.400 --> 0:27:41.880
<v Speaker 2>wasn't really going anywhere. And then I kind of started

0:27:42.040 --> 0:27:45.520
<v Speaker 2>getting into to making YouTube videos, so I was making

0:27:45.560 --> 0:27:48.359
<v Speaker 2>more like comedy sketches, like with my friends. You know,

0:27:48.680 --> 0:27:51.040
<v Speaker 2>I kind of like, so I got homie that I

0:27:51.080 --> 0:27:54.040
<v Speaker 2>knew from Brixton, which you know, one known spot in

0:27:54.080 --> 0:27:57.440
<v Speaker 2>South London. But you know, me and my homie, soitanye

0:27:57.680 --> 0:27:59.760
<v Speaker 2>we knew each other from doing stand up comedy, and

0:27:59.760 --> 0:28:02.119
<v Speaker 2>we started doing these sketches and you know, some of

0:28:02.119 --> 0:28:05.600
<v Speaker 2>the content we made sort of almost had this element

0:28:05.640 --> 0:28:08.000
<v Speaker 2>of like, you know, he was a young black guy

0:28:08.000 --> 0:28:13.280
<v Speaker 2>from Brixton. You know, he's half Nigerian, half Jamaican, and

0:28:13.520 --> 0:28:15.480
<v Speaker 2>I'm sort of this nerdy white guy from the South

0:28:15.520 --> 0:28:17.560
<v Speaker 2>of England, but I am obsessed with hip hop. So

0:28:17.800 --> 0:28:20.440
<v Speaker 2>we did a few like comedy sketches of like kind

0:28:20.440 --> 0:28:22.600
<v Speaker 2>of almost that that thing, almost like a black guy

0:28:22.600 --> 0:28:25.440
<v Speaker 2>and a white guy living life in a different way.

0:28:25.480 --> 0:28:27.320
<v Speaker 2>Like me and him did this comedy sketch where he

0:28:27.320 --> 0:28:29.840
<v Speaker 2>took me to like the Nigerian food spot and he's

0:28:29.880 --> 0:28:31.400
<v Speaker 2>eating with his hands and like I don't know how

0:28:31.400 --> 0:28:34.480
<v Speaker 2>to eat the food and shit right, And so like

0:28:34.560 --> 0:28:36.159
<v Speaker 2>me and my homies just doing stuff like this. No

0:28:36.160 --> 0:28:37.960
<v Speaker 2>one was we were getting no views, like it wasn't

0:28:38.000 --> 0:28:40.440
<v Speaker 2>going anywhere, but we were just trying to do this

0:28:40.480 --> 0:28:43.200
<v Speaker 2>whole comedy thing. Like you know, my Palsertanie, he's a

0:28:43.200 --> 0:28:45.280
<v Speaker 2>great guy. Shout out to him, you know, he was.

0:28:46.040 --> 0:28:48.680
<v Speaker 2>He was another person super inspired by people like Dave Chappelle,

0:28:49.480 --> 0:28:53.000
<v Speaker 2>you know, other great black comedians, and he was kind

0:28:53.000 --> 0:28:54.480
<v Speaker 2>of doing his stand up thing and me and him,

0:28:54.480 --> 0:28:56.160
<v Speaker 2>we were just trying to make it basically like running

0:28:56.160 --> 0:28:58.360
<v Speaker 2>around London trying to make it in the content game.

0:28:59.000 --> 0:29:01.440
<v Speaker 2>And the funny thing is, you know, YouTube just wasn't

0:29:01.480 --> 0:29:03.280
<v Speaker 2>going anywhere for me, but I just kept trying. Like

0:29:03.320 --> 0:29:04.720
<v Speaker 2>every year, I would just be like, let me do

0:29:04.720 --> 0:29:07.880
<v Speaker 2>another sketch, let me do a reaction video. And over

0:29:07.960 --> 0:29:10.200
<v Speaker 2>time I started doing a few videos that were hip

0:29:10.200 --> 0:29:12.600
<v Speaker 2>hop related, but it was kind of more UK stuff

0:29:12.720 --> 0:29:14.680
<v Speaker 2>funnily enough, like you know, I don't know if you know,

0:29:14.720 --> 0:29:17.000
<v Speaker 2>Skepta sort of the big you know, the big grime

0:29:17.080 --> 0:29:18.880
<v Speaker 2>rapper in the UK's one of the biggest guys in

0:29:18.920 --> 0:29:20.960
<v Speaker 2>the UK. But like, you know, I did a few

0:29:21.000 --> 0:29:23.000
<v Speaker 2>reactions to like he would drop a new music video.

0:29:23.040 --> 0:29:25.640
<v Speaker 2>I'd sort of react to Skepta's music video. But again

0:29:25.880 --> 0:29:28.440
<v Speaker 2>I wasn't really getting views, like it wasn't going anywhere,

0:29:28.440 --> 0:29:29.760
<v Speaker 2>but I just kept doing it because it was fun.

0:29:30.520 --> 0:29:32.120
<v Speaker 2>You know, there's a big rapper in the UK called

0:29:32.120 --> 0:29:34.560
<v Speaker 2>the Russ, not the American Russ.

0:29:34.600 --> 0:29:36.800
<v Speaker 3>We've got our own Russ. He's fire. Shout out to him.

0:29:37.120 --> 0:29:39.400
<v Speaker 2>But you know I did I did a video where

0:29:39.440 --> 0:29:41.280
<v Speaker 2>I kind of broke down the history of like one

0:29:41.280 --> 0:29:44.600
<v Speaker 2>of his music videos and like he had this Lamborghini

0:29:44.640 --> 0:29:46.480
<v Speaker 2>in his video and I sort of told the story

0:29:46.480 --> 0:29:49.040
<v Speaker 2>of how he got this Lamborghini. And it didn't really

0:29:49.160 --> 0:29:51.240
<v Speaker 2>go anywhere, but that was like the first video I

0:29:51.240 --> 0:29:53.360
<v Speaker 2>did that kind of had like some structure and sort

0:29:53.360 --> 0:29:56.280
<v Speaker 2>of told the rap story, and I was I didn't

0:29:56.280 --> 0:29:57.920
<v Speaker 2>really I didn't really rock with it. I didn't think

0:29:57.960 --> 0:29:59.640
<v Speaker 2>it was that good a video. But I had another

0:29:59.680 --> 0:30:03.320
<v Speaker 2>home that was doing videos, YouTube videos, sort of more

0:30:03.400 --> 0:30:06.400
<v Speaker 2>like history type stuff. And you know, people that know

0:30:06.480 --> 0:30:08.440
<v Speaker 2>me in real knife know that I'm obsessed with hip hop.

0:30:08.520 --> 0:30:10.080
<v Speaker 2>Like I'm the guy at a party trying to tell

0:30:10.080 --> 0:30:12.280
<v Speaker 2>someone a hip hop story, or like, if there's a song,

0:30:12.520 --> 0:30:14.360
<v Speaker 2>I'm trying to be like, oh, you know, like did

0:30:14.400 --> 0:30:16.000
<v Speaker 2>you know this about this song? Like did you know

0:30:16.120 --> 0:30:18.320
<v Speaker 2>jay Z like sold a million records of this album?

0:30:18.440 --> 0:30:21.120
<v Speaker 2>Or this this happened or that happened, or like Gucci,

0:30:21.240 --> 0:30:23.040
<v Speaker 2>like did you know Gucci main beat a murder case.

0:30:23.440 --> 0:30:26.200
<v Speaker 2>I was that guy, and my homie just said to me, like,

0:30:26.600 --> 0:30:28.360
<v Speaker 2>you know, why don't you tell some of those stories

0:30:28.360 --> 0:30:30.320
<v Speaker 2>that you're always telling people and do it in the

0:30:30.400 --> 0:30:33.080
<v Speaker 2>video like your Russ video. And it's kind of funny

0:30:33.080 --> 0:30:35.320
<v Speaker 2>because at the time, I literally I said to the guy,

0:30:35.640 --> 0:30:37.320
<v Speaker 2>I was like, I don't think people are gonna rock

0:30:37.320 --> 0:30:40.440
<v Speaker 2>with this, this nerdy white guy with glasses talking about these,

0:30:40.760 --> 0:30:43.520
<v Speaker 2>you know, real ass hip hop stories. And I kind

0:30:43.520 --> 0:30:45.760
<v Speaker 2>of put it off, and then eventually I just said

0:30:45.760 --> 0:30:47.400
<v Speaker 2>you know what, let me make a story. Let me

0:30:47.440 --> 0:30:50.280
<v Speaker 2>make a hip hop history video. See how that goes.

0:30:50.800 --> 0:30:53.160
<v Speaker 2>And I did the video about how jay Z shot

0:30:53.200 --> 0:30:55.280
<v Speaker 2>his brother when he was twelve and just kind of

0:30:55.640 --> 0:30:57.480
<v Speaker 2>telling that story. And that was just the story that

0:30:57.480 --> 0:30:59.440
<v Speaker 2>really stood out to me of you know, hearing those

0:30:59.520 --> 0:31:01.400
<v Speaker 2>lyrics when I as a kid and thinking, wow, you know,

0:31:01.480 --> 0:31:05.520
<v Speaker 2>that's that's crazy. That's a circumstance, like shooting your brother

0:31:05.560 --> 0:31:08.360
<v Speaker 2>when you're just twelve, Like that was something completely out

0:31:08.360 --> 0:31:11.200
<v Speaker 2>of my conception, and it was an interesting story. And

0:31:11.240 --> 0:31:13.000
<v Speaker 2>I made that video and you know, that video ended

0:31:13.040 --> 0:31:16.520
<v Speaker 2>up performing better than anything I had ever done, and

0:31:16.600 --> 0:31:18.760
<v Speaker 2>I just kind of was like, damn, Like it was

0:31:18.920 --> 0:31:21.040
<v Speaker 2>the opposite of what I expected, you know, I was.

0:31:21.240 --> 0:31:23.640
<v Speaker 2>I was kind of surprised people were even interested. And

0:31:23.680 --> 0:31:25.240
<v Speaker 2>from there I just kept going. You know, I started

0:31:25.240 --> 0:31:27.640
<v Speaker 2>doing videos on all kinds of different topics. You know,

0:31:27.680 --> 0:31:29.360
<v Speaker 2>I did a video on Frank Ocean and how he

0:31:29.440 --> 0:31:32.920
<v Speaker 2>kind of finessed the record label for twenty million dollars

0:31:32.960 --> 0:31:36.120
<v Speaker 2>sort of when he did his album to get out

0:31:36.160 --> 0:31:38.040
<v Speaker 2>of his deal with def Jam. You know, I did

0:31:38.040 --> 0:31:40.200
<v Speaker 2>a story about how jay Z and R Kelly had beef.

0:31:40.960 --> 0:31:43.040
<v Speaker 2>I did a breakdown of like R Kelly's whole case.

0:31:43.440 --> 0:31:45.080
<v Speaker 2>You know, I did a breakdown of the situation with

0:31:45.160 --> 0:31:47.360
<v Speaker 2>Young Thug and Lil Wayne having a beef, and it

0:31:47.480 --> 0:31:49.320
<v Speaker 2>just slowly, like I was just doing the stuff that

0:31:49.360 --> 0:31:51.440
<v Speaker 2>I was interested in, stuff that was in the news

0:31:51.440 --> 0:31:52.640
<v Speaker 2>at the time, and.

0:31:52.560 --> 0:31:54.720
<v Speaker 3>It just slowly, slowly started building up.

0:31:54.960 --> 0:31:57.160
<v Speaker 2>And you know, the like I said, I think it

0:31:57.200 --> 0:31:59.800
<v Speaker 2>was that Frank Ocean video about how he kind of

0:32:00.920 --> 0:32:02.760
<v Speaker 2>ba That was the first thing I got that got

0:32:02.760 --> 0:32:05.120
<v Speaker 2>like a million views, And to be honest, that was

0:32:05.200 --> 0:32:08.000
<v Speaker 2>just you know that that was really mind blowing to me.

0:32:08.120 --> 0:32:10.760
<v Speaker 2>Like I'd never even I would have never thought I

0:32:10.760 --> 0:32:12.400
<v Speaker 2>could get through a video with a million views. You know,

0:32:12.440 --> 0:32:14.400
<v Speaker 2>everything I'd done up until that point, we're talking like

0:32:14.640 --> 0:32:18.480
<v Speaker 2>fifty hundred views maybe, So that was like, you know,

0:32:18.520 --> 0:32:19.800
<v Speaker 2>that was very eye opening for me.

0:32:19.880 --> 0:32:21.719
<v Speaker 3>But that's the story of how it kind of came

0:32:21.760 --> 0:32:21.920
<v Speaker 3>to be.

0:32:21.960 --> 0:32:25.160
<v Speaker 1>And so they reward of the million views said hey,

0:32:25.200 --> 0:32:28.400
<v Speaker 1>let's stick here. I mean, because I'm in content, I

0:32:28.480 --> 0:32:30.840
<v Speaker 1>know what it's like when everybody's posting me and all

0:32:30.880 --> 0:32:35.080
<v Speaker 1>this shit's going crazy, my phone's going like it sends

0:32:35.080 --> 0:32:37.600
<v Speaker 1>off shit in your ear. It's like a reward man

0:32:37.640 --> 0:32:40.200
<v Speaker 1>this shit is, it's amore. I can only imagine what

0:32:40.320 --> 0:32:42.320
<v Speaker 1>rappers feel like when they go on the stage and

0:32:42.400 --> 0:32:46.080
<v Speaker 1>everybody's screaming and hollering, and it's just like, that's why

0:32:46.080 --> 0:32:48.440
<v Speaker 1>they chase it. That's why you see them at some

0:32:48.520 --> 0:32:51.479
<v Speaker 1>point starting to make bad decisions because I want that feeling,

0:32:51.560 --> 0:32:55.280
<v Speaker 1>bag man, you know, And us as content creators, we

0:32:55.320 --> 0:32:58.680
<v Speaker 1>gotta be careful that we're not somewhat chasing that same

0:32:59.520 --> 0:33:04.880
<v Speaker 1>that say ghosts and trying to sensationalize some of these things.

0:33:05.080 --> 0:33:07.800
<v Speaker 1>When did you when did you find your Would you

0:33:07.840 --> 0:33:10.320
<v Speaker 1>say you're you are infatuated with King Vaughn.

0:33:13.640 --> 0:33:16.000
<v Speaker 2>I'll be honest, I would, and I think a lot

0:33:16.000 --> 0:33:16.640
<v Speaker 2>of people are.

0:33:16.840 --> 0:33:17.000
<v Speaker 1>You know.

0:33:17.040 --> 0:33:20.280
<v Speaker 2>I think King von is an artist that captivated a

0:33:20.280 --> 0:33:23.160
<v Speaker 2>lot of people, you know, when Von was alive, you know,

0:33:23.200 --> 0:33:26.000
<v Speaker 2>and he was really on the run of his success,

0:33:26.440 --> 0:33:29.440
<v Speaker 2>you know, releasing his mixtapes back to back, quickly becoming

0:33:29.480 --> 0:33:31.520
<v Speaker 2>one of the biggest artists in the game. I think

0:33:31.520 --> 0:33:33.400
<v Speaker 2>a lot of people became obsessed with Vonn because he

0:33:33.440 --> 0:33:35.360
<v Speaker 2>was a great artist and he had a fascinating story.

0:33:35.680 --> 0:33:37.479
<v Speaker 2>And I probably would say that I'm I don't think

0:33:37.520 --> 0:33:39.640
<v Speaker 2>I've obsessed with him in a sort of twisted, creepy,

0:33:39.760 --> 0:33:42.800
<v Speaker 2>uh you know, King Von tattoo on my on my

0:33:42.840 --> 0:33:45.240
<v Speaker 2>face kind of way. But he was definitely one of

0:33:45.280 --> 0:33:48.120
<v Speaker 2>my favorite artists. He was somebody that his backstory was

0:33:48.240 --> 0:33:49.760
<v Speaker 2>just insane to me.

0:33:49.800 --> 0:33:50.000
<v Speaker 1>You know.

0:33:50.120 --> 0:33:53.080
<v Speaker 2>He had so many lyrics saying I've I've got seven bodies,

0:33:53.080 --> 0:33:55.280
<v Speaker 2>I'm about to catch another one. You know, I was

0:33:55.320 --> 0:33:57.080
<v Speaker 2>listening to this guy and he was so good at rapping,

0:33:57.160 --> 0:33:59.480
<v Speaker 2>and I was just listening to these lyrics, thinking how

0:33:59.480 --> 0:34:01.480
<v Speaker 2>can this be? Like, this can't be true. This guy

0:34:01.560 --> 0:34:03.720
<v Speaker 2>is so cold on the mic. He's saying he's killed

0:34:03.760 --> 0:34:06.640
<v Speaker 2>all the ops. He's saying he's killed seven people, and

0:34:06.680 --> 0:34:08.000
<v Speaker 2>he's got charting on Billboard?

0:34:08.360 --> 0:34:10.680
<v Speaker 3>Like, how is this? How is this possible? And I

0:34:10.719 --> 0:34:11.239
<v Speaker 3>probably did.

0:34:11.280 --> 0:34:13.400
<v Speaker 2>I probably did get a little bit obsessed with with

0:34:13.480 --> 0:34:15.399
<v Speaker 2>his music and his story, to be honest.

0:34:15.480 --> 0:34:20.160
<v Speaker 1>Yeah, And would you say obsession is not healthy?

0:34:21.080 --> 0:34:21.759
<v Speaker 3>Probably not no.

0:34:22.000 --> 0:34:23.880
<v Speaker 2>And you know what I would say that in general,

0:34:24.640 --> 0:34:27.719
<v Speaker 2>I think, you know, I don't want to I don't wanna.

0:34:27.800 --> 0:34:29.360
<v Speaker 2>I mean, look, I can throw my hands up and

0:34:29.400 --> 0:34:32.759
<v Speaker 2>say I think I think I probably even before I

0:34:32.800 --> 0:34:34.400
<v Speaker 2>made the video, I think I was obsessed with King

0:34:34.480 --> 0:34:35.920
<v Speaker 2>Von's music because there was a time when all I

0:34:35.960 --> 0:34:37.680
<v Speaker 2>wanted to listen to was Von. I didn't want to

0:34:37.680 --> 0:34:40.320
<v Speaker 2>listen to nobody else because Vonn was the realist, the rawst,

0:34:40.560 --> 0:34:43.959
<v Speaker 2>the coldest rapper, had the best beats. All I wanted

0:34:43.960 --> 0:34:46.759
<v Speaker 2>to listen to was von And that was probably before

0:34:46.760 --> 0:34:48.719
<v Speaker 2>i'd even done a video about him, you know, back

0:34:48.719 --> 0:34:50.439
<v Speaker 2>in twenty twenty, because I did. For bear in mind,

0:34:50.480 --> 0:34:52.480
<v Speaker 2>I did three videos on Vaughn while he was alive,

0:34:53.080 --> 0:34:55.520
<v Speaker 2>and you know, at the time, you know, that's a

0:34:55.520 --> 0:34:58.000
<v Speaker 2>whole other story, but like that was a time when

0:34:58.040 --> 0:35:00.959
<v Speaker 2>I think von was really the trending topic and hip hop.

0:35:01.040 --> 0:35:01.879
<v Speaker 3>He was the guy.

0:35:02.280 --> 0:35:05.759
<v Speaker 1>Now, so let's let's let's let's go back a little bit.

0:35:05.840 --> 0:35:10.600
<v Speaker 1>So all right, King, So you're saying that you do

0:35:10.800 --> 0:35:14.040
<v Speaker 1>you would say that you have some sort of obsession

0:35:14.200 --> 0:35:17.960
<v Speaker 1>with King Von. Now when when you went to reporting

0:35:18.120 --> 0:35:23.600
<v Speaker 1>on King Vaughn, do you think your obsession the obsession

0:35:23.680 --> 0:35:26.000
<v Speaker 1>of the Because to me, what I'm hearing from you

0:35:26.520 --> 0:35:28.960
<v Speaker 1>right from my side, because I've been involved in everything

0:35:29.000 --> 0:35:31.920
<v Speaker 1>this culture has to offer, from from the dope game

0:35:32.239 --> 0:35:35.120
<v Speaker 1>to the criminal shit, to the jail to the month.

0:35:35.200 --> 0:35:39.319
<v Speaker 1>Whatever this culture has, I've I've endured it, right so

0:35:39.400 --> 0:35:42.240
<v Speaker 1>when I'm speaking to you, I don't hear hip hop.

0:35:42.320 --> 0:35:46.080
<v Speaker 1>I hear you obsessed with our criminal with the criminal

0:35:46.160 --> 0:35:50.040
<v Speaker 1>aspect of the culture. It's almost like that's what draws

0:35:50.080 --> 0:35:52.440
<v Speaker 1>you in. Have you ever been in a fight, have

0:35:52.560 --> 0:35:55.240
<v Speaker 1>you had fights and stab beings? Have you shot somebody

0:35:55.360 --> 0:35:57.920
<v Speaker 1>or been shot at? Or do you know any of

0:35:57.960 --> 0:35:58.720
<v Speaker 1>that kind of stuff?

0:36:00.520 --> 0:36:03.080
<v Speaker 2>Uh, okay, let me just I'll answer all those questions.

0:36:03.160 --> 0:36:05.120
<v Speaker 2>I would say, you know, I would disagree that I'm

0:36:05.120 --> 0:36:07.080
<v Speaker 2>obsessed with the criminality side of it. You know, I

0:36:07.080 --> 0:36:09.520
<v Speaker 2>think the thing that got me interested in VONN to

0:36:09.520 --> 0:36:11.560
<v Speaker 2>begin with was the music. You know, it's always the music.

0:36:11.600 --> 0:36:13.480
<v Speaker 2>I don't you know, I don't. I don't go looking

0:36:13.520 --> 0:36:16.640
<v Speaker 2>for just like random shootings and then like hope that

0:36:16.719 --> 0:36:17.719
<v Speaker 2>somebody is a rapper.

0:36:17.719 --> 0:36:22.440
<v Speaker 1>Hold up trap. You said that the lyric that stuck

0:36:22.440 --> 0:36:24.520
<v Speaker 1>out to you from jay Z was that he shot

0:36:24.520 --> 0:36:27.840
<v Speaker 1>his brother. That's the That's literally one of the first

0:36:27.880 --> 0:36:30.200
<v Speaker 1>things you said that stuck out to you while he

0:36:30.280 --> 0:36:33.760
<v Speaker 1>shot his brother. That that's I'm telling you. I'm a listener,

0:36:33.800 --> 0:36:36.239
<v Speaker 1>so I'm not someone that is just gonna say these

0:36:36.280 --> 0:36:39.640
<v Speaker 1>things as I got your moment, I'm not into that, right.

0:36:39.680 --> 0:36:42.800
<v Speaker 1>We having conversation. I'm literally listening to what you're saying.

0:36:43.080 --> 0:36:45.560
<v Speaker 1>So you said, hey, Yo, the jay Z thing, right,

0:36:46.080 --> 0:36:48.560
<v Speaker 1>jay Z man, he was such a lyrical guy. But

0:36:48.640 --> 0:36:51.160
<v Speaker 1>what really got me he had to shoot his brother

0:36:51.840 --> 0:36:52.759
<v Speaker 1>and I got to thank you.

0:36:52.880 --> 0:36:55.800
<v Speaker 2>But what I would say is that I am obsessed

0:36:55.800 --> 0:36:57.120
<v Speaker 2>with jay Z. But I was already a fan of

0:36:57.160 --> 0:36:59.120
<v Speaker 2>jay Z for years before I made that video and

0:36:59.360 --> 0:37:02.080
<v Speaker 2>before I you know, covered that story. But like I've

0:37:02.080 --> 0:37:03.400
<v Speaker 2>covered a lot of jay Z stories, you know, I

0:37:03.480 --> 0:37:05.399
<v Speaker 2>bear in mind, I've got a video about how jay

0:37:05.440 --> 0:37:07.640
<v Speaker 2>Z cut his deals in his you know, his alcohol

0:37:07.680 --> 0:37:10.600
<v Speaker 2>businesses to become a billionaire. Like I'm also obsessed with

0:37:10.680 --> 0:37:12.680
<v Speaker 2>jay Z. I'm probably as obsessed with jay Z as

0:37:12.680 --> 0:37:14.759
<v Speaker 2>I am with this. I think jay Z.

0:37:14.800 --> 0:37:19.120
<v Speaker 1>How different rapping wise, it's King Ron from jay Z

0:37:19.320 --> 0:37:22.040
<v Speaker 1>because if you like King, if you like jay Z style,

0:37:22.520 --> 0:37:25.120
<v Speaker 1>him and King Vaughan are day and night. So the

0:37:25.200 --> 0:37:28.520
<v Speaker 1>only thing they have in coming is rapping about the

0:37:28.560 --> 0:37:31.040
<v Speaker 1>criminal elements in a way that's.

0:37:30.880 --> 0:37:34.560
<v Speaker 3>Believable that that's not. I don't know if that's true,

0:37:34.560 --> 0:37:37.520
<v Speaker 3>because I think I'm down.

0:37:37.600 --> 0:37:39.680
<v Speaker 2>Though I'm down, I think because I think as well,

0:37:39.680 --> 0:37:41.440
<v Speaker 2>it's sort of like I think you're picking a specific

0:37:41.440 --> 0:37:43.640
<v Speaker 2>point to focus on, and I understand because that's the

0:37:43.760 --> 0:37:45.800
<v Speaker 2>that's the topic and the theme we're on. But I think,

0:37:46.040 --> 0:37:47.440
<v Speaker 2>you know, I think when you look at if we

0:37:47.440 --> 0:37:49.440
<v Speaker 2>were going to do a comparison of jay Z and

0:37:49.520 --> 0:37:51.680
<v Speaker 2>King Von as artists, I mean, that'd be really bear

0:37:51.680 --> 0:37:53.480
<v Speaker 2>in mind, Like you can tell, I'm obsessed, Like I

0:37:53.480 --> 0:37:55.880
<v Speaker 2>love this ship, Like that's so interesting, like because I

0:37:55.880 --> 0:37:58.960
<v Speaker 2>think when it comes to jay Z, look as far

0:37:59.000 --> 0:38:01.239
<v Speaker 2>as as far as I know, Okay, jay Z has

0:38:01.280 --> 0:38:03.880
<v Speaker 2>never killed anybody, right, The story is he shot his

0:38:03.920 --> 0:38:06.360
<v Speaker 2>brother at age twelve. His brother was apparently, you know,

0:38:06.400 --> 0:38:08.360
<v Speaker 2>on a lot of drugs, causing problems for the family,

0:38:08.440 --> 0:38:11.799
<v Speaker 2>stealing he was the story of jay Z shooting his

0:38:11.880 --> 0:38:14.600
<v Speaker 2>brother when he was twelve was a really interesting story

0:38:14.600 --> 0:38:18.120
<v Speaker 2>of this young dude who essentially had to boss up

0:38:18.200 --> 0:38:21.640
<v Speaker 2>at twelve and become the defender of his family, which

0:38:21.680 --> 0:38:23.399
<v Speaker 2>is a which is a crazy story which I guess

0:38:23.440 --> 0:38:26.080
<v Speaker 2>in a way does bear similarities to King Von because

0:38:26.080 --> 0:38:28.440
<v Speaker 2>I think the situation with King Von is, you know,

0:38:28.520 --> 0:38:31.399
<v Speaker 2>especially at the early stages when we can get into

0:38:31.400 --> 0:38:33.680
<v Speaker 2>this as a separate debate, but like you know, if

0:38:33.719 --> 0:38:35.640
<v Speaker 2>you believe that King Von did kill people, as he

0:38:35.680 --> 0:38:37.520
<v Speaker 2>said in his lyrics and his tweets. You know, I

0:38:37.520 --> 0:38:41.480
<v Speaker 2>think when that begun, that was a kill to survive situation.

0:38:41.640 --> 0:38:44.120
<v Speaker 2>I think Vaughn was defending himself, he was defending his life,

0:38:44.280 --> 0:38:46.640
<v Speaker 2>he was defending his family's life. And I suppose that's

0:38:46.960 --> 0:38:49.600
<v Speaker 2>that's what jay Z was doing in that situation where.

0:38:49.440 --> 0:38:51.960
<v Speaker 1>He's a circumstance. Now, our culture, this is what I'm

0:38:51.960 --> 0:38:54.640
<v Speaker 1>trying to tell you. This ain't music. This is an

0:38:54.680 --> 0:38:58.080
<v Speaker 1>element of our culture that involves at a lot of

0:38:58.120 --> 0:39:02.440
<v Speaker 1>times a criminals, it right, and we just so happened

0:39:02.440 --> 0:39:04.560
<v Speaker 1>to be some of us so happened to be so dope.

0:39:04.600 --> 0:39:07.880
<v Speaker 1>We can rap about it, you know. But that particular

0:39:07.960 --> 0:39:10.280
<v Speaker 1>part of it seems to what draws you in, because

0:39:10.520 --> 0:39:13.480
<v Speaker 1>the way jay Z raps is nothing like the way

0:39:13.560 --> 0:39:16.680
<v Speaker 1>King Vaughn raps. Yet you are obsessed with both of them.

0:39:17.600 --> 0:39:19.120
<v Speaker 1>Go ahead, let me tell you.

0:39:19.200 --> 0:39:20.439
<v Speaker 2>Let me tell you why, because I bear in mind

0:39:20.960 --> 0:39:22.440
<v Speaker 2>this is subject this is really interesting.

0:39:22.440 --> 0:39:23.080
<v Speaker 3>I love I love this.

0:39:23.320 --> 0:39:25.520
<v Speaker 2>So I think what's really interesting, and I kind of

0:39:25.520 --> 0:39:27.319
<v Speaker 2>touched on this in my video, is that you're right,

0:39:27.640 --> 0:39:29.640
<v Speaker 2>you've got these two guys, jay Z and King vonon

0:39:29.680 --> 0:39:32.080
<v Speaker 2>that Essentially, they both grew up in really difficult environments.

0:39:32.080 --> 0:39:34.239
<v Speaker 2>You've got the Massy projects in New York, You've got

0:39:34.239 --> 0:39:37.120
<v Speaker 2>O Block in Chicago, Parkway gardens. Right, they were both

0:39:37.120 --> 0:39:39.440
<v Speaker 2>in these situations where they essentially had to fight for

0:39:39.480 --> 0:39:42.400
<v Speaker 2>their survival, and at some point in both their lives

0:39:42.719 --> 0:39:46.120
<v Speaker 2>they realized and they decided, you know what, instead of

0:39:46.360 --> 0:39:49.120
<v Speaker 2>this life of crime, at least in jay Z's case,

0:39:49.160 --> 0:39:50.720
<v Speaker 2>you know, his thing was he was a drug dealer.

0:39:50.880 --> 0:39:53.400
<v Speaker 2>A lot of his early raps reasonable doubt dead presidents.

0:39:53.560 --> 0:39:56.239
<v Speaker 2>It's kind of drug dealer, mafioso rap. You know, drill

0:39:56.360 --> 0:39:57.879
<v Speaker 2>music hadn't even been invented yet.

0:39:57.960 --> 0:39:58.120
<v Speaker 1>Right.

0:39:58.480 --> 0:40:00.640
<v Speaker 2>But the reason I look at to jay Z so

0:40:00.800 --> 0:40:02.280
<v Speaker 2>much and I would, you know, I'd say I'm obsessed

0:40:02.320 --> 0:40:06.080
<v Speaker 2>with him because he made a change and he said,

0:40:06.080 --> 0:40:08.120
<v Speaker 2>I'm going to get out of the streets. I'm going

0:40:08.160 --> 0:40:10.480
<v Speaker 2>to become a rapper, I'm going to get into the industry,

0:40:10.800 --> 0:40:13.440
<v Speaker 2>and I'm going to kind of become this businessman. And

0:40:13.480 --> 0:40:15.279
<v Speaker 2>he got the hell away from all of that kind

0:40:15.320 --> 0:40:17.800
<v Speaker 2>of the drug dealing in the streets. He made himself

0:40:17.800 --> 0:40:20.759
<v Speaker 2>a success through his music and became a millionaire. And

0:40:20.760 --> 0:40:22.440
<v Speaker 2>I think what's really interesting is like when you can

0:40:22.480 --> 0:40:24.719
<v Speaker 2>trust that with King Von and I think we'll get

0:40:24.760 --> 0:40:26.759
<v Speaker 2>into this, but this is why I find King Von

0:40:27.400 --> 0:40:30.480
<v Speaker 2>as you know it. Just to be completely honest, I

0:40:30.480 --> 0:40:33.120
<v Speaker 2>don't think King Voon is necessarily someone to look up to,

0:40:33.600 --> 0:40:35.640
<v Speaker 2>because I think that you've got someone like jay Z

0:40:35.800 --> 0:40:38.320
<v Speaker 2>where he beat the odds and he broke the cycle

0:40:38.360 --> 0:40:40.960
<v Speaker 2>and he got out of that situation, became a millionaire

0:40:41.200 --> 0:40:44.600
<v Speaker 2>focused on his business, built billion dollar businesses, became very corporate,

0:40:44.680 --> 0:40:46.359
<v Speaker 2>Whereas I think if you can trust that with Vaughn,

0:40:46.800 --> 0:40:49.239
<v Speaker 2>Vaughn got out of the streets, became a millionaire. But

0:40:49.320 --> 0:40:51.520
<v Speaker 2>it would seem based on the research that I did,

0:40:51.880 --> 0:40:55.960
<v Speaker 2>that Vaughn simply was more interested in the beef. He

0:40:56.000 --> 0:40:57.600
<v Speaker 2>wanted to keep funding the street war.

0:40:57.680 --> 0:41:00.319
<v Speaker 3>He wanted to arrange it. That's the way with.

0:41:00.320 --> 0:41:04.160
<v Speaker 1>You, because from outside of our culture, you cannot speak

0:41:04.200 --> 0:41:08.239
<v Speaker 1>to what he was interested in. You see, sometimes I

0:41:08.320 --> 0:41:11.279
<v Speaker 1>want you to know this brother from from from loan right,

0:41:11.320 --> 0:41:13.400
<v Speaker 1>and we're debating, so I want you to say whatever

0:41:13.560 --> 0:41:15.759
<v Speaker 1>you want to say so we can have a conversation

0:41:15.880 --> 0:41:19.839
<v Speaker 1>in an open and an open way. But I'm telling you,

0:41:20.400 --> 0:41:23.279
<v Speaker 1>King Vaughn want't as rich as probably you think he

0:41:23.560 --> 0:41:25.480
<v Speaker 1>was to be able to get out of that situation.

0:41:26.200 --> 0:41:29.600
<v Speaker 1>The rappers. What I don't think you've picked up along

0:41:29.680 --> 0:41:32.400
<v Speaker 1>all your research of hip hop in our culture is

0:41:32.440 --> 0:41:35.759
<v Speaker 1>that most rap shit in the culture they con men.

0:41:36.800 --> 0:41:41.000
<v Speaker 1>They playing con man, they confidence man, right, whatever, they

0:41:41.200 --> 0:41:43.520
<v Speaker 1>they just gotta sell it. They gotta be able to

0:41:43.560 --> 0:41:46.479
<v Speaker 1>sell it to the consumer. I don't I don't think

0:41:46.520 --> 0:41:51.480
<v Speaker 1>that somebody like King Vaughn jay Z, I don't think

0:41:51.520 --> 0:41:55.200
<v Speaker 1>that the same. I believe that, again, the only thing

0:41:55.239 --> 0:41:58.719
<v Speaker 1>that they have in common is the criminal element that

0:41:58.719 --> 0:42:01.080
<v Speaker 1>they both had to face, because our culture provides that

0:42:01.239 --> 0:42:04.200
<v Speaker 1>to us. Even rapping. Just think about the rap style

0:42:04.520 --> 0:42:08.160
<v Speaker 1>totally different. Think about the beat selection totally different. Think

0:42:08.200 --> 0:42:11.880
<v Speaker 1>about where they come totally different, the accent totally different.

0:42:12.120 --> 0:42:14.680
<v Speaker 1>Jay Z, like you said, was it he as soon

0:42:14.719 --> 0:42:17.319
<v Speaker 1>as he had an opportunity because he was old when

0:42:17.320 --> 0:42:19.440
<v Speaker 1>he got his money. He was twenty eight when he

0:42:19.480 --> 0:42:21.960
<v Speaker 1>got his deal or something, so he was already an

0:42:22.080 --> 0:42:26.240
<v Speaker 1>established man. King Vaughan is a young man that's still

0:42:26.360 --> 0:42:28.919
<v Speaker 1>kind of hooked to this shit that they gonna start

0:42:28.960 --> 0:42:32.680
<v Speaker 1>calling shyreck. This shit is a mess up here, homie.

0:42:33.120 --> 0:42:36.880
<v Speaker 1>This shit is something you can't just check out of this.

0:42:36.920 --> 0:42:39.240
<v Speaker 1>This ain't That's what I'm saying. This ain't. You don't

0:42:39.280 --> 0:42:42.200
<v Speaker 1>just turn this game off. This ain't something King Vaughan

0:42:42.360 --> 0:42:45.800
<v Speaker 1>just can walk away from, right. He don't got the money,

0:42:45.840 --> 0:42:48.240
<v Speaker 1>Dirk Hat. In my opinion, he don't have the money,

0:42:48.280 --> 0:42:50.560
<v Speaker 1>Dirk Hat. And I know because I know what he

0:42:50.640 --> 0:42:53.239
<v Speaker 1>takes to get from that. The resources he would have

0:42:53.360 --> 0:42:57.000
<v Speaker 1>needed to get from that place, I don't think he

0:42:57.080 --> 0:43:00.120
<v Speaker 1>had yet. But let's not move too far into that.

0:43:00.200 --> 0:43:06.800
<v Speaker 1>Let's go back to what is the the the parallel

0:43:06.920 --> 0:43:09.880
<v Speaker 1>things between King Vaughan and jay Z that draws trap

0:43:09.960 --> 0:43:14.040
<v Speaker 1>Lord Ross to being somewhat obsessed with both of those guys.

0:43:14.120 --> 0:43:17.600
<v Speaker 1>Outside of if it's the criminal element, I need you

0:43:17.719 --> 0:43:22.359
<v Speaker 1>to acknowledge that and understand that, oh shit, oh shit,

0:43:22.480 --> 0:43:25.680
<v Speaker 1>it ain't the hip hop, it ain't really the music. Shit,

0:43:26.160 --> 0:43:29.319
<v Speaker 1>I'm starting to glorify culture that I don't participate in.

0:43:29.920 --> 0:43:32.360
<v Speaker 1>Because if you are breaking the deals down, if you

0:43:32.400 --> 0:43:36.399
<v Speaker 1>are breaking you know, Joe Budden broke up, you are

0:43:36.600 --> 0:43:40.200
<v Speaker 1>are freak ocean twenty million dollar finago or jay Zon

0:43:40.280 --> 0:43:43.000
<v Speaker 1>even shot his brother like that's even something this But

0:43:43.560 --> 0:43:46.160
<v Speaker 1>when do you get to this place? You see what

0:43:46.200 --> 0:43:49.680
<v Speaker 1>I'm saying but let's focus on Jay Z and King Von.

0:43:49.719 --> 0:43:52.440
<v Speaker 1>I'm so obsessed with that conversation. Let's stay there for

0:43:52.560 --> 0:43:53.120
<v Speaker 1>just a second.

0:43:54.680 --> 0:43:56.160
<v Speaker 2>Look, I'll be honest, I just I do kind of

0:43:56.160 --> 0:43:58.280
<v Speaker 2>disagree with what you just said because I think, firstly,

0:43:58.480 --> 0:44:01.000
<v Speaker 2>King Von, I personally think Kingvon did have the money.

0:44:01.040 --> 0:44:04.240
<v Speaker 3>He bought his mother a house outside of the city.

0:44:04.360 --> 0:44:05.799
<v Speaker 2>And bear in mind, I feel like everything you just

0:44:05.800 --> 0:44:08.920
<v Speaker 2>said that King Von, he couldn't have possibly got away.

0:44:08.960 --> 0:44:10.080
<v Speaker 3>How comes Chief Keith.

0:44:09.920 --> 0:44:13.400
<v Speaker 1>Got real hits man and he was rich a long time.

0:44:14.280 --> 0:44:18.480
<v Speaker 1>You ain't give give him the time. These hits nowadays

0:44:18.520 --> 0:44:22.719
<v Speaker 1>need time to stream wheel. They need time, bro, You

0:44:22.800 --> 0:44:25.400
<v Speaker 1>know they need time. This ship, this ship for it

0:44:25.480 --> 0:44:28.080
<v Speaker 1>to get a lot of streams. It's shit. It needs

0:44:28.160 --> 0:44:30.239
<v Speaker 1>time for these guys to get this money and see

0:44:30.280 --> 0:44:34.480
<v Speaker 1>this money. King Von wasn't in that situation, bro, Chief Keith.

0:44:34.800 --> 0:44:36.719
<v Speaker 1>Even if you look at Chief Keith and King Von,

0:44:36.840 --> 0:44:39.800
<v Speaker 1>financially we're talking. Chief Keith got on when Kanye West

0:44:39.840 --> 0:44:43.879
<v Speaker 1>was rolling through really active in music. That's a long time.

0:44:44.360 --> 0:44:45.680
<v Speaker 3>But naw, that's this.

0:44:45.800 --> 0:44:48.680
<v Speaker 2>And Vaughan stayed independent and he tweeted that he was

0:44:48.719 --> 0:44:52.080
<v Speaker 2>turning down multiple at tweeting he could have taken a

0:44:52.160 --> 0:44:55.279
<v Speaker 2>multi million dollar deals anytime. And Chief Keith signed a

0:44:55.280 --> 0:44:56.000
<v Speaker 2>bad label deal.

0:44:56.080 --> 0:44:57.920
<v Speaker 1>So Chief Keith was kind of down on that. King

0:44:58.000 --> 0:45:01.439
<v Speaker 1>Von was That's not true. Chief Keif had hits. He's

0:45:01.440 --> 0:45:03.799
<v Speaker 1>been a part of producing. He's been a part of

0:45:03.840 --> 0:45:06.520
<v Speaker 1>too much, Bro, He's been a part of too much.

0:45:06.640 --> 0:45:08.440
<v Speaker 1>King Vaughn didn't even get a chance to get all

0:45:08.440 --> 0:45:11.000
<v Speaker 1>his features going. He didn't get a chance to really

0:45:11.000 --> 0:45:13.439
<v Speaker 1>get his feet under him. Bro. I ain't talking about

0:45:13.440 --> 0:45:16.200
<v Speaker 1>the little features like with rapp Niggas I just run

0:45:16.200 --> 0:45:18.920
<v Speaker 1>into on tour. I'm talking about he didn't get a

0:45:18.960 --> 0:45:22.360
<v Speaker 1>chance to really plan, to really really really get a

0:45:22.400 --> 0:45:25.640
<v Speaker 1>good run at the music. Him and Chief Keith financially.

0:45:26.200 --> 0:45:29.640
<v Speaker 1>That's not a good conversation, Dirk and Chief Keith. Dirk

0:45:29.800 --> 0:45:32.720
<v Speaker 1>smothering Keith. But as far as King vaugh he didn't

0:45:32.719 --> 0:45:35.000
<v Speaker 1>have enough money to run away and just check out

0:45:35.000 --> 0:45:37.759
<v Speaker 1>the game. He didn't have that kind of money. And

0:45:37.800 --> 0:45:41.160
<v Speaker 1>you're talking to me about tweets and it's almost disrespectful.

0:45:41.200 --> 0:45:43.680
<v Speaker 1>But I'm a content creator, so I know I gotta

0:45:43.760 --> 0:45:47.040
<v Speaker 1>deal with this, right. It's cool. I accept it, But Bro,

0:45:47.239 --> 0:45:50.200
<v Speaker 1>I'm telling you from experience, I had to come out

0:45:50.239 --> 0:45:53.680
<v Speaker 1>the trenches, my nigga, I come out of this. These

0:45:53.760 --> 0:45:55.840
<v Speaker 1>niggas don't have the money you think they have. And

0:45:55.960 --> 0:45:59.279
<v Speaker 1>I'm the nigga they used to come borrow from. They

0:45:59.280 --> 0:46:03.359
<v Speaker 1>don't have what you think they have. Brother, they con men.

0:46:04.040 --> 0:46:06.080
<v Speaker 1>That's what you ain't for you to have studied. I

0:46:06.200 --> 0:46:09.240
<v Speaker 1>coach all this time and not No rappers are lying

0:46:09.320 --> 0:46:12.839
<v Speaker 1>on the mic or not know that. Rappers are tweeting bullshit.

0:46:14.239 --> 0:46:16.080
<v Speaker 1>A lot of them don't know they business. A lot

0:46:16.120 --> 0:46:18.799
<v Speaker 1>of them in bad deals. These rap dudes are not

0:46:19.080 --> 0:46:21.919
<v Speaker 1>what they portray to be. But I understand it. When

0:46:21.920 --> 0:46:24.160
<v Speaker 1>you that far away, you have no clue.

0:46:24.800 --> 0:46:26.960
<v Speaker 2>See you're saying Vaughn and jay Z, it's a.

0:46:27.040 --> 0:46:29.880
<v Speaker 1>Cap No jay Z, no what you mean. It's not

0:46:30.040 --> 0:46:32.880
<v Speaker 1>all kept. I'm saying the amount of money that Vaughn

0:46:33.040 --> 0:46:36.240
<v Speaker 1>needed to be in a situation to check out the game,

0:46:37.040 --> 0:46:40.120
<v Speaker 1>a game that has been a game that's been developed

0:46:40.120 --> 0:46:42.520
<v Speaker 1>in a city in America, one of the most one

0:46:42.520 --> 0:46:46.160
<v Speaker 1>of the power the powerful country in the world called

0:46:46.239 --> 0:46:50.279
<v Speaker 1>Shyreck because it resembles war, young men being killed. For

0:46:50.360 --> 0:46:52.880
<v Speaker 1>him to check out of that game. For him to

0:46:52.960 --> 0:46:54.840
<v Speaker 1>check out of that game, he need a certain amount

0:46:54.840 --> 0:46:59.040
<v Speaker 1>of money. My brother how much. I don't know. It

0:46:59.040 --> 0:47:01.520
<v Speaker 1>depends on his fan It depends on how many kids

0:47:01.560 --> 0:47:03.600
<v Speaker 1>he got, you know what I'm saying. Then it depends

0:47:03.640 --> 0:47:07.080
<v Speaker 1>on his information, what information he got, because maybe he

0:47:07.160 --> 0:47:10.160
<v Speaker 1>had enough money for a nigga with some information, but

0:47:10.280 --> 0:47:12.840
<v Speaker 1>a young nigga with no information might need a twenty

0:47:12.880 --> 0:47:15.680
<v Speaker 1>million dollar play to feel like I can really leave

0:47:15.760 --> 0:47:18.680
<v Speaker 1>from around here because he don't know no better. And

0:47:18.800 --> 0:47:21.839
<v Speaker 1>dude did. Trust what I'm telling you, Dude didn't get

0:47:22.000 --> 0:47:25.040
<v Speaker 1>enough leg room. Man, he didn't get to live with

0:47:25.160 --> 0:47:28.040
<v Speaker 1>those hits long enough to really get to see the

0:47:28.120 --> 0:47:31.120
<v Speaker 1>money that you probably thinking he had, and turning down

0:47:31.160 --> 0:47:34.239
<v Speaker 1>a multimillion dollar deal says none to loan, because it's

0:47:34.280 --> 0:47:37.640
<v Speaker 1>about the terms, not the money. Any time you get

0:47:37.680 --> 0:47:40.720
<v Speaker 1>into this business, you learned that it's never about the money.

0:47:40.719 --> 0:47:43.600
<v Speaker 1>It's always about the terms. So they may gave him

0:47:43.640 --> 0:47:46.440
<v Speaker 1>a multimillion dollar deal to own all this shit and

0:47:46.480 --> 0:47:49.920
<v Speaker 1>he's like, no, that don't make sense right, So again,

0:47:50.000 --> 0:47:51.160
<v Speaker 1>that's that's my opinion.

0:47:52.000 --> 0:47:54.840
<v Speaker 2>He I mean, listen, he allegedly had a hundred thousand

0:47:54.880 --> 0:47:57.839
<v Speaker 2>dollars to spend on getting his enemies assassinated.

0:47:57.960 --> 0:48:01.120
<v Speaker 1>You think that's the money listen, if he's got.

0:48:00.960 --> 0:48:03.240
<v Speaker 2>The money to arrange hits after he's already a millionaire,

0:48:03.360 --> 0:48:05.040
<v Speaker 2>I feel like he has the money.

0:48:05.160 --> 0:48:06.479
<v Speaker 1>Let me play, Let me play.

0:48:07.000 --> 0:48:09.239
<v Speaker 2>Let me playing talking about We're just talking about Von

0:48:09.280 --> 0:48:11.920
<v Speaker 2>though I'm not trying to make a blanket staate no community.

0:48:12.040 --> 0:48:14.120
<v Speaker 1>Yeah, let me let me, let me play. Let me

0:48:14.160 --> 0:48:16.359
<v Speaker 1>play into what you're saying as if I'm King Von.

0:48:16.920 --> 0:48:18.920
<v Speaker 1>And of course this is alleged. I don't believe this

0:48:18.960 --> 0:48:21.480
<v Speaker 1>stuff to be true. Anytime I'm speaking to a white man.

0:48:22.440 --> 0:48:27.400
<v Speaker 1>Anytime I'm speaking to a white man, ain't nobody killed nobody.

0:48:28.280 --> 0:48:31.719
<v Speaker 1>Nobody ever killed nobody. When I'm speaking to a white man,

0:48:32.320 --> 0:48:34.920
<v Speaker 1>you hit me, so we get answer that. But I

0:48:35.000 --> 0:48:37.719
<v Speaker 1>want you to know about the King Vaughn thing. I'm

0:48:38.000 --> 0:48:40.160
<v Speaker 1>let me play into what you're saying, that he spent

0:48:40.200 --> 0:48:44.239
<v Speaker 1>the honey k. That ain't no money, family, nigga a

0:48:44.320 --> 0:48:47.680
<v Speaker 1>honey k for me if if I got to knock

0:48:47.680 --> 0:48:52.000
<v Speaker 1>a few people off to feel safe around here, because see,

0:48:52.040 --> 0:48:54.520
<v Speaker 1>that's that's the thing that I think, again, you're not

0:48:54.600 --> 0:48:57.800
<v Speaker 1>paying attention to right once they mark me. It's almost

0:48:57.840 --> 0:49:00.360
<v Speaker 1>like in one of these video games, they got a

0:49:00.360 --> 0:49:02.840
<v Speaker 1>boundary on me. If I could take care of somebody

0:49:02.840 --> 0:49:04.640
<v Speaker 1>that got the boundary on me. They might send a

0:49:04.680 --> 0:49:07.560
<v Speaker 1>message to calm everything down. So some of what I

0:49:07.640 --> 0:49:10.120
<v Speaker 1>do may be out of safety. But I don't even

0:49:10.160 --> 0:49:13.360
<v Speaker 1>believe half of the shit that's been reported to the internet.

0:49:13.760 --> 0:49:17.280
<v Speaker 1>I don't believe that. I don't believe. So you can't

0:49:17.280 --> 0:49:20.080
<v Speaker 1>we can move on because you can't answer that. I can,

0:49:21.120 --> 0:49:25.040
<v Speaker 1>But you can't answer to what what similarities to Jay

0:49:25.120 --> 0:49:26.360
<v Speaker 1>Z and King Vaughan Ham.

0:49:27.000 --> 0:49:29.360
<v Speaker 2>I answered that already they both came out of difficult environments.

0:49:29.760 --> 0:49:32.080
<v Speaker 1>So it is the criminal it ain't the rapid No, no, no.

0:49:32.280 --> 0:49:34.000
<v Speaker 2>I didn't say anything about criminality here. I said they

0:49:34.040 --> 0:49:35.280
<v Speaker 2>came out difficult environments.

0:49:35.920 --> 0:49:39.480
<v Speaker 1>Difficulty causes you to be in criminal activity.

0:49:39.920 --> 0:49:40.560
<v Speaker 3>I didn't say that.

0:49:40.600 --> 0:49:43.040
<v Speaker 1>I'm saying that because I grew up in difficulty. That's

0:49:43.040 --> 0:49:45.160
<v Speaker 1>why I want you to you're talking to a member.

0:49:45.320 --> 0:49:47.600
<v Speaker 1>You're not talking to a content guy. You talk I'm

0:49:47.600 --> 0:49:50.480
<v Speaker 1>a member. So I'm telling you if I grew up

0:49:50.520 --> 0:49:54.520
<v Speaker 1>in difficulty, I got to deal with criminal activity to

0:49:54.560 --> 0:49:58.200
<v Speaker 1>get out of difficulty. That's part of what I have

0:49:58.320 --> 0:50:01.880
<v Speaker 1>to do. So those two and did that. What about

0:50:01.920 --> 0:50:05.360
<v Speaker 1>the music do they have in common that draws you

0:50:05.440 --> 0:50:09.319
<v Speaker 1>to like those two individuals, seeing that you cited jay

0:50:09.440 --> 0:50:11.640
<v Speaker 1>Z shot his brother at twelve, that was one of

0:50:11.680 --> 0:50:15.919
<v Speaker 1>your first stories. And King Vaughan Beef and his shit

0:50:16.160 --> 0:50:19.160
<v Speaker 1>is you've been attached to that for a while. Help

0:50:19.239 --> 0:50:20.800
<v Speaker 1>me understand the similarities.

0:50:21.480 --> 0:50:23.160
<v Speaker 2>Well, that's the thing I think I did kind of

0:50:23.160 --> 0:50:24.799
<v Speaker 2>touch on this, but I'll kind of go go out

0:50:24.840 --> 0:50:27.080
<v Speaker 2>of again from another angle, which is, you know, the

0:50:27.120 --> 0:50:29.160
<v Speaker 2>thing that really attracted me to to I guess to

0:50:29.280 --> 0:50:32.080
<v Speaker 2>jay Z and a lot of other artists is that we.

0:50:32.600 --> 0:50:35.160
<v Speaker 1>Can we do them together? Say the can? We can we?

0:50:35.200 --> 0:50:37.880
<v Speaker 1>Because you'll you'll get me over there on this jay Zing.

0:50:38.040 --> 0:50:40.600
<v Speaker 3>They are different, it's different and from a different.

0:50:40.360 --> 0:50:43.640
<v Speaker 1>Era, right, but similarities what draws you to? Right, If

0:50:43.680 --> 0:50:45.840
<v Speaker 1>you like jay Z, see, the more you like it

0:50:45.920 --> 0:50:47.799
<v Speaker 1>is the less you like it. That right, If I'm

0:50:47.840 --> 0:50:50.719
<v Speaker 1>in love with jay Z music, oh my god, I

0:50:50.800 --> 0:50:53.960
<v Speaker 1>love how jay Z just his style, his flow, his

0:50:54.560 --> 0:50:56.920
<v Speaker 1>like And then the next person that I love is

0:50:57.000 --> 0:51:02.040
<v Speaker 1>King Vaughn is like, all right, what's the similarities there? Music?

0:51:02.120 --> 0:51:04.160
<v Speaker 2>I think I think that's kind of like a foot

0:51:04.200 --> 0:51:05.920
<v Speaker 2>of a sort of you're creating like a sort of

0:51:05.920 --> 0:51:08.680
<v Speaker 2>false fallacy because I love King Von and his mu Well.

0:51:08.719 --> 0:51:10.879
<v Speaker 2>I love King Von's music, I love jay Z's music.

0:51:10.920 --> 0:51:13.399
<v Speaker 2>I love Little Yochty, I love Yeat. You know there's

0:51:13.440 --> 0:51:14.960
<v Speaker 2>there's there's future son.

0:51:15.160 --> 0:51:19.360
<v Speaker 1>I like story of Yachty, story, I see stories.

0:51:19.480 --> 0:51:20.040
<v Speaker 3>I got yo Ey.

0:51:20.160 --> 0:51:22.040
<v Speaker 1>Okay, Okay, I haven't done Yeat.

0:51:22.080 --> 0:51:23.839
<v Speaker 3>I might do Yeat soon. I might eat soon.

0:51:23.920 --> 0:51:26.799
<v Speaker 1>So but but I'm saying, music wise, can we get

0:51:26.840 --> 0:51:30.719
<v Speaker 1>any clear distinguishable what artist?

0:51:31.120 --> 0:51:32.600
<v Speaker 3>I've given my answer, but you're not accepting.

0:51:32.640 --> 0:51:34.719
<v Speaker 1>Okay, Let's move on. Like I said, maybe maybe maybe

0:51:34.719 --> 0:51:36.640
<v Speaker 1>the people say, hey, I got the answer, because I

0:51:37.239 --> 0:51:39.520
<v Speaker 1>don't hear it. I'm not hearing hip hop when you

0:51:39.560 --> 0:51:41.239
<v Speaker 1>say when it comes from a difficult and you know

0:51:41.320 --> 0:51:42.000
<v Speaker 1>to do it adverse.

0:51:42.160 --> 0:51:43.960
<v Speaker 2>Okay, let me let me let me just try to

0:51:43.960 --> 0:51:45.319
<v Speaker 2>add a little bit more to that, because I think

0:51:45.400 --> 0:51:47.279
<v Speaker 2>I think maybe I need to just communicate a little

0:51:47.320 --> 0:51:50.120
<v Speaker 2>bit more context, because I think they both come from

0:51:50.120 --> 0:51:51.799
<v Speaker 2>these difficult environments. And if you let me just get

0:51:51.800 --> 0:51:54.480
<v Speaker 2>if I get to the next stage their music Vonn's

0:51:54.560 --> 0:51:57.719
<v Speaker 2>music and jay Z's music and hell Little Duck's music,

0:51:57.719 --> 0:52:01.080
<v Speaker 2>to these artists that I'm really into. The music gives

0:52:01.080 --> 0:52:03.120
<v Speaker 2>you a window into that environment. I didn't grow up

0:52:03.120 --> 0:52:06.120
<v Speaker 2>in Oblock. I've never been to the Marsi projects. You know,

0:52:06.200 --> 0:52:09.200
<v Speaker 2>maybe one day, who knows. But listening to this music,

0:52:09.280 --> 0:52:11.399
<v Speaker 2>like listening to King Von's music and jay Z's music,

0:52:11.400 --> 0:52:14.040
<v Speaker 2>they're both amazing rappers. Like say what you want about

0:52:14.040 --> 0:52:15.759
<v Speaker 2>what Von did in the streets, but when he got

0:52:15.800 --> 0:52:18.000
<v Speaker 2>on the mic and he started rapping, he was amazing.

0:52:18.080 --> 0:52:22.480
<v Speaker 2>He told amazing stories, vivid, deep storytelling, which you could

0:52:22.480 --> 0:52:24.440
<v Speaker 2>definitely say the same thing about jay Z. And they

0:52:24.440 --> 0:52:26.759
<v Speaker 2>would build a picture. There's old jay Z songs and

0:52:26.800 --> 0:52:29.080
<v Speaker 2>there's King Von songs. You put on the headphones, you

0:52:29.120 --> 0:52:32.200
<v Speaker 2>shut your eyes, and you listen to that description of

0:52:32.680 --> 0:52:33.880
<v Speaker 2>roaches on the walls.

0:52:34.080 --> 0:52:34.719
<v Speaker 3>You know what I'm saying.

0:52:34.760 --> 0:52:38.640
<v Speaker 2>People I don't know, people fighting outside outside the front

0:52:38.680 --> 0:52:40.840
<v Speaker 2>door in Marci or whatever. And he paints a picture

0:52:40.840 --> 0:52:43.239
<v Speaker 2>and you look, I haven't been there. I can't say

0:52:43.280 --> 0:52:44.520
<v Speaker 2>I know what it's like. But I would listen to

0:52:44.600 --> 0:52:46.560
<v Speaker 2>jay Z's songs and King Von songs and it gives

0:52:46.560 --> 0:52:48.960
<v Speaker 2>me a window, like an insight into this lifestyle that

0:52:48.960 --> 0:52:52.080
<v Speaker 2>these guys are living. And it's those stories, those pieces

0:52:52.120 --> 0:52:54.239
<v Speaker 2>of art that they've made, which is a talent, a

0:52:54.280 --> 0:52:57.200
<v Speaker 2>skill like Von was a talented artist. He was able

0:52:57.200 --> 0:52:59.200
<v Speaker 2>to paint a picture of O Block so that someone

0:52:59.320 --> 0:53:01.919
<v Speaker 2>like me that never have been there would maybe get,

0:53:01.960 --> 0:53:05.480
<v Speaker 2>you know, a small percentage of understanding of what it's like,

0:53:05.480 --> 0:53:08.319
<v Speaker 2>like what he went through and his story, and both

0:53:08.400 --> 0:53:10.640
<v Speaker 2>jay Z and King Von through I think painting these

0:53:10.680 --> 0:53:14.000
<v Speaker 2>pictures of the experiences that they had been through. That

0:53:14.160 --> 0:53:17.160
<v Speaker 2>talent was rewarded by the music industry and they both

0:53:17.160 --> 0:53:20.520
<v Speaker 2>became very successful. Now we disagree on how successful Von became,

0:53:20.680 --> 0:53:22.719
<v Speaker 2>and you know that's that's fine, But I think that's

0:53:22.719 --> 0:53:24.640
<v Speaker 2>the thing I just want to communicate is it's the

0:53:24.719 --> 0:53:27.919
<v Speaker 2>storytelling and the artistry that I think puts them together.

0:53:27.920 --> 0:53:30.840
<v Speaker 2>Because let's be real, like, no disrespect to anybody, but

0:53:31.120 --> 0:53:33.880
<v Speaker 2>the artistry of say a King Von and a Rondo

0:53:34.000 --> 0:53:36.400
<v Speaker 2>number nine, it's on a different level. The way King

0:53:36.480 --> 0:53:40.160
<v Speaker 2>Von told the story and painted a picture is above damn,

0:53:40.160 --> 0:53:43.960
<v Speaker 2>near ninety five percent of Chicago rappers. Full sty was

0:53:44.120 --> 0:53:45.400
<v Speaker 2>a legend because of how good it are.

0:53:45.719 --> 0:53:47.799
<v Speaker 1>So I know, I know some people are gonna say, Lord,

0:53:47.880 --> 0:53:50.439
<v Speaker 1>his hip hop card has to be revoked. At this point,

0:53:50.480 --> 0:53:54.400
<v Speaker 1>he's comparing jay Z music to King Vaughn's music. This

0:53:54.600 --> 0:53:56.879
<v Speaker 1>is what I mean can you tell me any similarities

0:53:56.920 --> 0:54:00.440
<v Speaker 1>between drill music and drug dealer music? Like the this

0:54:00.480 --> 0:54:03.200
<v Speaker 1>is not a comparison, bro in my opinion, And I'm

0:54:03.200 --> 0:54:05.600
<v Speaker 1>saying from I'm a hip hop baby, so I gotta

0:54:05.680 --> 0:54:08.080
<v Speaker 1>I gotta put my side out, like that's your side.

0:54:08.120 --> 0:54:12.239
<v Speaker 1>You feel as though some some some storytelling that King

0:54:12.320 --> 0:54:16.439
<v Speaker 1>Vaughan is doing, you know, aligns with what jay Z did.

0:54:16.480 --> 0:54:19.160
<v Speaker 1>When I say jay Z did drug dealer rap, he

0:54:19.280 --> 0:54:21.960
<v Speaker 1>did struggle drug dealer rap, and King Vaughn is doing

0:54:22.040 --> 0:54:23.719
<v Speaker 1>drill music, I don't see anything.

0:54:23.719 --> 0:54:26.600
<v Speaker 2>But that's a struggle drills. You know, the drill music

0:54:26.640 --> 0:54:29.600
<v Speaker 2>is about struggle in my drill music. Drill music developed

0:54:29.640 --> 0:54:32.400
<v Speaker 2>over like you know, ten fifteen years after the kind

0:54:32.440 --> 0:54:34.640
<v Speaker 2>of mafiosa rap because you've got someone like jay Z, right,

0:54:35.000 --> 0:54:37.960
<v Speaker 2>jay Z's music influenced a new generation of people. Like

0:54:38.040 --> 0:54:40.200
<v Speaker 2>let's say, I don't know Rick Ross, who you know.

0:54:40.239 --> 0:54:43.280
<v Speaker 2>I know you're saying a lot of rappers a phony, gonna.

0:54:43.040 --> 0:54:45.879
<v Speaker 1>Say their phony. I say they exaggerate their con men,

0:54:46.400 --> 0:54:48.239
<v Speaker 1>not phony. They just exaggerate.

0:54:49.000 --> 0:54:51.080
<v Speaker 2>But Rick Ross is probably a perfect example of that.

0:54:51.160 --> 0:54:52.960
<v Speaker 2>As they say he was a corrections officer, but then

0:54:53.000 --> 0:54:55.520
<v Speaker 2>he's on the Mic talking about he's selling hundred kilos

0:54:55.520 --> 0:54:57.359
<v Speaker 2>of coke. Right, so he's a good example of that,

0:54:57.600 --> 0:55:00.920
<v Speaker 2>whereas I think jay Z's more authentic. But regardless, you

0:55:01.000 --> 0:55:03.120
<v Speaker 2>got someone like jay Z and that that form of

0:55:03.239 --> 0:55:06.319
<v Speaker 2>like mafiosa gangster rap is sort of evolving. And then

0:55:06.320 --> 0:55:07.920
<v Speaker 2>you have people like Rick Ross emerging.

0:55:08.000 --> 0:55:11.319
<v Speaker 1>But that involved to Rick Ross. That didn't involve in

0:55:11.320 --> 0:55:15.200
<v Speaker 1>the King Vaughn. What King Vaughn was the evolvement of

0:55:15.239 --> 0:55:19.239
<v Speaker 1>a Chief Keef. Yeah, right, So this is what I'm

0:55:19.239 --> 0:55:21.560
<v Speaker 1>bear in mind. These are not King Keith. Hip Hop

0:55:21.640 --> 0:55:25.080
<v Speaker 1>has it fruit off trees. Right, there's fruit off and

0:55:25.160 --> 0:55:27.600
<v Speaker 1>you say, you study hip hop, so you should know that.

0:55:28.040 --> 0:55:29.640
<v Speaker 1>Like when you look at the jay Z thing, you

0:55:29.680 --> 0:55:32.279
<v Speaker 1>see a Ross, you see a Meek, you see this

0:55:32.360 --> 0:55:35.279
<v Speaker 1>is the fruit off of that j tree. What King

0:55:35.400 --> 0:55:39.160
<v Speaker 1>Vaughn landed had nothing to do with that with the

0:55:39.239 --> 0:55:43.120
<v Speaker 1>drug dealer mafioso style rapping shit, right, you know.

0:55:43.360 --> 0:55:45.239
<v Speaker 2>The thing that bridges them together. I would say the

0:55:45.239 --> 0:55:47.360
<v Speaker 2>thing that bridges those two genres of music together is

0:55:47.400 --> 0:55:50.160
<v Speaker 2>trap music. I'm talking like two thousand and six at Lansa,

0:55:50.280 --> 0:55:53.120
<v Speaker 2>like Gucci Mayne, because the whole trap music here of

0:55:53.160 --> 0:55:56.080
<v Speaker 2>like Gucci Mane, you know what I'm saying, all of

0:55:56.120 --> 0:55:58.759
<v Speaker 2>his different trap music type things, even like Ti the

0:55:58.840 --> 0:56:01.400
<v Speaker 2>sort of like trunk like rubber band Man, that was

0:56:01.400 --> 0:56:03.560
<v Speaker 2>all about drug dealing. But I think over time, this

0:56:03.560 --> 0:56:06.080
<v Speaker 2>this Atlanta wave of trap where you had like Gucci

0:56:06.120 --> 0:56:08.400
<v Speaker 2>Mane catching a murder case and then he's jumping on

0:56:08.480 --> 0:56:10.839
<v Speaker 2>songs talking about go dig your partner up. I think

0:56:10.920 --> 0:56:13.640
<v Speaker 2>trap music over time became quite violent, but that was

0:56:13.680 --> 0:56:16.040
<v Speaker 2>born out of sort of drug dealer rap. Then it

0:56:16.080 --> 0:56:18.279
<v Speaker 2>was you had people like t I, Gucci Mane talking

0:56:18.320 --> 0:56:21.200
<v Speaker 2>about we're trapping in Atlanta at the text, and then that.

0:56:22.040 --> 0:56:25.680
<v Speaker 1>Was a right Gucci man was alone in that trap music.

0:56:25.440 --> 0:56:26.319
<v Speaker 3>Was wrong man?

0:56:26.560 --> 0:56:29.520
<v Speaker 1>Who else was he? Who else was like really disendoran

0:56:29.600 --> 0:56:31.960
<v Speaker 1>and he kind of started the wave. He really didn't

0:56:32.200 --> 0:56:34.440
<v Speaker 1>nobody else was really doing that. In the South, you

0:56:34.520 --> 0:56:36.959
<v Speaker 1>had Tip doing drug Dealer Rep. You had Jeezy drug

0:56:37.040 --> 0:56:41.360
<v Speaker 1>Dealer Rep. Ross, drug Dealer Rep. Everybody just was was

0:56:41.440 --> 0:56:44.080
<v Speaker 1>kind of rap or they were dancing. Nobody else was

0:56:44.120 --> 0:56:47.280
<v Speaker 1>doing the this ship did this ship go ahead?

0:56:47.640 --> 0:56:49.160
<v Speaker 2>But well, that's what I'm trying to say is that

0:56:49.239 --> 0:56:51.640
<v Speaker 2>like in my opinion, this is just me, This is

0:56:51.640 --> 0:56:53.440
<v Speaker 2>just I'm just cooking off the top of my head, right,

0:56:54.840 --> 0:56:57.040
<v Speaker 2>fair enough, But it's a good conversation. But I think

0:56:57.280 --> 0:56:58.920
<v Speaker 2>I personally think if I was just gonna give my

0:56:59.000 --> 0:57:01.719
<v Speaker 2>honest opinion, I think was it was trap music that

0:57:01.760 --> 0:57:03.960
<v Speaker 2>came from the kind of gangster rap, mafiosa rap where

0:57:04.000 --> 0:57:05.880
<v Speaker 2>you had people like Ti g Z. Then the g

0:57:06.040 --> 0:57:09.160
<v Speaker 2>Z Gucci beef escalated into violence, and then I think

0:57:09.200 --> 0:57:12.440
<v Speaker 2>trap music became slightly more violent. But then it was

0:57:12.520 --> 0:57:15.200
<v Speaker 2>like Chief Keif came out, you're talking like twenty ten

0:57:15.239 --> 0:57:18.400
<v Speaker 2>in Chicago, but he was already he was not the

0:57:18.440 --> 0:57:20.320
<v Speaker 2>original first person to do drill. Like you had a

0:57:20.320 --> 0:57:22.280
<v Speaker 2>guy in pac Man. Sorry, you had a guy in

0:57:22.600 --> 0:57:25.640
<v Speaker 2>Chicago called pac Man that was creating what was called

0:57:25.680 --> 0:57:28.800
<v Speaker 2>drill music, and that was like heavily Atlanta inspired to

0:57:28.840 --> 0:57:30.680
<v Speaker 2>begin with. Because a lot of these early Chief Keith

0:57:30.680 --> 0:57:33.960
<v Speaker 2>beats they're kind of like they're kind of like really

0:57:34.240 --> 0:57:38.840
<v Speaker 2>sort of hard, sort of like reformulated versions of trap.

0:57:38.960 --> 0:57:42.200
<v Speaker 1>Yeah, because like you gotta tap into the South to

0:57:42.240 --> 0:57:44.120
<v Speaker 1>be effective, right, we got out.

0:57:43.920 --> 0:57:45.920
<v Speaker 3>Of each That's what I mean. That's what I mean.

0:57:46.480 --> 0:57:50.440
<v Speaker 1>You're talking beats, I'm talking about the content. So the content, Yeah,

0:57:50.480 --> 0:57:53.120
<v Speaker 1>when you dealt with the Gucci Man. He stood on

0:57:53.160 --> 0:57:56.800
<v Speaker 1>a mountain along dissing. He was dising because that beef

0:57:56.840 --> 0:58:01.560
<v Speaker 1>didn't allegedly turn into something. So he was dissing. Nobody

0:58:01.600 --> 0:58:03.440
<v Speaker 1>else was dissing right now.

0:58:03.720 --> 0:58:06.520
<v Speaker 2>But but when this is the thing though, It's like

0:58:06.560 --> 0:58:09.920
<v Speaker 2>when Chief Keith first came out, the music wasn't necessarily

0:58:09.960 --> 0:58:11.800
<v Speaker 2>all about dissing. And this, I think this goes back

0:58:11.800 --> 0:58:13.400
<v Speaker 2>to what I was saying about why Vaughn I think

0:58:13.480 --> 0:58:15.400
<v Speaker 2>is a good artist, because I think the same reason

0:58:15.400 --> 0:58:17.560
<v Speaker 2>why Chief Keith was such a good artist when he

0:58:17.600 --> 0:58:19.400
<v Speaker 2>came out in like twenty ten, and he's dropping songs

0:58:19.400 --> 0:58:22.320
<v Speaker 2>like three hun A or like I don't like those

0:58:22.440 --> 0:58:24.680
<v Speaker 2>those beats, you know, we're talking like young chop beats

0:58:24.760 --> 0:58:26.920
<v Speaker 2>that are kind of they're quite Atlanta focused, but then

0:58:26.960 --> 0:58:29.640
<v Speaker 2>they're sort of like they've got their own completely unique,

0:58:29.640 --> 0:58:32.840
<v Speaker 2>original flavor and those songs. Originally, like Chief Keith at

0:58:32.880 --> 0:58:35.640
<v Speaker 2>the start, he was repping his crew, but he was

0:58:35.720 --> 0:58:38.760
<v Speaker 2>never dissing. The whole smoking Tuca thing. That didn't come

0:58:38.840 --> 0:58:39.760
<v Speaker 2>until a couple of years later.

0:58:39.840 --> 0:58:43.320
<v Speaker 1>Yeah, But so they were what they were talking about drilling,

0:58:43.480 --> 0:58:46.439
<v Speaker 1>like seeing the South again. It was drug dilla raut.

0:58:46.640 --> 0:58:50.080
<v Speaker 1>It was you know, gotta bi Leon twenty folds. Yeah,

0:58:50.360 --> 0:58:53.280
<v Speaker 1>you know, it was dead up there. It was looking

0:58:53.320 --> 0:58:56.800
<v Speaker 1>for them niggas with the heater, with the niggers. It

0:58:56.880 --> 0:58:58.880
<v Speaker 1>was it was like, I'm hunting. I'm not sad, I'm

0:58:58.920 --> 0:59:01.959
<v Speaker 1>with the shit. That's that's you. You talking about beasts.

0:59:02.000 --> 0:59:04.480
<v Speaker 1>I'm talking about content content.

0:59:04.160 --> 0:59:06.720
<v Speaker 2>Right, But but that But that's the thing.

0:59:06.760 --> 0:59:06.960
<v Speaker 3>I think.

0:59:07.040 --> 0:59:08.960
<v Speaker 2>I'm trying to talk about it holistically, but I think

0:59:09.000 --> 0:59:10.240
<v Speaker 2>both things influence each other.

0:59:10.280 --> 0:59:11.280
<v Speaker 3>But I think you're right.

0:59:11.360 --> 0:59:13.520
<v Speaker 2>You know, when Chief Keith was first picking up steam,

0:59:14.120 --> 0:59:17.360
<v Speaker 2>he wasn't drug dealing, he wasn't making money, he wasn't

0:59:17.640 --> 0:59:20.280
<v Speaker 2>they were just they were just sitting around saying that

0:59:20.360 --> 0:59:23.840
<v Speaker 2>they don't like not basically, that's the thing. But he

0:59:23.960 --> 0:59:26.200
<v Speaker 2>was the originator. That's the thing I think it's important

0:59:26.240 --> 0:59:28.440
<v Speaker 2>to remember. I think the Beats were influenced by Atlanta

0:59:28.520 --> 0:59:31.320
<v Speaker 2>and it's sort of like two thousand and six Atlanta era,

0:59:31.440 --> 0:59:34.280
<v Speaker 2>Trap era, that was the biggest thing. Chief Keith kind

0:59:34.280 --> 0:59:36.720
<v Speaker 2>of came along. He took elements of that. He put

0:59:36.720 --> 0:59:39.120
<v Speaker 2>his nose spin on it. It's all Chicago, it's all

0:59:39.120 --> 0:59:41.720
<v Speaker 2>about violence because he's growing up in that environment. And

0:59:41.760 --> 0:59:45.320
<v Speaker 2>then over time Chicago. Drill became the biggest thing going,

0:59:45.520 --> 0:59:47.959
<v Speaker 2>and it got more and more violent. But Chief Key's

0:59:48.040 --> 0:59:50.760
<v Speaker 2>earliest songs they're not all about dissing and drilling. A

0:59:50.760 --> 0:59:53.160
<v Speaker 2>lot of it's just sort of about, you know, we're

0:59:53.200 --> 0:59:56.720
<v Speaker 2>on the block, we're smoking, like giving people a what's

0:59:56.760 --> 0:59:57.560
<v Speaker 2>the word like a window?

0:59:58.720 --> 1:00:01.920
<v Speaker 1>Growing up, I was hearing like I don't like and

1:00:02.000 --> 1:00:05.000
<v Speaker 1>all of that shit was a bunch of young niggas

1:00:05.040 --> 1:00:07.919
<v Speaker 1>with gods. They had never seen no shit like this.

1:00:07.920 --> 1:00:10.920
<v Speaker 1>This had never nigga. We what a bunch of niggas

1:00:10.920 --> 1:00:13.680
<v Speaker 1>with a k's and it's k's and video talking about

1:00:13.720 --> 1:00:16.120
<v Speaker 1>David were looking for them. Niggas bet not come over

1:00:16.160 --> 1:00:19.320
<v Speaker 1>here with that bullshit. That's what that's that's the fruit

1:00:19.360 --> 1:00:22.640
<v Speaker 1>that King Vaughan came up under right, I'm telling you

1:00:22.720 --> 1:00:25.640
<v Speaker 1>that that's something totally different than what was happening in

1:00:25.680 --> 1:00:28.200
<v Speaker 1>the South. We will show you the big cause, we'll

1:00:28.240 --> 1:00:30.360
<v Speaker 1>try to show you the house that ain't ours. The

1:00:30.440 --> 1:00:32.920
<v Speaker 1>boot gott it, it ain't ours, the bit lit, it

1:00:33.000 --> 1:00:36.360
<v Speaker 1>ain't ours. Somebody nicklaces, that ain't our. We we the

1:00:36.800 --> 1:00:39.400
<v Speaker 1>you know, we're trying to make you bite into it.

1:00:39.720 --> 1:00:43.760
<v Speaker 1>Up there, them young niggas look dirty with them choppers.

1:00:45.160 --> 1:00:46.680
<v Speaker 2>But the thing is, you know, I think all of

1:00:46.720 --> 1:00:49.480
<v Speaker 2>these different eras of hip hop over the years have

1:00:49.560 --> 1:00:52.120
<v Speaker 2>influenced the next. And then even between that, you know,

1:00:52.200 --> 1:00:55.000
<v Speaker 2>between the sort of like trap Atlanta wave and the

1:00:55.080 --> 1:00:57.400
<v Speaker 2>Chicago drill waves. Then you've got people like you know,

1:00:57.680 --> 1:00:59.480
<v Speaker 2>there's been a whole long history of a lot of

1:00:59.560 --> 1:01:02.320
<v Speaker 2>music coming out of like Louisiana, New Orleans. You know,

1:01:02.520 --> 1:01:05.120
<v Speaker 2>the cash Money, Lil Wayne stuff, which that was a

1:01:05.120 --> 1:01:07.080
<v Speaker 2>really interesting era because that was more like the Bling

1:01:07.120 --> 1:01:10.160
<v Speaker 2>era cash money. It was all about showing off diamonds, cars,

1:01:10.200 --> 1:01:12.280
<v Speaker 2>the Bentley's. But then there was also a little bit

1:01:12.280 --> 1:01:16.120
<v Speaker 2>of an undertone of violence of you know, this creating

1:01:16.760 --> 1:01:19.840
<v Speaker 2>painting a picture of this environment, the Magnolia projects.

1:01:19.880 --> 1:01:23.280
<v Speaker 1>You know, you all view it as violence from now

1:01:23.760 --> 1:01:26.120
<v Speaker 1>it's culture from the right.

1:01:26.200 --> 1:01:28.640
<v Speaker 2>Sure, no, I agree, but that that's the content of

1:01:28.640 --> 1:01:31.160
<v Speaker 2>the music. And I'm only saying that. I'm only pinpointing

1:01:31.200 --> 1:01:35.120
<v Speaker 2>that violence as to say that came before we had

1:01:35.160 --> 1:01:36.960
<v Speaker 2>someone like Chief Keith. I don't think Chief Keith was

1:01:37.000 --> 1:01:39.520
<v Speaker 2>the first person to ever think I'm gonna hop on

1:01:39.560 --> 1:01:39.800
<v Speaker 2>a song.

1:01:39.840 --> 1:01:40.400
<v Speaker 3>And Sam.

1:01:42.400 --> 1:01:45.880
<v Speaker 1>As in the video, that was the first time this

1:01:46.000 --> 1:01:49.760
<v Speaker 1>was ever seen that. Yeah, that changed Chicago. That whole

1:01:49.800 --> 1:01:52.840
<v Speaker 1>wave right there changed Chicago. And Vann was under there.

1:01:53.160 --> 1:01:55.720
<v Speaker 1>They come up under the world that that ship was

1:01:55.720 --> 1:01:59.520
<v Speaker 1>creating in down South, there wasn't happening yet. Now it's happening.

1:01:59.800 --> 1:02:01.880
<v Speaker 1>Now our young niggas got there. I'm telling you what

1:02:02.000 --> 1:02:04.960
<v Speaker 1>I know. See you all and that's what I'm saying, bro,

1:02:05.040 --> 1:02:07.040
<v Speaker 1>you and the I'm telling you, I'm a member of this.

1:02:07.200 --> 1:02:09.280
<v Speaker 1>I'm telling you what one hundred percent I know. In

1:02:09.320 --> 1:02:12.960
<v Speaker 1>the South, we was not rocking like that. When nim

1:02:13.000 --> 1:02:15.560
<v Speaker 1>young niggas done that, it turned that young niggas up.

1:02:16.400 --> 1:02:17.080
<v Speaker 1>You know what I'm saying.

1:02:17.320 --> 1:02:19.560
<v Speaker 2>I agree, I agree, and I think something that I

1:02:19.560 --> 1:02:22.760
<v Speaker 2>want to say that's really interesting that maybe people mess Look,

1:02:23.080 --> 1:02:25.920
<v Speaker 2>you can tell I'm no gang banging dude, But at

1:02:25.920 --> 1:02:28.000
<v Speaker 2>the same time, when I moved back to London, I

1:02:28.000 --> 1:02:29.640
<v Speaker 2>didn't have a lot of money. I lived in an

1:02:29.640 --> 1:02:32.520
<v Speaker 2>area that was kind of rough, and essentially before my

1:02:32.640 --> 1:02:35.720
<v Speaker 2>YouTube channel really took off and went anywhere, I actually

1:02:35.800 --> 1:02:38.360
<v Speaker 2>became you know, you used the word earlier obsessed. Maybe

1:02:38.400 --> 1:02:40.320
<v Speaker 2>that's the right word, Maybe that's the wrong word. But

1:02:41.080 --> 1:02:43.000
<v Speaker 2>I was living in a in a in a hood.

1:02:43.120 --> 1:02:44.840
<v Speaker 2>Let's say, right, I was living in a in a

1:02:44.880 --> 1:02:47.479
<v Speaker 2>block that was affiliated with a very well known group

1:02:47.480 --> 1:02:51.000
<v Speaker 2>of drill rappers in London called four ten. Right, I

1:02:51.080 --> 1:02:53.720
<v Speaker 2>was living in their area and beginning to learn about

1:02:53.720 --> 1:02:55.200
<v Speaker 2>all the music and the stuff that was going on

1:02:55.240 --> 1:02:56.959
<v Speaker 2>in the area, Like these guys have a music video

1:02:57.200 --> 1:02:59.560
<v Speaker 2>that they filmed like in front of my in the

1:02:59.600 --> 1:03:01.959
<v Speaker 2>building that I lived in. Right, So I was sort

1:03:01.960 --> 1:03:05.680
<v Speaker 2>of living in London and experiencing and bear in mind

1:03:05.720 --> 1:03:08.560
<v Speaker 2>all of the London UK drill originally it was heavily

1:03:08.560 --> 1:03:11.439
<v Speaker 2>influenced by Chicago drill. So bear in mind we don't

1:03:11.440 --> 1:03:13.760
<v Speaker 2>have guns as much in the UK, but we've got

1:03:13.800 --> 1:03:16.800
<v Speaker 2>guys with music videos where they're holding knives and machetes

1:03:16.800 --> 1:03:19.560
<v Speaker 2>at the camera. It's the whole gang in Balaclava's putting

1:03:19.560 --> 1:03:21.440
<v Speaker 2>all of that stuff into their music. And there were

1:03:21.440 --> 1:03:22.920
<v Speaker 2>a lot of murders in the area that I was

1:03:22.960 --> 1:03:24.800
<v Speaker 2>living in, and you know, I would go and sort

1:03:24.800 --> 1:03:26.560
<v Speaker 2>of see the crime scene and then go and hear

1:03:26.600 --> 1:03:29.120
<v Speaker 2>about the song that was talking about the murder that

1:03:29.120 --> 1:03:30.960
<v Speaker 2>had happened in my area in London. But a lot

1:03:31.000 --> 1:03:33.640
<v Speaker 2>of that stuff was influenced by Chicago. And what I'm

1:03:33.640 --> 1:03:35.000
<v Speaker 2>trying to say, is that I actually agree with what

1:03:35.040 --> 1:03:37.160
<v Speaker 2>you're saying. I'm not saying I was involved, but I

1:03:37.280 --> 1:03:38.960
<v Speaker 2>when I moved back to London, I was living in

1:03:39.000 --> 1:03:42.640
<v Speaker 2>an area where this kind of waste taking influence and

1:03:42.880 --> 1:03:45.560
<v Speaker 2>that was something that to me that was like, it

1:03:45.640 --> 1:03:48.760
<v Speaker 2>was very interesting, it was very It really made me

1:03:48.880 --> 1:03:52.440
<v Speaker 2>reflect on the influence of Chicago drill because if you

1:03:52.440 --> 1:03:54.960
<v Speaker 2>don't know too much about the UK drill scene, it's

1:03:55.080 --> 1:03:57.440
<v Speaker 2>so heavily influenced by Chicago. And you've got a lot

1:03:57.440 --> 1:03:59.560
<v Speaker 2>of these young guys in the UK in London running

1:03:59.560 --> 1:04:02.760
<v Speaker 2>around with ives, trying to do the Chicago thing. They

1:04:02.760 --> 1:04:05.480
<v Speaker 2>want to get known for sling narrow well at least.

1:04:05.360 --> 1:04:08.120
<v Speaker 1>For over here. Again, see, I have respect for culture,

1:04:08.160 --> 1:04:10.520
<v Speaker 1>so I can't say why they doing it. But over

1:04:10.560 --> 1:04:12.840
<v Speaker 1>here I know that it's a fight to get out

1:04:12.920 --> 1:04:15.640
<v Speaker 1>this ship. So if it if they think that, I

1:04:15.680 --> 1:04:18.360
<v Speaker 1>get turned up. If I'm a real one, if that's

1:04:18.400 --> 1:04:21.120
<v Speaker 1>what gets me turned up, is that I stick by

1:04:21.160 --> 1:04:23.479
<v Speaker 1>what I say, then they gonna do that, you see,

1:04:23.560 --> 1:04:26.760
<v Speaker 1>And and they they lost in that. Right, Let's talk

1:04:26.800 --> 1:04:31.240
<v Speaker 1>about because we'll move on from the Jay z And

1:04:31.240 --> 1:04:35.360
<v Speaker 1>and King Vaughn thing. Let's speak about when you got

1:04:35.400 --> 1:04:39.600
<v Speaker 1>to a place to make the King Von documentary. What

1:04:39.760 --> 1:04:43.120
<v Speaker 1>made you name King Von a serial killer?

1:04:44.840 --> 1:04:45.160
<v Speaker 3>Yeah?

1:04:45.160 --> 1:04:48.720
<v Speaker 2>So I I had covered King Von when he was

1:04:48.720 --> 1:04:51.280
<v Speaker 2>still alive. So I did three videos about Von and

1:04:51.560 --> 1:04:53.120
<v Speaker 2>in one of those videos, you know, I mentioned the

1:04:53.120 --> 1:04:57.120
<v Speaker 2>whole situation with k I where you know, he had

1:04:57.320 --> 1:04:59.920
<v Speaker 2>had years of history beefing with this girl on Twitter,

1:05:00.120 --> 1:05:01.640
<v Speaker 2>you know, saying that he wanted to kill her, saying

1:05:01.640 --> 1:05:03.000
<v Speaker 2>that he was trying to catch her, saying that he'd

1:05:03.000 --> 1:05:04.520
<v Speaker 2>beaten her up. You know, whether or not you want

1:05:04.520 --> 1:05:06.200
<v Speaker 2>to believe the stuff that said on Twitter is real,

1:05:06.360 --> 1:05:08.280
<v Speaker 2>you know. A and he made a documentary about King

1:05:08.360 --> 1:05:10.360
<v Speaker 2>Vaughn and Ki, and you know he was in the

1:05:10.360 --> 1:05:14.240
<v Speaker 2>documentary talking about their beef. And you know, I covered

1:05:14.240 --> 1:05:16.240
<v Speaker 2>that story whilst King Von was still alive. And that

1:05:16.320 --> 1:05:18.760
<v Speaker 2>was actually before the Chicago Clice had come out and

1:05:18.800 --> 1:05:20.360
<v Speaker 2>said that, you know, they believed that he was the

1:05:21.160 --> 1:05:24.480
<v Speaker 2>culprit in that case. So I had covered King Von

1:05:24.560 --> 1:05:27.200
<v Speaker 2>and you know it's in my No Jumper interview with

1:05:27.200 --> 1:05:29.280
<v Speaker 2>aout him twenty two. But essentially, you know, this was

1:05:29.280 --> 1:05:31.720
<v Speaker 2>when Vaughn was alive and Vonn and his crew pressed me.

1:05:32.000 --> 1:05:33.680
<v Speaker 2>You know, they got in touch and they were going

1:05:33.680 --> 1:05:36.360
<v Speaker 2>to take my channel down. They did three copyright strikes

1:05:36.600 --> 1:05:39.480
<v Speaker 2>on my channel. They said my videos had songs in

1:05:39.560 --> 1:05:42.360
<v Speaker 2>them Von songs, which they didn't, and they were going

1:05:42.360 --> 1:05:43.640
<v Speaker 2>to take the channel down. And you know, they got

1:05:43.640 --> 1:05:45.320
<v Speaker 2>in touch with me and they basically said to me.

1:05:45.520 --> 1:05:47.640
<v Speaker 1>Was this after the document Hero before, this is the

1:05:47.680 --> 1:05:48.880
<v Speaker 1>earlier stories.

1:05:49.520 --> 1:05:51.680
<v Speaker 2>This is twenty twenty. Yeah, one, Vaughn's alive. Yeah, because

1:05:51.680 --> 1:05:54.880
<v Speaker 2>he was like tweeting around about this stuff. But they

1:05:54.960 --> 1:05:56.720
<v Speaker 2>basically said to me, like, if you go in the

1:05:56.840 --> 1:05:59.640
<v Speaker 2>channel dashboard and edit out any of the mentions of

1:05:59.680 --> 1:06:02.560
<v Speaker 2>this girl, well we'll let you have your channel back, basically.

1:06:02.960 --> 1:06:05.640
<v Speaker 2>And I was kind of shook. I was like, okay,

1:06:05.880 --> 1:06:06.320
<v Speaker 2>I'll do it.

1:06:06.360 --> 1:06:06.680
<v Speaker 3>I did it.

1:06:06.720 --> 1:06:08.000
<v Speaker 2>They let me have my chower back. I was like,

1:06:08.000 --> 1:06:10.120
<v Speaker 2>I'm not going to talk on Vaughan again. Ship got

1:06:10.120 --> 1:06:12.760
<v Speaker 2>too real, to be honest. But the weird thing that

1:06:12.800 --> 1:06:14.360
<v Speaker 2>I found is that, you know, as time went on,

1:06:14.480 --> 1:06:17.080
<v Speaker 2>I'm not covering Von anymore, but his star continues to rise.

1:06:17.120 --> 1:06:20.880
<v Speaker 2>He gets more and more famous. He's billboard charting, you know,

1:06:20.920 --> 1:06:24.840
<v Speaker 2>he's performing huge venues. He's catching this case with little Dirk,

1:06:25.400 --> 1:06:27.800
<v Speaker 2>and and so time keeps going on and more and

1:06:27.840 --> 1:06:29.920
<v Speaker 2>more Von lyrics are coming out, and like, like we

1:06:29.920 --> 1:06:32.320
<v Speaker 2>said earlier, I would say that I did become obsessed

1:06:32.320 --> 1:06:34.760
<v Speaker 2>with Vaughn as an artist. I became obsessed with his music.

1:06:35.120 --> 1:06:36.600
<v Speaker 2>Anytime Vaughn dropped.

1:06:37.160 --> 1:06:39.760
<v Speaker 1>You know, you say that is you do know that

1:06:39.760 --> 1:06:44.200
<v Speaker 1>it's not healthy. Though upset listen session is not a hill.

1:06:45.560 --> 1:06:46.200
<v Speaker 3>I agree.

1:06:46.360 --> 1:06:48.120
<v Speaker 2>I don't think it's I don't think it's normal to

1:06:48.120 --> 1:06:50.080
<v Speaker 2>make a three and a half of our video anything.

1:06:51.120 --> 1:06:56.640
<v Speaker 1>So I'm a weird you are a gainst You're keeping

1:06:56.680 --> 1:06:57.200
<v Speaker 1>against her.

1:06:58.600 --> 1:07:00.760
<v Speaker 2>It's not normal, bro, I'm not I'm not a normal dude.

1:07:00.800 --> 1:07:03.120
<v Speaker 2>So that is what it is. But as time was

1:07:03.160 --> 1:07:04.960
<v Speaker 2>going on, you know, I was seeing more and more

1:07:05.040 --> 1:07:07.280
<v Speaker 2>Von songs come out. And let's be real, like whether

1:07:07.360 --> 1:07:10.120
<v Speaker 2>or not you believe Von did anything or did the

1:07:10.160 --> 1:07:13.760
<v Speaker 2>things he said he was dropping. He dropped like five

1:07:13.880 --> 1:07:16.120
<v Speaker 2>or six songs where he said I have seven bodies.

1:07:16.160 --> 1:07:18.320
<v Speaker 2>You know, there's the I think it's the audio Mac freestyle.

1:07:18.360 --> 1:07:20.560
<v Speaker 2>He says, let's talk about bodies. I got several, and

1:07:20.560 --> 1:07:22.280
<v Speaker 2>then in the ad libs he's saying I got seven.

1:07:22.600 --> 1:07:25.000
<v Speaker 2>He's got that other song where he says, let's talk bodies,

1:07:25.000 --> 1:07:28.720
<v Speaker 2>I've got a few three plus four as he say,

1:07:29.480 --> 1:07:33.120
<v Speaker 2>four plus three, three plus two counting his bodies. He's

1:07:33.160 --> 1:07:37.080
<v Speaker 2>got another lyric where he says he's talking about I

1:07:37.080 --> 1:07:39.080
<v Speaker 2>don't want to say the words, but it's a word

1:07:39.080 --> 1:07:41.560
<v Speaker 2>beginning with D that' she used to refer to lesbian women.

1:07:41.720 --> 1:07:44.160
<v Speaker 2>But he's saying, you know, I shoot everybody in the

1:07:44.240 --> 1:07:46.080
<v Speaker 2>N words and the D words in this bitch saying

1:07:46.080 --> 1:07:48.800
<v Speaker 2>he shoots women. And over time, because I'd already done

1:07:48.800 --> 1:07:51.640
<v Speaker 2>research into Von's story and got in trouble for it,

1:07:52.080 --> 1:07:54.280
<v Speaker 2>I was kind of thinking, like, I can't believe he

1:07:54.400 --> 1:07:58.400
<v Speaker 2>is still out here saying this stuff, saying more stuff,

1:07:59.000 --> 1:08:01.320
<v Speaker 2>and just like you know, I was watching it, thinking,

1:08:01.600 --> 1:08:03.400
<v Speaker 2>any any day now, this guy is going to catch

1:08:03.440 --> 1:08:05.320
<v Speaker 2>the rico and get arrested, surely. And that's just as

1:08:05.360 --> 1:08:09.520
<v Speaker 2>a as a fan, and so I was honestly a

1:08:09.520 --> 1:08:11.640
<v Speaker 2>big fan of Vonn's music. You know, it was it

1:08:11.680 --> 1:08:14.520
<v Speaker 2>was heartbreaking to find out that he died, you know,

1:08:14.520 --> 1:08:15.240
<v Speaker 2>when he passed away.

1:08:15.280 --> 1:08:17.000
<v Speaker 3>That was very man.

1:08:18.120 --> 1:08:23.080
<v Speaker 1>Do you believe everything that rappers rap about?

1:08:23.960 --> 1:08:26.439
<v Speaker 3>I don't believe everything rap that.

1:08:26.479 --> 1:08:32.240
<v Speaker 1>There's some some room for lies, for lack of a

1:08:32.240 --> 1:08:36.240
<v Speaker 1>better term, for exaggeration in reps absolutely.

1:08:36.280 --> 1:08:38.080
<v Speaker 2>And you know, we spoke a minute ago about Rick Ross.

1:08:38.120 --> 1:08:40.559
<v Speaker 2>You know, Rick Ross was one of these artists where

1:08:41.160 --> 1:08:43.360
<v Speaker 2>it sort of was an open secret that he was

1:08:43.400 --> 1:08:46.080
<v Speaker 2>embellishing his past. But here's the thing that I think

1:08:46.120 --> 1:08:49.439
<v Speaker 2>I find really frustrating about the bad reaction to my

1:08:49.520 --> 1:08:52.760
<v Speaker 2>Von video. When Von was alive, all anyone wanted to

1:08:52.760 --> 1:08:54.439
<v Speaker 2>talk about was Von is the realist?

1:08:54.720 --> 1:08:54.920
<v Speaker 1>Von?

1:08:55.040 --> 1:08:58.080
<v Speaker 2>Really about what he says? Von the realist? Von really

1:08:58.120 --> 1:09:01.560
<v Speaker 2>did this ship. And so for everybody to kind of

1:09:01.560 --> 1:09:04.840
<v Speaker 2>come out now after either analyze his lyrics and say

1:09:04.840 --> 1:09:07.320
<v Speaker 2>it's all cap it just to me seems really disingenuous.

1:09:07.840 --> 1:09:09.280
<v Speaker 3>Point. The whole appeal was.

1:09:09.200 --> 1:09:14.120
<v Speaker 1>The right, let me answer that real in comparison, right,

1:09:14.400 --> 1:09:17.120
<v Speaker 1>A lot of the raptures so fake. If he twenty

1:09:17.160 --> 1:09:20.400
<v Speaker 1>percent of if he ten percent of what he was saying,

1:09:21.040 --> 1:09:24.040
<v Speaker 1>he really see that again, it's off. It's it's the

1:09:24.200 --> 1:09:26.840
<v Speaker 1>it's it's the you. You really don't know what you're

1:09:26.840 --> 1:09:29.760
<v Speaker 1>looking at, right, You get you you hearing it, but

1:09:29.800 --> 1:09:33.759
<v Speaker 1>you don't know what the backdrop is. I would say

1:09:34.280 --> 1:09:37.120
<v Speaker 1>that it's in comparison when I say I'm the richest

1:09:37.200 --> 1:09:40.439
<v Speaker 1>nigga in the room, that's right into the baby walk

1:09:40.479 --> 1:09:43.439
<v Speaker 1>in the room. I'm talking to my dogs. I'm the

1:09:43.560 --> 1:09:46.720
<v Speaker 1>richest rhying this motherfucker to the baby show up, he

1:09:46.840 --> 1:09:49.680
<v Speaker 1>the richest, to p show up. He the riches to

1:09:49.800 --> 1:09:52.400
<v Speaker 1>Jay show up. You see what I'm saying. So it's

1:09:52.479 --> 1:09:57.519
<v Speaker 1>it's in comparison to so people who know rappers, who

1:09:57.560 --> 1:10:01.280
<v Speaker 1>have been engaged with rappers have out themselves engaged with

1:10:01.400 --> 1:10:03.680
<v Speaker 1>Vaughn and said, oh he he a little different than

1:10:03.720 --> 1:10:06.559
<v Speaker 1>these rap niggas. The rap niggas because when you get

1:10:06.600 --> 1:10:10.519
<v Speaker 1>behind the scenes somewhere, you probably never haven't been yet, right,

1:10:10.760 --> 1:10:14.840
<v Speaker 1>because you're journalistic. The way you do your thing could

1:10:14.840 --> 1:10:17.160
<v Speaker 1>get you some places you might not have been there yet.

1:10:17.200 --> 1:10:19.320
<v Speaker 1>But once you get behind the scenes and get to see,

1:10:19.720 --> 1:10:23.200
<v Speaker 1>oh shit, right, And not that all these rappers are fake,

1:10:23.280 --> 1:10:25.080
<v Speaker 1>I want you to know that they are not running

1:10:25.080 --> 1:10:28.200
<v Speaker 1>criminal enterprises. They don't have a lot of these guys

1:10:28.240 --> 1:10:31.640
<v Speaker 1>were not the biggest dope boy even in their own neighborhoods.

1:10:31.840 --> 1:10:34.080
<v Speaker 1>So for even Vonn to be a shot call the

1:10:34.120 --> 1:10:37.640
<v Speaker 1>where he come from, it's just a different than the

1:10:37.840 --> 1:10:40.879
<v Speaker 1>rap niggas because the rap niggas come up under somebody

1:10:40.960 --> 1:10:44.160
<v Speaker 1>most time. Right, So I think because Vaughn came in

1:10:44.680 --> 1:10:48.160
<v Speaker 1>with a little bit of rep on this belt, whether

1:10:48.240 --> 1:10:50.920
<v Speaker 1>that's as much as you believe it to be or

1:10:50.960 --> 1:10:53.800
<v Speaker 1>as little as other people believe it to be. Just

1:10:53.960 --> 1:10:57.720
<v Speaker 1>having some in comparison to most rappers places him as

1:10:57.760 --> 1:10:59.160
<v Speaker 1>amongst the realists in the game.

1:11:01.080 --> 1:11:02.200
<v Speaker 3>I get what you say.

1:11:02.240 --> 1:11:04.120
<v Speaker 2>I do agree with you know, there's there's different levels

1:11:04.120 --> 1:11:06.920
<v Speaker 2>of realness. And you know there's people supposedly with with

1:11:07.000 --> 1:11:09.080
<v Speaker 2>more bodies than Von, like you say, you know, Vonn

1:11:09.160 --> 1:11:12.519
<v Speaker 2>is not the biggest ever been alleged. I hate no,

1:11:12.560 --> 1:11:15.200
<v Speaker 2>but that's that's that's that's the topic. That's the topic.

1:11:15.400 --> 1:11:18.000
<v Speaker 2>Like and you know, I appreciate what you're saying. And

1:11:18.040 --> 1:11:20.840
<v Speaker 2>there is a spectrum of realness when it comes to rap.

1:11:21.280 --> 1:11:23.400
<v Speaker 2>You know, you got your Rick Ross, you got your

1:11:23.400 --> 1:11:25.760
<v Speaker 2>little babies, you got your King Von, you got your

1:11:25.840 --> 1:11:29.160
<v Speaker 2>take A's okay, and so there is a spectrum. But

1:11:29.240 --> 1:11:30.840
<v Speaker 2>come on, man, you can't tell me that when King

1:11:30.920 --> 1:11:32.880
<v Speaker 2>Von was alive, people were saying he was twenty percent real.

1:11:32.920 --> 1:11:36.400
<v Speaker 2>The whole appeal, the whole the King Von was that

1:11:36.400 --> 1:11:38.920
<v Speaker 2>that Von was one hundred percent the realist out that's.

1:11:38.800 --> 1:11:39.400
<v Speaker 3>Whatever it says.

1:11:39.720 --> 1:11:43.120
<v Speaker 1>But again, you guys from outside the culture, your scales

1:11:43.160 --> 1:11:46.599
<v Speaker 1>are off. When people are saying he's one hundred percent real,

1:11:46.880 --> 1:11:50.600
<v Speaker 1>he's real. What they're saying is in comparison to the rappers,

1:11:50.920 --> 1:11:53.360
<v Speaker 1>he's not the realist streak du He's not the biggest

1:11:53.439 --> 1:11:55.559
<v Speaker 1>killing in the world, none of their shit, and we

1:11:55.600 --> 1:11:58.200
<v Speaker 1>don't talk about killings. I even hate talking about this

1:11:58.400 --> 1:12:03.240
<v Speaker 1>kind of shit, right, But look, yeah, but again, I

1:12:03.320 --> 1:12:06.960
<v Speaker 1>believe Vaughn to be an artist. I believe Vonn to

1:12:07.000 --> 1:12:09.439
<v Speaker 1>be painting some picture from where he come from. I

1:12:09.439 --> 1:12:12.960
<v Speaker 1>believe the circumstances around Vaughn what he saw was that

1:12:13.000 --> 1:12:16.360
<v Speaker 1>detrimental to his vision. You know. I believe his mouth

1:12:16.439 --> 1:12:19.360
<v Speaker 1>to be a just a portal from what his mind

1:12:19.400 --> 1:12:21.600
<v Speaker 1>to have seen. That's what I believe. I don't know

1:12:21.640 --> 1:12:24.439
<v Speaker 1>that him had been doing all of that, bro without

1:12:24.479 --> 1:12:28.320
<v Speaker 1>any conviction of those things. That's me. That's me being

1:12:28.400 --> 1:12:31.080
<v Speaker 1>in the trenches. You ain't never been to the trenches.

1:12:31.439 --> 1:12:34.120
<v Speaker 1>And I'm trying to get you to understand that. When

1:12:34.160 --> 1:12:36.640
<v Speaker 1>they say that King Vaughan is one of the realists

1:12:36.720 --> 1:12:39.400
<v Speaker 1>or he the realists in the game, these rap dues

1:12:39.439 --> 1:12:41.160
<v Speaker 1>do his floy as shit is to give you their

1:12:41.240 --> 1:12:44.680
<v Speaker 1>phone number and then don't answer the texts you know

1:12:44.760 --> 1:12:48.400
<v Speaker 1>these rep what I'm telling you, they putting it. They

1:12:48.520 --> 1:12:51.120
<v Speaker 1>not talking the criminal element that I believe you to

1:12:51.160 --> 1:12:53.800
<v Speaker 1>be talking about. Now here's another element to it. I

1:12:53.840 --> 1:12:57.840
<v Speaker 1>want you to understand. Most of these guys broke. So

1:12:57.920 --> 1:13:01.719
<v Speaker 1>when they go do say cheese, TV interviews and cam

1:13:01.840 --> 1:13:05.719
<v Speaker 1>compone in, they need that check. The vlaty, they need

1:13:05.720 --> 1:13:07.759
<v Speaker 1>that check. I'm gonna say what needs to be said

1:13:07.800 --> 1:13:10.760
<v Speaker 1>to be booked. I need to be booked. I'm trying

1:13:10.800 --> 1:13:12.719
<v Speaker 1>to pay my bills now. I ain't putting a whole

1:13:12.720 --> 1:13:14.439
<v Speaker 1>bunch of you know, I'm gonna put a little some

1:13:14.640 --> 1:13:16.439
<v Speaker 1>on it. I ain't gonna but I'm gonna say what

1:13:16.600 --> 1:13:18.760
<v Speaker 1>needs to be said for him to bring me back,

1:13:18.800 --> 1:13:21.320
<v Speaker 1>and we build on this. You know what I'm saying.

1:13:21.360 --> 1:13:23.960
<v Speaker 1>So I need you to understand that everything game with

1:13:24.080 --> 1:13:27.400
<v Speaker 1>no convictions. I'm curious as to how you got to

1:13:27.479 --> 1:13:30.519
<v Speaker 1>a place where you were able to put all this

1:13:30.640 --> 1:13:33.639
<v Speaker 1>together and call this guy's serial killer. When you went

1:13:33.640 --> 1:13:36.800
<v Speaker 1>from making content to giving niggas diagnosis.

1:13:38.439 --> 1:13:39.960
<v Speaker 2>Here's the thing, right, I feel like this is where

1:13:39.960 --> 1:13:43.160
<v Speaker 2>we're gonna get into it, because I think I just

1:13:43.200 --> 1:13:45.240
<v Speaker 2>think it's so wrong and disingenuous for all of these

1:13:45.240 --> 1:13:48.160
<v Speaker 2>people to come out and essentially gaslight the victims of

1:13:48.240 --> 1:13:50.960
<v Speaker 2>von An act as if these murders never happened, because

1:13:51.400 --> 1:13:53.880
<v Speaker 2>you've got at least seven people who are dead, and

1:13:54.360 --> 1:13:57.280
<v Speaker 2>von sure he wasn't convicted. This is the funny thing

1:13:57.280 --> 1:13:59.639
<v Speaker 2>people keep saying, Oh, the Malcolm Stucky murder of almos

1:13:59.680 --> 1:14:01.800
<v Speaker 2>put On, he was never convicted. Fine, but he said

1:14:01.800 --> 1:14:04.200
<v Speaker 2>he killed the witness. And you know, there's a to

1:14:04.240 --> 1:14:06.880
<v Speaker 2>a certain degree, if somebody doesn't get convicted of a crime,

1:14:07.000 --> 1:14:09.360
<v Speaker 2>that's one thing. But if they're saying I got away

1:14:09.360 --> 1:14:11.240
<v Speaker 2>with it cause I killed the witness, I think at

1:14:11.240 --> 1:14:14.280
<v Speaker 2>a certain point you just have to say, Okay, there's

1:14:14.400 --> 1:14:16.320
<v Speaker 2>more to this than just were they convicted or not.

1:14:16.320 --> 1:14:18.679
<v Speaker 2>Because Von's on a bunch of songs saying he killed seven.

1:14:18.479 --> 1:14:23.400
<v Speaker 1>People, any conviction, How can you do that?

1:14:24.920 --> 1:14:29.200
<v Speaker 2>You can, because I think there's more ways whether.

1:14:29.120 --> 1:14:29.840
<v Speaker 3>Or not something happened.

1:14:29.840 --> 1:14:31.280
<v Speaker 2>And bear in mind, I'm not a lawyer, so I'm

1:14:31.280 --> 1:14:38.720
<v Speaker 2>not trying to convict Vaughan victims convicted. I'm proving. I'm

1:14:38.720 --> 1:14:40.599
<v Speaker 2>proving his own lyrics. He's on a song saying I've

1:14:40.600 --> 1:14:43.160
<v Speaker 2>got I've got seven bodies, and I'm saying, well, who

1:14:43.240 --> 1:14:44.960
<v Speaker 2>are they let me look into it. And I've looked

1:14:45.000 --> 1:14:45.400
<v Speaker 2>into it.

1:14:45.600 --> 1:14:46.200
<v Speaker 3>I found him.

1:14:49.120 --> 1:14:53.559
<v Speaker 2>He's tweeting, Yes he did. It's always saying all these

1:14:53.560 --> 1:14:56.040
<v Speaker 2>different people that he was smoking on like and he did.

1:14:56.240 --> 1:14:58.760
<v Speaker 2>Like he's on Twitter talking about who made who made

1:14:58.800 --> 1:15:01.759
<v Speaker 2>crack World and a guy called crack killed days before

1:15:02.040 --> 1:15:02.439
<v Speaker 2>and he's.

1:15:02.600 --> 1:15:06.240
<v Speaker 1>That's Chicago call area, that's another that's another poison that's

1:15:06.280 --> 1:15:09.080
<v Speaker 1>in the wall in Chicago. They do that kind of

1:15:09.080 --> 1:15:11.519
<v Speaker 1>ship like. I can tell you right now that they

1:15:11.560 --> 1:15:15.280
<v Speaker 1>got people that's on rico uh charges and ship because

1:15:15.320 --> 1:15:18.160
<v Speaker 1>they're on the phone saying ship that ain't true. You know,

1:15:18.240 --> 1:15:20.280
<v Speaker 1>they on the phone flexing to their homeboy. Man, I

1:15:20.400 --> 1:15:22.120
<v Speaker 1>just man, I've been doing good today. I made a

1:15:22.200 --> 1:15:27.360
<v Speaker 1>hundred recks today. Boy, that ship is being you. But

1:15:29.080 --> 1:15:34.280
<v Speaker 1>it is so real. I take him at his word,

1:15:35.720 --> 1:15:38.200
<v Speaker 1>his word. A lot of those clips you cut out right,

1:15:38.760 --> 1:15:40.680
<v Speaker 1>a lot of those clips. When he was talking, he

1:15:40.760 --> 1:15:43.360
<v Speaker 1>might say, how many bodies I got, how many bodies

1:15:43.360 --> 1:15:46.040
<v Speaker 1>I got, y'all, how many bodies I got.

1:15:48.400 --> 1:15:49.960
<v Speaker 3>Life, He's.

1:15:51.280 --> 1:15:52.800
<v Speaker 1>What are you doing? I want you to from that.

1:15:52.920 --> 1:15:55.000
<v Speaker 1>I want you to look at what you are pulling

1:15:55.040 --> 1:15:57.240
<v Speaker 1>from what he's doing, and I want you to say,

1:15:57.240 --> 1:16:00.519
<v Speaker 1>what's disingenuous? Yo? How many bodies I got? Look y'all,

1:16:00.800 --> 1:16:03.040
<v Speaker 1>look they said, I gots it. Look they put five, six,

1:16:03.160 --> 1:16:05.960
<v Speaker 1>they put the mother said I got said that D

1:16:05.880 --> 1:16:08.080
<v Speaker 1>D D They right, I got, said I got. Now

1:16:08.120 --> 1:16:12.160
<v Speaker 1>I'm just playing. You cut out the now. I'm just playing,

1:16:13.479 --> 1:16:14.040
<v Speaker 1>he said.

1:16:14.160 --> 1:16:16.560
<v Speaker 2>He said, he said on oh, he said on O D.

1:16:16.720 --> 1:16:18.240
<v Speaker 2>Perry's life, I got more I'm.

1:16:18.120 --> 1:16:20.920
<v Speaker 1>Talking about And a lot of those clips he would say,

1:16:21.120 --> 1:16:23.759
<v Speaker 1>I'm just bullshit and I'm just playing. I'm just playing.

1:16:23.840 --> 1:16:26.080
<v Speaker 1>You would take that at the clip. You'll just take

1:16:26.080 --> 1:16:28.360
<v Speaker 1>the front Paul when he will say, nigga, I got

1:16:28.360 --> 1:16:30.200
<v Speaker 1>four boyy, they better quit playing with us, And he

1:16:30.320 --> 1:16:33.400
<v Speaker 1>might say I'm just playing in that same clip, you

1:16:33.680 --> 1:16:36.200
<v Speaker 1>ignore that, But yet you taking them at his word.

1:16:37.000 --> 1:16:39.560
<v Speaker 2>He's he's wore in his closest homies life that he

1:16:39.640 --> 1:16:41.000
<v Speaker 2>got more than five bodies.

1:16:40.680 --> 1:16:44.760
<v Speaker 1>Like that don't mean nothing, Bro, You don't listen, and

1:16:44.800 --> 1:16:46.280
<v Speaker 1>I ain't talking about Vaughn.

1:16:47.560 --> 1:16:49.000
<v Speaker 3>On your life.

1:16:49.920 --> 1:16:51.479
<v Speaker 1>Have you ever sworn somebody life?

1:16:52.760 --> 1:16:53.000
<v Speaker 3>Who?

1:16:53.160 --> 1:16:57.960
<v Speaker 1>Yes, you ever had somebody die that you sworn their life,

1:16:58.040 --> 1:17:00.639
<v Speaker 1>like in the field, in the in in some kind

1:17:00.640 --> 1:17:04.480
<v Speaker 1>of street war something like that. You ever did that,

1:17:04.640 --> 1:17:06.360
<v Speaker 1>so I want you to check out of this one

1:17:06.360 --> 1:17:07.880
<v Speaker 1>because you ain't never done this one.

1:17:09.320 --> 1:17:12.880
<v Speaker 2>I feel like, you know, I feel like if we

1:17:12.920 --> 1:17:14.800
<v Speaker 2>take a step back, right, I think there's just something

1:17:14.800 --> 1:17:16.960
<v Speaker 2>I'm important I really want to communicate, which is it's like,

1:17:17.920 --> 1:17:20.240
<v Speaker 2>I understand where you're coming from, and I think you're

1:17:21.080 --> 1:17:23.920
<v Speaker 2>rightfully trying to give me an education on how you

1:17:23.960 --> 1:17:26.720
<v Speaker 2>see this with your cultural perspective, and I do respect that,

1:17:26.960 --> 1:17:29.519
<v Speaker 2>but I also think that it's important for you to

1:17:29.560 --> 1:17:32.439
<v Speaker 2>see things from maybe an outsider perspective and say, if

1:17:32.439 --> 1:17:34.599
<v Speaker 2>a guy is running around saying he killed seven people,

1:17:34.840 --> 1:17:37.080
<v Speaker 2>and he's got a whole industry behind him saying this

1:17:37.080 --> 1:17:40.400
<v Speaker 2>guy is the realist, he is no cap At what point,

1:17:40.400 --> 1:17:43.599
<v Speaker 2>as a group of people that are fans of music, say, look,

1:17:43.680 --> 1:17:46.759
<v Speaker 2>vonn was supposedly the realist. He said he killed seven people,

1:17:46.960 --> 1:17:49.080
<v Speaker 2>here's the names of the seven people that died, and

1:17:49.120 --> 1:17:52.240
<v Speaker 2>he's tweeting haha, six shots to the face minutes after

1:17:52.280 --> 1:17:54.479
<v Speaker 2>they died. At what point can we all just say,

1:17:54.520 --> 1:17:57.600
<v Speaker 2>look like, as a community, we've got to put her

1:17:57.600 --> 1:17:58.800
<v Speaker 2>hands up and say murder is wrong.

1:17:58.880 --> 1:17:59.320
<v Speaker 3>Right, You've got a.

1:17:59.320 --> 1:18:02.320
<v Speaker 1>Whole yead larn and I'm not caping for Vaughn because

1:18:02.320 --> 1:18:04.439
<v Speaker 1>I don't know what he done. I'm telling you though,

1:18:04.720 --> 1:18:07.080
<v Speaker 1>that you don't know what he done, and anything said

1:18:07.120 --> 1:18:12.040
<v Speaker 1>with our context can be misunderstood. So I mean, no, listen,

1:18:12.200 --> 1:18:16.320
<v Speaker 1>Vn ain't told you nothing. Your obsession told you everything, right,

1:18:16.439 --> 1:18:20.679
<v Speaker 1>Vaughn ain't communicating nothing with you. Your interpretation. You calling

1:18:20.680 --> 1:18:25.120
<v Speaker 1>these people victims. You diagnosing this man without any convictions

1:18:25.240 --> 1:18:28.120
<v Speaker 1>or any real evidence, based on your understanding of a

1:18:28.160 --> 1:18:30.519
<v Speaker 1>culture you're not a part of. Here. I am an

1:18:30.520 --> 1:18:34.519
<v Speaker 1>outstanding member telling you that it's Camp on rap shit

1:18:35.479 --> 1:18:39.760
<v Speaker 1>outstanding member, and you won't accept that. You're telling me

1:18:39.840 --> 1:18:42.439
<v Speaker 1>that they said Ron is the realist. I agree, Vonn

1:18:42.520 --> 1:18:45.600
<v Speaker 1>may be the realist, but compare to these fuck niggas.

1:18:45.760 --> 1:18:49.120
<v Speaker 1>They not comparing Vaughn to the street guys. He rapping now,

1:18:49.479 --> 1:18:52.000
<v Speaker 1>he trying to save his family. Now. He wanted the

1:18:52.040 --> 1:18:55.400
<v Speaker 1>realists in this game because this game is full of

1:18:55.439 --> 1:18:58.960
<v Speaker 1>boardshit a whole bunch of people that ain't even from

1:18:58.960 --> 1:19:01.000
<v Speaker 1>the culture. That's what's on with this game now.

1:19:01.880 --> 1:19:04.600
<v Speaker 2>So let's say I accept your argument fully. You know

1:19:04.680 --> 1:19:08.880
<v Speaker 2>I denounced my opinions. I completely ubcept your argument. What

1:19:08.920 --> 1:19:10.840
<v Speaker 2>you're saying to me is that all of Von's lyrics

1:19:10.840 --> 1:19:12.240
<v Speaker 2>a cap and he never killed anyone.

1:19:12.360 --> 1:19:15.479
<v Speaker 1>I'm saying that Vaughn is an artist. You're listening to

1:19:15.600 --> 1:19:18.519
<v Speaker 1>music with millions of dollars of production involved in it.

1:19:18.760 --> 1:19:22.040
<v Speaker 1>You have been listened in on an inside conversation or

1:19:22.880 --> 1:19:26.240
<v Speaker 1>any intimate details with him and his family. You're listening

1:19:26.280 --> 1:19:29.960
<v Speaker 1>to production to music. This shit has a marketing budget.

1:19:30.040 --> 1:19:34.080
<v Speaker 1>So this is creative talk. This is something you should accept.

1:19:34.320 --> 1:19:37.120
<v Speaker 1>If you're not the victim, if you're not somebody that

1:19:37.200 --> 1:19:39.760
<v Speaker 1>had to bear with, somebody that could have been the

1:19:39.800 --> 1:19:43.120
<v Speaker 1>reason this situation happened, you need to accept this as

1:19:43.200 --> 1:19:47.240
<v Speaker 1>creativity because you don't know nothing else. Anything else is

1:19:47.280 --> 1:19:50.880
<v Speaker 1>assumption because you ain't been involved. And if I'm telling

1:19:50.920 --> 1:19:54.800
<v Speaker 1>you as an outstanding member that the rap shits a

1:19:54.840 --> 1:19:57.400
<v Speaker 1>lot of room in that, and I ain't calling the

1:19:57.479 --> 1:20:00.360
<v Speaker 1>rap brothers all cap, I want my rap friends to know.

1:20:00.640 --> 1:20:03.879
<v Speaker 1>But I'm telling you the streets is a weird place, homie.

1:20:04.400 --> 1:20:07.800
<v Speaker 1>The streets is a fucking weird place that you ain't

1:20:07.880 --> 1:20:11.200
<v Speaker 1>never ever ever seen. I'm telling you. For them dudes

1:20:11.200 --> 1:20:14.719
<v Speaker 1>to survive down there, they had to operate a certain way.

1:20:14.960 --> 1:20:17.639
<v Speaker 1>I don't see him having enough money to get out

1:20:17.680 --> 1:20:21.120
<v Speaker 1>of that at that time when he passed away again,

1:20:21.360 --> 1:20:23.439
<v Speaker 1>R I P. Vaughan because I you know, we're just

1:20:23.479 --> 1:20:26.439
<v Speaker 1>talking about a man like a man. Mama ain't involved.

1:20:26.439 --> 1:20:28.560
<v Speaker 1>And that's what I need you to understand. When you

1:20:28.720 --> 1:20:32.360
<v Speaker 1>running around without any kind of degree of diploma diagnosing

1:20:32.439 --> 1:20:34.840
<v Speaker 1>men in a culture you ain't had nothing to do with.

1:20:35.000 --> 1:20:38.040
<v Speaker 1>What about his mama? We get selfish chasing this shit?

1:20:38.760 --> 1:20:41.080
<v Speaker 2>What about the seven mothers of the people that here.

1:20:41.400 --> 1:20:43.000
<v Speaker 1>What are you giving them? A boy, what are you

1:20:43.040 --> 1:20:45.640
<v Speaker 1>giving them by making a YouTube documentary and with you

1:20:45.720 --> 1:20:48.559
<v Speaker 1>the only one benefit from they ain't getting nothing from

1:20:48.600 --> 1:20:50.000
<v Speaker 1>that documentary homing.

1:20:49.840 --> 1:20:52.439
<v Speaker 2>What What about the millions of dollars Von made making

1:20:52.520 --> 1:20:54.280
<v Speaker 2>music making fun of that dead relatives?

1:20:54.320 --> 1:20:57.160
<v Speaker 1>What you got to do with that? Is what I'm saying.