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Speaker 1: I listened to The Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot. Hey, welcome to the Black

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Speaker 1: Guy Tips Podcast.

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Speaker 2: I'm your host Roger Always joined by my co host Karin,

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Speaker 2: and we are live on a Wednesday, ready to do

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Speaker 2: some podcasts and you can find us on iTunes, Stitcher,

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Speaker 2: Potomatic search. The Black Guy Who Tips will come up,

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Speaker 2: leave us five star reviews. Our website is the Black

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Speaker 2: Guy Whotips dot com. Our email is The Black Guy

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Speaker 2: Who Tips at gmail dot com. Our voicemail line at

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Speaker 2: four five, five seven zero one A six. It will

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Speaker 2: cut you off if you leave them. It is over

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Speaker 2: two minutes, so it has a very hard out of

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Speaker 2: two minutes and it does not play.

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Speaker 1: It does not play. You start talking, it start counting.

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Speaker 1: It's like evet the code brown on Twitter. It don't play.

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Speaker 2: So make sure you guys do that. And we appreciate

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Speaker 2: all your feedback and stuff. People wonder where you can

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Speaker 2: leave feedback for our Walking Dad recaps. That's where you

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Speaker 2: just go to email us at the Blackout Tips at

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Speaker 2: gmail dot com and boom now it's on the show.

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Speaker 2: Of course, Wednesday is a Walking Dead Wednesday, which means

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Speaker 2: we recap AMC's.

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Speaker 1: The Walking Dead. We're in a weird situation.

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Speaker 2: This is the this is the penultimate episode, meaning the

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Speaker 2: one before the finale. It's the fifteenth episode of the season.

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Speaker 2: There's sixteen in the season, except we don't know when

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Speaker 2: to fuck the sixteenth episode is coming.

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Speaker 3: Because they they would saying that they tried their best,

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Speaker 3: but they were just saying there's some.

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Speaker 1: Shit you got to do in person.

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Speaker 2: Yeah, and they say this off film, but the editing

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Speaker 2: and all that stuff you gotta do in person. So

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Speaker 2: I just need y'all to stay your ass in the house.

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Speaker 2: Come on, If we stay in the house long enough,

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Speaker 2: maybe they'll be able to get it to the studio,

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Speaker 2: you know, with the restrictions cleared a little bit, and

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Speaker 2: they'll be able to go in there and get some

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Speaker 2: editing and some post work done, and then we can

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Speaker 2: get that sixteenth episode, you know, you know, and we

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Speaker 2: can all we can all enjoy it. So, you know,

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Speaker 2: what's up to us to follow the rules. So it

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Speaker 2: looked like we're never getting that episode right because the

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Speaker 2: thing is, it's taking something that's hard for people to do.

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Speaker 2: It's taking cooperation the world of the day, and people

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Speaker 2: don't want to cooperate. So because people don't want to cooperate, all.

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Speaker 3: He's doing is just extending it and causing people to

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Speaker 3: be like, you know what, we're not lifting shit.

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Speaker 1: All right, y'all, let's get into this episode. It's the episode.

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Speaker 2: Fifteen of season ten of The Walking Dead called the Tower.

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Speaker 1: All right, you know how we start every week.

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Speaker 2: I gotta ask you care before we break it down,

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Speaker 2: what did you think about this episode?

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Speaker 1: In general?

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Speaker 4: I enjoyed it. I enjoyed it a lot.

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Speaker 2: I also enjoyed it. To me, it was a lot

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Speaker 2: of like build up because they this is just a

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Speaker 2: sad heart about coronavirus apocalypse.

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Speaker 1: Man, Like, they clearly.

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Speaker 2: Are gonna have a good time with this finale. You know,

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Speaker 2: they're building up everything towards this event, and you know,

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Speaker 2: I could kind of see like some storylines building just

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Speaker 2: it was just a lot of building to tension and

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Speaker 2: anticipation and then of course the ultimately letdown is that

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Speaker 2: we gotta wait. But the last three weeks, I feel

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Speaker 2: like have all been episodes that feel like they could

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Speaker 2: have been finales by themselves. Yet shout out to the

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Speaker 2: Queen and yeah she did that, so but yes, I

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Speaker 2: really loved this episode. I love getting to know new people.

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Speaker 2: Princess is just such a She's such a loose cannon

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Speaker 2: for this show, and I feel like the show kind

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Speaker 2: of needs some some some of these elements in it,

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Speaker 2: but also kind of funnier elements. And uh, you know,

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Speaker 2: so all right, matter of fact, we're gonna break it down.

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Speaker 2: We might as wenna start with Princess. So all this

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Speaker 2: I broke it into three segments. It's the Tower where

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Speaker 2: all the Alexandrians are held up right now. There's on

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Speaker 2: the Road, which is Eugene, Ezekiel, Miko and Princess, and

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Speaker 2: then there's the Whisperers.

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Speaker 1: So I'll start with on the Road.

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Speaker 2: So with Prince introducing herself to the crew, to you, Mko,

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Speaker 2: Eugene and King Ezekiel.

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Speaker 3: So.

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Speaker 1: Wholawyer, what do you want?

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Speaker 5: Excuse me, you guys.

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Speaker 2: Now, keep in mind she has a big ass machine gun,

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Speaker 2: A big gun, y'all, Okay, so she gotta blow them down.

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Speaker 1: She has a huge fucking rifle, you know. So that

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Speaker 1: she was as she came out, like what's up y'all?

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Speaker 2: Hey, And you know, our crew has not had a

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Speaker 2: very good experience in the Z POP with strangers, so

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Speaker 2: they were like, what the fuck is wrong with you?

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Speaker 1: And then she was like, oh, so what do we

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Speaker 1: have a problem here? What's going on? Might have to

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Speaker 1: pop a cap in somebody's ass.

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Speaker 4: Uh, the one's calling.

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Speaker 5: Out and making a racket.

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Speaker 6: I thought you needed help, but now you're actually like,

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Speaker 6: I'm the one causing a problem here. Damn, I haven't

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Speaker 6: seen anyone in over a year, and the first ones

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Speaker 6: I find seemed like a bunch of meanings.

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Speaker 1: You just caught us off guard. We didn't know if

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Speaker 1: you were attacking.

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Speaker 6: Seriously, if I wanted to attack, i'd hold the gun

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Speaker 6: like this part pointed at you. See that's for attacking.

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Speaker 5: The other way, that's for hello.

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Speaker 6: So as we can all agree, I wasn't attacking.

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Speaker 1: But now.

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Speaker 5: No, I'm not so sure. Maybe that's up to you.

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Speaker 5: Are you gonna hurt me?

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Speaker 1: Keep pointing to Towson to find out.

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Speaker 7: No one has any intention of hurting you.

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Speaker 1: Just well, I think it's interesting here is that.

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Speaker 2: She Princess was like she's out of a different show,

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Speaker 2: Like this is like she came from like an anime,

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Speaker 2: and they threw her into the Walking Dead and the

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Speaker 2: person most like trying to bridge the gap and find peace.

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Speaker 4: I feel like it, yes, because he looks not that funny.

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Speaker 4: He looked like he came to comic book with the

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Speaker 4: with the with the Tiger, when in real life.

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Speaker 2: Like he was on some fantasy ship not too long ago.

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Speaker 2: And I feel like, in a way, Princess would have

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Speaker 2: fit right in with this, you know, this whole made

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Speaker 2: up world ship that that he was doing. Yeah, he

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Speaker 2: was a king and it had queens, squires and everything,

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Speaker 2: and he was already in them by the zombie performance

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Speaker 2: art pieces that she set up and shit, so to

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Speaker 2: me and makes sense that he would be the one

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Speaker 2: like all right, calm down, hold up, she might be cool.

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Speaker 2: And I'm like, yeah, you know, I can see how

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Speaker 2: Miko and Eugene would you know. Eugene's just like I

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Speaker 2: gotta get to that woman, and Miko is on some

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Speaker 2: like I don't for the bullshit. I don't trust strangers,

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Speaker 2: you know.

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Speaker 1: Yeah. But at the same time, she got that sry

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Speaker 1: sorry hold on, go ahead.

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Speaker 3: Time, she got this big ass gun and you gonna

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Speaker 3: talk shit like she could have mowed y'all.

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Speaker 1: Down to Yeah, and they don't have any guns. Nico

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Speaker 1: has a bow and arrow and that's it.

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Speaker 4: And I'm like, you know, suicide mission.

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Speaker 1: This makes no sense? All right? Now back to are

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Speaker 1: the yours.

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Speaker 8: Drive?

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Speaker 5: Sorry you're like him?

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Speaker 6: Yeah, not many rodders left in the city, so I

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Speaker 6: put these up as my decorations playing in the ass

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Speaker 6: to put together.

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Speaker 4: But they make a place feel more alive.

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Speaker 9: Oh go, now that I've met actual life people again,

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Speaker 9: old Onne, you guys are real, right.

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Speaker 1: It's not supposed to be a joke.

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Speaker 5: I don't know.

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Speaker 6: I mean, I never hallucinated before, but there's the first

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Speaker 6: time for everything.

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Speaker 5: Say something I wouldn't know, like what's the capital Pennsylvania?

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Speaker 1: Harrisburg? Baby, I frozen again. Oh I'm.

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Speaker 2: Oh boy, technical difficulties on my end, y'all, But I'm

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Speaker 2: gonna keep trying to keep the party going. But yeah,

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Speaker 2: we were just kind of talking about Zeke would be

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Speaker 2: the one to kind of reach out to her. Then

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Speaker 2: she said that she was like, I don't know if

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Speaker 2: y'all are real or not because I haven't seen actual

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Speaker 2: people in a fucking gear.

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Speaker 1: Are y'all in my head?

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Speaker 2: Named the the you know, name something I wouldn't know,

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Speaker 2: like the state capitol of Pennsylvania. And so anyway, She's

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Speaker 2: Adney's commitic comedic elements, because of course Eugenie knows it's Harrisburg.

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Speaker 1: Or some shit, and she was like, is it? I

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Speaker 1: don't know, She's like, did I know that?

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Speaker 2: Like, but like these comedic elements I think are something that,

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Speaker 2: you know, I kind of like in the show because

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Speaker 2: I think the show could be a little more lighthearted

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Speaker 2: in a situation where everything's been so fucking jumpy lately.

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Speaker 5: Oh all right, I knew that maybe I am hallucinating.

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Speaker 6: Wow, hey, you said it's just your I already tell

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Speaker 6: you that I've been on my own for over a

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Speaker 6: year and it totally sucks.

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Speaker 9: Damn I should be nicer talking to possibly real people

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Speaker 9: and gas making me freak out.

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Speaker 4: I'm just just gonna shut up.

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Speaker 2: She had to cover her mouth to keep from smiling

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Speaker 2: and laughing because she's so happy. She's almost it's almost

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Speaker 2: like delusional, and she's clearly off, like like whatever's happened,

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Speaker 2: she's clearly just not all there after years of isolation

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Speaker 2: and all that stuff.

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Speaker 3: And I would think I was hallucinating too if I

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Speaker 3: hadn't seen nobody like over years and.

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Speaker 2: Chains well, also, whoever put together those displays is not

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Speaker 2: gonna be the kind of person you find to go

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Speaker 2: well put together. Every time somebody is playing with zombies,

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Speaker 2: it's never good on the show. It's always somebody that's

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Speaker 2: a little bit can't be trusted.

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Speaker 5: Right, But I never liked the name Anita.

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Speaker 6: You can call me princess princess because Queen.

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Speaker 5: Makes me sound old and pretentious.

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Speaker 1: And they both are. They are looking at Ezekiel.

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Speaker 10: I am Ezekiel.

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Speaker 4: Let me show you guys around.

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Speaker 6: We got plenty of space for you to chill out,

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Speaker 6: put your feet up. Y'all need supplies, you need food,

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Speaker 6: hair dye, dye for us to swim a couple of

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Speaker 6: blocks away.

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Speaker 8: We appreciate the hospitality, but we can't stay.

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Speaker 1: Oh okay, we're on a.

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Speaker 8: Bit important mission.

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Speaker 1: That solve business.

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Speaker 5: Well, let me at least show you the best way

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Speaker 5: through the city.

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Speaker 4: Oh come on, why not because we don't know you?

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Speaker 6: Of course you do, green sass, I'm great, you'll see.

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Speaker 1: Okay.

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Speaker 2: So then she takes that big ass machine gun and

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Speaker 2: she shoots the fucking zombies that are coming up behind them.

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Speaker 2: But because of all the fucking noise, it makes the zombies,

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Speaker 2: it makes the horses run away. Right, So now, these motherfuckers.

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Speaker 2: They was already down to two horses for three people.

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Speaker 2: Now I don't even have horses, Like it's just a

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Speaker 2: rap for them. So and then she's like, oh my bad,

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Speaker 2: Like damn, I guess that wasn't helpful or whatever.

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Speaker 1: I was trying to be trying to show y'all I

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Speaker 1: can do something now.

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Speaker 2: At this point too, I think you mick O is on.

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Speaker 2: I'm like, yo, this is a trap. This is some bullshit,

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Speaker 2: Like whatever she's doing, it's part of some bigger plot

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Speaker 2: to like, I don't know, catch us unaware and do

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Speaker 2: something to us. And Eugene is mostly just annoyed because

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Speaker 2: he's like, I'm trying. I'm supposed to get to this

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Speaker 2: place so I can French kid step the dating down, right,

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Speaker 2: I don't think Yeah, I think Eugene was kind of

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Speaker 2: like I don't see her as a threat but like

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Speaker 2: some plot in Supervillain. But I also don't think she's

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Speaker 2: like a you know, uh, she's not. I just want

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Speaker 2: to know if she can be helpful. And now they

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Speaker 2: don't have horses, so they're in a body do need

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Speaker 2: her to be helpful, even though it's a fault that

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Speaker 2: the place right, So then later they have a discussion

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Speaker 2: with Eugene and this is another funny scene, but I

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Speaker 2: won't show this one. Ze Eugene and Yumiko have a

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Speaker 2: discussion about basically, should we take princess up on her

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Speaker 2: on her help because she said she knew a place

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Speaker 2: so she could get them some week. She knows a garage,

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Speaker 2: and they were like, and my first thought was do

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Speaker 2: cars still work?

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Speaker 1: Because in the Fear.

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Speaker 2: To Walking Dead, that's a big part of the plots

247
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Speaker 2: at the car gas some down after so long, If

248
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Speaker 2: no one's producing gasoline, then basically cars are non usable.

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Speaker 3: Right, And I didn't know life cars can't just sit

250
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Speaker 3: like that, like they're like we not cranking.

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Speaker 4: Up no more. A gasoline spoils like apparently I did

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Speaker 4: not know this.

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Speaker 2: So and then now with these time jumps, being like,

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Speaker 2: I don't know, probably twenty something years into the Zpoch,

255
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Speaker 2: you're not gonna have working cars.

256
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Speaker 1: So I was like, what the fuck does she mean?

257
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Speaker 1: Is she lying to them?

258
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Speaker 2: This is a trick, Like, oh, y'all, I know y'all

259
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Speaker 2: get some wheels, I know a garage full of them.

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Speaker 2: I'm like, nah, this might be a fucking trick, But

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Speaker 2: so then yes, so it's human od's on some we

262
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Speaker 2: can't trust her, like she gonna just her trap, it's

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Speaker 2: a trick.

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Speaker 1: She's selfish, she crazy, she gonna get us killed. We

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Speaker 1: can't do it. Uh.

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Speaker 2: And so in the discussion, zeke Ezekiel's kind of like, well,

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Speaker 2: I think we should give her a chance, and Eugene

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Speaker 2: breaks the tie by saying, look, whatever it takes to

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Speaker 2: get to them, stepping it too this, I'm down.

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Speaker 4: Okay, you outvoted, ma'am.

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Speaker 1: If we could have saved time not having us to

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Speaker 1: did that too?

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Speaker 6: Right?

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Speaker 1: Whatever the quickest rap. That's where I'm going, right, And so.

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Speaker 2: They decided to let her to go with her until

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Speaker 2: let her come with them and guide them as a

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Speaker 2: tour guide through the city.

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Speaker 1: But they say, you gotta like, you gotta give us

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Speaker 1: your gun.

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Speaker 2: And princess is so the thing I like about princesses,

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Speaker 2: she has no internal dialogue.

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Speaker 1: It's all outside.

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00:14:45,760 --> 00:14:48,200
Speaker 2: So she said, shit, you should just think like she's like,

284
00:14:48,640 --> 00:14:49,800
Speaker 2: give you my gun?

285
00:14:50,280 --> 00:14:53,840
Speaker 1: What why if I like, y'all could do something to me?

286
00:14:53,880 --> 00:14:55,720
Speaker 1: And I'm so like, even if I tried to kill

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00:14:55,800 --> 00:14:58,120
Speaker 1: y'all could probably get one of you.

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00:14:58,160 --> 00:14:59,840
Speaker 2: Maybe if I get lucky, I get two, but then

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00:14:59,840 --> 00:15:02,880
Speaker 2: the the third one gonna definitely kill me. So like, why

290
00:15:03,560 --> 00:15:05,000
Speaker 2: you know what, take my gun?

291
00:15:05,040 --> 00:15:06,600
Speaker 1: I don't care. And she gave him the gun and

292
00:15:06,640 --> 00:15:10,040
Speaker 1: she was like I I know, yeah she did, yes, yes,

293
00:15:10,160 --> 00:15:11,280
Speaker 1: she was like yeah.

294
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Speaker 2: I know, I I know where it's more guns. Anyway,

295
00:15:13,000 --> 00:15:16,280
Speaker 2: I'm like, what, why would you tell them that? Like

296
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Speaker 2: this is a situation where you don't wanna reveal all.

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Speaker 1: Your trump cards.

298
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Speaker 2: And so yeah, they go ahead and take her with

299
00:15:24,480 --> 00:15:26,360
Speaker 2: them or whatever, and then me w you may go,

300
00:15:26,480 --> 00:15:27,600
Speaker 2: reiterates to Zeke.

301
00:15:27,520 --> 00:15:29,520
Speaker 1: That princess it selfish and crazy.

302
00:15:30,560 --> 00:15:33,040
Speaker 2: So then Princess acts as a god takes them to

303
00:15:33,080 --> 00:15:35,440
Speaker 2: a field. What she was like, stay close to me

304
00:15:36,960 --> 00:15:39,440
Speaker 2: and just follow my steps, and they was like okay,

305
00:15:39,760 --> 00:15:42,200
Speaker 2: and then she gets on the she starts walking through

306
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Speaker 2: this field and she starts counting.

307
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Speaker 1: In Spanish and.

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00:15:46,280 --> 00:15:49,240
Speaker 2: Uh you m uh, and then the background, Zeke and

309
00:15:49,840 --> 00:15:52,040
Speaker 2: umicall kind of looking at her like what the fuck.

310
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Speaker 2: And Eugene's the closest one to her, and he's looking

311
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Speaker 2: like what the fuck is she doing? And of course

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00:15:56,240 --> 00:15:58,560
Speaker 2: he can't help himself. Once she gets about halfway through

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Speaker 2: the field, he's like, just any reason for the plarance

314
00:16:02,440 --> 00:16:04,920
Speaker 2: of this blah blah whatever you know Eugene speak, you know,

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Speaker 2: basically saying, is there any reason that you're doing all this.

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Speaker 1: Count and ship?

317
00:16:09,280 --> 00:16:13,800
Speaker 2: And she was like yeah, but and then and then uh,

318
00:16:14,440 --> 00:16:16,560
Speaker 2: and right when she says that, she stops and goes, oh,

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00:16:16,600 --> 00:16:18,960
Speaker 2: I think I found one of your horse friends. And

320
00:16:19,000 --> 00:16:21,400
Speaker 2: it's the head of one of the horses that ran away.

321
00:16:22,600 --> 00:16:25,280
Speaker 2: And they're like, what the fuck happened to the horse?

322
00:16:25,840 --> 00:16:27,720
Speaker 2: And she was like, it must have stepped on one

323
00:16:27,720 --> 00:16:28,240
Speaker 2: of the mines.

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00:16:28,880 --> 00:16:30,800
Speaker 1: And I was like, what minds?

325
00:16:31,280 --> 00:16:34,240
Speaker 3: Right, like they actually made over mindfield realized they just

326
00:16:34,280 --> 00:16:35,560
Speaker 3: slowly falling behind her.

327
00:16:35,640 --> 00:16:37,720
Speaker 1: Yeah, Princes is like, yes, some mine feels.

328
00:16:40,280 --> 00:16:42,920
Speaker 2: They're like, you couldn't have put it up earlier. She

329
00:16:43,080 --> 00:16:45,320
Speaker 2: was like, oh yeah, oh y'all didn't know.

330
00:16:47,440 --> 00:16:48,840
Speaker 10: I think I just found your horse.

331
00:16:52,120 --> 00:16:53,560
Speaker 1: Because they said.

332
00:16:53,520 --> 00:16:55,840
Speaker 10: No, probably just step on one of the minds.

333
00:16:58,360 --> 00:17:02,080
Speaker 8: What do you particular I mean by the term minds?

334
00:17:02,600 --> 00:17:07,200
Speaker 6: You know things you step on in the nigg boom?

335
00:17:07,280 --> 00:17:09,720
Speaker 1: Are you saying you brought us into a minefield?

336
00:17:09,880 --> 00:17:11,520
Speaker 5: Well, yeah, but it's a small one.

337
00:17:12,040 --> 00:17:13,760
Speaker 11: What's wrong with you?

338
00:17:13,920 --> 00:17:15,880
Speaker 1: Where'd you keep that from us? I just didn't want

339
00:17:15,880 --> 00:17:16,359
Speaker 1: you to worry.

340
00:17:16,520 --> 00:17:18,679
Speaker 4: I told you we couldn't trust her. I walked this all.

341
00:17:18,840 --> 00:17:19,840
Speaker 5: It's no big deal.

342
00:17:19,880 --> 00:17:21,560
Speaker 12: I got the root right up here, so you can

343
00:17:21,600 --> 00:17:22,080
Speaker 12: get us.

344
00:17:21,960 --> 00:17:24,160
Speaker 6: Out, of course, as soon as I figure out where

345
00:17:24,200 --> 00:17:28,359
Speaker 6: we left off. Excuse me, well, I don't normally stop

346
00:17:28,400 --> 00:17:30,120
Speaker 6: in the middle, so I kind of lost count.

347
00:17:31,400 --> 00:17:33,399
Speaker 4: I just need a minute to think. Either you get

348
00:17:33,480 --> 00:17:35,400
Speaker 4: us out of his safely, or I'll kill you myself.

349
00:17:36,720 --> 00:17:43,960
Speaker 2: That's fair, man. I don't know why, man, but Princess

350
00:17:44,160 --> 00:17:46,520
Speaker 2: had me die. It's like she was doing like a

351
00:17:46,600 --> 00:17:50,119
Speaker 2: condery routine in the middle of this serious ass show.

352
00:17:50,119 --> 00:17:52,400
Speaker 2: And you know, we've been dealing with so much serious

353
00:17:52,440 --> 00:17:56,120
Speaker 2: shit lately. It's you know, the whisperers, it's Nagan, it's

354
00:17:56,160 --> 00:17:59,400
Speaker 2: fucking you know, abuse between Lydia.

355
00:17:59,080 --> 00:18:02,000
Speaker 1: And her mom, Carol going crazy and.

356
00:18:02,040 --> 00:18:04,679
Speaker 2: Maybe she got Connie killed and you know, in an

357
00:18:04,720 --> 00:18:08,080
Speaker 2: otherwise vergu show, this like, I don't know, the fresh

358
00:18:08,119 --> 00:18:10,240
Speaker 2: air to me with her ridiculous.

359
00:18:10,280 --> 00:18:12,040
Speaker 1: It's like she's on the people. You look and you're like,

360
00:18:12,040 --> 00:18:13,960
Speaker 1: how the fuck did you make it this.

361
00:18:14,119 --> 00:18:15,480
Speaker 4: Far right, this long?

362
00:18:16,040 --> 00:18:17,359
Speaker 1: Like did you just get luggy?

363
00:18:17,720 --> 00:18:19,520
Speaker 2: Well, I mean, are you low key kind of a

364
00:18:19,560 --> 00:18:22,360
Speaker 2: badass or does your crazy logic work.

365
00:18:22,200 --> 00:18:24,760
Speaker 1: In certain scenarios but not others.

366
00:18:24,920 --> 00:18:29,080
Speaker 2: Like, I don't know, because like the whole time, And

367
00:18:29,240 --> 00:18:31,280
Speaker 2: also though it kind of made a certain amount of sense,

368
00:18:31,359 --> 00:18:35,320
Speaker 2: y'all already don't trust me, I know the way through

369
00:18:35,359 --> 00:18:38,639
Speaker 2: the mind field. She's been doing this shit so long

370
00:18:38,720 --> 00:18:42,080
Speaker 2: by herself. She's probably doesn't not used to communicating with

371
00:18:42,119 --> 00:18:43,400
Speaker 2: people about stuff like this.

372
00:18:43,640 --> 00:18:45,520
Speaker 4: Right, something that would be very important to tell other

373
00:18:45,560 --> 00:18:46,440
Speaker 4: people who don't know.

374
00:18:46,720 --> 00:18:49,119
Speaker 2: Right, And also they probably wouldn't have came and they

375
00:18:49,119 --> 00:18:51,439
Speaker 2: wouldn't have taken the shortcut or whatever the fuck it was.

376
00:18:52,560 --> 00:18:55,040
Speaker 2: Like you can tell she has some level of ulterior

377
00:18:55,080 --> 00:19:00,800
Speaker 2: motive happening, but not exactly what the reasoning is. But yeah,

378
00:19:00,880 --> 00:19:03,760
Speaker 2: it's like that moment was just so funny to me

379
00:19:03,840 --> 00:19:10,000
Speaker 2: because it's just like it's just straight out of another story. Anyway,

380
00:19:10,160 --> 00:19:15,000
Speaker 2: So go over there, and then Princess go, oh, okay, okay, all.

381
00:19:14,960 --> 00:19:17,160
Speaker 1: Right, let me uh one more time.

382
00:19:18,760 --> 00:19:21,679
Speaker 2: Yeah, So they're stuck in the mind field and Princess

383
00:19:22,040 --> 00:19:27,000
Speaker 2: is like, uh, needs to come clean about how to

384
00:19:27,000 --> 00:19:31,800
Speaker 2: get them the fuck out of there, and so hey,

385
00:19:32,000 --> 00:19:35,879
Speaker 2: oh sorry, and so Prince has a little chat with

386
00:19:37,440 --> 00:19:40,080
Speaker 2: Zekiel because that's the other thing. They keep talking about

387
00:19:40,080 --> 00:19:42,680
Speaker 2: Prince like she's not there, like.

388
00:19:42,280 --> 00:19:44,320
Speaker 4: Like she like she's talking out loud and.

389
00:19:44,280 --> 00:19:47,520
Speaker 1: So yeah, and so Zeke is like, I'll take care

390
00:19:47,520 --> 00:19:47,720
Speaker 1: of it.

391
00:19:47,760 --> 00:19:50,200
Speaker 2: Maybe it's my time, and so he use this magical

392
00:19:50,240 --> 00:19:53,280
Speaker 2: negro powers to pretending to speak to Umic on her

393
00:19:53,320 --> 00:19:57,600
Speaker 2: own language, and I mean, Princess, I'm sorry in our

394
00:19:57,600 --> 00:20:00,280
Speaker 2: own language, and Princess is like, I'm messing up. He's like,

395
00:20:00,480 --> 00:20:02,840
Speaker 2: yeah kind of, but it's not too late to salvage this.

396
00:20:03,320 --> 00:20:04,960
Speaker 2: All you gotta do is get us out of here,

397
00:20:05,160 --> 00:20:07,520
Speaker 2: you know, just show us the way out.

398
00:20:07,680 --> 00:20:10,000
Speaker 1: And then she does any meanie miney.

399
00:20:09,720 --> 00:20:13,359
Speaker 2: Mo picks a path, walks forward about ten feet, slowly,

400
00:20:13,480 --> 00:20:14,160
Speaker 2: doesn't explode.

401
00:20:14,200 --> 00:20:16,359
Speaker 1: She's like, whoa still here?

402
00:20:17,560 --> 00:20:18,040
Speaker 2: Ah?

403
00:20:18,160 --> 00:20:21,520
Speaker 4: That does not confidence right, And she's like, well, does

404
00:20:21,560 --> 00:20:21,880
Speaker 4: all right?

405
00:20:21,920 --> 00:20:22,639
Speaker 1: Guys follow me?

406
00:20:22,760 --> 00:20:25,800
Speaker 2: We uh, we should be good to go from here, guys.

407
00:20:26,000 --> 00:20:28,520
Speaker 2: And then they clear the mind field and you might

408
00:20:28,600 --> 00:20:29,720
Speaker 2: go up.

409
00:20:30,359 --> 00:20:33,879
Speaker 3: Before they clear the mind field, they're out there talking

410
00:20:34,080 --> 00:20:36,960
Speaker 3: and all of a sudden, a random zombie just comes

411
00:20:36,960 --> 00:20:38,240
Speaker 3: walking and just blows up.

412
00:20:38,640 --> 00:20:40,960
Speaker 2: Yeah, oh yeah, I guess that wasn't that important to me,

413
00:20:41,000 --> 00:20:43,560
Speaker 2: But yeah, Eugene was like, you know, we can't just

414
00:20:43,600 --> 00:20:45,440
Speaker 2: walk our way out of here, because you know, I'm

415
00:20:45,440 --> 00:20:49,800
Speaker 2: worried about cascade, and because like, what's cascade? And he's like,

416
00:20:50,080 --> 00:20:53,080
Speaker 2: and then zombie walks onto a one mind blows up,

417
00:20:53,280 --> 00:20:55,520
Speaker 2: lands on the head, lands on another mind and it

418
00:20:55,560 --> 00:20:58,720
Speaker 2: blows up, and he's like, that's cascade or whatever. So

419
00:20:59,200 --> 00:21:01,679
Speaker 2: you know, I wasn't two words because I knew shows

420
00:21:01,720 --> 00:21:04,440
Speaker 2: like this. You never blow up people on land minds

421
00:21:04,440 --> 00:21:07,320
Speaker 2: and they die, like, if anything, you always do the

422
00:21:07,359 --> 00:21:09,359
Speaker 2: thing on every TV show if someone steps on the

423
00:21:09,440 --> 00:21:12,399
Speaker 2: land mine, it's important, and then someone else does all

424
00:21:12,440 --> 00:21:14,560
Speaker 2: the stuff it takes to diffuse or delay the land

425
00:21:14,600 --> 00:21:16,800
Speaker 2: mind blowing up so they can barely survive.

426
00:21:17,000 --> 00:21:19,240
Speaker 4: Oh non essential characterize.

427
00:21:18,760 --> 00:21:21,280
Speaker 2: Yeah, something like that. But yeah, so they get out

428
00:21:21,280 --> 00:21:27,840
Speaker 2: of the minefield and Muko is pissed. Okay, highest levels

429
00:21:27,840 --> 00:21:29,240
Speaker 2: of pistivity happening.

430
00:21:31,119 --> 00:21:33,080
Speaker 1: You put a life from danger bout that for what

431
00:21:33,359 --> 00:21:35,159
Speaker 1: I did. Let's all just take it. No, no, no, no

432
00:21:35,160 --> 00:21:37,679
Speaker 1: no no. Our friends, our families are depending on us.

433
00:21:37,720 --> 00:21:39,159
Speaker 11: She may not have anyone that's to care about, but

434
00:21:39,200 --> 00:21:40,200
Speaker 11: we sure it's healthy.

435
00:21:40,400 --> 00:21:47,960
Speaker 8: I'm sorry, Fleetwood Drive, what we passed, Fleetwood Driver, It's.

436
00:21:47,880 --> 00:21:50,000
Speaker 6: Been a different fleet We got like five of them

437
00:21:50,040 --> 00:21:53,159
Speaker 6: all over the city streets, avenues, roads.

438
00:21:53,200 --> 00:21:55,600
Speaker 1: It's super composed. Oh, it was most certainly food drive.

439
00:21:55,640 --> 00:21:57,720
Speaker 8: I remember seeing the sound and saying to myself.

440
00:21:57,359 --> 00:21:59,000
Speaker 1: Granddaddy used to drive a Fleetwood.

441
00:22:00,680 --> 00:22:02,320
Speaker 8: I'll let us around all day when we could have

442
00:22:02,440 --> 00:22:03,280
Speaker 8: walked straight hair.

443
00:22:04,280 --> 00:22:08,920
Speaker 13: Is that true, Michall, you better tell us what you're

444
00:22:09,000 --> 00:22:10,960
Speaker 13: up to and maybe I'll leave you her a life.

445
00:22:11,080 --> 00:22:15,159
Speaker 1: Okay, you turn to God, damn you. Michaelle pulls the

446
00:22:15,280 --> 00:22:16,000
Speaker 1: arrow on her.

447
00:22:16,400 --> 00:22:19,080
Speaker 2: So she's basically like, I will kill your ass if

448
00:22:19,080 --> 00:22:21,280
Speaker 2: you don't explain what the fuck is happening, because I

449
00:22:21,280 --> 00:22:22,560
Speaker 2: don't trust your ass right now.

450
00:22:24,400 --> 00:22:26,560
Speaker 5: Only because I was having too much fun. And then

451
00:22:26,600 --> 00:22:28,600
Speaker 5: I figured we could take the scenic route.

452
00:22:28,400 --> 00:22:29,359
Speaker 1: Instead of turning.

453
00:22:29,160 --> 00:22:31,960
Speaker 5: Around and keep the fun. Going to a minefield, which

454
00:22:32,000 --> 00:22:35,000
Speaker 5: looks bad, I know, but I've been through it like

455
00:22:35,040 --> 00:22:38,080
Speaker 5: a billion times before, and I never thought it was

456
00:22:38,080 --> 00:22:39,719
Speaker 5: gonna be a problem until it was.

457
00:22:40,800 --> 00:22:42,960
Speaker 6: All I wanted was to show you the garage and

458
00:22:43,000 --> 00:22:46,159
Speaker 6: then you'd be like, prinstance, you're amazing. We want to

459
00:22:46,200 --> 00:22:50,800
Speaker 6: say him be friends, but no, I screwed it up.

460
00:22:52,000 --> 00:22:52,840
Speaker 5: I'll see that now.

461
00:22:53,720 --> 00:22:54,520
Speaker 6: Yeah.

462
00:22:54,960 --> 00:23:04,640
Speaker 2: She when I was and uh mco did not really

463
00:23:04,680 --> 00:23:09,920
Speaker 2: look like any of that was from killing her. She's like, yeah,

464
00:23:09,920 --> 00:23:12,800
Speaker 2: that's a lot of words that just mean we should

465
00:23:12,840 --> 00:23:16,200
Speaker 2: put you down three before you do some more crazy shit.

466
00:23:17,440 --> 00:23:20,400
Speaker 2: But then Princess goes on to explain a little more.

467
00:23:22,320 --> 00:23:23,280
Speaker 2: Oh and it looked like she was.

468
00:23:23,520 --> 00:23:24,199
Speaker 1: Hear by myself.

469
00:23:24,240 --> 00:23:26,960
Speaker 6: I figured somebody else would show up eventually onto all right,

470
00:23:27,240 --> 00:23:29,879
Speaker 6: And then days turned in two months and it was

471
00:23:29,960 --> 00:23:33,679
Speaker 6: so empty. But then I realized, this isn't that different

472
00:23:33,720 --> 00:23:37,639
Speaker 6: from how I felt before all this.

473
00:23:37,640 --> 00:23:39,920
Speaker 5: This one time someone told me.

474
00:23:41,480 --> 00:23:46,280
Speaker 6: Your heart to love, so maybe it's me, Maybe I

475
00:23:46,320 --> 00:23:48,640
Speaker 6: deserve this, And all day.

476
00:23:49,160 --> 00:23:52,399
Speaker 5: I kept hearing that little voice in my head it's me.

477
00:23:54,160 --> 00:23:58,000
Speaker 5: And I know I should have turned around told.

478
00:23:57,880 --> 00:23:59,760
Speaker 4: You guys the truth, but I didn't want that voice

479
00:23:59,760 --> 00:24:00,199
Speaker 4: to be right.

480
00:24:02,400 --> 00:24:16,000
Speaker 10: So I am sorry.

481
00:24:13,600 --> 00:24:14,760
Speaker 1: I have now.

482
00:24:15,000 --> 00:24:17,040
Speaker 2: She said her name was sad Chas, but I'm starting

483
00:24:17,040 --> 00:24:19,800
Speaker 2: to think after that her last name must be Piercing,

484
00:24:20,160 --> 00:24:25,760
Speaker 2: because that's this is us level of telling people too

485
00:24:25,840 --> 00:24:28,760
Speaker 2: much of your business right away. This one times people

486
00:24:28,760 --> 00:24:31,119
Speaker 2: said I was hard to love, and I was thinking,

487
00:24:31,119 --> 00:24:33,159
Speaker 2: maybe this is like, what what does that have to

488
00:24:33,200 --> 00:24:35,720
Speaker 2: do with you taking us in circles? Okay, we went

489
00:24:35,760 --> 00:24:38,919
Speaker 2: through a mind field, ma'am. Okay, you are hard to

490
00:24:38,960 --> 00:24:40,960
Speaker 2: love because you almost blew us the fuck up.

491
00:24:42,280 --> 00:24:43,959
Speaker 1: But of course Eugene heard it.

492
00:24:44,119 --> 00:24:46,480
Speaker 8: I have an all too familiar sense of how you feel.

493
00:24:55,200 --> 00:25:00,440
Speaker 8: I've made poor decisions a lot of the folks evitable

494
00:25:00,480 --> 00:25:11,320
Speaker 8: alternative man then left alone on one one seven. Yeah, well,

495
00:25:11,359 --> 00:25:15,840
Speaker 8: just to clarify, you do have access to those wheels, correct.

496
00:25:20,800 --> 00:25:24,600
Speaker 1: Now? That is sorry, life from danger? About that?

497
00:25:25,080 --> 00:25:25,320
Speaker 11: For what?

498
00:25:26,240 --> 00:25:32,160
Speaker 2: That is a great point, Eugene is what the I've

499
00:25:32,320 --> 00:25:35,679
Speaker 2: closed the window. Eugene kind of is like Princess mm,

500
00:25:36,200 --> 00:25:39,120
Speaker 2: except he took people on a much further journey.

501
00:25:38,960 --> 00:25:40,919
Speaker 4: Went thousands of hundreds of thousands of.

502
00:25:40,920 --> 00:25:44,399
Speaker 2: Miles right lied a much bigger lot. I can cure

503
00:25:44,480 --> 00:25:49,199
Speaker 2: the fucking zombie virus. Also, he could feel important and

504
00:25:49,320 --> 00:25:53,880
Speaker 2: be somebody to them, you know, yeah and.

505
00:25:53,800 --> 00:25:56,359
Speaker 1: So, and he almost got people killed and all that shit.

506
00:25:57,000 --> 00:26:00,240
Speaker 2: So she just happened to run into the right can

507
00:26:00,240 --> 00:26:05,520
Speaker 2: misfit of the Zeke and his delusional hours of king

508
00:26:05,600 --> 00:26:08,480
Speaker 2: and the kingdom with a tiger, and then Eugene with

509
00:26:08,600 --> 00:26:12,560
Speaker 2: his you know what, I've been there too, and I

510
00:26:12,680 --> 00:26:15,439
Speaker 2: have done crazy shit to seem important to other people.

511
00:26:16,480 --> 00:26:19,040
Speaker 1: Migo's the only one that's rational. I feel like she's

512
00:26:19,119 --> 00:26:22,400
Speaker 1: like the audience. She's like us at home, like if you.

513
00:26:22,359 --> 00:26:26,200
Speaker 2: Don't kill this motherfucker before she gets y'all killed. Fun,

514
00:26:26,800 --> 00:26:30,320
Speaker 2: we walked through minefields for fun. We're not hanging out.

515
00:26:30,359 --> 00:26:33,359
Speaker 2: We have a mission, Like nothing about this is fun.

516
00:26:33,560 --> 00:26:37,199
Speaker 2: We have a purpose, right, But of course, you know,

517
00:26:37,280 --> 00:26:43,119
Speaker 2: between Eugene and uh Ezekiels, she's getting the past. So

518
00:26:43,160 --> 00:26:44,480
Speaker 2: they get out of the mind they get all the

519
00:26:44,520 --> 00:26:45,360
Speaker 2: way after mindfields.

520
00:26:45,400 --> 00:26:55,200
Speaker 1: She takes us to the garage with the whiz whe els.

521
00:26:56,920 --> 00:27:01,120
Speaker 10: Yeah, not exactly the kind of ride I was picturing.

522
00:27:00,840 --> 00:27:04,320
Speaker 8: But fifteen miles per hours of significant in Crisover walking.

523
00:27:06,760 --> 00:27:10,400
Speaker 1: So if you can't see it, but it's bicycle, y'all.

524
00:27:10,800 --> 00:27:11,359
Speaker 4: She didn't lie.

525
00:27:11,440 --> 00:27:12,920
Speaker 1: It was Wills. It was Wills.

526
00:27:13,520 --> 00:27:16,080
Speaker 3: And Eugene's like she just been walking on my feet

527
00:27:16,240 --> 00:27:18,199
Speaker 3: to go get to that pussy. Let's go, let's go,

528
00:27:18,320 --> 00:27:18,840
Speaker 3: let's battle.

529
00:27:20,359 --> 00:27:22,320
Speaker 2: I feel like Eugene's gonna be like way ahead of

530
00:27:22,359 --> 00:27:24,640
Speaker 2: everybody on the ride up there, Like.

531
00:27:25,200 --> 00:27:29,359
Speaker 1: Come on, y'all, hurry up, You're gonna Eugene damn, like

532
00:27:29,400 --> 00:27:31,399
Speaker 1: it's gonna be you ain't got no helpt down. But

533
00:27:31,480 --> 00:27:33,840
Speaker 1: it's gonna be the hardest he ever worked on that bicycle.

534
00:27:36,720 --> 00:27:46,200
Speaker 1: To be fair, she wasn't lying about the garage.

535
00:27:43,960 --> 00:27:44,640
Speaker 7: She came through.

536
00:27:49,720 --> 00:27:56,440
Speaker 10: Oh listen, I'm not a bad person.

537
00:27:57,080 --> 00:28:00,480
Speaker 13: I want you to know that. And you had every

538
00:28:00,520 --> 00:28:03,800
Speaker 13: reason not to speak so hard, to take a chance

539
00:28:03,800 --> 00:28:06,720
Speaker 13: on people in this world, and when those people lie

540
00:28:06,720 --> 00:28:07,240
Speaker 13: to you will.

541
00:28:07,600 --> 00:28:12,320
Speaker 4: Yeah, I know it sucks. I blew it.

542
00:28:12,720 --> 00:28:16,240
Speaker 10: I know, and I'm sorry.

543
00:28:16,480 --> 00:28:20,080
Speaker 13: I guess I wish I had done things better, but

544
00:28:20,119 --> 00:28:22,040
Speaker 13: I guess my people's skills are pretty rusty.

545
00:28:23,200 --> 00:28:24,719
Speaker 4: Well that's something we're gonna have to walk home.

546
00:28:24,760 --> 00:28:24,840
Speaker 1: Inn.

547
00:28:26,600 --> 00:28:29,159
Speaker 8: I was coming overhead to see if you wanted to

548
00:28:29,240 --> 00:28:30,040
Speaker 8: join us.

549
00:28:32,080 --> 00:28:36,520
Speaker 2: Eugene Asie both looked up, like the fuck because they

550
00:28:36,560 --> 00:28:38,200
Speaker 2: were the ones that had to convince you were going

551
00:28:38,200 --> 00:28:40,360
Speaker 2: to kill this girl two or three times.

552
00:28:40,480 --> 00:28:45,760
Speaker 3: And you know what, I think she had to analyze

553
00:28:45,840 --> 00:28:49,800
Speaker 3: it on. She had a plan. Her plan didn't go

554
00:28:49,920 --> 00:28:52,360
Speaker 3: like it was. It was fucked up. It felled the

555
00:28:52,480 --> 00:28:56,280
Speaker 3: pieces you and you know, because it's almost like her relationship,

556
00:28:56,400 --> 00:28:58,760
Speaker 3: you felt like you had it under control and you didn't, so,

557
00:28:59,160 --> 00:29:01,120
Speaker 3: you know, in her mind and she was like, Okay,

558
00:29:01,160 --> 00:29:03,760
Speaker 3: I understand she no, she still might be crazy, but

559
00:29:03,920 --> 00:29:06,760
Speaker 3: to an extent, I do understand think you got control

560
00:29:06,760 --> 00:29:08,080
Speaker 3: over something, and you actually don't.

561
00:29:08,360 --> 00:29:12,479
Speaker 2: I will take it one step further care. I feel

562
00:29:12,520 --> 00:29:17,760
Speaker 2: like Princess kind of reminds you, Mico Magna. Keep in mind,

563
00:29:18,320 --> 00:29:20,800
Speaker 2: Umico used to be a defense lawyer for a living,

564
00:29:21,440 --> 00:29:26,640
Speaker 2: and this idea of second chances of people making mistakes

565
00:29:26,760 --> 00:29:30,440
Speaker 2: but deserving forgiveness, that's right up a defense lawyer's alley.

566
00:29:31,840 --> 00:29:36,000
Speaker 2: And I could see her being like, you're not a

567
00:29:36,040 --> 00:29:38,120
Speaker 2: bad person, like that stuff, reaching her like I don't

568
00:29:38,120 --> 00:29:40,880
Speaker 2: think she's a bad person. I do think, you know,

569
00:29:41,320 --> 00:29:44,800
Speaker 2: she made a mistake or whatever, but I'm not gonna

570
00:29:44,840 --> 00:29:49,120
Speaker 2: just be like fuck this girl leave her behind either.

571
00:29:50,480 --> 00:29:53,160
Speaker 2: So I could kind of see the wheels turning on you, Mico,

572
00:29:53,960 --> 00:29:57,600
Speaker 2: where it is kind of almost like a Magna situation.

573
00:29:57,720 --> 00:30:00,920
Speaker 2: I don't know Prince's sexuality and all that stuff. I

574
00:30:00,920 --> 00:30:05,400
Speaker 2: don't know what her sexual orientation is, but I don't know.

575
00:30:05,480 --> 00:30:08,160
Speaker 2: I could feel like a little bit of like something

576
00:30:08,200 --> 00:30:12,840
Speaker 2: there of like Princes and Magna kind of being like

577
00:30:13,760 --> 00:30:17,680
Speaker 2: a weird kind of not now, Magna is much more calculating,

578
00:30:17,760 --> 00:30:21,280
Speaker 2: smart and brutal, but uh like a weird kind of

579
00:30:21,480 --> 00:30:23,800
Speaker 2: like you fucked up but that don't make you a

580
00:30:23,840 --> 00:30:27,720
Speaker 2: fuck up type of vibe. So uh so, yeah, she's

581
00:30:27,760 --> 00:30:33,320
Speaker 2: gonna let her join. Yes, and Zeken Eugenie's faces make

582
00:30:33,400 --> 00:30:35,120
Speaker 2: this scene because they just looked up, like the fuck

583
00:30:35,160 --> 00:30:39,320
Speaker 2: are you what? She coming with us? But you said

584
00:30:39,560 --> 00:30:44,719
Speaker 2: you know and she's got Oh that's just crazy?

585
00:30:47,320 --> 00:30:48,520
Speaker 5: Wait for real?

586
00:30:49,040 --> 00:30:50,800
Speaker 4: Yeah, as long as you don't like tow us again?

587
00:30:50,840 --> 00:31:00,200
Speaker 13: Okay, yes, yes, you know the area?

588
00:30:58,240 --> 00:31:02,240
Speaker 5: Say, do we have enough time to grab stuff for

589
00:31:02,280 --> 00:31:05,720
Speaker 5: my fash? I've got food and a cool spear and

590
00:31:05,760 --> 00:31:06,360
Speaker 5: some candy.

591
00:31:07,680 --> 00:31:09,120
Speaker 4: Does this mean I get to have my gum back?

592
00:31:09,600 --> 00:31:10,520
Speaker 5: Can I know where we're going?

593
00:31:10,760 --> 00:31:11,280
Speaker 1: Is her map?

594
00:31:11,400 --> 00:31:16,480
Speaker 4: Do I get to hold it? All the questions?

595
00:31:16,800 --> 00:31:20,600
Speaker 2: Man, I fucking love princess. Man, she coming with candy

596
00:31:20,680 --> 00:31:22,760
Speaker 2: and snacks and guns.

597
00:31:22,360 --> 00:31:22,440
Speaker 6: And.

598
00:31:24,200 --> 00:31:26,480
Speaker 2: She got the spear, which I think is in the

599
00:31:26,520 --> 00:31:29,959
Speaker 2: comic book, so like, I don't know, man, I'm totally

600
00:31:30,000 --> 00:31:34,920
Speaker 2: into this. Also, the story kind of needs this, like

601
00:31:35,000 --> 00:31:37,200
Speaker 2: to kind of like we're going to meet a new community,

602
00:31:37,680 --> 00:31:41,480
Speaker 2: we're making new friends. They're not bad people, they're kind

603
00:31:41,520 --> 00:31:45,760
Speaker 2: of quirky. I like that, and I hope that element

604
00:31:45,840 --> 00:31:48,360
Speaker 2: continues in this story because the other two stories about

605
00:31:48,400 --> 00:31:50,960
Speaker 2: to cover are not fun times at all.

606
00:31:51,080 --> 00:31:54,680
Speaker 1: Okay, this is the comic.

607
00:31:54,440 --> 00:31:55,560
Speaker 4: Relief come home.

608
00:31:56,560 --> 00:31:58,080
Speaker 1: All right, let's get to the other one.

609
00:31:58,440 --> 00:32:02,680
Speaker 2: It was like good time right the whispers Uh now

610
00:32:02,720 --> 00:32:05,240
Speaker 2: this is actually mostly talking anyway. There's only one scene

611
00:32:05,800 --> 00:32:09,920
Speaker 2: to show people or whatever, and it's not really that like.

612
00:32:09,920 --> 00:32:11,200
Speaker 1: Pivotal that you see it, but.

613
00:32:13,320 --> 00:32:16,480
Speaker 2: Beta and Sport of Zombies and his you know, the

614
00:32:16,520 --> 00:32:18,640
Speaker 2: whispers into.

615
00:32:20,200 --> 00:32:21,000
Speaker 1: Alexandria.

616
00:32:21,440 --> 00:32:23,080
Speaker 2: Now, this is one of those times where I wish

617
00:32:23,320 --> 00:32:25,600
Speaker 2: those who say they don't watch the show go look

618
00:32:25,680 --> 00:32:28,280
Speaker 2: up and look it up on YouTube if you can,

619
00:32:29,000 --> 00:32:31,600
Speaker 2: but just you don't have to see the whole clip.

620
00:32:31,680 --> 00:32:34,959
Speaker 1: But the vibe that I can't do justice talking about it.

621
00:32:35,320 --> 00:32:41,200
Speaker 2: The music, his fucking like evil menacing broad shoulders shuffle

622
00:32:42,480 --> 00:32:46,400
Speaker 2: like coming in that fucking creepy whisper where he's.

623
00:32:48,880 --> 00:32:51,960
Speaker 3: And then the face mask and I was like, yeah,

624
00:32:52,080 --> 00:32:52,920
Speaker 3: you crazy?

625
00:32:53,120 --> 00:32:53,600
Speaker 4: Crazy?

626
00:32:54,000 --> 00:32:58,840
Speaker 2: Yeah right, like his mask is Alpha. I mean, I

627
00:32:58,880 --> 00:33:01,760
Speaker 2: guess shit in that so is what's the name? Was

628
00:33:01,800 --> 00:33:02,360
Speaker 2: crazy too?

629
00:33:02,760 --> 00:33:05,840
Speaker 1: Everybody on this episode was crazy, Okay.

630
00:33:06,000 --> 00:33:11,440
Speaker 2: But yeah Beta looks insane just from the like the

631
00:33:11,480 --> 00:33:19,160
Speaker 2: whole vibe, Oh you crazy.

632
00:33:18,800 --> 00:33:21,800
Speaker 1: I am, like even with the like.

633
00:33:24,120 --> 00:33:27,240
Speaker 2: Even with the thing where like half of his mask

634
00:33:27,440 --> 00:33:33,040
Speaker 2: is alpha. It looks fucking creepy, like that freshly dead

635
00:33:33,160 --> 00:33:36,680
Speaker 2: smooth skin and then that rugged, ugly skin or the

636
00:33:36,760 --> 00:33:41,360
Speaker 2: other like oh oh god man, what a fucking insane person.

637
00:33:41,440 --> 00:33:44,680
Speaker 2: But yeah, so you kind of have to see that

638
00:33:44,760 --> 00:33:47,959
Speaker 2: for yourself. And the music they picked was perfect, Like

639
00:33:48,000 --> 00:33:53,840
Speaker 2: it's just very like bass heavy, drum like dum. Like

640
00:33:54,200 --> 00:33:58,160
Speaker 2: they are just on the march, slowly going through and

641
00:33:59,360 --> 00:34:02,480
Speaker 2: so they they're looking for him. No one's in Alexandria.

642
00:34:03,480 --> 00:34:05,320
Speaker 2: I thought I had missed something. I was like, did

643
00:34:05,320 --> 00:34:07,400
Speaker 2: they edit something? I missed an episode? Where the fuck

644
00:34:07,520 --> 00:34:09,880
Speaker 2: is everybody? They knew to get the fuck out of

645
00:34:09,960 --> 00:34:13,200
Speaker 2: Dodge after what happened to Hilltop, Like we can't make

646
00:34:13,239 --> 00:34:13,960
Speaker 2: our stay in here.

647
00:34:14,360 --> 00:34:16,439
Speaker 4: They're gonna retaliate. No stay here.

648
00:34:16,719 --> 00:34:20,799
Speaker 2: And it's actually kind of brilliant because unlike Niagan in them,

649
00:34:20,800 --> 00:34:23,520
Speaker 2: when they see if places that occupied, the Whisperers don't

650
00:34:23,560 --> 00:34:26,920
Speaker 2: like destroy it, you know, they don't you know, like

651
00:34:26,960 --> 00:34:29,239
Speaker 2: if that was Nigan, he would have bombed a bunch

652
00:34:29,239 --> 00:34:30,360
Speaker 2: of houses, burned.

653
00:34:30,120 --> 00:34:33,160
Speaker 1: Some ship down. They're you know, they was like they

654
00:34:33,280 --> 00:34:34,200
Speaker 1: not here? Where are they?

655
00:34:34,239 --> 00:34:37,560
Speaker 2: So they go and get on the windmill and they

656
00:34:37,760 --> 00:34:40,279
Speaker 2: kind of overlooking everything they climb up the windmill that

657
00:34:40,320 --> 00:34:43,160
Speaker 2: the whisperers do and they overlooked a zombie horde.

658
00:34:43,840 --> 00:34:46,120
Speaker 1: Hey, y'all, it's a lot of them.

659
00:34:47,640 --> 00:34:50,840
Speaker 2: Is mo zombies the at the wharf during crab legs

660
00:34:50,880 --> 00:34:53,720
Speaker 2: Hell at Coronavirus.

661
00:34:53,800 --> 00:34:55,880
Speaker 1: Okay, it is so you would have.

662
00:34:55,880 --> 00:34:57,959
Speaker 4: Thought was not an a pound.

663
00:34:58,000 --> 00:35:00,160
Speaker 2: It was like, I can't you would have thought a

664
00:35:00,239 --> 00:35:04,080
Speaker 2: Los Angeles farmers market during the quarantine. The amount of

665
00:35:04,120 --> 00:35:09,000
Speaker 2: motherfucking zombies in this place. Jesus fucking Christ. So it's

666
00:35:09,040 --> 00:35:12,719
Speaker 2: so many zombies and they are top of this the

667
00:35:12,760 --> 00:35:16,279
Speaker 2: windmill looking down at the zombies, kind of talking, you know,

668
00:35:16,600 --> 00:35:19,600
Speaker 2: at the leaders I guess what passes for leadership under

669
00:35:19,600 --> 00:35:23,399
Speaker 2: Beta are just there and they're like, we can't find

670
00:35:23,440 --> 00:35:28,440
Speaker 2: them anywhere, and he's like, maybe we should look somewhere else.

671
00:35:30,480 --> 00:35:36,520
Speaker 2: And he starts hearing voices this shit because at first

672
00:35:36,520 --> 00:35:38,719
Speaker 2: I thought it was designed like I was like, oh,

673
00:35:38,719 --> 00:35:41,200
Speaker 2: this is how they talking to each other. Beta has

674
00:35:41,239 --> 00:35:44,600
Speaker 2: snapped and so he's hearing voices in the whispers that

675
00:35:44,680 --> 00:35:49,440
Speaker 2: aren't there, and it was like they have nothing, They flee,

676
00:35:50,040 --> 00:35:55,360
Speaker 2: they hide, and then he says ocean and the camera

677
00:35:55,440 --> 00:35:59,760
Speaker 2: pans up to Aaron and Alden, who are actually still

678
00:35:59,800 --> 00:36:03,600
Speaker 2: in the fucking the windmill, y'all there at the top

679
00:36:03,640 --> 00:36:06,520
Speaker 2: of the windmill, hiding everyone else has left, and that

680
00:36:06,680 --> 00:36:10,400
Speaker 2: essentially their job, it seems, is to spy on the

681
00:36:10,400 --> 00:36:12,680
Speaker 2: whispers as part of a plan to see where to go.

682
00:36:13,200 --> 00:36:13,359
Speaker 1: Now.

683
00:36:13,360 --> 00:36:17,160
Speaker 2: An interesting part here is they were using sign language

684
00:36:17,160 --> 00:36:20,960
Speaker 2: to communicate, like because All then looks out the window

685
00:36:21,120 --> 00:36:23,680
Speaker 2: and at one point Beta turns his head real fast,

686
00:36:24,040 --> 00:36:26,840
Speaker 2: and it's almost like the Beta see out it or not,

687
00:36:27,680 --> 00:36:31,000
Speaker 2: and they you know, and they're making they're making hand

688
00:36:31,040 --> 00:36:32,960
Speaker 2: gestures to be like and I was like, so is

689
00:36:33,000 --> 00:36:34,759
Speaker 2: this Are they both in the military. When did they

690
00:36:34,800 --> 00:36:36,160
Speaker 2: get this good with their hand songs?

691
00:36:36,640 --> 00:36:36,799
Speaker 1: No?

692
00:36:37,320 --> 00:36:40,680
Speaker 2: So they both know silence now and All then looks

693
00:36:40,680 --> 00:36:43,279
Speaker 2: out and we get that little scared but Beta didn't

694
00:36:43,280 --> 00:36:45,920
Speaker 2: see them. And then Beta says they're gonna lead the

695
00:36:45,960 --> 00:36:49,640
Speaker 2: horde somewhere else and they go. He was like, we walk,

696
00:36:51,760 --> 00:36:55,560
Speaker 2: so on their walk they are going towards ocean side,

697
00:36:56,280 --> 00:37:16,880
Speaker 2: and then this shit happens and so he freezes in

698
00:37:16,920 --> 00:37:19,360
Speaker 2: the middle of the road and just starts looking around.

699
00:37:20,080 --> 00:37:22,040
Speaker 4: That beat set the tone, don't it.

700
00:37:22,600 --> 00:37:26,439
Speaker 2: And the whisperer, who's just like kind of road dog

701
00:37:26,560 --> 00:37:30,319
Speaker 2: is second in command. This woman she's looking at them

702
00:37:30,320 --> 00:37:43,520
Speaker 2: like trying to figure out what to say. So that's

703
00:37:43,600 --> 00:37:46,440
Speaker 2: him talking out loud. That's not the voices. They're not fools.

704
00:37:46,440 --> 00:37:49,239
Speaker 2: They aspect us. The path is not clear. She tries

705
00:37:49,239 --> 00:37:51,160
Speaker 2: to give them some words of encouragement.

706
00:37:56,840 --> 00:37:58,000
Speaker 1: Leaves in yours too.

707
00:38:00,440 --> 00:38:05,120
Speaker 2: Now, and that's when she fucked up. She says, basically,

708
00:38:05,160 --> 00:38:07,040
Speaker 2: the Pact believes in your wisdom.

709
00:38:07,320 --> 00:38:11,759
Speaker 1: The pack we believe in the Alpha. Now we know this.

710
00:38:11,880 --> 00:38:17,080
Speaker 1: Nigga's crazy that that's not my name right for him?

711
00:38:17,520 --> 00:38:23,399
Speaker 1: Alpha is the Alpha Alpha right. He can't take it?

712
00:38:23,600 --> 00:38:30,000
Speaker 1: Oh you crazy, I am?

713
00:38:31,120 --> 00:38:33,720
Speaker 2: So he starts thretening her. He pulls out his knife

714
00:38:34,000 --> 00:38:38,040
Speaker 2: to kill her ass. Yes, right, like you said, what bitch?

715
00:38:38,360 --> 00:38:40,640
Speaker 1: He been killing these followers left and right.

716
00:38:40,680 --> 00:38:42,440
Speaker 2: By the way, this is why Alpha, when she was

717
00:38:42,480 --> 00:38:44,200
Speaker 2: in management, was much better.

718
00:38:44,360 --> 00:38:45,000
Speaker 1: You know what I mean?

719
00:38:45,080 --> 00:38:46,960
Speaker 3: Yeah, she was crazy too, but she was like, we

720
00:38:47,000 --> 00:38:48,520
Speaker 3: can't kill the people, not all of them.

721
00:38:48,520 --> 00:38:50,200
Speaker 4: We can give someone, but we can't kill everybody.

722
00:38:50,200 --> 00:38:53,320
Speaker 2: It Alpha started like the way that people start looking

723
00:38:53,360 --> 00:38:56,440
Speaker 2: at George W. Bush once Trump took office, is how

724
00:38:56,480 --> 00:38:59,640
Speaker 2: I'm looking at Alpha now, where I'm like, she was terrible.

725
00:39:00,160 --> 00:39:03,200
Speaker 2: She wasn't dis bad, you know what, like not fond

726
00:39:03,320 --> 00:39:05,200
Speaker 2: memories or I'm like, oh, you know, they weren't bad

727
00:39:05,239 --> 00:39:08,279
Speaker 2: at all. It was just like you were terrible, but

728
00:39:08,800 --> 00:39:11,319
Speaker 2: clearly you could have been worse. This niggas off his

729
00:39:11,400 --> 00:39:14,640
Speaker 2: fucking rocket. She wasn't just killing anyone who had a question.

730
00:39:15,160 --> 00:39:17,759
Speaker 2: You know, somebody had a cause. She'd be like, let

731
00:39:17,800 --> 00:39:20,200
Speaker 2: them talk and go through the whole thing. She only

732
00:39:20,280 --> 00:39:22,360
Speaker 2: killed some of them that, you know, if they started

733
00:39:22,440 --> 00:39:24,759
Speaker 2: like they was getting some support. But other time she

734
00:39:24,760 --> 00:39:27,279
Speaker 2: would take it into a little cave or some shit

735
00:39:27,400 --> 00:39:29,279
Speaker 2: and talk talk you down and be like, you know

736
00:39:29,400 --> 00:39:30,319
Speaker 2: you're doing a good job.

737
00:39:30,360 --> 00:39:32,759
Speaker 1: And your sister, you know, you could cry in this.

738
00:39:32,760 --> 00:39:36,000
Speaker 2: Cave and I won't kill you, you know, or I'll

739
00:39:36,000 --> 00:39:36,760
Speaker 2: give you some pussy.

740
00:39:37,000 --> 00:39:40,480
Speaker 3: Because similar to Nigan, as crazy as you know he

741
00:39:40,719 --> 00:39:43,360
Speaker 3: was too, she did believe in numbers.

742
00:39:43,520 --> 00:39:47,919
Speaker 2: You can't kill them all. What kind of James Bond buildings. Yeah,

743
00:39:48,080 --> 00:39:50,800
Speaker 2: Vada just like Vada's like, I'll lead the zombies.

744
00:39:50,840 --> 00:39:51,920
Speaker 4: They people to me, and.

745
00:39:53,120 --> 00:39:55,319
Speaker 2: So he pulls out the knife to kill her. It's

746
00:39:55,440 --> 00:39:57,920
Speaker 2: like me with my parents. She liked me when my

747
00:39:57,920 --> 00:39:59,520
Speaker 2: parents got the belt a.

748
00:40:02,640 --> 00:40:10,719
Speaker 1: We see her, so she go she started backing on

749
00:40:10,800 --> 00:40:14,160
Speaker 1: to No, it's just that we see her within you. No, no, please, Vada,

750
00:40:14,239 --> 00:40:14,840
Speaker 1: I met Beta.

751
00:40:15,000 --> 00:40:18,239
Speaker 2: No, Mama, please, I put the chicken out for the defrosts.

752
00:40:18,239 --> 00:40:20,919
Speaker 1: I didn't know this chicken still frownsing. I can see

753
00:40:20,960 --> 00:40:23,880
Speaker 1: him making wave it like she was trying to figure

754
00:40:23,880 --> 00:40:25,840
Speaker 1: it out. Okay, Like I.

755
00:40:25,760 --> 00:40:27,920
Speaker 2: Know I didn't have the controllers out that the Nintendo

756
00:40:28,040 --> 00:40:29,800
Speaker 2: was on top of the hem refrigerating the whole time.

757
00:40:30,200 --> 00:40:33,120
Speaker 2: I don't know why one she was making. She was

758
00:40:33,120 --> 00:40:37,520
Speaker 2: making all kinds of excuses. But that way that you heard,

759
00:40:37,760 --> 00:40:41,760
Speaker 2: that's not an actual person. That's in his motherfucking head.

760
00:40:42,360 --> 00:40:44,040
Speaker 2: He got a knife he's about to kill her with.

761
00:40:44,640 --> 00:40:47,759
Speaker 2: And ghost person in the world. Ghost person came to

762
00:40:47,840 --> 00:40:50,040
Speaker 2: him in his brain and was like the player chill

763
00:40:50,120 --> 00:41:13,520
Speaker 2: one second, dog, Hello, yeah, hold up. So he turns around,

764
00:41:13,960 --> 00:41:19,719
Speaker 2: starts talking to no One and says, show me keep

765
00:41:19,760 --> 00:41:22,400
Speaker 2: in mind now if I'm this woman, I'm like, I

766
00:41:22,480 --> 00:41:25,600
Speaker 2: accidentally fucked up and said Alpha, which technically this nigga is.

767
00:41:25,719 --> 00:41:29,440
Speaker 2: But okay, I mean, I feel like the nigga is

768
00:41:29,520 --> 00:41:30,840
Speaker 2: killing everybody that got questions?

769
00:41:30,960 --> 00:41:35,160
Speaker 1: Is Alpha? You clearly the leader? But okay, I fucked up.

770
00:41:35,640 --> 00:41:36,600
Speaker 1: He was about to kill me.

771
00:41:36,719 --> 00:41:39,040
Speaker 2: Then he stopped on his own volition, turned to the

772
00:41:39,080 --> 00:41:43,560
Speaker 2: world and said, show me what the fuck I.

773
00:41:43,600 --> 00:41:44,600
Speaker 1: Knew we were crazy.

774
00:41:44,640 --> 00:41:48,239
Speaker 2: I didn't know we was just crazy. I signed up

775
00:41:48,280 --> 00:41:52,360
Speaker 2: for like the gold level membership. This is platinum crazy.

776
00:41:53,560 --> 00:41:56,200
Speaker 4: I you know this. I'm not supposed to be part

777
00:41:56,239 --> 00:41:58,160
Speaker 4: of this group, dongrade.

778
00:41:58,520 --> 00:41:59,760
Speaker 1: I won't out of the gang.

779
00:42:00,040 --> 00:42:04,000
Speaker 2: He and he reminded me of uh, Tupocket and juice

780
00:42:04,040 --> 00:42:05,200
Speaker 2: I mean not JUICEC.

781
00:42:05,320 --> 00:42:08,360
Speaker 1: Yeah, Tupocket and juice Y. We rolled up on GQ.

782
00:42:08,680 --> 00:42:16,960
Speaker 1: Then I crazy, man. Do you know what when you

783
00:42:17,000 --> 00:42:20,600
Speaker 1: said that last time? I was kind of tripping right,

784
00:42:21,080 --> 00:42:21,840
Speaker 1: But now.

785
00:42:24,320 --> 00:42:29,680
Speaker 11: You fight? I am crazy, but you know what else?

786
00:42:32,960 --> 00:42:36,160
Speaker 1: I don't know you give a fuck. I don't give

787
00:42:36,200 --> 00:42:38,720
Speaker 1: a fuck about you. I don't give a fuck about

788
00:42:38,760 --> 00:42:41,520
Speaker 1: steal and I don't give a fuck about Rahem either.

789
00:42:42,360 --> 00:42:45,840
Speaker 1: I don't give a fuck about myself. I ain't shit,

790
00:42:46,520 --> 00:42:48,920
Speaker 1: I ain't never gonna be shit, and you bless up

791
00:42:48,920 --> 00:42:49,400
Speaker 1: a man than me.

792
00:42:49,480 --> 00:42:51,520
Speaker 2: So soon as I decide that you ain't gonna be shit,

793
00:42:55,000 --> 00:42:57,960
Speaker 2: so beat you remember that, motherfucker?

794
00:42:58,680 --> 00:43:04,280
Speaker 1: Cause I'm looking one. Y'all need to be about partner.

795
00:43:05,280 --> 00:43:10,520
Speaker 2: So she looked like GQ looked with.

796
00:43:12,600 --> 00:43:15,000
Speaker 4: I was like, oh, Ship, he come out with their eyes.

797
00:43:15,320 --> 00:43:22,040
Speaker 2: Right, and so then uh, he's uh. The voices tell

798
00:43:22,120 --> 00:43:25,480
Speaker 2: him to stop and to look for the size and

799
00:43:25,520 --> 00:43:29,279
Speaker 2: to have faith and to faith will.

800
00:43:29,239 --> 00:43:32,319
Speaker 1: Be rewarded, and he says, we walk. We wait. But

801
00:43:32,400 --> 00:43:38,360
Speaker 1: that woman looked unfucking like this. She looked disheveled. She

802
00:43:38,440 --> 00:43:43,200
Speaker 1: looked like she completely goes unnerved after that. We'll get

803
00:43:43,200 --> 00:43:43,480
Speaker 1: back to that.

804
00:43:43,560 --> 00:43:46,000
Speaker 3: It's almost like she forgot she was in the middle

805
00:43:46,080 --> 00:43:47,640
Speaker 3: of a zombie pack and she was like, oh, oh,

806
00:43:47,719 --> 00:43:50,719
Speaker 3: let me stop moving again, attention to me and get killed.

807
00:43:50,960 --> 00:43:53,600
Speaker 2: She stood still while the zombies kept moving, and I

808
00:43:53,680 --> 00:43:57,560
Speaker 2: was like, oh, Ship, Like she like her entire fucking

809
00:43:58,440 --> 00:44:02,480
Speaker 2: vibe from that moment was completely changed. She was no

810
00:44:02,520 --> 00:44:05,520
Speaker 2: longer part of the whispers. She was like, I think

811
00:44:05,520 --> 00:44:06,600
Speaker 2: out of the whispers.

812
00:44:07,320 --> 00:44:11,400
Speaker 12: Fuck this shit, I'm mount Fuck this shit, I'm mount

813
00:44:11,600 --> 00:44:13,279
Speaker 12: no things, don't mind me.

814
00:44:13,920 --> 00:44:18,000
Speaker 3: I'm just grabbing myself from thee excuse me, please.

815
00:44:17,680 --> 00:44:21,480
Speaker 1: Fuck this shit, I'm mounting. Nope, fuck this shit, I'm

816
00:44:21,560 --> 00:44:22,600
Speaker 1: mounting all right.

817
00:44:22,520 --> 00:44:25,440
Speaker 3: That I don't know what the fuck just happened, but

818
00:44:25,520 --> 00:44:26,359
Speaker 3: I don't really care.

819
00:44:26,760 --> 00:44:28,279
Speaker 4: I'm looking at the fuck up out of head.

820
00:44:28,440 --> 00:44:30,920
Speaker 1: This shit, I'm mount So then.

821
00:44:32,360 --> 00:44:40,719
Speaker 2: They keep walking and Beta stars seeing like signs and

822
00:44:40,800 --> 00:44:43,600
Speaker 2: stuff because he's like, you know, the voices I telling

823
00:44:43,680 --> 00:44:46,640
Speaker 2: him faith will be rewarded.

824
00:44:46,880 --> 00:44:47,080
Speaker 1: Yeah.

825
00:44:47,120 --> 00:44:50,120
Speaker 3: He looks in the face of like a random ass zombie.

826
00:44:50,440 --> 00:44:53,239
Speaker 1: Yeah, and the zombie is talking to him in his

827
00:44:53,320 --> 00:44:55,560
Speaker 1: brain And at first I thought it was a whisper.

828
00:44:55,640 --> 00:44:57,279
Speaker 1: Then I was like, look at his mouth. That's not

829
00:44:57,320 --> 00:44:58,200
Speaker 1: a person under there.

830
00:44:58,760 --> 00:45:03,920
Speaker 2: That fucking zombie was I was like, nope, nope, nope, nope,

831
00:45:03,960 --> 00:45:05,359
Speaker 2: too too, too much.

832
00:45:05,800 --> 00:45:09,160
Speaker 1: And I most scared of him the Alpha. He too crazy.

833
00:45:09,440 --> 00:45:16,000
Speaker 3: He was basically the one that Alpha controlled. Yeah, like

834
00:45:16,200 --> 00:45:18,080
Speaker 3: just on the killing Spreaks, he was like, you want.

835
00:45:18,000 --> 00:45:19,759
Speaker 1: Me to suck hi up? She'd be like, and he

836
00:45:19,840 --> 00:45:21,640
Speaker 1: basically Nemesis and resident Evil.

837
00:45:21,640 --> 00:45:23,719
Speaker 2: We saw him get pushed down an elevator cheft and

838
00:45:23,760 --> 00:45:26,680
Speaker 2: get up and be in the next episode like.

839
00:45:26,840 --> 00:45:28,839
Speaker 4: He wasn't even bosses the response.

840
00:45:29,080 --> 00:45:31,480
Speaker 2: He didn't even mention it to Alpha, like when he

841
00:45:31,520 --> 00:45:34,080
Speaker 2: came back, like he didn't even like lip around or

842
00:45:34,160 --> 00:45:36,920
Speaker 2: was like, damn, I can't believe I fell seven stories

843
00:45:36,920 --> 00:45:40,400
Speaker 2: almost died, like he was just like anyway, that was Tuesday,

844
00:45:41,320 --> 00:45:43,960
Speaker 2: off back to the work back to the grind.

845
00:45:45,120 --> 00:45:45,239
Speaker 1: Uh.

846
00:45:45,480 --> 00:45:49,520
Speaker 2: But yeah, so then while they're following them all in

847
00:45:49,560 --> 00:45:52,040
Speaker 2: the air and I'm still following them and they're trying

848
00:45:52,040 --> 00:45:53,440
Speaker 2: to walkie talkie back.

849
00:45:54,440 --> 00:45:56,640
Speaker 1: But oh, that's what that's what we missed early. I'm

850
00:45:56,640 --> 00:45:57,680
Speaker 1: sorry they.

851
00:45:57,520 --> 00:46:01,400
Speaker 2: Had walkie talkie back to Hilltop earlier. And their walkee

852
00:46:01,440 --> 00:46:04,919
Speaker 2: talkie is kind of for shit because they're like, we're

853
00:46:04,960 --> 00:46:07,640
Speaker 2: following them, they're running, they're going through the plan, they're

854
00:46:07,640 --> 00:46:10,359
Speaker 2: going to Ocera side just like we knew, you know,

855
00:46:10,600 --> 00:46:14,319
Speaker 2: everything's going fine. And the waalkee talkie even then was

856
00:46:14,360 --> 00:46:17,759
Speaker 2: like on you know, and I'm like, you know what

857
00:46:17,800 --> 00:46:21,680
Speaker 2: that means to meet walking talkis they're breaking that the

858
00:46:21,680 --> 00:46:23,040
Speaker 2: wrong time of cool.

859
00:46:23,040 --> 00:46:25,560
Speaker 3: It's just like everybody internet right now, everybody online at

860
00:46:25,560 --> 00:46:26,080
Speaker 3: the same time.

861
00:46:26,239 --> 00:46:27,160
Speaker 1: Yeah, you know.

862
00:46:27,480 --> 00:46:31,920
Speaker 2: So they did not have they were with T T mobiles,

863
00:46:31,920 --> 00:46:34,759
Speaker 2: so they did not have five G, right, So that's

864
00:46:34,760 --> 00:46:37,399
Speaker 2: why they you know, that's why they had the zombie apocalypse. Guys,

865
00:46:37,400 --> 00:46:39,359
Speaker 2: everybody had the five G. But now they ain't got

866
00:46:39,400 --> 00:46:41,600
Speaker 2: no five G and everybody fine.

867
00:46:41,600 --> 00:46:42,200
Speaker 1: Not just kid.

868
00:46:42,520 --> 00:46:46,560
Speaker 2: So then they go to uh, they follow the cord

869
00:46:47,080 --> 00:46:49,680
Speaker 2: and that's when Beda knows all these signs he sees

870
00:46:49,719 --> 00:46:52,279
Speaker 2: like a broken branch, and then he sees like a

871
00:46:52,320 --> 00:46:55,880
Speaker 2: straight cat, and he's like, in his mind somehow he

872
00:46:55,920 --> 00:46:58,719
Speaker 2: needs to follow the cat, and so he turns the

873
00:46:58,800 --> 00:47:01,719
Speaker 2: whore a different direction and they slow down, and All

874
00:47:01,719 --> 00:47:02,840
Speaker 2: didn't notices like, wait.

875
00:47:02,719 --> 00:47:04,560
Speaker 1: Are this slowing down and changing directions?

876
00:47:05,000 --> 00:47:09,359
Speaker 2: And now All then and Aaron are actually very close

877
00:47:09,400 --> 00:47:12,720
Speaker 2: to the hoard, like they're not in the hord or whatever,

878
00:47:12,880 --> 00:47:15,680
Speaker 2: like they're they're like behind them but kind of in

879
00:47:15,840 --> 00:47:19,840
Speaker 2: seeing distance, yes, And so they're like, it looks like

880
00:47:19,880 --> 00:47:22,359
Speaker 2: they're all slowing down. We need to walkie talking back

881
00:47:22,400 --> 00:47:24,760
Speaker 2: and let everybody know that they're headed for the tower.

882
00:47:25,440 --> 00:47:29,279
Speaker 2: And before they can, they get surrounded by whispers, and

883
00:47:29,320 --> 00:47:30,640
Speaker 2: the whispers got weapons.

884
00:47:31,120 --> 00:47:33,120
Speaker 1: And I was thinking to myself, didn't.

885
00:47:32,880 --> 00:47:36,719
Speaker 2: We already know from a previous episode that they have

886
00:47:36,880 --> 00:47:40,759
Speaker 2: tricks like doubling back, breaking off to make sure they're

887
00:47:40,760 --> 00:47:43,280
Speaker 2: not being followed, And shit, I thought we knew that already.

888
00:47:43,480 --> 00:47:45,520
Speaker 1: So these niggas don't fail for the okie dog.

889
00:47:45,760 --> 00:47:48,359
Speaker 4: Yes, And it's also one of the things too.

890
00:47:48,480 --> 00:47:51,799
Speaker 3: I know this might sound they're not neither one of

891
00:47:51,800 --> 00:47:54,440
Speaker 3: them are two scoutters, if that makes sense. It's not

892
00:47:54,600 --> 00:47:57,719
Speaker 3: like it's right. You know, Darrel is somebody like that

893
00:47:57,760 --> 00:47:59,600
Speaker 3: would have been a lot smarter.

894
00:48:00,080 --> 00:48:00,920
Speaker 1: With what he's doing.

895
00:48:01,400 --> 00:48:04,400
Speaker 4: So even when Aaron went out, he wasn't like scouting

896
00:48:04,440 --> 00:48:06,160
Speaker 4: like that. He was just scouting for recruits.

897
00:48:06,160 --> 00:48:09,160
Speaker 3: He wasn't scouting for safety, which is kind of different.

898
00:48:09,160 --> 00:48:11,120
Speaker 4: I mean, he wanted to be safe, but it's not

899
00:48:11,200 --> 00:48:14,480
Speaker 4: the same. So they were doing shit where I was like, oh,

900
00:48:14,560 --> 00:48:18,280
Speaker 4: they kind of like close close like all those zombies.

901
00:48:18,320 --> 00:48:21,120
Speaker 4: You don't know who is who. Yeah, eventually you might

902
00:48:21,200 --> 00:48:21,840
Speaker 4: be spotted.

903
00:48:21,920 --> 00:48:24,959
Speaker 1: You was way too close. Yep, you too close. Mind,

904
00:48:25,719 --> 00:48:30,040
Speaker 1: So they get they get surrounded.

905
00:48:31,000 --> 00:48:36,560
Speaker 2: And all didn't and Aaron basically never even get to

906
00:48:36,600 --> 00:48:39,800
Speaker 2: contact the tower to let him know the whispers are coming,

907
00:48:41,239 --> 00:48:42,680
Speaker 2: and we don't see what happens to them.

908
00:48:42,840 --> 00:48:46,160
Speaker 1: So I guess in week sixteen we'll see how they

909
00:48:46,200 --> 00:48:47,120
Speaker 1: get fucked up.

910
00:48:47,640 --> 00:48:50,240
Speaker 2: If they get fucked up, if they get killed, because

911
00:48:50,760 --> 00:48:51,640
Speaker 2: he's up and there.

912
00:48:51,840 --> 00:48:54,439
Speaker 3: Yep, all right, lastly, we have about to say that

913
00:48:54,440 --> 00:48:58,319
Speaker 3: that pole baby they make it because you got you

914
00:48:58,440 --> 00:48:59,720
Speaker 3: got too.

915
00:48:59,840 --> 00:49:05,400
Speaker 2: Check they was talking about the baby too, because Autim

916
00:49:05,480 --> 00:49:07,160
Speaker 2: was like, I don't know if this's playing gonna work.

917
00:49:07,239 --> 00:49:08,839
Speaker 1: I thought we killed Alpha.

918
00:49:08,640 --> 00:49:14,759
Speaker 2: Like they're basically just I don't know, stop being whatever. Yeah,

919
00:49:14,800 --> 00:49:16,720
Speaker 2: and you know, I don't know if it's worth everything

920
00:49:16,760 --> 00:49:19,480
Speaker 2: we lost. And that's when Aaron was like, man, what

921
00:49:19,600 --> 00:49:25,480
Speaker 2: about everything we hate to protect? So all right, at

922
00:49:25,520 --> 00:49:28,600
Speaker 2: the tower, guys, it's very very emotional.

923
00:49:28,640 --> 00:49:29,759
Speaker 1: This is us tower guys.

924
00:49:29,760 --> 00:49:32,719
Speaker 2: A lot of not a lot of action, but a

925
00:49:32,719 --> 00:49:36,480
Speaker 2: lot of like, I don't know, emotional moments.

926
00:49:36,600 --> 00:49:37,120
Speaker 1: Yeah.

927
00:49:37,400 --> 00:49:39,920
Speaker 2: So in the tower where all that was jailed up,

928
00:49:40,640 --> 00:49:44,120
Speaker 2: Judith is getting around and Meihan looks over at Lydia

929
00:49:44,160 --> 00:49:46,160
Speaker 2: who's sitting by herself working on something.

930
00:49:46,719 --> 00:49:48,800
Speaker 1: Kelly is teaching Gabe sign language.

931
00:49:49,719 --> 00:49:55,200
Speaker 2: Magna tells Carol he's keeping the cats away mostly, which

932
00:49:55,239 --> 00:49:57,480
Speaker 2: I think she's talking about Darryl maybe keeping the cats

933
00:49:57,480 --> 00:50:00,160
Speaker 2: out of the building because it looks like what of

934
00:50:00,160 --> 00:50:03,399
Speaker 2: the places they took over used to be cat city,

935
00:50:03,600 --> 00:50:06,440
Speaker 2: So now they've kicked all the cats out. But cats

936
00:50:06,440 --> 00:50:08,279
Speaker 2: do whatever the fuck they want, so they come back

937
00:50:08,280 --> 00:50:12,400
Speaker 2: because the right. And then Gay tells Diane that's her

938
00:50:12,440 --> 00:50:16,759
Speaker 2: turn to patch. And then Luke looks really nervous because

939
00:50:16,800 --> 00:50:18,280
Speaker 2: he's working on something.

940
00:50:18,040 --> 00:50:18,919
Speaker 4: And he lost weight.

941
00:50:19,120 --> 00:50:20,520
Speaker 1: He does like he lost a lot of weight.

942
00:50:20,600 --> 00:50:23,359
Speaker 2: I don't know if that's some show stuff or real

943
00:50:23,400 --> 00:50:26,400
Speaker 2: life stuff or what or just what he had on.

944
00:50:26,520 --> 00:50:27,480
Speaker 1: I don't know.

945
00:50:27,719 --> 00:50:28,680
Speaker 4: They've been dealing with the lot.

946
00:50:28,880 --> 00:50:30,719
Speaker 2: Yeah, but it's I mean, every character's been dealing with

947
00:50:30,760 --> 00:50:34,759
Speaker 2: a lot, So I don't weight loss normally like that

948
00:50:35,040 --> 00:50:36,400
Speaker 2: unless it's built into the plot.

949
00:50:36,400 --> 00:50:38,320
Speaker 1: I don't know why it would come up. Every character

950
00:50:38,360 --> 00:50:39,200
Speaker 1: has been through some ship.

951
00:50:39,400 --> 00:50:41,759
Speaker 3: Yeah, and this might have been away. It might have

952
00:50:41,760 --> 00:50:43,920
Speaker 3: been away for them to show the stress he was

953
00:50:44,000 --> 00:50:44,960
Speaker 3: under like this.

954
00:50:45,400 --> 00:50:47,120
Speaker 1: I mean, maybe the actor lost weight in real life.

955
00:50:47,120 --> 00:50:48,920
Speaker 1: I don't know that's true, and trying to work around it.

956
00:50:49,000 --> 00:50:51,200
Speaker 2: Yeah, I don't know. I mean he didn't or maybe

957
00:50:51,360 --> 00:50:53,680
Speaker 2: you know, it's different clothes or something. I don't know,

958
00:50:54,160 --> 00:50:58,520
Speaker 2: but he did look like he lost weight. But he

959
00:50:58,600 --> 00:51:01,320
Speaker 2: also looked hell of fucking nervous, like he was working

960
00:51:01,320 --> 00:51:05,960
Speaker 2: on something and some sort of project. And so it

961
00:51:06,040 --> 00:51:07,879
Speaker 2: comes over like you okay, and he's like, yeah, I'm

962
00:51:07,920 --> 00:51:08,480
Speaker 2: just nervous.

963
00:51:08,480 --> 00:51:09,680
Speaker 1: I don't want to let everybody down.

964
00:51:09,719 --> 00:51:12,160
Speaker 2: You know, this isn't really my area of expertise, and

965
00:51:12,239 --> 00:51:16,560
Speaker 2: also probably would do that's what it looked like. And

966
00:51:16,600 --> 00:51:18,880
Speaker 2: he also was like, you know, I do need some

967
00:51:18,920 --> 00:51:22,120
Speaker 2: more parts. I need somebody run an errand and Kelly

968
00:51:22,120 --> 00:51:24,520
Speaker 2: and Carroll are the ones who end up going on

969
00:51:24,560 --> 00:51:25,320
Speaker 2: this errand.

970
00:51:25,280 --> 00:51:25,839
Speaker 4: Yeah, he looked.

971
00:51:25,920 --> 00:51:27,400
Speaker 3: He looked like he owned to smoke, something like, I

972
00:51:27,480 --> 00:51:29,800
Speaker 3: just make music, man, Like I'm a music teacher.

973
00:51:29,840 --> 00:51:31,759
Speaker 4: I have no business doing this side shit.

974
00:51:32,160 --> 00:51:36,920
Speaker 1: Yeah, what do you think he's working on? Hmm, good question.

975
00:51:37,200 --> 00:51:38,680
Speaker 4: I have no idea what he's working on.

976
00:51:39,760 --> 00:51:41,040
Speaker 1: I have a theory.

977
00:51:42,560 --> 00:51:45,759
Speaker 2: I think whatever he's working on is music related. I

978
00:51:45,800 --> 00:51:48,600
Speaker 2: think he's working on something to draw the fucking herd

979
00:51:48,640 --> 00:51:51,200
Speaker 2: away from the whispers. This is something that we haven't

980
00:51:51,200 --> 00:51:54,440
Speaker 2: really explored, but we know zombies are attracted the sound

981
00:51:54,560 --> 00:51:57,080
Speaker 2: and light and all this shit. So one way to

982
00:51:57,120 --> 00:52:01,040
Speaker 2: get the herd kind of away from Beta and them

983
00:52:01,320 --> 00:52:07,200
Speaker 2: that would be like to create a noisy distraction in

984
00:52:07,239 --> 00:52:11,160
Speaker 2: a different direction where the zombies end up going that way. Now,

985
00:52:11,719 --> 00:52:13,759
Speaker 2: this is not something I read in the book. This

986
00:52:13,880 --> 00:52:17,160
Speaker 2: is complete theory. I don't know if they plan on

987
00:52:17,200 --> 00:52:18,920
Speaker 2: doing this ship at all. It might have nothing to

988
00:52:18,960 --> 00:52:20,680
Speaker 2: do with that. Maybe it's working on some bombs. I

989
00:52:20,680 --> 00:52:23,600
Speaker 2: don't know, But I don't know. I just thought to myself,

990
00:52:23,640 --> 00:52:26,560
Speaker 2: like he is the music guy. Maybe if they could

991
00:52:26,640 --> 00:52:31,520
Speaker 2: hook up like some sort of musical interference to the zombies.

992
00:52:31,560 --> 00:52:35,160
Speaker 2: You can like disperse the herd and then you got

993
00:52:35,280 --> 00:52:36,399
Speaker 2: just the whispers to fight.

994
00:52:36,600 --> 00:52:40,000
Speaker 1: Or even better, you can break the squad the zombies

995
00:52:40,040 --> 00:52:42,880
Speaker 1: into smaller groups and kill them, you know, kill him

996
00:52:42,960 --> 00:52:46,160
Speaker 1: that way. It is just something to think about. Anyway.

997
00:52:47,840 --> 00:52:51,800
Speaker 2: Darryl is out doing patrols and he leaves a walkie

998
00:52:51,800 --> 00:52:55,160
Speaker 2: talkie message, which I mean, you can't really leave a

999
00:52:55,239 --> 00:53:00,000
Speaker 2: voicemail on the epoch, like no one has an answer

1000
00:53:00,160 --> 00:53:04,000
Speaker 2: machine or cell phone or whatever. But I guess he

1001
00:53:04,440 --> 00:53:05,840
Speaker 2: does the next best thing.

1002
00:53:06,320 --> 00:53:08,239
Speaker 4: And talks, hoping that she can hear and may not

1003
00:53:08,280 --> 00:53:09,120
Speaker 4: be able to respond.

1004
00:53:09,760 --> 00:53:14,440
Speaker 2: Right, So he does this thing and leaves a message.

1005
00:53:14,320 --> 00:53:16,799
Speaker 1: Yeah, yeah, so Darryl.

1006
00:53:16,960 --> 00:53:21,719
Speaker 2: Darryl goes to leave her a walkie talking message. I

1007
00:53:21,719 --> 00:53:24,800
Speaker 2: guess it's the best way to describe it to Micheau,

1008
00:53:25,080 --> 00:53:28,360
Speaker 2: who you know, we know already she's talked to Judith,

1009
00:53:28,360 --> 00:53:31,080
Speaker 2: but we just didn't know when it happened, uh, even

1010
00:53:31,120 --> 00:53:34,080
Speaker 2: though they get to that later, like when it happened

1011
00:53:34,120 --> 00:53:34,920
Speaker 2: in the timeline.

1012
00:53:39,400 --> 00:53:40,760
Speaker 1: All right, Herry, what this message?

1013
00:53:40,760 --> 00:53:44,799
Speaker 7: Come on now, don't go home. You'll only find us

1014
00:53:44,840 --> 00:53:49,319
Speaker 7: if you answer me. You got a plan in this one?

1015
00:53:49,400 --> 00:53:50,120
Speaker 1: I think you like.

1016
00:53:53,680 --> 00:53:56,000
Speaker 7: Damn being on the run like this, let's scrip him

1017
00:53:56,040 --> 00:54:03,440
Speaker 7: by minds me of the old game. Seems like it's

1018
00:54:03,520 --> 00:54:10,759
Speaker 7: just now, Sean, can you hear me?

1019
00:54:15,000 --> 00:54:15,239
Speaker 1: Sean?

1020
00:54:25,120 --> 00:54:29,040
Speaker 2: So, yeah, that was Darrell leaving a message from Mishean.

1021
00:54:29,560 --> 00:54:33,239
Speaker 2: So basically the plan is you need to talk to

1022
00:54:33,360 --> 00:54:35,239
Speaker 2: us because what he's afraid of.

1023
00:54:35,320 --> 00:54:37,239
Speaker 1: And she goes. She goes, I can go home.

1024
00:54:37,320 --> 00:54:42,200
Speaker 2: Now, comes to Alexandria and sees that nobody's there.

1025
00:54:42,280 --> 00:54:46,640
Speaker 1: It's like, what the fuck happened? Yeah, it ain't right now.

1026
00:54:46,960 --> 00:54:49,520
Speaker 2: The whispers aren't there, but she wouldn't necessarily be safe

1027
00:54:49,560 --> 00:54:54,200
Speaker 2: there either because they could return, you know. So yeah,

1028
00:54:54,200 --> 00:54:56,279
Speaker 2: and it's just you know, also, she's probably out of

1029
00:54:56,360 --> 00:54:57,719
Speaker 2: range because we know she's probably.

1030
00:54:57,480 --> 00:54:59,920
Speaker 1: Up in New York somewhere in New Jersey right looking

1031
00:55:00,120 --> 00:55:01,640
Speaker 1: for Rick New York.

1032
00:55:01,800 --> 00:55:02,000
Speaker 3: Do that?

1033
00:55:02,880 --> 00:55:03,080
Speaker 1: Uh?

1034
00:55:03,239 --> 00:55:05,400
Speaker 2: Then Judith goes to talk to Lydia, who's petting a

1035
00:55:05,480 --> 00:55:09,719
Speaker 2: cat h and Judith asked if she's sad about her

1036
00:55:09,719 --> 00:55:11,280
Speaker 2: mom Don and Lydia's.

1037
00:55:10,880 --> 00:55:11,640
Speaker 1: Like, no.

1038
00:55:15,360 --> 00:55:15,880
Speaker 4: Conversation.

1039
00:55:16,000 --> 00:55:19,400
Speaker 2: When they did a live action Daria remake, just cast Lydia, Okay,

1040
00:55:19,440 --> 00:55:22,120
Speaker 2: give us some glasses because she's such a downer with

1041
00:55:22,160 --> 00:55:22,560
Speaker 2: the truth.

1042
00:55:22,960 --> 00:55:26,600
Speaker 1: She's like no, and Judah.

1043
00:55:26,239 --> 00:55:29,360
Speaker 2: Looks almost like her and confused, and she's like not

1044
00:55:29,440 --> 00:55:31,440
Speaker 2: everyone gets to have a mom like yours. And then

1045
00:55:31,520 --> 00:55:35,000
Speaker 2: Judah walks away out sad, and Niaghan overhears this as.

1046
00:55:34,880 --> 00:55:37,399
Speaker 1: He works in the background, and he looks sad for

1047
00:55:39,560 --> 00:55:44,239
Speaker 1: He looks sad for for Lydia because we know he

1048
00:55:44,360 --> 00:55:47,000
Speaker 1: killed Lydia's mom and it's been.

1049
00:55:46,880 --> 00:55:49,359
Speaker 3: In the background, like every time he took around. You're

1050
00:55:49,360 --> 00:55:52,640
Speaker 3: gonna go see like a snapshadow corner of him in

1051
00:55:52,719 --> 00:55:55,880
Speaker 3: the background and shout out to the cat. This is

1052
00:55:55,880 --> 00:55:59,440
Speaker 3: the same cat that that had crossed Bata's path.

1053
00:55:59,360 --> 00:56:02,400
Speaker 1: Which mm hm, because Lydio is petting it. You know.

1054
00:56:02,480 --> 00:56:06,280
Speaker 2: The thing I also would say here though, is Neighan

1055
00:56:06,400 --> 00:56:08,640
Speaker 2: was basically getting his He was getting his Lee Trevino on.

1056
00:56:08,960 --> 00:56:11,440
Speaker 2: Like Lee Trevino is the one and all the and

1057
00:56:11,600 --> 00:56:13,920
Speaker 2: all the scenes. When happy he does something really fucking

1058
00:56:14,520 --> 00:56:17,760
Speaker 2: irresponsible and reckless, it always pans over to Lee Trevino

1059
00:56:17,880 --> 00:56:19,160
Speaker 2: watching him, like what the fuck?

1060
00:56:19,800 --> 00:56:21,240
Speaker 1: It's just it's always Lee Trevino.

1061
00:56:21,480 --> 00:56:24,120
Speaker 2: And that's how Meagan felt like anything going on with

1062
00:56:24,120 --> 00:56:26,080
Speaker 2: with Lydia. He would just be in the background and

1063
00:56:26,360 --> 00:56:28,839
Speaker 2: the camera was just paying over the Megan being like,

1064
00:56:29,480 --> 00:56:32,680
Speaker 2: oh I killed that girl's mama at the fucking herd ditch, Philip,

1065
00:56:34,040 --> 00:56:36,280
Speaker 2: I really shouldn't have did this. I feel terrible about

1066
00:56:36,280 --> 00:56:40,680
Speaker 2: everything that's happening right now. So he goes over to

1067
00:56:40,719 --> 00:56:46,200
Speaker 2: talk to Lydia and at some point he even tells

1068
00:56:46,200 --> 00:56:47,520
Speaker 2: her that to her mom and stuff.

1069
00:56:49,840 --> 00:57:00,719
Speaker 1: But I'll get to that later. So on patrol or whatever. Uh,

1070
00:57:00,880 --> 00:57:03,600
Speaker 1: hold on, do I click the right link? I put

1071
00:57:03,640 --> 00:57:05,359
Speaker 1: the wrong link in here. Hold on, we gotta get

1072
00:57:05,360 --> 00:57:06,160
Speaker 1: the right link. Guys.

1073
00:57:06,160 --> 00:57:10,160
Speaker 2: This is only gonna work if uh, it's only gonna

1074
00:57:10,200 --> 00:57:17,520
Speaker 2: work if the right thing here. But yeah, so Kelly

1075
00:57:17,720 --> 00:57:21,840
Speaker 2: and Carol, of course, are going on a mission to

1076
00:57:22,000 --> 00:57:26,800
Speaker 2: get these parts for Luke. And how these two ended

1077
00:57:26,840 --> 00:57:29,040
Speaker 2: up together, I'll never know, because when you think about it,

1078
00:57:29,480 --> 00:57:31,520
Speaker 2: you know, Carol volunteers because she just wants to make

1079
00:57:31,640 --> 00:57:33,440
Speaker 2: up for the ship she did that was wrong.

1080
00:57:34,600 --> 00:57:36,360
Speaker 1: But Kelly.

1081
00:57:38,200 --> 00:57:41,520
Speaker 2: Volunteers maybe because Luke is the one that needs help,

1082
00:57:42,680 --> 00:57:42,840
Speaker 2: you know.

1083
00:57:42,920 --> 00:57:44,920
Speaker 1: I don't know the exact reasoning.

1084
00:57:45,080 --> 00:57:46,800
Speaker 4: Right, And her thing was like I don't want you

1085
00:57:46,840 --> 00:57:47,280
Speaker 4: to be out there.

1086
00:57:47,320 --> 00:57:49,720
Speaker 1: Hell, you know, maybe this is another thing that can

1087
00:57:49,760 --> 00:57:55,480
Speaker 1: help her sister. I don't know, but they end up

1088
00:57:55,560 --> 00:57:57,480
Speaker 1: going I might have to just describe it because I

1089
00:57:57,520 --> 00:57:58,120
Speaker 1: don't think.

1090
00:57:58,000 --> 00:58:01,040
Speaker 2: I have the Oh the video, yeah I had it,

1091
00:58:01,120 --> 00:58:03,240
Speaker 2: but I couldn't I save the wrong link.

1092
00:58:03,360 --> 00:58:04,120
Speaker 1: So that's all me.

1093
00:58:05,440 --> 00:58:07,640
Speaker 2: But yeah, so they go to a car, they get

1094
00:58:07,640 --> 00:58:11,840
Speaker 2: some horses, they go to a car. They uh uh

1095
00:58:12,040 --> 00:58:14,440
Speaker 2: at the at the car Okay, I got it, Okay,

1096
00:58:14,560 --> 00:58:19,320
Speaker 2: but yeah at the car. Oh thanks Kelly for coming

1097
00:58:19,360 --> 00:58:23,760
Speaker 2: out with her. And Kelly is.

1098
00:58:23,800 --> 00:58:27,439
Speaker 1: Kind of on some like turn the other cheek, it's

1099
00:58:27,560 --> 00:58:30,280
Speaker 1: no big deal type thing. And I think.

1100
00:58:30,120 --> 00:58:32,680
Speaker 2: Mostly because Kelly, even though Kelly was there when Connie

1101
00:58:32,720 --> 00:58:36,920
Speaker 2: got buried into rubble, Kelly don't think Connie's dead, and

1102
00:58:36,960 --> 00:58:42,960
Speaker 2: I think that's what's gutting her, like uh, magnanimousness. What

1103
00:58:43,120 --> 00:58:45,400
Speaker 2: she could be like its be worried about the carrol

1104
00:58:45,560 --> 00:58:50,360
Speaker 2: Like it's straight Connie's okay, she gonna be fine, so

1105
00:58:50,680 --> 00:58:53,120
Speaker 2: you don't even really need to apologize. I'm over it

1106
00:58:53,200 --> 00:58:55,880
Speaker 2: kind of and it felt kind of genuine.

1107
00:58:56,440 --> 00:58:59,720
Speaker 3: Oh yeah, and she's younger too. I don't know how

1108
00:58:59,760 --> 00:59:02,280
Speaker 3: young she is, she's younger than some of the other people.

1109
00:59:02,680 --> 00:59:07,400
Speaker 2: Also, I think because Kelly has somewhere hidden a stash

1110
00:59:07,720 --> 00:59:13,720
Speaker 2: of clippers and hair products and makeup. She's doing fine.

1111
00:59:14,120 --> 00:59:17,240
Speaker 2: But it's like, listen, Okay, you should be mad at me.

1112
00:59:17,440 --> 00:59:20,640
Speaker 2: I'm knowing I wasn't all the just for me or whatever.

1113
00:59:20,680 --> 00:59:22,920
Speaker 2: I got all the shade butter. Yeah, I'm over here

1114
00:59:23,000 --> 00:59:23,640
Speaker 2: doing all this.

1115
00:59:26,600 --> 00:59:27,880
Speaker 1: So almost.

1116
00:59:32,960 --> 00:59:35,000
Speaker 2: Carol can't even get the parts out of the radio.

1117
00:59:35,080 --> 00:59:38,320
Speaker 2: Kelly has to to get it for Carol.

1118
00:59:38,080 --> 00:59:39,120
Speaker 1: So useless.

1119
00:59:42,000 --> 00:59:44,040
Speaker 10: Thanks m.

1120
00:59:49,040 --> 00:59:50,000
Speaker 11: Thanks for calling.

1121
00:59:52,320 --> 00:59:52,520
Speaker 1: You.

1122
00:59:54,600 --> 01:00:00,160
Speaker 10: It's great, that's fine.

1123
01:00:02,600 --> 01:00:03,840
Speaker 11: If I could go back.

1124
01:00:06,160 --> 01:00:08,000
Speaker 10: My sister Kelly forever.

1125
01:00:08,840 --> 01:00:17,720
Speaker 14: She's not dead, she's not. Maybe it's because she's so

1126
01:00:19,600 --> 01:00:27,840
Speaker 14: tough to survive anything. Maybe it's just this part of

1127
01:00:27,880 --> 01:00:33,200
Speaker 14: me that I won't accept that she's gone.

1128
01:00:34,600 --> 01:00:35,280
Speaker 1: And uh so.

1129
01:00:37,000 --> 01:00:46,400
Speaker 10: I understand you. Why you did all of it doesn't

1130
01:00:46,440 --> 01:00:54,600
Speaker 10: mean I should have. When I started losing my hearing,

1131
01:00:57,920 --> 01:01:02,960
Speaker 10: my sister told me that it wasn't my weakness, it.

1132
01:01:02,840 --> 01:01:03,200
Speaker 13: Was my.

1133
01:01:06,320 --> 01:01:07,120
Speaker 8: Super power.

1134
01:01:15,360 --> 01:01:20,720
Speaker 10: No, everyone's learning sign because of me.

1135
01:01:22,320 --> 01:01:27,440
Speaker 2: So she's been teaching everyone how to do asl which

1136
01:01:28,040 --> 01:01:32,320
Speaker 2: tremendous help in the ZPOC. Yeah, all that unnecessary talking,

1137
01:01:32,720 --> 01:01:35,640
Speaker 2: right in a place where death is attracted by sound,

1138
01:01:36,440 --> 01:01:37,800
Speaker 2: bad people might come to get you.

1139
01:01:38,560 --> 01:01:40,919
Speaker 1: Being able to communicate by sight alone.

1140
01:01:41,080 --> 01:01:43,760
Speaker 12: Seems to be on the side, right, So now she

1141
01:01:43,800 --> 01:01:46,080
Speaker 12: could communicate with them. They could communicate with her, and

1142
01:01:46,120 --> 01:01:47,520
Speaker 12: they can communicate with each other.

1143
01:01:48,560 --> 01:01:50,560
Speaker 1: So it's a real dope dope move.

1144
01:01:53,320 --> 01:01:55,919
Speaker 10: You think that the way you were is a weakness.

1145
01:02:01,040 --> 01:02:02,440
Speaker 10: I heard the stories about.

1146
01:02:02,120 --> 01:02:04,120
Speaker 4: You, Grandma from the old days.

1147
01:02:05,280 --> 01:02:09,960
Speaker 10: We all have are you.

1148
01:02:09,960 --> 01:02:11,040
Speaker 1: You just go off.

1149
01:02:13,160 --> 01:02:19,520
Speaker 10: And do the thing that only you can do, lone wolf,

1150
01:02:22,400 --> 01:02:23,720
Speaker 10: that's your superpower.

1151
01:02:25,640 --> 01:02:27,880
Speaker 1: Now, I on front. That is a different way of

1152
01:02:27,880 --> 01:02:31,120
Speaker 1: looking at it than I think.

1153
01:02:32,320 --> 01:02:37,160
Speaker 2: We have looked at it in this season. But you know,

1154
01:02:37,200 --> 01:02:40,320
Speaker 2: I've alluded to this before. If you think of Carol

1155
01:02:40,640 --> 01:02:43,680
Speaker 2: not as this old white woman, but you think of

1156
01:02:43,720 --> 01:02:47,480
Speaker 2: Carol as Jack Bauer in twenty four who somehow got

1157
01:02:47,520 --> 01:02:51,520
Speaker 2: stuck in The Walking Dead, it kind.

1158
01:02:51,360 --> 01:02:52,160
Speaker 1: Of makes sense.

1159
01:02:52,840 --> 01:02:56,560
Speaker 2: The risky chances, the I can do it by myself.

1160
01:02:56,640 --> 01:02:59,680
Speaker 2: I have to kill this person. You don't understand this

1161
01:02:59,760 --> 01:03:02,160
Speaker 2: is in important. Fuck what you're talking about. It's terrorist,

1162
01:03:02,240 --> 01:03:04,640
Speaker 2: But what is Beda and Alpha and the Whispers if

1163
01:03:04,680 --> 01:03:08,040
Speaker 2: not terrorists? Right, Like, she's taken it upon herself to

1164
01:03:08,040 --> 01:03:11,880
Speaker 2: be like, I'm gonna kill this motherfucker by any means necessary.

1165
01:03:12,280 --> 01:03:15,160
Speaker 2: And so it's been a weird kind of place to

1166
01:03:15,160 --> 01:03:17,200
Speaker 2: put the character in because on the one hand, we're

1167
01:03:17,240 --> 01:03:21,040
Speaker 2: all like you're making things worse for everybody, you're not coordinating,

1168
01:03:21,040 --> 01:03:21,760
Speaker 2: you're fucking up.

1169
01:03:21,720 --> 01:03:22,720
Speaker 1: Blah blah blah.

1170
01:03:22,760 --> 01:03:24,720
Speaker 2: But on the other hand, we also are on some

1171
01:03:24,920 --> 01:03:27,959
Speaker 2: like we don't practice forgiveness, we don't let nothing go.

1172
01:03:28,840 --> 01:03:32,160
Speaker 2: Everybody's trash theay in my way, fuck them. That's how

1173
01:03:32,160 --> 01:03:34,280
Speaker 2: people seem to be when they talk about this show.

1174
01:03:34,920 --> 01:03:36,440
Speaker 2: Matter of fact, that's how they want Kelly to be

1175
01:03:36,520 --> 01:03:39,600
Speaker 2: towards Carol. But Carol was like that towards Alpha. You

1176
01:03:40,040 --> 01:03:43,280
Speaker 2: killed my son. I don't give a fuck by hook

1177
01:03:43,400 --> 01:03:46,200
Speaker 2: or by crook. I will find a way to kill you.

1178
01:03:46,680 --> 01:03:46,880
Speaker 4: Yeah.

1179
01:03:46,920 --> 01:03:49,000
Speaker 3: And when you like that, other people around you end

1180
01:03:49,120 --> 01:03:52,760
Speaker 3: up being collateral damage for your decisions because you are

1181
01:03:52,760 --> 01:03:57,280
Speaker 3: in this blind rage. And the thing is, I think

1182
01:03:57,400 --> 01:04:05,400
Speaker 3: that because Kelly still has hope, that that's why she

1183
01:04:05,440 --> 01:04:07,959
Speaker 3: feels like that. And the thing is, I can still

1184
01:04:07,960 --> 01:04:10,320
Speaker 3: have hope and still hold you accountable to responsible for

1185
01:04:10,360 --> 01:04:10,960
Speaker 3: your actions.

1186
01:04:11,160 --> 01:04:14,480
Speaker 1: She I don't even think Kelly's calling making her accountable

1187
01:04:14,480 --> 01:04:18,040
Speaker 1: and responsible though, Like, what made you think that made

1188
01:04:18,080 --> 01:04:18,760
Speaker 1: you feel that way?

1189
01:04:18,840 --> 01:04:22,520
Speaker 3: Well, she's not ignoring did something happen? You know, She's

1190
01:04:22,560 --> 01:04:26,960
Speaker 3: not going well, nothing happened. She's acknowledging that something did happen.

1191
01:04:27,120 --> 01:04:29,960
Speaker 2: Yeah, I think she's looking at it like Connie fine,

1192
01:04:30,360 --> 01:04:33,000
Speaker 2: and may it change her mind if something really if

1193
01:04:33,000 --> 01:04:35,920
Speaker 2: Connie's dead or something that has happened to Connie feel differently.

1194
01:04:36,440 --> 01:04:38,960
Speaker 1: But I think she's looking at it like, man, it was.

1195
01:04:38,960 --> 01:04:42,440
Speaker 2: Whatever to get these motherfuckers, Like, I don't care, and

1196
01:04:42,520 --> 01:04:44,480
Speaker 2: my sister's a survivor, she'll be fine.

1197
01:04:44,880 --> 01:04:51,000
Speaker 1: The thing I kept coming back to is Carol.

1198
01:04:51,160 --> 01:04:54,200
Speaker 2: I wonder now if Carol's like I don't want to

1199
01:04:54,280 --> 01:04:58,320
Speaker 2: be around people is less about because I lose people

1200
01:04:58,880 --> 01:05:02,360
Speaker 2: and more about because I think I'd be willing to

1201
01:05:02,440 --> 01:05:05,800
Speaker 2: sacrifice people, you know what I mean, Like if it

1202
01:05:05,920 --> 01:05:10,960
Speaker 2: came down to me, like getting to kill somebody or

1203
01:05:11,000 --> 01:05:14,080
Speaker 2: accomplishing some goal and Daryl was in the way, would

1204
01:05:14,080 --> 01:05:16,160
Speaker 2: I be like, I'm gonna do this and Daryl's on

1205
01:05:16,200 --> 01:05:19,240
Speaker 2: his own Because I feel like Carol is scared of herself.

1206
01:05:19,760 --> 01:05:20,919
Speaker 1: Yeah, you know what I mean.

1207
01:05:21,000 --> 01:05:22,840
Speaker 2: And it makes sense, like I need to stop getting

1208
01:05:22,840 --> 01:05:24,280
Speaker 2: close to people because at the end of the day,

1209
01:05:24,760 --> 01:05:26,880
Speaker 2: whatever it takes for my survival, I'm willing to.

1210
01:05:26,840 --> 01:05:27,880
Speaker 1: Do, you know.

1211
01:05:28,280 --> 01:05:31,480
Speaker 2: And if that means you can't keep up, I'll fucking

1212
01:05:31,520 --> 01:05:34,760
Speaker 2: do it, cause you know, we talk about the Jack

1213
01:05:34,800 --> 01:05:37,160
Speaker 2: Bower moments of Carrol. Carroll also killed burn and kill

1214
01:05:37,240 --> 01:05:38,680
Speaker 2: them people up in the prison.

1215
01:05:39,040 --> 01:05:42,000
Speaker 3: Yes she did, and she uh fucked the rest of

1216
01:05:42,040 --> 01:05:43,680
Speaker 3: them survivors up up on her baby.

1217
01:05:44,040 --> 01:05:48,040
Speaker 2: Yeah, Like, you know, Carol is a cold blooded a set,

1218
01:05:48,640 --> 01:05:51,480
Speaker 2: you know, And I mean I appreciate Kelly's point of

1219
01:05:51,560 --> 01:05:53,640
Speaker 2: view on it, with it like you the lone wolf,

1220
01:05:53,720 --> 01:05:57,200
Speaker 2: Like that's your superpower. You do shit that other people

1221
01:05:57,200 --> 01:06:00,440
Speaker 2: can't do, which is true she has. But there's a

1222
01:06:00,480 --> 01:06:03,560
Speaker 2: cost of that that it seems in my opinion, like

1223
01:06:03,640 --> 01:06:06,200
Speaker 2: Kelly has said, I don't think Connie's dead, so I

1224
01:06:06,200 --> 01:06:12,200
Speaker 2: don't feel like I paid that cost, So it's all good.

1225
01:06:12,880 --> 01:06:14,560
Speaker 1: And of course, you know, Carol was just crying the

1226
01:06:14,560 --> 01:06:15,080
Speaker 1: whole time.

1227
01:06:16,360 --> 01:06:27,280
Speaker 10: Yourself because bad things happen. I gotta believe that.

1228
01:06:35,720 --> 01:06:39,520
Speaker 2: Now the only thing I really liked about this scene

1229
01:06:40,560 --> 01:06:44,560
Speaker 2: is that it gives Carol the battery in her back

1230
01:06:45,240 --> 01:06:50,160
Speaker 2: to go back to killing and fuck everybody's feelings about this.

1231
01:06:50,880 --> 01:06:54,280
Speaker 1: I'm here for killing Carol. That's killer.

1232
01:06:54,360 --> 01:06:56,720
Speaker 2: Carol is much more fun than whatever the fuck we've

1233
01:06:56,720 --> 01:06:59,480
Speaker 2: been doing this season. No offense to Carol, but this

1234
01:06:59,600 --> 01:07:02,680
Speaker 2: is Chell, Like I don't sleep but I also try

1235
01:07:02,680 --> 01:07:04,960
Speaker 2: to kill people on three. In it three, I take

1236
01:07:05,000 --> 01:07:06,640
Speaker 2: three red bulls and then I go out and have

1237
01:07:06,680 --> 01:07:09,720
Speaker 2: hallucinations and kill me. I don't like that version of Carol.

1238
01:07:09,760 --> 01:07:13,840
Speaker 2: I want her back to clear focus, sharp minded. I'm

1239
01:07:13,840 --> 01:07:17,920
Speaker 2: gonna kill these motherfuckers, you know, I'm a fucking Magavra

1240
01:07:18,120 --> 01:07:21,160
Speaker 2: Bazuka and blow up part of this child like I

1241
01:07:21,240 --> 01:07:23,240
Speaker 2: want her to do that kind of shit because I don't.

1242
01:07:23,680 --> 01:07:26,520
Speaker 2: I'm not with this. I don't even like the sad

1243
01:07:26,600 --> 01:07:29,640
Speaker 2: remorse for guilty feeling Carol, you know, because people I

1244
01:07:29,680 --> 01:07:32,600
Speaker 2: think people think they want that, you know. But but

1245
01:07:32,680 --> 01:07:35,000
Speaker 2: that week's episode, to me, I didn't really fuck with

1246
01:07:35,040 --> 01:07:37,840
Speaker 2: that episode that much because a lot of it was

1247
01:07:37,960 --> 01:07:41,280
Speaker 2: Carol's Woe is Me? I made these bad decisions and

1248
01:07:41,640 --> 01:07:44,400
Speaker 2: kind of oh poor Kanye. I mean, I killed Alpha,

1249
01:07:44,480 --> 01:07:47,280
Speaker 2: but is it even really worth it? Like Nigga, No,

1250
01:07:47,520 --> 01:07:51,160
Speaker 2: just no, I don't want to do this again, like

1251
01:07:51,200 --> 01:07:53,800
Speaker 2: I'm tired of that shit, you know, like and and

1252
01:07:53,800 --> 01:07:54,800
Speaker 2: this ain't this is us.

1253
01:07:54,920 --> 01:07:57,840
Speaker 1: I actually don't want it to. I don't need it.

1254
01:07:58,000 --> 01:08:00,200
Speaker 2: I don't need it to be like a resolution when

1255
01:08:00,200 --> 01:08:03,560
Speaker 2: they all get therapy together, like no this bashyit happens

1256
01:08:04,400 --> 01:08:05,000
Speaker 2: Kelly things.

1257
01:08:05,040 --> 01:08:05,720
Speaker 1: Countie's fine.

1258
01:08:06,480 --> 01:08:09,080
Speaker 2: I hope Countie is fine, you know, my heart of hearts,

1259
01:08:09,080 --> 01:08:13,840
Speaker 2: I think she is gonna be fine, and yeah, get

1260
01:08:13,840 --> 01:08:15,280
Speaker 2: back to killing like what the fuck?

1261
01:08:15,560 --> 01:08:19,040
Speaker 1: I think she will watch this sad ass shit. So

1262
01:08:19,200 --> 01:08:21,200
Speaker 1: whatever it takes to end that storyline to be.

1263
01:08:21,760 --> 01:08:23,720
Speaker 2: But I understand a lot of people aren't gonna like it,

1264
01:08:23,840 --> 01:08:26,639
Speaker 2: especially in our audience, because it's a black woman, uh

1265
01:08:26,760 --> 01:08:29,639
Speaker 2: forgiving a white woman, and you know, that's the that's

1266
01:08:29,680 --> 01:08:33,559
Speaker 2: the motherfucking black twitter, that's the that's the landmine, speaking

1267
01:08:33,600 --> 01:08:37,679
Speaker 2: of the minefield. Can't ever be a black person forgiving

1268
01:08:37,680 --> 01:08:40,400
Speaker 2: a white person to expect anyone to be okay with

1269
01:08:40,479 --> 01:08:45,560
Speaker 2: that ship. So I can see that being a problem.

1270
01:08:45,600 --> 01:08:46,639
Speaker 1: All right, let's.

1271
01:08:46,400 --> 01:08:55,120
Speaker 2: See then we get uh.

1272
01:08:52,840 --> 01:08:54,200
Speaker 1: Hold on, we got something to happen.

1273
01:08:54,280 --> 01:09:01,000
Speaker 2: Oh, Darryl catches Judith out killing zombie. He's on the perimeter,

1274
01:09:02,600 --> 01:09:08,040
Speaker 2: without telling, without telling nobody, just really being fast, not

1275
01:09:08,080 --> 01:09:10,479
Speaker 2: even just like a mama, just like her brother Carl.

1276
01:09:11,640 --> 01:09:14,120
Speaker 2: You know them grinds kids. They will get the fuck

1277
01:09:14,160 --> 01:09:17,280
Speaker 2: out of somewhere.

1278
01:09:21,920 --> 01:09:22,519
Speaker 7: What are you doing.

1279
01:09:23,240 --> 01:09:24,960
Speaker 11: I'm fine who you're with.

1280
01:09:28,000 --> 01:09:28,240
Speaker 1: Let's go.

1281
01:09:29,200 --> 01:09:32,439
Speaker 11: I want to say, ill, that's how they gave you

1282
01:09:32,520 --> 01:09:34,280
Speaker 11: a note, I swear it's fright.

1283
01:09:35,920 --> 01:09:37,479
Speaker 7: No, I wasn't, no question, let's go.

1284
01:09:38,240 --> 01:09:47,200
Speaker 11: No he did up there. It's like, happy, I'm gonna

1285
01:09:47,240 --> 01:09:47,760
Speaker 11: learn what you do.

1286
01:09:49,840 --> 01:09:52,840
Speaker 2: That was the realest line of the episode, because I

1287
01:09:52,880 --> 01:09:55,639
Speaker 2: had to think, damn, no cattle staying out all this time.

1288
01:09:56,240 --> 01:09:59,120
Speaker 2: You know, I ain't got no cleaning supplies. They are

1289
01:09:59,200 --> 01:10:02,920
Speaker 2: in a cat peecha tower, y'all cat py stank.

1290
01:10:04,120 --> 01:10:05,719
Speaker 1: Oh my god, it's so strong.

1291
01:10:05,840 --> 01:10:07,559
Speaker 4: You ain't got a little box or something to soak

1292
01:10:07,600 --> 01:10:08,000
Speaker 4: that odor.

1293
01:10:08,640 --> 01:10:09,599
Speaker 1: Oh my god.

1294
01:10:09,880 --> 01:10:14,040
Speaker 2: I can't even imagine. I would have left too. She

1295
01:10:14,240 --> 01:10:16,519
Speaker 2: was like, it's not even the drama up there, it's

1296
01:10:16,520 --> 01:10:18,559
Speaker 2: just capy. I can't do it, Darryl.

1297
01:10:20,080 --> 01:10:23,680
Speaker 11: Okay, something happens.

1298
01:10:26,240 --> 01:10:29,400
Speaker 7: I walked the perimeter. I look for anything that looks wrong.

1299
01:10:29,880 --> 01:10:31,840
Speaker 7: If I find something, I go somewhere safe in the

1300
01:10:31,960 --> 01:10:38,600
Speaker 7: radio that there's no room for mistakes. Not right now? No,

1301
01:10:41,240 --> 01:10:44,320
Speaker 7: all right, if you do this with me, you're gonna

1302
01:10:44,320 --> 01:10:46,200
Speaker 7: do everything I say. You're gonna stay right next to me,

1303
01:10:46,439 --> 01:10:49,120
Speaker 7: all right, promis right?

1304
01:10:51,280 --> 01:10:54,360
Speaker 1: Listen, do y'all understand what's happening right now?

1305
01:10:55,760 --> 01:11:00,719
Speaker 2: Judith, it's gonna end up being trained by the baddest

1306
01:11:00,760 --> 01:11:04,599
Speaker 2: motherfucker's in the epox. Okay, she already got the blood

1307
01:11:04,640 --> 01:11:08,320
Speaker 2: of a trained serial killer Shane in her. Then she

1308
01:11:08,439 --> 01:11:11,880
Speaker 2: had the rick, and she already be carrying this gun

1309
01:11:12,360 --> 01:11:14,120
Speaker 2: with the same amount of accuracy.

1310
01:11:14,160 --> 01:11:16,800
Speaker 4: And she a shop shooter, and she could do a sword.

1311
01:11:17,040 --> 01:11:21,400
Speaker 2: And she got sword training from Seawn. Now this motherfucker's

1312
01:11:21,400 --> 01:11:23,040
Speaker 2: getting Daryl training for tracking.

1313
01:11:23,200 --> 01:11:25,599
Speaker 4: She gonna learn how to do bow arrow, she gonna

1314
01:11:25,640 --> 01:11:28,280
Speaker 4: learn how to fish. She's gonna be a hunter, a gatherer.

1315
01:11:28,600 --> 01:11:32,280
Speaker 1: She is fitting to be the baddest motherfucker beast. She's

1316
01:11:32,320 --> 01:11:33,400
Speaker 1: gonna have all.

1317
01:11:33,200 --> 01:11:37,679
Speaker 2: Of their skills. It's crazy. Oh my god, I can't wait.

1318
01:11:38,720 --> 01:11:42,920
Speaker 12: Anyway, she gonna be teaching z Apocalypse on one Man

1319
01:11:43,439 --> 01:11:47,559
Speaker 12: like that future show's gonna have her in it, like like, yeah,

1320
01:11:48,120 --> 01:11:50,160
Speaker 12: they gonna be looking back on her, like two hundred

1321
01:11:50,240 --> 01:11:51,479
Speaker 12: years ago I found her.

1322
01:11:52,640 --> 01:11:56,439
Speaker 1: Judith Grimes was out here change in the world.

1323
01:11:57,560 --> 01:12:04,519
Speaker 2: Uh so then let's see. Oh so then Darryl teaches Oh,

1324
01:12:04,640 --> 01:12:06,680
Speaker 2: that's why I had the clip of the apology. I

1325
01:12:06,800 --> 01:12:09,880
Speaker 2: just put it in the wrong place. Rod, what is

1326
01:12:09,960 --> 01:12:14,679
Speaker 2: going on with you today? So then Darryl teaches Judith

1327
01:12:15,479 --> 01:12:18,320
Speaker 2: how to track and all this stuff.

1328
01:12:19,040 --> 01:12:20,800
Speaker 1: And they're out in the woods.

1329
01:12:20,439 --> 01:12:22,679
Speaker 2: And they come across a tree and the tree has

1330
01:12:22,840 --> 01:12:26,920
Speaker 2: like something scraped on the tree and he's like, what's

1331
01:12:26,920 --> 01:12:31,120
Speaker 2: that and she's like it's a walker and he's like

1332
01:12:31,479 --> 01:12:33,800
Speaker 2: living or living or dead because you know, they're looking

1333
01:12:33,800 --> 01:12:36,680
Speaker 2: for whispers and she looks at she's like dead and

1334
01:12:36,720 --> 01:12:41,240
Speaker 2: he's like, yeah, dead, and he's like, good job. So

1335
01:12:41,400 --> 01:12:43,559
Speaker 2: like now he's even teaching her how to like tell

1336
01:12:43,600 --> 01:12:46,760
Speaker 2: the whispers from the zombies and which way they going

1337
01:12:46,800 --> 01:12:48,960
Speaker 2: and all that stuff from the from the trees, like,

1338
01:12:49,680 --> 01:12:52,960
Speaker 2: you know, it's pretty cool handy, right.

1339
01:12:55,439 --> 01:12:57,200
Speaker 1: I actually couldn't fast forward a little bit.

1340
01:12:58,439 --> 01:13:00,960
Speaker 2: And so once he showed those are the tree thing,

1341
01:13:01,920 --> 01:13:06,000
Speaker 2: they uh see, they follow that path to a whisper,

1342
01:13:06,479 --> 01:13:10,080
Speaker 2: and when they to a group of zombies, one of

1343
01:13:10,120 --> 01:13:13,240
Speaker 2: them is a whisper. They shoots the whisper with an

1344
01:13:13,400 --> 01:13:17,320
Speaker 2: arrow in the chest. The whisper goes running off. They

1345
01:13:17,400 --> 01:13:19,800
Speaker 2: killed the rest of the zombies and then follow.

1346
01:13:20,000 --> 01:13:24,360
Speaker 3: Right because the thing is the whisper happened to look

1347
01:13:24,439 --> 01:13:28,360
Speaker 3: up at the last second, which is why Darrell hit

1348
01:13:28,400 --> 01:13:30,679
Speaker 3: the hi hit the zombie hit her in the chest

1349
01:13:30,960 --> 01:13:31,679
Speaker 3: and not the head.

1350
01:13:32,000 --> 01:13:34,240
Speaker 2: Yeah, it would have been the head. Yeah, I forgot

1351
01:13:34,320 --> 01:13:37,519
Speaker 2: about that part. You're right because he was, you know, Darryl.

1352
01:13:37,760 --> 01:13:39,200
Speaker 1: He shoots the kill.

1353
01:13:39,320 --> 01:13:42,439
Speaker 2: He shoots the kill, and he has been killing since

1354
01:13:42,520 --> 01:13:48,799
Speaker 2: killing being killing like uh, it's been a long time

1355
01:13:48,960 --> 01:13:51,720
Speaker 2: of him just being like. No, mercy sweeped the leg

1356
01:13:51,840 --> 01:13:56,400
Speaker 2: on these whisperers, so they chase her down.

1357
01:13:56,880 --> 01:13:59,840
Speaker 1: She's laying in a in a in a shallow pit

1358
01:14:00,080 --> 01:14:05,559
Speaker 1: over there. Now makes her throw a knife away, pull

1359
01:14:05,600 --> 01:14:06,200
Speaker 1: it out of me.

1360
01:14:08,560 --> 01:14:08,840
Speaker 10: Like this.

1361
01:14:09,960 --> 01:14:11,320
Speaker 11: It ain't natural.

1362
01:14:12,720 --> 01:14:15,679
Speaker 1: You dropped the knife. I think about it. Guys.

1363
01:14:16,600 --> 01:14:20,679
Speaker 2: That whisper is the same one that Bedea threatened. So

1364
01:14:20,920 --> 01:14:23,519
Speaker 2: they were close enough that she made her way to

1365
01:14:23,560 --> 01:14:25,200
Speaker 2: the perimeter of the tower.

1366
01:14:26,560 --> 01:14:29,240
Speaker 1: By just running the funk away.

1367
01:14:28,920 --> 01:14:30,919
Speaker 4: So and breaking off some of the zombies.

1368
01:14:34,120 --> 01:14:38,040
Speaker 1: Where your people a few miles east get it to

1369
01:14:38,120 --> 01:14:38,840
Speaker 1: the ocean.

1370
01:14:40,080 --> 01:14:41,160
Speaker 7: And they with the hord.

1371
01:14:42,760 --> 01:14:47,160
Speaker 1: Your scout. I was going off a mile.

1372
01:14:49,400 --> 01:14:49,960
Speaker 4: Choice.

1373
01:14:51,960 --> 01:14:57,000
Speaker 1: I love those people, ease. I couldn't stay there.

1374
01:14:58,880 --> 01:14:59,559
Speaker 11: He's what.

1375
01:15:01,479 --> 01:15:07,720
Speaker 1: Lost it after? Where you did her? Where do you.

1376
01:15:07,680 --> 01:15:08,360
Speaker 5: Take this out?

1377
01:15:09,800 --> 01:15:10,759
Speaker 1: You know where we are?

1378
01:15:12,720 --> 01:15:18,080
Speaker 4: I don't know, but he's gonna keep coming for her.

1379
01:15:20,800 --> 01:15:21,719
Speaker 1: You took too much?

1380
01:15:23,840 --> 01:15:26,479
Speaker 11: Please, I don't know.

1381
01:15:26,600 --> 01:15:30,160
Speaker 7: Walk Does he know where we are?

1382
01:15:31,600 --> 01:15:32,200
Speaker 4: I don't know.

1383
01:15:33,840 --> 01:15:40,960
Speaker 1: I mean, yep, he killed her ass.

1384
01:15:41,880 --> 01:15:44,000
Speaker 2: Yeah, she said not to shoot her her in the

1385
01:15:44,040 --> 01:15:48,799
Speaker 2: head because she wants to be a walker afterwards. Still crazy,

1386
01:15:50,240 --> 01:15:54,160
Speaker 2: after all this ship, everything he's seen. You didn't want

1387
01:15:54,200 --> 01:15:55,840
Speaker 2: him to make you a walker.

1388
01:15:55,840 --> 01:15:58,040
Speaker 1: When he pulled that knife out. You didn't want that.

1389
01:15:58,080 --> 01:16:02,479
Speaker 2: Women, But now do here you go again like no,

1390
01:16:02,479 --> 01:16:04,800
Speaker 2: not in the face, like I want to turn to

1391
01:16:04,840 --> 01:16:06,360
Speaker 2: a zombie afterwards?

1392
01:16:07,400 --> 01:16:09,920
Speaker 1: What we don't believe in that.

1393
01:16:10,200 --> 01:16:20,680
Speaker 3: And the thing is Daral didn't know that, and it

1394
01:16:21,000 --> 01:16:23,599
Speaker 3: is Daryl didn't know it. But she was actually giving

1395
01:16:23,640 --> 01:16:24,559
Speaker 3: them a late information.

1396
01:16:25,200 --> 01:16:29,800
Speaker 1: Well yeah, she didn't know either. But Judah saw this, y'all.

1397
01:16:30,960 --> 01:16:32,719
Speaker 1: So Judas had some questions.

1398
01:16:32,800 --> 01:16:34,360
Speaker 4: Did I was like, oh, that's not gonna flow.

1399
01:16:34,200 --> 01:16:43,160
Speaker 1: With kids grow up so fast in the zpop.

1400
01:16:45,960 --> 01:16:47,000
Speaker 11: He didn't have to do that.

1401
01:16:47,880 --> 01:16:52,479
Speaker 7: She didn't have any information for us anyway, She's gonna

1402
01:16:52,520 --> 01:16:54,519
Speaker 7: die better be quick.

1403
01:16:57,640 --> 01:16:59,519
Speaker 1: Darrell took her mask.

1404
01:17:00,040 --> 01:17:08,080
Speaker 11: Come on, maybe she has a form room.

1405
01:17:08,280 --> 01:17:11,639
Speaker 7: Look only a few miles away, maybe we can spot

1406
01:17:11,720 --> 01:17:12,960
Speaker 7: something from the top of the top.

1407
01:17:15,280 --> 01:17:15,559
Speaker 1: Yep.

1408
01:17:15,840 --> 01:17:18,840
Speaker 2: And Judas looks back like, oh, like one last look

1409
01:17:18,840 --> 01:17:20,439
Speaker 2: at a dog that just got put down.

1410
01:17:21,280 --> 01:17:24,400
Speaker 3: So yeah, because from a child's perspective, she couldn't really

1411
01:17:24,439 --> 01:17:25,920
Speaker 3: peace why he did what he did.

1412
01:17:26,640 --> 01:17:30,439
Speaker 2: Yeah, well, remember Judah didn't want to kill that woman Hilltop.

1413
01:17:30,560 --> 01:17:33,320
Speaker 2: She accidentally stabbed her, and then when the woman was

1414
01:17:33,360 --> 01:17:35,160
Speaker 2: about to well, she realized she was a human.

1415
01:17:35,400 --> 01:17:37,000
Speaker 1: Wait, Judah, goat the woman.

1416
01:17:37,160 --> 01:17:39,000
Speaker 2: You know, she died of her injuries, but she you

1417
01:17:39,120 --> 01:17:41,720
Speaker 2: just didn't put the finishing blow on her. So you know,

1418
01:17:41,840 --> 01:17:47,680
Speaker 2: she's still a child and she about to grow up fast.

1419
01:17:48,000 --> 01:17:52,520
Speaker 2: So then back at the tower, Lydia finally confronts Nigan.

1420
01:17:54,880 --> 01:18:01,320
Speaker 1: And she actually is angry, like I think, yeah, I guess,

1421
01:18:01,479 --> 01:18:01,920
Speaker 1: I mean.

1422
01:18:03,560 --> 01:18:05,599
Speaker 2: She because clear he had went up to her and

1423
01:18:05,640 --> 01:18:08,160
Speaker 2: said something about like, I'm sorry I killed your mom

1424
01:18:08,800 --> 01:18:09,720
Speaker 2: and it's okay.

1425
01:18:09,439 --> 01:18:12,639
Speaker 1: If you're mad at me, you know, are you avoiding me?

1426
01:18:13,080 --> 01:18:15,080
Speaker 1: And she was like yes, and he was like okay.

1427
01:18:15,200 --> 01:18:16,400
Speaker 1: She was like, what you want me to lie?

1428
01:18:16,439 --> 01:18:18,439
Speaker 2: He's like no, but I just want you to know,

1429
01:18:18,800 --> 01:18:22,759
Speaker 2: you know, I thought your mom was I liked her,

1430
01:18:24,280 --> 01:18:26,439
Speaker 2: but she just went too far. I didn't want to

1431
01:18:26,520 --> 01:18:28,800
Speaker 2: kill her, but d d and that was kind of

1432
01:18:28,880 --> 01:18:29,760
Speaker 2: end of that conversation.

1433
01:18:30,840 --> 01:18:35,000
Speaker 1: But clearly, like Lydia is.

1434
01:18:34,240 --> 01:18:37,000
Speaker 2: Is like I think that almost pissed her off more

1435
01:18:37,000 --> 01:18:38,080
Speaker 2: than her mom being dead.

1436
01:18:43,479 --> 01:18:44,920
Speaker 5: You don't get to tell me what to do.

1437
01:18:47,120 --> 01:18:48,360
Speaker 7: Right, I can't.

1438
01:18:48,720 --> 01:18:50,559
Speaker 2: Oh, and also he tried to tell her to like

1439
01:18:50,640 --> 01:18:53,719
Speaker 2: eat some possum and like he was trying to take

1440
01:18:53,760 --> 01:18:55,800
Speaker 2: care of her, like I saw you had to eat today.

1441
01:18:55,520 --> 01:18:57,240
Speaker 1: And all this shit. She's like, man, funk all that.

1442
01:18:57,320 --> 01:18:57,960
Speaker 1: Leave me alone.

1443
01:19:00,080 --> 01:19:03,880
Speaker 15: Yeah, I think that you should hit me and it

1444
01:19:03,920 --> 01:19:05,040
Speaker 15: will make you feel better.

1445
01:19:05,400 --> 01:19:08,080
Speaker 2: Shout out to man's plaining. Okay, She's like, you don't

1446
01:19:08,120 --> 01:19:10,920
Speaker 2: get tell me what to do. You're right, but I

1447
01:19:10,960 --> 01:19:14,360
Speaker 2: think you should hit me and go to therapy. Okay,

1448
01:19:14,640 --> 01:19:17,240
Speaker 2: I think you should get all some think you should

1449
01:19:17,240 --> 01:19:20,799
Speaker 2: get all some some drugs and then it'll help anyway.

1450
01:19:21,960 --> 01:19:22,679
Speaker 4: I feel fine.

1451
01:19:23,920 --> 01:19:26,760
Speaker 15: You have to mourn her, you know, you need to

1452
01:19:26,760 --> 01:19:29,559
Speaker 15: say goodbye. Otherwise it's going to eat you up from

1453
01:19:29,600 --> 01:19:34,000
Speaker 15: the inside. Just trust me on this.

1454
01:19:35,560 --> 01:19:36,799
Speaker 1: Look. She was still your.

1455
01:19:36,680 --> 01:19:40,840
Speaker 15: Mom, you know, and we only get the one.

1456
01:19:41,479 --> 01:19:45,320
Speaker 8: So you you should hit me and just.

1457
01:19:46,479 --> 01:19:47,360
Speaker 1: Try to let it out.

1458
01:19:48,320 --> 01:19:50,759
Speaker 15: Otherwise you are going to drest further from these people,

1459
01:19:50,840 --> 01:19:53,080
Speaker 15: and I know you don't want that, now, do.

1460
01:19:53,000 --> 01:19:53,760
Speaker 4: You know what I want?

1461
01:19:53,840 --> 01:19:54,080
Speaker 10: Huh?

1462
01:19:55,200 --> 01:19:57,240
Speaker 4: Tell me you're a selfish asshole.

1463
01:20:00,320 --> 01:20:03,479
Speaker 5: To think that you're a hero. But nothing you do

1464
01:20:03,600 --> 01:20:06,120
Speaker 5: will ever make it that here, because you only care

1465
01:20:06,120 --> 01:20:09,640
Speaker 5: about yourself even now to get me even do this.

1466
01:20:11,000 --> 01:20:11,679
Speaker 4: You liked her?

1467
01:20:12,960 --> 01:20:14,280
Speaker 1: Hell, can you tell me you liked her?

1468
01:20:15,840 --> 01:20:16,639
Speaker 4: I hated her.

1469
01:20:17,560 --> 01:20:18,160
Speaker 1: I want.

1470
01:20:19,560 --> 01:20:21,040
Speaker 5: You for telling me I can't even do.

1471
01:20:21,040 --> 01:20:28,280
Speaker 1: That is okay? And then they do a whole like

1472
01:20:28,360 --> 01:20:30,439
Speaker 1: you know, it's not your fault. It's not your fault.

1473
01:20:32,520 --> 01:20:35,080
Speaker 2: Now, I will say that has really grown and matured

1474
01:20:36,400 --> 01:20:38,519
Speaker 2: because I feel like back in the day nigga w

1475
01:20:38,640 --> 01:20:43,080
Speaker 2: were like and I fucked it too, Lydia, your mama

1476
01:20:43,120 --> 01:20:46,599
Speaker 2: has some good pussy, okay, and it's important that you.

1477
01:20:46,520 --> 01:20:51,719
Speaker 12: Know alf Okay, they say crazy pussy is the best,

1478
01:20:51,840 --> 01:20:54,439
Speaker 12: and god damn it, they right.

1479
01:20:54,520 --> 01:20:57,920
Speaker 2: This is the best pussy I ever had my dead wife.

1480
01:20:58,320 --> 01:20:58,759
Speaker 1: Okay.

1481
01:20:58,880 --> 01:21:04,080
Speaker 2: But anyway, uh but now he kept it very mature,

1482
01:21:04,240 --> 01:21:06,960
Speaker 2: let her beat him on the chest and left it

1483
01:21:07,000 --> 01:21:10,479
Speaker 2: at that. Then we get one last scene in there

1484
01:21:10,720 --> 01:21:17,799
Speaker 2: and UH at the Tower and dashed between Judith and Darryl.

1485
01:21:18,800 --> 01:21:25,040
Speaker 2: On the way back to UH to the Tower, Darryl

1486
01:21:25,160 --> 01:21:28,559
Speaker 2: tells Judith, Basically, I've been trying to get in contact

1487
01:21:28,560 --> 01:21:32,360
Speaker 2: with your mama Micheau and tell her not to come back,

1488
01:21:33,080 --> 01:21:35,200
Speaker 2: and I haven't really been able to. You know, I've

1489
01:21:35,240 --> 01:21:38,439
Speaker 2: just been sending messages all day, but I don't know.

1490
01:21:38,680 --> 01:21:41,559
Speaker 2: She didn't contact me back, so I don't know if

1491
01:21:41,560 --> 01:21:44,519
Speaker 2: she got it or not. And Judith is, you know,

1492
01:21:45,479 --> 01:21:47,679
Speaker 2: very fucked up at the seeing this woman get killed

1493
01:21:47,720 --> 01:21:48,559
Speaker 2: in cold blood.

1494
01:21:49,320 --> 01:21:51,080
Speaker 12: You know, she thought she was ready, but she Wasn't

1495
01:21:51,920 --> 01:21:54,200
Speaker 12: you kill people, It's different like killing people in the

1496
01:21:54,280 --> 01:21:55,120
Speaker 12: zombies ain't the same.

1497
01:21:55,720 --> 01:22:05,080
Speaker 1: Mm hmm, what is it?

1498
01:22:07,120 --> 01:22:11,080
Speaker 11: I can't believe we just left her in a ditch.

1499
01:22:15,960 --> 01:22:21,920
Speaker 11: What if you were lost and no one could find you?

1500
01:22:21,920 --> 01:22:22,880
Speaker 10: Where r J was?

1501
01:22:24,439 --> 01:22:28,479
Speaker 11: My mom? Yeah?

1502
01:22:28,600 --> 01:22:32,600
Speaker 15: Tell me where this is coming from.

1503
01:22:32,760 --> 01:22:37,559
Speaker 11: I just want us to be back together again at Homie.

1504
01:22:39,280 --> 01:22:43,439
Speaker 7: That's all I radio Jama. So she knows not to

1505
01:22:43,479 --> 01:22:46,559
Speaker 7: go home, so she's safe. That way she can find us.

1506
01:22:47,640 --> 01:22:50,080
Speaker 11: You talked to her, no.

1507
01:22:51,360 --> 01:22:52,400
Speaker 7: But I'm gonna keep trying.

1508
01:22:56,800 --> 01:23:07,320
Speaker 11: Doesn't matter. I talked to her offence fire work, and

1509
01:23:07,560 --> 01:23:08,400
Speaker 11: she went through.

1510
01:23:10,280 --> 01:23:13,360
Speaker 7: What she say.

1511
01:23:13,920 --> 01:23:18,240
Speaker 11: She went to go help some people she met needed her.

1512
01:23:20,760 --> 01:23:25,639
Speaker 2: Now right there, I'm like, oh shit, Judith didn't lie

1513
01:23:25,680 --> 01:23:29,439
Speaker 2: to Micheon and she line to Drell right now because

1514
01:23:29,439 --> 01:23:30,040
Speaker 2: she didn't.

1515
01:23:29,840 --> 01:23:32,439
Speaker 1: Even say to Dare like you know, she found she

1516
01:23:32,520 --> 01:23:33,200
Speaker 1: might be found.

1517
01:23:33,280 --> 01:23:34,960
Speaker 4: Rick because she don't know for sure.

1518
01:23:35,400 --> 01:23:37,680
Speaker 2: Yeah, well even if she knows, she knows that that

1519
01:23:37,800 --> 01:23:39,400
Speaker 2: Micheon thinks she might have found Rick.

1520
01:23:40,560 --> 01:23:41,400
Speaker 1: She didn't tell deal.

1521
01:23:42,520 --> 01:23:44,400
Speaker 4: No, she didn't, and then.

1522
01:23:44,280 --> 01:23:45,639
Speaker 1: She told her mama everything.

1523
01:23:45,880 --> 01:23:48,360
Speaker 2: Okay, we killed Alpha. The problem is taken care of.

1524
01:23:48,400 --> 01:23:51,479
Speaker 2: You don't need to come back. So I'm like, this

1525
01:23:51,680 --> 01:23:54,960
Speaker 2: is just this is laur Grin's talking. Okay, that's some

1526
01:23:55,040 --> 01:24:00,839
Speaker 2: pure Laurie stuff. Lies of the mission and manipulation and stuff. Okay,

1527
01:24:01,040 --> 01:24:04,599
Speaker 2: the shame Jeans was strong, but the Lord grind Jeans

1528
01:24:04,600 --> 01:24:10,639
Speaker 2: are undefeated. Okay, lying to people, girl, stop playing need

1529
01:24:10,640 --> 01:24:12,000
Speaker 2: a whooping?

1530
01:24:13,320 --> 01:24:20,160
Speaker 1: Why was I even got the white woman? She even

1531
01:24:20,160 --> 01:24:26,040
Speaker 1: got the white woman? Tears like Laurie, hold on, you're from.

1532
01:24:28,000 --> 01:24:29,599
Speaker 11: I can't right.

1533
01:24:30,000 --> 01:24:33,519
Speaker 7: Because I can't lie to here. I don't know what's

1534
01:24:33,560 --> 01:24:37,040
Speaker 7: gonna happen. There ain't no one that can tell you

1535
01:24:37,040 --> 01:24:43,000
Speaker 7: that they do. And there's one thing I know. There's

1536
01:24:43,000 --> 01:24:45,040
Speaker 7: a whole bunch of people back there that do anything

1537
01:24:45,080 --> 01:24:48,960
Speaker 7: for you, and one day, when you're older, they're gonna

1538
01:24:48,960 --> 01:24:52,280
Speaker 7: need you to do anything for them. You got a

1539
01:24:52,280 --> 01:25:05,840
Speaker 7: whole lot of family. Nothing can take the place of

1540
01:25:05,920 --> 01:25:09,960
Speaker 7: someone you love. On That doesn't mean that everything that

1541
01:25:10,080 --> 01:25:11,160
Speaker 7: faults is gonna.

1542
01:25:10,880 --> 01:25:11,519
Speaker 1: Break your heart.

1543
01:25:12,640 --> 01:25:14,839
Speaker 2: First of all, A lot of y'all in the audience

1544
01:25:14,880 --> 01:25:17,840
Speaker 2: need to hear that line. Okay, I see your little

1545
01:25:17,880 --> 01:25:21,639
Speaker 2: statuses on Facebook and Instagram shaving all your exes. Okay,

1546
01:25:21,960 --> 01:25:24,240
Speaker 2: it's time to let that hate go. Stop being bitter,

1547
01:25:24,240 --> 01:25:28,360
Speaker 2: all right, every person, Okay, just because you lost someone

1548
01:25:28,439 --> 01:25:30,599
Speaker 2: you love doesn't mean everything that comes after it's gonna

1549
01:25:30,600 --> 01:25:33,800
Speaker 2: break your heart. Okay, can I get an amen?

1550
01:25:38,080 --> 01:25:40,760
Speaker 1: Oh now I want to pause. That's how ponion it was,

1551
01:25:47,080 --> 01:25:47,840
Speaker 1: and they hugged.

1552
01:25:48,280 --> 01:25:50,840
Speaker 2: That's the most words Darrel has ever said on the

1553
01:25:50,880 --> 01:25:52,160
Speaker 2: show in a row.

1554
01:25:52,680 --> 01:25:56,040
Speaker 3: And you know what, on the low, that music was

1555
01:25:56,160 --> 01:25:58,960
Speaker 3: actually lit. That music actually sound like my video game

1556
01:25:59,000 --> 01:25:59,519
Speaker 3: farm together.

1557
01:25:59,520 --> 01:26:02,280
Speaker 1: While on it's actually sound, it sounded like something off.

1558
01:26:02,160 --> 01:26:04,120
Speaker 4: It this is it's so gentle.

1559
01:26:04,160 --> 01:26:07,280
Speaker 2: In the background, I just felt like Randam Pearson was

1560
01:26:07,280 --> 01:26:09,960
Speaker 2: gonna pop out of nowhere to start talking about being.

1561
01:26:09,800 --> 01:26:13,439
Speaker 1: Adopted for the seventeenth time. They left me on the

1562
01:26:13,479 --> 01:26:17,280
Speaker 1: fire miss porch, like, oh, here we go, coming on

1563
01:26:17,360 --> 01:26:21,120
Speaker 1: his face, here we go go ahead? Do you think Randam?

1564
01:26:21,160 --> 01:26:21,400
Speaker 1: We know?

1565
01:26:21,600 --> 01:26:24,840
Speaker 2: We know, baby, they left you on that porch and

1566
01:26:25,040 --> 01:26:25,840
Speaker 2: they've been paying the.

1567
01:26:25,800 --> 01:26:29,479
Speaker 1: Price ever since. I could have saved myself.

1568
01:26:33,920 --> 01:26:36,719
Speaker 11: H we gotta go Keeto all.

1569
01:26:36,680 --> 01:26:45,360
Speaker 7: Right, Gabriel, go for breaking up.

1570
01:26:45,400 --> 01:26:51,640
Speaker 1: I can't hear you. I'm back, Gabriel, Gabriel.

1571
01:26:53,000 --> 01:26:57,839
Speaker 2: Something about comeback. They surrounded the we need a wagon.

1572
01:26:58,439 --> 01:27:01,160
Speaker 2: So it looks like and we seen the last scene,

1573
01:27:01,640 --> 01:27:04,040
Speaker 2: Beta is bringing it or to what appears to be

1574
01:27:04,080 --> 01:27:07,240
Speaker 2: a hospital. And I don't know if it's the same

1575
01:27:07,320 --> 01:27:12,160
Speaker 2: hospital from where they had that fight, like remember that

1576
01:27:12,240 --> 01:27:14,559
Speaker 2: fight when you went down the elevator shop. I don't

1577
01:27:14,560 --> 01:27:17,280
Speaker 2: know that that's the same hospital, but it is a hospital.

1578
01:27:18,000 --> 01:27:21,640
Speaker 2: That's the catpee tower that everyone's held up in. Apparently

1579
01:27:22,520 --> 01:27:24,760
Speaker 2: is this hospital or something like that? I don't know,

1580
01:27:25,760 --> 01:27:27,479
Speaker 2: Like I couldn't tell that it was a hospital when

1581
01:27:27,479 --> 01:27:28,960
Speaker 2: they was inside. I thought it was like a house

1582
01:27:29,080 --> 01:27:32,120
Speaker 2: or something. But I don't know, like that like what

1583
01:27:32,240 --> 01:27:33,439
Speaker 2: the showdown is happening.

1584
01:27:33,960 --> 01:27:36,920
Speaker 4: And you know, shit doesn't broke down it and and ship.

1585
01:27:37,760 --> 01:27:39,280
Speaker 1: Yeah, so I don't know.

1586
01:27:40,040 --> 01:27:43,880
Speaker 2: Someone said the hospital from season five, that's possibility.

1587
01:27:43,320 --> 01:27:44,519
Speaker 1: Season five hospital?

1588
01:27:44,560 --> 01:27:46,559
Speaker 2: Which one is that Rember because I thought that was

1589
01:27:46,560 --> 01:27:49,400
Speaker 2: in like Atlanta, that was that was up there by Alexandria.

1590
01:27:49,600 --> 01:27:51,880
Speaker 4: I don't know. I remember Best got killed in the hospital.

1591
01:27:52,240 --> 01:27:56,400
Speaker 1: Yeah, that's crazy, man, I don't even know the geography

1592
01:27:56,400 --> 01:27:58,360
Speaker 1: of where we're at right now either. I don't think

1593
01:27:58,360 --> 01:27:59,719
Speaker 1: it's that you're about to get.

1594
01:27:59,560 --> 01:28:03,200
Speaker 2: Cut off at the two hour break, but in mine,

1595
01:28:03,479 --> 01:28:04,040
Speaker 2: all right, what was.

1596
01:28:04,040 --> 01:28:04,840
Speaker 1: The point you were gonna make?

1597
01:28:05,280 --> 01:28:09,439
Speaker 3: I was gonna say about Beth died in that pedol

1598
01:28:09,520 --> 01:28:14,080
Speaker 3: and I don't think it's the same hospital. I think

1599
01:28:14,160 --> 01:28:18,479
Speaker 3: it's a different location, quote unquote. It might appear to

1600
01:28:18,479 --> 01:28:20,439
Speaker 3: be the same hospital. It might actually be the same hospital,

1601
01:28:20,479 --> 01:28:23,719
Speaker 3: but I don't think geographically it's the same hospital.

1602
01:28:23,720 --> 01:28:26,679
Speaker 2: Well, okay, so I just googled it while we were

1603
01:28:27,120 --> 01:28:30,560
Speaker 2: going between the sessions, and it's the same hospital.

1604
01:28:30,640 --> 01:28:32,760
Speaker 1: Where Beth died. Oh well, I just I don't know why.

1605
01:28:32,800 --> 01:28:34,839
Speaker 1: I just thought that she was in like Atlanta or something.

1606
01:28:35,400 --> 01:28:38,599
Speaker 2: So did they travel to Atlanta or are they saying

1607
01:28:39,200 --> 01:28:40,880
Speaker 2: we just revisited location.

1608
01:28:40,600 --> 01:28:42,960
Speaker 1: But it's not where Beth died. I don't know. I mean,

1609
01:28:43,000 --> 01:28:46,000
Speaker 1: it does seem like it would be a stronghold, because

1610
01:28:46,040 --> 01:28:50,640
Speaker 1: you already know the layout, you already know what you know,

1611
01:28:50,680 --> 01:28:54,200
Speaker 1: you've been there before. But I don't know, like, I

1612
01:28:54,200 --> 01:28:55,160
Speaker 1: don't know why that.

1613
01:28:55,439 --> 01:28:58,479
Speaker 2: Maybe it's just because so much time passed, But seemed

1614
01:28:58,479 --> 01:29:01,360
Speaker 2: like five seasons ago, that was they were much further

1615
01:29:01,439 --> 01:29:04,760
Speaker 2: away from Alexandria than they are now, you know, to

1616
01:29:04,840 --> 01:29:07,040
Speaker 2: the where Beata could just find them following the straight

1617
01:29:07,080 --> 01:29:10,720
Speaker 2: cat like, I don't know, hell of a fucking coincidence.

1618
01:29:12,840 --> 01:29:17,719
Speaker 2: So if it's the same, you know, if it's the same,

1619
01:29:20,400 --> 01:29:23,280
Speaker 2: I wonder if it's just this, like we're reusing this

1620
01:29:23,400 --> 01:29:25,960
Speaker 2: location but it's a different hospital and a different place,

1621
01:29:26,520 --> 01:29:28,880
Speaker 2: or if they literally went back to where Beth died.

1622
01:29:29,120 --> 01:29:30,880
Speaker 2: Because the other thing that they went back to where

1623
01:29:30,880 --> 01:29:33,680
Speaker 2: Beth died, it's weird that no one makes like they

1624
01:29:33,720 --> 01:29:36,400
Speaker 2: will have to address that in episode sixteen, Right, someone

1625
01:29:36,439 --> 01:29:38,080
Speaker 2: has to bring up that they lost Beth there.

1626
01:29:38,200 --> 01:29:40,400
Speaker 1: That's crazy if they don't, right, because there are.

1627
01:29:40,320 --> 01:29:42,080
Speaker 4: A few people who were there when she died.

1628
01:29:42,960 --> 01:29:45,880
Speaker 2: Yeah, So I don't know, it's interesting, like it could

1629
01:29:45,880 --> 01:29:48,439
Speaker 2: be the same set, not same location. I kind of

1630
01:29:48,439 --> 01:29:51,639
Speaker 2: would understand that, but I guess we'll find out, because

1631
01:29:51,720 --> 01:29:54,360
Speaker 2: like Darryl, like Daryl loved Beth.

1632
01:29:55,200 --> 01:29:57,639
Speaker 1: Daryl, don't bring it up. That's crazy, Carol, don't.

1633
01:29:57,479 --> 01:30:01,080
Speaker 2: Bring it up, Like, yeah, they've been there long enough

1634
01:30:01,120 --> 01:30:03,400
Speaker 2: to be like this, this this place means so much

1635
01:30:03,400 --> 01:30:06,240
Speaker 2: to us because of this, like, so One'm gonna bring

1636
01:30:06,240 --> 01:30:06,720
Speaker 2: this shit up.

1637
01:30:06,760 --> 01:30:08,559
Speaker 1: If not, that's crazy, that's crazy.

1638
01:30:08,600 --> 01:30:12,080
Speaker 2: If it's if it's the same location and nothing, like

1639
01:30:12,120 --> 01:30:15,040
Speaker 2: they don't even look at like the elevator shaft where

1640
01:30:15,080 --> 01:30:17,639
Speaker 2: she died or whatever the fuck it was, Like, that's crazy.

1641
01:30:18,560 --> 01:30:21,439
Speaker 2: All right, that's the end of the episode. We do

1642
01:30:21,560 --> 01:30:25,080
Speaker 2: have some feedback. You guys did leave emails. Uh let

1643
01:30:25,080 --> 01:30:28,559
Speaker 2: me get in the here, uh, Dune Dragon says hey,

1644
01:30:28,640 --> 01:30:31,280
Speaker 2: Karen and Rod. I came in worried that the episode

1645
01:30:31,320 --> 01:30:38,519
Speaker 2: would be anti climatic, climactic with premature, premature ending to

1646
01:30:38,640 --> 01:30:42,639
Speaker 2: the season halfway through, though I was content with the pacing.

1647
01:30:42,920 --> 01:30:45,880
Speaker 2: Did not need a spectacle like saying zombies or acid

1648
01:30:45,960 --> 01:30:48,679
Speaker 2: zombies are glass zombies. But we did get the zombies

1649
01:30:48,680 --> 01:30:52,120
Speaker 2: that blew up in a cascade. It's funny that the

1650
01:30:52,120 --> 01:30:54,639
Speaker 2: most flawed characters from seasons passed and now the flavors

1651
01:30:54,800 --> 01:31:00,599
Speaker 2: favorites Darryl Carroll and Nagan have changed so much. From

1652
01:31:00,600 --> 01:31:03,880
Speaker 2: the way you said Karen and Megan Carol what she

1653
01:31:03,960 --> 01:31:07,280
Speaker 2: spelled Karen. So maybe she met Carol, but she broke Karen.

1654
01:31:07,800 --> 01:31:11,000
Speaker 2: Meagan from the mean gangster lean to Lydia step Dad.

1655
01:31:11,120 --> 01:31:13,479
Speaker 2: I had half thought he was going to go for

1656
01:31:13,560 --> 01:31:15,200
Speaker 2: a nigan to tell Lyddy he smashed her.

1657
01:31:15,240 --> 01:31:18,400
Speaker 1: Mom me too, you mean saying ha.

1658
01:31:19,320 --> 01:31:22,680
Speaker 2: Karen swings from General Daisy to incredible white Man and

1659
01:31:22,800 --> 01:31:23,240
Speaker 2: back again.

1660
01:31:23,320 --> 01:31:25,760
Speaker 1: Yeah, he said Karen again. Now, I don't know if this.

1661
01:31:25,800 --> 01:31:27,800
Speaker 2: Is just because the Internet has been calling all white

1662
01:31:27,800 --> 01:31:31,400
Speaker 2: women Karen this this week. It's a slur now, yeah,

1663
01:31:31,560 --> 01:31:33,639
Speaker 2: but you need to apologize for saying the K word.

1664
01:31:34,000 --> 01:31:34,919
Speaker 1: He used that word.

1665
01:31:36,120 --> 01:31:38,960
Speaker 2: The loner Darryl is now taking his niece for hunting

1666
01:31:39,040 --> 01:31:42,080
Speaker 2: for like his crib, like his cub. With that and

1667
01:31:42,120 --> 01:31:44,760
Speaker 2: skills micheun sowrsarship and Rick shooting and badass and Red

1668
01:31:44,840 --> 01:31:47,960
Speaker 2: Judith is going to become something else. While I love

1669
01:31:48,040 --> 01:31:50,040
Speaker 2: the character Princess, I would not have her on my

1670
01:31:50,080 --> 01:31:52,000
Speaker 2: team in this epoch. I did not read the comic

1671
01:31:52,080 --> 01:31:54,839
Speaker 2: and had any research on the character. Now we hibernate

1672
01:31:54,880 --> 01:31:57,639
Speaker 2: as only God knows when production for the next season

1673
01:31:57,680 --> 01:31:58,160
Speaker 2: will start.

1674
01:31:58,479 --> 01:32:00,000
Speaker 1: Keep Black, Stay home, Stay safe.

1675
01:32:00,080 --> 01:32:02,880
Speaker 2: Helding back to the man who had the most bars

1676
01:32:02,920 --> 01:32:06,559
Speaker 2: in The Walking Dead in Morgan's voice, Karen Rod, I'm

1677
01:32:06,600 --> 01:32:07,360
Speaker 2: not right.

1678
01:32:07,960 --> 01:32:11,040
Speaker 1: I know I'm not right. I know I'm not right,

1679
01:32:11,479 --> 01:32:12,920
Speaker 1: but that doesn't mean I'm wrong.

1680
01:32:14,080 --> 01:32:16,600
Speaker 2: We're getting out of this COVID nineteen together or not

1681
01:32:16,720 --> 01:32:19,679
Speaker 2: at all. Peace, Thank you. I haven't done a Morgan

1682
01:32:19,760 --> 01:32:22,120
Speaker 2: voice so long. It's so terrible. Now it's even worse

1683
01:32:22,160 --> 01:32:22,639
Speaker 2: than before.

1684
01:32:23,720 --> 01:32:25,439
Speaker 1: Oh live precious Frick.

1685
01:32:28,439 --> 01:32:30,360
Speaker 2: I hope he not dead on the funeral, I can dead.

1686
01:32:31,640 --> 01:32:33,320
Speaker 2: But then I saw a commercial this niggas on a

1687
01:32:33,400 --> 01:32:35,280
Speaker 2: whole nother show. I was like, Oh, that's not good.

1688
01:32:35,360 --> 01:32:36,960
Speaker 4: Well, he can always come back, you know how they

1689
01:32:37,000 --> 01:32:37,679
Speaker 4: do with him.

1690
01:32:37,920 --> 01:32:41,880
Speaker 2: Yeah, turk Rod says, Hi, guys, I love Princess. I'm

1691
01:32:41,880 --> 01:32:45,000
Speaker 2: digging her color palette because we normally only see earth tone.

1692
01:32:45,040 --> 01:32:46,880
Speaker 2: She reminds onone who is new at school who was

1693
01:32:46,920 --> 01:32:49,240
Speaker 2: trying to which alienates people. I wonder if she is

1694
01:32:49,280 --> 01:32:51,959
Speaker 2: supposed to be a teenager like I like that she's crazy,

1695
01:32:52,160 --> 01:32:54,200
Speaker 2: but it makes me wonder if she is alone because

1696
01:32:54,240 --> 01:32:56,760
Speaker 2: she had a bad run of look like Bob, or

1697
01:32:56,800 --> 01:32:58,760
Speaker 2: because she got people killed like father gave.

1698
01:32:59,160 --> 01:33:01,160
Speaker 1: They didn't ask her the three questions.

1699
01:33:01,439 --> 01:33:04,559
Speaker 2: Loving the dynamic between Niga and Lydia, I don't like

1700
01:33:04,640 --> 01:33:08,360
Speaker 2: that Kelly is encouraging Carroll's lone wolf antics. Carrol's antis

1701
01:33:08,520 --> 01:33:12,839
Speaker 2: always taking emotional toll on the group, not always just lately.

1702
01:33:13,760 --> 01:33:17,800
Speaker 2: I mean, how soon we forget turning this huh oh yeah,

1703
01:33:18,280 --> 01:33:21,880
Speaker 2: good old Carol coming to the rescue. Back then, the

1704
01:33:21,960 --> 01:33:26,160
Speaker 2: one person none of us I could do it saved everybody.

1705
01:33:25,640 --> 01:33:27,920
Speaker 4: Who season two, she just cried the whole season.

1706
01:33:28,360 --> 01:33:29,839
Speaker 1: All the body is okay.

1707
01:33:31,640 --> 01:33:36,760
Speaker 2: Also mine feels Tree sap malotav cocktails. It's crazy that

1708
01:33:36,800 --> 01:33:38,640
Speaker 2: these writers keep coming up with new interesting ways to

1709
01:33:38,680 --> 01:33:39,559
Speaker 2: put the group in danger.

1710
01:33:39,600 --> 01:33:40,120
Speaker 1: Peces Turt.

1711
01:33:40,200 --> 01:33:43,040
Speaker 2: It really is ten seasons in and they're still like,

1712
01:33:43,640 --> 01:33:46,760
Speaker 2: have we done Tree sap Malotov cocktails.

1713
01:33:47,120 --> 01:33:51,040
Speaker 1: No, let's do it the Walking Dead. Kelly forgives I don't.

1714
01:33:51,200 --> 01:33:55,040
Speaker 2: This is from of course, hey Karen and Rod so

1715
01:33:55,400 --> 01:33:56,719
Speaker 2: Kelly Man forgiving Carol.

1716
01:33:57,040 --> 01:33:58,880
Speaker 1: But until I see Connie, I will not.

1717
01:33:59,120 --> 01:34:01,320
Speaker 2: And guess what is to be well into the summer

1718
01:34:01,400 --> 01:34:03,840
Speaker 2: or even the fall when the new season starts, but

1719
01:34:04,000 --> 01:34:06,559
Speaker 2: before we know if our fav character is alive or not,

1720
01:34:06,680 --> 01:34:09,479
Speaker 2: I can't. Judith wants to take on the world, and

1721
01:34:09,520 --> 01:34:11,000
Speaker 2: I'm glad Darryl is that a teacher.

1722
01:34:11,040 --> 01:34:12,960
Speaker 1: I hope it doesn't make her heart too hard.

1723
01:34:13,360 --> 01:34:15,880
Speaker 2: She's teaching her, He's teaching her, and this rough yet

1724
01:34:15,960 --> 01:34:18,200
Speaker 2: kind of gentle way and I'm here for this. Umga

1725
01:34:18,400 --> 01:34:20,600
Speaker 2: is pretty uptight, but I'm sure that's how she and

1726
01:34:20,640 --> 01:34:23,439
Speaker 2: her group survived this long. She loosen up because it's exhausted.

1727
01:34:23,479 --> 01:34:26,879
Speaker 2: I'm sure Angela and crewe will figure it out technically.

1728
01:34:27,000 --> 01:34:29,519
Speaker 1: The one that that that said that persons could come her,

1729
01:34:29,520 --> 01:34:29,840
Speaker 1: I think.

1730
01:34:30,280 --> 01:34:32,720
Speaker 2: I think Miko has a tough exterior, but as we've

1731
01:34:32,720 --> 01:34:35,480
Speaker 2: seen with her and Magna, like she's not unreasonable.

1732
01:34:36,160 --> 01:34:38,719
Speaker 1: You know, She's really very.

1733
01:34:38,600 --> 01:34:40,920
Speaker 2: Relatable in my opinion, because it's how the audience always

1734
01:34:40,920 --> 01:34:43,960
Speaker 2: pictures themselves in the zpoch, you know what I mean.

1735
01:34:43,960 --> 01:34:46,479
Speaker 2: They always picture like, well, be vigilant. I wouldn't let

1736
01:34:46,520 --> 01:34:50,439
Speaker 2: nothing slide. Yeah, then when you see you like this,

1737
01:34:50,520 --> 01:34:53,160
Speaker 2: Nigga's an asshole.

1738
01:34:53,360 --> 01:34:56,000
Speaker 1: There, jered Why theyin't so mean? That's what happened to

1739
01:34:56,080 --> 01:34:58,080
Speaker 1: you all the time.

1740
01:34:58,160 --> 01:35:00,360
Speaker 2: Yeah, Like it's always the same, like we you've seen

1741
01:35:00,360 --> 01:35:02,120
Speaker 2: it so many times, like people were right into the

1742
01:35:02,120 --> 01:35:04,519
Speaker 2: show and like they should do this and they shouldn't.

1743
01:35:04,560 --> 01:35:05,800
Speaker 1: I wouldn't let no one come in.

1744
01:35:05,880 --> 01:35:07,680
Speaker 2: I would do this, And it's like yeah, but then

1745
01:35:07,720 --> 01:35:09,479
Speaker 2: you kind of a dick that no one wants to,

1746
01:35:09,520 --> 01:35:12,880
Speaker 2: like see navigate the zombie apocalypse, like, well, now you're

1747
01:35:12,960 --> 01:35:16,920
Speaker 2: just an asshole. Go off on yourself anyway. Prince is

1748
01:35:16,960 --> 01:35:19,000
Speaker 2: such a relatable character. So much of us walked to

1749
01:35:19,040 --> 01:35:21,439
Speaker 2: Earth feeling unlovable. They did so much with the little

1750
01:35:21,479 --> 01:35:25,120
Speaker 2: day we've been given of her in this one episode.

1751
01:35:25,320 --> 01:35:27,760
Speaker 2: I'm so happy she's on for the ride. Plus, she

1752
01:35:27,880 --> 01:35:31,360
Speaker 2: has so much sauce that this show needs. She's a scammer, sure,

1753
01:35:31,680 --> 01:35:33,160
Speaker 2: but did she.

1754
01:35:32,680 --> 01:35:34,920
Speaker 1: She really lie? Them niggas got wheels.

1755
01:35:35,160 --> 01:35:38,519
Speaker 2: It's their faults that that wasn't specific she would get

1756
01:35:38,560 --> 01:35:40,200
Speaker 2: along with Kelly, Connie's sister.

1757
01:35:41,240 --> 01:35:43,000
Speaker 1: Oh. I cannot wait for Princes to meet the rest

1758
01:35:43,000 --> 01:35:43,400
Speaker 1: of the group.

1759
01:35:44,600 --> 01:35:47,559
Speaker 2: Even her coming with them to meet Stephanie's group is

1760
01:35:47,560 --> 01:35:49,600
Speaker 2: gonna be crazy because.

1761
01:35:49,360 --> 01:35:50,960
Speaker 1: She ain't even in that group. They're gonna be like,

1762
01:35:50,960 --> 01:35:53,040
Speaker 1: who the fuck is this? Is this what your group like?

1763
01:35:53,680 --> 01:35:57,400
Speaker 1: Ha ha am I correcting thinking they're gonna fold Rick

1764
01:35:57,439 --> 01:36:00,400
Speaker 1: into the new show. I hope not. It wasn't planning

1765
01:36:00,400 --> 01:36:01,000
Speaker 1: on watching that.

1766
01:36:01,320 --> 01:36:03,439
Speaker 2: Every time these new spindeffs happen, we have to navigate

1767
01:36:03,439 --> 01:36:05,840
Speaker 2: the same shit all over again, killing Walker's find a

1768
01:36:05,880 --> 01:36:08,920
Speaker 2: Weather's misunderstanding for us and watch he only be In

1769
01:36:08,960 --> 01:36:11,439
Speaker 2: the later episodes, Please don't do this stuffs. Don't make

1770
01:36:11,520 --> 01:36:14,040
Speaker 2: us watch that. Lol, take care of you. To Kim

1771
01:36:14,120 --> 01:36:17,120
Speaker 2: Doc aka Monique. Yeah, I was on the fence about

1772
01:36:17,160 --> 01:36:21,840
Speaker 2: watching the World Beyond for the Walking Dead, but two

1773
01:36:21,920 --> 01:36:23,560
Speaker 2: things that happened that made me in.

1774
01:36:24,400 --> 01:36:26,519
Speaker 1: It's a limited series. It's only gonna be.

1775
01:36:26,520 --> 01:36:29,000
Speaker 4: Two seasons, right, so what's not gonna be long two?

1776
01:36:30,520 --> 01:36:31,960
Speaker 1: I don't think it's gonna have ricking there. I don't

1777
01:36:31,960 --> 01:36:32,800
Speaker 1: think that's what they're doing.

1778
01:36:33,120 --> 01:36:36,800
Speaker 2: It's happening in a future world of the same, like,

1779
01:36:37,160 --> 01:36:39,640
Speaker 2: so we're skipping even more time and these are like

1780
01:36:39,680 --> 01:36:43,240
Speaker 2: the children of the children of the people.

1781
01:36:43,000 --> 01:36:43,800
Speaker 1: We're seeing now.

1782
01:36:44,640 --> 01:36:49,320
Speaker 2: That could be dope, you know, like, what technicological advances

1783
01:36:49,320 --> 01:36:50,759
Speaker 2: have they made in those years?

1784
01:36:51,200 --> 01:36:53,439
Speaker 1: What have they gotten back? What if they you know what,

1785
01:36:53,439 --> 01:36:55,240
Speaker 1: what do they still not have? Yeah?

1786
01:36:55,240 --> 01:36:56,360
Speaker 4: What stories do they remember?

1787
01:36:56,479 --> 01:37:00,160
Speaker 2: Story for these kids going off on their own? This

1788
01:37:00,160 --> 01:37:03,240
Speaker 2: shit could actually be interesting because there's something. I think

1789
01:37:03,280 --> 01:37:05,400
Speaker 2: the show gets better the further we get away from

1790
01:37:05,640 --> 01:37:08,200
Speaker 2: zombie Apocalypse Day. And I don't think we're gonna have

1791
01:37:08,200 --> 01:37:11,439
Speaker 2: to go back to the beginning and see like them learning,

1792
01:37:11,640 --> 01:37:15,320
Speaker 2: Oh everyone turns into zombies. Oh you gotta kill people?

1793
01:37:15,560 --> 01:37:19,040
Speaker 2: Oh because you can't trust them. Oh oh, if someone

1794
01:37:19,040 --> 01:37:21,880
Speaker 2: gets bit, they're gonna turn. I don't think it's a reboot,

1795
01:37:21,960 --> 01:37:25,640
Speaker 2: it's a future. It's like, what would happen if you

1796
01:37:25,640 --> 01:37:27,080
Speaker 2: didn't have to do all the reboot shit.

1797
01:37:27,280 --> 01:37:28,640
Speaker 1: They don't have to learn nothing.

1798
01:37:28,560 --> 01:37:29,920
Speaker 3: Right, And if you do do it, did it be

1799
01:37:30,000 --> 01:37:32,560
Speaker 3: more in flashbacks? Not actually we're actually going through the

1800
01:37:32,640 --> 01:37:33,360
Speaker 3: learning process.

1801
01:37:33,560 --> 01:37:33,760
Speaker 1: Yeah.

1802
01:37:33,920 --> 01:37:36,960
Speaker 2: Now the question I have is will it be like

1803
01:37:37,000 --> 01:37:39,879
Speaker 2: that comic, that one episode of the Walking Dead comic

1804
01:37:40,320 --> 01:37:43,479
Speaker 2: where they had jumped to the future with Karl, where

1805
01:37:43,880 --> 01:37:45,960
Speaker 2: zombies were almost like a thing of the past, Like

1806
01:37:45,960 --> 01:37:47,719
Speaker 2: they look at a zombie the way we were looking

1807
01:37:47,840 --> 01:37:50,360
Speaker 2: like if we went outside of saw a moose, we'd

1808
01:37:50,360 --> 01:37:52,920
Speaker 2: be like the fuck right, Like, what's a moose doing

1809
01:37:52,960 --> 01:37:55,200
Speaker 2: out here? Like That's how they was looking at zombies.

1810
01:37:55,560 --> 01:37:57,759
Speaker 2: So if in that case it would be more about

1811
01:37:57,760 --> 01:38:01,360
Speaker 2: the humans, and you know, maybe it could be boring.

1812
01:38:01,800 --> 01:38:03,720
Speaker 2: You know, I could see that like people being like

1813
01:38:03,760 --> 01:38:06,479
Speaker 2: this is actually kind of boring, cuz it's not. It's

1814
01:38:06,479 --> 01:38:10,120
Speaker 2: no longer zombie survivor hard. These niggas are having court

1815
01:38:10,200 --> 01:38:12,680
Speaker 2: cases and fucking going to work and shit like that,

1816
01:38:12,720 --> 01:38:15,960
Speaker 2: and just yeah, like a zombie pops up like once

1817
01:38:15,960 --> 01:38:17,880
Speaker 2: an episode and they killed that real quick.

1818
01:38:18,080 --> 01:38:20,080
Speaker 1: Anyway, what was you saying? What's happening for dinner?

1819
01:38:20,160 --> 01:38:22,920
Speaker 2: So you know, it sounds like whatever the new show is,

1820
01:38:23,120 --> 01:38:26,960
Speaker 2: they're gonna be out like they're gonna have safety and

1821
01:38:27,000 --> 01:38:29,880
Speaker 2: then the kids in that show are gonna go outside

1822
01:38:29,880 --> 01:38:32,920
Speaker 2: of safety to save like someone's father or some shit.

1823
01:38:33,520 --> 01:38:35,240
Speaker 1: Anyway, that's all I can tell from the trailer.

1824
01:38:35,240 --> 01:38:36,760
Speaker 2: I'm not one hundred cent sure on any of this,

1825
01:38:36,800 --> 01:38:39,559
Speaker 2: don't hold me to none of it, but yeah, there's

1826
01:38:39,560 --> 01:38:40,839
Speaker 2: a good chance we're gonna watch.

1827
01:38:40,640 --> 01:38:41,240
Speaker 1: It and review it.

1828
01:38:42,439 --> 01:38:45,080
Speaker 2: Nerd Geek Ninja right saying, hey, Roder Karen help you'

1829
01:38:45,080 --> 01:38:47,759
Speaker 2: all are doing well. There were lots of surprises this episode.

1830
01:38:47,800 --> 01:38:50,200
Speaker 2: Nothing more shocking to me. Then there's a nigga on

1831
01:38:50,200 --> 01:38:54,360
Speaker 2: the whisperers croup girl, Girl, I.

1832
01:38:54,000 --> 01:38:56,719
Speaker 1: Did not catch that until I watched it the second time.

1833
01:38:57,600 --> 01:38:59,400
Speaker 1: I saw that nigg on that tows s. Boy.

1834
01:38:59,439 --> 01:39:02,200
Speaker 2: If you don't get you ass over there hanging out

1835
01:39:02,240 --> 01:39:03,840
Speaker 2: with the white people, if we don't hang out with

1836
01:39:03,880 --> 01:39:06,480
Speaker 2: Tiger King, you know, we don't hang out with motherfucking

1837
01:39:06,479 --> 01:39:10,599
Speaker 2: whispers and big old black lips underneath that mask, I

1838
01:39:10,680 --> 01:39:11,560
Speaker 2: was disappointed.

1839
01:39:11,680 --> 01:39:14,519
Speaker 1: Okay, oh, my god, I couldn't believe that.

1840
01:39:15,080 --> 01:39:16,800
Speaker 4: I guess this is part of true equality.

1841
01:39:17,360 --> 01:39:20,439
Speaker 1: I could tell from his voice like he's like, I

1842
01:39:20,439 --> 01:39:24,599
Speaker 1: don't see him out here. I say, no, get away

1843
01:39:24,640 --> 01:39:25,880
Speaker 1: from these crazy white people.

1844
01:39:26,760 --> 01:39:29,080
Speaker 2: This is this is one group I was completely fine with.

1845
01:39:29,160 --> 01:39:33,479
Speaker 2: No diversity. The Whispers makes sense as a white's only group.

1846
01:39:34,160 --> 01:39:40,720
Speaker 2: Niggas out here with diversity highs and ange.

1847
01:39:40,040 --> 01:39:42,240
Speaker 4: Side and.

1848
01:39:44,200 --> 01:39:48,880
Speaker 2: Yeah I hear brother fucking doing diversity highs at at

1849
01:39:49,240 --> 01:39:53,200
Speaker 2: Whispers University and shit like nobody no one.

1850
01:39:53,160 --> 01:39:55,320
Speaker 1: Asked for this.

1851
01:39:55,520 --> 01:39:58,680
Speaker 2: Okay, not you, sir. You go back, go go be

1852
01:39:59,080 --> 01:39:59,719
Speaker 2: knowing with some.

1853
01:39:59,600 --> 01:40:02,400
Speaker 1: Black fe eld. What do you go? You the one

1854
01:40:02,400 --> 01:40:05,320
Speaker 1: black dude that was in the anime, that guy.

1855
01:40:08,120 --> 01:40:09,600
Speaker 4: Roony for you?

1856
01:40:10,200 --> 01:40:10,840
Speaker 1: Damn you.

1857
01:40:11,080 --> 01:40:12,519
Speaker 2: This is what happened to all the brothers that say

1858
01:40:12,560 --> 01:40:14,360
Speaker 2: ship like I just date white women because I can

1859
01:40:14,400 --> 01:40:15,000
Speaker 2: relate to him.

1860
01:40:15,000 --> 01:40:16,519
Speaker 1: This is what happened with you. He ended up over

1861
01:40:16,560 --> 01:40:17,439
Speaker 1: it in the motherfucking coat.

1862
01:40:17,560 --> 01:40:21,840
Speaker 2: Nigga, get out the coat, show self hating nass out

1863
01:40:21,840 --> 01:40:22,280
Speaker 2: of the coat.

1864
01:40:23,320 --> 01:40:24,360
Speaker 1: Look, man, I just look.

1865
01:40:24,479 --> 01:40:27,160
Speaker 2: I was just into anime and no one was into

1866
01:40:27,200 --> 01:40:30,439
Speaker 2: it when I was a kid. This white women, that's

1867
01:40:30,439 --> 01:40:35,640
Speaker 2: who I want to fuck anyway. Uh, yeah, no, the

1868
01:40:35,680 --> 01:40:39,800
Speaker 2: beg causing of the whisperers. Right, well, he already do

1869
01:40:39,840 --> 01:40:43,840
Speaker 2: whisper he could join the group. When did Lydia come back?

1870
01:40:43,880 --> 01:40:45,640
Speaker 2: Did I miss something from last episode?

1871
01:40:46,360 --> 01:40:46,599
Speaker 1: No?

1872
01:40:46,920 --> 01:40:49,280
Speaker 2: Not really, she escaped him. She I think she came

1873
01:40:49,280 --> 01:40:52,040
Speaker 2: back before Nigga and Daryl did. They just didn't show

1874
01:40:52,080 --> 01:40:52,639
Speaker 2: her come back.

1875
01:40:53,520 --> 01:40:54,040
Speaker 1: Was it just me?

1876
01:40:54,120 --> 01:40:56,400
Speaker 2: Or that princess seemed like the female version of lewis

1877
01:40:56,439 --> 01:40:59,160
Speaker 2: from Oh I, But you know what, that's a good point.

1878
01:40:59,720 --> 01:41:03,280
Speaker 2: She had been out on her own for so long. Yeah,

1879
01:41:03,320 --> 01:41:05,519
Speaker 2: they should have maybe filmed the scene of her coming back.

1880
01:41:05,560 --> 01:41:08,360
Speaker 2: That's a good point because remember she wasn't with the group,

1881
01:41:09,120 --> 01:41:10,280
Speaker 2: she was out there on her own.

1882
01:41:10,320 --> 01:41:12,920
Speaker 1: She saved Daryl's life. Did she go back then? Did

1883
01:41:12,960 --> 01:41:14,760
Speaker 1: she go back after she got kidnapped by k me?

1884
01:41:15,040 --> 01:41:17,400
Speaker 1: And you know it's interesting? Yeah?

1885
01:41:17,479 --> 01:41:17,719
Speaker 4: Yeah.

1886
01:41:17,760 --> 01:41:20,800
Speaker 3: And it's also one of those things were they was

1887
01:41:20,840 --> 01:41:22,880
Speaker 3: like that she ain't important. I guarantee you they probably

1888
01:41:22,920 --> 01:41:24,840
Speaker 3: filmed it and was like, we don't need this.

1889
01:41:27,680 --> 01:41:29,600
Speaker 2: Yeah, was it mere that prince it seemed like the

1890
01:41:29,640 --> 01:41:33,360
Speaker 2: female version of lewis Man, maybe slightly more annoying than him.

1891
01:41:33,360 --> 01:41:37,160
Speaker 1: But that's not her fault. Yeah, I can see that.

1892
01:41:37,240 --> 01:41:38,240
Speaker 1: I can see that. Yeah.

1893
01:41:38,400 --> 01:41:41,400
Speaker 2: By the way, Lewis from ant Man. That was montage.

1894
01:41:41,439 --> 01:41:44,320
Speaker 2: This might be, low key my favorite thing in the

1895
01:41:44,360 --> 01:41:47,360
Speaker 2: Marvel universe. It is, and it's a great Marvel universe.

1896
01:41:48,160 --> 01:41:49,640
Speaker 2: But that's when people sleep.

1897
01:41:49,400 --> 01:41:53,200
Speaker 1: On ant Man. Amen, low key a great two great films.

1898
01:41:52,840 --> 01:41:55,920
Speaker 2: Yes, sir, like comedy and the like when people say

1899
01:41:55,920 --> 01:41:58,360
Speaker 2: stuff like all the Marvel films are the same and

1900
01:41:58,880 --> 01:42:02,160
Speaker 2: I'm like, no, Man, films, prove everyone wrong. You can

1901
01:42:02,240 --> 01:42:05,920
Speaker 2: make a comedy in this fucking serious ass Marvel world.

1902
01:42:06,080 --> 01:42:09,000
Speaker 1: God, I love those movies. Back it up, back it up,

1903
01:42:09,080 --> 01:42:09,519
Speaker 1: back it on.

1904
01:42:11,360 --> 01:42:13,920
Speaker 2: Why was Nigga following Lydia around like an older sibling

1905
01:42:13,960 --> 01:42:15,679
Speaker 2: who wants you to hit them so they you don't

1906
01:42:15,720 --> 01:42:18,599
Speaker 2: tell on them, you know why? Because he felt guilty

1907
01:42:18,600 --> 01:42:23,200
Speaker 2: about that that ditch sex. Uh, that was a great episode.

1908
01:42:23,320 --> 01:42:27,840
Speaker 2: Jesus is wondering, wonderful actress and showing how showing how

1909
01:42:27,960 --> 01:42:31,160
Speaker 2: out of it Beta is what's cool? Like y'all saying

1910
01:42:31,200 --> 01:42:34,200
Speaker 2: the whispers are some true believers. Because that chick done

1911
01:42:34,240 --> 01:42:36,240
Speaker 2: talking about she wants to walk after she dies. She

1912
01:42:36,240 --> 01:42:39,160
Speaker 2: should have known they they weren't going to let her

1913
01:42:39,200 --> 01:42:41,639
Speaker 2: do that. Ain't no religious freedom in the Zpoch right,

1914
01:42:43,520 --> 01:42:47,040
Speaker 2: you know, the whispers will still being church during the coronavirus.

1915
01:42:47,400 --> 01:42:49,680
Speaker 1: So it is the next episode, the last one for now.

1916
01:42:49,720 --> 01:42:51,920
Speaker 2: I like to be hopeful that will flatten his curve

1917
01:42:51,920 --> 01:42:54,360
Speaker 2: before the end of the summer. But folks are wild

1918
01:42:54,520 --> 01:42:57,760
Speaker 2: out here, so love y'all, man, this episode is the

1919
01:42:57,840 --> 01:42:58,800
Speaker 2: last one for a while.

1920
01:42:58,960 --> 01:43:01,040
Speaker 1: Yes, it is the next one. Ain't coming out, We

1921
01:43:01,120 --> 01:43:04,080
Speaker 1: don't know when. Yeah, that's the real for.

1922
01:43:04,160 --> 01:43:08,360
Speaker 3: Now, y'all actually stay inside and you know, basically quit

1923
01:43:08,479 --> 01:43:11,120
Speaker 3: being live zombies and killing it for everybody else so

1924
01:43:11,160 --> 01:43:12,080
Speaker 3: we can't go outside.

1925
01:43:12,240 --> 01:43:17,280
Speaker 2: Ms Smart Rice in Karen rod Lydia is still dropping bars.

1926
01:43:17,360 --> 01:43:19,639
Speaker 2: Nigga was trying to be nice. She said, everyone wishes

1927
01:43:19,680 --> 01:43:23,080
Speaker 2: he died too. My god, her shade takes no days off.

1928
01:43:23,400 --> 01:43:25,280
Speaker 2: I can't still I can still do.

1929
01:43:25,439 --> 01:43:29,120
Speaker 1: Without her face though, well, you know, face is a face.

1930
01:43:29,200 --> 01:43:32,760
Speaker 1: We don't get to pick our face. But yeah, she

1931
01:43:32,840 --> 01:43:37,440
Speaker 1: definitely was it's so cold in the shade.

1932
01:43:38,280 --> 01:43:47,000
Speaker 2: Yes, Nigga's gonna By the way, we watched We finally

1933
01:43:47,000 --> 01:43:48,040
Speaker 2: watched Astronomy Club.

1934
01:43:48,120 --> 01:43:51,559
Speaker 1: I watched it. It was hilarious. I watched it twice

1935
01:43:51,560 --> 01:43:54,200
Speaker 1: in one day. It's on Netflix. Y'all. It was so

1936
01:43:54,520 --> 01:43:55,960
Speaker 1: much fun. You already know.

1937
01:43:56,120 --> 01:43:59,000
Speaker 2: That Sketch Comedy is my ship, so you know, I

1938
01:43:59,120 --> 01:44:01,799
Speaker 2: was already there for that. At I was a little

1939
01:44:01,880 --> 01:44:05,800
Speaker 2: nervous because, you know, the blacks online, you never could

1940
01:44:05,840 --> 01:44:08,400
Speaker 2: tell if it's something's actually funny because sometimes you know,

1941
01:44:08,439 --> 01:44:10,400
Speaker 2: they'd be too woke for the ship to be funny,

1942
01:44:10,479 --> 01:44:12,240
Speaker 2: or they hate everything.

1943
01:44:12,000 --> 01:44:13,360
Speaker 1: That's that's you know, period.

1944
01:44:13,800 --> 01:44:18,000
Speaker 2: But this one was great. Uh so check it out.

1945
01:44:18,000 --> 01:44:19,639
Speaker 2: You can watch it in like a couple of uh

1946
01:44:20,439 --> 01:44:22,120
Speaker 2: you can watch it in like a couple of hours.

1947
01:44:23,880 --> 01:44:24,520
Speaker 4: Hilarious.

1948
01:44:24,720 --> 01:44:28,519
Speaker 2: Yeah, yeah, but that's just there's an episode called for

1949
01:44:28,560 --> 01:44:31,000
Speaker 2: the Culture that reminds me so much of black Twitter, y'all,

1950
01:44:31,800 --> 01:44:36,160
Speaker 2: especially the meeting of the Justice was it like something

1951
01:44:36,400 --> 01:44:39,559
Speaker 2: just as in Now or something like that, And that

1952
01:44:39,600 --> 01:44:43,080
Speaker 2: fucking thing with a vocal minority takes over the party

1953
01:44:43,080 --> 01:44:43,879
Speaker 2: because they won't.

1954
01:44:43,640 --> 01:44:44,400
Speaker 1: Shut the fuck up.

1955
01:44:44,800 --> 01:44:50,200
Speaker 2: And then and then uh the they disrupts everything and

1956
01:44:50,240 --> 01:44:52,080
Speaker 2: I organize it's so fucking brilliant.

1957
01:44:52,400 --> 01:44:55,960
Speaker 1: That would be a show and checked off all the

1958
01:44:55,960 --> 01:44:56,599
Speaker 1: little boxes.

1959
01:44:56,720 --> 01:44:59,400
Speaker 2: Okay, dark skinned black people on this stuff, like go

1960
01:44:59,520 --> 01:45:04,320
Speaker 2: enjoy it all sizes all right, Uh, gay people is

1961
01:45:04,360 --> 01:45:06,599
Speaker 2: on it, you know, all the stuff, guys, all the stuff.

1962
01:45:07,520 --> 01:45:10,799
Speaker 2: Uh so yeah, she goes on, sorry about that, Miss Smart.

1963
01:45:11,600 --> 01:45:14,280
Speaker 2: Nigan is gonna adopt her so she doesn't turn him,

1964
01:45:14,479 --> 01:45:17,040
Speaker 2: turn it to someone like he was when he was

1965
01:45:17,040 --> 01:45:18,120
Speaker 2: a Savors leader, Darryl.

1966
01:45:19,200 --> 01:45:22,320
Speaker 1: Darryl is really enjoying man Niagan with a daughter, y'all.

1967
01:45:23,120 --> 01:45:27,519
Speaker 3: I'm not ready could because on the low he actually cares.

1968
01:45:27,960 --> 01:45:30,759
Speaker 1: Yeah, Daryl is really enjoying teaching a little ass kicker.

1969
01:45:30,760 --> 01:45:31,280
Speaker 1: It's cute.

1970
01:45:31,439 --> 01:45:34,880
Speaker 2: Also, Judas cryt face looks like an ig cartoon face filter.

1971
01:45:34,720 --> 01:45:38,960
Speaker 1: Don't it? Since sincerely, Miss Smart, Yeah, it's almost too good?

1972
01:45:40,360 --> 01:45:44,320
Speaker 1: All right? Uh, Miss ct writ saying hello Rod and Karen.

1973
01:45:44,360 --> 01:45:46,320
Speaker 2: Quick question, do y'all think Meighan or Carol would be

1974
01:45:46,360 --> 01:45:47,600
Speaker 2: redeemed by the actions?

1975
01:45:49,160 --> 01:45:49,400
Speaker 1: Yes?

1976
01:45:50,800 --> 01:45:55,000
Speaker 3: Yes they both will at some period of time, so

1977
01:45:55,160 --> 01:45:58,280
Speaker 3: people might not ever accept it, but overall most people

1978
01:45:58,320 --> 01:45:59,360
Speaker 3: are going to accept it.

1979
01:45:59,439 --> 01:46:01,479
Speaker 1: Carol than Nian. In my opinion.

1980
01:46:01,720 --> 01:46:05,040
Speaker 2: Nighan is Meigan killed all them people and shit, he

1981
01:46:05,120 --> 01:46:08,519
Speaker 2: never gonna be okay with everybody, so it's a rap

1982
01:46:08,560 --> 01:46:11,559
Speaker 2: for him. Carol is already was okay with most people.

1983
01:46:11,800 --> 01:46:13,960
Speaker 2: They just wanted her to stop tripping. She has a

1984
01:46:14,000 --> 01:46:16,719
Speaker 2: longer track record of being cool and being very necessary

1985
01:46:16,760 --> 01:46:18,920
Speaker 2: for the group, So I think it'd be easier for

1986
01:46:19,040 --> 01:46:21,240
Speaker 2: Carol's path to redemption. And plus it seemed like cold,

1987
01:46:21,320 --> 01:46:24,479
Speaker 2: no grudges, and that's essentially the only person that would

1988
01:46:24,600 --> 01:46:28,840
Speaker 2: really be like fuck Carol. Like even Magna was kind

1989
01:46:28,880 --> 01:46:32,759
Speaker 2: of over it, Like when U mic O punched Carrol,

1990
01:46:32,840 --> 01:46:36,120
Speaker 2: she was like, why you do that? I'm gonna be

1991
01:46:36,160 --> 01:46:37,880
Speaker 2: real with you. And I never thought I'd say this,

1992
01:46:37,960 --> 01:46:39,519
Speaker 2: but here it goes. I think the community will be

1993
01:46:39,560 --> 01:46:42,439
Speaker 2: quicker to forgive Meighan versus Carol. One has been almost

1994
01:46:42,439 --> 01:46:45,200
Speaker 2: a decade since he bashing half squad skulls. He served

1995
01:46:45,240 --> 01:46:47,400
Speaker 2: his time and he's come back with her head on

1996
01:46:47,439 --> 01:46:50,759
Speaker 2: a spike. Also, Ningan looked at like an old dirty

1997
01:46:50,840 --> 01:46:52,559
Speaker 2: uncle that can't help himself, but.

1998
01:46:52,520 --> 01:46:55,320
Speaker 1: You know he loves you. But Carol she being tripping.

1999
01:46:55,360 --> 01:46:57,840
Speaker 2: She always doing something stupid, putting everyone's life at risk,

2000
01:46:57,920 --> 01:46:59,879
Speaker 2: and no regard for everyone, not even herself.

2001
01:47:00,680 --> 01:47:02,840
Speaker 1: Yeah, but how long has she really been tripping? Think

2002
01:47:02,880 --> 01:47:03,760
Speaker 1: about it? Right?

2003
01:47:03,880 --> 01:47:10,400
Speaker 3: And like uh Kelly said, they have an all history

2004
01:47:10,439 --> 01:47:13,000
Speaker 3: of her, like like stories are told about her, stories

2005
01:47:13,040 --> 01:47:14,000
Speaker 3: are told about Nigga Doo.

2006
01:47:14,040 --> 01:47:17,240
Speaker 1: But right, the stories that I told.

2007
01:47:17,080 --> 01:47:19,960
Speaker 3: About Caroll are like in in the history book, I

2008
01:47:20,040 --> 01:47:22,679
Speaker 3: know she did she did she you know she fucked

2009
01:47:22,680 --> 01:47:24,639
Speaker 3: this person up, you know. And it's one of those

2010
01:47:24,640 --> 01:47:29,439
Speaker 3: things how when people tell all stories like that, Nigga's

2011
01:47:29,479 --> 01:47:31,080
Speaker 3: story is not gonna be good.

2012
01:47:31,439 --> 01:47:36,760
Speaker 2: Well, I think him killing Alpha might like, especially since

2013
01:47:36,760 --> 01:47:39,240
Speaker 2: it didn't end the threat, it might not even be

2014
01:47:39,400 --> 01:47:41,679
Speaker 2: like the kind of thing where people go, what a hero.

2015
01:47:42,680 --> 01:47:45,400
Speaker 1: They already treating it like Nigga eves that wasn't shit right.

2016
01:47:45,439 --> 01:47:47,200
Speaker 4: They might be like, oh, you made it worse now.

2017
01:47:47,600 --> 01:47:50,479
Speaker 1: Yeah, I don't think Carol, I don't think that's the thing.

2018
01:47:50,520 --> 01:47:52,439
Speaker 2: Maybe the way we look at the show, and plus,

2019
01:47:52,479 --> 01:47:55,639
Speaker 2: you know, our audience don't really fuck with white women.

2020
01:47:56,560 --> 01:47:59,280
Speaker 2: Maybe I mean, come on, you gotta keep it real, Okay,

2021
01:47:59,320 --> 01:48:01,439
Speaker 2: I've seen so I've seen what y'all say out there

2022
01:48:01,439 --> 01:48:06,840
Speaker 2: in the world. I think we're looking at it more like, yeah,

2023
01:48:06,880 --> 01:48:09,720
Speaker 2: because everyone's pissed as at Carroll as we are, and

2024
01:48:09,760 --> 01:48:13,519
Speaker 2: I don't think the show or the ardience would reflect that.

2025
01:48:13,560 --> 01:48:14,040
Speaker 1: In general.

2026
01:48:14,280 --> 01:48:18,040
Speaker 2: It's more like stop tripping than get the fuck out

2027
01:48:18,080 --> 01:48:18,880
Speaker 2: of the group.

2028
01:48:18,920 --> 01:48:22,599
Speaker 1: You know, because man, when Carol get the killing bro,

2029
01:48:22,840 --> 01:48:23,479
Speaker 1: it's just something.

2030
01:48:23,520 --> 01:48:26,680
Speaker 2: It's a sight to behold, and I think she will, well,

2031
01:48:26,760 --> 01:48:27,880
Speaker 2: not just think she will.

2032
01:48:28,000 --> 01:48:30,519
Speaker 1: She has like she's tripping.

2033
01:48:30,600 --> 01:48:33,040
Speaker 2: She wasn't tripping when they kill them saviors when she

2034
01:48:33,080 --> 01:48:36,200
Speaker 2: went in that building to kill them motherfuckers like cal

2035
01:48:36,479 --> 01:48:39,000
Speaker 2: Yoh man, how many people Carol got to kill for

2036
01:48:39,080 --> 01:48:41,559
Speaker 2: y'all to finally appreciate you know what, this ain't nothing

2037
01:48:41,560 --> 01:48:44,760
Speaker 2: but Hillary Clinton all of again, that's what this is,

2038
01:48:45,760 --> 01:48:49,160
Speaker 2: and Carol is Hillary and y'all moving the ball higher

2039
01:48:49,200 --> 01:48:53,320
Speaker 2: for Carol low again, like how many times she got

2040
01:48:53,320 --> 01:48:56,400
Speaker 2: the fucking try to save the republic and y'all out

2041
01:48:56,400 --> 01:48:59,320
Speaker 2: here lowering the bar for nigga. He didn't eat his hat,

2042
01:48:59,439 --> 01:49:02,240
Speaker 2: so I mean he didn't try to fuck Lydia, So

2043
01:49:02,360 --> 01:49:05,559
Speaker 2: I mean it's like he really became president today. That's

2044
01:49:05,600 --> 01:49:09,200
Speaker 2: a low ass bar. Carol got the track record like

2045
01:49:09,400 --> 01:49:13,599
Speaker 2: she gets, y'all crazy, y'all crazy boy.

2046
01:49:13,600 --> 01:49:17,400
Speaker 1: I'll tell you boy, as.

2047
01:49:17,280 --> 01:49:19,920
Speaker 2: Soon as Condy walk out that cave, everybody's gonna be like, oh, Carol,

2048
01:49:19,960 --> 01:49:20,599
Speaker 2: we was tripping.

2049
01:49:21,439 --> 01:49:23,719
Speaker 1: Uh? She always not. She always been doing something stupid,

2050
01:49:23,760 --> 01:49:25,160
Speaker 1: putting her life. I see it.

2051
01:49:25,280 --> 01:49:27,000
Speaker 2: I see it that she wants to die and there's

2052
01:49:27,080 --> 01:49:29,240
Speaker 2: nothing stopping her from doing. So that's why she can

2053
01:49:29,280 --> 01:49:32,280
Speaker 2: go so hard without really any remorse. Oh she cried,

2054
01:49:32,320 --> 01:49:35,280
Speaker 2: did she? Well, my mama called them crocodile tears.

2055
01:49:35,280 --> 01:49:36,040
Speaker 1: Oh, here we go.

2056
01:49:36,680 --> 01:49:38,599
Speaker 2: Just say, just call her fifty three percent. Just get

2057
01:49:38,640 --> 01:49:40,479
Speaker 2: it over with it. And I feel like she.

2058
01:49:40,640 --> 01:49:42,160
Speaker 12: Just just just go ahead and call her car Just

2059
01:49:42,160 --> 01:49:44,639
Speaker 12: call her, Just call her, Karen, Just call her, Karen.

2060
01:49:44,920 --> 01:49:47,519
Speaker 2: You know you want to Well, my mama called them

2061
01:49:47,520 --> 01:49:50,120
Speaker 2: crocodile tairs. And I feel like she just crying for sympathy,

2062
01:49:50,320 --> 01:49:52,880
Speaker 2: because if she had to do it all over again,

2063
01:49:52,920 --> 01:49:56,040
Speaker 2: she killed that bitch out for again. Of course she would.

2064
01:49:56,280 --> 01:49:59,640
Speaker 2: That don't mean she's not sad about it. She she

2065
01:49:59,640 --> 01:50:01,400
Speaker 2: could have did it without hurt, no feelings. She would

2066
01:50:01,479 --> 01:50:04,200
Speaker 2: have agreed hot take Carrol gotta die.

2067
01:50:04,240 --> 01:50:04,680
Speaker 1: This is it.

2068
01:50:04,720 --> 01:50:06,640
Speaker 2: She's on my nerves. The king is literally on his

2069
01:50:06,760 --> 01:50:09,880
Speaker 2: last breath. All her kids dead, Michean ain't there to

2070
01:50:09,880 --> 01:50:12,120
Speaker 2: go check her, and she so what the fuck the

2071
01:50:12,120 --> 01:50:16,080
Speaker 2: show gonna look like without Carrol next season? This is

2072
01:50:16,080 --> 01:50:18,280
Speaker 2: gonna be Darryl and a bunch of new people. I mean,

2073
01:50:18,320 --> 01:50:19,719
Speaker 2: I guess it's just the way it goes.

2074
01:50:19,760 --> 01:50:22,799
Speaker 3: But man, I mean, you know, not that they wouldn't

2075
01:50:22,840 --> 01:50:26,439
Speaker 3: kill her all but I don't see her dying anytime soon.

2076
01:50:26,560 --> 01:50:32,640
Speaker 2: Yeah, I think my affinity for impossible white men it

2077
01:50:32,760 --> 01:50:37,800
Speaker 2: completely outweighs my exasperation with white women, because once you

2078
01:50:37,840 --> 01:50:40,599
Speaker 2: become an impossible white man, I look at the character

2079
01:50:40,720 --> 01:50:44,759
Speaker 2: in a completely different scope than anyone else on the show,

2080
01:50:45,479 --> 01:50:46,519
Speaker 2: Like y'all out here.

2081
01:50:46,520 --> 01:50:50,000
Speaker 1: And I want to call you one? Is it okay

2082
01:50:50,040 --> 01:50:50,840
Speaker 1: if I call him one?

2083
01:50:52,520 --> 01:50:55,160
Speaker 2: And I'm out here on some totally different shit, I'm like,

2084
01:50:56,000 --> 01:50:58,639
Speaker 2: give Carol a gun and she can make up for this,

2085
01:50:59,439 --> 01:50:59,880
Speaker 2: you know what I mean?

2086
01:51:00,080 --> 01:51:01,920
Speaker 4: This ain't make it right with a few bullets.

2087
01:51:01,960 --> 01:51:04,120
Speaker 2: This ain't nothing but like when Jack and terror Gate

2088
01:51:04,200 --> 01:51:06,760
Speaker 2: is a terrorist and be wrong. This ain't nothing but

2089
01:51:06,800 --> 01:51:09,400
Speaker 2: that to me, Like y'all, y'all have taken it to this.

2090
01:51:09,760 --> 01:51:11,360
Speaker 2: We want her to dive be off the show. And

2091
01:51:11,400 --> 01:51:14,120
Speaker 2: I'm like, sometimes impossible white man fuck up.

2092
01:51:14,520 --> 01:51:17,000
Speaker 4: And you know what, she did the same thing that

2093
01:51:17,360 --> 01:51:21,559
Speaker 4: Jack did. She was on them drugs a few hours drugs?

2094
01:51:21,640 --> 01:51:23,759
Speaker 4: Did she kicked the habit and camp be tracking?

2095
01:51:23,880 --> 01:51:24,280
Speaker 1: Come on?

2096
01:51:24,360 --> 01:51:24,599
Speaker 5: Yeah?

2097
01:51:24,720 --> 01:51:25,320
Speaker 1: Did that Jack?

2098
01:51:25,360 --> 01:51:27,400
Speaker 4: And twenty four hours Jack was off that shit.

2099
01:51:27,920 --> 01:51:30,920
Speaker 2: I think I'm just I'm just off of the I

2100
01:51:30,960 --> 01:51:32,880
Speaker 2: can't possibly hate Carol. I don't know what she would

2101
01:51:32,880 --> 01:51:34,439
Speaker 2: have to do for me to truly hate her and

2102
01:51:34,479 --> 01:51:35,360
Speaker 2: want her off the show.

2103
01:51:35,439 --> 01:51:37,160
Speaker 1: But this definitely ain't it.

2104
01:51:37,760 --> 01:51:40,839
Speaker 2: You think Jack Bow ain't ever accidentally torturing some motherfucking

2105
01:51:40,840 --> 01:51:45,080
Speaker 2: accountant for being brown at the wrong time, for having

2106
01:51:45,080 --> 01:51:48,120
Speaker 2: the same for having the same the same name last

2107
01:51:48,160 --> 01:51:49,920
Speaker 2: name is a terrorists say he ain't never did that.

2108
01:51:50,400 --> 01:51:52,200
Speaker 2: And I watched every season of twenty four.

2109
01:51:52,320 --> 01:51:55,120
Speaker 4: I did single season an episode.

2110
01:51:54,920 --> 01:51:58,760
Speaker 2: Rooting for that problematic man the whole time. Y'all keep

2111
01:51:58,840 --> 01:52:04,559
Speaker 2: looking at it as through the white woman leans anyway,

2112
01:52:05,240 --> 01:52:08,040
Speaker 2: God forbid Connie dies because Daryl will not forgive her.

2113
01:52:08,400 --> 01:52:10,599
Speaker 2: We just gotta let her go. It's been a fun rider.

2114
01:52:10,640 --> 01:52:12,760
Speaker 2: Carroll is washed. Yeah, you know they ain't gonna have

2115
01:52:12,800 --> 01:52:15,599
Speaker 2: to do that. By the way, Connie gonna be alive,

2116
01:52:15,680 --> 01:52:20,320
Speaker 2: and Daryl gonna smash that ass the ASL smither rings

2117
01:52:21,200 --> 01:52:23,679
Speaker 2: and we're gonna be up here like they did a child,

2118
01:52:23,720 --> 01:52:27,439
Speaker 2: Black Love and this swirl it up. I love listening

2119
01:52:27,439 --> 01:52:29,719
Speaker 2: to the Walker Dad recap shows. It's the one show

2120
01:52:29,760 --> 01:52:31,720
Speaker 2: my husband I can watch together with. I wanted to

2121
01:52:31,760 --> 01:52:33,920
Speaker 2: change the channel lo o L. And you all really

2122
01:52:33,960 --> 01:52:36,599
Speaker 2: make it enjoyable. It's a black Ass show because only

2123
01:52:36,720 --> 01:52:41,000
Speaker 2: y'all will start singing. I tip afforded to your memory

2124
01:52:41,640 --> 01:52:43,280
Speaker 2: when someone dies, laugh my ass.

2125
01:52:43,280 --> 01:52:44,040
Speaker 1: I'll have a good day.

2126
01:52:44,080 --> 01:52:48,679
Speaker 2: K' wait to listen in cd CT. Thanks Et, Sorry,

2127
01:52:48,680 --> 01:52:51,200
Speaker 2: I disagree with you about the Carroll thing. But trust uh,

2128
01:52:51,400 --> 01:52:55,360
Speaker 2: the the people in the chap they on your side.

2129
01:52:55,400 --> 01:52:57,160
Speaker 1: They don't, they don't. They just listen to me. They

2130
01:52:57,200 --> 01:52:57,919
Speaker 1: don't agree.

2131
01:52:58,600 --> 01:53:02,280
Speaker 2: Uh the walking Look, man, the white women have a

2132
01:53:02,400 --> 01:53:04,840
Speaker 2: terrible they have a terrible pr right now. It's not

2133
01:53:04,880 --> 01:53:06,960
Speaker 2: going good for the ladies out here in the streets.

2134
01:53:08,720 --> 01:53:12,280
Speaker 2: Rod and Karen crocodile tires from a domestic violence victim.

2135
01:53:12,360 --> 01:53:15,160
Speaker 1: Y'all sad, really.

2136
01:53:15,960 --> 01:53:18,639
Speaker 2: Rod and Karen gotta give Rod process that he predicted

2137
01:53:18,640 --> 01:53:20,880
Speaker 2: that Beta would be a problem after Alpha was killed.

2138
01:53:21,400 --> 01:53:25,000
Speaker 2: I mean, look, I would say, you know how I

2139
01:53:25,479 --> 01:53:27,800
Speaker 2: was so right on this one, but I feel like

2140
01:53:27,840 --> 01:53:31,639
Speaker 2: this one was like the whole season, it's just felt

2141
01:53:31,640 --> 01:53:38,000
Speaker 2: like Alpha is a problem, but Beta is a problem,

2142
01:53:38,400 --> 01:53:42,400
Speaker 2: you know what I mean, Like he's a complete fucking uh.

2143
01:53:43,439 --> 01:53:46,639
Speaker 2: Like he's the nigga and the crew you can't follow,

2144
01:53:46,800 --> 01:53:49,639
Speaker 2: you know what I mean? Like, like Beta's the dude

2145
01:53:49,640 --> 01:53:51,479
Speaker 2: that go to the club and say someone stepped on

2146
01:53:51,520 --> 01:53:55,200
Speaker 2: his shoes every time. Ha ha, you know what I mean.

2147
01:53:55,280 --> 01:53:57,439
Speaker 2: That's not the dude that gets to drive the car

2148
01:53:57,560 --> 01:53:58,080
Speaker 2: to the club.

2149
01:53:58,520 --> 01:54:03,840
Speaker 4: I always fighting Again, Ain't nobody said nothing to you.

2150
01:54:04,000 --> 01:54:06,200
Speaker 2: I'm not saying that dude doesn't come to the club.

2151
01:54:06,320 --> 01:54:08,360
Speaker 2: I'm not even saying that dude might not even be

2152
01:54:08,400 --> 01:54:10,479
Speaker 2: one of the people in your crew. But you know

2153
01:54:10,560 --> 01:54:12,120
Speaker 2: the nigga that want to fight out of time? Can't

2154
01:54:13,240 --> 01:54:16,400
Speaker 2: everyone know that? And he's just out here trying to

2155
01:54:17,400 --> 01:54:19,720
Speaker 2: So I can't even really take the I told you

2156
01:54:19,800 --> 01:54:22,640
Speaker 2: so on that man, I because they set that up

2157
01:54:22,680 --> 01:54:26,040
Speaker 2: from jump Like, yeah, with Alphae in here, this motherfucker

2158
01:54:26,120 --> 01:54:27,320
Speaker 2: is the real problem.

2159
01:54:27,680 --> 01:54:29,519
Speaker 1: Uh, that giant motherfucker got issues?

2160
01:54:29,600 --> 01:54:31,960
Speaker 2: How My question is this, has he been hearing the

2161
01:54:32,040 --> 01:54:33,040
Speaker 2: voices the whole time?

2162
01:54:33,280 --> 01:54:34,880
Speaker 1: Possibility right?

2163
01:54:35,160 --> 01:54:38,000
Speaker 2: Something to think about, like did he just snap or

2164
01:54:38,000 --> 01:54:41,880
Speaker 2: has this nigga always had them voices? He he just

2165
01:54:41,960 --> 01:54:45,160
Speaker 2: been cool because Alpha was keeping him in check, like

2166
01:54:45,280 --> 01:54:47,440
Speaker 2: no wonder he believed in her so much. Them voices

2167
01:54:47,560 --> 01:54:52,280
Speaker 2: was help talking to him gottah. So yeah, Alpha was killed.

2168
01:54:52,360 --> 01:54:55,000
Speaker 2: That's that giant motherfucker got issues. How you're gonna be

2169
01:54:55,040 --> 01:54:56,800
Speaker 2: in charge but not want your followers to know you

2170
01:54:56,840 --> 01:54:57,480
Speaker 2: are in charge.

2171
01:54:58,160 --> 01:54:58,440
Speaker 1: Dog.

2172
01:54:59,040 --> 01:55:01,839
Speaker 2: You criticize him, you get stabbed. You submit to its authority,

2173
01:55:01,880 --> 01:55:04,280
Speaker 2: you get stabbed. Damn if you do, Damn if you don't.

2174
01:55:04,320 --> 01:55:07,200
Speaker 2: And now he's hearing voices from actual guardians. Yep, he

2175
01:55:07,320 --> 01:55:10,840
Speaker 2: is crazy and that and they one thing you can

2176
01:55:10,880 --> 01:55:11,560
Speaker 2: never trust is.

2177
01:55:11,560 --> 01:55:15,560
Speaker 1: A crazy person, unless it's a I Do girl, precious.

2178
01:55:16,000 --> 01:55:18,520
Speaker 1: Also when I when are our hero is gonna learn.

2179
01:55:18,400 --> 01:55:21,920
Speaker 4: It ain't that high, not not well so far four

2180
01:55:22,000 --> 01:55:22,840
Speaker 4: fall as we know it.

2181
01:55:23,280 --> 01:55:25,680
Speaker 2: Also when on our hero is gonna learn that Juve

2182
01:55:25,800 --> 01:55:27,839
Speaker 2: is a child and she does not need to witness

2183
01:55:27,880 --> 01:55:28,680
Speaker 2: the killing the people.

2184
01:55:29,120 --> 01:55:32,480
Speaker 1: Oh never, it's a zpod. Yeah, our childhood is over.

2185
01:55:32,640 --> 01:55:35,160
Speaker 4: I don't know. And the thing is, it's funny though,

2186
01:55:35,240 --> 01:55:39,640
Speaker 4: how you know people say these things because I remember

2187
01:55:39,680 --> 01:55:42,400
Speaker 4: when Carl was out there doing that shit and people

2188
01:55:42,400 --> 01:55:45,080
Speaker 4: saying the same thing. It's like, okay, it's almost like

2189
01:55:45,080 --> 01:55:46,720
Speaker 4: a cast twenty two. If you don't teach them shit,

2190
01:55:46,720 --> 01:55:48,440
Speaker 4: they're gonna get ate up and they're gonna die. You

2191
01:55:48,520 --> 01:55:50,280
Speaker 4: have to teach you how to protect themselves.

2192
01:55:50,320 --> 01:55:53,200
Speaker 2: Well, not just that, but Judith witness her first death

2193
01:55:53,360 --> 01:55:56,800
Speaker 2: when Carl killed her mama coming out the womb, Okay,

2194
01:55:56,880 --> 01:55:58,880
Speaker 2: judithh was a killer coming out the womb, y'all?

2195
01:55:59,080 --> 01:56:00,600
Speaker 1: Okay, child childhood.

2196
01:56:01,080 --> 01:56:04,120
Speaker 4: Childhood is erased when the zombie started walking.

2197
01:56:04,360 --> 01:56:06,360
Speaker 1: Yeah, ain't nothing sweeten the z pop. We see we

2198
01:56:06,440 --> 01:56:10,080
Speaker 1: having them little sweet kids like Beth and Lizzie and fucking.

2199
01:56:11,280 --> 01:56:14,680
Speaker 2: Sam the cookie monster. Like, nah, teach these kids how

2200
01:56:14,720 --> 01:56:16,840
Speaker 2: to kill, train them up in the way that you

2201
01:56:16,880 --> 01:56:20,160
Speaker 2: will want them to go U And you done messed up?

2202
01:56:20,200 --> 01:56:20,920
Speaker 1: Aa Ron.

2203
01:56:21,040 --> 01:56:22,920
Speaker 2: You can see that her from a mile away, So

2204
01:56:22,960 --> 01:56:25,280
Speaker 2: why are you with their speaking distance with radio static?

2205
01:56:25,560 --> 01:56:27,680
Speaker 2: He's like the buzz and fly that you can't swat

2206
01:56:27,720 --> 01:56:31,120
Speaker 2: until you actually swatt it. Finally, I've been patient on

2207
01:56:31,160 --> 01:56:33,720
Speaker 2: this last item, but I'm gonna get this off my chest.

2208
01:56:33,960 --> 01:56:38,240
Speaker 2: Where the fuck is Connie Love the Potcase swag, Thanks Case.

2209
01:56:38,040 --> 01:56:41,120
Speaker 1: Swag, thank you. Yeah man, They clearly.

2210
01:56:40,800 --> 01:56:45,000
Speaker 2: Gotta be saving her for some episode sixteen shit or something,

2211
01:56:45,520 --> 01:56:48,760
Speaker 2: maybe even next season, maybe even first episode of next season.

2212
01:56:48,760 --> 01:56:50,840
Speaker 1: But if we don't get Connie, I'm gonna go crazy. Okay.

2213
01:56:50,880 --> 01:56:53,640
Speaker 2: That is Bay in the z pod and I want

2214
01:56:53,680 --> 01:56:55,800
Speaker 2: her and Darryl to get together and swirl it up.

2215
01:56:55,920 --> 01:56:58,640
Speaker 2: And I don't know what's taking so long? Okay, Like

2216
01:56:58,800 --> 01:57:00,000
Speaker 2: Kelly got way more patient.

2217
01:57:00,040 --> 01:57:03,000
Speaker 1: It is to me. All right, y'all, Karen, what are

2218
01:57:03,000 --> 01:57:05,960
Speaker 1: you looking forward to in the season finale? Whenever we

2219
01:57:06,040 --> 01:57:06,360
Speaker 1: get it?

2220
01:57:07,360 --> 01:57:13,320
Speaker 3: Uh see what's happening? Uh when baiting them show up

2221
01:57:13,360 --> 01:57:15,920
Speaker 3: to be at the club and to the club up

2222
01:57:16,080 --> 01:57:19,120
Speaker 3: and hospital up and start problems?

2223
01:57:20,040 --> 01:57:22,400
Speaker 4: Are they going to escape? If they're gonna escape? Will

2224
01:57:22,600 --> 01:57:25,720
Speaker 4: It's it's like so many questions like are they gonna escape?

2225
01:57:25,760 --> 01:57:29,760
Speaker 4: Is it gonna escape? Are they gonna survive? Will Judith

2226
01:57:30,400 --> 01:57:35,320
Speaker 4: and Darryl making in time? You know? You know what?

2227
01:57:35,000 --> 01:57:35,040
Speaker 3: What?

2228
01:57:35,320 --> 01:57:36,920
Speaker 1: What? What's happening to?

2229
01:57:37,160 --> 01:57:39,680
Speaker 2: I feel like not everyone can make it out of

2230
01:57:39,720 --> 01:57:43,920
Speaker 2: this last episode. Somebody's about that time they always had

2231
01:57:43,960 --> 01:57:47,920
Speaker 2: to ask somebody die? Uh the thing out, you know,

2232
01:57:47,960 --> 01:57:49,640
Speaker 2: and they got some people in some bad ways, so

2233
01:57:49,840 --> 01:57:50,360
Speaker 2: Zito was.

2234
01:57:50,360 --> 01:57:51,240
Speaker 1: Laid up all this.

2235
01:57:52,800 --> 01:57:56,880
Speaker 2: The thing that I am looking forward to or wondering

2236
01:57:56,880 --> 01:57:59,880
Speaker 2: about is what is Luke working on, because it looks

2237
01:57:59,920 --> 01:58:02,520
Speaker 2: like what Woke's working on as part of the trap

2238
01:58:02,640 --> 01:58:06,720
Speaker 2: or the plan when these motherfuckers arrived and they did

2239
01:58:06,760 --> 01:58:10,040
Speaker 2: seem to expect them to eventually find them or something.

2240
01:58:10,800 --> 01:58:13,840
Speaker 2: So that's what I've really been looking forward to. And

2241
01:58:13,880 --> 01:58:16,720
Speaker 2: we'll see what happens so.

2242
01:58:18,240 --> 01:58:19,800
Speaker 1: And uh luke.

2243
01:58:19,680 --> 01:58:23,080
Speaker 4: In loved to girl came and checked on he might.

2244
01:58:22,960 --> 01:58:25,000
Speaker 3: Have lost that way to humping on her, you know,

2245
01:58:25,120 --> 01:58:26,920
Speaker 3: all that physical physical exercise that call.

2246
01:58:28,200 --> 01:58:31,280
Speaker 2: Yep, maybe that's what it was. That's you know how

2247
01:58:31,320 --> 01:58:36,920
Speaker 2: it is, guys. But yes, that's uh, that's it, guys.

2248
01:58:37,000 --> 01:58:40,160
Speaker 2: I'm looking forward to that. We'll see if Connie is alive,

2249
01:58:40,320 --> 01:58:42,880
Speaker 2: obviously the number one thing that that I give a

2250
01:58:42,920 --> 01:58:45,400
Speaker 2: fuck about. And I'm sor I want to see if

2251
01:58:45,400 --> 01:58:47,840
Speaker 2: Carol go back to killing because I feel like we

2252
01:58:47,920 --> 01:58:50,960
Speaker 2: haven't got full blown killer Carol on these on these

2253
01:58:51,000 --> 01:58:52,400
Speaker 2: whispers in a long time.

2254
01:58:53,120 --> 01:58:55,600
Speaker 1: So like, let's fucking do it, you know.

2255
01:58:56,160 --> 01:58:59,040
Speaker 2: All right, y'all, that's it for this episode and uh,

2256
01:58:59,520 --> 01:59:02,520
Speaker 2: for the seeable future, for the pie, for the for

2257
01:59:02,560 --> 01:59:05,200
Speaker 2: the recaps, and we'll let you guys know we're back

2258
01:59:05,280 --> 01:59:05,760
Speaker 2: until then.

2259
01:59:05,840 --> 01:59:07,120
Speaker 4: I love you, yeah,