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Speaker 1: What up, y'all. This is your main man, Memphis Bleak

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Speaker 1: right here.

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Speaker 2: Welcome to Rock Solid, a production of iHeart Radio and

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Speaker 2: the Black Effect Network in partnership with my gods over

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Speaker 2: at Drink Champs.

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Speaker 1: Big with the year Memphis. I'm back at it, niggas.

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Speaker 1: Notice the difference just pron president.

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Speaker 2: Yeah, y'all, you already know what it is. Back with

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Speaker 2: another exclusive. And I tell you see a many people

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Speaker 2: sitting on this stage, sitting right here with me, and

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Speaker 2: not everybody is like everybody, but this man sitting to

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Speaker 2: the left of me, this is family.

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Speaker 1: This is my brother. This is a OG.

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Speaker 2: Every time he spoke, I listened, So you know it's

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Speaker 2: an honor to have him sitting here.

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Speaker 1: You know, I gotta say rest in peace to his.

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Speaker 3: Brother Earth Godi, who is another legend in this game,

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Speaker 3: a brother of mine who taught me many things that

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Speaker 3: I still apply to business to this day.

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Speaker 2: So I want to welcome my got, Chris Gotti to

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Speaker 2: the building. You already know my brother.

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Speaker 1: I love you, bro, man. Thank you for having me. Man.

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Speaker 1: Appreciate man.

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Speaker 2: When they told me it's so crazy how this happened,

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Speaker 2: because I was supposed to come here and if you're

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Speaker 2: somebody else yesterday and Ormando was like, yo, I was

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Speaker 2: just talking to Chris Gotti. I was like, what they

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Speaker 2: tell Gotty pull up. It's like y'all, I'm gonna get

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Speaker 2: you on the phone. And I'm like, yeah, let's do it.

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Speaker 2: As soon as he said that, I was like, what

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Speaker 2: I was looking for you?

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Speaker 1: I promise you. I told rud not too long ago.

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Speaker 3: I need to give a bleak info because I wanted

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Speaker 3: to come and talk to you about not just this,

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Speaker 3: but other things, other businesses.

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Speaker 1: That I'm involved in and I think maybe make some Yeah.

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Speaker 2: So you got the Basketball League popping man, congratulations.

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Speaker 1: Definitely want to talk to you about that. Man.

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Speaker 3: We just season season one. We did season one. You know,

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Speaker 3: it's really just money. I gotta raise more money. But

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Speaker 3: season one was incredible, sold out every week. It's a

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Speaker 3: it's a small league, short seasons, CPL right, CPO.

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Speaker 1: Class pro league. You know what I'm saying.

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Speaker 3: And again it's all D one players or players that

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Speaker 3: played overseas or you know, and it's I've been inside

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Speaker 3: the street basketball for decades. You feel me helped Greg

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Speaker 3: Matters with God bless Greg when he did Rucker had

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Speaker 3: it at the height helping Ken Steven shout out Ken,

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Speaker 3: you know what I'm saying, helped him with Dykeman to

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Speaker 3: get Dykeman really at it where it's at today.

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Speaker 1: And that gave me a lot of insight. You know,

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Speaker 1: I have a.

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Speaker 3: Sports management business that I did, you know, that's what

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Speaker 3: you know. For over almost thirty going into thirty years,

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Speaker 3: and I've been involved with either co aging or co

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Speaker 3: managing or managing all these different NBA players or football players.

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Speaker 3: I even had one golfer professional golfer. So I'm inside

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Speaker 3: the sports culture aside from just music, like I've been

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Speaker 3: doing that. And the reason I went into it is

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Speaker 3: because when them boys came, got to diversify because they

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Speaker 3: shut off the fastt That's the fact.

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Speaker 2: But Yo, speaking on that, man, that's one thing a

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Speaker 2: lot of people don't know. Man, it's only two goddies

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Speaker 2: in the world that beat many.

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Speaker 1: You know what I'm saying.

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Speaker 2: It's the GotY Brothers and it is Gotty man, But

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Speaker 2: y'all beat them boys, man.

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Speaker 1: And that people don't know.

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Speaker 3: My lawyer was Gerald Shall he passed just not man,

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Speaker 3: God bless, but he was also got his lawyer.

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Speaker 1: Da Oh, so he knew man, Man the playbook. He's

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Speaker 1: the best attorney I've ever seen something.

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Speaker 3: Man.

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Speaker 1: And you know everybody know y'all stood tall.

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Speaker 2: You know this in this new world today of all

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Speaker 2: these rappers catching cases and shit going down there, you know,

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Speaker 2: it's like, you know, one of the.

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Speaker 1: Things that we're crazy. We're crazy.

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Speaker 3: While we was in trial, to the prosecutor, you know,

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Speaker 3: she was always trying to change things or say things

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Speaker 3: like that's what their job is or whatever. But he

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Speaker 3: would tell the judge, you know, this is the lord,

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Speaker 3: this is the case.

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Speaker 1: Lord.

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Speaker 3: He would break it down and it got so real

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Speaker 3: with the judge told her if Gerald Shark Gelle says

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Speaker 3: this is what it is, don't question me.

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Speaker 1: It's that Nah. It was crazy. She was so mad.

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Speaker 1: He was he was a beef, he was a beast.

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Speaker 2: Man called him a superman in the courtroom. Man, that

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Speaker 2: ship happened at the height of murder, inc man. That's

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Speaker 2: one thing I feel like, you know a lot of

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Speaker 2: people in this rap industry think rap beef can can

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Speaker 2: take ship down, but they don't understand that that happened

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Speaker 2: all simultaneously.

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Speaker 1: And it's like that was crazy, man. We got.

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Speaker 3: But just making me feel that way listen, But you

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Speaker 3: know what you just said something that's so real, because

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Speaker 3: you know I do podcasts with all types of they

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Speaker 3: don't understand and they always bring up the beef and

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Speaker 3: it ain't got that. And I said, let me tell

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Speaker 3: you entertainment, bro, it's entertainment.

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Speaker 1: I said. Number one is I never felt pressure.

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Speaker 3: Number Number two was, let's say he took away y'all completely,

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Speaker 3: what which never happened, but let's just say that's what

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Speaker 3: it like happened.

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Speaker 1: We was doing over two and forty million.

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Speaker 3: Dollarge exact job. Let's say jobs were for one hundred

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Speaker 3: and thirty.

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Speaker 1: It was good.

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Speaker 3: I'm still right, it was good. But when boys avid boys.

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Speaker 3: And then what's even further than most people don't know

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Speaker 3: is they universal IDJ, depth JAM cooperated with the FIS

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Speaker 3: against us, So you would expect that. Yeah, but you

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Speaker 3: say that, but that's my machine. Yes, so how can

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Speaker 3: you put out music?

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Speaker 1: Yes? They not. And then when you think of business,

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Speaker 1: they didn't do anything but shifted from one side from

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Speaker 1: murder inc And put it over the aftermath, Gene. That's

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Speaker 1: all they did. It was a lateral move.

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Speaker 3: Boom, the money gotta move the money, don't change though

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Speaker 3: they still eating, They still good, but they definitely you know,

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Speaker 3: was did us dirty and.

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Speaker 1: Play a major role in that? Man? But ship before that.

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Speaker 2: Let's go back, man, the rise of murder in I

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Speaker 2: remember when y'all first started coming around.

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Speaker 1: A lot of people don't.

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Speaker 2: Know Gott he was a a DJ yes when I

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Speaker 2: first DJ yes dj he my G holding it down

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Speaker 2: on the tour, telling me, yo, you bugging don't be

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Speaker 2: leaving the club.

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Speaker 1: Going home with no girls. You better bring them to

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Speaker 1: the hotel. You don't go. I'm telling you, I was

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Speaker 1: the young boy in the wild, told me my G.

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Speaker 2: I remember when I first met Ji, all of y'all,

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Speaker 2: bj Ron, Gutter, all of y'all man, you know, and

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Speaker 2: we became a family facts and then I watched y'all

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Speaker 2: grow from the beginning, bro, and it was just like

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Speaker 2: a title wave all at once, Like you know, I

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Speaker 2: was that man.

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Speaker 1: You know what I mean. It's really like unreal, like surreal,

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Speaker 1: you know what I'm saying.

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Speaker 3: You go through these things, you watch all these things transpire,

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Speaker 3: and you know the reality murder incing. I've been trying

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Speaker 3: to explain because everyone asks, how did Earth start murder inc?

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Speaker 1: I said, technically he didn't.

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Speaker 3: Yeah, And what I mean by that is Earth just

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Speaker 3: wanted to be the biggest producer in the game. And

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Speaker 3: we had Little Rob. Shout out, Little Rob that was

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Speaker 3: the one producer we had with Rob was putting up Yeah,

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Speaker 3: but he didn't make a lot. See, so he was

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Speaker 3: making hits.

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Speaker 1: No question.

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Speaker 3: But you know, when you're in business's quantity, I can't.

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Speaker 3: I can't service the industry with just a few beats.

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Speaker 1: I need a lot.

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Speaker 3: And I told IRV I had just made the transition,

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Speaker 3: like because I built the construction business. If that was

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Speaker 3: funding her nerve saw making some money with top Door productions,

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Speaker 3: you know what I'm saying. And Rod tells me, Yo,

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Speaker 3: I need you back with me because I started Earth.

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Speaker 3: And then I said okay, and I started doing both.

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Speaker 3: But then after I did both, I got burnt out

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Speaker 3: and I said, I'm gonna just do music. But to

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Speaker 3: get twenty percent of five thousand dollars ain't gonna pay me.

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Speaker 1: I don't know.

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Speaker 3: Man, If I sell three out of the four beats

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Speaker 3: Robed made, that's three racks.

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Speaker 1: That's not enough.

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Speaker 3: So I went back to Earth and said, listen, I'm

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Speaker 3: gonna go bring in more producers, and.

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Speaker 1: He was like, I don't care what you do.

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Speaker 3: I'm not taking less than five thousand, you know what

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Speaker 3: I'm saying. I started laughing. It's like, of course I

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Speaker 3: got you. So that was the beginning. I started adding

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Speaker 3: in producers and the next you know, we went from five.

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Speaker 3: I took us from five to fifteen to twenty five

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Speaker 3: to fifty in less than six months. We had fifty

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Speaker 3: thousand a track. The first year we had one hundred

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Speaker 3: thousand a track, you know what I'm saying. And that

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Speaker 3: was the beginning of all of that, and we just

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Speaker 3: kept going. We went only up to two hundred and

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Speaker 3: fifty thousand track or it was getting two fifty. But

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Speaker 3: that's all these producers I got. We had a team

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Speaker 3: of producers. That's weird her banging out.

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Speaker 1: That's how the crackhouse came about. Man, that's the crackhouse.

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Speaker 1: Crack house. I was in there. She was like a fortress,

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Speaker 1: you know. It was like the Carter.

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Speaker 3: It was so real because I was controlling all the

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Speaker 3: business on everything. So I'm seeing all the money we

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Speaker 3: spending in studios, and I told her I created something

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Speaker 3: called mink rentals am I and see murder in rentals

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Speaker 3: and we rented. We built our studios so we could

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Speaker 3: rent our studio to ourselves to make the money. You know,

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Speaker 3: we bought houses to rent the house. We're traveling all over.

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Speaker 3: This is when we start really rocking, and I'm watching

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Speaker 3: these bills. We had a hundred plus thousand a month

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Speaker 3: in car services, so I bought it. I started buying cars.

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Speaker 1: And getting all my hood.

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Speaker 3: The whole hood is drivers.

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Speaker 2: Right, that's the smart way to do it.

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Speaker 3: And they universal got mad because we was doing that.

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Speaker 3: But I said, it's our bills and went in and

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Speaker 3: we went in there and fight. We would go back

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Speaker 3: and fight with all of them, and the next you know,

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Speaker 3: I see them doing it their own little car. The

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Speaker 3: car service, he was the ones that started that. That's

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Speaker 3: a fact. And that was because I seen that. I've

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Speaker 3: seen that. And then again even the studio were the

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Speaker 3: ones to do it. Because I'm watching all of those

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Speaker 3: budgets go to Quad Studios and right hit track three,

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Speaker 3: right track, and you look at the bill and you're like, damn,

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Speaker 3: why they're getting all that money.

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Speaker 1: That's a fact, that car service and sending it order

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Speaker 1: recirculated that money right back to us. Man.

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Speaker 2: No, that was dope man. That was a master plan. Yeah,

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Speaker 2: that was and we gave him a discount.

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Speaker 1: They was mad.

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Speaker 3: We gave him a love price because it was us, like,

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Speaker 3: we're doing it for ourselves, so they got we made

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Speaker 3: albums cheaper.

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Speaker 1: But if we had to produce for other people, they

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Speaker 1: got to pay full rate. Everything.

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Speaker 2: Think about I'm going to that po sad Man from

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Speaker 2: five thousand a track, yeah, two hundred and fifty.

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Speaker 1: Yeah, in about two years time. It was sweet super.

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Speaker 2: That that that ninety five to about twenty fifteen running.

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Speaker 3: Oh my well, our heights, Our heights is from two

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Speaker 3: thousand and two to two thousand and five.

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Speaker 1: But that's when the trial.

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Speaker 3: Ends in December two thousand and five.

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Speaker 1: And damn, here's the crazyiness. It seemed like fucking fifteen.

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Speaker 3: We had a lot of his againness book for the

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Speaker 3: longest run at number one, not like, so what do

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Speaker 3: you mean if he produced one artist, the other artist

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Speaker 3: he produced took that artist out, the next artist took

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Speaker 3: that artist.

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Speaker 1: Out of producer.

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Speaker 3: He was a producer on the Hot one hundred for

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Speaker 3: I believe it was like forty eight weeks.

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Speaker 1: Damn, Yeah, that's crazy. Yeah, it's in again this book.

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Speaker 1: I'm not sure the time frame, but it's again, it's

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Speaker 1: in there. They can fact check it.

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Speaker 3: Yeah, they can fact check. He's still it's still the

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Speaker 3: only producer to do that. That's something that you know,

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Speaker 3: as good as these other producers are, they might produce

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Speaker 3: another artist, but they don't go number one or the

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Speaker 3: competition gets the number one stake.

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Speaker 1: And you're the older brother.

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Speaker 2: Yes, so look see little bro go from DJ ear.

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Speaker 2: Then it was the Mike Geronimo run because I remember

252
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Speaker 2: when Ship Is reel came out, that was ship was

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Speaker 2: Licked and Kennedy he was outside there.

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Speaker 3: You know, the ships real for you know Jay to

255
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Speaker 3: bring up Jay, shout out Jay.

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Speaker 1: You know what I'm saying, that's right, always always man.

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Speaker 3: But that's what made him fuck with probably more in

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Speaker 3: my opinion, this is not I would have to ask

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Speaker 3: him to be sure.

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Speaker 1: Because he came to IRVS like how you getting him played?

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Speaker 1: You know what I'm saying.

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Speaker 3: This is when you know, I tell everyone we was

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Speaker 3: all a family, but this is competition all time. Hi. Look,

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Speaker 3: it's a rapper is a blood spoil, and especially.

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Speaker 2: In that era, and it's only ten slots, it's one

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Speaker 2: hundred rappers in New York. It's right, and there's only

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Speaker 2: ten slots, there's only twelve magazine covers.

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Speaker 1: That's right.

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Speaker 3: And were fighting, so it's like a it's that competition,

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Speaker 3: friendly competition, family competition, which is nothing wrong with it

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Speaker 3: because it really pushes each.

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Speaker 1: Other to the next level.

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Speaker 3: And I believe we had that because I remember us

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Speaker 3: going into sessions when we had our records and this

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Speaker 3: is our album. We go play for each other and

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Speaker 3: be like, yeah, this is the date we coming, don't

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Speaker 3: come that day, and they give you you know, don't

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Speaker 3: come the same time so.

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Speaker 1: We don't interrupt each other's run.

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Speaker 3: That's that's intellectual property.

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Speaker 1: That's right.

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Speaker 3: That's our p for your ass, and that's we didn't

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Speaker 3: give that to anyone outside of the family. Like I

284
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Speaker 3: remember even doing that with Diddy, running with going into

285
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Speaker 3: his sessions like yo were coming, you know what I'm saying.

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Speaker 1: Rough Fridays it was. It was.

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Speaker 3: It was Rockefeller Rough Fridays, Murder and Murder in b

288
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Speaker 3: and bad Boy was again inside of that as well,

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Speaker 3: and we we we shared notes and it was a

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Speaker 3: real competitive thing.

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Speaker 1: But we go in each other sessions. They came in

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Speaker 1: all sessions.

293
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Speaker 3: I never Swiss came in our sessions playing heat, shut

294
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Speaker 3: out Swami Swiss.

295
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Speaker 1: He's the one man.

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Speaker 2: Army Swiss are coming to session and that one records here.

297
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Speaker 2: Come in there and play some ship and you'll be like,

298
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Speaker 2: I don't think I got records like that.

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Speaker 1: No different way, No, Listen. We was blessed. But listen,

300
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Speaker 1: everyone had their game.

301
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Speaker 3: What they wasna just be sitting Oh man, listen, they

302
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Speaker 3: came in with the fire man guns blazing.

303
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Speaker 1: That's a fact.

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Speaker 2: Was major, especially between Murder and Rockefeller and uh rough Riders.

305
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Speaker 3: And then when I look back to me, that is

306
00:14:19,480 --> 00:14:21,720
Speaker 3: part of something that made it so special. I look

307
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Speaker 3: back at that and when you put IRV in the middle,

308
00:14:27,520 --> 00:14:30,080
Speaker 3: he was the He was the kind of the person

309
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Speaker 3: that kept everyone all the glue that glued him.

310
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Speaker 2: He definitely was the glue man. We can never take

311
00:14:35,320 --> 00:14:38,160
Speaker 2: that away. And you was the og in the background.

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Speaker 1: Man, you know what I mean?

313
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Speaker 3: Like ship?

314
00:14:40,360 --> 00:14:41,560
Speaker 1: What was it like?

315
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Speaker 2: We had this conversation a little bit off camera, but

316
00:14:44,480 --> 00:14:47,760
Speaker 2: I want to bring it up on camera because let's

317
00:14:47,800 --> 00:14:50,080
Speaker 2: talk about it. I got a few cousins right that

318
00:14:50,200 --> 00:14:52,080
Speaker 2: I used to be as a kid growing, I used

319
00:14:52,120 --> 00:14:54,640
Speaker 2: to be mad at be like, damn cuz how you

320
00:14:54,720 --> 00:14:57,040
Speaker 2: ain't rolling the round, how you ain't got the bands

321
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Speaker 2: because you supposed to add the condo up top. Cousin,

322
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Speaker 2: you was eighteen in the eighties when niggas was making

323
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Speaker 2: a million dollars on the corner right a day, a

324
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Speaker 2: day a week, straight up getting it, and you ain't

325
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Speaker 2: go outside and get none of that.

326
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Speaker 1: So I used to be as a kid looking at

327
00:15:15,800 --> 00:15:20,480
Speaker 1: my cousins like niggas was soft. Yeah, niggas wasn't outside.

328
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Speaker 1: You never wanted to think for me. I never hustled,

329
00:15:24,120 --> 00:15:27,880
Speaker 1: no way, never hus never. You just knew all the hustlers.

330
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Speaker 1: I'm gonna keep it all the way one hundred. I

331
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Speaker 1: might have robbed. Oh you was the stick up man.

332
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Speaker 1: Oh yeah, sticky old. You can't do both. That's why

333
00:15:36,360 --> 00:15:37,840
Speaker 1: I yeah, I was.

334
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Speaker 3: Never on the block because that block life. I looked

335
00:15:40,480 --> 00:15:42,440
Speaker 3: at the block life. All my niggas was on that

336
00:15:42,560 --> 00:15:47,720
Speaker 3: block every day. I never seen him up up never,

337
00:15:48,280 --> 00:15:49,680
Speaker 3: not the block niggas.

338
00:15:49,960 --> 00:15:52,280
Speaker 1: Yeah, the niggas was moving, niggas was getting it for them.

339
00:15:52,760 --> 00:15:55,360
Speaker 1: I seen him up. So I never wanted to.

340
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Speaker 3: It was like that's the road you had to travel

341
00:15:57,880 --> 00:16:01,240
Speaker 3: to get to that next stage. It was super violent.

342
00:16:02,160 --> 00:16:07,400
Speaker 3: It was super violent. Likes violence I'm talking about for Hollis.

343
00:16:07,440 --> 00:16:08,960
Speaker 3: I grew up in Hollice Queens. You know, I'm from

344
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Speaker 3: browns People always say that we're from brown from Lavonia.

345
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Speaker 1: You know what I'm saying. I'm from Mother. I'm from Rockaway, Dumont.

346
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Speaker 1: So I'm just saying we was. My family's all in Brownsville.

347
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Speaker 3: My mother's mother and father bought us this house because

348
00:16:25,000 --> 00:16:27,760
Speaker 3: they didn't want eight kids in Brownsville in a three

349
00:16:27,800 --> 00:16:30,960
Speaker 3: bedroom apartment, and they got the house in house, a

350
00:16:31,040 --> 00:16:33,760
Speaker 3: three bedroom house, but we used every inch of the house.

351
00:16:33,840 --> 00:16:37,320
Speaker 3: But we had Hollss Queens, different lifestyle. But again I

352
00:16:37,440 --> 00:16:40,760
Speaker 3: always claim house because that's where I made my life.

353
00:16:41,520 --> 00:16:44,200
Speaker 3: So that's where I did my work and I always

354
00:16:44,480 --> 00:16:48,240
Speaker 3: go if I go back. I always had guns. So

355
00:16:48,440 --> 00:16:50,560
Speaker 3: I was the kid in the neighborhood with the juice.

356
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Speaker 1: Right, that's the movies. The gun. The juice was the gun.

357
00:16:54,040 --> 00:16:57,480
Speaker 1: You have movies. The juice is the because he had

358
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Speaker 1: the gun.

359
00:16:58,040 --> 00:17:02,440
Speaker 2: It was because it wasn't like day it'd be five niggas.

360
00:17:02,440 --> 00:17:04,880
Speaker 2: It's thirty guns in the car. Back in the day,

361
00:17:04,920 --> 00:17:07,240
Speaker 2: it's five niggas. Who has it?

362
00:17:07,400 --> 00:17:11,360
Speaker 3: That's right one gun, so you know me, I had

363
00:17:11,400 --> 00:17:13,520
Speaker 3: it and everyone from the hospital come get me to

364
00:17:13,600 --> 00:17:13,960
Speaker 3: do ship.

365
00:17:14,040 --> 00:17:17,240
Speaker 1: I was Again I always say, you know, I was stupid.

366
00:17:17,440 --> 00:17:21,280
Speaker 3: You know, God protect yours and I never thought of

367
00:17:22,040 --> 00:17:24,600
Speaker 3: consequences and things of my actions.

368
00:17:24,680 --> 00:17:27,240
Speaker 1: I just and it was never me. It was like

369
00:17:27,320 --> 00:17:29,800
Speaker 1: you come and get me, yo. They just shot. Let's

370
00:17:29,840 --> 00:17:32,920
Speaker 1: go get them, come on, it was like, let's go.

371
00:17:33,640 --> 00:17:35,879
Speaker 1: You had that. Not only did I have that, but

372
00:17:35,960 --> 00:17:38,480
Speaker 1: I had money because again I used.

373
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Speaker 3: To do I was money. They couldn't understand how I

374
00:17:43,760 --> 00:17:46,600
Speaker 3: had money and they didn't have the money. I would

375
00:17:46,600 --> 00:17:48,760
Speaker 3: take the niggas on the block shopping, like, come on, niggaleas,

376
00:17:48,800 --> 00:17:50,600
Speaker 3: get you fresh. Look at you your niggas out here

377
00:17:50,600 --> 00:17:52,560
Speaker 3: all day. I was like, you could get a job

378
00:17:52,600 --> 00:17:55,760
Speaker 3: in McDonald's and do better. I would kill them because

379
00:17:55,800 --> 00:17:58,240
Speaker 3: you was to respect the money more. I would kill

380
00:17:58,320 --> 00:18:00,560
Speaker 3: all the black niggas, man, because I was fucking with

381
00:18:00,600 --> 00:18:02,960
Speaker 3: the niggas that was behind them. And then they would

382
00:18:03,000 --> 00:18:04,680
Speaker 3: tell me either come with them to go pick some

383
00:18:04,760 --> 00:18:07,320
Speaker 3: ship up and it hit me off with some bread,

384
00:18:07,640 --> 00:18:11,200
Speaker 3: or they would line some ship up, you know what

385
00:18:11,200 --> 00:18:11,600
Speaker 3: I'm saying.

386
00:18:12,320 --> 00:18:13,240
Speaker 1: And I never had that.

387
00:18:13,560 --> 00:18:17,520
Speaker 3: That gene called fear. So it was just and once

388
00:18:17,600 --> 00:18:19,760
Speaker 3: they said it, it was it wasn't me like, oh man,

389
00:18:19,800 --> 00:18:22,080
Speaker 3: am I gonna? I was like cool, let's go. It's

390
00:18:22,200 --> 00:18:24,359
Speaker 3: like it was never that. And for me, I was,

391
00:18:24,560 --> 00:18:26,320
Speaker 3: like you said, I was Herb's big brother. I never

392
00:18:26,359 --> 00:18:29,440
Speaker 3: would tell IRV anything because if I did it, Earth

393
00:18:29,520 --> 00:18:29,720
Speaker 3: did it.

394
00:18:30,440 --> 00:18:32,440
Speaker 1: And I didn't want me to do the things that

395
00:18:32,600 --> 00:18:32,919
Speaker 1: you did.

396
00:18:33,160 --> 00:18:35,920
Speaker 2: Yeah, that's what's up, man, ship My brother ain't giving

397
00:18:35,920 --> 00:18:38,320
Speaker 2: a fuck, Like, hey, nigga, I'm selling drug.

398
00:18:38,480 --> 00:18:41,600
Speaker 1: Come on with bust that down. Here's what you got.

399
00:18:43,960 --> 00:18:46,240
Speaker 1: You know what I tell and I ain't. I don't

400
00:18:46,240 --> 00:18:47,640
Speaker 1: want to say but niggas because.

401
00:18:47,440 --> 00:18:49,000
Speaker 3: Like I don't even smoke or nothing.

402
00:18:49,280 --> 00:18:51,520
Speaker 1: And I was around it my whole life, you know,

403
00:18:51,640 --> 00:18:52,440
Speaker 1: but I didn't.

404
00:18:52,480 --> 00:18:54,919
Speaker 3: Have I lost two uncles though, to that blue magic on.

405
00:18:55,000 --> 00:18:57,320
Speaker 1: Some real Wow. Yeah man, that's crazy.

406
00:18:57,440 --> 00:18:59,920
Speaker 3: Yeah. My father on my mother's side and my father's side,

407
00:19:00,119 --> 00:19:02,040
Speaker 3: they grew up in home and they got some bad

408
00:19:02,440 --> 00:19:02,760
Speaker 3: damn man.

409
00:19:02,840 --> 00:19:05,439
Speaker 1: Now that ever back then was bad. Man. You definitely

410
00:19:05,520 --> 00:19:08,880
Speaker 1: had uncles that court, no aunts all that. That era

411
00:19:09,119 --> 00:19:10,359
Speaker 1: was different, man, it was.

412
00:19:10,520 --> 00:19:13,200
Speaker 2: But like I just heard you say, I always kept

413
00:19:13,280 --> 00:19:15,720
Speaker 2: the cool, had always was level headed and I could

414
00:19:15,880 --> 00:19:19,960
Speaker 2: definitely say bro at the height of Murder in from

415
00:19:20,040 --> 00:19:24,119
Speaker 2: the beginning to the height when Gotti and Jah was

416
00:19:24,240 --> 00:19:27,160
Speaker 2: running around like these niggas was determinator.

417
00:19:28,400 --> 00:19:34,600
Speaker 1: Chris Nigga be like, Yo, bleak tripping, don't even worry

418
00:19:34,600 --> 00:19:35,200
Speaker 1: about that ship.

419
00:19:35,560 --> 00:19:37,800
Speaker 2: Just come back in the morning. They gotta have a

420
00:19:37,840 --> 00:19:39,520
Speaker 2: beach for you. Don't even listen.

421
00:19:40,600 --> 00:19:43,840
Speaker 1: We don't got time for that ship. We rock stars.

422
00:19:44,040 --> 00:19:45,399
Speaker 1: Nigga like.

423
00:19:48,840 --> 00:19:51,639
Speaker 2: Yeah, Like while I'm getting cursed out that I'm not

424
00:19:51,760 --> 00:19:53,440
Speaker 2: accepting I'm a rock stuff.

425
00:19:53,480 --> 00:19:55,879
Speaker 3: Let me tell you when they say it was the

426
00:19:55,960 --> 00:20:01,720
Speaker 3: best time, it was the worst time. You know, we

427
00:20:01,840 --> 00:20:05,960
Speaker 3: have Listen, everyone looks at us like like we had

428
00:20:06,640 --> 00:20:10,480
Speaker 3: a real plan and we understood every Now we didn't.

429
00:20:10,560 --> 00:20:12,480
Speaker 1: We learned as we go. We learned on the flat.

430
00:20:13,440 --> 00:20:15,080
Speaker 1: We're quick learners, you know.

431
00:20:15,560 --> 00:20:17,960
Speaker 3: For me personally, if I watch anyone do something, I

432
00:20:18,080 --> 00:20:18,320
Speaker 3: do it.

433
00:20:18,600 --> 00:20:20,560
Speaker 1: That's just me. I could do it. That's my blessing.

434
00:20:20,680 --> 00:20:21,760
Speaker 1: Like I look at that.

435
00:20:21,840 --> 00:20:24,879
Speaker 3: I built the whole construction company and I learned every trade.

436
00:20:25,840 --> 00:20:27,600
Speaker 1: I ain't go to school. I learned every part of

437
00:20:27,680 --> 00:20:31,160
Speaker 1: this music business. Right, I'm a lawyer. I'm not a doctor.

438
00:20:31,160 --> 00:20:31,800
Speaker 1: I'm a doctor.

439
00:20:31,880 --> 00:20:33,960
Speaker 3: Like I really learned this ship and I have it.

440
00:20:34,080 --> 00:20:35,639
Speaker 3: No one could take it from you, no matter what

441
00:20:35,800 --> 00:20:38,600
Speaker 3: it is. And my mind is different. And I always

442
00:20:38,680 --> 00:20:40,880
Speaker 3: was quiet. You to tell you I was quiet because

443
00:20:41,480 --> 00:20:45,199
Speaker 3: I'm a student. I'm watching everyone's actions, and my job was.

444
00:20:45,280 --> 00:20:47,919
Speaker 1: To protect my brother and to protect everyone around. That's

445
00:20:47,920 --> 00:20:49,280
Speaker 1: how my job was.

446
00:20:49,600 --> 00:20:51,920
Speaker 3: When I'm when you quiet and you fall back and

447
00:20:52,000 --> 00:20:54,240
Speaker 3: you let earth and job. They out there doing anything,

448
00:20:54,320 --> 00:20:57,920
Speaker 3: you see everyone who's who? You see that when they're

449
00:20:58,000 --> 00:21:00,960
Speaker 3: not paying attention the way they're looking that niggas they

450
00:21:01,080 --> 00:21:05,080
Speaker 3: looking at her like fun. You know, you could say, so,

451
00:21:05,240 --> 00:21:08,520
Speaker 3: I'm telling them afterwards, Yo, this niggas no good, right,

452
00:21:09,200 --> 00:21:09,960
Speaker 3: I'm telling.

453
00:21:09,760 --> 00:21:13,160
Speaker 1: You I've seen the looks. But that's not their job,

454
00:21:13,280 --> 00:21:15,119
Speaker 1: that's right. They in the middle of the storm.

455
00:21:15,280 --> 00:21:15,440
Speaker 3: You know.

456
00:21:15,520 --> 00:21:17,640
Speaker 2: I got homies like that, and the crew that don't talk.

457
00:21:17,720 --> 00:21:19,640
Speaker 2: They come around, don't say a word. You won't even

458
00:21:19,680 --> 00:21:22,720
Speaker 2: remember that when we first started. When you go back,

459
00:21:22,760 --> 00:21:25,080
Speaker 2: when you talk that I was, it was just me.

460
00:21:26,359 --> 00:21:28,560
Speaker 2: I'll be outside. I'd tell them going to club. If

461
00:21:28,600 --> 00:21:30,600
Speaker 2: they coming out, hit me if there's a problem, so

462
00:21:30,920 --> 00:21:33,000
Speaker 2: I know what's coming. I'm outside ham it up, waiting

463
00:21:33,080 --> 00:21:33,600
Speaker 2: for the niggas.

464
00:21:33,640 --> 00:21:36,639
Speaker 1: Coming up. It wasn't until I got fat Boy. Shout out,

465
00:21:36,680 --> 00:21:38,840
Speaker 1: fat Boy, shout out Todd. You know what I'm saying.

466
00:21:39,040 --> 00:21:42,200
Speaker 3: When I got fat Boy inside with me, that was

467
00:21:42,280 --> 00:21:45,280
Speaker 3: my first help. Like, these are my niggas from Queen's.

468
00:21:45,320 --> 00:21:48,040
Speaker 3: They came out, but Irving them, I keep it a buck.

469
00:21:48,080 --> 00:21:49,240
Speaker 3: They didn't want them to come out.

470
00:21:49,800 --> 00:21:51,119
Speaker 1: They like they always in trouble.

471
00:21:51,960 --> 00:21:52,640
Speaker 3: That's what I need.

472
00:21:54,600 --> 00:21:57,920
Speaker 1: You need some trouble, don't worry. I'll keep them away

473
00:21:57,960 --> 00:21:58,159
Speaker 1: from you.

474
00:21:58,560 --> 00:22:00,920
Speaker 3: And you know they love them niggas, but they didn't

475
00:22:00,920 --> 00:22:02,720
Speaker 3: want the trouble to bring them down. Urb and Ruth

476
00:22:02,800 --> 00:22:04,879
Speaker 3: both loved these niggas. They just didn't want to get

477
00:22:04,920 --> 00:22:06,800
Speaker 3: They didn't want to They look were on the rise.

478
00:22:06,880 --> 00:22:08,560
Speaker 3: We're trying to come up. We don't want nothing to

479
00:22:08,640 --> 00:22:09,200
Speaker 3: pull it back.

480
00:22:09,480 --> 00:22:11,399
Speaker 1: Yo. So I had to keep them niggas with me

481
00:22:11,720 --> 00:22:13,080
Speaker 1: and keep them away from Irving.

482
00:22:13,600 --> 00:22:16,639
Speaker 2: Whole is different than that hole half niggas. I'll be

483
00:22:16,920 --> 00:22:18,639
Speaker 2: you know, we got the party. I'll be like, yo,

484
00:22:18,680 --> 00:22:19,320
Speaker 2: it's a party.

485
00:22:19,880 --> 00:22:21,320
Speaker 1: Like, first of all, I'm too young, so I got

486
00:22:21,400 --> 00:22:22,520
Speaker 1: a explimission. Cannot go.

487
00:22:22,800 --> 00:22:25,040
Speaker 2: Yeah, I'll be like a yeah you can roll, No nigga,

488
00:22:25,880 --> 00:22:28,760
Speaker 2: I get to this party. Start seeing all the killers

489
00:22:28,840 --> 00:22:33,000
Speaker 2: from the projects. Here, these niggas popping bottles, drinking over

490
00:22:33,000 --> 00:22:35,560
Speaker 2: it's with that funny that, yo, that's why I tell

491
00:22:35,720 --> 00:22:37,800
Speaker 2: niggas the the whole you see.

492
00:22:38,040 --> 00:22:39,720
Speaker 1: Now, Yeah, this is the man.

493
00:22:39,920 --> 00:22:41,800
Speaker 3: I want to write the book about it. It's called

494
00:22:42,160 --> 00:22:42,800
Speaker 3: it's called the.

495
00:22:44,520 --> 00:22:46,680
Speaker 1: The What do you call that?

496
00:22:46,840 --> 00:22:50,880
Speaker 3: The damn you're making me forget right now? It's it's

497
00:22:50,960 --> 00:22:54,760
Speaker 3: like the changing domestication. It's the domestication of a gangster.

498
00:22:54,880 --> 00:22:56,680
Speaker 3: That's going to be my book. I'm right, I like that.

499
00:22:56,920 --> 00:22:59,359
Speaker 1: But that's what he is. He's a domesticated gangst.

500
00:22:59,800 --> 00:23:00,119
Speaker 3: You know.

501
00:23:00,240 --> 00:23:01,560
Speaker 1: I tell you. I tell everyone.

502
00:23:01,600 --> 00:23:03,239
Speaker 3: I said, you know when they talk Jay and they

503
00:23:03,280 --> 00:23:06,160
Speaker 3: talk about him today and where he's at and he's

504
00:23:06,200 --> 00:23:10,760
Speaker 3: the businessman, businessman this I said, he got that because

505
00:23:10,800 --> 00:23:13,840
Speaker 3: he honed his skills this time and ground him from

506
00:23:13,880 --> 00:23:15,040
Speaker 3: the president in his songs.

507
00:23:15,080 --> 00:23:16,520
Speaker 1: You just listen.

508
00:23:16,920 --> 00:23:20,640
Speaker 2: I always tell people today, these kids today, I feel

509
00:23:20,760 --> 00:23:23,760
Speaker 2: like they treat life like a book report. Now they

510
00:23:23,880 --> 00:23:25,680
Speaker 2: be like, yo, go do the book report at the

511
00:23:25,760 --> 00:23:28,400
Speaker 2: grib and as a kid, you cheated. You're like, I'm

512
00:23:28,400 --> 00:23:30,240
Speaker 2: gonna read a little bit in the middle, and I'm

513
00:23:30,240 --> 00:23:33,440
Speaker 2: gonna read that and I'm gonna write what happened, skip

514
00:23:33,600 --> 00:23:36,080
Speaker 2: the whole beginning. So that's why I say these kids

515
00:23:36,160 --> 00:23:39,320
Speaker 2: today don't look at the beginning chapters of niggas lists

516
00:23:39,359 --> 00:23:40,960
Speaker 2: want to see everything he said.

517
00:23:40,800 --> 00:23:43,399
Speaker 3: And it was everything he said. It has been facts.

518
00:23:43,480 --> 00:23:45,240
Speaker 3: You know, I get that question all the time, and

519
00:23:45,320 --> 00:23:46,879
Speaker 3: you know I'm not saying it because you're here. I

520
00:23:46,960 --> 00:23:52,720
Speaker 3: said all the time, he's the best. No, I said

521
00:23:52,800 --> 00:23:55,080
Speaker 3: all the time too, people trying to argue me down

522
00:23:55,359 --> 00:23:58,399
Speaker 3: and again these other great great other It's just like

523
00:23:58,520 --> 00:24:00,960
Speaker 3: he's like when you talk basket Jordan, I'm like this,

524
00:24:01,119 --> 00:24:01,960
Speaker 3: no one better than Jordan.

525
00:24:02,080 --> 00:24:02,280
Speaker 1: Yah.

526
00:24:02,359 --> 00:24:05,240
Speaker 3: We didn't see it, I said, But there's other great players.

527
00:24:05,760 --> 00:24:08,000
Speaker 3: You get fool to say Lebron ain't not great and

528
00:24:08,440 --> 00:24:11,480
Speaker 3: like one of one as well. Yes he's won two,

529
00:24:11,800 --> 00:24:15,240
Speaker 3: Like you know, Kobe has to take a back seat.

530
00:24:15,520 --> 00:24:17,680
Speaker 1: That's right. He and he understood it.

531
00:24:18,040 --> 00:24:22,280
Speaker 2: And Kobe is an God bless Kobe family, God bless him,

532
00:24:22,320 --> 00:24:26,200
Speaker 2: Kobe monster man. Like listen, I'm a New Yorker. I

533
00:24:26,280 --> 00:24:29,760
Speaker 2: didn't like the Lakers. He used to kill every team.

534
00:24:29,760 --> 00:24:33,960
Speaker 1: I brought him. The Rutkoki played Ruki. You can never

535
00:24:34,200 --> 00:24:35,480
Speaker 1: can never doubt that that.

536
00:24:35,680 --> 00:24:38,240
Speaker 3: That That's what made me respect. When I seen Kobe

537
00:24:38,400 --> 00:24:41,639
Speaker 3: in Harlem, oh ship, and I'm telling you he was

538
00:24:41,800 --> 00:24:44,280
Speaker 3: and he did. He gave you street ball.

539
00:24:44,440 --> 00:24:46,440
Speaker 2: Yeah, but I was a basketball fan, so I was

540
00:24:46,520 --> 00:24:47,879
Speaker 2: hating from a basketball fan.

541
00:24:48,000 --> 00:24:51,440
Speaker 1: Hold on, and he did it after he had five rings. Yeah,

542
00:24:51,480 --> 00:24:56,360
Speaker 1: this ain't like rookie five ring. Now this is five rings. Kobe, man, that's.

543
00:24:58,000 --> 00:25:02,879
Speaker 2: God bless one of the greatest players I ever witnessed playing.

544
00:25:03,040 --> 00:25:05,760
Speaker 2: Got to shake his hand and watch them bust all

545
00:25:05,880 --> 00:25:10,399
Speaker 2: my favorite players ass and was heartbreaking. One of my

546
00:25:10,600 --> 00:25:13,080
Speaker 2: regrets in life is I didn't you know, I never

547
00:25:13,160 --> 00:25:14,960
Speaker 2: took pictures all the time.

548
00:25:16,640 --> 00:25:19,199
Speaker 1: That wasn't it. Yeah, we wasn't. We didn't grow up

549
00:25:19,280 --> 00:25:19,520
Speaker 1: with that.

550
00:25:19,800 --> 00:25:23,040
Speaker 3: I know picture as much as I was around him

551
00:25:23,359 --> 00:25:26,879
Speaker 3: and with him and in La. You know when he scored,

552
00:25:26,920 --> 00:25:30,119
Speaker 3: when he would drop what are you dropping? In New Garden?

553
00:25:30,280 --> 00:25:33,840
Speaker 3: He gros sixty sixty sixty four six Washington is a

554
00:25:33,920 --> 00:25:35,840
Speaker 3: video you're gonna see. The first person he run to

555
00:25:35,960 --> 00:25:38,120
Speaker 3: is me. He didn't talk to you the whole fucking game.

556
00:25:38,240 --> 00:25:39,840
Speaker 3: I'm right there on the floor, I'm sitting next to

557
00:25:39,920 --> 00:25:44,760
Speaker 3: James Thing and I'm calling him at halftime and everything

558
00:25:44,920 --> 00:25:45,479
Speaker 3: in the beginning.

559
00:25:45,680 --> 00:25:47,960
Speaker 1: He wouldn't even look at me. As soon as it's over,

560
00:25:48,080 --> 00:25:48,600
Speaker 1: he read.

561
00:25:48,480 --> 00:25:48,960
Speaker 3: I did it.

562
00:25:49,640 --> 00:25:50,720
Speaker 1: He was that focused.

563
00:25:51,040 --> 00:25:53,160
Speaker 2: He used to bust ass in the guarden every time

564
00:25:53,240 --> 00:25:55,800
Speaker 2: he came. He drove fifty I'm just saying, you know,

565
00:25:56,000 --> 00:25:57,800
Speaker 2: he's I never took pictures with that man.

566
00:25:58,400 --> 00:26:00,800
Speaker 3: I got pictures that I took for him and others,

567
00:26:01,359 --> 00:26:04,200
Speaker 3: and nothing with me because I wasn't thinking it wasn't

568
00:26:04,240 --> 00:26:05,080
Speaker 3: gonna be here like that.

569
00:26:05,400 --> 00:26:06,760
Speaker 1: We never thinking like that, I know.

570
00:26:06,920 --> 00:26:09,639
Speaker 3: But that's something for people to understand out there, to understand,

571
00:26:09,720 --> 00:26:10,720
Speaker 3: to make sure they get.

572
00:26:10,760 --> 00:26:13,560
Speaker 2: And a lot of the respect I feel like they

573
00:26:13,640 --> 00:26:18,600
Speaker 2: need to appreciate. Life is short, man. You don't know, really,

574
00:26:18,720 --> 00:26:21,200
Speaker 2: you really don't know. I just lost my brother fifty four.

575
00:26:21,280 --> 00:26:23,080
Speaker 2: How do you figure that out? You know what I'm saying,

576
00:26:23,160 --> 00:26:26,760
Speaker 2: And that that was way unexpected, bro, Like you know,

577
00:26:26,880 --> 00:26:28,919
Speaker 2: I'm just then the biggest deal of his career.

578
00:26:29,080 --> 00:26:30,960
Speaker 3: Like we got so many things we was plotting on

579
00:26:31,080 --> 00:26:34,239
Speaker 3: and planning on, and yeah, it's like I curse him

580
00:26:34,280 --> 00:26:34,600
Speaker 3: out now.

581
00:26:35,000 --> 00:26:36,639
Speaker 1: Like when I wake up, I'm like, nigga, you left

582
00:26:36,680 --> 00:26:39,040
Speaker 1: me here for this, for myself for the fuck nigga.

583
00:26:39,600 --> 00:26:41,359
Speaker 3: You know what I'm saying, like how you leave this

584
00:26:41,440 --> 00:26:44,720
Speaker 3: ship like that and that, and because I really believe

585
00:26:44,800 --> 00:26:46,600
Speaker 3: it could have been it could have been different.

586
00:26:46,680 --> 00:26:50,520
Speaker 2: But definitely man all this ship. Man like we we are,

587
00:26:51,720 --> 00:26:56,000
Speaker 2: I own demands, you feel me. I believe that like

588
00:26:56,200 --> 00:26:59,000
Speaker 2: what we what we do to our bodies. If we

589
00:26:59,080 --> 00:27:01,040
Speaker 2: don't take care of our self, we don't go get

590
00:27:01,080 --> 00:27:04,119
Speaker 2: the proper. It's like it's like a car. I feel like, right,

591
00:27:04,800 --> 00:27:07,280
Speaker 2: if you just drive around, drive around, never take your

592
00:27:07,359 --> 00:27:09,720
Speaker 2: car waiting for it to break that she's gonna cak

593
00:27:09,800 --> 00:27:10,800
Speaker 2: outs and break down.

594
00:27:10,880 --> 00:27:13,760
Speaker 1: And it's might be in the highway somewhere. So literally

595
00:27:13,760 --> 00:27:14,280
Speaker 1: the desert.

596
00:27:14,480 --> 00:27:16,840
Speaker 2: If you if you could take your car to get serviced,

597
00:27:16,920 --> 00:27:18,520
Speaker 2: you got to be able to take the body to

598
00:27:18,600 --> 00:27:19,560
Speaker 2: get sold to you.

599
00:27:19,640 --> 00:27:22,200
Speaker 1: You know what I'm saying. The mind too, like you

600
00:27:22,240 --> 00:27:24,720
Speaker 1: know everything else, I try to eat healthier.

601
00:27:24,880 --> 00:27:28,920
Speaker 3: I fast a lot, and yeah, you know fast and

602
00:27:29,400 --> 00:27:31,879
Speaker 3: the health factors that it comes with with the body,

603
00:27:31,920 --> 00:27:34,320
Speaker 3: and yes, we gotta as you get older, you know,

604
00:27:34,440 --> 00:27:37,760
Speaker 3: your body don't break down that food it always used

605
00:27:37,800 --> 00:27:40,440
Speaker 3: to eating late studios and you don't heal.

606
00:27:40,480 --> 00:27:42,680
Speaker 1: It's quick to come.

607
00:27:43,400 --> 00:27:46,040
Speaker 2: So it's like that that's the one thing that I say,

608
00:27:47,280 --> 00:27:51,159
Speaker 2: I always tell people getting no suck, getting no sucks,

609
00:27:51,240 --> 00:27:52,679
Speaker 2: but not getting no sucks.

610
00:27:52,880 --> 00:27:53,080
Speaker 1: Yeah.

611
00:27:53,480 --> 00:27:56,200
Speaker 3: So yeah, when niggas says, ah, you older, that's the gold.

612
00:27:56,280 --> 00:27:59,200
Speaker 1: That's right. That's right, that's what we have, that's what

613
00:27:59,320 --> 00:28:01,280
Speaker 1: we want to do. That's right, man. But don't want

614
00:28:01,280 --> 00:28:02,960
Speaker 1: to know what the other side of that is. And

615
00:28:03,080 --> 00:28:03,600
Speaker 1: I feel like.

616
00:28:03,880 --> 00:28:08,399
Speaker 2: These kids just got to take appreciate it. Just appreciate life, man,

617
00:28:08,440 --> 00:28:12,159
Speaker 2: because it's not it's not forever. We're only here for

618
00:28:12,240 --> 00:28:13,200
Speaker 2: a short period of time.

619
00:28:13,280 --> 00:28:14,239
Speaker 1: We got to live it. To them.

620
00:28:14,240 --> 00:28:16,680
Speaker 3: I'm gonna shout someone out that's doing something because when

621
00:28:16,720 --> 00:28:19,160
Speaker 3: you talk that young, the young people, there's a young

622
00:28:19,280 --> 00:28:22,600
Speaker 3: artist right now NBA young boy, Oh my god, and

623
00:28:22,760 --> 00:28:26,000
Speaker 3: congratulations for doing all the things you're doing on touring.

624
00:28:26,119 --> 00:28:28,920
Speaker 3: They never thought that type of rat would go out

625
00:28:29,400 --> 00:28:33,560
Speaker 3: and peacefully do tours. Keep make sure keep pushing it, man,

626
00:28:33,640 --> 00:28:36,400
Speaker 3: because again, I'm a fan. You know, I'm a fan

627
00:28:36,480 --> 00:28:39,280
Speaker 3: of Dirk. I know y'all have the but I'm a

628
00:28:39,360 --> 00:28:41,160
Speaker 3: fan of the music for both of them, that's right.

629
00:28:41,240 --> 00:28:43,360
Speaker 3: And I'm the end of the day, I'm a fan

630
00:28:43,440 --> 00:28:44,000
Speaker 3: of hip hop.

631
00:28:44,360 --> 00:28:46,880
Speaker 1: Hip hop. These kids pushing it forward.

632
00:28:46,720 --> 00:28:50,440
Speaker 3: And it's their turn, yes, man, it's their turn back

633
00:28:50,520 --> 00:28:54,160
Speaker 3: and watch them and change the gas gug like it's

634
00:28:54,240 --> 00:28:56,120
Speaker 3: to help them. Is to tell you what to look

635
00:28:56,160 --> 00:28:58,280
Speaker 3: out for, what to do like this is why it's

636
00:28:58,440 --> 00:29:01,280
Speaker 3: like that, and hopefully they heat all word. That's that's

637
00:29:01,360 --> 00:29:03,600
Speaker 3: all we could do is give a little bit of game.

638
00:29:03,720 --> 00:29:05,840
Speaker 3: It's a it's a lot of ignorance in the game though.

639
00:29:05,880 --> 00:29:08,320
Speaker 2: You got a few people out here who want to

640
00:29:08,360 --> 00:29:10,680
Speaker 2: push the violent narrative and all.

641
00:29:10,560 --> 00:29:11,080
Speaker 1: The other ship.

642
00:29:11,120 --> 00:29:12,440
Speaker 3: I don't see no one doing ship.

643
00:29:12,560 --> 00:29:17,480
Speaker 1: But it's like niggas just talking. You smack niggas. You

644
00:29:17,600 --> 00:29:21,600
Speaker 1: know they ain't doing nothing of who'd you touch? Show me?

645
00:29:21,680 --> 00:29:24,280
Speaker 3: You show me something? Someone said, Yeah he fucked me up.

646
00:29:25,000 --> 00:29:27,200
Speaker 1: Yo, it's not don't hear it. I don't see it. Yeah,

647
00:29:27,320 --> 00:29:30,120
Speaker 1: that didn't happen in hip hop no more. We don't

648
00:29:30,160 --> 00:29:32,680
Speaker 1: need it. We don't need but we don't need no violence.

649
00:29:32,760 --> 00:29:34,120
Speaker 1: Don't talk is to get money.

650
00:29:34,800 --> 00:29:36,640
Speaker 3: Said that to you said you couldn't talk if you

651
00:29:36,760 --> 00:29:38,880
Speaker 3: wasn't you know, if it wasn't you, you can't say it.

652
00:29:39,080 --> 00:29:42,480
Speaker 1: That's right. If it was one of his That's where

653
00:29:42,480 --> 00:29:42,840
Speaker 1: I'm from.

654
00:29:44,000 --> 00:29:47,000
Speaker 2: Everything you need to know about the words, he couldn't

655
00:29:47,000 --> 00:29:49,680
Speaker 2: say it that's that's where I'm his words. Bro, he

656
00:29:49,840 --> 00:29:52,880
Speaker 2: gave you the game, just listen hundred percent. But then yo,

657
00:29:53,200 --> 00:29:59,600
Speaker 2: y'all gave us job rule. Y'all gave us a shanty then,

658
00:29:59,720 --> 00:30:05,160
Speaker 2: y'all rebirth job j Low like Bro, y'all, y'all push.

659
00:30:05,040 --> 00:30:11,200
Speaker 1: The envelope to y'all. Rebirth, rebirth fat Joe. Joe, y'all

660
00:30:11,240 --> 00:30:12,800
Speaker 1: gave him one two words.

661
00:30:12,920 --> 00:30:15,160
Speaker 3: He'll admit it. He says it all the time. But

662
00:30:15,440 --> 00:30:18,520
Speaker 3: I feel like a lot of change his whole trajectory.

663
00:30:18,560 --> 00:30:20,560
Speaker 3: Shout out Joe and Jada, man ya they doing is

664
00:30:20,640 --> 00:30:23,360
Speaker 3: amazing over there. Y'all changed the trajectory I feel like

665
00:30:23,440 --> 00:30:25,920
Speaker 3: of music and murder. Inc don't get the credit of

666
00:30:26,000 --> 00:30:31,040
Speaker 3: that because before y'all, it wasn't like Ye Puff did

667
00:30:31,160 --> 00:30:33,800
Speaker 3: the you know, the R and B.

668
00:30:33,960 --> 00:30:38,640
Speaker 2: And rapped together, but it wasn't done. It's one like

669
00:30:38,760 --> 00:30:41,960
Speaker 2: it was total featuring big or feature in mas feature

670
00:30:42,080 --> 00:30:42,920
Speaker 2: in one twelve.

671
00:30:43,240 --> 00:30:46,200
Speaker 3: You know, they never they never gave John his credit

672
00:30:46,440 --> 00:30:49,760
Speaker 3: to pioneering a game that every First of all, I

673
00:30:49,800 --> 00:30:51,600
Speaker 3: don't even I don't even think all this good deals.

674
00:30:51,640 --> 00:30:54,920
Speaker 1: Now if you don't rap and sing, think about that.

675
00:30:55,440 --> 00:30:57,920
Speaker 2: You gotta have some of that melodic, flowing straight up

676
00:30:58,200 --> 00:31:00,360
Speaker 2: like and I remember when he first was when in

677
00:31:00,480 --> 00:31:04,120
Speaker 2: y'all pioneer like coming out with that, and niggas used

678
00:31:04,120 --> 00:31:04,280
Speaker 2: to be.

679
00:31:04,320 --> 00:31:06,680
Speaker 3: Looking like, say something because I'm gonna give you the

680
00:31:07,160 --> 00:31:11,200
Speaker 3: IRV gotty, I'm gonna speak like that. He's with me.

681
00:31:12,200 --> 00:31:14,360
Speaker 3: That part what you just said, you don't hear it

682
00:31:14,480 --> 00:31:17,920
Speaker 3: no more is the opportunity for the exact polar opposite

683
00:31:18,480 --> 00:31:21,800
Speaker 3: because that means they want that. There's a whole group

684
00:31:21,880 --> 00:31:23,800
Speaker 3: of people that says, we heard all of that already.

685
00:31:24,680 --> 00:31:28,080
Speaker 3: You gotta be creative and fresh. You know that was

686
00:31:28,120 --> 00:31:34,560
Speaker 3: the DMX like Puffy was killing it, killing it, but

687
00:31:34,720 --> 00:31:37,760
Speaker 3: we can't outshine Puffy. He's a shiny nigga, that's right,

688
00:31:38,200 --> 00:31:42,240
Speaker 3: shout out ho your head boy, but you can't outshine him.

689
00:31:42,720 --> 00:31:44,720
Speaker 1: It was like I got X.

690
00:31:46,200 --> 00:31:49,680
Speaker 3: Do that. That's right, And that's the polar opposite effect.

691
00:31:49,760 --> 00:31:52,120
Speaker 3: So you gotta realize that is still true to this

692
00:31:52,360 --> 00:31:56,880
Speaker 3: day in business and everything. When you see something saturated,

693
00:31:57,000 --> 00:32:00,560
Speaker 3: which one way the flip the polar eye city is

694
00:32:00,720 --> 00:32:05,840
Speaker 3: a huge open potential if you know how to finesse it.

695
00:32:06,280 --> 00:32:09,000
Speaker 1: Yes, and then y'all did it with Ashanti Bro, Like

696
00:32:09,360 --> 00:32:11,440
Speaker 1: think about it. You didn't really hear that many.

697
00:32:11,920 --> 00:32:15,280
Speaker 2: And it was remixes to R and B records where

698
00:32:15,360 --> 00:32:16,920
Speaker 2: DJs would throw the rap you know.

699
00:32:17,440 --> 00:32:20,200
Speaker 3: Okay, so that's Earth DJ Earth. See if you go

700
00:32:20,360 --> 00:32:24,440
Speaker 3: back to Earth, you go back to DJ Earth. There

701
00:32:24,520 --> 00:32:28,080
Speaker 3: used to be lines around the block waiting for his mixtape.

702
00:32:28,400 --> 00:32:33,600
Speaker 3: That's crazy, nobullshit, every drug dealer all in Queens. Everyone

703
00:32:33,720 --> 00:32:37,360
Speaker 3: was coming to get DJ Erth Volume one, dj Erth Volume.

704
00:32:37,080 --> 00:32:40,000
Speaker 1: Two, and I told her never sell it. You know

705
00:32:40,720 --> 00:32:41,840
Speaker 1: that niggas greedy, and.

706
00:32:43,440 --> 00:32:45,920
Speaker 3: I said, never sell those tapes. Let's keep the mask.

707
00:32:46,080 --> 00:32:46,280
Speaker 2: Yeah.

708
00:32:46,840 --> 00:32:49,880
Speaker 3: I might have one tape left out of like one

709
00:32:50,000 --> 00:32:52,360
Speaker 3: hundred and some Djrth Volume one hundred and.

710
00:32:52,680 --> 00:32:54,480
Speaker 1: Twenty or something, and that's crazy.

711
00:32:54,520 --> 00:32:57,320
Speaker 2: Anybody got some DJ Earth tapes, man, bring them to

712
00:32:57,400 --> 00:32:59,360
Speaker 2: the table on the air m please.

713
00:32:59,400 --> 00:33:02,560
Speaker 3: But he was what he did in those tapes. He

714
00:33:02,720 --> 00:33:07,840
Speaker 3: was blending again hip hop beats with R and B acapellas.

715
00:33:07,920 --> 00:33:09,680
Speaker 3: That's why I said, that's the only way you heard

716
00:33:09,760 --> 00:33:11,960
Speaker 3: him on the ron G tapes, you know what I.

717
00:33:12,000 --> 00:33:12,360
Speaker 1: Mean, the.

718
00:33:14,320 --> 00:33:17,680
Speaker 3: Pioneers, and he brought it to real music and he

719
00:33:17,800 --> 00:33:19,800
Speaker 3: was a battle DJ. So I would take him battle.

720
00:33:19,800 --> 00:33:21,920
Speaker 3: And that's how we actually got blessed Carl Clark Kent.

721
00:33:22,040 --> 00:33:26,520
Speaker 1: That's how we met up. Clark Clark Union Square. Earth

722
00:33:26,600 --> 00:33:29,880
Speaker 1: went up there to battle. Brooklyn's in the house had effect.

723
00:33:30,320 --> 00:33:32,320
Speaker 3: I thought we was gonna go crazy, and then we

724
00:33:32,400 --> 00:33:34,200
Speaker 3: got into a little bit of stuff for nothing.

725
00:33:34,280 --> 00:33:37,160
Speaker 1: Crazy, but you know this is real.

726
00:33:37,240 --> 00:33:39,280
Speaker 3: I still got the flyers because we had our queens,

727
00:33:39,400 --> 00:33:44,280
Speaker 3: Rapper Romeo and Golf, Other Noise, Roselle Deep he was

728
00:33:44,320 --> 00:33:47,720
Speaker 3: part of Earth's cruise, Romeo, Rosselle and Earth and we

729
00:33:47,840 --> 00:33:51,080
Speaker 3: went and battle and they all won and we it's

730
00:33:51,200 --> 00:33:53,000
Speaker 3: just a few of the queens and then Brooklyn. It

731
00:33:53,120 --> 00:33:55,160
Speaker 3: was a Brooklyn house and you Square, come on, you

732
00:33:55,240 --> 00:33:58,640
Speaker 3: know what's right, yo ship y'all brought DJ Clark Kent

733
00:33:58,840 --> 00:34:01,080
Speaker 3: is why I will tell you we probably didn't get

734
00:34:01,120 --> 00:34:01,800
Speaker 3: into more.

735
00:34:02,800 --> 00:34:06,120
Speaker 1: He respected her that day because Earth beat him Earth away.

736
00:34:06,400 --> 00:34:08,759
Speaker 1: Yeah it's a fact. This is a fact.

737
00:34:08,880 --> 00:34:12,440
Speaker 3: And he respected them and basically kept the wolves quiet.

738
00:34:13,320 --> 00:34:15,560
Speaker 3: You know, we ready, but we out numbered out. It

739
00:34:15,680 --> 00:34:20,400
Speaker 3: was in the difference we out man like fucking Ikonnelly

740
00:34:20,560 --> 00:34:24,240
Speaker 3: came through with y'all too, Yeah through, Like look.

741
00:34:24,160 --> 00:34:27,719
Speaker 2: At Nelly, I wanted that records man. Now got the

742
00:34:27,880 --> 00:34:30,480
Speaker 2: biggest strip club fucking insane.

743
00:34:33,080 --> 00:34:33,640
Speaker 1: What it takes.

744
00:34:33,840 --> 00:34:36,680
Speaker 3: Yes, it's creativity though, That's what you gotta understand. I

745
00:34:36,800 --> 00:34:38,920
Speaker 3: learned so much ship from just being a fly on

746
00:34:39,000 --> 00:34:43,480
Speaker 3: the wall, watching, listening some of the conversations that I heard.

747
00:34:43,680 --> 00:34:46,040
Speaker 3: You know, I was right there sitting in the background

748
00:34:46,080 --> 00:34:48,359
Speaker 3: right behind Earth. He's doing his talking, But the people

749
00:34:48,400 --> 00:34:51,000
Speaker 3: he's talking to from Leo, even with Jay J used

750
00:34:51,000 --> 00:34:52,879
Speaker 3: to be waiting in my office to talk to them.

751
00:34:53,880 --> 00:34:57,600
Speaker 3: You know what I'm saying, Just to like different moves

752
00:34:57,600 --> 00:35:00,000
Speaker 3: he's gonna make from a musical standpoints sort of respect.

753
00:35:00,239 --> 00:35:02,759
Speaker 3: You know, he's always did and respected his ear and

754
00:35:02,880 --> 00:35:07,120
Speaker 3: his vision. That's right and boom, got it gone.

755
00:35:07,239 --> 00:35:07,839
Speaker 1: You know what I'm saying.

756
00:35:08,480 --> 00:35:11,880
Speaker 2: Fucking leading to that. Man, you being the observer and

757
00:35:12,160 --> 00:35:14,840
Speaker 2: listening and watching that leads to you.

758
00:35:14,920 --> 00:35:17,040
Speaker 1: Doing the movies. Man, tell me about that. You said

759
00:35:17,040 --> 00:35:19,480
Speaker 1: you got a movie out now called Balling, Right. Yes,

760
00:35:19,680 --> 00:35:23,239
Speaker 1: Lane Stevenson is my lead Lance, the homie he got

761
00:35:23,360 --> 00:35:24,760
Speaker 1: versus and he got balled.

762
00:35:24,800 --> 00:35:27,239
Speaker 3: I do the whole soundtrack for the movie with no

763
00:35:27,360 --> 00:35:30,879
Speaker 3: way shout out Ricky oh yo.

764
00:35:31,000 --> 00:35:33,799
Speaker 1: Let's say she y'all got a joint. That joint.

765
00:35:33,840 --> 00:35:36,920
Speaker 3: I think Earth produced the first joint yeah, that's on

766
00:35:37,080 --> 00:35:39,719
Speaker 3: one of my playlists. Bro, come on, man, listen you

767
00:35:39,840 --> 00:35:40,479
Speaker 3: heard that, Ricky.

768
00:35:40,600 --> 00:35:42,600
Speaker 1: I'm telling you, we gotta get up there. That's a fact.

769
00:35:42,719 --> 00:35:45,680
Speaker 1: Like we I remember I just after this. I just

770
00:35:45,880 --> 00:35:48,680
Speaker 1: was away with Joe for his birthday. I'm playing.

771
00:35:48,719 --> 00:35:50,400
Speaker 2: He like, yo, play one of your playlists. I'm in

772
00:35:50,520 --> 00:35:52,520
Speaker 2: Rocket and the ship came on. He's like, let me

773
00:35:52,640 --> 00:35:55,080
Speaker 2: find out. I'm like, you know, I fucked with the

774
00:35:55,200 --> 00:35:57,000
Speaker 2: fans if it's dope.

775
00:35:57,480 --> 00:36:01,360
Speaker 3: Ricky is a talent. Yeah, but you know that's a

776
00:36:01,400 --> 00:36:04,560
Speaker 3: whole nother conversation. She does her crochete. She just got

777
00:36:04,719 --> 00:36:06,719
Speaker 3: like stuff to bad Bunny like.

778
00:36:06,800 --> 00:36:09,040
Speaker 1: Man, that's dope. Man got blest.

779
00:36:09,440 --> 00:36:15,279
Speaker 3: Shout out Shaboozi reposted everything again. She's super talented. I

780
00:36:15,320 --> 00:36:16,759
Speaker 3: gotta look at you, laced, I get you.

781
00:36:16,840 --> 00:36:19,400
Speaker 1: Some shit man. Yeah for sure, let's do it.

782
00:36:19,840 --> 00:36:22,800
Speaker 3: But you know we go in that zone man, and

783
00:36:24,080 --> 00:36:27,560
Speaker 3: everything just flowed from the movie. My partner Rich Black

784
00:36:27,680 --> 00:36:30,920
Speaker 3: and Andy and try to shout both for them. Rich

785
00:36:31,000 --> 00:36:33,160
Speaker 3: wrote the movie. He was asking me to do it

786
00:36:33,280 --> 00:36:35,960
Speaker 3: for years, over year and a half, almost two years.

787
00:36:36,280 --> 00:36:38,319
Speaker 3: She's like, yo, I got this movie, and I was like, yeah,

788
00:36:38,320 --> 00:36:39,120
Speaker 3: I'm not ready yet.

789
00:36:39,200 --> 00:36:41,200
Speaker 1: You know, I get to you, and then one day

790
00:36:41,239 --> 00:36:42,680
Speaker 1: I just reached out. I was like, Yo, what's up.

791
00:36:42,760 --> 00:36:43,800
Speaker 1: Let me see this movie. Let's go.

792
00:36:44,760 --> 00:36:47,960
Speaker 3: I think I got everything set up, dope man, and

793
00:36:48,120 --> 00:36:49,960
Speaker 3: he was like, let's shoot it. So we went out

794
00:36:50,160 --> 00:36:52,920
Speaker 3: shot in Miami seventeen days. Shouted it would have been

795
00:36:52,960 --> 00:36:55,720
Speaker 3: even faster. Shout out ever my director first time.

796
00:36:55,960 --> 00:36:58,799
Speaker 1: You know ever? Seventeen days. Damn, that's quick.

797
00:36:59,080 --> 00:37:01,080
Speaker 3: Yeah, it could be. I'm telling you. The only way

798
00:37:01,080 --> 00:37:02,920
Speaker 3: to do these types of films is fast.

799
00:37:03,000 --> 00:37:06,239
Speaker 1: You gotta turn them over. Yeah, and right now I'm

800
00:37:06,280 --> 00:37:07,320
Speaker 1: dealing with distribution.

801
00:37:07,480 --> 00:37:11,240
Speaker 3: I'm working on distribution because without the proper distribution channels,

802
00:37:11,239 --> 00:37:12,640
Speaker 3: it's very hard to get your money.

803
00:37:12,719 --> 00:37:14,960
Speaker 1: See two B. I know people that made means off too.

804
00:37:15,200 --> 00:37:18,320
Speaker 3: Yes, that was early to be. Once Fox are quieted,

805
00:37:18,560 --> 00:37:21,880
Speaker 3: the game changed. It's still the best place for black content.

806
00:37:22,040 --> 00:37:23,439
Speaker 1: That's right for any up and coming.

807
00:37:23,480 --> 00:37:25,000
Speaker 3: They got over one hundred and ten million on that

808
00:37:25,320 --> 00:37:29,120
Speaker 3: fucking channel that watched black film. But the reality is

809
00:37:29,160 --> 00:37:32,600
Speaker 3: they're not giving the deals out to come say, and

810
00:37:32,680 --> 00:37:34,200
Speaker 3: their CPM is super low.

811
00:37:34,560 --> 00:37:38,320
Speaker 2: Yeah, but if you got the product, that's worth it,

812
00:37:38,480 --> 00:37:40,640
Speaker 2: because you can't just give it's too many.

813
00:37:41,680 --> 00:37:43,200
Speaker 1: We was not going for five weeks.

814
00:37:43,640 --> 00:37:48,640
Speaker 2: I feel like in all perspectives of entertainment is oversaturated.

815
00:37:49,200 --> 00:37:53,719
Speaker 1: So how do you weed out who's real again you

816
00:37:53,800 --> 00:37:54,720
Speaker 1: speaking my language?

817
00:37:54,719 --> 00:37:58,120
Speaker 2: Who's faking it? Because you can't just give everybody the

818
00:37:58,239 --> 00:38:03,640
Speaker 2: money and hope. And so that's why these when when.

819
00:38:03,520 --> 00:38:06,399
Speaker 3: You talk of music, it's called the music business. Yes,

820
00:38:06,760 --> 00:38:09,400
Speaker 3: music is half businesses have you gotta make it, marry

821
00:38:09,440 --> 00:38:11,400
Speaker 3: each other, and then that's when you have such.

822
00:38:11,280 --> 00:38:13,200
Speaker 2: I feel like because even in this space right like

823
00:38:13,280 --> 00:38:15,239
Speaker 2: people look at it like, yo, you get the deal,

824
00:38:15,760 --> 00:38:18,160
Speaker 2: nor reding them you did the deal? I heard you

825
00:38:18,280 --> 00:38:21,960
Speaker 2: got doe to yo, y'all cashing out, and it's like, yo, bro, No,

826
00:38:22,120 --> 00:38:24,360
Speaker 2: you got to put in the work. The numbers have

827
00:38:24,560 --> 00:38:28,840
Speaker 2: to speak, you need you need a track record to

828
00:38:29,000 --> 00:38:32,120
Speaker 2: go sell so people can buy into. They're not just

829
00:38:32,239 --> 00:38:35,360
Speaker 2: gonna buy into because you you opened up the stores,

830
00:38:35,440 --> 00:38:36,279
Speaker 2: Like yo, what if you.

831
00:38:36,320 --> 00:38:37,239
Speaker 1: Fall off next week?

832
00:38:37,280 --> 00:38:41,040
Speaker 3: Probably in a lot of similar type of conversations because

833
00:38:41,080 --> 00:38:43,560
Speaker 3: they think because your history, you just.

834
00:38:44,719 --> 00:38:47,920
Speaker 1: Yep, you're good. No, it's like, yo, it's still a process.

835
00:38:48,040 --> 00:38:49,759
Speaker 1: We're still working. We gotta earn it.

836
00:38:49,920 --> 00:38:52,920
Speaker 3: Yes, like every day is here you just say this

837
00:38:52,960 --> 00:38:55,680
Speaker 3: is what your third podcast today. You know what I'm saying,

838
00:38:56,120 --> 00:38:58,839
Speaker 3: You're working, bro. At the end of the day, the work.

839
00:38:58,920 --> 00:39:02,160
Speaker 3: You cannot short the work man, and the process is

840
00:39:02,239 --> 00:39:04,359
Speaker 3: you can't cheat the process. I said, if you want

841
00:39:04,440 --> 00:39:06,920
Speaker 3: money overnight, the only thing I know is a lot

842
00:39:06,960 --> 00:39:08,759
Speaker 3: on nigga good that's right, good luck.

843
00:39:09,080 --> 00:39:10,719
Speaker 1: I don't know how to hit lot on them good

844
00:39:10,800 --> 00:39:13,800
Speaker 1: luck word up. Neither do I. So I'm gonna go

845
00:39:13,960 --> 00:39:14,759
Speaker 1: put in my work.

846
00:39:15,120 --> 00:39:18,640
Speaker 3: And consistency is part of what you have to be

847
00:39:18,800 --> 00:39:22,040
Speaker 3: because of the saturation, that's right. So I tell all

848
00:39:22,120 --> 00:39:24,359
Speaker 3: my independent artists, you know I have. I got tens

849
00:39:24,400 --> 00:39:27,920
Speaker 3: of thousand of independent artists on my platform, Adventure Music.

850
00:39:28,239 --> 00:39:30,719
Speaker 3: But I tell you we're going to talk about the

851
00:39:30,760 --> 00:39:33,000
Speaker 3: shot out Adventures. I'm building some new ship for it.

852
00:39:33,400 --> 00:39:35,120
Speaker 3: I really don't want to expose it, but I'm just

853
00:39:35,200 --> 00:39:39,279
Speaker 3: letting you know it's coming. But the consistency, I look

854
00:39:39,360 --> 00:39:42,760
Speaker 3: at music, let's use me and you could use this podcast.

855
00:39:43,400 --> 00:39:47,640
Speaker 3: Podcast is like one of the most emerging booming industries. Yes,

856
00:39:48,520 --> 00:39:51,880
Speaker 3: once it started and everybody jumped in and everyone's doing it,

857
00:39:52,160 --> 00:39:56,000
Speaker 3: and everyone's trying to get their podcasts and they streaming

858
00:39:56,080 --> 00:39:57,120
Speaker 3: numbers and everything.

859
00:39:57,560 --> 00:39:58,080
Speaker 1: All good.

860
00:39:58,840 --> 00:40:01,719
Speaker 3: We accept all COMPETI issue all the smoke, that's right,

861
00:40:01,880 --> 00:40:06,120
Speaker 3: all the smoke you heard me stacks.

862
00:40:08,160 --> 00:40:08,399
Speaker 1: Shut.

863
00:40:13,640 --> 00:40:18,640
Speaker 3: Consistency is the difference you factor in my opinion, because.

864
00:40:19,800 --> 00:40:20,840
Speaker 1: If you don't feed.

865
00:40:20,719 --> 00:40:23,720
Speaker 3: Them, let's let's let's let's use I like to always

866
00:40:23,880 --> 00:40:28,120
Speaker 3: like dumb everything down so anyone understands, simplify, let's use

867
00:40:28,400 --> 00:40:32,000
Speaker 3: this podcast show as food. You're feeding people with information

868
00:40:32,719 --> 00:40:35,200
Speaker 3: from me and yourself and whoever your guests are. And

869
00:40:35,320 --> 00:40:38,160
Speaker 3: that's why they're gonna tune in. It's entertaining, that's fool.

870
00:40:39,160 --> 00:40:41,560
Speaker 3: If you don't feed them, they're gonna go eat somewhere else.

871
00:40:41,960 --> 00:40:45,080
Speaker 1: That's simple. Just they're gonna find the next best item

872
00:40:45,120 --> 00:40:45,400
Speaker 1: on the man.

873
00:40:45,520 --> 00:40:48,280
Speaker 3: And I said, the only ones they get a chance

874
00:40:48,400 --> 00:40:52,279
Speaker 3: to basically fast you right, make you fast for that

875
00:40:52,400 --> 00:40:56,520
Speaker 3: content is the ones that's already at the time, not

876
00:40:56,680 --> 00:40:59,719
Speaker 3: the new up and coming guy. Look at the guy

877
00:40:59,760 --> 00:41:01,759
Speaker 3: that was at the top, and look at their track record,

878
00:41:01,800 --> 00:41:03,759
Speaker 3: and you're gonna see how much work they put in

879
00:41:04,360 --> 00:41:09,080
Speaker 3: to get there. And don't don't discount that. Understand that

880
00:41:09,160 --> 00:41:11,600
Speaker 3: there's no cheat code, there's no you can't treat the game.

881
00:41:11,640 --> 00:41:14,040
Speaker 3: You can only play the game. You can never treat

882
00:41:14,080 --> 00:41:16,880
Speaker 3: the game. You can only play the game. Never had

883
00:41:16,880 --> 00:41:18,960
Speaker 3: a problem with rolling my sleeves up and getting the

884
00:41:19,000 --> 00:41:21,600
Speaker 3: work that bro it don't matter what and.

885
00:41:21,760 --> 00:41:24,000
Speaker 2: Me, I'm the type of person I never had a

886
00:41:24,080 --> 00:41:29,560
Speaker 2: problem with even if the W ain't looking promising for me,

887
00:41:30,040 --> 00:41:32,759
Speaker 2: but it's looking promising for you. We're gonna push you

888
00:41:33,040 --> 00:41:35,640
Speaker 2: to get you the W because when you win, gonna

889
00:41:35,640 --> 00:41:38,239
Speaker 2: make it easier for me to win, because now I

890
00:41:38,280 --> 00:41:41,160
Speaker 2: can pick off to us fighting.

891
00:41:41,640 --> 00:41:46,759
Speaker 3: We all, we got all, we got, we all, we

892
00:41:46,960 --> 00:41:51,640
Speaker 3: got God every time, you know we we mentioned. I

893
00:41:51,760 --> 00:41:53,560
Speaker 3: just shot a movie. We was talking the movies.

894
00:41:53,600 --> 00:41:53,920
Speaker 1: You're back.

895
00:41:53,920 --> 00:41:55,400
Speaker 3: I'm gonna just go back to that for a second,

896
00:41:55,400 --> 00:41:59,400
Speaker 3: because we just shot a Spanish fly movie. I'm not Latino.

897
00:42:00,239 --> 00:42:03,279
Speaker 3: My mother's black. My father was Trinidad in Filipino. That's

898
00:42:03,360 --> 00:42:04,600
Speaker 3: my lineage.

899
00:42:04,800 --> 00:42:05,200
Speaker 1: That's right.

900
00:42:05,560 --> 00:42:07,760
Speaker 3: At the end of the day, I got a partner.

901
00:42:07,840 --> 00:42:10,439
Speaker 3: Don de Niro and Oscar you know what I'm saying,

902
00:42:10,600 --> 00:42:14,360
Speaker 3: both gia times and they're very influenced you in the

903
00:42:14,440 --> 00:42:18,040
Speaker 3: Latino community. Don was a big artist at one point,

904
00:42:18,280 --> 00:42:21,080
Speaker 3: independent artists. First, he was the first rapper in really

905
00:42:21,280 --> 00:42:26,279
Speaker 3: in Spanish music back then. Desert calls him, des calls

906
00:42:26,360 --> 00:42:30,200
Speaker 3: him was calling him the Latin jay Z. Go ahead

907
00:42:30,680 --> 00:42:32,360
Speaker 3: and check it out. You add, I'm telling you no

908
00:42:32,440 --> 00:42:35,879
Speaker 3: bullshit and one knows him everyone, But that was back then.

909
00:42:36,040 --> 00:42:40,319
Speaker 3: Then he evolved and everything. But then my Latin divisions

910
00:42:41,320 --> 00:42:43,920
Speaker 3: because the growth of the Latin communities, we.

911
00:42:44,000 --> 00:42:46,400
Speaker 1: Can't say, go get them.

912
00:42:46,520 --> 00:42:48,200
Speaker 3: Go get a globe and look at all the Latin

913
00:42:48,280 --> 00:42:52,200
Speaker 3: American countries and then you start understanding why the growth

914
00:42:52,360 --> 00:42:55,200
Speaker 3: is like that, and then you put into the fact

915
00:42:55,239 --> 00:42:58,400
Speaker 3: that they're not being serviced. So I was when I

916
00:42:58,480 --> 00:43:01,360
Speaker 3: started adventures. I started a division ten years ago. This

917
00:43:01,440 --> 00:43:03,880
Speaker 3: is way before any of this started. I was in

918
00:43:03,960 --> 00:43:06,879
Speaker 3: front of this movement. So and I have it now

919
00:43:06,920 --> 00:43:09,520
Speaker 3: in film. So we did a movie called Spanish Flys

920
00:43:09,600 --> 00:43:18,399
Speaker 3: called It's all Latino like actors, comedians, big names. Yeah right,

921
00:43:19,560 --> 00:43:21,960
Speaker 3: and they all did it for nothing. See that's what

922
00:43:22,239 --> 00:43:24,200
Speaker 3: because they know they all they got.

923
00:43:24,719 --> 00:43:24,960
Speaker 1: That's what.

924
00:43:25,120 --> 00:43:27,840
Speaker 3: The whole reason I'm talking about that is because I

925
00:43:28,000 --> 00:43:32,000
Speaker 3: watched the Latin community come in all the best directing people,

926
00:43:32,120 --> 00:43:36,640
Speaker 3: that's the production people telling Denio whatever you want, I'm here.

927
00:43:36,680 --> 00:43:41,279
Speaker 1: That's right. I want to be part of this. If

928
00:43:41,360 --> 00:43:44,360
Speaker 1: it wasn't about money, everybody, but it wasn't about money.

929
00:43:44,480 --> 00:43:44,879
Speaker 1: That's about.

930
00:43:44,920 --> 00:43:47,120
Speaker 3: They just wanted to help and be part of it.

931
00:43:47,200 --> 00:43:50,240
Speaker 3: And that's what we have to get as a community's people.

932
00:43:50,120 --> 00:43:52,600
Speaker 1: Right because if he win, we all win. Yes, it's

933
00:43:52,680 --> 00:43:55,800
Speaker 1: the village. Oh man, we all win. That's it. But

934
00:43:56,000 --> 00:43:57,439
Speaker 1: you know that's another dope movie.

935
00:43:57,480 --> 00:44:01,440
Speaker 3: We just finished and we shot that eight days eight days.

936
00:44:01,800 --> 00:44:04,080
Speaker 1: Man, I gotta come. I gotta pop out on one

937
00:44:04,120 --> 00:44:04,319
Speaker 1: of these.

938
00:44:04,560 --> 00:44:09,360
Speaker 3: Yeah, you know we're gonna gonna get last acting. I

939
00:44:09,840 --> 00:44:11,040
Speaker 3: get my skills shop and.

940
00:44:11,160 --> 00:44:11,880
Speaker 1: It's no problem.

941
00:44:11,960 --> 00:44:13,600
Speaker 3: I show you how to do it, like I really

942
00:44:13,680 --> 00:44:18,600
Speaker 3: have a system that I developed for like influencers. You're

943
00:44:18,640 --> 00:44:23,520
Speaker 3: an influencer. I'm not just taking John Dues nothing. Because

944
00:44:23,800 --> 00:44:26,040
Speaker 3: today I gotta get an audience to watch my film.

945
00:44:26,120 --> 00:44:28,920
Speaker 1: That's a fact. If you're in the film, you'll be here. Yo.

946
00:44:29,120 --> 00:44:30,759
Speaker 1: Make sure you watch my film. That's right.

947
00:44:30,960 --> 00:44:33,480
Speaker 3: What's needed if you're doing it independent.

948
00:44:33,120 --> 00:44:34,800
Speaker 2: Even if you just text me and tell me the

949
00:44:34,880 --> 00:44:37,239
Speaker 2: film is out, yo, listen, make sure y'all go check

950
00:44:37,320 --> 00:44:40,040
Speaker 2: out Balling where they can find it at to be.

951
00:44:40,280 --> 00:44:42,520
Speaker 3: Right now and a ton of other places.

952
00:44:42,560 --> 00:44:44,400
Speaker 1: Amazon, It's gonna be all over, that's right.

953
00:44:44,600 --> 00:44:47,359
Speaker 2: Spanish flyers right now on tub And I'm not even

954
00:44:47,480 --> 00:44:50,160
Speaker 2: in the movie. But this is my motherfucking brother. So

955
00:44:50,400 --> 00:44:53,080
Speaker 2: I'm gonna promote you. So if the movie I'm in,

956
00:44:53,800 --> 00:44:55,520
Speaker 2: I'm gonna tell you right now, you might get a

957
00:44:55,560 --> 00:44:57,440
Speaker 2: flyer on the windshield of your car.

958
00:44:58,120 --> 00:45:02,760
Speaker 1: So you see this fly back bleak in the movie. Baby,

959
00:45:02,880 --> 00:45:04,040
Speaker 1: Yeah no, but.

960
00:45:04,080 --> 00:45:06,240
Speaker 3: They I'm telling you, that's why I picked the cast

961
00:45:06,520 --> 00:45:09,319
Speaker 3: of How I Did It. You gotta have, you can't get.

962
00:45:09,719 --> 00:45:12,440
Speaker 3: I looked at movies in a different perspective again, and

963
00:45:12,520 --> 00:45:15,319
Speaker 3: I looked at like I love let's say, Morris Chess

964
00:45:15,400 --> 00:45:19,239
Speaker 3: now takes. These are incredible acts, blackhead of me. I

965
00:45:19,320 --> 00:45:22,800
Speaker 3: could never All Right, here's the question, how many people

966
00:45:23,080 --> 00:45:24,560
Speaker 3: if I had them in the movie, how much do

967
00:45:24,640 --> 00:45:27,479
Speaker 3: I have to pay them? And then how many people

968
00:45:27,600 --> 00:45:29,759
Speaker 3: they get to go watch it? See that all comes

969
00:45:29,800 --> 00:45:32,080
Speaker 3: with a tag. When they established like they are, they're

970
00:45:32,120 --> 00:45:32,799
Speaker 3: not knocking them.

971
00:45:32,840 --> 00:45:33,360
Speaker 1: It's just the.

972
00:45:33,440 --> 00:45:37,359
Speaker 3: Business they're in it now they almost priced themselves out. Yes,

973
00:45:37,719 --> 00:45:40,920
Speaker 3: you understand, they're really great actors.

974
00:45:41,200 --> 00:45:41,680
Speaker 1: Both of them.

975
00:45:42,040 --> 00:45:44,280
Speaker 3: I fuck with both of them hard, you know, posts

976
00:45:44,480 --> 00:45:47,520
Speaker 3: But at the end of the day, they're both great actors.

977
00:45:48,000 --> 00:45:50,319
Speaker 3: But they'll want more money than I could afford at

978
00:45:50,360 --> 00:45:53,080
Speaker 3: this level. And then they're not gonna work as hard

979
00:45:53,120 --> 00:45:54,960
Speaker 3: because then they're gonna want even more money from the

980
00:45:55,080 --> 00:45:58,320
Speaker 3: marketing side. But if I go get these influencers that

981
00:45:58,520 --> 00:46:02,879
Speaker 3: want a chance to be actors or these following, they're

982
00:46:02,920 --> 00:46:05,000
Speaker 3: gonna push the movie for me. They're gonna help market

983
00:46:05,080 --> 00:46:07,880
Speaker 3: the movie, and they're gonna give people that's curious another

984
00:46:07,960 --> 00:46:10,440
Speaker 3: part of you know this. Me and like we had

985
00:46:10,480 --> 00:46:12,640
Speaker 3: a lot of different philosophies, and one of them was

986
00:46:12,719 --> 00:46:16,040
Speaker 3: curiosity killed the cat. So a new artist with slayer

987
00:46:16,120 --> 00:46:18,640
Speaker 3: old artists. Right, I brought a new artist in the game.

988
00:46:18,719 --> 00:46:22,080
Speaker 3: You're curious to see or hear his story. So that

989
00:46:22,280 --> 00:46:24,960
Speaker 3: gave us an upside on that. So that's how I

990
00:46:25,040 --> 00:46:27,759
Speaker 3: look at the same thing, that curiosity I wanted. That

991
00:46:27,920 --> 00:46:30,160
Speaker 3: curiosity of Damn Lance is in the movie.

992
00:46:30,520 --> 00:46:32,640
Speaker 1: He could act. Yeah, wait a minute, he got a

993
00:46:32,680 --> 00:46:39,920
Speaker 1: whole soundtrack, he could wrap. He's really the Black Drake, Yo.

994
00:46:39,960 --> 00:46:43,960
Speaker 3: He's spending drake. Though I ain't heard enough new promise you.

995
00:46:44,040 --> 00:46:47,840
Speaker 3: I just can't stand. I'm not understandings. When I can't stand,

996
00:46:48,120 --> 00:46:49,920
Speaker 3: I'm gonna tell you why I say what I'm saying.

997
00:46:50,880 --> 00:46:52,280
Speaker 1: He could make R and B hooks.

998
00:46:52,920 --> 00:46:55,360
Speaker 3: That's why I say I told you he's come in

999
00:46:55,440 --> 00:46:58,719
Speaker 3: the studio. Why he just saying job rule, Come on,

1000
00:46:59,360 --> 00:47:03,480
Speaker 3: he job man. All these niggas is John straight up man,

1001
00:47:03,920 --> 00:47:06,160
Speaker 3: you could singing rap man, you jock. Because it was

1002
00:47:06,200 --> 00:47:09,000
Speaker 3: a time I was jealous of this nigga. You're hitting

1003
00:47:09,080 --> 00:47:10,640
Speaker 3: me in the studio. Think about it.

1004
00:47:11,040 --> 00:47:17,000
Speaker 2: When gott He produced my joint Infatuated. I'm sitting there,

1005
00:47:17,040 --> 00:47:18,840
Speaker 2: he like, yo, bleak, we need a hook. I'm like,

1006
00:47:18,960 --> 00:47:20,720
Speaker 2: all right, call your man.

1007
00:47:20,840 --> 00:47:23,800
Speaker 3: Court John, nigga, the fuck I don't sing hook masks.

1008
00:47:24,040 --> 00:47:28,120
Speaker 2: Yeah, Jack came through, wrote the Infatuated hook in five seconds.

1009
00:47:28,440 --> 00:47:31,480
Speaker 2: We got shout out the homie boxy BJ. Yeah it

1010
00:47:31,560 --> 00:47:34,080
Speaker 2: was BJ artists at the time, sung the hook and

1011
00:47:34,160 --> 00:47:36,399
Speaker 2: we got it done. But that's what I'm saying, man

1012
00:47:36,560 --> 00:47:39,880
Speaker 2: like all that. He was the first I saw do

1013
00:47:40,000 --> 00:47:43,480
Speaker 2: it many straight up. Listen, you could say bone Thugs

1014
00:47:43,600 --> 00:47:45,960
Speaker 2: was part of it, but they different. Yeah, they were

1015
00:47:46,040 --> 00:47:49,480
Speaker 2: more harmony. They were more harmonizing and singer.

1016
00:47:50,960 --> 00:47:53,759
Speaker 1: Take it to a different place. Mass a solo act

1017
00:47:53,840 --> 00:47:54,399
Speaker 1: doing both.

1018
00:47:54,440 --> 00:47:56,200
Speaker 3: Bro. I used to tell that nigga, who fuck you

1019
00:47:56,280 --> 00:47:59,520
Speaker 3: think you is? Usher and Jay together, Come on, man,

1020
00:47:59,560 --> 00:48:02,680
Speaker 3: you cheat eat and dog can't do that. Then you

1021
00:48:02,800 --> 00:48:03,640
Speaker 3: got muscles.

1022
00:48:04,280 --> 00:48:04,680
Speaker 1: Come on.

1023
00:48:05,120 --> 00:48:08,920
Speaker 3: Yeah, we used to make jokes, push ups. The next year,

1024
00:48:08,920 --> 00:48:09,920
Speaker 3: everything's popping out.

1025
00:48:10,000 --> 00:48:13,440
Speaker 2: Like if Drake was these like Joe taking his shirt off,

1026
00:48:13,960 --> 00:48:16,520
Speaker 2: it'll be unfair, be crazy, it be unfair.

1027
00:48:16,680 --> 00:48:20,920
Speaker 1: But really Lance could do that. Though I heard one

1028
00:48:21,000 --> 00:48:21,840
Speaker 1: song on the Joint.

1029
00:48:23,760 --> 00:48:27,040
Speaker 3: Bawling soundtrack it I promise you're gonna be able to

1030
00:48:27,120 --> 00:48:29,600
Speaker 3: hit the play and listen to every joint like definitely,

1031
00:48:29,600 --> 00:48:31,759
Speaker 3: because when I did this thing, I was only thinking

1032
00:48:31,760 --> 00:48:33,759
Speaker 3: I gonna make a record or two just to put

1033
00:48:33,840 --> 00:48:35,640
Speaker 3: in the movie, not the whole soundtrack.

1034
00:48:35,760 --> 00:48:38,360
Speaker 1: So we're going to street, go to Circle House in Miami.

1035
00:48:41,120 --> 00:48:41,719
Speaker 1: Spot never.

1036
00:48:42,000 --> 00:48:44,160
Speaker 3: Lance never been in a big studio. He's like, man,

1037
00:48:44,200 --> 00:48:46,640
Speaker 3: I'm always making my wraps in the kitchen or something,

1038
00:48:47,120 --> 00:48:49,200
Speaker 3: so he never. Then I bring in my producer, shout

1039
00:48:49,200 --> 00:48:52,880
Speaker 3: out Nary, Narry Boy or Beast Miami comes in.

1040
00:48:53,000 --> 00:48:56,200
Speaker 1: He chefed whatever you want up and the idea Circle

1041
00:48:56,239 --> 00:48:57,520
Speaker 1: House down there ruined my life.

1042
00:48:57,560 --> 00:48:59,359
Speaker 3: But God, so he get all of this and he's

1043
00:48:59,360 --> 00:49:02,800
Speaker 3: seeing all of the ship. I'm bringing y d another

1044
00:49:02,960 --> 00:49:05,040
Speaker 3: dope nigga out there, you know what I'm saying, And

1045
00:49:05,160 --> 00:49:06,640
Speaker 3: we just started making records.

1046
00:49:07,200 --> 00:49:10,040
Speaker 1: That's dope. But he kept wrapper I'm gonna keep it

1047
00:49:10,120 --> 00:49:10,399
Speaker 1: the buck.

1048
00:49:10,520 --> 00:49:12,840
Speaker 3: He's the reason because he kept pushing me, come on

1049
00:49:13,880 --> 00:49:16,040
Speaker 3: to give more studio, more to you, because this is

1050
00:49:16,080 --> 00:49:18,960
Speaker 3: when ever went to go do something with Mary J. Blige,

1051
00:49:19,000 --> 00:49:22,239
Speaker 3: my director. So I had a little downtown were going

1052
00:49:22,360 --> 00:49:25,680
Speaker 3: right there, boom boom boom. Less than a week, we

1053
00:49:25,800 --> 00:49:26,960
Speaker 3: had like eighteen joints.

1054
00:49:27,600 --> 00:49:30,320
Speaker 1: That's dope. Now he was working, that's dope. He was working.

1055
00:49:31,040 --> 00:49:33,839
Speaker 1: My niece. My niece, she's there pinning with him. They

1056
00:49:33,960 --> 00:49:36,520
Speaker 1: vibing together. They got hit records on that soundcheck. I

1057
00:49:36,640 --> 00:49:38,480
Speaker 1: believe it. I'm gonna go check it out. You said

1058
00:49:40,080 --> 00:49:42,919
Speaker 1: Drake is black dough, but he is the black girl Drake.

1059
00:49:46,000 --> 00:49:47,880
Speaker 1: That's what I mean. That's what I mean.

1060
00:49:49,640 --> 00:49:52,839
Speaker 3: Black drizzy, shut out drizzy too.

1061
00:49:53,000 --> 00:49:55,239
Speaker 1: Man. You know what I'm saying. Your word up right.

1062
00:49:55,320 --> 00:49:59,000
Speaker 1: It's smoky out here. It's crazy. It's smoky for niggas.

1063
00:50:00,040 --> 00:50:03,080
Speaker 2: I gotta but you would be able to see listen,

1064
00:50:03,840 --> 00:50:07,439
Speaker 2: you with a perfect segue for the things that he's

1065
00:50:07,680 --> 00:50:12,240
Speaker 2: dealing with, you know what I mean, the public, the media.

1066
00:50:13,040 --> 00:50:15,759
Speaker 2: What advice would you give him because y'all been through it.

1067
00:50:16,200 --> 00:50:18,680
Speaker 3: You know he got Jay Prince behind him too, So

1068
00:50:18,840 --> 00:50:21,520
Speaker 3: shout out. The Prince fe his birthday just passed out.

1069
00:50:21,600 --> 00:50:24,239
Speaker 3: I missed you, bro, I can catch you out. I'm

1070
00:50:24,320 --> 00:50:26,239
Speaker 3: gonna go to his island. You know he owns a

1071
00:50:26,280 --> 00:50:28,640
Speaker 3: couple of islands. No way, I ain't know that in belief,

1072
00:50:28,800 --> 00:50:29,640
Speaker 3: he owns two islands.

1073
00:50:29,680 --> 00:50:32,600
Speaker 1: In belief, I ain't know that. That's dope, man, I

1074
00:50:32,640 --> 00:50:37,879
Speaker 1: ain't dope. That's fire superfied is yes, dope.

1075
00:50:37,920 --> 00:50:39,320
Speaker 3: I'm gonna go out there and fuck with him. I

1076
00:50:39,440 --> 00:50:41,640
Speaker 3: just told him, I said. I asked him one question.

1077
00:50:41,760 --> 00:50:44,320
Speaker 3: I said, what's the law of these islands? Is it

1078
00:50:44,480 --> 00:50:45,919
Speaker 3: prince law? Yeah?

1079
00:50:46,400 --> 00:50:48,799
Speaker 1: Prince, I said, okay, I know how to come now,

1080
00:50:51,400 --> 00:50:55,560
Speaker 1: bring in my strap facts. But you know all of

1081
00:50:55,640 --> 00:50:58,520
Speaker 1: these things. But you're gonna hear his his range.

1082
00:50:59,280 --> 00:51:03,440
Speaker 3: You know, when you're an artist, probably most artists is

1083
00:51:03,520 --> 00:51:07,360
Speaker 3: insecure when it's time to release music because they stay safe.

1084
00:51:08,200 --> 00:51:10,279
Speaker 3: They stay in their box. And the one thing I

1085
00:51:10,400 --> 00:51:11,880
Speaker 3: kept telling is, don't be afraid.

1086
00:51:12,400 --> 00:51:14,360
Speaker 1: If you hear it, do it. We're in the studio.

1087
00:51:14,600 --> 00:51:17,520
Speaker 3: You don't like it, we don't play for nobody. That's

1088
00:51:17,560 --> 00:51:20,920
Speaker 3: the place you supposed to try everything, your free space.

1089
00:51:21,080 --> 00:51:24,080
Speaker 3: That's when you might find something to change the game.

1090
00:51:24,400 --> 00:51:26,680
Speaker 1: That you ain't even know. You didn't even know you had.

1091
00:51:26,840 --> 00:51:27,920
Speaker 1: That's a fact, yo.

1092
00:51:28,080 --> 00:51:30,680
Speaker 2: One thing I always say, man, gott He gave me

1093
00:51:30,800 --> 00:51:33,080
Speaker 2: the best advice man when it come to making records.

1094
00:51:33,320 --> 00:51:35,239
Speaker 2: I think to this day I apply it and this

1095
00:51:35,360 --> 00:51:36,759
Speaker 2: is why I make records. I could go in the

1096
00:51:36,800 --> 00:51:39,600
Speaker 2: studio and knock out two three records because Gotty used

1097
00:51:39,600 --> 00:51:42,920
Speaker 2: to always say, why you spending so much time on

1098
00:51:43,080 --> 00:51:46,280
Speaker 2: the verse. You ain't gonna say nothing that Biggie Nae

1099
00:51:46,440 --> 00:51:50,200
Speaker 2: j Upac, They ain't say already. You just gonna try

1100
00:51:50,239 --> 00:51:52,719
Speaker 2: to find a new way to spend it, Nigga. They

1101
00:51:52,800 --> 00:51:54,000
Speaker 2: only gonna remember the hook.

1102
00:51:54,440 --> 00:51:57,480
Speaker 1: That's right. So long as the hook is hot, just

1103
00:51:57,520 --> 00:51:59,160
Speaker 1: stay on top and get it done. On to the

1104
00:51:59,239 --> 00:51:59,680
Speaker 1: next record.

1105
00:52:00,560 --> 00:52:03,480
Speaker 3: When the verses damn there was written, they write theyself,

1106
00:52:03,760 --> 00:52:04,320
Speaker 3: it's crazy.

1107
00:52:04,400 --> 00:52:04,960
Speaker 1: It's crazy.

1108
00:52:05,040 --> 00:52:07,720
Speaker 2: Once you have the chorus the verses down there right, theyself,

1109
00:52:07,800 --> 00:52:09,879
Speaker 2: bro like, it's like you don't even think.

1110
00:52:10,120 --> 00:52:13,320
Speaker 3: My favorite, one of my favorite, uh irv got He

1111
00:52:13,480 --> 00:52:16,440
Speaker 3: producing one of them is like produce as a producers.

1112
00:52:16,520 --> 00:52:20,960
Speaker 3: When we did Halla, Holler and we again Jay, we

1113
00:52:21,040 --> 00:52:22,919
Speaker 3: gave Jay to cant I get it so we didn't

1114
00:52:22,960 --> 00:52:25,480
Speaker 3: have to for the movie. The soundtrack and everything, so

1115
00:52:25,600 --> 00:52:28,400
Speaker 3: we didn't have a first single from each other. I

1116
00:52:28,520 --> 00:52:31,560
Speaker 3: found a beat one of my producers, I call IRV.

1117
00:52:31,440 --> 00:52:36,040
Speaker 1: Yo, I got it. Yeah yeah, So he's a come

1118
00:52:36,120 --> 00:52:36,560
Speaker 1: to the studio.

1119
00:52:36,680 --> 00:52:38,880
Speaker 3: We had electric Lady. They had an Electric Lady. I

1120
00:52:39,000 --> 00:52:41,320
Speaker 3: go in there and he gives y'all to puts the

1121
00:52:41,360 --> 00:52:41,759
Speaker 3: beat up.

1122
00:52:42,200 --> 00:52:44,399
Speaker 1: He's like, this is it. This is hard yo. He goes.

1123
00:52:44,480 --> 00:52:46,480
Speaker 3: Irv's like, that's like because he didn't hear it. I

1124
00:52:46,600 --> 00:52:49,239
Speaker 3: just told my got it and get yo. That's hard yo.

1125
00:52:49,360 --> 00:52:54,320
Speaker 3: Come on, John, he said, on this record, don't start

1126
00:52:54,440 --> 00:52:58,799
Speaker 3: with the verses the hook. Write the hook, and John

1127
00:52:58,920 --> 00:53:00,960
Speaker 3: was like okay, went and wrote hook wasn't it.

1128
00:53:01,200 --> 00:53:02,200
Speaker 1: It was like, that's not it.

1129
00:53:03,080 --> 00:53:06,759
Speaker 3: Now again, these artists today got to be produced and

1130
00:53:06,920 --> 00:53:12,520
Speaker 3: accept the criticism of the opinion of that producer to

1131
00:53:12,680 --> 00:53:15,759
Speaker 3: help them make the best record possible. Right. He came

1132
00:53:15,800 --> 00:53:19,839
Speaker 3: out with another hook, that's not it, And I give

1133
00:53:19,960 --> 00:53:23,279
Speaker 3: Joe all the credit because it was no ego that

1134
00:53:23,880 --> 00:53:26,680
Speaker 3: no it ain't it. Go He came out and it's like,

1135
00:53:26,800 --> 00:53:28,719
Speaker 3: I got it. I'm gonna double up this. He didn't

1136
00:53:28,760 --> 00:53:31,680
Speaker 3: have it, but he understood the concept. He wrote was

1137
00:53:31,719 --> 00:53:34,520
Speaker 3: like go write it. He wrote it versus done like this.

1138
00:53:35,560 --> 00:53:38,160
Speaker 3: It was like the record was made already, yo. And

1139
00:53:38,320 --> 00:53:41,200
Speaker 3: that's three verses, sixteen balls these verse like that's back

1140
00:53:41,280 --> 00:53:43,000
Speaker 3: then when you had to do three verses.

1141
00:53:43,960 --> 00:53:47,279
Speaker 1: Those verses was written like this. Now niggas is writing

1142
00:53:47,360 --> 00:53:51,000
Speaker 1: one verse a minute eighteen seconds of the song. I

1143
00:53:51,120 --> 00:53:51,920
Speaker 1: started cheating with.

1144
00:53:53,080 --> 00:53:54,840
Speaker 3: There's one of my homies. I'm gonna give him a

1145
00:53:54,880 --> 00:53:59,120
Speaker 3: plug right now. He's from Compton. You know what I'm saying, terminated?

1146
00:53:59,160 --> 00:53:59,480
Speaker 1: What up?

1147
00:54:00,120 --> 00:54:02,799
Speaker 3: And you know I told him I want to make

1148
00:54:02,840 --> 00:54:05,520
Speaker 3: an album with him because he has a voice and

1149
00:54:05,640 --> 00:54:08,560
Speaker 3: he tells a story that you're gonna believe every word

1150
00:54:08,600 --> 00:54:12,480
Speaker 3: he says. It's a different it's a different feeling from everything.

1151
00:54:12,560 --> 00:54:14,600
Speaker 3: But he don't make records. He makes a verse in

1152
00:54:14,680 --> 00:54:16,719
Speaker 3: a hood, not even really hard. He gives you a

1153
00:54:16,760 --> 00:54:20,680
Speaker 3: little something and in that verse out and he's done

1154
00:54:20,760 --> 00:54:23,040
Speaker 3: because he's really against and he's only doing it.

1155
00:54:23,120 --> 00:54:25,880
Speaker 2: That's fun, Yo, That's how the boss boss Man d

1156
00:54:26,040 --> 00:54:29,479
Speaker 2: Loo songs is. You be like this, yo, shiit hard,

1157
00:54:29,520 --> 00:54:31,960
Speaker 2: this ship fires and it shit go off like what

1158
00:54:33,200 --> 00:54:36,319
Speaker 2: the fuck? Like the wait I got? Did I get

1159
00:54:36,400 --> 00:54:40,080
Speaker 2: the I gotta download the real version? Like I shouldn't

1160
00:54:40,120 --> 00:54:42,520
Speaker 2: have been in twenty seconds. Let me play this shiit

1161
00:54:42,680 --> 00:54:44,120
Speaker 2: seventeen times in the road.

1162
00:54:44,200 --> 00:54:49,040
Speaker 1: That don't help change the game. You gotta everyone. He

1163
00:54:49,200 --> 00:54:51,000
Speaker 1: said that. He's like, Yo, think about it.

1164
00:54:51,040 --> 00:54:53,479
Speaker 2: When you listen to the radio, boss Man Di Loo said,

1165
00:54:53,520 --> 00:54:55,759
Speaker 2: when you listen to the radio and they on the

1166
00:54:55,840 --> 00:54:57,759
Speaker 2: mixed show the d you only play about a good

1167
00:54:58,239 --> 00:54:59,880
Speaker 2: forty seconds of the record anyway.

1168
00:55:00,480 --> 00:55:02,759
Speaker 1: So if it's hot, you're gonna bring that shit back.

1169
00:55:02,920 --> 00:55:04,080
Speaker 1: That's it, Which is right?

1170
00:55:04,280 --> 00:55:07,200
Speaker 3: And when he said that, I was like, And then

1171
00:55:07,280 --> 00:55:09,120
Speaker 3: I said, the way we do videos, I got a

1172
00:55:09,120 --> 00:55:09,760
Speaker 3: different concept.

1173
00:55:09,760 --> 00:55:12,040
Speaker 1: I don't give everybody everything because term might do it.

1174
00:55:12,920 --> 00:55:15,399
Speaker 3: But yeah, it's a different way to shoot the video.

1175
00:55:15,600 --> 00:55:16,600
Speaker 1: Fat you know what I'm saying.

1176
00:55:16,600 --> 00:55:21,279
Speaker 3: Because he's talking real shit. It's almost against cinematic shit. Yeah,

1177
00:55:21,640 --> 00:55:25,400
Speaker 3: come out on some cinematic shit, bro, It'll be just

1178
00:55:25,480 --> 00:55:27,760
Speaker 3: a different looking field. When I look at all these videos,

1179
00:55:27,800 --> 00:55:29,520
Speaker 3: they just trying to get it done because they lower

1180
00:55:29,640 --> 00:55:31,719
Speaker 3: the budgets now and everyone's trying to do it for

1181
00:55:32,000 --> 00:55:35,480
Speaker 3: cheap and shasible, And that's why the game is suffering

1182
00:55:35,560 --> 00:55:37,440
Speaker 3: in my opinion, you know, because.

1183
00:55:37,200 --> 00:55:40,040
Speaker 2: Everybody cutting budgets, but it's they don't got the money.

1184
00:55:40,120 --> 00:55:42,000
Speaker 2: No more, man, the money ain't coming in like it

1185
00:55:42,280 --> 00:55:45,160
Speaker 2: was when we had it in that early two thousands.

1186
00:55:45,239 --> 00:55:48,600
Speaker 1: Bro that that that digital. I think these labels understand

1187
00:55:48,680 --> 00:55:50,680
Speaker 1: how to get that digital money. You know, they get

1188
00:55:50,760 --> 00:55:51,480
Speaker 1: more money.

1189
00:55:51,320 --> 00:55:55,280
Speaker 3: From like sponsors and brands, so it kind of offset

1190
00:55:55,360 --> 00:55:58,520
Speaker 3: some of the mechanical sale that we had with the

1191
00:55:58,600 --> 00:56:01,440
Speaker 3: expense is way less. If you, I don't want to

1192
00:56:01,480 --> 00:56:04,080
Speaker 3: say it's not doing good that the labels are still around. No, No,

1193
00:56:04,200 --> 00:56:06,319
Speaker 3: the music for a reason. These kids, because they make

1194
00:56:06,840 --> 00:56:10,200
Speaker 3: the three sixty's always there to merging and.

1195
00:56:11,120 --> 00:56:13,080
Speaker 1: It's not off the records. So I got you. No,

1196
00:56:13,600 --> 00:56:14,520
Speaker 1: it's not off the sale.

1197
00:56:14,560 --> 00:56:17,880
Speaker 3: But there's again, I know the stream is they're gonna

1198
00:56:17,880 --> 00:56:20,359
Speaker 3: have to do something like I'm doing with the TV,

1199
00:56:20,719 --> 00:56:24,280
Speaker 3: the movies and TVs where the distribution has to be different,

1200
00:56:25,200 --> 00:56:26,640
Speaker 3: you know, shout out.

1201
00:56:26,560 --> 00:56:30,760
Speaker 2: Rock Nation Distro. They just want somewhere you free to everybody.

1202
00:56:30,920 --> 00:56:34,239
Speaker 2: Eighty five fifteen split. They said they got a phenomenal

1203
00:56:34,560 --> 00:56:37,480
Speaker 2: like social media thing that you was telling me that matter.

1204
00:56:37,640 --> 00:56:41,680
Speaker 1: I'm about that. You said, it's no perfect segue. You

1205
00:56:41,760 --> 00:56:45,640
Speaker 1: can break it on now listening. I was early over

1206
00:56:45,719 --> 00:56:48,560
Speaker 1: there when it was equity and Christian.

1207
00:56:48,280 --> 00:56:51,640
Speaker 3: With shout out Christian, you know I'm gonna keep it.

1208
00:56:51,719 --> 00:56:53,719
Speaker 3: I'm gonna keep it a bucket og No. I was

1209
00:56:53,800 --> 00:56:56,360
Speaker 3: mad we didn't get it together because they they wanted

1210
00:56:56,400 --> 00:56:58,560
Speaker 3: to do something. They know I had adventure music, and

1211
00:56:58,640 --> 00:57:00,720
Speaker 3: they was like, let's figure something out. They was picking

1212
00:57:00,760 --> 00:57:03,320
Speaker 3: my brain on what's the problems. And me and O

1213
00:57:03,480 --> 00:57:07,000
Speaker 3: G had a meeting and he said it's really his sons.

1214
00:57:07,600 --> 00:57:10,880
Speaker 3: And you know, he says, he says, you got to

1215
00:57:10,920 --> 00:57:12,440
Speaker 3: talk to him. I said, well, he could ask me

1216
00:57:12,520 --> 00:57:15,560
Speaker 3: whatever questions and I answer to prove that I'm not playing.

1217
00:57:17,000 --> 00:57:19,320
Speaker 3: So we had that meeting and I answered every question

1218
00:57:19,680 --> 00:57:22,400
Speaker 3: and more and Christian was like yes to everything, and

1219
00:57:22,480 --> 00:57:25,280
Speaker 3: I looking at one like okay, let's figure this shit out.

1220
00:57:25,320 --> 00:57:27,720
Speaker 3: But we never figured it out. That's something that I

1221
00:57:27,800 --> 00:57:31,400
Speaker 3: don't I get mad at because the time in if

1222
00:57:31,440 --> 00:57:34,280
Speaker 3: we're white, we do it, yes, right, That's the part

1223
00:57:34,360 --> 00:57:36,760
Speaker 3: that I don't ever understand and ship is like, if

1224
00:57:36,760 --> 00:57:39,480
Speaker 3: we're white, we do it. I told Steve Stout that,

1225
00:57:39,640 --> 00:57:41,920
Speaker 3: you know, Irvin Stout was in the second grade together.

1226
00:57:42,280 --> 00:57:44,360
Speaker 1: Damn, I ain't know that we played. I used to play.

1227
00:57:44,200 --> 00:57:47,200
Speaker 3: Football with him in the cage. Come to the parks,

1228
00:57:47,320 --> 00:57:47,520
Speaker 3: you know.

1229
00:57:48,360 --> 00:57:52,640
Speaker 1: Man, that's crazy. That's crazy man. Now niggas kicked his

1230
00:57:52,680 --> 00:57:53,520
Speaker 1: ship over the fence.

1231
00:57:53,680 --> 00:57:55,080
Speaker 3: Yeah, you know, be crazy shit.

1232
00:57:55,200 --> 00:58:00,800
Speaker 1: But at the end of the day, crazy ship.

1233
00:58:01,840 --> 00:58:03,080
Speaker 3: You know, at the end of the day, I said,

1234
00:58:03,360 --> 00:58:05,080
Speaker 3: because he was the very first one to come to

1235
00:58:05,160 --> 00:58:06,080
Speaker 3: me for Adventures.

1236
00:58:06,760 --> 00:58:08,680
Speaker 1: When I start Adventures, He's like, what are you doing

1237
00:58:08,760 --> 00:58:12,800
Speaker 1: over it? Before he starts his United Mass know what

1238
00:58:12,800 --> 00:58:13,160
Speaker 1: I'm saying.

1239
00:58:13,680 --> 00:58:16,240
Speaker 3: We all family like, And I said, Steve, I'll shut

1240
00:58:16,320 --> 00:58:18,000
Speaker 3: this down to funk with you, because when I wrote

1241
00:58:18,040 --> 00:58:21,760
Speaker 3: my business plan, this is how real it is for Adventures.

1242
00:58:22,920 --> 00:58:25,120
Speaker 3: What do I need to be successful? After I wrote it,

1243
00:58:25,360 --> 00:58:30,160
Speaker 3: first thing, I put Steve style because I know what

1244
00:58:30,280 --> 00:58:32,520
Speaker 3: I need. I just don't want to give the game up.

1245
00:58:32,560 --> 00:58:34,360
Speaker 3: I know how to change this game and get it right.

1246
00:58:34,520 --> 00:58:35,800
Speaker 1: That's right. I just need someone to.

1247
00:58:35,760 --> 00:58:38,360
Speaker 3: Fuck with me because I can't walk in the doors.

1248
00:58:38,440 --> 00:58:39,360
Speaker 3: They don't fuck with me.

1249
00:58:40,000 --> 00:58:43,120
Speaker 1: They do. You just know the doors that I'm talking about.

1250
00:58:44,600 --> 00:58:47,040
Speaker 3: They're scared that the history you never leave your They

1251
00:58:47,160 --> 00:58:50,640
Speaker 3: never get once you say, because they want to know

1252
00:58:50,680 --> 00:58:51,280
Speaker 3: your background.

1253
00:58:51,320 --> 00:58:55,120
Speaker 1: You say it from that right away. See, people don't

1254
00:58:55,160 --> 00:58:57,600
Speaker 1: know that unless you live it. I live in it.

1255
00:58:58,720 --> 00:58:59,840
Speaker 1: I understand my problems.

1256
00:59:00,000 --> 00:59:02,600
Speaker 3: If I can't go to my family and friends once

1257
00:59:02,680 --> 00:59:07,080
Speaker 3: you stamp, shout and and try to again, it's one

1258
00:59:07,120 --> 00:59:12,320
Speaker 3: of my partners, he accepted, He understood. I don't look

1259
00:59:12,320 --> 00:59:13,800
Speaker 3: at it as a badge of shame. I said, this

1260
00:59:13,880 --> 00:59:16,160
Speaker 3: is a badger of honor. Most of those most of

1261
00:59:16,200 --> 00:59:18,800
Speaker 3: those white boys that have those executive jobs.

1262
00:59:18,760 --> 00:59:20,000
Speaker 1: Went through white collar crimes.

1263
00:59:20,040 --> 00:59:23,640
Speaker 3: And guess what they did, know they told and they

1264
00:59:23,760 --> 00:59:25,960
Speaker 3: still there and they still move like it's all good

1265
00:59:26,080 --> 00:59:27,440
Speaker 3: and it's no man.

1266
00:59:27,600 --> 00:59:31,080
Speaker 2: If anybody looking at crime, America has built a crime, Yeah,

1267
00:59:31,360 --> 00:59:32,280
Speaker 2: a country is built.

1268
00:59:32,400 --> 00:59:32,880
Speaker 1: Of course.

1269
00:59:33,680 --> 00:59:35,200
Speaker 3: If you don't know that you are you, you're in

1270
00:59:35,240 --> 00:59:38,360
Speaker 3: the wrong place and live in space. But that's my

1271
00:59:38,760 --> 00:59:41,160
Speaker 3: that's part of my plight that I got to walk

1272
00:59:41,200 --> 00:59:43,880
Speaker 3: to that man. But you know, Earth went through the watch.

1273
00:59:44,040 --> 00:59:46,800
Speaker 3: Earth went there, and I'm gonna give Jay a big

1274
00:59:46,880 --> 00:59:51,000
Speaker 3: shout out because he Earth started tails. Remember two.

1275
00:59:52,600 --> 00:59:55,680
Speaker 1: So here's a meeting me and working on that.

1276
00:59:56,000 --> 00:59:58,240
Speaker 3: Yeah. There we have a whole meeting and all of

1277
00:59:58,320 --> 01:00:00,680
Speaker 3: this ship about tales and and we get a meeting

1278
01:00:00,720 --> 01:00:03,960
Speaker 3: with Steven Hill who runs BT at the time, and

1279
01:00:04,120 --> 01:00:09,960
Speaker 3: Jay's with him, IRV and J and IRV is pitching

1280
01:00:10,080 --> 01:00:13,000
Speaker 3: to get a pilot, just a pilot, give me the

1281
01:00:13,080 --> 01:00:16,160
Speaker 3: money from BT to show you how powerful this TV

1282
01:00:16,280 --> 01:00:19,760
Speaker 3: show is and it's dope. So he pitched to Steve.

1283
01:00:19,840 --> 01:00:23,240
Speaker 3: Steve turned to J like, I'll never forget this shit

1284
01:00:23,400 --> 01:00:25,600
Speaker 3: like and I give credit in flowers where he's due.

1285
01:00:25,880 --> 01:00:28,400
Speaker 3: But if there's something foul, I say foul shit too,

1286
01:00:28,480 --> 01:00:30,880
Speaker 3: like the truth is the truth, and I'll never take

1287
01:00:30,920 --> 01:00:34,560
Speaker 3: it away, never take it away. Because Jay, being who

1288
01:00:34,640 --> 01:00:38,200
Speaker 3: he is with my brother, turns to Steve. Stephen Hill says,

1289
01:00:38,200 --> 01:00:41,680
Speaker 3: what would you do to J? Jay looked at him,

1290
01:00:41,760 --> 01:00:43,320
Speaker 3: and he looked at Irvan, and he looked at Steve

1291
01:00:43,360 --> 01:00:45,760
Speaker 3: again and said, I'll give him whatever he wants and

1292
01:00:45,840 --> 01:00:46,560
Speaker 3: get out his way.

1293
01:00:46,840 --> 01:00:47,320
Speaker 1: That's right.

1294
01:00:47,880 --> 01:00:51,360
Speaker 3: And didn't get a pilot deal. He got an eight

1295
01:00:52,400 --> 01:00:56,880
Speaker 3: show season because Jay said that I can never act

1296
01:00:57,040 --> 01:00:58,680
Speaker 3: like if he was here, he could never act like

1297
01:00:58,760 --> 01:00:59,520
Speaker 3: that didn't happen.

1298
01:01:00,120 --> 01:01:01,480
Speaker 1: You know what I'm saying now, whole.

1299
01:01:01,400 --> 01:01:06,439
Speaker 3: Dude, unbelieved, unbelievable behind the scenes that he don't even

1300
01:01:06,560 --> 01:01:07,920
Speaker 3: want to be credited.

1301
01:01:08,000 --> 01:01:09,800
Speaker 1: He don't even want you to even tell the world.

1302
01:01:09,840 --> 01:01:13,160
Speaker 1: He don't care like he do what you do want basketball.

1303
01:01:13,600 --> 01:01:18,560
Speaker 2: He's a great hearted, he's the kindest person I ever know, man,

1304
01:01:18,680 --> 01:01:21,120
Speaker 2: Like then gave me the biggest opportunity in my life.

1305
01:01:21,400 --> 01:01:24,160
Speaker 1: He's this is the gift that keeps on giving. That's

1306
01:01:24,160 --> 01:01:26,000
Speaker 1: why I always tell him, like, hey, how can I

1307
01:01:26,120 --> 01:01:30,120
Speaker 1: pay you back? Bro? Like how I don't put on

1308
01:01:30,280 --> 01:01:32,840
Speaker 1: my whole family? How you pay someone like him back?

1309
01:01:33,000 --> 01:01:36,600
Speaker 2: Like when that's it? And that's why he said on

1310
01:01:36,680 --> 01:01:39,600
Speaker 2: the right person, that's what he's saying. Yeah, all I

1311
01:01:39,680 --> 01:01:40,960
Speaker 2: want to do is see you when.

1312
01:01:41,200 --> 01:01:43,840
Speaker 3: I'm telling you, like my last time I seen was

1313
01:01:43,840 --> 01:01:45,520
Speaker 3: an earth past. That's when I was with him.

1314
01:01:46,280 --> 01:01:46,440
Speaker 1: You know.

1315
01:01:46,600 --> 01:01:48,880
Speaker 3: He wrote me after the funeral and saying, it was

1316
01:01:49,000 --> 01:01:54,840
Speaker 3: like amazing to watch me deal with everybody. You know,

1317
01:01:54,920 --> 01:01:58,480
Speaker 3: I greeted everybody, talk to everybody, and you know it

1318
01:01:58,720 --> 01:01:59,960
Speaker 3: in the worst times for me.

1319
01:02:00,440 --> 01:02:03,160
Speaker 1: Man, Hell yeah, I couldn't even imagine bro.

1320
01:02:03,880 --> 01:02:06,360
Speaker 3: You know, and you know him writing back and tell

1321
01:02:06,440 --> 01:02:08,360
Speaker 3: me and he was like, if you need anything, let

1322
01:02:08,440 --> 01:02:11,800
Speaker 3: me know and everything. Again, it's just a blessing to have.

1323
01:02:13,200 --> 01:02:15,920
Speaker 2: A big homie like that on your just to have

1324
01:02:16,080 --> 01:02:19,240
Speaker 2: somebody with that statue on your side, even behind you.

1325
01:02:19,320 --> 01:02:22,000
Speaker 2: And understand because a lot of people forget, like I say,

1326
01:02:22,040 --> 01:02:25,960
Speaker 2: they look at billionaire whole They don't understand he from.

1327
01:02:25,920 --> 01:02:27,600
Speaker 1: Mossy fucking projects. Man.

1328
01:02:27,640 --> 01:02:30,560
Speaker 2: They ate peanut butter and jelly man. Nigga made fake pizza,

1329
01:02:30,640 --> 01:02:33,080
Speaker 2: Nigga with the crab cheese and the tomato sauce on

1330
01:02:33,240 --> 01:02:36,720
Speaker 2: the Wonder Brad stop playing man. We regular hood niggas

1331
01:02:36,760 --> 01:02:40,120
Speaker 2: and Nigga never erase that. Man, no heart that niggas

1332
01:02:40,160 --> 01:02:42,360
Speaker 2: have from what we came through to where we're at.

1333
01:02:42,640 --> 01:02:45,160
Speaker 2: It would never change. Man, what you want to tell her?

1334
01:02:45,240 --> 01:02:47,680
Speaker 2: What's going on next? What's the next moves for my guy?

1335
01:02:47,800 --> 01:02:49,959
Speaker 1: Chris got on it again.

1336
01:02:50,000 --> 01:02:53,840
Speaker 3: The movies is incredible, but again the Basketball League to go.

1337
01:02:53,960 --> 01:02:54,520
Speaker 1: Back to that.

1338
01:02:55,800 --> 01:02:58,960
Speaker 3: Like I said, I may have raising my first season incredible.

1339
01:02:59,000 --> 01:03:01,760
Speaker 3: I got all them players and coaches and my street

1340
01:03:01,800 --> 01:03:04,000
Speaker 3: ball background, and I have a I have a real

1341
01:03:04,160 --> 01:03:09,080
Speaker 3: business there that when I get New York set, I'm

1342
01:03:09,080 --> 01:03:11,440
Speaker 3: gonna take it in multiple cities. Not teams.

1343
01:03:12,240 --> 01:03:12,520
Speaker 1: Everyone.

1344
01:03:12,840 --> 01:03:15,360
Speaker 3: Everyone thinks I'm gonna bring a team to Chicago. I'm

1345
01:03:15,400 --> 01:03:18,920
Speaker 3: gonna bring the league. It'll be the CPL of Chicago

1346
01:03:19,040 --> 01:03:22,560
Speaker 3: to be the CP of Miami Atlanta. Because what I'm

1347
01:03:22,720 --> 01:03:26,640
Speaker 3: servicing is all these players. You think of the NBA,

1348
01:03:26,720 --> 01:03:29,960
Speaker 3: there's only thirty two teams. There's only two rounds every year.

1349
01:03:30,560 --> 01:03:34,000
Speaker 3: Think of marsh madness, how many players don't get to

1350
01:03:34,080 --> 01:03:35,440
Speaker 3: the league fact.

1351
01:03:35,680 --> 01:03:36,640
Speaker 1: And then out of those.

1352
01:03:36,560 --> 01:03:42,040
Speaker 3: Sixty four, how many so old overseas? And then every say,

1353
01:03:42,080 --> 01:03:45,800
Speaker 3: oh you go overseas and play okay man overseas. It's

1354
01:03:46,000 --> 01:03:48,880
Speaker 3: two players that could be from America the rest are.

1355
01:03:49,320 --> 01:03:52,440
Speaker 1: I had a conversation with Vince Carter and Tracy McGrady.

1356
01:03:52,480 --> 01:03:56,280
Speaker 2: I went to shout out team that's fan for the

1357
01:03:56,360 --> 01:03:59,240
Speaker 2: dinner with them, not to over though, and they were saying, man,

1358
01:04:00,440 --> 01:04:03,560
Speaker 2: we missed the shooters in America once Curry leave, Like

1359
01:04:04,040 --> 01:04:06,040
Speaker 2: who he got? We don't have all the shooters is

1360
01:04:06,040 --> 01:04:08,880
Speaker 2: from overseas. Everybody here we just know how to dribble.

1361
01:04:09,360 --> 01:04:11,360
Speaker 2: And I was saying there, I'm like, damn, that's kind

1362
01:04:11,400 --> 01:04:12,840
Speaker 2: of crazy. I ain't ever look at it.

1363
01:04:12,920 --> 01:04:15,840
Speaker 1: Like, you know, shooting like Curry has.

1364
01:04:16,920 --> 01:04:19,160
Speaker 3: Think of how many shoots shots he has to take

1365
01:04:19,360 --> 01:04:20,360
Speaker 3: to get that good.

1366
01:04:20,560 --> 01:04:22,720
Speaker 1: That's what I'm saying. Will take that practice. Man, you

1367
01:04:22,800 --> 01:04:25,200
Speaker 1: gotta work. That's working when you're exhaust you gotta go

1368
01:04:25,400 --> 01:04:27,400
Speaker 1: get it. Man, you gotta work for it. It's not

1369
01:04:27,520 --> 01:04:29,640
Speaker 1: gonna be just given to you if he wins. Another ring.

1370
01:04:29,720 --> 01:04:30,440
Speaker 3: Where do you put him?

1371
01:04:30,600 --> 01:04:34,560
Speaker 2: Oh, he's up there, he's number two. It's number two.

1372
01:04:34,720 --> 01:04:37,240
Speaker 2: He went another ring, he number two. And you look

1373
01:04:37,280 --> 01:04:39,960
Speaker 2: at the team he's got. He's got no good team, right,

1374
01:04:40,120 --> 01:04:41,320
Speaker 2: I mean when you when you go.

1375
01:04:41,400 --> 01:04:44,120
Speaker 1: Back, you gotta Dreammard who only would work good with him?

1376
01:04:44,160 --> 01:04:46,280
Speaker 1: You got it. Let's go to Clay when he was there.

1377
01:04:48,040 --> 01:04:53,200
Speaker 3: Clay was tough. But we're playing with playing with a

1378
01:04:53,320 --> 01:04:56,280
Speaker 3: great player like Curry Laundry.

1379
01:04:56,520 --> 01:05:01,360
Speaker 1: Good dollar though, and what was my other man? Who player? Homie?

1380
01:05:01,400 --> 01:05:05,000
Speaker 1: Who is a good dollar? A star? Is your role player?

1381
01:05:06,040 --> 01:05:08,200
Speaker 1: Thank you? He was a role player in Philly. He

1382
01:05:08,360 --> 01:05:10,520
Speaker 1: was a star in Golden State. He was the MVP

1383
01:05:10,720 --> 01:05:11,480
Speaker 1: of the finals.

1384
01:05:11,520 --> 01:05:14,360
Speaker 3: I could argue that, but there's another party. Again, he

1385
01:05:14,440 --> 01:05:18,280
Speaker 3: didn't average more points, but and again average impact.

1386
01:05:18,560 --> 01:05:22,560
Speaker 1: The impact is because of Draymond, no score. But he

1387
01:05:22,800 --> 01:05:23,400
Speaker 1: was a staff.

1388
01:05:24,240 --> 01:05:26,080
Speaker 3: You know, my sister was just talking to me just

1389
01:05:26,200 --> 01:05:28,320
Speaker 3: now and she says, the pace is she said she

1390
01:05:28,480 --> 01:05:32,720
Speaker 3: never liked Halliburton. Hold on, why she's this is my sister,

1391
01:05:33,040 --> 01:05:35,000
Speaker 3: you know, And she said, I didn't like Halliburton. So

1392
01:05:35,040 --> 01:05:37,760
Speaker 3: I but man, what are they won in twelve or

1393
01:05:37,800 --> 01:05:42,440
Speaker 3: something like that? Okay, he's not playing. Okay, his impact. Now,

1394
01:05:42,480 --> 01:05:46,760
Speaker 3: those role players when when it's see when sports is

1395
01:05:46,800 --> 01:05:48,800
Speaker 3: in and you talk to players, you could ask on

1396
01:05:48,880 --> 01:05:52,400
Speaker 3: what I'm saying when it's when that when that star

1397
01:05:52,640 --> 01:05:55,800
Speaker 3: isn't on that court and now it's you, the game

1398
01:05:56,000 --> 01:05:58,920
Speaker 3: on the other side is geared to stop you. Yeah, okay,

1399
01:05:59,160 --> 01:06:01,920
Speaker 3: that's what just happened to all those role players. If

1400
01:06:02,000 --> 01:06:04,280
Speaker 3: they get to stop Igual Dollar, what is he gonna do?

1401
01:06:04,680 --> 01:06:08,040
Speaker 3: It's only because he was jumping through the roof, dunking

1402
01:06:08,160 --> 01:06:09,160
Speaker 3: or niggas heads and.

1403
01:06:11,480 --> 01:06:15,600
Speaker 1: We cannot erase who he was. No, you're not gonna

1404
01:06:15,640 --> 01:06:18,120
Speaker 1: do that. Listen to me. I'm not. I'm saying he's

1405
01:06:18,120 --> 01:06:21,760
Speaker 1: a role player. He never was a start.

1406
01:06:22,080 --> 01:06:25,760
Speaker 3: He was a star only because Curry takes all that

1407
01:06:25,880 --> 01:06:29,560
Speaker 3: attention and then he's good enough. He's that good that

1408
01:06:29,840 --> 01:06:31,880
Speaker 3: if it's just him and that one player he buzzing

1409
01:06:31,960 --> 01:06:34,040
Speaker 3: that Nigga asked, See, that's the.

1410
01:06:34,160 --> 01:06:37,919
Speaker 1: Difference of a star. It's the difference of a star.

1411
01:06:38,080 --> 01:06:40,280
Speaker 3: Bro It's like you could go through the lage James,

1412
01:06:41,360 --> 01:06:44,840
Speaker 3: Jimmy Butler is older now, but he was at one

1413
01:06:44,920 --> 01:06:46,320
Speaker 3: point questions.

1414
01:06:46,360 --> 01:06:47,440
Speaker 1: At one point, I said.

1415
01:06:47,360 --> 01:06:51,200
Speaker 4: Yes, he's not now, he's not now, and I guarantee

1416
01:06:51,200 --> 01:06:53,320
Speaker 4: if you talk to him, he's gonna tell you how

1417
01:06:53,400 --> 01:06:55,840
Speaker 4: much he loves playing with Steph because it takes so

1418
01:06:55,920 --> 01:06:57,880
Speaker 4: much away from him with other players.

1419
01:06:57,920 --> 01:06:59,840
Speaker 1: It's no more dealing with twos and three.

1420
01:07:00,640 --> 01:07:03,400
Speaker 3: You know. You know I told you I cold aging

1421
01:07:03,480 --> 01:07:06,200
Speaker 3: or cole Many. Mante Ellens shout out, mante Ellis, man,

1422
01:07:06,240 --> 01:07:08,480
Speaker 3: that was one of my dudes. And he he was

1423
01:07:08,600 --> 01:07:13,720
Speaker 3: mad because David Lee got a Max contract. White boy dad. Yeah,

1424
01:07:13,720 --> 01:07:16,160
Speaker 3: I remember, shout out, David, that's my man. We's poking

1425
01:07:16,200 --> 01:07:17,240
Speaker 3: all that shit together.

1426
01:07:17,400 --> 01:07:21,280
Speaker 1: David Lee. Right, how you worried about it? A man

1427
01:07:21,360 --> 01:07:26,320
Speaker 1: is fill that's pople player in the world. You know

1428
01:07:26,360 --> 01:07:26,800
Speaker 1: what I'm saying.

1429
01:07:27,120 --> 01:07:29,720
Speaker 3: But David Lee got an eighty million dollar contract at

1430
01:07:29,760 --> 01:07:32,680
Speaker 3: the time, and mante Ellens said to me, he said,

1431
01:07:32,760 --> 01:07:35,520
Speaker 3: how's the nigga get eighty million and never a double

1432
01:07:35,640 --> 01:07:39,320
Speaker 3: team for him? See, this is when you start analyzing

1433
01:07:39,400 --> 01:07:43,880
Speaker 3: players and understand the differences and who's really who is.

1434
01:07:44,000 --> 01:07:45,000
Speaker 1: When you got a.

1435
01:07:45,040 --> 01:07:48,440
Speaker 3: Player that's taking all the attention and every team is

1436
01:07:48,520 --> 01:07:50,880
Speaker 3: good to stop them, you fall through the cracks.

1437
01:07:50,920 --> 01:07:55,680
Speaker 1: Bro. So that's why what are you talking about?

1438
01:07:55,680 --> 01:07:59,640
Speaker 2: Because Lebron the whole league the reps, every team, the players,

1439
01:07:59,680 --> 01:08:01,560
Speaker 2: the FA they've been getting towards him.

1440
01:08:01,440 --> 01:08:04,520
Speaker 1: Since he came out of high school. So he number

1441
01:08:04,600 --> 01:08:08,080
Speaker 1: one if he got this. You watched Lebron get double

1442
01:08:08,160 --> 01:08:12,640
Speaker 1: teams ten team, Yeah, the whole Detroit. He dunk on

1443
01:08:12,720 --> 01:08:16,960
Speaker 1: the whole team. Lebron is power and speed. He don't

1444
01:08:17,000 --> 01:08:17,759
Speaker 1: shake nobody.

1445
01:08:17,800 --> 01:08:20,040
Speaker 3: He's gonna run through.

1446
01:08:20,280 --> 01:08:23,160
Speaker 1: Understand, And you go about that. I would me first.

1447
01:08:24,479 --> 01:08:26,640
Speaker 3: When I watched when I watched Lebron, And again, I

1448
01:08:26,680 --> 01:08:27,759
Speaker 3: don't want to knock Lebron.

1449
01:08:27,840 --> 01:08:29,800
Speaker 1: Don't give me number one day.

1450
01:08:30,200 --> 01:08:33,559
Speaker 2: By your analogy, he's number one if you're talking about

1451
01:08:33,840 --> 01:08:37,600
Speaker 2: the main focus of the are you kidding me?

1452
01:08:37,680 --> 01:08:37,840
Speaker 1: Yeah?

1453
01:08:37,880 --> 01:08:40,080
Speaker 2: But them dudes was them dudes were coming on was

1454
01:08:40,160 --> 01:08:42,519
Speaker 2: plumbers man. He wasn't athletic.

1455
01:08:42,720 --> 01:08:45,040
Speaker 3: They already I don't want to go back and forth

1456
01:08:45,080 --> 01:08:45,560
Speaker 3: with you with this.

1457
01:08:45,720 --> 01:08:47,360
Speaker 1: Go look at the players that he played with.

1458
01:08:47,520 --> 01:08:49,960
Speaker 2: I'm not saying no, but I'm saying that my eyes

1459
01:08:49,960 --> 01:08:52,200
Speaker 2: play with eyes that I saw.

1460
01:08:53,600 --> 01:08:55,120
Speaker 1: Shorting this number one.

1461
01:08:55,439 --> 01:08:59,920
Speaker 2: I said, but it was knowledge electricians and makes little

1462
01:09:00,080 --> 01:09:01,360
Speaker 2: Raw number one because.

1463
01:09:02,840 --> 01:09:06,040
Speaker 1: Just because that analogy doesn't make him number one. So listen.

1464
01:09:06,160 --> 01:09:09,800
Speaker 1: So bj Armstrong was bj Armstrong and Jordan made him,

1465
01:09:10,040 --> 01:09:14,600
Speaker 1: but he wasn't a star role player. Paxton wasn't the

1466
01:09:14,640 --> 01:09:15,679
Speaker 1: start of the role players.

1467
01:09:16,120 --> 01:09:19,600
Speaker 3: What about what about what about her specialists?

1468
01:09:19,640 --> 01:09:20,040
Speaker 1: Role player?

1469
01:09:20,080 --> 01:09:23,719
Speaker 3: He can't he had them in history.

1470
01:09:24,520 --> 01:09:28,800
Speaker 1: That's just say no, the team is designed. Yeah, you

1471
01:09:29,000 --> 01:09:30,920
Speaker 1: need a person for these places.

1472
01:09:31,040 --> 01:09:34,519
Speaker 3: They knew three people's on Jordan's someone's open that's gonna

1473
01:09:34,520 --> 01:09:37,120
Speaker 3: be reliable to knock it down. So they got specialist Hodges.

1474
01:09:37,320 --> 01:09:38,759
Speaker 1: Fuck, then what about Craig Hodges.

1475
01:09:39,400 --> 01:09:43,760
Speaker 3: Craig Hodges got busy. I'm telling you, Yeah, they had specialists.

1476
01:09:43,760 --> 01:09:46,760
Speaker 3: That's how you designed the team. But that's how you

1477
01:09:46,800 --> 01:09:48,120
Speaker 3: gotta design it. I hear you.

1478
01:09:49,439 --> 01:09:53,760
Speaker 2: There's no team designed like that since Golden State. That's

1479
01:09:53,800 --> 01:09:58,560
Speaker 2: the only team since Chicago that was designed by the

1480
01:09:58,800 --> 01:10:01,599
Speaker 2: regular role player that dominated the game.

1481
01:10:01,720 --> 01:10:02,679
Speaker 1: How that happened?

1482
01:10:03,240 --> 01:10:04,920
Speaker 3: See, this is where you're missing this punt.

1483
01:10:05,040 --> 01:10:08,240
Speaker 1: It's the same happened. It's the same thing with Detroit Pistons.

1484
01:10:08,280 --> 01:10:10,960
Speaker 1: How they wore they one? They ring? How did it happen?

1485
01:10:11,479 --> 01:10:14,639
Speaker 2: The team together? But these niggas was all stars. It's

1486
01:10:14,720 --> 01:10:18,200
Speaker 2: just nobody wanted. I'm not talking about that Detroit. I'm

1487
01:10:18,240 --> 01:10:22,120
Speaker 2: talking about Detroit with Ben Willers Chauncey Billups, rip hamdled.

1488
01:10:23,640 --> 01:10:27,439
Speaker 3: That was my squad. Okay, Mota City, that was my team.

1489
01:10:27,680 --> 01:10:30,160
Speaker 3: A bunch of niggas that you counted out and we

1490
01:10:30,320 --> 01:10:34,040
Speaker 3: get together and show you we really had. I'm here too,

1491
01:10:34,439 --> 01:10:35,160
Speaker 3: So that's.

1492
01:10:34,960 --> 01:10:38,439
Speaker 2: What I'm saying. You can't say either, it's not number one.

1493
01:10:38,840 --> 01:10:41,799
Speaker 2: If you get together, put the team together, all.

1494
01:10:41,720 --> 01:10:47,040
Speaker 1: Of your niggas level. What team was gearing up to

1495
01:10:47,120 --> 01:10:48,120
Speaker 1: stop IgA dollars?

1496
01:10:48,200 --> 01:10:49,320
Speaker 3: That's what the problem is.

1497
01:10:50,840 --> 01:10:55,640
Speaker 1: That's what stop dollar in Golden State? Are you kidding me?

1498
01:10:56,320 --> 01:10:57,120
Speaker 1: Are you kidding me?

1499
01:10:57,320 --> 01:10:57,360
Speaker 2: No?

1500
01:10:57,600 --> 01:11:00,880
Speaker 3: I'm not hot yo, were goiving touch you, andre j.

1501
01:11:01,160 --> 01:11:03,880
Speaker 1: You're gonna have to gearing up to stop the whole

1502
01:11:04,040 --> 01:11:07,559
Speaker 1: Golden State. These niggas invented the move around giving They

1503
01:11:07,680 --> 01:11:10,200
Speaker 1: was looking like the Globe trotters when they first study

1504
01:11:10,560 --> 01:11:13,439
Speaker 1: niggas trying to con the whole team. I think they're

1505
01:11:13,520 --> 01:11:14,000
Speaker 1: the reason.

1506
01:11:14,120 --> 01:11:18,360
Speaker 3: Okay, hold on, hold on this pit stop stop who's

1507
01:11:18,439 --> 01:11:20,160
Speaker 3: the one out of all of them is running around.

1508
01:11:20,280 --> 01:11:23,040
Speaker 3: That's who they're geared towards. The whole plays is run

1509
01:11:23,160 --> 01:11:26,800
Speaker 3: because they had they had an iconic player. Listen to me,

1510
01:11:26,840 --> 01:11:29,360
Speaker 3: they got an iconic player, Steff, I'm not saying nothing.

1511
01:11:29,760 --> 01:11:32,040
Speaker 3: I'm trying to explain to you.

1512
01:11:32,200 --> 01:11:34,720
Speaker 1: So he's the iconic player. You agree, I'm gonna give

1513
01:11:34,760 --> 01:11:35,559
Speaker 1: you one. Okay.

1514
01:11:35,720 --> 01:11:39,080
Speaker 3: So if that's the case, the entire offense is designed

1515
01:11:39,200 --> 01:11:39,880
Speaker 3: around him.

1516
01:11:40,479 --> 01:11:43,080
Speaker 1: Not a good dollar. You say you are second and.

1517
01:11:43,120 --> 01:11:45,560
Speaker 3: Third option, Hodie, right, he'll tell you.

1518
01:11:46,120 --> 01:11:49,519
Speaker 1: But listen, so lit'sten right. You can't be bringing the

1519
01:11:49,640 --> 01:11:51,320
Speaker 1: second and third breaking down.

1520
01:11:51,560 --> 01:11:56,080
Speaker 2: I'm just trying to say, who a star? He said iconic? Okay,

1521
01:11:57,320 --> 01:12:01,519
Speaker 2: jay Z is fucking iconic. But we all stars on

1522
01:12:01,640 --> 01:12:05,720
Speaker 2: there too. We role players, though, but we stars.

1523
01:12:05,400 --> 01:12:08,160
Speaker 1: In that right. I said, nobody ain't gonna tell me.

1524
01:12:12,000 --> 01:12:14,360
Speaker 3: Fella got it when he got to when he got

1525
01:12:14,400 --> 01:12:17,120
Speaker 3: the gonna say he's the role player you got, you

1526
01:12:17,240 --> 01:12:21,200
Speaker 3: got Steph, and you had Clay Clay. Clay's a monster.

1527
01:12:21,640 --> 01:12:24,479
Speaker 1: Draymond is a star. Dre not a star. He a

1528
01:12:24,560 --> 01:12:25,040
Speaker 1: role player.

1529
01:12:25,280 --> 01:12:27,920
Speaker 3: If Draymond played for the Knicks with Draymond even played,

1530
01:12:28,479 --> 01:12:28,960
Speaker 3: see he.

1531
01:12:29,200 --> 01:12:30,760
Speaker 1: Only could do what he's doing.

1532
01:12:31,120 --> 01:12:33,800
Speaker 3: I feel like that, it's like you know you again.

1533
01:12:33,880 --> 01:12:37,840
Speaker 3: It's like you get that perfect combination. Stephan Draymond is

1534
01:12:37,880 --> 01:12:41,800
Speaker 3: the perfect combination. Fuck I fuck with Dre Draymond like

1535
01:12:42,120 --> 01:12:43,840
Speaker 3: he's a grinder. But he has to fit in a

1536
01:12:43,920 --> 01:12:46,040
Speaker 3: certain system or else he'll be irrelevant.

1537
01:12:46,160 --> 01:12:51,679
Speaker 1: So chill this conversation. That's because sports is crazy.

1538
01:12:52,880 --> 01:12:56,320
Speaker 2: This is the basketball I love y'all. I just want

1539
01:12:56,400 --> 01:12:59,320
Speaker 2: to tell you, don't lose my script in the mail

1540
01:12:59,479 --> 01:13:02,679
Speaker 2: like this. This was my invite sit in the script.

1541
01:13:02,800 --> 01:13:06,599
Speaker 1: We ready, baby, tell I appreciate you pulling up my brother.

1542
01:13:06,720 --> 01:13:07,720
Speaker 1: You know I love you. Man.

1543
01:13:08,200 --> 01:13:11,200
Speaker 2: Make sure y'all check out balling. Make sure you check

1544
01:13:11,240 --> 01:13:12,679
Speaker 2: out Spanish fly dropping.

1545
01:13:12,840 --> 01:13:16,360
Speaker 3: So make sure you tap into the cpl any of

1546
01:13:16,479 --> 01:13:18,840
Speaker 3: y'all got some money in want that's your music.

1547
01:13:18,960 --> 01:13:22,679
Speaker 1: Alad, Chris Gottie, we outside man involved with this basketball league.

1548
01:13:22,680 --> 01:13:24,360
Speaker 3: I promise you this is a multi billion all the

1549
01:13:24,360 --> 01:13:26,200
Speaker 3: business raised three million right now.

1550
01:13:26,760 --> 01:13:28,800
Speaker 1: Next raise is gonna be seventy five to one hundred.

1551
01:13:29,040 --> 01:13:31,599
Speaker 2: Stop being scared of niggas who beat the Alphabet boys

1552
01:13:31,640 --> 01:13:33,320
Speaker 2: and they tail. You should want to link with them.

1553
01:13:33,720 --> 01:13:36,559
Speaker 2: These other niggas out here, burnt and earning nigga.

1554
01:13:37,000 --> 01:13:37,600
Speaker 1: Watch that.

1555
01:13:41,840 --> 01:13:47,040
Speaker 2: For more podcasts from iHeart Radio, visit iHeartRadio app, Apple Podcasts,

1556
01:13:47,120 --> 01:13:49,560
Speaker 2: or wherever you listen to your favorite shows at and

1557
01:13:49,640 --> 01:13:52,760
Speaker 2: you can follow me on any social media platform under

1558
01:13:52,800 --> 01:13:53,880
Speaker 2: the name Memphis Bleak.

1559
01:13:54,040 --> 01:13:56,160
Speaker 1: You see anybody fraud in flagging