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Speaker 1: We got.

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Speaker 2: This.

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Speaker 3: Welcome to Thursday Show, Morning Studio. We're gonna do nineties

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Speaker 3: TV catchphrases. I saw yesterday was Will Smith's birthday. It's

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Speaker 3: fifty six. He's way older than Uncle Phil was when

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Speaker 3: Uncle Phil was the old one on the show. Wow,

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Speaker 3: that's crazy, way older too, by the way. Uh so

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Speaker 3: nineties TV catchphrases. This is from the Fresh Prince. But

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Speaker 3: this is the example.

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Speaker 4: What's up Jay?

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Speaker 3: So that's the handshake. Then we all did that like

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Speaker 3: second grade thought cool, So write your answer down. I'm

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Speaker 3: gonna play the catch phrase. You just tell me the

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Speaker 3: show that it's from.

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Speaker 4: Ready, Ready, Newman.

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Speaker 3: Pretty easy. If you miss it, you're out. I'm in,

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Speaker 3: Hello Newman, Amy Seinfeld, watchbox Seinfeld, Eddie Seinfeld correct.

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Speaker 5: Next, pretty easy.

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Speaker 3: You just have to get the show. You don't need

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Speaker 3: the character. But if you say the character and you're wrong,

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Speaker 3: you miss it.

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Speaker 4: So let's not do that.

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Speaker 6: I'm in for the wind lunchbox put full.

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Speaker 3: House correct, Amy, Eddie full House correct correct correct?

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Speaker 4: Next, cheese.

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Speaker 7: What?

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Speaker 4: And then we always play it again. Here it is,

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Speaker 4: got me cheese? Got me cheese? Well, listen to who's

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Speaker 4: saying it. Yeah, cheese. Wow, I'm in for the wind.

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Speaker 4: I'm in not for the wind. Crazy, I don't lunchbox.

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Speaker 6: I mean, I put family matters, but it doesn't sound

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Speaker 6: like Irkle to me.

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Speaker 8: Eddie, I have family matters too, but that does not

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Speaker 8: sound like Urkle.

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Speaker 4: Amy.

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Speaker 7: Oh my gosh, it's family matters.

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Speaker 4: It gets no more Rkle? Did I do that?

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Speaker 7: I need same voice?

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Speaker 4: I didn't hear that. Didn't hear it? Next up? Holy crap, man,

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Speaker 4: these are getting hard. What is that? Holy crap? Holy crap? Oh,

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Speaker 4: the crap. It's definitely not Urkle. I'm in holy crap.

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Speaker 4: Humhm yeah, Crazy, I'm blown away that you guys aren't

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Speaker 4: getting this Amy? Are you guys? Especially those two? They

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Speaker 4: didn't get rkle Holy crap. I don't know if that's

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Speaker 4: I didn't say it like that, Holy crap.

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Speaker 3: Watch watch your answer Simpsons, Eddie, I have cheers Amy

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Speaker 3: family guy. No, that's Frank Barone. Everybody loves Raymond.

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Speaker 4: Holy crap. Okay, here now that's the dad. Yeah good,

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Speaker 4: you well know what he wins. You have a right

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Speaker 4: to be upset with those we should have got there.

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Speaker 3: Well you especially, that's the show. You why I love

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Speaker 3: that show let's do speed round. Oh, we'll do three

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Speaker 3: buzz in. Here we go next, not that there's.

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Speaker 9: Anything wrong Lunchbox Seinfeldt Correct two Seinfelds, you got us

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Speaker 9: next up, it's more to lunchbox Lunchbox. Power Rangers, Yeah, correct,

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Speaker 9: Power Rangers said mighty more from Power Rangers next.

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Speaker 4: Oh my god, South Park. Correct. I thought you guys

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Speaker 4: would do better.

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Speaker 3: Maybe I'm just disappointed in myself for the expectations I

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Speaker 3: put on you may gosh, that's tough. That's the most

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Speaker 3: young one.

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Speaker 4: Go ahead, ready to do it again? That was a That

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Speaker 4: must have been season one? Am I nuts? Well? Glad

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Speaker 4: everybody's here. We got a good show for you. Sin

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Speaker 4: Anon of a sin Bo. There's a question.

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Speaker 3: Hello, Bobby Bones. My husband and I have been married

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Speaker 3: for about five years. You really want to start a family.

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Speaker 3: The problem is, I'm not sure I'm ready. I love

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Speaker 3: our life as it is, and I worry about the

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Speaker 3: changes introducing a child would bring, especially since most of

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Speaker 3: the child care would fall on me. I'm afraid that

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Speaker 3: if I tell him how I feel, it could permanently

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Speaker 3: damage our relationship. I want to have kids, too, just

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Speaker 3: not yet. How do I convince him that waiting would

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Speaker 3: be better for everyone signed kindly kidless. Well, I think

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Speaker 3: there will be permanent damage if you don't say anything

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Speaker 3: about it and let it fester and have a kid

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Speaker 3: when you don't want to have a kid, or don't

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Speaker 3: talk about it, Like I understand the I don't want

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Speaker 3: the initial discomfort of getting in this conversation because it

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Speaker 3: will not be comfortable for either of us, but you

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Speaker 3: know it's gonna be way way, way, way way more

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Speaker 3: uncomfortable is not addressing it and it festering heavy resentment

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Speaker 3: one way or the other, either by you just not

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Speaker 3: getting pregnant when he thinks you're trying to, or him

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Speaker 3: are you getting pregnant when you don't want to.

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Speaker 4: So my encouragement.

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Speaker 3: Is to go ahead and get the uncomfortable part over,

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Speaker 3: which is the we need to talk about this. It's

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Speaker 3: not gonna feel good to talk about it, so you

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Speaker 3: know it's not feel good, but you got to get

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Speaker 3: on the same page. You can compromise, you can decide

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Speaker 3: one way or the other, but you have to get

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Speaker 3: on the same page because you can't keep withholding your

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Speaker 3: thoughts and feelings from him about something so important.

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Speaker 4: Yeah, even if they don't agree it's if it's not.

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Speaker 7: A trivial thing that you can just let fizzle.

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Speaker 3: Yep again, I'm telling you, I understand why you don't

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Speaker 3: want to say it because it will probably create us

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Speaker 3: some friction. And he's like, wait what and it could

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Speaker 3: turn into a big fight, But it's not near as

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Speaker 3: big as the actual damage that's going to happen if

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Speaker 3: you just load it fester and say nothing about it,

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Speaker 3: or if you get pregnant when you don't want to,

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Speaker 3: or if you secretly keep yourself from getting pregnant when

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Speaker 3: he wants to.

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Speaker 7: And we could, you know, assume the best here and

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Speaker 7: wonder if like he might be like, wow, thank you

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Speaker 7: for sharing your feelings with me, Like I didn't know

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Speaker 7: you were feeling that way at the moment. So let's

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Speaker 7: revisit this in six months.

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Speaker 3: Best and worst case scenarios are still better than the

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Speaker 3: growing resentment that will happen or the festering of this circumstance.

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Speaker 4: Best and worst are better than letting it just go.

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Speaker 3: Worst is you can get into a huge fight and

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Speaker 3: that takes that probably takes you to a healthier place

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Speaker 3: eventually anyway. And best is Amy's like he gives you

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Speaker 3: some candy and it's like, Okay.

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Speaker 7: No, that's just with anything. Sometimes we get focused on

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Speaker 7: the worst part of it all, and it's like, oh,

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Speaker 7: but what if it all works out and I'm.

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Speaker 3: Here to tell you best and worson's still better than

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Speaker 3: what's going to happen if you don't talk about it. Yeah,

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Speaker 3: that's my advice there. It's not actually advice on how

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Speaker 3: to feel or.

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Speaker 4: What to do. It's you just got to talk about it.

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Speaker 3: And this is one of those fundamental issues that you

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Speaker 3: got to be on the same page about. You don't

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Speaker 3: have to agree be you need to be on the

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Speaker 3: same page of understanding how you how you feel? All right,

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Speaker 3: good luck. Here's voicemail from Kathy in Colorado.

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Speaker 5: I have a Joe pray Amy.

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Speaker 4: Why couldn't the Bird.

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Speaker 5: Of Prey get a date? He was too awkward?

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Speaker 4: Awkward? Oh how hard? End of the age? Awkward?

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Speaker 2: Got it?

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Speaker 3: Amy's corny coming up in just a few minutes. Let's

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Speaker 3: hear from Jason in Las Vegas. Hey, Bobby, morning studio.

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Speaker 1: You were wondering why the coach.

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Speaker 4: Wanted to meet Amy.

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Speaker 3: It's because she's a freaking smoke show.

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Speaker 4: No other reason.

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Speaker 3: Well, there is the other reason because it's the Texas

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Speaker 3: A and M coach, and he's married and he's the

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Speaker 3: head coach of Texas A and M, and Amy is

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Speaker 3: an Aggie and he was just wanted to know if

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Speaker 3: there were other AGNs voice. Yeah, I don't know, but

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Speaker 3: we have that interview with coach Elko later today. It'll

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Speaker 3: be on twenty five Whistles tomorrow's Pile of Stories.

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Speaker 7: A new study suggests that high pitched female voices really

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Speaker 7: can make men do crazy things.

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Speaker 4: Like you want to stab themselves in the face.

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Speaker 7: No, y'all like it. It turns you into a competitive

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Speaker 7: mode because you're attracted to the high pitch, so you

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Speaker 7: start doing things to show off.

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Speaker 4: I think it depends on how hide the pitch.

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Speaker 3: If you're saying higher pitch than ours and it's a female,

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Speaker 3: like a feminine voice, yes, but if you're talking about

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Speaker 3: the nanny, oh gosh, like a shrilly type voice, no,

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Speaker 3: I want to stab my ear drums out.

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Speaker 10: No.

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Speaker 7: I think that just if they're hearing a woman's voice

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Speaker 7: go higher, then they may drive faster, make impulse decisions.

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Speaker 4: You have to get away reading. I think you're interpeting that.

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Speaker 7: No, they trigger a subconscious response in men, making them

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Speaker 7: feel more competitive or eager to impress.

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Speaker 3: I would say, just a woman being around does all

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Speaker 3: of that. Sure, So that would be a higher pitch

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Speaker 3: voice than we have. So a woman being around does

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Speaker 3: make you, even if you don't realize it, go, I

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Speaker 3: really need to.

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Speaker 4: Step it up.

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Speaker 7: But they say for women, if you want to be

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Speaker 7: taken seriously, you need to talk in a lower voice.

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Speaker 4: Like the woman who had that company where the would

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Speaker 4: test your blood.

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Speaker 3: Yes, Elizabeth Holmes, Elizabeth Holmes, so clear you find out.

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Speaker 3: I mean it wasn't her real voice, but she was

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Speaker 3: told have a deeper voice, so she lived alive where professionally.

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Speaker 4: She would always talk.

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Speaker 7: Yeah wild did you watch some of that Paris Hilton

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Speaker 7: testimony when she was like she would be talking.

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Speaker 3: Going to a normal voice, really be like, I am

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Speaker 3: Paras Hilton, and these are some things I'd like to say.

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Speaker 4: And then after its elvers te god.

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Speaker 7: But she wanted to be taken seriously, and.

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Speaker 4: I think she's been playing a character to someone else.

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Speaker 7: So a game show called Fast Friends is being developed

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Speaker 7: by Max. It's going to feature contestants doing puzzles and games,

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Speaker 7: answering trivia questions on sets from show Friends and like

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Speaker 7: Central Perk type situation, and it's the thirtieth anniversary of

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Speaker 7: Friends that they're probably aligning with that.

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Speaker 3: It's fine because a lot of people like Friends, but

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Speaker 3: also that network owns Friends, so it makes sense inside

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Speaker 3: that world as well. We can do a game show

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Speaker 3: and get people to still watch it and strain the show.

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Speaker 3: We make money off the show. Still, what else?

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Speaker 7: On a related note to that, the couch from Central

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Speaker 7: Perk just sold for thirty thousand dollars during an auction.

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Speaker 4: That seems really it seems exclusive. I don't know, big.

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Speaker 3: Big big things usually don't go for as much unless

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Speaker 3: it's like a full dinosaur. But also I wonder how

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Speaker 3: many couches there were, because I can't imagine.

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Speaker 7: A lot of furniture in them.

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Speaker 4: That's a good port.

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Speaker 3: I can't imagine it was just one couch the whole time,

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Speaker 3: And like Amy said, it's not the only piece of furniture.

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Speaker 4: But it still went for a lot.

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Speaker 3: Thirty thousand dollars is a lot, but you would think

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Speaker 3: a historic shit like I bet for ten grand the machine,

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Speaker 3: the cappuccino machine. I mean, all that stuff probably goes

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Speaker 3: for a decent amount, like Game of Thrones. They just

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Speaker 3: had a humongous act. You guess see that for the chair, No,

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Speaker 3: for all the stuff from the show, like a bunch,

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Speaker 3: and there were stuff that sold for one hundred thousands

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Speaker 3: of dollars because it was really one of them though,

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Speaker 3: and it was yeah, beg Game of Thrones.

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Speaker 4: Also like nerds, that's me. I like nerds. I don't

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Speaker 4: buy any of that though.

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Speaker 7: The average American clashes with their in laws once a month.

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Speaker 7: And I have the top five things that you can

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Speaker 7: argue about.

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Speaker 4: With in laws.

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Speaker 7: They raise kids, okay at five, parenting decisions, sure for money,

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Speaker 7: three disputes about their partner, two lifestyle choices, and the

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Speaker 7: number one thing politics.

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Speaker 4: Oh interesting.

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Speaker 3: I have been married for three years. I love my

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Speaker 3: in laws, meaning I have no issue with them.

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Speaker 7: You I've never clashed once. No, because for the average

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Speaker 7: American it's once a month.

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Speaker 4: I hear you.

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Speaker 3: They don't live here. That helps, so yeah. So, but

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Speaker 3: I also like we want on vacation. We took them

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Speaker 3: with us. I love being around them. I think I

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Speaker 3: love being around them more than my wife does because

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Speaker 3: those are her parents, like she's always had them. I

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Speaker 3: think part of us I didn't have parents. I think

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Speaker 3: that's cool. But also I just they're just so funny

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Speaker 3: and like so cool, and the only that we would

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Speaker 3: clash about would be their massive Oklahoma fans and I'm

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Speaker 3: a massive Arkansas fans, and team's better about I'm getting

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Speaker 3: that fight right now.

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Speaker 4: That was Amy's pile of stores. It's time for the

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Speaker 4: good news ready.

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Speaker 8: Stacey and Christian Blaylock have fostered over eighteen children in

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Speaker 8: the past ten years. Well, six years ago they fostered two.

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Speaker 8: They were twins, and then they ended up adopting them.

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Speaker 8: A few weeks later they found out, oh my gosh,

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Speaker 8: they have siblings. They have four siblings. Wins have siblings. Yeah,

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Speaker 8: so they're like, let's try to adopt the four siblings. Well,

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Speaker 8: the process takes forever and ever, it was eight years

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Speaker 8: until finally last Friday they adopted four siblings. So now

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Speaker 8: they have all six kids under the same roof. So

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Speaker 8: even the twins that they fostered they adopted.

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Speaker 3: Yeah, and they probably only adopted them because it's like, well,

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Speaker 3: we want to adopt them because they're siblings.

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Speaker 4: They're twins, and they keep them together and to.

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Speaker 3: Find out they're wow, and they have four other so

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Speaker 3: they go from two to eight.

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Speaker 8: Yes, So Tatum Tremaine are the twins, and then Mia, Ellie, Calli,

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Speaker 8: and Xander are the four of the siblings all living together.

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Speaker 4: Now, it's a pretty selfless family.

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Speaker 7: Pretty awesome, So great for those kids to have each

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Speaker 7: other and be together.

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Speaker 4: And the fact that they found out that they had

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Speaker 4: the word sparing bill and I'm not.

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Speaker 3: Doing I mean that, I'm like, shout out to that family.

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Speaker 3: Think of that grocery bill. So that's that is so

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Speaker 3: crazy and selfless and amazing. That is what it's all about.

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Speaker 4: That was telling me something good. All right, here we

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Speaker 4: go voicemail from last night morning too.

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Speaker 10: I have a question if your significant others in the.

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Speaker 1: Car and they're on speakerphone with.

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Speaker 7: Somebody, do you engage in the.

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Speaker 10: Conversation along with them. I'm just curious because I feel like.

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Speaker 1: I don't know if I should talk or interject unless

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Speaker 1: the other person knows that I'm in the car or

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Speaker 1: wherever I'm at, and the person who calls acknowledges that

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Speaker 1: I'm wisdom.

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Speaker 4: Let's talk about speakerphone rules in the car, because we

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Speaker 4: all do this.

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Speaker 3: We have it on bluetooth. You're talking, first of all,

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Speaker 3: if someone's in the car with me. I will always say,

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Speaker 3: my wife's in the car with me when you pick up,

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Speaker 3: be careful what you say. Yeah, that's good, unless I'm

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Speaker 3: purposefully letting my wife hear stuff as like an age

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Speaker 3: FBI agent, like she's like, listen to this. So but

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Speaker 3: mostly it's like, hey, just in case my wife's here.

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Speaker 3: If somebody has kids in the car, when I call

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Speaker 3: them or their wife.

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Speaker 4: You should tell me.

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Speaker 3: Secondly, I'm not jumping into any speakerphone call if my

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Speaker 3: wife's having one. If she has an acknowledged I'm here,

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Speaker 3: I'm not jumping in unless I know the person really well. Right,

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Speaker 3: So it's not my conversation to get in unless she says, also,

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Speaker 3: Bobby's here, or it's somebody that I know a plus plus,

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Speaker 3: like she's talking to Eddie, which, by the way, they

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Speaker 3: text videos all the time, TikTok videos. Eddie doesn't take

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Speaker 3: a TikTok video for me and ever even respond to it.

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Speaker 8: Yeah, but we we like, we both like this certain

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Speaker 8: account that we follow.

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Speaker 3: Anyway, you have to acknowledge the person in the car

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Speaker 3: with you. But if you don't acknowledge them, they cannot jump.

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Speaker 4: In, right.

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Speaker 7: That's speakerphone.

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Speaker 3: That's speaker by Eticitt for yeah, because I hate if

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Speaker 3: I'm like, oh, did you bet on this game and like, oh,

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Speaker 3: my wife's in the car, and I'm like, we didn't

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Speaker 3: tell me your wife was in the car.

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Speaker 4: So I think that's the etiquette. Good on that ever?

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Speaker 4: I agree? Yeah, okay, next tip hit it?

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Speaker 5: What is up?

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Speaker 10: Wanted to call and ask Lunchbox a question. I was

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Speaker 10: recently at a rental condo on a beach trip, and

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Speaker 10: as we were unpacking all of our.

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Speaker 9: Things, we opened.

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Speaker 10: The bedside drawer and I found six one hundred dollars bills.

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Speaker 10: What would Lunchbox.

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Speaker 1: Do in that situation?

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Speaker 10: If you're wondering, I did call the rental company and

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Speaker 10: we returned the money. Could not hold onto that in

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Speaker 10: good conscious watch.

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Speaker 4: Bok calld you have done.

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Speaker 6: I'd have put that money in my pocket, or I

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Speaker 6: would have split it amongst the guests and said, look, guys,

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Speaker 6: we got a free night's stay because we just made

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Speaker 6: six hundred dollars of our rental back.

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Speaker 4: If they also paid for it, Yeah, like, whoever paid

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Speaker 4: for you?

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Speaker 1: A man?

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Speaker 4: You paid? We all split this three ways. You get

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Speaker 4: two hundred, you get, you get too ordered, let's go.

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Speaker 4: Does it bother you that it's not your money?

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Speaker 3: Though?

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Speaker 4: And then somebody accidentally left it somewhere?

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Speaker 9: And if you accidental leave anyth you would get upset

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Speaker 9: if somebody took yours that bother you at all?

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Speaker 4: No, Okay, just want to just ask.

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Speaker 6: I mean because like when I moved out of like

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Speaker 6: the townhouse, when I moved here, then I lived with

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Speaker 6: the ray, I left the dishes and the dishwasher and

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Speaker 6: moved and didn't no one called me to give them

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Speaker 6: my dishes back.

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Speaker 4: Those are dishes in a different center. Guess what they

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Speaker 4: cost money? Didn't they You got us? Wow, you nailed this,

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Speaker 4: Okay exactly. That's like stealing money.

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Speaker 3: I would say what I would do is I would

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Speaker 3: call and be like, hey to the rental people, somebody

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Speaker 3: left thee hundred bucks. Or I'd be like, hey, somebody

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Speaker 3: left some money in the side drawer here. Do you

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Speaker 3: know how much it is to see if it was

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Speaker 3: them who left it or somebody in the past.

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Speaker 6: Yeah, and you want to know what they did the

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Speaker 6: rental company. Did they put it in their pocket? They

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Speaker 6: didn't contact the people that stayed there previously.

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Speaker 3: Poston, this is where you find out. You go, how

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Speaker 3: we found some money in the side droord you know

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Speaker 3: how much it is?

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Speaker 9: Because we don't if it's you guys, as we don't

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Speaker 9: leave it here And they go, yeah, yeahh we left it.

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Speaker 4: We left eighty bucks. No you didn't, Dan got them.

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Speaker 4: Then you keep it. I just keep it.

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Speaker 6: You're wasting too much leg work and time.

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Speaker 3: We have a friend who left his stroller. He took

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Speaker 3: his uh this is the debate that we had the

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Speaker 3: other day. He went, they went to the park, loaded

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Speaker 3: up their baby back into the car seat, drove off,

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Speaker 3: left their stroller overnight, went back, the stroller was gone.

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Speaker 3: He was like, somebody stole the stroller. I was like,

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Speaker 3: I was like, well, I feel like theft, for the

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Speaker 3: most part is when you know you're taking something and

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Speaker 3: you know where you're taking it from. Somebody just saw

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Speaker 3: a stroller by itself in a parking lot. It was like,

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Speaker 3: somebody maybe left a stroller. I would I think it's

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Speaker 3: a there's a little more to it than somebody stealing

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Speaker 3: a stroller. If they sold it right out of the truck,

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Speaker 3: that's stealing something just left in a park.

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Speaker 7: Yeah, but you would have to assume, oh no, somebody

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00:17:44,480 --> 00:17:46,159
Speaker 7: left like they're assuming, but you're assuming.

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Speaker 3: My point was, he was like, can you believe somebody

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Speaker 3: stole my stroller? I was like, I can't believe you

383
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Speaker 3: left a two hundred and fifty dollars stroller and you

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Speaker 3: drove off without it.

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Speaker 4: And come back.

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Speaker 6: They think someone doesn't need anymore, so they were putting

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Speaker 6: it somewhere where someone would see it possible, like curbside.

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Speaker 3: I said the exact same did, And I said, I

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Speaker 3: don't know that for sure, and I wouldn't take it.

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Speaker 7: They would eaven knowed. Hey, free stroller, that's true, take

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Speaker 7: free to take?

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Speaker 3: Yeah, or maybe the note blow off with the winds, right,

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Speaker 3: We're just gonna make up scenario. But anyway, my point was,

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Speaker 3: that wasn't that I didn't feel like that was Thatt.

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Speaker 3: That was somebody who felt like they got lucky as

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Speaker 3: somebody had the stroller behind.

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Speaker 7: Okay, maybe it's not fat, but it's taking.

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Speaker 4: I give me one more.

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Speaker 5: I do not want my husband to hear what I

400
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Speaker 5: am about to say. I am like Eddie's wife was.

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Speaker 5: I do not want him to shave his head.

402
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Speaker 7: I am worried.

403
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Speaker 5: I'm not gonna like it, or I'm not going to

404
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Speaker 5: be attracted to him anymore. And so I was wondering

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Speaker 5: now that Eddie has shaved his head, because I think

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Speaker 5: it looks great. I actually was very surprised, and it's

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Speaker 5: kind of making me reconsider allowing my husband to shave

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Speaker 5: his head. So I was wanting to know what does

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Speaker 5: Eddie's wife think? Does she like it now? Does she

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Speaker 5: still think it's weird? Please help me out here.

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Speaker 4: Thank you Eddie. You're bald now you shave a bald? Yeah?

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Speaker 4: Are we talking normal?

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Speaker 3: Yeah?

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Speaker 4: Okay, yeah, she loves it. My wife loves my head now.

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Speaker 8: She didn't like it before because she said that I

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00:19:00,440 --> 00:19:02,000
Speaker 8: look like my dad because my dad too had a

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Speaker 8: shaved head, And so I don't know.

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Speaker 4: All of a sudden she's like, no, you look good

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00:19:06,200 --> 00:19:09,480
Speaker 4: with that shaved head. Great shape shaped head. It's the

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Speaker 4: greatest shaped head I've ever seen. I think, what do

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00:19:11,280 --> 00:19:12,720
Speaker 4: you mean you have a great shaped head? Are you

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00:19:12,760 --> 00:19:15,720
Speaker 4: making fun of me? No, it's perfectly bald. It's his

423
00:19:15,880 --> 00:19:18,200
Speaker 4: head is shaped. Wonder I shaved my head once. It

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Speaker 4: was terrible.

425
00:19:19,320 --> 00:19:23,119
Speaker 9: I had like a continence coming off the side of it,

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Speaker 9: craters and stuff.

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Speaker 3: Terrible. You have a lovely shit. I don't know why

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Speaker 3: you're talking to me like that.

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Speaker 4: All I'm saying you have a perfectly shaped head. I

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Speaker 4: mean I like it no more. You could really see it.

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Speaker 3: Those pictures you took in Vegas when you had retake

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00:19:36,280 --> 00:19:38,960
Speaker 3: pictures you act like pop your head looked great.

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Speaker 4: Thank you having great head. I mean a lot of

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Speaker 4: people are telling me like you should have done that

435
00:19:42,760 --> 00:19:44,719
Speaker 4: a long time ago. It looks great. Thank you. Oh

436
00:19:44,760 --> 00:19:45,720
Speaker 4: your wife does like it now.

437
00:19:45,800 --> 00:19:47,440
Speaker 3: He loves it. All right, Thank you for the call.

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Speaker 3: You guys can leave us a voicemail. Ask us a

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00:19:49,160 --> 00:19:53,640
Speaker 3: question anytime. Eight seven seven seventy seven Bobby eight seven

440
00:19:53,720 --> 00:19:57,879
Speaker 3: seven seventy seven Bobby. In the category of this seems

441
00:19:57,920 --> 00:20:00,800
Speaker 3: like a terrible idea, Munda would like to say a

442
00:20:00,800 --> 00:20:03,639
Speaker 3: little something, and this is a way, he says, if

443
00:20:03,680 --> 00:20:05,480
Speaker 3: you want to speed up your service at a restaurant,

444
00:20:05,840 --> 00:20:06,679
Speaker 3: this is what you should do.

445
00:20:06,720 --> 00:20:08,600
Speaker 4: Go ahead, Ray, Yeah, So my friend does this.

446
00:20:08,720 --> 00:20:10,359
Speaker 2: You just grab out your phone and you put it

447
00:20:10,400 --> 00:20:12,720
Speaker 2: on the stopwatch and you just set it at the

448
00:20:12,800 --> 00:20:14,879
Speaker 2: edge of the table the second you get seated and

449
00:20:14,920 --> 00:20:17,760
Speaker 2: you just hit start and it just stays up the

450
00:20:17,800 --> 00:20:19,800
Speaker 2: whole time, and you're kind of able to see how

451
00:20:19,800 --> 00:20:22,640
Speaker 2: long the app takes when the server first comes over,

452
00:20:23,040 --> 00:20:25,400
Speaker 2: how long do you drinks take the main dish? When

453
00:20:25,400 --> 00:20:27,680
Speaker 2: does it come your check? How long are you waiting

454
00:20:27,680 --> 00:20:31,119
Speaker 2: for that? And it's informative how long everything takes. And

455
00:20:31,240 --> 00:20:35,440
Speaker 2: also my friend said it always speeds up service. He's

456
00:20:35,520 --> 00:20:37,399
Speaker 2: never had a bad meal since he started doing it.

457
00:20:37,560 --> 00:20:39,400
Speaker 7: No way, Yeah, there's bad things in his meal.

458
00:20:39,640 --> 00:20:43,439
Speaker 4: Yeah, exactly. This is a like terrible idea.

459
00:20:43,560 --> 00:20:46,520
Speaker 3: Yeah, to put a stopwatch on the table and let

460
00:20:46,560 --> 00:20:48,000
Speaker 3: it run and let.

461
00:20:47,880 --> 00:20:48,639
Speaker 4: Everybody see it.

462
00:20:48,760 --> 00:20:51,159
Speaker 3: Now, if you want to time it secretly to go,

463
00:20:51,200 --> 00:20:52,640
Speaker 3: I wonder how long this is going to take.

464
00:20:52,720 --> 00:20:53,159
Speaker 4: That's on you.

465
00:20:53,160 --> 00:20:55,240
Speaker 3: You can time anything. You can time this segment. You

466
00:20:55,240 --> 00:20:59,720
Speaker 3: can time your order at any restaurant. I have no

467
00:20:59,720 --> 00:21:01,159
Speaker 3: problem with that. But if you want to put on

468
00:21:01,200 --> 00:21:02,959
Speaker 3: the table, you're gonna have to deal with things are

469
00:21:03,000 --> 00:21:06,960
Speaker 3: going to happen that maybe you don't see at your table.

470
00:21:07,040 --> 00:21:10,159
Speaker 8: Do you think the server notices that stop watching it

471
00:21:10,440 --> 00:21:12,680
Speaker 8: on the table knows exactly what it's for.

472
00:21:13,080 --> 00:21:15,280
Speaker 3: Well, if there's just a stop watch on the table

473
00:21:15,280 --> 00:21:17,160
Speaker 3: that started when you sat down.

474
00:21:17,000 --> 00:21:18,640
Speaker 4: Of course this is not good.

475
00:21:18,760 --> 00:21:22,879
Speaker 3: You feel like you're being monitored and timed. This is

476
00:21:22,920 --> 00:21:25,639
Speaker 3: a terrible idea and you're better at restaurants. Sue will

477
00:21:25,680 --> 00:21:28,600
Speaker 3: always ask, will say, hey, like BJ, whatever, he doesn't care.

478
00:21:28,680 --> 00:21:31,159
Speaker 3: I'll say, hey, BJ, how is that Mexican spot for

479
00:21:31,240 --> 00:21:33,399
Speaker 3: drinks you like? Usually it's about ten to fifteen minutes.

480
00:21:33,480 --> 00:21:35,399
Speaker 3: We could probably go quickerf we go to a different spot.

481
00:21:35,480 --> 00:21:37,560
Speaker 3: But he could do that and have that information and

482
00:21:37,600 --> 00:21:40,400
Speaker 3: not put it on the table to make the weight

483
00:21:40,480 --> 00:21:43,840
Speaker 3: staff the servers feel like they're being monitored measured.

484
00:21:44,119 --> 00:21:46,879
Speaker 7: Because also if he's getting that information based on the

485
00:21:46,880 --> 00:21:48,720
Speaker 7: fact that he put it out there and he thinks

486
00:21:48,720 --> 00:21:51,360
Speaker 7: that's making the move faster than that means when y'all go,

487
00:21:51,560 --> 00:21:52,760
Speaker 7: you have to do the same thing or you're not

488
00:21:52,800 --> 00:21:53,960
Speaker 7: gonna get the same time.

489
00:21:53,920 --> 00:21:56,800
Speaker 4: And you're probably gonna get the same spit in your food. Yeah.

490
00:21:56,840 --> 00:21:59,320
Speaker 2: Well, we actually got the idea from another restaurant because

491
00:21:59,320 --> 00:22:01,040
Speaker 2: they said we only had an hour to eat, and

492
00:22:01,160 --> 00:22:03,400
Speaker 2: so we put our stopwatch right there on the table,

493
00:22:03,400 --> 00:22:05,480
Speaker 2: and that's how we knew we were within the parameters

494
00:22:05,480 --> 00:22:05,880
Speaker 2: of the hour.

495
00:22:05,960 --> 00:22:08,640
Speaker 3: Can someone convince me this is not a terrible idea? No,

496
00:22:08,760 --> 00:22:11,040
Speaker 3: I don't see any win in this, because I would

497
00:22:11,040 --> 00:22:13,040
Speaker 3: be so concerned they're screwing with my food that I

498
00:22:13,080 --> 00:22:13,800
Speaker 3: wouldn't be able.

499
00:22:13,640 --> 00:22:14,280
Speaker 4: To enjoy the food.

500
00:22:14,320 --> 00:22:16,439
Speaker 7: And I can understand when a restaurant has a turnover

501
00:22:16,480 --> 00:22:18,560
Speaker 7: time where they have a reservation coming and they're like, hey, yeah,

502
00:22:18,600 --> 00:22:21,400
Speaker 7: look we can see you, but we need you out

503
00:22:21,400 --> 00:22:23,760
Speaker 7: of here in an hour. So that makes sense if

504
00:22:23,760 --> 00:22:24,840
Speaker 7: you need to tell.

505
00:22:24,720 --> 00:22:27,840
Speaker 4: That you yes, and you say that to the server.

506
00:22:28,119 --> 00:22:29,439
Speaker 3: Hey, they told us we need to get out of

507
00:22:29,440 --> 00:22:31,080
Speaker 3: this table in one hour, so we're going to time

508
00:22:31,119 --> 00:22:33,400
Speaker 3: ourselves to make sure we're able to leave the table.

509
00:22:33,560 --> 00:22:35,400
Speaker 7: All right. They're gonna be like, wow, too vulnerable.

510
00:22:35,560 --> 00:22:37,720
Speaker 3: The mess have your food where you can't see them,

511
00:22:38,040 --> 00:22:40,440
Speaker 3: You're too vulnerable. Then they have your credit card where

512
00:22:40,480 --> 00:22:43,440
Speaker 3: you can't see them, You're too vulnerable. This is one

513
00:22:43,480 --> 00:22:44,560
Speaker 3: of the worst ideas I've heard.

514
00:22:44,640 --> 00:22:46,520
Speaker 4: And what restaurant brings out the fastest food.

515
00:22:46,560 --> 00:22:48,160
Speaker 2: You guys wouldn't know because you don't do the stop

516
00:22:48,200 --> 00:22:49,199
Speaker 2: watching that.

517
00:22:49,240 --> 00:22:50,800
Speaker 3: You can do that without putting it on the table.

518
00:22:51,200 --> 00:22:53,520
Speaker 3: You literally can time anything you want. You'd be like,

519
00:22:53,520 --> 00:22:55,080
Speaker 3: all right, go and just keep your phone in your

520
00:22:55,080 --> 00:22:57,680
Speaker 3: pocket and they come stop it. Heck, make a note,

521
00:22:57,920 --> 00:22:59,800
Speaker 3: take a journal with you, write it with a pen.

522
00:23:00,320 --> 00:23:03,160
Speaker 3: But no, that's a terrible idea. Just a little placement

523
00:23:03,200 --> 00:23:05,240
Speaker 3: on the table. You're not putting in front of their face.

524
00:23:05,240 --> 00:23:07,679
Speaker 3: If they look down, they see it. They'll see it.

525
00:23:07,720 --> 00:23:10,280
Speaker 3: They're obviously gonna look down because they're serving on the

526
00:23:10,359 --> 00:23:14,280
Speaker 3: table lunchbox. You're the only one I could see this.

527
00:23:14,520 --> 00:23:15,800
Speaker 4: Listen. I kind of like it.

528
00:23:15,960 --> 00:23:19,439
Speaker 6: This guarantees great service, and you are there for a

529
00:23:19,480 --> 00:23:22,000
Speaker 6: great experience. And if they want to give you great service,

530
00:23:22,040 --> 00:23:23,480
Speaker 6: they see the time we're like, hey, I'm under a

531
00:23:23,520 --> 00:23:26,320
Speaker 6: little more pressure, and they up their standards.

532
00:23:26,359 --> 00:23:28,080
Speaker 4: Unless you know, they see the stop box.

533
00:23:28,119 --> 00:23:30,440
Speaker 6: They get lazy, then they get a bad tip, and

534
00:23:30,440 --> 00:23:32,320
Speaker 6: then you can tell them, why, look, how did you

535
00:23:32,400 --> 00:23:33,240
Speaker 6: get your food quick?

536
00:23:33,600 --> 00:23:35,520
Speaker 7: Who is it that y'all know this? They do that

537
00:23:35,520 --> 00:23:40,080
Speaker 7: thing with the money on the table, my dad, Yeah.

538
00:23:40,160 --> 00:23:45,480
Speaker 4: Oh gosh, you need to do that, which is it

539
00:23:45,520 --> 00:23:47,399
Speaker 4: was a terrible idea. You had no problem with it.

540
00:23:47,440 --> 00:23:48,960
Speaker 4: You take the money, you put it on the table.

541
00:23:49,040 --> 00:23:51,280
Speaker 3: Let's just say it's five bucks in ones, and every

542
00:23:51,280 --> 00:23:52,840
Speaker 3: time there's something that doesn't go right, you pick a

543
00:23:52,840 --> 00:23:54,760
Speaker 3: dollar and put it back in your pocket. When once

544
00:23:54,760 --> 00:23:57,040
Speaker 3: you get out of like two or one dollar, they

545
00:23:57,119 --> 00:23:59,440
Speaker 3: don't care anymore. So again you're gonna have mystery stuff

546
00:23:59,440 --> 00:24:00,000
Speaker 3: hapen to your food.

547
00:24:00,359 --> 00:24:02,919
Speaker 8: I remember, oh this, but heats are not hot, and

548
00:24:02,960 --> 00:24:04,880
Speaker 8: he put it back and then take a dollar away.

549
00:24:05,760 --> 00:24:07,199
Speaker 4: That's not good. That's crazy.

550
00:24:07,840 --> 00:24:10,720
Speaker 3: We're gonna play hardy truck bed. I stand by that

551
00:24:10,800 --> 00:24:12,800
Speaker 3: is it? Not just a bad idea, that's a terrible idea.

552
00:24:12,840 --> 00:24:15,840
Speaker 3: Four minute segment. I had to stop watch going good

553
00:24:15,920 --> 00:24:20,320
Speaker 3: job right. Yesterday was apparently one hit wonder day, so

554
00:24:20,359 --> 00:24:22,040
Speaker 3: I saw the stories about it. I don't normally do

555
00:24:22,080 --> 00:24:24,080
Speaker 3: all the days, but I did come up with my

556
00:24:24,119 --> 00:24:26,320
Speaker 3: favorite one hit wonders of all time. Now these are

557
00:24:26,359 --> 00:24:29,199
Speaker 3: me the best one hit wonders according to me.

558
00:24:29,560 --> 00:24:30,040
Speaker 4: Lunchbox.

559
00:24:30,040 --> 00:24:31,320
Speaker 3: If I tell you the song, you try to sing

560
00:24:31,359 --> 00:24:34,080
Speaker 3: it back to me. To me at number five on

561
00:24:34,119 --> 00:24:37,960
Speaker 3: my list, Macy Gray, I try, I.

562
00:24:37,960 --> 00:24:42,960
Speaker 9: Try, arise above it, but I try.

563
00:24:43,280 --> 00:24:45,560
Speaker 4: I try. So you don't know that one? No I

564
00:24:46,040 --> 00:24:48,560
Speaker 4: just did it. No, man, No, you didn't you what

565
00:24:48,560 --> 00:24:49,920
Speaker 4: I try to say?

566
00:24:50,000 --> 00:24:56,320
Speaker 7: Goodbye? Choke, try to walk away and.

567
00:24:53,560 --> 00:24:58,640
Speaker 4: I see I was closed. No, not at all.

568
00:24:58,840 --> 00:25:02,120
Speaker 3: Let's try number four, lunch By, sing it back lou

569
00:25:02,160 --> 00:25:05,680
Speaker 3: Bega mambo number five. I need a little Madga in

570
00:25:05,720 --> 00:25:06,280
Speaker 3: my live.

571
00:25:06,400 --> 00:25:10,840
Speaker 4: I need a little Soreena in my live. Mabo number five.

572
00:25:11,680 --> 00:25:14,320
Speaker 4: He got back around to those books, right, I can

573
00:25:14,320 --> 00:25:15,240
Speaker 4: tell you know it?

574
00:25:15,480 --> 00:25:18,520
Speaker 6: Yeah, you sing, I need a little Vanessa in my life.

575
00:25:18,800 --> 00:25:21,359
Speaker 6: I need a little Michelle in my life.

576
00:25:21,400 --> 00:25:23,520
Speaker 3: I'm not sure all those names are in it, but okay.

577
00:25:23,640 --> 00:25:26,760
Speaker 3: Number three on my list of greatest one hit Wonders

578
00:25:27,320 --> 00:25:29,200
Speaker 3: a song from Mark cohne Lunchbox.

579
00:25:29,240 --> 00:25:31,600
Speaker 4: Can you sing Walking in Memphis?

580
00:25:31,880 --> 00:25:36,680
Speaker 6: I'm walking in Memphis with my head Hell, I walk

581
00:25:36,800 --> 00:25:39,879
Speaker 6: down Beals three, six feet in the sky.

582
00:25:40,440 --> 00:25:43,720
Speaker 3: Okay, I knows it, but he can't get there. He's

583
00:25:43,720 --> 00:25:46,040
Speaker 3: off a bind because he just yells the song. Yeah,

584
00:25:46,080 --> 00:25:47,040
Speaker 3: because it's I'm.

585
00:25:46,840 --> 00:25:49,600
Speaker 9: Wogging in Memphis with my head held.

586
00:25:49,640 --> 00:25:54,400
Speaker 3: My feet six feet off the rail off walking in Memphis.

587
00:25:54,640 --> 00:25:56,080
Speaker 4: You know, you know the reason I know that song?

588
00:25:56,160 --> 00:25:59,399
Speaker 6: Why Because on that wonderful trip to the Diamond Park

589
00:25:59,440 --> 00:26:02,200
Speaker 6: in Arkansas, so happy. You've never been to Beal Street,

590
00:26:02,200 --> 00:26:04,480
Speaker 6: so she made me stop and walk down Bell Street.

591
00:26:04,480 --> 00:26:07,800
Speaker 4: Why she played that song. That's awesome. I thought you

592
00:26:07,800 --> 00:26:09,320
Speaker 4: would have known it for other reasons.

593
00:26:10,000 --> 00:26:11,400
Speaker 7: You want to know the only reason why I know it?

594
00:26:12,119 --> 00:26:14,639
Speaker 7: My sister did a solo lyrical dance to it in

595
00:26:14,720 --> 00:26:16,560
Speaker 7: high school, and she was practiced in our living room

596
00:26:16,600 --> 00:26:18,680
Speaker 7: and she played that song over and over and over.

597
00:26:19,480 --> 00:26:19,760
Speaker 4: Bones.

598
00:26:19,800 --> 00:26:20,240
Speaker 10: How do you know?

599
00:26:20,640 --> 00:26:23,280
Speaker 9: I don't know. I know those great stories and I

600
00:26:23,320 --> 00:26:25,360
Speaker 9: found five dollars.

601
00:26:25,640 --> 00:26:26,760
Speaker 4: Number two, Here we go.

602
00:26:27,160 --> 00:26:30,720
Speaker 3: My favorite one hit Wonders Lunchbatch sing it, no, No,

603
00:26:30,880 --> 00:26:34,280
Speaker 3: tell me it, Daniel Powder Bad Day because.

604
00:26:34,040 --> 00:26:35,399
Speaker 4: I had a bad day.

605
00:26:35,960 --> 00:26:39,960
Speaker 6: Take one down, and I had a bad day.

606
00:26:40,440 --> 00:26:42,760
Speaker 4: That's it. I feel like you got it.

607
00:26:43,000 --> 00:26:44,520
Speaker 9: Yeah you don't have it, but I feel like you

608
00:26:44,600 --> 00:26:47,639
Speaker 9: know it to sing it though, use I had a

609
00:26:47,680 --> 00:26:48,679
Speaker 9: bad day.

610
00:26:49,040 --> 00:26:52,639
Speaker 4: Take one down. I had a bad day.

611
00:26:53,119 --> 00:26:54,840
Speaker 3: It's like he gets the first and just wraps it

612
00:26:54,880 --> 00:26:56,960
Speaker 3: at the end of it with the same Okay, so

613
00:26:57,000 --> 00:26:58,439
Speaker 3: you have one left ready.

614
00:26:58,560 --> 00:27:01,640
Speaker 4: I nailed that one though, I said take one down. Yeah,

615
00:27:01,760 --> 00:27:02,840
Speaker 4: I didn't even know what I said that. I'll be

616
00:27:02,880 --> 00:27:04,320
Speaker 4: honest with you. I no melody.

617
00:27:04,320 --> 00:27:06,640
Speaker 3: I didn't know the words or last one. The number

618
00:27:06,640 --> 00:27:07,960
Speaker 3: one one hit, wonder According to me.

619
00:27:07,960 --> 00:27:09,840
Speaker 4: It's gotta be what. Oh it's gotta be.

620
00:27:09,960 --> 00:27:11,800
Speaker 9: It's gotta be you think it's gonna be tumblewamba, Yes

621
00:27:12,600 --> 00:27:15,359
Speaker 9: what I get knocked down, but get off again.

622
00:27:15,520 --> 00:27:17,120
Speaker 4: It's not in my top five. It's a big one.

623
00:27:17,160 --> 00:27:19,159
Speaker 9: But see that one's good for him because he just yells,

624
00:27:19,880 --> 00:27:23,439
Speaker 9: but it's not my personal one, biz Marquee, just a friend?

625
00:27:24,160 --> 00:27:25,919
Speaker 4: Oh you got o? What?

626
00:27:26,040 --> 00:27:31,600
Speaker 9: Wait what it's like? Wait what what? Oh it's not

627
00:27:32,200 --> 00:27:35,240
Speaker 9: But go ahead. You say he's just a friend, got it?

628
00:27:35,359 --> 00:27:44,080
Speaker 9: You say he's just a friend. Oh babe, it's a word.

629
00:27:44,320 --> 00:27:46,280
Speaker 9: Come on, come on, it's a word. Keep on with

630
00:27:46,280 --> 00:27:49,280
Speaker 9: the old baby, you you got what?

631
00:27:51,400 --> 00:27:52,520
Speaker 4: Rest in peace? Biz Markie.

632
00:27:52,920 --> 00:27:53,240
Speaker 1: He died.

633
00:27:54,240 --> 00:27:56,200
Speaker 3: And then he also did like you did music on

634
00:27:56,200 --> 00:27:58,280
Speaker 3: one of those kids shows. I don't know which one.

635
00:27:58,280 --> 00:28:00,840
Speaker 3: It was Scuba, do you know I like played keys

636
00:28:01,040 --> 00:28:04,840
Speaker 3: and saying on a kids shown maybe same street. Yeah,

637
00:28:05,080 --> 00:28:09,600
Speaker 3: it was like a nick show or something. Uh yeah, anyway,

638
00:28:09,640 --> 00:28:11,399
Speaker 3: those are my top five. It's Yo Gabba Gabba. I

639
00:28:11,400 --> 00:28:12,160
Speaker 3: don't know if that's nicker.

640
00:28:12,280 --> 00:28:14,520
Speaker 4: Oh Yo Gabba gabba. Yeah, he would come on, he

641
00:28:14,520 --> 00:28:16,879
Speaker 4: would as he was also a beat bug. Here was

642
00:28:16,880 --> 00:28:17,200
Speaker 4: that guy.

643
00:28:17,359 --> 00:28:19,320
Speaker 8: I'm a little shocked he didn't go tumble one, but yeah,

644
00:28:19,320 --> 00:28:19,919
Speaker 8: a little shocked.

645
00:28:20,400 --> 00:28:23,040
Speaker 4: Probably number six, of course. But there's a lot like

646
00:28:23,080 --> 00:28:26,520
Speaker 4: eagle a cherry safe tonight. Yes that's up there. Oh

647
00:28:26,560 --> 00:28:28,240
Speaker 4: I know that one too, if you have me tomorrow

648
00:28:28,240 --> 00:28:28,919
Speaker 4: private different five?

649
00:28:29,000 --> 00:28:31,520
Speaker 6: Okay, what about Gingham Style?

650
00:28:32,280 --> 00:28:35,359
Speaker 3: No, that doesn't make Top twenty. That was like interesting,

651
00:28:35,520 --> 00:28:36,440
Speaker 3: but not my favorite.

652
00:28:36,480 --> 00:28:37,760
Speaker 4: What does a fox say?

653
00:28:38,600 --> 00:28:41,600
Speaker 3: No, that's terrible. Also, it's not one of my favorites.

654
00:28:41,840 --> 00:28:45,680
Speaker 3: Uh huh, great song, not one of my favorite. I

655
00:28:45,720 --> 00:28:49,680
Speaker 3: did my top five favorites. He let the Dogs Out.

656
00:28:50,080 --> 00:28:54,280
Speaker 4: Not one of my favorites. It's time for the good news.

657
00:28:54,360 --> 00:28:54,520
Speaker 3: Yea.

658
00:28:58,040 --> 00:29:00,160
Speaker 4: His family lost their son to cant or.

659
00:29:00,320 --> 00:29:03,760
Speaker 3: He was young and he really loved the Giants, the

660
00:29:03,800 --> 00:29:07,960
Speaker 3: New York Giants, Eli Manning quarterback Tom Coughlin, who was

661
00:29:07,960 --> 00:29:10,800
Speaker 3: the coach of the Giants. They won two Super Bowls together,

662
00:29:11,200 --> 00:29:14,320
Speaker 3: and they showed up at the house and so they

663
00:29:14,360 --> 00:29:16,560
Speaker 3: surprised the parents of this kid who loved the Giants.

664
00:29:16,640 --> 00:29:20,160
Speaker 3: That's awesome, and they gave them tickets to the upcoming

665
00:29:20,360 --> 00:29:23,040
Speaker 3: Super Bowl in New Orleans. So they wanted to be like, hey,

666
00:29:23,720 --> 00:29:25,080
Speaker 3: we know you went through some stuff. We know you

667
00:29:25,120 --> 00:29:26,680
Speaker 3: love the Giants. By the way, Giants aren't going to

668
00:29:26,720 --> 00:29:28,480
Speaker 3: the Super Bowl. They suck, but they don't play for

669
00:29:28,520 --> 00:29:29,160
Speaker 3: the Giants right now.

670
00:29:29,280 --> 00:29:30,000
Speaker 4: Giants are terrible.

671
00:29:30,400 --> 00:29:34,760
Speaker 3: But they stopped by and gave the family this. And

672
00:29:35,000 --> 00:29:38,320
Speaker 3: Tom Coughlin has a charity that deals with cancer, and

673
00:29:38,400 --> 00:29:41,960
Speaker 3: so it was kind of like a multifaceted thing where

674
00:29:42,040 --> 00:29:43,760
Speaker 3: they were like, we want to be here to support you.

675
00:29:43,880 --> 00:29:45,959
Speaker 3: We have a charity. This charity wants to help you

676
00:29:46,000 --> 00:29:48,200
Speaker 3: through your rough time. And also like Eli Manning come

677
00:29:48,200 --> 00:29:48,560
Speaker 3: into your house.

678
00:29:49,040 --> 00:29:51,200
Speaker 4: Well, that'd be crazy. Whatever happens, damn.

679
00:29:51,280 --> 00:29:54,480
Speaker 7: You know Eli and Peyton they have that Hawaiian bread

680
00:29:54,480 --> 00:29:56,040
Speaker 7: pretzel commercials. You'll see that.

681
00:29:56,760 --> 00:29:58,440
Speaker 4: Of all the things I've seen from them, I've not

682
00:29:58,480 --> 00:29:58,800
Speaker 4: seen that.

683
00:29:59,000 --> 00:30:01,120
Speaker 7: Okay, let me tell you. They're so good at it.

684
00:30:01,120 --> 00:30:02,600
Speaker 7: They make me want that, Like the whole time you're

685
00:30:02,600 --> 00:30:04,640
Speaker 7: telling a story, I'm like, this is amazing. I love this.

686
00:30:04,720 --> 00:30:07,080
Speaker 7: I wonder if he showed up with the Hawaiian little

687
00:30:07,080 --> 00:30:11,000
Speaker 7: pretzel nugget things because they look so good. I want

688
00:30:11,040 --> 00:30:11,480
Speaker 7: to try them.

689
00:30:11,480 --> 00:30:15,320
Speaker 4: I'm Meddilime Manning once he's a monster shoes.

690
00:30:15,440 --> 00:30:16,920
Speaker 7: If he smaller than me.

691
00:30:17,720 --> 00:30:19,960
Speaker 4: They're both pretty mad. I think Eli's six.

692
00:30:19,880 --> 00:30:24,040
Speaker 3: Six oh sixty five six six, and because he stands

693
00:30:24,040 --> 00:30:26,240
Speaker 3: next to other people that are massive all the time,

694
00:30:26,560 --> 00:30:28,880
Speaker 3: you don't realize how big he is. They're both six

695
00:30:29,000 --> 00:30:31,200
Speaker 3: five or six six. But I'm med Eli Manning and

696
00:30:31,240 --> 00:30:32,480
Speaker 3: he came up and shook my hand and I was like,

697
00:30:32,520 --> 00:30:33,680
Speaker 3: you are a big man.

698
00:30:33,720 --> 00:30:36,160
Speaker 4: How big was his hand? I mean I got pretty

699
00:30:36,200 --> 00:30:38,720
Speaker 4: big hands. Oh god, okay, all.

700
00:30:38,680 --> 00:30:41,280
Speaker 3: Right, portionately my hands are quite large and I'm only

701
00:30:41,320 --> 00:30:44,040
Speaker 3: six to one. But anyway, big shout out to Eli

702
00:30:44,120 --> 00:30:46,800
Speaker 3: Manning and Tom Coughlin and the charity that works to

703
00:30:46,880 --> 00:30:48,520
Speaker 3: help a lot of kids that are going through cancer

704
00:30:48,560 --> 00:30:50,479
Speaker 3: and families to support them after their kids have gone

705
00:30:50,480 --> 00:30:51,840
Speaker 3: through it. I always want to shout them out. That

706
00:30:51,960 --> 00:30:54,960
Speaker 3: is what it's all about. That was telling me something good.

707
00:30:56,400 --> 00:30:58,920
Speaker 3: Let's see how many Morning Corny's we can guess figured

708
00:30:58,920 --> 00:31:02,120
Speaker 3: it out. We have ninety seconds. It's ready. Investigative Corny

709
00:31:02,120 --> 00:31:02,840
Speaker 3: starts now.

710
00:31:05,840 --> 00:31:07,280
Speaker 4: The morning Corny.

711
00:31:07,800 --> 00:31:09,160
Speaker 7: How do you surprise a pumpkin?

712
00:31:09,240 --> 00:31:13,640
Speaker 4: How do you surprise a pumpkin? Patch? Scare Jack O'Lantern

713
00:31:14,400 --> 00:31:21,600
Speaker 4: used cord. I'm boarded. Okay, go Gord, that's what it is.

714
00:31:21,680 --> 00:31:23,920
Speaker 4: Go go go patch.

715
00:31:24,240 --> 00:31:26,840
Speaker 9: You sneak up on it, trick or treat it, you

716
00:31:26,880 --> 00:31:29,240
Speaker 9: stab it, but you read it again?

717
00:31:29,960 --> 00:31:31,680
Speaker 7: How do you surprise a pumpkin?

718
00:31:32,040 --> 00:31:32,680
Speaker 4: Give it again?

719
00:31:34,680 --> 00:31:39,680
Speaker 8: Surprise it, surprise, sneak up, hide a pumpkin.

720
00:31:40,080 --> 00:31:44,880
Speaker 4: I didn't see Jack o'lonnor jack Oh boy, we're not

721
00:31:44,880 --> 00:31:47,480
Speaker 4: gonna know what a gord is that's like a pumpkin. No,

722
00:31:47,520 --> 00:31:49,560
Speaker 4: I know, but I don't ever use that. I don't

723
00:31:49,600 --> 00:31:51,680
Speaker 4: know what it is either. How do we work? What's gorge?

724
00:31:51,720 --> 00:31:55,520
Speaker 4: It's it's it's that's what the gordon they hide behind?

725
00:31:55,520 --> 00:31:59,160
Speaker 4: The gord they gord you Gordon sneak up on them?

726
00:31:59,160 --> 00:32:03,440
Speaker 4: How do you they're gorded by the cops like guards?

727
00:32:03,840 --> 00:32:07,680
Speaker 4: Eye's a pumpkin surprised you catch them off? Gordon got.

728
00:32:10,360 --> 00:32:13,560
Speaker 7: All right, Doug time left hand. So what is it

729
00:32:13,640 --> 00:32:15,800
Speaker 7: called when a tree takes some time.

730
00:32:15,640 --> 00:32:19,560
Speaker 4: Off it leaves? It's leave taking lead, leave of absent,

731
00:32:19,800 --> 00:32:21,400
Speaker 4: leave leaf.

732
00:32:22,400 --> 00:32:25,520
Speaker 7: Okay, where do pumpkin CEOs hold their meetings?

733
00:32:26,200 --> 00:32:30,680
Speaker 4: Gord room? Okay?

734
00:32:30,960 --> 00:32:32,760
Speaker 7: What do you call a sick eagle?

735
00:32:33,480 --> 00:32:33,840
Speaker 4: Gordon?

736
00:32:33,920 --> 00:32:42,440
Speaker 3: Murden, burden bird, flu per, illegal?

737
00:32:43,520 --> 00:32:47,960
Speaker 4: Illegal? Do you call a sick eagle illegal? An ill egle?

738
00:32:48,120 --> 00:32:51,360
Speaker 4: What do you call a sick I'm not going that's hard.

739
00:32:51,400 --> 00:32:52,280
Speaker 4: I can't have gotten that.

740
00:32:53,800 --> 00:32:55,720
Speaker 3: This guy goes on a rampage at a car dealership.

741
00:32:55,760 --> 00:32:58,240
Speaker 3: He smashed seventy five cars. He calls up to about

742
00:32:58,280 --> 00:33:00,920
Speaker 3: one hundred thousand dollars worth of damage. And to me,

743
00:33:01,000 --> 00:33:02,680
Speaker 3: it's not so much the crime, which, by the way,

744
00:33:02,680 --> 00:33:05,600
Speaker 3: the story is from wmu R. It's let's say you

745
00:33:05,720 --> 00:33:07,760
Speaker 3: could do that. Does that sound fun to you? Yes,

746
00:33:08,240 --> 00:33:10,400
Speaker 3: just go and bust out cars? Awesome, Yeah, it does.

747
00:33:10,560 --> 00:33:13,640
Speaker 6: Just take about smashing the windshield with a bat. That'd

748
00:33:13,640 --> 00:33:15,920
Speaker 6: be cool seeing the dents come in the hood, you

749
00:33:16,000 --> 00:33:17,880
Speaker 6: know what I mean, Like, so there's the sun roof

750
00:33:17,920 --> 00:33:19,800
Speaker 6: and you can just see it shatter into the car.

751
00:33:20,800 --> 00:33:21,800
Speaker 3: Man, that is awesome.

752
00:33:21,800 --> 00:33:24,080
Speaker 8: I mean the fact that it's somebody's and you're destroying it,

753
00:33:24,160 --> 00:33:26,040
Speaker 8: that's not good. But if you took that all away

754
00:33:26,120 --> 00:33:28,360
Speaker 8: and they said go to town, that sounds.

755
00:33:28,160 --> 00:33:31,360
Speaker 3: Funny, you guys, Yeah, yeah, yeah, Like there's nothing about

756
00:33:31,440 --> 00:33:32,320
Speaker 3: that that would be fun.

757
00:33:32,560 --> 00:33:35,160
Speaker 4: Really. Yeah. Have you ever hit a window with a bat?

758
00:33:36,080 --> 00:33:37,520
Speaker 4: Actually I have it. I don't think I have either.

759
00:33:38,240 --> 00:33:39,680
Speaker 4: I don't think I happened like, I don't think I have.

760
00:33:39,800 --> 00:33:42,320
Speaker 4: But it sounds awesome. I meant say that.

761
00:33:42,440 --> 00:33:45,680
Speaker 3: Skyler Henson twenty five called them and said, the sooner

762
00:33:45,680 --> 00:33:48,720
Speaker 3: you get here, the less damage they'll be. When police arrived,

763
00:33:48,760 --> 00:33:51,840
Speaker 3: he was smashing windows, windshields and damaging the body of cars. Yeah,

764
00:33:52,360 --> 00:33:55,120
Speaker 3: police say smashed seventy five cars, causing up to ninety

765
00:33:55,160 --> 00:33:57,080
Speaker 3: thousand dollars worth of damage. His bail has been said

766
00:33:57,120 --> 00:33:59,960
Speaker 3: at five thousand dollars. It's almost worked.

767
00:34:00,000 --> 00:34:00,520
Speaker 4: I had to go do it.

768
00:34:01,160 --> 00:34:02,920
Speaker 7: I guess it depends on the season of life. Because

769
00:34:02,920 --> 00:34:05,960
Speaker 7: I did smash Eddie's TV yes with a sledgehammer, and

770
00:34:06,080 --> 00:34:06,880
Speaker 7: that felt real good.

771
00:34:07,520 --> 00:34:09,480
Speaker 3: And so people know I let her do that. Yeah,

772
00:34:09,600 --> 00:34:13,000
Speaker 3: she didn't come to my house do that. We did

773
00:34:13,120 --> 00:34:14,879
Speaker 3: bring it up and let her go to town. Yeah,

774
00:34:14,960 --> 00:34:17,480
Speaker 3: that doesn't sound fun to me. There's a woman she

775
00:34:17,560 --> 00:34:20,680
Speaker 3: starts to get all these calls. Her obituary was actually

776
00:34:20,680 --> 00:34:21,360
Speaker 3: posted online.

777
00:34:22,280 --> 00:34:22,760
Speaker 4: She's alive.

778
00:34:25,120 --> 00:34:29,040
Speaker 3: So her name is Fei Fanero. Her name and picture

779
00:34:29,239 --> 00:34:32,920
Speaker 3: appeared in the paper, which had an option to to

780
00:34:33,000 --> 00:34:36,799
Speaker 3: send flowers to the grieving family. She spotted it when

781
00:34:36,840 --> 00:34:39,640
Speaker 3: a friend said, Hey, are you dead, and she was like, no,

782
00:34:39,760 --> 00:34:43,439
Speaker 3: I'm all good. So she gets on Facebook and writes

783
00:34:43,920 --> 00:34:47,880
Speaker 3: I'm alive. There's been a mistake. She owns a beauty business.

784
00:34:47,920 --> 00:34:51,080
Speaker 3: She thinks the mishap occurred when a post celebrating her

785
00:34:51,120 --> 00:34:53,800
Speaker 3: new business with personal information got mixed up with the

786
00:34:54,239 --> 00:34:56,840
Speaker 3: legacy obituary section and they just put it in the

787
00:34:56,840 --> 00:34:57,439
Speaker 3: wrong section.

788
00:34:57,680 --> 00:34:59,279
Speaker 4: So everybody read it and said, oh, I got our

789
00:34:59,320 --> 00:35:00,760
Speaker 4: friend's dead. That's crazy.

790
00:35:01,920 --> 00:35:04,600
Speaker 3: A site showed the site, which is the newspaper but

791
00:35:04,680 --> 00:35:06,440
Speaker 3: also online. In the online version, showed to pick a

792
00:35:06,520 --> 00:35:09,200
Speaker 3: fee with the caption Faith and Arrow obituary and the

793
00:35:09,239 --> 00:35:13,600
Speaker 3: option to click and send flowers. Hey, that wouldn't be

794
00:35:13,640 --> 00:35:17,080
Speaker 3: a bad prank though, that's from Metro. I don't know

795
00:35:17,120 --> 00:35:19,200
Speaker 3: if you could even prank obituary. What do you mean

796
00:35:19,239 --> 00:35:22,160
Speaker 3: you can't just buy one, I know, a lunchbox, I

797
00:35:22,239 --> 00:35:24,840
Speaker 3: don't know. I don't know, or if they need like

798
00:35:24,880 --> 00:35:29,440
Speaker 3: a death certificate or I don't think we can put

799
00:35:29,440 --> 00:35:33,279
Speaker 3: an obituary there for anybody. I didn't feel like that's

800
00:35:33,280 --> 00:35:34,279
Speaker 3: something you should be able to do.

801
00:35:35,200 --> 00:35:35,800
Speaker 4: I think it is.

802
00:35:35,880 --> 00:35:37,680
Speaker 3: Why don't you make a call because if so, I'm

803
00:35:37,760 --> 00:35:41,399
Speaker 3: in like that would be funny. Yeah, I'm into that prank,

804
00:35:41,480 --> 00:35:44,160
Speaker 3: especially someone who knows I'm gonna keep a secret. Oh,

805
00:35:44,320 --> 00:35:48,600
Speaker 3: all of a sudden texts, I'll find.

806
00:35:48,400 --> 00:35:52,040
Speaker 4: Out, you find out. And that is the end of

807
00:35:52,160 --> 00:36:00,600
Speaker 4: the first half of the podcast of the podcast podcast

808
00:36:00,719 --> 00:36:03,160
Speaker 4: that is the another first tip of the podcast.

809
00:36:03,280 --> 00:36:06,359
Speaker 3: You can go to podcast to or you can wait

810
00:36:06,400 --> 00:36:08,080
Speaker 3: a podcast to come out