WEBVTT - Episode 96: Milestone Comics

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<v Speaker 1>Hey, how's it going, and welcome to nerd if sometimes

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<v Speaker 1>your host if you away and sitting across from he

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<v Speaker 1>has always eased Danny Fernandez. Yeah, and you know, feeling good.

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<v Speaker 1>You know, we're we're deep into Black History Month. We're

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<v Speaker 1>in the second week. Oh did you like that Google ad?

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<v Speaker 1>I watched it so many times, which it was Google

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<v Speaker 1>put out this ad. I think it came out the

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<v Speaker 1>week of the Super Bowl, and it was like the

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<v Speaker 1>most the most googled performance. It was Beyonce, the most

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<v Speaker 1>googled athlete, it was lebron the most googled I think

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<v Speaker 1>musician or something was Prince. It was just like showing

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<v Speaker 1>like these are all black artists that like have have

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<v Speaker 1>taken over you know, and just iconic history makers. It

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<v Speaker 1>was really neat. I'll send it to you. Yeah, that's

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<v Speaker 1>so dope. Well yeah, so, you know, I wanted to

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<v Speaker 1>do something special this year for Black History Month end,

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<v Speaker 1>kind of like shine a spotlight on I think one

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<v Speaker 1>of the most influential black people in comics, which is

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<v Speaker 1>Dwayne McDuffie and his legacy which was you know, uh,

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<v Speaker 1>way more than just him, but Milestone Comics and Milestone Comics. Uh,

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<v Speaker 1>you know with just the t LDR before we really

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<v Speaker 1>jump into it was this initiative by d C that

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<v Speaker 1>like allowed for just black people, Like They're like, here,

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<v Speaker 1>we'll give you a space to run with it. So,

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<v Speaker 1>you know, whenever I want to do something black, I

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<v Speaker 1>I have a very short list of friends who I

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<v Speaker 1>come through first. And you know on the top of

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<v Speaker 1>that list is Ed Greer for you've seen them on

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<v Speaker 1>New Negroes on Comedy Central. You have a new rebooted

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<v Speaker 1>show we'll talk about at the end, and you know

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<v Speaker 1>all over Screen Junkies and the Nerd Goat podcast, which

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<v Speaker 1>we've both been on. How you doing, guys, thank you

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<v Speaker 1>so much for having me back. You know, I wanted

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<v Speaker 1>to come back, and you know, I'm glad this is

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<v Speaker 1>the perfect subject to kind of bring me back into

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<v Speaker 1>the fold. Yeah. So if he what was your because

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<v Speaker 1>I was on the Nerd go I was on Ed's

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<v Speaker 1>podcast talking about my goat, which is vegeta, And I

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<v Speaker 1>would give you one guess was yours? Goku? Oh? Yeah,

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<v Speaker 1>did he come on before or after? Mek Shoes to fill?

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<v Speaker 1>Actually a little tiny, little tiny pointed shoes to fill? Yeah,

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<v Speaker 1>I know, Yeah, No, it's I've been. Uh. Yeah, it's

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<v Speaker 1>been interesting getting back into anime because I remember the

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<v Speaker 1>defense I was in anime. I was kind of in

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<v Speaker 1>um and I didn't realize this until Yester this morning

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<v Speaker 1>when I was watching A Bunch. But like i've like

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<v Speaker 1>since we've did krilling, it was when I kind of

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<v Speaker 1>started watching DBC again and that's when I kind of

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<v Speaker 1>watched a little bit of um dB Super and then

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<v Speaker 1>I was kind of watching Attack on Titan and One

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<v Speaker 1>punch Man. But I was kind of out of out

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<v Speaker 1>of you know, the loop wise because I it was

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<v Speaker 1>came up in a discuss essentially like I'm the only

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<v Speaker 1>one who liked anime in my last relationships, so like

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<v Speaker 1>when you watch things together to just watch the default thing,

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<v Speaker 1>and I think slowly and slowly anime became less a thing.

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<v Speaker 1>I watched it now, like I'm watching so much anime.

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<v Speaker 1>Uh And it was one of those things where I

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<v Speaker 1>got hooked. And now me and Brodier on our crunchy

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<v Speaker 1>roll account and it's funny because I can see what

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<v Speaker 1>Brodie is. Oh yeah, he's right now, he's watching Dragon

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<v Speaker 1>Ball Super and I was like a little thug to here.

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<v Speaker 1>I was like, all right, Brodie, but yeah, he's been

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<v Speaker 1>watching that and he was watching Samurai Pizza Cats at y. Yeah,

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<v Speaker 1>he's he's like going in the deep dive because you know,

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<v Speaker 1>he's also learning in Japanese. But like, yeah, right now

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<v Speaker 1>I've going through Mob Psycho season to catch up on

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<v Speaker 1>my hero and then I'm always start getting Tama. So

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<v Speaker 1>I think that's a good way to say. That's what

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<v Speaker 1>I'm geeking out about this week is anime. I'm deep

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<v Speaker 1>in it. Yeah, what about you, ed, what are you

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<v Speaker 1>geaking out about? Oh? Man, that's why I asked you

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<v Speaker 1>guys before, because you anything. No, you know what I

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<v Speaker 1>like to start problematic. I am from Kansas City, so

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<v Speaker 1>I think you know, okay, oh that's a big deal

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<v Speaker 1>on the Nerd Show. But I mean, were you born

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<v Speaker 1>in Kansas City? I was also born in Kansas City?

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<v Speaker 1>Really yeah, I never knew that this all these years.

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<v Speaker 1>I know. I'm sorry. I have no lineage to it

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<v Speaker 1>because my dad just lived there for a year, like

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<v Speaker 1>with a job, Like he got a job out there

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<v Speaker 1>and we were there for a year and that was

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<v Speaker 1>the year that I was made and born. Yeah, so

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<v Speaker 1>that is where I was born. But no, but just

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<v Speaker 1>I was I lived in Kansas City until I was

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<v Speaker 1>a grown ass man and moved out here to pursue

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<v Speaker 1>my dreams. So my whole childhood, we were like the

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<v Speaker 1>bottom line is when you like sports, right, when you

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<v Speaker 1>like sports, it's one of these things where you identify

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<v Speaker 1>with these guys, these pituitary cases, pushing each other around,

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<v Speaker 1>ducking on each other, whatever the sport it is, you

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<v Speaker 1>identify with this. And we weren't bad like the Cleveland

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<v Speaker 1>Browns where we would never win and there was no chance.

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<v Speaker 1>We were like every time we were just so close.

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<v Speaker 1>We were just had one side of the ball wasn't

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<v Speaker 1>good enough. All this kind of stuff. So now the

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<v Speaker 1>least problematic Native American names, oh my gosh, in the

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<v Speaker 1>in the world. At least they're the King's you know.

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<v Speaker 1>So but so, yeah, my chiefs, I'm very happy that

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<v Speaker 1>they wont I'm very happy that they're bi racial quarterback.

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<v Speaker 1>I'm very glad. You know he's right quarterback to win

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<v Speaker 1>the Super Bowl? Well yep, and uh and I think

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<v Speaker 1>the youngest m v P but I might. I'm not

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<v Speaker 1>get that into it, but like you, but yeah, that

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<v Speaker 1>was what was wild is we were at my house

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<v Speaker 1>when we were watching the game, Jakis wanted to throw it.

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<v Speaker 1>Everyone was like, who's your did you want to throw

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<v Speaker 1>it at your house? Because that's hilarious that you you

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<v Speaker 1>offered up somebody to tell well, I mean he came through.

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<v Speaker 1>It was so funny because I laughed and I meant

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<v Speaker 1>to text you this, but that's like this party was

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<v Speaker 1>how I knew Jackies was type A and I was

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<v Speaker 1>me because I was like, Yep, we're gonna get a

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<v Speaker 1>bunch of food and when the food gets here, I'm

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<v Speaker 1>gonna buy the food of the day of and Jakis

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<v Speaker 1>is like, all right, I'm I'm pre ordering the pizza

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<v Speaker 1>so that it arrives right at the second quarter. I

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<v Speaker 1>was like, oh my god, people are great get stuff done.

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<v Speaker 1>But yeah, we is. But it was great. It came together.

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<v Speaker 1>But when we were there, you know, I'm a Saints

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<v Speaker 1>guy and Jakis he's from Chicago, so he's a bearss guy.

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<v Speaker 1>But we're like, yeah, we're going for the black quarterback.

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<v Speaker 1>That's the that's the team we're going for. And it

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<v Speaker 1>was so funny because like Teresa Lee was there, who

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<v Speaker 1>is a forty Niners fan because she's from the Bay,

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<v Speaker 1>Like she was the only person there who was repping

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<v Speaker 1>her team, and everyone else was like, no, we just

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<v Speaker 1>want the black quarterback to where And you know, and

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<v Speaker 1>I gotta say, it goes just the tiniest bit beyond that,

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<v Speaker 1>just for me, because, like I said, bottom line, sports, sports, sports, whatever, boring.

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<v Speaker 1>But like when you're when you're from a crappy little

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<v Speaker 1>town and you know, not not dispend the city, but

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<v Speaker 1>when you're when you're from a place that nobody cares about,

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<v Speaker 1>and then you the whole world has to watch you

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<v Speaker 1>for three hours, you know, That's what That's how I felt.

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<v Speaker 1>I felt the whole world had to watch my boys.

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<v Speaker 1>And they were all like, ah, this is boing as

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<v Speaker 1>San Francisco, this San Francisco that like, my girlfriend is

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<v Speaker 1>down with San Francisco. And I'm like, look, I ain't

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<v Speaker 1>trying to Bernie Sanders shoe, but it need to be

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<v Speaker 1>some redistribution of these ships. You know. It says a

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<v Speaker 1>redistribution of these championships need to take place, a wealth

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<v Speaker 1>reallocation of the championships. Son, you know what I'm saying.

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<v Speaker 1>So you need to relax and and vote for these

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<v Speaker 1>young chiefs. Thank you very much. Oh my gosh. Yeah,

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<v Speaker 1>that was a great game. What about you, Danny. Well,

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<v Speaker 1>the thing I'm geeking out about is hair Love, which

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<v Speaker 1>our friend Matthew Cherry actually wrote, produced and directed, which

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<v Speaker 1>so we are recording this Saturday, the day before the Oscars.

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<v Speaker 1>It's nominated for an OSCAR and it's a short. If

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<v Speaker 1>you haven't seen it yet, I think you can catch

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<v Speaker 1>it online. We saw it in theaters because it ran

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<v Speaker 1>before Sony actually picked it up. He did a kickstarter

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<v Speaker 1>that was very successful. Sony Pictures Animation picked it up

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<v Speaker 1>and it aired before Angry Birds too, and that's how

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<v Speaker 1>Iffy and I saw it. Um. But it's nominated for

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<v Speaker 1>an Academy Award, and so that you're listening to this

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<v Speaker 1>after the awards have already aired, and I'm I'm hoping

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<v Speaker 1>that he had the best time and I know that

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<v Speaker 1>it won. So I'm just gonna go ahead and put

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<v Speaker 1>that energy out there. Um, and this is we're saying

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<v Speaker 1>congratulations Matthew on Yep, yep, yep. So the story follows

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<v Speaker 1>dad who has to do his daughter's hair for the

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<v Speaker 1>first time. Usa Ray is also in it. Uh. It's

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<v Speaker 1>great and UM excited for Matthew and his whole team

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<v Speaker 1>to be at the Academy Awards. Well, I guess this

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<v Speaker 1>town to jump in it today. So, like I said,

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<v Speaker 1>we're talking about Milestone Comics and this this if I think,

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<v Speaker 1>if anything, you may know about Milestone, even if you

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<v Speaker 1>don't think you know about Milestone, which is you know

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<v Speaker 1>about Static and that was a product of the Milestone

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<v Speaker 1>Comics era. Uh so, uh, I mean what before we

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<v Speaker 1>even get into this, what's what's your experience with Milestone?

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<v Speaker 1>And because you were you were hip, You're like, this

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<v Speaker 1>is this is my m No, you put it out

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<v Speaker 1>on Twitter. It was like, yeah, man, I talk to

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<v Speaker 1>some black creators and comic creators. We're gonna talk about

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<v Speaker 1>some Masstone and somebody just feel these offers. And I

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<v Speaker 1>saw what was coming back and I was like, what wait,

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<v Speaker 1>wait are the people replying? Well, I think I don't know.

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<v Speaker 1>I probably jumped it. I'm even before anybody could reply.

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<v Speaker 1>You know that the fact that there weren't in one

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<v Speaker 1>nanosecond five billion people on there just wasn't a front

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<v Speaker 1>to myself. So yeah, which, by the way, I want

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<v Speaker 1>to say that we just shout out we had clear

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<v Speaker 1>your partner on for the Planets episode, and that was

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<v Speaker 1>someone in imediately who when she I like posted, and

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<v Speaker 1>I'm like, who knows? And she's like, I cannot believe

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<v Speaker 1>you didn't ask me. And I was like, oh my gosh,

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<v Speaker 1>you're right. I am sorry, but I think I guess

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<v Speaker 1>we're an insistent couple. Yeah, I mean you are a

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<v Speaker 1>non legeable couple. Y'all are like nerd couple. Girls. Yeah,

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<v Speaker 1>you're like nerd nerd couple of royalty. You know what,

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<v Speaker 1>after we break up, I'll remember these, remember these loud

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<v Speaker 1>of tory statements with some bubble head that doesn't know anything,

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<v Speaker 1>like yeah, but yeah, I think they issue you one

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<v Speaker 1>when you get on right. So the bottom the bottom

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<v Speaker 1>line is I I know I love her and she

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<v Speaker 1>gets everything I'm talking about. But Milestone was before even

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<v Speaker 1>her experience with comics or whatever. So Milestone to me

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<v Speaker 1>is like kind of my childhood. Like when I was

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<v Speaker 1>like in boy Scouts. We would go out in the

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<v Speaker 1>woods and do the boy Scout jazz, but when it

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<v Speaker 1>came nighttime, we bust out the flashlights and read or whatever.

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<v Speaker 1>I would have. I would have this Bolestone comic. My

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<v Speaker 1>friend would have another one woman, have an X man woman,

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<v Speaker 1>have this. We have a little library in a tent reading.

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<v Speaker 1>I'm gonna put a pause on that because I just

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<v Speaker 1>learned something about you and I don't want to move faster.

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<v Speaker 1>You were in the Boy Scout, Dude, I was a

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<v Speaker 1>senior patrol leader. I was doing it. That's another black

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<v Speaker 1>history moment right there, like black Man and the Boy Scouts.

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<v Speaker 1>Let me tell you something mean, Gene, I'm sure. Wow.

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<v Speaker 1>Do you have pigs? Uh? Picks? Oh no, No, I

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<v Speaker 1>would never allow. I met your mom's Facebook. Does she

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<v Speaker 1>has an album that's like My Children or something that

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<v Speaker 1>you're in there? Ye? Well, not at the bottom like

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<v Speaker 1>what Boy Scouts. Honestly, for me was like my mom

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<v Speaker 1>really did try to get me out in the woods

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<v Speaker 1>and stuff, you know, uh, to leave her alone so

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<v Speaker 1>she can mack on some dudes. Now, basically she you know,

0:11:43.920 --> 0:11:45.680
<v Speaker 1>is she trying to get me, you know, to live

0:11:45.720 --> 0:11:48.120
<v Speaker 1>outside the urban experience so called you know what I'm saying,

0:11:48.160 --> 0:11:50.640
<v Speaker 1>see the trees because she grew up in Higginsville, Missouri,

0:11:50.760 --> 0:11:52.760
<v Speaker 1>with fishing and hunting and all this kind of jazz,

0:11:52.760 --> 0:11:54.720
<v Speaker 1>so she wanted me to get down with it. But honestly,

0:11:54.800 --> 0:11:57.319
<v Speaker 1>it just taught me about like, uh, you can make

0:11:57.320 --> 0:12:01.439
<v Speaker 1>anything not fun with the opper leadership. So yeah, I

0:12:01.480 --> 0:12:03.439
<v Speaker 1>became a senior patrol leader stuff. I never got a

0:12:03.520 --> 0:12:05.319
<v Speaker 1>Eagle Scout because by the time I was about to

0:12:05.320 --> 0:12:07.720
<v Speaker 1>get Eagle Scout, I was like maybe fifteen, and I

0:12:07.720 --> 0:12:10.360
<v Speaker 1>started driving and stuff. And as soon as you got

0:12:10.440 --> 0:12:14.720
<v Speaker 1>a car, boy Scouts is done. You've got something better

0:12:14.760 --> 0:12:17.520
<v Speaker 1>to do. Every weekend, every night, you've got something better

0:12:17.600 --> 0:12:20.160
<v Speaker 1>to do. See for US California l a kids, that

0:12:20.280 --> 0:12:23.559
<v Speaker 1>was skateboard and everyone was on skateboards. Then when you

0:12:23.640 --> 0:12:25.960
<v Speaker 1>got the whip and that's that's when the real skaters

0:12:25.960 --> 0:12:28.280
<v Speaker 1>were made. Like are you skating the more skate spots?

0:12:28.520 --> 0:12:30.560
<v Speaker 1>Are you tossing that because that was your vehic mode

0:12:30.600 --> 0:12:35.440
<v Speaker 1>of transportation? Exactly? Mindo. Yeah. So so bottom line milestone

0:12:35.600 --> 0:12:38.040
<v Speaker 1>to me and method Man has talked about this. A

0:12:38.040 --> 0:12:39.680
<v Speaker 1>lot of people who are big in the nineties, like

0:12:39.720 --> 0:12:42.720
<v Speaker 1>grown people in the nineties have talked about this. When

0:12:42.720 --> 0:12:46.120
<v Speaker 1>you could go into a combook store and see four, five, six, eight,

0:12:47.080 --> 0:12:51.839
<v Speaker 1>black or so called minority lead comics all under the

0:12:51.960 --> 0:12:55.280
<v Speaker 1>DC banner, right next to X men, right next to you.

0:12:55.280 --> 0:12:56.920
<v Speaker 1>Don't have to go into the back near the porn

0:12:57.440 --> 0:12:59.840
<v Speaker 1>where something and I'm not trying to disk those comics

0:12:59.840 --> 0:13:02.079
<v Speaker 1>that a lot of black creators got mad at Milestone

0:13:02.080 --> 0:13:04.280
<v Speaker 1>when they first came out, because Milestone was like, it

0:13:04.320 --> 0:13:05.840
<v Speaker 1>would be like if you and I try to make

0:13:05.840 --> 0:13:08.720
<v Speaker 1>a comic, you and me, and then Danny goes gets

0:13:08.800 --> 0:13:10.760
<v Speaker 1>on d C and we try to make a comic

0:13:10.840 --> 0:13:13.240
<v Speaker 1>and Danny's comic on DC is blowing up. So she's

0:13:13.240 --> 0:13:16.360
<v Speaker 1>a minority where minorities, but her minority comics is blowing up. Yeah,

0:13:16.360 --> 0:13:19.360
<v Speaker 1>and we mad because we don't have the infrastructure. That's

0:13:19.400 --> 0:13:21.360
<v Speaker 1>what's starting to happen with with Milestone when they first

0:13:21.360 --> 0:13:23.600
<v Speaker 1>came out. But no negatives aside when we were when

0:13:23.600 --> 0:13:25.040
<v Speaker 1>we were kids, we didn't know about all that. All

0:13:25.080 --> 0:13:27.199
<v Speaker 1>we knew was was the first time I'm gonna look

0:13:27.200 --> 0:13:29.640
<v Speaker 1>at these comics and it wasn't black for black sake.

0:13:29.720 --> 0:13:32.360
<v Speaker 1>It was like these people happened to be black in

0:13:32.480 --> 0:13:36.040
<v Speaker 1>the same way supermanded Batman and Alquaman and Wonder Woman

0:13:36.240 --> 0:13:38.800
<v Speaker 1>and and and just happened to be white, you know

0:13:38.840 --> 0:13:41.120
<v Speaker 1>what I mean. So, and they weren't just black comics

0:13:41.120 --> 0:13:43.800
<v Speaker 1>that had the first gay comp The first gay character

0:13:43.800 --> 0:13:45.160
<v Speaker 1>I ever saw in a comic book was in one

0:13:45.200 --> 0:13:49.400
<v Speaker 1>of those the first uh yeah, the first lesbian relationship

0:13:49.440 --> 0:13:51.360
<v Speaker 1>I ever saw. It was in there. The first interracial

0:13:51.360 --> 0:13:54.439
<v Speaker 1>relationship I saw that wasn't inflected with all this intracurricular bullcrap.

0:13:54.520 --> 0:13:56.560
<v Speaker 1>It was just a matter of fact relationship was in

0:13:56.600 --> 0:13:59.280
<v Speaker 1>those comics. So that's kind of what it meant to me,

0:13:59.360 --> 0:14:01.480
<v Speaker 1>just as a primer for us, is that it was

0:14:01.520 --> 0:14:03.480
<v Speaker 1>the first time I could see blackness is not like

0:14:03.840 --> 0:14:05.760
<v Speaker 1>some people have called them the black and the Black comics,

0:14:05.800 --> 0:14:10.240
<v Speaker 1>and that's not true. They were diverse and what they say, uh,

0:14:10.360 --> 0:14:13.400
<v Speaker 1>equality seems like oppression. You're not used to it. Oh yeah,

0:14:13.480 --> 0:14:16.760
<v Speaker 1>well yeah it's And I want to this is a

0:14:16.760 --> 0:14:19.320
<v Speaker 1>good time to inject this. I think I might have

0:14:19.360 --> 0:14:21.400
<v Speaker 1>said it on an earlier episode, and I want to

0:14:21.640 --> 0:14:24.600
<v Speaker 1>keep talking about this, but just this is an This

0:14:24.720 --> 0:14:27.440
<v Speaker 1>was from an era like the nineties where a time

0:14:27.480 --> 0:14:31.120
<v Speaker 1>where if you had black lead or black you know, uh,

0:14:31.560 --> 0:14:34.880
<v Speaker 1>things that featured a lot of people of color and minorities,

0:14:35.160 --> 0:14:39.080
<v Speaker 1>it was interminority. Here's thing. There was a black movie

0:14:39.240 --> 0:14:42.560
<v Speaker 1>that was a black content and and people would treat

0:14:42.600 --> 0:14:45.160
<v Speaker 1>it as if like, oh, I'm I'm I'm not black,

0:14:45.160 --> 0:14:46.800
<v Speaker 1>so I'm not gonna watch it. When it's like, no,

0:14:47.200 --> 0:14:49.080
<v Speaker 1>we don't We don't look at media and go, oh

0:14:49.120 --> 0:14:51.240
<v Speaker 1>that's a white that's a white thing. We're not gonna

0:14:51.280 --> 0:14:53.560
<v Speaker 1>watch it. We watch it just the same. So why

0:14:53.640 --> 0:14:55.800
<v Speaker 1>is all of a sudden now it's this red light.

0:14:56.040 --> 0:14:58.320
<v Speaker 1>And I think that really did kind of hurt a

0:14:58.360 --> 0:15:01.600
<v Speaker 1>lot of movies and why we started lying to ourselves

0:15:01.720 --> 0:15:05.080
<v Speaker 1>when that industry lie went that we couldn't have black

0:15:05.160 --> 0:15:09.840
<v Speaker 1>leads because they wouldn't sell overseas. And now we've disproven

0:15:09.920 --> 0:15:12.080
<v Speaker 1>that time and time again. But I'm sure some people

0:15:12.120 --> 0:15:14.520
<v Speaker 1>are still trying to stick to that lie. But yeah,

0:15:14.800 --> 0:15:18.120
<v Speaker 1>you you I think about Tales from the Hood. I

0:15:18.160 --> 0:15:20.960
<v Speaker 1>don't know if you've watched it again recently, but that

0:15:21.040 --> 0:15:24.080
<v Speaker 1>movie is a movie that if it came out now

0:15:24.080 --> 0:15:27.880
<v Speaker 1>would seem like a get out, you know, because it

0:15:28.040 --> 0:15:30.840
<v Speaker 1>is a horror movie that the horrors of the movie

0:15:30.920 --> 0:15:34.120
<v Speaker 1>are things that were affecting the black community. The first

0:15:34.520 --> 0:15:39.600
<v Speaker 1>the first story was a police brutality, the second domestic violence.

0:15:39.880 --> 0:15:44.080
<v Speaker 1>The third, um you know, just a racist, uh like

0:15:44.440 --> 0:15:51.040
<v Speaker 1>um politician and hilarious to see like the dude from

0:15:51.160 --> 0:15:55.000
<v Speaker 1>l a lock and getting trampled by black creatures. Well

0:15:55.040 --> 0:15:57.680
<v Speaker 1>funny enough. Uh, you know, we talked about it on

0:15:57.680 --> 0:16:00.920
<v Speaker 1>Who Shot You? And Joel our researcher who has also

0:16:00.960 --> 0:16:04.200
<v Speaker 1>been on the show, a friend of all all different parts.

0:16:04.240 --> 0:16:06.600
<v Speaker 1>She brought up that that movie came out a year

0:16:06.600 --> 0:16:11.720
<v Speaker 1>after Jeff Sessions almost one, Um, we're not Jeff Sessions.

0:16:11.880 --> 0:16:15.240
<v Speaker 1>Who's the other KKK David Duke when he almost won

0:16:16.080 --> 0:16:19.000
<v Speaker 1>the presidency and it's like, wow, we almost had a

0:16:19.160 --> 0:16:24.360
<v Speaker 1>KKK Grand Wizard as a president, you know. So it's

0:16:24.440 --> 0:16:31.400
<v Speaker 1>now we just have a closeted one burn, one more

0:16:31.480 --> 0:16:38.520
<v Speaker 1>one star review. Why is my Hood orange? Scifically because

0:16:38.560 --> 0:16:43.760
<v Speaker 1>he's doing a hate monger cosplay. You know, there's never

0:16:43.800 --> 0:16:47.640
<v Speaker 1>any nice mangers except for cheese mongers. Yeah, I called

0:16:47.720 --> 0:16:50.240
<v Speaker 1>people make cheese cheese mongers and fish mongers, I guess.

0:16:50.240 --> 0:16:53.920
<v Speaker 1>But everything else hate monger, fearmonger. Yeah, mangers get a

0:16:53.920 --> 0:17:04.919
<v Speaker 1>bad y. Yeah, like yeah, you know what, we've already

0:17:04.920 --> 0:17:08.920
<v Speaker 1>pushed our limits. Yeah, let's hop into it. So. Milestone

0:17:08.960 --> 0:17:13.879
<v Speaker 1>Comics launched in and closed in ven It was a

0:17:13.880 --> 0:17:17.119
<v Speaker 1>black owned and created comic book company that sought to

0:17:17.160 --> 0:17:20.119
<v Speaker 1>make comics that capture the complexities of black life. In

0:17:20.160 --> 0:17:22.639
<v Speaker 1>other words, there's not one kind of black person in

0:17:22.680 --> 0:17:26.320
<v Speaker 1>these books, capturing all of those nuances, subtleties, and complexities

0:17:26.359 --> 0:17:29.400
<v Speaker 1>allowed an opportunity for young black readers to see their

0:17:29.400 --> 0:17:34.120
<v Speaker 1>lives reflected in superheroes. The characters were allowed to be humorous, serious,

0:17:34.240 --> 0:17:37.240
<v Speaker 1>or even arrogant in their demeanor without fear of stereotyping

0:17:37.320 --> 0:17:40.920
<v Speaker 1>or type casting. Yep. And that's one of the main

0:17:40.960 --> 0:17:43.080
<v Speaker 1>things that I got out of when I first started

0:17:43.080 --> 0:17:45.320
<v Speaker 1>looking at it. And it's not necessarily correction of what

0:17:45.359 --> 0:17:47.840
<v Speaker 1>you said earlier, Iffy, but it's like it isn't that

0:17:47.960 --> 0:17:51.560
<v Speaker 1>d C was just thinking about, let me go ahead

0:17:51.600 --> 0:17:54.040
<v Speaker 1>and see how I can give these black creators some

0:17:54.119 --> 0:17:56.800
<v Speaker 1>kind of Now, that was not the case. Denny's Cowen

0:17:56.840 --> 0:17:58.800
<v Speaker 1>had become sort of a star artist at d C,

0:17:59.359 --> 0:18:01.720
<v Speaker 1>so that was that in. Dwayne McDuffie had done a

0:18:01.760 --> 0:18:03.840
<v Speaker 1>little work for Marvel and a little work for them

0:18:03.880 --> 0:18:05.920
<v Speaker 1>as well, so they were kind of in the machine. However,

0:18:06.520 --> 0:18:10.240
<v Speaker 1>what happened was Dwayne and Christopher Priest wrote a lot

0:18:10.240 --> 0:18:13.240
<v Speaker 1>of the background stuff. The guy who reinvented Black Panther

0:18:14.119 --> 0:18:20.760
<v Speaker 1>basically Dwyane, Derek Dingle, Michael Davis, somebody else I'm forgetting

0:18:20.840 --> 0:18:23.440
<v Speaker 1>right now. They got together as a collective and made

0:18:23.480 --> 0:18:26.879
<v Speaker 1>a comic book Universe like on spec and then walked

0:18:26.880 --> 0:18:29.480
<v Speaker 1>it into d c's offices. And to d c's credit,

0:18:29.520 --> 0:18:32.879
<v Speaker 1>they didn't just throw the fools out the window. You know,

0:18:33.240 --> 0:18:35.760
<v Speaker 1>they were like because they had done so much work.

0:18:35.800 --> 0:18:37.520
<v Speaker 1>So just I'm not trying to be a jerk, but

0:18:37.600 --> 0:18:40.760
<v Speaker 1>it shows you how much preparation. Also, some history that

0:18:40.800 --> 0:18:42.399
<v Speaker 1>I want to add to it, and what might have

0:18:42.440 --> 0:18:46.200
<v Speaker 1>helped their cause is this launched in which was one

0:18:46.280 --> 0:18:49.280
<v Speaker 1>year after Image Comics launch, which means that was one

0:18:49.359 --> 0:18:52.560
<v Speaker 1>year where they watched some of the top comic creators

0:18:53.000 --> 0:18:55.880
<v Speaker 1>dip out. Because they did so, I think DC was like, oh,

0:18:55.920 --> 0:18:58.960
<v Speaker 1>we don't want Image Comics part two, let's jump in

0:18:59.000 --> 0:19:01.800
<v Speaker 1>on this. That's an important piece of context because that

0:19:01.800 --> 0:19:05.520
<v Speaker 1>that is a time when it just dawned on everybody

0:19:05.560 --> 0:19:09.280
<v Speaker 1>that comics aren't from two companies. Yeah, comics are from

0:19:09.320 --> 0:19:13.080
<v Speaker 1>everybody if you have the proper infrastructure. So yeah, that

0:19:13.160 --> 0:19:16.440
<v Speaker 1>was That's an important piece of yeah, because I can't

0:19:16.440 --> 0:19:20.480
<v Speaker 1>imagine what they would have hated more than one other one,

0:19:20.520 --> 0:19:22.920
<v Speaker 1>because like you were saying, they established and that's what's

0:19:22.960 --> 0:19:25.680
<v Speaker 1>so interesting. And this is I think how this whole

0:19:25.720 --> 0:19:28.360
<v Speaker 1>series is gonna end up going is me taking elements

0:19:28.400 --> 0:19:31.600
<v Speaker 1>of this and sprinkling in it today and like hopefully

0:19:31.720 --> 0:19:35.680
<v Speaker 1>dropping help acknowledge to anyone listening. But that's the important

0:19:35.720 --> 0:19:38.000
<v Speaker 1>thing is because I think a lot of times and

0:19:38.240 --> 0:19:41.200
<v Speaker 1>you know, me and ED know this a lot because

0:19:41.200 --> 0:19:45.560
<v Speaker 1>with comics and comics, we talked to other young comics

0:19:45.600 --> 0:19:49.000
<v Speaker 1>and black comics, and there's idea where it's like, you know,

0:19:49.520 --> 0:19:51.879
<v Speaker 1>there are more than one way to do anything. But

0:19:51.920 --> 0:19:54.320
<v Speaker 1>I think one of the most important parts of making

0:19:54.960 --> 0:19:59.160
<v Speaker 1>honest work happen is becoming that type of undeniable where

0:19:59.160 --> 0:20:02.359
<v Speaker 1>it's like they bunch you on the team so like you,

0:20:02.640 --> 0:20:06.160
<v Speaker 1>like you, you can't ask. You have to demand almost

0:20:06.320 --> 0:20:08.680
<v Speaker 1>where and when you're in the position to demand, that's

0:20:08.680 --> 0:20:11.080
<v Speaker 1>when you can make change happen. And that that's kind

0:20:11.119 --> 0:20:13.080
<v Speaker 1>of what I was saying when I said that they

0:20:13.240 --> 0:20:18.320
<v Speaker 1>came in with whole bibles, to big fat bible stack

0:20:18.480 --> 0:20:21.680
<v Speaker 1>of backstory for all the characters, possible story arcs, that

0:20:21.880 --> 0:20:24.920
<v Speaker 1>they came so prepared that you were gonna have to

0:20:24.920 --> 0:20:26.560
<v Speaker 1>throw them out there, out of there with all that

0:20:26.600 --> 0:20:29.680
<v Speaker 1>work done and with all that potential thrown out And

0:20:30.080 --> 0:20:32.159
<v Speaker 1>just think about how people used to pitch books. I

0:20:32.200 --> 0:20:35.800
<v Speaker 1>guarantee you that similar level. White creators didn't have to

0:20:35.880 --> 0:20:38.800
<v Speaker 1>come in with it all the way done. That's still

0:20:38.840 --> 0:20:41.399
<v Speaker 1>today like to not to change this thing. But like

0:20:41.440 --> 0:20:44.520
<v Speaker 1>we've talked about, Yeah, we were talking about me selling

0:20:44.560 --> 0:20:47.000
<v Speaker 1>my show, and I had my entire bible. I had

0:20:47.040 --> 0:20:50.520
<v Speaker 1>ten episodes mapped out, I had five season art like

0:20:50.720 --> 0:20:54.200
<v Speaker 1>what each character's season arc would be, and I sold it.

0:20:54.400 --> 0:20:56.399
<v Speaker 1>But you know, and they paid for my bible. But

0:20:56.440 --> 0:20:59.160
<v Speaker 1>I can guarantee someone has sold out the studio like, well,

0:20:59.200 --> 0:21:03.240
<v Speaker 1>it's a guy, but his farts talk and uh, it's

0:21:03.280 --> 0:21:06.480
<v Speaker 1>like six seasons adult Swim. I will. I've seen and

0:21:06.600 --> 0:21:10.120
<v Speaker 1>not to be too critical of of of women creators

0:21:10.200 --> 0:21:13.080
<v Speaker 1>or anyone else, but I have seen the letter that

0:21:13.200 --> 0:21:16.720
<v Speaker 1>Lena Dunham wrote that got people so interested in girls.

0:21:17.280 --> 0:21:22.640
<v Speaker 1>And it's tight, but it's light. It's tight, but it's like, well,

0:21:22.680 --> 0:21:24.720
<v Speaker 1>and I think the way to look at this, And

0:21:24.720 --> 0:21:27.000
<v Speaker 1>it's so funny because I always come at it where

0:21:27.000 --> 0:21:30.520
<v Speaker 1>they like, look, I'll even look. I'll even come from

0:21:30.520 --> 0:21:33.800
<v Speaker 1>your side, and I know what happened. I know you

0:21:33.920 --> 0:21:37.640
<v Speaker 1>aren't actively like I'm trying to choose one over the other.

0:21:37.840 --> 0:21:40.080
<v Speaker 1>But what happens is it easier for you to see

0:21:40.160 --> 0:21:42.720
<v Speaker 1>potential in someone that looks like you, because they're like, oh,

0:21:42.760 --> 0:21:45.280
<v Speaker 1>they're just like me than a person of color. So

0:21:45.320 --> 0:21:47.600
<v Speaker 1>then they have to show you all this potential that

0:21:47.680 --> 0:21:49.400
<v Speaker 1>you now at this point, it's like I can't let

0:21:49.400 --> 0:21:51.960
<v Speaker 1>that get away. Like you said, with all those Bibles

0:21:51.960 --> 0:21:54.920
<v Speaker 1>and all that stuff. It was almost a threat because

0:21:54.920 --> 0:21:58.240
<v Speaker 1>it was like, all right, you don't really like this,

0:21:58.440 --> 0:22:01.440
<v Speaker 1>we're gonna make this. We we haven't ready to go.

0:22:01.880 --> 0:22:04.520
<v Speaker 1>So they d C was in the position where they

0:22:04.520 --> 0:22:08.320
<v Speaker 1>had no choice. Absolutely, I agree with that assessment very much.

0:22:08.359 --> 0:22:11.280
<v Speaker 1>And again it meant a lot to us kids because

0:22:11.960 --> 0:22:14.560
<v Speaker 1>when you looked at the comic book characters, people of

0:22:14.920 --> 0:22:18.639
<v Speaker 1>rand this pointing to the ground, but Black Panther is

0:22:18.680 --> 0:22:24.280
<v Speaker 1>a genius, kung fu, super rich king of a super

0:22:24.480 --> 0:22:27.600
<v Speaker 1>future place that you get to be a black character

0:22:27.640 --> 0:22:32.879
<v Speaker 1>for that super hard skin ghetto superstar hero, all this

0:22:32.960 --> 0:22:34.720
<v Speaker 1>kind of stuff like I don't know about that, you

0:22:35.280 --> 0:22:36.960
<v Speaker 1>know what I mean, And like all yet, you either

0:22:37.040 --> 0:22:39.360
<v Speaker 1>have to be the paragon of virtue or somebody who

0:22:39.400 --> 0:22:42.399
<v Speaker 1>literally did crime fighting for money, and it was almost

0:22:42.400 --> 0:22:44.560
<v Speaker 1>no in between unless you wanted to carry Captain America

0:22:44.600 --> 0:22:46.600
<v Speaker 1>shield like the Falcon did for fifty years or something,

0:22:46.600 --> 0:22:48.439
<v Speaker 1>you know what I'm saying, unless you wanted to be

0:22:48.440 --> 0:22:50.760
<v Speaker 1>sort of a valet for a white character, or like

0:22:50.800 --> 0:22:55.240
<v Speaker 1>Ebony White in the in the old Will Eisner Spirit series,

0:22:55.240 --> 0:22:58.000
<v Speaker 1>where he literally looked like straight Sambo style, So we

0:22:58.080 --> 0:23:01.439
<v Speaker 1>got Sambo style Super King in the Future, or Negro

0:23:01.520 --> 0:23:04.400
<v Speaker 1>who gives says, give me five dollars some to get

0:23:04.520 --> 0:23:07.600
<v Speaker 1>Debo saving you in the Hood character, which is what

0:23:07.920 --> 0:23:11.840
<v Speaker 1>Luke Cage was. Yeah, that's a whack diaspora of blackness

0:23:12.119 --> 0:23:14.280
<v Speaker 1>to be choosing from. So that when you picked up

0:23:14.280 --> 0:23:16.600
<v Speaker 1>a Milestone comic and so one of them was a teenager.

0:23:16.600 --> 0:23:18.119
<v Speaker 1>We're gonna go into all the characters when I was

0:23:18.160 --> 0:23:20.320
<v Speaker 1>a teenager. One of them a Republican, one of them

0:23:20.400 --> 0:23:22.720
<v Speaker 1>a lawyer, one of them is a technologist, one of

0:23:22.720 --> 0:23:25.480
<v Speaker 1>them is this. It's like yeah, all right, oh yeah,

0:23:25.520 --> 0:23:28.360
<v Speaker 1>And we're gonna really hit Static because there's something very

0:23:28.359 --> 0:23:31.399
<v Speaker 1>important of static. Uh, and we're gonna do a Static

0:23:31.440 --> 0:23:35.199
<v Speaker 1>episode because he gets his own episode. We're going to uh,

0:23:35.280 --> 0:23:37.960
<v Speaker 1>We're gonna take a quick break and then we're gonna

0:23:38.040 --> 0:23:49.720
<v Speaker 1>jump into Milestone Comics. Hey, Hey, how are y'all doing?

0:23:49.800 --> 0:23:52.879
<v Speaker 1>Welcome back to Nerdificent. I'm if you whidy ways sitting

0:23:52.880 --> 0:23:56.160
<v Speaker 1>across from me as Danny Fernandez and sitting in with

0:23:56.320 --> 0:24:01.560
<v Speaker 1>us is friend all around superhero of podcast and you

0:24:01.600 --> 0:24:05.080
<v Speaker 1>know talking head shows on the internet and hilarious comedian

0:24:05.400 --> 0:24:08.600
<v Speaker 1>Ed greer Na. That's a lot of stuff. Yeah, yeah,

0:24:09.200 --> 0:24:11.159
<v Speaker 1>I want to get it all so people know, you know,

0:24:12.400 --> 0:24:15.480
<v Speaker 1>so it is. It is so funny because like we

0:24:15.560 --> 0:24:19.040
<v Speaker 1>talked about this before, but people know you from a thing,

0:24:19.359 --> 0:24:21.439
<v Speaker 1>so they'll always say a thing when it's like, but

0:24:21.480 --> 0:24:25.320
<v Speaker 1>I do other things. If he's from BuzzFeed. Actually you know,

0:24:25.359 --> 0:24:28.119
<v Speaker 1>I'm an actor to you know, it's funny time. I

0:24:28.119 --> 0:24:30.439
<v Speaker 1>hope people get hung up on something they saw you do,

0:24:30.480 --> 0:24:32.920
<v Speaker 1>like one time or something you remember of time. Like

0:24:32.920 --> 0:24:34.239
<v Speaker 1>I used to go to the comedy store and when

0:24:34.240 --> 0:24:37.040
<v Speaker 1>I was waiting to go up, I would draw so

0:24:37.280 --> 0:24:39.879
<v Speaker 1>to get the mcs start to bring me up. This guy,

0:24:40.280 --> 0:24:45.040
<v Speaker 1>hilarious guy, great artist. But nobody wants to hear that

0:24:45.160 --> 0:24:46.920
<v Speaker 1>right before you trying to make him laugh. He's about

0:24:46.960 --> 0:24:49.280
<v Speaker 1>to make me bust up here, great artist, you know

0:24:49.320 --> 0:24:51.960
<v Speaker 1>what I'm saying. And coming up next to the stage,

0:24:52.040 --> 0:24:55.040
<v Speaker 1>it's in van God, you're doing like slam poetry. I

0:24:55.080 --> 0:24:57.680
<v Speaker 1>think it's the other way that you're like, yeah, he's

0:24:57.720 --> 0:25:04.400
<v Speaker 1>really vulnerable and wrong. Oh my gosh. But yeah, we're

0:25:04.440 --> 0:25:08.200
<v Speaker 1>talking about Milestone and we're about to jump into the comics.

0:25:08.240 --> 0:25:10.480
<v Speaker 1>But one thing I definitely wanted to talk about that

0:25:10.800 --> 0:25:13.879
<v Speaker 1>really is a standout in this like awesome kind of

0:25:14.040 --> 0:25:16.719
<v Speaker 1>power move they're able to pull with d C is

0:25:16.800 --> 0:25:18.639
<v Speaker 1>the fact that even though they were published through d

0:25:18.720 --> 0:25:21.680
<v Speaker 1>C Comics, they did not fall under d C Comics

0:25:21.800 --> 0:25:25.680
<v Speaker 1>editorial control, which I think is very important because there's

0:25:25.680 --> 0:25:29.000
<v Speaker 1>a lot of times you have black things, but the

0:25:29.080 --> 0:25:33.200
<v Speaker 1>people you know making the decisions are still white, and

0:25:33.280 --> 0:25:36.800
<v Speaker 1>there are and it's not even necessarily Sometimes it's not

0:25:36.840 --> 0:25:40.200
<v Speaker 1>even necessarily that they're like actively trying to prevent anything.

0:25:40.240 --> 0:25:44.040
<v Speaker 1>It's that they just don't get it. And I've noticed

0:25:44.440 --> 0:25:48.720
<v Speaker 1>in um some of my working relationships. Obviously none of

0:25:48.760 --> 0:25:52.080
<v Speaker 1>the ones that I've done recently are on right now,

0:25:52.520 --> 0:25:54.320
<v Speaker 1>But I feel like when I say it like that,

0:25:54.400 --> 0:25:57.480
<v Speaker 1>it makes it seem like that, but I'm not. I'm

0:25:57.480 --> 0:26:00.840
<v Speaker 1>just saying I'm trying. It's just one of those things

0:26:00.840 --> 0:26:03.080
<v Speaker 1>where you're trying to make a statement about working relationships

0:26:03.080 --> 0:26:05.199
<v Speaker 1>and you don't want anyone who happens to be listening

0:26:05.200 --> 0:26:07.119
<v Speaker 1>and working with you to think they're talking about just

0:26:07.440 --> 0:26:10.159
<v Speaker 1>if you think I'm talking about you, I'm not. Maybe,

0:26:10.760 --> 0:26:14.480
<v Speaker 1>but like there's this you know when when when the

0:26:14.480 --> 0:26:17.520
<v Speaker 1>way you process create, the way when the way you

0:26:17.640 --> 0:26:21.119
<v Speaker 1>create and process you know, the information that you use

0:26:21.200 --> 0:26:25.080
<v Speaker 1>to create, and the default is whiteness, and it's coming

0:26:25.080 --> 0:26:30.040
<v Speaker 1>from a place of blackness that maybe hilarious. You know

0:26:31.200 --> 0:26:34.800
<v Speaker 1>you you you'll be like, oh, this isn't funny, and

0:26:34.840 --> 0:26:36.840
<v Speaker 1>it's like, no, you just don't get it, like no

0:26:36.840 --> 0:26:39.480
<v Speaker 1>one know. I think a lot of times, a lot

0:26:39.520 --> 0:26:42.960
<v Speaker 1>of especially if you've been established in a comedy or

0:26:43.000 --> 0:26:46.080
<v Speaker 1>as a creator, you don't want to admit that you

0:26:46.160 --> 0:26:48.000
<v Speaker 1>just don't get it and you don't know what the

0:26:48.040 --> 0:26:50.720
<v Speaker 1>funny thing is, so you tell yourself, oh, it's just

0:26:50.880 --> 0:26:53.720
<v Speaker 1>not funny. And I think that's what causes a lot

0:26:53.760 --> 0:26:57.280
<v Speaker 1>of edits a lot of reasons that, uh, people of

0:26:57.320 --> 0:27:01.800
<v Speaker 1>color are just portrayed either to perfect or horribly. UM.

0:27:02.240 --> 0:27:05.040
<v Speaker 1>I have a friend who remained nameless, who wrote on

0:27:05.080 --> 0:27:10.320
<v Speaker 1>a very popular show. UM and he came in and

0:27:10.359 --> 0:27:12.800
<v Speaker 1>he was black and there was a black character. And

0:27:12.840 --> 0:27:14.840
<v Speaker 1>he remember him telling me one day and I think

0:27:14.840 --> 0:27:16.640
<v Speaker 1>I've told this story before, where he was like, oh,

0:27:16.680 --> 0:27:19.920
<v Speaker 1>I know why this character is underwritten is because they're

0:27:19.960 --> 0:27:22.720
<v Speaker 1>always so afraid to show him in a way that

0:27:23.119 --> 0:27:25.520
<v Speaker 1>they feel might come off as racist, that they don't

0:27:25.520 --> 0:27:28.800
<v Speaker 1>do anything at all, which is worse, you know, actually

0:27:29.080 --> 0:27:32.840
<v Speaker 1>very common. Yeah. So, and I think that's that's the

0:27:32.840 --> 0:27:36.040
<v Speaker 1>importance of having the decision makers be black, because now

0:27:36.080 --> 0:27:38.119
<v Speaker 1>you have people who are confident in their decisions that

0:27:38.160 --> 0:27:40.119
<v Speaker 1>are like, yeah, that's fine. Yeah we can show a

0:27:40.200 --> 0:27:42.760
<v Speaker 1>flawed black person because I a black person, know this

0:27:42.960 --> 0:27:46.760
<v Speaker 1>isn't offensive, because that we have to show, like you said,

0:27:46.760 --> 0:27:50.399
<v Speaker 1>the diaspora. And what's what's really wild about all that

0:27:50.520 --> 0:27:52.600
<v Speaker 1>is just to just put to wrap up this part

0:27:52.640 --> 0:27:56.800
<v Speaker 1>of it is that we as black people, we as minorities,

0:27:56.800 --> 0:28:01.920
<v Speaker 1>people of color, whatever, whatever. The buzzword of the work is, Uh,

0:28:02.240 --> 0:28:09.520
<v Speaker 1>we have a PhD and white Tollogy. I knew you

0:28:09.520 --> 0:28:15.120
<v Speaker 1>were a poet, so vulnerable but said set the way,

0:28:15.320 --> 0:28:22.280
<v Speaker 1>so seductive, so vulnerable, so vulnerable, But yeah, we have

0:28:22.320 --> 0:28:24.879
<v Speaker 1>a PhD in white allog just to get just to

0:28:24.880 --> 0:28:28.320
<v Speaker 1>get along. Yeah, so when we have to write Superman,

0:28:28.920 --> 0:28:30.639
<v Speaker 1>I can write up up in a way with the

0:28:30.640 --> 0:28:32.760
<v Speaker 1>best of them, but you might not be able to

0:28:32.800 --> 0:28:36.200
<v Speaker 1>write what Jefferson Pearce is going through as black lightning,

0:28:36.280 --> 0:28:38.640
<v Speaker 1>and that's fine as long as everybody admits that, and

0:28:38.680 --> 0:28:41.120
<v Speaker 1>people kind of don't just play to your strengths, try

0:28:41.160 --> 0:28:43.600
<v Speaker 1>to enhance your weaknesses. Maybe it'll be great to try

0:28:43.640 --> 0:28:45.200
<v Speaker 1>to learn about other cultures the way that we are

0:28:45.240 --> 0:28:47.320
<v Speaker 1>forced to. Yeah, because there are definitely some white writers

0:28:47.320 --> 0:28:49.000
<v Speaker 1>who could throw down as a black Yeah. I was

0:28:49.080 --> 0:28:50.520
<v Speaker 1>just about to say, because I want to say it,

0:28:50.520 --> 0:28:53.480
<v Speaker 1>because every time we talk about this there I get

0:28:53.520 --> 0:28:56.000
<v Speaker 1>a d M. And it's like, look, I get I'm

0:28:56.040 --> 0:28:58.120
<v Speaker 1>not trying to dunk on you in a negative way.

0:28:58.160 --> 0:29:00.120
<v Speaker 1>I get that you're really trying to get answers, but

0:29:00.200 --> 0:29:01.680
<v Speaker 1>you always get the d M of being like, well,

0:29:01.680 --> 0:29:04.280
<v Speaker 1>how do I write these characters of color and this that?

0:29:04.320 --> 0:29:06.080
<v Speaker 1>And should I just send it to a I was like,

0:29:06.280 --> 0:29:08.760
<v Speaker 1>you should hang out with your black friends. You should

0:29:08.840 --> 0:29:12.040
<v Speaker 1>see how they act and like, you know, really and

0:29:12.120 --> 0:29:15.560
<v Speaker 1>not from a observation, like really talk to him like

0:29:15.640 --> 0:29:18.800
<v Speaker 1>it because it's through connection. Because to to your point, Yeah,

0:29:19.080 --> 0:29:22.880
<v Speaker 1>the the guy who wrote both Dolomite is my Name,

0:29:23.560 --> 0:29:28.160
<v Speaker 1>uh and Hustle and Flow was white. Like that that's

0:29:28.160 --> 0:29:33.600
<v Speaker 1>a white directed directed bad directed but like that and

0:29:33.640 --> 0:29:36.800
<v Speaker 1>it's just through Like it was surprising that knowing that

0:29:36.880 --> 0:29:40.080
<v Speaker 1>both those movies he did, because it's one where it's like,

0:29:40.160 --> 0:29:42.240
<v Speaker 1>all right, you might have got dolomite on on the flute,

0:29:42.240 --> 0:29:45.000
<v Speaker 1>but also Hustle and Flow, which means that you you

0:29:45.040 --> 0:29:47.760
<v Speaker 1>know a little something, you've you've talked to people, and

0:29:47.840 --> 0:29:50.120
<v Speaker 1>straight up he wrote Hustle and Flow just to get

0:29:50.120 --> 0:29:52.320
<v Speaker 1>it straight up. He wrote and directed Hustle Flow, which

0:29:52.320 --> 0:29:55.760
<v Speaker 1>is about a Memphis pamp. Yeah you know what I mean. Yeah,

0:29:55.800 --> 0:29:58.680
<v Speaker 1>And it was thoroughly enjoyed by black people, and I

0:29:58.760 --> 0:30:01.200
<v Speaker 1>think it's the same way. Whereas, like, you know, if

0:30:01.240 --> 0:30:03.360
<v Speaker 1>I want to write on I was about to snitch

0:30:03.440 --> 0:30:06.320
<v Speaker 1>on this idea I've had, and I was like, I

0:30:06.320 --> 0:30:08.600
<v Speaker 1>ain't trying to blow my blow my load on the

0:30:08.640 --> 0:30:17.880
<v Speaker 1>pod to your point, Oh my gosh, I was gonna say,

0:30:17.920 --> 0:30:21.440
<v Speaker 1>to your point, um, Steven L. Sears, who was on

0:30:21.440 --> 0:30:23.360
<v Speaker 1>a podcast with he wrote on Zena and a bunch

0:30:23.360 --> 0:30:25.360
<v Speaker 1>of other things, he was actually, oh, we were on

0:30:25.400 --> 0:30:27.920
<v Speaker 1>the podcast together too. Yeah. He was saying that it's

0:30:27.960 --> 0:30:31.120
<v Speaker 1>easier to write from that white male perspective because that

0:30:31.240 --> 0:30:33.680
<v Speaker 1>is the lens through which all media has been told.

0:30:33.720 --> 0:30:35.520
<v Speaker 1>Like that is just the fish bowl that we live in.

0:30:35.600 --> 0:30:36.960
<v Speaker 1>So it's kind of like what you were saying that

0:30:37.200 --> 0:30:39.840
<v Speaker 1>it's harder for them because that's all the media that

0:30:39.880 --> 0:30:43.040
<v Speaker 1>there has been has been catered to them. That it's

0:30:43.040 --> 0:30:46.000
<v Speaker 1>actually easier for us people of color to write their

0:30:46.080 --> 0:30:49.320
<v Speaker 1>stories than it is in reverse, because that's where we learned,

0:30:49.440 --> 0:30:53.120
<v Speaker 1>Like like you know, once again, a little a little nugget.

0:30:53.360 --> 0:30:54.840
<v Speaker 1>A lot of times, when you want to write your

0:30:54.840 --> 0:30:57.040
<v Speaker 1>first pilot, what you're gonna do is you're gonna download

0:30:57.120 --> 0:31:00.200
<v Speaker 1>popular pilots. I read for my first pilot. I think

0:31:00.400 --> 0:31:02.160
<v Speaker 1>I wanted to do an ensemble, so I read through

0:31:02.200 --> 0:31:06.280
<v Speaker 1>Parks and Wreck rather little community. What stories are those?

0:31:06.720 --> 0:31:10.760
<v Speaker 1>What's so the the the foundations of me learning to

0:31:10.840 --> 0:31:14.840
<v Speaker 1>create our white stories. So yes, of course, but then

0:31:14.960 --> 0:31:16.760
<v Speaker 1>as I move forward and I want to tell my

0:31:16.800 --> 0:31:19.200
<v Speaker 1>own stories, I have the bound not only do I

0:31:19.240 --> 0:31:22.920
<v Speaker 1>have the foundation of no speaking their language, but also

0:31:23.320 --> 0:31:26.800
<v Speaker 1>learning to speak my language and translate it into their language.

0:31:27.200 --> 0:31:30.440
<v Speaker 1>And that's that's the difference, you know. Yeah, but also

0:31:30.520 --> 0:31:33.800
<v Speaker 1>but at as far as the milestone thing. Add to

0:31:33.920 --> 0:31:37.600
<v Speaker 1>that the constrictions of comics. War An Ellis has always said,

0:31:38.040 --> 0:31:40.280
<v Speaker 1>comics are kind of crazy. If you think about it.

0:31:40.320 --> 0:31:45.000
<v Speaker 1>The fact that superheroes dominate nine of comics is insane.

0:31:45.160 --> 0:31:49.680
<v Speaker 1>It would be like if of novels were about nurses

0:31:49.880 --> 0:31:52.480
<v Speaker 1>in the eighteen hundreds. Yeah, you know what, just I

0:31:52.480 --> 0:31:54.600
<v Speaker 1>guess the whole art form got obsessed with one style

0:31:54.600 --> 0:31:57.000
<v Speaker 1>of storytelling. It just went full boor into it, you

0:31:57.000 --> 0:32:00.000
<v Speaker 1>know what I mean. So basically, there are constrictions of comics.

0:32:00.080 --> 0:32:02.320
<v Speaker 1>So like when you look at the Mouthstone Universe, everybody

0:32:02.320 --> 0:32:04.080
<v Speaker 1>in the Mouthstone Universe not only has to be a

0:32:04.160 --> 0:32:07.120
<v Speaker 1>unique character has to be from the black black perspective

0:32:07.240 --> 0:32:10.320
<v Speaker 1>or minority perspective, but also they have to still fit

0:32:10.360 --> 0:32:13.240
<v Speaker 1>into these rigid guidelines of what is a comic book.

0:32:13.640 --> 0:32:16.000
<v Speaker 1>You know, you've got your teen character, which is static.

0:32:16.200 --> 0:32:19.720
<v Speaker 1>Static represents uh, sort of a spider Man guy, Like like, oh,

0:32:19.760 --> 0:32:21.840
<v Speaker 1>I'm just I'm a regular geek. You know, I read

0:32:21.920 --> 0:32:23.840
<v Speaker 1>I read a little Tolkeien, I read a little Heinlan,

0:32:23.920 --> 0:32:25.800
<v Speaker 1>I read a little you know, Octavia Butler. I read

0:32:25.800 --> 0:32:27.840
<v Speaker 1>a little this little that, and I'm a smart guy,

0:32:27.880 --> 0:32:29.880
<v Speaker 1>and all of a sudden, I get superpowers. The wish

0:32:29.920 --> 0:32:33.000
<v Speaker 1>fulfillment that he felt as a fan of genre fiction

0:32:33.400 --> 0:32:37.120
<v Speaker 1>was almost revolutionary. And then you see like a blood syndicate.

0:32:37.520 --> 0:32:39.480
<v Speaker 1>Blood Syndicate was probably the I'll leave them for last.

0:32:39.560 --> 0:32:41.480
<v Speaker 1>They're probably the most unique. But then like you've got

0:32:41.640 --> 0:32:44.800
<v Speaker 1>icon which is Superman, you know, and you have a

0:32:44.960 --> 0:32:47.840
<v Speaker 1>hardware which is Iron Man, and so it's like it's

0:32:47.880 --> 0:32:50.960
<v Speaker 1>like trying to create with within this small structure. The

0:32:50.960 --> 0:32:52.600
<v Speaker 1>fact that they were able to do so much was

0:32:52.800 --> 0:32:56.720
<v Speaker 1>kind of fantastic. But yeah, so DC Comics uh just

0:32:57.600 --> 0:33:00.440
<v Speaker 1>essentially had no editorial control, but they were are able

0:33:00.480 --> 0:33:04.520
<v Speaker 1>to uh not publish any material they just strictly objected to.

0:33:05.080 --> 0:33:09.880
<v Speaker 1>But Milestone Media, which is also very prolific, retained the

0:33:09.960 --> 0:33:13.000
<v Speaker 1>copyrights of their properties and had final say on all

0:33:13.040 --> 0:33:17.120
<v Speaker 1>merchandising and licensing deals pertaining to them. And in essence,

0:33:17.200 --> 0:33:21.800
<v Speaker 1>DC licensed the character editorial services and create creative content

0:33:21.920 --> 0:33:24.600
<v Speaker 1>for the Milestone books for an annual fee and share

0:33:24.600 --> 0:33:29.000
<v Speaker 1>of the profits. So that I mean they essentially this

0:33:29.160 --> 0:33:34.160
<v Speaker 1>truly is image walking. So they can run because they

0:33:34.720 --> 0:33:37.000
<v Speaker 1>learned from that mistake and they're like, okay, well we'll

0:33:37.040 --> 0:33:38.960
<v Speaker 1>give you the space, we will give you the control,

0:33:39.160 --> 0:33:42.480
<v Speaker 1>because this is all like like if you just take

0:33:42.560 --> 0:33:44.920
<v Speaker 1>the the aspect of them being black out of it,

0:33:45.120 --> 0:33:47.880
<v Speaker 1>this is everything Image wanted they wanted to be able

0:33:47.920 --> 0:33:50.160
<v Speaker 1>because you know, this was right around the era where

0:33:50.360 --> 0:33:55.720
<v Speaker 1>people started making cartoon TV shows and selling T shirts.

0:33:55.760 --> 0:33:59.440
<v Speaker 1>And there they were seeing them these create uh, these

0:33:59.520 --> 0:34:04.640
<v Speaker 1>characters creating being taken by their bosses and money not

0:34:04.760 --> 0:34:08.120
<v Speaker 1>getting to them. So Image was like yo. And then

0:34:08.200 --> 0:34:10.279
<v Speaker 1>now Milestone was like yo when they gave them it,

0:34:10.440 --> 0:34:13.279
<v Speaker 1>and no, I was just gonna say, if you don't know,

0:34:13.400 --> 0:34:15.839
<v Speaker 1>we did an episode on Image Comics, So if you're

0:34:15.880 --> 0:34:17.880
<v Speaker 1>not clear on the history of that and kind of

0:34:17.880 --> 0:34:22.200
<v Speaker 1>how these these huge creators broke away to make their

0:34:22.239 --> 0:34:25.719
<v Speaker 1>own comic book company, definitely check that out after you're

0:34:25.719 --> 0:34:28.040
<v Speaker 1>done listening to this. And that was our little comic

0:34:28.040 --> 0:34:33.319
<v Speaker 1>book box that was like, go do issue this this note? Baby. Yeah. Yeah.

0:34:33.520 --> 0:34:36.040
<v Speaker 1>What I was gonna say is, uh, that's absolutely correct.

0:34:36.040 --> 0:34:39.560
<v Speaker 1>And what's what's interesting about that is it's it's it's

0:34:39.600 --> 0:34:42.400
<v Speaker 1>truly the best of both worlds. You have d C

0:34:42.640 --> 0:34:46.000
<v Speaker 1>and Warner Brothers behind you, but you have creative control.

0:34:46.200 --> 0:34:48.200
<v Speaker 1>When you look at what Images doing, it was even

0:34:48.239 --> 0:34:51.640
<v Speaker 1>more like it was kind of hard for them at first.

0:34:51.640 --> 0:34:53.920
<v Speaker 1>They had to go through Malibu Comics, you know, for

0:34:53.960 --> 0:34:55.560
<v Speaker 1>a little while, and then you see things like the

0:34:55.600 --> 0:34:58.280
<v Speaker 1>Wildcats cartoon and different stuff that came out. It didn't

0:34:58.280 --> 0:35:01.120
<v Speaker 1>have the support of something like d see, so nothing

0:35:01.120 --> 0:35:03.719
<v Speaker 1>that image could make in other forms could ever be

0:35:03.760 --> 0:35:06.200
<v Speaker 1>as big as like Static Shock. Caustic Shock has Warner

0:35:06.200 --> 0:35:10.200
<v Speaker 1>Brothers behind. You know, Superman might pop up in that piece. Yeah,

0:35:10.320 --> 0:35:13.879
<v Speaker 1>so you're independent all the way. Independent image comic can't

0:35:13.880 --> 0:35:16.000
<v Speaker 1>really compete with that, And like I said earlier, a

0:35:16.040 --> 0:35:18.000
<v Speaker 1>lot of a lot of comics creatives right now start

0:35:18.040 --> 0:35:26.439
<v Speaker 1>getting saltinger to Mr Peanut over this situation. Right, Baby nuts,

0:35:26.480 --> 0:35:31.040
<v Speaker 1>baby Nut is our new king, this baby phenomenon, stop it,

0:35:31.640 --> 0:35:35.000
<v Speaker 1>you know, I know that, Like I think Grout might

0:35:35.000 --> 0:35:37.120
<v Speaker 1>have been one of the first Yeah, I know, and

0:35:37.120 --> 0:35:39.719
<v Speaker 1>we've forgotten about we're saying that so far beyond the

0:35:40.200 --> 0:35:42.680
<v Speaker 1>baby Grout is like like when when Gay Coleman started

0:35:42.680 --> 0:35:46.759
<v Speaker 1>getting too old and they added that other kids anyway,

0:35:46.800 --> 0:35:50.160
<v Speaker 1>But yeah, so you know, the Milestone brand ran story

0:35:50.239 --> 0:35:53.239
<v Speaker 1>arcs around action, but they would also look at race

0:35:53.320 --> 0:35:56.399
<v Speaker 1>and black sexuality. Being part of DC Comics helped open

0:35:56.400 --> 0:36:00.359
<v Speaker 1>a wider distribution for them to uh just another back

0:36:00.360 --> 0:36:03.960
<v Speaker 1>at Malibu Comics. That was hard to achieve, uh, And

0:36:04.000 --> 0:36:06.560
<v Speaker 1>there was a multitude of other publishers launching new universe

0:36:06.640 --> 0:36:09.520
<v Speaker 1>who didn't receive the exposure they could have because they

0:36:09.560 --> 0:36:13.200
<v Speaker 1>were billed as solely comic books for black people. Boom,

0:36:13.480 --> 0:36:17.880
<v Speaker 1>Uh with what I'd said earlier, Um, but the comics

0:36:17.920 --> 0:36:22.120
<v Speaker 1>bust in did hurt the company, and soon the founders

0:36:22.120 --> 0:36:25.880
<v Speaker 1>took on more lucrative careers with other comic book companies.

0:36:26.239 --> 0:36:29.440
<v Speaker 1>When and then when the sales declined, Milestone closed up shop,

0:36:29.680 --> 0:36:32.560
<v Speaker 1>but has gained like a cult like following. And you know,

0:36:32.600 --> 0:36:35.359
<v Speaker 1>I think the strongest one that had survived has been

0:36:35.520 --> 0:36:40.640
<v Speaker 1>Static But Milestone UH did continue his partnership with Warner

0:36:40.680 --> 0:36:44.520
<v Speaker 1>Brothers and d C. So like Static Shock, the animated

0:36:44.520 --> 0:36:47.880
<v Speaker 1>television series ran four seasons between two thousand and two

0:36:47.920 --> 0:36:50.759
<v Speaker 1>thousand four. In the two thousand ten, DC printed a

0:36:50.840 --> 0:36:54.719
<v Speaker 1>final run of the Dakota Verse UM, which basically was

0:36:54.800 --> 0:36:58.239
<v Speaker 1>the universe that a lot of the Milestone characters lived in. UH,

0:36:58.280 --> 0:37:01.120
<v Speaker 1>and it was titled Milestone Forever, and it wrapped up

0:37:01.160 --> 0:37:05.240
<v Speaker 1>the storylines of all the major characters owned by Milestone. UM.

0:37:05.360 --> 0:37:09.120
<v Speaker 1>Which cool and all, but let's open it back up. Yeah,

0:37:09.160 --> 0:37:17.160
<v Speaker 1>I bet they will. Well, I mean there's there's little drama. Yeah, Okay,

0:37:17.160 --> 0:37:20.200
<v Speaker 1>which we will get into. But one of those major

0:37:20.280 --> 0:37:23.080
<v Speaker 1>characters was Icon, which you were talking about. Ed. For

0:37:23.120 --> 0:37:25.080
<v Speaker 1>people that are not familiar with this comic, can you

0:37:25.160 --> 0:37:27.920
<v Speaker 1>kind of give them a breakdown? Yeah, Basically, it's a

0:37:27.960 --> 0:37:31.080
<v Speaker 1>it's a little redo of the of the Superman myth.

0:37:31.360 --> 0:37:35.719
<v Speaker 1>But the interesting addition that they made was, so there's

0:37:35.760 --> 0:37:39.560
<v Speaker 1>an alien craft. A guy, an alien escapes from his

0:37:39.600 --> 0:37:43.120
<v Speaker 1>planet drops here and he's from like a weird kind

0:37:43.120 --> 0:37:48.040
<v Speaker 1>of shape shifty race basically, and when the craft lands,

0:37:48.200 --> 0:37:52.960
<v Speaker 1>it's like during at the Antebellum South, so it's slavery days.

0:37:53.680 --> 0:37:57.400
<v Speaker 1>Rocket lands and a black slave lady comes up to

0:37:57.400 --> 0:37:59.560
<v Speaker 1>the to the to the pod, it puts her hand

0:37:59.600 --> 0:38:03.080
<v Speaker 1>on it, and it scans her DNA in order to approximate,

0:38:03.080 --> 0:38:06.480
<v Speaker 1>almost like Transformer style, what the dominant culture is. So

0:38:06.520 --> 0:38:09.560
<v Speaker 1>they assume the dominant culture is this black woman who

0:38:09.600 --> 0:38:12.880
<v Speaker 1>touches the thing. So out of this pod comes a baby,

0:38:12.960 --> 0:38:15.160
<v Speaker 1>a black little baby could taken care of, and it's

0:38:15.200 --> 0:38:19.560
<v Speaker 1>like it's a Superman, but it's black. He's a black person,

0:38:19.920 --> 0:38:24.400
<v Speaker 1>so he uh, he kind of has extremely long lived

0:38:24.480 --> 0:38:26.920
<v Speaker 1>So when we were entered the series, his name is

0:38:26.960 --> 0:38:30.400
<v Speaker 1>Augustus Freeman. He's been alive since slavery days, and he

0:38:30.520 --> 0:38:34.960
<v Speaker 1>is a stone cold Republican because in his day, Lincoln

0:38:35.040 --> 0:38:37.800
<v Speaker 1>freed the slaves. So he's just down with the Republican

0:38:37.840 --> 0:38:40.320
<v Speaker 1>Party all the way through and becomes a lawyer and

0:38:40.360 --> 0:38:43.759
<v Speaker 1>adjudicator and a really rich man, but doesn't use his

0:38:43.760 --> 0:38:48.440
<v Speaker 1>superpowers for good because obviously he has experienced a world

0:38:48.480 --> 0:38:50.960
<v Speaker 1>where people kind of reject that aspect of him, so

0:38:51.000 --> 0:38:53.160
<v Speaker 1>he turned it off. It just was a regular person

0:38:53.239 --> 0:38:55.719
<v Speaker 1>for like hundreds of years, for like a hundred years,

0:38:56.000 --> 0:39:00.960
<v Speaker 1>I guess, I'm so, was this mc duffie that did this? Yeah, yea,

0:39:01.080 --> 0:39:04.720
<v Speaker 1>So this was McDuffie and Dennis Cowen, who fun fact

0:39:05.120 --> 0:39:09.080
<v Speaker 1>did the liquid Swords logo for the Jism. Yeah, and

0:39:09.200 --> 0:39:11.640
<v Speaker 1>also went on to do the Boondocks. You helped produce

0:39:11.719 --> 0:39:15.640
<v Speaker 1>the boon Knocks TV series, So he yeah, he went on. Yeah.

0:39:15.640 --> 0:39:17.840
<v Speaker 1>So McDuffie said this, Uh, this is a quote. I

0:39:17.880 --> 0:39:20.640
<v Speaker 1>try to put superheroes in situations where being strong or

0:39:20.680 --> 0:39:23.200
<v Speaker 1>being able to fly or fight aren't the answers. This

0:39:23.239 --> 0:39:26.440
<v Speaker 1>was in the nine interview with with the Detroit Free Press.

0:39:26.680 --> 0:39:29.400
<v Speaker 1>He said, we've dealt with team pregnancy, abortion, racism, and

0:39:29.440 --> 0:39:32.640
<v Speaker 1>anti semitism, being able to hit somebody harder doesn't help

0:39:32.719 --> 0:39:35.640
<v Speaker 1>you deal with that. You will not find situations in

0:39:35.680 --> 0:39:38.239
<v Speaker 1>my stories where the hero overcomes a villain merely by

0:39:38.280 --> 0:39:41.800
<v Speaker 1>force of strength. Usually usually you will find that violence

0:39:41.920 --> 0:39:45.080
<v Speaker 1>escalates the problem and creates new problems. So was this

0:39:46.120 --> 0:39:49.320
<v Speaker 1>comic if he just stayed that way? Was it problematic?

0:39:49.680 --> 0:39:51.920
<v Speaker 1>Or was it? Except like, well, what they did was

0:39:51.920 --> 0:39:55.400
<v Speaker 1>they challenged some of those old school um attitudes that

0:39:55.440 --> 0:39:57.920
<v Speaker 1>he had. Because in the initial I think the very

0:39:57.960 --> 0:40:01.600
<v Speaker 1>first issue, even some some key kids and a girl

0:40:01.680 --> 0:40:03.719
<v Speaker 1>that's with them sort of like just kind of going

0:40:03.719 --> 0:40:05.360
<v Speaker 1>along with her thug boyfriend to kind of do what

0:40:05.400 --> 0:40:07.759
<v Speaker 1>they're doing, and just oh no, robin a house. Oh no,

0:40:08.640 --> 0:40:11.560
<v Speaker 1>this girl is involved in this robbery of Augustus Freeman's house.

0:40:12.080 --> 0:40:14.879
<v Speaker 1>And he comes downstairs and supersup and other people run away,

0:40:14.920 --> 0:40:17.359
<v Speaker 1>but Raquel stays she's more or less captured by him,

0:40:17.400 --> 0:40:19.480
<v Speaker 1>but she's like intrigued by him about his superness, and

0:40:19.520 --> 0:40:24.160
<v Speaker 1>she's like, what's up, homie, And she basically starts to question,

0:40:24.600 --> 0:40:28.160
<v Speaker 1>if you're this powerful, why aren't you doing anything? You're

0:40:28.160 --> 0:40:31.879
<v Speaker 1>a black superman, what the hell is wrong with you?

0:40:32.200 --> 0:40:34.279
<v Speaker 1>And the whole book is more or less through her

0:40:34.320 --> 0:40:38.960
<v Speaker 1>eyes as she sort of chastises Icon into assuming the

0:40:39.000 --> 0:40:42.120
<v Speaker 1>mantle of a superhero because she sees it such a waste.

0:40:42.120 --> 0:40:45.840
<v Speaker 1>And she's constantly challenging his political views, challenging his h

0:40:46.239 --> 0:40:49.520
<v Speaker 1>his his lack of motivation to help his people, challenging

0:40:49.560 --> 0:40:52.400
<v Speaker 1>the fact that he, uh, he's got a bootstrap mentality,

0:40:52.440 --> 0:40:55.399
<v Speaker 1>but he's a super powerful alien. Of course, you think

0:40:55.400 --> 0:40:57.399
<v Speaker 1>that people can pull themselves by the bootsteps. You can

0:40:57.400 --> 0:41:00.520
<v Speaker 1>fly stupid, you know. So it's it's it's was really

0:41:00.600 --> 0:41:03.600
<v Speaker 1>challenging certain conservative ideals. But at the same time, the

0:41:03.719 --> 0:41:06.719
<v Speaker 1>very fact that a black book, totally black controlled, would

0:41:06.719 --> 0:41:08.759
<v Speaker 1>have a bunch of conservative ideals in it at all

0:41:09.480 --> 0:41:12.080
<v Speaker 1>is amazing. It's about diversity of thought. Now, trust me,

0:41:12.080 --> 0:41:14.320
<v Speaker 1>I don't know Clarence Thomas, but I'm just saying, you

0:41:14.400 --> 0:41:17.879
<v Speaker 1>know what I mean, diversity of thought is necessary and important. Well,

0:41:17.880 --> 0:41:20.040
<v Speaker 1>it's because it's one of those things where you're kind

0:41:20.040 --> 0:41:22.719
<v Speaker 1>of just kind of levying and showing like the both

0:41:22.760 --> 0:41:25.280
<v Speaker 1>sides and how you may end up on this side

0:41:25.320 --> 0:41:28.560
<v Speaker 1>and that side. So I mean, that's prolific, and that's

0:41:28.840 --> 0:41:31.200
<v Speaker 1>and is this is something I'm probably gonna repeat, but

0:41:31.239 --> 0:41:34.600
<v Speaker 1>that sounds like something that could be on air right

0:41:34.600 --> 0:41:37.520
<v Speaker 1>now and when people that. That is the main thing

0:41:37.600 --> 0:41:38.759
<v Speaker 1>and the reason why I wanted to come on and

0:41:38.760 --> 0:41:41.919
<v Speaker 1>talk to you guys about this is these people came

0:41:41.960 --> 0:41:44.120
<v Speaker 1>along right at the right time, but at the wrong time,

0:41:44.480 --> 0:41:45.640
<v Speaker 1>you know what I mean. They kind of out right

0:41:45.640 --> 0:41:47.920
<v Speaker 1>at the right time to get their deal, but right

0:41:47.920 --> 0:41:51.600
<v Speaker 1>when people stopped buying records. If you think I just

0:41:51.640 --> 0:41:54.279
<v Speaker 1>got on, yeah that's great. People don't buy records, no,

0:41:54.400 --> 0:41:56.879
<v Speaker 1>what you know, That's kind of what happened to them.

0:41:56.920 --> 0:41:58.640
<v Speaker 1>They got on and they had the freedom. But like

0:41:58.719 --> 0:42:01.200
<v Speaker 1>that's when the boom busted. That's when the image guys

0:42:01.239 --> 0:42:03.360
<v Speaker 1>unfortunately started putting out a budget of stuff, bunch of

0:42:03.400 --> 0:42:07.400
<v Speaker 1>late stuff. People started putting a chrome chrome cover on everything.

0:42:08.800 --> 0:42:12.040
<v Speaker 1>Look at my comics they spinning. Yeah, we got spree

0:42:12.080 --> 0:42:14.560
<v Speaker 1>Wells on our gun. Yeah. So, like they came along,

0:42:14.600 --> 0:42:16.920
<v Speaker 1>it's just a matter of good timing and bad timing

0:42:16.920 --> 0:42:18.880
<v Speaker 1>at the same time. But also they were way ahead

0:42:18.880 --> 0:42:22.000
<v Speaker 1>of their time and the diversity of thought and the like.

0:42:22.040 --> 0:42:25.560
<v Speaker 1>They took on corporate stuff with hardware, hardware, the character

0:42:25.600 --> 0:42:29.200
<v Speaker 1>of hardware. And there was a genius kid who a

0:42:29.320 --> 0:42:32.799
<v Speaker 1>guy like super rich guy sponsored him and said, hey, kid,

0:42:33.080 --> 0:42:34.960
<v Speaker 1>I'll give you some money to go to the gifted school,

0:42:35.120 --> 0:42:37.800
<v Speaker 1>and just helped him out, just a real like benefactor type,

0:42:37.840 --> 0:42:41.560
<v Speaker 1>you know, white benefactor Mr. Drummond situation. And when that

0:42:41.640 --> 0:42:44.960
<v Speaker 1>kid grew from fifteen to five, he ended up working

0:42:45.000 --> 0:42:48.200
<v Speaker 1>at that guy's company and making all these idea patents

0:42:48.200 --> 0:42:51.160
<v Speaker 1>and ideas and all this stuff, just brilliant engineering. And

0:42:51.239 --> 0:42:54.320
<v Speaker 1>he goes to his boss and goes hey, the characters

0:42:54.360 --> 0:42:58.120
<v Speaker 1>names Curtis Metcalf. He goes hey, can I'm Curtis Metcalf,

0:42:58.160 --> 0:43:00.799
<v Speaker 1>your your award? I made you buildions of dollars? Can

0:43:00.800 --> 0:43:03.520
<v Speaker 1>they get a couple of points? And he's like, let

0:43:03.600 --> 0:43:06.680
<v Speaker 1>me make something clear. You're not my family. You're a tool.

0:43:06.960 --> 0:43:09.680
<v Speaker 1>I bought a tool and the tools working well, so

0:43:09.760 --> 0:43:13.120
<v Speaker 1>screw off. You don't get nothing peace. And then that

0:43:13.160 --> 0:43:15.640
<v Speaker 1>caused him to be like, well, damn, that's really dispectful.

0:43:15.760 --> 0:43:17.839
<v Speaker 1>I really feel bad about that. And then he starts

0:43:17.880 --> 0:43:20.040
<v Speaker 1>to look into his boss's activities and sees it his

0:43:20.080 --> 0:43:23.120
<v Speaker 1>boss as a super criminal who has has his fingers

0:43:23.120 --> 0:43:26.440
<v Speaker 1>and all these pies. He's like a real Marchiavillian Spider type.

0:43:26.719 --> 0:43:30.200
<v Speaker 1>And so he the credit metap character true to the call,

0:43:30.560 --> 0:43:33.279
<v Speaker 1>you know, the circular thing of storytelling. He doesn't just

0:43:33.360 --> 0:43:35.719
<v Speaker 1>launch into a thing to fight his boss. He goes

0:43:35.760 --> 0:43:38.240
<v Speaker 1>and tries to tell the s FBI, the Securities Commission.

0:43:38.239 --> 0:43:41.080
<v Speaker 1>He sends them evidence this dude is bad. And when

0:43:41.080 --> 0:43:45.200
<v Speaker 1>they do nothing, that is when he creates the hardware suit,

0:43:45.200 --> 0:43:46.960
<v Speaker 1>which is basically, I don't want to call it black

0:43:46.960 --> 0:43:48.960
<v Speaker 1>iron Man, but let's call us let's let's call an

0:43:48.960 --> 0:43:52.560
<v Speaker 1>iron man an iron man, and that that's when he

0:43:52.600 --> 0:43:54.879
<v Speaker 1>starts taking on, you know, the evil of his boss

0:43:54.880 --> 0:43:56.480
<v Speaker 1>and his boss and all this technology and stuff. So

0:43:56.520 --> 0:43:59.920
<v Speaker 1>it's like it's this corporate battle and physical battle. But

0:44:00.200 --> 0:44:04.200
<v Speaker 1>he only did it because the system failed him. Yeah

0:44:04.280 --> 0:44:07.080
<v Speaker 1>you hear that, joker fans, That's that's the actual system

0:44:07.120 --> 0:44:11.399
<v Speaker 1>failing somebody. Anyway. I'm sorry, Oh, we're just getting so

0:44:11.480 --> 0:44:13.759
<v Speaker 1>into it. Let's take that quick break. But when we

0:44:13.800 --> 0:44:18.000
<v Speaker 1>get back, we're gonna be charged up. Like we all

0:44:18.000 --> 0:44:31.440
<v Speaker 1>all our brains took a blue chee and we're back,

0:44:31.960 --> 0:44:35.799
<v Speaker 1>still talking about Milestone comics. So we talked about Icon

0:44:35.960 --> 0:44:39.600
<v Speaker 1>a little bit of hardware, which is all these things

0:44:39.640 --> 0:44:43.239
<v Speaker 1>are exciting and in the end, because these all sound

0:44:43.280 --> 0:44:46.720
<v Speaker 1>like great shows, but there are rights things because everyone

0:44:46.760 --> 0:44:49.560
<v Speaker 1>who made it do retain the copyright, so and a

0:44:49.560 --> 0:44:51.880
<v Speaker 1>lot of these people this was the nineties, there's still alive,

0:44:52.000 --> 0:44:55.600
<v Speaker 1>so it's you know, and we'll get to uh. There

0:44:55.719 --> 0:44:58.200
<v Speaker 1>was that that whole rights thing. It kind of came

0:44:58.239 --> 0:45:01.799
<v Speaker 1>into play with the like the closing the book on

0:45:01.840 --> 0:45:05.319
<v Speaker 1>it um because I guess Robert Townsend to have a

0:45:05.320 --> 0:45:08.920
<v Speaker 1>little action there. There's been attempts by people like you know,

0:45:08.960 --> 0:45:12.000
<v Speaker 1>Reginald Hudling. Yes, that's what I'm thinking of, people like

0:45:12.080 --> 0:45:14.560
<v Speaker 1>that to uh and maybe even Townsend at some point,

0:45:14.640 --> 0:45:18.600
<v Speaker 1>but uh, to kind of redo the universe. As the

0:45:18.600 --> 0:45:21.440
<v Speaker 1>copyrights are still sort of there, you could theoretically redo

0:45:21.480 --> 0:45:23.959
<v Speaker 1>the universe within. There's some I think rights issues because

0:45:24.000 --> 0:45:28.160
<v Speaker 1>they try to do the Milestone universe as they did

0:45:28.160 --> 0:45:31.480
<v Speaker 1>a retcon. DC makes so many universes that when they

0:45:31.520 --> 0:45:34.480
<v Speaker 1>just want everybody to fold into the main team, they

0:45:34.520 --> 0:45:37.280
<v Speaker 1>just go, well, super Boy punched a prism in space

0:45:37.360 --> 0:45:40.239
<v Speaker 1>and not now everybody's on the same team and now

0:45:40.280 --> 0:45:42.520
<v Speaker 1>you can go talk to them do whatever. So all

0:45:42.560 --> 0:45:45.239
<v Speaker 1>the universe are combined. So basically they tried to do

0:45:45.280 --> 0:45:47.719
<v Speaker 1>a run where like Icon has always been here with Superman,

0:45:47.840 --> 0:45:50.040
<v Speaker 1>but like that doesn't even make sense. Yeah, you know

0:45:50.080 --> 0:45:52.759
<v Speaker 1>what I mean, like the two Superman's, two Iron Man

0:45:52.800 --> 0:45:55.280
<v Speaker 1>type guys, the sthetic that it just didn't make sense

0:45:55.320 --> 0:45:59.400
<v Speaker 1>for those people. I hate the separate and unequal or

0:45:59.480 --> 0:46:02.360
<v Speaker 1>separate equal, I hate all of that. But the codea

0:46:02.400 --> 0:46:06.240
<v Speaker 1>Verse really was a more complex place than the DC universe,

0:46:06.360 --> 0:46:10.400
<v Speaker 1>So combining them that form of integration really dulled the

0:46:10.760 --> 0:46:14.000
<v Speaker 1>fine blade that was milestone. I mean, yeah, just the

0:46:14.280 --> 0:46:17.480
<v Speaker 1>and I was just so for those who don't know,

0:46:17.520 --> 0:46:19.960
<v Speaker 1>I've been writing on sci fi great Debate, so I've

0:46:20.000 --> 0:46:25.000
<v Speaker 1>been literally looking at Nerds stuff daily, writing jokes about them.

0:46:25.120 --> 0:46:29.239
<v Speaker 1>But I was just looking because I'm trying to say

0:46:29.280 --> 0:46:31.920
<v Speaker 1>this in a way that doesn't spoil the thing that's

0:46:32.120 --> 0:46:34.560
<v Speaker 1>probably going to be in the show. But like, essentially

0:46:34.640 --> 0:46:39.080
<v Speaker 1>I was looking at the um the geology or is

0:46:39.120 --> 0:46:42.040
<v Speaker 1>that is that? Is that the word? I'm looking for geography,

0:46:42.120 --> 0:46:46.480
<v Speaker 1>the geography of like Marvel versus d C. Whereas like

0:46:46.640 --> 0:46:50.680
<v Speaker 1>d C has such weird geography, Like Gotham used to

0:46:50.680 --> 0:46:53.719
<v Speaker 1>be in New Jersey, Like that's that's where it was

0:46:54.040 --> 0:46:56.600
<v Speaker 1>originally stated to be. It was a city just outside

0:46:56.600 --> 0:46:59.560
<v Speaker 1>of New Jersey. There was a picture on the US

0:46:59.640 --> 0:47:02.279
<v Speaker 1>map and then it became its own place, and then

0:47:02.320 --> 0:47:06.040
<v Speaker 1>Metropolis is his own place, and so like yeah, to

0:47:06.320 --> 0:47:10.200
<v Speaker 1>kind of echo ats point, like there's no way to

0:47:10.239 --> 0:47:12.480
<v Speaker 1>fit the Dakota Verse in there, because it's already hard

0:47:12.600 --> 0:47:18.719
<v Speaker 1>enough to fit the actual country that these planes leave on,

0:47:18.760 --> 0:47:22.080
<v Speaker 1>Whereas like Marvel did the smart thing of like where

0:47:22.120 --> 0:47:26.440
<v Speaker 1>and I guess this Stanley quote is if uh, Spider

0:47:26.480 --> 0:47:29.400
<v Speaker 1>Man broke his arm in Fantastic four, then in the

0:47:29.400 --> 0:47:32.440
<v Speaker 1>next Spider Man issue, he still needs that broken arm,

0:47:32.560 --> 0:47:36.520
<v Speaker 1>like he Stanley from the beginning was like, no, this

0:47:36.560 --> 0:47:38.560
<v Speaker 1>has to make sense if this is supposed to be

0:47:38.600 --> 0:47:41.000
<v Speaker 1>a world where d C they never cared about it. It

0:47:40.920 --> 0:47:43.520
<v Speaker 1>It was all supposed to be just one off stories

0:47:43.680 --> 0:47:47.360
<v Speaker 1>for all of their properties. And then when Marvel started

0:47:47.360 --> 0:47:50.000
<v Speaker 1>doing it because that's how businesses, d C tried to

0:47:50.040 --> 0:47:52.880
<v Speaker 1>do it, and now it's just super convoluted. Yeah, and

0:47:52.960 --> 0:47:56.680
<v Speaker 1>DC also blended other universes they bought, like, you know,

0:47:56.760 --> 0:48:00.040
<v Speaker 1>other comic book universes that try to fold in, and

0:48:00.080 --> 0:48:02.520
<v Speaker 1>it was just like like, like, why is shas Um

0:48:02.840 --> 0:48:07.040
<v Speaker 1>running around? Was Superman like literally what It's like they

0:48:07.080 --> 0:48:08.440
<v Speaker 1>just look at the point at each other, like the

0:48:08.440 --> 0:48:12.279
<v Speaker 1>Spider Man me, you know, honestly, they couldn't do it,

0:48:12.280 --> 0:48:14.120
<v Speaker 1>but it would be a hard overhaul and they'd have

0:48:14.160 --> 0:48:17.560
<v Speaker 1>to do what Marvel did, which has had their cabal

0:48:17.680 --> 0:48:21.560
<v Speaker 1>of writers sit down and discuss these things. Oh, I

0:48:21.600 --> 0:48:25.640
<v Speaker 1>think they might eventually do that in the d c

0:48:25.800 --> 0:48:28.440
<v Speaker 1>U a thousand percent because those are the I mean,

0:48:28.560 --> 0:48:31.919
<v Speaker 1>his film was one of the best best that came

0:48:31.920 --> 0:48:37.080
<v Speaker 1>out in their new saga, along with Wonder Woman. Um

0:48:37.120 --> 0:48:39.840
<v Speaker 1>So we talked a little bit about Static that you

0:48:39.880 --> 0:48:43.960
<v Speaker 1>said is like a Spider Man archetyagi. He also was

0:48:44.000 --> 0:48:47.000
<v Speaker 1>incorporated into the DC universe and became a member of

0:48:47.040 --> 0:48:49.120
<v Speaker 1>Teen Titans. Can you talk a little bit more about

0:48:49.160 --> 0:48:53.840
<v Speaker 1>his character, Well, basically, Virtual Hawkins was kind of you

0:48:53.880 --> 0:48:57.040
<v Speaker 1>know when comic books, there's always nerds because nerds supposedly

0:48:57.160 --> 0:48:59.279
<v Speaker 1>are the people who read comics, and it's you know,

0:48:59.680 --> 0:49:02.160
<v Speaker 1>Sara type is true and a lot of instances, and

0:49:02.160 --> 0:49:05.080
<v Speaker 1>I'm glad that we're living in the years of the Nerds,

0:49:05.320 --> 0:49:06.759
<v Speaker 1>you know what I mean. I'm glad we're living at

0:49:06.760 --> 0:49:09.239
<v Speaker 1>the I want to say Revenge because that's a problematic film,

0:49:09.280 --> 0:49:12.320
<v Speaker 1>but but like we're the years of the Nerds with

0:49:12.440 --> 0:49:15.760
<v Speaker 1>a z on it baby, it's hip hop, but yes. Uh.

0:49:15.960 --> 0:49:19.839
<v Speaker 1>Virgil was like a nerd uh person almost like how

0:49:19.840 --> 0:49:21.799
<v Speaker 1>they're trying to do Billy Batts and Shazam now. And

0:49:21.800 --> 0:49:24.320
<v Speaker 1>now that I think about it, a person who dreams

0:49:24.840 --> 0:49:27.000
<v Speaker 1>or or would like be like us dreams of power,

0:49:27.040 --> 0:49:29.560
<v Speaker 1>fantasy dreams are being super and then you mess around

0:49:29.560 --> 0:49:32.719
<v Speaker 1>and get super, you know, And that type of personality

0:49:33.160 --> 0:49:36.320
<v Speaker 1>has a different reaction to becoming super. There's a different

0:49:36.320 --> 0:49:40.160
<v Speaker 1>sort of responsibility because they're they're um, they're familiar with

0:49:40.200 --> 0:49:43.480
<v Speaker 1>the fiction, you know, they're familiar with the responsibilities of it.

0:49:43.600 --> 0:49:46.120
<v Speaker 1>So he didn't have to get taught that you have

0:49:46.239 --> 0:49:48.759
<v Speaker 1>to go be a superhero. He knew he had to,

0:49:49.360 --> 0:49:51.600
<v Speaker 1>but it was also still a problematic And it's also like,

0:49:51.640 --> 0:49:55.040
<v Speaker 1>you know, your black mama, don't don't aunt aunt May

0:49:55.120 --> 0:49:57.520
<v Speaker 1>went to sleep at seven and didn't know what was

0:49:57.520 --> 0:49:59.920
<v Speaker 1>going on. I think you could go do everything. Virgil

0:50:00.000 --> 0:50:02.600
<v Speaker 1>had a black mama, so it was a lot of

0:50:02.719 --> 0:50:04.680
<v Speaker 1>machinations to get out of the house to go Yeah,

0:50:05.280 --> 0:50:07.400
<v Speaker 1>well that's and that's the fun of it, And I

0:50:08.080 --> 0:50:11.640
<v Speaker 1>like it's there's everything. I know, there's no way to

0:50:11.719 --> 0:50:13.520
<v Speaker 1>really make this pop off, So I feel comfortable just

0:50:13.560 --> 0:50:17.040
<v Speaker 1>openly talking about but like, after watching Black Panther, I

0:50:17.080 --> 0:50:20.600
<v Speaker 1>went home and wrote a pitch for Static. I wrote,

0:50:20.600 --> 0:50:23.200
<v Speaker 1>I made a whole deck. I like broke down the characters,

0:50:23.280 --> 0:50:27.160
<v Speaker 1>like I was ready because I just had a contact.

0:50:27.239 --> 0:50:28.920
<v Speaker 1>I couldn't like do it. And it was kind of

0:50:29.000 --> 0:50:32.080
<v Speaker 1>and it was funny because the whole idea, the whole

0:50:32.200 --> 0:50:35.719
<v Speaker 1>energy around the pitch was guys, this is y'all Spider Man.

0:50:36.239 --> 0:50:38.359
<v Speaker 1>M this is y'all Spider Like. That was the pitch.

0:50:38.400 --> 0:50:40.359
<v Speaker 1>This is y'all Spider Man. Like no, no, no, no,

0:50:40.880 --> 0:50:43.799
<v Speaker 1>look at home Coming. You don't watch it come back?

0:50:44.040 --> 0:50:47.719
<v Speaker 1>This is your Spider Man and so like and so.

0:50:48.280 --> 0:50:51.239
<v Speaker 1>And that's what makes Virgil so cool is because you know,

0:50:51.440 --> 0:50:54.000
<v Speaker 1>to go back to that old, old old at this

0:50:54.040 --> 0:50:57.960
<v Speaker 1>point now Donald Glover quote where he's like, it was

0:50:58.040 --> 0:51:00.680
<v Speaker 1>so weird that people didn't think Spider Man to be black,

0:51:00.800 --> 0:51:03.600
<v Speaker 1>that they didn't believe that there's a black kid from

0:51:03.719 --> 0:51:07.840
<v Speaker 1>Queens without parents who's really into science. You know. That

0:51:08.040 --> 0:51:11.399
<v Speaker 1>is if you took the hero that everyone loved out

0:51:11.400 --> 0:51:14.400
<v Speaker 1>of it and was like, this is the elements of

0:51:14.400 --> 0:51:17.200
<v Speaker 1>a kid. That's that's what makes it more offensive is

0:51:17.280 --> 0:51:18.960
<v Speaker 1>you would paint that as a black kid. You're like, oh,

0:51:19.000 --> 0:51:22.560
<v Speaker 1>he doesn't have parents and he's in queens. Oh yeah, yeah,

0:51:22.600 --> 0:51:25.160
<v Speaker 1>that's that's a black you know. But but you put

0:51:25.160 --> 0:51:27.560
<v Speaker 1>a character that everyone wants to be and then then

0:51:27.600 --> 0:51:29.680
<v Speaker 1>all of a sudden it was like, no, that's definitely

0:51:29.680 --> 0:51:33.080
<v Speaker 1>a white thing, and and just just really quickly about

0:51:33.120 --> 0:51:36.200
<v Speaker 1>his his overall story. Bottom line, he was a nerd kid,

0:51:36.520 --> 0:51:39.640
<v Speaker 1>his friend was a big jock. His friend was getting

0:51:39.680 --> 0:51:43.759
<v Speaker 1>outside pressure to do gang stuff and ended up in

0:51:43.800 --> 0:51:46.640
<v Speaker 1>a thing called the Big Bang. Now, get your minds

0:51:46.640 --> 0:51:49.160
<v Speaker 1>out of the gutter or out of space. The Big

0:51:49.200 --> 0:51:53.240
<v Speaker 1>Bang was an event where all the gangs of Dakota

0:51:53.440 --> 0:51:57.120
<v Speaker 1>warrior style decided to get together and fight. Now, they

0:51:57.160 --> 0:51:59.120
<v Speaker 1>may have been pushed into that by other forces, but

0:51:59.160 --> 0:52:01.319
<v Speaker 1>the bottom line is that together to a big fight.

0:52:02.320 --> 0:52:05.359
<v Speaker 1>And at that big fight, the cops had wind of it,

0:52:05.600 --> 0:52:08.560
<v Speaker 1>and this secret organization that I'm forgetting now had wind

0:52:08.600 --> 0:52:11.279
<v Speaker 1>of it too, and so they thought, well, let's just

0:52:11.320 --> 0:52:15.440
<v Speaker 1>eliminate all these fools, and or let's drop some stuff

0:52:15.440 --> 0:52:18.360
<v Speaker 1>on them that will pacify them and ruin them, but

0:52:18.360 --> 0:52:21.080
<v Speaker 1>as a super special mutagen. Basically, the bottom line, all

0:52:21.080 --> 0:52:23.560
<v Speaker 1>the gang bangers are fighting warrior style, like can you

0:52:23.640 --> 0:52:26.000
<v Speaker 1>dig it? Imagine that scene, can you dig it? And

0:52:26.000 --> 0:52:28.880
<v Speaker 1>then the cops show up throwing gas canisters of super

0:52:29.000 --> 0:52:33.520
<v Speaker 1>mutagen at gas and it killed everybody. People just died.

0:52:33.760 --> 0:52:37.160
<v Speaker 1>It was horrible. It's like the nineteen seventeen. It was horrible.

0:52:37.800 --> 0:52:44.040
<v Speaker 1>But the people that survived got unpredictable superpowers. And Virgil

0:52:44.160 --> 0:52:46.040
<v Speaker 1>had gone to the Big Bang to try to save

0:52:46.120 --> 0:52:49.160
<v Speaker 1>his friend and that's how he was exposed to the gas.

0:52:49.160 --> 0:52:51.839
<v Speaker 1>So he got superpowers, and a multitude of other people

0:52:51.880 --> 0:52:55.359
<v Speaker 1>in the city who were not heroic types, were not

0:52:55.520 --> 0:52:59.520
<v Speaker 1>a nurse in the fiction, were not good people, you know,

0:52:59.680 --> 0:53:02.120
<v Speaker 1>got a lot of powers. So that became the Rogues,

0:53:02.160 --> 0:53:03.919
<v Speaker 1>Galleries and all the different a lot of the other

0:53:03.960 --> 0:53:07.200
<v Speaker 1>characters in the Whole Mouths universe. And Blood Syndicate. Yes,

0:53:07.920 --> 0:53:11.319
<v Speaker 1>absolutely that they were a street gang that I think

0:53:11.760 --> 0:53:14.319
<v Speaker 1>the majority of them lived for some reason. They had

0:53:14.360 --> 0:53:16.759
<v Speaker 1>something something in their makeup. A lot of their members died,

0:53:16.800 --> 0:53:19.120
<v Speaker 1>but a lot of them lived. And the Blood Syndicate

0:53:19.160 --> 0:53:22.359
<v Speaker 1>were unlike Virgil, they didn't have a lot of book

0:53:22.440 --> 0:53:24.160
<v Speaker 1>learning and all this jazz. They were just a straight

0:53:24.239 --> 0:53:26.520
<v Speaker 1>up street gang that was I think. They were called

0:53:26.520 --> 0:53:29.560
<v Speaker 1>the Paris Bloods and they were trying to take care

0:53:29.640 --> 0:53:31.839
<v Speaker 1>of their little patch of land. And so they went

0:53:31.880 --> 0:53:34.000
<v Speaker 1>to the gang like the warrior style to do their thing,

0:53:34.239 --> 0:53:37.719
<v Speaker 1>and the mutagen got on them. Uh, they became a

0:53:37.840 --> 0:53:40.400
<v Speaker 1>gang with superpowers. So they want a gang would do.

0:53:40.440 --> 0:53:42.480
<v Speaker 1>They went and beat up their enemies and then but

0:53:42.520 --> 0:53:44.640
<v Speaker 1>the thing is that community started seeing them as like, well,

0:53:44.719 --> 0:53:47.279
<v Speaker 1>y'all got all this power, why don't you help us?

0:53:47.480 --> 0:53:50.280
<v Speaker 1>You know what I'm saying, Yes, we'll give your gang tribute,

0:53:50.320 --> 0:53:53.399
<v Speaker 1>that's fine, but help us please. So then they start

0:53:53.480 --> 0:53:56.400
<v Speaker 1>busting down crack houses and stuff. And then but unlike

0:53:56.440 --> 0:53:59.200
<v Speaker 1>a lot of heroes, they would take the money they

0:53:59.360 --> 0:54:01.680
<v Speaker 1>burned up the crap. I could take the money. So yeah,

0:54:01.719 --> 0:54:03.399
<v Speaker 1>it was like when I when I was just think

0:54:03.400 --> 0:54:06.440
<v Speaker 1>about reading stuff like this when you're ten, when you're twelve,

0:54:06.520 --> 0:54:09.239
<v Speaker 1>when you're fifteen or whatever. Just think about reading something

0:54:09.280 --> 0:54:11.600
<v Speaker 1>like this at that time. How it like in forms

0:54:11.640 --> 0:54:14.120
<v Speaker 1>your mind as to like, all these concepts can go

0:54:14.200 --> 0:54:18.040
<v Speaker 1>with reality. It doesn't have to be so so so sucro,

0:54:18.360 --> 0:54:21.880
<v Speaker 1>so so saccharin, so fake oology. It doesn't have to

0:54:21.960 --> 0:54:24.759
<v Speaker 1>be that. It could be reality, reality and the real

0:54:24.800 --> 0:54:27.560
<v Speaker 1>stresses of life. But again, who would bring that to

0:54:27.600 --> 0:54:30.840
<v Speaker 1>the table. But minority creators, you know, because we have

0:54:30.880 --> 0:54:33.000
<v Speaker 1>to deal with reality while we're you know, we don't

0:54:33.000 --> 0:54:36.200
<v Speaker 1>have sabbaticals to think about all our projects. We don't

0:54:36.239 --> 0:54:38.800
<v Speaker 1>get to backpack in Europe very much and think and

0:54:38.920 --> 0:54:41.520
<v Speaker 1>to form who we are, you know, really get into it.

0:54:41.560 --> 0:54:43.160
<v Speaker 1>We don't have a lot of time for naval gazing.

0:54:43.280 --> 0:54:45.879
<v Speaker 1>We have to deal with real reality while we're trying

0:54:45.880 --> 0:54:48.200
<v Speaker 1>to make our dreams happen. So that was it. And

0:54:48.200 --> 0:54:50.800
<v Speaker 1>I didn't want to shout out one last comic before

0:54:50.800 --> 0:54:54.080
<v Speaker 1>we start closing up, which was Zombie with an Axe,

0:54:54.400 --> 0:54:57.440
<v Speaker 1>and it was about a Korean American scientists, so that

0:54:57.440 --> 0:54:59.960
<v Speaker 1>that was cool because it's like, you know, and that's

0:55:00.040 --> 0:55:03.319
<v Speaker 1>one of the I think lessons I want to take

0:55:03.360 --> 0:55:05.400
<v Speaker 1>away from all this where it's like, you don't have

0:55:05.440 --> 0:55:08.799
<v Speaker 1>to just stop, which uh with skin folk, you know

0:55:08.920 --> 0:55:11.399
<v Speaker 1>you can, you can you can branch out without and

0:55:11.480 --> 0:55:16.080
<v Speaker 1>also use that ability to represent others, uh, which I

0:55:16.120 --> 0:55:18.440
<v Speaker 1>thought was real dope. And they didn't stop at that,

0:55:18.480 --> 0:55:21.279
<v Speaker 1>And they also they didn't stop at black black people

0:55:21.320 --> 0:55:24.320
<v Speaker 1>weren't perfect. In This and the and the blood Syneticka comic,

0:55:24.520 --> 0:55:27.920
<v Speaker 1>they find out that one of their compadres who's a male.

0:55:28.680 --> 0:55:32.719
<v Speaker 1>They find out that he actually got super When he

0:55:32.760 --> 0:55:35.840
<v Speaker 1>got superpowers, he changed his sex because he was a

0:55:35.880 --> 0:55:38.239
<v Speaker 1>woman and he always knew that he was a man.

0:55:39.040 --> 0:55:41.680
<v Speaker 1>So when he got the power or yeah, when he

0:55:41.719 --> 0:55:44.719
<v Speaker 1>got the power to change himself from biologically female to

0:55:44.880 --> 0:55:49.120
<v Speaker 1>biologically male, he took that chance. But when people found

0:55:49.120 --> 0:55:52.640
<v Speaker 1>out that he that he was that way, there were

0:55:52.680 --> 0:55:56.719
<v Speaker 1>some problems. There wasn't always automatic acceptance. One of the

0:55:57.080 --> 0:55:59.919
<v Speaker 1>team members was was Puerto Rican and black I think

0:56:00.160 --> 0:56:03.080
<v Speaker 1>named Fade, who was like sort of an intangible vision

0:56:03.120 --> 0:56:06.359
<v Speaker 1>type character and stuff who was gay and was hiding it.

0:56:06.560 --> 0:56:08.960
<v Speaker 1>You know, There's a character called Flashback who was a

0:56:08.960 --> 0:56:11.280
<v Speaker 1>literal crackhead. And I know how funny that can sound,

0:56:11.760 --> 0:56:14.360
<v Speaker 1>but you're trying to do supermissions, but you're trying to

0:56:14.400 --> 0:56:17.520
<v Speaker 1>squirrel away some crack too. I mean, just the problems

0:56:17.520 --> 0:56:19.919
<v Speaker 1>that I just keep calling me man, you know that

0:56:19.920 --> 0:56:21.600
<v Speaker 1>that whole thing to trying to be a superhero, that's

0:56:21.600 --> 0:56:25.239
<v Speaker 1>straight up on crack That Another member named Boogeyman, who

0:56:25.280 --> 0:56:27.520
<v Speaker 1>was a rat. He had turned into a humanoid rat

0:56:28.160 --> 0:56:30.560
<v Speaker 1>when somebody comes in takes their powers away. One day,

0:56:30.680 --> 0:56:34.160
<v Speaker 1>they find out he's white, and they they're very prejudice

0:56:34.200 --> 0:56:35.520
<v Speaker 1>against him and try to kick him out of the

0:56:35.560 --> 0:56:38.239
<v Speaker 1>group before cooler heads prevail. So you know what I'm saying.

0:56:38.239 --> 0:56:39.600
<v Speaker 1>So it's just it's not about how black people are

0:56:39.640 --> 0:56:41.880
<v Speaker 1>so perfect and white people are so evil and no, no,

0:56:41.880 --> 0:56:44.880
<v Speaker 1>no no, there's anti this and anti that, anti blackness

0:56:44.920 --> 0:56:48.360
<v Speaker 1>from black people, anti you know, uh, anti poor people's

0:56:48.360 --> 0:56:51.880
<v Speaker 1>sentiments from black characters are ostensibly black characters. It was

0:56:51.920 --> 0:56:54.839
<v Speaker 1>so complex, it was almost like a gad to die.

0:56:56.200 --> 0:56:59.839
<v Speaker 1>It was too complex. The world wasn't ready for it. Right, Oh, man,

0:57:00.040 --> 0:57:05.480
<v Speaker 1>that's that's freaking beautiful. So director of House Parties Ladies,

0:57:05.520 --> 0:57:09.120
<v Speaker 1>Man Baby Kid Ready Hudlind Uh in two thousand and eleven,

0:57:09.200 --> 0:57:11.879
<v Speaker 1>organized a launch party at Golden Apple, Los Angeles down

0:57:11.920 --> 0:57:16.120
<v Speaker 1>the street UH for his website. Dwayne McDuffie, shortly following

0:57:16.160 --> 0:57:18.920
<v Speaker 1>the release of his animated adaptation of All Star Superman,

0:57:19.440 --> 0:57:21.600
<v Speaker 1>was scheduled to appear at the event. Cowen would be

0:57:21.640 --> 0:57:25.440
<v Speaker 1>there too. McDuffie tragically passed a day before his scheduled appearance,

0:57:25.880 --> 0:57:28.120
<v Speaker 1>and the loss Uh the launch party turned into a

0:57:28.160 --> 0:57:30.400
<v Speaker 1>memorial for McDuffie. Hudlind said it was supposed to go

0:57:30.440 --> 0:57:32.720
<v Speaker 1>from seven and nine end up starting at six. As

0:57:32.720 --> 0:57:34.760
<v Speaker 1>soon as I got there, there was a mob around

0:57:34.760 --> 0:57:37.440
<v Speaker 1>the block and went to about eleven o'clock. It just

0:57:37.520 --> 0:57:39.440
<v Speaker 1>kept going and going. At a certain point, it seemed

0:57:39.480 --> 0:57:41.560
<v Speaker 1>like every black creator on the West Coast was in

0:57:41.600 --> 0:57:43.680
<v Speaker 1>the room. We all gave remarks about Dwayne. It was

0:57:43.680 --> 0:57:46.680
<v Speaker 1>a celebration, joyce, it was all these things. Golden Apple

0:57:46.760 --> 0:57:49.160
<v Speaker 1>had ordered all these extra books for the event, and

0:57:49.200 --> 0:57:50.800
<v Speaker 1>by the end of the night, the stocks were bare.

0:57:50.880 --> 0:57:53.160
<v Speaker 1>You could not find a copy of Black Panther or

0:57:53.200 --> 0:57:55.880
<v Speaker 1>any black character in the place. Was just stripped. That

0:57:56.120 --> 0:58:00.160
<v Speaker 1>My biggest regret in life is that I couldn't be here.

0:58:00.520 --> 0:58:03.000
<v Speaker 1>You know that that this event has passed me and

0:58:03.040 --> 0:58:06.840
<v Speaker 1>I couldn't have been there because I mean, like, like,

0:58:06.920 --> 0:58:09.680
<v Speaker 1>there are a few events like this that are just

0:58:09.880 --> 0:58:13.120
<v Speaker 1>moments that you missed. One of those moments was when

0:58:13.680 --> 0:58:16.480
<v Speaker 1>Carl and Lamar flew out to S and L for

0:58:16.680 --> 0:58:20.000
<v Speaker 1>Eddie's Uh he was at the after party, and I

0:58:20.080 --> 0:58:23.280
<v Speaker 1>was like, Okay, y'all couldn't give a memo, Huh can

0:58:23.400 --> 0:58:28.000
<v Speaker 1>get him, you know? But yeah, so. But a couple

0:58:28.000 --> 0:58:30.160
<v Speaker 1>of weeks later, many of the same names assembled at

0:58:30.160 --> 0:58:33.320
<v Speaker 1>a more traditional memorial for McDuffie, and after the event,

0:58:33.560 --> 0:58:36.320
<v Speaker 1>Darek goes to Dennis and myself and says, it's been

0:58:36.360 --> 0:58:39.080
<v Speaker 1>too long. We have to restart Milestone. We're not just

0:58:39.080 --> 0:58:42.080
<v Speaker 1>going to be a legacy company company, Hutlin said. There'll

0:58:42.120 --> 0:58:46.480
<v Speaker 1>be some fantastic creations made. We're gonna certainly revive characters,

0:58:46.520 --> 0:58:48.800
<v Speaker 1>but we're not just gonna revive them. We're gonna make

0:58:48.840 --> 0:58:51.880
<v Speaker 1>them relevant for the generation. And uh so, so they're

0:58:51.880 --> 0:58:54.480
<v Speaker 1>getting ready to just do this reboot. But then two

0:58:54.520 --> 0:58:57.600
<v Speaker 1>years of illegal battles with d C followed, and the

0:58:57.600 --> 0:59:00.360
<v Speaker 1>following July, d C Comics announced the creation of Earth

0:59:00.600 --> 0:59:03.320
<v Speaker 1>M within their multiverse, which would be home to the

0:59:03.360 --> 0:59:06.120
<v Speaker 1>earlier Milestone characters as well as new ones, and one

0:59:06.240 --> 0:59:10.959
<v Speaker 1>or two Earth M Imprint titles would publish annually, as

0:59:11.280 --> 0:59:13.680
<v Speaker 1>as well as mini series and one shots. No further

0:59:13.760 --> 0:59:17.160
<v Speaker 1>developments took place until October two thousand and seventeen, and

0:59:17.160 --> 0:59:21.040
<v Speaker 1>that's when they would be returning in two thousand and

0:59:21.040 --> 0:59:25.040
<v Speaker 1>eighteen with five titles, including Milestone, a new static series

0:59:25.160 --> 0:59:28.400
<v Speaker 1>duo which was based on the Zombies, and two other titles,

0:59:28.400 --> 0:59:32.400
<v Speaker 1>Earth M and Love Army. But then Charlotte Charlotte Fulton Dway.

0:59:32.480 --> 0:59:36.600
<v Speaker 1>McDuffie's widow, who had inherited his fifty percent share to

0:59:36.680 --> 0:59:40.440
<v Speaker 1>the original Milestone, sued in August two thousands seventeen over

0:59:40.480 --> 0:59:44.040
<v Speaker 1>being excluded from the revived company despite the new Milestone

0:59:44.080 --> 0:59:46.840
<v Speaker 1>taking over the original Milestones. I P. So that's kind

0:59:46.840 --> 0:59:50.240
<v Speaker 1>of where it kind of lasts. That's the last we've

0:59:50.320 --> 0:59:53.280
<v Speaker 1>kind of heard of Milestone, and that's kind of why

0:59:53.840 --> 0:59:57.000
<v Speaker 1>I think a lot of Milestone stuff And you know,

0:59:57.440 --> 1:00:00.360
<v Speaker 1>there's people were trying to people were asking if Static

1:00:00.440 --> 1:00:02.720
<v Speaker 1>would show up in the Black Lightning series and stuff

1:00:02.760 --> 1:00:07.120
<v Speaker 1>what but but now but it's issues like that because yeah,

1:00:07.160 --> 1:00:10.040
<v Speaker 1>they do all share part of that and now they're

1:00:10.120 --> 1:00:13.080
<v Speaker 1>kind of dealing with that. I hope to see some

1:00:13.120 --> 1:00:15.640
<v Speaker 1>more of them in the future. Uh. It's it's one

1:00:15.640 --> 1:00:17.360
<v Speaker 1>of those things where I think it'll get worked out

1:00:17.440 --> 1:00:21.040
<v Speaker 1>once they decide, once they know and get some good

1:00:21.080 --> 1:00:23.520
<v Speaker 1>development on some of the One thing I gotta say though, this,

1:00:23.680 --> 1:00:26.600
<v Speaker 1>I like Reginald Hudland. I know reginal Hudland. I have

1:00:26.720 --> 1:00:29.280
<v Speaker 1>had meetings with Reginald Huntland. I have been attached to

1:00:29.400 --> 1:00:36.880
<v Speaker 1>projects with reginal Hutland. Okay, I'm ready to say it. Reggie.

1:00:37.160 --> 1:00:40.160
<v Speaker 1>The only part where Reggie's wrong in this is that

1:00:41.240 --> 1:00:46.479
<v Speaker 1>every comic company is a nostalgia business. All of these

1:00:46.480 --> 1:00:50.080
<v Speaker 1>storylines in every single one of these comic books that

1:00:50.240 --> 1:00:54.920
<v Speaker 1>are sixties, seventies, eighties, closest to being of now a

1:00:55.040 --> 1:00:57.960
<v Speaker 1>civil war. Civil War was was published in Marvel and

1:00:58.040 --> 1:01:00.480
<v Speaker 1>like two thousand eight to them six. I'm like, at

1:01:00.520 --> 1:01:03.320
<v Speaker 1>so that's still fourteen years old, but almost by the

1:01:03.320 --> 1:01:05.560
<v Speaker 1>time it gets on screen, so it's like twenty year

1:01:05.560 --> 1:01:07.280
<v Speaker 1>old and thirty year old and fourty year old. Things

1:01:07.440 --> 1:01:10.720
<v Speaker 1>are literally what we're building these universes around. So the

1:01:10.800 --> 1:01:16.720
<v Speaker 1>milestone comics that from my goofy youth as is, are revolutionary,

1:01:16.800 --> 1:01:19.480
<v Speaker 1>as I have just elucidated just now you know what

1:01:19.520 --> 1:01:21.760
<v Speaker 1>I mean to this podcast, so you can see that

1:01:21.800 --> 1:01:24.439
<v Speaker 1>they were far ahead of their time, which means they

1:01:24.480 --> 1:01:28.000
<v Speaker 1>write on time for right now. All this because concept

1:01:28.000 --> 1:01:30.920
<v Speaker 1>of updating them, I just think it's not it's not

1:01:31.000 --> 1:01:34.040
<v Speaker 1>necessarily wrong headed. Obviously there's gonna be some modifications that

1:01:34.080 --> 1:01:35.800
<v Speaker 1>have to be made, but to say that they need

1:01:35.800 --> 1:01:38.560
<v Speaker 1>an overhaul to be palatable to people of the now,

1:01:39.200 --> 1:01:41.520
<v Speaker 1>it's a little to me, a little silly. Yeah, I

1:01:41.560 --> 1:01:45.080
<v Speaker 1>feel based on everything we talked about in this episode.

1:01:45.560 --> 1:01:48.680
<v Speaker 1>I think you can almost put Icon out as is

1:01:49.440 --> 1:01:53.200
<v Speaker 1>a black Republican, you know, with all the infighting in

1:01:53.440 --> 1:01:57.200
<v Speaker 1>within our communities now, you know, I think across people

1:01:57.240 --> 1:02:00.920
<v Speaker 1>of color, not just black people. Just imagine him having

1:02:00.960 --> 1:02:04.120
<v Speaker 1>to go somebody asking Icon, how can you still be

1:02:04.200 --> 1:02:07.360
<v Speaker 1>a Republican giving what's going on right now, and him

1:02:07.400 --> 1:02:10.040
<v Speaker 1>having to give an honest answer or do something with

1:02:10.080 --> 1:02:13.200
<v Speaker 1>the superpowers to change that. Just imagine that. I also

1:02:13.200 --> 1:02:16.160
<v Speaker 1>want to say I might be working on something that

1:02:16.200 --> 1:02:21.200
<v Speaker 1>has a black Republican and that started before this conversation. Well,

1:02:21.200 --> 1:02:23.680
<v Speaker 1>I just want to say that full disclosure. I'm about

1:02:23.720 --> 1:02:28.520
<v Speaker 1>to write a Blessed to Get movie tomorrow. Also, speaking

1:02:28.560 --> 1:02:31.240
<v Speaker 1>of um, if your sci fi is a great debate,

1:02:31.720 --> 1:02:34.800
<v Speaker 1>Reginald Hudlin shared my great debate video, So he will

1:02:34.840 --> 1:02:36.800
<v Speaker 1>always have a soft spot in my heart. And also

1:02:36.840 --> 1:02:39.840
<v Speaker 1>he follows me and is great. He's a brilliant person.

1:02:40.000 --> 1:02:42.920
<v Speaker 1>No I know. Yeah, So it's at that point I

1:02:42.960 --> 1:02:45.439
<v Speaker 1>just think it's like we kind of get told that

1:02:45.560 --> 1:02:48.600
<v Speaker 1>we have to change so much that even somebody as

1:02:48.680 --> 1:02:50.320
<v Speaker 1>much in the industry as him and as great as

1:02:50.360 --> 1:02:52.439
<v Speaker 1>him can be kind of told a couple of things

1:02:52.440 --> 1:02:54.240
<v Speaker 1>of a few too many times where they kind of

1:02:54.280 --> 1:02:56.520
<v Speaker 1>seep in and I just think he knows that we

1:02:56.800 --> 1:02:59.560
<v Speaker 1>could drop these joints right now. Yeah, yeah, I'm gonna

1:02:59.560 --> 1:03:01.520
<v Speaker 1>call him bout this, like, hey, Veggie, come on, we

1:03:01.560 --> 1:03:06.880
<v Speaker 1>can tell you all right, well, uh, it's time to

1:03:07.280 --> 1:03:11.240
<v Speaker 1>say goodbye to everyone and you know, get get get

1:03:11.240 --> 1:03:15.920
<v Speaker 1>back to getting where the getting at where people find you.

1:03:16.080 --> 1:03:18.920
<v Speaker 1>Did you hear that slurp when I was slurper dumbant?

1:03:19.000 --> 1:03:20.800
<v Speaker 1>So that's not what I was. I was just trying

1:03:20.800 --> 1:03:22.919
<v Speaker 1>to cut off if before he said something that we'd

1:03:22.960 --> 1:03:26.320
<v Speaker 1>have to cut off anyway, Okay, you know what you'd

1:03:26.360 --> 1:03:29.280
<v Speaker 1>have to cut off? Where can we catch you at?

1:03:31.240 --> 1:03:34.640
<v Speaker 1>You can check me out on Screen Junkies at eleven

1:03:34.720 --> 1:03:38.400
<v Speaker 1>Pacific standard time every Monday and Tuesday. It's YouTube channels

1:03:38.440 --> 1:03:41.120
<v Speaker 1>got about seven million subscribers. We talked about pop culture

1:03:41.160 --> 1:03:43.840
<v Speaker 1>news and I seem to be the Minister of hot

1:03:43.840 --> 1:03:47.240
<v Speaker 1>takes over there. And you can also check me out

1:03:47.240 --> 1:03:49.840
<v Speaker 1>at ed Greed Destroyers on Twitter and Instagram. On Instagram

1:03:49.840 --> 1:03:52.800
<v Speaker 1>you see my art and my podcast promos, and on

1:03:52.840 --> 1:03:56.080
<v Speaker 1>Twitter you see my goofy thoughts and uh, last things last,

1:03:56.080 --> 1:03:58.200
<v Speaker 1>I have a podcast called nerd Goat Podcast where we

1:03:58.280 --> 1:04:01.280
<v Speaker 1>talked to interesting people like yourself about their favorite fictional character.

1:04:01.360 --> 1:04:03.720
<v Speaker 1>I love it. It's going strong. We've got a strong Patreon.

1:04:04.240 --> 1:04:07.160
<v Speaker 1>It's paying a couple of bills every month. It's like

1:04:07.200 --> 1:04:09.760
<v Speaker 1>it's like a real, real thing. But last things last,

1:04:09.840 --> 1:04:11.720
<v Speaker 1>we have a thing called reboot It, which I'm very

1:04:11.760 --> 1:04:14.800
<v Speaker 1>proud of. It's our YouTube channel. Me Billy Business from

1:04:14.840 --> 1:04:18.120
<v Speaker 1>Screen Junkies and my Tuoka, patres, Ron Swallow and Bill

1:04:18.160 --> 1:04:21.680
<v Speaker 1>Costanzo from nerd Goat. We're sit in a room and

1:04:21.800 --> 1:04:25.120
<v Speaker 1>John Peters, the legendary producer, has put us in this room,

1:04:25.160 --> 1:04:28.280
<v Speaker 1>and he gives us a dictate that we must reboot

1:04:28.480 --> 1:04:30.760
<v Speaker 1>Back to the Future in an hour. We must reboot

1:04:30.800 --> 1:04:33.200
<v Speaker 1>James Bond in an hour. We must reboot Star Wars

1:04:33.240 --> 1:04:35.640
<v Speaker 1>in an hour. And we do it. We do it

1:04:35.680 --> 1:04:38.840
<v Speaker 1>in an hour and one take, one continuous take, no editing,

1:04:39.280 --> 1:04:41.919
<v Speaker 1>and it's just it's a fantastic thought experiment. I would

1:04:41.960 --> 1:04:45.160
<v Speaker 1>really like people to check it out. Reboot it YouTube page,

1:04:45.200 --> 1:04:49.840
<v Speaker 1>reboot it. Love it so cool. Um and I need

1:04:49.880 --> 1:04:53.120
<v Speaker 1>to come back on nerd Goats different. You know we're

1:04:53.160 --> 1:04:55.200
<v Speaker 1>gonna do villains this time, So both of you guys

1:04:55.240 --> 1:04:57.680
<v Speaker 1>are going to come on and do your favorite fictional

1:04:57.760 --> 1:05:01.640
<v Speaker 1>villains and it's gonna Nerd goes evil. My guy's kind

1:05:01.640 --> 1:05:07.080
<v Speaker 1>of a villain, but just misunderstood. Now he's he's he's

1:05:07.120 --> 1:05:09.960
<v Speaker 1>a hero. Now I'm at Miss Danny Fernan is on

1:05:10.000 --> 1:05:12.120
<v Speaker 1>all the things, y'all. I wrote in a book called

1:05:12.120 --> 1:05:14.440
<v Speaker 1>The Good Immigrant, which I've promoted here and there the

1:05:14.520 --> 1:05:18.200
<v Speaker 1>last year. It's a collection of essays from authors of color,

1:05:18.320 --> 1:05:20.680
<v Speaker 1>and now it's on audible so you can hear me.

1:05:20.760 --> 1:05:22.400
<v Speaker 1>You love my voice so much, you can hear me

1:05:22.440 --> 1:05:25.480
<v Speaker 1>read my essay because now you can get it on audible,

1:05:25.560 --> 1:05:27.760
<v Speaker 1>and all of the authors, I think, except for maybe

1:05:27.800 --> 1:05:30.560
<v Speaker 1>just one um because of scheduling conflicts, you can listen

1:05:30.560 --> 1:05:33.600
<v Speaker 1>to them read their essay. It's also out on paperback,

1:05:33.720 --> 1:05:37.160
<v Speaker 1>so check that out. And if he where can everyone

1:05:37.200 --> 1:05:39.200
<v Speaker 1>catch you? You You can catch me at if you wide

1:05:39.200 --> 1:05:42.800
<v Speaker 1>away on Twitter and Instagram. If the s on Twitch

1:05:43.360 --> 1:05:47.800
<v Speaker 1>every night Monday through Thursday at eleven pm Eastern eight

1:05:47.880 --> 1:05:53.600
<v Speaker 1>pm Pacific time on super Punch Superpunch powered by Twitch.

1:05:54.280 --> 1:05:56.960
<v Speaker 1>We're doing weird stuff popped by uh. And see how

1:05:56.960 --> 1:06:00.520
<v Speaker 1>many times I referenced Bible black Uh. But you know,

1:06:00.800 --> 1:06:03.360
<v Speaker 1>like we always say, every week at the end of

1:06:03.400 --> 1:06:07.800
<v Speaker 1>the episode and time it perfectly stay. We did