1 00:00:03,040 --> 00:00:06,600 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio. 2 00:00:13,080 --> 00:00:15,600 Speaker 2: Hey, welcome to Stuff to Blow your Mind. Listener mail. 3 00:00:15,720 --> 00:00:17,200 Speaker 2: My name is Robert Lamb. 4 00:00:17,120 --> 00:00:19,640 Speaker 3: And I am Joe McCormick. And it's Monday, the day 5 00:00:19,640 --> 00:00:21,919 Speaker 3: of each week that we read back messages from the 6 00:00:21,920 --> 00:00:25,080 Speaker 3: Stuff to Blow Your Mind email address. If you are 7 00:00:25,120 --> 00:00:27,520 Speaker 3: a listener of the show and you have never gotten 8 00:00:27,520 --> 00:00:29,480 Speaker 3: in touch before, why not give it a shot. You 9 00:00:29,520 --> 00:00:33,440 Speaker 3: can email us at contact at stuff to Blow your 10 00:00:33,560 --> 00:00:37,360 Speaker 3: Mind dot com. We accept whatever kind of messages you 11 00:00:37,400 --> 00:00:40,840 Speaker 3: want to send, but we especially like feedback to recent 12 00:00:40,880 --> 00:00:44,199 Speaker 3: episodes and if you've got something interesting to add related 13 00:00:44,240 --> 00:00:47,839 Speaker 3: to a topic we've talked about. Let's see, Rob, do 14 00:00:47,880 --> 00:00:51,879 Speaker 3: you want to kick things off today with this message? Oh, 15 00:00:51,920 --> 00:00:54,760 Speaker 3: the message from Paul that mentions your Monster Fact on 16 00:00:54,800 --> 00:00:55,360 Speaker 3: the Horta. 17 00:00:56,040 --> 00:00:58,960 Speaker 2: Ah yeah, yeah, it's nice to hear here from another 18 00:00:59,000 --> 00:01:08,760 Speaker 2: trucky on this topic, Paul says, regarding the Monster Fact 19 00:01:08,800 --> 00:01:13,360 Speaker 2: episode about the star Trek Horta. In several non Cannon novels, 20 00:01:13,480 --> 00:01:16,040 Speaker 2: there are Hortas mentioned. In one of them. There's a 21 00:01:16,080 --> 00:01:19,560 Speaker 2: Horta ensign on the Enterprise and he's in the geology department. 22 00:01:19,880 --> 00:01:23,640 Speaker 2: He analyzes samples by tasting them. I thought this was 23 00:01:23,720 --> 00:01:26,120 Speaker 2: both hilarious and brilliant. 24 00:01:26,520 --> 00:01:29,160 Speaker 3: Now, is that a joke related to the horta's biology. 25 00:01:29,720 --> 00:01:34,959 Speaker 2: Yes, because the horta is not a carbon based life form. 26 00:01:35,040 --> 00:01:38,119 Speaker 2: It's memory serves as like a silicon based life form. 27 00:01:38,480 --> 00:01:41,679 Speaker 3: Oh okay, so it kind of interfaces better with the 28 00:01:41,760 --> 00:01:45,640 Speaker 3: rocky substances. Yeah. Though, it's funny because this connects to 29 00:01:46,400 --> 00:01:50,400 Speaker 3: something that we covered last year in our Ignobels episode. 30 00:01:50,400 --> 00:01:54,000 Speaker 3: One of the Ignobel prizes from twenty twenty three was 31 00:01:54,120 --> 00:02:01,320 Speaker 3: awarded to an essay by a geologist named Jan I 32 00:02:01,360 --> 00:02:04,800 Speaker 3: believe his name was Jan Zawashevich. I'm sorry if I'm 33 00:02:04,840 --> 00:02:07,560 Speaker 3: getting that wrong, but it was a geologist who wrote 34 00:02:07,560 --> 00:02:11,480 Speaker 3: an article about geologists in the real world licking rocks 35 00:02:11,520 --> 00:02:15,880 Speaker 3: for information and various people eating rocks for one reason 36 00:02:15,960 --> 00:02:19,240 Speaker 3: or another, and among other topics. This essay got into 37 00:02:19,320 --> 00:02:26,000 Speaker 3: the history of this eighteenth century Italian geologist named Giovanni Arduino. 38 00:02:26,120 --> 00:02:29,079 Speaker 3: This was the man who loved rocks, who tasted the strata. 39 00:02:30,200 --> 00:02:32,080 Speaker 3: You might remember rob that he had all these like 40 00:02:32,160 --> 00:02:36,160 Speaker 3: tasting notes on different types of soil and fossils and stuff. 41 00:02:36,160 --> 00:02:39,400 Speaker 3: And he said that burned fossil mud rock tasted bitter 42 00:02:39,520 --> 00:02:44,720 Speaker 3: and urinous, like urine, So delicious, awesome. 43 00:02:45,520 --> 00:02:47,960 Speaker 2: Well see. Paul continues here and says, also, I have 44 00:02:47,960 --> 00:02:50,840 Speaker 2: a suggestion for the main series. One of the worst 45 00:02:50,919 --> 00:02:54,440 Speaker 2: plagues of humankind the earworm. No, I don't mean the 46 00:02:54,480 --> 00:02:57,840 Speaker 2: worm that crawls into people's ears and star trek to 47 00:02:57,919 --> 00:03:00,560 Speaker 2: the wrath of Khan, although that might be preferred. I 48 00:03:00,680 --> 00:03:04,120 Speaker 2: mean getting music stuck in your head. I'm extremely susceptible 49 00:03:04,160 --> 00:03:07,400 Speaker 2: to earworms, and unfortunately people know it and take great 50 00:03:07,440 --> 00:03:11,959 Speaker 2: pleasure inflicting them on me. Admittedly, it doesn't take much effort. 51 00:03:12,080 --> 00:03:15,679 Speaker 2: Just a brief SoundBite, mention, or even a vague reference 52 00:03:15,720 --> 00:03:18,480 Speaker 2: can set me off. To quote Robert from a previous episode, 53 00:03:18,520 --> 00:03:22,519 Speaker 2: because as everybody knows, Spider Man does whatever a spider can, 54 00:03:23,240 --> 00:03:25,880 Speaker 2: ah or odd or oh you. 55 00:03:25,840 --> 00:03:29,320 Speaker 3: Know, I think that should be read as like ough, oh. 56 00:03:29,560 --> 00:03:32,240 Speaker 2: All right, there we go. Anyway, I think this would 57 00:03:32,280 --> 00:03:34,600 Speaker 2: be a fascinating topic. Keep up the good and mostly 58 00:03:34,639 --> 00:03:36,760 Speaker 2: non agonizing work. Paul from New Hampshire. 59 00:03:36,880 --> 00:03:41,880 Speaker 3: Have we not done something on earworms before? It seems 60 00:03:41,880 --> 00:03:43,720 Speaker 3: like something maybe we covered years and years ago. 61 00:03:44,160 --> 00:03:47,840 Speaker 2: I know I've done something with earworms you know, it's 62 00:03:48,040 --> 00:03:50,560 Speaker 2: way back in the catalog. I don't remember if who 63 00:03:50,600 --> 00:03:52,960 Speaker 2: it was with, and I know at one point I 64 00:03:53,040 --> 00:03:55,800 Speaker 2: was in recent years, I was looking into it for 65 00:03:55,840 --> 00:03:59,960 Speaker 2: another project and I was really taken by the germ 66 00:04:00,320 --> 00:04:03,320 Speaker 2: name for them or worm, but I don't think that 67 00:04:03,400 --> 00:04:05,920 Speaker 2: ever came to fruition. So, yeah, this might be a 68 00:04:05,920 --> 00:04:10,360 Speaker 2: topic worth analyzing, you know, it's something or reanalyzing. There 69 00:04:10,400 --> 00:04:12,160 Speaker 2: may be some new research on it, and it's something 70 00:04:12,200 --> 00:04:14,720 Speaker 2: everybody can relate to. I think on some level or another. 71 00:04:15,240 --> 00:04:18,320 Speaker 3: Anything that was long enough ago that we don't remember 72 00:04:18,440 --> 00:04:20,320 Speaker 3: whether we did it or not, I think is fair 73 00:04:20,360 --> 00:04:21,240 Speaker 3: game to do again. 74 00:04:21,920 --> 00:04:26,479 Speaker 2: Yeah. Absolutely, Yeah, and yeah I get earwormed all the time, 75 00:04:26,520 --> 00:04:29,600 Speaker 2: sometimes not even directly, just like something that makes me 76 00:04:29,839 --> 00:04:33,359 Speaker 2: think of an infectious tune will cause that tune to 77 00:04:33,360 --> 00:04:35,320 Speaker 2: get stuck in my head, and then I have to 78 00:04:36,200 --> 00:04:39,960 Speaker 2: either listen to the song in its natural form as 79 00:04:40,000 --> 00:04:43,560 Speaker 2: a way of exercising the earworm, or I have to 80 00:04:43,720 --> 00:04:46,279 Speaker 2: find something else to just get stuck in there in 81 00:04:46,320 --> 00:04:49,160 Speaker 2: its place. All right. 82 00:04:49,480 --> 00:04:53,160 Speaker 3: This next message comes from Nathan. It is about cicadas, 83 00:04:53,200 --> 00:04:55,440 Speaker 3: but also sort of has a weird house cinema connection. 84 00:05:00,839 --> 00:05:04,679 Speaker 3: Nathan says, Glad Tidings. A few months ago, another listener 85 00:05:04,720 --> 00:05:08,640 Speaker 3: pitched the film Pumpkinhead for Weird House Cinema. That one's 86 00:05:08,640 --> 00:05:13,279 Speaker 3: directed by the special effects wizard Stan Winston. Yeah, Nathan says, 87 00:05:13,320 --> 00:05:16,000 Speaker 3: the connection is flimsy, but it could make for a 88 00:05:16,120 --> 00:05:20,800 Speaker 3: tie in with the Cicada series. Their distinctive screech is 89 00:05:20,920 --> 00:05:27,200 Speaker 3: used to great menacing effect whenever the titular creature appears, Nathan. So, Nathan, 90 00:05:27,440 --> 00:05:30,080 Speaker 3: I had no idea. I've seen this movie before. We've 91 00:05:30,080 --> 00:05:31,640 Speaker 3: talked about it a bit on the show, though we 92 00:05:31,720 --> 00:05:34,920 Speaker 3: never covered it on a full episode. But I had 93 00:05:34,960 --> 00:05:37,440 Speaker 3: no idea, And you're exactly right. I looked this up. 94 00:05:37,560 --> 00:05:39,520 Speaker 3: I looked up the scene where like the witch is 95 00:05:39,560 --> 00:05:43,120 Speaker 3: first creating the demon, and you know, it's rising up 96 00:05:43,120 --> 00:05:46,359 Speaker 3: to its full stature. And sure enough, once once we 97 00:05:46,480 --> 00:05:49,240 Speaker 3: see we actually don't see the full creature yet, we 98 00:05:49,360 --> 00:05:52,840 Speaker 3: see like its shadow, you know, rising up on the 99 00:05:52,839 --> 00:05:56,279 Speaker 3: wall as it assumes its adult form. And right when 100 00:05:56,279 --> 00:05:59,280 Speaker 3: that happens, you hear this this whirr come in and 101 00:05:59,400 --> 00:06:02,360 Speaker 3: it is the same on of cicadas out there rattling 102 00:06:02,360 --> 00:06:03,760 Speaker 3: their timbles in a chorus. 103 00:06:05,080 --> 00:06:08,000 Speaker 2: Yeah, I don't know if I've ever actually watched this 104 00:06:08,040 --> 00:06:10,200 Speaker 2: film in full. It's one of those that I think 105 00:06:10,240 --> 00:06:14,360 Speaker 2: would they would perhaps err on something like Joe bob Riggs, 106 00:06:14,480 --> 00:06:16,360 Speaker 2: you know, on TNT back in the day, and I 107 00:06:16,360 --> 00:06:18,960 Speaker 2: would catch parts of it and I was always intrigued. 108 00:06:19,600 --> 00:06:23,240 Speaker 2: So I also watched this clip that was sent and yeah, 109 00:06:23,400 --> 00:06:26,600 Speaker 2: you can hear the cicadas buzzn't as old. Pumpkinhead comes 110 00:06:26,640 --> 00:06:27,600 Speaker 2: to life. 111 00:06:27,440 --> 00:06:29,600 Speaker 3: As a horror movie. There's some good things about it, 112 00:06:29,680 --> 00:06:31,560 Speaker 3: some not so good things about it. It's not a 113 00:06:31,680 --> 00:06:34,240 Speaker 3: rollicking good time. It's kind of a downer of a 114 00:06:34,279 --> 00:06:37,680 Speaker 3: horror movie. Like it's kind of sad and it's like 115 00:06:37,720 --> 00:06:41,920 Speaker 3: a it's like a tragic revenge story. But it does 116 00:06:41,960 --> 00:06:44,000 Speaker 3: have some really great special effects. 117 00:06:43,960 --> 00:06:46,000 Speaker 2: And it has Dick Warlock in it, so it's got 118 00:06:46,040 --> 00:06:49,160 Speaker 2: that going for it. Yeah. All right, well, thanks for 119 00:06:49,480 --> 00:06:52,920 Speaker 2: writing in about that. We always love some good monster 120 00:06:53,000 --> 00:06:55,920 Speaker 2: tie ins to our topics. All right, This next one 121 00:06:56,120 --> 00:07:00,800 Speaker 2: comes to us from Jeff and this Jeff's warning or 122 00:07:00,960 --> 00:07:02,279 Speaker 2: did you label this fear Joe? 123 00:07:02,520 --> 00:07:04,400 Speaker 3: No, I just threw it in warning that this does 124 00:07:04,520 --> 00:07:08,120 Speaker 3: describe some real life diving related kindegory injuries. 125 00:07:08,720 --> 00:07:16,840 Speaker 2: All Right, we'll strap in. Jeffs says greeting science humans. 126 00:07:16,840 --> 00:07:20,600 Speaker 2: After hearing about Joe's ill advised googling of human parrotfish victims, 127 00:07:20,960 --> 00:07:23,480 Speaker 2: I was reminded of something I heard on a scuba 128 00:07:23,520 --> 00:07:26,760 Speaker 2: dive boat. The dive master was explaining the life of 129 00:07:26,840 --> 00:07:29,080 Speaker 2: the reef below and told a story about a guy 130 00:07:29,120 --> 00:07:33,160 Speaker 2: harassing a large porcupine fish sometimes called a pufferfish, but 131 00:07:33,240 --> 00:07:36,440 Speaker 2: the kind with spikes like bloat from finding nemo. If 132 00:07:36,480 --> 00:07:39,920 Speaker 2: a porcupine fish is cornered, it will pretty quickly resort 133 00:07:39,960 --> 00:07:43,600 Speaker 2: to its famous inflation behavior, which is impressive to see 134 00:07:43,680 --> 00:07:46,400 Speaker 2: in real life. The story went that this guy found 135 00:07:46,440 --> 00:07:49,720 Speaker 2: a roughly basketball sized porcupine fish, grabbed it and started 136 00:07:49,760 --> 00:07:54,640 Speaker 2: spinning it on its longitudinal axis, like spinning a basketball 137 00:07:54,640 --> 00:07:58,960 Speaker 2: before taking a free throw, laughing as it inflated. Surely 138 00:07:58,960 --> 00:08:01,680 Speaker 2: hard for me to picture this side of like a 139 00:08:01,760 --> 00:08:04,880 Speaker 2: Looney Tints cartoon. But anyway, how do you. 140 00:08:04,840 --> 00:08:06,720 Speaker 3: Know somebody's laughing if they're underwater. 141 00:08:07,240 --> 00:08:10,080 Speaker 2: I guess there are more bubbles the bubbles have laughed 142 00:08:10,120 --> 00:08:13,520 Speaker 2: in them. Anyway, as he was spinning it around, he 143 00:08:13,600 --> 00:08:16,679 Speaker 2: managed to accidentally stick his finger in the poor fish's mouth, 144 00:08:16,960 --> 00:08:18,800 Speaker 2: and he did what you'd expect to do and bit 145 00:08:18,840 --> 00:08:21,640 Speaker 2: the tip of his finger off above the bone. While 146 00:08:21,640 --> 00:08:23,360 Speaker 2: it severed the tip of the finger, it didn't cut 147 00:08:23,360 --> 00:08:26,080 Speaker 2: through the glove, so he didn't lose the chunk. The 148 00:08:26,120 --> 00:08:28,880 Speaker 2: story continued that he later tried to participate in the 149 00:08:28,880 --> 00:08:31,520 Speaker 2: second dive of the day by simply replacing the tip 150 00:08:31,760 --> 00:08:33,800 Speaker 2: on the end of his finger and tightening his glove 151 00:08:33,880 --> 00:08:37,240 Speaker 2: to hold it in place. He didn't make it more 152 00:08:37,280 --> 00:08:39,120 Speaker 2: than a few seconds in the water before the pain 153 00:08:39,160 --> 00:08:41,520 Speaker 2: got to him and he retreated to the boat. The 154 00:08:41,559 --> 00:08:44,520 Speaker 2: second part of this story is probably apocryphal, or at 155 00:08:44,600 --> 00:08:47,400 Speaker 2: least exaggerated, and frankly, I'm not sure if any of 156 00:08:47,440 --> 00:08:51,359 Speaker 2: the story is true. Okay, so anyway, he continues. Cautionary 157 00:08:51,400 --> 00:08:55,360 Speaker 2: tales of rambo divers, inconsiderate jerks who harassed wildlife, damaged 158 00:08:55,400 --> 00:08:58,760 Speaker 2: the environment, and endanger other divers with reckless behavior were 159 00:08:58,760 --> 00:09:01,480 Speaker 2: a popular method of training new divers and how to 160 00:09:01,640 --> 00:09:04,400 Speaker 2: not make a nuisance of themselves. Whether or not the 161 00:09:04,440 --> 00:09:06,760 Speaker 2: story is true, I must say it was a successful 162 00:09:06,840 --> 00:09:10,000 Speaker 2: lesson in that I have remembered it ever since hearing 163 00:09:10,240 --> 00:09:13,400 Speaker 2: the tail long ago. Okay, Well, there you go. I 164 00:09:13,400 --> 00:09:15,680 Speaker 2: think that also helps ground it, because I have to say, 165 00:09:15,679 --> 00:09:19,760 Speaker 2: I know I'm a snorkeler as opposed to a scuba diver. 166 00:09:19,880 --> 00:09:22,920 Speaker 2: But in snorkeling you often are around scuba divers, and 167 00:09:23,520 --> 00:09:26,880 Speaker 2: I've personally never met any scuba divers that seemed like 168 00:09:26,880 --> 00:09:29,200 Speaker 2: like jerks like this. They, you know, the ones I've 169 00:09:29,200 --> 00:09:32,400 Speaker 2: met have all been very considerate of the environments that 170 00:09:32,440 --> 00:09:33,319 Speaker 2: they're venturing into. 171 00:09:33,880 --> 00:09:36,800 Speaker 3: But I can easily picture the rambo divers in my head. 172 00:09:36,880 --> 00:09:39,920 Speaker 3: I having no experience in this world, I just know 173 00:09:40,040 --> 00:09:42,840 Speaker 3: the kind of person Jeff is talking about. 174 00:09:42,400 --> 00:09:44,720 Speaker 2: All right, Jeff continues, The focus of the glove makes 175 00:09:44,760 --> 00:09:46,640 Speaker 2: me think that the moral of the story might have 176 00:09:46,679 --> 00:09:50,320 Speaker 2: been that unless you're diving a shipwreck or similar environment, 177 00:09:50,600 --> 00:09:53,000 Speaker 2: you really don't need gloves to dive, because you shouldn't 178 00:09:53,000 --> 00:09:56,480 Speaker 2: be touching anything anyway. Feeling with that your hands are 179 00:09:56,520 --> 00:09:59,840 Speaker 2: protected can make a person do things they wouldn't otherwise try, 180 00:10:00,080 --> 00:10:04,360 Speaker 2: perhaps grabbing an angry, spiky inflatable balloon. Rambo divers were 181 00:10:04,400 --> 00:10:07,000 Speaker 2: easy to recognize as the guys wearing the largest, most 182 00:10:07,000 --> 00:10:10,640 Speaker 2: aggressive looking dive knives available, when really all you need 183 00:10:10,760 --> 00:10:12,920 Speaker 2: is something small and convenient in case you have to 184 00:10:13,000 --> 00:10:16,439 Speaker 2: disentangle yourself or some wildlife from fishing line or discarded 185 00:10:16,520 --> 00:10:19,400 Speaker 2: nets at any rate. I am pleased that I have 186 00:10:19,480 --> 00:10:23,319 Speaker 2: managed to remain incurious enough to not embark on Joe's 187 00:10:23,320 --> 00:10:26,920 Speaker 2: Google image search journey, although I did get some perverse 188 00:10:27,040 --> 00:10:29,400 Speaker 2: enjoyment from the story. In the same way I enjoy 189 00:10:29,440 --> 00:10:32,560 Speaker 2: hearing you guys discuss Cory movies I would never watch myself. 190 00:10:32,800 --> 00:10:35,880 Speaker 2: Thanks for continuing to keep our imaginations engaged. 191 00:10:35,520 --> 00:10:36,960 Speaker 3: Jeff, Thank you, Jeff. 192 00:10:37,360 --> 00:10:40,880 Speaker 2: And you know, I'll also add I haven't researched this. 193 00:10:40,960 --> 00:10:44,000 Speaker 2: I haven't done like an episode of or done any 194 00:10:44,240 --> 00:10:49,360 Speaker 2: show research on pufferfish. But it's my understanding, through just 195 00:10:49,520 --> 00:10:53,280 Speaker 2: chatting with folks on you know, snorkeling trips and so forth, 196 00:10:53,640 --> 00:10:56,480 Speaker 2: that you also shouldn't mess with them because it's like 197 00:10:56,600 --> 00:11:00,320 Speaker 2: not supposedly not like a pleasant experience for them, or 198 00:11:00,360 --> 00:11:02,160 Speaker 2: you know, it's not some it's not a trick they 199 00:11:02,200 --> 00:11:03,760 Speaker 2: need to be able to do all the time, or 200 00:11:03,760 --> 00:11:07,120 Speaker 2: it can necessarily do that many times in their life. 201 00:11:07,360 --> 00:11:10,520 Speaker 3: Oh, you mean the inflation when they when they puff up. Yeah. 202 00:11:10,640 --> 00:11:15,160 Speaker 2: Yeah, So there are numerous reasons not to provoke fish 203 00:11:15,240 --> 00:11:19,479 Speaker 2: in the wild or mess with them at all, but yeah, 204 00:11:19,520 --> 00:11:20,520 Speaker 2: this is perhaps one of the. 205 00:11:28,240 --> 00:11:33,640 Speaker 3: All right, this next message comes from Gerald Gerald says, Hi, 206 00:11:33,760 --> 00:11:37,240 Speaker 3: Robert and Joe, greetings from Adelaide, Australia. Knowing your love 207 00:11:37,360 --> 00:11:40,760 Speaker 3: for all things Crab, I immediately thought of you when I 208 00:11:40,800 --> 00:11:44,200 Speaker 3: saw today's cartoon on my desk calendar. You may have 209 00:11:44,240 --> 00:11:46,040 Speaker 3: seen it before, but I figure you can never have 210 00:11:46,120 --> 00:11:48,600 Speaker 3: too much Gary Larson in your life, so I'm sharing 211 00:11:48,640 --> 00:11:51,720 Speaker 3: it with you. So this is a Far Side calendar 212 00:11:51,760 --> 00:11:56,200 Speaker 3: panel and it's a it's the The bottom text is 213 00:11:56,440 --> 00:11:59,840 Speaker 3: Boxer Nightmares and it shows a man asleep in a 214 00:11:59,840 --> 00:12:03,440 Speaker 3: bit sort of punching about fitfully in his sleep. He's 215 00:12:03,440 --> 00:12:07,000 Speaker 3: sleep fighting, and we see a thought bubble in which 216 00:12:07,040 --> 00:12:10,040 Speaker 3: he imagines that he is in between rounds in a 217 00:12:10,080 --> 00:12:13,120 Speaker 3: boxing match with a crab, and he's telling his trainer 218 00:12:13,360 --> 00:12:16,760 Speaker 3: I'm trying, I'm trying, but he keeps moving sideways on me. 219 00:12:17,720 --> 00:12:22,600 Speaker 3: So Gary Larson did love this wildlife related jokes. I 220 00:12:22,600 --> 00:12:25,480 Speaker 3: don't know if I know of any other cartoon that's 221 00:12:25,559 --> 00:12:29,560 Speaker 3: as focused on details of zoology as The Far Side. 222 00:12:29,720 --> 00:12:33,280 Speaker 2: Yeah. Yeah, and remember in dinosaurs as well, and we 223 00:12:33,360 --> 00:12:36,960 Speaker 2: have the I think the what is the unofficial name 224 00:12:37,040 --> 00:12:39,880 Speaker 2: for a Stegosaurus's tail spikes? Based on a Gary Larson 225 00:12:40,480 --> 00:12:45,200 Speaker 2: Fhagamizer Bagamizer. Yeah, and despite what he showed, it was 226 00:12:45,280 --> 00:12:48,640 Speaker 2: for narrative effect that he showed cavemen and dinosaurs living 227 00:12:48,679 --> 00:12:50,800 Speaker 2: at the same time. He did not actually think that 228 00:12:50,920 --> 00:12:55,240 Speaker 2: was a reality. Yeah, there's actually at least one organism 229 00:12:55,320 --> 00:12:58,199 Speaker 2: named after Gary Larson. You know, there's a there's a 230 00:12:58,240 --> 00:13:02,319 Speaker 2: particular species of laus that's found only on owls, and 231 00:13:02,600 --> 00:13:09,200 Speaker 2: it was named after Gary Larson. It's like Striga phyllis 232 00:13:09,559 --> 00:13:14,520 Speaker 2: Gary Larceny, I believe. Yeah, it was first described in 233 00:13:14,600 --> 00:13:15,679 Speaker 2: nineteen ninety. 234 00:13:16,080 --> 00:13:22,400 Speaker 3: Beautiful perfect that it's a little parasite. All right, Gerald continues, 235 00:13:22,400 --> 00:13:24,520 Speaker 3: I'd also like to take this opportunity to thank you 236 00:13:24,559 --> 00:13:26,600 Speaker 3: for all the work you put into your show every week. 237 00:13:26,720 --> 00:13:29,760 Speaker 3: You never failed to find fascinating topics to cover, and 238 00:13:29,800 --> 00:13:32,680 Speaker 3: your humor and open mindedness make every episode a genuine 239 00:13:32,720 --> 00:13:35,560 Speaker 3: pleasure to listen to. Cheers Gerald. Oh, well, thank you. 240 00:13:35,600 --> 00:13:37,800 Speaker 3: That's so kind of you to say, Gerald, thank you 241 00:13:37,800 --> 00:13:40,199 Speaker 3: for listening and thanks for writing in. All right, do 242 00:13:40,280 --> 00:13:42,480 Speaker 3: we want to wrap this up with a message about 243 00:13:42,480 --> 00:13:43,640 Speaker 3: weird house cinema? 244 00:13:43,880 --> 00:13:47,800 Speaker 2: Yeah, yeah, this one comes to us from Taylor. This 245 00:13:47,840 --> 00:13:51,160 Speaker 2: is in response to our episode on Black Lizard, which 246 00:13:51,160 --> 00:13:55,200 Speaker 2: starred Akihiro Miwa, and I believe in that we talked 247 00:13:55,240 --> 00:13:58,240 Speaker 2: a little bit about how this actor went on to 248 00:13:58,960 --> 00:14:01,480 Speaker 2: do various other things in luting a lot of voiceover work, 249 00:14:02,080 --> 00:14:05,800 Speaker 2: voiceover work in a couple of Miyazaki films, but then 250 00:14:05,880 --> 00:14:12,120 Speaker 2: also this Pokemon movie about Arcius, and we didn't know 251 00:14:12,120 --> 00:14:14,959 Speaker 2: a lot about it. Well, luckily we have listeners to 252 00:14:15,000 --> 00:14:23,360 Speaker 2: write in and tell us more. Taylor says, in my 253 00:14:23,480 --> 00:14:27,040 Speaker 2: self appointed role as stuff to blow your mind's Pokemon correspondent, 254 00:14:27,160 --> 00:14:30,400 Speaker 2: I have to provide some additional context on Akihiro MIA's 255 00:14:30,720 --> 00:14:34,880 Speaker 2: voice role as the Pokemon Arcius. Arcius is not only 256 00:14:34,960 --> 00:14:37,640 Speaker 2: the title character of a Pokemon movie, but the creator 257 00:14:37,720 --> 00:14:40,880 Speaker 2: deity of the Pokemon world, and it is a deeply 258 00:14:40,960 --> 00:14:44,160 Speaker 2: strange god. In its first video game appearance in two 259 00:14:44,200 --> 00:14:48,680 Speaker 2: thousand and nine, encountering the deity triggered a surreal montage 260 00:14:49,080 --> 00:14:52,280 Speaker 2: of real world photographs, completely out of keeping with the 261 00:14:52,320 --> 00:14:57,640 Speaker 2: franchise's cherry cartoon style. The montage displayed image displayed images 262 00:14:57,680 --> 00:15:02,280 Speaker 2: of astral bodies, nature, and natural disasters, intercut with industrial 263 00:15:02,280 --> 00:15:06,760 Speaker 2: textures and city skylines. As the montage progresses, an arcane 264 00:15:06,840 --> 00:15:10,960 Speaker 2: sigil slowly writes itself over the procession of images until 265 00:15:11,120 --> 00:15:14,440 Speaker 2: Arcus appears in its center. The progress of the photos 266 00:15:14,440 --> 00:15:19,119 Speaker 2: and a relentless synthetic track suggests that this deity presides 267 00:15:19,240 --> 00:15:22,920 Speaker 2: over cycles of human progress and destruction with ambivalence. It 268 00:15:23,080 --> 00:15:26,040 Speaker 2: was a very weird and heady media experience for what 269 00:15:26,160 --> 00:15:30,000 Speaker 2: is mostly a children's franchise about adventures with cute monsters. 270 00:15:30,160 --> 00:15:32,760 Speaker 3: Yeah, this doesn't sound like what I thought Pokemon was. 271 00:15:33,400 --> 00:15:36,480 Speaker 2: I mean Pokemon, I've I haven't seen anything quite like this, 272 00:15:36,560 --> 00:15:39,920 Speaker 2: but I've seen some weird episodes of Pokemon over the 273 00:15:39,960 --> 00:15:44,720 Speaker 2: past several years here, but anyway, Taylor continues. The Pokemon 274 00:15:44,840 --> 00:15:47,600 Speaker 2: universe is said to have begun when Arcus hatched from 275 00:15:47,640 --> 00:15:51,920 Speaker 2: an egg and berthed or created three cosmic dragons embodying space, time, 276 00:15:52,280 --> 00:15:55,800 Speaker 2: and antimatter, putting Arcius on par with creator gods like 277 00:15:55,880 --> 00:15:59,720 Speaker 2: Autumn and Fanas. Encounters with Arcus throughout the video game 278 00:15:59,720 --> 00:16:04,960 Speaker 2: French emphasize its danger and unknowable motives. Aki hero Miua 279 00:16:05,080 --> 00:16:07,640 Speaker 2: is fantastic in all of his performances, and I had 280 00:16:07,680 --> 00:16:11,160 Speaker 2: to contextualize the weight of casting him as this particularly 281 00:16:11,200 --> 00:16:16,760 Speaker 2: strange and artistically transgressive Pokemon. As always, thank you for 282 00:16:17,080 --> 00:16:19,320 Speaker 2: doing what you do. The curious wonder with which you 283 00:16:19,400 --> 00:16:23,600 Speaker 2: explore your topics is infectious and appreciated. Cheers Taylor. PS. 284 00:16:23,640 --> 00:16:25,880 Speaker 2: I've included a link to the Arsius video if you'd 285 00:16:25,880 --> 00:16:29,000 Speaker 2: like to check out the weirdness I've described, and they 286 00:16:29,000 --> 00:16:31,520 Speaker 2: add that it all begins at about what about a 287 00:16:31,600 --> 00:16:34,840 Speaker 2: minute and twenty seconds into the video. I pulled it up, 288 00:16:34,920 --> 00:16:37,440 Speaker 2: and indeed it is. It is bizarre. 289 00:16:37,680 --> 00:16:40,160 Speaker 3: It is so weird. So this isn't a game I 290 00:16:40,200 --> 00:16:43,360 Speaker 3: never played, but it does have a very Pokemon for 291 00:16:43,440 --> 00:16:46,280 Speaker 3: game Boy style in art style, but it's in color. 292 00:16:46,320 --> 00:16:47,440 Speaker 3: I don't know what system. 293 00:16:47,520 --> 00:16:49,760 Speaker 2: Yeah, I didn't know. This is not a switch. This 294 00:16:49,840 --> 00:16:51,120 Speaker 2: is some pre switch system. 295 00:16:51,680 --> 00:16:53,280 Speaker 3: I don't know what this is for. But it looks 296 00:16:53,320 --> 00:16:56,320 Speaker 3: like a Nintendo game. It's like a top down a 297 00:16:56,360 --> 00:17:01,360 Speaker 3: top down you know, Pokemon or Zelda style ination, and 298 00:17:01,440 --> 00:17:05,120 Speaker 3: it's it looks very cute until the Arsiest Thing starts 299 00:17:05,400 --> 00:17:09,040 Speaker 3: and then, like Taylor says, what you get is this 300 00:17:09,160 --> 00:17:12,120 Speaker 3: montage of things that are not rendered in the art 301 00:17:12,160 --> 00:17:15,160 Speaker 3: style of the game, but they're like photos that are 302 00:17:15,200 --> 00:17:20,280 Speaker 3: digitized into the pixelated into the pixel space. So it 303 00:17:20,400 --> 00:17:24,479 Speaker 3: looks nothing like the the art style that you were seeing. Before. 304 00:17:25,040 --> 00:17:28,080 Speaker 3: It's like when it's like in the that Treehouse of Horror, 305 00:17:28,119 --> 00:17:30,600 Speaker 3: when like Homer Simpson is suddenly pulled out into the 306 00:17:30,600 --> 00:17:32,280 Speaker 3: real world and you're seeing live action. 307 00:17:33,080 --> 00:17:35,800 Speaker 2: Yeah, yeah, something like that. It also reminds me maybe 308 00:17:35,800 --> 00:17:38,639 Speaker 2: a little bit in its trippiness, of something Solid Bass 309 00:17:38,640 --> 00:17:41,480 Speaker 2: would do in one of his in his his work, 310 00:17:41,720 --> 00:17:47,320 Speaker 2: you know, especially in his Aunt movie Phase four. But yeah, 311 00:17:47,320 --> 00:17:49,720 Speaker 2: this is this is impressive. I had no idea that 312 00:17:50,840 --> 00:17:53,520 Speaker 2: this went down in a Pokemon video game. But of 313 00:17:53,520 --> 00:17:56,399 Speaker 2: course it's not too terribly surprising because I mean, just 314 00:17:56,440 --> 00:18:00,280 Speaker 2: through my son's interest in Pokemon, I have learned that, 315 00:18:00,400 --> 00:18:02,200 Speaker 2: like you know, you have all these different Pokemon and 316 00:18:02,280 --> 00:18:05,920 Speaker 2: some of them, many of them are based on mythological creatures, 317 00:18:05,960 --> 00:18:11,440 Speaker 2: folkloric creatures, dinosaurs, you name it. So when you cast 318 00:18:11,440 --> 00:18:14,200 Speaker 2: a net like that, you're going to bring in ideas 319 00:18:14,280 --> 00:18:17,760 Speaker 2: inevitably associated with those beings. So you're going to end 320 00:18:17,840 --> 00:18:22,080 Speaker 2: up populating the waters of the franchise with with some 321 00:18:22,240 --> 00:18:22,919 Speaker 2: of this energy. 322 00:18:22,960 --> 00:18:26,320 Speaker 3: I guess all right, does that do it for today? 323 00:18:27,119 --> 00:18:31,000 Speaker 2: I think so? Yeah. Yeah, thanks for writing in about 324 00:18:31,000 --> 00:18:33,239 Speaker 2: the Pokemon, Thanks for writing in everyone else about all 325 00:18:33,240 --> 00:18:36,080 Speaker 2: the other topics, and we have more listener mail that 326 00:18:36,119 --> 00:18:38,600 Speaker 2: we didn't get to in this episode. We'll be back 327 00:18:38,760 --> 00:18:42,080 Speaker 2: next week with more listener mail, so we'll catch up. 328 00:18:42,280 --> 00:18:45,800 Speaker 2: Keep it coming. In the meantime, write in about past episodes, 329 00:18:46,119 --> 00:18:49,920 Speaker 2: even the long past episodes, right in about current episodes, 330 00:18:49,920 --> 00:18:52,760 Speaker 2: potential future episodes. It's all fair game. 331 00:18:52,880 --> 00:18:56,520 Speaker 3: Huge things as always to our excellent audio producer JJ Posway. 332 00:18:56,640 --> 00:18:58,159 Speaker 3: If you would like to get in touch with us 333 00:18:58,240 --> 00:19:00,960 Speaker 3: with feedback on this episode or any other, to suggest 334 00:19:01,040 --> 00:19:03,240 Speaker 3: a topic for the future, or just to say hello, 335 00:19:03,359 --> 00:19:06,400 Speaker 3: you can email us at contact at Stuffdblow your Mind 336 00:19:06,560 --> 00:19:13,119 Speaker 3: dot com. 337 00:19:13,200 --> 00:19:16,159 Speaker 1: Stuff to Blow Your Mind is production of iHeartRadio. For 338 00:19:16,240 --> 00:19:19,040 Speaker 1: more podcasts from my heart Radio, visit the iHeartRadio app, 339 00:19:19,200 --> 00:19:21,959 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.