WEBVTT - Bobby Cast Ep. 12 (Behind The Music of Making a Record) 0:00:01.320 --> 0:00:05.040 Welcome to episode twelve of the Bobby Cast. I'm your 0:00:05.040 --> 0:00:08.280 hoss and your guests, I am Bobby Bones. Thank you 0:00:08.320 --> 0:00:12.560 so much. It today a very special Bobby Cast. Behind 0:00:12.600 --> 0:00:17.880 the music, the Raging Kittiot's Kitty Up is the record? 0:00:18.440 --> 0:00:22.119 What we spending time by? Needs track? Yeah, selfless promotion. 0:00:22.400 --> 0:00:24.200 Now we put out a kid's record, and so I 0:00:24.239 --> 0:00:26.279 always think stories behind some of the songs are fun. 0:00:26.280 --> 0:00:27.560 And I got to write a bunch of these songs 0:00:27.720 --> 0:00:29.720 with some really cool people. So this won't be a 0:00:29.960 --> 0:00:32.200 really long one and I'm not playing the full songs. 0:00:32.680 --> 0:00:35.360 But the good thing about a PODCASTUD you cannot listen 0:00:35.440 --> 0:00:36.800 to it or you can always just turn it off 0:00:36.840 --> 0:00:39.800 at any time. So we have a kid's record that 0:00:39.800 --> 0:00:42.519 we put out. And I told the story before how 0:00:42.720 --> 0:00:46.000 the whole kid's record started with me at the studio. 0:00:46.240 --> 0:00:49.520 We're recording our comedy record and Eddie was really late 0:00:49.560 --> 0:00:53.479 to the studio and so I was like, well, I 0:00:53.520 --> 0:00:56.120 always wanted to do a kid's record. So I wrote 0:00:56.160 --> 0:00:58.400 the Planet song to teach kids the planets, and I 0:00:58.440 --> 0:01:01.240 wrote that song about myself and like any minutes and 0:01:01.280 --> 0:01:04.160 it's just like a hip hop song. There's an old 0:01:04.160 --> 0:01:07.920 song from Sir Mix a lot buttermilk biscuits. He goes, 0:01:07.959 --> 0:01:10.240 buttermilk biscuits. Here we go. You know that's on it 0:01:10.280 --> 0:01:14.920 all might and that's where the kind of the this 0:01:15.120 --> 0:01:23.840 comes from. Mothers. So this is a planet song and uh, 0:01:24.440 --> 0:01:26.360 I wonder if butter milk biscuits I can find it? 0:01:26.520 --> 0:01:28.400 And so I wrote that song really quick and it 0:01:28.480 --> 0:01:30.680 was just listing the planets. But the weird thing about 0:01:30.680 --> 0:01:32.479 the planets is you know that they change all the time. 0:01:32.840 --> 0:01:36.400 There's can I go, well, there's not nine planets anymore. Yeah. Yeah, 0:01:36.440 --> 0:01:38.440 So here's buttermilk biscuits by the way, from Sir Mix 0:01:38.480 --> 0:01:40.840 a lot like back in the day. There you go, 0:01:43.760 --> 0:01:49.200 I got three gwine ones. M hold on, hold on, 0:01:49.280 --> 0:01:51.840 hold on, I gotta stop one of them. Okay, okay 0:01:51.920 --> 0:01:59.320 you so here's butter milk biscuits from back in uh okay, 0:01:59.400 --> 0:02:02.480 well year were you born? Okay? This is because the 0:02:02.640 --> 0:02:05.680 mixed lote have like baby got bag posts on Broadway 0:02:06.000 --> 0:02:09.320 and buttermelk biscuits brands big beating up and I can 0:02:09.320 --> 0:02:11.639 tell you getting tell the looks I'm taking. I hate 0:02:11.680 --> 0:02:14.800 guns speakers and seed stop five bed on my bird 0:02:14.919 --> 0:02:18.040 rock fool my God don't get n gets turned up 0:02:18.080 --> 0:02:26.839 the so you can hear that. Really now, everybody about 0:02:26.840 --> 0:02:29.959 bistus with the jam though you never heard this. It's 0:02:30.040 --> 0:02:33.200 old school. I was even too young for it. Buttermilk biscuit, 0:02:33.360 --> 0:02:38.720 here we go, SIPs the power, your si your move, 0:02:38.800 --> 0:02:42.600 You're still And did you know like my puzzies on Broadway? 0:02:42.919 --> 0:02:45.440 Do you know that? From Sir mix a lot? So 0:02:47.400 --> 0:02:50.640 this is old school too, but like the old school 0:02:50.680 --> 0:02:55.000 hipops stuff was like kind of started the Planet song. 0:02:58.160 --> 0:03:02.280 You know baby got back that. I'm surprised you know 0:03:02.320 --> 0:03:05.760 I post is on Broadway. Yeah, that's a jam like 0:03:06.000 --> 0:03:08.720 mistill let's go me and kids in section at Home 0:03:08.760 --> 0:03:11.360 Away from Home and the black Ben's limo with us 0:03:11.400 --> 0:03:13.720 that you love phone and I'm calling up the pussy. 0:03:13.919 --> 0:03:16.640 It's time that kids are riffing up, freaking each sunroofed 0:03:16.720 --> 0:03:19.440 to keep you sucked us tripping. Everybody's looking. I mean, 0:03:19.440 --> 0:03:22.840 can you imagine talking about I a cell phone that 0:03:22.960 --> 0:03:27.080 was crazy back heavy Like when I did the Planet song, 0:03:27.200 --> 0:03:28.760 it was I want to throw it like old school 0:03:28.840 --> 0:03:34.920 hip hop and I wanted so again. Now I'll play 0:03:34.960 --> 0:03:36.760 a part of the Planet song from our kids record. 0:03:38.240 --> 0:03:41.680 Mother just I just took my voice and sang it 0:03:41.760 --> 0:03:46.600 and just pitched it up way high, like my very 0:03:46.800 --> 0:03:50.200 energetic mother. Just so the whole project, the kids record 0:03:50.280 --> 0:03:51.760 started with the planet song. It was the first thing 0:03:51.800 --> 0:03:54.640 ever and I wrote about myself and then I get 0:03:54.720 --> 0:03:57.280 the beat and took it into my label and was like, 0:03:57.720 --> 0:03:59.120 I under a kid's record. They were like, you're in 0:03:59.120 --> 0:04:00.720 the middle of recording and other record right now, Like 0:04:00.760 --> 0:04:02.400 I know what I gotta do a kids record. So 0:04:02.800 --> 0:04:05.880 the first song ever was Hey, Eddy, look at this guy? 0:04:06.560 --> 0:04:10.440 Whoa Bobby? It's cool? Those are all planets? They are? 0:04:10.720 --> 0:04:14.080 Do you know how to remember their order? Know how easy? 0:04:14.360 --> 0:04:18.240 My very energetic mother just served us nine pizzas cool. 0:04:18.760 --> 0:04:20.600 I wrote a song about it. I want to hear it, 0:04:20.920 --> 0:04:23.919 my very nanner getting mother just served us nine vizzas, 0:04:24.040 --> 0:04:27.200 my very nanner getting mother, just like you can really 0:04:27.240 --> 0:04:28.920 hear it now, right and obvious always said that like 0:04:28.960 --> 0:04:33.680 it's buttermel bis kits influence. So the chorus is started 0:04:33.800 --> 0:04:36.960 from the start at planet number one me my good 0:04:37.000 --> 0:04:39.800 friend Mercury. Read's closest to the sun. It's a little 0:04:39.920 --> 0:04:42.480 fast and though so hot, a slightly colored gray, and 0:04:42.640 --> 0:04:45.520 right behind it is venus planet. Do you say the 0:04:45.720 --> 0:04:48.279 Roman got us some beauty is where it got its name. 0:04:48.560 --> 0:04:51.720 The whole planet is burning. It's basically a flame, and 0:04:51.800 --> 0:04:54.360 then we go from planet to the planet number three. 0:04:54.520 --> 0:04:57.760 Put your hands in there, yo, Earth, Can you hear me? Anyway? 0:04:57.800 --> 0:04:59.440 That was a planet song and that's how it all started, 0:05:00.040 --> 0:05:01.560 and I wrote it was like done, and then I 0:05:01.640 --> 0:05:03.400 was like, eddiewhere are you Like? I wrote a whole 0:05:03.400 --> 0:05:04.880 song and that was it, and he came in the 0:05:04.920 --> 0:05:07.400 studio and records and background vocals. But it's weird. It's 0:05:07.440 --> 0:05:09.520 the only song that I wrote all by myself because 0:05:09.560 --> 0:05:12.800 I was just waiting on Eddie Eddie. But it's always late. 0:05:13.279 --> 0:05:14.920 But if it wasn't later, probably were probably had a 0:05:15.000 --> 0:05:17.560 kid's record. So I took it to the levels, like 0:05:17.600 --> 0:05:19.360 I gotta a kids record, and so I called Eric 0:05:19.440 --> 0:05:21.840 Passley and I said, hey, I have this song. And 0:05:21.920 --> 0:05:24.280 I had this voice memo on my phone because I 0:05:24.480 --> 0:05:26.240 woke up and in the middle of the night, I 0:05:26.320 --> 0:05:31.280 was like, when I grow up, I wanna be. I 0:05:31.400 --> 0:05:33.280 was half to sleep because when I grew up came 0:05:33.320 --> 0:05:36.360 to me in my sleep, and so this song here 0:05:36.680 --> 0:05:38.240 when I grew up. With the second one that we wrote. 0:05:39.760 --> 0:05:45.320 I'll play the voice nom on from it. When I 0:05:45.400 --> 0:05:51.120 grew I want to be a nashtronaut, take walked on 0:05:51.360 --> 0:05:55.640 the moon with my pet Robody rocket ship and just 0:05:56.000 --> 0:06:02.280 fly away when I grow up. I want to be 0:06:02.800 --> 0:06:06.600 a fire man. And so hopefully by now you've heard 0:06:06.600 --> 0:06:09.240 that one that's our biggest like playing song, like we 0:06:09.279 --> 0:06:11.280 play that song and shows people love it, people sing 0:06:17.320 --> 0:06:19.280 you see. You know how Dirks came on the show 0:06:19.320 --> 0:06:21.400 and it was like, there's always really embarrassing things inside 0:06:21.440 --> 0:06:24.240 your phone. It's how songs start. And he was like, oh, 0:06:24.240 --> 0:06:26.520 I'm humiliated, and he would play these things. So here's 0:06:26.520 --> 0:06:28.520 when I have you heard this before me in the 0:06:28.560 --> 0:06:30.080 middle of the night doing you've heard me do the 0:06:31.000 --> 0:06:34.000 So here it is me singing to myself the middle night. 0:06:34.400 --> 0:06:36.960 I want to be a national. I want to get big. 0:06:38.320 --> 0:06:42.400 I want to go some places no other days I 0:06:42.400 --> 0:06:46.080 would see the moon to come back to use. I 0:06:46.120 --> 0:06:49.560 want to be a national when I get so this 0:06:49.640 --> 0:06:52.960 is the beginning of it. I want to be fire 0:06:53.040 --> 0:06:56.359 man when I grew up, and that's where I started becomes. 0:06:56.760 --> 0:06:59.160 I want to put out fires and drop a big ultra. 0:06:59.720 --> 0:07:01.000 So I said that the Passay. I was like, Hey'm 0:07:01.000 --> 0:07:03.080 gonna be a fire man when I grow up, that 0:07:03.200 --> 0:07:05.920 fire And then Eric comes in with he's very like 0:07:06.040 --> 0:07:09.400 the woes and the hiss. And so we sat down 0:07:09.640 --> 0:07:12.360 and it was me, Eric Passlay and Phil Barton. And 0:07:12.480 --> 0:07:18.120 Phil Barton wrote Lee Bryce's song um, A Woman Like You. 0:07:18.800 --> 0:07:21.240 I'm pretty sure that's the one that he wrote. You 0:07:21.320 --> 0:07:23.640 may you may google that. But so we sat and 0:07:23.720 --> 0:07:36.880 we did when I grow up, you'll see any day 0:07:39.360 --> 0:07:43.960 when I go. Yes. So the writer of that is 0:07:44.000 --> 0:07:47.760 Derek Passlay, who wrote angel E's for Love and Theft, 0:07:47.840 --> 0:07:50.680 who wrote you Know to number one, his number one 0:07:50.960 --> 0:07:54.080 Jaco and Barefoot Blue g Night Friday Night. His song 0:07:54.640 --> 0:07:56.560 uh he got nominated for Like It's c m A 0:07:56.800 --> 0:07:58.680 for she Don't Love You and then it was the 0:07:58.720 --> 0:08:01.960 first kid song he'd ever written. And Phil Barton he 0:08:02.120 --> 0:08:06.200 did write A Woman Like You And so again I'm 0:08:06.200 --> 0:08:08.280 in here with like real he wrote for Lee Bryce. 0:08:10.440 --> 0:08:12.200 And so it's me going, I had this idea for 0:08:12.240 --> 0:08:14.360 a kid song and I'm bringing like two real great 0:08:15.120 --> 0:08:24.200 traditional writers. Last night out of the Blue, drifting off 0:08:24.280 --> 0:08:28.440 to the evening News, You said, honey, but you do 0:08:29.760 --> 0:08:32.480 if you had never met me and that's a really 0:08:32.559 --> 0:08:34.880 great song. I love that song. And so that was 0:08:34.920 --> 0:08:37.160 how When I Grew Up came together because I believe 0:08:37.200 --> 0:08:39.319 Phil Barton also used to like write for Thomas the 0:08:39.360 --> 0:08:43.199 Tank the cartoon. Yeah, so that was it, That's what. 0:08:43.440 --> 0:08:45.079 And we sat in my living room and wrote When 0:08:45.080 --> 0:08:55.000 I Grow Up you Don't See And then I had 0:08:55.040 --> 0:08:57.080 a one of a kid I wrote like this book 0:08:57.520 --> 0:08:59.480 and it was a really small like pamphlet. It was 0:08:59.520 --> 0:09:01.920 called Big Head Bobby. Was a story of me and 0:09:02.040 --> 0:09:04.680 how my head was so big and I was picked 0:09:04.679 --> 0:09:07.560 on for having a huge head. And so I was like, hey, 0:09:07.559 --> 0:09:08.880 I want to do the Ballad of Big Head Bobby. 0:09:09.160 --> 0:09:10.520 Eddie Eddie. Now we're sitting down, and we wanted to 0:09:10.559 --> 0:09:12.800 do one of those old school like gather around your radio, 0:09:12.840 --> 0:09:15.240 old folks. It's the Ballad of Big Head Bobby. And 0:09:15.400 --> 0:09:18.080 so that's really where Big Head Bobby came from. As 0:09:18.080 --> 0:09:20.559 a kid, I had Big Head Bobby to character like, 0:09:20.600 --> 0:09:22.360 caused to make little drawings of him, which was me. 0:09:23.120 --> 0:09:25.240 And so if you never heard this, it's on the 0:09:25.320 --> 0:09:28.640 Kid's record and it's like an old school nineteen twenties 0:09:28.720 --> 0:09:34.720 country song, everybody gather around. I got a story to tell. 0:09:35.720 --> 0:09:39.840 It doesn't get told often. It's a true window about 0:09:39.880 --> 0:09:44.840 big Head Bobby. This is the story big Head Bobby. 0:09:45.640 --> 0:09:52.440 He was the kid with a big old head back 0:09:52.480 --> 0:09:55.120 in the eighties. This little kid arrived. His head was 0:09:55.240 --> 0:09:58.520 so big we were surprised his mom survived. So it's 0:09:58.520 --> 0:10:00.360 about a kid who ends up saving the town because 0:10:00.440 --> 0:10:02.120 his head. He gets picked on because his heads so big, 0:10:02.160 --> 0:10:03.800 but then his head saves the town because the damn 0:10:03.840 --> 0:10:06.439 busts and they need to plug a hole. And so 0:10:07.040 --> 0:10:08.640 it was weird that something from second grade that I 0:10:08.679 --> 0:10:10.400 wrote as a book, Eddie and I sat down and 0:10:10.480 --> 0:10:11.880 kind of turned it into a song and it's called 0:10:11.920 --> 0:10:14.439 the Ballad a Big Head Bobby. This is the story 0:10:15.640 --> 0:10:20.400 big Head Bobby. He wasn't the kid with a big 0:10:20.440 --> 0:10:24.280 old head. So that's that. It's funny how things come 0:10:24.280 --> 0:10:26.400 back around like that. And so there was also a 0:10:26.480 --> 0:10:28.640 song called people in America, which we this Kid's record, 0:10:28.960 --> 0:10:30.520 and this is from the EP. This is the song 0:10:30.600 --> 0:10:32.360 that we started with, like not even the new ones 0:10:32.400 --> 0:10:35.240 that have been out, And Eddie and I sat down 0:10:35.280 --> 0:10:37.439 and it was like, let's just come up with a 0:10:37.520 --> 0:10:39.920 bunch of people that we want to teach kids about. 0:10:40.280 --> 0:10:46.520 And so kind of like a funk song, and I 0:10:46.600 --> 0:10:54.040 wanted to give kids, like some kind of reference. George 0:10:54.080 --> 0:10:57.679 Washington was the first president, and John Adams was number two, 0:10:58.640 --> 0:11:01.360 and Neil R. Strong was the first man to take 0:11:01.480 --> 0:11:05.440 step on the Move and don't forget about to see 0:11:05.440 --> 0:11:09.520 You back in fourteen ninety two, and Betsy Ross, She's 0:11:09.559 --> 0:11:13.040 so flagged the old Red, White Blue. I wrote it 0:11:13.200 --> 0:11:15.079 and Eddie I was doing the guitar, the guitar part. 0:11:15.280 --> 0:11:16.640 I just wanted kids to be able to listen this 0:11:16.679 --> 0:11:19.520 in a classroom and I hate it, but you learn things. 0:11:19.679 --> 0:11:21.760 But he didn't. You didn't hate it, Like I totally 0:11:21.800 --> 0:11:29.040 picture this is being a classroom song. These other people 0:11:29.120 --> 0:11:33.120 left porter to America, but I really had that funk 0:11:33.160 --> 0:11:34.480 to it, like I want to kind of a funky 0:11:34.559 --> 0:11:38.400 song here. Steve Jobs didn't reform. Michael J. Fox, Ronald Reagan, 0:11:38.440 --> 0:11:41.400 not the Bears angle. They locked Rosa Parks, Dark ros 0:11:41.440 --> 0:11:46.720 playing the Car, SpongeBob SquarePants and Patrick Stone, Unions, Minions, minions. 0:11:46.840 --> 0:11:55.160 Who these other people in important to America. The thing 0:11:55.240 --> 0:11:56.839 is Michael J. Fox is not in from America. We 0:11:56.880 --> 0:11:59.920 struggle with that. Songwriters were write stupart songs but we're 0:12:00.040 --> 0:12:01.640 can we put Michael J. Fox in there? But we 0:12:01.720 --> 0:12:03.760 were like, he's important to America because in family ties 0:12:03.960 --> 0:12:05.920 he was born in Canadian but he was still in 0:12:06.000 --> 0:12:08.040 portant to America, but we put him in there. That 0:12:08.480 --> 0:12:10.880 that was the big debate where when Eddie, now we 0:12:10.880 --> 0:12:13.280 are writing that song, can we put Michael J. Fox 0:12:13.440 --> 0:12:15.679 in this song? So stupid now to look back at. 0:12:16.280 --> 0:12:17.959 So those are the early ones we like. We made 0:12:18.000 --> 0:12:19.520 those and then we put out an EP and it 0:12:19.640 --> 0:12:21.760 was just that means it's a four songs, and then 0:12:21.760 --> 0:12:23.040 there was a little track at the end of it 0:12:23.200 --> 0:12:24.760 where it was kind of like a motivational track where 0:12:24.760 --> 0:12:27.040 I was just like, hey, listen, follow your dreams. You're awesome. 0:12:28.679 --> 0:12:30.719 You're awesome, and so I put that on. We put 0:12:30.760 --> 0:12:34.080 it out and it's the downloads were crazy, and we're like, Wow, 0:12:34.160 --> 0:12:37.960 this kid's EPs nuts. So as soon as we finished 0:12:38.000 --> 0:12:41.319 our comedy record and it had the odd success that 0:12:41.360 --> 0:12:42.559 it had, I was like, I want to finish this 0:12:42.679 --> 0:12:45.559 kid's record, and so we kind of started over. We 0:12:45.640 --> 0:12:48.400 had those same songs. We never put on a hard album. Um, 0:12:48.559 --> 0:12:51.240 so we were like, Okay, I'm just gonna start over. 0:12:51.559 --> 0:12:54.920 And so it was all right, who do I call first? 0:12:55.080 --> 0:12:58.000 And so I called Eric Passley again, and Erica come 0:12:58.000 --> 0:13:00.480 to the studio and we were doing an interview for 0:13:01.080 --> 0:13:03.040 him for him, and we were gonna come to the 0:13:03.120 --> 0:13:06.000 house afterward and write the song. And it was me, 0:13:07.040 --> 0:13:09.760 Eric passed Lay and Lindsay L. She came over to 0:13:09.840 --> 0:13:13.120 because she adds musically. Eric is crazy with lyrics like 0:13:13.240 --> 0:13:16.120 so good, and lindsay L is so good with music 0:13:16.240 --> 0:13:19.280 on the guitar. And lindsay was was here and Eric 0:13:19.320 --> 0:13:20.679 and I were driving from the station and I we 0:13:20.720 --> 0:13:23.360 didn't even we're gonna write about it yet. Ay, We're 0:13:23.400 --> 0:13:25.319 in traffic, and I texted him just sitting there, goes, hey, dude, 0:13:25.520 --> 0:13:28.000 I'll try to song a potty training song and call 0:13:28.040 --> 0:13:30.719 it the Potty Party. And I call him and he's 0:13:30.720 --> 0:13:34.800 already going whoa, whoa, whoa, And I'm like, what are 0:13:34.840 --> 0:13:36.800 you doing, Goes, I'm singing like the whoa part already. 0:13:36.800 --> 0:13:38.160 I got it. So we got back to the house 0:13:38.520 --> 0:13:41.080 and I had the first of it done. It was like, ah, there, 0:13:41.120 --> 0:13:44.440 you got drink too much milk? Boom boom boom boom 0:13:44.440 --> 0:13:48.880 bo Did I drink too much water? So the lyric 0:13:49.000 --> 0:13:50.559 part was kind of. I kind of figured that out 0:13:50.559 --> 0:13:52.439 as I was driving home, and he kind of figured 0:13:52.440 --> 0:13:54.520 out the chorus, and Lindsey was like it all just 0:13:54.600 --> 0:13:57.640 came together so quick, and there was our first potty 0:13:57.679 --> 0:13:59.599 training song. But Eric Passy was really good at the 0:14:00.040 --> 0:14:02.600 even when I grow up, When I go up, up, up, 0:14:03.000 --> 0:14:07.520 and he's going with the whoa whoa, so potty party party, 0:14:08.040 --> 0:14:12.959 I really gotta go to the party party. I just 0:14:13.120 --> 0:14:17.559 can't hold him any longer, Farmy, I really gotta go 0:14:18.000 --> 0:14:25.360 through the party party. So, I mean heavily influenced the 0:14:25.480 --> 0:14:28.920 Eric Passley hooked there, Like that's just his style is 0:14:28.960 --> 0:14:30.920 so good, it's so catchy. That potty party song probably 0:14:30.960 --> 0:14:32.920 catch you a song on the record, and so but 0:14:33.960 --> 0:14:35.640 it was like we just want to do something fun 0:14:35.720 --> 0:14:39.360 with like a little blues back part of it about 0:14:39.400 --> 0:14:42.840 a kid like having a pee and learning. I think 0:14:42.920 --> 0:14:48.400 I drink too much milk or did I drink too 0:14:48.520 --> 0:14:54.720 much water? Well, I don't know where it is. I 0:14:54.840 --> 0:14:59.760 hope that is not too much farther to the party party. 0:15:00.360 --> 0:15:05.000 I really got it, go to the party party. I 0:15:05.160 --> 0:15:12.120 just get holding any loggers, I really got it party. 0:15:16.080 --> 0:15:18.400 So in the background vocals, there's a Nikita Carmen, who 0:15:18.760 --> 0:15:19.840 is out on the road with us, but she was 0:15:19.880 --> 0:15:21.440 just in the studio for no reason. I was like, hey, 0:15:21.640 --> 0:15:24.360 hop on his backgroundvocals, and so that's our background vocals 0:15:24.400 --> 0:15:26.880 and that for no reason, Like she's not on that track, 0:15:27.400 --> 0:15:29.320 but she's doing the background vocals, you know when it 0:15:29.360 --> 0:15:33.120 goes to the chorus, that's our little Australian friend Nikita. 0:15:35.040 --> 0:15:39.000 Really we wrote wrote that one, and I love that. 0:15:39.000 --> 0:15:41.160 It's fine, my favorite song on there, because we play 0:15:41.200 --> 0:15:43.400 that one out at raging idiot shows and people like, 0:15:43.480 --> 0:15:45.120 what is that you're thinking about going to the party? 0:15:45.280 --> 0:15:48.880 That's not potty and party. It's funny. And so we 0:15:48.960 --> 0:15:50.960 wrote that one here at the house on the couch, 0:15:51.160 --> 0:15:53.840 me pasted Lay and Lindsay and so I'm like, okay, 0:15:53.880 --> 0:15:56.040 we got another one down. And we I don't think 0:15:56.080 --> 0:15:58.400 we know any songs that we just didn't keep because 0:15:58.520 --> 0:16:00.480 with every song I always had a title, got newbhere 0:16:00.520 --> 0:16:02.360 he wanted to go with it, and so I wanted 0:16:02.360 --> 0:16:04.560 to write a song about recess and like kids, and 0:16:04.640 --> 0:16:07.160 so I called Lauren Lena and Lauren came over to 0:16:07.160 --> 0:16:10.880 the house and when I was writing this song, Lauren 0:16:10.960 --> 0:16:12.880 kept singing it in such a difficult way that I 0:16:12.960 --> 0:16:15.760 had to Lauren, I have to sing this like you. 0:16:16.000 --> 0:16:18.720 I can't sing like you. Should be like, I can't 0:16:18.840 --> 0:16:21.960 wait for Recess, hey, And I was like, I can't 0:16:22.000 --> 0:16:25.240 do that. So we took it down a few notches. 0:16:25.880 --> 0:16:29.000 And this one's called Recess and it's featuring Nikita. The 0:16:29.080 --> 0:16:31.400 reason it's featuring Nikita Krmon is because I couldn't sing 0:16:31.440 --> 0:16:33.080 some of the parts even when Lauren dumbed it down. 0:16:33.920 --> 0:16:37.720 So you're here Nikita sing the chorus because I just 0:16:37.800 --> 0:16:40.440 couldn't do it. I would be like, I can't wait 0:16:40.600 --> 0:16:44.320 for Recess, hey, and I couldn't get that high part. 0:16:44.640 --> 0:17:00.840 I can't wait for ye I'm sorry, and I can't 0:17:00.920 --> 0:17:07.280 wait for read. I can do the background parts. I'll 0:17:07.320 --> 0:17:10.880 be a tall as sky from the top of slide. 0:17:11.520 --> 0:17:15.920 Gornna go down so fast, I'll fly fly, I will 0:17:16.000 --> 0:17:19.920 play around the tack and not alone, a bright no 0:17:20.200 --> 0:17:25.240 boys catching me. That's right, that's right. Hey, I'm so 0:17:25.440 --> 0:17:30.760 ready to see Cindy marking back the teeter tyers what 0:17:31.119 --> 0:17:41.760 we laughed? I can't wait for Red he been waiting here. Yeah, 0:17:41.800 --> 0:17:45.560 I'm sorry. I think I'm a way wins trying not 0:17:45.760 --> 0:17:49.560 to finish stuck and it's almost Simon, I can't wait 0:17:51.280 --> 0:17:55.880 all right, so we're right that and if you'll listen 0:17:55.960 --> 0:17:57.480 to Nikita, we had to go at four times and 0:17:57.560 --> 0:17:59.800 have her change her accent in the song. She can't 0:17:59.800 --> 0:18:01.560 say ward yeah, and it's still in there. We like it. 0:18:01.680 --> 0:18:04.520 It sounds like you're but she couldn't say Cindy market it. 0:18:04.560 --> 0:18:06.680 M could be like Cindy mak am. I would be 0:18:06.720 --> 0:18:10.119 like no, Cindy Mark and Mike Cindy mak and no, no, no. 0:18:10.680 --> 0:18:12.359 So we had to do an accent thing with Nikita 0:18:12.359 --> 0:18:14.320 because she's so Australian. But if I played again You're 0:18:14.320 --> 0:18:24.520 here to say yeah it, I was like, you're way full, Yeah, 0:18:26.119 --> 0:18:28.399 I'm so ready yeah, and we were like and she 0:18:28.560 --> 0:18:30.399 just couldn't get the acts. So we love that party 0:18:30.680 --> 0:18:32.320 like and you know we hear it unless you hear it. 0:18:32.400 --> 0:18:34.920 But she's like, you're I'm so ready because she doesn't 0:18:34.960 --> 0:18:43.680 say yeah the American way yeah yeah, it's like you're 0:18:43.760 --> 0:18:46.919 I'm so ready. So you know, we were running through 0:18:46.960 --> 0:18:49.560 these tracks here and we have these songs and Recess 0:18:49.640 --> 0:18:51.200 and when I grew up in the Planet song on 0:18:51.280 --> 0:18:54.320 Potty Party and I'm really a germaphobe. And Eddie and 0:18:54.359 --> 0:18:56.960 I had written a song called wash your Hands, way 0:18:57.040 --> 0:18:58.480 way way back in the day, and it was a 0:18:58.600 --> 0:19:02.000 comedy song and we never really used it for anything, 0:19:02.400 --> 0:19:03.840 but then we thought, man, we can use as a 0:19:03.880 --> 0:19:05.680 kids song. We changed the lyrics of it off and 0:19:05.800 --> 0:19:09.200 made it, you know, very very kid like teachy. At first, 0:19:09.240 --> 0:19:10.760 it was like wash your hands, and it was like, 0:19:11.160 --> 0:19:13.320 I'm sitting in a restaurant, some guy extends his hand 0:19:13.400 --> 0:19:15.159 and I want to touch it because he's disgusting. It 0:19:15.280 --> 0:19:18.000 was just a comedy song, um, and so then it 0:19:18.080 --> 0:19:20.720 turned into this. It's the kids song called wash your 0:19:20.760 --> 0:19:25.880 hand water, wash them till they're blue. Wash your dirty 0:19:25.920 --> 0:19:32.560 hands so you don't get non wash your hands. Wow, wow, 0:19:32.800 --> 0:19:34.959 wash your hands, you know. And in this too, it's 0:19:34.960 --> 0:19:38.440 the only video we did, we have a kid band 0:19:38.520 --> 0:19:42.280 playing full kid bands and like it's like all with 0:19:42.320 --> 0:19:47.919 big instruments, really funny. You can take that bubble swish 0:19:47.960 --> 0:19:51.480 and splash and keeps you note and clean. But I 0:19:51.600 --> 0:19:57.080 am gonna sing about your hands. They touch everything, your 0:19:57.160 --> 0:20:00.960 dirty hands. A funny part about this was the first 0:20:01.040 --> 0:20:02.440 line of that sounds like a you break your heart, 0:20:02.600 --> 0:20:05.080 Like the very first line of it, it's like you 0:20:05.240 --> 0:20:08.320 can tell your mom, I moved to Arkansas and you 0:20:08.440 --> 0:20:10.760 can tell them that. So just the very first of it, 0:20:10.840 --> 0:20:11.880 and I was like, man, that's not you can break 0:20:11.880 --> 0:20:13.639 your heart. But the rest of it doesn't. But if 0:20:13.640 --> 0:20:15.280 you listen to the very first line, I'll play it 0:20:15.359 --> 0:20:24.920 back to back. It just wash your hands, right, you 0:20:25.320 --> 0:20:30.600 can take that bubblish and splash keeps you nice and clean. 0:20:31.160 --> 0:20:35.280 But I am gonna singing about your hands, So that's 0:20:35.320 --> 0:20:37.600 that you can take. So I'm gonna play some a 0:20:37.720 --> 0:20:39.359 you break your heart because I'm always like, oh, what 0:20:39.400 --> 0:20:41.400 did it sound like? Because I always, you know, call 0:20:41.440 --> 0:20:43.080 people out when they sound like songs, and we didn't 0:20:43.080 --> 0:20:47.240 even know it until I have to recorded. But not 0:20:47.440 --> 0:20:49.400 so much some music. It's just the very first line 0:20:49.400 --> 0:20:51.640 to there where it's like you can tell your mom 0:20:53.480 --> 0:21:01.280 you can do you can burn my clothes wrong, going oh, 0:21:01.440 --> 0:21:03.840 you can tell your friends, and it kind of loses it, 0:21:03.960 --> 0:21:06.239 but the beginning of it, it's very achy break your 0:21:06.320 --> 0:21:11.800 hard issh so you can hear it like I haven't heard. 0:21:11.840 --> 0:21:17.200 I was like, wow, you know you can take that 0:21:17.920 --> 0:21:22.159 bubble slice and splash and keeps you nasty clean. But 0:21:22.440 --> 0:21:25.480 I am gonna singing about your hands? It loses it 0:21:25.560 --> 0:21:31.080 about there touch everything, your dirty hands. I'm not too dumb, 0:21:31.119 --> 0:21:32.960 and the thing sounds similar, so even I was like, man, 0:21:33.000 --> 0:21:35.880 it's kind. But so that was wash your hands, um. 0:21:36.200 --> 0:21:38.639 So I mean we're mostly through the record. Now this 0:21:38.960 --> 0:21:41.640 is be Nice. We wrote this um and this one's 0:21:41.640 --> 0:21:44.159 featuring Lindsay Out and it was just I would go 0:21:44.200 --> 0:21:45.639 to so many schools and they would play the song 0:21:46.160 --> 0:21:51.040 nice because your mom has said, so be nice, even 0:21:51.160 --> 0:21:55.960 when she says, no, be nice. My grandma's driving too slow. 0:21:56.840 --> 0:22:06.120 Let's be nice, be nice. See be nice. We sat 0:22:06.160 --> 0:22:08.320 around a table and wrote that, just kitchen table. When 0:22:08.400 --> 0:22:16.840 you sitting at the table and you really hate all 0:22:16.840 --> 0:22:18.600 the greens on your plate, and you try to pretend 0:22:18.640 --> 0:22:20.880 that you already ate, and you just want to sit 0:22:20.920 --> 0:22:25.640 there and stare and complain. Being nice because your mama said, 0:22:25.720 --> 0:22:32.480 so be nice, even when she says, no nice, grandma's 0:22:32.560 --> 0:22:41.120 driving too slow. Let's be nice. Hopefully it makes kids 0:22:41.200 --> 0:22:43.040 be nice that parents would say they play that for 0:22:43.080 --> 0:22:45.200 their kids. A lie, um, A couple of it's a 0:22:45.240 --> 0:22:47.359 couple of songs on here, Like Eddie and I did 0:22:47.400 --> 0:22:49.040 a song and it was a comedy song for the 0:22:49.119 --> 0:22:51.000 main record that we did, and we ended up not 0:22:51.160 --> 0:22:53.960