1 00:00:01,320 --> 00:00:05,040 Speaker 1: Welcome to episode twelve of the Bobby Cast. I'm your 2 00:00:05,040 --> 00:00:08,280 Speaker 1: hoss and your guests, I am Bobby Bones. Thank you 3 00:00:08,320 --> 00:00:12,560 Speaker 1: so much. It today a very special Bobby Cast. Behind 4 00:00:12,600 --> 00:00:17,880 Speaker 1: the music, the Raging Kittiot's Kitty Up is the record? 5 00:00:18,440 --> 00:00:22,119 Speaker 1: What we spending time by? Needs track? Yeah, selfless promotion. 6 00:00:22,400 --> 00:00:24,200 Speaker 1: Now we put out a kid's record, and so I 7 00:00:24,239 --> 00:00:26,279 Speaker 1: always think stories behind some of the songs are fun. 8 00:00:26,280 --> 00:00:27,560 Speaker 1: And I got to write a bunch of these songs 9 00:00:27,720 --> 00:00:29,720 Speaker 1: with some really cool people. So this won't be a 10 00:00:29,960 --> 00:00:32,200 Speaker 1: really long one and I'm not playing the full songs. 11 00:00:32,680 --> 00:00:35,360 Speaker 1: But the good thing about a PODCASTUD you cannot listen 12 00:00:35,440 --> 00:00:36,800 Speaker 1: to it or you can always just turn it off 13 00:00:36,840 --> 00:00:39,800 Speaker 1: at any time. So we have a kid's record that 14 00:00:39,800 --> 00:00:42,519 Speaker 1: we put out. And I told the story before how 15 00:00:42,720 --> 00:00:46,000 Speaker 1: the whole kid's record started with me at the studio. 16 00:00:46,240 --> 00:00:49,520 Speaker 1: We're recording our comedy record and Eddie was really late 17 00:00:49,560 --> 00:00:53,479 Speaker 1: to the studio and so I was like, well, I 18 00:00:53,520 --> 00:00:56,120 Speaker 1: always wanted to do a kid's record. So I wrote 19 00:00:56,160 --> 00:00:58,400 Speaker 1: the Planet song to teach kids the planets, and I 20 00:00:58,440 --> 00:01:01,240 Speaker 1: wrote that song about myself and like any minutes and 21 00:01:01,280 --> 00:01:04,160 Speaker 1: it's just like a hip hop song. There's an old 22 00:01:04,160 --> 00:01:07,920 Speaker 1: song from Sir Mix a lot buttermilk biscuits. He goes, 23 00:01:07,959 --> 00:01:10,240 Speaker 1: buttermilk biscuits. Here we go. You know that's on it 24 00:01:10,280 --> 00:01:14,920 Speaker 1: all might and that's where the kind of the this 25 00:01:15,120 --> 00:01:23,840 Speaker 1: comes from. Mothers. So this is a planet song and uh, 26 00:01:24,440 --> 00:01:26,360 Speaker 1: I wonder if butter milk biscuits I can find it? 27 00:01:26,520 --> 00:01:28,400 Speaker 1: And so I wrote that song really quick and it 28 00:01:28,480 --> 00:01:30,680 Speaker 1: was just listing the planets. But the weird thing about 29 00:01:30,680 --> 00:01:32,479 Speaker 1: the planets is you know that they change all the time. 30 00:01:32,840 --> 00:01:36,400 Speaker 1: There's can I go, well, there's not nine planets anymore. Yeah. Yeah, 31 00:01:36,440 --> 00:01:38,440 Speaker 1: So here's buttermilk biscuits by the way, from Sir Mix 32 00:01:38,480 --> 00:01:40,840 Speaker 1: a lot like back in the day. There you go, 33 00:01:43,760 --> 00:01:49,200 Speaker 1: I got three gwine ones. M hold on, hold on, 34 00:01:49,280 --> 00:01:51,840 Speaker 1: hold on, I gotta stop one of them. Okay, okay 35 00:01:51,920 --> 00:01:59,320 Speaker 1: you so here's butter milk biscuits from back in uh okay, 36 00:01:59,400 --> 00:02:02,480 Speaker 1: well year were you born? Okay? This is because the 37 00:02:02,640 --> 00:02:05,680 Speaker 1: mixed lote have like baby got bag posts on Broadway 38 00:02:06,000 --> 00:02:09,320 Speaker 1: and buttermelk biscuits brands big beating up and I can 39 00:02:09,320 --> 00:02:11,639 Speaker 1: tell you getting tell the looks I'm taking. I hate 40 00:02:11,680 --> 00:02:14,800 Speaker 1: guns speakers and seed stop five bed on my bird 41 00:02:14,919 --> 00:02:18,040 Speaker 1: rock fool my God don't get n gets turned up 42 00:02:18,080 --> 00:02:26,839 Speaker 1: the so you can hear that. Really now, everybody about 43 00:02:26,840 --> 00:02:29,959 Speaker 1: bistus with the jam though you never heard this. It's 44 00:02:30,040 --> 00:02:33,200 Speaker 1: old school. I was even too young for it. Buttermilk biscuit, 45 00:02:33,360 --> 00:02:38,720 Speaker 1: here we go, SIPs the power, your si your move, 46 00:02:38,800 --> 00:02:42,600 Speaker 1: You're still And did you know like my puzzies on Broadway? 47 00:02:42,919 --> 00:02:45,440 Speaker 1: Do you know that? From Sir mix a lot? So 48 00:02:47,400 --> 00:02:50,640 Speaker 1: this is old school too, but like the old school 49 00:02:50,680 --> 00:02:55,000 Speaker 1: hipops stuff was like kind of started the Planet song. 50 00:02:58,160 --> 00:03:02,280 Speaker 1: You know baby got back that. I'm surprised you know 51 00:03:02,320 --> 00:03:05,760 Speaker 1: I post is on Broadway. Yeah, that's a jam like 52 00:03:06,000 --> 00:03:08,720 Speaker 1: mistill let's go me and kids in section at Home 53 00:03:08,760 --> 00:03:11,360 Speaker 1: Away from Home and the black Ben's limo with us 54 00:03:11,400 --> 00:03:13,720 Speaker 1: that you love phone and I'm calling up the pussy. 55 00:03:13,919 --> 00:03:16,640 Speaker 1: It's time that kids are riffing up, freaking each sunroofed 56 00:03:16,720 --> 00:03:19,440 Speaker 1: to keep you sucked us tripping. Everybody's looking. I mean, 57 00:03:19,440 --> 00:03:22,840 Speaker 1: can you imagine talking about I a cell phone that 58 00:03:22,960 --> 00:03:27,080 Speaker 1: was crazy back heavy Like when I did the Planet song, 59 00:03:27,200 --> 00:03:28,760 Speaker 1: it was I want to throw it like old school 60 00:03:28,840 --> 00:03:34,920 Speaker 1: hip hop and I wanted so again. Now I'll play 61 00:03:34,960 --> 00:03:36,760 Speaker 1: a part of the Planet song from our kids record. 62 00:03:38,240 --> 00:03:41,680 Speaker 1: Mother just I just took my voice and sang it 63 00:03:41,760 --> 00:03:46,600 Speaker 1: and just pitched it up way high, like my very 64 00:03:46,800 --> 00:03:50,200 Speaker 1: energetic mother. Just so the whole project, the kids record 65 00:03:50,280 --> 00:03:51,760 Speaker 1: started with the planet song. It was the first thing 66 00:03:51,800 --> 00:03:54,640 Speaker 1: ever and I wrote about myself and then I get 67 00:03:54,720 --> 00:03:57,280 Speaker 1: the beat and took it into my label and was like, 68 00:03:57,720 --> 00:03:59,120 Speaker 1: I under a kid's record. They were like, you're in 69 00:03:59,120 --> 00:04:00,720 Speaker 1: the middle of recording and other record right now, Like 70 00:04:00,760 --> 00:04:02,400 Speaker 1: I know what I gotta do a kids record. So 71 00:04:02,800 --> 00:04:05,880 Speaker 1: the first song ever was Hey, Eddy, look at this guy? 72 00:04:06,560 --> 00:04:10,440 Speaker 1: Whoa Bobby? It's cool? Those are all planets? They are? 73 00:04:10,720 --> 00:04:14,080 Speaker 1: Do you know how to remember their order? Know how easy? 74 00:04:14,360 --> 00:04:18,240 Speaker 1: My very energetic mother just served us nine pizzas cool. 75 00:04:18,760 --> 00:04:20,600 Speaker 1: I wrote a song about it. I want to hear it, 76 00:04:20,920 --> 00:04:23,919 Speaker 1: my very nanner getting mother just served us nine vizzas, 77 00:04:24,040 --> 00:04:27,200 Speaker 1: my very nanner getting mother, just like you can really 78 00:04:27,240 --> 00:04:28,920 Speaker 1: hear it now, right and obvious always said that like 79 00:04:28,960 --> 00:04:33,680 Speaker 1: it's buttermel bis kits influence. So the chorus is started 80 00:04:33,800 --> 00:04:36,960 Speaker 1: from the start at planet number one me my good 81 00:04:37,000 --> 00:04:39,800 Speaker 1: friend Mercury. Read's closest to the sun. It's a little 82 00:04:39,920 --> 00:04:42,480 Speaker 1: fast and though so hot, a slightly colored gray, and 83 00:04:42,640 --> 00:04:45,520 Speaker 1: right behind it is venus planet. Do you say the 84 00:04:45,720 --> 00:04:48,279 Speaker 1: Roman got us some beauty is where it got its name. 85 00:04:48,560 --> 00:04:51,720 Speaker 1: The whole planet is burning. It's basically a flame, and 86 00:04:51,800 --> 00:04:54,360 Speaker 1: then we go from planet to the planet number three. 87 00:04:54,520 --> 00:04:57,760 Speaker 1: Put your hands in there, yo, Earth, Can you hear me? Anyway? 88 00:04:57,800 --> 00:04:59,440 Speaker 1: That was a planet song and that's how it all started, 89 00:05:00,040 --> 00:05:01,560 Speaker 1: and I wrote it was like done, and then I 90 00:05:01,640 --> 00:05:03,400 Speaker 1: was like, eddiewhere are you Like? I wrote a whole 91 00:05:03,400 --> 00:05:04,880 Speaker 1: song and that was it, and he came in the 92 00:05:04,920 --> 00:05:07,400 Speaker 1: studio and records and background vocals. But it's weird. It's 93 00:05:07,440 --> 00:05:09,520 Speaker 1: the only song that I wrote all by myself because 94 00:05:09,560 --> 00:05:12,800 Speaker 1: I was just waiting on Eddie Eddie. But it's always late. 95 00:05:13,279 --> 00:05:14,920 Speaker 1: But if it wasn't later, probably were probably had a 96 00:05:15,000 --> 00:05:17,560 Speaker 1: kid's record. So I took it to the levels, like 97 00:05:17,600 --> 00:05:19,360 Speaker 1: I gotta a kids record, and so I called Eric 98 00:05:19,440 --> 00:05:21,840 Speaker 1: Passley and I said, hey, I have this song. And 99 00:05:21,920 --> 00:05:24,280 Speaker 1: I had this voice memo on my phone because I 100 00:05:24,480 --> 00:05:26,240 Speaker 1: woke up and in the middle of the night, I 101 00:05:26,320 --> 00:05:31,280 Speaker 1: was like, when I grow up, I wanna be. I 102 00:05:31,400 --> 00:05:33,280 Speaker 1: was half to sleep because when I grew up came 103 00:05:33,320 --> 00:05:36,360 Speaker 1: to me in my sleep, and so this song here 104 00:05:36,680 --> 00:05:38,240 Speaker 1: when I grew up. With the second one that we wrote. 105 00:05:39,760 --> 00:05:45,320 Speaker 1: I'll play the voice nom on from it. When I 106 00:05:45,400 --> 00:05:51,120 Speaker 1: grew I want to be a nashtronaut, take walked on 107 00:05:51,360 --> 00:05:55,640 Speaker 1: the moon with my pet Robody rocket ship and just 108 00:05:56,000 --> 00:06:02,280 Speaker 1: fly away when I grow up. I want to be 109 00:06:02,800 --> 00:06:06,600 Speaker 1: a fire man. And so hopefully by now you've heard 110 00:06:06,600 --> 00:06:09,240 Speaker 1: that one that's our biggest like playing song, like we 111 00:06:09,279 --> 00:06:11,280 Speaker 1: play that song and shows people love it, people sing 112 00:06:17,320 --> 00:06:19,280 Speaker 1: you see. You know how Dirks came on the show 113 00:06:19,320 --> 00:06:21,400 Speaker 1: and it was like, there's always really embarrassing things inside 114 00:06:21,440 --> 00:06:24,240 Speaker 1: your phone. It's how songs start. And he was like, oh, 115 00:06:24,240 --> 00:06:26,520 Speaker 1: I'm humiliated, and he would play these things. So here's 116 00:06:26,520 --> 00:06:28,520 Speaker 1: when I have you heard this before me in the 117 00:06:28,560 --> 00:06:30,080 Speaker 1: middle of the night doing you've heard me do the 118 00:06:31,000 --> 00:06:34,000 Speaker 1: So here it is me singing to myself the middle night. 119 00:06:34,400 --> 00:06:36,960 Speaker 1: I want to be a national. I want to get big. 120 00:06:38,320 --> 00:06:42,400 Speaker 1: I want to go some places no other days I 121 00:06:42,400 --> 00:06:46,080 Speaker 1: would see the moon to come back to use. I 122 00:06:46,120 --> 00:06:49,560 Speaker 1: want to be a national when I get so this 123 00:06:49,640 --> 00:06:52,960 Speaker 1: is the beginning of it. I want to be fire 124 00:06:53,040 --> 00:06:56,359 Speaker 1: man when I grew up, and that's where I started becomes. 125 00:06:56,760 --> 00:06:59,160 Speaker 1: I want to put out fires and drop a big ultra. 126 00:06:59,720 --> 00:07:01,000 Speaker 1: So I said that the Passay. I was like, Hey'm 127 00:07:01,000 --> 00:07:03,080 Speaker 1: gonna be a fire man when I grow up, that 128 00:07:03,200 --> 00:07:05,920 Speaker 1: fire And then Eric comes in with he's very like 129 00:07:06,040 --> 00:07:09,400 Speaker 1: the woes and the hiss. And so we sat down 130 00:07:09,640 --> 00:07:12,360 Speaker 1: and it was me, Eric Passlay and Phil Barton. And 131 00:07:12,480 --> 00:07:18,120 Speaker 1: Phil Barton wrote Lee Bryce's song um, A Woman Like You. 132 00:07:18,800 --> 00:07:21,240 Speaker 1: I'm pretty sure that's the one that he wrote. You 133 00:07:21,320 --> 00:07:23,640 Speaker 1: may you may google that. But so we sat and 134 00:07:23,720 --> 00:07:36,880 Speaker 1: we did when I grow up, you'll see any day 135 00:07:39,360 --> 00:07:43,960 Speaker 1: when I go. Yes. So the writer of that is 136 00:07:44,000 --> 00:07:47,760 Speaker 1: Derek Passlay, who wrote angel E's for Love and Theft, 137 00:07:47,840 --> 00:07:50,680 Speaker 1: who wrote you Know to number one, his number one 138 00:07:50,960 --> 00:07:54,080 Speaker 1: Jaco and Barefoot Blue g Night Friday Night. His song 139 00:07:54,640 --> 00:07:56,560 Speaker 1: uh he got nominated for Like It's c m A 140 00:07:56,800 --> 00:07:58,680 Speaker 1: for she Don't Love You and then it was the 141 00:07:58,720 --> 00:08:01,960 Speaker 1: first kid song he'd ever written. And Phil Barton he 142 00:08:02,120 --> 00:08:06,200 Speaker 1: did write A Woman Like You And so again I'm 143 00:08:06,200 --> 00:08:08,280 Speaker 1: in here with like real he wrote for Lee Bryce. 144 00:08:10,440 --> 00:08:12,200 Speaker 1: And so it's me going, I had this idea for 145 00:08:12,240 --> 00:08:14,360 Speaker 1: a kid song and I'm bringing like two real great 146 00:08:15,120 --> 00:08:24,200 Speaker 1: traditional writers. Last night out of the Blue, drifting off 147 00:08:24,280 --> 00:08:28,440 Speaker 1: to the evening News, You said, honey, but you do 148 00:08:29,760 --> 00:08:32,480 Speaker 1: if you had never met me and that's a really 149 00:08:32,559 --> 00:08:34,880 Speaker 1: great song. I love that song. And so that was 150 00:08:34,920 --> 00:08:37,160 Speaker 1: how When I Grew Up came together because I believe 151 00:08:37,200 --> 00:08:39,319 Speaker 1: Phil Barton also used to like write for Thomas the 152 00:08:39,360 --> 00:08:43,199 Speaker 1: Tank the cartoon. Yeah, so that was it, That's what. 153 00:08:43,440 --> 00:08:45,079 Speaker 1: And we sat in my living room and wrote When 154 00:08:45,080 --> 00:08:55,000 Speaker 1: I Grow Up you Don't See And then I had 155 00:08:55,040 --> 00:08:57,080 Speaker 1: a one of a kid I wrote like this book 156 00:08:57,520 --> 00:08:59,480 Speaker 1: and it was a really small like pamphlet. It was 157 00:08:59,520 --> 00:09:01,920 Speaker 1: called Big Head Bobby. Was a story of me and 158 00:09:02,040 --> 00:09:04,680 Speaker 1: how my head was so big and I was picked 159 00:09:04,679 --> 00:09:07,560 Speaker 1: on for having a huge head. And so I was like, hey, 160 00:09:07,559 --> 00:09:08,880 Speaker 1: I want to do the Ballad of Big Head Bobby. 161 00:09:09,160 --> 00:09:10,520 Speaker 1: Eddie Eddie. Now we're sitting down, and we wanted to 162 00:09:10,559 --> 00:09:12,800 Speaker 1: do one of those old school like gather around your radio, 163 00:09:12,840 --> 00:09:15,240 Speaker 1: old folks. It's the Ballad of Big Head Bobby. And 164 00:09:15,400 --> 00:09:18,080 Speaker 1: so that's really where Big Head Bobby came from. As 165 00:09:18,080 --> 00:09:20,559 Speaker 1: a kid, I had Big Head Bobby to character like, 166 00:09:20,600 --> 00:09:22,360 Speaker 1: caused to make little drawings of him, which was me. 167 00:09:23,120 --> 00:09:25,240 Speaker 1: And so if you never heard this, it's on the 168 00:09:25,320 --> 00:09:28,640 Speaker 1: Kid's record and it's like an old school nineteen twenties 169 00:09:28,720 --> 00:09:34,720 Speaker 1: country song, everybody gather around. I got a story to tell. 170 00:09:35,720 --> 00:09:39,840 Speaker 1: It doesn't get told often. It's a true window about 171 00:09:39,880 --> 00:09:44,840 Speaker 1: big Head Bobby. This is the story big Head Bobby. 172 00:09:45,640 --> 00:09:52,440 Speaker 1: He was the kid with a big old head back 173 00:09:52,480 --> 00:09:55,120 Speaker 1: in the eighties. This little kid arrived. His head was 174 00:09:55,240 --> 00:09:58,520 Speaker 1: so big we were surprised his mom survived. So it's 175 00:09:58,520 --> 00:10:00,360 Speaker 1: about a kid who ends up saving the town because 176 00:10:00,440 --> 00:10:02,120 Speaker 1: his head. He gets picked on because his heads so big, 177 00:10:02,160 --> 00:10:03,800 Speaker 1: but then his head saves the town because the damn 178 00:10:03,840 --> 00:10:06,439 Speaker 1: busts and they need to plug a hole. And so 179 00:10:07,040 --> 00:10:08,640 Speaker 1: it was weird that something from second grade that I 180 00:10:08,679 --> 00:10:10,400 Speaker 1: wrote as a book, Eddie and I sat down and 181 00:10:10,480 --> 00:10:11,880 Speaker 1: kind of turned it into a song and it's called 182 00:10:11,920 --> 00:10:14,439 Speaker 1: the Ballad a Big Head Bobby. This is the story 183 00:10:15,640 --> 00:10:20,400 Speaker 1: big Head Bobby. He wasn't the kid with a big 184 00:10:20,440 --> 00:10:24,280 Speaker 1: old head. So that's that. It's funny how things come 185 00:10:24,280 --> 00:10:26,400 Speaker 1: back around like that. And so there was also a 186 00:10:26,480 --> 00:10:28,640 Speaker 1: song called people in America, which we this Kid's record, 187 00:10:28,960 --> 00:10:30,520 Speaker 1: and this is from the EP. This is the song 188 00:10:30,600 --> 00:10:32,360 Speaker 1: that we started with, like not even the new ones 189 00:10:32,400 --> 00:10:35,240 Speaker 1: that have been out, And Eddie and I sat down 190 00:10:35,280 --> 00:10:37,439 Speaker 1: and it was like, let's just come up with a 191 00:10:37,520 --> 00:10:39,920 Speaker 1: bunch of people that we want to teach kids about. 192 00:10:40,280 --> 00:10:46,520 Speaker 1: And so kind of like a funk song, and I 193 00:10:46,600 --> 00:10:54,040 Speaker 1: wanted to give kids, like some kind of reference. George 194 00:10:54,080 --> 00:10:57,679 Speaker 1: Washington was the first president, and John Adams was number two, 195 00:10:58,640 --> 00:11:01,360 Speaker 1: and Neil R. Strong was the first man to take 196 00:11:01,480 --> 00:11:05,440 Speaker 1: step on the Move and don't forget about to see 197 00:11:05,440 --> 00:11:09,520 Speaker 1: You back in fourteen ninety two, and Betsy Ross, She's 198 00:11:09,559 --> 00:11:13,040 Speaker 1: so flagged the old Red, White Blue. I wrote it 199 00:11:13,200 --> 00:11:15,079 Speaker 1: and Eddie I was doing the guitar, the guitar part. 200 00:11:15,280 --> 00:11:16,640 Speaker 1: I just wanted kids to be able to listen this 201 00:11:16,679 --> 00:11:19,520 Speaker 1: in a classroom and I hate it, but you learn things. 202 00:11:19,679 --> 00:11:21,760 Speaker 1: But he didn't. You didn't hate it, Like I totally 203 00:11:21,800 --> 00:11:29,040 Speaker 1: picture this is being a classroom song. These other people 204 00:11:29,120 --> 00:11:33,120 Speaker 1: left porter to America, but I really had that funk 205 00:11:33,160 --> 00:11:34,480 Speaker 1: to it, like I want to kind of a funky 206 00:11:34,559 --> 00:11:38,400 Speaker 1: song here. Steve Jobs didn't reform. Michael J. Fox, Ronald Reagan, 207 00:11:38,440 --> 00:11:41,400 Speaker 1: not the Bears angle. They locked Rosa Parks, Dark ros 208 00:11:41,440 --> 00:11:46,720 Speaker 1: playing the Car, SpongeBob SquarePants and Patrick Stone, Unions, Minions, minions. 209 00:11:46,840 --> 00:11:55,160 Speaker 1: Who these other people in important to America. The thing 210 00:11:55,240 --> 00:11:56,839 Speaker 1: is Michael J. Fox is not in from America. We 211 00:11:56,880 --> 00:11:59,920 Speaker 1: struggle with that. Songwriters were write stupart songs but we're 212 00:12:00,040 --> 00:12:01,640 Speaker 1: can we put Michael J. Fox in there? But we 213 00:12:01,720 --> 00:12:03,760 Speaker 1: were like, he's important to America because in family ties 214 00:12:03,960 --> 00:12:05,920 Speaker 1: he was born in Canadian but he was still in 215 00:12:06,000 --> 00:12:08,040 Speaker 1: portant to America, but we put him in there. That 216 00:12:08,480 --> 00:12:10,880 Speaker 1: that was the big debate where when Eddie, now we 217 00:12:10,880 --> 00:12:13,280 Speaker 1: are writing that song, can we put Michael J. Fox 218 00:12:13,440 --> 00:12:15,679 Speaker 1: in this song? So stupid now to look back at. 219 00:12:16,280 --> 00:12:17,959 Speaker 1: So those are the early ones we like. We made 220 00:12:18,000 --> 00:12:19,520 Speaker 1: those and then we put out an EP and it 221 00:12:19,640 --> 00:12:21,760 Speaker 1: was just that means it's a four songs, and then 222 00:12:21,760 --> 00:12:23,040 Speaker 1: there was a little track at the end of it 223 00:12:23,200 --> 00:12:24,760 Speaker 1: where it was kind of like a motivational track where 224 00:12:24,760 --> 00:12:27,040 Speaker 1: I was just like, hey, listen, follow your dreams. You're awesome. 225 00:12:28,679 --> 00:12:30,719 Speaker 1: You're awesome, and so I put that on. We put 226 00:12:30,760 --> 00:12:34,080 Speaker 1: it out and it's the downloads were crazy, and we're like, Wow, 227 00:12:34,160 --> 00:12:37,960 Speaker 1: this kid's EPs nuts. So as soon as we finished 228 00:12:38,000 --> 00:12:41,319 Speaker 1: our comedy record and it had the odd success that 229 00:12:41,360 --> 00:12:42,559 Speaker 1: it had, I was like, I want to finish this 230 00:12:42,679 --> 00:12:45,559 Speaker 1: kid's record, and so we kind of started over. We 231 00:12:45,640 --> 00:12:48,400 Speaker 1: had those same songs. We never put on a hard album. Um, 232 00:12:48,559 --> 00:12:51,240 Speaker 1: so we were like, Okay, I'm just gonna start over. 233 00:12:51,559 --> 00:12:54,920 Speaker 1: And so it was all right, who do I call first? 234 00:12:55,080 --> 00:12:58,000 Speaker 1: And so I called Eric Passley again, and Erica come 235 00:12:58,000 --> 00:13:00,480 Speaker 1: to the studio and we were doing an interview for 236 00:13:01,080 --> 00:13:03,040 Speaker 1: him for him, and we were gonna come to the 237 00:13:03,120 --> 00:13:06,000 Speaker 1: house afterward and write the song. And it was me, 238 00:13:07,040 --> 00:13:09,760 Speaker 1: Eric passed Lay and Lindsay L. She came over to 239 00:13:09,840 --> 00:13:13,120 Speaker 1: because she adds musically. Eric is crazy with lyrics like 240 00:13:13,240 --> 00:13:16,120 Speaker 1: so good, and lindsay L is so good with music 241 00:13:16,240 --> 00:13:19,280 Speaker 1: on the guitar. And lindsay was was here and Eric 242 00:13:19,320 --> 00:13:20,679 Speaker 1: and I were driving from the station and I we 243 00:13:20,720 --> 00:13:23,360 Speaker 1: didn't even we're gonna write about it yet. Ay, We're 244 00:13:23,400 --> 00:13:25,319 Speaker 1: in traffic, and I texted him just sitting there, goes, hey, dude, 245 00:13:25,520 --> 00:13:28,000 Speaker 1: I'll try to song a potty training song and call 246 00:13:28,040 --> 00:13:30,719 Speaker 1: it the Potty Party. And I call him and he's 247 00:13:30,720 --> 00:13:34,800 Speaker 1: already going whoa, whoa, whoa, And I'm like, what are 248 00:13:34,840 --> 00:13:36,800 Speaker 1: you doing, Goes, I'm singing like the whoa part already. 249 00:13:36,800 --> 00:13:38,160 Speaker 1: I got it. So we got back to the house 250 00:13:38,520 --> 00:13:41,080 Speaker 1: and I had the first of it done. It was like, ah, there, 251 00:13:41,120 --> 00:13:44,440 Speaker 1: you got drink too much milk? Boom boom boom boom 252 00:13:44,440 --> 00:13:48,880 Speaker 1: bo Did I drink too much water? So the lyric 253 00:13:49,000 --> 00:13:50,559 Speaker 1: part was kind of. I kind of figured that out 254 00:13:50,559 --> 00:13:52,439 Speaker 1: as I was driving home, and he kind of figured 255 00:13:52,440 --> 00:13:54,520 Speaker 1: out the chorus, and Lindsey was like it all just 256 00:13:54,600 --> 00:13:57,640 Speaker 1: came together so quick, and there was our first potty 257 00:13:57,679 --> 00:13:59,599 Speaker 1: training song. But Eric Passy was really good at the 258 00:14:00,040 --> 00:14:02,600 Speaker 1: even when I grow up, When I go up, up, up, 259 00:14:03,000 --> 00:14:07,520 Speaker 1: and he's going with the whoa whoa, so potty party party, 260 00:14:08,040 --> 00:14:12,959 Speaker 1: I really gotta go to the party party. I just 261 00:14:13,120 --> 00:14:17,559 Speaker 1: can't hold him any longer, Farmy, I really gotta go 262 00:14:18,000 --> 00:14:25,360 Speaker 1: through the party party. So, I mean heavily influenced the 263 00:14:25,480 --> 00:14:28,920 Speaker 1: Eric Passley hooked there, Like that's just his style is 264 00:14:28,960 --> 00:14:30,920 Speaker 1: so good, it's so catchy. That potty party song probably 265 00:14:30,960 --> 00:14:32,920 Speaker 1: catch you a song on the record, and so but 266 00:14:33,960 --> 00:14:35,640 Speaker 1: it was like we just want to do something fun 267 00:14:35,720 --> 00:14:39,360 Speaker 1: with like a little blues back part of it about 268 00:14:39,400 --> 00:14:42,840 Speaker 1: a kid like having a pee and learning. I think 269 00:14:42,920 --> 00:14:48,400 Speaker 1: I drink too much milk or did I drink too 270 00:14:48,520 --> 00:14:54,720 Speaker 1: much water? Well, I don't know where it is. I 271 00:14:54,840 --> 00:14:59,760 Speaker 1: hope that is not too much farther to the party party. 272 00:15:00,360 --> 00:15:05,000 Speaker 1: I really got it, go to the party party. I 273 00:15:05,160 --> 00:15:12,120 Speaker 1: just get holding any loggers, I really got it party. 274 00:15:16,080 --> 00:15:18,400 Speaker 1: So in the background vocals, there's a Nikita Carmen, who 275 00:15:18,760 --> 00:15:19,840 Speaker 1: is out on the road with us, but she was 276 00:15:19,880 --> 00:15:21,440 Speaker 1: just in the studio for no reason. I was like, hey, 277 00:15:21,640 --> 00:15:24,360 Speaker 1: hop on his backgroundvocals, and so that's our background vocals 278 00:15:24,400 --> 00:15:26,880 Speaker 1: and that for no reason, Like she's not on that track, 279 00:15:27,400 --> 00:15:29,320 Speaker 1: but she's doing the background vocals, you know when it 280 00:15:29,360 --> 00:15:33,120 Speaker 1: goes to the chorus, that's our little Australian friend Nikita. 281 00:15:35,040 --> 00:15:39,000 Speaker 1: Really we wrote wrote that one, and I love that. 282 00:15:39,000 --> 00:15:41,160 Speaker 1: It's fine, my favorite song on there, because we play 283 00:15:41,200 --> 00:15:43,400 Speaker 1: that one out at raging idiot shows and people like, 284 00:15:43,480 --> 00:15:45,120 Speaker 1: what is that you're thinking about going to the party? 285 00:15:45,280 --> 00:15:48,880 Speaker 1: That's not potty and party. It's funny. And so we 286 00:15:48,960 --> 00:15:50,960 Speaker 1: wrote that one here at the house on the couch, 287 00:15:51,160 --> 00:15:53,840 Speaker 1: me pasted Lay and Lindsay and so I'm like, okay, 288 00:15:53,880 --> 00:15:56,040 Speaker 1: we got another one down. And we I don't think 289 00:15:56,080 --> 00:15:58,400 Speaker 1: we know any songs that we just didn't keep because 290 00:15:58,520 --> 00:16:00,480 Speaker 1: with every song I always had a title, got newbhere 291 00:16:00,520 --> 00:16:02,360 Speaker 1: he wanted to go with it, and so I wanted 292 00:16:02,360 --> 00:16:04,560 Speaker 1: to write a song about recess and like kids, and 293 00:16:04,640 --> 00:16:07,160 Speaker 1: so I called Lauren Lena and Lauren came over to 294 00:16:07,160 --> 00:16:10,880 Speaker 1: the house and when I was writing this song, Lauren 295 00:16:10,960 --> 00:16:12,880 Speaker 1: kept singing it in such a difficult way that I 296 00:16:12,960 --> 00:16:15,760 Speaker 1: had to Lauren, I have to sing this like you. 297 00:16:16,000 --> 00:16:18,720 Speaker 1: I can't sing like you. Should be like, I can't 298 00:16:18,840 --> 00:16:21,960 Speaker 1: wait for Recess, hey, And I was like, I can't 299 00:16:22,000 --> 00:16:25,240 Speaker 1: do that. So we took it down a few notches. 300 00:16:25,880 --> 00:16:29,000 Speaker 1: And this one's called Recess and it's featuring Nikita. The 301 00:16:29,080 --> 00:16:31,400 Speaker 1: reason it's featuring Nikita Krmon is because I couldn't sing 302 00:16:31,440 --> 00:16:33,080 Speaker 1: some of the parts even when Lauren dumbed it down. 303 00:16:33,920 --> 00:16:37,720 Speaker 1: So you're here Nikita sing the chorus because I just 304 00:16:37,800 --> 00:16:40,440 Speaker 1: couldn't do it. I would be like, I can't wait 305 00:16:40,600 --> 00:16:44,320 Speaker 1: for Recess, hey, and I couldn't get that high part. 306 00:16:44,640 --> 00:17:00,840 Speaker 1: I can't wait for ye I'm sorry, and I can't 307 00:17:00,920 --> 00:17:07,280 Speaker 1: wait for read. I can do the background parts. I'll 308 00:17:07,320 --> 00:17:10,880 Speaker 1: be a tall as sky from the top of slide. 309 00:17:11,520 --> 00:17:15,920 Speaker 1: Gornna go down so fast, I'll fly fly, I will 310 00:17:16,000 --> 00:17:19,920 Speaker 1: play around the tack and not alone, a bright no 311 00:17:20,200 --> 00:17:25,240 Speaker 1: boys catching me. That's right, that's right. Hey, I'm so 312 00:17:25,440 --> 00:17:30,760 Speaker 1: ready to see Cindy marking back the teeter tyers what 313 00:17:31,119 --> 00:17:41,760 Speaker 1: we laughed? I can't wait for Red he been waiting here. Yeah, 314 00:17:41,800 --> 00:17:45,560 Speaker 1: I'm sorry. I think I'm a way wins trying not 315 00:17:45,760 --> 00:17:49,560 Speaker 1: to finish stuck and it's almost Simon, I can't wait 316 00:17:51,280 --> 00:17:55,880 Speaker 1: all right, so we're right that and if you'll listen 317 00:17:55,960 --> 00:17:57,480 Speaker 1: to Nikita, we had to go at four times and 318 00:17:57,560 --> 00:17:59,800 Speaker 1: have her change her accent in the song. She can't 319 00:17:59,800 --> 00:18:01,560 Speaker 1: say ward yeah, and it's still in there. We like it. 320 00:18:01,680 --> 00:18:04,520 Speaker 1: It sounds like you're but she couldn't say Cindy market it. 321 00:18:04,560 --> 00:18:06,680 Speaker 1: M could be like Cindy mak am. I would be 322 00:18:06,720 --> 00:18:10,119 Speaker 1: like no, Cindy Mark and Mike Cindy mak and no, no, no. 323 00:18:10,680 --> 00:18:12,359 Speaker 1: So we had to do an accent thing with Nikita 324 00:18:12,359 --> 00:18:14,320 Speaker 1: because she's so Australian. But if I played again You're 325 00:18:14,320 --> 00:18:24,520 Speaker 1: here to say yeah it, I was like, you're way full, Yeah, 326 00:18:26,119 --> 00:18:28,399 Speaker 1: I'm so ready yeah, and we were like and she 327 00:18:28,560 --> 00:18:30,399 Speaker 1: just couldn't get the acts. So we love that party 328 00:18:30,680 --> 00:18:32,320 Speaker 1: like and you know we hear it unless you hear it. 329 00:18:32,400 --> 00:18:34,920 Speaker 1: But she's like, you're I'm so ready because she doesn't 330 00:18:34,960 --> 00:18:43,680 Speaker 1: say yeah the American way yeah yeah, it's like you're 331 00:18:43,760 --> 00:18:46,919 Speaker 1: I'm so ready. So you know, we were running through 332 00:18:46,960 --> 00:18:49,560 Speaker 1: these tracks here and we have these songs and Recess 333 00:18:49,640 --> 00:18:51,200 Speaker 1: and when I grew up in the Planet song on 334 00:18:51,280 --> 00:18:54,320 Speaker 1: Potty Party and I'm really a germaphobe. And Eddie and 335 00:18:54,359 --> 00:18:56,960 Speaker 1: I had written a song called wash your Hands, way 336 00:18:57,040 --> 00:18:58,480 Speaker 1: way way back in the day, and it was a 337 00:18:58,600 --> 00:19:02,000 Speaker 1: comedy song and we never really used it for anything, 338 00:19:02,400 --> 00:19:03,840 Speaker 1: but then we thought, man, we can use as a 339 00:19:03,880 --> 00:19:05,680 Speaker 1: kids song. We changed the lyrics of it off and 340 00:19:05,800 --> 00:19:09,200 Speaker 1: made it, you know, very very kid like teachy. At first, 341 00:19:09,240 --> 00:19:10,760 Speaker 1: it was like wash your hands, and it was like, 342 00:19:11,160 --> 00:19:13,320 Speaker 1: I'm sitting in a restaurant, some guy extends his hand 343 00:19:13,400 --> 00:19:15,159 Speaker 1: and I want to touch it because he's disgusting. It 344 00:19:15,280 --> 00:19:18,000 Speaker 1: was just a comedy song, um, and so then it 345 00:19:18,080 --> 00:19:20,720 Speaker 1: turned into this. It's the kids song called wash your 346 00:19:20,760 --> 00:19:25,880 Speaker 1: hand water, wash them till they're blue. Wash your dirty 347 00:19:25,920 --> 00:19:32,560 Speaker 1: hands so you don't get non wash your hands. Wow, wow, 348 00:19:32,800 --> 00:19:34,959 Speaker 1: wash your hands, you know. And in this too, it's 349 00:19:34,960 --> 00:19:38,440 Speaker 1: the only video we did, we have a kid band 350 00:19:38,520 --> 00:19:42,280 Speaker 1: playing full kid bands and like it's like all with 351 00:19:42,320 --> 00:19:47,919 Speaker 1: big instruments, really funny. You can take that bubble swish 352 00:19:47,960 --> 00:19:51,480 Speaker 1: and splash and keeps you note and clean. But I 353 00:19:51,600 --> 00:19:57,080 Speaker 1: am gonna sing about your hands. They touch everything, your 354 00:19:57,160 --> 00:20:00,960 Speaker 1: dirty hands. A funny part about this was the first 355 00:20:01,040 --> 00:20:02,440 Speaker 1: line of that sounds like a you break your heart, 356 00:20:02,600 --> 00:20:05,080 Speaker 1: Like the very first line of it, it's like you 357 00:20:05,240 --> 00:20:08,320 Speaker 1: can tell your mom, I moved to Arkansas and you 358 00:20:08,440 --> 00:20:10,760 Speaker 1: can tell them that. So just the very first of it, 359 00:20:10,840 --> 00:20:11,880 Speaker 1: and I was like, man, that's not you can break 360 00:20:11,880 --> 00:20:13,639 Speaker 1: your heart. But the rest of it doesn't. But if 361 00:20:13,640 --> 00:20:15,280 Speaker 1: you listen to the very first line, I'll play it 362 00:20:15,359 --> 00:20:24,920 Speaker 1: back to back. It just wash your hands, right, you 363 00:20:25,320 --> 00:20:30,600 Speaker 1: can take that bubblish and splash keeps you nice and clean. 364 00:20:31,160 --> 00:20:35,280 Speaker 1: But I am gonna singing about your hands, So that's 365 00:20:35,320 --> 00:20:37,600 Speaker 1: that you can take. So I'm gonna play some a 366 00:20:37,720 --> 00:20:39,359 Speaker 1: you break your heart because I'm always like, oh, what 367 00:20:39,400 --> 00:20:41,400 Speaker 1: did it sound like? Because I always, you know, call 368 00:20:41,440 --> 00:20:43,080 Speaker 1: people out when they sound like songs, and we didn't 369 00:20:43,080 --> 00:20:47,240 Speaker 1: even know it until I have to recorded. But not 370 00:20:47,440 --> 00:20:49,400 Speaker 1: so much some music. It's just the very first line 371 00:20:49,400 --> 00:20:51,640 Speaker 1: to there where it's like you can tell your mom 372 00:20:53,480 --> 00:21:01,280 Speaker 1: you can do you can burn my clothes wrong, going oh, 373 00:21:01,440 --> 00:21:03,840 Speaker 1: you can tell your friends, and it kind of loses it, 374 00:21:03,960 --> 00:21:06,239 Speaker 1: but the beginning of it, it's very achy break your 375 00:21:06,320 --> 00:21:11,800 Speaker 1: hard issh so you can hear it like I haven't heard. 376 00:21:11,840 --> 00:21:17,200 Speaker 1: I was like, wow, you know you can take that 377 00:21:17,920 --> 00:21:22,159 Speaker 1: bubble slice and splash and keeps you nasty clean. But 378 00:21:22,440 --> 00:21:25,480 Speaker 1: I am gonna singing about your hands? It loses it 379 00:21:25,560 --> 00:21:31,080 Speaker 1: about there touch everything, your dirty hands. I'm not too dumb, 380 00:21:31,119 --> 00:21:32,960 Speaker 1: and the thing sounds similar, so even I was like, man, 381 00:21:33,000 --> 00:21:35,880 Speaker 1: it's kind. But so that was wash your hands, um. 382 00:21:36,200 --> 00:21:38,639 Speaker 1: So I mean we're mostly through the record. Now this 383 00:21:38,960 --> 00:21:41,640 Speaker 1: is be Nice. We wrote this um and this one's 384 00:21:41,640 --> 00:21:44,159 Speaker 1: featuring Lindsay Out and it was just I would go 385 00:21:44,200 --> 00:21:45,639 Speaker 1: to so many schools and they would play the song 386 00:21:46,160 --> 00:21:51,040 Speaker 1: nice because your mom has said, so be nice, even 387 00:21:51,160 --> 00:21:55,960 Speaker 1: when she says, no, be nice. My grandma's driving too slow. 388 00:21:56,840 --> 00:22:06,120 Speaker 1: Let's be nice, be nice. See be nice. We sat 389 00:22:06,160 --> 00:22:08,320 Speaker 1: around a table and wrote that, just kitchen table. When 390 00:22:08,400 --> 00:22:16,840 Speaker 1: you sitting at the table and you really hate all 391 00:22:16,840 --> 00:22:18,600 Speaker 1: the greens on your plate, and you try to pretend 392 00:22:18,640 --> 00:22:20,880 Speaker 1: that you already ate, and you just want to sit 393 00:22:20,920 --> 00:22:25,640 Speaker 1: there and stare and complain. Being nice because your mama said, 394 00:22:25,720 --> 00:22:32,480 Speaker 1: so be nice, even when she says, no nice, grandma's 395 00:22:32,560 --> 00:22:41,120 Speaker 1: driving too slow. Let's be nice. Hopefully it makes kids 396 00:22:41,200 --> 00:22:43,040 Speaker 1: be nice that parents would say they play that for 397 00:22:43,080 --> 00:22:45,200 Speaker 1: their kids. A lie, um, A couple of it's a 398 00:22:45,240 --> 00:22:47,359 Speaker 1: couple of songs on here, Like Eddie and I did 399 00:22:47,400 --> 00:22:49,040 Speaker 1: a song and it was a comedy song for the 400 00:22:49,119 --> 00:22:51,000 Speaker 1: main record that we did, and we ended up not 401 00:22:51,160 --> 00:22:53,960 Speaker 1: cutting it because we have a comfortable a couple of 402 00:22:54,040 --> 00:22:56,040 Speaker 1: the lines, and I was like, man, you would be 403 00:22:56,040 --> 00:22:58,440 Speaker 1: a really good kids song. In the original line, the 404 00:22:58,520 --> 00:23:02,160 Speaker 1: song is called We're friends. Right, we're friends Press, friends 405 00:23:03,080 --> 00:23:07,400 Speaker 1: like Fred flint Stone and Barney like me, most Dad 406 00:23:07,520 --> 00:23:11,840 Speaker 1: and Dory with you I ever world, I get back 407 00:23:11,880 --> 00:23:14,479 Speaker 1: to it. But the original line was where friends friends, 408 00:23:14,600 --> 00:23:18,879 Speaker 1: friends like Chandler and Joey, like Mick Jagger and Bowie 409 00:23:19,320 --> 00:23:22,840 Speaker 1: at ye do you never know me? So it was 410 00:23:22,960 --> 00:23:26,760 Speaker 1: really an adult song about friends and funny references. But 411 00:23:26,840 --> 00:23:28,199 Speaker 1: it was like, man, it'll be so much better as 412 00:23:28,240 --> 00:23:33,359 Speaker 1: a kid's song. And that's where this came from. This 413 00:23:33,480 --> 00:23:37,560 Speaker 1: it's called We're Friends, and it just felt better as 414 00:23:37,560 --> 00:23:39,919 Speaker 1: a kid's song because it was so much pleasanter and nicer, 415 00:23:40,040 --> 00:23:43,760 Speaker 1: and it's made sense. Sometimes school is rough and tough. 416 00:23:44,720 --> 00:23:47,760 Speaker 1: When my books fall down, you pick him up and 417 00:23:47,880 --> 00:23:51,000 Speaker 1: there's no place to sit at lunch. You find a 418 00:23:51,160 --> 00:23:55,320 Speaker 1: chair and share your Hawaiian punch. Because we're friends, Press, 419 00:23:55,560 --> 00:24:01,240 Speaker 1: friends like Fred flint Stone and Barney, name mos, Dad 420 00:24:01,359 --> 00:24:07,320 Speaker 1: and Dorry? Were you? I never work? Because we're friends, press, 421 00:24:07,560 --> 00:24:13,200 Speaker 1: friends like buzz Light here and Woody like sponge Bob 422 00:24:13,359 --> 00:24:20,000 Speaker 1: and Patrick like friends, and we're magic. Yes, we're friends, friends, friends, 423 00:24:20,480 --> 00:24:25,920 Speaker 1: You're my friend friend friends, we're best friends, friends, friends 424 00:24:26,040 --> 00:24:29,960 Speaker 1: and that we're sure. The line that kind of threw 425 00:24:30,040 --> 00:24:31,960 Speaker 1: us off to the first one's the original was because 426 00:24:32,000 --> 00:24:36,840 Speaker 1: we're friends, friends, friends and nothing more. It was and 427 00:24:36,920 --> 00:24:39,520 Speaker 1: I was like people saying that because it was like 428 00:24:40,040 --> 00:24:42,359 Speaker 1: nothing more, like we're not gay, because that was the 429 00:24:42,400 --> 00:24:45,800 Speaker 1: original line. It was like because we're friends, friends, friends 430 00:24:46,280 --> 00:24:49,600 Speaker 1: and nothing more. And it was funny, but I'm like, 431 00:24:49,720 --> 00:24:51,760 Speaker 1: I don't want to cut that because that and so 432 00:24:52,080 --> 00:24:56,240 Speaker 1: we just didn't. And then it turned into we're friends press, 433 00:24:56,440 --> 00:25:01,760 Speaker 1: friends like Fred flint Stone and Barney like me, most 434 00:25:01,920 --> 00:25:08,199 Speaker 1: Dad and Dory with you every world comes, We're friends friends, 435 00:25:08,440 --> 00:25:14,199 Speaker 1: friends like buzz Light here and Woody like sponge Bob 436 00:25:14,240 --> 00:25:22,359 Speaker 1: and Patrick like pros and we're magic. Yes, we're friends, friends, friends, friends. 437 00:25:22,720 --> 00:25:26,280 Speaker 1: It's my favorite one the song. Yeah, best friends, friends, 438 00:25:26,400 --> 00:25:30,000 Speaker 1: friends and that's for sure. So it changed nothing more 439 00:25:30,080 --> 00:25:33,359 Speaker 1: to that's for sure. And I'm so glad you're happy 440 00:25:33,400 --> 00:25:35,200 Speaker 1: we saved it and redid it for the record, and 441 00:25:35,240 --> 00:25:36,720 Speaker 1: the good thing that Eddie being a dad. Was he 442 00:25:37,000 --> 00:25:38,840 Speaker 1: the references that I know is kid cartoons. Had to 443 00:25:38,880 --> 00:25:40,680 Speaker 1: make sure they still were cool with kids today because 444 00:25:40,680 --> 00:25:42,080 Speaker 1: he has an eight year old and three year old 445 00:25:42,359 --> 00:25:44,440 Speaker 1: and so they still watch fun Stone and they so 446 00:25:44,920 --> 00:25:47,480 Speaker 1: I had to have a fact checker on that one. So, yeah, 447 00:25:47,600 --> 00:25:50,240 Speaker 1: we're friends. That's a that's a fun one. We're friends 448 00:25:50,720 --> 00:25:55,040 Speaker 1: friends friends, And so the only two songs left here, Um, 449 00:25:55,359 --> 00:25:57,639 Speaker 1: I wanted to do a blue song like I was like, 450 00:25:57,680 --> 00:26:00,480 Speaker 1: I'm totally doing a blue song. And again, bad guitar 451 00:26:00,560 --> 00:26:01,960 Speaker 1: player I know is Lindsay l And I got my 452 00:26:02,040 --> 00:26:04,879 Speaker 1: friend Michael Treo, who is a comedy writer, and we 453 00:26:05,000 --> 00:26:06,600 Speaker 1: were sitting around. I was like, I want to do 454 00:26:06,640 --> 00:26:08,080 Speaker 1: a blues song on the kids record. I don't even 455 00:26:08,080 --> 00:26:10,359 Speaker 1: hear kids do blues if I reason for that because 456 00:26:10,359 --> 00:26:13,040 Speaker 1: I don't know kids run the blues. But this is 457 00:26:13,119 --> 00:26:18,760 Speaker 1: called the bad Man or Blues, and Lindsey to shreds 458 00:26:18,840 --> 00:26:24,119 Speaker 1: the guitar on the song Whooke Up This Morning? I 459 00:26:24,200 --> 00:26:28,960 Speaker 1: didn't make my bed, I didn't wash my hands, didn't 460 00:26:29,000 --> 00:26:31,440 Speaker 1: brush my teeth, didn't change my clothes, didn't blow my nose, 461 00:26:31,520 --> 00:26:35,760 Speaker 1: didn't run a comb through my head, I didn't pick 462 00:26:35,840 --> 00:26:40,480 Speaker 1: up my room. No I didn't like my mama says, 463 00:26:40,600 --> 00:26:45,639 Speaker 1: so now I'm grounded. They safe from my phone in 464 00:26:45,880 --> 00:26:54,639 Speaker 1: my game, so no pokey mango. I like share. I said, 465 00:26:54,680 --> 00:26:58,920 Speaker 1: all my prayers don't want the bad So it's like 466 00:26:59,000 --> 00:27:05,359 Speaker 1: old school traditional and like Lindsay's killing the guitar, should 467 00:27:05,400 --> 00:27:10,919 Speaker 1: I sit, thank you and please, I let others go first. 468 00:27:11,040 --> 00:27:15,920 Speaker 1: So and I lead all my dinner, even all my 469 00:27:16,080 --> 00:27:22,119 Speaker 1: spinning before I ask for desserts today at recess. You 470 00:27:22,200 --> 00:27:25,600 Speaker 1: know what I did. I got along with the group 471 00:27:27,600 --> 00:27:30,280 Speaker 1: and I didn't even laugh that aloud when old Timmy 472 00:27:30,320 --> 00:27:33,120 Speaker 1: and lunch squeeze to catch you up and it went through. 473 00:27:35,359 --> 00:27:40,280 Speaker 1: I like bear, I'll share. I'll say all of my 474 00:27:40,520 --> 00:27:45,359 Speaker 1: prayers don't want some bad manner blues. No, we don't, 475 00:27:46,359 --> 00:27:47,920 Speaker 1: no badman and blues le bring it out for you, 476 00:27:50,200 --> 00:27:55,879 Speaker 1: Gonna good, gonna good, gonna good, gonna good. I got 477 00:27:55,880 --> 00:27:57,200 Speaker 1: that song with so fun for me because I just 478 00:27:57,320 --> 00:27:59,119 Speaker 1: love the blues and to put a kids song on it, 479 00:27:59,160 --> 00:28:01,320 Speaker 1: and I'm telling you, just fascinating to watch our play guitar. 480 00:28:01,600 --> 00:28:03,159 Speaker 1: And she just sat over there as I was doing it. 481 00:28:03,200 --> 00:28:06,080 Speaker 1: It was just just killing it. I was just like 482 00:28:06,160 --> 00:28:09,959 Speaker 1: holy cow and so, uh, that's on there. It's our, 483 00:28:10,040 --> 00:28:11,760 Speaker 1: It's our maybe the only blue song. I don't know 484 00:28:11,880 --> 00:28:25,840 Speaker 1: the kids do blues my prayers. That was a selfish song. 485 00:28:26,080 --> 00:28:27,240 Speaker 1: I don't know if kids like that or not, but 486 00:28:27,240 --> 00:28:28,840 Speaker 1: I was like, man, I gotta put that bad guitar player. 487 00:28:29,040 --> 00:28:31,960 Speaker 1: It's awesome and so and then our our final song 488 00:28:32,119 --> 00:28:36,720 Speaker 1: was really the the easiest thing to do for us, 489 00:28:36,760 --> 00:28:38,160 Speaker 1: because every Day Is a Good Day is such a 490 00:28:38,240 --> 00:28:41,120 Speaker 1: big song on our comedy record. We wanted to do 491 00:28:41,200 --> 00:28:42,880 Speaker 1: a version for the kids, so we didn't have to 492 00:28:42,920 --> 00:28:45,040 Speaker 1: really write anything new as far as the chorus and 493 00:28:45,120 --> 00:28:48,840 Speaker 1: the music. Every Day the lyrics made a change a 494 00:28:48,880 --> 00:28:52,120 Speaker 1: bit for kids. How you seeing that you can hear 495 00:28:52,160 --> 00:28:54,640 Speaker 1: some different instruments in the back it gets it's all happier. 496 00:28:54,720 --> 00:28:56,160 Speaker 1: There's a little more keys and stuff in the back 497 00:28:56,200 --> 00:28:59,880 Speaker 1: of it. But instead of like you know, no cat 498 00:29:00,120 --> 00:29:02,400 Speaker 1: gas in your car, and you know, no money and 499 00:29:02,520 --> 00:29:04,920 Speaker 1: rent and stuff, it was more like you know every 500 00:29:05,160 --> 00:29:09,360 Speaker 1: school stuff, you know day. It's how you see it. 501 00:29:09,560 --> 00:29:14,440 Speaker 1: That's what I say when you wake up with the smile. 502 00:29:14,840 --> 00:29:18,560 Speaker 1: Being as a Crockett died O, we're standing single file. 503 00:29:20,720 --> 00:29:24,440 Speaker 1: Every day is a good day, and so Christian Bush 504 00:29:24,480 --> 00:29:27,680 Speaker 1: from sugar Land was really mean. We sat down and 505 00:29:27,760 --> 00:29:33,040 Speaker 1: just nailed it. Twenty minutes leave. Someone sitting in my 506 00:29:33,280 --> 00:29:36,600 Speaker 1: desk and I can't find my pencil. Teacher sprung the 507 00:29:36,760 --> 00:29:40,960 Speaker 1: pop test about to go outside. I forgot to bring 508 00:29:41,080 --> 00:29:43,720 Speaker 1: my code, and I think I have a cold. I 509 00:29:43,840 --> 00:29:47,760 Speaker 1: got a tickle in my throat. When we're picking teams 510 00:29:47,920 --> 00:29:51,200 Speaker 1: and the other kids are mean, sometimes I want to 511 00:29:51,320 --> 00:29:55,200 Speaker 1: stand up the screen. Every day is a good day. 512 00:29:56,720 --> 00:29:59,480 Speaker 1: It's how you see it. That's what I said. It 513 00:29:59,640 --> 00:30:01,080 Speaker 1: wasn't a easy way out to do. Everything is a 514 00:30:01,120 --> 00:30:04,360 Speaker 1: good day again. Yeah, but I I liked it on 515 00:30:04,400 --> 00:30:06,360 Speaker 1: the kids record. I like to having another version for 516 00:30:06,440 --> 00:30:09,640 Speaker 1: the kids to hear. So um, yeah, thanks to Christian 517 00:30:09,640 --> 00:30:11,640 Speaker 1: Bush because we wrote that together originally and then we 518 00:30:11,720 --> 00:30:13,280 Speaker 1: just altered some lyrics and I sent it back over 519 00:30:13,320 --> 00:30:14,480 Speaker 1: to it was like, hey, is it cool for yeah, 520 00:30:14,480 --> 00:30:16,440 Speaker 1: I change the lyrics and do it again. They're like, yeah, 521 00:30:16,520 --> 00:30:19,080 Speaker 1: it's awesome. So that's how every day is a good day. 522 00:30:19,240 --> 00:30:21,560 Speaker 1: The kids version came together and that's the record. There 523 00:30:21,560 --> 00:30:24,360 Speaker 1: are twelve tracks on and then like that's kind of 524 00:30:24,400 --> 00:30:26,600 Speaker 1: the stories behind the songs. If you cared and uh, 525 00:30:27,080 --> 00:30:31,480 Speaker 1: this has been the Raging Kitty. It's Kitty up behind 526 00:30:31,520 --> 00:30:35,320 Speaker 1: the music with me your host Bobby Bones and Raging 527 00:30:35,360 --> 00:30:39,400 Speaker 1: Idiot slash Kittiot. Thank you so anyway, if you got 528 00:30:39,440 --> 00:30:40,920 Speaker 1: through this, thank you so much. And if you buy 529 00:30:40,920 --> 00:30:42,640 Speaker 1: the record, that's cool. I hope you hope your kids 530 00:30:42,680 --> 00:30:45,080 Speaker 1: enjoy it. Like I don't sit around listening to it myself, 531 00:30:45,280 --> 00:30:47,000 Speaker 1: and I probably wouldn't buy it because I don't have kids. 532 00:30:47,400 --> 00:30:51,280 Speaker 1: But it's crazy because teachers will send me videos of 533 00:30:51,480 --> 00:30:54,400 Speaker 1: kids singing stuff. They'll do the crazy thing they'll do 534 00:30:54,480 --> 00:30:58,560 Speaker 1: into the year like assemblies and kids will perform when 535 00:30:58,600 --> 00:31:01,800 Speaker 1: I grow up. I've seen hundred of that. It's a cool, 536 00:31:01,800 --> 00:31:06,920 Speaker 1: It's so cool. So thank you guys. If you get 537 00:31:06,960 --> 00:31:09,400 Speaker 1: the record, great, thank you. You can download on iTunes 538 00:31:09,960 --> 00:31:13,520 Speaker 1: the hard copies of Cracker Barrel. Really proud of it, 539 00:31:13,640 --> 00:31:17,120 Speaker 1: really proud of it, and thank you. Everybody here was 540 00:31:17,200 --> 00:31:20,520 Speaker 1: in on it and writing it. You know, everybody from 541 00:31:20,600 --> 00:31:22,960 Speaker 1: again from Eric pass Lay he's got a couple of 542 00:31:23,000 --> 00:31:25,600 Speaker 1: songs on here, to Christian Bush, from sugar Land to 543 00:31:25,680 --> 00:31:29,800 Speaker 1: Lauren Elena to Lindsay l Um you know, Eddie, me 544 00:31:30,280 --> 00:31:32,840 Speaker 1: and I think that's pretty much the right. Nikida who's 545 00:31:32,840 --> 00:31:35,920 Speaker 1: sang on it. Um He said, Nikta's background vocals like 546 00:31:36,000 --> 00:31:38,320 Speaker 1: three songs, and so it was just a bunch of 547 00:31:38,760 --> 00:31:40,680 Speaker 1: friends getting together and doing a kids record and so 548 00:31:41,840 --> 00:31:43,720 Speaker 1: uh and that's in it. It didn't selling records. It's fine. 549 00:31:43,720 --> 00:31:45,640 Speaker 1: I'm I'm cool. It's just fun to doing the arts 550 00:31:45,680 --> 00:31:47,560 Speaker 1: cool on it because it's a bunch of you know, 551 00:31:48,040 --> 00:31:52,040 Speaker 1: cartoons and stuff. So that's a I mean, any questions 552 00:31:52,080 --> 00:31:53,920 Speaker 1: at all. I think I pretty much went through everything. 553 00:31:54,080 --> 00:31:57,240 Speaker 1: It was just fun to do. What song are you like? 554 00:31:57,560 --> 00:31:59,880 Speaker 1: Are you still most proud of? When I Grew Up? One? 555 00:32:00,000 --> 00:32:02,160 Speaker 1: I Grew Up was weird because it kind of blew 556 00:32:02,320 --> 00:32:05,360 Speaker 1: up like then. The video is really cool and it 557 00:32:05,360 --> 00:32:07,680 Speaker 1: starts video always shot Um, When I grew Up is 558 00:32:07,720 --> 00:32:09,480 Speaker 1: the most fun. We always start our raging idiot shows 559 00:32:09,560 --> 00:32:11,160 Speaker 1: we have for a while with that one because everybody 560 00:32:11,240 --> 00:32:13,520 Speaker 1: knows that one. Like I think Potty Party is really 561 00:32:13,520 --> 00:32:16,200 Speaker 1: fun because it's new and it's so like goofy and absurd, 562 00:32:16,520 --> 00:32:19,080 Speaker 1: like one of the Potty Party. But also I just 563 00:32:19,200 --> 00:32:21,760 Speaker 1: love the blues, so that Badman or blues, just the 564 00:32:21,840 --> 00:32:25,280 Speaker 1: guitar and it just kills me. Man, I love it. 565 00:32:26,080 --> 00:32:27,960 Speaker 1: It's like I can take my voice off of it, 566 00:32:28,080 --> 00:32:30,040 Speaker 1: just listening to the blues. I just love the blues, 567 00:32:30,760 --> 00:32:35,960 Speaker 1: the kids blue songs. Look up this morning, I didn't 568 00:32:36,440 --> 00:32:40,040 Speaker 1: make my bed, So yeah for someone. And I'm never 569 00:32:40,200 --> 00:32:42,320 Speaker 1: like proud of things that I do right when I 570 00:32:42,360 --> 00:32:44,040 Speaker 1: did them. I love the kid I love the kids record. 571 00:32:44,280 --> 00:32:47,840 Speaker 1: So thank you guys. I thought that we talked about 572 00:32:47,840 --> 00:32:49,800 Speaker 1: a little bit and that's it. That's it, that's behind 573 00:32:49,840 --> 00:32:53,960 Speaker 1: the music here on the Bobby Cast, episode number twelve. Yeah, 574 00:32:54,280 --> 00:32:56,520 Speaker 1: thank you. It's a quick one. How long with listening today? 575 00:32:57,600 --> 00:33:00,520 Speaker 1: It was a short one, Um, so something that kill time. 576 00:33:00,560 --> 00:33:02,840 Speaker 1: Appreciate you guys being here. You know who I think 577 00:33:02,840 --> 00:33:04,280 Speaker 1: we're gonna have one. I think we have on Noel 578 00:33:04,400 --> 00:33:08,160 Speaker 1: from Fitting the Tantrums if everything goes right, fits in 579 00:33:08,200 --> 00:33:11,360 Speaker 1: Tantum is basically two people fits in Noel and they 580 00:33:11,400 --> 00:33:15,520 Speaker 1: have other like background people. Um, but she's like the 581 00:33:15,960 --> 00:33:19,040 Speaker 1: Tantrum and so I have her who's supposed to be 582 00:33:19,080 --> 00:33:20,840 Speaker 1: coming in soon. I hope you go back and listen to, 583 00:33:20,880 --> 00:33:23,800 Speaker 1: like Craig Campbell, who we've done this with. Amy was 584 00:33:23,840 --> 00:33:25,040 Speaker 1: a guest on one of them. A lot of people 585 00:33:25,080 --> 00:33:28,400 Speaker 1: listen to that one. Chip Beston from Nashville. You know 586 00:33:28,800 --> 00:33:30,200 Speaker 1: we're trying to spend time with a lot of guests. 587 00:33:30,280 --> 00:33:31,760 Speaker 1: We'll do something on our own. You know, there really 588 00:33:31,800 --> 00:33:34,920 Speaker 1: are no rules to this thing. So there was that. 589 00:33:35,080 --> 00:33:36,960 Speaker 1: Thank you very much. Thanks to everybody listens to the show, 590 00:33:37,000 --> 00:33:38,600 Speaker 1: and for who bought the record, listen to the record, 591 00:33:38,680 --> 00:33:41,040 Speaker 1: and um, we'll see you guys soon, see on the 592 00:33:41,080 --> 00:33:44,120 Speaker 1: next Boby cast. Thank you guys, Thank good bye everybody. 593 00:33:44,200 --> 00:33:46,920 Speaker 1: Thanks to our sponsor nobody, so I can't wait to 594 00:33:46,960 --> 00:33:49,400 Speaker 1: have a real sponsor one day. That's all I'll go bye,