WEBVTT - Episode 6: Jailbreak

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<v Speaker 1>It's morning and today's today. If I'm gonna make a

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<v Speaker 1>run for it, live my best life in Viral Villa,

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<v Speaker 1>I have to go now. First step, I sneak into

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<v Speaker 1>my parents bedroom and steal my phone back from my

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<v Speaker 1>mom's night stand downstairs. I make it past the breakfast

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<v Speaker 1>table as if I'm going to school. Meanwhile, upstairs, I

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<v Speaker 1>left the note to my bed explaining where I'm actually headed.

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<v Speaker 1>I feel like I'm pulling off a heist of some ship.

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<v Speaker 1>That kid all sleep well, Yeah, slep fun. Oh, your

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<v Speaker 1>backpack looks heavy today. I can't tell if it's a

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<v Speaker 1>leading question or not, but I need to have a

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<v Speaker 1>reply ready. Yeah, I'm I'm bringing some podcast equipment Janelle

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<v Speaker 1>and I are going to use. Here Comes to Break

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<v Speaker 1>is our big semester project, at least that part about

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<v Speaker 1>the podcasting project. It's true when we decided to use

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<v Speaker 1>our experience with the show was the foundation of a

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<v Speaker 1>joint audio lab project. But actually my bag is heavy

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<v Speaker 1>because I'm all geared up from my exclusive invite to

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<v Speaker 1>the Viral Villa in l a three jam packed days

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<v Speaker 1>making fresh content, gaining the mutual follows, and revealing myself

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<v Speaker 1>as the man behind mask on sounds like a good idea.

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<v Speaker 1>This is exactly how you should be applying your extracurriculus.

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<v Speaker 1>Have fun at school, baby. Luckily, that's the last of

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<v Speaker 1>the raised eyebrows from my parents as I grabbed banana

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<v Speaker 1>and bust out the door. From there, it's talk to JFK.

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<v Speaker 1>One of the advantages of living out in Rockaway Beaches

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<v Speaker 1>that I can take the m T A to the

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<v Speaker 1>airport and under an hour comes in clutch right now

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<v Speaker 1>is I'm pulling off the craziest play I ever made.

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<v Speaker 1>After pushing my way through a couple of transfers, it's

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<v Speaker 1>airport time, security, the works. It isn't until I'm sitting

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<v Speaker 1>at the gateway and the board that the true insanity

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<v Speaker 1>of what I'm doing lands home. My limb starts to

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<v Speaker 1>rattle in a pressure like a ton of bricks hits

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<v Speaker 1>my chest. What am I doing traveling across the country

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<v Speaker 1>without telling my parents, breaking ranks with my podcast team

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<v Speaker 1>to make the trip, even though we agree none of

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<v Speaker 1>us would go. I'm blowing up all my closest relationships

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<v Speaker 1>for this one shot to cash in on everything we've

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<v Speaker 1>worked for. But hell no, I'm not gonna have a

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<v Speaker 1>panic attack. Now I've come too far. I fight through it,

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<v Speaker 1>I stay focused. I have to do this for myself,

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<v Speaker 1>a statement that I'm ready to pursue this Internet fame thing,

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<v Speaker 1>that I'm finally ready to own it. And then of

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<v Speaker 1>course my phone goes off with notification bells. We saw

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<v Speaker 1>the message sent back to the villa. What's the deal.

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<v Speaker 1>Marco's already wise to what I've pulled off. Janelle is

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<v Speaker 1>probably in shock, but it's all gonna work out. They'll see.

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<v Speaker 1>I'm sorry, but I'm going We can't miss this chance,

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<v Speaker 1>and I need to do this myself. I can't. This

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<v Speaker 1>is incredibly irresponsible with that I turned my phone on

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<v Speaker 1>airplane mode, a point. They're getting caught out now. There

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<v Speaker 1>will be hell to pay when I get back, but

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<v Speaker 1>I won't let my nerves get to me. I've been

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<v Speaker 1>letting those nerves keep me from pursuing my goals for

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<v Speaker 1>so long, and the success of here comes the break

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<v Speaker 1>has been like a cure. Oh, I feel driven, focused,

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<v Speaker 1>able to do anything. I'm locked in. The plane begins border,

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<v Speaker 1>so I put on my headphones and get in lined

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<v Speaker 1>viral villa. Here I come. As soon as I get

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<v Speaker 1>off the plane that someone from the house to pick

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<v Speaker 1>me up and drive me over. I flew on the

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<v Speaker 1>Burt back less traffic to l X. We head back

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<v Speaker 1>to the East Side bungalow that's both the viral villa

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<v Speaker 1>itself and home to the art collective of the same name.

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<v Speaker 1>The works inside. My host, Corbin is called blind Fit

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<v Speaker 1>All American type. He introduces me to the other members

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<v Speaker 1>of the collective and the other busitors for the weekend.

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<v Speaker 1>Aleck j ted a string of names, stone Cold, influencer,

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<v Speaker 1>hat to a one. I recognized them all from the

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<v Speaker 1>ship time. I settled into the spare room, changing to

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<v Speaker 1>swim trunks, and we spend the afternoon in their pool,

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<v Speaker 1>partying the sun, the skin, the pool itself. Everything glows

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<v Speaker 1>in the California air. I make guys with the flight

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<v Speaker 1>chip Alie, and get to the Corbyn over a grim.

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<v Speaker 1>Over dinner, we bring storm ideas for TikTok videos to

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<v Speaker 1>make the next day. I pitched my reveal of my

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<v Speaker 1>mask on identity in one of the videos, and everyone's

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<v Speaker 1>into drinks. Go around after the food, and I'm living

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<v Speaker 1>my best life. So I get drunk with Corbin, Athlete

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<v Speaker 1>and an influencing name Cat. We talked about life in

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<v Speaker 1>the twenty century, kind of running for president by Scott

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<v Speaker 1>and commerce, all of the ship that I love to

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<v Speaker 1>think about, and then they follow me on the ground.

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<v Speaker 1>I crashed hard after that. But up early in that breakfast,

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<v Speaker 1>everyone is already starting to send out live terms and

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<v Speaker 1>make videos on their phones. Corbyn says, that's ca cameo

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<v Speaker 1>on his feet to reveal my identity and I'm not

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<v Speaker 1>about to say no. He shows off the breakfast spread

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<v Speaker 1>and afflis the camera catch me loading on my plate

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<v Speaker 1>out out the right way beach. Yo, we got mask

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<v Speaker 1>on in the house this weekend. He's flowing over with

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<v Speaker 1>this podcast. Here comes the break You've got a less

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<v Speaker 1>sidleless side. It takes all my accounts to the post

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<v Speaker 1>and pretty soon the follows are flooding it. It's like

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<v Speaker 1>Magic Cat and I go for a drive around the

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<v Speaker 1>city and she takes me to a meeting with an

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<v Speaker 1>agent name or After that we hype Griffith Park Observatory.

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<v Speaker 1>When we get back to the villa, we end up

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<v Speaker 1>making out in the pool. Atlice seems disappointed, but what

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<v Speaker 1>can I say? But when you're making fresh clips. I

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<v Speaker 1>checked my messages, nothing from anyone back piece they're probably stealing,

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<v Speaker 1>and how mad they are that I did this problem

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<v Speaker 1>From Monday bub back to the lines, where I end

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<v Speaker 1>up smoking the joint and then meeting a rapper who

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<v Speaker 1>wants to be on the podcast. I tell her hook

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<v Speaker 1>her up with my people when I get home. I'm

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<v Speaker 1>getting used to acting like I belong here. On the

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<v Speaker 1>second night, we ordering for them Thai food. It's better

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<v Speaker 1>than any tie I've ever had on the East Coast.

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<v Speaker 1>Everybody crowds around the kitchen island. A couple of to

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<v Speaker 1>make YouTube videos decides to make a month bang out

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<v Speaker 1>of it, grabbing something from every platter in the huge spread.

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<v Speaker 1>By this point, the number of followers on my social

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<v Speaker 1>feast has gone out of control. I'm not doing monk

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<v Speaker 1>on numbers. But but when more crossover events like this,

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<v Speaker 1>we could get there and everyone will be in all new.

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<v Speaker 1>Here comes to break listener. Finally I'm going to be

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<v Speaker 1>able to interact with the online audience directly. No more

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<v Speaker 1>smoke screen with market Engine. Now. I stumbled in my

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<v Speaker 1>room at one a m after another night of drinking

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<v Speaker 1>with Corbin in the house regulars. Someone's passing around Zandis

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<v Speaker 1>and I take the the booze mixes with the pills

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<v Speaker 1>and the weeds from earlier. He got me favor. For

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<v Speaker 1>the second night in the row, I forget to take

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<v Speaker 1>my meds, but I'm living off the high of just

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<v Speaker 1>being here right now. I wake up with a hangover

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<v Speaker 1>on the third morning, I have to go back east

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<v Speaker 1>and think something went at home soon harder to keep

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<v Speaker 1>that thought from my mind. Went off gonna like ship.

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<v Speaker 1>As soon as I make my way to the common area,

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<v Speaker 1>I'm lit up by all the energy of these creatives.

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<v Speaker 1>Everybody's at it, the game driven. It's a high. I

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<v Speaker 1>came here win some tiktoks with Ted, Jagan, Natalie. Before

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<v Speaker 1>it's time to head back to the airport, Corbyn offers

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<v Speaker 1>to drive me back to Bourban. We squeeze in one

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<v Speaker 1>more swimming the pool when we leave, and I try

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<v Speaker 1>to get Cat's numbered, but she shoots me down. Can't

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<v Speaker 1>win them all. As far as business goes, this weekend

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<v Speaker 1>has been a total success. Put Once something back on

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<v Speaker 1>the plane, the reality starts to set in. I went

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<v Speaker 1>behind markt with Janelle's back, I basically ran away from home.

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<v Speaker 1>Mission accomplished in terms to grow on my social following

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<v Speaker 1>in the podcast. Mission accomplished in terms of taking the

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<v Speaker 1>power back for mom and Dad. But holy shit. At

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<v Speaker 1>first I laid my phone off during the flight avoid

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<v Speaker 1>checking my messages again. But now that I've got nothing

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<v Speaker 1>to do but sit and think, my mind is going

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<v Speaker 1>crazy with the worst case scenarios, Marco Originelle quitting for one,

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<v Speaker 1>being grounded forever. In a day, my phone burns a

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<v Speaker 1>hole in my pocket. I have to smooth things over somehow.

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<v Speaker 1>Now that I've run off with the inviting parties, it

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<v Speaker 1>up with the highest TikTok stars in that leg ship.

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<v Speaker 1>There's no easy way to do this. It's gonna ring hollow.

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<v Speaker 1>Eventually I can't take it anymore. I pull out my

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<v Speaker 1>phone and turn it on and log into the plane's WiFi.

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<v Speaker 1>Still no messages from my parents, and nothing from Mark

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<v Speaker 1>Riginelle either. When I didn't hear from them over the weekend,

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<v Speaker 1>it was easy to avoid feem bad. But now the

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<v Speaker 1>silence puts a pit of dread in my stomach. I

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<v Speaker 1>get one message Marco starting to the podcast. Damnit, worst

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<v Speaker 1>case scenario getting way too close to reality. I immediately

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<v Speaker 1>start drafting the message to Marco, Hey man, I'm really

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<v Speaker 1>sorry for the way I pulled this move. It wasn't

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<v Speaker 1>fair to you. Let's talk about it. And then as

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<v Speaker 1>I'm back, I hit sin and wait, nothing comes back

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<v Speaker 1>right away. Damn. I was so focused on getting this

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<v Speaker 1>experience living an influencer of life, I just barreled straight

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<v Speaker 1>ahead and now it's all in danger. On a whim,

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<v Speaker 1>I checked my podcast feeds and I see that Marco

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<v Speaker 1>and Janelle posted a fresh episode over the weekend while

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<v Speaker 1>I was away. Our interview with st Body one of

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<v Speaker 1>the ones we already had in the can. It's a

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<v Speaker 1>glimmer of hope if they finished the mix on their

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<v Speaker 1>own and posted it. Marco hasn't quit yet. I can

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<v Speaker 1>still make it right in your own words. Who is

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<v Speaker 1>sat both? Same body is rebellious, crazy, sensitive, intuitive, Jesus.

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<v Speaker 1>It's kind of like all over the place. But I'll

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<v Speaker 1>make sense at the same time, like you might catch

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<v Speaker 1>me on it. Oh, I want to give everybody flowers

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<v Speaker 1>and rolls. And the next day I'm just like, no,

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<v Speaker 1>none of this makes sense. We've got to change the

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<v Speaker 1>order and this is how it's closed to be so.

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<v Speaker 1>But at the end of the day, I'm usually helping

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<v Speaker 1>people out with their lives, and I usually make sense

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<v Speaker 1>at the end of the day, with so much going

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<v Speaker 1>on in the world, what role does your music like

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<v Speaker 1>during the time of revolution? And that's crazy because I've

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<v Speaker 1>been like reflecting on that. It's Anita Simon interview that

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<v Speaker 1>she did and she said that as an artist, our

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<v Speaker 1>job is to reflect the time, and so I've been

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<v Speaker 1>been pushing It's difficult because when you start off as

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<v Speaker 1>a certain type of artist, everyone just like, are you

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<v Speaker 1>staying the slame famous lane? But when you start seeing

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<v Speaker 1>your people in your black women and black men dealing

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<v Speaker 1>with so many things, you start kind of getting that

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<v Speaker 1>revolutionary strike going on. And so it's just been forcing

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<v Speaker 1>me to a more so to speak about what I've

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<v Speaker 1>dealt with as an African American artist. You know, sometimes

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<v Speaker 1>you can't just release a record we want to. So

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<v Speaker 1>I've just been kind of hammering people on the head

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<v Speaker 1>like this isn't right. Aggressive. I guess you can say

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<v Speaker 1>I've been a really aggressive artist. This is not only

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<v Speaker 1>their problem, it's my problem. Dyeah, how is that influence?

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<v Speaker 1>She was an artist? I appreciate my experience kind of

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<v Speaker 1>like moded me as a woman and as a human.

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<v Speaker 1>I've seen a lot of things. I've seen a lot

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<v Speaker 1>of darkness, depth, you know, just I can go down

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<v Speaker 1>the list. But it helps me. I guess it helps

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<v Speaker 1>you be strong and sensitive at the same time. And creativity,

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<v Speaker 1>Like it's so much art. I know. Sometimes I'll just

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<v Speaker 1>drive down to the hood and I like, I'm in

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<v Speaker 1>the hood all the time, and I'm shopping sloughs in

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<v Speaker 1>and everything. And that's where all the art comes from.

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<v Speaker 1>It doesn't come from being in Beverly Hills and being

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<v Speaker 1>in sucking Santa Monica and all these things. It's like

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<v Speaker 1>the arts where the people are. I have a show,

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<v Speaker 1>remember all the grinding, and so sometimes I'm just like,

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<v Speaker 1>I deserve this. I deserve this, I deserve this, I

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<v Speaker 1>created this, I made this. But what I've been noticing

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<v Speaker 1>now as a young woman is that my over it.

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<v Speaker 1>And so because I dealt with so many traumatic experiences

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<v Speaker 1>like throughout my career, and so the thing that's helping

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<v Speaker 1>me let it go is alright, create the music, talk

0:11:14.320 --> 0:11:16.480
<v Speaker 1>your feelings out, and then you have to let it

0:11:16.520 --> 0:11:18.400
<v Speaker 1>go or else I'm not gonna be able to evolve

0:11:18.600 --> 0:11:21.160
<v Speaker 1>until the next person if I keep holding onto all

0:11:21.240 --> 0:11:24.440
<v Speaker 1>the trauma. And so I think that's how the background

0:11:24.720 --> 0:11:28.079
<v Speaker 1>is starting to shape me. It's just I'm starting to process. Hello, dude,

0:11:28.080 --> 0:11:30.600
<v Speaker 1>you're not always okay, and this ship was sucked up

0:11:30.640 --> 0:11:33.920
<v Speaker 1>and you gotta release, and so that's what it's doing.

0:11:34.040 --> 0:11:36.160
<v Speaker 1>I don't make music, and it's it might sound crazy,

0:11:36.160 --> 0:11:38.520
<v Speaker 1>It's like I don't really make music because I wanted

0:11:38.559 --> 0:11:40.840
<v Speaker 1>to help people. But I'm doing it because this is

0:11:40.880 --> 0:11:43.320
<v Speaker 1>my only sense of therapy at itself. I can't talk

0:11:43.360 --> 0:11:45.800
<v Speaker 1>to someone about it because no one gets it. If

0:11:45.840 --> 0:11:47.679
<v Speaker 1>I make the music for some reason, that's the only

0:11:47.679 --> 0:11:52.840
<v Speaker 1>way I can help. Wow. Wow, that's powerful. Um, Okay,

0:11:53.240 --> 0:11:55.600
<v Speaker 1>what advice would you give to emergent artists just getting

0:11:55.600 --> 0:11:58.840
<v Speaker 1>started who wanted signs were labels? I mean, I guess

0:11:58.880 --> 0:12:01.320
<v Speaker 1>the best advice to be got to be patient. You know,

0:12:01.480 --> 0:12:03.480
<v Speaker 1>this is a new generation, no in my twenties, and

0:12:03.520 --> 0:12:07.720
<v Speaker 1>so we want ship expeditiously like instant coffee. Be patient,

0:12:08.120 --> 0:12:10.760
<v Speaker 1>have intuition about the situation. There's gonna be times where

0:12:10.760 --> 0:12:13.280
<v Speaker 1>everyone is wrong and you're the right one, and you're

0:12:13.280 --> 0:12:15.000
<v Speaker 1>gonna have to speak up for yourself and just be

0:12:15.000 --> 0:12:16.599
<v Speaker 1>like no, man, like that's not what the hell I

0:12:16.679 --> 0:12:18.319
<v Speaker 1>want to do. But you also have to continue to

0:12:18.320 --> 0:12:20.480
<v Speaker 1>be humble because you know, don't treat yourself at the

0:12:20.480 --> 0:12:23.520
<v Speaker 1>foot because your label, they're all working for you, not

0:12:23.640 --> 0:12:26.000
<v Speaker 1>against you, you know, so I guess that would be

0:12:26.080 --> 0:12:30.120
<v Speaker 1>the big the big message. Just be motivated and motivate

0:12:30.200 --> 0:12:32.360
<v Speaker 1>your team. Like a lot of artists get shine and

0:12:32.400 --> 0:12:34.280
<v Speaker 1>they don't motivate their team, and they're just like, well,

0:12:34.320 --> 0:12:35.800
<v Speaker 1>do this for me, do that for me, and it's

0:12:35.800 --> 0:12:37.880
<v Speaker 1>just like no, you actually gotta sometimes you gotta make

0:12:37.880 --> 0:12:39.440
<v Speaker 1>those phone call. Hey, you what you're doing? How are

0:12:39.440 --> 0:12:41.160
<v Speaker 1>you feeling today? All right, what we're doing today? You know,

0:12:41.280 --> 0:12:42.760
<v Speaker 1>you've got to kind of be the leader. I'll say,

0:12:42.840 --> 0:12:46.760
<v Speaker 1>not gonna know how to leave. And it's a successful

0:12:46.840 --> 0:12:49.680
<v Speaker 1>artist what a self killing looked like to you? Man,

0:12:50.080 --> 0:12:52.520
<v Speaker 1>that's so crazy because it's keeping my house together, in

0:12:52.559 --> 0:12:54.720
<v Speaker 1>my car together. I know that sounds like minute, but

0:12:55.120 --> 0:12:58.200
<v Speaker 1>when my house is organized, when my car is organized,

0:12:58.320 --> 0:13:00.720
<v Speaker 1>I feel very calm. When I speak into my family

0:13:00.760 --> 0:13:04.320
<v Speaker 1>and giving them their praises and love, that makes me

0:13:04.440 --> 0:13:07.960
<v Speaker 1>very happy. And then I'll disconnect. Sometimes I'll turn my

0:13:07.960 --> 0:13:09.679
<v Speaker 1>phone off for like a day or two, and it

0:13:09.720 --> 0:13:12.520
<v Speaker 1>irritates people sometimes, but I don't care, and I'll just

0:13:12.559 --> 0:13:14.640
<v Speaker 1>go into this self love of doing my nails in

0:13:14.720 --> 0:13:17.320
<v Speaker 1>my hair. Sometimes I won't even get my nails done.

0:13:17.320 --> 0:13:20.439
<v Speaker 1>I'll do that myself. It's just a self care thing.

0:13:20.440 --> 0:13:22.599
<v Speaker 1>And I have like this little pyramid and like my crystals.

0:13:22.640 --> 0:13:26.400
<v Speaker 1>I'll meditate, I like candles, write notes to myself. I

0:13:26.480 --> 0:13:28.719
<v Speaker 1>do a lot of like keeping my mental and check

0:13:28.760 --> 0:13:31.520
<v Speaker 1>because as artists, our brains are all over the place,

0:13:31.720 --> 0:13:34.360
<v Speaker 1>so I have to do certain things like that. I'll

0:13:34.360 --> 0:13:37.079
<v Speaker 1>play video games. I'm a nerd, so I love video games.

0:13:37.080 --> 0:13:40.000
<v Speaker 1>I love anime. I love to read and just disconnect.

0:13:41.040 --> 0:13:43.960
<v Speaker 1>Last question, and this is something I asked every artist,

0:13:44.440 --> 0:13:47.760
<v Speaker 1>what do you want your legacy to teach people about?

0:13:48.360 --> 0:13:51.160
<v Speaker 1>So I feel like we're in this really weird period

0:13:51.400 --> 0:13:53.880
<v Speaker 1>of life where a lot of people are selfish, and

0:13:53.920 --> 0:13:57.480
<v Speaker 1>a lot of people are in this like each your bag,

0:13:57.520 --> 0:13:59.199
<v Speaker 1>and men are like, oh, I mean, I like five

0:13:59.200 --> 0:14:01.120
<v Speaker 1>teen seven eight girls and you know, let me not

0:14:01.200 --> 0:14:04.400
<v Speaker 1>be transparent and honest blah blah blah and show. I

0:14:04.440 --> 0:14:07.400
<v Speaker 1>feel like I want to teach people to do more transparency.

0:14:07.520 --> 0:14:08.920
<v Speaker 1>Like one of the reasons why some of my songs

0:14:08.960 --> 0:14:12.560
<v Speaker 1>are so jarring is because it's very pure honesty, and

0:14:12.640 --> 0:14:15.120
<v Speaker 1>so I just want to teach people that it's okay

0:14:15.160 --> 0:14:18.559
<v Speaker 1>to tell that girl, yo, I got four girlfriends and

0:14:18.600 --> 0:14:20.800
<v Speaker 1>a baby mama, but you have a choice, or I

0:14:20.840 --> 0:14:23.520
<v Speaker 1>got you know, this is my life situation, or I'm

0:14:23.520 --> 0:14:25.560
<v Speaker 1>depressed today? Why am I telling you I'm great? Like

0:14:25.600 --> 0:14:26.960
<v Speaker 1>if you go to a barber shop and you get

0:14:26.960 --> 0:14:29.040
<v Speaker 1>your hair cut, how you doing today? You say I'm fine,

0:14:29.080 --> 0:14:32.400
<v Speaker 1>but you're depressed, then it's just like you know you're lying.

0:14:32.440 --> 0:14:33.960
<v Speaker 1>So I just want to teach people to come from

0:14:34.000 --> 0:14:36.000
<v Speaker 1>the pureness of their heart and just be honest, like

0:14:36.040 --> 0:14:38.760
<v Speaker 1>there's nothing wrong with it. And that's like the main motive.

0:14:38.920 --> 0:14:41.600
<v Speaker 1>Most irritating thing to me is when people are not honest.

0:14:45.320 --> 0:14:54.160
<v Speaker 1>We'll be right back and now back to the show.

0:15:00.080 --> 0:15:09.760
<v Speaker 1>M I get home in the evening Eastern time, make

0:15:09.800 --> 0:15:12.680
<v Speaker 1>my way back to the house and St. Bodie's words

0:15:12.680 --> 0:15:16.600
<v Speaker 1>about dishonesty are ringing in my ears. I paused at

0:15:16.640 --> 0:15:19.400
<v Speaker 1>the front door, filling the full way to my backpack

0:15:19.440 --> 0:15:22.120
<v Speaker 1>on my shoulders and a ton of bricks to bury

0:15:22.160 --> 0:15:24.360
<v Speaker 1>me alive that my parents are about to lay on me,

0:15:25.680 --> 0:15:33.200
<v Speaker 1>and take a deep breath and turn the knob. Inside.

0:15:33.760 --> 0:15:36.400
<v Speaker 1>Mom and Dad are waiting for me in silence. He's

0:15:36.400 --> 0:15:40.080
<v Speaker 1>in the recliner. She's on the couch in Their faces

0:15:40.640 --> 0:15:44.520
<v Speaker 1>are stone cold. How long have you guys been waiting

0:15:44.560 --> 0:15:47.760
<v Speaker 1>like this? Mom doesn't say a word. Her stare alone

0:15:47.760 --> 0:15:51.080
<v Speaker 1>burns right through me like a laser. She's gonna wear

0:15:51.120 --> 0:15:54.520
<v Speaker 1>my ass. She gets up and storms out of the room.

0:15:54.640 --> 0:15:59.560
<v Speaker 1>Up the stairs, Go to your room. It's gonna be

0:15:59.640 --> 0:16:05.080
<v Speaker 1>comforble quinces for this severe consequences. We're talking the morning.

0:16:05.840 --> 0:16:07.880
<v Speaker 1>My dad heads up the stairs behind my mom, who

0:16:07.960 --> 0:16:11.160
<v Speaker 1>slams the room door. That's why I felt the house shake.

0:16:12.320 --> 0:16:16.240
<v Speaker 1>I'm left in the living room alone, but I'm confused.

0:16:16.920 --> 0:16:22.000
<v Speaker 1>That was short and almost too easy. I thought for

0:16:22.040 --> 0:16:24.800
<v Speaker 1>sure I was in for a fight right away. I

0:16:24.840 --> 0:16:28.440
<v Speaker 1>sit in the silence for a moment. It feels heavy,

0:16:28.720 --> 0:16:31.520
<v Speaker 1>with nothing left to do. I head up the stairs too,

0:16:31.920 --> 0:16:36.800
<v Speaker 1>to my room. The house is so quiet. My parents

0:16:36.800 --> 0:16:41.400
<v Speaker 1>reaction was so muted. It's it's unsettled me on a

0:16:41.440 --> 0:16:43.560
<v Speaker 1>selfish level. I know that even if they ground me

0:16:43.640 --> 0:16:47.040
<v Speaker 1>till Kingdom come, we got work arounds to record the

0:16:47.040 --> 0:16:50.560
<v Speaker 1>remaining podcast interviews from my closet. But I also worry

0:16:50.560 --> 0:16:54.040
<v Speaker 1>I've damaged that trust beyond repair, just like I might

0:16:54.080 --> 0:16:58.160
<v Speaker 1>have with Marco. I checked my phone. I'm just telling

0:16:58.160 --> 0:17:01.960
<v Speaker 1>the reply from him. He he's tight, or maybe he's

0:17:02.000 --> 0:17:05.679
<v Speaker 1>just blown off steam. Either way, I haven't felt this

0:17:05.720 --> 0:17:08.639
<v Speaker 1>alone in a long time. Under the way of the guilt,

0:17:09.040 --> 0:17:13.000
<v Speaker 1>I start reviewing the crazy weekend in my head, but

0:17:13.119 --> 0:17:15.720
<v Speaker 1>for some reason, it just doesn't seem as glamorous. I

0:17:15.760 --> 0:17:20.680
<v Speaker 1>remember my second night, drinking, smoking, taking pills, stumbling in

0:17:20.760 --> 0:17:23.760
<v Speaker 1>my room at one am. I remember making a rejected

0:17:23.800 --> 0:17:28.000
<v Speaker 1>pass a cat. I haven't been taking by meds. I

0:17:28.040 --> 0:17:33.080
<v Speaker 1>haven't been taking my meds. I got so fixated on

0:17:33.119 --> 0:17:37.640
<v Speaker 1>this trip as some wild break from my stifling home life.

0:17:37.640 --> 0:17:41.560
<v Speaker 1>Except it wasn't a clean break. It was just a vacation.

0:17:42.240 --> 0:17:44.560
<v Speaker 1>I'm sitting in the records that I've created with parents

0:17:44.600 --> 0:17:46.600
<v Speaker 1>who are going to make it as hard as they

0:17:46.600 --> 0:17:49.480
<v Speaker 1>can for me to finish the podcast, and my crew

0:17:49.520 --> 0:17:53.119
<v Speaker 1>maybe done with me too. There's no escaping it, no

0:17:53.240 --> 0:17:58.080
<v Speaker 1>pretending my problems don't exist. Now it's my reality. I

0:17:58.200 --> 0:18:01.560
<v Speaker 1>turned on my phone again and text you, now, Hey,

0:18:01.920 --> 0:18:06.479
<v Speaker 1>that's Marco. Haven't really heard back. What's this headache? For

0:18:06.520 --> 0:18:09.840
<v Speaker 1>a moment, I'm in suspense, but soon I see the

0:18:09.840 --> 0:18:13.359
<v Speaker 1>three little floating dots to say, now is typing back. Hey,

0:18:13.359 --> 0:18:16.960
<v Speaker 1>at least somebody's still talking to me. Marco was hurt.

0:18:17.600 --> 0:18:19.720
<v Speaker 1>Your parents have been reaching out to everyone all weekend

0:18:19.720 --> 0:18:22.359
<v Speaker 1>for more info. We put out the episode Well You're Away,

0:18:22.400 --> 0:18:24.679
<v Speaker 1>but I had to drag him, kicking and screaming. I

0:18:24.680 --> 0:18:26.840
<v Speaker 1>hope you brought him back a souvenir. At least he's

0:18:26.880 --> 0:18:30.000
<v Speaker 1>pissed to say. In the least the sixteen thousand new

0:18:30.040 --> 0:18:35.160
<v Speaker 1>followers count with him, I'm sure I'll take the followers. However,

0:18:35.240 --> 0:18:40.520
<v Speaker 1>that's your boy. You have to make it right for him. Honestly,

0:18:41.160 --> 0:18:44.280
<v Speaker 1>I'm pretty disappointed in you. That's straight up a trail.

0:18:44.800 --> 0:18:47.080
<v Speaker 1>You refused to let Marco go, then you ran off

0:18:47.160 --> 0:18:50.600
<v Speaker 1>yourself without permission. I think it's a whack of you

0:18:50.640 --> 0:18:52.680
<v Speaker 1>to sacrifice your friendships for a weekend of fame and

0:18:52.760 --> 0:18:55.800
<v Speaker 1>late night sessions in the pool, hardying it up, cuddling

0:18:55.880 --> 0:18:59.480
<v Speaker 1>up with that girl Cat. It was right in Marco's face. Damn.

0:19:00.119 --> 0:19:01.919
<v Speaker 1>How the hell did you know about Cat? Do you

0:19:01.960 --> 0:19:04.880
<v Speaker 1>think she wouldn't post about that? You spent a weekend

0:19:04.920 --> 0:19:07.880
<v Speaker 1>at a place called viral Villa with influencers who live

0:19:07.960 --> 0:19:11.359
<v Speaker 1>on their phones. Dude, you still have a lot of

0:19:11.400 --> 0:19:14.720
<v Speaker 1>growing up to do. Nothing is private. How long have

0:19:14.800 --> 0:19:19.240
<v Speaker 1>you known Marco? Because we were little six seven? You're

0:19:19.320 --> 0:19:22.720
<v Speaker 1>cold blooded. Her clap back hits me hard across the face.

0:19:23.400 --> 0:19:26.480
<v Speaker 1>Marco Co founded his pot with me. I mean, he's

0:19:26.520 --> 0:19:29.360
<v Speaker 1>the reason I mask on really and I did him

0:19:29.400 --> 0:19:31.840
<v Speaker 1>dad wrong. Point take it. I'll reach out to him

0:19:31.840 --> 0:19:35.719
<v Speaker 1>again the mom and I'll see you with school. Hopefully

0:19:35.800 --> 0:19:37.800
<v Speaker 1>you're still alive in the morning. I put the phone

0:19:37.800 --> 0:19:40.480
<v Speaker 1>aside and collapse on my bed. I feel the weight

0:19:40.480 --> 0:19:43.040
<v Speaker 1>of every burned out nerve and impressing in on me,

0:19:43.600 --> 0:19:47.320
<v Speaker 1>anxiety from every direction. What is this with me? Lately?

0:19:48.040 --> 0:19:51.119
<v Speaker 1>I've been having so many panic attacks, missing my man's

0:19:51.119 --> 0:19:53.440
<v Speaker 1>and then I blow up my life for this weekended

0:19:53.520 --> 0:19:59.040
<v Speaker 1>viral villa out of nowhere. When I take a step back,

0:19:59.119 --> 0:20:06.000
<v Speaker 1>I to don't feel so good about it. I feel uneasy, sick,

0:20:06.160 --> 0:20:14.159
<v Speaker 1>sick to my stomach. Janelle not blowing up at me

0:20:14.280 --> 0:20:16.440
<v Speaker 1>is a clear sign that I've dug a grave for myself.

0:20:17.520 --> 0:20:22.480
<v Speaker 1>She's detached. She thinks less of me, that's clear, but

0:20:22.680 --> 0:20:24.480
<v Speaker 1>she wants in on the show and the grade for

0:20:24.480 --> 0:20:29.199
<v Speaker 1>the project. My worries from before about competing for her

0:20:29.200 --> 0:20:34.840
<v Speaker 1>with Marco seems like nothing now. Stupid teenage stuff, and

0:20:34.920 --> 0:20:37.640
<v Speaker 1>morning will soon come, and then I'll have to face

0:20:37.720 --> 0:20:40.440
<v Speaker 1>my parents, which will be less about the punishment and

0:20:40.880 --> 0:20:43.120
<v Speaker 1>definitely more about the scare that I put them through.

0:20:43.840 --> 0:20:49.399
<v Speaker 1>I'm sure that it's keeping me up. I expected to

0:20:49.400 --> 0:20:51.159
<v Speaker 1>have the memory of the week and to hold onto

0:20:51.200 --> 0:20:55.560
<v Speaker 1>like like like a source of pride and energy when

0:20:55.560 --> 0:20:58.359
<v Speaker 1>it came time to face these consequences with the actual

0:20:58.440 --> 0:21:01.200
<v Speaker 1>cost of it hanging over me. Now, I'm not sure.

0:21:06.960 --> 0:21:09.359
<v Speaker 1>One clod up in later and I am hoping to

0:21:09.440 --> 0:21:13.080
<v Speaker 1>fade out so I fantasized about the glamour. Coming back

0:21:13.080 --> 0:21:17.160
<v Speaker 1>to this weekend's memories, I'm remembering all the people I met,

0:21:17.840 --> 0:21:22.880
<v Speaker 1>the California's son, the surf, the pool, the food, all

0:21:22.880 --> 0:21:26.399
<v Speaker 1>of my horizons expanding. I can't go back to just

0:21:26.480 --> 0:21:28.439
<v Speaker 1>being a student at a STEM school, planning for a

0:21:28.480 --> 0:21:32.359
<v Speaker 1>normal life. I've had that taste again, the taste of

0:21:32.359 --> 0:21:36.840
<v Speaker 1>online fame. It's all within my reach. I'm about to

0:21:36.920 --> 0:21:40.840
<v Speaker 1>drift off the pleasant dreams when my phone buzzes. It's

0:21:40.840 --> 0:21:45.800
<v Speaker 1>an instant notification. It's from Marco. He's gone public with

0:21:45.880 --> 0:21:50.080
<v Speaker 1>our beef. He's tagged me in and he's now calling me.

0:21:50.119 --> 0:21:52.800
<v Speaker 1>I'll for abandoned my team to go to viral Villa.

0:21:53.160 --> 0:21:56.920
<v Speaker 1>Man I shifted up in bed. This is worse than

0:21:56.960 --> 0:22:00.159
<v Speaker 1>I thought. I want to respond with something, but the

0:22:00.240 --> 0:22:02.920
<v Speaker 1>men's to taking me down and and internet flame war

0:22:03.080 --> 0:22:06.199
<v Speaker 1>is Marco's home turf. He posted a parody of my

0:22:06.280 --> 0:22:08.879
<v Speaker 1>cameo on Corbin's feed, with him making the screwed up

0:22:08.920 --> 0:22:11.399
<v Speaker 1>face and airing all our dirty laundry in the caption

0:22:11.840 --> 0:22:14.639
<v Speaker 1>mask on. My good friend turned his back on me

0:22:14.760 --> 0:22:17.240
<v Speaker 1>this weekend and ran off to viral Villa like a villain.

0:22:18.040 --> 0:22:20.520
<v Speaker 1>But don't worry, here comes the break still dropped. No

0:22:20.680 --> 0:22:24.240
<v Speaker 1>thanks at all, Robinson, We're not cool. I mean, we'll

0:22:24.240 --> 0:22:28.960
<v Speaker 1>seeven the appropriate response to that. It's childish, right, but

0:22:29.200 --> 0:22:32.320
<v Speaker 1>he hates me. I'll deal with this in the morning

0:22:32.920 --> 0:22:36.000
<v Speaker 1>after my parents. I feel like I took my mask

0:22:36.040 --> 0:22:39.600
<v Speaker 1>off and everyone in my life recoiled in horror. What

0:22:39.680 --> 0:22:43.680
<v Speaker 1>do I do now? And now? An exclusive track from

0:22:43.720 --> 0:23:00.119
<v Speaker 1>st Body see Thank Kevin is v But the was

0:23:00.240 --> 0:23:02.600
<v Speaker 1>that shot and the brand new balls trying to make

0:23:02.640 --> 0:23:08.479
<v Speaker 1>the ditch. I see the streets of paper with gold

0:23:09.480 --> 0:23:22.600
<v Speaker 1>when the blackheads dropping needles. No one know mm hmm, no,

0:23:23.840 --> 0:23:32.680
<v Speaker 1>nohe knows. No one knows. Sackhead drives his needle. No

0:23:32.840 --> 0:23:36.480
<v Speaker 1>one no, but I know Heaven is weird. I'm still

0:23:36.560 --> 0:23:39.040
<v Speaker 1>learning my wife because where I'm from Black Girls there

0:23:39.080 --> 0:23:41.879
<v Speaker 1>treated like bod manipulated right than the end of bo

0:23:41.960 --> 0:23:45.800
<v Speaker 1>t Shirts, Long Beach Boulevard. In the Mini Stird Large,

0:23:46.000 --> 0:23:48.240
<v Speaker 1>save a couple of shoot ups, I didn't want to

0:23:48.240 --> 0:23:51.480
<v Speaker 1>be involved. I needed guy this because I didn't feel important.

0:23:51.840 --> 0:23:53.960
<v Speaker 1>I let him touch because I didn't have a voice.

0:23:54.400 --> 0:23:59.680
<v Speaker 1>Took many things den Black Girls and it doesn't need

0:24:00.200 --> 0:24:08.120
<v Speaker 1>love and learning the war and you'll be game. No hearts,

0:24:08.359 --> 0:24:11.919
<v Speaker 1>but you got to brush your dirt off. Let the

0:24:12.080 --> 0:24:18.440
<v Speaker 1>angle jeans of the fine. Oh. I feel like Kevin

0:24:18.560 --> 0:24:22.160
<v Speaker 1>is real, but the devil's that shot in the brand

0:24:22.200 --> 0:24:27.840
<v Speaker 1>New bullsh trying to make the deep. I see the

0:24:27.920 --> 0:24:32.680
<v Speaker 1>streets of paper gold or on the Blackhead dropping needles.

0:24:33.160 --> 0:24:50.200
<v Speaker 1>I don't want know, mm hmm, nor knows. No one knows, no, No,

0:24:50.960 --> 0:24:55.800
<v Speaker 1>Backeat drops his needle. Non't know, but I know Heaven

0:24:55.920 --> 0:24:58.120
<v Speaker 1>is flirts and the doctor reveals herself in a light

0:24:58.640 --> 0:25:00.400
<v Speaker 1>scars on your back, show to st I think you'll

0:25:00.440 --> 0:25:03.320
<v Speaker 1>flight and I know it ain't needs it. Wait Jeous

0:25:03.359 --> 0:25:06.560
<v Speaker 1>bullet proves you don't fue blood. The suberstrass old on

0:25:07.359 --> 0:25:10.679
<v Speaker 1>breaking should don't to bid up because behind all that thing,

0:25:10.880 --> 0:25:14.600
<v Speaker 1>Shanno Glitch, you shine like that to him, you shine

0:25:14.720 --> 0:25:20.560
<v Speaker 1>too many seas dead blood girls and it doesn't need

0:25:20.680 --> 0:25:26.879
<v Speaker 1>to love and learning all any of the game. No

0:25:27.280 --> 0:25:37.440
<v Speaker 1>not spill be No, No, they are find another. I

0:25:37.720 --> 0:25:42.520
<v Speaker 1>feel like Kevin is me, but the Devil's I shot

0:25:42.520 --> 0:25:46.040
<v Speaker 1>and the brand new Pauls trying to make the deep.

0:25:47.320 --> 0:25:51.480
<v Speaker 1>I see the streets of paper gold or in the

0:25:51.560 --> 0:26:12.119
<v Speaker 1>clackets drapping needles. Don't want know m hm, you're sec

0:26:12.440 --> 0:26:18.800
<v Speaker 1>Jeff Steed, but I know heaven is here. Comes to

0:26:18.880 --> 0:26:21.320
<v Speaker 1>Break is produced by Double Elvis and partnership with I

0:26:21.440 --> 0:26:25.359
<v Speaker 1>Heart Radio Executive produced by Deaf Jam Recordings Executive produced

0:26:25.400 --> 0:26:28.880
<v Speaker 1>by and starring Asanti Black is Ruben, Produced by Danielle

0:26:28.920 --> 0:26:32.879
<v Speaker 1>Perkins who plays Janelle, Bobby cs is Marco, Christopher V.

0:26:33.119 --> 0:26:36.760
<v Speaker 1>Edwards as Dad, Raymie Cornell is Mom, and Taylor Bettenson.

0:26:36.960 --> 0:26:40.200
<v Speaker 1>Written by Taylor Bettenson and the Kia Hill Artist Interviews

0:26:40.200 --> 0:26:44.480
<v Speaker 1>conducted by Nikia Hill, directed by Christopher V. Edwards, mixed

0:26:44.480 --> 0:26:47.919
<v Speaker 1>and edited by Matt ta Hainy. Sound recording by Colin Fleming,

0:26:48.280 --> 0:26:52.240
<v Speaker 1>music Elements and production by Ryan's Breaker, Additional production support

0:26:52.280 --> 0:26:56.360
<v Speaker 1>by Jamie Dimons. Executive produced by Jake Brennan and Grady Sadler.

0:26:56.480 --> 0:27:00.640
<v Speaker 1>For Double Elvis Special thanks to En Rosenbaum, show B Shankman,

0:27:01.000 --> 0:27:05.199
<v Speaker 1>Sarah Cone and Jodian Guerilla, United Talent Agency, be Comedia

0:27:05.240 --> 0:27:09.080
<v Speaker 1>and Marketing, Barack Muffatt and Universal Music Group, Rich Isaacson,

0:27:09.400 --> 0:27:14.560
<v Speaker 1>Lind Gonzalez, Charlene Thomas, Merrissa Pizarro, Gabriel To Serrierio, Jessic

0:27:14.600 --> 0:27:18.880
<v Speaker 1>Commanderino and Naria Fleming at Deaf Jam Recordings and Conald Burn,

0:27:19.240 --> 0:27:22.960
<v Speaker 1>Carrie Lieberman, Will Pearson, Noel Brown and the entire I

0:27:23.080 --> 0:27:25.879
<v Speaker 1>Heeart Media team to hear bonus content, meet the cast,

0:27:26.080 --> 0:27:27.920
<v Speaker 1>and go behind the scenes of Here It Comes to Break.

0:27:28.119 --> 0:27:31.040
<v Speaker 1>Follow with Double Elvis on Instagram or visit double Elvis

0:27:31.119 --> 0:27:31.480
<v Speaker 1>dot com